WEBVTT - OMG is right!!!

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<v Speaker 1>It's nine O Gen one Allegen with Jenny Garth and

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<v Speaker 1>Tory Spelling.

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<v Speaker 2>Hi, so we're here for the second episode of season five. Sorry,

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<v Speaker 2>I just got really excited.

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<v Speaker 1>Was that too loud? No, it's worthy of excitement. I agree.

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<v Speaker 1>We're in season five, you guys. This is things that

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<v Speaker 1>we made it. We're halfway through. We're halfway through, and

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<v Speaker 1>this is so different.

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<v Speaker 3>I know it is, Jenny, You're right, but I'm loving it.

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<v Speaker 3>How are you guys feeling it is different?

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<v Speaker 1>I don't know. I feel confused and conflicted.

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<v Speaker 2>The first episode, as you know, I wasn't sure, you know,

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<v Speaker 2>almost flash folks and everything and this summer. But this one,

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<v Speaker 2>I'm really getting into it and I'm starting to feel

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<v Speaker 2>the butterflies inside from when I told you guys from

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<v Speaker 2>the beginning. I think it's the college years that I

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<v Speaker 2>love best. It's turning to hit that stride.

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<v Speaker 1>Really.

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<v Speaker 2>Oh maybe it's just because I curtseyed. I don't know.

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<v Speaker 3>No, I think you're right, because it was this episode

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<v Speaker 3>that brought me back. I think this season things really thrive.

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<v Speaker 3>Like I this one made me realize. It was when

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<v Speaker 3>she was in her underwear and I'm like, oh my God. Yes,

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<v Speaker 3>all of a sudden, I remembered this might be the

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<v Speaker 3>best season of the series.

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<v Speaker 2>You remembered again that she takes all our men. Did

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<v Speaker 2>you guys know that there's like a famous So Darren Martin,

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<v Speaker 2>I have to send this to you.

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<v Speaker 3>Guys.

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<v Speaker 2>Sent me one of those caricature drawings that was done

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<v Speaker 2>a valerie with all of our men's heads on the

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<v Speaker 2>wall like deer heads when they put their fries on

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<v Speaker 2>the wall after like a hunter. And I think she's

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<v Speaker 2>sitting there like a hunter, and Jen, Donna and Kelly

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<v Speaker 2>are looking through the door. My eyes are crazy big

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<v Speaker 2>because they're characters.

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<v Speaker 1>Oh my god.

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<v Speaker 2>It was fine, but I'll send it to you guys.

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<v Speaker 2>We can put her like her commerce social Yeah.

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<v Speaker 3>Whoa. You know what I noticed right off the bat

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<v Speaker 3>that I had forgotten Tiffany amber Thesim where she doesn't

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<v Speaker 3>use that anymore. She's just Tiffany Theson.

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<v Speaker 1>Oh she dropped the amber.

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<v Speaker 3>Yeah, so was there something at the time where that

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<v Speaker 3>was sort of a trend? Brian Austin Green Tiffany amber Theson,

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<v Speaker 3>I have.

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<v Speaker 2>The fact on this one. I say fact because I'm

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<v Speaker 2>not sure about Tiffany, but I know Brian had to

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<v Speaker 2>because there was another SAG actor named Brian Green, so

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<v Speaker 2>he had to put Brian.

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<v Speaker 3>Had to use it.

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<v Speaker 1>Oh, yeah, that happens. That happens.

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<v Speaker 3>I fully watched the credits again. I didn't skip them

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<v Speaker 3>because I wanted to sort of enjoy the new credits

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<v Speaker 3>for a minute too. We just go back.

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<v Speaker 2>Sorry one second. I'm still in the name thing. That's

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<v Speaker 2>kind of wild, like a universe thing that Tiffany Amber

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<v Speaker 2>theson Brian Austin Green, both with middle names used in

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<v Speaker 2>their full name, both with a's What are the chances

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<v Speaker 2>it was bag and tat?

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<v Speaker 3>Yeah? Did she ever go by tat? Because he sometimes

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<v Speaker 3>I do write bag when I'm talking about Brian, Like,

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<v Speaker 3>in fact.

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<v Speaker 1>Brian Austin Green. I think that's a catchy name. I

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<v Speaker 1>think that kid should be. It's a star.

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<v Speaker 2>You know what. You You've always had good intuition, good taste.

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<v Speaker 2>I think you might be right.

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<v Speaker 3>Don't care for the hair, though, Oh I mean, I mean.

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<v Speaker 1>I don't want to offend anyone, or certainly not you know,

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<v Speaker 1>offend Brian Austin Green. I stop now, true, true, but yeah,

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<v Speaker 1>that hair is just not attractive.

