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Speaker 1: I am all in. Oh, I am all in with

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Speaker 1: Scott Patterson and I heart radio podcast. Listen. Uh, this

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Speaker 1: episode was unbelievably funny. Uh wait a minute, Tara, Hi,

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Speaker 1: I'm good. Well I was sick one week and then

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Speaker 1: I was fourth of July, so I'm back. Well, welcome back.

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Speaker 1: You have been missed. Thank you guys. So we're gonna

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Speaker 1: talk about this take us away. I mean, you're gonna

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Speaker 1: do your You gotta you gotta come back and just

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Speaker 1: give us the big intro. You gotta give us the

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Speaker 1: whole deal. Well, I'll have my moment. This is Danielle's moment.

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Speaker 1: Oh god, Oh, Danielle's doing it. But should we give

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Speaker 1: Tara another a moment since I took over her pop

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Speaker 1: culture moment last time? No? Sure, all right, I'm just

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Speaker 1: going for it because I want to get into this episode.

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Speaker 1: So this is season three, episode fourteen. Swan Song, original

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Speaker 1: date February eleventh, two thousand three. In the synopsis, Emily

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Speaker 1: wants to meet Jess and invites him to a Friday

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Speaker 1: night dinner. He reluctantly agrees, but shows up with a

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Speaker 1: black eye and Rory questions how it happened, but Jess

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Speaker 1: only tells Luke the real story. Lorela goes to New

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Speaker 1: York with Alex, Suki, and Jackson and starts to wonder

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Speaker 1: if leaving Rory at home by herself with Jess is

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Speaker 1: a good idea. Dun, dun, dun. Plus Lane and Day's

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Speaker 1: relationship cover is almost blown by Lorelai and Mrs Kim

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Speaker 1: so good, so good, so good. I have one going

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Speaker 1: to pick with this episode, but I will I will

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Speaker 1: reserve that till we get I do to Actually, I

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Speaker 1: do too. It's the same bone. Does it start with

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Speaker 1: an Emily? It does not. Oh, we have two bones

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Speaker 1: to pick. I have zeros. It kind of flows from Emily,

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Speaker 1: but I don't know that it really has much to

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Speaker 1: do with Emily. Should we say our bones or should

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Speaker 1: we wait till we get to them? You decide, Scott.

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Speaker 1: I think let's let's put the bones on the shelf

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Speaker 1: for now. Okay, okay, And let's let's let's let's look.

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Speaker 1: We got all these race horses in the starting gate.

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Speaker 1: Let's let's let him run. So all right, I mean,

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Speaker 1: let's start with the Friday night dinner with Emily is

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Speaker 1: so pissed about Graham, and they say Graham needs a fella.

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Speaker 1: Grand needs a fella. Emily just wants Grand not to

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Speaker 1: be on her back. That's why she was to try

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Speaker 1: to find Grant again. Is that what she was? She

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Speaker 1: was she going to find a boyfriend for Well. It

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Speaker 1: did have one of the funniest lines in the episode

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Speaker 1: when Laurel says Richard didn't want a new daddy. Huh,

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Speaker 1: because basically I think they talked about how Grand was

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Speaker 1: seeing someone there was a time and then Emily really

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Speaker 1: wants her to find a dude because she's driving Emily batty.

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Speaker 1: I also thought she was just like talking to herself

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Speaker 1: like everyone's just like all right, great, and she obviously

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Speaker 1: knew about Dean oh yeah, but pushes Rory so that

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Speaker 1: Rory tells her about Jess. So that was kind of

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Speaker 1: typical Emily. But this is not my bone. This is

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Speaker 1: not my bone to pick with Emily. That comes later.

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Speaker 1: It was a good, long opening. It's a Dan Palatino

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Speaker 1: written episode. Can so you know you're gonna get the

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Speaker 1: great set up and you're gonna get the great jokes

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Speaker 1: and it's uh, you know, I love Dan. He never

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Speaker 1: gets too heavy. He waits, He waits for the right moment. Yeah,

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Speaker 1: you know, that's so good at that. That's how do

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Speaker 1: you say that? Signature? Right, Scott? I bet if you

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Speaker 1: watch the episodes. Never looked at the credits, but watch

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Speaker 1: the episodes, you would be able to pick out the

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Speaker 1: episodes he wrote, even this many years later. Yeah, I'm

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Speaker 1: starting to be able to distinguish. Yeah, he's got a

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Speaker 1: he's got a style. It's it's a unique style. I love.

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Speaker 1: I love his episodes. I mean, I love all of them,

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Speaker 1: but I can tell when he's written in episodes. I

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Speaker 1: don't need to live at the credits. Yeah, there is

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Speaker 1: a sort of tone vibe that they have and there

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Speaker 1: they are typically funnier. I believe they are. Yeah, I

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Speaker 1: was in a terrible mood today. I mean, just so

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Speaker 1: busy with the show I'm doing, and and we're you know,

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Speaker 1: things are just kind of chaotic because COVID, and it's

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Speaker 1: just it's it's really difficult sometimes even though this is

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Speaker 1: a great production. We're having a great time, we're doing

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Speaker 1: some great stuff. It's all great, right, and then COVID

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Speaker 1: hits and it's all of a sudden, somebody goes down

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Speaker 1: and another person goes down, and it's chaos, and the

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Speaker 1: schedule gets blown up and it's all the stuff. So

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Speaker 1: I just I was by, you know by the time

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Speaker 1: it rolled around to just watch the episode, and I

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Speaker 1: was exhausted from it all. Uh and uh and I

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Speaker 1: sat down watch the episode and man, it made me

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Speaker 1: feel so much better. I literally it gave me energy.

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Speaker 1: I was laughing at my face off it. Literally that

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Speaker 1: makes me like get like tears because I think you

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Speaker 1: just summed up the magic of the show and why

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Speaker 1: people watch it and watch it and it changes their

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Speaker 1: mood or it gives them something they enjoy at night.

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Speaker 1: Like I really think you nailed it. That's why we

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Speaker 1: all love this and watch it. I mean people watch

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Speaker 1: it all the way through and just started again and

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Speaker 1: I get it. I'm gonna watch this one again too,

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Speaker 1: just for the chuckles. Performances are so good, right, all right?

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Speaker 1: So how do you you want you want to do? Chronological?

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Speaker 1: You want you want to run? Yeah, let's keep going chronologically.

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Speaker 1: The Friday night dinner scene, it's really interesting, Like it

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Speaker 1: just was the open and stood out to me even

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Speaker 1: just how really with Emily saying you abruptly stopped mentioning

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Speaker 1: him eleven dinners Ago diner, Who's counting, Emily, godmar is counting.

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Speaker 1: I think my favorite I'll just say my favorite line

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Speaker 1: now because it's in this scene when she was like, oh,

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Speaker 1: do you have the same friends as Dean? Or it

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Speaker 1: was like something along the lines of like, oh, because

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Speaker 1: what if I invite Dean to a wedding? But he's

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Speaker 1: it's like, I mean, ever happened? I have three lines

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Speaker 1: from this opening scene when she says nice, it will

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Speaker 1: be nice, It'll be a nice night, it will be

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Speaker 1: and then Lorel not so nice for the Lamb's great,

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Speaker 1: wasn't it great? How Emily just set up Rory. It's

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Speaker 1: inevitable that she Jess was coming to the dinner Friday

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Speaker 1: night dinner. Just oh well, well then in that case

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Speaker 1: we'll plants. So think when Richard Sale will get the minister,

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Speaker 1: we'll get the past, I'll get some of my cousins,

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Speaker 1: we'll get some of the ladies from the d A R.

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Speaker 1: And then they can all meet him. She goes, you

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Speaker 1: know what, I think he can come Friday. Just beautiful, beautiful,

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Speaker 1: beautiful stuff. Great opening, and then yes, the lamb joke

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Speaker 1: was good. That landed. Well, then then then what are

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Speaker 1: we getting into? So then we go back to Lorelai

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Speaker 1: and Rory's and they're at the table in the kitchen.

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Speaker 1: I think this was maybe where Lorela had her sticky note.

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Speaker 1: One comment about that because when I was watching that scene,

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Speaker 1: there's one person I thought of, and that one person

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Speaker 1: is in this podcast right now. Who is it? Amy

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Speaker 1: sugar Man. Amy does the same thing Lorelai does with

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Speaker 1: the post it's in her planner, and I could not

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Speaker 1: stop laughing, like, that's so Amy. There's no greater compliment

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Speaker 1: you could give me than to say I'm anything like

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Speaker 1: Loria Lai. I love her and I want to be here,

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Speaker 1: like I literally wrote, gosh. Her low Rise pants were

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Speaker 1: also my favorite. Did you guys nectually were in the

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Speaker 1: low Rise pants and I'm like, god, I love her. Yeah,

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Speaker 1: that scene. That scene was filled with dialogue and filled

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Speaker 1: with detail. I had to watch it a couple of times.

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Speaker 1: You had no idea what they were talking about. You know.

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Speaker 1: At first, I was like, what are they doing? As

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Speaker 1: it was like too fast? I was like wait, you know,

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Speaker 1: I agree. I was like what's happening? And the only

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Speaker 1: way I knew like, oh, we're right after dinner is

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Speaker 1: because they were still in the same outfits otherwise I

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Speaker 1: was like, wait, is this tomorrow? Is it today? Okay,

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Speaker 1: So then we go to Rory and Jess on a

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Speaker 1: bench talking about the book, which I thought that was

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Speaker 1: a great, great moment, Yeah, moment to see them bonding

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Speaker 1: over that, and you see a whole different side of Jess,

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Speaker 1: very pealing. Uh. You know, they're talking about the Beatnicks

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Speaker 1: and there's a book boys reading. Uh. But then I

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Speaker 1: love the fact that she didn't give it to him

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Speaker 1: and he called her a book tease. You're totally they're

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Speaker 1: very physically affectionate in a very subtle way. He puts

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Speaker 1: his arm on her. It's really subtle. I don't know

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Speaker 1: if they did it or if a director told them too,

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Speaker 1: but it's so nuanced. But you really see like they're

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Speaker 1: really together, really dating in real life. Yeah nobody. Well,

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Speaker 1: then we get Miss Patty who grabs you know, Rory

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Speaker 1: in and Dean's there and this was just typical Gilmore

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Speaker 1: cuckoo nous with Miss Patty doing her one woman show

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Speaker 1: and dragging the town into evaluate it. Um, yeah she

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Speaker 1: got that. They got to snip at the lane stretch

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Speaker 1: a little bit. It's like that. But about the bitterness, yeah,

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Speaker 1: and then Kirk is the director. It's just like is

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Speaker 1: half betting in here making all the obvious choices and

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Speaker 1: we kind of knew, Oh, Jess is going to be

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Speaker 1: irritated by this. Yeah, you would think that, like Rory

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Speaker 1: would just go tell him, like she made that mistake once.

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Speaker 1: Why does it just be like, hey, guess what happened today?

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Speaker 1: Miss Patty pulled me in sat next to Deen. Just

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Speaker 1: want to let you know, you know what. I didn't

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Speaker 1: think I had a bone to pick with this episode

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Speaker 1: up until now, and that's the bone to pick. I

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Speaker 1: need Rory to stop doing that. I just need her

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Speaker 1: to just tell her significant other what's going on. That's it. Yeah,

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Speaker 1: I mean, like you didn't even think about it because

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Speaker 1: it's like she basically got kidnapped in there. I don't know,

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Speaker 1: but I get where you guys are coming from. It's like,

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Speaker 1: but she's she's a kid. Come on. It's a little

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Speaker 1: bit of like three company for me with the one

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Speaker 1: that's a misunderstanding, you know, like a break. She's six,

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Speaker 1: she's accountable for the most part, but in this area

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Speaker 1: of her life, this is new for her, so she's

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Speaker 1: not an expert at this and I think you've got

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Speaker 1: to especially give kids credit or give them the benefit

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Speaker 1: of the doubt, or give him a break, you know,

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Speaker 1: for us in that wacky town. She's like, she's sixteen.

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Speaker 1: She doesn't want to report into everybody just because she

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Speaker 1: bumps into some time. How exhausting, everybody, chill out, but

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Speaker 1: just get in a in a kerfuffle over Dean. I

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Speaker 1: was gonna say, if it was anyone else, I don't

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Speaker 1: think just would care. It's the fact that it's Dean specifically.

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Speaker 1: But it's a small town. She's going to run into Dean,

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Speaker 1: I mean, you know, but again, it's it's unrealistic to

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Speaker 1: expect him as what is he eighteen in this seventeen

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Speaker 1: in this for him to be like a grown up guy.

