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Speaker 1: See if I can make you uncomfortable again.

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Speaker 2: You always make me uncomfortable.

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Speaker 1: Mm, come on to Edin. I know you're dancing in

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Speaker 1: the control room right now.

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Speaker 2: It's a sick record.

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Speaker 1: This is my ship in junior high I definitely put

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Speaker 1: this on the CD team.

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Speaker 2: What was her name? She's a listener?

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Speaker 1: Still good Ashley Ashley?

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Speaker 2: Why should always? Ashley's may have broken the most hearts

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Speaker 2: in junior high school and maybe in realized. Yeah, Ashley's

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Speaker 2: just always breaking hearts for sure. Actually, they are just

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Speaker 2: not good people. I'm starting to think, do you know Actuley?

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Speaker 2: That's not cute.

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Speaker 1: I don't think I really met ugly Ashley before.

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Speaker 2: Yeah, I've never met an ugly Ashley. I never met

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Speaker 2: an ugly Ashley. Ashley in a ugly Erica I know

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Speaker 2: so ugly.

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Speaker 1: I think I know, well, the one Erica you met

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Speaker 1: uh in l A that droe to the hotel. My

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Speaker 1: friend Erica. She's very pretty, but I know some ugly Ericas.

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Speaker 2: Oh yeah, no, that's what I see. Like, I don't

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Speaker 2: know he's a bad Erica. Yeah, like she's she's she's beautiful.

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Speaker 2: I don't know ugly Eerica though.

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Speaker 1: I'm trying to think if I've ever Tammy's up there.

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Speaker 1: But Tammy's always a hoe and that's just Wayne's fault.

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Speaker 2: M h.

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Speaker 1: There are the names that rap has ruined. Uh what

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Speaker 1: young ma, she ruined someone's name Stephanie, Stephanie. Stephanie now

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Speaker 1: is just always just gives head like you see Stephanie, Like,

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Speaker 1: oh god, I already know what she's she's on.

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Speaker 2: You're already judging up from the gate, like we heard

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Speaker 2: about you.

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Speaker 1: And Tammy's always a hoe because of Wayne.

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Speaker 2: Yeah, DMX killed about forty seven names. Oh yeah, for

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Speaker 2: sure at a very young age.

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Speaker 1: Can you wife or girl that was mentioned in Uh, it's.

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Speaker 2: Almost hard not to He mentioned every girl in the

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Speaker 2: English language, I think.

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Speaker 1: I mean, I'm not going to tell you the listener

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Speaker 1: is the name of that song, but it is a

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Speaker 1: great song.

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Speaker 2: Yeah, classic legendary. I listened to it every weekend.

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Speaker 1: Fact that Cisco was harmonizing that like screaming it.

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Speaker 2: Cisco had a very interesting career, Like we don't think

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Speaker 2: we don't talk about Cisco enough.

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Speaker 1: Well there's Drew Hill Cisco, and then there's Cisco.

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Speaker 2: No, I'm talking about Cisco, Like Cisco had a very

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Speaker 2: interesting solo career. Man, we don't speak about it in

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Speaker 2: the culture enough.

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Speaker 1: I mean, of course it was a career, but was

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Speaker 1: it much of one?

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Speaker 2: Yeah? I think so.

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Speaker 1: What were the hits outside of Thong song? Because he

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Speaker 1: kind of mc hammered himself with that record, So yeah,

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Speaker 1: you think so? Incomplete that was a joint?

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Speaker 2: Yeah, incomplete? Was it was? It was? It was a

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Speaker 2: bangle for sure. What was the name of the album

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Speaker 2: that that thong song was on?

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Speaker 1: That album was kind of hard at least the dragon

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Speaker 1: was fire.

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Speaker 2: What I'm saying he had an interesting solo career. Man,

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Speaker 2: It's just it just dis disappeared so quickly, Like I'm

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Speaker 2: not sure if like it's because the error changed, you know,

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Speaker 2: R and B changed so quickly.

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Speaker 1: I mean, he would kill in this era. Like they

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Speaker 1: applauded Frank Ocean for coming out, Cisco I died.

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Speaker 2: It is Cisco gay what I thought he came out?

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Speaker 1: No, First of all, he has a belly buttons tas thinking.

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Speaker 2: Somebody thinking somebody came out is just hilarious, Like you

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Speaker 2: have to you can't think. You have to know for

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Speaker 2: sure if somebody has has announced that they are.

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Speaker 1: Oh okay, well if he hasn't and it's not in

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Speaker 1: fact that you just it's not my business.

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Speaker 2: So you just opened the closet door.

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Speaker 1: I'm the first one that thought Cisco was gay.

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Speaker 2: No, not thought it, but you said, like he came out.

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Speaker 2: I don't know if I thought he did. I don't know.

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Speaker 2: Maybe he did, I don't he did not. He was

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Speaker 2: wearing a throw he was the only one in the

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Speaker 2: video with a thrown game.

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Speaker 3: He says that he's not that's what he said.

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Speaker 2: But he's from that old school era where you have

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Speaker 2: to like deny it.

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Speaker 1: He's not from this cool progressive era where like we'd

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Speaker 1: be like, oh no, we don't care, bro, but what

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Speaker 1: everyone's known, we don't.

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Speaker 2: Care, or what if he's not gay, that that's just

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Speaker 2: an option.

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Speaker 1: You totally got rid of Cisco. Yeah, Drew Hill Cisco. No,

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Speaker 1: I didn't think he was gay. Cisco I thought was.

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Speaker 2: To ut Least the Dragon. You thought that was coming

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Speaker 2: out party.

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Speaker 1: Unleast the Dragon. What straight album is called?

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Speaker 2: Unleast the Dragon?

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Speaker 1: Don't tell me what straight album?

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Speaker 2: I don't know. Man, it's just funny. The Dragon period,

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Speaker 2: when you put the Dragon in anything, it's just funny.

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Speaker 1: I think when when Genuine came out with differences. I

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Speaker 1: feel like that just bodied Cisco's career.

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Speaker 2: Mm hmm.

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Speaker 1: I feel like that might have been the turning point

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Speaker 1: when he was singing in that.

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Speaker 2: Yeah we gotta, we gotta, we gotta look more into that,

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Speaker 2: like what what what was the demise of Cisco? Like

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Speaker 2: what was what was the definitive moment that happened in

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Speaker 2: R and B where it was like we just stopped

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Speaker 2: fucking with Cisco t r O.

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Speaker 1: I'm telling you, he mc hammered himself and I don't

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Speaker 1: know how we got in a Cisco conversation, but I'm

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Speaker 1: not mad at it. He did the Drew Hill traditional

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Speaker 1: R and B shit that we loved, and then he

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Speaker 1: made a super big pop song and he had to

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Speaker 1: maintain being Cisco and not and Drew Hill anymore.

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Speaker 2: I used to go downtown to t r L and

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Speaker 2: step at the window and wave.

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Speaker 1: I never did and wave.

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Speaker 2: Rory definitely was outside on Broadway waving at.

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Speaker 1: The window, waving a definitely waving that.

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Speaker 2: It was somebody down there one day, like I was

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Speaker 2: walking by you all the kids like used to be outside,

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Speaker 2: so you knew that's when t r L was taping.

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Speaker 2: I forgot who it was. But I was. I was

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Speaker 2: actually like happy that I was down there. At that moment,

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Speaker 2: I forgot who it was. It was somebody I liked.

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Speaker 1: I was like, oh shit, really I never understood. Even

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Speaker 1: as a kid, I never understood. And I watched t

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Speaker 1: r L after school every day just but like, what

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Speaker 1: am I going to do?

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Speaker 2: Like look up?

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Speaker 1: I could just watch the show. We didn't even hear

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Speaker 1: the show.

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Speaker 2: But it was a thing where the artists would come

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Speaker 2: to the window wave at you. I remember, because remember

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Speaker 2: it wasn't no social media. That's how you saw your

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Speaker 2: favorite celebrities. The artist You had to go to your

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Speaker 2: cossquare in t r L men TV building and wave

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Speaker 2: with them. And then sometimes what's his name that Carson

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Speaker 2: Daily he would invite people up from the street. That

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Speaker 2: was cool. That was like a cool thing they would do,

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Speaker 2: invite some fans up from outside.

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Speaker 1: I sat next to Carson Dally at I think the

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Speaker 1: Salon show.

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Speaker 2: Oh yeah, you look good? Whatever?

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Speaker 1: All right, whatever happened to Cisco, Then what happened to Carson.

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Speaker 2: Dailey, Ryan SeaQuest happened Carson Spicy? Damn Yeah it was right.

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Speaker 1: Sea Crest got him, Yeah, Seacrest got him out here

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Speaker 1: because he admitted he was gay.

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Speaker 2: See did Seacrest see Ryan Seacrest gay?

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Speaker 1: Yes? All right, man, Really, I don't keep up.

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Speaker 2: I don't know who's announced. I don't keep up with

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Speaker 2: the announcement.

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Speaker 1: You're not on the email list.

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Speaker 2: No, I don't know who's who's like, I don't know.

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Speaker 1: Yeah, I guess that's true because Carson Dalley he should

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Speaker 1: be doing all this ship that Ryan Seacrest is doing.

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Speaker 4: Yeah.

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Speaker 2: Ryan, And then once American Idol became what it is,

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Speaker 2: Ryan Seacrest got everybody out here.

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Speaker 1: And then Terrence J showed up.

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Speaker 2: I don't know terms day was able to. Really is

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Speaker 2: not gay? Thank you?

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Speaker 1: Hey, sus Sorry, we're just playing gaybody.

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Speaker 3: Ryan Seacrest has never come out officially as gay.

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Speaker 2: What do you mean, off, I don't know the room.

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Speaker 1: Leading into the he an't get his gay verified checking.

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Speaker 2: Yeah, Like, I don't understand what's happening right now. Why

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Speaker 2: are you just telling everybody to come out the closet? Listen?

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Speaker 1: I killed off Willis from Different Strokes, so on this podcast,

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Speaker 1: I'll just be saying anything. Apparently. I'm sorry, Todd Bridges.

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Speaker 1: I thought I thought everyone from Different Strokes had passed no,

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Speaker 1: I apologize, And if I made Cisco and Ryan Seacrest gay,

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Speaker 1: I apologize for that too. Whatever their sexual preference is,

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Speaker 1: they're both very hard workers.

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Speaker 2: Exactly, unleashing dragons on. Oh man, what.

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Speaker 1: Do you think about Madonna and how she's been looking,

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Speaker 1: how she's been looking? Yeah, with her photos, I think

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Speaker 1: Madonna looks good for her age. Okay, yeah, I think

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Speaker 1: she's still like in shape. I think she uh you.

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Speaker 2: Know, I mean she's you know, white people, your age bad,

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Speaker 2: So we're going to see the age.

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Speaker 5: Racist all says that every episode they do.

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Speaker 2: Y'all say it, don't And I say this because y'all

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Speaker 2: say it.

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Speaker 1: I mean, you don't have to keep reminding us. Meanwhere

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Speaker 1: we have mirrors, Like wake up every morning and I

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Speaker 1: look at the mirror.

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Speaker 2: But it's kind of like a thing. It's part of

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Speaker 2: the aesthetic.

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Speaker 1: It's part of our esthetic. Ag.

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Speaker 2: Yeah, it's partly like white people aesthetic. It's like y'all know,

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Speaker 2: y'all gonna age bad, but like y'all do things like

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Speaker 2: yoga until you're like seventy for sure, keep your body tight,

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Speaker 2: you know, things like that. So yeah, Madonna's she's still

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Speaker 2: she's still in shape.

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Speaker 1: I guess I'm starting to get grays.

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Speaker 2: I'm raising the red. You're scared. You seems like you're scared.

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Speaker 1: I'm terrified. Shorty said, I look good as a silver fox.

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Speaker 2: Though, and I feel about that. You want to be

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Speaker 2: a civil fu.

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Speaker 1: Instead of like salt and pepper. I'm like, i'd be

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Speaker 1: salt and ketchup or some ship. Yeah, I just don't

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Speaker 1: know if I'll be I have the cool George Clooney. Look,

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Speaker 1: I think I'll just look like an old white guy.

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Speaker 2: No, you gotta let the grays come in though.

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Speaker 1: Oh no, I've left there there, I got some, I got.

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Speaker 2: Some popping up. I'm kind of scared, but I'm just like,

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Speaker 2: we're gonna do I still have all my hair.

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Speaker 1: Well, you're trying to fuck Mary Jake, so I mean

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Speaker 1: she's probably how fast you see how I am not?

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Speaker 2: Please don't put that out there.

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Speaker 1: And she was interested, would you?

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Speaker 2: And Mary? Yeah? Absolutely?

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Speaker 1: Okay, hell yeah, but you saw what happened with their

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Speaker 1: last situation. We don't ever judge women and what they

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Speaker 1: did in their last relationship is suffering? Is he Well,

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Speaker 1: I mean he's getting paid now if I.

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Speaker 2: Don't think he's suffering at all, I think he's good.

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Speaker 2: All right, Mary looks great. If you ever seen that video,

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Speaker 2: go look at that video. She looks good.

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Speaker 3: Okay, how the music sou don't know, you keep saying

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Speaker 3: she looked a great man.

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Speaker 2: It's married the music music sounded good. I hate the

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Speaker 2: song with khala It. I hate that. I hate that record.

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Speaker 2: I can't when was the last I hate when iconic

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Speaker 2: legendary artists like that far in their career start playing

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Speaker 2: with auto tune.

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Speaker 1: Mary has always used auto tune, though.

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Speaker 2: No, but this is like it's this like a heavy

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Speaker 2: auto tune. This is like almost you want to go

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Speaker 2: club with this auto tune.

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Speaker 1: I feel, I don't know even like with her j

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Speaker 1: Lo Ashanti, them just trying to get into the new

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Speaker 1: They should stop trying to get into the new world

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Speaker 1: of music. Like when a Shanti did that tie Dolard record,

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Speaker 1: it was like, all right, I'm glad Ashanti's making music

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Speaker 1: again with this was clearly a tie dole of song

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Speaker 1: on his hard drive, and he said here mm hmm,

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Speaker 1: and then she just kind of harmonized around it. I

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Speaker 1: just don't need Ashanti, like, keep making your shit.

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Speaker 2: Why do you think it's so hard for those type

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Speaker 2: of artists to transition into the new sound and the

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Speaker 2: new era.

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Speaker 1: Because they're out of touch and they're just following the

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Speaker 1: people that are in touch. And sometimes that does not

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Speaker 1: coincide why they were so good during their eras because

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Speaker 1: they were so in touch on what was going on

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Speaker 1: and what was being made and be innovated all that shit.

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Speaker 1: Now they're all which I get there and that iconic

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Speaker 1: status where it's like, dog, they really need to do

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Speaker 1: this anymore? Yeah, and then they meet up with a

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Speaker 1: metro booman who's in touch with what's going on, and

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Speaker 1: it doesn't resonate because now they are trying to do

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Speaker 1: a sound they know nothing about, so they sound crazy.

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Speaker 2: Yeah, I think that. You know, It's it's tough because

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Speaker 2: you want to as an artist and an artist that's

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Speaker 2: been in the game for a long time, you want

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Speaker 2: to remain relevant, you know what I'm saying. So sometimes

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Speaker 2: you chase the sound and you chase the trend. But

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Speaker 2: it just hurts when it's a an artist that's already

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Speaker 2: stamped as a legend icon when they start doing it,

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Speaker 2: it's like yo, you are just keep doing what you do,

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Speaker 2: like you don't have to jump into this world.

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Speaker 1: Or don't do anything. Just go and sing the songs

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Speaker 1: that you.

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Speaker 2: Know that keep money, or just just stay with with

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Speaker 2: your course, stay real, R and B, stay right there

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Speaker 2: and don't worry about the numbers and you know, radio

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Speaker 2: and all of that. Just continue to give who you are, like,

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Speaker 2: don't start, you know, experimenting with different sounds and different trends.

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Speaker 2: That's I hate that.

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Speaker 1: And well a lot of older icon artists too still

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Speaker 1: have like their same manager, which is great, but their

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Speaker 1: manager also hasn't worked in a really long time either,

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Speaker 1: and they're just just as out of touch. Like Nah,

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Speaker 1: says Anthony. Anthony is in this ship fully, Like Anthony

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Speaker 1: fully understands what's going on right now. He knows what

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Speaker 1: it's gonna work and what's not gonna work. So Nas

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Speaker 1: doesn't have to stay up on everything like that because

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Speaker 1: he has a young manager that totally understands what's going

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Speaker 1: on in music. That's why Nas and of course it's

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Speaker 1: Nas too. I also want to give NAS credit pay. Yeah,

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Speaker 1: that's why NAS doesn't look fucking crazy out here, and

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Speaker 1: he's how he's aging so well where he is with

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Speaker 1: hit Boy. But it's still the knas that we like,

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Speaker 1: Like you need to have a manager that gets what's

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Speaker 1: going on at the moment, so you don't have to

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Speaker 1: because once you become an icon, naturally will come out

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Speaker 1: of touch.

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Speaker 2: You because you're not paying attention to what the younger

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Speaker 2: generation is doing. I think for an artist like Nas, though,

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Speaker 2: he just basically fixed what was kind of sort of

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Speaker 2: the knock on him his whole career, which was the

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Speaker 2: beats the music, Like I'm sure I'm sure he heard it,

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Speaker 2: like people say, your Nas beat selection is terrible and

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Speaker 2: all of that. And I think that him Lincoln with

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Speaker 2: hit Boy, which basically revitalized his career and got him

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Speaker 2: as that was his first Grammy, right, Yeah, I mean

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Speaker 2: I think that was just a direct. You know, it's like, Okay,

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Speaker 2: I'm tapping in with the hottish producer right now in

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Speaker 2: hip pop and not even just hip hop, maybe the

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Speaker 2: hottest producer saying locking in on the sound that's not

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Speaker 2: too far left from what Nas sounds like. It's still

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Speaker 2: true to his you know, his his sound, but just

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Speaker 2: more current.

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Speaker 1: I think that we leaned into that. Yes, Nas has

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Speaker 1: had bad beats before.

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Speaker 2: But that wasn't as bad as people maybe like that's.

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Speaker 1: Become a narrative that I think it's just one of

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Speaker 1: those that's become trendy and cool just to say, yeah,

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Speaker 1: Nas is not a terrible beat picker. He's had his

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Speaker 1: moments where it's like, all right, man, what the fuck

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Speaker 1: is this? Yeah, but I could name every single artist

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Speaker 1: we put in our top ten having those moments as well.

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Speaker 2: Everybody picks bad beats. Everybody has terrible production on some

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Speaker 2: albums that we love. But I just think that was

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Speaker 2: something that people just stamp Nads with for whatever reason.

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Speaker 2: They were just like, yo, he's terrible at picking beats.

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Speaker 2: And I don't even know if Nas picks his own beats,

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Speaker 2: like he probably has, you know, his favorite producers that

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Speaker 2: he reaches out to for send a batch through and this,

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Speaker 2: that and the third, But I don't think he picks

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Speaker 2: the beats.

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Speaker 1: By outside of hate me. Now, this is where I

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Speaker 1: think we need to change that narrative. Nas picks bad

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Speaker 1: beats with the A list producers. Every time he gets

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Speaker 1: with one of those big, big, big producers, I feel

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Speaker 1: like they missed the mark. And when he does like

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Speaker 1: the regular shit, he picks great beats. Okay, because a

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Speaker 1: lot of on I AM when he was doing track

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Speaker 1: master ship dre shit. I think it's timber one. I am.

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Speaker 2: I forgot.

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Speaker 1: He just picked bad beats for the time of the

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Speaker 1: iconic producer at that moment, whereas Jay would always get

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Speaker 1: the best beats from the biggest producers, and Nas just

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Speaker 1: always fell flat. I feel like with a list producers,

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Speaker 1: but when he most of his albums are not a

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Speaker 1: list producers, They're fine. They're like, get down is a

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Speaker 1: fucking amazing beat. I don't know who did the beat.

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Speaker 1: Like when Nas does regular shit, he's fine.

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Speaker 2: We was having a conversation this weekend about some of

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Speaker 2: our favorite rap artists and when they get into the

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Speaker 2: later part of their careers just having like a lot

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Speaker 2: of terrible albums.

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Speaker 1: It wills not be pc. I know y'all said names same.

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Speaker 2: Snoop has a lot of terrible albums.

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Speaker 1: Snoop has more shitty albums than he has a good one.

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Speaker 2: Yeah, And I love Snoop. He's one of my favorite rappers.

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Speaker 1: He's the most famous.

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Speaker 2: Right when you sit back and start going through like

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Speaker 2: your iTunes library and like listening to some of the

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Speaker 2: Snoop albums, you're like, all right, what was Snoop giving us?

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Speaker 2: Right here? Like what was he what was he doing? Like,

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Speaker 2: we didn't need this album right here?

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Speaker 1: I mean he continued to put out. Snoop always finds

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Speaker 1: a way to stay relevant musically because he's fucking Snoop

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Speaker 1: through Yeah, and he'll catch one and then you'll go

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Speaker 1: to the album like all right.

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Speaker 2: Yeah, I'm glad we I just said the single. Yeah,

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Speaker 2: Like it's just like I but it's it's he has

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Speaker 2: a lot of albums like that.

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Speaker 1: It's like fifteen albums, but how many albums?

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Speaker 2: Definitely has more than twelve albums for sure. But he's

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Speaker 2: probably he's probably the most famous rapper ever.

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Speaker 1: He's the most famous rapper.

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Speaker 2: So it's like, you know, it's I love Snoop. He's

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Speaker 2: again he has classic, I mean doggy style. That did

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Speaker 2: for you know. I'm like I had to, like I

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Speaker 2: said on here before sneak to listen to that album.

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Speaker 2: So that is like a very special album to me

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Speaker 2: because it was something that I wasn't supposed to hear. Yeah,

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Speaker 2: and you know.

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Speaker 5: Snoop Dogg has eighteen studio albums eighteen eighteen studio albums,

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Speaker 5: five collaborative albums, seventeen compilation albums, twenty five mixtapes.

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Speaker 1: He put out at least fifteen of those with master

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Speaker 1: p in like a week. Remember when No Lemon put

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Speaker 1: an album out like every Tuesday.

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Speaker 2: Oh my god, they was doing that. They was doing it.

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Speaker 2: Yeah shit before yeah, oh yeah, Master people was doing

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Speaker 2: that before Kanye for sure.

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Speaker 1: Amazon that list, which I've said almost every iconic rapper,

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Speaker 1: if you start going through the amount of time they've

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Speaker 1: had in albums, it doesn't bounce out well.

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Speaker 2: Hip Hop said an interesting thing. He said, once rappers

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Speaker 2: make one hundred records, it's usually like a crazy fall

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Speaker 2: off after that.

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Speaker 1: He's saying, put out on hundred records, or make hundred records,

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Speaker 1: maybe put out what's a lot of fucking music. If

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Speaker 1: you're doing fourteen on average per album, getting tow one hundred,

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Speaker 1: that's a lot of music.

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Speaker 2: Yeah, But he said he was like, once you put

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Speaker 2: out one hundred records songs, it's kind of like what

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Speaker 2: else you're gonna do after that?

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Speaker 1: I mean I felt that way with Snoop after like

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Speaker 1: the second album.

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Speaker 2: Though, after twenty songs, after twenty two.

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Speaker 1: Records, Sexual sexual Eruption came and I was like, oh,

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Speaker 1: he's back. Yeah, But there was like a gap of

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Speaker 1: fifteen years there.

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Speaker 2: Yeah, it was somebody else. We said, I know Snoop

401
00:17:35,359 --> 00:17:36,639
Speaker 2: was one of Thomways, like, we love him, but he

402
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Speaker 2: has some albums that we wish he would have just

403
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Speaker 2: like kept. And it was somebody else. I think we

404
00:17:41,400 --> 00:17:45,000
Speaker 2: mentioned you said M. He just M yeah M. But

405
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Speaker 2: we been do that yeah again. Iconic artists, iconic rappers, legends.

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Speaker 1: You know, it's funny with someone that's been super consistent

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Speaker 1: as far as putting out music, Wayne hasn't really run

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Speaker 1: into that. There's been a dut or two that Wayne

409
00:18:02,440 --> 00:18:06,360
Speaker 1: has had album wise, but Wayne album put out though,

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Speaker 1: Like he's consistent with how much music. He's not one

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Speaker 1: of those legends that only puts out an album every

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Speaker 1: seven to ten years. So it's like, all right, you're

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Speaker 1: not even leaving room for mistakes. Yeah, it wats out

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Speaker 1: constant music. And if you look at his scale of

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Speaker 1: albums of the great ones versus the duds, it's a

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Speaker 1: very high percentage of great yeah, which outside of Drake

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Speaker 1: J who else will be on I mean, Drey doesn't

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Speaker 1: count because he didn't put out that much. I'm thinking

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Speaker 1: people put out music constantly. There's there's a very low

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Speaker 1: list in that of legends that have full their desographies

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Speaker 1: are great.

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Speaker 2: Great, Yeah, it's not it's not easy. It's definitely not easy.

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Speaker 2: Once you attain a certain level of success and you know,

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Speaker 2: you start living a different lifestyle, it's hard to you know,

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Speaker 2: because it's like you almost in cruise control. Yeah, you're

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Speaker 2: not really going hard, you're not really like that, you know,

427
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Speaker 2: into because you're probably doing a whole bunch of other

428
00:19:03,160 --> 00:19:06,120
Speaker 2: ship now into a different a lot of different businesses

429
00:19:06,160 --> 00:19:08,720
Speaker 2: going on and shit like that. So the music suffers

430
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Speaker 2: what success.

431
00:19:09,800 --> 00:19:13,280
Speaker 1: Success can alter your mind in a bad way. You

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Speaker 1: get super comfortable and really feel like you're right, Like

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Speaker 1: look what I just did on these last three albums,

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Speaker 1: Like I gotta be right on this one. And it's like, dog,

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Speaker 1: take a second.

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Speaker 2: You see it all the time. They're like, this is

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Speaker 2: what I do. I know what I'm doing. It's like, yeah,

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00:19:26,320 --> 00:19:28,879
Speaker 2: but things have changed, the sound have changed. What the

439
00:19:28,920 --> 00:19:31,320
Speaker 2: people want to hear is different. Now, what's going on

440
00:19:31,359 --> 00:19:34,920
Speaker 2: in the world is different. But it was somebody else

441
00:19:34,920 --> 00:19:37,520
Speaker 2: in that list we were talking about. Well, either way,

442
00:19:37,760 --> 00:19:39,320
Speaker 2: I don't know ye all.

443
00:19:39,240 --> 00:19:43,280
Speaker 3: Ready to address that. Chris Brown, not all his albums

444
00:19:43,320 --> 00:19:44,200
Speaker 3: hit or no.

445
00:19:45,280 --> 00:19:46,440
Speaker 2: Not all of his albums hit.

446
00:19:47,840 --> 00:19:51,560
Speaker 1: I've been on record saying I'm not a big fan

447
00:19:51,600 --> 00:19:54,439
Speaker 1: of Chris Brown's albums, none of his albums. No, of

448
00:19:54,440 --> 00:19:56,960
Speaker 1: course he don't get it twisted. It's fucking Chris Brown.

449
00:19:57,280 --> 00:19:59,919
Speaker 1: Still one of the best artists ever, but his album

450
00:20:01,680 --> 00:20:06,480
Speaker 1: don't match up to his artistry, like the full albums.

451
00:20:06,640 --> 00:20:08,360
Speaker 1: And I know I'm kind of in the minority on this.

452
00:20:08,359 --> 00:20:10,400
Speaker 1: This is just my my personal opinion. I know everyone

453
00:20:11,200 --> 00:20:15,040
Speaker 1: really loves Chris Brown albums, but if you go through

454
00:20:15,200 --> 00:20:17,800
Speaker 1: a lot of them, there's a lot of fucking fillers,

455
00:20:17,840 --> 00:20:20,560
Speaker 1: Like it doesn't match up to the icon that Chris

456
00:20:20,560 --> 00:20:23,280
Speaker 1: Brown is. I feel like his actual albums, like the

457
00:20:23,280 --> 00:20:24,920
Speaker 1: way we talk about certain R and b RST you go,

458
00:20:25,560 --> 00:20:27,320
Speaker 1: this is that album. This is that direct one that

459
00:20:27,359 --> 00:20:28,920
Speaker 1: we could go to. I feel like Chris has never

460
00:20:28,920 --> 00:20:30,160
Speaker 1: made that album.

461
00:20:30,680 --> 00:20:33,520
Speaker 2: No, well, which one was it was? Was it Graffiti?

462
00:20:34,520 --> 00:20:35,040
Speaker 1: It's cool?

463
00:20:35,880 --> 00:20:39,600
Speaker 2: Cool even like I like it more than cool. That

464
00:20:39,640 --> 00:20:40,760
Speaker 2: was a really good album.

465
00:20:41,040 --> 00:20:48,199
Speaker 1: Yes, it's cool, just double up change it's cool. I

466
00:20:48,240 --> 00:20:51,680
Speaker 1: mean a hater because I really do like Chris Brown

467
00:20:51,680 --> 00:20:53,760
Speaker 1: and he's a legend.

468
00:20:53,800 --> 00:20:55,399
Speaker 2: I mean, we're talking about legends.

469
00:20:55,440 --> 00:20:57,399
Speaker 5: I mean, you're not being a hater, I think that

470
00:20:57,480 --> 00:20:59,080
Speaker 5: you're behind. I brought it up, so I'll take the

471
00:20:59,119 --> 00:20:59,640
Speaker 5: heat for it.

472
00:21:00,800 --> 00:21:02,920
Speaker 2: Chris Brown, So he's a fucking legend. He's an icon.

473
00:21:03,000 --> 00:21:05,360
Speaker 2: I mean, but you know, I mean even Jordan missed

474
00:21:05,359 --> 00:21:06,640
Speaker 2: some some some fade aways.

475
00:21:07,400 --> 00:21:09,360
Speaker 1: X X is a really really good album.

476
00:21:10,080 --> 00:21:10,480
Speaker 2: X is Fire.

477
00:21:10,480 --> 00:21:12,880
Speaker 1: That's probably my favorite Chris Brown album. The first one

478
00:21:12,960 --> 00:21:16,600
Speaker 1: was cool. But if you weren't in, you weren't like

479
00:21:16,640 --> 00:21:17,280
Speaker 1: in high school.

480
00:21:17,359 --> 00:21:21,240
Speaker 2: Yeah's young. It was young, but I was y'all, y'all

481
00:21:21,280 --> 00:21:23,800
Speaker 2: were younger for sure. It was like I was like,

482
00:21:24,840 --> 00:21:28,480
Speaker 2: obviously he was talented. It was like Brandy's full Moon album. No,

483
00:21:28,600 --> 00:21:30,760
Speaker 2: it was not like Braddy's full Moon album. It was

484
00:21:30,800 --> 00:21:33,600
Speaker 2: nothing like Brandy's full Moon album. No, definitely not.

485
00:21:34,080 --> 00:21:36,240
Speaker 1: Brandy was young full Moon.

486
00:21:37,000 --> 00:21:38,560
Speaker 2: Brandy was a grown woman at full Moon.

487
00:21:38,560 --> 00:21:40,199
Speaker 1: I believe what's what was her first album? And she

488
00:21:40,200 --> 00:21:43,840
Speaker 1: was super younger Brandy. Oh yeah, all right, I'm talking

489
00:21:43,840 --> 00:21:44,399
Speaker 1: about Brandy.

490
00:21:44,240 --> 00:21:44,320
Speaker 4: Then.

491
00:21:44,480 --> 00:21:44,720
Speaker 1: I don't know.

492
00:21:44,760 --> 00:21:46,800
Speaker 2: I say it was a couple of albums, say full Move.

493
00:21:46,880 --> 00:21:48,840
Speaker 2: She might have had her daughter.

494
00:21:48,880 --> 00:21:53,080
Speaker 1: Yeah yeah, but I feel like I don't know, Like

495
00:21:53,080 --> 00:21:55,639
Speaker 1: the exclusive graffiti, I guess there was joints on there.

496
00:21:55,640 --> 00:21:58,800
Speaker 1: Fame was cool, Fortune was Man Royalty had a few

497
00:21:58,840 --> 00:22:01,640
Speaker 1: joints on it. Heartbreak of Full Moon. I just wish

498
00:22:01,640 --> 00:22:04,560
Speaker 1: it wasn't ten thousand songs. Yeah, that's what was the

499
00:22:04,640 --> 00:22:04,879
Speaker 1: end of Go.

500
00:22:05,280 --> 00:22:06,800
Speaker 3: They're both they're both ten thousand songs.

501
00:22:06,840 --> 00:22:08,600
Speaker 1: Yeah. I can't. I could never, And that's I guess

502
00:22:08,640 --> 00:22:10,000
Speaker 1: just on me. I'm not going to be able to

503
00:22:10,000 --> 00:22:12,120
Speaker 1: get into an album that has that many songs. Yeah,

504
00:22:12,119 --> 00:22:13,240
Speaker 1: I don't do patients for time.

505
00:22:13,280 --> 00:22:14,120
Speaker 2: Yeah, I can't do it.

506
00:22:14,280 --> 00:22:17,159
Speaker 1: So Yeah, Chris Brown being in that list in that

507
00:22:17,200 --> 00:22:21,840
Speaker 1: conversation with Michael and everyone that we put in that

508
00:22:21,880 --> 00:22:25,280
Speaker 1: pop star shit. I agree he's in that conversation, but

509
00:22:25,320 --> 00:22:28,920
Speaker 1: if you go through his descography, the albums don't match

510
00:22:28,960 --> 00:22:32,120
Speaker 1: the icon. Okay, I could be a hater.

511
00:22:32,600 --> 00:22:33,520
Speaker 2: No, it's not a hate.

512
00:22:33,520 --> 00:22:35,360
Speaker 1: Love music he makes, he got he has.

513
00:22:35,400 --> 00:22:39,240
Speaker 2: He definitely has some projects where you take a few

514
00:22:39,280 --> 00:22:41,119
Speaker 2: records off that you like and those are the ones

515
00:22:41,160 --> 00:22:43,920
Speaker 2: you go back to. I mean with krit like, it's

516
00:22:43,960 --> 00:22:46,480
Speaker 2: not easy making a full project that's dope, Like, that's

517
00:22:46,520 --> 00:22:48,080
Speaker 2: another thing we got to speak to, like, it's not

518
00:22:48,640 --> 00:22:50,600
Speaker 2: it's not an easy thing. That's why when it happens,

519
00:22:50,760 --> 00:22:53,399
Speaker 2: like people need to talk about it. And praise it,

520
00:22:53,440 --> 00:22:55,000
Speaker 2: because it's not easy for artists to sit in the

521
00:22:55,040 --> 00:22:58,199
Speaker 2: studio and just give you more than ten tracks that

522
00:22:58,240 --> 00:23:00,160
Speaker 2: are just you know, I mean dope like that. That's

523
00:23:00,160 --> 00:23:03,600
Speaker 2: not an easy thing. But anyway, I hate when the

524
00:23:03,640 --> 00:23:06,280
Speaker 2: artists go crazy with twenty two twenty. I'm like, fam,

525
00:23:06,720 --> 00:23:08,000
Speaker 2: I got shit to do. The game is on.

