WEBVTT - The Seven Deadlies: Lust!

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot Com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglass, and

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<v Speaker 1>we are continuing our journey through the seven Deadly Sins,

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<v Speaker 1>through the sort of the psychology of each sin, the

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<v Speaker 1>science of each sin, and uh, we find ourselves, interestingly enough,

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<v Speaker 1>only standing in the second circle of Hell. If we're

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<v Speaker 1>using Dante's Inferno, is the map of human inequity. That's right,

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<v Speaker 1>Today's subject. What you've all been waiting for lust because

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<v Speaker 1>I guess why we ended up situating it a little

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<v Speaker 1>farther along in the roll call of sense, because because

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<v Speaker 1>like I said, Dante listed rather early, you're walking into

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<v Speaker 1>into hell, the realm of eternal punishment in Dante's epic

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<v Speaker 1>for a Fit of Mine comedy, and the first circle

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<v Speaker 1>you encounter are are basically the noble individuals who just

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<v Speaker 1>happened to live before the age of redemption. So you

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<v Speaker 1>have all these philosophers. They are richly adored not only

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<v Speaker 1>by Dante but by Western culture of the time. In

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<v Speaker 1>the religious Due to technicality, they're not permitted to rise

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<v Speaker 1>above hell, so they just kind of live on the

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<v Speaker 1>outskirts of Hell, but they have their nice little circle. Yeah, yeah,

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<v Speaker 1>it's it's a nice area, like if you had to

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<v Speaker 1>live in Hell, like this is the place to be,

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<v Speaker 1>even better than working there, because some of the guys

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<v Speaker 1>that work there pretty bad off. But it's like the

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<v Speaker 1>white collar circle right, white collar color crime circle, yes,

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<v Speaker 1>or the academia section of Hell. Right, it's a reasonably

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<v Speaker 1>pleasant place, even though they two were removed from God,

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<v Speaker 1>so they're kind of sad. But the second circles where

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<v Speaker 1>we actually start getting a little hellish and then just

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<v Speaker 1>a little because Dante seems to discount, not discount lust,

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<v Speaker 1>but but lust is very much seen as a more

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<v Speaker 1>of a minor and relatable infraction. It's one that that

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<v Speaker 1>Dante has a lot of sympathy for. So first you

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<v Speaker 1>have to stroll past this monster that goes by the

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<v Speaker 1>name of Minos, that has this long tail, and he'll

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<v Speaker 1>wrap this tail around you, and the number of times

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<v Speaker 1>this tail can loop around your body that informs circle

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<v Speaker 1>of Hell you're bound for. Okay, I'm not sure exactly

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<v Speaker 1>how the science of that works, but that's very dramatic. Yeah,

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<v Speaker 1>you know, it's not just like ha, go over there. Yeah,

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<v Speaker 1>it's like you can meet all these sort of sad

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<v Speaker 1>but otherwise noble intellectuals, and then the next thing you know,

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<v Speaker 1>there's a monster wrapping up in its tail and then

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<v Speaker 1>flinging you off to some circle of torment. Well, the

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<v Speaker 1>second circle of hell is all about the lust. You

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<v Speaker 1>see all these individuals caught in this maelstrom, it's just

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<v Speaker 1>wind everywhere blowing them around. The translation that I'm reading here,

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<v Speaker 1>this is from Robert im Durling's translation to Divine Comedy,

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<v Speaker 1>which I highly recommend if you end up wanting to

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<v Speaker 1>dive into the Divine Comedy. The description goes, the infernal whirlwind,

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<v Speaker 1>which never rests, drives the spirits before it's violence, turning

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<v Speaker 1>and striking. It tortures them when they come before the landslide.

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<v Speaker 1>There the shrieks, the wailing, the lamenting. There they curse

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<v Speaker 1>God's power. I understand that to this torment were damned

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<v Speaker 1>the carnal sinners who subject their reason to their lust.

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<v Speaker 1>And that's kind of this kind of Dante's whole take

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<v Speaker 1>on it is that it's about reason becoming usurped by desire.

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<v Speaker 1>The desire is expressed as as one's weight or dominant inclination.

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<v Speaker 1>So this is we see the wind in this circle.

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<v Speaker 1>It's the wind that drives the soul. It's the force

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<v Speaker 1>of the desire. You see such famous lusty individuals in

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<v Speaker 1>this circle as Cleopatra, Helen of Troy, Dido, Paris, Tristan Achilles,

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<v Speaker 1>and he's by and large pretty sympathetic towards these people.

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<v Speaker 1>And then if you if you end up going on

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<v Speaker 1>up to Purgatory, which again is the mountain in the

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<v Speaker 1>divine comedy that connects the earth to the earthly paradise

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<v Speaker 1>and then onto Heaven, the middle ground between hell and Heaven,

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<v Speaker 1>you see all these terraces that want has to climb

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<v Speaker 1>this mountain and purge themselves of a sin. For each level, well,

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<v Speaker 1>you have to travel all the way up to a

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<v Speaker 1>terrace seven in Purgatory, which makes sense because this is

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<v Speaker 1>the terrace closest to the terrestrial heaven. So this is

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<v Speaker 1>the last sin you have to get knocked off. They

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<v Speaker 1>get some of the big ones first. So in this terrace,

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<v Speaker 1>the individuals are purging themselves of lust, are walking around

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<v Speaker 1>just immersed in like a world to fire, and it's

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<v Speaker 1>sort of burning the lust off of them. You find

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<v Speaker 1>various turning the lust off, Yeah, burning themselves clean of it.

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<v Speaker 1>We've all done and that at some point. I like

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<v Speaker 1>this idea of the Maelstrom and the winds because I

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<v Speaker 1>do think of lust like this. It's like the ultimate diversion.

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<v Speaker 1>It's this thing that sort of takes over your mind

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<v Speaker 1>and completely scrambles your your cognitive abilities to some degree,

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<v Speaker 1>and you can really go wild with I mean, it's

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<v Speaker 1>easy to look at lust and think of it purely

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<v Speaker 1>in terms of one's desire for the flesh, one sexual

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<v Speaker 1>desires becoming the dominant force. You see lust ascribed to

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<v Speaker 1>any number of things. So, for instance, one of my

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<v Speaker 1>favorite books, The Name of the Rose, is very much

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<v Speaker 1>a book about all the different types of lust they

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<v Speaker 1>can afflict a person. There's the lust for forbidden loves,

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<v Speaker 1>the lust for flesh, the lust for knowledge, the luss

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<v Speaker 1>for new things, uh, the lust for truth, the luss

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<v Speaker 1>for adoration, the less for humility, the luss for pain,

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<v Speaker 1>which ties in with our podcast about the martyrs and torture.

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<v Speaker 1>And then in Buddhism we mentioned the wheel of Stamsara

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<v Speaker 1>and our one of our our previous episodes about sin

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<v Speaker 1>about how uh there are these three forces at the

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<v Speaker 1>center of this wheel of suffering. They're summarized by these

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<v Speaker 1>three animals, and one of them is the cock, which

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<v Speaker 1>represents greed. But also tied up in this animal are

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<v Speaker 1>the forces of lust. So if lust is a force

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<v Speaker 1>of desire, clearly that's the way Dante sees it, that's

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<v Speaker 1>the way any number of commentators see it. Then it's

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<v Speaker 1>obviously serves as a hindrance to the Buddhist soul. So

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<v Speaker 1>it's also tied in with some of the higher realms

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<v Speaker 1>of reincarnation, such as the ashra of the Deva, and

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<v Speaker 1>of course the human realms, where people become wrapped up

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<v Speaker 1>in these emotions that are becoming the dominant force in

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<v Speaker 1>their lives and end up delivering them again into suffering

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<v Speaker 1>and disappointment. Well, and speaking of the cock animals, right,

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<v Speaker 1>the statyer, which is you know something that's a half human,

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<v Speaker 1>half goat, like you think of pan, right, this is

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<v Speaker 1>another really good symbol of lust and ancient Greeks. Ancient Greeks,

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<v Speaker 1>in fact, there's a I don't know if I should

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<v Speaker 1>actually describe this, but I'm sure everybody is familiar with this.

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<v Speaker 1>She is a really juvenile term, like think how would

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<v Speaker 1>a kindergartener describe? Okay, so not that one should. All right,

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<v Speaker 1>So you've seen the Greek pots, right that usually have

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<v Speaker 1>depict certain seams, and we all know that they're kind

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<v Speaker 1>of racy, Okay, using a juvenile term. There is a

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<v Speaker 1>picture of a satyr who has his frank and beans exposed,

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<v Speaker 1>and his frank is h is actually balancing a wine cup,

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<v Speaker 1>which I think is kind of like the ultimate expression

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<v Speaker 1>of not just animal sexuality, but lust and desire, because

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<v Speaker 1>I mean, you know, throw a little wine in there. Yeah,

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<v Speaker 1>just total buccanal and nuttery. Yeah, exactly, because what fuels

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<v Speaker 1>less more than than the one of the guts? Right,

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<v Speaker 1>the simple search to make you think about, like what

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<v Speaker 1>exactly is lust? You know, it is a state of nature.

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<v Speaker 1>It's a state of mind, and perhaps that's why it

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<v Speaker 1>doesn't get too bad a rap in terms of the

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<v Speaker 1>circle of hell it's placed in. Right. The Stater is

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<v Speaker 1>interesting because on one hand, like clearly the Greek's love

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<v Speaker 1>the sator, like the statter is this almost kind of

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<v Speaker 1>a messcot at times, you know, and the way he's

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<v Speaker 1>depicted and even looking at it now, you're like you

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<v Speaker 1>kind of want to be the Stater, like the Staters

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<v Speaker 1>having the time of the wine and music, wine, good food,

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<v Speaker 1>love making, um, just totally living in the moment, and

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<v Speaker 1>it's just you know, it's it's the hedonism bot of

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<v Speaker 1>of of ancient increase. But then on this at the

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<v Speaker 1>same time, he's monstrous, he has be steel aspects to

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<v Speaker 1>his body. And then I think it's worth noting that

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<v Speaker 1>the monster comes from a monetary. The word dates back

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<v Speaker 1>to the idea that it's demonstrating something to illustrate a point.

