WEBVTT - Keira Knightley and James Righton

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<v Speaker 1>You are listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 2>One of the many things I love about cooking is collaboration, sourcing, prepping, presenting, delighting,

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<v Speaker 2>and healing each other with the food we choose to

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<v Speaker 2>eat or to cook. Ask any of the friends of

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<v Speaker 2>Kiera Knightley and James Ryden as I did, or people

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<v Speaker 2>have worked with them as I did, and they talk

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<v Speaker 2>of them as almost one person. How they parent their children,

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<v Speaker 2>Edi and Delilah, bringing music and acting into their home,

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<v Speaker 2>immersing themselves in the communities they live in, and most

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<v Speaker 2>appealing to me, investing a large amount of time and

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<v Speaker 2>deciding what and where they're all going to eat. Kia

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<v Speaker 2>and James love and they are loved. We've seen Kiera's

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<v Speaker 2>jewels bend it like Beckham, Elizabeth Bennett, Pride and Prejudice,

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<v Speaker 2>Annacrenna Collette. We've listened to James as a keyboardist of

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<v Speaker 2>indie rave Sensation that Clason's. He's now solo artists working

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<v Speaker 2>in TV film, recently helping Benny and Bjorn create abb

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<v Speaker 2>a Voyage two worlds joining together music and theater. I

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<v Speaker 2>last saw Kier and James a few months ago in

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<v Speaker 2>the River Cafe with our close friends Erdam and Joseph,

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<v Speaker 2>after an evening of non stop talking how to raise

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<v Speaker 2>children in a tumultuous world, the movies we've been watching,

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<v Speaker 2>and above all, where and what we've been eating. We

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<v Speaker 2>vowed to meet soon. Schedules, families, work and travel got

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<v Speaker 2>in the way. But here we are on a Monday

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<v Speaker 2>morning in the River Cafe, three friends together. Now that's

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<v Speaker 2>the best collaboration.

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<v Speaker 3>Oh how do we speak after that? So we do

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<v Speaker 3>talk a lot about food.

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<v Speaker 2>But you did choose, of all the recipes in all

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<v Speaker 2>twelve cookbooks spaghetti I love Angelais and Imagen is here

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<v Speaker 2>to bring us the recipe?

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<v Speaker 3>Did you make it?

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<v Speaker 2>Imagen?

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<v Speaker 4>Is this?

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<v Speaker 2>Do you want to just tell us about this? What

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<v Speaker 2>do we have here?

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<v Speaker 4>We've got fresh taglerini which has just been made now

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<v Speaker 4>with eggs and flour and semolina and the clams. The

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<v Speaker 4>bongolais from Cornwall, very fresh, and this is one of

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<v Speaker 4>my absolute favorite dishes. It's cooked finished off with butter

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<v Speaker 4>and our lovely olive oil, and it's got a little

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<v Speaker 4>bit of lemon, and it's cooked with fiano white wine.

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<v Speaker 3>Yum. Now, can I ask everybody how would you if

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<v Speaker 3>you've got the bongol eate you're the professional. Do you

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<v Speaker 3>use the shell to take the clams out, do you know?

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<v Speaker 3>Or do you just like get it with.

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<v Speaker 4>The Yeah, I mean they normally sort of fall out

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<v Speaker 4>as you cook them.

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<v Speaker 3>That's delicious, woe.

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<v Speaker 4>Yeah, they're gorgeous, aren't they. Initially we cook them with

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<v Speaker 4>fresh chili parsi stalks, which are really sweet, and then

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<v Speaker 4>you once you've got them coated in the lovely olive oil,

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<v Speaker 4>we finish it with the white Fiano white wine and

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<v Speaker 4>just let them steam open.

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<v Speaker 2>They always say littally, you know, take take the person

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<v Speaker 2>out of the cupboard and then decide what sauce you're

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<v Speaker 2>going to have with it, because they're very clear about

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<v Speaker 2>different sauces. And also and then we just love it

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<v Speaker 2>with the tag. And so we've broken the rules a

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<v Speaker 2>few times. So many rules to break. But is that

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<v Speaker 2>actually then you find out it's not breaking a rule,

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<v Speaker 2>you know, because spaghetti bongelais comes from the South, and

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<v Speaker 2>so you know, butter is really no not the norm,

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<v Speaker 2>so you know, but it just makes that sauce a

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<v Speaker 2>bit richer, doesn't it. All Right, let's read the recipe

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<v Speaker 2>then so we have.

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<v Speaker 3>No I'm going to do the list, and then you're

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<v Speaker 3>going to read the difficult bit. I find recipes one

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<v Speaker 3>of the most with dyslexia that it all okay. Spaghetti

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<v Speaker 3>alivongla for six seventy five grams butter, extra virgin olive oil,

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<v Speaker 3>two garlic cloves peeled and chopped, one dried red chili crushed,

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<v Speaker 3>one kilogram small clams washed, half a bunch fresh flat

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<v Speaker 3>leaf parsley, picked and chopped. Two hundred and fifty milli

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<v Speaker 3>liters Vermanino wine. Four hundred grams dried spaghetti.

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<v Speaker 5>Check over the clams and discard any that are not closed.

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<v Speaker 5>Place half the butter in a wide pan with two

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<v Speaker 5>tablespoons of olive oil. The garlic and chili, season with

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<v Speaker 5>salt and freshly ground pepper. Fry for a minute and

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<v Speaker 5>add the clams and passy and toss over the heat.

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<v Speaker 5>Add the wine and cover with a lid. Cook for

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<v Speaker 5>about five minutes. Shake in the pan from time to time.

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<v Speaker 5>Cook the spaghetti and plenty of boiling water until al dente.

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<v Speaker 5>When the clams are open, discard any that remain closed,

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<v Speaker 5>Mix them with the drained spaghetti and toss in the

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<v Speaker 5>remaining butter serve.

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<v Speaker 2>There you go go beautiful. So growing up in your house,

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<v Speaker 2>what was food like? Did you my mom's down she was, yeah,

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<v Speaker 2>but she of full time.

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<v Speaker 3>No, she's a writer. Yeah, so she's a writer. My

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<v Speaker 3>dad's an actor. But my mum was the cook and

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<v Speaker 3>it was very seventies. We were not allowed sugar. It

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<v Speaker 3>was very like brown ricey, but it was very very good.

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<v Speaker 3>Mum's bastard pasta sauce. He was very when he's gone

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<v Speaker 3>for his like you go for your purest moments and

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<v Speaker 3>you go very anti. My mother's bastard pasta sauce. It delicious,

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<v Speaker 3>but it's delicious, delicious, Yeah, yeah, delicious.

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<v Speaker 1>What is it?

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<v Speaker 5>It's everything that I wouldn't do. That's why I love it.

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<v Speaker 5>Onions and garlic, like literally everything.

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<v Speaker 3>Me and my brother ate everything. There were roast chickens,

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<v Speaker 3>there was fish, there was fish cakes. There was I

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<v Speaker 3>remember she made a green sauce with fish cakes. But

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<v Speaker 3>we had a very tiny kitchen, so you could never

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<v Speaker 3>cook with her. But it meant that, I think for her,

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<v Speaker 3>the private time was the cooking time. So I never

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<v Speaker 3>learned to cook from her because you couldn't be in

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<v Speaker 3>the kit You couldn't both be in the kitchen cooking.

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<v Speaker 5>Did you cook with your No, No, I was a

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<v Speaker 5>different kind of I grew up with my dad who

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<v Speaker 5>had a little kind of business that you ran at

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<v Speaker 5>the same time, and so I grew up on it.

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<v Speaker 5>Probably killed me for saying this, but it was, you know,

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<v Speaker 5>Marks and Spencer's Carbonara ready meals in the.

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<v Speaker 3>Microwave fair enough, which you know, but I have to say,

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<v Speaker 3>he makes shepherd pie incredible. Every time we go back,

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<v Speaker 3>I asked for his Shepherd's pie.

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<v Speaker 1>Because it's it's really good.

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<v Speaker 5>It's really great. But my nan would cook for me

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<v Speaker 5>like she was kind of a real old school lots

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<v Speaker 5>of lard.

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<v Speaker 2>She the mother of your father.

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<v Speaker 5>No, no, my mother's mother, your mother's mum. But it

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<v Speaker 5>was a lot of kind of sausage rolls and that

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<v Speaker 5>kind of British kind of where were they from area,

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<v Speaker 5>Stratford upon Avon, And so.

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<v Speaker 2>It was this a kind of cooking that she'd grown

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<v Speaker 2>up with.

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<v Speaker 5>Saying so, yeah, there's lots of pastries, was terrible looking

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<v Speaker 5>about cakes, sausage rolls. Cheese on toast was the big thing.

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<v Speaker 5>Crust off the cheese on toast, the whitest of white

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<v Speaker 5>bread with had It was amazing. Though it still kind

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<v Speaker 5>of feel I still miss that. I still don't know

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<v Speaker 5>how she made that cheese on toast taste?

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<v Speaker 2>Did she ever let you go in the kitchen if you.

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<v Speaker 1>Just hang out there?

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<v Speaker 3>But I have to say when we first met, you

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<v Speaker 3>did You've always made an amazing roast.

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<v Speaker 1>And that was her.

