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So go to buy 17 00:00:51,520 --> 00:00:54,960 Speaker 1: Recon dot com slash I Heart to get off your order. 18 00:00:55,120 --> 00:00:59,240 Speaker 1: That's by Recon dot com Slash I Heart for off 19 00:00:59,320 --> 00:01:02,000 Speaker 1: Recon why lest ear buds if you've been eyeing a parent, 20 00:01:02,080 --> 00:01:04,360 Speaker 1: Now is the time to get an amazing deal. One 21 00:01:04,400 --> 00:01:08,120 Speaker 1: more time by raycon dot Com. Slash my Heart on 22 00:01:08,160 --> 00:01:10,319 Speaker 1: the phone is one of my favorite people, and we're 23 00:01:10,360 --> 00:01:12,240 Speaker 1: just gonna tell you I've been watching this dude for 24 00:01:12,319 --> 00:01:14,800 Speaker 1: a long time. You hear something, You're here about these 25 00:01:14,800 --> 00:01:17,080 Speaker 1: credits and after the credits, we're gonna talk about my 26 00:01:17,200 --> 00:01:20,640 Speaker 1: next guest. As an actor of great versatility, he's a 27 00:01:20,680 --> 00:01:23,679 Speaker 1: two time n Double A CP Image Award winning actor 28 00:01:23,800 --> 00:01:26,880 Speaker 1: screenwriting Arthur I first saw him on the hit comedy 29 00:01:26,920 --> 00:01:30,199 Speaker 1: series Spend City, for which he received two in double 30 00:01:30,200 --> 00:01:33,920 Speaker 1: A CP Image Awards, while simultaneously doing double duty at 31 00:01:33,920 --> 00:01:38,240 Speaker 1: sports agent Stanley on the HBO series All of That, 32 00:01:38,360 --> 00:01:42,240 Speaker 1: All the Sailors Serious was Crazy, while Sam That was 33 00:01:42,360 --> 00:01:46,840 Speaker 1: the Best botman completely recurring role on Madam's Secretary, and 34 00:01:46,959 --> 00:01:49,080 Speaker 1: prior to that, he did double duty as a serious 35 00:01:49,120 --> 00:01:53,200 Speaker 1: regular on Nickelodeon with Instant Moms, Opted My Girl Tamra, 36 00:01:53,280 --> 00:01:56,800 Speaker 1: who I worked with on Sister Sister, and recurred as 37 00:01:56,880 --> 00:02:00,560 Speaker 1: Charlie seens Breath Charlie Sheen's best friend on f Serious 38 00:02:00,600 --> 00:02:04,200 Speaker 1: Anger Management. In addition here the recurring series on CBS 39 00:02:04,280 --> 00:02:07,200 Speaker 1: The Good Wife. The Good Fight is a spin off 40 00:02:07,400 --> 00:02:09,840 Speaker 1: of the of the of The of the Good Wife, 41 00:02:10,120 --> 00:02:15,440 Speaker 1: which Michael had a recurring role as Julius Kane. Please, 42 00:02:15,520 --> 00:02:18,320 Speaker 1: welcome to money making conversations. I'm happy to have them 43 00:02:18,360 --> 00:02:24,440 Speaker 1: on my show. Michael Boatman, Hello, Hello, Hello, Michael, happy 44 00:02:24,440 --> 00:02:27,120 Speaker 1: to be here. That's a lot, man, that's a lot. 45 00:02:28,800 --> 00:02:33,040 Speaker 1: You know I've been I've been very fortunate. Happy to say, well, 46 00:02:33,080 --> 00:02:36,320 Speaker 1: you know the thing about it is that you you 47 00:02:36,320 --> 00:02:39,919 Speaker 1: you played all your roles with comedic dignity. You know 48 00:02:39,919 --> 00:02:41,960 Speaker 1: what I'm saying is that is that like right now, 49 00:02:41,960 --> 00:02:45,160 Speaker 1: are you're playing a lawyer right now? Correct? I am, okay, 50 00:02:45,200 --> 00:02:47,280 Speaker 1: I'm on the Good Fight like like on and and 51 00:02:47,280 --> 00:02:50,359 Speaker 1: and so You've always, when I said, comedic dignity, you've 52 00:02:50,360 --> 00:02:53,440 Speaker 1: been able to take all these white college jobs and 53 00:02:53,480 --> 00:02:59,400 Speaker 1: make them funny. And I record is saying that, yes, 54 00:02:59,520 --> 00:03:03,560 Speaker 1: absolute Lee. And you know, I've always I thought about, 55 00:03:04,280 --> 00:03:07,640 Speaker 1: you know, the kinds of roles and the kinds of 56 00:03:07,680 --> 00:03:09,760 Speaker 1: actors when I was a kid. You know, I didn't 57 00:03:09,760 --> 00:03:12,200 Speaker 1: know when I was a kid that I wanted to 58 00:03:12,200 --> 00:03:14,799 Speaker 1: be an actor. I I really wanted actually a career 59 00:03:14,840 --> 00:03:18,760 Speaker 1: in the sciences. I was always interested in um the ocean, 60 00:03:19,000 --> 00:03:21,120 Speaker 1: and I was interested in space. I mean, what little 61 00:03:21,160 --> 00:03:23,360 Speaker 1: kid hasn't said that they wanted to be an astronaut. 