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Speaker 1: Podcast starts now, what's up everyone around the globe? But

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Speaker 1: the vibes are already electric. It's Friday, it's sunny as fuck.

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Speaker 2: It's Friday in Los Angeles, and I'm living out loud.

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Speaker 1: I want to say, I'm feeling so electric. George is

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Speaker 1: in town still and it is so nice.

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Speaker 3: You know what we never did speaking of Los Angeles

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Speaker 3: is the game that I invented heim Lick never caught on,

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Speaker 3: which is where you say three things and then you

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Speaker 3: have to decide which one's the Dannielheim, which one is

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Speaker 3: the STI him, and which one is the Alanaheim.

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Speaker 1: Well, I think we're not dead yet, and I think

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Speaker 1: we can play it today.

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Speaker 3: Yeah, and I also I know that you thought of

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Speaker 3: the name heim Lick, and I like it.

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Speaker 1: But I'm like, yeah, you thought of you thought of it.

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Speaker 3: What if it's heim Pick because you're picking one to

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Speaker 3: be each of the sird I mean not.

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Speaker 1: To be we're talking about Hollywood hand Book. I think

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Speaker 1: you're a Hollywood handood pill and you're really zeroing in

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Speaker 1: on some puns in a way.

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Speaker 2: Though, Oh, that's try'd being very well.

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Speaker 3: I do want to make it public that I am

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Speaker 3: officially Hollywood Handbook pill me too. When we went into Hollywood,

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Speaker 3: which if you're listening to this, maybe that hasn't come out.

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Speaker 3: We did Hollywood Handbook. I went and I said, first

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Speaker 3: of all, this is a competition, and second of all,

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Speaker 3: I'm winning.

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Speaker 1: I said, just let them win.

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Speaker 2: I know these straight.

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Speaker 1: Guys are bigger than me, they're better than me. Let

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Speaker 1: them have their fun.

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Speaker 3: When we were like sparring, like when Hayes was like

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Speaker 3: clearly being sort of like in a funny way, mad

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Speaker 3: at me, I was like, you think I'm going to

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Speaker 3: back down.

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Speaker 2: You have it all wrong, my fe You're so good

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Speaker 2: at conflict.

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Speaker 1: I normally in all I'm going to come in a

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Speaker 1: normal episode, I would say, let's intro, intro, intro. No,

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Speaker 1: we have such an amazing guest who I'll say it

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Speaker 1: has been knocking on our door for roughly one hundred years.

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Speaker 2: Don't know.

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Speaker 3: She woman who works in entertainment technically, but you never

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Speaker 3: really known.

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Speaker 2: I think she may be is a cinematographer or something.

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Speaker 2: I don't really know much about her.

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Speaker 3: It's given grip. She is the biggest. She is the

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Speaker 3: biggest grip bitch down.

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Speaker 1: Please wow.

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Speaker 3: And I just want to say I know we're edging

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Speaker 3: you by not actually saying your name. The fact that

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Speaker 3: Sam is the one who wants to cut the intro

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Speaker 3: short is huge. Usually I'm the one that wants to

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Speaker 3: cut the intro short, and Sam, you know, as conflict

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Speaker 3: a versus you can be, is like, no, we're doing

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Speaker 3: the intro.

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Speaker 1: That's true.

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Speaker 2: Please welcome what Darcy is it's.

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Speaker 4: Yeah, yeah, that's right, Darcy cardon the biggest grip.

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Speaker 3: That's I want to say, for a grip. Your hair

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Speaker 3: looks phenomenal. Yeah, thanks, you did just it literally was

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Speaker 3: just done.

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Speaker 2: Is that? Am I wrong?

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Speaker 4: Like you don't mean like from a salon?

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Speaker 1: I do? I do you yourself my hair?

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Speaker 4: Oh yes, but I've been and feel free to sound

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Speaker 4: off in the comments because they think I don't want them.

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Speaker 4: I feel like my hair is.

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Speaker 1: Okay. You know when you you.

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Speaker 4: This, I think this is a classic thing that people

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Speaker 4: do as they get older. This was like good hair

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Speaker 4: ten years ago, and now I'm like, is this even

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Speaker 4: the style anymore? I know it's not.

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Speaker 2: Well here's what I do.

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Speaker 4: You know what I mean?

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Speaker 1: I know exactly what we're like, Oh this looks good.

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Speaker 4: Great, I did it again, and then I walk out

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Speaker 4: and I'm like, exactly what.

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Speaker 2: You mean to me?

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Speaker 3: Please do not take this as a negative, because it

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Speaker 3: is a positive. Julio has a bit about how all

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Speaker 3: the women in Marvel movies have beach waves to like

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Speaker 3: soften the blow of the fact that they're spreading American imperialism.

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Speaker 3: And but but again, I don't mean that as an insult.

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Speaker 3: It's like, yeah, that's why they're beautiful.

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Speaker 1: Right right? As are you?

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Speaker 5: Well?

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Speaker 4: I do I like love, I love a this is

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Speaker 4: like what I feel like works for my head.

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Speaker 2: But are you going to do have like an undercut?

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Speaker 4: Well, I mean you see, like there's just darter.

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Speaker 1: I think it's time for the octopus cut. It's the

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Speaker 1: octopu cut. You know what Gaga has, what Miley has, what.

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Speaker 2: Has Yes, I've never heard of it as.

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Speaker 1: The banks and other banks, then longer you know our friend, Yeah,

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Speaker 1: the chops, streat chop, the straight chop, and then then

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Speaker 1: the long Yeah, Hayden dis just cut her hair like that.

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Speaker 2: Really, I was like, oh, yeah, it looks good. I

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Speaker 2: was like, you look like a celebrity.

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Speaker 1: It's very celeb it's very celeb because it's hard.

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Speaker 4: Yeah, speaking of time, I remember st did it a

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Speaker 4: couple years ago. People have been doing it. People have

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Speaker 4: all of a sudden, like the Grammys, especially everyone.

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Speaker 2: If it's the Grammys, you gotta do it.

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Speaker 4: It's the Grammys and you're not.

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Speaker 3: Whether you're your Time or Selena or Selena Gomez says

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Speaker 3: it is, you have to do it.

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Speaker 1: What is it called again? Octopus? The octopus cut?

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Speaker 2: I cannot believe.

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Speaker 1: I didn't. I didn't know that either.

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Speaker 4: Wow, now you're sitting here thinking, did you make that up?

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Speaker 1: I did not.

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Speaker 2: Here's a question, what about it is octo?

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Speaker 1: It's tentacles that it's not tentacles. That's I look at

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Speaker 1: that head, I see an octopus city on a head. Okay,

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Speaker 1: because it's tentacles, I see like I.

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Speaker 4: See like a stair. Oh, it should be called the stairs.

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Speaker 1: Helmet helmets.

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Speaker 2: Yeah, it's helmet heads. Here's the bold cut though, Yeah,

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Speaker 2: helmet helmet banks, helmet banks, helmet banks.

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Speaker 4: Wait, okay, so do you have to have banks? You don't?

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Speaker 4: It could be yeah, I don't think you have to

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Speaker 4: hear it could be banks. And then second layer it

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Speaker 4: should be called like the three layer step three strip

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Speaker 4: on three strip throats and just make it makes sense

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Speaker 4: for you.

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Speaker 3: Can I tell you something now that we're naming things.

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Speaker 3: Recently I found out a close friend of ours.

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Speaker 4: I can't wait to hear off camera.

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Speaker 1: I want to know who it is right now.

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Speaker 3: Yeah, well we can a close friend of ours reveal

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Speaker 3: to me.

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Speaker 1: A close friend of ours, by the way, is like.

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Speaker 3: I I consider him very successful. He's written on some

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Speaker 3: great shows. He like, he's sort of by Coastal Diva,

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Speaker 3: very bravely by ghost. He literally revealed to me just

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Speaker 3: out of nowhere that this entire time he has held

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Speaker 3: a sometimes full time, sometimes part time job at The

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Speaker 3: New York Times as a naming specialist where he literally

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Speaker 3: like names games or like does work.

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Speaker 1: With their podcast team Cool.

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Speaker 3: And I'm like, that is so this, don't you think

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Speaker 3: that is the most rom com slash sext and city

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Speaker 3: boyfriend Josh. It's like being a cartoon editor at the

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Speaker 3: New York.

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Speaker 1: Being like a chocolate tear.

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Speaker 2: He's being He's Julia.

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Speaker 4: It's also like the rom com girl would say it

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Speaker 4: and nobody would really question totally.

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Speaker 3: But it's also like he's a naming specialist, but he

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Speaker 3: doesn't want to put a label on.

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Speaker 1: Things cattle something I mean, even like I would, and

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Speaker 1: then when you do find only married, like the sequel,

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Speaker 1: when you're married to the naming specialist, and it's like

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Speaker 1: really tense because like they can't think of the name

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Speaker 1: for this thing, and they're like locked in the room

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Speaker 1: and you're taking care of the children and you're like, well,

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Speaker 1: he's in their naming. Meanwhile, I have to fucking bring

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Speaker 1: the kid to school. And obviously it's not as good

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Speaker 1: as the first one, but it's real.

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Speaker 3: And it finally does think of the name. It's inspired

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Speaker 3: by the woman's name or like by the way it's

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Speaker 3: like Darcy Productions.

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Speaker 4: He's like, and then he's like, yeah, it's always worth it.

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Speaker 4: I married a good one. I can't wait to hear

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Speaker 4: this is bumping back a minute, but I cannot wait

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Speaker 4: to hear your Hollywood hand Book. Oh my god, I

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Speaker 4: cannot wait.

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Speaker 1: No, go ahead. Well, I don't feel like my performance

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Speaker 1: is amazing, and it's hard to.

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Speaker 4: Have to say it's hard to be amazing on that show.

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Speaker 4: It's so disorienting.

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Speaker 1: It's so disorienting. Yeah, and I was also like, I

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Speaker 1: think they're so funny, and I was sort of like

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Speaker 1: trying to figure out, like I was like, do I

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Speaker 1: be combative agreeing.

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Speaker 4: One of my favorite things listening to that podcast is

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Speaker 4: when you can tell the person is like, what are

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Speaker 4: we doing here?

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Speaker 1: What do you want from this? Like?

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Speaker 4: Yeah, yeah.

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Speaker 3: I asked my friend who's a religious listener, and she

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Speaker 3: was like, you have to be yourself and not try

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Speaker 3: to do them at them, because you seem like a

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Speaker 3: loser if you try to like do exactly what they're doing,

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Speaker 3: because they're going to be better at it.

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Speaker 4: And then they'll then they'll like cut you off at

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Speaker 4: the knees and you'll, yeah, it's humiliating when they get you.

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Speaker 1: I also want to say about my performance, and even

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Speaker 1: I want to of course, guys, I need to like

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Speaker 1: their third brother, I need to talk about my performance. Okay, okay,

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Speaker 1: And this is actually something that I've been thinking about because.

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Speaker 3: Actors on Actors, but for our podcomments on Hollywood hands

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Speaker 3: and you're the moderator and you haven't seen it, I

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Speaker 3: get I know it.

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Speaker 1: So we also recorded here two days ago, so we've

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Speaker 1: been doing a lot of podcasting and normally, as you know,

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Speaker 1: when we do our podcast, we sit around a desk. Yeah, yeah,

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Speaker 1: I'm actually realizing that we're sitting on sort of a

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Speaker 1: set both here in Hollywood Handbook, and I'm feeling like

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Speaker 1: when Gaga and a Star is Born went into the

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Speaker 1: studio and they couldn't find it. Like she was like,

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Speaker 1: it doesn't sound the same, it doesn't sound the same.

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Speaker 1: And then Bradley Cooper's like, get a piano in here, totally,

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Speaker 1: and then she said, desk for you, piano desk.

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Speaker 4: It's like a comfort or it's just like it's what

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Speaker 4: you know, it's what I know.

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Speaker 1: I know. I was.

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Speaker 4: I was telling them as I came in that I

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Speaker 4: was wearing kind of dumb socks, but had the thought,

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Speaker 4: it doesn't matter because we're going to be sitting behind

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Speaker 4: a guy damn.

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Speaker 1: Table lo and behold, no it's a new and don't wrong,

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Speaker 1: this is much better. But I'm finding my performance more confused.

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Speaker 2: Okay, so if anyone not watching, it's like usually we're.

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Speaker 1: Around, we're taking a conversation and a.

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Speaker 3: Couch and armchair. Yes, so here's I have a theory

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Speaker 3: about this, please you know how like the definition of

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Speaker 3: Uncanny Valley is like just close enough to the real thing,

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Speaker 3: but slightly farther in a way that makes it almost worse.

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Speaker 3: So I think the fact that I set like this

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Speaker 3: is almost living room, but not a white living room

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Speaker 3: makes it more confusing than if you're just around a

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Speaker 3: completely artificial.

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Speaker 2: Desk in a conference room. Right, I think you're right, And.

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Speaker 3: So I'm like, I'm like, should I sort of like

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Speaker 3: kick off my shoes and take my phone out.

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Speaker 4: As I would like hiding my water?

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Speaker 1: Like yeah, I mean you have one of those trad

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Speaker 1: wife cuts. Wow, how long have you been sporting this.

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Speaker 4: So long that look at it's not even it's not.

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Speaker 1: It doesn't sit straight, it's not even level.

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Speaker 4: I've been sporting this. So is this trad wife Well,

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Speaker 4: I don't know.

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Speaker 2: Someone said that to me once.

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Speaker 4: Then the one with the big handle, but this is closed.

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Speaker 2: The built in straw freaks me out right. Well, mold,

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Speaker 2: of course, ship I never thought, but also.

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Speaker 3: Sorry, like you should be able to angle a straw

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Speaker 3: to get the last of the liquid?

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Speaker 4: You kind of can. I can't have every last drop

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Speaker 4: of this. Let me listen, corner, Oh you can. Oh

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Speaker 4: you're right right, corner. Wow, what I found?

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Speaker 2: I did see.

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Speaker 4: That's understanding of the media I found years ago. I've

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Speaker 4: been I've been, I've been on this for a while.

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Speaker 4: Is the straw helps me drink so much more water.

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Speaker 4: I hate this. I hate this, hate hate tilting. I

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Speaker 4: don't know what's up with my neck or throat or mouth,

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Speaker 4: but I hurt myself drinking a lot.

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Speaker 2: Really, I'm not kidding.

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Speaker 4: I think so bad, not so bad, like just kind

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Speaker 4: of like like like if I'm well, For one, I

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Speaker 4: don't I don't know. I don't know. You only have

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Speaker 4: the mouth you have, so I don't know, and the

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Speaker 4: throat you have, and so I don't know what it's

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Speaker 4: like for other people. But I think I have a

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Speaker 4: hard time doing big swallows.

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Speaker 2: This is great.

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Speaker 3: I really like this because it's very celebrity to have

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Speaker 3: a super specific.

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Speaker 2: Like imagine like the.

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Speaker 1: Moment you're an actress on set and you like tilt

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Speaker 1: back and you.

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Speaker 4: This is the weird thing. It's not even like I'm

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Speaker 4: pulling my neck. It's like inside my my swallowing mechanism.

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Speaker 1: Interesting.

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Speaker 4: If I'm if I'm like listening, if I'm tilting this

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Speaker 4: when I drink, I'm like, oh, oh my poor little esophagus.

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Speaker 1: What swallows? Sure?

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Speaker 4: Anyway, what I found is if I'm just sitting here

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Speaker 4: looking at you, glug glug glug glug fucking day that's

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Speaker 4: like this, something happens, something I don't want to do this. Okay,

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Speaker 4: here's the other thing. This I can It can be

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Speaker 4: a constant swallow. This is one gould, one gold.

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Speaker 2: That's very true. That's very thank you.

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Speaker 1: Yeah, but you can hold it up.

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Speaker 4: This is actually I can't, That's what I'm saying.

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Speaker 1: This is also.

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Speaker 2: Wow, this is so.

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Speaker 3: This is why when I get an iced coffee, I

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Speaker 3: finish it in like two seconds. When I get a drip.

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Speaker 1: Coffee, well, I wish I had a straw.

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Speaker 2: Oh you don't have.

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Speaker 1: I don't have a straw with an ice.

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Speaker 4: Yeah, I guess I always wish I had.

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Speaker 3: Sam is doing sippy cup ice coffee right now again

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Speaker 3: for anyone just doing audio only.

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Speaker 1: I've actually recently been going out of my way to

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Speaker 1: get a straw from my coffees because I hate I

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Speaker 1: hate when the ice touches my mouth.

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Speaker 4: Okay, that's your injury, little actress. How chea? Yeah, anyway,

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Speaker 4: I I I used to be on the set of

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Speaker 4: The Good Place, My My, My, My favorite two costume people.

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Speaker 4: They called me Contigo Girl because I had a contigo.

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Speaker 1: I guess I thought.

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Speaker 4: That's great, But I guess I have a s l M,

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Speaker 4: a slim or something now, but I used to have

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Speaker 4: a contigo contigo and I, which is just a brand of.

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Speaker 2: I think that's what I have. But did yours have

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Speaker 2: a straw?

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Speaker 4: A straw? It's also it was plastic, and then you

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Speaker 4: know the whole thing, well, of course, and then all

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Speaker 4: of a sudden, I'm like, I'm drinking out of this thing.

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Speaker 4: I don't know.

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Speaker 1: I don't understand microplastic, but I know it's happening. I

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Speaker 1: do not understand wants, but I know it's happening. So

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Speaker 1: then I was like, you gotta go, you gotta go

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Speaker 1: medal anyway.

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Speaker 4: So now I'm I mean, but I'm sure kidding me.

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Speaker 1: The County Go girl they called, they call me, and I'm.

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Speaker 4: Yes, yes, yes, everybody called me. I made everybody call

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Speaker 4: me County Go Girl.

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Speaker 1: I will say at work, I have we all. They

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Speaker 1: gave us all Stanley cups, which is like, you know,

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Speaker 1: you forget because everyone has one. They're sipping out of

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Speaker 1: your Stanley cup. But then sometimes a photo will leak

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Speaker 1: from work and someone will be like, you have a

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Speaker 1: Stanley cup and I'm like, well not not not exactly exactly.

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Speaker 2: I'm sorry by leak.

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Speaker 3: Do you mean someone posts a photo from the renders room,

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Speaker 3: or do you mean there's paparazzi in the after midnight?

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Speaker 1: George, you have no idea how much paparazzi is trying

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Speaker 1: to figure out what little pun will be coming off tonight.

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Speaker 4: How do they write it, how do they do it?

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Speaker 1: What are they doing that there, Georgie, you don't live

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Speaker 1: in Hollywood. It's actually a really industry.

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Speaker 4: Yeah, things are being leaked left and right.

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Speaker 3: You guys are doing the Hollywood handbook to me take

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Speaker 3: I'm starting to take back the right honestly, whoa because

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Speaker 3: my performance was middling, Oh my god, performance No, no, no.

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Speaker 4: That is a show where like the meanest I ever

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Speaker 4: thought I was, by accident, got the best reaction totally

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Speaker 4: sense liked shitty.

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Speaker 1: That was like god, they loved it. Yeah, I almost

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Speaker 1: want to go back. I'm like, I want to redo,

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Speaker 1: like I want to be mean.

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Speaker 2: We're going to go We'll go back.

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Speaker 1: They're going to have us back. We're the best guest

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Speaker 1: they've ever had. You're going to go back.

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Speaker 4: T me when I say you're going to go back.

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Speaker 2: You guys, we got to go back. And and also

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Speaker 2: we're going to have them on it.

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Speaker 3: We're going to bully them until they cry. Yeah, I

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Speaker 3: would like when we had well, so, do you know

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Speaker 3: how Long Gone again? How Long Gone?

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Speaker 1: Girl? Great?

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Speaker 3: It's Chris Black and Jason Stewart. It's a very popular

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Speaker 3: sort of like yes, I know, it's straight straight eye

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Speaker 3: podcast scene. They have, like you know, everyone from you know.

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Speaker 2: Kurt Vonnegut to st him.

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Speaker 1: The ghost, but they would it's.

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Speaker 2: If anyone could get.

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Speaker 3: The ghost of Kirk Vonnagat, it would be that, of course.

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Speaker 3: But we had them on and we feel like they

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Speaker 3: dommed us. But now we know them better.

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Speaker 1: Yeah, but now we know them better, and I think

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Speaker 1: we need to have them back on again. And really

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Speaker 1: this is I love how inside the Extra studio. This

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Speaker 1: is okay because we have them on. I had never

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Speaker 1: listened to their podcast, which was now You're obsessed and

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Speaker 1: I'm upset.

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Speaker 4: But that's kind of dommy if you did not have

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Speaker 4: listened to them, Yeah, I know, but still you let them.

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Speaker 2: Do them preparing. The truth is we started preparing more.

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Speaker 3: We started preparing more to have someone on that wrote

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Speaker 3: a novel, and we both read the novel. Okay, we

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Speaker 3: have one hundred pages left that's nothing you can do that?

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Speaker 4: Yeah, or in two days? Are you reading it or

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Speaker 4: are you listening to it reading?

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Speaker 2: Yeah?

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Speaker 1: And I read it took a band's copy, Girl Girl.

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Speaker 4: I think this has probably been talked to death. But

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Speaker 4: where do you guys stand on calling listening to audiobooks reading?

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Speaker 1: First of all, I want to say, I love when

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Speaker 1: the guest asks the question and prom us. I count

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Speaker 1: that as a form of DOMITIU and I celebrate it.

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Speaker 4: Yeah, I can't wait to keep dom and I think this.

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Speaker 1: I'm actually very torn on this.

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Speaker 4: Think.