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<v Speaker 5>She made an amazing roast in Yorkshire put in you know

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<v Speaker 5>classic there was it was. They were always incredible and

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<v Speaker 5>she used to I had a job where I worked

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<v Speaker 5>on a boat on the River Aven, so be a

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<v Speaker 5>boat boy and like these a mini like cruise ships

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<v Speaker 5>that do least half hour towards the River Aven.

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<v Speaker 1>And every time.

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<v Speaker 5>I'd always go into a bridge, she'd be at the

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<v Speaker 5>top with these sausage rolls in a little kind of

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<v Speaker 5>tupperware and she dropped them and I'd have to catch them.

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<v Speaker 5>And with my mom, I just remember being this kind

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<v Speaker 5>of I mean, she's amazing my mum. But a lot

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<v Speaker 5>of my food phobias stemmed from kind of her slightly

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<v Speaker 5>chaotic but wonderful kind of kitchen lots. What was it

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<v Speaker 5>like There were a lot of kind of jars of

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<v Speaker 5>things with like Hellman's e jars that were kind of oozing, and.

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<v Speaker 3>He has condiment issues.

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<v Speaker 1>Amazing no content in America.

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<v Speaker 2>Being in America, I think I heard the word condiment

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<v Speaker 2>or we just had probably ketchup and Mustard.

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<v Speaker 5>World condiments, condiments, anything's at the end of it, mustard,

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<v Speaker 5>can't stand it.

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<v Speaker 1>Catch up. Butter.

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<v Speaker 3>There was a butter. No butter you'll have when it's

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<v Speaker 3>when it's melted.

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<v Speaker 1>Not that makes sense because it doesn't can't get you.

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<v Speaker 2>Did you why did you begin?

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<v Speaker 1>I think I, like I said, I think it was

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<v Speaker 1>maybe because I don't want to blame my mom for it.

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<v Speaker 3>Did she did?

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<v Speaker 4>She? Did?

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<v Speaker 2>She have a refrigerator, Yeah, but it was just she

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<v Speaker 2>put it in the don't you know?

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<v Speaker 5>It was kind of like that Helman's he must have thing,

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<v Speaker 5>and it was it's mayonnaise, mayonnaise, that one on the same.

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<v Speaker 1>I banned them all together in this.

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<v Speaker 3>But so this was when when we first got together

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<v Speaker 3>and I really found out about the issues, and I

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<v Speaker 3>knew that it was serious when he very seriously turned

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<v Speaker 3>around to me and said, you know, if you want

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<v Speaker 3>to keep mayonnaise in the fridge, you can, And I was.

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<v Speaker 2>Like, that was that was yeah, I get it with

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<v Speaker 2>the mayonnaise and the ketchup and the mustard and all that.

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<v Speaker 2>But it's interesting that you have butter.

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<v Speaker 5>Is that you know, it is a shame, but this

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<v Speaker 5>is it as well a ketch up. You know when

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<v Speaker 5>you see on a table mayonnaise that's had some ketchup

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<v Speaker 5>in it, and it's.

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<v Speaker 3>That swirl of like this is your dad, your dad,

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<v Speaker 3>You've got a big There's a butter and jam issue

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<v Speaker 3>which I found out again when I stayed with his dad,

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<v Speaker 3>and like you must now maybe you agree with this,

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<v Speaker 3>but you must never use the same knife. The butter

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<v Speaker 3>and the jam must never meet.

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<v Speaker 2>Yeah, probably say that's logical, logical.

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<v Speaker 1>I don't have my issues.

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<v Speaker 3>I never noticed that I've got one knife. Maybe I

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<v Speaker 3>don't know.

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<v Speaker 2>It's like that. I would never be just proving of

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<v Speaker 2>it at all. You could do anything you want.

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<v Speaker 3>Well, no, I've now got I've got big.

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<v Speaker 4>I know.

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<v Speaker 3>Really, I'm very careful about the separate.

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<v Speaker 2>Do you think you could ever fall in love with

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<v Speaker 2>somebody who didn't care about food?

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<v Speaker 4>No?

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<v Speaker 2>Yeah? Did you ever go out to restaurants?

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<v Speaker 1>Yeah?

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<v Speaker 4>We did.

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<v Speaker 5>I remember one of my best my favorite Christmas is

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<v Speaker 5>was Dad took us to the local Chinese for Christmas

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<v Speaker 5>dinner and it.

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<v Speaker 1>Was just duck.

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<v Speaker 2>Did you go out to restaurants as a child.

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<v Speaker 3>We had the local Indian restaurant, which I loved, and

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<v Speaker 3>then the local Chinese restaurant, which I remember the name

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<v Speaker 3>of it was called Walk This Way. That was brilliant. Ye,

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<v Speaker 3>that was amazing. Yeah, so you do. I mean, it

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<v Speaker 3>was definitely like treats. But we'd got know. We'd go

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<v Speaker 3>once a week to the Indian restaurant, which I loved.

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<v Speaker 1>It's still a family thing, isn't it. I mean, you

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<v Speaker 1>guys want everyone'm there.

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<v Speaker 3>It's an Indian takeaway all the way. Yeah, And I

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<v Speaker 3>remember I have a love of spicy food, a deep

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<v Speaker 3>love of spicy food. But it was all from being

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<v Speaker 3>ten and being there with my brother who is five

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<v Speaker 3>years older, and his friend and then daring me to

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<v Speaker 3>eat a spicy curage and me just like being I'm

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<v Speaker 3>going to eat this and I'm and just sweating but

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<v Speaker 3>eating it. And every week after that, I'd go for

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<v Speaker 3>the spiciest thing.

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<v Speaker 1>And now still do I mean, crazy spy.

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<v Speaker 3>I do love it.

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<v Speaker 1>You do love it.

0:11:03.080 --> 0:11:03.640
<v Speaker 5>I do love it.

0:11:09.920 --> 0:11:13.599
<v Speaker 2>The River Cafe Cafe steps away from our restaurant is

0:11:13.720 --> 0:11:17.439
<v Speaker 2>now open. In the morning an Italian breakfast with cornetti,

0:11:17.520 --> 0:11:21.760
<v Speaker 2>ciambella and cristada from our pastry kitchen. In the afternoon,

0:11:21.920 --> 0:11:25.599
<v Speaker 2>ice creamed coops and River Cafe classic desserts. Come in

0:11:25.679 --> 0:11:28.800
<v Speaker 2>the evening for cocktails with our resident pianist in the bar.

0:11:29.520 --> 0:11:40.319
<v Speaker 2>No need to book, see you here. What was it

0:11:40.880 --> 0:11:43.679
<v Speaker 2>like when you left? How old were you when you

0:11:43.800 --> 0:11:44.280
<v Speaker 2>left home?

0:11:44.520 --> 0:11:46.560
<v Speaker 3>By the time I was sixteen, I was working away

0:11:46.640 --> 0:11:49.760
<v Speaker 3>a lot, and then eighteen I was properly out. Did

0:11:49.840 --> 0:11:52.280
<v Speaker 3>you know that you wanted to add I'd wanted to

0:11:52.400 --> 0:11:55.040
<v Speaker 3>act from the age of three, and my mom and

0:11:55.120 --> 0:11:56.800
<v Speaker 3>dad had not let me because they did not want

0:11:56.840 --> 0:11:58.400
<v Speaker 3>a child actress in the family.

0:11:58.520 --> 0:11:59.600
<v Speaker 2>Were they involved in theater?

0:11:59.760 --> 0:12:03.360
<v Speaker 3>Yeah, so one's a writer, one's an actor. And they didn't,

0:12:03.559 --> 0:12:06.000
<v Speaker 3>you know, they didn't want me doing it at all

0:12:06.520 --> 0:12:08.040
<v Speaker 3>because they wanted me to be a kid, you know,

0:12:08.200 --> 0:12:11.280
<v Speaker 3>I think. But I was absolutely desperate. And then finally

0:12:11.360 --> 0:12:13.440
<v Speaker 3>the school said, well, look, she can't read at all,

0:12:13.480 --> 0:12:15.280
<v Speaker 3>and we need a carrot to dangle in front of

0:12:15.400 --> 0:12:17.480
<v Speaker 3>us so she knows there's something that she wants. And

0:12:17.559 --> 0:12:20.600
<v Speaker 3>they said, well, she wants an agent. They said, it's

0:12:21.000 --> 0:12:23.560
<v Speaker 3>no I want an asia because they always had agents calling,

0:12:23.720 --> 0:12:27.280
<v Speaker 3>and I remember answering had land and it could be

0:12:27.400 --> 0:12:30.640
<v Speaker 3>it's your mum's agent. So I think it was like, well,

0:12:30.640 --> 0:12:31.959
<v Speaker 3>if you've got an age of wine and I have

0:12:32.000 --> 0:12:34.599
<v Speaker 3>an agent, that is so unfair. But also i'd be

0:12:34.720 --> 0:12:37.599
<v Speaker 3>with them, you know, a lot backstage at theaters, so

0:12:37.880 --> 0:12:39.840
<v Speaker 3>my dad, if they didn't have any childcare, then i'd

0:12:39.840 --> 0:12:41.800
<v Speaker 3>be sitting in his dressing room and he'd go on stage,

0:12:41.840 --> 0:12:43.360
<v Speaker 3>you know what I mean. And it was that was

0:12:43.559 --> 0:12:45.120
<v Speaker 3>how it was. So I wanted to be a part

0:12:45.160 --> 0:12:48.040
<v Speaker 3>of that anyway. So they said, right, there's your carrot.