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<v Speaker 1>In every monster, there's something telling about the society that

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<v Speaker 1>creates it, which is why we spend a lot of

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<v Speaker 1>time in each of these sin podcasts talking about the

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<v Speaker 1>imagined monsters of hell because they inevitent illustrate how we

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<v Speaker 1>view a particular sin, and the the Sater is a

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<v Speaker 1>great example of it. Yeah, it is the grotesque ory

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<v Speaker 1>of human nature. And we talked about this a bit

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<v Speaker 1>and the Discuss podcast when we were talking about how

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<v Speaker 1>part of what fuels our sense of discust can sometimes

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<v Speaker 1>relate back to the fact that we don't necessarily want

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<v Speaker 1>to embrace our animal selves. We try to divorce ourselves

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<v Speaker 1>from that, at least most of us doing most of

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<v Speaker 1>the time, and so when you think about the Stater,

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<v Speaker 1>are yeah, fun time, but also you know, so so animalistic.

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<v Speaker 1>Couldn't be me, right, But you know when you talk

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<v Speaker 1>about Less, you talk about the Stater, you wonder if

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<v Speaker 1>it's really a sin, if it's essential to our nature,

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<v Speaker 1>because it is part of the evolutionary machinery in terms

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<v Speaker 1>of coupling right most of the time. But the way

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<v Speaker 1>it works, right is that you have to have something

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<v Speaker 1>fueling you to decide to couple with someone, to perhaps

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<v Speaker 1>mate with them for life, and lust is sort of

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<v Speaker 1>the glue of that arrangement. Yeah, I mean, it's very

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<v Speaker 1>much a part of the genetic mission. And that's one

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<v Speaker 1>of the things that makes Less so resting because it's

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<v Speaker 1>very difficult to combat. Like lust is this thing that

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<v Speaker 1>makes perfect sense from an evolutionary standpoint and from an

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<v Speaker 1>animalistic standpoint, but then as animals we end up reaching

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<v Speaker 1>this point where we create this culture around ourselves that

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<v Speaker 1>lust doesn't necessarily jive with. We cannot be the Stater

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<v Speaker 1>in everyday life because we would we would. I mean

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<v Speaker 1>there are people who try God bless them, I guess

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<v Speaker 1>bocus maybe bless them, but it tends to be kind

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<v Speaker 1>of destructive if you just let lust totally dictate every

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<v Speaker 1>choice in your life. And do you know why, because

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<v Speaker 1>it's not necessarily wine that is being balanced by those

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<v Speaker 1>by the francopins that's in that cup. It's really a

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<v Speaker 1>cup of dopamine. Our friend dopamine showed up on the

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<v Speaker 1>scene and every single one of these sins um but

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<v Speaker 1>we'll talk about this a little bit later, but dopamine

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<v Speaker 1>here is seriously, I guess you could say, manipulating our

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<v Speaker 1>thought processes when it comes to lust. And I kind

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<v Speaker 1>of call this the Yasa effect because it's not just dopamine,

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<v Speaker 1>but you also have nora epinephrine released. And what happens

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<v Speaker 1>is when you begin to lust, you see something that

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<v Speaker 1>excites you as you have all sorts of craziness going

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<v Speaker 1>on with your vital signs. Your heart rate increases, your

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<v Speaker 1>reward system is going ding ding in your brain, you're

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<v Speaker 1>sweating a little, your limbic system is going, yeah, I

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<v Speaker 1>give need more of that. And in fact, it's it's

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<v Speaker 1>pretty much a full brain event. Plus they didn't have

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<v Speaker 1>some experiments where of course they booked people's brains up

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<v Speaker 1>to monitoring imaging equipment and then they displayed some shall

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<v Speaker 1>we say, erotic material for the individuals whose brains were

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<v Speaker 1>being scanned, and they set back and watched what lit up,

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<v Speaker 1>and they saw regions of light up there associated with reward,

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<v Speaker 1>sensory and interpretation, visual processing. So it's lighting up the amigala,

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<v Speaker 1>the hippothalamus, which deals with emotional information. It's stimulating reward

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<v Speaker 1>processing uh ventful stratum, probably due to the satisfying nature

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<v Speaker 1>of the stimuli. It's just really setting everything ablaze, particularly

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<v Speaker 1>with a with a mail you can look at their

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<v Speaker 1>brain scan and tell at an m r I brain

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<v Speaker 1>scan and tell if they are aroused. It is a

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<v Speaker 1>much stronger response in men than women. Lust and this

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<v Speaker 1>reaction to images. Yes, And what I thought was really

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<v Speaker 1>interesting about that is that the dopamine is being released.

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<v Speaker 1>You can see this happening in the brain when someone

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<v Speaker 1>sees of image that excites them. And not only that,

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<v Speaker 1>you can you see what's happening in the brain and

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<v Speaker 1>can say it's the all event thing going on. But

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<v Speaker 1>you know, you've got parts of your brain that's saying

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<v Speaker 1>let's act on this, let's go, And then milliseconds later,

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<v Speaker 1>your frontal cortex, which has to mediate all of this

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<v Speaker 1>and bring reason into it. Has just a very small

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<v Speaker 1>window to actually say, you know what, maybe this isn't

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<v Speaker 1>the best idea. Last time we did this, we got

0:11:27.440 --> 0:11:29.000
<v Speaker 1>into a lot of trouble and we acted on this

0:11:29.120 --> 0:11:32.040
<v Speaker 1>lust or whatnot. So that's what I think is fascinating

0:11:32.080 --> 0:11:34.760
<v Speaker 1>about the fMRI I images that you see with men

0:11:35.360 --> 0:11:39.920
<v Speaker 1>considering just these really split second photos, which by the way,

0:11:39.960 --> 0:11:44.000
<v Speaker 1>are interspersed with with control photos like here's a picture

0:11:44.040 --> 0:11:47.560
<v Speaker 1>of a woman's breast in a black lace bra, right,

0:11:47.679 --> 0:11:50.240
<v Speaker 1>it's not too crazy, and a dog eating a birthday

0:11:50.240 --> 0:11:54.080
<v Speaker 1>cake or something, right, yes, and hopefully that's not something

0:11:54.120 --> 0:11:57.040
<v Speaker 1>that is exciting to them, but snow covered trees or

0:11:57.080 --> 0:11:59.640
<v Speaker 1>something like all these lines because there's the control there,

0:11:59.679 --> 0:12:01.880
<v Speaker 1>so we can really see the brain in action. But

0:12:01.960 --> 0:12:04.880
<v Speaker 1>again it comes down to these split second decisions that

0:12:04.960 --> 0:12:08.479
<v Speaker 1>we make. Um And of course this isn't necessarily indicative

0:12:08.520 --> 0:12:11.480
<v Speaker 1>of a real world scenario because we're not stuck in

0:12:11.679 --> 0:12:15.280
<v Speaker 1>fm r I. Usually when we see images or think

0:12:15.360 --> 0:12:18.240
<v Speaker 1>thoughts that really excite us, but still it gives us

0:12:18.240 --> 0:12:22.240
<v Speaker 1>a clue. Another thing that's fascinating about this is that, again,

0:12:22.679 --> 0:12:25.200
<v Speaker 1>we we build this culture up around ourselves and these, uh,

0:12:25.440 --> 0:12:28.560
<v Speaker 1>these various social systems, and our lust doesn't really jive

0:12:28.600 --> 0:12:31.240
<v Speaker 1>with it. So we have to find ways to defeat lust,

0:12:31.480 --> 0:12:35.600
<v Speaker 1>because otherwise we would be like tongue hanging out the

0:12:35.679 --> 0:12:39.040
<v Speaker 1>cartoon Kyote more wolf rather with the eyes and the tongue,

0:12:39.080 --> 0:12:40.560
<v Speaker 1>which is kind of a cartoon version of the stat

0:12:40.640 --> 0:12:42.520
<v Speaker 1>or to a certain extent. So we have to find

0:12:42.520 --> 0:12:44.560
<v Speaker 1>ways to shut it down. Right. You can think of

0:12:44.600 --> 0:12:47.000
<v Speaker 1>it as thinking about baseball, just saying up, we're not

0:12:47.000 --> 0:12:48.960
<v Speaker 1>gonna think about this, We're gonna think about this. And

0:12:48.960 --> 0:12:51.560
<v Speaker 1>they've actually studied this as well to see what's happening

0:12:51.559 --> 0:12:54.880
<v Speaker 1>in the brain when someone is shutting down lust, and

0:12:54.960 --> 0:12:57.400
<v Speaker 1>they're shutting it out as with a number of other

0:12:57.400 --> 0:12:59.920
<v Speaker 1>powerful impulses in the brain, we attempt to shut it

0:13:00.080 --> 0:13:04.199
<v Speaker 1>down by calling upon the right superior frontal gyrus and

0:13:04.559 --> 0:13:08.360
<v Speaker 1>right anterior cigulate gyrus. And this is according to research

0:13:08.440 --> 0:13:11.880
<v Speaker 1>by Mario you Regard at the University of Montreal. He

0:13:11.880 --> 0:13:15.680
<v Speaker 1>and others proposed these brain areas form a conscious self

0:13:15.960 --> 0:13:19.640
<v Speaker 1>regulatory system. It's a network that provides us with the evolutionary,

0:13:20.120 --> 0:13:23.880
<v Speaker 1>the unprecedented ability to control our own neural processing, which

0:13:24.800 --> 0:13:29.840
<v Speaker 1>is pretty impressive. Another species right, you don't necessarily see

0:13:29.840 --> 0:13:32.959
<v Speaker 1>this in other animals. This is very particular to humans.