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Speaker 3: The thing is, I only do maybe like two audiobooks

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Speaker 3: a year. I mostly read on paper, and I have

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Speaker 3: no problem counting them. And they're usually like it's usually

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Speaker 3: sort of like middle brown nonfiction. I can't read, and

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Speaker 3: I can't listen to a novel, and I definitely can't

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Speaker 3: listen to like a complex like nonfiction book that's like

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Speaker 3: deep journalism. So it's like like I listen to the

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Speaker 3: Tina Brown like Vanity Fair Diaries, for example, or like

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Speaker 3: or like something that's for like self help adjacent.

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Speaker 4: Alo listen to a memoir.

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Speaker 3: Yes, that's a good one, but yeah, I count it.

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Speaker 3: I put it in my little notes s app of

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Speaker 3: like the books I've read, so.

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Speaker 4: I do too, and I'm I'm my sisters and my

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Speaker 4: mom read so much more than I do. But they oh,

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Speaker 4: I just I just.

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Speaker 1: Oh my god, everything going on.

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Speaker 4: But I uh, anyway, I my sister recently said, I

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Speaker 4: guess this is what it is. I think you should

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Speaker 4: totally count them on your list. But do you say

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Speaker 4: I was reading?

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00:18:23,840 --> 00:18:25,440
Speaker 2: Oh no, no, you say I was listening.

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00:18:25,800 --> 00:18:27,640
Speaker 1: Yeah, I think you said I was listening. Yeah, yeah,

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00:18:27,720 --> 00:18:29,760
Speaker 1: you can say I did consume that piece of media.

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Speaker 4: Yeah, exactly, I consumed that.

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Speaker 1: There.

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00:18:31,680 --> 00:18:34,000
Speaker 2: The other question, does listening to podcast counter is reading?

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00:18:34,040 --> 00:18:35,720
Speaker 2: I would say, yeah, of course.

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Speaker 4: The most cute thing is that my mom always does

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Speaker 4: is because I read so much less than my very

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Speaker 4: very reader siblings. My mom is always like, but honey,

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Speaker 4: you're always reading scripts. She's always giving me that. It's

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00:18:48,880 --> 00:18:51,240
Speaker 4: really cute because I kind of played dumb in my family.

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Speaker 2: You got to play a role.

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00:18:52,640 --> 00:18:53,640
Speaker 4: I got to play something.

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00:18:55,080 --> 00:19:01,440
Speaker 1: Places and last looks. Really appreciate that she gives that

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00:19:01,520 --> 00:19:04,440
Speaker 1: to me. That is nice. Yes, you can read doll.

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00:19:05,359 --> 00:19:08,200
Speaker 2: Yeah, you're like Google go yeah, a little googoo goga.

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00:19:08,640 --> 00:19:09,800
Speaker 4: I'm a little Google. Yeah.

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Speaker 2: A little.

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00:19:12,440 --> 00:19:13,359
Speaker 4: Go go, Google, Go.

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00:19:14,720 --> 00:19:18,879
Speaker 1: Goo Google, Got got girl? I'm ready to what's the

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00:19:19,000 --> 00:19:22,720
Speaker 1: word confess something embarrassing? I can't wait. Okay. When I

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00:19:22,920 --> 00:19:26,920
Speaker 1: was like twenty three or twenty four, I listened. I

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00:19:27,080 --> 00:19:28,359
Speaker 1: was a dog walker, so I was listening to a

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Speaker 1: lot of things, and I listened to the audiobook of

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00:19:32,480 --> 00:19:36,080
Speaker 1: the Rules of Power because I was felt like I

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Speaker 1: was being overlooked in the open mic comedy scene.

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Speaker 2: Well, I guess what it worked. You know, exactly following

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Speaker 2: you is your job writing on a major late.

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Speaker 1: Leaking my Stanley Cup.

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Speaker 4: So did it Did you learn anything from it?

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00:19:50,320 --> 00:19:52,720
Speaker 1: For sure? For sure? Yeah? I actually did find it

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00:19:52,800 --> 00:19:54,360
Speaker 1: like kind of helpful where I was like, oh, there

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00:19:54,400 --> 00:19:57,120
Speaker 1: are well and it's like I think about it a lot.

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00:19:58,040 --> 00:20:01,160
Speaker 1: I confus use the Rules of Power with the rules

437
00:20:01,160 --> 00:20:04,680
Speaker 1: of fashion sometimes where which is the one? I'm the same?

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00:20:05,040 --> 00:20:05,440
Speaker 2: I'm the same.

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00:20:05,480 --> 00:20:07,760
Speaker 1: I don't want to say it, but like the first

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00:20:07,840 --> 00:20:09,840
Speaker 1: like page is like of the Rules of Power. They're like,

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00:20:10,160 --> 00:20:11,639
Speaker 1: first of all, if you think you don't need to,

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00:20:11,840 --> 00:20:13,440
Speaker 1: like you don't want to learn the rules of power

443
00:20:13,560 --> 00:20:15,840
Speaker 1: while you already are playing them, you're just losing. And

444
00:20:15,920 --> 00:20:20,640
Speaker 1: I was really faster, and I feel that way about

445
00:20:20,640 --> 00:20:22,639
Speaker 1: clothes too, where people are like no, it's so I

446
00:20:22,640 --> 00:20:24,520
Speaker 1: don't want to look like anything. It's like, no, you

447
00:20:24,680 --> 00:20:26,080
Speaker 1: already are you look like something?

448
00:20:26,160 --> 00:20:27,760
Speaker 4: Holy shit, I need to read both of these.

449
00:20:28,720 --> 00:20:31,080
Speaker 2: So the fashion thing is really so true.

450
00:20:31,320 --> 00:20:33,399
Speaker 3: It's like because sometimes you convince you're a badeely the

451
00:20:33,440 --> 00:20:35,240
Speaker 3: has and you convince yourself oh whatever, it doesn't matter.

452
00:20:35,760 --> 00:20:38,359
Speaker 3: Suddenly you find yourself. It's like you're alone in this

453
00:20:38,520 --> 00:20:40,520
Speaker 3: like giant, like empty world and you're like, oh, so

454
00:20:40,680 --> 00:20:43,720
Speaker 3: this is just what I think I'm bringing to today.

455
00:20:43,920 --> 00:20:46,560
Speaker 4: Oh fuck, I need to read rules of fashion.

456
00:20:46,600 --> 00:20:48,960
Speaker 1: It's hard. I'm really in my.

457
00:20:51,119 --> 00:20:54,200
Speaker 4: Sweatshirt while it's unfit, bad fitting chants.

458
00:20:54,359 --> 00:20:56,880
Speaker 2: It's it's very la la.

459
00:20:57,040 --> 00:21:01,560
Speaker 3: It's like someone walks into a profession setting and they're

460
00:21:01,640 --> 00:21:08,119
Speaker 3: like in their pajamas with fluffy slippers like slippers, robe,

461
00:21:08,680 --> 00:21:12,120
Speaker 3: hair in a net and they're like, Hi, so where

462
00:21:12,200 --> 00:21:13,760
Speaker 3: can I Where can I put my pillow?

463
00:21:13,960 --> 00:21:16,920
Speaker 2: Totally, but that is like in la that is a power.

464
00:21:17,080 --> 00:21:19,400
Speaker 2: That's the rule of power number one.

465
00:21:19,520 --> 00:21:22,080
Speaker 4: Yeah, here's rule of power. I'm about to Okay, my

466
00:21:23,800 --> 00:21:26,840
Speaker 4: I'm my house did not burn down, but thank you,

467
00:21:26,960 --> 00:21:31,480
Speaker 4: but we are displaced sneaks for a while. So displaced

468
00:21:31,560 --> 00:21:32,800
Speaker 4: is such a weird word, but that's what we are.

469
00:21:33,240 --> 00:21:37,399
Speaker 4: But that's what we are. So I have my my

470
00:21:38,760 --> 00:21:41,440
Speaker 4: I have like a suitcase full of clothes, and so

471
00:21:41,840 --> 00:21:44,399
Speaker 4: there's this weird thing where I'm where I'm like, this

472
00:21:44,600 --> 00:21:46,520
Speaker 4: is my my. This is all I got, like, like

473
00:21:46,720 --> 00:21:48,520
Speaker 4: for I don't know how long. I'm also decided. I'm

474
00:21:48,520 --> 00:21:51,200
Speaker 4: like I'm not buying anything new, like I'm really living

475
00:21:51,280 --> 00:21:53,359
Speaker 4: in this. These are the like three pairs of pants

476
00:21:53,440 --> 00:21:55,840
Speaker 4: you brought, and the three sweatshirts and T shirts and

477
00:21:56,320 --> 00:22:00,400
Speaker 4: and in my brain is like, this is fine because

478
00:22:00,440 --> 00:22:01,840
Speaker 4: this is a situation you're in. But then I went

479
00:22:01,880 --> 00:22:04,240
Speaker 4: to like a not fancy meeting yesterday, but I should

480
00:22:04,280 --> 00:22:05,879
Speaker 4: look nice and I had.

481
00:22:05,880 --> 00:22:09,320
Speaker 1: Likes, but I was like, but I'm displaced.

482
00:22:08,840 --> 00:22:09,600
Speaker 4: And I'm like they don't know.

483
00:22:09,800 --> 00:22:11,399
Speaker 1: I don't know. Yeah, I'm in a weird I'm in

484
00:22:11,440 --> 00:22:14,760
Speaker 1: a weird this is liminal thing. Yeah yeah yeah.

485
00:22:15,560 --> 00:22:20,000
Speaker 2: Context is so important. Context is so important.

486
00:22:20,280 --> 00:22:21,400
Speaker 4: Girl is so important.

487
00:22:21,920 --> 00:22:24,200
Speaker 3: I need I I actually sort of want to develop

488
00:22:24,240 --> 00:22:26,520
Speaker 3: my theory about context creators a little more.

489
00:22:27,200 --> 00:22:29,239
Speaker 1: Okay, when did you talk about this again? It's at

490
00:22:29,280 --> 00:22:33,240
Speaker 1: our sketch fest life, that's it. And no one liked it.

491
00:22:33,480 --> 00:22:34,080
Speaker 2: No, they did love it.

492
00:22:34,119 --> 00:22:37,399
Speaker 3: They we had a context. I think what happened was

493
00:22:37,640 --> 00:22:40,280
Speaker 3: it was so smart, its very that it wasn't funny.

494
00:22:40,320 --> 00:22:42,720
Speaker 3: People were just like listening and taking notes. But I

495
00:22:42,840 --> 00:22:45,240
Speaker 3: wasn't getting last You were so smart, I was shut up.

496
00:22:48,560 --> 00:22:50,600
Speaker 4: I do love just kind of being Google go Gum

497
00:22:50,600 --> 00:22:52,320
Speaker 4: listening to this podcast and like learning stuff.

498
00:22:52,359 --> 00:22:52,880
Speaker 2: Oh my god.

499
00:22:53,000 --> 00:22:54,680
Speaker 4: And guess what you're smart too, Sam?

500
00:22:54,880 --> 00:22:55,240
Speaker 1: Thank you?

501
00:22:55,880 --> 00:22:58,360
Speaker 4: George is like the smart one. Oh my god, Sam,

502
00:22:58,440 --> 00:22:59,760
Speaker 4: guess what you're really smart?

503
00:23:00,280 --> 00:23:02,359
Speaker 1: Non cut. I really appreciate it, you know that. Right

504
00:23:02,480 --> 00:23:02,920
Speaker 1: of course.

505
00:23:03,160 --> 00:23:05,000
Speaker 2: It's moving on from this.

506
00:23:05,560 --> 00:23:06,600
Speaker 4: Sorry, back to context.

507
00:23:07,040 --> 00:23:09,800
Speaker 3: Okay, So my sort of like idea that I came

508
00:23:09,880 --> 00:23:11,280
Speaker 3: up with on the spot is like, you know, we

509
00:23:11,359 --> 00:23:16,000
Speaker 3: call them content creators, people that are on Instagram, YouTube, TikTok,

510
00:23:16,240 --> 00:23:20,000
Speaker 3: but actually they are context creators. They are not creating

511
00:23:20,200 --> 00:23:23,280
Speaker 3: new content. They're just saying something about like a red

512
00:23:23,440 --> 00:23:26,760
Speaker 3: carpet look that someone wore, but putting it into new context.

513
00:23:27,480 --> 00:23:31,119
Speaker 3: So what we actually need is new content. The like

514
00:23:31,240 --> 00:23:33,800
Speaker 3: creator economy is just keeping us stuck because all of

515
00:23:33,840 --> 00:23:36,920
Speaker 3: it is about nostalgia and about like repackaging existing things

516
00:23:37,000 --> 00:23:40,200
Speaker 3: and putting them into yes, and putting them into new context.

517
00:23:41,040 --> 00:23:45,440
Speaker 1: And actually, I think there's a new phrase that is

518
00:23:45,520 --> 00:23:48,160
Speaker 1: speaking to this. Okay you were familiar with of course,

519
00:23:48,240 --> 00:23:49,880
Speaker 1: like the she reheated her nachos.

520
00:23:50,359 --> 00:23:53,600
Speaker 2: Yes, they are not choke creator, they're not show reheaters.

521
00:23:54,320 --> 00:23:57,280
Speaker 1: I think people are really becoming wise to the way

522
00:23:57,359 --> 00:23:59,840
Speaker 1: that everything is just being reused and recycled right right

523
00:24:00,119 --> 00:24:02,920
Speaker 1: in like in a way that's like almost toxic. But

524
00:24:03,119 --> 00:24:04,960
Speaker 1: it is like just a given that like when you

525
00:24:05,119 --> 00:24:08,439
Speaker 1: put something out, you're not making new nachos, you're reading somewhat.

526
00:24:09,080 --> 00:24:10,760
Speaker 3: And I want to say one thing, it's like the

527
00:24:11,200 --> 00:24:16,000
Speaker 3: the context creator ethos started out good because it started

528
00:24:16,000 --> 00:24:19,680
Speaker 3: out as being like, remember this rom com from two

529
00:24:19,680 --> 00:24:22,560
Speaker 3: thousand and two, it was sexist because of X Y

530
00:24:22,720 --> 00:24:24,639
Speaker 3: Z reason. And now suddenly it's in a new context

531
00:24:24,720 --> 00:24:26,679
Speaker 3: and it's and it's a context that is helpful. It's

532
00:24:26,720 --> 00:24:28,960
Speaker 3: being like, wow, look at all the unconscious biases we

533
00:24:29,040 --> 00:24:30,320
Speaker 3: had then that we now see whatever.

534
00:24:30,680 --> 00:24:32,200
Speaker 2: But then it's now it's.

535
00:24:32,080 --> 00:24:34,399
Speaker 3: Taken to like such an extreme that it's like not

536
00:24:34,600 --> 00:24:38,280
Speaker 3: everything is sort of like a prompt for you to theorize, right.

537
00:24:38,640 --> 00:24:41,639
Speaker 3: I mean, it's funny that we are the ones saying that,

538
00:24:41,720 --> 00:24:45,280
Speaker 3: which is like kind of our whole thing. But you

539
00:24:45,320 --> 00:24:47,960
Speaker 3: know what I mean, I'm like time to got new things. Actually,

540
00:24:49,160 --> 00:24:52,160
Speaker 3: I no longer need new interpretations of Bridge of Jones's diary.

541
00:24:52,240 --> 00:24:52,440
Speaker 1: I know.

542
00:24:53,400 --> 00:24:54,639
Speaker 4: Wait do you mean do you mean you mean you

543
00:24:54,680 --> 00:24:55,680
Speaker 4: don't need a new movie.

544
00:24:59,000 --> 00:25:00,359
Speaker 2: The theaters?

545
00:25:00,359 --> 00:25:03,639
Speaker 4: And strongly I had a I had a I had

546
00:25:03,640 --> 00:25:06,080
Speaker 4: a I had a sad moment this morning when I

547
00:25:06,160 --> 00:25:09,400
Speaker 4: saw that it was streaming. Yeah, I love your peak,

548
00:25:11,040 --> 00:25:16,160
Speaker 4: Like there's a new Bridget Joke movie that I've heard

549
00:25:16,280 --> 00:25:19,480
Speaker 4: is good, starring fucking Renee Zellwegger.

550
00:25:22,800 --> 00:25:24,199
Speaker 1: I mean it didn't, that's all.

551
00:25:24,680 --> 00:25:28,119
Speaker 2: When you said Reneegger, I had this deep feeling that.

552
00:25:28,240 --> 00:25:32,000
Speaker 3: I know her, I like, I almost I felt the

553
00:25:32,080 --> 00:25:35,119
Speaker 3: need to speak up and be like, oh, Renee like

554
00:25:35,359 --> 00:25:37,760
Speaker 3: and as though I had some connection, and I wanted

555
00:25:37,760 --> 00:25:39,119
Speaker 3: to be like, we were out for coffee the other

556
00:25:39,160 --> 00:25:40,880
Speaker 3: day and she said the funniest thing, And I don't

557
00:25:40,920 --> 00:25:41,399
Speaker 3: know what it is.

558
00:25:41,480 --> 00:25:45,359
Speaker 1: There's maybe a past that I have a past life, your.

559
00:25:45,280 --> 00:25:45,880
Speaker 4: Whole entire life.

560
00:25:45,920 --> 00:25:47,640
Speaker 2: Yeah, maybe that's what whole entire life.

561
00:25:47,920 --> 00:25:50,159
Speaker 3: I just rewatched Down with Love and maybe that was

562
00:25:50,240 --> 00:25:52,320
Speaker 3: fresh in my mind, and so it was almost like

563
00:25:52,359 --> 00:25:53,239
Speaker 3: I just had Coffee with her.

564
00:25:53,359 --> 00:25:54,080
Speaker 4: I love that movie.

565
00:25:54,119 --> 00:25:55,440
Speaker 2: It is one of the best movies.

566
00:25:55,480 --> 00:25:57,879
Speaker 1: It was underrated completely, nobody knows it.

567
00:25:58,119 --> 00:26:00,320
Speaker 3: That is a great movie that I'm glad people have

568
00:26:00,440 --> 00:26:03,119
Speaker 3: put into new context as like a movie that was,

569
00:26:03,520 --> 00:26:05,400
Speaker 3: you know, sort of much better than.

570
00:26:05,359 --> 00:26:06,720
Speaker 2: It was given credit for. Ahead of his time and

571
00:26:06,760 --> 00:26:07,240
Speaker 2: all this stuff.

572
00:26:07,640 --> 00:26:10,200
Speaker 4: And McGregor, Yeah, I want to say Rachel.

573
00:26:09,960 --> 00:26:15,360
Speaker 2: Dratch, Yes, Rachel Sarah Paulson, Oh my god.

574
00:26:15,320 --> 00:26:21,080
Speaker 4: No, it's okay from Frasier Niles Crane.

575
00:26:21,280 --> 00:26:25,720
Speaker 1: Yes, David David. I cannot believe.

576
00:26:27,320 --> 00:26:31,879
Speaker 2: Literally gay for sure? Sorry, I know yes because you were.

577
00:26:32,160 --> 00:26:32,880
Speaker 4: Yeah, yeah, that's okay.

578
00:26:33,119 --> 00:26:35,919
Speaker 2: You're not say something about Renees only only.

579
00:26:35,880 --> 00:26:38,760
Speaker 4: That it's not like it's not a prequel. It's not

580
00:26:38,880 --> 00:26:41,000
Speaker 4: like starring c W Talons or whatever.

581
00:26:41,080 --> 00:26:44,280
Speaker 1: It's like with them. It's with them. Hugh Grant's probably

582
00:26:44,320 --> 00:26:44,480
Speaker 1: in it.

583
00:26:44,960 --> 00:26:45,560
Speaker 2: I think he is.

584
00:26:46,080 --> 00:26:47,240
Speaker 4: Really, what are we doing here?

585
00:26:47,800 --> 00:26:49,080
Speaker 1: It should be in the theater?

586
00:26:49,680 --> 00:26:51,879
Speaker 4: Put a gun to my head, kill.

587
00:26:53,760 --> 00:27:01,320
Speaker 1: And don't miss Gone Girl, Gone Girl. Okay, Okay, I literally.

588
00:27:03,760 --> 00:27:05,560
Speaker 2: Right now see cuts Gone Girl again.

589
00:27:05,760 --> 00:27:11,359
Speaker 1: Watt Are we.

590
00:27:11,480 --> 00:27:13,480
Speaker 2: Just like truly breathed for our first segments so we

591
00:27:13,560 --> 00:27:14,199
Speaker 2: can go back to.

592
00:27:15,680 --> 00:27:17,920
Speaker 3: Oh my gosh, Okay, thanks for having me, thanks for

593
00:27:18,000 --> 00:27:20,280
Speaker 3: doing literally on cloud ninety might as well be on

594
00:27:20,400 --> 00:27:21,480
Speaker 3: a mountain of cocaine.

595
00:27:22,359 --> 00:27:26,240
Speaker 1: I also want to say, you know, to your incredible credit,

596
00:27:26,600 --> 00:27:29,000
Speaker 1: you've been in Hollywood for you know, you you know

597
00:27:29,200 --> 00:27:31,840
Speaker 1: the biz, and you we said, you know, we can

598
00:27:31,880 --> 00:27:33,800
Speaker 1: do zoom any of these times, and you said no,

599
00:27:34,520 --> 00:27:37,720
Speaker 1: I'm gonna wait. And I think it's one hundred percent

600
00:27:37,760 --> 00:27:39,560
Speaker 1: worth it, and I'm so glad you did. I really do,

601
00:27:39,720 --> 00:27:42,880
Speaker 1: I really I think the proof is in the pud one.