62 00:03:23,400 --> 00:03:25,240 Speaker 1: But you know, I wanted to be an astronaut for 63 00:03:25,280 --> 00:03:28,440 Speaker 1: a while. And so the arts and performance wasn't really 64 00:03:28,480 --> 00:03:31,720 Speaker 1: something that I paid attention to, but I did always 65 00:03:31,760 --> 00:03:35,480 Speaker 1: for some reason, I was always drawn to you know, 66 00:03:35,600 --> 00:03:38,440 Speaker 1: in like in Chicago where I grew up, we had 67 00:03:38,480 --> 00:03:43,680 Speaker 1: this great public television channel wtt W, and they had theater. 68 00:03:43,880 --> 00:03:47,280 Speaker 1: They would have plays and things on on on late 69 00:03:47,400 --> 00:03:49,920 Speaker 1: nights on Sundays, and for some reason, that stuff sort 70 00:03:49,920 --> 00:03:52,840 Speaker 1: of drew me, and I was just sort of always 71 00:03:52,880 --> 00:03:54,640 Speaker 1: interested in it. But I thought I was going to 72 00:03:54,720 --> 00:03:57,720 Speaker 1: be you know, off figuring out how the ocean works 73 00:03:57,840 --> 00:04:01,040 Speaker 1: or you know, solar energy or something. And and then 74 00:04:01,320 --> 00:04:03,800 Speaker 1: life took turns the way life does, and I found 75 00:04:03,800 --> 00:04:07,800 Speaker 1: myself became an actor and found something that I also 76 00:04:07,960 --> 00:04:10,840 Speaker 1: really loved to do, and so, um, you know, it's 77 00:04:11,000 --> 00:04:14,600 Speaker 1: just it's just funny, how you know. Obviously life, you know, 78 00:04:14,880 --> 00:04:17,560 Speaker 1: it can throw curves at you. And do you take 79 00:04:17,640 --> 00:04:20,040 Speaker 1: lemons and make lemonade? I guess you know, well you've 80 00:04:20,040 --> 00:04:24,719 Speaker 1: been making a punch, uh, strawberry sohlda, uh you know 81 00:04:24,800 --> 00:04:28,040 Speaker 1: Ruby or floats you been? You know, let' let's talk 82 00:04:28,080 --> 00:04:30,520 Speaker 1: about you know, when I first saw you, I first 83 00:04:30,520 --> 00:04:32,279 Speaker 1: saw you. I guess I kind of saw you on 84 00:04:32,320 --> 00:04:34,800 Speaker 1: two things. I saw you on spen City and then Arless. 85 00:04:34,839 --> 00:04:38,360 Speaker 1: And those are really two different shows. One was the 86 00:04:38,760 --> 00:04:41,080 Speaker 1: television and then one was cable which they could go 87 00:04:41,240 --> 00:04:44,400 Speaker 1: edgy and go edgy. Okay, how were you able to 88 00:04:44,440 --> 00:04:48,960 Speaker 1: balance those two different scripts, those two different writing styles? 89 00:04:49,240 --> 00:04:51,880 Speaker 1: And but then here's the funny part about it. I said, 90 00:04:51,960 --> 00:04:54,760 Speaker 1: I guess the compliment you did not you were not 91 00:04:54,880 --> 00:04:58,960 Speaker 1: the same character on both shows. Yeah, you know, it 92 00:04:59,040 --> 00:05:04,120 Speaker 1: was funny. Those jobs came around almost actually strangely enough, 93 00:05:04,120 --> 00:05:07,480 Speaker 1: on the same day. And Um I had auditions and 94 00:05:07,600 --> 00:05:09,080 Speaker 1: met both of them. And this would have been in 95 00:05:09,200 --> 00:05:13,679 Speaker 1: nine six now. And Carter Haywood, who was the character 96 00:05:13,720 --> 00:05:17,279 Speaker 1: I played on Spin City, UM was an activist and 97 00:05:17,800 --> 00:05:19,640 Speaker 1: you know, sort of a loud mouth and kind of 98 00:05:19,640 --> 00:05:23,920 Speaker 1: a troublemaker. And UM Stanley who Stanley Batson, who was 99 00:05:23,960 --> 00:05:26,960 Speaker 1: the uh, the money maker, the money man on for 100 00:05:27,080 --> 00:05:30,960 Speaker 1: the artist. Michael's UM Sports agency firm, which was on 101 00:05:31,040 --> 00:05:34,920 Speaker 1: our lists, was kind of stiff and conservative and and 102 00:05:35,040 --> 00:05:38,400 Speaker 1: UM I just enjoyed both sort of trying to play 103 00:05:38,440 --> 00:05:41,800 Speaker 1: sort of both extremes. You know, both of those characters 104 00:05:41,880 --> 00:05:44,320 Speaker 1: kind of had their own kind of comic dignity as 105 00:05:44,360 --> 00:05:47,320 Speaker 1: you as you sort of noted. But you know, I'm 106 00:05:47,360 --> 00:05:50,599 Speaker 1: always interested. I think most actors are interested in in 107 00:05:50,760 --> 00:05:53,279 Speaker 1: kind of what makes people tick and the way people 108 00:05:53,400 --> 00:05:57,000 Speaker 1: move and the way people speak. And so I always 109 00:05:57,000 --> 00:05:59,440 Speaker 1: found I mean, you know, any actor sort of takes 110 00:05:59,480 --> 00:06:03,400 Speaker 1: elements that