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<v Speaker 2>So I'm gonna make it personal for a second. I'm

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<v Speaker 2>really glad that he had that hair because in IRL

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<v Speaker 2>I might have been really tempted to still carry on

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<v Speaker 2>a mad crush for him. And you know what, my

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<v Speaker 2>crush days were ended very quick.

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<v Speaker 1>I have the book on that one.

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<v Speaker 3>You're going to be in a world a hurt in

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<v Speaker 3>a couple of seasons because he comes back strong, but

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<v Speaker 3>right now the hair is not right.

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<v Speaker 2>It comes back strong.

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<v Speaker 3>Oh that's looks he starts to look like really good.

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<v Speaker 2>Well, there's there's some other things that happened in their

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<v Speaker 2>life over the next five years. But yeah, okay, you.

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<v Speaker 4>Guys looks goody. Sorry, I do think those are your

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<v Speaker 4>new boobs. Yeah, I definitely too, definitely new boobs. I

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<v Speaker 4>determined that as well.

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<v Speaker 2>It's the two finger test. It was pretty spread far

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<v Speaker 2>apart before and you can't no new confirmed.

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<v Speaker 3>You look great. Both of you look great. I do

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<v Speaker 3>really like the hair. I don't know if the long

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<v Speaker 3>hair had started to just be dated or something, but

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<v Speaker 3>this hair is very chic.

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<v Speaker 1>Yeah, everybody has short hair now, Tiff Valerie, Kelly Donna.

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<v Speaker 2>It was on trend now there. Yeah, yeah, why did

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<v Speaker 2>we read some comment from a fan? Sorry, I'm gonna

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<v Speaker 2>get in trouble now a Brenda fan who were Brenda

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<v Speaker 2>fans too, saying that Brenda had cut off Kelly's hair.

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<v Speaker 1>Maybe they meant she should have.

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<v Speaker 2>That now you have short hair, And I was like,

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<v Speaker 2>did I miss that scene before she went to London

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<v Speaker 2>she imagined or maybe that's their story because we were like,

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<v Speaker 2>what would have happened?

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<v Speaker 1>I like that creating a little drama behind the scenes,

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<v Speaker 1>but on the show, I like that, okay for me.

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<v Speaker 3>The fashion has also made a really strong comeback.

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<v Speaker 2>Yeah, my goodness.

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<v Speaker 3>Season four maybe wasn't its best, but this is really good.

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<v Speaker 1>The baby like, oh, the best of the nineties. I

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<v Speaker 1>feel like.

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<v Speaker 3>Totally with that tank under, I actually wanted to wear

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<v Speaker 3>that again like Tory. Donna wears like the babied All

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<v Speaker 3>dress with the tank under in that scene that I

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<v Speaker 3>can't wait to talk about because it's so beautiful with

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<v Speaker 3>you and Luke.

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<v Speaker 2>I mean, I just never get scenes with Dylan.

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<v Speaker 1>Oh hey, let's get into it, ok, let's talk about

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<v Speaker 1>let's talk about it. Season five, episode two, Under the

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<v Speaker 1>Influence aired September fourteenth, nineteen ninety four.

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<v Speaker 2>Synopsis. Donna ditches the debutantes and refuses to run from David.

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<v Speaker 2>Dylan spirals out of control when Nat lets the cat

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<v Speaker 2>out of the bag about Brandon and Kelly. Steve keeps

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<v Speaker 2>trying with Valerie while she's making moves on Brandon and

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<v Speaker 2>Cindy's wallet. Meanwhile, Andrea skips Steakair and Claire skips Freshman Year.

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<v Speaker 1>Directed by Scott Pollin, written by Chip Johansson.

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<v Speaker 3>It's a phenomenal episode. It was good, itchy and does.

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<v Speaker 2>It was weird for me.

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<v Speaker 1>I usually I have two pages of notes. I have

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<v Speaker 1>half a page notes.

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<v Speaker 3>You guys, what, Oh my gosh, I have like twenty

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<v Speaker 3>pages with so many questions as usual.

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<v Speaker 2>You know, I don't write now. It's on my head,

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<v Speaker 2>in your head.

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<v Speaker 1>Plenty of room up there. You always hold it all

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<v Speaker 1>up there.

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<v Speaker 3>Do you guys like the sort of drama. The level

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<v Speaker 3>of soapy drama is up a bit.

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<v Speaker 2>I like it, but I hear you, Jen, It is

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<v Speaker 2>very different than what nine two and zero originally was.