602
00:27:44,080 --> 00:27:46,640
Speaker 1: This is being in person, is you're Bradley Cooper bringing

603
00:27:46,720 --> 00:27:54,000
Speaker 1: the piano exactly. Our first thing is called strade Shooters,

604
00:27:54,000 --> 00:27:55,879
Speaker 1: and in the second we ask you a series of

605
00:27:55,960 --> 00:27:58,440
Speaker 1: rapid fire questions. It's basically this thing or this other thing.

606
00:27:58,760 --> 00:28:00,600
Speaker 1: And the only rule is you can't ask any followp

607
00:28:00,680 --> 00:28:02,560
Speaker 1: questions or will scream scream scream.

608
00:28:02,600 --> 00:28:04,280
Speaker 4: I want to ask a questions, but I won't.

609
00:28:04,440 --> 00:28:09,159
Speaker 1: I won't. George kickassof Elevated Horror or Dora the Explorer,

610
00:28:09,960 --> 00:28:15,000
Speaker 1: Dora the Explorer, Teenage Dream or Wilhelm Scream Teenage Dream.

611
00:28:15,160 --> 00:28:18,280
Speaker 2: The Taming of the Shrew or Defaming Mister Magoo.

612
00:28:18,160 --> 00:28:25,960
Speaker 1: Oh, Kendrick Lamar or that bitch, ja'far, your wish is

613
00:28:26,040 --> 00:28:28,240
Speaker 1: my command? Or he went to Tish and now he's

614
00:28:28,240 --> 00:28:28,680
Speaker 1: in a band.

615
00:28:29,000 --> 00:28:30,600
Speaker 4: He went to and now he's in a band.

616
00:28:31,200 --> 00:28:34,200
Speaker 1: A fleet of Welsh Corgi's or the feet of Florence Welsh,

617
00:28:36,320 --> 00:28:39,280
Speaker 1: the feet of Florence welch. This girl is on fire,

618
00:28:39,720 --> 00:28:42,920
Speaker 1: that boy is mine, or these boots are made for walking.

619
00:28:45,960 --> 00:28:47,640
Speaker 4: These boots are made for walking.

620
00:28:48,200 --> 00:28:51,920
Speaker 1: Okay, plastic straws or laughs and gaffaws, laughs and gafas.

621
00:28:52,240 --> 00:28:54,640
Speaker 2: Wow, wow, amazing.

622
00:28:55,200 --> 00:28:59,560
Speaker 4: I'll say, okay, thank you for the doves. Did you

623
00:28:59,680 --> 00:29:01,000
Speaker 4: give me three options?

624
00:29:01,520 --> 00:29:01,920
Speaker 5: Why do that?

625
00:29:02,040 --> 00:29:04,600
Speaker 1: Sometimes I made my head spin?

626
00:29:04,800 --> 00:29:07,400
Speaker 4: Yeah, yeah, so did you say jafar and then you

627
00:29:07,520 --> 00:29:08,920
Speaker 4: said your wish is my command?

628
00:29:10,760 --> 00:29:13,280
Speaker 3: Sometimes that does happen, though, but you don't. We don't collapse, No,

629
00:29:13,360 --> 00:29:16,560
Speaker 3: we don't collapse. But there have been I would say,

630
00:29:16,640 --> 00:29:19,480
Speaker 3: like four or five times when it's like eerily similar.

631
00:29:19,840 --> 00:29:24,000
Speaker 1: So yeah, same brain content, similar, yes.

632
00:29:24,000 --> 00:29:26,400
Speaker 3: Very much so, similar context, same brain and I also,

633
00:29:26,640 --> 00:29:29,760
Speaker 3: I hate to say it's similar sort of like algorithmically

634
00:29:29,800 --> 00:29:31,320
Speaker 3: suggested content that we're consuming.

635
00:29:31,440 --> 00:29:31,920
Speaker 2: Of course, of.

636
00:29:31,960 --> 00:29:32,840
Speaker 1: Course, of court.

637
00:29:32,920 --> 00:29:36,480
Speaker 4: That was great, okay, so I got a thousand does yeah? Okay, great? Wow,

638
00:29:36,680 --> 00:29:37,760
Speaker 4: thank you well, it.

639
00:29:37,960 --> 00:29:40,040
Speaker 1: Was you know, you're a performer, and there was so

640
00:29:40,200 --> 00:29:44,120
Speaker 1: much nuance there, there was ups and downs, highs and lows.

641
00:29:44,280 --> 00:29:48,040
Speaker 4: It was an amazing, amazing Like having heard this segment

642
00:29:48,120 --> 00:29:52,280
Speaker 4: so many times, only recently did I realize it's you're

643
00:29:52,360 --> 00:29:56,960
Speaker 4: not actually I don't think you're actually trying to get

644
00:29:57,280 --> 00:29:58,680
Speaker 4: the person to say one.

645
00:29:58,560 --> 00:30:01,400
Speaker 1: Thing or the No, it really is. It's like it's

646
00:30:01,440 --> 00:30:04,720
Speaker 1: a segment. Is this segment?

647
00:30:04,800 --> 00:30:09,120
Speaker 3: Is it really is us micro dos in Hollywood hand

648
00:30:09,280 --> 00:30:11,520
Speaker 3: like we're we're being like, isn't it funny that we

649
00:30:11,560 --> 00:30:13,720
Speaker 3: thought of these two things that rhyme yes, yes, and

650
00:30:13,800 --> 00:30:15,560
Speaker 3: then it's like, now say something every wont.

651
00:30:15,400 --> 00:30:18,520
Speaker 4: Last exactly exactly. I think I used to think it

652
00:30:18,680 --> 00:30:21,040
Speaker 4: was like which thing is straighter? And then I was like, no, no, no,

653
00:30:21,120 --> 00:30:23,760
Speaker 4: it's which thing is gayer? And only recently was like, no, no,

654
00:30:23,920 --> 00:30:25,160
Speaker 4: it's neither. It's neither.

655
00:30:25,320 --> 00:30:28,320
Speaker 3: In theory, it is like it's almost like a Rshack

656
00:30:28,400 --> 00:30:31,560
Speaker 3: test of like what you're drawn to says something about

657
00:30:31,600 --> 00:30:34,040
Speaker 3: your personality and then all of that adds up to

658
00:30:34,160 --> 00:30:36,960
Speaker 3: your score, but it's also about the performance. Like I

659
00:30:37,360 --> 00:30:39,800
Speaker 3: enjoyed that when I gave you three, you were like

660
00:30:40,360 --> 00:30:41,760
Speaker 3: temporarily taken aback, and.

661
00:30:41,840 --> 00:30:45,160
Speaker 4: Then I think I could have lost points for honestly,

662
00:30:45,320 --> 00:30:48,760
Speaker 4: on that one, I was so overwhelmed. I just went

663
00:30:48,800 --> 00:30:52,400
Speaker 4: with the last thing I heard. Yeah, you know, I

664
00:30:52,440 --> 00:30:53,720
Speaker 4: think that's fine. I think that's fine.

665
00:30:56,320 --> 00:30:58,520
Speaker 1: That was so good student, and be like you told

666
00:30:58,560 --> 00:31:00,560
Speaker 1: me I got this right, but I actually I was

667
00:31:00,560 --> 00:31:03,760
Speaker 1: a little It wasn't I got to the right answer,

668
00:31:03,880 --> 00:31:05,320
Speaker 1: but I did it wrong. I did.

669
00:31:05,440 --> 00:31:08,840
Speaker 4: That reminds me of something I did when I was

670
00:31:09,280 --> 00:31:12,800
Speaker 4: in Let's say, I think I was like nine, My

671
00:31:13,680 --> 00:31:18,440
Speaker 4: older cousin played too Short for me and my sister

672
00:31:18,560 --> 00:31:22,520
Speaker 4: too Short the wrapper okay, we were my sister and

673
00:31:22,640 --> 00:31:24,360
Speaker 4: I listened. We grew up in the Bay. We listened

674
00:31:24,400 --> 00:31:25,840
Speaker 4: to a lot of hip hop, but we knew that

675
00:31:25,880 --> 00:31:28,800
Speaker 4: we weren't allowed to listen to Too Short okay because

676
00:31:28,840 --> 00:31:30,280
Speaker 4: he was really nasty.

677
00:31:31,640 --> 00:31:31,840
Speaker 2: Line.

678
00:31:32,880 --> 00:31:35,920
Speaker 4: And we were listening to Too Short in my cousin's

679
00:31:36,080 --> 00:31:38,480
Speaker 4: bedroom and my parents walked in and he was saying,

680
00:31:38,600 --> 00:31:41,160
Speaker 4: like fuck pussy ho what like he was saying horrible.

681
00:31:41,760 --> 00:31:44,800
Speaker 4: Yeah I know, and you know, we like ran to

682
00:31:44,880 --> 00:31:47,600
Speaker 4: turn it off and my my my parents were like

683
00:31:49,040 --> 00:31:51,360
Speaker 4: they were mad at they were disappointed.

684
00:31:51,400 --> 00:31:52,440
Speaker 1: And later.

685
00:31:53,760 --> 00:31:55,520
Speaker 4: Like later that day when we were talking about it,

686
00:31:56,000 --> 00:31:59,080
Speaker 4: I was like, I'm really glad that you did that.

687
00:31:59,320 --> 00:32:00,000
Speaker 1: We talked about it.

688
00:32:00,200 --> 00:32:01,880
Speaker 4: We were really glad that you did that because it

689
00:32:01,960 --> 00:32:02,960
Speaker 4: really taught us a lesson.

690
00:32:03,040 --> 00:32:05,920
Speaker 1: My mom was like, fuck off, no, you did it.

691
00:32:07,680 --> 00:32:08,840
Speaker 1: She was like, you don't have to do that.

692
00:32:09,040 --> 00:32:12,840
Speaker 4: And it was such a like that, so check your work,

693
00:32:13,000 --> 00:32:15,320
Speaker 4: like yeah, what is that? What is that?

694
00:32:15,560 --> 00:32:18,160
Speaker 1: That's people pleaser that we both have it. We have that.

695
00:32:18,760 --> 00:32:21,520
Speaker 1: I've always wondered why, Like I wonder if it's like

696
00:32:22,080 --> 00:32:23,560
Speaker 1: do I just have that or just like watch the

697
00:32:23,640 --> 00:32:25,840
Speaker 1: right make sure of like kids TV shows?

698
00:32:25,840 --> 00:32:28,680
Speaker 4: Totally, totally, totally yeah. It is that little moment where

699
00:32:28,680 --> 00:32:30,520
Speaker 4: like the music changes and you're like, hey, Mom, can

700
00:32:30,600 --> 00:32:32,640
Speaker 4: I talk to you for a second. It actually really

701
00:32:33,320 --> 00:32:34,959
Speaker 4: it was good that you did that, and even though

702
00:32:35,000 --> 00:32:36,280
Speaker 4: it was hard, we learned a lesson.

703
00:32:36,400 --> 00:32:38,680
Speaker 1: She was like, shut up. When you were a kid,

704
00:32:38,800 --> 00:32:40,400
Speaker 1: did you like often think like you're.

705
00:32:40,280 --> 00:32:40,760
Speaker 2: In a movie?

706
00:32:40,960 --> 00:32:43,480
Speaker 4: Oh yeah, yeah, totally do Yeah.

707
00:32:43,800 --> 00:32:46,160
Speaker 1: I remember like what like I would like look out

708
00:32:46,200 --> 00:32:50,600
Speaker 1: the window, the moody out. I think when you say

709
00:32:50,640 --> 00:32:52,400
Speaker 1: when you were a kid, you mean to this day, Yeah,

710
00:32:52,840 --> 00:32:54,840
Speaker 1: Well now I can now I understand it and I

711
00:32:54,880 --> 00:32:57,040
Speaker 1: can be like, oh, this feels cinematic or something, but

712
00:32:57,120 --> 00:32:58,840
Speaker 1: like as a kid, I was like I wish someone

713
00:32:58,960 --> 00:33:01,800
Speaker 1: was filming right now, like this is a real emotion.

714
00:33:02,400 --> 00:33:04,400
Speaker 1: And I remember even like writing down once, like I

715
00:33:04,840 --> 00:33:08,400
Speaker 1: took guitar lessons when I was like eight or something,

716
00:33:08,880 --> 00:33:11,600
Speaker 1: and I was like so nervous because whatever whatever, So

717
00:33:11,680 --> 00:33:13,360
Speaker 1: I wrote down like a piece of paper like I'm

718
00:33:13,400 --> 00:33:16,080
Speaker 1: scared to take guitar lessons, like folded it up and

719
00:33:16,120 --> 00:33:17,880
Speaker 1: put it somewhere and then my mom found it and

720
00:33:18,000 --> 00:33:20,080
Speaker 1: was like, wow, that was so sweet, and I'm like

721
00:33:20,600 --> 00:33:22,440
Speaker 1: I knew what I was doing, but like it.

722
00:33:22,560 --> 00:33:24,800
Speaker 2: Wasn't like you literally put it like on her desk.

723
00:33:25,600 --> 00:33:28,280
Speaker 1: You read that. Yes, I was doing it like I'm

724
00:33:28,320 --> 00:33:28,760
Speaker 1: in a movie.

725
00:33:28,920 --> 00:33:34,959
Speaker 3: Yeah, yeah, I think I definitely window rain on Window

726
00:33:35,240 --> 00:33:38,480
Speaker 3: was obviously big when I was younger emotion For whatever reason,

727
00:33:38,520 --> 00:33:41,920
Speaker 3: the last few years, walking on the street is much

728
00:33:42,520 --> 00:33:45,240
Speaker 3: bigger for me. And maybe this is the la versus

729
00:33:45,280 --> 00:33:47,600
Speaker 3: New York well, but walking on the street, and I

730
00:33:47,640 --> 00:33:51,520
Speaker 3: would say it reached its peak during Charlie XCX, like

731
00:33:52,080 --> 00:33:55,360
Speaker 3: three Party Girl, yeah, because it was just.

732
00:33:55,520 --> 00:33:57,920
Speaker 2: You can't if you listen to that song and you're walking,

733
00:33:58,080 --> 00:33:59,040
Speaker 2: you're gonna stop.

734
00:33:59,000 --> 00:34:02,440
Speaker 1: Von Dutch specific. Sorry, that's when I was walking at all.

735
00:34:02,520 --> 00:34:05,680
Speaker 1: It's it's over all the ants in your area. They're

736
00:34:05,680 --> 00:34:08,239
Speaker 1: getting smart, uncle, I don't know.

737
00:34:08,800 --> 00:34:16,200
Speaker 2: Yeah, yeah. I went through a phase where I would

738
00:34:16,239 --> 00:34:20,200
Speaker 2: listen to that Selena Gomez song that's like good for you.

739
00:34:20,719 --> 00:34:25,719
Speaker 4: You know, yeah, like in a great Hacks scene right

740
00:34:25,800 --> 00:34:28,440
Speaker 4: where like does that sound familiar where they're like like

741
00:34:28,640 --> 00:34:32,560
Speaker 4: Poppy and Hannah, don't us. I feel like there's a

742
00:34:32,600 --> 00:34:35,840
Speaker 4: great moment in house where they're blasting that in sort.

743
00:34:35,640 --> 00:34:39,320
Speaker 2: Of like it's like one of the sexiest songs ever produced.

744
00:34:39,600 --> 00:34:40,359
Speaker 1: It's not that song.

745
00:34:41,000 --> 00:34:43,600
Speaker 3: And there was a I was probably in my mid

746
00:34:43,719 --> 00:34:46,759
Speaker 3: twenties and I was living in Boston, and I would

747
00:34:46,800 --> 00:34:48,360
Speaker 3: come back from like a party or something and be

748
00:34:48,400 --> 00:34:49,800
Speaker 3: like a little drunk, and I would literally put it

749
00:34:49,880 --> 00:34:52,799
Speaker 3: on and basically like writhe around section on my own

750
00:34:53,000 --> 00:34:55,239
Speaker 3: and by myself, like not even in a way where

751
00:34:55,239 --> 00:34:56,759
Speaker 3: I was just kind of it wasn't even like sex.

752
00:34:56,960 --> 00:34:57,480
Speaker 2: I wasn't like.

753
00:34:59,000 --> 00:35:02,400
Speaker 4: I was literally just like, yeah, you're just going to

754
00:35:02,440 --> 00:35:03,120
Speaker 4: feel in your body.

755
00:35:03,360 --> 00:35:05,160
Speaker 2: Oh wow that my esophag has felt bad.

756
00:35:05,400 --> 00:35:07,399
Speaker 4: Oh no, I think it's good.

757
00:35:07,920 --> 00:35:10,360
Speaker 2: Yeah, damn, I'm gonna have to only drink through a straw.

758
00:35:13,000 --> 00:35:19,920
Speaker 4: What happened girl getting redn do you go girl? Anyway?

759
00:35:20,360 --> 00:35:23,719
Speaker 4: I'm like backtracking on good, Oh yeah, good the one.

760
00:35:24,800 --> 00:35:25,919
Speaker 1: I love that song.

761
00:35:26,400 --> 00:35:29,680
Speaker 4: I'm actually surprised, no shade to Selena, how many Selena

762
00:35:29,760 --> 00:35:30,439
Speaker 4: songs I love.

763
00:35:30,920 --> 00:35:34,520
Speaker 2: So the thing is she has amazing music.

764
00:35:34,640 --> 00:35:35,040
Speaker 1: It's just.

765
00:35:36,600 --> 00:35:39,560
Speaker 3: And you know what, I'll leave it at that beautiful music,

766
00:35:39,680 --> 00:35:44,839
Speaker 3: beautiful beautiful recorded music. Yeah, when it's recorded and then

767
00:35:44,880 --> 00:35:46,800
Speaker 3: it's released and then I press play on it, it

768
00:35:46,920 --> 00:35:49,839
Speaker 3: sounds amazing. It sounds amazing when it comes to my ear,

769
00:35:49,920 --> 00:35:52,359
Speaker 3: when it comes to my ear, when I press the state,

770
00:35:53,239 --> 00:35:53,800
Speaker 3: I'm loving it.

771
00:35:54,480 --> 00:35:57,759
Speaker 2: Yes, God, it's so difficult for me. So we can't

772
00:35:57,800 --> 00:35:58,120
Speaker 2: go into this.

773
00:35:58,200 --> 00:36:00,000
Speaker 1: But it's watched Themelia Prays over four hundred times.

774
00:36:00,000 --> 00:36:02,680
Speaker 3: I've watched Amelia Press twice, Okay, one of them was

775
00:36:02,760 --> 00:36:03,720
Speaker 3: in theaters.

776
00:36:03,920 --> 00:36:05,719
Speaker 2: And so all I want to talk about is Amelia Press.

777
00:36:05,760 --> 00:36:07,719
Speaker 3: But I can't because it's like no longer relevant, Like

778
00:36:07,920 --> 00:36:09,680
Speaker 3: I don't actually have a hot take on it. But

779
00:36:10,960 --> 00:36:12,799
Speaker 3: for whatever reason, since I've been in LA, keep bringing

780
00:36:12,880 --> 00:36:14,840
Speaker 3: up because it's you know, you guys are you know

781
00:36:14,920 --> 00:36:16,680
Speaker 3: it's like the oscars are happening, and we're in La

782
00:36:17,000 --> 00:36:18,640
Speaker 3: so obviously I want to talk about Amelia.

783
00:36:18,400 --> 00:36:20,520
Speaker 1: Press and the billboards are everywhere. Billboards are everywhere.

784
00:36:20,960 --> 00:36:22,360
Speaker 3: We literally passed on the other day when we were

785
00:36:22,400 --> 00:36:24,319
Speaker 3: driving and Sam was like, Oh, there's your girl. That's

786
00:36:24,480 --> 00:36:25,440
Speaker 3: carlos Ias Khan.

787
00:36:25,840 --> 00:36:26,000
Speaker 1: Well.

788
00:36:26,080 --> 00:36:28,920
Speaker 3: I think is an incredible actress, regardless of her very

789
00:36:29,040 --> 00:36:32,600
Speaker 3: contemptible political opinions. I think she really absolutely slated and

790
00:36:32,719 --> 00:36:34,320
Speaker 3: was cunty go girl in that entire.

791
00:36:36,360 --> 00:36:39,399
Speaker 1: So, but we can get the topic.

792
00:36:39,480 --> 00:36:42,319
Speaker 2: Okay, Okay, Darcy, what is your topic that you've brought

793
00:36:42,360 --> 00:36:43,600
Speaker 2: today and what is straight about it?

794
00:36:43,640 --> 00:36:47,480
Speaker 4: Okay, I've thought about this for so long. This is

795
00:36:47,600 --> 00:36:49,640
Speaker 4: how I feel like. This is a hard question. It's

796
00:36:49,680 --> 00:36:51,839
Speaker 4: getting harder every day, that's true, if that makes sense

797
00:36:51,920 --> 00:36:54,920
Speaker 4: what I mean. Yes, it's getting harder every day. As

798
00:36:55,200 --> 00:36:58,680
Speaker 4: the child wives are doing poppers.

799
00:36:58,880 --> 00:37:02,800
Speaker 1: That's true. That's true. Literally the tradwives are doing pop yes.

800
00:37:03,160 --> 00:37:05,800
Speaker 4: Kind of, so like it's getting harder to kind of

801
00:37:06,480 --> 00:37:07,680
Speaker 4: separate what is straight and.

802
00:37:07,680 --> 00:37:10,640
Speaker 3: What is getting That's like one of the you know

803
00:37:10,680 --> 00:37:12,840
Speaker 3: how there's this political realignment where the right and the

804
00:37:12,920 --> 00:37:14,800
Speaker 3: left don't exist anymore. It's more about sort of like

805
00:37:14,920 --> 00:37:18,000
Speaker 3: are you random or are you kind of like normal? Yeah,

806
00:37:19,040 --> 00:37:22,200
Speaker 3: what you're described, the sentence the tradwives are doing poppers

807
00:37:22,239 --> 00:37:24,560
Speaker 3: is like a perfect encapsulation of how everything is has

808
00:37:24,640 --> 00:37:26,520
Speaker 3: been remixed where nothing makes sense.