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Speaker 1: And I mean, look, guys in their thirties and forties

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Speaker 1: can't handle that stuff, right, But I tell you women

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Speaker 1: what Also, how quick? How quick did they put it

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Speaker 1: in the paper? Like it was like flyers around town

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Speaker 1: within two seconds? I did think that was hilarious when

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Speaker 1: they're like, you know, Rory Gilmore said this is the

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Speaker 1: five star show, Like it's just like so then okay, juicy,

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Speaker 1: we're back at Rory Laurel Eze and Rory's like either

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Speaker 1: watching TV or studying. We hear this weird noise and

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Speaker 1: then oh no. She opens the door to her mom

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Speaker 1: and Alex kissing and was like, oh god, well know,

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Speaker 1: did that bother you or were you? Like, I'm cool,

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Speaker 1: I like this dude. I like the guy I think.

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Speaker 1: You know, I don't blame her right now, I get it,

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Speaker 1: you know. Now, It's like, okay, yeah, that's that's Yeah.

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Speaker 1: He's like a very likable guy. You know. I don't

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Speaker 1: think I'm spilling secrets. This is like, weirdly his last episode,

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Speaker 1: but we don't really get any closure with them, and

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Speaker 1: they seem to be I mean, I'm sure there's an explanation.

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Speaker 1: I can't totally remember, but yeah, because he was working

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Speaker 1: all the time and he wasn't available for he was

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Speaker 1: getting Twilight, but they're so likable. Maybe I guess the

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Speaker 1: writers just felt like it ran its course. I don't know, No,

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Speaker 1: he wasn't available, he was working on other stuff. Well,

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Speaker 1: I know he was doing twenty four around the same time,

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Speaker 1: because he's such a jerk on that. But what year

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Speaker 1: was Twilight? Twilight was like a little bit a little bit,

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Speaker 1: but also I can't think of anything worse than opening

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Speaker 1: a door and seeing your mom kissing someone. So Twilight

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Speaker 1: was way later. Okay, pardon me, he might have been

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Speaker 1: filming Twilight. I mean what years. No, we're only in

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Speaker 1: like two thousand in three years, right, he hasn't even

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Speaker 1: gotten the job. That movie didn't have that much Ignore

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Speaker 1: he did a bunch of other work before Twiline. He

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Speaker 1: was working guys busy guy. Yeah. Yeah, I mean it's

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Speaker 1: weirdly I'm binging Gilmore and twenty four and he's right

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Speaker 1: on season two. Wait, so back on this. I guess

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Speaker 1: everyone had married parents because I don't know what it

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Speaker 1: would be like to see that. That would make I

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Speaker 1: don't need back even if he's my parents, Like, that's true,

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Speaker 1: but like I feel like if it was your parents

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Speaker 1: that were together, you usually I don't know, have you

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Speaker 1: ever seen your parents? No, like I've seen the maids

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Speaker 1: like like that, like not make out gross. I can't

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Speaker 1: even think about it. No, no, no, it's stopped. Do

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Speaker 1: you this is a personal question. Do you and your

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Speaker 1: wife like make out and your kids ever? Know? Scot's

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Speaker 1: thinking about it. We try to contain ourselves, but sometimes

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Speaker 1: we uh, you know, he's seen it. You know, he's

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Speaker 1: seen it. He always said something. He says, oh gross, yeah, yeah, yeah,

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Speaker 1: Well I did think it was funny because this is

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Speaker 1: where they say, oh, we need a signal, and then

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Speaker 1: I think we get a call back to that when

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Speaker 1: Laura Lai catches them at list in Luke's apartment. What

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Speaker 1: kind of signal do they? Like? Like? What do like

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Speaker 1: throw some layers and like? So listen here, I have

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Speaker 1: more than one bone to pick with this episode. Here,

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Speaker 1: here's my first bone. Ready, here's bone number one. I

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Speaker 1: may have jumped the gun. Here we too soon, but

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Speaker 1: Laura Lee goes into the loops and then she goes

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Speaker 1: up when she gets those two right, are we too

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Speaker 1: soon for this? You can do it? We'll do it?

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Speaker 1: So yeah, look sits there and lists her freaking wardrobe.

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Speaker 1: That was that was over the top. What was that?

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Speaker 1: I got? What the point was that he knows her? What?

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Speaker 1: How was he sitting there like you know you got properly.

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Speaker 1: It was all of a sudden he's an expert on her.

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Speaker 1: That was not that way. No, I disagree. This was

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Speaker 1: I mean, as a first timer, this is this was

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Speaker 1: my like kind of okay, there he really does like her.

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Speaker 1: I knew that already, but he's definitely he pays attention

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Speaker 1: and he is like very okay, So maybe maybe I

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Speaker 1: didn't act it right. Maybe I needed to make a

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Speaker 1: different acting choice because I just listed it. You know, look,

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Speaker 1: I think you acted it fine, and I get what

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Speaker 1: they were doing, like the writers were saying, like we're

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Speaker 1: showing how well he knows her, but it was so

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Speaker 1: out of character for Luke. That was not Luke. This

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Speaker 1: wasn't even my bone. But I'm gonna go with it.

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Speaker 1: Luke wouldn't not He might have thrown out one or

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Speaker 1: two you always look great where your black sweater, but

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Speaker 1: like fifty things knowing her closet, like he was like

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Speaker 1: some kind of stylist, Like, yes, he becomes he becomes

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Speaker 1: a stylist. He did. It was so weird. It was Yeah,

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Speaker 1: I was like, what am I watching it that? I

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Speaker 1: agree that's a bone to pick, and I'm interested and

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Speaker 1: I'm sure they will tell us. But everyone listening if

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Speaker 1: they thought that was absurd because I was like, I

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Speaker 1: roll emoji he yea. And also, Luke is way too

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Speaker 1: cool for that. He's gootting. No, Yeah, that's that's number one.

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Speaker 1: I don't think. I would love to hear how you

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Speaker 1: could have acted it different because it was like just

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Speaker 1: kind of no, okay, so would I would have had

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Speaker 1: to have slowed it down and been more uncomfortable revealing

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Speaker 1: it a little sort of stumble on everything, and you know,

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Speaker 1: but I don't remember trying to do that. But I'm

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Speaker 1: I'm pretty sure if I tried to do that and

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Speaker 1: it was working, well, um, they may have let it in.

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Speaker 1: But they may not have let it in because it

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Speaker 1: wasn't going fast enough, you know what I'm saying. Yeah, totally,

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Speaker 1: it's very interesting here if there would have been a

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Speaker 1: way to pull that off where it wasn't. To me,

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Speaker 1: it was so lame. But Danielle, you liked it. I

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Speaker 1: kind of thought that I liked it, but it was

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Speaker 1: like a moment for me to be like, oh, he's

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Speaker 1: like really into her. M h. You know, I knew

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Speaker 1: that already, but it was more just more icing on

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Speaker 1: top of the case, right, I get that, or maybe

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Speaker 1: a line from her that acknowledges that suddenly become an

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Speaker 1: extra on my words. I was come in here, you know,

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Speaker 1: cover to be able to recover from it, you know,

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Speaker 1: acknowledge that it was awkward and then recover from it.

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Speaker 1: But they didn't have that. It's just kind of strange

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Speaker 1: for me, So I agree. The only scene we skipped,

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Speaker 1: I think that the scene before that was where they're

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Speaker 1: all at the bands in the kitchen and this is

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Speaker 1: where why makes her mistake? Oh god, and to play

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Speaker 1: a love so that that was the funniest. That was

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Speaker 1: the funniest moment of the series so far, Like covering

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Speaker 1: it up. Yeah, she was like, you take the V

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Speaker 1: and the heat from Dave's name and the it's love, Like, yeah,

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Speaker 1: it makes sense. And then she booked right the hell

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Speaker 1: out of there. I mean, she was so uncomfortable. It

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Speaker 1: was so funny. And I'm telling you that that type

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Speaker 1: of that type of skill to do it that quickly,

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Speaker 1: stumble over it at the same time, to create this

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Speaker 1: sense so that she's really caught. She's got to catch

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Speaker 1: up and she's got to cover up this mistake she

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00:20:06,080 --> 00:20:09,439
Speaker 1: made by revealing this relationship. It was just artistry at

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Speaker 1: it's fine, it's craft at its finest. And I replayed

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Speaker 1: that scene five times before I went on because I

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00:20:16,040 --> 00:20:19,560
Speaker 1: was busting out leven. She is so good at that.

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Speaker 1: That's that's where her her comedy Supremacy displays itself. I mean,

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Speaker 1: it's just there's not a lot of people that could

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Speaker 1: do that. I did write a note that if anybody

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Speaker 1: can tell me what's on Lorealize shirt, I'd love to

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Speaker 1: know that too, And I tried so hard to tell

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Speaker 1: So maybe an eaglelliede uh fan can help me because

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00:20:40,880 --> 00:20:43,199
Speaker 1: I thought her her shirt was cool, but I was like,

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Speaker 1: what's on there? But anyway, Yeah, so that was a

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Speaker 1: great scene. Great scene. God, that was funny. I think

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Speaker 1: I think we actually have a picture of it on

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Speaker 1: our rundown. Are you serious? Yeah? You can me share

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00:21:00,560 --> 00:21:07,199
Speaker 1: my screen. Oh oh my god, positive this is the

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00:21:07,240 --> 00:21:11,280
Speaker 1: same shirt because it's somebody, but I don't know who

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00:21:11,320 --> 00:21:14,800
Speaker 1: it is. I think I even wrote a note in

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00:21:14,880 --> 00:21:16,840
Speaker 1: that scene, Scott, and I think it's what you're talking about.

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00:21:16,880 --> 00:21:20,320
Speaker 1: It's like where she says, guys, I'm sorry, Oh yeah,

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Speaker 1: how do we even have this? Oh? You know what's

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Speaker 1: so funny? I didn't notice the shirt, but I noticed

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Speaker 1: the juicy contour jacket. What what is that shirt? Can

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00:21:32,760 --> 00:21:34,920
Speaker 1: we put it up on the Instagram so people can

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Speaker 1: help us, because doesn't it look like it says one

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00:21:37,520 --> 00:21:43,280
Speaker 1: six s San Francisco SF maybe San Francisco four? And

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Speaker 1: then there who is that woman? And then I can't read?

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Speaker 1: I can't read it? Is that a T? And does

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Speaker 1: that say queen? What does that say? I think this

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00:21:56,720 --> 00:22:05,080
Speaker 1: is Cracker? No, that's an R C K E R.

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00:22:05,400 --> 00:22:15,040
Speaker 1: I thought that wasn't you guys? Do you see Jennifer Cracker, Firecracker?

355
00:22:15,200 --> 00:22:19,160
Speaker 1: This is Prior Crier Cracker? Good eye, good eye, Danielle,

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00:22:19,200 --> 00:22:24,840
Speaker 1: Who is that Jennifer Cracker? What are you talking about?

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00:22:27,280 --> 00:22:29,600
Speaker 1: I already feel like I need glasses, And then I'm like,

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Speaker 1: I have classes on and I can't do I'm reading

359
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Speaker 1: Jennifer Cracker. This lady somebody, one of one of our

360
00:22:38,160 --> 00:22:40,679
Speaker 1: somebody's gonna slooth is going to figure out who this

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Speaker 1: lady is. Yeah, it looks like Liz Taylor meets Loraly.

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00:22:47,480 --> 00:22:52,440
Speaker 1: It looks like Mary Elizabeth Master Antonio like a little

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Speaker 1: squattier love. If anyone's making a shirt with Mary Elizabeth,

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00:22:59,200 --> 00:23:03,399
Speaker 1: I she is rather glorious. How did you have that

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00:23:03,480 --> 00:23:06,679
Speaker 1: picture like that so fast? It was in our in

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Speaker 1: our rundown, And why was it in the rundown because

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Speaker 1: we do Gummer's fashion and one of our producers picked

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00:23:12,800 --> 00:23:17,840
Speaker 1: that crack team, Which is so funny that you noticed

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Speaker 1: the shirt, because the whole time I was like, I

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Speaker 1: don't think Lorela would own a juicy gaitour like vulor

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Speaker 1: jacket that she's wearing. I do too, that's the really

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Speaker 1: with her lowrider pants. You wouldn't wear a full Farris

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Speaker 1: Hilton juicy guitar sweatsuit. True. True, she's gonna put that

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Speaker 1: jacket with those guys going off on the fashion nap ahead. Okay,

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00:23:43,960 --> 00:23:48,080
Speaker 1: so we get now know I'm not saying we'll go

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00:23:48,200 --> 00:23:50,560
Speaker 1: back to the fashion, Well, we want to keep you entertaining.

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00:23:50,600 --> 00:23:53,080
Speaker 1: I'm just going to move into it more comfortable. So

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Speaker 1: we go now to Lorly going upstairs to get the

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00:23:56,520 --> 00:24:03,160
Speaker 1: book that Luke has recommended to her, and whoa man

380
00:24:03,720 --> 00:24:08,960
Speaker 1: that some teenage making out let me tell you right

381
00:24:09,200 --> 00:24:14,320
Speaker 1: on the couch, just awkward city. Yeah, well you know

382
00:24:15,400 --> 00:24:19,560
Speaker 1: then I did love Luke, who already's like I got

383
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Speaker 1: this girl. Every time I've got I go up there.

