WEBVTT - Episode 485 w/ Papoose

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<v Speaker 1>He is drinks chess, motherfucking podcast man. He's a legendary

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<v Speaker 1>Queens rapper. He ain't agree as your boy in O

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<v Speaker 1>r E. He's a Miami hip hop pioneer. Put up

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<v Speaker 1>his DJ e f N. Together they drink it up

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<v Speaker 1>with some of the biggest players you me and the

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<v Speaker 1>most professional unprofessional podcast and your number one source for

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<v Speaker 1>drunk drinks chans mother Postcavery Days New Year. See listen,

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<v Speaker 1>It's time for drink champions. Drink up, motherfuck? Would it

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<v Speaker 1>good be? It should be? This is your boy n

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<v Speaker 1>A O N A A. What up is d J

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<v Speaker 1>E f N? This MILITEPA crazy World radio mix? Sure? Now,

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<v Speaker 1>I just listened to this brother album this morning. I

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<v Speaker 1>can't believe how great, how refreshing, how we're fine, how

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<v Speaker 1>much powerful it sounds. Sounds like like like him himself

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<v Speaker 1>belongs in the era of the nineties, but the music

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<v Speaker 1>that he made right now is right now. Like I'm

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<v Speaker 1>listening to this album, I'm like, Wow, this is an

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<v Speaker 1>album was an ep EP because it's seven songs. I

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<v Speaker 1>wanted to say thank you, but I wanted to let

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<v Speaker 1>you get it on ok so Yo. I'm listening and

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<v Speaker 1>I'm like, Yo, this is real hip hop. This is

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<v Speaker 1>really what we need. You know what I mean this?

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<v Speaker 1>This brother is a lyrical genius. He's a bar for ball.

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<v Speaker 1>No one can fuck with him. He's a he's a legend,

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<v Speaker 1>and he came in through this game to a legend,

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<v Speaker 1>and we're gonna salute him. We won't give him his

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<v Speaker 1>flowers today because this year is something that we got

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<v Speaker 1>to talk about. Thank you. In case you don't know

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<v Speaker 1>who we're talking about, come up to one. The only

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<v Speaker 1>motherfucker I appreciate at that bro. The album is like

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<v Speaker 1>that ship is that shit is something like I was like,

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<v Speaker 1>we were just sitting there like this, like I ain't

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<v Speaker 1>been like we ain't been quiet like this, and the

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<v Speaker 1>album come on, like right, So how did you make that?

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<v Speaker 1>I took my time, man, you know what I'm saying,

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<v Speaker 1>a lot of time, you know, I'm more trying to

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<v Speaker 1>be consistent, but with this one, me and my brother

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<v Speaker 1>Sean too, Man, I really took my time. I probably

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<v Speaker 1>was working on it, no bullshit for like a year

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<v Speaker 1>and a half, and not because it took that long,

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<v Speaker 1>but I wanted to take baby steps, you know what

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<v Speaker 1>I'm saying, And what I like about it is. Honestly,

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<v Speaker 1>I say that this project is the best one of

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<v Speaker 1>my projects ever was ever received by the people. Right.

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<v Speaker 1>Sometimes when you created, you see a certain way and

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<v Speaker 1>then when you put it out, they'd be like, huh right,

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<v Speaker 1>the envision did they didn't get together it for us.

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<v Speaker 1>But this ship, like it really resonated with the people. Man,

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<v Speaker 1>you know what I mean? So here you say that

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<v Speaker 1>men not okay. So, so now let me ask you

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<v Speaker 1>that question again. Is this considered that EP or this

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<v Speaker 1>It's definitely seven songs because it's sure, it's five, it's

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<v Speaker 1>five and a bonus, you know. Okay, So I would

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<v Speaker 1>say it's an EP slash short film though, Okay, So

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<v Speaker 1>I wanted to do something that was never done before.

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<v Speaker 1>You know what I mean when I when I did

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<v Speaker 1>it like that? Okay, damn, I'm doing a short film too,

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<v Speaker 1>So I want you to. But you know what, Let's

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<v Speaker 1>let's let's get it out the way right now. Right

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<v Speaker 1>let's go. Let's let's break down each song. I'm I'm

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<v Speaker 1>gonna ask you and let's break it. Let's break it down. Okay.

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<v Speaker 1>First of what's the name of the album. The name

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<v Speaker 1>of the album is bars On Wheels, Bars on Wheel

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<v Speaker 1>A journey to save hip hop. Now listen, listen to

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<v Speaker 1>me before we get into this. If you're a person

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<v Speaker 1>that love, here's what's good about this. It's not just bars.

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<v Speaker 1>You pick the right fucking beasts. Like I'm listening to

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<v Speaker 1>this ship and no bullshit, I'm not trying to glaze you,

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<v Speaker 1>but no bullshit. I've listened to the beats and I

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<v Speaker 1>was like, yo, Pap could have probably picked beats for

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<v Speaker 1>me and ma beat back. Then that's how all these

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<v Speaker 1>beats sounding. We're going with the lyrics, but let's go

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<v Speaker 1>Okay for Speed, Yes, need for Speed is the opening track,

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<v Speaker 1>you know what I mean. So you got to remember

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<v Speaker 1>the audio is very consistent with the visual. So in

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<v Speaker 1>the opening scene, you see me driving in the Rose

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<v Speaker 1>Royce and you know, I mean, of course, my producers

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<v Speaker 1>in the back seat. So I'm bringing back that that

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<v Speaker 1>I want to say, I'm bringing it. I want to

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<v Speaker 1>say I'm bringing back because you know a lot of

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<v Speaker 1>people don't do it here and there, but artists and

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<v Speaker 1>producer like really in the studio together, really working together,

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<v Speaker 1>really getting that chemistry. So you see my brother Sean

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<v Speaker 1>two in the back seat, and I mean he doing

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<v Speaker 1>the beat and yes, okay in the visual individual to

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<v Speaker 1>Need for Speed were in the Rose Royce and were

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<v Speaker 1>in the double lof eventually the police pull us over.

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<v Speaker 1>You know what I'm saying. So it's basically self explanatory. Man.

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<v Speaker 1>You know, if you if you follow me on Instagram

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<v Speaker 1>over the years, you always see me wrapping in the car.

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<v Speaker 1>And then you got certain people going to comments you

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<v Speaker 1>know how it is. They're like, Okay, he's spend five,

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<v Speaker 1>but where he's going? You know what I'm saying. So

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<v Speaker 1>I'm want to I'm on the journey to save hip hop.

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<v Speaker 1>So that's what That's how this project was birth. So

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<v Speaker 1>Need for Speed is just to open the scene to

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<v Speaker 1>that of me me driving and I got the need

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<v Speaker 1>for Speed because you know, nowadays it's just the way

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<v Speaker 1>hip hop is going. You know, I don't. I don't

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<v Speaker 1>really like it, damn. So there is some good ship

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<v Speaker 1>in hip hop. Absolutely, we got who we got? Do

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<v Speaker 1>we name people or we can move on? We can't.

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<v Speaker 1>We got some good people. What a lot of people.

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<v Speaker 1>It's not just artists either, man.

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<v Speaker 2>Remember, I think when we have these conversations about hip hop,

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<v Speaker 2>we just talk about just the MC's or the rappers,

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<v Speaker 2>and there's so many different facets and elements to hip

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<v Speaker 2>hop that we forget everything else.

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<v Speaker 1>Hip hop is not just talking.

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<v Speaker 2>I'm saying like there's the graffiti artists, the DJs, the breakdances,

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<v Speaker 2>like there's a lot of people that go unmentioned when we.

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<v Speaker 1>Have these conversations.

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<v Speaker 2>Hip hop is in a good place or a bad place, right,

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<v Speaker 2>you know what I'm saying, right, of.

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<v Speaker 1>Course, Well it's five elements, you know. I mean, case Ling

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<v Speaker 1>told us that, right, So it's not just wrap one

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<v Speaker 1>hundred percent right about that. But that's why I always

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<v Speaker 1>also wanted to incorporate my producer, you know what I'm saying,

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<v Speaker 1>equally as incorporated myself being rock. Yeah he did through

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<v Speaker 1>the whole time, through the whole visual. You see him

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<v Speaker 1>there with me, you know what I mean. Okay, So

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<v Speaker 1>now so the Big Three, Yes, the second joint, we

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<v Speaker 1>get pulled over by the police. You know what I'm saying.

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<v Speaker 1>So the Big Three another track that self explained it

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<v Speaker 1>to me. You know what I mean? You got they

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<v Speaker 1>say that the Big Three? Who's the Big Three? And

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<v Speaker 1>guin these guys pause? Yeah, well okay, okay, Well yeah,

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<v Speaker 1>it's a line in there where I say, you know,

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<v Speaker 1>it's Kevin Garnet, ray Allen and who else? Poor Pierce,

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<v Speaker 1>And then it was I believe they even Lebron and

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<v Speaker 1>them right Lebron, Wade and Bosh and Bosh and so

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<v Speaker 1>it's a lot of it right well. And it's a

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<v Speaker 1>line in there where I say, I respect the Big Three,

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<v Speaker 1>but they're like kids to me. I've been nicer to

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<v Speaker 1>know these niggas since Big was three. So that's that's

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<v Speaker 1>the line right there. You know what I'm saying, Like

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<v Speaker 1>it kind of speaks for itself, the Big Three, you

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<v Speaker 1>know what I mean? Right right there? Boom And then

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<v Speaker 1>you saying that, you say in the Big Three, you

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<v Speaker 1>said you can't return once you cross burn the bridge? Absolutely, man,

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<v Speaker 1>it's no coming back that Yeah. A lot of times, man,

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<v Speaker 1>you know, people cross you and you know, they think

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<v Speaker 1>the grass is greener and they get over there and

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<v Speaker 1>it is greener because it's fake, you know what I'm saying. Yeah,

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<v Speaker 1>that's right aft. And when when they realized that, then

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<v Speaker 1>they try to come back, they try to bust that.

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<v Speaker 1>You turn and it's like, nah, okay, you know what

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<v Speaker 1>I mean. So that's what that's what that's about but

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<v Speaker 1>the entire project. If you pay attention, it's me on

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<v Speaker 1>the journey to save hip Hop. So when I get

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<v Speaker 1>pulled over, the police come to the car, Hey, you know,

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<v Speaker 1>why are you pulling me over for driving while black?

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<v Speaker 1>He goes on, I tell him about you. I got

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<v Speaker 1>an injured man in the back seat. That's hip Hop.

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<v Speaker 1>So I'm taking hip Hop to the hospital. You know

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<v Speaker 1>what I'm saying, Yeah, yeah, yeah, you got So this

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<v Speaker 1>is the concept. You know, I get pulled over. I'm

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<v Speaker 1>on my way to take hip Hop to the to

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<v Speaker 1>the hospital because it's injured. He pulled me over, he

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<v Speaker 1>locked me up, and now you see me in the

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<v Speaker 1>cop car. That's the second track. The third track, the

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<v Speaker 1>paramedics come transport hip Hop to the hospital. I'm driving

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<v Speaker 1>a paramedic truck. You know what I'm saying As I'm

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<v Speaker 1>driving the paramedic truck. Eventually we go to the to

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<v Speaker 1>the robbery scene where in the process we're trying to

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<v Speaker 1>get money to finance our rap careers. So we ended up,

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<v Speaker 1>you know, hijacking the Brinks truck. It's a short film.

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<v Speaker 1>Now you see me driving the Brinks truck doing that track.

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<v Speaker 1>The next track is the hearts hip hop passed away?

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<v Speaker 1>Couldn't save it? You know what I'm saying, which is

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<v Speaker 1>a fetanold hold one hold on, You're going through fast

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<v Speaker 1>because fronting off. Yes, as soon as I heard that,

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<v Speaker 1>I immediately got the feeling of I gave you power

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<v Speaker 1>like you know that. You know what I'm saying. This

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<v Speaker 1>is a metaphors right right Boa, How did you come

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<v Speaker 1>up with that? A lot of if you look at

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<v Speaker 1>at our culture, men, a lot of the young artists

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<v Speaker 1>and just a lot of the younger generation, they losing

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<v Speaker 1>their lives to feed, you know what I'm saying. So

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<v Speaker 1>I feel like all of these different things contributed to

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<v Speaker 1>the demise of hip hop as well, but also the

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<v Speaker 1>demise of our people and just us as a people.

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<v Speaker 1>You know what I'm saying. So if you listen to

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<v Speaker 1>the song, I named a couple of people, a couple

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<v Speaker 1>of young artists and a couple of individuals, Mat Miller,

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<v Speaker 1>you know who loft their lives to fetanoel Damn. I

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<v Speaker 1>can't remember who else I did. I did Mac Miller,

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<v Speaker 1>I did my God well, Coolio Coolio, I did mac Miller,

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<v Speaker 1>I did Coolio, I did that the actor I can't

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<v Speaker 1>remember his name right now. I broke down his story

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<v Speaker 1>as well, But you got to listen to it, man,

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<v Speaker 1>And I'm just breaking down how you know a lot

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<v Speaker 1>of people losing their lives to fetanol, how dangerous and

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<v Speaker 1>how serious that ship is. Man. Now you said something

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<v Speaker 1>in the song that you said even and we find

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<v Speaker 1>and all could be in there. Oh yeah, but I

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<v Speaker 1>thought findon was the white ship. Man. It comes to it.

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<v Speaker 1>They putting it, They're putting it in a lot of

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<v Speaker 1>different things, and we don't know it. That's why you

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<v Speaker 1>gotta be careful. Like the red number die. You know

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<v Speaker 1>that the ship food. Yeah, man, it's worse, way worse,

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<v Speaker 1>twenty many times worse than that. And the ship is

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<v Speaker 1>dangerous and a lot of people don't know they slipping

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<v Speaker 1>it in there. Next thing, you know, you know what

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<v Speaker 1>I mean, You got a bet situation, all right, and some.

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<v Speaker 2>People doing it on purpose too, all right, they actually

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<v Speaker 2>do fending off all right, exactly crazy, which is real crazy,

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<v Speaker 2>playing with your life. So that track is about that

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<v Speaker 2>man just creating a weirdness about you know, how fat

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<v Speaker 2>noise deshowing a lot of lives. Okay, Now the next

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<v Speaker 2>one I said, what I said, yeah, definitely, man, another

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<v Speaker 2>joint man, self explanatory, just breaking down. Man, I'm an executive,

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<v Speaker 2>back to back business moves consecutive positive by everything you

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<v Speaker 2>doing is negative. My residence is on the throne where

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<v Speaker 2>all the legends live. Is evident that you reside where

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<v Speaker 2>all the peasants live. Never give to the ungrateful what

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<v Speaker 2>is imperative. Don't appreciate it because they don't got no

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<v Speaker 2>respect to give. Some say family ain't everything, but yes

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<v Speaker 2>it is. The lesson is it don't make us family

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<v Speaker 2>just because we relatives.

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<v Speaker 1>On the noise. Man, Okay, chill back, no chill button. Man.

0:10:49.480 --> 0:10:52.480
<v Speaker 1>You know anybody who know me? Man, I've been doing

0:10:52.559 --> 0:10:54.559
<v Speaker 1>this for a long time. But when they put the

0:10:54.640 --> 0:10:57.439
<v Speaker 1>lights on me, and they shine that light on me,

0:10:58.520 --> 0:11:01.040
<v Speaker 1>I said black love. What I'm saying, I come from

0:11:01.080 --> 0:11:03.600
<v Speaker 1>the street. But when when when he really paid attention

0:11:03.679 --> 0:11:06.280
<v Speaker 1>to me? I represented black love, man, which is black empowerment,

0:11:06.320 --> 0:11:09.640
<v Speaker 1>which is everything about us as people. But once you

0:11:09.720 --> 0:11:11.679
<v Speaker 1>cross that line, you get a different version of me.

0:11:12.000 --> 0:11:14.040
<v Speaker 1>And I don't got no chill, but I'm gonna go in.

0:11:14.559 --> 0:11:16.800
<v Speaker 1>So so that's what that song is about. What I'm saying,

0:11:16.920 --> 0:11:18.839
<v Speaker 1>it's about getting pushed that limit. Now now I don't

0:11:18.840 --> 0:11:23.640
<v Speaker 1>got no chill button. Okay Green count Green, we getting

0:11:26.920 --> 0:11:29.000
<v Speaker 1>no No, I was spoken at the Okay count Green,

0:11:29.040 --> 0:11:31.360
<v Speaker 1>we getting money. Man, it's the better day. Man. We

0:11:31.440 --> 0:11:34.679
<v Speaker 1>eat and we're doing good out here. You know what

0:11:34.720 --> 0:11:37.520
<v Speaker 1>I'm saying. Shout the shout to Win Records, man, shout

0:11:37.559 --> 0:11:39.200
<v Speaker 1>to my Win Records family. Man, we're getting a lot

0:11:39.240 --> 0:11:39.560
<v Speaker 1>of money.

0:11:39.640 --> 0:11:39.760
<v Speaker 3>Man.

0:11:39.880 --> 0:11:43.319
<v Speaker 1>Now that's on Tom call. No okay, no, so so

0:11:43.640 --> 0:11:47.720
<v Speaker 1>explain that before we cant Green. Yeah, well there are

0:11:47.760 --> 0:11:51.320
<v Speaker 1>you still yeah? No, no, no more okay, no son

0:11:51.520 --> 0:11:54.839
<v Speaker 1>doing moved on? Okay, I Win Records, Win Records, Yes,

0:11:55.480 --> 0:12:00.360
<v Speaker 1>w w Y yes, yes, like the hotel and Vegas.

0:12:00.800 --> 0:12:03.760
<v Speaker 1>Well he might he might come at you. No he can't.

0:12:03.800 --> 0:12:06.120
<v Speaker 1>He can't. Man. We we we've been incorporated a long time.

0:12:09.960 --> 0:12:11.679
<v Speaker 1>When I see that, I can see that now my

0:12:11.720 --> 0:12:14.120
<v Speaker 1>Win Records family. Man, we're doing a lot of big things. Man.

0:12:14.160 --> 0:12:15.640
<v Speaker 1>We do a lot of concerts. A lot of the

0:12:15.640 --> 0:12:17.280
<v Speaker 1>concerts you see. You might not know what it's us.

0:12:17.360 --> 0:12:18.760
<v Speaker 1>All right, Okay, you know what I mean. We did

0:12:18.880 --> 0:12:21.679
<v Speaker 1>Legis at the West Uh. We did some concert down

0:12:21.720 --> 0:12:24.160
<v Speaker 1>in Hawaii. We had the Mally's and a bunch of

0:12:24.200 --> 0:12:27.040
<v Speaker 1>people down there too, where you are. Africa. We did

0:12:27.080 --> 0:12:30.400
<v Speaker 1>we did some tours down in Africa and we're doing

0:12:30.400 --> 0:12:31.920
<v Speaker 1>a lot of big things. We just did the big

0:12:32.000 --> 0:12:33.839
<v Speaker 1>deal with my lady, Clarisa Shills with teams. That was

0:12:33.880 --> 0:12:35.880
<v Speaker 1>the leading promotions. You know what I'm saying. She got

0:12:35.920 --> 0:12:37.480
<v Speaker 1>that eight million dollar deal. So I was able to

0:12:37.520 --> 0:12:40.959
<v Speaker 1>make that happen. Man, just let you know. I'm just

0:12:41.080 --> 0:12:42.800
<v Speaker 1>letting you know. You know what I mean. I see

0:12:42.840 --> 0:12:46.920
<v Speaker 1>our guest hosts came in the building. He gonna be

0:12:46.960 --> 0:12:58.719
<v Speaker 1>our guest hosts. Grab yeah, grab cheer Yeah yeah. How's

0:12:58.720 --> 0:13:05.640
<v Speaker 1>you got the mic? Then that's crazy over there. That's

0:13:05.679 --> 0:13:15.800
<v Speaker 1>what's up man already still can't you well over there?

0:13:16.040 --> 0:13:21.680
<v Speaker 1>Ye yeah, yeah, that's about to say that. Given extra,

0:13:22.240 --> 0:13:24.240
<v Speaker 1>let's do what you know. You're good. I'm telling man's

0:13:24.280 --> 0:13:27.800
<v Speaker 1>Brian and my huh yeah, man, my man over here

0:13:28.320 --> 0:13:36.880
<v Speaker 1>a mother Connecticut. You called me last you can make

0:13:36.920 --> 0:13:41.800
<v Speaker 1>it to drinks doing that. I'm doing the bird help me,

0:13:42.400 --> 0:13:44.360
<v Speaker 1>he said. See that's how you know my you know,

0:13:44.400 --> 0:13:51.000
<v Speaker 1>we started at one. Didn't get in there. What I

0:13:51.080 --> 0:13:54.559
<v Speaker 1>told me was said, yo, Pap Pop coming through. I said, no,

0:13:54.800 --> 0:13:59.520
<v Speaker 1>I'm I'm jumping on the bird on the So all right,

0:13:59.559 --> 0:14:02.480
<v Speaker 1>so I I just want to reiterate that. So you

0:14:02.640 --> 0:14:05.719
<v Speaker 1>dropped this project on your own label. I dropped it

0:14:05.760 --> 0:14:09.319
<v Speaker 1>on Win Records, but I'm actually an executive at Win Records. Okay, now,

0:14:09.600 --> 0:14:13.040
<v Speaker 1>is that so Win has distribution as well? Is it

0:14:13.120 --> 0:14:16.439
<v Speaker 1>a one stop shop or they have no no empire? No, no,

0:14:16.600 --> 0:14:20.120
<v Speaker 1>no empire. We actually distributed it's Win Records distributed through

0:14:20.200 --> 0:14:23.960
<v Speaker 1>United Masters. Okay, I'm over there. Yeah, that's his that's

0:14:24.000 --> 0:14:26.600
<v Speaker 1>his movement. Yeah, okay, So we actually distributed this project

0:14:26.640 --> 0:14:29.120
<v Speaker 1>over there, and we wanted to do it like that

0:14:29.160 --> 0:14:30.880
<v Speaker 1>because we wanted to take a very unique approach. Like

0:14:30.920 --> 0:14:33.000
<v Speaker 1>I said, it's a short fum. It's not just about

0:14:33.040 --> 0:14:35.120
<v Speaker 1>the EP. I mean, music is my passion, but I

0:14:35.240 --> 0:14:37.600
<v Speaker 1>just wanted to really give them a visual of myself

0:14:37.640 --> 0:14:41.000
<v Speaker 1>on the journey to save hip hop. Okay, now, it's

0:14:41.080 --> 0:14:43.600
<v Speaker 1>one of my favorite questions. You know what I'm going

0:14:44.040 --> 0:14:52.640
<v Speaker 1>you know, one of my favorite questions the major Look,

0:14:52.720 --> 0:14:55.200
<v Speaker 1>you got a chance to do both and you was

0:14:55.240 --> 0:14:57.640
<v Speaker 1>on Job Records with that big budget. That's the fact.

0:14:57.680 --> 0:14:59.720
<v Speaker 1>I remember that was the biggest movement in the hip hop,

0:14:59.760 --> 0:15:01.840
<v Speaker 1>but it in the room where it was the truth like,

0:15:01.920 --> 0:15:04.320
<v Speaker 1>you know what I'm saying. I believe Buster was a

0:15:04.360 --> 0:15:07.480
<v Speaker 1>part of that. Yeah, Yeah, Buster was locked in with Yeah,

0:15:07.520 --> 0:15:12.080
<v Speaker 1>we all came together. Chris Lighty, Chris Lighty violated. Obviously,

0:15:13.600 --> 0:15:15.880
<v Speaker 1>you got a chance to deal with the majors. You

0:15:16.000 --> 0:15:18.080
<v Speaker 1>got a chance to deal with the Independence. I'm not

0:15:18.120 --> 0:15:19.680
<v Speaker 1>gonna lead the witness. I'm gonna tell you what I

0:15:19.880 --> 0:15:26.840
<v Speaker 1>what I but what do you prefer? Independent? I know

0:15:27.000 --> 0:15:29.560
<v Speaker 1>I just wanted to change. Oh no, I still I

0:15:29.640 --> 0:15:31.320
<v Speaker 1>still stick to it, you know what I'm saying. Like

0:15:31.440 --> 0:15:37.080
<v Speaker 1>the majors, you know, I like the major different type

0:15:37.080 --> 0:15:41.360
<v Speaker 1>of major doesn't even exist exist no more. You was

0:15:41.400 --> 0:15:55.960
<v Speaker 1>happy with them from the era the major Buster romes,

0:15:56.240 --> 0:15:58.560
<v Speaker 1>he said around he wait for a distributive deal, like

0:15:58.720 --> 0:16:01.240
<v Speaker 1>even though he's super indipend it right now, like he's like,

0:16:01.720 --> 0:16:03.720
<v Speaker 1>we're scarred, man, Like you know what I mean, Like

0:16:04.680 --> 0:16:08.160
<v Speaker 1>they just don't want to set want to go back

0:16:08.160 --> 0:16:12.880
<v Speaker 1>to the Like, man, I think I think if Independent

0:16:13.000 --> 0:16:15.440
<v Speaker 1>is done right, you know what I'm saying, it could

0:16:15.480 --> 0:16:17.200
<v Speaker 1>feel like like a major. You know what I'm saying.

0:16:17.320 --> 0:16:19.400
<v Speaker 1>What made me, you know what made me really respect

0:16:19.480 --> 0:16:22.080
<v Speaker 1>the independent game when I started with Tech Now, that's

0:16:22.880 --> 0:16:30.400
<v Speaker 1>when I seen the kind of bread they made. They

0:16:30.560 --> 0:16:33.600
<v Speaker 1>killing that. So hold on you since silly prefer independence,

0:16:33.720 --> 0:16:35.880
<v Speaker 1>tell me about because you got first of all, you

0:16:35.920 --> 0:16:38.200
<v Speaker 1>got freedom. You don't got nobody sitting in the office.

0:16:38.600 --> 0:16:40.320
<v Speaker 1>You got to bring the music. Could you imagine me

0:16:40.360 --> 0:16:43.840
<v Speaker 1>bringing balls on wheels to the office. We need a

0:16:43.920 --> 0:16:48.760
<v Speaker 1>radio record. They would they would have turned me around

0:16:48.800 --> 0:16:50.520
<v Speaker 1>like you got you got creative control, You got your

0:16:50.600 --> 0:16:55.400
<v Speaker 1>own freedom. And you know old boy, yeah, man, oh boy,

0:16:55.640 --> 0:16:59.000
<v Speaker 1>they just got he was you know they was, they

0:16:59.080 --> 0:17:01.960
<v Speaker 1>were doing us cool. You was a boy, he Bro,

0:17:02.200 --> 0:17:08.080
<v Speaker 1>he Bro, I want to get straight into the wing

0:17:08.480 --> 0:17:15.280
<v Speaker 1>like damn being packed some drinks yea at the same time.

0:17:15.320 --> 0:17:17.639
<v Speaker 1>And so we both we knew what it was like

0:17:17.840 --> 0:17:22.040
<v Speaker 1>during that erar to mixtapeund now she was not making

0:17:22.080 --> 0:17:24.000
<v Speaker 1>me naive right now, because I'm gonna be honest with you,

0:17:25.400 --> 0:17:30.000
<v Speaker 1>I have never suffered the wrath of he Bro like

0:17:30.119 --> 0:17:32.520
<v Speaker 1>I have never if there was a wrap, I'm not.

0:17:32.600 --> 0:17:34.720
<v Speaker 1>I'm not accusing him of something. You know what I'm saying.

0:17:35.680 --> 0:17:43.960
<v Speaker 1>You haven't come on, come on work, But I swear

0:17:43.960 --> 0:17:46.600
<v Speaker 1>to God, so like hearing you say that just now,

0:17:46.880 --> 0:17:52.920
<v Speaker 1>you made a face. I hate what happened. I was

0:17:52.960 --> 0:17:53.960
<v Speaker 1>gonna yeah, yeah, I seen your.

0:17:55.560 --> 0:17:55.679
<v Speaker 3>Right.

0:17:55.720 --> 0:17:58.520
<v Speaker 1>At the point, I was like, I'm killing this motherfucker

0:17:58.880 --> 0:18:03.440
<v Speaker 1>like got I wasn't it was that bad because you

0:18:03.440 --> 0:18:05.520
<v Speaker 1>gotta look at it like this, right when you work

0:18:05.600 --> 0:18:08.119
<v Speaker 1>something something your whole life. I've been rappings how ten

0:18:08.200 --> 0:18:11.359
<v Speaker 1>years old, working my whole life, not even really to

0:18:11.400 --> 0:18:13.480
<v Speaker 1>get a deal at first. But then once I was like, damn,

0:18:13.480 --> 0:18:15.920
<v Speaker 1>I'm good at this shit. I started imprisoning my whole bed.

0:18:16.359 --> 0:18:18.360
<v Speaker 1>Stay off of the ship. I'm in there rapping this time.

0:18:18.359 --> 0:18:19.960
<v Speaker 1>I'm getting through my time. So I'm like damn, I

0:18:20.080 --> 0:18:23.000
<v Speaker 1>thinking I'm good enough to really make something happen. I

0:18:23.119 --> 0:18:25.359
<v Speaker 1>come home. I'm bumping in the pack in front of

0:18:25.440 --> 0:18:27.600
<v Speaker 1>High ninety seven. We're like you, I was here first

0:18:29.400 --> 0:18:33.199
<v Speaker 1>outside case later come that wait for anybody to give up.

0:18:33.640 --> 0:18:35.280
<v Speaker 1>I was talking to two tone. He's like, yo, remember

0:18:35.320 --> 0:18:38.040
<v Speaker 1>you sold me your CD in Crown Heights and ship

0:18:38.119 --> 0:18:39.560
<v Speaker 1>you came up and you came here and sow men

0:18:39.560 --> 0:18:41.639
<v Speaker 1>the CDs. So me and me and son had the

0:18:41.680 --> 0:18:43.720
<v Speaker 1>same ground. So we try and try and work on

0:18:43.800 --> 0:18:46.119
<v Speaker 1>our ass to get a deal. We finally get here

0:18:46.200 --> 0:18:48.280
<v Speaker 1>and the nigga could just come sweep all that shit

0:18:48.359 --> 0:18:50.440
<v Speaker 1>from under the ruck because he's in the position of power.

0:18:50.600 --> 0:18:53.640
<v Speaker 1>I was on Atlantic. They are radio driven label. If

0:18:53.680 --> 0:18:56.480
<v Speaker 1>you banned from the radio, they not gonna put a penny.

0:18:56.560 --> 0:18:59.000
<v Speaker 1>Once the nigga bamed me, they said, we're not investing

0:18:59.160 --> 0:19:02.639
<v Speaker 1>another cent. That's crazy. And me and Ebro was friends.

0:19:02.720 --> 0:19:05.159
<v Speaker 1>I'm calling this nigga like, please, man, this is my

0:19:05.359 --> 0:19:07.560
<v Speaker 1>shot or my whole life to get here. I got

0:19:07.640 --> 0:19:11.199
<v Speaker 1>a j Z record in it can We're gonna make

0:19:11.240 --> 0:19:13.040
<v Speaker 1>the record look like it's blowing up so bad Jay

0:19:13.119 --> 0:19:15.960
<v Speaker 1>jumped on. We had the whole rollout, just Blade saying

0:19:15.960 --> 0:19:18.040
<v Speaker 1>when that nigga bamed me, just stopped picking up the

0:19:18.119 --> 0:19:21.119
<v Speaker 1>phole nigger niggas crash out and they ready thought I

0:19:21.200 --> 0:19:23.159
<v Speaker 1>was a crash out already, so it made him look like, Oh,

0:19:23.240 --> 0:19:25.080
<v Speaker 1>this niggas just a fuck up. We ain't gonna invest

0:19:25.200 --> 0:19:27.080
<v Speaker 1>no money in them. I'm like, yo, e bro, But

0:19:27.200 --> 0:19:30.720
<v Speaker 1>nobody got hurt, nobody got shot, nobody, no police came.

0:19:31.160 --> 0:19:34.080
<v Speaker 1>Why the fuck would you ban me for right? Yeah,

0:19:34.480 --> 0:19:38.840
<v Speaker 1>nigga says, it's my policy. My g that's crazy. Now,

0:19:38.880 --> 0:19:40.840
<v Speaker 1>how about you. My kids saved that nigga life. Now,

0:19:42.200 --> 0:19:45.160
<v Speaker 1>did you have as a discrepancy with Hebro. Listen, man,

0:19:46.200 --> 0:19:48.760
<v Speaker 1>my thing is this man, It's no secret that it

0:19:48.880 --> 0:19:52.080
<v Speaker 1>was real challenging getting music played, whether you hot or not.

0:19:52.600 --> 0:19:54.399
<v Speaker 1>I mean I'm talking like you could be on fire,

0:19:55.119 --> 0:19:58.639
<v Speaker 1>and getting records played was just like some fuck. We

0:19:58.680 --> 0:20:01.080
<v Speaker 1>always going on like it's it's videos to me up

0:20:01.119 --> 0:20:03.479
<v Speaker 1>there telling he Bro like, Yo, you know, when I'm

0:20:03.520 --> 0:20:06.800
<v Speaker 1>in the South, I hit South artists right, and I'm

0:20:06.840 --> 0:20:08.520
<v Speaker 1>on the West, I hear West artists when I come

0:20:08.560 --> 0:20:11.399
<v Speaker 1>to New York. You know what I'm saying, gumbo, So

0:20:11.640 --> 0:20:13.320
<v Speaker 1>so you know a lot to you. I've been hearing

0:20:13.440 --> 0:20:16.160
<v Speaker 1>Miami step it up. But ahead, I'm sorry, yeah, yeah, yeah, yeah,

0:20:16.200 --> 0:20:18.359
<v Speaker 1>but nah, I mean definitely, I don't think it should

0:20:18.400 --> 0:20:20.040
<v Speaker 1>have been like that. I do think New York City

0:20:20.080 --> 0:20:21.520
<v Speaker 1>would have been in a better place if it was,

0:20:21.960 --> 0:20:25.359
<v Speaker 1>you know, if we was letting the people dictated instead

0:20:25.359 --> 0:20:27.879
<v Speaker 1>of the politics dictate. Who you know, who gets that

0:20:27.960 --> 0:20:29.520
<v Speaker 1>fish shot? Like like Sagon was saying, you know what

0:20:29.520 --> 0:20:33.360
<v Speaker 1>I'm saying, get a moment. At one point, we were

0:20:33.520 --> 0:20:35.879
<v Speaker 1>so being denied I can't say it was Ebos for it,

0:20:35.880 --> 0:20:38.160
<v Speaker 1>but we were so being denied New York getting played

0:20:38.160 --> 0:20:40.159
<v Speaker 1>on New York stations that New York artists started to

0:20:40.320 --> 0:20:42.480
<v Speaker 1>try to sound that's what happened to the South. They

0:20:42.520 --> 0:20:45.200
<v Speaker 1>tried to start to act like what's happening. You agree

0:20:45.200 --> 0:20:47.359
<v Speaker 1>with that? Yeah, I agree with that. You agree. And

0:20:47.359 --> 0:20:50.600
<v Speaker 1>it's funny because Rosenberg, they just Rosenberg is posted something.

0:20:50.640 --> 0:20:53.680
<v Speaker 1>He's saying, Oh, ween't fuck up New York hip hop

0:20:53.760 --> 0:20:56.760
<v Speaker 1>and fucked up when niggas start trying to copycat, trying

0:20:56.760 --> 0:21:04.840
<v Speaker 1>to he said that one motherfuckers trying to sound like

0:21:04.880 --> 0:21:07.359
<v Speaker 1>the South and started trying to. I'm like, because dudes

0:21:07.400 --> 0:21:09.240
<v Speaker 1>felt like they had to make them kind of records

0:21:09.280 --> 0:21:12.320
<v Speaker 1>to get on the radio. So the dudes started feeling like, damn, oh,

0:21:12.560 --> 0:21:14.399
<v Speaker 1>they're playing a bunch of ship, they playing Nelly, they

0:21:14.480 --> 0:21:16.920
<v Speaker 1>playing all these these records that not from our region.

0:21:17.240 --> 0:21:19.600
<v Speaker 1>So maybe we got to switch our little drawl and

0:21:19.640 --> 0:21:22.400
<v Speaker 1>our ship to start doing collaborations with dudes from out

0:21:22.480 --> 0:21:24.200
<v Speaker 1>because we felt like that's what we needed to do

0:21:24.320 --> 0:21:26.960
<v Speaker 1>get on the radio. Because that's the I think. I think.

0:21:27.119 --> 0:21:29.800
<v Speaker 1>I think they was playing it for so long that

0:21:29.880 --> 0:21:32.879
<v Speaker 1>when a younger generation came up, that's only her now.

0:21:32.920 --> 0:21:35.119
<v Speaker 1>That's what drill is, so they't have a chance to

0:21:35.160 --> 0:21:37.359
<v Speaker 1>get inspired by you know what I'm saying, what does

0:21:37.359 --> 0:21:40.520
<v Speaker 1>that What is it called drill? That's one I think

0:21:40.560 --> 0:21:42.520
<v Speaker 1>that's one of the styles on them. So that's what

0:21:42.600 --> 0:21:44.320
<v Speaker 1>it's kind of like New York trap.

0:21:45.280 --> 0:21:48.159
<v Speaker 2>Yeah, like but but there's also the side of the

0:21:48.240 --> 0:21:50.879
<v Speaker 2>pendulum swinging the whole way the other way, because the

0:21:50.960 --> 0:21:53.119
<v Speaker 2>South and other regions felt they couldn't penetrate in New

0:21:53.160 --> 0:21:55.119
<v Speaker 2>York at all, So it felt like it went all

0:21:55.160 --> 0:21:56.040
<v Speaker 2>the way to the other side.

0:21:56.440 --> 0:21:58.080
<v Speaker 1>You know what you mean when you say couldn't couldn't

0:21:58.080 --> 0:21:59.280
<v Speaker 1>I mean, I don't want to use that word. You

0:22:04.680 --> 0:22:05.480
<v Speaker 1>other regions.

0:22:06.800 --> 0:22:10.119
<v Speaker 2>The mecca of everything hip hop industry and culturally was

0:22:10.200 --> 0:22:10.520
<v Speaker 2>New York.

0:22:10.560 --> 0:22:12.880
<v Speaker 1>Has always been New York from the birth to when

0:22:13.000 --> 0:22:15.760
<v Speaker 1>you'll started hip hop. So what I'm saying so I

0:22:15.840 --> 0:22:18.240
<v Speaker 1>felt like, Bro, this is I'm gonna be honest and

0:22:18.359 --> 0:22:20.720
<v Speaker 1>everybody know, I just debate. Let's go. Everybody know I

0:22:20.800 --> 0:22:23.680
<v Speaker 1>love every every city, every state. I traveled freely, you

0:22:23.680 --> 0:22:26.480
<v Speaker 1>know what I'm saying. But and not all places, but

0:22:26.600 --> 0:22:28.720
<v Speaker 1>some places they kind of mad at us because we

0:22:28.760 --> 0:22:45.240
<v Speaker 1>created hip hop. No, but nobody part of it. I

0:22:45.320 --> 0:22:47.840
<v Speaker 1>always say, I don't know, because he's created hip hop.