526
00:23:08,119 --> 00:23:09,960
Speaker 1: But that's interesting with Chris Brown and how he works

527
00:23:09,960 --> 00:23:12,080
Speaker 1: and how we've seen him work. He works more like

528
00:23:12,119 --> 00:23:16,360
Speaker 1: a writer and a producer, like I feel like when

529
00:23:16,359 --> 00:23:18,800
Speaker 1: Michael went in to do Thriller or Bad or something

530
00:23:18,880 --> 00:23:21,720
Speaker 1: like they worked on one song for like a month,

531
00:23:21,760 --> 00:23:24,240
Speaker 1: like we're only focused on this record. The way Chris

532
00:23:24,280 --> 00:23:27,439
Speaker 1: works is like a writer, like, let's work on this

533
00:23:27,520 --> 00:23:30,359
Speaker 1: record for twenty minutes and I'm gonna go to another record.

534
00:23:30,359 --> 00:23:31,840
Speaker 1: I'm alright, we'll go back to that in a second.

535
00:23:31,880 --> 00:23:34,000
Speaker 1: And he and again, that's why we get these last

536
00:23:34,000 --> 00:23:36,280
Speaker 1: two albums with forty five fucking records, because it's like

537
00:23:36,800 --> 00:23:39,800
Speaker 1: you really work like you're Eric Bellinger, where yeah, I'm

538
00:23:39,840 --> 00:23:41,680
Speaker 1: also a writer, and I also do shit for other people,

539
00:23:41,680 --> 00:23:43,080
Speaker 1: and I'm also trying to make my own shit. And

540
00:23:43,200 --> 00:23:45,680
Speaker 1: that's how Chris does it. And I don't think that

541
00:23:45,840 --> 00:23:52,760
Speaker 1: strategy lends itself to classic albums because you're always working

542
00:23:52,760 --> 00:23:56,000
Speaker 1: on so much different stuff and you think certain parts

543
00:23:56,000 --> 00:23:57,680
Speaker 1: are so double a eye. Lets just keep that. Let's

544
00:23:57,680 --> 00:23:59,680
Speaker 1: move on to the next one. Yeah, it's hot, but

545
00:23:59,800 --> 00:24:03,760
Speaker 1: it's not really gonna go past the moment. I feel like,

546
00:24:04,200 --> 00:24:05,920
Speaker 1: and I think that's how Chris works.

547
00:24:06,520 --> 00:24:08,639
Speaker 2: Oh, we're gonna have an honest conversation about Silk Sonic.

548
00:24:09,880 --> 00:24:10,159
Speaker 3: What's that?

549
00:24:10,640 --> 00:24:12,880
Speaker 2: What about it? You think they held it too long?

550
00:24:14,119 --> 00:24:15,160
Speaker 1: They could have put that out right away.

551
00:24:15,800 --> 00:24:20,439
Speaker 2: Yeah. I like that. I like the project, but it's

552
00:24:20,480 --> 00:24:22,720
Speaker 2: not lasting as long as I thought it would in

553
00:24:22,720 --> 00:24:23,280
Speaker 2: my rotation.

554
00:24:24,160 --> 00:24:26,320
Speaker 1: I when I listened to it for the third time,

555
00:24:26,359 --> 00:24:27,680
Speaker 1: I was like, I think I just need to see

556
00:24:27,680 --> 00:24:29,240
Speaker 1: this live to really enjoy it.

557
00:24:29,320 --> 00:24:31,280
Speaker 2: Oh no, you don't even got to talk about that.

558
00:24:31,280 --> 00:24:33,080
Speaker 2: That lie. We already know what that's gonna look like.

559
00:24:33,280 --> 00:24:35,280
Speaker 1: It was kind of like I fucked with Jesus when

560
00:24:35,320 --> 00:24:38,480
Speaker 1: Jesus came out, but it wasn't something like I ran

561
00:24:38,520 --> 00:24:40,000
Speaker 1: back to all the time. And then I saw the

562
00:24:40,040 --> 00:24:42,040
Speaker 1: show and I was like, Oh, I get the album

563
00:24:42,119 --> 00:24:45,479
Speaker 1: now because it's something that needs to be performed. And

564
00:24:45,520 --> 00:24:48,720
Speaker 1: I think with Silk Sonic, because it's so polished and

565
00:24:48,800 --> 00:24:53,200
Speaker 1: so perfect. I need to hear the show and hear

566
00:24:53,280 --> 00:24:56,920
Speaker 1: actual live music at the moment that's not gonna sound

567
00:24:56,920 --> 00:24:57,440
Speaker 1: as polished.

568
00:24:57,760 --> 00:24:59,880
Speaker 2: Yeah. I was listening to the album the other day

569
00:25:00,040 --> 00:25:04,320
Speaker 2: and I'm just like, the music is great, the vocals

570
00:25:04,320 --> 00:25:06,760
Speaker 2: are great, the lyrics everything, it's a great project. But

571
00:25:06,800 --> 00:25:09,960
Speaker 2: it just feels like it feels like go to commercial

572
00:25:10,080 --> 00:25:12,359
Speaker 2: music after a while, Like you know, you're watching the

573
00:25:12,359 --> 00:25:15,200
Speaker 2: award show and the band comes on them like after

574
00:25:15,240 --> 00:25:16,879
Speaker 2: the break, and then the band is just playing in

575
00:25:16,920 --> 00:25:19,359
Speaker 2: the back and it's starting to feel like that, and

576
00:25:19,400 --> 00:25:21,919
Speaker 2: I'm like, is it because we've had these records for

577
00:25:21,960 --> 00:25:24,680
Speaker 2: so long, the ones that we love, Yeah, and then

578
00:25:24,680 --> 00:25:26,359
Speaker 2: it's like the new records are good, but it's like

579
00:25:26,440 --> 00:25:28,600
Speaker 2: kind of like they could have put this out, Like

580
00:25:29,440 --> 00:25:32,760
Speaker 2: I right, like a month after we heard the records

581
00:25:32,760 --> 00:25:34,840
Speaker 2: that we love, Like the first two singles.

582
00:25:34,520 --> 00:25:38,280
Speaker 1: It reminded me of what's the child scin be No album,

583
00:25:38,359 --> 00:25:40,080
Speaker 1: not the one that kind of came out the one

584
00:25:40,119 --> 00:25:45,000
Speaker 1: before that, what's the name of that Awaken My Love? Which

585
00:25:45,040 --> 00:25:46,560
Speaker 1: I do really like that album. But when you put

586
00:25:46,560 --> 00:25:51,240
Speaker 1: out Red Bone, we was like, oh, oh this is it.

587
00:25:51,400 --> 00:25:54,120
Speaker 1: Something is coming and not to say that Awaken my love.

588
00:25:54,160 --> 00:25:56,280
Speaker 1: It's a great album, just throwing there. There is no skips.

589
00:25:56,280 --> 00:25:59,359
Speaker 1: It's one of those you just play. I did feel

590
00:25:59,359 --> 00:26:00,840
Speaker 1: like after you he was Red Bone, you could have

591
00:26:00,840 --> 00:26:03,520
Speaker 1: just put that project out, like we were anticipating, like

592
00:26:03,560 --> 00:26:06,720
Speaker 1: this was about to change the world and it was great,

593
00:26:06,880 --> 00:26:09,280
Speaker 1: but it just was all right.

594
00:26:09,359 --> 00:26:11,560
Speaker 2: It was like we were we were holding it and

595
00:26:12,080 --> 00:26:14,919
Speaker 2: the suspense was building and anticipation was building, and then

596
00:26:14,920 --> 00:26:17,320
Speaker 2: we got it and we were like, Okay, I mean

597
00:26:17,400 --> 00:26:20,680
Speaker 2: it was good, good project, but we could have got

598
00:26:20,680 --> 00:26:22,200
Speaker 2: this kind of we could have got this earlier.

599
00:26:22,240 --> 00:26:24,800
Speaker 1: And that's I guess that does kind of suck the

600
00:26:24,840 --> 00:26:27,879
Speaker 1: catch twenty two of having an amazing single like you

601
00:26:28,000 --> 00:26:29,879
Speaker 1: have to build all right, fuck what is coming? And

602
00:26:29,920 --> 00:26:31,280
Speaker 1: it's like, damn, I only put that out as a

603
00:26:31,280 --> 00:26:32,600
Speaker 1: single because I didn't have anything else.

604
00:26:32,960 --> 00:26:35,040
Speaker 3: Three amazing singles came off of that.

605
00:26:35,440 --> 00:26:41,480
Speaker 1: Which one the Key Yeah, yeah, the Gate right and

606
00:26:42,440 --> 00:26:44,240
Speaker 1: smoking out the Window Yeah.

607
00:26:44,280 --> 00:26:46,400
Speaker 2: I mean it's it's still it's I don't want it.

608
00:26:46,400 --> 00:26:49,320
Speaker 2: It's a good album. It's a really good album, but

609
00:26:49,600 --> 00:26:53,800
Speaker 2: it doesn't it doesn't last. It doesn't last as long

610
00:26:53,840 --> 00:26:55,879
Speaker 2: as I thought, like I don't want to keep listening

611
00:26:55,920 --> 00:26:59,560
Speaker 2: to it. I finally watched True Story. Okay, so now

612
00:26:59,560 --> 00:27:01,520
Speaker 2: I'm pretty sure all of our listeners have watched it

613
00:27:01,560 --> 00:27:04,440
Speaker 2: by now. If they haven't, then too bad.

614
00:27:04,560 --> 00:27:06,920
Speaker 3: I can't get past the fourth episode.

615
00:27:06,640 --> 00:27:09,159
Speaker 1: Really True Stories with Kevin Hart and Wesley Snipes. If

616
00:27:09,160 --> 00:27:10,680
Speaker 1: you don't know it's on Netflix, how could you not

617
00:27:10,680 --> 00:27:11,560
Speaker 1: get past fourth episode?

618
00:27:11,560 --> 00:27:13,679
Speaker 3: Because this is very predictable.

619
00:27:14,240 --> 00:27:17,760
Speaker 1: I will say, and this is spoiler alerts. I did

620
00:27:18,200 --> 00:27:21,240
Speaker 1: guess the moment Wesley Snipes came in and said the

621
00:27:21,280 --> 00:27:23,200
Speaker 1: girl is dead, I said, Wesley Snipes.

622
00:27:22,920 --> 00:27:23,240
Speaker 2: Is in on this.

623
00:27:26,280 --> 00:27:29,240
Speaker 1: That was the most obvious, Like, whoever, if I'm if

624
00:27:29,240 --> 00:27:31,199
Speaker 1: my man's fucked the girl, I'm not gonna walk in

625
00:27:31,200 --> 00:27:32,280
Speaker 1: the room and check her posts.

626
00:27:32,359 --> 00:27:35,280
Speaker 2: Yeah yeah, that's not And.

627
00:27:35,240 --> 00:27:37,919
Speaker 1: That was said the oxy the big cond But.

628
00:27:38,040 --> 00:27:40,520
Speaker 2: That shut up. What I didn't understand with that either

629
00:27:40,840 --> 00:27:43,960
Speaker 2: was I was telling my home. I'm like, if I'm

630
00:27:43,960 --> 00:27:46,720
Speaker 2: a celebrity and I go back to my hotel room

631
00:27:46,800 --> 00:27:52,679
Speaker 2: with uh called what it as a groupie and we

632
00:27:52,760 --> 00:27:53,440
Speaker 2: have sex, so we.

633
00:27:53,359 --> 00:27:55,439
Speaker 1: Don't have sex, Well, a woman that is very passionate

634
00:27:55,480 --> 00:27:56,480
Speaker 1: about your craft.

635
00:27:56,680 --> 00:28:00,399
Speaker 2: That too. If I wake up in the morn and

636
00:28:00,480 --> 00:28:03,840
Speaker 2: she's next to me, dead and I know I didn't

637
00:28:03,920 --> 00:28:06,879
Speaker 2: kill her. Like I'm calling the police immediately, I'm not.

638
00:28:07,000 --> 00:28:08,919
Speaker 2: I don't care about my public image. Oh he had

639
00:28:08,920 --> 00:28:09,760
Speaker 2: a woman in his bed.

640
00:28:10,040 --> 00:28:11,520
Speaker 1: That was fu all of that fan.

641
00:28:11,359 --> 00:28:13,359
Speaker 2: And it's a body in here, I thought, right.

642
00:28:13,440 --> 00:28:16,639
Speaker 1: So when they had that conversation, Kevin and Wesley Snice

643
00:28:16,760 --> 00:28:20,439
Speaker 1: of yo, I should I should call? I should report it.

644
00:28:20,440 --> 00:28:22,680
Speaker 1: He's like, but that brings the cops, And Kevin was like, yeah,

645
00:28:22,680 --> 00:28:24,879
Speaker 1: I know. Fuck I didn't think about that. I'm like,

646
00:28:25,000 --> 00:28:25,760
Speaker 1: what's wrong with the.

647
00:28:25,680 --> 00:28:27,920
Speaker 2: Cops right now? That's what I was saying.

648
00:28:27,960 --> 00:28:29,720
Speaker 1: I was like, I thought they were gonna reveal later

649
00:28:29,840 --> 00:28:32,680
Speaker 1: like Kevin had some crazy warring or like his brother

650
00:28:32,720 --> 00:28:34,560
Speaker 1: had something like that was never addressed, Like why couldn't

651
00:28:34,600 --> 00:28:35,320
Speaker 1: you just call the cops?

652
00:28:35,400 --> 00:28:37,959
Speaker 2: I thought when I stardosed in my bead, which one

653
00:28:38,000 --> 00:28:40,040
Speaker 2: for me exactly when I when I first saw the

654
00:28:40,080 --> 00:28:42,880
Speaker 2: trailer for that, what I thought was gonna happen was

655
00:28:43,040 --> 00:28:46,480
Speaker 2: I thought that Kevin Hart would have now become a

656
00:28:46,520 --> 00:28:50,800
Speaker 2: celebrity and in his earlier life him and him and

657
00:28:50,800 --> 00:28:53,560
Speaker 2: his brother killed somebody. Yeah, and like you know what

658
00:28:53,600 --> 00:28:55,440
Speaker 2: I mean, and like it kind of like was coming

659
00:28:55,440 --> 00:28:57,840
Speaker 2: back to them now. That he's a celebrity. They found

660
00:28:57,880 --> 00:29:00,440
Speaker 2: a body or whatever. Yeah, I didn't think it was

661
00:29:00,480 --> 00:29:03,040
Speaker 2: gonna go the way it went, like, Yo, it's a

662
00:29:03,040 --> 00:29:04,800
Speaker 2: girl in the hotel room with him and she's dead.

663
00:29:05,720 --> 00:29:07,080
Speaker 2: I didn't think it was gonna go that way. But

664
00:29:07,240 --> 00:29:07,960
Speaker 2: it was interesting.

665
00:29:08,120 --> 00:29:08,239
Speaker 1: Uh.

666
00:29:08,840 --> 00:29:10,720
Speaker 2: I was mad at the end. He turned into Jason

667
00:29:10,760 --> 00:29:12,800
Speaker 2: Bourne and killed two dudes with a head shot. Yo,

668
00:29:13,000 --> 00:29:13,880
Speaker 2: with two consecutives.

669
00:29:13,880 --> 00:29:15,920
Speaker 1: That was the craziest thing I've ever seen in my time.

670
00:29:16,400 --> 00:29:18,320
Speaker 2: We've never seen him on a gun range. We don't know,

671
00:29:18,440 --> 00:29:21,000
Speaker 2: like he has tactical training, Like what is this?

672
00:29:21,160 --> 00:29:23,440
Speaker 1: You shot a going before? Absolutely, car, you shot a

673
00:29:23,480 --> 00:29:25,600
Speaker 1: going before the mass you shot going before.

674
00:29:25,920 --> 00:29:28,920
Speaker 2: No, just know that hitting killing two people like that,

675
00:29:28,920 --> 00:29:32,720
Speaker 2: that's not happening. It don't happen like that. The Navy. Yeah,

676
00:29:32,960 --> 00:29:36,280
Speaker 2: head shots too, headshot back to back. I'm like, yo,

677
00:29:37,120 --> 00:29:39,640
Speaker 2: I'm like all right, man, Like it was what's happening here?

678
00:29:39,680 --> 00:29:42,840
Speaker 2: Like I thought the bodyguard was gonna get up and

679
00:29:42,840 --> 00:29:45,160
Speaker 2: then like start running back down the hole and then

680
00:29:45,520 --> 00:29:47,160
Speaker 2: know it with it ended like that. I didn't think

681
00:29:47,240 --> 00:29:48,840
Speaker 2: keV was going to be the guy to take out

682
00:29:49,360 --> 00:29:51,640
Speaker 2: the two dudes. That was shaped. It was just it

683
00:29:51,760 --> 00:29:52,240
Speaker 2: was like with.

684
00:29:52,360 --> 00:29:54,960
Speaker 1: That ending when his bodyguard did extort him at the

685
00:29:55,080 --> 00:29:57,120
Speaker 1: end one of six million, how calm he was. I

686
00:29:57,160 --> 00:30:00,680
Speaker 1: was like, Yo, if Kevin Hart murders his body right now,

687
00:30:01,440 --> 00:30:04,080
Speaker 1: I have to ship on the show as much as

688
00:30:04,080 --> 00:30:06,080
Speaker 1: I liked it because I thought that was coming. Yeah,

689
00:30:06,240 --> 00:30:07,560
Speaker 1: he was so calm. I was like, all right, is

690
00:30:07,560 --> 00:30:09,640
Speaker 1: he about to murder this guy in front of the news.

691
00:30:10,040 --> 00:30:12,120
Speaker 2: And then when keV killed the dude that was trying

692
00:30:12,160 --> 00:30:16,080
Speaker 2: to the cleaner, yes, God was getting rid of the body.

693
00:30:16,520 --> 00:30:18,360
Speaker 2: He choked him out with a USB cord.

694
00:30:18,280 --> 00:30:20,960
Speaker 5: FN that big ass dude Kevin Hart is.

695
00:30:24,320 --> 00:30:29,440
Speaker 2: And I was like, Yo, it's hard not to listen.

696
00:30:29,440 --> 00:30:31,040
Speaker 2: I love the fact that keV is playing in the

697
00:30:31,120 --> 00:30:32,280
Speaker 2: drama and I love that I.

698
00:30:32,240 --> 00:30:35,280
Speaker 1: Like this this show. Yeah, I enjoyed the entire thing.

699
00:30:35,360 --> 00:30:38,080
Speaker 1: That's a fucking great show. I recommend it to because

700
00:30:38,120 --> 00:30:38,520
Speaker 1: it's keV.

701
00:30:38,680 --> 00:30:40,400
Speaker 2: You gotta find the ship to pick apart and just

702
00:30:40,480 --> 00:30:41,720
Speaker 2: laugh at because it's Kevin Hart.

703
00:30:41,720 --> 00:30:45,560
Speaker 1: But I think people I really feel like now with

704
00:30:45,560 --> 00:30:48,400
Speaker 1: with how shows are digested and get people talk about it,

705
00:30:48,760 --> 00:30:51,840
Speaker 1: I really think they intentionally put dumb ship in scripts

706
00:30:51,880 --> 00:30:53,240
Speaker 1: for us to talk about it this way, because I

707
00:30:53,240 --> 00:30:55,680
Speaker 1: really enjoyed that show, but I'm sitting there picking it

708
00:30:55,720 --> 00:30:57,800
Speaker 1: apart while I'm enjoying it, And I think that might

709
00:30:57,800 --> 00:31:00,000
Speaker 1: have been the intention, because they read that script like come.

710
00:30:59,880 --> 00:31:03,680
Speaker 2: On, yeah. But I like the fact that, First of all,

711
00:31:03,640 --> 00:31:05,360
Speaker 2: I think Wessey Snipes did a great job. He did

712
00:31:05,440 --> 00:31:07,720
Speaker 2: like was he was doping at. But I like the

713
00:31:07,720 --> 00:31:10,480
Speaker 2: fact that keV is trying to get itself out of

714
00:31:10,480 --> 00:31:13,920
Speaker 2: that comedic box. And you know, he kind of painted

715
00:31:13,920 --> 00:31:16,080
Speaker 2: itself in the corner where he's all of his movies

716
00:31:16,120 --> 00:31:17,520
Speaker 2: are comedic.

717
00:31:17,120 --> 00:31:20,400
Speaker 1: And he's the same silly role, the silly guy.

718
00:31:20,240 --> 00:31:22,800
Speaker 2: And this one was more drama, more serious, but even

719
00:31:22,840 --> 00:31:25,600
Speaker 2: in that, it's still Kevin Hart. So you gotta kind

720
00:31:25,600 --> 00:31:28,720
Speaker 2: of laugh at certain ship. Like I think Kevin Hard

721
00:31:28,800 --> 00:31:30,840
Speaker 2: knew him killing those two dudes at the end with

722
00:31:30,880 --> 00:31:32,880
Speaker 2: two consecutive head shots. People were going to be like,

723
00:31:33,000 --> 00:31:36,840
Speaker 2: all right, man, like what were we doing? Like what's

724
00:31:36,880 --> 00:31:39,560
Speaker 2: happening right now? Like that does? It does not happen

725
00:31:39,680 --> 00:31:45,080
Speaker 2: like that? But it was, like you said, good show, damage,

726
00:31:45,080 --> 00:31:46,760
Speaker 2: I'm sorry you didn't make it past episode four.

727
00:31:46,960 --> 00:31:50,240
Speaker 5: I just want to know the girl wasn't on it, right, Yeah,

728
00:31:50,320 --> 00:31:52,719
Speaker 5: she was alive. Okay, that's I figured. I figured that's

729
00:31:52,720 --> 00:31:53,600
Speaker 5: why I didn't finish watching.

730
00:31:53,680 --> 00:31:56,160
Speaker 2: Ye was on it, she was on it. What's what's

731
00:31:56,200 --> 00:31:58,480
Speaker 2: her name? What's her ig? No?

732
00:31:58,640 --> 00:31:59,200
Speaker 3: She was fine.

733
00:31:59,840 --> 00:32:02,320
Speaker 1: She could drug me and extort me if she wants.

734
00:32:02,360 --> 00:32:03,960
Speaker 3: She can without the drugs.

735
00:32:05,560 --> 00:32:06,960
Speaker 2: Damn, that's how you feel about the guy.

736
00:32:07,240 --> 00:32:08,600
Speaker 1: That's a bad bite.

737
00:32:09,560 --> 00:32:10,239
Speaker 2: She got it all.

738
00:32:12,120 --> 00:32:13,480
Speaker 1: She might be able to she might be able to

739
00:32:13,520 --> 00:32:14,000
Speaker 1: get something.

740
00:32:14,560 --> 00:32:15,920
Speaker 2: What is p Valley coming back on?

741
00:32:16,560 --> 00:32:19,120
Speaker 1: I think soon they announced it, I think they finished.

742
00:32:19,440 --> 00:32:20,320
Speaker 2: It was a really good show.

743
00:32:20,360 --> 00:32:23,600
Speaker 3: I think January next year, January, I'm not mistaking.

744
00:32:23,800 --> 00:32:26,120
Speaker 2: Okay, So I got time to binge in Million Paris

745
00:32:26,120 --> 00:32:27,760
Speaker 2: two and then get right into Pete Valley.

746
00:32:27,840 --> 00:32:30,800
Speaker 1: Did I admit on air that I followed and unfollowed?

747
00:32:31,280 --> 00:32:31,440
Speaker 2: Uh?

748
00:32:31,520 --> 00:32:34,080
Speaker 1: In my crooked letter, why do you follow?

749
00:32:34,280 --> 00:32:34,440
Speaker 2: Well?

750
00:32:34,480 --> 00:32:36,120
Speaker 1: I have a big crush on her, which I've talked

751
00:32:36,160 --> 00:32:38,160
Speaker 1: about for a long time, and my crooked letter like

752
00:32:38,200 --> 00:32:40,040
Speaker 1: that's that's the one right there.

753
00:32:40,360 --> 00:32:40,920
Speaker 2: She's beautiful.

754
00:32:41,000 --> 00:32:44,160
Speaker 1: So I followed her and like maybe you know a

755
00:32:44,360 --> 00:32:47,560
Speaker 1: couple likes there, maybe a little lol comment like you'll

756
00:32:47,560 --> 00:32:48,720
Speaker 1: see this blue check follow me?

757
00:32:49,840 --> 00:32:52,920
Speaker 2: Mm hmm, no follows, no follows. I gave it like

758
00:32:52,920 --> 00:32:54,760
Speaker 2: a week two. Now you gotta keep fighting.

759
00:32:55,160 --> 00:32:57,200
Speaker 1: I even went to the stories and even was like, haha,

760
00:32:57,520 --> 00:32:58,480
Speaker 1: and like she wasn't doing anything.

761
00:32:58,480 --> 00:33:00,080
Speaker 2: You answer some of the serv she put up one

762
00:33:00,120 --> 00:33:03,120
Speaker 2: hundred percent. Yeah, you gotta keep fighting. Though I don't

763
00:33:03,120 --> 00:33:06,160
Speaker 2: know you still follow she doesn't follow me. I think

764
00:33:06,200 --> 00:33:09,800
Speaker 2: she got a man, I would assume. So it's almost

765
00:33:10,160 --> 00:33:13,000
Speaker 2: I think it's almost impossible for a woman that's successful

766
00:33:13,080 --> 00:33:16,640
Speaker 2: and beautiful to like really really fully be seen. There's

767
00:33:16,680 --> 00:33:21,720
Speaker 2: always somebody, I think the opposite. It's what I think

768
00:33:21,800 --> 00:33:24,520
Speaker 2: women way. I think it's always a nigga somewhere.

769
00:33:24,560 --> 00:33:27,959
Speaker 1: But for sure, there's always That's what I'm saying.

770
00:33:28,160 --> 00:33:30,360
Speaker 2: I'm not saying she's in a committed relationship, but there's

771
00:33:30,360 --> 00:33:33,680
Speaker 2: somebody she's like, he's the one, but he ain't. I'm

772
00:33:33,720 --> 00:33:35,600
Speaker 2: just mad at him away from the getting shit together,

773
00:33:35,640 --> 00:33:36,719
Speaker 2: Like it's always something like that.

774
00:33:38,040 --> 00:33:38,640
Speaker 3: Women like that.

775
00:33:39,520 --> 00:33:41,400
Speaker 2: I know women like that, even I think. I'm not thinking,

776
00:33:41,400 --> 00:33:44,240
Speaker 2: I'm telling you're.

777
00:33:43,040 --> 00:33:45,960
Speaker 5: Successful, busy, just how you are too busy sometimes to

778
00:33:46,000 --> 00:33:47,960
Speaker 5: be in a relationshipship.

779
00:33:48,160 --> 00:33:49,920
Speaker 2: No, I'm not saying I know. I'm not saying she's not.

780
00:33:49,960 --> 00:33:53,680
Speaker 2: I'm saying she has somebody though, that's like she's not

781
00:33:53,720 --> 00:33:57,360
Speaker 2: going to really let somebody else too far in because

782
00:33:57,360 --> 00:33:59,720
Speaker 2: she already has the person that she figures she wants

783
00:33:59,720 --> 00:34:02,200
Speaker 2: to be it. But they just going through they little

784
00:34:02,280 --> 00:34:03,520
Speaker 2: you know what I mean, Like they're going through their

785
00:34:03,560 --> 00:34:06,000
Speaker 2: thing right now. So she's not she entertained. She'll go

786
00:34:06,040 --> 00:34:08,719
Speaker 2: on a date, but she ain't gonna let nobody in

787
00:34:08,920 --> 00:34:10,560
Speaker 2: for real, Like she ain't gona let nobody get too

788
00:34:10,560 --> 00:34:13,440
Speaker 2: close to her. Like a beautiful woman that's successful if

789
00:34:13,480 --> 00:34:17,040
Speaker 2: she's single, like if she's saying I'm single, she's single,

790
00:34:17,800 --> 00:34:20,359
Speaker 2: but there's somebody she's waiting for them to get their

791
00:34:20,360 --> 00:34:21,960
Speaker 2: shit together, Like yo, I'm mad at him. I'm not

792
00:34:22,000 --> 00:34:24,600
Speaker 2: fucking him right now, but when he come around, it's

793
00:34:24,600 --> 00:34:25,360
Speaker 2: dead for allybody.

794
00:34:25,480 --> 00:34:28,759
Speaker 1: Well, I think all all really successful busy women have

795
00:34:29,960 --> 00:34:32,959
Speaker 1: just that, like dick in a glass box, like break when.

796
00:34:32,880 --> 00:34:34,799
Speaker 2: I because women don't want to up the numbers.

797
00:34:34,600 --> 00:34:36,799
Speaker 1: And they they recite, they need to get their shit

798
00:34:36,840 --> 00:34:38,880
Speaker 1: off too. They recyct because they're human at the end

799
00:34:38,880 --> 00:34:40,360
Speaker 1: of the day, and they have that one guy that

800
00:34:40,400 --> 00:34:43,000
Speaker 1: they know, you know, they could call it any time,

801
00:34:43,520 --> 00:34:45,919
Speaker 1: get fucked and then I go about my busy day. Yeah,

802
00:34:45,920 --> 00:34:47,799
Speaker 1: they could just but that guy is always there for

803
00:34:47,800 --> 00:34:48,520
Speaker 1: a really busy woman.

804
00:34:48,600 --> 00:34:49,560
Speaker 2: Have you ever been that guy?

805
00:34:49,840 --> 00:34:53,040
Speaker 1: Of course my favorit gotta be you want to cry, No,

806
00:34:53,280 --> 00:34:56,719
Speaker 1: I thoroughly enjoyed it. I think I've helped with her success.

807
00:34:57,200 --> 00:34:58,759
Speaker 1: As long as you don't want to cry, I think

808
00:34:58,800 --> 00:34:59,720
Speaker 1: i'm distress.

809
00:34:59,760 --> 00:35:03,239
Speaker 2: Really, I've been that a lot. You seem like the

810
00:35:03,239 --> 00:35:05,319
Speaker 2: type of Oh man, I'm definitely that guy.

811
00:35:05,400 --> 00:35:08,359
Speaker 1: You're definitely a force. I'm a good listener. I've noticed

812
00:35:08,360 --> 00:35:10,799
Speaker 1: that about me. Really not No, I listen good. I

813
00:35:10,840 --> 00:35:12,560
Speaker 1: talk to you all the time. You're no, I listen good.

814
00:35:12,640 --> 00:35:14,719
Speaker 1: I just you don't like that advice. I get you,

815
00:35:14,800 --> 00:35:16,279
Speaker 1: you're not good, but I listen good.

816
00:35:16,320 --> 00:35:19,960
Speaker 2: I hear everything. I'm like, okay, shake it off. Like

817
00:35:20,040 --> 00:35:21,200
Speaker 2: we want me to tell you want me to sit

818
00:35:21,280 --> 00:35:22,640
Speaker 2: here and cry with you. No, I'm not gonna do that.

819
00:35:22,719 --> 00:35:25,680
Speaker 1: But the successful woman, I feel like, doesn't in my experience,

820
00:35:26,239 --> 00:35:28,960
Speaker 1: doesn't really vent like that. They got a schedule to keep.

821
00:35:29,680 --> 00:35:31,600
Speaker 2: Like, are we fucking bury themselves in their work?

822
00:35:31,719 --> 00:35:34,440
Speaker 1: Yeah, I'm gonna come through. Fuck, I can't stay the night.

823
00:35:34,480 --> 00:35:37,200
Speaker 1: I got an early meeting, which is great. Well, I'm

824
00:35:37,200 --> 00:35:41,040
Speaker 1: a cuddler, but they're usually not even there for the vent.

825
00:35:41,800 --> 00:35:45,960
Speaker 1: Like sometimes if you're because I've been that guy when

826
00:35:46,000 --> 00:35:48,279
Speaker 1: I wasn't super successful. I was still coming up at

827
00:35:48,280 --> 00:35:51,279
Speaker 1: the time, and I was just broke and broke. Dick

828
00:35:51,360 --> 00:35:54,120
Speaker 1: is great. I can drop anything at any time and

829
00:35:54,120 --> 00:35:56,839
Speaker 1: come fuck you while you're being successful. Then I've been

830
00:35:56,880 --> 00:35:59,360
Speaker 1: that as a successful person. They'll talk about, you know,

831
00:36:00,120 --> 00:36:03,360
Speaker 1: the uh stress of what success brings and all the

832
00:36:03,360 --> 00:36:05,239
Speaker 1: shit they to do, but they're not really their event.

833
00:36:05,280 --> 00:36:05,879
Speaker 1: They're there to fuck.

834
00:36:06,120 --> 00:36:06,560
Speaker 2: Yeah.

835
00:36:06,680 --> 00:36:08,600
Speaker 1: They'll even tell me about the guys they're dating, like,

836
00:36:08,840 --> 00:36:10,680
Speaker 1: I can't do it. He doesn't understand my life. It

837
00:36:10,719 --> 00:36:14,040
Speaker 1: doesn't he feel like he's the woman. He's always asking

838
00:36:14,080 --> 00:36:17,080
Speaker 1: for shit. I'll get those conversations, but they're just there

839
00:36:17,120 --> 00:36:17,399
Speaker 1: to fuck.

840
00:36:17,600 --> 00:36:19,439
Speaker 2: Does it hurt when you wake up and a woman

841
00:36:19,480 --> 00:36:22,560
Speaker 2: already left the hotel after the night of passionate love making?

842
00:36:22,640 --> 00:36:26,160
Speaker 1: It does it stings? That's why I stopped doing it

843
00:36:26,160 --> 00:36:28,480
Speaker 1: when it happened to me. Yeah, men need to be

844
00:36:28,560 --> 00:36:29,959
Speaker 1: hurt more so we know what we're doing the women.

845
00:36:30,520 --> 00:36:32,399
Speaker 1: When these things happen to me, I look back, like, damn,

846
00:36:32,440 --> 00:36:34,960
Speaker 1: I did that a lot. I'm an asshole. Sometimes he

847
00:36:35,040 --> 00:36:36,600
Speaker 1: got stings a little bit, but sometimes you.

848
00:36:36,520 --> 00:36:38,400
Speaker 2: Gotta laugh at it, Like if a woman leaves before

849
00:36:38,440 --> 00:36:41,000
Speaker 2: you wake up, like you gotta sometimes you gotta laugh

850
00:36:41,000 --> 00:36:42,080
Speaker 2: because then she got that off.

851
00:36:42,160 --> 00:36:43,680
Speaker 1: But then she kissed my forehead, like.

852
00:36:44,520 --> 00:36:47,160
Speaker 2: I hope not. You are such a bitch if you

853
00:36:47,239 --> 00:36:48,160
Speaker 2: let kiss your forehead.

854
00:36:48,239 --> 00:36:50,279
Speaker 1: I was asleep. I don't know. On the walk out,

855
00:36:50,520 --> 00:36:51,080
Speaker 1: I was asleep.

856
00:36:51,080 --> 00:36:51,440
Speaker 2: I don't know.

857
00:36:51,560 --> 00:36:53,440
Speaker 1: I can't. I can't control my forehead when I'm asleep.

858
00:36:54,040 --> 00:36:56,560
Speaker 2: Yeah. Sometimes I've been so sleep and I wake up

859
00:36:56,600 --> 00:36:58,840
Speaker 2: and it's like, yo, I don't even remember. Like I

860
00:36:58,880 --> 00:37:01,479
Speaker 2: didn't hear her walk out at all. Like you grab

861
00:37:01,520 --> 00:37:03,600
Speaker 2: your phone and start texting, like, yo, you okay, Yeah

862
00:37:03,640 --> 00:37:05,359
Speaker 2: I left you was sleeping, you was snoring. I didn't

863
00:37:05,360 --> 00:37:06,080
Speaker 2: want to wake you.

