WEBVTT - "Photography" w/ Richard Perez

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<v Speaker 1>Podcast starts now. First of all, Happy New Year. Yeah,

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<v Speaker 1>and you know what, Yes, it's the new year. But

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<v Speaker 1>I'll tell you this and I and I know, I

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<v Speaker 1>know is off to a rockets start. I know that

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<v Speaker 1>everyone listening to this is wealthier, smarter, healthier, more sexually

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<v Speaker 1>aroused than they were any other previous year of their life.

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<v Speaker 1>It doesn't matter if you're or five, um. But I

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<v Speaker 1>will say that currently we are recording in the previous

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<v Speaker 1>new year, so you don't So if you don't see

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<v Speaker 1>that spark, if you don't hear that spark in our voices,

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<v Speaker 1>it's still two in our world, still here. But but

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<v Speaker 1>I'll say to you. To you, I say, happy New Year,

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<v Speaker 1>and congratulations on being in the first good year, because

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<v Speaker 1>this is the year that everything gets turned around. Finally,

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<v Speaker 1>I am it's so clear to me. It's so clear

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<v Speaker 1>to me that is going to be that year. I

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<v Speaker 1>mean it's symmetrical. First of all, they're equal, and then

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<v Speaker 1>it's of course the twelve year and the calendar of

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<v Speaker 1>the ancients, and so those two things alone, I mean,

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<v Speaker 1>it's it's numerology. I mean, when I woke up today

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<v Speaker 1>on UM January three, I saw um that it was

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<v Speaker 1>cold outside, and I actually looked up an almanac, um

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<v Speaker 1>that said when it's cold outside in January three, that

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<v Speaker 1>means the year is going to be perfect. Yeah. I

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<v Speaker 1>read that too, and it was so touch and go there,

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<v Speaker 1>because you know, you never know January three, if it's

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<v Speaker 1>going to be cold or tropical every year, it's a

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<v Speaker 1>real mystery. And and I did read that, and you know,

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<v Speaker 1>people say, oh, don't believe in that stuff, but um,

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<v Speaker 1>this was actually uh. Anthony Fauci said this. He said,

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<v Speaker 1>if it's cold on January three, it's gonna be If

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<v Speaker 1>it's cold on January three, then this year is going

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<v Speaker 1>to be a sleigh and a half Mauma. And he

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<v Speaker 1>said that in an op ed for The New York Times.

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<v Speaker 1>You know, we started saying malma, trying to overpronounce malma,

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<v Speaker 1>and now I can't say it normal. I have to

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<v Speaker 1>Jamie Lee. It's like Jamie Lee curtisying trauma in that video.

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<v Speaker 1>That's how we are with Mauma. Yes, Mama, yes, Mauma.

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<v Speaker 1>Um I okay. So predictions for the new year. I

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<v Speaker 1>think it's gonna be sort of like I think it's

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<v Speaker 1>gonna all over again. No one has any problems everyone's

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<v Speaker 1>like bank accounts are chock full. Um, there's no such

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<v Speaker 1>thing as taxes. They've decided to do away with them.

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<v Speaker 1>And um, yeah, it's everyone's going to have sort of

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<v Speaker 1>a subtropical year. Um, but without the precipitation. Right, it's subtropical.

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<v Speaker 1>But it's not like because of global warming. It's because

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<v Speaker 1>the vibes are good. Yeah. Um. If we can bring

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<v Speaker 1>it back to the present day, the year in which

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<v Speaker 1>we are currently recording, I think it's important to address

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<v Speaker 1>that we're both cranky. Yes, we're both cranky. Um, but

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<v Speaker 1>you know what, though earlier today I was thinking back

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<v Speaker 1>to something that made me really smile, and I was like,

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<v Speaker 1>you know what if you feel like you're getting cranky,

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<v Speaker 1>which I was just think back to that what what

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<v Speaker 1>what made you smile? So I told you this, uh,

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<v Speaker 1>like a couple of weeks ago, and it happened. But

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<v Speaker 1>it was when I had that substitute yoga instructor and

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<v Speaker 1>he was sort of Uh. I would say, not, um,

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<v Speaker 1>what you would normally maybe assume as someone with biases

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<v Speaker 1>would be a yoga instruct He was a thirteen year

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<v Speaker 1>old boy. Yeah yeah, and he was really fucked up

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<v Speaker 1>looking kept talking about roadblocks. Yeah, it was. Um. He

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<v Speaker 1>was a he was a sort of older gentleman. He

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<v Speaker 1>was maybe close to sixty. Um. And he himself said,

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<v Speaker 1>just so that everyone can picture what I'm explaining, what

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<v Speaker 1>I'm talking about, he himself said that he's been told

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<v Speaker 1>he looks like William H. Macy, so that's sort of

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<v Speaker 1>what you can picture. Um. And I and he seemed,

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<v Speaker 1>you know, he had really good vibes, and I was like, wow,

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<v Speaker 1>I wonder if this guy is like a straight guy

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<v Speaker 1>that was into Buddhism in the eighties, Like that's the

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<v Speaker 1>sort of vibe, or if he's like an older gay

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<v Speaker 1>guy who was doing this on the side and I

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<v Speaker 1>couldn't crack it. I couldn't crack it. And he was,

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<v Speaker 1>you know, he talked in a sort of neutral voice,

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<v Speaker 1>so I couldn't tell if he if you know, which

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<v Speaker 1>which way he swung. Um to go back, of course.

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<v Speaker 1>And so then about fifteen twenty minutes of the class,

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<v Speaker 1>a song started and he said, Florence in the Machine.

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<v Speaker 1>I'm obsessed in. That moment just really brought me back

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<v Speaker 1>to the holiday spirit on a day when I wasn't

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<v Speaker 1>in it. Yeah, that is so powerful, Is there anything more.

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<v Speaker 1>I mean, if and if you're in a bad mood now,

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<v Speaker 1>I know, January three can feel sort of like a

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<v Speaker 1>colm down because it's no longer than you it's no

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<v Speaker 1>longer New Year's Day, and it's no longer the day

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<v Speaker 1>after Year's Day, where still um sort of new. I mean,

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<v Speaker 1>it's basically just a Tuesday. Yeah, I don't know. The

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<v Speaker 1>New year actually kind of always does it for me.

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<v Speaker 1>It like really does make me feel like, you know what,

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<v Speaker 1>let's restart, like that all of that year didn't count

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<v Speaker 1>and I it's I am grateful to always have naive

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<v Speaker 1>optimism and be like, you know what, fuck it, this

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<v Speaker 1>is the best year of my life starting now. Do

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<v Speaker 1>you have that more with New Year's or with your birthday? Oh? God,

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<v Speaker 1>New Year's because it feels more like, um, I like

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<v Speaker 1>being among the people, you know, I like being like

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<v Speaker 1>we can all have this um When when it's my birthday,

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<v Speaker 1>it's more like like it's sort of like, okay, so

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<v Speaker 1>what did I Like? It's very personal, like what did

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<v Speaker 1>I do in the last year? In one way, that's

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<v Speaker 1>like that doesn't really feel good to just examine yourself

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<v Speaker 1>in isolation. No, you have to examine the whole world.

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<v Speaker 1>And and also you know, to think that your own

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<v Speaker 1>birthday is in your beginning is very Messiah complex, like

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<v Speaker 1>well you're not, You're not Jesus No. And also like

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<v Speaker 1>do you make like birthday resolutions? If so, Like I

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<v Speaker 1>can't imagineing more toxic. I actually get a tree for

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<v Speaker 1>my birthday and the presence under every year. That's crazy.

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<v Speaker 1>Everybody's seeing old Lang sign. Oh wow. Yeah, well you

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<v Speaker 1>came up with Christmas carols for your birthday that have

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<v Speaker 1>the same tune of normal Christmas carols, but they're all

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<v Speaker 1>like Sam Sam, Sam Sam. Yeah, I made I paid

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<v Speaker 1>Spotify one billion dollars so they could do a rapt

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<v Speaker 1>for me every time it's my birthday. Well, happy New Year, Sam,

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<v Speaker 1>Happy New Year, George. It's gonna be I really do

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<v Speaker 1>think it's gonna be a good one. Yeah, I've got

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<v Speaker 1>a really good feeling about it. Me too. I think

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<v Speaker 1>us being cranky on December is a sign that the

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<v Speaker 1>new year is actually gonna be better, because um, it's

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<v Speaker 1>like that thing where like one time I was listening

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<v Speaker 1>to a comedy podcast and they were talking about how

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<v Speaker 1>like they were filming like a late night set and

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<v Speaker 1>they bombed their their show right before the late night set,

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<v Speaker 1>and how that's actually a good sign because it means

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<v Speaker 1>you're actually gonna crush the late night set, of course.

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<v Speaker 1>And so I actually feel that way about um my

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<v Speaker 1>mood right now. We're the show you can sort of

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<v Speaker 1>if you can just flop flop, flop over and over again,

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<v Speaker 1>that means at some point you're gonna slay. Hey, nowhere

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<v Speaker 1>to go but up, nowhere to go but up? And

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<v Speaker 1>that has never been more true, sweetie. I don't know,

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<v Speaker 1>I actually kind of feel like our crankiness is coming

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<v Speaker 1>through too much. Is that bad? Okay, I'm sorry, I'm sorry.

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<v Speaker 1>That was that my fault? No, no, no, it's my

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<v Speaker 1>I think it's I don't. I think it's a mutual. Well,

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<v Speaker 1>here's what here, here's what I will say. When we

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<v Speaker 1>are in the mindset of it being January three, it's

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<v Speaker 1>not coming across. But then when we go back to

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<v Speaker 1>is coming across. So really, all of us, all three

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<v Speaker 1>of us, have to be January three. I am, I

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<v Speaker 1>am January three. This is the face of January three.

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<v Speaker 1>This it really is like you actually can access the

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<v Speaker 1>January three within you at any given time. Hey, Hey,

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<v Speaker 1>you know what, I always say, it's January three somewhere,

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<v Speaker 1>and sheers to that. Hey I'll drink to that. Oh oh,

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<v Speaker 1>I've been drinking this whole time. I'm black. Oh well,

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<v Speaker 1>you already did say let's bring in, said the three

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<v Speaker 1>of us. So I think it's time. Yeah, it's time,

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<v Speaker 1>It's time. It's the Chekov's guest, the classic scenario where

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<v Speaker 1>two podcast hosts have to bring in one podcast guest

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<v Speaker 1>after doing a bit about it being January three, read

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<v Speaker 1>about it in books, and so, without further ado, it

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<v Speaker 1>is my pleasure, honor, and delight to welcome to the

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<v Speaker 1>stage Richard Perez. Hi, Hi, January three. So how's your

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<v Speaker 1>it is? Literally it's oh my god, Oh my god, Hi,

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<v Speaker 1>oh my god. George said, how is your New Year's

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<v Speaker 1>You still have glitter on you from the parson. Oh

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<v Speaker 1>my god. I had the best time ever. I was

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<v Speaker 1>with a lot of people with my friends. Haven't fun? Yeah?

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<v Speaker 1>And it felt really good. Oh yeah, we just absolutely

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<v Speaker 1>hanging yeah, good morning here, like please fill this island.

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<v Speaker 1>It was fun. Richard. I'm going to ask you something

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<v Speaker 1>and if you don't want to do it, you say

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<v Speaker 1>no and we'll cut up that I asked, you, do

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<v Speaker 1>you want to debut Pelley? You know what? Yeah, okay,

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<v Speaker 1>but I can't. I can't take the credit. Wait, I

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<v Speaker 1>thought it was you know, it was Charlie, but no, no, no,

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<v Speaker 1>Charlie texted me about it out of the blue, and

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<v Speaker 1>then I was like, I'm on board. I want to

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<v Speaker 1>sign up for this project. And then we went to

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<v Speaker 1>two parties this weekend and I debuted it with the

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<v Speaker 1>help of charl Like. I was like, Charlie, come on,

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<v Speaker 1>because I'm sorry to say this, but you know we

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<v Speaker 1>were Sam and I were at one of those or

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<v Speaker 1>at least one of those parties, and I could have sworn.

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<v Speaker 1>I asked who owns it? And you said you did?

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<v Speaker 1>But maybe I must remember. No, I don't know. I don't. Um. Well,

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<v Speaker 1>I have a question, Richard. Would you define your friend

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<v Speaker 1>Charlie Barday as a litigious person? What does that word mean?

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<v Speaker 1>Is he going to find ways to pursue legal action? Now?

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<v Speaker 1>If you debut Pelly without him? My instinct says no, okay, okay,

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<v Speaker 1>I don't think he'd be upset with me. I don't

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<v Speaker 1>think so. Well, I'm not worried about it if he

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<v Speaker 1>gets upset I'm worried if he get if he gets legal,

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<v Speaker 1>if he gets legal. Yeah, well you know what if

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<v Speaker 1>it gets legal, if he gets legal, I am saying

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<v Speaker 1>on the record, on the record, if Charlie Barday two

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<v Speaker 1>time two time Straighter Lab guests and one time Lab

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<v Speaker 1>should text him, should it be like would you be

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<v Speaker 1>upset if I said Pelly on the If he is upset,

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<v Speaker 1>I've promised we will have him back on and hear

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<v Speaker 1>his side of the story. Pelly, So, Richard, what is Pelly?

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<v Speaker 1>Pelly is essentially um Literally, Charlie texted me out of

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<v Speaker 1>the blue. We both had a hundred degree fevers, we

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<v Speaker 1>had the flu at the same time, and he just

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<v Speaker 1>texted me out of the blue and was like, instead

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<v Speaker 1>of period, I'm gonna start saying Pelly, just out of

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<v Speaker 1>the blue. I was like, I was like, I'm I'm

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<v Speaker 1>a I want to do it. You were like Pelly.

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<v Speaker 1>And then so it really is that simple. It's just

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<v Speaker 1>you know, you say something someone's like instead of pere,

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<v Speaker 1>however you say period, just say Pelly. Just say Pelly. Yeah.

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<v Speaker 1>And so a sort of an example where you would

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<v Speaker 1>use it in a sentence is just like it's really

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<v Speaker 1>cold out today, Pelly, and so you have been you know,

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<v Speaker 1>this started and now you're sort of making it happen.

