WEBVTT - Call It The First 'Grey's' Rewatch Part II!

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<v Speaker 1>Call It What It Is with Jessica Capshaw and Camille Luddington,

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<v Speaker 1>an iHeartRadio podcast.

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<v Speaker 2>Well, hello, hello, hello, hello everybody, and welcome to our

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<v Speaker 2>Part two episode of Call It.

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<v Speaker 1>A Rewatch So nice. We had to do it twice.

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<v Speaker 2>Yeah, we did. We just did it. We didn't know,

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<v Speaker 2>we didn't know how long we were going to take,

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<v Speaker 2>and we were in.

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<v Speaker 1>Yeah we were, yeah, we were really, we're taking this seriously.

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<v Speaker 2>We mean business.

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<v Speaker 1>We're not trifling with you.

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<v Speaker 2>Oh no, we're not. We're not missing around. No. No.

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<v Speaker 2>For those that are catching up, please go back and

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<v Speaker 2>listen to our episode that just aired on Sunday, February second.

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<v Speaker 2>It is our very first rewatch that we rewatch on

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<v Speaker 2>the pot. And we asked, we asked everybody, the crew

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<v Speaker 2>what they wanted us to review. What did you want?

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<v Speaker 2>What's your vibes? And you guys sit for you. I'll

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<v Speaker 2>take some weed. It takes a week.

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<v Speaker 1>Again, Yeah, I want to get high.

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<v Speaker 2>So we we want to get high with us. And

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<v Speaker 2>so we started that and and this is part two.

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<v Speaker 2>So if you need to go back listen, do that first.

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<v Speaker 1>Oh I think it's necessary if you haven't, I actually

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<v Speaker 1>think I'm debating I'm insisting that you go back and listen,

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<v Speaker 1>because if you don't, then I mean, just how will

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<v Speaker 1>this all make sense?

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<v Speaker 2>It's not gonna makes sense.

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<v Speaker 1>Okay, So we left off with, uh, Maggie, Yeah, Maggie

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<v Speaker 1>and DeLuca and I in the room and we don't

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<v Speaker 1>have a name for we.

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<v Speaker 2>What we talked about was that you guys were in

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<v Speaker 2>certain weed jails, right, so you're in you're you're sort

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<v Speaker 2>of been sequestered to certain areas of the hospital, and

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<v Speaker 2>you and Maggie and de Luca, way, de Luca are

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<v Speaker 2>in silent DeLuca silent la. He's I know, but it's

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<v Speaker 2>so sad and it works or in that room. I

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<v Speaker 2>don't even know what that do we ever figure out

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<v Speaker 2>what that real? That's what I just said. I don't

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<v Speaker 2>know the name I thought. Okay, yeah, we called it.

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<v Speaker 1>So Maggie's standing there with the kind of touch screen

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<v Speaker 1>body and she's panicking because she's high and she thinks

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<v Speaker 1>she's lost the patient's liver.

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<v Speaker 2>Yeah, and you were talking, you were talking about CALLI

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<v Speaker 2>and you're a little bit sad about.

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<v Speaker 1>Well, I mistakenly said the name Cally and stuff. Oh yes,

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<v Speaker 1>and uh, and then that's when we were talking about

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<v Speaker 1>how it was sort of new for me in my

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<v Speaker 1>character because I'd never experienced Arizona as being super insecure.

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<v Speaker 1>But she goes on to say that everyone eventually leaves her, which.

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<v Speaker 2>Is so sad. That is sad? Is it true? Even

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<v Speaker 2>though that I think it's true, Yeah, in that moment,

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<v Speaker 2>she felt.

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<v Speaker 1>Like it was true. Well, listen, this would be probably

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<v Speaker 1>for another day, but you know, it was always very heroic.

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<v Speaker 1>This was another episode that was asked to be a rewatch.

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<v Speaker 1>Is when Arizona and Kelly go to court and Arizona

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<v Speaker 1>actually wins. Well, I mean who wins in this sort

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<v Speaker 1>of yeah, but the judge technically wins rules in her

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<v Speaker 1>favor and she technically gets custody of Sophia, and she

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<v Speaker 1>makes the last minute choice to let Sophia go with Calli,

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<v Speaker 1>And I always thought, gosh, that's she let her go.

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<v Speaker 1>How do you oh? That was always such a hard

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<v Speaker 1>thing for me. Most of the time, I can get

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<v Speaker 1>on board with storylines, but that one was a little

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<v Speaker 1>bit like how she let her daughter go. So anyways,

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<v Speaker 1>this is going back to her saying that everyone eventually

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<v Speaker 1>leaves her. So I was wondering about the processing of

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<v Speaker 1>you know, Calli and Penny leaving with Sophia, and my

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<v Speaker 1>guess is that she did feel pretty left.

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<v Speaker 2>Yeah. Anyways, this is why we're doing the rewatches because

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<v Speaker 2>we got a deep dot. Now. I'm like, we got

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<v Speaker 2>to go into that. So yeah, you gotta go there.

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<v Speaker 1>Yeah, But so she says, So she says that maybe

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<v Speaker 1>basically because everyone leaves her, because that's the mindset she's in,

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<v Speaker 1>you know that maybe that's why she's holding on to

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<v Speaker 1>Karina so tight. Maybe that's why she's like, you know,

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<v Speaker 1>she's scared of repeating the past, and so she wants

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<v Speaker 1>to just keep her, keep her there with you, there

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<v Speaker 1>with her.

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<v Speaker 2>So I have a question for you, because we're gonna

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<v Speaker 2>this is what we're gonna do. We're gonna deep, deep,

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<v Speaker 2>deep dive into these episodes. Do you remember meeting Stefania

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<v Speaker 2>for the first time? Yeah, yeah, because we.

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<v Speaker 1>Said, remember when we came back, we'd had like a

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<v Speaker 1>you know, a hiatus break and Eliza Minnick was not returning.

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<v Speaker 1>I was told that, yeah, And then I was told

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<v Speaker 1>that there would be this sort of dalliance or what

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<v Speaker 1>we referred to earlier as a tweeny and that was

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<v Speaker 1>going to be Stefania, So it was it was, it wasn't.

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<v Speaker 1>I mean, I should know better. It's great anatomy. I

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<v Speaker 1>came for three episodes and stayed for ten years, so

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<v Speaker 1>I should have known that anything is possible. But I

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<v Speaker 1>really did think.

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<v Speaker 2>I don't even know why.

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<v Speaker 1>I thought she really just was there for like an

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<v Speaker 1>episode or two. Maybe I thought she had another job

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<v Speaker 1>or I don't know, but she's so lovely.

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<v Speaker 2>Did you think wows of Browser what a bombshell?

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<v Speaker 1>Yes?

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<v Speaker 2>Because if I got to hook up with someone on

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<v Speaker 2>the show and Stefandi walks in, I'm like, they're like, hi, hello, Hey,

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<v Speaker 2>Hi hello. I mean she's for people that like don't

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<v Speaker 2>know her in real life too. She's truly if you

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<v Speaker 2>have a love interest, you want it to be Stefania,

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<v Speaker 2>ough and so kind. She's the best. She really is.

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<v Speaker 1>By the way, I think you were going with the

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<v Speaker 1>sexy vibe, and I said kind, I interjected with kind.

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<v Speaker 1>But that's because I feel that those you know, I know,

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<v Speaker 1>I hate, I hate, like bursting the bubble, But those

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<v Speaker 1>sexy scenes are not all that sexy, Like they're very

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<v Speaker 1>technical and they're very like, Okay, so we're gonna go here,

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<v Speaker 1>and your head's gonna go that way and then we're

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<v Speaker 1>gonna kiss and then yeah, I mean, obviously you want

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<v Speaker 1>to be overtaken with, you know, some fescione, but it's

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<v Speaker 1>it's really mostly technical, and that's why you really want

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<v Speaker 1>someone who's kind and a team player. And that's why

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<v Speaker 1>there's so much conversation around Well that the the the

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<v Speaker 1>the making of the job of an intimacy coordinator, right,

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<v Speaker 1>like someone who comes in and helps you figure out

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<v Speaker 1>what the dance is. That's what I used to always say,

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<v Speaker 1>you have rehearsal because it's like a dance.

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<v Speaker 2>Yeah.

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<v Speaker 1>And she's a dancer, did you know that. Yeah, it's

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<v Speaker 1>a really good dancer.

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<v Speaker 2>She's a great dancer. She's just elegant. It's almost annoying,

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<v Speaker 2>do you know what I mean? Like she's almost it's

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<v Speaker 2>like I needed to calm down a little bit. She

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<v Speaker 2>walks in, I'm like, what'd you do to your hair?

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<v Speaker 1>But she's too nice to be annoying. She doesn't even

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<v Speaker 1>actually annoy me anyway. The point is is that you know,

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<v Speaker 1>this is sort of this was sort of you know,

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<v Speaker 1>a new love interest for you, and we're discussing it

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<v Speaker 1>this episode, and in real life, Stefani is like dream casting, yeah,

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<v Speaker 1>or something like this, and that's why.

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<v Speaker 2>She you know, she's still with us. She's artist the

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<v Speaker 2>universe now and so beloved. Okay, the next thing we

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<v Speaker 2>cut to that I really am excited to talk about

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<v Speaker 2>is that really funny moment there's April Bailey on the

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<v Speaker 2>couch and Meredith walks in. I think is I think

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<v Speaker 2>Meredith walks in and they're doing that. Really they're doing

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<v Speaker 2>They're having a funeral, is what they said.