0:12:48.200 --> 0:12:51.240
<v Speaker 3>And it was always if you read, if your grades

0:12:51.360 --> 0:12:53.880
<v Speaker 3>go up, you're allowed to keep on acting, but if

0:12:53.920 --> 0:12:58.560
<v Speaker 3>they go down, then it stops. It was a carrot.

0:12:59.040 --> 0:13:01.839
<v Speaker 1>It works, didn't you memorize a lot of well, yeah,

0:13:01.880 --> 0:13:02.200
<v Speaker 1>this is the thing.

0:13:02.280 --> 0:13:05.199
<v Speaker 3>So it's still sit reading I find really hard. It

0:13:05.360 --> 0:13:07.440
<v Speaker 3>really bounces. But I listened to it again. I mean

0:13:07.480 --> 0:13:09.079
<v Speaker 3>I basically I record it and listened to it and

0:13:09.120 --> 0:13:10.280
<v Speaker 3>listen to it and listen to it, and that's how

0:13:10.320 --> 0:13:12.600
<v Speaker 3>I learn it. But now we have a dyslexic kid

0:13:12.640 --> 0:13:15.600
<v Speaker 3>and she's doing the same thing. Her memory is absolutely amazing.

0:13:15.640 --> 0:13:18.520
<v Speaker 5>She'll look at but she'll have memorized the book basically.

0:13:18.800 --> 0:13:20.440
<v Speaker 1>Yeah, yeah, it's amazing.

0:13:20.600 --> 0:13:20.760
<v Speaker 4>Yeah.

0:13:21.360 --> 0:13:24.280
<v Speaker 2>So you left home? What age then to be an actor?

0:13:24.360 --> 0:13:24.520
<v Speaker 4>Well?

0:13:24.600 --> 0:13:27.600
<v Speaker 3>Sixteen? So were you so bender like Beckham? I did

0:13:27.640 --> 0:13:29.599
<v Speaker 3>at sixteen, but I was living at home. But I

0:13:29.760 --> 0:13:32.360
<v Speaker 3>really remember on that one the because we had a

0:13:32.400 --> 0:13:35.679
<v Speaker 3>lot of Indian actors and their families would come and

0:13:35.760 --> 0:13:36.640
<v Speaker 3>they brought food.

0:13:36.920 --> 0:13:37.160
<v Speaker 2>Wow.

0:13:37.480 --> 0:13:41.079
<v Speaker 3>And I remember Grinda Chada's family, she was the director,

0:13:41.400 --> 0:13:43.280
<v Speaker 3>bringing this amazing Indian food.

0:13:43.600 --> 0:13:45.360
<v Speaker 2>Did you have your own apartment? When did you have

0:13:45.440 --> 0:13:46.320
<v Speaker 2>your own apartment?

0:13:46.480 --> 0:13:48.160
<v Speaker 3>When eighteen? I had my own apartment?

0:13:48.360 --> 0:13:49.000
<v Speaker 2>What was that like?

0:13:49.160 --> 0:13:50.400
<v Speaker 3>You know, I was doing quite well, so it was

0:13:50.480 --> 0:13:55.559
<v Speaker 3>very nice. Yeah, and I lived with my brother and

0:13:56.120 --> 0:13:58.839
<v Speaker 3>his then girlfriend, and she was a great cook, and

0:13:59.000 --> 0:14:00.319
<v Speaker 3>we had a lot of Indian take aways.

0:14:00.600 --> 0:14:06.320
<v Speaker 2>Yeah, you would you entertain? Would you have friends over?

0:14:06.640 --> 0:14:08.839
<v Speaker 3>We had a lot because at that point I was

0:14:09.320 --> 0:14:12.439
<v Speaker 3>ridiculously famous and I couldn't get outside and so the

0:14:12.520 --> 0:14:14.440
<v Speaker 3>only way to see people was to have them around

0:14:14.480 --> 0:14:17.199
<v Speaker 3>at my apartment. So we had big Yeah, it was

0:14:17.240 --> 0:14:19.960
<v Speaker 3>a big. Big parties were always around at mine.

0:14:20.320 --> 0:14:21.120
<v Speaker 2>When did you leave?

0:14:21.200 --> 0:14:23.560
<v Speaker 5>When I say eighteen, I went to UNI in Cardiff,

0:14:23.600 --> 0:14:25.720
<v Speaker 5>and then I spent a year in Madrid, which was

0:14:25.960 --> 0:14:26.520
<v Speaker 5>kind of fun.

0:14:26.640 --> 0:14:29.840
<v Speaker 1>Year after graduation, Yeah, and then I moved to London.

0:14:29.600 --> 0:14:30.840
<v Speaker 2>And tell me about Madrid.

0:14:31.160 --> 0:14:33.720
<v Speaker 1>I was amazing, but it was food. Like in Madrid

0:14:33.960 --> 0:14:35.920
<v Speaker 1>for me, it was like I get this beer and

0:14:36.000 --> 0:14:38.520
<v Speaker 1>then I get free food with it. This is amazing.

0:14:38.840 --> 0:14:44.400
<v Speaker 5>I'm just going to go where that pretty minimal condiments,

0:14:44.520 --> 0:14:47.080
<v Speaker 5>you know, I can deal with this. So I went

0:14:47.120 --> 0:14:49.880
<v Speaker 5>there for a year and taught English, which was really fun,

0:14:50.400 --> 0:14:54.480
<v Speaker 5>and just playing music at that point, played music since

0:14:54.480 --> 0:14:56.800
<v Speaker 5>I was a kid, since I think I was ten

0:14:56.960 --> 0:14:59.280
<v Speaker 5>or eleven. At primary school there were there was this

0:14:59.560 --> 0:15:01.760
<v Speaker 5>band primary school, like the other kids in my year,

0:15:01.760 --> 0:15:05.000
<v Speaker 5>who are the coolest kids. They're just amazing. They're into Nirvana.

0:15:05.160 --> 0:15:07.920
<v Speaker 5>It is just at the time I think Kirkmaye just

0:15:08.080 --> 0:15:11.600
<v Speaker 5>died basically, and my dad is a brilliant musician. He didn't, Yeah,

0:15:11.640 --> 0:15:15.240
<v Speaker 5>he studied, got a scholarship at Durham clarinet, piano, guitar.

0:15:15.320 --> 0:15:16.120
<v Speaker 1>He just plays everything.

0:15:16.200 --> 0:15:18.200
<v Speaker 2>So we had a lot of music in the always.

0:15:18.600 --> 0:15:20.840
<v Speaker 5>Yeah, and I remember like in the house, like being

0:15:20.880 --> 0:15:23.240
<v Speaker 5>in my dad's car just listening to like the Stranglers

0:15:23.280 --> 0:15:25.680
<v Speaker 5>and like Golden Brown and it was just music always

0:15:26.320 --> 0:15:28.000
<v Speaker 5>and so then I was away, you know, and then

0:15:28.040 --> 0:15:30.240
<v Speaker 5>at Union in Madrid, I just kind of made music

0:15:30.880 --> 0:15:31.360
<v Speaker 5>on my own.

0:15:31.960 --> 0:15:33.400
<v Speaker 1>But yeah, it was just always something.

0:15:33.240 --> 0:15:37.720
<v Speaker 2>That Madrid was exposure to, food, to tap us to. Yeah,

0:15:38.080 --> 0:15:40.040
<v Speaker 2>did you ever live in a foreign country? Were you

0:15:40.200 --> 0:15:42.800
<v Speaker 2>when you were not? Were always on set?

0:15:42.960 --> 0:15:44.880
<v Speaker 3>I mean I was always on set, so sort of,

0:15:44.920 --> 0:15:48.240
<v Speaker 3>but like early on Rome, and I mean America a

0:15:48.320 --> 0:15:51.320
<v Speaker 3>lot and the Caribbean a lot. I think catering on

0:15:51.400 --> 0:15:53.600
<v Speaker 3>film sets it's the hard It is the hardest thing

0:15:53.680 --> 0:15:56.720
<v Speaker 3>to do because you've got to be there so insanely early,

0:15:57.280 --> 0:15:59.560
<v Speaker 3>and then often we do these things called running lunches,

0:15:59.600 --> 0:16:01.600
<v Speaker 3>which means that you have to have all the food

0:16:01.640 --> 0:16:04.080
<v Speaker 3>ready for like this three hour period where it just

0:16:04.160 --> 0:16:06.040
<v Speaker 3>sits there and you grab it when you know. So

0:16:06.120 --> 0:16:08.880
<v Speaker 3>it's an incredibly difficult kind of thing. But I don't

0:16:08.920 --> 0:16:10.840
<v Speaker 3>think that you get a love of food from it,

0:16:10.920 --> 0:16:13.000
<v Speaker 3>although that was the amazing guy. Do you remember it,

0:16:14.240 --> 0:16:17.560
<v Speaker 3>run it through the garden. In America, they famously have

0:16:17.680 --> 0:16:20.440
<v Speaker 3>much better catering. You know, there's there's just more. So

0:16:20.640 --> 0:16:23.200
<v Speaker 3>they always had like a guy that would do like

0:16:23.240 --> 0:16:25.640
<v Speaker 3>an omelet stand or something, you know, like he'd be

0:16:25.680 --> 0:16:27.640
<v Speaker 3>the guy making and he had this thing if you

0:16:27.680 --> 0:16:29.480
<v Speaker 3>wanted like vegetables in it, and he'd say, do you

0:16:29.520 --> 0:16:30.760
<v Speaker 3>want to run through the garden?