384
00:24:21,960 --> 00:24:24,800
Speaker 1: Every ten minutes, I collected the stuff, put it in

385
00:24:24,800 --> 00:24:29,400
Speaker 1: the box, and then I started all yeah, it took

386
00:24:29,440 --> 00:24:32,160
Speaker 1: me about ten minutes to make Rory and that includes

387
00:24:32,359 --> 00:24:41,680
Speaker 1: changing after and Luke just panic straight panic. That was hilarious,

388
00:24:41,720 --> 00:24:44,200
Speaker 1: so good. Luke had a couple of laugh out loud

389
00:24:44,280 --> 00:24:49,359
Speaker 1: things totally. That whole thing was amazing. And I know

390
00:24:49,400 --> 00:24:52,040
Speaker 1: we'll talk about in pop culture, but the gen Ben

391
00:24:52,119 --> 00:24:59,600
Speaker 1: reference that's relevant. So good, Oh my good. So yeah,

392
00:24:59,600 --> 00:25:01,880
Speaker 1: so I love Luke's line. They come up for every

393
00:25:02,040 --> 00:25:06,639
Speaker 1: so often. Oh good. I got up there every ten minutes.

394
00:25:08,040 --> 00:25:11,360
Speaker 1: You know what I thought was crazy? She paid? So

395
00:25:11,600 --> 00:25:15,520
Speaker 1: I noticed Laurela. I don't remember what she ordered, but

396
00:25:15,600 --> 00:25:19,080
Speaker 1: she paid at the diner. And I really rarely see

397
00:25:19,119 --> 00:25:22,560
Speaker 1: them pay. I always assumed he sort of calms everything,

398
00:25:24,160 --> 00:25:34,000
Speaker 1: no sudden, I don't know what they're they're like four

399
00:25:34,040 --> 00:25:38,600
Speaker 1: times a day exactly, and they better get tips for

400
00:25:38,640 --> 00:25:41,560
Speaker 1: all the crap they give them and they take two

401
00:25:41,640 --> 00:25:45,199
Speaker 1: bites and walk away, seriously, fake bites, the fake eating.

402
00:25:52,680 --> 00:25:56,560
Speaker 1: Are you like in the drawing room of the mansion somewhere,

403
00:25:56,680 --> 00:26:01,120
Speaker 1: like yeah, So, first of all, I look absolutely horrendous

404
00:26:01,160 --> 00:26:03,400
Speaker 1: because the lighting in here is so bad. So I'm

405
00:26:03,440 --> 00:26:06,800
Speaker 1: just dreading anything that's on the Instagram. But I'm in Tahoe.

406
00:26:07,440 --> 00:26:09,560
Speaker 1: But I'm in my bedroom and so I made the

407
00:26:09,640 --> 00:26:15,719
Speaker 1: bed and I'm sitting. I have my levered got your

408
00:26:15,760 --> 00:26:19,040
Speaker 1: animal prints going on there. Yeah, you can pretend I'm

409
00:26:19,080 --> 00:26:21,159
Speaker 1: in I'm in like a family, I'm at the Gilmore's,

410
00:26:21,240 --> 00:26:24,800
Speaker 1: I'm at Richard and Emily's in their manner. So, okay,

411
00:26:24,840 --> 00:26:28,160
Speaker 1: we go back to Rory and Laurelize and loyalized packing

412
00:26:29,240 --> 00:26:30,840
Speaker 1: and I thought that was sort of interesting because she

413
00:26:30,920 --> 00:26:33,920
Speaker 1: had no issues packing because Alex and Lorela I had

414
00:26:33,920 --> 00:26:38,399
Speaker 1: it all planned, so she knew every outfit. She was

415
00:26:38,440 --> 00:26:41,320
Speaker 1: gonna wear her stretchy jeans with the Bunny Ranch T shirt.

416
00:26:41,520 --> 00:26:50,159
Speaker 1: Speaking of fashion, Jesus um I that's okay. So that

417
00:26:50,280 --> 00:26:55,399
Speaker 1: scene for me really really pointed out and illustrated. You know,

418
00:26:55,480 --> 00:26:57,800
Speaker 1: I want people to know, and I'm sure they do,

419
00:26:58,000 --> 00:26:59,440
Speaker 1: but I just want to point it out. I want

420
00:26:59,440 --> 00:27:02,520
Speaker 1: to highlight that scene because you know, that's a high

421
00:27:02,600 --> 00:27:05,600
Speaker 1: degree of difficulty. That's a ton of dialogue or has

422
00:27:05,640 --> 00:27:09,760
Speaker 1: to spit out, and she's with such ease and doing

423
00:27:09,800 --> 00:27:12,400
Speaker 1: all those actions and folding the clothes and changing her

424
00:27:12,440 --> 00:27:15,160
Speaker 1: clothes and all that stuff. She's got to repeat all

425
00:27:15,160 --> 00:27:18,800
Speaker 1: that stuff, uh for a couple of hours. You know.

426
00:27:18,920 --> 00:27:21,200
Speaker 1: That's that scene is like they do a master shot

427
00:27:21,320 --> 00:27:22,840
Speaker 1: and then they move in a little closer and they

428
00:27:22,920 --> 00:27:24,520
Speaker 1: move in a little closer, and then they move in

429
00:27:24,520 --> 00:27:28,919
Speaker 1: a little closer, and then they do one side, they

430
00:27:28,960 --> 00:27:31,040
Speaker 1: do the next side. So that's a couple of hours

431
00:27:31,040 --> 00:27:33,560
Speaker 1: to do that, and she's got to do it over

432
00:27:33,560 --> 00:27:37,159
Speaker 1: and over over. She gotta remember everything, every little movement

433
00:27:37,200 --> 00:27:41,600
Speaker 1: she made on what particular word that movement was made.

434
00:27:41,760 --> 00:27:43,840
Speaker 1: I mean, it is, it is. It can make you

435
00:27:43,960 --> 00:27:49,640
Speaker 1: go crazy, you know. But I'll tell you why, because

436
00:27:49,640 --> 00:27:53,280
Speaker 1: there's a script supervisor has the most thankless job on

437
00:27:53,320 --> 00:27:56,919
Speaker 1: the set. Because the script supervisor sits there and she

438
00:27:57,200 --> 00:27:59,879
Speaker 1: makes marketing or he is usually a woman, but some

439
00:28:00,000 --> 00:28:03,760
Speaker 1: tongues of guy. Guys just can't handle guys melt down.

440
00:28:03,760 --> 00:28:08,919
Speaker 1: They need they need, you know, intelligent, a dedicated women

441
00:28:09,280 --> 00:28:12,520
Speaker 1: to be there and mark down. Uh, you know, her

442
00:28:12,520 --> 00:28:16,520
Speaker 1: hand touched the blouse on the corner over here on

443
00:28:16,560 --> 00:28:19,400
Speaker 1: this line. And then if she's doing a close up

444
00:28:20,000 --> 00:28:21,800
Speaker 1: and it's an emotional scene and she doesn't do it

445
00:28:21,800 --> 00:28:24,399
Speaker 1: on the take, they can't use the take. Honestly, that

446
00:28:24,520 --> 00:28:26,880
Speaker 1: sounds like the worst job ever. It's the worst job

447
00:28:26,920 --> 00:28:30,240
Speaker 1: because actors, when they see this with we call them scripty.

448
00:28:30,240 --> 00:28:32,720
Speaker 1: So when we're there and we think we've really nailed something,

449
00:28:32,720 --> 00:28:35,720
Speaker 1: that scripty comes from video village, their heading toward us.

450
00:28:36,119 --> 00:28:42,360
Speaker 1: We're going on no, because Scripty is always the bearer

451
00:28:42,440 --> 00:28:46,040
Speaker 1: of bad news. Scripty never shows up saying, man, you're

452
00:28:46,120 --> 00:28:48,880
Speaker 1: really nailed it. Just want to tell you that that

453
00:28:49,040 --> 00:28:53,560
Speaker 1: never happens. Now, they say, listen, like, if you've been

454
00:28:53,600 --> 00:28:55,520
Speaker 1: there for twelve and fourteen hours and you got along

455
00:28:55,640 --> 00:28:58,040
Speaker 1: scene and script he keeps showing up, that can just

456
00:28:58,160 --> 00:29:00,480
Speaker 1: wear you down. You gotta lift the cup up on

457
00:29:00,520 --> 00:29:02,400
Speaker 1: this line, and then you have to be over here

458
00:29:02,400 --> 00:29:04,920
Speaker 1: when you were a little and then oh, there's a

459
00:29:04,920 --> 00:29:07,640
Speaker 1: couple of other things Scott on the next page. You know,

460
00:29:08,040 --> 00:29:10,200
Speaker 1: you started walking on this lee. You walked a little

461
00:29:10,200 --> 00:29:12,560
Speaker 1: too soon, and then you put down the cup on

462
00:29:12,600 --> 00:29:15,400
Speaker 1: the wrong table, and you know, we gotta get this,

463
00:29:15,600 --> 00:29:18,080
Speaker 1: and so you just keep shooting and shooting and shooting,

464
00:29:18,120 --> 00:29:20,040
Speaker 1: and then Scripty doesn't show up anymore, and you're like,

465
00:29:20,520 --> 00:29:27,320
Speaker 1: please don't show up. Stripping it's so funny. Really, this

466
00:29:27,400 --> 00:29:29,880
Speaker 1: is the greatest job ever, meaning even being an actor.

467
00:29:29,960 --> 00:29:32,080
Speaker 1: You're like, oh my god, that just looks so fun

468
00:29:32,560 --> 00:29:34,960
Speaker 1: Then when I learned about it, I'm like, it seems awful.

469
00:29:36,520 --> 00:29:41,840
Speaker 1: It's it's definitely hard work. You know, you're there and

470
00:29:41,920 --> 00:29:46,480
Speaker 1: it's got it's exacting work, because the editors will scream

471
00:29:47,480 --> 00:29:51,520
Speaker 1: and Amy and Dan that this. You know, the script

472
00:29:51,520 --> 00:29:55,240
Speaker 1: supervisor isn't doing her job. I can't cut this thing together.

473
00:29:55,520 --> 00:29:57,360
Speaker 1: Get somebody in there that knows how to do the

474
00:29:57,440 --> 00:30:04,280
Speaker 1: job right. Right, well, just so specific and tedious. It's tedious. Yes,

475
00:30:04,400 --> 00:30:11,440
Speaker 1: it's exacting work. So you become very good at economizing

476
00:30:11,480 --> 00:30:17,000
Speaker 1: your movements right so that you don't That's how you

477
00:30:17,080 --> 00:30:21,960
Speaker 1: keep script your way right. If you get in there,

478
00:30:22,080 --> 00:30:24,160
Speaker 1: if you do a hole to do, you're you know,

479
00:30:24,200 --> 00:30:26,280
Speaker 1: you're doing the dance of the seven Veales and think

480
00:30:26,320 --> 00:30:29,280
Speaker 1: of you're being brilliant, and then you've got to remember

481
00:30:29,320 --> 00:30:33,400
Speaker 1: all that stuff and you're like that, I would hate

482
00:30:33,400 --> 00:30:35,880
Speaker 1: that job. I would hate you question I have so

483
00:30:36,000 --> 00:30:37,840
Speaker 1: like you're talking about that line they came up for

484
00:30:37,880 --> 00:30:40,760
Speaker 1: air every so often, and how hilarious it is. How

485
00:30:40,760 --> 00:30:42,800
Speaker 1: do you make something hilarious when you said it thirty

486
00:30:42,840 --> 00:30:51,080
Speaker 1: seven times? Yeah? Right, you don't you do it if

487
00:30:51,120 --> 00:30:53,920
Speaker 1: it's a thirty seven time, you're about thirty takes beyond

488
00:30:54,520 --> 00:30:56,600
Speaker 1: when you were funny? Like, you know why I like

489
00:30:56,720 --> 00:31:01,880
Speaker 1: this show because we just do it once. We don't

490
00:31:01,880 --> 00:31:05,280
Speaker 1: have to map to anything like if it's bad, We're like, well,

491
00:31:05,080 --> 00:31:07,640
Speaker 1: I don't cut it. It was bad, Like let's just

492
00:31:08,120 --> 00:31:11,680
Speaker 1: keep going. It's like that's why I love live because

493
00:31:11,720 --> 00:31:14,440
Speaker 1: you're just like ope, so he's brewed up. Oh well,

494
00:31:14,480 --> 00:31:17,320
Speaker 1: like I don't even remember what you did yesterday, Like

495
00:31:18,920 --> 00:31:23,400
Speaker 1: I don't think I could do what you do. You could,

496
00:31:24,160 --> 00:31:26,760
Speaker 1: you could know if okay, you could, because if you

497
00:31:26,840 --> 00:31:30,200
Speaker 1: loved it and you really studied it and you really

498
00:31:30,400 --> 00:31:33,360
Speaker 1: love to do it, then you do the you know,

499
00:31:33,440 --> 00:31:35,680
Speaker 1: the all the little things that it takes to do

500
00:31:35,720 --> 00:31:39,000
Speaker 1: it well, just like any other job. If you love

501
00:31:39,080 --> 00:31:42,040
Speaker 1: the job, you're gonna do all the little things. You're

502
00:31:42,040 --> 00:31:44,320
Speaker 1: gonna learn all those little things and do them as

503
00:31:44,560 --> 00:31:46,440
Speaker 1: as best you can because you love to do it

504
00:31:46,560 --> 00:31:49,200
Speaker 1: and you want to continue to do it. But yesterday, listen,

505
00:31:49,240 --> 00:31:53,360
Speaker 1: yesterday we're shooting something big emotional scene and the boy

506
00:31:53,440 --> 00:31:57,040
Speaker 1: script you was visiting me. So that's what I was

507
00:31:57,080 --> 00:32:01,080
Speaker 1: going to ask you, was Gil Murger. It's script e

508
00:32:01,200 --> 00:32:07,680
Speaker 1: always on every show, like Girls, continuity is everything, that's

509
00:32:07,680 --> 00:32:13,719
Speaker 1: your continuity person. So they have to nail people for wardrobe,

510
00:32:13,720 --> 00:32:16,960
Speaker 1: they have to nail people for movements, everything, everything, And

511
00:32:17,080 --> 00:32:19,640
Speaker 1: is this the case on the hardest job on the set?