0:22:47.880 --> 0:22:49.960
<v Speaker 1>That's a different man. That's probably the reason why. But

0:22:50.080 --> 0:22:53.159
<v Speaker 1>you didn't let me. Let me just finish right, And

0:22:53.560 --> 0:22:55.280
<v Speaker 1>I want to tell y'all, it's not our fault.

0:22:55.400 --> 0:22:55.480
<v Speaker 3>Bro.

0:22:56.040 --> 0:22:59.600
<v Speaker 1>Like niggas is like mad at New York niggas. It's

0:22:59.640 --> 0:23:02.240
<v Speaker 1>not like you know what I'm saying. And because they

0:23:02.400 --> 0:23:06.720
<v Speaker 1>mad what the executives digit them. I think they kind

0:23:06.760 --> 0:23:09.680
<v Speaker 1>of mad because at one point of time, since hip

0:23:09.680 --> 0:23:12.200
<v Speaker 1>hop started in New York City, and it's a beautiful

0:23:12.280 --> 0:23:14.479
<v Speaker 1>thing that everybody do it everywhere now, but at one

0:23:14.520 --> 0:23:16.240
<v Speaker 1>point in time, they had to look to the city

0:23:17.000 --> 0:23:18.879
<v Speaker 1>for hip hop, they had to look and they kind

0:23:18.920 --> 0:23:20.200
<v Speaker 1>of felt like they were taking a back seat. I

0:23:20.200 --> 0:23:22.280
<v Speaker 1>don't really know. Let me rebuttal to that, I think

0:23:22.400 --> 0:23:23.560
<v Speaker 1>I don't. I don't think that's the case.

0:23:23.560 --> 0:23:26.639
<v Speaker 2>I don't think people were mad because it started in

0:23:26.680 --> 0:23:28.280
<v Speaker 2>New York because if you think about it, everybody that

0:23:28.359 --> 0:23:31.520
<v Speaker 2>was hip hop from everywhere they went on a pilgrimage

0:23:31.560 --> 0:23:32.000
<v Speaker 2>to New York.

0:23:32.800 --> 0:23:34.440
<v Speaker 1>We all would go to New York. As a DJ,

0:23:34.560 --> 0:23:35.800
<v Speaker 1>I would go drive.

0:23:35.920 --> 0:23:37.800
<v Speaker 2>At sixteen drive all the way up to the East Coast,

0:23:37.800 --> 0:23:39.439
<v Speaker 2>all the way to get to New York to buy records.

0:23:39.720 --> 0:23:42.240
<v Speaker 1>I saw people from all different states and cities doing that.

0:23:42.520 --> 0:23:43.560
<v Speaker 1>I don't think that was the case.

0:23:43.600 --> 0:23:45.480
<v Speaker 2>What it is that the industry, a lot of the

0:23:45.560 --> 0:23:48.040
<v Speaker 2>industry was there because that's where it started. So the

0:23:48.119 --> 0:23:51.080
<v Speaker 2>culture in the industry was there, so in order to

0:23:51.400 --> 0:23:53.840
<v Speaker 2>get deals, to get signed, you had to go through there.

0:23:53.880 --> 0:23:54.680
<v Speaker 1>So a lot of the A and R.

0:23:54.800 --> 0:23:56.680
<v Speaker 2>I would full them, No, it's not your it's not

0:23:56.760 --> 0:23:58.800
<v Speaker 2>your fault, always told them it's if there was an.

0:23:58.720 --> 0:24:00.480
<v Speaker 1>Artist for so why do they hate because of that?

0:24:03.240 --> 0:24:08.040
<v Speaker 1>A long time? Give me example of hate my nigga,

0:24:10.880 --> 0:24:13.600
<v Speaker 1>my nigga, pirst of all all that timberling jokes. It

0:24:13.720 --> 0:24:22.000
<v Speaker 1>is hate my niggat comedy. But I'm just saying it's

0:24:22.040 --> 0:24:24.400
<v Speaker 1>hate disguise that's coming. You know. He had to hate

0:24:24.480 --> 0:24:24.960
<v Speaker 1>the man.

0:24:27.160 --> 0:24:30.119
<v Speaker 2>People clowning on the South and because it's nobody was

0:24:30.200 --> 0:24:33.000
<v Speaker 2>clowning listen, calling people country it was happening.

0:24:38.320 --> 0:24:42.360
<v Speaker 1>I don't like that, nah, bro, I'm telling you man,

0:24:42.480 --> 0:24:45.040
<v Speaker 1>niggas is mad because of the pop started them. I

0:24:45.080 --> 0:24:47.600
<v Speaker 1>don't think tell you man, I don't think that's telling you.

0:24:47.600 --> 0:24:50.040
<v Speaker 1>It was always like a disconnect with down South from

0:24:50.080 --> 0:24:52.959
<v Speaker 1>New Yorkers. Because I seen the dude the other day.

0:24:53.040 --> 0:24:55.000
<v Speaker 1>He was like young Joe was better than rock kim

0:24:55.080 --> 0:25:00.240
<v Speaker 1>I said this nigga smoke like I'm like, yo, he's smoke. Okay.

0:25:01.040 --> 0:25:04.359
<v Speaker 1>I like the guy. He's better, man better. But by

0:25:04.400 --> 0:25:07.159
<v Speaker 1>the way you comparing apples the arms. Even back then,

0:25:07.280 --> 0:25:09.560
<v Speaker 1>back in the day, there was a disconnecting. But aside

0:25:09.600 --> 0:25:11.920
<v Speaker 1>from music, like when we used to come down, like

0:25:12.280 --> 0:25:15.320
<v Speaker 1>we all have family in the South, Black family in

0:25:15.400 --> 0:25:17.359
<v Speaker 1>the South. So when we would come down here we

0:25:17.480 --> 0:25:19.080
<v Speaker 1>was young. They look at us like we was from

0:25:19.119 --> 0:25:21.200
<v Speaker 1>the future type ship. You know what I'm saying, Like, yah,

0:25:21.240 --> 0:25:23.960
<v Speaker 1>that's another thing to yo, yo, what the is those

0:25:24.040 --> 0:25:26.639
<v Speaker 1>niagas or what's the new music or because not to

0:25:26.680 --> 0:25:28.240
<v Speaker 1>say they were slow with you know, New York is

0:25:28.280 --> 0:25:32.040
<v Speaker 1>New York City, city in the world everything. So back then,

0:25:32.160 --> 0:25:34.760
<v Speaker 1>I think once they got on once they once once,

0:25:35.000 --> 0:25:37.600
<v Speaker 1>once the South started rocking, they was like, yah, niggas

0:25:37.640 --> 0:25:44.880
<v Speaker 1>now he said the South to say everywhere everywhere people

0:25:44.920 --> 0:25:49.840
<v Speaker 1>from the ship with the Wests literally said when I

0:25:50.840 --> 0:26:01.200
<v Speaker 1>say the niggas like yeah, they't make it all better. Yeah,

0:26:01.480 --> 0:26:04.120
<v Speaker 1>Camp did the interview your New York niggas go everywhere

0:26:04.160 --> 0:26:06.600
<v Speaker 1>they think they they think they whatever the he said,

0:26:06.920 --> 0:26:09.560
<v Speaker 1>niggas running with that ship. We should have never said

0:26:09.600 --> 0:26:13.120
<v Speaker 1>that boy, like, come on, man, they gotta stop hating

0:26:13.240 --> 0:26:16.199
<v Speaker 1>this man, let us live. Man. Yeah, man, you know, listen, bro,

0:26:16.440 --> 0:26:18.600
<v Speaker 1>we can't we can't say it. We just said it ourselves, right.

0:26:18.800 --> 0:26:20.680
<v Speaker 1>A lot of the artists that was coming up would

0:26:20.680 --> 0:26:22.320
<v Speaker 1>sounded like they was from where out of New York

0:26:22.440 --> 0:26:26.639
<v Speaker 1>right right, So we love the South, bro, we embrace y'all. Man,

0:26:26.720 --> 0:26:28.639
<v Speaker 1>but don't be mad at us because hip hop started,

0:26:28.680 --> 0:26:31.160
<v Speaker 1>you know, not for real. So like, I don't agree

0:26:31.200 --> 0:26:33.200
<v Speaker 1>with that. We love, we love you. Just see like

0:26:33.680 --> 0:26:35.520
<v Speaker 1>I like future music, and I'm saying I like t

0:26:35.760 --> 0:26:37.600
<v Speaker 1>I I bump a lot of South audists. You know,

0:26:37.600 --> 0:26:40.800
<v Speaker 1>I'm saying, like I funk with their music. So again,

0:26:40.880 --> 0:26:41.800
<v Speaker 1>it goes back in reverse.

0:26:41.880 --> 0:26:43.720
<v Speaker 2>If you listen to a lot of the artists in

0:26:43.800 --> 0:26:46.239
<v Speaker 2>the late eighties early nineties from anywhere else, they were

0:26:46.240 --> 0:26:47.320
<v Speaker 2>all trying to sound like New York art.

0:26:47.359 --> 0:26:49.040
<v Speaker 1>Yeah, but I'm gonna tell you like this right now,

0:26:50.520 --> 0:26:53.520
<v Speaker 1>the artist right now was well, listen to your project though.

0:26:53.640 --> 0:26:54.920
<v Speaker 1>You see how I said, this is a breath of

0:26:54.960 --> 0:26:57.920
<v Speaker 1>fresh air. This so it's lyricol the beast is doing it.

0:26:58.280 --> 0:27:00.680
<v Speaker 1>A lot of people they it's so fucked up in

0:27:00.720 --> 0:27:04.439
<v Speaker 1>the music business, right now I see people frowning upon lyricism.

0:27:04.720 --> 0:27:09.560
<v Speaker 1>They're like, oh, like what They're like, Yo, the facill

0:27:10.359 --> 0:27:13.879
<v Speaker 1>he's running like I like, and I'm like, yo, we

0:27:14.000 --> 0:27:16.800
<v Speaker 1>fucked up? Man, Like like when they when they justing

0:27:17.040 --> 0:27:22.000
<v Speaker 1>lyrical and people ain't stepping up because when you saw

0:27:22.080 --> 0:27:24.399
<v Speaker 1>this in Liverpool, that shit has no geographic to it.

0:27:24.520 --> 0:27:27.840
<v Speaker 1>Well everybody artists everywhere, right, I tell you what what

0:27:27.960 --> 0:27:30.280
<v Speaker 1>I think, man. I think like when when sayon going

0:27:30.320 --> 0:27:34.320
<v Speaker 1>to poost is on top poles, Like what I mean, bro,

0:27:35.000 --> 0:27:37.639
<v Speaker 1>A lot of niggas ain't gonna have jumps because they

0:27:37.720 --> 0:27:40.440
<v Speaker 1>need the ball to be low. They needed not to

0:27:40.520 --> 0:27:42.399
<v Speaker 1>be teaching through the music, not to have concepts, not

0:27:42.480 --> 0:27:44.359
<v Speaker 1>to have lyricism. Like you said, I was reading the

0:27:45.080 --> 0:27:47.439
<v Speaker 1>fake pretend like they hating on the livers. But niggas

0:27:47.480 --> 0:27:50.720
<v Speaker 1>consume music different because that NAS album right now, NAS

0:27:50.760 --> 0:27:53.640
<v Speaker 1>and Primo album. I'm like just saying the album you're

0:27:53.640 --> 0:27:56.000
<v Speaker 1>gonna get on one listen. Niggas sit down listening to

0:27:56.080 --> 0:27:58.240
<v Speaker 1>some ship one time like oh it's trash or it's

0:27:58.280 --> 0:28:00.919
<v Speaker 1>a classic, or they have music work. Man, you got

0:28:01.040 --> 0:28:02.679
<v Speaker 1>to sit there and digest that ship. I ain't up

0:28:02.720 --> 0:28:05.160
<v Speaker 1>from my first listen I was like, I don't know, man.

0:28:05.560 --> 0:28:07.480
<v Speaker 1>Then I went back. I said, nah, this is nas

0:28:07.520 --> 0:28:11.240
<v Speaker 1>in Primo. Maybe I'm missing something. I listened again. By

0:28:11.280 --> 0:28:13.080
<v Speaker 1>the fourth listen, I was like, this might be one

0:28:13.119 --> 0:28:19.760
<v Speaker 1>of my tops like this. That's why I'm like, we

0:28:19.840 --> 0:28:23.880
<v Speaker 1>don't we consume music different than these? They first time

0:28:23.920 --> 0:28:25.959
<v Speaker 1>mother fuckers know the words of the whole song. We're

0:28:26.000 --> 0:28:28.040
<v Speaker 1>here in it once because it's so simple. It's a

0:28:28.080 --> 0:28:31.200
<v Speaker 1>it's a catchphrase or huck something simple, something jingle to

0:28:31.280 --> 0:28:33.920
<v Speaker 1>catch on to. Niggas had to push that pin. Back

0:28:33.920 --> 0:28:35.520
<v Speaker 1>in the day, you had to go push them. Nigga

0:28:35.560 --> 0:28:37.040
<v Speaker 1>had to be like ooh ah when you rap.

0:28:37.640 --> 0:28:39.440
<v Speaker 2>You guys, don't think that the labels had a hand

0:28:39.480 --> 0:28:41.600
<v Speaker 2>in dumb and down the music, because of course now

0:28:41.800 --> 0:28:44.400
<v Speaker 2>you have less talented artists that you could cycle out whenever.

0:28:44.600 --> 0:28:47.240
<v Speaker 1>We get the ring the ring tone ship took us

0:28:47.280 --> 0:28:51.680
<v Speaker 1>to put us oute of this, I would say, But

0:28:51.680 --> 0:28:54.400
<v Speaker 1>I would say it was artists following artists. Like if

0:28:54.440 --> 0:28:58.560
<v Speaker 1>an artist see that, I mean, how many different versions

0:28:58.600 --> 0:29:02.400
<v Speaker 1>of a record you would hear like, oh okay, utter something,

0:29:03.400 --> 0:29:06.400
<v Speaker 1>another record would sound just like it, and another label

0:29:06.560 --> 0:29:12.880
<v Speaker 1>that was illegal back just the hip hops, When did

0:29:12.920 --> 0:29:14.800
<v Speaker 1>that become cool though. Yeah, but you know what it

0:29:14.960 --> 0:29:18.240
<v Speaker 1>is when uh and I probably had something to do

0:29:18.320 --> 0:29:20.720
<v Speaker 1>with this, like when you have people like Paral like

0:29:20.800 --> 0:29:23.280
<v Speaker 1>giving me like super Doug and then oh no, it

0:29:23.360 --> 0:29:25.640
<v Speaker 1>didn't sound the same, but you could tell that was

0:29:25.680 --> 0:29:30.920
<v Speaker 1>the same producers in that area that I think mister

0:29:31.000 --> 0:29:32.360
<v Speaker 1>Cool had a record, and then j Z had a

0:29:32.400 --> 0:29:34.560
<v Speaker 1>regular sounding just like it that time, you know what

0:29:34.560 --> 0:29:37.720
<v Speaker 1>I'm saying. So that's like back in the day. Remember

0:29:37.840 --> 0:29:46.720
<v Speaker 1>I got the power Ship Niggas the same concepts though

0:29:47.040 --> 0:29:55.000
<v Speaker 1>even came and stepping, and they still didn't sound like

0:29:55.080 --> 0:29:57.440
<v Speaker 1>each other. And then that's one thing about back then,

0:29:57.480 --> 0:30:00.360
<v Speaker 1>anybody sounded different. Like eighties, you have to come with

0:30:00.440 --> 0:30:02.880
<v Speaker 1>your own style. Do you think you belong in the nineties,

0:30:05.120 --> 0:30:07.320
<v Speaker 1>Like you know, if you could pick yourself where like

0:30:07.680 --> 0:30:10.600
<v Speaker 1>let me replace my music, what era, what era? Where ever?

0:30:10.720 --> 0:30:13.040
<v Speaker 1>Would you pick? Oh yeah, I would have definitely came

0:30:13.200 --> 0:30:16.880
<v Speaker 1>and yeah, yeah, I was. It seemed more authentic, you

0:30:16.880 --> 0:30:19.080
<v Speaker 1>know what I'm saying. It was cool, substance was there.

0:30:19.120 --> 0:30:21.840
<v Speaker 1>Everything was did I like y'all just having mad fun?

0:30:23.280 --> 0:30:26.480
<v Speaker 1>We checked the wein checked the budget. If we're going

0:30:28.560 --> 0:30:31.240
<v Speaker 1>you have to be with you, right It was. It

0:30:31.360 --> 0:30:33.920
<v Speaker 1>was dope crazy. I thought about this the other day,

0:30:33.920 --> 0:30:37.440
<v Speaker 1>and ship the dmxans is just check into a hotel

0:30:37.520 --> 0:30:39.800
<v Speaker 1>room and just smoke a bobie. You know, you know

0:30:39.880 --> 0:30:43.120
<v Speaker 1>I fouled that ship is now smoke a cigarette DM

0:30:43.160 --> 0:30:47.560
<v Speaker 1>Mexicans crazy. But you gotta you gotta actual record dedicated

0:30:47.600 --> 0:30:51.080
<v Speaker 1>to d MX. Yeah I did. What made you do that? Man?

0:30:51.280 --> 0:30:53.040
<v Speaker 1>I met x a couple of times. Man, you know,

0:30:53.040 --> 0:30:56.280
<v Speaker 1>I mean, solid individual, and it was just a sad situation. Man.

0:30:56.280 --> 0:30:57.920
<v Speaker 1>So I honestly, I just want to distribute him and

0:30:57.960 --> 0:31:00.960
<v Speaker 1>show them some love. Okay, that's what you didn't include

0:31:01.040 --> 0:31:03.040
<v Speaker 1>him in the fence and all record? No, I didn't, Okay,

0:31:03.080 --> 0:31:04.680
<v Speaker 1>I didn't. I didn't even know that that's what happened

0:31:04.720 --> 0:31:07.520
<v Speaker 1>to him. I don't know neither I was fishing right

0:31:07.560 --> 0:31:09.800
<v Speaker 1>now or not. I didn't put him in there now.

0:31:10.120 --> 0:31:14.320
<v Speaker 1>But yeah, recipes to XO. So let's let's describe your

0:31:14.360 --> 0:31:18.920
<v Speaker 1>relationship with case Slay. Yeah. I think I believe I

0:31:18.960 --> 0:31:20.200
<v Speaker 1>spoke to you the other day, and I want to

0:31:20.280 --> 0:31:24.800
<v Speaker 1>get into this too. I believe you said you and

0:31:24.920 --> 0:31:28.240
<v Speaker 1>Bust have never had an argument. No, we didn't, And

0:31:28.840 --> 0:31:30.640
<v Speaker 1>I don't know if you said you and Kate had

0:31:30.640 --> 0:31:33.600
<v Speaker 1>an argument. Of course, I used to argue all the time.

0:31:35.560 --> 0:31:37.959
<v Speaker 1>Before we get into the argument's let's talk about the beginning.

0:31:38.440 --> 0:31:43.280
<v Speaker 1>How did you meet? Oh yeah, it's a long story, man.

0:31:44.680 --> 0:31:47.640
<v Speaker 1>All I say is I was in a space of

0:31:47.720 --> 0:31:50.640
<v Speaker 1>my life at that particular time. It wasn't really a

0:31:50.680 --> 0:31:53.120
<v Speaker 1>good space, and I knew that I had to make

0:31:53.160 --> 0:31:56.120
<v Speaker 1>a decision if I wanted to do music, which is

0:31:56.160 --> 0:31:58.880
<v Speaker 1>something positive, or go to negative route, and I just

0:31:58.880 --> 0:32:00.480
<v Speaker 1>would have been sucked up, you know what I'm saying.

0:32:00.760 --> 0:32:04.000
<v Speaker 1>And I decided. And at that time, you wasn't getting

0:32:04.040 --> 0:32:07.000
<v Speaker 1>in the game. If you wasn't on Rockefeller, Murder Inc.

0:32:07.120 --> 0:32:09.440
<v Speaker 1>Or rough Rider, you just wasn't coming in. That's all

0:32:09.480 --> 0:32:11.320
<v Speaker 1>you heard. But one day I was listening to the

0:32:11.440 --> 0:32:13.160
<v Speaker 1>radio and I heard this this dude on the radio

0:32:13.200 --> 0:32:15.520
<v Speaker 1>and he was playing new artists on the radio. I

0:32:15.560 --> 0:32:18.760
<v Speaker 1>couldn't believe it when he's saying street slocking, Yeah, he

0:32:18.880 --> 0:32:20.600
<v Speaker 1>was just doing this ship and I'm like, oh shit,

0:32:20.680 --> 0:32:23.080
<v Speaker 1>this nigga. Did he just play somebody outside of one

0:32:23.080 --> 0:32:25.680
<v Speaker 1>of those entities I just named. So I'm like, yo,

0:32:25.720 --> 0:32:27.160
<v Speaker 1>I got to meet this dude. So I always kept

0:32:27.160 --> 0:32:29.240
<v Speaker 1>that in the back of my mind and you know,

0:32:29.320 --> 0:32:30.640
<v Speaker 1>I was in the street at the time. I found

0:32:30.680 --> 0:32:33.880
<v Speaker 1>myself in a bad situation, and I said, Yo, when

0:32:33.920 --> 0:32:35.560
<v Speaker 1>I get out of this situation, I'm going to meet

0:32:35.600 --> 0:32:37.880
<v Speaker 1>that dude. You know what I'm saying. I looked up

0:32:37.960 --> 0:32:39.600
<v Speaker 1>at the address HIG ninety seven, and I went up

0:32:39.600 --> 0:32:42.200
<v Speaker 1>there and waited for him outside the radar. Yeah, I

0:32:42.200 --> 0:32:47.000
<v Speaker 1>went up to the did I recorded a CD? Bro?

0:32:47.200 --> 0:32:50.239
<v Speaker 1>I recorded, I think it was seven tracks. I had

0:32:50.280 --> 0:32:51.560
<v Speaker 1>a mic in one hand and a gun in the

0:32:51.600 --> 0:32:53.720
<v Speaker 1>other hand, and I recorded. I used to sell it

0:32:53.760 --> 0:32:55.120
<v Speaker 1>out my trunk. But I went to the radio and

0:32:55.160 --> 0:32:57.120
<v Speaker 1>I just waited for slave Bro. I looked at what

0:32:57.240 --> 0:32:59.000
<v Speaker 1>time he came out, you know, I mean, I think

0:32:59.040 --> 0:33:01.040
<v Speaker 1>I probably looked him up in the fellow page. You

0:33:01.120 --> 0:33:03.120
<v Speaker 1>had a CD in one hand and a gun on

0:33:03.200 --> 0:33:10.120
<v Speaker 1>the on the cover. Oh, I think you take the

0:33:10.200 --> 0:33:14.720
<v Speaker 1>CD or you get what you want. The name of

0:33:14.760 --> 0:33:17.280
<v Speaker 1>the CD was in war. So I recorded, you know

0:33:17.280 --> 0:33:18.920
<v Speaker 1>what I'm saying myself the whole ship. And I went

0:33:19.000 --> 0:33:21.200
<v Speaker 1>up there and I waited for him, and Slake came out.

0:33:21.200 --> 0:33:22.720
<v Speaker 1>You know what I'm saying. You know, how was to

0:33:22.800 --> 0:33:25.120
<v Speaker 1>me the fly ship and I gave him the city.

0:33:25.200 --> 0:33:27.640
<v Speaker 1>He was all right, kept moving Win in the building.

0:33:28.040 --> 0:33:29.840
<v Speaker 1>So I went back to the hook like you was

0:33:29.920 --> 0:33:32.480
<v Speaker 1>going down. I'm about to be on the radio. I'm

0:33:32.520 --> 0:33:34.920
<v Speaker 1>listening to everybody on the on the sidewalk. We got

0:33:34.960 --> 0:33:38.120
<v Speaker 1>the system up and he ain't play the ship. Wow.

0:33:38.400 --> 0:33:39.920
<v Speaker 1>I'm like, damn, this is this is the next day

0:33:39.920 --> 0:33:41.760
<v Speaker 1>after you gave him the CD. No, no, no, remember

0:33:42.000 --> 0:33:45.040
<v Speaker 1>Slay come on twelve midnight. Okay, he's going in the radio.

0:33:45.160 --> 0:33:47.120
<v Speaker 1>I think he's like, Yo, this nigga is going to

0:33:47.160 --> 0:33:50.920
<v Speaker 1>play my song. Now we pull over, were listening. Oh

0:33:51.480 --> 0:33:54.640
<v Speaker 1>it's two hours. He was going back then, so he

0:33:54.680 --> 0:33:57.360
<v Speaker 1>didn't play. I said, damn, I'm gonna go back next

0:33:57.400 --> 0:33:59.240
<v Speaker 1>week and do it again. I come back next week,

0:33:59.480 --> 0:33:59.960
<v Speaker 1>same ship.

0:34:00.640 --> 0:34:00.760
<v Speaker 3>Yo.

0:34:00.840 --> 0:34:02.720
<v Speaker 1>Here you go, bropun, here you go. Man. My name

0:34:02.760 --> 0:34:03.400
<v Speaker 1>is Pat Postman.

0:34:03.400 --> 0:34:03.640
<v Speaker 3>He go.

0:34:04.000 --> 0:34:06.600
<v Speaker 1>He's like, all right, you know Slay serious, dude, man,

0:34:06.640 --> 0:34:08.520
<v Speaker 1>he just kept it moving. I did it again. I

0:34:08.640 --> 0:34:12.120
<v Speaker 1>listened again. He ain't play the shit again. I said, damn, man,

0:34:12.760 --> 0:34:14.600
<v Speaker 1>next time this nigga. I get this nigga a CD.

0:34:14.960 --> 0:34:16.719
<v Speaker 1>I'm not gonna leave. I'm a wait. So when he

0:34:16.800 --> 0:34:18.200
<v Speaker 1>come out, you wanna to explain to me why ain't

0:34:18.280 --> 0:34:20.359
<v Speaker 1>playing my ship? Right? So I did that. I gave

0:34:20.440 --> 0:34:23.880
<v Speaker 1>him the joint. I'm listening. It's like it's like one

0:34:23.920 --> 0:34:26.759
<v Speaker 1>o'clock right. He still ain't played, but he like, yo,

0:34:26.840 --> 0:34:31.279
<v Speaker 1>one hundred two two three ninety seven ninety seven number

0:34:31.320 --> 0:34:33.759
<v Speaker 1>two Dad. I'm like, yo, I'm sitting in the car

0:34:33.920 --> 0:34:36.560
<v Speaker 1>like your fuck that. I'm gonna call up. I calls

0:34:36.680 --> 0:34:39.960
<v Speaker 1>up and as soon as he heard my voice, he

0:34:40.040 --> 0:34:41.600
<v Speaker 1>knew it was me. I was like, yo, man, why

0:34:41.640 --> 0:34:44.360
<v Speaker 1>do you play that? Nigga starts spashing over me on

0:34:44.400 --> 0:34:47.239
<v Speaker 1>the radio. We're going matter of fact, it's not on

0:34:47.320 --> 0:34:50.279
<v Speaker 1>the radio. Were going back and forth. It's on the

0:34:50.320 --> 0:34:52.640
<v Speaker 1>hot line. What's on the hot line? But he ain't

0:34:52.680 --> 0:34:54.279
<v Speaker 1>even know. He thought he was shipping on me. But

0:34:54.320 --> 0:34:56.480
<v Speaker 1>he didn't even know. He made my day because while

0:34:56.520 --> 0:34:59.880
<v Speaker 1>we're arguing, he came out of commercial and the argument

0:35:00.080 --> 0:35:03.000
<v Speaker 1>filed onto the end waves. So I hear this ship.

0:35:03.040 --> 0:35:08.560
<v Speaker 1>I'm in the car. I'm like, oh or somehow, So

0:35:08.640 --> 0:35:11.400
<v Speaker 1>he begs the joint. He's like, yo, everybody can't be

0:35:11.480 --> 0:35:13.640
<v Speaker 1>a rapper. Some people got to be a fire man.

0:35:14.080 --> 0:35:17.120
<v Speaker 1>And he going in on him to retire. He's spash.

0:35:17.320 --> 0:35:19.680
<v Speaker 1>I ain't even get started yet. He like he's pasting

0:35:19.760 --> 0:35:22.480
<v Speaker 1>on the edge. So I'm like, damn, this nigga just violated.

0:35:22.520 --> 0:35:25.479
<v Speaker 1>When this nigga come down, it's lit. So I'm waiting

0:35:25.520 --> 0:35:28.840
<v Speaker 1>in the middle street and ship he come down. He

0:35:29.000 --> 0:35:31.880
<v Speaker 1>see me. I see him walking dead towards each other.

0:35:31.880 --> 0:35:34.120
<v Speaker 1>As soon as we get like face to face, the

0:35:34.200 --> 0:35:36.040
<v Speaker 1>nigga that was with him came in between us and

0:35:36.120 --> 0:35:37.680
<v Speaker 1>he took the CD from me. He was like, yo,

0:35:37.800 --> 0:35:40.880
<v Speaker 1>I got you. For some reason, I believed him. I mean,

0:35:40.960 --> 0:35:42.879
<v Speaker 1>I just left. I ain't gonna I feel defeated. Man.

0:35:43.360 --> 0:35:45.439
<v Speaker 1>I went back to the hood, like, damn, man, it's over.

0:35:45.480 --> 0:35:47.600
<v Speaker 1>The rap sh it ain't working, man. Niggas. Niggas just

0:35:47.640 --> 0:35:50.440
<v Speaker 1>shit it on me, the whole ship. So now I'm

0:35:50.440 --> 0:35:54.880
<v Speaker 1>back in the hood. At the time, the individual by

0:35:54.920 --> 0:35:56.279
<v Speaker 1>the name of Born True. You know what I'm saying.

0:35:56.320 --> 0:35:59.200
<v Speaker 1>He was managing me, very well respected, very well known.

0:35:59.200 --> 0:36:03.000
<v Speaker 1>He didn't won, who gave me yourself? And he had

0:36:03.040 --> 0:36:05.239
<v Speaker 1>passed away. So I was going through a lot of

0:36:05.280 --> 0:36:08.720
<v Speaker 1>things in my life at that time, and I actually

0:36:08.719 --> 0:36:12.040
<v Speaker 1>attended his funeral that particular day. I got into a

0:36:12.080 --> 0:36:15.080
<v Speaker 1>real bad situation and right when I'm about to throw

0:36:15.120 --> 0:36:17.200
<v Speaker 1>my life away, this is no bullshit. I can't make

0:36:17.239 --> 0:36:20.279
<v Speaker 1>this up. I jump in the car and we're trying

0:36:20.320 --> 0:36:22.040
<v Speaker 1>to get out of there. My phone ringing in the

0:36:22.080 --> 0:36:24.880
<v Speaker 1>process of the ship and I picked up the phone.

0:36:25.040 --> 0:36:26.879
<v Speaker 1>It was Slate. I had my number on the CD.

0:36:27.560 --> 0:36:29.440
<v Speaker 1>He was like, Yo, I heard your CD. You on

0:36:29.480 --> 0:36:32.520
<v Speaker 1>the show next week? Well, I mean the rest was history. Bro.

0:36:32.960 --> 0:36:35.120
<v Speaker 1>When he said you on the show, he meant playing

0:36:35.160 --> 0:36:37.480
<v Speaker 1>the record that he invited me. He was like, I

0:36:37.560 --> 0:36:39.200
<v Speaker 1>want you to come up to the radio station live

0:36:40.000 --> 0:36:42.440
<v Speaker 1>wrap on the edd A whole ship, I mean. So

0:36:42.520 --> 0:36:44.920
<v Speaker 1>that shit was like life changed the moment for me, Bro,

0:36:45.080 --> 0:36:47.600
<v Speaker 1>like all right, world, because I was just about to

0:36:47.800 --> 0:36:50.439
<v Speaker 1>throw my life away. Man. He called in the midst

0:36:50.480 --> 0:36:52.719
<v Speaker 1>of that and inviting me on the radio, which was

0:36:52.760 --> 0:36:54.239
<v Speaker 1>a dream for me, you know what I'm saying. So

0:36:54.800 --> 0:36:57.400
<v Speaker 1>I went on the radio and rest in peace. Prodigy

0:36:57.560 --> 0:37:00.440
<v Speaker 1>was there. Prodigy and somebody else was did like you

0:37:00.480 --> 0:37:03.040
<v Speaker 1>know what I'm saying, and we all was spitting live

0:37:03.120 --> 0:37:06.800
<v Speaker 1>on the air. Queen's niggas, put your brooks niggas. I

0:37:06.880 --> 0:37:14.480
<v Speaker 1>did that same ship for fath. I remember that we

0:37:14.600 --> 0:37:16.520
<v Speaker 1>was rapping on the man. But like I said, but

0:37:16.880 --> 0:37:19.440
<v Speaker 1>for me, like I know nowadays they take this ship

0:37:19.520 --> 0:37:21.920
<v Speaker 1>for granted, but this music ship, I'm not ashamed to

0:37:21.920 --> 0:37:24.000
<v Speaker 1>say it was a dream for me. Bro So so

0:37:25.560 --> 0:37:30.040
<v Speaker 1>boom from Casey who gets involved from there, Buster Rhymes

0:37:30.239 --> 0:37:33.160
<v Speaker 1>or Chris Lightning. We kept grinding me and Slaye kept

0:37:33.200 --> 0:37:35.000
<v Speaker 1>grinding for the loans. If you listen to the mixtape,

0:37:35.000 --> 0:37:36.120
<v Speaker 1>Slave was fash and at the end of the air

0:37:36.239 --> 0:37:38.839
<v Speaker 1>mixing better sign my nigga. So he took you under

0:37:38.880 --> 0:37:41.200
<v Speaker 1>his wing right from that first, under his wing, from

0:37:41.320 --> 0:37:43.960
<v Speaker 1>from from the from that moment on some better term

0:37:44.719 --> 0:37:48.600
<v Speaker 1>me coping from Queens. What I feel like what Slade

0:37:48.600 --> 0:37:51.200
<v Speaker 1>did for you was kind of like what Clue did

0:37:51.280 --> 0:37:54.520
<v Speaker 1>for Nature, right, like you know, Nas had got that

0:37:54.760 --> 0:37:56.440
<v Speaker 1>route and then I don't know if you remember, but

0:37:56.560 --> 0:37:58.600
<v Speaker 1>Nature was when Nation was on the beginning of the

0:37:59.680 --> 0:38:02.359
<v Speaker 1>Bobby and like I felt like he was on every

0:38:02.400 --> 0:38:05.840
<v Speaker 1>Slave tape and that's how he was doing. So you

0:38:05.960 --> 0:38:08.239
<v Speaker 1>agree with that, Oh yeah, yeah, I would. I would

0:38:08.239 --> 0:38:10.640
<v Speaker 1>definitely say that, but I would say, like, to Nature's credit,

0:38:10.719 --> 0:38:12.800
<v Speaker 1>you know what I'm saying, he still had to deliver.

0:38:13.440 --> 0:38:16.040
<v Speaker 1>If they would have put a wat nigga in get

0:38:16.120 --> 0:38:18.920
<v Speaker 1>him out of here, you on a Clue tape especially,

0:38:19.040 --> 0:38:22.080
<v Speaker 1>you know, what I mean, So one hundred percent, you're right.

0:38:22.200 --> 0:38:24.800
<v Speaker 1>He gave me a golden opportunity and I knew I

0:38:24.880 --> 0:38:26.520
<v Speaker 1>had to run with it. So then you said, y'all

0:38:26.560 --> 0:38:28.440
<v Speaker 1>was grinding, So how did y'all go? He was grinding? Man,

0:38:28.480 --> 0:38:30.919
<v Speaker 1>I was putting out a mixtape every every like every

0:38:30.960 --> 0:38:32.680
<v Speaker 1>other month. Bro. Me and Slave was just putting out

0:38:32.680 --> 0:38:35.640
<v Speaker 1>a mixtape after mixtape, And honestly, niggas don't notice. But

0:38:36.160 --> 0:38:39.360
<v Speaker 1>I met Slaying oh four, I caught a buzz. I

0:38:39.400 --> 0:38:42.320
<v Speaker 1>didn't get signed to like six o seven, So I

0:38:42.440 --> 0:38:44.879
<v Speaker 1>was just doing mixtapes keeping my name going all that time.

0:38:45.200 --> 0:38:47.839
<v Speaker 1>But within that time frame, like you said, Buster had

0:38:47.920 --> 0:38:50.279
<v Speaker 1>wound up hearing me and he reached out the Slave

0:38:51.640 --> 0:38:54.000
<v Speaker 1>mixtape and he went on the air waves. He picked

0:38:54.000 --> 0:38:55.400
<v Speaker 1>me up over the air. You know how Bus is

0:38:55.480 --> 0:38:57.920
<v Speaker 1>like he he he paused, he give it up if

0:38:57.920 --> 0:39:01.000
<v Speaker 1>he respect what you do. And we started working together.

0:39:01.040 --> 0:39:03.239
<v Speaker 1>Me and Bus started doing joints and eventually they so

0:39:03.320 --> 0:39:06.080
<v Speaker 1>they did a joint venture with Street Sweepers Flip Mode,

0:39:06.840 --> 0:39:08.759
<v Speaker 1>but just to both push me at the same time.

0:39:08.800 --> 0:39:10.720
<v Speaker 1>You know what I'm saying that that company Street Street

0:39:10.719 --> 0:39:14.759
<v Speaker 1>Swip Sweepers, Flip Flip Mode does not exist. Only they

0:39:14.800 --> 0:39:16.879
<v Speaker 1>only came together for fat pools because Buster really wanted

0:39:17.200 --> 0:39:21.480
<v Speaker 1>to sign me. Nas wanted to sign me at the time. Yeah,

0:39:21.520 --> 0:39:23.000
<v Speaker 1>I took a meeting with No Slay want me to

0:39:23.040 --> 0:39:25.239
<v Speaker 1>take that meeting, But I took that meeting. Really why

0:39:25.600 --> 0:39:27.719
<v Speaker 1>because they didn't get along at the time. Bro, No,

0:39:27.880 --> 0:39:30.359
<v Speaker 1>Slay always kind of held nads down, even even Nah

0:39:30.440 --> 0:39:31.960
<v Speaker 1>with the Yeah, but that's why they didn't get along,

0:39:32.000 --> 0:39:34.680
<v Speaker 1>because Slay held him down, Okay, and then he felt

0:39:34.719 --> 0:39:38.600
<v Speaker 1>like No, what happened was rest in peace of slate

0:39:38.719 --> 0:39:40.080
<v Speaker 1>and shout out the nads. You know what I'm saying.

0:39:40.120 --> 0:39:41.960
<v Speaker 1>I really don't get in between that, but I can

0:39:42.040 --> 0:39:45.000
<v Speaker 1>tell you what happened was this, and it's from my brother.

0:39:45.080 --> 0:39:48.000
<v Speaker 1>Slave Slay held him down. You know what I'm saying.