0:13:33.000 --> 0:13:35.760
<v Speaker 1>And again, this ability to to take that split second

0:13:36.120 --> 0:13:38.600
<v Speaker 1>and way whether or not you should act on it,

0:13:38.720 --> 0:13:40.959
<v Speaker 1>and what the implications are. And we've talked about this before,

0:13:41.040 --> 0:13:43.640
<v Speaker 1>like our brain is really constructed to try to see

0:13:43.640 --> 0:13:45.840
<v Speaker 1>into the future and see ourselves into the future. So

0:13:45.880 --> 0:13:49.120
<v Speaker 1>that's not aha moment, but still it's pretty impressive that

0:13:49.160 --> 0:13:51.040
<v Speaker 1>we can do this, And I think it's interesting to

0:13:51.040 --> 0:13:53.760
<v Speaker 1>to sort of take that out outside of the context

0:13:53.760 --> 0:13:56.920
<v Speaker 1>of lust. Two. Um, Like we've talked before about just

0:13:56.960 --> 0:13:59.960
<v Speaker 1>sort of the quagmire of of thinking about your thing

0:14:00.000 --> 0:14:02.600
<v Speaker 1>thinking you know, or or just letting your thoughts run

0:14:02.679 --> 0:14:05.040
<v Speaker 1>wild taking it outside of lust, because you can get

0:14:05.080 --> 0:14:07.480
<v Speaker 1>into some sort of weird, puritanical territory if you're thinking

0:14:07.480 --> 0:14:09.400
<v Speaker 1>about like, oh, I'm going to shut down dirty thoughts

0:14:09.440 --> 0:14:11.800
<v Speaker 1>in my brain. But I think it is a useful

0:14:11.800 --> 0:14:14.520
<v Speaker 1>exercise to be able to shut down thinking in your brain,

0:14:14.679 --> 0:14:17.440
<v Speaker 1>especially when it's sort of harmful. Let me drag out

0:14:17.480 --> 0:14:20.040
<v Speaker 1>the sad toys in my past kind of thinking. Yeah.

0:14:20.040 --> 0:14:22.080
<v Speaker 1>I think it was Art who pointed out that if

0:14:22.120 --> 0:14:24.320
<v Speaker 1>you think yourself, I wonder what my next thought will

0:14:24.360 --> 0:14:27.880
<v Speaker 1>be to concentrate on that thought like that that has

0:14:28.120 --> 0:14:30.760
<v Speaker 1>an easy and significant ability to sort of clear out

0:14:31.080 --> 0:14:33.760
<v Speaker 1>all the processes. And that's going on whether you're thinking

0:14:33.800 --> 0:14:36.640
<v Speaker 1>about something depressing that happened in your past, or something

0:14:36.800 --> 0:14:41.720
<v Speaker 1>intimidating in the future, or something lustful breathing through your brain. Well,

0:14:41.760 --> 0:14:44.440
<v Speaker 1>I mean this is particularly important if you're a sex addic, right,

0:14:44.920 --> 0:14:47.080
<v Speaker 1>you have to be able to shut down that thought

0:14:47.080 --> 0:14:49.680
<v Speaker 1>process because that to me seems to be like a

0:14:49.680 --> 0:14:53.960
<v Speaker 1>heightened state of desire, which is, you know, no longer productive,

0:14:54.040 --> 0:14:58.040
<v Speaker 1>right from just seeking out is always thinking to come

0:14:58.040 --> 0:15:00.480
<v Speaker 1>out in one and where conceivably like the picture of

0:15:00.480 --> 0:15:02.840
<v Speaker 1>the trees could excite you because you're you're reading something

0:15:02.840 --> 0:15:07.440
<v Speaker 1>sexual into everything exactly, like I've seen that tendency in

0:15:07.640 --> 0:15:10.720
<v Speaker 1>some people. Well, um, what I do want to mention too,

0:15:10.800 --> 0:15:13.480
<v Speaker 1>and this is from Discovery Channels, The Science of Lust.

0:15:13.960 --> 0:15:19.680
<v Speaker 1>Apparently women are much better at dialing down the lust factor. Yeah,

0:15:19.760 --> 0:15:24.320
<v Speaker 1>because Dante and well you know, I mean women women

0:15:24.360 --> 0:15:28.640
<v Speaker 1>just they're as lusty as men. But this is interesting differently, Okay,

0:15:28.440 --> 0:15:31.840
<v Speaker 1>they control the process in a different way. According to this, Right,

0:15:32.360 --> 0:15:36.680
<v Speaker 1>there was this really interesting study in which women were

0:15:36.680 --> 0:15:39.560
<v Speaker 1>asked to wear the sensors to monitor their heart rates,

0:15:40.000 --> 0:15:43.440
<v Speaker 1>their blood pressure and I'm not going to get into

0:15:43.720 --> 0:15:47.720
<v Speaker 1>how this happened, but their blood flow to their genitalium. Okay.

0:15:47.840 --> 0:15:50.960
<v Speaker 1>In addition, the subject has a lever that she controls

0:15:50.960 --> 0:15:53.280
<v Speaker 1>with her hand to indicate when she's aroused by what

0:15:53.400 --> 0:15:56.160
<v Speaker 1>she sees on the screen. Okay, So she's got this

0:15:56.200 --> 0:15:58.360
<v Speaker 1>little device that she just kind of pushes up or

0:15:58.400 --> 0:16:02.600
<v Speaker 1>down when she is aroused. So she's shown a nineties

0:16:02.680 --> 0:16:06.320
<v Speaker 1>era promotional video for Russia and apparently this is like

0:16:06.400 --> 0:16:11.120
<v Speaker 1>the most like neutral, non sexual footage that they could get,

0:16:11.560 --> 0:16:13.600
<v Speaker 1>you know, no no offense, Russia, but apparently like your

0:16:13.680 --> 0:16:18.400
<v Speaker 1>landscapes aren't all that sexually exciting. And then they show porn. Okay,

0:16:18.720 --> 0:16:20.960
<v Speaker 1>so while watching the porn, the woman's vital signs are

0:16:21.080 --> 0:16:24.920
<v Speaker 1>clearly like going nuts. Her body is actually responding to this.

0:16:25.120 --> 0:16:27.480
<v Speaker 1>But what is really interesting is that she is pulling

0:16:27.480 --> 0:16:30.360
<v Speaker 1>the lever down to indicate that she is not at

0:16:30.360 --> 0:16:33.520
<v Speaker 1>all aroused. In fact, she's like the negative of aroused.

0:16:34.080 --> 0:16:37.880
<v Speaker 1>So meanwhile, they also do this with men, and they

0:16:37.880 --> 0:16:41.160
<v Speaker 1>see the male subject also watching the same videos, and

0:16:41.200 --> 0:16:44.080
<v Speaker 1>then they also have the same response to the videos.

0:16:44.120 --> 0:16:46.280
<v Speaker 1>In terms of their vital signs and the flow of

0:16:46.320 --> 0:16:49.440
<v Speaker 1>blood to their genitalia. The difference is that men report

0:16:49.520 --> 0:16:52.400
<v Speaker 1>that they are mentally aroused. Okay, so they take that

0:16:52.560 --> 0:16:55.520
<v Speaker 1>lever and they push it up like full speed. And

0:16:55.600 --> 0:16:59.680
<v Speaker 1>so the idea is that again women can control this.

0:17:00.240 --> 0:17:04.119
<v Speaker 1>Perhaps the disconnect and some of this could be cultural too, right,

0:17:04.160 --> 0:17:06.280
<v Speaker 1>because that really does have a bearing on how you

0:17:06.320 --> 0:17:09.600
<v Speaker 1>perceive things, So you know, there's that aspect to it.

0:17:09.640 --> 0:17:12.160
<v Speaker 1>But the idea is that from an evolutionary point of view,

0:17:13.040 --> 0:17:16.520
<v Speaker 1>women had have to be much more selective because they

0:17:16.720 --> 0:17:18.679
<v Speaker 1>if they were to get into a situation where they

0:17:18.720 --> 0:17:20.840
<v Speaker 1>become pregnant, than they are you know, of course bound

0:17:20.840 --> 0:17:24.240
<v Speaker 1>to raise that child and that's a lot of resources.

0:17:24.280 --> 0:17:27.400
<v Speaker 1>So this idea is that women are much more selective

0:17:27.440 --> 0:17:29.800
<v Speaker 1>and able to take that part of their brain that

0:17:29.920 --> 0:17:33.199
<v Speaker 1>the reasoning, the frontal cortex and say, you know what,

0:17:33.520 --> 0:17:35.680
<v Speaker 1>I'm not really invested in what I'm seeing. I might

0:17:35.720 --> 0:17:37.560
<v Speaker 1>be around, but I'm not going to act on it.