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<v Speaker 1>How has that journey gone? Um? Right, it's been. I've

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<v Speaker 1>gotten a few texts, like messages from friends being like

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<v Speaker 1>what is Pally? And I can tell they feel vulnerable

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<v Speaker 1>asking yeah, And even one friend was all right, my

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<v Speaker 1>coworker today, like I said it to him. Now I

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<v Speaker 1>say it without realizing I'm doing it. And so we

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<v Speaker 1>were just like talking, I don't even know, I don't

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<v Speaker 1>even know what I said. And I was like Pally

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<v Speaker 1>and then he was like Pally and then he was

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<v Speaker 1>like he started laughing and that He's like, you know,

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<v Speaker 1>to be honest, what is that? And then he told

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<v Speaker 1>me he like googled it, he was like researching. He

0:13:43.320 --> 0:13:46.040
<v Speaker 1>was like upset. He didn't know what that meant. He's like,

0:13:46.080 --> 0:13:48.920
<v Speaker 1>I'm out of the loop. I don't know what that is. Okay,

0:13:48.920 --> 0:13:52.200
<v Speaker 1>this is though, how I mean what I love about this? God,

0:13:52.280 --> 0:13:55.160
<v Speaker 1>It's just you know, so often something like on Fleet

0:13:55.240 --> 0:13:57.120
<v Speaker 1>for instance, you know, it's like there's a viral video

0:13:57.200 --> 0:13:59.360
<v Speaker 1>and then it catches on from there. But this is

0:13:59.400 --> 0:14:05.040
<v Speaker 1>really ground up, like this whole grassroots, grassroots, like even Charlie,

0:14:05.200 --> 0:14:08.120
<v Speaker 1>someone who someone who is very active on the Internet,

0:14:08.160 --> 0:14:12.240
<v Speaker 1>who who of course goes on about it. Yeah, but

0:14:12.320 --> 0:14:16.360
<v Speaker 1>he's like he decided in texted just you his close

0:14:16.400 --> 0:14:19.880
<v Speaker 1>friend because he knew that I blab. Yeah, he knew.

0:14:20.160 --> 0:14:23.000
<v Speaker 1>And neither of you. When I really appreciate about this

0:14:23.480 --> 0:14:25.920
<v Speaker 1>is that neither of you really ever defined it in

0:14:25.960 --> 0:14:29.280
<v Speaker 1>any written way or online, like you really are just

0:14:29.320 --> 0:14:32.040
<v Speaker 1>like we're gonna start saying it. We're gonna start saying

0:14:32.040 --> 0:14:34.880
<v Speaker 1>it and people will catch on because it's ultimately not

0:14:34.920 --> 0:14:38.600
<v Speaker 1>that complicated. It's not at all like like yeah, we

0:14:38.520 --> 0:14:41.240
<v Speaker 1>we we were talking about it on Sunday. We were like,

0:14:41.280 --> 0:14:43.960
<v Speaker 1>what if we just literally like I don't know, like

0:14:44.240 --> 0:14:47.640
<v Speaker 1>we make something like in the New Year, like and

0:14:49.120 --> 0:14:51.240
<v Speaker 1>we just sneak it in there and like don't even

0:14:51.320 --> 0:14:52.960
<v Speaker 1>give it not like we're just like I don't know,

0:14:53.000 --> 0:14:54.520
<v Speaker 1>like if him and I are like doing a video

0:14:54.600 --> 0:14:58.320
<v Speaker 1>or something, and then our characters are just like saying

0:14:58.480 --> 0:15:02.400
<v Speaker 1>like we're just like and that not even the Yeah,

0:15:04.840 --> 0:15:07.560
<v Speaker 1>so like I think I'm gonna call the car. Like

0:15:08.880 --> 0:15:11.520
<v Speaker 1>it's like the video is about like how someone has

0:15:11.560 --> 0:15:13.360
<v Speaker 1>a third ear in the back of their head and

0:15:13.400 --> 0:15:15.440
<v Speaker 1>they're like not me having a third ear and then

0:15:15.480 --> 0:15:17.280
<v Speaker 1>the other one's like Pally and then they just go

0:15:17.600 --> 0:15:23.600
<v Speaker 1>like just keep sneaking it in or something. It really

0:15:23.640 --> 0:15:27.480
<v Speaker 1>speaks to your ability as a performer, um to just

0:15:27.600 --> 0:15:31.640
<v Speaker 1>make something infectious. Because I'm really liking this whole process

0:15:31.680 --> 0:15:34.800
<v Speaker 1>where you know, Charlie wrote and of course executive produced

0:15:34.840 --> 0:15:38.480
<v Speaker 1>the project, and you are, you know, taking down on

0:15:38.480 --> 0:15:41.280
<v Speaker 1>the road. You're you're testing out in small rooms and

0:15:41.280 --> 0:15:44.920
<v Speaker 1>then yeah, exactly bigger rooms, you know, and just it's

0:15:44.960 --> 0:15:47.160
<v Speaker 1>just really taking off in this way. I feel the

0:15:47.200 --> 0:15:50.080
<v Speaker 1>movement because I even feel myself like like I don't

0:15:50.080 --> 0:15:51.640
<v Speaker 1>want to say it on this podcast because I want

0:15:51.640 --> 0:15:54.520
<v Speaker 1>to practice it in the mirror before I do. And

0:15:54.520 --> 0:15:57.120
<v Speaker 1>I'm like, totally I feel the same one. Don't overthink it.

0:15:57.120 --> 0:15:59.960
<v Speaker 1>It's so simple, you know what. I think every time

0:16:00.000 --> 0:16:01.960
<v Speaker 1>I've said it so far, I have really forced it.

0:16:02.000 --> 0:16:04.080
<v Speaker 1>And I'm like, I can't wait for a natural. I

0:16:04.120 --> 0:16:07.440
<v Speaker 1>can't wait for a natural. By the end of this podcast,

0:16:07.480 --> 0:16:09.520
<v Speaker 1>there will be a natural place where I will say,

0:16:09.560 --> 0:16:15.120
<v Speaker 1>Pey feels so good, thank you. I was, I was

0:16:15.200 --> 0:16:21.200
<v Speaker 1>feeling it right then. So would you say Charlie is

0:16:21.200 --> 0:16:25.160
<v Speaker 1>sort of the Jack Antonov and you're the Taylor Swift

0:16:25.240 --> 0:16:29.280
<v Speaker 1>like he you know you he executive produced it, came

0:16:29.360 --> 0:16:33.360
<v Speaker 1>up with it, but it's up to you, and you're

0:16:34.240 --> 0:16:37.080
<v Speaker 1>you know, maybe you, as a blonde woman, are more

0:16:37.120 --> 0:16:42.280
<v Speaker 1>relatable to the average to the average American. Honestly, you were, yeah,

0:16:42.520 --> 0:16:46.360
<v Speaker 1>maybe I'll say yes, like you're touring because it's like,

0:16:46.400 --> 0:16:50.480
<v Speaker 1>well it sounds it sounds like coming out of your mouth.

0:16:50.720 --> 0:16:54.920
<v Speaker 1>It feels right, sounds it feels right. But yeah, and

0:16:54.960 --> 0:16:57.560
<v Speaker 1>like I actually think it will really help Charlie because

0:16:57.560 --> 0:17:00.480
<v Speaker 1>like I remember like his solo project and he like

0:17:00.960 --> 0:17:03.440
<v Speaker 1>had that word that he made up called like no

0:17:03.520 --> 0:17:06.399
<v Speaker 1>One Keeper Swanky Monkeys. Oh yeah, he actually did make

0:17:06.440 --> 0:17:13.320
<v Speaker 1>up swinky and you know keep was his bleachers right exactly.

0:17:13.320 --> 0:17:20.639
<v Speaker 1>It was like and it was like, yeah, like that's good,

0:17:20.800 --> 0:17:23.840
<v Speaker 1>Like sure, like some people really like keeper Swinky. But

0:17:23.880 --> 0:17:26.960
<v Speaker 1>like it's like Pelly is like he's like taking this

0:17:27.040 --> 0:17:30.800
<v Speaker 1>like bigger role in like more of that territorial way,

0:17:30.920 --> 0:17:33.400
<v Speaker 1>and it's like you're really seeing his taste and like

0:17:33.560 --> 0:17:38.200
<v Speaker 1>it's just and Pelly is simpler, like more people are

0:17:38.200 --> 0:17:41.119
<v Speaker 1>gonna I mean, okay, so no one keepers showing key

0:17:41.240 --> 0:17:49.000
<v Speaker 1>means nevertheless keepers, right, That's that's like did vocals on that, right,

0:17:49.600 --> 0:17:51.879
<v Speaker 1>he did vocals on it, and he and he did

0:17:52.880 --> 0:17:55.800
<v Speaker 1>like yeah, and it was like good, like people do

0:17:55.960 --> 0:17:58.479
<v Speaker 1>like it, but like not as many, you know what

0:17:58.480 --> 0:18:02.960
<v Speaker 1>I mean, like quite simple pure people are going to

0:18:03.000 --> 0:18:06.600
<v Speaker 1>want to say nevertheless, you persisted in like an iranic way.

0:18:06.880 --> 0:18:09.959
<v Speaker 1>Then then are gonna want to say period in conversation.

0:18:10.200 --> 0:18:16.720
<v Speaker 1>R wow, wow. I um, I'm just so honored that

0:18:16.800 --> 0:18:20.560
<v Speaker 1>he Yeah, I'm just so honored he like knew that

0:18:20.600 --> 0:18:25.080
<v Speaker 1>my voice would fit his project. Yeah, and you're you know,

0:18:25.080 --> 0:18:30.240
<v Speaker 1>you're a relatively new artist. Yeah, so to trust you

0:18:30.280 --> 0:18:32.359
<v Speaker 1>with that, to trust you with that, and to say, like,

0:18:33.280 --> 0:18:36.040
<v Speaker 1>you know, she might not be a household name yet,

0:18:37.080 --> 0:18:41.359
<v Speaker 1>but I can't imagine someone else having Palely like I can't.

0:18:41.560 --> 0:18:45.399
<v Speaker 1>It can't be h you know, it can't be an

0:18:45.400 --> 0:18:50.320
<v Speaker 1>Eliza's lessing, can't be a John Mullaney like yes, you

0:18:50.400 --> 0:18:59.320
<v Speaker 1>know of course being like Pally like yeah, you know, yes,

0:18:59.440 --> 0:19:03.000
<v Speaker 1>John Mlae, Like sure, John Maliney can sell anything. He's huge,

0:19:03.040 --> 0:19:05.480
<v Speaker 1>like he can go around and tour and and and

0:19:05.680 --> 0:19:11.280
<v Speaker 1>spread pelly. But like it wouldn't it wouldn't be special, right,

0:19:11.640 --> 0:19:14.000
<v Speaker 1>It wasn't the same impact, and it would feel forced,

0:19:14.040 --> 0:19:18.080
<v Speaker 1>it would feel ful right, it would be so like manufactured.

0:19:19.320 --> 0:19:21.320
<v Speaker 1>And that's why I mean, that is why Charlie is

0:19:21.320 --> 0:19:24.119
<v Speaker 1>like Jack Antonov is because he thought of this with you.

0:19:24.480 --> 0:19:26.840
<v Speaker 1>It's like Jack Antonov writes different things for Lana and

0:19:27.080 --> 0:19:30.920
<v Speaker 1>does for Tailor than he does Lord A little. No, yeah,

0:19:31.040 --> 0:19:38.159
<v Speaker 1>definitely question very Lord. And Pelly is giving lay and

0:19:38.240 --> 0:19:40.280
<v Speaker 1>not just because it sounds like you're speaking in New Zealand,

0:19:40.320 --> 0:19:48.520
<v Speaker 1>answered Pelly. Hell, I can I read the text. On

0:19:48.560 --> 0:19:55.600
<v Speaker 1>Thursday PM, Charlie texted me. When I say Pelly, I

0:19:55.680 --> 0:20:07.800
<v Speaker 1>mean period and I said, ha, No, that's fucking cute though, Pelly, Well,

0:20:07.920 --> 0:20:10.840
<v Speaker 1>I told Charlie. I texted Charlie, I think Pelly is

0:20:10.840 --> 0:20:15.080
<v Speaker 1>going to become the new Bench like that that is

0:20:15.119 --> 0:20:18.840
<v Speaker 1>the level of because Bench. Here's the thing with Bench,

0:20:18.920 --> 0:20:20.800
<v Speaker 1>I mean, much like a lot of Jack Entnot's work,

0:20:21.200 --> 0:20:25.359
<v Speaker 1>it is both it's both indie and mainstream, Like do

0:20:25.400 --> 0:20:27.720
<v Speaker 1>you know what I mean. It's like it's sort of

0:20:27.840 --> 0:20:31.159
<v Speaker 1>Carly ray Jepson Like it's like it's indie enough to

0:20:31.160 --> 0:20:33.920
<v Speaker 1>have a cool factor, but it's mainstream enough that like, yes,

0:20:34.040 --> 0:20:39.560
<v Speaker 1>Taylor Swift could cover it for Tiny Dog. Oh my god. Wow.

0:20:40.280 --> 0:20:43.000
<v Speaker 1>So like John Laney could say it. John Laney could

0:20:43.000 --> 0:20:45.280
<v Speaker 1>definitely say it. But here's the thing. But when he does,

0:20:45.400 --> 0:20:48.280
<v Speaker 1>then people will be like, Okay, I guess Pelly's over.

0:20:48.720 --> 0:20:51.560
<v Speaker 1>Well some you know, we will be, but like, there

0:20:51.560 --> 0:20:53.080
<v Speaker 1>will be a lot of people that will be like

0:20:53.440 --> 0:20:57.640
<v Speaker 1>wearing Pelly shirts at that point. That's true. I mean,

0:20:57.720 --> 0:21:01.520
<v Speaker 1>there will be like keep common Pelly. There will be

0:21:02.080 --> 0:21:09.119
<v Speaker 1>like sorry, keep coming on. There will be like, you know,

0:21:09.640 --> 0:21:12.119
<v Speaker 1>sort of um. I mean, I hate to say it

0:21:12.160 --> 0:21:13.840
<v Speaker 1>because this is not my story to tell, but there

0:21:13.880 --> 0:21:17.040
<v Speaker 1>will be feminine products that use Pelly to mean the

0:21:17.080 --> 0:21:23.840
<v Speaker 1>other kind of period and that. UM. I just think

0:21:23.880 --> 0:21:26.160
<v Speaker 1>what was so amazing about the rollout of this product

0:21:26.520 --> 0:21:32.320
<v Speaker 1>is the um you really created sort of an exclusiveness

0:21:32.920 --> 0:21:36.840
<v Speaker 1>that made people, you know, feel like they're on the

0:21:36.880 --> 0:21:39.480
<v Speaker 1>outside and in a way that really makes them want

0:21:39.680 --> 0:21:42.600
<v Speaker 1>to to understand Pelly. It really makes them want to

0:21:42.640 --> 0:21:46.000
<v Speaker 1>be able to perform it themselves exactly. Um. I found.

0:21:46.040 --> 0:21:48.680
<v Speaker 1>I mean when we were at this party a few

0:21:48.840 --> 0:21:51.399
<v Speaker 1>days ago and I was across the room and I

0:21:51.400 --> 0:21:53.800
<v Speaker 1>think I was even you know, maybe walking over to

0:21:53.920 --> 0:21:56.440
<v Speaker 1>your section and hadn't even been to your section of

0:21:56.480 --> 0:21:58.320
<v Speaker 1>the party yet, so you know, I was already feeling

0:21:58.359 --> 0:22:04.440
<v Speaker 1>mothered in many ways off. Yeah, and so you um, actually,

0:22:04.560 --> 0:22:06.520
<v Speaker 1>as a group, ILL looked at me and said, Sam,

0:22:06.800 --> 0:22:10.320
<v Speaker 1>say Pelly, and I said, I don't know what that means,

0:22:11.280 --> 0:22:14.159
<v Speaker 1>and you said, just say it, just say Pelly. And

0:22:14.160 --> 0:22:20.960
<v Speaker 1>then I said Kelly, and then everyone goes and no.