0:39:48.080 --> 0:39:49.799
<v Speaker 1>It's a battle of the beach, especially what to eat

0:39:49.840 --> 0:39:54.400
<v Speaker 1>the ship beat. Yeah, they had the situation they had

0:39:54.440 --> 0:39:56.239
<v Speaker 1>to decide and vote. I heard, and I heard he

0:39:56.320 --> 0:39:58.440
<v Speaker 1>also made sure people was being fair. Not only he

0:39:58.560 --> 0:40:02.480
<v Speaker 1>was just shop coming there. They were saying the facts

0:40:02.600 --> 0:40:05.200
<v Speaker 1>said something else, but the facts said another thing. Right.

0:40:05.400 --> 0:40:08.080
<v Speaker 1>I did hear that slave slave slaves they kept the

0:40:08.120 --> 0:40:10.120
<v Speaker 1>buck heard it held it down. He held it down. Okay.

0:40:10.200 --> 0:40:13.719
<v Speaker 1>Boom Slay had a single that now is featured on him.

0:40:13.760 --> 0:40:16.600
<v Speaker 1>Okay wow, and he had to video shoot the whole ship.

0:40:16.960 --> 0:40:19.080
<v Speaker 1>And now they showed up to the video. Remember this,

0:40:19.239 --> 0:40:21.040
<v Speaker 1>this is the video. The video got shot up though,

0:40:21.520 --> 0:40:26.600
<v Speaker 1>or I don't know about that. I don't know about it.

0:40:26.640 --> 0:40:28.799
<v Speaker 1>Maybe it's the woman I hear about no shots flying

0:40:28.880 --> 0:40:30.920
<v Speaker 1>the video. Maybe it's the woman Foxy on it. Now

0:40:30.960 --> 0:40:33.040
<v Speaker 1>I know it slays single okay. And that's why Slave

0:40:33.120 --> 0:40:34.959
<v Speaker 1>was he felt like, damn, I held you down, my nigga,

0:40:34.960 --> 0:40:37.080
<v Speaker 1>you know, saying you ain't do the joint. So long

0:40:37.160 --> 0:40:38.960
<v Speaker 1>story short. Around that time, I had the bidding war

0:40:39.160 --> 0:40:42.480
<v Speaker 1>going on and Buster stepped up to the to the place.

0:40:42.480 --> 0:40:44.560
<v Speaker 1>Shots to my brother, Buster rhymes, man, one of the

0:40:44.840 --> 0:40:46.759
<v Speaker 1>realist dudes in this play. Let's make some lights from

0:40:49.160 --> 0:40:53.320
<v Speaker 1>Man shot the Buster so so Jungle one of my

0:40:53.360 --> 0:40:56.120
<v Speaker 1>people's had new Jungle and he hit me. He said, yo, bro,

0:40:56.480 --> 0:40:58.000
<v Speaker 1>you know what I mean, Jungle, my man. Now I

0:40:58.080 --> 0:41:00.640
<v Speaker 1>just want to meet you. Were cool. I go back

0:41:00.680 --> 0:41:03.400
<v Speaker 1>to Slave, I said, Yo, Slave, Niggas is telling me

0:41:03.680 --> 0:41:05.440
<v Speaker 1>at the time, I don't know nothing about this history

0:41:05.520 --> 0:41:08.120
<v Speaker 1>to be for nothing, Niggas is telling me Nas on

0:41:08.239 --> 0:41:11.640
<v Speaker 1>the on the meeting say was like, hell no man,

0:41:12.520 --> 0:41:15.400
<v Speaker 1>nah man, like, you know what I'm saying. He you know,

0:41:15.480 --> 0:41:17.640
<v Speaker 1>slay man, I don't even get into it. But I'm like,

0:41:18.280 --> 0:41:21.240
<v Speaker 1>Slave's nas my nigga, I gotta take exactly, man, exactly.

0:41:21.280 --> 0:41:23.160
<v Speaker 1>And he like, Yo, don't funk with it. He had

0:41:23.160 --> 0:41:25.120
<v Speaker 1>his reasons. I took the meeting. We met at like

0:41:25.200 --> 0:41:27.440
<v Speaker 1>a piece of shop in little Manhattan and ship. We

0:41:27.560 --> 0:41:30.640
<v Speaker 1>sat down and Nas was cool, man like. He was like, Yo,

0:41:30.719 --> 0:41:34.960
<v Speaker 1>tell Slave play a record, man like. But Slave was

0:41:34.960 --> 0:41:37.040
<v Speaker 1>still felt the way about that ship. But he was.

0:41:37.280 --> 0:41:38.759
<v Speaker 1>Nas was telling me he said, Yo, man, I'm about

0:41:38.760 --> 0:41:40.800
<v Speaker 1>to go to death Gym soon with jay Z. You

0:41:40.840 --> 0:41:41.920
<v Speaker 1>know what I mean. I want you to come with

0:41:42.080 --> 0:41:45.440
<v Speaker 1>me m. And we spoke back and forth. You know

0:41:45.480 --> 0:41:47.680
<v Speaker 1>what I'm saying. He basically acknowledged what I was doing

0:41:47.719 --> 0:41:50.719
<v Speaker 1>at the time, and he agreed to send over the offer,

0:41:51.000 --> 0:41:53.560
<v Speaker 1>which was which was a deaf jym offer. I went

0:41:53.600 --> 0:41:55.359
<v Speaker 1>back to Slagh, I said, your slave, he's gonna send

0:41:55.400 --> 0:41:57.560
<v Speaker 1>an office slay like man. All right, we wait, we'll see.

0:41:58.160 --> 0:42:00.239
<v Speaker 1>You know what I'm saying. He sent the offer. It

0:42:00.400 --> 0:42:03.640
<v Speaker 1>was a low number at the time, so Slave was like, nah,

0:42:03.960 --> 0:42:06.600
<v Speaker 1>I'm signed the slag at this time. So we passed

0:42:06.640 --> 0:42:08.960
<v Speaker 1>on that, you know what I mean, And we kept grinding.

0:42:09.800 --> 0:42:11.520
<v Speaker 1>My brother Buster Ron's put me on the record that

0:42:11.640 --> 0:42:16.040
<v Speaker 1>changed my life. Make sure Buster put me on that record.

0:42:16.080 --> 0:42:18.320
<v Speaker 1>I couldn't go to the mall no more, for it

0:42:18.440 --> 0:42:21.480
<v Speaker 1>was crazy, you know what I'm saying. One time when

0:42:21.480 --> 0:42:23.799
<v Speaker 1>I did that record, Buster he was the long Holly said, Yo,

0:42:24.280 --> 0:42:25.879
<v Speaker 1>I want you to come out. I'm doing the show.

0:42:26.440 --> 0:42:28.839
<v Speaker 1>So I come out on my part and the whole

0:42:28.920 --> 0:42:32.880
<v Speaker 1>fucking building is pandemonium. I'm looking around. If anybody got

0:42:32.880 --> 0:42:35.759
<v Speaker 1>the footage, I'm confused why they're screaming. But it was

0:42:35.800 --> 0:42:42.600
<v Speaker 1>for me, you know what I'm saying. And then at

0:42:42.640 --> 0:42:45.120
<v Speaker 1>the time was we were trying to pick the right deal.

0:42:45.719 --> 0:42:49.440
<v Speaker 1>Swiss Beats had an offer, uh and the Scope had

0:42:49.480 --> 0:42:53.719
<v Speaker 1>a had an offer, and and job, you know what

0:42:53.760 --> 0:42:57.960
<v Speaker 1>I'm saying. Dave Lighty, was there no Chris Lighty? Okay,

0:42:59.000 --> 0:43:02.360
<v Speaker 1>Chris Chris rest piece, but well Chris did kind of

0:43:02.520 --> 0:43:04.640
<v Speaker 1>kind of fucked us over though, Okay, really rest in

0:43:04.640 --> 0:43:07.439
<v Speaker 1>peace to Chris, though he got you the million Nah.

0:43:07.760 --> 0:43:10.480
<v Speaker 1>Well yeah, no, what happened was this we had a

0:43:10.520 --> 0:43:14.919
<v Speaker 1>lot of different labels to choose from. But I'm under

0:43:15.040 --> 0:43:17.960
<v Speaker 1>violated management and Chris Lighty is the president of the

0:43:18.040 --> 0:43:20.279
<v Speaker 1>Job Record, like a conflict of no, no, no, not

0:43:20.400 --> 0:43:23.000
<v Speaker 1>even that. I'm gonna tell you what happened. We're like, Yo,

0:43:23.400 --> 0:43:25.400
<v Speaker 1>we need to sign with Job one. They give them

0:43:25.440 --> 0:43:27.359
<v Speaker 1>the most money. No two, they giving the most money,

0:43:27.640 --> 0:43:31.000
<v Speaker 1>and number one, the nigga that we fuck with is

0:43:31.040 --> 0:43:32.440
<v Speaker 1>the president of the label. We're gonna be good. We

0:43:32.440 --> 0:43:35.759
<v Speaker 1>ain't gonna have no issues them as a manager. Not

0:43:36.040 --> 0:43:38.319
<v Speaker 1>even that. I tell you what happened. As soon as

0:43:38.360 --> 0:43:42.759
<v Speaker 1>I signed the fucking deal, news goes out everywhere. Chris

0:43:42.880 --> 0:43:45.080
<v Speaker 1>Lighty is no longer the president of the job Records.

0:43:45.200 --> 0:43:47.560
<v Speaker 1>This ship is an R and B label, So you

0:43:48.040 --> 0:43:50.319
<v Speaker 1>Chris was like, Yo, sign over here. I'm telling y'all.

0:43:50.320 --> 0:43:51.719
<v Speaker 1>Remember it's a beening one for me at the time,

0:43:51.800 --> 0:43:54.320
<v Speaker 1>right right. I mean, I'm doing what I do. So

0:43:54.520 --> 0:43:58.319
<v Speaker 1>everybody got interests and we decide and were like, all right,

0:43:58.440 --> 0:44:02.080
<v Speaker 1>Chris is in our AA, Yo, come over here, got y'all, Okay,

0:44:02.200 --> 0:44:05.480
<v Speaker 1>I'm here. It's a no brain. As soon as we signed, nigga,

0:44:05.520 --> 0:44:06.919
<v Speaker 1>what do you think he already knew he was leaving.

0:44:06.960 --> 0:44:09.400
<v Speaker 1>I'm not saying that. I'm just saying that's what happened.

0:44:09.960 --> 0:44:11.680
<v Speaker 1>So a young nigga from the other We've been working,

0:44:11.960 --> 0:44:13.839
<v Speaker 1>like my brother was saying, early, been working his whole

0:44:13.840 --> 0:44:16.640
<v Speaker 1>life for this. You finally get in that position that

0:44:16.800 --> 0:44:21.920
<v Speaker 1>kind of Sleigh was pissed that Steve out here, but

0:44:22.040 --> 0:44:25.000
<v Speaker 1>we kept it moving and eventually we ran into trouble, which,

0:44:25.120 --> 0:44:27.520
<v Speaker 1>like I said before, the worst decision ever. What I'm

0:44:27.520 --> 0:44:30.080
<v Speaker 1>saying to sign it signed into Job Records for the

0:44:30.120 --> 0:44:32.799
<v Speaker 1>one point five million. Okay, all right, let me let

0:44:32.840 --> 0:44:34.840
<v Speaker 1>me ask you two part questions. Yeah, if you had

0:44:34.880 --> 0:44:37.160
<v Speaker 1>a chance to do it over, which major would you

0:44:37.239 --> 0:44:41.400
<v Speaker 1>sign to? If not? Y'all? First of all, if I

0:44:41.640 --> 0:44:42.840
<v Speaker 1>had a chance to do it over, I would have

0:44:42.880 --> 0:44:44.680
<v Speaker 1>put my album off from the gate instead of doing

0:44:44.719 --> 0:44:47.520
<v Speaker 1>all those mixtapes number one and number two. To answer

0:44:47.560 --> 0:44:49.799
<v Speaker 1>your question, I would have definitely took that death Jam

0:44:49.880 --> 0:44:54.080
<v Speaker 1>deal with NOAs Okay, death jam with nos you would

0:44:54.120 --> 0:44:56.200
<v Speaker 1>have been. I would have took that because what was it?

0:44:56.320 --> 0:44:58.880
<v Speaker 1>It wasn't I Will Jam was no No. Whatever the

0:44:58.920 --> 0:45:00.480
<v Speaker 1>fuck he did when he went over there with jay Z,

0:45:01.080 --> 0:45:04.200
<v Speaker 1>his own wasn't quite master Pill yet it wasn't well,

0:45:05.239 --> 0:45:07.080
<v Speaker 1>I don't forget what it was. I think it might

0:45:07.120 --> 0:45:09.160
<v Speaker 1>have been a well slay. Slay looked at it like, yo,

0:45:09.320 --> 0:45:11.719
<v Speaker 1>pat Nah's never blew nobody up but itself. You know

0:45:11.719 --> 0:45:14.279
<v Speaker 1>what I'm saying. Really, that was just slave. I'm just saying, Okay,

0:45:14.480 --> 0:45:16.520
<v Speaker 1>rest in peace. That's my brother, you know what I mean.

0:45:16.560 --> 0:45:18.920
<v Speaker 1>And I'm a I'm a big supporting fan of now,

0:45:19.080 --> 0:45:20.520
<v Speaker 1>but I don't take nothing away from none of them.

0:45:21.200 --> 0:45:23.320
<v Speaker 1>This is what happened me. I don't look at it

0:45:23.400 --> 0:45:24.759
<v Speaker 1>like that. I look at it like it's like if

0:45:24.760 --> 0:45:26.680
<v Speaker 1>a player go to a certain team, the team might

0:45:26.760 --> 0:45:28.840
<v Speaker 1>be trash, but when he go there, you know what

0:45:28.840 --> 0:45:30.600
<v Speaker 1>I'm saying, You don't. Yeah, I know what I would

0:45:30.640 --> 0:45:32.920
<v Speaker 1>have did with that given but you can't cry for

0:45:33.000 --> 0:45:35.239
<v Speaker 1>spilt milk. I'm here, man, but you know that's that's

0:45:35.280 --> 0:45:37.520
<v Speaker 1>what happened. That would have been crazy though. So then

0:45:38.719 --> 0:45:41.839
<v Speaker 1>how do you get out of this deal? The job? Yeah? Well,

0:45:41.880 --> 0:45:46.480
<v Speaker 1>thank god. When we negotiated it, we negotiated that if

0:45:46.520 --> 0:45:48.120
<v Speaker 1>they didn't do the right thing bias, we get to

0:45:48.200 --> 0:45:51.200
<v Speaker 1>leave with the money. With the money, yeah, so we

0:45:51.520 --> 0:45:53.879
<v Speaker 1>left with the bread mean slant at the time, which

0:45:54.000 --> 0:45:59.759
<v Speaker 1>was yeah, goddamn goddamn. We didn't get to get to

0:45:59.840 --> 0:46:02.719
<v Speaker 1>that marking the budget though. We had like a big

0:46:02.760 --> 0:46:04.640
<v Speaker 1>ass marketing budget that we didn't get to tap into.

0:46:05.160 --> 0:46:06.680
<v Speaker 1>We was mad about that, but we did get the

0:46:06.960 --> 0:46:09.320
<v Speaker 1>one point five you know, you, Me and Slay. We

0:46:09.360 --> 0:46:12.040
<v Speaker 1>got out of there and back to the ground. So

0:46:12.440 --> 0:46:15.879
<v Speaker 1>how far did you did you throw out singles with them?

0:46:15.960 --> 0:46:17.960
<v Speaker 1>How far did you go? We didn't even get a chance.

0:46:18.040 --> 0:46:20.600
<v Speaker 1>It was a whole stabatarge. What happened. What happened that

0:46:20.800 --> 0:46:24.759
<v Speaker 1>job was Okay, when I was in the process of

0:46:24.840 --> 0:46:28.520
<v Speaker 1>signing there, I got a I got a message. Back

0:46:28.560 --> 0:46:31.000
<v Speaker 1>then we had the side kicks, right of course, so

0:46:31.080 --> 0:46:33.480
<v Speaker 1>a nigga hit me on the side kick. It's when

0:46:33.520 --> 0:46:35.600
<v Speaker 1>I just signed. As a matter of fact, I was

0:46:35.920 --> 0:46:38.600
<v Speaker 1>in the process of the whole ship. Nigga hit me up.

0:46:38.640 --> 0:46:41.880
<v Speaker 1>He said, your pat They mad at the label. A

0:46:41.960 --> 0:46:44.080
<v Speaker 1>lot of people that work at the label they pissed

0:46:44.120 --> 0:46:47.480
<v Speaker 1>off because what happened was Barry Whiss and p A

0:46:47.840 --> 0:46:52.640
<v Speaker 1>and Peter Thea. They signed me. The bosses signed me directly.

0:46:53.280 --> 0:46:54.640
<v Speaker 1>So when me and Slay took the meeting to do

0:46:54.719 --> 0:46:56.000
<v Speaker 1>the deal, he said, you know the reason why I'm

0:46:56.000 --> 0:46:57.560
<v Speaker 1>signing you was because my son is a fan of

0:46:57.640 --> 0:47:00.320
<v Speaker 1>Little Library. So the people at the label, who was

0:47:00.320 --> 0:47:02.719
<v Speaker 1>saying that bad right? Yeah, okay, he telling me that

0:47:03.080 --> 0:47:05.760
<v Speaker 1>at the at the meeting. So the people at the label,

0:47:06.440 --> 0:47:11.000
<v Speaker 1>y'all know, I'm sure y'all can agree to this. They

0:47:11.040 --> 0:47:13.399
<v Speaker 1>didn't have nothing to do with like, I skip past

0:47:13.480 --> 0:47:15.040
<v Speaker 1>all of them niggas and went straight to the to

0:47:15.120 --> 0:47:17.160
<v Speaker 1>the boss. So they didn't like it. They didn't like

0:47:17.280 --> 0:47:20.279
<v Speaker 1>me because of that. They couldn't put their hands in

0:47:20.320 --> 0:47:22.080
<v Speaker 1>my budget. They couldn't do nothing me and Slay was

0:47:22.120 --> 0:47:25.040
<v Speaker 1>dealing directly with their boss. So somebody that hit me

0:47:25.120 --> 0:47:27.040
<v Speaker 1>up and they say your path I was at job.

0:47:27.080 --> 0:47:29.759
<v Speaker 1>I hope iheard a meeting them niggas was pissed off

0:47:29.800 --> 0:47:32.520
<v Speaker 1>that you signed to the label, and they saying ship

0:47:32.560 --> 0:47:33.839
<v Speaker 1>like yo, as soon as you put out a single,

0:47:33.960 --> 0:47:35.520
<v Speaker 1>but don't go, we're gonna get them off the label.

0:47:36.320 --> 0:47:38.000
<v Speaker 1>But what they did was that was that wasn't really

0:47:38.080 --> 0:47:41.759
<v Speaker 1>what you know, what what transpired. What happened was back then,

0:47:41.800 --> 0:47:43.799
<v Speaker 1>you know you needed the one two punch, you caught

0:47:43.840 --> 0:47:45.520
<v Speaker 1>a bus. Then you did the single with the R

0:47:45.520 --> 0:47:48.080
<v Speaker 1>and B artists, get the street record, Street record, get

0:47:48.120 --> 0:47:49.520
<v Speaker 1>the single with the R and B artists. You out

0:47:49.520 --> 0:47:51.239
<v Speaker 1>of here. All the R and B artists was on job.

0:47:52.320 --> 0:47:54.400
<v Speaker 1>So they blocked all the R and B artist from

0:47:54.400 --> 0:47:57.920
<v Speaker 1>getting on my project. You know what I'm saying. Yeah

0:47:57.960 --> 0:48:01.279
<v Speaker 1>they did. They did big like a motherfucker Like me

0:48:01.320 --> 0:48:03.000
<v Speaker 1>and Slay was fighting. You know what I'm saying. We

0:48:03.200 --> 0:48:04.919
<v Speaker 1>tried to get all Kelly, but I'm glad I didn't

0:48:04.920 --> 0:48:14.000
<v Speaker 1>do that ship. You know what I'm saying, Go yeah,

0:48:14.080 --> 0:48:16.200
<v Speaker 1>but I mean, you know in the love brother, it's like, yeah,

0:48:16.760 --> 0:48:19.759
<v Speaker 1>they blocked him. They blocked t Pain. Listen to the

0:48:19.920 --> 0:48:22.880
<v Speaker 1>R and B artists they have. They blocked Chris Brown.

0:48:23.040 --> 0:48:24.400
<v Speaker 1>You know what I'm saying. Chris Brown is on the

0:48:24.440 --> 0:48:26.120
<v Speaker 1>job too, that's you know what I'm saying. So all

0:48:26.480 --> 0:48:28.640
<v Speaker 1>and these artists were showing love, saying they wanted to

0:48:28.680 --> 0:48:32.480
<v Speaker 1>do pain. This might about, you know, controversy. Yeah, so

0:48:32.560 --> 0:48:34.400
<v Speaker 1>they blocked all the R and B artist from the project.

0:48:34.840 --> 0:48:36.880
<v Speaker 1>Eventually that shi adin't work out. Me and Slay was like,

0:48:36.920 --> 0:48:39.920
<v Speaker 1>all right, we got to exercise that close. Now I

0:48:40.000 --> 0:48:42.560
<v Speaker 1>had to get out of them. So they asked you

0:48:42.560 --> 0:48:44.279
<v Speaker 1>a question, No, I didn't. Matter of fact, I did

0:48:44.360 --> 0:48:46.960
<v Speaker 1>get a single off, but my single was out two

0:48:47.000 --> 0:48:49.680
<v Speaker 1>weeks when it deal folded. Wow, I had Snoop Dog

0:48:49.760 --> 0:48:57.200
<v Speaker 1>won the single get out. Yeah, that's the fact was

0:48:57.640 --> 0:49:02.920
<v Speaker 1>let's go you got something us? What's that is that?

0:49:03.040 --> 0:49:10.319
<v Speaker 1>I shaid, I gotta look up my glasses. All right,

0:49:10.560 --> 0:49:13.480
<v Speaker 1>old man, ship it's a drinking game, but we're not drinking. Yeah,

0:49:14.080 --> 0:49:18.319
<v Speaker 1>I mean y'all want to drink. Yeah, celebrating the album.

0:49:18.400 --> 0:49:26.040
<v Speaker 1>Then you go, man produce Fire Fire, Thank you saw

0:49:26.120 --> 0:49:29.759
<v Speaker 1>hit me up to about it? Man, Look like I

0:49:29.920 --> 0:49:33.040
<v Speaker 1>was like, whoa, that's fire. I ain't even realize how

0:49:33.239 --> 0:49:37.480
<v Speaker 1>how it's like, Yo, that's no one can skip you put.

0:49:37.600 --> 0:49:40.560
<v Speaker 1>I just hated, like, if you're a fan of hip hop,

0:49:40.719 --> 0:49:44.480
<v Speaker 1>you skip that. They're just mad people shock. My brother

0:49:44.560 --> 0:49:46.640
<v Speaker 1>Sean too in the production. They had a mad day.

0:49:46.800 --> 0:49:48.680
<v Speaker 1>My brother right here produced that whole project. You know

0:49:49.400 --> 0:49:53.800
<v Speaker 1>that fire I killed. I killed that ship. No, we

0:49:53.960 --> 0:49:56.160
<v Speaker 1>we did the We did the in the studio together

0:49:56.280 --> 0:49:58.399
<v Speaker 1>like no emailing. You know what I'm saying, Like every

0:49:59.080 --> 0:50:01.520
<v Speaker 1>question in the studio did you did you? Because when

0:50:01.560 --> 0:50:05.600
<v Speaker 1>I first heard when you first introduced the project, I

0:50:05.640 --> 0:50:07.080
<v Speaker 1>thought it was gonna because you know, to do the

0:50:07.120 --> 0:50:09.960
<v Speaker 1>freestyles in the car that inspire you to do the

0:50:10.040 --> 0:50:11.680
<v Speaker 1>Balls it did it did?

0:50:11.840 --> 0:50:11.960
<v Speaker 4>Man?

0:50:12.120 --> 0:50:13.920
<v Speaker 1>Because I was like, yeah, how's this gonna come out?

0:50:14.000 --> 0:50:15.720
<v Speaker 1>Is he just gonna have like, oh that's white Balls

0:50:19.000 --> 0:50:20.840
<v Speaker 1>did because so many people just hit me up like

0:50:21.000 --> 0:50:23.319
<v Speaker 1>you need to turn into a project. But I ain't

0:50:23.360 --> 0:50:24.560
<v Speaker 1>just want to do it. I wanted to make sure

0:50:24.600 --> 0:50:27.120
<v Speaker 1>I like, did it right? You know what I'm saying. Bro,

0:50:27.840 --> 0:50:30.879
<v Speaker 1>that showed me. That's a good project, man, good looking show.

0:50:31.280 --> 0:50:34.560
<v Speaker 1>Definitely got definitely gonna do part two. Man, Yeah, I

0:50:34.640 --> 0:50:42.920
<v Speaker 1>hit you. I'm like, I know the bro individuals to yeah,

0:50:43.000 --> 0:50:45.279
<v Speaker 1>oh yes, each time. It's gonna come with a short film.

0:50:45.320 --> 0:50:46.960
<v Speaker 1>You know what I'm saying. So, who's the girl on

0:50:47.080 --> 0:50:51.400
<v Speaker 1>the project? O Kadija that's under Artists. She underwent records,

0:50:51.400 --> 0:50:54.320
<v Speaker 1>so she signed to Win Records. I'm saying, that's family

0:50:54.440 --> 0:50:57.120
<v Speaker 1>right there. When when when now she killing it? She

0:50:57.239 --> 0:50:59.279
<v Speaker 1>killing it? She from Cali man, she from Leone, but

0:50:59.640 --> 0:51:02.120
<v Speaker 1>she in calad of the Diamonds is up. Yeah, yeah,

0:51:03.360 --> 0:51:04.520
<v Speaker 1>you know what I'm saying. But she's based in.

0:51:06.239 --> 0:51:11.520
<v Speaker 2>Yeah, yes Diamonds, shout the Cadijo. All right, we're gonna

0:51:11.560 --> 0:51:13.400
<v Speaker 2>do quick time with Slim. We're gonna give you two choices.

0:51:13.920 --> 0:51:16.120
<v Speaker 2>If you pick one, we're not drinking. If you say both,

0:51:16.600 --> 0:51:19.080
<v Speaker 2>you know want you you're playing, You're alumni.

0:51:19.520 --> 0:51:25.480
<v Speaker 1>Wanta drink? I'll be drinking a lot. Man. Great time

0:51:25.520 --> 0:51:31.319
<v Speaker 1>with Slim getting my must time. I heard you crash

0:51:31.360 --> 0:51:35.120
<v Speaker 1>into a police car? Did oh ship? Last time I

0:51:35.239 --> 0:51:43.719
<v Speaker 1>left the last time? You gotta use that you ain't

0:51:43.719 --> 0:51:47.360
<v Speaker 1>gonna lie. This is a funny ship son, because I

0:51:47.480 --> 0:51:49.600
<v Speaker 1>knew I was twisted right. So the nigga was like

0:51:50.800 --> 0:51:53.760
<v Speaker 1>he was par my dumb ass on the phone bomb.

0:51:54.760 --> 0:51:58.399
<v Speaker 1>I look, it's a fucking cop call. I'm like, wow,

0:51:58.800 --> 0:52:03.200
<v Speaker 1>ship itself like yo, I'm like, chill, chill, chill. I

0:52:03.280 --> 0:52:05.759
<v Speaker 1>got this, and I started giving them all information. Yo,

0:52:05.920 --> 0:52:07.600
<v Speaker 1>just the flight. But I'm going to jail. I'm like

0:52:08.120 --> 0:52:11.919
<v Speaker 1>going to jail and fucking Florida. I'm like yo, because

0:52:11.920 --> 0:52:13.839
<v Speaker 1>I booked every dud, did everything. You know what I'm saying.

0:52:13.880 --> 0:52:17.399
<v Speaker 1>So police get out, step out of the car, sir,

0:52:17.680 --> 0:52:19.600
<v Speaker 1>I styled the car. How much did you have to drink?

0:52:20.160 --> 0:52:25.000
<v Speaker 1>I don't drink, right, I don't drink. I smell it

0:52:25.080 --> 0:52:27.160
<v Speaker 1>all over you. I don't know what you smell. I

0:52:27.200 --> 0:52:29.960
<v Speaker 1>don't drink. So they doing this ship with the eye tept.

0:52:30.000 --> 0:52:32.279
<v Speaker 1>I beat off I passed all that ship. Well, there's

0:52:32.280 --> 0:52:40.880
<v Speaker 1>a plaque on the fucking ship says drinking. I'm like,

0:52:41.040 --> 0:52:44.480
<v Speaker 1>is this nigga looking the car? I'm going, what you mean?

0:52:45.920 --> 0:52:48.799
<v Speaker 1>Give me somebody flowers? Got them be drunk? Yo. I'm

0:52:48.840 --> 0:52:53.520
<v Speaker 1>looking like yo, yo hod that fucking drink Championships because

0:52:54.120 --> 0:52:56.640
<v Speaker 1>he's got the flash light in the car. I'm like,

0:52:56.719 --> 0:52:59.160
<v Speaker 1>they put two and two Togetheriggas be like, Yo, you

0:52:59.400 --> 0:53:04.239
<v Speaker 1>definitely drink. Yeah exactly, they definitely. Why that's my son.

0:53:04.239 --> 0:53:06.080
<v Speaker 1>I'm like, yeah, I'm eaven drinking. Like yeah, I'm a

0:53:06.160 --> 0:53:12.319
<v Speaker 1>fan for both of y'all. Case Slay or Clark cat

0:53:12.960 --> 0:53:21.680
<v Speaker 1>Oh ship like both of those. I would, but come on,

0:53:21.840 --> 0:53:25.000
<v Speaker 1>Kise slay man, y'all gotta drink that. I mean unless

0:53:25.040 --> 0:53:31.879
<v Speaker 1>y'all want to. I ain't driving the sign loud and clear,

0:53:32.320 --> 0:53:38.000
<v Speaker 1>driving the time motherfuckers Cain or jay z Oh ships

0:53:38.040 --> 0:53:41.040
<v Speaker 1>playing horrible with me. I'm gonna say king. I think

0:53:41.120 --> 0:53:43.759
<v Speaker 1>jay z would say king. Yeah, that's King. I'm gonna

0:53:43.760 --> 0:53:51.359
<v Speaker 1>say both. Let's say both the drinking Okay shun price

0:53:51.480 --> 0:53:56.359
<v Speaker 1>or O d B. Damn. I'm gonna go, Sean, I'm

0:53:56.360 --> 0:53:58.080
<v Speaker 1>gonna go rest in peace. You know what I'm saying,

0:53:58.120 --> 0:54:01.840
<v Speaker 1>but definitely O d B. Man, you create Brooklyn's was crazy.

0:54:03.200 --> 0:54:07.000
<v Speaker 1>I ain't gonna lie so monkey ball wealth card like

0:54:07.239 --> 0:54:10.040
<v Speaker 1>so effect they broke the draft for you know. You

0:54:10.080 --> 0:54:16.719
<v Speaker 1>know what's funny? They similar similar. I mean like as

0:54:16.800 --> 0:54:19.800
<v Speaker 1>far as not giving them like so many people in

0:54:19.880 --> 0:54:22.759
<v Speaker 1>the hip hop, they have something like like they're they're

0:54:22.800 --> 0:54:26.040
<v Speaker 1>they're like have pride like what they were both they're

0:54:26.040 --> 0:54:29.120
<v Speaker 1>both messages I don't give you. I mean like I'm on,

0:54:29.440 --> 0:54:32.160
<v Speaker 1>I'm on, I keep getting the EPT. But my ever,

0:54:32.280 --> 0:54:37.160
<v Speaker 1>we call the wealth welfare straight up welfare and I'm

0:54:37.360 --> 0:54:40.480
<v Speaker 1>I'm Sean saying I'm the Brokes rap. You know, like

0:54:40.560 --> 0:54:42.239
<v Speaker 1>that's just kind of like the same message in a

0:54:42.280 --> 0:54:45.640
<v Speaker 1>certain way. Yeah, human had similar humor. It's something about O.

0:54:45.800 --> 0:54:46.040
<v Speaker 5>D B.

0:54:46.320 --> 0:54:49.320
<v Speaker 1>Like his energy, bro like it makes you want to

0:54:49.400 --> 0:54:52.080
<v Speaker 1>fight as soon as you hit it. Come on. It's

0:54:52.160 --> 0:54:59.320
<v Speaker 1>just like dang. I was standing and I seen them like,

0:55:00.040 --> 0:55:02.200
<v Speaker 1>yeah that ship wasn't. Let me tell you the funny

0:55:02.200 --> 0:55:06.160
<v Speaker 1>ship about B. I invite him to a barbecue. He

0:55:06.280 --> 0:55:09.239
<v Speaker 1>goes to the barbecue, he got he got gatorade in

0:55:09.320 --> 0:55:11.560
<v Speaker 1>his head and then I'm like, here, you don't want

0:55:11.600 --> 0:55:14.320
<v Speaker 1>to eat? He goes No, it's Ramadan. I like a

0:55:14.360 --> 0:55:23.040
<v Speaker 1>lot of barbecue. You just see him like you know,

0:55:23.480 --> 0:55:25.680
<v Speaker 1>I don't belong here. I said, Yo, what part of

0:55:25.719 --> 0:55:30.920
<v Speaker 1>the barbecue you didn't understand? Like that's what crazy people?

0:55:33.200 --> 0:55:38.120
<v Speaker 1>Brooklyn Both Brooklyn both Brooklyn. Ye seen there to live.

0:55:39.320 --> 0:55:43.480
<v Speaker 1>I like how you pronounced live. I gotta go with that.

0:55:43.960 --> 0:55:47.919
<v Speaker 1>I've seen that. I'm going with Tyler. See I gotta

0:55:48.000 --> 0:55:50.879
<v Speaker 1>drink because it's like that's different. I'm going to Okay,

0:55:50.920 --> 0:55:54.000
<v Speaker 1>my bad bad all this is, this is gonna be

0:55:54.040 --> 0:55:58.040
<v Speaker 1>easy for y'all. Biggie or big al Biggie, that ship

0:55:58.080 --> 0:56:02.680
<v Speaker 1>ain't easy man for me. Well, I'm Brooklyn biased anyway. Yeah,

0:56:02.680 --> 0:56:05.719
<v Speaker 1>I know all y'all if you don't say biggie's something wrong.

0:56:06.239 --> 0:56:09.319
<v Speaker 1>But big l was crazy. That's the piece of hell.

0:56:09.400 --> 0:56:13.880
<v Speaker 1>But yeah, I gotta say big Okay, uncle murder or

0:56:13.960 --> 0:56:21.520
<v Speaker 1>man on oh ship crazy? Does I mean there's those

0:56:21.560 --> 0:56:23.400
<v Speaker 1>guys over there, they write it. I just I just

0:56:23.440 --> 0:56:29.840
<v Speaker 1>read it. What we ask you get whatever there you

0:56:29.880 --> 0:56:33.720
<v Speaker 1>want whatever, I'm gonna say, both Okay, I mean Brooklyn

0:56:33.800 --> 0:56:41.520
<v Speaker 1>man Brooklyn, Brooklyn looking for the wind okay asy or

0:56:41.600 --> 0:56:48.759
<v Speaker 1>fab ship. I'm taking a sip man Okay, cool, all right,

0:56:49.200 --> 0:56:53.120
<v Speaker 1>Yeah you take this one joy badass of Rome Streets.

0:56:54.160 --> 0:56:59.400
<v Speaker 1>Oh ship, that's tough like Rome Streets kids, get it shocked. No,

0:56:59.680 --> 0:57:01.960
<v Speaker 1>I like both of them, like both yeah, man, but

0:57:02.080 --> 0:57:04.279
<v Speaker 1>he knew what he knew it and Joey you know

0:57:04.360 --> 0:57:08.800
<v Speaker 1>what deliricis a species? Now? Yeah? Yeah, you know what

0:57:08.800 --> 0:57:15.719
<v Speaker 1>I'm saying. Shot the both of them, MTV raps or

0:57:15.840 --> 0:57:20.960
<v Speaker 1>rap City. I'm wan rap City rap City? That was

0:57:21.000 --> 0:57:27.000
<v Speaker 1>easy master Ace or Ja Rule the Dammager master. Ay

0:57:27.720 --> 0:57:32.840
<v Speaker 1>they both dopes me man, I think that was a problem.

0:57:35.200 --> 0:57:43.120
<v Speaker 1>Yeah it was Yeah, yeah, I'm I think was jay

0:57:43.280 --> 0:57:46.120
<v Speaker 1>U arguably the first rapp of the rep East New York.

0:57:46.960 --> 0:57:49.600
<v Speaker 1>I think no fat boys fat boys from East New

0:57:49.680 --> 0:57:53.160
<v Speaker 1>York back. I did not know that fat boys, that's

0:57:53.160 --> 0:57:53.480
<v Speaker 1>a fact.

0:57:54.120 --> 0:58:03.640
<v Speaker 3>Okay, just a killer priest, just a that Jesus is

0:58:03.760 --> 0:58:05.920
<v Speaker 3>insane though very underrated.

0:58:06.120 --> 0:58:09.840
<v Speaker 1>Yeah but I like killing but but he ain't got

0:58:09.880 --> 0:58:12.840
<v Speaker 1>the project that that that liquid swords like that's what

0:58:13.000 --> 0:58:16.160
<v Speaker 1>gives them that they both deadly with the pen. You

0:58:16.240 --> 0:58:21.200
<v Speaker 1>gotta have that body of work, liquid body of work

0:58:21.440 --> 0:58:27.400
<v Speaker 1>them niggas. Jesus was crazy skazoo or to mm hmm.

0:58:27.680 --> 0:58:31.360
<v Speaker 1>I'm gonna go to I'm gonna go ska Zoo. Okay,

0:58:33.960 --> 0:58:41.120
<v Speaker 1>they like a group is an artist, but he also

0:58:43.600 --> 0:58:49.439
<v Speaker 1>put out guys. Well okay, that's probably that's broke that Yeah,

0:58:49.480 --> 0:58:56.360
<v Speaker 1>I ain't know that Lola Brook or Scarlet Lola. Yeah, Brooklyn,

0:58:56.400 --> 0:59:00.800
<v Speaker 1>I gotta go broken, lolaire she got energy. Yeah, shout

0:59:00.800 --> 0:59:04.000
<v Speaker 1>the load of brook the team eate man, I want

0:59:04.040 --> 0:59:06.720
<v Speaker 1>to see. I want to see. I ask you predominantly first,

0:59:06.800 --> 0:59:11.600
<v Speaker 1>and then I'm coming to the dominantly. It's Crazy next

0:59:11.840 --> 0:59:14.760
<v Speaker 1>or the nets nixt that's easy, okay, like it's not

0:59:14.920 --> 0:59:19.240
<v Speaker 1>Brooklyn in all. Okay, you got you gotta New York, Brian,

0:59:19.360 --> 0:59:23.600
<v Speaker 1>New York. Now you too, nigga. I don't either think

0:59:28.280 --> 0:59:31.000
<v Speaker 1>let's big up to the next organization just one. I

0:59:31.040 --> 0:59:36.360
<v Speaker 1>don't know what the help that we want, I don't matter.