809
00:37:26,520 --> 00:37:29,080
Speaker 4: It makes sense. Yeah, right, So this question, I feel like,

810
00:37:29,160 --> 00:37:31,400
Speaker 4: is harder today than it was a couple of years ago.

811
00:37:31,480 --> 00:37:32,480
Speaker 2: It's harder than it's ever been.

812
00:37:34,160 --> 00:37:36,200
Speaker 1: So my so, I was.

813
00:37:36,280 --> 00:37:40,279
Speaker 4: Blessed by God himself. Wow, I think he's a hymn.

814
00:37:40,440 --> 00:37:46,680
Speaker 4: Oh okay, I was blused by God to be doing

815
00:37:47,080 --> 00:37:52,040
Speaker 4: this show on this particular day, which is that well, yeah,

816
00:37:57,120 --> 00:38:00,680
Speaker 4: the actual holiday called Valentine's Yes, so.

817
00:38:00,760 --> 00:38:03,440
Speaker 2: It is currently as we're recording this, it is bounced.

818
00:38:03,280 --> 00:38:07,320
Speaker 4: Very fourteenth fourteenth, which I think is like sort of

819
00:38:08,480 --> 00:38:12,319
Speaker 4: the beginning of force fed straight cultures when you're a kid.

820
00:38:12,719 --> 00:38:13,520
Speaker 2: Yeah, it really is.

821
00:38:13,880 --> 00:38:17,120
Speaker 4: It's like it's like real life straight in your face.

822
00:38:17,360 --> 00:38:19,600
Speaker 4: It's not like a movie where there's like a princess

823
00:38:19,640 --> 00:38:22,520
Speaker 4: and a prince or whatever. It's like, write a love

824
00:38:22,680 --> 00:38:26,799
Speaker 4: note to the boy over there, Yes, who do you love?

825
00:38:27,000 --> 00:38:28,880
Speaker 1: Girl? Which boy do you love? Boy? Which girl do

826
00:38:28,920 --> 00:38:31,160
Speaker 1: you love? Ask them to be your wife.

827
00:38:33,680 --> 00:38:34,520
Speaker 4: In front of the class.

828
00:38:35,120 --> 00:38:37,200
Speaker 3: But also it's like it's a numbers game right one

829
00:38:37,239 --> 00:38:39,399
Speaker 3: to everyone. Do you remember like how you would write

830
00:38:39,440 --> 00:38:40,960
Speaker 3: Valentine's Day cards for everything?

831
00:38:41,600 --> 00:38:44,719
Speaker 1: Yeah, well I went to Yeah, I feel like mine

832
00:38:44,800 --> 00:38:47,320
Speaker 1: was like gender neutral roughly where you want them. It

833
00:38:47,440 --> 00:38:48,760
Speaker 1: was just like to everyone in the class.

834
00:38:48,840 --> 00:38:51,000
Speaker 3: I get yeah, but would you actually write a Valentine's

835
00:38:51,040 --> 00:38:53,000
Speaker 3: Day to another boy of Valentine's Well.

836
00:38:53,000 --> 00:38:55,160
Speaker 4: This is I mean a girl would girl, I think,

837
00:38:55,800 --> 00:38:58,480
Speaker 4: But that's different because lesbians.

838
00:38:58,520 --> 00:39:02,960
Speaker 1: Yeah, because it was like you would get like boy cards,

839
00:39:03,040 --> 00:39:04,480
Speaker 1: like they would almost be like like like a.

840
00:39:04,480 --> 00:39:11,560
Speaker 4: Little baseball player, Yeah, catch this ball, catch my ball.

841
00:39:12,280 --> 00:39:16,680
Speaker 2: Jeff, please, I beg you, Jeff has a sexual awaken.

842
00:39:18,480 --> 00:39:19,879
Speaker 2: I do want to catch your ball.

843
00:39:20,719 --> 00:39:23,320
Speaker 4: But yeah, I just I just from there. You know,

844
00:39:23,440 --> 00:39:28,600
Speaker 4: there's the things in elementary school. This is the most

845
00:39:28,680 --> 00:39:31,880
Speaker 4: like force fed. A teacher makes you do it, your parents.

846
00:39:31,680 --> 00:39:32,279
Speaker 1: Speak to do it.

847
00:39:33,880 --> 00:39:38,359
Speaker 3: All these people, by the way, who don't encourage over

848
00:39:38,520 --> 00:39:41,120
Speaker 3: sexualization in other areas of your life, Like it's like

849
00:39:41,480 --> 00:39:44,520
Speaker 3: they don't let you watch our rated movies. They don't

850
00:39:44,640 --> 00:39:47,239
Speaker 3: quite tell you where babies come from, Like they're not

851
00:39:47,600 --> 00:39:50,520
Speaker 3: at all encouraging you to be a sexual being. But

852
00:39:50,680 --> 00:39:52,920
Speaker 3: then this one day comes and it's like the purge,

853
00:39:53,000 --> 00:39:56,360
Speaker 3: but for being like straight and sexual.

854
00:39:56,600 --> 00:40:00,279
Speaker 4: Straight and sexual. Every holiday is this though, and.

855
00:40:00,280 --> 00:40:03,239
Speaker 3: Then they like make their son do Valentine's and then

856
00:40:03,280 --> 00:40:04,640
Speaker 3: he's like wait why and they're like what are you?

857
00:40:05,160 --> 00:40:07,080
Speaker 1: Exactly exactly this is.

858
00:40:07,239 --> 00:40:11,520
Speaker 4: It's like every holiday makes somebody do, like makes your

859
00:40:11,600 --> 00:40:15,279
Speaker 4: parents do something like lie to you about Santa Claus

860
00:40:15,360 --> 00:40:17,359
Speaker 4: or whatever it is. It's like these it's like, well,

861
00:40:17,400 --> 00:40:19,000
Speaker 4: that's just what God himself.

862
00:40:18,719 --> 00:40:20,120
Speaker 1: Told us to do, so you have to do it.

863
00:40:20,200 --> 00:40:21,440
Speaker 2: You can even like not be religion.

864
00:40:21,480 --> 00:40:24,759
Speaker 3: Suddenly it's Christmas and they're like, thank God Christ was

865
00:40:24,840 --> 00:40:26,920
Speaker 3: born exactly exactly.

866
00:40:27,520 --> 00:40:31,239
Speaker 4: Yeah, So so anyway, I just I don't know when

867
00:40:32,080 --> 00:40:34,200
Speaker 4: how do you guys feel about Valentine's Day as adults?

868
00:40:34,280 --> 00:40:38,040
Speaker 1: Right? This is where it gets complicated again. No, no, no,

869
00:40:38,120 --> 00:40:39,759
Speaker 1: because I was just about to ask you. But yeah,

870
00:40:39,920 --> 00:40:41,680
Speaker 1: I'm I appreciating dom.

871
00:40:41,960 --> 00:40:44,600
Speaker 3: But I do want, like, I like the idea that

872
00:40:45,080 --> 00:40:48,000
Speaker 3: the thing for like for Christmas, the thing is religion.

873
00:40:48,960 --> 00:40:50,600
Speaker 1: For what are the other holidays?

874
00:40:50,640 --> 00:40:55,200
Speaker 2: Like April Suddenly everyone's a trickster he loves America yes.

875
00:40:56,560 --> 00:40:57,040
Speaker 1: Or doesn't?

876
00:40:57,239 --> 00:41:00,399
Speaker 3: Or a family Thanksgiving everyone is even if you even

877
00:41:00,400 --> 00:41:02,120
Speaker 3: if you hate your family Thanksgiving coms and you're like,

878
00:41:02,320 --> 00:41:02,920
Speaker 3: we're family.

879
00:41:03,040 --> 00:41:05,640
Speaker 4: Yes, I guess for you why everyone loves America Also

880
00:41:05,800 --> 00:41:08,040
Speaker 4: kind of Thanksgiving, there's a little bit.

881
00:41:07,920 --> 00:41:13,880
Speaker 3: Of it's like we did it, yes, good, yeah, okay.

882
00:41:14,600 --> 00:41:18,280
Speaker 3: And then but Valentine's the thing is everyone loves heteroseox trout.

883
00:41:18,440 --> 00:41:19,480
Speaker 4: Yes, totally.

884
00:41:19,719 --> 00:41:22,600
Speaker 1: I guess in theory, like I met a state in

885
00:41:22,640 --> 00:41:25,080
Speaker 1: my life from like any holiday. I'm like good, Like,

886
00:41:25,160 --> 00:41:27,400
Speaker 1: I think the more time we have time to check.

887
00:41:27,280 --> 00:41:29,200
Speaker 4: In and be like nice, I'm the opposite.

888
00:41:29,280 --> 00:41:30,040
Speaker 5: I like better.

889
00:41:30,960 --> 00:41:32,400
Speaker 4: I'm like, don't tell me what to fucking do.

890
00:41:34,040 --> 00:41:34,600
Speaker 1: I think that's it.

891
00:41:34,680 --> 00:41:36,799
Speaker 4: I'm like, don't tell me when to kiss someone, don't

892
00:41:37,080 --> 00:41:38,960
Speaker 4: when to like love my family. I think that's where

893
00:41:39,280 --> 00:41:41,680
Speaker 4: I'm like, I make my own rules. But it's kind

894
00:41:41,719 --> 00:41:44,120
Speaker 4: of nicer. I like better, And maybe you're better.

895
00:41:44,400 --> 00:41:46,279
Speaker 1: Maybe I'm you know, the guy in the rom com

896
00:41:46,400 --> 00:41:48,520
Speaker 1: who's the sequel in the naming And I'm stuck in

897
00:41:48,560 --> 00:41:49,839
Speaker 1: the room and like, don't talk to me when I'm

898
00:41:49,880 --> 00:41:52,880
Speaker 1: naming my things, right, No, And so then I'm on Valentine,

899
00:41:52,920 --> 00:41:54,680
Speaker 1: Say'm like, what have I been doing? Right, I've been

900
00:41:54,719 --> 00:41:57,000
Speaker 1: so obsessed with naming things. I forgot You're right here.

901
00:41:57,080 --> 00:41:57,560
Speaker 1: The whole time.

902
00:41:58,400 --> 00:42:01,560
Speaker 3: Well, I do think there's a way in which hating

903
00:42:01,680 --> 00:42:06,000
Speaker 3: Valentine's Day almost became equally straight. It became like this

904
00:42:06,160 --> 00:42:11,279
Speaker 3: cliche of like people being like people that in no

905
00:42:11,400 --> 00:42:14,440
Speaker 3: other context would even use the term capitalist suddenly being

906
00:42:14,520 --> 00:42:17,040
Speaker 3: like it's a capitalist holiday that tries to sell us

907
00:42:17,120 --> 00:42:21,759
Speaker 3: capitalist love, and you're like, okay, like, yeah, relax, you

908
00:42:21,840 --> 00:42:25,600
Speaker 3: are just like a normal girl. You're suddenly you're like

909
00:42:25,760 --> 00:42:26,600
Speaker 3: nome choump scale.

910
00:42:28,320 --> 00:42:30,160
Speaker 4: I feel like my mom may have said that that

911
00:42:30,520 --> 00:42:31,960
Speaker 4: sentence sudden.

912
00:42:35,040 --> 00:42:37,080
Speaker 3: But it is true that it's it's almost in a

913
00:42:37,160 --> 00:42:41,440
Speaker 3: weird way, quote unquote basic girl to hate Valentine's Day

914
00:42:42,040 --> 00:42:44,400
Speaker 3: despite the fact that that same girl and sorry to

915
00:42:45,120 --> 00:42:47,000
Speaker 3: you know, the only reason I'm saying girl is because

916
00:42:47,040 --> 00:42:48,840
Speaker 3: boys are like too dumb to even have an opinion.

917
00:42:50,080 --> 00:42:54,319
Speaker 3: It's like that same girl is definitely interested in having

918
00:42:54,360 --> 00:42:57,520
Speaker 3: a beautiful wedding, is definitely like interested in having a

919
00:42:57,640 --> 00:42:58,840
Speaker 3: great boyfriend or husband.

920
00:42:58,880 --> 00:43:01,080
Speaker 2: But then suddenly on Valentine's she's literally.

921
00:43:00,920 --> 00:43:04,280
Speaker 3: Like, you know, wearing a sort of like a black

922
00:43:04,440 --> 00:43:07,440
Speaker 3: like a black Yeah, like she's wearing to protest.

923
00:43:08,640 --> 00:43:11,200
Speaker 4: You have to like go through your if you're just

924
00:43:11,320 --> 00:43:13,680
Speaker 4: like a normal girl, you have to go through your

925
00:43:13,719 --> 00:43:14,400
Speaker 4: like I hate.

926
00:43:14,200 --> 00:43:17,719
Speaker 3: That exactly, yeah, which is why I think I'm like

927
00:43:18,400 --> 00:43:21,279
Speaker 3: interested in what Sam is saying about liking valentectics. It's like, well,

928
00:43:21,320 --> 00:43:23,279
Speaker 3: maybe the straight thing is to have it have so

929
00:43:23,440 --> 00:43:25,719
Speaker 3: much power over you that you're reactionary against.

930
00:43:25,480 --> 00:43:27,920
Speaker 2: It, and then the normal thing is to just.

931
00:43:29,920 --> 00:43:33,520
Speaker 1: It's sort of yeah, And mostly it's like if you're

932
00:43:33,600 --> 00:43:35,480
Speaker 1: normal about anything, I think it's good.

933
00:43:36,520 --> 00:43:37,680
Speaker 2: That's I feel about Christmas.

934
00:43:37,920 --> 00:43:39,719
Speaker 4: I don't hate it, don't love it.

935
00:43:40,320 --> 00:43:42,759
Speaker 3: No, I like it, and I don't associate it with

936
00:43:42,960 --> 00:43:47,040
Speaker 3: anything actually substantial or rooted in reality. It's not about religion,

937
00:43:47,080 --> 00:43:48,759
Speaker 3: it's not about family, it's not about anything. It's just

938
00:43:48,880 --> 00:43:49,520
Speaker 3: like how fun.

939
00:43:49,680 --> 00:43:53,400
Speaker 4: Yeah, fun totally. It's so much better to just feel

940
00:43:53,440 --> 00:43:55,000
Speaker 4: that way, especially.

941
00:43:54,719 --> 00:43:56,680
Speaker 1: When like, like when I think I would hate it

942
00:43:56,760 --> 00:43:58,960
Speaker 1: if it was like if I'm not getting a fucking yet,

943
00:43:59,120 --> 00:44:01,440
Speaker 1: like today, I'm going to fucking scream.

944
00:44:01,480 --> 00:44:03,120
Speaker 4: I'm not getting a fucking fuck today.

945
00:44:04,440 --> 00:44:07,160
Speaker 2: If I'm not gonna play one, say you're fuck exactly.

946
00:44:07,280 --> 00:44:09,120
Speaker 1: I've been waiting all here for.

947
00:44:09,239 --> 00:44:12,520
Speaker 4: My for my one, and if I don't get it,

948
00:44:13,120 --> 00:44:14,120
Speaker 4: I'm a scream.

949
00:44:15,320 --> 00:44:18,279
Speaker 3: That's the girl in the Naming rom com it's like

950
00:44:18,320 --> 00:44:21,120
Speaker 3: if I don't get by one fuck today. And it's

951
00:44:21,160 --> 00:44:25,200
Speaker 3: by the way, it's called no Funks Given. And the

952
00:44:25,280 --> 00:44:28,640
Speaker 3: naming specialist thought of that title. That's how at the

953
00:44:28,719 --> 00:44:30,360
Speaker 3: end he thinks of the title of the movie he's in.

954
00:44:30,520 --> 00:44:34,200
Speaker 3: It's kind of being John. It's very actually, wow, this

955
00:44:34,400 --> 00:44:36,880
Speaker 3: is a good Wow, it's a good movie. Then the

956
00:44:37,000 --> 00:44:38,520
Speaker 3: credits are at the end of the movie.

957
00:44:38,600 --> 00:44:41,239
Speaker 4: Okay, Actually, the name of the movie as you go

958
00:44:41,480 --> 00:44:44,960
Speaker 4: into the movie is not that it gets renamed.

959
00:44:45,000 --> 00:44:45,520
Speaker 2: You know what it is.

960
00:44:45,800 --> 00:44:48,960
Speaker 3: It's inst name here, it's insert title here. That's what

961
00:44:49,080 --> 00:44:51,200
Speaker 3: the movie is called. Because it's also a commentary on

962
00:44:51,360 --> 00:44:52,000
Speaker 3: him being a name.

963
00:44:53,040 --> 00:44:53,960
Speaker 1: Unfortunately, I would love that.

964
00:44:54,239 --> 00:44:56,520
Speaker 4: I think it's great. Who's this starring?

965
00:44:57,000 --> 00:45:02,120
Speaker 2: Okay, okay, all right, not Zoe, which let's start there.

966
00:45:02,880 --> 00:45:04,520
Speaker 1: She's cut, she's cut.

967
00:45:05,239 --> 00:45:07,480
Speaker 3: I have to say, Darcy, I'm afraid to say names

968
00:45:07,520 --> 00:45:09,239
Speaker 3: of celebrities with you because you have worked with so

969
00:45:09,320 --> 00:45:09,799
Speaker 3: many of them.

970
00:45:09,920 --> 00:45:12,919
Speaker 1: Oh, that's a good point. Have you worked Okay, okay,

971
00:45:13,400 --> 00:45:14,399
Speaker 1: and we have I have nothing.

972
00:45:14,800 --> 00:45:18,080
Speaker 4: You're just saying, you're saying, maybe, like okay, zoey.

973
00:45:18,400 --> 00:45:20,680
Speaker 2: Okay, First of all, Zoe's lovely A role of culture.

974
00:45:20,760 --> 00:45:26,399
Speaker 1: Number one. We we love Zoe on this podcast always loves.

975
00:45:26,719 --> 00:45:31,960
Speaker 2: All right, so Zoe is yes, Yeah, So what actress

976
00:45:32,320 --> 00:45:35,239
Speaker 2: slash actor could this be?

977
00:45:35,600 --> 00:45:39,239
Speaker 4: I mean, yeah, hen Batley just popped into my mind.

978
00:45:39,520 --> 00:45:42,560
Speaker 2: He Badeley as the naming specialist could be really big.

979
00:45:42,960 --> 00:45:43,920
Speaker 4: You's finishing up?

980
00:45:43,960 --> 00:45:46,440
Speaker 1: You might yes, I agree, all right? Actually, and I

981
00:45:46,560 --> 00:45:50,120
Speaker 1: actually do want Sydney Sweeney to like keep being wrong calming,

982
00:45:50,160 --> 00:45:50,960
Speaker 1: but get better at it.

983
00:45:51,160 --> 00:45:52,280
Speaker 4: I just kind of kicked George.

984
00:45:52,440 --> 00:45:54,160
Speaker 2: Yeah, you guys are kicking me. You're like, what the

985
00:45:54,200 --> 00:45:55,200
Speaker 2: fuck is he talking about?

986
00:45:55,560 --> 00:45:59,520
Speaker 3: Hello, you guys are mad at me for I love Sweeney,

987
00:45:59,600 --> 00:46:01,600
Speaker 3: but I unfortunately, as someone who has seen her rom

988
00:46:01,719 --> 00:46:03,319
Speaker 3: com that's not her strong.

989
00:46:03,400 --> 00:46:04,520
Speaker 1: That's true. I haven't seen the rom com.

990
00:46:04,600 --> 00:46:07,399
Speaker 4: I haven't either, but maybe maybe she you know, give

991
00:46:07,440 --> 00:46:07,959
Speaker 4: her more reps.

992
00:46:07,960 --> 00:46:10,680
Speaker 1: I just wanted to get. It's like me with Hollywood

993
00:46:10,719 --> 00:46:11,080
Speaker 1: hand Book.

994
00:46:13,000 --> 00:46:15,800
Speaker 4: Yeah, the old the nineties rom home Girls got so

995
00:46:15,840 --> 00:46:21,080
Speaker 4: many repress says, get your reps in yours?

996
00:46:21,239 --> 00:46:22,680
Speaker 3: Can I say someone who I think is one of

997
00:46:22,719 --> 00:46:25,239
Speaker 3: the most brilliant comedic actresses of her generation.

998
00:46:25,000 --> 00:46:25,880
Speaker 2: That hasn't gotten her due.

999
00:46:26,400 --> 00:46:27,720
Speaker 4: Wait, I'm so excited.

1000
00:46:29,400 --> 00:46:30,600
Speaker 2: Jane from Happy Endings.

1001
00:46:31,280 --> 00:46:32,640
Speaker 4: Jane from Happy Endings.

1002
00:46:33,560 --> 00:46:34,680
Speaker 2: Did you ever watch Happy Endings?

1003
00:46:35,000 --> 00:46:37,440
Speaker 4: She is the one who shut or Eliza.

1004
00:46:37,680 --> 00:46:38,080
Speaker 1: Eliza.

1005
00:46:39,080 --> 00:46:41,200
Speaker 4: There's Eliza. I feel like there's two Eliza.

1006
00:46:41,280 --> 00:46:43,360
Speaker 2: That's you're correct, not the one that was in The

1007
00:46:43,400 --> 00:46:44,000
Speaker 2: Girl next Door.

1008
00:46:44,040 --> 00:46:45,440
Speaker 4: Okay, so Eliza Coop.

1009
00:46:45,960 --> 00:46:50,480
Speaker 2: Oh yeah, she is one of the funniest women people alive.

