WEBVTT - Episode 459 w/ Mario

0:00:11.800 --> 0:00:13.760
<v Speaker 1>He is drink chess, motherfucking podcast man.

0:00:14.960 --> 0:00:16.960
<v Speaker 2>He's a legendary queens rapper.

0:00:17.079 --> 0:00:18.799
<v Speaker 1>He ain't agreed as your boy in O R E.

0:00:18.920 --> 0:00:21.759
<v Speaker 2>He's a Miami hip hop pioneer put up as d

0:00:21.920 --> 0:00:24.279
<v Speaker 2>J e f n. Together they drink it up with

0:00:24.360 --> 0:00:26.560
<v Speaker 2>some of the biggest players you know, me and the

0:00:26.640 --> 0:00:31.120
<v Speaker 2>most professional unprofessional podcast and your number one source for

0:00:31.240 --> 0:00:34.040
<v Speaker 2>drunk drink chans Mosca.

0:00:33.440 --> 0:00:36.880
<v Speaker 1>Days New Ye see, that's it's time for drink Champion.

0:00:37.200 --> 0:00:44.839
<v Speaker 1>Drink up, motherfuck mother? Would it good be holding the

0:00:45.360 --> 0:00:47.720
<v Speaker 1>boy in O R E. D J E. Evan is

0:00:47.760 --> 0:00:50.960
<v Speaker 1>on Pauls right now. Salute to damn. I ain't gonna

0:00:51.000 --> 0:01:02.560
<v Speaker 1>say that crazy more radio make now this man.

0:01:02.840 --> 0:01:04.959
<v Speaker 3>Since he come out, he has been a heart throb.

0:01:05.040 --> 0:01:09.720
<v Speaker 3>He has been taking these ladies hearts. Uh, he has

0:01:09.800 --> 0:01:12.480
<v Speaker 3>been making babies. You know what that's like. It's the

0:01:12.560 --> 0:01:15.160
<v Speaker 3>ultimate like like respect, like when a person can come

0:01:15.200 --> 0:01:16.280
<v Speaker 3>up to you like you know, you know, I meane,

0:01:16.319 --> 0:01:17.119
<v Speaker 3>some kids your ship.

0:01:17.360 --> 0:01:17.920
<v Speaker 1>You know what I'm saying.

0:01:18.240 --> 0:01:19.840
<v Speaker 3>I know that's what they be doing to them. He

0:01:19.959 --> 0:01:23.640
<v Speaker 3>got two Billboard Awards. He's fresh off a tall He's smell.

0:01:23.480 --> 0:01:27.240
<v Speaker 1>Like a gat in Europe because that's that money smells.

0:01:27.400 --> 0:01:30.120
<v Speaker 3>Case we're talking about he's here. We don't get into

0:01:30.200 --> 0:01:32.480
<v Speaker 3>all this. We're gonna drink because he got the illest

0:01:32.560 --> 0:01:37.680
<v Speaker 3>drink order. He ordered Kmis Kazazu and he said a

0:01:37.720 --> 0:01:41.399
<v Speaker 3>little bit of Chef Parkinet. But he's a legend, he's

0:01:41.400 --> 0:01:45.360
<v Speaker 3>an icon. He's been down, he's been doing this. He

0:01:45.400 --> 0:01:48.040
<v Speaker 3>can can drop an album every five years. It doesn't matter.

0:01:48.760 --> 0:01:51.880
<v Speaker 3>His fan's gonna stick with them. Yeah, they're gonna ride

0:01:51.920 --> 0:01:54.440
<v Speaker 3>with him and every time he comes out, they're gonna

0:01:54.480 --> 0:01:55.600
<v Speaker 3>come out with him. In case you don't know what

0:01:55.640 --> 0:01:58.200
<v Speaker 3>we're talking about. Were talking about the one Mario.

0:02:00.240 --> 0:02:02.640
<v Speaker 1>Beautiful, Thank you. I appreciate you.

0:02:03.040 --> 0:02:06.880
<v Speaker 3>Now you just came off to all Europe. Now all right, now,

0:02:07.200 --> 0:02:11.120
<v Speaker 3>this is this is me now my experience when I

0:02:11.240 --> 0:02:13.600
<v Speaker 3>go to Europe. Sometimes I feel like the fans are

0:02:13.720 --> 0:02:14.799
<v Speaker 3>more appreciative.

0:02:15.080 --> 0:02:18.880
<v Speaker 4>Yes, And it's not even like a thing where it's

0:02:18.880 --> 0:02:19.720
<v Speaker 4>like fans here aren't.

0:02:19.840 --> 0:02:22.720
<v Speaker 1>The culture is just different. They live different, They think about.

0:02:22.520 --> 0:02:24.520
<v Speaker 4>Things different over there, like over here, were like, yo,

0:02:24.919 --> 0:02:26.560
<v Speaker 4>we're going how we get into this bread today we're

0:02:26.600 --> 0:02:30.000
<v Speaker 4>trying to become entrepreneurs. Everybody here is is just on

0:02:30.160 --> 0:02:32.320
<v Speaker 4>this hype of you know what I mean, getting to

0:02:32.480 --> 0:02:34.520
<v Speaker 4>it and survival and this and this and that. There

0:02:34.560 --> 0:02:36.560
<v Speaker 4>are people a lot of places they just living like

0:02:36.639 --> 0:02:40.160
<v Speaker 4>they're chilling, like they riding bikes. Yes, you might go

0:02:40.240 --> 0:02:42.200
<v Speaker 4>down the street and it's like a bike like you

0:02:42.240 --> 0:02:44.079
<v Speaker 4>see a couple of cars with sheep, see bikes park,

0:02:44.120 --> 0:02:45.840
<v Speaker 4>you know what I'm saying. So it's like they just

0:02:46.160 --> 0:02:47.800
<v Speaker 4>when they come out to enjoy the music, they come

0:02:47.840 --> 0:02:48.679
<v Speaker 4>out to really enjoy it.

0:02:48.760 --> 0:02:52.320
<v Speaker 1>They get there early. Everybody's injured, everybody's in the building.

0:02:52.400 --> 0:02:55.040
<v Speaker 4>You're going to nine, everybody's there by eight o'clock at

0:02:55.080 --> 0:02:56.720
<v Speaker 4>they see so setting up, you know what I'm saying.

0:02:56.760 --> 0:02:57.800
<v Speaker 1>So it's just different. It's different.

0:02:57.800 --> 0:02:59.000
<v Speaker 4>The love is different. And they don't see you what

0:02:59.040 --> 0:03:01.120
<v Speaker 4>it's talking to. Go to them all, you know what

0:03:01.120 --> 0:03:03.840
<v Speaker 4>I'm saying. Go to the club and see their favorite

0:03:03.919 --> 0:03:04.679
<v Speaker 4>artists every time.

0:03:04.720 --> 0:03:06.880
<v Speaker 1>You know what I'm saying. So, yeah, it's just different. Yeah.

0:03:07.080 --> 0:03:09.000
<v Speaker 3>The first time I went to Lenox Mall, I remember

0:03:09.000 --> 0:03:10.480
<v Speaker 3>it was like two or three people in Atlanta, the

0:03:10.480 --> 0:03:12.400
<v Speaker 3>Olynics Wall, two or three people in the More. Now

0:03:12.400 --> 0:03:14.440
<v Speaker 3>you go to the Lions Mall, everybody's a star.

0:03:14.680 --> 0:03:20.000
<v Speaker 1>Nobody gets nobody in America. Yeah, you know what I'm saying. So,

0:03:20.200 --> 0:03:24.040
<v Speaker 1>so where's your favorite place to perform? I'm here abroad man,

0:03:24.919 --> 0:03:28.680
<v Speaker 1>Australia and Africa bro okay and and a crazy thing

0:03:28.919 --> 0:03:33.079
<v Speaker 1>Africa or so South South Africa. Ship let's go.

0:03:42.600 --> 0:03:45.160
<v Speaker 4>But no, bro, I would say I would say that

0:03:45.280 --> 0:03:47.480
<v Speaker 4>that that tripp in Africa was crazy because it was

0:03:47.560 --> 0:03:51.400
<v Speaker 4>me Sean Paul Farrell Snoop, my first time going on

0:03:51.480 --> 0:03:55.320
<v Speaker 4>the international tour with like those type of legends before.

0:03:55.440 --> 0:03:57.000
<v Speaker 1>But for that it was like I went on tour

0:03:57.080 --> 0:04:03.920
<v Speaker 1>Destiny's Child overseason. That was my first like to be doing.

0:04:04.000 --> 0:04:06.400
<v Speaker 4>We were doing like fifty thousand seaters, you know what

0:04:06.440 --> 0:04:08.160
<v Speaker 4>I'm saying. So it was just like it introduced me

0:04:08.200 --> 0:04:09.880
<v Speaker 4>to African the way I've never seen it before. So

0:04:10.000 --> 0:04:11.680
<v Speaker 4>that for me, it was just like a whole culture

0:04:11.720 --> 0:04:15.440
<v Speaker 4>shop just seeing us that many black people in one place,

0:04:16.080 --> 0:04:18.360
<v Speaker 4>right and then also just like the different mixtures of

0:04:18.480 --> 0:04:19.920
<v Speaker 4>people and just it was just beautiful.

0:04:20.120 --> 0:04:23.320
<v Speaker 1>That was crazy about Yeah you're good, but so you

0:04:23.440 --> 0:04:24.160
<v Speaker 1>always wanted to be?

0:04:24.640 --> 0:04:25.160
<v Speaker 5>That was that was?

0:04:25.279 --> 0:04:27.120
<v Speaker 1>That was it? Man. I don't think I had a choice, bro.

0:04:27.400 --> 0:04:29.839
<v Speaker 4>You know, my mother when I was a kid, right

0:04:30.240 --> 0:04:32.680
<v Speaker 4>from Baltimore, when I was a kid, bro my mother.

0:04:32.839 --> 0:04:35.440
<v Speaker 4>She was a single mom, right, so she we did

0:04:35.520 --> 0:04:37.240
<v Speaker 4>everything together. When I was younger, she used to cut

0:04:37.320 --> 0:04:38.960
<v Speaker 4>my head, like she didn't take me to start taking

0:04:38.960 --> 0:04:40.320
<v Speaker 4>me to the barber shops. So I was like ten

0:04:40.800 --> 0:04:44.400
<v Speaker 4>right when she first figured out I could sing.

0:04:44.520 --> 0:04:46.400
<v Speaker 1>It was actually, did Mama fuck you up?

0:04:47.160 --> 0:04:47.200
<v Speaker 5>That?

0:04:48.279 --> 0:04:54.520
<v Speaker 1>She was nice? She was nice because haircut with the

0:04:54.600 --> 0:05:00.720
<v Speaker 1>bowl going like that's not really a favor. And she

0:05:00.839 --> 0:05:02.880
<v Speaker 1>used to give me the skin fait like the ball

0:05:02.960 --> 0:05:04.200
<v Speaker 1>fade like she was nice with it.

0:05:04.600 --> 0:05:07.880
<v Speaker 4>But like you know, when I was like four years old,

0:05:07.920 --> 0:05:09.880
<v Speaker 4>she got me this mic that tuned into the radio

0:05:10.040 --> 0:05:13.320
<v Speaker 4>like remember Mike used to. She was sleep one morning

0:05:14.160 --> 0:05:16.240
<v Speaker 4>she woke up early and I probably had on some

0:05:16.320 --> 0:05:18.960
<v Speaker 4>Missmax socks and I hadn't like some some shorts or something.

0:05:18.960 --> 0:05:20.680
<v Speaker 4>I was in the living room just singing, but I

0:05:20.760 --> 0:05:22.520
<v Speaker 4>was holding a note. I was like, you know, singing

0:05:22.520 --> 0:05:25.840
<v Speaker 4>along with the radio. And she was like, yo, he

0:05:26.240 --> 0:05:27.800
<v Speaker 4>my son got it, like he can. He can hold

0:05:27.839 --> 0:05:29.360
<v Speaker 4>her tongue like he don't know the words, but he

0:05:30.160 --> 0:05:32.320
<v Speaker 4>in the key. And so from that point on, she

0:05:32.440 --> 0:05:33.720
<v Speaker 4>was like, you know, she started.

0:05:33.480 --> 0:05:34.120
<v Speaker 1>This is what she told me.

0:05:34.240 --> 0:05:36.440
<v Speaker 4>She started keeping music around me to keep me away

0:05:36.480 --> 0:05:39.240
<v Speaker 4>from all the other stuff that was in Baltimore.

0:05:39.320 --> 0:05:40.599
<v Speaker 1>Like you know what I'm saying. My family grew up

0:05:40.600 --> 0:05:42.919
<v Speaker 1>in it. It was you know, we was outside Baltimore,

0:05:42.960 --> 0:05:44.440
<v Speaker 1>you know what I'm saying. So it was like, wow,

0:05:44.720 --> 0:05:45.040
<v Speaker 1>feel me.

0:05:45.600 --> 0:05:48.840
<v Speaker 4>And so that was her way of like giving me

0:05:48.920 --> 0:05:50.440
<v Speaker 4>a passion. Like you know, a lot of times you

0:05:50.480 --> 0:05:52.360
<v Speaker 4>grew up with y'all got kids. Happy father Day.

0:05:52.400 --> 0:05:53.800
<v Speaker 1>Yeah, you know what I'm saying, don't look at it,

0:05:53.880 --> 0:06:00.480
<v Speaker 1>don't look at that work, don't work give yourself a

0:06:00.560 --> 0:06:09.400
<v Speaker 1>bullshit damn sorry. And so when you picked up the microphone,

0:06:09.480 --> 0:06:12.040
<v Speaker 1>did you already have some music in? Like pick up

0:06:12.120 --> 0:06:12.760
<v Speaker 1>random now.

0:06:12.839 --> 0:06:14.720
<v Speaker 4>So my mother used to play keys there you go.

0:06:14.960 --> 0:06:17.480
<v Speaker 4>So when she was pregnant, she was playing the keys.

0:06:17.560 --> 0:06:20.040
<v Speaker 4>Obviously I was feeling the frequency of that right, it

0:06:20.160 --> 0:06:21.520
<v Speaker 4>was in there. She could sing a little bit older.

0:06:21.839 --> 0:06:23.479
<v Speaker 4>My father sing too, even though we didn't grow up.

0:06:23.480 --> 0:06:25.800
<v Speaker 4>I didn't grow up with him, but the talent was there.

0:06:26.240 --> 0:06:28.120
<v Speaker 4>But for her, Like I was about to say, it's like,

0:06:28.920 --> 0:06:31.400
<v Speaker 4>you know, sometimes you don't know what your kid's gonna

0:06:31.400 --> 0:06:33.520
<v Speaker 4>be into, sports, whatever, whatever. Where you see something that

0:06:33.640 --> 0:06:37.200
<v Speaker 4>your kid love, like you want to start You're like cool.

0:06:37.200 --> 0:06:37.880
<v Speaker 1>Cat, I got one.

0:06:37.960 --> 0:06:39.400
<v Speaker 4>You know what I'm saying, let me get them because

0:06:39.440 --> 0:06:41.360
<v Speaker 4>you got to give kids something that because if not,

0:06:41.520 --> 0:06:43.760
<v Speaker 4>they get into you know, the outside, they getting the shipped.

0:06:44.000 --> 0:06:45.920
<v Speaker 4>You don't know where we're gonna go anyway. So yeah,

0:06:45.960 --> 0:06:48.760
<v Speaker 4>that's when I developed. Now when I turned like nine,

0:06:48.760 --> 0:06:50.240
<v Speaker 4>in tense, she started taking me to the barber shop.

0:06:50.279 --> 0:06:52.520
<v Speaker 4>The first time I got paid singer was in a barbershop,

0:06:53.080 --> 0:06:54.720
<v Speaker 4>you know what I'm saying. So she would take me,

0:06:55.120 --> 0:06:57.080
<v Speaker 4>you know where I was singing birthdays because of birthdays

0:06:57.080 --> 0:06:59.400
<v Speaker 4>all that went to the barbershop and she's like, no,

0:06:59.480 --> 0:07:01.200
<v Speaker 4>you're gonna want you say? She like nah, I'm like nah,

0:07:01.200 --> 0:07:03.040
<v Speaker 4>I don't want to sing. Like I'm sorry. She's like,

0:07:03.400 --> 0:07:07.000
<v Speaker 4>listen the same way you sing around your family. Don't

0:07:07.040 --> 0:07:08.280
<v Speaker 4>be scaredy of Freddy.

0:07:08.040 --> 0:07:08.800
<v Speaker 1>Of talent, you know.

0:07:09.240 --> 0:07:11.440
<v Speaker 4>So that's say that day I sung and I got

0:07:11.480 --> 0:07:13.360
<v Speaker 4>paid like twenty thirty hours from East Barboro. So that's

0:07:13.400 --> 0:07:16.120
<v Speaker 4>my first payday as a you know what I'm saying.

0:07:16.160 --> 0:07:17.680
<v Speaker 4>And so who don't like moneyga? I was like, all

0:07:17.720 --> 0:07:19.360
<v Speaker 4>had cool, this is I'm gonna do this. But that

0:07:19.520 --> 0:07:21.320
<v Speaker 4>was a setup for them to pay you. It was

0:07:21.360 --> 0:07:22.880
<v Speaker 4>a set up for you to sing and that pays

0:07:22.920 --> 0:07:25.440
<v Speaker 4>you because you would It was like a little right.

0:07:25.640 --> 0:07:27.320
<v Speaker 1>You know what I mean, little homie whatever.

0:07:27.400 --> 0:07:29.280
<v Speaker 4>But you know, yeah, bro, I think singing just like

0:07:30.040 --> 0:07:33.200
<v Speaker 4>my grandmother used to play Marvin Gay and gospel music

0:07:33.320 --> 0:07:35.600
<v Speaker 4>and you know all the old school, old school My

0:07:35.640 --> 0:07:37.480
<v Speaker 4>mother used to play hip hop, R and B pop,

0:07:37.600 --> 0:07:40.360
<v Speaker 4>biggie you know what I'm saying, Joe R. Kelly Voice

0:07:40.360 --> 0:07:42.320
<v Speaker 4>to men. So I grew up around so much good,

0:07:42.600 --> 0:07:44.600
<v Speaker 4>authentic music, like it's just in me like that.

0:07:44.840 --> 0:07:46.800
<v Speaker 1>So you knew that was a microphone. You knew my

0:07:46.920 --> 0:07:47.960
<v Speaker 1>show in absolutely one.

0:07:48.680 --> 0:07:50.960
<v Speaker 3>But let me ask you, right because coming from Baltimore

0:07:51.080 --> 0:07:53.160
<v Speaker 3>right now at the time, of course, you know, New

0:07:53.280 --> 0:07:56.360
<v Speaker 3>York dominated the music scene for so long, and it

0:07:56.480 --> 0:08:00.360
<v Speaker 3>was like, you know, Jersey had run, that Philly had run.

0:08:00.520 --> 0:08:03.880
<v Speaker 3>It's like, you know, Baltimore like kind of almost stopped short,

0:08:04.000 --> 0:08:06.560
<v Speaker 3>like you know, after Delaware. Like, so it was was

0:08:06.640 --> 0:08:09.440
<v Speaker 3>it difficult being from Baltimore or was it easier? Because

0:08:09.480 --> 0:08:11.440
<v Speaker 3>you got people like Kevin Lows and Drew Hill and

0:08:11.720 --> 0:08:14.680
<v Speaker 3>they're saying like, okay, I'm following in those footsteps.

0:08:14.720 --> 0:08:17.320
<v Speaker 4>So I'm asking you, now, Baltimore got a lot of talent,

0:08:17.480 --> 0:08:19.760
<v Speaker 4>a lot of hitting talent. You know, I think back

0:08:19.800 --> 0:08:21.680
<v Speaker 4>then it was even crazy, like in the RMB scene

0:08:21.720 --> 0:08:25.040
<v Speaker 4>because Drew Hill, they obviously they put bottom on the map.

0:08:25.200 --> 0:08:28.080
<v Speaker 1>M V wise, I didn't know Kevin Lowes back then,

0:08:28.120 --> 0:08:28.640
<v Speaker 1>you know what I'm saying.

0:08:28.680 --> 0:08:30.640
<v Speaker 4>I met Kevin once I became, you know, an artist,

0:08:30.680 --> 0:08:31.360
<v Speaker 4>and I started.

0:08:31.160 --> 0:08:33.360
<v Speaker 1>Moving around, but like he was very instrumental in the

0:08:33.400 --> 0:08:34.200
<v Speaker 1>music scene obviously.

0:08:34.760 --> 0:08:38.079
<v Speaker 4>But when I did my first talent show in Baltimore,

0:08:38.080 --> 0:08:39.960
<v Speaker 4>I didn't even understand the talent that was there until

0:08:39.960 --> 0:08:40.360
<v Speaker 4>I seen it.

0:08:40.480 --> 0:08:42.080
<v Speaker 1>I'm like, Yo, this is crazy because.

0:08:41.840 --> 0:08:43.480
<v Speaker 4>I was the youngest. I was like the youngest artists

0:08:43.520 --> 0:08:46.040
<v Speaker 4>on the talent show. Everybody else was older, you know.

0:08:46.280 --> 0:08:50.199
<v Speaker 4>But yeah, I think that the Baltimore talent scene is

0:08:50.240 --> 0:08:53.440
<v Speaker 4>just it's just it's just so far removed from where

0:08:53.520 --> 0:08:56.400
<v Speaker 4>everything is happening at Like if people with the same

0:08:56.480 --> 0:08:58.679
<v Speaker 4>talent whereas in LA or closer to New York, like

0:08:59.200 --> 0:09:01.800
<v Speaker 4>you would see more automore artists, you know what I'm saying,

0:09:01.960 --> 0:09:04.440
<v Speaker 4>Or if if niggas actually make it out of the city.

0:09:04.440 --> 0:09:08.080
<v Speaker 4>I'm gonna be honest with you, I feel so there's

0:09:08.120 --> 0:09:09.920
<v Speaker 4>a lot of artists that you know, don't make it

0:09:09.960 --> 0:09:12.400
<v Speaker 4>out or you know, it's talented. If I didn't have

0:09:12.840 --> 0:09:14.400
<v Speaker 4>if I didn't get adopted when I was thirteen, I

0:09:14.440 --> 0:09:15.959
<v Speaker 4>don't know where I would be today, you know what

0:09:15.960 --> 0:09:18.760
<v Speaker 4>I'm saying, Like I was blessed. I didn't realize it

0:09:18.840 --> 0:09:21.719
<v Speaker 4>was a blessing then, but I was blessed to you know,

0:09:22.960 --> 0:09:24.760
<v Speaker 4>for somebody to see my talent and say, Yo, this

0:09:24.920 --> 0:09:26.160
<v Speaker 4>kid is worth worth investing in.

0:09:26.480 --> 0:09:30.920
<v Speaker 1>You know what I mean? Yeah, for sure, I'm asking

0:09:30.960 --> 0:09:33.080
<v Speaker 1>hypothetical questions I got from the Wire. Yeah.

0:09:33.559 --> 0:09:36.040
<v Speaker 3>Every time I just watch the Wire and someone get

0:09:36.120 --> 0:09:38.959
<v Speaker 3>locked up, they will always say the Baltimore guys, they say,

0:09:39.000 --> 0:09:40.400
<v Speaker 3>if you fuck me, I throw you in there with

0:09:40.440 --> 0:09:43.520
<v Speaker 3>the DC guys right right then vice versa. They would say,

0:09:43.520 --> 0:09:45.480
<v Speaker 3>this is kind of like the same thing. Like I

0:09:45.720 --> 0:09:48.640
<v Speaker 3>had to like I grew up thinking Baltimore and DC,

0:09:48.960 --> 0:09:52.240
<v Speaker 3>Like yeah, yeah, kind of like what I saw that

0:09:52.320 --> 0:09:55.160
<v Speaker 3>in Hawaii. I was like, holy shit, is that is

0:09:55.240 --> 0:09:56.280
<v Speaker 3>that like a thing out there?

0:09:56.360 --> 0:09:57.280
<v Speaker 1>Like Baltimore and DC.

0:09:57.440 --> 0:09:59.600
<v Speaker 4>Just don't get It's not a get along thing. It's

0:09:59.640 --> 0:10:01.680
<v Speaker 4>just a differ for the world. You know, d C culture.

0:10:01.760 --> 0:10:05.360
<v Speaker 4>D C is more you know, go go politics is

0:10:05.800 --> 0:10:08.480
<v Speaker 4>it's people there are more business minded, you know, people

0:10:08.520 --> 0:10:11.920
<v Speaker 4>are exposed that they're surrounded by a system that's built

0:10:12.040 --> 0:10:16.240
<v Speaker 4>on structure and numbers, and so it's just different. But

0:10:16.320 --> 0:10:20.160
<v Speaker 4>you still got the streets, the White House and white Craft,

0:10:20.400 --> 0:10:21.080
<v Speaker 4>you know what I'm saying.

0:10:21.400 --> 0:10:22.320
<v Speaker 1>You still got the streets.

0:10:22.400 --> 0:10:25.760
<v Speaker 4>But yeah, it's just a different culture altogether. Okay, But yeah,

0:10:26.040 --> 0:10:27.040
<v Speaker 4>I like DC though.

0:10:28.679 --> 0:10:32.079
<v Speaker 3>It's drinking time. I believes little you can't you go

0:10:32.240 --> 0:10:33.360
<v Speaker 3>do some flyers chemists.

0:10:34.000 --> 0:10:35.680
<v Speaker 1>I'm gonna start with that, you know what I'm saying,

0:10:35.720 --> 0:10:38.360
<v Speaker 1>and then go for.

0:10:40.120 --> 0:10:42.760
<v Speaker 3>I'm saying, the only person that just applies you the

0:10:42.880 --> 0:10:46.920
<v Speaker 3>older came was who I forgot, But there was someone

0:10:57.840 --> 0:10:59.600
<v Speaker 3>opens because the first couple of stores that we went

0:10:59.640 --> 0:11:01.520
<v Speaker 3>to only two bottles of opus, and we.

0:11:01.679 --> 0:11:04.640
<v Speaker 1>Like, you know, yeah, are you in the old school

0:11:05.080 --> 0:11:05.480
<v Speaker 1>of music?

0:11:05.559 --> 0:11:05.719
<v Speaker 5>Like that?

0:11:06.280 --> 0:11:06.439
<v Speaker 1>Man?

0:11:06.559 --> 0:11:11.320
<v Speaker 4>I'm sure's like it's the foundation, bro, Like, it's really

0:11:11.360 --> 0:11:13.000
<v Speaker 4>the foundation, you know. And if you listen to a

0:11:13.080 --> 0:11:15.200
<v Speaker 4>lot of R and B today that's popular or that's

0:11:15.240 --> 0:11:20.480
<v Speaker 4>becoming popular, it's infused with you know, old school feelings,

0:11:20.559 --> 0:11:23.040
<v Speaker 4>infused with soul's infused with alternatives, you know what I mean.

0:11:23.200 --> 0:11:26.439
<v Speaker 4>So yeah, that's the foundation. If it wasn't for I

0:11:26.480 --> 0:11:28.679
<v Speaker 4>wouldn't call myself the R and B Emperor, which is

0:11:28.800 --> 0:11:30.959
<v Speaker 4>something I just started saying this year. If I didn't

0:11:31.040 --> 0:11:36.240
<v Speaker 4>have with that, you know what I'm saying, I wouldn't

0:11:36.240 --> 0:11:39.760
<v Speaker 4>call myself that if I didn't have the information. Because

0:11:39.800 --> 0:11:41.800
<v Speaker 4>I have the information, and because I know I can

0:11:41.840 --> 0:11:43.959
<v Speaker 4>go into this pocket in that pocket, you know, and

0:11:44.080 --> 0:11:46.600
<v Speaker 4>still be authentic to who I am today, I can

0:11:46.640 --> 0:11:49.079
<v Speaker 4>call myself the Army. I mean that's because that's because

0:11:49.120 --> 0:11:52.800
<v Speaker 4>I grew up listening to everything from gospel music to

0:11:53.000 --> 0:11:57.679
<v Speaker 4>hip hop to Patty LaBelle, Frank Sinatra, Nat King Cole,

0:11:58.520 --> 0:12:01.280
<v Speaker 4>and then once, once I got a karaoke machine when

0:12:01.280 --> 0:12:03.920
<v Speaker 4>I was eleven years old. Bro Like, I started going

0:12:04.000 --> 0:12:06.679
<v Speaker 4>and I started stealing my mother CDs. I started stealing

0:12:06.760 --> 0:12:10.160
<v Speaker 4>my gro you know see these you can scratch it

0:12:10.240 --> 0:12:12.760
<v Speaker 4>and get your ass like you know that happened to

0:12:12.800 --> 0:12:15.040
<v Speaker 4>me a couple of times. I go to school, I

0:12:15.120 --> 0:12:17.439
<v Speaker 4>got pennies and candy in my pocket, and Stevie want

0:12:17.480 --> 0:12:20.839
<v Speaker 4>to see I come home, Mario, where is my Stevie

0:12:20.920 --> 0:12:22.280
<v Speaker 4>want to see the I'm like, I don't got it.

0:12:22.280 --> 0:12:23.880
<v Speaker 4>I don't got it. I tried to go sneaking in there.

0:12:24.080 --> 0:12:26.559
<v Speaker 4>It's scratches everywhere all over later on. You know what

0:12:26.559 --> 0:12:29.160
<v Speaker 4>I'm saying, Like, so it's yeah, man, it's it's just

0:12:29.240 --> 0:12:30.160
<v Speaker 4>it's in me all the way.

0:12:30.440 --> 0:12:33.600
<v Speaker 1>Yeah. Now one of your one of my dope songs,

0:12:33.760 --> 0:12:36.840
<v Speaker 1>it's Brave my Hair. Yes, sir, I gotta say brush

0:12:36.920 --> 0:12:39.720
<v Speaker 1>my hand now, but yeah, yeah, yeah yeah yeah.

0:12:39.880 --> 0:12:41.560
<v Speaker 3>So so I mean I was going to say, how

0:12:41.600 --> 0:12:43.079
<v Speaker 3>did you come up with that song? It's like kind

0:12:43.080 --> 0:12:45.640
<v Speaker 3>of like an oxy man, right, but let's let's get

0:12:45.640 --> 0:12:45.920
<v Speaker 3>into it.

0:12:46.040 --> 0:12:50.000
<v Speaker 1>For show for sure. This was I was in New York.

0:12:50.040 --> 0:12:54.120
<v Speaker 1>We recorded Squad Studios, Quad Studios, Home, Qua Studios Studio.

0:12:54.600 --> 0:12:57.120
<v Speaker 1>To get home, I'm still.

0:12:56.880 --> 0:13:02.160
<v Speaker 4>There, I got so. I had just got back from justin.

0:13:02.200 --> 0:13:04.720
<v Speaker 4>Firm was already out, I believe, and we was already

0:13:04.720 --> 0:13:06.679
<v Speaker 4>starting moving on the album wasn't out yet. I just

0:13:06.800 --> 0:13:09.720
<v Speaker 4>got back from doing some press runs. But I had

0:13:09.760 --> 0:13:11.559
<v Speaker 4>been away from home for a minutes. So my hair

0:13:11.720 --> 0:13:14.760
<v Speaker 4>was half in and half out, you know what I'm saying.

0:13:14.880 --> 0:13:17.719
<v Speaker 4>And normally I would be able to go back home

0:13:18.200 --> 0:13:20.200
<v Speaker 4>get my hair braided by my normal you know girl.

0:13:21.320 --> 0:13:23.040
<v Speaker 4>It was like this was me getting used to being

0:13:23.080 --> 0:13:24.920
<v Speaker 4>on the road traveler, so I had to get different

0:13:24.960 --> 0:13:28.199
<v Speaker 4>people to do my hair. I bring and I was

0:13:28.280 --> 0:13:29.679
<v Speaker 4>just mad that day. I didn't even want to work.

0:13:29.800 --> 0:13:33.240
<v Speaker 4>I didn't want to record. I'm like, bro, I'm like, nah, Bro,

0:13:33.440 --> 0:13:35.400
<v Speaker 4>I said, I don't feel like working right now, Like

0:13:35.440 --> 0:13:36.080
<v Speaker 4>I got to get.

0:13:35.920 --> 0:13:38.080
<v Speaker 1>My hair braided. So herl Lily, he in the studio

0:13:38.160 --> 0:13:38.319
<v Speaker 1>with me.

0:13:38.400 --> 0:13:41.080
<v Speaker 4>We having this whole conversation shout out to her lady,

0:13:41.480 --> 0:13:45.199
<v Speaker 4>realistic writer. And so the whole time I'm talking to

0:13:45.240 --> 0:13:47.559
<v Speaker 4>him how I feel about it, he writing notes in

0:13:47.760 --> 0:13:50.400
<v Speaker 4>his head. I leave the studio, I come back in.

0:13:50.480 --> 0:13:53.160
<v Speaker 4>He already got a verse on the chorus when you

0:13:53.679 --> 0:13:56.040
<v Speaker 4>look at me something to let me see.

0:13:56.360 --> 0:14:01.280
<v Speaker 6>A fifteen year old getting his dough back came forth

0:14:01.360 --> 0:14:06.720
<v Speaker 6>to the studios, hopping o limbuses, rocking the lake.

0:14:06.720 --> 0:14:09.360
<v Speaker 1>Like he already started, like he's he's he illustrates your

0:14:09.400 --> 0:14:11.120
<v Speaker 1>life in a different way, Like he's one of the

0:14:11.160 --> 0:14:12.760
<v Speaker 1>most prolific writers. It just came out of.

0:14:12.800 --> 0:14:16.559
<v Speaker 4>Those conversations, bro. Just you know, it was just it

0:14:16.679 --> 0:14:19.280
<v Speaker 4>was just raw, raw energy. Bro, Like my whole first

0:14:19.320 --> 0:14:23.160
<v Speaker 4>album was written like that. That's amazing, except just a Friend.

0:14:23.160 --> 0:14:24.880
<v Speaker 1>That was the song I Ain't Gonna Lie. That was

0:14:24.920 --> 0:14:25.600
<v Speaker 1>an usher single.

0:14:25.800 --> 0:14:33.320
<v Speaker 3>Damn you write my interview that was question because First off,

0:14:33.440 --> 0:14:36.320
<v Speaker 3>just a friend. Did you ever meet biz biz Mark?

0:14:36.640 --> 0:14:36.760
<v Speaker 5>You know?

0:14:37.040 --> 0:14:38.760
<v Speaker 1>I met Biz on the first video shoot. Bro. He

0:14:38.840 --> 0:14:41.200
<v Speaker 1>came to Baltimore. Bro we shot in the video resting

0:14:41.240 --> 0:14:45.520
<v Speaker 1>piece of my own man, biz bro rest piece of swimmer.

0:14:45.560 --> 0:14:47.840
<v Speaker 1>You can't. Business said this bad luck if you pour

0:14:47.920 --> 0:14:52.280
<v Speaker 1>your own drinks. Oh that's just okay, okay, okay, okay, okay,

0:14:52.560 --> 0:14:56.480
<v Speaker 1>my back can't. This is a song, yes, yes, yes

0:14:56.560 --> 0:15:03.680
<v Speaker 1>to Canton right wine, So you that's healthier for you, right? Healthy?

0:15:03.800 --> 0:15:08.640
<v Speaker 1>Follow my brother solo to you man, Yeah, to you.

0:15:10.400 --> 0:15:14.200
<v Speaker 1>You're not for sure. I feel that. I feel that. Okay,

0:15:14.200 --> 0:15:16.720
<v Speaker 1>but hold on, so you met Biz because yeah, because

0:15:16.920 --> 0:15:21.520
<v Speaker 1>you got sim it. Don't fellow so little my first

0:15:21.600 --> 0:15:24.280
<v Speaker 1>drink in two weeks. Okay, go ahead.

0:15:24.520 --> 0:15:27.880
<v Speaker 4>Soz Biz came to the first video shoot.

0:15:27.920 --> 0:15:28.040
<v Speaker 1>Man.

0:15:28.080 --> 0:15:30.480
<v Speaker 4>He flew to Baltimore. You know what I'm saying. He

0:15:30.520 --> 0:15:32.720
<v Speaker 4>flew like to the city. We shot the video in

0:15:32.840 --> 0:15:36.280
<v Speaker 4>the city, like you know. So he really he really

0:15:36.680 --> 0:15:41.480
<v Speaker 4>helped me carry this record and co sign it on

0:15:41.560 --> 0:15:43.680
<v Speaker 4>a different level because obviously it was originally his and

0:15:43.760 --> 0:15:45.080
<v Speaker 4>it came out the year I was born, which is

0:15:45.120 --> 0:15:48.640
<v Speaker 4>actually crazy nineteen eighty six. The original justin Friend I

0:15:48.760 --> 0:15:50.440
<v Speaker 4>learned that later, so it was like it was just

0:15:50.480 --> 0:15:53.360
<v Speaker 4>like a full circle moment. But having been a part

0:15:53.400 --> 0:15:55.960
<v Speaker 4>of that record for me was important to like merge

0:15:56.000 --> 0:15:57.880
<v Speaker 4>the generations and it's important.

0:15:57.960 --> 0:15:59.840
<v Speaker 1>Did you already knew who Biz was at that moment?

0:16:00.240 --> 0:16:00.320
<v Speaker 6>Bro?

0:16:01.040 --> 0:16:03.640
<v Speaker 4>I mean I'm fourteen. Yeah, yeah, I just turned fourteen

0:16:03.720 --> 0:16:06.600
<v Speaker 4>years old, So it was like of course, of course,

0:16:06.720 --> 0:16:08.360
<v Speaker 4>but like they put me onto it, but I didn't

0:16:08.400 --> 0:16:09.280
<v Speaker 4>know originally for that.

0:16:09.440 --> 0:16:11.560
<v Speaker 3>Yeah, but the fact that you listen like that, that

0:16:12.400 --> 0:16:14.280
<v Speaker 3>shows the grown man and you even as a kid,

0:16:14.360 --> 0:16:14.880
<v Speaker 3>you know what I'm saying.

0:16:15.040 --> 0:16:16.200
<v Speaker 1>Man, I grew up fast.

0:16:16.600 --> 0:16:19.320
<v Speaker 4>But I was also around like I had some ghosts

0:16:19.320 --> 0:16:21.920
<v Speaker 4>around me, Bro, Warren, Camel, Herold, Lily. You know, I

0:16:22.000 --> 0:16:23.800
<v Speaker 4>was working with the underdogs back then. There was the

0:16:23.840 --> 0:16:25.840
<v Speaker 4>staple of R and B back then, you know what

0:16:25.880 --> 0:16:27.320
<v Speaker 4>I'm saying. It was like if you ain't have an

0:16:27.400 --> 0:16:29.880
<v Speaker 4>underdog song, it's like he wasn't really making an R

0:16:29.880 --> 0:16:31.680
<v Speaker 4>and B album, you know what.

0:16:32.640 --> 0:16:33.360
<v Speaker 1>Like you know what I'm saying.

0:16:33.440 --> 0:16:35.800
<v Speaker 4>So I just I was around a lot of ghosts,

0:16:35.800 --> 0:16:38.000
<v Speaker 4>but I was I was learning so much. I think

0:16:38.040 --> 0:16:40.520
<v Speaker 4>that's a big difference too. Like today it's like not

0:16:40.640 --> 0:16:42.560
<v Speaker 4>a lot of artists have a lot of ghosts around them.

0:16:42.600 --> 0:16:44.760
<v Speaker 4>That's kind of putting them on game, right, They just like,

0:16:44.800 --> 0:16:46.080
<v Speaker 4>how can we make this person hot?

0:16:46.280 --> 0:16:46.880
<v Speaker 1>You know what I'm saying.

0:16:46.880 --> 0:16:49.880
<v Speaker 4>But I was soaking up so much information from everybody

0:16:50.520 --> 0:16:52.000
<v Speaker 4>on top of the fact that I already had my

0:16:52.080 --> 0:16:55.240
<v Speaker 4>own understanding of what real music was, you know what

0:16:55.240 --> 0:16:58.680
<v Speaker 4>I'm saying. So all of that kind of that was

0:16:58.760 --> 0:17:01.920
<v Speaker 4>my artist development, like being in the studio. The first

0:17:02.000 --> 0:17:06.520
<v Speaker 4>record I did was on a soundtrack. It was on

0:17:06.640 --> 0:17:10.480
<v Speaker 4>the soundtrack for Doctor Dolittle Too soundtrack. It was called Tamika,

0:17:11.280 --> 0:17:14.639
<v Speaker 4>Me and Fab And my first time going into a

0:17:14.680 --> 0:17:17.280
<v Speaker 4>real session, I was in there for sixteen hours in

0:17:17.400 --> 0:17:20.359
<v Speaker 4>a session. Sixteen hours my first real session. I'm like,

0:17:20.440 --> 0:17:23.760
<v Speaker 4>I'm crying in a session. I'm like twelve thirteen at

0:17:23.800 --> 0:17:25.879
<v Speaker 4>the time. I'm like, I don't want to do this

0:17:26.000 --> 0:17:28.600
<v Speaker 4>no more. This ain't for me, right, But you know

0:17:28.720 --> 0:17:31.280
<v Speaker 4>it was. It was those moments of like really being

0:17:31.359 --> 0:17:33.840
<v Speaker 4>broken into like you know what it is to really

0:17:33.880 --> 0:17:35.920
<v Speaker 4>make me you want to do this for real? You

0:17:36.080 --> 0:17:38.119
<v Speaker 4>have to do these hours, put these hours in you

0:17:38.280 --> 0:17:42.440
<v Speaker 4>only you only sixteen hours out of the ten thousand hours.

0:17:42.280 --> 0:17:44.520
<v Speaker 1>You need right here. What you're going to do you

0:17:44.560 --> 0:17:45.080
<v Speaker 1>know what I'm saying.

0:17:45.119 --> 0:17:46.960
<v Speaker 3>So yeah, it was all of that, bro, Like when

0:17:46.960 --> 0:17:49.640
<v Speaker 3>I listen to certain joints, like listen to Drowning right, Yeah,

0:17:50.800 --> 0:17:53.399
<v Speaker 3>I asked you you coldest, right, and I was like, Yo,

0:17:54.200 --> 0:17:55.560
<v Speaker 3>do your music come out better?

0:17:55.720 --> 0:17:59.520
<v Speaker 1>Like when you go through drama. It's like, I mean, I'm.

0:17:59.400 --> 0:18:01.680
<v Speaker 3>Asking that because you know, when you listen to a

0:18:01.760 --> 0:18:04.920
<v Speaker 3>hip hop album, right, you see a person For most part,

0:18:05.000 --> 0:18:07.080
<v Speaker 3>ninety percent of us, like this is things that we

0:18:07.400 --> 0:18:09.200
<v Speaker 3>went through, right, these are things that we went through.

0:18:09.240 --> 0:18:12.800
<v Speaker 3>All we're going through at the time, and it's like

0:18:13.160 --> 0:18:16.040
<v Speaker 3>R and B. It's like sometimes we be likeing to

0:18:16.119 --> 0:18:17.040
<v Speaker 3>feel y'all pain.

0:18:18.200 --> 0:18:20.480
<v Speaker 1>But I think pain is something that connects us all bro.