0:59:37.680 --> 0:59:44.280
<v Speaker 1>That's how we celebrated every single wining weekend. Yeah yeah, yeah,

0:59:44.280 --> 0:59:49.760
<v Speaker 1>I don't know. I know how he is crazy man

0:59:52.600 --> 0:59:55.560
<v Speaker 1>said what the we can done? That win? Goddamn it?

0:59:55.640 --> 0:59:58.920
<v Speaker 1>But yeah, yeah, just like I don't know what happened,

0:59:58.960 --> 1:00:08.600
<v Speaker 1>but everybody celebrated. Yeah, I think said they won the

1:00:08.640 --> 1:00:10.520
<v Speaker 1>World Cup. I said I thought that would socker bro

1:00:10.880 --> 1:00:13.400
<v Speaker 1>I think that's what they're doing. I'm like, drag out

1:00:13.400 --> 1:00:15.960
<v Speaker 1>the league, to drag out the league. I can't he

1:00:16.520 --> 1:00:20.760
<v Speaker 1>just give me the eighty game. I ain't gonna lie.

1:00:20.960 --> 1:00:22.720
<v Speaker 1>When I see all the celebrated, I was like, fuck

1:00:22.800 --> 1:00:26.000
<v Speaker 1>that we're up. We won. I'm like, I don't know

1:00:26.080 --> 1:00:29.320
<v Speaker 1>what the fun that we won? Hey, that's crazy. Okay,

1:00:29.440 --> 1:00:34.120
<v Speaker 1>this is a good one. MC Light or Laurence Hill. Damn,

1:00:35.120 --> 1:00:40.200
<v Speaker 1>I'm sipping. I'm going I'm going Light. This is a rock.

1:00:40.840 --> 1:00:44.520
<v Speaker 1>I'm going with light Man Wow, because I feel like

1:00:45.320 --> 1:00:47.200
<v Speaker 1>she influenced Lauren Hill. You know what I'm saying. So

1:00:47.280 --> 1:00:49.760
<v Speaker 1>I feel like the same thing he said earlier. Jay

1:00:49.840 --> 1:00:51.400
<v Speaker 1>Z would say king you know what I mean. So

1:00:51.480 --> 1:00:55.520
<v Speaker 1>it's like it's kind of tough to put her over Light,

1:00:55.560 --> 1:00:58.040
<v Speaker 1>you know what I'm saying. For me, I like that.

1:00:58.520 --> 1:01:00.800
<v Speaker 1>I like that too. I'm anay with thin Light as

1:01:00.800 --> 1:01:07.080
<v Speaker 1>a rock, smooth hustler or sort some money. Both of

1:01:07.160 --> 1:01:10.440
<v Speaker 1>my guys Man too, Man too Brownsville, So both of

1:01:10.680 --> 1:01:14.840
<v Speaker 1>it's both Brooklyn member for smooth smooth. It's like them

1:01:15.320 --> 1:01:25.480
<v Speaker 1>that's my guyrigged my god, that's my period crew from

1:01:25.560 --> 1:01:28.200
<v Speaker 1>That's where I come from. Bro Like I gotta go smooth.

1:01:29.000 --> 1:01:31.919
<v Speaker 1>I love so sources my god too, though, I gotta

1:01:32.240 --> 1:01:34.480
<v Speaker 1>shout the source of money, shout. I just saw some money,

1:01:35.120 --> 1:01:38.120
<v Speaker 1>but I'm gonna go. I gotta go smooth. Though broken

1:01:38.200 --> 1:01:44.200
<v Speaker 1>languages still still one of the Yeah, the beat and

1:01:44.440 --> 1:01:49.680
<v Speaker 1>actually everything the source source my nigga too. Man, you drinking, No,

1:01:49.840 --> 1:01:53.520
<v Speaker 1>I took smooth smooth, Okay, smooth smooth, Okay, beat Street

1:01:53.600 --> 1:01:57.880
<v Speaker 1>or Crush grew, Rush grew. It's the time, man, Damn yeah, yeah,

1:01:58.160 --> 1:02:02.200
<v Speaker 1>I got into that bugging. I thought he said breaking

1:02:02.280 --> 1:02:06.560
<v Speaker 1>for a second, like breaking B Street and Crush grew

1:02:07.200 --> 1:02:11.560
<v Speaker 1>Eighties crazy okay saying no, I'm just kidding. Eighties hip

1:02:11.600 --> 1:02:18.520
<v Speaker 1>hop or nineties hip hop, that's tough. So it's easy, man,

1:02:18.880 --> 1:02:21.200
<v Speaker 1>that's a tough one. Come on, Pat what you said

1:02:21.280 --> 1:02:23.680
<v Speaker 1>you Pat poop? Nineties bro, It's no, that's for me,

1:02:23.840 --> 1:02:26.479
<v Speaker 1>nineties man, because you know what eighties you got, she rapped,

1:02:26.480 --> 1:02:30.360
<v Speaker 1>you got sucking Kane, you got rock. Yeah, g wrapped

1:02:30.360 --> 1:02:33.160
<v Speaker 1>in the nineties too, Il Street, black l Street Blues

1:02:33.640 --> 1:02:37.040
<v Speaker 1>in the nineties. He was in the nineties to the nineties,

1:02:37.120 --> 1:02:40.880
<v Speaker 1>but eighties g was a different g though. Yeah, jeez, jeez,

1:02:41.320 --> 1:02:43.160
<v Speaker 1>I'm gonna take you sip on that because to me,

1:02:43.280 --> 1:02:45.320
<v Speaker 1>speaking a cool g rap the first time I heard

1:02:45.400 --> 1:02:48.040
<v Speaker 1>him was Rooster Evil. That's the fact to me. To me,

1:02:48.360 --> 1:02:52.000
<v Speaker 1>I'm like, eighties hip hop was on coke and nineties

1:02:52.080 --> 1:02:56.800
<v Speaker 1>hip hop. So I'm telling it, yeah, you hip hop

1:02:56.880 --> 1:02:59.840
<v Speaker 1>was in the back of the seat. I was doing

1:02:59.920 --> 1:03:02.800
<v Speaker 1>them songs was out. I didn't even know they was

1:03:02.800 --> 1:03:10.080
<v Speaker 1>talking about coke. Back the White Line had spikes and

1:03:10.120 --> 1:03:16.400
<v Speaker 1>ship Carrol. I had to tell there was a nigga

1:03:16.480 --> 1:03:19.439
<v Speaker 1>prison trying to convince me, Yo, there was a nigga

1:03:19.440 --> 1:03:21.200
<v Speaker 1>in prison, man, and this how you know jail? You

1:03:21.240 --> 1:03:24.000
<v Speaker 1>know jail niggas will tell you anything. Did they get you?

1:03:24.320 --> 1:03:25.800
<v Speaker 1>Some wool tang came out. I was in jail. He

1:03:25.840 --> 1:03:27.640
<v Speaker 1>tried to tell me that the wool tang was because

1:03:27.640 --> 1:03:30.240
<v Speaker 1>they smoked wolves, and I was like, man, you bugging huh.

1:03:31.080 --> 1:03:33.640
<v Speaker 1>They got a little truth to it, because he was

1:03:33.720 --> 1:03:36.439
<v Speaker 1>I'm like a little truth. But then he started breaking

1:03:36.480 --> 1:03:38.880
<v Speaker 1>down the set. He was like, think about it, no question,

1:03:39.040 --> 1:03:44.360
<v Speaker 1>that was feed cracks weed combination. I was like, damn na, bro,

1:03:44.880 --> 1:03:47.800
<v Speaker 1>niggas wasn't smoking wolves. I ain't realized wolves was a

1:03:47.880 --> 1:03:49.720
<v Speaker 1>cool thing back in the day, like, oh, they still

1:03:49.760 --> 1:03:53.840
<v Speaker 1>do it out here right now? What did you call it? Dirty? Dirty? Yeah,

1:03:54.120 --> 1:03:57.880
<v Speaker 1>well crack they love it out here. That's filtering the

1:04:00.680 --> 1:04:04.200
<v Speaker 1>My nigga took that shout out. Listen to me, I

1:04:04.360 --> 1:04:06.520
<v Speaker 1>did love. I did a fucking love of hip hop.

1:04:06.600 --> 1:04:10.680
<v Speaker 1>See with Daddy and he's there, he's just a bagg

1:04:10.760 --> 1:04:16.080
<v Speaker 1>and we're just sitting there looking at each other like

1:04:18.560 --> 1:04:27.920
<v Speaker 1>this character. The whole time, it was kept going, I

1:04:28.080 --> 1:04:30.600
<v Speaker 1>love these niggas out there, these niggas crazy. I'm sorry.

1:04:32.360 --> 1:04:36.240
<v Speaker 1>Rockefeller Rough Riders kept going, it's crazy. I should go on.

1:04:36.360 --> 1:04:39.280
<v Speaker 1>So that's all or too. If I had it was

1:04:39.680 --> 1:04:41.800
<v Speaker 1>being I had my chance when they was in the peak,

1:04:41.880 --> 1:04:45.280
<v Speaker 1>I probably would have chose Rockefeller. Yeah, I gotta go

1:04:45.320 --> 1:04:50.040
<v Speaker 1>to Brooklyn a fella. Okay, Okay, I forgot, but rough

1:04:50.080 --> 1:04:52.720
<v Speaker 1>Father's got a couple of Brooklyn CEO's in there. Okay.

1:04:53.320 --> 1:04:56.880
<v Speaker 1>The rough Riders man crazy. The Yankees are the Mets

1:04:57.120 --> 1:05:05.280
<v Speaker 1>Yankees Yankees one Queen's niggas Queen. I like when the

1:05:05.360 --> 1:05:07.800
<v Speaker 1>Yankees winning. But I always got to wear that. And

1:05:07.920 --> 1:05:09.960
<v Speaker 1>it's like wearing the Knicks colors too. You're right, it's

1:05:10.000 --> 1:05:14.480
<v Speaker 1>really the next colors too, right, Okay Smith and Wesson

1:05:14.560 --> 1:05:19.439
<v Speaker 1>or m O p oh Man mass policy. I'm going.

1:05:19.520 --> 1:05:24.120
<v Speaker 1>I'm going with them, going with billion fang all billion fang.

1:05:24.240 --> 1:05:26.720
<v Speaker 1>I love both of them, both of them, My brothers

1:05:27.120 --> 1:05:29.640
<v Speaker 1>both got legend that w jointed both of them thing

1:05:30.400 --> 1:05:33.120
<v Speaker 1>both of them in sing bro. Words can't describe it,

1:05:33.680 --> 1:05:34.800
<v Speaker 1>you know what I'm saying. But I got to take

1:05:34.840 --> 1:05:41.280
<v Speaker 1>a drink. Okay special ad or father MC special special Bro.

1:05:41.640 --> 1:05:48.600
<v Speaker 1>I got it man, shout the father C Man. He's

1:05:48.600 --> 1:05:52.920
<v Speaker 1>still touring. No, no, no, right now we're doing that.

1:05:53.080 --> 1:06:00.720
<v Speaker 1>If you do for dude, now now now off finished.

1:06:00.920 --> 1:06:03.320
<v Speaker 1>I'm not sure how much he's dancing on stage, but

1:06:03.480 --> 1:06:06.720
<v Speaker 1>he's on stage like every week, Like, well I see him. Yeah,

1:06:06.880 --> 1:06:10.600
<v Speaker 1>Like that's what I love about our old school brothers.

1:06:10.640 --> 1:06:12.440
<v Speaker 1>When I see them on the road, that ship makes

1:06:12.520 --> 1:06:14.760
<v Speaker 1>me feel real, very real good. You know what I'm saying.

1:06:14.920 --> 1:06:17.280
<v Speaker 1>Like one of the best hip hop records. I got

1:06:17.360 --> 1:06:19.240
<v Speaker 1>it man, How start? How start to see if we

1:06:19.360 --> 1:06:19.960
<v Speaker 1>hip hop? Let's go.

1:06:20.120 --> 1:06:25.120
<v Speaker 4>I'm your title nu Puerto Rican speaking so that you know,

1:06:28.640 --> 1:06:32.080
<v Speaker 4>listen to see something when we say you she was

1:06:32.200 --> 1:06:32.760
<v Speaker 4>meant to be.

1:06:37.760 --> 1:06:40.919
<v Speaker 1>In the handcut that it was a fake. Big Daddy

1:06:40.960 --> 1:06:45.520
<v Speaker 1>came come. I always looked at that. I can't let

1:06:45.560 --> 1:06:50.000
<v Speaker 1>Brook crown Daddy Kane. I was like, yo, all the

1:06:50.600 --> 1:06:57.400
<v Speaker 1>big Daddy Cane got the head. Yeah, and he blonded it. Yeah. Yeah,

1:06:57.880 --> 1:07:02.120
<v Speaker 1>he was wrapping the video music box that he was. Okay,

1:07:02.360 --> 1:07:04.360
<v Speaker 1>and you're gonna get back to the interview. That's funny

1:07:04.760 --> 1:07:08.160
<v Speaker 1>Town Records was doing it. They was doing it heavy

1:07:08.240 --> 1:07:09.160
<v Speaker 1>down with heavy d y.

1:07:09.400 --> 1:07:09.600
<v Speaker 2>Yeah.

1:07:09.680 --> 1:07:14.400
<v Speaker 1>They had the animals to heavy. Don't he dive? It

1:07:14.520 --> 1:07:17.240
<v Speaker 1>was no heavy deed. It might not have been big,

1:07:17.520 --> 1:07:21.160
<v Speaker 1>no big, no big pun. That boy was about it.

1:07:21.440 --> 1:07:27.000
<v Speaker 1>Boys before having no big pun followed the style. Yeah, yeah,

1:07:27.320 --> 1:07:30.120
<v Speaker 1>I don't bad boys was big that he wanted to

1:07:30.160 --> 1:07:32.800
<v Speaker 1>be heavy boys. I forgot the fat boy first. I

1:07:32.880 --> 1:07:37.240
<v Speaker 1>thought I thought they was kind of like the same era. Man. Okay, yeah,

1:07:37.240 --> 1:07:44.080
<v Speaker 1>you're right, you're right right, Yeah. I used to like

1:07:44.160 --> 1:07:48.560
<v Speaker 1>Muffy that you know what then he was doing I

1:07:48.600 --> 1:07:55.000
<v Speaker 1>was like, this ship is fire and they made movies too.

1:07:55.240 --> 1:07:56.360
<v Speaker 1>They broke down those barriers.

1:07:57.520 --> 1:07:57.720
<v Speaker 3>Yeah.

1:07:59.240 --> 1:08:01.000
<v Speaker 1>So this is the last Quesson that we gonna get

1:08:01.040 --> 1:08:04.480
<v Speaker 1>back into the interview and close it out. Loyalty or

1:08:04.520 --> 1:08:13.440
<v Speaker 1>respect mm hmmmm, I'm gonna say I would say both

1:08:13.760 --> 1:08:16.360
<v Speaker 1>both I think they go hand in hand. Yeah is

1:08:16.479 --> 1:08:18.479
<v Speaker 1>the time if it's that you should drink this is

1:08:18.760 --> 1:08:25.160
<v Speaker 1>this is the actual time. Last time we got to check. Yeah,

1:08:25.160 --> 1:08:28.040
<v Speaker 1>I got you can't have one without the other. That's

1:08:28.080 --> 1:08:29.760
<v Speaker 1>what I believe. You know what I mean, if you

1:08:29.880 --> 1:08:31.680
<v Speaker 1>loyal to him, probably if you don't have to pick,

1:08:31.720 --> 1:08:33.479
<v Speaker 1>why would you pick one? Is what I'm saying. You

1:08:33.560 --> 1:08:39.920
<v Speaker 1>know I want so not. You got the uh situation. Job.

1:08:42.080 --> 1:08:44.320
<v Speaker 1>You got got to fill the industry. You got to

1:08:44.640 --> 1:08:47.280
<v Speaker 1>got gotta get a couple of dollars. What makes you

1:08:47.360 --> 1:08:52.720
<v Speaker 1>say I want to I'm gonna do love and hip hop? Oh?

1:08:54.040 --> 1:08:59.600
<v Speaker 1>You called me? He called me one time. He was like,

1:09:00.080 --> 1:09:01.600
<v Speaker 1>did it and they made me look horrible? He was

1:09:01.680 --> 1:09:05.240
<v Speaker 1>like fun, they called it love and hip hop? And

1:09:05.400 --> 1:09:07.800
<v Speaker 1>I said, you're fam He was like, I seen, I

1:09:07.880 --> 1:09:10.040
<v Speaker 1>seen your experience up there where you think. I don't

1:09:10.040 --> 1:09:12.200
<v Speaker 1>know if you remember this conversation. He was like what

1:09:12.280 --> 1:09:15.840
<v Speaker 1>do you think? And I was like, I'm like, you're

1:09:15.840 --> 1:09:18.120
<v Speaker 1>doing it with his ex wife. And I was like,

1:09:19.080 --> 1:09:21.000
<v Speaker 1>I think you should do it because number one, they're

1:09:21.000 --> 1:09:23.720
<v Speaker 1>not gonna play with her. The bitches over there, they're

1:09:23.720 --> 1:09:25.439
<v Speaker 1>not gonna they'll play with us because they ain't much

1:09:25.479 --> 1:09:27.519
<v Speaker 1>we could do. They're not gonna play with her, and

1:09:28.000 --> 1:09:29.680
<v Speaker 1>that's what they was doing. They're like, how we make

1:09:29.760 --> 1:09:31.320
<v Speaker 1>this nigga look like an ass? So they did the

1:09:31.360 --> 1:09:33.439
<v Speaker 1>beat up and they did they just make I'm like,

1:09:33.479 --> 1:09:35.439
<v Speaker 1>why y'all doing this shit to me when they don't

1:09:35.479 --> 1:09:36.800
<v Speaker 1>fuck with you. They don't fuck with you, and they

1:09:36.880 --> 1:09:39.160
<v Speaker 1>need ratings. They was like, if we could make you

1:09:39.280 --> 1:09:42.360
<v Speaker 1>look like a fucking buffoon and it brings, and we

1:09:42.439 --> 1:09:44.439
<v Speaker 1>could throw you up on that screen and people gonna

1:09:44.439 --> 1:09:47.040
<v Speaker 1>tap in, we're gonna do it. But I told Pap,

1:09:47.040 --> 1:09:49.160
<v Speaker 1>I say, your situation is different, bro, like you looked

1:09:49.160 --> 1:09:51.479
<v Speaker 1>at as a totally different I don't even know if

1:09:51.479 --> 1:09:52.080
<v Speaker 1>you remember this coming.

1:09:52.160 --> 1:09:52.680
<v Speaker 3>No, I do.

1:09:52.800 --> 1:09:56.040
<v Speaker 1>I do remember so because you had. So what happened

1:09:56.160 --> 1:09:58.800
<v Speaker 1>was it was a point when when she was away,

1:10:00.040 --> 1:10:02.760
<v Speaker 1>they was actually reaching out to me, to you. Yeah,

1:10:02.800 --> 1:10:04.160
<v Speaker 1>they was reaching out to us to do the show

1:10:04.160 --> 1:10:06.679
<v Speaker 1>while she was incarcerated, and we was like, you would

1:10:06.680 --> 1:10:08.360
<v Speaker 1>have been on Love after lock. Yeah. I was like, man,

1:10:08.400 --> 1:10:11.120
<v Speaker 1>this shit is like they over there, they throwing drinks

1:10:11.200 --> 1:10:12.920
<v Speaker 1>on each other and like that shit ain't gonna work.

1:10:13.520 --> 1:10:16.000
<v Speaker 1>Turned it down. But then when she came home, they

1:10:16.080 --> 1:10:20.200
<v Speaker 1>came with the offer again, and you know, we both

1:10:20.280 --> 1:10:21.920
<v Speaker 1>kind of had like a bad rep, you know what

1:10:21.920 --> 1:10:24.360
<v Speaker 1>I'm saying. She had one, of course what she went through,

1:10:24.720 --> 1:10:27.000
<v Speaker 1>and I had a bunch of situations man that that

1:10:27.360 --> 1:10:28.800
<v Speaker 1>went on behind the scenes, you know what I'm saying.

1:10:29.320 --> 1:10:31.920
<v Speaker 1>And people people knew me as an artist, but they

1:10:31.960 --> 1:10:33.559
<v Speaker 1>an't know Pap Poosta person, you know what I'm saying.

1:10:34.080 --> 1:10:36.200
<v Speaker 1>So we we talked and at that point when she

1:10:36.320 --> 1:10:38.800
<v Speaker 1>came home, we decided to do it. But around that time,

1:10:38.880 --> 1:10:40.760
<v Speaker 1>that's when I started making them calls. I'm like, damn,

1:10:40.760 --> 1:10:42.040
<v Speaker 1>all right, I know my nigga was on it. Let

1:10:42.040 --> 1:10:44.040
<v Speaker 1>me come up and see checked the tip, you know

1:10:44.080 --> 1:10:45.560
<v Speaker 1>what I'm saying, Cause I kind of seem like I

1:10:45.680 --> 1:10:47.800
<v Speaker 1>know him, but I seen how they depicted him on

1:10:47.840 --> 1:10:49.400
<v Speaker 1>the screen. I was like, that's not who we are,

1:10:50.680 --> 1:10:52.720
<v Speaker 1>you know what I mean, some real ship, but that's

1:10:52.760 --> 1:10:57.320
<v Speaker 1>why I have Yeah. Yeah, so I called them whatever,

1:10:57.360 --> 1:10:58.680
<v Speaker 1>and you know what I mean, just people that I

1:10:58.800 --> 1:11:00.559
<v Speaker 1>know that was on the show that I think will

1:11:00.600 --> 1:11:02.920
<v Speaker 1>give me an honest opinion. But me and Hus spoke

1:11:02.960 --> 1:11:06.160
<v Speaker 1>and we decided to do it. And it was crazy

1:11:06.240 --> 1:11:09.639
<v Speaker 1>when I did that shit though, because I was expecting

1:11:09.680 --> 1:11:12.360
<v Speaker 1>to get clowned. I was like, I was like, they

1:11:12.400 --> 1:11:17.320
<v Speaker 1>about to kill me, man, They about to kill me. First. First,

1:11:17.600 --> 1:11:20.720
<v Speaker 1>it kind of started when when she first caught the

1:11:20.800 --> 1:11:25.439
<v Speaker 1>situation or whatever they was clowning me. They was it

1:11:25.520 --> 1:11:27.679
<v Speaker 1>was killing me back then. You know what I'm saying.

1:11:27.720 --> 1:11:29.320
<v Speaker 1>It was killing me back in the beginning. It was

1:11:29.360 --> 1:11:31.479
<v Speaker 1>like Yo, they had the mentality like yo, you know

1:11:31.520 --> 1:11:33.040
<v Speaker 1>what I mean with somebody, will she do that for you?

1:11:33.320 --> 1:11:34.840
<v Speaker 1>You know what I'm saying. Because I was going to

1:11:34.920 --> 1:11:37.160
<v Speaker 1>visit her and all of that shit, and you know,

1:11:37.200 --> 1:11:40.400
<v Speaker 1>I would post certain things. But one time when it

1:11:40.479 --> 1:11:42.280
<v Speaker 1>kind of changed, Double Excel reached out and they wanted

1:11:42.280 --> 1:11:43.400
<v Speaker 1>to do an interview. They was like, yeah, we just

1:11:43.439 --> 1:11:45.960
<v Speaker 1>want to follow you for the day. And my routine

1:11:46.120 --> 1:11:48.880
<v Speaker 1>was go to the supermarket, get thirty one pounds of

1:11:48.880 --> 1:11:51.760
<v Speaker 1>food and didn't go to the jail, drop the food

1:11:51.760 --> 1:11:53.439
<v Speaker 1>off and going to visit. So they came actually with

1:11:53.600 --> 1:11:56.280
<v Speaker 1>me to the supermarket. And then it came with me

1:11:56.320 --> 1:11:59.320
<v Speaker 1>on the Double Sell magazine. You probably could pull it up,

1:11:59.800 --> 1:12:01.280
<v Speaker 1>and they sent on a visit with us and they

1:12:01.360 --> 1:12:03.160
<v Speaker 1>put the article out. When they put the article out,

1:12:03.160 --> 1:12:05.599
<v Speaker 1>that's when it changed and they kind of stopped clowning

1:12:05.640 --> 1:12:07.600
<v Speaker 1>me at the time because I didn't see those algorithms.

1:12:07.600 --> 1:12:09.599
<v Speaker 1>Are people clowning you? So but yeah, in the beginning,

1:12:09.640 --> 1:12:11.479
<v Speaker 1>I can show you ship. It's certain niggas that I

1:12:11.520 --> 1:12:13.599
<v Speaker 1>wanted to slap from back then, like I see them now.

1:12:13.680 --> 1:12:15.880
<v Speaker 1>But they was like when she caught the case, they

1:12:15.920 --> 1:12:18.080
<v Speaker 1>thought it was funny. You know, I didn't think that

1:12:18.320 --> 1:12:22.000
<v Speaker 1>was funny. I got another story. It was funny that

1:12:22.080 --> 1:12:24.000
<v Speaker 1>you was being Lloyd. They thought it was funny that

1:12:24.920 --> 1:12:26.800
<v Speaker 1>she caught the case. She went to jail, and they

1:12:26.800 --> 1:12:29.320
<v Speaker 1>thought I was an idiot for holding it down. One

1:12:29.360 --> 1:12:31.400
<v Speaker 1>of the reasons why I got minds on that plane

1:12:31.560 --> 1:12:33.880
<v Speaker 1>you called me last night and I'm in Connecticut and

1:12:34.920 --> 1:12:36.960
<v Speaker 1>you got to be in Miami by noon, is because

1:12:37.000 --> 1:12:38.880
<v Speaker 1>it was him, because I got stories. He don't even

1:12:38.880 --> 1:12:43.160
<v Speaker 1>remember speaking of Remy, right, the first be et site

1:12:43.200 --> 1:12:46.519
<v Speaker 1>from it was me, you, the first one. When they

1:12:46.600 --> 1:12:51.760
<v Speaker 1>first started them ships, Me, you, Ron Fast, Remy. It

1:12:51.920 --> 1:12:54.360
<v Speaker 1>was a couple and they would only give us eight bars.

1:12:54.439 --> 1:12:56.400
<v Speaker 1>Back then. You couldn't go like niggas. They was like, no,

1:12:56.640 --> 1:12:59.320
<v Speaker 1>everybody do look full little bars. So I remember me

1:12:59.360 --> 1:13:01.600
<v Speaker 1>and you talking because me and you knew Remy is

1:13:01.600 --> 1:13:05.040
<v Speaker 1>already a star. Me and Son is under up and coming.

1:13:05.760 --> 1:13:07.880
<v Speaker 1>So I remember, I remember me and you speaking. I'm like, yo,

1:13:08.360 --> 1:13:10.240
<v Speaker 1>re mey be looking at you. Was like, yeah, I'm like,

1:13:10.320 --> 1:13:14.280
<v Speaker 1>y'all holler. He was like, but meanwhile, I didn't know

1:13:14.439 --> 1:13:16.479
<v Speaker 1>you probably had backed her. This is brand new, this

1:13:16.560 --> 1:13:21.479
<v Speaker 1>is the first. This is two thousand and Because I'm

1:13:21.520 --> 1:13:24.160
<v Speaker 1>like yo, He's like, I'm like, nah, she's too big

1:13:24.240 --> 1:13:25.920
<v Speaker 1>of a star. She ain't. She ain't a fucking what.

1:13:26.120 --> 1:13:27.960
<v Speaker 1>She ain't suing with neither one of us. But we

1:13:28.120 --> 1:13:31.080
<v Speaker 1>just talking being niggas. And then the next thing, you know,

1:13:32.200 --> 1:13:34.120
<v Speaker 1>there in a relationship. I'm like, did he bag it

1:13:34.200 --> 1:13:38.800
<v Speaker 1>that day? Because you I wasn't together at the time.

1:13:39.200 --> 1:13:42.320
<v Speaker 1>This was the first bet site for Ron. I think

1:13:42.360 --> 1:13:44.360
<v Speaker 1>they split us up. Yeah, they did. They had me

1:13:44.439 --> 1:13:46.960
<v Speaker 1>and Ron face and they was on four the time

1:13:47.720 --> 1:13:51.960
<v Speaker 1>we was. We was on the first double XL freshman

1:13:52.040 --> 1:13:58.680
<v Speaker 1>cover we did, the first being the first. Yeah, we

1:13:59.320 --> 1:14:02.799
<v Speaker 1>paved a lot. He was the New York next supposed

1:14:02.800 --> 1:14:06.040
<v Speaker 1>to be Saviors after y'all, After y'all. It was like Pat,

1:14:06.120 --> 1:14:10.200
<v Speaker 1>there's two guys and Ship Brooklyn niggas Saigon and Me

1:14:10.280 --> 1:14:12.880
<v Speaker 1>and Son at the beginning, it was like, we'll be

1:14:12.960 --> 1:14:15.200
<v Speaker 1>going with this bro, and Kate Slay was the glue

1:14:15.479 --> 1:14:19.439
<v Speaker 1>Slave Man recipes of my brother Slave ten records Niggers.

1:14:19.479 --> 1:14:21.479
<v Speaker 1>Though we didn't like each other, I was like, that's

1:14:21.520 --> 1:14:23.760
<v Speaker 1>one of my favorite rappers. That's the fact, I think

1:14:23.880 --> 1:14:27.240
<v Speaker 1>one of my favorite rabbits. You po, I seen niggas

1:14:27.280 --> 1:14:30.400
<v Speaker 1>used to make Pat Punk Patpoo's Versus Sagon mixtapes. That's

1:14:30.400 --> 1:14:32.439
<v Speaker 1>the fact, Like DJ used to make Pat Poo's Verse

1:14:32.479 --> 1:14:34.960
<v Speaker 1>Sagon you look google them since to this day. And

1:14:35.520 --> 1:14:37.920
<v Speaker 1>Kate Slay because Kate Slay put me in the game too.

1:14:38.560 --> 1:14:42.120
<v Speaker 1>So Slave was like, nah, I mean your nigga y Yeah,

1:14:42.120 --> 1:14:46.439
<v Speaker 1>that's the fact, that's the first one. Yeah, and Blue

1:14:46.479 --> 1:14:51.200
<v Speaker 1>paid for Jasco SOLDI your boys shit right now, your

1:14:51.280 --> 1:14:56.479
<v Speaker 1>first So but when y'all got together, I always wondered,

1:14:56.560 --> 1:15:00.559
<v Speaker 1>like did it start that day because me, I can't

1:15:00.600 --> 1:15:02.680
<v Speaker 1>even remember if it was around the same around that

1:15:02.800 --> 1:15:06.760
<v Speaker 1>same time, you know what I mean. But yeah, going

1:15:06.840 --> 1:15:09.120
<v Speaker 1>back to that man, like I said in the beginning,

1:15:09.160 --> 1:15:10.360
<v Speaker 1>it was a clown show, you know what I'm saying.

1:15:10.520 --> 1:15:12.800
<v Speaker 1>But that was like they're in the bid And then,

1:15:12.880 --> 1:15:16.200
<v Speaker 1>like I said, when XXL did that interview. Everything changed

1:15:16.720 --> 1:15:18.880
<v Speaker 1>from from there on. People started to be like, damn,

1:15:19.000 --> 1:15:21.599
<v Speaker 1>like you know what I mean. They kind of respected

1:15:21.680 --> 1:15:23.880
<v Speaker 1>it and it just went from there. But when we

1:15:23.960 --> 1:15:26.080
<v Speaker 1>did the show, the reason why I was expecting to

1:15:26.120 --> 1:15:28.880
<v Speaker 1>get clown because you didn't see that on there. You

1:15:28.960 --> 1:15:32.519
<v Speaker 1>didn't see like a man actually being there for his family,

1:15:32.520 --> 1:15:35.080
<v Speaker 1>you know what I'm saying. So we shot that. She

1:15:35.160 --> 1:15:37.120
<v Speaker 1>remember I was on one knee proposing the whole ship.

1:15:37.840 --> 1:15:39.639
<v Speaker 1>So I was like, yeah, they got married in the cast,

1:15:39.760 --> 1:15:42.680
<v Speaker 1>They're about to kill they about to kill me. It

1:15:42.760 --> 1:15:45.000
<v Speaker 1>was crazy when it came out. I really felt like

1:15:45.080 --> 1:15:47.120
<v Speaker 1>our people was tired of seeing us to pick it

1:15:47.200 --> 1:15:50.120
<v Speaker 1>like down the screen. I believe so too real, bro,

1:15:50.240 --> 1:15:52.280
<v Speaker 1>because the love was creaty. I couldn't believe it. You

1:15:52.400 --> 1:15:54.400
<v Speaker 1>did it right though it was nothing but love. The

1:15:54.479 --> 1:15:57.160
<v Speaker 1>opportunity made it right and it was organic, you know

1:15:57.200 --> 1:15:59.320
<v Speaker 1>what I'm saying. Like it was it was really organic

1:15:59.360 --> 1:16:04.360
<v Speaker 1>at the time. I believe you represent it for every

1:16:04.560 --> 1:16:07.960
<v Speaker 1>street dude that want to come home at night, you

1:16:08.000 --> 1:16:09.759
<v Speaker 1>know what I'm saying. Like, there's a lot of street

1:16:09.840 --> 1:16:11.840
<v Speaker 1>dudes who don't want to come home at night, or

1:16:11.920 --> 1:16:14.439
<v Speaker 1>street people who's not going to come home at night.

1:16:14.760 --> 1:16:16.840
<v Speaker 1>But then there's people that want to come home at night.

1:16:16.880 --> 1:16:19.479
<v Speaker 1>They want to come home at night, not only uh

1:16:20.320 --> 1:16:23.240
<v Speaker 1>to safety, but to their women and their family. And

1:16:23.320 --> 1:16:26.200
<v Speaker 1>I believe everybody was like rooting for you, like you

1:16:26.240 --> 1:16:27.800
<v Speaker 1>know what I'm saying, just as a man, like you

1:16:27.840 --> 1:16:31.240
<v Speaker 1>know what I'm saying regardless, and I'm just saying, you

1:16:31.320 --> 1:16:35.280
<v Speaker 1>represent manhood in a great, great way, man like, like

1:16:35.320 --> 1:16:36.439
<v Speaker 1>you know what I'm saying. So I just want to

1:16:36.720 --> 1:16:41.400
<v Speaker 1>personally give you a round. Thank you. We got like

1:16:41.560 --> 1:16:43.160
<v Speaker 1>I got an aunt. I got an aunt, she like

1:16:43.240 --> 1:16:45.759
<v Speaker 1>sixty eight. She was like, I need me a pat poos.

1:16:45.840 --> 1:16:54.720
<v Speaker 1>I said, Yo. It was a crazy time back. Yeah,

1:16:54.720 --> 1:17:02.240
<v Speaker 1>I don't want your old ass. I need yo, like

1:17:02.320 --> 1:17:06.160
<v Speaker 1>an years old. But the imagery you put out there

1:17:06.280 --> 1:17:09.080
<v Speaker 1>was amazing, bro, Noah, it was. It was so crazy, man,

1:17:09.200 --> 1:17:11.679
<v Speaker 1>Like I knew what it was like at that time,

1:17:11.880 --> 1:17:15.519
<v Speaker 1>Like it was cool to be, you know, moving around

1:17:15.560 --> 1:17:17.720
<v Speaker 1>with different chicks and all that ship. So that's what

1:17:17.880 --> 1:17:21.080
<v Speaker 1>everybody was putting out there. I feel like when at

1:17:21.120 --> 1:17:24.320
<v Speaker 1>that time, after that came out, you started to see

1:17:24.360 --> 1:17:27.160
<v Speaker 1>it more because it exists. But it's like, I don't know,

1:17:27.240 --> 1:17:28.640
<v Speaker 1>Nigga was hot and it what the fuck. You know

1:17:28.640 --> 1:17:31.400
<v Speaker 1>what I'm saying. But I feel like I think the

1:17:31.439 --> 1:17:33.200
<v Speaker 1>world was tired of seeing us throwing drinks on each

1:17:33.200 --> 1:17:35.719
<v Speaker 1>other on the screen and all that ship throwing throwing

1:17:35.840 --> 1:17:42.120
<v Speaker 1>bags on yeah, like guilty on the roof and sh yeah.

1:17:43.960 --> 1:17:45.400
<v Speaker 1>And I was like, Yo, they ain't they ain't. This

1:17:45.520 --> 1:17:49.360
<v Speaker 1>ain't my niggas. It really depicted you crazy like that.

1:17:49.680 --> 1:17:51.960
<v Speaker 1>What I don't watch none of that like that. It

1:17:52.080 --> 1:17:54.280
<v Speaker 1>got so bad My real friends that really knew me,

1:17:55.000 --> 1:17:57.320
<v Speaker 1>like I go, We'll go to a you know, an

1:17:57.439 --> 1:17:59.360
<v Speaker 1>event or something, and they like pulled me to the side,

1:17:59.439 --> 1:18:01.280
<v Speaker 1>like Y're gonnaell my wife don't funk with you, son.

1:18:01.960 --> 1:18:04.400
<v Speaker 1>I'm like, I don't even know your wife. Bro, she

1:18:04.560 --> 1:18:07.240
<v Speaker 1>watched the show, son, she don't like you. Yeah, I'm like,

1:18:07.320 --> 1:18:12.160
<v Speaker 1>you ain't tell her like the real me like that.

1:18:12.320 --> 1:18:16.040
<v Speaker 1>You people's perception of what they see and what they believe. Yeah, yeah,

1:18:16.200 --> 1:18:17.400
<v Speaker 1>Like they pushed narratives.

1:18:17.439 --> 1:18:20.320
<v Speaker 2>Nowadays, it's some wicked ship, bro, But you didn't have

1:18:20.439 --> 1:18:23.879
<v Speaker 2>that happened during year like Prince Charming.

1:18:28.840 --> 1:18:30.280
<v Speaker 1>Let me tell you something. It was like it was

1:18:30.360 --> 1:18:32.760
<v Speaker 1>crazy back then, right when that ship came out, Like

1:18:32.880 --> 1:18:35.280
<v Speaker 1>I would get mixed reactions like like like you said,

1:18:35.760 --> 1:18:39.280
<v Speaker 1>your like, I would go somewhere and the older women

1:18:39.400 --> 1:18:42.599
<v Speaker 1>like different, they would go crazy. But I'll be going

1:18:42.640 --> 1:18:45.160
<v Speaker 1>through the tobo. Back then, they didn't have the easy

1:18:45.200 --> 1:18:47.880
<v Speaker 1>path and the nigga. I'll pull up and get a

1:18:47.920 --> 1:18:50.639
<v Speaker 1>nigga my money, like, oh, you fucking up my house.

1:18:56.040 --> 1:18:58.000
<v Speaker 1>You're fucking up niggas house on too. I see that too.

1:19:04.880 --> 1:19:12.320
<v Speaker 1>I can see that. I'm just asking, is there anything

1:19:12.400 --> 1:19:14.600
<v Speaker 1>you ever regret about doing the show? Not not not

1:19:14.760 --> 1:19:18.120
<v Speaker 1>your relationship the show. I don't because they just, honestly,

1:19:18.200 --> 1:19:21.000
<v Speaker 1>like I said, they actually let you leave. They followed.