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<v Speaker 1>Yeah, with that very funny thing that they did with

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<v Speaker 1>their voices.

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<v Speaker 2>So the story behind that that people don't know is

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<v Speaker 2>at the beginning of every season we would have this

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<v Speaker 2>conversation that with the writers. We would have a meeting

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<v Speaker 2>with the writers, and when Krista Vernoff started, another part

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<v Speaker 2>of that meeting with the writers at the beginning of the

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<v Speaker 2>season was like, hey, can you tell us any secret

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<v Speaker 2>talents you have? And I was always like negative.

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<v Speaker 1>Yeah, I was gonna say, I don't even remember being asked.

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<v Speaker 1>She must have known I didn't.

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<v Speaker 2>Yeah, she sensed it from you. She's like, we've seen

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<v Speaker 2>the musical episode. It's been enough. And but what people

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<v Speaker 2>might not know is that Sarah Drew was like, yes,

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<v Speaker 2>I can do this really weird bagpipey thing with my throat,

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<v Speaker 2>and so she should. I remember her telling me the

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<v Speaker 2>story that was her special skill that she presented to

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<v Speaker 2>the writers and then it sort of, oh my gosh,

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<v Speaker 2>it was something she did and then forgot about, and

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<v Speaker 2>lo and behold in this episode, they're like, we're gonna

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<v Speaker 2>use it. We're gonna use I don't even know what

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<v Speaker 2>you'd call it. It's this like tapping up the throat

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<v Speaker 2>bagpipe and throat your pipe and the pipes, yep, playing

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<v Speaker 2>the pipes. You're playing the pipes. And so that's where

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<v Speaker 2>that came from. That came from this meeting that Sarah

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<v Speaker 2>Drew had where she was asked about her special skills.

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<v Speaker 2>And it was perfect because and I really laughed my

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<v Speaker 2>ass off. Again, Julie is just such a funny writer.

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<v Speaker 2>But when she said, she's like, I never got to

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<v Speaker 2>heart bravery. I had a jacks Navy. It's not the same.

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<v Speaker 2>So funny, but they're having a little they're having a little.

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<v Speaker 1>Funeral yep, for their for their esteem, for the esteem

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<v Speaker 1>that they had formerly for Marbury Breed. The steam has died.

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<v Speaker 1>They're gonna bury it and Meredith walks in and and well,

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<v Speaker 1>but also there's the piece where Bailey reveals that she

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<v Speaker 1>has her.

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<v Speaker 2>Own secret, Yeah, that she.

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<v Speaker 1>Signed with this manufacturer.

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<v Speaker 2>Yes, a sex toy she signed to. Okay, what's the

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<v Speaker 2>story behind that again, it's like, produce the Trailblazer. Yeah,

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<v Speaker 2>they're gonna do. Yes. God, why where did that storyline go?

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<v Speaker 2>I got he remind me, Meg's gotta we need to

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<v Speaker 2>bring that.

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<v Speaker 1>Yes, bring the Trailblazer back, the Trailblazer. I I'm surprised

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<v Speaker 1>you could even do that on television. That happens between

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<v Speaker 1>nine and ten PM.

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<v Speaker 2>You know what, we're on it. We are on at ten,

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<v Speaker 2>were on ten to eleven.

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<v Speaker 1>Now that that's true, I guess, yeah, I guess I

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<v Speaker 1>get after Dark.

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<v Speaker 2>After Meredith walks in and then April tells.

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<v Speaker 1>Her yes, but Bailey keeps talking to her about the

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<v Speaker 1>deal that she made with the sex company which has

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<v Speaker 1>this which has items that are similar to her device,

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<v Speaker 1>and then she says she got the idea when Meredith

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<v Speaker 1>called it the tail later.

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<v Speaker 2>Yeah, it's good. This is what we do in Craz's anatomy.

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<v Speaker 2>We do we do comedy. We do do comedy really well.

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<v Speaker 1>Well, and I just got to Obviously, these are scenes

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<v Speaker 1>we're not in, so we just got to watch them.

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<v Speaker 1>I just watched them with deep amusement. And so then

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<v Speaker 1>we go back to Levi, who's transporting. He's gotten the

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<v Speaker 1>path pen, he's running through the hallway, he passes through

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<v Speaker 1>the waiting room, and then that's when he has his crisis.

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<v Speaker 1>And that, you know, Grays likes to give you a

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<v Speaker 1>just a double click onto real investment in high stakes

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<v Speaker 1>because he's looking at you know, this man's beautiful wife

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<v Speaker 1>and children and.

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<v Speaker 2>Yeah, they're like, well you keep a daddy alive. Yeah,

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<v Speaker 2>we have to have you run into the to the

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<v Speaker 2>patients to remind you it's true though. I mean, I

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<v Speaker 2>think I do like love that Grace does that because

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<v Speaker 2>a lot of times you're working on somebody in our

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<v Speaker 2>script and you're like almost you're so deep into the

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<v Speaker 2>medical that you're forgetting like wait, like who is this

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<v Speaker 2>person that I'm working on? And they do have a family,

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<v Speaker 2>and that's yeah, that's doctoring and real.

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<v Speaker 1>Well, I think it's there to remind you just how

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<v Speaker 1>how much you're supposed to care. So then when they

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<v Speaker 1>go back to you and the O R and you're like,

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<v Speaker 1>should I shouldn't I should I shouldn't I you have

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<v Speaker 1>that face, you have that visual of that guy's family

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<v Speaker 1>and realize.

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<v Speaker 2>I feel like we especially like to do it to

0:11:39.320 --> 0:11:41.800
<v Speaker 2>interns too. On the show. It's like we really like

0:11:41.840 --> 0:11:44.199
<v Speaker 2>to drive it home with the interns, like, don't look

0:11:44.240 --> 0:11:47.199
<v Speaker 2>it up. Yeah, you're not going to fuck it up.

0:11:47.720 --> 0:11:50.200
<v Speaker 2>The attendants are attendings, are going to save the day,

0:11:50.400 --> 0:11:53.800
<v Speaker 2>but there's a real possibility that you might kill someone

0:11:53.800 --> 0:11:56.360
<v Speaker 2>as you're training at Grace Loan, and they like to

0:11:56.360 --> 0:11:59.480
<v Speaker 2>show you like this is the family, which is why

0:11:59.720 --> 0:12:02.840
<v Speaker 2>I have to say I don't understand why any patient

0:12:02.880 --> 0:12:08.120
<v Speaker 2>agrees to be in a teaching hospital. Has no one

0:12:08.559 --> 0:12:11.640
<v Speaker 2>brought this up because do you okay? For example, I

0:12:11.679 --> 0:12:13.800
<v Speaker 2>went to Cedars and I'm pretty sure when I was

0:12:13.840 --> 0:12:16.320
<v Speaker 2>giving birth they were like, hey, there's a crew of

0:12:16.400 --> 0:12:18.240
<v Speaker 2>kids that want to come in and see is it's okay?

0:12:18.280 --> 0:12:20.000
<v Speaker 2>And I was like, no, thank you. I'm pretty sure

0:12:20.080 --> 0:12:23.800
<v Speaker 2>Cedars is a teaching hospital. So when I went to Cedars,

0:12:23.880 --> 0:12:27.320
<v Speaker 2>I was like, hold up, hang on, are you guys

0:12:27.360 --> 0:12:31.040
<v Speaker 2>teaching people here? I feel like people don't know until

0:12:31.040 --> 0:12:34.160
<v Speaker 2>you're in it, right, Like I'm like, I'm not aware

0:12:34.760 --> 0:12:35.319
<v Speaker 2>and that's.

0:12:35.160 --> 0:12:37.080
<v Speaker 1>Not something you have to sign off on. You don't

0:12:37.080 --> 0:12:39.640
<v Speaker 1>have to say I'm I'm I'm chill with a student

0:12:39.760 --> 0:12:40.600
<v Speaker 1>doing this operation.

0:12:40.760 --> 0:12:43.400
<v Speaker 2>I didn't have, you know, the intern class come in.

0:12:43.679 --> 0:12:46.800
<v Speaker 1>You just reminded me of something. I have a friend

0:12:47.240 --> 0:12:52.160
<v Speaker 1>who went in to have a breast situation okay, and

0:12:53.640 --> 0:12:55.600
<v Speaker 1>she didn't know. She thought she was just going to

0:12:55.600 --> 0:12:59.240
<v Speaker 1>the one doctor. And it turns out that they were

0:12:59.280 --> 0:13:02.520
<v Speaker 1>many doctors. Like she said, when she went in, they

0:13:02.520 --> 0:13:04.440
<v Speaker 1>were like more than the one doctor. And then she

0:13:04.480 --> 0:13:07.360
<v Speaker 1>went into the surgery. She had her surgery. She came

0:13:07.400 --> 0:13:09.520
<v Speaker 1>out and maybe like, I don't know whenever it would

0:13:09.520 --> 0:13:12.680
<v Speaker 1>be that you'd like see your new boobs. She looked

0:13:12.720 --> 0:13:15.520
<v Speaker 1>in the mirror and one nipple was like an inch

0:13:15.640 --> 0:13:20.600
<v Speaker 1>off of the other. She was like going, what, it's

0:13:20.640 --> 0:13:24.160
<v Speaker 1>not funny, it's not funny. It's very funny.

