1
00:00:11,800 --> 00:00:16,160
Speaker 1: He is drinks chess, motherfucking podcast man. He's a legendary

2
00:00:16,239 --> 00:00:18,400
Speaker 1: Queens rapper. He ain't agree as your boy in O

3
00:00:18,600 --> 00:00:21,479
Speaker 1: r E. He's a Miami hip hop pioneer. Put up

4
00:00:21,520 --> 00:00:24,200
Speaker 1: his DJ e f N. Together they drink it up

5
00:00:24,200 --> 00:00:26,560
Speaker 1: with some of the biggest players you me and the

6
00:00:26,640 --> 00:00:31,120
Speaker 1: most professional unprofessional podcast and your number one source for

7
00:00:31,240 --> 00:00:34,880
Speaker 1: drunk drinks chans mother Postcavery Days New Year. See listen,

8
00:00:34,960 --> 00:00:44,040
Speaker 1: It's time for drink champions. Drink up, motherfuck? Would it

9
00:00:44,040 --> 00:00:45,879
Speaker 1: good be? It should be? This is your boy n

10
00:00:45,880 --> 00:00:47,600
Speaker 1: A O N A A. What up is d J

11
00:00:47,760 --> 00:00:54,720
Speaker 1: E f N? This MILITEPA crazy World radio mix? Sure? Now,

12
00:00:54,760 --> 00:00:57,760
Speaker 1: I just listened to this brother album this morning. I

13
00:00:57,840 --> 00:01:04,320
Speaker 1: can't believe how great, how refreshing, how we're fine, how

14
00:01:04,400 --> 00:01:10,280
Speaker 1: much powerful it sounds. Sounds like like like him himself

15
00:01:10,319 --> 00:01:13,120
Speaker 1: belongs in the era of the nineties, but the music

16
00:01:13,160 --> 00:01:17,119
Speaker 1: that he made right now is right now. Like I'm

17
00:01:17,160 --> 00:01:20,160
Speaker 1: listening to this album, I'm like, Wow, this is an

18
00:01:20,160 --> 00:01:23,039
Speaker 1: album was an ep EP because it's seven songs. I

19
00:01:23,040 --> 00:01:24,319
Speaker 1: wanted to say thank you, but I wanted to let

20
00:01:24,400 --> 00:01:29,840
Speaker 1: you get it on ok so Yo. I'm listening and

21
00:01:29,840 --> 00:01:32,560
Speaker 1: I'm like, Yo, this is real hip hop. This is

22
00:01:32,600 --> 00:01:35,399
Speaker 1: really what we need. You know what I mean this?

23
00:01:35,400 --> 00:01:40,400
Speaker 1: This brother is a lyrical genius. He's a bar for ball.

24
00:01:41,040 --> 00:01:43,960
Speaker 1: No one can fuck with him. He's a he's a legend,

25
00:01:44,720 --> 00:01:46,839
Speaker 1: and he came in through this game to a legend,

26
00:01:47,000 --> 00:01:48,880
Speaker 1: and we're gonna salute him. We won't give him his

27
00:01:48,920 --> 00:01:51,680
Speaker 1: flowers today because this year is something that we got

28
00:01:51,680 --> 00:01:53,080
Speaker 1: to talk about. Thank you. In case you don't know

29
00:01:53,080 --> 00:01:54,880
Speaker 1: who we're talking about, come up to one. The only

30
00:01:54,960 --> 00:02:01,400
Speaker 1: motherfucker I appreciate at that bro. The album is like

31
00:02:01,480 --> 00:02:03,480
Speaker 1: that ship is that shit is something like I was like,

32
00:02:04,400 --> 00:02:06,280
Speaker 1: we were just sitting there like this, like I ain't

33
00:02:06,320 --> 00:02:08,079
Speaker 1: been like we ain't been quiet like this, and the

34
00:02:08,639 --> 00:02:13,280
Speaker 1: album come on, like right, So how did you make that?

35
00:02:13,360 --> 00:02:15,320
Speaker 1: I took my time, man, you know what I'm saying,

36
00:02:15,639 --> 00:02:17,160
Speaker 1: a lot of time, you know, I'm more trying to

37
00:02:17,160 --> 00:02:19,400
Speaker 1: be consistent, but with this one, me and my brother

38
00:02:19,440 --> 00:02:21,800
Speaker 1: Sean too, Man, I really took my time. I probably

39
00:02:21,840 --> 00:02:23,440
Speaker 1: was working on it, no bullshit for like a year

40
00:02:23,440 --> 00:02:25,400
Speaker 1: and a half, and not because it took that long,

41
00:02:25,480 --> 00:02:27,000
Speaker 1: but I wanted to take baby steps, you know what

42
00:02:27,000 --> 00:02:30,160
Speaker 1: I'm saying, And what I like about it is. Honestly,

43
00:02:30,240 --> 00:02:33,440
Speaker 1: I say that this project is the best one of

44
00:02:33,440 --> 00:02:36,440
Speaker 1: my projects ever was ever received by the people. Right.

45
00:02:36,960 --> 00:02:39,480
Speaker 1: Sometimes when you created, you see a certain way and

46
00:02:39,520 --> 00:02:41,680
Speaker 1: then when you put it out, they'd be like, huh right,

47
00:02:41,840 --> 00:02:43,960
Speaker 1: the envision did they didn't get together it for us.

48
00:02:43,960 --> 00:02:46,520
Speaker 1: But this ship, like it really resonated with the people. Man,

49
00:02:46,520 --> 00:02:47,519
Speaker 1: you know what I mean? So here you say that

50
00:02:47,600 --> 00:02:51,799
Speaker 1: men not okay. So, so now let me ask you

51
00:02:51,840 --> 00:02:54,480
Speaker 1: that question again. Is this considered that EP or this

52
00:02:54,880 --> 00:02:58,880
Speaker 1: It's definitely seven songs because it's sure, it's five, it's

53
00:02:58,919 --> 00:03:01,079
Speaker 1: five and a bonus, you know. Okay, So I would

54
00:03:01,080 --> 00:03:04,120
Speaker 1: say it's an EP slash short film though, Okay, So

55
00:03:04,160 --> 00:03:05,880
Speaker 1: I wanted to do something that was never done before.

56
00:03:05,880 --> 00:03:06,920
Speaker 1: You know what I mean when I when I did

57
00:03:06,919 --> 00:03:08,640
Speaker 1: it like that? Okay, damn, I'm doing a short film too,

58
00:03:08,680 --> 00:03:13,000
Speaker 1: So I want you to. But you know what, Let's

59
00:03:13,080 --> 00:03:15,240
Speaker 1: let's let's get it out the way right now. Right

60
00:03:15,320 --> 00:03:18,800
Speaker 1: let's go. Let's let's break down each song. I'm I'm

61
00:03:18,800 --> 00:03:21,440
Speaker 1: gonna ask you and let's break it. Let's break it down. Okay.

62
00:03:21,480 --> 00:03:23,240
Speaker 1: First of what's the name of the album. The name

63
00:03:23,240 --> 00:03:25,440
Speaker 1: of the album is bars On Wheels, Bars on Wheel

64
00:03:25,440 --> 00:03:31,800
Speaker 1: A journey to save hip hop. Now listen, listen to

65
00:03:31,840 --> 00:03:35,480
Speaker 1: me before we get into this. If you're a person

66
00:03:35,680 --> 00:03:39,440
Speaker 1: that love, here's what's good about this. It's not just bars.

67
00:03:40,040 --> 00:03:42,640
Speaker 1: You pick the right fucking beasts. Like I'm listening to

68
00:03:42,640 --> 00:03:45,280
Speaker 1: this ship and no bullshit, I'm not trying to glaze you,

69
00:03:45,320 --> 00:03:47,960
Speaker 1: but no bullshit. I've listened to the beats and I

70
00:03:48,000 --> 00:03:50,080
Speaker 1: was like, yo, Pap could have probably picked beats for

71
00:03:50,200 --> 00:03:54,280
Speaker 1: me and ma beat back. Then that's how all these

72
00:03:54,280 --> 00:03:57,160
Speaker 1: beats sounding. We're going with the lyrics, but let's go

73
00:03:57,600 --> 00:04:03,240
Speaker 1: Okay for Speed, Yes, need for Speed is the opening track,

74
00:04:03,360 --> 00:04:05,200
Speaker 1: you know what I mean. So you got to remember

75
00:04:05,200 --> 00:04:08,560
Speaker 1: the audio is very consistent with the visual. So in

76
00:04:08,600 --> 00:04:10,680
Speaker 1: the opening scene, you see me driving in the Rose

77
00:04:10,760 --> 00:04:13,880
Speaker 1: Royce and you know, I mean, of course, my producers

78
00:04:13,880 --> 00:04:16,359
Speaker 1: in the back seat. So I'm bringing back that that

79
00:04:16,800 --> 00:04:18,360
Speaker 1: I want to say, I'm bringing it. I want to

80
00:04:18,360 --> 00:04:19,840
Speaker 1: say I'm bringing back because you know a lot of

81
00:04:19,880 --> 00:04:22,760
Speaker 1: people don't do it here and there, but artists and

82
00:04:22,800 --> 00:04:25,360
Speaker 1: producer like really in the studio together, really working together,

83
00:04:25,640 --> 00:04:27,880
Speaker 1: really getting that chemistry. So you see my brother Sean

84
00:04:27,880 --> 00:04:29,680
Speaker 1: two in the back seat, and I mean he doing

85
00:04:29,720 --> 00:04:33,279
Speaker 1: the beat and yes, okay in the visual individual to

86
00:04:33,360 --> 00:04:41,560
Speaker 1: Need for Speed were in the Rose Royce and were

87
00:04:41,560 --> 00:04:44,840
Speaker 1: in the double lof eventually the police pull us over.

88
00:04:44,920 --> 00:04:48,200
Speaker 1: You know what I'm saying. So it's basically self explanatory. Man.

89
00:04:48,440 --> 00:04:50,200
Speaker 1: You know, if you if you follow me on Instagram

90
00:04:50,240 --> 00:04:51,960
Speaker 1: over the years, you always see me wrapping in the car.

91
00:04:52,440 --> 00:04:54,400
Speaker 1: And then you got certain people going to comments you

92
00:04:54,400 --> 00:04:56,520
Speaker 1: know how it is. They're like, Okay, he's spend five,

93
00:04:56,560 --> 00:04:58,520
Speaker 1: but where he's going? You know what I'm saying. So

94
00:04:58,560 --> 00:05:00,360
Speaker 1: I'm want to I'm on the journey to save hip hop.

95
00:05:00,400 --> 00:05:02,400
Speaker 1: So that's what That's how this project was birth. So

96
00:05:02,480 --> 00:05:04,080
Speaker 1: Need for Speed is just to open the scene to

97
00:05:04,160 --> 00:05:06,479
Speaker 1: that of me me driving and I got the need

98
00:05:06,480 --> 00:05:08,880
Speaker 1: for Speed because you know, nowadays it's just the way

99
00:05:08,960 --> 00:05:10,960
Speaker 1: hip hop is going. You know, I don't. I don't

100
00:05:10,960 --> 00:05:14,320
Speaker 1: really like it, damn. So there is some good ship

101
00:05:14,400 --> 00:05:17,320
Speaker 1: in hip hop. Absolutely, we got who we got? Do

102
00:05:17,400 --> 00:05:19,680
Speaker 1: we name people or we can move on? We can't.

103
00:05:19,720 --> 00:05:23,359
Speaker 1: We got some good people. What a lot of people.

104
00:05:23,480 --> 00:05:24,800
Speaker 1: It's not just artists either, man.

105
00:05:24,839 --> 00:05:27,520
Speaker 2: Remember, I think when we have these conversations about hip hop,

106
00:05:27,560 --> 00:05:30,039
Speaker 2: we just talk about just the MC's or the rappers,

107
00:05:30,360 --> 00:05:32,600
Speaker 2: and there's so many different facets and elements to hip

108
00:05:32,600 --> 00:05:33,880
Speaker 2: hop that we forget everything else.

109
00:05:34,240 --> 00:05:35,479
Speaker 1: Hip hop is not just talking.

110
00:05:36,240 --> 00:05:39,440
Speaker 2: I'm saying like there's the graffiti artists, the DJs, the breakdances,

111
00:05:39,640 --> 00:05:42,120
Speaker 2: like there's a lot of people that go unmentioned when we.

112
00:05:42,080 --> 00:05:43,120
Speaker 1: Have these conversations.

113
00:05:43,800 --> 00:05:46,120
Speaker 2: Hip hop is in a good place or a bad place, right,

114
00:05:46,120 --> 00:05:47,600
Speaker 2: you know what I'm saying, right, of.

115
00:05:47,560 --> 00:05:50,080
Speaker 1: Course, Well it's five elements, you know. I mean, case Ling

116
00:05:50,200 --> 00:05:52,200
Speaker 1: told us that, right, So it's not just wrap one

117
00:05:52,240 --> 00:05:54,279
Speaker 1: hundred percent right about that. But that's why I always

118
00:05:54,320 --> 00:05:57,040
Speaker 1: also wanted to incorporate my producer, you know what I'm saying,

119
00:05:57,080 --> 00:06:00,840
Speaker 1: equally as incorporated myself being rock. Yeah he did through

120
00:06:00,880 --> 00:06:03,160
Speaker 1: the whole time, through the whole visual. You see him

121
00:06:03,200 --> 00:06:05,200
Speaker 1: there with me, you know what I mean. Okay, So

122
00:06:05,279 --> 00:06:08,479
Speaker 1: now so the Big Three, Yes, the second joint, we

123
00:06:08,520 --> 00:06:10,400
Speaker 1: get pulled over by the police. You know what I'm saying.

124
00:06:10,640 --> 00:06:13,160
Speaker 1: So the Big Three another track that self explained it

125
00:06:13,200 --> 00:06:15,240
Speaker 1: to me. You know what I mean? You got they

126
00:06:15,240 --> 00:06:16,720
Speaker 1: say that the Big Three? Who's the Big Three? And

127
00:06:16,720 --> 00:06:23,960
Speaker 1: guin these guys pause? Yeah, well okay, okay, Well yeah,

128
00:06:24,080 --> 00:06:25,280
Speaker 1: it's a line in there where I say, you know,

129
00:06:25,320 --> 00:06:31,080
Speaker 1: it's Kevin Garnet, ray Allen and who else? Poor Pierce,

130
00:06:31,279 --> 00:06:34,279
Speaker 1: And then it was I believe they even Lebron and

131
00:06:34,400 --> 00:06:37,960
Speaker 1: them right Lebron, Wade and Bosh and Bosh and so

132
00:06:38,560 --> 00:06:40,719
Speaker 1: it's a lot of it right well. And it's a

133
00:06:40,720 --> 00:06:42,479
Speaker 1: line in there where I say, I respect the Big Three,

134
00:06:42,520 --> 00:06:44,520
Speaker 1: but they're like kids to me. I've been nicer to

135
00:06:44,600 --> 00:06:47,640
Speaker 1: know these niggas since Big was three. So that's that's

136
00:06:47,640 --> 00:06:49,160
Speaker 1: the line right there. You know what I'm saying, Like

137
00:06:49,839 --> 00:06:52,320
Speaker 1: it kind of speaks for itself, the Big Three, you

138
00:06:52,320 --> 00:06:54,320
Speaker 1: know what I mean? Right right there? Boom And then

139
00:06:54,360 --> 00:06:55,800
Speaker 1: you saying that, you say in the Big Three, you

140
00:06:55,839 --> 00:07:00,360
Speaker 1: said you can't return once you cross burn the bridge? Absolutely, man,

141
00:07:00,400 --> 00:07:03,279
Speaker 1: it's no coming back that Yeah. A lot of times, man,

142
00:07:03,360 --> 00:07:06,840
Speaker 1: you know, people cross you and you know, they think

143
00:07:06,839 --> 00:07:09,880
Speaker 1: the grass is greener and they get over there and

144
00:07:09,880 --> 00:07:12,440
Speaker 1: it is greener because it's fake, you know what I'm saying. Yeah,

145
00:07:12,440 --> 00:07:16,280
Speaker 1: that's right aft. And when when they realized that, then

146
00:07:16,320 --> 00:07:17,840
Speaker 1: they try to come back, they try to bust that.

147
00:07:17,920 --> 00:07:20,280
Speaker 1: You turn and it's like, nah, okay, you know what

148
00:07:20,280 --> 00:07:22,360
Speaker 1: I mean. So that's what that's what that's about but

149
00:07:22,440 --> 00:07:24,800
Speaker 1: the entire project. If you pay attention, it's me on

150
00:07:24,840 --> 00:07:27,280
Speaker 1: the journey to save hip Hop. So when I get

151
00:07:27,320 --> 00:07:29,640
Speaker 1: pulled over, the police come to the car, Hey, you know,

152
00:07:29,680 --> 00:07:32,080
Speaker 1: why are you pulling me over for driving while black?

153
00:07:32,160 --> 00:07:33,880
Speaker 1: He goes on, I tell him about you. I got

154
00:07:33,960 --> 00:07:36,520
Speaker 1: an injured man in the back seat. That's hip Hop.

155
00:07:37,040 --> 00:07:39,160
Speaker 1: So I'm taking hip Hop to the hospital. You know

156
00:07:39,200 --> 00:07:44,160
Speaker 1: what I'm saying, Yeah, yeah, yeah, you got So this

157
00:07:44,240 --> 00:07:47,360
Speaker 1: is the concept. You know, I get pulled over. I'm

158
00:07:47,400 --> 00:07:48,840
Speaker 1: on my way to take hip Hop to the to

159
00:07:48,880 --> 00:07:52,200
Speaker 1: the hospital because it's injured. He pulled me over, he

160
00:07:52,280 --> 00:07:53,480
Speaker 1: locked me up, and now you see me in the

161
00:07:53,520 --> 00:07:56,760
Speaker 1: cop car. That's the second track. The third track, the

162
00:07:56,760 --> 00:07:59,880
Speaker 1: paramedics come transport hip Hop to the hospital. I'm driving

163
00:07:59,880 --> 00:08:02,760
Speaker 1: a paramedic truck. You know what I'm saying As I'm

164
00:08:02,840 --> 00:08:06,520
Speaker 1: driving the paramedic truck. Eventually we go to the to

165
00:08:06,600 --> 00:08:09,000
Speaker 1: the robbery scene where in the process we're trying to

166
00:08:09,000 --> 00:08:11,840
Speaker 1: get money to finance our rap careers. So we ended up,

167
00:08:12,200 --> 00:08:15,239
Speaker 1: you know, hijacking the Brinks truck. It's a short film.

168
00:08:15,360 --> 00:08:18,000
Speaker 1: Now you see me driving the Brinks truck doing that track.

169
00:08:18,520 --> 00:08:22,360
Speaker 1: The next track is the hearts hip hop passed away?

170
00:08:22,360 --> 00:08:24,320
Speaker 1: Couldn't save it? You know what I'm saying, which is

171
00:08:24,320 --> 00:08:27,640
Speaker 1: a fetanold hold one hold on, You're going through fast

172
00:08:29,440 --> 00:08:31,720
Speaker 1: because fronting off. Yes, as soon as I heard that,

173
00:08:32,559 --> 00:08:35,319
Speaker 1: I immediately got the feeling of I gave you power

174
00:08:35,480 --> 00:08:37,719
Speaker 1: like you know that. You know what I'm saying. This

175
00:08:37,800 --> 00:08:43,319
Speaker 1: is a metaphors right right Boa, How did you come

176
00:08:43,400 --> 00:08:45,400
Speaker 1: up with that? A lot of if you look at

177
00:08:45,480 --> 00:08:47,440
Speaker 1: at our culture, men, a lot of the young artists

178
00:08:47,960 --> 00:08:50,640
Speaker 1: and just a lot of the younger generation, they losing

179
00:08:50,640 --> 00:08:53,040
Speaker 1: their lives to feed, you know what I'm saying. So

180
00:08:53,360 --> 00:08:56,280
Speaker 1: I feel like all of these different things contributed to

181
00:08:56,360 --> 00:08:58,679
Speaker 1: the demise of hip hop as well, but also the

182
00:08:58,760 --> 00:09:01,160
Speaker 1: demise of our people and just us as a people.

183
00:09:01,160 --> 00:09:02,839
Speaker 1: You know what I'm saying. So if you listen to

184
00:09:02,920 --> 00:09:04,800
Speaker 1: the song, I named a couple of people, a couple

185
00:09:04,800 --> 00:09:07,480
Speaker 1: of young artists and a couple of individuals, Mat Miller,

186
00:09:08,080 --> 00:09:12,679
Speaker 1: you know who loft their lives to fetanoel Damn. I

187
00:09:12,720 --> 00:09:15,600
Speaker 1: can't remember who else I did. I did Mac Miller,

188
00:09:15,880 --> 00:09:19,200
Speaker 1: I did my God well, Coolio Coolio, I did mac Miller,

189
00:09:19,200 --> 00:09:22,280
Speaker 1: I did Coolio, I did that the actor I can't

190
00:09:22,280 --> 00:09:24,360
Speaker 1: remember his name right now. I broke down his story

191
00:09:24,440 --> 00:09:26,679
Speaker 1: as well, But you got to listen to it, man,

192
00:09:26,720 --> 00:09:29,080
Speaker 1: And I'm just breaking down how you know a lot

193
00:09:29,080 --> 00:09:31,319
Speaker 1: of people losing their lives to fetanol, how dangerous and

194
00:09:31,360 --> 00:09:33,240
Speaker 1: how serious that ship is. Man. Now you said something

195
00:09:33,280 --> 00:09:35,880
Speaker 1: in the song that you said even and we find

196
00:09:35,960 --> 00:09:38,079
Speaker 1: and all could be in there. Oh yeah, but I

197
00:09:38,120 --> 00:09:41,839
Speaker 1: thought findon was the white ship. Man. It comes to it.

198
00:09:42,000 --> 00:09:43,439
Speaker 1: They putting it, They're putting it in a lot of

199
00:09:43,480 --> 00:09:45,599
Speaker 1: different things, and we don't know it. That's why you

200
00:09:45,640 --> 00:09:48,959
Speaker 1: gotta be careful. Like the red number die. You know

201
00:09:49,040 --> 00:09:52,959
Speaker 1: that the ship food. Yeah, man, it's worse, way worse,

202
00:09:53,200 --> 00:09:55,480
Speaker 1: twenty many times worse than that. And the ship is

203
00:09:55,520 --> 00:09:57,240
Speaker 1: dangerous and a lot of people don't know they slipping

204
00:09:57,240 --> 00:09:59,120
Speaker 1: it in there. Next thing, you know, you know what

205
00:09:59,160 --> 00:10:01,440
Speaker 1: I mean, You got a bet situation, all right, and some.

206
00:10:01,480 --> 00:10:03,880
Speaker 2: People doing it on purpose too, all right, they actually

207
00:10:04,080 --> 00:10:07,040
Speaker 2: do fending off all right, exactly crazy, which is real crazy,

208
00:10:07,080 --> 00:10:08,679
Speaker 2: playing with your life. So that track is about that

209
00:10:08,800 --> 00:10:11,199
Speaker 2: man just creating a weirdness about you know, how fat

210
00:10:11,280 --> 00:10:14,280
Speaker 2: noise deshowing a lot of lives. Okay, Now the next

211
00:10:14,360 --> 00:10:17,559
Speaker 2: one I said, what I said, yeah, definitely, man, another

212
00:10:17,679 --> 00:10:22,320
Speaker 2: joint man, self explanatory, just breaking down. Man, I'm an executive,

213
00:10:22,360 --> 00:10:25,559
Speaker 2: back to back business moves consecutive positive by everything you

214
00:10:25,679 --> 00:10:28,200
Speaker 2: doing is negative. My residence is on the throne where

215
00:10:28,200 --> 00:10:30,600
Speaker 2: all the legends live. Is evident that you reside where

216
00:10:30,600 --> 00:10:33,079
Speaker 2: all the peasants live. Never give to the ungrateful what

217
00:10:33,200 --> 00:10:35,400
Speaker 2: is imperative. Don't appreciate it because they don't got no

218
00:10:35,480 --> 00:10:38,240
Speaker 2: respect to give. Some say family ain't everything, but yes

219
00:10:38,280 --> 00:10:40,080
Speaker 2: it is. The lesson is it don't make us family

220
00:10:40,160 --> 00:10:41,760
Speaker 2: just because we relatives.

221
00:10:41,760 --> 00:10:49,400
Speaker 1: On the noise. Man, Okay, chill back, no chill button. Man.

222
00:10:49,480 --> 00:10:52,480
Speaker 1: You know anybody who know me? Man, I've been doing

223
00:10:52,559 --> 00:10:54,559
Speaker 1: this for a long time. But when they put the

224
00:10:54,640 --> 00:10:57,439
Speaker 1: lights on me, and they shine that light on me,

225
00:10:58,520 --> 00:11:01,040
Speaker 1: I said black love. What I'm saying, I come from

226
00:11:01,080 --> 00:11:03,600
Speaker 1: the street. But when when when he really paid attention

227
00:11:03,679 --> 00:11:06,280
Speaker 1: to me? I represented black love, man, which is black empowerment,

228
00:11:06,320 --> 00:11:09,640
Speaker 1: which is everything about us as people. But once you

229
00:11:09,720 --> 00:11:11,679
Speaker 1: cross that line, you get a different version of me.

230
00:11:12,000 --> 00:11:14,040
Speaker 1: And I don't got no chill, but I'm gonna go in.

231
00:11:14,559 --> 00:11:16,800
Speaker 1: So so that's what that song is about. What I'm saying,

232
00:11:16,920 --> 00:11:18,839
Speaker 1: it's about getting pushed that limit. Now now I don't

233
00:11:18,840 --> 00:11:23,640
Speaker 1: got no chill button. Okay Green count Green, we getting

234
00:11:26,920 --> 00:11:29,000
Speaker 1: no No, I was spoken at the Okay count Green,

235
00:11:29,040 --> 00:11:31,360
Speaker 1: we getting money. Man, it's the better day. Man. We

236
00:11:31,440 --> 00:11:34,679
Speaker 1: eat and we're doing good out here. You know what

237
00:11:34,720 --> 00:11:37,520
Speaker 1: I'm saying. Shout the shout to Win Records, man, shout

238
00:11:37,559 --> 00:11:39,200
Speaker 1: to my Win Records family. Man, we're getting a lot

239
00:11:39,240 --> 00:11:39,560
Speaker 1: of money.

240
00:11:39,640 --> 00:11:39,760
Speaker 3: Man.

241
00:11:39,880 --> 00:11:43,319
Speaker 1: Now that's on Tom call. No okay, no, so so

242
00:11:43,640 --> 00:11:47,720
Speaker 1: explain that before we cant Green. Yeah, well there are

243
00:11:47,760 --> 00:11:51,320
Speaker 1: you still yeah? No, no, no more okay, no son

244
00:11:51,520 --> 00:11:54,839
Speaker 1: doing moved on? Okay, I Win Records, Win Records, Yes,

245
00:11:55,480 --> 00:12:00,360
Speaker 1: w w Y yes, yes, like the hotel and Vegas.

246
00:12:00,800 --> 00:12:03,760
Speaker 1: Well he might he might come at you. No he can't.

247
00:12:03,800 --> 00:12:06,120
Speaker 1: He can't. Man. We we we've been incorporated a long time.

248
00:12:09,960 --> 00:12:11,679
Speaker 1: When I see that, I can see that now my

249
00:12:11,720 --> 00:12:14,120
Speaker 1: Win Records family. Man, we're doing a lot of big things. Man.

250
00:12:14,160 --> 00:12:15,640
Speaker 1: We do a lot of concerts. A lot of the

251
00:12:15,640 --> 00:12:17,280
Speaker 1: concerts you see. You might not know what it's us.

252
00:12:17,360 --> 00:12:18,760
Speaker 1: All right, Okay, you know what I mean. We did

253
00:12:18,880 --> 00:12:21,679
Speaker 1: Legis at the West Uh. We did some concert down

254
00:12:21,720 --> 00:12:24,160
Speaker 1: in Hawaii. We had the Mally's and a bunch of

255
00:12:24,200 --> 00:12:27,040
Speaker 1: people down there too, where you are. Africa. We did

256
00:12:27,080 --> 00:12:30,400
Speaker 1: we did some tours down in Africa and we're doing

257
00:12:30,400 --> 00:12:31,920
Speaker 1: a lot of big things. We just did the big

258
00:12:32,000 --> 00:12:33,839
Speaker 1: deal with my lady, Clarisa Shills with teams. That was

259
00:12:33,880 --> 00:12:35,880
Speaker 1: the leading promotions. You know what I'm saying. She got

260
00:12:35,920 --> 00:12:37,480
Speaker 1: that eight million dollar deal. So I was able to

261
00:12:37,520 --> 00:12:40,959
Speaker 1: make that happen. Man, just let you know. I'm just

262
00:12:41,080 --> 00:12:42,800
Speaker 1: letting you know. You know what I mean. I see

263
00:12:42,840 --> 00:12:46,920
Speaker 1: our guest hosts came in the building. He gonna be

264
00:12:46,960 --> 00:12:58,719
Speaker 1: our guest hosts. Grab yeah, grab cheer Yeah yeah. How's

265
00:12:58,720 --> 00:13:05,640
Speaker 1: you got the mic? Then that's crazy over there. That's

266
00:13:05,679 --> 00:13:15,800
Speaker 1: what's up man already still can't you well over there?

267
00:13:16,040 --> 00:13:21,680
Speaker 1: Ye yeah, yeah, that's about to say that. Given extra,

268
00:13:22,240 --> 00:13:24,240
Speaker 1: let's do what you know. You're good. I'm telling man's

269
00:13:24,280 --> 00:13:27,800
Speaker 1: Brian and my huh yeah, man, my man over here

270
00:13:28,320 --> 00:13:36,880
Speaker 1: a mother Connecticut. You called me last you can make

271
00:13:36,920 --> 00:13:41,800
Speaker 1: it to drinks doing that. I'm doing the bird help me,

272
00:13:42,400 --> 00:13:44,360
Speaker 1: he said. See that's how you know my you know,

273
00:13:44,400 --> 00:13:51,000
Speaker 1: we started at one. Didn't get in there. What I

274
00:13:51,080 --> 00:13:54,559
Speaker 1: told me was said, yo, Pap Pop coming through. I said, no,

275
00:13:54,800 --> 00:13:59,520
Speaker 1: I'm I'm jumping on the bird on the So all right,

276
00:13:59,559 --> 00:14:02,480
Speaker 1: so I I just want to reiterate that. So you

277
00:14:02,640 --> 00:14:05,719
Speaker 1: dropped this project on your own label. I dropped it

278
00:14:05,760 --> 00:14:09,319
Speaker 1: on Win Records, but I'm actually an executive at Win Records. Okay, now,

279
00:14:09,600 --> 00:14:13,040
Speaker 1: is that so Win has distribution as well? Is it

280
00:14:13,120 --> 00:14:16,439
Speaker 1: a one stop shop or they have no no empire? No, no,

281
00:14:16,600 --> 00:14:20,120
Speaker 1: no empire. We actually distributed it's Win Records distributed through

282
00:14:20,200 --> 00:14:23,960
Speaker 1: United Masters. Okay, I'm over there. Yeah, that's his that's

283
00:14:24,000 --> 00:14:26,600
Speaker 1: his movement. Yeah, okay, So we actually distributed this project

284
00:14:26,640 --> 00:14:29,120
Speaker 1: over there, and we wanted to do it like that

285
00:14:29,160 --> 00:14:30,880
Speaker 1: because we wanted to take a very unique approach. Like

286
00:14:30,920 --> 00:14:33,000
Speaker 1: I said, it's a short fum. It's not just about

287
00:14:33,040 --> 00:14:35,120
Speaker 1: the EP. I mean, music is my passion, but I

288
00:14:35,240 --> 00:14:37,600
Speaker 1: just wanted to really give them a visual of myself

289
00:14:37,640 --> 00:14:41,000
Speaker 1: on the journey to save hip hop. Okay, now, it's

290
00:14:41,080 --> 00:14:43,600
Speaker 1: one of my favorite questions. You know what I'm going

291
00:14:44,040 --> 00:14:52,640
Speaker 1: you know, one of my favorite questions the major Look,

292
00:14:52,720 --> 00:14:55,200
Speaker 1: you got a chance to do both and you was

293
00:14:55,240 --> 00:14:57,640
Speaker 1: on Job Records with that big budget. That's the fact.

294
00:14:57,680 --> 00:14:59,720
Speaker 1: I remember that was the biggest movement in the hip hop,

295
00:14:59,760 --> 00:15:01,840
Speaker 1: but it in the room where it was the truth like,

296
00:15:01,920 --> 00:15:04,320
Speaker 1: you know what I'm saying. I believe Buster was a

297
00:15:04,360 --> 00:15:07,480
Speaker 1: part of that. Yeah, Yeah, Buster was locked in with Yeah,

298
00:15:07,520 --> 00:15:12,080
Speaker 1: we all came together. Chris Lighty, Chris Lighty violated. Obviously,

299
00:15:13,600 --> 00:15:15,880
Speaker 1: you got a chance to deal with the majors. You

300
00:15:16,000 --> 00:15:18,080
Speaker 1: got a chance to deal with the Independence. I'm not

301
00:15:18,120 --> 00:15:19,680
Speaker 1: gonna lead the witness. I'm gonna tell you what I

302
00:15:19,880 --> 00:15:26,840
Speaker 1: what I but what do you prefer? Independent? I know

303
00:15:27,000 --> 00:15:29,560
Speaker 1: I just wanted to change. Oh no, I still I

304
00:15:29,640 --> 00:15:31,320
Speaker 1: still stick to it, you know what I'm saying. Like

305
00:15:31,440 --> 00:15:37,080
Speaker 1: the majors, you know, I like the major different type

306
00:15:37,080 --> 00:15:41,360
Speaker 1: of major doesn't even exist exist no more. You was

307
00:15:41,400 --> 00:15:55,960
Speaker 1: happy with them from the era the major Buster romes,

308
00:15:56,240 --> 00:15:58,560
Speaker 1: he said around he wait for a distributive deal, like

309
00:15:58,720 --> 00:16:01,240
Speaker 1: even though he's super indipend it right now, like he's like,

310
00:16:01,720 --> 00:16:03,720
Speaker 1: we're scarred, man, Like you know what I mean, Like

311
00:16:04,680 --> 00:16:08,160
Speaker 1: they just don't want to set want to go back

312
00:16:08,160 --> 00:16:12,880
Speaker 1: to the Like, man, I think I think if Independent

313
00:16:13,000 --> 00:16:15,440
Speaker 1: is done right, you know what I'm saying, it could

314
00:16:15,480 --> 00:16:17,200
Speaker 1: feel like like a major. You know what I'm saying.

315
00:16:17,320 --> 00:16:19,400
Speaker 1: What made me, you know what made me really respect

316
00:16:19,480 --> 00:16:22,080
Speaker 1: the independent game when I started with Tech Now, that's

317
00:16:22,880 --> 00:16:30,400
Speaker 1: when I seen the kind of bread they made. They

318
00:16:30,560 --> 00:16:33,600
Speaker 1: killing that. So hold on you since silly prefer independence,

319
00:16:33,720 --> 00:16:35,880
Speaker 1: tell me about because you got first of all, you

320
00:16:35,920 --> 00:16:38,200
Speaker 1: got freedom. You don't got nobody sitting in the office.

321
00:16:38,600 --> 00:16:40,320
Speaker 1: You got to bring the music. Could you imagine me

322
00:16:40,360 --> 00:16:43,840
Speaker 1: bringing balls on wheels to the office. We need a

323
00:16:43,920 --> 00:16:48,760
Speaker 1: radio record. They would they would have turned me around

324
00:16:48,800 --> 00:16:50,520
Speaker 1: like you got you got creative control, You got your

325
00:16:50,600 --> 00:16:55,400
Speaker 1: own freedom. And you know old boy, yeah, man, oh boy,

326
00:16:55,640 --> 00:16:59,000
Speaker 1: they just got he was you know they was, they

327
00:16:59,080 --> 00:17:01,960
Speaker 1: were doing us cool. You was a boy, he Bro,

328
00:17:02,200 --> 00:17:08,080
Speaker 1: he Bro, I want to get straight into the wing

329
00:17:08,480 --> 00:17:15,280
Speaker 1: like damn being packed some drinks yea at the same time.

330
00:17:15,320 --> 00:17:17,639
Speaker 1: And so we both we knew what it was like

331
00:17:17,840 --> 00:17:22,040
Speaker 1: during that erar to mixtapeund now she was not making

332
00:17:22,080 --> 00:17:24,000
Speaker 1: me naive right now, because I'm gonna be honest with you,

333
00:17:25,400 --> 00:17:30,000
Speaker 1: I have never suffered the wrath of he Bro like

334
00:17:30,119 --> 00:17:32,520
Speaker 1: I have never if there was a wrap, I'm not.

335
00:17:32,600 --> 00:17:34,720
Speaker 1: I'm not accusing him of something. You know what I'm saying.

336
00:17:35,680 --> 00:17:43,960
Speaker 1: You haven't come on, come on work, But I swear

337
00:17:43,960 --> 00:17:46,600
Speaker 1: to God, so like hearing you say that just now,

338
00:17:46,880 --> 00:17:52,920
Speaker 1: you made a face. I hate what happened. I was

339
00:17:52,960 --> 00:17:53,960
Speaker 1: gonna yeah, yeah, I seen your.

340
00:17:55,560 --> 00:17:55,679
Speaker 3: Right.

341
00:17:55,720 --> 00:17:58,520
Speaker 1: At the point, I was like, I'm killing this motherfucker

342
00:17:58,880 --> 00:18:03,440
Speaker 1: like got I wasn't it was that bad because you

343
00:18:03,440 --> 00:18:05,520
Speaker 1: gotta look at it like this, right when you work

344
00:18:05,600 --> 00:18:08,119
Speaker 1: something something your whole life. I've been rappings how ten

345
00:18:08,200 --> 00:18:11,359
Speaker 1: years old, working my whole life, not even really to

346
00:18:11,400 --> 00:18:13,480
Speaker 1: get a deal at first. But then once I was like, damn,

347
00:18:13,480 --> 00:18:15,920
Speaker 1: I'm good at this shit. I started imprisoning my whole bed.

348
00:18:16,359 --> 00:18:18,360
Speaker 1: Stay off of the ship. I'm in there rapping this time.

349
00:18:18,359 --> 00:18:19,960
Speaker 1: I'm getting through my time. So I'm like damn, I

350
00:18:20,080 --> 00:18:23,000
Speaker 1: thinking I'm good enough to really make something happen. I

351
00:18:23,119 --> 00:18:25,359
Speaker 1: come home. I'm bumping in the pack in front of

352
00:18:25,440 --> 00:18:27,600
Speaker 1: High ninety seven. We're like you, I was here first

353
00:18:29,400 --> 00:18:33,199
Speaker 1: outside case later come that wait for anybody to give up.

354
00:18:33,640 --> 00:18:35,280
Speaker 1: I was talking to two tone. He's like, yo, remember

355
00:18:35,320 --> 00:18:38,040
Speaker 1: you sold me your CD in Crown Heights and ship

356
00:18:38,119 --> 00:18:39,560
Speaker 1: you came up and you came here and sow men

357
00:18:39,560 --> 00:18:41,639
Speaker 1: the CDs. So me and me and son had the

358
00:18:41,680 --> 00:18:43,720
Speaker 1: same ground. So we try and try and work on

359
00:18:43,800 --> 00:18:46,119
Speaker 1: our ass to get a deal. We finally get here

360
00:18:46,200 --> 00:18:48,280
Speaker 1: and the nigga could just come sweep all that shit

361
00:18:48,359 --> 00:18:50,440
Speaker 1: from under the ruck because he's in the position of power.

362
00:18:50,600 --> 00:18:53,640
Speaker 1: I was on Atlantic. They are radio driven label. If

363
00:18:53,680 --> 00:18:56,480
Speaker 1: you banned from the radio, they not gonna put a penny.

364
00:18:56,560 --> 00:18:59,000
Speaker 1: Once the nigga bamed me, they said, we're not investing

365
00:18:59,160 --> 00:19:02,639
Speaker 1: another cent. That's crazy. And me and Ebro was friends.

366
00:19:02,720 --> 00:19:05,159
Speaker 1: I'm calling this nigga like, please, man, this is my

367
00:19:05,359 --> 00:19:07,560
Speaker 1: shot or my whole life to get here. I got

368
00:19:07,640 --> 00:19:11,199
Speaker 1: a j Z record in it can We're gonna make

369
00:19:11,240 --> 00:19:13,040
Speaker 1: the record look like it's blowing up so bad Jay

370
00:19:13,119 --> 00:19:15,960
Speaker 1: jumped on. We had the whole rollout, just Blade saying

371
00:19:15,960 --> 00:19:18,040
Speaker 1: when that nigga bamed me, just stopped picking up the

372
00:19:18,119 --> 00:19:21,119
Speaker 1: phole nigger niggas crash out and they ready thought I

373
00:19:21,200 --> 00:19:23,159
Speaker 1: was a crash out already, so it made him look like, Oh,

374
00:19:23,240 --> 00:19:25,080
Speaker 1: this niggas just a fuck up. We ain't gonna invest

375
00:19:25,200 --> 00:19:27,080
Speaker 1: no money in them. I'm like, yo, e bro, But

376
00:19:27,200 --> 00:19:30,720
Speaker 1: nobody got hurt, nobody got shot, nobody, no police came.