0:18:20.640 --> 0:18:23.359
<v Speaker 4>Like like I'm gonna come back to this, but like

0:18:23.640 --> 0:18:26.120
<v Speaker 4>if you think about pain, like most of the things

0:18:26.160 --> 0:18:28.840
<v Speaker 4>that we that go viral, like if something pop up

0:18:28.880 --> 0:18:32.680
<v Speaker 4>on your feet and it's two people fighting, you're gonna

0:18:32.720 --> 0:18:35.680
<v Speaker 4>watch it versus if you see two people just talking.

0:18:36.320 --> 0:18:39.600
<v Speaker 4>Like like like I think that that that destruction is

0:18:40.600 --> 0:18:45.280
<v Speaker 4>a part of life. But it's about why is it destructive?

0:18:45.400 --> 0:18:47.240
<v Speaker 4>Is it destructive? Because it's just a storm that lacked

0:18:47.280 --> 0:18:51.040
<v Speaker 4>the treat that was a destructive because we're unstable, imbalanced,

0:18:51.080 --> 0:18:52.720
<v Speaker 4>Like you know what I'm saying. I think pain is

0:18:52.760 --> 0:18:54.119
<v Speaker 4>a part of life, bro, and it's a part of

0:18:54.200 --> 0:18:56.399
<v Speaker 4>life that if it wasn't for my pain, I wouldn't

0:18:56.400 --> 0:18:58.760
<v Speaker 4>be here today sitting at this table with you.

0:18:58.840 --> 0:18:58.959
<v Speaker 6>Bro.

0:18:59.440 --> 0:19:01.840
<v Speaker 1>My pain is my light, bro, My darkness is my light.

0:19:01.920 --> 0:19:04.760
<v Speaker 4>I took everything that I went through, everything that I learned,

0:19:05.080 --> 0:19:09.000
<v Speaker 4>even to this day, and I transmitted into energy that's useful.

0:19:09.520 --> 0:19:11.880
<v Speaker 1>You got to transmute all your pain into useful energy.

0:19:11.920 --> 0:19:14.959
<v Speaker 1>So that's what music is. I think that it's therapeutic too,

0:19:15.200 --> 0:19:15.560
<v Speaker 1>for sure.

0:19:16.760 --> 0:19:19.360
<v Speaker 4>But yeah, when I go through Drowning was a song

0:19:19.400 --> 0:19:24.000
<v Speaker 4>about you know, being in love with two women, right, yes,

0:19:24.840 --> 0:19:30.800
<v Speaker 4>and drowning in one you know, ocean of love and

0:19:30.960 --> 0:19:31.760
<v Speaker 4>drowning in another.

0:19:32.400 --> 0:19:33.120
<v Speaker 1>Tears and pain.

0:19:33.560 --> 0:19:33.679
<v Speaker 5>Right.

0:19:34.240 --> 0:19:37.119
<v Speaker 4>So, as men, especially when you're growing up, you go

0:19:37.240 --> 0:19:38.919
<v Speaker 4>through that, like you you know, you have a lot

0:19:39.000 --> 0:19:41.359
<v Speaker 4>of you have more options, right, being an artist, you

0:19:41.480 --> 0:19:42.199
<v Speaker 4>got more options.

0:19:42.280 --> 0:19:42.399
<v Speaker 1>Bro.

0:19:42.680 --> 0:19:44.440
<v Speaker 4>It was just a real thing, And I feel like

0:19:44.440 --> 0:19:45.879
<v Speaker 4>that's why I felt like that when you listen to it,

0:19:45.960 --> 0:19:48.720
<v Speaker 4>it was like it's easier to write, right when you

0:19:48.880 --> 0:19:51.520
<v Speaker 4>just talk about the truth, the.

0:19:51.640 --> 0:19:56.200
<v Speaker 1>Drama about how about one one woman man, m Okay,

0:19:56.760 --> 0:19:58.440
<v Speaker 1>now you're going to You're like that.

0:19:58.680 --> 0:20:01.160
<v Speaker 4>That's like you said, like you lawyer, right, like yeah,

0:20:01.200 --> 0:20:04.320
<v Speaker 4>that's like that's my song then, yeah, that's like that's like.

0:20:06.480 --> 0:20:11.040
<v Speaker 1>Yeah. But it's saying both.

0:20:11.240 --> 0:20:15.119
<v Speaker 4>It's saying that that she's a uh like she is

0:20:15.280 --> 0:20:17.440
<v Speaker 4>ready for one man and ready to move into a

0:20:17.520 --> 0:20:19.639
<v Speaker 4>certain period point in her life where she's ready for

0:20:19.720 --> 0:20:22.760
<v Speaker 4>everything all that comes with and you saying that I

0:20:22.880 --> 0:20:23.439
<v Speaker 4>recognize that.

0:20:23.480 --> 0:20:25.560
<v Speaker 1>You are and I'm ready to be with one woman.

0:20:25.600 --> 0:20:26.160
<v Speaker 1>You know what I'm saying.

0:20:26.200 --> 0:20:28.639
<v Speaker 4>It's like, I think that was just a player on

0:20:28.680 --> 0:20:30.840
<v Speaker 4>words because I was lying, I going to hold you out.

0:20:32.080 --> 0:20:36.199
<v Speaker 1>I was at that time. I was like, yo, let

0:20:36.200 --> 0:20:41.520
<v Speaker 1>me just make a good I was like, sometimes you

0:20:41.600 --> 0:20:44.280
<v Speaker 1>got to be creative, you know.

0:20:44.560 --> 0:20:47.760
<v Speaker 4>I was inspired just by I'm a very imaginative person.

0:20:47.800 --> 0:20:47.879
<v Speaker 7>Bro.

0:20:48.000 --> 0:20:48.600
<v Speaker 1>I'mna be honest.

0:20:48.640 --> 0:20:50.320
<v Speaker 4>I feel like a lot of my childhood is stripped

0:20:50.320 --> 0:20:52.199
<v Speaker 4>from me, you know what I'm saying. So a lot

0:20:52.240 --> 0:20:54.919
<v Speaker 4>of times I just imagine love because I didn't grow up.

0:20:55.240 --> 0:20:57.359
<v Speaker 4>My grandmother died when I was twelve. Right now, she

0:20:57.600 --> 0:21:00.359
<v Speaker 4>was like really like my second mom, it's not my

0:21:00.440 --> 0:21:02.680
<v Speaker 4>first mom in terms of her presence.

0:21:03.440 --> 0:21:04.600
<v Speaker 1>You know what I'm saying, yeah, for sure.

0:21:05.080 --> 0:21:09.000
<v Speaker 4>And so you know, my idea of love is kind

0:21:09.000 --> 0:21:12.440
<v Speaker 4>of a little I'm still learning what that is, you know,

0:21:12.480 --> 0:21:14.399
<v Speaker 4>I'm still learning like what that is in terms of

0:21:14.560 --> 0:21:17.840
<v Speaker 4>like a partner in life. I look around and I

0:21:17.920 --> 0:21:20.000
<v Speaker 4>see love. Nature is love, you know what I'm saying?

0:21:20.080 --> 0:21:23.440
<v Speaker 4>Self love, you know, fastening and restraining from certain things.

0:21:23.480 --> 0:21:23.840
<v Speaker 1>That's self.

0:21:24.119 --> 0:21:26.240
<v Speaker 4>There's so many different versions of love, right, But in

0:21:26.359 --> 0:21:30.120
<v Speaker 4>terms of partnership, you know, that's something I'm still I'm still.

0:21:30.000 --> 0:21:30.680
<v Speaker 1>Learning about you.

0:21:30.800 --> 0:21:32.680
<v Speaker 4>I mean, so music is the way for me to imagine,

0:21:32.760 --> 0:21:35.040
<v Speaker 4>like all right, let me just let me imagine what just.

0:21:35.119 --> 0:21:36.760
<v Speaker 1>What it feels like. I didn't let me love you.

0:21:36.920 --> 0:21:44.280
<v Speaker 1>I didn't know about man, you make me go down.

0:21:51.400 --> 0:21:55.400
<v Speaker 1>You ain't gonna watch that week about that's about working

0:21:55.400 --> 0:21:59.119
<v Speaker 1>with Gucci man break up. Yeah, But wasn't that when

0:21:59.160 --> 0:22:02.560
<v Speaker 1>he first came home from or was that? Yeah? Yes,

0:22:02.600 --> 0:22:03.640
<v Speaker 1>that's when he first came home.

0:22:03.760 --> 0:22:03.840
<v Speaker 5>Bro.

0:22:04.800 --> 0:22:06.960
<v Speaker 4>I just got very hard to get this game, for sure.

0:22:07.119 --> 0:22:09.160
<v Speaker 4>I'll be trying to call him now for Nigga pop

0:22:09.200 --> 0:22:12.240
<v Speaker 4>out at this show. You know you can't, Gucci, yeah

0:22:12.680 --> 0:22:14.720
<v Speaker 4>right now? But you know he family man. You know

0:22:14.720 --> 0:22:17.720
<v Speaker 4>what I'm saying doing his thing. I'm proudly gucci, but bro,

0:22:17.880 --> 0:22:18.439
<v Speaker 4>that that was.

0:22:19.920 --> 0:22:20.080
<v Speaker 1>You know.

0:22:20.280 --> 0:22:23.040
<v Speaker 4>I recorded the record Atlanta with with Sean Garrett. Right,

0:22:24.200 --> 0:22:25.880
<v Speaker 4>I was in I was in Baltimore at the time,

0:22:26.840 --> 0:22:29.360
<v Speaker 4>and at the time my manager Jay Erin called me. Right,

0:22:30.040 --> 0:22:32.720
<v Speaker 4>He's like, Yo, we were working on this album. I

0:22:32.800 --> 0:22:36.120
<v Speaker 4>think that's on the that's on the DNA album. Right, Yeah,

0:22:36.800 --> 0:22:40.440
<v Speaker 4>we're working on DNA and uh, we was just looking

0:22:40.480 --> 0:22:42.280
<v Speaker 4>for a record to lead it off. You We was

0:22:42.320 --> 0:22:45.440
<v Speaker 4>looking for a record to really tie everything in, you know,

0:22:45.600 --> 0:22:50.359
<v Speaker 4>something that was like abstract and different and not all

0:22:50.359 --> 0:22:51.920
<v Speaker 4>the way down the R and B lane, but just

0:22:52.160 --> 0:22:55.560
<v Speaker 4>a little bit left. And at the time we already

0:22:55.560 --> 0:22:57.240
<v Speaker 4>did like two records with Sean Garrett for the album.

0:22:57.840 --> 0:23:02.800
<v Speaker 4>One of another record made it called me, yo, I

0:23:02.920 --> 0:23:03.520
<v Speaker 4>think we got it.

0:23:05.240 --> 0:23:05.640
<v Speaker 1>Okay.

0:23:05.760 --> 0:23:07.480
<v Speaker 4>At the time, he's my manager. He's like, yo, I

0:23:07.480 --> 0:23:10.240
<v Speaker 4>think I think we got we got one. He's like,

0:23:10.320 --> 0:23:14.000
<v Speaker 4>you gotta fly to Atlanta like a sap. I said,

0:23:14.200 --> 0:23:17.480
<v Speaker 4>it's worth like find back. I just left Atlanta, Like nah,

0:23:17.520 --> 0:23:18.040
<v Speaker 4>you got it.

0:23:18.160 --> 0:23:19.919
<v Speaker 1>You gotta come cut this. This this is crazy.

0:23:20.840 --> 0:23:23.639
<v Speaker 4>So I go to atletter go in the studio with Sean.

0:23:24.040 --> 0:23:26.000
<v Speaker 4>He jumping all off the tables. You know, Sean, he

0:23:26.520 --> 0:23:28.680
<v Speaker 4>you know what I mean this he going crazy and

0:23:31.440 --> 0:23:34.240
<v Speaker 4>he pressed play. As soon as I hit the beat drop,

0:23:35.080 --> 0:23:35.600
<v Speaker 4>I knew it was.

0:23:35.760 --> 0:23:37.639
<v Speaker 1>I knew what it was like. This is one of

0:23:37.680 --> 0:23:40.160
<v Speaker 1>the ones. I knew what breakup was when I first

0:23:40.200 --> 0:23:44.480
<v Speaker 1>heard it. Banley, that's produced it, bigger By.

0:23:44.280 --> 0:23:48.680
<v Speaker 4>That's sho He sent the record. Yes, well, no, Sean,

0:23:49.080 --> 0:23:51.280
<v Speaker 4>the director ain't gonna lie okay. He wrote the record.

0:23:53.000 --> 0:23:57.280
<v Speaker 4>He wrote the record, and this was a specific specifically

0:23:57.400 --> 0:23:59.520
<v Speaker 4>supposed to be like my single, like they were in

0:23:59.560 --> 0:24:01.720
<v Speaker 4>a session to work on my album.

0:24:01.880 --> 0:24:02.640
<v Speaker 1>He wrote the record.

0:24:03.040 --> 0:24:08.240
<v Speaker 4>When I cut the record, Sean like, I ain't gonna

0:24:08.280 --> 0:24:09.720
<v Speaker 4>lie real, like I was gonna keep this.

0:24:09.760 --> 0:24:17.399
<v Speaker 1>As you're going to take you back. He came across

0:24:17.440 --> 0:24:18.920
<v Speaker 1>his mind to think about taking the best. Want to

0:24:18.960 --> 0:24:21.680
<v Speaker 1>let you know. You gotta understand. But at this time

0:24:21.920 --> 0:24:23.840
<v Speaker 1>me and Sean was like that was like my brother,

0:24:23.960 --> 0:24:24.560
<v Speaker 1>you know what I'm saying.

0:24:24.600 --> 0:24:27.560
<v Speaker 4>So like a lot of times, you work with writers

0:24:27.600 --> 0:24:30.000
<v Speaker 4>and people and it's very political. You go in, you

0:24:30.119 --> 0:24:32.399
<v Speaker 4>work and it's you know, nice to meet, you do

0:24:32.480 --> 0:24:34.880
<v Speaker 4>the record, you leave. Me and Sean was outside together.

0:24:35.080 --> 0:24:36.600
<v Speaker 4>We was going to clubs. We was going to strip

0:24:36.720 --> 0:24:38.520
<v Speaker 4>like we was turning we was turning up, you know

0:24:38.560 --> 0:24:40.800
<v Speaker 4>what I'm saying. So it's like we was having fun.

0:24:41.640 --> 0:24:45.080
<v Speaker 4>So it's like at this point, it's like your homie saying, like, Nigga,

0:24:45.119 --> 0:24:46.160
<v Speaker 4>let me just I'm gonna just stand there.

0:24:46.920 --> 0:24:51.000
<v Speaker 1>At the time, I'm like, okay, cool, after you dropped

0:24:51.000 --> 0:24:56.840
<v Speaker 1>the vocals, Yeah yeah, I can see yeah, that could

0:24:56.840 --> 0:25:01.520
<v Speaker 1>be good. And so you know, and uh and so

0:25:01.640 --> 0:25:01.919
<v Speaker 1>I'm like.

0:25:03.720 --> 0:25:06.159
<v Speaker 4>We're just going back and forth on it because at

0:25:06.160 --> 0:25:09.720
<v Speaker 4>the time, he was also working on the he's working

0:25:09.760 --> 0:25:12.520
<v Speaker 4>on a record for another big artist. I'm going to

0:25:12.600 --> 0:25:15.320
<v Speaker 4>mention the names right now and this moment, but he's

0:25:15.359 --> 0:25:17.280
<v Speaker 4>working with another male artist. At the time, he was

0:25:17.320 --> 0:25:19.879
<v Speaker 4>working on the R and B album hip hop album,

0:25:20.200 --> 0:25:22.119
<v Speaker 4>and there was another record that I wanted that he

0:25:22.240 --> 0:25:23.000
<v Speaker 4>had for that person.

0:25:23.960 --> 0:25:25.800
<v Speaker 1>And I was like, Yo, let me get this record

0:25:28.119 --> 0:25:31.800
<v Speaker 1>that person. That person was that guy exactly, And.

0:25:31.920 --> 0:25:34.399
<v Speaker 4>So I was like, Nigga, let me get this, Like,

0:25:34.760 --> 0:25:36.040
<v Speaker 4>let me get He's like, Nigga, if I give this

0:25:36.080 --> 0:25:37.040
<v Speaker 4>record this, Nigga killed me.

0:25:37.080 --> 0:25:37.199
<v Speaker 1>Bro.

0:25:37.400 --> 0:25:39.920
<v Speaker 4>He's like, I can't give you this record, you know

0:25:39.960 --> 0:25:41.800
<v Speaker 4>what I'm saying, But I'll call make a call for you.

0:25:42.600 --> 0:25:47.080
<v Speaker 4>So we was kind of negotiating. I was like, all right, no, no, no, no, no,

0:25:47.359 --> 0:25:49.520
<v Speaker 4>this is about another record. But I said, if I

0:25:49.600 --> 0:25:51.600
<v Speaker 4>get that, then it's like, if I do this, you

0:25:51.680 --> 0:25:55.119
<v Speaker 4>got to give me that records. I can't huh the

0:25:55.160 --> 0:26:00.159
<v Speaker 4>person I told you about earlier, so and so for

0:26:00.680 --> 0:26:02.480
<v Speaker 4>so this was you know, this was, but it ain't

0:26:02.520 --> 0:26:05.119
<v Speaker 4>end up happening. I ended up getting that record. I

0:26:05.200 --> 0:26:07.760
<v Speaker 4>ended up staying on the record. It got crazy, right

0:26:07.800 --> 0:26:09.320
<v Speaker 4>we you know what I'm saying. We ain't like throw

0:26:09.359 --> 0:26:11.200
<v Speaker 4>hands or none. But we was going back and forth

0:26:11.960 --> 0:26:14.200
<v Speaker 4>and he was like, man, this was my single. And

0:26:14.280 --> 0:26:18.120
<v Speaker 4>so when I finished the record, He's like, all right, bet,

0:26:18.200 --> 0:26:18.840
<v Speaker 4>I'm gonna.

0:26:18.600 --> 0:26:20.560
<v Speaker 1>Go get Gucci on it for you. I say, Nigga

0:26:20.560 --> 0:26:22.399
<v Speaker 1>Gucci like that. He's like, nig he just came home.

0:26:23.280 --> 0:26:27.320
<v Speaker 4>Cut, I said, because we was thinking about features, and

0:26:27.440 --> 0:26:29.359
<v Speaker 4>I said, I bet. I said, let's let's let's make

0:26:29.400 --> 0:26:32.399
<v Speaker 4>it happen. You know what I'm saying, Let's let's make

0:26:32.440 --> 0:26:34.000
<v Speaker 4>it happen. You cant Gucci on it, We make the

0:26:34.040 --> 0:26:35.960
<v Speaker 4>play and I'll go, I'll go figure it out with

0:26:36.040 --> 0:26:36.440
<v Speaker 4>the label.

0:26:37.160 --> 0:26:40.480
<v Speaker 1>You feel me? Mind you I'm coming from like love

0:26:40.640 --> 0:26:44.359
<v Speaker 1>songs crying out for me. You know what I mean, just.

0:26:44.600 --> 0:26:46.760
<v Speaker 4>Record, you know, no records. But it's like breakup was

0:26:46.800 --> 0:26:49.120
<v Speaker 4>a different. You gotta under stay, you know what it's

0:26:49.160 --> 0:26:51.320
<v Speaker 4>like being signed to a label. You got to convince

0:26:51.440 --> 0:26:54.280
<v Speaker 4>niggas that this is the move. Yeah, I need you

0:26:54.320 --> 0:26:57.600
<v Speaker 4>all to spend some bread and y'all might not believe

0:26:57.640 --> 0:26:58.199
<v Speaker 4>in it, you know.

0:26:58.200 --> 0:27:00.840
<v Speaker 1>What I'm saying. So that's what happened. That's what ended

0:27:00.880 --> 0:27:02.600
<v Speaker 1>up happening. I had to fight for that record. I

0:27:02.640 --> 0:27:04.639
<v Speaker 1>had to fight for it, like me and at the

0:27:04.720 --> 0:27:06.440
<v Speaker 1>time ahead of the late like we got into it

0:27:06.560 --> 0:27:09.159
<v Speaker 1>like like I'm not this was r c A at

0:27:09.200 --> 0:27:11.480
<v Speaker 1>the time, so it's like I'm not putting I'm not

0:27:12.080 --> 0:27:15.479
<v Speaker 1>about to spend money on somebody. That's not like I'm

0:27:15.520 --> 0:27:16.920
<v Speaker 1>not about to do like it was just a It

0:27:17.000 --> 0:27:19.160
<v Speaker 1>was a But the record came out and it spoke

0:27:19.240 --> 0:27:21.399
<v Speaker 1>for itself, you know what I'm saying. So yeah, it was.

0:27:21.520 --> 0:27:23.400
<v Speaker 4>It was a crazy little journey. Yeah, Gucci came out,

0:27:24.119 --> 0:27:26.240
<v Speaker 4>he put a verse on it, and I think it

0:27:26.359 --> 0:27:31.080
<v Speaker 4>was his first like real mainstream, so the energy around

0:27:31.119 --> 0:27:33.280
<v Speaker 4>it was just crazy. He leaving, he came to Baltimore

0:27:33.320 --> 0:27:35.160
<v Speaker 4>shot the video with me at my carib at the time,

0:27:35.280 --> 0:27:36.160
<v Speaker 4>like it was crazy.

0:27:36.320 --> 0:27:37.920
<v Speaker 1>It was. It was a vibe, bro, break up was

0:27:37.960 --> 0:27:47.520
<v Speaker 1>a whole Yeah, jeez, what do you like more coming?

0:27:47.640 --> 0:27:54.640
<v Speaker 8>Yeah, making the record or performing the record. It's two

0:27:54.680 --> 0:28:02.119
<v Speaker 8>different worlds, Bro, I feel like performing a record.

0:28:03.040 --> 0:28:10.040
<v Speaker 1>It's like I said, like this, it depends on who

0:28:10.040 --> 0:28:12.160
<v Speaker 1>I'm working with. I can't say like every.

0:28:12.000 --> 0:28:14.080
<v Speaker 4>Record is saying like when you're working with people that

0:28:14.160 --> 0:28:16.600
<v Speaker 4>you actually enjoy work Like sometimes when you work it's

0:28:16.640 --> 0:28:18.680
<v Speaker 4>not like I said, it's more political. It's more like

0:28:19.640 --> 0:28:21.919
<v Speaker 4>making records. Back then, it was not as fun as

0:28:22.000 --> 0:28:24.000
<v Speaker 4>making records now. Now I'm having more fun.

0:28:25.320 --> 0:28:27.040
<v Speaker 1>Back then, it was like, all right, bro, we got

0:28:27.119 --> 0:28:28.720
<v Speaker 1>you set up with this writer, this producer.

0:28:29.160 --> 0:28:35.720
<v Speaker 4>I had fun with Scott Storch Scott stories, but I

0:28:35.800 --> 0:28:39.000
<v Speaker 4>have Yeah, it's like you know, back then it was

0:28:39.000 --> 0:28:40.560
<v Speaker 4>a little bit more. I didn't have as much control.

0:28:40.560 --> 0:28:43.040
<v Speaker 4>I wasn't involved in the setting up. I was just

0:28:43.280 --> 0:28:47.400
<v Speaker 4>showing up, singing, doing the record. It's like, Okay, Neo

0:28:47.520 --> 0:28:49.160
<v Speaker 4>coming in the right or this person coming the right.

0:28:49.800 --> 0:28:52.360
<v Speaker 4>Had had a great time working with Polo. That's my nigga.

0:28:53.440 --> 0:28:55.840
<v Speaker 4>You know what I'm saying, Like, just it's certain people

0:28:55.880 --> 0:28:57.560
<v Speaker 4>that was like it more fun making the records.

0:28:57.560 --> 0:28:59.200
<v Speaker 1>And sometimes it's just like you do the records and

0:28:59.200 --> 0:29:00.800
<v Speaker 1>you keep it more. You know what I'm saying.

0:29:00.800 --> 0:29:02.440
<v Speaker 4>When I work with Stargay, we did how our breathing

0:29:02.440 --> 0:29:06.680
<v Speaker 4>all those records like they're they're more structured, uh, you know,

0:29:07.720 --> 0:29:09.080
<v Speaker 4>underdogs more structured.

0:29:09.320 --> 0:29:09.840
<v Speaker 1>You know what I'm saying.

0:29:09.840 --> 0:29:11.720
<v Speaker 4>They got five writers in a room, two writers or

0:29:11.760 --> 0:29:14.600
<v Speaker 4>whatever whatever, it's two rooms going all right, Mario, were

0:29:14.600 --> 0:29:16.360
<v Speaker 4>ready for you to cut your vocals over here? You

0:29:16.480 --> 0:29:18.400
<v Speaker 4>go over there, you cut the vocals. You you know

0:29:18.600 --> 0:29:21.000
<v Speaker 4>you you you know you in with goats, so you delivering.

0:29:21.040 --> 0:29:23.000
<v Speaker 4>You really focus just on that. It ain't about having fun.

0:29:23.080 --> 0:29:25.560
<v Speaker 4>It ain't about girls in the vibe, it ain't about

0:29:25.560 --> 0:29:27.680
<v Speaker 4>it's just more about the work. So I've been on

0:29:27.760 --> 0:29:31.200
<v Speaker 4>both sides where you know, it was super political and

0:29:31.360 --> 0:29:34.560
<v Speaker 4>just it's just it's cutting dry and then it's like

0:29:35.240 --> 0:29:38.840
<v Speaker 4>we're working for one day, we partying and raging for

0:29:38.880 --> 0:29:40.440
<v Speaker 4>two days. But then when we come back, we about

0:29:40.440 --> 0:29:42.680
<v Speaker 4>to do like ten more records. Right, that's going to

0:29:42.720 --> 0:29:45.400
<v Speaker 4>be off that energy. Right, So I don't know, it

0:29:45.440 --> 0:29:46.440
<v Speaker 4>just depends on who I work with.

0:29:46.840 --> 0:29:47.560
<v Speaker 1>Have you ever made a.

0:29:47.600 --> 0:29:51.160
<v Speaker 3>Record particularly like like like like for me, right, my

0:29:51.280 --> 0:29:53.840
<v Speaker 3>first album was a component over Jega, right, and we

0:29:54.160 --> 0:29:57.320
<v Speaker 3>had all these hood records, right yeah, and it were great, right,

0:29:57.400 --> 0:29:58.680
<v Speaker 3>but they were like they were slow.

0:29:59.200 --> 0:30:02.000
<v Speaker 1>So going into my solo album, I made What What

0:30:02.200 --> 0:30:04.600
<v Speaker 1>What What? Just for the clubs. You know what I'm saying.

0:30:04.760 --> 0:30:06.800
<v Speaker 1>Did you know what it was when you did it? Yeah?

0:30:07.160 --> 0:30:09.239
<v Speaker 1>I kind of did. I didn't. I didn't know one

0:30:09.320 --> 0:30:10.720
<v Speaker 1>hundred but I knew that.

0:30:10.800 --> 0:30:13.400
<v Speaker 3>If it had this reacted the way I wanted to react,

0:30:13.440 --> 0:30:15.480
<v Speaker 3>this would be a hit. But I made that record

0:30:15.680 --> 0:30:18.520
<v Speaker 3>particularly because I needed a club record. Have you ever

0:30:18.560 --> 0:30:20.080
<v Speaker 3>made records like that where you're like, you know what

0:30:20.400 --> 0:30:22.640
<v Speaker 3>I'm I'm gonna do it, like maybe a super Girl

0:30:22.720 --> 0:30:24.360
<v Speaker 3>for the all ballot record, like you.

0:30:26.080 --> 0:30:27.840
<v Speaker 1>Break up? Is that for sure? Okay? Break It is

0:30:27.840 --> 0:30:29.400
<v Speaker 1>definitely that, bro, because we would look like I said,

0:30:29.400 --> 0:30:34.960
<v Speaker 1>we was looking for that energy. I think the main

0:30:35.080 --> 0:30:37.280
<v Speaker 1>one the journ I just deal with with the journal

0:30:37.280 --> 0:30:38.120
<v Speaker 1>I deal with Tiger and Wayne.

0:30:38.160 --> 0:30:41.000
<v Speaker 4>That was definitely like, okay, it was that that was

0:30:41.080 --> 0:30:43.240
<v Speaker 4>a it was that was a different thing because originally

0:30:43.600 --> 0:30:47.960
<v Speaker 4>Tori was on the record, and then Wayne and Tiger

0:30:48.040 --> 0:30:49.680
<v Speaker 4>ended up doing the actual version that we put out

0:30:49.720 --> 0:30:53.080
<v Speaker 4>with the video and everything Toy got locked up, so

0:30:54.120 --> 0:30:56.520
<v Speaker 4>yes and no, okay, it was it wasn't about him

0:30:56.520 --> 0:30:58.280
<v Speaker 4>being locked up. It was about I wanted to actually

0:30:58.360 --> 0:31:00.480
<v Speaker 4>move the record, Okay, I wanted to shoot video like

0:31:00.520 --> 0:31:02.160
<v Speaker 4>it was like, I wanted to have fun with the record,

0:31:02.760 --> 0:31:04.239
<v Speaker 4>you know. And it was a hard decision to make,

0:31:04.280 --> 0:31:07.280
<v Speaker 4>bro because that's my nigga, and you know, it's like

0:31:07.840 --> 0:31:09.800
<v Speaker 4>that was a hard decision to make. But I also

0:31:09.880 --> 0:31:11.360
<v Speaker 4>had history of Wayne, you know what I'm saying, and

0:31:12.240 --> 0:31:14.080
<v Speaker 4>they me and Tiger is the one who went in

0:31:14.160 --> 0:31:14.840
<v Speaker 4>and actually.

0:31:14.680 --> 0:31:15.440
<v Speaker 1>Did the record together.

0:31:15.520 --> 0:31:18.040
<v Speaker 4>So it was just like, yeah, it was it was

0:31:18.080 --> 0:31:20.200
<v Speaker 4>a tough call, but yeah, you know that that one

0:31:20.400 --> 0:31:22.000
<v Speaker 4>was definitely one of those like, yo, let's do something

0:31:22.040 --> 0:31:25.280
<v Speaker 4>for the summer. It was another record that was in

0:31:25.360 --> 0:31:29.080
<v Speaker 4>that in that space. I feel like a ballot that

0:31:29.160 --> 0:31:29.920
<v Speaker 4>was in that space.

0:31:29.720 --> 0:31:32.040
<v Speaker 1>And music for love. But that's that's that's not nothing

0:31:32.080 --> 0:31:35.280
<v Speaker 1>you regret, not at all. What was talking about.

0:31:35.400 --> 0:31:37.960
<v Speaker 3>I was asking the way you said it. Yeah, I

0:31:38.080 --> 0:31:39.880
<v Speaker 3>was saying, do you ever have one that you did

0:31:39.920 --> 0:31:41.080
<v Speaker 3>it for the label and you regret it?

0:31:41.560 --> 0:31:42.920
<v Speaker 1>Oh that you said them that I did for the

0:31:43.000 --> 0:31:48.360
<v Speaker 1>label that I did for the club. Now you good

0:31:50.800 --> 0:31:53.560
<v Speaker 1>hey man, you keep going. It's true.

0:31:54.920 --> 0:31:57.440
<v Speaker 4>One that I cut for the label Know Some Music

0:31:57.480 --> 0:31:59.840
<v Speaker 4>for Love, Like that was the record that I did

0:32:00.000 --> 0:32:01.600
<v Speaker 4>because I wanted I wanted to do something that was

0:32:01.720 --> 0:32:06.520
<v Speaker 4>like R and B baby making record that could also

0:32:06.600 --> 0:32:07.600
<v Speaker 4>be played in the clubs.

0:32:08.160 --> 0:32:09.080
<v Speaker 1>Music for Love was that.

0:32:09.200 --> 0:32:11.000
<v Speaker 4>It was like, I feel like every R and B

0:32:11.120 --> 0:32:12.600
<v Speaker 4>artist got to have if you want to be like

0:32:12.640 --> 0:32:14.240
<v Speaker 4>a golden and ship, like you got to have something

0:32:14.280 --> 0:32:17.600
<v Speaker 4>that can play everywhere. It's like r Kelly was one

0:32:17.600 --> 0:32:20.120
<v Speaker 4>of them, Like he made records that play album.

0:32:21.400 --> 0:32:27.680
<v Speaker 7>Oh yeah, he said, you gotta hold away, you got

0:32:30.240 --> 0:32:32.720
<v Speaker 7>you said, I was Kelly elise Y.

0:32:35.880 --> 0:32:37.960
<v Speaker 3>He got It's eight minutes. It was eight min and sold.

0:32:38.040 --> 0:32:40.600
<v Speaker 3>Back then, I just found that it's fifteen minis sold. Man,

0:32:40.640 --> 0:32:44.920
<v Speaker 3>I'm going, I'm going to renew.

0:32:44.680 --> 0:32:48.680
<v Speaker 1>My black listen It's it's undeniable. It's telling right, you

0:32:48.720 --> 0:32:49.120
<v Speaker 1>know what I'm saying.

0:32:49.160 --> 0:32:51.040
<v Speaker 4>So I feel like, yeah, like with music for a

0:32:51.120 --> 0:32:53.760
<v Speaker 4>certain records, I always try to cover, like having records

0:32:53.760 --> 0:32:55.880
<v Speaker 4>that can work anywhere and then also giving you classics.

0:32:56.200 --> 0:32:57.719
<v Speaker 4>I feel like a great R and B artist can

0:32:57.800 --> 0:33:00.560
<v Speaker 4>do all of that, and I that's what I've been

0:33:01.560 --> 0:33:03.960
<v Speaker 4>trying to create. With my catalog throughout my career. You

0:33:04.000 --> 0:33:05.680
<v Speaker 4>know what I'm saying. So that's that's the goal, bro,

0:33:05.800 --> 0:33:06.240
<v Speaker 4>that's the goal.

0:33:06.480 --> 0:33:09.160
<v Speaker 3>Let me ask a quick question because you missus Sean Garrett.

0:33:09.400 --> 0:33:12.360
<v Speaker 3>You see Sean Garrett a Dream going at it like on.

0:33:12.520 --> 0:33:17.920
<v Speaker 1>On like in the person not but that's regular. If

0:33:17.960 --> 0:33:19.240
<v Speaker 1>you know Sean, that's that's regular.

0:33:19.640 --> 0:33:23.280
<v Speaker 3>Let me tell y'all something. R and B y'all been that,

0:33:23.400 --> 0:33:27.560
<v Speaker 3>y'all gangsters a long time. Bobby Brown told us a

0:33:27.640 --> 0:33:30.600
<v Speaker 3>little bit like we was like, okay, maybe.

0:33:30.880 --> 0:33:33.440
<v Speaker 9>Not everybody, but yeah, yeah, yeah, yeah, because I go

0:33:33.560 --> 0:33:36.360
<v Speaker 9>backstage and I'll be like, damn, these motherfuckers don't have fights.

0:33:36.480 --> 0:33:42.640
<v Speaker 1>They got popa ree smelling, yeah, smell good. Ship like

0:33:43.280 --> 0:33:47.560
<v Speaker 1>school motherfuckers is justice Gags. There is USA Sean Garrett

0:33:47.600 --> 0:33:49.120
<v Speaker 1>and Dream. I feel like we you know, we.

0:33:49.680 --> 0:33:51.800
<v Speaker 4>Our emotions be, we let our emotions out.

0:33:51.840 --> 0:33:53.520
<v Speaker 1>And the music and ship, you know what I'm saying.

0:33:53.880 --> 0:33:55.280
<v Speaker 1>But then when she gets real, get.

0:33:55.160 --> 0:34:03.640
<v Speaker 3>Real about giving people their flowers or they can smell them,

0:34:04.120 --> 0:34:05.800
<v Speaker 3>they thoughts while they can think them, and they drink

0:34:05.840 --> 0:34:08.120
<v Speaker 3>while they can drink them. Brother, what you have done

0:34:08.160 --> 0:34:11.560
<v Speaker 3>to this game? You have been relentless. You have dominated

0:34:11.800 --> 0:34:14.440
<v Speaker 3>you have and you have never I've never seen you complain.

0:34:14.640 --> 0:34:16.239
<v Speaker 3>I don't think you have the stress day in your life,

0:34:16.760 --> 0:34:17.200
<v Speaker 3>you know what I mean?

0:34:17.360 --> 0:34:28.560
<v Speaker 1>Like, bro, let me give your hours gold flowers. Yes, yes, God,

0:34:28.760 --> 0:34:32.960
<v Speaker 1>I love gold go oh, there was offences idea.

0:34:32.880 --> 0:34:32.960
<v Speaker 5>But.

0:34:35.560 --> 0:34:42.200
<v Speaker 1>For real man, you know it's rich. It's rich. So

0:34:43.800 --> 0:34:52.840
<v Speaker 1>so you look like nothing really bother as you because

0:34:53.120 --> 0:34:56.680
<v Speaker 1>I mean is in the two things that that means.

0:34:59.040 --> 0:35:01.160
<v Speaker 1>It means you like real good at how.

0:35:02.840 --> 0:35:06.560
<v Speaker 3>Oh you're real good at blowing it off like it

0:35:06.719 --> 0:35:09.759
<v Speaker 3>probably does bother you. But it's better than Lorie to

0:35:09.840 --> 0:35:12.440
<v Speaker 3>not address it from you from Queens. That's why left

0:35:12.520 --> 0:35:16.000
<v Speaker 3>Rock City, Come on Queens, nine thirty, came on to

0:35:16.040 --> 0:35:17.200
<v Speaker 3>New York one one three six eight.

0:35:17.360 --> 0:35:23.200
<v Speaker 1>That's right. No, no, no, no, no no. But I'm

0:35:23.280 --> 0:35:25.839
<v Speaker 1>are you ready for me asking my question? My bet?

0:35:26.040 --> 0:35:27.600
<v Speaker 1>You know I want you to ask question. Yes, you

0:35:27.719 --> 0:35:31.239
<v Speaker 1>from Queens. Bro, you've been through a lot of things

0:35:31.280 --> 0:35:33.719
<v Speaker 1>that people know, Yes, but you've been through a lot

0:35:33.760 --> 0:35:37.480
<v Speaker 1>of things that people don't know. Mm hmm. And I'm

0:35:37.520 --> 0:35:39.319
<v Speaker 1>almost certain that the things that they don't know.

0:35:41.600 --> 0:35:44.000
<v Speaker 4>Has been the foundation of your character and your decisions

0:35:44.040 --> 0:35:45.160
<v Speaker 4>and who you decided to become.

0:35:45.239 --> 0:35:47.560
<v Speaker 1>Today more than the things they do. Know, all right,

0:35:49.320 --> 0:35:51.440
<v Speaker 1>you're not gone. Yeah yeah, that makes your noise for

0:35:51.480 --> 0:35:51.759
<v Speaker 1>that though.

0:35:53.160 --> 0:35:57.000
<v Speaker 4>In that whole journey, then you have your observation of

0:35:57.560 --> 0:36:02.680
<v Speaker 4>other people and the things that they've done and ended

0:36:02.760 --> 0:36:04.880
<v Speaker 4>up in situations that you don't want. Like you, you know,

0:36:05.320 --> 0:36:07.200
<v Speaker 4>whether you ended up in bass situation that you got

0:36:07.200 --> 0:36:08.960
<v Speaker 4>out of it. You here now, but you've been able

0:36:09.000 --> 0:36:10.839
<v Speaker 4>to observe your world and to side how you're gonna

0:36:10.840 --> 0:36:12.560
<v Speaker 4>fit into it on your terms.

0:36:14.239 --> 0:36:15.040
<v Speaker 1>I learned early on.

0:36:15.360 --> 0:36:19.280
<v Speaker 4>I grew up around killers, drug dealers, gangsters, drug addicts.

0:36:19.840 --> 0:36:22.360
<v Speaker 4>My grandmother was a god loving person. My great grandmother

0:36:22.400 --> 0:36:25.120
<v Speaker 4>went to church every three days. My grandma went to

0:36:25.200 --> 0:36:26.759
<v Speaker 4>church and pray for my family every day days. It

0:36:26.840 --> 0:36:27.439
<v Speaker 4>still ain't work.

0:36:29.760 --> 0:36:30.160
<v Speaker 1>I seen.

0:36:31.080 --> 0:36:34.560
<v Speaker 4>I've been seeing death since I was four years old. Wow, wow,

0:36:35.160 --> 0:36:37.439
<v Speaker 4>I've been burying family members since I was five years old.

0:36:38.200 --> 0:36:38.480
<v Speaker 1>Listen.

0:36:39.520 --> 0:36:42.560
<v Speaker 4>I buried my mother in twenty seventeen. Oh oh bless,

0:36:43.320 --> 0:36:46.000
<v Speaker 4>I fought demons with her. She died from a heroine

0:36:46.000 --> 0:36:48.840
<v Speaker 4>and fitting not overdose. Like I really grew up in

0:36:48.920 --> 0:36:51.960
<v Speaker 4>this shit. I don't talk about it because why do

0:36:52.080 --> 0:36:53.759
<v Speaker 4>I need to talk about it? You know what I'm saying,

0:36:53.800 --> 0:36:56.960
<v Speaker 4>I don't you know, I came up in a town

0:36:57.000 --> 0:37:02.120
<v Speaker 4>where it's like, nigga chasing on the internet wasn't a

0:37:02.280 --> 0:37:05.160
<v Speaker 4>thing like that's not even to me, that's not I

0:37:05.200 --> 0:37:07.880
<v Speaker 4>don't mind when people do it for whatever reason they

0:37:07.960 --> 0:37:10.560
<v Speaker 4>do it. I just personally, I got to look in

0:37:10.600 --> 0:37:12.520
<v Speaker 4>the mirror at night and go to sleep and be like,

0:37:13.719 --> 0:37:15.600
<v Speaker 4>proud of who I am as a man and know

0:37:15.719 --> 0:37:17.759
<v Speaker 4>that I got. Anything that came to me is because

0:37:17.800 --> 0:37:21.480
<v Speaker 4>I work for it, because I personally planned for this

0:37:21.640 --> 0:37:24.480
<v Speaker 4>to happen this way, and it did. That make me

0:37:24.560 --> 0:37:28.719
<v Speaker 4>feel as a man, more grounded and more powerful and

0:37:28.880 --> 0:37:31.080
<v Speaker 4>more understanding of who I am.

0:37:31.120 --> 0:37:34.400
<v Speaker 1>And it builds a bond, my bond with myself.

0:37:35.600 --> 0:37:37.279
<v Speaker 4>You know, when I was in the darkest moments of

0:37:37.360 --> 0:37:39.080
<v Speaker 4>my life and me and God talking to me, talking

0:37:39.160 --> 0:37:39.920
<v Speaker 4>to myself, I'm.

0:37:39.800 --> 0:37:41.720
<v Speaker 1>Like, Yo, you are you got? It's just you, nigga,

0:37:42.880 --> 0:37:43.400
<v Speaker 1>It's just you.

0:37:44.719 --> 0:37:47.920
<v Speaker 4>So every decision you make, every person that's around you,

0:37:48.200 --> 0:37:51.160
<v Speaker 4>everything that you do, you got to be able to

0:37:51.200 --> 0:37:54.239
<v Speaker 4>hold yourself account like every choice you make. So for me, dog,

0:37:56.880 --> 0:38:00.560
<v Speaker 4>I don't just I'm not impulsive on I'm just not

0:38:00.640 --> 0:38:02.600
<v Speaker 4>impossible on shiit like you. It take a lot from me.