512
00:32:20,000 --> 00:32:22,280
Speaker 1: Is this the case one show? Because I don't totally

513
00:32:22,280 --> 00:32:25,120
Speaker 1: get what the difference is. But there's multi camera and

514
00:32:25,320 --> 00:32:28,120
Speaker 1: single is it called single camera? No? Multi cameras? Is

515
00:32:28,240 --> 00:32:32,080
Speaker 1: sitcom that's filmed before live audiences? Four cameras? And do

516
00:32:32,080 --> 00:32:35,360
Speaker 1: you have to have the script e? Is that easier

517
00:32:35,400 --> 00:32:38,560
Speaker 1: because script e? Because you're doing it just like once,

518
00:32:39,240 --> 00:32:42,320
Speaker 1: you still have a script E to remind you. But

519
00:32:42,440 --> 00:32:45,680
Speaker 1: you don't have to do it. I mean, they'll move

520
00:32:45,680 --> 00:32:47,760
Speaker 1: the cameras around a little bit. But if they've got

521
00:32:47,760 --> 00:32:49,960
Speaker 1: four angles and a couple of close at the same time,

522
00:32:50,000 --> 00:32:53,440
Speaker 1: then on a four cameras four cameras sitcom which Seinfeld

523
00:32:54,600 --> 00:32:58,320
Speaker 1: multi cameras four camera sitcom, uh, Will and Grace, that

524
00:32:58,400 --> 00:33:01,120
Speaker 1: kind of things, those are four cameras. You don't want

525
00:33:01,120 --> 00:33:05,160
Speaker 1: to do a single camera sitcom because I mean, take

526
00:33:05,200 --> 00:33:07,360
Speaker 1: the work yet do it. But those are tough because

527
00:33:07,400 --> 00:33:10,960
Speaker 1: it's just like being on a one hour Using a

528
00:33:11,080 --> 00:33:15,400
Speaker 1: single camera means that you just have to repeat everything

529
00:33:15,520 --> 00:33:18,400
Speaker 1: over and over and over and over again. Sometimes like

530
00:33:18,520 --> 00:33:22,080
Speaker 1: Skilmore Girls. What's Gilmore Girls that was considered a single

531
00:33:22,160 --> 00:33:24,880
Speaker 1: camera well, you know it's a drama. Is Sometimes they

532
00:33:24,920 --> 00:33:28,280
Speaker 1: set up two cameras. Sometimes they set up one camera

533
00:33:28,280 --> 00:33:31,680
Speaker 1: and a stead camera the guys walking around right right right.

534
00:33:32,040 --> 00:33:34,200
Speaker 1: Sometimes they just have a stead camera on a walk

535
00:33:34,200 --> 00:33:36,840
Speaker 1: and talk shot, like all those walking talk shots. That's

536
00:33:36,840 --> 00:33:40,400
Speaker 1: a steadicam. Or they put the big eight camera on

537
00:33:40,440 --> 00:33:43,840
Speaker 1: a dolly really long train track called a Dolly track. Yeah,

538
00:33:44,400 --> 00:33:47,960
Speaker 1: back it up, um, but you know, it's a lot

539
00:33:47,960 --> 00:33:53,960
Speaker 1: of steadicam work on film. A sitcom easier. Oh god.

540
00:33:54,040 --> 00:33:57,000
Speaker 1: You So that's kind of like it's like a play.

541
00:33:57,120 --> 00:33:59,320
Speaker 1: You go in, you do it, they catch it, rehearse.

542
00:33:59,760 --> 00:34:04,200
Speaker 1: You rehearse Monday through Friday, just like a regular job.

543
00:34:04,200 --> 00:34:05,960
Speaker 1: And then but Friday, you're going in a little later

544
00:34:06,040 --> 00:34:08,839
Speaker 1: your film. On Friday night. You're there until midnight, one

545
00:34:08,880 --> 00:34:11,080
Speaker 1: o'clock on Friday night. You film taping in front of

546
00:34:11,080 --> 00:34:18,320
Speaker 1: live on it and it's fun. Yeah. So on Gilmore Girls,

547
00:34:18,400 --> 00:34:23,360
Speaker 1: is the rehearsal on the same day as you shoot. Yeah,

548
00:34:23,360 --> 00:34:25,759
Speaker 1: so you come out of your trail. Uh, they're ready

549
00:34:25,800 --> 00:34:28,359
Speaker 1: for rehearsal. You go and you block it out and

550
00:34:28,400 --> 00:34:33,279
Speaker 1: then uh they invite the crew on to watch what

551
00:34:33,360 --> 00:34:36,520
Speaker 1: you've blocked out. They can figure out how to shoot

552
00:34:36,560 --> 00:34:38,839
Speaker 1: it and light it. Okay. Then you then you go

553
00:34:38,920 --> 00:34:41,720
Speaker 1: away back to your trail, and while those guys lighted,

554
00:34:41,800 --> 00:34:44,319
Speaker 1: they set up the lighting and that's it took a

555
00:34:44,400 --> 00:34:49,480
Speaker 1: while on Gilmore with some dps um because you know,

556
00:34:49,600 --> 00:34:52,120
Speaker 1: it had a very specific look lighting. You know, good

557
00:34:52,200 --> 00:34:54,719
Speaker 1: lighting takes a long time. Yeah, so we're in the

558
00:34:54,719 --> 00:34:57,799
Speaker 1: trailer waiting, waiting, waiting, and all right, they're ready, We're

559
00:34:57,840 --> 00:35:00,680
Speaker 1: ready to shoot. So you go in and then you

560
00:35:00,160 --> 00:35:04,080
Speaker 1: you show camera. You do a rehearsal for the numbers

561
00:35:04,120 --> 00:35:06,600
Speaker 1: for cameras so they can do the camera moves without

562
00:35:06,600 --> 00:35:08,880
Speaker 1: you having to say the dialogue because you don't want

563
00:35:08,880 --> 00:35:11,880
Speaker 1: to blow it out before you need to um. And

564
00:35:11,920 --> 00:35:14,279
Speaker 1: that's like the feeling of getting into starting gate as

565
00:35:14,320 --> 00:35:17,000
Speaker 1: a racehorse and like, you know, the tension building up

566
00:35:17,040 --> 00:35:18,759
Speaker 1: and it's you know, here we go. We're gonna do

567
00:35:18,760 --> 00:35:20,840
Speaker 1: the first take. It's like here we go. Here, the

568
00:35:20,840 --> 00:35:24,560
Speaker 1: adrenaline is pumping and and just go go, go interesting.

569
00:35:24,680 --> 00:35:26,680
Speaker 1: So it seems like I'm more cut out to be

570
00:35:26,760 --> 00:35:32,000
Speaker 1: on like friends. I should have been. Okay, wait, so

571
00:35:32,000 --> 00:35:35,240
Speaker 1: we didn't talk about the Rory Lorelai sort of sex

572
00:35:35,280 --> 00:35:38,680
Speaker 1: talk with no words? What did you thank you guys?

573
00:35:39,080 --> 00:35:43,560
Speaker 1: I knew exactly what was coming all the way at

574
00:35:43,560 --> 00:35:46,799
Speaker 1: the end, no one when they're in the couch and

575
00:35:46,840 --> 00:35:48,719
Speaker 1: they're sort of so not the one at the end,

576
00:35:48,760 --> 00:35:51,239
Speaker 1: the one before where she was kind of talking about

577
00:35:51,239 --> 00:35:55,680
Speaker 1: how she was a little nervous that when they were

578
00:35:55,719 --> 00:36:00,080
Speaker 1: packing and talking or whatever. But because she's like, oh,

579
00:36:00,120 --> 00:36:04,120
Speaker 1: don't you want to just stay at Grandma's, Like why

580
00:36:04,239 --> 00:36:06,200
Speaker 1: is Jess going to drop you up? You know, kind

581
00:36:06,200 --> 00:36:07,680
Speaker 1: of like I don't want you here. I'm not going

582
00:36:07,760 --> 00:36:10,560
Speaker 1: to be here right, But she's kind of like, don't

583
00:36:10,560 --> 00:36:15,000
Speaker 1: worry about it. Okay. So then we get to Friday

584
00:36:15,080 --> 00:36:17,960
Speaker 1: night dinner. I guess it was Friday night without lor Lye,

585
00:36:18,520 --> 00:36:25,520
Speaker 1: and Rory's there and Jess is late and Emily doesn't

586
00:36:25,560 --> 00:36:27,400
Speaker 1: have a cell phone. Emily's being cool. She's like the

587
00:36:27,880 --> 00:36:31,200
Speaker 1: four was jammed, so it could be that maybe stuck

588
00:36:31,239 --> 00:36:38,120
Speaker 1: in traffic. See how um you see how the tolerant

589
00:36:38,520 --> 00:36:43,440
Speaker 1: Emily was because she likes Rory so much that she

590
00:36:43,560 --> 00:36:47,080
Speaker 1: was willing to tolerate Jess behaving. And this is my

591
00:36:47,120 --> 00:36:51,760
Speaker 1: bone to pick with the episode. So but I thought, listen,

592
00:36:52,719 --> 00:36:55,640
Speaker 1: I thought, you know, I think I think Kelly was

593
00:36:55,719 --> 00:37:00,279
Speaker 1: wonderful in that scene totally. But and I couldn't even

594
00:37:00,360 --> 00:37:03,799
Speaker 1: let on that she was bothered by Jess. That's how

595
00:37:03,880 --> 00:37:09,840
Speaker 1: good she was covering it totally to save face for Rory.

596
00:37:09,960 --> 00:37:13,040
Speaker 1: I think I did not even get an inkling that

597
00:37:13,040 --> 00:37:17,360
Speaker 1: that Emily was horrified. That's why I was so pissed

598
00:37:17,440 --> 00:37:22,880
Speaker 1: when she yelled at Laura Lae. No, No, that was

599
00:37:22,920 --> 00:37:28,120
Speaker 1: a huge payoff. It was a great It was greatness.

600
00:37:28,880 --> 00:37:31,080
Speaker 1: Hey man, your bone is my met you know. And

601
00:37:31,320 --> 00:37:35,480
Speaker 1: oh that did come out right. Sorry, I get it.

602
00:37:35,480 --> 00:37:38,080
Speaker 1: It was like for one second, for one second, you

603
00:37:38,120 --> 00:37:40,960
Speaker 1: were like, maybe Emily is still going to be cool

604
00:37:41,000 --> 00:37:45,000
Speaker 1: to Laura La and then you're like, nope, Emily, Oh

605
00:37:45,040 --> 00:37:50,760
Speaker 1: I hated it. I hated it. Oh I loved it.

606
00:37:51,200 --> 00:37:55,000
Speaker 1: I thought I thought Laura La I deserved both barrels,

607
00:37:55,120 --> 00:37:59,920
Speaker 1: and she got them because Emily's right, how do you

608
00:38:00,239 --> 00:38:03,480
Speaker 1: let that guy into her? But but the thing that

609
00:38:03,560 --> 00:38:08,840
Speaker 1: Emily doesn't understand is the complexities of life in a

610
00:38:08,960 --> 00:38:13,520
Speaker 1: small town with the with the middle classes, right, the

611
00:38:13,560 --> 00:38:17,879
Speaker 1: middle class of America, it's different. It's they don't have

612
00:38:18,000 --> 00:38:20,280
Speaker 1: those kinds of it's not it's not like a cast

613
00:38:20,320 --> 00:38:23,880
Speaker 1: system anymore. For God's said, you know, it's like people

614
00:38:24,360 --> 00:38:28,040
Speaker 1: accept people at that level, and life is better at

615
00:38:28,080 --> 00:38:31,160
Speaker 1: that level, and there people are real at that level.