377
00:19:31,160 --> 00:19:34,080
Speaker 1: Why the fuck would you ban me for right? Yeah,

378
00:19:34,480 --> 00:19:38,840
Speaker 1: nigga says, it's my policy. My g that's crazy. Now,

379
00:19:38,880 --> 00:19:40,840
Speaker 1: how about you. My kids saved that nigga life. Now,

380
00:19:42,200 --> 00:19:45,160
Speaker 1: did you have as a discrepancy with Hebro. Listen, man,

381
00:19:46,200 --> 00:19:48,760
Speaker 1: my thing is this man, It's no secret that it

382
00:19:48,880 --> 00:19:52,080
Speaker 1: was real challenging getting music played, whether you hot or not.

383
00:19:52,600 --> 00:19:54,399
Speaker 1: I mean I'm talking like you could be on fire,

384
00:19:55,119 --> 00:19:58,639
Speaker 1: and getting records played was just like some fuck. We

385
00:19:58,680 --> 00:20:01,080
Speaker 1: always going on like it's it's videos to me up

386
00:20:01,119 --> 00:20:03,479
Speaker 1: there telling he Bro like, Yo, you know, when I'm

387
00:20:03,520 --> 00:20:06,800
Speaker 1: in the South, I hit South artists right, and I'm

388
00:20:06,840 --> 00:20:08,520
Speaker 1: on the West, I hear West artists when I come

389
00:20:08,560 --> 00:20:11,399
Speaker 1: to New York. You know what I'm saying, gumbo, So

390
00:20:11,640 --> 00:20:13,320
Speaker 1: so you know a lot to you. I've been hearing

391
00:20:13,440 --> 00:20:16,160
Speaker 1: Miami step it up. But ahead, I'm sorry, yeah, yeah, yeah, yeah,

392
00:20:16,200 --> 00:20:18,359
Speaker 1: but nah, I mean definitely, I don't think it should

393
00:20:18,400 --> 00:20:20,040
Speaker 1: have been like that. I do think New York City

394
00:20:20,080 --> 00:20:21,520
Speaker 1: would have been in a better place if it was,

395
00:20:21,960 --> 00:20:25,359
Speaker 1: you know, if we was letting the people dictated instead

396
00:20:25,359 --> 00:20:27,879
Speaker 1: of the politics dictate. Who you know, who gets that

397
00:20:27,960 --> 00:20:29,520
Speaker 1: fish shot? Like like Sagon was saying, you know what

398
00:20:29,520 --> 00:20:33,360
Speaker 1: I'm saying, get a moment. At one point, we were

399
00:20:33,520 --> 00:20:35,879
Speaker 1: so being denied I can't say it was Ebos for it,

400
00:20:35,880 --> 00:20:38,160
Speaker 1: but we were so being denied New York getting played

401
00:20:38,160 --> 00:20:40,159
Speaker 1: on New York stations that New York artists started to

402
00:20:40,320 --> 00:20:42,480
Speaker 1: try to sound that's what happened to the South. They

403
00:20:42,520 --> 00:20:45,200
Speaker 1: tried to start to act like what's happening. You agree

404
00:20:45,200 --> 00:20:47,359
Speaker 1: with that? Yeah, I agree with that. You agree. And

405
00:20:47,359 --> 00:20:50,600
Speaker 1: it's funny because Rosenberg, they just Rosenberg is posted something.

406
00:20:50,640 --> 00:20:53,680
Speaker 1: He's saying, Oh, ween't fuck up New York hip hop

407
00:20:53,760 --> 00:20:56,760
Speaker 1: and fucked up when niggas start trying to copycat, trying

408
00:20:56,760 --> 00:21:04,840
Speaker 1: to he said that one motherfuckers trying to sound like

409
00:21:04,880 --> 00:21:07,359
Speaker 1: the South and started trying to. I'm like, because dudes

410
00:21:07,400 --> 00:21:09,240
Speaker 1: felt like they had to make them kind of records

411
00:21:09,280 --> 00:21:12,320
Speaker 1: to get on the radio. So the dudes started feeling like, damn, oh,

412
00:21:12,560 --> 00:21:14,399
Speaker 1: they're playing a bunch of ship, they playing Nelly, they

413
00:21:14,480 --> 00:21:16,920
Speaker 1: playing all these these records that not from our region.

414
00:21:17,240 --> 00:21:19,600
Speaker 1: So maybe we got to switch our little drawl and

415
00:21:19,640 --> 00:21:22,400
Speaker 1: our ship to start doing collaborations with dudes from out

416
00:21:22,480 --> 00:21:24,200
Speaker 1: because we felt like that's what we needed to do

417
00:21:24,320 --> 00:21:26,960
Speaker 1: get on the radio. Because that's the I think. I think.

418
00:21:27,119 --> 00:21:29,800
Speaker 1: I think they was playing it for so long that

419
00:21:29,880 --> 00:21:32,879
Speaker 1: when a younger generation came up, that's only her now.

420
00:21:32,920 --> 00:21:35,119
Speaker 1: That's what drill is, so they't have a chance to

421
00:21:35,160 --> 00:21:37,359
Speaker 1: get inspired by you know what I'm saying, what does

422
00:21:37,359 --> 00:21:40,520
Speaker 1: that What is it called drill? That's one I think

423
00:21:40,560 --> 00:21:42,520
Speaker 1: that's one of the styles on them. So that's what

424
00:21:42,600 --> 00:21:44,320
Speaker 1: it's kind of like New York trap.

425
00:21:45,280 --> 00:21:48,159
Speaker 2: Yeah, like but but there's also the side of the

426
00:21:48,240 --> 00:21:50,879
Speaker 2: pendulum swinging the whole way the other way, because the

427
00:21:50,960 --> 00:21:53,119
Speaker 2: South and other regions felt they couldn't penetrate in New

428
00:21:53,160 --> 00:21:55,119
Speaker 2: York at all, So it felt like it went all

429
00:21:55,160 --> 00:21:56,040
Speaker 2: the way to the other side.

430
00:21:56,440 --> 00:21:58,080
Speaker 1: You know what you mean when you say couldn't couldn't

431
00:21:58,080 --> 00:21:59,280
Speaker 1: I mean, I don't want to use that word. You

432
00:22:04,680 --> 00:22:05,480
Speaker 1: other regions.

433
00:22:06,800 --> 00:22:10,119
Speaker 2: The mecca of everything hip hop industry and culturally was

434
00:22:10,200 --> 00:22:10,520
Speaker 2: New York.

435
00:22:10,560 --> 00:22:12,880
Speaker 1: Has always been New York from the birth to when

436
00:22:13,000 --> 00:22:15,760
Speaker 1: you'll started hip hop. So what I'm saying so I

437
00:22:15,840 --> 00:22:18,240
Speaker 1: felt like, Bro, this is I'm gonna be honest and

438
00:22:18,359 --> 00:22:20,720
Speaker 1: everybody know, I just debate. Let's go. Everybody know I

439
00:22:20,800 --> 00:22:23,680
Speaker 1: love every every city, every state. I traveled freely, you

440
00:22:23,680 --> 00:22:26,480
Speaker 1: know what I'm saying. But and not all places, but

441
00:22:26,600 --> 00:22:28,720
Speaker 1: some places they kind of mad at us because we

442
00:22:28,760 --> 00:22:45,240
Speaker 1: created hip hop. No, but nobody part of it. I

443
00:22:45,320 --> 00:22:47,840
Speaker 1: always say, I don't know, because he's created hip hop.

444
00:22:47,880 --> 00:22:49,960
Speaker 1: That's a different man. That's probably the reason why. But

445
00:22:50,080 --> 00:22:53,159
Speaker 1: you didn't let me. Let me just finish right, And

446
00:22:53,560 --> 00:22:55,280
Speaker 1: I want to tell y'all, it's not our fault.

447
00:22:55,400 --> 00:22:55,480
Speaker 3: Bro.

448
00:22:56,040 --> 00:22:59,600
Speaker 1: Like niggas is like mad at New York niggas. It's

449
00:22:59,640 --> 00:23:02,240
Speaker 1: not like you know what I'm saying. And because they

450
00:23:02,400 --> 00:23:06,720
Speaker 1: mad what the executives digit them. I think they kind

451
00:23:06,760 --> 00:23:09,680
Speaker 1: of mad because at one point of time, since hip

452
00:23:09,680 --> 00:23:12,200
Speaker 1: hop started in New York City, and it's a beautiful

453
00:23:12,280 --> 00:23:14,479
Speaker 1: thing that everybody do it everywhere now, but at one

454
00:23:14,520 --> 00:23:16,240
Speaker 1: point in time, they had to look to the city

455
00:23:17,000 --> 00:23:18,879
Speaker 1: for hip hop, they had to look and they kind

456
00:23:18,920 --> 00:23:20,200
Speaker 1: of felt like they were taking a back seat. I

457
00:23:20,200 --> 00:23:22,280
Speaker 1: don't really know. Let me rebuttal to that, I think

458
00:23:22,400 --> 00:23:23,560
Speaker 1: I don't. I don't think that's the case.

459
00:23:23,560 --> 00:23:26,639
Speaker 2: I don't think people were mad because it started in

460
00:23:26,680 --> 00:23:28,280
Speaker 2: New York because if you think about it, everybody that

461
00:23:28,359 --> 00:23:31,520
Speaker 2: was hip hop from everywhere they went on a pilgrimage

462
00:23:31,560 --> 00:23:32,000
Speaker 2: to New York.

463
00:23:32,800 --> 00:23:34,440
Speaker 1: We all would go to New York. As a DJ,

464
00:23:34,560 --> 00:23:35,800
Speaker 1: I would go drive.

465
00:23:35,920 --> 00:23:37,800
Speaker 2: At sixteen drive all the way up to the East Coast,

466
00:23:37,800 --> 00:23:39,439
Speaker 2: all the way to get to New York to buy records.

467
00:23:39,720 --> 00:23:42,240
Speaker 1: I saw people from all different states and cities doing that.

468
00:23:42,520 --> 00:23:43,560
Speaker 1: I don't think that was the case.

469
00:23:43,600 --> 00:23:45,480
Speaker 2: What it is that the industry, a lot of the

470
00:23:45,560 --> 00:23:48,040
Speaker 2: industry was there because that's where it started. So the

471
00:23:48,119 --> 00:23:51,080
Speaker 2: culture in the industry was there, so in order to

472
00:23:51,400 --> 00:23:53,840
Speaker 2: get deals, to get signed, you had to go through there.

473
00:23:53,880 --> 00:23:54,680
Speaker 1: So a lot of the A and R.

474
00:23:54,800 --> 00:23:56,680
Speaker 2: I would full them, No, it's not your it's not

475
00:23:56,760 --> 00:23:58,800
Speaker 2: your fault, always told them it's if there was an.

476
00:23:58,720 --> 00:24:00,480
Speaker 1: Artist for so why do they hate because of that?

477
00:24:03,240 --> 00:24:08,040
Speaker 1: A long time? Give me example of hate my nigga,

478
00:24:10,880 --> 00:24:13,600
Speaker 1: my nigga, pirst of all all that timberling jokes. It

479
00:24:13,720 --> 00:24:22,000
Speaker 1: is hate my niggat comedy. But I'm just saying it's

480
00:24:22,040 --> 00:24:24,400
Speaker 1: hate disguise that's coming. You know. He had to hate

481
00:24:24,480 --> 00:24:24,960
Speaker 1: the man.

482
00:24:27,160 --> 00:24:30,119
Speaker 2: People clowning on the South and because it's nobody was

483
00:24:30,200 --> 00:24:33,000
Speaker 2: clowning listen, calling people country it was happening.

484
00:24:38,320 --> 00:24:42,360
Speaker 1: I don't like that, nah, bro, I'm telling you man,

485
00:24:42,480 --> 00:24:45,040
Speaker 1: niggas is mad because of the pop started them. I

486
00:24:45,080 --> 00:24:47,600
Speaker 1: don't think tell you man, I don't think that's telling you.

487
00:24:47,600 --> 00:24:50,040
Speaker 1: It was always like a disconnect with down South from

488
00:24:50,080 --> 00:24:52,959
Speaker 1: New Yorkers. Because I seen the dude the other day.

489
00:24:53,040 --> 00:24:55,000
Speaker 1: He was like young Joe was better than rock kim

490
00:24:55,080 --> 00:25:00,240
Speaker 1: I said this nigga smoke like I'm like, yo, he's smoke. Okay.

491
00:25:01,040 --> 00:25:04,359
Speaker 1: I like the guy. He's better, man better. But by

492
00:25:04,400 --> 00:25:07,159
Speaker 1: the way you comparing apples the arms. Even back then,

493
00:25:07,280 --> 00:25:09,560
Speaker 1: back in the day, there was a disconnecting. But aside

494
00:25:09,600 --> 00:25:11,920
Speaker 1: from music, like when we used to come down, like

495
00:25:12,280 --> 00:25:15,320
Speaker 1: we all have family in the South, Black family in

496
00:25:15,400 --> 00:25:17,359
Speaker 1: the South. So when we would come down here we

497
00:25:17,480 --> 00:25:19,080
Speaker 1: was young. They look at us like we was from

498
00:25:19,119 --> 00:25:21,200
Speaker 1: the future type ship. You know what I'm saying, Like, yah,

499
00:25:21,240 --> 00:25:23,960
Speaker 1: that's another thing to yo, yo, what the is those

500
00:25:24,040 --> 00:25:26,639
Speaker 1: niagas or what's the new music or because not to

501
00:25:26,680 --> 00:25:28,240
Speaker 1: say they were slow with you know, New York is

502
00:25:28,280 --> 00:25:32,040
Speaker 1: New York City, city in the world everything. So back then,

503
00:25:32,160 --> 00:25:34,760
Speaker 1: I think once they got on once they once once,

504
00:25:35,000 --> 00:25:37,600
Speaker 1: once the South started rocking, they was like, yah, niggas

505
00:25:37,640 --> 00:25:44,880
Speaker 1: now he said the South to say everywhere everywhere people

506
00:25:44,920 --> 00:25:49,840
Speaker 1: from the ship with the Wests literally said when I

507
00:25:50,840 --> 00:26:01,200
Speaker 1: say the niggas like yeah, they't make it all better. Yeah,

508
00:26:01,480 --> 00:26:04,120
Speaker 1: Camp did the interview your New York niggas go everywhere

509
00:26:04,160 --> 00:26:06,600
Speaker 1: they think they they think they whatever the he said,

510
00:26:06,920 --> 00:26:09,560
Speaker 1: niggas running with that ship. We should have never said

511
00:26:09,600 --> 00:26:13,120
Speaker 1: that boy, like, come on, man, they gotta stop hating

512
00:26:13,240 --> 00:26:16,199
Speaker 1: this man, let us live. Man. Yeah, man, you know, listen, bro,

513
00:26:16,440 --> 00:26:18,600
Speaker 1: we can't we can't say it. We just said it ourselves, right.

514
00:26:18,800 --> 00:26:20,680
Speaker 1: A lot of the artists that was coming up would

515
00:26:20,680 --> 00:26:22,320
Speaker 1: sounded like they was from where out of New York

516
00:26:22,440 --> 00:26:26,639
Speaker 1: right right, So we love the South, bro, we embrace y'all. Man,

517
00:26:26,720 --> 00:26:28,639
Speaker 1: but don't be mad at us because hip hop started,

518
00:26:28,680 --> 00:26:31,160
Speaker 1: you know, not for real. So like, I don't agree

519
00:26:31,200 --> 00:26:33,200
Speaker 1: with that. We love, we love you. Just see like

520
00:26:33,680 --> 00:26:35,520
Speaker 1: I like future music, and I'm saying I like t

521
00:26:35,760 --> 00:26:37,600
Speaker 1: I I bump a lot of South audists. You know,

522
00:26:37,600 --> 00:26:40,800
Speaker 1: I'm saying, like I funk with their music. So again,

523
00:26:40,880 --> 00:26:41,800
Speaker 1: it goes back in reverse.

524
00:26:41,880 --> 00:26:43,720
Speaker 2: If you listen to a lot of the artists in

525
00:26:43,800 --> 00:26:46,239
Speaker 2: the late eighties early nineties from anywhere else, they were

526
00:26:46,240 --> 00:26:47,320
Speaker 2: all trying to sound like New York art.

527
00:26:47,359 --> 00:26:49,040
Speaker 1: Yeah, but I'm gonna tell you like this right now,

528
00:26:50,520 --> 00:26:53,520
Speaker 1: the artist right now was well, listen to your project though.

529
00:26:53,640 --> 00:26:54,920
Speaker 1: You see how I said, this is a breath of

530
00:26:54,960 --> 00:26:57,920
Speaker 1: fresh air. This so it's lyricol the beast is doing it.

531
00:26:58,280 --> 00:27:00,680
Speaker 1: A lot of people they it's so fucked up in

532
00:27:00,720 --> 00:27:04,439
Speaker 1: the music business, right now I see people frowning upon lyricism.

533
00:27:04,720 --> 00:27:09,560
Speaker 1: They're like, oh, like what They're like, Yo, the facill

534
00:27:10,359 --> 00:27:13,879
Speaker 1: he's running like I like, and I'm like, yo, we

535
00:27:14,000 --> 00:27:16,800
Speaker 1: fucked up? Man, Like like when they when they justing

536
00:27:17,040 --> 00:27:22,000
Speaker 1: lyrical and people ain't stepping up because when you saw

537
00:27:22,080 --> 00:27:24,399
Speaker 1: this in Liverpool, that shit has no geographic to it.

538
00:27:24,520 --> 00:27:27,840
Speaker 1: Well everybody artists everywhere, right, I tell you what what

539
00:27:27,960 --> 00:27:30,280
Speaker 1: I think, man. I think like when when sayon going

540
00:27:30,320 --> 00:27:34,320
Speaker 1: to poost is on top poles, Like what I mean, bro,

541
00:27:35,000 --> 00:27:37,639
Speaker 1: A lot of niggas ain't gonna have jumps because they

542
00:27:37,720 --> 00:27:40,440
Speaker 1: need the ball to be low. They needed not to

543
00:27:40,520 --> 00:27:42,399
Speaker 1: be teaching through the music, not to have concepts, not

544
00:27:42,480 --> 00:27:44,359
Speaker 1: to have lyricism. Like you said, I was reading the

545
00:27:45,080 --> 00:27:47,439
Speaker 1: fake pretend like they hating on the livers. But niggas

546
00:27:47,480 --> 00:27:50,720
Speaker 1: consume music different because that NAS album right now, NAS

547
00:27:50,760 --> 00:27:53,640
Speaker 1: and Primo album. I'm like just saying the album you're

548
00:27:53,640 --> 00:27:56,000
Speaker 1: gonna get on one listen. Niggas sit down listening to

549
00:27:56,080 --> 00:27:58,240
Speaker 1: some ship one time like oh it's trash or it's

550
00:27:58,280 --> 00:28:00,919
Speaker 1: a classic, or they have music work. Man, you got

551
00:28:01,040 --> 00:28:02,679
Speaker 1: to sit there and digest that ship. I ain't up

552
00:28:02,720 --> 00:28:05,160
Speaker 1: from my first listen I was like, I don't know, man.

553
00:28:05,560 --> 00:28:07,480
Speaker 1: Then I went back. I said, nah, this is nas

554
00:28:07,520 --> 00:28:11,240
Speaker 1: in Primo. Maybe I'm missing something. I listened again. By

555
00:28:11,280 --> 00:28:13,080
Speaker 1: the fourth listen, I was like, this might be one

556
00:28:13,119 --> 00:28:19,760
Speaker 1: of my tops like this. That's why I'm like, we

557
00:28:19,840 --> 00:28:23,880
Speaker 1: don't we consume music different than these? They first time

558
00:28:23,920 --> 00:28:25,959
Speaker 1: mother fuckers know the words of the whole song. We're

559
00:28:26,000 --> 00:28:28,040
Speaker 1: here in it once because it's so simple. It's a

560
00:28:28,080 --> 00:28:31,200
Speaker 1: it's a catchphrase or huck something simple, something jingle to

561
00:28:31,280 --> 00:28:33,920
Speaker 1: catch on to. Niggas had to push that pin. Back

562
00:28:33,920 --> 00:28:35,520
Speaker 1: in the day, you had to go push them. Nigga

563
00:28:35,560 --> 00:28:37,040
Speaker 1: had to be like ooh ah when you rap.

564
00:28:37,640 --> 00:28:39,440
Speaker 2: You guys, don't think that the labels had a hand

565
00:28:39,480 --> 00:28:41,600
Speaker 2: in dumb and down the music, because of course now

566
00:28:41,800 --> 00:28:44,400
Speaker 2: you have less talented artists that you could cycle out whenever.

567
00:28:44,600 --> 00:28:47,240
Speaker 1: We get the ring the ring tone ship took us

568
00:28:47,280 --> 00:28:51,680
Speaker 1: to put us oute of this, I would say, But

569
00:28:51,680 --> 00:28:54,400
Speaker 1: I would say it was artists following artists. Like if

570
00:28:54,440 --> 00:28:58,560
Speaker 1: an artist see that, I mean, how many different versions

571
00:28:58,600 --> 00:29:02,400
Speaker 1: of a record you would hear like, oh okay, utter something,

572
00:29:03,400 --> 00:29:06,400
Speaker 1: another record would sound just like it, and another label

573
00:29:06,560 --> 00:29:12,880
Speaker 1: that was illegal back just the hip hops, When did

574
00:29:12,920 --> 00:29:14,800
Speaker 1: that become cool though. Yeah, but you know what it

575
00:29:14,960 --> 00:29:18,240
Speaker 1: is when uh and I probably had something to do

576
00:29:18,320 --> 00:29:20,720
Speaker 1: with this, like when you have people like Paral like

577
00:29:20,800 --> 00:29:23,280
Speaker 1: giving me like super Doug and then oh no, it

578
00:29:23,360 --> 00:29:25,640
Speaker 1: didn't sound the same, but you could tell that was

579
00:29:25,680 --> 00:29:30,920
Speaker 1: the same producers in that area that I think mister

580
00:29:31,000 --> 00:29:32,360
Speaker 1: Cool had a record, and then j Z had a

581
00:29:32,400 --> 00:29:34,560
Speaker 1: regular sounding just like it that time, you know what

582
00:29:34,560 --> 00:29:37,720
Speaker 1: I'm saying. So that's like back in the day. Remember

583
00:29:37,840 --> 00:29:46,720
Speaker 1: I got the power Ship Niggas the same concepts though

584
00:29:47,040 --> 00:29:55,000
Speaker 1: even came and stepping, and they still didn't sound like

585
00:29:55,080 --> 00:29:57,440
Speaker 1: each other. And then that's one thing about back then,

586
00:29:57,480 --> 00:30:00,360
Speaker 1: anybody sounded different. Like eighties, you have to come with

587
00:30:00,440 --> 00:30:02,880
Speaker 1: your own style. Do you think you belong in the nineties,

588
00:30:05,120 --> 00:30:07,320
Speaker 1: Like you know, if you could pick yourself where like

589
00:30:07,680 --> 00:30:10,600
Speaker 1: let me replace my music, what era, what era? Where ever?

590
00:30:10,720 --> 00:30:13,040
Speaker 1: Would you pick? Oh yeah, I would have definitely came

591
00:30:13,200 --> 00:30:16,880
Speaker 1: and yeah, yeah, I was. It seemed more authentic, you

592
00:30:16,880 --> 00:30:19,080
Speaker 1: know what I'm saying. It was cool, substance was there.

593
00:30:19,120 --> 00:30:21,840
Speaker 1: Everything was did I like y'all just having mad fun?

594
00:30:23,280 --> 00:30:26,480
Speaker 1: We checked the wein checked the budget. If we're going

595
00:30:28,560 --> 00:30:31,240
Speaker 1: you have to be with you, right It was. It

596
00:30:31,360 --> 00:30:33,920
Speaker 1: was dope crazy. I thought about this the other day,

597
00:30:33,920 --> 00:30:37,440
Speaker 1: and ship the dmxans is just check into a hotel

598
00:30:37,520 --> 00:30:39,800
Speaker 1: room and just smoke a bobie. You know, you know

599
00:30:39,880 --> 00:30:43,120
Speaker 1: I fouled that ship is now smoke a cigarette DM

600
00:30:43,160 --> 00:30:47,560
Speaker 1: Mexicans crazy. But you gotta you gotta actual record dedicated

601
00:30:47,600 --> 00:30:51,080
Speaker 1: to d MX. Yeah I did. What made you do that? Man?

602
00:30:51,280 --> 00:30:53,040
Speaker 1: I met x a couple of times. Man, you know,

603
00:30:53,040 --> 00:30:56,280
Speaker 1: I mean, solid individual, and it was just a sad situation. Man.

604
00:30:56,280 --> 00:30:57,920
Speaker 1: So I honestly, I just want to distribute him and

605
00:30:57,960 --> 00:31:00,960
Speaker 1: show them some love. Okay, that's what you didn't include

606
00:31:01,040 --> 00:31:03,040
Speaker 1: him in the fence and all record? No, I didn't, Okay,

607
00:31:03,080 --> 00:31:04,680
Speaker 1: I didn't. I didn't even know that that's what happened

608
00:31:04,720 --> 00:31:07,520
Speaker 1: to him. I don't know neither I was fishing right

609
00:31:07,560 --> 00:31:09,800
Speaker 1: now or not. I didn't put him in there now.

610
00:31:10,120 --> 00:31:14,320
Speaker 1: But yeah, recipes to XO. So let's let's describe your

611
00:31:14,360 --> 00:31:18,920
Speaker 1: relationship with case Slay. Yeah. I think I believe I

612
00:31:18,960 --> 00:31:20,200
Speaker 1: spoke to you the other day, and I want to

613
00:31:20,280 --> 00:31:24,800
Speaker 1: get into this too. I believe you said you and

614
00:31:24,920 --> 00:31:28,240
Speaker 1: Bust have never had an argument. No, we didn't, And

615
00:31:28,840 --> 00:31:30,640
Speaker 1: I don't know if you said you and Kate had

616
00:31:30,640 --> 00:31:33,600
Speaker 1: an argument. Of course, I used to argue all the time.

617
00:31:35,560 --> 00:31:37,959
Speaker 1: Before we get into the argument's let's talk about the beginning.

618
00:31:38,440 --> 00:31:43,280
Speaker 1: How did you meet? Oh yeah, it's a long story, man.

619
00:31:44,680 --> 00:31:47,640
Speaker 1: All I say is I was in a space of

620
00:31:47,720 --> 00:31:50,640
Speaker 1: my life at that particular time. It wasn't really a

621
00:31:50,680 --> 00:31:53,120
Speaker 1: good space, and I knew that I had to make

622
00:31:53,160 --> 00:31:56,120
Speaker 1: a decision if I wanted to do music, which is

623
00:31:56,160 --> 00:31:58,880
Speaker 1: something positive, or go to negative route, and I just

624
00:31:58,880 --> 00:32:00,480
Speaker 1: would have been sucked up, you know what I'm saying.

625
00:32:00,760 --> 00:32:04,000
Speaker 1: And I decided. And at that time, you wasn't getting

626
00:32:04,040 --> 00:32:07,000
Speaker 1: in the game. If you wasn't on Rockefeller, Murder Inc.

627
00:32:07,120 --> 00:32:09,440
Speaker 1: Or rough Rider, you just wasn't coming in. That's all

628
00:32:09,480 --> 00:32:11,320
Speaker 1: you heard. But one day I was listening to the

629
00:32:11,440 --> 00:32:13,160
Speaker 1: radio and I heard this this dude on the radio

630
00:32:13,200 --> 00:32:15,520
Speaker 1: and he was playing new artists on the radio. I

631
00:32:15,560 --> 00:32:18,760
Speaker 1: couldn't believe it when he's saying street slocking, Yeah, he

632
00:32:18,880 --> 00:32:20,600
Speaker 1: was just doing this ship and I'm like, oh shit,

633
00:32:20,680 --> 00:32:23,080
Speaker 1: this nigga. Did he just play somebody outside of one

634
00:32:23,080 --> 00:32:25,680
Speaker 1: of those entities I just named. So I'm like, yo,

635
00:32:25,720 --> 00:32:27,160
Speaker 1: I got to meet this dude. So I always kept

636
00:32:27,160 --> 00:32:29,240
Speaker 1: that in the back of my mind and you know,

637
00:32:29,320 --> 00:32:30,640
Speaker 1: I was in the street at the time. I found

638
00:32:30,680 --> 00:32:33,880
Speaker 1: myself in a bad situation, and I said, Yo, when

639
00:32:33,920 --> 00:32:35,560
Speaker 1: I get out of this situation, I'm going to meet

640
00:32:35,600 --> 00:32:37,880
Speaker 1: that dude. You know what I'm saying. I looked up

641
00:32:37,960 --> 00:32:39,600
Speaker 1: at the address HIG ninety seven, and I went up

642
00:32:39,600 --> 00:32:42,200
Speaker 1: there and waited for him outside the radar. Yeah, I

643
00:32:42,200 --> 00:32:47,000
Speaker 1: went up to the did I recorded a CD? Bro?

644
00:32:47,200 --> 00:32:50,239
Speaker 1: I recorded, I think it was seven tracks. I had

645
00:32:50,280 --> 00:32:51,560
Speaker 1: a mic in one hand and a gun in the

646
00:32:51,600 --> 00:32:53,720
Speaker 1: other hand, and I recorded. I used to sell it

647
00:32:53,760 --> 00:32:55,120
Speaker 1: out my trunk. But I went to the radio and

648
00:32:55,160 --> 00:32:57,120
Speaker 1: I just waited for slave Bro. I looked at what

649
00:32:57,240 --> 00:32:59,000
Speaker 1: time he came out, you know, I mean, I think

650
00:32:59,040 --> 00:33:01,040
Speaker 1: I probably looked him up in the fellow page. You

651
00:33:01,120 --> 00:33:03,120
Speaker 1: had a CD in one hand and a gun on

652
00:33:03,200 --> 00:33:10,120
Speaker 1: the on the cover. Oh, I think you take the

653
00:33:10,200 --> 00:33:14,720
Speaker 1: CD or you get what you want. The name of

654
00:33:14,760 --> 00:33:17,280
Speaker 1: the CD was in war. So I recorded, you know

655
00:33:17,280 --> 00:33:18,920
Speaker 1: what I'm saying myself the whole ship. And I went

656
00:33:19,000 --> 00:33:21,200
Speaker 1: up there and I waited for him, and Slake came out.

657
00:33:21,200 --> 00:33:22,720
Speaker 1: You know what I'm saying. You know, how was to

658
00:33:22,800 --> 00:33:25,120
Speaker 1: me the fly ship and I gave him the city.

659
00:33:25,200 --> 00:33:27,640
Speaker 1: He was all right, kept moving Win in the building.

660
00:33:28,040 --> 00:33:29,840
Speaker 1: So I went back to the hook like you was

661
00:33:29,920 --> 00:33:32,480
Speaker 1: going down. I'm about to be on the radio. I'm

662
00:33:32,520 --> 00:33:34,920
Speaker 1: listening to everybody on the on the sidewalk. We got

663
00:33:34,960 --> 00:33:38,120
Speaker 1: the system up and he ain't play the ship. Wow.

664
00:33:38,400 --> 00:33:39,920
Speaker 1: I'm like, damn, this is this is the next day

665
00:33:39,920 --> 00:33:41,760
Speaker 1: after you gave him the CD. No, no, no, remember

666
00:33:42,000 --> 00:33:45,040
Speaker 1: Slay come on twelve midnight. Okay, he's going in the radio.

667
00:33:45,160 --> 00:33:47,120
Speaker 1: I think he's like, Yo, this nigga is going to

668
00:33:47,160 --> 00:33:50,920
Speaker 1: play my song. Now we pull over, were listening. Oh

669
00:33:51,480 --> 00:33:54,640
Speaker 1: it's two hours. He was going back then, so he

670
00:33:54,680 --> 00:33:57,360
Speaker 1: didn't play. I said, damn, I'm gonna go back next

671
00:33:57,400 --> 00:33:59,240
Speaker 1: week and do it again. I come back next week,

672
00:33:59,480 --> 00:33:59,960
Speaker 1: same ship.

673
00:34:00,640 --> 00:34:00,760
Speaker 3: Yo.

674
00:34:00,840 --> 00:34:02,720
Speaker 1: Here you go, bropun, here you go. Man. My name

675
00:34:02,760 --> 00:34:03,400
Speaker 1: is Pat Postman.

676
00:34:03,400 --> 00:34:03,640
Speaker 3: He go.

677
00:34:04,000 --> 00:34:06,600
Speaker 1: He's like, all right, you know Slay serious, dude, man,

678
00:34:06,640 --> 00:34:08,520
Speaker 1: he just kept it moving. I did it again. I

679
00:34:08,640 --> 00:34:12,120
Speaker 1: listened again. He ain't play the shit again. I said, damn, man,

680
00:34:12,760 --> 00:34:14,600
Speaker 1: next time this nigga. I get this nigga a CD.

681
00:34:14,960 --> 00:34:16,719
Speaker 1: I'm not gonna leave. I'm a wait. So when he

682
00:34:16,800 --> 00:34:18,200
Speaker 1: come out, you wanna to explain to me why ain't

683
00:34:18,280 --> 00:34:20,359
Speaker 1: playing my ship? Right? So I did that. I gave

684
00:34:20,440 --> 00:34:23,880
Speaker 1: him the joint. I'm listening. It's like it's like one

685
00:34:23,920 --> 00:34:26,759
Speaker 1: o'clock right. He still ain't played, but he like, yo,

686
00:34:26,840 --> 00:34:31,279
Speaker 1: one hundred two two three ninety seven ninety seven number

687
00:34:31,320 --> 00:34:33,759
Speaker 1: two Dad. I'm like, yo, I'm sitting in the car

688
00:34:33,920 --> 00:34:36,560
Speaker 1: like your fuck that. I'm gonna call up. I calls

689
00:34:36,680 --> 00:34:39,960
Speaker 1: up and as soon as he heard my voice, he

690
00:34:40,040 --> 00:34:41,600
Speaker 1: knew it was me. I was like, yo, man, why

691
00:34:41,640 --> 00:34:44,360
Speaker 1: do you play that? Nigga starts spashing over me on

692
00:34:44,400 --> 00:34:47,239
Speaker 1: the radio. We're going matter of fact, it's not on

693
00:34:47,320 --> 00:34:50,279
Speaker 1: the radio. Were going back and forth. It's on the

694
00:34:50,320 --> 00:34:52,640
Speaker 1: hot line. What's on the hot line? But he ain't

695
00:34:52,680 --> 00:34:54,279
Speaker 1: even know. He thought he was shipping on me. But

696
00:34:54,320 --> 00:34:56,480
Speaker 1: he didn't even know. He made my day because while

697
00:34:56,520 --> 00:34:59,880
Speaker 1: we're arguing, he came out of commercial and the argument

698
00:35:00,080 --> 00:35:03,000
Speaker 1: filed onto the end waves. So I hear this ship.

699
00:35:03,040 --> 00:35:08,560
Speaker 1: I'm in the car. I'm like, oh or somehow, So

700
00:35:08,640 --> 00:35:11,400
Speaker 1: he begs the joint. He's like, yo, everybody can't be

701
00:35:11,480 --> 00:35:13,640
Speaker 1: a rapper. Some people got to be a fire man.

702
00:35:14,080 --> 00:35:17,120
Speaker 1: And he going in on him to retire. He's spash.

703
00:35:17,320 --> 00:35:19,680
Speaker 1: I ain't even get started yet. He like he's pasting

704
00:35:19,760 --> 00:35:22,480
Speaker 1: on the edge. So I'm like, damn, this nigga just violated.

705
00:35:22,520 --> 00:35:25,479
Speaker 1: When this nigga come down, it's lit. So I'm waiting

706
00:35:25,520 --> 00:35:28,840
Speaker 1: in the middle street and ship he come down. He

707
00:35:29,000 --> 00:35:31,880
Speaker 1: see me. I see him walking dead towards each other.

708
00:35:31,880 --> 00:35:34,120
Speaker 1: As soon as we get like face to face, the

709
00:35:34,200 --> 00:35:36,040
Speaker 1: nigga that was with him came in between us and

710
00:35:36,120 --> 00:35:37,680
Speaker 1: he took the CD from me. He was like, yo,

711
00:35:37,800 --> 00:35:40,880
Speaker 1: I got you. For some reason, I believed him. I mean,

712
00:35:40,960 --> 00:35:42,879
Speaker 1: I just left. I ain't gonna I feel defeated. Man.

713
00:35:43,360 --> 00:35:45,439
Speaker 1: I went back to the hood, like, damn, man, it's over.

714
00:35:45,480 --> 00:35:47,600
Speaker 1: The rap sh it ain't working, man. Niggas. Niggas just

715
00:35:47,640 --> 00:35:50,440
Speaker 1: shit it on me, the whole ship. So now I'm

716
00:35:50,440 --> 00:35:54,880
Speaker 1: back in the hood. At the time, the individual by

717
00:35:54,920 --> 00:35:56,279
Speaker 1: the name of Born True. You know what I'm saying.

718
00:35:56,320 --> 00:35:59,200
Speaker 1: He was managing me, very well respected, very well known.

719
00:35:59,200 --> 00:36:03,000
Speaker 1: He didn't won, who gave me yourself? And he had

720
00:36:03,040 --> 00:36:05,239
Speaker 1: passed away. So I was going through a lot of

721
00:36:05,280 --> 00:36:08,720
Speaker 1: things in my life at that time, and I actually

722
00:36:08,719 --> 00:36:12,040
Speaker 1: attended his funeral that particular day. I got into a

723
00:36:12,080 --> 00:36:15,080
Speaker 1: real bad situation and right when I'm about to throw

724
00:36:15,120 --> 00:36:17,200
Speaker 1: my life away, this is no bullshit. I can't make

725
00:36:17,239 --> 00:36:20,279
Speaker 1: this up. I jump in the car and we're trying

726
00:36:20,320 --> 00:36:22,040
Speaker 1: to get out of there. My phone ringing in the

727
00:36:22,080 --> 00:36:24,880
Speaker 1: process of the ship and I picked up the phone.

728
00:36:25,040 --> 00:36:26,879
Speaker 1: It was Slate. I had my number on the CD.

729
00:36:27,560 --> 00:36:29,440
Speaker 1: He was like, Yo, I heard your CD. You on

730
00:36:29,480 --> 00:36:32,520
Speaker 1: the show next week? Well, I mean the rest was history. Bro.

731
00:36:32,960 --> 00:36:35,120
Speaker 1: When he said you on the show, he meant playing

732
00:36:35,160 --> 00:36:37,480
Speaker 1: the record that he invited me. He was like, I

733
00:36:37,560 --> 00:36:39,200
Speaker 1: want you to come up to the radio station live

734
00:36:40,000 --> 00:36:42,440
Speaker 1: wrap on the edd A whole ship, I mean. So

735
00:36:42,520 --> 00:36:44,920
Speaker 1: that shit was like life changed the moment for me, Bro,

736
00:36:45,080 --> 00:36:47,600
Speaker 1: like all right, world, because I was just about to

737
00:36:47,800 --> 00:36:50,439
Speaker 1: throw my life away. Man. He called in the midst

738
00:36:50,480 --> 00:36:52,719
Speaker 1: of that and inviting me on the radio, which was

739
00:36:52,760 --> 00:36:54,239
Speaker 1: a dream for me, you know what I'm saying. So

740
00:36:54,800 --> 00:36:57,400
Speaker 1: I went on the radio and rest in peace. Prodigy

741
00:36:57,560 --> 00:37:00,440
Speaker 1: was there. Prodigy and somebody else was did like you

742
00:37:00,480 --> 00:37:03,040
Speaker 1: know what I'm saying, and we all was spitting live

743
00:37:03,120 --> 00:37:06,800
Speaker 1: on the air. Queen's niggas, put your brooks niggas. I

744
00:37:06,880 --> 00:37:14,480
Speaker 1: did that same ship for fath. I remember that we

745
00:37:14,600 --> 00:37:16,520
Speaker 1: was rapping on the man. But like I said, but

746
00:37:16,880 --> 00:37:19,440
Speaker 1: for me, like I know nowadays they take this ship

747
00:37:19,520 --> 00:37:21,920
Speaker 1: for granted, but this music ship, I'm not ashamed to

748
00:37:21,920 --> 00:37:24,000
Speaker 1: say it was a dream for me. Bro So so

749
00:37:25,560 --> 00:37:30,040
Speaker 1: boom from Casey who gets involved from there, Buster Rhymes

750
00:37:30,239 --> 00:37:33,160
Speaker 1: or Chris Lightning. We kept grinding me and Slaye kept

751
00:37:33,200 --> 00:37:35,000
Speaker 1: grinding for the loans. If you listen to the mixtape,

752
00:37:35,000 --> 00:37:36,120
Speaker 1: Slave was fash and at the end of the air

753
00:37:36,239 --> 00:37:38,839
Speaker 1: mixing better sign my nigga. So he took you under

754
00:37:38,880 --> 00:37:41,200
Speaker 1: his wing right from that first, under his wing, from

755
00:37:41,320 --> 00:37:43,960
Speaker 1: from from the from that moment on some better term

756
00:37:44,719 --> 00:37:48,600
Speaker 1: me coping from Queens. What I feel like what Slade

757
00:37:48,600 --> 00:37:51,200
Speaker 1: did for you was kind of like what Clue did

758
00:37:51,280 --> 00:37:54,520
Speaker 1: for Nature, right, like you know, Nas had got that

759
00:37:54,760 --> 00:37:56,440
Speaker 1: route and then I don't know if you remember, but

760
00:37:56,560 --> 00:37:58,600
Speaker 1: Nature was when Nation was on the beginning of the

761
00:37:59,680 --> 00:38:02,359
Speaker 1: Bobby and like I felt like he was on every

762
00:38:02,400 --> 00:38:05,840
Speaker 1: Slave tape and that's how he was doing. So you

763
00:38:05,960 --> 00:38:08,239
Speaker 1: agree with that, Oh yeah, yeah, I would. I would

764
00:38:08,239 --> 00:38:10,640
Speaker 1: definitely say that, but I would say, like, to Nature's credit,

765
00:38:10,719 --> 00:38:12,800
Speaker 1: you know what I'm saying, he still had to deliver.