0:16:34.200 --> 0:16:34.960
<v Speaker 1>Run it through the garden.

0:16:35.040 --> 0:16:37.160
<v Speaker 3>Yeah, run it through the garden. But it's really hard.

0:16:38.040 --> 0:16:40.320
<v Speaker 3>And then you go you go back and you're always

0:16:40.400 --> 0:16:41.680
<v Speaker 3>slower when you go back, are you.

0:16:41.840 --> 0:16:42.040
<v Speaker 4>Yeah?

0:16:42.080 --> 0:16:45.640
<v Speaker 5>Yeah, you shouldn't take you should always it on an

0:16:45.680 --> 0:16:49.440
<v Speaker 5>empty stomach, a vocal take any takes as a band, Yeah, yeah,

0:16:49.560 --> 0:16:50.880
<v Speaker 5>you don want to eat and then do a gig,

0:16:51.320 --> 0:16:54.200
<v Speaker 5>you know what I mean before and no one likesping

0:16:54.240 --> 0:16:55.320
<v Speaker 5>on the mar I mean, no one's going.

0:16:55.240 --> 0:16:55.920
<v Speaker 1>To appreciate that.

0:16:56.440 --> 0:16:59.200
<v Speaker 2>So you were in Madrid, get there?

0:16:59.480 --> 0:17:03.560
<v Speaker 5>Yeah, And then I started This was in his band collection,

0:17:03.680 --> 0:17:06.640
<v Speaker 5>so we did that for I started that two thousand.

0:17:06.280 --> 0:17:09.000
<v Speaker 1>And five, touring a lot.

0:17:08.880 --> 0:17:13.760
<v Speaker 5>Of ten years all over them everywhere, which is Asia, everywhere, Australia.

0:17:13.800 --> 0:17:16.960
<v Speaker 5>I feel like, food wise unbelievable. That was my favorite

0:17:17.000 --> 0:17:19.720
<v Speaker 5>bit about kind of touring was to go to he's.

0:17:19.600 --> 0:17:23.720
<v Speaker 3>An amazing traveler, Like it's no, but you are, like

0:17:23.800 --> 0:17:25.760
<v Speaker 3>it's a skill that and you have. Like so when

0:17:26.040 --> 0:17:27.480
<v Speaker 3>he used to be in the band and we get

0:17:27.520 --> 0:17:29.480
<v Speaker 3>on the tour bus, and so you'd only ever have

0:17:29.600 --> 0:17:31.760
<v Speaker 3>like what a couple of hours in each place to

0:17:31.840 --> 0:17:33.960
<v Speaker 3>do things, and everybody else would sort of stay and

0:17:33.960 --> 0:17:35.680
<v Speaker 3>they'd be on their computers or they'd be watching a film.

0:17:35.760 --> 0:17:38.879
<v Speaker 3>And he has researched the top things to do in

0:17:38.960 --> 0:17:40.880
<v Speaker 3>the city and the top places to eat in the city,

0:17:41.160 --> 0:17:43.119
<v Speaker 3>and he's like, right, in three hours, we can hit

0:17:43.200 --> 0:17:44.520
<v Speaker 3>this and we can get there, and we can get there.

0:17:45.280 --> 0:17:48.160
<v Speaker 3>His band called it fear tours, because you never quite

0:17:48.200 --> 0:17:49.240
<v Speaker 3>knew if you were going to die.

0:17:49.440 --> 0:17:50.239
<v Speaker 1>We almost did die.

0:17:52.960 --> 0:17:54.879
<v Speaker 5>I didn't know this, but I was told there's a

0:17:54.960 --> 0:17:58.680
<v Speaker 5>really good steak place in this near La Bocca in

0:17:58.720 --> 0:18:02.040
<v Speaker 5>Buenos Aires. So I convinced the band to all follow

0:18:02.119 --> 0:18:05.080
<v Speaker 5>me on this like magical mystery tour to the restaurant.

0:18:05.119 --> 0:18:05.480
<v Speaker 1>I didn't know.

0:18:05.560 --> 0:18:08.040
<v Speaker 5>The Boka is quite a heavy area of buen As.

0:18:08.480 --> 0:18:11.719
<v Speaker 5>We're all dressed like Duran Duran or something, with our

0:18:11.800 --> 0:18:14.719
<v Speaker 5>cameras out, you know, and then from out of nowhere,

0:18:14.840 --> 0:18:18.119
<v Speaker 5>some guy came over and whacked our drummer with something,

0:18:18.200 --> 0:18:19.960
<v Speaker 5>and his camera went flying, and we ended up in

0:18:20.000 --> 0:18:21.720
<v Speaker 5>a police car going around.

0:18:23.800 --> 0:18:25.879
<v Speaker 3>Quite a lot with him police car.

0:18:26.080 --> 0:18:28.240
<v Speaker 2>He's two year old in a police car as well,

0:18:28.320 --> 0:18:31.200
<v Speaker 2>what happened five minutes before you went into the police

0:18:31.240 --> 0:18:32.240
<v Speaker 2>car with your two year old?

0:18:35.520 --> 0:18:41.560
<v Speaker 3>But I was working in Boston. He's looking at the

0:18:41.600 --> 0:18:44.240
<v Speaker 3>six year old we put in school. It was COVID.

0:18:44.280 --> 0:18:46.000
<v Speaker 3>It wasn't the best, but anyway, so he's with the

0:18:46.000 --> 0:18:49.520
<v Speaker 3>two year old. Winter in Boston, very cold. I'm on

0:18:49.680 --> 0:18:52.160
<v Speaker 3>set and all I get is I get an assistant

0:18:52.240 --> 0:18:56.399
<v Speaker 3>coming again. Don't don't worry. But James and Delilah are

0:18:56.480 --> 0:18:59.240
<v Speaker 3>in a police car. Why why?

0:18:59.359 --> 0:19:00.720
<v Speaker 1>And James there is fine.

0:19:00.760 --> 0:19:01.320
<v Speaker 3>We were fine.

0:19:01.440 --> 0:19:02.400
<v Speaker 1>They were like, we're all good.

0:19:02.480 --> 0:19:05.240
<v Speaker 5>Well, basically I'd heard in Boston that there was this

0:19:05.520 --> 0:19:09.679
<v Speaker 5>place that did pizza, pizza, that it's it's open, opens

0:19:09.680 --> 0:19:12.880
<v Speaker 5>at like eight am, and the minute it sells out

0:19:12.880 --> 0:19:15.600
<v Speaker 5>of the pizza and it sells out by So I

0:19:15.680 --> 0:19:19.480
<v Speaker 5>was like, Okay, Delilah, our youngest, who's then one, I said,

0:19:19.520 --> 0:19:22.159
<v Speaker 5>you know today the Daddy Adventure, We're going to go

0:19:22.280 --> 0:19:25.680
<v Speaker 5>get pizza. So we drive at like seven am in

0:19:25.800 --> 0:19:29.320
<v Speaker 5>the snow to this Italian district of Boston. It's minus

0:19:29.359 --> 0:19:32.080
<v Speaker 5>twenty wrapper up. We get out the car, it's like

0:19:32.280 --> 0:19:36.320
<v Speaker 5>a blizzard storm into this pizza place, order a couple

0:19:36.320 --> 0:19:38.600
<v Speaker 5>of slices of cheese pizza. We sit there, we have

0:19:38.640 --> 0:19:42.760
<v Speaker 5>a lovely slice of pizza. Breakfast, breakfast. Then I get

0:19:42.800 --> 0:19:46.680
<v Speaker 5>out the restaurant or the pizza place, and I walked

0:19:46.720 --> 0:19:50.800
<v Speaker 5>down left like this, walk down there's no carca'd walk

0:19:50.840 --> 0:19:53.800
<v Speaker 5>down the other way back there, there's no car there. Okay,

0:19:54.000 --> 0:19:55.200
<v Speaker 5>go back into the restaurant.

0:19:55.280 --> 0:19:58.000
<v Speaker 3>But what I love is what he's very vocal, right,

0:19:58.280 --> 0:20:00.159
<v Speaker 3>So they wouldn't have just been, oh, I'm chilled up

0:20:00.160 --> 0:20:02.160
<v Speaker 3>because I can't find the car. It was. It's more

0:20:02.320 --> 0:20:07.880
<v Speaker 3>like I'm with my two year olds taking our car. Yeah,

0:20:08.520 --> 0:20:09.640
<v Speaker 3>drove there in your car.

0:20:09.800 --> 0:20:12.159
<v Speaker 1>Yeah, And then and then and then you know, it

0:20:12.280 --> 0:20:14.760
<v Speaker 1>was the police came. I went out.

0:20:14.760 --> 0:20:16.359
<v Speaker 5>I saw a policeman and I said, look, I've had

0:20:16.400 --> 0:20:18.040
<v Speaker 5>my car still and said I get in the car.

0:20:18.440 --> 0:20:19.399
<v Speaker 1>So get in this car.

0:20:19.480 --> 0:20:21.720
<v Speaker 5>And it's like plastic seats with the one year old,

0:20:21.800 --> 0:20:23.959
<v Speaker 5>and we just you know, so then and they got

0:20:23.960 --> 0:20:27.000
<v Speaker 5>the Boston accent, a thick iron, you know, and we

0:20:27.240 --> 0:20:29.320
<v Speaker 5>drive out and we drive a little bit around the

0:20:29.359 --> 0:20:30.960
<v Speaker 5>corn just walk a little bit, and they've got the

0:20:31.080 --> 0:20:31.840
<v Speaker 5>key and they're pressing.