616
00:38:31,800 --> 00:38:37,600
Speaker 1: And we vetted Jeff. I've had my talks with Jeff.

617
00:38:38,200 --> 00:38:41,560
Speaker 1: Jeff respects me, and Emily still doesn't respect her. It's

618
00:38:41,560 --> 00:38:43,719
Speaker 1: just like it all it takes is But I mean,

619
00:38:43,760 --> 00:38:47,440
Speaker 1: a kid shows up, he's kind of short with everybody's

620
00:38:47,480 --> 00:38:51,160
Speaker 1: got a black eye, and uh, you know, it just

621
00:38:51,200 --> 00:38:53,880
Speaker 1: all went down. Hire. I look, I did not like

622
00:38:54,040 --> 00:38:56,799
Speaker 1: the scene when those when those two talked in the

623
00:38:56,840 --> 00:38:59,360
Speaker 1: study h and he took off. I didn't think it

624
00:38:59,400 --> 00:39:02,680
Speaker 1: was well act. Oh. I did think it was best

625
00:39:02,680 --> 00:39:18,080
Speaker 1: performance ever by a portrait though. I just thought again

626
00:39:18,200 --> 00:39:21,320
Speaker 1: it was a little threes company, the one with the misunderstanding.

627
00:39:21,400 --> 00:39:24,480
Speaker 1: It's like, just tell her you got pecked by a swan?

628
00:39:24,719 --> 00:39:27,200
Speaker 1: Was that? That was my issue? Like why couldn't even

629
00:39:27,239 --> 00:39:28,680
Speaker 1: if you don't want to say the swan thing, just

630
00:39:28,719 --> 00:39:30,000
Speaker 1: make it up. I got hit in the in the

631
00:39:30,000 --> 00:39:32,640
Speaker 1: face with a baseball or what you know, whatever it was,

632
00:39:32,680 --> 00:39:35,640
Speaker 1: just make something up. He was so angry that like

633
00:39:35,719 --> 00:39:37,799
Speaker 1: he had to be there. Just suck it up for

634
00:39:37,920 --> 00:39:41,680
Speaker 1: one hour. But like, maybe I'm missing something, But does

635
00:39:41,760 --> 00:39:45,319
Speaker 1: anyone else not believe it was a swan? No? I

636
00:39:45,320 --> 00:39:50,120
Speaker 1: think it was a swant really a million billions? Oh no,

637
00:39:50,160 --> 00:39:52,799
Speaker 1: it was definitely the swan. The funny part of the

638
00:39:52,840 --> 00:39:56,160
Speaker 1: whole thing he did, what do you think it was?

639
00:39:57,360 --> 00:39:59,760
Speaker 1: I think it was maybe actually Dean and they're both

640
00:39:59,800 --> 00:40:09,080
Speaker 1: just no fronted. I totally was on the same page

641
00:40:09,120 --> 00:40:11,640
Speaker 1: as Rory and thought it was Dean, and then that

642
00:40:11,719 --> 00:40:14,360
Speaker 1: Dean was just being a schmuck in the grocery store

643
00:40:14,840 --> 00:40:17,400
Speaker 1: and that I know, I'm going ahead, and then freaking

644
00:40:17,480 --> 00:40:20,680
Speaker 1: Jess was like a football, like that's why Luke and

645
00:40:21,600 --> 00:40:24,480
Speaker 1: Jess go back out in that rowboat and they see

646
00:40:24,600 --> 00:40:28,280
Speaker 1: the swan. It was definitely the swan, and Luke couldn't

647
00:40:28,280 --> 00:40:32,759
Speaker 1: have been more hilarious just making fun of Jess. I

648
00:40:32,880 --> 00:40:34,960
Speaker 1: still don't think it was real. I don't know why.

649
00:40:35,000 --> 00:40:38,799
Speaker 1: I still think Jess is covering for something. What are

650
00:40:38,880 --> 00:40:45,080
Speaker 1: you talking? Suddenly Daniel's like, I'm watching Cso it's not

651
00:40:46,320 --> 00:40:50,920
Speaker 1: just your No, Daniel, you're just not buying that that

652
00:40:51,000 --> 00:40:55,160
Speaker 1: could ever possibly have like like for real. Because he

653
00:40:55,239 --> 00:40:58,800
Speaker 1: tells Luke that thing on the robot. I totally remember

654
00:40:58,840 --> 00:41:01,360
Speaker 1: that scene, but I was just kind of that's a

655
00:41:01,560 --> 00:41:03,840
Speaker 1: that's a cover. And then he goes on later and

656
00:41:03,840 --> 00:41:08,960
Speaker 1: tells Rory something totally different. It lies again, and I'm

657
00:41:09,040 --> 00:41:12,680
Speaker 1: so confused, Like it couldn't have just been a swan.

658
00:41:13,800 --> 00:41:15,840
Speaker 1: I don't think that's the funniest part. But I agree

659
00:41:15,840 --> 00:41:19,320
Speaker 1: with Tara, like why didn't he just say this but

660
00:41:19,360 --> 00:41:22,400
Speaker 1: I got packed by a swan and a nice dinner

661
00:41:22,400 --> 00:41:26,640
Speaker 1: and enjoy the raisins in the salad because because he's uh,

662
00:41:26,920 --> 00:41:29,399
Speaker 1: it would be humiliating for him. Yeah, he's too tough

663
00:41:29,440 --> 00:41:33,759
Speaker 1: for that. He's a tough a tough guy that you

664
00:41:33,800 --> 00:41:37,319
Speaker 1: know that reads Jack Cure Wack books. You know. I

665
00:41:37,360 --> 00:41:39,480
Speaker 1: also agree with you, Scott, like the fact that he

666
00:41:39,680 --> 00:41:46,239
Speaker 1: left that's really gnarly. Yeah, that was pretty bad, Like really, dude, Yeah,

667
00:41:46,239 --> 00:41:48,359
Speaker 1: I agree. You know what, I agree with you. That

668
00:41:48,440 --> 00:41:53,719
Speaker 1: whole thing was a bit forced, I thought, but you know,

669
00:41:53,920 --> 00:41:58,919
Speaker 1: it looked it provided some pretty hilarious stuff. Yeah. Yeah,

670
00:41:59,080 --> 00:42:01,440
Speaker 1: you know, Luke had some good moments in the boat

671
00:42:01,800 --> 00:42:06,759
Speaker 1: because of that situation. And I really think it's it's

672
00:42:06,800 --> 00:42:08,839
Speaker 1: apropos for the show because the show is a little

673
00:42:08,880 --> 00:42:14,840
Speaker 1: bit absurd, let's face it. Well, so agree, so totally.

674
00:42:15,120 --> 00:42:17,560
Speaker 1: So I'm gonna will jump around even though I still

675
00:42:17,560 --> 00:42:21,200
Speaker 1: want to go back to New York with Jackson and Suki.

676
00:42:21,320 --> 00:42:25,680
Speaker 1: But how about the scene in station Wagon with the

677
00:42:25,800 --> 00:42:34,240
Speaker 1: band bumping into them. Oh my god, that's a good scene.

678
00:42:35,800 --> 00:42:40,400
Speaker 1: She didn't want to Adam to be shocked. Maine has

679
00:42:40,440 --> 00:42:47,280
Speaker 1: a crush on you. She's playing me sometimes. That was

680
00:42:47,400 --> 00:42:52,920
Speaker 1: so hello. David was so good and the two dudes

681
00:42:52,960 --> 00:43:02,200
Speaker 1: in the band are like, don't speed, don't see so good?

682
00:43:03,120 --> 00:43:06,560
Speaker 1: That was actually, I think of all the scenes that

683
00:43:06,560 --> 00:43:10,000
Speaker 1: that's my favorite scene in a long time. That was hysterical.

684
00:43:10,520 --> 00:43:17,680
Speaker 1: That was Emily Corona at her best best. That's what

685
00:43:17,760 --> 00:43:21,480
Speaker 1: I'm saying. It's like comedy. Oh god, how long we've

686
00:43:21,480 --> 00:43:24,640
Speaker 1: been talking and we there's a million scenes we haven't

687
00:43:24,640 --> 00:43:27,920
Speaker 1: even talked about yet. It's like, this's just so much.

688
00:43:28,040 --> 00:43:31,600
Speaker 1: And then they go back and Lane thinks she's been

689
00:43:31,680 --> 00:43:35,360
Speaker 1: made do you know what I mean? And really they're

690
00:43:35,520 --> 00:43:37,399
Speaker 1: just like, oh, Dave, we're proud of you for liking

691
00:43:37,480 --> 00:43:43,040
Speaker 1: Christian music. It's good. Or you're Christian, that's fine. And

692
00:43:43,120 --> 00:43:45,319
Speaker 1: the two of them just don't get like it goes

693
00:43:45,520 --> 00:43:54,080
Speaker 1: right over their heads. Hopely and Adam Brody is so good.

694
00:43:54,239 --> 00:44:02,040
Speaker 1: That just played fuddled like great, I am accept you

695
00:44:02,120 --> 00:44:07,879
Speaker 1: as a Christian musician. You do that's so good. And

696
00:44:07,920 --> 00:44:10,800
Speaker 1: then he haven't even talked about the scene where Jess

697
00:44:10,960 --> 00:44:14,759
Speaker 1: reveals to Luke like he beaked me. Do you know

698
00:44:14,840 --> 00:44:18,600
Speaker 1: what I mean? Like when he says he beaked me,

699
00:44:18,960 --> 00:44:24,160
Speaker 1: but the swan he beaked him. He made like a word.

700
00:44:24,920 --> 00:44:31,479
Speaker 1: I mean, I can't get over the station wagon beaked me.

701
00:44:32,120 --> 00:44:36,359
Speaker 1: And like that whole thing was hilarious. Yeah. Look, had

702
00:44:36,400 --> 00:44:41,200
Speaker 1: a good line where you take the Baster or the

703
00:44:41,280 --> 00:44:44,640
Speaker 1: Ladel or something. I don't take the Ladel's BRANDO take

704
00:44:44,640 --> 00:44:50,799
Speaker 1: the baster. Oh my god, that's right, good god. There

705
00:44:50,800 --> 00:44:54,080
Speaker 1: are so many good moments in this episode. Well, and

706
00:44:54,120 --> 00:44:56,560
Speaker 1: then we have the scene okay, so we haven't talked

707
00:44:56,600 --> 00:44:59,520
Speaker 1: about Alex and Laura lyon. So we're in New York

708
00:44:59,640 --> 00:45:02,080
Speaker 1: when No, Luke was pretty rough with him. I mean

709
00:45:02,480 --> 00:45:06,200
Speaker 1: Luke got physical with Jess. Oh yeah, wait, this is

710
00:45:06,239 --> 00:45:08,839
Speaker 1: what I like about Luke. It's like, all right here,

711
00:45:09,120 --> 00:45:15,319
Speaker 1: that's old school. You grab somebody, pull him into the backroom,

712
00:45:15,480 --> 00:45:19,959
Speaker 1: said no, you stay there. And that's what I really like, Luke.

713
00:45:20,080 --> 00:45:24,160
Speaker 1: You know, I really can because it's right. You need

714
00:45:24,200 --> 00:45:26,880
Speaker 1: a dad and I'm gonna be your dad. Just dragging.

715
00:45:27,520 --> 00:45:30,040
Speaker 1: You're not getting away with this garbage with me, you know,

716
00:45:30,080 --> 00:45:31,880
Speaker 1: and I'm gonna get a little angry about it, and

717
00:45:31,920 --> 00:45:34,120
Speaker 1: I'm gonna I'm gonna be a little bit physical with you.

718
00:45:34,120 --> 00:45:35,759
Speaker 1: I'm not gonna hurt you. I'm not gonna hit you.

719
00:45:37,239 --> 00:45:39,920
Speaker 1: I'm dragging you back in there because I'm the boss,

720
00:45:39,920 --> 00:45:44,480
Speaker 1: having a little authority, right right, right. And then Jess

721
00:45:44,480 --> 00:45:47,359
Speaker 1: tells the truth. So, Danielle, to your point, I think

722
00:45:47,480 --> 00:45:51,080
Speaker 1: because Luke was being so father figure e and firm,

723
00:45:51,760 --> 00:45:55,120
Speaker 1: Luke's like, tell me what is going on? And Jesse's like,

724
00:45:55,160 --> 00:45:56,840
Speaker 1: you're not gonna believe me, but I'll tell you it

725
00:45:56,960 --> 00:46:03,040
Speaker 1: was a swan and it beat me because because it's

726
00:46:03,080 --> 00:46:07,480
Speaker 1: important to establish that you are not going to lie

727
00:46:07,680 --> 00:46:09,920
Speaker 1: to me, because if you get away with line to

728
00:46:10,000 --> 00:46:14,000
Speaker 1: me once, you're going to do it repeatedly. I'm laying

729
00:46:14,040 --> 00:46:17,000
Speaker 1: it down here, man, I'm a brick wall. You're telling

730
00:46:17,000 --> 00:46:20,960
Speaker 1: me the truth or you're out. And that's what he means. Okay,

731
00:46:20,640 --> 00:46:24,800
Speaker 1: So here's the question of the day. Maybe to everyone listening,

732
00:46:25,680 --> 00:46:29,240
Speaker 1: shouldn't Jess have just told Rory he got beaked instead

733
00:46:29,280 --> 00:46:31,759
Speaker 1: of like it was a football, Like what do you think?