766
00:38:13,440 --> 00:38:16,040
Speaker 1: If they would have put a wat nigga in get

767
00:38:16,120 --> 00:38:18,920
Speaker 1: him out of here, you on a Clue tape especially,

768
00:38:19,040 --> 00:38:22,080
Speaker 1: you know, what I mean, So one hundred percent, you're right.

769
00:38:22,200 --> 00:38:24,800
Speaker 1: He gave me a golden opportunity and I knew I

770
00:38:24,880 --> 00:38:26,520
Speaker 1: had to run with it. So then you said, y'all

771
00:38:26,560 --> 00:38:28,440
Speaker 1: was grinding, So how did y'all go? He was grinding? Man,

772
00:38:28,480 --> 00:38:30,919
Speaker 1: I was putting out a mixtape every every like every

773
00:38:30,960 --> 00:38:32,680
Speaker 1: other month. Bro. Me and Slave was just putting out

774
00:38:32,680 --> 00:38:35,640
Speaker 1: a mixtape after mixtape, And honestly, niggas don't notice. But

775
00:38:36,160 --> 00:38:39,360
Speaker 1: I met Slaying oh four, I caught a buzz. I

776
00:38:39,400 --> 00:38:42,320
Speaker 1: didn't get signed to like six o seven, So I

777
00:38:42,440 --> 00:38:44,879
Speaker 1: was just doing mixtapes keeping my name going all that time.

778
00:38:45,200 --> 00:38:47,839
Speaker 1: But within that time frame, like you said, Buster had

779
00:38:47,920 --> 00:38:50,279
Speaker 1: wound up hearing me and he reached out the Slave

780
00:38:51,640 --> 00:38:54,000
Speaker 1: mixtape and he went on the air waves. He picked

781
00:38:54,000 --> 00:38:55,400
Speaker 1: me up over the air. You know how Bus is

782
00:38:55,480 --> 00:38:57,920
Speaker 1: like he he he paused, he give it up if

783
00:38:57,920 --> 00:39:01,000
Speaker 1: he respect what you do. And we started working together.

784
00:39:01,040 --> 00:39:03,239
Speaker 1: Me and Bus started doing joints and eventually they so

785
00:39:03,320 --> 00:39:06,080
Speaker 1: they did a joint venture with Street Sweepers Flip Mode,

786
00:39:06,840 --> 00:39:08,759
Speaker 1: but just to both push me at the same time.

787
00:39:08,800 --> 00:39:10,720
Speaker 1: You know what I'm saying that that company Street Street

788
00:39:10,719 --> 00:39:14,759
Speaker 1: Swip Sweepers, Flip Flip Mode does not exist. Only they

789
00:39:14,800 --> 00:39:16,879
Speaker 1: only came together for fat pools because Buster really wanted

790
00:39:17,200 --> 00:39:21,480
Speaker 1: to sign me. Nas wanted to sign me at the time. Yeah,

791
00:39:21,520 --> 00:39:23,000
Speaker 1: I took a meeting with No Slay want me to

792
00:39:23,040 --> 00:39:25,239
Speaker 1: take that meeting, But I took that meeting. Really why

793
00:39:25,600 --> 00:39:27,719
Speaker 1: because they didn't get along at the time. Bro, No,

794
00:39:27,880 --> 00:39:30,359
Speaker 1: Slay always kind of held nads down, even even Nah

795
00:39:30,440 --> 00:39:31,960
Speaker 1: with the Yeah, but that's why they didn't get along,

796
00:39:32,000 --> 00:39:34,680
Speaker 1: because Slay held him down, Okay, and then he felt

797
00:39:34,719 --> 00:39:38,600
Speaker 1: like No, what happened was rest in peace of slate

798
00:39:38,719 --> 00:39:40,080
Speaker 1: and shout out the nads. You know what I'm saying.

799
00:39:40,120 --> 00:39:41,960
Speaker 1: I really don't get in between that, but I can

800
00:39:42,040 --> 00:39:45,000
Speaker 1: tell you what happened was this, and it's from my brother.

801
00:39:45,080 --> 00:39:48,000
Speaker 1: Slave Slay held him down. You know what I'm saying.

802
00:39:48,080 --> 00:39:49,799
Speaker 1: It's a battle of the beach, especially what to eat

803
00:39:49,840 --> 00:39:54,400
Speaker 1: the ship beat. Yeah, they had the situation they had

804
00:39:54,440 --> 00:39:56,239
Speaker 1: to decide and vote. I heard, and I heard he

805
00:39:56,320 --> 00:39:58,440
Speaker 1: also made sure people was being fair. Not only he

806
00:39:58,560 --> 00:40:02,480
Speaker 1: was just shop coming there. They were saying the facts

807
00:40:02,600 --> 00:40:05,200
Speaker 1: said something else, but the facts said another thing. Right.

808
00:40:05,400 --> 00:40:08,080
Speaker 1: I did hear that slave slave slaves they kept the

809
00:40:08,120 --> 00:40:10,120
Speaker 1: buck heard it held it down. He held it down. Okay.

810
00:40:10,200 --> 00:40:13,719
Speaker 1: Boom Slay had a single that now is featured on him.

811
00:40:13,760 --> 00:40:16,600
Speaker 1: Okay wow, and he had to video shoot the whole ship.

812
00:40:16,960 --> 00:40:19,080
Speaker 1: And now they showed up to the video. Remember this,

813
00:40:19,239 --> 00:40:21,040
Speaker 1: this is the video. The video got shot up though,

814
00:40:21,520 --> 00:40:26,600
Speaker 1: or I don't know about that. I don't know about it.

815
00:40:26,640 --> 00:40:28,799
Speaker 1: Maybe it's the woman I hear about no shots flying

816
00:40:28,880 --> 00:40:30,920
Speaker 1: the video. Maybe it's the woman Foxy on it. Now

817
00:40:30,960 --> 00:40:33,040
Speaker 1: I know it slays single okay. And that's why Slave

818
00:40:33,120 --> 00:40:34,959
Speaker 1: was he felt like, damn, I held you down, my nigga,

819
00:40:34,960 --> 00:40:37,080
Speaker 1: you know, saying you ain't do the joint. So long

820
00:40:37,160 --> 00:40:38,960
Speaker 1: story short. Around that time, I had the bidding war

821
00:40:39,160 --> 00:40:42,480
Speaker 1: going on and Buster stepped up to the to the place.

822
00:40:42,480 --> 00:40:44,560
Speaker 1: Shots to my brother, Buster rhymes, man, one of the

823
00:40:44,840 --> 00:40:46,759
Speaker 1: realist dudes in this play. Let's make some lights from

824
00:40:49,160 --> 00:40:53,320
Speaker 1: Man shot the Buster so so Jungle one of my

825
00:40:53,360 --> 00:40:56,120
Speaker 1: people's had new Jungle and he hit me. He said, yo, bro,

826
00:40:56,480 --> 00:40:58,000
Speaker 1: you know what I mean, Jungle, my man. Now I

827
00:40:58,080 --> 00:41:00,640
Speaker 1: just want to meet you. Were cool. I go back

828
00:41:00,680 --> 00:41:03,400
Speaker 1: to Slave, I said, Yo, Slave, Niggas is telling me

829
00:41:03,680 --> 00:41:05,440
Speaker 1: at the time, I don't know nothing about this history

830
00:41:05,520 --> 00:41:08,120
Speaker 1: to be for nothing, Niggas is telling me Nas on

831
00:41:08,239 --> 00:41:11,640
Speaker 1: the on the meeting say was like, hell no man,

832
00:41:12,520 --> 00:41:15,400
Speaker 1: nah man, like, you know what I'm saying. He you know,

833
00:41:15,480 --> 00:41:17,640
Speaker 1: slay man, I don't even get into it. But I'm like,

834
00:41:18,280 --> 00:41:21,240
Speaker 1: Slave's nas my nigga, I gotta take exactly, man, exactly.

835
00:41:21,280 --> 00:41:23,160
Speaker 1: And he like, Yo, don't funk with it. He had

836
00:41:23,160 --> 00:41:25,120
Speaker 1: his reasons. I took the meeting. We met at like

837
00:41:25,200 --> 00:41:27,440
Speaker 1: a piece of shop in little Manhattan and ship. We

838
00:41:27,560 --> 00:41:30,640
Speaker 1: sat down and Nas was cool, man like. He was like, Yo,

839
00:41:30,719 --> 00:41:34,960
Speaker 1: tell Slave play a record, man like. But Slave was

840
00:41:34,960 --> 00:41:37,040
Speaker 1: still felt the way about that ship. But he was.

841
00:41:37,280 --> 00:41:38,759
Speaker 1: Nas was telling me he said, Yo, man, I'm about

842
00:41:38,760 --> 00:41:40,800
Speaker 1: to go to death Gym soon with jay Z. You

843
00:41:40,840 --> 00:41:41,920
Speaker 1: know what I mean. I want you to come with

844
00:41:42,080 --> 00:41:45,440
Speaker 1: me m. And we spoke back and forth. You know

845
00:41:45,480 --> 00:41:47,680
Speaker 1: what I'm saying. He basically acknowledged what I was doing

846
00:41:47,719 --> 00:41:50,719
Speaker 1: at the time, and he agreed to send over the offer,

847
00:41:51,000 --> 00:41:53,560
Speaker 1: which was which was a deaf jym offer. I went

848
00:41:53,600 --> 00:41:55,359
Speaker 1: back to Slagh, I said, your slave, he's gonna send

849
00:41:55,400 --> 00:41:57,560
Speaker 1: an office slay like man. All right, we wait, we'll see.

850
00:41:58,160 --> 00:42:00,239
Speaker 1: You know what I'm saying. He sent the offer. It

851
00:42:00,400 --> 00:42:03,640
Speaker 1: was a low number at the time, so Slave was like, nah,

852
00:42:03,960 --> 00:42:06,600
Speaker 1: I'm signed the slag at this time. So we passed

853
00:42:06,640 --> 00:42:08,960
Speaker 1: on that, you know what I mean, And we kept grinding.

854
00:42:09,800 --> 00:42:11,520
Speaker 1: My brother Buster Ron's put me on the record that

855
00:42:11,640 --> 00:42:16,040
Speaker 1: changed my life. Make sure Buster put me on that record.

856
00:42:16,080 --> 00:42:18,320
Speaker 1: I couldn't go to the mall no more, for it

857
00:42:18,440 --> 00:42:21,480
Speaker 1: was crazy, you know what I'm saying. One time when

858
00:42:21,480 --> 00:42:23,799
Speaker 1: I did that record, Buster he was the long Holly said, Yo,

859
00:42:24,280 --> 00:42:25,879
Speaker 1: I want you to come out. I'm doing the show.

860
00:42:26,440 --> 00:42:28,839
Speaker 1: So I come out on my part and the whole

861
00:42:28,920 --> 00:42:32,880
Speaker 1: fucking building is pandemonium. I'm looking around. If anybody got

862
00:42:32,880 --> 00:42:35,759
Speaker 1: the footage, I'm confused why they're screaming. But it was

863
00:42:35,800 --> 00:42:42,600
Speaker 1: for me, you know what I'm saying. And then at

864
00:42:42,640 --> 00:42:45,120
Speaker 1: the time was we were trying to pick the right deal.

865
00:42:45,719 --> 00:42:49,440
Speaker 1: Swiss Beats had an offer, uh and the Scope had

866
00:42:49,480 --> 00:42:53,719
Speaker 1: a had an offer, and and job, you know what

867
00:42:53,760 --> 00:42:57,960
Speaker 1: I'm saying. Dave Lighty, was there no Chris Lighty? Okay,

868
00:42:59,000 --> 00:43:02,360
Speaker 1: Chris Chris rest piece, but well Chris did kind of

869
00:43:02,520 --> 00:43:04,640
Speaker 1: kind of fucked us over though, Okay, really rest in

870
00:43:04,640 --> 00:43:07,439
Speaker 1: peace to Chris, though he got you the million Nah.

871
00:43:07,760 --> 00:43:10,480
Speaker 1: Well yeah, no, what happened was this we had a

872
00:43:10,520 --> 00:43:14,919
Speaker 1: lot of different labels to choose from. But I'm under

873
00:43:15,040 --> 00:43:17,960
Speaker 1: violated management and Chris Lighty is the president of the

874
00:43:18,040 --> 00:43:20,279
Speaker 1: Job Record, like a conflict of no, no, no, not

875
00:43:20,400 --> 00:43:23,000
Speaker 1: even that. I'm gonna tell you what happened. We're like, Yo,

876
00:43:23,400 --> 00:43:25,400
Speaker 1: we need to sign with Job one. They give them

877
00:43:25,440 --> 00:43:27,359
Speaker 1: the most money. No two, they giving the most money,

878
00:43:27,640 --> 00:43:31,000
Speaker 1: and number one, the nigga that we fuck with is

879
00:43:31,040 --> 00:43:32,440
Speaker 1: the president of the label. We're gonna be good. We

880
00:43:32,440 --> 00:43:35,759
Speaker 1: ain't gonna have no issues them as a manager. Not

881
00:43:36,040 --> 00:43:38,319
Speaker 1: even that. I tell you what happened. As soon as

882
00:43:38,360 --> 00:43:42,759
Speaker 1: I signed the fucking deal, news goes out everywhere. Chris

883
00:43:42,880 --> 00:43:45,080
Speaker 1: Lighty is no longer the president of the job Records.

884
00:43:45,200 --> 00:43:47,560
Speaker 1: This ship is an R and B label, So you

885
00:43:48,040 --> 00:43:50,319
Speaker 1: Chris was like, Yo, sign over here. I'm telling y'all.

886
00:43:50,320 --> 00:43:51,719
Speaker 1: Remember it's a beening one for me at the time,

887
00:43:51,800 --> 00:43:54,320
Speaker 1: right right. I mean, I'm doing what I do. So

888
00:43:54,520 --> 00:43:58,319
Speaker 1: everybody got interests and we decide and were like, all right,

889
00:43:58,440 --> 00:44:02,080
Speaker 1: Chris is in our AA, Yo, come over here, got y'all, Okay,

890
00:44:02,200 --> 00:44:05,480
Speaker 1: I'm here. It's a no brain. As soon as we signed, nigga,

891
00:44:05,520 --> 00:44:06,919
Speaker 1: what do you think he already knew he was leaving.

892
00:44:06,960 --> 00:44:09,400
Speaker 1: I'm not saying that. I'm just saying that's what happened.

893
00:44:09,960 --> 00:44:11,680
Speaker 1: So a young nigga from the other We've been working,

894
00:44:11,960 --> 00:44:13,839
Speaker 1: like my brother was saying, early, been working his whole

895
00:44:13,840 --> 00:44:16,640
Speaker 1: life for this. You finally get in that position that

896
00:44:16,800 --> 00:44:21,920
Speaker 1: kind of Sleigh was pissed that Steve out here, but

897
00:44:22,040 --> 00:44:25,000
Speaker 1: we kept it moving and eventually we ran into trouble, which,

898
00:44:25,120 --> 00:44:27,520
Speaker 1: like I said before, the worst decision ever. What I'm

899
00:44:27,520 --> 00:44:30,080
Speaker 1: saying to sign it signed into Job Records for the

900
00:44:30,120 --> 00:44:32,799
Speaker 1: one point five million. Okay, all right, let me let

901
00:44:32,840 --> 00:44:34,840
Speaker 1: me ask you two part questions. Yeah, if you had

902
00:44:34,880 --> 00:44:37,160
Speaker 1: a chance to do it over, which major would you

903
00:44:37,239 --> 00:44:41,400
Speaker 1: sign to? If not? Y'all? First of all, if I

904
00:44:41,640 --> 00:44:42,840
Speaker 1: had a chance to do it over, I would have

905
00:44:42,880 --> 00:44:44,680
Speaker 1: put my album off from the gate instead of doing

906
00:44:44,719 --> 00:44:47,520
Speaker 1: all those mixtapes number one and number two. To answer

907
00:44:47,560 --> 00:44:49,799
Speaker 1: your question, I would have definitely took that death Jam

908
00:44:49,880 --> 00:44:54,080
Speaker 1: deal with NOAs Okay, death jam with nos you would

909
00:44:54,120 --> 00:44:56,200
Speaker 1: have been. I would have took that because what was it?

910
00:44:56,320 --> 00:44:58,880
Speaker 1: It wasn't I Will Jam was no No. Whatever the

911
00:44:58,920 --> 00:45:00,480
Speaker 1: fuck he did when he went over there with jay Z,

912
00:45:01,080 --> 00:45:04,200
Speaker 1: his own wasn't quite master Pill yet it wasn't well,

913
00:45:05,239 --> 00:45:07,080
Speaker 1: I don't forget what it was. I think it might

914
00:45:07,120 --> 00:45:09,160
Speaker 1: have been a well slay. Slay looked at it like, yo,

915
00:45:09,320 --> 00:45:11,719
Speaker 1: pat Nah's never blew nobody up but itself. You know

916
00:45:11,719 --> 00:45:14,279
Speaker 1: what I'm saying. Really, that was just slave. I'm just saying, Okay,

917
00:45:14,480 --> 00:45:16,520
Speaker 1: rest in peace. That's my brother, you know what I mean.

918
00:45:16,560 --> 00:45:18,920
Speaker 1: And I'm a I'm a big supporting fan of now,

919
00:45:19,080 --> 00:45:20,520
Speaker 1: but I don't take nothing away from none of them.

920
00:45:21,200 --> 00:45:23,320
Speaker 1: This is what happened me. I don't look at it

921
00:45:23,400 --> 00:45:24,759
Speaker 1: like that. I look at it like it's like if

922
00:45:24,760 --> 00:45:26,680
Speaker 1: a player go to a certain team, the team might

923
00:45:26,760 --> 00:45:28,840
Speaker 1: be trash, but when he go there, you know what

924
00:45:28,840 --> 00:45:30,600
Speaker 1: I'm saying, You don't. Yeah, I know what I would

925
00:45:30,640 --> 00:45:32,920
Speaker 1: have did with that given but you can't cry for

926
00:45:33,000 --> 00:45:35,239
Speaker 1: spilt milk. I'm here, man, but you know that's that's

927
00:45:35,280 --> 00:45:37,520
Speaker 1: what happened. That would have been crazy though. So then

928
00:45:38,719 --> 00:45:41,839
Speaker 1: how do you get out of this deal? The job? Yeah? Well,

929
00:45:41,880 --> 00:45:46,480
Speaker 1: thank god. When we negotiated it, we negotiated that if

930
00:45:46,520 --> 00:45:48,120
Speaker 1: they didn't do the right thing bias, we get to

931
00:45:48,200 --> 00:45:51,200
Speaker 1: leave with the money. With the money, yeah, so we

932
00:45:51,520 --> 00:45:53,879
Speaker 1: left with the bread mean slant at the time, which

933
00:45:54,000 --> 00:45:59,759
Speaker 1: was yeah, goddamn goddamn. We didn't get to get to

934
00:45:59,840 --> 00:46:02,719
Speaker 1: that marking the budget though. We had like a big

935
00:46:02,760 --> 00:46:04,640
Speaker 1: ass marketing budget that we didn't get to tap into.

936
00:46:05,160 --> 00:46:06,680
Speaker 1: We was mad about that, but we did get the

937
00:46:06,960 --> 00:46:09,320
Speaker 1: one point five you know, you, Me and Slay. We

938
00:46:09,360 --> 00:46:12,040
Speaker 1: got out of there and back to the ground. So

939
00:46:12,440 --> 00:46:15,879
Speaker 1: how far did you did you throw out singles with them?

940
00:46:15,960 --> 00:46:17,960
Speaker 1: How far did you go? We didn't even get a chance.

941
00:46:18,040 --> 00:46:20,600
Speaker 1: It was a whole stabatarge. What happened. What happened that

942
00:46:20,800 --> 00:46:24,759
Speaker 1: job was Okay, when I was in the process of

943
00:46:24,840 --> 00:46:28,520
Speaker 1: signing there, I got a I got a message. Back

944
00:46:28,560 --> 00:46:31,000
Speaker 1: then we had the side kicks, right of course, so

945
00:46:31,080 --> 00:46:33,480
Speaker 1: a nigga hit me on the side kick. It's when

946
00:46:33,520 --> 00:46:35,600
Speaker 1: I just signed. As a matter of fact, I was

947
00:46:35,920 --> 00:46:38,600
Speaker 1: in the process of the whole ship. Nigga hit me up.

948
00:46:38,640 --> 00:46:41,880
Speaker 1: He said, your pat They mad at the label. A

949
00:46:41,960 --> 00:46:44,080
Speaker 1: lot of people that work at the label they pissed

950
00:46:44,120 --> 00:46:47,480
Speaker 1: off because what happened was Barry Whiss and p A

951
00:46:47,840 --> 00:46:52,640
Speaker 1: and Peter Thea. They signed me. The bosses signed me directly.

952
00:46:53,280 --> 00:46:54,640
Speaker 1: So when me and Slay took the meeting to do

953
00:46:54,719 --> 00:46:56,000
Speaker 1: the deal, he said, you know the reason why I'm

954
00:46:56,000 --> 00:46:57,560
Speaker 1: signing you was because my son is a fan of

955
00:46:57,640 --> 00:47:00,320
Speaker 1: Little Library. So the people at the label, who was

956
00:47:00,320 --> 00:47:02,719
Speaker 1: saying that bad right? Yeah, okay, he telling me that

957
00:47:03,080 --> 00:47:05,760
Speaker 1: at the at the meeting. So the people at the label,

958
00:47:06,440 --> 00:47:11,000
Speaker 1: y'all know, I'm sure y'all can agree to this. They

959
00:47:11,040 --> 00:47:13,399
Speaker 1: didn't have nothing to do with like, I skip past

960
00:47:13,480 --> 00:47:15,040
Speaker 1: all of them niggas and went straight to the to

961
00:47:15,120 --> 00:47:17,160
Speaker 1: the boss. So they didn't like it. They didn't like

962
00:47:17,280 --> 00:47:20,279
Speaker 1: me because of that. They couldn't put their hands in

963
00:47:20,320 --> 00:47:22,080
Speaker 1: my budget. They couldn't do nothing me and Slay was

964
00:47:22,120 --> 00:47:25,040
Speaker 1: dealing directly with their boss. So somebody that hit me

965
00:47:25,120 --> 00:47:27,040
Speaker 1: up and they say your path I was at job.

966
00:47:27,080 --> 00:47:29,759
Speaker 1: I hope iheard a meeting them niggas was pissed off

967
00:47:29,800 --> 00:47:32,520
Speaker 1: that you signed to the label, and they saying ship

968
00:47:32,560 --> 00:47:33,839
Speaker 1: like yo, as soon as you put out a single,

969
00:47:33,960 --> 00:47:35,520
Speaker 1: but don't go, we're gonna get them off the label.

970
00:47:36,320 --> 00:47:38,000
Speaker 1: But what they did was that was that wasn't really

971
00:47:38,080 --> 00:47:41,759
Speaker 1: what you know, what what transpired. What happened was back then,

972
00:47:41,800 --> 00:47:43,799
Speaker 1: you know you needed the one two punch, you caught

973
00:47:43,840 --> 00:47:45,520
Speaker 1: a bus. Then you did the single with the R

974
00:47:45,520 --> 00:47:48,080
Speaker 1: and B artists, get the street record, Street record, get

975
00:47:48,120 --> 00:47:49,520
Speaker 1: the single with the R and B artists. You out

976
00:47:49,520 --> 00:47:51,239
Speaker 1: of here. All the R and B artists was on job.

977
00:47:52,320 --> 00:47:54,400
Speaker 1: So they blocked all the R and B artist from

978
00:47:54,400 --> 00:47:57,920
Speaker 1: getting on my project. You know what I'm saying. Yeah

979
00:47:57,960 --> 00:48:01,279
Speaker 1: they did. They did big like a motherfucker Like me

980
00:48:01,320 --> 00:48:03,000
Speaker 1: and Slay was fighting. You know what I'm saying. We

981
00:48:03,200 --> 00:48:04,919
Speaker 1: tried to get all Kelly, but I'm glad I didn't

982
00:48:04,920 --> 00:48:14,000
Speaker 1: do that ship. You know what I'm saying, Go yeah,

983
00:48:14,080 --> 00:48:16,200
Speaker 1: but I mean, you know in the love brother, it's like, yeah,

984
00:48:16,760 --> 00:48:19,759
Speaker 1: they blocked him. They blocked t Pain. Listen to the

985
00:48:19,920 --> 00:48:22,880
Speaker 1: R and B artists they have. They blocked Chris Brown.

986
00:48:23,040 --> 00:48:24,400
Speaker 1: You know what I'm saying. Chris Brown is on the

987
00:48:24,440 --> 00:48:26,120
Speaker 1: job too, that's you know what I'm saying. So all

988
00:48:26,480 --> 00:48:28,640
Speaker 1: and these artists were showing love, saying they wanted to

989
00:48:28,680 --> 00:48:32,480
Speaker 1: do pain. This might about, you know, controversy. Yeah, so

990
00:48:32,560 --> 00:48:34,400
Speaker 1: they blocked all the R and B artist from the project.

991
00:48:34,840 --> 00:48:36,880
Speaker 1: Eventually that shi adin't work out. Me and Slay was like,

992
00:48:36,920 --> 00:48:39,920
Speaker 1: all right, we got to exercise that close. Now I

993
00:48:40,000 --> 00:48:42,560
Speaker 1: had to get out of them. So they asked you

994
00:48:42,560 --> 00:48:44,279
Speaker 1: a question, No, I didn't. Matter of fact, I did

995
00:48:44,360 --> 00:48:46,960
Speaker 1: get a single off, but my single was out two

996
00:48:47,000 --> 00:48:49,680
Speaker 1: weeks when it deal folded. Wow, I had Snoop Dog

997
00:48:49,760 --> 00:48:57,200
Speaker 1: won the single get out. Yeah, that's the fact was

998
00:48:57,640 --> 00:49:02,920
Speaker 1: let's go you got something us? What's that is that?

999
00:49:03,040 --> 00:49:10,319
Speaker 1: I shaid, I gotta look up my glasses. All right,

1000
00:49:10,560 --> 00:49:13,480
Speaker 1: old man, ship it's a drinking game, but we're not drinking. Yeah,

1001
00:49:14,080 --> 00:49:18,319
Speaker 1: I mean y'all want to drink. Yeah, celebrating the album.

1002
00:49:18,400 --> 00:49:26,040
Speaker 1: Then you go, man produce Fire Fire, Thank you saw

1003
00:49:26,120 --> 00:49:29,759
Speaker 1: hit me up to about it? Man, Look like I

1004
00:49:29,920 --> 00:49:33,040
Speaker 1: was like, whoa, that's fire. I ain't even realize how

1005
00:49:33,239 --> 00:49:37,480
Speaker 1: how it's like, Yo, that's no one can skip you put.

1006
00:49:37,600 --> 00:49:40,560
Speaker 1: I just hated, like, if you're a fan of hip hop,

1007
00:49:40,719 --> 00:49:44,480
Speaker 1: you skip that. They're just mad people shock. My brother

1008
00:49:44,560 --> 00:49:46,640
Speaker 1: Sean too in the production. They had a mad day.

1009
00:49:46,800 --> 00:49:48,680
Speaker 1: My brother right here produced that whole project. You know

1010
00:49:49,400 --> 00:49:53,800
Speaker 1: that fire I killed. I killed that ship. No, we

1011
00:49:53,960 --> 00:49:56,160
Speaker 1: we did the We did the in the studio together

1012
00:49:56,280 --> 00:49:58,399
Speaker 1: like no emailing. You know what I'm saying, Like every

1013
00:49:59,080 --> 00:50:01,520
Speaker 1: question in the studio did you did you? Because when

1014
00:50:01,560 --> 00:50:05,600
Speaker 1: I first heard when you first introduced the project, I

1015
00:50:05,640 --> 00:50:07,080
Speaker 1: thought it was gonna because you know, to do the

1016
00:50:07,120 --> 00:50:09,960
Speaker 1: freestyles in the car that inspire you to do the

1017
00:50:10,040 --> 00:50:11,680
Speaker 1: Balls it did it did?

1018
00:50:11,840 --> 00:50:11,960
Speaker 4: Man?

1019
00:50:12,120 --> 00:50:13,920
Speaker 1: Because I was like, yeah, how's this gonna come out?

1020
00:50:14,000 --> 00:50:15,720
Speaker 1: Is he just gonna have like, oh that's white Balls

1021
00:50:19,000 --> 00:50:20,840
Speaker 1: did because so many people just hit me up like

1022
00:50:21,000 --> 00:50:23,319
Speaker 1: you need to turn into a project. But I ain't

1023
00:50:23,360 --> 00:50:24,560
Speaker 1: just want to do it. I wanted to make sure

1024
00:50:24,600 --> 00:50:27,120
Speaker 1: I like, did it right? You know what I'm saying. Bro,

1025
00:50:27,840 --> 00:50:30,879
Speaker 1: that showed me. That's a good project, man, good looking show.

1026
00:50:31,280 --> 00:50:34,560
Speaker 1: Definitely got definitely gonna do part two. Man, Yeah, I

1027
00:50:34,640 --> 00:50:42,920
Speaker 1: hit you. I'm like, I know the bro individuals to yeah,

1028
00:50:43,000 --> 00:50:45,279
Speaker 1: oh yes, each time. It's gonna come with a short film.

1029
00:50:45,320 --> 00:50:46,960
Speaker 1: You know what I'm saying. So, who's the girl on

1030
00:50:47,080 --> 00:50:51,400
Speaker 1: the project? O Kadija that's under Artists. She underwent records,

1031
00:50:51,400 --> 00:50:54,320
Speaker 1: so she signed to Win Records. I'm saying, that's family

1032
00:50:54,440 --> 00:50:57,120
Speaker 1: right there. When when when now she killing it? She

1033
00:50:57,239 --> 00:50:59,279
Speaker 1: killing it? She from Cali man, she from Leone, but

1034
00:50:59,640 --> 00:51:02,120
Speaker 1: she in calad of the Diamonds is up. Yeah, yeah,

1035
00:51:03,360 --> 00:51:04,520
Speaker 1: you know what I'm saying. But she's based in.

1036
00:51:06,239 --> 00:51:11,520
Speaker 2: Yeah, yes Diamonds, shout the Cadijo. All right, we're gonna

1037
00:51:11,560 --> 00:51:13,400
Speaker 2: do quick time with Slim. We're gonna give you two choices.

1038
00:51:13,920 --> 00:51:16,120
Speaker 2: If you pick one, we're not drinking. If you say both,

1039
00:51:16,600 --> 00:51:19,080
Speaker 2: you know want you you're playing, You're alumni.

1040
00:51:19,520 --> 00:51:25,480
Speaker 1: Wanta drink? I'll be drinking a lot. Man. Great time

1041
00:51:25,520 --> 00:51:31,319
Speaker 1: with Slim getting my must time. I heard you crash

1042
00:51:31,360 --> 00:51:35,120
Speaker 1: into a police car? Did oh ship? Last time I

1043
00:51:35,239 --> 00:51:43,719
Speaker 1: left the last time? You gotta use that you ain't

1044
00:51:43,719 --> 00:51:47,360
Speaker 1: gonna lie. This is a funny ship son, because I

1045
00:51:47,480 --> 00:51:49,600
Speaker 1: knew I was twisted right. So the nigga was like

1046
00:51:50,800 --> 00:51:53,760
Speaker 1: he was par my dumb ass on the phone bomb.

1047
00:51:54,760 --> 00:51:58,399
Speaker 1: I look, it's a fucking cop call. I'm like, wow,

1048
00:51:58,800 --> 00:52:03,200
Speaker 1: ship itself like yo, I'm like, chill, chill, chill. I

1049
00:52:03,280 --> 00:52:05,759
Speaker 1: got this, and I started giving them all information. Yo,

1050
00:52:05,920 --> 00:52:07,600
Speaker 1: just the flight. But I'm going to jail. I'm like

1051
00:52:08,120 --> 00:52:11,919
Speaker 1: going to jail and fucking Florida. I'm like yo, because

1052
00:52:11,920 --> 00:52:13,839
Speaker 1: I booked every dud, did everything. You know what I'm saying.

1053
00:52:13,880 --> 00:52:17,399
Speaker 1: So police get out, step out of the car, sir,

1054
00:52:17,680 --> 00:52:19,600
Speaker 1: I styled the car. How much did you have to drink?

1055
00:52:20,160 --> 00:52:25,000
Speaker 1: I don't drink, right, I don't drink. I smell it

1056
00:52:25,080 --> 00:52:27,160
Speaker 1: all over you. I don't know what you smell. I

1057
00:52:27,200 --> 00:52:29,960
Speaker 1: don't drink. So they doing this ship with the eye tept.

1058
00:52:30,000 --> 00:52:32,279
Speaker 1: I beat off I passed all that ship. Well, there's

1059
00:52:32,280 --> 00:52:40,880
Speaker 1: a plaque on the fucking ship says drinking. I'm like,

1060
00:52:41,040 --> 00:52:44,480
Speaker 1: is this nigga looking the car? I'm going, what you mean?

1061
00:52:45,920 --> 00:52:48,799
Speaker 1: Give me somebody flowers? Got them be drunk? Yo. I'm

1062
00:52:48,840 --> 00:52:53,520
Speaker 1: looking like yo, yo hod that fucking drink Championships because

1063
00:52:54,120 --> 00:52:56,640
Speaker 1: he's got the flash light in the car. I'm like,

1064
00:52:56,719 --> 00:52:59,160
Speaker 1: they put two and two Togetheriggas be like, Yo, you

1065
00:52:59,400 --> 00:53:04,239
Speaker 1: definitely drink. Yeah exactly, they definitely. Why that's my son.

1066
00:53:04,239 --> 00:53:06,080
Speaker 1: I'm like, yeah, I'm eaven drinking. Like yeah, I'm a

1067
00:53:06,160 --> 00:53:12,319
Speaker 1: fan for both of y'all. Case Slay or Clark cat

1068
00:53:12,960 --> 00:53:21,680
Speaker 1: Oh ship like both of those. I would, but come on,

1069
00:53:21,840 --> 00:53:25,000
Speaker 1: Kise slay man, y'all gotta drink that. I mean unless

1070
00:53:25,040 --> 00:53:31,879
Speaker 1: y'all want to. I ain't driving the sign loud and clear,

1071
00:53:32,320 --> 00:53:38,000
Speaker 1: driving the time motherfuckers Cain or jay z Oh ships

1072
00:53:38,040 --> 00:53:41,040
Speaker 1: playing horrible with me. I'm gonna say king. I think

1073
00:53:41,120 --> 00:53:43,759
Speaker 1: jay z would say king. Yeah, that's King. I'm gonna

1074
00:53:43,760 --> 00:53:51,359
Speaker 1: say both. Let's say both the drinking Okay shun price

1075
00:53:51,480 --> 00:53:56,359
Speaker 1: or O d B. Damn. I'm gonna go, Sean, I'm

1076
00:53:56,360 --> 00:53:58,080
Speaker 1: gonna go rest in peace. You know what I'm saying,

1077
00:53:58,120 --> 00:54:01,840
Speaker 1: but definitely O d B. Man, you create Brooklyn's was crazy.

1078
00:54:03,200 --> 00:54:07,000
Speaker 1: I ain't gonna lie so monkey ball wealth card like

1079
00:54:07,239 --> 00:54:10,040
Speaker 1: so effect they broke the draft for you know. You

1080
00:54:10,080 --> 00:54:16,719
Speaker 1: know what's funny? They similar similar. I mean like as

1081
00:54:16,800 --> 00:54:19,800
Speaker 1: far as not giving them like so many people in

1082
00:54:19,880 --> 00:54:22,759
Speaker 1: the hip hop, they have something like like they're they're

1083
00:54:22,800 --> 00:54:26,040
Speaker 1: they're like have pride like what they were both they're

1084
00:54:26,040 --> 00:54:29,120
Speaker 1: both messages I don't give you. I mean like I'm on,

1085
00:54:29,440 --> 00:54:32,160
Speaker 1: I'm on, I keep getting the EPT. But my ever,

1086
00:54:32,280 --> 00:54:37,160
Speaker 1: we call the wealth welfare straight up welfare and I'm

1087
00:54:37,360 --> 00:54:40,480
Speaker 1: I'm Sean saying I'm the Brokes rap. You know, like

1088
00:54:40,560 --> 00:54:42,239
Speaker 1: that's just kind of like the same message in a

1089
00:54:42,280 --> 00:54:45,640
Speaker 1: certain way. Yeah, human had similar humor. It's something about O.

1090
00:54:45,800 --> 00:54:46,040
Speaker 5: D B.

1091
00:54:46,320 --> 00:54:49,320
Speaker 1: Like his energy, bro like it makes you want to

1092
00:54:49,400 --> 00:54:52,080
Speaker 1: fight as soon as you hit it. Come on. It's

1093
00:54:52,160 --> 00:54:59,320
Speaker 1: just like dang. I was standing and I seen them like,

1094
00:55:00,040 --> 00:55:02,200
Speaker 1: yeah that ship wasn't. Let me tell you the funny

1095
00:55:02,200 --> 00:55:06,160
Speaker 1: ship about B. I invite him to a barbecue. He

1096
00:55:06,280 --> 00:55:09,239
Speaker 1: goes to the barbecue, he got he got gatorade in

1097
00:55:09,320 --> 00:55:11,560
Speaker 1: his head and then I'm like, here, you don't want

1098
00:55:11,600 --> 00:55:14,320
Speaker 1: to eat? He goes No, it's Ramadan. I like a

1099
00:55:14,360 --> 00:55:23,040
Speaker 1: lot of barbecue. You just see him like you know,

1100
00:55:23,480 --> 00:55:25,680
Speaker 1: I don't belong here. I said, Yo, what part of

1101
00:55:25,719 --> 00:55:30,920
Speaker 1: the barbecue you didn't understand? Like that's what crazy people?

1102
00:55:33,200 --> 00:55:38,120
Speaker 1: Brooklyn Both Brooklyn both Brooklyn. Ye seen there to live.

1103
00:55:39,320 --> 00:55:43,480
Speaker 1: I like how you pronounced live. I gotta go with that.

1104
00:55:43,960 --> 00:55:47,919
Speaker 1: I've seen that. I'm going with Tyler. See I gotta

1105
00:55:48,000 --> 00:55:50,879
Speaker 1: drink because it's like that's different. I'm going to Okay,

1106
00:55:50,920 --> 00:55:54,000
Speaker 1: my bad bad all this is, this is gonna be

1107
00:55:54,040 --> 00:55:58,040
Speaker 1: easy for y'all. Biggie or big al Biggie, that ship

1108
00:55:58,080 --> 00:56:02,680
Speaker 1: ain't easy man for me. Well, I'm Brooklyn biased anyway. Yeah,

1109
00:56:02,680 --> 00:56:05,719
Speaker 1: I know all y'all if you don't say biggie's something wrong.

1110
00:56:06,239 --> 00:56:09,319
Speaker 1: But big l was crazy. That's the piece of hell.

1111
00:56:09,400 --> 00:56:13,880
Speaker 1: But yeah, I gotta say big Okay, uncle murder or

1112
00:56:13,960 --> 00:56:21,520
Speaker 1: man on oh ship crazy? Does I mean there's those

1113
00:56:21,560 --> 00:56:23,400
Speaker 1: guys over there, they write it. I just I just

1114
00:56:23,440 --> 00:56:29,840
Speaker 1: read it. What we ask you get whatever there you

1115
00:56:29,880 --> 00:56:33,720
Speaker 1: want whatever, I'm gonna say, both Okay, I mean Brooklyn

1116
00:56:33,800 --> 00:56:41,520
Speaker 1: man Brooklyn, Brooklyn looking for the wind okay asy or

1117
00:56:41,600 --> 00:56:48,759
Speaker 1: fab ship. I'm taking a sip man Okay, cool, all right,

1118
00:56:49,200 --> 00:56:53,120
Speaker 1: Yeah you take this one joy badass of Rome Streets.