he or she finds within himself or herself 111 00:06:03,440 --> 00:06:06,480 Speaker 1: and tried to sort of magnify them, and so it 112 00:06:06,520 --> 00:06:09,920 Speaker 1: was it was just fun. I mean, we fortunately um 113 00:06:10,080 --> 00:06:13,200 Speaker 1: shot at different times of the year. So Spen City 114 00:06:13,240 --> 00:06:16,400 Speaker 1: we would start in September in the fall, and Vision 115 00:06:16,839 --> 00:06:20,719 Speaker 1: May late May, and that usually meant we I would 116 00:06:20,800 --> 00:06:22,640 Speaker 1: start up, you know, I would finish spin City just 117 00:06:22,720 --> 00:06:24,680 Speaker 1: in time to head out to l A. We shot 118 00:06:24,680 --> 00:06:27,080 Speaker 1: Spen City in New York. We finished there, and I'd 119 00:06:27,080 --> 00:06:29,000 Speaker 1: head out to l A and for three months spent 120 00:06:29,040 --> 00:06:30,840 Speaker 1: three months in l A working on our list, And 121 00:06:30,880 --> 00:06:34,159 Speaker 1: so I had a great amount of time to kind 122 00:06:34,160 --> 00:06:36,800 Speaker 1: of you know, constantly sort of be thinking about both 123 00:06:36,880 --> 00:06:39,160 Speaker 1: characters and kind of and of course, obviously the demands 124 00:06:39,160 --> 00:06:41,960 Speaker 1: of every episode are different that you basically are the 125 00:06:42,040 --> 00:06:44,080 Speaker 1: character of the script needs you to be that week. 126 00:06:44,160 --> 00:06:47,599 Speaker 1: So um, but they always and any good writer, like 127 00:06:47,640 --> 00:06:50,880 Speaker 1: any great, great writing staff that I've worked with on 128 00:06:50,960 --> 00:06:53,800 Speaker 1: all the shows I've done, they they also see what 129 00:06:54,160 --> 00:06:56,479 Speaker 1: the actor can do and what they're good at, and 130 00:06:56,480 --> 00:06:58,720 Speaker 1: they sort of begin to write towards those strengths. And 131 00:06:58,760 --> 00:07:01,520 Speaker 1: so I was very fortunate in both of those instants. 132 00:07:01,520 --> 00:07:03,920 Speaker 1: You know, I'm just shouting out some of the big names, 133 00:07:03,960 --> 00:07:07,039 Speaker 1: you know, but he's he's working to timar. You know. 134 00:07:08,560 --> 00:07:13,040 Speaker 1: Sister Sister Harness one of my favorite human beings on 135 00:07:13,080 --> 00:07:15,400 Speaker 1: the planet. Oh my god. I loved working with her 136 00:07:15,440 --> 00:07:19,520 Speaker 1: on Instant Mom. She was just she's just she's fantastic. 137 00:07:19,560 --> 00:07:22,680 Speaker 1: She's just a fantastic person, just positive and just just 138 00:07:22,800 --> 00:07:25,960 Speaker 1: a just a bright light at all times. As you know. Yes, 139 00:07:26,000 --> 00:07:29,520 Speaker 1: and I would throw another name that Cherry Shepherd another 140 00:07:29,600 --> 00:07:34,800 Speaker 1: Oh yeah, Ry Sherry, listen, that's a fun Sherry Shepherd 141 00:07:34,800 --> 00:07:37,400 Speaker 1: and I we didn't know it at the time. We 142 00:07:37,480 --> 00:07:39,880 Speaker 1: grew up on the same block in Chicago, on the 143 00:07:39,880 --> 00:07:45,440 Speaker 1: South side of Chicago. Our grandmothers were actually very good friends. 144 00:07:45,520 --> 00:07:48,920 Speaker 1: I knew Sherry's grandmother because she was Mrs Shepherd, the 145 00:07:48,960 --> 00:07:51,920 Speaker 1: lady who used the front block club and would come 146 00:07:51,960 --> 00:07:55,800 Speaker 1: around and you know, twice a year to collect for 147 00:07:55,840 --> 00:07:58,120 Speaker 1: the block club and all that stuff. But and her 148 00:07:58,200 --> 00:08:01,200 Speaker 1: grandchildren spent part of the year living with her. But 149 00:08:01,320 --> 00:08:04,640 Speaker 1: we didn't know that because they were, you know, the 150 00:08:04,720 --> 00:08:07,160 Speaker 1: Mrs Shepherd kind of lived on the end of our block. 151 00:08:07,760 --> 00:08:10,560 Speaker 1: And because they they spent you know, I guess some 152 00:08:10,680 --> 00:08:14,160 Speaker 1: part of the year, you know, with their parents. But 153 00:08:14,240 --> 00:08:16,960 Speaker 1: in some strange somehow we missed each other and we 154 00:08:17,000 --> 00:08:20,600 Speaker 1: didn't know. And when I worked with Sherry on her show, 155 00:08:21,360 --> 00:08:24,640 Speaker 1: he told me, um that she grew up in Chicago. 