1:19:21.160 --> 1:19:23.680
<v Speaker 1>They followed me like I said, on the visit and

1:19:23.720 --> 1:19:26.280
<v Speaker 1>all that ship. That's when it started. So it was organic.

1:19:26.400 --> 1:19:28.040
<v Speaker 1>So I would have to regret my life if I

1:19:28.120 --> 1:19:31.360
<v Speaker 1>regret it, because honestly, they just documented what was going on.

1:19:31.600 --> 1:19:33.320
<v Speaker 1>I'll give moaning them credit for that, like they did

1:19:33.360 --> 1:19:36.559
<v Speaker 1>a good job at just recalling what was happening at

1:19:36.600 --> 1:19:43.160
<v Speaker 1>the time. That's what you know. I regret it like

1:19:43.240 --> 1:19:47.720
<v Speaker 1>a motherfucker. I don't regret mine what you know well,

1:19:48.280 --> 1:19:50.120
<v Speaker 1>but you ain't going there half a season like a

1:19:50.360 --> 1:19:53.040
<v Speaker 1>season and a half. I didn't once I did no drama,

1:19:53.080 --> 1:20:00.280
<v Speaker 1>they got no drama. You know everka, Okay, I did mist.

1:20:11.640 --> 1:20:12.240
<v Speaker 3>So uh.

1:20:14.520 --> 1:20:16.320
<v Speaker 1>So you didn't. You don't regret that. But I remember

1:20:16.400 --> 1:20:18.640
<v Speaker 1>one time you was, uh I believe you said you

1:20:18.760 --> 1:20:21.200
<v Speaker 1>went to go on a visit and you said, the

1:20:21.240 --> 1:20:23.479
<v Speaker 1>one thing that you don't see is other men, Like

1:20:23.840 --> 1:20:27.280
<v Speaker 1>like how you see women visiting men, You didn't see

1:20:27.680 --> 1:20:30.880
<v Speaker 1>men reciprocating that you you didn't see a lot of them. Nah,

1:20:31.080 --> 1:20:33.000
<v Speaker 1>what happened is I used to go to rik As

1:20:33.040 --> 1:20:35.200
<v Speaker 1>Island and visit like a lot of my homies, and

1:20:35.320 --> 1:20:37.200
<v Speaker 1>there be snow outside. You see women out there with

1:20:37.240 --> 1:20:40.960
<v Speaker 1>strollers and the snow. Bro getting on the bus going

1:20:41.000 --> 1:20:42.760
<v Speaker 1>to see dudes get on the visiting floor. You can't

1:20:42.760 --> 1:20:44.479
<v Speaker 1>even get in because they're fighting to get in. There

1:20:44.560 --> 1:20:53.240
<v Speaker 1>a lot of big joints to visit dudes girls, but

1:20:53.840 --> 1:20:57.080
<v Speaker 1>they it's crowded, Bro, it's crowded. But then when you

1:20:57.160 --> 1:20:58.960
<v Speaker 1>go when I used to go to the women's facility,

1:20:59.000 --> 1:21:01.160
<v Speaker 1>that ship was empty. It'd be like me and two

1:21:01.200 --> 1:21:04.080
<v Speaker 1>other dudes, like we know each other. And I used

1:21:04.080 --> 1:21:06.559
<v Speaker 1>to be like, I started comparing it too, like damn

1:21:06.840 --> 1:21:09.880
<v Speaker 1>niggas is leaving it the chicks for the women for

1:21:10.000 --> 1:21:13.800
<v Speaker 1>dad in here because they got visited every day a while.

1:21:13.960 --> 1:21:17.880
<v Speaker 1>Deserve it, bro, Wow, they got visits every day every day.

1:21:17.880 --> 1:21:20.040
<v Speaker 1>When when when you're on top, Yeah, okay, every day

1:21:20.360 --> 1:21:20.720
<v Speaker 1>every day.

1:21:22.760 --> 1:21:23.479
<v Speaker 3>So I.

1:21:28.040 --> 1:21:34.040
<v Speaker 1>Y'all got married in jail. Yeah okay, so that was

1:21:34.080 --> 1:21:36.560
<v Speaker 1>the real marriage. But then when y'all came home, it

1:21:36.720 --> 1:21:39.439
<v Speaker 1>was the castle wedding. Yeah, the whole the whole thing.

1:21:39.600 --> 1:21:41.600
<v Speaker 1>That was like the fly ship have a bro like

1:21:41.680 --> 1:21:43.880
<v Speaker 1>that was like that was like that was like, yo,

1:21:43.960 --> 1:21:46.920
<v Speaker 1>you gave hope to everybody. It was like it was

1:21:47.000 --> 1:21:49.519
<v Speaker 1>like was that something you you wanted to do? Like

1:21:49.600 --> 1:21:52.679
<v Speaker 1>that big like like that was like a fairy tale

1:21:52.720 --> 1:21:55.200
<v Speaker 1>wedding for lack of a better term. Yeah, no, that

1:21:55.360 --> 1:21:57.840
<v Speaker 1>was something that happened. It happened naturally because initially, like

1:21:57.920 --> 1:21:59.960
<v Speaker 1>you said, it happened on the inside, so you know,

1:22:00.960 --> 1:22:03.240
<v Speaker 1>it didn't get to happen the correct way. So you know,

1:22:03.280 --> 1:22:04.960
<v Speaker 1>you always want to make sure you do it right.

1:22:06.200 --> 1:22:08.519
<v Speaker 1>Can I ask you a question? Because ask somebody who

1:22:08.560 --> 1:22:12.200
<v Speaker 1>knows you personally, somebody who respects you highly respects you,

1:22:13.320 --> 1:22:15.799
<v Speaker 1>and you know, your life is playing out in public

1:22:16.120 --> 1:22:17.960
<v Speaker 1>just like mine did. It's like we all once we

1:22:18.040 --> 1:22:20.680
<v Speaker 1>sign up for this ship, we public were in the public, Right,

1:22:21.520 --> 1:22:24.559
<v Speaker 1>how's it been co parenting since since you're split? Because

1:22:24.600 --> 1:22:27.639
<v Speaker 1>that's the problem I have with the mothers and my children,

1:22:27.720 --> 1:22:31.640
<v Speaker 1>Like sometimes it's good, sometimes it's not, like because a

1:22:31.720 --> 1:22:34.519
<v Speaker 1>woman a woman could sometimes use to use a child

1:22:34.680 --> 1:22:37.599
<v Speaker 1>to really when they know you love your child, they like, oh,

1:22:37.640 --> 1:22:40.160
<v Speaker 1>I got something you love more than yourself, so I

1:22:40.200 --> 1:22:43.160
<v Speaker 1>could use that. How's co parenting been with your ex since? Since?

1:22:43.720 --> 1:22:45.560
<v Speaker 1>I Just make the best out of it, you know

1:22:45.600 --> 1:22:46.920
<v Speaker 1>what I'm saying, And making the best out of it.

1:22:47.040 --> 1:22:50.040
<v Speaker 1>You know, you my child is the most important thing fact,

1:22:50.400 --> 1:22:52.240
<v Speaker 1>you know what I mean, Just putting put my kid

1:22:52.320 --> 1:22:54.560
<v Speaker 1>first and making the best out of you. You know

1:22:54.560 --> 1:22:56.439
<v Speaker 1>what I mean, getting canting do it because that's the

1:22:56.479 --> 1:22:59.680
<v Speaker 1>ship for the most part. When you don't get, when

1:22:59.680 --> 1:23:01.200
<v Speaker 1>you don't walk with somebody, you got to kill with them.

1:23:01.280 --> 1:23:03.040
<v Speaker 1>That sh it is torture. When you love your kids

1:23:03.040 --> 1:23:05.000
<v Speaker 1>and you're like, damn, I got to go through. That's

1:23:05.040 --> 1:23:07.200
<v Speaker 1>why my kids are teenagers now, so I ain't they

1:23:07.280 --> 1:23:08.960
<v Speaker 1>got their own phones. I ain't got to go through

1:23:09.040 --> 1:23:12.400
<v Speaker 1>mom from ship. It's easy breezy now. But when you

1:23:12.479 --> 1:23:14.240
<v Speaker 1>got to go through somebody you don't deal with, you

1:23:14.320 --> 1:23:17.360
<v Speaker 1>get to this person you love. Ship is is torture.

1:23:17.400 --> 1:23:19.640
<v Speaker 1>I don't know how many fathers is out there who

1:23:19.680 --> 1:23:22.240
<v Speaker 1>really they kids lives, but that shit is could be.

1:23:22.360 --> 1:23:24.320
<v Speaker 1>That's one of the hardest things I've ever had to

1:23:24.360 --> 1:23:26.840
<v Speaker 1>deal with in my life. Harder than prison, harder than

1:23:26.920 --> 1:23:30.800
<v Speaker 1>getting shot, stabby and all. That ship was really having

1:23:30.880 --> 1:23:32.560
<v Speaker 1>to deal with a woman who I didn't want to

1:23:32.600 --> 1:23:35.600
<v Speaker 1>deal with at all because she got my baby. You know,

1:23:35.760 --> 1:23:39.479
<v Speaker 1>there's an episode of Larry David right, it's called Kirby

1:23:39.600 --> 1:23:42.320
<v Speaker 1>Enthusiasm right with him and this girl break up and

1:23:42.360 --> 1:23:45.160
<v Speaker 1>they make everyone kind of like choose a side like

1:23:45.240 --> 1:23:57.760
<v Speaker 1>it's almost like the like, so, so you know that

1:23:58.520 --> 1:24:00.479
<v Speaker 1>is not known for this ship. They on to go

1:24:00.560 --> 1:24:03.880
<v Speaker 1>online and do this so no one sees them since

1:24:04.000 --> 1:24:06.479
<v Speaker 1>this happens, and we see each other at Rock the Bells,

1:24:06.560 --> 1:24:08.320
<v Speaker 1>Hold on before you finish? Can I bring my brother

1:24:08.360 --> 1:24:11.760
<v Speaker 1>show on to it? Yeah? I got, I got, I got,

1:24:12.960 --> 1:24:14.680
<v Speaker 1>I need to get my brother. See the man rock

1:24:14.760 --> 1:24:18.360
<v Speaker 1>the bell I got got you got your gother? So

1:24:18.479 --> 1:24:20.400
<v Speaker 1>I see the man walking the bells, I come out,

1:24:22.040 --> 1:24:25.800
<v Speaker 1>mm hmm, I see I see the child. So I'm like,

1:24:26.000 --> 1:24:30.080
<v Speaker 1>holy ship, I did I see left happens right there?

1:24:30.240 --> 1:24:37.000
<v Speaker 1>I'm like, holy going on, yo. That was probably the

1:24:37.080 --> 1:24:40.679
<v Speaker 1>most openest moment. It's like one of the most because

1:24:40.720 --> 1:24:43.400
<v Speaker 1>I'm like, holy ship, who do I say how to first?

1:24:44.840 --> 1:24:46.360
<v Speaker 1>If I say how, the one is, the other one

1:24:46.479 --> 1:24:48.760
<v Speaker 1>is gonna. But that was so amicable. It was the

1:24:48.880 --> 1:24:52.720
<v Speaker 1>exact opposite of what took place on the internet. Let

1:24:52.760 --> 1:24:56.160
<v Speaker 1>me say something. What's something you said? My choosing sides?

1:24:56.200 --> 1:24:58.679
<v Speaker 1>You know what I'm saying, and you ain't saying about yourself.

1:24:58.680 --> 1:25:00.880
<v Speaker 1>You just said like people had to do with that's

1:25:00.920 --> 1:25:05.880
<v Speaker 1>fake ship though when people do that, man, First of all,

1:25:07.240 --> 1:25:09.639
<v Speaker 1>there's no size, bro, it's right and wrong. Right, that's

1:25:09.680 --> 1:25:13.160
<v Speaker 1>one thing. And number two instead of choosing the side

1:25:13.200 --> 1:25:16.960
<v Speaker 1>man like me me, I don't choose sides with family,

1:25:17.080 --> 1:25:19.479
<v Speaker 1>especially if you're family. I don't choose sides with family.

1:25:19.840 --> 1:25:23.719
<v Speaker 1>I try to fix it. If I can't, I'm manya business.

1:25:24.840 --> 1:25:27.479
<v Speaker 1>If you if you call yourself family, you either fix

1:25:27.520 --> 1:25:30.080
<v Speaker 1>it or maya. But you don't choose a side. How

1:25:30.120 --> 1:25:31.680
<v Speaker 1>the funk? I look like choosing the side with my

1:25:31.760 --> 1:25:36.920
<v Speaker 1>family members. And it's no size, it's right or wrong. Like,

1:25:37.080 --> 1:25:39.040
<v Speaker 1>that's fake ship, bro. When you because when you choose

1:25:39.040 --> 1:25:40.800
<v Speaker 1>the side, you know what you're about to do. You're

1:25:40.800 --> 1:25:42.679
<v Speaker 1>about to try to call yourself rolling with the strength

1:25:43.680 --> 1:25:46.960
<v Speaker 1>the fuck got here? Man, I mean that's weak ship,

1:25:48.000 --> 1:25:50.080
<v Speaker 1>all right, you hold me in. Come on, come on

1:25:53.840 --> 1:26:06.360
<v Speaker 1>grave my nigga see shoots on last should Yeah, you're

1:26:06.360 --> 1:26:08.800
<v Speaker 1>gonna have to share. I ain't gonna the camera, Yeah yeah, yeah, Yeah,

1:26:09.000 --> 1:26:12.240
<v Speaker 1>it's good man. My nigga locked in the studio with me,

1:26:12.600 --> 1:26:16.519
<v Speaker 1>recorded that whole project. Man super producer, Man Easy do

1:26:16.760 --> 1:26:25.320
<v Speaker 1>either do Man Win Records. Man. Man, it's a movement.

1:26:25.760 --> 1:26:32.880
<v Speaker 1>There's getting a lot of money over there. My brother

1:26:33.200 --> 1:26:36.439
<v Speaker 1>came up. So let me ask you before we get

1:26:36.479 --> 1:26:39.920
<v Speaker 1>into dig back into the album and the beat. So, like,

1:26:40.120 --> 1:26:42.759
<v Speaker 1>to me, your last relationship like if y'all had an argument,

1:26:43.200 --> 1:26:47.439
<v Speaker 1>y'all a rap battle. No, man, I never happened in

1:26:47.560 --> 1:26:49.639
<v Speaker 1>your mind. That's what you in my mind and my mind.

1:26:50.439 --> 1:26:52.560
<v Speaker 1>So to me, in my mind and this new relationship,

1:26:52.640 --> 1:26:55.840
<v Speaker 1>you can't even are you Like, I ain't gonna lie.

1:26:56.080 --> 1:27:12.360
<v Speaker 1>You can't even you got that's shout to my queen. Man,

1:27:12.400 --> 1:27:15.360
<v Speaker 1>that's my best friend right there. I love a lot man,

1:27:16.160 --> 1:27:19.320
<v Speaker 1>real bro, like real talk. She did you too, bro,

1:27:20.640 --> 1:27:26.400
<v Speaker 1>Make some noise for that man, she makeing she make

1:27:26.479 --> 1:27:30.800
<v Speaker 1>it known. Let it be known like he running the show,

1:27:31.320 --> 1:27:33.200
<v Speaker 1>like you know, I mean women in that position ain't

1:27:33.200 --> 1:27:35.040
<v Speaker 1>gonna do that. Let it be known like now I

1:27:35.120 --> 1:27:39.599
<v Speaker 1>follow his lead as a woman, but should and I'll

1:27:39.600 --> 1:27:41.280
<v Speaker 1>be talking like me, it's not gonna talk. You know

1:27:41.280 --> 1:27:43.960
<v Speaker 1>what I'm saying. He tells me everything he said, tell

1:27:44.000 --> 1:27:46.240
<v Speaker 1>me behind the scenes. It's a good thing when you

1:27:46.360 --> 1:27:48.240
<v Speaker 1>see it. But when you check the temperature of people

1:27:48.320 --> 1:27:50.400
<v Speaker 1>that knew you for a long time, they saying the

1:27:50.479 --> 1:27:54.720
<v Speaker 1>same thing out instart looking out. So he outside looking

1:27:54.760 --> 1:27:57.000
<v Speaker 1>at he like your pattern the way she you know

1:27:57.040 --> 1:27:58.960
<v Speaker 1>what I'm saying, The way she like everything he just said.

1:27:59.439 --> 1:28:02.000
<v Speaker 1>I want like you was on your phone in the airport.

1:28:02.040 --> 1:28:03.920
<v Speaker 1>I was on my phone too, and I was just

1:28:03.960 --> 1:28:06.600
<v Speaker 1>scrolling and the first thing the person said was you

1:28:06.680 --> 1:28:09.439
<v Speaker 1>gotta you gotta tattoo a pool. She said, yeah, on

1:28:09.560 --> 1:28:20.360
<v Speaker 1>my tity. She surprised me with that. She surprised when

1:28:20.600 --> 1:28:22.360
<v Speaker 1>she was doing the interview to my said, yo, did

1:28:22.400 --> 1:28:28.200
<v Speaker 1>you get tap pattern? You're gonna get tapoos tattered on breaking.

1:28:28.280 --> 1:28:31.280
<v Speaker 1>I got you, I got you. I'm come on here.

1:28:32.439 --> 1:28:34.080
<v Speaker 1>She was like, yeah, I got it on my titty,

1:28:34.160 --> 1:28:39.760
<v Speaker 1>Like skip a beat, like yeah, that was you don't

1:28:39.760 --> 1:28:41.720
<v Speaker 1>remember when she was weighing in and the little kid

1:28:41.880 --> 1:28:45.240
<v Speaker 1>kept looking at her. Oh yeah, yeah, it's crazy out there.

1:28:46.600 --> 1:28:50.479
<v Speaker 1>It's crazy. One day I came out to gym and

1:28:50.560 --> 1:28:52.479
<v Speaker 1>me I was on FaceTime. I got a video of

1:28:52.479 --> 1:28:56.519
<v Speaker 1>that ship too. Since you and Bro, I'm talking to

1:28:56.560 --> 1:28:58.639
<v Speaker 1>the FaceTime she just flashed it. I was like, Oh,

1:28:58.920 --> 1:29:01.920
<v Speaker 1>I was like totally surprised, like that ship right did? Though,

1:29:02.479 --> 1:29:14.000
<v Speaker 1>that's fine. It needed Let me tell you something for real, bro,

1:29:14.479 --> 1:29:17.599
<v Speaker 1>like a brotherfreshir in my life. So I don't tell

1:29:17.840 --> 1:29:20.640
<v Speaker 1>how do you like? My best is different? Bro? So

1:29:20.920 --> 1:29:23.639
<v Speaker 1>how do you bounce back? Though? Like? Right again, I'm

1:29:23.680 --> 1:29:25.600
<v Speaker 1>not trying to get any your information, but this is

1:29:25.600 --> 1:29:28.559
<v Speaker 1>the first time I kind of like stepped out publicly, right,

1:29:28.720 --> 1:29:30.759
<v Speaker 1>and this is a big story, like as a journalist,

1:29:31.000 --> 1:29:33.600
<v Speaker 1>So how do you go from from like from a

1:29:33.640 --> 1:29:36.880
<v Speaker 1>place I'm I'm assuming a place of hurt to a

1:29:36.960 --> 1:29:42.080
<v Speaker 1>place of joy? So like so quickly I didn't. It

1:29:42.240 --> 1:29:45.760
<v Speaker 1>just happened, Bro, Okay, I didn't plan it or nothing, man,

1:29:45.840 --> 1:29:47.360
<v Speaker 1>It just it just happened at a you know what

1:29:47.400 --> 1:29:50.599
<v Speaker 1>I'm saying, a duk time of my life, to be honest.

1:29:50.600 --> 1:29:54.280
<v Speaker 1>You know what, I mean, you know, I don't got nothing.

1:29:54.280 --> 1:29:55.880
<v Speaker 1>I don't got nothing bad to say. Man, I wish,

1:29:55.960 --> 1:29:58.040
<v Speaker 1>I wish you are the best, you know what I mean?

1:29:58.120 --> 1:30:01.880
<v Speaker 1>But you know I moved on and the man she

1:30:02.200 --> 1:30:05.200
<v Speaker 1>came in my life, bro, and just like, definitely man,

1:30:06.000 --> 1:30:07.560
<v Speaker 1>one of the best things that ever happened to me,

1:30:08.080 --> 1:30:09.400
<v Speaker 1>you know what I mean. But to answer your question,

1:30:09.840 --> 1:30:12.080
<v Speaker 1>I didn't. I can't even tell you because it happened

1:30:12.120 --> 1:30:14.880
<v Speaker 1>so natural and organic and it wasn't playing like we

1:30:15.000 --> 1:30:16.680
<v Speaker 1>just met after I was at a fight. I went

1:30:16.720 --> 1:30:19.639
<v Speaker 1>to the Chicall fight in Jersey, and when I came

1:30:19.680 --> 1:30:21.000
<v Speaker 1>in the building. First of all, I was always a

1:30:21.000 --> 1:30:22.960
<v Speaker 1>fan of I'm a big boxing fan, you know what

1:30:23.000 --> 1:30:25.280
<v Speaker 1>I mean. So I gotta tell you that. Sean too

1:30:25.280 --> 1:30:27.439
<v Speaker 1>will tell you that. I mean. I'm a big boxing fan.

1:30:27.520 --> 1:30:29.519
<v Speaker 1>So I always watched her coming up. But one day

1:30:29.520 --> 1:30:30.800
<v Speaker 1>I went to the Cha Court fight and as I'm

1:30:30.800 --> 1:30:33.000
<v Speaker 1>going to sit down, I see her over it and

1:30:33.040 --> 1:30:35.439
<v Speaker 1>I'm like, oh shit, because it's the ship. But you know,

1:30:35.479 --> 1:30:36.720
<v Speaker 1>you keep it in your mind. You don't want to

1:30:36.760 --> 1:30:39.760
<v Speaker 1>be grouped out, you know what I'm saying. And a

1:30:39.800 --> 1:30:41.439
<v Speaker 1>lot of people was asking me for pictures and ship,

1:30:41.479 --> 1:30:42.559
<v Speaker 1>but I went up to her. I was like, hey,

1:30:42.640 --> 1:30:44.320
<v Speaker 1>know how you doing. I shook her hand and when

1:30:44.320 --> 1:30:46.439
<v Speaker 1>I sat down when she had to fight, she loud

1:30:46.439 --> 1:30:49.080
<v Speaker 1>as a motherfucker because runs shod. They like family. So

1:30:49.200 --> 1:30:51.439
<v Speaker 1>she she's screaming and ship and were talking about the fight.

1:30:51.800 --> 1:30:54.120
<v Speaker 1>So when we leaving, people like rushing out for pictures

1:30:54.160 --> 1:30:57.040
<v Speaker 1>and shit, and she by herself. So I'm like, hold on, man, like,

1:30:57.240 --> 1:31:08.360
<v Speaker 1>hold on, man, take time, you know, security, immediately reflict

1:31:08.400 --> 1:31:10.640
<v Speaker 1>and she's like, yo, come to my next fight. So

1:31:12.439 --> 1:31:15.920
<v Speaker 1>like you ain't get the number now, okay, I want

1:31:15.960 --> 1:31:17.639
<v Speaker 1>you to come to my next fight, and then made

1:31:17.720 --> 1:31:21.200
<v Speaker 1>you work for it, talking about she sent me information

1:31:21.320 --> 1:31:23.559
<v Speaker 1>to the fights them me and info to the fight,

1:31:23.960 --> 1:31:26.880
<v Speaker 1>and I went to the fight, and leading up to

1:31:26.960 --> 1:31:28.439
<v Speaker 1>it though we some kind of way when we DM

1:31:28.560 --> 1:31:30.920
<v Speaker 1>we changed numbers and yo, bro, I'll tell you we

1:31:31.000 --> 1:31:33.439
<v Speaker 1>text every day. We never called each other. But let

1:31:33.479 --> 1:31:35.280
<v Speaker 1>me ask you, just texting, what happened if you went

1:31:35.320 --> 1:31:38.040
<v Speaker 1>to the fight and she lost, but you have kept going.

1:31:38.080 --> 1:31:38.920
<v Speaker 1>We're not gonna lose, bro.

1:31:40.280 --> 1:31:40.559
<v Speaker 3>It's like.

1:31:44.280 --> 1:31:47.840
<v Speaker 1>I'm telling what she lost, Like would you I'm gonna

1:31:47.880 --> 1:32:00.360
<v Speaker 1>keep going? Absolutely, I would have kept going. Roman was right.

1:32:00.720 --> 1:32:04.519
<v Speaker 1>One Bros. Clarissa ships like she don't lose. That's one

1:32:05.160 --> 1:32:07.479
<v Speaker 1>and then the second thing, Hell, yah ain't no sucker, man,

1:32:07.560 --> 1:32:10.519
<v Speaker 1>you take it. I'm leaving now. We don't do that.

1:32:12.680 --> 1:32:17.800
<v Speaker 1>That's real ship. That's funny question for what you said something.

1:32:18.160 --> 1:32:24.439
<v Speaker 1>Yeah I did, but he made me maybe. But let's

1:32:24.439 --> 1:32:26.800
<v Speaker 1>get into this album man. The creation of this album yeah,

1:32:27.240 --> 1:32:27.840
<v Speaker 1>Sean two.

1:32:28.360 --> 1:32:31.280
<v Speaker 6>Yeah, the album man, it's crazy. You know, the process

1:32:31.439 --> 1:32:34.280
<v Speaker 6>was dope, it was organic. You know, I'm a big

1:32:34.360 --> 1:32:38.120
<v Speaker 6>fan of hip hop. I'm from Mississippi, but I say,

1:32:38.240 --> 1:32:40.679
<v Speaker 6>you know, you know, I always wanted to hear pap

1:32:40.800 --> 1:32:43.240
<v Speaker 6>on Jay Diller type of be you know what I'm saying,

1:32:43.280 --> 1:32:46.479
<v Speaker 6>because he always been lyricals. So that's what Chill Button

1:32:46.680 --> 1:32:48.960
<v Speaker 6>was like. You know, I was like, Yo, you got

1:32:49.400 --> 1:32:53.160
<v Speaker 6>wing though the shout out left him, man, shout that

1:32:53.240 --> 1:32:56.040
<v Speaker 6>my brother left from Compton. Man, come from Mississippi, but

1:32:56.080 --> 1:32:59.280
<v Speaker 6>he based in Kelly. You know, so my brother left

1:32:59.360 --> 1:33:00.519
<v Speaker 6>you from the West coast.

1:33:00.600 --> 1:33:04.000
<v Speaker 1>Man. That's a solid individual. Man. He basically introduced us.

1:33:04.080 --> 1:33:05.519
<v Speaker 1>He came to me one day because you know, I

1:33:05.640 --> 1:33:09.479
<v Speaker 1>was doing the executive thing. But no in New York

1:33:09.640 --> 1:33:11.720
<v Speaker 1>like Lefty flow out here. He like y'all want you

1:33:11.760 --> 1:33:14.160
<v Speaker 1>to meet this artist, which was Kadisha, the one who

1:33:14.240 --> 1:33:16.439
<v Speaker 1>you asked me about that on my project, Like, y'all

1:33:16.479 --> 1:33:18.120
<v Speaker 1>want you to meet this artist, And we took the meeting.

1:33:18.120 --> 1:33:19.880
<v Speaker 1>I went to Brooklyn chop House that's my second home,

1:33:20.240 --> 1:33:22.400
<v Speaker 1>and they met me the chop House in Miami as well.

1:33:25.600 --> 1:33:27.439
<v Speaker 1>And make a long story, shure I said. When I

1:33:27.520 --> 1:33:29.680
<v Speaker 1>came to the meeting, it was my brother Sean too,

1:33:29.800 --> 1:33:32.559
<v Speaker 1>my brother Big Rube in Kadija and we sat down

1:33:32.600 --> 1:33:34.760
<v Speaker 1>and we talked. Because I was always I'm always helping

1:33:34.840 --> 1:33:37.120
<v Speaker 1>new artists out. Man, like the ship that we've been through,

1:33:37.439 --> 1:33:40.040
<v Speaker 1>I tried to prevent them from going through the same shit, bro,

1:33:40.840 --> 1:33:42.880
<v Speaker 1>and whatever advice I could give, I was just giving

1:33:42.920 --> 1:33:45.360
<v Speaker 1>them genuine advice. And we started to work together. And

1:33:45.400 --> 1:33:46.559
<v Speaker 1>I've seen that a lot of things that they were

1:33:46.600 --> 1:33:48.880
<v Speaker 1>trying to do, I knew how to do it. So

1:33:49.000 --> 1:33:50.840
<v Speaker 1>it's all about adding on it if you got knowledge

1:33:50.880 --> 1:33:52.479
<v Speaker 1>of SELP. So I just started adding on to what

1:33:52.560 --> 1:33:55.000
<v Speaker 1>they was doing and we locked in. We just started

1:33:55.040 --> 1:33:57.000
<v Speaker 1>elevating winning records and here we all, man, we're doing

1:33:57.240 --> 1:33:59.880
<v Speaker 1>concerts across the planet. We got the short fume out.

1:34:00.000 --> 1:34:02.000
<v Speaker 1>We just did a big deal with Clarissa. You know

1:34:02.000 --> 1:34:04.519
<v Speaker 1>what I'm saying, eight million dollar deal. I'm not bragging,

1:34:04.600 --> 1:34:11.000
<v Speaker 1>but yeah. Well, basically, Clarissa found herself man in a

1:34:11.120 --> 1:34:13.400
<v Speaker 1>position where she was in the bidding war because her

1:34:13.479 --> 1:34:16.560
<v Speaker 1>contract ended with the previous entity that she was signed to.

1:34:17.080 --> 1:34:18.439
<v Speaker 1>So I want to say this to you and make

1:34:18.479 --> 1:34:23.680
<v Speaker 1>it clear every boxing entity may offers to her, from

1:34:23.720 --> 1:34:26.080
<v Speaker 1>the biggest to the smallest. I literally set in these

1:34:26.160 --> 1:34:29.840
<v Speaker 1>meetings with her and my team. I see what we've

1:34:29.840 --> 1:34:32.320
<v Speaker 1>been doing. We put a lot of asses in seats

1:34:32.360 --> 1:34:34.360
<v Speaker 1>with these concerts, Like you know what I'm saying. So

1:34:34.439 --> 1:34:36.320
<v Speaker 1>I'm like, I'm looking at it. I'm like, damn, oh,

1:34:36.479 --> 1:34:38.840
<v Speaker 1>so that was young. Yeah, I'm like, yo, game in

1:34:38.880 --> 1:34:42.520
<v Speaker 1>boxing people don't yo, bro. I'm sitting there, I'm brainstorming.

1:34:42.520 --> 1:34:54.880
<v Speaker 1>I'm like, I'm brainstorm I'm like yo. But anyway, I'm

1:34:54.920 --> 1:34:56.920
<v Speaker 1>looking at how were able to put asses and seats,

1:34:56.920 --> 1:34:58.559
<v Speaker 1>and I'm looking at what she doing as a fighter.

1:34:58.640 --> 1:35:01.080
<v Speaker 1>I'm like, yo, if we come to together, it'd be crazy.

1:35:01.960 --> 1:35:05.000
<v Speaker 1>So her last fight, which was in Detroit, we came

1:35:05.040 --> 1:35:10.080
<v Speaker 1>together and we saw that motherfuck out. So that was confirmation. Yeah,

1:35:10.400 --> 1:35:12.240
<v Speaker 1>I said, we're gonna do this one right, and let's

1:35:12.240 --> 1:35:14.280
<v Speaker 1>see what happened. So a lot of times when I

1:35:14.360 --> 1:35:16.800
<v Speaker 1>hate giving games to these niggas, but but I'm gonna

1:35:16.800 --> 1:35:19.360
<v Speaker 1>give it to him a lot of times when you watched,

1:35:19.479 --> 1:35:21.639
<v Speaker 1>when you go to fights, our artists just pop out

1:35:22.479 --> 1:35:24.439
<v Speaker 1>and you never knew they was gonna be there, so

1:35:25.280 --> 1:35:27.240
<v Speaker 1>you don't get the opportunity for their fan base to

1:35:27.320 --> 1:35:30.080
<v Speaker 1>come out. So what we did the last event shot

1:35:30.120 --> 1:35:32.560
<v Speaker 1>to my brother Rick Ross. We added Rick Ross to

1:35:32.640 --> 1:35:34.479
<v Speaker 1>the to the event, and we was able to promote

1:35:34.520 --> 1:35:36.559
<v Speaker 1>him with the event and one of his strongest markets,

1:35:36.600 --> 1:35:40.320
<v Speaker 1>which is Detroit. So we got Rick Ross, we got Flissa,

1:35:40.400 --> 1:35:43.280
<v Speaker 1>we got myself and her opponent was that shit so

1:35:43.400 --> 1:35:45.799
<v Speaker 1>loud of what sold that mother fuck out to capacity?

1:35:45.880 --> 1:35:48.160
<v Speaker 1>You know what I'm saying. So but I was about that.

1:35:48.320 --> 1:35:51.400
<v Speaker 1>So the next tiebout to sing February twenty second, Little

1:35:51.439 --> 1:35:53.479
<v Speaker 1>Seasons a ringa Clarissa will be stepping back in the

1:35:53.560 --> 1:36:00.519
<v Speaker 1>ring her debut pro debut debut. Yeah yeah, yeah, already

1:36:00.560 --> 1:36:04.439
<v Speaker 1>make woman. She's a good box, she can fight. And

1:36:04.560 --> 1:36:07.040
<v Speaker 1>so Little Seesuons is where it's in the traits. Little

1:36:07.080 --> 1:36:09.960
<v Speaker 1>Sesus is called Little Seesons Arena. Yeah, a piece of shop,

1:36:10.400 --> 1:36:13.080
<v Speaker 1>not this arena, man, we would love to have yea

1:36:13.160 --> 1:36:16.760
<v Speaker 1>yea yea yeah, yeah, yeah, yeah, yeah yeah. Can you

1:36:16.840 --> 1:36:28.960
<v Speaker 1>make sure the crowd with the six niggas in the crowd,

1:36:30.720 --> 1:36:33.920
<v Speaker 1>six niggas throw your hands up, but not February twenty

1:36:33.960 --> 1:36:35.320
<v Speaker 1>seconds she stepped back in the ring. You don't want

1:36:35.320 --> 1:36:37.880
<v Speaker 1>to miss it. Get your tickets there. So I want

1:36:37.920 --> 1:36:42.000
<v Speaker 1>to go jog miles with a workout with her. Oh

1:36:42.080 --> 1:36:44.200
<v Speaker 1>yeah yeah yeah, yeah, she's a beast. So what what

1:36:44.280 --> 1:36:48.080
<v Speaker 1>do you like more? Making the record or performing the record? Oh?

1:36:48.960 --> 1:36:52.599
<v Speaker 1>I would have to say. That's a tough one. Man.

1:36:53.479 --> 1:37:08.840
<v Speaker 1>That's tough, right you Like that's tough as fuck'mna say

1:37:09.000 --> 1:37:11.080
<v Speaker 1>I'm gonna say. I'm gonna say creating the record. Okay,

1:37:11.360 --> 1:37:13.720
<v Speaker 1>creating the record, I want to know how about you?

1:37:13.880 --> 1:37:15.400
<v Speaker 1>Let me let me ask you. That's a hall like

1:37:15.760 --> 1:37:17.680
<v Speaker 1>that's a hard one because you love to hear your

1:37:17.680 --> 1:37:20.120
<v Speaker 1>own once you once you finished with the record, you know,

1:37:20.200 --> 1:37:23.080
<v Speaker 1>it's fire like all that nigga, you pat patch yourself

1:37:23.120 --> 1:37:25.080
<v Speaker 1>on the back. But when you see the reaction from

1:37:25.120 --> 1:37:30.600
<v Speaker 1>other people, it's like the confirmation like energy, Yeah, that

1:37:30.800 --> 1:37:34.200
<v Speaker 1>that energy different Like I love performing, I love before

1:37:34.240 --> 1:37:37.559
<v Speaker 1>I would divide the edge, I say performing because because

1:37:37.600 --> 1:37:39.599
<v Speaker 1>nobody's in there when you make it's only your peoples

1:37:39.640 --> 1:37:41.560
<v Speaker 1>in the producer. But when you you give it to

1:37:41.640 --> 1:37:44.559
<v Speaker 1>the world and they're like oh, but when you hear back,

1:37:44.640 --> 1:37:49.320
<v Speaker 1>you be like, oh, I did that? Like kill about

1:37:49.800 --> 1:37:52.800
<v Speaker 1>that because of course, like when I'm working like Has,

1:37:52.880 --> 1:37:55.000
<v Speaker 1>Like when I work with Has, it has to do

1:37:55.120 --> 1:37:57.559
<v Speaker 1>some ship like he'll go, he'll mix it and he'll

1:37:57.600 --> 1:38:01.720
<v Speaker 1>go in the car and help play it from the car.

1:38:02.040 --> 1:38:03.600
<v Speaker 1>And the only time I ever see somebody do that

1:38:03.680 --> 1:38:06.160
<v Speaker 1>it was Swiss Beasts. Swiss Beasts used to come and

1:38:06.280 --> 1:38:08.200
<v Speaker 1>this is before a bootlegging, you know what I'm saying.

1:38:08.280 --> 1:38:10.320
<v Speaker 1>So every record I ever kind of did with Swiss Beat,

1:38:10.360 --> 1:38:11.960
<v Speaker 1>Swiss Beast would take this ship and he was like,

1:38:12.000 --> 1:38:13.680
<v Speaker 1>you're coming me to a club and I'm like for

1:38:13.840 --> 1:38:16.360
<v Speaker 1>what and he like, we're gonna test this motherfucker out.