0:38:02.800 --> 0:38:05.879
<v Speaker 4>If it's not something that's real, I'm not gonna get

0:38:05.920 --> 0:38:08.600
<v Speaker 4>triggered by it. Like you gotta be real, bro, and

0:38:08.640 --> 0:38:09.839
<v Speaker 4>then when it's real, it's real.

0:38:11.080 --> 0:38:11.320
<v Speaker 1>That's it.

0:38:11.600 --> 0:38:14.360
<v Speaker 3>It's that simple. It seems like you don't join the circus,

0:38:14.520 --> 0:38:16.840
<v Speaker 3>like even me. I don't let things bother me, but

0:38:16.960 --> 0:38:19.880
<v Speaker 3>every now and then I joined the circus, like I.

0:38:19.960 --> 0:38:22.000
<v Speaker 1>Got me a scenario, and I can tell you how

0:38:22.040 --> 0:38:28.080
<v Speaker 1>we'll respond. Okay, what you mean? Uh? Your album drop?

0:38:28.760 --> 0:38:31.640
<v Speaker 3>One of your artists, your people friends go on Shade

0:38:31.680 --> 0:38:34.920
<v Speaker 3>forty five, They ask them, yo, uh did you did

0:38:34.960 --> 0:38:36.720
<v Speaker 3>you hear.

0:38:36.680 --> 0:38:39.920
<v Speaker 1>Mario new album? And he goes, well, I couldn't get

0:38:39.960 --> 0:38:40.279
<v Speaker 1>into it.

0:38:41.200 --> 0:38:43.240
<v Speaker 3>One of my piers, one of your peers, the person

0:38:43.280 --> 0:38:46.879
<v Speaker 3>that you know, Okay, how would you respond to something

0:38:46.960 --> 0:38:47.120
<v Speaker 3>like that?

0:38:47.400 --> 0:38:49.880
<v Speaker 1>Why do I need to respond? That's his opinion? Okay,

0:38:51.719 --> 0:38:52.520
<v Speaker 1>but I get it.

0:38:52.560 --> 0:38:54.319
<v Speaker 4>You're saying the cloud chase a version be like making

0:38:54.360 --> 0:38:55.680
<v Speaker 4>my albums out ship.

0:38:55.760 --> 0:38:57.560
<v Speaker 1>Let me if I respond and people will go pay it.

0:38:58.440 --> 0:39:01.279
<v Speaker 4>I don't think like that, bro, Like I think that

0:39:01.520 --> 0:39:03.400
<v Speaker 4>I think a part of me sometimes a part let

0:39:03.440 --> 0:39:05.520
<v Speaker 4>me be honest with I think the real nigga in

0:39:05.680 --> 0:39:11.319
<v Speaker 4>me sometimes stunts the I was, I'm gonna say growth,

0:39:11.360 --> 0:39:15.520
<v Speaker 4>but like the attention that I could be getting right.

0:39:16.200 --> 0:39:18.560
<v Speaker 4>But that's the thing is like, Bro, I'll be seeing

0:39:18.640 --> 0:39:20.520
<v Speaker 4>niggas do that and then disappeared two years, So what

0:39:20.640 --> 0:39:21.799
<v Speaker 4>the fuck does that even mean?

0:39:22.960 --> 0:39:25.319
<v Speaker 1>What are you standing on? All respect? And he said

0:39:25.400 --> 0:39:26.080
<v Speaker 1>one of your peers.

0:39:26.239 --> 0:39:30.319
<v Speaker 10>So since let's say the example live on Shady forty five, Yeah,

0:39:30.360 --> 0:39:31.400
<v Speaker 10>the comment, so yeah.

0:39:31.320 --> 0:39:34.040
<v Speaker 1>Do you acknowledge that? What kind of comment that he

0:39:34.320 --> 0:39:37.560
<v Speaker 1>wasn't into the album? He just said, okay, but like radio,

0:39:37.840 --> 0:39:40.080
<v Speaker 1>like right now, you see the way he dropped. It

0:39:40.200 --> 0:39:43.040
<v Speaker 1>depends on how it said. It just depends, bro. It

0:39:43.120 --> 0:39:44.400
<v Speaker 1>depends on the energy.

0:39:44.480 --> 0:39:44.560
<v Speaker 5>Bro.

0:39:44.719 --> 0:39:46.960
<v Speaker 4>It's like if you like, you don't funk with that nigga,

0:39:47.800 --> 0:39:51.000
<v Speaker 4>Like if it's if it's that energy, if somebody asked

0:39:51.000 --> 0:39:51.480
<v Speaker 4>me about.

0:39:51.320 --> 0:39:52.640
<v Speaker 1>It, then I would ask the question.

0:39:52.960 --> 0:39:55.600
<v Speaker 4>But I'm not gonna go if it's if it's I'm

0:39:55.640 --> 0:39:56.800
<v Speaker 4>not gonna go out of my way to be like

0:39:56.840 --> 0:39:59.880
<v Speaker 4>oh he said, like that's like, okay, you has your opinion.

0:40:00.640 --> 0:40:02.400
<v Speaker 4>If he wanted to direct it to me, then it

0:40:02.400 --> 0:40:05.640
<v Speaker 4>would be a different conversation and I probably would talk

0:40:05.640 --> 0:40:06.560
<v Speaker 4>to him in person and.

0:40:07.040 --> 0:40:09.880
<v Speaker 1>On the owner ship. But I don't know. This never happened, bro,

0:40:10.360 --> 0:40:13.759
<v Speaker 1>So I think the question is why people don't let's

0:40:13.800 --> 0:40:18.399
<v Speaker 1>just say that. Let's just I think that's the real question.

0:40:18.760 --> 0:40:23.880
<v Speaker 1>I'm gonna shot for that. It's cool, bro, that's that's everybody.

0:40:23.920 --> 0:40:31.720
<v Speaker 1>What are you trying to? Yeah? Who h'll be the rizard?

0:40:33.640 --> 0:40:37.600
<v Speaker 1>Going to a part of the wine? Please? Okay, where's

0:40:37.640 --> 0:40:45.919
<v Speaker 1>the uh at the drink? Okay? You ready drinking drink?

0:40:46.520 --> 0:40:50.160
<v Speaker 1>He said, yes, okay, and you got that burning. I

0:40:50.239 --> 0:40:52.719
<v Speaker 1>see that. I see that. All right, So you're gonna

0:40:52.719 --> 0:40:54.520
<v Speaker 1>play him the game Quick Time of Slim guys.

0:40:54.640 --> 0:40:56.960
<v Speaker 10>Yeah, all right, So Quick Time with Slime is a

0:40:57.040 --> 0:40:59.680
<v Speaker 10>game where that we ask you either or and you

0:40:59.760 --> 0:41:01.760
<v Speaker 10>get can answer truthfully.

0:41:01.960 --> 0:41:02.080
<v Speaker 1>Right.

0:41:02.239 --> 0:41:03.640
<v Speaker 10>We're not pulling it out of you if you have

0:41:03.680 --> 0:41:07.279
<v Speaker 10>a story with either world questions. If you say if

0:41:07.320 --> 0:41:10.160
<v Speaker 10>you say yes, then we don't drink, and say no,

0:41:10.360 --> 0:41:13.120
<v Speaker 10>we don't drink. If you say both, yeah, did.

0:41:13.040 --> 0:41:16.440
<v Speaker 1>We all drink? Let's do it drink? You got cosoo right?

0:41:16.480 --> 0:41:19.120
<v Speaker 1>You want to cast shot? Yeah sho shots? Yeah?

0:41:19.160 --> 0:41:19.319
<v Speaker 10>Yeah?

0:41:19.360 --> 0:41:22.799
<v Speaker 1>Yeah? All right? Cool? Okay, cool, two options. I ain't

0:41:22.800 --> 0:41:23.160
<v Speaker 1>gonna lie.

0:41:23.520 --> 0:41:26.200
<v Speaker 3>Mario's too smooth man, He's fast smooth. I don't think

0:41:26.200 --> 0:41:29.480
<v Speaker 3>I don't think it's gonna work on that. Yeah, yeah,

0:41:29.560 --> 0:41:31.719
<v Speaker 3>yeah sure and he got he got, he got, he

0:41:31.800 --> 0:41:33.239
<v Speaker 3>got twenty twenty five.

0:41:33.320 --> 0:41:42.719
<v Speaker 1>Michael Jackson jacket on too. You know Michael, Michael, that's

0:41:42.760 --> 0:41:45.120
<v Speaker 1>my guy, bro, Like Michael one of my biggest inspirations.

0:41:45.200 --> 0:41:48.080
<v Speaker 4>Him and Marvin Gaye, Him, Marvin and Steview, like those

0:41:48.120 --> 0:41:50.840
<v Speaker 4>are my three tops. Like we're not yeah, bro, you

0:41:50.920 --> 0:41:52.359
<v Speaker 4>know they're trying to say. You can see right now,

0:41:52.840 --> 0:41:54.560
<v Speaker 4>you know it might be reversing.

0:41:54.239 --> 0:41:55.800
<v Speaker 1>Its like you know, he might be he might be

0:41:55.880 --> 0:41:57.920
<v Speaker 1>able to like he might be able to a little bit, see.

0:41:57.760 --> 0:42:02.280
<v Speaker 3>Y'all right, right, right right, okay, yeah, ready you explained right, yes, okay,

0:42:02.960 --> 0:42:04.680
<v Speaker 3>this is the great first hold on. We're gonna wait

0:42:04.680 --> 0:42:11.640
<v Speaker 3>for Jamie. Okay, okay, shots, Okay, I'm not for sure. Okay,

0:42:12.960 --> 0:42:14.839
<v Speaker 3>this is great what it is at this point. Great

0:42:14.920 --> 0:42:19.640
<v Speaker 3>first question Marvin Gaye or Stevie Wonder Damn, that's crazy

0:42:20.360 --> 0:42:29.279
<v Speaker 3>just now yeah they all right, look, okay, I'm gonna

0:42:29.280 --> 0:42:32.920
<v Speaker 3>be honest. I'm gonna have to go with I love Stevie.

0:42:33.000 --> 0:42:36.160
<v Speaker 1>That's Stevee. We just talked recently. I love Stevie. I'm

0:42:36.160 --> 0:42:39.399
<v Speaker 1>gonna go with Marvin I'm not on FaceTime. He will

0:42:39.480 --> 0:42:46.280
<v Speaker 1>FaceTime that sidn't got uh, I'm gonna go with Marvin.

0:42:46.640 --> 0:42:50.359
<v Speaker 1>Oh wow, you know we're not drinking. Okay, I'm gonna

0:42:50.360 --> 0:42:56.120
<v Speaker 1>go with Marvin. Damn. I don't take a shot. Okay,

0:42:56.120 --> 0:43:00.960
<v Speaker 1>take a shot. It makes sense. Yeah.

0:43:04.160 --> 0:43:06.319
<v Speaker 4>No, I've got no story with Marvin. Bro, But I wish,

0:43:06.400 --> 0:43:07.880
<v Speaker 4>I wish I could have met him, you know what

0:43:07.880 --> 0:43:12.399
<v Speaker 4>I'm saying. For sure, But no, Stevie is every time

0:43:12.480 --> 0:43:14.719
<v Speaker 4>I see Stevie, he always compliment me on what I'm wearing.

0:43:14.800 --> 0:43:21.279
<v Speaker 1>Bro. He always threw me off. He always feel me off.

0:43:22.000 --> 0:43:26.160
<v Speaker 1>You know what I'm saying. Stevie, Man, He's just he's

0:43:26.239 --> 0:43:29.800
<v Speaker 1>like that uncle that you know. I'm gonna be honest

0:43:29.800 --> 0:43:29.960
<v Speaker 1>with you.

0:43:30.080 --> 0:43:31.920
<v Speaker 4>I can't tell you all the conversations that I have

0:43:32.000 --> 0:43:34.839
<v Speaker 4>with Stevie because he Stevie's a real nigga little key bro.

0:43:35.080 --> 0:43:37.919
<v Speaker 4>Like he have a conversation like he like he really

0:43:38.080 --> 0:43:40.359
<v Speaker 4>understand things that's going on around him that you don't

0:43:40.360 --> 0:43:45.600
<v Speaker 4>think he understands. He understands people's energy so fast. Probably

0:43:45.800 --> 0:43:49.120
<v Speaker 4>his intuition may be better than yours. It's kind of crazy. Yes,

0:43:49.560 --> 0:43:51.239
<v Speaker 4>you know, like he'll call like in a room, like

0:43:51.320 --> 0:43:54.320
<v Speaker 4>he controls the energy in the room around him without

0:43:54.360 --> 0:43:57.080
<v Speaker 4>even being able to see, because he understands energy. Bro,

0:43:57.560 --> 0:44:00.840
<v Speaker 4>that's Stevie and he's real. He's he's straight. You know,

0:44:01.120 --> 0:44:04.799
<v Speaker 4>he's a straight shooting you know. I love Stevie man.

0:44:04.840 --> 0:44:08.160
<v Speaker 4>You know, he motivated me, grew up listening to his

0:44:08.680 --> 0:44:12.680
<v Speaker 4>intention in his music. You know, I always wondered, like, Okay,

0:44:13.680 --> 0:44:16.520
<v Speaker 4>he had to go in a different place to find

0:44:17.920 --> 0:44:22.080
<v Speaker 4>a way to relate to us right musically. But instead

0:44:22.080 --> 0:44:24.160
<v Speaker 4>of doing that, he took you where he was how

0:44:24.239 --> 0:44:26.640
<v Speaker 4>he saw music. That's why his music is so intricate.

0:44:26.760 --> 0:44:31.480
<v Speaker 4>And the colors he used in his music, the concepts

0:44:31.920 --> 0:44:34.479
<v Speaker 4>like nobody's ever done, and said the things that he says,

0:44:34.800 --> 0:44:37.080
<v Speaker 4>you know what I mean, Like it's just a complete

0:44:37.120 --> 0:44:39.240
<v Speaker 4>different world. And I think that's what I respect about

0:44:39.239 --> 0:44:42.240
<v Speaker 4>that man. But Marvin, on the other hand.

0:44:42.719 --> 0:44:43.239
<v Speaker 1>I feel like I.

0:44:43.320 --> 0:44:46.560
<v Speaker 4>Understand his life more, you know, not getting in love

0:44:46.600 --> 0:44:49.640
<v Speaker 4>that you want from the people you love, being misunderstood

0:44:50.120 --> 0:44:51.480
<v Speaker 4>using music as therapy.

0:44:53.239 --> 0:44:55.080
<v Speaker 1>But I think he came out in a time where.

0:44:57.080 --> 0:44:59.480
<v Speaker 4>You could be versatile and it still be accepted in

0:44:59.760 --> 0:45:01.080
<v Speaker 4>a way where it's still mainstream.

0:45:01.640 --> 0:45:01.840
<v Speaker 1>You know.

0:45:02.840 --> 0:45:04.440
<v Speaker 4>Now it's like you kind of got to stay in up.

0:45:04.480 --> 0:45:06.239
<v Speaker 4>You got to give people a pocket, you know what

0:45:06.280 --> 0:45:08.719
<v Speaker 4>I'm saying. But he used his music as a as

0:45:08.800 --> 0:45:10.880
<v Speaker 4>therapy when he did What's going On, Like he left.

0:45:13.239 --> 0:45:15.120
<v Speaker 1>Music that's therapy for me.

0:45:16.280 --> 0:45:18.840
<v Speaker 4>My grandmother used to play that record, Mercy Mercy Me, Like,

0:45:18.920 --> 0:45:22.319
<v Speaker 4>you know, I would love to be able to make

0:45:22.360 --> 0:45:24.440
<v Speaker 4>those types of records because those are I resonate with those.

0:45:24.520 --> 0:45:26.120
<v Speaker 4>I feel like my life is made for me to

0:45:26.239 --> 0:45:29.319
<v Speaker 4>make pay music that liberate people. But I just didn't

0:45:29.360 --> 0:45:30.719
<v Speaker 4>come out like that as an artist. I came out

0:45:30.719 --> 0:45:32.439
<v Speaker 4>as you know, a love boy and all that type

0:45:32.440 --> 0:45:34.600
<v Speaker 4>of stuff. That's how I was marketed as a young artist.

0:45:34.680 --> 0:45:38.279
<v Speaker 4>And I've been trying to make that transition, you know, because.

0:45:38.000 --> 0:45:40.640
<v Speaker 1>That's like the next.

0:45:42.200 --> 0:45:43.680
<v Speaker 4>The album that I make, that's like that I have

0:45:43.760 --> 0:45:47.720
<v Speaker 4>a name for everything. It's going to be a completely

0:45:47.800 --> 0:45:50.200
<v Speaker 4>different sound and a completely different intention behind it, and

0:45:50.200 --> 0:45:52.400
<v Speaker 4>I feel like it's gonna be something that liberates a

0:45:52.520 --> 0:45:56.239
<v Speaker 4>lot of people musically and lyrically. That's what I'm here

0:45:56.280 --> 0:45:58.000
<v Speaker 4>to do for sure, outside of the R and B shit.

0:45:58.080 --> 0:46:01.799
<v Speaker 4>You see that as I foresee it like it's it's

0:46:02.120 --> 0:46:03.920
<v Speaker 4>it's the album where my soul is really gonna be

0:46:03.960 --> 0:46:06.560
<v Speaker 4>able to feel like, Okay, we let it out.

0:46:06.600 --> 0:46:06.680
<v Speaker 6>Bro.

0:46:07.120 --> 0:46:08.400
<v Speaker 1>You know I ain't gonna kock it over. I got it.

0:46:09.680 --> 0:46:11.279
<v Speaker 1>We let it out, Bro. This is this is it?

0:46:11.400 --> 0:46:12.360
<v Speaker 1>You know what I mean? Marvin did that.

0:46:12.440 --> 0:46:14.000
<v Speaker 4>That's why I would say Marvin, he did that, he

0:46:14.080 --> 0:46:15.200
<v Speaker 4>was able to do that, and I want to do

0:46:15.280 --> 0:46:17.360
<v Speaker 4>that one day, shot for it.

0:46:17.440 --> 0:46:22.080
<v Speaker 1>So yeah, TUPAC or d m X, whichever criteria you want.

0:46:28.600 --> 0:46:31.080
<v Speaker 1>Have you ever met either? Oh yeah, I know, I

0:46:31.200 --> 0:46:31.520
<v Speaker 1>know X.

0:46:31.600 --> 0:46:34.799
<v Speaker 4>I never met Pop before. Neither X and my uncle

0:46:34.960 --> 0:46:36.799
<v Speaker 4>was actually they were, they were friends. They knew each

0:46:36.800 --> 0:46:40.000
<v Speaker 4>other very well. My uncle rest in peace. Anthony Hardaway

0:46:41.880 --> 0:46:42.439
<v Speaker 4>rest in peace.

0:46:42.680 --> 0:46:52.640
<v Speaker 1>D m X, I'm gonna go. I'm gonna go. Yeah, motherfuckers. Man. Yeah,

0:46:54.680 --> 0:46:55.359
<v Speaker 1>you just want to drink.

0:46:57.719 --> 0:46:58.000
<v Speaker 5>I do.

0:47:00.800 --> 0:47:05.200
<v Speaker 3>Recipes, but I never It's hard to pick. It's hard

0:47:05.200 --> 0:47:07.040
<v Speaker 3>to pick to pick. I mean, tell you the truth,

0:47:07.480 --> 0:47:09.239
<v Speaker 3>if it wasn't for a pocket, wouldn't be a d MX.

0:47:09.280 --> 0:47:11.560
<v Speaker 3>So I guess you can take that angle. But there's

0:47:11.560 --> 0:47:14.239
<v Speaker 3>certain people who love DMX and their own right well,

0:47:14.320 --> 0:47:16.160
<v Speaker 3>who didn't even know.

0:47:16.280 --> 0:47:16.960
<v Speaker 1>Pak, you know what I mean.

0:47:17.080 --> 0:47:20.160
<v Speaker 4>So absolutely so I say that I can see the

0:47:20.200 --> 0:47:22.560
<v Speaker 4>synergy of why you say that for sure, you know,

0:47:22.640 --> 0:47:24.160
<v Speaker 4>because that's that's that's a big statement.

0:47:24.160 --> 0:47:25.520
<v Speaker 1>But I can see the synergy of why you say

0:47:25.560 --> 0:47:28.759
<v Speaker 1>that just in terms of why do you say that, Well,

0:47:28.760 --> 0:47:29.479
<v Speaker 1>because it's the truth.

0:47:29.640 --> 0:47:32.600
<v Speaker 3>I mean, if it wasn't, if it wasn't, Pot came

0:47:32.640 --> 0:47:35.880
<v Speaker 3>out first and Pop's energy and I'm gonna tell you

0:47:35.920 --> 0:47:38.600
<v Speaker 3>the trade crazy ship when when DMX came out from

0:47:38.680 --> 0:47:40.200
<v Speaker 3>DMX had.

0:47:39.800 --> 0:47:42.080
<v Speaker 1>The band dan on and everything. He wasn't trying to

0:47:42.120 --> 0:47:44.120
<v Speaker 1>be Pot at all. That was just his style and

0:47:44.239 --> 0:47:46.520
<v Speaker 1>Yonkers that was just how they dressed it at that time.

0:47:47.160 --> 0:47:50.399
<v Speaker 3>And so if you listen to the content of their music,

0:47:50.719 --> 0:47:52.239
<v Speaker 3>content doesn't match at all.

0:47:52.480 --> 0:47:55.080
<v Speaker 1>It's just like the like the persona.

0:47:55.680 --> 0:47:59.040
<v Speaker 3>But if you listen to DMX really really good, he's

0:47:59.120 --> 0:48:03.640
<v Speaker 3>preplaying a doll as supposed Park was actually a black activists.

0:48:03.840 --> 0:48:06.840
<v Speaker 3>For sure, they had they had they looked similar, they

0:48:06.920 --> 0:48:11.000
<v Speaker 3>both had six backs, but they they let they walked.

0:48:11.080 --> 0:48:13.680
<v Speaker 3>They walked the same route, but in the opposite directions.

0:48:13.880 --> 0:48:15.680
<v Speaker 3>I get what you said, they walked the same boardwalk,

0:48:15.880 --> 0:48:16.400
<v Speaker 3>you know what I mean.

0:48:16.440 --> 0:48:19.680
<v Speaker 4>I feel like later on in his life, DMX did

0:48:19.760 --> 0:48:22.840
<v Speaker 4>become more of like he started speaking more on like

0:48:23.000 --> 0:48:24.360
<v Speaker 4>yo our power.

0:48:24.520 --> 0:48:26.000
<v Speaker 1>You know what I'm saying. He prayed a lot like

0:48:26.120 --> 0:48:28.960
<v Speaker 1>he you know, so he did have that prophetic energy and.

0:48:29.280 --> 0:48:32.080
<v Speaker 3>Like you know, I mean what I would slightly disagree

0:48:32.080 --> 0:48:36.440
<v Speaker 3>with say that he became more of God as opposed

0:48:36.480 --> 0:48:39.759
<v Speaker 3>to Park, he became more of the people. So that's

0:48:39.800 --> 0:48:42.120
<v Speaker 3>the only different for sure, that's the only difference. Like

0:48:42.360 --> 0:48:44.840
<v Speaker 3>DMX fell motion love of God. Like you know what,

0:48:44.880 --> 0:48:48.520
<v Speaker 3>I'm sure like DMX last days his life, he was

0:48:48.640 --> 0:48:51.040
<v Speaker 3>with us almost every day, that's crazy. And he would

0:48:51.400 --> 0:48:53.880
<v Speaker 3>come and this is how he talked to me, Like

0:48:54.440 --> 0:48:57.040
<v Speaker 3>because I just drink wine and champagne, I drink soft

0:48:57.160 --> 0:48:58.680
<v Speaker 3>liquor like you still drink.

0:48:59.400 --> 0:49:02.480
<v Speaker 1>I'm like, bros.

0:49:02.719 --> 0:49:04.520
<v Speaker 3>But that's not the type of person. He was a

0:49:04.600 --> 0:49:06.600
<v Speaker 3>great person, resting piece to him. Both bro Okay, so

0:49:06.640 --> 0:49:07.400
<v Speaker 3>let's go to the next one.

0:49:07.680 --> 0:49:14.600
<v Speaker 1>Joe or Tank Man say what up my nigga? Joe Man? Okay,

0:49:14.800 --> 0:49:18.560
<v Speaker 1>Joe Joe explanation? Why I mean.

0:49:19.960 --> 0:49:22.640
<v Speaker 4>For those who like may not understand R and B

0:49:22.760 --> 0:49:28.000
<v Speaker 4>all the way like that, I just think Joe he

0:49:28.120 --> 0:49:31.320
<v Speaker 4>was more instrumental in my upbringing of R and B.

0:49:31.520 --> 0:49:33.600
<v Speaker 4>You know what I'm saying, Like he was really somebody

0:49:33.680 --> 0:49:36.719
<v Speaker 4>I study you know what I'm saying. Thanks amazing. You

0:49:36.760 --> 0:49:38.040
<v Speaker 4>know what I'm saying. I feel like I love that

0:49:38.080 --> 0:49:40.320
<v Speaker 4>he's still here doing his thing and he's incredible. But

0:49:40.520 --> 0:49:42.560
<v Speaker 4>I studied Joe. You know what I'm saying, a lot

0:49:42.600 --> 0:49:44.960
<v Speaker 4>of fans out there call me baby Joe sometimes you

0:49:45.000 --> 0:49:47.200
<v Speaker 4>know what I mean, and certain inflections and certain things I.

0:49:47.239 --> 0:49:49.839
<v Speaker 1>Do in music. But yeah, I would say Joe, Yeah,

0:49:50.200 --> 0:49:59.319
<v Speaker 1>I respect that show. New additional Jackson five, Jackson Fox. Okay,

0:49:59.440 --> 0:50:03.840
<v Speaker 1>because that Jackson bond is a new addition. Correct, I

0:50:03.880 --> 0:50:04.160
<v Speaker 1>don't know.

0:50:04.200 --> 0:50:06.880
<v Speaker 4>I never say without this without that, it's for me,

0:50:08.120 --> 0:50:12.759
<v Speaker 4>that's two different time period inspiration for sure, for sure,

0:50:12.800 --> 0:50:16.319
<v Speaker 4>for sure what Jackson Five's is Jackson Five's.

0:50:16.040 --> 0:50:20.359
<v Speaker 1>At birth Mike Michael Jackson Bro Birth to Go. That's

0:50:20.440 --> 0:50:22.840
<v Speaker 1>just that is like, yeah, yeah, you can play that

0:50:22.960 --> 0:50:25.400
<v Speaker 1>right now. You don't even know. If you play that

0:50:25.480 --> 0:50:29.440
<v Speaker 1>to a kid who doesn't they won't know. That's the

0:50:29.480 --> 0:50:31.799
<v Speaker 1>true definition of timeless music. Timeless bro.

0:50:31.920 --> 0:50:33.839
<v Speaker 4>And just just like they let you in their life

0:50:33.840 --> 0:50:36.319
<v Speaker 4>in a different way where it's like you you learn

0:50:36.440 --> 0:50:39.080
<v Speaker 4>artists development from Jackson five. You got a chance to

0:50:39.120 --> 0:50:41.000
<v Speaker 4>see like, Okay, this is what it takes to really

0:50:41.000 --> 0:50:44.640
<v Speaker 4>be and you also got a chance to see the growth. Bro, Like,

0:50:44.800 --> 0:50:48.080
<v Speaker 4>there's never been a group in history that I know of.

0:50:48.239 --> 0:50:53.759
<v Speaker 4>Please know that you've been able to see them from five, six,

0:50:53.880 --> 0:50:56.480
<v Speaker 4>seven years old all the way to how old is

0:50:56.520 --> 0:50:57.399
<v Speaker 4>Mike when he passed away?

0:50:57.440 --> 0:51:01.719
<v Speaker 1>Fifty? Bro? Come on, bro, like it's never been it's

0:51:01.840 --> 0:51:04.840
<v Speaker 1>never forbidden. You know that. You know they family, you

0:51:04.880 --> 0:51:06.919
<v Speaker 1>know their history, you know his dad was whatever.

0:51:07.000 --> 0:51:07.160
<v Speaker 10>You know.

0:51:07.480 --> 0:51:08.160
<v Speaker 1>It's just it's so.

0:51:08.280 --> 0:51:11.160
<v Speaker 4>Much energy and information there that it's like you can't

0:51:11.160 --> 0:51:12.560
<v Speaker 4>compare it. It's just crazy.

0:51:13.920 --> 0:51:20.759
<v Speaker 1>Yeah, I agree with that. Oh, Bobby Brown or R

0:51:20.880 --> 0:51:29.040
<v Speaker 1>Kelly you know that's the cocaine section over there, right,

0:51:34.440 --> 0:51:34.880
<v Speaker 1>R Kelly?

0:51:35.360 --> 0:51:41.080
<v Speaker 4>Okay, you know y'all picking an interesting artist like that.

0:51:41.440 --> 0:51:46.960
<v Speaker 4>That's not me, I say, Kelly, Bro, you know it's

0:51:47.040 --> 0:51:52.360
<v Speaker 4>it's a writer, you know, R and B goat again.

0:51:52.560 --> 0:51:54.800
<v Speaker 4>It goes back to the Emperor conversation, being able to

0:51:54.840 --> 0:51:56.439
<v Speaker 4>go from I believe I can.

0:51:56.440 --> 0:52:03.759
<v Speaker 1>Fly to this is my son because the it's like,

0:52:06.080 --> 0:52:08.040
<v Speaker 1>it's just it's too many different.

0:52:10.680 --> 0:52:13.600
<v Speaker 4>If if if these people were generals of armies, who

0:52:13.600 --> 0:52:16.840
<v Speaker 4>would you want to be a general? You would be like, yo,

0:52:16.920 --> 0:52:19.560
<v Speaker 4>you he's gonna teach you how to snipe she with.

0:52:19.600 --> 0:52:28.800
<v Speaker 1>The handgun, play with your hands like Bobby.

0:52:31.760 --> 0:52:33.840
<v Speaker 4>But not to take nothing from Bobby. You know what

0:52:33.880 --> 0:52:36.400
<v Speaker 4>I'm saying this is he's an icon. You know what

0:52:36.400 --> 0:52:39.799
<v Speaker 4>I'm saying, He's There would be no Usher without Bobby, right.

0:52:41.520 --> 0:52:43.680
<v Speaker 1>Everybody say like being an artist like you.

0:52:43.719 --> 0:52:46.879
<v Speaker 4>Got it, Like you know, it's like you gotta kind

0:52:46.920 --> 0:52:49.080
<v Speaker 4>of like crash out a little bit, be a little

0:52:49.080 --> 0:52:50.480
<v Speaker 4>bit of a rock star, be a little bit of

0:52:50.520 --> 0:52:53.279
<v Speaker 4>a junkie to sucking, be like on top type ship

0:52:53.520 --> 0:52:57.200
<v Speaker 4>like bro, Like, nah, Bro, you just got to understand

0:52:57.320 --> 0:52:59.920
<v Speaker 4>darkness and light because I feel like some people that's

0:53:00.040 --> 0:53:03.520
<v Speaker 4>that way of like going to the dark side. My

0:53:03.640 --> 0:53:07.320
<v Speaker 4>way of going to the dark side is like internal

0:53:07.640 --> 0:53:09.120
<v Speaker 4>is mental. It's fucking.

0:53:10.640 --> 0:53:12.600
<v Speaker 1>It's very you know what I mean. I dealt with

0:53:12.680 --> 0:53:15.400
<v Speaker 1>it early on, so it was like it's just it's

0:53:15.440 --> 0:53:16.840
<v Speaker 1>more of a mental thing for me.

0:53:17.680 --> 0:53:19.480
<v Speaker 4>Like I feel like if I did them type of drugs,

0:53:19.960 --> 0:53:21.040
<v Speaker 4>it wouldn't do nothing to me.

0:53:22.040 --> 0:53:25.200
<v Speaker 1>Wait until you do those drugs and then no, I'm

0:53:25.239 --> 0:53:26.560
<v Speaker 1>trying to no, I'll give it.

0:53:26.600 --> 0:53:31.319
<v Speaker 4>You say no, no, listen, no, Okay, I've done plant

0:53:31.400 --> 0:53:32.280
<v Speaker 4>medicine before.

0:53:32.440 --> 0:53:35.480
<v Speaker 1>Right, Okay, It's just it's it's just.

0:53:38.680 --> 0:53:42.680
<v Speaker 4>It's just a different type of it. I haven't gotten

0:53:42.719 --> 0:53:43.920
<v Speaker 4>that for yet because I might not be here. I

0:53:43.960 --> 0:53:45.920
<v Speaker 4>won't come back. I promise you if I did Aauasca,

0:53:45.960 --> 0:53:47.520
<v Speaker 4>I would You would never hear another R and B

0:53:47.520 --> 0:53:48.239
<v Speaker 4>album from me again.

0:53:48.280 --> 0:53:57.800
<v Speaker 1>You would never hear another to heavy metal. No no,

0:53:58.000 --> 0:54:01.240
<v Speaker 1>but but the constant, the constant, the content would be different.

0:54:01.320 --> 0:54:03.400
<v Speaker 1>I just it would be a whole of a different situation.

0:54:04.120 --> 0:54:07.920
<v Speaker 1>I'm not. Yeah, it was kind of like it's like

0:54:08.000 --> 0:54:12.160
<v Speaker 1>it's I said that. Yeah, That's why I said not

0:54:12.320 --> 0:54:13.960
<v Speaker 1>for sure, for sure. You know what I'm saying.

0:54:14.000 --> 0:54:16.480
<v Speaker 4>I feel like if I if I, if I did that,

0:54:16.560 --> 0:54:19.279
<v Speaker 4>I think I would if anything, I would probably just

0:54:19.360 --> 0:54:21.640
<v Speaker 4>have a crazy episode of like wanting to get it

0:54:21.680 --> 0:54:23.799
<v Speaker 4>out of my body quick and then you always see

0:54:23.880 --> 0:54:25.600
<v Speaker 4>me go through some crazy ship in front of you

0:54:25.680 --> 0:54:26.719
<v Speaker 4>and then it would be gone.

0:54:26.880 --> 0:54:30.040
<v Speaker 1>Like it's just yeah, but can you explain further the

0:54:30.080 --> 0:54:33.759
<v Speaker 1>plant medicine you're started with, Oh, yeah, for sure. My

0:54:33.880 --> 0:54:35.600
<v Speaker 1>first one was I started with shrooms.

0:54:36.200 --> 0:54:39.200
<v Speaker 4>The one I've done the Yeah, but it's like but

0:54:39.320 --> 0:54:41.680
<v Speaker 4>in a ceremonial sense, it's a different thing when you

0:54:41.760 --> 0:54:43.200
<v Speaker 4>do like God, does you know what I mean?

0:54:43.400 --> 0:54:45.240
<v Speaker 1>You're secluded in you in your own space.

0:54:45.960 --> 0:54:48.880
<v Speaker 4>You know, it's just a different level of recognition, you know,

0:54:49.200 --> 0:54:52.400
<v Speaker 4>with your soul and recognizing yourself in a completely different

0:54:52.440 --> 0:54:56.360
<v Speaker 4>space and understanding, like there's things that's answers questions that

0:54:56.400 --> 0:54:58.200
<v Speaker 4>I had that I was able to answer on plant

0:54:58.239 --> 0:55:00.160
<v Speaker 4>medicine for myself that I wasn't able to answer, or

0:55:00.840 --> 0:55:03.439
<v Speaker 4>you know, being in the normal state where I'm dealing

0:55:03.480 --> 0:55:06.920
<v Speaker 4>with life right and it's really healing, bro because it

0:55:07.040 --> 0:55:10.080
<v Speaker 4>allows you to, in a short period of time.

0:55:11.440 --> 0:55:16.759
<v Speaker 1>Live like ten years of life, go back, literally go in.

0:55:16.840 --> 0:55:19.719
<v Speaker 4>And heal certain parts of yourself that you hadn't paid

0:55:19.719 --> 0:55:21.360
<v Speaker 4>a since to do because it's because it's coming to

0:55:21.440 --> 0:55:23.719
<v Speaker 4>the forefront in a way where you can't escape it.

0:55:23.800 --> 0:55:26.160
<v Speaker 1>It's like putting everything in front of you. You know,

0:55:26.239 --> 0:55:30.359
<v Speaker 1>it's beyond it's like a cosmic therapist, if you will.

0:55:31.200 --> 0:55:34.000
<v Speaker 1>That kind of sounds the way Mike Tyson is. It's

0:55:34.040 --> 0:55:34.960
<v Speaker 1>like a cosmic therapist.

0:55:35.360 --> 0:55:38.560
<v Speaker 3>We're interviewing Mike Tyson. We did hroomed too right on

0:55:38.680 --> 0:55:42.040
<v Speaker 3>the interview in live on an interview. I guess who

0:55:42.080 --> 0:55:44.640
<v Speaker 3>gave it to us, Mike Tyson. No one's gonna tell

0:55:44.719 --> 0:55:51.800
<v Speaker 3>Mike Wow, Wow, he just goes like this and we're like,

0:55:51.880 --> 0:55:55.640
<v Speaker 3>we're scared, like because who tells no to Mike Tyson?

0:55:55.760 --> 0:55:57.640
<v Speaker 1>Right, and he like kind of like shelves it at us.

0:55:57.719 --> 0:56:03.480
<v Speaker 1>I love it. I love that for ya. That's amazing.

0:56:03.640 --> 0:56:05.960
<v Speaker 1>My wife said that was the happiest he's ever seen me.

0:56:07.120 --> 0:56:09.600
<v Speaker 1>I was around that, Bro, that's fire.

0:56:09.880 --> 0:56:13.560
<v Speaker 4>I mean if we were to be more like vulnerable

0:56:13.680 --> 0:56:15.960
<v Speaker 4>like that and life, imagine what we be able to

0:56:16.040 --> 0:56:20.160
<v Speaker 4>learn from each other if it was that like that's

0:56:20.360 --> 0:56:24.000
<v Speaker 4>you know, but yeah, no, not playing medicine is amazing, bro.

0:56:24.160 --> 0:56:27.040
<v Speaker 4>It definitely changed my life. And it it's almost like

0:56:27.440 --> 0:56:29.879
<v Speaker 4>I know, I understand this realm a lot better because

0:56:29.880 --> 0:56:37.880
<v Speaker 4>I understand how I'll say immature, like if I had

0:56:37.920 --> 0:56:40.600
<v Speaker 4>to to to this is an immature real in a

0:56:40.680 --> 0:56:44.239
<v Speaker 4>lot of ways. You know what I'm saying, distractions distractions,

0:56:44.320 --> 0:56:48.520
<v Speaker 4>but it's just like it's running from it runs from

0:56:49.160 --> 0:56:51.200
<v Speaker 4>truth in a lot of ways. So everything is like,

0:56:52.000 --> 0:56:56.680
<v Speaker 4>you know, it's about magicianship more so than it's about

0:56:56.719 --> 0:56:59.640
<v Speaker 4>the heart and about like being completely vulnerable, which it

0:56:59.640 --> 0:57:01.399
<v Speaker 4>is hard to do that. You can't do that when

0:57:01.520 --> 0:57:05.200
<v Speaker 4>you have you know, people that are out to take

0:57:05.200 --> 0:57:08.560
<v Speaker 4>advantage of you. And completely misunderstand everything you say because

0:57:08.560 --> 0:57:11.239
<v Speaker 4>they're just not on your level right of understanding at

0:57:11.280 --> 0:57:14.520
<v Speaker 4>some point. But you know, I think if we make

0:57:14.560 --> 0:57:17.080
<v Speaker 4>it the norm, if we continue to like bring out

0:57:17.240 --> 0:57:20.560
<v Speaker 4>the parts of ourselves that we don't really like, if

0:57:20.640 --> 0:57:22.440
<v Speaker 4>I reward you for the better things you do in

0:57:22.520 --> 0:57:23.960
<v Speaker 4>life versus the worst things you do in life on

0:57:24.000 --> 0:57:26.200
<v Speaker 4>a daily basis, even if you go back home in

0:57:26.240 --> 0:57:28.720
<v Speaker 4>the hood, if people will rewarded for like if you

0:57:28.760 --> 0:57:29.880
<v Speaker 4>go to the block and you're like, yo, I just

0:57:29.920 --> 0:57:32.480
<v Speaker 4>did this fast, I just did this, and people are like, Yo,

0:57:32.760 --> 0:57:33.360
<v Speaker 4>that's fire, bro.

0:57:33.520 --> 0:57:36.960
<v Speaker 1>We reward you for that versus that's corny or that's this,

0:57:37.360 --> 0:57:38.400
<v Speaker 1>Like just little things like that.

0:57:38.840 --> 0:57:43.000
<v Speaker 4>Rewarding the better parts of ourselves as humanity, that would

0:57:43.080 --> 0:57:46.800
<v Speaker 4>change so much, you know what I'm saying in our society.

0:57:47.840 --> 0:57:50.880
<v Speaker 1>It really would. But it also comes with just being real,

0:57:51.160 --> 0:57:51.720
<v Speaker 1>you know what I'm saying.

0:57:51.800 --> 0:57:54.040
<v Speaker 4>It's just like, no one's gonna change overnight, Like shit

0:57:54.120 --> 0:57:54.880
<v Speaker 4>don't happen overnight.

0:57:54.920 --> 0:57:58.320
<v Speaker 1>But reward those little steps that people take. That's real. No,

0:57:59.040 --> 0:58:00.000
<v Speaker 1>I've helped people change.

0:58:00.040 --> 0:58:02.200
<v Speaker 4>It's like that by understanding, like all right, cool, like

0:58:02.480 --> 0:58:04.520
<v Speaker 4>reward people for like the things that they do. That's

0:58:04.600 --> 0:58:07.840
<v Speaker 4>hard for them, bro, because everybody don't have the same struggles.

0:58:07.880 --> 0:58:09.880
<v Speaker 4>Some people really struggle with things that's hard for them.

0:58:09.960 --> 0:58:12.840
<v Speaker 4>It's hard for them to break them demons. You reward them, like,

0:58:13.600 --> 0:58:16.200
<v Speaker 4>you know, by seeing them like yo, I see that

0:58:16.280 --> 0:58:19.960
<v Speaker 4>you're working on this instead of shunning it or making

0:58:20.000 --> 0:58:21.840
<v Speaker 4>them feel like, oh this that's corny or whatever.

0:58:21.920 --> 0:58:24.200
<v Speaker 1>You know what I mean. I was talking so smart

0:58:24.240 --> 0:58:26.960
<v Speaker 1>in the hood the other day and I was like, yeah,

0:58:26.960 --> 0:58:30.400
<v Speaker 1>what what's homeboys? Yeah? Son, he was like sneaking going

0:58:30.440 --> 0:58:33.600
<v Speaker 1>to college. He thinks he a smart and ship what

0:58:33.800 --> 0:58:37.720
<v Speaker 1>the fun is conversation? What we haven't right now? Like, yeah,

0:58:38.040 --> 0:58:40.280
<v Speaker 1>God's trying to better himself and go to college.

0:58:40.640 --> 0:58:43.720
<v Speaker 4>Yeah, think smart and sh I was like, damn, I

0:58:43.800 --> 0:58:45.240
<v Speaker 4>just don't calibrate on the same level.

0:58:45.360 --> 0:58:47.480
<v Speaker 1>Yeah, it's just it's just horrible. But I feel like

0:58:47.560 --> 0:58:50.960
<v Speaker 1>sometimes even I met people smarter than people that go

0:58:51.040 --> 0:58:52.640
<v Speaker 1>to college. Bro, it's not even about college.