0:20:32.000 --> 0:20:33.680
<v Speaker 1>I didn't know you can press a button on a

0:20:34.240 --> 0:20:36.000
<v Speaker 1>on a car remote and hear the beep.

0:20:36.840 --> 0:20:37.320
<v Speaker 3>It was there.

0:20:37.480 --> 0:20:41.680
<v Speaker 1>They hadn't been stolen. Four year old jaw.

0:20:41.760 --> 0:20:43.560
<v Speaker 3>When we were in the back of the police car.

0:20:44.640 --> 0:20:46.520
<v Speaker 1>Yeah, it was really fun.

0:20:57.680 --> 0:21:01.080
<v Speaker 2>Can I just very simply ask you how you met?

0:21:01.480 --> 0:21:04.400
<v Speaker 3>Where do we meet? We met at Dean Street Townhouse

0:21:04.880 --> 0:21:08.840
<v Speaker 3>in London, which was okay. So that week my agent

0:21:09.000 --> 0:21:11.280
<v Speaker 3>said to me, I've had this dream I was single.

0:21:11.560 --> 0:21:13.520
<v Speaker 3>I've had a dream that you're meeting your future husband

0:21:13.560 --> 0:21:17.760
<v Speaker 3>this week. That's exciting. So I got invited out to

0:21:17.880 --> 0:21:19.479
<v Speaker 3>loads of things and I have to say I'd met

0:21:19.520 --> 0:21:21.760
<v Speaker 3>a load of people that week and I was sorry,

0:21:22.880 --> 0:21:25.040
<v Speaker 3>this is happening anyway. So the end of the week

0:21:25.240 --> 0:21:28.760
<v Speaker 3>was an oscar viewing party, which anyway, so I was like,

0:21:28.920 --> 0:21:30.439
<v Speaker 3>really didn't want to go. It was a Sunday night,

0:21:30.480 --> 0:21:31.879
<v Speaker 3>I was in the theater. I couldn't be bothered to go.

0:21:32.000 --> 0:21:33.440
<v Speaker 3>And then I was like, but I meant to meet

0:21:34.160 --> 0:21:36.720
<v Speaker 3>my future husband, so I'm going to go to this

0:21:37.040 --> 0:21:38.440
<v Speaker 3>thing that I don't want to go to. And I

0:21:38.520 --> 0:21:42.000
<v Speaker 3>sat down and I didn't. I was like, again, everybody's

0:21:42.080 --> 0:21:44.720
<v Speaker 3>very nice, but my future husband definitely isn't there. And

0:21:45.359 --> 0:21:48.879
<v Speaker 3>my very good friend Tim Phillips, who is a composer.

0:21:49.280 --> 0:21:52.560
<v Speaker 3>He phoned me up very drunk, like incredibly drunk.

0:21:52.720 --> 0:21:55.760
<v Speaker 1>Hey man, I'm in Sohomeman and with friends.

0:21:55.800 --> 0:21:57.159
<v Speaker 3>Where are you? And I was like, no, no, I'm

0:21:57.240 --> 0:21:59.000
<v Speaker 3>a sit down thing. You're not allowed to go. Where

0:21:59.040 --> 0:21:59.200
<v Speaker 3>are you?

0:21:59.359 --> 0:21:59.520
<v Speaker 4>Then?

0:22:00.400 --> 0:22:03.040
<v Speaker 3>Man, Dean Street Town? Okay, man, I'm coming. Please don't come,

0:22:03.080 --> 0:22:05.760
<v Speaker 3>Please don't come. No, please don't come anyway. And the

0:22:05.880 --> 0:22:09.000
<v Speaker 3>door of this private room opens and my friend Tim's

0:22:09.080 --> 0:22:11.320
<v Speaker 3>head comes around like this, and my friend's Curran's head

0:22:11.359 --> 0:22:13.200
<v Speaker 3>and I'm like, oh my god. And the third head

0:22:13.320 --> 0:22:16.520
<v Speaker 3>come around with James, and James grabbed a seat. There

0:22:16.600 --> 0:22:18.760
<v Speaker 3>was a seat and he just grabbed it around and said, hello,

0:22:19.160 --> 0:22:20.680
<v Speaker 3>I'm your your future.

0:22:22.000 --> 0:22:22.440
<v Speaker 5>There he is.

0:22:23.280 --> 0:22:25.639
<v Speaker 3>And then and then you just hate and drank and

0:22:25.960 --> 0:22:29.080
<v Speaker 3>we basically and drank until we got married. You got married,

0:22:29.359 --> 0:22:30.760
<v Speaker 3>well drank until I got pregnant.

0:22:30.840 --> 0:22:33.000
<v Speaker 2>And so you just knew that you had this love

0:22:33.160 --> 0:22:34.400
<v Speaker 2>of food and alcohol.

0:22:35.720 --> 0:22:37.600
<v Speaker 3>It was alcohol, but it was at that point it

0:22:37.680 --> 0:22:39.840
<v Speaker 3>was alcohol, but it was a food. No, but how

0:22:39.880 --> 0:22:42.280
<v Speaker 3>did you food if you.

0:22:42.320 --> 0:22:44.639
<v Speaker 2>Were playing, you were you were a musician, you were like,

0:22:45.200 --> 0:22:48.280
<v Speaker 2>I know that you loved alcohol, but you had to

0:22:48.320 --> 0:22:49.879
<v Speaker 2>get up in the morning and work, So how did

0:22:49.920 --> 0:22:54.240
<v Speaker 2>you know at that point? Was at yeah, And I think.

0:22:54.119 --> 0:22:55.760
<v Speaker 3>Actually maybe if I'd been filming at the time, we

0:22:55.840 --> 0:22:58.600
<v Speaker 3>never would have got together. But because I was in

0:22:58.640 --> 0:23:00.879
<v Speaker 3>the theater and it was I was doing a show

0:23:01.480 --> 0:23:04.520
<v Speaker 3>with a lot it was great. Was a children It

0:23:04.720 --> 0:23:07.840
<v Speaker 3>was Helmut Lillian Hellman children. Yeah, and it was with

0:23:07.920 --> 0:23:09.960
<v Speaker 3>Elizabeth mass and it was great because it was a

0:23:10.080 --> 0:23:13.040
<v Speaker 3>bunch of girls. We were all like in our early

0:23:13.160 --> 0:23:16.520
<v Speaker 3>mid twenties. We were all single, and we were having

0:23:16.560 --> 0:23:20.200
<v Speaker 3>a really really really really good time. And so I

0:23:20.280 --> 0:23:22.240
<v Speaker 3>met him in the middle of that when he was

0:23:22.320 --> 0:23:25.280
<v Speaker 3>also having a really really really really good time. But

0:23:25.440 --> 0:23:27.440
<v Speaker 3>the food thing, he was not into food and he

0:23:27.480 --> 0:23:30.879
<v Speaker 3>wouldn't try because of the condiment pre previously mentioned condiment issues.

0:23:30.880 --> 0:23:32.520
<v Speaker 3>There were other food issues at that point, like he

0:23:32.600 --> 0:23:35.520
<v Speaker 3>really wouldn't eat much apart from the cheese on toast situation,

0:23:35.760 --> 0:23:37.800
<v Speaker 3>and I was like, this is not going to happen

0:23:37.920 --> 0:23:41.520
<v Speaker 3>if we can't go out. So again, my my oldest

0:23:41.560 --> 0:23:44.080
<v Speaker 3>and very close friend who's a big foodie, Charlie, he

0:23:44.160 --> 0:23:45.680
<v Speaker 3>met him. He was I really like him, but the

0:23:45.760 --> 0:23:48.960
<v Speaker 3>food situation is terrible. So we used to take him

0:23:49.040 --> 0:23:52.520
<v Speaker 3>to all of our favorite restaurants and we'd yeah, we'd

0:23:52.680 --> 0:23:54.960
<v Speaker 3>order for him and we we'd be like and he'd

0:23:55.000 --> 0:23:56.560
<v Speaker 3>look at it. No, no, no, no, and then we'd

0:23:56.560 --> 0:23:58.679
<v Speaker 3>be like, close your eyes and eat it. So basically

0:23:58.720 --> 0:24:03.639
<v Speaker 3>I bullied him into education and then created a monster

0:24:04.760 --> 0:24:05.840
<v Speaker 3>overtook both of us.

0:24:06.320 --> 0:24:06.520
<v Speaker 2>Wow.

0:24:07.040 --> 0:24:10.880
<v Speaker 5>No, it's literally the passion and the kind of Yeah,

0:24:11.080 --> 0:24:14.280
<v Speaker 5>I have to find it's a recipe. I can't substitute

0:24:14.320 --> 0:24:15.480
<v Speaker 5>that ingredient for that ingredient.

0:24:15.880 --> 0:24:18.000
<v Speaker 3>That's a problem.

0:24:18.240 --> 0:24:20.119
<v Speaker 1>It is a problem because you kind of end up

0:24:20.760 --> 0:24:23.240
<v Speaker 1>around London. Yeah, ingredients.