1:38:16.360 --> 1:38:20.800
<v Speaker 1>I'm like, mix, mixed, it's not nothing. And Swiss will

1:38:20.800 --> 1:38:22.880
<v Speaker 1>go in the club and he wouldn't announce it. He

1:38:23.040 --> 1:38:24.720
<v Speaker 1>just play the record and just look at people. And

1:38:24.800 --> 1:38:28.000
<v Speaker 1>I'm like, it's before bootlegs, just before the phones and

1:38:28.040 --> 1:38:31.400
<v Speaker 1>all that. So I said, have to say, I wouldn't

1:38:31.400 --> 1:38:35.160
<v Speaker 1>be able to pick because from like the method that

1:38:35.280 --> 1:38:37.200
<v Speaker 1>has does when he goes in the car, he listens

1:38:37.360 --> 1:38:39.640
<v Speaker 1>to the record as opposed the Swiss goes and he

1:38:39.720 --> 1:38:42.760
<v Speaker 1>goes and see the people live in real action. It's

1:38:42.800 --> 1:38:45.479
<v Speaker 1>like loading a gun. For me, It's like the gun

1:38:45.640 --> 1:38:49.040
<v Speaker 1>is dope, it's beautiful. I like the bullet is in it,

1:38:49.320 --> 1:38:51.800
<v Speaker 1>but I'm not gonna love it till I pull that

1:38:51.880 --> 1:39:02.160
<v Speaker 1>trigger and I feel that. So that's what it is like,

1:39:02.880 --> 1:39:05.840
<v Speaker 1>Like I would have never I would have never loved

1:39:05.880 --> 1:39:10.240
<v Speaker 1>super Doug because I sorry to get into my artists

1:39:10.600 --> 1:39:14.200
<v Speaker 1>right the War Report to tell you the truth and

1:39:14.280 --> 1:39:17.160
<v Speaker 1>this is real ship the War Report, every beat was

1:39:17.320 --> 1:39:20.160
<v Speaker 1>t o n why in they and why multiply? So

1:39:20.960 --> 1:39:24.960
<v Speaker 1>I purposely wanted I wanted to be like, yo, you

1:39:25.000 --> 1:39:27.000
<v Speaker 1>know what I'm saying, like we we we we we

1:39:27.160 --> 1:39:29.479
<v Speaker 1>hype in New York too, like we just and you know,

1:39:29.560 --> 1:39:31.560
<v Speaker 1>we gotta realize, Na, this is the corporate at this

1:39:31.640 --> 1:39:33.720
<v Speaker 1>time used to head. So everybody wants to kind of

1:39:33.840 --> 1:39:36.640
<v Speaker 1>like and that's where killing what came from, kind of

1:39:36.720 --> 1:39:40.479
<v Speaker 1>like to because like these Queensbridge dudes who I was

1:39:40.600 --> 1:39:42.880
<v Speaker 1>signed to, they're not smooth people. I don't know why

1:39:42.960 --> 1:39:51.400
<v Speaker 1>it was on the mic like everybody around them, it's

1:39:51.520 --> 1:39:54.120
<v Speaker 1>just not lading the pavement, and everybody kind of like

1:39:54.200 --> 1:39:57.240
<v Speaker 1>had to follow that. And that's why I was just

1:39:57.280 --> 1:39:57.840
<v Speaker 1>like what what what?

1:39:58.040 --> 1:39:58.320
<v Speaker 3>What what?

1:39:58.520 --> 1:39:59.840
<v Speaker 1>Because that was different, you know what I'm saying. But

1:40:00.760 --> 1:40:03.120
<v Speaker 1>if I had to, as long as the record is

1:40:03.160 --> 1:40:08.040
<v Speaker 1>that half a hit, I'll picked performance. I remember this

1:40:08.200 --> 1:40:11.080
<v Speaker 1>actual footage of this super Dog, this actual footage of

1:40:11.080 --> 1:40:13.280
<v Speaker 1>This super Dog when it first came out and the

1:40:13.400 --> 1:40:16.519
<v Speaker 1>number one market was Philadelphia, and I go out there,

1:40:16.520 --> 1:40:19.120
<v Speaker 1>I go, I perform everything to you why they love it?

1:40:19.200 --> 1:40:21.960
<v Speaker 1>And r E they love it? Before Super Doug has

1:40:22.000 --> 1:40:25.880
<v Speaker 1>never came out? What what what? You know? What the

1:40:26.920 --> 1:40:29.680
<v Speaker 1>I got to come back three months later? Boy, it's

1:40:29.720 --> 1:40:33.400
<v Speaker 1>a different thing. Number one record, That's what I like.

1:40:33.640 --> 1:40:36.000
<v Speaker 1>Sometimes you you you bust, you bust. Let me not

1:40:36.080 --> 1:40:38.960
<v Speaker 1>pointed that nobody. Sometimes you bust a gun and and

1:40:39.240 --> 1:40:41.600
<v Speaker 1>and you missed totally, so you want to bust it

1:40:41.640 --> 1:40:43.800
<v Speaker 1>against That's the reason why I performance. I'm gonna leave

1:40:43.840 --> 1:40:46.240
<v Speaker 1>a little bit more towards performance. But once the record

1:40:46.320 --> 1:40:48.120
<v Speaker 1>is a hit, because if you gotta you know so.

1:40:48.320 --> 1:40:51.679
<v Speaker 1>I remember one time I did the show with David

1:40:51.760 --> 1:40:54.760
<v Speaker 1>Banner and you know, all my records like you said,

1:40:55.360 --> 1:40:59.080
<v Speaker 1>Oh yeah, pain in my Life and it's day in

1:40:59.160 --> 1:41:03.040
<v Speaker 1>the South. I don't know why they had me headlining

1:41:03.160 --> 1:41:13.200
<v Speaker 1>over this and Nigga wan the Boy, the whole crowd is.

1:41:13.880 --> 1:41:15.639
<v Speaker 1>I'm like, we might as well just leave. I'm telling

1:41:15.720 --> 1:41:20.519
<v Speaker 1>niggas we ain't got nothing. I don't got nothing in

1:41:20.560 --> 1:41:25.360
<v Speaker 1>the change. I got no kind of energy. Song was

1:41:25.479 --> 1:41:28.120
<v Speaker 1>where was your We was in fucking like North Carolina.

1:41:28.240 --> 1:41:32.200
<v Speaker 1>Something nigga set me up. I said, Yo, what the

1:41:32.520 --> 1:41:35.599
<v Speaker 1>And that's why I remember one time I sent pat

1:41:35.640 --> 1:41:38.840
<v Speaker 1>Poosa song. It was some kids like roll By, I

1:41:38.880 --> 1:41:50.960
<v Speaker 1>did it. He was like, nah, Son Nigga was like, nah,

1:41:51.800 --> 1:41:57.360
<v Speaker 1>this killing yourself right now. But I'm like, in my mind,

1:41:57.400 --> 1:42:00.559
<v Speaker 1>I'm thinking now I need something everything big. They booked

1:42:00.560 --> 1:42:07.559
<v Speaker 1>me for a birthday party just do the didn't advantage

1:42:07.560 --> 1:42:09.640
<v Speaker 1>of that ship, and I was like, I'll never let

1:42:09.680 --> 1:42:11.960
<v Speaker 1>a nigga do this to me again. I had. I

1:42:12.040 --> 1:42:13.600
<v Speaker 1>really had to get my back end. I had to

1:42:13.720 --> 1:42:16.680
<v Speaker 1>go on after that ship. He just and I called

1:42:16.720 --> 1:42:19.720
<v Speaker 1>him like pain in my life. Young Police was on,

1:42:20.560 --> 1:42:26.360
<v Speaker 1>get the fun out of here, like, nah, we gotta

1:42:26.360 --> 1:42:26.960
<v Speaker 1>be equipped.

1:42:27.040 --> 1:42:27.240
<v Speaker 3>Man.

1:42:28.400 --> 1:42:30.320
<v Speaker 1>Hip hop is a beautiful thing. Bro. You ever got

1:42:30.360 --> 1:42:35.000
<v Speaker 1>bull hand though, thank god I got. I ain't gonna lie.

1:42:35.040 --> 1:42:37.240
<v Speaker 1>I did it, bro, I take. I would be honest

1:42:37.760 --> 1:42:41.400
<v Speaker 1>versus getting bulled. You know, it's worse getting nothing nothing

1:42:42.280 --> 1:42:52.560
<v Speaker 1>nothing nothing, you know some kind of motion yo that

1:42:54.840 --> 1:42:58.320
<v Speaker 1>when I get to steal, I do cut the meat off.

1:42:58.800 --> 1:43:07.840
<v Speaker 1>I just do alphabetical if I would just keep going

1:43:07.920 --> 1:43:19.000
<v Speaker 1>like yaf so so what what? What? What is something

1:43:19.040 --> 1:43:21.559
<v Speaker 1>that you can't live without in the game, in the game,

1:43:21.800 --> 1:43:25.000
<v Speaker 1>and like making an album? Excuse me? Oh both for

1:43:25.120 --> 1:43:31.800
<v Speaker 1>y'all gonna go first. That's tough. Mm hmm. I would

1:43:31.840 --> 1:43:34.639
<v Speaker 1>say that I can't live without one in the studio,

1:43:34.800 --> 1:43:38.000
<v Speaker 1>like in the studio, yes, amazing, Okay, I gotta have

1:43:38.080 --> 1:43:41.479
<v Speaker 1>a keyboard man. Time to time to think, man. I

1:43:41.840 --> 1:43:44.640
<v Speaker 1>like to think my ship through. Unfortunately, I want to

1:43:44.720 --> 1:43:46.280
<v Speaker 1>be trying to change that like some people like your pa.

1:43:46.520 --> 1:43:48.400
<v Speaker 1>Just you know what I'm saying, Let it flow, But

1:43:48.479 --> 1:43:50.280
<v Speaker 1>I like to think it through. I think if I

1:43:50.320 --> 1:43:52.240
<v Speaker 1>go to the studio and I and I'm rushed, like

1:43:52.280 --> 1:43:54.720
<v Speaker 1>I didn't have time to think about my ship, I don't.

1:43:54.960 --> 1:43:57.840
<v Speaker 1>I'm not crazy about the outcome. I would just say

1:43:57.880 --> 1:44:02.439
<v Speaker 1>a peace of mind, man, I personally can't I don't

1:44:02.520 --> 1:44:05.360
<v Speaker 1>like people in the studio when I record, like exactly

1:44:06.640 --> 1:44:09.320
<v Speaker 1>you want the people there. I don't want nobody more

1:44:09.360 --> 1:44:11.559
<v Speaker 1>than just a couple of people, you know, one person

1:44:11.720 --> 1:44:14.000
<v Speaker 1>for face. If I'm in the booth, they might not

1:44:14.080 --> 1:44:16.439
<v Speaker 1>even be listening, but you know how you could see

1:44:16.520 --> 1:44:19.240
<v Speaker 1>outside the booth and what you're doing your It could

1:44:19.240 --> 1:44:22.160
<v Speaker 1>be one nigga who throw me off like he ain't

1:44:22.200 --> 1:44:25.800
<v Speaker 1>feeling it, and I'm thinking it ain't it ain't working.

1:44:26.280 --> 1:44:27.840
<v Speaker 1>That's why I started saying, you know what, I'd better

1:44:28.000 --> 1:44:31.120
<v Speaker 1>just do it how I like it, And then didn't

1:44:31.160 --> 1:44:34.040
<v Speaker 1>see because this nigga fucked me up just in the studio.

1:44:34.520 --> 1:44:36.360
<v Speaker 1>He might be on his phone mine in his business

1:44:36.680 --> 1:44:38.840
<v Speaker 1>and I'm like, why he ain't bopping his head. I

1:44:40.240 --> 1:44:48.920
<v Speaker 1>don't like niggas like that studio like that. You want

1:44:48.960 --> 1:44:50.400
<v Speaker 1>to be on the stage with you and you just

1:44:50.840 --> 1:45:02.640
<v Speaker 1>standing there too, act like you like this shit. I

1:45:02.720 --> 1:45:06.360
<v Speaker 1>heard Premiere say recently. He said thirty years ago that

1:45:06.479 --> 1:45:08.840
<v Speaker 1>he recorded with nas and there's thirty people in the

1:45:08.880 --> 1:45:11.000
<v Speaker 1>studio and now you be causing no, its just him,

1:45:11.000 --> 1:45:14.120
<v Speaker 1>and you know it's so funny twenty five years ago,

1:45:14.320 --> 1:45:16.240
<v Speaker 1>twenty five years ago. If you listen to blood Money.

1:45:16.520 --> 1:45:19.599
<v Speaker 1>I got people in the background. That's if you listened

1:45:19.600 --> 1:45:21.400
<v Speaker 1>to me in the studio last week. I got people

1:45:21.479 --> 1:45:25.360
<v Speaker 1>in the fucking background. It makes me I'm organized chaos.

1:45:25.880 --> 1:45:28.080
<v Speaker 1>I like it. I like it very organized, but I

1:45:28.240 --> 1:45:31.960
<v Speaker 1>like it to be very unorganized. Your comfort zone. But

1:45:32.040 --> 1:45:34.400
<v Speaker 1>you don't go a lot though, because these niggas don't

1:45:34.400 --> 1:45:36.120
<v Speaker 1>show up all the time. No, no, no, every time

1:45:36.160 --> 1:45:38.720
<v Speaker 1>I go to the studio, I've never been to make sure. Yeah, yeah,

1:45:39.120 --> 1:45:42.400
<v Speaker 1>it's very seldomly like maybe I went to the rest

1:45:43.040 --> 1:45:47.519
<v Speaker 1>studio for myself. Your music is organized chaos, yes, what

1:45:47.640 --> 1:45:47.800
<v Speaker 1>it is?

1:45:48.080 --> 1:45:48.400
<v Speaker 2>What it is?

1:45:49.680 --> 1:45:54.160
<v Speaker 1>Actually? Yeah? Yeah. Have you ever seen a kid online

1:45:54.160 --> 1:46:05.080
<v Speaker 1>who you Yeah? Absolutely your body you know. It was

1:46:05.120 --> 1:46:10.320
<v Speaker 1>his da was his name? Something about bro. I love that.

1:46:10.760 --> 1:46:15.960
<v Speaker 1>Take a lot of niggasn't probably know what you came

1:46:16.800 --> 1:46:21.320
<v Speaker 1>he he does, Man pop can't want that nigga. Yeah

1:46:22.960 --> 1:46:27.680
<v Speaker 1>that's and then now he put niggas you know you

1:46:32.400 --> 1:46:42.800
<v Speaker 1>again said all the many like that us you mocking

1:46:42.840 --> 1:46:44.960
<v Speaker 1>the drake, But no, you're doing good. You know it's

1:46:46.640 --> 1:46:50.439
<v Speaker 1>it's great. It's homage to what I'm saying. This one right,

1:46:50.840 --> 1:46:55.000
<v Speaker 1>you keep watching it. He didn't use the AI face

1:46:55.080 --> 1:46:58.120
<v Speaker 1>because I robbed it the first time. This is his

1:46:58.240 --> 1:46:59.679
<v Speaker 1>fourth time. Yeah, you're.

1:47:04.600 --> 1:47:04.760
<v Speaker 2>Got.

1:47:04.840 --> 1:47:08.080
<v Speaker 1>I got it, they were saying it to all of us.

1:47:09.360 --> 1:47:12.320
<v Speaker 1>I got When I go on the booth, I always

1:47:12.320 --> 1:47:16.320
<v Speaker 1>turn the light out. Oh yeah, no judgment. No see,

1:47:16.439 --> 1:47:17.720
<v Speaker 1>I don't know. I don't know why. I don't know.

1:47:17.720 --> 1:47:21.559
<v Speaker 1>I don't know how I developed that. Oh yeah, but okay,

1:47:21.640 --> 1:47:23.920
<v Speaker 1>so we both named the one thing you ain't name yours.

1:47:24.200 --> 1:47:27.200
<v Speaker 1>You said, you said instruments, said I need a piece

1:47:27.240 --> 1:47:29.639
<v Speaker 1>of mind, need to piece of mind, and you said

1:47:29.800 --> 1:47:37.400
<v Speaker 1>no nobody. In the end, nobody exactly. That's all I need.

1:47:39.400 --> 1:47:41.600
<v Speaker 1>You know, it's crazy, and I'm sorry to change the

1:47:41.640 --> 1:47:47.559
<v Speaker 1>subject a little bit. One didn't even have the luxury

1:47:48.000 --> 1:47:50.240
<v Speaker 1>of not having anybody in the studio. You know, they

1:47:50.280 --> 1:47:53.880
<v Speaker 1>still have to bring a couch, so his breath control,

1:47:54.760 --> 1:47:56.519
<v Speaker 1>he had to have that breath control, you know what

1:47:56.520 --> 1:47:58.760
<v Speaker 1>I'm saying, because he's sitting down in order for him,

1:47:58.800 --> 1:48:00.800
<v Speaker 1>you know what I mean, Like big I've seen big

1:48:00.880 --> 1:48:05.760
<v Speaker 1>lads vocals standing up. You must have some good engineers,

1:48:05.880 --> 1:48:07.960
<v Speaker 1>because you would never know he was punching that much.

1:48:09.320 --> 1:48:13.760
<v Speaker 1>Yeah yeah, and he was none electics for the most part.

1:48:14.160 --> 1:48:15.760
<v Speaker 1>I don't think none of us could punch it in

1:48:15.920 --> 1:48:18.960
<v Speaker 1>back then, like so he had to like tape because yeah, yeah,

1:48:19.520 --> 1:48:21.360
<v Speaker 1>I feel like he had to do it, do the

1:48:21.439 --> 1:48:24.040
<v Speaker 1>whole verse and then go in and then double it

1:48:24.160 --> 1:48:26.240
<v Speaker 1>up and then go in and do it take the

1:48:26.280 --> 1:48:29.479
<v Speaker 1>best part take Yeah. But you know, Pat, you know,

1:48:29.680 --> 1:48:32.120
<v Speaker 1>our show was about giving people their flowers. Wanted to

1:48:32.160 --> 1:48:34.479
<v Speaker 1>give your flowers. Wanted to tell you not only for

1:48:34.880 --> 1:48:37.479
<v Speaker 1>being one of the greatest MC's, but you know, one

1:48:37.520 --> 1:48:40.080
<v Speaker 1>of the greatest father figures, one of the greatest husbands,

1:48:40.320 --> 1:48:42.240
<v Speaker 1>one of the greatest men on earth. We wanted to

1:48:42.320 --> 1:48:51.160
<v Speaker 1>just give your flowers face to face man, and that

1:48:51.320 --> 1:48:56.479
<v Speaker 1>project is phenomenal. Yeah, you don't drink and drive with us. Look, man,

1:48:56.520 --> 1:48:58.280
<v Speaker 1>I just want to say thank you. May like being

1:48:58.320 --> 1:49:00.519
<v Speaker 1>in this game a long time. I can't say I

1:49:00.560 --> 1:49:02.960
<v Speaker 1>want a lot of awards, yes, and knowledgement, so I

1:49:03.000 --> 1:49:10.120
<v Speaker 1>appreciate that. Yeah, I do want to create project. I

1:49:10.160 --> 1:49:13.880
<v Speaker 1>think we deserve it. Do you got nominate me so

1:49:13.920 --> 1:49:17.880
<v Speaker 1>I can say Grammy nominated. That's enough. You have to

1:49:17.920 --> 1:49:21.639
<v Speaker 1>present your album to be Grammy nominated. Still, it's still

1:49:21.720 --> 1:49:25.120
<v Speaker 1>like that, and you have to advocate forward to get

1:49:25.160 --> 1:49:27.200
<v Speaker 1>somebody holler at me from the Grammys. I think I

1:49:27.320 --> 1:49:33.000
<v Speaker 1>deserve it, Man ninth neither. So as a kid watching

1:49:33.040 --> 1:49:35.160
<v Speaker 1>that ship, man, you know, it's just a childhood dream

1:49:35.160 --> 1:49:37.679
<v Speaker 1>for me to win a Grammy. Grammy. Yeah, it ain't

1:49:37.680 --> 1:49:40.280
<v Speaker 1>really no hip hop ship, but shout to the Grammys though,

1:49:43.320 --> 1:49:46.840
<v Speaker 1>So how did you make these beasts? Man? You know what,

1:49:47.920 --> 1:49:50.400
<v Speaker 1>I got a studio, I lock in and I just

1:49:51.640 --> 1:49:52.360
<v Speaker 1>these particular beat.

1:49:53.000 --> 1:49:56.840
<v Speaker 6>Okay, Papa give me, Papa, give me a direction, Like, yo,

1:49:57.040 --> 1:49:57.639
<v Speaker 6>check this out.

1:49:57.960 --> 1:50:00.040
<v Speaker 1>I'm like, okay, hold on, So you wrote the you

1:50:00.040 --> 1:50:01.760
<v Speaker 1>wrote to rhymes first, and then you wanted him to

1:50:01.840 --> 1:50:04.960
<v Speaker 1>match the beat. He's so dope that I said, damn

1:50:05.000 --> 1:50:06.560
<v Speaker 1>it if I could just give him you know you

1:50:06.680 --> 1:50:08.800
<v Speaker 1>hear producer and you be like that was dope, you

1:50:08.800 --> 1:50:10.680
<v Speaker 1>know what I'm saying. But I just was like, Yo,

1:50:10.920 --> 1:50:12.720
<v Speaker 1>if I could give him a little direction, it'd be

1:50:12.800 --> 1:50:16.040
<v Speaker 1>fucking crazy, right. That was right, Bro was giving a

1:50:16.040 --> 1:50:18.000
<v Speaker 1>little direction and he never felt.

1:50:18.280 --> 1:50:21.640
<v Speaker 6>Yeah, you know, I'm a geminis, so my production is

1:50:21.680 --> 1:50:22.360
<v Speaker 6>the same way.

1:50:26.280 --> 1:50:27.880
<v Speaker 1>Everything person out of.

1:50:32.200 --> 1:50:34.040
<v Speaker 6>So ship, I just like in like that, you know

1:50:34.080 --> 1:50:36.200
<v Speaker 6>what I mean, Papa, give me a direction. I'm like okay,

1:50:36.800 --> 1:50:39.320
<v Speaker 6>and I just go into that zone. You know, I

1:50:39.439 --> 1:50:41.240
<v Speaker 6>never spent a lot of time in New York. Only

1:50:41.320 --> 1:50:43.960
<v Speaker 6>when I'm like with him, besar, you know, but I

1:50:44.160 --> 1:50:45.960
<v Speaker 6>just got into the zone that he was in the

1:50:46.040 --> 1:50:49.759
<v Speaker 6>boom boom back. You know, I got respect for that genre,

1:50:50.160 --> 1:50:53.080
<v Speaker 6>hip hop. You know, I got mad love for West

1:50:53.160 --> 1:50:55.240
<v Speaker 6>Coast hip hop. Of course I'm from the South.

1:50:55.360 --> 1:50:55.880
<v Speaker 1>You know what I mean.

1:50:55.960 --> 1:50:59.280
<v Speaker 6>But like going in that era, it was a it

1:50:59.400 --> 1:51:02.000
<v Speaker 6>was a it was a it was adult challenge because

1:51:02.000 --> 1:51:02.960
<v Speaker 6>I ain't never went there.

1:51:03.120 --> 1:51:07.880
<v Speaker 1>I'll tell you a funny story. So we got the project.

1:51:07.920 --> 1:51:10.040
<v Speaker 1>We're working on the project. We got the big video

1:51:10.120 --> 1:51:15.280
<v Speaker 1>shooting right well, actually we shooting Calling Green video. Okay,

1:51:18.280 --> 1:51:21.080
<v Speaker 1>So the director we flew. We flew him in from Cali,

1:51:21.120 --> 1:51:22.960
<v Speaker 1>everybody from everybody in from Canty. So I can get

1:51:22.960 --> 1:51:24.760
<v Speaker 1>to the video. It's in New York. I get to

1:51:24.840 --> 1:51:26.960
<v Speaker 1>the video. I'm looking around the ship. I don't see

1:51:26.960 --> 1:51:30.840
<v Speaker 1>the director. So I said, yo, too, what the director

1:51:30.920 --> 1:51:35.000
<v Speaker 1>is that? He's like, Yo, it's men, I see what happened.

1:51:35.200 --> 1:51:39.040
<v Speaker 1>The fucking director he forgot he had his gun and

1:51:39.240 --> 1:51:45.080
<v Speaker 1>got locked up. He got a gun license, but you

1:51:45.120 --> 1:51:47.800
<v Speaker 1>don't give a and he locked him up. So this nigga,

1:51:47.840 --> 1:51:54.600
<v Speaker 1>he directed the motherfucking video never did. He controlled the

1:51:54.640 --> 1:51:58.160
<v Speaker 1>whole scene, so shocking to my niggas. You know, right,

1:51:58.600 --> 1:52:02.040
<v Speaker 1>speaking of director Yoa, I was Pat Poos. You know

1:52:02.160 --> 1:52:05.040
<v Speaker 1>we see him acting in his new joint. But our

1:52:05.160 --> 1:52:07.400
<v Speaker 1>video was the first time we did the joy with

1:52:07.479 --> 1:52:13.360
<v Speaker 1>Omar called Senner Bread. That's a fact had him. We

1:52:13.439 --> 1:52:15.680
<v Speaker 1>had him acting with Omar like he was like, I

1:52:15.720 --> 1:52:17.880
<v Speaker 1>ain't no fucking actor. I was like, these my nigga,

1:52:17.880 --> 1:52:19.280
<v Speaker 1>we just got to get through this ship. That's the

1:52:19.360 --> 1:52:22.600
<v Speaker 1>fact we're working with. He was a season actor and

1:52:22.680 --> 1:52:24.800
<v Speaker 1>this nigga sitting there and looking real. I'm like, this

1:52:24.920 --> 1:52:30.639
<v Speaker 1>nigga looks like he's serious. He's like words like you said,

1:52:33.320 --> 1:52:35.600
<v Speaker 1>and I'm like, and the ship came out amazing, Like

1:52:35.640 --> 1:52:38.519
<v Speaker 1>that's what I said. This is not real man, Pat Right,

1:52:38.880 --> 1:52:41.920
<v Speaker 1>We like I said, we go. We got a history

1:52:42.000 --> 1:52:45.400
<v Speaker 1>to goet New York mixtape, mixtape, that's a fact, mixtape DVD.

1:52:45.520 --> 1:52:48.280
<v Speaker 1>Ever gonna know one thing that you told me one time,

1:52:48.439 --> 1:52:50.160
<v Speaker 1>rest in Pac your uncle. I was about to just

1:52:50.200 --> 1:52:55.920
<v Speaker 1>say that, Yeah, we did the first song case Slay

1:52:56.000 --> 1:52:57.920
<v Speaker 1>did this ship. We did a song called head of

1:52:58.000 --> 1:53:01.040
<v Speaker 1>State and he was like, your niggas ain't gonna beef

1:53:01.040 --> 1:53:03.640
<v Speaker 1>your niggasnna work together like, which I wish New York

1:53:03.680 --> 1:53:06.240
<v Speaker 1>could do more now because we could have easily went

1:53:06.320 --> 1:53:08.479
<v Speaker 1>down that bro because I've seen a beef with other

1:53:08.560 --> 1:53:10.640
<v Speaker 1>niggas from the town and I'm like, nah no, a

1:53:10.680 --> 1:53:13.680
<v Speaker 1>lot more unity in New York now. Yeah, But back

1:53:13.720 --> 1:53:16.760
<v Speaker 1>then it wasn't cool to you know, especially when when

1:53:16.800 --> 1:53:20.240
<v Speaker 1>the tsunami came and so me and son working so

1:53:21.080 --> 1:53:23.439
<v Speaker 1>years later we did that song. We did many many men.

1:53:23.479 --> 1:53:26.439
<v Speaker 1>We did a bunch of songs. But his uncles in

1:53:26.520 --> 1:53:28.800
<v Speaker 1>rest in Headston peace man. Yeah, he said, Yo, you

1:53:28.840 --> 1:53:32.360
<v Speaker 1>know that was my uncle's favorite songs I did. My

1:53:32.560 --> 1:53:35.040
<v Speaker 1>life was a wild dude. Man rest in peace, my uncle.

1:53:35.080 --> 1:53:37.760
<v Speaker 1>But it's so crazy anytime you see that nigga, he

1:53:37.840 --> 1:53:40.840
<v Speaker 1>busts out and singing a song, but he's singing sagon verse.

1:53:47.720 --> 1:53:50.760
<v Speaker 1>I'm happy for my You don't understand being sung like.

1:53:51.240 --> 1:53:52.840
<v Speaker 1>It was to the point where I'm like, damn, me

1:53:52.960 --> 1:53:55.320
<v Speaker 1>and Son because I had abandon nation, he had Nation

1:53:55.439 --> 1:54:00.519
<v Speaker 1>and thug ocation like nigga were too similar and we've

1:54:00.560 --> 1:54:03.200
<v Speaker 1>got the Brooklyn everything was like. But then it was like,

1:54:03.520 --> 1:54:06.360
<v Speaker 1>you know what this niggas stand up nigga like Pat

1:54:06.680 --> 1:54:09.640
<v Speaker 1>and easy to block clamp one thing, the easy to

1:54:09.680 --> 1:54:11.720
<v Speaker 1>block ship because I've seen you hit that punching bag

1:54:11.880 --> 1:54:15.880
<v Speaker 1>that you know what I said, if he one of

1:54:15.920 --> 1:54:22.600
<v Speaker 1>them ships couldn't have been one of them that you

1:54:22.720 --> 1:54:26.759
<v Speaker 1>have seen it. You know that you see the numbers

1:54:26.800 --> 1:54:34.520
<v Speaker 1>come up. I don't want to hit to a thousand.

1:54:36.800 --> 1:54:43.360
<v Speaker 1>That all that all rope, that all rope crazy. So

1:54:43.480 --> 1:54:45.200
<v Speaker 1>you guys said there's a part two to this already

1:54:45.960 --> 1:54:48.080
<v Speaker 1>you're working on it now. It's going to crazy. Man.

1:54:48.120 --> 1:54:49.400
<v Speaker 1>I would tell you to open the scene, but I

1:54:49.400 --> 1:54:51.040
<v Speaker 1>don't want to give it away. So where can they

1:54:51.120 --> 1:54:55.720
<v Speaker 1>find a project and videos? A yeah? Well, the the

1:54:56.240 --> 1:54:59.320
<v Speaker 1>actual project is of course Spotify, Apple Music. The visual

1:54:59.440 --> 1:55:03.360
<v Speaker 1>was on to be million right now you millions million?

1:55:03.760 --> 1:55:07.280
<v Speaker 1>So the visuals one short film? Right like a short film? Yeah, man,

1:55:07.360 --> 1:55:09.960
<v Speaker 1>Like I'm telling you, bro, like really, I was really

1:55:10.000 --> 1:55:11.760
<v Speaker 1>trying to get that ship. Like when I permitted, I

1:55:11.800 --> 1:55:14.560
<v Speaker 1>permitted in the movie did like I wanted to do

1:55:14.680 --> 1:55:16.800
<v Speaker 1>something different, bro, and just add on to to what

1:55:16.880 --> 1:55:18.160
<v Speaker 1>we do in hip hop. You know what I'm saying.

1:55:18.720 --> 1:55:20.320
<v Speaker 1>We took our time, We took baby steps, like a

1:55:20.400 --> 1:55:22.240
<v Speaker 1>year and a half working on the acting more. Bro

1:55:22.480 --> 1:55:24.840
<v Speaker 1>should act more. Bro, Well you're good at You're good

1:55:24.880 --> 1:55:26.640
<v Speaker 1>at that ship, like even when we doing Siner's Prayer,

1:55:27.000 --> 1:55:28.760
<v Speaker 1>because you know, I'm on a new show with Shock.

1:55:29.080 --> 1:55:31.080
<v Speaker 1>I got to know you want to throw that out

1:55:31.120 --> 1:55:44.440
<v Speaker 1>there myself more to a couple of y'all. Y'all seen like, yeah,

1:55:44.560 --> 1:55:48.880
<v Speaker 1>main things on it. Big Daddy came, Yeah, and it's

1:55:49.080 --> 1:55:51.480
<v Speaker 1>it's the Mob show. It ain't. You don't let's sho

1:55:51.600 --> 1:56:00.839
<v Speaker 1>grab your head though. Hell God, kept want no nonse

1:56:03.800 --> 1:56:08.120
<v Speaker 1>another side something, But yeah, man, Like like I said earlier, Man,

1:56:08.520 --> 1:56:10.800
<v Speaker 1>I'm real happy about how to wait and I tell

1:56:10.840 --> 1:56:13.200
<v Speaker 1>him tell them this behind the scenes, like the way

1:56:13.240 --> 1:56:14.360
<v Speaker 1>they're receiving the project.

1:56:14.440 --> 1:56:14.520
<v Speaker 3>Bro.

1:56:14.640 --> 1:56:18.360
<v Speaker 1>Pause you know what I'm saying. Sometimes as creatives we

1:56:18.480 --> 1:56:20.720
<v Speaker 1>have a vision when we make our music and like, yeah,

1:56:20.760 --> 1:56:22.560
<v Speaker 1>wait till they hear this and you put it out

1:56:22.680 --> 1:56:24.800
<v Speaker 1>and they don't receive it that way. Man, the love

1:56:24.840 --> 1:56:27.840
<v Speaker 1>I'm getting off this project, I feel real good. Deserve it.

1:56:28.240 --> 1:56:31.240
<v Speaker 1>I'm happy about it. Man. So like I said, it's

1:56:31.280 --> 1:56:35.040
<v Speaker 1>independent but distributed through United Mass distributed to the United

1:56:35.120 --> 1:56:38.840
<v Speaker 1>Masters slash Win Records. I mean, we we a machine, man.

1:56:38.920 --> 1:56:41.160
<v Speaker 1>You know, I'm tired of being humble. We wanted the

1:56:41.200 --> 1:56:43.640
<v Speaker 1>best doing it right now. We wanted the best on

1:56:43.720 --> 1:56:46.560
<v Speaker 1>the music side. On the sports side, we signed a

1:56:46.640 --> 1:56:49.520
<v Speaker 1>lot of new fighters to win slash selet the promotions,

1:56:49.520 --> 1:56:52.560
<v Speaker 1>so y'all will see me promoting fighters. Congratulations to the

1:56:52.600 --> 1:56:55.000
<v Speaker 1>love of my life, Florissa Shields eight million dollar deal again.

1:56:55.600 --> 1:56:59.160
<v Speaker 1>I gotta say it. You know what I'm saying. I'm

1:56:59.240 --> 1:57:02.840
<v Speaker 1>just happy to be there positive things. Man, I talked

1:57:02.880 --> 1:57:06.440
<v Speaker 1>my shirt and you're gonna cut me off here for

1:57:06.720 --> 1:57:14.560
<v Speaker 1>I'm not allowed to talk. He called me last look ahead,

1:57:16.400 --> 1:57:20.200
<v Speaker 1>no way, no go ahead. Now ever more arcade like

1:57:20.280 --> 1:57:21.960
<v Speaker 1>I'm in a tech You know I've been in the tech.

1:57:22.040 --> 1:57:23.760
<v Speaker 1>That's a fact. That hip hop my way, hip hop

1:57:23.840 --> 1:57:26.000
<v Speaker 1>my way. Yuh. I got music my Way. The new

1:57:26.040 --> 1:57:30.000
<v Speaker 1>app about to drop January. It's for it's for director consumer.

1:57:30.040 --> 1:57:32.440
<v Speaker 1>I believe if you got to get a million streams

1:57:32.480 --> 1:57:34.680
<v Speaker 1>to make three thousand dollars, you might as well just

1:57:34.760 --> 1:57:38.480
<v Speaker 1>go get three hundred niggas's gonna give you one hundred dollars. Yeah,

1:57:38.640 --> 1:57:40.200
<v Speaker 1>you know what I'm saying. You might you better off

1:57:40.240 --> 1:57:41.960
<v Speaker 1>doing it like that. Go get some three niggas who

1:57:42.000 --> 1:57:44.880
<v Speaker 1>really believe in you, if you talented, Because I look

1:57:44.920 --> 1:57:47.560
<v Speaker 1>at streaming even me and monthly listeners and all that shit.

1:57:47.600 --> 1:57:50.600
<v Speaker 1>I'm like, I got sixty thousand, seventy things. I know,

1:57:50.640 --> 1:57:52.640
<v Speaker 1>I got weight. I don't sold one hundreds of thousands

1:57:52.640 --> 1:57:55.960
<v Speaker 1>of records independently. Right, it's a it's a it's a

1:57:56.360 --> 1:57:58.640
<v Speaker 1>you know, it is what it is. But what I

1:57:58.760 --> 1:58:01.520
<v Speaker 1>want to say is evermore Okay, Like I'm in at Tech,

1:58:02.240 --> 1:58:07.080
<v Speaker 1>Shot to Suit, shout Up, mars A Cash, all these guys,

1:58:07.120 --> 1:58:10.240
<v Speaker 1>they got these platforms. That's really showing artists how to

1:58:10.320 --> 1:58:12.880
<v Speaker 1>be a business. Like really an I p O, like

1:58:12.960 --> 1:58:15.120
<v Speaker 1>you can go you as Nori could be like funk

1:58:15.160 --> 1:58:17.960
<v Speaker 1>that you want to buy some stock and Norri you

1:58:18.040 --> 1:58:19.920
<v Speaker 1>could buy stock and Norrid they can put you on

1:58:20.000 --> 1:58:22.320
<v Speaker 1>an I p O. Your a legal entity as a

1:58:22.760 --> 1:58:26.040
<v Speaker 1>public business. I like that with individual music too, Like

1:58:26.160 --> 1:58:28.120
<v Speaker 1>l Russell's was doing that, it's doing that now he's

1:58:28.160 --> 1:58:31.200
<v Speaker 1>doing That's something. It's something different. It's something way different.

1:58:31.240 --> 1:58:33.880
<v Speaker 1>I know, but I'm saying there's different ways of doing it.

1:58:34.000 --> 1:58:35.880
<v Speaker 1>Now he's not on the stock saying no, no, no, no,

1:58:36.080 --> 1:58:38.440
<v Speaker 1>that's crazy, that's crazy. Like you can go public like

1:58:39.160 --> 1:58:41.360
<v Speaker 1>so my man said some ship up my man soup.

1:58:42.120 --> 1:58:44.640
<v Speaker 1>You might know soup. You know slow bucks he started

1:58:44.640 --> 1:58:47.840
<v Speaker 1>slow bucking. Oh yeah, no soup, yeah, soup, my guy,

1:58:48.200 --> 1:58:51.080
<v Speaker 1>yeah shot soup, so and a cash. They put the

1:58:51.080 --> 1:58:53.600
<v Speaker 1>ship together and my man, Mike's I ain't gonna say

1:58:53.640 --> 1:58:56.080
<v Speaker 1>his last name. This is the third time on on

1:58:56.280 --> 1:58:59.760
<v Speaker 1>drink chance y'all clown me for saying mike' semen, Mike

1:59:00.280 --> 1:59:13.360
<v Speaker 1>like you more attention to you just said, but now

1:59:13.480 --> 1:59:16.040
<v Speaker 1>evermore not gonna lie. He's one of the smartest people

1:59:16.080 --> 1:59:18.560
<v Speaker 1>I know ever more r K. He got this. They

1:59:18.600 --> 1:59:21.200
<v Speaker 1>give our million dollars a year or for playing fucking

1:59:21.280 --> 1:59:24.720
<v Speaker 1>app like the technology. Ship is where the money's at. Money.