1010
00:46:50,760 --> 00:46:52,480
Speaker 4: She is so funny.

1011
00:46:52,880 --> 00:46:56,840
Speaker 2: I she's like born to do television.

1012
00:46:56,880 --> 00:46:57,240
Speaker 4: I agree.

1013
00:46:57,800 --> 00:47:00,680
Speaker 2: So I'm thinking it's her first also film.

1014
00:47:01,239 --> 00:47:05,200
Speaker 3: It's her and I think her and pen could work.

1015
00:47:05,320 --> 00:47:07,520
Speaker 3: And I also like that she's maybe a little older

1016
00:47:07,600 --> 00:47:09,799
Speaker 3: than him. That could But that's not address because we're

1017
00:47:09,840 --> 00:47:12,120
Speaker 3: not because that would be condescending to the audience. Like,

1018
00:47:12,280 --> 00:47:14,360
Speaker 3: it's not about that, it's not it's not like empowering

1019
00:47:14,440 --> 00:47:17,320
Speaker 3: that she's old. She's just a normal girl. Yeah, and

1020
00:47:17,440 --> 00:47:19,120
Speaker 3: he's a normal guy. That's annoying.

1021
00:47:19,239 --> 00:47:19,439
Speaker 1: Yeah.

1022
00:47:21,520 --> 00:47:28,200
Speaker 5: Yeah, she's so fun Yeah, you like pretty much discovered her.

1023
00:47:28,560 --> 00:47:29,759
Speaker 1: Yeah, you like put her on the map.

1024
00:47:29,800 --> 00:47:30,600
Speaker 2: I've put her on the map.

1025
00:47:31,080 --> 00:47:31,920
Speaker 4: Happy Endings.

1026
00:47:32,400 --> 00:47:35,399
Speaker 2: Alicia Cuffberts Alicia Cuthbert is the other one.

1027
00:47:35,480 --> 00:47:36,120
Speaker 4: She's also great.

1028
00:47:36,160 --> 00:47:36,879
Speaker 2: She's also great.

1029
00:47:36,960 --> 00:47:39,239
Speaker 4: And Casey Wilson, who we know in course.

1030
00:47:39,719 --> 00:47:42,600
Speaker 2: I mean that's first of all, should be President.

1031
00:47:42,719 --> 00:47:44,520
Speaker 3: Yes, it's not even she doesn't have time to do

1032
00:47:44,560 --> 00:47:46,239
Speaker 3: this rom gone because she literally has to be in

1033
00:47:46,360 --> 00:47:48,279
Speaker 3: the administration in the White House.

1034
00:47:48,320 --> 00:47:51,360
Speaker 4: Speaking of going back to audiobooks, I would highly recommend

1035
00:47:51,440 --> 00:47:57,440
Speaker 4: her audio books when they're doing their own audiobook. Martin Shorts, Oh,

1036
00:47:57,560 --> 00:47:59,799
Speaker 4: that's fun. It's really fun to listen to them tell

1037
00:47:59,840 --> 00:48:00,520
Speaker 4: their own story.

1038
00:48:00,880 --> 00:48:04,600
Speaker 3: That's I just am filled with love. I'm literally filled

1039
00:48:04,640 --> 00:48:07,200
Speaker 3: with happiness that Casey Wilson eyes out there me too,

1040
00:48:08,400 --> 00:48:09,000
Speaker 3: got me too.

1041
00:48:09,600 --> 00:48:10,480
Speaker 2: I imagine the world.

1042
00:48:10,360 --> 00:48:13,040
Speaker 4: If she wasn't you should this pod I met and loved.

1043
00:48:13,320 --> 00:48:18,320
Speaker 2: I have never met the best. And one time I

1044
00:48:18,440 --> 00:48:21,160
Speaker 2: asked someone I can't remember if it was like, I

1045
00:48:21,320 --> 00:48:23,160
Speaker 2: was like, oh, I would love to do Bitch. It

1046
00:48:23,239 --> 00:48:23,600
Speaker 2: wasn't her.

1047
00:48:23,800 --> 00:48:25,400
Speaker 3: This is not her fault that I haven't done it,

1048
00:48:25,719 --> 00:48:28,000
Speaker 3: but it was like someone that either that reped, someone

1049
00:48:28,040 --> 00:48:28,560
Speaker 3: involved whatever.

1050
00:48:28,640 --> 00:48:29,640
Speaker 2: I was like, oh, I would love to do bitch.

1051
00:48:29,960 --> 00:48:31,920
Speaker 3: And then the person's response was like, you know, to

1052
00:48:32,000 --> 00:48:33,759
Speaker 3: do that podcast, you really have to be up to

1053
00:48:33,840 --> 00:48:36,399
Speaker 3: date on the Bravo shows, Like you can't just sort

1054
00:48:36,440 --> 00:48:38,920
Speaker 3: of go there and like be funny and are you

1055
00:48:39,080 --> 00:48:39,759
Speaker 3: not No.

1056
00:48:39,960 --> 00:48:43,719
Speaker 4: Okay, I that's such a funny thing.

1057
00:48:43,760 --> 00:48:45,320
Speaker 3: But I was like okay, and I was like I

1058
00:48:45,400 --> 00:48:48,000
Speaker 3: get it. I get it, Like I would never disrespect

1059
00:48:48,080 --> 00:48:49,520
Speaker 3: Casey going.

1060
00:48:49,320 --> 00:48:51,960
Speaker 4: On to be caught up with all of them.

1061
00:48:53,320 --> 00:48:55,960
Speaker 1: It's a lot of reading, I know, but but again

1062
00:48:56,000 --> 00:48:57,440
Speaker 1: I was like, you know what, I respect it. Yeah,

1063
00:48:57,440 --> 00:48:59,640
Speaker 1: I actually would love for you to go on unprepared

1064
00:48:59,800 --> 00:49:01,560
Speaker 1: and have her fucking screaming.

1065
00:49:02,000 --> 00:49:06,719
Speaker 3: And it's like, secretly she's been a huge, uh county goal.

1066
00:49:07,000 --> 00:49:09,840
Speaker 4: It would be so funny if like, yeah, like fifteen

1067
00:49:09,880 --> 00:49:12,399
Speaker 4: minutes into the body, just see like their eyes go dead. Yeah,

1068
00:49:12,680 --> 00:49:16,399
Speaker 4: fucking you didn't catch up. Don't act like you caught

1069
00:49:16,480 --> 00:49:18,239
Speaker 4: up when you didn't fucking catch up.

1070
00:49:18,800 --> 00:49:21,719
Speaker 2: She literally like drops her drops her binders, Like what

1071
00:49:21,800 --> 00:49:22,480
Speaker 2: the fuck? Who brought?

1072
00:49:22,640 --> 00:49:23,719
Speaker 1: Who is this? Who is this?

1073
00:49:25,120 --> 00:49:25,840
Speaker 2: Always brings some.

1074
00:49:25,920 --> 00:49:28,560
Speaker 3: Fucking gay guy. I told them, no more gay guys.

1075
00:49:28,680 --> 00:49:31,160
Speaker 3: Being gay isn't a good enough credit everybody.

1076
00:49:32,719 --> 00:49:33,680
Speaker 1: Have you heard.

1077
00:49:35,480 --> 00:49:41,160
Speaker 4: T trad something like trad wife is hard for me

1078
00:49:41,239 --> 00:49:45,759
Speaker 4: because it's traditional wife, right, Yes, that type of ship

1079
00:49:45,880 --> 00:49:46,279
Speaker 4: is hard for me.

1080
00:49:46,400 --> 00:49:48,640
Speaker 1: Like why isn't it traad wife?

1081
00:49:49,760 --> 00:49:51,920
Speaker 3: Human pronunciation? I thought you were going to make some

1082
00:49:52,040 --> 00:49:53,759
Speaker 3: argument about where we are as a culture. We're like

1083
00:49:53,920 --> 00:49:55,680
Speaker 3: why is it a little bit like say this again.

1084
00:49:55,719 --> 00:49:58,960
Speaker 4: Okay, so like true but trad, we don't say brad.

1085
00:49:59,320 --> 00:50:02,960
Speaker 2: Oh you don't say traditional, so.

1086
00:50:02,960 --> 00:50:06,160
Speaker 4: You don't say traditional traditional, So then would it be

1087
00:50:06,200 --> 00:50:09,520
Speaker 4: a troade wife? But I know it's a deep like

1088
00:50:09,719 --> 00:50:12,279
Speaker 4: these type of things. I think. Also, what about like

1089
00:50:12,360 --> 00:50:14,480
Speaker 4: Beyonce when they say like bee.

1090
00:50:15,200 --> 00:50:16,400
Speaker 2: I completely agree.

1091
00:50:16,480 --> 00:50:18,279
Speaker 3: I I don't like when they say bay. I really

1092
00:50:18,320 --> 00:50:21,080
Speaker 3: don't like when they say bay and it alsways sounds forced.

1093
00:50:21,360 --> 00:50:25,240
Speaker 3: It's always like the host of eing you like entertainment

1094
00:50:25,880 --> 00:50:26,680
Speaker 3: read By?

1095
00:50:26,920 --> 00:50:30,839
Speaker 4: Yeah, yeah, it's like but it's like b why Yeah,

1096
00:50:31,560 --> 00:50:34,839
Speaker 4: I get that that's By, but it's also Beyonce. It's

1097
00:50:34,880 --> 00:50:39,200
Speaker 4: also like, okay, like Mary, if I wanted to call

1098
00:50:39,280 --> 00:50:42,320
Speaker 4: my friend Mary Mayor, am I spelling it m A

1099
00:50:42,560 --> 00:50:43,200
Speaker 4: R M A R E.

1100
00:50:43,560 --> 00:50:45,560
Speaker 1: I'm putting an on there because it's mar.

1101
00:50:45,840 --> 00:50:48,160
Speaker 4: It's tricky because are really tricky and hard.

1102
00:50:48,320 --> 00:50:49,120
Speaker 1: This is really.

1103
00:50:51,160 --> 00:50:53,719
Speaker 4: Yeah, I know George is going inward?

1104
00:50:54,320 --> 00:50:57,200
Speaker 2: What are you thinking on the spot?

1105
00:50:57,320 --> 00:51:01,560
Speaker 4: Okay, you're scaring us, George, don't don't go inside there.

1106
00:51:06,800 --> 00:51:10,640
Speaker 4: And I'm also I'm willing to be wrong on that.

1107
00:51:12,160 --> 00:51:14,400
Speaker 2: I'm on trad trad.

1108
00:51:16,239 --> 00:51:19,080
Speaker 4: Mayor, I'm just and I'm also willing to be a hypocrite.

1109
00:51:19,080 --> 00:51:20,600
Speaker 4: I might be, I might do it all the time,

1110
00:51:20,640 --> 00:51:24,239
Speaker 4: but it's just trad is really trad. Trad do be

1111
00:51:24,520 --> 00:51:26,680
Speaker 4: traged brad Trud.

1112
00:51:28,160 --> 00:51:29,239
Speaker 1: I mean, trud is.

1113
00:51:29,320 --> 00:51:30,319
Speaker 2: Like trud wife.

1114
00:51:32,719 --> 00:51:36,479
Speaker 1: The thing is trad. Okay, we're actually now like fully

1115
00:51:36,520 --> 00:51:37,240
Speaker 1: post language.

1116
00:51:38,320 --> 00:51:39,480
Speaker 2: I love tra.

1117
00:51:41,320 --> 00:51:43,600
Speaker 1: Trad wife. They do it because it sounds more glamorous.

1118
00:51:43,640 --> 00:51:45,280
Speaker 1: Yea trud wife sounds like truck.

1119
00:51:45,400 --> 00:51:45,879
Speaker 4: It's bad.

1120
00:51:46,160 --> 00:51:50,879
Speaker 1: You're like trudging through the wife of trad wife.

1121
00:51:51,000 --> 00:51:53,799
Speaker 3: It's like, in order to have to like eliminate their power,

1122
00:51:53,840 --> 00:51:57,320
Speaker 3: we have to start calling them trudi. Yes, totally, But

1123
00:51:57,440 --> 00:52:00,759
Speaker 3: I also okay, tradwife is one of those things that

1124
00:52:01,080 --> 00:52:03,880
Speaker 3: I have just never believed in as a concept or

1125
00:52:03,960 --> 00:52:06,759
Speaker 3: as a trend. And I will not be gas lilt

1126
00:52:06,840 --> 00:52:09,840
Speaker 3: into thinking this is like some cultural force I have

1127
00:52:09,960 --> 00:52:12,799
Speaker 3: to reckon with. Like this is literally like five people

1128
00:52:12,880 --> 00:52:15,719
Speaker 3: on TikTok, and it's like an easy thing to write

1129
00:52:15,719 --> 00:52:17,480
Speaker 3: about and to write trend pieces about it.

1130
00:52:17,760 --> 00:52:19,759
Speaker 2: You know what I mean. I think I'm wrong.

1131
00:52:19,800 --> 00:52:21,960
Speaker 1: I know, I switch probably.

1132
00:52:22,320 --> 00:52:23,960
Speaker 4: I was going to say, you're probably right, and.

1133
00:52:24,560 --> 00:52:25,359
Speaker 2: You stand for nothing.

1134
00:52:25,719 --> 00:52:28,440
Speaker 1: I don't, George, I just want to say that, like

1135
00:52:28,880 --> 00:52:30,880
Speaker 1: you know, I was once in the New York bubble,

1136
00:52:30,960 --> 00:52:33,640
Speaker 1: and like I know how that feels, and like you

1137
00:52:33,760 --> 00:52:35,480
Speaker 1: really do think you're saying in LA.

1138
00:52:35,560 --> 00:52:35,879
Speaker 2: There are.

1139
00:52:37,400 --> 00:52:39,960
Speaker 1: In LA, but there's like outside, just outside, and I

1140
00:52:40,000 --> 00:52:42,920
Speaker 1: think they're really sympathetic to them. And I think it's

1141
00:52:43,000 --> 00:52:47,120
Speaker 1: like it is a bigger culture than me exactly because.

1142
00:52:46,800 --> 00:52:50,480
Speaker 2: To me, it's just like context creators, right, And.

1143
00:52:50,520 --> 00:52:52,560
Speaker 4: I think it probably what I guess what I was

1144
00:52:52,600 --> 00:52:55,680
Speaker 4: going to say when you went I did, I flip.

1145
00:52:55,680 --> 00:53:00,120
Speaker 1: Flopped, but it was I was John Kerry, Now I

1146
00:53:00,280 --> 00:53:01,560
Speaker 1: was I was going to.

1147
00:53:01,560 --> 00:53:04,479
Speaker 4: Go on to say, I think you're right, and yet

1148
00:53:04,680 --> 00:53:06,600
Speaker 4: I think there's so much of the country that we

1149
00:53:06,719 --> 00:53:09,759
Speaker 4: are blind and have no understanding of.

1150
00:53:10,360 --> 00:53:11,920
Speaker 2: Yeah, and and.

1151
00:53:13,400 --> 00:53:15,080
Speaker 4: It's it bit us in the ass once, and it

1152
00:53:15,160 --> 00:53:17,280
Speaker 4: bit us in the ass against and it might again.

1153
00:53:17,080 --> 00:53:17,560
Speaker 1: And it might.

1154
00:53:20,200 --> 00:53:22,240
Speaker 4: It bit us once it bit us against.

1155
00:53:22,960 --> 00:53:26,840
Speaker 2: Okay, I mean, listen, maybe right, I don't want it.

1156
00:53:26,920 --> 00:53:30,400
Speaker 3: But I guess here's my question. Did that did the

1157
00:53:30,480 --> 00:53:33,440
Speaker 3: percentage of the population that is trud did that? Did

1158
00:53:33,520 --> 00:53:37,279
Speaker 3: that already exist before? We just had a term for it,

1159
00:53:37,840 --> 00:53:41,200
Speaker 3: like there have always been Well, the argument is.

1160
00:53:41,200 --> 00:53:43,319
Speaker 1: Like a Martha Stewart was like the type before where

1161
00:53:43,320 --> 00:53:46,120
Speaker 1: it was like almost an aspirational like she's making her

1162
00:53:46,200 --> 00:53:49,520
Speaker 1: own like table spreads, and you were supposed to like

1163
00:53:49,560 --> 00:53:50,800
Speaker 1: feel like you should want to do that.

1164
00:53:52,200 --> 00:53:54,040
Speaker 4: As you say that, I'm like, I don't even really

1165
00:53:54,120 --> 00:53:57,279
Speaker 4: know what a trud wife is. Is it like is

1166
00:53:57,360 --> 00:53:59,800
Speaker 4: it like a little prairie wife or is it like

1167
00:53:59,840 --> 00:54:02,560
Speaker 4: a fifties wife or is it I mean.

1168
00:54:02,480 --> 00:54:03,439
Speaker 1: It's a little bit of both.

1169
00:54:03,600 --> 00:54:05,480
Speaker 3: Broadly speaking, it's just like you want to please your

1170
00:54:05,560 --> 00:54:07,279
Speaker 3: husband and you don't necessarily need to have a job,

1171
00:54:07,440 --> 00:54:07,719
Speaker 3: and you.

1172
00:54:07,800 --> 00:54:09,759
Speaker 1: Like fantasize about like living on the farm and making

1173
00:54:09,760 --> 00:54:11,040
Speaker 1: everything from scratch and whatever.

1174
00:54:15,080 --> 00:54:17,120
Speaker 4: Now isn't Martha Stewart interesting?

1175
00:54:17,400 --> 00:54:21,160
Speaker 1: Oh let's start there. Podcast starts now.

1176
00:54:21,800 --> 00:54:22,840
Speaker 4: Did you watch that?

1177
00:54:23,640 --> 00:54:24,279
Speaker 2: I watched you?

1178
00:54:24,840 --> 00:54:29,239
Speaker 1: Of course not. Sh I'm not watching shit. You're too busy.

1179
00:54:29,600 --> 00:54:32,200
Speaker 1: I'm so busy doing the most important job in Hollywood.

1180
00:54:32,200 --> 00:54:34,560
Speaker 1: That's why the paparannzi always outside my fucking office.

1181
00:54:34,560 --> 00:54:37,520
Speaker 2: Or as I was at home watching Martha Stewart documentary.

1182
00:54:37,200 --> 00:54:37,640
Speaker 1: Left and right.

1183
00:54:37,760 --> 00:54:41,680
Speaker 4: It just is it's interesting because like on on First

1184
00:54:41,719 --> 00:54:44,279
Speaker 4: Glance or whatever, she's a chad wife, but she is.

1185
00:54:45,239 --> 00:54:48,239
Speaker 1: She didn't give a show that any millionaire ever. Yeah,

1186
00:54:48,480 --> 00:54:50,280
Speaker 1: and she's a bazillionaire.

1187
00:54:50,480 --> 00:54:54,680
Speaker 3: She's also a like literally head gas later in chief

1188
00:54:55,080 --> 00:54:57,440
Speaker 3: like the way she's just like, yeah, my husband was

1189
00:54:58,120 --> 00:55:00,600
Speaker 3: cheated on me, and then like did you on him too?

1190
00:55:00,640 --> 00:55:02,200
Speaker 3: She's like yeah, but I'm me.

1191
00:55:02,520 --> 00:55:04,720
Speaker 4: I loved that. That was a That was an interesting

1192
00:55:04,800 --> 00:55:09,440
Speaker 4: moment because it sort of showed that she sees the

1193
00:55:09,480 --> 00:55:10,719
Speaker 4: world the way she wants to see it.

1194
00:55:10,800 --> 00:55:12,719
Speaker 1: Yeah, it was a great It was an incredible moment.

1195
00:55:12,800 --> 00:55:18,520
Speaker 4: Yeah, because then the as as much as I'm like, I, well, okay,

1196
00:55:18,960 --> 00:55:23,799
Speaker 4: her going to jail through the doc I'm like, fuck America,

1197
00:55:23,920 --> 00:55:26,759
Speaker 4: It's like the steward was wronged. But then I'm like,

1198
00:55:26,840 --> 00:55:28,600
Speaker 4: is that the documentary telling me that?

1199
00:55:28,840 --> 00:55:28,960
Speaker 1: Well?

1200
00:55:29,000 --> 00:55:32,360
Speaker 3: The thing with the thing with super rich and successful

1201
00:55:32,400 --> 00:55:34,600
Speaker 3: people going to jail is that every time one does

1202
00:55:34,840 --> 00:55:37,680
Speaker 3: it is to make an example out of them. It's

1203
00:55:37,680 --> 00:55:40,160
Speaker 3: not like we live in a world where everyone who

1204
00:55:40,200 --> 00:55:42,640
Speaker 3: commits financial crimes goes to jail. In fact, it's quite

1205
00:55:42,680 --> 00:55:45,200
Speaker 3: the opposite. It's like, most people who commit financial crimes

1206
00:55:45,239 --> 00:55:46,960
Speaker 3: don't go to jail, but then every now and then

1207
00:55:47,680 --> 00:55:49,399
Speaker 3: you make an example out of someone. I honestly think

1208
00:55:49,400 --> 00:55:51,600
Speaker 3: that's true of Elizabeth Holmes too, who I do think

1209
00:55:51,840 --> 00:55:54,160
Speaker 3: should have obviously was guilty, but I just mean, like,

1210
00:55:54,719 --> 00:55:59,200
Speaker 3: how many startup founders have defrauded investors and like not,

1211
00:55:59,520 --> 00:56:00,319
Speaker 3: sin's part.

1212
00:56:00,239 --> 00:56:00,680
Speaker 1: Of the business.