734
00:46:32,480 --> 00:46:35,120
Speaker 1: Because he was because they first of all that that's

735
00:46:35,120 --> 00:46:37,600
Speaker 1: how they set up the joke. They had to keep

736
00:46:37,719 --> 00:46:41,360
Speaker 1: doing that and you know, playing that. He's humiliated by it,

737
00:46:41,400 --> 00:46:43,080
Speaker 1: so I doesn't want to talk about it. Yeah. I

738
00:46:43,080 --> 00:46:45,000
Speaker 1: think he's too embarrassed to tell Rory like he's still

739
00:46:45,040 --> 00:46:48,960
Speaker 1: like in her eyes, he's like this tough guy. He's

740
00:46:49,000 --> 00:46:53,440
Speaker 1: trying to keep that image. Here's what I find. So, Okay,

741
00:46:54,160 --> 00:46:55,600
Speaker 1: first of all, we'll go back to New York and

742
00:46:55,640 --> 00:46:57,680
Speaker 1: there is that very cute scene with the four of

743
00:46:57,719 --> 00:47:02,120
Speaker 1: them with Alex law a lie Suky Jackson outside the

744
00:47:02,120 --> 00:47:06,280
Speaker 1: theater acknowledging Okay, this play was so bad, but they

745
00:47:06,360 --> 00:47:09,120
Speaker 1: faked it. They're like, oh, maybe Alex like this, right,

746
00:47:09,200 --> 00:47:11,600
Speaker 1: and then Melissa McCarthy is so hilarious, and then I

747
00:47:11,600 --> 00:47:13,279
Speaker 1: think they talked about going to get food and it

748
00:47:13,320 --> 00:47:17,840
Speaker 1: was just very very cute scene. You know. We also

749
00:47:17,920 --> 00:47:20,600
Speaker 1: see Laura La in the hotel room. You want to

750
00:47:20,600 --> 00:47:24,160
Speaker 1: talk about fashion a little bit. Yeah, I thought I

751
00:47:24,160 --> 00:47:27,919
Speaker 1: thought that hat she had on the hat sorry didn't

752
00:47:27,960 --> 00:47:32,840
Speaker 1: work for me. Agree. I thought it look kind of bizarre. Actually,

753
00:47:33,200 --> 00:47:36,200
Speaker 1: uh you know what, it had a big rose on it. Yeah,

754
00:47:36,200 --> 00:47:40,320
Speaker 1: it was bad. I didn't like that, really bad. I

755
00:47:40,400 --> 00:47:43,920
Speaker 1: mean with that hat, right, I'm shocked they put her

756
00:47:43,920 --> 00:47:51,480
Speaker 1: in that bad hat. That's just that that I definitely thought, okay,

757
00:47:51,560 --> 00:47:54,120
Speaker 1: because we don't see Alex in the hotel room, but

758
00:47:54,200 --> 00:47:55,840
Speaker 1: we do see Laura Lie, but I think we're to

759
00:47:55,920 --> 00:47:59,600
Speaker 1: assume they obviously shared the hotel room. That's when she

760
00:47:59,680 --> 00:48:03,239
Speaker 1: calls Rory to say, how was the night, and Rory says,

761
00:48:03,280 --> 00:48:05,839
Speaker 1: I'm at Grandma's and Grandma was a saint blah blah blah.

762
00:48:06,000 --> 00:48:11,839
Speaker 1: And then that's when Emily just place down the takedown

763
00:48:14,680 --> 00:48:19,399
Speaker 1: totally just well, no, not totally justified, but from her

764
00:48:19,440 --> 00:48:21,520
Speaker 1: point of view, it was totally justified, I guess. But

765
00:48:21,640 --> 00:48:23,560
Speaker 1: you know, Laura, I just held the phone away like

766
00:48:23,800 --> 00:48:28,080
Speaker 1: a were going. Right. The complexity of my relationship with

767
00:48:28,120 --> 00:48:31,160
Speaker 1: my mother encapsulated in one image of me, of her

768
00:48:31,239 --> 00:48:35,439
Speaker 1: ranting through a phone and ME like, just exactly, that's

769
00:48:35,560 --> 00:48:40,480
Speaker 1: you literally disnailed it. She's like, well, also, they knew

770
00:48:40,600 --> 00:48:43,399
Speaker 1: it wasn't gonna be pretty like in the beginning. They're like, oh,

771
00:48:43,520 --> 00:48:45,440
Speaker 1: like you know, when they she said, oh, you shouldn't

772
00:48:45,440 --> 00:48:48,239
Speaker 1: invite us over, they were both hesitant, so they knew

773
00:48:48,280 --> 00:48:52,480
Speaker 1: something was going to happen. I was just like expected it, right,

774
00:48:52,880 --> 00:48:54,919
Speaker 1: So then I thought this was sort of interesting. So

775
00:48:55,280 --> 00:48:58,759
Speaker 1: Alex brings lowly you do, sorry I started to cut

776
00:48:58,760 --> 00:49:01,959
Speaker 1: you off, now please go ahead, Tara, you think that

777
00:49:03,200 --> 00:49:07,799
Speaker 1: that Laurel I was was being so kind and respectful

778
00:49:07,840 --> 00:49:12,520
Speaker 1: and appreciative of what her mother. Uh So you thought

779
00:49:12,560 --> 00:49:14,439
Speaker 1: that she was just trying to soften blow she knew

780
00:49:14,480 --> 00:49:16,400
Speaker 1: that Emily was going to blow up at her. No, No,

781
00:49:16,719 --> 00:49:19,640
Speaker 1: she knew that Jess wasn't going to be who Emily

782
00:49:19,800 --> 00:49:23,600
Speaker 1: wants at first, right, Okay, So you think Laurel I

783
00:49:23,719 --> 00:49:29,480
Speaker 1: was genuinely thanking her mother? Yeah, yes, I mean yeah

784
00:49:29,560 --> 00:49:33,520
Speaker 1: I did. I did, I think, yeah before she went

785
00:49:33,520 --> 00:49:36,799
Speaker 1: off on her. Yeah, yeah, yeah, that's what made it

786
00:49:36,840 --> 00:49:40,880
Speaker 1: so good. Yeah. Yeah, I think Laurel I was like

787
00:49:40,960 --> 00:49:43,920
Speaker 1: I expected you to fully freak out in front of

788
00:49:44,040 --> 00:49:48,480
Speaker 1: Rory and you didn't. Thank you right right right, and

789
00:49:48,560 --> 00:49:51,320
Speaker 1: I'll take the bullet. So it's it's it's Lauraa taking

790
00:49:51,360 --> 00:49:55,320
Speaker 1: the bullet for her daughter again. Yeah, I just didn't think. Look,

791
00:49:55,360 --> 00:49:57,800
Speaker 1: I guess this is the whole point Scott, what you're saying,

792
00:49:58,239 --> 00:50:01,200
Speaker 1: and it makes sense. I just thought was so unfair

793
00:50:01,239 --> 00:50:05,640
Speaker 1: of Emily to blame Laureli for this whole thing. And

794
00:50:05,680 --> 00:50:08,240
Speaker 1: I guess you're saying, yeah, but it tracks. That's Emily.

795
00:50:08,320 --> 00:50:12,520
Speaker 1: That's why they have this strained relationship. Listen, I had

796
00:50:12,560 --> 00:50:18,719
Speaker 1: three sisters, Okay, sometimes two of those sisters who were

797
00:50:18,760 --> 00:50:22,960
Speaker 1: closer in age to me, I would bring home disasters.

798
00:50:26,440 --> 00:50:30,840
Speaker 1: We would sit there and my mother would She wouldn't

799
00:50:30,880 --> 00:50:37,120
Speaker 1: say much. She just needs very fast and she always

800
00:50:37,280 --> 00:50:39,680
Speaker 1: ate very fast, and she was done in five minutes.

801
00:50:39,680 --> 00:50:44,279
Speaker 1: It was main um. She would all her hands and

802
00:50:45,480 --> 00:50:48,880
Speaker 1: just sort of stare at my sister. Kind of smart

803
00:50:48,960 --> 00:50:50,840
Speaker 1: a little bit, you know. She wouldn't say much, but

804
00:50:50,920 --> 00:50:59,560
Speaker 1: that man, oh there's going to be a conversation again. Wow.

805
00:51:00,480 --> 00:51:03,400
Speaker 1: Oh yeah. There were some doozies. There were some real dizzies.

806
00:51:03,480 --> 00:51:09,399
Speaker 1: So I completely sympathize with with Emily. I do. I do,

807
00:51:09,520 --> 00:51:13,439
Speaker 1: even though I think Laurel is a great mom, and uh,

808
00:51:13,520 --> 00:51:19,200
Speaker 1: no question, she's an outstanding person, a strong, loving single

809
00:51:19,280 --> 00:51:22,719
Speaker 1: mother doing a fantastic job of raising your daughter. I

810
00:51:23,120 --> 00:51:27,800
Speaker 1: don't so let adjust into the life of your daughter,

811
00:51:27,920 --> 00:51:30,120
Speaker 1: you know, your precious daughter. Boy, that's that's a tough

812
00:51:30,200 --> 00:51:32,160
Speaker 1: one for a mother. That's a tough one for a

813
00:51:32,200 --> 00:51:35,920
Speaker 1: mother to swallow. I'm having some flash forwards, which I

814
00:51:35,960 --> 00:51:40,000
Speaker 1: won't say too much. But I'm thinking about Emily and

815
00:51:40,040 --> 00:51:44,960
Speaker 1: how she is, you know, so kind to Rory. And

816
00:51:45,000 --> 00:51:49,359
Speaker 1: then I'm thinking about some later seasons when I can

817
00:51:49,360 --> 00:51:51,560
Speaker 1: see tar space. Well we'll just move on from that.

818
00:51:51,880 --> 00:51:54,800
Speaker 1: So here's what I think is really interesting. So Alex

819
00:51:54,840 --> 00:51:58,800
Speaker 1: brings laurea Lie home and Rory comes out and gets

820
00:51:58,800 --> 00:52:02,080
Speaker 1: the suitcase. I think a lor Like touches Alex. You

821
00:52:02,080 --> 00:52:03,920
Speaker 1: have to rewatch it. She sort of touches him in

822
00:52:04,000 --> 00:52:07,920
Speaker 1: a very like affectionate, cute way. So I'm sort of

823
00:52:08,239 --> 00:52:12,360
Speaker 1: shocked that this was Billie Burke's last appearance. I don't

824
00:52:12,960 --> 00:52:14,920
Speaker 1: remember it that way. I mean, I know it because

825
00:52:14,920 --> 00:52:19,560
Speaker 1: we read about it. So I don't know why they

826
00:52:19,600 --> 00:52:22,360
Speaker 1: don't work, but I guess we'll find out because he

827
00:52:22,440 --> 00:52:26,560
Speaker 1: got booked on other gigs and it wasn't available for

828
00:52:26,640 --> 00:52:28,919
Speaker 1: the fifth time. But I think it was just nice

829
00:52:28,920 --> 00:52:31,200
Speaker 1: to see Lorela like happy for a couple, you know,

830
00:52:33,080 --> 00:52:38,720
Speaker 1: couple episodes. Listen to dude, dude, that cool and that good.