0:13:24.320 --> 0:13:25.559
<v Speaker 2>Wait, so are you blaming me?

0:13:26.280 --> 0:13:28.600
<v Speaker 1>And it turned out that that the students were working

0:13:28.640 --> 0:13:31.080
<v Speaker 1>on one boo and the doctor was working on the other.

0:13:34.520 --> 0:13:36.520
<v Speaker 2>You guys can't see my face. I'm like, literally, my

0:13:36.559 --> 0:13:40.199
<v Speaker 2>mouth is wide open. What I don't think it was

0:13:40.200 --> 0:13:40.520
<v Speaker 2>an inch?

0:13:40.559 --> 0:13:42.679
<v Speaker 1>She showed She actually showed them to me, and I

0:13:42.720 --> 0:13:45.760
<v Speaker 1>was like, there was a difference. My point is there

0:13:45.760 --> 0:13:48.040
<v Speaker 1>was a difference, and it was because it was she

0:13:48.120 --> 0:13:50.160
<v Speaker 1>found out later that UCLA was see. But I don't

0:13:50.160 --> 0:13:52.200
<v Speaker 1>get the found out later part. I think you should

0:13:52.200 --> 0:13:54.800
<v Speaker 1>know that hang on, hang on, hang on a tick here.

0:13:55.360 --> 0:13:58.440
<v Speaker 1>If one of my boobsd on, hang on a tit here,

0:13:58.640 --> 0:14:00.560
<v Speaker 1>if one of my boobs has been worked on by

0:14:00.559 --> 0:14:04.000
<v Speaker 1>the interns and the other by the expert doctor, this

0:14:04.080 --> 0:14:08.480
<v Speaker 1>boob better be discounted. I want like a I want

0:14:08.480 --> 0:14:09.960
<v Speaker 1>a ninety percent.

0:14:09.640 --> 0:14:16.880
<v Speaker 2>Off the the the test boob. Are you kidding?

0:14:17.559 --> 0:14:23.360
<v Speaker 1>Like, are you a work in progress boob? Yeah?

0:14:23.640 --> 0:14:26.320
<v Speaker 2>Also, I don't I have so much Okay, we got

0:14:26.320 --> 0:14:28.360
<v Speaker 2>to get back. I have so many questions about this.

0:14:28.880 --> 0:14:31.200
<v Speaker 2>My point is is that people I don't think that

0:14:31.280 --> 0:14:33.680
<v Speaker 2>people are going to Grace Sloan, you know, and then

0:14:33.720 --> 0:14:36.880
<v Speaker 2>they run into you know, little Joe Wilson or Levi

0:14:37.080 --> 0:14:39.800
<v Speaker 2>and they don't realize that they might die.

0:14:41.120 --> 0:14:43.960
<v Speaker 1>Sorry, we digress. Okay, these are parts we're not even

0:14:43.960 --> 0:14:47.840
<v Speaker 1>in anyways. So then Amelia's driving with Alex and Owen

0:14:48.400 --> 0:14:52.640
<v Speaker 1>and Leo, and then Owen's questioning his whole decision making

0:14:52.720 --> 0:14:54.720
<v Speaker 1>process and Alex it is.

0:14:54.840 --> 0:14:57.320
<v Speaker 2>So funny in the back He's like, I hate you.

0:14:57.440 --> 0:14:58.760
<v Speaker 1>I'm gonna trop I hate you.

0:15:00.360 --> 0:15:02.200
<v Speaker 2>I was trying to figure out because when in these

0:15:02.320 --> 0:15:06.320
<v Speaker 2>driving scenes, I feel like we rarely do them actually

0:15:06.400 --> 0:15:08.640
<v Speaker 2>on green screen, and a lot of times we go

0:15:08.760 --> 0:15:13.120
<v Speaker 2>to Griffith Park in Los Angeles. In way, we drive

0:15:13.320 --> 0:15:16.120
<v Speaker 2>through Griffith Park, which is an area that kind of

0:15:16.200 --> 0:15:19.400
<v Speaker 2>looks more Seattle, right, like, we can't drive along Pacific

0:15:19.440 --> 0:15:22.960
<v Speaker 2>Goa's Highway by the beach, in the palm trees. You're

0:15:23.000 --> 0:15:24.840
<v Speaker 2>gonna notice that you're in Los Angeles.

0:15:25.240 --> 0:15:27.120
<v Speaker 1>I've done that a couple of times. I think I've

0:15:27.120 --> 0:15:27.520
<v Speaker 1>done it with you.

0:15:27.960 --> 0:15:32.360
<v Speaker 2>Oh oh, the Griffith Park. Yeah, yeah, yeah, we did.

0:15:33.840 --> 0:15:33.880
<v Speaker 1>So.

0:15:33.960 --> 0:15:35.560
<v Speaker 2>I was trying to figure out if that was green screen.

0:15:35.600 --> 0:15:37.320
<v Speaker 2>I couldn't tell, but I have a feeling that was

0:15:37.440 --> 0:15:40.960
<v Speaker 2>them actually driving through Griffith Park, which is fun because

0:15:41.000 --> 0:15:43.240
<v Speaker 2>you have a camera right in front of you, hooked

0:15:43.280 --> 0:15:45.320
<v Speaker 2>onto the hood of the car looking in at you.

0:15:46.440 --> 0:15:50.880
<v Speaker 2>Any Way, back to Joe Well, said m h more importantly,

0:15:52.000 --> 0:15:53.680
<v Speaker 2>obviously the most important scene of the show.

0:15:54.240 --> 0:15:56.560
<v Speaker 1>Yep. Yeah, obviously, obviously.

0:15:57.040 --> 0:15:59.640
<v Speaker 2>She's testing the pen. We got to bring the pen back,

0:16:00.240 --> 0:16:02.560
<v Speaker 2>testing the tent pen. I'm in there, I'm in all

0:16:02.600 --> 0:16:04.920
<v Speaker 2>the goo and the gunk, and I can figure out

0:16:04.920 --> 0:16:08.040
<v Speaker 2>that I need to save half her stomach, half his stomach.

0:16:08.080 --> 0:16:10.440
<v Speaker 1>I'm sorry, but the payoff for him seeing the family

0:16:10.520 --> 0:16:13.160
<v Speaker 1>comes here, because that's when Levi says, I met the

0:16:13.240 --> 0:16:15.720
<v Speaker 1>family and I'm not so happy about the fact that

0:16:15.760 --> 0:16:18.280
<v Speaker 1>this pen is still in a test phase, and I

0:16:18.520 --> 0:16:21.600
<v Speaker 1>promised them that this guy is gonna be okay. So

0:16:21.840 --> 0:16:23.520
<v Speaker 1>added pressure, Yes.

0:16:23.480 --> 0:16:26.640
<v Speaker 2>You added pressure. Meritis still not telling me what I

0:16:26.640 --> 0:16:30.280
<v Speaker 2>should be doing. But then I'm like, you know what,

0:16:30.480 --> 0:16:33.440
<v Speaker 2>I can save half his stomach and it's a triumph

0:16:33.880 --> 0:16:36.240
<v Speaker 2>for miss Wilson. Again, I'm not just an in suction

0:16:36.320 --> 0:16:37.920
<v Speaker 2>this episode. It's pretty badass.

0:16:38.600 --> 0:16:41.800
<v Speaker 1>Yes it is. It's super badass. Then we go back

0:16:41.840 --> 0:16:45.920
<v Speaker 1>to Arizona and Maggie, who are at another funeral, another

0:16:46.000 --> 0:16:50.960
<v Speaker 1>funeral for the loverless patient. They're covering up the patient

0:16:51.040 --> 0:16:53.960
<v Speaker 1>with a sheet and Maggie calls the time of death.

0:16:54.400 --> 0:16:56.520
<v Speaker 1>I thought this was actually funny. Did you notice that

0:16:56.600 --> 0:16:58.560
<v Speaker 1>I had my hand over my heart like someone.

0:16:58.320 --> 0:17:00.920
<v Speaker 2>Would oh the national anthem.

0:17:01.360 --> 0:17:03.360
<v Speaker 1>Yeah, that's what I decided to do with that. I

0:17:03.480 --> 0:17:05.359
<v Speaker 1>decided to put my hand over my heart like because

0:17:05.560 --> 0:17:07.640
<v Speaker 1>because she because she calls time of death and it's

0:17:07.640 --> 0:17:10.960
<v Speaker 1>like some sort of ceremony, and Arizona's high, so she

0:17:11.080 --> 0:17:14.120
<v Speaker 1>thinks that it could be like a national anthem moment. Yeah,

0:17:14.480 --> 0:17:16.200
<v Speaker 1>so that's what's that's why, that's why my hand is

0:17:16.200 --> 0:17:16.720
<v Speaker 1>over my heart.

0:17:16.840 --> 0:17:18.680
<v Speaker 2>I love that it's a time of death for acute

0:17:19.080 --> 0:17:20.200
<v Speaker 2>liver disappearance.