1213
00:56:00,680 --> 00:56:03,120
Speaker 3: That's part of the business. And you literally like when

1214
00:56:03,120 --> 00:56:04,480
Speaker 3: you're talking there, like yeah, you just have to fail

1215
00:56:04,560 --> 00:56:06,400
Speaker 3: fifteen times and then you succeed once. And you're like,

1216
00:56:06,680 --> 00:56:10,800
Speaker 3: by fail, do you mean steal and accumulate wealth despite

1217
00:56:10,880 --> 00:56:13,440
Speaker 3: never making anything, because you are absolutely killing it at

1218
00:56:13,480 --> 00:56:20,399
Speaker 3: that Yes, So it's like yeah, I mean yeah, yeah,

1219
00:56:21,320 --> 00:56:23,560
Speaker 3: So it's yes and yes.

1220
00:56:23,719 --> 00:56:24,160
Speaker 4: Guys something.

1221
00:56:24,239 --> 00:56:24,439
Speaker 2: Yeah.

1222
00:56:25,200 --> 00:56:29,040
Speaker 4: In when I first moved to New York, I did

1223
00:56:29,719 --> 00:56:32,399
Speaker 4: maybe three episodes of background work on a little show

1224
00:56:32,520 --> 00:56:34,600
Speaker 4: called Saturday Night Live.

1225
00:56:34,680 --> 00:56:35,560
Speaker 1: Oh, I've heard of it.

1226
00:56:36,040 --> 00:56:38,759
Speaker 3: Do you have any idea of what year we're on?

1227
00:56:38,840 --> 00:56:39,920
Speaker 3: I haven't read anything about.

1228
00:56:41,640 --> 00:56:46,960
Speaker 4: And there's a really famous Martha Stewart's sketch where David

1229
00:56:47,000 --> 00:56:50,359
Speaker 4: Spade today is Martha Stewart. When I tell you, I'm

1230
00:56:50,400 --> 00:56:54,759
Speaker 4: all over that background acting my ass off, Oh, it's

1231
00:56:54,960 --> 00:56:57,880
Speaker 4: really feel free to go back, I will. I'm really

1232
00:56:58,200 --> 00:56:58,880
Speaker 4: giving it my all.

1233
00:56:59,160 --> 00:57:00,719
Speaker 3: Wasn't that sort of like one of the ones that

1234
00:57:00,880 --> 00:57:02,440
Speaker 3: was deemed I think there was like a clip of

1235
00:57:02,480 --> 00:57:03,240
Speaker 3: that in the documentary.

1236
00:57:03,440 --> 00:57:05,840
Speaker 1: I kept kind of imagine I kept looking for it.

1237
00:57:07,120 --> 00:57:09,840
Speaker 1: I guess they cut my seat. I thought they would

1238
00:57:10,000 --> 00:57:10,520
Speaker 1: have shown it.

1239
00:57:10,719 --> 00:57:12,319
Speaker 2: Yeah, maybe they didn't get the rights.

1240
00:57:12,360 --> 00:57:14,680
Speaker 4: I'm actually even remembering. This is so cute. My parents

1241
00:57:14,719 --> 00:57:18,440
Speaker 4: were visiting me in New York and because Martha was

1242
00:57:18,480 --> 00:57:23,120
Speaker 4: all over the news and the and the the freakin' rags,

1243
00:57:23,680 --> 00:57:26,600
Speaker 4: there was a picture of Martha Stewart I want to say,

1244
00:57:26,640 --> 00:57:28,480
Speaker 4: like Life and Style or a magazine or something like that,

1245
00:57:28,960 --> 00:57:33,240
Speaker 4: and I was just front and center, right over her shoulder.

1246
00:57:33,280 --> 00:57:34,440
Speaker 4: I guess not front and center.

1247
00:57:34,240 --> 00:57:34,720
Speaker 1: I guess right.

1248
00:57:34,760 --> 00:57:36,000
Speaker 2: And you were actually in the background.

1249
00:57:36,440 --> 00:57:39,040
Speaker 4: It was so clear that my mom.

1250
00:57:38,880 --> 00:57:43,760
Speaker 1: Bought like, you know, ten, that's so sweet. Yeah. Wow,

1251
00:57:44,240 --> 00:57:47,000
Speaker 1: background work, I mean at a time at a time,

1252
00:57:48,240 --> 00:57:50,840
Speaker 1: it is funny. There was such an arrow when you're

1253
00:57:50,960 --> 00:57:52,800
Speaker 1: starting and you're like, I'm in the background. I know.

1254
00:57:52,920 --> 00:57:53,520
Speaker 1: I did it, I know.

1255
00:57:54,120 --> 00:57:57,400
Speaker 4: And I was like, I was like, I'm using this

1256
00:57:57,600 --> 00:58:00,400
Speaker 4: to learn because I was kind of like, you.

1257
00:58:00,400 --> 00:58:02,120
Speaker 1: Know, have you ever done background work? I have.

1258
00:58:02,320 --> 00:58:06,200
Speaker 4: Okay, there's a little bit of like there's some depending

1259
00:58:06,240 --> 00:58:08,320
Speaker 4: on how big the scene is or whatever, it can

1260
00:58:08,400 --> 00:58:11,080
Speaker 4: be a little bit of like mob like you're kind

1261
00:58:11,120 --> 00:58:15,240
Speaker 4: of treated like cattle and you're and you might have

1262
00:58:15,440 --> 00:58:17,000
Speaker 4: the thought. One might have the thought. I have the

1263
00:58:17,040 --> 00:58:19,960
Speaker 4: thought of like, this is not me. I'm not like this.

1264
00:58:20,320 --> 00:58:23,680
Speaker 4: I'm doing this because I'm learning. I'm I'm who's the grip?

1265
00:58:23,920 --> 00:58:27,440
Speaker 4: For example, who's the DP? Like I'm learning, I'm learning

1266
00:58:27,480 --> 00:58:28,640
Speaker 4: how to be on a set.

1267
00:58:28,760 --> 00:58:29,800
Speaker 1: This is this is not me.

1268
00:58:29,920 --> 00:58:31,760
Speaker 4: I'm not going to run to grab my lunch. I'm

1269
00:58:31,760 --> 00:58:33,120
Speaker 4: not gonna when they bring the lunch out, I'm not

1270
00:58:33,120 --> 00:58:34,760
Speaker 4: going to run and grab it. I'm going to get

1271
00:58:34,760 --> 00:58:37,160
Speaker 4: it later. Like I had all these sort of rules,

1272
00:58:38,480 --> 00:58:40,640
Speaker 4: and then after I think after the third episode I did,

1273
00:58:41,040 --> 00:58:42,440
Speaker 4: you know, every time they call me, I'd be like,

1274
00:58:42,800 --> 00:58:44,680
Speaker 4: I would be like, this is my moment, Like this

1275
00:58:45,680 --> 00:58:48,480
Speaker 4: I'm getting the call even though I knew this isn't

1276
00:58:48,480 --> 00:58:49,360
Speaker 4: how you get on the ship.

1277
00:58:49,440 --> 00:58:51,280
Speaker 1: I knew it. I was like, I know all this,

1278
00:58:51,520 --> 00:58:54,200
Speaker 1: and yet still you get the call and you'd be like.

1279
00:58:55,360 --> 00:58:57,560
Speaker 4: Who spend Saturday on the stage?

1280
00:58:57,760 --> 00:59:00,560
Speaker 1: I have work actually exactly.

1281
00:59:00,920 --> 00:59:02,720
Speaker 4: But but then after I think it was the third

1282
00:59:02,720 --> 00:59:04,640
Speaker 4: episode of that I did, I was like, I can

1283
00:59:04,800 --> 00:59:05,560
Speaker 4: never do this again.

1284
00:59:06,000 --> 00:59:07,040
Speaker 1: Yeah, it's demoralizing.

1285
00:59:07,200 --> 00:59:08,200
Speaker 4: It made me feel real bad.

1286
00:59:09,560 --> 00:59:10,840
Speaker 1: Okay, waits that.

1287
00:59:11,280 --> 00:59:15,800
Speaker 4: Fucked up an elitist and and no, no, privileged. Yeah, well,

1288
00:59:15,800 --> 00:59:18,400
Speaker 4: I mean it's privileged maybe, but I don't think at

1289
00:59:18,440 --> 00:59:18,720
Speaker 4: the time.

1290
00:59:19,080 --> 00:59:23,080
Speaker 3: Yeah, no, it is inherently like, yeah, there are jobs

1291
00:59:23,080 --> 00:59:24,400
Speaker 3: that make you feel bad, and there are jobs that

1292
00:59:24,440 --> 00:59:25,040
Speaker 3: make you feel good.

1293
00:59:25,080 --> 00:59:25,280
Speaker 4: Yeah.

1294
00:59:25,440 --> 00:59:30,200
Speaker 5: Yeah, tricky, tricky, and they also are cruel to background Yeah.

1295
00:59:30,520 --> 00:59:35,080
Speaker 1: Yeah, it's like, yeah, that's my fault. It's just like

1296
00:59:35,160 --> 00:59:35,760
Speaker 1: a weird thing.

1297
00:59:36,160 --> 00:59:40,600
Speaker 3: It's so funny for your quote unquote role in the

1298
00:59:41,560 --> 00:59:44,520
Speaker 3: product to be reflected in the outside world because it's

1299
00:59:44,560 --> 00:59:48,480
Speaker 3: like then the you know, they'll yell cut and it's like,

1300
00:59:48,560 --> 00:59:50,440
Speaker 3: oh great, I'm now invisible again.

1301
00:59:50,400 --> 00:59:54,000
Speaker 4: Or invisible and you actually remind you, you know, now

1302
00:59:54,040 --> 00:59:54,440
Speaker 4: that you're.

1303
00:59:54,280 --> 00:59:55,040
Speaker 1: Not a background actor.

1304
00:59:55,240 --> 00:59:57,800
Speaker 3: You it's like you have to remind yourself right now,

1305
00:59:57,840 --> 01:00:00,440
Speaker 3: we're not doing that now, they're not meant to be silent,

1306
01:00:00,600 --> 01:00:01,840
Speaker 3: Like I can actually talk to that person.

1307
01:00:01,960 --> 01:00:05,120
Speaker 1: Yes, yeah, but to be fair, every role is demoralizing,

1308
01:00:05,320 --> 01:00:09,320
Speaker 1: like unless you're like the star, that's true. I've never

1309
01:00:09,400 --> 01:00:11,640
Speaker 1: had that. Yeah, And it's so like you are, like

1310
01:00:12,160 --> 01:00:14,320
Speaker 1: it's just like the ranking. You're always in a ranking

1311
01:00:14,440 --> 01:00:15,320
Speaker 1: and it's always like.

1312
01:00:15,400 --> 01:00:17,400
Speaker 4: You're you're literally ranked like number one on the cover.

1313
01:00:17,800 --> 01:00:19,400
Speaker 1: I know it is. It is and like the things

1314
01:00:19,440 --> 01:00:21,760
Speaker 1: you get are better depending on how it's like, this

1315
01:00:21,960 --> 01:00:23,600
Speaker 1: is always Can we just be normal?

1316
01:00:25,440 --> 01:00:26,960
Speaker 2: I have to say.

1317
01:00:28,480 --> 01:00:30,600
Speaker 1: I think everyone should be on a set as like

1318
01:00:30,680 --> 01:00:31,560
Speaker 1: a hazing ritual.

1319
01:00:31,600 --> 01:00:32,320
Speaker 2: Everyone in the world.

1320
01:00:32,520 --> 01:00:34,320
Speaker 3: It should be like on a set as a hazing ritual,

1321
01:00:34,440 --> 01:00:38,040
Speaker 3: just to see like also growing up and seeing I've

1322
01:00:38,080 --> 01:00:39,720
Speaker 3: said this before, but like growing up and seeing celebrities

1323
01:00:39,760 --> 01:00:42,280
Speaker 3: are like these are like spoiled rich whatever, which obviously

1324
01:00:42,360 --> 01:00:44,160
Speaker 3: they are, but then when you see what they have

1325
01:00:44,280 --> 01:00:47,400
Speaker 3: to go through, even just physically like being like, yeah,

1326
01:00:47,440 --> 01:00:48,680
Speaker 3: you deserve one billion dollars.

1327
01:00:50,040 --> 01:00:54,800
Speaker 1: Yeah, it's really humiliating. Yeah, well I love this tone.

1328
01:00:54,960 --> 01:00:56,720
Speaker 4: I know, I know you've been here for a year,

1329
01:00:56,720 --> 01:00:59,120
Speaker 4: a little one year, little over. It took me one

1330
01:00:59,160 --> 01:01:01,000
Speaker 4: full year of being your before I liked it.

1331
01:01:01,560 --> 01:01:02,840
Speaker 1: I met peace with it.

1332
01:01:02,960 --> 01:01:03,840
Speaker 4: Okay, I think you.

1333
01:01:04,040 --> 01:01:07,880
Speaker 3: I think you're noticeably happier, and well I'm happier than

1334
01:01:07,880 --> 01:01:09,560
Speaker 3: I was, but not happier than I was in New York.

1335
01:01:09,720 --> 01:01:11,360
Speaker 4: Right, but New York will always be there and you'll

1336
01:01:11,360 --> 01:01:11,960
Speaker 4: always go back.

1337
01:01:12,040 --> 01:01:14,840
Speaker 2: Yeah, you told me last you told me.

1338
01:01:15,480 --> 01:01:17,160
Speaker 3: Oh, we had a chat at some point and you

1339
01:01:17,960 --> 01:01:19,880
Speaker 3: it was very funny you you sort of were like

1340
01:01:21,200 --> 01:01:22,640
Speaker 3: you were like, so, all right, when are you going

1341
01:01:22,720 --> 01:01:24,760
Speaker 3: to move to LA? And the implication was like LA

1342
01:01:24,920 --> 01:01:26,440
Speaker 3: is real and New York is like what you do?

1343
01:01:26,680 --> 01:01:28,880
Speaker 1: I do? I do have a feeling that New York

1344
01:01:29,000 --> 01:01:32,960
Speaker 1: is like no, I know it's and there's like in

1345
01:01:33,200 --> 01:01:35,000
Speaker 1: l A, there's like a reality totally.

1346
01:01:35,440 --> 01:01:36,560
Speaker 4: Do you want to die in New York?

1347
01:01:37,520 --> 01:01:40,360
Speaker 2: Listen, I die tomorrow if I.

1348
01:01:40,480 --> 01:01:43,200
Speaker 3: If it were up to me, then yes, i will

1349
01:01:43,320 --> 01:01:47,320
Speaker 3: come here for employment reasons. But I'm never going to

1350
01:01:47,440 --> 01:01:52,320
Speaker 3: move here just to move like all right, yeah, I

1351
01:01:52,360 --> 01:01:55,040
Speaker 3: get you. If every if work drives up in New York,

1352
01:01:56,160 --> 01:01:57,560
Speaker 3: you know, I'll get back to you.

1353
01:01:57,840 --> 01:01:58,360
Speaker 1: I know. I know.

1354
01:01:58,600 --> 01:02:03,320
Speaker 4: I lived in York for eleven years and go back

1355
01:02:03,440 --> 01:02:05,800
Speaker 4: all the time and anytime I can live there, you know,

1356
01:02:05,920 --> 01:02:08,280
Speaker 4: like like do something there to live there for a

1357
01:02:08,360 --> 01:02:11,480
Speaker 4: chunk of time. I'm always jumping, jumping at it, chomping

1358
01:02:11,520 --> 01:02:15,960
Speaker 4: at it, chomping at the bit, jumping at the job, jumping.

1359
01:02:16,160 --> 01:02:19,400
Speaker 4: I'm jumping up and down. Yeah, cast me okay, And

1360
01:02:20,080 --> 01:02:24,400
Speaker 4: but I it is it is. It is easier to

1361
01:02:24,480 --> 01:02:27,520
Speaker 4: live here, but it is better to live there. It's

1362
01:02:27,640 --> 01:02:28,560
Speaker 4: easier to live here.

1363
01:02:29,120 --> 01:02:30,920
Speaker 1: Yeah, it's better to live there.

1364
01:02:31,360 --> 01:02:31,560
Speaker 4: Yeah.

1365
01:02:32,120 --> 01:02:33,240
Speaker 2: The older I get the more.

1366
01:02:33,640 --> 01:02:38,400
Speaker 3: I Also, I do feel like, unlike some people who

1367
01:02:38,440 --> 01:02:40,720
Speaker 3: live in New York, I at this point legitimately have

1368
01:02:40,880 --> 01:02:43,160
Speaker 3: roots that I mean Matthews from there.

1369
01:02:43,520 --> 01:02:47,240
Speaker 2: We live a ten minute walk from our little niece,

1370
01:02:47,560 --> 01:02:52,280
Speaker 2: like Docs or his parents live there. It's just is like, yeah,

1371
01:02:54,640 --> 01:02:59,320
Speaker 2: her address is, but which I do think complicates things.

1372
01:02:59,400 --> 01:03:01,240
Speaker 2: It's not like I'm yes, New York is a fantasy,

1373
01:03:01,280 --> 01:03:05,240
Speaker 2: but I'm also living a very is your body like reality.

1374
01:03:04,800 --> 01:03:07,600
Speaker 1: Where I am it's so extremely New York based.

1375
01:03:07,880 --> 01:03:09,720
Speaker 3: Matthew's job is a New York based. At this point,

1376
01:03:09,840 --> 01:03:11,320
Speaker 3: I have jobs that are like it.

1377
01:03:12,000 --> 01:03:15,120
Speaker 4: New York rocks, babe. I mean I know. Also when

1378
01:03:15,120 --> 01:03:16,880
Speaker 4: you're there for years and years, you're kind.

1379
01:03:16,720 --> 01:03:18,600
Speaker 1: Of like, no, but it does.

1380
01:03:19,000 --> 01:03:21,200
Speaker 3: Actually, I actually don't think the magic has We're not

1381
01:03:21,680 --> 01:03:24,480
Speaker 3: says magic and magic, And the thing with it is

1382
01:03:24,560 --> 01:03:28,080
Speaker 3: that like the magic keeps being renewed. It's like some

1383
01:03:28,240 --> 01:03:31,000
Speaker 3: new thing will happen and you'll be like, I can't believes.

1384
01:03:31,000 --> 01:03:35,200
Speaker 2: On Broadway, New York always.

1385
01:03:34,920 --> 01:03:38,560
Speaker 1: Walks into Times Square with the suitcase. Yes, exactly know

1386
01:03:38,560 --> 01:03:38,920
Speaker 1: what I mean.

1387
01:03:39,440 --> 01:03:41,560
Speaker 4: Every day somebody walks in with the suitcase, going like

1388
01:03:42,600 --> 01:03:44,760
Speaker 4: it's all starting for me and so the energy is

1389
01:03:44,840 --> 01:03:46,880
Speaker 4: always like electric.

1390
01:03:47,360 --> 01:03:49,800
Speaker 2: Yeah, what are you doing for Valentine's Day?

1391
01:03:49,920 --> 01:03:51,840
Speaker 1: Yeah, that's what. Okay, I want to bring back to say,

1392
01:03:51,920 --> 01:03:53,600
Speaker 1: what's what time are we up? Oh? My god?

1393
01:03:54,120 --> 01:03:55,240
Speaker 4: For three more hours?

1394
01:03:55,320 --> 01:03:59,280
Speaker 1: Well yeah, I could talk literally forever. But yeah, so

1395
01:03:59,760 --> 01:04:02,760
Speaker 1: it is Valentine's Day? Do you do anything? Are you

1396
01:04:02,840 --> 01:04:03,400
Speaker 1: doing anything?

1397
01:04:03,480 --> 01:04:07,040
Speaker 4: I don't do Jason and I don't typically do anything.

1398
01:04:07,440 --> 01:04:08,880
Speaker 4: We're not and this is part of it. We're like

1399
01:04:09,000 --> 01:04:11,240
Speaker 4: not we're kind. We're both a little bit like you

1400
01:04:11,280 --> 01:04:12,200
Speaker 4: don't tell us one day?

1401
01:04:12,400 --> 01:04:17,040
Speaker 1: Yeah fuck sorry, I mean it's fine, that's fine, but I.

1402
01:04:17,040 --> 01:04:19,200
Speaker 4: Didn't have to say that. But you know, you don't

1403
01:04:19,360 --> 01:04:21,520
Speaker 4: like we're not going to like love each other. We're

1404
01:04:21,520 --> 01:04:23,360
Speaker 4: not going to go out to dinner whatever. We have

1405
01:04:23,520 --> 01:04:27,120
Speaker 4: never done a Valentine's Day think not to docs.

1406
01:04:27,160 --> 01:04:31,840
Speaker 1: But I also have a niece or two dresses.

1407
01:04:32,960 --> 01:04:38,400
Speaker 4: So we are going to a friend's house who has

1408
01:04:38,480 --> 01:04:41,400
Speaker 4: two kids, my sisters who has two kids. We're going

1409
01:04:41,440 --> 01:04:44,720
Speaker 4: to friend's house for sort of like a little kid Valentine's.

1410
01:04:45,200 --> 01:04:46,280
Speaker 2: So you're sexualizing children.

1411
01:04:47,440 --> 01:04:50,480
Speaker 1: Who do you Okay, who do you love? There's three

1412
01:04:50,520 --> 01:04:51,720
Speaker 1: other children? Pick one.

1413
01:04:51,800 --> 01:04:53,280
Speaker 4: Yeah, I'm gonna I'm gonna show you a picture of

1414
01:04:53,320 --> 01:04:56,480
Speaker 4: three boys. Who are you going to marry you? No,

1415
01:04:56,880 --> 01:04:58,640
Speaker 4: we're just gonna like make Valentine's.

1416
01:04:58,360 --> 01:04:59,720
Speaker 2: Mary Mary fuck.

1417
01:05:01,960 --> 01:05:07,160
Speaker 3: Okay, bitch Mary fuck kill be ruthless.