156 00:08:24,720 --> 00:08:25,880 Speaker 1: I said, no, you didn't read to you grew up 157 00:08:25,880 --> 00:08:30,880 Speaker 1: in Chicago. She said, seventy six Carpenter, which was the 158 00:08:30,880 --> 00:08:32,240 Speaker 1: street I grew up. And I said, it can't be 159 00:08:32,280 --> 00:08:34,120 Speaker 1: seventy six and conferent. I grew up on seventy six 160 00:08:34,160 --> 00:08:36,240 Speaker 1: and conferent And I didn't know you. I knew everybody 161 00:08:36,240 --> 00:08:38,640 Speaker 1: on my block, you know. We we had that conversation. 162 00:08:38,720 --> 00:08:41,800 Speaker 1: It turned out her grandmother had told her years after 163 00:08:41,880 --> 00:08:45,120 Speaker 1: I had left, I'm a little older. Years after I 164 00:08:45,120 --> 00:08:47,000 Speaker 1: had left. Oh, you gotta watch out when you get 165 00:08:47,040 --> 00:08:49,400 Speaker 1: to Hollywood. There's a boy out there who grew up 166 00:08:49,400 --> 00:08:52,120 Speaker 1: down the street. Well, what's his name? Grandma? She would say, 167 00:08:52,240 --> 00:08:54,719 Speaker 1: And Mrs Shepherd said, I don't remember, but watch out 168 00:08:54,760 --> 00:08:58,400 Speaker 1: for him. He lives down the street. So Sherry Sherry said, 169 00:08:58,440 --> 00:09:03,760 Speaker 1: she went around for ten years trying to figure out right, 170 00:09:03,840 --> 00:09:06,040 Speaker 1: and she just forgot all about it until we just 171 00:09:06,120 --> 00:09:08,520 Speaker 1: happened to be sitting on the set one day eating lunch, 172 00:09:09,000 --> 00:09:11,200 Speaker 1: and where'd you grow up? Chicago? On? Me too? Where 173 00:09:11,360 --> 00:09:14,160 Speaker 1: south Side? Well too, We're on the south Side. And 174 00:09:14,240 --> 00:09:16,800 Speaker 1: all of a sudden, it was like she said, no 175 00:09:17,040 --> 00:09:19,920 Speaker 1: and we we grew up on the same block. And 176 00:09:20,040 --> 00:09:22,000 Speaker 1: Mark Michael hold that thought. We're gonna be back on 177 00:09:22,200 --> 00:09:26,559 Speaker 1: another break to talk about your show, The Good Fight. Uh, 178 00:09:26,600 --> 00:09:33,960 Speaker 1: we'll be back with more money making conversation with Michael Boatman. Cool, Um, 179 00:09:34,000 --> 00:09:36,320 Speaker 1: you're back and listening to money making conversation. And guess 180 00:09:36,320 --> 00:09:40,480 Speaker 1: who your host is? Rashwan McDonald on the phone is Uh. 181 00:09:40,640 --> 00:09:43,760 Speaker 1: I want to say from a visual standpoint, he's a 182 00:09:43,760 --> 00:09:46,480 Speaker 1: good friend because I've been watching him, laughing with him, 183 00:09:46,480 --> 00:09:50,400 Speaker 1: admiring the career he's put together over the years. Uh. 184 00:09:50,400 --> 00:09:53,800 Speaker 1: Born in our Colorado springs, raised in the mean streets 185 00:09:53,800 --> 00:09:58,440 Speaker 1: of Chicago, and he's wars both coasts. Success on the 186 00:09:58,440 --> 00:10:02,079 Speaker 1: East coast, success on the West coast. Uh. The resume 187 00:10:02,200 --> 00:10:05,559 Speaker 1: that allows him to uh woman die out, loose to 188 00:10:05,720 --> 00:10:10,360 Speaker 1: matter secretary. That's a resume to spend the city to 189 00:10:10,920 --> 00:10:14,120 Speaker 1: his new show, The Good Fight. Welcome back to the show, 190 00:10:14,960 --> 00:10:20,480 Speaker 1: Michael Boatman. Hello, Hello, Michael. Um. We're just laughing about 191 00:10:20,520 --> 00:10:22,720 Speaker 1: these good people. And uh, I know you get interviewed 192 00:10:22,720 --> 00:10:25,000 Speaker 1: a lot, and uh. The the cool thing about my 193 00:10:25,040 --> 00:10:27,120 Speaker 1: show is that a lot of people that you know, 194 00:10:27,200 --> 00:10:29,199 Speaker 1: I know, and so when I bring up their names, 195 00:10:29,240 --> 00:10:33,000 Speaker 1: it's relationships that have allowed me to sustain a career. 196 00:10:33,360 --> 00:10:37,199 Speaker 1: Talk about relationships that have helped you sustained your rather 197 00:10:37,320 --> 00:10:43,120 Speaker 1: successful and lengthy career and still going on career. You know, 198 00:10:43,320 --> 00:10:48,000 Speaker 1: it's interesting because relationships have been very critical in in 199 00:10:48,000 --> 00:10:51,240 Speaker 1: in in ways that I think are kind of common sensical, 200 00:10:51,280 --> 00:10:53,760 Speaker 1: but maybe people don't think about it. The one thing 201 00:10:54,280 --> 00:10:57,240 Speaker 1: I have been able to observe in my time in 202 00:10:57,320 --> 00:11:01,360 Speaker 1: Hollywood is that people like to work with people they like. 203 00:11:01,720 --> 00:11:04,760 Speaker 1: They like to work with people with good, positive attitudes. 