0:58:52.680 --> 0:58:56.720
<v Speaker 4>It's about it's about your own understanding of life and

0:58:56.800 --> 0:58:58.480
<v Speaker 4>how deep you're willing to go down the rabbit hole

0:58:58.520 --> 0:58:59.680
<v Speaker 4>to understand what's going on.

0:59:00.040 --> 0:59:03.040
<v Speaker 1>Especially today we live in a completely different world.

0:59:04.680 --> 0:59:08.840
<v Speaker 4>It's like education is very important, absolutely, but It's also

0:59:08.880 --> 0:59:12.680
<v Speaker 4>important for you to educate yourself beyond what you learned

0:59:12.680 --> 0:59:15.160
<v Speaker 4>in school, beyond what your parents taught you, beyond your religion,

0:59:15.240 --> 0:59:18.040
<v Speaker 4>beyond everything so you can understand. So the game that

0:59:18.120 --> 0:59:21.360
<v Speaker 4>we plan Monopoly and multi dimensional Chess, this is what's

0:59:21.400 --> 0:59:28.320
<v Speaker 4>going on. But yeah, Jada kiss or nas back to

0:59:28.400 --> 0:59:35.800
<v Speaker 4>the script. Yeah, you gotta drink Jada. Yeah, as as

0:59:35.880 --> 0:59:40.920
<v Speaker 4>far as you want, y'all set this up. Sons can drink.

0:59:40.960 --> 0:59:43.440
<v Speaker 4>I get it, I get it.

0:59:43.800 --> 0:59:50.880
<v Speaker 1>I give it you guys. Uh damn, I kind of

0:59:50.960 --> 0:59:52.760
<v Speaker 1>got a drink to that. Bro. That's kind of crazy.

0:59:53.920 --> 0:59:56.760
<v Speaker 1>Can I can I say this something way? This game

0:59:56.840 --> 0:59:59.520
<v Speaker 1>goes that you want some real melicine ship, Yeah, I

0:59:59.600 --> 1:00:02.640
<v Speaker 1>mean you can still sip it, but you got to

1:00:02.680 --> 1:00:04.280
<v Speaker 1>go to the to the Coso Zoo.

1:00:04.320 --> 1:00:07.600
<v Speaker 3>We got it for you, baby, Consoo. Nobody orders cosso

1:00:08.040 --> 1:00:14.720
<v Speaker 3>you the only one classic. I'm in the resource. Okay,

1:00:18.040 --> 1:00:19.360
<v Speaker 3>what she got a joint with Jada Kiss?

1:00:20.680 --> 1:00:24.520
<v Speaker 1>Jada Kiss is my niggas. It's hard to go, but

1:00:24.760 --> 1:00:28.800
<v Speaker 1>you had a joint when you worked together. Now yeah, yeah,

1:00:28.800 --> 1:00:30.640
<v Speaker 1>I worked when I was on this was it? The last?

1:00:31.600 --> 1:00:32.360
<v Speaker 1>What album was that?

1:00:32.480 --> 1:00:32.600
<v Speaker 5>Bro?

1:00:33.920 --> 1:00:35.760
<v Speaker 1>I believe it was the last album that came out right,

1:00:36.160 --> 1:00:39.800
<v Speaker 1>the last album that came out, King's Disease, Ye, King's Disease.

1:00:39.840 --> 1:00:40.640
<v Speaker 1>Bro the second one.

1:00:40.680 --> 1:00:42.920
<v Speaker 4>Okay, walked in the studio, him and hit Boy was

1:00:43.040 --> 1:00:44.360
<v Speaker 4>me and hit was supposed to work. He was in

1:00:44.400 --> 1:00:46.760
<v Speaker 4>there working with nas You walk in the studio and

1:00:46.920 --> 1:00:48.320
<v Speaker 4>never know who hip boy want being with.

1:00:49.720 --> 1:00:50.080
<v Speaker 1>And I was.

1:00:50.160 --> 1:00:52.520
<v Speaker 4>It was just like he was about to close the

1:00:52.560 --> 1:00:55.080
<v Speaker 4>album up and I heard the record. He was like, Bro,

1:00:56.320 --> 1:00:58.760
<v Speaker 4>we started vibing in there. I'm like, put some vocals

1:00:58.800 --> 1:01:00.960
<v Speaker 4>on this right now, like one of them things like

1:01:01.040 --> 1:01:01.800
<v Speaker 4>I just cleared the guys.

1:01:01.840 --> 1:01:03.120
<v Speaker 1>I'm like, yo, I'm in I'm in the studio with

1:01:03.760 --> 1:01:08.720
<v Speaker 1>we locked in, put some vocus on the record, and yeah, man,

1:01:08.840 --> 1:01:13.440
<v Speaker 1>like he's just one of his nas Is is just

1:01:13.800 --> 1:01:15.000
<v Speaker 1>a different space. Bro.

1:01:15.400 --> 1:01:17.320
<v Speaker 4>You know, he's one of the ghosts of lyricism and

1:01:17.400 --> 1:01:22.560
<v Speaker 4>storytelling and you know he's uh, he's definitely in my

1:01:22.680 --> 1:01:23.280
<v Speaker 4>top four.

1:01:24.960 --> 1:01:28.200
<v Speaker 1>Even five. I like that. I've never heard a niggas

1:01:28.200 --> 1:01:28.680
<v Speaker 1>say top four.

1:01:29.000 --> 1:01:31.680
<v Speaker 3>I'm not gonna gonna bite you, ship gonna get you

1:01:31.760 --> 1:01:35.800
<v Speaker 3>up on the top four, Okay for sure, all right,

1:01:36.280 --> 1:01:37.680
<v Speaker 3>Dave Chappelle or Chris Rock.

1:01:43.240 --> 1:01:50.600
<v Speaker 4>Mm hmm. I'm gonna say Dave Chappelle because I feel

1:01:50.640 --> 1:01:52.840
<v Speaker 4>like he took more blows for the culture, Like he

1:01:52.920 --> 1:01:54.120
<v Speaker 4>took more blows.

1:01:53.840 --> 1:01:54.520
<v Speaker 1>For the art.

1:01:55.680 --> 1:02:00.440
<v Speaker 4>He's he's he's not he's not scared. He don't got

1:02:00.480 --> 1:02:02.280
<v Speaker 4>no fear of them, you know what I'm saying. Like

1:02:02.640 --> 1:02:05.440
<v Speaker 4>he went to the dark side and came back. I

1:02:05.560 --> 1:02:07.720
<v Speaker 4>respect people like that because I understand people like that.

1:02:08.240 --> 1:02:11.120
<v Speaker 4>It's just like, yeah, Dave Chappelle, for sure, Okay.

1:02:11.560 --> 1:02:15.480
<v Speaker 1>That was easy a car or T pay wow, order to? Yeah,

1:02:18.760 --> 1:02:26.240
<v Speaker 1>it's crazy. I mean I have to go like as

1:02:26.280 --> 1:02:30.040
<v Speaker 1>far as what just yeah, no order to.

1:02:30.400 --> 1:02:33.160
<v Speaker 4>I'm gonna say, I'm gonna say T pain. Let's say

1:02:33.200 --> 1:02:36.240
<v Speaker 4>tea paining bro shut out the T Yeah yeah, yeah.

1:02:37.640 --> 1:02:39.640
<v Speaker 4>It was a love of the stripper, his first nigga.

1:02:40.040 --> 1:02:41.000
<v Speaker 1>He was a love with the stripper.

1:02:41.040 --> 1:02:43.960
<v Speaker 3>He was the first person it's been. He's been in

1:02:44.040 --> 1:02:46.320
<v Speaker 3>love with trippers now, but he was the first one.

1:02:46.360 --> 1:02:49.600
<v Speaker 3>In a minute, he definitely was what.

1:02:51.360 --> 1:02:55.240
<v Speaker 1>I'm still in love right now. I've been in love

1:02:55.280 --> 1:02:59.600
<v Speaker 1>with the stripper before. We all been in love stripper before.

1:03:00.040 --> 1:03:00.680
<v Speaker 1>You're playing bro.

1:03:01.480 --> 1:03:06.000
<v Speaker 11>Everybody didn't you know why because they accept me for whatever.

1:03:08.560 --> 1:03:08.800
<v Speaker 5>That was.

1:03:10.400 --> 1:03:12.200
<v Speaker 1>From the gym balls. They still.

1:03:13.720 --> 1:03:18.160
<v Speaker 4>You know, it's crazy, but like some of them like

1:03:18.280 --> 1:03:20.960
<v Speaker 4>sometimes like they see so much ship, like they just

1:03:21.040 --> 1:03:23.760
<v Speaker 4>got like they're you know, it's about women.

1:03:24.320 --> 1:03:25.120
<v Speaker 1>Interesting about women.

1:03:25.240 --> 1:03:28.680
<v Speaker 4>They are women, whether it's a girl who's never been

1:03:28.760 --> 1:03:34.000
<v Speaker 4>touched before or a girl who's fucked a thousand men. Okay,

1:03:35.360 --> 1:03:40.880
<v Speaker 4>I'm being honest. Women have so much they hold. I

1:03:40.960 --> 1:03:42.320
<v Speaker 4>mean we can make a joke about it. When you

1:03:42.800 --> 1:03:48.680
<v Speaker 4>like energetically women are you can learn from both sides,

1:03:49.800 --> 1:03:54.480
<v Speaker 4>like you can you know, a woman who deliberates herself

1:03:54.520 --> 1:03:59.840
<v Speaker 4>from that type of uh world and and and gets

1:03:59.880 --> 1:04:03.200
<v Speaker 4>her light back, like she's going to have a lot

1:04:05.440 --> 1:04:08.800
<v Speaker 4>of I'm not saying do it. I'm just saying that,

1:04:08.960 --> 1:04:11.400
<v Speaker 4>like on both sides of the perence, she's going to

1:04:11.480 --> 1:04:18.640
<v Speaker 4>have a lot of She don't have a lot of stories,

1:04:18.680 --> 1:04:21.120
<v Speaker 4>she don't have a lot of like spirit experience.

1:04:21.240 --> 1:04:24.040
<v Speaker 1>But like also, no, it's not just experience, bro, she

1:04:24.280 --> 1:04:29.439
<v Speaker 1>does I'm trying to put it in at the worst,

1:04:30.520 --> 1:04:35.840
<v Speaker 1>it's just more about it's about the energy that she

1:04:38.560 --> 1:04:40.480
<v Speaker 1>I feel like you're trying to say you can make

1:04:40.600 --> 1:04:43.080
<v Speaker 1>a whoror housewife. No, I'm not trying to say that.

1:04:44.320 --> 1:04:46.560
<v Speaker 1>I'm just understood that I just understood that. I apologize.

1:04:47.800 --> 1:04:49.880
<v Speaker 4>I feel like they've just gone deeper in some ways.

1:04:50.960 --> 1:04:53.400
<v Speaker 4>That's necessary for certain types of information.

1:04:53.840 --> 1:04:55.840
<v Speaker 1>You know what I'm saying. In life, you know what

1:04:55.880 --> 1:04:58.600
<v Speaker 1>I mean. It's not even those who understand understand what

1:04:58.640 --> 1:05:00.360
<v Speaker 1>I'm saying. That's what I'm talking. Let's do I'm saying,

1:05:00.440 --> 1:05:06.000
<v Speaker 1>you know, just as as as powerful in different ways.

1:05:06.440 --> 1:05:19.000
<v Speaker 1>I respect that, Okay, Rockefella Rough Riders mm hmm. Damn.

1:05:24.920 --> 1:05:26.919
<v Speaker 4>I feel like they've both made impacts in different ways.

1:05:26.960 --> 1:05:35.440
<v Speaker 4>So it's like, I'm gonna go with I'm gonna go

1:05:35.520 --> 1:05:39.040
<v Speaker 4>with rough Riders on this one. Your head rock rough Riders,

1:05:39.400 --> 1:05:40.640
<v Speaker 4>your head Cutters, Rockefeller.

1:05:42.280 --> 1:05:44.000
<v Speaker 1>I'm gonna go with rough Riders on this one.

1:05:44.080 --> 1:05:47.360
<v Speaker 3>Jacket says rough Riders because Michael Jackson toughness.

1:05:47.640 --> 1:05:49.800
<v Speaker 1>You know what I'm saying. So you're going rough Riders. Yeah,

1:05:49.800 --> 1:05:51.600
<v Speaker 1>I'm gona I'm gonna take a shot. I doubted you.

1:05:51.960 --> 1:05:54.840
<v Speaker 1>I thought you were with a Rockefeller someone's you don't

1:05:54.840 --> 1:06:01.280
<v Speaker 1>have to take a shot. I'm gonna tears. Yeah, I'm

1:06:01.280 --> 1:06:02.880
<v Speaker 1>gonna go with I'm gonna go with rough Riders on

1:06:02.920 --> 1:06:04.960
<v Speaker 1>this one. Bro, I swore you to pick Rocking Feller. Bro,

1:06:05.240 --> 1:06:07.800
<v Speaker 1>I feel like when I think about because I'm thinking

1:06:07.800 --> 1:06:09.360
<v Speaker 1>about the ship that we talked about earlier, Like when

1:06:09.360 --> 1:06:11.920
<v Speaker 1>I think about Rough Riders, I'm thinking about like the unity,

1:06:11.960 --> 1:06:14.160
<v Speaker 1>I'm thinking about the fact that I don't think I

1:06:14.320 --> 1:06:16.800
<v Speaker 1>ever heard maybe I miss some. I don't think. I

1:06:17.120 --> 1:06:19.760
<v Speaker 1>just feel like they was just they was in the streets.

1:06:19.840 --> 1:06:19.960
<v Speaker 10>Bro.

1:06:20.600 --> 1:06:22.480
<v Speaker 4>I feel like they was like just like really like

1:06:23.960 --> 1:06:26.360
<v Speaker 4>just more like Nigga, we you know what I'm saying,

1:06:26.400 --> 1:06:30.120
<v Speaker 4>we locked in, Whereas though respect to Rockefeller and everything,

1:06:30.160 --> 1:06:32.280
<v Speaker 4>I felt like that was more like, I we just

1:06:32.320 --> 1:06:33.120
<v Speaker 4>get money together.

1:06:34.120 --> 1:06:35.480
<v Speaker 1>M hm. You know what I'm saying.

1:06:35.800 --> 1:06:38.400
<v Speaker 4>I feel like Rockefellers was on some like I mean,

1:06:38.480 --> 1:06:41.400
<v Speaker 4>Rough Riders was on some and bikes, Like, you know,

1:06:41.560 --> 1:06:42.880
<v Speaker 4>bike culture in Baltimore is big.

1:06:43.040 --> 1:06:45.320
<v Speaker 1>I say you probably I had a bike on.

1:06:45.360 --> 1:06:47.560
<v Speaker 4>My first album. I had a fucking two fifty on it.

1:06:47.720 --> 1:06:49.040
<v Speaker 4>Like so it's like, you know what I'm saying, Like.

1:06:49.080 --> 1:06:53.080
<v Speaker 3>We big in Baltimore. You probably probably see them like

1:06:53.320 --> 1:06:55.920
<v Speaker 3>as a kid. They probably don't even like, yeah.

1:06:55.800 --> 1:06:58.960
<v Speaker 1>Yeah it was lit, Yeah, yeah it was lit. So yeah.

1:06:59.240 --> 1:07:04.760
<v Speaker 1>Yeah that video that's I don't even know that. Yeah

1:07:06.080 --> 1:07:11.440
<v Speaker 1>he shot mad videos there. This one I did not

1:07:11.520 --> 1:07:14.720
<v Speaker 1>write this question, but he keeps is he is he Kevin?

1:07:15.040 --> 1:07:15.640
<v Speaker 5>No no, no, no, no no no.

1:07:16.240 --> 1:07:17.160
<v Speaker 1>I don't even make.

1:07:17.080 --> 1:07:19.600
<v Speaker 3>God they based it off for you. They watched you

1:07:19.720 --> 1:07:22.160
<v Speaker 3>for the first five questions. That's how they watch it.

1:07:22.680 --> 1:07:25.920
<v Speaker 3>So this one is a good one. I wish I

1:07:25.920 --> 1:07:28.680
<v Speaker 3>would have wrote this Chris Brown or Usher.

1:07:32.080 --> 1:07:44.320
<v Speaker 1>That's low key easy mhm h nah. I would say, yeah.

1:07:44.360 --> 1:07:53.000
<v Speaker 1>I mean, I'm gonna say overall, I'm gonna say c

1:07:53.200 --> 1:07:59.080
<v Speaker 1>B over Usher. I'm gonna say I'm gonna say c

1:07:59.280 --> 1:08:09.400
<v Speaker 1>B okay, And I'm gonna tell you why I'm about

1:08:09.400 --> 1:08:11.080
<v Speaker 1>to take you out down a different that's the path.

1:08:11.400 --> 1:08:11.800
<v Speaker 1>Let's cool.

1:08:18.720 --> 1:08:26.360
<v Speaker 4>Yeah, I can see things that most people don't see

1:08:27.040 --> 1:08:30.280
<v Speaker 4>or choose not to see, and a lot of us can,

1:08:30.320 --> 1:08:38.280
<v Speaker 4>but we don't talk about it. You know, some people

1:08:38.360 --> 1:08:42.800
<v Speaker 4>in his life is given paths that are meant to

1:08:42.840 --> 1:08:46.040
<v Speaker 4>be studied. H I see these path is is.

1:08:47.840 --> 1:08:48.519
<v Speaker 1>It was given a.

1:08:54.080 --> 1:08:55.880
<v Speaker 4>He was just given a different path, bro, And he

1:08:56.000 --> 1:09:00.200
<v Speaker 4>represents something that I feel like, you know, a lot

1:09:00.240 --> 1:09:03.200
<v Speaker 4>of times we overlook because of you know, mistakes that

1:09:03.280 --> 1:09:06.519
<v Speaker 4>he made. You know, not everybody, but a lot of

1:09:06.840 --> 1:09:08.519
<v Speaker 4>the world and a lot of people behind the scenes

1:09:08.520 --> 1:09:10.439
<v Speaker 4>and shit like that. You know, I made some mistakes

1:09:10.439 --> 1:09:12.160
<v Speaker 4>behind the scenes. I know how those does affected me.

1:09:12.200 --> 1:09:14.680
<v Speaker 4>So I can only imagine what BRO deal it. You know,

1:09:15.840 --> 1:09:17.800
<v Speaker 4>I fuck with us here. I think like talent wise

1:09:17.840 --> 1:09:20.080
<v Speaker 4>and team wise, and you know, he he got a

1:09:20.120 --> 1:09:22.720
<v Speaker 4>different type of army around him, you know.

1:09:23.600 --> 1:09:31.320
<v Speaker 1>And so you know, I feel like when CB or

1:09:31.400 --> 1:09:32.240
<v Speaker 1>if he wants.

1:09:32.040 --> 1:09:36.040
<v Speaker 4>To really like step away focus on himself for like

1:09:36.960 --> 1:09:39.360
<v Speaker 4>three like two a year, I give him a year

1:09:39.360 --> 1:09:41.479
<v Speaker 4>because alien he can do it in a year year and.

1:09:41.479 --> 1:09:46.599
<v Speaker 1>A half maybe and really like focus on what God

1:09:46.840 --> 1:09:49.280
<v Speaker 1>gave him all the way. But what do you mean

1:09:49.360 --> 1:09:49.519
<v Speaker 1>by that?

1:09:50.200 --> 1:09:50.320
<v Speaker 3>Bro?

1:09:50.560 --> 1:09:54.080
<v Speaker 1>Like just just my nigga felt he don't like he's

1:09:54.160 --> 1:09:55.400
<v Speaker 1>on He's on the runner now you doing?

1:09:55.600 --> 1:09:55.760
<v Speaker 5>You know.

1:09:56.080 --> 1:09:59.439
<v Speaker 4>But it's like sometimes we feel like as artists, we

1:09:59.520 --> 1:10:01.719
<v Speaker 4>gotta I'm not saying is how you feel. I'm saying

1:10:01.880 --> 1:10:03.960
<v Speaker 4>looking from the outside of all right, So I've been

1:10:04.000 --> 1:10:05.640
<v Speaker 4>here before, Like we gotta like, we gotta keep the

1:10:05.640 --> 1:10:07.599
<v Speaker 4>ship going, we gotta we gotta stay when it's hot,

1:10:07.600 --> 1:10:09.519
<v Speaker 4>we gotta keep but sometimes we also.

1:10:09.400 --> 1:10:10.640
<v Speaker 1>Need to step away and be like, you know what,

1:10:12.640 --> 1:10:15.960
<v Speaker 1>let me get my let me really like tune into

1:10:16.040 --> 1:10:17.519
<v Speaker 1>my guy energy all the way.

1:10:20.240 --> 1:10:23.760
<v Speaker 4>If he did that all the way. You would just

1:10:23.800 --> 1:10:28.000
<v Speaker 4>see a different being. You already see it, that being,

1:10:28.640 --> 1:10:31.320
<v Speaker 4>but you see right now. That's why I say C

1:10:31.479 --> 1:10:33.760
<v Speaker 4>B and I'm not saying that. Yeah, that's why I

1:10:33.800 --> 1:10:36.120
<v Speaker 4>say CB. You get it, you get it right, you

1:10:36.200 --> 1:10:37.720
<v Speaker 4>got it, you got it, you got it, you got it.

1:10:38.240 --> 1:10:40.519
<v Speaker 4>You got to hit that on the note. Look up

1:10:40.520 --> 1:10:46.720
<v Speaker 4>to Chris Brown got the clips or dog found Uh,

1:10:50.560 --> 1:10:54.160
<v Speaker 4>that's a good versus, that would be. That's a good vers.

1:11:00.960 --> 1:11:04.679
<v Speaker 1>I'm gonna go with Uh. I'mna go with doccowne okay,

1:11:07.200 --> 1:11:08.519
<v Speaker 1>Gucci Man or jeez.

1:11:14.280 --> 1:11:14.559
<v Speaker 5>M h.

1:11:16.840 --> 1:11:39.000
<v Speaker 1>Motherfuckers yo okay mm hmm. They go to both of

1:11:39.080 --> 1:11:45.760
<v Speaker 1>them to big up, big up, uh, Sam Cook or

1:11:45.800 --> 1:11:57.200
<v Speaker 1>Al Green? Al Green? Okay, love Sam Cook, love love

1:11:57.280 --> 1:12:02.200
<v Speaker 1>his soul, love what he represented in terms of.

1:12:04.560 --> 1:12:11.080
<v Speaker 4>Making specific records to liberate as people you know, think yeah,

1:12:11.120 --> 1:12:12.639
<v Speaker 4>his his music was just yeah.

1:12:13.960 --> 1:12:14.760
<v Speaker 1>Al Green.

1:12:18.120 --> 1:12:20.280
<v Speaker 4>As a musician and as an artist as a writer,

1:12:21.320 --> 1:12:24.600
<v Speaker 4>I a would say, you know somebody I resonate with more, But.

1:12:26.240 --> 1:12:32.800
<v Speaker 1>All right, Tory Lanez for the Weekend. Oh that's because

1:12:32.800 --> 1:12:36.560
<v Speaker 1>they broke both from Canada. I guess you didn't write this.

1:12:40.800 --> 1:12:45.479
<v Speaker 1>I get no publishing. I get no publishing this, it

1:12:45.640 --> 1:12:48.240
<v Speaker 1>just comes out of my label, but I get no publishing.

1:12:49.040 --> 1:12:52.800
<v Speaker 1>Lanes bro Lanes over the weekend. Yeah, bro, what are

1:12:52.800 --> 1:12:56.599
<v Speaker 1>you talking like? No, I'm not gonna lie about talent. Okay, okay,

1:12:56.640 --> 1:13:04.439
<v Speaker 1>we're talking about Tory is one of the most talented niggas. Yes, yes, yes,

1:13:05.040 --> 1:13:08.280
<v Speaker 1>obviously the weekend actholeague wise, right, you know.

1:13:08.240 --> 1:13:11.880
<v Speaker 3>What I'm saying, Like, it's interesting to see hear R

1:13:11.920 --> 1:13:14.679
<v Speaker 3>and B perspective, right, because she like when I listen

1:13:14.800 --> 1:13:15.320
<v Speaker 3>to R and B.

1:13:15.479 --> 1:13:17.960
<v Speaker 1>All right, Okay, I'm thinking about so when I'm going

1:13:18.000 --> 1:13:18.519
<v Speaker 1>about to go.

1:13:18.600 --> 1:13:20.439
<v Speaker 4>Do a festival show, and I'm about to go do

1:13:20.560 --> 1:13:22.680
<v Speaker 4>a show, and I'm like, Okay, I'm looking at my

1:13:22.760 --> 1:13:23.320
<v Speaker 4>team and I'm like.

1:13:23.360 --> 1:13:25.960
<v Speaker 1>This is the production this is I'm like in it.

1:13:26.320 --> 1:13:28.240
<v Speaker 4>Of course, if you would say like production wise and

1:13:28.560 --> 1:13:30.680
<v Speaker 4>like you know, in terms of mainstream and startom and

1:13:30.760 --> 1:13:31.479
<v Speaker 4>like team and this.

1:13:31.560 --> 1:13:32.840
<v Speaker 1>And this what is late the weekend?

1:13:33.000 --> 1:13:37.200
<v Speaker 4>Right, we talk about raw talent. Nigga put the mic on,

1:13:37.960 --> 1:13:41.320
<v Speaker 4>play a beat. I'm gonna write a song in fifteen minutes.

1:13:42.560 --> 1:13:43.160
<v Speaker 4>Tory Lanz.

1:13:43.320 --> 1:13:46.760
<v Speaker 3>Yeah, yeah, Now, Tory Lanez. I did a feature with him.

1:13:46.800 --> 1:13:50.720
<v Speaker 3>He sent that ship back in like five minutes, like

1:13:50.800 --> 1:13:52.479
<v Speaker 3>it's like he wrote this shit already, like and then

1:13:52.600 --> 1:13:54.639
<v Speaker 3>like like I didn't send him to beat or nothing.

1:13:54.680 --> 1:13:55.439
<v Speaker 1>I just sent it to him.

1:13:55.479 --> 1:13:57.600
<v Speaker 3>He just he's like like he's like send it to

1:13:57.640 --> 1:13:59.200
<v Speaker 3>him now. And I was just like, all right, who

1:13:59.240 --> 1:14:00.640
<v Speaker 3>you one of those guys. I was like all right,

1:14:01.080 --> 1:14:02.840
<v Speaker 3>and like you know, like you know, you know, I'm

1:14:02.960 --> 1:14:05.120
<v Speaker 3>used to every parody in the industry, so I'm thinking,

1:14:05.160 --> 1:14:06.600
<v Speaker 3>like I'm gonna send it to him, and he's just

1:14:06.680 --> 1:14:07.479
<v Speaker 3>gonna like ghost me.

1:14:08.000 --> 1:14:10.519
<v Speaker 1>Like he was like like I text him and you

1:14:10.560 --> 1:14:13.400
<v Speaker 1>get it, and he asked me and then he's like, yes,

1:14:13.439 --> 1:14:14.960
<v Speaker 1>I got it. And it was like I was like,

1:14:15.040 --> 1:14:19.040
<v Speaker 1>what the fuck? Had vocals in there and everything. Yeah,

1:14:19.240 --> 1:14:20.960
<v Speaker 1>you're right. I never got to do that with The Weekend.

1:14:21.240 --> 1:14:21.599
<v Speaker 1>I'm good.

1:14:21.760 --> 1:14:28.639
<v Speaker 3>I never met The Weekend avaunt or genuine. I ain't

1:14:28.640 --> 1:14:31.599
<v Speaker 3>gonna lie about to say that anyway. Come on, nobody

1:14:31.920 --> 1:14:37.160
<v Speaker 3>with the Pony. Come on, Patty LaBelle or LaRita Franklin.

1:14:39.439 --> 1:14:41.360
<v Speaker 1>That's that. This is the first one. I'm like, Okay,

1:14:45.040 --> 1:14:46.040
<v Speaker 1>that's good. That's a good one.

1:14:47.840 --> 1:14:57.840
<v Speaker 4>Patty or Aretha frank mm hmm, ship because like me

1:14:57.880 --> 1:15:01.320
<v Speaker 4>and Patty that's like Auntie, Yeah, that's personal. But I

1:15:01.320 --> 1:15:11.040
<v Speaker 4>would go, I would go, I'll go Wreatha only because

1:15:14.760 --> 1:15:17.479
<v Speaker 4>I'm gonna say, without Aretha, that wouldn't be you know,

1:15:17.560 --> 1:15:19.280
<v Speaker 4>without a Resa, that wouldn't be a Patty. But like

1:15:19.760 --> 1:15:23.240
<v Speaker 4>I feel like there was, Like I actually did one

1:15:23.280 --> 1:15:26.040
<v Speaker 4>of her songs on the Mass Singer and you know Glo.

1:15:26.120 --> 1:15:30.400
<v Speaker 1>Rilla's I Ain't got no bitch, no nigga ain't got me.

1:15:30.680 --> 1:15:32.960
<v Speaker 1>That's from Aretha Franklin. You know that's from Aretha Franklin.

1:15:33.600 --> 1:15:40.280
<v Speaker 1>That's crazy. Yeah bro, Yeah Franklin from one of them,

1:15:40.360 --> 1:15:40.960
<v Speaker 1>so crazy.

1:15:41.120 --> 1:15:45.360
<v Speaker 4>She so bro her music, like she's saying again, like

1:15:45.560 --> 1:15:47.400
<v Speaker 4>chills through my body listening to her music, like you

1:15:47.520 --> 1:15:48.160
<v Speaker 4>hear you can hear.

1:15:48.080 --> 1:15:51.720
<v Speaker 1>The pain in her voice, like in a different way. Yeah, Like, yeah,

1:15:52.000 --> 1:15:55.280
<v Speaker 1>go with that's crazy. I't know that though. That's goldy

1:15:55.800 --> 1:16:02.240
<v Speaker 1>for new artists to be doing. That's goldy. Look Tiger

1:16:02.720 --> 1:16:09.240
<v Speaker 1>a little Wayne, Okay, it's going on, Yeah Wayne bro okay.

1:16:09.640 --> 1:16:12.760
<v Speaker 3>Because there's no no way, no Tiger. If there's no

1:16:12.840 --> 1:16:17.000
<v Speaker 3>way no Tiger, I'm just ye coach stad.

1:16:16.920 --> 1:16:19.320
<v Speaker 1>Yeah, yeah, you're talking about right now. Because let me

1:16:19.400 --> 1:16:21.320
<v Speaker 1>change it up a little bit. Tiger or Big Sean

1:16:23.280 --> 1:16:31.840
<v Speaker 1>mhmm uh man.

1:16:31.880 --> 1:16:34.160
<v Speaker 4>I wouldn't even compare these artists, but I would say

1:16:35.640 --> 1:16:50.920
<v Speaker 4>just yeah, lyricism wise, big sean. Okay, you know what

1:16:50.920 --> 1:16:51.240
<v Speaker 4>I'm saying.

1:16:51.479 --> 1:16:54.040
<v Speaker 3>A couple more go back at the interview. Yeah, okay,

1:16:54.240 --> 1:16:57.840
<v Speaker 3>morning to go back to the interview about you. Okay,

1:16:58.360 --> 1:17:01.160
<v Speaker 3>I want to take that Lloyd or Trey songs.

1:17:05.160 --> 1:17:10.840
<v Speaker 1>You're with Lloyd Ben Hold up, I won't go I'm

1:17:10.840 --> 1:17:16.599
<v Speaker 1>gonna go Trey. Yeah. Yeah, for sure. L A or Miami,

1:17:19.160 --> 1:17:24.280
<v Speaker 1>be honest, man, depends on what type of nigga you is.

1:17:24.840 --> 1:17:26.920
<v Speaker 1>But we'll go with uh.

1:17:30.640 --> 1:17:33.280
<v Speaker 4>Miami just doing some fun ship like having fun like

1:17:33.360 --> 1:17:35.280
<v Speaker 4>good energy, Like if you want to be in the

1:17:35.360 --> 1:17:37.479
<v Speaker 4>Devil's then and still go outside and the and the

1:17:37.800 --> 1:17:39.200
<v Speaker 4>environment gives you energy back.

1:17:39.720 --> 1:17:41.800
<v Speaker 1>Miami. If you want to be in the Devil's then

1:17:41.840 --> 1:17:43.920
<v Speaker 1>in an environment don't give you energy back. In l A,

1:17:44.600 --> 1:17:48.799
<v Speaker 1>a real ship like I. You know, in Miami.

1:17:48.920 --> 1:17:52.000
<v Speaker 4>I can go out and be on demon time when

1:17:52.040 --> 1:17:56.759
<v Speaker 4>I was or not on anyone, and I go outside

1:17:56.760 --> 1:17:57.439
<v Speaker 4>at six a m.

1:17:58.040 --> 1:18:00.680
<v Speaker 1>And I sitting under the moonlight, and I just I

1:18:00.760 --> 1:18:04.679
<v Speaker 1>get all my energy back. Okay, Okay, you go outside

1:18:05.800 --> 1:18:07.599
<v Speaker 1>this you ain't getting your energy back.

1:18:08.479 --> 1:18:14.280
<v Speaker 12>Don't give it away right right, that's ill Gott Storch

1:18:14.439 --> 1:18:22.000
<v Speaker 12>or Timbaland, oh la, you get.

1:18:21.920 --> 1:18:23.639
<v Speaker 1>Your energy back, but you gotta take it from somebody else.

1:18:23.680 --> 1:18:30.320
<v Speaker 1>That's the crazy brute. But you said what Scott Storch

1:18:30.439 --> 1:18:37.320
<v Speaker 1>or Timbling damn.

1:18:37.920 --> 1:18:38.360
<v Speaker 3>Mm hmm.

1:18:44.040 --> 1:18:50.240
<v Speaker 1>I'm gonna go with Scott Storche It's only two morns

1:18:50.320 --> 1:18:54.080
<v Speaker 1>because that's an interview pits Markey ol dbs mm hmm.

1:19:03.120 --> 1:19:05.400
<v Speaker 1>I love biz. I'm gonna go with o dB. Okay,

1:19:05.960 --> 1:19:19.960
<v Speaker 1>is that a particular reason why? I just feel like

1:19:20.280 --> 1:19:24.320
<v Speaker 1>o dB was just more of a lyricist in a way.

1:19:24.720 --> 1:19:26.120
<v Speaker 4>I feel like he has been a part a part

1:19:26.160 --> 1:19:29.600
<v Speaker 4>of some records, Like I understand him more lyrically in

1:19:29.720 --> 1:19:36.840
<v Speaker 4>some ways, and I feel like, uh, I don't know, bro.

1:19:36.880 --> 1:19:38.160
<v Speaker 4>I look at him and I feel like I see

1:19:38.200 --> 1:19:40.160
<v Speaker 4>somebody that I know from Baltimore. I see somebody that

1:19:40.200 --> 1:19:41.559
<v Speaker 4>I know from where I from. I don't know if

1:19:41.560 --> 1:19:43.479
<v Speaker 4>it's relative. He's definitely everything.

1:19:43.520 --> 1:19:44.400
<v Speaker 1>He's gonna ask me this question.

1:19:44.720 --> 1:19:47.639
<v Speaker 4>Yeah, I've seen o dB somewhere in the bottom line.

1:19:49.000 --> 1:19:52.280
<v Speaker 4>It definitely seems like a piece of biz, love Biz,

1:19:52.640 --> 1:19:56.400
<v Speaker 4>the last one get Yeah, Yeah, this is our favorite.

1:19:56.600 --> 1:19:58.719
<v Speaker 1>It's called it's loyalty or respect.

1:20:01.200 --> 1:20:14.280
<v Speaker 13>Loyalty or respect. Yeah, I take respect, Okay, I take respect. No,

1:20:14.400 --> 1:20:15.080
<v Speaker 13>I take loyalsy.

1:20:16.120 --> 1:20:23.160
<v Speaker 1>Let's just take a shot, man, I'm gonna take loyal Okay,

1:20:23.640 --> 1:20:24.080
<v Speaker 1>I'm gonna be.

1:20:24.400 --> 1:20:30.200
<v Speaker 4>Tell you why, cheers. I'll tell you why, bro, Because

1:20:30.760 --> 1:20:34.000
<v Speaker 4>niggas can fake respect. People can fake respect.

1:20:33.640 --> 1:20:35.559
<v Speaker 1>You can they fake loyalty as well.

1:20:37.080 --> 1:20:39.679
<v Speaker 4>Not really, because at some point they can fake respect

1:20:39.720 --> 1:20:42.240
<v Speaker 4>you because at some point the loyalty.

1:20:42.040 --> 1:20:44.639
<v Speaker 1>Like you can you can you feel loyalty?

1:20:44.720 --> 1:20:46.960
<v Speaker 4>I don't know about y'all, but I can. I can see,

1:20:48.320 --> 1:20:50.280
<v Speaker 4>you know what I'm saying. I can see when the loyalty,

1:20:50.439 --> 1:20:55.479
<v Speaker 4>like I feel like loyalty and respect to me kind

1:20:55.520 --> 1:20:57.920
<v Speaker 4>of seeps into like they kind of touch each other.

1:20:58.040 --> 1:21:01.120
<v Speaker 4>That's why I took away, Like you know what I'm yeah, yeah, no, no, no, yeah,

1:21:01.640 --> 1:21:03.640
<v Speaker 4>But like at the root of it, I'll take the

1:21:03.680 --> 1:21:04.679
<v Speaker 4>loyalty over the respect.

1:21:05.400 --> 1:21:06.439
<v Speaker 1>You know what I'm saying, because.

1:21:06.200 --> 1:21:09.840
<v Speaker 4>If you disrespect me, I can disrespect you worse right

1:21:09.920 --> 1:21:11.960
<v Speaker 4>then and there, and then you got inside you got

1:21:12.040 --> 1:21:13.639
<v Speaker 4>to decide if you really want to do that again.

1:21:14.280 --> 1:21:17.479
<v Speaker 4>But loyalty wise is like I'd rather you be loyal

1:21:17.560 --> 1:21:19.680
<v Speaker 4>to me because I can fix the respect part, I

1:21:19.760 --> 1:21:24.120
<v Speaker 4>can't fix the loyalty, right, I feel like that. I

1:21:24.200 --> 1:21:26.720
<v Speaker 4>feel like I can fix the respect even if, even

1:21:26.760 --> 1:21:28.880
<v Speaker 4>if like you don't respect me when I'm not around,

1:21:29.520 --> 1:21:30.280
<v Speaker 4>I can't control it.

1:21:30.960 --> 1:21:33.719
<v Speaker 1>But when I'm around, I can control it. How you respecting?

1:21:34.960 --> 1:21:37.200
<v Speaker 4>But the loyalty part is like, you can fuck up

1:21:37.240 --> 1:21:41.479
<v Speaker 4>a whole bag, you can fuck up generational wealth, you

1:21:41.520 --> 1:21:43.400
<v Speaker 4>can fuck up a lot Lloyd's friendship.

1:21:43.680 --> 1:21:46.479
<v Speaker 1>You know, Okay?

1:21:46.760 --> 1:21:51.000
<v Speaker 3>They asked me. I said, do you have questions Formorrio

1:21:51.880 --> 1:21:56.719
<v Speaker 3>and Rob Marksman? You know Rob Marxman, This Rob Marxmith

1:21:57.520 --> 1:22:00.360
<v Speaker 3>on my face? He said, yeah, ask him if he

1:22:00.479 --> 1:22:05.080
<v Speaker 3>ever got sick of saving the damn princess? Did he

1:22:05.160 --> 1:22:07.360
<v Speaker 3>ever consider just leaving her ass there?

1:22:09.200 --> 1:22:10.960
<v Speaker 1>I have no idea what Bro talking about. I don't

1:22:10.960 --> 1:22:13.200
<v Speaker 1>know what he's talking about. Neither. Should I just call him?

1:22:13.479 --> 1:22:16.640
<v Speaker 1>This is on Twitter? He said? Should you call him?

1:22:17.040 --> 1:22:21.479
<v Speaker 1>You call somebody? Yeah, I know, because what is he

1:22:21.560 --> 1:22:31.000
<v Speaker 1>talking about? Hold on, let's see you're closer to the Rob.

1:22:31.040 --> 1:22:32.679
<v Speaker 1>We don't know what then you're talking about? Your question?

1:22:33.439 --> 1:22:36.320
<v Speaker 3>We got, we got, we got Mario right here. Rob

1:22:36.640 --> 1:22:39.600
<v Speaker 3>from XXL magazine used to be x L.

1:22:41.439 --> 1:22:43.599
<v Speaker 1>I'm sorry, man, I just I just wanted to want

1:22:43.840 --> 1:22:46.559
<v Speaker 1>marl or No, Mario has no idea what you're talking about.

1:22:48.200 --> 1:22:49.760
<v Speaker 1>I was joking with you, man, I know you were

1:22:49.760 --> 1:23:05.640
<v Speaker 1>an interview. Now you talk about super Mario. I'm like,

1:23:08.680 --> 1:23:11.640
<v Speaker 1>you got me, you got you got, you got you

1:23:11.760 --> 1:23:13.360
<v Speaker 1>gotta be good. Let me take a shop of that.

1:23:13.640 --> 1:23:17.680
<v Speaker 1>Let me take a Yeah, you got another bottle over

1:23:17.760 --> 1:23:22.800
<v Speaker 1>my head too. I see you see you taking my man.

1:23:24.280 --> 1:23:28.960
<v Speaker 1>Come on, man, he said, I was joking. Yeah, okay, okay,

1:23:29.520 --> 1:23:31.680
<v Speaker 1>all right, let's talk about crying out for me?

1:23:32.200 --> 1:23:35.240
<v Speaker 4>Yeah, what was you here when you first heard that record?

1:23:35.280 --> 1:23:37.000
<v Speaker 4>Would you when you first heard it?

1:23:37.040 --> 1:23:39.200
<v Speaker 1>What was you like? What was your feelings? I felt

1:23:39.240 --> 1:23:43.240
<v Speaker 1>like she was crying out for me. Yeah, yeah, crying

1:23:43.280 --> 1:23:46.600
<v Speaker 1>out for me. I mean that record is like.

1:23:49.400 --> 1:23:53.760
<v Speaker 4>That was like, you know, if you take Mario and

1:23:54.240 --> 1:23:56.880
<v Speaker 4>Joe to put him in one like that was my

1:23:57.240 --> 1:24:00.280
<v Speaker 4>joy moment. That was like my version of what Joe

1:24:00.320 --> 1:24:02.040
<v Speaker 4>to see what it did in R and B at

1:24:02.080 --> 1:24:04.280
<v Speaker 4>the time, you know what I mean, shout out to

1:24:04.400 --> 1:24:06.240
<v Speaker 4>Jasper and pull it and done.

1:24:06.320 --> 1:24:08.840
<v Speaker 1>That was that moment. You know, that was like raw.

1:24:08.920 --> 1:24:11.320
<v Speaker 1>That was like, no, nigga, this last take my voice

1:24:11.320 --> 1:24:18.519
<v Speaker 1>don't got no more but truly truly me like I

1:24:18.680 --> 1:24:19.640
<v Speaker 1>was cracking, like I was.