0:17:37.880 --> 0:17:40.000
<v Speaker 1>And again, this is pretty much pointing back to what

0:17:40.080 --> 0:17:42.520
<v Speaker 1>you were talking about with Mario Beauregard of the University

0:17:42.560 --> 0:17:45.760
<v Speaker 1>of Montreal, who was saying that we have this self

0:17:45.840 --> 0:17:51.879
<v Speaker 1>regulatory system. The idea again isn't women have more? So, um,

0:17:51.920 --> 0:17:53.840
<v Speaker 1>it would be really interesting to see more studies on

0:17:53.840 --> 0:17:56.199
<v Speaker 1>this and also to take in the cultural context of

0:17:56.240 --> 0:17:59.040
<v Speaker 1>it before saying, oh, women they're just they're awesome at this,

0:17:59.200 --> 0:18:01.480
<v Speaker 1>you know, because I think there's a little bit more

0:18:01.520 --> 0:18:03.920
<v Speaker 1>to that than just this black and white situation, this

0:18:04.320 --> 0:18:07.119
<v Speaker 1>one experiment in a room. All right, Well, we should

0:18:07.119 --> 0:18:09.359
<v Speaker 1>probably take a break at this point. Yeah, yeah, because

0:18:09.400 --> 0:18:12.240
<v Speaker 1>when we get back, we're going to talk about whether

0:18:12.600 --> 0:18:19.440
<v Speaker 1>some people are just born lusted. All right, we're back,

0:18:19.440 --> 0:18:21.280
<v Speaker 1>and before we jump right back into the science, I

0:18:21.280 --> 0:18:23.119
<v Speaker 1>thought of point out an interesting point that we're going

0:18:23.200 --> 0:18:26.119
<v Speaker 1>across from a few different critics who pointed out that

0:18:26.119 --> 0:18:29.120
<v Speaker 1>that since left is so ingrained in human nature, when

0:18:29.240 --> 0:18:32.960
<v Speaker 1>organized religion condemns it, it's kind of like a spiritual

0:18:33.119 --> 0:18:35.200
<v Speaker 1>speed trap, you know, like a small town generally in

0:18:35.240 --> 0:18:36.800
<v Speaker 1>the United States, you only think of it like a

0:18:36.840 --> 0:18:39.480
<v Speaker 1>small southern town where the speed limit ends up suddenly

0:18:39.520 --> 0:18:42.359
<v Speaker 1>dropping to such a low level that a large number

0:18:42.400 --> 0:18:45.119
<v Speaker 1>of people are going to legally be speeding and therefore

0:18:45.160 --> 0:18:47.520
<v Speaker 1>they caught and then they're you know, brought into the

0:18:47.600 --> 0:18:50.320
<v Speaker 1>system to to pay into the system for their their

0:18:50.359 --> 0:18:53.119
<v Speaker 1>traffic ticket. So that if you if you have a

0:18:53.119 --> 0:18:55.520
<v Speaker 1>religious system that calls you out on something that you

0:18:55.960 --> 0:18:59.200
<v Speaker 1>basically cannot help, it's guaranteed to bring you in. Okay,

0:18:59.200 --> 0:19:02.360
<v Speaker 1>So you're saying that you begin to to think more

0:19:02.400 --> 0:19:06.520
<v Speaker 1>about it, to actually subscribe to a little bit more

0:19:06.560 --> 0:19:10.240
<v Speaker 1>on on on the psychological level. Well, it's kind of like, hey,

0:19:10.280 --> 0:19:11.639
<v Speaker 1>do you have a problem with less, Well, we've got

0:19:11.680 --> 0:19:13.240
<v Speaker 1>the religion for you. Well, everybody has a problem with

0:19:13.320 --> 0:19:15.520
<v Speaker 1>lust of you define it in these terms, you know,

0:19:15.680 --> 0:19:18.520
<v Speaker 1>it's just an interesting, interesting way to interesting to me

0:19:18.560 --> 0:19:21.000
<v Speaker 1>anyway way to look at it. You know, like, I'm

0:19:21.040 --> 0:19:22.920
<v Speaker 1>thinking of it very much in terms of the speech trap,

0:19:23.200 --> 0:19:26.160
<v Speaker 1>whereas like murder isn't as much of a speeed trap.

0:19:26.320 --> 0:19:29.399
<v Speaker 1>Now I'm seeing signs like lust ahead, yeah, next thirty

0:19:29.440 --> 0:19:35.440
<v Speaker 1>miles less monitored by less detecting devices, some microdrones, lust

0:19:35.800 --> 0:19:40.400
<v Speaker 1>less planes, a hood. So okay, I'm thinking about I'd

0:19:40.440 --> 0:19:42.840
<v Speaker 1>always like to think about the opposite of what we're

0:19:42.840 --> 0:19:45.399
<v Speaker 1>talking about, right in terms of the seven deadly since

0:19:45.440 --> 0:19:51.440
<v Speaker 1>so what would be the opposite of lustiness? Unlustiness? Yes,

0:19:51.680 --> 0:19:56.960
<v Speaker 1>thinking specifically in humans? A sexuality? Okay, Okay, So the

0:19:56.960 --> 0:19:59.280
<v Speaker 1>reason I'm bringing this up is because in again this

0:19:59.359 --> 0:20:02.760
<v Speaker 1>was from disc Every Channels Science of Lust Um. They

0:20:02.760 --> 0:20:05.200
<v Speaker 1>were saying that one percent of the population will report

0:20:05.280 --> 0:20:09.200
<v Speaker 1>a lifelong lack of sexual attraction for either sex again

0:20:09.280 --> 0:20:12.639
<v Speaker 1>known as their sexuality, and that this seems to be

0:20:12.680 --> 0:20:16.360
<v Speaker 1>something that is hardwired in individuals. So I think it's

0:20:16.359 --> 0:20:18.879
<v Speaker 1>so much done in a day. You know, it's possible

0:20:19.000 --> 0:20:20.880
<v Speaker 1>that the people of the interviewed they seem to say,

0:20:20.920 --> 0:20:22.399
<v Speaker 1>you know what, I don't have a problem with this

0:20:22.440 --> 0:20:24.360
<v Speaker 1>one way or the other. It's just not something that

0:20:24.720 --> 0:20:29.120
<v Speaker 1>is present in me. And the researchers were saying there's

0:20:29.160 --> 0:20:31.560
<v Speaker 1>nothing wrong. I think they just actually even used the

0:20:31.680 --> 0:20:34.280
<v Speaker 1>term plumbing. There's nothing wrong with their plumbing. In other words,

0:20:34.840 --> 0:20:38.560
<v Speaker 1>they are completely healthy individuals to just have a lack

0:20:38.600 --> 0:20:41.119
<v Speaker 1>of lust in kind of life. It's like John McHale

0:20:41.119 --> 0:20:43.920
<v Speaker 1>and Community talking about Paul Rudd as a comedian. He said,

0:20:43.920 --> 0:20:47.320
<v Speaker 1>I see the appeal. It's just not for me. That's

0:20:47.400 --> 0:20:49.800
<v Speaker 1>right for them. It's all Paul Rudd all the time,

0:20:50.119 --> 0:20:52.119
<v Speaker 1>no offense, Paul red because you know he's he's a

0:20:52.119 --> 0:20:56.040
<v Speaker 1>cute guy. Um. God, this is going somewhere else. Um anyway,

0:20:56.680 --> 0:20:59.200
<v Speaker 1>So the point of this. The reason why that we're

0:20:59.240 --> 0:21:02.119
<v Speaker 1>we're talking about his sexuality is because if it is

0:21:02.200 --> 0:21:06.119
<v Speaker 1>hardwired in individuals, you then take the opposite attack to say,

0:21:06.359 --> 0:21:10.560
<v Speaker 1>could others be born overly lusty? Could they be hardwired

0:21:10.560 --> 0:21:15.640
<v Speaker 1>for lust, super luster super lusters like supertasters. I don't know. Uh.

0:21:15.720 --> 0:21:19.520
<v Speaker 1>Dean Hammer, a geneticist, discovered that there are certain genes

0:21:19.560 --> 0:21:21.560
<v Speaker 1>involved in the libido, and when he was trying to

0:21:21.560 --> 0:21:25.160
<v Speaker 1>find correlations to DNA and personality, he gave people all

0:21:25.160 --> 0:21:27.720
<v Speaker 1>sorts of personality tests and what he found is that

0:21:27.760 --> 0:21:31.320
<v Speaker 1>people who reported a higher interest in engaging in risky

0:21:31.359 --> 0:21:34.439
<v Speaker 1>sexual behavior have a mutation on a gene related to

0:21:34.480 --> 0:21:39.040
<v Speaker 1>dopamine dopamine. Again, if you have this mutation, you're more

0:21:39.080 --> 0:21:41.959
<v Speaker 1>likely to respond to the dopamine released by new and

0:21:42.040 --> 0:21:46.920
<v Speaker 1>different sexual experiences, and this leads to sexual thrill seeking.

0:21:47.240 --> 0:21:48.760
<v Speaker 1>So I was actually thinking about that in terms of

0:21:48.800 --> 0:21:52.520
<v Speaker 1>neophilia exactly. Again, neophilia the people that have these actual

0:21:52.600 --> 0:21:54.879
<v Speaker 1>genes that in which they are hardwired to seek out

0:21:54.960 --> 0:21:59.200
<v Speaker 1>new experiences. Also, there's a mutation connected to the brain

0:21:59.280 --> 0:22:03.399
<v Speaker 1>chemical sarah tone in and that's sometimes known uh to

0:22:03.560 --> 0:22:07.680
<v Speaker 1>cause high anxiety at a different levels and is also

0:22:07.760 --> 0:22:09.960
<v Speaker 1>known to be strongly correlated to a high sex drive,

0:22:10.560 --> 0:22:14.000
<v Speaker 1>So there are different factors going on. Biological factors clearly

0:22:14.440 --> 0:22:19.040
<v Speaker 1>that could dictate some someone's response to sexually charged images.