1418
01:05:07,560 --> 01:05:10,320
Speaker 4: Ruthless, kill the other kids in your preschool.

1419
01:05:11,520 --> 01:05:11,720
Speaker 1: Yeah.

1420
01:05:11,800 --> 01:05:13,240
Speaker 4: So we're kind of like making cookies.

1421
01:05:13,280 --> 01:05:14,040
Speaker 2: And that's cute.

1422
01:05:14,120 --> 01:05:15,800
Speaker 1: That's very sweet, isn't it. That's nice?

1423
01:05:15,800 --> 01:05:16,240
Speaker 4: What about you?

1424
01:05:16,600 --> 01:05:20,120
Speaker 1: Well, George, I'm actually so glad George is in town.

1425
01:05:20,280 --> 01:05:21,720
Speaker 2: We're going to like a go ahead.

1426
01:05:21,800 --> 01:05:25,520
Speaker 1: We're going to a party, a big gay party club.

1427
01:05:25,320 --> 01:05:27,960
Speaker 2: Events like a club event, fun like club getting. I

1428
01:05:28,040 --> 01:05:31,640
Speaker 2: mean not that we're not that we will partake that who.

1429
01:05:31,520 --> 01:05:34,480
Speaker 3: Knows, but I just mean like that type wouldn't be

1430
01:05:35,760 --> 01:05:37,520
Speaker 3: I'm coming up right now, by the way, Oh right,

1431
01:05:37,840 --> 01:05:38,320
Speaker 3: I forget.

1432
01:05:40,600 --> 01:05:42,600
Speaker 2: We're going to big Bay party, big.

1433
01:05:42,520 --> 01:05:44,240
Speaker 4: Gay party where you dress up and stuff. Kind of

1434
01:05:44,240 --> 01:05:46,360
Speaker 4: we're like hearts and times more.

1435
01:05:46,320 --> 01:05:49,000
Speaker 2: Like dressed if you know what I mean.

1436
01:05:49,280 --> 01:05:50,280
Speaker 4: We're talking less.

1437
01:05:53,560 --> 01:05:56,640
Speaker 1: I'm so excited. I think it's going to be such

1438
01:05:56,680 --> 01:05:59,840
Speaker 1: a fun party. So how fun five years ago? Related

1439
01:05:59,880 --> 01:06:05,600
Speaker 1: a fuck? Come? It starts after you show up, but

1440
01:06:05,720 --> 01:06:09,120
Speaker 1: like go overboarded in like the most like sexual leather.

1441
01:06:09,360 --> 01:06:11,120
Speaker 4: Thinks are in just like kind of cute close.

1442
01:06:12,680 --> 01:06:17,960
Speaker 1: You have a strap on it? Do you like worship me?

1443
01:06:20,400 --> 01:06:23,720
Speaker 1: Five years ago, right before the pandemic, all of our

1444
01:06:24,320 --> 01:06:27,400
Speaker 1: gay guy friends went to Webster Hall. Oh I was there,

1445
01:06:27,560 --> 01:06:29,680
Speaker 1: you were there, And I'll say it, we all did,

1446
01:06:29,760 --> 01:06:32,320
Speaker 1: Molly or many many of us did. And it was

1447
01:06:32,480 --> 01:06:33,200
Speaker 1: so much fun.

1448
01:06:33,240 --> 01:06:34,120
Speaker 2: I don't recognize this.

1449
01:06:34,240 --> 01:06:38,240
Speaker 4: Imagine what those first few months. I can't imagine how

1450
01:06:38,240 --> 01:06:40,240
Speaker 4: many times you reference that night in those first few.

1451
01:06:40,160 --> 01:06:44,000
Speaker 1: Months, constantly, constantly. It was like the last big night.

1452
01:06:44,280 --> 01:06:47,200
Speaker 1: And it was also like so telling everyone like I

1453
01:06:47,360 --> 01:06:47,640
Speaker 1: love you?

1454
01:06:48,040 --> 01:06:49,240
Speaker 4: Was it so fun?

1455
01:06:49,440 --> 01:06:50,280
Speaker 1: It was so much fun.

1456
01:06:50,360 --> 01:06:52,040
Speaker 2: I also were at this point. It's like we were

1457
01:06:52,120 --> 01:06:54,600
Speaker 2: significantly younger, like we were five years.

1458
01:06:54,800 --> 01:06:56,479
Speaker 1: We were five years.

1459
01:06:57,320 --> 01:06:58,120
Speaker 4: Sorry to say.

1460
01:06:58,080 --> 01:06:59,360
Speaker 1: Five, I'm the same age.

1461
01:06:59,640 --> 01:07:00,600
Speaker 4: I know we all are.

1462
01:07:00,760 --> 01:07:01,480
Speaker 2: The thing is I'm not.

1463
01:07:02,240 --> 01:07:04,680
Speaker 1: It's like I really have been feeling.

1464
01:07:04,440 --> 01:07:08,480
Speaker 4: That I'm not too those five COVID years, I mean whatever,

1465
01:07:08,600 --> 01:07:11,480
Speaker 4: those five like COVID strike Trump.

1466
01:07:11,320 --> 01:07:13,960
Speaker 1: Years, like they do the agent.

1467
01:07:15,600 --> 01:07:18,880
Speaker 4: Yeah to go girl, girl's going a little less, Yeah

1468
01:07:18,960 --> 01:07:23,720
Speaker 4: go to go woman, Yeah exactly, But five years, five

1469
01:07:23,800 --> 01:07:26,320
Speaker 4: years are fucked. Five years is so fucked because that

1470
01:07:26,600 --> 01:07:28,200
Speaker 4: is like that's half a decade.

1471
01:07:28,480 --> 01:07:29,120
Speaker 1: So you are.

1472
01:07:29,440 --> 01:07:31,240
Speaker 2: It is one tenth of how long SML has been

1473
01:07:31,280 --> 01:07:34,880
Speaker 2: on the air, like that it actually.

1474
01:07:34,640 --> 01:07:37,760
Speaker 1: Sounds so long. Yes, it's five, like.

1475
01:07:38,480 --> 01:07:41,360
Speaker 4: The difference of twenty two twenty seven, the difference of

1476
01:07:41,480 --> 01:07:44,200
Speaker 4: thirty and thirty five, differ of all. I mean, sorry,

1477
01:07:44,440 --> 01:07:45,840
Speaker 4: it's always it's always.

1478
01:07:45,880 --> 01:07:46,959
Speaker 2: No, it hurts, it hurts.

1479
01:07:47,120 --> 01:07:48,320
Speaker 4: It's always the passage of time.

1480
01:07:49,240 --> 01:07:51,480
Speaker 1: But that's I have a fantasy of this is this,

1481
01:07:51,840 --> 01:07:54,240
Speaker 1: like this is that night? Unfortunately it will not be.

1482
01:07:54,680 --> 01:07:57,240
Speaker 1: Of course we're already thinking that. But it's like there's

1483
01:07:57,280 --> 01:07:59,280
Speaker 1: something so special about going out on Valentine's and like

1484
01:07:59,560 --> 01:08:01,800
Speaker 1: issue the like couple of them and being like I'm

1485
01:08:01,840 --> 01:08:03,480
Speaker 1: going out with one million gay people?

1486
01:08:04,120 --> 01:08:05,520
Speaker 4: Is it is? It will tell me later.

1487
01:08:05,560 --> 01:08:08,280
Speaker 1: I want to know like where, yeah you're doing, not

1488
01:08:08,400 --> 01:08:09,000
Speaker 1: that I'm going to go.

1489
01:08:09,480 --> 01:08:14,440
Speaker 3: You can can I say something potentially uh damning, like

1490
01:08:14,600 --> 01:08:17,240
Speaker 3: risque and if you guys are like gross, you can

1491
01:08:17,360 --> 01:08:21,559
Speaker 3: just point of gun to meet pull a trigger again?

1492
01:08:21,600 --> 01:08:26,599
Speaker 1: Do you want to die? In New York, La, Zoe Door.

1493
01:08:28,640 --> 01:08:33,440
Speaker 2: During this LA trip, I have felt uniquely unique asexual.

1494
01:08:34,200 --> 01:08:35,160
Speaker 1: Well, welcome to La.

1495
01:08:35,600 --> 01:08:39,200
Speaker 3: Is that like there's some because usually when I'm traveling,

1496
01:08:40,000 --> 01:08:41,479
Speaker 3: especially if I'm like a lone in a hotel like

1497
01:08:41,680 --> 01:08:44,120
Speaker 3: you just there's eroticism about totally.

1498
01:08:44,200 --> 01:08:44,360
Speaker 1: Yeah.

1499
01:08:45,840 --> 01:08:48,720
Speaker 3: Yeah, you want to be bad on uh look good

1500
01:08:48,800 --> 01:08:50,160
Speaker 3: for you, and you want to writhe on your back

1501
01:08:50,439 --> 01:08:54,240
Speaker 3: exactly the way that I not at all. And I

1502
01:08:54,720 --> 01:08:56,720
Speaker 3: I went to I went to the gym, I was

1503
01:08:56,760 --> 01:09:00,320
Speaker 3: in the locker room. I had many opportunities to feel horny.

1504
01:09:00,840 --> 01:09:03,880
Speaker 4: I it's like, where are you in your cycle.

1505
01:09:09,080 --> 01:09:10,040
Speaker 1: Is a really good question.

1506
01:09:10,200 --> 01:09:13,479
Speaker 4: Also, so how long have you been out here?

1507
01:09:13,760 --> 01:09:16,439
Speaker 1: Like four days? At least?

1508
01:09:16,520 --> 01:09:17,400
Speaker 4: One night feels.

1509
01:09:17,400 --> 01:09:19,960
Speaker 1: Literally I mean, hello, George, we're going to get you tonight.

1510
01:09:20,040 --> 01:09:22,759
Speaker 1: Tonight's I think we're going to get you. Yeah, but George,

1511
01:09:22,760 --> 01:09:24,760
Speaker 1: I want to you know, did I tell you this?

1512
01:09:26,080 --> 01:09:27,639
Speaker 1: You know I've been hating l A. I've been trying

1513
01:09:27,680 --> 01:09:29,960
Speaker 1: to like it. I was reading Joan Diddyon to try

1514
01:09:29,960 --> 01:09:34,120
Speaker 1: to understand, and you know, there was an essay where

1515
01:09:34,120 --> 01:09:35,920
Speaker 1: she's like it's like the seventies and she's like, this

1516
01:09:36,080 --> 01:09:38,400
Speaker 1: is a sexless town. Oh really yeah, And she's talking

1517
01:09:38,439 --> 01:09:40,120
Speaker 1: about like how it's a gambling town. And the thing

1518
01:09:40,160 --> 01:09:43,639
Speaker 1: about gambling places is there's no there's no horniness because

1519
01:09:43,640 --> 01:09:45,760
Speaker 1: all you're focused on is like more money, more money,

1520
01:09:45,800 --> 01:09:46,160
Speaker 1: more money.

1521
01:09:46,439 --> 01:09:49,120
Speaker 4: Yeah, and I do think it's it is a sexless town.

1522
01:09:49,160 --> 01:09:52,799
Speaker 2: Well, it's a sexless Certainly New York is way more sexually.

1523
01:09:53,120 --> 01:09:55,360
Speaker 1: Yeah, God, Ellie is a sex town. It's a sexless

1524
01:09:55,640 --> 01:09:57,760
Speaker 1: It is a sexless town. It needs Valentine's Day, it

1525
01:09:57,880 --> 01:09:59,040
Speaker 1: needs someone to say have sex.

1526
01:09:59,200 --> 01:10:02,920
Speaker 4: Yeah, I'm just sort of realizing it. Every other city

1527
01:10:03,200 --> 01:10:03,439
Speaker 4: is not.

1528
01:10:03,840 --> 01:10:05,519
Speaker 1: Chicago, horny, horny.

1529
01:10:05,960 --> 01:10:07,720
Speaker 3: And I actually think that's why LA has so much

1530
01:10:07,840 --> 01:10:11,559
Speaker 3: dark sexuals. It's like because it's like when you got

1531
01:10:11,640 --> 01:10:14,320
Speaker 3: to you have to become like perverse, you have.

1532
01:10:14,360 --> 01:10:19,680
Speaker 1: To be like a cannibal essentially, for example, just one

1533
01:10:19,760 --> 01:10:21,200
Speaker 1: example top my head. I don't know.

1534
01:10:22,320 --> 01:10:25,679
Speaker 4: Interesting, Okay, Well I hope that you get French tonight

1535
01:10:25,800 --> 01:10:26,760
Speaker 4: or whatever you're looking for.

1536
01:10:27,520 --> 01:10:32,600
Speaker 1: I think we're going to figure it out. For I

1537
01:10:32,680 --> 01:10:35,320
Speaker 1: really think I have some fun zing zing feeling.

1538
01:10:35,479 --> 01:10:35,639
Speaker 2: Yeah.

1539
01:10:35,720 --> 01:10:45,200
Speaker 4: No, I definitely, yes, exactly feel jazzy. Okay, great, Yeah,

1540
01:10:45,560 --> 01:10:47,559
Speaker 4: that's what we're doing, running out with four year olds

1541
01:10:47,560 --> 01:10:48,600
Speaker 4: and you guys are and we're going to.

1542
01:10:48,600 --> 01:10:49,240
Speaker 2: A second party.

1543
01:10:49,400 --> 01:10:53,880
Speaker 1: Yeah, it's not a sex party. It's not a sex party.

1544
01:10:53,920 --> 01:10:55,639
Speaker 4: It's not a sex party, but it's a sexy party.

1545
01:10:55,680 --> 01:10:57,840
Speaker 3: It's a sexy part and we have been I didn't

1546
01:10:57,880 --> 01:11:00,320
Speaker 3: send you this. It has been officially announced that at

1547
01:11:00,360 --> 01:11:01,720
Speaker 3: midnight they're playing Abracadabra.

1548
01:11:03,479 --> 01:11:03,679
Speaker 1: Fun.

1549
01:11:03,800 --> 01:11:06,120
Speaker 4: That's so fucking fun.

1550
01:11:06,280 --> 01:11:12,840
Speaker 1: It's going to be I'm really I want to go. No,

1551
01:11:13,000 --> 01:11:14,760
Speaker 1: it's going to be so fun. I can't wait. I'm

1552
01:11:15,120 --> 01:11:18,200
Speaker 1: so excited meet you at Webster Hall. Just kidding. I

1553
01:11:18,240 --> 01:11:21,479
Speaker 1: know we're not in here. I wish, I wish should

1554
01:11:21,479 --> 01:11:23,360
Speaker 1: we do our final say? I mean, I don't want

1555
01:11:23,400 --> 01:11:24,360
Speaker 1: to know we have to.

1556
01:11:24,560 --> 01:11:27,080
Speaker 4: And for the record, I was an understudy and an

1557
01:11:27,120 --> 01:11:30,720
Speaker 4: off Broadway show that performed at Webster Hall. Oh, and

1558
01:11:31,000 --> 01:11:32,559
Speaker 4: I went on one time.

1559
01:11:32,760 --> 01:11:35,560
Speaker 2: When was this and you've done Broadway.

1560
01:11:37,920 --> 01:11:42,760
Speaker 4: Underdog It was pretty underdoggy because when I wasn't going on,

1561
01:11:43,000 --> 01:11:46,719
Speaker 4: which I did one time, I was in fact selling merch.

1562
01:11:49,240 --> 01:11:52,920
Speaker 3: They being an understudy much like doing background Actually it's

1563
01:11:52,920 --> 01:11:53,960
Speaker 3: worse than doing background work.

1564
01:11:54,479 --> 01:11:56,200
Speaker 2: The work you have to fit into it much work.

1565
01:11:56,320 --> 01:11:59,960
Speaker 4: It's so it's so much, especially like especially in Understand

1566
01:12:00,320 --> 01:12:02,000
Speaker 4: that has to understudy many roles.

1567
01:12:02,240 --> 01:12:04,680
Speaker 1: That's nuts, you don't mind.

1568
01:12:04,680 --> 01:12:08,280
Speaker 4: It was called The Awesome Eighties prom barely a play,

1569
01:12:08,800 --> 01:12:12,320
Speaker 4: more of an experience that is such an iconic box

1570
01:12:12,439 --> 01:12:14,720
Speaker 4: musical it was Yeah, I guess so, but it was

1571
01:12:14,840 --> 01:12:16,920
Speaker 4: like it was along lines of like a Tony and

1572
01:12:16,960 --> 01:12:20,639
Speaker 4: Tina's wedding, So it was like a very bachelor party,

1573
01:12:20,840 --> 01:12:26,639
Speaker 4: bachelorette party heavy, like like Girls' night got audience. Yeah, anyway, Wow,

1574
01:12:26,760 --> 01:12:28,160
Speaker 4: this is just me wanting to hang out with you guys.

1575
01:12:28,439 --> 01:12:30,080
Speaker 1: I like what else I know?

1576
01:12:30,280 --> 01:12:32,640
Speaker 4: I could go for one time my mom and I

1577
01:12:32,760 --> 01:12:35,360
Speaker 4: saw the Borne Identity around the corner and I used

1578
01:12:35,400 --> 01:12:36,559
Speaker 4: to get sushi down the street.

1579
01:12:36,640 --> 01:12:39,760
Speaker 2: And I mean, the thing is, we were not an

1580
01:12:39,800 --> 01:12:41,920
Speaker 2: interview podcast. But I also I'm like, I want to

1581
01:12:41,920 --> 01:12:45,599
Speaker 2: ask you, but I like, don't feel like it's we can't.

1582
01:12:45,680 --> 01:12:48,479
Speaker 1: It's not like people pay us what people pay us

1583
01:12:48,520 --> 01:12:48,680
Speaker 1: to do.

1584
01:12:48,960 --> 01:12:51,200
Speaker 4: You can ask me anything, but I don't want you

1585
01:12:51,280 --> 01:12:52,559
Speaker 4: to not do your thing.

1586
01:12:52,840 --> 01:12:55,800
Speaker 3: But also I'm like, we did it, we can't. I mean,

1587
01:12:55,840 --> 01:12:58,160
Speaker 3: I do want to know about your experience during Broadway.

1588
01:12:58,320 --> 01:13:00,360
Speaker 3: I do want to know there's like a lot.

1589
01:13:00,280 --> 01:13:01,719
Speaker 1: About your New York experience. I'm curious.

1590
01:13:01,840 --> 01:13:04,080
Speaker 3: Yeah, I agree, you've sort of done it all. You're

1591
01:13:04,160 --> 01:13:05,720
Speaker 3: like kind of that girl who's done it all.

1592
01:13:06,080 --> 01:13:09,519
Speaker 4: You're sort of county go girl.

1593
01:13:10,960 --> 01:13:11,160
Speaker 2: Girl.

1594
01:13:11,880 --> 01:13:14,120
Speaker 4: Do you know what? Do you know what was announced today?

1595
01:13:14,400 --> 01:13:16,439
Speaker 4: What I'm on the Handmaid's Tale this season.

1596
01:13:22,640 --> 01:13:23,439
Speaker 2: Can I say something?

1597
01:13:24,040 --> 01:13:26,240
Speaker 3: First of all, I'm so excited for you, just speaking

1598
01:13:26,240 --> 01:13:28,439
Speaker 3: of Hondy Go girl, and you know, of course, I'm

1599
01:13:28,479 --> 01:13:30,920
Speaker 3: so excited for you. I literally would die for Elizabeth Moss.

1600
01:13:31,080 --> 01:13:34,519
Speaker 3: I'm all in. However, something came up on my feed

1601
01:13:34,600 --> 01:13:36,760
Speaker 3: that was like this very serious graphic and it was

1602
01:13:37,280 --> 01:13:40,240
Speaker 3: the Handmaid's Tale x Christian Siriano.

1603
01:13:42,240 --> 01:13:43,360
Speaker 2: That is so funny?

1604
01:13:47,600 --> 01:13:48,240
Speaker 1: Are you part of that?

1605
01:13:48,760 --> 01:13:50,799
Speaker 4: Okay, am, I'm just sitting here smiling.

1606
01:13:51,840 --> 01:13:55,679
Speaker 3: Does your role have any sort of comedic I was serious,

1607
01:13:55,840 --> 01:13:57,080
Speaker 3: it's so serious.

1608
01:13:56,760 --> 01:13:59,000
Speaker 4: But I think that I think that that I was

1609
01:13:59,200 --> 01:14:01,479
Speaker 4: cast with the hint of sort of being and you

1610
01:14:01,560 --> 01:14:01,800
Speaker 4: were like.

1611
01:14:01,920 --> 01:14:05,400
Speaker 2: No, but I was just like not being like, you know,

1612
01:14:06,000 --> 01:14:08,719
Speaker 2: tough material. I was like, it would be so amazing

1613
01:14:08,760 --> 01:14:12,280
Speaker 2: if you just went full like a handler like you

1614
01:14:12,320 --> 01:14:12,559
Speaker 2: were like.

1615
01:14:17,000 --> 01:14:17,439
Speaker 1: Red Hood.

1616
01:14:20,640 --> 01:14:23,719
Speaker 4: Okay, but anyway, I just had to sort of that's amazing,

1617
01:14:23,920 --> 01:14:24,479
Speaker 4: announce that.

1618
01:14:24,760 --> 01:14:28,320
Speaker 1: And hopefully that, like the news already broke. I was

1619
01:14:28,320 --> 01:14:29,200
Speaker 1: hoping we'd break them there.

1620
01:14:29,360 --> 01:14:30,479
Speaker 2: No, we're breaking it. I hadn't seen it.

1621
01:14:30,600 --> 01:14:31,080
Speaker 1: We're breaking it.