1:24:19.800 --> 1:24:22.439
<v Speaker 4>It was very wrong, It was unpolished, but that was

1:24:22.560 --> 1:24:24.439
<v Speaker 4>just me, like just really on some real R and

1:24:24.520 --> 1:24:28.519
<v Speaker 4>B shit Like yeah, okay, definitely one of my favors

1:24:28.560 --> 1:24:29.479
<v Speaker 4>in the catalog for sure.

1:24:29.720 --> 1:24:35.960
<v Speaker 1>Yeah yeah how about Space? Mmm? Did you literally the space?

1:24:37.840 --> 1:24:40.439
<v Speaker 4>Space was like some of my new album Glad You

1:24:40.479 --> 1:24:42.960
<v Speaker 4>came and just came out what came out in December.

1:24:43.080 --> 1:24:47.439
<v Speaker 4>But Spaces is if you listen to it musically, it's

1:24:47.520 --> 1:24:49.000
<v Speaker 4>really old to like people who.

1:24:48.960 --> 1:24:51.519
<v Speaker 1>Like jazz and you know, jazz and R and B

1:24:51.640 --> 1:24:54.360
<v Speaker 1>fusion music. This album is like a.

1:24:56.120 --> 1:24:59.320
<v Speaker 4>Homage to like music that was inspired by. It reminds

1:24:59.320 --> 1:25:01.680
<v Speaker 4>me of my grandfather. My grandfather used to if my

1:25:01.760 --> 1:25:04.040
<v Speaker 4>grandfather was alive, he would have loved to come to

1:25:04.120 --> 1:25:06.320
<v Speaker 4>this show because he loved to drink and he loved

1:25:06.400 --> 1:25:10.680
<v Speaker 4>jazz music. No, No, my grandfather, he grew up in Baltimore.

1:25:11.560 --> 1:25:15.920
<v Speaker 4>He worked at a beer refinery since he was like

1:25:16.000 --> 1:25:18.840
<v Speaker 4>fourteen years old, so like he was really you know,

1:25:18.960 --> 1:25:20.720
<v Speaker 4>he was in that shit like he you know, you

1:25:20.840 --> 1:25:23.280
<v Speaker 4>go to his always neat house, neat at a bar

1:25:23.479 --> 1:25:26.400
<v Speaker 4>play Jazz Music Records he put me on the jazz

1:25:26.479 --> 1:25:28.320
<v Speaker 4>early on when I was a kid. The ain't time

1:25:28.360 --> 1:25:29.800
<v Speaker 4>I go over there. It was come to the bar,

1:25:30.280 --> 1:25:33.960
<v Speaker 4>listen to jazz and talk about whatever. But you know,

1:25:34.040 --> 1:25:35.920
<v Speaker 4>when I listened to the track that Bini x se me,

1:25:36.160 --> 1:25:38.160
<v Speaker 4>it kind of remind me of my grandfather, you know

1:25:38.200 --> 1:25:40.320
<v Speaker 4>what I'm saying, And I just I was inspired by it.

1:25:40.320 --> 1:25:41.599
<v Speaker 4>I'm like, y'all got to put this on the album.

1:25:41.640 --> 1:25:44.600
<v Speaker 4>So me and James Follor went in and space is

1:25:44.720 --> 1:25:48.120
<v Speaker 4>really just about inviting invite somebody into your space. Is

1:25:48.160 --> 1:25:52.479
<v Speaker 4>like we're creating this space. And you know, I'm big

1:25:52.600 --> 1:25:56.320
<v Speaker 4>on I understand how to control my world my three sixties,

1:25:56.400 --> 1:25:58.120
<v Speaker 4>so like behind the scenes is like it just it

1:25:58.240 --> 1:26:00.000
<v Speaker 4>just relates to my life and how I'm moving general,

1:26:00.920 --> 1:26:02.680
<v Speaker 4>just like you know, controlling your space, bro.

1:26:03.640 --> 1:26:03.800
<v Speaker 1>You know.

1:26:04.040 --> 1:26:08.840
<v Speaker 14>So, yeah, it's Mo's the best restaurant in Baltimore, m

1:26:09.640 --> 1:26:14.599
<v Speaker 14>Pless you know what I'm talking about. Yeah, yeah, yeah, yeah, Bro,

1:26:14.680 --> 1:26:15.840
<v Speaker 14>it's one. It's definitely one.

1:26:15.880 --> 1:26:17.680
<v Speaker 1>They got my picture up there, they got your pitch

1:26:17.800 --> 1:26:23.400
<v Speaker 1>and yeah, you made it a legend. That's my favorite restaurant.

1:26:23.400 --> 1:26:26.600
<v Speaker 4>Fire But like but Moses, like it's been around for

1:26:26.680 --> 1:26:29.160
<v Speaker 4>a long time. So it's like I get it, you

1:26:29.200 --> 1:26:30.680
<v Speaker 4>know what I'm saying. I used to go to the

1:26:30.760 --> 1:26:33.200
<v Speaker 4>more like Captain James. Like Captain James, I used to

1:26:33.200 --> 1:26:35.400
<v Speaker 4>go like late night type ship. But like, yeah, Moses

1:26:35.479 --> 1:26:39.040
<v Speaker 4>definitely up there. That's because I ain't gonna lie. I

1:26:39.160 --> 1:26:40.720
<v Speaker 4>can't like drive through.

1:26:40.880 --> 1:26:43.040
<v Speaker 1>Like if I'm driving through, I gotta stop and I

1:26:43.160 --> 1:26:45.080
<v Speaker 1>make sure my picture is still up there. Yeah. Yeah,

1:26:45.320 --> 1:26:50.120
<v Speaker 1>cleaning and ship with some wind decks on there. All right. Yeah,

1:26:50.960 --> 1:26:56.720
<v Speaker 1>you know, I don't Baltimore what you get you when

1:26:56.760 --> 1:26:59.160
<v Speaker 1>you went there, it was just what I get. I

1:26:59.240 --> 1:27:01.800
<v Speaker 1>get the to tell what the cheese on top of it,

1:27:01.960 --> 1:27:04.519
<v Speaker 1>with the with the with the crab, all the crab,

1:27:04.600 --> 1:27:08.240
<v Speaker 1>with the butter. Oh I gained twelve pounds, no problem,

1:27:08.520 --> 1:27:11.080
<v Speaker 1>right then and there. We don't have to wait tomorrow

1:27:11.240 --> 1:27:13.800
<v Speaker 1>like it happens right there. Oh, I love it. I

1:27:13.920 --> 1:27:14.519
<v Speaker 1>love Bortimore.

1:27:14.600 --> 1:27:18.519
<v Speaker 3>And by the way, because people just say Baltimore with

1:27:18.600 --> 1:27:22.000
<v Speaker 3>the crabs, yeah, Baltimore actually has some of the best

1:27:22.040 --> 1:27:23.760
<v Speaker 3>seafood in the world.

1:27:24.160 --> 1:27:24.920
<v Speaker 1>Not just the craft.

1:27:25.200 --> 1:27:28.920
<v Speaker 3>I'm a represent for y'all because because you travel.

1:27:28.840 --> 1:27:32.639
<v Speaker 1>Yeah, everyone just just gives you because it's fresh.

1:27:32.720 --> 1:27:32.800
<v Speaker 5>Bro.

1:27:33.080 --> 1:27:35.880
<v Speaker 4>Yes, it's right from the Chesapeake. It's fresh, right, and

1:27:36.080 --> 1:27:38.200
<v Speaker 4>the seasoning everything is theirs, right, the d of.

1:27:38.160 --> 1:27:38.800
<v Speaker 1>The yeah right.

1:27:38.880 --> 1:27:40.919
<v Speaker 4>But everything else I got to get imported certain.

1:27:40.720 --> 1:27:44.800
<v Speaker 3>Times, yes, but Bortimore got seafood is crazy. So all right,

1:27:44.920 --> 1:27:48.240
<v Speaker 3>now this is this is this is one of the

1:27:49.000 --> 1:27:56.759
<v Speaker 3>best records the history of the world and the history

1:27:56.760 --> 1:27:59.240
<v Speaker 3>of the world, in the history of the world. This

1:27:59.400 --> 1:28:03.680
<v Speaker 3>is when ever, gosh, when they meet they girl. You know,

1:28:03.840 --> 1:28:06.639
<v Speaker 3>sometimes you just just meet a girl like that's my soulmate,

1:28:06.720 --> 1:28:09.719
<v Speaker 3>even if it was for two seconds, two years, for two.

1:28:09.600 --> 1:28:10.280
<v Speaker 1>Seconds or whatever.

1:28:10.920 --> 1:28:15.840
<v Speaker 9>Sometimes love come on and it's like every day, I'm

1:28:15.840 --> 1:28:16.640
<v Speaker 9>gonna be honest with you.

1:28:16.800 --> 1:28:17.960
<v Speaker 1>Every such a blessing.

1:28:18.080 --> 1:28:20.240
<v Speaker 3>Every day, it's such a blessing, like like that ship

1:28:20.320 --> 1:28:22.120
<v Speaker 3>right there, Like I'm gonna be honest like some artists.

1:28:22.240 --> 1:28:24.439
<v Speaker 1>Yeah, to have a record like that in your catalog,

1:28:24.600 --> 1:28:28.799
<v Speaker 1>it's so unique. And that's when we played every wedding

1:28:28.960 --> 1:28:33.160
<v Speaker 1>it's it's an unidentified object. It's an alien in your catalog,

1:28:34.600 --> 1:28:35.200
<v Speaker 1>every wedding.

1:28:35.680 --> 1:28:40.959
<v Speaker 3>Everywhere this baby shower setting the moves sending them revealing,

1:28:41.040 --> 1:28:42.360
<v Speaker 3>which that it called the revealing.

1:28:42.680 --> 1:28:50.160
<v Speaker 1>Yes, yeah, yeah, yeah, general gender revealed absolutely, yeah, I

1:28:50.240 --> 1:28:50.760
<v Speaker 1>know what I mean.

1:28:52.400 --> 1:28:56.200
<v Speaker 3>Man, everywhere like listen, listen, there's nothing nowhere that that

1:28:56.280 --> 1:28:59.439
<v Speaker 3>record can't be played. Yes, like like even in the

1:28:59.520 --> 1:29:03.599
<v Speaker 3>ball game, ball game, God proposes to his girl.

1:29:03.920 --> 1:29:08.560
<v Speaker 1>You should let me, like, there's nothing you went in

1:29:08.640 --> 1:29:14.240
<v Speaker 1>atari are you You could sing to your child, your mom,

1:29:14.920 --> 1:29:22.240
<v Speaker 1>your girlfriend? You know, it's just it's just a damno.

1:29:27.880 --> 1:29:29.880
<v Speaker 1>Let me take a shot for that one. I wasn't.

1:29:30.400 --> 1:29:32.720
<v Speaker 1>I wasn't ready for that. But I think it's to

1:29:32.800 --> 1:29:33.280
<v Speaker 1>be studied.

1:29:34.200 --> 1:29:36.160
<v Speaker 4>I think it's definitely gonna be studied as a as

1:29:36.200 --> 1:29:39.000
<v Speaker 4>a writer, as a as somebody who like has been

1:29:39.160 --> 1:29:42.200
<v Speaker 4>more instrumental writing wise, Like I've been studying different types

1:29:42.240 --> 1:29:44.320
<v Speaker 4>of records, and I think it's still a record to.

1:29:44.320 --> 1:29:47.040
<v Speaker 1>Be studied in terms of the simplicity and it's impact.

1:29:47.680 --> 1:29:50.960
<v Speaker 1>You know what I'm saying. I love you as it's

1:29:52.920 --> 1:30:01.479
<v Speaker 1>just a classic, bro, It's an omnipresent, spiritual How many

1:30:01.560 --> 1:30:03.479
<v Speaker 1>times do you perform it that? Like, do you before

1:30:03.680 --> 1:30:05.920
<v Speaker 1>more than once? Or you just do? I mean like

1:30:06.920 --> 1:30:10.280
<v Speaker 1>like yeah, yeah, like bring it back, like like yeah

1:30:10.360 --> 1:30:13.639
<v Speaker 1>it's twice, okay, twice I do one with the record.

1:30:13.439 --> 1:30:17.560
<v Speaker 4>In one agapella. Yeah, that's usually how it happens. And

1:30:17.600 --> 1:30:19.439
<v Speaker 4>that's when the girls go yeah.

1:30:20.240 --> 1:30:22.519
<v Speaker 1>That's when that's when the umbilical court is like.

1:30:29.680 --> 1:30:33.559
<v Speaker 3>Yeah, no, no, that is a real yeah, like it's

1:30:33.600 --> 1:30:36.679
<v Speaker 3>a real universal record, like like it's a global record.

1:30:37.040 --> 1:30:39.160
<v Speaker 3>I don't think I'm gonna be honest with you, Yeah,

1:30:39.360 --> 1:30:42.840
<v Speaker 3>I don't think that record will never die. Every day

1:30:43.040 --> 1:30:46.120
<v Speaker 3>such a blessing because there's someone somewhere that's always to

1:30:46.280 --> 1:30:46.960
<v Speaker 3>let you love them.

1:30:47.360 --> 1:30:49.479
<v Speaker 1>You know what I'm saying. Everywhere, like no matter.

1:30:49.360 --> 1:30:52.040
<v Speaker 4>What, you don't know, you need love even you know

1:30:52.160 --> 1:30:57.120
<v Speaker 4>you want it. It's crazy, man, it's I never get

1:30:57.160 --> 1:30:59.840
<v Speaker 4>tired of performing it. I never get tired of seeing

1:30:59.840 --> 1:31:03.960
<v Speaker 4>people like in that space, like no matter what they're

1:31:03.960 --> 1:31:08.040
<v Speaker 4>going through, I've seen, bro, I've been in the biggest

1:31:08.080 --> 1:31:12.120
<v Speaker 4>audiences in the world. I've been in Southern clubs with

1:31:14.160 --> 1:31:16.880
<v Speaker 4>just dark energy, you know what I'm saying.

1:31:17.160 --> 1:31:20.200
<v Speaker 1>And he's still sing seeing like gangster singing the record

1:31:20.320 --> 1:31:21.120
<v Speaker 1>like you still sing.

1:31:22.720 --> 1:31:22.880
<v Speaker 10>You know.

1:31:23.120 --> 1:31:27.200
<v Speaker 4>It's just like love is universal, bro, It's like you

1:31:27.280 --> 1:31:29.479
<v Speaker 4>can't even change, like it's just it's and it's crazy

1:31:29.520 --> 1:31:34.320
<v Speaker 4>because you like, at times, there was a time as

1:31:34.320 --> 1:31:35.560
<v Speaker 4>an R and B artist when you look at the

1:31:35.680 --> 1:31:37.519
<v Speaker 4>charge and you look at the things like damn ducking

1:31:37.520 --> 1:31:37.920
<v Speaker 4>with R and B.

1:31:38.080 --> 1:31:42.000
<v Speaker 1>No more like shit dark out here for us? Why

1:31:42.040 --> 1:31:45.599
<v Speaker 1>the numbers looking like this? Why they offered me only

1:31:46.320 --> 1:31:48.679
<v Speaker 1>for the show? What the fuck is going on? Because

1:31:48.720 --> 1:31:50.200
<v Speaker 1>hip hop is just going so crazy.

1:31:50.320 --> 1:31:52.519
<v Speaker 4>Niggas ain't want to come out, like you know, and

1:31:52.600 --> 1:31:54.320
<v Speaker 4>even if they didn't want to come out, the promoters

1:31:54.360 --> 1:31:54.960
<v Speaker 4>didn't want.

1:31:54.840 --> 1:31:58.360
<v Speaker 1>To pay you for you know what you deserve, you

1:31:58.360 --> 1:31:59.920
<v Speaker 1>know what I'm saying. But like now, this is just

1:32:00.160 --> 1:32:00.719
<v Speaker 1>it's different.

1:32:01.439 --> 1:32:03.559
<v Speaker 4>R and B is like respected again and it's back,

1:32:03.600 --> 1:32:06.320
<v Speaker 4>and it's just you know, I think it's records like

1:32:06.439 --> 1:32:08.000
<v Speaker 4>let Me Love You. That's a part of the reason

1:32:08.040 --> 1:32:10.120
<v Speaker 4>why R and B still love because they still play

1:32:10.160 --> 1:32:11.320
<v Speaker 4>it on mainslaand radio today.

1:32:11.840 --> 1:32:13.320
<v Speaker 1>They still one of the few.

1:32:13.200 --> 1:32:17.320
<v Speaker 4>That they still champion and be proud to play without

1:32:17.400 --> 1:32:18.120
<v Speaker 4>the red tape, you.

1:32:18.120 --> 1:32:19.479
<v Speaker 1>Know what I'm saying, And that's a blessing. I have

1:32:19.640 --> 1:32:21.439
<v Speaker 1>one of those records because not.

1:32:21.479 --> 1:32:23.760
<v Speaker 4>Everybody has that, you know what I'm saying, Especially for

1:32:23.880 --> 1:32:28.240
<v Speaker 4>my my, you know my when I first came out,

1:32:28.280 --> 1:32:29.640
<v Speaker 4>like the artists that came out when I came out.

1:32:30.400 --> 1:32:32.800
<v Speaker 4>But you know, I don't plan on stopping anytime soon, bro,

1:32:32.960 --> 1:32:35.479
<v Speaker 4>Like this I was I was meant for this I

1:32:35.560 --> 1:32:38.680
<v Speaker 4>was meant for, you know, the resilience that it take

1:32:38.760 --> 1:32:39.360
<v Speaker 4>to be an artist.

1:32:40.200 --> 1:32:43.320
<v Speaker 1>You know, everything that I grew up seeing and been

1:32:43.400 --> 1:32:47.240
<v Speaker 1>through all that. It just it made me a soldier

1:32:48.240 --> 1:32:53.559
<v Speaker 1>for you know, fighting through whatever it takes to keep

1:32:53.600 --> 1:32:56.160
<v Speaker 1>your your train moving. You know what I'm saying. You

1:32:56.240 --> 1:32:57.800
<v Speaker 1>got to keep it moving, you know what I mean.

1:32:57.880 --> 1:33:04.040
<v Speaker 1>And obviously those records are a superpower, but the new

1:33:04.120 --> 1:33:09.640
<v Speaker 1>music and having you know, just having the platform and

1:33:09.720 --> 1:33:10.759
<v Speaker 1>having the talent.

1:33:12.600 --> 1:33:15.200
<v Speaker 4>You know, let me tell you through, I used to

1:33:15.200 --> 1:33:17.679
<v Speaker 4>have seen that record still and it's like getting those

1:33:17.720 --> 1:33:19.880
<v Speaker 4>notes some nice is harder than others.

1:33:20.439 --> 1:33:20.880
<v Speaker 1>But it's like.

1:33:23.040 --> 1:33:25.519
<v Speaker 4>I still feel like when I first heard the record,

1:33:25.560 --> 1:33:27.280
<v Speaker 4>I still feel like when I first singing in the studio,

1:33:27.280 --> 1:33:30.800
<v Speaker 4>I still feel at that love for it is still there,

1:33:30.960 --> 1:33:32.680
<v Speaker 4>and I'm like, Damn, through everything I've been through, I

1:33:32.760 --> 1:33:33.560
<v Speaker 4>still have to love for it.

1:33:33.640 --> 1:33:36.280
<v Speaker 1>That's all God, bro, Because sometimes you can not, like

1:33:36.400 --> 1:33:38.160
<v Speaker 1>you know, you're getting numb, Like certain points, you're just

1:33:38.200 --> 1:33:40.840
<v Speaker 1>getting numbing. You're just going through. How many buns, nigga,

1:33:41.560 --> 1:33:44.160
<v Speaker 1>how many bunks you got right there? You're still going,

1:33:44.280 --> 1:33:45.479
<v Speaker 1>it's still going, still going.

1:33:46.800 --> 1:33:50.720
<v Speaker 10>Still In the role you play as an artist now

1:33:51.280 --> 1:33:53.400
<v Speaker 10>then up and coming artist and they want to redo it,

1:33:53.479 --> 1:33:54.760
<v Speaker 10>is that untouchable.

1:33:55.320 --> 1:34:00.439
<v Speaker 4>If they want to redo the record particular, or doesn't

1:34:00.439 --> 1:34:01.880
<v Speaker 4>sing it over a redoor, doesn't use the.

1:34:02.439 --> 1:34:05.160
<v Speaker 1>I think any classic is kind of untouchable in general.

1:34:05.840 --> 1:34:10.280
<v Speaker 1>But you can, you know, it's like it's like a young.

1:34:11.200 --> 1:34:14.400
<v Speaker 4>If you you know, when you date somebody and then

1:34:14.439 --> 1:34:16.800
<v Speaker 4>you might like five years later, y'all might have a

1:34:16.840 --> 1:34:19.479
<v Speaker 4>little moment be like it ain't the same, but it's

1:34:19.520 --> 1:34:20.840
<v Speaker 4>still you remember it.

1:34:21.080 --> 1:34:23.280
<v Speaker 1>It's like this ship he was my little love and

1:34:23.320 --> 1:34:25.960
<v Speaker 1>respect that wants to honor you and do that track.

1:34:26.000 --> 1:34:28.800
<v Speaker 1>You know you're not the same. It's never gonna be

1:34:28.800 --> 1:34:31.080
<v Speaker 1>the same. But I think that's the beautiful part about

1:34:31.120 --> 1:34:31.759
<v Speaker 1>making classics.

1:34:31.760 --> 1:34:31.880
<v Speaker 5>Bro.

1:34:32.040 --> 1:34:35.320
<v Speaker 1>The whole point is like, don't touch it. No, no, no, Like,

1:34:35.479 --> 1:34:38.120
<v Speaker 1>if it's done right, it can be a moment for

1:34:38.240 --> 1:34:40.760
<v Speaker 1>this generation. Bro, Like I'm not like that's my record,

1:34:40.840 --> 1:34:42.559
<v Speaker 1>but if it's done right, if it's done right.

1:34:43.640 --> 1:34:47.519
<v Speaker 4>I've had at least fifty to seventy artists over the

1:34:47.560 --> 1:34:48.920
<v Speaker 4>course of my career hit me to be like, yo,

1:34:48.960 --> 1:34:51.720
<v Speaker 4>I want you to redo this during woman like no,

1:34:53.840 --> 1:34:56.960
<v Speaker 4>good man, it's got to be it's got to be.

1:34:57.000 --> 1:35:00.360
<v Speaker 1>The right and maybe it doesn't need it, who knows.

1:35:00.680 --> 1:35:02.439
<v Speaker 1>But let me tell you the beauty about that record.

1:35:02.600 --> 1:35:06.680
<v Speaker 3>Like, uh, you know, most of the time when it's

1:35:06.720 --> 1:35:08.920
<v Speaker 3>a hit record, you know, R and B, you know,

1:35:09.200 --> 1:35:12.760
<v Speaker 3>the females claim it, and you know, the females claim

1:35:12.800 --> 1:35:14.840
<v Speaker 3>it like they claim like this is their record. You

1:35:14.960 --> 1:35:17.560
<v Speaker 3>hardly ever get to see like guys step up and

1:35:17.640 --> 1:35:18.960
<v Speaker 3>be like I like this record.

1:35:19.000 --> 1:35:19.960
<v Speaker 1>I'm fun with this record.

1:35:20.160 --> 1:35:21.880
<v Speaker 3>That's kind of like the first record that I've ever

1:35:21.960 --> 1:35:30.240
<v Speaker 3>seen like dogs but like everything and everything, like like

1:35:30.360 --> 1:35:32.519
<v Speaker 3>that's the first time I'm kind of seen guys claim

1:35:32.600 --> 1:35:34.479
<v Speaker 3>it like you know what I mean, like like and

1:35:34.720 --> 1:35:40.000
<v Speaker 3>and and except their vulnerability except there, uh what Ralph

1:35:40.400 --> 1:35:43.600
<v Speaker 3>transmits their sensitivity, you know what I'm saying. Accept that,

1:35:43.840 --> 1:35:47.559
<v Speaker 3>like but claim it though, Like you know, that's why

1:35:47.640 --> 1:35:49.080
<v Speaker 3>this record is very very special.

1:35:50.240 --> 1:35:53.920
<v Speaker 1>It's because it's toxic at the root of it. Love

1:35:54.080 --> 1:36:01.400
<v Speaker 1>is toxic. Okay, Okay, the record she forgot that far

1:36:02.880 --> 1:36:07.360
<v Speaker 1>forgot no, but this is. But it's you know, it's

1:36:07.400 --> 1:36:08.760
<v Speaker 1>in love with a little bit of Texas City.

1:36:09.479 --> 1:36:11.479
<v Speaker 4>It's like but it's like I don't know, if you

1:36:11.880 --> 1:36:15.360
<v Speaker 4>it depends on where they're at, you know, in the relationships,

1:36:15.400 --> 1:36:19.080
<v Speaker 4>like you know, mm hmm, yeah, you don't believe his stories.

1:36:19.080 --> 1:36:20.000
<v Speaker 1>You know that they're all lives.

1:36:20.040 --> 1:36:22.840
<v Speaker 4>It's like you catch on her when she's weak, when

1:36:22.880 --> 1:36:24.400
<v Speaker 4>he out of town, even fucked up.

1:36:25.720 --> 1:36:25.880
<v Speaker 5>You know.

1:36:26.040 --> 1:36:28.639
<v Speaker 1>It's like women are interesting creatures. Man.

1:36:28.680 --> 1:36:32.320
<v Speaker 4>I don't know, bro, because like you know, a good

1:36:32.360 --> 1:36:35.160
<v Speaker 4>woman right when she's locked in with her dude all

1:36:35.200 --> 1:36:37.400
<v Speaker 4>the way, she might entertain some ship.

1:36:38.680 --> 1:36:40.240
<v Speaker 1>Some of y'all, some of the lad's gonna look at

1:36:40.280 --> 1:36:41.760
<v Speaker 1>this and be like, now that's not true. A good

1:36:41.760 --> 1:36:45.120
<v Speaker 1>woman will never entertain way.

1:36:46.040 --> 1:36:52.040
<v Speaker 4>It's like her level of entertaining maybe responding back to

1:36:52.160 --> 1:36:54.080
<v Speaker 4>a text that she been the North for fucking.

1:36:53.840 --> 1:36:57.040
<v Speaker 1>The whole year, niggah. Where So another level of.

1:36:57.160 --> 1:36:59.680
<v Speaker 4>Entertaining from a woman could be going out to meet

1:36:59.680 --> 1:37:02.840
<v Speaker 4>the nigg at a gas station. Who knows, right, but

1:37:02.920 --> 1:37:06.160
<v Speaker 4>I'm saying that let me love you the conversation versus

1:37:06.240 --> 1:37:08.160
<v Speaker 4>for those moments when a nigga sucking up in a.

1:37:08.160 --> 1:37:12.280
<v Speaker 1>Relationship or he's just not as president.

1:37:14.280 --> 1:37:18.800
<v Speaker 4>And you you know, was sucking up and like that

1:37:18.960 --> 1:37:22.360
<v Speaker 4>nigga that she's been ghosting for the last six months,

1:37:22.400 --> 1:37:23.479
<v Speaker 4>he slided in for a second.

1:37:29.720 --> 1:37:41.000
<v Speaker 11>Yeah, yeah, whatever, right, you know you you're talking about

1:37:41.000 --> 1:37:41.879
<v Speaker 11>two different scenarios.

1:37:42.760 --> 1:37:46.080
<v Speaker 1>Say, yeah, but yeah, it's that whatever scenario it is,

1:37:47.040 --> 1:37:51.120
<v Speaker 1>it's that little quick space where it's like she might

1:37:51.400 --> 1:37:54.200
<v Speaker 1>do something she wouldn't normally do. You should let me

1:37:54.280 --> 1:37:57.599
<v Speaker 1>love you, right, Or it's just simple like everybody interpret

1:37:57.840 --> 1:38:00.320
<v Speaker 1>interpret music different. It could be a girl that's single,

1:38:01.040 --> 1:38:04.320
<v Speaker 1>that she's been celibrated for whole year. She finally meet

1:38:04.439 --> 1:38:06.280
<v Speaker 1>one out of the hundred guys to try to talk

1:38:06.320 --> 1:38:09.240
<v Speaker 1>to her. It's like, like, what's up, Like like she

1:38:09.439 --> 1:38:12.000
<v Speaker 1>might that he might get that chance, right, you know.

1:38:12.120 --> 1:38:14.640
<v Speaker 1>So it's our relative. It's just that's what makes the

1:38:14.680 --> 1:38:17.160
<v Speaker 1>record crazy. Bro, just represents it can fit in so

1:38:17.280 --> 1:38:21.639
<v Speaker 1>many scenarios. Yeah, but the hook is so universal universe

1:38:21.880 --> 1:38:26.240
<v Speaker 1>it goes good. Bro, you ain't a different type of

1:38:26.320 --> 1:38:30.519
<v Speaker 1>niggas man. Yeah all right, man celebrating like Mario Man.

1:38:30.560 --> 1:38:33.519
<v Speaker 1>Shout out to the whole squad. We celebrated you tonight. Bro.

1:38:36.200 --> 1:38:39.720
<v Speaker 1>Yeah some properly thank you brother. You don't want to

1:38:39.760 --> 1:38:42.920
<v Speaker 1>continue to do and we got some more joints. Yeah

1:38:43.720 --> 1:38:44.040
<v Speaker 1>all right.

1:38:45.600 --> 1:38:48.760
<v Speaker 4>As far as like bar for Bar, you wanted the

1:38:48.840 --> 1:38:52.120
<v Speaker 4>top two in New York, Bro, Bar for Bar, Jada

1:38:52.200 --> 1:38:54.000
<v Speaker 4>Kiss for Sure who the other one that in there?

1:38:54.080 --> 1:38:57.240
<v Speaker 1>Bro, I don't even know who the other one is yet.

1:38:57.960 --> 1:39:00.200
<v Speaker 1>I don't know. But Jay's top two bro bar for bar,

1:39:00.400 --> 1:39:02.840
<v Speaker 1>top two in New York and New York like his

1:39:03.080 --> 1:39:07.240
<v Speaker 1>his you know, maybe top top three, top three, top three,

1:39:07.360 --> 1:39:10.280
<v Speaker 1>give me that space. But yeah, Jada, that's my nigga. Bro.

1:39:11.760 --> 1:39:16.280
<v Speaker 3>Yeah, somebody else speaks for a Nicki Minaj? How did

1:39:16.320 --> 1:39:19.760
<v Speaker 3>that come about? That's when she was like first thought,

1:39:19.760 --> 1:39:20.559
<v Speaker 3>bubbling correct.

1:39:21.800 --> 1:39:26.400
<v Speaker 1>She was already lit. Okay, you know.

1:39:28.640 --> 1:39:31.360
<v Speaker 4>This is I was in Atlanta, I was working on

1:39:31.880 --> 1:39:35.120
<v Speaker 4>I was in between albums, and again, I'm always looking

1:39:35.160 --> 1:39:38.760
<v Speaker 4>for records to like kind of reinvent my conversation. If

1:39:38.800 --> 1:39:40.880
<v Speaker 4>you look at my catalog, you'll you'll hear just like

1:39:41.200 --> 1:39:46.720
<v Speaker 4>different conversations throughout my career. Tapped in with Polo when

1:39:46.760 --> 1:39:51.760
<v Speaker 4>to see him. He played me this record. I got

1:39:51.800 --> 1:39:53.760
<v Speaker 4>it off the bat. I'm like, okay, And this was

1:39:53.800 --> 1:39:57.360
<v Speaker 4>a time where I was looking to really reconstruct my

1:39:57.439 --> 1:40:01.719
<v Speaker 4>relationship and internally with RCA, like from a creative control aspect,

1:40:03.320 --> 1:40:04.840
<v Speaker 4>and I brought this record to the table.

1:40:07.240 --> 1:40:10.519
<v Speaker 1>We recorded a record Atlanta with Polo. I send it

1:40:10.560 --> 1:40:15.240
<v Speaker 1>to Nikki. She loved it all. Top okay, Mark nah

1:40:16.240 --> 1:40:20.800
<v Speaker 1>and said it. Yeah, we sent it to her. She

1:40:20.880 --> 1:40:23.200
<v Speaker 1>sent the record back in like two three days. She

1:40:23.320 --> 1:40:25.160
<v Speaker 1>loved it one. You know, when Nikki loved the record,

1:40:25.280 --> 1:40:29.960
<v Speaker 1>she she would with her she don't but Bro, it

1:40:30.040 --> 1:40:32.559
<v Speaker 1>was this was. Yeah, it's my first time working with Nikki. Yeah,

1:40:32.640 --> 1:40:34.400
<v Speaker 1>first time, and.

1:40:35.920 --> 1:40:37.800
<v Speaker 4>I felt like the record had a very like it

1:40:37.920 --> 1:40:40.960
<v Speaker 4>just had it had a special conversation in it in

1:40:41.120 --> 1:40:47.160
<v Speaker 4>terms of the lyric, but also energetically and production wise.

1:40:47.200 --> 1:40:49.360
<v Speaker 4>It just it was grungy, but it was also soulful.

1:40:50.479 --> 1:40:51.840
<v Speaker 4>And I'm like, yo, I need it. I want to

1:40:51.880 --> 1:40:54.320
<v Speaker 4>put a female on this record because I feel like

1:40:54.360 --> 1:40:56.640
<v Speaker 4>it's not enough conversations, you know what I mean with

1:40:56.720 --> 1:41:00.120
<v Speaker 4>females and males. It's like classic moments. I said a

1:41:00.160 --> 1:41:02.200
<v Speaker 4>big vision for this record, like huge vision. I had

1:41:02.200 --> 1:41:05.160
<v Speaker 4>the video treatment, done everything done for it, you know.

1:41:06.720 --> 1:41:09.560
<v Speaker 4>And this moment was really the moment that made me

1:41:09.800 --> 1:41:13.439
<v Speaker 4>turn away from like major labels at that time because

1:41:14.160 --> 1:41:14.800
<v Speaker 4>they didn't get it.

1:41:15.760 --> 1:41:17.960
<v Speaker 1>Your label, her label, My label didn't get it at

1:41:18.000 --> 1:41:20.720
<v Speaker 1>the time. And I'm like, Yo, this record is so

1:41:20.920 --> 1:41:26.320
<v Speaker 1>timeless and it's so special, you know. And yeah, bro,

1:41:26.640 --> 1:41:28.720
<v Speaker 1>but Nikki came through. Bro. She she killed it.

1:41:28.920 --> 1:41:31.360
<v Speaker 4>And you know, the video that we put out wasn't

1:41:31.360 --> 1:41:33.360
<v Speaker 4>even my concept like that. The video that came out

1:41:33.560 --> 1:41:35.920
<v Speaker 4>was completely different from the concept I had for the

1:41:36.000 --> 1:41:38.280
<v Speaker 4>video and what I wrote for the treatment, because I

1:41:38.360 --> 1:41:40.120
<v Speaker 4>knew that me and her being on a record at

1:41:40.160 --> 1:41:44.160
<v Speaker 4>that time was visually it was important. Everything, the whole

1:41:44.400 --> 1:41:47.560
<v Speaker 4>everything was was super important. So you know, it was

1:41:47.600 --> 1:41:49.560
<v Speaker 4>just one of those moments that and that was the

1:41:49.600 --> 1:41:52.000
<v Speaker 4>last record I put out with RCAA before were independent.

1:41:53.120 --> 1:41:57.880
<v Speaker 4>You know, I literally asked to go independent after that.

1:41:58.400 --> 1:42:01.280
<v Speaker 4>It was one of those moment I just felt like

1:42:01.320 --> 1:42:05.120
<v Speaker 4>it was these type of moments just just don't these

1:42:05.160 --> 1:42:05.960
<v Speaker 4>type of alignments.

1:42:06.080 --> 1:42:08.320
<v Speaker 1>It's like, you know, when the planet line up, but

1:42:08.479 --> 1:42:10.960
<v Speaker 1>the planet, you know, it's like those those things just

1:42:11.000 --> 1:42:11.479
<v Speaker 1>don't happen.

1:42:12.120 --> 1:42:14.320
<v Speaker 4>As artists, we're like different solar systems, and shit, we

1:42:14.360 --> 1:42:15.719
<v Speaker 4>got so much energy moving around.

1:42:15.760 --> 1:42:17.160
<v Speaker 1>It's like not to put us on light.

1:42:17.280 --> 1:42:20.360
<v Speaker 4>But like when planets aligned, you got to respect that

1:42:21.320 --> 1:42:23.360
<v Speaker 4>and like put it in perspective and understand what's happening,

1:42:24.360 --> 1:42:24.519
<v Speaker 4>you know.

1:42:24.960 --> 1:42:26.560
<v Speaker 1>And so it was one of those moments where I

1:42:26.640 --> 1:42:28.200
<v Speaker 1>was like, I bet, like I need to I need

1:42:28.240 --> 1:42:30.960
<v Speaker 1>to be able to move how I need to move yeah,

1:42:31.960 --> 1:42:34.439
<v Speaker 1>but none of nevertheand like it's still a special Records,

1:42:34.439 --> 1:42:35.640
<v Speaker 1>still incredible.

1:42:35.200 --> 1:42:38.560
<v Speaker 4>But the impact could have been way bigger than what

1:42:38.680 --> 1:42:40.080
<v Speaker 4>it was, and still to this day is still one

1:42:40.080 --> 1:42:40.400
<v Speaker 4>of the ones.

1:42:40.439 --> 1:42:41.800
<v Speaker 1>I still got it in my show for sure.

1:42:43.040 --> 1:42:48.639
<v Speaker 5>Speaking of being independent, you've been around both era physical copy,

1:42:49.000 --> 1:42:49.960
<v Speaker 5>yeah and streaming.

1:42:50.040 --> 1:42:55.160
<v Speaker 1>What do you think about streaming today? What do I

1:42:55.240 --> 1:43:01.719
<v Speaker 1>think about it? It's if I was in a room

1:43:04.600 --> 1:43:05.200
<v Speaker 1>on both sides.

1:43:05.200 --> 1:43:07.840
<v Speaker 4>I feel like there's one side whereas like the people

1:43:07.880 --> 1:43:10.320
<v Speaker 4>that don't make the music, it's like, oh, yeah, how

1:43:10.360 --> 1:43:12.000
<v Speaker 4>can we eat off of the shit on another level

1:43:12.680 --> 1:43:15.240
<v Speaker 4>before anybody else? And then there's another side that's saying, like, yo,

1:43:15.960 --> 1:43:18.639
<v Speaker 4>how can we protect ourselves from them eating off our shit?

1:43:18.880 --> 1:43:20.880
<v Speaker 4>If I was in this room over here when they like,

1:43:20.960 --> 1:43:23.600
<v Speaker 4>I wish I was in that room amongst that conversation.

1:43:24.360 --> 1:43:30.000
<v Speaker 4>It's just like, bro, I don't know what happened. I

1:43:30.120 --> 1:43:32.479
<v Speaker 4>wasn't in neither one of those rooms. But I wish

1:43:32.560 --> 1:43:37.559
<v Speaker 4>that we would have won the battle from streaming. Yes,

1:43:37.960 --> 1:43:40.040
<v Speaker 4>I wish that we would have won the battle, but

1:43:40.160 --> 1:43:42.280
<v Speaker 4>I feel like we will in the future. I wish

1:43:42.320 --> 1:43:45.000
<v Speaker 4>that we would have won the battle as artists, as

1:43:45.600 --> 1:43:51.120
<v Speaker 4>see as entrepreneurs as people who you know, influence the game,

1:43:51.200 --> 1:43:56.560
<v Speaker 4>influenced the culture. You know, I wish I would I

1:43:56.600 --> 1:43:58.479
<v Speaker 4>would have had the mindset I have, but with the

1:43:58.560 --> 1:44:02.400
<v Speaker 4>power to make the moves back then. Hm, because my

1:44:02.479 --> 1:44:08.360
<v Speaker 4>mindset is global. My mindset is you know, freedom, generational wealth.

1:44:08.479 --> 1:44:11.280
<v Speaker 4>But I didn't have the power to make those types

1:44:11.280 --> 1:44:13.120
<v Speaker 4>of moves. But I know somebody did and it maybe

1:44:13.160 --> 1:44:16.879
<v Speaker 4>it didn't work, but uh, you know, streaming is obviously

1:44:16.960 --> 1:44:19.960
<v Speaker 4>it's something that it's not affects a lot of us.

1:44:20.200 --> 1:44:22.599
<v Speaker 4>Artist It's not in the artist favorite at the moment.

1:44:24.640 --> 1:44:26.880
<v Speaker 4>I don't think it is like even if for independent artists,

1:44:26.880 --> 1:44:27.439
<v Speaker 4>I don't think.

1:44:27.320 --> 1:44:29.599
<v Speaker 1>It is bro cast. It costs too much.

1:44:29.920 --> 1:44:32.240
<v Speaker 4>And this because then you have all the other agencies

1:44:32.280 --> 1:44:35.240
<v Speaker 4>that like became popular. You know, you got like three

1:44:35.320 --> 1:44:37.080
<v Speaker 4>four steps of people that are eating off of you

1:44:37.160 --> 1:44:37.920
<v Speaker 4>putting out a record.

1:44:37.960 --> 1:44:38.519
<v Speaker 1>You know what I'm saying.

1:44:38.520 --> 1:44:40.280
<v Speaker 4>You got all this shit behind the scenes, you got

1:44:40.280 --> 1:44:43.559
<v Speaker 4>all of the agencies and marketing. Like it's just it's

1:44:43.680 --> 1:44:45.760
<v Speaker 4>it created a lot of ways for other people to

1:44:45.840 --> 1:44:49.320
<v Speaker 4>make more money than the artists sometimes make in a sense,

1:44:49.360 --> 1:44:51.880
<v Speaker 4>you know what I'm saying. So some artists, not all arts,

1:44:52.560 --> 1:44:55.479
<v Speaker 4>but you know, the blessing of having like a catalog

1:44:55.640 --> 1:44:58.639
<v Speaker 4>is different because I rather I stream one hundred million

1:44:58.720 --> 1:45:00.200
<v Speaker 4>on the album or not. I still go out and

1:45:00.280 --> 1:45:05.439
<v Speaker 4>tour relevancy is more important than sometimes the streams. If

1:45:05.479 --> 1:45:07.840
<v Speaker 4>you're working and you're moving and you're making the right moves,

1:45:07.920 --> 1:45:09.960
<v Speaker 4>you can still make incredible money.

1:45:10.240 --> 1:45:10.880
<v Speaker 1>That's not the thing.

1:45:11.240 --> 1:45:12.960
<v Speaker 4>But in terms of like fairness or streaming, because you

1:45:13.000 --> 1:45:16.639
<v Speaker 4>asked me about streaming, it's unfair. It's unfair, bro, It's

1:45:16.720 --> 1:45:20.840
<v Speaker 4>raping the game. They raping the game. They for years,

1:45:21.479 --> 1:45:24.599
<v Speaker 4>you know, but I feel like it's going to turn around.

1:45:25.280 --> 1:45:27.920
<v Speaker 4>And then when they turn around, all those companies that

1:45:28.120 --> 1:45:31.599
<v Speaker 4>work a lot of people's publishing and all that ship

1:45:31.640 --> 1:45:34.400
<v Speaker 4>they about to eat crazy and hopefully you kept some

1:45:34.520 --> 1:45:36.280
<v Speaker 4>of it so we can eat.

1:45:38.120 --> 1:45:39.519
<v Speaker 1>So God comes down from earth.