0:24:24.240 --> 0:24:27.040
<v Speaker 2>Can you go places if you're in a film or

0:24:27.119 --> 0:24:29.720
<v Speaker 2>you're doing something, do you try and all uplift and

0:24:29.840 --> 0:24:32.040
<v Speaker 2>go or do you one of you stay home? How

0:24:32.080 --> 0:24:32.600
<v Speaker 2>do you manage?

0:24:32.640 --> 0:24:35.959
<v Speaker 3>You know, we have done since children, We've all we've

0:24:36.000 --> 0:24:38.280
<v Speaker 3>traveled together the whole time to just take it gets

0:24:38.320 --> 0:24:42.400
<v Speaker 3>to Boston, I mean with our first, since our second

0:24:42.440 --> 0:24:44.600
<v Speaker 3>because then COVID hits, so I haven't done as much

0:24:44.640 --> 0:24:46.720
<v Speaker 3>since the second one was born. But the first one

0:24:46.800 --> 0:24:49.560
<v Speaker 3>we were I mean everywhere. Yeah, yeah, we were everywhere.

0:24:50.200 --> 0:24:51.919
<v Speaker 2>Tell me about a day in the life of your

0:24:51.960 --> 0:24:53.480
<v Speaker 2>house and you get coffee.

0:24:53.160 --> 0:24:55.680
<v Speaker 5>And coffee, make the coffee good, grind it, you know,

0:24:55.960 --> 0:24:58.960
<v Speaker 5>fresh b sixty pour over coffee. She gets black coffee

0:24:58.960 --> 0:25:02.120
<v Speaker 5>in the morning, get the kids to school, children breakfast.

0:25:03.119 --> 0:25:05.320
<v Speaker 2>Do they have breakfast of anything or.

0:25:05.440 --> 0:25:08.000
<v Speaker 1>Justeal cereal apple? That's fine.

0:25:08.119 --> 0:25:10.600
<v Speaker 3>They have to finish the fruit they do, so they.

0:25:10.560 --> 0:25:12.399
<v Speaker 1>Get an apple or you know, blueberrithes.

0:25:13.280 --> 0:25:13.879
<v Speaker 3>That's the only.

0:25:15.720 --> 0:25:18.720
<v Speaker 5>And then I go to my studio and work. You

0:25:18.840 --> 0:25:21.439
<v Speaker 5>go to your office and work, and then we pick

0:25:21.480 --> 0:25:22.800
<v Speaker 5>the kids up, and then what.

0:25:22.960 --> 0:25:24.720
<v Speaker 2>Might you both have your lunches?

0:25:24.840 --> 0:25:27.000
<v Speaker 3>Do you know what I mean? I'm a picky kind

0:25:27.000 --> 0:25:30.880
<v Speaker 3>of I'll buy antipacity from our local lovely Italian daddy

0:25:30.920 --> 0:25:33.640
<v Speaker 3>and I'll do that. But actually, I mean again, he's

0:25:33.680 --> 0:25:36.560
<v Speaker 3>the cook in the house. So there isn't ever a

0:25:36.680 --> 0:25:40.000
<v Speaker 3>moment where you don't go, I want to make something lovely.

0:25:40.840 --> 0:25:42.520
<v Speaker 2>When you wake up in the morning, do you think

0:25:42.560 --> 0:25:43.280
<v Speaker 2>about what you're going.

0:25:43.240 --> 0:25:43.800
<v Speaker 5>To do that night?

0:25:43.840 --> 0:25:45.880
<v Speaker 1>Yeah, yeah, always all the time.

0:25:46.080 --> 0:25:46.800
<v Speaker 3>It's literally.

0:25:49.520 --> 0:25:50.160
<v Speaker 1>I found the way.

0:25:50.600 --> 0:25:52.840
<v Speaker 3>I've got some really great and that will go with that.

0:25:54.560 --> 0:25:57.560
<v Speaker 5>But it's not a million miles to away from maybe

0:25:57.600 --> 0:25:58.720
<v Speaker 5>writing a song or something.

0:25:58.840 --> 0:25:59.240
<v Speaker 1>It's the same.

0:25:59.280 --> 0:26:00.399
<v Speaker 2>Okay, let's talk about the.

0:26:01.400 --> 0:26:03.200
<v Speaker 5>I don't know it's creativity. I guess that you're kind

0:26:03.200 --> 0:26:05.959
<v Speaker 5>of trying to make something from nothing. Say if it's

0:26:06.040 --> 0:26:07.800
<v Speaker 5>like at the moment, I'm doing lot scoring, so I

0:26:07.960 --> 0:26:11.440
<v Speaker 5>know the kind of world, well it is scoring, composing

0:26:11.480 --> 0:26:14.120
<v Speaker 5>for film or TV, and so you know the kind

0:26:14.160 --> 0:26:18.160
<v Speaker 5>of you know, this is the palette of instruments we'll

0:26:18.240 --> 0:26:20.959
<v Speaker 5>use for this project. Let's say, just like the these

0:26:21.000 --> 0:26:23.119
<v Speaker 5>are the ingredients you've got, and this is what you

0:26:23.200 --> 0:26:25.919
<v Speaker 5>can do with them, and that limitation that you can

0:26:26.000 --> 0:26:28.679
<v Speaker 5>put is good. You know that kind of restrictions are

0:26:28.880 --> 0:26:32.280
<v Speaker 5>restrictions are great, like restrictions always. So I think that

0:26:32.480 --> 0:26:34.720
<v Speaker 5>that's that's one of the similarities.

0:26:35.280 --> 0:26:38.119
<v Speaker 3>But I think because you know, he's obviously a musician.

0:26:38.200 --> 0:26:39.880
<v Speaker 3>We have a lot of musician friends. What I'm really

0:26:40.000 --> 0:26:42.040
<v Speaker 3>noticing with all of them is that there is an

0:26:42.080 --> 0:26:46.400
<v Speaker 3>obsessive collector's quality. It's like rare records, right. They all

0:26:46.440 --> 0:26:48.000
<v Speaker 3>go through a period where it's like I've got this

0:26:48.200 --> 0:26:51.399
<v Speaker 3>nineteen seventies Japanese synth music from blah. But you know,

0:26:51.440 --> 0:26:55.159
<v Speaker 3>it's that thing. And wine is a similar thing. And

0:26:55.280 --> 0:26:58.080
<v Speaker 3>that's why, like the natural wine thing really suits a

0:26:58.200 --> 0:27:01.520
<v Speaker 3>musician because they're like, great, there's this weird producer who

0:27:01.560 --> 0:27:02.520
<v Speaker 3>will only make you know.

0:27:02.600 --> 0:27:05.359
<v Speaker 5>And it makes the sharing of that knowledge that the

0:27:05.520 --> 0:27:08.240
<v Speaker 5>getting off on like sharing, Oh you don't know about this,

0:27:08.480 --> 0:27:09.440
<v Speaker 5>check this out over here.

0:27:09.640 --> 0:27:12.600
<v Speaker 1>It's sharing of the knowledge of getting.

0:27:12.400 --> 0:27:15.320
<v Speaker 3>Excited about you'll do it, you'll do it about ingredients.

0:27:15.520 --> 0:27:17.840
<v Speaker 3>So sorry, but the totally I mean the funniest one

0:27:17.920 --> 0:27:22.080
<v Speaker 3>with the Totally Citrus Foundation two, which you probably know about.

0:27:22.160 --> 0:27:25.480
<v Speaker 3>So there's a okay, So James found out about the

0:27:25.560 --> 0:27:31.120
<v Speaker 3>Totally Citrus Foundation that is in Valencia. But he hears

0:27:31.200 --> 0:27:35.600
<v Speaker 3>from Layla Leila. Her name is Lila Lilah's shop in

0:27:35.760 --> 0:27:38.920
<v Speaker 3>East and she's got all of the citrus fruit and

0:27:39.040 --> 0:27:41.920
<v Speaker 3>so going, oh, wow, what's the citrus and she says

0:27:41.920 --> 0:27:44.040
<v Speaker 3>about the Totally Foundation, which is basically that a load

0:27:44.119 --> 0:27:46.600
<v Speaker 3>of the citrus. They can't grow all of the different

0:27:46.680 --> 0:27:50.639
<v Speaker 3>varieties of citrus fruit anymore in Valencia because they're building

0:27:50.720 --> 0:27:52.760
<v Speaker 3>on all of the land. But somebody has bought this

0:27:52.880 --> 0:27:54.760
<v Speaker 3>plot of land and he's trying to bring back all

0:27:54.800 --> 0:27:58.760
<v Speaker 3>of the different varieties of citrus fruit. So James comes

0:27:58.800 --> 0:28:03.000
<v Speaker 3>back from Lila's shop. He has an entire box everything

0:28:03.200 --> 0:28:07.359
<v Speaker 3>of like every single so many, but there's only two

0:28:07.440 --> 0:28:10.880
<v Speaker 3>of us. Wow, this is an intense amount of citrus.

0:28:13.480 --> 0:28:16.280
<v Speaker 3>Can't waste the thing. They were eating everything. I actually

0:28:16.320 --> 0:28:17.960
<v Speaker 3>get to the point where I'm like, no, I care,

0:28:18.040 --> 0:28:21.000
<v Speaker 3>I actually can't. I mean, it's amazing, amazing. Did you

0:28:21.119 --> 0:28:22.600
<v Speaker 3>squeeze them and everything?