831
00:52:38,760 --> 00:52:41,360
Speaker 1: An actor is not going to be available for a

832
00:52:41,360 --> 00:52:45,160
Speaker 1: little can you come in? It's like, oh, for me,

833
00:52:45,200 --> 00:52:50,160
Speaker 1: a goddamn contract and leave me alone, you know, this

834
00:52:50,239 --> 00:52:54,279
Speaker 1: little one here and one there. Crap, So then you

835
00:52:54,280 --> 00:52:57,840
Speaker 1: know what I mean. Yeah, but now because it was

836
00:52:57,840 --> 00:53:00,440
Speaker 1: an ass, just give us a six year deal if

837
00:53:00,440 --> 00:53:03,880
Speaker 1: we're gonna muck around television. Nobody wants to muck around television,

838
00:53:04,239 --> 00:53:07,240
Speaker 1: or at least like Billy and I old school guys

839
00:53:07,960 --> 00:53:10,239
Speaker 1: a little older than him. But we didn't. Never wanted

840
00:53:10,239 --> 00:53:12,600
Speaker 1: to muck around television. Want to do films. Everybody wants

841
00:53:12,600 --> 00:53:15,319
Speaker 1: to do films. I feel like that's fully changed now,

842
00:53:16,320 --> 00:53:19,439
Speaker 1: completely changed. In fact, nobody really wants to do film

843
00:53:19,480 --> 00:53:22,319
Speaker 1: because you can't make any money in it, right right,

844
00:53:23,040 --> 00:53:25,279
Speaker 1: you know, they like it's like there's you know, the

845
00:53:25,400 --> 00:53:28,000
Speaker 1: Rock makes fifty million and then you know, you get

846
00:53:28,000 --> 00:53:34,239
Speaker 1: paid like a dollar Rady stuff. So there's a there's

847
00:53:34,280 --> 00:53:36,359
Speaker 1: a huge disparity in film. You can yeah, you can

848
00:53:36,360 --> 00:53:45,319
Speaker 1: get paid TVA. This leads us to sort of a

849
00:53:45,440 --> 00:53:48,920
Speaker 1: very significant moment between Rory and Laurel Eze. So this

850
00:53:49,000 --> 00:53:51,319
Speaker 1: is when she says, I'm not too busy to think

851
00:53:51,320 --> 00:53:57,040
Speaker 1: about it. What did you guys think of that? Are

852
00:53:57,080 --> 00:53:59,479
Speaker 1: we at the end now at the end? Yeah? Yeah,

853
00:53:59,560 --> 00:54:03,799
Speaker 1: the big moment. That was a huge Boy, that was

854
00:54:04,280 --> 00:54:10,120
Speaker 1: a real button on that episode. My god, to say whoa,

855
00:54:10,239 --> 00:54:12,680
Speaker 1: you know, it was heavy. It was see, that's the

856
00:54:12,800 --> 00:54:18,400
Speaker 1: Dan Paladino trick. He really gets you. He gets your

857
00:54:18,520 --> 00:54:21,560
Speaker 1: laughing harder than you thought you could ever laugh. He's

858
00:54:21,600 --> 00:54:26,279
Speaker 1: creating this wonderful he's he's he's refreshing. He's putting a

859
00:54:26,320 --> 00:54:29,560
Speaker 1: new code of pain on the Gilmour characters. You know,

860
00:54:30,320 --> 00:54:33,160
Speaker 1: and uh, you know when things were getting heavy and

861
00:54:33,160 --> 00:54:35,520
Speaker 1: then he comes in and lightens everything up and puts

862
00:54:35,520 --> 00:54:38,320
Speaker 1: a fresh coat of pain on everybody, gets your laughing

863
00:54:38,400 --> 00:54:42,840
Speaker 1: and then bumb boom. Yeah, you know, Scott big life moment.

864
00:54:43,760 --> 00:54:46,240
Speaker 1: Somebody would have to go back and do the research.

865
00:54:46,280 --> 00:54:51,120
Speaker 1: But you're right, every episode he writes has a boom boom,

866
00:54:51,160 --> 00:54:55,560
Speaker 1: and you're like, just but just think about the fear

867
00:54:55,920 --> 00:54:59,160
Speaker 1: on Laurelized face and her thoughts and all she didn't

868
00:54:59,160 --> 00:55:01,160
Speaker 1: even have to verbal is anything. She's so good that

869
00:55:01,200 --> 00:55:04,680
Speaker 1: you can just read her thoughts. And the situation is

870
00:55:04,680 --> 00:55:06,680
Speaker 1: is screaming, so they don't have to do much. And

871
00:55:06,680 --> 00:55:10,200
Speaker 1: it's like, you know, how cute did did Alexis look

872
00:55:10,320 --> 00:55:12,600
Speaker 1: just eating her little food all of instantly, and she

873
00:55:12,680 --> 00:55:16,359
Speaker 1: was oblivious to you know what Laura I was going

874
00:55:16,400 --> 00:55:18,480
Speaker 1: through her mother. It's like, I'm gonna lose my daughter

875
00:55:18,920 --> 00:55:21,239
Speaker 1: is my she's not gonna be here much longer. She's

876
00:55:21,239 --> 00:55:24,080
Speaker 1: gonna start having sex, and she might she might get

877
00:55:24,080 --> 00:55:26,680
Speaker 1: pregnant to screw up her life, Like I know what

878
00:55:26,719 --> 00:55:28,400
Speaker 1: happened to me, and is it's so bad? No, I

879
00:55:28,440 --> 00:55:30,160
Speaker 1: have a great kid, but Jesus, I wanted to go

880
00:55:30,200 --> 00:55:32,800
Speaker 1: to Yale and I want to go to whatever she does.

881
00:55:33,520 --> 00:55:37,080
Speaker 1: So that moment was just so full and at the

882
00:55:37,120 --> 00:55:40,080
Speaker 1: same time, in that moment where you can totally tell

883
00:55:40,160 --> 00:55:42,719
Speaker 1: Laura lies having those thoughts, but she's also like, I

884
00:55:42,800 --> 00:55:45,600
Speaker 1: have to remain calm, like you know, like I want

885
00:55:45,640 --> 00:55:50,879
Speaker 1: to because she asked Rory to tell her and Rory did,

886
00:55:51,400 --> 00:55:55,120
Speaker 1: so you can't come down when they're doing exactly what

887
00:55:55,200 --> 00:55:59,200
Speaker 1: you asked. But it's like it's also innocence lost, and

888
00:55:59,239 --> 00:56:02,239
Speaker 1: it's it's a huge thing for a mother and a father, right,

889
00:56:02,719 --> 00:56:04,920
Speaker 1: I mean, it's like my baby, that's my little girl,

890
00:56:06,000 --> 00:56:08,759
Speaker 1: and now she's she's going to be entering a new

891
00:56:08,800 --> 00:56:12,120
Speaker 1: phase of her life that and I'm going to lose

892
00:56:13,960 --> 00:56:16,319
Speaker 1: she was going to lose control of her baby now

893
00:56:17,000 --> 00:56:19,520
Speaker 1: like she done her job. It's like she was not

894
00:56:19,640 --> 00:56:22,880
Speaker 1: that she was obsolete, but it's a whole new phase

895
00:56:22,920 --> 00:56:29,200
Speaker 1: of motherhood. Right, right? Did she prepared? And what's just

896
00:56:29,320 --> 00:56:32,840
Speaker 1: the moment? That's what you call the Dan Palladino meatball.

897
00:56:33,120 --> 00:56:39,880
Speaker 1: That is a serious that is a tasty, heavy, delicious meatball.

898
00:56:39,960 --> 00:56:42,040
Speaker 1: But man, it just sits there on your plates there

899
00:56:42,080 --> 00:56:45,080
Speaker 1: and not you doesn't. Yeah. One of my friends describes

900
00:56:45,120 --> 00:56:48,640
Speaker 1: it as like watering her kids, Like she's watered them

901
00:56:48,680 --> 00:56:51,640
Speaker 1: for years and years and now can they like go

902
00:56:51,800 --> 00:56:57,080
Speaker 1: on their own. And it's just like, Oh, she given

903
00:56:57,200 --> 00:57:01,120
Speaker 1: her all the info she needs to make the right decisions.

904
00:57:01,960 --> 00:57:05,960
Speaker 1: Terrifying moment. Also in this scene, I think we've talked

905
00:57:06,000 --> 00:57:08,239
Speaker 1: about eating so much in this show that I had

906
00:57:08,280 --> 00:57:11,080
Speaker 1: to watch it twice because I was like, they actually

907
00:57:11,200 --> 00:57:13,560
Speaker 1: had to eat in this scene, like there was enough

908
00:57:13,600 --> 00:57:17,000
Speaker 1: except Laura I did mix her like chicken around a

909
00:57:17,000 --> 00:57:19,880
Speaker 1: little longer than like usual, but she had to put

910
00:57:19,880 --> 00:57:21,439
Speaker 1: like she had to put that chicken in her mouth,

911
00:57:21,480 --> 00:57:23,480
Speaker 1: and I was just like, this podcast has made me

912
00:57:23,520 --> 00:57:25,760
Speaker 1: think of the way people eat on shows. I had

913
00:57:25,760 --> 00:57:27,400
Speaker 1: to watch it twice because I didn't pay attention the

914
00:57:27,400 --> 00:57:33,640
Speaker 1: first time. I'm like, like on the story one and

915
00:57:33,640 --> 00:57:36,800
Speaker 1: then like one P. I know they often think that

916
00:57:36,920 --> 00:57:40,720
Speaker 1: one P. It's like, oh my god, yeah, question you

917
00:57:40,720 --> 00:57:42,680
Speaker 1: think they look forward to going to dinner there for

918
00:57:42,720 --> 00:57:45,120
Speaker 1: the food, they like the food there, or they eat

919
00:57:45,160 --> 00:57:51,120
Speaker 1: a bunch of stuff before they go. Wait wait, I'm confused.

920
00:57:51,160 --> 00:57:55,480
Speaker 1: I'm confused. I was trying to think, Wait, you mean

921
00:57:55,640 --> 00:58:02,320
Speaker 1: Friday night dinner work? Like eat before Friday night dinners?

922
00:58:02,320 --> 00:58:04,640
Speaker 1: Do you think they eat before? They love that food?

923
00:58:04,680 --> 00:58:07,680
Speaker 1: I think that food fine dining. Like I'm still thinking

924
00:58:07,720 --> 00:58:11,080
Speaker 1: about the prime rib. Then, just didn't get what they

925
00:58:11,280 --> 00:58:13,800
Speaker 1: stir their food so much when they're talking instead of

926
00:58:13,800 --> 00:58:17,240
Speaker 1: eating right, because they don't want to have to match it.

927
00:58:17,640 --> 00:58:23,840
Speaker 1: Totally totally good. Well, they really got to take out

928
00:58:23,880 --> 00:58:29,240
Speaker 1: Friday night dinners like the real deal. Yeah, is the

929
00:58:29,280 --> 00:58:31,200
Speaker 1: dinner that you make sure you eat a salad for

930
00:58:31,320 --> 00:58:34,720
Speaker 1: lunch before? Y. Yeah, you guys have to rewatch Oceans

931
00:58:34,720 --> 00:58:37,960
Speaker 1: eleven because I swear Brad pay is eating in every scene.

932
00:58:38,600 --> 00:58:41,120
Speaker 1: He must have eaten because if they had to match it,

933
00:58:41,200 --> 00:58:43,520
Speaker 1: and you know what, no, no, do you know why

934
00:58:43,920 --> 00:58:46,160
Speaker 1: he made that choice? I just read the article. Do

935
00:58:46,160 --> 00:58:48,760
Speaker 1: you know why he made that choice? Tell me? Because

936
00:58:48,800 --> 00:58:52,120
Speaker 1: he was a guy who was busy. He was he

937
00:58:52,160 --> 00:58:55,120
Speaker 1: was in constant motion. He was flying all over the place.

938
00:58:55,400 --> 00:58:57,520
Speaker 1: He was in one place, one minute, the next place,

939
00:58:57,560 --> 00:59:00,840
Speaker 1: the next minute, So he was always eating on the go.

940
00:59:02,320 --> 00:59:07,160
Speaker 1: That was a character choice that was much discussed with director.

941
00:59:07,280 --> 00:59:10,480
Speaker 1: That was so Scott, let me ask you this question.

942
00:59:10,480 --> 00:59:12,400
Speaker 1: So if Brad Pitt, let's say he's got like a croissant,

943
00:59:12,480 --> 00:59:15,360
Speaker 1: let's just pretend it to croissant, so he bites the croissant.

944
00:59:15,520 --> 00:59:17,680
Speaker 1: Then do they take that away and when they start

945
00:59:17,720 --> 00:59:21,400
Speaker 1: the scene again, give him a new croissant because he

946
00:59:21,440 --> 00:59:24,120
Speaker 1: can't have a bite out of the croissant. Right. Yes,

947
00:59:24,240 --> 00:59:28,480
Speaker 1: I shot a scene the other day where I'm eating

948
00:59:29,200 --> 00:59:34,800
Speaker 1: the last part of a muffin. Okay, So the the

949
00:59:34,840 --> 00:59:38,080
Speaker 1: prop guy kept coming up to me after every take

950
00:59:38,160 --> 00:59:43,919
Speaker 1: and offering me another, you know, slice of muff okay

951
00:59:44,720 --> 00:59:48,440
Speaker 1: because the action pop it and show it up. Did

952
00:59:48,480 --> 00:59:51,040
Speaker 1: you have to eat like a lot of muffins? I

953
00:59:51,200 --> 00:59:56,840
Speaker 1: ate a lot of muffins, but I don't mind because

954
00:59:56,880 --> 00:59:59,439
Speaker 1: I you know, I like to eat you know. Okay,

955
01:00:00,040 --> 01:00:07,720
Speaker 1: anything that could get me compared to Brad Pitt, but

956
01:00:08,120 --> 01:00:10,760
Speaker 1: it was called for in the script. Imagine your job

957
01:00:10,840 --> 01:00:13,640
Speaker 1: is to keep track of the croissant that Brad pittsy

958
01:00:14,000 --> 01:00:20,560
Speaker 1: you're Christie, does scripty do that? And this is the

959
01:00:20,680 --> 01:00:25,840
Speaker 1: prop guy in cahoots with script E. They have to

960
01:00:25,920 --> 01:00:28,360
Speaker 1: be right, have to need buddies, right. It was like

961
01:00:28,440 --> 01:00:33,320
Speaker 1: script He's like, yo, I need a new over there.