0:17:20.480 --> 0:17:24.399
<v Speaker 1>Yep, a cute liver disappearance. And then Andrew's still on

0:17:24.400 --> 0:17:27.720
<v Speaker 1>the floor imagining Sam. He reaches out. There's that sad

0:17:27.800 --> 0:17:30.960
<v Speaker 1>moment where there's nothing there and then he starts sobbing,

0:17:32.280 --> 0:17:33.119
<v Speaker 1>and then we're just kind of like.

0:17:33.119 --> 0:17:36.240
<v Speaker 2>In Acamo is such a good actor, you guys.

0:17:50.560 --> 0:17:53.359
<v Speaker 1>So now we go back to Richard who's taking care

0:17:53.400 --> 0:17:57.440
<v Speaker 1>of Vic, and this is the moment of truth because

0:17:59.359 --> 0:18:01.720
<v Speaker 1>he's gonna give little light sedation. But Vic says, what,

0:18:02.520 --> 0:18:07.000
<v Speaker 1>so where can't do it? Because yeah, this is where

0:18:07.040 --> 0:18:10.159
<v Speaker 1>he gives it off. He says, well, the light sedation

0:18:10.600 --> 0:18:13.640
<v Speaker 1>if if whether or not I would interact porly with sorry,

0:18:13.680 --> 0:18:16.600
<v Speaker 1>if diazepam would interact with other drugs.

0:18:17.359 --> 0:18:23.920
<v Speaker 2>Yeah, and we're just a dun duny, Vic, you're a gunner, listen.

0:18:24.040 --> 0:18:26.720
<v Speaker 2>We can't keep the whole intern class. It's like ride

0:18:26.760 --> 0:18:27.400
<v Speaker 2>a passage.

0:18:28.040 --> 0:18:30.000
<v Speaker 1>No, and you can't do drugs while you're, you know,

0:18:30.119 --> 0:18:32.200
<v Speaker 1>operating on people. Think about where that boob would be

0:18:32.400 --> 0:18:34.560
<v Speaker 1>if he was in that surgery, right on your.

0:18:34.520 --> 0:18:37.520
<v Speaker 2>Back, would be on her back. You got a back.

0:18:37.400 --> 0:18:39.879
<v Speaker 1>Boob with that, I got my back boob. Put in

0:18:40.000 --> 0:18:44.960
<v Speaker 1>the boob on the back. Okay. So now we go

0:18:45.280 --> 0:18:50.480
<v Speaker 1>to Leo and Alex and Amelia and Owen and they're

0:18:50.520 --> 0:18:52.639
<v Speaker 1>doing all this stuff, and then Amelia kind of is

0:18:52.680 --> 0:18:54.480
<v Speaker 1>super sweet and it's like, it's so yeah.

0:18:54.480 --> 0:18:56.000
<v Speaker 2>And I thought I would point out because I realized

0:18:56.000 --> 0:18:57.679
<v Speaker 2>this because Alex is doing this. I don't know if

0:18:57.680 --> 0:18:59.920
<v Speaker 2>people know this. So Alex is wrapping this like Teddy

0:19:00.080 --> 0:19:03.440
<v Speaker 2>Bear on him right, and it it drops right. But

0:19:03.560 --> 0:19:07.199
<v Speaker 2>I thought it reminded me because Justin wears this huge

0:19:07.680 --> 0:19:10.200
<v Speaker 2>watch throughout the season, and I don't know if people

0:19:10.320 --> 0:19:12.560
<v Speaker 2>know why he's wearing that watch. He's not just wearing

0:19:12.600 --> 0:19:14.080
<v Speaker 2>it as a costume. He's wearing it because he is

0:19:14.080 --> 0:19:17.320
<v Speaker 2>a tattoo right there in life and it's a quick,

0:19:17.440 --> 0:19:18.720
<v Speaker 2>easy cover up for him.

0:19:19.280 --> 0:19:22.240
<v Speaker 1>Then he reminds you of how he grew up being

0:19:22.280 --> 0:19:25.560
<v Speaker 1>a foster kid and tells the story about how you

0:19:25.720 --> 0:19:28.320
<v Speaker 1>just have to well in his very simple Alex logic.

0:19:28.400 --> 0:19:30.879
<v Speaker 1>He's like, you just have to give a crap, you

0:19:30.960 --> 0:19:33.520
<v Speaker 1>got to care, and he talks about the Wan Foster

0:19:33.680 --> 0:19:35.000
<v Speaker 1>dad who just gave a crap.

0:19:35.880 --> 0:19:39.320
<v Speaker 2>That's really Yeah, there's always Alex always comes in with

0:19:39.440 --> 0:19:44.760
<v Speaker 2>like the very simple versus age truth. Yes, the same,

0:19:45.320 --> 0:19:46.800
<v Speaker 2>the simple way of saying it.

0:19:47.960 --> 0:19:50.119
<v Speaker 1>So now we're back to you and you're finishing up

0:19:50.160 --> 0:19:50.720
<v Speaker 1>the procedure.

0:19:51.359 --> 0:19:54.200
<v Speaker 2>Yeah, and I've saved his quality of life. Amerethith's like,

0:19:54.359 --> 0:19:56.560
<v Speaker 2>you know, if Meredith Gray is like you did what

0:19:56.680 --> 0:19:59.359
<v Speaker 2>I would have done, that you did the right thing

0:19:59.760 --> 0:20:02.800
<v Speaker 2>and do the right thing, then you are on your

0:20:02.840 --> 0:20:03.560
<v Speaker 2>way to be cheap.

0:20:05.480 --> 0:20:07.920
<v Speaker 1>Yeah, but she points out that you knew exactly what

0:20:08.000 --> 0:20:09.240
<v Speaker 1>to do, but you had to trust yourself.

0:20:09.440 --> 0:20:12.760
<v Speaker 2>Yeah. Joe has a lot of I think, you know what,

0:20:12.920 --> 0:20:14.840
<v Speaker 2>I think that's not just Joe, it's like all of

0:20:14.960 --> 0:20:19.440
<v Speaker 2>us on the show. I like that we we have

0:20:19.720 --> 0:20:25.720
<v Speaker 2>to constantly sort of realign ourselves with trusting ourselves. I

0:20:25.760 --> 0:20:27.440
<v Speaker 2>think it just, you know, I like that on the

0:20:27.440 --> 0:20:30.120
<v Speaker 2>show because they are all badass surgeons, even when their

0:20:30.200 --> 0:20:33.160
<v Speaker 2>interns they are like great and they're amazing, and yes

0:20:33.240 --> 0:20:38.080
<v Speaker 2>we make mistakes that I think that I just like

0:20:38.119 --> 0:20:40.880
<v Speaker 2>that that there's an element always where there's some there's

0:20:41.040 --> 0:20:45.280
<v Speaker 2>some sort of storyline where we have to really lean

0:20:45.400 --> 0:20:46.119
<v Speaker 2>into the trust.

0:20:47.160 --> 0:20:49.560
<v Speaker 1>But then Meredith has clueless and then Jackson ends up

0:20:49.560 --> 0:20:53.719
<v Speaker 1>apologizing to his mom for doubting her. And then Meredith

0:20:53.800 --> 0:20:57.440
<v Speaker 1>comes in and because she's heard about it right from

0:20:58.400 --> 0:21:01.080
<v Speaker 1>April and Bailey and says, please tell me it's not true,

0:21:01.440 --> 0:21:04.240
<v Speaker 1>because I worked my whole life for that award and

0:21:04.359 --> 0:21:05.720
<v Speaker 1>all I've ever wanted is that award.

0:21:06.320 --> 0:21:07.840
<v Speaker 2>And she asks what.

0:21:08.320 --> 0:21:11.560
<v Speaker 1>Harper did, and Catherine says it is time to start

0:21:11.560 --> 0:21:15.320
<v Speaker 1>telling the truth, and so they did, and then there's

0:21:15.400 --> 0:21:19.080
<v Speaker 1>that moment where you're like, oh, even higher stakes. Meredith's like,

0:21:20.000 --> 0:21:24.560
<v Speaker 1>was my mom one of the women? M Catherine's like nope, nope, nope, nope,

0:21:26.880 --> 0:21:29.479
<v Speaker 1>and then Meredith signs out that that the women were

0:21:29.520 --> 0:21:33.280
<v Speaker 1>paid for their silence and that they would never know

0:21:33.400 --> 0:21:35.800
<v Speaker 1>work at a Harbor Avery hospital or enter the Harbor

0:21:35.880 --> 0:21:39.080
<v Speaker 1>Avery Awards. And then that's when Meredith talks about how

0:21:39.119 --> 0:21:41.240
<v Speaker 1>her mother fought her whole life for those awards.

0:21:41.960 --> 0:21:46.440
<v Speaker 2>Did you feel like, Arizona, are you kind of pissed

0:21:46.440 --> 0:21:49.040
<v Speaker 2>that she doesn't have a Harper Avery? Well, again, I

0:21:49.080 --> 0:21:50.800
<v Speaker 2>don't know if I just really was playing her like

0:21:50.840 --> 0:21:53.560
<v Speaker 2>the most confident woman in the world. But I feel

0:21:53.560 --> 0:21:56.040
<v Speaker 2>like she'd be like harpar Avery, smart Bravery. Maybe I

0:21:56.040 --> 0:21:56.680
<v Speaker 2>actually already have.