0:28:22.720 --> 0:28:24.920
<v Speaker 1>Some of them you can eat the skins, you know,

0:28:24.920 --> 0:28:25.679
<v Speaker 1>it's kumquats.

0:28:26.040 --> 0:28:28.160
<v Speaker 5>It was this one lemon that I got really excited

0:28:28.200 --> 0:28:29.879
<v Speaker 5>about that you can eat, you cut it and the

0:28:29.960 --> 0:28:31.080
<v Speaker 5>skins aren't bitter.

0:28:31.560 --> 0:28:34.719
<v Speaker 2>It is it like in a mouthy lemon with Admiral.

0:28:35.080 --> 0:28:37.280
<v Speaker 2>There are some lemons that have just a huge amount of.

0:28:37.280 --> 0:28:40.520
<v Speaker 1>Piths, a huge amount delicious and you did, like you

0:28:40.640 --> 0:28:41.200
<v Speaker 1>eat the pith.

0:28:41.280 --> 0:28:44.920
<v Speaker 3>Yeah, yeah, it was amazing. But he ate so much

0:28:45.040 --> 0:28:45.320
<v Speaker 3>that he.

0:28:47.160 --> 0:28:52.720
<v Speaker 1>Volited everywhere too much acid, as he found out. But

0:28:52.920 --> 0:28:54.280
<v Speaker 1>it's funny because there is a lot of things.

0:28:54.320 --> 0:28:56.480
<v Speaker 5>There's a lot of musicians who do I remember going

0:28:56.560 --> 0:28:59.240
<v Speaker 5>to a wine fair and there will be like a

0:28:59.360 --> 0:29:01.920
<v Speaker 5>bump into guy. Weren't you in a band like ten

0:29:02.000 --> 0:29:04.360
<v Speaker 5>years ago and we played together? Like yeah, now now

0:29:04.440 --> 0:29:07.240
<v Speaker 5>I got a you know, a vineyard in.

0:29:07.480 --> 0:29:10.040
<v Speaker 1>The middle of France and I grow this indigenous great

0:29:10.080 --> 0:29:10.520
<v Speaker 1>you know, it's like.

0:29:11.280 --> 0:29:12.680
<v Speaker 3>Or who is it from groove Armajo?

0:29:15.120 --> 0:29:15.800
<v Speaker 1>Yeah, amazing.

0:29:16.400 --> 0:29:20.400
<v Speaker 2>It's also collaborating, you know when we started out about

0:29:20.680 --> 0:29:24.400
<v Speaker 2>collaboration and we do solitary work in the opposite way.

0:29:24.520 --> 0:29:27.280
<v Speaker 2>Michael Caine said that he loved a garden because every

0:29:27.320 --> 0:29:29.640
<v Speaker 2>time he acted it was with you know, so many,

0:29:29.720 --> 0:29:32.080
<v Speaker 2>so many. This is something he could do in a

0:29:32.200 --> 0:29:34.920
<v Speaker 2>solitary way. Sometimes if you're in a band, then you

0:29:34.960 --> 0:29:39.320
<v Speaker 2>can be solitary. If you're cooking, if you're solitary, then

0:29:39.920 --> 0:29:41.160
<v Speaker 2>it's all to do with the.

0:29:43.440 --> 0:29:45.760
<v Speaker 5>Going back to the Lemon Foundation, for example, is one example.

0:29:45.840 --> 0:29:48.680
<v Speaker 5>It's it's stories and it's it's it's story. It's stories

0:29:48.680 --> 0:29:50.640
<v Speaker 5>which connect probably both of us. It's like, you know,

0:29:51.400 --> 0:29:54.360
<v Speaker 5>a wine maker just finding out about how that wine

0:29:54.440 --> 0:29:57.160
<v Speaker 5>is made, the winemaker's story. There's We used to have

0:29:57.240 --> 0:29:59.520
<v Speaker 5>a place in France where we grew wine, we actually

0:29:59.520 --> 0:30:03.360
<v Speaker 5>made wine, and we went to visit this one wine

0:30:03.400 --> 0:30:04.680
<v Speaker 5>maker who was just.

0:30:06.240 --> 0:30:09.160
<v Speaker 1>And she was a nurse who tended to the vines

0:30:09.240 --> 0:30:09.840
<v Speaker 1>as if they were.

0:30:09.800 --> 0:30:12.040
<v Speaker 3>As if they were people. And so she took around

0:30:12.040 --> 0:30:15.040
<v Speaker 3>and she didn't it was all done by hand or horses.

0:30:15.160 --> 0:30:17.000
<v Speaker 3>So it's really old school. It was in the foot

0:30:17.000 --> 0:30:20.320
<v Speaker 3>of a mountain and she'd grow like wild roses up

0:30:20.400 --> 0:30:23.320
<v Speaker 3>next to it, and I mean it was so beautiful,

0:30:23.360 --> 0:30:25.840
<v Speaker 3>but she she talked about each plant like it was

0:30:25.880 --> 0:30:27.680
<v Speaker 3>a person, and she wouldn't pick the fruit or she

0:30:27.800 --> 0:30:29.360
<v Speaker 3>was tending to some of them and she wouldn't use it.

0:30:29.440 --> 0:30:32.240
<v Speaker 3>And the wine was the most beautiful, you know. But

0:30:32.360 --> 0:30:35.280
<v Speaker 3>that story is something that's so kind of powerful, and

0:30:35.360 --> 0:30:38.000
<v Speaker 3>you see somebody who's committed their whole life, and particularly

0:30:38.000 --> 0:30:40.760
<v Speaker 3>I think with wine, it's like it's so, I mean,

0:30:41.320 --> 0:30:43.560
<v Speaker 3>a hailstorm comes and you've lost the whole thing, you know,

0:30:43.720 --> 0:30:44.440
<v Speaker 3>So it's really on.

0:30:44.520 --> 0:30:49.680
<v Speaker 2>The edge agriculture. You go to go, you know, very

0:30:49.760 --> 0:30:51.680
<v Speaker 2>involved with olive oil and wine. A lot of the

0:30:51.720 --> 0:30:54.840
<v Speaker 2>people who produce you know, wine produce olive oil. And

0:30:54.880 --> 0:30:57.280
<v Speaker 2>then you'd go in a year and they've had had

0:30:57.320 --> 0:31:00.600
<v Speaker 2>a hailstorm in August and then the harper is over,

0:31:00.840 --> 0:31:04.040
<v Speaker 2>you know, and so they're living on this creativity. But

0:31:04.160 --> 0:31:06.560
<v Speaker 2>it's based on especially now.

0:31:06.880 --> 0:31:10.959
<v Speaker 5>Especially she was amazing because also she was in an

0:31:10.960 --> 0:31:12.560
<v Speaker 5>area where the lot there's a lot of big wine,

0:31:12.600 --> 0:31:13.160
<v Speaker 5>little hot wine.

0:31:13.240 --> 0:31:16.400
<v Speaker 1>She was getting really fresh, beautiful wine that she's.

0:31:16.640 --> 0:31:19.120
<v Speaker 3>Arguably because she was farming it naturally, so the roots

0:31:19.160 --> 0:31:21.480
<v Speaker 3>had to go down so far so instead of like

0:31:21.600 --> 0:31:23.040
<v Speaker 3>spraying it, and the roots are on the top, so

0:31:23.080 --> 0:31:24.800
<v Speaker 3>you're getting those really big, heavy ones.

0:31:24.840 --> 0:31:26.600
<v Speaker 1>It was like, really the roots were deep.

0:31:26.800 --> 0:31:28.760
<v Speaker 2>So it was like very very.

0:31:28.720 --> 0:31:32.080
<v Speaker 3>Lightly amazing wine. But all of that, Like finding out

0:31:32.160 --> 0:31:35.920
<v Speaker 3>stuff like that is incredible. You know, it makes you

0:31:36.080 --> 0:31:37.920
<v Speaker 3>enjoy it all so much more. You're like, this is

0:31:37.920 --> 0:31:38.640
<v Speaker 3>actually magic.

0:31:38.960 --> 0:31:40.239
<v Speaker 2>Yeah, what are you doing now?

0:31:40.560 --> 0:31:43.960
<v Speaker 3>I just finished a Netflix six part series called Black Doves,

0:31:44.720 --> 0:31:48.400
<v Speaker 3>which is about Tory MP's wife who is actually a

0:31:48.560 --> 0:31:53.680
<v Speaker 3>deep undercover secret agent selling government secrets. I'm basically a

0:31:53.840 --> 0:31:58.880
<v Speaker 3>complete two faced psychopath and I've been having an affair

0:31:59.040 --> 0:32:00.880
<v Speaker 3>and my the person I've been having an affair with,

0:32:01.000 --> 0:32:04.960
<v Speaker 3>gets murdered, and my best friend played by Ben Wisher,

0:32:05.040 --> 0:32:07.920
<v Speaker 3>who's gorgeous and he's an assassin, and we go on

0:32:08.000 --> 0:32:11.280
<v Speaker 3>a murderous rampage trying to avenge my boyfriend.

0:32:12.440 --> 0:32:14.360
<v Speaker 5>There was an amazing I went to set one on

0:32:14.440 --> 0:32:17.720
<v Speaker 5>one day and there was an amazing, amazing, juicy scene

0:32:17.760 --> 0:32:22.240
<v Speaker 5>between Ben, yourself and Tracey Ullman, which was I was

0:32:22.320 --> 0:32:23.640
<v Speaker 5>so lucky to watch them.