204 00:11:04,800 --> 00:11:07,520 Speaker 1: And I've been very fortunate in that way. I've worked 205 00:11:07,520 --> 00:11:10,560 Speaker 1: with a lot of folks who, you know, could be 206 00:11:10,760 --> 00:11:14,400 Speaker 1: you know, Dick Divas or whatever, but mostly you know, 207 00:11:14,440 --> 00:11:18,120 Speaker 1: Michael J. Fox, Charlie Sheen, you know, but the great, great, 208 00:11:18,200 --> 00:11:22,000 Speaker 1: great folks to work with. Professional, you know, always ready 209 00:11:22,040 --> 00:11:24,760 Speaker 1: to work when they're at work, and no bad attitudes, 210 00:11:24,840 --> 00:11:28,720 Speaker 1: and and you'd be surprised at how a negative attitude 211 00:11:28,800 --> 00:11:31,120 Speaker 1: or bad or you probably wouldn't be surprised actually, because 212 00:11:31,160 --> 00:11:33,280 Speaker 1: you know what, I'm sure. But even in a place 213 00:11:33,360 --> 00:11:35,440 Speaker 1: like in a place well even in a place like Hollywood, 214 00:11:35,480 --> 00:11:38,800 Speaker 1: where you know, everybody sort of thinks about egos and 215 00:11:38,800 --> 00:11:41,640 Speaker 1: and and the way that uh uh, you know, big 216 00:11:41,679 --> 00:11:45,400 Speaker 1: stars can sort of be depicted as misbehaving or acting 217 00:11:45,760 --> 00:11:48,640 Speaker 1: like uh tyrants or bullies or whatever. You know, people 218 00:11:48,679 --> 00:11:51,640 Speaker 1: don't don't want to deal with that. In the old days, 219 00:11:51,840 --> 00:11:54,360 Speaker 1: I guess it used to be sort of more permissible. 220 00:11:54,360 --> 00:11:57,520 Speaker 1: But these days, I guess there's so much television, there's 221 00:11:57,600 --> 00:12:00,560 Speaker 1: so many movies, there's so much out there that I 222 00:12:00,600 --> 00:12:03,559 Speaker 1: think there's a kind of, uh like a process of 223 00:12:03,640 --> 00:12:05,880 Speaker 1: filter that kind of you know, people get a bad, 224 00:12:06,160 --> 00:12:08,320 Speaker 1: bad reputation, people don't want to deal with it. And 225 00:12:08,400 --> 00:12:12,280 Speaker 1: so I find that and relationships ships that are good 226 00:12:12,640 --> 00:12:15,480 Speaker 1: usually um tend to kind of come back around. The 227 00:12:15,480 --> 00:12:18,840 Speaker 1: writer that you worked with on your first series could 228 00:12:18,880 --> 00:12:21,720 Speaker 1: be an executive producer ten twelve years down the road, 229 00:12:21,720 --> 00:12:23,600 Speaker 1: who goes, you know what, I like working with bothmen. 230 00:12:23,600 --> 00:12:25,560 Speaker 1: He's a good guy. Let's see, you know. And that 231 00:12:25,679 --> 00:12:28,040 Speaker 1: is that has happened for me many many times. And 232 00:12:28,120 --> 00:12:31,480 Speaker 1: so you know, I've been very fortunate in that some 233 00:12:31,600 --> 00:12:34,400 Speaker 1: of those relationships have come back in surprising ways. But 234 00:12:34,559 --> 00:12:37,160 Speaker 1: you never you know, they say, have the same people 235 00:12:37,240 --> 00:12:38,520 Speaker 1: you meet on the way up are the ones you 236 00:12:38,520 --> 00:12:40,680 Speaker 1: meet up on the way back down. That is, there's 237 00:12:40,760 --> 00:12:43,160 Speaker 1: no place truer than that than Hollywood. Well, you know, 238 00:12:43,200 --> 00:12:45,360 Speaker 1: it's really interesting because I would like to tell people 239 00:12:45,360 --> 00:12:48,400 Speaker 1: about relationships. I remember, I was a sitcom writer, and 240 00:12:48,480 --> 00:12:50,560 Speaker 1: so I live to do the details, just stay on 241 00:12:50,559 --> 00:12:54,000 Speaker 1: one sitcom, and but I decided to and I decided 242 00:12:54,040 --> 00:12:57,040 Speaker 1: to go. I went from UH to the Parenthood, and 243 00:12:57,040 --> 00:12:59,480 Speaker 1: I went to on Senior Hall, ABC sitcom, and I 244 00:12:59,559 --> 00:13:02,440 Speaker 1: went to UH Sister Sister That which is Jamie Foxx 245 00:13:02,559 --> 00:13:05,079 Speaker 1: with the Parkers, and then started developing on shows. And 246 00:13:05,160 --> 00:13:08,400 Speaker 1: what happened to me was I made all these executive producers, 247 00:13:08,440 --> 00:13:10,920 Speaker 1: I made all these directors, I made all these writers, 248 00:13:11,400 --> 00:13:13,800 Speaker 1: and so they always and I was a hard worker, 249 00:13:13,840 --> 00:13:17,080 Speaker 1: that's all he's saying. I created relationship. So if I 250 00:13:17,120 --> 00:13:19,640 Speaker 1: needed a job, or needed a script, or was low 251 00:13:19,720 --> 00:13:22,720 Speaker 1: on funs, I could call a friend who was a showrunner, 252 00:13:22,800 --> 00:13:25,120 Speaker 1: said Hey, yeah, can I come in and write a script? 