1:45:41.400 --> 1:45:45.719
<v Speaker 3>God did come down. He came down from leaving. Yeah,

1:45:47.240 --> 1:45:51.439
<v Speaker 3>and he said, Mario, you need to make one record,

1:45:54.120 --> 1:45:55.000
<v Speaker 3>save humanity.

1:45:56.520 --> 1:45:57.120
<v Speaker 1>One record.

1:45:58.520 --> 1:46:00.839
<v Speaker 3>I'm gonna give you. I'm gonna give you one producer.

1:46:01.960 --> 1:46:08.040
<v Speaker 3>We're gonna give you one artist. Damn, Okay, who is

1:46:08.120 --> 1:46:08.599
<v Speaker 3>you picking?

1:46:09.880 --> 1:46:10.040
<v Speaker 5>Dead?

1:46:10.040 --> 1:46:15.840
<v Speaker 1>Are alive? That's the part I was. You're very shocked.

1:46:17.040 --> 1:46:17.479
<v Speaker 6>You can have that.

1:46:17.800 --> 1:46:30.040
<v Speaker 4>I'll give you that, yes, run record Quincy Jones. I'm

1:46:30.080 --> 1:46:33.719
<v Speaker 4>glad for sure. I said one artist, I want a writer.

1:46:33.680 --> 1:46:36.679
<v Speaker 3>Yeah, one artist and one producer, my artist and one producer,

1:46:37.080 --> 1:46:37.880
<v Speaker 3>Quincy Jones.

1:46:41.160 --> 1:46:43.080
<v Speaker 1>You can have a writer too if you want, you gotta.

1:46:43.640 --> 1:46:47.559
<v Speaker 1>You can have a writer to need Quincy Jones as

1:46:47.680 --> 1:46:57.320
<v Speaker 1>production as production Quincy Jones. And I'm gonna say, damn,

1:46:57.720 --> 1:46:59.920
<v Speaker 1>the feature of the writer. And I'm gonna go all

1:47:00.000 --> 1:47:03.960
<v Speaker 1>I'm gonna go to artists and artists Jones and then

1:47:08.360 --> 1:47:10.920
<v Speaker 1>Quincy Jones. Steze want that?

1:47:15.000 --> 1:47:15.120
<v Speaker 7>Now?

1:47:15.280 --> 1:47:15.519
<v Speaker 1>I know.

1:47:19.479 --> 1:47:24.360
<v Speaker 4>It could be Marven two honestly, look because yeah, but

1:47:24.360 --> 1:47:28.479
<v Speaker 4>I'm gonna go Stevie Quincy Stevie, and then you got

1:47:28.560 --> 1:47:38.000
<v Speaker 4>to write her now mm hmm, I'm gonna go Marvin

1:47:38.120 --> 1:47:46.040
<v Speaker 4>is the writer. Yeah, Steve bar sounds like it hit

1:47:46.120 --> 1:47:50.120
<v Speaker 4>to be folks. Yeah, yeah, Stevie.

1:47:50.479 --> 1:47:52.400
<v Speaker 3>So you ain't get another shot. Don't get another shot.

1:47:54.040 --> 1:47:58.120
<v Speaker 3>You just say humanity, what I'm saying, we got you know,

1:47:59.000 --> 1:48:03.160
<v Speaker 3>why would we just think? God damn shut shut? So

1:48:03.880 --> 1:48:11.240
<v Speaker 3>So let me ask you, and boy is there If

1:48:11.280 --> 1:48:16.360
<v Speaker 3>I was ever asked this question back then, I wouldn't

1:48:16.360 --> 1:48:19.040
<v Speaker 3>know how to answer it, right. But you know, as

1:48:19.080 --> 1:48:21.360
<v Speaker 3>I'm mature, and you know, I got to different levels

1:48:21.400 --> 1:48:24.080
<v Speaker 3>in life. I realized that this is this, this question

1:48:24.120 --> 1:48:26.479
<v Speaker 3>that I'm about to ask you. I have a lot

1:48:26.560 --> 1:48:29.519
<v Speaker 3>of different answers to this. Is there every anything that

1:48:29.680 --> 1:48:32.240
<v Speaker 3>you wish you you could have did better or like

1:48:32.520 --> 1:48:32.920
<v Speaker 3>didn't do?

1:48:33.680 --> 1:48:35.479
<v Speaker 1>Like you know what I mean? Like, all right, let

1:48:35.520 --> 1:48:36.760
<v Speaker 1>me just let me break it down for you a

1:48:36.800 --> 1:48:37.200
<v Speaker 1>little bit.

1:48:37.320 --> 1:48:40.400
<v Speaker 3>Yeah, all of us coming from the hood at one point,

1:48:40.880 --> 1:48:43.439
<v Speaker 3>we don't think our ship thinks once we start making

1:48:44.000 --> 1:48:47.080
<v Speaker 3>a certain level, right, certain vel and even your friends

1:48:47.160 --> 1:48:50.200
<v Speaker 3>sometimes your friends can kind of tell you, but they're

1:48:50.240 --> 1:48:54.080
<v Speaker 3>not living what you're going through, right, So all of

1:48:54.200 --> 1:48:57.760
<v Speaker 3>us kind of like goes through a certain process that

1:48:57.880 --> 1:49:00.160
<v Speaker 3>we have to kind of learn. Is there anything thing

1:49:00.280 --> 1:49:03.400
<v Speaker 3>that you ever did? But like there's so many things,

1:49:03.520 --> 1:49:09.439
<v Speaker 3>Like for instance, like I'm in the airport with friends

1:49:09.479 --> 1:49:13.960
<v Speaker 3>Tata and says to me, Man, I want I want

1:49:14.000 --> 1:49:17.160
<v Speaker 3>this this girl to do a remix for your for

1:49:17.280 --> 1:49:22.960
<v Speaker 3>your song. I was like yeah, and it's like, yeah,

1:49:23.000 --> 1:49:24.760
<v Speaker 3>don't worry about it. If we just give thirteen grand,

1:49:24.800 --> 1:49:25.439
<v Speaker 3>it should be good.

1:49:25.800 --> 1:49:28.320
<v Speaker 1>And I was like thirteen grand and I was like, no,

1:49:28.479 --> 1:49:30.599
<v Speaker 1>I'm not kidding this. Fifteen grand. You know that girl

1:49:30.640 --> 1:49:43.720
<v Speaker 1>winds up being Rihanna. Yeah, I'm laughing because I know

1:49:43.960 --> 1:49:46.679
<v Speaker 1>how you probably felt. But yeah, like what I'm saying

1:49:46.680 --> 1:49:48.360
<v Speaker 1>is you ever been in your own bag where you're

1:49:48.360 --> 1:49:50.320
<v Speaker 1>sucking up your own bag that much.

1:49:53.000 --> 1:49:54.679
<v Speaker 4>I've probably been in there a couple of times, don't

1:49:54.720 --> 1:49:58.200
<v Speaker 4>know even no aboudty but two yeah, like bro for sure.

1:50:00.080 --> 1:50:05.200
<v Speaker 1>I was. I was living in Jersey at the time.

1:50:06.240 --> 1:50:09.559
<v Speaker 4>Around the time Just a Friend came out, Jay had

1:50:09.640 --> 1:50:11.360
<v Speaker 4>like two shows in Madison Square Garden.

1:50:12.040 --> 1:50:15.000
<v Speaker 1>We said, Jay z okay, yes, and.

1:50:17.240 --> 1:50:19.680
<v Speaker 4>He wanted me to come out on the set and

1:50:19.760 --> 1:50:23.160
<v Speaker 4>would meet me and all that and how whatever. And

1:50:23.280 --> 1:50:25.160
<v Speaker 4>at the time I was I was dating this girl

1:50:25.800 --> 1:50:29.320
<v Speaker 4>in Jersey and the night that they wanted me to

1:50:29.360 --> 1:50:35.640
<v Speaker 4>come out, I had already had plans for her. So

1:50:36.080 --> 1:50:38.320
<v Speaker 4>at the time I managed to hit me like, yo, look,

1:50:38.400 --> 1:50:39.960
<v Speaker 4>you gotta put the s on Jay.

1:50:39.880 --> 1:50:43.840
<v Speaker 1>When you come out. I was like, I can't.

1:50:46.439 --> 1:50:50.479
<v Speaker 4>Is this massive square? It's massive Square? Just a Friend

1:50:50.560 --> 1:50:55.439
<v Speaker 4>is out moving. I just came up promo to so

1:50:55.600 --> 1:50:59.200
<v Speaker 4>you know, I met something, you know, the Minican Puerto

1:50:59.240 --> 1:51:03.960
<v Speaker 4>Rican Vibes type ship Washington Heights Energy but.

1:51:04.000 --> 1:51:16.720
<v Speaker 1>In Jersey though, Jersey just the himporter again yeah, help

1:51:16.760 --> 1:51:20.160
<v Speaker 1>you out. Yeah, appreciate you. But like so, yeah, and

1:51:20.560 --> 1:51:23.879
<v Speaker 1>I passed up on that, you know what I'm saying, Yeah, bro, yeah.

1:51:24.200 --> 1:51:26.240
<v Speaker 4>And it was it was you know, I don't know

1:51:26.320 --> 1:51:27.960
<v Speaker 4>if Jay took that some type of way, you know,

1:51:28.080 --> 1:51:31.920
<v Speaker 4>But I was young. I was young, young bro, having fun.

1:51:32.120 --> 1:51:35.479
<v Speaker 1>But yeah, and certain things, but like I don't know,

1:51:37.000 --> 1:51:44.120
<v Speaker 1>I never got an invite that might be it. I

1:51:44.200 --> 1:51:52.080
<v Speaker 1>think that's the time. Yeah, that was one been a couple, bro, Yeah,

1:51:52.920 --> 1:51:54.960
<v Speaker 1>I was. I was. I was wild when I was younger.

1:51:55.000 --> 1:51:55.080
<v Speaker 5>Bro.

1:51:55.520 --> 1:51:58.280
<v Speaker 1>I was just I didn't care as much I was

1:51:58.360 --> 1:51:59.240
<v Speaker 1>youm bro, I was.

1:51:59.320 --> 1:52:01.160
<v Speaker 4>I had a great I had I was having a

1:52:01.200 --> 1:52:03.240
<v Speaker 4>good time. I was a young artist, you know. But

1:52:03.360 --> 1:52:05.439
<v Speaker 4>I wasn't aware of my power at the time. I

1:52:05.520 --> 1:52:07.640
<v Speaker 4>wasn't aware of who I was in the world. I

1:52:07.680 --> 1:52:09.360
<v Speaker 4>didn't know, you know what I'm saying.

1:52:09.439 --> 1:52:10.960
<v Speaker 1>I didn't know. I made a lot of mistakes, you

1:52:11.040 --> 1:52:11.559
<v Speaker 1>know what I'm saying.

1:52:12.240 --> 1:52:14.760
<v Speaker 4>And uh, sometimes those things do haunt you behind the

1:52:14.760 --> 1:52:17.040
<v Speaker 4>scenes and you don't know, and you know that right

1:52:17.360 --> 1:52:18.599
<v Speaker 4>of course, maybe it does.

1:52:19.040 --> 1:52:20.840
<v Speaker 1>All I know is I learned from my mistakes. I

1:52:20.920 --> 1:52:24.080
<v Speaker 1>keep it moving and I just I'm never stopping what

1:52:24.240 --> 1:52:28.040
<v Speaker 1>I do you know, but you know living you learn, bro. Yes,

1:52:28.479 --> 1:52:33.080
<v Speaker 1>I'm gonna take a shot. Yeah, no, no, no, bro, listen,

1:52:33.520 --> 1:52:35.799
<v Speaker 1>you know, look look at literally.

1:52:35.880 --> 1:52:39.760
<v Speaker 3>This look look look respect for ja.

1:52:39.840 --> 1:52:41.920
<v Speaker 1>Yeah yeah, look at look at that. That's that's that,

1:52:42.080 --> 1:52:43.920
<v Speaker 1>that's that socking it.

1:52:43.960 --> 1:52:46.960
<v Speaker 4>Wait, let me let me move over from this. Uh okay,

1:52:47.840 --> 1:52:49.479
<v Speaker 4>I know how to deal with this later. I can

1:52:49.520 --> 1:52:51.519
<v Speaker 4>deal with those thements all but let me uh you

1:52:51.600 --> 1:52:52.120
<v Speaker 4>were trying to.

1:52:52.120 --> 1:52:57.560
<v Speaker 1>Sack you real quick. Let mean what you talking? What

1:52:57.640 --> 1:52:59.760
<v Speaker 1>you got going on over there? I mean, I know

1:52:59.840 --> 1:53:02.040
<v Speaker 1>you drink, how you deal with this, what you're doing

1:53:02.120 --> 1:53:08.400
<v Speaker 1>for your liver? Whist told me what your living people,

1:53:08.720 --> 1:53:13.680
<v Speaker 1>I'm fucked up. But Rizza said, there's only two alcohols

1:53:13.760 --> 1:53:15.280
<v Speaker 1>that's uppers. Mm hmm.

1:53:15.800 --> 1:53:20.400
<v Speaker 3>It's the killer and sockey. Everything else is down this.

1:53:21.080 --> 1:53:23.120
<v Speaker 3>So since you said that, I kind of like makes

1:53:23.160 --> 1:53:26.280
<v Speaker 3>sense to me. Not for sure, I've been like kind

1:53:26.320 --> 1:53:33.360
<v Speaker 3>of like fuck it. Okay, yeah all right.

1:53:33.439 --> 1:53:37.280
<v Speaker 1>Now, by the way, it's an upper. It's like, yeah,

1:53:37.360 --> 1:53:40.320
<v Speaker 1>it's lighter, yeah, lighter, it's lighter. It's like it's still

1:53:40.520 --> 1:53:43.080
<v Speaker 1>it's still good there. Yeah, if you drink enough.

1:53:42.960 --> 1:53:45.720
<v Speaker 3>Of them, right, yeah, And these motherfuckers drinking my ship

1:53:45.760 --> 1:53:50.320
<v Speaker 3>over there. They thought I ain't see them, but I

1:53:50.520 --> 1:53:50.880
<v Speaker 3>chose you.

1:53:51.479 --> 1:53:55.200
<v Speaker 1>I choose you. Okay, yes, yes, let's talk about that.

1:53:55.439 --> 1:53:58.439
<v Speaker 1>This is Babyface introducing me to writing in a different way. Man,

1:53:58.520 --> 1:54:07.639
<v Speaker 1>shout out to Babyface. Man, we work show.

1:54:08.640 --> 1:54:12.400
<v Speaker 4>Baby Face is one of the most simple, Like he

1:54:12.640 --> 1:54:15.479
<v Speaker 4>makes writing sound so simple, but he has over one

1:54:15.600 --> 1:54:16.840
<v Speaker 4>hundred hits, number one hits.

1:54:17.320 --> 1:54:20.960
<v Speaker 1>So it's like I'm asking him questions like, Okay, what

1:54:21.120 --> 1:54:21.559
<v Speaker 1>makes it hit?

1:54:22.000 --> 1:54:24.880
<v Speaker 4>He's keeping it so simple and talking about just the

1:54:25.760 --> 1:54:29.400
<v Speaker 4>simplicity of having a conversation. But then when you see

1:54:29.439 --> 1:54:32.640
<v Speaker 4>him do it, it's like, I think, because of how

1:54:32.680 --> 1:54:36.000
<v Speaker 4>I think, I make it more intricate the way I

1:54:36.080 --> 1:54:38.360
<v Speaker 4>write sometimes, especially on this new album, but like now

1:54:38.400 --> 1:54:43.480
<v Speaker 4>I'm trying to adopt this conversational aspect of writing, because

1:54:43.480 --> 1:54:46.840
<v Speaker 4>writing music is of course, once you get a song written,

1:54:46.840 --> 1:54:50.240
<v Speaker 4>you want to perfect the unit, dude, But it's as simple.

1:54:50.040 --> 1:54:50.959
<v Speaker 1>As having a conversation.

1:54:51.680 --> 1:54:54.440
<v Speaker 4>The best records are you can write the lyrics down

1:54:54.960 --> 1:54:57.640
<v Speaker 4>and read them and it just looks like a conversation.

1:54:58.720 --> 1:55:01.040
<v Speaker 1>But in the studio, with life, you deal with your

1:55:01.080 --> 1:55:04.640
<v Speaker 1>own thoughts. So you got to kind of like you

1:55:04.720 --> 1:55:06.560
<v Speaker 1>gotta yourself in, like.

1:55:08.240 --> 1:55:09.800
<v Speaker 4>You know, you got to open up your mind and

1:55:09.880 --> 1:55:13.160
<v Speaker 4>open up a pathway where it's like, Okay, if I

1:55:13.320 --> 1:55:17.040
<v Speaker 4>was just a normal person, how would I have this

1:55:17.160 --> 1:55:19.400
<v Speaker 4>conversation but then still be genius at the same time.

1:55:20.080 --> 1:55:24.000
<v Speaker 4>So I feel like being an artist. Babyface Master kind

1:55:24.040 --> 1:55:26.560
<v Speaker 4>of like that space Bro. I work with him on

1:55:27.040 --> 1:55:29.760
<v Speaker 4>I Shoose You played. He produced and helped produce it,

1:55:30.080 --> 1:55:32.440
<v Speaker 4>play the guitar on it, and help write the record.

1:55:32.760 --> 1:55:34.640
<v Speaker 4>We work the record in the studio together, Bro, and

1:55:34.760 --> 1:55:37.160
<v Speaker 4>it was just it was one of the best essons

1:55:37.160 --> 1:55:38.560
<v Speaker 4>I've ever had, Bro in terms of R and B.

1:55:40.480 --> 1:55:41.520
<v Speaker 1>And just how easy he.

1:55:44.200 --> 1:55:47.000
<v Speaker 4>Made the process, how funny it was, how easy the

1:55:47.080 --> 1:55:49.360
<v Speaker 4>process was to actually creating a record like I Choose

1:55:49.440 --> 1:55:52.320
<v Speaker 4>You and he just got He's got a gift that

1:55:52.440 --> 1:55:53.960
<v Speaker 4>I feel like, you know what.

1:55:54.080 --> 1:55:55.800
<v Speaker 1>Neo reminds me of that in some ways.

1:55:56.320 --> 1:55:58.400
<v Speaker 4>The way he approached writing music and be honest like

1:55:58.480 --> 1:56:01.200
<v Speaker 4>he kind of is like our generation of what Babyface

1:56:01.320 --> 1:56:04.760
<v Speaker 4>was doing. Always tell him that because this is super simple.

1:56:05.600 --> 1:56:08.640
<v Speaker 4>He writes the records that are conversations, you know what

1:56:08.680 --> 1:56:10.640
<v Speaker 4>I'm saying. But baby Face, I think he was more

1:56:10.760 --> 1:56:14.480
<v Speaker 4>romantic in his approach, which is why I choose.

1:56:14.320 --> 1:56:16.520
<v Speaker 1>You feels like, you know, it feels like that that's

1:56:16.560 --> 1:56:20.120
<v Speaker 1>a record. When I perform, I'm like roses out you

1:56:20.200 --> 1:56:22.240
<v Speaker 1>know on that record?

1:56:22.320 --> 1:56:29.040
<v Speaker 4>Yeah for sure. Yeah, it's one of them records. How

1:56:29.040 --> 1:56:29.680
<v Speaker 4>about Closer?

1:56:33.040 --> 1:56:34.920
<v Speaker 1>So you're telling me records that you like, you listen to?

1:56:34.960 --> 1:56:39.560
<v Speaker 1>These are the records that you because I'm like a

1:56:39.600 --> 1:56:41.200
<v Speaker 1>lot of people don't know about some of these records.

1:56:43.160 --> 1:56:49.520
<v Speaker 11>This blow up Yeah yeah, yeah, yeah, listen to that

1:56:50.120 --> 1:56:51.320
<v Speaker 11>play Let's get you right, ladies.

1:56:51.720 --> 1:56:57.960
<v Speaker 1>You know what I'm saying, right, that's right now. Closer

1:56:58.040 --> 1:56:59.800
<v Speaker 1>shout outs to the home inter I also have.

1:56:59.840 --> 1:57:02.800
<v Speaker 3>A record called Closer. Okay, yeah yeah yeah, but mars

1:57:02.880 --> 1:57:05.880
<v Speaker 3>Is nine ninety six. I'm old, you know, I'm sure

1:57:05.920 --> 1:57:07.840
<v Speaker 3>the still go.

1:57:08.080 --> 1:57:11.200
<v Speaker 4>But yeah, closest fire that that that records on the

1:57:11.280 --> 1:57:15.440
<v Speaker 4>album I put out independently actually during the pandemic, bro,

1:57:16.840 --> 1:57:18.800
<v Speaker 4>during the fucking pandemic. You know it was it was

1:57:19.680 --> 1:57:21.200
<v Speaker 4>I'm like, yo, I gotta put it, I gotta put

1:57:21.200 --> 1:57:22.800
<v Speaker 4>a project out. It was I was working on so

1:57:22.920 --> 1:57:25.400
<v Speaker 4>much music, and I was sitting on a lot of music,

1:57:26.240 --> 1:57:28.400
<v Speaker 4>and before the pandemic, I think it was right before

1:57:29.120 --> 1:57:34.680
<v Speaker 4>me uh tron, I went in the studio to make

1:57:34.720 --> 1:57:36.600
<v Speaker 4>it like a few records and I just made an

1:57:36.600 --> 1:57:39.800
<v Speaker 4>EP out of it called Closer to Mars. So a

1:57:39.880 --> 1:57:42.200
<v Speaker 4>couple of really incredible R and B records are on

1:57:42.280 --> 1:57:44.440
<v Speaker 4>the album. If you haven't heard it yet, go check

1:57:44.480 --> 1:57:46.120
<v Speaker 4>it out. Close to Mars. Great R and B album,

1:57:46.680 --> 1:57:49.320
<v Speaker 4>I mean definitely you know one of the bedroom records. Also,

1:57:49.400 --> 1:57:51.200
<v Speaker 4>you can get lit to it is it is, you

1:57:51.280 --> 1:57:54.000
<v Speaker 4>know Mars the record Mars. Mars is my name in Latin.

1:57:54.080 --> 1:57:56.080
<v Speaker 4>So I wrote the record based on like I'm bringing

1:57:56.120 --> 1:57:57.600
<v Speaker 4>you to Mars, like bringing you to my world like

1:57:57.640 --> 1:58:00.880
<v Speaker 4>type ship or whatever, but like it's it's it's a

1:58:01.080 --> 1:58:03.720
<v Speaker 4>very good R and B album, bro, you know.

1:58:03.760 --> 1:58:05.080
<v Speaker 1>And if Noriega bringing it up, you.

1:58:05.080 --> 1:58:07.840
<v Speaker 3>Know what I'm saying, let me let me ask you

1:58:07.960 --> 1:58:13.280
<v Speaker 3>because the biggest thing for me, right I did I

1:58:13.280 --> 1:58:14.320
<v Speaker 3>went through the same transition.

1:58:14.440 --> 1:58:14.520
<v Speaker 1>Right.

1:58:14.560 --> 1:58:16.960
<v Speaker 3>I was on a major label. I love the major labels.

1:58:17.160 --> 1:58:21.000
<v Speaker 3>It was kind of coming down. I went I went independent,

1:58:21.640 --> 1:58:25.240
<v Speaker 3>you know what I mean. Everyone thought of the glits

1:58:25.360 --> 1:58:27.600
<v Speaker 3>and glady, Oh, you know, independent, I'm gonna get all

1:58:27.640 --> 1:58:29.040
<v Speaker 3>my money. But you don't understand is.

1:58:29.240 --> 1:58:31.640
<v Speaker 4>You have to work, Nigga. I waste so much money

1:58:31.720 --> 1:58:36.480
<v Speaker 4>on my first independent album of my own money. I

1:58:36.560 --> 1:58:38.720
<v Speaker 4>went independent when it was just starting to get popping.

1:58:38.880 --> 1:58:41.440
<v Speaker 1>Like the popular you had to be like the example,

1:58:42.080 --> 1:58:47.920
<v Speaker 1>shout out the Gazi man O Nimam Ghazi.

1:58:48.400 --> 1:58:51.200
<v Speaker 4>Nina was Tina wasn't there at the time, Da how

1:58:51.440 --> 1:58:54.400
<v Speaker 4>that's how yeah early, you know what I'm saying.

1:58:54.480 --> 1:58:57.160
<v Speaker 1>But like, man, it was one of the great look

1:58:57.280 --> 1:58:59.320
<v Speaker 1>I look at life like this, bro, Like I'm really

1:58:59.440 --> 1:59:05.400
<v Speaker 1>like that wasn't a waste to me. Me spending. I

1:59:05.520 --> 1:59:08.360
<v Speaker 1>spent four hundred thousand dollars on the album and it

1:59:08.440 --> 1:59:10.560
<v Speaker 1>was distribution though they did.

1:59:10.760 --> 1:59:13.680
<v Speaker 4>Yeah, but you out of my motion through money was

1:59:14.000 --> 1:59:16.560
<v Speaker 4>like four hundred thousand plus on it. Because I was

1:59:16.600 --> 1:59:18.440
<v Speaker 4>still doing ship, I was doing as an artist, Like

1:59:18.440 --> 1:59:20.320
<v Speaker 4>I was still going to the fucking big studios. I

1:59:20.400 --> 1:59:23.840
<v Speaker 4>was still going to you know what I'm saying, a

1:59:24.000 --> 1:59:25.120
<v Speaker 4>paramount still.

1:59:25.320 --> 1:59:25.360
<v Speaker 1>No.

1:59:25.520 --> 1:59:27.080
<v Speaker 4>I was living in La so I was going home

1:59:27.120 --> 1:59:30.440
<v Speaker 4>and going toess Okay the night of the studio twenty

1:59:30.480 --> 1:59:34.560
<v Speaker 4>five hundred dollars. I didn't yet understand that independ I

1:59:34.600 --> 1:59:36.560
<v Speaker 4>didn't understand how to play monopoly with it yet.

1:59:37.360 --> 1:59:40.840
<v Speaker 1>So for me, it was kind of like chess because

1:59:40.880 --> 1:59:41.880
<v Speaker 1>I was like that moment was.

1:59:42.160 --> 1:59:44.840
<v Speaker 4>For me to learn the business of being a boss,

1:59:45.400 --> 1:59:48.400
<v Speaker 4>being your own boss, and so now I understand how

1:59:48.440 --> 1:59:50.400
<v Speaker 4>to play with numbers in a completely different way. So

1:59:50.600 --> 1:59:52.680
<v Speaker 4>it wasn't a loss for me coming out of my

1:59:52.720 --> 1:59:54.520
<v Speaker 4>pocket doing this and this and that, and you know

1:59:54.520 --> 1:59:55.240
<v Speaker 4>what I'm saying.

1:59:55.440 --> 1:59:57.520
<v Speaker 1>Recouping that. So I have to say, you did you

1:59:57.600 --> 2:00:01.320
<v Speaker 1>recoup that? Yeah? Pretty much? Okay, okay too. Took some time.

2:00:02.840 --> 2:00:04.400
<v Speaker 1>You have to look at yourself like what am I doing?

2:00:04.800 --> 2:00:06.200
<v Speaker 4>Like you said, go back to what you say. You

2:00:06.280 --> 2:00:08.160
<v Speaker 4>thinking you independent? You about to get Nah, that's not

2:00:08.200 --> 2:00:08.680
<v Speaker 4>how it works.

2:00:08.680 --> 2:00:08.760
<v Speaker 5>Bro.

2:00:08.920 --> 2:00:11.000
<v Speaker 4>Now you got you gotta you gotta plant the seeds

2:00:11.040 --> 2:00:13.320
<v Speaker 4>before you see it grow, you know what I'm saying.

2:00:13.360 --> 2:00:14.760
<v Speaker 1>And sometimes those seeds take time.

2:00:14.840 --> 2:00:16.800
<v Speaker 4>And then on top of that, you gotta move as

2:00:16.880 --> 2:00:21.920
<v Speaker 4>if you gotta envision it already there. Yeah, you gotta move.

2:00:22.000 --> 2:00:23.800
<v Speaker 4>And you still got money to spend, by the way

2:00:24.880 --> 2:00:27.320
<v Speaker 4>and make you know. But luckily, again, this is the

2:00:27.360 --> 2:00:30.640
<v Speaker 4>beauty of having a catalog because I can still go

2:00:30.720 --> 2:00:32.880
<v Speaker 4>and do shows and make more money to do partnerships

2:00:32.920 --> 2:00:34.720
<v Speaker 4>and then be smart about how I do.

2:00:35.440 --> 2:00:37.120
<v Speaker 1>You know, that's the blessing in it.

2:00:37.640 --> 2:00:41.200
<v Speaker 3>But with total artists, total artists who go through who's

2:00:41.200 --> 2:00:43.040
<v Speaker 3>about to go through with me, and you just went through.

2:00:43.160 --> 2:00:44.560
<v Speaker 1>Right, you had a choice.

2:00:44.680 --> 2:00:47.520
<v Speaker 3>Now, I'm not going to tell you what I'm gonna

2:00:47.520 --> 2:00:49.440
<v Speaker 3>do because I want to hear yours. But if you

2:00:49.520 --> 2:00:54.840
<v Speaker 3>had a choice, I just pivot pivota moment. But you

2:00:54.920 --> 2:00:58.040
<v Speaker 3>said I could either stay independent and I could go

2:00:58.200 --> 2:01:00.640
<v Speaker 3>with such a such or.

2:01:00.720 --> 2:01:03.680
<v Speaker 4>Do it yeah, or I can stay with a major.

2:01:04.640 --> 2:01:07.080
<v Speaker 4>We say stay all right, you're talking about a new artist.

2:01:07.120 --> 2:01:10.720
<v Speaker 4>You're talking about It's different, bro, No, I'm talking about

2:01:10.760 --> 2:01:15.120
<v Speaker 4>season artists. I'm talking about Okay, okay, Like what would

2:01:15.160 --> 2:01:18.920
<v Speaker 4>you have done? Like like now, knowing your experience.

2:01:18.600 --> 2:01:20.200
<v Speaker 1>All right, this is this is this is what I

2:01:20.240 --> 2:01:24.840
<v Speaker 1>would say outside of your your artistry, outside of you

2:01:24.920 --> 2:01:25.680
<v Speaker 1>being an artist?

2:01:25.800 --> 2:01:29.120
<v Speaker 4>Right, what else are you doing outside of music? Are

2:01:29.160 --> 2:01:31.640
<v Speaker 4>you do you have a good team? Do you got

2:01:31.680 --> 2:01:34.600
<v Speaker 4>good credit? You have good you know what I mean?

2:01:34.720 --> 2:01:35.080
<v Speaker 1>Business?

2:01:35.600 --> 2:01:35.640
<v Speaker 5>Like?

2:01:35.720 --> 2:01:36.720
<v Speaker 1>Are you investing in different?

2:01:36.760 --> 2:01:36.800
<v Speaker 7>Like?

2:01:36.840 --> 2:01:38.520
<v Speaker 1>What are you doing? Because I am doing that?

2:01:38.880 --> 2:01:41.560
<v Speaker 4>So you scamming whatever whatever you're doing to make your money?

2:01:42.120 --> 2:01:44.920
<v Speaker 4>Like do you have money to play with outside of that?

2:01:45.440 --> 2:01:47.280
<v Speaker 4>To whereas though you could say, like and you know,

2:01:47.760 --> 2:01:50.560
<v Speaker 4>I bet I'm going to use the machine. I'm not

2:01:50.600 --> 2:01:53.480
<v Speaker 4>gonna take a lot of money. But I'm definitely gonna

2:01:53.520 --> 2:01:55.360
<v Speaker 4>use a machine because I.

2:01:55.400 --> 2:02:00.520
<v Speaker 1>Got a millie over here to live off in another.

2:02:00.360 --> 2:02:04.480
<v Speaker 4>Five hundred whatever your number is, to put into a project. Right,

2:02:04.920 --> 2:02:06.640
<v Speaker 4>if you have that, I would say, don't take a

2:02:06.680 --> 2:02:09.400
<v Speaker 4>lot of money from the label, use the services.

2:02:10.560 --> 2:02:13.120
<v Speaker 1>Take just take enough. I don't even know if I'm

2:02:13.120 --> 2:02:19.360
<v Speaker 1>saying too much. Take enough to where though, It's like, until.

2:02:19.120 --> 2:02:20.960
<v Speaker 4>We get to the point where we one hundred percent

2:02:21.320 --> 2:02:24.560
<v Speaker 4>don't need the politics anymore, because we people say, oh,

2:02:24.640 --> 2:02:26.840
<v Speaker 4>you won't need it's the politics are still there.

2:02:27.320 --> 2:02:30.520
<v Speaker 1>Okay, we ain't there yet. We might be there soon,

2:02:30.680 --> 2:02:33.120
<v Speaker 1>but we ain't there yet. So let me ask you.

2:02:33.280 --> 2:02:35.480
<v Speaker 3>We all know this rumor, right that it takes like

2:02:35.560 --> 2:02:38.640
<v Speaker 3>one hundred thousand to one hundred and seventy five thousand

2:02:38.720 --> 2:02:40.320
<v Speaker 3>to make a record, a hit record.

2:02:41.040 --> 2:02:42.120
<v Speaker 1>I don't even know if that's true.

2:02:42.160 --> 2:02:42.400
<v Speaker 6>No more.

2:02:42.520 --> 2:02:46.120
<v Speaker 1>I think it just depends on your relationship. I'm asking, yo,

2:02:46.280 --> 2:02:48.960
<v Speaker 1>I'm asking because back then, that's how it was. Back then,

2:02:49.000 --> 2:02:49.840
<v Speaker 1>it was cutting drive.

2:02:51.360 --> 2:02:56.880
<v Speaker 3>We know, yeah, yeah, crazy change though, dirty station, crazy

2:02:57.440 --> 2:02:58.000
<v Speaker 3>dirty station?

2:02:58.360 --> 2:02:59.320
<v Speaker 1>Right now, for sure, I.

2:02:59.320 --> 2:03:01.440
<v Speaker 3>Don't know how you pay that one fifty you automatically

2:03:01.480 --> 2:03:04.800
<v Speaker 3>added to the Spotify playlist or you automatically add added

2:03:04.840 --> 2:03:05.520
<v Speaker 3>to the action.

2:03:05.600 --> 2:03:10.680
<v Speaker 1>It's about relationships, bro, Yeah, because money, right, But like

2:03:10.840 --> 2:03:12.960
<v Speaker 1>I think I think it's more about relationships and like,

2:03:13.520 --> 2:03:15.600
<v Speaker 1>you know, the bread, but the relationships too, bro.

2:03:15.920 --> 2:03:17.280
<v Speaker 3>You know because right now, what do you think is

2:03:17.320 --> 2:03:19.960
<v Speaker 3>more about Is it more about the playlist or is

2:03:20.000 --> 2:03:21.880
<v Speaker 3>it more about the actual radio?

2:03:22.040 --> 2:03:25.200
<v Speaker 4>I think it's about your relationship with your fans mixed

2:03:25.240 --> 2:03:29.280
<v Speaker 4>with everything else, how you perceived, how hard you work with,

2:03:29.520 --> 2:03:33.920
<v Speaker 4>how people will receive your music, how people feel about

2:03:33.960 --> 2:03:37.760
<v Speaker 4>you overall, like their relationship with your music. You know

2:03:37.800 --> 2:03:41.040
<v Speaker 4>what I'm saying, Because some artists, I'm like, I'm like, damn,

2:03:41.160 --> 2:03:43.520
<v Speaker 4>Like I can't. I don't know what artists like. Don't

2:03:43.520 --> 2:03:43.760
<v Speaker 4>ask me.

2:03:43.800 --> 2:03:44.640
<v Speaker 1>I'm a little lit right now.

2:03:45.000 --> 2:03:48.640
<v Speaker 4>But like some artists they have the music, but they

2:03:48.680 --> 2:03:50.600
<v Speaker 4>don't have the relationships. And then you go, you know,

2:03:50.680 --> 2:03:52.320
<v Speaker 4>they can sell some of the artists can sell tickets.

2:03:52.600 --> 2:03:57.480
<v Speaker 4>Some artists can strain records. It depends on your relationship

2:03:57.560 --> 2:04:00.240
<v Speaker 4>with overall, with the whole situation. It depends on how

2:04:00.360 --> 2:04:02.760
<v Speaker 4>you bring yourself. It depends on what you've been putting

2:04:02.880 --> 2:04:05.800
<v Speaker 4>energy into. Some artists are great touring artists, but they

2:04:05.800 --> 2:04:08.960
<v Speaker 4>don't necessarily stream. Well, some artists stream great, but then

2:04:09.000 --> 2:04:11.560
<v Speaker 4>they can't go on tour and sell tickets. So you

2:04:11.680 --> 2:04:14.680
<v Speaker 4>got to create your reality and this shit, you know

2:04:14.720 --> 2:04:16.400
<v Speaker 4>what I mean? Like right now we have that chance

2:04:16.440 --> 2:04:16.680
<v Speaker 4>to do that.

2:04:17.480 --> 2:04:19.240
<v Speaker 1>Is radio still necessary.

2:04:22.320 --> 2:04:26.960
<v Speaker 4>If you can afford it, If you can afford it, yeah,

2:04:27.200 --> 2:04:30.080
<v Speaker 4>just for the Yeah, if you can afford the Just

2:04:30.600 --> 2:04:33.480
<v Speaker 4>what are you talking about, like mainstream, you're talking about

2:04:33.680 --> 2:04:34.160
<v Speaker 4>top forty?

2:04:34.200 --> 2:04:34.880
<v Speaker 1>What you talking about?

2:04:35.360 --> 2:04:38.240
<v Speaker 3>I'm talking about period because like like like I guess

2:04:38.280 --> 2:04:39.760
<v Speaker 3>today I went to New York City?

2:04:40.520 --> 2:04:42.640
<v Speaker 1>Was it yesterday? Day before? Yes?

2:04:43.120 --> 2:04:46.520
<v Speaker 4>I think the expectations for major artists is to break

2:04:46.600 --> 2:04:49.880
<v Speaker 4>records at top forty and be on radio, and artists

2:04:49.920 --> 2:04:52.880
<v Speaker 4>major artists like artists that are like artists like myself

2:04:53.000 --> 2:04:54.720
<v Speaker 4>or somebody that's been in the game for a long time.

2:04:54.760 --> 2:04:56.120
<v Speaker 4>It's like, oh, if you don't have a record at

2:04:56.160 --> 2:04:59.360
<v Speaker 4>top forty, then you have him. But for me, I

2:04:59.360 --> 2:05:02.960
<v Speaker 4>identify success with the overall your personal life and your

2:05:03.000 --> 2:05:04.560
<v Speaker 4>business life and your artist's life.

2:05:04.600 --> 2:05:08.800
<v Speaker 1>It's not even about what's going on on the internet

2:05:08.880 --> 2:05:09.160
<v Speaker 1>no more.

2:05:09.320 --> 2:05:09.400
<v Speaker 6>Bro.

2:05:11.280 --> 2:05:14.680
<v Speaker 4>I can promise you that I haven't had a hit

2:05:15.720 --> 2:05:19.760
<v Speaker 4>and I stopped counting the years, but I've had motion

2:05:20.360 --> 2:05:21.520
<v Speaker 4>and the way that I think, in the way that

2:05:21.600 --> 2:05:24.680
<v Speaker 4>I move outside of music, and my relationships and the

2:05:24.720 --> 2:05:27.480
<v Speaker 4>things that I invest in, certain things like I don't

2:05:28.640 --> 2:05:30.880
<v Speaker 4>necessary I love music. I do it because I love it,

2:05:31.040 --> 2:05:32.760
<v Speaker 4>and I do it because it's quick. It's like, to me,

2:05:33.160 --> 2:05:36.200
<v Speaker 4>music is equivalent of street money. I can I can

2:05:36.320 --> 2:05:38.960
<v Speaker 4>leave here tomorrow and go make eighty thousand, one hundred

2:05:39.000 --> 2:05:39.720
<v Speaker 4>thousand of the show.

2:05:41.200 --> 2:05:45.000
<v Speaker 1>But do you feel me? But I don't have to

2:05:45.080 --> 2:05:48.840
<v Speaker 1>hit but then the audience I wish, But I'm so

2:05:49.000 --> 2:05:51.000
<v Speaker 1>grateful for it. Thank you guys, Thank you to the fans.

2:05:51.600 --> 2:05:52.400
<v Speaker 1>Thank you so much.

2:05:52.960 --> 2:05:55.440
<v Speaker 4>Well, I'm saying that to say that, but I'm saying

2:05:55.480 --> 2:05:58.800
<v Speaker 4>that to say, bro, I've evolved as a being. There's

2:05:58.840 --> 2:06:00.560
<v Speaker 4>so many other things that I'm meant to outside of

2:06:00.640 --> 2:06:02.040
<v Speaker 4>music business wise that I don't have.

2:06:02.200 --> 2:06:03.720
<v Speaker 1>But I make the time for it.

2:06:03.920 --> 2:06:05.800
<v Speaker 4>But it's harder because as the artist, you gotta go

2:06:05.880 --> 2:06:07.400
<v Speaker 4>to the show, you got to be present, you got

2:06:07.480 --> 2:06:09.880
<v Speaker 4>to be at the production meetias. You gotta be And

2:06:10.000 --> 2:06:11.800
<v Speaker 4>I wish that's something like I'm like, Damn, I wish

2:06:11.840 --> 2:06:13.320
<v Speaker 4>I had two days of spare sock and folks on

2:06:13.400 --> 2:06:16.600
<v Speaker 4>this other business venture. That's about to make me twenty million,

2:06:16.680 --> 2:06:20.320
<v Speaker 4>that's what and so not for sure one thousand percent.

2:06:20.520 --> 2:06:23.720
<v Speaker 4>And then so it's like it's blessed to have both sides.

2:06:23.760 --> 2:06:26.520
<v Speaker 4>But where I'm at missing now, it's a different place.

2:06:26.600 --> 2:06:29.720
<v Speaker 4>So it's a blessing to have the catalog, you know

2:06:29.720 --> 2:06:32.280
<v Speaker 4>what I'm saying, and to have the work ethic, and

2:06:32.400 --> 2:06:35.880
<v Speaker 4>to also have the self awareness that protects your energy.

2:06:35.920 --> 2:06:38.920
<v Speaker 4>So you got the energy to not sleep for you know,

2:06:39.280 --> 2:06:40.960
<v Speaker 4>a whole night and still get up and come to

2:06:41.040 --> 2:06:43.120
<v Speaker 4>drink tramps from that day. This last three days been crazy.

2:06:43.160 --> 2:06:46.200
<v Speaker 4>I had shows all weekend for juern Tea, Like I

2:06:46.280 --> 2:06:50.320
<v Speaker 4>had shows all weekend, you know what I'm saying. So yeah, bro,

2:06:50.480 --> 2:06:52.800
<v Speaker 4>it's all of it matters. All of it matters. It's

2:06:52.800 --> 2:06:55.920
<v Speaker 4>just your life at this point in time in life.

2:06:56.240 --> 2:07:00.240
<v Speaker 4>It ain't about just being an artist. It's about whole

2:07:00.280 --> 2:07:03.080
<v Speaker 4>setup of life. It's monopoly. It's chess, is like.

2:07:03.480 --> 2:07:06.440
<v Speaker 1>How you're setting your whole life up. About the smoking mirrors,

2:07:06.920 --> 2:07:07.520
<v Speaker 1>real life ship.