0:22:21.119 --> 0:22:25.880
<v Speaker 1>It felt it really felt um middle school bully, sort

0:22:25.880 --> 0:22:28.600
<v Speaker 1>of back of the bus vibes, but in a way

0:22:28.680 --> 0:22:33.199
<v Speaker 1>that triggered such an emotional response that I said, I

0:22:33.240 --> 0:22:35.640
<v Speaker 1>will never from this point on, I will never not

0:22:35.760 --> 0:22:38.800
<v Speaker 1>know what Pelly is. Yeah, um for better or work

0:22:38.920 --> 0:22:42.359
<v Speaker 1>sometimes you need to do those tactics. The marketing is

0:22:42.440 --> 0:22:47.000
<v Speaker 1>just very genius. Yeah, the marketing, marketing. And I think Sam,

0:22:47.000 --> 0:22:49.400
<v Speaker 1>you're pointing to such an important part of Pelly, which

0:22:49.520 --> 0:22:52.680
<v Speaker 1>is it sounds exclusive, but as soon as you figure

0:22:52.720 --> 0:22:57.399
<v Speaker 1>it's so obvious, it's like it's not like there's nothing complicated,

0:22:58.119 --> 0:23:01.680
<v Speaker 1>and so it's really kind of in that way poptimist.

0:23:01.960 --> 0:23:14.360
<v Speaker 1>M m hm m hmmm. And Pelly helly Lly, Pellylly

0:23:15.840 --> 0:23:24.520
<v Speaker 1>just like so like yeah, Belly, Kelly, so like proud

0:23:24.520 --> 0:23:28.320
<v Speaker 1>of yourself. Yeah, proud of yourself for like punctuating whatever

0:23:28.359 --> 0:23:41.400
<v Speaker 1>your statement was. Yeah, Pelly, Belly should we do our

0:23:41.440 --> 0:23:44.359
<v Speaker 1>first segment and just know in our hearts that Pelly

0:23:44.400 --> 0:23:47.720
<v Speaker 1>will come back. Yeah. And I also just want to say, George,

0:23:47.720 --> 0:23:50.080
<v Speaker 1>thank you for bringing up Pelly. Yeah, I think, thank

0:23:50.119 --> 0:23:52.479
<v Speaker 1>you so much. And if Charlie does get upset with

0:23:52.520 --> 0:23:57.920
<v Speaker 1>me on January third, he probably won't because he'll be

0:23:57.960 --> 0:24:00.640
<v Speaker 1>in a good mood I think in jail, right, it's

0:24:00.640 --> 0:24:06.520
<v Speaker 1>the new year. To Charlie's credit, this is the third

0:24:06.560 --> 0:24:09.920
<v Speaker 1>time we talked extensively about him on this podcast when

0:24:09.960 --> 0:24:12.960
<v Speaker 1>he has not been here. It's true, so I could see,

0:24:13.200 --> 0:24:15.040
<v Speaker 1>you know, at some point it's sort of like, Okay,

0:24:15.119 --> 0:24:17.960
<v Speaker 1>what's your guys deal? Like, you know, like I could

0:24:18.000 --> 0:24:24.920
<v Speaker 1>see him like reaching a breaking point. Yeah, I keep

0:24:24.960 --> 0:24:29.359
<v Speaker 1>talking about me like I don't know what's so freaking

0:24:29.359 --> 0:24:31.600
<v Speaker 1>funny about me, Like I'm just a guy, and like

0:24:31.760 --> 0:24:36.119
<v Speaker 1>even like your friend, I'm just writing words. Yeah. And

0:24:36.160 --> 0:24:38.280
<v Speaker 1>by the way, I mean, I do want to say, Richard,

0:24:38.320 --> 0:24:40.639
<v Speaker 1>you know you had and I'm not saying this to

0:24:40.640 --> 0:24:42.920
<v Speaker 1>blame you in any way, but thank you. There's a

0:24:42.960 --> 0:24:46.159
<v Speaker 1>sort of machiavellian you know, you you had the chance

0:24:46.200 --> 0:24:49.000
<v Speaker 1>to not debut Pelley if you wanted to really chicken

0:24:49.080 --> 0:24:52.119
<v Speaker 1>with Charlie. And you know, maybe when he was on

0:24:52.200 --> 0:24:56.239
<v Speaker 1>a groundbreaking, critically acclaimed comedy podcast, he could have done

0:24:56.240 --> 0:24:58.960
<v Speaker 1>it himself. But I know I saw it in your eyes,

0:24:59.000 --> 0:25:02.480
<v Speaker 1>like you're like, I'm a star, I have the spotlight

0:25:02.480 --> 0:25:04.680
<v Speaker 1>on me now, I'm not going to let this moment pass.

0:25:05.080 --> 0:25:07.680
<v Speaker 1>What just so I could maintain a friendship, That's not

0:25:07.720 --> 0:25:11.719
<v Speaker 1>what this is. No. I thought it so amazing that

0:25:11.800 --> 0:25:15.560
<v Speaker 1>you showed like this like Hollywood like cutthroat like mindset

0:25:15.720 --> 0:25:18.080
<v Speaker 1>sort of like like that's what we're really looking for

0:25:18.240 --> 0:25:22.600
<v Speaker 1>in you. Like yeah, and by the way, Richard, it's

0:25:22.640 --> 0:25:24.520
<v Speaker 1>not just that you showed that side of yourself, but

0:25:24.560 --> 0:25:27.240
<v Speaker 1>then you also stressed so much. You did the whole

0:25:27.280 --> 0:25:29.920
<v Speaker 1>like my dear friend Charlie. Oh, Charlie, let me find

0:25:29.960 --> 0:25:33.600
<v Speaker 1>the text. So you're really sort of it's like, I mean,

0:25:33.600 --> 0:25:36.320
<v Speaker 1>it's very like Taylor Swift doing the arrow when she

0:25:36.359 --> 0:25:38.439
<v Speaker 1>talked about her girl squad and all of them you know,

0:25:38.480 --> 0:25:41.440
<v Speaker 1>of course hate her. It's like, you know, you're you're

0:25:41.560 --> 0:25:43.480
<v Speaker 1>you want to have it both ways. You want to

0:25:43.560 --> 0:25:47.240
<v Speaker 1>be known not as a diva, as as someone who

0:25:47.320 --> 0:25:50.560
<v Speaker 1>is friends with everyone, as someone who everyone supports, but

0:25:50.720 --> 0:25:54.240
<v Speaker 1>behind the scenes you're going on podcast and taking credit

0:25:54.280 --> 0:26:00.359
<v Speaker 1>for Pelly. That really sucks. I think it's great cut.

0:26:00.400 --> 0:26:05.840
<v Speaker 1>We're going to just cut this whole thing. We'll just

0:26:05.880 --> 0:26:08.320
<v Speaker 1>cut this whole thing and I'll get my We'll just

0:26:08.359 --> 0:26:10.600
<v Speaker 1>cut this, yeah, and if and if we don't, then

0:26:10.680 --> 0:26:15.840
<v Speaker 1>my legal etcetera. Consider it cut Kelly, Kelly, I'll send

0:26:15.880 --> 0:26:23.919
<v Speaker 1>you guys, so sleep and guess who's Guess who's not

0:26:23.960 --> 0:26:31.040
<v Speaker 1>getting a cut of the proceedure Charlie. Yeah. People go

0:26:31.080 --> 0:26:36.199
<v Speaker 1>to go to his show like Exploration Live and Pelly

0:26:36.440 --> 0:26:39.399
<v Speaker 1>T shirts and Pelly T shirts and they're like, do

0:26:39.480 --> 0:26:43.360
<v Speaker 1>you know Richard Perez he admitted, and he's like, yeah,

0:26:43.359 --> 0:26:45.240
<v Speaker 1>I used to know her. I just have to keep

0:26:45.280 --> 0:26:47.720
<v Speaker 1>saying like he came up with it. Yeah, Well, we're

0:26:47.880 --> 0:26:50.800
<v Speaker 1>going to edit out. It's going to sound it's gonna

0:26:50.840 --> 0:26:52.680
<v Speaker 1>sound like you are taking credit for and then you're

0:26:52.680 --> 0:26:54.760
<v Speaker 1>gonna say like, they gave me the villain edit. They

0:26:54.800 --> 0:26:58.000
<v Speaker 1>gave me the villain edit, and they be like, she's crazy,

0:26:58.080 --> 0:27:02.359
<v Speaker 1>Oh my god, he's unstable. It's like I came up

0:27:02.440 --> 0:27:12.639
<v Speaker 1>with Pelly. Okay, Richard, we absolutely have to get in

0:27:12.640 --> 0:27:17.320
<v Speaker 1>our first segment my pants Live on Air. Okay, and

0:27:17.359 --> 0:27:20.119
<v Speaker 1>no one wants to see that again. Oh brother, But

0:27:20.320 --> 0:27:22.760
<v Speaker 1>your first segment is called straight Shooters, and then we

0:27:22.800 --> 0:27:25.879
<v Speaker 1>ask you a series of rapid fire questions to gauge

0:27:25.880 --> 0:27:29.919
<v Speaker 1>your familiarity with complicity and straight culture. Basically, it's this

0:27:29.960 --> 0:27:31.679
<v Speaker 1>thing or this other thing, and you just have to

0:27:31.680 --> 0:27:34.240
<v Speaker 1>pick one, and the only rule is no follow up

0:27:34.359 --> 0:27:39.440
<v Speaker 1>questions or will scream at you as loud as we can. Okay,

0:27:39.920 --> 0:27:46.880
<v Speaker 1>should we start? Okay? Yeah? Okay? Great Richard. Corporal punishment

0:27:47.480 --> 0:27:54.320
<v Speaker 1>or corporate self assessment, corporate brtal punishment Richard, an open

0:27:54.400 --> 0:28:00.719
<v Speaker 1>concept kitchen or an open casket funeral, open casket funeral. Okay, Richard,

0:28:01.200 --> 0:28:05.320
<v Speaker 1>rock paper scissors or lock stock and two smoking barrels

0:28:05.920 --> 0:28:11.399
<v Speaker 1>of rock paper scissor keeping a journal or sleeping with

0:28:11.480 --> 0:28:17.840
<v Speaker 1>the colonel. Sleeping with the colonel um your reputation era

0:28:18.760 --> 0:28:27.560
<v Speaker 1>or the nation's reconstruction era, uh my reputation era? Okay,

0:28:27.640 --> 0:28:32.399
<v Speaker 1>Richard zach Braff or literally any guy from the street,

0:28:35.040 --> 0:28:41.480
<v Speaker 1>Any guy from the street, Richard, a snow day, hey Day,

0:28:41.600 --> 0:28:43.800
<v Speaker 1>or a gay day at disney World, in which all

0:28:43.800 --> 0:28:51.000
<v Speaker 1>are welcome, no matter who you love. The last one Richard,

0:28:52.480 --> 0:28:59.000
<v Speaker 1>the seven year itch or a seventh tier bitch, seven

0:28:59.120 --> 0:29:05.400
<v Speaker 1>year rich Wow, really good job. You know. There was

0:29:05.600 --> 0:29:08.400
<v Speaker 1>such a calmness to you and almost a coldness when

0:29:08.440 --> 0:29:12.239
<v Speaker 1>I was like, oh he hates that's how that's the vibe. Uh.

0:29:13.360 --> 0:29:18.000
<v Speaker 1>You know, I just get nervously Yeah, And I feel

0:29:18.000 --> 0:29:21.400
<v Speaker 1>like in these situations like I'm just like, so, yeah,

0:29:21.440 --> 0:29:24.200
<v Speaker 1>I just I guess I do come off a little

0:29:24.200 --> 0:29:26.800
<v Speaker 1>cold sometimes and I really don't mean to. I think

0:29:26.840 --> 0:29:31.040
<v Speaker 1>I'm just like trying to like answer as quick and

0:29:31.080 --> 0:29:34.560
<v Speaker 1>clear as I can, of course, but sometimes I get

0:29:34.640 --> 0:29:37.280
<v Speaker 1>that way in general, like in in I don't know

0:29:37.440 --> 0:29:45.520
<v Speaker 1>what I'm like talking two people. Richard stopped crying. Richard

0:29:46.720 --> 0:29:50.360
<v Speaker 1>act got about cold, Like, what the fuck? We asked

0:29:50.360 --> 0:29:52.040
<v Speaker 1>you to be on the podcast for a reason. We

0:29:52.200 --> 0:29:57.880
<v Speaker 1>both we know who you are, and bitch, Kelly Richard,

0:29:58.120 --> 0:30:05.880
<v Speaker 1>we both stold Charlie's I d I ruined everything. No, Richard,

0:30:06.800 --> 0:30:09.400
<v Speaker 1>we both like we both watched the audition tape for

0:30:09.440 --> 0:30:13.040
<v Speaker 1>this podcast and it was so fucking funny, Like we

0:30:13.320 --> 0:30:16.560
<v Speaker 1>saw that and we said, this girl is a star

0:30:17.200 --> 0:30:19.840
<v Speaker 1>and needs to be on our podcast, and so like,

0:30:20.400 --> 0:30:23.239
<v Speaker 1>Charlie can't take that away from you, like no one

0:30:23.600 --> 0:30:26.720
<v Speaker 1>in America can take that away from you. Pelly do

0:30:26.800 --> 0:30:33.040
<v Speaker 1>you mean that? I mean that, Richard, look at me, Richard?

0:30:34.000 --> 0:30:45.760
<v Speaker 1>What Kelly what Richard? But Richard, but don't you take

0:30:45.800 --> 0:30:49.040
<v Speaker 1>that tone with us? What word? We're going to get back.

0:30:49.240 --> 0:30:53.120
<v Speaker 1>We're going to get him, and we're gonna and and

0:30:53.400 --> 0:30:55.440
<v Speaker 1>and you are going to crush this. You're going to

0:30:55.560 --> 0:31:00.440
<v Speaker 1>not get out of the car. Yelly together. So are

0:31:00.480 --> 0:31:02.800
<v Speaker 1>you ready to restart? Can we say together? The three

0:31:02.840 --> 0:31:10.720
<v Speaker 1>of us? One? That was cute? Okay? Podcast restarts now.

0:31:11.440 --> 0:31:14.080
<v Speaker 1>So it's January three and Richard Perez is in the

0:31:14.160 --> 0:31:19.640
<v Speaker 1>studio and happy as a clam. Richard, you just got

0:31:19.680 --> 0:31:23.760
<v Speaker 1>back from your big tour promoting Pelly. Yeah, how did

0:31:23.800 --> 0:31:26.160
<v Speaker 1>it go? He was a dream come true. I mean,

0:31:26.240 --> 0:31:31.080
<v Speaker 1>working with Charlie bar Day, It's just a complete dream fantasy.