864
00:37:06,080 --> 00:37:07,919
Speaker 1: You know what's the ill ship when a successful chick

865
00:37:08,320 --> 00:37:10,560
Speaker 1: goes to your hotel and she pays the valet, Like

866
00:37:10,600 --> 00:37:12,959
Speaker 1: you look at your bill and there's no forty dollars valet.

867
00:37:13,120 --> 00:37:13,560
Speaker 2: She paid it.

868
00:37:13,600 --> 00:37:15,080
Speaker 1: She like like, you got fucked bro.

869
00:37:15,280 --> 00:37:18,160
Speaker 2: Yeah definitely. But then that girl told me, y'all heard you,

870
00:37:18,560 --> 00:37:21,680
Speaker 2: my friend be fucking on you. I looked at her

871
00:37:21,680 --> 00:37:23,719
Speaker 2: like she was crazy. I was excuse me. That's how

872
00:37:23,840 --> 00:37:26,160
Speaker 2: I know I'm getting away with a woman said something.

873
00:37:26,120 --> 00:37:28,200
Speaker 1: Like excuse me, Oh wait when oh the night I

874
00:37:28,239 --> 00:37:29,720
Speaker 1: was asked if I ever had an abortion?

875
00:37:30,040 --> 00:37:32,759
Speaker 2: Yeah, you were the same girl, the same girl like

876
00:37:32,840 --> 00:37:33,400
Speaker 2: she was on you.

877
00:37:33,400 --> 00:37:34,640
Speaker 1: Ain't never talked about that on the mic.

878
00:37:34,840 --> 00:37:35,920
Speaker 2: I think we did.

879
00:37:35,600 --> 00:37:37,920
Speaker 3: We talked about it part parts of it.

880
00:37:38,200 --> 00:37:41,000
Speaker 2: You did you ever decide right fucking on you? I

881
00:37:41,040 --> 00:37:42,719
Speaker 2: was like, excuse me, nobody is fucking on me.

882
00:37:42,760 --> 00:37:44,360
Speaker 1: Did you find out who the friend was? Yeah, that

883
00:37:44,400 --> 00:37:45,320
Speaker 1: had been fucking on you.

884
00:37:45,360 --> 00:37:48,080
Speaker 2: No, she wasn't fu I was giving you that crazy

885
00:37:48,080 --> 00:37:50,360
Speaker 2: strong man. I didn't like that. I didn't like that

886
00:37:50,360 --> 00:37:52,520
Speaker 2: ship at all. I looked at it. I feel some

887
00:37:52,520 --> 00:37:54,440
Speaker 2: type of way you said that. I was like, excuse me,

888
00:37:55,160 --> 00:37:56,920
Speaker 2: Oh the whole room stop. Yeah, I was like, fucking

889
00:37:56,920 --> 00:37:58,400
Speaker 2: on me. I was like, first of all, no, no,

890
00:37:58,440 --> 00:38:01,319
Speaker 2: woman is fucking on me. First, that's not We're not

891
00:38:01,360 --> 00:38:05,080
Speaker 2: doing that. Why does the fucking god I do.

892
00:38:05,960 --> 00:38:09,680
Speaker 1: Let me show you masculine energy. I don't want to

893
00:38:09,680 --> 00:38:10,160
Speaker 1: see the table.

894
00:38:10,600 --> 00:38:12,080
Speaker 2: I'll show you the video if you want to see it.

895
00:38:12,080 --> 00:38:16,200
Speaker 1: But can we unnormalize friends showing friends sex tapes without asking?

896
00:38:16,800 --> 00:38:18,239
Speaker 2: I don't do that. I know you don't.

897
00:38:18,600 --> 00:38:21,160
Speaker 1: I don't do that either, Karl and I have a

898
00:38:21,160 --> 00:38:23,200
Speaker 1: friend that does that or did that all the time,

899
00:38:23,239 --> 00:38:24,960
Speaker 1: and I used to hate that ship like he would listen,

900
00:38:24,960 --> 00:38:27,120
Speaker 1: I got a deep legitimately just in the morning, just

901
00:38:27,160 --> 00:38:29,759
Speaker 1: throw his phone in my face of him. I don't

902
00:38:29,800 --> 00:38:30,279
Speaker 1: want to see this.

903
00:38:30,320 --> 00:38:32,440
Speaker 2: I got a deeper explanation for dudes that do that.

904
00:38:32,680 --> 00:38:34,040
Speaker 2: I don't know if we're ready for that conversation.

905
00:38:34,080 --> 00:38:36,560
Speaker 1: Just have a conversation. I think dudes that do that

906
00:38:36,640 --> 00:38:39,000
Speaker 1: is low key, like look at my dick.

907
00:38:39,200 --> 00:38:40,960
Speaker 2: Not not look at my dick. But they might be

908
00:38:40,960 --> 00:38:43,279
Speaker 2: low key trying to validate the fact that they have

909
00:38:43,400 --> 00:38:44,080
Speaker 2: sex with women.

910
00:38:45,360 --> 00:38:48,600
Speaker 1: Okay, I never thought this person was ye sus or anything,

911
00:38:48,640 --> 00:38:50,239
Speaker 1: but I just thought, no, not that, it's just I

912
00:38:50,239 --> 00:38:52,359
Speaker 1: just thought they were insecure and we're trying to find

913
00:38:52,400 --> 00:38:55,000
Speaker 1: validation through having sex with strangers.

914
00:38:55,080 --> 00:38:57,520
Speaker 2: Yeah, but it's like, man, we all have sex. Like

915
00:38:57,520 --> 00:38:59,799
Speaker 2: I don't need you to like keep showing me your

916
00:39:00,080 --> 00:39:00,880
Speaker 2: sex tapes.

917
00:39:00,719 --> 00:39:03,719
Speaker 1: And like I'm thirty one, I've seen a fat ass before. Yeah,

918
00:39:03,800 --> 00:39:05,879
Speaker 1: Like I don't need to show you fucking from the back.

919
00:39:05,960 --> 00:39:08,520
Speaker 2: It's just weird, man, I've never been into that. I'm like, fam,

920
00:39:08,560 --> 00:39:09,719
Speaker 2: you ain't got to do that. Like I got a

921
00:39:09,719 --> 00:39:12,880
Speaker 2: homemi in the group chat that he sends videos of

922
00:39:12,920 --> 00:39:15,680
Speaker 2: like girls naked all the time that he's with and I'm.

923
00:39:15,480 --> 00:39:18,279
Speaker 1: Like, that's also like I guess it's not illegal, but

924
00:39:18,320 --> 00:39:21,960
Speaker 1: that's also some creepy shit Like that woman even if

925
00:39:21,960 --> 00:39:22,799
Speaker 1: she consented to.

926
00:39:23,880 --> 00:39:26,200
Speaker 2: Not sex tapes, but like they'll be in a bad naked.

927
00:39:25,960 --> 00:39:28,600
Speaker 1: But even if you consent to having a sex tape

928
00:39:28,600 --> 00:39:31,080
Speaker 1: with me, you're not consenting to the world seeing it.

929
00:39:31,160 --> 00:39:33,799
Speaker 1: Like if I film a girl and not having sex,

930
00:39:34,480 --> 00:39:37,399
Speaker 1: she's not also saying, hey, you can show your friends this, right,

931
00:39:37,560 --> 00:39:39,839
Speaker 1: Like that's not cool, Right, that's some nasty shit to.

932
00:39:39,800 --> 00:39:41,640
Speaker 3: Me, y'all calling y'all friends out when they do it.

933
00:39:42,000 --> 00:39:44,560
Speaker 2: Yes, yeah, I do, fan, what's wrong with you? Like

934
00:39:44,560 --> 00:39:46,399
Speaker 2: I always shit, I'm like, yo, stop niggahile you keep

935
00:39:46,640 --> 00:39:47,759
Speaker 2: why do you keep doing that?

936
00:39:47,800 --> 00:39:50,000
Speaker 1: All can attest every time YO stops showing me the

937
00:39:50,040 --> 00:39:50,600
Speaker 1: shit Like.

938
00:39:50,520 --> 00:39:53,800
Speaker 2: I don't care to see shit like that, Like honestly

939
00:39:53,960 --> 00:39:56,520
Speaker 2: that I've never but I never have, like I never

940
00:39:56,680 --> 00:39:59,759
Speaker 2: was into like looking at the homies having sex, Like

941
00:40:00,280 --> 00:40:01,200
Speaker 2: did Peyton fold.

942
00:40:01,040 --> 00:40:02,680
Speaker 3: Start that paid him?

943
00:40:03,880 --> 00:40:05,400
Speaker 1: Is that where we can pinpoint where.

944
00:40:06,520 --> 00:40:08,439
Speaker 2: No people guys have been doing that for a while.

945
00:40:08,480 --> 00:40:12,680
Speaker 1: I'm saying, but after paiding full phones became more accessible.

946
00:40:12,800 --> 00:40:15,359
Speaker 1: Of course, showing sex tapes has been a thing for Yeah,

947
00:40:15,400 --> 00:40:17,960
Speaker 1: but I feel like after paying full phones then hit

948
00:40:18,120 --> 00:40:20,479
Speaker 1: and then it was like everybody thought they was rico.

949
00:40:20,800 --> 00:40:23,239
Speaker 2: Yeah, because now you had a camera now. Yeah, at

950
00:40:23,239 --> 00:40:26,120
Speaker 2: all times, it's just weird. It's just a weird thing.

951
00:40:26,200 --> 00:40:31,640
Speaker 2: But having having somebody send like sex videos of Like,

952
00:40:32,239 --> 00:40:33,560
Speaker 2: the thing that I don't like is if I know

953
00:40:33,600 --> 00:40:35,680
Speaker 2: the girl. That's when I don't like it, Like I

954
00:40:35,719 --> 00:40:37,600
Speaker 2: really don't like that. I'm like, come on, I know her.

955
00:40:37,520 --> 00:40:40,839
Speaker 1: Well, that's really weird. Has never shown me a girl

956
00:40:40,880 --> 00:40:42,759
Speaker 1: that that we knew. It would always be like just

957
00:40:42,760 --> 00:40:46,440
Speaker 1: some random chick that I'd feel really uncomfortable.

958
00:40:46,440 --> 00:40:48,000
Speaker 2: That's what I'm saying that I don't like. I'm like,

959
00:40:48,080 --> 00:40:49,200
Speaker 2: come on, I know, like she's cool.

960
00:40:49,280 --> 00:40:52,279
Speaker 1: Oh man, maybe she's cool. That's the maybe I have

961
00:40:52,320 --> 00:40:56,160
Speaker 1: a fucking maybe I do have snitched blood. I feel

962
00:40:56,200 --> 00:40:57,280
Speaker 1: like I would have to tell her.

963
00:40:58,040 --> 00:40:59,440
Speaker 2: Nah, I can't do that.

964
00:40:59,440 --> 00:41:09,800
Speaker 4: That's crazy, crazy, that's my whole and Roy somebody, if.

965
00:41:09,680 --> 00:41:11,680
Speaker 2: You don't know, if you don't know the dude, Like

966
00:41:11,719 --> 00:41:14,040
Speaker 2: if you and the dude ain't cool, then I could

967
00:41:14,040 --> 00:41:15,320
Speaker 2: if you are Shorty's.

968
00:41:14,920 --> 00:41:17,759
Speaker 1: Cool, that conversation with him, Yo, come on, like, don't

969
00:41:17,760 --> 00:41:19,880
Speaker 1: do that, like we know her like this relaxed, and

970
00:41:19,920 --> 00:41:22,239
Speaker 1: then he continues to do it. No, she got to

971
00:41:22,320 --> 00:41:24,239
Speaker 1: know that he's running around showing her sex tate.

972
00:41:25,480 --> 00:41:27,839
Speaker 2: I just I can't, man, I can't. I can't do that.

973
00:41:27,920 --> 00:41:30,760
Speaker 2: I can't. I can't subscribe to that. Like if anything,

974
00:41:32,000 --> 00:41:34,759
Speaker 2: I can't tell her Yo, homie has shown me. Y'all said,

975
00:41:34,800 --> 00:41:36,920
Speaker 2: I can't do that. Me, I can't do that, And

976
00:41:36,960 --> 00:41:38,640
Speaker 2: I know what you said, the mask is fucked up,

977
00:41:39,320 --> 00:41:42,879
Speaker 2: but I just can't because it's like it's just man

978
00:41:42,960 --> 00:41:43,759
Speaker 2: ship that you just.

979
00:41:43,760 --> 00:41:46,080
Speaker 5: Don't A lot of man ship has led to a

980
00:41:46,080 --> 00:41:48,200
Speaker 5: lot of toxic assn.

981
00:41:47,920 --> 00:41:49,359
Speaker 1: For sure, a lot of y'all.

982
00:41:50,000 --> 00:41:51,000
Speaker 2: Y'all man is wrong.

983
00:41:51,080 --> 00:41:51,680
Speaker 3: Y'all need to.

984
00:41:53,719 --> 00:41:55,680
Speaker 2: Call him out. But I don't know if I'm running

985
00:41:55,680 --> 00:41:55,919
Speaker 2: the show.

986
00:41:56,000 --> 00:41:56,840
Speaker 1: I'm not running.

987
00:41:58,440 --> 00:41:59,360
Speaker 3: If she's your homegirl.

988
00:41:59,719 --> 00:42:02,160
Speaker 1: Even if he continues with it after I say, come on,

989
00:42:02,200 --> 00:42:04,960
Speaker 1: what you're doing and I find out he's still showing

990
00:42:04,960 --> 00:42:08,680
Speaker 1: people that and that's like my homegirl for real? Yes, yo,

991
00:42:09,239 --> 00:42:11,400
Speaker 1: your man that you fucking is running around showing your

992
00:42:11,400 --> 00:42:14,440
Speaker 1: sex ate everybody. Yes, I gotta say that because that's corny.

993
00:42:14,480 --> 00:42:16,319
Speaker 2: I don't know, man, I don't know if I can

994
00:42:16,360 --> 00:42:17,040
Speaker 2: subscribe to that.

995
00:42:17,160 --> 00:42:18,960
Speaker 1: Man, I don't like when girls do it. I know

996
00:42:19,040 --> 00:42:22,120
Speaker 1: girls that have sent shit around where I'm like, what

997
00:42:22,239 --> 00:42:25,240
Speaker 1: you're doing, Like you're just gonna send that to anybody?

998
00:42:25,280 --> 00:42:26,239
Speaker 1: You don't know who these people know.

999
00:42:26,880 --> 00:42:28,360
Speaker 2: Yeah, but I just I don't know if I could.

1000
00:42:28,480 --> 00:42:31,440
Speaker 2: I could, uh, if I could be the one to

1001
00:42:31,520 --> 00:42:33,440
Speaker 2: just tell her that this dude is doing that. I

1002
00:42:33,560 --> 00:42:36,239
Speaker 2: just something about that. I got to think more into that.

1003
00:42:36,280 --> 00:42:38,640
Speaker 2: Something about that off top just doesn't feel right though,

1004
00:42:39,040 --> 00:42:42,440
Speaker 2: Like I don't feel like that's my place, almost.

1005
00:42:43,560 --> 00:42:44,440
Speaker 1: As a friend though.

1006
00:42:44,719 --> 00:42:46,560
Speaker 2: I mean, I'm telling him to stop doing that, like yo,

1007
00:42:46,560 --> 00:42:48,840
Speaker 2: stop doing stop shooting with that. Let's let's let's go

1008
00:42:48,880 --> 00:42:51,400
Speaker 2: into her saying, say, yo, he's showing I don't know

1009
00:42:51,440 --> 00:42:51,799
Speaker 2: if I could.

1010
00:42:52,080 --> 00:42:55,200
Speaker 1: Let's dive into our shitty man code in the contradictions

1011
00:42:55,200 --> 00:42:58,040
Speaker 1: a lot of shitty man code. Let's let's say let's

1012
00:42:58,040 --> 00:43:02,680
Speaker 1: say you're you're cool with your dude's girl, y'all are

1013
00:43:02,680 --> 00:43:04,840
Speaker 1: really close, that's your homegirl, whatever you out, and you

1014
00:43:04,920 --> 00:43:07,160
Speaker 1: catch her making out.

1015
00:43:07,080 --> 00:43:10,080
Speaker 2: With a dude, I've been like, I've been there.

1016
00:43:10,120 --> 00:43:11,839
Speaker 1: Are you gonna go tell your man? I did of

1017
00:43:11,840 --> 00:43:13,680
Speaker 1: course you are. And so why is it different if

1018
00:43:13,680 --> 00:43:16,040
Speaker 1: a dude running around with your homegirl sex tape showing

1019
00:43:16,080 --> 00:43:17,440
Speaker 1: it to people, why you can't run to her and

1020
00:43:17,480 --> 00:43:18,120
Speaker 1: tell what's going on?

1021
00:43:18,160 --> 00:43:22,359
Speaker 2: It's different because it's different because they're obviously having sex.

1022
00:43:22,400 --> 00:43:27,160
Speaker 2: She obviously knows he's recording. That's their thing. Now, if

1023
00:43:27,160 --> 00:43:30,200
Speaker 2: it was something like he had a camera hitting somewhere

1024
00:43:31,200 --> 00:43:33,200
Speaker 2: and I felt like she didn't know she was being recorded,

1025
00:43:33,600 --> 00:43:34,360
Speaker 2: that's different.

1026
00:43:35,080 --> 00:43:35,960
Speaker 3: Why is it different?

1027
00:43:36,040 --> 00:43:38,040
Speaker 2: Then I might have to tell her, like yo, like

1028
00:43:38,920 --> 00:43:41,040
Speaker 2: be careful with the dudes you're going to see like

1029
00:43:41,080 --> 00:43:43,040
Speaker 2: they got cameras, Like you know what I mean? Your

1030
00:43:43,120 --> 00:43:45,320
Speaker 2: ass is out here, niggas are seeing your ass like me.

1031
00:43:46,520 --> 00:43:48,359
Speaker 1: If me and her agree to make a sex tape,

1032
00:43:48,400 --> 00:43:49,920
Speaker 1: she's not agreeing for me to show it to No.

1033
00:43:49,960 --> 00:43:52,439
Speaker 2: Absolutely, Just why I said, I check him all the time.

1034
00:43:52,440 --> 00:43:54,160
Speaker 2: I checked the dude all the time. I don't know

1035
00:43:54,239 --> 00:43:57,520
Speaker 2: if I could run to the girl if he showing

1036
00:43:57,560 --> 00:43:59,080
Speaker 2: your sex tape, I don't know if I could do that.

1037
00:43:59,360 --> 00:44:01,440
Speaker 2: I'll check him him every time I do it. I

1038
00:44:01,480 --> 00:44:03,000
Speaker 2: do it now like your fam stop, like why are

1039
00:44:03,000 --> 00:44:05,400
Speaker 2: you doing that? That's corny? That's corny. First of all, yes,

1040
00:44:05,440 --> 00:44:07,200
Speaker 2: you're grown man. You have sex, like you don't have

1041
00:44:07,200 --> 00:44:08,719
Speaker 2: to prove to me that you have sex. Like I know,

1042
00:44:08,800 --> 00:44:11,360
Speaker 2: I would assume that you do have sex, But to

1043
00:44:11,400 --> 00:44:13,719
Speaker 2: go to the woman to do it, I don't know.

1044
00:44:13,760 --> 00:44:16,839
Speaker 2: Now I've been in a situation it's just crazy as

1045
00:44:16,880 --> 00:44:18,920
Speaker 2: fuck and it's awkward. It's like, yo, all right, that's

1046
00:44:18,960 --> 00:44:22,239
Speaker 2: one of the most natural things a human can do. Now,

1047
00:44:22,280 --> 00:44:25,520
Speaker 2: I've been in a situation where, like I said before,

1048
00:44:25,600 --> 00:44:29,960
Speaker 2: I've seen my homeboys girl out and she was kissing

1049
00:44:30,000 --> 00:44:33,520
Speaker 2: another dude and I called him and told him and

1050
00:44:33,680 --> 00:44:36,239
Speaker 2: snitch and he stopped talking to me.

1051
00:44:37,719 --> 00:44:39,040
Speaker 1: He cut me off because he can't.

1052
00:44:39,280 --> 00:44:42,440
Speaker 2: He cut me off. He cut you, and she stopped

1053
00:44:42,480 --> 00:44:46,120
Speaker 2: talking to me. They still together, have kids, like and

1054
00:44:46,160 --> 00:44:48,000
Speaker 2: I don't. We don't speak at all anymore. We grew

1055
00:44:48,040 --> 00:44:51,520
Speaker 2: up together. And I'm like, fam, I saw your girl

1056
00:44:51,800 --> 00:44:53,879
Speaker 2: tongue in the nigga down in the club, like tongue

1057
00:44:53,960 --> 00:44:56,759
Speaker 2: kissing in the club, and I'm telling you, like your

1058
00:44:56,800 --> 00:44:58,879
Speaker 2: wifey moving crazy, y'all here like she in the club

1059
00:44:58,880 --> 00:45:02,680
Speaker 2: with the old other dude kissing and he like, we're nah,

1060
00:45:02,760 --> 00:45:04,799
Speaker 2: we're it was, I said, fan, it's her, Like you think,

1061
00:45:05,120 --> 00:45:08,600
Speaker 2: come on, like yes, and that was the last time

1062
00:45:08,600 --> 00:45:12,319
Speaker 2: I spoke to him, because you was the dude. No,

1063
00:45:12,520 --> 00:45:14,719
Speaker 2: you know, you know, you know I don't want like that.

1064
00:45:15,520 --> 00:45:17,240
Speaker 2: You know, I'm not kissing the homies.

1065
00:45:17,640 --> 00:45:19,279
Speaker 1: Only we had Whack one hundred here to tell us

1066
00:45:19,280 --> 00:45:21,360
Speaker 1: if this was snitching or not. If only, but we

1067
00:45:21,400 --> 00:45:23,440
Speaker 1: don't yet. We have to have to.

1068
00:45:23,960 --> 00:45:26,200
Speaker 2: The encyclopedia of what snitche is for sure.

1069
00:45:26,280 --> 00:45:28,000
Speaker 1: Well, tonight I'm gonna go in clubhouse and I'm gonna

1070
00:45:28,000 --> 00:45:29,440
Speaker 1: find out if this is ratting.

1071
00:45:29,560 --> 00:45:30,839
Speaker 2: Oh he and it right now, tod about he wanted

1072
00:45:30,840 --> 00:45:32,759
Speaker 2: to get down, you know that's what whack. Soon as

1073
00:45:32,760 --> 00:45:37,200
Speaker 2: he get in club I want to get out on clubhouse.

1074
00:45:37,200 --> 00:45:40,279
Speaker 2: You want to get like it's crazy, But yeah, no,

1075
00:45:40,840 --> 00:45:43,759
Speaker 2: it's certain man code ship that you know, we gotta

1076
00:45:43,800 --> 00:45:46,279
Speaker 2: start addressing and getting rid of because a lot of

1077
00:45:46,320 --> 00:45:49,560
Speaker 2: it is toxic. But I'm not ready to come off

1078
00:45:49,600 --> 00:45:50,920
Speaker 2: for that hell yet, I don't know if I.

1079
00:45:50,880 --> 00:45:53,160
Speaker 1: Could tell a girl still, I'm still subscribing man code.

1080
00:45:53,200 --> 00:45:55,000
Speaker 1: It's in my fucking DNA. But there's a lot of

1081
00:45:55,000 --> 00:45:56,759
Speaker 1: bullshit man code that we got to stop doing.

1082
00:45:57,320 --> 00:45:59,359
Speaker 5: And there's a lot of men do a lot of ship.

1083
00:46:00,040 --> 00:46:02,200
Speaker 5: Knowing that they're not going to have any repercussions for it.

1084
00:46:02,280 --> 00:46:05,279
Speaker 2: A lot of shit, Oh yeah, absolutely, it's a lot

1085
00:46:05,320 --> 00:46:07,200
Speaker 2: of sucker shit going on out here. I'll be the

1086
00:46:07,200 --> 00:46:12,000
Speaker 2: first to agree with it. But you know again, it's like,

1087
00:46:12,040 --> 00:46:13,719
Speaker 2: what can I can only do my part. I can

1088
00:46:13,719 --> 00:46:16,040
Speaker 2: only check my homies. I can't run around checking anybody else.

1089
00:46:16,120 --> 00:46:18,160
Speaker 1: I mean, don't think it's not your place till some

1090
00:46:18,160 --> 00:46:19,680
Speaker 1: shit happened and then it becomes your place.

1091
00:46:20,320 --> 00:46:25,200
Speaker 2: That's true. That's true too. And women have see I

1092
00:46:25,280 --> 00:46:27,600
Speaker 2: always get mad when I see women giving corny niggas

1093
00:46:27,640 --> 00:46:30,200
Speaker 2: pussy and like giving bitch ass niggas pussy.

1094
00:46:30,200 --> 00:46:31,640
Speaker 1: It happen forever, man, Yeah, but I.

1095
00:46:31,600 --> 00:46:33,120
Speaker 2: Get mad at it because I'm like, it's kind of

1096
00:46:33,160 --> 00:46:36,040
Speaker 2: like you, if these niggas felt like they could keep

1097
00:46:36,080 --> 00:46:37,600
Speaker 2: doing what they're doing and they still don't get pussy,

1098
00:46:38,920 --> 00:46:42,880
Speaker 2: Like if they stop getting pussy, maybe they'll change their ways.

1099
00:46:42,920 --> 00:46:44,960
Speaker 2: Like I agree, you know what I'm saying. It's kind

1100
00:46:44,960 --> 00:46:47,680
Speaker 2: of like, how y'all rewarding this this this.

1101
00:46:47,400 --> 00:46:49,319
Speaker 1: This dude he's doing that because it's working. He's a

1102
00:46:49,360 --> 00:46:51,320
Speaker 1: suck exactly, Like he's a sucker. He's a conboy.

1103
00:46:51,400 --> 00:46:53,920
Speaker 2: Y'all know it. Y'all women have spoken about it, but

1104
00:46:53,960 --> 00:46:55,160
Speaker 2: then y'all continue to like.

1105
00:46:55,600 --> 00:46:57,960
Speaker 1: Well, you're leaving out the fact that women can also

1106
00:46:58,040 --> 00:46:59,120
Speaker 1: be suckers and cornbos.

1107
00:47:00,360 --> 00:47:01,200
Speaker 2: True.

1108
00:47:01,440 --> 00:47:05,040
Speaker 1: So just because she looks amazing, no, she gives some

1109
00:47:05,040 --> 00:47:07,279
Speaker 1: suck a pussy. She also could be a suck. Like

1110
00:47:07,719 --> 00:47:09,439
Speaker 1: just because she looks good, don't mean she's some stand

1111
00:47:09,520 --> 00:47:09,839
Speaker 1: up woman.

1112
00:47:10,040 --> 00:47:13,399
Speaker 2: No, No, she could want that. We know. But it's

1113
00:47:13,480 --> 00:47:15,839
Speaker 2: it's like you still, it's like, I just I don't

1114
00:47:15,880 --> 00:47:18,160
Speaker 2: know women. To me, it's just like I put more like,

1115
00:47:19,360 --> 00:47:21,040
Speaker 2: because it's at the end of the day, what does

1116
00:47:21,080 --> 00:47:25,200
Speaker 2: every guy want to be successful for? Not just financial?

1117
00:47:25,280 --> 00:47:26,360
Speaker 2: Like you, I want.

1118
00:47:26,200 --> 00:47:28,080
Speaker 3: To impress each other. That's what you want to do.

1119
00:47:29,440 --> 00:47:31,520
Speaker 2: I don't care. I don't care what niggas think about me.

1120
00:47:31,960 --> 00:47:32,840
Speaker 2: But you are not.

1121
00:47:33,160 --> 00:47:35,319
Speaker 1: You may be an exception to the rule. A lot

1122
00:47:35,320 --> 00:47:38,440
Speaker 1: of these dudes are out here, Oh yeah, legitimately just

1123
00:47:38,440 --> 00:47:39,000
Speaker 1: to impress.

1124
00:47:39,320 --> 00:47:41,040
Speaker 2: I don't. I don't, I don't. I don't know other

1125
00:47:41,080 --> 00:47:44,279
Speaker 2: men that that's just weird to me. I literally don't

1126
00:47:44,320 --> 00:47:45,600
Speaker 2: care what other men think about me.

1127
00:47:46,719 --> 00:47:48,480
Speaker 1: Yeah, but I'm telling you that's like the standard.

1128
00:47:48,480 --> 00:47:48,640
Speaker 2: Now.

1129
00:47:49,280 --> 00:47:52,640
Speaker 1: No, I feel like I know that you know what's funny.

1130
00:47:52,680 --> 00:47:55,880
Speaker 1: I feel like, because pussy has become so accessible and

1131
00:47:55,920 --> 00:48:00,600
Speaker 1: so given away, so easy, that men went from This

1132
00:48:00,719 --> 00:48:03,319
Speaker 1: is gonna be a sick theory, but I do believe this.

1133
00:48:04,880 --> 00:48:08,120
Speaker 1: With ig and everything, pussy became so easy to get.

1134
00:48:08,320 --> 00:48:11,440
Speaker 1: You can legitimately it's all consensual for you weirdos. You

1135
00:48:11,480 --> 00:48:12,920
Speaker 1: can legitimately dam a.

1136
00:48:12,960 --> 00:48:14,480
Speaker 2: Chick and fuck it that day.

1137
00:48:15,400 --> 00:48:18,160
Speaker 1: It's become pussy is very easy to get at this point,

1138
00:48:18,160 --> 00:48:20,640
Speaker 1: for everyone, not select everyone on Earth. It's easy to get.

1139
00:48:21,960 --> 00:48:25,640
Speaker 1: They stop trying to impress women because it's fucking really easy.

1140
00:48:26,600 --> 00:48:28,200
Speaker 1: That's why I think all these dudes out here trying

1141
00:48:28,239 --> 00:48:31,000
Speaker 1: to impress other dudes, like the bar is so fucking low.

1142
00:48:31,280 --> 00:48:33,200
Speaker 1: It's like, well, let me find someone to validate me.

1143
00:48:34,120 --> 00:48:34,920
Speaker 2: That's just weird.

1144
00:48:36,239 --> 00:48:38,240
Speaker 1: I'm not agreeing with I'm just telling you what i've observed.

1145
00:48:38,320 --> 00:48:41,239
Speaker 1: I don't particularly care what men think about me at all,

1146
00:48:41,680 --> 00:48:44,160
Speaker 1: or people period. The people I care about. I care

1147
00:48:44,200 --> 00:48:46,479
Speaker 1: about what they think men and women, but I don't

1148
00:48:47,239 --> 00:48:50,239
Speaker 1: really care. I don't put anything publicly out there that's

1149
00:48:50,800 --> 00:48:55,839
Speaker 1: super successful, so I don't care. But I observe men,

1150
00:48:56,160 --> 00:48:58,960
Speaker 1: especially out at parties and shit, like I'll see men

1151
00:49:00,080 --> 00:49:03,200
Speaker 1: meet strange men and like become bros in the club.

1152
00:49:03,239 --> 00:49:06,480
Speaker 1: And it's like it's like the way, like the way

1153
00:49:06,480 --> 00:49:08,080
Speaker 1: you used to the way you used to pick a

1154
00:49:08,160 --> 00:49:10,560
Speaker 1: chick up, Like you know, like you'd put on you.

1155
00:49:10,480 --> 00:49:12,480
Speaker 2: Know, you put on your your cologne, your ship.

1156
00:49:12,640 --> 00:49:13,680
Speaker 1: Like I'm saying that, like.

1157
00:49:15,400 --> 00:49:19,280
Speaker 2: You know, on some cologne and we got some cool.

1158
00:49:19,040 --> 00:49:22,120
Speaker 1: Water, like the way you you would turn on that

1159
00:49:22,160 --> 00:49:24,319
Speaker 1: personality out at a party of bar, club wherever the

1160
00:49:24,320 --> 00:49:27,000
Speaker 1: fuck you do social ship for a girl that you

1161
00:49:27,239 --> 00:49:30,399
Speaker 1: just met, Like where y'all pretend to like each other

1162
00:49:30,440 --> 00:49:33,200
Speaker 1: and meet each other. Like I see men do that

1163
00:49:33,239 --> 00:49:35,360
Speaker 1: with men now, not to sleep with, not on like

1164
00:49:35,400 --> 00:49:38,600
Speaker 1: some gay shit, like they legitimately are meeting friends in

1165
00:49:38,640 --> 00:49:40,160
Speaker 1: the club. It's fucking weird to me.

1166
00:49:40,440 --> 00:49:42,279
Speaker 2: Yeah, that goes back to you know we was talking

1167
00:49:42,320 --> 00:49:44,480
Speaker 2: about a while ago. When I'm in the club, while

1168
00:49:44,480 --> 00:49:48,439
Speaker 2: I'm around women, I catered to them. But that's who

1169
00:49:48,440 --> 00:49:50,920
Speaker 2: I'm here for that I'm here to talk to the women.

1170
00:49:51,040 --> 00:49:53,480
Speaker 2: They're catering to the fellas. Yeah, I'm here to meet

1171
00:49:53,480 --> 00:49:55,680
Speaker 2: the women. Like I'm not about to be pulling the homies,

1172
00:49:55,680 --> 00:49:57,600
Speaker 2: no patron shots, like you know what I'm saying, Like

1173
00:49:57,840 --> 00:49:59,759
Speaker 2: I'm making sure the women are good, because that's how

1174
00:50:00,160 --> 00:50:03,400
Speaker 2: I was introduced to the club scene. Before everybody was

1175
00:50:03,480 --> 00:50:06,719
Speaker 2: vip table. It was literally like a big club with

1176
00:50:06,719 --> 00:50:08,759
Speaker 2: everybody just mixing in England together and the bar was

1177
00:50:08,760 --> 00:50:09,800
Speaker 2: where you got the drinks.

1178
00:50:09,560 --> 00:50:10,920
Speaker 1: From before you and your family ruined it.

1179
00:50:11,040 --> 00:50:15,839
Speaker 2: Yeah, absolutely right, So you had to go find the girls. Yeah,

1180
00:50:16,400 --> 00:50:18,680
Speaker 2: walk through the club where the cute girls at the

1181
00:50:18,680 --> 00:50:20,680
Speaker 2: groups of girls that just you know, they it's like, yo,

1182
00:50:20,719 --> 00:50:22,960
Speaker 2: come over here with us, we got drinks. So I'm

1183
00:50:23,000 --> 00:50:26,880
Speaker 2: programmed that way. Now it's like dudes be wrestling and

1184
00:50:26,960 --> 00:50:28,719
Speaker 2: show the bumple with each other to get next to

1185
00:50:28,760 --> 00:50:29,120
Speaker 2: each other.

1186
00:50:29,400 --> 00:50:29,960
Speaker 1: Yeah, of course.

1187
00:50:30,160 --> 00:50:33,600
Speaker 2: And I'm just like I don't know what that's about

1188
00:50:33,680 --> 00:50:35,840
Speaker 2: because I wasn't introduced to the party scene in the

1189
00:50:35,880 --> 00:50:38,319
Speaker 2: club scene doing that, so that's foreign to me. Like

1190
00:50:38,440 --> 00:50:39,920
Speaker 2: that's why I don't like to go out, because it's

1191
00:50:39,920 --> 00:50:42,560
Speaker 2: just a whole different world. Like I don't understand the

1192
00:50:42,680 --> 00:50:46,359
Speaker 2: rules and that, Like is it tricking if I poured

1193
00:50:46,400 --> 00:50:47,160
Speaker 2: drinks for a girl?