0:21:56.760 --> 0:22:00.320
<v Speaker 1>Oh she was just she was always position like one

0:22:00.320 --> 0:22:02.280
<v Speaker 1>of those people who like graduated high school by the

0:22:02.280 --> 0:22:04.919
<v Speaker 1>time she was fourteen and like finished med school at

0:22:04.960 --> 0:22:05.359
<v Speaker 1>twenty one.

0:22:07.160 --> 0:22:09.879
<v Speaker 2>Yeah, yeah, I'm just I just on our show. The

0:22:09.960 --> 0:22:13.960
<v Speaker 2>Harper Avery is the very thing was the thing, right,

0:22:14.160 --> 0:22:17.480
<v Speaker 2>So I'm just wondering if you ever looked in Arizona's

0:22:17.520 --> 0:22:20.040
<v Speaker 2>house and so to see if she had a shelf,

0:22:20.080 --> 0:22:22.640
<v Speaker 2>and you're like, I'm gonna go with, yeah, she had one.

0:22:23.560 --> 0:22:26.920
<v Speaker 2>Oh she already We got up, whichuld we text Meg?

0:22:27.040 --> 0:22:28.479
<v Speaker 2>We need to text our show run and just let

0:22:28.560 --> 0:22:31.959
<v Speaker 2>her give her heads up. Robins has a Harpor Avery.

0:22:32.440 --> 0:22:34.440
<v Speaker 1>Yeah, it doesn't even care about it before.

0:22:35.000 --> 0:22:36.480
<v Speaker 2>But hold on because I thought that I thought that

0:22:36.560 --> 0:22:38.080
<v Speaker 2>this part was very, very good.

0:22:38.240 --> 0:22:40.160
<v Speaker 1>This is where the writers get so tricky and clever.

0:22:41.359 --> 0:22:45.280
<v Speaker 1>So she's Meredith and Catherine are talking about what the

0:22:45.359 --> 0:22:47.040
<v Speaker 1>exchange was, right, like what the woman need to do,

0:22:47.200 --> 0:22:50.080
<v Speaker 1>and it come it's brought up that they could never

0:22:50.280 --> 0:22:53.720
<v Speaker 1>enter the Harp Bravery Awards, and that's when Meredith has

0:22:53.840 --> 0:22:59.800
<v Speaker 1>the thought if to ask if Murray Sarone rings a back, yes, right,

0:23:00.800 --> 0:23:03.160
<v Speaker 1>because ye, she was one of the women. And now

0:23:04.080 --> 0:23:07.720
<v Speaker 1>Meredith understands that that's why Ellis took Marie's name off

0:23:07.800 --> 0:23:09.119
<v Speaker 1>the paper, which was a.

0:23:09.200 --> 0:23:14.600
<v Speaker 2>Big story point and seemed so horrible. Yeah, and again

0:23:14.720 --> 0:23:18.400
<v Speaker 2>this is this is not just this is the beginning

0:23:18.600 --> 0:23:21.560
<v Speaker 2>of the mess of all of it, right, because it

0:23:21.680 --> 0:23:23.960
<v Speaker 2>does not this does not get wrapped up in a

0:23:24.000 --> 0:23:27.399
<v Speaker 2>bow at all this episode. This storyline continues as a

0:23:27.440 --> 0:23:33.120
<v Speaker 2>big one through the season. And then I wrote down

0:23:33.160 --> 0:23:34.920
<v Speaker 2>in my notes because it got my little notes saw

0:23:35.000 --> 0:23:37.480
<v Speaker 2>me that we did an exterior cut, which means that

0:23:37.560 --> 0:23:40.240
<v Speaker 2>we did a shot of outside. And I just want

0:23:40.280 --> 0:23:45.800
<v Speaker 2>to explain that anytime we do shots of outside or

0:23:45.880 --> 0:23:52.080
<v Speaker 2>shots of Seattle, these are these are stock footage that

0:23:52.320 --> 0:23:54.800
<v Speaker 2>not stock footage, but like footage that we have taken

0:23:54.880 --> 0:23:57.520
<v Speaker 2>at some point on a trip to Seattle when the

0:23:58.040 --> 0:24:01.600
<v Speaker 2>film crew has gone right mm hmm is my understanding.

0:24:02.040 --> 0:24:05.280
<v Speaker 2>And because we film in Los Angeles, so those cuts

0:24:05.359 --> 0:24:08.119
<v Speaker 2>are not like the phone crew didn't you know, bounce

0:24:08.200 --> 0:24:10.440
<v Speaker 2>to Seattle just to get this one shot. We have

0:24:10.640 --> 0:24:13.400
<v Speaker 2>all these sort of saved up. But I will say,

0:24:13.480 --> 0:24:15.800
<v Speaker 2>because we show a little shot of the hospital, I

0:24:15.880 --> 0:24:19.119
<v Speaker 2>will say that every time that we do outside scenes,

0:24:19.280 --> 0:24:21.960
<v Speaker 2>it's super rare that they don't take a hose to

0:24:22.080 --> 0:24:25.000
<v Speaker 2>the pavement and just wet it down, even if it's

0:24:25.080 --> 0:24:27.840
<v Speaker 2>not a raining scene. And I remember, like I think

0:24:27.880 --> 0:24:30.040
<v Speaker 2>it's in this shot too. You'll see the pavements wet.

0:24:30.480 --> 0:24:31.040
<v Speaker 1>That is all.

0:24:31.200 --> 0:24:35.320
<v Speaker 2>We just always, always, always will be walking, especially at

0:24:35.400 --> 0:24:39.119
<v Speaker 2>night on like a nice wet pavement, so it looks Seattle.

0:24:39.960 --> 0:24:42.080
<v Speaker 1>Maybe it's just rain because it rains all the time.

0:24:42.680 --> 0:24:48.240
<v Speaker 2>Yes, Oh, I also put that Meredith says, son of

0:24:48.280 --> 0:24:48.640
<v Speaker 2>a bitch.

0:24:49.280 --> 0:24:50.120
<v Speaker 1>Why did you put them?

0:24:50.600 --> 0:24:52.200
<v Speaker 2>Because I didn't know that we could say the word

0:24:52.240 --> 0:24:55.200
<v Speaker 2>bitch on the show. It like shocked me. I was like,

0:24:55.240 --> 0:24:59.000
<v Speaker 2>wait what, I think it's Meredith's that said it. It's

0:24:59.040 --> 0:25:01.840
<v Speaker 2>network TV, so you can. Yeah, So I was just

0:25:02.000 --> 0:25:07.399
<v Speaker 2>I was I have never heard since anyone say bitch.

0:25:08.359 --> 0:25:10.360
<v Speaker 2>I think I think I've heard.

0:25:10.400 --> 0:25:13.680
<v Speaker 1>I feel like I've heard bitch an ass on network television.

0:25:13.840 --> 0:25:15.200
<v Speaker 2>Ass is not the same as bitch.

0:25:15.680 --> 0:25:18.159
<v Speaker 1>There's a list things. Oh, I don't know, I don't know.

0:25:18.200 --> 0:25:19.800
<v Speaker 1>I don't know if you could get if you get

0:25:19.840 --> 0:25:22.120
<v Speaker 1>away with saying like you bitch, but maybe the son.

0:25:22.080 --> 0:25:22.440
<v Speaker 2>Of the bitch.

0:25:22.840 --> 0:25:24.080
<v Speaker 1>Mm so not my bitch.

0:25:24.240 --> 0:25:27.480
<v Speaker 2>Maybe yeah, maybe it's the contact. People don't know this,

0:25:27.600 --> 0:25:29.879
<v Speaker 2>but like in the movies, sometimes you're only allowed to

0:25:29.960 --> 0:25:32.160
<v Speaker 2>say the F You're like given a number of times

0:25:32.160 --> 0:25:33.240
<v Speaker 2>you're allowed to say the F word.

0:25:33.640 --> 0:25:36.040
<v Speaker 1>Well that's for the rating system, which I wonder how

0:25:36.080 --> 0:25:38.880
<v Speaker 1>much people care anymore. Yeah, maybe not, but you get

0:25:39.000 --> 0:25:43.280
<v Speaker 1>like one. Otherwise you're like bumped to an R. Yeah,

0:25:43.480 --> 0:25:47.240
<v Speaker 1>you can see seventeen for ten of them, so you're improvising.

0:25:47.280 --> 0:25:48.399
<v Speaker 2>You have to really watch yourself.

0:25:48.440 --> 0:25:52.040
<v Speaker 1>Oh anyway, eh me way, okay, So now we're back

0:25:52.040 --> 0:25:53.760
<v Speaker 1>to Vick and Richard, which we weren't there for. But

0:25:54.160 --> 0:25:57.479
<v Speaker 1>the storyline is the Vix like, I'm in trouble. Oh

0:25:57.560 --> 0:25:59.400
<v Speaker 1>my gosh, can I please? Can I do surgery again?