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<v Speaker 2>But as we're getting older, drama does start to happen

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<v Speaker 2>when you get to be this age, and yeah, it's

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<v Speaker 2>more than when you're young and kind of naive and sheltered.

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<v Speaker 1>Yeah, I mean, it's really interesting to watch the show

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<v Speaker 1>sort of evolve through the nineties now and be in

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<v Speaker 1>the mid nineties, because everybody does look different in the

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<v Speaker 1>fashion is so different, the makeup's different, the style of

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<v Speaker 1>shooting the show is different. The only thing that remains

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<v Speaker 1>the same is that GD boom. But we've decided that

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<v Speaker 1>that's not something I should talk about anymore.

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<v Speaker 3>Stylistic changes because like to me, the average like just fan,

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<v Speaker 3>I might not be as attuned to that, Like, are

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<v Speaker 3>you seeing differences a little bit?

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<v Speaker 1>Yeah, I am, for sure.

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<v Speaker 2>It's definitely evolved. It moves faster. I can attest to

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<v Speaker 2>that because I know, Jen, you watch it with your

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<v Speaker 2>kids and they like it. My kids were like, this

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<v Speaker 2>is really slow, but good. They're starting to be into

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<v Speaker 2>it because it's moving faster.

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<v Speaker 1>I feel like they use a lot more stock footage.

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<v Speaker 2>You know.

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<v Speaker 1>Yes, all the areas of Beverly Hills are wherever they

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<v Speaker 1>are in the show, which is really cool.

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<v Speaker 3>I noticed that a lot in this episode. You're so right,

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<v Speaker 3>and I didn't mind it.

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<v Speaker 1>Yeah, sort of embracing the concept that the location is

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<v Speaker 1>just as important, just as big of a character as

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<v Speaker 1>the characters in the story. You know, when you're telling

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<v Speaker 1>something like this because we kind of you know, we

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<v Speaker 1>did it was Beverly Hills in the beginning, but you

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<v Speaker 1>didn't really get to see that much of it. It

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<v Speaker 1>was all sort of interior.

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<v Speaker 2>Or they were one of the other the director turned

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<v Speaker 2>in a kind. It was too short, so they needed

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<v Speaker 2>to add some fill. I think you're right good call.

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<v Speaker 3>Really know.

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<v Speaker 1>What I know you'll be ecstatic about, though, is that

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<v Speaker 1>Brandon's goate's gone right out the game.

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<v Speaker 2>My god, really the comic villain. Oh, I didn't go back.

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<v Speaker 2>I wanted to go back and see what he was

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<v Speaker 2>filming at this time. It had to have been either

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<v Speaker 2>that or you know, my dad was very into hair

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<v Speaker 2>and makeup and everything, and for some reason it slipped

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<v Speaker 2>through the cracks first episode. So he saw the first

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<v Speaker 2>episode and he was like, off his.

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<v Speaker 1>Face, Well, moving on, Donna looks great in this episode.

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<v Speaker 1>I like your hair that length. I like when you

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<v Speaker 1>had it all back off your face and know you

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<v Speaker 1>tear to that so knows.

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<v Speaker 2>I hate showing my face. So I can't believe that

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<v Speaker 2>I actually went for it, But as a fan watching

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<v Speaker 2>the show, not me, it's hard to separate when I

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<v Speaker 2>see myself. But I was like, oh, my god, I

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<v Speaker 2>love it, and I feel like that's super in right now.

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<v Speaker 2>You see people with that slicked wet almost look it

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<v Speaker 2>was all gel then. But you know, you know, I

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<v Speaker 2>have not like Kim Kardashian.

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<v Speaker 3>For me, it's very contemporary, Like I don't feel it's

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<v Speaker 3>as dated all of a sudden.

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<v Speaker 2>It feels entirety.

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<v Speaker 3>In the entirety. Yeah, it feels a little bit more current.

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<v Speaker 3>It felt really juicy. I know, we'll get into me.

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<v Speaker 3>He loves the juice I do, and scene by scene,

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<v Speaker 3>and I think the biggest fail is that they did

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<v Speaker 3>not put Donna and Deshaun together as a couple, like

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<v Speaker 3>they are so cute and really that would have been

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<v Speaker 3>so cool to have.

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<v Speaker 1>Whatever. Well, we really learned that Donna's mom is basically

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<v Speaker 1>a racist.

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<v Speaker 3>She's terrible.

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<v Speaker 1>Mm hmm. Kelly's one to her though, oh my god, oh.

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<v Speaker 2>Yeah, from the beginning from Kelly's gown her forever, like

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<v Speaker 2>has Kelly always been like, your mom's kind of not cool?