1119
00:56:54,160 --> 00:56:59,400
Speaker 1: Oh ship, that's tough like Rome Streets kids, get it shocked. No,

1120
00:56:59,680 --> 00:57:01,960
Speaker 1: I like both of them, like both yeah, man, but

1121
00:57:02,080 --> 00:57:04,279
Speaker 1: he knew what he knew it and Joey you know

1122
00:57:04,360 --> 00:57:08,800
Speaker 1: what deliricis a species? Now? Yeah? Yeah, you know what

1123
00:57:08,800 --> 00:57:15,719
Speaker 1: I'm saying. Shot the both of them, MTV raps or

1124
00:57:15,840 --> 00:57:20,960
Speaker 1: rap City. I'm wan rap City rap City? That was

1125
00:57:21,000 --> 00:57:27,000
Speaker 1: easy master Ace or Ja Rule the Dammager master. Ay

1126
00:57:27,720 --> 00:57:32,840
Speaker 1: they both dopes me man, I think that was a problem.

1127
00:57:35,200 --> 00:57:43,120
Speaker 1: Yeah it was Yeah, yeah, I'm I think was jay

1128
00:57:43,280 --> 00:57:46,120
Speaker 1: U arguably the first rapp of the rep East New York.

1129
00:57:46,960 --> 00:57:49,600
Speaker 1: I think no fat boys fat boys from East New

1130
00:57:49,680 --> 00:57:53,160
Speaker 1: York back. I did not know that fat boys, that's

1131
00:57:53,160 --> 00:57:53,480
Speaker 1: a fact.

1132
00:57:54,120 --> 00:58:03,640
Speaker 3: Okay, just a killer priest, just a that Jesus is

1133
00:58:03,760 --> 00:58:05,920
Speaker 3: insane though very underrated.

1134
00:58:06,120 --> 00:58:09,840
Speaker 1: Yeah but I like killing but but he ain't got

1135
00:58:09,880 --> 00:58:12,840
Speaker 1: the project that that that liquid swords like that's what

1136
00:58:13,000 --> 00:58:16,160
Speaker 1: gives them that they both deadly with the pen. You

1137
00:58:16,240 --> 00:58:21,200
Speaker 1: gotta have that body of work, liquid body of work

1138
00:58:21,440 --> 00:58:27,400
Speaker 1: them niggas. Jesus was crazy skazoo or to mm hmm.

1139
00:58:27,680 --> 00:58:31,360
Speaker 1: I'm gonna go to I'm gonna go ska Zoo. Okay,

1140
00:58:33,960 --> 00:58:41,120
Speaker 1: they like a group is an artist, but he also

1141
00:58:43,600 --> 00:58:49,439
Speaker 1: put out guys. Well okay, that's probably that's broke that Yeah,

1142
00:58:49,480 --> 00:58:56,360
Speaker 1: I ain't know that Lola Brook or Scarlet Lola. Yeah, Brooklyn,

1143
00:58:56,400 --> 00:59:00,800
Speaker 1: I gotta go broken, lolaire she got energy. Yeah, shout

1144
00:59:00,800 --> 00:59:04,000
Speaker 1: the load of brook the team eate man, I want

1145
00:59:04,040 --> 00:59:06,720
Speaker 1: to see. I want to see. I ask you predominantly first,

1146
00:59:06,800 --> 00:59:11,600
Speaker 1: and then I'm coming to the dominantly. It's Crazy next

1147
00:59:11,840 --> 00:59:14,760
Speaker 1: or the nets nixt that's easy, okay, like it's not

1148
00:59:14,920 --> 00:59:19,240
Speaker 1: Brooklyn in all. Okay, you got you gotta New York, Brian,

1149
00:59:19,360 --> 00:59:23,600
Speaker 1: New York. Now you too, nigga. I don't either think

1150
00:59:28,280 --> 00:59:31,000
Speaker 1: let's big up to the next organization just one. I

1151
00:59:31,040 --> 00:59:36,360
Speaker 1: don't know what the help that we want, I don't matter.

1152
00:59:37,680 --> 00:59:44,280
Speaker 1: That's how we celebrated every single wining weekend. Yeah yeah, yeah,

1153
00:59:44,280 --> 00:59:49,760
Speaker 1: I don't know. I know how he is crazy man

1154
00:59:52,600 --> 00:59:55,560
Speaker 1: said what the we can done? That win? Goddamn it?

1155
00:59:55,640 --> 00:59:58,920
Speaker 1: But yeah, yeah, just like I don't know what happened,

1156
00:59:58,960 --> 01:00:08,600
Speaker 1: but everybody celebrated. Yeah, I think said they won the

1157
01:00:08,640 --> 01:00:10,520
Speaker 1: World Cup. I said I thought that would socker bro

1158
01:00:10,880 --> 01:00:13,400
Speaker 1: I think that's what they're doing. I'm like, drag out

1159
01:00:13,400 --> 01:00:15,960
Speaker 1: the league, to drag out the league. I can't he

1160
01:00:16,520 --> 01:00:20,760
Speaker 1: just give me the eighty game. I ain't gonna lie.

1161
01:00:20,960 --> 01:00:22,720
Speaker 1: When I see all the celebrated, I was like, fuck

1162
01:00:22,800 --> 01:00:26,000
Speaker 1: that we're up. We won. I'm like, I don't know

1163
01:00:26,080 --> 01:00:29,320
Speaker 1: what the fun that we won? Hey, that's crazy. Okay,

1164
01:00:29,440 --> 01:00:34,120
Speaker 1: this is a good one. MC Light or Laurence Hill. Damn,

1165
01:00:35,120 --> 01:00:40,200
Speaker 1: I'm sipping. I'm going I'm going Light. This is a rock.

1166
01:00:40,840 --> 01:00:44,520
Speaker 1: I'm going with light Man Wow, because I feel like

1167
01:00:45,320 --> 01:00:47,200
Speaker 1: she influenced Lauren Hill. You know what I'm saying. So

1168
01:00:47,280 --> 01:00:49,760
Speaker 1: I feel like the same thing he said earlier. Jay

1169
01:00:49,840 --> 01:00:51,400
Speaker 1: Z would say king you know what I mean. So

1170
01:00:51,480 --> 01:00:55,520
Speaker 1: it's like it's kind of tough to put her over Light,

1171
01:00:55,560 --> 01:00:58,040
Speaker 1: you know what I'm saying. For me, I like that.

1172
01:00:58,520 --> 01:01:00,800
Speaker 1: I like that too. I'm anay with thin Light as

1173
01:01:00,800 --> 01:01:07,080
Speaker 1: a rock, smooth hustler or sort some money. Both of

1174
01:01:07,160 --> 01:01:10,440
Speaker 1: my guys Man too, Man too Brownsville, So both of

1175
01:01:10,680 --> 01:01:14,840
Speaker 1: it's both Brooklyn member for smooth smooth. It's like them

1176
01:01:15,320 --> 01:01:25,480
Speaker 1: that's my guyrigged my god, that's my period crew from

1177
01:01:25,560 --> 01:01:28,200
Speaker 1: That's where I come from. Bro Like I gotta go smooth.

1178
01:01:29,000 --> 01:01:31,919
Speaker 1: I love so sources my god too, though, I gotta

1179
01:01:32,240 --> 01:01:34,480
Speaker 1: shout the source of money, shout. I just saw some money,

1180
01:01:35,120 --> 01:01:38,120
Speaker 1: but I'm gonna go. I gotta go smooth. Though broken

1181
01:01:38,200 --> 01:01:44,200
Speaker 1: languages still still one of the Yeah, the beat and

1182
01:01:44,440 --> 01:01:49,680
Speaker 1: actually everything the source source my nigga too. Man, you drinking, No,

1183
01:01:49,840 --> 01:01:53,520
Speaker 1: I took smooth smooth, Okay, smooth smooth, Okay, beat Street

1184
01:01:53,600 --> 01:01:57,880
Speaker 1: or Crush grew, Rush grew. It's the time, man, Damn yeah, yeah,

1185
01:01:58,160 --> 01:02:02,200
Speaker 1: I got into that bugging. I thought he said breaking

1186
01:02:02,280 --> 01:02:06,560
Speaker 1: for a second, like breaking B Street and Crush grew

1187
01:02:07,200 --> 01:02:11,560
Speaker 1: Eighties crazy okay saying no, I'm just kidding. Eighties hip

1188
01:02:11,600 --> 01:02:18,520
Speaker 1: hop or nineties hip hop, that's tough. So it's easy, man,

1189
01:02:18,880 --> 01:02:21,200
Speaker 1: that's a tough one. Come on, Pat what you said

1190
01:02:21,280 --> 01:02:23,680
Speaker 1: you Pat poop? Nineties bro, It's no, that's for me,

1191
01:02:23,840 --> 01:02:26,479
Speaker 1: nineties man, because you know what eighties you got, she rapped,

1192
01:02:26,480 --> 01:02:30,360
Speaker 1: you got sucking Kane, you got rock. Yeah, g wrapped

1193
01:02:30,360 --> 01:02:33,160
Speaker 1: in the nineties too, Il Street, black l Street Blues

1194
01:02:33,640 --> 01:02:37,040
Speaker 1: in the nineties. He was in the nineties to the nineties,

1195
01:02:37,120 --> 01:02:40,880
Speaker 1: but eighties g was a different g though. Yeah, jeez, jeez,

1196
01:02:41,320 --> 01:02:43,160
Speaker 1: I'm gonna take you sip on that because to me,

1197
01:02:43,280 --> 01:02:45,320
Speaker 1: speaking a cool g rap the first time I heard

1198
01:02:45,400 --> 01:02:48,040
Speaker 1: him was Rooster Evil. That's the fact to me. To me,

1199
01:02:48,360 --> 01:02:52,000
Speaker 1: I'm like, eighties hip hop was on coke and nineties

1200
01:02:52,080 --> 01:02:56,800
Speaker 1: hip hop. So I'm telling it, yeah, you hip hop

1201
01:02:56,880 --> 01:02:59,840
Speaker 1: was in the back of the seat. I was doing

1202
01:02:59,920 --> 01:03:02,800
Speaker 1: them songs was out. I didn't even know they was

1203
01:03:02,800 --> 01:03:10,080
Speaker 1: talking about coke. Back the White Line had spikes and

1204
01:03:10,120 --> 01:03:16,400
Speaker 1: ship Carrol. I had to tell there was a nigga

1205
01:03:16,480 --> 01:03:19,439
Speaker 1: prison trying to convince me, Yo, there was a nigga

1206
01:03:19,440 --> 01:03:21,200
Speaker 1: in prison, man, and this how you know jail? You

1207
01:03:21,240 --> 01:03:24,000
Speaker 1: know jail niggas will tell you anything. Did they get you?

1208
01:03:24,320 --> 01:03:25,800
Speaker 1: Some wool tang came out. I was in jail. He

1209
01:03:25,840 --> 01:03:27,640
Speaker 1: tried to tell me that the wool tang was because

1210
01:03:27,640 --> 01:03:30,240
Speaker 1: they smoked wolves, and I was like, man, you bugging huh.

1211
01:03:31,080 --> 01:03:33,640
Speaker 1: They got a little truth to it, because he was

1212
01:03:33,720 --> 01:03:36,439
Speaker 1: I'm like a little truth. But then he started breaking

1213
01:03:36,480 --> 01:03:38,880
Speaker 1: down the set. He was like, think about it, no question,

1214
01:03:39,040 --> 01:03:44,360
Speaker 1: that was feed cracks weed combination. I was like, damn na, bro,

1215
01:03:44,880 --> 01:03:47,800
Speaker 1: niggas wasn't smoking wolves. I ain't realized wolves was a

1216
01:03:47,880 --> 01:03:49,720
Speaker 1: cool thing back in the day, like, oh, they still

1217
01:03:49,760 --> 01:03:53,840
Speaker 1: do it out here right now? What did you call it? Dirty? Dirty? Yeah,

1218
01:03:54,120 --> 01:03:57,880
Speaker 1: well crack they love it out here. That's filtering the

1219
01:04:00,680 --> 01:04:04,200
Speaker 1: My nigga took that shout out. Listen to me, I

1220
01:04:04,360 --> 01:04:06,520
Speaker 1: did love. I did a fucking love of hip hop.

1221
01:04:06,600 --> 01:04:10,680
Speaker 1: See with Daddy and he's there, he's just a bagg

1222
01:04:10,760 --> 01:04:16,080
Speaker 1: and we're just sitting there looking at each other like

1223
01:04:18,560 --> 01:04:27,920
Speaker 1: this character. The whole time, it was kept going, I

1224
01:04:28,080 --> 01:04:30,600
Speaker 1: love these niggas out there, these niggas crazy. I'm sorry.

1225
01:04:32,360 --> 01:04:36,240
Speaker 1: Rockefeller Rough Riders kept going, it's crazy. I should go on.

1226
01:04:36,360 --> 01:04:39,280
Speaker 1: So that's all or too. If I had it was

1227
01:04:39,680 --> 01:04:41,800
Speaker 1: being I had my chance when they was in the peak,

1228
01:04:41,880 --> 01:04:45,280
Speaker 1: I probably would have chose Rockefeller. Yeah, I gotta go

1229
01:04:45,320 --> 01:04:50,040
Speaker 1: to Brooklyn a fella. Okay, Okay, I forgot, but rough

1230
01:04:50,080 --> 01:04:52,720
Speaker 1: Father's got a couple of Brooklyn CEO's in there. Okay.

1231
01:04:53,320 --> 01:04:56,880
Speaker 1: The rough Riders man crazy. The Yankees are the Mets

1232
01:04:57,120 --> 01:05:05,280
Speaker 1: Yankees Yankees one Queen's niggas Queen. I like when the

1233
01:05:05,360 --> 01:05:07,800
Speaker 1: Yankees winning. But I always got to wear that. And

1234
01:05:07,920 --> 01:05:09,960
Speaker 1: it's like wearing the Knicks colors too. You're right, it's

1235
01:05:10,000 --> 01:05:14,480
Speaker 1: really the next colors too, right, Okay Smith and Wesson

1236
01:05:14,560 --> 01:05:19,439
Speaker 1: or m O p oh Man mass policy. I'm going.

1237
01:05:19,520 --> 01:05:24,120
Speaker 1: I'm going with them, going with billion fang all billion fang.

1238
01:05:24,240 --> 01:05:26,720
Speaker 1: I love both of them, both of them, My brothers

1239
01:05:27,120 --> 01:05:29,640
Speaker 1: both got legend that w jointed both of them thing

1240
01:05:30,400 --> 01:05:33,120
Speaker 1: both of them in sing bro. Words can't describe it,

1241
01:05:33,680 --> 01:05:34,800
Speaker 1: you know what I'm saying. But I got to take

1242
01:05:34,840 --> 01:05:41,280
Speaker 1: a drink. Okay special ad or father MC special special Bro.

1243
01:05:41,640 --> 01:05:48,600
Speaker 1: I got it man, shout the father C Man. He's

1244
01:05:48,600 --> 01:05:52,920
Speaker 1: still touring. No, no, no, right now we're doing that.

1245
01:05:53,080 --> 01:06:00,720
Speaker 1: If you do for dude, now now now off finished.

1246
01:06:00,920 --> 01:06:03,320
Speaker 1: I'm not sure how much he's dancing on stage, but

1247
01:06:03,480 --> 01:06:06,720
Speaker 1: he's on stage like every week, Like, well I see him. Yeah,

1248
01:06:06,880 --> 01:06:10,600
Speaker 1: Like that's what I love about our old school brothers.

1249
01:06:10,640 --> 01:06:12,440
Speaker 1: When I see them on the road, that ship makes

1250
01:06:12,520 --> 01:06:14,760
Speaker 1: me feel real, very real good. You know what I'm saying.

1251
01:06:14,920 --> 01:06:17,280
Speaker 1: Like one of the best hip hop records. I got

1252
01:06:17,360 --> 01:06:19,240
Speaker 1: it man, How start? How start to see if we

1253
01:06:19,360 --> 01:06:19,960
Speaker 1: hip hop? Let's go.

1254
01:06:20,120 --> 01:06:25,120
Speaker 4: I'm your title nu Puerto Rican speaking so that you know,

1255
01:06:28,640 --> 01:06:32,080
Speaker 4: listen to see something when we say you she was

1256
01:06:32,200 --> 01:06:32,760
Speaker 4: meant to be.

1257
01:06:37,760 --> 01:06:40,919
Speaker 1: In the handcut that it was a fake. Big Daddy

1258
01:06:40,960 --> 01:06:45,520
Speaker 1: came come. I always looked at that. I can't let

1259
01:06:45,560 --> 01:06:50,000
Speaker 1: Brook crown Daddy Kane. I was like, yo, all the

1260
01:06:50,600 --> 01:06:57,400
Speaker 1: big Daddy Cane got the head. Yeah, and he blonded it. Yeah. Yeah,

1261
01:06:57,880 --> 01:07:02,120
Speaker 1: he was wrapping the video music box that he was. Okay,

1262
01:07:02,360 --> 01:07:04,360
Speaker 1: and you're gonna get back to the interview. That's funny

1263
01:07:04,760 --> 01:07:08,160
Speaker 1: Town Records was doing it. They was doing it heavy

1264
01:07:08,240 --> 01:07:09,160
Speaker 1: down with heavy d y.

1265
01:07:09,400 --> 01:07:09,600
Speaker 2: Yeah.

1266
01:07:09,680 --> 01:07:14,400
Speaker 1: They had the animals to heavy. Don't he dive? It

1267
01:07:14,520 --> 01:07:17,240
Speaker 1: was no heavy deed. It might not have been big,

1268
01:07:17,520 --> 01:07:21,160
Speaker 1: no big, no big pun. That boy was about it.

1269
01:07:21,440 --> 01:07:27,000
Speaker 1: Boys before having no big pun followed the style. Yeah, yeah,

1270
01:07:27,320 --> 01:07:30,120
Speaker 1: I don't bad boys was big that he wanted to

1271
01:07:30,160 --> 01:07:32,800
Speaker 1: be heavy boys. I forgot the fat boy first. I

1272
01:07:32,880 --> 01:07:37,240
Speaker 1: thought I thought they was kind of like the same era. Man. Okay, yeah,

1273
01:07:37,240 --> 01:07:44,080
Speaker 1: you're right, you're right right, Yeah. I used to like

1274
01:07:44,160 --> 01:07:48,560
Speaker 1: Muffy that you know what then he was doing I

1275
01:07:48,600 --> 01:07:55,000
Speaker 1: was like, this ship is fire and they made movies too.

1276
01:07:55,240 --> 01:07:56,360
Speaker 1: They broke down those barriers.

1277
01:07:57,520 --> 01:07:57,720
Speaker 3: Yeah.

1278
01:07:59,240 --> 01:08:01,000
Speaker 1: So this is the last Quesson that we gonna get

1279
01:08:01,040 --> 01:08:04,480
Speaker 1: back into the interview and close it out. Loyalty or

1280
01:08:04,520 --> 01:08:13,440
Speaker 1: respect mm hmmmm, I'm gonna say I would say both

1281
01:08:13,760 --> 01:08:16,360
Speaker 1: both I think they go hand in hand. Yeah is

1282
01:08:16,479 --> 01:08:18,479
Speaker 1: the time if it's that you should drink this is

1283
01:08:18,760 --> 01:08:25,160
Speaker 1: this is the actual time. Last time we got to check. Yeah,

1284
01:08:25,160 --> 01:08:28,040
Speaker 1: I got you can't have one without the other. That's

1285
01:08:28,080 --> 01:08:29,760
Speaker 1: what I believe. You know what I mean, if you

1286
01:08:29,880 --> 01:08:31,680
Speaker 1: loyal to him, probably if you don't have to pick,

1287
01:08:31,720 --> 01:08:33,479
Speaker 1: why would you pick one? Is what I'm saying. You

1288
01:08:33,560 --> 01:08:39,920
Speaker 1: know I want so not. You got the uh situation. Job.

1289
01:08:42,080 --> 01:08:44,320
Speaker 1: You got got to fill the industry. You got to

1290
01:08:44,640 --> 01:08:47,280
Speaker 1: got gotta get a couple of dollars. What makes you

1291
01:08:47,360 --> 01:08:52,720
Speaker 1: say I want to I'm gonna do love and hip hop? Oh?

1292
01:08:54,040 --> 01:08:59,600
Speaker 1: You called me? He called me one time. He was like,

1293
01:09:00,080 --> 01:09:01,600
Speaker 1: did it and they made me look horrible? He was

1294
01:09:01,680 --> 01:09:05,240
Speaker 1: like fun, they called it love and hip hop? And

1295
01:09:05,400 --> 01:09:07,800
Speaker 1: I said, you're fam He was like, I seen, I

1296
01:09:07,880 --> 01:09:10,040
Speaker 1: seen your experience up there where you think. I don't

1297
01:09:10,040 --> 01:09:12,200
Speaker 1: know if you remember this conversation. He was like what

1298
01:09:12,280 --> 01:09:15,840
Speaker 1: do you think? And I was like, I'm like, you're

1299
01:09:15,840 --> 01:09:18,120
Speaker 1: doing it with his ex wife. And I was like,

1300
01:09:19,080 --> 01:09:21,000
Speaker 1: I think you should do it because number one, they're

1301
01:09:21,000 --> 01:09:23,720
Speaker 1: not gonna play with her. The bitches over there, they're

1302
01:09:23,720 --> 01:09:25,439
Speaker 1: not gonna they'll play with us because they ain't much

1303
01:09:25,479 --> 01:09:27,519
Speaker 1: we could do. They're not gonna play with her, and

1304
01:09:28,000 --> 01:09:29,680
Speaker 1: that's what they was doing. They're like, how we make

1305
01:09:29,760 --> 01:09:31,320
Speaker 1: this nigga look like an ass? So they did the

1306
01:09:31,360 --> 01:09:33,439
Speaker 1: beat up and they did they just make I'm like,

1307
01:09:33,479 --> 01:09:35,439
Speaker 1: why y'all doing this shit to me when they don't

1308
01:09:35,479 --> 01:09:36,800
Speaker 1: fuck with you. They don't fuck with you, and they

1309
01:09:36,880 --> 01:09:39,160
Speaker 1: need ratings. They was like, if we could make you

1310
01:09:39,280 --> 01:09:42,360
Speaker 1: look like a fucking buffoon and it brings, and we

1311
01:09:42,439 --> 01:09:44,439
Speaker 1: could throw you up on that screen and people gonna

1312
01:09:44,439 --> 01:09:47,040
Speaker 1: tap in, we're gonna do it. But I told Pap,

1313
01:09:47,040 --> 01:09:49,160
Speaker 1: I say, your situation is different, bro, like you looked

1314
01:09:49,160 --> 01:09:51,479
Speaker 1: at as a totally different I don't even know if

1315
01:09:51,479 --> 01:09:52,080
Speaker 1: you remember this coming.

1316
01:09:52,160 --> 01:09:52,680
Speaker 3: No, I do.

1317
01:09:52,800 --> 01:09:56,040
Speaker 1: I do remember so because you had. So what happened

1318
01:09:56,160 --> 01:09:58,800
Speaker 1: was it was a point when when she was away,

1319
01:10:00,040 --> 01:10:02,760
Speaker 1: they was actually reaching out to me, to you. Yeah,

1320
01:10:02,800 --> 01:10:04,160
Speaker 1: they was reaching out to us to do the show

1321
01:10:04,160 --> 01:10:06,679
Speaker 1: while she was incarcerated, and we was like, you would

1322
01:10:06,680 --> 01:10:08,360
Speaker 1: have been on Love after lock. Yeah. I was like, man,

1323
01:10:08,400 --> 01:10:11,120
Speaker 1: this shit is like they over there, they throwing drinks

1324
01:10:11,200 --> 01:10:12,920
Speaker 1: on each other and like that shit ain't gonna work.

1325
01:10:13,520 --> 01:10:16,000
Speaker 1: Turned it down. But then when she came home, they

1326
01:10:16,080 --> 01:10:20,200
Speaker 1: came with the offer again, and you know, we both

1327
01:10:20,280 --> 01:10:21,920
Speaker 1: kind of had like a bad rep, you know what

1328
01:10:21,920 --> 01:10:24,360
Speaker 1: I'm saying. She had one, of course what she went through,

1329
01:10:24,720 --> 01:10:27,000
Speaker 1: and I had a bunch of situations man that that

1330
01:10:27,360 --> 01:10:28,800
Speaker 1: went on behind the scenes, you know what I'm saying.

1331
01:10:29,320 --> 01:10:31,920
Speaker 1: And people people knew me as an artist, but they

1332
01:10:31,960 --> 01:10:33,559
Speaker 1: an't know Pap Poosta person, you know what I'm saying.

1333
01:10:34,080 --> 01:10:36,200
Speaker 1: So we we talked and at that point when she

1334
01:10:36,320 --> 01:10:38,800
Speaker 1: came home, we decided to do it. But around that time,

1335
01:10:38,880 --> 01:10:40,760
Speaker 1: that's when I started making them calls. I'm like, damn,

1336
01:10:40,760 --> 01:10:42,040
Speaker 1: all right, I know my nigga was on it. Let

1337
01:10:42,040 --> 01:10:44,040
Speaker 1: me come up and see checked the tip, you know

1338
01:10:44,080 --> 01:10:45,560
Speaker 1: what I'm saying, Cause I kind of seem like I

1339
01:10:45,680 --> 01:10:47,800
Speaker 1: know him, but I seen how they depicted him on

1340
01:10:47,840 --> 01:10:49,400
Speaker 1: the screen. I was like, that's not who we are,

1341
01:10:50,680 --> 01:10:52,720
Speaker 1: you know what I mean, some real ship, but that's

1342
01:10:52,760 --> 01:10:57,320
Speaker 1: why I have Yeah. Yeah, so I called them whatever,

1343
01:10:57,360 --> 01:10:58,680
Speaker 1: and you know what I mean, just people that I

1344
01:10:58,800 --> 01:11:00,559
Speaker 1: know that was on the show that I think will

1345
01:11:00,600 --> 01:11:02,920
Speaker 1: give me an honest opinion. But me and Hus spoke

1346
01:11:02,960 --> 01:11:06,160
Speaker 1: and we decided to do it. And it was crazy

1347
01:11:06,240 --> 01:11:09,639
Speaker 1: when I did that shit though, because I was expecting

1348
01:11:09,680 --> 01:11:12,360
Speaker 1: to get clowned. I was like, I was like, they

1349
01:11:12,400 --> 01:11:17,320
Speaker 1: about to kill me, man, They about to kill me. First. First,

1350
01:11:17,600 --> 01:11:20,720
Speaker 1: it kind of started when when she first caught the

1351
01:11:20,800 --> 01:11:25,439
Speaker 1: situation or whatever they was clowning me. They was it

1352
01:11:25,520 --> 01:11:27,679
Speaker 1: was killing me back then. You know what I'm saying.

1353
01:11:27,720 --> 01:11:29,320
Speaker 1: It was killing me back in the beginning. It was

1354
01:11:29,360 --> 01:11:31,479
Speaker 1: like Yo, they had the mentality like yo, you know

1355
01:11:31,520 --> 01:11:33,040
Speaker 1: what I mean with somebody, will she do that for you?

1356
01:11:33,320 --> 01:11:34,840
Speaker 1: You know what I'm saying. Because I was going to

1357
01:11:34,920 --> 01:11:37,160
Speaker 1: visit her and all of that shit, and you know,

1358
01:11:37,200 --> 01:11:40,400
Speaker 1: I would post certain things. But one time when it

1359
01:11:40,479 --> 01:11:42,280
Speaker 1: kind of changed, Double Excel reached out and they wanted

1360
01:11:42,280 --> 01:11:43,400
Speaker 1: to do an interview. They was like, yeah, we just

1361
01:11:43,439 --> 01:11:45,960
Speaker 1: want to follow you for the day. And my routine

1362
01:11:46,120 --> 01:11:48,880
Speaker 1: was go to the supermarket, get thirty one pounds of

1363
01:11:48,880 --> 01:11:51,760
Speaker 1: food and didn't go to the jail, drop the food

1364
01:11:51,760 --> 01:11:53,439
Speaker 1: off and going to visit. So they came actually with

1365
01:11:53,600 --> 01:11:56,280
Speaker 1: me to the supermarket. And then it came with me

1366
01:11:56,320 --> 01:11:59,320
Speaker 1: on the Double Sell magazine. You probably could pull it up,

1367
01:11:59,800 --> 01:12:01,280
Speaker 1: and they sent on a visit with us and they

1368
01:12:01,360 --> 01:12:03,160
Speaker 1: put the article out. When they put the article out,

1369
01:12:03,160 --> 01:12:05,599
Speaker 1: that's when it changed and they kind of stopped clowning

1370
01:12:05,640 --> 01:12:07,600
Speaker 1: me at the time because I didn't see those algorithms.

1371
01:12:07,600 --> 01:12:09,599
Speaker 1: Are people clowning you? So but yeah, in the beginning,

1372
01:12:09,640 --> 01:12:11,479
Speaker 1: I can show you ship. It's certain niggas that I

1373
01:12:11,520 --> 01:12:13,599
Speaker 1: wanted to slap from back then, like I see them now.

1374
01:12:13,680 --> 01:12:15,880
Speaker 1: But they was like when she caught the case, they

1375
01:12:15,920 --> 01:12:18,080
Speaker 1: thought it was funny. You know, I didn't think that

1376
01:12:18,320 --> 01:12:22,000
Speaker 1: was funny. I got another story. It was funny that

1377
01:12:22,080 --> 01:12:24,000
Speaker 1: you was being Lloyd. They thought it was funny that

1378
01:12:24,920 --> 01:12:26,800
Speaker 1: she caught the case. She went to jail, and they

1379
01:12:26,800 --> 01:12:29,320
Speaker 1: thought I was an idiot for holding it down. One

1380
01:12:29,360 --> 01:12:31,400
Speaker 1: of the reasons why I got minds on that plane

1381
01:12:31,560 --> 01:12:33,880
Speaker 1: you called me last night and I'm in Connecticut and

1382
01:12:34,920 --> 01:12:36,960
Speaker 1: you got to be in Miami by noon, is because

1383
01:12:37,000 --> 01:12:38,880
Speaker 1: it was him, because I got stories. He don't even

1384
01:12:38,880 --> 01:12:43,160
Speaker 1: remember speaking of Remy, right, the first be et site

1385
01:12:43,200 --> 01:12:46,519
Speaker 1: from it was me, you, the first one. When they

1386
01:12:46,600 --> 01:12:51,760
Speaker 1: first started them ships, Me, you, Ron Fast, Remy. It

1387
01:12:51,920 --> 01:12:54,360
Speaker 1: was a couple and they would only give us eight bars.

1388
01:12:54,439 --> 01:12:56,400
Speaker 1: Back then. You couldn't go like niggas. They was like, no,

1389
01:12:56,640 --> 01:12:59,320
Speaker 1: everybody do look full little bars. So I remember me

1390
01:12:59,360 --> 01:13:01,600
Speaker 1: and you talking because me and you knew Remy is

1391
01:13:01,600 --> 01:13:05,040
Speaker 1: already a star. Me and Son is under up and coming.

1392
01:13:05,760 --> 01:13:07,880
Speaker 1: So I remember, I remember me and you speaking. I'm like, yo,

1393
01:13:08,360 --> 01:13:10,240
Speaker 1: re mey be looking at you. Was like, yeah, I'm like,

1394
01:13:10,320 --> 01:13:14,280
Speaker 1: y'all holler. He was like, but meanwhile, I didn't know

1395
01:13:14,439 --> 01:13:16,479
Speaker 1: you probably had backed her. This is brand new, this

1396
01:13:16,560 --> 01:13:21,479
Speaker 1: is the first. This is two thousand and Because I'm

1397
01:13:21,520 --> 01:13:24,160
Speaker 1: like yo, He's like, I'm like, nah, she's too big

1398
01:13:24,240 --> 01:13:25,920
Speaker 1: of a star. She ain't. She ain't a fucking what.

1399
01:13:26,120 --> 01:13:27,960
Speaker 1: She ain't suing with neither one of us. But we

1400
01:13:28,120 --> 01:13:31,080
Speaker 1: just talking being niggas. And then the next thing, you know,

1401
01:13:32,200 --> 01:13:34,120
Speaker 1: there in a relationship. I'm like, did he bag it

1402
01:13:34,200 --> 01:13:38,800
Speaker 1: that day? Because you I wasn't together at the time.

1403
01:13:39,200 --> 01:13:42,320
Speaker 1: This was the first bet site for Ron. I think

1404
01:13:42,360 --> 01:13:44,360
Speaker 1: they split us up. Yeah, they did. They had me

1405
01:13:44,439 --> 01:13:46,960
Speaker 1: and Ron face and they was on four the time

1406
01:13:47,720 --> 01:13:51,960
Speaker 1: we was. We was on the first double XL freshman

1407
01:13:52,040 --> 01:13:58,680
Speaker 1: cover we did, the first being the first. Yeah, we

1408
01:13:59,320 --> 01:14:02,799
Speaker 1: paved a lot. He was the New York next supposed

1409
01:14:02,800 --> 01:14:06,040
Speaker 1: to be Saviors after y'all, After y'all. It was like Pat,

1410
01:14:06,120 --> 01:14:10,200
Speaker 1: there's two guys and Ship Brooklyn niggas Saigon and Me

1411
01:14:10,280 --> 01:14:12,880
Speaker 1: and Son at the beginning, it was like, we'll be

1412
01:14:12,960 --> 01:14:15,200
Speaker 1: going with this bro, and Kate Slay was the glue

1413
01:14:15,479 --> 01:14:19,439
Speaker 1: Slave Man recipes of my brother Slave ten records Niggers.

1414
01:14:19,479 --> 01:14:21,479
Speaker 1: Though we didn't like each other, I was like, that's

1415
01:14:21,520 --> 01:14:23,760
Speaker 1: one of my favorite rappers. That's the fact, I think

1416
01:14:23,880 --> 01:14:27,240
Speaker 1: one of my favorite rabbits. You po, I seen niggas

1417
01:14:27,280 --> 01:14:30,400
Speaker 1: used to make Pat Punk Patpoo's Versus Sagon mixtapes. That's

1418
01:14:30,400 --> 01:14:32,439
Speaker 1: the fact, Like DJ used to make Pat Poo's Verse

1419
01:14:32,479 --> 01:14:34,960
Speaker 1: Sagon you look google them since to this day. And

1420
01:14:35,520 --> 01:14:37,920
Speaker 1: Kate Slay because Kate Slay put me in the game too.

1421
01:14:38,560 --> 01:14:42,120
Speaker 1: So Slave was like, nah, I mean your nigga y Yeah,

1422
01:14:42,120 --> 01:14:46,439
Speaker 1: that's the fact, that's the first one. Yeah, and Blue

1423
01:14:46,479 --> 01:14:51,200
Speaker 1: paid for Jasco SOLDI your boys shit right now, your

1424
01:14:51,280 --> 01:14:56,479
Speaker 1: first So but when y'all got together, I always wondered,

1425
01:14:56,560 --> 01:15:00,559
Speaker 1: like did it start that day because me, I can't

1426
01:15:00,600 --> 01:15:02,680
Speaker 1: even remember if it was around the same around that

1427
01:15:02,800 --> 01:15:06,760
Speaker 1: same time, you know what I mean. But yeah, going

1428
01:15:06,840 --> 01:15:09,120
Speaker 1: back to that man, like I said in the beginning,

1429
01:15:09,160 --> 01:15:10,360
Speaker 1: it was a clown show, you know what I'm saying.

1430
01:15:10,520 --> 01:15:12,800
Speaker 1: But that was like they're in the bid And then,

1431
01:15:12,880 --> 01:15:16,200
Speaker 1: like I said, when XXL did that interview. Everything changed

1432
01:15:16,720 --> 01:15:18,880
Speaker 1: from from there on. People started to be like, damn,

1433
01:15:19,000 --> 01:15:21,599
Speaker 1: like you know what I mean. They kind of respected

1434
01:15:21,680 --> 01:15:23,880
Speaker 1: it and it just went from there. But when we

1435
01:15:23,960 --> 01:15:26,080
Speaker 1: did the show, the reason why I was expecting to

1436
01:15:26,120 --> 01:15:28,880
Speaker 1: get clown because you didn't see that on there. You

1437
01:15:28,960 --> 01:15:32,519
Speaker 1: didn't see like a man actually being there for his family,

1438
01:15:32,520 --> 01:15:35,080
Speaker 1: you know what I'm saying. So we shot that. She

1439
01:15:35,160 --> 01:15:37,120
Speaker 1: remember I was on one knee proposing the whole ship.

1440
01:15:37,840 --> 01:15:39,639
Speaker 1: So I was like, yeah, they got married in the cast,

1441
01:15:39,760 --> 01:15:42,680
Speaker 1: They're about to kill they about to kill me. It

1442
01:15:42,760 --> 01:15:45,000
Speaker 1: was crazy when it came out. I really felt like

1443
01:15:45,080 --> 01:15:47,120
Speaker 1: our people was tired of seeing us to pick it

1444
01:15:47,200 --> 01:15:50,120
Speaker 1: like down the screen. I believe so too real, bro,

1445
01:15:50,240 --> 01:15:52,280
Speaker 1: because the love was creaty. I couldn't believe it. You

1446
01:15:52,400 --> 01:15:54,400
Speaker 1: did it right though it was nothing but love. The

1447
01:15:54,479 --> 01:15:57,160
Speaker 1: opportunity made it right and it was organic, you know

1448
01:15:57,200 --> 01:15:59,320
Speaker 1: what I'm saying. Like it was it was really organic

1449
01:15:59,360 --> 01:16:04,360
Speaker 1: at the time. I believe you represent it for every

1450
01:16:04,560 --> 01:16:07,960
Speaker 1: street dude that want to come home at night, you

1451
01:16:08,000 --> 01:16:09,759
Speaker 1: know what I'm saying. Like, there's a lot of street

1452
01:16:09,840 --> 01:16:11,840
Speaker 1: dudes who don't want to come home at night, or

1453
01:16:11,920 --> 01:16:14,439
Speaker 1: street people who's not going to come home at night.

1454
01:16:14,760 --> 01:16:16,840
Speaker 1: But then there's people that want to come home at night.

1455
01:16:16,880 --> 01:16:19,479
Speaker 1: They want to come home at night, not only uh

1456
01:16:20,320 --> 01:16:23,240
Speaker 1: to safety, but to their women and their family. And

1457
01:16:23,320 --> 01:16:26,200
Speaker 1: I believe everybody was like rooting for you, like you

1458
01:16:26,240 --> 01:16:27,800
Speaker 1: know what I'm saying, just as a man, like you

1459
01:16:27,840 --> 01:16:31,240
Speaker 1: know what I'm saying regardless, and I'm just saying, you

1460
01:16:31,320 --> 01:16:35,280
Speaker 1: represent manhood in a great, great way, man like, like

1461
01:16:35,320 --> 01:16:36,439
Speaker 1: you know what I'm saying. So I just want to

1462
01:16:36,720 --> 01:16:41,400
Speaker 1: personally give you a round. Thank you. We got like

1463
01:16:41,560 --> 01:16:43,160
Speaker 1: I got an aunt. I got an aunt, she like

1464
01:16:43,240 --> 01:16:45,759
Speaker 1: sixty eight. She was like, I need me a pat poos.

1465
01:16:45,840 --> 01:16:54,720
Speaker 1: I said, Yo. It was a crazy time back. Yeah,

1466
01:16:54,720 --> 01:17:02,240
Speaker 1: I don't want your old ass. I need yo, like

1467
01:17:02,320 --> 01:17:06,160
Speaker 1: an years old. But the imagery you put out there

1468
01:17:06,280 --> 01:17:09,080
Speaker 1: was amazing, bro, Noah, it was. It was so crazy, man,

1469
01:17:09,200 --> 01:17:11,679
Speaker 1: Like I knew what it was like at that time,

1470
01:17:11,880 --> 01:17:15,519
Speaker 1: Like it was cool to be, you know, moving around

1471
01:17:15,560 --> 01:17:17,720
Speaker 1: with different chicks and all that ship. So that's what

1472
01:17:17,880 --> 01:17:21,080
Speaker 1: everybody was putting out there. I feel like when at

1473
01:17:21,120 --> 01:17:24,320
Speaker 1: that time, after that came out, you started to see

1474
01:17:24,360 --> 01:17:27,160
Speaker 1: it more because it exists. But it's like, I don't know,

1475
01:17:27,240 --> 01:17:28,640
Speaker 1: Nigga was hot and it what the fuck. You know

1476
01:17:28,640 --> 01:17:31,400
Speaker 1: what I'm saying. But I feel like I think the

1477
01:17:31,439 --> 01:17:33,200
Speaker 1: world was tired of seeing us throwing drinks on each

1478
01:17:33,200 --> 01:17:35,719
Speaker 1: other on the screen and all that ship throwing throwing

1479
01:17:35,840 --> 01:17:42,120
Speaker 1: bags on yeah, like guilty on the roof and sh yeah.