0:22:19.640 --> 0:22:21.399
<v Speaker 1>Which isn't to say that you're not responsible for your

0:22:21.400 --> 0:22:24.120
<v Speaker 1>own behavior, but if your tongue is always hanging out

0:22:24.119 --> 0:22:26.080
<v Speaker 1>on the floor, maybe you should look into this. I

0:22:26.080 --> 0:22:28.840
<v Speaker 1>don't know well, and you can. You can easily imagine

0:22:28.840 --> 0:22:31.479
<v Speaker 1>then where you you have the biological causes and then

0:22:31.520 --> 0:22:34.119
<v Speaker 1>if you depending on what the specific culture one is

0:22:34.160 --> 0:22:36.480
<v Speaker 1>born into or finds themselves living in, I mean that

0:22:36.480 --> 0:22:40.040
<v Speaker 1>that has a drastic effect on human happiness, your ability

0:22:40.119 --> 0:22:43.119
<v Speaker 1>to to have any kind of like satisfying sexual and

0:22:43.240 --> 0:22:46.400
<v Speaker 1>or emotional life. And speaking of cultural too, that reminds

0:22:46.440 --> 0:22:49.240
<v Speaker 1>me to mention that we should probably take a look

0:22:49.280 --> 0:22:52.199
<v Speaker 1>at the environment that we're living in today, right, And

0:22:52.280 --> 0:22:54.720
<v Speaker 1>that reminds me of the article of the Internet is

0:22:54.760 --> 0:22:57.040
<v Speaker 1>for porn. Let's start talking about it. It's a great

0:22:57.160 --> 0:22:59.280
<v Speaker 1>article that talks about the fact that we live and

0:22:59.280 --> 0:23:01.760
<v Speaker 1>it will just be a economists something. I don't believe

0:23:01.760 --> 0:23:04.360
<v Speaker 1>it was Forbes. Forbes. Yeah, I know he was somewhere

0:23:04.359 --> 0:23:08.600
<v Speaker 1>he didn't quite expect you. Yeah, yeah, that it's another Jewelie,

0:23:08.600 --> 0:23:10.320
<v Speaker 1>but I can't remember her last name, but not mine,

0:23:10.760 --> 0:23:12.919
<v Speaker 1>but she says this was a quote from it. In

0:23:12.920 --> 0:23:16.560
<v Speaker 1>the largest case of t mine recent history, computational neuroscientists

0:23:16.560 --> 0:23:20.440
<v Speaker 1>O Giojas and PSI Gotham looked at a billion web searches,

0:23:20.560 --> 0:23:24.000
<v Speaker 1>a million individual search histories, a million erotic stories, a

0:23:24.000 --> 0:23:27.879
<v Speaker 1>half million erotic videos. That's a lot a million websites,

0:23:27.920 --> 0:23:31.600
<v Speaker 1>and millions of online personal ads to conclude that literally

0:23:31.640 --> 0:23:34.080
<v Speaker 1>everyone is a sex freak. That's what that's what it

0:23:34.080 --> 0:23:36.560
<v Speaker 1>would appear. Well, and I should point out that some

0:23:36.600 --> 0:23:40.520
<v Speaker 1>of those searches were us researching this episode. You know. Yeah,

0:23:40.560 --> 0:23:42.200
<v Speaker 1>I have to say when I was working in the

0:23:42.240 --> 0:23:46.400
<v Speaker 1>coffee shop yesterday, I had a couple of red facing moments.

0:23:46.760 --> 0:23:48.639
<v Speaker 1>I'm not kidding, because I mean some of the stuff

0:23:48.640 --> 0:23:50.560
<v Speaker 1>that comes up when you were searching this title, like

0:23:50.600 --> 0:23:52.760
<v Speaker 1>little children walking up and saying, Mommy, what is that

0:23:52.800 --> 0:23:58.119
<v Speaker 1>goat man doing? Is that a cup of dopamine? And

0:23:58.200 --> 0:24:00.280
<v Speaker 1>then yeah, I mean think about it in these terms. Again,

0:24:00.320 --> 0:24:04.440
<v Speaker 1>this is from the article. Fewer than ninety porn magazines

0:24:04.440 --> 0:24:07.720
<v Speaker 1>published in the US today, more than two point five

0:24:07.760 --> 0:24:11.480
<v Speaker 1>million porn sites. That's a lot of fuel for the

0:24:11.520 --> 0:24:14.720
<v Speaker 1>fires have blessed. Now you've probably seen there's like a

0:24:14.760 --> 0:24:17.760
<v Speaker 1>book series out there called Porn for Women and it's

0:24:18.119 --> 0:24:22.480
<v Speaker 1>and it's pictures of men chores and doing things that

0:24:22.560 --> 0:24:26.520
<v Speaker 1>supposedly women find sexy animal emotional level. What are your

0:24:26.560 --> 0:24:31.400
<v Speaker 1>thoughts on that based on the research? Uh, what are

0:24:31.440 --> 0:24:34.040
<v Speaker 1>my thoughts on the book series and women in porn

0:24:34.280 --> 0:24:36.560
<v Speaker 1>and for real women I porn? Do you think that

0:24:36.640 --> 0:24:38.159
<v Speaker 1>this is very much this is the kind of thing

0:24:38.240 --> 0:24:40.000
<v Speaker 1>that they would push the level to that in that

0:24:40.080 --> 0:24:42.800
<v Speaker 1>experiment where they had a little level that they adjusted

0:24:42.840 --> 0:24:46.800
<v Speaker 1>depending on their no. I think that's a funny commentary

0:24:46.960 --> 0:24:50.639
<v Speaker 1>on on you know, how women get excited by things

0:24:50.840 --> 0:24:53.520
<v Speaker 1>like getting help in in the house, which is kind

0:24:53.520 --> 0:24:56.760
<v Speaker 1>of sad actually right on one level like that that

0:24:56.800 --> 0:24:59.639
<v Speaker 1>would become porn for women. But I mean there's a

0:24:59.640 --> 0:25:03.800
<v Speaker 1>lot of research actually to be done, um for porn

0:25:03.840 --> 0:25:06.000
<v Speaker 1>for me, because that is an audience that is actually

0:25:06.040 --> 0:25:07.840
<v Speaker 1>expanding quite a bit. This is some of the research

0:25:07.920 --> 0:25:10.680
<v Speaker 1>that came on is the saying that you know, they're

0:25:10.680 --> 0:25:12.719
<v Speaker 1>trying to crack the nut in terms of women and

0:25:12.720 --> 0:25:14.800
<v Speaker 1>what they want. And there are a lot of people

0:25:14.840 --> 0:25:17.040
<v Speaker 1>who say the sort of porn that's out there for consumption,

0:25:17.840 --> 0:25:21.840
<v Speaker 1>isn't what women are really attracted to because women don't

0:25:21.840 --> 0:25:24.240
<v Speaker 1>necessarily want to see pictures of themselves being subjucated or

0:25:24.280 --> 0:25:26.439
<v Speaker 1>some of the very let's say, the darker images that

0:25:26.480 --> 0:25:29.600
<v Speaker 1>are out there. And yet here's this, you know, let's

0:25:29.640 --> 0:25:31.720
<v Speaker 1>go back to the to that experiment with the woman

0:25:31.760 --> 0:25:35.639
<v Speaker 1>who's watching porn as opposed to the Russian promo video,

0:25:36.560 --> 0:25:38.560
<v Speaker 1>and she is seeing the act and she is still

0:25:38.600 --> 0:25:42.399
<v Speaker 1>aroused by it. So again, this to me, that boils

0:25:42.400 --> 0:25:44.399
<v Speaker 1>down to more of a cultural aspect of it. So

0:25:44.440 --> 0:25:48.159
<v Speaker 1>obviously there's a huge business opportunity for someone who really

0:25:48.200 --> 0:25:51.680
<v Speaker 1>figures out what women want in terms of erotic stimuli

0:25:52.000 --> 0:25:55.080
<v Speaker 1>visual stimuli. Uh yeah, And I was actually just thinking

0:25:55.080 --> 0:25:57.200
<v Speaker 1>too that on thirty Rock there was a really good

0:25:57.200 --> 0:25:59.760
<v Speaker 1>episode in which Jack was trying to figure out what

0:26:00.000 --> 0:26:02.040
<v Speaker 1>women wanted in terms of like what turned them on,

0:26:02.560 --> 0:26:06.399
<v Speaker 1>and very similar to the Porn for Women series, Uh

0:26:06.880 --> 0:26:10.640
<v Speaker 1>those books. They actually came up with a program in which, yeah,

0:26:10.720 --> 0:26:12.520
<v Speaker 1>Liz Lemon would turn on the TV and I think

0:26:12.520 --> 0:26:15.400
<v Speaker 1>there was a shirtless man saying how are you doing today?

0:26:15.760 --> 0:26:18.960
<v Speaker 1>How are you feeling? Tell me about your day, which

0:26:19.040 --> 0:26:20.760
<v Speaker 1>was kind of funny. So if anyone does figure this

0:26:20.760 --> 0:26:23.760
<v Speaker 1>out and nails it, um, Yeah, so to speak, there'd

0:26:23.760 --> 0:26:25.439
<v Speaker 1>be a lot of financial gain. It would fit in

0:26:25.480 --> 0:26:29.320
<v Speaker 1>well with the overall lust economy. Yes, and in fact,

0:26:29.359 --> 0:26:31.919
<v Speaker 1>this is a little teaser. The next podcast topic that

0:26:31.960 --> 0:26:35.680
<v Speaker 1>we are going to talk about speaking of lust economy

0:26:35.960 --> 0:26:40.040
<v Speaker 1>is the future of virtual of sex. Yes, so put

0:26:40.080 --> 0:26:42.879
<v Speaker 1>that in your pipe and smoke it. Yeah, a topic

0:26:42.960 --> 0:26:45.399
<v Speaker 1>that I recently wrote a little on. I did a

0:26:45.960 --> 0:26:48.760
<v Speaker 1>Stuff in the Future video about it. But we're covering

0:26:48.840 --> 0:26:51.600
<v Speaker 1>all sorts of new stuff in this one, so it's

0:26:51.640 --> 0:26:53.560
<v Speaker 1>it's gonna be amazing. Keep an ear out for that.