1194
00:50:48,320 --> 00:50:50,040
Speaker 1: Well, I mean I've seen in Chicago, you win.

1195
00:50:50,920 --> 00:50:53,400
Speaker 2: I mean, but it was pretty women around and they

1196
00:50:53,440 --> 00:50:54,279
Speaker 2: were just sitting on the.

1197
00:50:54,239 --> 00:50:56,880
Speaker 1: Camera like to cruise and cocktail like you were. Yeah,

1198
00:50:56,920 --> 00:50:58,759
Speaker 1: but you know how a little od with it. I'm

1199
00:50:58,800 --> 00:51:01,160
Speaker 1: just saying, like you have to, but that's how I

1200
00:51:01,200 --> 00:51:03,640
Speaker 1: was raised. Oh no, they having a good time.

1201
00:51:03,880 --> 00:51:06,120
Speaker 2: Make sure the women are taken care of, make sure

1202
00:51:06,160 --> 00:51:08,120
Speaker 2: they get home safe. That's just the way I was,

1203
00:51:08,560 --> 00:51:09,160
Speaker 2: you know what I mean.

1204
00:51:09,880 --> 00:51:14,880
Speaker 1: But also with my theory, pussy is given because you

1205
00:51:15,040 --> 00:51:18,040
Speaker 1: know somebody, So I think that's all all right. So

1206
00:51:18,080 --> 00:51:21,080
Speaker 1: I think a lot of guys will go try to

1207
00:51:21,120 --> 00:51:24,879
Speaker 1: do the fake bro friend thing at parties or on Instagram,

1208
00:51:25,400 --> 00:51:28,839
Speaker 1: because I've seen women give pussy to guys because they

1209
00:51:28,880 --> 00:51:31,440
Speaker 1: know another guy. Oh you cool with him, or like

1210
00:51:31,480 --> 00:51:34,600
Speaker 1: you on your Instagram doing some weird shit with French Montana,

1211
00:51:34,800 --> 00:51:38,120
Speaker 1: and it's like, oh shit, because the bar is so low.

1212
00:51:38,239 --> 00:51:40,000
Speaker 1: And I'm not saying all win are like this, trust me,

1213
00:51:41,280 --> 00:51:43,840
Speaker 1: but because there is that one tier of women that

1214
00:51:43,880 --> 00:51:47,400
Speaker 1: it's so accessible that if you just next to somebody,

1215
00:51:47,560 --> 00:51:50,520
Speaker 1: they think you somebody yeah, or they don't care if

1216
00:51:50,520 --> 00:51:52,160
Speaker 1: you somebody, You just next to somebody. And if I

1217
00:51:52,200 --> 00:51:55,640
Speaker 1: got pussy off knowing another dude, I don't even know

1218
00:51:55,680 --> 00:51:56,520
Speaker 1: if I get my dick card.

1219
00:51:57,520 --> 00:51:59,719
Speaker 2: That's the weirdest part I was about to say. Now,

1220
00:52:00,800 --> 00:52:03,719
Speaker 2: you know, guys go after girls based off of the

1221
00:52:04,239 --> 00:52:06,879
Speaker 2: dudes she's been with. M Like, we see a lot

1222
00:52:06,880 --> 00:52:09,040
Speaker 2: of these rappers and ball players like sleeping with the

1223
00:52:09,080 --> 00:52:13,239
Speaker 2: same women. It's like it goes from Yo, that's so

1224
00:52:13,280 --> 00:52:14,680
Speaker 2: and so's ax. So she used to fuck with so

1225
00:52:14,719 --> 00:52:17,960
Speaker 2: and so, and it's like, so that is like making

1226
00:52:17,960 --> 00:52:19,239
Speaker 2: you want to talk to her because she used to

1227
00:52:19,280 --> 00:52:21,439
Speaker 2: talk to this other dude. And it's kind of sort

1228
00:52:21,440 --> 00:52:23,680
Speaker 2: of like you know, men in their egos, they feel like, oh,

1229
00:52:23,680 --> 00:52:27,279
Speaker 2: if she fucked with this dude and he's super successful

1230
00:52:27,280 --> 00:52:29,439
Speaker 2: and famous, and I fuck with it, and I got

1231
00:52:29,440 --> 00:52:30,919
Speaker 2: to kind of sort of be on the same level.

1232
00:52:30,960 --> 00:52:34,359
Speaker 1: Like my ego works the complete opposite of that as well,

1233
00:52:34,520 --> 00:52:36,920
Speaker 1: Like I don't look at it that way. Everybody had that. No,

1234
00:52:36,960 --> 00:52:38,040
Speaker 1: my ego doesn't want it.

1235
00:52:38,680 --> 00:52:41,319
Speaker 2: No, I try to to me. I still love the

1236
00:52:41,320 --> 00:52:44,799
Speaker 2: fact of finding Like again, I was always taught to

1237
00:52:44,800 --> 00:52:47,200
Speaker 2: have the girl that nobody knew, Like when you brought

1238
00:52:47,200 --> 00:52:49,319
Speaker 2: a girl around and the fellas didn't know it, that

1239
00:52:49,440 --> 00:52:51,520
Speaker 2: means you you want because it was like, yo, who

1240
00:52:51,560 --> 00:52:53,440
Speaker 2: where is she from? She got friends, she got it

1241
00:52:53,480 --> 00:52:56,760
Speaker 2: turned into that now it's she was just with the homie.

1242
00:52:56,840 --> 00:52:59,839
Speaker 2: Like last month. She was just with your homeboy three

1243
00:53:00,040 --> 00:53:00,680
Speaker 2: three years ago.

1244
00:53:00,719 --> 00:53:02,359
Speaker 1: Like you can click mutual Friends right on ig.

1245
00:53:02,480 --> 00:53:04,360
Speaker 2: You can see right there, it's just weird, man. I

1246
00:53:04,360 --> 00:53:06,160
Speaker 2: don't know if it's because you know, the world has

1247
00:53:06,160 --> 00:53:08,759
Speaker 2: gotten smaller due to social media and everybody being in

1248
00:53:08,800 --> 00:53:12,279
Speaker 2: each other's business. But it's just like a weird like

1249
00:53:12,640 --> 00:53:14,839
Speaker 2: thing out here now, which is like, I don't, I don't,

1250
00:53:14,960 --> 00:53:18,600
Speaker 2: I don't even understand what's going on. It's I don't know.

1251
00:53:18,600 --> 00:53:20,920
Speaker 1: That's why I'm mind my business and just go to

1252
00:53:21,000 --> 00:53:23,920
Speaker 1: Ludlow House with you and de Marius on my weekends.

1253
00:53:24,280 --> 00:53:26,879
Speaker 2: See keep it safe, keep it safe right there in Lulo.

1254
00:53:28,160 --> 00:53:30,600
Speaker 1: This is a good segue into a new music though.

1255
00:53:31,600 --> 00:53:33,839
Speaker 2: Is there any new music now? We'll be honest, worry.

1256
00:53:33,840 --> 00:53:35,600
Speaker 2: I came here earlier and I told you I'm kind

1257
00:53:35,600 --> 00:53:39,080
Speaker 2: of nervous about this Ross album coming Friday. I am so.

1258
00:53:40,239 --> 00:53:42,319
Speaker 2: It's the first time I've been nervous for a Ross

1259
00:53:42,360 --> 00:53:47,400
Speaker 2: album or a Ross release only because it just feels

1260
00:53:47,400 --> 00:53:51,200
Speaker 2: so different from the other releases and albums. It's almost

1261
00:53:51,239 --> 00:53:55,439
Speaker 2: like it came out of nowhere. The track list didn't

1262
00:53:55,480 --> 00:53:58,520
Speaker 2: really like, you know, do anything for me.

1263
00:53:58,719 --> 00:54:00,520
Speaker 1: It's what just dream Dog is the only I think.

1264
00:54:00,840 --> 00:54:02,520
Speaker 2: No, this is more than just dreamed all that?

1265
00:54:02,960 --> 00:54:04,080
Speaker 1: What are the other did he post on?

1266
00:54:04,120 --> 00:54:07,680
Speaker 2: This? Is that? Dream dreamed all at? So he did

1267
00:54:07,719 --> 00:54:12,160
Speaker 2: a lot of dreaming, a lot of dreaming. I think

1268
00:54:12,239 --> 00:54:14,960
Speaker 2: Bennie's on there. Okay, I got a dream with Bennie

1269
00:54:14,960 --> 00:54:15,239
Speaker 2: on there?

1270
00:54:16,000 --> 00:54:18,960
Speaker 1: What's Rick Ross's I'm sure you following rich Your close

1271
00:54:19,000 --> 00:54:20,400
Speaker 1: friends is Rick Ross and your close friends?

1272
00:54:20,600 --> 00:54:22,279
Speaker 2: No, I don't have a close friends.

1273
00:54:22,320 --> 00:54:23,719
Speaker 1: I was about to say, if you have a close friends,

1274
00:54:24,000 --> 00:54:25,560
Speaker 1: I would feel the way because I've never seen you

1275
00:54:25,560 --> 00:54:26,239
Speaker 1: post close friends.

1276
00:54:26,239 --> 00:54:27,880
Speaker 2: I wouldn't be in the close runts. Yeah, No, I

1277
00:54:27,920 --> 00:54:28,840
Speaker 2: don't have a close friends.

1278
00:54:28,920 --> 00:54:31,320
Speaker 1: My close friend's been popping lately, has it? You know

1279
00:54:31,360 --> 00:54:33,840
Speaker 1: what My issue with Instagram is, anytime I want to

1280
00:54:33,880 --> 00:54:36,640
Speaker 1: go stearch, I get distracted by what's on my explore

1281
00:54:36,640 --> 00:54:39,239
Speaker 1: page and I don't and I don't go what I

1282
00:54:39,280 --> 00:54:41,040
Speaker 1: was going to go search for. I just clicked it.

1283
00:54:41,120 --> 00:54:42,279
Speaker 1: Oh all right, she's right here?

1284
00:54:42,680 --> 00:54:45,839
Speaker 2: Who is that? Okay? So Richard and I ever been?

1285
00:54:45,920 --> 00:54:51,920
Speaker 2: Rick Ross's new albums out December tenth. The track list

1286
00:54:52,320 --> 00:54:57,320
Speaker 2: A Little Havanah featuring Willie Facone and The Dream.

1287
00:54:57,440 --> 00:55:00,560
Speaker 1: But we got that record though, already right, yes that

1288
00:55:00,640 --> 00:55:02,960
Speaker 1: You know what scares me that we already have the

1289
00:55:03,000 --> 00:55:05,600
Speaker 1: intro to a Ross album and I don't particularly care

1290
00:55:05,640 --> 00:55:09,040
Speaker 1: for it because I love a Ross intro. Yeah, Apple

1291
00:55:09,000 --> 00:55:11,000
Speaker 1: in My Eye is one of my favorite Ross records ever.

1292
00:55:11,160 --> 00:55:11,919
Speaker 1: And that's saying something.

1293
00:55:13,640 --> 00:55:15,319
Speaker 2: I don't know why it is. He it's like a

1294
00:55:15,360 --> 00:55:18,280
Speaker 2: weird way he's doing this track listen thing on this page.

1295
00:55:18,560 --> 00:55:20,480
Speaker 3: Rapper estates with Benny the Butcher.

1296
00:55:20,680 --> 00:55:22,879
Speaker 1: Okay, just said the features warm Words in a.

1297
00:55:22,840 --> 00:55:26,799
Speaker 5: Cold World with Wallet in Future okay, Wiggle with dream Doll,

1298
00:55:26,920 --> 00:55:30,440
Speaker 5: Can't Be Broke with Young en Ace, and Major nine,

1299
00:55:30,960 --> 00:55:33,960
Speaker 5: made It Out Alive with Blast Outlaws with Jazzmine Sullivan

1300
00:55:34,000 --> 00:55:36,440
Speaker 5: and twenty one Savage. That's almost every song on the

1301
00:55:36,440 --> 00:55:39,080
Speaker 5: album has a.

1302
00:55:38,120 --> 00:55:41,719
Speaker 1: Future Ross and Blast I'm excited to hear. Yeah, I

1303
00:55:41,719 --> 00:55:45,200
Speaker 1: think that's a really good pairing. Yeah, I think that's

1304
00:55:45,200 --> 00:55:47,160
Speaker 1: a great pairing. Shit, I would put Blast on the

1305
00:55:47,160 --> 00:55:48,399
Speaker 1: fucking Mayback Music seven.

1306
00:55:49,640 --> 00:55:55,239
Speaker 2: He would be great for that. Listen, man, you know

1307
00:55:55,280 --> 00:55:59,640
Speaker 2: what Ross is on my favorite rappers list, just like

1308
00:55:59,680 --> 00:56:04,160
Speaker 2: see this, this, this, this, this project. Just I'm scared.

1309
00:56:05,239 --> 00:56:07,520
Speaker 1: Who knows it could be a He's not horing it

1310
00:56:07,560 --> 00:56:10,640
Speaker 1: out with like all of a listen name ship that

1311
00:56:10,640 --> 00:56:11,799
Speaker 1: that could actually be a good sign.

1312
00:56:12,160 --> 00:56:14,759
Speaker 2: No, it's not the it's not the featuring. It just

1313
00:56:14,800 --> 00:56:18,840
Speaker 2: doesn't feel it just doesn't feel like a Ross album.

1314
00:56:18,920 --> 00:56:19,880
Speaker 1: Doesn't feel like he cares.

1315
00:56:20,280 --> 00:56:23,960
Speaker 2: Yeah, it's like it doesn't. It's not that cinematic feel

1316
00:56:24,080 --> 00:56:25,800
Speaker 2: like where it's like a movie is coming, you know

1317
00:56:25,800 --> 00:56:27,799
Speaker 2: what I mean. I don't feel that. I feel it's

1318
00:56:28,160 --> 00:56:31,040
Speaker 2: it's just like he announced he's putting out an album and

1319
00:56:31,080 --> 00:56:33,760
Speaker 2: it's like, but it don't feel like an album is coming.

1320
00:56:34,760 --> 00:56:37,759
Speaker 1: I mean back to our icons, and you could debate

1321
00:56:37,800 --> 00:56:39,600
Speaker 1: if you think Ross's the icon or not. I'm not

1322
00:56:39,600 --> 00:56:43,160
Speaker 1: gonna debate it with you, but you can. He's older man,

1323
00:56:43,160 --> 00:56:45,279
Speaker 1: he's the other ventures. I don't know if if the

1324
00:56:45,520 --> 00:56:49,239
Speaker 1: rollout is his main focus anymore. Like I've made music

1325
00:56:49,280 --> 00:56:51,560
Speaker 1: that I like and I'm just gonna but I don't.

1326
00:56:51,360 --> 00:56:53,040
Speaker 2: Need to roll out. You don't got to roll I'm

1327
00:56:53,080 --> 00:56:57,200
Speaker 2: not the rollout guy, but you gotta at least I

1328
00:56:57,280 --> 00:56:59,799
Speaker 2: have to be looking forward to this music. I have

1329
00:56:59,840 --> 00:57:01,680
Speaker 2: to be like anticipating this music.

1330
00:57:01,840 --> 00:57:03,480
Speaker 1: You can telling the rollout when the artists really likes

1331
00:57:03,520 --> 00:57:04,200
Speaker 1: their album.

1332
00:57:04,400 --> 00:57:06,400
Speaker 2: Yeah, you can tell when they know they got like

1333
00:57:06,920 --> 00:57:09,400
Speaker 2: this is gonna be crazy. This one kind of feels

1334
00:57:09,440 --> 00:57:11,320
Speaker 2: like I don't know what his his his deal with

1335
00:57:11,440 --> 00:57:13,799
Speaker 2: his business dealings are. This kind of feels like he

1336
00:57:13,920 --> 00:57:16,439
Speaker 2: just owes a project and he's trying to get get

1337
00:57:16,440 --> 00:57:18,480
Speaker 2: it out the way. I can see that type of thing.

1338
00:57:18,720 --> 00:57:19,959
Speaker 2: Like it feels like that again.

1339
00:57:20,000 --> 00:57:21,680
Speaker 1: I don't know to what epic after that?

1340
00:57:21,840 --> 00:57:24,280
Speaker 2: Yeah, yeah, so it's like I don't know, but it's

1341
00:57:24,360 --> 00:57:27,400
Speaker 2: just it doesn't feel like a ross album. It doesn't.

1342
00:57:27,400 --> 00:57:28,880
Speaker 2: It doesn't give me that feel. Now I'm hoping I'm

1343
00:57:28,920 --> 00:57:30,720
Speaker 2: totally wrong, and I'm hoping this is one of his

1344
00:57:30,800 --> 00:57:33,440
Speaker 2: best projects, but it just the feeling I have before

1345
00:57:33,600 --> 00:57:35,880
Speaker 2: the album coming out Friday, I just don't it's not

1346
00:57:35,920 --> 00:57:36,280
Speaker 2: the same.

1347
00:57:36,680 --> 00:57:39,480
Speaker 1: I mean, we shall see. Yeah, I got I got

1348
00:57:39,480 --> 00:57:42,480
Speaker 1: pumped faked by by Brent. I thought Brent Faas is

1349
00:57:42,480 --> 00:57:45,520
Speaker 1: putting out a whole album third or Lucy No, I

1350
00:57:45,520 --> 00:57:47,640
Speaker 1: think it's a single. I think we're actually leading up

1351
00:57:47,680 --> 00:57:49,760
Speaker 1: to an album because I believe the Dream was involved

1352
00:57:50,640 --> 00:57:52,640
Speaker 1: in this record as well. They posted a photo together.

1353
00:57:52,720 --> 00:57:57,640
Speaker 1: I think yeah, Dream co wrote it. H and then

1354
00:57:57,680 --> 00:58:00,560
Speaker 1: Sissa also put out I guess You'll call it a

1355
00:58:00,600 --> 00:58:03,720
Speaker 1: single as well on the same day. Yeah, and I'm

1356
00:58:03,760 --> 00:58:08,080
Speaker 1: only comparing the two because it's just showing the maturity

1357
00:58:08,520 --> 00:58:12,640
Speaker 1: of men and the toxicity of women was on display

1358
00:58:12,800 --> 00:58:16,360
Speaker 1: on Friday. At least in my eyes, we've known Brent

1359
00:58:16,880 --> 00:58:19,440
Speaker 1: to have some toxic lyrics. He just harmonizes them better

1360
00:58:19,480 --> 00:58:22,160
Speaker 1: than Future absolutely, so they sound like they're beautiful, but

1361
00:58:22,440 --> 00:58:25,360
Speaker 1: he's really saying some toxic shit. C Brent put out

1362
00:58:25,400 --> 00:58:33,400
Speaker 1: an extremely healthy, self aware, transparent record to a woman. Sizza,

1363
00:58:33,480 --> 00:58:37,080
Speaker 1: on the other hand, put out an extremely toxic record.

1364
00:58:38,680 --> 00:58:41,000
Speaker 1: I love this is a record there, you love toxic?

1365
00:58:42,520 --> 00:58:45,520
Speaker 2: I do. What's Britney Spear's toxic rink on your list

1366
00:58:45,520 --> 00:58:46,280
Speaker 2: of favorite songs?

1367
00:58:46,400 --> 00:58:49,280
Speaker 1: I think she's an innovator because she brought the word

1368
00:58:49,480 --> 00:58:52,280
Speaker 1: into the culture, but no one used it for like

1369
00:58:52,360 --> 00:58:52,880
Speaker 1: ten years.

1370
00:58:53,360 --> 00:58:53,960
Speaker 2: And Congression.

1371
00:58:54,080 --> 00:58:56,760
Speaker 1: I forgot that that was a record she was.

1372
00:58:56,720 --> 00:58:59,000
Speaker 2: Released out of her that crazy contract she had with

1373
00:58:59,080 --> 00:59:03,080
Speaker 2: her father control the entire Yeah, so congrats to Brittany

1374
00:59:03,720 --> 00:59:06,600
Speaker 2: spers on that about say Brittany Renner, but congrets to

1375
00:59:06,600 --> 00:59:07,160
Speaker 2: Brittany Renner.

1376
00:59:07,160 --> 00:59:09,880
Speaker 1: To congrats Toner. What is she on the press run for?

1377
00:59:10,440 --> 00:59:11,680
Speaker 2: I don't know if she went on the press run,

1378
00:59:11,680 --> 00:59:14,800
Speaker 2: but she coached deon Sanders invited her to talk to

1379
00:59:15,840 --> 00:59:19,120
Speaker 2: the football team in Jackson Jackson State, Right.

1380
00:59:19,520 --> 00:59:22,919
Speaker 1: I know everyone kind of clown that, but I think

1381
00:59:23,000 --> 00:59:26,360
Speaker 1: that was one of the better moves of coaches ever made.

1382
00:59:26,480 --> 00:59:29,080
Speaker 3: Yea, you know, I think it should have been done

1383
00:59:29,080 --> 00:59:29,880
Speaker 3: a long time ago.

1384
00:59:30,240 --> 00:59:34,440
Speaker 1: Yeah, And it's like y'all need to know how to

1385
00:59:34,440 --> 00:59:35,480
Speaker 1: deal with hose.

1386
00:59:36,080 --> 00:59:38,439
Speaker 2: And and it's it's dope coming from a guy who

1387
00:59:38,520 --> 00:59:41,360
Speaker 2: was so flashy and in that lifestyle as Deon Sanders.

1388
00:59:41,400 --> 00:59:43,880
Speaker 2: I thought that was the the fly part about it,

1389
00:59:43,880 --> 00:59:47,440
Speaker 2: Like this is Deon Sanders bringing in, uh, a woman

1390
00:59:47,480 --> 00:59:50,080
Speaker 2: who he knows his players probably follow on social media,

1391
00:59:50,120 --> 00:59:54,280
Speaker 2: who they probably have aspirations of dating and things like that,

1392
00:59:54,480 --> 00:59:56,840
Speaker 2: and to bring her in so she can talk to

1393
00:59:56,880 --> 00:59:59,480
Speaker 2: them and you know, give them insight on listen to

1394
00:59:59,520 --> 01:00:02,880
Speaker 2: watch out for these type of women. People had their

1395
01:00:02,920 --> 01:00:05,640
Speaker 2: mixed reviews about Britney Renner doing it, but to me,

1396
01:00:05,720 --> 01:00:08,200
Speaker 2: it was just like wait, what well some people were

1397
01:00:08,240 --> 01:00:11,400
Speaker 2: saying she just was on there talking about how she was,

1398
01:00:11,560 --> 01:00:13,880
Speaker 2: you know, looking it was it was stepdaddy season. She

1399
01:00:13,960 --> 01:00:16,520
Speaker 2: was looking for a stepdaddy and all of this, and

1400
01:00:16,520 --> 01:00:19,440
Speaker 2: she was at a game looking for her next potential victim.

1401
01:00:19,600 --> 01:00:21,040
Speaker 1: That's what the fuck these kids need to hear.

1402
01:00:21,400 --> 01:00:23,240
Speaker 2: I agree with you, Rory. I'm just saying some people

1403
01:00:23,320 --> 01:00:25,280
Speaker 2: killed her for that because they were like, she was

1404
01:00:25,360 --> 01:00:27,040
Speaker 2: just saying all of this and now she's trying to

1405
01:00:27,520 --> 01:00:29,560
Speaker 2: tell men what to watch out for, and it was

1406
01:00:29,600 --> 01:00:30,000
Speaker 2: just like.

1407
01:00:29,920 --> 01:00:33,560
Speaker 1: What a selfless actor. I thought, Yeah, I know, I

1408
01:00:33,640 --> 01:00:35,240
Speaker 1: think I'm sure some of these holes are mad at

1409
01:00:35,680 --> 01:00:38,240
Speaker 1: Brittany Renner, like what you're going down there with with

1410
01:00:38,320 --> 01:00:43,560
Speaker 1: our new crop of Yeah, like yeah, like no, we're

1411
01:00:43,560 --> 01:00:44,520
Speaker 1: trying to get over on them.

1412
01:00:44,640 --> 01:00:46,120
Speaker 2: Yeah. I thought that was dope. So a shout out

1413
01:00:46,120 --> 01:00:47,720
Speaker 2: to Deion saying and shout out to Britney Renner and

1414
01:00:47,720 --> 01:00:49,560
Speaker 2: Britney Spears. But I'm back to what you're saying about

1415
01:00:49,560 --> 01:00:50,760
Speaker 2: Sissy in the Toxic Record.

1416
01:00:51,520 --> 01:00:54,080
Speaker 1: All right, So, Sissy, I love this record. I hate you.

1417
01:00:54,920 --> 01:00:56,760
Speaker 1: When I saw the title, I knew.

1418
01:00:56,960 --> 01:00:58,960
Speaker 2: You know, you know, what was happening, because when I

1419
01:00:59,000 --> 01:01:01,320
Speaker 2: saw the art work, I was like, oh, I see it.

1420
01:01:01,520 --> 01:01:03,680
Speaker 1: If says it's coming with that type of title, we

1421
01:01:03,760 --> 01:01:08,280
Speaker 1: know what Tima's gonna be. But it did show just

1422
01:01:08,320 --> 01:01:13,080
Speaker 1: how toxic women are. She started the record with it.

1423
01:01:13,120 --> 01:01:18,320
Speaker 1: I'm sick of y'all. Y'all so contradicting. Okay, I can

1424
01:01:18,440 --> 01:01:22,240
Speaker 1: understand that the entire chorus of I Hate You is

1425
01:01:22,240 --> 01:01:28,200
Speaker 1: a contradiction. How you start a record with I hate y'all?

1426
01:01:28,280 --> 01:01:32,000
Speaker 1: Y'all are so contradictive, if that's even a word contradicting.

1427
01:01:32,680 --> 01:01:39,400
Speaker 1: And then your chorus is I've been up heavy reminiscent

1428
01:01:39,600 --> 01:01:41,800
Speaker 1: heavy on the missing on you, which shit was different

1429
01:01:41,840 --> 01:01:44,080
Speaker 1: than what it was. I've been a baby lost in

1430
01:01:44,120 --> 01:01:46,560
Speaker 1: the lives of us, lost finding us. She misses the

1431
01:01:46,600 --> 01:01:49,720
Speaker 1: dude clearly, and then from the pre chorus we get

1432
01:01:49,720 --> 01:01:51,640
Speaker 1: into the chorus of YOA, I hate you.

1433
01:01:53,080 --> 01:01:55,400
Speaker 2: What she's really saying, Rory is she hates the fact

1434
01:01:55,440 --> 01:01:58,000
Speaker 2: that she loves this man so much and she can't

1435
01:01:58,000 --> 01:01:59,760
Speaker 2: stop thinking about him. She wished she could get over him,

1436
01:01:59,800 --> 01:02:00,320
Speaker 2: but she can't.

1437
01:02:01,600 --> 01:02:06,400
Speaker 1: Okay, now she said this in the song. Now I

1438
01:02:06,440 --> 01:02:10,520
Speaker 1: know those text messages were the contradictive shit. Absolutely, she's

1439
01:02:10,520 --> 01:02:12,320
Speaker 1: saying how much she loves this dude, wants to be

1440
01:02:12,360 --> 01:02:14,720
Speaker 1: with this dude, and I know all she did was

1441
01:02:14,720 --> 01:02:17,520
Speaker 1: curse him out via text. And now he's listening to

1442
01:02:17,560 --> 01:02:19,080
Speaker 1: this ship like, wait, what do you want? Do you

1443
01:02:19,120 --> 01:02:21,920
Speaker 1: hate me or do you want me? So the nerve

1444
01:02:22,120 --> 01:02:26,120
Speaker 1: of Sissa to say, y'all are contradicting yourself. No, No,

1445
01:02:26,440 --> 01:02:27,280
Speaker 1: what's her full name?

1446
01:02:28,600 --> 01:02:29,120
Speaker 3: Solana?

1447
01:02:29,240 --> 01:02:31,520
Speaker 1: Solana, you're the contradictor.

1448
01:02:32,720 --> 01:02:36,520
Speaker 2: I just listen. A friend of mine that I followed,

1449
01:02:36,600 --> 01:02:39,720
Speaker 2: she posted something that I thought was really interesting. She said,

1450
01:02:40,640 --> 01:02:47,360
Speaker 2: toxic mothers are just as bad as absent fathers are,

1451
01:02:47,600 --> 01:02:51,160
Speaker 2: but y'all not ready to have that conversation agree they

1452
01:02:51,200 --> 01:02:55,560
Speaker 2: can be more damaging. And I thought for a long time,

1453
01:02:55,600 --> 01:02:58,920
Speaker 2: I was like, wow, I never really thought about that.

1454
01:03:01,440 --> 01:03:04,320
Speaker 1: I've we always talk about dating the girl with daddy issues.

1455
01:03:04,360 --> 01:03:08,840
Speaker 1: I've dated the girl with mommy issues. It's actually worse

1456
01:03:09,960 --> 01:03:14,280
Speaker 1: because with the daddy issues we all know, like sometimes

1457
01:03:14,960 --> 01:03:17,600
Speaker 1: women will try to find their father and you or

1458
01:03:17,680 --> 01:03:21,880
Speaker 1: things of that nature. It's easier to navigate through daddy

1459
01:03:21,880 --> 01:03:25,360
Speaker 1: issues because you're a man. When she has mommy issues,

1460
01:03:26,240 --> 01:03:29,120
Speaker 1: you can't fix those or try to work through those

1461
01:03:29,160 --> 01:03:32,760
Speaker 1: with her, because that's strictly a mother daughter experience that

1462
01:03:33,440 --> 01:03:35,320
Speaker 1: us men have never had or will have.

1463
01:03:35,440 --> 01:03:38,560
Speaker 2: Yeah, don't. We can't speak to the roles of women.

1464
01:03:38,640 --> 01:03:42,880
Speaker 1: So the way a mother can be damaging. Yes, the

1465
01:03:43,600 --> 01:03:47,920
Speaker 1: ability of abandonment, of course, can go in crazy places,

1466
01:03:47,920 --> 01:03:51,480
Speaker 1: but typically that's paired with you don't usually have the

1467
01:03:51,480 --> 01:03:54,959
Speaker 1: toxic mother and not the abandoned father, right, So usually

1468
01:03:55,040 --> 01:03:56,960
Speaker 1: those things can go hand in hand. And when you're

1469
01:03:56,960 --> 01:03:59,240
Speaker 1: looking for confidence from your parent and you have the

1470
01:03:59,280 --> 01:04:01,960
Speaker 1: toxic mother who hates her fucking life and takes out

1471
01:04:02,360 --> 01:04:05,600
Speaker 1: all her ship on her kid, that's a recipe for

1472
01:04:05,640 --> 01:04:07,360
Speaker 1: fucking disaster.

1473
01:04:07,600 --> 01:04:10,280
Speaker 2: It is, and it's something that is real common, you know,

1474
01:04:10,840 --> 01:04:13,480
Speaker 2: And that's why me reading that, you know, I thought

1475
01:04:13,480 --> 01:04:14,800
Speaker 2: about it a lot of thought about a lot of

1476
01:04:14,800 --> 01:04:17,680
Speaker 2: women that I know and the relationships with their mothers.

1477
01:04:17,800 --> 01:04:20,280
Speaker 2: And when you think about it, it's like, oh, Okay,

1478
01:04:20,360 --> 01:04:23,600
Speaker 2: you can start to understand why certain things happen. And

1479
01:04:23,640 --> 01:04:26,240
Speaker 2: this woman is the way she is, and her relationship

1480
01:04:26,240 --> 01:04:29,240
Speaker 2: with her mom is so you know, strained, and it's like,

1481
01:04:29,920 --> 01:04:33,120
Speaker 2: you know, but it's a thing in talking to women,

1482
01:04:33,960 --> 01:04:36,840
Speaker 2: I didn't realize how common it was for mothers and

1483
01:04:36,920 --> 01:04:40,600
Speaker 2: daughters to have strained relationships. Yeah, especially as they get older.

1484
01:04:40,560 --> 01:04:43,160
Speaker 2: And I don't know if it's because, you know, as

1485
01:04:43,200 --> 01:04:46,760
Speaker 2: a mother, as your kids start to become adults, you

1486
01:04:46,800 --> 01:04:49,920
Speaker 2: start to feel like your place in their life has changed, sure,

1487
01:04:51,120 --> 01:04:52,920
Speaker 2: or if they you know, it's just a thing of

1488
01:04:54,160 --> 01:04:57,920
Speaker 2: I raised you so I'm always above you. I'm always

1489
01:04:57,960 --> 01:05:00,200
Speaker 2: like you always. It's a weird thing, you know what

1490
01:05:00,240 --> 01:05:04,800
Speaker 2: I mean. And sometimes you know it affects the family

1491
01:05:04,880 --> 01:05:07,120
Speaker 2: in a negative way. And I think that you know

1492
01:05:07,160 --> 01:05:09,920
Speaker 2: and reading that toxic mothers are just as bad as

1493
01:05:10,000 --> 01:05:14,000
Speaker 2: absent fathers, like you said earlier, it might be worse.

1494
01:05:14,200 --> 01:05:16,440
Speaker 1: I mean, it's again always depends the person on how

1495
01:05:16,440 --> 01:05:19,480
Speaker 1: they deal with abandonment, because the absent father can definitely.

1496
01:05:19,240 --> 01:05:22,040
Speaker 2: Oh, no, fuck you up. We know that's that's for sure.

1497
01:05:22,600 --> 01:05:25,200
Speaker 1: But I think a lot of mothers, and in my

1498
01:05:25,960 --> 01:05:29,800
Speaker 1: experience with women, it's the mothers that don't think they're

1499
01:05:30,160 --> 01:05:34,200
Speaker 1: toxic that sometimes are, because we know women that have

1500
01:05:34,240 --> 01:05:40,040
Speaker 1: had shitty mothers. Absolutely, the mothers that are so scared

1501
01:05:40,080 --> 01:05:42,760
Speaker 1: their daughter is going to go through the same pain

1502
01:05:42,800 --> 01:05:46,080
Speaker 1: they went through project that in a way, I feel

1503
01:05:46,120 --> 01:05:49,520
Speaker 1: like they may not realize because they'll fuck their daughter

1504
01:05:49,640 --> 01:05:52,960
Speaker 1: up with trying to protect them from some shit and

1505
01:05:53,480 --> 01:05:56,439
Speaker 1: really fuck their life up of how they're going about shit,

1506
01:05:56,880 --> 01:05:58,560
Speaker 1: like women will go out and try to date or

1507
01:05:58,560 --> 01:06:00,640
Speaker 1: like I want to go out and do this, or

1508
01:06:00,880 --> 01:06:02,880
Speaker 1: like they'll literally protect them and hold them in there

1509
01:06:03,040 --> 01:06:06,840
Speaker 1: so they can't ever experience shit in life. And it's like,

1510
01:06:06,880 --> 01:06:09,880
Speaker 1: this is another toxic behavior over here. Mom, Like you

1511
01:06:09,920 --> 01:06:14,080
Speaker 1: can't protect your kids from everything. And then her view

1512
01:06:14,160 --> 01:06:17,280
Speaker 1: on men and her view on life in itself and

1513
01:06:17,360 --> 01:06:21,480
Speaker 1: relationships is now only based off her mother daughter relationship

1514
01:06:21,520 --> 01:06:23,880
Speaker 1: because all her mother has done is try to protect

1515
01:06:23,920 --> 01:06:27,040
Speaker 1: her from being hurt, right, And now she only thinks

1516
01:06:27,080 --> 01:06:29,760
Speaker 1: when she goes out that she's gonna get hurt and

1517
01:06:29,800 --> 01:06:32,600
Speaker 1: she's never experienced it, and that's some toxic shit. And

1518
01:06:32,640 --> 01:06:34,400
Speaker 1: the mother's there thinking, I'm trying to protect my child.