1480
01:17:43,960 --> 01:17:45,400
Speaker 1: And I was like, Yo, they ain't they ain't. This

1481
01:17:45,520 --> 01:17:49,360
Speaker 1: ain't my niggas. It really depicted you crazy like that.

1482
01:17:49,680 --> 01:17:51,960
Speaker 1: What I don't watch none of that like that. It

1483
01:17:52,080 --> 01:17:54,280
Speaker 1: got so bad My real friends that really knew me,

1484
01:17:55,000 --> 01:17:57,320
Speaker 1: like I go, We'll go to a you know, an

1485
01:17:57,439 --> 01:17:59,360
Speaker 1: event or something, and they like pulled me to the side,

1486
01:17:59,439 --> 01:18:01,280
Speaker 1: like Y're gonnaell my wife don't funk with you, son.

1487
01:18:01,960 --> 01:18:04,400
Speaker 1: I'm like, I don't even know your wife. Bro, she

1488
01:18:04,560 --> 01:18:07,240
Speaker 1: watched the show, son, she don't like you. Yeah, I'm like,

1489
01:18:07,320 --> 01:18:12,160
Speaker 1: you ain't tell her like the real me like that.

1490
01:18:12,320 --> 01:18:16,040
Speaker 1: You people's perception of what they see and what they believe. Yeah, yeah,

1491
01:18:16,200 --> 01:18:17,400
Speaker 1: Like they pushed narratives.

1492
01:18:17,439 --> 01:18:20,320
Speaker 2: Nowadays, it's some wicked ship, bro, But you didn't have

1493
01:18:20,439 --> 01:18:23,879
Speaker 2: that happened during year like Prince Charming.

1494
01:18:28,840 --> 01:18:30,280
Speaker 1: Let me tell you something. It was like it was

1495
01:18:30,360 --> 01:18:32,760
Speaker 1: crazy back then, right when that ship came out, Like

1496
01:18:32,880 --> 01:18:35,280
Speaker 1: I would get mixed reactions like like like you said,

1497
01:18:35,760 --> 01:18:39,280
Speaker 1: your like, I would go somewhere and the older women

1498
01:18:39,400 --> 01:18:42,599
Speaker 1: like different, they would go crazy. But I'll be going

1499
01:18:42,640 --> 01:18:45,160
Speaker 1: through the tobo. Back then, they didn't have the easy

1500
01:18:45,200 --> 01:18:47,880
Speaker 1: path and the nigga. I'll pull up and get a

1501
01:18:47,920 --> 01:18:50,639
Speaker 1: nigga my money, like, oh, you fucking up my house.

1502
01:18:56,040 --> 01:18:58,000
Speaker 1: You're fucking up niggas house on too. I see that too.

1503
01:19:04,880 --> 01:19:12,320
Speaker 1: I can see that. I'm just asking, is there anything

1504
01:19:12,400 --> 01:19:14,600
Speaker 1: you ever regret about doing the show? Not not not

1505
01:19:14,760 --> 01:19:18,120
Speaker 1: your relationship the show. I don't because they just, honestly,

1506
01:19:18,200 --> 01:19:21,000
Speaker 1: like I said, they actually let you leave. They followed.

1507
01:19:21,160 --> 01:19:23,680
Speaker 1: They followed me like I said, on the visit and

1508
01:19:23,720 --> 01:19:26,280
Speaker 1: all that ship. That's when it started. So it was organic.

1509
01:19:26,400 --> 01:19:28,040
Speaker 1: So I would have to regret my life if I

1510
01:19:28,120 --> 01:19:31,360
Speaker 1: regret it, because honestly, they just documented what was going on.

1511
01:19:31,600 --> 01:19:33,320
Speaker 1: I'll give moaning them credit for that, like they did

1512
01:19:33,360 --> 01:19:36,559
Speaker 1: a good job at just recalling what was happening at

1513
01:19:36,600 --> 01:19:43,160
Speaker 1: the time. That's what you know. I regret it like

1514
01:19:43,240 --> 01:19:47,720
Speaker 1: a motherfucker. I don't regret mine what you know well,

1515
01:19:48,280 --> 01:19:50,120
Speaker 1: but you ain't going there half a season like a

1516
01:19:50,360 --> 01:19:53,040
Speaker 1: season and a half. I didn't once I did no drama,

1517
01:19:53,080 --> 01:20:00,280
Speaker 1: they got no drama. You know everka, Okay, I did mist.

1518
01:20:11,640 --> 01:20:12,240
Speaker 3: So uh.

1519
01:20:14,520 --> 01:20:16,320
Speaker 1: So you didn't. You don't regret that. But I remember

1520
01:20:16,400 --> 01:20:18,640
Speaker 1: one time you was, uh I believe you said you

1521
01:20:18,760 --> 01:20:21,200
Speaker 1: went to go on a visit and you said, the

1522
01:20:21,240 --> 01:20:23,479
Speaker 1: one thing that you don't see is other men, Like

1523
01:20:23,840 --> 01:20:27,280
Speaker 1: like how you see women visiting men, You didn't see

1524
01:20:27,680 --> 01:20:30,880
Speaker 1: men reciprocating that you you didn't see a lot of them. Nah,

1525
01:20:31,080 --> 01:20:33,000
Speaker 1: what happened is I used to go to rik As

1526
01:20:33,040 --> 01:20:35,200
Speaker 1: Island and visit like a lot of my homies, and

1527
01:20:35,320 --> 01:20:37,200
Speaker 1: there be snow outside. You see women out there with

1528
01:20:37,240 --> 01:20:40,960
Speaker 1: strollers and the snow. Bro getting on the bus going

1529
01:20:41,000 --> 01:20:42,760
Speaker 1: to see dudes get on the visiting floor. You can't

1530
01:20:42,760 --> 01:20:44,479
Speaker 1: even get in because they're fighting to get in. There

1531
01:20:44,560 --> 01:20:53,240
Speaker 1: a lot of big joints to visit dudes girls, but

1532
01:20:53,840 --> 01:20:57,080
Speaker 1: they it's crowded, Bro, it's crowded. But then when you

1533
01:20:57,160 --> 01:20:58,960
Speaker 1: go when I used to go to the women's facility,

1534
01:20:59,000 --> 01:21:01,160
Speaker 1: that ship was empty. It'd be like me and two

1535
01:21:01,200 --> 01:21:04,080
Speaker 1: other dudes, like we know each other. And I used

1536
01:21:04,080 --> 01:21:06,559
Speaker 1: to be like, I started comparing it too, like damn

1537
01:21:06,840 --> 01:21:09,880
Speaker 1: niggas is leaving it the chicks for the women for

1538
01:21:10,000 --> 01:21:13,800
Speaker 1: dad in here because they got visited every day a while.

1539
01:21:13,960 --> 01:21:17,880
Speaker 1: Deserve it, bro, Wow, they got visits every day every day.

1540
01:21:17,880 --> 01:21:20,040
Speaker 1: When when when you're on top, Yeah, okay, every day

1541
01:21:20,360 --> 01:21:20,720
Speaker 1: every day.

1542
01:21:22,760 --> 01:21:23,479
Speaker 3: So I.

1543
01:21:28,040 --> 01:21:34,040
Speaker 1: Y'all got married in jail. Yeah okay, so that was

1544
01:21:34,080 --> 01:21:36,560
Speaker 1: the real marriage. But then when y'all came home, it

1545
01:21:36,720 --> 01:21:39,439
Speaker 1: was the castle wedding. Yeah, the whole the whole thing.

1546
01:21:39,600 --> 01:21:41,600
Speaker 1: That was like the fly ship have a bro like

1547
01:21:41,680 --> 01:21:43,880
Speaker 1: that was like that was like that was like, yo,

1548
01:21:43,960 --> 01:21:46,920
Speaker 1: you gave hope to everybody. It was like it was

1549
01:21:47,000 --> 01:21:49,519
Speaker 1: like was that something you you wanted to do? Like

1550
01:21:49,600 --> 01:21:52,679
Speaker 1: that big like like that was like a fairy tale

1551
01:21:52,720 --> 01:21:55,200
Speaker 1: wedding for lack of a better term. Yeah, no, that

1552
01:21:55,360 --> 01:21:57,840
Speaker 1: was something that happened. It happened naturally because initially, like

1553
01:21:57,920 --> 01:21:59,960
Speaker 1: you said, it happened on the inside, so you know,

1554
01:22:00,960 --> 01:22:03,240
Speaker 1: it didn't get to happen the correct way. So you know,

1555
01:22:03,280 --> 01:22:04,960
Speaker 1: you always want to make sure you do it right.

1556
01:22:06,200 --> 01:22:08,519
Speaker 1: Can I ask you a question? Because ask somebody who

1557
01:22:08,560 --> 01:22:12,200
Speaker 1: knows you personally, somebody who respects you highly respects you,

1558
01:22:13,320 --> 01:22:15,799
Speaker 1: and you know, your life is playing out in public

1559
01:22:16,120 --> 01:22:17,960
Speaker 1: just like mine did. It's like we all once we

1560
01:22:18,040 --> 01:22:20,680
Speaker 1: sign up for this ship, we public were in the public, Right,

1561
01:22:21,520 --> 01:22:24,559
Speaker 1: how's it been co parenting since since you're split? Because

1562
01:22:24,600 --> 01:22:27,639
Speaker 1: that's the problem I have with the mothers and my children,

1563
01:22:27,720 --> 01:22:31,640
Speaker 1: Like sometimes it's good, sometimes it's not, like because a

1564
01:22:31,720 --> 01:22:34,519
Speaker 1: woman a woman could sometimes use to use a child

1565
01:22:34,680 --> 01:22:37,599
Speaker 1: to really when they know you love your child, they like, oh,

1566
01:22:37,640 --> 01:22:40,160
Speaker 1: I got something you love more than yourself, so I

1567
01:22:40,200 --> 01:22:43,160
Speaker 1: could use that. How's co parenting been with your ex since? Since?

1568
01:22:43,720 --> 01:22:45,560
Speaker 1: I Just make the best out of it, you know

1569
01:22:45,600 --> 01:22:46,920
Speaker 1: what I'm saying, And making the best out of it.

1570
01:22:47,040 --> 01:22:50,040
Speaker 1: You know, you my child is the most important thing fact,

1571
01:22:50,400 --> 01:22:52,240
Speaker 1: you know what I mean, Just putting put my kid

1572
01:22:52,320 --> 01:22:54,560
Speaker 1: first and making the best out of you. You know

1573
01:22:54,560 --> 01:22:56,439
Speaker 1: what I mean, getting canting do it because that's the

1574
01:22:56,479 --> 01:22:59,680
Speaker 1: ship for the most part. When you don't get, when

1575
01:22:59,680 --> 01:23:01,200
Speaker 1: you don't walk with somebody, you got to kill with them.

1576
01:23:01,280 --> 01:23:03,040
Speaker 1: That sh it is torture. When you love your kids

1577
01:23:03,040 --> 01:23:05,000
Speaker 1: and you're like, damn, I got to go through. That's

1578
01:23:05,040 --> 01:23:07,200
Speaker 1: why my kids are teenagers now, so I ain't they

1579
01:23:07,280 --> 01:23:08,960
Speaker 1: got their own phones. I ain't got to go through

1580
01:23:09,040 --> 01:23:12,400
Speaker 1: mom from ship. It's easy breezy now. But when you

1581
01:23:12,479 --> 01:23:14,240
Speaker 1: got to go through somebody you don't deal with, you

1582
01:23:14,320 --> 01:23:17,360
Speaker 1: get to this person you love. Ship is is torture.

1583
01:23:17,400 --> 01:23:19,640
Speaker 1: I don't know how many fathers is out there who

1584
01:23:19,680 --> 01:23:22,240
Speaker 1: really they kids lives, but that shit is could be.

1585
01:23:22,360 --> 01:23:24,320
Speaker 1: That's one of the hardest things I've ever had to

1586
01:23:24,360 --> 01:23:26,840
Speaker 1: deal with in my life. Harder than prison, harder than

1587
01:23:26,920 --> 01:23:30,800
Speaker 1: getting shot, stabby and all. That ship was really having

1588
01:23:30,880 --> 01:23:32,560
Speaker 1: to deal with a woman who I didn't want to

1589
01:23:32,600 --> 01:23:35,600
Speaker 1: deal with at all because she got my baby. You know,

1590
01:23:35,760 --> 01:23:39,479
Speaker 1: there's an episode of Larry David right, it's called Kirby

1591
01:23:39,600 --> 01:23:42,320
Speaker 1: Enthusiasm right with him and this girl break up and

1592
01:23:42,360 --> 01:23:45,160
Speaker 1: they make everyone kind of like choose a side like

1593
01:23:45,240 --> 01:23:57,760
Speaker 1: it's almost like the like, so, so you know that

1594
01:23:58,520 --> 01:24:00,479
Speaker 1: is not known for this ship. They on to go

1595
01:24:00,560 --> 01:24:03,880
Speaker 1: online and do this so no one sees them since

1596
01:24:04,000 --> 01:24:06,479
Speaker 1: this happens, and we see each other at Rock the Bells,

1597
01:24:06,560 --> 01:24:08,320
Speaker 1: Hold on before you finish? Can I bring my brother

1598
01:24:08,360 --> 01:24:11,760
Speaker 1: show on to it? Yeah? I got, I got, I got,

1599
01:24:12,960 --> 01:24:14,680
Speaker 1: I need to get my brother. See the man rock

1600
01:24:14,760 --> 01:24:18,360
Speaker 1: the bell I got got you got your gother? So

1601
01:24:18,479 --> 01:24:20,400
Speaker 1: I see the man walking the bells, I come out,

1602
01:24:22,040 --> 01:24:25,800
Speaker 1: mm hmm, I see I see the child. So I'm like,

1603
01:24:26,000 --> 01:24:30,080
Speaker 1: holy ship, I did I see left happens right there?

1604
01:24:30,240 --> 01:24:37,000
Speaker 1: I'm like, holy going on, yo. That was probably the

1605
01:24:37,080 --> 01:24:40,679
Speaker 1: most openest moment. It's like one of the most because

1606
01:24:40,720 --> 01:24:43,400
Speaker 1: I'm like, holy ship, who do I say how to first?

1607
01:24:44,840 --> 01:24:46,360
Speaker 1: If I say how, the one is, the other one

1608
01:24:46,479 --> 01:24:48,760
Speaker 1: is gonna. But that was so amicable. It was the

1609
01:24:48,880 --> 01:24:52,720
Speaker 1: exact opposite of what took place on the internet. Let

1610
01:24:52,760 --> 01:24:56,160
Speaker 1: me say something. What's something you said? My choosing sides?

1611
01:24:56,200 --> 01:24:58,679
Speaker 1: You know what I'm saying, and you ain't saying about yourself.

1612
01:24:58,680 --> 01:25:00,880
Speaker 1: You just said like people had to do with that's

1613
01:25:00,920 --> 01:25:05,880
Speaker 1: fake ship though when people do that, man, First of all,

1614
01:25:07,240 --> 01:25:09,639
Speaker 1: there's no size, bro, it's right and wrong. Right, that's

1615
01:25:09,680 --> 01:25:13,160
Speaker 1: one thing. And number two instead of choosing the side

1616
01:25:13,200 --> 01:25:16,960
Speaker 1: man like me me, I don't choose sides with family,

1617
01:25:17,080 --> 01:25:19,479
Speaker 1: especially if you're family. I don't choose sides with family.

1618
01:25:19,840 --> 01:25:23,719
Speaker 1: I try to fix it. If I can't, I'm manya business.

1619
01:25:24,840 --> 01:25:27,479
Speaker 1: If you if you call yourself family, you either fix

1620
01:25:27,520 --> 01:25:30,080
Speaker 1: it or maya. But you don't choose a side. How

1621
01:25:30,120 --> 01:25:31,680
Speaker 1: the funk? I look like choosing the side with my

1622
01:25:31,760 --> 01:25:36,920
Speaker 1: family members. And it's no size, it's right or wrong. Like,

1623
01:25:37,080 --> 01:25:39,040
Speaker 1: that's fake ship, bro. When you because when you choose

1624
01:25:39,040 --> 01:25:40,800
Speaker 1: the side, you know what you're about to do. You're

1625
01:25:40,800 --> 01:25:42,679
Speaker 1: about to try to call yourself rolling with the strength

1626
01:25:43,680 --> 01:25:46,960
Speaker 1: the fuck got here? Man, I mean that's weak ship,

1627
01:25:48,000 --> 01:25:50,080
Speaker 1: all right, you hold me in. Come on, come on

1628
01:25:53,840 --> 01:26:06,360
Speaker 1: grave my nigga see shoots on last should Yeah, you're

1629
01:26:06,360 --> 01:26:08,800
Speaker 1: gonna have to share. I ain't gonna the camera, Yeah yeah, yeah, Yeah,

1630
01:26:09,000 --> 01:26:12,240
Speaker 1: it's good man. My nigga locked in the studio with me,

1631
01:26:12,600 --> 01:26:16,519
Speaker 1: recorded that whole project. Man super producer, Man Easy do

1632
01:26:16,760 --> 01:26:25,320
Speaker 1: either do Man Win Records. Man. Man, it's a movement.

1633
01:26:25,760 --> 01:26:32,880
Speaker 1: There's getting a lot of money over there. My brother

1634
01:26:33,200 --> 01:26:36,439
Speaker 1: came up. So let me ask you before we get

1635
01:26:36,479 --> 01:26:39,920
Speaker 1: into dig back into the album and the beat. So, like,

1636
01:26:40,120 --> 01:26:42,759
Speaker 1: to me, your last relationship like if y'all had an argument,

1637
01:26:43,200 --> 01:26:47,439
Speaker 1: y'all a rap battle. No, man, I never happened in

1638
01:26:47,560 --> 01:26:49,639
Speaker 1: your mind. That's what you in my mind and my mind.

1639
01:26:50,439 --> 01:26:52,560
Speaker 1: So to me, in my mind and this new relationship,

1640
01:26:52,640 --> 01:26:55,840
Speaker 1: you can't even are you Like, I ain't gonna lie.

1641
01:26:56,080 --> 01:27:12,360
Speaker 1: You can't even you got that's shout to my queen. Man,

1642
01:27:12,400 --> 01:27:15,360
Speaker 1: that's my best friend right there. I love a lot man,

1643
01:27:16,160 --> 01:27:19,320
Speaker 1: real bro, like real talk. She did you too, bro,

1644
01:27:20,640 --> 01:27:26,400
Speaker 1: Make some noise for that man, she makeing she make

1645
01:27:26,479 --> 01:27:30,800
Speaker 1: it known. Let it be known like he running the show,

1646
01:27:31,320 --> 01:27:33,200
Speaker 1: like you know, I mean women in that position ain't

1647
01:27:33,200 --> 01:27:35,040
Speaker 1: gonna do that. Let it be known like now I

1648
01:27:35,120 --> 01:27:39,599
Speaker 1: follow his lead as a woman, but should and I'll

1649
01:27:39,600 --> 01:27:41,280
Speaker 1: be talking like me, it's not gonna talk. You know

1650
01:27:41,280 --> 01:27:43,960
Speaker 1: what I'm saying. He tells me everything he said, tell

1651
01:27:44,000 --> 01:27:46,240
Speaker 1: me behind the scenes. It's a good thing when you

1652
01:27:46,360 --> 01:27:48,240
Speaker 1: see it. But when you check the temperature of people

1653
01:27:48,320 --> 01:27:50,400
Speaker 1: that knew you for a long time, they saying the

1654
01:27:50,479 --> 01:27:54,720
Speaker 1: same thing out instart looking out. So he outside looking

1655
01:27:54,760 --> 01:27:57,000
Speaker 1: at he like your pattern the way she you know

1656
01:27:57,040 --> 01:27:58,960
Speaker 1: what I'm saying, The way she like everything he just said.

1657
01:27:59,439 --> 01:28:02,000
Speaker 1: I want like you was on your phone in the airport.

1658
01:28:02,040 --> 01:28:03,920
Speaker 1: I was on my phone too, and I was just

1659
01:28:03,960 --> 01:28:06,600
Speaker 1: scrolling and the first thing the person said was you

1660
01:28:06,680 --> 01:28:09,439
Speaker 1: gotta you gotta tattoo a pool. She said, yeah, on

1661
01:28:09,560 --> 01:28:20,360
Speaker 1: my tity. She surprised me with that. She surprised when

1662
01:28:20,600 --> 01:28:22,360
Speaker 1: she was doing the interview to my said, yo, did

1663
01:28:22,400 --> 01:28:28,200
Speaker 1: you get tap pattern? You're gonna get tapoos tattered on breaking.

1664
01:28:28,280 --> 01:28:31,280
Speaker 1: I got you, I got you. I'm come on here.

1665
01:28:32,439 --> 01:28:34,080
Speaker 1: She was like, yeah, I got it on my titty,

1666
01:28:34,160 --> 01:28:39,760
Speaker 1: Like skip a beat, like yeah, that was you don't

1667
01:28:39,760 --> 01:28:41,720
Speaker 1: remember when she was weighing in and the little kid

1668
01:28:41,880 --> 01:28:45,240
Speaker 1: kept looking at her. Oh yeah, yeah, it's crazy out there.

1669
01:28:46,600 --> 01:28:50,479
Speaker 1: It's crazy. One day I came out to gym and

1670
01:28:50,560 --> 01:28:52,479
Speaker 1: me I was on FaceTime. I got a video of

1671
01:28:52,479 --> 01:28:56,519
Speaker 1: that ship too. Since you and Bro, I'm talking to

1672
01:28:56,560 --> 01:28:58,639
Speaker 1: the FaceTime she just flashed it. I was like, Oh,

1673
01:28:58,920 --> 01:29:01,920
Speaker 1: I was like totally surprised, like that ship right did? Though,

1674
01:29:02,479 --> 01:29:14,000
Speaker 1: that's fine. It needed Let me tell you something for real, bro,

1675
01:29:14,479 --> 01:29:17,599
Speaker 1: like a brotherfreshir in my life. So I don't tell

1676
01:29:17,840 --> 01:29:20,640
Speaker 1: how do you like? My best is different? Bro? So

1677
01:29:20,920 --> 01:29:23,639
Speaker 1: how do you bounce back? Though? Like? Right again, I'm

1678
01:29:23,680 --> 01:29:25,600
Speaker 1: not trying to get any your information, but this is

1679
01:29:25,600 --> 01:29:28,559
Speaker 1: the first time I kind of like stepped out publicly, right,

1680
01:29:28,720 --> 01:29:30,759
Speaker 1: and this is a big story, like as a journalist,

1681
01:29:31,000 --> 01:29:33,600
Speaker 1: So how do you go from from like from a

1682
01:29:33,640 --> 01:29:36,880
Speaker 1: place I'm I'm assuming a place of hurt to a

1683
01:29:36,960 --> 01:29:42,080
Speaker 1: place of joy? So like so quickly I didn't. It

1684
01:29:42,240 --> 01:29:45,760
Speaker 1: just happened, Bro, Okay, I didn't plan it or nothing, man,

1685
01:29:45,840 --> 01:29:47,360
Speaker 1: It just it just happened at a you know what

1686
01:29:47,400 --> 01:29:50,599
Speaker 1: I'm saying, a duk time of my life, to be honest.

1687
01:29:50,600 --> 01:29:54,280
Speaker 1: You know what, I mean, you know, I don't got nothing.

1688
01:29:54,280 --> 01:29:55,880
Speaker 1: I don't got nothing bad to say. Man, I wish,

1689
01:29:55,960 --> 01:29:58,040
Speaker 1: I wish you are the best, you know what I mean?

1690
01:29:58,120 --> 01:30:01,880
Speaker 1: But you know I moved on and the man she

1691
01:30:02,200 --> 01:30:05,200
Speaker 1: came in my life, bro, and just like, definitely man,

1692
01:30:06,000 --> 01:30:07,560
Speaker 1: one of the best things that ever happened to me,

1693
01:30:08,080 --> 01:30:09,400
Speaker 1: you know what I mean. But to answer your question,

1694
01:30:09,840 --> 01:30:12,080
Speaker 1: I didn't. I can't even tell you because it happened

1695
01:30:12,120 --> 01:30:14,880
Speaker 1: so natural and organic and it wasn't playing like we

1696
01:30:15,000 --> 01:30:16,680
Speaker 1: just met after I was at a fight. I went

1697
01:30:16,720 --> 01:30:19,639
Speaker 1: to the Chicall fight in Jersey, and when I came

1698
01:30:19,680 --> 01:30:21,000
Speaker 1: in the building. First of all, I was always a

1699
01:30:21,000 --> 01:30:22,960
Speaker 1: fan of I'm a big boxing fan, you know what

1700
01:30:23,000 --> 01:30:25,280
Speaker 1: I mean. So I gotta tell you that. Sean too

1701
01:30:25,280 --> 01:30:27,439
Speaker 1: will tell you that. I mean. I'm a big boxing fan.

1702
01:30:27,520 --> 01:30:29,519
Speaker 1: So I always watched her coming up. But one day

1703
01:30:29,520 --> 01:30:30,800
Speaker 1: I went to the Cha Court fight and as I'm

1704
01:30:30,800 --> 01:30:33,000
Speaker 1: going to sit down, I see her over it and

1705
01:30:33,040 --> 01:30:35,439
Speaker 1: I'm like, oh shit, because it's the ship. But you know,

1706
01:30:35,479 --> 01:30:36,720
Speaker 1: you keep it in your mind. You don't want to

1707
01:30:36,760 --> 01:30:39,760
Speaker 1: be grouped out, you know what I'm saying. And a

1708
01:30:39,800 --> 01:30:41,439
Speaker 1: lot of people was asking me for pictures and ship,

1709
01:30:41,479 --> 01:30:42,559
Speaker 1: but I went up to her. I was like, hey,

1710
01:30:42,640 --> 01:30:44,320
Speaker 1: know how you doing. I shook her hand and when

1711
01:30:44,320 --> 01:30:46,439
Speaker 1: I sat down when she had to fight, she loud

1712
01:30:46,439 --> 01:30:49,080
Speaker 1: as a motherfucker because runs shod. They like family. So

1713
01:30:49,200 --> 01:30:51,439
Speaker 1: she she's screaming and ship and were talking about the fight.

1714
01:30:51,800 --> 01:30:54,120
Speaker 1: So when we leaving, people like rushing out for pictures

1715
01:30:54,160 --> 01:30:57,040
Speaker 1: and shit, and she by herself. So I'm like, hold on, man, like,

1716
01:30:57,240 --> 01:31:08,360
Speaker 1: hold on, man, take time, you know, security, immediately reflict

1717
01:31:08,400 --> 01:31:10,640
Speaker 1: and she's like, yo, come to my next fight. So

1718
01:31:12,439 --> 01:31:15,920
Speaker 1: like you ain't get the number now, okay, I want

1719
01:31:15,960 --> 01:31:17,639
Speaker 1: you to come to my next fight, and then made

1720
01:31:17,720 --> 01:31:21,200
Speaker 1: you work for it, talking about she sent me information

1721
01:31:21,320 --> 01:31:23,559
Speaker 1: to the fights them me and info to the fight,

1722
01:31:23,960 --> 01:31:26,880
Speaker 1: and I went to the fight, and leading up to

1723
01:31:26,960 --> 01:31:28,439
Speaker 1: it though we some kind of way when we DM

1724
01:31:28,560 --> 01:31:30,920
Speaker 1: we changed numbers and yo, bro, I'll tell you we

1725
01:31:31,000 --> 01:31:33,439
Speaker 1: text every day. We never called each other. But let

1726
01:31:33,479 --> 01:31:35,280
Speaker 1: me ask you, just texting, what happened if you went

1727
01:31:35,320 --> 01:31:38,040
Speaker 1: to the fight and she lost, but you have kept going.

1728
01:31:38,080 --> 01:31:38,920
Speaker 1: We're not gonna lose, bro.

1729
01:31:40,280 --> 01:31:40,559
Speaker 3: It's like.

1730
01:31:44,280 --> 01:31:47,840
Speaker 1: I'm telling what she lost, Like would you I'm gonna

1731
01:31:47,880 --> 01:32:00,360
Speaker 1: keep going? Absolutely, I would have kept going. Roman was right.

1732
01:32:00,720 --> 01:32:04,519
Speaker 1: One Bros. Clarissa ships like she don't lose. That's one

1733
01:32:05,160 --> 01:32:07,479
Speaker 1: and then the second thing, Hell, yah ain't no sucker, man,

1734
01:32:07,560 --> 01:32:10,519
Speaker 1: you take it. I'm leaving now. We don't do that.

1735
01:32:12,680 --> 01:32:17,800
Speaker 1: That's real ship. That's funny question for what you said something.

1736
01:32:18,160 --> 01:32:24,439
Speaker 1: Yeah I did, but he made me maybe. But let's

1737
01:32:24,439 --> 01:32:26,800
Speaker 1: get into this album man. The creation of this album yeah,

1738
01:32:27,240 --> 01:32:27,840
Speaker 1: Sean two.

1739
01:32:28,360 --> 01:32:31,280
Speaker 6: Yeah, the album man, it's crazy. You know, the process

1740
01:32:31,439 --> 01:32:34,280
Speaker 6: was dope, it was organic. You know, I'm a big

1741
01:32:34,360 --> 01:32:38,120
Speaker 6: fan of hip hop. I'm from Mississippi, but I say,

1742
01:32:38,240 --> 01:32:40,679
Speaker 6: you know, you know, I always wanted to hear pap

1743
01:32:40,800 --> 01:32:43,240
Speaker 6: on Jay Diller type of be you know what I'm saying,

1744
01:32:43,280 --> 01:32:46,479
Speaker 6: because he always been lyricals. So that's what Chill Button

1745
01:32:46,680 --> 01:32:48,960
Speaker 6: was like. You know, I was like, Yo, you got

1746
01:32:49,400 --> 01:32:53,160
Speaker 6: wing though the shout out left him, man, shout that

1747
01:32:53,240 --> 01:32:56,040
Speaker 6: my brother left from Compton. Man, come from Mississippi, but

1748
01:32:56,080 --> 01:32:59,280
Speaker 6: he based in Kelly. You know, so my brother left

1749
01:32:59,360 --> 01:33:00,519
Speaker 6: you from the West coast.

1750
01:33:00,600 --> 01:33:04,000
Speaker 1: Man. That's a solid individual. Man. He basically introduced us.

1751
01:33:04,080 --> 01:33:05,519
Speaker 1: He came to me one day because you know, I

1752
01:33:05,640 --> 01:33:09,479
Speaker 1: was doing the executive thing. But no in New York

1753
01:33:09,640 --> 01:33:11,720
Speaker 1: like Lefty flow out here. He like y'all want you

1754
01:33:11,760 --> 01:33:14,160
Speaker 1: to meet this artist, which was Kadisha, the one who

1755
01:33:14,240 --> 01:33:16,439
Speaker 1: you asked me about that on my project, Like, y'all

1756
01:33:16,479 --> 01:33:18,120
Speaker 1: want you to meet this artist, And we took the meeting.

1757
01:33:18,120 --> 01:33:19,880
Speaker 1: I went to Brooklyn chop House that's my second home,

1758
01:33:20,240 --> 01:33:22,400
Speaker 1: and they met me the chop House in Miami as well.

1759
01:33:25,600 --> 01:33:27,439
Speaker 1: And make a long story, shure I said. When I

1760
01:33:27,520 --> 01:33:29,680
Speaker 1: came to the meeting, it was my brother Sean too,

1761
01:33:29,800 --> 01:33:32,559
Speaker 1: my brother Big Rube in Kadija and we sat down

1762
01:33:32,600 --> 01:33:34,760
Speaker 1: and we talked. Because I was always I'm always helping

1763
01:33:34,840 --> 01:33:37,120
Speaker 1: new artists out. Man, like the ship that we've been through,

1764
01:33:37,439 --> 01:33:40,040
Speaker 1: I tried to prevent them from going through the same shit, bro,

1765
01:33:40,840 --> 01:33:42,880
Speaker 1: and whatever advice I could give, I was just giving

1766
01:33:42,920 --> 01:33:45,360
Speaker 1: them genuine advice. And we started to work together. And

1767
01:33:45,400 --> 01:33:46,559
Speaker 1: I've seen that a lot of things that they were

1768
01:33:46,600 --> 01:33:48,880
Speaker 1: trying to do, I knew how to do it. So

1769
01:33:49,000 --> 01:33:50,840
Speaker 1: it's all about adding on it if you got knowledge

1770
01:33:50,880 --> 01:33:52,479
Speaker 1: of SELP. So I just started adding on to what

1771
01:33:52,560 --> 01:33:55,000
Speaker 1: they was doing and we locked in. We just started

1772
01:33:55,040 --> 01:33:57,000
Speaker 1: elevating winning records and here we all, man, we're doing

1773
01:33:57,240 --> 01:33:59,880
Speaker 1: concerts across the planet. We got the short fume out.

1774
01:34:00,000 --> 01:34:02,000
Speaker 1: We just did a big deal with Clarissa. You know

1775
01:34:02,000 --> 01:34:04,519
Speaker 1: what I'm saying, eight million dollar deal. I'm not bragging,

1776
01:34:04,600 --> 01:34:11,000
Speaker 1: but yeah. Well, basically, Clarissa found herself man in a

1777
01:34:11,120 --> 01:34:13,400
Speaker 1: position where she was in the bidding war because her

1778
01:34:13,479 --> 01:34:16,560
Speaker 1: contract ended with the previous entity that she was signed to.

1779
01:34:17,080 --> 01:34:18,439
Speaker 1: So I want to say this to you and make

1780
01:34:18,479 --> 01:34:23,680
Speaker 1: it clear every boxing entity may offers to her, from

1781
01:34:23,720 --> 01:34:26,080
Speaker 1: the biggest to the smallest. I literally set in these

1782
01:34:26,160 --> 01:34:29,840
Speaker 1: meetings with her and my team. I see what we've

1783
01:34:29,840 --> 01:34:32,320
Speaker 1: been doing. We put a lot of asses in seats

1784
01:34:32,360 --> 01:34:34,360
Speaker 1: with these concerts, Like you know what I'm saying. So

1785
01:34:34,439 --> 01:34:36,320
Speaker 1: I'm like, I'm looking at it. I'm like, damn, oh,

1786
01:34:36,479 --> 01:34:38,840
Speaker 1: so that was young. Yeah, I'm like, yo, game in

1787
01:34:38,880 --> 01:34:42,520
Speaker 1: boxing people don't yo, bro. I'm sitting there, I'm brainstorming.

1788
01:34:42,520 --> 01:34:54,880
Speaker 1: I'm like, I'm brainstorm I'm like yo. But anyway, I'm

1789
01:34:54,920 --> 01:34:56,920
Speaker 1: looking at how were able to put asses and seats,

1790
01:34:56,920 --> 01:34:58,559
Speaker 1: and I'm looking at what she doing as a fighter.

1791
01:34:58,640 --> 01:35:01,080
Speaker 1: I'm like, yo, if we come to together, it'd be crazy.

1792
01:35:01,960 --> 01:35:05,000
Speaker 1: So her last fight, which was in Detroit, we came

1793
01:35:05,040 --> 01:35:10,080
Speaker 1: together and we saw that motherfuck out. So that was confirmation. Yeah,

1794
01:35:10,400 --> 01:35:12,240
Speaker 1: I said, we're gonna do this one right, and let's

1795
01:35:12,240 --> 01:35:14,280
Speaker 1: see what happened. So a lot of times when I

1796
01:35:14,360 --> 01:35:16,800
Speaker 1: hate giving games to these niggas, but but I'm gonna

1797
01:35:16,800 --> 01:35:19,360
Speaker 1: give it to him a lot of times when you watched,

1798
01:35:19,479 --> 01:35:21,639
Speaker 1: when you go to fights, our artists just pop out

1799
01:35:22,479 --> 01:35:24,439
Speaker 1: and you never knew they was gonna be there, so

1800
01:35:25,280 --> 01:35:27,240
Speaker 1: you don't get the opportunity for their fan base to

1801
01:35:27,320 --> 01:35:30,080
Speaker 1: come out. So what we did the last event shot

1802
01:35:30,120 --> 01:35:32,560
Speaker 1: to my brother Rick Ross. We added Rick Ross to

1803
01:35:32,640 --> 01:35:34,479
Speaker 1: the to the event, and we was able to promote

1804
01:35:34,520 --> 01:35:36,559
Speaker 1: him with the event and one of his strongest markets,

1805
01:35:36,600 --> 01:35:40,320
Speaker 1: which is Detroit. So we got Rick Ross, we got Flissa,

1806
01:35:40,400 --> 01:35:43,280
Speaker 1: we got myself and her opponent was that shit so

1807
01:35:43,400 --> 01:35:45,799
Speaker 1: loud of what sold that mother fuck out to capacity?

1808
01:35:45,880 --> 01:35:48,160
Speaker 1: You know what I'm saying. So but I was about that.

1809
01:35:48,320 --> 01:35:51,400
Speaker 1: So the next tiebout to sing February twenty second, Little

1810
01:35:51,439 --> 01:35:53,479
Speaker 1: Seasons a ringa Clarissa will be stepping back in the

1811
01:35:53,560 --> 01:36:00,519
Speaker 1: ring her debut pro debut debut. Yeah yeah, yeah, already

1812
01:36:00,560 --> 01:36:04,439
Speaker 1: make woman. She's a good box, she can fight. And

1813
01:36:04,560 --> 01:36:07,040
Speaker 1: so Little Seesuons is where it's in the traits. Little

1814
01:36:07,080 --> 01:36:09,960
Speaker 1: Sesus is called Little Seesons Arena. Yeah, a piece of shop,

1815
01:36:10,400 --> 01:36:13,080
Speaker 1: not this arena, man, we would love to have yea

1816
01:36:13,160 --> 01:36:16,760
Speaker 1: yea yea yeah, yeah, yeah, yeah, yeah yeah. Can you

1817
01:36:16,840 --> 01:36:28,960
Speaker 1: make sure the crowd with the six niggas in the crowd,

1818
01:36:30,720 --> 01:36:33,920
Speaker 1: six niggas throw your hands up, but not February twenty

1819
01:36:33,960 --> 01:36:35,320
Speaker 1: seconds she stepped back in the ring. You don't want

1820
01:36:35,320 --> 01:36:37,880
Speaker 1: to miss it. Get your tickets there. So I want

1821
01:36:37,920 --> 01:36:42,000
Speaker 1: to go jog miles with a workout with her. Oh

1822
01:36:42,080 --> 01:36:44,200
Speaker 1: yeah yeah yeah, yeah, she's a beast. So what what

1823
01:36:44,280 --> 01:36:48,080
Speaker 1: do you like more? Making the record or performing the record? Oh?

1824
01:36:48,960 --> 01:36:52,599
Speaker 1: I would have to say. That's a tough one. Man.

1825
01:36:53,479 --> 01:37:08,840
Speaker 1: That's tough, right you Like that's tough as fuck'mna say

1826
01:37:09,000 --> 01:37:11,080
Speaker 1: I'm gonna say. I'm gonna say creating the record. Okay,

1827
01:37:11,360 --> 01:37:13,720
Speaker 1: creating the record, I want to know how about you?

1828
01:37:13,880 --> 01:37:15,400
Speaker 1: Let me let me ask you. That's a hall like

1829
01:37:15,760 --> 01:37:17,680
Speaker 1: that's a hard one because you love to hear your

1830
01:37:17,680 --> 01:37:20,120
Speaker 1: own once you once you finished with the record, you know,

1831
01:37:20,200 --> 01:37:23,080
Speaker 1: it's fire like all that nigga, you pat patch yourself

1832
01:37:23,120 --> 01:37:25,080
Speaker 1: on the back. But when you see the reaction from

1833
01:37:25,120 --> 01:37:30,600
Speaker 1: other people, it's like the confirmation like energy, Yeah, that

1834
01:37:30,800 --> 01:37:34,200
Speaker 1: that energy different Like I love performing, I love before

1835
01:37:34,240 --> 01:37:37,559
Speaker 1: I would divide the edge, I say performing because because

1836
01:37:37,600 --> 01:37:39,599
Speaker 1: nobody's in there when you make it's only your peoples

1837
01:37:39,640 --> 01:37:41,560
Speaker 1: in the producer. But when you you give it to

1838
01:37:41,640 --> 01:37:44,559
Speaker 1: the world and they're like oh, but when you hear back,

1839
01:37:44,640 --> 01:37:49,320
Speaker 1: you be like, oh, I did that? Like kill about

1840
01:37:49,800 --> 01:37:52,800
Speaker 1: that because of course, like when I'm working like Has,

1841
01:37:52,880 --> 01:37:55,000
Speaker 1: Like when I work with Has, it has to do

1842
01:37:55,120 --> 01:37:57,559
Speaker 1: some ship like he'll go, he'll mix it and he'll

1843
01:37:57,600 --> 01:38:01,720
Speaker 1: go in the car and help play it from the car.