0:26:53.680 --> 0:26:56.280
<v Speaker 1>But yes, the lust economy basically is that lust, the

0:26:56.359 --> 0:26:59.840
<v Speaker 1>ideas that lust drives our economy on virtually every level,

0:26:59.840 --> 0:27:01.479
<v Speaker 1>like even the levels where you don't think about it,

0:27:01.720 --> 0:27:03.720
<v Speaker 1>where it's uh when we talked about this before and

0:27:03.800 --> 0:27:07.639
<v Speaker 1>I think our advertising episode right, yeah, eat more popcorn.

0:27:07.720 --> 0:27:12.040
<v Speaker 1>There have been experiments actually focusing on men and what

0:27:12.080 --> 0:27:15.600
<v Speaker 1>they choose to buy based on the environment that they're in. There.

0:27:15.600 --> 0:27:18.879
<v Speaker 1>There was one again the Discovery Science of Lust episode

0:27:18.920 --> 0:27:23.040
<v Speaker 1>that talked about the street vendor with sunglasses. The one

0:27:23.080 --> 0:27:25.919
<v Speaker 1>pair was like an Elvis flashy sun glass pair and

0:27:25.920 --> 0:27:28.119
<v Speaker 1>the other was their most popular seller, so two to

0:27:28.200 --> 0:27:31.400
<v Speaker 1>choose from, and when they had a neutral background, men

0:27:31.680 --> 0:27:36.359
<v Speaker 1>overwhelmingly would buy the most popular option that you know,

0:27:36.400 --> 0:27:39.560
<v Speaker 1>one of two. But when it was placed in front

0:27:39.600 --> 0:27:44.080
<v Speaker 1>of an erotic an erotica store where there was tons

0:27:44.119 --> 0:27:46.959
<v Speaker 1>of stuff that was sort of fueling their imagination, they

0:27:47.000 --> 0:27:50.159
<v Speaker 1>went from the flashier Elvis ones because the ideas that

0:27:50.200 --> 0:27:54.320
<v Speaker 1>they're trying to peacock and stand out so overwhelmingly peacocking.

0:27:54.720 --> 0:27:57.679
<v Speaker 1>You know, yeah, peacocking. Yes, Uh, they were trying to

0:27:57.960 --> 0:28:00.639
<v Speaker 1>This is the idea at least that that they're extopolation,

0:28:00.680 --> 0:28:02.480
<v Speaker 1>not mine. Is that where men were trying to be

0:28:02.560 --> 0:28:05.880
<v Speaker 1>more unique so that they could perhaps get a meet

0:28:06.080 --> 0:28:08.879
<v Speaker 1>the whole lust economy thing. I keep thinking of it

0:28:08.920 --> 0:28:12.520
<v Speaker 1>when I listened to various j nix podcasts because generally

0:28:12.560 --> 0:28:15.000
<v Speaker 1>the podcast that I've subscribed to, like each week or something,

0:28:14.960 --> 0:28:16.600
<v Speaker 1>there's a couple of times we will have a different DJ,

0:28:17.280 --> 0:28:19.760
<v Speaker 1>and some of the podcasts as album mark for the

0:28:20.119 --> 0:28:22.840
<v Speaker 1>mix will have a picture of said DJ. With the males.

0:28:22.840 --> 0:28:25.840
<v Speaker 1>It's generally find two types of DJs. There's kind of

0:28:25.840 --> 0:28:28.920
<v Speaker 1>like ghastly looking or nerdy looking guys who generally these

0:28:28.920 --> 0:28:30.600
<v Speaker 1>are the guys who want to listen to because they're

0:28:30.640 --> 0:28:32.760
<v Speaker 1>so into the music that they really don't care what

0:28:32.800 --> 0:28:34.400
<v Speaker 1>their head shot looks like. And then they're the guys

0:28:34.440 --> 0:28:37.040
<v Speaker 1>that have like a really fancy or attempting to be

0:28:37.119 --> 0:28:40.040
<v Speaker 1>cool headshot, and those can be pretty bad because clearly

0:28:40.080 --> 0:28:43.240
<v Speaker 1>they're really invested in the physical appearance. But then there

0:28:43.280 --> 0:28:47.040
<v Speaker 1>will be the occasional female DJ, and I'll find myself

0:28:47.120 --> 0:28:50.280
<v Speaker 1>sort of having the inner conflict of of seeing the

0:28:50.400 --> 0:28:53.400
<v Speaker 1>thumbnail for the mix and thinking, oh, well, she's pretty

0:28:53.400 --> 0:28:54.560
<v Speaker 1>hot off to listen to this, And then I have

0:28:54.560 --> 0:28:56.040
<v Speaker 1>to tell myself that has nothing to do with the

0:28:56.160 --> 0:28:58.920
<v Speaker 1>with the music at all, like even less so than

0:28:59.680 --> 0:29:02.000
<v Speaker 1>you know, like someone like Madonna obviously, like the whole

0:29:02.000 --> 0:29:05.520
<v Speaker 1>package is about the presentation of of how she looks

0:29:05.680 --> 0:29:09.240
<v Speaker 1>this persona in addition to or sometimes above and beyond

0:29:09.280 --> 0:29:11.360
<v Speaker 1>the music. But with a DJ, it's like it's it

0:29:11.360 --> 0:29:14.440
<v Speaker 1>should all be about the sound. So I'm constantly seeing

0:29:14.440 --> 0:29:16.760
<v Speaker 1>these mixes, listening to these mixes by some very talented

0:29:16.800 --> 0:29:19.720
<v Speaker 1>female DJs and uh and and feeling weird about the

0:29:19.720 --> 0:29:22.280
<v Speaker 1>whole like how do I how am I supposed to

0:29:22.280 --> 0:29:25.400
<v Speaker 1>compartmentalize the fact that someone like like a Maya, Jane

0:29:25.440 --> 0:29:27.920
<v Speaker 1>Cole or an Eva be like these are they're attractive women?

0:29:27.960 --> 0:29:30.040
<v Speaker 1>You know, well, I mean you have an added problem

0:29:30.200 --> 0:29:33.480
<v Speaker 1>of you know, mucking the waters here that for women

0:29:33.520 --> 0:29:36.640
<v Speaker 1>it's largely gender performance. Right, So there are some people

0:29:36.680 --> 0:29:39.640
<v Speaker 1>that say that everybody is performing drag on some level,

0:29:40.560 --> 0:29:44.040
<v Speaker 1>males and females, because if we didn't manipulate our our

0:29:44.040 --> 0:29:46.320
<v Speaker 1>appearance at all, we'd be kind of hard to distinguish

0:29:46.320 --> 0:29:50.240
<v Speaker 1>from other than obvious body parts, right, ok, bruss for

0:29:50.280 --> 0:29:53.880
<v Speaker 1>women right, Otherwise everybody would be fairly hairy, you know,

0:29:54.120 --> 0:29:56.880
<v Speaker 1>long hair, right, if you never cut your hair, if

0:29:56.880 --> 0:30:00.520
<v Speaker 1>you never shaved, if you never plucked your eyebrow as

0:30:00.520 --> 0:30:04.520
<v Speaker 1>a woman to try to accentuate your eyes, or applied

0:30:04.680 --> 0:30:07.440
<v Speaker 1>rouge or put you know, any sort of adornment on.

0:30:08.120 --> 0:30:11.280
<v Speaker 1>So wow, there you go. Well you just blew my mind.

0:30:11.280 --> 0:30:12.760
<v Speaker 1>I never really thought about that. You know. It's like

0:30:12.800 --> 0:30:15.600
<v Speaker 1>we're all participating and dragged to some to some point,

0:30:15.600 --> 0:30:19.080
<v Speaker 1>we're all attempting to fit under various classifications of what

0:30:19.120 --> 0:30:20.360
<v Speaker 1>it is to be male or what it is to

0:30:20.400 --> 0:30:23.800
<v Speaker 1>be female in various spaces in between. Yeah, and then

0:30:23.840 --> 0:30:27.600
<v Speaker 1>performers are just like the uber gender performers, right, because

0:30:27.680 --> 0:30:30.000
<v Speaker 1>that's that's you have to project that image. So I

0:30:30.000 --> 0:30:32.320
<v Speaker 1>think that's maybe some of the appeal of Lady Gaga

0:30:32.400 --> 0:30:35.320
<v Speaker 1>on some level, although I feel like we we haven't

0:30:35.360 --> 0:30:38.440
<v Speaker 1>had a Lady Gaga discussion lately. Yeah, she used to

0:30:38.480 --> 0:30:40.479
<v Speaker 1>come up all the time. You all right, Well I'm

0:30:40.520 --> 0:30:42.000
<v Speaker 1>gonna I'm gonna close it out. I have one last

0:30:42.040 --> 0:30:43.920
<v Speaker 1>just to bring us back around to Dante, the way

0:30:43.960 --> 0:30:46.560
<v Speaker 1>he presented less not only as you know, definitely a

0:30:46.800 --> 0:30:50.200
<v Speaker 1>sin and a stumbling block to human happiness and spiritual happiness,

0:30:50.240 --> 0:30:53.240
<v Speaker 1>but also as something that was very romantic and very

0:30:53.360 --> 0:30:56.440
<v Speaker 1>very very beautiful and and ultimately not nearly as as

0:30:56.440 --> 0:30:58.720
<v Speaker 1>bad as these other sins. This is from a novel

0:30:58.720 --> 0:31:02.000
<v Speaker 1>by Louise Erdrich titled The Last Report on the Miracles

0:31:02.040 --> 0:31:04.560
<v Speaker 1>at Little No Horse, which is excellent. I highly recommend it.