0:31:31.280 --> 0:31:35.200
<v Speaker 1>Just everyone that got to meet on tour. Um was

0:31:35.280 --> 0:31:38.840
<v Speaker 1>just so friendly, so exciting, and the crowd was just

0:31:39.000 --> 0:31:41.800
<v Speaker 1>we really really appreciate all the support. Yeah. Did anything

0:31:41.920 --> 0:31:51.120
<v Speaker 1>surprise you? Um? I've um anything that surprised me? I

0:31:51.160 --> 0:31:54.280
<v Speaker 1>would say, were any parts of the country like not? Well,

0:31:54.360 --> 0:31:56.480
<v Speaker 1>I mean you did get into some hot water when

0:31:56.560 --> 0:31:59.880
<v Speaker 1>you had your stop over in Moscow? Do you want

0:31:59.920 --> 0:32:06.760
<v Speaker 1>to address That's right? Yeah? Um, I think I can't

0:32:06.840 --> 0:32:11.800
<v Speaker 1>really talk about that yet. Um, but I do want

0:32:11.800 --> 0:32:16.280
<v Speaker 1>to say that all parties involved are just really really

0:32:16.360 --> 0:32:29.920
<v Speaker 1>excited about this collaboration. Me Charlie Moscow, Yeah, yeah, Yeah,

0:32:30.000 --> 0:32:33.680
<v Speaker 1>that's an amazing um squad squad goals. I would say

0:32:33.960 --> 0:32:37.920
<v Speaker 1>l A was so fun. Oh well, la is such

0:32:37.920 --> 0:32:40.160
<v Speaker 1>an amazing city. I mean, the only reason to go

0:32:40.240 --> 0:32:42.000
<v Speaker 1>to Moscow was the test out material, So you can

0:32:42.040 --> 0:32:44.600
<v Speaker 1>take it. I went to I did it at Largo,

0:32:45.720 --> 0:32:48.440
<v Speaker 1>and I just got on stage. I said, probby and

0:32:48.520 --> 0:32:53.480
<v Speaker 1>then we all went home. Yeah, you had an hour

0:32:53.600 --> 0:32:55.040
<v Speaker 1>long set and you said it is okay if I

0:32:55.120 --> 0:32:58.960
<v Speaker 1>just do one second. And then they were like sure, yeah,

0:32:59.080 --> 0:33:07.120
<v Speaker 1>I mean you're Richard King Perez, so Richard. Yeah, we

0:33:07.440 --> 0:33:12.520
<v Speaker 1>need to get into the topic for the day. Um,

0:33:13.360 --> 0:33:16.320
<v Speaker 1>you guys, it's not happening naturally for me. Well you're

0:33:16.360 --> 0:33:18.000
<v Speaker 1>forcing it. You have to wait for a time. I'm

0:33:18.040 --> 0:33:20.040
<v Speaker 1>really forcing to get And it really is so annoying

0:33:20.080 --> 0:33:22.000
<v Speaker 1>because I was actually doing Do you ever say period

0:33:22.360 --> 0:33:24.120
<v Speaker 1>in your real life? I do, But I was doing

0:33:24.200 --> 0:33:26.360
<v Speaker 1>it so well at the party, and I actually it

0:33:26.520 --> 0:33:30.800
<v Speaker 1>felt so so good. Middle school bullying. Yeah, and now

0:33:30.920 --> 0:33:34.400
<v Speaker 1>it's but but you know what it's fine, it's fine,

0:33:34.400 --> 0:33:36.120
<v Speaker 1>we're gonna move on to the topic. We're gonna and

0:33:36.160 --> 0:33:37.800
<v Speaker 1>I have my whole life ahead of me to do.

0:33:38.400 --> 0:33:42.080
<v Speaker 1>You do you do? And also, this is what this

0:33:42.200 --> 0:33:46.360
<v Speaker 1>is what I'm predicting. I bet you when January three,

0:33:46.760 --> 0:33:50.440
<v Speaker 1>it's going to be natural. You're so right, You're gonna

0:33:50.520 --> 0:33:53.120
<v Speaker 1>listen to this episode and be like, I remember what

0:33:53.680 --> 0:33:56.080
<v Speaker 1>that young version of me exactly. It's like I was

0:33:56.120 --> 0:33:58.520
<v Speaker 1>still figuring figuring it out. The things I was worried about,

0:33:58.560 --> 0:34:00.880
<v Speaker 1>I'm not worried about them now anymore. And that's actually

0:34:01.120 --> 0:34:03.280
<v Speaker 1>part of Okay, so this is the last thing I'll

0:34:03.280 --> 0:34:05.840
<v Speaker 1>say about Kelly. That's part of the appeal to where

0:34:06.680 --> 0:34:08.960
<v Speaker 1>there are three stages of Pelly. First, you feel like

0:34:09.040 --> 0:34:11.040
<v Speaker 1>an outsider because you don't know what it is. Then

0:34:11.360 --> 0:34:13.360
<v Speaker 1>you learn it and you're like, oh, it's so easy.

0:34:13.640 --> 0:34:16.279
<v Speaker 1>I'm I'm part of the club. And then you try

0:34:16.320 --> 0:34:18.279
<v Speaker 1>to do it and it's actually a little harder than

0:34:18.320 --> 0:34:20.880
<v Speaker 1>you think. Right, it's a little embarrassing at first, or

0:34:20.920 --> 0:34:24.240
<v Speaker 1>it's kind of like exactly right, so it's too simple

0:34:24.520 --> 0:34:28.279
<v Speaker 1>that it's like I'm like, what is what's the I

0:34:28.360 --> 0:34:31.719
<v Speaker 1>must be doing something wrong exactly exactly and so then

0:34:31.800 --> 0:34:34.279
<v Speaker 1>finally fourth step is you do start doing it right

0:34:34.320 --> 0:34:37.759
<v Speaker 1>and it comes out and then it just happens and

0:34:37.880 --> 0:34:41.520
<v Speaker 1>it's just yeah, and it comes naturally to it's I

0:34:41.600 --> 0:34:47.880
<v Speaker 1>think it's really exciting. Sir Richard. We uh You and

0:34:48.000 --> 0:34:51.279
<v Speaker 1>I talked about the topic before the episode started that

0:34:51.800 --> 0:34:53.640
<v Speaker 1>Sam wasn't on the zoom at the time, so this

0:34:53.800 --> 0:34:56.600
<v Speaker 1>is something I needed flushing out. So well, you now

0:34:56.680 --> 0:34:58.200
<v Speaker 1>get to tell Sam for the first time. When we

0:34:58.280 --> 0:35:00.160
<v Speaker 1>get to see his reaction, I mean, if them in

0:35:00.200 --> 0:35:03.360
<v Speaker 1>to post it to YouTube, it's like Grandma's react, but

0:35:03.480 --> 0:35:06.200
<v Speaker 1>it's like Stam reacting to the topic. Yeah, it's it's

0:35:06.239 --> 0:35:13.719
<v Speaker 1>Pelly all over again. To be honest, outside it's straight. Yeah, okay,

0:35:14.239 --> 0:35:18.440
<v Speaker 1>my take it away. My topic stems from my experiences.

0:35:18.640 --> 0:35:21.080
<v Speaker 1>I got a b f A, I went to art school,

0:35:21.200 --> 0:35:25.279
<v Speaker 1>and I studied photography, so I think my topic is

0:35:25.760 --> 0:35:31.160
<v Speaker 1>taking pictures. Wow, that is first of all the backstory

0:35:31.239 --> 0:35:36.400
<v Speaker 1>surprises me. I mean, Richard, I obviously think you're capable

0:35:36.440 --> 0:35:39.600
<v Speaker 1>of literally anything you put your mind too. I think

0:35:39.800 --> 0:35:44.520
<v Speaker 1>the inventor of Pelly Um, the rightful air of the

0:35:44.560 --> 0:35:51.320
<v Speaker 1>Petty Fortune, can do anything he wants. However, I just

0:35:51.719 --> 0:35:53.239
<v Speaker 1>I am when used to be fair. I was like

0:35:53.320 --> 0:35:56.839
<v Speaker 1>in performance, in performance exactly exactly. I feel the same

0:35:57.800 --> 0:36:01.160
<v Speaker 1>to me. You read as classically trained, and really, I

0:36:01.200 --> 0:36:03.840
<v Speaker 1>would say, actually to a fall, yeah, it's it's a

0:36:03.840 --> 0:36:07.920
<v Speaker 1>little uptight sometimes, you know. Sometimes we're in conversation, you

0:36:07.960 --> 0:36:11.439
<v Speaker 1>will immediately embody a character yeah, and I'm like, well,

0:36:11.800 --> 0:36:15.279
<v Speaker 1>calm down. I was just we're just ordering Latte's yeah,

0:36:16.920 --> 0:36:21.440
<v Speaker 1>and you're like, I'm a widow, m yeah, yeah, you're right.

0:36:21.680 --> 0:36:23.200
<v Speaker 1>And for me, it's like about like the way you

0:36:23.280 --> 0:36:25.640
<v Speaker 1>project your voice. It's like, okay, like we don't need

0:36:25.680 --> 0:36:27.160
<v Speaker 1>to like like you're not on stage right now, Like

0:36:27.200 --> 0:36:28.600
<v Speaker 1>you don't need to be like projecting to the back

0:36:28.640 --> 0:36:31.120
<v Speaker 1>of the room. You know what I mean. You're someone

0:36:31.160 --> 0:36:34.520
<v Speaker 1>who has done vocal warmups before I started this zoom.

0:36:34.920 --> 0:36:39.120
<v Speaker 1>But but what's interesting to me about that compared to photography, Photography,

0:36:39.120 --> 0:36:42.320
<v Speaker 1>by definition, is turning the camera the other way, turning

0:36:42.360 --> 0:36:45.959
<v Speaker 1>the camera the other way, not towards your way usually. Yeah,

0:36:46.239 --> 0:36:48.359
<v Speaker 1>I mean, of course, unless you're taking a selfie, which

0:36:48.360 --> 0:36:51.919
<v Speaker 1>I guess counts as a photo a selfie self portraits. Yeah,

0:36:52.040 --> 0:36:55.040
<v Speaker 1>that's but traditionally photography is an art form. They're taking photos,

0:36:55.360 --> 0:36:58.719
<v Speaker 1>You're taking photos of other things, You're documenting other things. Yeah,

0:36:59.360 --> 0:37:02.960
<v Speaker 1>maybe it's documenting that I feel. I mean, we could

0:37:03.000 --> 0:37:04.719
<v Speaker 1>certainly go in that direction, but I want you to

0:37:04.800 --> 0:37:08.560
<v Speaker 1>be not I want you to like embrace photography as

0:37:08.560 --> 0:37:10.239
<v Speaker 1>a topic. I think it's such a beautiful topic. I

0:37:10.320 --> 0:37:13.280
<v Speaker 1>feel like you're not your second guessing yourself. I am second.

0:37:13.360 --> 0:37:18.520
<v Speaker 1>I feel really insecure right now. Okay, Richard, not means

0:37:18.560 --> 0:37:21.400
<v Speaker 1>a cure. I have to come up with like a

0:37:21.520 --> 0:37:30.759
<v Speaker 1>different phrase with that intonation. Everyone, Well, why what what

0:37:31.800 --> 0:37:35.600
<v Speaker 1>reads straight about photography to you? I just feel like

0:37:36.440 --> 0:37:42.719
<v Speaker 1>what what reads straight about it? Is? Maybe okay personally

0:37:43.280 --> 0:37:48.040
<v Speaker 1>I'm totally projecting, but I'm like I feel when I

0:37:48.440 --> 0:37:52.120
<v Speaker 1>was like not out, I feel like I used it

0:37:52.280 --> 0:37:55.480
<v Speaker 1>as like a vehicle to kind of like have a

0:37:55.600 --> 0:37:59.600
<v Speaker 1>reason to be like in a space a little bit.

0:37:59.719 --> 0:38:02.560
<v Speaker 1>That's d of dramatic, but like but like you know,

0:38:02.680 --> 0:38:05.160
<v Speaker 1>like I kind of just like I feel like it

0:38:05.360 --> 0:38:07.920
<v Speaker 1>was this way that I couldn't really face my own

0:38:08.000 --> 0:38:10.120
<v Speaker 1>interiority so much. But I mean I was in a

0:38:10.160 --> 0:38:12.200
<v Speaker 1>way because I'm like taking pictures. There's a reason why

0:38:12.239 --> 0:38:16.080
<v Speaker 1>I'm reacting to something I see and then like at

0:38:16.400 --> 0:38:19.520
<v Speaker 1>you know, creating it together, like put it online, like

0:38:19.600 --> 0:38:21.920
<v Speaker 1>there's there's something I was trying to say, which is

0:38:21.920 --> 0:38:24.719
<v Speaker 1>like I'm gay. I think ultimately like that's all way,

0:38:24.760 --> 0:38:31.680
<v Speaker 1>what my whole b f a that and so I'm

0:38:31.719 --> 0:38:35.640
<v Speaker 1>gay and I want to perform. It was just like

0:38:36.080 --> 0:38:38.320
<v Speaker 1>it was photos of Giant. Yeah. Yeah, it was just

0:38:38.480 --> 0:38:43.520
<v Speaker 1>Cox on stage with a little mike, with little mic

0:38:43.640 --> 0:38:51.120
<v Speaker 1>and like red curtain, yeah, yours dressed as like Starlett's

0:38:51.600 --> 0:38:58.160
<v Speaker 1>cos dressed as different performers and Marilyn Monroe Cock, I

0:38:58.400 --> 0:39:01.839
<v Speaker 1>want to be loved to buy you, I'd purchase guess

0:39:01.880 --> 0:39:04.600
<v Speaker 1>what I would purchase. And and by the way, that

0:39:04.960 --> 0:39:08.840
<v Speaker 1>would literally at this moment in time do well, that

0:39:09.440 --> 0:39:11.840
<v Speaker 1>would definitely, I mean I could I mean I don't know,

0:39:11.960 --> 0:39:13.560
<v Speaker 1>you could just do it. I could just do it.

0:39:14.239 --> 0:39:16.560
<v Speaker 1>It could be merch Yeah, Sam and I will model.

0:39:17.000 --> 0:39:21.200
<v Speaker 1>Would you want to do a collapse stradio lab and me? Yeah, yeah,

0:39:21.280 --> 0:39:26.680
<v Speaker 1>Well we could do our our It could be our

0:39:27.120 --> 0:39:31.440
<v Speaker 1>heart dicks dressed as ourselves. So Sam's would have a

0:39:31.520 --> 0:39:33.759
<v Speaker 1>mustache and I would have a beer and a sort

0:39:33.760 --> 0:39:37.560
<v Speaker 1>of buzzed head glasses and we would have little podcast

0:39:37.680 --> 0:39:40.239
<v Speaker 1>my and it could be you know, we could be.

0:39:40.960 --> 0:39:43.480
<v Speaker 1>I don't know. I feel like you could sort of

0:39:43.480 --> 0:39:44.960
<v Speaker 1>set up a photo studio and it could be like

0:39:45.000 --> 0:39:49.799
<v Speaker 1>the No Hate photos where they hate face, but it's

0:39:49.920 --> 0:39:56.240
<v Speaker 1>each person like taking photos of their dicks as different starlets. Genius.