0:25:59.400 --> 0:26:01.520
<v Speaker 1>Will I ever have a Richard says absolutely not because

0:26:01.520 --> 0:26:05.199
<v Speaker 1>his toxicen came back positive. Even the Victor Night how

0:26:05.200 --> 0:26:07.399
<v Speaker 1>To eating a cookie and then Vix is half the

0:26:07.440 --> 0:26:11.720
<v Speaker 1>attendings eight cookies, but Richard says, yeah, they were. They did,

0:26:11.960 --> 0:26:14.440
<v Speaker 1>and they were honest and they acted responsibility because the

0:26:14.480 --> 0:26:16.920
<v Speaker 1>problem was not in eating the cookies. The problem was

0:26:17.000 --> 0:26:20.560
<v Speaker 1>in being dishonest about how to eat the cookies. Yeah,

0:26:21.240 --> 0:26:23.639
<v Speaker 1>and then you put patients at risk, so you know,

0:26:24.119 --> 0:26:26.280
<v Speaker 1>back to the move on the back, and then Richard

0:26:26.359 --> 0:26:29.960
<v Speaker 1>gets rid of them. And then on their way out.

0:26:30.080 --> 0:26:32.520
<v Speaker 1>Now that you think okay, Jackson and Catherine are gonna

0:26:32.560 --> 0:26:34.960
<v Speaker 1>they're they're armored up and they're on the same page

0:26:35.000 --> 0:26:38.119
<v Speaker 1>and they're gonna get out ahead of this story. They

0:26:38.240 --> 0:26:41.200
<v Speaker 1>look up to one of those little TVs that's in

0:26:41.320 --> 0:26:44.760
<v Speaker 1>the waiting rooms and it's playing breaking news.

0:26:44.920 --> 0:26:47.920
<v Speaker 2>It's breaking news about the Harper the Harper Avery.

0:26:47.600 --> 0:26:49.840
<v Speaker 1>Misconduct and the Harper Avery of it all.

0:26:50.720 --> 0:26:52.679
<v Speaker 2>It's funny because I saw that and I was like, oh,

0:26:52.880 --> 0:26:57.240
<v Speaker 2>that actually has we use that little TV. Those TVs,

0:26:57.640 --> 0:27:01.600
<v Speaker 2>I feel like a running utually the same, like they're

0:27:01.680 --> 0:27:03.920
<v Speaker 2>on a loop story. They're on a loop. Yeah, they're

0:27:03.920 --> 0:27:06.360
<v Speaker 2>on a loop. You guys don't notice it, but it's

0:27:06.440 --> 0:27:09.320
<v Speaker 2>like the same three It's like there's a plot in Seattle,

0:27:09.400 --> 0:27:13.280
<v Speaker 2>but you know it's always from like nineteen seventy eight. Yeah,

0:27:13.320 --> 0:27:16.480
<v Speaker 2>and it's it's the same news stories running those TVs

0:27:17.680 --> 0:27:20.439
<v Speaker 2>that I've seen for like thirteen years, but we actually

0:27:20.640 --> 0:27:23.520
<v Speaker 2>used it. I want to use it for this is perfect.

0:27:36.840 --> 0:27:38.960
<v Speaker 1>So then it goes back to Arizona and she goes

0:27:39.000 --> 0:27:41.760
<v Speaker 1>into the lounge to get her stuff. I actually love

0:27:41.840 --> 0:27:46.159
<v Speaker 1>this because now she's not high anymore and she's confronted

0:27:46.320 --> 0:27:49.080
<v Speaker 1>all these things that a different.

0:27:49.320 --> 0:27:50.439
<v Speaker 2>Vibration brought to her.

0:27:50.840 --> 0:27:55.600
<v Speaker 1>It's different, a different set of a different perspective. And

0:27:56.400 --> 0:27:58.800
<v Speaker 1>when Karina comes in, I thought it was so sweet.

0:27:58.840 --> 0:28:03.280
<v Speaker 1>She was almost like that she waited for. And then

0:28:03.520 --> 0:28:05.520
<v Speaker 1>she's you know, she offers her a ride home, and

0:28:05.640 --> 0:28:08.560
<v Speaker 1>Arizona's so happy, and then created it's like boll I

0:28:08.560 --> 0:28:11.840
<v Speaker 1>wouldn't leave without saying goodbye, and then they kid it's cute.

0:28:11.880 --> 0:28:14.040
<v Speaker 2>But I gotta tell you, I was watching the scene

0:28:14.160 --> 0:28:17.119
<v Speaker 2>and I had forgotten, you know how this storyline all

0:28:17.200 --> 0:28:19.720
<v Speaker 2>goes in this episode, and I was expecting you to

0:28:19.720 --> 0:28:24.119
<v Speaker 2>break up with her. Oh yeah, I was waiting for

0:28:24.240 --> 0:28:29.440
<v Speaker 2>a moment of almost like things are too com like

0:28:29.560 --> 0:28:31.760
<v Speaker 2>I'm too complicated right now, like I got to figure

0:28:31.760 --> 0:28:33.680
<v Speaker 2>out my own stuff. And the fact that you said

0:28:33.760 --> 0:28:38.360
<v Speaker 2>Callie's name, I was expecting her to come in and

0:28:38.480 --> 0:28:41.840
<v Speaker 2>you have that conversation. So I was actually surprised by

0:28:41.880 --> 0:28:42.320
<v Speaker 2>the kiss.

0:28:43.920 --> 0:28:47.040
<v Speaker 1>I think she was. My take on it was that

0:28:47.200 --> 0:28:51.640
<v Speaker 1>she was confronted with an alternate reality of being revisiting

0:28:51.760 --> 0:28:56.160
<v Speaker 1>being left and not having someone, yeah and all that,

0:28:56.360 --> 0:29:00.920
<v Speaker 1>and she was really grateful to have someone. Drugs were off,

0:29:01.280 --> 0:29:03.600
<v Speaker 1>She didn't want to be alone, she wanted to be

0:29:03.680 --> 0:29:07.200
<v Speaker 1>with someone, and I think she was grateful to have someone.

0:29:06.960 --> 0:29:10.480
<v Speaker 2>Waiting for her. Yeah, yeah, no, I just I think

0:29:10.560 --> 0:29:13.640
<v Speaker 2>it could have gone. It's one of those interesting moments

0:29:13.680 --> 0:29:16.640
<v Speaker 2>as an audience member because like it could maybe go

0:29:16.800 --> 0:29:19.320
<v Speaker 2>both ways, and sometimes you really don't know, and that well,

0:29:19.440 --> 0:29:20.960
<v Speaker 2>and that's what's fun because I was like, oh, with

0:29:21.040 --> 0:29:22.760
<v Speaker 2>the breakups and they're like, oh my god, they're kissing. Oh,

0:29:22.840 --> 0:29:25.840
<v Speaker 2>she likes, okay, great, we're back on. We're back on.

0:29:25.960 --> 0:29:26.880
<v Speaker 1>Oh where do we back on?

0:29:26.960 --> 0:29:27.040
<v Speaker 2>Oh?

0:29:27.120 --> 0:29:29.720
<v Speaker 1>Yes, we're back on. Okay, great, good, good good, Yeah.

0:29:29.560 --> 0:29:33.120
<v Speaker 2>We're back in business. I did laugh at this moment.

0:29:33.480 --> 0:29:37.560
<v Speaker 2>We go to Amelia and Owen's house and she's packing.

0:29:39.320 --> 0:29:42.520
<v Speaker 2>Amelia's packing up a baggie of snacks for Alex to

0:29:42.560 --> 0:29:47.040
<v Speaker 2>take home and gives them to Joe like Joe's his mom.

0:29:49.960 --> 0:29:51.160
<v Speaker 1>Which is really funny.

0:29:51.920 --> 0:29:57.120
<v Speaker 2>It's really funny. It's very funny. And again Amelia and Owen,

0:29:57.240 --> 0:29:59.840
<v Speaker 2>I gotta say they, I mean, Katerina and Kevin. They've

0:30:00.040 --> 0:30:01.560
<v Speaker 2>great chemistry because it's a party.

0:30:01.680 --> 0:30:03.720
<v Speaker 1>She was staying when she was like, oh, I guess

0:30:03.760 --> 0:30:05.880
<v Speaker 1>i'll go now, and he's like, oh, the baby's asleep.

0:30:06.240 --> 0:30:09.960
<v Speaker 2>Of course she was staying. Yes, she was gonna stay.

0:30:11.080 --> 0:30:13.440
<v Speaker 2>But I was like, what are you gonna stay?

0:30:13.520 --> 0:30:13.760
<v Speaker 1>Stay?

0:30:14.320 --> 0:30:14.840
<v Speaker 2>Do you know what I mean?

0:30:15.520 --> 0:30:17.600
<v Speaker 1>I know, I know, And I did have some intrusive

0:30:17.680 --> 0:30:19.440
<v Speaker 1>thoughts that were a little judgmental. You want to hear

0:30:19.440 --> 0:30:23.440
<v Speaker 1>what they were, Yeah, tell me. I was like, wait

0:30:23.480 --> 0:30:26.960
<v Speaker 1>a second, Owen, you signed up for this, and you

0:30:27.040 --> 0:30:29.680
<v Speaker 1>signed up for this on your own, right if you weren't,

0:30:29.720 --> 0:30:32.080
<v Speaker 1>you're not part of a couple, you don't have a partner,

0:30:32.800 --> 0:30:35.800
<v Speaker 1>And then when you find out it's really happening, you

0:30:36.080 --> 0:30:40.960
<v Speaker 1>call your lady friend who it's little complicated with that

0:30:41.080 --> 0:30:44.000
<v Speaker 1>feels like a tether to you, and like, of course

0:30:44.040 --> 0:30:45.400
<v Speaker 1>she's gonna stay. It's a baby.