962
01:00:33,720 --> 01:00:36,360
Speaker 1: Let me tell you something. Our prop guy up here

963
01:00:36,480 --> 01:00:38,800
Speaker 1: is so great. He's so great. You know what his

964
01:00:38,920 --> 01:00:44,920
Speaker 1: name is. You know, you know his name is Proppy Pickles. Pickles,

965
01:00:45,320 --> 01:00:51,200
Speaker 1: So Pickles and script E they do collaborate. They do collaborate.

966
01:00:51,920 --> 01:00:54,240
Speaker 1: I'll tell you the job. I could never do script

967
01:00:55,520 --> 01:00:59,400
Speaker 1: never scripty. No, it's too intense. I don't have the

968
01:01:00,240 --> 01:01:02,760
Speaker 1: my brain couldn't do that. It's too intense. And we

969
01:01:03,960 --> 01:01:07,520
Speaker 1: I Silk. We drove scripty crazy the other yesterday because

970
01:01:10,480 --> 01:01:15,200
Speaker 1: I think multiple script ease, we're on our second question.

971
01:01:16,080 --> 01:01:19,240
Speaker 1: Someone already quit one script. He's like, I'm out. I

972
01:01:19,320 --> 01:01:22,200
Speaker 1: mean I mean multiple scripts in the sense of like, alright,

973
01:01:23,000 --> 01:01:27,880
Speaker 1: one you keep track of a little scripty two. No, no, no, no, no, no, no,

974
01:01:30,200 --> 01:01:34,120
Speaker 1: oh my god. We went so many script supervisors on Gilmore.

975
01:01:34,160 --> 01:01:35,840
Speaker 1: It was like it was almost like there was a

976
01:01:35,920 --> 01:01:39,560
Speaker 1: new script supervisor every every day. I literally can think

977
01:01:39,640 --> 01:01:42,760
Speaker 1: of myself going, Danielle, can you do that? Because I

978
01:01:43,040 --> 01:01:46,280
Speaker 1: can't do it. I could do it for one person.

979
01:01:46,400 --> 01:01:47,760
Speaker 1: That's what I'm saying I could. I could do it

980
01:01:47,800 --> 01:01:51,680
Speaker 1: for one person, but I can't know there's so many people,

981
01:01:51,760 --> 01:01:56,240
Speaker 1: and figure it out. I have a great story. I'm

982
01:01:56,280 --> 01:01:58,960
Speaker 1: a great story. Ready. This is this is how bad

983
01:01:59,040 --> 01:02:01,960
Speaker 1: it was for scripted. The other day she's new. Okay,

984
01:02:02,200 --> 01:02:04,800
Speaker 1: she's new. It's a third day or second day. So

985
01:02:05,880 --> 01:02:07,760
Speaker 1: we're out there. The scene changed. You know, we got

986
01:02:07,840 --> 01:02:10,720
Speaker 1: any rehearsal scene change. It was rewritten the whole thing.

987
01:02:11,200 --> 01:02:14,880
Speaker 1: It was a delay, the whole thing. Uh and um,

988
01:02:15,320 --> 01:02:19,360
Speaker 1: so it I was pacing a lot in the scene.

989
01:02:19,360 --> 01:02:21,680
Speaker 1: It was a big scene. I was frustrated in the scene.

990
01:02:21,720 --> 01:02:24,200
Speaker 1: So I was kicking gravel and I was pacing back

991
01:02:24,240 --> 01:02:27,640
Speaker 1: and forth, and and so and so. Scripty had no idea.

992
01:02:28,160 --> 01:02:30,280
Speaker 1: She thought that we were doing the scene that was

993
01:02:30,360 --> 01:02:34,240
Speaker 1: written when she didn't know it was rewritten. So she

994
01:02:34,400 --> 01:02:36,080
Speaker 1: was She come up and she goes, what are you

995
01:02:36,120 --> 01:02:39,320
Speaker 1: guys saying? It's not it's like this told him, just

996
01:02:39,560 --> 01:02:42,200
Speaker 1: you guys, you're not doing the scene. I said no, no,

997
01:02:42,360 --> 01:02:44,400
Speaker 1: I got rewritten. She goes, oh, why don't the page?

998
01:02:44,960 --> 01:02:48,480
Speaker 1: She goes, all right, well we'll get you the pages afterwards, right,

999
01:02:48,600 --> 01:02:52,320
Speaker 1: she goes, but what she said back a little bit,

1000
01:02:52,960 --> 01:02:55,880
Speaker 1: so the pages kind of came in. We didn't really

1001
01:02:55,960 --> 01:02:57,560
Speaker 1: need it because it's like a page and half scene,

1002
01:02:57,600 --> 01:03:00,160
Speaker 1: so we knew what we were gonna say and how.

1003
01:03:02,840 --> 01:03:04,680
Speaker 1: But and then I and so I was trying to

1004
01:03:04,760 --> 01:03:06,560
Speaker 1: fly her in a couple of couple of pages when

1005
01:03:06,600 --> 01:03:09,320
Speaker 1: they came in from one of the trailers where they

1006
01:03:09,400 --> 01:03:13,280
Speaker 1: have a printer, and and she goes, oh, no, I'm

1007
01:03:13,640 --> 01:03:15,560
Speaker 1: not I don't need them now. I'm just sort of

1008
01:03:15,640 --> 01:03:18,960
Speaker 1: tracking your movements. And she had these lines, she was

1009
01:03:19,160 --> 01:03:22,240
Speaker 1: drawing lines you a black piece of paper, like this

1010
01:03:22,400 --> 01:03:24,760
Speaker 1: is where Scott's walking on the link, and this is

1011
01:03:24,800 --> 01:03:29,479
Speaker 1: where Scott's walking on the next one. Oh, what terrible job.

1012
01:03:29,720 --> 01:03:32,680
Speaker 1: How did we do that? From multiple people at one time?

1013
01:03:32,760 --> 01:03:35,920
Speaker 1: I don't understand. He's so good at her job. But

1014
01:03:36,080 --> 01:03:39,120
Speaker 1: she didn't have she didn't have the she have the

1015
01:03:39,160 --> 01:03:40,920
Speaker 1: pages in front of so she couldn't do her job.

1016
01:03:41,120 --> 01:03:42,880
Speaker 1: So she was kind of she was a little nervous,

1017
01:03:42,880 --> 01:03:45,440
Speaker 1: and I don't blame her, but I was just like,

1018
01:03:45,880 --> 01:03:47,600
Speaker 1: let's just shoot this and we'll get you the words.

1019
01:03:47,680 --> 01:03:51,400
Speaker 1: After her, Oh my god, but I don't know. I can't,

1020
01:03:51,400 --> 01:03:56,560
Speaker 1: I can't. Can't you mean a partner on her foal.

1021
01:03:57,080 --> 01:03:59,360
Speaker 1: We shot a great scene. We shot a great scene.

1022
01:03:59,560 --> 01:04:02,160
Speaker 1: So I what she's gonna have to do is she's

1023
01:04:02,160 --> 01:04:05,520
Speaker 1: gonna go have to take the dialogue off the daily

1024
01:04:07,200 --> 01:04:16,120
Speaker 1: would sounds so bad? How much work God? Script? That's

1025
01:04:16,120 --> 01:04:20,640
Speaker 1: what I have to say. No, we see you, we

1026
01:04:20,840 --> 01:04:24,840
Speaker 1: hear you. So I think I've said my favorite lines.

1027
01:04:24,920 --> 01:04:28,479
Speaker 1: I mean I had a thousand in this one. Nice

1028
01:04:28,560 --> 01:04:30,880
Speaker 1: will be nice and a nice night it will be

1029
01:04:31,560 --> 01:04:34,680
Speaker 1: not so nice for the lamb. I mean, right from

1030
01:04:34,720 --> 01:04:38,760
Speaker 1: the start, what do y'all? What are y'all's favorites? I

1031
01:04:38,920 --> 01:04:45,720
Speaker 1: like the Dave Lane equals one, but my second one

1032
01:04:45,920 --> 01:04:48,440
Speaker 1: is from Emily to Lora Lie and she goes, how

1033
01:04:48,480 --> 01:04:51,280
Speaker 1: can you let your daughter be with that abominable thug?

1034
01:04:51,960 --> 01:04:59,840
Speaker 1: Like on Emily God. I also like the one from

1035
01:05:00,200 --> 01:05:02,920
Speaker 1: Mrs Kim where she said, who are all these unwashed boys?

1036
01:05:05,200 --> 01:05:08,080
Speaker 1: Mrs Kim, I'm gonna clap it out for you. Yeah,

1037
01:05:09,240 --> 01:05:14,840
Speaker 1: what an episode. It's my favorite. Mrs Kim Uh telling

1038
01:05:15,000 --> 01:05:19,160
Speaker 1: Dave Uh that she didn't want him to be shocked

1039
01:05:23,440 --> 01:05:24,920
Speaker 1: has a crush on you. I don't I want to

1040
01:05:24,920 --> 01:05:28,720
Speaker 1: tell you because I don't want to be shocked for me.

1041
01:05:28,960 --> 01:05:32,560
Speaker 1: Honorable mention goes to the degrees poster that's still on

1042
01:05:32,680 --> 01:05:36,440
Speaker 1: the wall at Grandma's and then that portrait with Rory

1043
01:05:36,600 --> 01:05:40,880
Speaker 1: just reading the books. Oh god, somebody around for a

1044
01:05:40,960 --> 01:05:43,520
Speaker 1: while to get a screenshot of that for the Instagram.

1045
01:05:43,920 --> 01:05:47,360
Speaker 1: Oh god, what a great episode, good one, you know,

1046
01:05:49,440 --> 01:05:51,960
Speaker 1: so well, so well, So we'll wrap this up so

1047
01:05:52,040 --> 01:05:57,479
Speaker 1: I can go watch the episode again. Yeah's next week?

1048
01:05:58,080 --> 01:06:00,240
Speaker 1: I need what's Yeah? What's next week? What's going on?

1049
01:06:00,360 --> 01:06:08,000
Speaker 1: This episode? Face off is because Nick Cage and John

1050
01:06:08,040 --> 01:06:13,800
Speaker 1: Travolta so screams, and Dean I think so too. I

1051
01:06:13,880 --> 01:06:21,080
Speaker 1: think such another Dan Peladino masterpiece. Um, you know, everyone watching,

1052
01:06:21,160 --> 01:06:23,680
Speaker 1: tell us what you think, because because we love this episode,

1053
01:06:24,520 --> 01:06:27,360
Speaker 1: I laughed so hard. I mean this was just like

1054
01:06:28,080 --> 01:06:31,400
Speaker 1: there were at least ten belly laughs out of this one,

1055
01:06:31,880 --> 01:06:34,960
Speaker 1: at least like big tent tent you know, you know

1056
01:06:35,520 --> 01:06:39,960
Speaker 1: movies feature films, comedy films make twenty million dollars per

1057
01:06:40,120 --> 01:06:43,800
Speaker 1: laugh right, big laughs. This could have made this was this?

1058
01:06:44,040 --> 01:06:47,880
Speaker 1: Was it? What? This is a two million dollar comedy

1059
01:06:47,920 --> 01:06:51,040
Speaker 1: film and you're getting it for free on a small screen.

1060
01:06:51,120 --> 01:06:56,320
Speaker 1: It's only taken an out. That's how good that episode was. U. Hi, everybody,

1061
01:06:56,400 --> 01:07:00,120
Speaker 1: Thanks to downloading best friends on the planet and we

1062
01:07:00,200 --> 01:07:06,280
Speaker 1: will see you next time for bas off face off,

1063
01:07:06,360 --> 01:07:40,760
Speaker 1: ye base off. Hi everybody, love you bye guys. Hey everybody,

1064
01:07:40,800 --> 01:07:44,080
Speaker 1: and don't forget Follow us on Instagram at I Am

1065
01:07:44,200 --> 01:07:48,160
Speaker 1: all In podcast and email us at Gilmore at I

1066
01:07:48,360 --> 01:07:51,560
Speaker 1: Heart radio dot com. Oh you gil More fans. If

1067
01:07:51,560 --> 01:07:53,520
Speaker 1: you're looking for the best cup of coffee in the world,

1068
01:07:53,600 --> 01:07:57,480
Speaker 1: go to my website for my company scott ep dot com,

1069
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Speaker 1: s CEO, T T y P dot com, Scotty dot

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Speaker 1: com Grade one especially coffee. Yeah h