0:32:24.160 --> 0:32:26.360
<v Speaker 1>Just masters, all of you are brilliant.

0:32:27.120 --> 0:32:28.080
<v Speaker 3>Nice. You had to flow.

0:32:31.800 --> 0:32:35.880
<v Speaker 2>Saved it, Okay, James, tell me what you're working on.

0:32:36.120 --> 0:32:36.280
<v Speaker 3>Well.

0:32:36.480 --> 0:32:39.920
<v Speaker 5>I finished a TV show called Daddy Issues composed of

0:32:40.000 --> 0:32:42.280
<v Speaker 5>music for that which is coming out in August on

0:32:42.360 --> 0:32:45.560
<v Speaker 5>BBC One, which is a lovely six part series with

0:32:45.720 --> 0:32:48.560
<v Speaker 5>Amy Leewood and David Morrissey. And then I'm just doing

0:32:49.000 --> 0:32:52.080
<v Speaker 5>the music for a documentary on a cappella singers in America.

0:32:52.400 --> 0:32:55.719
<v Speaker 5>It's an intercollegiate competition that they have in America, very

0:32:55.760 --> 0:32:56.840
<v Speaker 5>American college.

0:32:57.000 --> 0:32:58.920
<v Speaker 2>In America, Yale.

0:32:59.000 --> 0:33:01.239
<v Speaker 5>They all saying that, yeah, and you can be very

0:33:01.360 --> 0:33:03.200
<v Speaker 5>you know, you could be cynical and go oh. A

0:33:03.280 --> 0:33:04.920
<v Speaker 5>lot of them, you know, singers, they just want to

0:33:04.920 --> 0:33:06.520
<v Speaker 5>be stars and stuff. But actually these people do the

0:33:06.560 --> 0:33:09.240
<v Speaker 5>work and they're very, very good, and there's a lot

0:33:09.280 --> 0:33:11.880
<v Speaker 5>of kind of very touching human stories behind a.

0:33:11.920 --> 0:33:12.920
<v Speaker 1>Lot of their journeys.

0:33:14.240 --> 0:33:15.520
<v Speaker 2>Great, when is that coming out.

0:33:16.400 --> 0:33:19.000
<v Speaker 5>It's been made right now, so it'll be finished in

0:33:19.040 --> 0:33:21.120
<v Speaker 5>the next month and then it'll probably go.

0:33:21.120 --> 0:33:21.760
<v Speaker 1>To the festivals.

0:33:22.040 --> 0:33:23.080
<v Speaker 2>What's the connection.

0:33:23.680 --> 0:33:24.680
<v Speaker 1>Oh, this is a weird one.

0:33:24.800 --> 0:33:28.440
<v Speaker 5>So we have a mutual friend called Johann who is

0:33:28.480 --> 0:33:31.800
<v Speaker 5>a director, and we were on holiday in France and

0:33:31.920 --> 0:33:34.320
<v Speaker 5>I was at a supermarket getting food for the kids

0:33:34.400 --> 0:33:37.200
<v Speaker 5>and they get this cool from Johann saying, hey, James,

0:33:39.440 --> 0:33:42.720
<v Speaker 5>abba are reforming. They've made a new album and they're

0:33:42.760 --> 0:33:44.720
<v Speaker 5>going to do shows. Do you want to be involved?

0:33:45.600 --> 0:33:50.320
<v Speaker 5>And I said yeah, sure. So the next thing you know,

0:33:50.520 --> 0:33:53.440
<v Speaker 5>I'm I met up with Benny and Bjorn in London

0:33:54.280 --> 0:33:56.440
<v Speaker 5>and they tell me about their album and what the

0:33:56.840 --> 0:33:58.520
<v Speaker 5>plans for what they were doing and this is the

0:33:58.760 --> 0:34:01.560
<v Speaker 5>Abba Voyage show. And then I had to kind of

0:34:02.000 --> 0:34:04.680
<v Speaker 5>put the band to find forty odd musicians in London.

0:34:05.280 --> 0:34:08.960
<v Speaker 5>We had to rehearse them and audition and pick pick them,

0:34:09.320 --> 0:34:11.239
<v Speaker 5>and then I went to Stockholm for a month with

0:34:11.400 --> 0:34:13.279
<v Speaker 5>Benny and Bjorn in the band and we kind of

0:34:13.320 --> 0:34:16.400
<v Speaker 5>figured out the set and how it would work, and

0:34:16.800 --> 0:34:18.960
<v Speaker 5>I spent it was like the most magical month of

0:34:19.040 --> 0:34:22.320
<v Speaker 5>my life, just hanging with Benny and Bjorn and getting

0:34:22.400 --> 0:34:25.920
<v Speaker 5>to deconstruct Abba songs and listen to all the individual

0:34:26.000 --> 0:34:26.480
<v Speaker 5>parts of.

0:34:27.040 --> 0:34:28.719
<v Speaker 3>A phone calls from you and you were like like

0:34:29.040 --> 0:34:30.480
<v Speaker 3>this is the actual.

0:34:30.200 --> 0:34:32.960
<v Speaker 1>Sense, that's the one.

0:34:33.440 --> 0:34:37.080
<v Speaker 5>Yeah, And they're the most lovely people and it was

0:34:37.120 --> 0:34:38.319
<v Speaker 5>all a bit of a kind of no one knew

0:34:38.320 --> 0:34:40.160
<v Speaker 5>exactly how it would work out.

0:34:40.680 --> 0:34:44.280
<v Speaker 2>So I suppose if we're thinking about all your stories

0:34:44.320 --> 0:34:46.759
<v Speaker 2>and all your thoughts, is there a food that you

0:34:46.800 --> 0:34:49.759
<v Speaker 2>would go to if you needed some comfort.

0:34:51.200 --> 0:34:53.239
<v Speaker 3>Spaghetti bollonais Yes, is it?

0:34:53.600 --> 0:34:53.839
<v Speaker 2>Yeah?

0:34:54.880 --> 0:34:58.400
<v Speaker 3>I mean that's the thing that's come like, yeah, I

0:34:58.520 --> 0:35:00.360
<v Speaker 3>love it. I mean, if I could have a bowl

0:35:00.440 --> 0:35:02.520
<v Speaker 3>and that's what's going to be in it, I'm just

0:35:02.640 --> 0:35:05.680
<v Speaker 3>going to be like the happiness, preferably with a glass

0:35:05.719 --> 0:35:08.080
<v Speaker 3>of red wine. But you know, if not on its

0:35:08.080 --> 0:35:09.560
<v Speaker 3>own is fine, what would be?

0:35:11.080 --> 0:35:12.040
<v Speaker 1>I don't know? Whe do you know?

0:35:12.160 --> 0:35:12.360
<v Speaker 3>I know?

0:35:13.080 --> 0:35:14.440
<v Speaker 1>The first thing came to my head was actually one

0:35:14.440 --> 0:35:17.560
<v Speaker 1>of those toasty machines which we don't have, you know.

0:35:19.040 --> 0:35:19.840
<v Speaker 2>That little pattern.

0:35:20.880 --> 0:35:21.759
<v Speaker 1>Yeah, nice, isn't it.

0:35:22.840 --> 0:35:24.800
<v Speaker 2>Let's go back to why the cheese sandwich?

0:35:24.880 --> 0:35:27.600
<v Speaker 5>I guess because it goes back to maybe comfort. My

0:35:27.800 --> 0:35:33.399
<v Speaker 5>NaN's house was comfort. It was that probably because there's

0:35:33.440 --> 0:35:35.240
<v Speaker 5>no risk, there's no condiment involved.

0:35:35.400 --> 0:35:37.680
<v Speaker 3>I'm sorry, I'm sorry, you're so wrong. What do you

0:35:37.760 --> 0:35:39.440
<v Speaker 3>mean because you have to put a bit of mustard

0:35:39.480 --> 0:35:42.560
<v Speaker 3>in there? Because that's what And can I tell you

0:35:42.880 --> 0:35:44.600
<v Speaker 3>the best cheese sandwich that you've ever had? Come on?

0:35:44.680 --> 0:35:49.920
<v Speaker 3>It was Charlie's Charlie Charlie again, Charlie really good. Where

0:35:49.960 --> 0:35:53.439
<v Speaker 3>he did the thing? And yes he did of course, yeah,

0:35:53.840 --> 0:35:55.560
<v Speaker 3>I mean I know he told you he didn't, but

0:35:55.640 --> 0:35:57.480
<v Speaker 3>I was like, was there Mustard. Of course, that was

0:35:58.120 --> 0:35:58.760
<v Speaker 3>just talking.

0:35:58.520 --> 0:36:05.319
<v Speaker 2>About comfort and you're argument. Come on, guys, I think

0:36:05.360 --> 0:36:07.239
<v Speaker 2>we have to do another one part too, don't you.

0:36:07.440 --> 0:36:08.480
<v Speaker 3>Yeah, we're still together.

0:36:10.920 --> 0:36:11.640
<v Speaker 2>I think you will be.

0:36:11.800 --> 0:36:12.520
<v Speaker 3>Thank you so much.

0:36:13.000 --> 0:36:14.960
<v Speaker 2>Great, let's go have some lunch.

0:36:19.800 --> 0:36:22.880
<v Speaker 5>Thank you for listening to Ruthie's Table four in partnership

0:36:22.960 --> 0:36:23.560
<v Speaker 5>with Montclair