253 00:13:25,160 --> 00:13:27,760 Speaker 1: And script will pay you like sixteen thou dollars. So 254 00:13:27,840 --> 00:13:29,959 Speaker 1: writing the script, you write two or three of those scripts, 255 00:13:30,360 --> 00:13:33,200 Speaker 1: you know you're forty eight sixty dollars depend on I mean, 256 00:13:33,240 --> 00:13:35,839 Speaker 1: you get that's a nice little income just sitting around 257 00:13:35,840 --> 00:13:38,920 Speaker 1: writing scripts. But that's based on relationships. And that's what 258 00:13:38,960 --> 00:13:42,160 Speaker 1: I wanted people to understand that Michael, as talented as 259 00:13:42,200 --> 00:13:44,600 Speaker 1: he is, he's smart enough to realize when I get 260 00:13:44,600 --> 00:13:47,080 Speaker 1: on set, I don't have an attitude. They tell me 261 00:13:47,080 --> 00:13:49,040 Speaker 1: to show up all time. I show up earlier than 262 00:13:49,120 --> 00:13:53,160 Speaker 1: on time, and I'm there to win. I'm there to win, 263 00:13:53,640 --> 00:13:56,480 Speaker 1: and that's really important. So am I am I correcting 264 00:13:56,480 --> 00:13:59,440 Speaker 1: what I'm saying that Michael, You're very correct, And I 265 00:13:59,440 --> 00:14:02,080 Speaker 1: mean they can think because apart from also being you know, 266 00:14:02,200 --> 00:14:05,480 Speaker 1: someone that people want to work with because they helped 267 00:14:05,520 --> 00:14:08,000 Speaker 1: create a good work environment, you also got to be 268 00:14:08,040 --> 00:14:10,400 Speaker 1: able to deliver the goods when it's time you know, 269 00:14:10,520 --> 00:14:13,360 Speaker 1: because that also helps. It's not like, well, he's a 270 00:14:13,480 --> 00:14:16,080 Speaker 1: nice guy, but he's you know, not very good. I mean, 271 00:14:16,400 --> 00:14:20,480 Speaker 1: I was fortunate enough to have discovered something that I 272 00:14:20,760 --> 00:14:23,400 Speaker 1: really like to do and that I enjoy and in 273 00:14:23,480 --> 00:14:26,840 Speaker 1: fact love doing. And so, you know, I studied. I 274 00:14:26,880 --> 00:14:29,040 Speaker 1: went to Western Illinois University and but you know, I 275 00:14:29,080 --> 00:14:31,480 Speaker 1: was a drama major there. And when I was in college, 276 00:14:31,480 --> 00:14:33,800 Speaker 1: I had no idea about TV and film. I didn't 277 00:14:33,840 --> 00:14:36,280 Speaker 1: think anything about it. I was a theater person, and 278 00:14:36,360 --> 00:14:38,560 Speaker 1: my plan at the time was that I was gonna, 279 00:14:38,720 --> 00:14:41,320 Speaker 1: you know, graduate and do regional theater for a while 280 00:14:41,360 --> 00:14:43,760 Speaker 1: and then go back and get my master's degree and teach. 281 00:14:44,320 --> 00:14:46,760 Speaker 1: But then I got this film called Hamburger Hill, which 282 00:14:46,800 --> 00:14:51,000 Speaker 1: was nineteen eighty who you were young and that one. 283 00:14:51,720 --> 00:14:57,360 Speaker 1: Oh yeah, you barely had a mustache in that one. Yeah, man, 284 00:14:57,440 --> 00:14:59,920 Speaker 1: I don't think I had any facial air at that absolutely, 285 00:15:00,520 --> 00:15:02,640 Speaker 1: but I had. I had hair on top of my head, yes, sir, 286 00:15:03,320 --> 00:15:07,240 Speaker 1: I remember remember that he would coming down on it, yes, sir. 287 00:15:08,040 --> 00:15:10,120 Speaker 1: And so you know, the one thing that I've always 288 00:15:10,120 --> 00:15:13,120 Speaker 1: prided myself in in as an actor is trying to, 289 00:15:13,920 --> 00:15:16,760 Speaker 1: you know, find opportunities to keep working even if it 290 00:15:16,800 --> 00:15:19,200 Speaker 1: may not necessarily be a pay day, but it's always 291 00:15:19,200 --> 00:15:23,160 Speaker 1: something that you're either creating a relationship, you're doing good 292 00:15:23,200 --> 00:15:27,840 Speaker 1: work for someone, You're you're expanding your own abilities, you hope, 293 00:15:27,840 --> 00:15:30,240 Speaker 1: and uh, you know, just sort of trying to keep 294 00:15:30,240 --> 00:15:32,960 Speaker 1: yourself sharpened. So that's why I think also for me, 295 00:15:33,000 --> 00:15:36,080 Speaker 1: it's been