1:59:24.880 --> 1:59:28.920
<v Speaker 1>Tech is the new oil. Tech is oil. Technology content

1:59:29.080 --> 1:59:31.360
<v Speaker 1>is oil. That's why these streamer kids look at us

1:59:31.400 --> 1:59:34.440
<v Speaker 1>like we dinosaurs. They do something called I r L

1:59:34.560 --> 1:59:36.680
<v Speaker 1>in real life. They don't even record something and put

1:59:36.680 --> 1:59:38.760
<v Speaker 1>it up if it ain't happen. When it happened, it

1:59:38.840 --> 1:59:42.320
<v Speaker 1>ain't happen, and then they clip it so they don't

1:59:42.320 --> 1:59:46.440
<v Speaker 1>sit there and recorded edited. They shoot me live like

1:59:46.560 --> 1:59:48.680
<v Speaker 1>you should have streaming head and shooting this ship live,

1:59:49.040 --> 1:59:54.120
<v Speaker 1>then clip it up on kid. Yeah. Yeah, that's that's

1:59:54.200 --> 1:59:56.240
<v Speaker 1>what these that's how and it's so it's so mid

1:59:56.240 --> 1:59:59.440
<v Speaker 1>because everything is ad based. If you can get eyeballs,

1:59:59.600 --> 2:00:02.000
<v Speaker 1>that's what you YouTube is doing. That's why Netflix just

2:00:02.240 --> 2:00:04.720
<v Speaker 1>did that deal with our heart. You're getting that. They're

2:00:04.720 --> 2:00:07.600
<v Speaker 1>saying fuck you to we have to cut that niggas

2:00:07.720 --> 2:00:09.920
<v Speaker 1>next all. It's a lot of it's a lot of

2:00:10.000 --> 2:00:12.200
<v Speaker 1>things that we got to be privy to because we

2:00:12.320 --> 2:00:14.040
<v Speaker 1>are the oil and the engine. Were the ones that

2:00:14.120 --> 2:00:16.680
<v Speaker 1>make this ship cool. We're the cool factor. Without us,

2:00:16.800 --> 2:00:19.040
<v Speaker 1>none of this ship works, you know what I'm saying.

2:00:20.440 --> 2:00:22.640
<v Speaker 1>You see the only niggas making the big money. We

2:00:22.800 --> 2:00:25.360
<v Speaker 1>think a few ms is money. And then they look like,

2:00:25.480 --> 2:00:27.520
<v Speaker 1>oh they lick. They think they think they lick because

2:00:27.600 --> 2:00:30.320
<v Speaker 1>they made a few ms. Meanwhile we made the hundreds

2:00:30.320 --> 2:00:32.880
<v Speaker 1>of million. We make a hundreds of millions. That's why

2:00:32.920 --> 2:00:35.879
<v Speaker 1>those billionaire part Yeah.

2:00:35.800 --> 2:00:37.960
<v Speaker 2>That's why they're making billionaires a regular thing.

2:00:38.080 --> 2:00:41.400
<v Speaker 1>Yeah they're going for trillion exactly. Noigas trying to hit

2:00:41.440 --> 2:00:47.640
<v Speaker 1>a trillion like a couple of niggas. And yeah, I

2:00:47.720 --> 2:00:50.600
<v Speaker 1>think it's a double sword, believe So I think I

2:00:50.680 --> 2:00:52.160
<v Speaker 1>think it's I think it's it's evolution.

2:00:52.360 --> 2:00:55.280
<v Speaker 2>It's awesome for the creator. There's a lot that we

2:00:55.360 --> 2:00:57.120
<v Speaker 2>could do with it. But I think we don't really

2:00:57.160 --> 2:01:00.840
<v Speaker 2>fully understand the long term like a gun.

2:01:01.400 --> 2:01:03.040
<v Speaker 1>Like a gun, you could use a gun for good

2:01:03.120 --> 2:01:04.920
<v Speaker 1>or you can use it for bad. You can use

2:01:04.920 --> 2:01:08.480
<v Speaker 1>a gun to protect your family, but shoot itself unless

2:01:08.480 --> 2:01:13.760
<v Speaker 1>you drop it. This AI can shoot itself. Said about

2:01:14.080 --> 2:01:18.600
<v Speaker 1>somebody got pro that's not what the creators about AI

2:01:20.160 --> 2:01:23.360
<v Speaker 1>you think about. I just think I think it's it's evolution.

2:01:23.520 --> 2:01:27.040
<v Speaker 1>I think it's it's it's definitely evolution. It's technology.

2:01:27.120 --> 2:01:27.240
<v Speaker 3>Bro.

2:01:27.640 --> 2:01:29.800
<v Speaker 1>The thing about it is with with how far do

2:01:29.880 --> 2:01:30.360
<v Speaker 1>you let it go?

2:01:31.880 --> 2:01:34.320
<v Speaker 2>I think the creed is the part that's gonna exactly

2:01:34.880 --> 2:01:35.560
<v Speaker 2>where it's gonna go.

2:01:35.840 --> 2:01:40.480
<v Speaker 1>Left isn't putting the guardrails. I think. First of all,

2:01:40.480 --> 2:01:43.000
<v Speaker 1>I want to say shout out to because you talk

2:01:43.000 --> 2:01:44.920
<v Speaker 1>about music or just over I'm just going to music

2:01:45.000 --> 2:01:48.840
<v Speaker 1>right now, we're talking about talking about more. I'm just

2:01:48.880 --> 2:01:51.280
<v Speaker 1>talking about the music aspect of it. I was able

2:01:51.360 --> 2:01:55.640
<v Speaker 1>to do to make a nice sized bag with Google

2:01:55.760 --> 2:01:58.000
<v Speaker 1>like do an AI project, so they had me, John

2:01:58.080 --> 2:01:59.760
<v Speaker 1>Legend and a bunch of people, so I see where

2:01:59.760 --> 2:02:03.040
<v Speaker 1>it could be productive. That's sure feeding your family. But

2:02:03.600 --> 2:02:05.920
<v Speaker 1>I'm just saying this. As far as the music, I

2:02:06.000 --> 2:02:10.200
<v Speaker 1>think the wack rappers in trouble. I think niggas that

2:02:10.280 --> 2:02:12.680
<v Speaker 1>really could rap, they're good because A I can't do

2:02:12.800 --> 2:02:15.880
<v Speaker 1>it real, I don't know. Ye're hearing them fifty so

2:02:16.040 --> 2:02:18.680
<v Speaker 1>many men songs, like when they do the old school.

2:02:18.440 --> 2:02:28.320
<v Speaker 5>One reggae version, the original version and more. You're saying

2:02:28.400 --> 2:02:32.040
<v Speaker 5>for originality, I'm saying. I'm saying, like deliriousis they can't.

2:02:32.200 --> 2:02:33.880
<v Speaker 5>I haven't seen the AI do that.

2:02:34.600 --> 2:02:39.200
<v Speaker 1>I don't know, so Jo it's crazy. I'm gonna tell

2:02:39.200 --> 2:02:41.240
<v Speaker 1>you what to dude, both of y'all go to chat

2:02:41.360 --> 2:02:43.680
<v Speaker 1>g B team be like, do a dis record against

2:02:43.800 --> 2:02:46.120
<v Speaker 1>Norri and you go there, I did that ship that

2:02:46.160 --> 2:02:52.800
<v Speaker 1>ships flaming megas, you record nigga disrecord against Sago. This

2:02:52.880 --> 2:02:56.160
<v Speaker 1>ship new my whole life that this ship was flaming.

2:02:56.800 --> 2:02:59.280
<v Speaker 1>I was like, and that's not even the crazy, not

2:02:59.320 --> 2:02:59.680
<v Speaker 1>the crazy.

2:03:00.200 --> 2:03:03.720
<v Speaker 2>That's what I'm saying, Like we under educated with AI,

2:03:03.920 --> 2:03:06.040
<v Speaker 2>and sometimes we think we sound cool by talking about

2:03:06.080 --> 2:03:10.720
<v Speaker 2>AI without really knowing what really can potentially happen with AI.

2:03:11.200 --> 2:03:12.800
<v Speaker 1>Like when I'm telling I'm looking, you gotta look at

2:03:12.840 --> 2:03:14.120
<v Speaker 1>the CEOs and the people that create AI.

2:03:14.440 --> 2:03:17.800
<v Speaker 2>They're warning they're they're scared of it if they created it,

2:03:17.800 --> 2:03:18.520
<v Speaker 2>and they're scared of it.

2:03:18.600 --> 2:03:20.680
<v Speaker 1>Then I don't know what then, so let me ask you,

2:03:20.800 --> 2:03:26.000
<v Speaker 1>let me ask you. No Ai, but God comes down,

2:03:27.840 --> 2:03:32.000
<v Speaker 1>God says, Pat, you gotta make a record for humanity.

2:03:32.640 --> 2:03:38.000
<v Speaker 1>Nobody here. You can't pick nobody here. You get one

2:03:38.080 --> 2:03:43.960
<v Speaker 1>producer and one feature. This record is gonna save your manity.

2:03:44.320 --> 2:03:52.240
<v Speaker 1>Nine content just whatever? Who this Pat? Pick feature? Yep,

2:03:52.560 --> 2:03:56.200
<v Speaker 1>that're all live? Okay, Okay, I made it easier for

2:03:56.280 --> 2:03:59.880
<v Speaker 1>you when you said that I'm not impressive. I do it.

2:04:03.440 --> 2:04:06.960
<v Speaker 1>The one, the one feature. I will have to say big.

2:04:08.440 --> 2:04:10.480
<v Speaker 1>And the producer beat my brother Sean to no, no, no,

2:04:10.560 --> 2:04:14.320
<v Speaker 1>what not not here? I can't he took him out.

2:04:15.040 --> 2:04:21.560
<v Speaker 1>I didn't winness that. Okay, I'm gonna go honestly, I'm

2:04:21.600 --> 2:04:25.680
<v Speaker 1>gonna go, doctor Drake. Oh that's all, Doctor Drake. Okay.

2:04:25.760 --> 2:04:28.320
<v Speaker 1>Now I'm flippit of bouncing on you. Now the feature

2:04:28.840 --> 2:04:34.160
<v Speaker 1>has to be alive. And now the producer it's passed away. Okay,

2:04:34.840 --> 2:04:37.680
<v Speaker 1>the feature, I will say, nas you know what I'm

2:04:37.680 --> 2:04:41.800
<v Speaker 1>saying somewhere to be honest, man, okay, and the producer

2:04:41.840 --> 2:04:54.920
<v Speaker 1>gotta be deceased. Yes, I'm gonna say, John, I won't

2:04:54.960 --> 2:04:59.840
<v Speaker 1>take you question. I missed the question, he repeating, who

2:05:00.360 --> 2:05:01.440
<v Speaker 1>who's your favorite ducer?

2:05:01.720 --> 2:05:06.080
<v Speaker 6>My favorite producers is uh Curtis Mayfield.

2:05:06.480 --> 2:05:08.400
<v Speaker 1>Okay, hold on, that was that was the question. He

2:05:08.440 --> 2:05:11.800
<v Speaker 1>answered different Yeah, a whole different things. It was a

2:05:11.840 --> 2:05:18.120
<v Speaker 1>crazy scenario. Yeah, damn man, Curtis Mayfield Mayfield. I can

2:05:18.240 --> 2:05:20.080
<v Speaker 1>hear that. I wasn't. I wasn't. I wasn't very I

2:05:20.120 --> 2:05:23.040
<v Speaker 1>didn't even know Curtis Mayfield. But neither. Yeah, I ain't.

2:05:23.840 --> 2:05:30.040
<v Speaker 1>I ain't. Never been stuck like that. Yeah, m you

2:05:30.080 --> 2:05:32.240
<v Speaker 1>know us was the genius on the low. I'll be sure.

2:05:32.920 --> 2:05:38.440
<v Speaker 1>I'll be sure still a genie. I'll be sure. Still musically,

2:05:38.520 --> 2:05:45.720
<v Speaker 1>what's the last ship? Man? I don't believe. I don't believe.

2:05:46.200 --> 2:05:48.800
<v Speaker 1>Being a genius is like playing basketball, like you don't

2:05:48.800 --> 2:05:51.120
<v Speaker 1>get older and it's like stop being you know what

2:05:51.120 --> 2:05:53.440
<v Speaker 1>I'm saying. You don't lose it. You don't lose it,

2:05:53.600 --> 2:05:55.880
<v Speaker 1>like yeah, like you don't lose your knees achilles, don't

2:05:55.880 --> 2:05:59.800
<v Speaker 1>break out on your geniusness, you know what I'm saying. Yeah,

2:05:59.840 --> 2:06:02.240
<v Speaker 1>he's illegenious. He just gotta like he put in the

2:06:02.320 --> 2:06:07.800
<v Speaker 1>right run using it no more. Yeah, I know. To me,

2:06:07.920 --> 2:06:09.280
<v Speaker 1>you got to be put in the right room, like

2:06:09.320 --> 2:06:12.000
<v Speaker 1>you know what I'm saying, Like you know what I'm saying,

2:06:12.080 --> 2:06:14.000
<v Speaker 1>Like the credit he don't like he did all that

2:06:14.120 --> 2:06:17.120
<v Speaker 1>Tevin Camp. He was writing the nigga pen and his insdruction.

2:06:17.240 --> 2:06:20.200
<v Speaker 1>He produced his first album like the ineffect Mode or

2:06:20.240 --> 2:06:23.160
<v Speaker 1>like Night and Day, all them songs they raised us

2:06:23.240 --> 2:06:26.320
<v Speaker 1>and Ship. He was producing them Ships, Night and Day.

2:06:26.400 --> 2:06:30.360
<v Speaker 1>I want to get on your nigga was writing them

2:06:30.400 --> 2:06:34.520
<v Speaker 1>songs all. I'll be sure he brung the light Skin

2:06:34.600 --> 2:06:38.440
<v Speaker 1>Brothers back out back out. It was out of style,

2:06:38.520 --> 2:06:46.960
<v Speaker 1>and he brought the darkskin niggas back. Come on, who

2:06:47.000 --> 2:06:49.200
<v Speaker 1>brought the niggas back after that? Because it goes back

2:06:49.240 --> 2:06:52.680
<v Speaker 1>and forth going. Chris Brown got it right now, no, no,

2:06:52.760 --> 2:06:55.280
<v Speaker 1>no after. I'll be sure. I would have to say

2:06:55.920 --> 2:07:00.400
<v Speaker 1>about default nas Now's is in the middle son Nah

2:07:00.600 --> 2:07:05.800
<v Speaker 1>he likes Nah, he likes Alien back t y, Yeah,

2:07:07.960 --> 2:07:15.240
<v Speaker 1>I remember that. Can Wesley Snipe West Snipe. Biggie Big, bigger, bigger,

2:07:15.720 --> 2:07:20.200
<v Speaker 1>different type big different. You know, every fat nigga got

2:07:20.240 --> 2:07:22.960
<v Speaker 1>something fat in their name, like Biggie Small, chub Rock,

2:07:23.560 --> 2:07:27.960
<v Speaker 1>fat Boys, heavy d You gotta acknowledge it. Every little

2:07:28.000 --> 2:07:33.760
<v Speaker 1>nigga got little in their name. Too then, but every

2:07:33.880 --> 2:07:36.920
<v Speaker 1>fat rapper you have to that's marketing without even realizing it,

2:07:37.160 --> 2:07:39.440
<v Speaker 1>because you really have to acknowledge the fact that you know,

2:07:39.520 --> 2:07:44.080
<v Speaker 1>you fat, a big dude that's already without without the extra,

2:07:44.360 --> 2:07:46.880
<v Speaker 1>the largest, the biggest, the largest with that nigga name

2:07:47.760 --> 2:07:51.000
<v Speaker 1>big asked the plug. It's another nigga. No that's not

2:07:51.080 --> 2:07:54.360
<v Speaker 1>his name. His name he reminds me of pun. There's

2:07:54.360 --> 2:07:56.520
<v Speaker 1>a couple of them that sits down on the couch

2:07:56.680 --> 2:08:00.160
<v Speaker 1>when he performs oh drinking beef and when they by

2:08:00.600 --> 2:08:12.440
<v Speaker 1>yeah yeah, I think shout out, I ain't this you man?

2:08:15.640 --> 2:08:17.120
<v Speaker 1>Like he want all the action?

2:08:17.320 --> 2:08:17.480
<v Speaker 7>Man?

2:08:18.320 --> 2:08:21.520
<v Speaker 1>What some of Peter fifthest on one on one right

2:08:21.600 --> 2:08:25.520
<v Speaker 1>now like that kind of a k on the roof.

2:08:28.000 --> 2:08:32.000
<v Speaker 1>Anybody can get it right now? Two fifty oh yeah

2:08:32.520 --> 2:08:40.720
<v Speaker 1>right yeah? So what was your favorite summer jam? I

2:08:40.800 --> 2:08:43.880
<v Speaker 1>mean shameless plugged the woman Buster brought me out back

2:08:44.120 --> 2:08:48.200
<v Speaker 1>like seven man come true? Who was that? Who else

2:08:48.280 --> 2:08:51.800
<v Speaker 1>was out there with y'all? It was a crazy lineup.

2:08:51.840 --> 2:08:54.120
<v Speaker 1>I don't remember the whole lineup, but everybody performed that

2:08:54.160 --> 2:08:56.680
<v Speaker 1>there everybody was when the record came out. I'm mistaken

2:08:57.040 --> 2:09:00.600
<v Speaker 1>or most of us. But besides that, I ain't gonna lie,

2:09:00.680 --> 2:09:03.200
<v Speaker 1>bro I'm gonna keep it real. I'm a not fan.

2:09:03.320 --> 2:09:07.240
<v Speaker 1>When jay Z did that take over, well that really

2:09:07.360 --> 2:09:10.480
<v Speaker 1>was that nas That was really more towards his prodigy. Yeah,

2:09:10.480 --> 2:09:13.360
<v Speaker 1>but at the end, look how you ended it. One

2:09:13.440 --> 2:09:15.160
<v Speaker 1>of the whole son, you know what it was like

2:09:15.240 --> 2:09:17.200
<v Speaker 1>for Maybe he shouldn't have said that because the can

2:09:17.360 --> 2:09:18.560
<v Speaker 1>I know, but you know what it was like he

2:09:18.680 --> 2:09:21.160
<v Speaker 1>did want to nig to say that though I thought

2:09:21.200 --> 2:09:25.040
<v Speaker 1>it was a typo, you know what I mean. That

2:09:25.200 --> 2:09:26.640
<v Speaker 1>was one of the things I don't believe that I

2:09:26.760 --> 2:09:31.200
<v Speaker 1>was here, said New York City history, like was like

2:09:31.320 --> 2:09:34.520
<v Speaker 1>when like like like when they actually like indulged, like

2:09:35.120 --> 2:09:37.160
<v Speaker 1>because we always thought we got a lot of girls

2:09:37.160 --> 2:09:40.360
<v Speaker 1>little Jude, no of y'all do you always thought that?

2:09:40.520 --> 2:09:42.240
<v Speaker 1>And then like it was going back and forth. But

2:09:42.880 --> 2:09:44.880
<v Speaker 1>you know what's the crazy shit about that Prodigy picture.

2:09:46.720 --> 2:09:49.000
<v Speaker 1>We all went to that studio, We all saw the

2:09:49.160 --> 2:09:51.839
<v Speaker 1>picture and never looked at it as a war tactics

2:09:52.520 --> 2:09:55.800
<v Speaker 1>like that was his grandmother's studio, like we all have,

2:09:55.920 --> 2:10:00.120
<v Speaker 1>Michael Jackson. So one of your niggas gave that nigga. No, no,

2:10:00.800 --> 2:10:02.720
<v Speaker 1>I mean like when you walked into a lot of

2:10:02.720 --> 2:10:05.160
<v Speaker 1>people saw it. It was like an S I R. Studio.

2:10:05.200 --> 2:10:08.560
<v Speaker 1>For lack of a better how did get it? Anybody have?

2:10:11.480 --> 2:10:13.800
<v Speaker 1>You couldn't take a picture of them, but anybody could have.

2:10:13.880 --> 2:10:16.320
<v Speaker 1>That's like anybody somebody walking in right now taking a

2:10:16.320 --> 2:10:21.040
<v Speaker 1>picture of the drink already. But no one looked at

2:10:21.080 --> 2:10:23.240
<v Speaker 1>it like war tactics. You know what I'm saying, because

2:10:23.680 --> 2:10:26.200
<v Speaker 1>like one, we didn't put too and two together that

2:10:27.440 --> 2:10:31.680
<v Speaker 1>because he was a ballerina was hated. It wasn't you.

2:10:31.960 --> 2:10:36.000
<v Speaker 1>It was like it was I'm not allowed to say

2:10:36.040 --> 2:10:39.560
<v Speaker 1>bad about Pete because the Internet gonna kill me anything

2:10:39.600 --> 2:10:43.920
<v Speaker 1>I said about Pridy to me. But the picture didn't

2:10:43.920 --> 2:10:46.240
<v Speaker 1>look like it looked like a young nigga would like

2:10:46.480 --> 2:10:49.680
<v Speaker 1>it was dancing. It was strategic on Jay's side. He said.

2:10:51.240 --> 2:10:53.640
<v Speaker 7>A ballerine. It was no one ever actually looks and

2:10:53.680 --> 2:10:57.360
<v Speaker 7>says that's side of hey man, Hey, it was the

2:10:57.400 --> 2:11:04.320
<v Speaker 7>way he said it. You the picture, Yeah, yeah, dropped

2:11:04.320 --> 2:11:04.880
<v Speaker 7>ship one.

2:11:04.840 --> 2:11:11.160
<v Speaker 1>Swishing like some ship like you addressing piece of po.

2:11:11.240 --> 2:11:14.080
<v Speaker 1>P was one of the only niggas who post would

2:11:14.080 --> 2:11:18.560
<v Speaker 1>get into jay Z skin Man constantly that nigga break

2:11:18.640 --> 2:11:21.320
<v Speaker 1>that down. For breaking down, bro, jay Z knows everybody

2:11:21.920 --> 2:11:24.880
<v Speaker 1>I ain't prodigy. That Nigga respawned Prodigy and Jim Jones

2:11:26.400 --> 2:11:29.240
<v Speaker 1>fifty two fifty Curtis got him. Yeah, but I'm talking

2:11:29.240 --> 2:11:32.400
<v Speaker 1>about like I'm about a dollar lost fifty fifty seved

2:11:32.400 --> 2:11:36.040
<v Speaker 1>when he said that, I was mad that right, it

2:11:36.200 --> 2:11:39.600
<v Speaker 1>was no denying fifty. But just like niggas, everybody game

2:11:39.680 --> 2:11:43.920
<v Speaker 1>cruising that Nigga always responded to Pedo. Wow, I didn't

2:11:43.920 --> 2:11:46.760
<v Speaker 1>realize that. Yeah, pople A, he had a mean run

2:11:46.840 --> 2:11:49.680
<v Speaker 1>at one time. It's Peno. I'm gonna tell you something

2:11:49.720 --> 2:11:53.240
<v Speaker 1>about Prodigy, right, He probably the most sampled voice in

2:11:53.400 --> 2:11:56.080
<v Speaker 1>hip hop ever that nigga. Might I thot I used

2:11:56.080 --> 2:12:01.080
<v Speaker 1>to I used to go between Guru method man, they

2:12:01.200 --> 2:12:04.400
<v Speaker 1>all deep the l voice niggas that nigga Prodigy. Think

2:12:04.480 --> 2:12:07.480
<v Speaker 1>about all the songs they sample for his songs, even

2:12:07.560 --> 2:12:13.360
<v Speaker 1>jay Z jay Z sample. You know, I Illuminati. When

2:12:13.400 --> 2:12:15.800
<v Speaker 1>my mind sold him about pun I gave you fair

2:12:15.880 --> 2:12:19.600
<v Speaker 1>warning beware like that Nigga's voice is so sampled. He

2:12:20.400 --> 2:12:23.640
<v Speaker 1>he had, he had a golden tone bro like. Yeah,

2:12:24.000 --> 2:12:26.720
<v Speaker 1>he didn't even have to be crazy. Prodigy didn't have

2:12:26.800 --> 2:12:31.200
<v Speaker 1>to be super duper duper like technically lyrical because his presidence.

2:12:31.400 --> 2:12:35.120
<v Speaker 1>He has something that it's so hard to bite. His style,

2:12:35.640 --> 2:12:40.640
<v Speaker 1>his that was unbiteable. Nigga couldn't bite Prodigy Nigga that

2:12:40.640 --> 2:12:42.840
<v Speaker 1>could go for like Peter Gold, like four balls and

2:12:42.920 --> 2:12:50.600
<v Speaker 1>nothing wrong and it's still wasn't infamous album. P That

2:12:50.800 --> 2:12:54.000
<v Speaker 1>was afterwards he developed that like he was just thinking

2:12:54.800 --> 2:12:58.480
<v Speaker 1>that Nigga went on the run his ship and nobody

2:12:58.520 --> 2:13:01.600
<v Speaker 1>couldn't funk with him. He's glass tables and all that. Yeah,

2:13:01.640 --> 2:13:04.680
<v Speaker 1>I throw a TV at you TV. He was saying.

2:13:04.680 --> 2:13:07.080
<v Speaker 1>It was like better than the round for man, like

2:13:07.160 --> 2:13:09.600
<v Speaker 1>the nigga with your rest places said I break red

2:13:10.080 --> 2:13:13.840
<v Speaker 1>ribs one hundred dollars. His first lines is, so was

2:13:13.880 --> 2:13:15.720
<v Speaker 1>the record come on catch you coming out your fucking

2:13:15.800 --> 2:13:21.840
<v Speaker 1>crag nigga? All the killers in one hundred dollars that

2:13:21.960 --> 2:13:24.600
<v Speaker 1>niggas is new with the saving for the ship ones

2:13:24.840 --> 2:13:28.120
<v Speaker 1>was she wasn't a record. That ship was a move movement,

2:13:28.480 --> 2:13:30.400
<v Speaker 1>Like I remember everything that happened in my life when

2:13:30.440 --> 2:13:32.680
<v Speaker 1>that was coming. He too had the big stupid north

2:13:32.720 --> 2:13:37.760
<v Speaker 1>face on jumping off the fran playing that more deep ship. Nigga,

2:13:37.880 --> 2:13:40.600
<v Speaker 1>Yeah that was serious. You had a hell of a

2:13:40.680 --> 2:13:48.880
<v Speaker 1>ton to let me. It was crazy I think I've

2:13:48.920 --> 2:13:56.240
<v Speaker 1>seen another interview with the Homeboy the Thugs. Calm down, No, yeah,

2:13:56.800 --> 2:13:59.880
<v Speaker 1>he did come again seeing my bigger probably my big

2:14:00.200 --> 2:14:10.480
<v Speaker 1>record float. He's a monster. He's like one of the

2:14:10.640 --> 2:14:14.000
<v Speaker 1>other producers. Like you can't you can't like listen to

2:14:14.120 --> 2:14:17.720
<v Speaker 1>his sound and say that's him. Yeah, he can come

2:14:17.760 --> 2:14:20.160
<v Speaker 1>in like you know, he got a sound though, but

2:14:20.280 --> 2:14:22.520
<v Speaker 1>you gotta be yeah. I mean you, I mean yeah, yeah.

2:14:22.800 --> 2:14:24.000
<v Speaker 1>What is he do?

2:14:24.480 --> 2:14:28.000
<v Speaker 2>Yeah, I think so, I mean yell like he did.

2:14:28.080 --> 2:14:30.280
<v Speaker 2>Sometimes it's the snare.

2:14:30.960 --> 2:14:38.040
<v Speaker 1>Sometimes sometimes George pro is dope. Rock is crazy. To

2:14:38.040 --> 2:14:41.400
<v Speaker 1>see the Award a War show A l A Yeah,

2:14:41.720 --> 2:14:44.080
<v Speaker 1>l A recently and they was break dancing like that's it.

2:14:44.240 --> 2:14:46.200
<v Speaker 1>So when we were talking earlier, excuse me, I was

2:14:46.400 --> 2:14:48.080
<v Speaker 1>pointing you. When we were talking earlier about the New

2:14:48.160 --> 2:14:52.000
<v Speaker 1>York ship, I can't lie. I can't lie. L A

2:14:52.120 --> 2:14:55.800
<v Speaker 1>gave it up, like they gave a whole little ceremony

2:14:55.880 --> 2:14:58.280
<v Speaker 1>and they were breakdancing. You can tell there was no

2:14:58.440 --> 2:15:00.560
<v Speaker 1>separation that night, that ship that you we're talking about,

2:15:00.600 --> 2:15:02.320
<v Speaker 1>because I suffered from that too. That's like, damn. Why

2:15:02.360 --> 2:15:04.360
<v Speaker 1>they always like kind of like like I don't want

2:15:04.360 --> 2:15:06.320
<v Speaker 1>to say, look down l A wasn't like that though

2:15:06.920 --> 2:15:09.320
<v Speaker 1>I'm talking about this. This was a party. Risin was

2:15:09.400 --> 2:15:15.120
<v Speaker 1>there and everyone here South. We were talking about we

2:15:15.200 --> 2:15:17.640
<v Speaker 1>were saying earlier is I let pat say because I

2:15:17.680 --> 2:15:20.200
<v Speaker 1>don't want all about the situation, like we were talking

2:15:20.200 --> 2:15:24.240
<v Speaker 1>about how he was here. He came at the end.

2:15:24.280 --> 2:15:29.480
<v Speaker 1>I think he came towards the New York. We were

2:15:29.520 --> 2:15:31.320
<v Speaker 1>just talking about how niggas behaving on New York. But

2:15:31.400 --> 2:15:35.080
<v Speaker 1>that was the South South, and the West was different

2:15:35.320 --> 2:15:37.680
<v Speaker 1>the West. I'm gonna tell you when the West started

2:15:37.760 --> 2:15:41.560
<v Speaker 1>not liking niggas, when niggas was like you over there

2:15:41.640 --> 2:15:44.880
<v Speaker 1>second or that New York did ice Cube, but ice

2:15:44.920 --> 2:15:47.440
<v Speaker 1>col left n w A and went to the bombs

2:15:47.440 --> 2:15:49.960
<v Speaker 1>Squas like no, no, no, no, n w A. But

2:15:50.040 --> 2:15:51.160
<v Speaker 1>what are you saying? Ice Cube?

2:15:51.280 --> 2:15:55.400
<v Speaker 2>Left wing wanted specific So.

2:15:55.520 --> 2:15:58.080
<v Speaker 1>You remember when they just here's what they think about you.

2:15:58.160 --> 2:16:00.400
<v Speaker 1>Here's what they think about since you over there sucking

2:16:00.440 --> 2:16:02.080
<v Speaker 1>to so much New York, dick, don't you come east

2:16:02.160 --> 2:16:04.680
<v Speaker 1>of that Chicago pussy? You don't remember that skit on

2:16:04.840 --> 2:16:07.680
<v Speaker 1>n w AS album but produced by New York producers. No,

2:16:07.840 --> 2:16:10.400
<v Speaker 1>that was n w AS. That was w A's rebuttal

2:16:10.440 --> 2:16:13.240
<v Speaker 1>when he left the group when yeah, you're right, Nigga,

2:16:13.280 --> 2:16:17.600
<v Speaker 1>when you're right. When he left the when Niggas for

2:16:17.680 --> 2:16:20.560
<v Speaker 1>Life came out, that's when it because Ice Q came

2:16:20.600 --> 2:16:22.360
<v Speaker 1>over here. When he left n w A, he came

2:16:22.440 --> 2:16:24.360
<v Speaker 1>to the East Coast and started working with Bomb Squad

2:16:24.480 --> 2:16:27.600
<v Speaker 1>was Public Enemy producers. They did the whole America's Most Wanting.

2:16:27.680 --> 2:16:29.960
<v Speaker 1>That's why it sounds a lot like Public Enemy albums.

2:16:30.440 --> 2:16:33.320
<v Speaker 1>So there's a skit on that. Here's what they thinking

2:16:33.440 --> 2:16:35.920
<v Speaker 1>on Niggas for Life. Since you're over there sucking so

2:16:36.000 --> 2:16:37.800
<v Speaker 1>much New York, Dick, won't you come east of the

2:16:37.879 --> 2:16:41.080
<v Speaker 1>Chicago pussy? Some girl called up like the caller and

2:16:41.240 --> 2:16:44.680
<v Speaker 1>them niggas they funk with us. Since then that really started.

2:16:46.000 --> 2:16:51.520
<v Speaker 1>It wasn't its Ice come, yeah, look at you.

2:16:52.160 --> 2:17:00.640
<v Speaker 8>I don't know, tell I remember, I know that's called

2:17:00.680 --> 2:17:04.119
<v Speaker 8>I think Benedic Donalds was like, yeah, exactly.

2:17:04.000 --> 2:17:04.360
<v Speaker 3>I mean.

2:17:05.879 --> 2:17:09.720
<v Speaker 1>Niggas for Life. The album Nigga's Life was so like

2:17:09.800 --> 2:17:12.120
<v Speaker 1>the West Coast had a mean they had run just

2:17:12.160 --> 2:17:14.640
<v Speaker 1>like the South. Bro know Niggas for No of course

2:17:14.640 --> 2:17:16.920
<v Speaker 1>it had a run before this, maybe longer or just

2:17:17.000 --> 2:17:21.039
<v Speaker 1>as long, Ja quick J. The city Ship was old

2:17:21.080 --> 2:17:23.880
<v Speaker 1>West Coast battle Cat DJ Quick. You gotta think that

2:17:24.040 --> 2:17:27.320
<v Speaker 1>these niggas was killing doctor and Dope Man and Ship

2:17:27.400 --> 2:17:29.720
<v Speaker 1>came out eighty eight. Bro, that's not the same time

2:17:29.760 --> 2:17:32.640
<v Speaker 1>as Caane like Dope Man, Dope Man. Yeah, that's me.

2:17:33.360 --> 2:17:36.000
<v Speaker 1>You cannot get a j and Icy and right and

2:17:36.240 --> 2:17:39.039
<v Speaker 1>in that whole movement that she was eighties my brother Icy,

2:17:39.120 --> 2:17:42.680
<v Speaker 1>that's family. They came to the Premier Man six, my

2:17:42.800 --> 2:17:46.520
<v Speaker 1>brother that Ship was eight. That's eighties. Icey was playing

2:17:46.560 --> 2:17:49.480
<v Speaker 1>the same character for thirty seven years. They finally cand

2:17:49.520 --> 2:17:53.880
<v Speaker 1>them done what yeah they got. They ain't can't go

2:17:54.040 --> 2:17:56.640
<v Speaker 1>Google Google's do the Icy Man. I ain't gonna lie that.

2:17:56.800 --> 2:17:59.720
<v Speaker 1>That's family, Bro, I ain't gonna lie. Shout the Ice

2:17:59.800 --> 2:18:04.560
<v Speaker 1>Man nigga. Yeah, Ice a real solid, that's a real

2:18:05.160 --> 2:18:08.120
<v Speaker 1>down the ice before I knew she wrapped anybody. Bro.

2:18:08.720 --> 2:18:10.959
<v Speaker 1>That's why he comes out here and helps New York artists.

2:18:11.160 --> 2:18:17.920
<v Speaker 1>He loves literacy. Paint the pain, yeah, pain like Ice Teams.

2:18:18.080 --> 2:18:20.240
<v Speaker 1>One of the first ones of Coach signed him. Ice

2:18:20.280 --> 2:18:22.400
<v Speaker 1>Ty came out of co signing Mad Dude. Now that's

2:18:22.440 --> 2:18:24.920
<v Speaker 1>how he is, bro. He embraced real hip hop. He

2:18:25.040 --> 2:18:29.400
<v Speaker 1>embraced me as a young and he was smoothing. Yes, yeah,

2:18:29.440 --> 2:18:31.400
<v Speaker 1>them niggas individual. When I was I'm like, is that

2:18:31.480 --> 2:18:33.760
<v Speaker 1>Ice team? That's the fact. Just then when I did

2:18:33.879 --> 2:18:36.080
<v Speaker 1>for me for my project, the nigga Ice pulled up.

2:18:36.120 --> 2:18:36.240
<v Speaker 3>Bro.

2:18:37.560 --> 2:18:40.680
<v Speaker 1>He always shows a solid just a real individual because

2:18:40.680 --> 2:18:44.600
<v Speaker 1>of that, just because that's what he is exactly. Shout

2:18:44.640 --> 2:18:46.760
<v Speaker 1>the last Pro man larst Pro did some beats for me,

2:18:46.879 --> 2:18:49.760
<v Speaker 1>man and that ship like that mean, I was real

2:18:49.840 --> 2:18:50.440
<v Speaker 1>happy about that.

2:18:50.560 --> 2:18:50.680
<v Speaker 3>Man.

2:18:50.800 --> 2:18:53.160
<v Speaker 1>I grew up listening to Large Bro. He mixed them

2:18:53.240 --> 2:18:55.560
<v Speaker 1>down the whole ship, sent them to me like quality man.

2:18:55.640 --> 2:18:58.040
<v Speaker 1>So I just want to shout him out. I love

2:18:58.120 --> 2:19:02.880
<v Speaker 1>telling the story, telling a story. I'll go Toby, that

2:19:03.000 --> 2:19:06.880
<v Speaker 1>Large Pro went to way Quan show and sat in

2:19:06.920 --> 2:19:14.520
<v Speaker 1>the front, comes out and he have no so Bro

2:19:14.959 --> 2:19:17.320
<v Speaker 1>left the show. He was like, I can't see the

2:19:17.400 --> 2:19:18.480
<v Speaker 1>guard and not beating the guard.

2:19:19.000 --> 2:19:19.160
<v Speaker 3>You know.

2:19:21.280 --> 2:19:24.080
<v Speaker 1>I imagine. I imagine he don't even know how to

2:19:24.200 --> 2:19:29.640
<v Speaker 1>order breakfast. I imagine Large Pro like, yo, you got

2:19:29.680 --> 2:19:34.920
<v Speaker 1>the turkey bacon, like he's so hip high, like I

2:19:35.000 --> 2:19:37.040
<v Speaker 1>don't know, I don't think he knows how to be

2:19:37.240 --> 2:19:40.080
<v Speaker 1>like like normal, Like I don't know if you've seen

2:19:40.160 --> 2:19:45.359
<v Speaker 1>that ship in La where Riz giving him an Award.

2:19:46.240 --> 2:19:48.320
<v Speaker 1>He's so much like like how you did with us

2:19:48.360 --> 2:19:51.040
<v Speaker 1>with the flowers. He's so much not used to like

2:19:51.760 --> 2:19:54.400
<v Speaker 1>taking credit. He's sitting there the whole time is Riz

2:19:54.560 --> 2:19:59.440
<v Speaker 1>is making him up. He's making like and I'm like, yo,

2:19:59.600 --> 2:20:05.520
<v Speaker 1>take your He's so much hip hop like he can't

2:20:05.560 --> 2:20:09.680
<v Speaker 1>see who, he can only see the image of the

2:20:09.760 --> 2:20:12.560
<v Speaker 1>person that you are as a hip hop like. I

2:20:12.600 --> 2:20:16.600
<v Speaker 1>don't think he'll ever call you like, I'm like, I

2:20:16.640 --> 2:20:18.200
<v Speaker 1>wan't to ever call l L by his world name.