0:39:56.640 --> 0:39:59.400
<v Speaker 1>That actually is genius. Unfortunately. Yeah, like I feel like

0:39:59.600 --> 0:40:02.480
<v Speaker 1>you would of your thesis would have been a slagh

0:40:02.840 --> 0:40:06.279
<v Speaker 1>if we went to school together, right or right? It

0:40:06.960 --> 0:40:10.960
<v Speaker 1>wouldn't have had the tension of the closet right. So, Richard,

0:40:11.280 --> 0:40:14.440
<v Speaker 1>do you believe that all photographers are straight or all

0:40:15.200 --> 0:40:18.680
<v Speaker 1>are gay but can't admit it? I think maybe more

0:40:18.760 --> 0:40:22.600
<v Speaker 1>so the latter than the first. I would I would

0:40:22.680 --> 0:40:26.200
<v Speaker 1>lean more towards that a little bit. But I think

0:40:26.360 --> 0:40:30.040
<v Speaker 1>just in general, like I don't know, like there's something

0:40:30.120 --> 0:40:33.960
<v Speaker 1>about like wanting to take a picture of like something

0:40:34.760 --> 0:40:38.440
<v Speaker 1>like a building or like anything, I guess whatever, like

0:40:38.840 --> 0:40:43.840
<v Speaker 1>your surroundings, that just feels not always just in general,

0:40:44.080 --> 0:40:48.160
<v Speaker 1>can feel kind of um, like you're pulling away a

0:40:48.200 --> 0:40:54.719
<v Speaker 1>little from yourself or like you're saying there's there's a repressions,

0:40:54.840 --> 0:40:59.080
<v Speaker 1>repression of an emotional thing, and I think that's very straight. Yeah,

0:40:59.560 --> 0:41:04.520
<v Speaker 1>totally doesn't make sense. I don't know, complete sense. No,

0:41:04.680 --> 0:41:06.160
<v Speaker 1>it's not about it at all. It's not about it

0:41:06.200 --> 0:41:09.160
<v Speaker 1>at all. I think the oppression thing makes sense. I

0:41:09.239 --> 0:41:12.920
<v Speaker 1>think also at its core and I understand that, you know,

0:41:13.040 --> 0:41:14.719
<v Speaker 1>it is very easy to argue against this, but at

0:41:14.760 --> 0:41:19.319
<v Speaker 1>its core it's very literal art form to where it's like, well,

0:41:19.400 --> 0:41:23.120
<v Speaker 1>it's straighter than painting, right, right, you're just like documenting

0:41:23.160 --> 0:41:26.239
<v Speaker 1>something or it's like it can also be like yes,

0:41:26.280 --> 0:41:28.640
<v Speaker 1>photography can be beautiful and it can be artistic, but

0:41:28.680 --> 0:41:31.759
<v Speaker 1>it can also be so just like what it is.

0:41:31.920 --> 0:41:35.160
<v Speaker 1>It's like getting or your book photos taken, getting passport photos,

0:41:35.680 --> 0:41:38.600
<v Speaker 1>a wedding photographer, Like is there anything straighter than someone

0:41:38.640 --> 0:41:41.080
<v Speaker 1>whose job is a wedding photographer? Just like taking the

0:41:41.160 --> 0:41:46.239
<v Speaker 1>same photos over and over again, you know, uh, just

0:41:46.480 --> 0:41:48.880
<v Speaker 1>reading a newspaper and you have like don't think of

0:41:49.000 --> 0:41:52.080
<v Speaker 1>like a really like artsy magazine cover shoot or something,

0:41:52.160 --> 0:41:54.239
<v Speaker 1>but just like they have to have a photo to

0:41:54.360 --> 0:41:57.279
<v Speaker 1>show you what the article is about. And like I

0:41:57.560 --> 0:42:00.120
<v Speaker 1>just I'm thinking about like because I graduated with a

0:42:00.200 --> 0:42:03.920
<v Speaker 1>lot of straight guys like an art school, studying photography,

0:42:04.600 --> 0:42:06.600
<v Speaker 1>and like I feel like there's some of them that

0:42:06.640 --> 0:42:08.880
<v Speaker 1>I remember, or maybe like the Great Younger where it's

0:42:08.920 --> 0:42:13.520
<v Speaker 1>just like they photographed like car parts and like it's

0:42:13.560 --> 0:42:15.640
<v Speaker 1>it's all like, oh, like I caught this in this

0:42:15.880 --> 0:42:18.680
<v Speaker 1>design and I don't know, like like it's it's like

0:42:18.960 --> 0:42:22.280
<v Speaker 1>they're making it about something else. Do you think finding

0:42:22.400 --> 0:42:24.800
<v Speaker 1>beauty in the existing world is gay or straight? I

0:42:24.880 --> 0:42:31.719
<v Speaker 1>think finding beauty in the existing world is I don't know,

0:42:33.000 --> 0:42:38.520
<v Speaker 1>you should ask that in the next Dan, what's that second?

0:42:40.360 --> 0:42:49.360
<v Speaker 1>Oh yeah, I should just ask that question. What do

0:42:49.440 --> 0:42:51.719
<v Speaker 1>you think? I think that's a genius question. I think

0:42:52.040 --> 0:42:55.319
<v Speaker 1>beauty in the existing things is straight because it's an

0:42:55.360 --> 0:42:57.759
<v Speaker 1>embrace of sort of status quo, and it's saying like

0:42:58.880 --> 0:43:00.840
<v Speaker 1>we don't need to change any thing, like let's just

0:43:01.000 --> 0:43:03.279
<v Speaker 1>it's like actually, let's like let's keep things how they are.

0:43:03.719 --> 0:43:06.640
<v Speaker 1>Actually exactly, the traditional family is like really good, like

0:43:09.320 --> 0:43:11.080
<v Speaker 1>like and you would think it's the opposite, But like

0:43:11.239 --> 0:43:13.680
<v Speaker 1>that guy, the guy in American Beauty that is like

0:43:13.800 --> 0:43:16.720
<v Speaker 1>brought to tears by the plastic bag, could not be straighter,

0:43:17.000 --> 0:43:21.240
<v Speaker 1>right exactly. I mean, why are you crying, like truly

0:43:21.440 --> 0:43:24.680
<v Speaker 1>crying an orgasm because of a plastic bag? It's literally yeah,

0:43:25.000 --> 0:43:27.160
<v Speaker 1>And I feel like if you like that, you stick

0:43:27.320 --> 0:43:31.680
<v Speaker 1>right and I'm clean up your neighborhood, right, pick up,

0:43:31.760 --> 0:43:35.000
<v Speaker 1>dream of a better future? Pick that up? About take

0:43:35.040 --> 0:43:38.239
<v Speaker 1>a photo of it? And you do? You pick it up?

0:43:39.120 --> 0:43:41.640
<v Speaker 1>I'm in the background, like walking up to him. What

0:43:41.800 --> 0:43:52.960
<v Speaker 1>the funk? Pick that up? I mean, yeah, finding okay?

0:43:53.360 --> 0:43:56.279
<v Speaker 1>Whereas I'm trying to think, like I have to be

0:43:56.360 --> 0:44:00.120
<v Speaker 1>completely honest. I understand that photos can be some thos

0:44:00.120 --> 0:44:02.239
<v Speaker 1>are better than others. I do know this to be true,

0:44:02.360 --> 0:44:06.160
<v Speaker 1>and some photos are so gay well obvious, like photos

0:44:06.200 --> 0:44:10.040
<v Speaker 1>of dicks. I mean, gay photography is it's very own genre. Yes, yes,

0:44:10.120 --> 0:44:16.520
<v Speaker 1>and it's actually straighter than straight photos because talk about literal.

0:44:17.320 --> 0:44:20.160
<v Speaker 1>It's like, at least straight photographers have the courtesy to

0:44:20.239 --> 0:44:23.040
<v Speaker 1>take a photo of plastic bag. Gay photographers are literally

0:44:23.120 --> 0:44:26.560
<v Speaker 1>only taking photos of dicks right or like right, like

0:44:27.480 --> 0:44:33.160
<v Speaker 1>ripped guys like shirtless, which you know we over here

0:44:33.160 --> 0:44:37.000
<v Speaker 1>it's trade all have incorporated really celebrate, are you know?

0:44:37.360 --> 0:44:41.480
<v Speaker 1>I think if there were no tasteful photos of guys

0:44:42.160 --> 0:44:47.719
<v Speaker 1>in various stages of nudity, what would we have? I

0:44:47.840 --> 0:44:55.000
<v Speaker 1>agree with that? Yeah, mhm, I mean Rembrandt right, I

0:44:55.080 --> 0:45:02.279
<v Speaker 1>don't think so. I don't think so, honey. So to me,

0:45:02.400 --> 0:45:05.760
<v Speaker 1>it's like the two kinds of photography, are finding beauty

0:45:05.920 --> 0:45:11.719
<v Speaker 1>in the existing world or making something beautiful to photograph it? Yes, yes,

0:45:12.400 --> 0:45:16.360
<v Speaker 1>And so the question is are both of those straight?

0:45:17.640 --> 0:45:21.080
<v Speaker 1>Is any are like anie Lebowitz's photos straight? I would

0:45:21.160 --> 0:45:24.839
<v Speaker 1>argue yes, see, yeah, I think they're straight. Why would

0:45:24.880 --> 0:45:30.000
<v Speaker 1>you argue yes? Because it's so maybe what I'm equating

0:45:30.040 --> 0:45:33.760
<v Speaker 1>in my mind with straight and in terms of photography

0:45:33.920 --> 0:45:37.920
<v Speaker 1>is like, um, it's it's just serving its purpose. Like

0:45:38.040 --> 0:45:42.960
<v Speaker 1>it's so it's so just like literal and like direct

0:45:43.280 --> 0:45:49.560
<v Speaker 1>and and uh like mechanical like or really technical or

0:45:49.680 --> 0:45:52.080
<v Speaker 1>like something like that. Like it's like more about that

0:45:52.440 --> 0:45:56.120
<v Speaker 1>than like than so much like the actual meaning of

0:45:56.360 --> 0:45:59.440
<v Speaker 1>the thing or whatever. I feel like what you're like,

0:46:00.040 --> 0:46:02.040
<v Speaker 1>I don't know. With a photo person, there's a lot

0:46:02.080 --> 0:46:05.840
<v Speaker 1>of gear yes, exactly, when you have to be like

0:46:05.880 --> 0:46:08.200
<v Speaker 1>a gearhead and be like, Okay, well I need this

0:46:08.360 --> 0:46:10.719
<v Speaker 1>kind of light, I need this kind of lighting with

0:46:10.800 --> 0:46:14.719
<v Speaker 1>a and I'm just yeah, and like they're always like

0:46:14.880 --> 0:46:17.600
<v Speaker 1>replacing the battery on the flag. I'm taking a picture

0:46:17.680 --> 0:46:20.560
<v Speaker 1>of my legs and I'm putting it next to a

0:46:20.600 --> 0:46:23.560
<v Speaker 1>picture of my mom. Yeah. Sam, You're so wise to

0:46:23.680 --> 0:46:27.360
<v Speaker 1>bring it back to the materiality of the apparatus that

0:46:27.520 --> 0:46:30.400
<v Speaker 1>is being used, like, it's not like there's actually no

0:46:30.520 --> 0:46:33.680
<v Speaker 1>reason to take it so high concept. Like the reason

0:46:33.719 --> 0:46:36.280
<v Speaker 1>it's straight is because you're literally using a tool grow

0:46:36.600 --> 0:46:40.279
<v Speaker 1>yeah right, like pick up a paintbrush and the tool

0:46:40.400 --> 0:46:43.200
<v Speaker 1>is like expensive and like you can like all these

0:46:43.200 --> 0:46:46.000
<v Speaker 1>different accessories, but none of the accessories like are feminine

0:46:46.080 --> 0:46:49.040
<v Speaker 1>at all. It's like, oh yeah, this is like the

0:46:49.280 --> 0:46:54.640
<v Speaker 1>Xcel w G two and it's like, oh really, oh interesting, Yeah,

0:46:54.719 --> 0:47:00.719
<v Speaker 1>I was going to get that. How much was that like, yeah, yeah,

0:47:00.760 --> 0:47:05.160
<v Speaker 1>you might as well be into cars exactly literally, yeah, absolutely,

0:47:05.480 --> 0:47:09.960
<v Speaker 1>So I guess the question becomes is the fact that

0:47:10.080 --> 0:47:15.960
<v Speaker 1>the smartphone democratized photography gay or straight? Well, I think

0:47:16.000 --> 0:47:18.120
<v Speaker 1>it's pretty gay. And I was even gonna say, you know,

0:47:18.200 --> 0:47:20.520
<v Speaker 1>we brought up selfies earlier, but I do think the

0:47:20.600 --> 0:47:27.319
<v Speaker 1>selfie as photography is inherently a queer form. Yes, definitely, yes,

0:47:27.640 --> 0:47:30.719
<v Speaker 1>but that's because it's there's performance in it as well

0:47:30.840 --> 0:47:33.719
<v Speaker 1>as and also there's no technical element, like you're just

0:47:33.840 --> 0:47:37.080
<v Speaker 1>like this is what the Lord's completely I feel like

0:47:37.360 --> 0:47:41.719
<v Speaker 1>a selfie is totally just like inspired for the most

0:47:41.920 --> 0:47:45.880
<v Speaker 1>very generally speaking, it's just like I'm just gonna going

0:47:45.920 --> 0:47:48.480
<v Speaker 1>to capture this like I'm like feeling moself. It's like

0:47:48.480 --> 0:47:52.000
<v Speaker 1>an emotional response to like how you how you look,

0:47:52.080 --> 0:47:54.640
<v Speaker 1>how you're feeling, who you're with or whatever, whatever the

0:47:54.719 --> 0:47:58.600
<v Speaker 1>reason that it's making you take a selfie and like

0:47:59.040 --> 0:48:02.439
<v Speaker 1>it's in the emotion tied to it. Richard. This brings

0:48:02.520 --> 0:48:04.960
<v Speaker 1>up a really interesting point. And I think you're kind

0:48:04.960 --> 0:48:06.759
<v Speaker 1>of the intersection of both of these things where you

0:48:07.000 --> 0:48:09.719
<v Speaker 1>literally have a b a fan photography and you know,

0:48:09.760 --> 0:48:11.640
<v Speaker 1>I've only even following you on social media for a

0:48:11.719 --> 0:48:15.759
<v Speaker 1>few months now, but you um post a lot of selfies.

0:48:15.800 --> 0:48:18.440
<v Speaker 1>I think it's fair to say so as someone with

0:48:18.520 --> 0:48:24.320
<v Speaker 1>a degree in both um drag. That's not a drag.

0:48:25.400 --> 0:48:30.880
<v Speaker 1>Damn you do. You're always doing the little middle finger thing, Richard.