0:31:04.840 --> 0:31:08.200
<v Speaker 1>There's this wonderful brief love story between two priests. One

0:31:08.320 --> 0:31:10.600
<v Speaker 1>is a male priest and the other is a female

0:31:10.880 --> 0:31:14.400
<v Speaker 1>living her life as a male priest, and they end

0:31:14.480 --> 0:31:16.800
<v Speaker 1>up discovering who they really are. They end up having

0:31:16.800 --> 0:31:19.880
<v Speaker 1>this physical and emotional relationship, and so there's there's just

0:31:19.920 --> 0:31:22.640
<v Speaker 1>a few lines. Gregory kissed her forehead and cupped his

0:31:22.680 --> 0:31:25.360
<v Speaker 1>broad hand around her face. The way the curve of

0:31:25.400 --> 0:31:27.440
<v Speaker 1>her face fit into his hand took away his breath

0:31:27.440 --> 0:31:29.440
<v Speaker 1>for a moment, and then he took a painful gulp

0:31:29.480 --> 0:31:32.280
<v Speaker 1>of air and laughed. I hope Dante was right about hell,

0:31:32.360 --> 0:31:34.320
<v Speaker 1>he said, I don't think I would mind so much

0:31:34.320 --> 0:31:36.280
<v Speaker 1>whirling in the d in that dark wind with you

0:31:36.360 --> 0:31:39.040
<v Speaker 1>forever cut off from God, she says, and then he

0:31:39.080 --> 0:31:41.120
<v Speaker 1>adds if we are cut off from God by sinning,

0:31:41.200 --> 0:31:43.600
<v Speaker 1>he said, low, why do I feel so close to

0:31:43.640 --> 0:31:46.400
<v Speaker 1>God when I touch you in this darkness, in this cloud?

0:31:46.680 --> 0:31:49.560
<v Speaker 1>See you again? That is why it's very hard to

0:31:49.840 --> 0:31:51.880
<v Speaker 1>judge less in that way, and when it contributes to

0:31:52.080 --> 0:31:55.360
<v Speaker 1>the formation of love, which some would say is next

0:31:55.400 --> 0:31:57.840
<v Speaker 1>to godliness, right right. And the things that keep these

0:31:57.840 --> 0:32:00.239
<v Speaker 1>two characters apart, and you read the book by all

0:32:00.240 --> 0:32:02.160
<v Speaker 1>means to find out more about this, but I mean

0:32:02.160 --> 0:32:04.160
<v Speaker 1>the things that keep them apart of very much this

0:32:04.480 --> 0:32:08.200
<v Speaker 1>this culture that's built up around them, you know. Anyway, Well,

0:32:08.280 --> 0:32:11.040
<v Speaker 1>let's call the robot over here and get some listener mail.

0:32:11.840 --> 0:32:14.200
<v Speaker 1>All right, Well, we have a couple here related to

0:32:14.200 --> 0:32:18.560
<v Speaker 1>our sin episodes. Karen writes then about envy and she says, Hey, guys,

0:32:19.120 --> 0:32:21.719
<v Speaker 1>I'm a communication major with an emphasis in media. So

0:32:21.760 --> 0:32:24.120
<v Speaker 1>after listening to the episode on envy, I started thinking

0:32:24.160 --> 0:32:27.640
<v Speaker 1>about how technology plays into envy. With the ever expanding

0:32:27.640 --> 0:32:30.240
<v Speaker 1>social networking sites that are now, there are now infinite

0:32:30.240 --> 0:32:33.440
<v Speaker 1>ways to become envious of others. Facebook, for example, and

0:32:33.440 --> 0:32:35.520
<v Speaker 1>now seems to be less about keeping in contact with

0:32:35.560 --> 0:32:38.800
<v Speaker 1>others and more about displaying your life. People become envious

0:32:38.800 --> 0:32:40.960
<v Speaker 1>of others who are seeing all the good parts of

0:32:41.000 --> 0:32:43.560
<v Speaker 1>someone's f life. On the flip side of that is

0:32:43.600 --> 0:32:45.960
<v Speaker 1>the humanizing of people as well. For instance, if a

0:32:46.040 --> 0:32:48.320
<v Speaker 1>person you think has their life together, it gets tagged

0:32:48.360 --> 0:32:52.800
<v Speaker 1>in an unflattering situation. Um, or just you're generally unflattering

0:32:52.840 --> 0:32:56.960
<v Speaker 1>photos right um. As she continues, I have also recently

0:32:57.160 --> 0:32:59.720
<v Speaker 1>joined Pinterest and found the same sort of envy producing

0:32:59.760 --> 0:33:02.880
<v Speaker 1>so fill networking people were either pinning their own pictures

0:33:03.000 --> 0:33:05.440
<v Speaker 1>or adding pictures of a lifestyle they wish to have.

0:33:05.920 --> 0:33:08.680
<v Speaker 1>I think I think it may be unhealthy to envy

0:33:08.720 --> 0:33:11.080
<v Speaker 1>others so much, but what can I say? It is

0:33:11.120 --> 0:33:14.040
<v Speaker 1>addicting at the same time. Love the show, Thanks Karen. Yeah,

0:33:14.080 --> 0:33:16.880
<v Speaker 1>the picturest thing is really interesting because it does seem

0:33:16.920 --> 0:33:18.720
<v Speaker 1>to be some sort of like uh, you know, I

0:33:18.760 --> 0:33:20.960
<v Speaker 1>guess they call like dream borge or whatever, like things

0:33:21.040 --> 0:33:23.560
<v Speaker 1>that you want in the future, that you create for yourself.

0:33:23.960 --> 0:33:26.440
<v Speaker 1>At the same time, it seems to be like the

0:33:26.520 --> 0:33:30.520
<v Speaker 1>sort of meta expression of want, meaning that I don't

0:33:30.520 --> 0:33:32.920
<v Speaker 1>see it as a serious like yearning for something, but

0:33:33.000 --> 0:33:36.560
<v Speaker 1>more like, let's talk about these visual aspects of what

0:33:36.640 --> 0:33:40.280
<v Speaker 1>makes this really cool or exciting to me? Yeah, sort

0:33:40.280 --> 0:33:42.720
<v Speaker 1>of a celebration really of art to a certain degree.

0:33:42.720 --> 0:33:44.760
<v Speaker 1>I don't know if some people would say that, you know,

0:33:44.960 --> 0:33:49.520
<v Speaker 1>braided hairstyles qualify as art, but there's certainly a lot

0:33:49.560 --> 0:33:52.600
<v Speaker 1>of interesting things that would, um that would arrest your

0:33:52.600 --> 0:33:54.960
<v Speaker 1>eyes in some of those photos, right. I remember, like

0:33:55.040 --> 0:33:57.280
<v Speaker 1>back in college, just to bring that back around to

0:33:57.360 --> 0:33:59.240
<v Speaker 1>lest I remember, everybody's out on their own for the

0:33:59.280 --> 0:34:01.640
<v Speaker 1>first time for the part, and they'll have computers, and

0:34:01.680 --> 0:34:05.000
<v Speaker 1>so everybody's putting you know, they're putting up posters. Sometimes

0:34:05.120 --> 0:34:08.080
<v Speaker 1>for the guys, they'll be slightly sexual. But I remember

0:34:08.120 --> 0:34:10.520
<v Speaker 1>there would be some guys who would as their desktop wallpaper,

0:34:10.760 --> 0:34:14.120
<v Speaker 1>would have like really racy, if not pornographic material as

0:34:14.160 --> 0:34:17.640
<v Speaker 1>their desktop wallpaper. Yeah, And I remember, like he you know,

0:34:17.719 --> 0:34:20.919
<v Speaker 1>even then, thinking wow, really like that's gonna be that's

0:34:20.920 --> 0:34:25.879
<v Speaker 1>your Pinterest board, basically, is this lady? Yeah. I think

0:34:25.920 --> 0:34:28.640
<v Speaker 1>we live in a in an age where sexuality and

0:34:28.640 --> 0:34:32.560
<v Speaker 1>self expression are of changing quite a bit. And I

0:34:32.600 --> 0:34:34.360
<v Speaker 1>was just actually thinking about my cousin who showed me

0:34:34.400 --> 0:34:37.640
<v Speaker 1>a picture of his girlfriend on his iPhone and she

0:34:37.760 --> 0:34:41.000
<v Speaker 1>was in her lace underwear and prov and I was like,

0:34:41.040 --> 0:34:43.239
<v Speaker 1>you know what, maybe that's just that's okay, you know,

0:34:43.440 --> 0:34:48.399
<v Speaker 1>like you're twenty two and that's that's acceptable. Maybe she

0:34:48.960 --> 0:34:51.400
<v Speaker 1>did not necessarily want him to do that, but it

0:34:51.440 --> 0:34:54.040
<v Speaker 1>seems to me just a different level of sharing. It's

0:34:54.040 --> 0:34:56.440
<v Speaker 1>one thing to keep in mind their generations and in

0:34:56.480 --> 0:34:58.640
<v Speaker 1>and now that are adults and becoming adults. They do

0:34:58.719 --> 0:35:01.840
<v Speaker 1>not know an age before total Internet. It's it's a

0:35:01.840 --> 0:35:05.920
<v Speaker 1>different frame of mind altogether. Uh. Here's another bit of

0:35:05.960 --> 0:35:09.000
<v Speaker 1>listener male related just sends, this time on the Gluttony

0:35:09.040 --> 0:35:12.120
<v Speaker 1>episode or note on absolutely discussed of gluttony. So I

0:35:12.160 --> 0:35:14.360
<v Speaker 1>guess she's kind of she's tying together a couple of

0:35:14.360 --> 0:35:16.840
<v Speaker 1>different things we've talked about. This is from Cam Camera

0:35:16.880 --> 0:35:19.120
<v Speaker 1>and Senus is Hi, Julian Robert. I'm Cama, a recent

0:35:19.120 --> 0:35:22.839
<v Speaker 1>listener to your podcast from Manila, the Philippines. Though I've

0:35:22.840 --> 0:35:24.760
<v Speaker 1>been listening for a while now, it was only getting

0:35:24.760 --> 0:35:26.880
<v Speaker 1>your podcast on gluttony that I got the urge and

0:35:26.920 --> 0:35:29.279
<v Speaker 1>the courage to drop you a note. As I was

0:35:29.320 --> 0:35:32.880
<v Speaker 1>listening to your discussion on l Wingador's training regime, I

0:35:32.920 --> 0:35:35.880
<v Speaker 1>found myself thinking back to your episode on Absolutely Discussed

0:35:35.880 --> 0:35:39.160
<v Speaker 1>and realized that in my case, gluttony of that sort

0:35:39.280 --> 0:35:43.080
<v Speaker 1>demonstrated by l Wingadore and Kobe Ashi triggered disgusting me.