1622
01:14:31,200 --> 01:14:32,040
Speaker 4: Did you guys see it?

1623
01:14:32,640 --> 01:14:33,960
Speaker 1: Did we break it to you? Okay?

1624
01:14:34,000 --> 01:14:38,439
Speaker 2: Now you're being I'm so actress everyone that I was announced.

1625
01:14:39,120 --> 01:14:40,280
Speaker 4: We're breaking the news to the room.

1626
01:14:40,960 --> 01:14:45,240
Speaker 1: That's true, that's true. No, it's genius. You guys should follow.

1627
01:14:45,920 --> 01:14:48,800
Speaker 3: You do amazing work on Instagram. Yeah, so much for

1628
01:14:49,320 --> 01:14:52,960
Speaker 3: when someone who shall not be named met me clearly

1629
01:14:53,040 --> 01:14:54,599
Speaker 3: not who I was, and he goes, I love yourself

1630
01:14:54,640 --> 01:14:55,240
Speaker 3: on Instagram.

1631
01:14:57,479 --> 01:14:59,800
Speaker 2: So our final set, you think that?

1632
01:15:00,080 --> 01:15:05,519
Speaker 1: Did you know? That? Is? So? It's him, damn number

1633
01:15:05,560 --> 01:15:09,040
Speaker 1: one villain in Hollywood. I literally gossip I have heard

1634
01:15:09,280 --> 01:15:09,560
Speaker 1: from that.

1635
01:15:09,800 --> 01:15:11,960
Speaker 4: I'm telling you, number one villain in Hollywood from the

1636
01:15:12,160 --> 01:15:13,600
Speaker 4: tops to the bottoms.

1637
01:15:14,600 --> 01:15:19,960
Speaker 3: Interesting, and let's just say that if he embraced either

1638
01:15:20,040 --> 01:15:22,080
Speaker 3: being a top or a bottom, you might be able

1639
01:15:22,120 --> 01:15:22,479
Speaker 3: to move on.

1640
01:15:23,840 --> 01:15:26,800
Speaker 1: Oh wow, this is actually I'm so glad we're doing

1641
01:15:26,800 --> 01:15:27,400
Speaker 1: a blind item.

1642
01:15:28,680 --> 01:15:31,760
Speaker 2: Keep it then, keeping it, keep it, keep it. Going

1643
01:15:31,800 --> 01:15:34,960
Speaker 2: to be biggest villa in Hollywood, biggest villam Okay, and.

1644
01:15:34,960 --> 01:15:39,080
Speaker 1: There's a lot of villains and villains. Yeah, okay, let's

1645
01:15:39,120 --> 01:15:47,400
Speaker 1: wear final segment. Unfortunately, our final segment is called shout Outs,

1646
01:15:47,400 --> 01:15:49,200
Speaker 1: and in this segment we pay homash to the Grand

1647
01:15:49,240 --> 01:15:52,240
Speaker 1: Street tradition of the radio shout out, shouting out to

1648
01:15:52,400 --> 01:15:54,760
Speaker 1: anything that we enjoy people place those things ideas. We

1649
01:15:54,840 --> 01:15:56,800
Speaker 1: make them up on the spot. Literally didn't think about it,

1650
01:15:56,840 --> 01:15:57,280
Speaker 1: and it's.

1651
01:15:57,640 --> 01:16:00,360
Speaker 2: I have to make it up, and actually you're doing

1652
01:16:01,160 --> 01:16:01,639
Speaker 2: that's awesome.

1653
01:16:01,880 --> 01:16:05,080
Speaker 1: I actually do have one. Okay, what's up freaks, losers

1654
01:16:05,120 --> 01:16:07,519
Speaker 1: and perverts around the globe. You know, as we talk

1655
01:16:07,600 --> 01:16:10,759
Speaker 1: about the five years that we've been through, it's affected

1656
01:16:10,800 --> 01:16:13,080
Speaker 1: all of us. And I'll say it. I've been having

1657
01:16:13,400 --> 01:16:16,280
Speaker 1: back pain over the last few months, in and out

1658
01:16:16,400 --> 01:16:19,479
Speaker 1: back pain. I'm stretching, it's not working. I lay flat,

1659
01:16:19,479 --> 01:16:20,000
Speaker 1: it's not working.

1660
01:16:20,080 --> 01:16:20,639
Speaker 2: What the hell.

1661
01:16:21,160 --> 01:16:24,400
Speaker 1: Recently someone was like, well, do you just take an advil?

1662
01:16:24,640 --> 01:16:26,680
Speaker 1: And I was like, but I don't do that, and

1663
01:16:26,800 --> 01:16:29,479
Speaker 1: they were like, just take an advil and I was like, okay, fine.

1664
01:16:29,800 --> 01:16:32,720
Speaker 1: I took an advilt. Guess what, it's fixed. I feel

1665
01:16:32,760 --> 01:16:35,040
Speaker 1: completely fine. I guess I just needed my muscles to

1666
01:16:35,080 --> 01:16:38,040
Speaker 1: relax for one fucking second and everything can realign and

1667
01:16:38,080 --> 01:16:40,320
Speaker 1: get back to normal. I've never felt more limber in

1668
01:16:40,400 --> 01:16:42,880
Speaker 1: my life. Only it was one damn advil. I've been

1669
01:16:42,920 --> 01:16:45,639
Speaker 1: hurting for months and I just took a damn advil

1670
01:16:45,640 --> 01:16:47,240
Speaker 1: and I'm fine. I'm ready to go out and go

1671
01:16:47,400 --> 01:16:52,200
Speaker 1: fucking crazy. A calling in yes collar. Hey, p Color,

1672
01:16:52,280 --> 01:16:52,840
Speaker 1: I have a question.

1673
01:16:53,160 --> 01:16:55,599
Speaker 4: Okay, when you say take an advil, do you mean

1674
01:16:55,640 --> 01:16:56,200
Speaker 4: one advil?

1675
01:16:59,160 --> 01:16:59,920
Speaker 1: I do one ad.

1676
01:17:02,960 --> 01:17:04,280
Speaker 4: You can do up to three.

1677
01:17:04,439 --> 01:17:06,120
Speaker 3: Well, I don't want to do up to three because

1678
01:17:07,040 --> 01:17:10,680
Speaker 3: one is like the equalent of like snorting, snorting, like

1679
01:17:10,760 --> 01:17:11,519
Speaker 3: one speck of dust.

1680
01:17:11,640 --> 01:17:13,599
Speaker 4: Yeah, did you snort one speck of dust and feel better?

1681
01:17:14,040 --> 01:17:15,639
Speaker 2: Dumb dust?

1682
01:17:15,840 --> 01:17:18,280
Speaker 1: I did one eye bill in the morning and that night,

1683
01:17:18,280 --> 01:17:19,280
Speaker 1: and I feel amazing.

1684
01:17:19,560 --> 01:17:21,960
Speaker 4: Okay, Well, if history has taught you anything, you should

1685
01:17:22,280 --> 01:17:25,360
Speaker 4: know that it is helping you, and therefore you should

1686
01:17:25,360 --> 01:17:27,160
Speaker 4: take the recommended dosage, which is two.

1687
01:17:28,160 --> 01:17:30,479
Speaker 3: This is you guys are doing like Brandy and Monica.

1688
01:17:30,560 --> 01:17:34,240
Speaker 3: The boy is mine, but shout out for him.

1689
01:17:35,080 --> 01:17:36,120
Speaker 4: Okay, thanks for having me.

1690
01:17:36,280 --> 01:17:39,400
Speaker 1: I love the show show by, so one ad bill

1691
01:17:39,479 --> 01:17:46,840
Speaker 1: is the correct amount. Xoxo. Lines are closed upaks and losers.

1692
01:17:46,880 --> 01:17:48,400
Speaker 3: I want to get the shout out to an episode

1693
01:17:48,400 --> 01:17:51,240
Speaker 3: of Modern Family Letter recently watched, where the plot was

1694
01:17:51,320 --> 01:17:55,160
Speaker 3: that all the women in the Dunfe family cycles got SYNCD,

1695
01:17:55,240 --> 01:17:56,760
Speaker 3: so all three of them have their period at the

1696
01:17:56,760 --> 01:18:00,320
Speaker 3: same time. On the day that they want to do

1697
01:18:00,439 --> 01:18:04,760
Speaker 3: a Get This Family trapeze class for leap day, I

1698
01:18:04,920 --> 01:18:07,080
Speaker 3: repeat The plot is that the cycles of the three

1699
01:18:07,120 --> 01:18:10,679
Speaker 3: women are SYNCD and it ruins the family trapeze leap

1700
01:18:10,760 --> 01:18:14,160
Speaker 3: day class, and I just want to say, why don't

1701
01:18:14,160 --> 01:18:16,040
Speaker 3: we have hydrics like that on television anymore?

1702
01:18:17,640 --> 01:18:21,000
Speaker 1: Why don't we have some like that?

1703
01:18:21,280 --> 01:18:24,439
Speaker 3: Is what a writer's room is for. Someone suggests what

1704
01:18:24,560 --> 01:18:26,680
Speaker 3: if their periods got syk? And someone says, that's not

1705
01:18:26,960 --> 01:18:30,720
Speaker 3: that's big. We gotta go more. It's gotta be leap day,

1706
01:18:30,880 --> 01:18:31,679
Speaker 3: trapeze class.

1707
01:18:31,720 --> 01:18:35,720
Speaker 4: Somebody said class. I've never said like that class, trappy.

1708
01:18:38,760 --> 01:18:39,080
Speaker 1: Class.

1709
01:18:39,439 --> 01:18:41,960
Speaker 4: And then some other person in that corner says, what

1710
01:18:42,040 --> 01:18:42,880
Speaker 4: if it's leap Day?

1711
01:18:43,840 --> 01:18:45,000
Speaker 1: Yeah, leap Day?

1712
01:18:45,120 --> 01:18:46,160
Speaker 2: And okay, here's a question for you.

1713
01:18:46,360 --> 01:18:49,160
Speaker 3: Do you think the cycles being SYNCD was suggested by

1714
01:18:50,000 --> 01:18:52,280
Speaker 3: a man or was it a woman that's like, how

1715
01:18:52,360 --> 01:18:55,160
Speaker 3: funny would this be? Like it's like this happened in

1716
01:18:55,320 --> 01:18:56,240
Speaker 3: my family or whatever.

1717
01:18:56,280 --> 01:18:58,000
Speaker 1: Maybe it was like the one woman in an All

1718
01:18:58,040 --> 01:19:01,360
Speaker 1: writers a writer she's kind of like, I'll be I'll

1719
01:19:01,400 --> 01:19:05,320
Speaker 1: be like fucking, I'm a guy's goal. Yes, women in.

1720
01:19:05,320 --> 01:19:06,960
Speaker 4: Their periods, right, I'll say it.

1721
01:19:07,160 --> 01:19:09,360
Speaker 1: Yeah, And everyone's like, well she said it, yeah, did

1722
01:19:09,439 --> 01:19:11,160
Speaker 1: you need to or no, that's it.

1723
01:19:12,360 --> 01:19:14,120
Speaker 2: I guess just a general shout out to hijinks.

1724
01:19:14,200 --> 01:19:18,360
Speaker 1: Also, we're doing a deconstructed version. Yeah, I.

1725
01:19:19,880 --> 01:19:20,880
Speaker 4: Laugh when I watched that show.

1726
01:19:21,240 --> 01:19:21,600
Speaker 2: Sure it is.

1727
01:19:22,080 --> 01:19:23,960
Speaker 1: I said this the other day publicly. I don't know

1728
01:19:23,960 --> 01:19:24,320
Speaker 1: if you saw.

1729
01:19:25,280 --> 01:19:26,880
Speaker 3: I did see that it was announced that you were

1730
01:19:26,880 --> 01:19:29,439
Speaker 3: on a handmade stale, but I actually also announced that

1731
01:19:29,680 --> 01:19:33,679
Speaker 3: I believe cam on that show is the best comedic

1732
01:19:33,800 --> 01:19:37,120
Speaker 3: television performance. Yeah, he's good other than all of yours,

1733
01:19:37,160 --> 01:19:39,240
Speaker 3: of course, but I think but of the twenty first century,

1734
01:19:39,640 --> 01:19:43,760
Speaker 3: I'm like, this is to actually pull this off, to

1735
01:19:43,880 --> 01:19:46,320
Speaker 3: be doing quote unquote a stereotypical gay guy and pull

1736
01:19:46,360 --> 01:19:49,000
Speaker 3: it off to such an extent that it actually is.

1737
01:19:49,200 --> 01:19:51,320
Speaker 3: I'm like, I know that, man, and it's such a

1738
01:19:51,400 --> 01:19:53,920
Speaker 3: beautiful portrayal of that kind of game.

1739
01:19:53,960 --> 01:19:54,799
Speaker 1: Man. No, it's genius.

1740
01:19:54,920 --> 01:19:57,840
Speaker 4: It's so it's so it's funny to call Modern Family

1741
01:19:57,920 --> 01:20:01,040
Speaker 4: like underrated because it's rated as ye, But like I

1742
01:20:01,120 --> 01:20:03,519
Speaker 4: think because it became so popular, we now can look

1743
01:20:03,520 --> 01:20:06,479
Speaker 4: at it like, but it is like chock full of

1744
01:20:06,640 --> 01:20:07,680
Speaker 4: genius performances.

1745
01:20:07,800 --> 01:20:13,360
Speaker 3: Ty Brown absolutely, absolutely, Sophia is one of the great comedics.

1746
01:20:14,280 --> 01:20:17,000
Speaker 4: Literally, like like, also, because she's so beautiful, you kind

1747
01:20:17,040 --> 01:20:19,799
Speaker 4: of get she is fun.

1748
01:20:19,680 --> 01:20:22,120
Speaker 2: Phenomenal like perfect.

1749
01:20:22,640 --> 01:20:24,240
Speaker 3: I have beef with that show for so long because

1750
01:20:24,240 --> 01:20:26,240
Speaker 3: it's the reason Jane Rokowski never won an Emmy.

1751
01:20:26,800 --> 01:20:29,120
Speaker 1: But guess what that's not for me? It isn't.

1752
01:20:29,280 --> 01:20:29,679
Speaker 4: It isn't.

1753
01:20:29,760 --> 01:20:31,559
Speaker 2: It's like that doesn't mean it's not.

1754
01:20:31,880 --> 01:20:34,080
Speaker 4: And it doesn't mean it doesn't mean anything about Jane either, No,

1755
01:20:34,479 --> 01:20:38,599
Speaker 4: of course, right, I mean, Oh, it's fun, okay speaking,

1756
01:20:38,680 --> 01:20:39,360
Speaker 4: my hair looking good.

1757
01:20:39,840 --> 01:20:41,599
Speaker 1: It's just like Octimus.

1758
01:20:42,920 --> 01:20:51,320
Speaker 4: That's a hair. Oh okay, okay, what's up everybody?

1759
01:20:51,560 --> 01:20:54,760
Speaker 1: Hey, all you cannibals out there, it's me on on

1760
01:20:55,840 --> 01:20:59,000
Speaker 1: the show. I'm Darcy. Don't feel when you forget the

1761
01:20:59,080 --> 01:21:01,240
Speaker 1: name of our show TRL.

1762
01:21:04,120 --> 01:21:06,720
Speaker 4: I would like to give a huge shout out to

1763
01:21:07,600 --> 01:21:12,759
Speaker 4: the family that is housing my husband, and I'm literally

1764
01:21:12,840 --> 01:21:15,760
Speaker 4: being serious because it's so fucking nice of them. Can

1765
01:21:15,840 --> 01:21:20,719
Speaker 4: you imagine housing two full adults like they are in college?

1766
01:21:21,760 --> 01:21:23,560
Speaker 4: This is so nice of you. It's sort of like

1767
01:21:23,680 --> 01:21:26,439
Speaker 4: an unending You'll just houses until we don't need to

1768
01:21:26,439 --> 01:21:28,000
Speaker 4: be housed anymore. This is the nicest thing you could

1769
01:21:28,000 --> 01:21:31,080
Speaker 4: possibly do. Thank you for feeding us. You make us

1770
01:21:31,160 --> 01:21:34,639
Speaker 4: chicken sometimes it's so cute. It's always chicken. It's so cute,

1771
01:21:34,840 --> 01:21:42,799
Speaker 4: it's so healthy. En I like nice, I'm always healthy meals.

1772
01:21:42,880 --> 01:21:43,720
Speaker 1: It's really you. You.

1773
01:21:44,080 --> 01:21:46,160
Speaker 4: Every time we say thank you, you say stop thanking us.

1774
01:21:46,720 --> 01:21:48,720
Speaker 4: It is the nicest thing you could possibly do. You

1775
01:21:48,840 --> 01:21:54,320
Speaker 4: are the nicest people. I'm not going to docture asses famous. No, no, no,

1776
01:21:54,439 --> 01:21:58,760
Speaker 4: I would say adjacent. I would say I would say adjacent.

1777
01:22:00,040 --> 01:22:05,200
Speaker 1: And adjacent it.

1778
01:22:06,240 --> 01:22:07,680
Speaker 4: I'm still on the air, I'm still in there. It's

1779
01:22:08,840 --> 01:22:13,000
Speaker 4: you are doing the good good Lord's work. He him God,

1780
01:22:13,880 --> 01:22:16,400
Speaker 4: God so much God. This is actually God. It's actually

1781
01:22:16,439 --> 01:22:18,200
Speaker 4: comes background to God. I love you God.

1782
01:22:18,240 --> 01:22:20,280
Speaker 1: I'm giving God such a big shout out. I believe

1783
01:22:20,600 --> 01:22:22,800
Speaker 1: in you. I totally get you.

1784
01:22:23,040 --> 01:22:25,479
Speaker 4: I'm like magic is real and I love you.

1785
01:22:25,960 --> 01:22:29,559
Speaker 1: Who that was amazing?

1786
01:22:29,760 --> 01:22:32,880
Speaker 4: Oh God, that felt great. I really didn't think about

1787
01:22:32,880 --> 01:22:33,880
Speaker 4: it and and it shows.

1788
01:22:33,920 --> 01:22:37,160
Speaker 1: But release, that's how it goes.

1789
01:22:37,439 --> 01:22:38,360
Speaker 2: You are not apologizes.

1790
01:22:38,640 --> 01:22:39,440
Speaker 1: I'm not apologizing.

1791
01:22:39,560 --> 01:22:40,840
Speaker 2: You know what I want to do right now?

1792
01:22:40,960 --> 01:22:43,280
Speaker 3: Imagine this, the three of us start over press play

1793
01:22:43,320 --> 01:22:45,720
Speaker 3: on Bridge Jones Matt about the boy we have it

1794
01:22:45,840 --> 01:22:46,800
Speaker 3: now on this big sperience.

1795
01:22:46,920 --> 01:22:49,920
Speaker 4: Wait, yeah, I did say what. I had a full

1796
01:22:50,160 --> 01:22:53,280
Speaker 4: deep sadness. That was It was like a real It

1797
01:22:53,400 --> 01:22:55,000
Speaker 4: was like worse than Trump getting elected.

1798
01:22:55,080 --> 01:22:55,920
Speaker 1: It was like we are.

1799
01:22:58,000 --> 01:23:00,439
Speaker 4: Like you know, it was like it hit me in

1800
01:23:00,479 --> 01:23:02,599
Speaker 4: a such a sad time.

1801
01:23:02,800 --> 01:23:03,679
Speaker 1: That is a real bummer.

1802
01:23:04,000 --> 01:23:05,040
Speaker 4: And let's end on that note.

1803
01:23:05,160 --> 01:23:07,759
Speaker 1: Yeah everyone, we're sorry.

1804
01:23:08,760 --> 01:23:10,200
Speaker 4: Thank you for having me. Sorry I.

1805
01:23:12,240 --> 01:23:16,080
Speaker 2: The podcast, I know I thought stopped. Okay, they're uploading it.

1806
01:23:16,400 --> 01:23:19,280
Speaker 1: Thank you enjoying it. Thank you? Oh how do this?

1807
01:23:19,479 --> 01:23:21,759
Speaker 1: Bye bye? No wait, thank you for doing the podcast.

1808
01:23:22,040 --> 01:23:26,000
Speaker 2: Hell okay, bye bye bye podcast. And now want more?

1809
01:23:26,520 --> 01:23:29,559
Speaker 2: Subscribe to our Patreon for two extra episodes a month,

1810
01:23:29,840 --> 01:23:33,360
Speaker 2: discord access and more by heading to patreon dot com.

1811
01:23:33,600 --> 01:23:35,360
Speaker 2: Slash Stradio Lab and for.

1812
01:23:35,400 --> 01:23:38,280
Speaker 1: All our visual learners, free full length video episodes are

1813
01:23:38,280 --> 01:23:39,920
Speaker 1: available on our YouTube now.

1814
01:23:40,000 --> 01:23:40,840
Speaker 2: Get back to Work.

1815
01:23:41,120 --> 01:23:43,479
Speaker 1: Stradio Lab is a production by Will Ferrell's Big Money

1816
01:23:43,479 --> 01:23:45,200
Speaker 1: Players Network and iHeart Podcasts.

1817
01:23:45,360 --> 01:23:48,200
Speaker 2: Created and hosted by George Severs and Sam Taggart.

1818
01:23:48,320 --> 01:23:51,839
Speaker 1: Executive produced by Will Ferrell, Hans Sony and Olivia Aguilar,

1819
01:23:52,000 --> 01:23:55,480
Speaker 1: co produced by Bay Wang, Edited and engineered by Adam Avalos.

1820
01:23:55,800 --> 01:23:58,720
Speaker 1: Artwork by Michael Failes and Matt Grufb. Theme music by

1821
01:23:58,760 --> 01:24:00,200
Speaker 1: Ben kling No