2:20:18.200 --> 2:20:19.920
<v Speaker 1>I remember I was coming around and he was like

2:20:20.160 --> 2:20:23.200
<v Speaker 1>Tard and and then people were violated, was like tell

2:20:23.280 --> 2:20:26.840
<v Speaker 1>Tard and I was like, ta is tall, Like I'm

2:20:26.879 --> 2:20:30.920
<v Speaker 1>like that man name is l my motheruck, I don't

2:20:30.920 --> 2:20:34.480
<v Speaker 1>even give He tells me call me TA call me Jane, No,

2:20:35.040 --> 2:20:39.240
<v Speaker 1>I refuse Yo, who jay to me? L L one

2:20:39.280 --> 2:20:41.440
<v Speaker 1>of the only dudes that showed up with my brother

2:20:41.520 --> 2:20:44.600
<v Speaker 1>K slave funeral man shot to l L. Also also

2:20:44.680 --> 2:20:46.040
<v Speaker 1>when they was fronting you know what I'm saying, when

2:20:46.040 --> 2:20:47.680
<v Speaker 1>I was trying to carry you on Slave Radio show

2:20:48.120 --> 2:20:50.040
<v Speaker 1>and a lot of platforms was fronting because when he

2:20:50.120 --> 2:20:52.120
<v Speaker 1>first died, they wanted to fake celebrate and all that

2:20:52.600 --> 2:20:55.200
<v Speaker 1>l L gave me the Drama Hour every Friday. You know,

2:20:55.240 --> 2:20:57.480
<v Speaker 1>I'm saying nine pm. I'm carrying on the legacy my

2:20:57.520 --> 2:21:00.240
<v Speaker 1>brother case So l L is the solid individ. Yeah,

2:21:00.480 --> 2:21:06.960
<v Speaker 1>speaks of Rock the Bells. Definitely, it's last time I

2:21:07.040 --> 2:21:12.120
<v Speaker 1>seen you. And uh yeah, Rocky Bell's cruise. Yeah, I

2:21:12.160 --> 2:21:14.039
<v Speaker 1>think about the Rock the Bells Cruise. It's a big deal.

2:21:14.040 --> 2:21:15.920
<v Speaker 1>I ain't make one yet, but I do want to show.

2:21:15.959 --> 2:21:20.520
<v Speaker 1>I've never been drink champs. Not perfect. Maybe I've never

2:21:20.600 --> 2:21:23.040
<v Speaker 1>been in those summer jam that he's been. I've never

2:21:23.080 --> 2:21:26.840
<v Speaker 1>been the first summer jam I tried like another first

2:21:27.040 --> 2:21:29.840
<v Speaker 1>Nah had this limma with stickers on. It was ninety four.

2:21:30.320 --> 2:21:33.640
<v Speaker 1>Nineteen ninety four was the first summer jam and we

2:21:33.800 --> 2:21:36.160
<v Speaker 1>niggas ain't had no take. We was kids anyway, and

2:21:36.360 --> 2:21:38.720
<v Speaker 1>niggas is just like oh ship, they go such you

2:21:38.840 --> 2:21:41.280
<v Speaker 1>never performed that. I've never even been in the building

2:21:41.360 --> 2:21:43.040
<v Speaker 1>when it was having a summer while I went to

2:21:43.120 --> 2:21:46.400
<v Speaker 1>every one when I was never been there. I've never

2:21:46.520 --> 2:21:49.200
<v Speaker 1>been inside in those bands. Now, I wanted to know

2:21:49.360 --> 2:21:51.280
<v Speaker 1>Pleaser every summer jam before I got on, I was

2:21:51.320 --> 2:21:55.760
<v Speaker 1>there every year. I've never been. He's like everyone, Yeah

2:21:55.800 --> 2:21:57.640
<v Speaker 1>I was and when I performed. It was thanks to

2:21:57.720 --> 2:21:59.320
<v Speaker 1>my brother Buster Man. Shout out the Buster. You know

2:21:59.320 --> 2:22:00.840
<v Speaker 1>what I'm saying. He he brought me out. Man, that

2:22:00.879 --> 2:22:04.040
<v Speaker 1>was a dreaming. Think is over? He thinks over. That's

2:22:04.120 --> 2:22:08.320
<v Speaker 1>my next question. Somebody said, definitely not the same. It's not.

2:22:08.480 --> 2:22:10.320
<v Speaker 1>It doesn't mean I think I think. If I think

2:22:10.400 --> 2:22:12.520
<v Speaker 1>Flex is going to fight to the death, I ain't

2:22:12.560 --> 2:22:14.360
<v Speaker 1>gonna lie. Let me just tell you something. Let's taking

2:22:14.680 --> 2:22:20.840
<v Speaker 1>more this show. Wow. Yeah, let me tell you something, Peter,

2:22:21.760 --> 2:22:26.480
<v Speaker 1>let me tell you something. Man, say something. Let me

2:22:26.520 --> 2:22:29.480
<v Speaker 1>tell you Flex. You know, Flex is you know when

2:22:29.600 --> 2:22:33.360
<v Speaker 1>the Titanic was going down and the guy is like this,

2:22:33.720 --> 2:22:38.120
<v Speaker 1>hold on, he's that guy. He's also the guy on

2:22:38.200 --> 2:22:45.000
<v Speaker 1>the plan and he's also the captain. He'll go out

2:22:45.000 --> 2:22:47.960
<v Speaker 1>of this. Let me tell you something, Man was not

2:22:48.040 --> 2:22:57.680
<v Speaker 1>even everybody, yo, every artist even, and Flex never played

2:22:57.680 --> 2:23:00.160
<v Speaker 1>your record. He never played it as much you as

2:23:00.160 --> 2:23:02.760
<v Speaker 1>you wanted them to play or whatever. Yo, my nigga,

2:23:02.800 --> 2:23:04.760
<v Speaker 1>you want to sit back. I sat back a long

2:23:04.840 --> 2:23:07.560
<v Speaker 1>time ago. I said, this motherfucker is on the radio

2:23:08.120 --> 2:23:12.879
<v Speaker 1>every day for five hours. My whole life. Man flexed

2:23:13.040 --> 2:23:15.680
<v Speaker 1>drive and his grind and his dedication to this DJ

2:23:15.840 --> 2:23:20.040
<v Speaker 1>ship is to be studied. Say what you want niggas

2:23:20.040 --> 2:23:24.480
<v Speaker 1>is ninety seven new location. They got roaches in the building.

2:23:24.560 --> 2:23:26.600
<v Speaker 1>When I heard that, they come up with that's just

2:23:26.680 --> 2:23:28.920
<v Speaker 1>like nigga, we standing on your ship. You see this

2:23:29.040 --> 2:23:31.440
<v Speaker 1>loal Flex he said, we're going down with the shiro

2:23:32.840 --> 2:23:39.120
<v Speaker 1>me pull over, yo, man, throw your head out the window.

2:23:42.600 --> 2:23:50.480
<v Speaker 1>It's crazy, bro. Recently going that's staring the cat stop.

2:23:50.600 --> 2:23:53.720
<v Speaker 1>So I just went out a new song recently where

2:23:54.120 --> 2:23:56.080
<v Speaker 1>I'm paying you know the niggas. You gotta pay to

2:23:56.160 --> 2:23:59.280
<v Speaker 1>do the mix show. So staying that on your phone? No, no, no,

2:24:00.080 --> 2:24:05.160
<v Speaker 1>know you're paying that yeah, up the pet radio promo.

2:24:05.520 --> 2:24:08.720
<v Speaker 1>So I'm like, I need Flex. At least I had

2:24:08.760 --> 2:24:11.000
<v Speaker 1>a new song, right. So Flex was like I want

2:24:11.040 --> 2:24:12.880
<v Speaker 1>to get on the phone with him. This is like

2:24:13.240 --> 2:24:17.000
<v Speaker 1>literally three three four weeks ago weeks. So I'm like,

2:24:17.240 --> 2:24:19.280
<v Speaker 1>why do you like? So I'm like, fuck it if

2:24:19.280 --> 2:24:20.440
<v Speaker 1>you want to get on the phone more than like,

2:24:20.520 --> 2:24:22.760
<v Speaker 1>he's gonna play the record. But I don't understand what

2:24:22.840 --> 2:24:25.320
<v Speaker 1>the issue is. So he gets on the phone. He's like, Yo,

2:24:26.280 --> 2:24:28.720
<v Speaker 1>it's been more to my attention. You have some niggative

2:24:28.760 --> 2:24:33.320
<v Speaker 1>things you said. I'm like, Flex, you could scatter the

2:24:33.360 --> 2:24:37.280
<v Speaker 1>whole internet. I ain't never said no. Fact, I respect

2:24:37.480 --> 2:24:39.920
<v Speaker 1>niggas don't like you. Flex does not take no he don't.

2:24:40.400 --> 2:24:42.080
<v Speaker 1>I said, Yo, he don't take no money. I said,

2:24:42.280 --> 2:24:45.320
<v Speaker 1>he want to make sure y'all good like Nigga. I

2:24:45.320 --> 2:24:47.560
<v Speaker 1>ain't about to be sitting here celebrating the nigga to

2:24:47.640 --> 2:24:49.560
<v Speaker 1>be shipping on me. He was like, I don't know,

2:24:50.080 --> 2:24:56.560
<v Speaker 1>I don't know. I don't know. It's like Nigga's been

2:24:56.640 --> 2:25:01.520
<v Speaker 1>telling me some things. I'm like, yo, fam, I'm like, yo,

2:25:01.680 --> 2:25:04.160
<v Speaker 1>I ain't never said nothing bad about it. I said, Yo,

2:25:04.320 --> 2:25:07.320
<v Speaker 1>this is ship called chet GBT Nigga. That ship was

2:25:07.360 --> 2:25:12.240
<v Speaker 1>scoured the whole world. And then play and then he

2:25:12.280 --> 2:25:14.160
<v Speaker 1>played the record. And he started playing the record and

2:25:14.200 --> 2:25:16.920
<v Speaker 1>I was like, nah, most dedicated, one of the most

2:25:16.959 --> 2:25:21.200
<v Speaker 1>dedicated DJs I've seen besides slave like slave man talk. Yes,

2:25:23.920 --> 2:25:25.840
<v Speaker 1>how many jail people come up to you ask you

2:25:25.840 --> 2:25:31.040
<v Speaker 1>about law library? Oh? I can't even count it, bro,

2:25:31.240 --> 2:25:33.320
<v Speaker 1>Like I had dudes come up to me like, and

2:25:33.440 --> 2:25:36.000
<v Speaker 1>I can tell they who they say to y'all and

2:25:36.000 --> 2:25:38.680
<v Speaker 1>they're like, yo, bro, it wasn't for you. I wouldn't

2:25:38.680 --> 2:25:40.840
<v Speaker 1>have got through my bed. I wouldn't have knew about

2:25:40.879 --> 2:25:43.320
<v Speaker 1>the technicality. That helped me come home. You know what

2:25:43.320 --> 2:25:44.879
<v Speaker 1>I'm saying. Like, Yo, when I was locked up, law

2:25:44.959 --> 2:25:50.000
<v Speaker 1>library saved me. So that besides alphabetical, that's another express

2:25:50.040 --> 2:25:53.640
<v Speaker 1>That ship, right, y'a took me going in that should

2:25:53.640 --> 2:25:57.680
<v Speaker 1>be another one of those visuals and everything visual. It's

2:25:57.760 --> 2:25:59.680
<v Speaker 1>content thing, it is visual. Now you did a lot.

2:25:59.760 --> 2:26:02.440
<v Speaker 1>You know my ship was charaised though oh yeah, my

2:26:02.560 --> 2:26:05.840
<v Speaker 1>ship was raised. Who am I like? That ship was

2:26:06.680 --> 2:26:09.039
<v Speaker 1>that concept? That's when I was like, that was slaves.

2:26:09.080 --> 2:26:11.040
<v Speaker 1>They gave me that beat man and never forget it.

2:26:11.240 --> 2:26:15.720
<v Speaker 1>He's like something that live from the hood. That was

2:26:15.800 --> 2:26:19.120
<v Speaker 1>my ship, bro, and it forced men. I need to

2:26:19.240 --> 2:26:21.720
<v Speaker 1>put that out to me. Man, you ever got criticism

2:26:21.760 --> 2:26:27.000
<v Speaker 1>for alphabetic No, I got a lot of copy cats,

2:26:27.080 --> 2:26:30.360
<v Speaker 1>though I ain't getting called me a copy cat when

2:26:30.400 --> 2:26:33.080
<v Speaker 1>I did letter P so I didn't let her with

2:26:33.240 --> 2:26:37.120
<v Speaker 1>coolgie rat. I'm like Nigga. I did one letter this

2:26:37.280 --> 2:26:47.760
<v Speaker 1>nigga person that I remember that Nigga did the whole Outmit.

2:26:47.879 --> 2:26:51.199
<v Speaker 1>This ship ain't nothing, nah, I hear him on that poof.

2:26:52.680 --> 2:26:54.040
<v Speaker 1>I told you, bro, if I'm on the stay and

2:26:54.080 --> 2:26:57.680
<v Speaker 1>I'm getting a steal, I go sorter bag when I

2:26:57.760 --> 2:26:59.480
<v Speaker 1>used to battle on the street a nigga. If a

2:26:59.520 --> 2:27:05.320
<v Speaker 1>nigga went about alphabetical slow time, that sh saved my

2:27:05.400 --> 2:27:08.680
<v Speaker 1>life world. And the way I came up with that

2:27:08.879 --> 2:27:10.920
<v Speaker 1>was I remember when I was a kid and I

2:27:11.000 --> 2:27:13.360
<v Speaker 1>read that they said Malcolm Mix read the whole dictionary

2:27:13.360 --> 2:27:15.320
<v Speaker 1>when he was in jail. I was like, damn, you

2:27:15.400 --> 2:27:19.840
<v Speaker 1>read the whole dictionary. I never forgets autobiography, I'll tell you. Yeah,

2:27:19.879 --> 2:27:21.800
<v Speaker 1>he said that. Yeah, so I wouldn't have got it

2:27:21.879 --> 2:27:24.520
<v Speaker 1>was the Webster's Third World College Edition. I never forget it.

2:27:24.800 --> 2:27:27.120
<v Speaker 1>And I read that I started doing it. When I

2:27:27.160 --> 2:27:28.840
<v Speaker 1>started doing it. While I'm doing it, I'm like, yo,

2:27:29.640 --> 2:27:31.280
<v Speaker 1>I could make a rap about this ship, and I

2:27:31.280 --> 2:27:37.000
<v Speaker 1>started doing the noise for that ain't gonna. I thought

2:27:37.080 --> 2:27:39.640
<v Speaker 1>Malcolm was out of his making mind. I never messed upody.

2:27:39.680 --> 2:27:42.000
<v Speaker 1>You really read the whole diction? Yeah? When I I

2:27:42.040 --> 2:27:44.080
<v Speaker 1>got it for Malcolm Mixed though, yeah. Yeah. When I

2:27:44.120 --> 2:27:46.000
<v Speaker 1>seen that, I was like, I'm copying that ship. Okay,

2:27:46.400 --> 2:27:48.800
<v Speaker 1>do you write rhymes down? Or I used to when

2:27:48.840 --> 2:27:50.560
<v Speaker 1>I was young, but as I got older, if I

2:27:50.800 --> 2:27:53.000
<v Speaker 1>if I write around them, I might wrap about the paper.

2:27:53.800 --> 2:27:57.080
<v Speaker 1>So like, through the course of my real talk, real ship.

2:27:57.160 --> 2:27:59.440
<v Speaker 1>I might trap about the so like this right here

2:27:59.520 --> 2:28:01.400
<v Speaker 1>is inspired and I'll make a verse out of this

2:28:01.560 --> 2:28:03.520
<v Speaker 1>right here, just sitting here with you'll, like, throughout the

2:28:03.560 --> 2:28:06.000
<v Speaker 1>course of my day, my experiences, I'm always thinking of

2:28:06.240 --> 2:28:11.600
<v Speaker 1>lines and ship. Wow you right, well, yeah, you're right right, Yeah,

2:28:11.879 --> 2:28:16.000
<v Speaker 1>me too, because I have to memorize. It's like smoke marijuana.

2:28:16.320 --> 2:28:18.640
<v Speaker 1>You know what happened. You know what happened When Biggie

2:28:18.640 --> 2:28:20.959
<v Speaker 1>said he didn't write, everybody started saying it right right.

2:28:21.080 --> 2:28:25.360
<v Speaker 1>But some of these books to write, I'm gonna tell

2:28:25.360 --> 2:28:28.640
<v Speaker 1>you what I'm gonna tell you. I'm gonna tell you

2:28:28.640 --> 2:28:30.640
<v Speaker 1>about gimmick because most of them be in the studio

2:28:30.680 --> 2:28:33.080
<v Speaker 1>when they make, when they creating. So whether I write

2:28:33.120 --> 2:28:35.080
<v Speaker 1>it down or say it in the mic, it's the

2:28:35.160 --> 2:28:38.120
<v Speaker 1>same ship and recording it. So whether I write it down,

2:28:38.800 --> 2:28:42.040
<v Speaker 1>I'm recording it. But whether I think and I just

2:28:42.080 --> 2:28:43.720
<v Speaker 1>say instead of writing it, I'm just gonna say it

2:28:43.720 --> 2:28:45.320
<v Speaker 1>and then I'm gonna go wait and then come up

2:28:45.320 --> 2:28:48.199
<v Speaker 1>with the next line. Niggas build a rhyme up. Niggas

2:28:48.240 --> 2:28:52.879
<v Speaker 1>don't for me, but yeah, right, Niggas act like niggas

2:28:52.920 --> 2:28:55.200
<v Speaker 1>going and and be like and then go freestyle the

2:28:55.280 --> 2:28:58.840
<v Speaker 1>whole ship. Nah. Only certain niggas caund do that. But

2:28:59.200 --> 2:29:01.119
<v Speaker 1>for me, that there not right. And Shane Wayne could

2:29:01.160 --> 2:29:05.560
<v Speaker 1>do that. Yeah, Wayne Wayne cooked as dope as shout

2:29:05.600 --> 2:29:07.480
<v Speaker 1>the Wayne he jumped on. I did ready. I did

2:29:07.600 --> 2:29:10.880
<v Speaker 1>ready with Wayne, and I thought I was nice cooked Me.

2:29:13.600 --> 2:29:19.560
<v Speaker 1>Wayne is insane dope lyricists. That's one of the lyricists.

2:29:19.560 --> 2:29:21.400
<v Speaker 1>Bro Like for real, I didn't know he do that

2:29:21.480 --> 2:29:23.800
<v Speaker 1>in the studio. He sent me the verse that he

2:29:23.840 --> 2:29:26.720
<v Speaker 1>did for me. Yeah, he centers to you fast but

2:29:27.040 --> 2:29:29.280
<v Speaker 1>not writing ship. What happened with me was when I,

2:29:29.440 --> 2:29:31.560
<v Speaker 1>like I said, I might wrap about the paper, So

2:29:31.640 --> 2:29:33.800
<v Speaker 1>I got to find another way to write, like and

2:29:33.879 --> 2:29:36.320
<v Speaker 1>I get inspired to experience it. So I got to

2:29:36.400 --> 2:29:39.360
<v Speaker 1>a space where I couldn't write. So by default I

2:29:39.440 --> 2:29:42.160
<v Speaker 1>didn't write for years. But like I said, Biggie made

2:29:42.160 --> 2:29:45.120
<v Speaker 1>it cool. Every rapper claimed they don't write. I don't know.

2:29:45.520 --> 2:29:46.920
<v Speaker 1>Let me ask you a question. I'm familiar with the

2:29:47.000 --> 2:29:50.720
<v Speaker 1>art named d one. Yeah, we just had. He was

2:29:52.400 --> 2:29:57.160
<v Speaker 1>after and he showed up because he reminds me of

2:29:57.640 --> 2:29:59.640
<v Speaker 1>him before me. Huh, I met him. I got a

2:29:59.680 --> 2:30:02.240
<v Speaker 1>new song coming out, my new songs when okay, and

2:30:02.280 --> 2:30:05.320
<v Speaker 1>I ain't like he's like positivity. I got a lot

2:30:05.360 --> 2:30:09.840
<v Speaker 1>of respect, but his skill level still like when you

2:30:09.959 --> 2:30:12.560
<v Speaker 1>put yourself in a bubble where you can't talk about niggas.

2:30:13.120 --> 2:30:15.840
<v Speaker 1>He don't curse, you don't nigga, you don't say is old.

2:30:16.240 --> 2:30:18.600
<v Speaker 1>So he puts itself in a little bubble like you

2:30:18.640 --> 2:30:20.480
<v Speaker 1>ain't got a lot of room. I don't think that's

2:30:20.480 --> 2:30:21.880
<v Speaker 1>the problem. You know what I think is a problem.

2:30:22.080 --> 2:30:23.680
<v Speaker 1>I don't think he's got a problem. I think that

2:30:24.400 --> 2:30:26.520
<v Speaker 1>the little problem is is when he gets through to

2:30:26.600 --> 2:30:28.360
<v Speaker 1>a brother. Let's suppose he got through to g Z

2:30:28.600 --> 2:30:30.960
<v Speaker 1>or whatever, right and he says, yo, man, geez, like

2:30:31.040 --> 2:30:36.640
<v Speaker 1>how you taking your approach and you you're doing a

2:30:36.720 --> 2:30:39.880
<v Speaker 1>new leaf and then you know it whatever. But then

2:30:39.959 --> 2:30:41.920
<v Speaker 1>he'll go, but I want you to go undo what

2:30:42.080 --> 2:30:44.400
<v Speaker 1>you did. And that's just you just can't take it back.

2:30:44.800 --> 2:30:47.880
<v Speaker 1>I don't just can't punch. I never heard him like yeah,

2:30:48.200 --> 2:30:50.640
<v Speaker 1>he'll say like, yeah he said that, I forget who

2:30:50.720 --> 2:30:54.280
<v Speaker 1>it was. What like all the damage you called? Yeah, yeah,

2:30:54.640 --> 2:30:57.039
<v Speaker 1>he wants people to renounce it in the damn. Don't

2:30:58.200 --> 2:31:01.240
<v Speaker 1>telling niggas sell coke, Telling niggas destroy the community. Tell

2:31:01.360 --> 2:31:06.000
<v Speaker 1>niggas yo, push keys, but you can't undo that. You

2:31:06.080 --> 2:31:10.879
<v Speaker 1>can't you could grow. I never heard him say that though. Yeah,

2:31:11.040 --> 2:31:13.240
<v Speaker 1>I forget who it was, and I wanted to call

2:31:13.320 --> 2:31:15.840
<v Speaker 1>him personally and be like because I believe he like

2:31:16.280 --> 2:31:17.720
<v Speaker 1>was trying to get through to a artist. I forget

2:31:17.720 --> 2:31:19.960
<v Speaker 1>who it was, and he got through to him. He

2:31:20.080 --> 2:31:21.480
<v Speaker 1>was like, Yo, So all I want you to do

2:31:21.680 --> 2:31:24.240
<v Speaker 1>is like you know, telling people that you sorry. Yeah,

2:31:26.000 --> 2:31:28.480
<v Speaker 1>I don't may have called I don't. I don't think

2:31:28.520 --> 2:31:31.960
<v Speaker 1>if I remember the game Maddics Madix when you like

2:31:32.040 --> 2:31:35.880
<v Speaker 1>you got something in your hand, I don't think you

2:31:36.000 --> 2:31:38.360
<v Speaker 1>ever forgive me for that, Like you know what I mean?

2:31:38.520 --> 2:31:40.000
<v Speaker 1>Like I could do that to you in third grade.

2:31:40.240 --> 2:31:42.320
<v Speaker 1>You could be fucking sixty three years old. It's like

2:31:44.360 --> 2:31:48.200
<v Speaker 1>I need to give him back. Imagine nigga giving you

2:31:48.240 --> 2:31:55.760
<v Speaker 1>a wedgiety is unforgivable. If you picked me up on

2:31:55.920 --> 2:32:06.640
<v Speaker 1>my throw, what you got to the unforgivable we got

2:32:06.760 --> 2:32:11.800
<v Speaker 1>be for I don't think. I don't think that. I

2:32:11.800 --> 2:32:15.080
<v Speaker 1>don't blame hip hop stuff like that, right, Like you

2:32:15.120 --> 2:32:17.520
<v Speaker 1>know what I mean? It's bro, you got Smith and Wesson,

2:32:19.879 --> 2:32:23.160
<v Speaker 1>you got all these different guns, skip past them and

2:32:23.240 --> 2:32:27.440
<v Speaker 1>blame hip hop Jones talked the other day Earn your

2:32:27.520 --> 2:32:29.920
<v Speaker 1>Legia was saying that we all kind of need to

2:32:29.959 --> 2:32:34.320
<v Speaker 1>take responsibility because hip hop has gave a lot of positivity,

2:32:34.400 --> 2:32:36.040
<v Speaker 1>but it gave a lot of negativity. What do you

2:32:36.120 --> 2:32:40.040
<v Speaker 1>say to that? I disagree? Okay, I disagree. Do you

2:32:40.120 --> 2:32:41.920
<v Speaker 1>know how many, bro we wouldn't be sitting here without

2:32:41.959 --> 2:32:44.359
<v Speaker 1>hip hop exactly? Do you know what I mean? Jobs

2:32:44.440 --> 2:32:47.320
<v Speaker 1>hip hop created? How many lives hip hop has saved?

2:32:48.160 --> 2:32:50.480
<v Speaker 1>Like I don't understand probably shooting at each other in

2:32:50.560 --> 2:32:54.040
<v Speaker 1>the probably like my only way out when I was

2:32:54.080 --> 2:32:55.760
<v Speaker 1>going through that type of ship in my life, the

2:32:55.840 --> 2:32:57.360
<v Speaker 1>only thing I had to look forward to with you

2:32:57.440 --> 2:32:59.480
<v Speaker 1>one day, I'm I'm gonna be successful in hip hop,

2:33:00.040 --> 2:33:01.840
<v Speaker 1>Like that's something to look forward to when it's creating

2:33:01.959 --> 2:33:04.280
<v Speaker 1>jobs and it's doing a lot of things. We live

2:33:04.320 --> 2:33:08.640
<v Speaker 1>in America, man, America is built on balance and set

2:33:08.800 --> 2:33:11.760
<v Speaker 1>and raping pillage. So you can't just blame hip hop.

2:33:12.320 --> 2:33:15.200
<v Speaker 1>You skip past all of these more smith and Western hecking,

2:33:15.280 --> 2:33:17.920
<v Speaker 1>the cotch, all of these different mother fuckers who distributed

2:33:18.440 --> 2:33:21.720
<v Speaker 1>distributed fire rooms, and you blame hip hop for the

2:33:21.800 --> 2:33:25.240
<v Speaker 1>balance in America. No, no, no, it don't make sense.

2:33:25.640 --> 2:33:27.480
<v Speaker 1>I don't think. I don't think. I don't blame hip

2:33:27.520 --> 2:33:31.200
<v Speaker 1>hop no no, no, I met before. I think I

2:33:31.280 --> 2:33:35.040
<v Speaker 1>think creed their own taking ownership. That d one you

2:33:35.120 --> 2:33:45.080
<v Speaker 1>gotta talk about shameless plug Well wishes you like I

2:33:45.200 --> 2:33:49.280
<v Speaker 1>want dope though he's dope, definitely Like one thing that

2:33:49.400 --> 2:33:51.280
<v Speaker 1>one thing a nigga won't do is try to test

2:33:51.320 --> 2:33:53.080
<v Speaker 1>this pandemic. That's one thing I'm gonna point out to you.

2:33:53.440 --> 2:33:58.840
<v Speaker 1>A nigga won't try. I don't say more than you counted.

2:34:00.080 --> 2:34:04.960
<v Speaker 1>I'm very long, very boor yes you do. I was

2:34:05.040 --> 2:34:09.200
<v Speaker 1>watching you. I was like, I'm counting. I'm like this

2:34:09.320 --> 2:34:18.800
<v Speaker 1>nigga not because I'm trying to be better with my

2:34:18.840 --> 2:34:21.520
<v Speaker 1>own self. So like that, how do we what's the

2:34:21.560 --> 2:34:23.480
<v Speaker 1>word to replace it? Ain't I tried to replace it

2:34:23.560 --> 2:34:30.440
<v Speaker 1>with slime. That ain't it. That's my thigh. You know

2:34:30.480 --> 2:34:32.640
<v Speaker 1>what I'm saying, because I was trying to, like, you know,

2:34:33.480 --> 2:34:37.960
<v Speaker 1>one everybody ain't yet in word and to everybody ancient

2:34:38.040 --> 2:34:40.520
<v Speaker 1>slime like the way they use slime right now, from

2:34:40.600 --> 2:34:43.160
<v Speaker 1>Young Doug to the gang members. It's like, I'm kind

2:34:43.160 --> 2:34:44.800
<v Speaker 1>of mad. Did I get y'all that? You know what

2:34:44.800 --> 2:34:47.080
<v Speaker 1>I'm saying? Like that was on the first person. That

2:34:47.240 --> 2:34:51.440
<v Speaker 1>was me trying to actually replace the in world, trying

2:34:51.480 --> 2:34:55.160
<v Speaker 1>to say something else. But then I realized slime itself

2:34:55.360 --> 2:34:58.320
<v Speaker 1>is also a negative kind of you know what I mean,

2:34:58.360 --> 2:35:02.680
<v Speaker 1>because it's like, yo, nobody flim right like, So yeah,

2:35:02.760 --> 2:35:04.400
<v Speaker 1>that was I think what I think what happened was

2:35:04.640 --> 2:35:08.480
<v Speaker 1>and everybody ain't your brother neither. I hate that's the fact.

2:35:08.560 --> 2:35:12.120
<v Speaker 1>Let me just say this. A lot of people in

2:35:12.240 --> 2:35:14.280
<v Speaker 1>this industry that I that I love and that I

2:35:14.440 --> 2:35:17.840
<v Speaker 1>call brother, right, but then I see who they call brother,

2:35:18.120 --> 2:35:20.440
<v Speaker 1>and it's like, it kind of doubts me of my

2:35:20.560 --> 2:35:23.480
<v Speaker 1>brotherhood with you because that dude that you just said

2:35:23.680 --> 2:35:26.680
<v Speaker 1>my brother ain't your brother. You ever had a white

2:35:26.760 --> 2:35:31.480
<v Speaker 1>dude call you brother? And it felt racist? Like logan

2:35:31.760 --> 2:35:40.000
<v Speaker 1>like yeah, bro, you like come on, bro, like like

2:35:41.360 --> 2:35:46.960
<v Speaker 1>to say, what are you saying? You're being funny? You know,

2:35:47.560 --> 2:35:50.600
<v Speaker 1>let me say this. We got to go to Let

2:35:50.640 --> 2:35:52.840
<v Speaker 1>me say this real quick. First of all, I want

2:35:52.879 --> 2:35:55.200
<v Speaker 1>to salute you on the end world, Okay. I love that.

2:35:55.879 --> 2:35:57.440
<v Speaker 1>I respect the growth of it because you saw me

2:35:57.640 --> 2:35:59.200
<v Speaker 1>on the phone to it and I respect it. But

2:35:59.320 --> 2:36:02.240
<v Speaker 1>I think what happened was, you know, one of the

2:36:02.360 --> 2:36:04.720
<v Speaker 1>last things our people heard when they was throwing in

2:36:04.760 --> 2:36:07.560
<v Speaker 1>the self getting that cell. Nigga right or die nigga

2:36:07.680 --> 2:36:10.320
<v Speaker 1>and slavery. That word was used against us so bad.

2:36:10.400 --> 2:36:13.640
<v Speaker 1>I think in modern times our people kind of flipped

2:36:13.640 --> 2:36:16.120
<v Speaker 1>it like and use it more as a term of

2:36:16.280 --> 2:36:19.400
<v Speaker 1>endem it. You that nigga or my nigga. You know

2:36:19.400 --> 2:36:21.440
<v Speaker 1>what I'm saying expression to show up. Maybe we had

2:36:21.440 --> 2:36:24.720
<v Speaker 1>the wrong direction, So I salute you on what you can.

2:36:24.760 --> 2:36:31.080
<v Speaker 1>I say one thing forcuse you're about to cut my ship, yo.

2:36:31.520 --> 2:36:33.400
<v Speaker 1>One thing we do that with not just that word.

2:36:33.480 --> 2:36:35.120
<v Speaker 1>Look at what we did with dope. That ship is

2:36:35.160 --> 2:36:40.119
<v Speaker 1>dope like them sniggers is crack, But dope is not offensive.

2:36:40.520 --> 2:36:43.480
<v Speaker 1>You said dope was something that destroyed our community. There's

2:36:43.520 --> 2:36:46.160
<v Speaker 1>there's people who can who can get into this room

2:36:46.240 --> 2:36:49.360
<v Speaker 1>and you say dope like like my a fiend, go

2:36:49.720 --> 2:36:55.480
<v Speaker 1>go and recovery. Want somebody, want somebody you know what,

2:36:56.080 --> 2:36:57.920
<v Speaker 1>somebody grew up in a cane or they might say,

2:36:57.959 --> 2:37:01.160
<v Speaker 1>oh they might dig you fresh. But nigga is offensive.

2:37:01.360 --> 2:37:04.160
<v Speaker 1>Like it's like like we go on only the only

2:37:04.200 --> 2:37:06.440
<v Speaker 1>the other. Because I wasn't to say something to me

2:37:07.120 --> 2:37:10.880
<v Speaker 1>to me, I went out to clip one day and

2:37:11.720 --> 2:37:17.039
<v Speaker 1>I was with a person that it's half and half,

2:37:17.680 --> 2:37:20.240
<v Speaker 1>but the way they were saying it in this restaurant,

2:37:20.800 --> 2:37:22.720
<v Speaker 1>it was like I was offended even though I know

2:37:22.840 --> 2:37:25.039
<v Speaker 1>that they have too, and I was just like, yo, bro,

2:37:25.160 --> 2:37:27.640
<v Speaker 1>can we keep this down like like like like when

2:37:27.680 --> 2:37:33.440
<v Speaker 1>you like my nigga, I was and my nigga and

2:37:33.680 --> 2:37:37.160
<v Speaker 1>like every other race ever study Have you ever study

2:37:37.200 --> 2:37:38.200
<v Speaker 1>the word niggas n.

2:37:38.200 --> 2:37:38.640
<v Speaker 5>E g u.

2:37:38.720 --> 2:37:41.080
<v Speaker 1>I don't want to make out of it because I

2:37:41.120 --> 2:37:44.440
<v Speaker 1>was at and yeah, I don't want to. Somebody was

2:37:44.520 --> 2:37:46.080
<v Speaker 1>using it and I was like you, I'm like because

2:37:46.080 --> 2:37:48.440
<v Speaker 1>I'm thinking they using it because I don't mean it.

2:37:48.600 --> 2:37:50.080
<v Speaker 1>I know what it means in America. I know what

2:37:50.160 --> 2:37:52.560
<v Speaker 1>it means to our grandmothers. I know what it means

2:37:52.600 --> 2:37:54.320
<v Speaker 1>to our grand but I don't think that means that

2:37:54.440 --> 2:37:56.080
<v Speaker 1>to us. I think it just means I see a

2:37:56.160 --> 2:37:58.520
<v Speaker 1>cat like that nigga try to scratch me. I'm not

2:37:58.680 --> 2:38:01.920
<v Speaker 1>thinking about it. Just means, man, just just I love

2:38:02.000 --> 2:38:04.760
<v Speaker 1>this thing. And then I like, I like the growth

2:38:05.160 --> 2:38:07.560
<v Speaker 1>respect because I do. I do respect you. I mean,

2:38:07.600 --> 2:38:10.199
<v Speaker 1>we are cocky those people. We're gonna beat those people.

2:38:10.280 --> 2:38:11.880
<v Speaker 1>Right Like the other day on the internet, it was

2:38:11.920 --> 2:38:16.000
<v Speaker 1>this white Cuban guy talking about he's white of the kid.

2:38:16.160 --> 2:38:18.200
<v Speaker 1>The kid white and he walked out and he was

2:38:18.200 --> 2:38:20.080
<v Speaker 1>like yo. He was like yo, my nigga, my nigga.

2:38:20.160 --> 2:38:22.000
<v Speaker 1>And the black dude just checked him, was like are

2:38:22.040 --> 2:38:24.080
<v Speaker 1>you black like like and he was like no, but

2:38:24.120 --> 2:38:29.640
<v Speaker 1>I'm Cuban and it was like yeah, but your persona

2:38:29.720 --> 2:38:32.640
<v Speaker 1>doesn't indicate your Cuban. I see no Cuban bees. I

2:38:32.879 --> 2:38:34.400
<v Speaker 1>thought you was just white and I just hug hooked

2:38:34.400 --> 2:38:37.480
<v Speaker 1>off on you. It wouldn't have been wrong, right, So

2:38:37.640 --> 2:38:39.920
<v Speaker 1>I'm sorry to get deep on this, but I just

2:38:40.000 --> 2:38:41.800
<v Speaker 1>wanted to say that we was tormented by that world

2:38:41.879 --> 2:38:43.720
<v Speaker 1>so much. I feel like we flipped it. Yeah, no,

2:38:44.280 --> 2:38:46.320
<v Speaker 1>it don't bother us. Yeah, term of endement, you know

2:38:46.360 --> 2:38:49.320
<v Speaker 1>what I'm saying. You'll get words power. You get words

2:38:49.360 --> 2:38:53.840
<v Speaker 1>their power. We give words the power. Like like when

2:38:53.879 --> 2:38:57.600
<v Speaker 1>I was in prison, all the god bodies turned into bloods,

2:38:57.720 --> 2:39:01.600
<v Speaker 1>right I was around in that timebody was godbody around

2:39:01.680 --> 2:39:05.960
<v Speaker 1>around ninety four ninety Bluddy Larry, they went, we went

2:39:06.040 --> 2:39:10.440
<v Speaker 1>from god. They wanted to Larry. If you're calling your something,

2:39:10.520 --> 2:39:12.960
<v Speaker 1>I'm the guard. I'm a dog. Like you just want

2:39:13.040 --> 2:39:16.080
<v Speaker 1>to call yourselfing from a God to a dog, something

2:39:16.120 --> 2:39:20.600
<v Speaker 1>that walks on that balls but anything else parton me. No, No,

2:39:20.760 --> 2:39:22.960
<v Speaker 1>I just want to say, man, thanks to y'all. You

2:39:22.959 --> 2:39:26.400
<v Speaker 1>know what I mean. Let me. I want to write

2:39:26.440 --> 2:39:29.280
<v Speaker 1>that balls on wheels The Journey to Save Hip Hop

2:39:29.360 --> 2:39:32.080
<v Speaker 1>the short filmed the album out there on all digital platforms,

2:39:32.160 --> 2:39:33.520
<v Speaker 1>and I just want to salute you real quick, and

2:39:33.600 --> 2:39:35.320
<v Speaker 1>to be too right on to me real quick. I

2:39:35.360 --> 2:39:36.760
<v Speaker 1>want to salute you because I seen when you first

2:39:36.760 --> 2:39:40.920
<v Speaker 1>started this and now everybody doing it. Everybody why? And

2:39:41.040 --> 2:39:43.280
<v Speaker 1>also you know what you was up to it first?

2:39:43.400 --> 2:39:45.880
<v Speaker 1>What is he doing? Now? You're one of the biggest platforms.

2:39:49.120 --> 2:39:56.440
<v Speaker 1>You know what shut the tiger bone? You know, Tobe Kobe.

2:39:58.920 --> 2:40:02.320
<v Speaker 2>Drink Chance is a Drink Champs LLC production hosts and

2:40:02.440 --> 2:40:05.840
<v Speaker 2>executive producers n O r E and dj e FN.

2:40:07.040 --> 2:40:11.160
<v Speaker 2>Listen to Drink Champs on Apple podcast, Amazon Music, Spotify,

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2:40:15.120 --> 2:40:17.720
<v Speaker 2>for another episode of Drink Champs hosted by yours truly,

2:40:17.879 --> 2:40:20.600
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