1519
01:06:34,800 --> 01:06:37,280
Speaker 2: No, you're not damaging. That's hurting your child.

1520
01:06:37,400 --> 01:06:42,160
Speaker 1: Yeah. Granted I don't have kids, so who am I

1521
01:06:42,240 --> 01:06:46,360
Speaker 1: to judge? But yeah, that mother shit. We big moms

1522
01:06:46,400 --> 01:06:46,840
Speaker 1: up a lot.

1523
01:06:46,960 --> 01:06:50,200
Speaker 2: But if this toxic, stay out here, Oh no, for sure.

1524
01:06:50,360 --> 01:06:52,400
Speaker 2: I got a text from a girl I used to

1525
01:06:52,440 --> 01:06:54,280
Speaker 2: be cool with. She said, fuck you, I hatred, I'm

1526
01:06:54,320 --> 01:06:56,840
Speaker 2: never speaking to you again, and I almost replied, mind,

1527
01:06:56,920 --> 01:06:58,960
Speaker 2: you haven't spoken to this girl in maybe a year

1528
01:06:59,040 --> 01:07:01,640
Speaker 2: after this is a record? This was yeah, this was

1529
01:07:01,720 --> 01:07:04,040
Speaker 2: after this CITs a record came out, and I thought

1530
01:07:04,040 --> 01:07:06,080
Speaker 2: about it. I was like, you texted me to tell

1531
01:07:06,120 --> 01:07:08,400
Speaker 2: me you're never speaking to me again, but we haven't

1532
01:07:08,440 --> 01:07:09,440
Speaker 2: spoken in almost a year.

1533
01:07:09,560 --> 01:07:11,640
Speaker 1: That means she wants to speak to you. Can can

1534
01:07:11,640 --> 01:07:13,240
Speaker 1: we get some context? I know you're the most private

1535
01:07:13,240 --> 01:07:16,360
Speaker 1: person on earth, but like, how did this end? How

1536
01:07:16,360 --> 01:07:19,040
Speaker 1: did you meet this woman? How far did y'all deal

1537
01:07:19,040 --> 01:07:20,040
Speaker 1: in your situationship?

1538
01:07:20,240 --> 01:07:22,600
Speaker 2: I mean, we had sex a couple of times, hung

1539
01:07:22,640 --> 01:07:24,920
Speaker 2: out a few times, but it wasn't nothing deeper than that.

1540
01:07:25,040 --> 01:07:27,520
Speaker 2: And she thought that I was She thought that a

1541
01:07:27,560 --> 01:07:31,320
Speaker 2: girl on my Instagram I posted on my Instagram page.

1542
01:07:31,600 --> 01:07:36,080
Speaker 2: We were fucking okay, this was like family. So I

1543
01:07:36,120 --> 01:07:37,000
Speaker 2: didn't even entertain that.

1544
01:07:37,000 --> 01:07:38,480
Speaker 1: I don't think you've ever posted a girl that you

1545
01:07:38,560 --> 01:07:39,360
Speaker 1: were fucking ever.

1546
01:07:40,080 --> 01:07:43,560
Speaker 2: So I was like, this is my home, this is

1547
01:07:43,600 --> 01:07:46,320
Speaker 2: like family. She's swopping down. This was a girl I

1548
01:07:46,360 --> 01:07:47,480
Speaker 2: was seeing, and I was like, well, why am I

1549
01:07:47,480 --> 01:07:49,400
Speaker 2: even having this conversation with you? Like I shouldn't even

1550
01:07:49,440 --> 01:07:51,880
Speaker 2: be explaining this. So it was just that, and she

1551
01:07:52,040 --> 01:07:54,080
Speaker 2: was just you know, she went off and too, cursing

1552
01:07:54,080 --> 01:07:56,320
Speaker 2: me out, saying things that I couldn't one hear us,

1553
01:07:56,840 --> 01:07:58,720
Speaker 2: calling me names, and it's like, once a woman crosses

1554
01:07:58,720 --> 01:08:01,240
Speaker 2: that line with me, there's no coming back from that.

1555
01:08:01,640 --> 01:08:03,000
Speaker 3: She invited you to the frank Stand.

1556
01:08:03,680 --> 01:08:09,160
Speaker 2: No no, no, no, no, she she she she uh, she used, yeah, she.

1557
01:08:09,040 --> 01:08:12,400
Speaker 1: Didn't go that crazy inviting somebody to the Franks. I

1558
01:08:12,480 --> 01:08:12,760
Speaker 1: hate you.

1559
01:08:13,320 --> 01:08:15,800
Speaker 2: You know, she dropped the F bomb on me. She

1560
01:08:15,920 --> 01:08:17,800
Speaker 2: dropped the F bomb on me, and once a woman

1561
01:08:17,840 --> 01:08:19,200
Speaker 2: starts talking to me like that, Jeff.

1562
01:08:19,479 --> 01:08:22,080
Speaker 3: She said, fuck you no the other F bomb.

1563
01:08:22,280 --> 01:08:25,360
Speaker 1: Oh oh yeah, she's toxic.

1564
01:08:25,520 --> 01:08:29,160
Speaker 2: Yeah, this is this is, this is what this is

1565
01:08:29,200 --> 01:08:31,280
Speaker 2: all tied in together, like I'm trying to like, I'm

1566
01:08:31,320 --> 01:08:33,880
Speaker 2: paying the picture for you, like, yeah, no, it was

1567
01:08:33,920 --> 01:08:36,600
Speaker 2: so once she said that, I could never unhear that.

1568
01:08:36,800 --> 01:08:39,599
Speaker 1: You remember the last interaction y'all had a year ago.

1569
01:08:42,760 --> 01:08:44,360
Speaker 2: It was putting in the Ober. She was going to

1570
01:08:44,360 --> 01:08:46,920
Speaker 2: the airport, and it was it was okay, it was cool,

1571
01:08:46,960 --> 01:08:48,759
Speaker 2: it was all love. So when she saw I picked,

1572
01:08:49,120 --> 01:08:51,439
Speaker 2: she saw me post a picture of this girl on

1573
01:08:51,439 --> 01:08:54,320
Speaker 2: my Instagram, on my story, and she swore up and

1574
01:08:54,320 --> 01:08:56,200
Speaker 2: down that me and this girl were fucking with each other.

1575
01:08:56,200 --> 01:08:58,040
Speaker 1: Okay, I'm sorry. I thought that happened a year ago,

1576
01:08:58,200 --> 01:08:59,920
Speaker 1: and that's why y'all stopped fucking. I didn't know.

1577
01:09:00,080 --> 01:09:02,960
Speaker 2: That's why she texts you that at that moment, you know, no,

1578
01:09:03,080 --> 01:09:05,800
Speaker 2: she no, yeah, a year ago that I posted that

1579
01:09:05,840 --> 01:09:08,360
Speaker 2: picture and then all of that happened and she swore

1580
01:09:08,439 --> 01:09:09,599
Speaker 2: me down, me and this girl was I was like, yeah,

1581
01:09:09,600 --> 01:09:11,720
Speaker 2: what's wrong with you? You okay? Like this is my homie, like.

1582
01:09:11,800 --> 01:09:13,640
Speaker 3: So you haven't spoken to her since? And then she ran.

1583
01:09:13,760 --> 01:09:16,479
Speaker 2: We spoke, We spoke, but then I was like, yo, listen, man,

1584
01:09:16,560 --> 01:09:18,800
Speaker 2: like you, I don't know what you got going on,

1585
01:09:18,920 --> 01:09:20,479
Speaker 2: Like you think that this is a girl I'm fucking

1586
01:09:20,520 --> 01:09:22,040
Speaker 2: with and even if I am, what does it matter?

1587
01:09:22,120 --> 01:09:25,160
Speaker 2: But she just started going crazy. And then that last conversation,

1588
01:09:26,240 --> 01:09:27,800
Speaker 2: like I said, she started dropping the f bahm and

1589
01:09:27,840 --> 01:09:28,920
Speaker 2: this that and the third and I was just like,

1590
01:09:28,920 --> 01:09:32,200
Speaker 2: all right, now you completely clipped, like I can't I

1591
01:09:32,200 --> 01:09:33,800
Speaker 2: can never look at you the same again.

1592
01:09:34,360 --> 01:09:37,920
Speaker 1: So why didn't you reply to the to the text.

1593
01:09:37,840 --> 01:09:44,200
Speaker 2: The most recent one? No, I replied. I was like, okay, that.

1594
01:09:44,080 --> 01:09:46,200
Speaker 3: Girl is hanging swinging from the ceiling fan currently.

1595
01:09:46,280 --> 01:09:47,960
Speaker 1: All right, you texted me to tell me you never

1596
01:09:48,000 --> 01:09:49,320
Speaker 1: want to speak to me again. You want to know

1597
01:09:49,320 --> 01:09:51,360
Speaker 1: how sick I after we didn't speak for almost a year.

1598
01:09:51,920 --> 01:09:53,479
Speaker 1: It's how sick I am. I would have saw that

1599
01:09:53,520 --> 01:09:57,280
Speaker 1: opportunity as a practice argument. I would have I would

1600
01:09:57,320 --> 01:10:00,679
Speaker 1: have taken the argument for practice you see you like, see,

1601
01:10:01,120 --> 01:10:02,000
Speaker 1: you got to stay sharp.

1602
01:10:02,160 --> 01:10:04,760
Speaker 2: Nah, I'm sharp, but I also know when to get

1603
01:10:04,760 --> 01:10:06,080
Speaker 2: the fuck out of there and leave it alone.

1604
01:10:06,280 --> 01:10:09,960
Speaker 1: How many how many jump shots? Michael Jordan shot countless? Okay,

1605
01:10:09,960 --> 01:10:12,360
Speaker 1: who's counting? Not me? He got six rings. Yeah, So

1606
01:10:12,439 --> 01:10:14,680
Speaker 1: sometimes I need to take that practice opportunity. Sometimes I

1607
01:10:14,680 --> 01:10:16,000
Speaker 1: need to get in the gym and do some jump

1608
01:10:16,000 --> 01:10:18,080
Speaker 1: shots with some shit that don't matter. Yeah, but sometimes

1609
01:10:18,120 --> 01:10:20,800
Speaker 1: you let me take this argument and sharpen my skills up.

1610
01:10:20,840 --> 01:10:22,040
Speaker 1: I had an argument a while. Let me.

1611
01:10:22,120 --> 01:10:24,800
Speaker 2: Yeah. Sometimes you gotta know, practicing with certain people is

1612
01:10:24,800 --> 01:10:28,479
Speaker 2: not healthy for your game. It's just not good for

1613
01:10:28,520 --> 01:10:28,800
Speaker 2: your game.

1614
01:10:28,840 --> 01:10:31,240
Speaker 1: It's like this is too easy, Like they're saying, you

1615
01:10:31,240 --> 01:10:33,519
Speaker 1: ain't really this ain't no competition right here.

1616
01:10:33,520 --> 01:10:35,439
Speaker 2: You can't guard me? Like, so what am I even

1617
01:10:35,479 --> 01:10:36,200
Speaker 2: doing out here with you?

1618
01:10:36,240 --> 01:10:37,080
Speaker 1: I'm dunking on a hoop?

1619
01:10:37,080 --> 01:10:37,639
Speaker 3: That's not damn.

1620
01:10:37,760 --> 01:10:39,880
Speaker 2: It's like, man, let me just go sit down before

1621
01:10:39,880 --> 01:10:41,840
Speaker 2: I fucking around and turn my ankle out here fucking

1622
01:10:41,840 --> 01:10:42,759
Speaker 2: around point bullshit.

1623
01:10:43,240 --> 01:10:45,280
Speaker 1: Or take my tactics from this practice session to a

1624
01:10:45,280 --> 01:10:45,920
Speaker 1: real game.

1625
01:10:45,840 --> 01:10:48,639
Speaker 2: Real game with a real woman, and get my ass

1626
01:10:48,760 --> 01:10:50,160
Speaker 2: what you know what I'm saying? Like, Nah, We're not

1627
01:10:50,240 --> 01:10:53,640
Speaker 2: doing that, man. So I just said, okay, like it

1628
01:10:53,680 --> 01:10:56,200
Speaker 2: is what it is, Like, I don't we don't even speak, like,

1629
01:10:56,240 --> 01:10:57,400
Speaker 2: so why are you texting me telling them you don't

1630
01:10:57,400 --> 01:10:58,920
Speaker 2: want to speak to me. She's saying she want.

1631
01:10:58,960 --> 01:11:00,000
Speaker 1: That was her way of saying, I want to say.

1632
01:11:00,040 --> 01:11:02,719
Speaker 2: Yeah, like I said, once you once, once you cross

1633
01:11:02,720 --> 01:11:04,679
Speaker 2: a certain line with me, And this is anybody, male

1634
01:11:04,760 --> 01:11:06,320
Speaker 2: or female, once you cross a certain line with me,

1635
01:11:06,360 --> 01:11:09,000
Speaker 2: because I'm I'm so forgiven, I'm so understanding. A lot

1636
01:11:09,040 --> 01:11:11,040
Speaker 2: of shit doesn't affect me. But it's certain things that

1637
01:11:12,120 --> 01:11:13,720
Speaker 2: once you get to that point and you feel like

1638
01:11:13,720 --> 01:11:17,040
Speaker 2: you can call me that, I gotta I gotta politely

1639
01:11:17,120 --> 01:11:19,240
Speaker 2: uh back out and remove myself.

1640
01:11:19,280 --> 01:11:21,320
Speaker 1: It's definitely words that, Yeah, that's that line.

1641
01:11:21,400 --> 01:11:23,000
Speaker 2: And I think a woman first of all, and like

1642
01:11:23,000 --> 01:11:26,360
Speaker 2: you said, toxic toxicity. I know the relationship, but you

1643
01:11:26,360 --> 01:11:28,519
Speaker 2: know she comes from you know, upbringing and all of that.

1644
01:11:28,560 --> 01:11:31,000
Speaker 2: So it's like you can you can see things tied in,

1645
01:11:31,880 --> 01:11:33,920
Speaker 2: but I just can't deal with that. I'm just at

1646
01:11:33,920 --> 01:11:36,400
Speaker 2: a different point, like I'm.

1647
01:11:36,240 --> 01:11:39,160
Speaker 3: Cool, Rory, what's your line your uncrossable line?

1648
01:11:40,520 --> 01:11:46,120
Speaker 1: Uh, I don't know if it's it's definitely more actions

1649
01:11:46,160 --> 01:11:50,000
Speaker 1: than it is words like if I if I hear

1650
01:11:50,040 --> 01:11:52,200
Speaker 1: certain words that are said, I'll just look at you

1651
01:11:52,240 --> 01:11:54,439
Speaker 1: more like you immature and I shouldn't do this rather

1652
01:11:54,479 --> 01:11:56,880
Speaker 1: than take it personally because I know you saying them

1653
01:11:56,960 --> 01:11:59,360
Speaker 1: things because you're really upset in the fact that you

1654
01:11:59,400 --> 01:12:01,479
Speaker 1: can't control your motions to the point that you can't

1655
01:12:01,840 --> 01:12:04,640
Speaker 1: not use those words. I'm just gonna not want to

1656
01:12:04,680 --> 01:12:07,280
Speaker 1: fuck with you because I think you're immature and don't

1657
01:12:07,280 --> 01:12:10,559
Speaker 1: know how to garner any emotion makes It's not because

1658
01:12:10,560 --> 01:12:12,640
Speaker 1: of the words, it's with me. It is actions with

1659
01:12:12,720 --> 01:12:14,519
Speaker 1: certain shit words. I can unhear words.

1660
01:12:14,520 --> 01:12:15,400
Speaker 2: I'll be honest with you.

1661
01:12:15,600 --> 01:12:17,840
Speaker 1: Words don't. Words don't bother me. Like the hell no

1662
01:12:18,080 --> 01:12:18,559
Speaker 1: they used.

1663
01:12:18,400 --> 01:12:20,400
Speaker 2: To somebody to drop an F bomb on you. You can

1664
01:12:20,439 --> 01:12:21,120
Speaker 2: never unheer that.

1665
01:12:21,680 --> 01:12:23,360
Speaker 1: Oh no, I'm gonna just think you were weirdough And

1666
01:12:23,360 --> 01:12:24,519
Speaker 1: like I just I can't.

1667
01:12:24,360 --> 01:12:26,559
Speaker 2: We can't. We can't. Like if somebody was to come

1668
01:12:26,560 --> 01:12:29,320
Speaker 2: in here and call you out your name and drop

1669
01:12:29,360 --> 01:12:30,479
Speaker 2: the F bomb on you, but I.

1670
01:12:30,439 --> 01:12:32,880
Speaker 1: Would probably hit them, but I can't do that with

1671
01:12:32,880 --> 01:12:33,200
Speaker 1: a woman.

1672
01:12:33,400 --> 01:12:35,320
Speaker 2: So what I'm saying is, you know, but you also

1673
01:12:35,439 --> 01:12:37,280
Speaker 2: know that this person is somebody you could never even

1674
01:12:37,320 --> 01:12:38,479
Speaker 2: deal with again like, oh.

1675
01:12:38,360 --> 01:12:40,120
Speaker 1: For sure, But I mean I look at it not

1676
01:12:40,200 --> 01:12:42,160
Speaker 1: based off because you said that word to me. I

1677
01:12:42,200 --> 01:12:44,760
Speaker 1: base it off, like all right, this is where you

1678
01:12:44,800 --> 01:12:47,080
Speaker 1: went with your emotions, Like if we're having a disagreement,

1679
01:12:47,160 --> 01:12:49,680
Speaker 1: I know for a fact, I've never done something to

1680
01:12:49,800 --> 01:12:53,080
Speaker 1: somebody to warrant being called certain words. Right, So if

1681
01:12:53,080 --> 01:12:56,360
Speaker 1: the fact that you can't control when you get upset,

1682
01:12:56,800 --> 01:12:58,639
Speaker 1: knowing I never crossed the line for you to call

1683
01:12:58,680 --> 01:13:02,040
Speaker 1: me any type of crazy name like that, I'm gonna

1684
01:13:02,080 --> 01:13:04,040
Speaker 1: just think you I can't fuck with you because this

1685
01:13:04,120 --> 01:13:05,920
Speaker 1: is how you deal with your emotions. It has nothing

1686
01:13:05,960 --> 01:13:08,439
Speaker 1: to do with the words, if that makes sense, words

1687
01:13:08,520 --> 01:13:10,320
Speaker 1: like if you say that like all right, whatever, oh shit,

1688
01:13:10,439 --> 01:13:13,479
Speaker 1: not a word like words don't bug me that way anymore.

1689
01:13:14,160 --> 01:13:16,760
Speaker 1: It's actions and you do certain shit. Now if you

1690
01:13:16,760 --> 01:13:19,280
Speaker 1: say something and then do something different, I'm only focusing

1691
01:13:19,320 --> 01:13:21,240
Speaker 1: on the action because now I know your words aren't

1692
01:13:21,240 --> 01:13:21,599
Speaker 1: worth shit.

1693
01:13:21,800 --> 01:13:23,800
Speaker 2: And it's more also the energy behind it, where is

1694
01:13:23,840 --> 01:13:26,240
Speaker 2: it stemming from? Yeah, like that's what you landed on

1695
01:13:26,320 --> 01:13:28,759
Speaker 2: to call me that, like based off of me posting

1696
01:13:28,760 --> 01:13:30,240
Speaker 2: the picture of a girl.

1697
01:13:30,000 --> 01:13:32,800
Speaker 1: Like I've had a girl. I hate you mad loud

1698
01:13:32,840 --> 01:13:34,120
Speaker 1: in my face, and I know she didn't hate me,

1699
01:13:34,160 --> 01:13:36,360
Speaker 1: and it didn't bug me because I just knew she

1700
01:13:36,400 --> 01:13:39,639
Speaker 1: was upset. Now you can say I hate you. That's

1701
01:13:39,680 --> 01:13:41,800
Speaker 1: not really a crossing the line with words with me,

1702
01:13:42,800 --> 01:13:45,960
Speaker 1: mm hmm. But you're just emotional at the time. I'm

1703
01:13:46,000 --> 01:13:48,920
Speaker 1: not going to break it off over that. But when

1704
01:13:48,920 --> 01:13:50,479
Speaker 1: you start getting in that other.

1705
01:13:50,400 --> 01:13:55,000
Speaker 2: Lane exactly, that's what I was waiting on. It's just different.

1706
01:13:55,840 --> 01:13:57,360
Speaker 2: I can't unhear it. I'm sorry.

1707
01:13:59,200 --> 01:14:02,000
Speaker 1: I would love to of you want of scissors exies.

1708
01:14:06,760 --> 01:14:08,719
Speaker 2: It's a few women I would love to interview the exes,

1709
01:14:08,760 --> 01:14:10,400
Speaker 2: a few of these celebrities.

1710
01:14:09,840 --> 01:14:14,759
Speaker 1: And artists, not some weirdough gossipy ship scissors. I feel

1711
01:14:14,760 --> 01:14:16,599
Speaker 1: like in her music is a very self aware writer

1712
01:14:17,240 --> 01:14:19,439
Speaker 1: and as much as she be shipping on men, I do.

1713
01:14:19,520 --> 01:14:22,479
Speaker 1: I can see the accountability every every now and then

1714
01:14:23,400 --> 01:14:25,160
Speaker 1: it'll be like a third bar, like, oh shit, you

1715
01:14:25,200 --> 01:14:27,160
Speaker 1: get it, Yeah, you know why he did that.

1716
01:14:27,920 --> 01:14:30,320
Speaker 2: I just sis is so interesting to me.

1717
01:14:30,880 --> 01:14:33,920
Speaker 1: I can never figure out if her life is unraveling

1718
01:14:34,160 --> 01:14:36,519
Speaker 1: or she has a full grasp on it, which I identify with.

1719
01:14:36,600 --> 01:14:39,479
Speaker 2: But I think that's dope. When people don't know what's

1720
01:14:39,520 --> 01:14:40,519
Speaker 2: going on in your real life.

1721
01:14:41,320 --> 01:14:44,439
Speaker 1: It's just something about Sciss with her actual music and

1722
01:14:44,520 --> 01:14:47,680
Speaker 1: words that I I want to really talk with Siss, like,

1723
01:14:47,720 --> 01:14:49,280
Speaker 1: not even on a microphone.

1724
01:14:49,320 --> 01:14:50,000
Speaker 2: Just kick it with her.

1725
01:14:50,080 --> 01:14:53,160
Speaker 1: Yeah, you should take She's very very lunch. I mean

1726
01:14:53,360 --> 01:14:55,960
Speaker 1: we go back to Maplewood, New Jersey, take it to lunch.

1727
01:14:56,280 --> 01:14:58,360
Speaker 2: If she's coming home from the bottom of all of

1728
01:14:58,400 --> 01:15:00,280
Speaker 2: this toxicity.

1729
01:15:00,479 --> 01:15:03,400
Speaker 1: Sober by Scissor is one of my favorite songs because

1730
01:15:03,439 --> 01:15:06,240
Speaker 1: she wasn't over well. It's just a very well written

1731
01:15:06,960 --> 01:15:11,599
Speaker 1: and contradictive song in a in a very interesting way.

1732
01:15:11,640 --> 01:15:15,040
Speaker 1: That's why her starting. Maybe I'll Overanalyzeciss's lyrics because identify

1733
01:15:15,080 --> 01:15:16,880
Speaker 1: with them so much. When she starts that record out

1734
01:15:16,920 --> 01:15:19,280
Speaker 1: with I l y'all so contradictive, and I'm like, Sciss,

1735
01:15:19,320 --> 01:15:21,800
Speaker 1: I could go through all of control and this is

1736
01:15:21,840 --> 01:15:26,760
Speaker 1: the most contradictive album I've ever heard. So do you

1737
01:15:26,880 --> 01:15:29,439
Speaker 1: just like contradictions? Do you like this dude because he

1738
01:15:29,600 --> 01:15:34,240
Speaker 1: contradict himself? Because I think all you can do? No, No,

1739
01:15:34,280 --> 01:15:39,479
Speaker 1: I don't Sissy to me, I feel like doesn't do

1740
01:15:39,600 --> 01:15:43,000
Speaker 1: like serial dating. But I feel like when she dates somebody,

1741
01:15:43,520 --> 01:15:46,519
Speaker 1: we're gonna get a whole album. Like I think control,

1742
01:15:46,720 --> 01:15:48,400
Speaker 1: I think control might have been like two guys. I

1743
01:15:48,400 --> 01:15:49,760
Speaker 1: think this album might be one guy.

1744
01:15:49,920 --> 01:15:50,000
Speaker 2: Like.

1745
01:15:50,080 --> 01:15:53,280
Speaker 1: I don't think she's pulling from mad different experiences. I

1746
01:15:53,280 --> 01:15:59,000
Speaker 1: think she's kind of pulling from large experiences.

1747
01:15:57,960 --> 01:15:59,439
Speaker 2: And I just want her girlfriend's experience.

1748
01:15:59,600 --> 01:16:01,240
Speaker 1: I just want to the fourth album. That's what I'm saying.

1749
01:16:01,280 --> 01:16:02,479
Speaker 1: That's all I want to get to. I just want

1750
01:16:02,520 --> 01:16:04,479
Speaker 1: to be the fourth album. Oh okay, will fuck your

1751
01:16:04,479 --> 01:16:06,200
Speaker 1: world up? Oh yeah, you took it right out of my,

1752
01:16:06,920 --> 01:16:08,960
Speaker 1: your world up.

1753
01:16:08,960 --> 01:16:13,679
Speaker 2: You been here crying on Mike on the mic. White

1754
01:16:13,680 --> 01:16:17,240
Speaker 2: thing on you because that thing looks like it's potent.

1755
01:16:17,280 --> 01:16:18,200
Speaker 2: It's dangerous.

1756
01:16:19,040 --> 01:16:23,320
Speaker 1: I mean, I've thought things before. It looks like it

1757
01:16:23,360 --> 01:16:23,600
Speaker 1: might be.

1758
01:16:23,640 --> 01:16:25,479
Speaker 3: I might be.

1759
01:16:25,600 --> 01:16:29,000
Speaker 2: But that's so that's a woman.

1760
01:16:29,040 --> 01:16:30,760
Speaker 1: I don't want to you know, I get some of

1761
01:16:30,840 --> 01:16:31,559
Speaker 1: my personal thoughts.

1762
01:16:31,560 --> 01:16:33,960
Speaker 2: Oh yeah, you shouldn't listen.

1763
01:16:34,000 --> 01:16:35,759
Speaker 1: I'll put it this way. I know that thing is dangerous.

1764
01:16:35,840 --> 01:16:38,639
Speaker 5: Yeah yeah, I'm just talking about her personality. I think

1765
01:16:38,760 --> 01:16:40,760
Speaker 5: she is just the right kind of toxic that will

1766
01:16:40,760 --> 01:16:42,040
Speaker 5: wrap you up.

1767
01:16:42,840 --> 01:16:44,519
Speaker 1: I think her and I would meet the same way

1768
01:16:44,560 --> 01:16:46,960
Speaker 1: I just said. I would have taken that argument like

1769
01:16:47,000 --> 01:16:49,720
Speaker 1: the practice arguments. I think Sissy and I would meet

1770
01:16:49,760 --> 01:16:54,960
Speaker 1: our match on who's going to decide to beef today?

1771
01:16:55,080 --> 01:16:56,720
Speaker 1: I think it would be the most exciting three months

1772
01:16:56,760 --> 01:16:59,479
Speaker 1: of my life, not good or bad, just just be exciting.

1773
01:16:59,680 --> 01:17:00,920
Speaker 1: Who was what's gonna come today?

1774
01:17:01,640 --> 01:17:03,599
Speaker 3: I think you guys as demons will play well together.

1775
01:17:05,840 --> 01:17:08,320
Speaker 2: It says, funk you up? Her demons beat the ship

1776
01:17:08,360 --> 01:17:12,960
Speaker 2: out of the demons A fuck your demons up?

1777
01:17:13,200 --> 01:17:14,800
Speaker 3: Really said, I don't know. I don't think you know

1778
01:17:14,840 --> 01:17:15,679
Speaker 3: my team is Maybe.

1779
01:17:16,280 --> 01:17:17,679
Speaker 1: I don't think you're still cool with mine.

1780
01:17:18,160 --> 01:17:18,760
Speaker 3: She is too.

1781
01:17:19,320 --> 01:17:21,479
Speaker 2: They're in the studio every every time she is around,

1782
01:17:21,640 --> 01:17:23,280
Speaker 2: every time she in the studio. They right there on

1783
01:17:23,320 --> 01:17:23,719
Speaker 2: the boards.

1784
01:17:24,360 --> 01:17:26,000
Speaker 1: I'll be worried about y'a because mine is in here

1785
01:17:26,040 --> 01:17:29,639
Speaker 1: right now, right behind you, right sitting on the stairs.

1786
01:17:30,840 --> 01:17:31,720
Speaker 2: Put the hat, put it on.

1787
01:17:31,880 --> 01:17:34,680
Speaker 1: You can we put a cloud in My skeletons is

1788
01:17:34,720 --> 01:17:35,000
Speaker 1: in here.

1789
01:17:37,560 --> 01:17:40,000
Speaker 2: I see why you're sitting there there. And now I

1790
01:17:40,720 --> 01:17:42,599
Speaker 2: know I didn't do the knowledge. My bad. I didn't

1791
01:17:42,600 --> 01:17:45,639
Speaker 2: do knowledge one day.

1792
01:17:45,640 --> 01:17:50,760
Speaker 1: You know what? Punch reason one of y'all. They put

1793
01:17:50,760 --> 01:17:51,240
Speaker 1: me on text.

1794
01:17:51,280 --> 01:17:54,439
Speaker 2: Man, they're not giving you, Oh my god, please don't.

1795
01:17:55,920 --> 01:17:58,320
Speaker 1: I would be very kind and not creepy, and they

1796
01:17:58,360 --> 01:18:00,920
Speaker 1: all know that I'm very with the TV family, they

1797
01:18:00,920 --> 01:18:04,320
Speaker 1: would say nothing but good things about me. Oh well,

1798
01:18:05,000 --> 01:18:07,559
Speaker 1: the brnch Ship, I know, we kind of glazed over

1799
01:18:07,600 --> 01:18:09,799
Speaker 1: it and got into the new project.

1800
01:18:09,880 --> 01:18:12,640
Speaker 5: I actually haven't heard Friend's song, I know, but I

1801
01:18:12,840 --> 01:18:14,400
Speaker 5: have been in a good mood. I didn't really want

1802
01:18:14,400 --> 01:18:14,880
Speaker 5: to kill it.

1803
01:18:15,160 --> 01:18:18,000
Speaker 2: No, but the brunch ship is super healthy.

1804
01:18:18,360 --> 01:18:21,360
Speaker 1: He's no, he's really lyrics. He's being super honest with

1805
01:18:21,360 --> 01:18:24,479
Speaker 1: his shiit like, Yo, you just can't date me, like

1806
01:18:25,200 --> 01:18:26,240
Speaker 1: you're gonna get fucked up.

1807
01:18:27,439 --> 01:18:29,400
Speaker 2: It's not toxic at all. He's telling the truth.

1808
01:18:29,880 --> 01:18:33,479
Speaker 1: He's the honesty that women claim they want but don't want.

1809
01:18:33,640 --> 01:18:37,240
Speaker 1: That's exactly this song is all the honesty women really want.

1810
01:18:38,360 --> 01:18:40,920
Speaker 1: Then they get it mm hm, and they don't want

1811
01:18:40,920 --> 01:18:41,360
Speaker 1: it anymore.

1812
01:18:42,600 --> 01:18:45,639
Speaker 5: Now that's a ploy. When men do that, that's a ploy.

1813
01:18:45,720 --> 01:18:47,880
Speaker 5: You're telling me, Oh nah, I'll fuck your world up.

1814
01:18:47,920 --> 01:18:49,720
Speaker 5: They know women are going to fall into that, like

1815
01:18:49,760 --> 01:18:50,839
Speaker 5: they do that on purpose.

1816
01:18:50,840 --> 01:18:55,479
Speaker 3: It's a ploy. That's all the ploy. We've all done that.

1817
01:18:55,600 --> 01:18:57,400
Speaker 3: Now I'm fucked up. We've all done it.

1818
01:18:57,439 --> 01:18:59,599
Speaker 1: But you want honesty, right, this is the first just

1819
01:18:59,600 --> 01:19:02,760
Speaker 1: just the first verse. Lady. I don't know how you've

1820
01:19:02,760 --> 01:19:04,160
Speaker 1: known me for a month, but now you want to

1821
01:19:04,200 --> 01:19:04,719
Speaker 1: be my bitch.

1822
01:19:07,680 --> 01:19:08,519
Speaker 2: You know I ain't shit.

1823
01:19:09,760 --> 01:19:12,120
Speaker 1: You want me all to you. You don't know what

1824
01:19:12,200 --> 01:19:14,280
Speaker 1: I come with. First of all, why you want to

1825
01:19:14,320 --> 01:19:15,720
Speaker 1: be with me after a month. You don't even know me.

1826
01:19:16,640 --> 01:19:19,000
Speaker 1: You have no idea what I come with. I don't

1827
01:19:19,040 --> 01:19:22,439
Speaker 1: mean to put you down, but how I know you down?

1828
01:19:23,160 --> 01:19:27,800
Speaker 1: If you wasn't around, I don't know you. Maybe I'm

1829
01:19:27,880 --> 01:19:30,360
Speaker 1: asking for too much. You offering love. I don't think

1830
01:19:30,360 --> 01:19:34,360
Speaker 1: that's enough. That's honest about that enough.

1831
01:19:34,920 --> 01:19:36,760
Speaker 2: We don't talk about love not being enough.

1832
01:19:36,880 --> 01:19:37,719
Speaker 1: Love is never enough.

1833
01:19:38,000 --> 01:19:38,720
Speaker 2: Love is never enough.

1834
01:19:39,280 --> 01:19:41,320
Speaker 1: Love is a cool caveat to like shit, but it

1835
01:19:41,360 --> 01:19:43,760
Speaker 1: ain't never like cake.

1836
01:19:44,240 --> 01:19:45,519
Speaker 2: Love is like when you spend the night at your

1837
01:19:45,520 --> 01:19:46,880
Speaker 2: homeboy crib and he just give you a sheet, but

1838
01:19:46,920 --> 01:19:48,040
Speaker 2: it's cold.

1839
01:19:48,640 --> 01:19:49,960
Speaker 1: Like you got you got a sheet.

1840
01:19:50,000 --> 01:19:52,160
Speaker 2: It's like, yo, he gave me a sheet, Sonny had

1841
01:19:52,160 --> 01:19:54,200
Speaker 2: me out here looking crazy. But this sheet ain't enough.