0:48:30.960 --> 0:48:34.680
<v Speaker 1>I think your selfies are really beaudi they are, but

0:48:34.760 --> 0:48:37.600
<v Speaker 1>you agree there's a lot of them for listeners that

0:48:38.440 --> 0:48:41.960
<v Speaker 1>I don't know. Me, I like do duck face with

0:48:42.000 --> 0:48:46.160
<v Speaker 1>like my middle finger in a b oh yeah at

0:48:46.239 --> 0:48:50.359
<v Speaker 1>my job. Yeah, you love doing duck face middle finger

0:48:50.400 --> 0:48:56.359
<v Speaker 1>in the base. Yeah. Oh my god, you're doing it now, Kelly. Okay, sorry, Sam,

0:48:57.800 --> 0:48:59.640
<v Speaker 1>you're getting at something so important. I want you out.

0:49:00.040 --> 0:49:02.880
<v Speaker 1>I was gonna say like where do you like do

0:49:02.960 --> 0:49:07.880
<v Speaker 1>you feel that like that has been your journey? Like,

0:49:08.040 --> 0:49:12.560
<v Speaker 1>is that you accepting your queerness? Oh? Right to go

0:49:12.840 --> 0:49:17.840
<v Speaker 1>from photographing in a professional context to simply taking selfies

0:49:17.880 --> 0:49:22.640
<v Speaker 1>in a basement on your iPhone with is that? Like?

0:49:23.880 --> 0:49:28.160
<v Speaker 1>Is that what coming out is? Yeah? Coming to terms

0:49:28.200 --> 0:49:32.440
<v Speaker 1>with one's queerness For me, yeah, yeah, And that's why

0:49:32.520 --> 0:49:39.120
<v Speaker 1>I stand out in the photo industry. I don't see

0:49:39.200 --> 0:49:44.560
<v Speaker 1>Ryan McGinley walking around being like palty. No, absolutely he might,

0:49:44.719 --> 0:49:51.640
<v Speaker 1>I hope, so I do. I do agree that iPhone

0:49:51.760 --> 0:49:53.840
<v Speaker 1>like when something is shot on an iPhone that is

0:49:53.880 --> 0:49:56.759
<v Speaker 1>gay because literally a monkey could do it. That's yeah, yeah,

0:49:56.800 --> 0:49:59.880
<v Speaker 1>there's it's not yeah, it's not so technical. It's into it.

0:50:00.040 --> 0:50:04.839
<v Speaker 1>If it's intuitive, it's how you were literally born knowing

0:50:04.880 --> 0:50:07.279
<v Speaker 1>how to take a picture. We're born this way, knowing

0:50:07.360 --> 0:50:18.240
<v Speaker 1>how it's born exactly. How's that for logic? That's probably perfect, Richard,

0:50:18.360 --> 0:50:20.279
<v Speaker 1>be honest. Did it hurt your feelings when I said

0:50:20.280 --> 0:50:23.000
<v Speaker 1>that you take a lot of selfies? No? Actually it

0:50:23.040 --> 0:50:26.600
<v Speaker 1>actually really didn't. If anything, it made me think about it.

0:50:26.719 --> 0:50:28.960
<v Speaker 1>I go do I I guess I do it. That's

0:50:29.000 --> 0:50:33.720
<v Speaker 1>a really big part of my think. Noutput yeah, my creative,

0:50:33.800 --> 0:50:37.600
<v Speaker 1>it's my art. But like selfies, it's not like selfie

0:50:37.640 --> 0:50:39.319
<v Speaker 1>is like it's just me being like I look good.

0:50:40.040 --> 0:50:42.080
<v Speaker 1>It's like I actually don't look good in all of them,

0:50:42.960 --> 0:50:45.960
<v Speaker 1>Like I'm I'm kind of I'm being really like silly

0:50:46.320 --> 0:50:51.120
<v Speaker 1>and I'm Cindy Sherman, right right. Yeah. Do you think

0:50:51.200 --> 0:50:54.120
<v Speaker 1>anybody toasts selfies to be like I look good here anymore?

0:50:55.000 --> 0:51:01.440
<v Speaker 1>M m yeah, I think that's straight, right, straight? Yeah? Wow?

0:51:03.000 --> 0:51:06.640
<v Speaker 1>Or it's more just like basic yeah yeah yeah, most

0:51:06.719 --> 0:51:10.680
<v Speaker 1>gay people are straight and that's that's true. Yeah, Okay,

0:51:10.800 --> 0:51:14.200
<v Speaker 1>So well, I was what I was thinking. I haven't

0:51:14.280 --> 0:51:15.920
<v Speaker 1>seen many I feel like I used to see way

0:51:16.000 --> 0:51:20.880
<v Speaker 1>more Twitter gays posting selfies that were just sort of

0:51:20.960 --> 0:51:25.360
<v Speaker 1>like Tuesday alert or like I felt felt weird today,

0:51:25.600 --> 0:51:27.920
<v Speaker 1>like I guess I'm in the spirit of the holidays,

0:51:28.160 --> 0:51:32.040
<v Speaker 1>and are these flattering selfies are not flattering flattering selfies,

0:51:32.160 --> 0:51:34.000
<v Speaker 1>and I feel like they've kind of gone away, like

0:51:35.239 --> 0:51:37.759
<v Speaker 1>maybe it's a Twitter issue. But I feel like I

0:51:37.960 --> 0:51:40.120
<v Speaker 1>literally think it might be a Twitter issue because I've

0:51:40.160 --> 0:51:43.640
<v Speaker 1>noticed this too, and now like there was just a

0:51:43.719 --> 0:51:46.880
<v Speaker 1>time when everything that would be suggested to me. It

0:51:47.000 --> 0:51:49.120
<v Speaker 1>was when we recorded our episode with Sarah and we

0:51:49.440 --> 0:51:52.759
<v Speaker 1>were talking about captions that are like it's giving Turkey Girl,

0:51:54.000 --> 0:51:57.440
<v Speaker 1>because every second tweet with someone being like leg day

0:51:57.680 --> 0:52:02.799
<v Speaker 1>more like day and it's like them at the gym. Yeah,

0:52:02.960 --> 0:52:06.759
<v Speaker 1>that has completely not completely, but disappeared in a way

0:52:06.840 --> 0:52:10.040
<v Speaker 1>that I'm sorry. But my of course favorite genre is

0:52:10.120 --> 0:52:14.400
<v Speaker 1>someone wearing the most normal outfit you've ever seen and

0:52:14.480 --> 0:52:18.799
<v Speaker 1>then posting I'm serving dad on a c double show. Yeah. Yeah,

0:52:21.960 --> 0:52:24.120
<v Speaker 1>well the one they always do also is like the

0:52:24.239 --> 0:52:28.040
<v Speaker 1>Pixar Dad like they're like and it's like, yeah, he's

0:52:28.080 --> 0:52:32.360
<v Speaker 1>a guy with a mustache, like you have a mustache,

0:52:32.480 --> 0:52:42.440
<v Speaker 1>Like it's fine. I want to address one more thing. Okay,

0:52:42.600 --> 0:52:44.400
<v Speaker 1>well I'm trying to think of other sort of cliche

0:52:44.480 --> 0:52:50.439
<v Speaker 1>types of photos. Like another one is polaroids. Yes, polaroids are.

0:52:51.480 --> 0:52:53.400
<v Speaker 1>It's funny. It's like what we were saying like earlier

0:52:53.640 --> 0:52:56.760
<v Speaker 1>about like what were we talking about before we recorded.

0:52:56.840 --> 0:53:00.120
<v Speaker 1>I think we were talking about how something Oh, like

0:53:00.239 --> 0:53:03.800
<v Speaker 1>the screenshot that you sent Sam that's very like m

0:53:03.840 --> 0:53:06.759
<v Speaker 1>I A like the cover art of that album with

0:53:06.920 --> 0:53:09.400
<v Speaker 1>like a bunch of Yeah, Sam, screen was kind of

0:53:09.520 --> 0:53:11.680
<v Speaker 1>covered in different QuickTime windows and he was like, it

0:53:11.800 --> 0:53:13.719
<v Speaker 1>looks like the m I A cover that is sort

0:53:13.719 --> 0:53:17.520
<v Speaker 1>of digital brutalist. And then I was like, my my

0:53:17.640 --> 0:53:21.840
<v Speaker 1>intuition was like, that's so two thirteen, that's so like Tumbler,

0:53:21.880 --> 0:53:25.239
<v Speaker 1>it's so b f A, so s v A, that's

0:53:25.239 --> 0:53:27.960
<v Speaker 1>so pratt whatever, and like but then you brought up

0:53:28.000 --> 0:53:29.640
<v Speaker 1>a point You're like, that's so funny that like we

0:53:29.760 --> 0:53:34.239
<v Speaker 1>referenced it there when it is referencing like nineties clip

0:53:34.320 --> 0:53:37.040
<v Speaker 1>are or like whatever. I feel like Polaroids is kind

0:53:37.040 --> 0:53:40.600
<v Speaker 1>of in a similar model. It's just like cyclical, but

0:53:40.719 --> 0:53:44.479
<v Speaker 1>then I'm sure it changes each time it comes back.

0:53:45.160 --> 0:53:47.680
<v Speaker 1>It serves like a or I don't know, appeals to

0:53:47.800 --> 0:53:51.360
<v Speaker 1>maybe like in a different way. Yeah, like a polaroid

0:53:51.400 --> 0:53:56.560
<v Speaker 1>today is doing like two hipster culture right exactly. It's

0:53:56.600 --> 0:53:59.040
<v Speaker 1>harkening back to that and two thousand and ten. When

0:53:59.080 --> 0:54:02.800
<v Speaker 1>it was actually that, it was like whoa like and

0:54:02.920 --> 0:54:05.200
<v Speaker 1>it was like hard to find film and it was like,

0:54:05.920 --> 0:54:10.000
<v Speaker 1>oh my gosh, like this really remarkable. It felt very

0:54:10.120 --> 0:54:13.759
<v Speaker 1>like I don't even know what the word is. It

0:54:13.960 --> 0:54:16.759
<v Speaker 1>is crazy to live through what I'm saying. I feel

0:54:16.760 --> 0:54:18.640
<v Speaker 1>like we are the age where we're living through the

0:54:18.680 --> 0:54:21.520
<v Speaker 1>second wave of nostalgia cycles in a way that is

0:54:21.520 --> 0:54:24.760
<v Speaker 1>actually terrifying. Yeah, it kind of bums me out. Actually

0:54:25.000 --> 0:54:28.680
<v Speaker 1>I missed feeling just authentically good about stuff. Yeah, I

0:54:28.760 --> 0:54:32.880
<v Speaker 1>mean like this is actually really cool. Yeah, because I

0:54:33.040 --> 0:54:35.800
<v Speaker 1>hate I never want to be the person that's like like,

0:54:36.040 --> 0:54:39.280
<v Speaker 1>oh my god, they don't even know, like that's actually

0:54:39.400 --> 0:54:43.040
<v Speaker 1>from this album and it's actually a cover. Like I

0:54:43.280 --> 0:54:46.480
<v Speaker 1>hate when people, oh, they don't even know that. That

0:54:46.560 --> 0:54:51.440
<v Speaker 1>shows just like a pastiche of eighties sitcoms, like like Shot.

0:54:55.200 --> 0:54:57.880
<v Speaker 1>But then someone's going to make a show that's about

0:54:57.920 --> 0:54:59.719
<v Speaker 1>two gay guys making a podcast and one of them

0:54:59.719 --> 0:55:02.480
<v Speaker 1>has a mustache, and and we're gonna have to be like, hey,

0:55:03.239 --> 0:55:09.080
<v Speaker 1>you don't even know that was about Oh it's so cruel,

0:55:09.120 --> 0:55:11.840
<v Speaker 1>what a cruel world? Wait, okay, I also want to

0:55:11.880 --> 0:55:14.439
<v Speaker 1>say about photography. One time I met this like really

0:55:14.480 --> 0:55:18.120
<v Speaker 1>really christian guy, um who was a photographer, and he

0:55:18.200 --> 0:55:21.120
<v Speaker 1>would like only take pictures of like water and like

0:55:21.680 --> 0:55:25.799
<v Speaker 1>like flowers and ducks and stuff, and um that felt

0:55:25.880 --> 0:55:32.480
<v Speaker 1>extremely closeted guy to me. Totally. I could see that. Yeah, yeah,

0:55:32.560 --> 0:55:36.799
<v Speaker 1>what's the deal with nature photography? I mean nature photography,

0:55:38.560 --> 0:55:43.040
<v Speaker 1>if I remember correctly, probably one of the first subjects

0:55:43.560 --> 0:55:48.880
<v Speaker 1>captured when we figured out the camera OBSCUREA we were

0:55:49.239 --> 0:55:52.160
<v Speaker 1>we were like, okay, we're gonna this big. I guess

0:55:52.200 --> 0:55:53.960
<v Speaker 1>we'll take a photo of amount of we will capture

0:55:54.000 --> 0:55:56.800
<v Speaker 1>something that will be still and it's our very earth.

0:55:57.920 --> 0:56:03.640
<v Speaker 1>So there's that origin to landscapes and or nature or anything.

0:56:03.719 --> 0:56:05.600
<v Speaker 1>I don't know, But I don't know, but then there

0:56:05.680 --> 0:56:08.399
<v Speaker 1>are ways to I don't know. It's one of those

0:56:08.480 --> 0:56:11.120
<v Speaker 1>things that's like like that guy you're describing, that guy

0:56:11.239 --> 0:56:14.520
<v Speaker 1>taking pictures of like ducks or whatever, like like I

0:56:14.600 --> 0:56:21.000
<v Speaker 1>could totally see that being like this introspective um like

0:56:21.200 --> 0:56:26.520
<v Speaker 1>expression or like you you're wanting to express something but

0:56:26.680 --> 0:56:28.719
<v Speaker 1>you just can't. I mean, if picture says more than

0:56:28.800 --> 0:56:33.200
<v Speaker 1>a thousand words, okay, and I'm so happy you brought

0:56:33.280 --> 0:56:35.600
<v Speaker 1>that up. Well, okay, first of all, I think we

0:56:35.640 --> 0:56:38.000
<v Speaker 1>can all agree that nature photography either means you have

0:56:38.160 --> 0:56:40.600
<v Speaker 1>reached a state of nirvana where you're one with God

0:56:40.840 --> 0:56:46.640
<v Speaker 1>or your closeted Yes, yes, yes, um so that's fine,

0:56:46.800 --> 0:56:50.120
<v Speaker 1>except like photographing like lions or something like that's so straight,

0:56:50.520 --> 0:56:53.520
<v Speaker 1>Well that that's because they're masculine. Yeah, yeah, Like the

0:56:53.600 --> 0:56:57.200
<v Speaker 1>National Geographic Wildlife Photography Contest is one of the straightest

0:56:57.239 --> 0:56:58.560
<v Speaker 1>things I ever heard of in my life, and then

0:56:58.640 --> 0:57:00.759
<v Speaker 1>always like what wins is like something coming out of

0:57:00.800 --> 0:57:04.320
<v Speaker 1>the water holding a fish, but you know, of course congrats,

0:57:05.120 --> 0:57:07.400
<v Speaker 1>of course. I mean catching a fish on camera is

0:57:07.440 --> 0:57:10.680
<v Speaker 1>really hard. They're so fast, by the way, I'm impressed.