0:35:43.440 --> 0:35:45.600
<v Speaker 1>For some odd reason, the idea of eating my own

0:35:45.680 --> 0:35:48.240
<v Speaker 1>weight and food makes me queasy. Don't get me wrong,

0:35:48.320 --> 0:35:50.200
<v Speaker 1>I love a good meal as much as the next person,

0:35:50.400 --> 0:35:53.160
<v Speaker 1>but the sheer volume of food food consumed by competitive

0:35:53.160 --> 0:35:55.880
<v Speaker 1>eaters is off putting. On the other hand, chili eating

0:35:55.920 --> 0:35:58.680
<v Speaker 1>and nettle eating contest aren't his off putting, and I

0:35:58.719 --> 0:36:01.640
<v Speaker 1>find those highly amusing. I guess in those contests it's

0:36:01.680 --> 0:36:04.520
<v Speaker 1>not about how much a contestant can consume so much

0:36:04.560 --> 0:36:08.160
<v Speaker 1>as it's about how much pain I can tolerate before

0:36:08.200 --> 0:36:10.839
<v Speaker 1>they dissolve into a quivering wreck, which, as I said,

0:36:10.920 --> 0:36:14.080
<v Speaker 1>I find exceedingly amusing. This is not I believe say

0:36:14.120 --> 0:36:17.080
<v Speaker 1>anything flattering about me, but I promise I'm a very

0:36:17.160 --> 0:36:19.600
<v Speaker 1>nice person most of the time. Anyway, I just like

0:36:19.640 --> 0:36:21.080
<v Speaker 1>to say thank you for the awesome job you do

0:36:21.120 --> 0:36:23.319
<v Speaker 1>on the podcast, and I'll definitely be looking forward to

0:36:23.360 --> 0:36:26.520
<v Speaker 1>your next mind blowing episode. So she's she's like, okay

0:36:26.560 --> 0:36:28.719
<v Speaker 1>with the gluttony, as long as it's like transcending some

0:36:28.760 --> 0:36:32.440
<v Speaker 1>sort of other challenge obstacle like pain. Now, what is

0:36:32.480 --> 0:36:37.040
<v Speaker 1>a nettle? A nettle? I thought was an herb nettles

0:36:37.040 --> 0:36:39.000
<v Speaker 1>to look up a nettal eating, I mean, I'm thinking

0:36:39.040 --> 0:36:41.719
<v Speaker 1>it must be not well. I think it's something that's

0:36:41.840 --> 0:36:45.960
<v Speaker 1>very easy to to either digest or to chew, which

0:36:46.000 --> 0:36:47.680
<v Speaker 1>you mean she said chili. She must she meant like

0:36:47.719 --> 0:36:50.120
<v Speaker 1>hot show. Yeah, because when I first read it, I

0:36:50.160 --> 0:36:52.480
<v Speaker 1>was thinking bowls of chili, and she was like, and

0:36:52.680 --> 0:36:55.040
<v Speaker 1>so I thought her point was eating hot bogs. That's

0:36:55.080 --> 0:36:58.560
<v Speaker 1>growth contests about eating pops of chili. Bring it on. No,

0:36:58.680 --> 0:37:01.320
<v Speaker 1>I think she's just talking about the digger you have spiciness. Okay.

0:37:01.560 --> 0:37:04.120
<v Speaker 1>I would agree with that, that that while it's it's

0:37:04.160 --> 0:37:06.040
<v Speaker 1>maybe a type of gluttony to just eat as many

0:37:06.080 --> 0:37:09.799
<v Speaker 1>hot peppers as you can possibly stand, it's not it's

0:37:09.800 --> 0:37:14.319
<v Speaker 1>a different type of test, like how much pain can

0:37:14.480 --> 0:37:18.279
<v Speaker 1>you know how much mace can you eat for breakfast? Yeah? Yeah, yeah,

0:37:18.280 --> 0:37:20.600
<v Speaker 1>it's an endurance thing. Yeah. Jonathan Strickling would probably go

0:37:20.680 --> 0:37:22.640
<v Speaker 1>for that of tech stuff he seems to call he's

0:37:22.640 --> 0:37:25.200
<v Speaker 1>a he's kind of a spice glutton. Yes, he's got

0:37:25.239 --> 0:37:27.439
<v Speaker 1>like all sorts of bottles surrounding him at all times

0:37:27.440 --> 0:37:30.360
<v Speaker 1>on his test. That's a lie. Yeah. Yes, that that

0:37:30.480 --> 0:37:32.680
<v Speaker 1>mask that he wears that has the sharaca bottles in

0:37:32.680 --> 0:37:36.319
<v Speaker 1>it where he somehow breathes a liquid sharaca. Yeah, he's

0:37:36.320 --> 0:37:39.920
<v Speaker 1>coated the saracha biosphere. Actually, I said it wrong. I

0:37:39.920 --> 0:37:42.040
<v Speaker 1>a would say it wrong. I would say sharaca, but

0:37:42.080 --> 0:37:43.719
<v Speaker 1>I don't. I guess there's not even an ancient there. Like,

0:37:43.840 --> 0:37:45.600
<v Speaker 1>I don't know, I might be saying it wrong. One

0:37:45.640 --> 0:37:47.960
<v Speaker 1>last point, I'm gluttoning I brought up in the podcast. Hey,

0:37:48.000 --> 0:37:50.160
<v Speaker 1>I wonder if vegans have eating contests, and it turns

0:37:50.160 --> 0:37:52.640
<v Speaker 1>out there are vegan hot dog eating contests. A couple

0:37:52.680 --> 0:37:56.520
<v Speaker 1>of different listeners throught that up, and unsurprisingly, one of

0:37:56.560 --> 0:37:59.359
<v Speaker 1>them was in Austin, Texas, which a friend of mine,

0:37:59.560 --> 0:38:02.040
<v Speaker 1>Becky Streepy, pointed out, like, that's the perfect place for

0:38:02.080 --> 0:38:05.560
<v Speaker 1>it because Austin is kind of a convergence of like

0:38:05.560 --> 0:38:09.279
<v Speaker 1>like sort of hippie do good y and um, you know,

0:38:09.520 --> 0:38:14.440
<v Speaker 1>big text and indulgence right, plus the what's their logo?

0:38:14.560 --> 0:38:18.640
<v Speaker 1>Keep custom weird, Yeah, keep Austin weird. Yeah, nicely. So

0:38:18.640 --> 0:38:20.160
<v Speaker 1>there you have it. We'd really love to hear from

0:38:20.160 --> 0:38:22.799
<v Speaker 1>you about lust. I mean, make sure it's something. I mean,

0:38:22.840 --> 0:38:24.920
<v Speaker 1>if you want to share something with us that we

0:38:24.960 --> 0:38:27.200
<v Speaker 1>can't read on the air, you know, that's fine, let

0:38:27.239 --> 0:38:29.200
<v Speaker 1>us know. Maybe it'll just be for our amusement. But

0:38:29.800 --> 0:38:31.839
<v Speaker 1>the certainly things we can we can share with other

0:38:31.920 --> 0:38:33.440
<v Speaker 1>listeners that are nice. What are you What are your

0:38:33.440 --> 0:38:35.960
<v Speaker 1>thoughts on, say, the lust economy? Now it informs everything

0:38:36.000 --> 0:38:37.920
<v Speaker 1>we do. What are your thoughts on our ability to

0:38:38.040 --> 0:38:42.080
<v Speaker 1>use our our brains to defeat lusty or or otherwise

0:38:42.120 --> 0:38:44.440
<v Speaker 1>inconvenient thoughts? You know, any of us fair games? So

0:38:44.520 --> 0:38:47.480
<v Speaker 1>let us know. You can find us on Facebook. We

0:38:47.560 --> 0:38:50.680
<v Speaker 1>are stuff to blow your mind on that little website,

0:38:50.920 --> 0:38:52.520
<v Speaker 1>and if you look us up on Twitter, we go

0:38:52.560 --> 0:38:54.640
<v Speaker 1>by the handle blow the Mind and you can also

0:38:54.719 --> 0:38:57.160
<v Speaker 1>drop us a line at Blow the Mind at Discovery

0:38:57.200 --> 0:39:04.640
<v Speaker 1>dot com. Be sure to check out our new video podcasts,

0:39:04.840 --> 0:39:07.799
<v Speaker 1>Stuff from the Future, Join how stufwork staff, as we

0:39:07.880 --> 0:39:11.440
<v Speaker 1>explore the most promising and perplexing possibilities of tomorrow.