1842
01:19:54,720 --> 01:19:56,880
Speaker 2: It's bricking here. That's what that's kind of a love

1843
01:19:57,000 --> 01:19:58,559
Speaker 2: is You need a pillow, You need a little some

1844
01:19:58,600 --> 01:20:00,960
Speaker 2: more layers exactly. Yeah, I get it.

1845
01:20:02,040 --> 01:20:04,439
Speaker 1: And then you don't really want to be my lady.

1846
01:20:04,760 --> 01:20:06,840
Speaker 1: You know it's more than just driving Mercedes cool whatever

1847
01:20:06,840 --> 01:20:09,360
Speaker 1: that's that. I know dream wrote that long. That's a

1848
01:20:09,439 --> 01:20:12,880
Speaker 1: dream line. These holes gonna call and drive you crazy,

1849
01:20:12,920 --> 01:20:17,000
Speaker 1: all right, more honesty, rigorous honesty. If people have been

1850
01:20:17,040 --> 01:20:20,479
Speaker 1: to aa, these holes are gonna call you and drive

1851
01:20:20,479 --> 01:20:22,720
Speaker 1: you crazy. I'm fucking other women. Are you sure you

1852
01:20:22,720 --> 01:20:27,160
Speaker 1: want to do this? This is not toxic, This is honest.

1853
01:20:27,240 --> 01:20:30,840
Speaker 1: This is real honesty to me. Meanwhile, Scissor over here

1854
01:20:31,360 --> 01:20:34,599
Speaker 1: contradicting herself and treating this man like pure shit, fucking

1855
01:20:34,640 --> 01:20:38,000
Speaker 1: with his mind, and men over here being mad, honest.

1856
01:20:37,640 --> 01:20:40,360
Speaker 3: Men, look at the men you're claiming to be mad honest.

1857
01:20:40,680 --> 01:20:44,840
Speaker 1: On Friday, Brent represented men, Scissor represented women, and y'all

1858
01:20:44,880 --> 01:20:46,360
Speaker 1: looking crazy out here, y'all.

1859
01:20:46,439 --> 01:20:53,920
Speaker 3: Damn no, no, everybody in the room look at me.

1860
01:20:53,920 --> 01:20:54,559
Speaker 3: Ain't no, y'all.

1861
01:20:55,240 --> 01:20:58,080
Speaker 2: Oh man, that's funny. Shut Brent, though.

1862
01:20:57,960 --> 01:21:00,439
Speaker 1: This shit ain't nothing new. I got too much, can lose.

1863
01:21:00,520 --> 01:21:03,080
Speaker 1: Gotta be careful with who you choose, bars all this ship,

1864
01:21:03,800 --> 01:21:06,200
Speaker 1: because this ain't like the life you had with your

1865
01:21:06,240 --> 01:21:06,880
Speaker 1: old dude.

1866
01:21:06,960 --> 01:21:07,479
Speaker 2: This sain't it.

1867
01:21:07,560 --> 01:21:10,920
Speaker 1: This is something different. You can't hang with this life.

1868
01:21:11,040 --> 01:21:12,880
Speaker 2: You can't run the same game he was running on

1869
01:21:12,880 --> 01:21:17,080
Speaker 2: on that on that nut. I'm different. I'm built different.

1870
01:21:17,280 --> 01:21:18,160
Speaker 2: This ship gonna hurt.

1871
01:21:18,640 --> 01:21:21,719
Speaker 1: This is a very beautiful song by Brent. There's nothing

1872
01:21:21,760 --> 01:21:24,160
Speaker 1: toxic about this. This is not his style. Like he

1873
01:21:24,200 --> 01:21:28,200
Speaker 1: maybe he maybe had a revelation. He's really out. He

1874
01:21:28,520 --> 01:21:29,720
Speaker 1: went to therapy. It was like, I can't lie to

1875
01:21:29,760 --> 01:21:30,400
Speaker 1: these thos no more.

1876
01:21:31,479 --> 01:21:32,880
Speaker 3: I don't think he did.

1877
01:21:33,960 --> 01:21:35,880
Speaker 1: Yeah, see why you don't think Brent with the therapy.

1878
01:21:36,160 --> 01:21:38,479
Speaker 2: No, nothing about Brent says he goes to therapy.

1879
01:21:38,560 --> 01:21:41,200
Speaker 1: This does to me. He mad, honest, his whole record.

1880
01:21:41,520 --> 01:21:42,840
Speaker 5: So do you think the rest of the album is

1881
01:21:42,840 --> 01:21:47,560
Speaker 5: gonna be like this? So you think this is done exactly?

1882
01:21:48,400 --> 01:21:51,040
Speaker 1: This record is fire though, Mercedes, I do love, I

1883
01:21:51,080 --> 01:21:53,360
Speaker 1: do want. That's a good record to stay with the

1884
01:21:53,400 --> 01:21:55,600
Speaker 1: toxic shit though, that's a good record. We need a

1885
01:21:55,640 --> 01:21:56,320
Speaker 1: project from Brent.

1886
01:21:56,520 --> 01:21:57,200
Speaker 2: But that's how I know.

1887
01:21:57,360 --> 01:22:00,760
Speaker 1: That's how I know women are more toxic than us,

1888
01:22:00,760 --> 01:22:03,439
Speaker 1: because I saw all the reviews on Twitter and shit

1889
01:22:03,520 --> 01:22:06,080
Speaker 1: of this record, like, oh, Brendon's back with the toxicity.

1890
01:22:06,320 --> 01:22:09,120
Speaker 1: No he's not. He was mad, honest with y'all. There's

1891
01:22:09,160 --> 01:22:11,439
Speaker 1: nothing toxic about saying hey, I know you want to

1892
01:22:11,439 --> 01:22:12,880
Speaker 1: be with me, but I'm fucking mad.

1893
01:22:13,600 --> 01:22:19,599
Speaker 2: Can be toxic. Honest to stop that honesty just like

1894
01:22:19,720 --> 01:22:21,639
Speaker 2: just how I said. You know when people say brutally

1895
01:22:21,680 --> 01:22:25,839
Speaker 2: honest like honestly shouldn't be brutal, sometimes it is sometimes toxic.

1896
01:22:26,120 --> 01:22:27,519
Speaker 2: Sometimes honesty is toxic.

1897
01:22:27,600 --> 01:22:31,439
Speaker 1: No, honesty can be harsh, and honesty can be mean.

1898
01:22:31,840 --> 01:22:35,000
Speaker 1: You can be an asshole with your honesty. Cannot be toxic.

1899
01:22:35,720 --> 01:22:38,320
Speaker 1: There's nothing toxic about telling you the truth. My delivery

1900
01:22:38,320 --> 01:22:40,920
Speaker 1: could be from an asshole point of view, but I'm

1901
01:22:40,960 --> 01:22:42,599
Speaker 1: not toxic for telling you the fucking truth.

1902
01:22:42,640 --> 01:22:45,200
Speaker 5: No, your actions are what's toxic. Just because you're honest

1903
01:22:45,200 --> 01:22:47,040
Speaker 5: about your actions don't make your actions right.

1904
01:22:47,080 --> 01:22:50,320
Speaker 3: Your actions are toxic. And then you choose to go.

1905
01:22:51,960 --> 01:22:52,480
Speaker 5: Okay.

1906
01:22:52,680 --> 01:22:54,559
Speaker 1: If I'm saying, Hey, I'm fucking a bunch of girls

1907
01:22:54,560 --> 01:22:57,200
Speaker 1: and you still want to fuck me, who's toxic here?

1908
01:22:57,360 --> 01:22:59,679
Speaker 3: If you know and this is a thing, she stops

1909
01:22:59,720 --> 01:23:05,479
Speaker 3: talk to you and most okay at the end of

1910
01:23:05,520 --> 01:23:06,840
Speaker 3: the day. If you.

1911
01:23:08,520 --> 01:23:10,160
Speaker 2: If you're showing them results from city.

1912
01:23:11,120 --> 01:23:13,880
Speaker 5: And saying, yo, I fuck with mad bitches, you still

1913
01:23:13,880 --> 01:23:16,120
Speaker 5: want to fuck me? And you allow this girl to

1914
01:23:16,160 --> 01:23:18,240
Speaker 5: fuck with you knowing that she's gonna get wrapped up

1915
01:23:18,280 --> 01:23:20,080
Speaker 5: in you, You dead ass wrong because you know the

1916
01:23:20,120 --> 01:23:25,280
Speaker 5: girls that she can't make her own toxicity is going

1917
01:23:25,360 --> 01:23:26,880
Speaker 5: to come from it before you fuck her.

1918
01:23:26,880 --> 01:23:28,560
Speaker 3: You know she's gonna be fucked up afterwards.

1919
01:23:28,920 --> 01:23:31,559
Speaker 5: Said, and I'm being honest, you know what it is,

1920
01:23:32,280 --> 01:23:33,600
Speaker 5: thank you, thank you.

1921
01:23:33,800 --> 01:23:36,280
Speaker 1: She's toxic. Okay, if I tell you what it is,

1922
01:23:36,320 --> 01:23:38,360
Speaker 1: I'm not toxic. I could be an asshole. Yes, you

1923
01:23:38,360 --> 01:23:39,840
Speaker 1: can be honest and be an asshole and be a

1924
01:23:39,880 --> 01:23:40,400
Speaker 1: mean person.

1925
01:23:40,720 --> 01:23:43,719
Speaker 2: Nothing about me saying exactly what it is is toxic.

1926
01:23:44,439 --> 01:23:47,679
Speaker 2: You're talking to to say what it is. King, That's

1927
01:23:47,680 --> 01:23:48,839
Speaker 2: how I maneuver in relationship.

1928
01:23:48,880 --> 01:23:49,719
Speaker 1: So do you think you're toxic?

1929
01:23:50,200 --> 01:23:51,160
Speaker 2: I've been called toxic.

1930
01:23:51,720 --> 01:23:54,559
Speaker 1: That'll mean you're toxic, though you could be a dickhead.

1931
01:23:56,120 --> 01:23:58,960
Speaker 2: Yeah, but I think I think what the marriage is

1932
01:23:59,000 --> 01:24:03,840
Speaker 2: saying is if you know that you basically don't have

1933
01:24:03,880 --> 01:24:06,160
Speaker 2: any real intentions with this woman, you don't have you

1934
01:24:06,200 --> 01:24:08,240
Speaker 2: don't really see a future.

1935
01:24:08,479 --> 01:24:09,439
Speaker 1: That's what Brandon's saying.

1936
01:24:09,600 --> 01:24:13,160
Speaker 2: And but the woman needs to accountability because if you're

1937
01:24:13,160 --> 01:24:15,120
Speaker 2: telling her that and she still wants to fuck with you,

1938
01:24:16,520 --> 01:24:19,479
Speaker 2: but I guess to her guy, Yeah, but she's I

1939
01:24:19,520 --> 01:24:21,080
Speaker 2: think Demer saying, as a man, you should just be

1940
01:24:21,080 --> 01:24:24,920
Speaker 2: like you're listen, you don't leave me alone like you,

1941
01:24:24,960 --> 01:24:28,160
Speaker 2: This is not gonna end good for you. Why I mean,

1942
01:24:28,200 --> 01:24:28,559
Speaker 2: I don't know.

1943
01:24:28,560 --> 01:24:31,000
Speaker 5: If I'm in a space, I don't because when she's

1944
01:24:31,000 --> 01:24:33,000
Speaker 5: coming and trying to bus out your windows at three

1945
01:24:33,000 --> 01:24:35,200
Speaker 5: o'clock in the morning, you want to sit up there scream.

1946
01:24:35,000 --> 01:24:37,519
Speaker 3: You're fucking crazy. Why would you do this? It's like, Yo,

1947
01:24:37,520 --> 01:24:39,360
Speaker 3: you know I was fucking crazy before you started fucking me,

1948
01:24:39,360 --> 01:24:39,840
Speaker 3: and you knew that.

1949
01:24:39,880 --> 01:24:42,960
Speaker 1: So what's up? And that's my choice? Okay?

1950
01:24:44,120 --> 01:24:47,000
Speaker 2: In the toxicity, Yeah, I think that's what you're not doing.

1951
01:24:47,040 --> 01:24:47,800
Speaker 3: He ain't doing that.

1952
01:24:48,160 --> 01:24:49,960
Speaker 1: If I'm telling this chick, why we fucking you? The

1953
01:24:49,960 --> 01:24:51,519
Speaker 1: only one? I love you like I could see us

1954
01:24:51,560 --> 01:24:53,200
Speaker 1: being together all that ship. Now I'm toxic.

1955
01:24:53,280 --> 01:24:53,439
Speaker 5: No.

1956
01:24:53,439 --> 01:24:55,320
Speaker 2: No, If I say yo, I'm fucking other girls.

1957
01:24:55,360 --> 01:24:58,120
Speaker 1: And if you want to stay and fuck with me too,

1958
01:24:58,240 --> 01:24:59,800
Speaker 1: I'm telling you this is going nowhere. But if you

1959
01:24:59,800 --> 01:25:01,400
Speaker 1: want continue to fuck I like fucking you.

1960
01:25:01,680 --> 01:25:02,080
Speaker 2: Mm hmm.

1961
01:25:02,680 --> 01:25:04,840
Speaker 1: I'm cool with that. And if you say yes, that's

1962
01:25:04,880 --> 01:25:08,840
Speaker 1: me who If anything, you're the toxic person. I'm not

1963
01:25:08,920 --> 01:25:09,639
Speaker 1: the toxic person.

1964
01:25:09,800 --> 01:25:11,240
Speaker 2: See, I'll be trying to tell girls they.

1965
01:25:11,600 --> 01:25:13,719
Speaker 1: And if you bust my windows out after me giving

1966
01:25:13,720 --> 01:25:16,479
Speaker 1: you straight honesty and you staying after my honesty. You're

1967
01:25:16,479 --> 01:25:18,479
Speaker 1: a fucking psycho. You should go seek help.

1968
01:25:19,240 --> 01:25:21,400
Speaker 2: Sometimes the problem is, though I think people we're not

1969
01:25:21,479 --> 01:25:24,880
Speaker 2: We're not all the way honest with each other because

1970
01:25:24,880 --> 01:25:26,880
Speaker 2: I think that, you know, sometimes you tell a girl, yo,

1971
01:25:26,960 --> 01:25:29,799
Speaker 2: you know, this is just a physical thing and whatever whatever,

1972
01:25:30,960 --> 01:25:33,800
Speaker 2: But then you start doing not just physical ship with her.

1973
01:25:34,280 --> 01:25:37,280
Speaker 2: You start bringing her around family and you start taking

1974
01:25:37,720 --> 01:25:39,680
Speaker 2: you know, her and trips and ship like that, and

1975
01:25:41,040 --> 01:25:43,200
Speaker 2: you low key falling into a relationship.

1976
01:25:43,200 --> 01:25:45,479
Speaker 1: At this point, I like trips. You want to come that.

1977
01:25:45,920 --> 01:25:53,120
Speaker 2: Nah, see you can't see that. I like, yeah, I got.

1978
01:25:52,760 --> 01:25:53,320
Speaker 1: Off before that.

1979
01:25:53,439 --> 01:25:55,599
Speaker 2: I think, on, let's go take a trip together.

1980
01:25:55,680 --> 01:25:58,479
Speaker 1: But if I'm telling, if I tell you exactly what

1981
01:25:58,520 --> 01:26:01,600
Speaker 1: it is and you with it. And I also like

1982
01:26:01,680 --> 01:26:04,600
Speaker 1: going to d r H and I like fucking you,

1983
01:26:04,640 --> 01:26:06,439
Speaker 1: and I like your company, what you.

1984
01:26:07,320 --> 01:26:10,320
Speaker 2: Take you to dr But sometimes sometimes listen Rory for

1985
01:26:10,360 --> 01:26:14,600
Speaker 2: the record, I'm just you're I'm you, You're me, like

1986
01:26:15,160 --> 01:26:17,120
Speaker 2: you're describing me. I told you to be clear, but

1987
01:26:17,240 --> 01:26:18,800
Speaker 2: I'm just trying to see it from the angle of

1988
01:26:19,200 --> 01:26:21,559
Speaker 2: I could I could sort of understand how we it

1989
01:26:21,720 --> 01:26:24,639
Speaker 2: is some toxicity on our part in that as well, though,

1990
01:26:24,960 --> 01:26:26,840
Speaker 2: because like you can tell a girl your listen, this

1991
01:26:26,920 --> 01:26:29,080
Speaker 2: is just physical, nothing serious, we're just having a good

1992
01:26:29,080 --> 01:26:33,600
Speaker 2: time whatever, whatever. But then you know a couple she

1993
01:26:34,080 --> 01:26:35,639
Speaker 2: at the crib a few days out of the week,

1994
01:26:35,760 --> 01:26:38,120
Speaker 2: she got some closed there, a couple of trips, she's

1995
01:26:38,479 --> 01:26:40,320
Speaker 2: This is where society, once you take the rubble off,

1996
01:26:40,320 --> 01:26:41,519
Speaker 2: you already know this is this is.

1997
01:26:41,680 --> 01:26:44,519
Speaker 1: Come on, whoever put one on. But this is the toxic.

1998
01:26:45,120 --> 01:26:48,320
Speaker 1: This is where society has made shit toxic. Okay, there

1999
01:26:48,360 --> 01:26:50,600
Speaker 1: should be no it shouldn't be black and white in

2000
01:26:50,640 --> 01:26:54,559
Speaker 1: the sense that if we're not in a relationship and

2001
01:26:54,640 --> 01:26:57,519
Speaker 1: we are just fucking right here right, there's no middle

2002
01:26:57,520 --> 01:26:59,160
Speaker 1: ground where we're just fucking and I still treat you

2003
01:26:59,200 --> 01:27:01,720
Speaker 1: like a human being, oh absolutely, like it shouldn't be

2004
01:27:02,200 --> 01:27:07,240
Speaker 1: remember and then like a fucking human being. I respect

2005
01:27:07,280 --> 01:27:09,240
Speaker 1: you and still fuck you and us not being a relationship.

2006
01:27:09,479 --> 01:27:11,559
Speaker 2: Listen, I don't have the answers, bro, I am you,

2007
01:27:11,560 --> 01:27:11,960
Speaker 2: you are me.

2008
01:27:12,160 --> 01:27:15,120
Speaker 1: The standard should not be Oh my god, he treated

2009
01:27:15,120 --> 01:27:16,960
Speaker 1: me like a human being. He must want to be

2010
01:27:16,960 --> 01:27:19,960
Speaker 1: my boy, he must love me. No, I respect you,

2011
01:27:20,040 --> 01:27:21,679
Speaker 1: and I'm sleeping with you, and I like your company.

2012
01:27:21,680 --> 01:27:23,760
Speaker 1: I don't sleep with people. I don't like their company.

2013
01:27:24,000 --> 01:27:26,280
Speaker 2: But you don't want a relationship. I'm just if you

2014
01:27:26,320 --> 01:27:28,639
Speaker 2: haven't noticed two things. I can ask you the questions

2015
01:27:28,680 --> 01:27:29,439
Speaker 2: the women ask me.

2016
01:27:29,560 --> 01:27:31,919
Speaker 1: Two things can be true. Yes, I don't want a relationship.

2017
01:27:31,960 --> 01:27:33,599
Speaker 1: I like you as a person, I like your company,

2018
01:27:33,640 --> 01:27:35,120
Speaker 1: I'd like laughing what you are, like chilling with you,

2019
01:27:35,160 --> 01:27:35,920
Speaker 1: and I like fucking you.

2020
01:27:35,920 --> 01:27:37,519
Speaker 2: But why don't you see anything serious with me?

2021
01:27:37,520 --> 01:27:39,120
Speaker 1: Because if we get in a relationship, we are going

2022
01:27:39,200 --> 01:27:41,040
Speaker 1: to get to the toxic place where we're gonna hate

2023
01:27:41,040 --> 01:27:41,680
Speaker 1: and resent each other.

2024
01:27:41,760 --> 01:27:43,680
Speaker 2: I think we're trying to save I think we're there now.

2025
01:27:43,720 --> 01:27:48,080
Speaker 1: Well, I mean you just got the text message.

2026
01:27:48,800 --> 01:27:49,559
Speaker 2: I think we're there now.

2027
01:27:49,880 --> 01:27:51,320
Speaker 1: Look what sciss is doing to our women.

2028
01:27:51,680 --> 01:27:52,439
Speaker 2: Oh man, it's.

2029
01:27:52,720 --> 01:27:55,799
Speaker 3: Y'all to y'all, that's what she's on to, y'all.

2030
01:27:56,120 --> 01:27:58,240
Speaker 1: To who What do you think scissors dude? Text her

2031
01:27:58,800 --> 01:27:59,760
Speaker 1: after that record came out.

2032
01:27:59,840 --> 01:28:00,280
Speaker 2: Not at all.

2033
01:28:01,040 --> 01:28:02,439
Speaker 1: I was gonna go and knock it off.

2034
01:28:02,439 --> 01:28:03,960
Speaker 2: What time you? What time you getting over here?

2035
01:28:04,040 --> 01:28:04,280
Speaker 1: Yeah?

2036
01:28:07,000 --> 01:28:09,360
Speaker 2: She was probably at the crib, definitely when the album

2037
01:28:09,360 --> 01:28:10,760
Speaker 2: came out. She was definitely in the bed with him.

2038
01:28:11,240 --> 01:28:13,760
Speaker 2: That'd be that'd be the bar. Like you hear the

2039
01:28:13,800 --> 01:28:16,720
Speaker 2: album with her, You like who you talking about? Because

2040
01:28:16,720 --> 01:28:19,760
Speaker 2: that ain't that ain't like you don't be doing all

2041
01:28:19,800 --> 01:28:20,280
Speaker 2: of that like.

2042
01:28:20,320 --> 01:28:21,760
Speaker 1: Yo, That's the thing. I don't know if I could

2043
01:28:21,800 --> 01:28:24,160
Speaker 1: date an artist, a creative.

2044
01:28:24,760 --> 01:28:25,800
Speaker 3: She gonna tear your ass up.

2045
01:28:26,280 --> 01:28:28,479
Speaker 1: No, not no, I don't mind getting tore up. I'm

2046
01:28:28,479 --> 01:28:30,040
Speaker 1: fine with that. Tear me up because I know it's

2047
01:28:30,080 --> 01:28:33,040
Speaker 1: about me. I'm talking about a girl.

2048
01:28:33,280 --> 01:28:35,880
Speaker 3: How collectively the whole run still?

2049
01:28:35,960 --> 01:28:41,600
Speaker 1: And aren't you supposed to be God, God, God, God's

2050
01:28:41,600 --> 01:28:46,000
Speaker 1: supposed to love everybody. It'd be them lines that that

2051
01:28:46,240 --> 01:28:49,559
Speaker 1: ain't about me? Yeah, and why you said it with

2052
01:28:49,560 --> 01:28:50,120
Speaker 1: such conviction?

2053
01:28:50,200 --> 01:28:52,960
Speaker 2: Who you who you're talking about? You gotta start asking

2054
01:28:52,960 --> 01:28:54,840
Speaker 2: these women, these artists, like who you talking about?

2055
01:28:54,840 --> 01:28:56,280
Speaker 1: And I was thinking about that with in my cricket

2056
01:28:56,320 --> 01:28:58,160
Speaker 1: letter too. I don't know if I could date the actress.

2057
01:28:58,600 --> 01:29:00,240
Speaker 1: I'm starting to think. I never thought I was incure.

2058
01:29:00,240 --> 01:29:03,880
Speaker 1: I might be insecure if I see you, if I

2059
01:29:03,880 --> 01:29:06,880
Speaker 1: see you getting fucking like a how good of an

2060
01:29:06,880 --> 01:29:09,479
Speaker 1: actress are you in some of these sex scenes. I

2061
01:29:09,520 --> 01:29:11,280
Speaker 1: know you're an actress. I have to respect your craft.

2062
01:29:11,280 --> 01:29:13,600
Speaker 1: I'm dating somebody I've signed up. I know that you

2063
01:29:13,680 --> 01:29:15,519
Speaker 1: may have to do a scene with another guy makeout

2064
01:29:15,520 --> 01:29:19,479
Speaker 1: and thinke fuck, don't ask me to watch and support

2065
01:29:19,520 --> 01:29:20,920
Speaker 1: your show though, So.

2066
01:29:20,920 --> 01:29:24,040
Speaker 2: You couldn't watch your girl in a sex scene? I

2067
01:29:24,120 --> 01:29:25,799
Speaker 2: might That may be the time I go to the bathroom.

2068
01:29:26,960 --> 01:29:29,240
Speaker 1: I'm here to support your show, babe, like all that,

2069
01:29:29,880 --> 01:29:33,080
Speaker 1: but like, let me know the parts got you like?

2070
01:29:33,120 --> 01:29:35,160
Speaker 1: It might be a long piss too, depending on what.

2071
01:29:35,560 --> 01:29:39,360
Speaker 1: If it's Power, Yo, they're gonna be fucking for a while,

2072
01:29:42,080 --> 01:29:43,519
Speaker 1: Like what type of show is this?

2073
01:29:44,920 --> 01:29:48,880
Speaker 3: Is this power? Insecure begets some cute little scenes off

2074
01:29:48,920 --> 01:29:50,040
Speaker 3: too cute.

2075
01:29:51,680 --> 01:29:55,479
Speaker 1: No, No, Insecure, they may kind of rival power Power

2076
01:29:55,520 --> 01:29:58,000
Speaker 1: be trying to do some porn shit. Insecure be fucking

2077
01:29:58,000 --> 01:29:59,519
Speaker 1: like how I fuck? I could tell they like each other.

2078
01:30:01,040 --> 01:30:03,960
Speaker 2: No, Insecure, I can tell you don't. Insecure. I can tell,

2079
01:30:04,040 --> 01:30:06,559
Speaker 2: like it's it's weird because I know that cast. They

2080
01:30:06,600 --> 01:30:09,160
Speaker 2: really fuck with each other like they live, like they

2081
01:30:09,200 --> 01:30:13,160
Speaker 2: hang out for so it's like some of y'all really

2082
01:30:13,200 --> 01:30:15,040
Speaker 2: fucking for real. Stop I'm not.

2083
01:30:15,640 --> 01:30:18,479
Speaker 3: I'm married. I'm the majority of them are with me. No,

2084
01:30:20,200 --> 01:30:21,360
Speaker 3: what that means you are?

2085
01:30:21,840 --> 01:30:24,240
Speaker 2: Let's have them conversations. I'm married.

2086
01:30:24,400 --> 01:30:26,800
Speaker 1: What that mean if you on set? When am I

2087
01:30:26,840 --> 01:30:28,439
Speaker 1: out of character because I'm not married when.

2088
01:30:28,240 --> 01:30:31,000
Speaker 2: I like you married, Okay, I ain't trying to like

2089
01:30:31,160 --> 01:30:33,320
Speaker 2: break that up, but like.

2090
01:30:34,040 --> 01:30:36,040
Speaker 3: Well, Lauren's like white women and East is black.

2091
01:30:36,160 --> 01:30:39,280
Speaker 1: So what have you watching? It happened once?

2092
01:30:39,760 --> 01:30:43,080
Speaker 3: What do you mean what happened you know in real life? Actor?

2093
01:30:43,360 --> 01:30:46,800
Speaker 2: Also what Lauren's been doing in his real times? How

2094
01:30:46,880 --> 01:30:49,599
Speaker 2: you know? Don't put that on him. He's married Mary

2095
01:30:49,640 --> 01:30:50,040
Speaker 2: all day.

2096
01:30:50,040 --> 01:30:51,320
Speaker 1: You can't make woman.

2097
01:30:51,200 --> 01:30:52,600
Speaker 3: Married to a white woman. He has a history of

2098
01:30:52,640 --> 01:30:53,240
Speaker 3: date and white.

2099
01:30:53,040 --> 01:30:55,120
Speaker 2: Women, show with them, and he don't like black women.

2100
01:30:55,320 --> 01:30:56,519
Speaker 3: I didn't say he didn't like black women.

2101
01:30:56,560 --> 01:30:57,679
Speaker 1: I think that's exactly what you said.

2102
01:30:57,720 --> 01:30:59,840
Speaker 3: Know what I said he was he likes white women.

2103
01:31:00,120 --> 01:31:02,439
Speaker 2: First, No, he liked those white I think he likes women.

2104
01:31:02,479 --> 01:31:04,680
Speaker 2: He just ended up marrying a white woman and has

2105
01:31:04,720 --> 01:31:08,000
Speaker 2: a history of white women dating white women. He doesn't

2106
01:31:08,040 --> 01:31:10,960
Speaker 2: have any black wom facts, so there's no white there's

2107
01:31:10,960 --> 01:31:13,160
Speaker 2: no black women that he dated. I don't ask you,

2108
01:31:13,160 --> 01:31:16,559
Speaker 2: I don't know, no that they just found the white woman. Yeah,

2109
01:31:16,600 --> 01:31:20,840
Speaker 2: you see how that works. They the white women.

2110
01:31:20,920 --> 01:31:23,120
Speaker 3: Doctor Umar next to him all right now.

2111
01:31:23,200 --> 01:31:25,280
Speaker 2: I'm just saying, if a woman wanted to find all

2112
01:31:25,280 --> 01:31:26,880
Speaker 2: the Spanish women that I've dated and say, you know,

2113
01:31:26,920 --> 01:31:29,639
Speaker 2: he only likes Spanish women. I've dated plenty of black women.

2114
01:31:29,920 --> 01:31:31,960
Speaker 2: That's not fair. It's what I'm saying, like, don't just

2115
01:31:32,000 --> 01:31:34,320
Speaker 2: find the Spanish woman. Okay, that's all. But I'm saying,

2116
01:31:34,360 --> 01:31:36,240
Speaker 2: if they're saying he has a history, then okay, whatever.

2117
01:31:36,320 --> 01:31:38,120
Speaker 2: But I do feel like a lot of that cast

2118
01:31:38,160 --> 01:31:39,720
Speaker 2: they hang out, they're really cool with each other.

2119
01:31:39,960 --> 01:31:41,120
Speaker 1: I don't know why I have it a history. It's

2120
01:31:41,160 --> 01:31:43,479
Speaker 1: just funny. Well, he has a history.

2121
01:31:44,280 --> 01:31:46,920
Speaker 2: Everybody has a history. We all have a history. But

2122
01:31:46,960 --> 01:31:48,280
Speaker 2: I'm just saying I don't I don't know if he

2123
01:31:48,280 --> 01:31:50,840
Speaker 2: has history with just only dating white women. But I mean,

2124
01:31:50,880 --> 01:31:53,400
Speaker 2: if that's his preference, you know, cool whatever.

2125
01:31:53,200 --> 01:31:56,040
Speaker 1: Well, respectfully, Lisa in this season, I don't know, like

2126
01:31:56,160 --> 01:31:58,519
Speaker 1: especially looks like really really good.

2127
01:31:58,680 --> 01:32:01,679
Speaker 2: What's my Girl's name? Says she's such a funny, heavy

2128
01:32:01,680 --> 01:32:03,040
Speaker 2: set on. I don't like to say heavy set the thick.

2129
01:32:03,280 --> 01:32:04,080
Speaker 3: Kelly Kelly.

2130
01:32:04,120 --> 01:32:06,160
Speaker 2: I love Kelly show.

2131
01:32:06,600 --> 01:32:07,679
Speaker 3: Kelly is hilarious.

2132
01:32:07,760 --> 01:32:09,960
Speaker 2: She's an own show. She directed one of the last

2133
01:32:09,960 --> 01:32:11,519
Speaker 2: episode I think I saw. I think that was her

2134
01:32:11,520 --> 01:32:14,679
Speaker 2: first directorial debut. She super I think she's a star.

2135
01:32:14,760 --> 01:32:19,160
Speaker 2: I think she needs her own show. Spinning off of Insecure. Yo,

2136
01:32:19,200 --> 01:32:21,160
Speaker 2: did you see the DMX documentary? I did.

2137
01:32:21,240 --> 01:32:22,879
Speaker 1: I watched it, uh on Saturday.

2138
01:32:22,960 --> 01:32:25,160
Speaker 2: It was pretty good. It was pretty good.

2139
01:32:25,560 --> 01:32:27,800
Speaker 1: Yeah, No, I thought it was really good. I mean

2140
01:32:27,840 --> 01:32:30,000
Speaker 1: it was. It was definitely a chopping onions.

2141
01:32:31,040 --> 01:32:33,840
Speaker 2: Yea, it was definitely. I did. I didn't cry, but

2142
01:32:33,920 --> 01:32:38,160
Speaker 2: it was definitely emotional. It was specsally the way it ended. Yeah,

2143
01:32:38,200 --> 01:32:41,000
Speaker 2: Like it was like damn like because it and watching it,

2144
01:32:41,040 --> 01:32:44,479
Speaker 2: you knew like, damn X's he passed. He passed away

2145
01:32:44,520 --> 01:32:46,760
Speaker 2: and you watching it and seeing like the last few

2146
01:32:46,760 --> 01:32:49,840
Speaker 2: months of his life. But the end of it was

2147
01:32:49,920 --> 01:32:52,439
Speaker 2: like damn, like, it's really Xes really gone. Like that's

2148
01:32:52,439 --> 01:32:54,679
Speaker 2: when it became like emotional for me. Yeah.

2149
01:32:54,760 --> 01:32:58,800
Speaker 1: I think with him with his youngest daughter through most

2150
01:32:58,800 --> 01:33:01,880
Speaker 1: of it made me feel really fucked up his son,

2151
01:33:03,320 --> 01:33:06,840
Speaker 1: which I thought now in retrospect obviously because he's past,

2152
01:33:06,880 --> 01:33:08,920
Speaker 1: but his son being on there talking about all the

2153
01:33:08,920 --> 01:33:11,000
Speaker 1: shit they went through, obviously we're getting to a place

2154
01:33:11,439 --> 01:33:13,479
Speaker 1: that he's cool with talking about it and they could

2155
01:33:13,520 --> 01:33:14,160
Speaker 1: really reconcize.

2156
01:33:14,160 --> 01:33:15,400
Speaker 2: It was good to see that. Yeah.

2157
01:33:15,760 --> 01:33:18,439
Speaker 1: So I guess the kids thing is what really fucks

2158
01:33:18,479 --> 01:33:21,920
Speaker 1: me up, because I know that's not the only child

2159
01:33:22,000 --> 01:33:23,920
Speaker 1: of X that has come out when he was alive,

2160
01:33:23,960 --> 01:33:26,520
Speaker 1: same shit, like, hey, we have a weird Never disrespectful,

2161
01:33:26,560 --> 01:33:31,320
Speaker 1: but hey, we have a weird relationship. And the fact

2162
01:33:31,640 --> 01:33:34,280
Speaker 1: that now they can't continue that relationship when it finally

2163
01:33:34,320 --> 01:33:35,760
Speaker 1: got to a good place is what fucked me up

2164
01:33:35,800 --> 01:33:38,439
Speaker 1: the most. Like, damn, he's finally got to a great

2165
01:33:38,479 --> 01:33:41,120
Speaker 1: place with all his kids, yea, to really have that

2166
01:33:41,200 --> 01:33:43,800
Speaker 1: relationship with all of them, and now he can't have that.

2167
01:33:44,040 --> 01:33:46,160
Speaker 1: So I feel like those kids got We talked about

2168
01:33:46,160 --> 01:33:48,640
Speaker 1: that abandonment shit. Yeah, obviously death is not abandonment, but

2169
01:33:48,960 --> 01:33:51,360
Speaker 1: you're feeling that twice, Like that's kind.

2170
01:33:51,200 --> 01:33:53,920
Speaker 2: Of just when you thought you had a relationship there he's.