0:30:46.040 --> 0:30:48.280
<v Speaker 2>In Owen's defense, he signed up for it, but he

0:30:48.320 --> 0:30:49.920
<v Speaker 2>could have gone any age, right, So I think he

0:30:50.000 --> 0:30:53.280
<v Speaker 2>probably wasn't thinking like a baby, baby, baby, But it's

0:30:53.520 --> 0:30:55.880
<v Speaker 2>it's that's what you're right, That's what he signed up for,

0:30:56.040 --> 0:30:57.400
<v Speaker 2>and that's and he got the baby.

0:30:57.440 --> 0:30:57.680
<v Speaker 1>Baby.

0:30:57.720 --> 0:30:59.719
<v Speaker 2>But I I don't know the chemistry between those two

0:30:59.760 --> 0:31:02.320
<v Speaker 2>is so good that you're a kind of like, where

0:31:02.440 --> 0:31:02.560
<v Speaker 2>is this?

0:31:02.640 --> 0:31:02.920
<v Speaker 1>Okay?

0:31:03.040 --> 0:31:03.320
<v Speaker 2>Fine?

0:31:05.200 --> 0:31:09.240
<v Speaker 1>Oh fine, whatever, okay. So then they cut a leo

0:31:09.560 --> 0:31:13.320
<v Speaker 1>and then they go to Andrew, who is downing go

0:31:13.400 --> 0:31:14.960
<v Speaker 1>to gold a glass of water and lying down on

0:31:15.000 --> 0:31:18.240
<v Speaker 1>the couch at Meredith, and then Maggie covers them up

0:31:18.240 --> 0:31:20.480
<v Speaker 1>with the blankets. The end of the high everyone's come.

0:31:20.400 --> 0:31:22.200
<v Speaker 2>Back to normal, I know, and she's got that cheese

0:31:22.240 --> 0:31:23.400
<v Speaker 2>born yep.

0:31:23.520 --> 0:31:25.880
<v Speaker 1>And Maggie has found out about the Harper Avery too,

0:31:27.720 --> 0:31:31.280
<v Speaker 1>and then Meredith tells her Jackson didn't know, and the

0:31:31.360 --> 0:31:34.160
<v Speaker 1>Meredith reading her mom's journal again and she doesn't know

0:31:34.200 --> 0:31:34.440
<v Speaker 1>what to do.

0:31:35.200 --> 0:31:37.280
<v Speaker 2>I mean, I'm not surprised. I gotta say, I'm not

0:31:37.320 --> 0:31:40.440
<v Speaker 2>surprised that the fans picked this episode. There's so much

0:31:40.600 --> 0:31:43.360
<v Speaker 2>going on, and I forgot because I remember all the

0:31:43.360 --> 0:31:45.680
<v Speaker 2>funny moments, but I forgot like that the Harper Avery

0:31:45.720 --> 0:31:49.600
<v Speaker 2>part of it. We might damn good TV over at

0:31:49.600 --> 0:31:53.760
<v Speaker 2>Graze now, I mean, come on, I mean it really

0:31:53.880 --> 0:31:57.440
<v Speaker 2>does deserve a rewatch. M hm, no doubt. I mean,

0:31:57.480 --> 0:32:00.640
<v Speaker 2>this is why when Jessica and I meet people, they

0:32:00.720 --> 0:32:03.880
<v Speaker 2>come up to us in you know, real life on

0:32:03.920 --> 0:32:06.800
<v Speaker 2>the street and stuff. They all it's rare that someone's

0:32:06.920 --> 0:32:12.480
<v Speaker 2>not like I've watched every season five hundred times and

0:32:12.640 --> 0:32:15.560
<v Speaker 2>I get it. Oh, because I was sucked in and

0:32:15.640 --> 0:32:18.640
<v Speaker 2>we were in it. I was like, where is this going?

0:32:18.880 --> 0:32:19.520
<v Speaker 1>It's great.

0:32:22.560 --> 0:32:24.680
<v Speaker 2>I think that they also, I think this episode might

0:32:24.720 --> 0:32:27.880
<v Speaker 2>have been chosen because not.

0:32:29.440 --> 0:32:33.800
<v Speaker 1>All the time that the show really makes use of

0:32:33.880 --> 0:32:37.280
<v Speaker 1>the whole cast, Like a lot of times they'll be,

0:32:37.800 --> 0:32:41.520
<v Speaker 1>you know, just concentrate storylines on this person or that. Yeah,

0:32:41.600 --> 0:32:43.440
<v Speaker 1>I think that everybody uses them, and in this particular

0:32:43.480 --> 0:32:47.080
<v Speaker 1>episode really truly, Yeah, almost everyone is used.

0:32:47.560 --> 0:32:50.640
<v Speaker 2>Yeah, everyone's own individual. Yes.

0:32:51.240 --> 0:32:53.480
<v Speaker 1>Yeah, So I think you get like a real sense

0:32:53.560 --> 0:32:56.840
<v Speaker 1>of the community. I mean, that's what's so interesting. Oh,

0:32:56.920 --> 0:33:01.120
<v Speaker 1>I might be saying something controversial, guys saying something controversial

0:33:01.720 --> 0:33:08.520
<v Speaker 1>my friends. You know, the show wasn't always called Grey's Anatomy.

0:33:08.800 --> 0:33:11.000
<v Speaker 1>When the show was first made as a pilot, it

0:33:11.120 --> 0:33:14.600
<v Speaker 1>was called Surgeons. The show was never actually intended to

0:33:15.480 --> 0:33:16.920
<v Speaker 1>solely revolve.

0:33:16.600 --> 0:33:19.240
<v Speaker 2>Around a one surgeon.

0:33:19.680 --> 0:33:22.640
<v Speaker 1>Yeah, it was. It was meant to be about you know,

0:33:22.800 --> 0:33:26.200
<v Speaker 1>the whole the whole shebang, the whole ensemble. So Gray's

0:33:26.200 --> 0:33:30.520
<v Speaker 1>Anatomy was originally called Doctors. That's a very simple title.

0:33:33.640 --> 0:33:36.520
<v Speaker 1>Then it was called Surgeons, and then finally it was

0:33:36.560 --> 0:33:39.200
<v Speaker 1>called Complications. So it had a couple of names, but

0:33:39.320 --> 0:33:43.000
<v Speaker 1>none of them was great. None of them were Grey's Anatomy,

0:33:43.080 --> 0:33:47.280
<v Speaker 1>and obviously Grey's Anatomy singled out one of those doctor's

0:33:47.320 --> 0:33:51.120
<v Speaker 1>Surgeons or Complications. And I think my point in bringing

0:33:51.160 --> 0:33:55.200
<v Speaker 1>this up is that I while Meredith Gray is absolutely

0:33:55.440 --> 0:33:57.720
<v Speaker 1>you know, I think as as people know the show,

0:33:58.080 --> 0:34:03.840
<v Speaker 1>the central character in in the in the series, I

0:34:03.960 --> 0:34:06.400
<v Speaker 1>don't know it's really an ensemble you know.

0:34:06.720 --> 0:34:08.800
<v Speaker 2>I mean, I don't think it's controversial. I think that

0:34:08.920 --> 0:34:11.440
<v Speaker 2>that's that's always No, I think it's controversy.

0:34:11.719 --> 0:34:13.600
<v Speaker 1>Is it not contro osh, So it's not controversial to

0:34:13.640 --> 0:34:15.720
<v Speaker 1>say that I actually don't think that it completely revolves

0:34:15.719 --> 0:34:18.320
<v Speaker 1>around Meredith Gray. I think that it actually has always

0:34:18.360 --> 0:34:19.319
<v Speaker 1>been an ensemble show.

0:34:19.600 --> 0:34:23.480
<v Speaker 2>No, because I think that that's there are I can

0:34:23.560 --> 0:34:27.920
<v Speaker 2>think of TV shows like Mayor of East Town and

0:34:28.040 --> 0:34:31.480
<v Speaker 2>you're really seeing almost all of it through say Kate

0:34:31.520 --> 0:34:35.600
<v Speaker 2>Winslet's point of view right on the show. There's a

0:34:35.680 --> 0:34:38.000
<v Speaker 2>lot of point of views on this show. And then

0:34:38.040 --> 0:34:39.920
<v Speaker 2>I so I think that it I think what you're

0:34:39.960 --> 0:34:45.160
<v Speaker 2>saying is creatively correct. Yeah, because it's not just from

0:34:45.200 --> 0:34:48.279
<v Speaker 2>her pav Yeah, I mean like we're seeing it from

0:34:48.360 --> 0:34:50.160
<v Speaker 2>sort of everybody's well, this is and this is a

0:34:50.200 --> 0:34:52.320
<v Speaker 2>great example of an episode that does that.