0:57:10.719 --> 0:57:12.600
<v Speaker 1>I'm impressed with people that play football too, but I

0:57:12.640 --> 0:57:15.839
<v Speaker 1>don't think it's ethical. I'm actually not then impressed. Yeah,

0:57:15.840 --> 0:57:20.200
<v Speaker 1>I'm not either. I could do it. I mean literally

0:57:20.240 --> 0:57:22.160
<v Speaker 1>put me in. That's actually like of all the sports,

0:57:22.200 --> 0:57:23.480
<v Speaker 1>that's like the one where I'm like, what are you

0:57:23.480 --> 0:57:26.920
<v Speaker 1>even doing? What are you even doing? I know, literally

0:57:26.960 --> 0:57:28.760
<v Speaker 1>all you have to do is like knock your head

0:57:28.800 --> 0:57:31.439
<v Speaker 1>against another person's head. Yeah, like I guess the person

0:57:31.480 --> 0:57:33.200
<v Speaker 1>that throws the ball. There's a lot of like pressure

0:57:33.200 --> 0:57:37.400
<v Speaker 1>because you don't have much time, but it's like who cares? Yeah,

0:57:37.560 --> 0:57:43.760
<v Speaker 1>I don't know. Yeah, yeah, no, I I agree football socks.

0:57:51.760 --> 0:57:54.760
<v Speaker 1>Final thoughts. I want to get everyone's final thoughts on

0:57:55.280 --> 0:57:58.040
<v Speaker 1>the following question. Is a picture worth a thousand words?

0:57:58.560 --> 0:58:02.640
<v Speaker 1>Thank you for asking about I think, um, honestly, a

0:58:02.680 --> 0:58:05.280
<v Speaker 1>lot of times, No, I agree. I think that it's

0:58:05.320 --> 0:58:08.880
<v Speaker 1>like so messed up to even say that. Sometimes I'm

0:58:08.960 --> 0:58:13.920
<v Speaker 1>like that's like being like because like I feel like,

0:58:14.600 --> 0:58:17.040
<v Speaker 1>actually it's like kind of wasteful because you can with

0:58:17.120 --> 0:58:19.440
<v Speaker 1>about ten words you can create like a beautiful image

0:58:19.480 --> 0:58:22.520
<v Speaker 1>in someone's mind. I completely agree. Yeah, it's actually like

0:58:22.640 --> 0:58:25.360
<v Speaker 1>so offensive and you and we have to have more

0:58:25.440 --> 0:58:27.440
<v Speaker 1>respect for the written word. The idea that you took

0:58:27.480 --> 0:58:29.760
<v Speaker 1>a photo what on your iPhone and you think that's

0:58:29.800 --> 0:58:33.320
<v Speaker 1>worth a thousand thousand words, it's like duck and sucking

0:58:33.400 --> 0:58:36.840
<v Speaker 1>out of your mind. Unbelievable. It's fucking crazy. I mean,

0:58:36.920 --> 0:58:43.000
<v Speaker 1>it's like picture prompts and no one wants to do those. Wait,

0:58:43.040 --> 0:58:45.920
<v Speaker 1>what are picture prompts you have in like standardized tests

0:58:46.160 --> 0:58:48.560
<v Speaker 1>or something like. Um, there's like they show you a

0:58:48.640 --> 0:58:50.360
<v Speaker 1>picture and you just have to come up with a

0:58:50.400 --> 0:58:55.720
<v Speaker 1>store like five paragraphs literally a thousand words. But guess

0:58:55.800 --> 0:58:58.520
<v Speaker 1>what though, those are a thousand words that like, but

0:58:58.640 --> 0:59:01.240
<v Speaker 1>you're it's all you came up. Yeah yeah, you can

0:59:01.280 --> 0:59:04.880
<v Speaker 1>be inspired, right right, But it's like it's not actually

0:59:05.000 --> 0:59:09.680
<v Speaker 1>worth a thousand words. It's not actually thousand words. You're

0:59:09.800 --> 0:59:12.880
<v Speaker 1>forced exactly, and you are elevating the photo by it

0:59:13.120 --> 0:59:16.560
<v Speaker 1>by accompanying it with your thousands. I think a photo

0:59:16.680 --> 0:59:20.880
<v Speaker 1>is worth upwards of twenty words. Do you know what?

0:59:21.720 --> 0:59:25.160
<v Speaker 1>Here's what I think is that. Ultimately it depends and

0:59:25.280 --> 0:59:27.160
<v Speaker 1>if you show me a photo that's literally just like

0:59:27.520 --> 0:59:30.760
<v Speaker 1>to use this sort of cliche example, someone's brunch, someone's

0:59:30.800 --> 0:59:33.760
<v Speaker 1>instagramming their brunch. Guess what that's worth exactly one word,

0:59:33.800 --> 0:59:40.120
<v Speaker 1>and that word is brunch. Yeah, maybe two words brunch, binch.

0:59:49.960 --> 0:59:54.040
<v Speaker 1>That was delicious. Um. Great, photos are not worth a

0:59:54.080 --> 0:59:57.240
<v Speaker 1>thousand words, um, but you know what some words are

0:59:57.320 --> 1:00:03.560
<v Speaker 1>worth a thousand words? Great? Like yeah, exactly, like or

1:00:03.640 --> 1:00:08.000
<v Speaker 1>like the word um, effervescent or juxtapis Oh my god,

1:00:08.480 --> 1:00:11.520
<v Speaker 1>Oh you know what word is worth like two thousand

1:00:11.560 --> 1:00:16.560
<v Speaker 1>words right now? Prescriptive I love people and not a

1:00:16.640 --> 1:00:19.080
<v Speaker 1>medical Oh my god, of course, being like, oh you're

1:00:19.080 --> 1:00:22.320
<v Speaker 1>being like, I don't want to be prescriptive, but tell

1:00:22.360 --> 1:00:26.680
<v Speaker 1>me whatever. I'm like, exactly, Yeah, I love that. Yeah.

1:00:26.800 --> 1:00:29.080
<v Speaker 1>And you know you know what word I hate? Prescriptive

1:00:29.120 --> 1:00:32.320
<v Speaker 1>to me? It opens up my world. I I so

1:00:32.560 --> 1:00:34.880
<v Speaker 1>want to know what is or is not prescriptive. No

1:00:35.000 --> 1:00:37.080
<v Speaker 1>word I hate right now that is being overused. The

1:00:37.160 --> 1:00:42.120
<v Speaker 1>word un serious. Oh yeah, have you seen that, Richard? No,

1:00:42.760 --> 1:00:49.800
<v Speaker 1>I think un serious might be like your Pelly Hope

1:00:49.880 --> 1:00:54.480
<v Speaker 1>not because it's a flop. No, I hate un serious.

1:00:54.600 --> 1:00:59.439
<v Speaker 1>It's such as those stupid very Twitter lazy. It's Twitter. Yeah,

1:00:59.440 --> 1:01:03.040
<v Speaker 1>and it's also pretending you're smart, like you're un serious

1:01:03.080 --> 1:01:07.080
<v Speaker 1>for using the word on serious. Dumbass. Yeah, just there's

1:01:07.120 --> 1:01:09.840
<v Speaker 1>words for that. We don't even be like like open addictionary.

1:01:10.240 --> 1:01:13.160
<v Speaker 1>You don't have to say unsous. Yes, silly, I don't believe.

1:01:13.200 --> 1:01:15.840
<v Speaker 1>I don't. I don't really use Twitter. So you think

1:01:15.840 --> 1:01:17.840
<v Speaker 1>you're better than that. That is for the best. But

1:01:18.240 --> 1:01:22.080
<v Speaker 1>this Charlie post selfies on Twitter sometimes. Yeah, well you

1:01:22.120 --> 1:01:29.320
<v Speaker 1>post photos of you constantly. Yeah, he's like this, he's

1:01:29.320 --> 1:01:33.560
<v Speaker 1>talking so much that they're all like some like he's

1:01:33.560 --> 1:01:35.280
<v Speaker 1>like this bitch isn't on Twitter. So I can finally

1:01:35.280 --> 1:01:36.920
<v Speaker 1>speak for you lads. Like you know, when you're friends

1:01:36.960 --> 1:01:40.720
<v Speaker 1>with someone who just steals your ship, it's really funked

1:01:40.800 --> 1:01:42.920
<v Speaker 1>up when friends don't try. I thought I knew you

1:01:45.160 --> 1:01:48.160
<v Speaker 1>some friend. Huh, thousands of If you see this bitch

1:01:48.200 --> 1:01:50.880
<v Speaker 1>on the street, cross run go as far away as

1:01:50.920 --> 1:01:58.320
<v Speaker 1>you can and don't let him hear you talk. Wow,

1:01:58.360 --> 1:02:00.960
<v Speaker 1>I'm really actually like, I'm really glad we got to

1:02:01.240 --> 1:02:03.880
<v Speaker 1>pictures being worth less than a thousand words. That was

1:02:04.080 --> 1:02:06.440
<v Speaker 1>really satisfying. It's kind of like one of my most

1:02:06.520 --> 1:02:10.160
<v Speaker 1>profoundly held beliefs, like moving towards a visual culture was

1:02:10.600 --> 1:02:15.440
<v Speaker 1>a mistake. Totally. Yeah. Wow, we need to get back

1:02:15.480 --> 1:02:18.160
<v Speaker 1>to the written word. Everyone needs to be reading newspapers. Yes,

1:02:18.480 --> 1:02:24.440
<v Speaker 1>and we need to be journaling NonStop. Yes, wow, I

1:02:24.480 --> 1:02:28.200
<v Speaker 1>mean this is January three. This is January three. It's

1:02:28.280 --> 1:02:31.440
<v Speaker 1>January three. And by the way, this actually really ties

1:02:31.760 --> 1:02:35.640
<v Speaker 1>back into Pelly because you created a new word. You

1:02:35.760 --> 1:02:38.800
<v Speaker 1>and Charlie excuse me, created in your word. And actually,

1:02:39.240 --> 1:02:41.400
<v Speaker 1>rather than taking a selfie, why not try to create

1:02:41.440 --> 1:02:46.480
<v Speaker 1>a new word. Yes, that is the challenge. Create a

1:02:46.600 --> 1:02:49.520
<v Speaker 1>new word, a new word, and have fun and put

1:02:49.560 --> 1:02:54.320
<v Speaker 1>down your creating new word and fucking sell it and

1:02:54.600 --> 1:02:58.960
<v Speaker 1>get out there and sell it. Yeah, pitch it like

1:02:59.120 --> 1:03:03.800
<v Speaker 1>make it work, like like nobody handed Richard anything, and

1:03:03.880 --> 1:03:10.800
<v Speaker 1>yet he made Pelly happen exactly. He's just like photography.

1:03:12.160 --> 1:03:14.480
<v Speaker 1>The idea that the average person thinks of photo is

1:03:14.560 --> 1:03:19.520
<v Speaker 1>more important than Pelly is so infuriating to me. I'm pissed.

1:03:19.720 --> 1:03:25.200
<v Speaker 1>I'm actually furious. Wow, So rarely can you be like

1:03:25.280 --> 1:03:27.800
<v Speaker 1>I invented a word? I know, I'm so jealous of

1:03:27.840 --> 1:03:34.320
<v Speaker 1>whoever invented that's such a like wow, I'm jealous of

1:03:34.360 --> 1:03:38.880
<v Speaker 1>even whoever invented like boo yah, yeah, my god, that

1:03:39.040 --> 1:03:43.600
<v Speaker 1>was amazing. Oh my god, Cowabunga amazing. Yeah, that's like

1:03:43.720 --> 1:03:46.840
<v Speaker 1>a movement, like those words are part of a movement.

1:03:47.360 --> 1:03:52.040
<v Speaker 1>Those words like divine generations, you know, and there's cyclical.

1:03:52.080 --> 1:03:55.200
<v Speaker 1>It'll probably come back. It will probably come back, and

1:03:55.240 --> 1:03:57.960
<v Speaker 1>it'll be nostalgic like oh my god, boy with a

1:03:58.040 --> 1:04:04.720
<v Speaker 1>polaroid picture. That's it. That's it. I'm fucking crazy. Word. Yes, yeah,

1:04:05.040 --> 1:04:07.080
<v Speaker 1>I love that. I think it's so funny that it

1:04:07.160 --> 1:04:09.040
<v Speaker 1>actually like I keep trying to invent a word right

1:04:09.080 --> 1:04:11.040
<v Speaker 1>now as we're talking, and I'm like, no, we can.

1:04:11.200 --> 1:04:13.720
<v Speaker 1>I like struggle with it, like I'll be like Maureen

1:04:14.760 --> 1:04:17.880
<v Speaker 1>and I'm like, you know, that's a thing. Your word

1:04:17.960 --> 1:04:26.320
<v Speaker 1>is Maureen? Okay, Sam, what would it? Let's say your

1:04:26.360 --> 1:04:29.960
<v Speaker 1>word is Maureen, the female name Maureen. What would that?

1:04:30.440 --> 1:04:32.760
<v Speaker 1>What would that mean? And this in this sort of

1:04:32.920 --> 1:04:36.800
<v Speaker 1>universe Mareen. I think it's like like it almost means

1:04:36.840 --> 1:04:39.600
<v Speaker 1>like like you're like tired, like you're like like you're

1:04:39.640 --> 1:04:46.400
<v Speaker 1>like exhaust. That's really good. Yeah, it's like after a

1:04:46.480 --> 1:04:54.360
<v Speaker 1>long day of work moreen. Wow, that could really take off.

1:04:54.440 --> 1:04:57.960
<v Speaker 1>That's really good. That's really take off. And you could

1:04:58.000 --> 1:04:59.760
<v Speaker 1>spell it different than the name, if you could do

1:05:00.560 --> 1:05:02.720
<v Speaker 1>m you r e N if you want, well, if

1:05:02.720 --> 1:05:05.480
<v Speaker 1>I know anything about Maureen the people, they are a

1:05:05.560 --> 1:05:09.120
<v Speaker 1>litigious group and they'll come from me if you exactly.

1:05:09.160 --> 1:05:15.280
<v Speaker 1>I don't want to be sued. Wow, I'm so excited

1:05:15.360 --> 1:05:19.760
<v Speaker 1>to start using me. George. Do you want to try

1:05:19.760 --> 1:05:22.000
<v Speaker 1>to come with the word really quick? Oh my god,

1:05:22.040 --> 1:05:26.360
<v Speaker 1>I'm so nervous. I mean, okay, let me try just

1:05:26.520 --> 1:05:34.880
<v Speaker 1>let it flow. Falcao. Okay, what does it mean? What

1:05:35.000 --> 1:05:38.080
<v Speaker 1>is a very pretty work? Thank you? It's very feminine.