1844
01:38:02,040 --> 01:38:03,600
Speaker 1: And the only time I ever see somebody do that

1845
01:38:03,680 --> 01:38:06,160
Speaker 1: it was Swiss Beasts. Swiss Beasts used to come and

1846
01:38:06,280 --> 01:38:08,200
Speaker 1: this is before a bootlegging, you know what I'm saying.

1847
01:38:08,280 --> 01:38:10,320
Speaker 1: So every record I ever kind of did with Swiss Beat,

1848
01:38:10,360 --> 01:38:11,960
Speaker 1: Swiss Beast would take this ship and he was like,

1849
01:38:12,000 --> 01:38:13,680
Speaker 1: you're coming me to a club and I'm like for

1850
01:38:13,840 --> 01:38:16,360
Speaker 1: what and he like, we're gonna test this motherfucker out.

1851
01:38:16,360 --> 01:38:20,800
Speaker 1: I'm like, mix, mixed, it's not nothing. And Swiss will

1852
01:38:20,800 --> 01:38:22,880
Speaker 1: go in the club and he wouldn't announce it. He

1853
01:38:23,040 --> 01:38:24,720
Speaker 1: just play the record and just look at people. And

1854
01:38:24,800 --> 01:38:28,000
Speaker 1: I'm like, it's before bootlegs, just before the phones and

1855
01:38:28,040 --> 01:38:31,400
Speaker 1: all that. So I said, have to say, I wouldn't

1856
01:38:31,400 --> 01:38:35,160
Speaker 1: be able to pick because from like the method that

1857
01:38:35,280 --> 01:38:37,200
Speaker 1: has does when he goes in the car, he listens

1858
01:38:37,360 --> 01:38:39,640
Speaker 1: to the record as opposed the Swiss goes and he

1859
01:38:39,720 --> 01:38:42,760
Speaker 1: goes and see the people live in real action. It's

1860
01:38:42,800 --> 01:38:45,479
Speaker 1: like loading a gun. For me, It's like the gun

1861
01:38:45,640 --> 01:38:49,040
Speaker 1: is dope, it's beautiful. I like the bullet is in it,

1862
01:38:49,320 --> 01:38:51,800
Speaker 1: but I'm not gonna love it till I pull that

1863
01:38:51,880 --> 01:39:02,160
Speaker 1: trigger and I feel that. So that's what it is like,

1864
01:39:02,880 --> 01:39:05,840
Speaker 1: Like I would have never I would have never loved

1865
01:39:05,880 --> 01:39:10,240
Speaker 1: super Doug because I sorry to get into my artists

1866
01:39:10,600 --> 01:39:14,200
Speaker 1: right the War Report to tell you the truth and

1867
01:39:14,280 --> 01:39:17,160
Speaker 1: this is real ship the War Report, every beat was

1868
01:39:17,320 --> 01:39:20,160
Speaker 1: t o n why in they and why multiply? So

1869
01:39:20,960 --> 01:39:24,960
Speaker 1: I purposely wanted I wanted to be like, yo, you

1870
01:39:25,000 --> 01:39:27,000
Speaker 1: know what I'm saying, like we we we we we

1871
01:39:27,160 --> 01:39:29,479
Speaker 1: hype in New York too, like we just and you know,

1872
01:39:29,560 --> 01:39:31,560
Speaker 1: we gotta realize, Na, this is the corporate at this

1873
01:39:31,640 --> 01:39:33,720
Speaker 1: time used to head. So everybody wants to kind of

1874
01:39:33,840 --> 01:39:36,640
Speaker 1: like and that's where killing what came from, kind of

1875
01:39:36,720 --> 01:39:40,479
Speaker 1: like to because like these Queensbridge dudes who I was

1876
01:39:40,600 --> 01:39:42,880
Speaker 1: signed to, they're not smooth people. I don't know why

1877
01:39:42,960 --> 01:39:51,400
Speaker 1: it was on the mic like everybody around them, it's

1878
01:39:51,520 --> 01:39:54,120
Speaker 1: just not lading the pavement, and everybody kind of like

1879
01:39:54,200 --> 01:39:57,240
Speaker 1: had to follow that. And that's why I was just

1880
01:39:57,280 --> 01:39:57,840
Speaker 1: like what what what?

1881
01:39:58,040 --> 01:39:58,320
Speaker 3: What what?

1882
01:39:58,520 --> 01:39:59,840
Speaker 1: Because that was different, you know what I'm saying. But

1883
01:40:00,760 --> 01:40:03,120
Speaker 1: if I had to, as long as the record is

1884
01:40:03,160 --> 01:40:08,040
Speaker 1: that half a hit, I'll picked performance. I remember this

1885
01:40:08,200 --> 01:40:11,080
Speaker 1: actual footage of this super Dog, this actual footage of

1886
01:40:11,080 --> 01:40:13,280
Speaker 1: This super Dog when it first came out and the

1887
01:40:13,400 --> 01:40:16,519
Speaker 1: number one market was Philadelphia, and I go out there,

1888
01:40:16,520 --> 01:40:19,120
Speaker 1: I go, I perform everything to you why they love it?

1889
01:40:19,200 --> 01:40:21,960
Speaker 1: And r E they love it? Before Super Doug has

1890
01:40:22,000 --> 01:40:25,880
Speaker 1: never came out? What what what? You know? What the

1891
01:40:26,920 --> 01:40:29,680
Speaker 1: I got to come back three months later? Boy, it's

1892
01:40:29,720 --> 01:40:33,400
Speaker 1: a different thing. Number one record, That's what I like.

1893
01:40:33,640 --> 01:40:36,000
Speaker 1: Sometimes you you you bust, you bust. Let me not

1894
01:40:36,080 --> 01:40:38,960
Speaker 1: pointed that nobody. Sometimes you bust a gun and and

1895
01:40:39,240 --> 01:40:41,600
Speaker 1: and you missed totally, so you want to bust it

1896
01:40:41,640 --> 01:40:43,800
Speaker 1: against That's the reason why I performance. I'm gonna leave

1897
01:40:43,840 --> 01:40:46,240
Speaker 1: a little bit more towards performance. But once the record

1898
01:40:46,320 --> 01:40:48,120
Speaker 1: is a hit, because if you gotta you know so.

1899
01:40:48,320 --> 01:40:51,679
Speaker 1: I remember one time I did the show with David

1900
01:40:51,760 --> 01:40:54,760
Speaker 1: Banner and you know, all my records like you said,

1901
01:40:55,360 --> 01:40:59,080
Speaker 1: Oh yeah, pain in my Life and it's day in

1902
01:40:59,160 --> 01:41:03,040
Speaker 1: the South. I don't know why they had me headlining

1903
01:41:03,160 --> 01:41:13,200
Speaker 1: over this and Nigga wan the Boy, the whole crowd is.

1904
01:41:13,880 --> 01:41:15,639
Speaker 1: I'm like, we might as well just leave. I'm telling

1905
01:41:15,720 --> 01:41:20,519
Speaker 1: niggas we ain't got nothing. I don't got nothing in

1906
01:41:20,560 --> 01:41:25,360
Speaker 1: the change. I got no kind of energy. Song was

1907
01:41:25,479 --> 01:41:28,120
Speaker 1: where was your We was in fucking like North Carolina.

1908
01:41:28,240 --> 01:41:32,200
Speaker 1: Something nigga set me up. I said, Yo, what the

1909
01:41:32,520 --> 01:41:35,599
Speaker 1: And that's why I remember one time I sent pat

1910
01:41:35,640 --> 01:41:38,840
Speaker 1: Poosa song. It was some kids like roll By, I

1911
01:41:38,880 --> 01:41:50,960
Speaker 1: did it. He was like, nah, Son Nigga was like, nah,

1912
01:41:51,800 --> 01:41:57,360
Speaker 1: this killing yourself right now. But I'm like, in my mind,

1913
01:41:57,400 --> 01:42:00,559
Speaker 1: I'm thinking now I need something everything big. They booked

1914
01:42:00,560 --> 01:42:07,559
Speaker 1: me for a birthday party just do the didn't advantage

1915
01:42:07,560 --> 01:42:09,640
Speaker 1: of that ship, and I was like, I'll never let

1916
01:42:09,680 --> 01:42:11,960
Speaker 1: a nigga do this to me again. I had. I

1917
01:42:12,040 --> 01:42:13,600
Speaker 1: really had to get my back end. I had to

1918
01:42:13,720 --> 01:42:16,680
Speaker 1: go on after that ship. He just and I called

1919
01:42:16,720 --> 01:42:19,720
Speaker 1: him like pain in my life. Young Police was on,

1920
01:42:20,560 --> 01:42:26,360
Speaker 1: get the fun out of here, like, nah, we gotta

1921
01:42:26,360 --> 01:42:26,960
Speaker 1: be equipped.

1922
01:42:27,040 --> 01:42:27,240
Speaker 3: Man.

1923
01:42:28,400 --> 01:42:30,320
Speaker 1: Hip hop is a beautiful thing. Bro. You ever got

1924
01:42:30,360 --> 01:42:35,000
Speaker 1: bull hand though, thank god I got. I ain't gonna lie.

1925
01:42:35,040 --> 01:42:37,240
Speaker 1: I did it, bro, I take. I would be honest

1926
01:42:37,760 --> 01:42:41,400
Speaker 1: versus getting bulled. You know, it's worse getting nothing nothing

1927
01:42:42,280 --> 01:42:52,560
Speaker 1: nothing nothing, you know some kind of motion yo that

1928
01:42:54,840 --> 01:42:58,320
Speaker 1: when I get to steal, I do cut the meat off.

1929
01:42:58,800 --> 01:43:07,840
Speaker 1: I just do alphabetical if I would just keep going

1930
01:43:07,920 --> 01:43:19,000
Speaker 1: like yaf so so what what? What? What is something

1931
01:43:19,040 --> 01:43:21,559
Speaker 1: that you can't live without in the game, in the game,

1932
01:43:21,800 --> 01:43:25,000
Speaker 1: and like making an album? Excuse me? Oh both for

1933
01:43:25,120 --> 01:43:31,800
Speaker 1: y'all gonna go first. That's tough. Mm hmm. I would

1934
01:43:31,840 --> 01:43:34,639
Speaker 1: say that I can't live without one in the studio,

1935
01:43:34,800 --> 01:43:38,000
Speaker 1: like in the studio, yes, amazing, Okay, I gotta have

1936
01:43:38,080 --> 01:43:41,479
Speaker 1: a keyboard man. Time to time to think, man. I

1937
01:43:41,840 --> 01:43:44,640
Speaker 1: like to think my ship through. Unfortunately, I want to

1938
01:43:44,720 --> 01:43:46,280
Speaker 1: be trying to change that like some people like your pa.

1939
01:43:46,520 --> 01:43:48,400
Speaker 1: Just you know what I'm saying, Let it flow, But

1940
01:43:48,479 --> 01:43:50,280
Speaker 1: I like to think it through. I think if I

1941
01:43:50,320 --> 01:43:52,240
Speaker 1: go to the studio and I and I'm rushed, like

1942
01:43:52,280 --> 01:43:54,720
Speaker 1: I didn't have time to think about my ship, I don't.

1943
01:43:54,960 --> 01:43:57,840
Speaker 1: I'm not crazy about the outcome. I would just say

1944
01:43:57,880 --> 01:44:02,439
Speaker 1: a peace of mind, man, I personally can't I don't

1945
01:44:02,520 --> 01:44:05,360
Speaker 1: like people in the studio when I record, like exactly

1946
01:44:06,640 --> 01:44:09,320
Speaker 1: you want the people there. I don't want nobody more

1947
01:44:09,360 --> 01:44:11,559
Speaker 1: than just a couple of people, you know, one person

1948
01:44:11,720 --> 01:44:14,000
Speaker 1: for face. If I'm in the booth, they might not

1949
01:44:14,080 --> 01:44:16,439
Speaker 1: even be listening, but you know how you could see

1950
01:44:16,520 --> 01:44:19,240
Speaker 1: outside the booth and what you're doing your It could

1951
01:44:19,240 --> 01:44:22,160
Speaker 1: be one nigga who throw me off like he ain't

1952
01:44:22,200 --> 01:44:25,800
Speaker 1: feeling it, and I'm thinking it ain't it ain't working.

1953
01:44:26,280 --> 01:44:27,840
Speaker 1: That's why I started saying, you know what, I'd better

1954
01:44:28,000 --> 01:44:31,120
Speaker 1: just do it how I like it, And then didn't

1955
01:44:31,160 --> 01:44:34,040
Speaker 1: see because this nigga fucked me up just in the studio.

1956
01:44:34,520 --> 01:44:36,360
Speaker 1: He might be on his phone mine in his business

1957
01:44:36,680 --> 01:44:38,840
Speaker 1: and I'm like, why he ain't bopping his head. I

1958
01:44:40,240 --> 01:44:48,920
Speaker 1: don't like niggas like that studio like that. You want

1959
01:44:48,960 --> 01:44:50,400
Speaker 1: to be on the stage with you and you just

1960
01:44:50,840 --> 01:45:02,640
Speaker 1: standing there too, act like you like this shit. I

1961
01:45:02,720 --> 01:45:06,360
Speaker 1: heard Premiere say recently. He said thirty years ago that

1962
01:45:06,479 --> 01:45:08,840
Speaker 1: he recorded with nas and there's thirty people in the

1963
01:45:08,880 --> 01:45:11,000
Speaker 1: studio and now you be causing no, its just him,

1964
01:45:11,000 --> 01:45:14,120
Speaker 1: and you know it's so funny twenty five years ago,

1965
01:45:14,320 --> 01:45:16,240
Speaker 1: twenty five years ago. If you listen to blood Money.

1966
01:45:16,520 --> 01:45:19,599
Speaker 1: I got people in the background. That's if you listened

1967
01:45:19,600 --> 01:45:21,400
Speaker 1: to me in the studio last week. I got people

1968
01:45:21,479 --> 01:45:25,360
Speaker 1: in the fucking background. It makes me I'm organized chaos.

1969
01:45:25,880 --> 01:45:28,080
Speaker 1: I like it. I like it very organized, but I

1970
01:45:28,240 --> 01:45:31,960
Speaker 1: like it to be very unorganized. Your comfort zone. But

1971
01:45:32,040 --> 01:45:34,400
Speaker 1: you don't go a lot though, because these niggas don't

1972
01:45:34,400 --> 01:45:36,120
Speaker 1: show up all the time. No, no, no, every time

1973
01:45:36,160 --> 01:45:38,720
Speaker 1: I go to the studio, I've never been to make sure. Yeah, yeah,

1974
01:45:39,120 --> 01:45:42,400
Speaker 1: it's very seldomly like maybe I went to the rest

1975
01:45:43,040 --> 01:45:47,519
Speaker 1: studio for myself. Your music is organized chaos, yes, what

1976
01:45:47,640 --> 01:45:47,800
Speaker 1: it is?

1977
01:45:48,080 --> 01:45:48,400
Speaker 2: What it is?

1978
01:45:49,680 --> 01:45:54,160
Speaker 1: Actually? Yeah? Yeah. Have you ever seen a kid online

1979
01:45:54,160 --> 01:46:05,080
Speaker 1: who you Yeah? Absolutely your body you know. It was

1980
01:46:05,120 --> 01:46:10,320
Speaker 1: his da was his name? Something about bro. I love that.

1981
01:46:10,760 --> 01:46:15,960
Speaker 1: Take a lot of niggasn't probably know what you came

1982
01:46:16,800 --> 01:46:21,320
Speaker 1: he he does, Man pop can't want that nigga. Yeah

1983
01:46:22,960 --> 01:46:27,680
Speaker 1: that's and then now he put niggas you know you

1984
01:46:32,400 --> 01:46:42,800
Speaker 1: again said all the many like that us you mocking

1985
01:46:42,840 --> 01:46:44,960
Speaker 1: the drake, But no, you're doing good. You know it's

1986
01:46:46,640 --> 01:46:50,439
Speaker 1: it's great. It's homage to what I'm saying. This one right,

1987
01:46:50,840 --> 01:46:55,000
Speaker 1: you keep watching it. He didn't use the AI face

1988
01:46:55,080 --> 01:46:58,120
Speaker 1: because I robbed it the first time. This is his

1989
01:46:58,240 --> 01:46:59,679
Speaker 1: fourth time. Yeah, you're.

1990
01:47:04,600 --> 01:47:04,760
Speaker 2: Got.

1991
01:47:04,840 --> 01:47:08,080
Speaker 1: I got it, they were saying it to all of us.

1992
01:47:09,360 --> 01:47:12,320
Speaker 1: I got When I go on the booth, I always

1993
01:47:12,320 --> 01:47:16,320
Speaker 1: turn the light out. Oh yeah, no judgment. No see,

1994
01:47:16,439 --> 01:47:17,720
Speaker 1: I don't know. I don't know why. I don't know.

1995
01:47:17,720 --> 01:47:21,559
Speaker 1: I don't know how I developed that. Oh yeah, but okay,

1996
01:47:21,640 --> 01:47:23,920
Speaker 1: so we both named the one thing you ain't name yours.

1997
01:47:24,200 --> 01:47:27,200
Speaker 1: You said, you said instruments, said I need a piece

1998
01:47:27,240 --> 01:47:29,639
Speaker 1: of mind, need to piece of mind, and you said

1999
01:47:29,800 --> 01:47:37,400
Speaker 1: no nobody. In the end, nobody exactly. That's all I need.

2000
01:47:39,400 --> 01:47:41,600
Speaker 1: You know, it's crazy, and I'm sorry to change the

2001
01:47:41,640 --> 01:47:47,559
Speaker 1: subject a little bit. One didn't even have the luxury

2002
01:47:48,000 --> 01:47:50,240
Speaker 1: of not having anybody in the studio. You know, they

2003
01:47:50,280 --> 01:47:53,880
Speaker 1: still have to bring a couch, so his breath control,

2004
01:47:54,760 --> 01:47:56,519
Speaker 1: he had to have that breath control, you know what

2005
01:47:56,520 --> 01:47:58,760
Speaker 1: I'm saying, because he's sitting down in order for him,

2006
01:47:58,800 --> 01:48:00,800
Speaker 1: you know what I mean, Like big I've seen big

2007
01:48:00,880 --> 01:48:05,760
Speaker 1: lads vocals standing up. You must have some good engineers,

2008
01:48:05,880 --> 01:48:07,960
Speaker 1: because you would never know he was punching that much.

2009
01:48:09,320 --> 01:48:13,760
Speaker 1: Yeah yeah, and he was none electics for the most part.

2010
01:48:14,160 --> 01:48:15,760
Speaker 1: I don't think none of us could punch it in

2011
01:48:15,920 --> 01:48:18,960
Speaker 1: back then, like so he had to like tape because yeah, yeah,

2012
01:48:19,520 --> 01:48:21,360
Speaker 1: I feel like he had to do it, do the

2013
01:48:21,439 --> 01:48:24,040
Speaker 1: whole verse and then go in and then double it

2014
01:48:24,160 --> 01:48:26,240
Speaker 1: up and then go in and do it take the

2015
01:48:26,280 --> 01:48:29,479
Speaker 1: best part take Yeah. But you know, Pat, you know,

2016
01:48:29,680 --> 01:48:32,120
Speaker 1: our show was about giving people their flowers. Wanted to

2017
01:48:32,160 --> 01:48:34,479
Speaker 1: give your flowers. Wanted to tell you not only for

2018
01:48:34,880 --> 01:48:37,479
Speaker 1: being one of the greatest MC's, but you know, one

2019
01:48:37,520 --> 01:48:40,080
Speaker 1: of the greatest father figures, one of the greatest husbands,

2020
01:48:40,320 --> 01:48:42,240
Speaker 1: one of the greatest men on earth. We wanted to

2021
01:48:42,320 --> 01:48:51,160
Speaker 1: just give your flowers face to face man, and that

2022
01:48:51,320 --> 01:48:56,479
Speaker 1: project is phenomenal. Yeah, you don't drink and drive with us. Look, man,

2023
01:48:56,520 --> 01:48:58,280
Speaker 1: I just want to say thank you. May like being

2024
01:48:58,320 --> 01:49:00,519
Speaker 1: in this game a long time. I can't say I

2025
01:49:00,560 --> 01:49:02,960
Speaker 1: want a lot of awards, yes, and knowledgement, so I

2026
01:49:03,000 --> 01:49:10,120
Speaker 1: appreciate that. Yeah, I do want to create project. I

2027
01:49:10,160 --> 01:49:13,880
Speaker 1: think we deserve it. Do you got nominate me so

2028
01:49:13,920 --> 01:49:17,880
Speaker 1: I can say Grammy nominated. That's enough. You have to

2029
01:49:17,920 --> 01:49:21,639
Speaker 1: present your album to be Grammy nominated. Still, it's still

2030
01:49:21,720 --> 01:49:25,120
Speaker 1: like that, and you have to advocate forward to get

2031
01:49:25,160 --> 01:49:27,200
Speaker 1: somebody holler at me from the Grammys. I think I

2032
01:49:27,320 --> 01:49:33,000
Speaker 1: deserve it, Man ninth neither. So as a kid watching

2033
01:49:33,040 --> 01:49:35,160
Speaker 1: that ship, man, you know, it's just a childhood dream

2034
01:49:35,160 --> 01:49:37,679
Speaker 1: for me to win a Grammy. Grammy. Yeah, it ain't

2035
01:49:37,680 --> 01:49:40,280
Speaker 1: really no hip hop ship, but shout to the Grammys though,

2036
01:49:43,320 --> 01:49:46,840
Speaker 1: So how did you make these beasts? Man? You know what,

2037
01:49:47,920 --> 01:49:50,400
Speaker 1: I got a studio, I lock in and I just

2038
01:49:51,640 --> 01:49:52,360
Speaker 1: these particular beat.

2039
01:49:53,000 --> 01:49:56,840
Speaker 6: Okay, Papa give me, Papa, give me a direction, Like, yo,

2040
01:49:57,040 --> 01:49:57,639
Speaker 6: check this out.

2041
01:49:57,960 --> 01:50:00,040
Speaker 1: I'm like, okay, hold on, So you wrote the you

2042
01:50:00,040 --> 01:50:01,760
Speaker 1: wrote to rhymes first, and then you wanted him to

2043
01:50:01,840 --> 01:50:04,960
Speaker 1: match the beat. He's so dope that I said, damn

2044
01:50:05,000 --> 01:50:06,560
Speaker 1: it if I could just give him you know you

2045
01:50:06,680 --> 01:50:08,800
Speaker 1: hear producer and you be like that was dope, you

2046
01:50:08,800 --> 01:50:10,680
Speaker 1: know what I'm saying. But I just was like, Yo,

2047
01:50:10,920 --> 01:50:12,720
Speaker 1: if I could give him a little direction, it'd be

2048
01:50:12,800 --> 01:50:16,040
Speaker 1: fucking crazy, right. That was right, Bro was giving a

2049
01:50:16,040 --> 01:50:18,000
Speaker 1: little direction and he never felt.

2050
01:50:18,280 --> 01:50:21,640
Speaker 6: Yeah, you know, I'm a geminis, so my production is

2051
01:50:21,680 --> 01:50:22,360
Speaker 6: the same way.

2052
01:50:26,280 --> 01:50:27,880
Speaker 1: Everything person out of.

2053
01:50:32,200 --> 01:50:34,040
Speaker 6: So ship, I just like in like that, you know

2054
01:50:34,080 --> 01:50:36,200
Speaker 6: what I mean, Papa, give me a direction. I'm like okay,

2055
01:50:36,800 --> 01:50:39,320
Speaker 6: and I just go into that zone. You know, I

2056
01:50:39,439 --> 01:50:41,240
Speaker 6: never spent a lot of time in New York. Only

2057
01:50:41,320 --> 01:50:43,960
Speaker 6: when I'm like with him, besar, you know, but I

2058
01:50:44,160 --> 01:50:45,960
Speaker 6: just got into the zone that he was in the

2059
01:50:46,040 --> 01:50:49,759
Speaker 6: boom boom back. You know, I got respect for that genre,

2060
01:50:50,160 --> 01:50:53,080
Speaker 6: hip hop. You know, I got mad love for West

2061
01:50:53,160 --> 01:50:55,240
Speaker 6: Coast hip hop. Of course I'm from the South.

2062
01:50:55,360 --> 01:50:55,880
Speaker 1: You know what I mean.

2063
01:50:55,960 --> 01:50:59,280
Speaker 6: But like going in that era, it was a it

2064
01:50:59,400 --> 01:51:02,000
Speaker 6: was a it was a it was adult challenge because

2065
01:51:02,000 --> 01:51:02,960
Speaker 6: I ain't never went there.

2066
01:51:03,120 --> 01:51:07,880
Speaker 1: I'll tell you a funny story. So we got the project.

2067
01:51:07,920 --> 01:51:10,040
Speaker 1: We're working on the project. We got the big video

2068
01:51:10,120 --> 01:51:15,280
Speaker 1: shooting right well, actually we shooting Calling Green video. Okay,

2069
01:51:18,280 --> 01:51:21,080
Speaker 1: So the director we flew. We flew him in from Cali,

2070
01:51:21,120 --> 01:51:22,960
Speaker 1: everybody from everybody in from Canty. So I can get

2071
01:51:22,960 --> 01:51:24,760
Speaker 1: to the video. It's in New York. I get to

2072
01:51:24,840 --> 01:51:26,960
Speaker 1: the video. I'm looking around the ship. I don't see

2073
01:51:26,960 --> 01:51:30,840
Speaker 1: the director. So I said, yo, too, what the director

2074
01:51:30,920 --> 01:51:35,000
Speaker 1: is that? He's like, Yo, it's men, I see what happened.

2075
01:51:35,200 --> 01:51:39,040
Speaker 1: The fucking director he forgot he had his gun and

2076
01:51:39,240 --> 01:51:45,080
Speaker 1: got locked up. He got a gun license, but you

2077
01:51:45,120 --> 01:51:47,800
Speaker 1: don't give a and he locked him up. So this nigga,

2078
01:51:47,840 --> 01:51:54,600
Speaker 1: he directed the motherfucking video never did. He controlled the

2079
01:51:54,640 --> 01:51:58,160
Speaker 1: whole scene, so shocking to my niggas. You know, right,

2080
01:51:58,600 --> 01:52:02,040
Speaker 1: speaking of director Yoa, I was Pat Poos. You know

2081
01:52:02,160 --> 01:52:05,040
Speaker 1: we see him acting in his new joint. But our

2082
01:52:05,160 --> 01:52:07,400
Speaker 1: video was the first time we did the joy with

2083
01:52:07,479 --> 01:52:13,360
Speaker 1: Omar called Senner Bread. That's a fact had him. We

2084
01:52:13,439 --> 01:52:15,680
Speaker 1: had him acting with Omar like he was like, I

2085
01:52:15,720 --> 01:52:17,880
Speaker 1: ain't no fucking actor. I was like, these my nigga,

2086
01:52:17,880 --> 01:52:19,280
Speaker 1: we just got to get through this ship. That's the

2087
01:52:19,360 --> 01:52:22,600
Speaker 1: fact we're working with. He was a season actor and

2088
01:52:22,680 --> 01:52:24,800
Speaker 1: this nigga sitting there and looking real. I'm like, this

2089
01:52:24,920 --> 01:52:30,639
Speaker 1: nigga looks like he's serious. He's like words like you said,

2090
01:52:33,320 --> 01:52:35,600
Speaker 1: and I'm like, and the ship came out amazing, Like

2091
01:52:35,640 --> 01:52:38,519
Speaker 1: that's what I said. This is not real man, Pat Right,

2092
01:52:38,880 --> 01:52:41,920
Speaker 1: We like I said, we go. We got a history

2093
01:52:42,000 --> 01:52:45,400
Speaker 1: to goet New York mixtape, mixtape, that's a fact, mixtape DVD.

2094
01:52:45,520 --> 01:52:48,280
Speaker 1: Ever gonna know one thing that you told me one time,

2095
01:52:48,439 --> 01:52:50,160
Speaker 1: rest in Pac your uncle. I was about to just

2096
01:52:50,200 --> 01:52:55,920
Speaker 1: say that, Yeah, we did the first song case Slay

2097
01:52:56,000 --> 01:52:57,920
Speaker 1: did this ship. We did a song called head of

2098
01:52:58,000 --> 01:53:01,040
Speaker 1: State and he was like, your niggas ain't gonna beef

2099
01:53:01,040 --> 01:53:03,640
Speaker 1: your niggasnna work together like, which I wish New York

2100
01:53:03,680 --> 01:53:06,240
Speaker 1: could do more now because we could have easily went

2101
01:53:06,320 --> 01:53:08,479
Speaker 1: down that bro because I've seen a beef with other

2102
01:53:08,560 --> 01:53:10,640
Speaker 1: niggas from the town and I'm like, nah no, a

2103
01:53:10,680 --> 01:53:13,680
Speaker 1: lot more unity in New York now. Yeah, But back

2104
01:53:13,720 --> 01:53:16,760
Speaker 1: then it wasn't cool to you know, especially when when

2105
01:53:16,800 --> 01:53:20,240
Speaker 1: the tsunami came and so me and son working so

2106
01:53:21,080 --> 01:53:23,439
Speaker 1: years later we did that song. We did many many men.

2107
01:53:23,479 --> 01:53:26,439
Speaker 1: We did a bunch of songs. But his uncles in

2108
01:53:26,520 --> 01:53:28,800
Speaker 1: rest in Headston peace man. Yeah, he said, Yo, you

2109
01:53:28,840 --> 01:53:32,360
Speaker 1: know that was my uncle's favorite songs I did. My

2110
01:53:32,560 --> 01:53:35,040
Speaker 1: life was a wild dude. Man rest in peace, my uncle.

2111
01:53:35,080 --> 01:53:37,760
Speaker 1: But it's so crazy anytime you see that nigga, he

2112
01:53:37,840 --> 01:53:40,840
Speaker 1: busts out and singing a song, but he's singing sagon verse.

2113
01:53:47,720 --> 01:53:50,760
Speaker 1: I'm happy for my You don't understand being sung like.

2114
01:53:51,240 --> 01:53:52,840
Speaker 1: It was to the point where I'm like, damn, me

2115
01:53:52,960 --> 01:53:55,320
Speaker 1: and Son because I had abandon nation, he had Nation

2116
01:53:55,439 --> 01:54:00,519
Speaker 1: and thug ocation like nigga were too similar and we've

2117
01:54:00,560 --> 01:54:03,200
Speaker 1: got the Brooklyn everything was like. But then it was like,

2118
01:54:03,520 --> 01:54:06,360
Speaker 1: you know what this niggas stand up nigga like Pat

2119
01:54:06,680 --> 01:54:09,640
Speaker 1: and easy to block clamp one thing, the easy to

2120
01:54:09,680 --> 01:54:11,720
Speaker 1: block ship because I've seen you hit that punching bag

2121
01:54:11,880 --> 01:54:15,880
Speaker 1: that you know what I said, if he one of

2122
01:54:15,920 --> 01:54:22,600
Speaker 1: them ships couldn't have been one of them that you

2123
01:54:22,720 --> 01:54:26,759
Speaker 1: have seen it. You know that you see the numbers

2124
01:54:26,800 --> 01:54:34,520
Speaker 1: come up. I don't want to hit to a thousand.

2125
01:54:36,800 --> 01:54:43,360
Speaker 1: That all that all rope, that all rope crazy. So

2126
01:54:43,480 --> 01:54:45,200
Speaker 1: you guys said there's a part two to this already

2127
01:54:45,960 --> 01:54:48,080
Speaker 1: you're working on it now. It's going to crazy. Man.

2128
01:54:48,120 --> 01:54:49,400
Speaker 1: I would tell you to open the scene, but I

2129
01:54:49,400 --> 01:54:51,040
Speaker 1: don't want to give it away. So where can they

2130
01:54:51,120 --> 01:54:55,720
Speaker 1: find a project and videos? A yeah? Well, the the

2131
01:54:56,240 --> 01:54:59,320
Speaker 1: actual project is of course Spotify, Apple Music. The visual

2132
01:54:59,440 --> 01:55:03,360
Speaker 1: was on to be million right now you millions million?

2133
01:55:03,760 --> 01:55:07,280
Speaker 1: So the visuals one short film? Right like a short film? Yeah, man,

2134
01:55:07,360 --> 01:55:09,960
Speaker 1: Like I'm telling you, bro, like really, I was really

2135
01:55:10,000 --> 01:55:11,760
Speaker 1: trying to get that ship. Like when I permitted, I

2136
01:55:11,800 --> 01:55:14,560
Speaker 1: permitted in the movie did like I wanted to do

2137
01:55:14,680 --> 01:55:16,800
Speaker 1: something different, bro, and just add on to to what

2138
01:55:16,880 --> 01:55:18,160
Speaker 1: we do in hip hop. You know what I'm saying.

2139
01:55:18,720 --> 01:55:20,320
Speaker 1: We took our time, We took baby steps, like a

2140
01:55:20,400 --> 01:55:22,240
Speaker 1: year and a half working on the acting more. Bro

2141
01:55:22,480 --> 01:55:24,840
Speaker 1: should act more. Bro, Well you're good at You're good

2142
01:55:24,880 --> 01:55:26,640
Speaker 1: at that ship, like even when we doing Siner's Prayer,

2143
01:55:27,000 --> 01:55:28,760
Speaker 1: because you know, I'm on a new show with Shock.

2144
01:55:29,080 --> 01:55:31,080
Speaker 1: I got to know you want to throw that out

2145
01:55:31,120 --> 01:55:44,440
Speaker 1: there myself more to a couple of y'all. Y'all seen like, yeah,

2146
01:55:44,560 --> 01:55:48,880
Speaker 1: main things on it. Big Daddy came, Yeah, and it's

2147
01:55:49,080 --> 01:55:51,480
Speaker 1: it's the Mob show. It ain't. You don't let's sho

2148
01:55:51,600 --> 01:56:00,839
Speaker 1: grab your head though. Hell God, kept want no nonse

2149
01:56:03,800 --> 01:56:08,120
Speaker 1: another side something, But yeah, man, Like like I said earlier, Man,

2150
01:56:08,520 --> 01:56:10,800
Speaker 1: I'm real happy about how to wait and I tell

2151
01:56:10,840 --> 01:56:13,200
Speaker 1: him tell them this behind the scenes, like the way

2152
01:56:13,240 --> 01:56:14,360
Speaker 1: they're receiving the project.

2153
01:56:14,440 --> 01:56:14,520
Speaker 3: Bro.

2154
01:56:14,640 --> 01:56:18,360
Speaker 1: Pause you know what I'm saying. Sometimes as creatives we

2155
01:56:18,480 --> 01:56:20,720
Speaker 1: have a vision when we make our music and like, yeah,

2156
01:56:20,760 --> 01:56:22,560
Speaker 1: wait till they hear this and you put it out

2157
01:56:22,680 --> 01:56:24,800
Speaker 1: and they don't receive it that way. Man, the love

2158
01:56:24,840 --> 01:56:27,840
Speaker 1: I'm getting off this project, I feel real good. Deserve it.

2159
01:56:28,240 --> 01:56:31,240
Speaker 1: I'm happy about it. Man. So like I said, it's

2160
01:56:31,280 --> 01:56:35,040
Speaker 1: independent but distributed through United Mass distributed to the United

2161
01:56:35,120 --> 01:56:38,840
Speaker 1: Masters slash Win Records. I mean, we we a machine, man.

2162
01:56:38,920 --> 01:56:41,160
Speaker 1: You know, I'm tired of being humble. We wanted the

2163
01:56:41,200 --> 01:56:43,640
Speaker 1: best doing it right now. We wanted the best on

2164
01:56:43,720 --> 01:56:46,560
Speaker 1: the music side. On the sports side, we signed a

2165
01:56:46,640 --> 01:56:49,520
Speaker 1: lot of new fighters to win slash selet the promotions,

2166
01:56:49,520 --> 01:56:52,560
Speaker 1: so y'all will see me promoting fighters. Congratulations to the

2167
01:56:52,600 --> 01:56:55,000
Speaker 1: love of my life, Florissa Shields eight million dollar deal again.

2168
01:56:55,600 --> 01:56:59,160
Speaker 1: I gotta say it. You know what I'm saying. I'm

2169
01:56:59,240 --> 01:57:02,840
Speaker 1: just happy to be there positive things. Man, I talked

2170
01:57:02,880 --> 01:57:06,440
Speaker 1: my shirt and you're gonna cut me off here for

2171
01:57:06,720 --> 01:57:14,560
Speaker 1: I'm not allowed to talk. He called me last look ahead,

2172
01:57:16,400 --> 01:57:20,200
Speaker 1: no way, no go ahead. Now ever more arcade like

2173
01:57:20,280 --> 01:57:21,960
Speaker 1: I'm in a tech You know I've been in the tech.

2174
01:57:22,040 --> 01:57:23,760
Speaker 1: That's a fact. That hip hop my way, hip hop

2175
01:57:23,840 --> 01:57:26,000
Speaker 1: my way. Yuh. I got music my Way. The new

2176
01:57:26,040 --> 01:57:30,000
Speaker 1: app about to drop January. It's for it's for director consumer.

2177
01:57:30,040 --> 01:57:32,440
Speaker 1: I believe if you got to get a million streams

2178
01:57:32,480 --> 01:57:34,680
Speaker 1: to make three thousand dollars, you might as well just

2179
01:57:34,760 --> 01:57:38,480
Speaker 1: go get three hundred niggas's gonna give you one hundred dollars. Yeah,

2180
01:57:38,640 --> 01:57:40,200
Speaker 1: you know what I'm saying. You might you better off

2181
01:57:40,240 --> 01:57:41,960
Speaker 1: doing it like that. Go get some three niggas who

2182
01:57:42,000 --> 01:57:44,880
Speaker 1: really believe in you, if you talented, Because I look

2183
01:57:44,920 --> 01:57:47,560
Speaker 1: at streaming even me and monthly listeners and all that shit.

2184
01:57:47,600 --> 01:57:50,600
Speaker 1: I'm like, I got sixty thousand, seventy things. I know,

2185
01:57:50,640 --> 01:57:52,640
Speaker 1: I got weight. I don't sold one hundreds of thousands

2186
01:57:52,640 --> 01:57:55,960
Speaker 1: of records independently. Right, it's a it's a it's a

2187
01:57:56,360 --> 01:57:58,640
Speaker 1: you know, it is what it is. But what I

2188
01:57:58,760 --> 01:58:01,520
Speaker 1: want to say is evermore Okay, Like I'm in at Tech,

2189
01:58:02,240 --> 01:58:07,080
Speaker 1: Shot to Suit, shout Up, mars A Cash, all these guys,

2190
01:58:07,120 --> 01:58:10,240
Speaker 1: they got these platforms. That's really showing artists how to

2191
01:58:10,320 --> 01:58:12,880
Speaker 1: be a business. Like really an I p O, like

2192
01:58:12,960 --> 01:58:15,120
Speaker 1: you can go you as Nori could be like funk

2193
01:58:15,160 --> 01:58:17,960
Speaker 1: that you want to buy some stock and Norri you

2194
01:58:18,040 --> 01:58:19,920
Speaker 1: could buy stock and Norrid they can put you on

2195
01:58:20,000 --> 01:58:22,320
Speaker 1: an I p O. Your a legal entity as a

2196
01:58:22,760 --> 01:58:26,040
Speaker 1: public business. I like that with individual music too, Like

2197
01:58:26,160 --> 01:58:28,120
Speaker 1: l Russell's was doing that, it's doing that now he's

2198
01:58:28,160 --> 01:58:31,200
Speaker 1: doing That's something. It's something different. It's something way different.

2199
01:58:31,240 --> 01:58:33,880
Speaker 1: I know, but I'm saying there's different ways of doing it.

2200
01:58:34,000 --> 01:58:35,880
Speaker 1: Now he's not on the stock saying no, no, no, no,

2201
01:58:36,080 --> 01:58:38,440
Speaker 1: that's crazy, that's crazy. Like you can go public like

2202
01:58:39,160 --> 01:58:41,360
Speaker 1: so my man said some ship up my man soup.

2203
01:58:42,120 --> 01:58:44,640
Speaker 1: You might know soup. You know slow bucks he started

2204
01:58:44,640 --> 01:58:47,840
Speaker 1: slow bucking. Oh yeah, no soup, yeah, soup, my guy,

2205
01:58:48,200 --> 01:58:51,080
Speaker 1: yeah shot soup, so and a cash. They put the

2206
01:58:51,080 --> 01:58:53,600
Speaker 1: ship together and my man, Mike's I ain't gonna say

2207
01:58:53,640 --> 01:58:56,080
Speaker 1: his last name. This is the third time on on

2208
01:58:56,280 --> 01:58:59,760
Speaker 1: drink chance y'all clown me for saying mike' semen, Mike

2209
01:59:00,280 --> 01:59:13,360
Speaker 1: like you more attention to you just said, but now

2210
01:59:13,480 --> 01:59:16,040
Speaker 1: evermore not gonna lie. He's one of the smartest people

2211
01:59:16,080 --> 01:59:18,560
Speaker 1: I know ever more r K. He got this. They

2212
01:59:18,600 --> 01:59:21,200
Speaker 1: give our million dollars a year or for playing fucking

2213
01:59:21,280 --> 01:59:24,720
Speaker 1: app like the technology. Ship is where the money's at. Money.