0:34:53.000 --> 0:34:55.960
<v Speaker 1>Yeah, it's it feels like it's really an ensemble. It's

0:34:56.040 --> 0:34:58.040
<v Speaker 1>not just and I think that maybe that's I'm just

0:34:58.120 --> 0:34:59.920
<v Speaker 1>throwing it out there. I think that maybe that's why

0:35:00.840 --> 0:35:02.759
<v Speaker 1>it might be. You know, one of the favorites is

0:35:02.800 --> 0:35:06.239
<v Speaker 1>that it's that it's very inclusive of all the different characters. No,

0:35:06.440 --> 0:35:08.880
<v Speaker 1>I mean you and I get to, you know, be

0:35:09.000 --> 0:35:12.320
<v Speaker 1>around people all the time who are super fans, and

0:35:13.040 --> 0:35:17.000
<v Speaker 1>I always love hearing from them which characters they feel

0:35:17.040 --> 0:35:19.400
<v Speaker 1>the you know, that they see themselves in, or that

0:35:19.520 --> 0:35:22.719
<v Speaker 1>they that they find the most amusing, or that they

0:35:22.760 --> 0:35:25.160
<v Speaker 1>are just so inspired by, or they think is you know,

0:35:25.480 --> 0:35:29.120
<v Speaker 1>just they're in awe of and and everybody has different

0:35:29.400 --> 0:35:33.239
<v Speaker 1>favorite characters. So the ensemble part of it gives some

0:35:34.000 --> 0:35:36.279
<v Speaker 1>thing for everyone. There's like a there's a there's a

0:35:36.680 --> 0:35:39.080
<v Speaker 1>there's a hook for anyone and everyone that loves a show.

0:35:39.600 --> 0:35:43.800
<v Speaker 2>I also think, though, what was really smart about having

0:35:43.960 --> 0:35:47.200
<v Speaker 2>some of the doctors take weed cookies or eatweed cookies

0:35:48.040 --> 0:35:51.640
<v Speaker 2>is that everyone had to sort of drop. Everyone was

0:35:51.719 --> 0:35:56.400
<v Speaker 2>forced to drop their any sort of holding any cards

0:35:56.560 --> 0:35:59.480
<v Speaker 2>close to their chest, and they're just like raw everyone's

0:36:00.440 --> 0:36:04.560
<v Speaker 2>viewing raw honesty, right, Like everyone's just saying exactly what

0:36:04.719 --> 0:36:09.000
<v Speaker 2>that's on their mind and the moment. And there's a

0:36:09.040 --> 0:36:12.160
<v Speaker 2>lot of times that the characters don't don't want to

0:36:12.239 --> 0:36:15.000
<v Speaker 2>do that for good reason, and so it sort of

0:36:15.440 --> 0:36:19.280
<v Speaker 2>was a great way to expose exactly where everyone's mindset

0:36:19.480 --> 0:36:24.640
<v Speaker 2>was at m hm. Super smart. We have the smartest writers.

0:36:24.680 --> 0:36:28.320
<v Speaker 2>I'm biased, but like we we have the best, Julie,

0:36:28.520 --> 0:36:31.880
<v Speaker 2>we have the best. Well, first off, I think we

0:36:32.120 --> 0:36:34.000
<v Speaker 2>have to do we do have to discuss whether we

0:36:34.080 --> 0:36:36.920
<v Speaker 2>have ever had a weed cookie. I'm gonna say this

0:36:37.080 --> 0:36:39.919
<v Speaker 2>right now. And by the way, it's legal in California,

0:36:39.960 --> 0:36:42.800
<v Speaker 2>and it's also legal in Seattle, which is why we

0:36:42.880 --> 0:36:47.439
<v Speaker 2>did the episode. I have never had an edible out

0:36:47.480 --> 0:36:50.239
<v Speaker 2>of fear of my life. I had a friend that

0:36:50.520 --> 0:36:55.319
<v Speaker 2>took I had this story of a friend that had

0:36:55.600 --> 0:36:59.160
<v Speaker 2>eaten what she thought was a small piece of a

0:36:59.800 --> 0:37:02.279
<v Speaker 2>b and it was like half a brownie and she

0:37:02.320 --> 0:37:04.520
<v Speaker 2>didn't realize how much was in and she literally thought

0:37:04.600 --> 0:37:07.440
<v Speaker 2>she was dying. There was a whole situation where she

0:37:07.480 --> 0:37:09.360
<v Speaker 2>had to knock on her neighbor's door and say, like,

0:37:09.560 --> 0:37:12.399
<v Speaker 2>I think I'm dying. You need to call nine one one.

0:37:12.840 --> 0:37:14.560
<v Speaker 1>That would be embarrassing when they got there.

0:37:15.440 --> 0:37:18.920
<v Speaker 2>It sucks. It sucks so bad. So no, I've never

0:37:19.040 --> 0:37:21.759
<v Speaker 2>even had an edible, So it's not my jam. No

0:37:21.920 --> 0:37:26.160
<v Speaker 2>judgment on anyone who's whose jam it is, But no,

0:37:26.280 --> 0:37:27.040
<v Speaker 2>I'm too scared.

0:37:27.920 --> 0:37:30.000
<v Speaker 1>Yeah, you've got a little anxiety around it, like you

0:37:30.080 --> 0:37:31.000
<v Speaker 1>think it's not gonna go.

0:37:31.040 --> 0:37:34.680
<v Speaker 2>Well, and yeah, yeah, I think it's gonna go horribly.

0:37:35.440 --> 0:37:37.640
<v Speaker 2>I think I would be the person that would be

0:37:37.760 --> 0:37:41.120
<v Speaker 2>running down the street screaming that I'm dying from.

0:37:41.040 --> 0:37:45.480
<v Speaker 1>Like one bummy usually the profile of THHC and how

0:37:45.520 --> 0:37:47.840
<v Speaker 1>it affects you, but I all.

0:37:48.080 --> 0:37:48.960
<v Speaker 2>All the power to you.

0:37:49.840 --> 0:37:54.680
<v Speaker 1>That would be me. You would I given like, Oh.

0:37:55.040 --> 0:37:55.520
<v Speaker 2>It's not like.

0:37:57.360 --> 0:38:00.960
<v Speaker 1>It's not a stimulant. I don't think right, But I

0:38:01.000 --> 0:38:03.719
<v Speaker 1>think that there's a point where you could get my friend,

0:38:04.080 --> 0:38:04.840
<v Speaker 1>your paranoia.

0:38:05.400 --> 0:38:07.840
<v Speaker 2>Yes, you get high, and then it's like it's not

0:38:07.960 --> 0:38:09.759
<v Speaker 2>like if you get drunk, you know, like, Okay, I

0:38:09.800 --> 0:38:11.560
<v Speaker 2>gotta drink a lot of water, I'll eat some food,

0:38:11.640 --> 0:38:14.759
<v Speaker 2>I'll sleep. It's like if you're too high, I don't

0:38:14.760 --> 0:38:16.520
<v Speaker 2>know what you do if you're too high, it's hard

0:38:16.520 --> 0:38:18.200
<v Speaker 2>to roll it back. You gotta you can't, and you

0:38:18.200 --> 0:38:20.719
<v Speaker 2>don't know how long it's gonna last. There's no rollbacks.

0:38:21.080 --> 0:38:23.680
<v Speaker 2>There's no rollbacks. You gotta see it in. That's gonna

0:38:23.719 --> 0:38:26.000
<v Speaker 2>give me anxiety. That's going to give me anxiety too.

0:38:26.440 --> 0:38:29.560
<v Speaker 2>I will think that I'm dying. Yeah, you're so. This

0:38:29.760 --> 0:38:30.919
<v Speaker 2>is not for us, is the point.

0:38:31.320 --> 0:38:34.000
<v Speaker 1>But I'm really really happy for anybody who it's fantastic for.

0:38:35.120 --> 0:38:38.959
<v Speaker 1>I have loved watching rewatching. I'm so. I'm actually really

0:38:39.000 --> 0:38:41.839
<v Speaker 1>psyched that this was something that it was technically work

0:38:41.920 --> 0:38:43.839
<v Speaker 1>for me. I know we're going to do another one.

0:38:43.920 --> 0:38:46.680
<v Speaker 1>Please hit us up with whatever is you know, we'll

0:38:46.680 --> 0:38:50.600
<v Speaker 1>tell you what the second, the second most popular option was,

0:38:51.440 --> 0:38:53.000
<v Speaker 1>but maybe we'll throw it out to you again before

0:38:53.040 --> 0:38:54.799
<v Speaker 1>we actually do one, to make sure that it really

0:38:54.960 --> 0:38:56.240
<v Speaker 1>is the one that you want to talk about.

0:38:56.719 --> 0:38:59.759
<v Speaker 2>Yeah, and at some point we may have you know,

0:39:00.160 --> 0:39:03.439
<v Speaker 2>guests from the episode on so that they can sort

0:39:03.480 --> 0:39:06.320
<v Speaker 2>of give us some of the intel do a rewatch

0:39:06.440 --> 0:39:11.600
<v Speaker 2>with someone. Yeah, you guys, this is very exciting to us.

0:39:12.280 --> 0:39:15.480
<v Speaker 2>Thank you for listening. Again, Hopefully you didn't listen to

0:39:15.560 --> 0:39:18.759
<v Speaker 2>this and not this one first, but if you did accidentally,

0:39:19.080 --> 0:39:24.600
<v Speaker 2>go back, listen to the other episode and tell us

0:39:24.640 --> 0:39:25.560
<v Speaker 2>what you want us to do next.

0:39:26.520 --> 0:39:29.520
<v Speaker 1>Yes, please, yes please. I have loved spending this time

0:39:29.560 --> 0:39:31.839
<v Speaker 1>with you, and for now I think we should call

0:39:31.920 --> 0:39:35.280
<v Speaker 1>it Please and thesisode