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<v Speaker 2>Your mom doesn't Donna's mom doesn't treat her well, Like,

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<v Speaker 2>great question.

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<v Speaker 1>I wonder it feels like she's kind of reached her

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<v Speaker 1>limit at this point with watching how this is going

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<v Speaker 1>down Yeah.

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<v Speaker 3>Kelly's very uh, I don't I don't know if the

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<v Speaker 3>exact word is. I want to say intuitive, but I

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<v Speaker 3>don't know if that's quite the right word. Very aware

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<v Speaker 3>of what's really going on here.

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<v Speaker 1>Because she knows Donna so well, like she knows herself,

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<v Speaker 1>like they're so close, and she recognizes that this is

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<v Speaker 1>not who Donna is, you know.

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<v Speaker 3>The debutante. I mean, we go.

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<v Speaker 2>I've probably said this before, but Kelly and Donna, their

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<v Speaker 2>friendship really does mirror my friendship with Jen, because you know,

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<v Speaker 2>we have friends, and you know, when there's situations that

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<v Speaker 2>aren't great, there's some friends that kind of don't say anything,

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<v Speaker 2>and Jen's always been the friend that's like, no, this

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<v Speaker 2>isn't right. And then Kelly really is that person to Donna.

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<v Speaker 2>So it's crazy how we couldn't have known, but it mirrored.

0:12:34.120 --> 0:12:36.679
<v Speaker 3>I am so happy you said that because I had

0:12:36.720 --> 0:12:39.000
<v Speaker 3>a moment, Oh my god, I almost got like tears

0:12:39.000 --> 0:12:41.120
<v Speaker 3>in my eyes. I had a moment in this episode

0:12:41.400 --> 0:12:45.240
<v Speaker 3>where I was not watching Kelly and Donna, I was

0:12:45.320 --> 0:12:46.880
<v Speaker 3>watching Jenny and Tori.

0:12:47.679 --> 0:12:48.760
<v Speaker 1>It was that way too.

0:12:49.320 --> 0:12:52.319
<v Speaker 3>It was really like poignant, like I was like, oh

0:12:52.360 --> 0:12:58.280
<v Speaker 3>my god, because it really your characters are your personalities kind.

0:12:58.120 --> 0:13:03.640
<v Speaker 2>Of at their core, they're starting to Weirdy.

0:13:02.160 --> 0:13:03.720
<v Speaker 3>It was a little weird, Jenny.

0:13:03.880 --> 0:13:06.520
<v Speaker 1>It was, yeah, it's weird.

0:13:07.120 --> 0:13:07.880
<v Speaker 3>It's a little bit.

0:13:08.000 --> 0:13:11.800
<v Speaker 1>And I never really even realized it, and what you

0:13:11.880 --> 0:13:14.280
<v Speaker 1>said to her, like, I never really even thought that

0:13:14.320 --> 0:13:16.960
<v Speaker 1>through or realized it. I mean, I know, you know,

0:13:17.000 --> 0:13:20.360
<v Speaker 1>we've talked before about the writers using us as people

0:13:20.400 --> 0:13:23.080
<v Speaker 1>and sort of bringing in our characteristics as they got

0:13:23.120 --> 0:13:26.400
<v Speaker 1>to know us through the years, but we just naturally

0:13:26.440 --> 0:13:29.640
<v Speaker 1>brought in our own instincts and our own like reactions

0:13:29.679 --> 0:13:33.520
<v Speaker 1>and facial expressions, all the things that are natural to

0:13:33.720 --> 0:13:36.960
<v Speaker 1>each of us. And I loved it when, you know,

0:13:37.000 --> 0:13:42.720
<v Speaker 1>because Kelly and Donna aren't seeing eye to eye and

0:13:43.120 --> 0:13:47.720
<v Speaker 1>that the episode really focused on that, and the way

0:13:47.920 --> 0:13:52.319
<v Speaker 1>they sort of brought everything to the table and talked

0:13:52.320 --> 0:13:55.880
<v Speaker 1>it out and exploded at one another, you know, the

0:13:55.920 --> 0:13:58.880
<v Speaker 1>way Donna rose up finally and said what she had

0:13:58.880 --> 0:14:01.720
<v Speaker 1>to say, and the way Kelly didn't back down like

0:14:01.760 --> 0:14:04.600
<v Speaker 1>it was so it was so you and me. It

0:14:04.679 --> 0:14:06.720
<v Speaker 1>was crazy, and I was like I could watch these

0:14:06.760 --> 0:14:09.520
<v Speaker 1>two characters. I mean, not because I'm one of them,

0:14:09.760 --> 0:14:12.120
<v Speaker 1>but because probably because I love you so much that

0:14:12.720 --> 0:14:14.280
<v Speaker 1>I can just feel like I could watch a W'LL

0:14:14.320 --> 0:14:15.959
<v Speaker 1>show about killing done me.