beneficial to be able to do to work 296 00:15:36,080 --> 00:15:38,640 Speaker 1: in comedy and drama, you know, I mean sort of 297 00:15:38,680 --> 00:15:41,200 Speaker 1: do both because back when I back when I started, 298 00:15:41,240 --> 00:15:43,400 Speaker 1: you you were really only kind of allowed to do 299 00:15:43,680 --> 00:15:45,640 Speaker 1: you know, you were a drama actor or you were 300 00:15:45,680 --> 00:15:48,120 Speaker 1: a comedy actor, or you were a film actor, you 301 00:15:48,120 --> 00:15:51,840 Speaker 1: know what I mean. And um, I've just been fortunate enough, 302 00:15:51,840 --> 00:15:55,480 Speaker 1: I guess, and that I love comedy. I love doing comedy. 303 00:15:55,520 --> 00:15:58,680 Speaker 1: My very first TV job though was China Beach, which 304 00:15:58,720 --> 00:16:01,320 Speaker 1: was a drama absolutely, and that was, you know, way 305 00:16:01,400 --> 00:16:04,440 Speaker 1: back in the eighties. And so I think being versatile 306 00:16:04,600 --> 00:16:08,400 Speaker 1: and being able to sort of be flexible with the versatile. 307 00:16:08,440 --> 00:16:11,960 Speaker 1: But but I want to say, there's ageless though. You 308 00:16:12,000 --> 00:16:16,000 Speaker 1: look good. You look good now, you know, you look good, 309 00:16:16,040 --> 00:16:19,160 Speaker 1: and and and that's that looks like good, you know 310 00:16:19,200 --> 00:16:22,360 Speaker 1: what they say? I know, but they we all some people. 311 00:16:22,880 --> 00:16:24,520 Speaker 1: Some of they say that, but there's some of us 312 00:16:24,560 --> 00:16:28,840 Speaker 1: out there cracking though, were cracking. Yeah, I know they 313 00:16:28,840 --> 00:16:31,040 Speaker 1: need to stop they need to stop that live Michael. 314 00:16:31,120 --> 00:16:33,960 Speaker 1: They need to stop that live. Yeah. You're right, you 315 00:16:34,120 --> 00:16:37,200 Speaker 1: look good and God has blessed you, my friend. Okay, 316 00:16:37,280 --> 00:16:39,520 Speaker 1: but before we get off there, I want I'll be remissed. 317 00:16:39,680 --> 00:16:42,560 Speaker 1: It started the third season in March of The Good Fight. 318 00:16:42,960 --> 00:16:45,520 Speaker 1: Tell us about that show and what can we respect 319 00:16:45,520 --> 00:16:49,120 Speaker 1: and what do you like about the character? Well, you know, okay, 320 00:16:49,160 --> 00:16:51,760 Speaker 1: So I started playing this character, Julius Kane on The 321 00:16:51,800 --> 00:16:54,560 Speaker 1: Good Wife. I was there over over the course of 322 00:16:54,640 --> 00:16:57,320 Speaker 1: nine seasons. I showed up. You know, I wasn't a regular. 323 00:16:57,360 --> 00:16:59,400 Speaker 1: I was a recurring character. So I came in when 324 00:16:59,440 --> 00:17:01,960 Speaker 1: they needed me. And he was kind of a mystery 325 00:17:02,040 --> 00:17:04,760 Speaker 1: and and and which I like, you never really kind 326 00:17:04,760 --> 00:17:08,119 Speaker 1: of knew where he was going to come from. So 327 00:17:08,840 --> 00:17:11,160 Speaker 1: if he had to be a hatchet man for one episode, 328 00:17:11,160 --> 00:17:12,680 Speaker 1: he was a hatchet man. If he was the guy 329 00:17:12,680 --> 00:17:15,200 Speaker 1: that needed to smooth something over, he was that guy. 330 00:17:15,400 --> 00:17:19,480 Speaker 1: Then they spun off A Good Wife for CBS All Access, 331 00:17:19,560 --> 00:17:22,320 Speaker 1: which is the channel we're on, the streaming service we're 332 00:17:22,359 --> 00:17:25,760 Speaker 1: on now, which is the great Christine Baranski who plays 333 00:17:25,800 --> 00:17:28,960 Speaker 1: Diane Diane Lockhart, who was working at an all African 334 00:17:29,000 --> 00:17:33,240 Speaker 1: American firm law firm in Chicago, and um, so they 335 00:17:33,680 --> 00:17:37,199 Speaker 1: Julius Kane um is now the managing partner at this 336 00:17:37,280 --> 00:17:42,360 Speaker 1: law firm. And uh, people, you're your fan. Your audience 337 00:17:42,400 --> 00:17:44,800 Speaker 1: may be a little surprised to hear, and I was 338 00:17:44,840 --> 00:17:48,359 Speaker 1: surprised to learn, but Julius is revealed to be a 339 00:17:48,400 --> 00:17:53,760 Speaker 1: Trump supporter in the first of I Love Heard, I heard, 340 00:17:53,760 --> 00:17:55,000 Speaker 1: I had you heard. I had to. I had to 341 00:17:55,080 --> 00:17:57,840 Speaker 1: lay the groundwork for that because they when he told 342 00:17:57,840 --> 00:17:59,560 Speaker 1: me that, when they told me