2:07:07.600 --> 2:07:09.840
<v Speaker 3>Now I can truly see that that you're a person,

2:07:10.600 --> 2:07:13.520
<v Speaker 3>whether in the beginning or the end or wherever it is,

2:07:13.960 --> 2:07:15.840
<v Speaker 3>that you learn how to play the game, and you

2:07:15.920 --> 2:07:17.920
<v Speaker 3>didn't let the game play you, my brother.

2:07:18.120 --> 2:07:27.800
<v Speaker 1>Man, that's the solid serious man. Listen, you don't understand.

2:07:27.840 --> 2:07:29.760
<v Speaker 1>I've been in this game twenty seven years. I've seen

2:07:31.040 --> 2:07:34.840
<v Speaker 1>like that. Huh. It's called heavily Heavenly Sockey. I don't

2:07:34.840 --> 2:07:39.040
<v Speaker 1>work for them, not yet. I'm throwing my hat in

2:07:39.080 --> 2:07:42.320
<v Speaker 1>the ring. It's nice. Yeah, it's like it's like a

2:07:42.360 --> 2:07:45.480
<v Speaker 1>little it's like a gobby in like a sweet like sweet.

2:07:46.040 --> 2:07:51.200
<v Speaker 4>Yeah, it's Cool's cool, yeah man, But that's the definitely,

2:07:51.200 --> 2:07:53.240
<v Speaker 4>can't let the game play you, nah, because you know why,

2:07:53.320 --> 2:07:55.640
<v Speaker 4>I have a son. One day I'm teaching them Monopoly

2:07:55.720 --> 2:07:58.080
<v Speaker 4>and Chess off top, putting books in front of them

2:07:58.120 --> 2:07:58.480
<v Speaker 4>all top.

2:07:59.080 --> 2:08:01.360
<v Speaker 1>You know you got a daughter though, right, No, I

2:08:01.480 --> 2:08:03.840
<v Speaker 1>got no kids yet. Okay, okay, since you say that

2:08:03.920 --> 2:08:07.160
<v Speaker 1>in the Bropast club, I thought she was shooting the club. Great, Yeah,

2:08:07.720 --> 2:08:10.160
<v Speaker 1>it's great. People been saying have the Fathers Day to

2:08:10.200 --> 2:08:16.520
<v Speaker 1>me too. Maybe it's something bal I don't know. You

2:08:16.840 --> 2:08:22.320
<v Speaker 1>get you an Oh my god, he didn't have it

2:08:22.880 --> 2:08:25.280
<v Speaker 1>in twenty two years. This is this thing.

2:08:27.640 --> 2:08:30.760
<v Speaker 3>Were go, hey, mister Lee, don't laugh too for our

2:08:32.240 --> 2:08:34.840
<v Speaker 3>laugh to you. He's fifty nine.

2:08:35.000 --> 2:08:37.960
<v Speaker 1>This is different. This is different. Shout out to all

2:08:38.000 --> 2:08:39.920
<v Speaker 1>the moms and dad's out there, you know, handling the

2:08:40.040 --> 2:08:44.320
<v Speaker 1>responsibility perspecting these kids. Man, kids, kids is the most

2:08:44.440 --> 2:08:48.640
<v Speaker 1>vulnerable that they're some of the most vulnerable in our societies,

2:08:48.680 --> 2:08:51.480
<v Speaker 1>you know, kids because the world is like you know,

2:08:51.600 --> 2:08:53.880
<v Speaker 1>they don't even understand what's happening in the world all way.

2:08:53.920 --> 2:08:56.600
<v Speaker 1>You know what I'm saying, That we're on the front

2:08:56.640 --> 2:08:59.280
<v Speaker 1>line of standing up or creating the world that they're

2:08:59.280 --> 2:09:01.480
<v Speaker 1>about to exist. You know. So they're to me, the

2:09:01.560 --> 2:09:04.160
<v Speaker 1>most vulnerable in a lot of ways, man, you know,

2:09:04.280 --> 2:09:07.040
<v Speaker 1>so shout out to shout out to the kids, man,

2:09:07.080 --> 2:09:09.560
<v Speaker 1>and all the souls that's choosing the incarnate in this world.

2:09:10.440 --> 2:09:12.560
<v Speaker 1>And we know you like, do we want times? You

2:09:12.600 --> 2:09:13.080
<v Speaker 1>know what I'm saying.

2:09:13.400 --> 2:09:17.560
<v Speaker 4>This was like, no, I ain't gonna lie. You got

2:09:17.600 --> 2:09:21.120
<v Speaker 4>your R and B ship going on right now? What

2:09:21.360 --> 2:09:23.160
<v Speaker 4>this was this a photo you did for this?

2:09:23.560 --> 2:09:25.680
<v Speaker 1>You're about to do it type of he's bringing the

2:09:25.720 --> 2:09:28.480
<v Speaker 1>wrong boxes. I don't know why. That's what I was

2:09:28.480 --> 2:09:34.680
<v Speaker 1>screaming early Okay, photo shoot. You know what I'm saying,

2:09:34.800 --> 2:09:36.320
<v Speaker 1>I get it, bro may hate you know what I'm saying.

2:09:37.400 --> 2:09:41.240
<v Speaker 1>I got done done? Yeah, man, So what's the next? Yeah? Mario.

2:09:41.480 --> 2:09:43.680
<v Speaker 1>What's Mario doing next? Musically?

2:09:45.760 --> 2:09:47.600
<v Speaker 4>Experiments and having fun with it, bro, you know, you

2:09:47.680 --> 2:09:50.320
<v Speaker 4>gotta have fun with it right now. I got some

2:09:50.480 --> 2:09:53.280
<v Speaker 4>music coming out, singles coming out, you know, into my

2:09:53.360 --> 2:09:55.440
<v Speaker 4>next project. I got album out called Glad You Came Up,

2:09:55.440 --> 2:09:57.840
<v Speaker 4>put out in December. But you're just having fun with it, bro,

2:09:58.080 --> 2:10:01.440
<v Speaker 4>you know, really experimenting and working with people that I'm

2:10:01.480 --> 2:10:04.520
<v Speaker 4>having fun with. Acting too, Yeah, no, I got to, Yeah,

2:10:04.720 --> 2:10:06.320
<v Speaker 4>for sure, I got. I got a few things in

2:10:06.360 --> 2:10:11.280
<v Speaker 4>the acting field coming out New Citizen Productions. So I

2:10:11.400 --> 2:10:15.200
<v Speaker 4>created a production company about two years ago, signed a

2:10:15.240 --> 2:10:21.120
<v Speaker 4>few writers, and really just developing behind the scenes some

2:10:21.280 --> 2:10:23.680
<v Speaker 4>really great projects right now that I'm going to be

2:10:23.760 --> 2:10:26.480
<v Speaker 4>pitching and finding the right homess form. What's over the

2:10:26.520 --> 2:10:28.960
<v Speaker 4>next couple of years, You're going to see me step

2:10:29.120 --> 2:10:31.560
<v Speaker 4>into that back you know, acting behind the candle.

2:10:32.080 --> 2:10:32.600
<v Speaker 1>Not just the acting.

2:10:32.600 --> 2:10:34.280
<v Speaker 4>I've done the acting, but just like do you know,

2:10:34.480 --> 2:10:37.120
<v Speaker 4>intellectual property wise, like having my own production, having my

2:10:37.160 --> 2:10:40.320
<v Speaker 4>own screenplays, the ideas that I come up with with

2:10:40.440 --> 2:10:45.200
<v Speaker 4>my team and we build you know, because it's it's yeah,

2:10:45.280 --> 2:10:49.080
<v Speaker 4>it's it's my mind is its constantly moving in that direction.

2:10:49.200 --> 2:10:55.160
<v Speaker 4>I got investments that have made like certain experiences that

2:10:55.200 --> 2:10:57.720
<v Speaker 4>I'm creating. Right now, I can't talk with it. I

2:10:57.760 --> 2:11:00.960
<v Speaker 4>can't say the ideas, you know what I'm saying. But yeah, Bros,

2:11:01.200 --> 2:11:03.160
<v Speaker 4>this next couple of years, you'll probably gonna You're gonna

2:11:03.160 --> 2:11:05.640
<v Speaker 4>see like the entrepreneurs side of what I've been working

2:11:05.640 --> 2:11:08.640
<v Speaker 4>on for the last three four years. And it's it's

2:11:08.680 --> 2:11:10.760
<v Speaker 4>gonna be inspiring, bro, you know, because I think it's

2:11:10.800 --> 2:11:12.280
<v Speaker 4>things that people wouldn't expect.

2:11:12.360 --> 2:11:17.080
<v Speaker 1>Right, Yeah, you got a role for you want my

2:11:17.560 --> 2:11:24.400
<v Speaker 1>acting coach? Coaches don't make enough money, but yeah, bro,

2:11:24.680 --> 2:11:25.080
<v Speaker 1>that bro.

2:11:25.240 --> 2:11:27.720
<v Speaker 4>And you know, of course like taking the music and

2:11:27.960 --> 2:11:30.160
<v Speaker 4>the touring to the next level, you know, really tapping

2:11:30.240 --> 2:11:32.320
<v Speaker 4>back into the performance bag.

2:11:34.160 --> 2:11:37.280
<v Speaker 1>And loving the love the performances. And yeah, bro, just

2:11:37.280 --> 2:11:40.960
<v Speaker 1>stepping back again, rewinding the times, if you will, rewinding

2:11:41.040 --> 2:11:48.120
<v Speaker 1>the times hypothetically speaking, right, Yeah, I said, man, Mario, good.

2:11:48.080 --> 2:11:53.800
<v Speaker 3>Join one group, I guess, joint one group, joint one

2:11:53.880 --> 2:11:54.680
<v Speaker 3>group for one week?

2:11:56.800 --> 2:11:57.720
<v Speaker 1>What group you join?

2:11:57.800 --> 2:12:08.320
<v Speaker 3>Its great question? Uh, let's say the five Heartbeats don't exist.

2:12:10.240 --> 2:12:16.440
<v Speaker 4>We gotta be they gotta exist. Real group right now?

2:12:16.600 --> 2:12:18.840
<v Speaker 4>Liggas don't got groups no more? What groups exist?

2:12:18.960 --> 2:12:23.120
<v Speaker 1>Right now? All right? Just maybe you artists. That's a lot.

2:12:23.840 --> 2:12:26.520
<v Speaker 1>All I'm gonna go with.

2:12:31.400 --> 2:12:36.320
<v Speaker 4>Groops. Damn, that's kind of crazy, all right, I'm gonna say, uh,

2:12:38.680 --> 2:12:39.640
<v Speaker 4>it's between.

2:12:41.600 --> 2:12:46.839
<v Speaker 1>Jagged Edge mm hmm, I say Jagged Edge, bro Jagged

2:12:46.920 --> 2:12:48.000
<v Speaker 1>Edge and who else?

2:12:48.120 --> 2:12:57.080
<v Speaker 9>Who's the other choice? And T G T that's Tank. Yeah, yeah, yeah,

2:12:57.280 --> 2:12:57.960
<v Speaker 9>I can see that.

2:12:58.680 --> 2:13:00.720
<v Speaker 1>Not even on some like I just I feel like

2:13:00.720 --> 2:13:02.840
<v Speaker 1>I could bring something different to the group. Really, you

2:13:02.880 --> 2:13:04.960
<v Speaker 1>know what I'm saying. Uh, you know what I mean,

2:13:05.240 --> 2:13:10.400
<v Speaker 1>fighting and all that is great. I know all three

2:13:10.440 --> 2:13:14.880
<v Speaker 1>of them. You know a lot of d m V ship,

2:13:15.360 --> 2:13:20.400
<v Speaker 1>a couple of West Coast Yeah, okay, cool, jagged As though, Yeah,

2:13:20.520 --> 2:13:22.040
<v Speaker 1>I feel like that would be some ship for sure.

2:13:22.480 --> 2:13:23.160
<v Speaker 1>I ain't gonna lie.

2:13:23.520 --> 2:13:27.120
<v Speaker 3>I will pick new Edition, Okay, I would pick the

2:13:27.200 --> 2:13:31.360
<v Speaker 3>eighties new edition put on my Yeah, for sure, I'm

2:13:31.360 --> 2:13:31.640
<v Speaker 3>gonna be.

2:13:31.680 --> 2:13:33.360
<v Speaker 1>Ready for my propogative. Okay.

2:13:33.920 --> 2:13:39.160
<v Speaker 3>Like if Bobby asks is I'm okay, you got you

2:13:39.200 --> 2:13:41.320
<v Speaker 3>got you want to stop drinking? You gotta stamping it like.

2:13:43.960 --> 2:13:44.480
<v Speaker 1>I forgot that.

2:13:50.280 --> 2:13:54.480
<v Speaker 4>Taking back sounded jagged just on some you know some

2:13:55.280 --> 2:13:57.520
<v Speaker 4>jagged as just on some you know crooning.

2:13:59.240 --> 2:14:01.920
<v Speaker 1>They made classic music records that will play that every wedding.

2:14:02.440 --> 2:14:05.920
<v Speaker 1>They still got Yeah, I drink good all night. They

2:14:05.960 --> 2:14:10.240
<v Speaker 1>could drink. What was that versus experience like with you

2:14:10.560 --> 2:14:11.240
<v Speaker 1>and Marion?

2:14:14.120 --> 2:14:14.320
<v Speaker 5>For me?

2:14:14.440 --> 2:14:15.000
<v Speaker 1>It was great.

2:14:15.760 --> 2:14:19.040
<v Speaker 4>Yes, it's a great experience for me for sure. You

2:14:19.120 --> 2:14:21.880
<v Speaker 4>know that she was crazy, bro, it was dope. I mean,

2:14:21.960 --> 2:14:23.680
<v Speaker 4>I feel like going into it, I already knew. It

2:14:23.800 --> 2:14:26.040
<v Speaker 4>was like you being on the block with the homies

2:14:26.120 --> 2:14:29.000
<v Speaker 4>talking sh and playing good music and singing. It's like karaoke,

2:14:29.840 --> 2:14:31.360
<v Speaker 4>you know what I mean, but you're singing your own music,

2:14:31.640 --> 2:14:35.840
<v Speaker 4>you know. And I don't know what aspect of it

2:14:36.080 --> 2:14:37.560
<v Speaker 4>this is. There was a lot going on.

2:14:38.360 --> 2:14:40.640
<v Speaker 5>It's a pandemic, so of course there's a lot going on.

2:14:41.160 --> 2:14:44.880
<v Speaker 5>People are scared, and then here comes versus entertainment. Everybody's

2:14:44.920 --> 2:14:45.240
<v Speaker 5>at home.

2:14:45.400 --> 2:14:47.200
<v Speaker 4>That's crazy, you say a lot of people don't bring

2:14:47.320 --> 2:14:48.960
<v Speaker 4>up the pandemic part, but it definitely was.

2:14:49.040 --> 2:14:53.800
<v Speaker 1>That's the big part. Yeah, together, it was together. Did

2:14:53.840 --> 2:14:56.280
<v Speaker 1>you see it? I did see it, but I don't

2:14:56.320 --> 2:15:01.200
<v Speaker 1>remember it. That's when that's crazy. You were right, Yeah

2:15:02.640 --> 2:15:02.840
<v Speaker 1>it was.

2:15:03.240 --> 2:15:03.440
<v Speaker 5>It was.

2:15:03.560 --> 2:15:06.560
<v Speaker 1>It was yea, yeah, it was. It was truth, me

2:15:07.040 --> 2:15:14.400
<v Speaker 1>against Mario and his whole army. I had a whole

2:15:14.520 --> 2:15:15.040
<v Speaker 1>army with him.

2:15:15.680 --> 2:15:17.400
<v Speaker 4>It was crazy, bro, I didn't even know he had

2:15:17.440 --> 2:15:24.960
<v Speaker 4>allies like that. I know, at the end of the day,

2:15:24.960 --> 2:15:26.960
<v Speaker 4>it's all, you know, it's all for the love of music.

2:15:27.160 --> 2:15:29.760
<v Speaker 4>But I definitely didn't know he had allies, you know,

2:15:29.920 --> 2:15:32.080
<v Speaker 4>so I had to like it was like I had

2:15:32.120 --> 2:15:36.840
<v Speaker 4>to like take him all down one by one, sniper,

2:15:38.240 --> 2:15:40.840
<v Speaker 4>like my god, like a good snipper. But yeah, it

2:15:40.960 --> 2:15:42.440
<v Speaker 4>was cool, man, it was good. It was a good

2:15:42.520 --> 2:15:44.840
<v Speaker 4>knight for R and B. You know what I'm saying, Yeah,

2:15:48.560 --> 2:15:48.920
<v Speaker 4>arm beat.

2:15:50.680 --> 2:15:54.760
<v Speaker 3>It was at one point, you know, a person you

2:15:54.880 --> 2:15:58.000
<v Speaker 3>know what what what he kept saying, you know, I'm

2:15:58.040 --> 2:15:59.640
<v Speaker 3>gonna make R and B alive again.

2:16:00.040 --> 2:16:03.360
<v Speaker 1>I'm going to make R and B alive again. Where

2:16:03.360 --> 2:16:05.640
<v Speaker 1>else was he saying, huh what else what they're saying,

2:16:06.400 --> 2:16:08.800
<v Speaker 1>that's what they're saying, I'm R and ME back. It

2:16:08.920 --> 2:16:13.440
<v Speaker 1>was basically, uh, you know the guy, yeah, lovey, it's okay.

2:16:13.400 --> 2:16:16.480
<v Speaker 3>All right, But did you ever ever heard that statement

2:16:16.560 --> 2:16:18.960
<v Speaker 3>like where where people felt like, you know, at one point,

2:16:19.000 --> 2:16:22.320
<v Speaker 3>even now, I said that our forefront of one of

2:16:22.400 --> 2:16:26.120
<v Speaker 3>our forefathers, said hip hop is dead. Yeah, and you

2:16:26.200 --> 2:16:28.640
<v Speaker 3>know people have to you know, refute him, and you know,

2:16:28.720 --> 2:16:32.200
<v Speaker 3>he embraced it. And he was like, Okay, well maybe

2:16:32.280 --> 2:16:34.160
<v Speaker 3>hip hop isn't dead. Maybe he lives in the South,

2:16:34.240 --> 2:16:36.280
<v Speaker 3>or maybe he lives in London or whatever whatever is

2:16:36.400 --> 2:16:38.879
<v Speaker 3>ever a time where people were saying that, like, you.

2:16:38.879 --> 2:16:41.360
<v Speaker 1>Know, R and B is dead and you personal. I

2:16:41.520 --> 2:16:43.760
<v Speaker 1>never took a person of Okay, but you heard them

2:16:44.000 --> 2:16:44.280
<v Speaker 1>for sure.

2:16:44.360 --> 2:16:46.440
<v Speaker 4>Okay, I only took a person when they started trying

2:16:46.440 --> 2:16:47.160
<v Speaker 4>to paintings less.

2:16:47.840 --> 2:16:50.160
<v Speaker 1>That's what it was like. Damn, Like okay, now I'm

2:16:50.160 --> 2:16:53.080
<v Speaker 1>taking the person I was personal, you know, but like, nah,

2:16:53.280 --> 2:16:57.120
<v Speaker 1>I think that this is what we do. You know,

2:16:57.400 --> 2:17:03.080
<v Speaker 1>we are we We are innovators, bro. We innovated hip hop.

2:17:03.280 --> 2:17:06.160
<v Speaker 1>R and B. We're the innovators of this culture.

2:17:06.240 --> 2:17:06.320
<v Speaker 6>Bro.

2:17:06.520 --> 2:17:10.640
<v Speaker 4>So it is our conversation. But it's almost like us

2:17:11.080 --> 2:17:12.600
<v Speaker 4>what we're doing on the internet. But if we were

2:17:12.600 --> 2:17:15.320
<v Speaker 4>all sitting at that conference talking about it, like Nigga.

2:17:15.320 --> 2:17:17.320
<v Speaker 1>Army is saying, all right, when you should have did Nigga,

2:17:17.360 --> 2:17:19.600
<v Speaker 1>you're the one that you need to do what you

2:17:19.680 --> 2:17:21.879
<v Speaker 1>need to do. It's just like we.

2:17:23.720 --> 2:17:26.480
<v Speaker 4>Are having this conversation out in the world, you know,

2:17:26.720 --> 2:17:28.280
<v Speaker 4>for the world to get involved in it, you know

2:17:28.320 --> 2:17:30.280
<v Speaker 4>what I'm saying. So, yeah, I'm glad that they have,

2:17:30.360 --> 2:17:32.840
<v Speaker 4>because it's a reason why I feel like, you know,

2:17:33.040 --> 2:17:34.720
<v Speaker 4>it's still here, is because we continue to have the

2:17:34.800 --> 2:17:38.240
<v Speaker 4>conversation and we continue to push the culture forward by

2:17:38.320 --> 2:17:42.160
<v Speaker 4>having a conversation. But also I think that the problem,

2:17:42.440 --> 2:17:45.800
<v Speaker 4>I feel like it's the people that have control over

2:17:45.879 --> 2:17:50.760
<v Speaker 4>what people experience. For example, love BT, thank you, we

2:17:50.879 --> 2:17:53.720
<v Speaker 4>love you all the year, but sometimes the conglomerates of

2:17:53.760 --> 2:17:57.119
<v Speaker 4>whoever's in control don't always make the best decisions as

2:17:57.240 --> 2:17:59.280
<v Speaker 4>to how it's experienced.

2:17:59.800 --> 2:18:04.080
<v Speaker 1>Right. So I went to the BT Awards this past one. Yeah, okay, and.

2:18:06.760 --> 2:18:08.760
<v Speaker 4>You know, I was just coming back from the UK

2:18:09.240 --> 2:18:11.800
<v Speaker 4>and Europe on my tour for Glad You Came album.

2:18:13.440 --> 2:18:16.600
<v Speaker 1>They hit us about, you know, doing the BT Experience. Yeah,

2:18:16.680 --> 2:18:18.920
<v Speaker 1>glad you came for the album. That's that's out. I

2:18:19.040 --> 2:18:23.680
<v Speaker 1>took that wrong. We're bad, You're good, but.

2:18:23.760 --> 2:18:29.720
<v Speaker 4>It's glad you came. Yeah, for sure, we are though,

2:18:29.959 --> 2:18:31.360
<v Speaker 4>you know what I'm saying. We glad you came for

2:18:31.440 --> 2:18:31.959
<v Speaker 4>the experience.

2:18:33.720 --> 2:18:37.040
<v Speaker 1>But it's like they hit us to do the BT Experience.

2:18:37.080 --> 2:18:40.440
<v Speaker 4>I'm so happy, like grateful, But when I didn't even

2:18:40.440 --> 2:18:42.199
<v Speaker 4>know they were doing a one on six in park situation.

2:18:42.840 --> 2:18:45.960
<v Speaker 4>But the timeline of that everybody was on that like

2:18:46.040 --> 2:18:48.000
<v Speaker 4>it was no reason why I should put a pump

2:18:48.120 --> 2:18:50.720
<v Speaker 4>on the Red Carpet show, because that was the moment

2:18:50.800 --> 2:18:53.160
<v Speaker 4>where you should have had a Mario performance in the

2:18:53.280 --> 2:18:56.520
<v Speaker 4>actual show, you know what I'm saying, Like that wasn't

2:18:56.720 --> 2:18:59.800
<v Speaker 4>There was some good, decent performance, but as far as

2:18:59.840 --> 2:19:02.360
<v Speaker 4>what I do and what I represented during that time,

2:19:02.760 --> 2:19:03.960
<v Speaker 4>it was missing from that set.

2:19:05.120 --> 2:19:08.360
<v Speaker 1>And I feel like those are the moments where you know,

2:19:09.160 --> 2:19:11.560
<v Speaker 1>we got to represent R and B and represent our

2:19:11.600 --> 2:19:13.720
<v Speaker 1>culture the right way. We don't do it all the time.

2:19:14.640 --> 2:19:16.520
<v Speaker 4>And this is not even me, Like I speak about

2:19:16.520 --> 2:19:18.560
<v Speaker 4>myself a third person all the time. Bro, I promise

2:19:18.600 --> 2:19:21.039
<v Speaker 4>you that I really I'm so happy in my life,

2:19:21.680 --> 2:19:24.840
<v Speaker 4>like I'm really blessing and I enjoy my life outside

2:19:24.879 --> 2:19:27.760
<v Speaker 4>of just being an artist. But when it comes to

2:19:28.000 --> 2:19:30.879
<v Speaker 4>respecting like what I've done as an artist, I feel

2:19:30.920 --> 2:19:34.160
<v Speaker 4>like sometimes it's not respected in certain in those types

2:19:34.200 --> 2:19:37.400
<v Speaker 4>of cases, right, And I feel like it would have

2:19:37.560 --> 2:19:40.160
<v Speaker 4>helped R and B because I am a true R

2:19:40.160 --> 2:19:42.800
<v Speaker 4>and B artist, Like I'm true to the culture, true

2:19:42.840 --> 2:19:44.360
<v Speaker 4>to the game of RB, true to the to the

2:19:45.120 --> 2:19:46.400
<v Speaker 4>essence of R and B, and.

2:19:46.480 --> 2:19:47.800
<v Speaker 1>It wasn't represented that night.

2:19:47.879 --> 2:19:52.039
<v Speaker 4>I feel like in terms of male artists from that era,

2:19:53.200 --> 2:19:55.000
<v Speaker 4>it was missing from the stage that night, on the

2:19:55.080 --> 2:19:58.879
<v Speaker 4>main stage outside of hold On, even though Jamie Jamie

2:19:58.920 --> 2:20:01.480
<v Speaker 4>Fox is the first of all, Jamie Fox is the goat,

2:20:01.680 --> 2:20:04.560
<v Speaker 4>like you can't even but in that era, I mean,

2:20:04.840 --> 2:20:06.480
<v Speaker 4>like of my you know what I'm saying, the artist

2:20:06.560 --> 2:20:07.320
<v Speaker 4>that was out that time.

2:20:08.400 --> 2:20:10.240
<v Speaker 1>Yeah, but I think.

2:20:11.680 --> 2:20:14.400
<v Speaker 3>One of the things I did see this was one

2:20:14.440 --> 2:20:16.600
<v Speaker 3>of the best bets put together for sure.

2:20:16.760 --> 2:20:22.160
<v Speaker 1>Yeah, one thousand, one thousand percent. It was an incredible show. Yeah,

2:20:22.560 --> 2:20:29.360
<v Speaker 1>one thousand percent, big up, constant, juice Ski Bro, big

2:20:29.480 --> 2:20:29.720
<v Speaker 1>up to.

2:20:29.800 --> 2:20:33.120
<v Speaker 4>The whole new regime of young artists, like it was.

2:20:34.520 --> 2:20:35.800
<v Speaker 4>Can you trying to make it seem like I'm down

2:20:35.800 --> 2:20:36.520
<v Speaker 4>the whole show.

2:20:37.200 --> 2:20:37.760
<v Speaker 3>I did not know.

2:20:38.160 --> 2:20:41.119
<v Speaker 1>I see you look like face because you know, look

2:20:41.160 --> 2:20:41.560
<v Speaker 1>at your face?

2:20:44.320 --> 2:20:48.440
<v Speaker 3>Hold On, be honest, I didn't see the whole Awards show.

2:20:48.680 --> 2:20:52.560
<v Speaker 3>I've seen clips of it, so I'm bro show. Yeah,

2:20:52.640 --> 2:20:54.240
<v Speaker 3>pointing out the clip I saw, Bro, I.

2:20:54.240 --> 2:20:57.240
<v Speaker 4>Don't I never go outside. I went to these BT wards.

2:20:57.240 --> 2:20:59.400
<v Speaker 4>I knew how incredible it was going to be. I'm

2:20:59.480 --> 2:21:01.440
<v Speaker 4>specific talking about should be talking about R and B

2:21:01.560 --> 2:21:19.920
<v Speaker 4>bro specifically. Yeah, I understand, no, Bro, Yeah, it was

2:21:19.920 --> 2:21:22.960
<v Speaker 4>an incredible show, bro, Like I was inspired, like super

2:21:23.040 --> 2:21:24.680
<v Speaker 4>inspired by it, super inspired.

2:21:25.280 --> 2:21:29.600
<v Speaker 3>So everyone, you know, they have their ten year career

2:21:30.200 --> 2:21:32.800
<v Speaker 3>and the new thing is now to venture out and

2:21:32.840 --> 2:21:33.800
<v Speaker 3>do something different.

2:21:33.920 --> 2:21:35.720
<v Speaker 1>We know you do after acting. You know, we got

2:21:35.760 --> 2:21:38.720
<v Speaker 1>the production. But is there anything that you think of

2:21:38.840 --> 2:21:44.880
<v Speaker 1>a podcast? Anything that I think stream like that? I

2:21:44.920 --> 2:21:47.520
<v Speaker 1>would do that? You for yourself? Would you do a park?

2:21:48.600 --> 2:21:52.600
<v Speaker 1>Not yet? Okay, because AI shifting.

2:21:53.000 --> 2:21:55.840
<v Speaker 4>Everything is shifting, money shifting, the way niggas is paid shifting.

2:21:55.959 --> 2:21:59.040
<v Speaker 4>I'm a businessman, so I'm thinking five years ahead. I'm like, Okay,

2:21:59.360 --> 2:22:01.080
<v Speaker 4>what podcasts gonna look like in five years?

2:22:02.440 --> 2:22:04.680
<v Speaker 1>Take home. I'm not saying they would take over, possibly

2:22:04.760 --> 2:22:06.560
<v Speaker 1>in some ways, but like I'm just saying, like the

2:22:06.720 --> 2:22:10.040
<v Speaker 1>structure of it business wise, if I don't show up

2:22:10.320 --> 2:22:12.480
<v Speaker 1>another no, no, no, I'm not saying that.

2:22:12.560 --> 2:22:14.600
<v Speaker 4>I'm saying that the way you get I'm saying that

2:22:14.680 --> 2:22:16.720
<v Speaker 4>the way you getting paid right now may change in the.

2:22:16.760 --> 2:22:20.760
<v Speaker 1>Next three we get mustered together. I know, Bro, I'm

2:22:20.800 --> 2:22:23.600
<v Speaker 1>not saying you had I know, I see you. I

2:22:23.680 --> 2:22:25.880
<v Speaker 1>heard the conversation was having outside who was coming in.

2:22:26.160 --> 2:22:27.040
<v Speaker 1>I was talking about money.

2:22:27.080 --> 2:22:30.039
<v Speaker 4>I respect it, but I'm saying that, Like, I'm like, Okay,

2:22:31.000 --> 2:22:32.160
<v Speaker 4>if I'm gonna do it, I want to do it

2:22:32.200 --> 2:22:35.440
<v Speaker 4>at the highest level possible for me. And then I'm like, okay, well,

2:22:35.480 --> 2:22:37.880
<v Speaker 4>other things can I integrate from the other relationships that

2:22:37.920 --> 2:22:40.400
<v Speaker 4>I have. I'm just thinking, you know, yeah, you put

2:22:40.440 --> 2:22:47.000
<v Speaker 4>it together, time illusion experiences. How do I calculate my

2:22:47.080 --> 2:22:49.320
<v Speaker 4>time with experiences? How do I want to experience things?

2:22:49.400 --> 2:22:52.119
<v Speaker 4>Like I just think about, like, okay, I really cann

2:22:52.800 --> 2:22:55.960
<v Speaker 4>influence the experience I want to have over the next Like,

2:22:56.080 --> 2:22:58.680
<v Speaker 4>so I'm like, I'll be trying to make decisions based

2:22:58.720 --> 2:23:00.119
<v Speaker 4>on what I know it's about to happen.

2:23:00.000 --> 2:23:00.520
<v Speaker 1>In the future.

2:23:01.200 --> 2:23:02.720
<v Speaker 4>So like, Okay, I'm gonna do a podcast right now,

2:23:02.760 --> 2:23:05.960
<v Speaker 4>but like maybe the shifts and changing may happen in

2:23:05.959 --> 2:23:08.360
<v Speaker 4>the next year that make niggas get pay more. Right,

2:23:09.160 --> 2:23:11.080
<v Speaker 4>maybe I should wait a year and just to vet

2:23:11.120 --> 2:23:13.640
<v Speaker 4>the content. But you know what I'm saying, I don't know.

2:23:14.080 --> 2:23:16.119
<v Speaker 4>I just be thinking, like I'll give you one advice

2:23:16.160 --> 2:23:19.320
<v Speaker 4>about the part, bro. That's kind of like it cuts

2:23:19.360 --> 2:23:19.879
<v Speaker 4>through the thing.

2:23:20.720 --> 2:23:23.040
<v Speaker 3>Like I wish when I was making records that I

2:23:23.120 --> 2:23:26.400
<v Speaker 3>had these algorithm numbers, because what I mean by that is,

2:23:26.680 --> 2:23:29.400
<v Speaker 3>you know how you you go on tour, right, and

2:23:29.480 --> 2:23:31.440
<v Speaker 3>you're going to all and you go to these miscellaneous states.

2:23:31.480 --> 2:23:33.240
<v Speaker 3>I'm not going to say a state because I want

2:23:33.280 --> 2:23:34.560
<v Speaker 3>to go back to there because if they pay me,

2:23:34.600 --> 2:23:37.720
<v Speaker 3>I'm going back. But you go to these miscellaneous states

2:23:37.760 --> 2:23:41.360
<v Speaker 3>that don't really matter in your algorithms of selling albums.

2:23:41.560 --> 2:23:41.680
<v Speaker 8>Right.

2:23:42.040 --> 2:23:45.119
<v Speaker 3>So what happens is they'll put you, like the record

2:23:45.160 --> 2:23:47.840
<v Speaker 3>label will put you on this whole toll and it'll

2:23:47.840 --> 2:23:49.840
<v Speaker 3>be a thirty two cities tall because the reason why

2:23:49.840 --> 2:23:52.920
<v Speaker 3>they put you in a thirty two city tour is

2:23:52.959 --> 2:23:54.560
<v Speaker 3>because they have to eat up their budget.

2:23:54.800 --> 2:23:57.959
<v Speaker 1>But you're in places that it doesn't matter. But right

2:23:58.040 --> 2:24:02.680
<v Speaker 1>now I can see exactly actually what thirty two states that, right,

2:24:02.760 --> 2:24:04.440
<v Speaker 1>and they might not be the states that people think.

2:24:04.520 --> 2:24:06.760
<v Speaker 3>It's not gonna be the states. And guess what, We're okay,

2:24:06.800 --> 2:24:09.560
<v Speaker 3>we're going to Little Rock, Arkansas. We're okay with going

2:24:09.600 --> 2:24:12.760
<v Speaker 3>to fucking s outskirts of Delaware. We're okay to go

2:24:12.879 --> 2:24:15.200
<v Speaker 3>on the Sacramento Sure, but I don't want to go

2:24:15.320 --> 2:24:17.760
<v Speaker 3>to Las Vegas because you think there's Las Vegas and.

2:24:17.920 --> 2:24:19.400
<v Speaker 1>No one gives a fuck about it. No one in

2:24:19.520 --> 2:24:22.880
<v Speaker 1>Las Vegas. They're thinking about hookers and fucking his passion.

2:24:22.959 --> 2:24:24.640
<v Speaker 1>Right now, they ain't thinking about hookers and gambling.

2:24:24.800 --> 2:24:27.680
<v Speaker 3>Why the fuck away in Lost Bank? You under stayd

2:24:27.680 --> 2:24:29.560
<v Speaker 3>I'm saying, so I'm thinking about it. So all these

2:24:29.600 --> 2:24:31.080
<v Speaker 3>twenty seven years, I'm looking like that.

2:24:31.200 --> 2:24:31.800
<v Speaker 1>I got jerked.

2:24:31.840 --> 2:24:34.200
<v Speaker 3>For twenty seven years, they sent me to the to

2:24:34.320 --> 2:24:36.520
<v Speaker 3>the places that they wanted them to descend, to eat

2:24:36.560 --> 2:24:39.480
<v Speaker 3>the budget up. But right now I can Lil Wayne

2:24:39.480 --> 2:24:41.400
<v Speaker 3>can do dreams champs, and I can say, Lil Wayne,

2:24:41.480 --> 2:24:43.560
<v Speaker 3>go here here, here, here, here, here, and stay the

2:24:43.600 --> 2:24:46.560
<v Speaker 3>fuck away from here here here. You had four views there.

2:24:47.040 --> 2:24:48.840
<v Speaker 3>What do you do you think those four people are

2:24:48.840 --> 2:24:53.160
<v Speaker 3>gonna come out fifty five times? Let's get the fuck

2:24:53.200 --> 2:24:55.480
<v Speaker 3>away from that state. But I'm saying that's the that's

2:24:55.520 --> 2:24:59.840
<v Speaker 3>the only good thing about AI and these I can say, Mario, man.

2:25:00.160 --> 2:25:00.760
<v Speaker 1>Just tell you something.

2:25:00.800 --> 2:25:04.400
<v Speaker 3>Man say, I'm not gonna say the state away from

2:25:04.440 --> 2:25:08.160
<v Speaker 3>such and such, go over there, go on this whole side,

2:25:08.520 --> 2:25:09.480
<v Speaker 3>This whole side is with.

2:25:13.320 --> 2:25:23.200
<v Speaker 1>That like that one like you hit Holy it's real ship. Though,

2:25:23.400 --> 2:25:24.280
<v Speaker 1>I'm being honest with you.

2:25:25.120 --> 2:25:27.560
<v Speaker 3>When I saw when I saw like, I started to

2:25:27.600 --> 2:25:30.400
<v Speaker 3>study the algorithms of what we're doing here, and I said,

2:25:30.480 --> 2:25:32.720
<v Speaker 3>if I was to drop a record right now, I

2:25:32.760 --> 2:25:33.160
<v Speaker 3>would not.

2:25:34.920 --> 2:25:36.920
<v Speaker 1>I would not any for fifty two states. That's when

2:25:36.959 --> 2:25:39.600
<v Speaker 1>we got fifty two, right, fifty all right, whatever, man,

2:25:40.120 --> 2:25:43.680
<v Speaker 1>I gave you a sex for two all right, so

2:25:43.879 --> 2:25:46.040
<v Speaker 1>fifty states, right, even the fifty states. I would not

2:25:46.160 --> 2:25:46.920
<v Speaker 1>hit fifty states.

2:25:46.959 --> 2:25:49.440
<v Speaker 3>Like if they gave me a budget, I would hit

2:25:49.520 --> 2:25:53.280
<v Speaker 3>the twenty two that I know I can double up

2:25:53.320 --> 2:25:54.440
<v Speaker 3>on me because there was twenty two.

2:25:54.840 --> 2:25:56.520
<v Speaker 1>Okay, let's just.

2:25:56.520 --> 2:25:58.480
<v Speaker 3>Let's break it down. I'm just giving you an example.

2:25:59.000 --> 2:26:03.000
<v Speaker 3>Just say the twenty two is one is Pennsylvania. I

2:26:03.080 --> 2:26:07.000
<v Speaker 3>can break it down from Philly to penn State to Harrisburg.

2:26:07.760 --> 2:26:10.200
<v Speaker 3>Those are three different stops in that same state. And

2:26:10.320 --> 2:26:13.959
<v Speaker 3>I can do the same exact numbers, probably even more

2:26:14.480 --> 2:26:15.440
<v Speaker 3>and didn't move on.

2:26:15.959 --> 2:26:17.440
<v Speaker 1>So it's no wasting time now.

2:26:17.800 --> 2:26:20.400
<v Speaker 3>So now, Leo Colns told me it's the best time

2:26:20.879 --> 2:26:24.680
<v Speaker 3>to drop music in the music industry because you don't

2:26:24.720 --> 2:26:27.480
<v Speaker 3>have to you know, package it and you know do

2:26:27.600 --> 2:26:27.800
<v Speaker 3>all that.

2:26:28.040 --> 2:26:28.640
<v Speaker 1>I agree with that.

2:26:28.760 --> 2:26:30.880
<v Speaker 4>Actually, yeah, I do agree with that. And it's crazy

2:26:30.920 --> 2:26:33.240
<v Speaker 4>because after this album came out, I was like, yo,

2:26:33.240 --> 2:26:34.720
<v Speaker 4>I just I want to do it one more album.

2:26:34.760 --> 2:26:36.960
<v Speaker 4>That's just like a passion project, bro, And then after that,

2:26:37.040 --> 2:26:40.360
<v Speaker 4>I just want to start. I have thousands, like broad I,

2:26:40.440 --> 2:26:42.879
<v Speaker 4>let's say thousand, but I probably got at least eight

2:26:42.959 --> 2:26:46.240
<v Speaker 4>to nine hundred records, if not more. Wow, that's just

2:26:46.360 --> 2:26:50.240
<v Speaker 4>sitting in hard drives. Not to say that those deserve

2:26:50.320 --> 2:26:51.880
<v Speaker 4>to be out. I'm just saying that the rate that

2:26:51.959 --> 2:26:55.400
<v Speaker 4>I record records and don't release is high, and I'm

2:26:55.480 --> 2:26:57.320
<v Speaker 4>just rated. It's changed the way that I do that

2:26:57.400 --> 2:27:00.120
<v Speaker 4>in terms of like music wise. You know, so I

2:27:00.160 --> 2:27:01.680
<v Speaker 4>think you're right, Bro, I definitely think you're right.

2:27:01.720 --> 2:27:03.120
<v Speaker 1>You know, it's it's not even you just got to

2:27:03.120 --> 2:27:05.520
<v Speaker 1>have fun with it and do do what you want

2:27:05.520 --> 2:27:06.840
<v Speaker 1>to do what you love and have fun with it.

2:27:06.879 --> 2:27:06.959
<v Speaker 7>Bro.

2:27:07.040 --> 2:27:08.560
<v Speaker 1>Give the people the music. Stop holding back. You know

2:27:08.560 --> 2:27:10.240
<v Speaker 1>what I'm saying. I'm in that in that vibe right

2:27:10.280 --> 2:27:11.480
<v Speaker 1>now for sure, like you are.

2:27:12.000 --> 2:27:16.400
<v Speaker 3>You are technically the Kevilliles. Now you are technically Leo

2:27:16.560 --> 2:27:17.160
<v Speaker 3>Cohns like you.

2:27:17.520 --> 2:27:18.040
<v Speaker 1>It's crazy.

2:27:18.120 --> 2:27:20.600
<v Speaker 3>You can show like from what you do from here

2:27:20.680 --> 2:27:23.200
<v Speaker 3>on out, yeah, and follow you can show the next

2:27:23.280 --> 2:27:26.240
<v Speaker 3>generation like yo, listen, we could be signed to ourselves,

2:27:26.959 --> 2:27:29.280
<v Speaker 3>not for sure, you know what I'm saying, and move

2:27:29.640 --> 2:27:30.119
<v Speaker 3>and move.

2:27:30.040 --> 2:27:33.360
<v Speaker 1>Ourselves like it. I'm sorry to put the responsibility on

2:27:33.400 --> 2:27:35.880
<v Speaker 1>you like that. That's fine. I've already taken onto it,

2:27:36.040 --> 2:27:38.560
<v Speaker 1>taken on the respons Yeah, for sure, you know exactly.

2:27:39.000 --> 2:27:41.600
<v Speaker 1>For George, I love it. I love hearing it from you.

2:27:41.760 --> 2:27:43.000
<v Speaker 1>You know what I'm saying. You've been in the game

2:27:43.080 --> 2:27:45.240
<v Speaker 1>for a long time, bro, even like the podcast, like

2:27:45.280 --> 2:27:47.720
<v Speaker 1>this is a whole other space. Yeah, I mean, how

2:27:47.760 --> 2:27:49.720
<v Speaker 1>many hours a day do you have to spend on this?