2214
01:59:24,880 --> 01:59:28,920
Speaker 1: Tech is the new oil. Tech is oil. Technology content

2215
01:59:29,080 --> 01:59:31,360
Speaker 1: is oil. That's why these streamer kids look at us

2216
01:59:31,400 --> 01:59:34,440
Speaker 1: like we dinosaurs. They do something called I r L

2217
01:59:34,560 --> 01:59:36,680
Speaker 1: in real life. They don't even record something and put

2218
01:59:36,680 --> 01:59:38,760
Speaker 1: it up if it ain't happen. When it happened, it

2219
01:59:38,840 --> 01:59:42,320
Speaker 1: ain't happen, and then they clip it so they don't

2220
01:59:42,320 --> 01:59:46,440
Speaker 1: sit there and recorded edited. They shoot me live like

2221
01:59:46,560 --> 01:59:48,680
Speaker 1: you should have streaming head and shooting this ship live,

2222
01:59:49,040 --> 01:59:54,120
Speaker 1: then clip it up on kid. Yeah. Yeah, that's that's

2223
01:59:54,200 --> 01:59:56,240
Speaker 1: what these that's how and it's so it's so mid

2224
01:59:56,240 --> 01:59:59,440
Speaker 1: because everything is ad based. If you can get eyeballs,

2225
01:59:59,600 --> 02:00:02,000
Speaker 1: that's what you YouTube is doing. That's why Netflix just

2226
02:00:02,240 --> 02:00:04,720
Speaker 1: did that deal with our heart. You're getting that. They're

2227
02:00:04,720 --> 02:00:07,600
Speaker 1: saying fuck you to we have to cut that niggas

2228
02:00:07,720 --> 02:00:09,920
Speaker 1: next all. It's a lot of it's a lot of

2229
02:00:10,000 --> 02:00:12,200
Speaker 1: things that we got to be privy to because we

2230
02:00:12,320 --> 02:00:14,040
Speaker 1: are the oil and the engine. Were the ones that

2231
02:00:14,120 --> 02:00:16,680
Speaker 1: make this ship cool. We're the cool factor. Without us,

2232
02:00:16,800 --> 02:00:19,040
Speaker 1: none of this ship works, you know what I'm saying.

2233
02:00:20,440 --> 02:00:22,640
Speaker 1: You see the only niggas making the big money. We

2234
02:00:22,800 --> 02:00:25,360
Speaker 1: think a few ms is money. And then they look like,

2235
02:00:25,480 --> 02:00:27,520
Speaker 1: oh they lick. They think they think they lick because

2236
02:00:27,600 --> 02:00:30,320
Speaker 1: they made a few ms. Meanwhile we made the hundreds

2237
02:00:30,320 --> 02:00:32,880
Speaker 1: of million. We make a hundreds of millions. That's why

2238
02:00:32,920 --> 02:00:35,879
Speaker 1: those billionaire part Yeah.

2239
02:00:35,800 --> 02:00:37,960
Speaker 2: That's why they're making billionaires a regular thing.

2240
02:00:38,080 --> 02:00:41,400
Speaker 1: Yeah they're going for trillion exactly. Noigas trying to hit

2241
02:00:41,440 --> 02:00:47,640
Speaker 1: a trillion like a couple of niggas. And yeah, I

2242
02:00:47,720 --> 02:00:50,600
Speaker 1: think it's a double sword, believe So I think I

2243
02:00:50,680 --> 02:00:52,160
Speaker 1: think it's I think it's it's evolution.

2244
02:00:52,360 --> 02:00:55,280
Speaker 2: It's awesome for the creator. There's a lot that we

2245
02:00:55,360 --> 02:00:57,120
Speaker 2: could do with it. But I think we don't really

2246
02:00:57,160 --> 02:01:00,840
Speaker 2: fully understand the long term like a gun.

2247
02:01:01,400 --> 02:01:03,040
Speaker 1: Like a gun, you could use a gun for good

2248
02:01:03,120 --> 02:01:04,920
Speaker 1: or you can use it for bad. You can use

2249
02:01:04,920 --> 02:01:08,480
Speaker 1: a gun to protect your family, but shoot itself unless

2250
02:01:08,480 --> 02:01:13,760
Speaker 1: you drop it. This AI can shoot itself. Said about

2251
02:01:14,080 --> 02:01:18,600
Speaker 1: somebody got pro that's not what the creators about AI

2252
02:01:20,160 --> 02:01:23,360
Speaker 1: you think about. I just think I think it's it's evolution.

2253
02:01:23,520 --> 02:01:27,040
Speaker 1: I think it's it's it's definitely evolution. It's technology.

2254
02:01:27,120 --> 02:01:27,240
Speaker 3: Bro.

2255
02:01:27,640 --> 02:01:29,800
Speaker 1: The thing about it is with with how far do

2256
02:01:29,880 --> 02:01:30,360
Speaker 1: you let it go?

2257
02:01:31,880 --> 02:01:34,320
Speaker 2: I think the creed is the part that's gonna exactly

2258
02:01:34,880 --> 02:01:35,560
Speaker 2: where it's gonna go.

2259
02:01:35,840 --> 02:01:40,480
Speaker 1: Left isn't putting the guardrails. I think. First of all,

2260
02:01:40,480 --> 02:01:43,000
Speaker 1: I want to say shout out to because you talk

2261
02:01:43,000 --> 02:01:44,920
Speaker 1: about music or just over I'm just going to music

2262
02:01:45,000 --> 02:01:48,840
Speaker 1: right now, we're talking about talking about more. I'm just

2263
02:01:48,880 --> 02:01:51,280
Speaker 1: talking about the music aspect of it. I was able

2264
02:01:51,360 --> 02:01:55,640
Speaker 1: to do to make a nice sized bag with Google

2265
02:01:55,760 --> 02:01:58,000
Speaker 1: like do an AI project, so they had me, John

2266
02:01:58,080 --> 02:01:59,760
Speaker 1: Legend and a bunch of people, so I see where

2267
02:01:59,760 --> 02:02:03,040
Speaker 1: it could be productive. That's sure feeding your family. But

2268
02:02:03,600 --> 02:02:05,920
Speaker 1: I'm just saying this. As far as the music, I

2269
02:02:06,000 --> 02:02:10,200
Speaker 1: think the wack rappers in trouble. I think niggas that

2270
02:02:10,280 --> 02:02:12,680
Speaker 1: really could rap, they're good because A I can't do

2271
02:02:12,800 --> 02:02:15,880
Speaker 1: it real, I don't know. Ye're hearing them fifty so

2272
02:02:16,040 --> 02:02:18,680
Speaker 1: many men songs, like when they do the old school.

2273
02:02:18,440 --> 02:02:28,320
Speaker 5: One reggae version, the original version and more. You're saying

2274
02:02:28,400 --> 02:02:32,040
Speaker 5: for originality, I'm saying. I'm saying, like deliriousis they can't.

2275
02:02:32,200 --> 02:02:33,880
Speaker 5: I haven't seen the AI do that.

2276
02:02:34,600 --> 02:02:39,200
Speaker 1: I don't know, so Jo it's crazy. I'm gonna tell

2277
02:02:39,200 --> 02:02:41,240
Speaker 1: you what to dude, both of y'all go to chat

2278
02:02:41,360 --> 02:02:43,680
Speaker 1: g B team be like, do a dis record against

2279
02:02:43,800 --> 02:02:46,120
Speaker 1: Norri and you go there, I did that ship that

2280
02:02:46,160 --> 02:02:52,800
Speaker 1: ships flaming megas, you record nigga disrecord against Sago. This

2281
02:02:52,880 --> 02:02:56,160
Speaker 1: ship new my whole life that this ship was flaming.

2282
02:02:56,800 --> 02:02:59,280
Speaker 1: I was like, and that's not even the crazy, not

2283
02:02:59,320 --> 02:02:59,680
Speaker 1: the crazy.

2284
02:03:00,200 --> 02:03:03,720
Speaker 2: That's what I'm saying, Like we under educated with AI,

2285
02:03:03,920 --> 02:03:06,040
Speaker 2: and sometimes we think we sound cool by talking about

2286
02:03:06,080 --> 02:03:10,720
Speaker 2: AI without really knowing what really can potentially happen with AI.

2287
02:03:11,200 --> 02:03:12,800
Speaker 1: Like when I'm telling I'm looking, you gotta look at

2288
02:03:12,840 --> 02:03:14,120
Speaker 1: the CEOs and the people that create AI.

2289
02:03:14,440 --> 02:03:17,800
Speaker 2: They're warning they're they're scared of it if they created it,

2290
02:03:17,800 --> 02:03:18,520
Speaker 2: and they're scared of it.

2291
02:03:18,600 --> 02:03:20,680
Speaker 1: Then I don't know what then, so let me ask you,

2292
02:03:20,800 --> 02:03:26,000
Speaker 1: let me ask you. No Ai, but God comes down,

2293
02:03:27,840 --> 02:03:32,000
Speaker 1: God says, Pat, you gotta make a record for humanity.

2294
02:03:32,640 --> 02:03:38,000
Speaker 1: Nobody here. You can't pick nobody here. You get one

2295
02:03:38,080 --> 02:03:43,960
Speaker 1: producer and one feature. This record is gonna save your manity.

2296
02:03:44,320 --> 02:03:52,240
Speaker 1: Nine content just whatever? Who this Pat? Pick feature? Yep,

2297
02:03:52,560 --> 02:03:56,200
Speaker 1: that're all live? Okay, Okay, I made it easier for

2298
02:03:56,280 --> 02:03:59,880
Speaker 1: you when you said that I'm not impressive. I do it.

2299
02:04:03,440 --> 02:04:06,960
Speaker 1: The one, the one feature. I will have to say big.

2300
02:04:08,440 --> 02:04:10,480
Speaker 1: And the producer beat my brother Sean to no, no, no,

2301
02:04:10,560 --> 02:04:14,320
Speaker 1: what not not here? I can't he took him out.

2302
02:04:15,040 --> 02:04:21,560
Speaker 1: I didn't winness that. Okay, I'm gonna go honestly, I'm

2303
02:04:21,600 --> 02:04:25,680
Speaker 1: gonna go, doctor Drake. Oh that's all, Doctor Drake. Okay.

2304
02:04:25,760 --> 02:04:28,320
Speaker 1: Now I'm flippit of bouncing on you. Now the feature

2305
02:04:28,840 --> 02:04:34,160
Speaker 1: has to be alive. And now the producer it's passed away. Okay,

2306
02:04:34,840 --> 02:04:37,680
Speaker 1: the feature, I will say, nas you know what I'm

2307
02:04:37,680 --> 02:04:41,800
Speaker 1: saying somewhere to be honest, man, okay, and the producer

2308
02:04:41,840 --> 02:04:54,920
Speaker 1: gotta be deceased. Yes, I'm gonna say, John, I won't

2309
02:04:54,960 --> 02:04:59,840
Speaker 1: take you question. I missed the question, he repeating, who

2310
02:05:00,360 --> 02:05:01,440
Speaker 1: who's your favorite ducer?

2311
02:05:01,720 --> 02:05:06,080
Speaker 6: My favorite producers is uh Curtis Mayfield.

2312
02:05:06,480 --> 02:05:08,400
Speaker 1: Okay, hold on, that was that was the question. He

2313
02:05:08,440 --> 02:05:11,800
Speaker 1: answered different Yeah, a whole different things. It was a

2314
02:05:11,840 --> 02:05:18,120
Speaker 1: crazy scenario. Yeah, damn man, Curtis Mayfield Mayfield. I can

2315
02:05:18,240 --> 02:05:20,080
Speaker 1: hear that. I wasn't. I wasn't. I wasn't very I

2316
02:05:20,120 --> 02:05:23,040
Speaker 1: didn't even know Curtis Mayfield. But neither. Yeah, I ain't.

2317
02:05:23,840 --> 02:05:30,040
Speaker 1: I ain't. Never been stuck like that. Yeah, m you

2318
02:05:30,080 --> 02:05:32,240
Speaker 1: know us was the genius on the low. I'll be sure.

2319
02:05:32,920 --> 02:05:38,440
Speaker 1: I'll be sure still a genie. I'll be sure. Still musically,

2320
02:05:38,520 --> 02:05:45,720
Speaker 1: what's the last ship? Man? I don't believe. I don't believe.

2321
02:05:46,200 --> 02:05:48,800
Speaker 1: Being a genius is like playing basketball, like you don't

2322
02:05:48,800 --> 02:05:51,120
Speaker 1: get older and it's like stop being you know what

2323
02:05:51,120 --> 02:05:53,440
Speaker 1: I'm saying. You don't lose it. You don't lose it,

2324
02:05:53,600 --> 02:05:55,880
Speaker 1: like yeah, like you don't lose your knees achilles, don't

2325
02:05:55,880 --> 02:05:59,800
Speaker 1: break out on your geniusness, you know what I'm saying. Yeah,

2326
02:05:59,840 --> 02:06:02,240
Speaker 1: he's illegenious. He just gotta like he put in the

2327
02:06:02,320 --> 02:06:07,800
Speaker 1: right run using it no more. Yeah, I know. To me,

2328
02:06:07,920 --> 02:06:09,280
Speaker 1: you got to be put in the right room, like

2329
02:06:09,320 --> 02:06:12,000
Speaker 1: you know what I'm saying, Like you know what I'm saying,

2330
02:06:12,080 --> 02:06:14,000
Speaker 1: Like the credit he don't like he did all that

2331
02:06:14,120 --> 02:06:17,120
Speaker 1: Tevin Camp. He was writing the nigga pen and his insdruction.

2332
02:06:17,240 --> 02:06:20,200
Speaker 1: He produced his first album like the ineffect Mode or

2333
02:06:20,240 --> 02:06:23,160
Speaker 1: like Night and Day, all them songs they raised us

2334
02:06:23,240 --> 02:06:26,320
Speaker 1: and Ship. He was producing them Ships, Night and Day.

2335
02:06:26,400 --> 02:06:30,360
Speaker 1: I want to get on your nigga was writing them

2336
02:06:30,400 --> 02:06:34,520
Speaker 1: songs all. I'll be sure he brung the light Skin

2337
02:06:34,600 --> 02:06:38,440
Speaker 1: Brothers back out back out. It was out of style,

2338
02:06:38,520 --> 02:06:46,960
Speaker 1: and he brought the darkskin niggas back. Come on, who

2339
02:06:47,000 --> 02:06:49,200
Speaker 1: brought the niggas back after that? Because it goes back

2340
02:06:49,240 --> 02:06:52,680
Speaker 1: and forth going. Chris Brown got it right now, no, no,

2341
02:06:52,760 --> 02:06:55,280
Speaker 1: no after. I'll be sure. I would have to say

2342
02:06:55,920 --> 02:07:00,400
Speaker 1: about default nas Now's is in the middle son Nah

2343
02:07:00,600 --> 02:07:05,800
Speaker 1: he likes Nah, he likes Alien back t y, Yeah,

2344
02:07:07,960 --> 02:07:15,240
Speaker 1: I remember that. Can Wesley Snipe West Snipe. Biggie Big, bigger, bigger,

2345
02:07:15,720 --> 02:07:20,200
Speaker 1: different type big different. You know, every fat nigga got

2346
02:07:20,240 --> 02:07:22,960
Speaker 1: something fat in their name, like Biggie Small, chub Rock,

2347
02:07:23,560 --> 02:07:27,960
Speaker 1: fat Boys, heavy d You gotta acknowledge it. Every little

2348
02:07:28,000 --> 02:07:33,760
Speaker 1: nigga got little in their name. Too then, but every

2349
02:07:33,880 --> 02:07:36,920
Speaker 1: fat rapper you have to that's marketing without even realizing it,

2350
02:07:37,160 --> 02:07:39,440
Speaker 1: because you really have to acknowledge the fact that you know,

2351
02:07:39,520 --> 02:07:44,080
Speaker 1: you fat, a big dude that's already without without the extra,

2352
02:07:44,360 --> 02:07:46,880
Speaker 1: the largest, the biggest, the largest with that nigga name

2353
02:07:47,760 --> 02:07:51,000
Speaker 1: big asked the plug. It's another nigga. No that's not

2354
02:07:51,080 --> 02:07:54,360
Speaker 1: his name. His name he reminds me of pun. There's

2355
02:07:54,360 --> 02:07:56,520
Speaker 1: a couple of them that sits down on the couch

2356
02:07:56,680 --> 02:08:00,160
Speaker 1: when he performs oh drinking beef and when they by

2357
02:08:00,600 --> 02:08:12,440
Speaker 1: yeah yeah, I think shout out, I ain't this you man?

2358
02:08:15,640 --> 02:08:17,120
Speaker 1: Like he want all the action?

2359
02:08:17,320 --> 02:08:17,480
Speaker 7: Man?

2360
02:08:18,320 --> 02:08:21,520
Speaker 1: What some of Peter fifthest on one on one right

2361
02:08:21,600 --> 02:08:25,520
Speaker 1: now like that kind of a k on the roof.

2362
02:08:28,000 --> 02:08:32,000
Speaker 1: Anybody can get it right now? Two fifty oh yeah

2363
02:08:32,520 --> 02:08:40,720
Speaker 1: right yeah? So what was your favorite summer jam? I

2364
02:08:40,800 --> 02:08:43,880
Speaker 1: mean shameless plugged the woman Buster brought me out back

2365
02:08:44,120 --> 02:08:48,200
Speaker 1: like seven man come true? Who was that? Who else

2366
02:08:48,280 --> 02:08:51,800
Speaker 1: was out there with y'all? It was a crazy lineup.

2367
02:08:51,840 --> 02:08:54,120
Speaker 1: I don't remember the whole lineup, but everybody performed that

2368
02:08:54,160 --> 02:08:56,680
Speaker 1: there everybody was when the record came out. I'm mistaken

2369
02:08:57,040 --> 02:09:00,600
Speaker 1: or most of us. But besides that, I ain't gonna lie,

2370
02:09:00,680 --> 02:09:03,200
Speaker 1: bro I'm gonna keep it real. I'm a not fan.

2371
02:09:03,320 --> 02:09:07,240
Speaker 1: When jay Z did that take over, well that really

2372
02:09:07,360 --> 02:09:10,480
Speaker 1: was that nas That was really more towards his prodigy. Yeah,

2373
02:09:10,480 --> 02:09:13,360
Speaker 1: but at the end, look how you ended it. One

2374
02:09:13,440 --> 02:09:15,160
Speaker 1: of the whole son, you know what it was like

2375
02:09:15,240 --> 02:09:17,200
Speaker 1: for Maybe he shouldn't have said that because the can

2376
02:09:17,360 --> 02:09:18,560
Speaker 1: I know, but you know what it was like he

2377
02:09:18,680 --> 02:09:21,160
Speaker 1: did want to nig to say that though I thought

2378
02:09:21,200 --> 02:09:25,040
Speaker 1: it was a typo, you know what I mean. That

2379
02:09:25,200 --> 02:09:26,640
Speaker 1: was one of the things I don't believe that I

2380
02:09:26,760 --> 02:09:31,200
Speaker 1: was here, said New York City history, like was like

2381
02:09:31,320 --> 02:09:34,520
Speaker 1: when like like like when they actually like indulged, like

2382
02:09:35,120 --> 02:09:37,160
Speaker 1: because we always thought we got a lot of girls

2383
02:09:37,160 --> 02:09:40,360
Speaker 1: little Jude, no of y'all do you always thought that?

2384
02:09:40,520 --> 02:09:42,240
Speaker 1: And then like it was going back and forth. But

2385
02:09:42,880 --> 02:09:44,880
Speaker 1: you know what's the crazy shit about that Prodigy picture.

2386
02:09:46,720 --> 02:09:49,000
Speaker 1: We all went to that studio, We all saw the

2387
02:09:49,160 --> 02:09:51,839
Speaker 1: picture and never looked at it as a war tactics

2388
02:09:52,520 --> 02:09:55,800
Speaker 1: like that was his grandmother's studio, like we all have,

2389
02:09:55,920 --> 02:10:00,120
Speaker 1: Michael Jackson. So one of your niggas gave that nigga. No, no,

2390
02:10:00,800 --> 02:10:02,720
Speaker 1: I mean like when you walked into a lot of

2391
02:10:02,720 --> 02:10:05,160
Speaker 1: people saw it. It was like an S I R. Studio.

2392
02:10:05,200 --> 02:10:08,560
Speaker 1: For lack of a better how did get it? Anybody have?

2393
02:10:11,480 --> 02:10:13,800
Speaker 1: You couldn't take a picture of them, but anybody could have.

2394
02:10:13,880 --> 02:10:16,320
Speaker 1: That's like anybody somebody walking in right now taking a

2395
02:10:16,320 --> 02:10:21,040
Speaker 1: picture of the drink already. But no one looked at

2396
02:10:21,080 --> 02:10:23,240
Speaker 1: it like war tactics. You know what I'm saying, because

2397
02:10:23,680 --> 02:10:26,200
Speaker 1: like one, we didn't put too and two together that

2398
02:10:27,440 --> 02:10:31,680
Speaker 1: because he was a ballerina was hated. It wasn't you.

2399
02:10:31,960 --> 02:10:36,000
Speaker 1: It was like it was I'm not allowed to say

2400
02:10:36,040 --> 02:10:39,560
Speaker 1: bad about Pete because the Internet gonna kill me anything

2401
02:10:39,600 --> 02:10:43,920
Speaker 1: I said about Pridy to me. But the picture didn't

2402
02:10:43,920 --> 02:10:46,240
Speaker 1: look like it looked like a young nigga would like

2403
02:10:46,480 --> 02:10:49,680
Speaker 1: it was dancing. It was strategic on Jay's side. He said.

2404
02:10:51,240 --> 02:10:53,640
Speaker 7: A ballerine. It was no one ever actually looks and

2405
02:10:53,680 --> 02:10:57,360
Speaker 7: says that's side of hey man, Hey, it was the

2406
02:10:57,400 --> 02:11:04,320
Speaker 7: way he said it. You the picture, Yeah, yeah, dropped

2407
02:11:04,320 --> 02:11:04,880
Speaker 7: ship one.

2408
02:11:04,840 --> 02:11:11,160
Speaker 1: Swishing like some ship like you addressing piece of po.

2409
02:11:11,240 --> 02:11:14,080
Speaker 1: P was one of the only niggas who post would

2410
02:11:14,080 --> 02:11:18,560
Speaker 1: get into jay Z skin Man constantly that nigga break

2411
02:11:18,640 --> 02:11:21,320
Speaker 1: that down. For breaking down, bro, jay Z knows everybody

2412
02:11:21,920 --> 02:11:24,880
Speaker 1: I ain't prodigy. That Nigga respawned Prodigy and Jim Jones

2413
02:11:26,400 --> 02:11:29,240
Speaker 1: fifty two fifty Curtis got him. Yeah, but I'm talking

2414
02:11:29,240 --> 02:11:32,400
Speaker 1: about like I'm about a dollar lost fifty fifty seved

2415
02:11:32,400 --> 02:11:36,040
Speaker 1: when he said that, I was mad that right, it

2416
02:11:36,200 --> 02:11:39,600
Speaker 1: was no denying fifty. But just like niggas, everybody game

2417
02:11:39,680 --> 02:11:43,920
Speaker 1: cruising that Nigga always responded to Pedo. Wow, I didn't

2418
02:11:43,920 --> 02:11:46,760
Speaker 1: realize that. Yeah, pople A, he had a mean run

2419
02:11:46,840 --> 02:11:49,680
Speaker 1: at one time. It's Peno. I'm gonna tell you something

2420
02:11:49,720 --> 02:11:53,240
Speaker 1: about Prodigy, right, He probably the most sampled voice in

2421
02:11:53,400 --> 02:11:56,080
Speaker 1: hip hop ever that nigga. Might I thot I used

2422
02:11:56,080 --> 02:12:01,080
Speaker 1: to I used to go between Guru method man, they

2423
02:12:01,200 --> 02:12:04,400
Speaker 1: all deep the l voice niggas that nigga Prodigy. Think

2424
02:12:04,480 --> 02:12:07,480
Speaker 1: about all the songs they sample for his songs, even

2425
02:12:07,560 --> 02:12:13,360
Speaker 1: jay Z jay Z sample. You know, I Illuminati. When

2426
02:12:13,400 --> 02:12:15,800
Speaker 1: my mind sold him about pun I gave you fair

2427
02:12:15,880 --> 02:12:19,600
Speaker 1: warning beware like that Nigga's voice is so sampled. He

2428
02:12:20,400 --> 02:12:23,640
Speaker 1: he had, he had a golden tone bro like. Yeah,

2429
02:12:24,000 --> 02:12:26,720
Speaker 1: he didn't even have to be crazy. Prodigy didn't have

2430
02:12:26,800 --> 02:12:31,200
Speaker 1: to be super duper duper like technically lyrical because his presidence.

2431
02:12:31,400 --> 02:12:35,120
Speaker 1: He has something that it's so hard to bite. His style,

2432
02:12:35,640 --> 02:12:40,640
Speaker 1: his that was unbiteable. Nigga couldn't bite Prodigy Nigga that

2433
02:12:40,640 --> 02:12:42,840
Speaker 1: could go for like Peter Gold, like four balls and

2434
02:12:42,920 --> 02:12:50,600
Speaker 1: nothing wrong and it's still wasn't infamous album. P That

2435
02:12:50,800 --> 02:12:54,000
Speaker 1: was afterwards he developed that like he was just thinking

2436
02:12:54,800 --> 02:12:58,480
Speaker 1: that Nigga went on the run his ship and nobody

2437
02:12:58,520 --> 02:13:01,600
Speaker 1: couldn't funk with him. He's glass tables and all that. Yeah,

2438
02:13:01,640 --> 02:13:04,680
Speaker 1: I throw a TV at you TV. He was saying.

2439
02:13:04,680 --> 02:13:07,080
Speaker 1: It was like better than the round for man, like

2440
02:13:07,160 --> 02:13:09,600
Speaker 1: the nigga with your rest places said I break red

2441
02:13:10,080 --> 02:13:13,840
Speaker 1: ribs one hundred dollars. His first lines is, so was

2442
02:13:13,880 --> 02:13:15,720
Speaker 1: the record come on catch you coming out your fucking

2443
02:13:15,800 --> 02:13:21,840
Speaker 1: crag nigga? All the killers in one hundred dollars that

2444
02:13:21,960 --> 02:13:24,600
Speaker 1: niggas is new with the saving for the ship ones

2445
02:13:24,840 --> 02:13:28,120
Speaker 1: was she wasn't a record. That ship was a move movement,

2446
02:13:28,480 --> 02:13:30,400
Speaker 1: Like I remember everything that happened in my life when

2447
02:13:30,440 --> 02:13:32,680
Speaker 1: that was coming. He too had the big stupid north

2448
02:13:32,720 --> 02:13:37,760
Speaker 1: face on jumping off the fran playing that more deep ship. Nigga,

2449
02:13:37,880 --> 02:13:40,600
Speaker 1: Yeah that was serious. You had a hell of a

2450
02:13:40,680 --> 02:13:48,880
Speaker 1: ton to let me. It was crazy I think I've

2451
02:13:48,920 --> 02:13:56,240
Speaker 1: seen another interview with the Homeboy the Thugs. Calm down, No, yeah,

2452
02:13:56,800 --> 02:13:59,880
Speaker 1: he did come again seeing my bigger probably my big

2453
02:14:00,200 --> 02:14:10,480
Speaker 1: record float. He's a monster. He's like one of the

2454
02:14:10,640 --> 02:14:14,000
Speaker 1: other producers. Like you can't you can't like listen to

2455
02:14:14,120 --> 02:14:17,720
Speaker 1: his sound and say that's him. Yeah, he can come

2456
02:14:17,760 --> 02:14:20,160
Speaker 1: in like you know, he got a sound though, but

2457
02:14:20,280 --> 02:14:22,520
Speaker 1: you gotta be yeah. I mean you, I mean yeah, yeah.

2458
02:14:22,800 --> 02:14:24,000
Speaker 1: What is he do?

2459
02:14:24,480 --> 02:14:28,000
Speaker 2: Yeah, I think so, I mean yell like he did.

2460
02:14:28,080 --> 02:14:30,280
Speaker 2: Sometimes it's the snare.

2461
02:14:30,960 --> 02:14:38,040
Speaker 1: Sometimes sometimes George pro is dope. Rock is crazy. To

2462
02:14:38,040 --> 02:14:41,400
Speaker 1: see the Award a War show A l A Yeah,

2463
02:14:41,720 --> 02:14:44,080
Speaker 1: l A recently and they was break dancing like that's it.

2464
02:14:44,240 --> 02:14:46,200
Speaker 1: So when we were talking earlier, excuse me, I was

2465
02:14:46,400 --> 02:14:48,080
Speaker 1: pointing you. When we were talking earlier about the New

2466
02:14:48,160 --> 02:14:52,000
Speaker 1: York ship, I can't lie. I can't lie. L A

2467
02:14:52,120 --> 02:14:55,800
Speaker 1: gave it up, like they gave a whole little ceremony

2468
02:14:55,880 --> 02:14:58,280
Speaker 1: and they were breakdancing. You can tell there was no

2469
02:14:58,440 --> 02:15:00,560
Speaker 1: separation that night, that ship that you we're talking about,

2470
02:15:00,600 --> 02:15:02,320
Speaker 1: because I suffered from that too. That's like, damn. Why

2471
02:15:02,360 --> 02:15:04,360
Speaker 1: they always like kind of like like I don't want

2472
02:15:04,360 --> 02:15:06,320
Speaker 1: to say, look down l A wasn't like that though

2473
02:15:06,920 --> 02:15:09,320
Speaker 1: I'm talking about this. This was a party. Risin was

2474
02:15:09,400 --> 02:15:15,120
Speaker 1: there and everyone here South. We were talking about we

2475
02:15:15,200 --> 02:15:17,640
Speaker 1: were saying earlier is I let pat say because I

2476
02:15:17,680 --> 02:15:20,200
Speaker 1: don't want all about the situation, like we were talking

2477
02:15:20,200 --> 02:15:24,240
Speaker 1: about how he was here. He came at the end.

2478
02:15:24,280 --> 02:15:29,480
Speaker 1: I think he came towards the New York. We were

2479
02:15:29,520 --> 02:15:31,320
Speaker 1: just talking about how niggas behaving on New York. But

2480
02:15:31,400 --> 02:15:35,080
Speaker 1: that was the South South, and the West was different

2481
02:15:35,320 --> 02:15:37,680
Speaker 1: the West. I'm gonna tell you when the West started

2482
02:15:37,760 --> 02:15:41,560
Speaker 1: not liking niggas, when niggas was like you over there

2483
02:15:41,640 --> 02:15:44,880
Speaker 1: second or that New York did ice Cube, but ice

2484
02:15:44,920 --> 02:15:47,440
Speaker 1: col left n w A and went to the bombs

2485
02:15:47,440 --> 02:15:49,960
Speaker 1: Squas like no, no, no, no, n w A. But

2486
02:15:50,040 --> 02:15:51,160
Speaker 1: what are you saying? Ice Cube?

2487
02:15:51,280 --> 02:15:55,400
Speaker 2: Left wing wanted specific So.

2488
02:15:55,520 --> 02:15:58,080
Speaker 1: You remember when they just here's what they think about you.

2489
02:15:58,160 --> 02:16:00,400
Speaker 1: Here's what they think about since you over there sucking

2490
02:16:00,440 --> 02:16:02,080
Speaker 1: to so much New York, dick, don't you come east

2491
02:16:02,160 --> 02:16:04,680
Speaker 1: of that Chicago pussy? You don't remember that skit on

2492
02:16:04,840 --> 02:16:07,680
Speaker 1: n w AS album but produced by New York producers. No,

2493
02:16:07,840 --> 02:16:10,400
Speaker 1: that was n w AS. That was w A's rebuttal

2494
02:16:10,440 --> 02:16:13,240
Speaker 1: when he left the group when yeah, you're right, Nigga,

2495
02:16:13,280 --> 02:16:17,600
Speaker 1: when you're right. When he left the when Niggas for

2496
02:16:17,680 --> 02:16:20,560
Speaker 1: Life came out, that's when it because Ice Q came

2497
02:16:20,600 --> 02:16:22,360
Speaker 1: over here. When he left n w A, he came

2498
02:16:22,440 --> 02:16:24,360
Speaker 1: to the East Coast and started working with Bomb Squad

2499
02:16:24,480 --> 02:16:27,600
Speaker 1: was Public Enemy producers. They did the whole America's Most Wanting.

2500
02:16:27,680 --> 02:16:29,960
Speaker 1: That's why it sounds a lot like Public Enemy albums.

2501
02:16:30,440 --> 02:16:33,320
Speaker 1: So there's a skit on that. Here's what they thinking

2502
02:16:33,440 --> 02:16:35,920
Speaker 1: on Niggas for Life. Since you're over there sucking so

2503
02:16:36,000 --> 02:16:37,800
Speaker 1: much New York, Dick, won't you come east of the

2504
02:16:37,879 --> 02:16:41,080
Speaker 1: Chicago pussy? Some girl called up like the caller and

2505
02:16:41,240 --> 02:16:44,680
Speaker 1: them niggas they funk with us. Since then that really started.

2506
02:16:46,000 --> 02:16:51,520
Speaker 1: It wasn't its Ice come, yeah, look at you.

2507
02:16:52,160 --> 02:17:00,640
Speaker 8: I don't know, tell I remember, I know that's called

2508
02:17:00,680 --> 02:17:04,119
Speaker 8: I think Benedic Donalds was like, yeah, exactly.

2509
02:17:04,000 --> 02:17:04,360
Speaker 3: I mean.

2510
02:17:05,879 --> 02:17:09,720
Speaker 1: Niggas for Life. The album Nigga's Life was so like

2511
02:17:09,800 --> 02:17:12,120
Speaker 1: the West Coast had a mean they had run just

2512
02:17:12,160 --> 02:17:14,640
Speaker 1: like the South. Bro know Niggas for No of course

2513
02:17:14,640 --> 02:17:16,920
Speaker 1: it had a run before this, maybe longer or just

2514
02:17:17,000 --> 02:17:21,039
Speaker 1: as long, Ja quick J. The city Ship was old

2515
02:17:21,080 --> 02:17:23,880
Speaker 1: West Coast battle Cat DJ Quick. You gotta think that

2516
02:17:24,040 --> 02:17:27,320
Speaker 1: these niggas was killing doctor and Dope Man and Ship

2517
02:17:27,400 --> 02:17:29,720
Speaker 1: came out eighty eight. Bro, that's not the same time

2518
02:17:29,760 --> 02:17:32,640
Speaker 1: as Caane like Dope Man, Dope Man. Yeah, that's me.

2519
02:17:33,360 --> 02:17:36,000
Speaker 1: You cannot get a j and Icy and right and

2520
02:17:36,240 --> 02:17:39,039
Speaker 1: in that whole movement that she was eighties my brother Icy,

2521
02:17:39,120 --> 02:17:42,680
Speaker 1: that's family. They came to the Premier Man six, my

2522
02:17:42,800 --> 02:17:46,520
Speaker 1: brother that Ship was eight. That's eighties. Icey was playing

2523
02:17:46,560 --> 02:17:49,480
Speaker 1: the same character for thirty seven years. They finally cand

2524
02:17:49,520 --> 02:17:53,880
Speaker 1: them done what yeah they got. They ain't can't go

2525
02:17:54,040 --> 02:17:56,640
Speaker 1: Google Google's do the Icy Man. I ain't gonna lie that.

2526
02:17:56,800 --> 02:17:59,720
Speaker 1: That's family, Bro, I ain't gonna lie. Shout the Ice

2527
02:17:59,800 --> 02:18:04,560
Speaker 1: Man nigga. Yeah, Ice a real solid, that's a real

2528
02:18:05,160 --> 02:18:08,120
Speaker 1: down the ice before I knew she wrapped anybody. Bro.

2529
02:18:08,720 --> 02:18:10,959
Speaker 1: That's why he comes out here and helps New York artists.

2530
02:18:11,160 --> 02:18:17,920
Speaker 1: He loves literacy. Paint the pain, yeah, pain like Ice Teams.

2531
02:18:18,080 --> 02:18:20,240
Speaker 1: One of the first ones of Coach signed him. Ice

2532
02:18:20,280 --> 02:18:22,400
Speaker 1: Ty came out of co signing Mad Dude. Now that's

2533
02:18:22,440 --> 02:18:24,920
Speaker 1: how he is, bro. He embraced real hip hop. He

2534
02:18:25,040 --> 02:18:29,400
Speaker 1: embraced me as a young and he was smoothing. Yes, yeah,

2535
02:18:29,440 --> 02:18:31,400
Speaker 1: them niggas individual. When I was I'm like, is that

2536
02:18:31,480 --> 02:18:33,760
Speaker 1: Ice team? That's the fact. Just then when I did

2537
02:18:33,879 --> 02:18:36,080
Speaker 1: for me for my project, the nigga Ice pulled up.

2538
02:18:36,120 --> 02:18:36,240
Speaker 3: Bro.

2539
02:18:37,560 --> 02:18:40,680
Speaker 1: He always shows a solid just a real individual because

2540
02:18:40,680 --> 02:18:44,600
Speaker 1: of that, just because that's what he is exactly. Shout

2541
02:18:44,640 --> 02:18:46,760
Speaker 1: the last Pro man larst Pro did some beats for me,

2542
02:18:46,879 --> 02:18:49,760
Speaker 1: man and that ship like that mean, I was real

2543
02:18:49,840 --> 02:18:50,440
Speaker 1: happy about that.

2544
02:18:50,560 --> 02:18:50,680
Speaker 3: Man.

2545
02:18:50,800 --> 02:18:53,160
Speaker 1: I grew up listening to Large Bro. He mixed them

2546
02:18:53,240 --> 02:18:55,560
Speaker 1: down the whole ship, sent them to me like quality man.

2547
02:18:55,640 --> 02:18:58,040
Speaker 1: So I just want to shout him out. I love

2548
02:18:58,120 --> 02:19:02,880
Speaker 1: telling the story, telling a story. I'll go Toby, that

2549
02:19:03,000 --> 02:19:06,880
Speaker 1: Large Pro went to way Quan show and sat in

2550
02:19:06,920 --> 02:19:14,520
Speaker 1: the front, comes out and he have no so Bro

2551
02:19:14,959 --> 02:19:17,320
Speaker 1: left the show. He was like, I can't see the

2552
02:19:17,400 --> 02:19:18,480
Speaker 1: guard and not beating the guard.

2553
02:19:19,000 --> 02:19:19,160
Speaker 3: You know.

2554
02:19:21,280 --> 02:19:24,080
Speaker 1: I imagine. I imagine he don't even know how to

2555
02:19:24,200 --> 02:19:29,640
Speaker 1: order breakfast. I imagine Large Pro like, yo, you got

2556
02:19:29,680 --> 02:19:34,920
Speaker 1: the turkey bacon, like he's so hip high, like I

2557
02:19:35,000 --> 02:19:37,040
Speaker 1: don't know, I don't think he knows how to be

2558
02:19:37,240 --> 02:19:40,080
Speaker 1: like like normal, Like I don't know if you've seen

2559
02:19:40,160 --> 02:19:45,359
Speaker 1: that ship in La where Riz giving him an Award.

2560
02:19:46,240 --> 02:19:48,320
Speaker 1: He's so much like like how you did with us

2561
02:19:48,360 --> 02:19:51,040
Speaker 1: with the flowers. He's so much not used to like

2562
02:19:51,760 --> 02:19:54,400
Speaker 1: taking credit. He's sitting there the whole time is Riz

2563
02:19:54,560 --> 02:19:59,440
Speaker 1: is making him up. He's making like and I'm like, yo,

2564
02:19:59,600 --> 02:20:05,520
Speaker 1: take your He's so much hip hop like he can't

2565
02:20:05,560 --> 02:20:09,680
Speaker 1: see who, he can only see the image of the

2566
02:20:09,760 --> 02:20:12,560
Speaker 1: person that you are as a hip hop like. I

2567
02:20:12,600 --> 02:20:16,600
Speaker 1: don't think he'll ever call you like, I'm like, I

2568
02:20:16,640 --> 02:20:18,200
Speaker 1: wan't to ever call l L by his world name.