1:05:38.840 --> 1:05:41.440
<v Speaker 1>It's like, but well, no, it's feminine but strong. You

1:05:41.520 --> 1:05:44.200
<v Speaker 1>know what it is. It's a bit of like it's

1:05:44.240 --> 1:05:59.160
<v Speaker 1>somewhere between excuse me and thank you. It's like okay, yes, wait, yeah,

1:05:59.240 --> 1:06:02.040
<v Speaker 1>it's it's like, you know you're in someone's way, but

1:06:02.160 --> 1:06:04.560
<v Speaker 1>you're not exactly apologizing because you've been taught not you know,

1:06:04.720 --> 1:06:10.440
<v Speaker 1>you've Yeah, it's sort of a general purpose, polite thing

1:06:10.560 --> 1:06:15.320
<v Speaker 1>to say when you are around strangers. Yes, it's something

1:06:15.360 --> 1:06:17.240
<v Speaker 1>you can say when someone when the waiter gives you

1:06:17.320 --> 1:06:20.720
<v Speaker 1>more wine. It's something you can say after after you're

1:06:20.800 --> 1:06:24.880
<v Speaker 1>done purchasing a sweater at Zara, and like, if you

1:06:24.960 --> 1:06:28.600
<v Speaker 1>bump into someone, you can be like felt. Also, even

1:06:28.680 --> 1:06:31.040
<v Speaker 1>if you're like, if you're like wondering if someone's in line,

1:06:31.280 --> 1:06:35.120
<v Speaker 1>you can open with Felka, like you like, are you inlying?

1:06:37.080 --> 1:06:39.360
<v Speaker 1>It's sort of it's sort of in the same family

1:06:39.440 --> 1:06:41.840
<v Speaker 1>as the German beat it, which is like sort of

1:06:41.920 --> 1:06:48.919
<v Speaker 1>like a you know, wow, I love Fela. I'm sorry,

1:06:49.000 --> 1:06:53.600
<v Speaker 1>but Helly, Maureene and Felca already are more impactful than

1:06:53.640 --> 1:07:01.640
<v Speaker 1>any photograph ever. Exactly, yeah, exactly why I'm glad we

1:07:01.720 --> 1:07:04.680
<v Speaker 1>got there. That really did a lot for me. I

1:07:04.800 --> 1:07:10.400
<v Speaker 1>am truly on cloud nine. I feel relieved. Yeah, why

1:07:10.440 --> 1:07:14.120
<v Speaker 1>do you feel relieved? Because I feel like my choice

1:07:14.240 --> 1:07:16.400
<v Speaker 1>wasn't so bad? Oh my god, we're just such a

1:07:16.440 --> 1:07:19.120
<v Speaker 1>good choice. And and the fact that it was so

1:07:19.320 --> 1:07:25.160
<v Speaker 1>related to two words. Yeah wow. Well, should we do

1:07:25.240 --> 1:07:28.280
<v Speaker 1>our final segment? Yeah? I think we have to. Rich.

1:07:28.320 --> 1:07:30.680
<v Speaker 1>Our final segment is called shout outs, and in it

1:07:30.840 --> 1:07:33.640
<v Speaker 1>we give a shout out um to anything that we're

1:07:33.680 --> 1:07:36.720
<v Speaker 1>enjoying in sort of the classic street tradition. Imagine it's

1:07:36.720 --> 1:07:38.680
<v Speaker 1>two thousand one, you're at TRL and you're shouting out

1:07:38.720 --> 1:07:42.200
<v Speaker 1>to your squad back home, Um, just about anything that

1:07:42.320 --> 1:07:45.760
<v Speaker 1>you like. And I actually do have one, Okay, so

1:07:45.880 --> 1:07:50.800
<v Speaker 1>I can go first, unless go for him. What's up

1:07:50.840 --> 1:07:52.880
<v Speaker 1>everybody across the globe. I want to give a huge

1:07:52.920 --> 1:07:57.080
<v Speaker 1>shout out to gay photographers. I support you. You are

1:07:57.120 --> 1:08:00.080
<v Speaker 1>the troops. I love you. Yes, we have slander you

1:08:00.160 --> 1:08:02.880
<v Speaker 1>on this podcast, but I love you, and I think

1:08:02.920 --> 1:08:05.840
<v Speaker 1>the work that you're doing is so important because you

1:08:06.600 --> 1:08:09.959
<v Speaker 1>understand that sometimes you just want to be a little

1:08:10.000 --> 1:08:12.480
<v Speaker 1>horny and not like look at porn, but you do

1:08:12.720 --> 1:08:15.680
<v Speaker 1>want to be like seeing something kind of hot and

1:08:15.880 --> 1:08:18.120
<v Speaker 1>like yeah, you like put a little artistic spin on it,

1:08:18.120 --> 1:08:20.800
<v Speaker 1>and I think that's beautiful. Um. Shout out to my

1:08:20.920 --> 1:08:24.560
<v Speaker 1>friend Bryson. Hi, Bryson, I love you. You are a

1:08:24.640 --> 1:08:27.160
<v Speaker 1>gay photographer and you took sexy picks of me and

1:08:27.479 --> 1:08:30.760
<v Speaker 1>I will put them on the internet one day, but

1:08:30.920 --> 1:08:34.680
<v Speaker 1>today is not that. Dave and all gay photographers out there,

1:08:35.439 --> 1:08:46.920
<v Speaker 1>I'm open to it and I want it all right,

1:08:47.000 --> 1:08:50.960
<v Speaker 1>give me one second, it's gonna come to me. Nothing

1:08:51.000 --> 1:08:54.599
<v Speaker 1>you're grateful for. You have nothing you're grateful for. You'd

1:08:54.640 --> 1:09:01.840
<v Speaker 1>be surprised. Oh okay, okay, all right, I'm ready go

1:09:02.040 --> 1:09:05.880
<v Speaker 1>for it. What's up everybody? Hope everyone is having such

1:09:05.960 --> 1:09:07.640
<v Speaker 1>a good New year, and I hope you guys are

1:09:07.680 --> 1:09:11.200
<v Speaker 1>all slaying the adult NG game in the in the

1:09:11.360 --> 1:09:13.880
<v Speaker 1>new month and the new year in the new week.

1:09:14.200 --> 1:09:16.400
<v Speaker 1>Happy Tuesday from all of us here on the team.

1:09:16.680 --> 1:09:18.600
<v Speaker 1>And I just want to give a shout out to

1:09:19.400 --> 1:09:22.760
<v Speaker 1>kind of rejecting the impulse to find to read something

1:09:22.800 --> 1:09:26.320
<v Speaker 1>as a metaphor. I just watched the film Bones and All,

1:09:26.439 --> 1:09:30.040
<v Speaker 1>where Timothy shadow May plays Accountable, and I found myself thinking,

1:09:30.360 --> 1:09:33.639
<v Speaker 1>is this a metaphor for homosexuality? Is this a metaphor

1:09:33.760 --> 1:09:37.360
<v Speaker 1>for drug abuse? Is this a metaphor for addiction? Is

1:09:37.400 --> 1:09:40.920
<v Speaker 1>this a metaphor for adolescents? And guess what, stupid whore,

1:09:41.200 --> 1:09:43.280
<v Speaker 1>that's me talking to myself. It doesn't have to be

1:09:43.360 --> 1:09:45.799
<v Speaker 1>a metaphor because we're not in the fucking ninth grade.

1:09:46.120 --> 1:09:49.719
<v Speaker 1>So maybe try enjoying art for what it is, letting

1:09:49.760 --> 1:09:54.240
<v Speaker 1>it sink into your little brain for multiple days, weeks,

1:09:54.280 --> 1:09:57.519
<v Speaker 1>and even months, and actually appreciating it rather than trying

1:09:57.560 --> 1:10:00.880
<v Speaker 1>to write a book report. And with that, I say,

1:10:01.400 --> 1:10:04.479
<v Speaker 1>Happy New Year and let's get it, kings and queens.

1:10:06.080 --> 1:10:10.679
<v Speaker 1>Um that's a beautiful one. It's uplifting. You know. Someone

1:10:10.800 --> 1:10:14.240
<v Speaker 1>told me that it's like a metaphor for um, like

1:10:14.880 --> 1:10:20.439
<v Speaker 1>not eating meat. Oh wow, yeah, someone would say that. Um.

1:10:20.560 --> 1:10:22.720
<v Speaker 1>I also saw that movie A weird movie. Alert. Wait,

1:10:22.800 --> 1:10:25.920
<v Speaker 1>I actually loved it, did you? I didn't love it,

1:10:26.000 --> 1:10:28.400
<v Speaker 1>but I didn't dislike it. I was just like weird,

1:10:28.960 --> 1:10:31.480
<v Speaker 1>Like I was kind of like I felt nothing emotionally,

1:10:31.560 --> 1:10:35.599
<v Speaker 1>but like enjoyed the swing. Oh totally. I do agree

1:10:35.680 --> 1:10:39.080
<v Speaker 1>that it was weird, like where you were kind of like, wait,

1:10:39.960 --> 1:10:43.040
<v Speaker 1>like this is what Timothy and Luca Gua are doing,

1:10:43.479 --> 1:10:46.360
<v Speaker 1>like kind of random, kind of random vie. It really

1:10:46.520 --> 1:10:49.320
<v Speaker 1>is the definition of random. Alert that movie, and Timothy

1:10:49.439 --> 1:10:51.920
<v Speaker 1>was really not working for me actually in that movie. Unfortunately.

1:10:52.080 --> 1:10:54.040
<v Speaker 1>I think I have heard people say that. I do

1:10:54.160 --> 1:10:57.760
<v Speaker 1>think the girl Taylor Wressell, I loved her, she was

1:10:57.840 --> 1:11:00.000
<v Speaker 1>so good. But I don't know. I really did appreciate

1:11:00.000 --> 1:11:01.400
<v Speaker 1>at the Swings, right, the last thing I'll say, and

1:11:01.439 --> 1:11:04.840
<v Speaker 1>then I promised I'll shut up when Chloe seven shows

1:11:04.920 --> 1:11:07.960
<v Speaker 1>up in that movie. I mean, I almost fucking like

1:11:08.600 --> 1:11:10.240
<v Speaker 1>I wanted to pull a lever so I would be

1:11:10.320 --> 1:11:12.600
<v Speaker 1>like launched into the ceiling out of excitement, not a

1:11:12.640 --> 1:11:15.320
<v Speaker 1>negative thing I was. That was actually where it turned

1:11:15.360 --> 1:11:17.360
<v Speaker 1>to me where the random sauce got a little too

1:11:17.439 --> 1:11:24.280
<v Speaker 1>strong interesting, and I said, I can't take anything seriously anymore.

1:11:24.520 --> 1:11:26.920
<v Speaker 1>Oh wow, we really had opposite reactions. I was eating

1:11:26.920 --> 1:11:29.240
<v Speaker 1>it out. Yeah I would. I feel like I would

1:11:29.320 --> 1:11:31.720
<v Speaker 1>like that, but I haven't watched the movie yet. You

1:11:31.800 --> 1:11:35.400
<v Speaker 1>should watch it, I think I will. Richard, would you

1:11:35.479 --> 1:11:38.439
<v Speaker 1>like to give a shout out? Of course? Okay, whenever

1:11:38.520 --> 1:11:44.440
<v Speaker 1>you're really ready. What's happening everybody? How's everyone doing? Reporting

1:11:44.520 --> 1:11:50.280
<v Speaker 1>live from January third, Happy years everyone. I hope that

1:11:50.400 --> 1:11:54.559
<v Speaker 1>you start the new year out feeling good, because I'll

1:11:54.600 --> 1:11:58.160
<v Speaker 1>tell you what. I feel really good because of my

1:11:58.400 --> 1:12:01.519
<v Speaker 1>shout out, and that is to my dear friend Charlie

1:12:01.640 --> 1:12:07.000
<v Speaker 1>bar Day really is my good friend who um I

1:12:07.200 --> 1:12:11.519
<v Speaker 1>just have to shout out legally to say that he

1:12:11.800 --> 1:12:16.320
<v Speaker 1>is the inventor of my most recent project, Kelly. The

1:12:16.479 --> 1:12:19.840
<v Speaker 1>way that we have fun with words is so delicious,

1:12:20.600 --> 1:12:22.920
<v Speaker 1>and I'm so grateful that he brought that to me,

1:12:23.120 --> 1:12:26.160
<v Speaker 1>that he came up to me and said, I'm going

1:12:26.200 --> 1:12:30.400
<v Speaker 1>to start saying this, which I took as I will too,

1:12:31.840 --> 1:12:38.439
<v Speaker 1>and and um and I um, I'm also just uh

1:12:39.080 --> 1:12:45.000
<v Speaker 1>so grateful to be working on such fruitful, meaningful projects together.

1:12:49.000 --> 1:12:52.759
<v Speaker 1>Day shout out, Shout out to Charlie, Shout out to Charlie.

1:12:53.240 --> 1:12:56.600
<v Speaker 1>Has he been shout out more than multiple times? You know,

1:12:56.640 --> 1:12:58.640
<v Speaker 1>I think we did shout him out before. I do

1:12:58.800 --> 1:13:02.120
<v Speaker 1>think we've shouted him out with for he's really part

1:13:02.160 --> 1:13:05.479
<v Speaker 1>of the lore of the podcast. Yeah, whether it's it's

1:13:05.600 --> 1:13:08.360
<v Speaker 1>kind of tough because it's um, you know, he didn't

1:13:08.560 --> 1:13:10.880
<v Speaker 1>necessarily agree to being part of the lore, but he

1:13:11.200 --> 1:13:14.680
<v Speaker 1>he is. Yeah. Well, I mean he has done the

1:13:14.760 --> 1:13:16.760
<v Speaker 1>podcast twice and been in a live show, so it's

1:13:16.760 --> 1:13:21.439
<v Speaker 1>not exactly like he's said. No, that's true, that's true.

1:13:21.800 --> 1:13:25.120
<v Speaker 1>He loves it. He loves that. He loves it. Well, Richard,

1:13:25.240 --> 1:13:27.880
<v Speaker 1>it's been incredible to have you on. Thank you so much.

1:13:27.960 --> 1:13:30.120
<v Speaker 1>This has been so fun, This has been a dream,

1:13:30.160 --> 1:13:31.880
<v Speaker 1>and this is going to be one of the greatest

1:13:31.920 --> 1:13:39.519
<v Speaker 1>episodes ever. I really like the fact that Kelly, but

1:13:39.640 --> 1:13:44.240
<v Speaker 1>also honestly, Maureen, Maureen, we all started, Barry Maureen, we

1:13:44.320 --> 1:13:46.560
<v Speaker 1>did start, and then we were like we were like,

1:13:47.120 --> 1:13:52.639
<v Speaker 1>we were like, all right, Falca you can go first. Yeah, yeah,

1:13:52.960 --> 1:13:57.080
<v Speaker 1>Falco was you know, kind of interspersed throughout. We're warm

1:13:57.200 --> 1:14:00.320
<v Speaker 1>we're doing work. We're like getting through it. Now. We're

1:14:00.320 --> 1:14:06.559
<v Speaker 1>going to end with Polly Pelly um all right, all right,

1:14:06.640 --> 1:14:10.000
<v Speaker 1>and that's I'm Pelly. Happy New Year, all Happy New Year.

1:14:10.120 --> 1:14:11.160
<v Speaker 1>Bye bye