they were thinking about it, 343 00:17:59,600 --> 00:18:04,119 Speaker 1: I said, he the one that Okay, well I told you, 344 00:18:05,200 --> 00:18:09,760 Speaker 1: I told you a good acting that I oh, oh, 345 00:18:09,920 --> 00:18:12,960 Speaker 1: you know, man, you don't even understand the challenges. But 346 00:18:13,160 --> 00:18:16,119 Speaker 1: listen what it what it's done has helped me to 347 00:18:16,280 --> 00:18:19,720 Speaker 1: be a little more patient and listening to people who 348 00:18:20,000 --> 00:18:25,800 Speaker 1: who express ideas which I may vehemently disagree, because obviously 349 00:18:25,800 --> 00:18:29,000 Speaker 1: it's a character who was around before they decided what 350 00:18:29,119 --> 00:18:32,239 Speaker 1: his politics were. So that's sort of became, you know, 351 00:18:32,600 --> 00:18:36,800 Speaker 1: a whole new area to explore. And and so he's 352 00:18:36,840 --> 00:18:41,680 Speaker 1: the only conservative in in this liberal African American law firm, 353 00:18:41,720 --> 00:18:44,720 Speaker 1: and obviously there's a lot of conflict, but it's fun 354 00:18:44,760 --> 00:18:47,480 Speaker 1: and they play it for for I don't want to 355 00:18:47,480 --> 00:18:49,800 Speaker 1: say that we play it for laughs, because the current 356 00:18:49,840 --> 00:18:52,960 Speaker 1: situation is, you know, there's there's a lot of comedy 357 00:18:52,960 --> 00:18:56,320 Speaker 1: there in the political realm on both sides of the island. 358 00:18:56,560 --> 00:18:59,159 Speaker 1: That's what I was saying, great job, that's your gift. 359 00:18:59,200 --> 00:19:02,120 Speaker 1: Did Your gift is the ability to to to take 360 00:19:02,200 --> 00:19:07,960 Speaker 1: these white color roles and squeeze natural comedy out of it. 361 00:19:08,040 --> 00:19:10,240 Speaker 1: You know. And sometimes and I would tell you this 362 00:19:10,600 --> 00:19:14,399 Speaker 1: as a writer, uh sitcom, sometimes you write a line 363 00:19:14,440 --> 00:19:16,960 Speaker 1: and then a very good actor make a room laugh 364 00:19:17,000 --> 00:19:22,000 Speaker 1: on the line. You go, the joke wasn't there. You 365 00:19:22,040 --> 00:19:24,120 Speaker 1: know what I'm talking about. You go, the joke wasn't there. 366 00:19:24,160 --> 00:19:26,399 Speaker 1: But you you your ability to have a career to 367 00:19:26,520 --> 00:19:28,960 Speaker 1: making these jokes and making us laugh, I think it's 368 00:19:28,960 --> 00:19:31,520 Speaker 1: it's it's it's amazing. And I'm I'm I just want 369 00:19:31,560 --> 00:19:35,400 Speaker 1: to say that, thank you man, thank you for being you. 370 00:19:35,640 --> 00:19:38,439 Speaker 1: I gotta say that, thank you for this journey of 371 00:19:38,680 --> 00:19:42,800 Speaker 1: just watching your resume and if and you are blessing 372 00:19:42,920 --> 00:19:47,280 Speaker 1: to African Americans because of the fact that you show dignity, 373 00:19:47,359 --> 00:19:50,040 Speaker 1: and in the world when reality shows were taken over 374 00:19:50,480 --> 00:19:53,360 Speaker 1: and we had no black people or no African Americans 375 00:19:53,480 --> 00:19:56,680 Speaker 1: to call upon with respect, you was a TV brother 376 00:19:57,040 --> 00:19:59,080 Speaker 1: and I want to thank you. I want to thank you, 377 00:19:59,160 --> 00:20:03,680 Speaker 1: Thank you that very much. Again. He's on my show 378 00:20:03,760 --> 00:20:06,200 Speaker 1: money making conversations. You can catch them on The Good 379 00:20:06,240 --> 00:20:11,240 Speaker 1: Fight that's the CBS. He plays a lawyer. Please everybody 380 00:20:11,280 --> 00:20:16,400 Speaker 1: applause my man, Michael Oatman. Listening makes us smarter, more 381 00:20:16,480 --> 00:20:19,760 Speaker 1: connected people. It makes us better partners, parents, and leaders. 382 00:20:19,840 --> 00:20:22,600 Speaker 1: And there's no better place to start listening than audible. 383 00:20:22,680 --> 00:20:26,040 Speaker 1: Audible is where so many inspiring voices and compelling stories 384 00:20:26,200 --> 00:20:28,919 Speaker 1: open listeners up to new experiences in ways of thinking. 385 00:20:29,000 --> 00:20:32,160 Speaker 1: Audible members now get more than ever before. Members choose 386 00:20:32,160 --> 00:20:35,440 Speaker 1: three titles every month, one audiobook plus two audible originals 387 00:20:35,440 --> 00:20:38,320 Speaker 1: that you can't hear anywhere else. 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