2171
01:33:53,720 --> 01:33:56,000
Speaker 1: Gone like that. That's what fucked me up through that,

2172
01:33:56,040 --> 01:33:57,760
Speaker 1: Doctor holz On was the kids thing.

2173
01:33:58,000 --> 01:33:59,680
Speaker 2: Yeah, it was. It was beautiful to see that with

2174
01:33:59,720 --> 01:34:02,200
Speaker 2: his own with his his with his oldest son, and

2175
01:34:02,280 --> 01:34:04,040
Speaker 2: him telling him how he was proud of the man

2176
01:34:04,040 --> 01:34:06,759
Speaker 2: that he he had become. I thought that was special

2177
01:34:08,320 --> 01:34:11,400
Speaker 2: just seeing you know, first of all black men talk

2178
01:34:11,479 --> 01:34:14,400
Speaker 2: to their sons in that type of man is important.

2179
01:34:14,560 --> 01:34:18,360
Speaker 2: But after knowing the history of the relationship with DMX

2180
01:34:18,360 --> 01:34:23,439
Speaker 2: and his kids when they were on how do You

2181
01:34:23,439 --> 01:34:30,519
Speaker 2: Say Her Name? Van zandt Ayana Ala when they did

2182
01:34:30,880 --> 01:34:32,880
Speaker 2: his show together. You saw how that ended and it

2183
01:34:32,920 --> 01:34:35,960
Speaker 2: was like a big viral moment on the internet. So

2184
01:34:36,000 --> 01:34:38,240
Speaker 2: to see where they were at towards the end of

2185
01:34:38,320 --> 01:34:42,479
Speaker 2: DMX's life and how you know, them hanging out him,

2186
01:34:42,640 --> 01:34:44,920
Speaker 2: telling him he's proud of women and showing love and

2187
01:34:44,920 --> 01:34:46,559
Speaker 2: and and things like that, that I thought that was

2188
01:34:46,560 --> 01:34:48,240
Speaker 2: special and that was that was definitely one of the

2189
01:34:48,240 --> 01:34:50,600
Speaker 2: most emotional parts of the documentary. But they did a

2190
01:34:50,600 --> 01:34:54,320
Speaker 2: great job with it. Yeah, and it's just it's still

2191
01:34:54,520 --> 01:34:57,559
Speaker 2: it's surreal, like you almost don't because DMX is not

2192
01:34:57,600 --> 01:35:00,759
Speaker 2: somebody that we we see every day or was heavy

2193
01:35:00,760 --> 01:35:04,240
Speaker 2: on the internet. So to see like, yo, he's really gone,

2194
01:35:04,640 --> 01:35:06,240
Speaker 2: it's like it was real emotional and it was like

2195
01:35:06,360 --> 01:35:07,720
Speaker 2: damn man, but you know it was it was It

2196
01:35:07,760 --> 01:35:10,400
Speaker 2: was beautiful to see that he had mended those relationships

2197
01:35:10,439 --> 01:35:11,840
Speaker 2: with his kids. That was dope.

2198
01:35:12,040 --> 01:35:14,120
Speaker 1: Yeah, when he when he went into death Jam to

2199
01:35:14,120 --> 01:35:17,200
Speaker 1: sign that contract with his lawyer and it's Steve Rifkins.

2200
01:35:19,400 --> 01:35:22,080
Speaker 1: I had really weird. I had mixed feelings about that scene.

2201
01:35:22,120 --> 01:35:24,240
Speaker 1: For the people that haven't seen it. X goes into

2202
01:35:24,280 --> 01:35:26,960
Speaker 1: deaf jam. Steve Rifkins was managing him at the time.

2203
01:35:27,000 --> 01:35:30,200
Speaker 1: I forgot his lawyer's name. I believe he was signing

2204
01:35:30,280 --> 01:35:36,040
Speaker 1: for a Christmas album and one album and X goes

2205
01:35:36,080 --> 01:35:37,800
Speaker 1: in there and the lawyers like, do you want to

2206
01:35:37,800 --> 01:35:39,720
Speaker 1: go through everything? And X like I don't care, I'll

2207
01:35:39,720 --> 01:35:41,600
Speaker 1: just sign it, and Steve Rikins like, no, let's go

2208
01:35:41,680 --> 01:35:48,240
Speaker 1: through the points. I have mixed feelings because that sucks

2209
01:35:48,280 --> 01:35:51,040
Speaker 1: because we know what that is. But X just coming

2210
01:35:51,040 --> 01:35:53,120
Speaker 1: out of jail, him when he was saying that was

2211
01:35:53,160 --> 01:35:56,519
Speaker 1: holding his daughter and like running around his daughter. I

2212
01:35:56,560 --> 01:36:00,840
Speaker 1: did feel good that X. I think found this ship

2213
01:36:00,880 --> 01:36:03,559
Speaker 1: that's important him and he doesn't care, Like, all right,

2214
01:36:03,600 --> 01:36:05,120
Speaker 1: if this is what I'm old to get some bread,

2215
01:36:05,760 --> 01:36:07,519
Speaker 1: I know what's important to me, and it ain't the

2216
01:36:07,520 --> 01:36:08,479
Speaker 1: ship y'all talking about.

2217
01:36:08,560 --> 01:36:08,960
Speaker 2: Yeah.

2218
01:36:09,080 --> 01:36:11,679
Speaker 1: Now that of course leaves you up and get fucked, yeah,

2219
01:36:12,200 --> 01:36:15,720
Speaker 1: and taking advantage of But it was so nice to

2220
01:36:15,720 --> 01:36:18,040
Speaker 1: be like I'm with my daughter, like I'm so happy

2221
01:36:18,040 --> 01:36:20,800
Speaker 1: to just be here. Yeah, I think this is what's

2222
01:36:20,840 --> 01:36:23,200
Speaker 1: important to me. If this is what y'all need, bet,

2223
01:36:23,600 --> 01:36:26,120
Speaker 1: just make sure we got food and I'm fine.

2224
01:36:26,320 --> 01:36:29,040
Speaker 2: I think DMX was just at a point where he

2225
01:36:29,080 --> 01:36:31,320
Speaker 2: had experienced so much in the industry and the business,

2226
01:36:32,280 --> 01:36:35,160
Speaker 2: and like you said, it was just like, fam, I'm

2227
01:36:35,800 --> 01:36:38,640
Speaker 2: this doesn't matter to me. I'm working on having a

2228
01:36:38,680 --> 01:36:41,800
Speaker 2: better relationship with my kids, being a better father. All

2229
01:36:41,840 --> 01:36:44,240
Speaker 2: of this is like y'all could read every page till

2230
01:36:44,320 --> 01:36:47,719
Speaker 2: we fucking turned blue. I'm getting fucked in the end somewhere,

2231
01:36:47,800 --> 01:36:51,280
Speaker 2: because first of all, yet that's what recordlatles do. They

2232
01:36:51,360 --> 01:36:55,120
Speaker 2: rob us, They steal from us. So yeah, that was

2233
01:36:55,200 --> 01:36:58,080
Speaker 2: that was It was good to see that. And but

2234
01:36:58,080 --> 01:36:59,880
Speaker 2: more important, I just like the way they portrayed it

2235
01:37:00,439 --> 01:37:02,240
Speaker 2: and the yeah community, I love the way his portrayal

2236
01:37:02,240 --> 01:37:05,400
Speaker 2: in that documentary. It was real family, which is something

2237
01:37:05,439 --> 01:37:08,320
Speaker 2: he always talked about, going back to you know, the

2238
01:37:08,320 --> 01:37:10,519
Speaker 2: the was it the group home they grew up in. Yeah,

2239
01:37:10,560 --> 01:37:12,840
Speaker 2: going back to that, to the to the campus and

2240
01:37:12,920 --> 01:37:14,920
Speaker 2: him seeing everything, talking to the kids that were there

2241
01:37:14,960 --> 01:37:17,639
Speaker 2: now telling them to take advantage of those opportunities because

2242
01:37:17,640 --> 01:37:20,160
Speaker 2: you know, in those moments, those kids probably feel like

2243
01:37:20,320 --> 01:37:23,240
Speaker 2: nobody cares about them. Of course, and somebody like DMX

2244
01:37:23,280 --> 01:37:26,240
Speaker 2: coming back saying you, I was here, I lived here,

2245
01:37:26,280 --> 01:37:29,000
Speaker 2: and like, let me tell you, like, take advantage of this.

2246
01:37:29,000 --> 01:37:30,599
Speaker 2: This is an opportunity. Don't look at it like this

2247
01:37:30,680 --> 01:37:34,040
Speaker 2: is a negative thing. Yeah, seeing all of that was dope.

2248
01:37:34,080 --> 01:37:37,040
Speaker 2: So prayers the DMX, prayers to his family, his friends.

2249
01:37:36,840 --> 01:37:38,720
Speaker 1: And even before right before the scene he went to

2250
01:37:38,760 --> 01:37:40,840
Speaker 1: the group home, he went back to his projects. Yeah,

2251
01:37:40,920 --> 01:37:44,080
Speaker 1: let everybody wrap you know, I lived right in that buildings.

2252
01:37:43,640 --> 01:37:45,000
Speaker 2: And that you talk to the dudes from from the

2253
01:37:45,040 --> 01:37:48,240
Speaker 2: from the neighborhood. Yeah, it was dope, man, It was dope.

2254
01:37:48,520 --> 01:37:51,960
Speaker 1: X X was was a special soul man like that.

2255
01:37:52,640 --> 01:37:55,960
Speaker 1: I will say, out of any person that's died that

2256
01:37:56,040 --> 01:38:00,000
Speaker 1: I did not know personally, X by far was the most. Yeah,

2257
01:38:00,120 --> 01:38:01,000
Speaker 1: like by far.

2258
01:38:01,240 --> 01:38:03,559
Speaker 2: Because you kind of felt like the change was happening.

2259
01:38:04,520 --> 01:38:08,760
Speaker 1: And X, I mean I've always I've said publicly for

2260
01:38:08,960 --> 01:38:12,040
Speaker 1: years before he had passed. X has always been in

2261
01:38:12,080 --> 01:38:16,240
Speaker 1: my personal top ten like X, I've always always X

2262
01:38:16,280 --> 01:38:20,599
Speaker 1: like was the first rapper during my childhood, Like everyone

2263
01:38:20,640 --> 01:38:24,439
Speaker 1: had to be like the fucking flashy, crazy shit. X

2264
01:38:24,520 --> 01:38:27,000
Speaker 1: was like, oh shit, you could be this type of

2265
01:38:27,040 --> 01:38:29,960
Speaker 1: person and be a rapper. Like I connected with X

2266
01:38:30,000 --> 01:38:32,360
Speaker 1: way more than I connected even though it was my

2267
01:38:32,360 --> 01:38:35,360
Speaker 1: favorite rapper. I identify with X way more than identified with

2268
01:38:35,439 --> 01:38:38,360
Speaker 1: jay Z. So he was always that to me, So

2269
01:38:38,400 --> 01:38:41,360
Speaker 1: it was always a different level with X, like that's

2270
01:38:41,479 --> 01:38:44,439
Speaker 1: my one of my favorite rappers ever. So he passed.

2271
01:38:44,439 --> 01:38:46,040
Speaker 1: I felt like a family member passed.

2272
01:38:46,080 --> 01:38:47,479
Speaker 2: It's just funny and you said that because I'm you

2273
01:38:48,200 --> 01:38:49,640
Speaker 2: so much younger than me. And I know when I

2274
01:38:49,640 --> 01:38:52,120
Speaker 2: first heard X on it was a four three two

2275
01:38:52,160 --> 01:38:55,000
Speaker 2: one mm hm, Like I know what that game. I

2276
01:38:55,040 --> 01:38:58,080
Speaker 2: know what that did for for us. Like we played

2277
01:38:58,120 --> 01:39:01,120
Speaker 2: that shit all day on the block, Like we just

2278
01:39:01,240 --> 01:39:03,360
Speaker 2: kept playing at one of the homies had a Honda

2279
01:39:03,400 --> 01:39:07,519
Speaker 2: hatchback and we was playing that shit all day long.

2280
01:39:07,600 --> 01:39:09,600
Speaker 2: Now that was the only song we played. And it

2281
01:39:09,680 --> 01:39:12,320
Speaker 2: was like, yo, who is this dude? Yeah, like just

2282
01:39:12,360 --> 01:39:15,840
Speaker 2: his energy as presence and from that day on, you know,

2283
01:39:15,920 --> 01:39:18,679
Speaker 2: DMX was just a living legend man.

2284
01:39:19,000 --> 01:39:22,439
Speaker 1: Yeah, because I mean shit, I think the first two

2285
01:39:22,479 --> 01:39:27,519
Speaker 1: CDs I ever I didn't buy my mom, but but

2286
01:39:27,560 --> 01:39:30,240
Speaker 1: I went and said, Mom, I want these was Volume three.

2287
01:39:31,400 --> 01:39:33,000
Speaker 1: She had bought me Volume two before, but that was

2288
01:39:33,040 --> 01:39:35,400
Speaker 1: a gift. Volume three when I went and there was

2289
01:39:35,640 --> 01:39:38,599
Speaker 1: X were the first two albums that I ever picked

2290
01:39:38,600 --> 01:39:42,920
Speaker 1: out myself, and and there was X. As much as

2291
01:39:42,960 --> 01:39:46,120
Speaker 1: I love Volume three, I resonated that more with Volume

2292
01:39:46,160 --> 01:39:48,400
Speaker 1: three now as an adult, when I was a kid

2293
01:39:49,160 --> 01:39:51,280
Speaker 1: and there was X, Like, you couldn't tell me nothing

2294
01:39:51,920 --> 01:39:55,400
Speaker 1: about that. That album was my fucking bible.

2295
01:39:56,040 --> 01:39:57,800
Speaker 2: That's crazy because you were just so young, but I.

2296
01:39:58,160 --> 01:40:01,920
Speaker 1: Was fucking eleven maybe listening of course.

2297
01:40:02,120 --> 01:40:04,240
Speaker 2: Yeah, but the documentary was dope Man.

2298
01:40:04,880 --> 01:40:06,600
Speaker 1: Sorry, dope Man didn't really do it for me.

2299
01:40:07,439 --> 01:40:10,120
Speaker 2: That's not the one that stuck out. Yeah.

2300
01:40:10,280 --> 01:40:12,920
Speaker 1: I do love Volume do though, But yeah, x X.

2301
01:40:13,280 --> 01:40:15,040
Speaker 1: It was tough to watch because again, that's one of

2302
01:40:15,080 --> 01:40:18,840
Speaker 1: the only people I've never I've met in passing instead

2303
01:40:18,840 --> 01:40:21,880
Speaker 1: the low, but that I never knew that, Like that

2304
01:40:22,000 --> 01:40:23,760
Speaker 1: was like watching a family member past.

2305
01:40:23,880 --> 01:40:26,759
Speaker 2: Yeah, but they did a good job with his portrayal

2306
01:40:26,800 --> 01:40:30,160
Speaker 2: in that documentary. Definitely see If you haven't seen DMX

2307
01:40:30,200 --> 01:40:33,519
Speaker 2: documentary on HBO Max, check it out. It's worth it.

2308
01:40:34,640 --> 01:40:36,599
Speaker 2: I love the way they portrayed him in that. Did

2309
01:40:36,600 --> 01:40:37,439
Speaker 2: a great job for.

2310
01:40:37,400 --> 01:40:40,240
Speaker 1: Sure, all right and not non sad, but still the

2311
01:40:40,240 --> 01:40:48,120
Speaker 1: same era Bone Thugs three six Yeah versus huh finally

2312
01:40:48,320 --> 01:40:49,280
Speaker 1: somebody versus is.

2313
01:40:49,960 --> 01:40:53,360
Speaker 2: Finally we got what we're waiting for. Yeah, we don't

2314
01:40:53,360 --> 01:40:55,680
Speaker 2: want to talk about it, but we're kind of been

2315
01:40:55,680 --> 01:40:58,160
Speaker 2: waiting for the rappers that did the verses to pop

2316
01:40:58,720 --> 01:41:01,240
Speaker 2: like somebody to pop off and get a little little

2317
01:41:01,280 --> 01:41:03,240
Speaker 2: tension in the room. If we got it with Gucci

2318
01:41:03,280 --> 01:41:05,200
Speaker 2: and Jeezy A look, but that was just like we

2319
01:41:05,280 --> 01:41:08,439
Speaker 2: thought that that was gonna be like, yeah, but.

2320
01:41:08,720 --> 01:41:10,600
Speaker 1: I was nervous in my kitchen and they were in

2321
01:41:10,640 --> 01:41:11,280
Speaker 1: a whole other state.

2322
01:41:11,439 --> 01:41:15,400
Speaker 2: Yeah, but we finally got some little fisticuffs. Yeah.

2323
01:41:15,720 --> 01:41:17,960
Speaker 1: I think Dream. I think Dream and Sean Garrett would

2324
01:41:17,960 --> 01:41:19,600
Speaker 1: have held it down for R and B if they

2325
01:41:19,640 --> 01:41:20,320
Speaker 1: were in the same room.

2326
01:41:20,360 --> 01:41:22,760
Speaker 2: Oh god, yeah, they would have went to blow. They

2327
01:41:22,760 --> 01:41:25,360
Speaker 2: would have went to blows for sure. But yeah, Bone

2328
01:41:25,400 --> 01:41:29,439
Speaker 2: Thugs and three six Mafia. Uh. Busy Bone had an

2329
01:41:29,439 --> 01:41:31,719
Speaker 2: intro to the verses that he felt like he wanted

2330
01:41:31,720 --> 01:41:34,240
Speaker 2: to get off and he just expressless and I'm not

2331
01:41:34,600 --> 01:41:36,920
Speaker 2: I just don't just stand here and let y'all do that.

2332
01:41:37,120 --> 01:41:37,320
Speaker 1: Yeah.

2333
01:41:37,400 --> 01:41:38,680
Speaker 2: I don't even know why he felt like they were

2334
01:41:38,680 --> 01:41:39,240
Speaker 2: gonna do that.

2335
01:41:40,400 --> 01:41:43,479
Speaker 1: I feel like there was maybe some banter behind the scenes, okay,

2336
01:41:43,520 --> 01:41:45,160
Speaker 1: and he was establishing something.

2337
01:41:45,040 --> 01:41:48,240
Speaker 2: From the gate. I like it. I'm gonna set the tone. Listen,

2338
01:41:48,240 --> 01:41:50,479
Speaker 2: we're not doing that. I'm not about to stand here

2339
01:41:50,479 --> 01:41:52,560
Speaker 2: and let y'all just sit up here and you know

2340
01:41:52,600 --> 01:41:55,160
Speaker 2: what I mean. And then Juicy J went crazy and

2341
01:41:55,200 --> 01:41:58,200
Speaker 2: you don't once you do that, like the marriage invite

2342
01:41:58,240 --> 01:42:00,360
Speaker 2: you to the Frank Stan, it was like it was

2343
01:42:00,360 --> 01:42:00,639
Speaker 2: a lot.

2344
01:42:00,880 --> 01:42:04,400
Speaker 1: Yeah, you can't do that like that. That's lines on

2345
01:42:04,520 --> 01:42:06,840
Speaker 1: Uncle Charlie. You're not about to do that.

2346
01:42:06,840 --> 01:42:10,880
Speaker 2: That's one of those lines you can't cross. And it's

2347
01:42:10,880 --> 01:42:13,160
Speaker 2: funny looking back, like you laugh. But in that moment,

2348
01:42:13,200 --> 01:42:15,040
Speaker 2: I was like, oh, this might this, this might end.

2349
01:42:15,439 --> 01:42:16,920
Speaker 2: Like I didn't think they were going to be able

2350
01:42:16,960 --> 01:42:17,400
Speaker 2: to finish that.

2351
01:42:18,479 --> 01:42:20,720
Speaker 1: I mean, I'm glad that they kind of held back

2352
01:42:20,720 --> 01:42:24,040
Speaker 1: because they did the little you know, back and forth pushing.

2353
01:42:26,320 --> 01:42:27,040
Speaker 2: But it's just funny.

2354
01:42:27,040 --> 01:42:28,680
Speaker 1: We don't want to advocate for violence because I am

2355
01:42:29,200 --> 01:42:30,520
Speaker 1: always don't want violence.

2356
01:42:30,240 --> 01:42:32,320
Speaker 2: To have it for sure. No, we could joke about

2357
01:42:32,320 --> 01:42:33,439
Speaker 2: it specifically.

2358
01:42:33,000 --> 01:42:35,880
Speaker 1: With weapons, I am. I'm always for a fair one.

2359
01:42:36,000 --> 01:42:37,160
Speaker 2: Yeah, fight fist.

2360
01:42:37,560 --> 01:42:39,880
Speaker 1: I'm always like, I don't think there's ship wrong with

2361
01:42:39,960 --> 01:42:42,000
Speaker 1: fights if they're warrant, and I think people fighting for

2362
01:42:42,000 --> 01:42:45,160
Speaker 1: no reason it's corny. But I did want like somebody

2363
01:42:45,479 --> 01:42:48,679
Speaker 1: I ain't like the little pushing mash, but you nobody

2364
01:42:48,800 --> 01:42:49,360
Speaker 1: throw something.

2365
01:42:49,479 --> 01:42:52,040
Speaker 2: But if you look back at it and you know,

2366
01:42:54,600 --> 01:42:56,640
Speaker 2: they just had a little piece of caution tape, and

2367
01:42:56,680 --> 01:42:58,360
Speaker 2: them niggas exactly like they didn't want to cross the

2368
01:42:58,400 --> 01:43:01,760
Speaker 2: caution tape. Like if y'all don't break that little piece

2369
01:43:01,760 --> 01:43:04,320
Speaker 2: of tape and get it on like luds are sitting

2370
01:43:04,320 --> 01:43:07,439
Speaker 2: there pushing up, like right up, it's like the move.

2371
01:43:07,800 --> 01:43:08,920
Speaker 2: Just rush these dudes.

2372
01:43:09,000 --> 01:43:11,760
Speaker 1: You ever seen some spots that can't afford the big

2373
01:43:11,800 --> 01:43:14,880
Speaker 1: security guards. Absolutely, and they just got like the regular guys.

2374
01:43:14,880 --> 01:43:16,960
Speaker 1: They just wear all black. Yeah, and then you see

2375
01:43:16,960 --> 01:43:19,080
Speaker 1: somebody get stopped by them, be like, come on, you

2376
01:43:19,080 --> 01:43:19,760
Speaker 1: can get past him.

2377
01:43:20,120 --> 01:43:22,160
Speaker 2: You could have easily pushed them through him out the way. Yeah,

2378
01:43:22,240 --> 01:43:24,240
Speaker 2: So that's something they didn't really want to fight. But again,

2379
01:43:24,280 --> 01:43:26,320
Speaker 2: you want you to tell a grown man, you know,

2380
01:43:26,320 --> 01:43:28,000
Speaker 2: you invite them to the frank stand. Yeah, and you

2381
01:43:28,120 --> 01:43:31,439
Speaker 2: gotta know, you gotta know what's happening after that at

2382
01:43:31,439 --> 01:43:32,720
Speaker 2: that point you want that's what you want.

2383
01:43:32,720 --> 01:43:35,320
Speaker 1: You want violentce because y'all don't have the relationship Locks

2384
01:43:35,320 --> 01:43:37,760
Speaker 1: and Dipset have with each other and had a pre

2385
01:43:37,920 --> 01:43:40,760
Speaker 1: conversation like yo, we'll get chippy with each other with.

2386
01:43:40,760 --> 01:43:43,280
Speaker 2: Some chippy ship being said in the Locks versus. But

2387
01:43:43,840 --> 01:43:46,080
Speaker 2: nobody ever invited nobody to the French stand. I think

2388
01:43:46,160 --> 01:43:49,120
Speaker 2: that would have tipped it over there, because that's just

2389
01:43:49,120 --> 01:43:51,479
Speaker 2: one of those things in our culture. You can't say that.

2390
01:43:51,640 --> 01:43:52,639
Speaker 2: You can't say that.

2391
01:43:53,439 --> 01:43:55,479
Speaker 1: I mean, I didn't watch the verses. I don't know

2392
01:43:55,520 --> 01:43:59,599
Speaker 1: who won one to that, absolutely, you're.

2393
01:43:59,479 --> 01:44:01,840
Speaker 3: The only person I'm saying that. Everybody else saw said that.

2394
01:44:03,200 --> 01:44:05,400
Speaker 2: Come on, man, wait, was Juicy allowed to play all

2395
01:44:05,400 --> 01:44:05,880
Speaker 2: his shits too?

2396
01:44:05,960 --> 01:44:06,280
Speaker 3: Yes?

2397
01:44:07,479 --> 01:44:09,759
Speaker 1: Bone Thugs one. Yeah, I'm more of a Bone Thugs

2398
01:44:09,760 --> 01:44:11,639
Speaker 1: fan than I am a personally than a three six.

2399
01:44:11,520 --> 01:44:15,080
Speaker 2: Okay, well, there's no definitive winner. I feel like Bone

2400
01:44:15,120 --> 01:44:17,840
Speaker 2: Thugs one. I love three six obviously Juicy J. They

2401
01:44:17,880 --> 01:44:22,000
Speaker 2: have legends, classic records. I feel like Bone Thugs one.

2402
01:44:22,680 --> 01:44:24,880
Speaker 1: I like to see Juicy like because Juicy we know

2403
01:44:24,960 --> 01:44:28,160
Speaker 1: now is back to iconic and Juicy J. We know

2404
01:44:28,400 --> 01:44:30,920
Speaker 1: his legendary status with who he is. It was nice

2405
01:44:30,920 --> 01:44:33,880
Speaker 1: to see him in a little chippy situation like at

2406
01:44:33,880 --> 01:44:36,040
Speaker 1: a versus like, nah, there's still gonna be some three six.

2407
01:44:35,920 --> 01:44:38,400
Speaker 2: Shits, you still gonna get crazy and yeah.

2408
01:44:38,240 --> 01:44:40,280
Speaker 1: Yeah, because you are a legend.

2409
01:44:40,360 --> 01:44:42,040
Speaker 2: Yeah, but I understand it. But Juicy J. Gott to

2410
01:44:42,080 --> 01:44:43,880
Speaker 2: know if you tell another man some shit like that,

2411
01:44:43,960 --> 01:44:46,040
Speaker 2: which if the table was turned. If somebody told Juicy

2412
01:44:46,120 --> 01:44:48,479
Speaker 2: J that would have been the same thing, So you

2413
01:44:48,520 --> 01:44:50,720
Speaker 2: know that that was fair. I'm pretty sure he knew

2414
01:44:50,760 --> 01:44:52,280
Speaker 2: that that was was something that was that was going

2415
01:44:52,320 --> 01:44:54,439
Speaker 2: to be the reaction that was gonna happen.

2416
01:44:54,520 --> 01:44:56,720
Speaker 1: I mean, I'm observant. So I don't know if I

2417
01:44:56,760 --> 01:44:58,840
Speaker 1: ever want to fuck with the crew where I know

2418
01:44:58,920 --> 01:45:00,920
Speaker 1: one of y'all shot each other and y'all still cool.

2419
01:45:01,520 --> 01:45:04,040
Speaker 2: Yeah, because at that point y'all willing to do anything.

2420
01:45:04,439 --> 01:45:09,080
Speaker 1: Like crazy bone shot. I think lazy with a shotgun

2421
01:45:09,600 --> 01:45:13,000
Speaker 1: shot him and they they they straight. It's my bad,

2422
01:45:13,000 --> 01:45:16,760
Speaker 1: ain't nothing. Yeah, I'm scared of that crew. That's a

2423
01:45:16,800 --> 01:45:17,559
Speaker 1: crew I don't want to fight.

2424
01:45:17,720 --> 01:45:20,679
Speaker 2: Yeah, you all right, you tough right, that type of ship, Yeah,

2425
01:45:20,680 --> 01:45:21,360
Speaker 2: you tough right.

2426
01:45:21,760 --> 01:45:23,479
Speaker 1: You shot me a shotgun.

2427
01:45:24,080 --> 01:45:26,080
Speaker 2: You tough to worry about that ship. Put a band

2428
01:45:26,080 --> 01:45:28,120
Speaker 2: eight on that ship would be all right. Yeah, But

2429
01:45:28,160 --> 01:45:31,360
Speaker 2: I think I think Bone Thugs won, though I'm actually

2430
01:45:31,640 --> 01:45:33,519
Speaker 2: saying three six one, But I think.

2431
01:45:33,800 --> 01:45:35,680
Speaker 1: I just thought it's a weird matchup with the sounds.

2432
01:45:35,400 --> 01:45:38,240
Speaker 3: Like yeah, yeah, a completely different sound.

2433
01:45:38,360 --> 01:45:40,200
Speaker 1: Yeah. I don't know how to compare those two types

2434
01:45:40,200 --> 01:45:40,320
Speaker 1: of it.

2435
01:45:40,439 --> 01:45:42,360
Speaker 2: There's no comparison but I hope.

2436
01:45:42,400 --> 01:45:44,360
Speaker 1: Again, I wasn't looking at Twitter when it happened. I

2437
01:45:44,360 --> 01:45:46,920
Speaker 1: do hope Bone Thugs really got their flowers.

2438
01:45:47,400 --> 01:45:49,559
Speaker 2: Oh no, they did. I think they did. I think

2439
01:45:49,600 --> 01:45:53,120
Speaker 2: people were reminded that night that you know, Bone Thugs

2440
01:45:53,160 --> 01:45:57,479
Speaker 2: is one of the most iconic UH groups in hip

2441
01:45:57,520 --> 01:45:59,280
Speaker 2: hop history for sure, without a doubt.

2442
01:45:59,080 --> 01:46:01,439
Speaker 1: Because I always bring it back to eight Weights and

2443
01:46:01,439 --> 01:46:04,120
Speaker 1: Heartbreaks is why everything sounds the way it sounds now

2444
01:46:04,160 --> 01:46:09,200
Speaker 1: and those flows it's all Kanye, Wayne and Chief Keef.

2445
01:46:09,240 --> 01:46:10,880
Speaker 1: I like that those are the three that made the

2446
01:46:10,920 --> 01:46:13,800
Speaker 1: sound now. If we want to pull it back more,

2447
01:46:14,240 --> 01:46:15,760
Speaker 1: a lot of the flows people have a lot of

2448
01:46:15,760 --> 01:46:19,760
Speaker 1: that melodic ship, not just Bone Thugs. It's busy like.

2449
01:46:19,960 --> 01:46:22,240
Speaker 1: Bone Thugs really shaped a lot of what the sound

2450
01:46:22,280 --> 01:46:25,200
Speaker 1: is right now. Absolutely, and do It Died too. I

2451
01:46:25,240 --> 01:46:27,720
Speaker 1: know y'all have domb ship, but and do It Die

2452
01:46:28,000 --> 01:46:32,200
Speaker 1: like that that flow is still very much here crucial

2453
01:46:32,200 --> 01:46:33,360
Speaker 1: conflict too, for sure.

2454
01:46:34,680 --> 01:46:38,920
Speaker 2: Yeah, that that whole nineties going into late nineties, those

2455
01:46:38,920 --> 01:46:42,280
Speaker 2: groups they definitely, like I said, the first time, I

2456
01:46:42,320 --> 01:46:43,080
Speaker 2: think that was the first time.

2457
01:46:43,240 --> 01:46:45,120
Speaker 1: Helypics sort of in there too.

2458
01:46:45,680 --> 01:46:49,599
Speaker 2: Uh We're Biggie and bone Thugs. Yeah, record I think

2459
01:46:49,600 --> 01:46:51,600
Speaker 2: that was the first time we heard big rap with

2460
01:46:51,680 --> 01:46:55,559
Speaker 2: that type of cadence and flow. So yeah, Bone They're

2461
01:46:55,760 --> 01:46:57,840
Speaker 2: they're there impression on the on the on the game

2462
01:46:57,880 --> 01:47:02,320
Speaker 2: and hip hop is legendary, well iconic group and it

2463
01:47:02,439 --> 01:47:05,040
Speaker 2: was good to see them on the stage. They had

2464
01:47:05,080 --> 01:47:07,240
Speaker 2: a little fist to cups in the beginning, but that's

2465
01:47:07,280 --> 01:47:10,160
Speaker 2: bringing that nineties energy back for sure. Not mad at it.

2466
01:47:10,640 --> 01:47:13,599
Speaker 1: I got punched in my eyes at the whole besides

2467
01:47:13,680 --> 01:47:15,639
Speaker 1: two show, and I was like, thank god, somebody got punched.

2468
01:47:15,720 --> 01:47:17,120
Speaker 2: Yeah, like you know, you just got to keep the

2469
01:47:17,160 --> 01:47:18,599
Speaker 2: energies hip hop. At the end of the day, it's

2470
01:47:18,600 --> 01:47:22,559
Speaker 2: just hip hop and somebody gotta get punched, But yeah,

2471
01:47:22,760 --> 01:47:23,959
Speaker 2: I got. I had Bone Thugs.

2472
01:47:23,720 --> 01:47:25,599
Speaker 1: One of that I saw the last time I went

2473
01:47:25,600 --> 01:47:27,960
Speaker 1: to Howard homecoming for Yardfests. I think it was the

2474
01:47:28,040 --> 01:47:31,120
Speaker 1: year before COVID. Bone Thugs was on the bill, and

2475
01:47:31,280 --> 01:47:33,400
Speaker 1: typically we don't have time to do yr Fest because

2476
01:47:33,439 --> 01:47:35,720
Speaker 1: we do pollutes around the same time. But for some

2477
01:47:35,760 --> 01:47:39,439
Speaker 1: reason I was able to go just I specifically went

2478
01:47:39,479 --> 01:47:42,040
Speaker 1: to go see Bone Thugs and Yardfest for the most

2479
01:47:42,040 --> 01:47:46,880
Speaker 1: part is the college kids. Most of like the you know,

2480
01:47:46,920 --> 01:47:48,920
Speaker 1: people that are graduated whatever is usually in the parking lot,

2481
01:47:49,200 --> 01:47:51,719
Speaker 1: but yard fest like on the yard is the kids

2482
01:47:51,720 --> 01:47:54,840
Speaker 1: that are at Howard in DC. So Bone Thugs was

2483
01:47:54,840 --> 01:47:57,240
Speaker 1: on the bill like typically they've had drake two chains

2484
01:47:57,280 --> 01:47:59,680
Speaker 1: like whatever kind of popping. At the moment they did

2485
01:47:59,760 --> 01:48:01,559
Speaker 1: bone I was like, Oh, my old ass is about

2486
01:48:01,600 --> 01:48:05,160
Speaker 1: to go up there watching all the student body of

2487
01:48:05,200 --> 01:48:07,920
Speaker 1: Howard stare at Bone Thugs and the what the fuck

2488
01:48:08,000 --> 01:48:11,080
Speaker 1: is this mode was one of the more enjoyment I've

2489
01:48:11,120 --> 01:48:15,280
Speaker 1: ever had. Meanwhile, I'm over there, live in your childhood.

2490
01:48:15,960 --> 01:48:17,240
Speaker 2: But yeah, I just.

2491
01:48:17,240 --> 01:48:19,800
Speaker 1: Bone thugs need their flowers, man, And they said as well,

2492
01:48:19,840 --> 01:48:21,519
Speaker 1: of course, But I feel like three six has gotten

2493
01:48:21,600 --> 01:48:22,479
Speaker 1: a lot of their flowers.