2569
02:20:18,200 --> 02:20:19,920
Speaker 1: I remember I was coming around and he was like

2570
02:20:20,160 --> 02:20:23,200
Speaker 1: Tard and and then people were violated, was like tell

2571
02:20:23,280 --> 02:20:26,840
Speaker 1: Tard and I was like, ta is tall, Like I'm

2572
02:20:26,879 --> 02:20:30,920
Speaker 1: like that man name is l my motheruck, I don't

2573
02:20:30,920 --> 02:20:34,480
Speaker 1: even give He tells me call me TA call me Jane, No,

2574
02:20:35,040 --> 02:20:39,240
Speaker 1: I refuse Yo, who jay to me? L L one

2575
02:20:39,280 --> 02:20:41,440
Speaker 1: of the only dudes that showed up with my brother

2576
02:20:41,520 --> 02:20:44,600
Speaker 1: K slave funeral man shot to l L. Also also

2577
02:20:44,680 --> 02:20:46,040
Speaker 1: when they was fronting you know what I'm saying, when

2578
02:20:46,040 --> 02:20:47,680
Speaker 1: I was trying to carry you on Slave Radio show

2579
02:20:48,120 --> 02:20:50,040
Speaker 1: and a lot of platforms was fronting because when he

2580
02:20:50,120 --> 02:20:52,120
Speaker 1: first died, they wanted to fake celebrate and all that

2581
02:20:52,600 --> 02:20:55,200
Speaker 1: l L gave me the Drama Hour every Friday. You know,

2582
02:20:55,240 --> 02:20:57,480
Speaker 1: I'm saying nine pm. I'm carrying on the legacy my

2583
02:20:57,520 --> 02:21:00,240
Speaker 1: brother case So l L is the solid individ. Yeah,

2584
02:21:00,480 --> 02:21:06,960
Speaker 1: speaks of Rock the Bells. Definitely, it's last time I

2585
02:21:07,040 --> 02:21:12,120
Speaker 1: seen you. And uh yeah, Rocky Bell's cruise. Yeah, I

2586
02:21:12,160 --> 02:21:14,039
Speaker 1: think about the Rock the Bells Cruise. It's a big deal.

2587
02:21:14,040 --> 02:21:15,920
Speaker 1: I ain't make one yet, but I do want to show.

2588
02:21:15,959 --> 02:21:20,520
Speaker 1: I've never been drink champs. Not perfect. Maybe I've never

2589
02:21:20,600 --> 02:21:23,040
Speaker 1: been in those summer jam that he's been. I've never

2590
02:21:23,080 --> 02:21:26,840
Speaker 1: been the first summer jam I tried like another first

2591
02:21:27,040 --> 02:21:29,840
Speaker 1: Nah had this limma with stickers on. It was ninety four.

2592
02:21:30,320 --> 02:21:33,640
Speaker 1: Nineteen ninety four was the first summer jam and we

2593
02:21:33,800 --> 02:21:36,160
Speaker 1: niggas ain't had no take. We was kids anyway, and

2594
02:21:36,360 --> 02:21:38,720
Speaker 1: niggas is just like oh ship, they go such you

2595
02:21:38,840 --> 02:21:41,280
Speaker 1: never performed that. I've never even been in the building

2596
02:21:41,360 --> 02:21:43,040
Speaker 1: when it was having a summer while I went to

2597
02:21:43,120 --> 02:21:46,400
Speaker 1: every one when I was never been there. I've never

2598
02:21:46,520 --> 02:21:49,200
Speaker 1: been inside in those bands. Now, I wanted to know

2599
02:21:49,360 --> 02:21:51,280
Speaker 1: Pleaser every summer jam before I got on, I was

2600
02:21:51,320 --> 02:21:55,760
Speaker 1: there every year. I've never been. He's like everyone, Yeah

2601
02:21:55,800 --> 02:21:57,640
Speaker 1: I was and when I performed. It was thanks to

2602
02:21:57,720 --> 02:21:59,320
Speaker 1: my brother Buster Man. Shout out the Buster. You know

2603
02:21:59,320 --> 02:22:00,840
Speaker 1: what I'm saying. He he brought me out. Man, that

2604
02:22:00,879 --> 02:22:04,040
Speaker 1: was a dreaming. Think is over? He thinks over. That's

2605
02:22:04,120 --> 02:22:08,320
Speaker 1: my next question. Somebody said, definitely not the same. It's not.

2606
02:22:08,480 --> 02:22:10,320
Speaker 1: It doesn't mean I think I think. If I think

2607
02:22:10,400 --> 02:22:12,520
Speaker 1: Flex is going to fight to the death, I ain't

2608
02:22:12,560 --> 02:22:14,360
Speaker 1: gonna lie. Let me just tell you something. Let's taking

2609
02:22:14,680 --> 02:22:20,840
Speaker 1: more this show. Wow. Yeah, let me tell you something, Peter,

2610
02:22:21,760 --> 02:22:26,480
Speaker 1: let me tell you something. Man, say something. Let me

2611
02:22:26,520 --> 02:22:29,480
Speaker 1: tell you Flex. You know, Flex is you know when

2612
02:22:29,600 --> 02:22:33,360
Speaker 1: the Titanic was going down and the guy is like this,

2613
02:22:33,720 --> 02:22:38,120
Speaker 1: hold on, he's that guy. He's also the guy on

2614
02:22:38,200 --> 02:22:45,000
Speaker 1: the plan and he's also the captain. He'll go out

2615
02:22:45,000 --> 02:22:47,960
Speaker 1: of this. Let me tell you something, Man was not

2616
02:22:48,040 --> 02:22:57,680
Speaker 1: even everybody, yo, every artist even, and Flex never played

2617
02:22:57,680 --> 02:23:00,160
Speaker 1: your record. He never played it as much you as

2618
02:23:00,160 --> 02:23:02,760
Speaker 1: you wanted them to play or whatever. Yo, my nigga,

2619
02:23:02,800 --> 02:23:04,760
Speaker 1: you want to sit back. I sat back a long

2620
02:23:04,840 --> 02:23:07,560
Speaker 1: time ago. I said, this motherfucker is on the radio

2621
02:23:08,120 --> 02:23:12,879
Speaker 1: every day for five hours. My whole life. Man flexed

2622
02:23:13,040 --> 02:23:15,680
Speaker 1: drive and his grind and his dedication to this DJ

2623
02:23:15,840 --> 02:23:20,040
Speaker 1: ship is to be studied. Say what you want niggas

2624
02:23:20,040 --> 02:23:24,480
Speaker 1: is ninety seven new location. They got roaches in the building.

2625
02:23:24,560 --> 02:23:26,600
Speaker 1: When I heard that, they come up with that's just

2626
02:23:26,680 --> 02:23:28,920
Speaker 1: like nigga, we standing on your ship. You see this

2627
02:23:29,040 --> 02:23:31,440
Speaker 1: loal Flex he said, we're going down with the shiro

2628
02:23:32,840 --> 02:23:39,120
Speaker 1: me pull over, yo, man, throw your head out the window.

2629
02:23:42,600 --> 02:23:50,480
Speaker 1: It's crazy, bro. Recently going that's staring the cat stop.

2630
02:23:50,600 --> 02:23:53,720
Speaker 1: So I just went out a new song recently where

2631
02:23:54,120 --> 02:23:56,080
Speaker 1: I'm paying you know the niggas. You gotta pay to

2632
02:23:56,160 --> 02:23:59,280
Speaker 1: do the mix show. So staying that on your phone? No, no, no,

2633
02:24:00,080 --> 02:24:05,160
Speaker 1: know you're paying that yeah, up the pet radio promo.

2634
02:24:05,520 --> 02:24:08,720
Speaker 1: So I'm like, I need Flex. At least I had

2635
02:24:08,760 --> 02:24:11,000
Speaker 1: a new song, right. So Flex was like I want

2636
02:24:11,040 --> 02:24:12,880
Speaker 1: to get on the phone with him. This is like

2637
02:24:13,240 --> 02:24:17,000
Speaker 1: literally three three four weeks ago weeks. So I'm like,

2638
02:24:17,240 --> 02:24:19,280
Speaker 1: why do you like? So I'm like, fuck it if

2639
02:24:19,280 --> 02:24:20,440
Speaker 1: you want to get on the phone more than like,

2640
02:24:20,520 --> 02:24:22,760
Speaker 1: he's gonna play the record. But I don't understand what

2641
02:24:22,840 --> 02:24:25,320
Speaker 1: the issue is. So he gets on the phone. He's like, Yo,

2642
02:24:26,280 --> 02:24:28,720
Speaker 1: it's been more to my attention. You have some niggative

2643
02:24:28,760 --> 02:24:33,320
Speaker 1: things you said. I'm like, Flex, you could scatter the

2644
02:24:33,360 --> 02:24:37,280
Speaker 1: whole internet. I ain't never said no. Fact, I respect

2645
02:24:37,480 --> 02:24:39,920
Speaker 1: niggas don't like you. Flex does not take no he don't.

2646
02:24:40,400 --> 02:24:42,080
Speaker 1: I said, Yo, he don't take no money. I said,

2647
02:24:42,280 --> 02:24:45,320
Speaker 1: he want to make sure y'all good like Nigga. I

2648
02:24:45,320 --> 02:24:47,560
Speaker 1: ain't about to be sitting here celebrating the nigga to

2649
02:24:47,640 --> 02:24:49,560
Speaker 1: be shipping on me. He was like, I don't know,

2650
02:24:50,080 --> 02:24:56,560
Speaker 1: I don't know. I don't know. It's like Nigga's been

2651
02:24:56,640 --> 02:25:01,520
Speaker 1: telling me some things. I'm like, yo, fam, I'm like, yo,

2652
02:25:01,680 --> 02:25:04,160
Speaker 1: I ain't never said nothing bad about it. I said, Yo,

2653
02:25:04,320 --> 02:25:07,320
Speaker 1: this is ship called chet GBT Nigga. That ship was

2654
02:25:07,360 --> 02:25:12,240
Speaker 1: scoured the whole world. And then play and then he

2655
02:25:12,280 --> 02:25:14,160
Speaker 1: played the record. And he started playing the record and

2656
02:25:14,200 --> 02:25:16,920
Speaker 1: I was like, nah, most dedicated, one of the most

2657
02:25:16,959 --> 02:25:21,200
Speaker 1: dedicated DJs I've seen besides slave like slave man talk. Yes,

2658
02:25:23,920 --> 02:25:25,840
Speaker 1: how many jail people come up to you ask you

2659
02:25:25,840 --> 02:25:31,040
Speaker 1: about law library? Oh? I can't even count it, bro,

2660
02:25:31,240 --> 02:25:33,320
Speaker 1: Like I had dudes come up to me like, and

2661
02:25:33,440 --> 02:25:36,000
Speaker 1: I can tell they who they say to y'all and

2662
02:25:36,000 --> 02:25:38,680
Speaker 1: they're like, yo, bro, it wasn't for you. I wouldn't

2663
02:25:38,680 --> 02:25:40,840
Speaker 1: have got through my bed. I wouldn't have knew about

2664
02:25:40,879 --> 02:25:43,320
Speaker 1: the technicality. That helped me come home. You know what

2665
02:25:43,320 --> 02:25:44,879
Speaker 1: I'm saying. Like, Yo, when I was locked up, law

2666
02:25:44,959 --> 02:25:50,000
Speaker 1: library saved me. So that besides alphabetical, that's another express

2667
02:25:50,040 --> 02:25:53,640
Speaker 1: That ship, right, y'a took me going in that should

2668
02:25:53,640 --> 02:25:57,680
Speaker 1: be another one of those visuals and everything visual. It's

2669
02:25:57,760 --> 02:25:59,680
Speaker 1: content thing, it is visual. Now you did a lot.

2670
02:25:59,760 --> 02:26:02,440
Speaker 1: You know my ship was charaised though oh yeah, my

2671
02:26:02,560 --> 02:26:05,840
Speaker 1: ship was raised. Who am I like? That ship was

2672
02:26:06,680 --> 02:26:09,039
Speaker 1: that concept? That's when I was like, that was slaves.

2673
02:26:09,080 --> 02:26:11,040
Speaker 1: They gave me that beat man and never forget it.

2674
02:26:11,240 --> 02:26:15,720
Speaker 1: He's like something that live from the hood. That was

2675
02:26:15,800 --> 02:26:19,120
Speaker 1: my ship, bro, and it forced men. I need to

2676
02:26:19,240 --> 02:26:21,720
Speaker 1: put that out to me. Man, you ever got criticism

2677
02:26:21,760 --> 02:26:27,000
Speaker 1: for alphabetic No, I got a lot of copy cats,

2678
02:26:27,080 --> 02:26:30,360
Speaker 1: though I ain't getting called me a copy cat when

2679
02:26:30,400 --> 02:26:33,080
Speaker 1: I did letter P so I didn't let her with

2680
02:26:33,240 --> 02:26:37,120
Speaker 1: coolgie rat. I'm like Nigga. I did one letter this

2681
02:26:37,280 --> 02:26:47,760
Speaker 1: nigga person that I remember that Nigga did the whole Outmit.

2682
02:26:47,879 --> 02:26:51,199
Speaker 1: This ship ain't nothing, nah, I hear him on that poof.

2683
02:26:52,680 --> 02:26:54,040
Speaker 1: I told you, bro, if I'm on the stay and

2684
02:26:54,080 --> 02:26:57,680
Speaker 1: I'm getting a steal, I go sorter bag when I

2685
02:26:57,760 --> 02:26:59,480
Speaker 1: used to battle on the street a nigga. If a

2686
02:26:59,520 --> 02:27:05,320
Speaker 1: nigga went about alphabetical slow time, that sh saved my

2687
02:27:05,400 --> 02:27:08,680
Speaker 1: life world. And the way I came up with that

2688
02:27:08,879 --> 02:27:10,920
Speaker 1: was I remember when I was a kid and I

2689
02:27:11,000 --> 02:27:13,360
Speaker 1: read that they said Malcolm Mix read the whole dictionary

2690
02:27:13,360 --> 02:27:15,320
Speaker 1: when he was in jail. I was like, damn, you

2691
02:27:15,400 --> 02:27:19,840
Speaker 1: read the whole dictionary. I never forgets autobiography, I'll tell you. Yeah,

2692
02:27:19,879 --> 02:27:21,800
Speaker 1: he said that. Yeah, so I wouldn't have got it

2693
02:27:21,879 --> 02:27:24,520
Speaker 1: was the Webster's Third World College Edition. I never forget it.

2694
02:27:24,800 --> 02:27:27,120
Speaker 1: And I read that I started doing it. When I

2695
02:27:27,160 --> 02:27:28,840
Speaker 1: started doing it. While I'm doing it, I'm like, yo,

2696
02:27:29,640 --> 02:27:31,280
Speaker 1: I could make a rap about this ship, and I

2697
02:27:31,280 --> 02:27:37,000
Speaker 1: started doing the noise for that ain't gonna. I thought

2698
02:27:37,080 --> 02:27:39,640
Speaker 1: Malcolm was out of his making mind. I never messed upody.

2699
02:27:39,680 --> 02:27:42,000
Speaker 1: You really read the whole diction? Yeah? When I I

2700
02:27:42,040 --> 02:27:44,080
Speaker 1: got it for Malcolm Mixed though, yeah. Yeah. When I

2701
02:27:44,120 --> 02:27:46,000
Speaker 1: seen that, I was like, I'm copying that ship. Okay,

2702
02:27:46,400 --> 02:27:48,800
Speaker 1: do you write rhymes down? Or I used to when

2703
02:27:48,840 --> 02:27:50,560
Speaker 1: I was young, but as I got older, if I

2704
02:27:50,800 --> 02:27:53,000
Speaker 1: if I write around them, I might wrap about the paper.

2705
02:27:53,800 --> 02:27:57,080
Speaker 1: So like, through the course of my real talk, real ship.

2706
02:27:57,160 --> 02:27:59,440
Speaker 1: I might trap about the so like this right here

2707
02:27:59,520 --> 02:28:01,400
Speaker 1: is inspired and I'll make a verse out of this

2708
02:28:01,560 --> 02:28:03,520
Speaker 1: right here, just sitting here with you'll, like, throughout the

2709
02:28:03,560 --> 02:28:06,000
Speaker 1: course of my day, my experiences, I'm always thinking of

2710
02:28:06,240 --> 02:28:11,600
Speaker 1: lines and ship. Wow you right, well, yeah, you're right right, Yeah,

2711
02:28:11,879 --> 02:28:16,000
Speaker 1: me too, because I have to memorize. It's like smoke marijuana.

2712
02:28:16,320 --> 02:28:18,640
Speaker 1: You know what happened. You know what happened When Biggie

2713
02:28:18,640 --> 02:28:20,959
Speaker 1: said he didn't write, everybody started saying it right right.

2714
02:28:21,080 --> 02:28:25,360
Speaker 1: But some of these books to write, I'm gonna tell

2715
02:28:25,360 --> 02:28:28,640
Speaker 1: you what I'm gonna tell you. I'm gonna tell you

2716
02:28:28,640 --> 02:28:30,640
Speaker 1: about gimmick because most of them be in the studio

2717
02:28:30,680 --> 02:28:33,080
Speaker 1: when they make, when they creating. So whether I write

2718
02:28:33,120 --> 02:28:35,080
Speaker 1: it down or say it in the mic, it's the

2719
02:28:35,160 --> 02:28:38,120
Speaker 1: same ship and recording it. So whether I write it down,

2720
02:28:38,800 --> 02:28:42,040
Speaker 1: I'm recording it. But whether I think and I just

2721
02:28:42,080 --> 02:28:43,720
Speaker 1: say instead of writing it, I'm just gonna say it

2722
02:28:43,720 --> 02:28:45,320
Speaker 1: and then I'm gonna go wait and then come up

2723
02:28:45,320 --> 02:28:48,199
Speaker 1: with the next line. Niggas build a rhyme up. Niggas

2724
02:28:48,240 --> 02:28:52,879
Speaker 1: don't for me, but yeah, right, Niggas act like niggas

2725
02:28:52,920 --> 02:28:55,200
Speaker 1: going and and be like and then go freestyle the

2726
02:28:55,280 --> 02:28:58,840
Speaker 1: whole ship. Nah. Only certain niggas caund do that. But

2727
02:28:59,200 --> 02:29:01,119
Speaker 1: for me, that there not right. And Shane Wayne could

2728
02:29:01,160 --> 02:29:05,560
Speaker 1: do that. Yeah, Wayne Wayne cooked as dope as shout

2729
02:29:05,600 --> 02:29:07,480
Speaker 1: the Wayne he jumped on. I did ready. I did

2730
02:29:07,600 --> 02:29:10,880
Speaker 1: ready with Wayne, and I thought I was nice cooked Me.

2731
02:29:13,600 --> 02:29:19,560
Speaker 1: Wayne is insane dope lyricists. That's one of the lyricists.

2732
02:29:19,560 --> 02:29:21,400
Speaker 1: Bro Like for real, I didn't know he do that

2733
02:29:21,480 --> 02:29:23,800
Speaker 1: in the studio. He sent me the verse that he

2734
02:29:23,840 --> 02:29:26,720
Speaker 1: did for me. Yeah, he centers to you fast but

2735
02:29:27,040 --> 02:29:29,280
Speaker 1: not writing ship. What happened with me was when I,

2736
02:29:29,440 --> 02:29:31,560
Speaker 1: like I said, I might wrap about the paper, So

2737
02:29:31,640 --> 02:29:33,800
Speaker 1: I got to find another way to write, like and

2738
02:29:33,879 --> 02:29:36,320
Speaker 1: I get inspired to experience it. So I got to

2739
02:29:36,400 --> 02:29:39,360
Speaker 1: a space where I couldn't write. So by default I

2740
02:29:39,440 --> 02:29:42,160
Speaker 1: didn't write for years. But like I said, Biggie made

2741
02:29:42,160 --> 02:29:45,120
Speaker 1: it cool. Every rapper claimed they don't write. I don't know.

2742
02:29:45,520 --> 02:29:46,920
Speaker 1: Let me ask you a question. I'm familiar with the

2743
02:29:47,000 --> 02:29:50,720
Speaker 1: art named d one. Yeah, we just had. He was

2744
02:29:52,400 --> 02:29:57,160
Speaker 1: after and he showed up because he reminds me of

2745
02:29:57,640 --> 02:29:59,640
Speaker 1: him before me. Huh, I met him. I got a

2746
02:29:59,680 --> 02:30:02,240
Speaker 1: new song coming out, my new songs when okay, and

2747
02:30:02,280 --> 02:30:05,320
Speaker 1: I ain't like he's like positivity. I got a lot

2748
02:30:05,360 --> 02:30:09,840
Speaker 1: of respect, but his skill level still like when you

2749
02:30:09,959 --> 02:30:12,560
Speaker 1: put yourself in a bubble where you can't talk about niggas.

2750
02:30:13,120 --> 02:30:15,840
Speaker 1: He don't curse, you don't nigga, you don't say is old.

2751
02:30:16,240 --> 02:30:18,600
Speaker 1: So he puts itself in a little bubble like you

2752
02:30:18,640 --> 02:30:20,480
Speaker 1: ain't got a lot of room. I don't think that's

2753
02:30:20,480 --> 02:30:21,880
Speaker 1: the problem. You know what I think is a problem.

2754
02:30:22,080 --> 02:30:23,680
Speaker 1: I don't think he's got a problem. I think that

2755
02:30:24,400 --> 02:30:26,520
Speaker 1: the little problem is is when he gets through to

2756
02:30:26,600 --> 02:30:28,360
Speaker 1: a brother. Let's suppose he got through to g Z

2757
02:30:28,600 --> 02:30:30,960
Speaker 1: or whatever, right and he says, yo, man, geez, like

2758
02:30:31,040 --> 02:30:36,640
Speaker 1: how you taking your approach and you you're doing a

2759
02:30:36,720 --> 02:30:39,880
Speaker 1: new leaf and then you know it whatever. But then

2760
02:30:39,959 --> 02:30:41,920
Speaker 1: he'll go, but I want you to go undo what

2761
02:30:42,080 --> 02:30:44,400
Speaker 1: you did. And that's just you just can't take it back.

2762
02:30:44,800 --> 02:30:47,880
Speaker 1: I don't just can't punch. I never heard him like yeah,

2763
02:30:48,200 --> 02:30:50,640
Speaker 1: he'll say like, yeah he said that, I forget who

2764
02:30:50,720 --> 02:30:54,280
Speaker 1: it was. What like all the damage you called? Yeah, yeah,

2765
02:30:54,640 --> 02:30:57,039
Speaker 1: he wants people to renounce it in the damn. Don't

2766
02:30:58,200 --> 02:31:01,240
Speaker 1: telling niggas sell coke, Telling niggas destroy the community. Tell

2767
02:31:01,360 --> 02:31:06,000
Speaker 1: niggas yo, push keys, but you can't undo that. You

2768
02:31:06,080 --> 02:31:10,879
Speaker 1: can't you could grow. I never heard him say that though. Yeah,

2769
02:31:11,040 --> 02:31:13,240
Speaker 1: I forget who it was, and I wanted to call

2770
02:31:13,320 --> 02:31:15,840
Speaker 1: him personally and be like because I believe he like

2771
02:31:16,280 --> 02:31:17,720
Speaker 1: was trying to get through to a artist. I forget

2772
02:31:17,720 --> 02:31:19,960
Speaker 1: who it was, and he got through to him. He

2773
02:31:20,080 --> 02:31:21,480
Speaker 1: was like, Yo, So all I want you to do

2774
02:31:21,680 --> 02:31:24,240
Speaker 1: is like you know, telling people that you sorry. Yeah,

2775
02:31:26,000 --> 02:31:28,480
Speaker 1: I don't may have called I don't. I don't think

2776
02:31:28,520 --> 02:31:31,960
Speaker 1: if I remember the game Maddics Madix when you like

2777
02:31:32,040 --> 02:31:35,880
Speaker 1: you got something in your hand, I don't think you

2778
02:31:36,000 --> 02:31:38,360
Speaker 1: ever forgive me for that, Like you know what I mean?

2779
02:31:38,520 --> 02:31:40,000
Speaker 1: Like I could do that to you in third grade.

2780
02:31:40,240 --> 02:31:42,320
Speaker 1: You could be fucking sixty three years old. It's like

2781
02:31:44,360 --> 02:31:48,200
Speaker 1: I need to give him back. Imagine nigga giving you

2782
02:31:48,240 --> 02:31:55,760
Speaker 1: a wedgiety is unforgivable. If you picked me up on

2783
02:31:55,920 --> 02:32:06,640
Speaker 1: my throw, what you got to the unforgivable we got

2784
02:32:06,760 --> 02:32:11,800
Speaker 1: be for I don't think. I don't think that. I

2785
02:32:11,800 --> 02:32:15,080
Speaker 1: don't blame hip hop stuff like that, right, Like you

2786
02:32:15,120 --> 02:32:17,520
Speaker 1: know what I mean? It's bro, you got Smith and Wesson,

2787
02:32:19,879 --> 02:32:23,160
Speaker 1: you got all these different guns, skip past them and

2788
02:32:23,240 --> 02:32:27,440
Speaker 1: blame hip hop Jones talked the other day Earn your

2789
02:32:27,520 --> 02:32:29,920
Speaker 1: Legia was saying that we all kind of need to

2790
02:32:29,959 --> 02:32:34,320
Speaker 1: take responsibility because hip hop has gave a lot of positivity,

2791
02:32:34,400 --> 02:32:36,040
Speaker 1: but it gave a lot of negativity. What do you

2792
02:32:36,120 --> 02:32:40,040
Speaker 1: say to that? I disagree? Okay, I disagree. Do you

2793
02:32:40,120 --> 02:32:41,920
Speaker 1: know how many, bro we wouldn't be sitting here without

2794
02:32:41,959 --> 02:32:44,359
Speaker 1: hip hop exactly? Do you know what I mean? Jobs

2795
02:32:44,440 --> 02:32:47,320
Speaker 1: hip hop created? How many lives hip hop has saved?

2796
02:32:48,160 --> 02:32:50,480
Speaker 1: Like I don't understand probably shooting at each other in

2797
02:32:50,560 --> 02:32:54,040
Speaker 1: the probably like my only way out when I was

2798
02:32:54,080 --> 02:32:55,760
Speaker 1: going through that type of ship in my life, the

2799
02:32:55,840 --> 02:32:57,360
Speaker 1: only thing I had to look forward to with you

2800
02:32:57,440 --> 02:32:59,480
Speaker 1: one day, I'm I'm gonna be successful in hip hop,

2801
02:33:00,040 --> 02:33:01,840
Speaker 1: Like that's something to look forward to when it's creating

2802
02:33:01,959 --> 02:33:04,280
Speaker 1: jobs and it's doing a lot of things. We live

2803
02:33:04,320 --> 02:33:08,640
Speaker 1: in America, man, America is built on balance and set

2804
02:33:08,800 --> 02:33:11,760
Speaker 1: and raping pillage. So you can't just blame hip hop.

2805
02:33:12,320 --> 02:33:15,200
Speaker 1: You skip past all of these more smith and Western hecking,

2806
02:33:15,280 --> 02:33:17,920
Speaker 1: the cotch, all of these different mother fuckers who distributed

2807
02:33:18,440 --> 02:33:21,720
Speaker 1: distributed fire rooms, and you blame hip hop for the

2808
02:33:21,800 --> 02:33:25,240
Speaker 1: balance in America. No, no, no, it don't make sense.

2809
02:33:25,640 --> 02:33:27,480
Speaker 1: I don't think. I don't think. I don't blame hip

2810
02:33:27,520 --> 02:33:31,200
Speaker 1: hop no no, no, I met before. I think I

2811
02:33:31,280 --> 02:33:35,040
Speaker 1: think creed their own taking ownership. That d one you

2812
02:33:35,120 --> 02:33:45,080
Speaker 1: gotta talk about shameless plug Well wishes you like I

2813
02:33:45,200 --> 02:33:49,280
Speaker 1: want dope though he's dope, definitely Like one thing that

2814
02:33:49,400 --> 02:33:51,280
Speaker 1: one thing a nigga won't do is try to test

2815
02:33:51,320 --> 02:33:53,080
Speaker 1: this pandemic. That's one thing I'm gonna point out to you.

2816
02:33:53,440 --> 02:33:58,840
Speaker 1: A nigga won't try. I don't say more than you counted.

2817
02:34:00,080 --> 02:34:04,960
Speaker 1: I'm very long, very boor yes you do. I was

2818
02:34:05,040 --> 02:34:09,200
Speaker 1: watching you. I was like, I'm counting. I'm like this

2819
02:34:09,320 --> 02:34:18,800
Speaker 1: nigga not because I'm trying to be better with my

2820
02:34:18,840 --> 02:34:21,520
Speaker 1: own self. So like that, how do we what's the

2821
02:34:21,560 --> 02:34:23,480
Speaker 1: word to replace it? Ain't I tried to replace it

2822
02:34:23,560 --> 02:34:30,440
Speaker 1: with slime. That ain't it. That's my thigh. You know

2823
02:34:30,480 --> 02:34:32,640
Speaker 1: what I'm saying, because I was trying to, like, you know,

2824
02:34:33,480 --> 02:34:37,960
Speaker 1: one everybody ain't yet in word and to everybody ancient

2825
02:34:38,040 --> 02:34:40,520
Speaker 1: slime like the way they use slime right now, from

2826
02:34:40,600 --> 02:34:43,160
Speaker 1: Young Doug to the gang members. It's like, I'm kind

2827
02:34:43,160 --> 02:34:44,800
Speaker 1: of mad. Did I get y'all that? You know what

2828
02:34:44,800 --> 02:34:47,080
Speaker 1: I'm saying? Like that was on the first person. That

2829
02:34:47,240 --> 02:34:51,440
Speaker 1: was me trying to actually replace the in world, trying

2830
02:34:51,480 --> 02:34:55,160
Speaker 1: to say something else. But then I realized slime itself

2831
02:34:55,360 --> 02:34:58,320
Speaker 1: is also a negative kind of you know what I mean,

2832
02:34:58,360 --> 02:35:02,680
Speaker 1: because it's like, yo, nobody flim right like, So yeah,

2833
02:35:02,760 --> 02:35:04,400
Speaker 1: that was I think what I think what happened was

2834
02:35:04,640 --> 02:35:08,480
Speaker 1: and everybody ain't your brother neither. I hate that's the fact.

2835
02:35:08,560 --> 02:35:12,120
Speaker 1: Let me just say this. A lot of people in

2836
02:35:12,240 --> 02:35:14,280
Speaker 1: this industry that I that I love and that I

2837
02:35:14,440 --> 02:35:17,840
Speaker 1: call brother, right, but then I see who they call brother,

2838
02:35:18,120 --> 02:35:20,440
Speaker 1: and it's like, it kind of doubts me of my

2839
02:35:20,560 --> 02:35:23,480
Speaker 1: brotherhood with you because that dude that you just said

2840
02:35:23,680 --> 02:35:26,680
Speaker 1: my brother ain't your brother. You ever had a white

2841
02:35:26,760 --> 02:35:31,480
Speaker 1: dude call you brother? And it felt racist? Like logan

2842
02:35:31,760 --> 02:35:40,000
Speaker 1: like yeah, bro, you like come on, bro, like like

2843
02:35:41,360 --> 02:35:46,960
Speaker 1: to say, what are you saying? You're being funny? You know,

2844
02:35:47,560 --> 02:35:50,600
Speaker 1: let me say this. We got to go to Let

2845
02:35:50,640 --> 02:35:52,840
Speaker 1: me say this real quick. First of all, I want

2846
02:35:52,879 --> 02:35:55,200
Speaker 1: to salute you on the end world, Okay. I love that.

2847
02:35:55,879 --> 02:35:57,440
Speaker 1: I respect the growth of it because you saw me

2848
02:35:57,640 --> 02:35:59,200
Speaker 1: on the phone to it and I respect it. But

2849
02:35:59,320 --> 02:36:02,240
Speaker 1: I think what happened was, you know, one of the

2850
02:36:02,360 --> 02:36:04,720
Speaker 1: last things our people heard when they was throwing in

2851
02:36:04,760 --> 02:36:07,560
Speaker 1: the self getting that cell. Nigga right or die nigga

2852
02:36:07,680 --> 02:36:10,320
Speaker 1: and slavery. That word was used against us so bad.

2853
02:36:10,400 --> 02:36:13,640
Speaker 1: I think in modern times our people kind of flipped

2854
02:36:13,640 --> 02:36:16,120
Speaker 1: it like and use it more as a term of

2855
02:36:16,280 --> 02:36:19,400
Speaker 1: endem it. You that nigga or my nigga. You know

2856
02:36:19,400 --> 02:36:21,440
Speaker 1: what I'm saying expression to show up. Maybe we had

2857
02:36:21,440 --> 02:36:24,720
Speaker 1: the wrong direction, So I salute you on what you can.

2858
02:36:24,760 --> 02:36:31,080
Speaker 1: I say one thing forcuse you're about to cut my ship, yo.

2859
02:36:31,520 --> 02:36:33,400
Speaker 1: One thing we do that with not just that word.

2860
02:36:33,480 --> 02:36:35,120
Speaker 1: Look at what we did with dope. That ship is

2861
02:36:35,160 --> 02:36:40,119
Speaker 1: dope like them sniggers is crack, But dope is not offensive.

2862
02:36:40,520 --> 02:36:43,480
Speaker 1: You said dope was something that destroyed our community. There's

2863
02:36:43,520 --> 02:36:46,160
Speaker 1: there's people who can who can get into this room

2864
02:36:46,240 --> 02:36:49,360
Speaker 1: and you say dope like like my a fiend, go

2865
02:36:49,720 --> 02:36:55,480
Speaker 1: go and recovery. Want somebody, want somebody you know what,

2866
02:36:56,080 --> 02:36:57,920
Speaker 1: somebody grew up in a cane or they might say,

2867
02:36:57,959 --> 02:37:01,160
Speaker 1: oh they might dig you fresh. But nigga is offensive.

2868
02:37:01,360 --> 02:37:04,160
Speaker 1: Like it's like like we go on only the only

2869
02:37:04,200 --> 02:37:06,440
Speaker 1: the other. Because I wasn't to say something to me

2870
02:37:07,120 --> 02:37:10,880
Speaker 1: to me, I went out to clip one day and

2871
02:37:11,720 --> 02:37:17,039
Speaker 1: I was with a person that it's half and half,

2872
02:37:17,680 --> 02:37:20,240
Speaker 1: but the way they were saying it in this restaurant,

2873
02:37:20,800 --> 02:37:22,720
Speaker 1: it was like I was offended even though I know

2874
02:37:22,840 --> 02:37:25,039
Speaker 1: that they have too, and I was just like, yo, bro,

2875
02:37:25,160 --> 02:37:27,640
Speaker 1: can we keep this down like like like like when

2876
02:37:27,680 --> 02:37:33,440
Speaker 1: you like my nigga, I was and my nigga and

2877
02:37:33,680 --> 02:37:37,160
Speaker 1: like every other race ever study Have you ever study

2878
02:37:37,200 --> 02:37:38,200
Speaker 1: the word niggas n.

2879
02:37:38,200 --> 02:37:38,640
Speaker 5: E g u.

2880
02:37:38,720 --> 02:37:41,080
Speaker 1: I don't want to make out of it because I

2881
02:37:41,120 --> 02:37:44,440
Speaker 1: was at and yeah, I don't want to. Somebody was

2882
02:37:44,520 --> 02:37:46,080
Speaker 1: using it and I was like you, I'm like because

2883
02:37:46,080 --> 02:37:48,440
Speaker 1: I'm thinking they using it because I don't mean it.

2884
02:37:48,600 --> 02:37:50,080
Speaker 1: I know what it means in America. I know what

2885
02:37:50,160 --> 02:37:52,560
Speaker 1: it means to our grandmothers. I know what it means

2886
02:37:52,600 --> 02:37:54,320
Speaker 1: to our grand but I don't think that means that

2887
02:37:54,440 --> 02:37:56,080
Speaker 1: to us. I think it just means I see a

2888
02:37:56,160 --> 02:37:58,520
Speaker 1: cat like that nigga try to scratch me. I'm not

2889
02:37:58,680 --> 02:38:01,920
Speaker 1: thinking about it. Just means, man, just just I love

2890
02:38:02,000 --> 02:38:04,760
Speaker 1: this thing. And then I like, I like the growth

2891
02:38:05,160 --> 02:38:07,560
Speaker 1: respect because I do. I do respect you. I mean,

2892
02:38:07,600 --> 02:38:10,199
Speaker 1: we are cocky those people. We're gonna beat those people.

2893
02:38:10,280 --> 02:38:11,880
Speaker 1: Right Like the other day on the internet, it was

2894
02:38:11,920 --> 02:38:16,000
Speaker 1: this white Cuban guy talking about he's white of the kid.

2895
02:38:16,160 --> 02:38:18,200
Speaker 1: The kid white and he walked out and he was

2896
02:38:18,200 --> 02:38:20,080
Speaker 1: like yo. He was like yo, my nigga, my nigga.

2897
02:38:20,160 --> 02:38:22,000
Speaker 1: And the black dude just checked him, was like are

2898
02:38:22,040 --> 02:38:24,080
Speaker 1: you black like like and he was like no, but

2899
02:38:24,120 --> 02:38:29,640
Speaker 1: I'm Cuban and it was like yeah, but your persona

2900
02:38:29,720 --> 02:38:32,640
Speaker 1: doesn't indicate your Cuban. I see no Cuban bees. I

2901
02:38:32,879 --> 02:38:34,400
Speaker 1: thought you was just white and I just hug hooked

2902
02:38:34,400 --> 02:38:37,480
Speaker 1: off on you. It wouldn't have been wrong, right, So

2903
02:38:37,640 --> 02:38:39,920
Speaker 1: I'm sorry to get deep on this, but I just

2904
02:38:40,000 --> 02:38:41,800
Speaker 1: wanted to say that we was tormented by that world

2905
02:38:41,879 --> 02:38:43,720
Speaker 1: so much. I feel like we flipped it. Yeah, no,

2906
02:38:44,280 --> 02:38:46,320
Speaker 1: it don't bother us. Yeah, term of endement, you know

2907
02:38:46,360 --> 02:38:49,320
Speaker 1: what I'm saying. You'll get words power. You get words

2908
02:38:49,360 --> 02:38:53,840
Speaker 1: their power. We give words the power. Like like when

2909
02:38:53,879 --> 02:38:57,600
Speaker 1: I was in prison, all the god bodies turned into bloods,

2910
02:38:57,720 --> 02:39:01,600
Speaker 1: right I was around in that timebody was godbody around

2911
02:39:01,680 --> 02:39:05,960
Speaker 1: around ninety four ninety Bluddy Larry, they went, we went

2912
02:39:06,040 --> 02:39:10,440
Speaker 1: from god. They wanted to Larry. If you're calling your something,

2913
02:39:10,520 --> 02:39:12,960
Speaker 1: I'm the guard. I'm a dog. Like you just want

2914
02:39:13,040 --> 02:39:16,080
Speaker 1: to call yourselfing from a God to a dog, something

2915
02:39:16,120 --> 02:39:20,600
Speaker 1: that walks on that balls but anything else parton me. No, No,

2916
02:39:20,760 --> 02:39:22,960
Speaker 1: I just want to say, man, thanks to y'all. You

2917
02:39:22,959 --> 02:39:26,400
Speaker 1: know what I mean. Let me. I want to write

2918
02:39:26,440 --> 02:39:29,280
Speaker 1: that balls on wheels The Journey to Save Hip Hop

2919
02:39:29,360 --> 02:39:32,080
Speaker 1: the short filmed the album out there on all digital platforms,

2920
02:39:32,160 --> 02:39:33,520
Speaker 1: and I just want to salute you real quick, and

2921
02:39:33,600 --> 02:39:35,320
Speaker 1: to be too right on to me real quick. I

2922
02:39:35,360 --> 02:39:36,760
Speaker 1: want to salute you because I seen when you first

2923
02:39:36,760 --> 02:39:40,920
Speaker 1: started this and now everybody doing it. Everybody why? And

2924
02:39:41,040 --> 02:39:43,280
Speaker 1: also you know what you was up to it first?

2925
02:39:43,400 --> 02:39:45,880
Speaker 1: What is he doing? Now? You're one of the biggest platforms.

2926
02:39:49,120 --> 02:39:56,440
Speaker 1: You know what shut the tiger bone? You know, Tobe Kobe.

2927
02:39:58,920 --> 02:40:02,320
Speaker 2: Drink Chance is a Drink Champs LLC production hosts and

2928
02:40:02,440 --> 02:40:05,840
Speaker 2: executive producers n O r E and dj e FN.

2929
02:40:07,040 --> 02:40:11,160
Speaker 2: Listen to Drink Champs on Apple podcast, Amazon Music, Spotify,

2930
02:40:11,440 --> 02:40:15,080
Speaker 2: or wherever you get your podcasts. Thanks for joining us

2931
02:40:15,120 --> 02:40:17,720
Speaker 2: for another episode of Drink Champs hosted by yours truly,

2932
02:40:17,879 --> 02:40:20,600
Speaker 2: dj e FN and n O r E. Please make

2933
02:40:20,600 --> 02:40:22,840
Speaker 2: sure to follow us on all our socials that's at

2934
02:40:22,920 --> 02:40:26,640
Speaker 2: drink Champs across all platforms. At the Real noriagon Ig

2935
02:40:27,360 --> 02:40:30,480
Speaker 2: at Noriega on Twitter, mine is at Who's Crazy on

2936
02:40:30,640 --> 02:40:34,520
Speaker 2: ig at dj e f N on Twitter, and most importantly,

2937
02:40:34,560 --> 02:40:37,360
Speaker 2: stay up to date with the latest releases, news and

2938
02:40:37,520 --> 02:40:39,840
Speaker 2: merch by going to drink Champs dot com