2:27:51.320 --> 2:27:54.240
<v Speaker 3>We're organic, like if a person comes to Miami with it,

2:27:54.440 --> 2:27:57.160
<v Speaker 3>but we don't like have like schedules, and so you.

2:27:57.160 --> 2:27:59.039
<v Speaker 4>Can do a lot of like this, Like you can

2:27:59.120 --> 2:28:01.840
<v Speaker 4>do this and then go do like you don't have

2:28:01.920 --> 2:28:05.120
<v Speaker 4>to like you're not sitting here all days. So yeah,

2:28:05.120 --> 2:28:06.840
<v Speaker 4>I mean it's it's definitely a space that I've thought

2:28:06.840 --> 2:28:08.520
<v Speaker 4>about tapping into, but like it has to be I

2:28:08.600 --> 2:28:10.400
<v Speaker 4>wanted to be a little different, but like, yeah, bro,

2:28:10.680 --> 2:28:12.320
<v Speaker 4>you know it's it's what it is.

2:28:12.440 --> 2:28:16.000
<v Speaker 1>What I'm trying to tell you is it's catering to

2:28:16.080 --> 2:28:19.560
<v Speaker 1>your audience. That's what I say. It's like, you know,

2:28:19.800 --> 2:28:24.080
<v Speaker 1>like sometimes you know, like I stopped doing.

2:28:23.920 --> 2:28:26.880
<v Speaker 3>Shows right after this ship happened because I don't want

2:28:26.920 --> 2:28:29.000
<v Speaker 3>to go to a show and I'm going to I'm

2:28:29.000 --> 2:28:30.279
<v Speaker 3>going to see this guy's fans.

2:28:30.680 --> 2:28:32.720
<v Speaker 1>I'm going to show with this guy's fans, right, Like, so,

2:28:32.800 --> 2:28:34.080
<v Speaker 1>I don't want to be. I don't want to be.

2:28:34.840 --> 2:28:38.040
<v Speaker 3>I'm jealous, like I want, I want my fans, right yeah,

2:28:38.320 --> 2:28:40.600
<v Speaker 3>if I'm not doing it, And then I say the time,

2:28:41.040 --> 2:28:43.200
<v Speaker 3>you know, I've got to realize. Yes, I started to realize,

2:28:43.480 --> 2:28:46.720
<v Speaker 3>holy shit, certain people, all right, let me let me

2:28:46.760 --> 2:28:47.040
<v Speaker 3>give that.

2:28:47.200 --> 2:28:49.000
<v Speaker 1>Let me I'm sucking up this story. Let me let

2:28:49.040 --> 2:28:49.720
<v Speaker 1>me just give them.

2:28:51.160 --> 2:28:54.199
<v Speaker 3>It's only two times in my whole career twenty seven years,

2:28:54.920 --> 2:28:59.039
<v Speaker 3>I felt like I traded fans. It's only two times,

2:28:59.800 --> 2:29:02.840
<v Speaker 3>like me doing records with Redman and method Man.

2:29:02.920 --> 2:29:05.120
<v Speaker 1>God bless them, I love them. We were the fucking

2:29:05.200 --> 2:29:05.920
<v Speaker 1>same fans.

2:29:07.040 --> 2:29:09.560
<v Speaker 3>It's the same exact fans me doing records with Cameron,

2:29:09.600 --> 2:29:11.880
<v Speaker 3>It's the same exact fans me doing records with Mardy.

2:29:12.480 --> 2:29:15.280
<v Speaker 1>It's the same motherfuckers they brought us that. You use

2:29:15.320 --> 2:29:18.480
<v Speaker 1>the same toothbrush they use the same, the same the

2:29:18.560 --> 2:29:20.040
<v Speaker 1>owner man, and the same lotion. Right.

2:29:20.480 --> 2:29:22.880
<v Speaker 3>Only two times I ever felt I traded fans. When

2:29:22.879 --> 2:29:24.920
<v Speaker 3>I did a record with R Kelly and when I

2:29:24.959 --> 2:29:29.119
<v Speaker 3>did the record with Daddy Yankee. Wow, I felt their

2:29:29.240 --> 2:29:33.160
<v Speaker 3>audience followed me, and I was just like, oh, okay,

2:29:33.320 --> 2:29:37.200
<v Speaker 3>that's what a collaboration means. When you collaborating with the

2:29:37.280 --> 2:29:40.160
<v Speaker 3>person with the same audience, that's not collaborations, that's just

2:29:40.240 --> 2:29:41.279
<v Speaker 3>you being Sometimes.

2:29:41.000 --> 2:29:42.400
<v Speaker 4>She's doing it for the culture, if I get it.

2:29:42.480 --> 2:29:45.080
<v Speaker 4>But yeah, I got a hit record, Yeah I got

2:29:45.200 --> 2:29:45.600
<v Speaker 4>this a hit.

2:29:45.760 --> 2:29:48.359
<v Speaker 3>But it's just if it's just if it's just to collaborate,

2:29:48.640 --> 2:29:50.039
<v Speaker 3>that's it kind of doesn't matter.

2:29:50.600 --> 2:29:52.959
<v Speaker 1>I'm just being honest with you. It's it's a classic

2:29:53.040 --> 2:29:53.400
<v Speaker 1>to y'all.

2:29:53.760 --> 2:29:55.680
<v Speaker 3>If it's not a classes to the people who gives

2:29:55.720 --> 2:29:57.440
<v Speaker 3>a fuck, you should have never throw it out, you

2:29:57.480 --> 2:29:58.200
<v Speaker 3>know what I'm saying, So.

2:29:59.120 --> 2:30:02.880
<v Speaker 1>All right, dam coming out, I'll tell you that. Let's

2:30:02.879 --> 2:30:11.680
<v Speaker 1>take a shot, yo, Mario Man, thank you, man, thank

2:30:11.720 --> 2:30:14.080
<v Speaker 1>you for coming for I wanted to ask him something.

2:30:16.320 --> 2:30:18.040
<v Speaker 1>We take a pee though everybody took a peep of me.

2:30:18.840 --> 2:30:21.480
<v Speaker 1>Still ask the question when you come back.

2:30:23.560 --> 2:30:26.160
<v Speaker 5>I know you give it up for writers who have

2:30:26.879 --> 2:30:30.800
<v Speaker 5>done some writing for you on some of your projects. Yeah,

2:30:31.360 --> 2:30:33.320
<v Speaker 5>are you big into the writing? Have you written for

2:30:33.440 --> 2:30:34.160
<v Speaker 5>anybody else?

2:30:35.080 --> 2:30:35.240
<v Speaker 1>You know?

2:30:36.080 --> 2:30:38.800
<v Speaker 4>I've written records that could one thousand percent for other artists,

2:30:38.920 --> 2:30:42.320
<v Speaker 4>But I've been stingy meant like, because I've been more

2:30:42.360 --> 2:30:44.080
<v Speaker 4>instrumental in my own writing, I'm like, yo, I need

2:30:44.160 --> 2:30:45.879
<v Speaker 4>to really like, I want to get some records off

2:30:45.920 --> 2:30:48.840
<v Speaker 4>that I wrote for me versus like other artists writing

2:30:48.879 --> 2:30:50.920
<v Speaker 4>for me. That's what I've been on lately. But one

2:30:50.959 --> 2:30:53.199
<v Speaker 4>thousand percent you'll you'll probably see in the next.

2:30:53.120 --> 2:30:54.640
<v Speaker 1>Couple of years, like records that I wrote for other

2:30:54.720 --> 2:30:56.680
<v Speaker 1>artists for sure that I just haven't used.

2:30:57.080 --> 2:30:58.800
<v Speaker 4>So I definitely got some fire in the in the

2:30:58.920 --> 2:31:01.280
<v Speaker 4>in the chap for sure, in shame. So yeah, I

2:31:01.320 --> 2:31:03.680
<v Speaker 4>got some fire in the chamber that I'm ready to drop.

2:31:03.800 --> 2:31:08.560
<v Speaker 1>So yeah, we're looking forward to that. Yeah, for sure.

2:31:09.080 --> 2:31:20.840
<v Speaker 1>I just not yo, yo, you're taking us at you

2:31:21.840 --> 2:31:29.520
<v Speaker 1>with my whiskey. I seeing you big yeah, with the biggie,

2:31:30.080 --> 2:31:32.240
<v Speaker 1>I see you. Yeah, man.

2:31:32.320 --> 2:31:35.840
<v Speaker 4>You know from here, you know, we level up generational wealth,

2:31:36.600 --> 2:31:41.400
<v Speaker 4>you know, yeah, to make sure we you know, anywheregotiate

2:31:41.520 --> 2:31:46.160
<v Speaker 4>artists for sure. You know, I'm building so the way

2:31:46.200 --> 2:31:49.959
<v Speaker 4>I see it, right, you know how you know Motown

2:31:50.120 --> 2:31:52.960
<v Speaker 4>was back in the day hmm, when the artists would

2:31:52.959 --> 2:31:55.640
<v Speaker 4>get signed, they had a family for them to come to.

2:31:56.600 --> 2:31:57.959
<v Speaker 1>When I say family, I don't mean.

2:31:57.959 --> 2:32:01.000
<v Speaker 4>Like, oh, little, but they had me, like they had producers,

2:32:01.040 --> 2:32:03.160
<v Speaker 4>they had writers, they had songs already had you were

2:32:03.200 --> 2:32:05.720
<v Speaker 4>coming into a system that was already Not that I

2:32:05.800 --> 2:32:09.000
<v Speaker 4>want to make an artist other artist music, but just

2:32:09.120 --> 2:32:11.879
<v Speaker 4>like a community. So right now I'm building a community

2:32:12.520 --> 2:32:15.520
<v Speaker 4>writers and producers before I sign artists. I feel like

2:32:15.560 --> 2:32:18.040
<v Speaker 4>the community is important, you know what I'm saying, and

2:32:18.120 --> 2:32:22.039
<v Speaker 4>like really building like the foundation of what New Citizen

2:32:22.320 --> 2:32:26.040
<v Speaker 4>is on the music side, not rushing into like new Citizen.

2:32:26.080 --> 2:32:29.879
<v Speaker 4>So I got New Citizen labeled New Citizen, publishing New Citizen.

2:32:29.920 --> 2:32:30.600
<v Speaker 1>It was my own brother.

2:32:31.160 --> 2:32:33.080
<v Speaker 4>So New Citizen I started when I did my first

2:32:33.120 --> 2:32:37.720
<v Speaker 4>independent project. And it's crazy that the name new Citizen,

2:32:38.520 --> 2:32:40.800
<v Speaker 4>you know, it's just how it relates to what's going

2:32:40.840 --> 2:32:42.560
<v Speaker 4>on in the world today, like really becoming a new

2:32:42.640 --> 2:32:44.280
<v Speaker 4>citizen of your own personal universe.

2:32:44.640 --> 2:32:48.400
<v Speaker 1>That's what I created for. Well, yeah, bro, you know

2:32:48.520 --> 2:32:49.480
<v Speaker 1>that's that's the thing.

2:32:49.760 --> 2:32:52.520
<v Speaker 4>I got New Citizen investments where I invest in different projects,

2:32:53.080 --> 2:32:54.840
<v Speaker 4>random shit that you would never expect me to be

2:32:55.480 --> 2:32:58.840
<v Speaker 4>that I'm into, not on the actual like me putting

2:32:58.879 --> 2:33:01.440
<v Speaker 4>out coins, but I've invested in companies that have both

2:33:01.720 --> 2:33:05.720
<v Speaker 4>coins and also have tangible assets as well. So yeah,

2:33:05.879 --> 2:33:08.800
<v Speaker 4>and they're doing like ship all across the board like

2:33:08.920 --> 2:33:09.600
<v Speaker 4>so yeah.

2:33:10.959 --> 2:33:19.160
<v Speaker 1>Yeah yeah, He's like yeah yeah yeah yeah. Bro. It's

2:33:19.200 --> 2:33:22.520
<v Speaker 1>not bad though. So one day I heard you say,

2:33:25.480 --> 2:33:28.800
<v Speaker 1>so let's talk about faster. Yeah yeah, okay, Now what

2:33:28.959 --> 2:33:30.240
<v Speaker 1>form of fast than you talking about?

2:33:30.760 --> 2:33:33.320
<v Speaker 4>So the first fast day was for twenty six days, bro,

2:33:34.000 --> 2:33:37.560
<v Speaker 4>water it was it was it was rich I was

2:33:37.600 --> 2:33:40.240
<v Speaker 4>doing it, or organ cleanse Oh wow.

2:33:40.320 --> 2:33:43.040
<v Speaker 1>So there was a there's a guy that I was

2:33:43.080 --> 2:33:44.760
<v Speaker 1>working at the time. He had developed these.

2:33:46.760 --> 2:33:50.640
<v Speaker 4>Organ supplements cleansing supplements, but in order to do them

2:33:50.680 --> 2:33:52.960
<v Speaker 4>you had to not eat, so it's just like a

2:33:53.080 --> 2:33:53.760
<v Speaker 4>water fast.

2:33:54.959 --> 2:33:58.520
<v Speaker 1>And it was like twenty six days. Well that was

2:33:59.000 --> 2:34:01.720
<v Speaker 1>the twenty six days you fix twenty six days. I

2:34:02.520 --> 2:34:05.480
<v Speaker 1>lasted twenty six days. Yeah, okay, wow, I last it.

2:34:05.600 --> 2:34:05.760
<v Speaker 3>Yeah.

2:34:06.600 --> 2:34:10.760
<v Speaker 4>And you know, I think people are more comfortable speaking

2:34:10.760 --> 2:34:11.600
<v Speaker 4>about these things today.

2:34:11.640 --> 2:34:12.200
<v Speaker 1>You hear about it.

2:34:12.280 --> 2:34:15.720
<v Speaker 4>But it's true with what we talk about in terms

2:34:15.760 --> 2:34:19.760
<v Speaker 4>of really getting to that level of connection with God

2:34:20.000 --> 2:34:23.880
<v Speaker 4>and with yourself that it's impossible to do without fasting.

2:34:24.560 --> 2:34:26.560
<v Speaker 1>There's no other way to.

2:34:29.480 --> 2:34:39.920
<v Speaker 4>Experience there's no other way to experience spiritual awareness and

2:34:40.000 --> 2:34:47.680
<v Speaker 4>evolution like fasting. Besides fasting, honestly, because you're want to

2:34:47.720 --> 2:34:49.600
<v Speaker 4>face so many parts of yourself that you didn't even

2:34:49.640 --> 2:34:51.560
<v Speaker 4>know was there. You're gonna face your damer You're gonna

2:34:51.560 --> 2:34:53.640
<v Speaker 4>face your emotions, You're gonna face your fears. You're gonna

2:34:53.640 --> 2:34:58.280
<v Speaker 4>face your desires, your fleshly desires, your human desires. You're

2:34:58.280 --> 2:35:04.040
<v Speaker 4>gonna face all of you know, all of the things

2:35:04.080 --> 2:35:07.520
<v Speaker 4>that you're so used to, your comfort, everything. It's going

2:35:07.600 --> 2:35:11.560
<v Speaker 4>to push you to levels that well, all you have

2:35:11.640 --> 2:35:15.080
<v Speaker 4>to lean on is guy. And that's the key of fasting, right,

2:35:15.360 --> 2:35:19.640
<v Speaker 4>That's the key is to really connect you to a

2:35:19.720 --> 2:35:24.600
<v Speaker 4>space where consumption isn't even something that you need. I

2:35:24.720 --> 2:35:26.280
<v Speaker 4>do believe that at one point we didn't need to

2:35:26.320 --> 2:35:29.480
<v Speaker 4>consume things to even live when we can live off

2:35:29.520 --> 2:35:33.720
<v Speaker 4>of consciousness alone. But that's the whole other conversation obviously,

2:35:33.800 --> 2:35:35.640
<v Speaker 4>But I do believe that we didn't need to eat,

2:35:35.680 --> 2:35:40.400
<v Speaker 4>We didn't need to consume other living where conscious beings

2:35:40.440 --> 2:35:41.760
<v Speaker 4>to actually survive.

2:35:42.080 --> 2:35:44.600
<v Speaker 1>They used to say fast to feast, sat again.

2:35:44.720 --> 2:35:47.680
<v Speaker 3>They used to say faster feast, like you fast for

2:35:47.800 --> 2:35:50.000
<v Speaker 3>three days and then you go feast and then you

2:35:50.120 --> 2:35:50.680
<v Speaker 3>fast again.

2:35:50.720 --> 2:35:52.840
<v Speaker 1>That's what they said. Okay, back in the days. That's

2:35:52.840 --> 2:35:58.840
<v Speaker 1>where okay, fast thing comes from. Okay, okay, faster feast. Yeah,

2:35:58.920 --> 2:35:59.720
<v Speaker 1>I didn't feast.

2:36:00.240 --> 2:36:02.640
<v Speaker 4>I didn't feast on twenty six days. When I did,

2:36:03.000 --> 2:36:05.400
<v Speaker 4>it was all fruits, it was all that.

2:36:05.959 --> 2:36:06.640
<v Speaker 1>It was soups.

2:36:07.320 --> 2:36:10.080
<v Speaker 4>No, No, it was just a huge freeze and raw

2:36:10.120 --> 2:36:13.320
<v Speaker 4>foods like vegetables and raw But this was also during

2:36:13.360 --> 2:36:16.920
<v Speaker 4>the time where the energy on the planet wasn't as intense. Okay,

2:36:18.360 --> 2:36:21.280
<v Speaker 4>there's a little lighter okay, right now. I don't think

2:36:21.320 --> 2:36:23.560
<v Speaker 4>I could do that because I'm I stepped back into music.

2:36:23.600 --> 2:36:27.160
<v Speaker 4>I stepped back into the you know, I stepped back

2:36:27.160 --> 2:36:29.040
<v Speaker 4>into the field in a different way. I wasn't around

2:36:29.080 --> 2:36:31.040
<v Speaker 4>people at the time. I wasn't nobody was feeding off

2:36:31.080 --> 2:36:33.920
<v Speaker 4>my energy. I wasn't having to give my energy because

2:36:33.920 --> 2:36:36.480
<v Speaker 4>it's like, all right, let me try to bypast this

2:36:36.560 --> 2:36:36.879
<v Speaker 4>hold of.

2:36:38.680 --> 2:36:43.440
<v Speaker 1>We shot. No, I'm trying to buy past ship.

2:36:44.120 --> 2:36:44.480
<v Speaker 7>I got it.

2:36:44.560 --> 2:36:57.280
<v Speaker 1>I gotta do that with my business. Yeah, you asked

2:36:57.280 --> 2:37:03.960
<v Speaker 1>me a question, want to I signed up for this show? Nah?

2:37:04.000 --> 2:37:06.920
<v Speaker 4>But yo, it's it's it's it's Bro's it's simple, bro.

2:37:07.080 --> 2:37:10.840
<v Speaker 4>It's you know, when you start the body and the

2:37:10.920 --> 2:37:17.840
<v Speaker 4>physical of all of the things that make us weak,

2:37:19.520 --> 2:37:21.000
<v Speaker 4>then you tap into your true light.

2:37:21.080 --> 2:37:21.200
<v Speaker 3>Bro.

2:37:21.400 --> 2:37:25.280
<v Speaker 4>This is it's it's something that you can't really arguate it.

2:37:25.400 --> 2:37:27.920
<v Speaker 4>Science is something that our ancestors do. Is something that

2:37:29.120 --> 2:37:31.200
<v Speaker 4>you know, we've even practiced that we don't remember.

2:37:31.280 --> 2:37:36.480
<v Speaker 1>We forget because our memory gets white and ship, you know,

2:37:36.800 --> 2:37:39.280
<v Speaker 1>we forget the things that we were born with.

2:37:39.840 --> 2:37:46.039
<v Speaker 4>You know, our ancestors practice, and so those days starts

2:37:46.080 --> 2:37:48.280
<v Speaker 4>to come back to you. The body starts to eat

2:37:48.320 --> 2:37:49.440
<v Speaker 4>away at all of the bullshit.

2:37:49.560 --> 2:37:55.119
<v Speaker 1>I said, Yeah, that's you fastened. And then those who

2:37:55.200 --> 2:37:58.959
<v Speaker 1>choose to take that route and to take that that that.

2:37:59.320 --> 2:38:05.680
<v Speaker 4>Journey, get initiated into their own level of awareness and spiritual.

2:38:07.040 --> 2:38:07.600
<v Speaker 1>Advancement.

2:38:09.120 --> 2:38:12.240
<v Speaker 4>You know what I'm saying. It's one of the best

2:38:12.280 --> 2:38:13.600
<v Speaker 4>things you can ever do for yourself. I see a

2:38:13.600 --> 2:38:15.280
<v Speaker 4>lot more people doing it today than I've ever seen,

2:38:15.320 --> 2:38:16.080
<v Speaker 4>and I love seeing it.

2:38:16.959 --> 2:38:18.760
<v Speaker 1>I've seen Kevin Gates talk about it as well.

2:38:18.959 --> 2:38:21.240
<v Speaker 4>Kevin Gates talk about it, and Eli Chapter talk about it.

2:38:21.360 --> 2:38:24.680
<v Speaker 4>It's a real thing, bro, It's it's Nigga's not just yeah,

2:38:25.760 --> 2:38:26.200
<v Speaker 4>it's real.

2:38:26.800 --> 2:38:26.960
<v Speaker 7>You know.

2:38:28.000 --> 2:38:32.600
<v Speaker 4>Celibacy fasting, whether you're preserving your energy, you're preserving your energy.

2:38:32.360 --> 2:38:35.520
<v Speaker 1>You're tapping back into your your true self, your true light,

2:38:36.440 --> 2:38:39.120
<v Speaker 1>your true powers.

2:38:39.240 --> 2:38:42.040
<v Speaker 4>I did two years, year and a half. Honestly speaking,

2:38:42.040 --> 2:38:43.280
<v Speaker 4>I did the year and a half. I would say

2:38:43.320 --> 2:38:45.920
<v Speaker 4>two years, but I did the year and a half. Celibacy, Yeah,

2:38:46.160 --> 2:38:47.279
<v Speaker 4>no jergging off neither.

2:38:47.320 --> 2:39:00.240
<v Speaker 1>Nothing bro my nigga nothing, bro nothing nothing nothing. Now

2:39:00.320 --> 2:39:05.640
<v Speaker 1>that's discipline, like he can win man. But it's right.

2:39:06.520 --> 2:39:09.080
<v Speaker 4>But again again, now we were. Now we're going to

2:39:09.360 --> 2:39:11.000
<v Speaker 4>a different side of the interview. All right, let's go

2:39:11.080 --> 2:39:17.080
<v Speaker 4>on over here. Okay, this is not anything. All right,

2:39:17.160 --> 2:39:18.800
<v Speaker 4>let's take it. Let's take it to a whole other level.

2:39:19.200 --> 2:39:25.240
<v Speaker 4>Imagine thousands of years ago or hundreds of years ago, what.

2:39:25.240 --> 2:39:25.920
<v Speaker 1>Everyone want to call it.

2:39:27.040 --> 2:39:28.800
<v Speaker 4>You are a man and you're set to go on

2:39:28.879 --> 2:39:33.480
<v Speaker 4>the journey to another part of the land. You got

2:39:33.560 --> 2:39:34.520
<v Speaker 4>to leave your wife and kids.

2:39:36.080 --> 2:39:38.440
<v Speaker 1>You're going on another part of the land that you're

2:39:38.440 --> 2:39:41.800
<v Speaker 1>set out to find, a new space, a new country,

2:39:41.959 --> 2:39:45.039
<v Speaker 1>a new whatever. And you're emperor. Okaying.

2:39:45.120 --> 2:39:47.160
<v Speaker 4>At the time, it's like, Yo, I need you to

2:39:47.200 --> 2:39:50.240
<v Speaker 4>get on this ship with two hundred other men because

2:39:50.240 --> 2:39:50.800
<v Speaker 4>I believe that.

2:39:50.800 --> 2:39:52.640
<v Speaker 1>There's something on the other side of this water.

2:39:53.600 --> 2:39:58.440
<v Speaker 4>Say one of Abo Bakari's you know generals that's on

2:39:58.560 --> 2:40:00.560
<v Speaker 4>one of those ships that you sent over from right,

2:40:02.320 --> 2:40:03.119
<v Speaker 4>you can't have sex.

2:40:03.760 --> 2:40:05.200
<v Speaker 1>You know how long it's gonna take you to get

2:40:05.200 --> 2:40:05.680
<v Speaker 1>to the west.

2:40:07.520 --> 2:40:10.480
<v Speaker 4>Right, But along that journey, all that energy that you

2:40:10.680 --> 2:40:13.520
<v Speaker 4>are holding is giving you the strength to go on

2:40:13.600 --> 2:40:17.600
<v Speaker 4>this journey. I'm just using this as an example. You're

2:40:17.640 --> 2:40:20.800
<v Speaker 4>not thinking about sex while you trying to survive. You're

2:40:20.840 --> 2:40:22.959
<v Speaker 4>not thinking about sex. You're not thinking about You're thinking

2:40:22.959 --> 2:40:25.199
<v Speaker 4>about Okay, I'm on this voyage. I'm on this journey,

2:40:26.120 --> 2:40:27.960
<v Speaker 4>you know. You know, I think that we think about

2:40:28.120 --> 2:40:29.800
<v Speaker 4>all of these things more because we're in the world

2:40:29.800 --> 2:40:34.120
<v Speaker 4>where we're over extimulated, over stimulated by Instagram. It's with

2:40:34.320 --> 2:40:38.360
<v Speaker 4>the x an escape, you know, a way for you

2:40:38.480 --> 2:40:43.000
<v Speaker 4>to you know, it's like, Nigga, we I work hard today.

2:40:43.280 --> 2:40:45.160
<v Speaker 4>You know, I just did a twenty hour shift. I

2:40:45.200 --> 2:40:46.680
<v Speaker 4>always my head, I want some.

2:40:47.000 --> 2:40:47.400
<v Speaker 1>I want some.

2:40:47.879 --> 2:40:50.440
<v Speaker 4>It's like, nah, Like, as men, we got to redefine

2:40:50.920 --> 2:40:54.320
<v Speaker 4>what true power is, especially in this in this where

2:40:54.360 --> 2:40:57.199
<v Speaker 4>we are now. We need as much energy in quarter

2:40:57.240 --> 2:41:00.840
<v Speaker 4>as we can get to get through is happening right now,

2:41:01.400 --> 2:41:03.440
<v Speaker 4>you know what I'm saying. But that's just the way

2:41:03.440 --> 2:41:03.920
<v Speaker 4>I look at it.

2:41:04.000 --> 2:41:07.520
<v Speaker 3>You know what I'm saying but because it's yeah like

2:41:07.600 --> 2:41:09.520
<v Speaker 3>you you like girls will trying to come on to you,

2:41:09.600 --> 2:41:11.560
<v Speaker 3>don't give them to your your number, none of that.

2:41:11.920 --> 2:41:14.120
<v Speaker 1>Facts. They ain't in the room. You're hard to get.

2:41:14.200 --> 2:41:27.160
<v Speaker 1>That's what's up, spun man. You know what I'm saying,

2:41:28.600 --> 2:41:33.959
<v Speaker 1>because she has set you up though, yeah, set up.

2:41:34.040 --> 2:41:35.960
<v Speaker 1>You ain't been in them headlines, that's what you know

2:41:36.000 --> 2:41:39.720
<v Speaker 1>what I'm saying. I understand the game. Yeah, you understand

2:41:39.800 --> 2:41:46.360
<v Speaker 1>the game. Let me take a shot for that. Understand

2:41:46.400 --> 2:41:49.840
<v Speaker 1>the game. It's about longevity. Bro Okay, I got you

2:41:51.040 --> 2:41:53.120
<v Speaker 1>on my own page, Like, you know what I'm saying.

2:41:53.640 --> 2:41:55.000
<v Speaker 1>You've been doing this ship.

2:41:57.480 --> 2:41:59.640
<v Speaker 9>We ain't even doing this for two weeks, man, So

2:41:59.680 --> 2:42:03.240
<v Speaker 9>you got two weeks off, you said two weeks.

2:42:03.400 --> 2:42:08.080
<v Speaker 3>But two weeks before that, I went to Cairns and

2:42:08.120 --> 2:42:11.320
<v Speaker 3>I went to Monaco. Yes, and this this is how

2:42:11.440 --> 2:42:13.640
<v Speaker 3>rich stay was. I had a drone following me and

2:42:13.720 --> 2:42:14.800
<v Speaker 3>nobody even looked at me.

2:42:16.480 --> 2:42:20.640
<v Speaker 1>You know, it's like it is different the white people like,

2:42:20.640 --> 2:42:28.120
<v Speaker 1>who get a fuck? But it's like ship. But I

2:42:28.640 --> 2:42:31.680
<v Speaker 1>just say that, And it's a new world that we're

2:42:31.680 --> 2:42:36.640
<v Speaker 1>going into. You know, I feel like your energy is

2:42:36.680 --> 2:42:40.360
<v Speaker 1>the new currency. And you know what I'm saying energy.

2:42:41.200 --> 2:42:42.680
<v Speaker 1>I think that was very important what you said. You

2:42:42.879 --> 2:42:43.880
<v Speaker 1>could steal your energy.

2:42:44.240 --> 2:42:46.840
<v Speaker 4>The newer that we're going into is just like you know,

2:42:47.000 --> 2:42:51.520
<v Speaker 4>you you gotta be really aware of everything you know

2:42:51.800 --> 2:42:52.400
<v Speaker 4>that's happening.

2:42:52.440 --> 2:42:55.879
<v Speaker 1>As there's like a big there's there's a wave of.

2:42:58.320 --> 2:43:00.920
<v Speaker 4>You know, shifts that's happened that's going to make a

2:43:01.040 --> 2:43:04.119
<v Speaker 4>lot of people rich really quick. And if your mind

2:43:04.200 --> 2:43:06.120
<v Speaker 4>is not on the frequency of like what's happening and

2:43:06.200 --> 2:43:08.400
<v Speaker 4>thinking for it, you might miss out. You might have

2:43:08.480 --> 2:43:10.920
<v Speaker 4>an idea right now that you're sleeping on or not.

2:43:11.120 --> 2:43:13.120
<v Speaker 4>You or somebody might have an idea right now, but

2:43:13.240 --> 2:43:16.240
<v Speaker 4>because they're focused on feeding their senses and they're not

2:43:16.280 --> 2:43:18.240
<v Speaker 4>even thinking about this ship, they're like, I'll get to it,

2:43:18.360 --> 2:43:19.960
<v Speaker 4>Like nah, Like somebody else wanna do that idea and

2:43:20.040 --> 2:43:23.760
<v Speaker 4>become a billionaire because you're not focused right now. This

2:43:23.920 --> 2:43:25.480
<v Speaker 4>is a time of focus. We don't need more time,

2:43:25.520 --> 2:43:29.560
<v Speaker 4>We need more focus exactly. And so that's how I

2:43:29.640 --> 2:43:31.520
<v Speaker 4>think every day. And I know I don't talk about

2:43:31.560 --> 2:43:32.520
<v Speaker 4>this a lot on my socials.

2:43:32.560 --> 2:43:32.800
<v Speaker 1>I don't.

2:43:32.920 --> 2:43:34.560
<v Speaker 4>I don't talk about it a lot because I feel

2:43:34.640 --> 2:43:40.000
<v Speaker 4>like I don't I don't want to. Social media is

2:43:40.040 --> 2:43:45.199
<v Speaker 4>the Matrix and the devil, you know what I'm saying.

2:43:45.280 --> 2:43:47.000
<v Speaker 4>So it's like I don't I don't like to like,

2:43:47.879 --> 2:43:50.760
<v Speaker 4>I want to keep it pure. I want all my blessings.

2:43:51.280 --> 2:43:52.240
<v Speaker 4>I don't want to mess them up.

2:43:52.280 --> 2:43:53.400
<v Speaker 1>So you don't be on social media.

2:43:53.480 --> 2:43:55.440
<v Speaker 4>I am on social media, but I only post like

2:43:55.600 --> 2:43:58.520
<v Speaker 4>artistic things or like pictures of what I'm doing. I

2:43:58.560 --> 2:44:01.600
<v Speaker 4>don't really post a lot about like the things that

2:44:01.680 --> 2:44:04.200
<v Speaker 4>I'm doing right now. Don't really need social media to work.

2:44:04.440 --> 2:44:06.800
<v Speaker 1>That's what I'm saying. You fast for social media as well.

2:44:07.800 --> 2:44:10.520
<v Speaker 4>Back then, Yeah, I wasn't even on social media doing

2:44:10.560 --> 2:44:12.120
<v Speaker 4>that fast. I wasn't on social media at all.

2:44:12.240 --> 2:44:16.080
<v Speaker 1>Okay, Bro, I was BRO. I wasn't around people, Bro,

2:44:16.400 --> 2:44:16.720
<v Speaker 1>I was.

2:44:16.879 --> 2:44:19.720
<v Speaker 4>I was to myself when niggas be like Nigga would

2:44:19.760 --> 2:44:22.720
<v Speaker 4>use that for I was literally in a whole over

2:44:22.800 --> 2:44:26.160
<v Speaker 4>realm of existence really, Like I had just moved to

2:44:26.360 --> 2:44:28.480
<v Speaker 4>La from Baltimore. I moved away from Baltimore because I

2:44:28.480 --> 2:44:30.080
<v Speaker 4>had to or I was on dio B and jail

2:44:30.280 --> 2:44:34.320
<v Speaker 4>right and so I just needed to completely shift my

2:44:34.480 --> 2:44:37.200
<v Speaker 4>perspective on life, you know.

2:44:37.400 --> 2:44:39.680
<v Speaker 1>And I think people think like just because you've had

2:44:39.720 --> 2:44:43.280
<v Speaker 1>success or just because you've had like like, nah, like

2:44:43.400 --> 2:44:44.959
<v Speaker 1>real shit be happening in life where.

2:44:44.840 --> 2:44:47.640
<v Speaker 4>You actually have to preserve yourself in order to survive

2:44:47.760 --> 2:44:49.920
<v Speaker 4>this shit life' is life, real life shit, you know,

2:44:51.520 --> 2:44:51.760
<v Speaker 4>And so.

2:44:53.800 --> 2:45:00.879
<v Speaker 1>So I can be here today, you know what I'm saying. So, yeah,

2:45:01.080 --> 2:45:02.400
<v Speaker 1>it's real, bro, It's real.

2:45:02.959 --> 2:45:03.120
<v Speaker 7>You know.

2:45:03.480 --> 2:45:06.160
<v Speaker 4>Don't take for granted all of the people you know,

2:45:06.400 --> 2:45:08.960
<v Speaker 4>like the nine nineteen Keys of the World and all

2:45:09.000 --> 2:45:11.080
<v Speaker 4>these other brothers that are out here, like really like

2:45:11.200 --> 2:45:14.440
<v Speaker 4>trying to like explain to people, like yo, what the

2:45:14.480 --> 2:45:16.039
<v Speaker 4>future is about to look like, because it's real.

2:45:16.120 --> 2:45:20.119
<v Speaker 1>It's a real thing, you know. I just it's it's

2:45:21.240 --> 2:45:21.920
<v Speaker 1>it's real, man.

2:45:21.959 --> 2:45:24.200
<v Speaker 4>You know, if you're called to do something in your

2:45:24.240 --> 2:45:25.920
<v Speaker 4>spirit is calling you to try something new or do

2:45:26.040 --> 2:45:28.280
<v Speaker 4>something new or change your you know, the way you

2:45:28.400 --> 2:45:31.680
<v Speaker 4>live in listen because you might be one of the

2:45:31.760 --> 2:45:35.760
<v Speaker 4>ones that's actually supposed to liberate you're you know, your

2:45:35.840 --> 2:45:36.360
<v Speaker 4>soul family.

2:45:36.480 --> 2:45:38.840
<v Speaker 1>You never know, would you ever do like a country

2:45:38.879 --> 2:45:41.360
<v Speaker 1>album where I do a country album, but I do

2:45:41.440 --> 2:45:42.840
<v Speaker 1>any type of album. I can do any type of

2:45:42.959 --> 2:45:45.520
<v Speaker 1>music if it's with the right producers and the right energy.

2:45:45.879 --> 2:45:49.279
<v Speaker 1>For sure. Yeah. Absolutely, Like say.

2:45:49.160 --> 2:45:52.760
<v Speaker 4>I played it role and like it was like I

2:45:52.840 --> 2:45:58.120
<v Speaker 4>don't know, you know, uh, talking about when the country

2:45:58.200 --> 2:46:00.240
<v Speaker 4>music was first starting to kick off in the black community.

2:46:00.440 --> 2:46:02.200
<v Speaker 1>You know what I'm saying, I would play I were

2:46:02.240 --> 2:46:05.040
<v Speaker 1>playing it in the movies. Yeah for sure. I'm just saying, like,

2:46:05.200 --> 2:46:07.080
<v Speaker 1>way is to tell different you know, because I feel

2:46:07.080 --> 2:46:09.440
<v Speaker 1>like that story haven't been told yet black people in

2:46:09.520 --> 2:46:10.080
<v Speaker 1>country music.

2:46:10.240 --> 2:46:14.080
<v Speaker 3>Yeah, black rock and roll has been told because it's

2:46:14.240 --> 2:46:17.400
<v Speaker 3>actually documented that black people actually invented rock and roll.

2:46:18.120 --> 2:46:24.040
<v Speaker 4>Yeah, it's been told in the movie. Yeah, doubt for sure. Yeah, yeah,

2:46:32.680 --> 2:46:34.160
<v Speaker 4>come on, come on for sure.

2:46:38.600 --> 2:46:38.800
<v Speaker 1>Yeah.

2:46:39.160 --> 2:46:41.080
<v Speaker 3>So anything else you want to tell your fans before

2:46:41.080 --> 2:46:41.840
<v Speaker 3>you get about of here.

2:46:42.160 --> 2:46:47.560
<v Speaker 1>Man, that's bro. I mean, we just celebrated Mario.

2:46:48.640 --> 2:46:48.840
<v Speaker 7>Listen.

2:46:49.520 --> 2:46:52.200
<v Speaker 1>Sometimes be a good shoot on the rais the way

2:46:52.280 --> 2:46:56.360
<v Speaker 1>you take shots. You know why we celebrating the career.

2:46:56.600 --> 2:46:57.520
<v Speaker 1>I appreciate, man.

2:46:57.720 --> 2:46:59.600
<v Speaker 3>Let me just tell you something, man, you appreciate it.

2:47:00.080 --> 2:47:01.920
<v Speaker 3>They say, go where you appreciate it or not where

2:47:01.920 --> 2:47:02.600
<v Speaker 3>you tolerated.

2:47:02.720 --> 2:47:05.840
<v Speaker 1>Yeah, let's let you know. Thank you appreciate it and

2:47:05.920 --> 2:47:09.040
<v Speaker 1>you celebrate. Appreciate you, and you motherfucking appreciate you.

2:47:09.800 --> 2:47:13.680
<v Speaker 4>Late and elevated. I represent us, you know what I'm saying.

2:47:13.800 --> 2:47:17.040
<v Speaker 4>I represent strength, I represent focus. I represent you know

2:47:17.240 --> 2:47:21.040
<v Speaker 4>US alignment, Bro, you know New Citizen, and what I

2:47:21.160 --> 2:47:24.720
<v Speaker 4>plan to do over the next few years hopefully sets

2:47:24.760 --> 2:47:26.119
<v Speaker 4>the standards for like new.

2:47:26.080 --> 2:47:27.080
<v Speaker 1>Artists coming to the game.

2:47:27.160 --> 2:47:27.280
<v Speaker 5>Bro.

2:47:27.760 --> 2:47:29.200
<v Speaker 4>A lot of people about to start making a lot

2:47:29.240 --> 2:47:32.440
<v Speaker 4>of money real fast if they're focused. And I feel like,

2:47:32.520 --> 2:47:35.760
<v Speaker 4>you know, invest your money, you know, make relationships, be

2:47:35.879 --> 2:47:38.680
<v Speaker 4>uncomfortable a little bit. Sometimes sometimes a relationship that you're

2:47:38.720 --> 2:47:41.440
<v Speaker 4>uncomfortable with can can take you into doors that you

2:47:41.520 --> 2:47:44.240
<v Speaker 4>know you normally wouldn't get into. You know, invest your bread, bro,

2:47:44.520 --> 2:47:50.320
<v Speaker 4>be smart things, generational wealth. It's so crazy because I

2:47:50.480 --> 2:47:54.200
<v Speaker 4>had wrote something down on a vision board when I

2:47:54.240 --> 2:47:56.320
<v Speaker 4>came back from the UK, and I had a lot

2:47:56.400 --> 2:47:58.960
<v Speaker 4>of energy that was different. And I believe that whenever

2:47:59.040 --> 2:48:01.680
<v Speaker 4>you have a big shift of energy is a time,

2:48:01.720 --> 2:48:03.560
<v Speaker 4>whether it's negative or positive, it's a time for you

2:48:03.640 --> 2:48:06.480
<v Speaker 4>to manifest something powerful. Then you can transmit that energy

2:48:06.480 --> 2:48:08.560
<v Speaker 4>into something that you want for yourself. And I wrote

2:48:08.600 --> 2:48:10.720
<v Speaker 4>down on this vision board something I wanted, and literally

2:48:10.760 --> 2:48:13.320
<v Speaker 4>the next week it came to fruition, Bro, and I

2:48:13.440 --> 2:48:15.160
<v Speaker 4>was a part of something that was really big. And

2:48:17.800 --> 2:48:20.560
<v Speaker 4>everybody can do it in your own world. You know

2:48:20.600 --> 2:48:23.680
<v Speaker 4>what I'm saying, so you're just believe in yourself. Hell yeah,

2:48:23.720 --> 2:48:26.800
<v Speaker 4>you know what I'm saying. Let's go, let's get it.

2:48:33.240 --> 2:48:35.280
<v Speaker 4>Drink Champs is a Drink Champs LLC.

2:48:35.480 --> 2:48:38.960
<v Speaker 10>Production hosts and executive producers n O r E and

2:48:39.160 --> 2:48:40.200
<v Speaker 10>dj e FN.

2:48:41.360 --> 2:48:42.160
<v Speaker 1>Listen to Drink.

2:48:42.040 --> 2:48:46.320
<v Speaker 10>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2:48:46.480 --> 2:48:50.240
<v Speaker 10>get your podcasts. Thanks for joining us for another episode

2:48:50.280 --> 2:48:53.080
<v Speaker 10>of Drink Champs, hosted by Yours truly, dj e FN

2:48:53.360 --> 2:48:55.640
<v Speaker 10>and n r E. Please make sure to follow us

2:48:55.680 --> 2:48:58.920
<v Speaker 10>on all our socials that's at drink Champs across all platforms,

2:48:59.440 --> 2:49:02.440
<v Speaker 10>at the Real Norrie go on I g at Noriega

2:49:02.480 --> 2:49:05.240
<v Speaker 10>on Twitter, mine is at Who's Crazy on I g

2:49:06.000 --> 2:49:08.840
<v Speaker 10>at dj e f N on Twitter, and most importantly,

2:49:08.879 --> 2:49:11.680
<v Speaker 10>stay up to date with the latest releases, news, and

2:49:11.840 --> 2:49:14.160
<v Speaker 10>merch by going to drink champs dot com