2494
01:48:22,560 --> 01:48:24,600
Speaker 2: I just don't think Bone Thugs Bone thus has. You know,

2495
01:48:24,640 --> 01:48:28,479
Speaker 2: they had a lot of you know, things happened in

2496
01:48:28,520 --> 01:48:33,479
Speaker 2: their lives, personally jail time, you know, drug addiction, things

2497
01:48:33,560 --> 01:48:36,720
Speaker 2: like that that kind of gotten away each other. Yeah

2498
01:48:36,840 --> 01:48:39,800
Speaker 2: like that, yes, that kind of gotten away and kind

2499
01:48:39,800 --> 01:48:43,200
Speaker 2: of you know, But that that night on the verses,

2500
01:48:43,280 --> 01:48:46,400
Speaker 2: I think that you know, everybody kind of understood exactly

2501
01:48:46,479 --> 01:48:49,600
Speaker 2: how dope and important Bone Thugs and Harmony was to

2502
01:48:49,680 --> 01:48:50,080
Speaker 2: the culture.

2503
01:48:50,760 --> 01:48:52,640
Speaker 1: And shout out to Steve Rifkin again and so I

2504
01:48:52,680 --> 01:48:55,400
Speaker 1: saw him try to get in front of Juicy J.

2505
01:48:57,400 --> 01:48:58,719
Speaker 1: Steve relaxed.

2506
01:48:59,240 --> 01:49:00,519
Speaker 2: We got this, we got this.

2507
01:49:00,600 --> 01:49:04,200
Speaker 1: So thank you though, but yeah, shout out, shout out

2508
01:49:04,240 --> 01:49:08,120
Speaker 1: to UH, to Swizz and Tim. It's still going. I

2509
01:49:08,160 --> 01:49:12,080
Speaker 1: don't know how much they care about it, m hm anymore?

2510
01:49:12,720 --> 01:49:14,760
Speaker 1: Am I allowed to say that, how much they.

2511
01:49:14,680 --> 01:49:15,160
Speaker 2: Care about it?

2512
01:49:15,479 --> 01:49:18,760
Speaker 1: Well, Swizz his mouth and how they're gonna be like,

2513
01:49:18,760 --> 01:49:20,240
Speaker 1: how do you know how the fuck we feel? I

2514
01:49:20,320 --> 01:49:22,760
Speaker 1: just feel like they don't. Well, I think they got

2515
01:49:22,800 --> 01:49:24,479
Speaker 1: their bag off it and they continue to make it

2516
01:49:24,479 --> 01:49:25,240
Speaker 1: important for the culture.

2517
01:49:25,240 --> 01:49:26,120
Speaker 2: I just think they moved on.

2518
01:49:27,080 --> 01:49:29,040
Speaker 1: The same way we're talking about the Ross rollout, Like,

2519
01:49:29,439 --> 01:49:32,040
Speaker 1: I don't know if he cares much. I can't feel

2520
01:49:32,040 --> 01:49:35,120
Speaker 1: that way about versus from them specifically, because they, you know,

2521
01:49:35,200 --> 01:49:37,639
Speaker 1: partner with everybody, got their money and made a staple

2522
01:49:37,720 --> 01:49:39,600
Speaker 1: for it and continues to make a staple in the

2523
01:49:39,640 --> 01:49:40,160
Speaker 1: culture with it.

2524
01:49:40,240 --> 01:49:43,160
Speaker 2: I just don't know if, like you think, Swizz and

2525
01:49:43,240 --> 01:49:46,080
Speaker 2: Tim watched well, Swizz was inside the chat and he

2526
01:49:46,200 --> 01:49:50,960
Speaker 2: was he said, I'm not stopping ship because I'm still

2527
01:49:51,040 --> 01:49:51,880
Speaker 2: I still remember.

2528
01:49:51,840 --> 01:49:53,840
Speaker 1: Even in the same city. Was he stopping well, he was.

2529
01:49:53,840 --> 01:49:56,479
Speaker 2: Being funny when he said busy had bit him back

2530
01:49:56,520 --> 01:49:58,840
Speaker 2: in the day. I told you he was saying that

2531
01:49:58,960 --> 01:50:00,479
Speaker 2: nigga bit me before.

2532
01:50:00,800 --> 01:50:03,479
Speaker 1: So it was kind of like, but why, Like, I'm

2533
01:50:03,520 --> 01:50:05,200
Speaker 1: not shocked by that. I could tell him to be busy.

2534
01:50:05,360 --> 01:50:07,640
Speaker 2: Nobody was. That's why I was kind of like I

2535
01:50:07,680 --> 01:50:09,439
Speaker 2: could see that, you know what I mean. So so

2536
01:50:09,560 --> 01:50:11,760
Speaker 2: because when that whole shit happened, Swiss was in the chat.

2537
01:50:11,800 --> 01:50:14,760
Speaker 2: He was like, look, I'm not I'm not stopping ship. Yeah.

2538
01:50:14,760 --> 01:50:16,599
Speaker 1: I grew up around a lot of kids that were

2539
01:50:17,240 --> 01:50:21,760
Speaker 1: adopted and or in group homs or pages. I know

2540
01:50:21,920 --> 01:50:25,080
Speaker 1: so many busy bones in my life. Like, no, it's

2541
01:50:25,080 --> 01:50:29,240
Speaker 1: a specific like I know busy bone. I don't know him,

2542
01:50:29,240 --> 01:50:29,880
Speaker 1: but I know him.

2543
01:50:30,120 --> 01:50:32,439
Speaker 2: We all do. We all know a busy bone. Trust me.

2544
01:50:32,720 --> 01:50:35,200
Speaker 2: My cousin, one of my cousins is definitely busy bone.

2545
01:50:35,720 --> 01:50:37,639
Speaker 2: He just can't rap, but he's busy bone.

2546
01:50:40,160 --> 01:50:43,479
Speaker 1: Oh shout out to bone Thugs, man. I love bone Thugs.

2547
01:50:43,920 --> 01:50:45,080
Speaker 1: Is there anything else we have to cover?

2548
01:50:46,240 --> 01:50:47,960
Speaker 3: No, not that I can think of.

2549
01:50:50,320 --> 01:50:52,120
Speaker 1: We are going to Detroit. We're not going to tell

2550
01:50:52,200 --> 01:50:56,120
Speaker 1: y'all why, but we're going to Detroit. We are going

2551
01:50:56,160 --> 01:50:56,679
Speaker 1: to Detroit.

2552
01:50:57,720 --> 01:51:02,360
Speaker 2: Yeah, just to get some jets pizza, one have some

2553
01:51:02,439 --> 01:51:03,760
Speaker 2: fun in Detroit for a couple of days.

2554
01:51:05,160 --> 01:51:06,879
Speaker 1: Have you lived in Detroit for a little while.

2555
01:51:07,040 --> 01:51:11,200
Speaker 2: Did you, uh, well, not Michigan, but yeah, I mean

2556
01:51:11,240 --> 01:51:11,800
Speaker 2: it's you know.

2557
01:51:12,400 --> 01:51:17,240
Speaker 1: The metropolitan area. Did you hit hit a few people

2558
01:51:17,280 --> 01:51:19,280
Speaker 1: like going back in town, like where you're at?

2559
01:51:19,520 --> 01:51:19,720
Speaker 2: God?

2560
01:51:19,880 --> 01:51:22,800
Speaker 1: No, no, because Detroit women are slept on.

2561
01:51:24,560 --> 01:51:27,120
Speaker 2: I love some. It's some real pretty women in Detroit,

2562
01:51:27,200 --> 01:51:31,000
Speaker 2: for sure. Absolutely, but it's pretty women. Ever, we don't

2563
01:51:31,120 --> 01:51:32,639
Speaker 2: want to talk about we ain't got to talk about Carl,

2564
01:51:33,760 --> 01:51:37,160
Speaker 2: we ain't got to talk about called college Callee just crazy.

2565
01:51:37,680 --> 01:51:41,160
Speaker 1: Can I tell that story one day? I'm I'll tell

2566
01:51:41,160 --> 01:51:42,040
Speaker 1: you we get back from Detroit.

2567
01:51:42,080 --> 01:51:42,599
Speaker 2: Al right, cool?

2568
01:51:43,000 --> 01:51:44,200
Speaker 1: But can you be on a mic for it?

2569
01:51:45,120 --> 01:51:48,120
Speaker 2: Yeah? Are you sure? All right?

2570
01:51:51,160 --> 01:51:54,720
Speaker 1: You guys A very wild story of group sex and

2571
01:51:55,720 --> 01:51:58,840
Speaker 1: in the beautiful city of Detroit. Detroit women are interesting, man.

2572
01:51:58,880 --> 01:51:59,760
Speaker 1: I really like Detroit women.

2573
01:51:59,800 --> 01:52:00,439
Speaker 2: Every very cool.

2574
01:52:00,640 --> 01:52:02,960
Speaker 1: They're very down to earth, They're very pretty. Like I

2575
01:52:03,080 --> 01:52:05,920
Speaker 1: fuck with Detroit women heavy. Yeah, I think they're one

2576
01:52:05,960 --> 01:52:09,000
Speaker 1: of the most everyone on the city women Like we

2577
01:52:09,120 --> 01:52:13,080
Speaker 1: all know Houston's all that ship Atlanta. Detroit has amazing women.

2578
01:52:13,280 --> 01:52:13,439
Speaker 2: Yeah.

2579
01:52:13,560 --> 01:52:14,920
Speaker 1: So I wasn't sure if he was doubling back on

2580
01:52:15,000 --> 01:52:15,599
Speaker 1: any one of the women.

2581
01:52:15,720 --> 01:52:20,080
Speaker 2: No, no, it's been that's been way too That was not.

2582
01:52:20,920 --> 01:52:22,680
Speaker 1: That text you I hate you. Oh no, she's not

2583
01:52:22,720 --> 01:52:23,920
Speaker 1: from the Truk.

2584
01:52:24,120 --> 01:52:27,680
Speaker 2: Can I fly to dru No? Please, no, don't fly

2585
01:52:27,800 --> 01:52:31,439
Speaker 2: her anyway. But yeah, Detroit is cool. Detroit was. We

2586
01:52:31,479 --> 01:52:35,040
Speaker 2: had a good time in Detroit, especially, like you know,

2587
01:52:35,400 --> 01:52:40,479
Speaker 2: in the places that we frequent. Birmingham was cool. Good

2588
01:52:40,600 --> 01:52:44,480
Speaker 2: good cigar cigar boar there good steakhouse in Birmingham.

2589
01:52:45,320 --> 01:52:45,920
Speaker 1: But you're vegan.

2590
01:52:47,320 --> 01:52:48,840
Speaker 2: No, this is I wasn't vegan back then.

2591
01:52:49,000 --> 01:52:50,160
Speaker 3: This is it was.

2592
01:52:50,680 --> 01:52:52,640
Speaker 2: I remember we went to a soul fuol spot. I

2593
01:52:52,640 --> 01:52:54,599
Speaker 2: don't I cannot. I've been trying to remember the name

2594
01:52:54,640 --> 01:52:56,800
Speaker 2: of it. But it was a soul fuld spot. We

2595
01:52:56,880 --> 01:52:59,040
Speaker 2: heard that. This spot was like amazing. Everybody's like, you

2596
01:52:59,120 --> 01:53:02,200
Speaker 2: gotta go there, I gotta eat it. We go there,

2597
01:53:02,280 --> 01:53:04,640
Speaker 2: and this is why I love Detroit. Go there. We

2598
01:53:04,720 --> 01:53:12,080
Speaker 2: pull up. The entire entire restaurant is bulletproof. Actually, and

2599
01:53:12,120 --> 01:53:14,080
Speaker 2: I'm talking about they serving some of the best fucking

2600
01:53:14,120 --> 01:53:17,679
Speaker 2: wings and college greens. But you got to order behind

2601
01:53:17,720 --> 01:53:19,519
Speaker 2: a bulletproof And I'm like, wait, this is you know,

2602
01:53:19,640 --> 01:53:21,200
Speaker 2: you go to soul food spot. It's like family. That's

2603
01:53:21,280 --> 01:53:25,240
Speaker 2: like my uncle's in them. Everything bulletproof. I said, all

2604
01:53:25,280 --> 01:53:27,400
Speaker 2: this food about to be crazy. And you know, the

2605
01:53:27,439 --> 01:53:30,160
Speaker 2: food is good. It's mixed with gun you got it.

2606
01:53:30,439 --> 01:53:31,960
Speaker 2: I can't remember the name of it, but the food

2607
01:53:32,040 --> 01:53:34,519
Speaker 2: was amazing. It was another spot. I think it was

2608
01:53:34,600 --> 01:53:36,840
Speaker 2: called Beans and corn Bread. Okay, we used to go

2609
01:53:36,960 --> 01:53:40,519
Speaker 2: to that was really good. And it was another spot.

2610
01:53:40,520 --> 01:53:42,640
Speaker 2: I can't remember the name, but yeah, Detroit's sweet.

2611
01:53:42,400 --> 01:53:44,519
Speaker 1: Water Wings are amazing across from Saint Andrew's.

2612
01:53:44,680 --> 01:53:45,280
Speaker 2: Love that spot.

2613
01:53:46,080 --> 01:53:49,040
Speaker 1: Uh. One time we was in Detroit. It's in Detroit

2614
01:53:49,120 --> 01:53:54,200
Speaker 1: for Palza and we were staying downtown and I know

2615
01:53:54,280 --> 01:53:56,280
Speaker 1: eight miles iconic or whatever, but that's still just a

2616
01:53:56,360 --> 01:53:59,519
Speaker 1: major highway at the end of the day and it's far.

2617
01:54:00,240 --> 01:54:01,840
Speaker 1: We drove all the way to eight miles for the

2618
01:54:01,840 --> 01:54:03,800
Speaker 1: strip club because my man knew I guess the owner

2619
01:54:03,880 --> 01:54:07,240
Speaker 1: or some ship. It's a Friday night time when the

2620
01:54:07,280 --> 01:54:09,280
Speaker 1: strip club would be packed like one am type of ship.

2621
01:54:09,600 --> 01:54:13,240
Speaker 1: We walk in beautiful strip club, brand new, not a

2622
01:54:13,360 --> 01:54:16,760
Speaker 1: soul in there, but the strippers they immediately run to

2623
01:54:16,880 --> 01:54:19,640
Speaker 1: us like they knew he was coming. I tapped my man,

2624
01:54:19,640 --> 01:54:21,400
Speaker 1: I say, yea, we're about to get lined up. I'm

2625
01:54:21,439 --> 01:54:22,000
Speaker 1: leaving right now.

2626
01:54:23,080 --> 01:54:25,080
Speaker 2: No, they ran y'all because it wasn't. Nobody said they

2627
01:54:25,120 --> 01:54:26,760
Speaker 2: was trying to get their bills paid. No, they wasn't.

2628
01:54:26,760 --> 01:54:33,000
Speaker 1: They knew he was covered, they.

2629
01:54:32,480 --> 01:54:34,280
Speaker 2: Knew he was okay.

2630
01:54:34,720 --> 01:54:36,800
Speaker 1: The strip clubs that I would walk into and be like,

2631
01:54:37,000 --> 01:54:39,760
Speaker 1: I understand why no one's in here. I felt like

2632
01:54:39,840 --> 01:54:42,080
Speaker 1: they they closed shot that night just to lines.

2633
01:54:42,720 --> 01:54:44,640
Speaker 2: They only opened it just for y'all to walk in exactly.

2634
01:54:44,880 --> 01:54:47,840
Speaker 2: That's crazy. I got the legendary strip clubs in Detroit,

2635
01:54:48,520 --> 01:54:51,240
Speaker 2: some of the best some of the best food too. Yeah, legendary.

2636
01:54:51,800 --> 01:54:53,520
Speaker 2: A shout out to Detroit. Be in Detroit for a

2637
01:54:53,560 --> 01:54:56,720
Speaker 2: couple of days, and then uh right back, right back to.

2638
01:54:56,880 --> 01:54:59,320
Speaker 1: Doing some training you know, you know what I mean.

2639
01:55:00,040 --> 01:55:01,320
Speaker 2: H'm a little bit man.

2640
01:55:01,880 --> 01:55:05,120
Speaker 1: Figure out how to defend ourselves do Detroit.

2641
01:55:05,200 --> 01:55:07,960
Speaker 3: Then a couple of fun episodes we have.

2642
01:55:08,120 --> 01:55:09,680
Speaker 1: Yeah, we actually have some ship in the next few days.

2643
01:55:09,720 --> 01:55:12,360
Speaker 1: We have to Detroit tomorrow, then we fly right back

2644
01:55:13,240 --> 01:55:16,960
Speaker 1: to sit with somebody, uh for our Friday Saturday episode.

2645
01:55:16,960 --> 01:55:18,280
Speaker 1: I'm excited. This week is be interesting.

2646
01:55:18,840 --> 01:55:23,160
Speaker 2: Yeah, look at us being not hermits.

2647
01:55:23,360 --> 01:55:26,200
Speaker 1: Yeah, and we're skipping the Drake and Yay Show for

2648
01:55:26,440 --> 01:55:29,200
Speaker 1: episode purposes because we have so much going on? Should

2649
01:55:29,200 --> 01:55:30,080
Speaker 1: we give away our tickets?

2650
01:55:31,040 --> 01:55:33,800
Speaker 2: Yeah? Tell them, no, let's give him away. I like,

2651
01:55:33,840 --> 01:55:35,920
Speaker 2: give it away. I'm not selling no tickets.

2652
01:55:35,960 --> 01:55:36,080
Speaker 1: Man.

2653
01:55:36,640 --> 01:55:38,400
Speaker 2: It's like somebody asked me for some weed one time,

2654
01:55:38,440 --> 01:55:40,800
Speaker 2: and I gave them, like some week I was smoking,

2655
01:55:40,960 --> 01:55:42,880
Speaker 2: and I gave them because they usually have like the

2656
01:55:43,000 --> 01:55:45,640
Speaker 2: cones already rolled it on me. So I gave him.

2657
01:55:45,640 --> 01:55:48,000
Speaker 2: I'm like, I'm not sharing a joint with a man.

2658
01:55:48,040 --> 01:55:53,320
Speaker 2: I'm not doing that. So I gave him his own weed, okay,

2659
01:55:54,160 --> 01:55:56,880
Speaker 2: And then to be like now before COVID, but now

2660
01:55:56,920 --> 01:55:58,720
Speaker 2: with COVID, it's like, fam, I'm not smoking after you,

2661
01:55:58,840 --> 01:56:04,040
Speaker 2: but I guess gave him. I gave him the the joint.

2662
01:56:05,160 --> 01:56:06,840
Speaker 2: He's like, yo, good looking. How much how much I

2663
01:56:06,880 --> 01:56:11,320
Speaker 2: got for you? What you mean, comorktable? I don't sell weave.

2664
01:56:12,200 --> 01:56:14,040
Speaker 2: What you mean how much you will? I'm charge you

2665
01:56:14,080 --> 01:56:15,840
Speaker 2: for this joint? Like come on?

2666
01:56:16,080 --> 01:56:17,800
Speaker 1: You know the hip hop cops? He was a podcast cop.

2667
01:56:18,040 --> 01:56:21,280
Speaker 2: No, he was like, oh no, nobody ever just gave

2668
01:56:21,320 --> 01:56:23,120
Speaker 2: me weed before you got to get some new friends.

2669
01:56:22,920 --> 01:56:25,640
Speaker 1: Because you're rich. No, it's just we people pass out

2670
01:56:25,680 --> 01:56:26,560
Speaker 1: turkeys you passed that week.

2671
01:56:26,600 --> 01:56:27,840
Speaker 2: It's just it's just a joint.

2672
01:56:27,880 --> 01:56:30,520
Speaker 1: You get, you get an eighth, you get a cone,

2673
01:56:30,520 --> 01:56:31,120
Speaker 1: you get a cone.

2674
01:56:31,880 --> 01:56:35,440
Speaker 2: Yoh, so we're gonna be back. We were back third Friday.

2675
01:56:35,800 --> 01:56:39,360
Speaker 2: They're here for much Friday. They will uh with a.

2676
01:56:39,400 --> 01:56:42,040
Speaker 1: Guest that I don't know the religion, but we won't

2677
01:56:42,040 --> 01:56:42,840
Speaker 1: be talking about religions.

2678
01:56:42,840 --> 01:56:43,000
Speaker 2: Ship.

2679
01:56:43,400 --> 01:56:46,720
Speaker 3: No, no, it's gonna be a wild guest. I can't wait, though.

2680
01:56:46,760 --> 01:56:48,640
Speaker 1: I think he could play like a young Jesus and

2681
01:56:49,480 --> 01:56:51,640
Speaker 1: Jesus of Nazareth. And in a movie you can play

2682
01:56:51,680 --> 01:56:52,240
Speaker 1: a young Jesus.

2683
01:56:52,280 --> 01:56:54,720
Speaker 2: I think Jesus, Jesus Nazareth.

2684
01:56:55,840 --> 01:56:57,560
Speaker 3: They're going to guess what it is. If we keep

2685
01:56:57,560 --> 01:56:58,560
Speaker 3: they're going to guess what is.

2686
01:56:59,360 --> 01:56:59,960
Speaker 2: I could see he.

2687
01:57:00,040 --> 01:57:02,000
Speaker 1: Could play a young Mel Gibson in like the revamp

2688
01:57:02,160 --> 01:57:03,440
Speaker 1: of the Passion of Christ.

2689
01:57:05,960 --> 01:57:08,160
Speaker 5: Why you gotta play mel Gibson When Mel Gibson was

2690
01:57:08,200 --> 01:57:08,720
Speaker 5: playing Jesus.

2691
01:57:08,760 --> 01:57:09,920
Speaker 3: Why he can't just play Jesus?

2692
01:57:11,280 --> 01:57:12,520
Speaker 1: Yo, mel Gibson is crazy.

2693
01:57:13,520 --> 01:57:14,400
Speaker 2: I love mel Gibson.

2694
01:57:14,760 --> 01:57:16,040
Speaker 1: I don't know if I'm allowed to say this, though,

2695
01:57:16,080 --> 01:57:17,880
Speaker 1: but there anyone like listen to any of those tapes

2696
01:57:18,040 --> 01:57:21,080
Speaker 1: and like kind of feel him sometimes never I forget it.

2697
01:57:21,120 --> 01:57:22,080
Speaker 2: Yeah, we'll be back Friday.

2698
01:57:22,240 --> 01:57:25,360
Speaker 3: Yeah, I'm up here. Will we will we be back Friday.

2699
01:57:25,760 --> 01:57:28,840
Speaker 1: Hopefully we're back Friday, all right, depending on how knock

2700
01:57:28,880 --> 01:57:32,680
Speaker 1: on wood for real, depending on how Detroit goes. I

2701
01:57:32,720 --> 01:57:36,520
Speaker 1: hope we make it back because we are putting ourselves

2702
01:57:36,560 --> 01:57:39,760
Speaker 1: in the line of fucking danger, not because of Detroit,

2703
01:57:39,960 --> 01:57:41,280
Speaker 1: of what we're doing in Detroit.

2704
01:57:42,000 --> 01:57:44,920
Speaker 3: Yeah, yeah, the Marris. I was never coming to Detroit.

2705
01:57:44,960 --> 01:57:45,880
Speaker 3: I said not. I didn't budget that.

2706
01:57:45,960 --> 01:57:46,400
Speaker 2: I didn't like that.

2707
01:57:46,480 --> 01:57:49,000
Speaker 1: You said that you want to come, and you're like, no, I'm.

2708
01:57:48,880 --> 01:57:53,840
Speaker 2: Cool, No, I'm good. This should be fun. Detroit is

2709
01:57:53,840 --> 01:57:54,440
Speaker 2: a good time, y'all.

2710
01:57:54,480 --> 01:57:55,080
Speaker 3: Who have fun?

2711
01:57:55,320 --> 01:57:57,920
Speaker 1: Carl, you still got the numbers from them chicks.

2712
01:57:59,440 --> 01:58:01,920
Speaker 3: Look at what Let's give it, y'all there for twenty

2713
01:58:01,960 --> 01:58:02,400
Speaker 3: four hours.

2714
01:58:02,520 --> 01:58:04,640
Speaker 1: I did not fuck anyone to Detroit, Carl, that group sex.

2715
01:58:04,680 --> 01:58:06,920
Speaker 2: I was not part of the group. They let you out.

2716
01:58:08,080 --> 01:58:12,440
Speaker 1: I was home by home, I mean the Western.

2717
01:58:14,520 --> 01:58:14,840
Speaker 2: All right.

2718
01:58:15,080 --> 01:58:16,400
Speaker 3: Yeah, I hope that's where people go now.

2719
01:58:16,480 --> 01:58:18,400
Speaker 5: Since you love telling people where we stay when we're

2720
01:58:18,400 --> 01:58:20,800
Speaker 5: in the city, you love doing that, let everybody.

2721
01:58:20,440 --> 01:58:23,680
Speaker 2: Think one thing about our culture we do.

2722
01:58:23,880 --> 01:58:26,080
Speaker 1: Not let people know what you got curtains yet, guys,

2723
01:58:26,640 --> 01:58:28,720
Speaker 1: I'm what the madre On thing. I understand. But we

2724
01:58:28,760 --> 01:58:30,800
Speaker 1: have said we stayed at the mandra On ten thousand times.

2725
01:58:31,080 --> 01:58:34,040
Speaker 2: No, you've said it. No, we've said I promise you.

2726
01:58:34,080 --> 01:58:36,120
Speaker 2: I've never said we were at the mandre On never.

2727
01:58:37,160 --> 01:58:39,040
Speaker 1: Well, we don't stay there anything. I love them say

2728
01:58:39,080 --> 01:58:41,960
Speaker 1: at the bar. I'm just like, okay, let them know

2729
01:58:41,960 --> 01:58:42,560
Speaker 1: where we be at.

2730
01:58:42,920 --> 01:58:44,760
Speaker 2: But it doesn't matter. I mean, it's all good. We

2731
01:58:44,840 --> 01:58:46,320
Speaker 2: don't have those type of people looking for us.

2732
01:58:47,000 --> 01:58:48,320
Speaker 3: That's why I let you guys know this.

2733
01:58:48,600 --> 01:58:51,320
Speaker 1: Outside of our live show in LA, people's security guards

2734
01:58:51,320 --> 01:58:53,720
Speaker 1: get knocked the fuck out by our people. So I'm

2735
01:58:53,760 --> 01:58:56,640
Speaker 1: not worried about who's at the MONU don't do that.

2736
01:58:57,240 --> 01:58:59,320
Speaker 5: But you have to y'all have a female on your

2737
01:58:59,360 --> 01:59:03,000
Speaker 5: team now, So y'all have women chasing after y'all, I

2738
01:59:03,120 --> 01:59:04,280
Speaker 5: have men.

2739
01:59:04,400 --> 01:59:06,080
Speaker 2: I don't have.

2740
01:59:06,280 --> 01:59:15,280
Speaker 1: You got podcast dudes, you seriously.

2741
01:59:14,920 --> 01:59:16,280
Speaker 3: You have to be aware.

2742
01:59:16,400 --> 01:59:16,880
Speaker 1: I'm aware.

2743
01:59:17,400 --> 01:59:19,640
Speaker 2: I know that. No, I'm with you.

2744
01:59:20,080 --> 01:59:22,080
Speaker 1: I just I know that as well. Even though y'all

2745
01:59:22,160 --> 01:59:24,520
Speaker 1: let that girl get through that, y'all.

2746
01:59:25,440 --> 01:59:26,280
Speaker 2: We're gonna visit that.

2747
01:59:28,720 --> 01:59:33,920
Speaker 3: No, No, I'm here, she went to the right one.

2748
01:59:34,520 --> 01:59:36,320
Speaker 2: We can talk about that on the next episode.

2749
01:59:37,720 --> 01:59:38,760
Speaker 3: She went to the right one.

2750
01:59:39,120 --> 01:59:41,000
Speaker 2: She did, but we can talk about that the next episode.

2751
01:59:41,560 --> 01:59:44,640
Speaker 1: We're here now. She brought merch.

2752
01:59:46,560 --> 01:59:48,720
Speaker 2: It was weird changed at the show.

2753
01:59:48,800 --> 01:59:48,840
Speaker 1: No.

2754
01:59:49,120 --> 01:59:51,880
Speaker 5: Benller said at one point he thought that she worked

2755
01:59:51,920 --> 01:59:53,920
Speaker 5: with us, so she could have went up to Looyan

2756
01:59:54,040 --> 01:59:55,400
Speaker 5: and was like, Yo, yeah.

2757
01:59:55,200 --> 01:59:57,920
Speaker 1: I'm with the team. I thought she worked with y'all.

2758
01:59:58,000 --> 01:59:59,240
Speaker 1: I thought she was one of youall friends.

2759
02:00:00,680 --> 02:00:01,760
Speaker 2: I thought she was with call.

2760
02:00:02,600 --> 02:00:05,560
Speaker 3: I really thought brought some bitchbacks the whole time. That's

2761
02:00:05,600 --> 02:00:06,320
Speaker 3: really what I thought.

2762
02:00:06,600 --> 02:00:08,879
Speaker 1: We'll talk about it in full on the next episode,

2763
02:00:08,920 --> 02:00:12,080
Speaker 1: but I leave it this way. All the entire team

2764
02:00:12,200 --> 02:00:15,120
Speaker 1: was on the same elevator with Shorty, and everyone on

2765
02:00:15,240 --> 02:00:17,720
Speaker 1: the elevator thought she was with somebody on the elevator,

2766
02:00:17,920 --> 02:00:19,480
Speaker 1: and she wasn't with anyone on the elevator.

2767
02:00:20,120 --> 02:00:21,320
Speaker 3: I want to let you know I was not an

2768
02:00:21,320 --> 02:00:24,000
Speaker 3: elevator because I would have asked who she was there for. Yeah,

2769
02:00:24,080 --> 02:00:25,080
Speaker 3: I'm only one with a brain.

2770
02:00:26,240 --> 02:00:29,160
Speaker 2: I wasn't on the elevator either though, me and Mom.

2771
02:00:29,920 --> 02:00:33,720
Speaker 1: It was me, Peage Benner and her. Yeah you wasn't

2772
02:00:33,720 --> 02:00:35,720
Speaker 1: on the elevator with first.

2773
02:00:35,520 --> 02:00:37,080
Speaker 2: Of the Man's elevators is only.

2774
02:00:38,440 --> 02:00:41,560
Speaker 1: Yeah, yeah, and we we damned it played corners and

2775
02:00:41,640 --> 02:00:44,520
Speaker 1: she was in the middle. Oh so she was like, right,

2776
02:00:44,880 --> 02:00:45,480
Speaker 1: it was the center.

2777
02:00:45,960 --> 02:00:47,720
Speaker 2: Oh my god it was.

2778
02:00:48,280 --> 02:00:51,640
Speaker 1: And then and Peage and Car got off of their floor.

2779
02:00:51,680 --> 02:00:53,080
Speaker 1: I got off in mine. I didn't know what was

2780
02:00:53,120 --> 02:00:53,400
Speaker 1: going on.

2781
02:00:53,760 --> 02:00:57,520
Speaker 2: Yeah, that was just bad business. Won't happen again, though, sure.

2782
02:00:57,840 --> 02:01:00,280
Speaker 1: Will not gott to run a tight ship, right evil,

2783
02:01:03,640 --> 02:01:05,640
Speaker 1: but instead invite a bunch of chicks that are gonna

2784
02:01:05,640 --> 02:01:06,920
Speaker 1: ask me if I had an abortion into my room

2785
02:01:06,960 --> 02:01:09,600
Speaker 1: instead that crazy ship from the elevator Pride. She could

2786
02:01:09,600 --> 02:01:15,040
Speaker 1: have cut came in and fit right in. Anyways, this

2787
02:01:15,240 --> 02:01:19,240
Speaker 1: was fun. Yeah, we walk to our Detroit fan base.

2788
02:01:20,200 --> 02:01:24,520
Speaker 1: Maybe we'll see all out in the streets, see what, Yeah,

2789
02:01:24,520 --> 02:01:26,280
Speaker 1: we will, man, I will not be in the streets.

2790
02:01:26,400 --> 02:01:28,600
Speaker 1: We're going We're going to defend the streets of Detroit. No,

2791
02:01:29,320 --> 02:01:32,360
Speaker 1: we're going to film in Detroit and defend the streets

2792
02:01:32,400 --> 02:01:36,000
Speaker 1: of Detroit. No, We're going to film and then right

2793
02:01:36,080 --> 02:01:38,360
Speaker 1: back to my hotel room. You know, Detroit versus everybody.

2794
02:01:38,680 --> 02:01:39,760
Speaker 1: We gotta look after everybody.

2795
02:01:39,880 --> 02:01:40,280
Speaker 2: Everybody.

2796
02:01:40,360 --> 02:01:46,000
Speaker 1: Now we Detroit, Yeah, we Detroit. Now, I don't know

2797
02:01:46,080 --> 02:01:48,320
Speaker 1: what the fuck I let this is gonna be funny

2798
02:01:48,360 --> 02:01:49,640
Speaker 1: when you'll realize what we talked.

2799
02:01:50,920 --> 02:01:55,920
Speaker 2: But all right, we'll be back Friday with a special guest. Uh.

2800
02:01:56,160 --> 02:01:59,880
Speaker 2: New music, hopefully this Ross. I'm scared, but hopefully some

2801
02:02:00,000 --> 02:02:02,920
Speaker 2: amazing We shall see.

2802
02:02:03,000 --> 02:02:04,400
Speaker 3: Well, let's give you time to sit with it. We'll

2803
02:02:04,400 --> 02:02:05,720
Speaker 3: talk about the Ross album Monday.

2804
02:02:06,240 --> 02:02:08,320
Speaker 1: Did you talk to Church trick? Because I didn't.

2805
02:02:08,800 --> 02:02:09,560
Speaker 2: I talked to Royce?

2806
02:02:10,040 --> 02:02:14,720
Speaker 1: Okay, so I did too. Everything's cool, Okay, I'm mayor

2807
02:02:14,800 --> 02:02:15,400
Speaker 1: Royce is okay?

2808
02:02:15,440 --> 02:02:18,560
Speaker 5: Oh, y'all checked in absolutely every time I want to Detroit,

2809
02:02:18,560 --> 02:02:19,640
Speaker 5: I checked in making sure.

2810
02:02:20,360 --> 02:02:20,600
Speaker 2: Yeah.

2811
02:02:21,880 --> 02:02:23,600
Speaker 1: I was so nervous. The first time went to Detroit,

2812
02:02:24,000 --> 02:02:25,840
Speaker 1: Rice was sober and I was scared to invite him

2813
02:02:25,880 --> 02:02:27,480
Speaker 1: to a party that was centered around alcohol. But I

2814
02:02:27,560 --> 02:02:33,280
Speaker 1: had to check in. You I'm gonna be there, like cool, right, cool?

2815
02:02:35,440 --> 02:02:37,720
Speaker 2: Oh man, this should be fun though, we have fun.

2816
02:02:37,760 --> 02:02:40,280
Speaker 2: We have a good time for sure. All Right. All right,

2817
02:02:40,320 --> 02:02:43,840
Speaker 2: so we'll see your Friday. Man. Y'all be safe, Uh yeah,

2818
02:02:43,880 --> 02:02:44,640
Speaker 2: and talk to you soon.

2819
02:02:44,880 --> 02:02:49,320
Speaker 3: Love, good week, Willia Loud