0:14:16.360 --> 0:14:19.840
<v Speaker 3>And Tori you can correct me if I'm wrong. I

0:14:19.920 --> 0:14:22.440
<v Speaker 3>also had sort of a blurred moment because you do

0:14:22.640 --> 0:14:26.920
<v Speaker 3>come from a very well to do family that is

0:14:27.080 --> 0:14:32.440
<v Speaker 3>very high falutin, and you know your parents were that's true,

0:14:33.120 --> 0:14:37.280
<v Speaker 3>how your parents are very involved in your life. You know.

0:14:37.600 --> 0:14:40.800
<v Speaker 3>At that time, I like, were you a debutante? You

0:14:40.800 --> 0:14:42.680
<v Speaker 3>know all those things? I was like, how much is

0:14:42.720 --> 0:14:44.840
<v Speaker 3>this mirroring? No?

0:14:45.320 --> 0:14:48.440
<v Speaker 2>I was not a debutante. I didn't even go, oh

0:14:48.440 --> 0:14:49.760
<v Speaker 2>my gosh, what is it when you're younger?

0:14:49.840 --> 0:14:55.120
<v Speaker 1>Katillion yeap, And so you didn't have a keen segniera either.

0:14:56.440 --> 0:14:59.360
<v Speaker 2>No, I didn't have a bot mitzvah, I didn't you

0:15:00.120 --> 0:15:03.000
<v Speaker 2>that's surprising. Not did not.

0:15:04.160 --> 0:15:08.080
<v Speaker 3>I could have seen definitely being a debutante. I know

0:15:08.160 --> 0:15:09.600
<v Speaker 3>one of us was a debutante.

0:15:12.480 --> 0:15:15.520
<v Speaker 2>Sugarman was a debutante, you guys, but we did not.

0:15:16.000 --> 0:15:19.560
<v Speaker 2>Can we learn so much about our co host every

0:15:19.600 --> 0:15:20.920
<v Speaker 2>single week that we're like.

0:15:22.480 --> 0:15:23.520
<v Speaker 1>And do the Texas down?

0:15:23.760 --> 0:15:26.560
<v Speaker 3>So this is the thing we did not have to do.

0:15:26.640 --> 0:15:28.760
<v Speaker 1>That is that just a Texas thing?

0:15:29.040 --> 0:15:31.360
<v Speaker 3>I actually know. First of all, my faces got so

0:15:31.400 --> 0:15:33.960
<v Speaker 3>red because I'm not. I'm very not the debutante type,

0:15:33.960 --> 0:15:38.720
<v Speaker 3>but I was in San Francisco. We did have to curtsy,

0:15:39.520 --> 0:15:41.320
<v Speaker 3>we did have to wear the wedding gown, we did

0:15:41.360 --> 0:15:43.440
<v Speaker 3>have to wear the gloves. You do have the escore,

0:15:43.640 --> 0:15:46.320
<v Speaker 3>you do the waltz with your dad, but we did

0:15:46.320 --> 0:15:50.040
<v Speaker 3>not do that. And the factory that you did that, I.

0:15:50.120 --> 0:15:55.320
<v Speaker 1>Was like, yeah, I was watching that thinking I wonder

0:15:55.480 --> 0:15:59.400
<v Speaker 1>if she could still do that. So I got up

0:15:59.440 --> 0:16:04.200
<v Speaker 1>and tried it. My it's doable. I think you doable.

0:16:04.560 --> 0:16:07.600
<v Speaker 3>Yeah, what was crazy is you went you did the

0:16:07.720 --> 0:16:11.040
<v Speaker 3>Curtsey and you go down and then you went down more.

0:16:12.240 --> 0:16:15.640
<v Speaker 1>Get her pretty little head on a pretty little puffy dress.

0:16:16.560 --> 0:16:19.080
<v Speaker 2>I was I remember because they had to teach me.

0:16:19.960 --> 0:16:23.640
<v Speaker 2>And I remember two things being like, oh my gosh,

0:16:23.800 --> 0:16:26.280
<v Speaker 2>the storyline. I was not cringing, but I was like,

0:16:26.760 --> 0:16:29.600
<v Speaker 2>is this happened? What did I get this storyline? Like

0:16:29.720 --> 0:16:32.520
<v Speaker 2>I'm from I was from Beverly Hills. Like I didn't

0:16:32.560 --> 0:16:35.240
<v Speaker 2>know about being a debutante. I don't know if that's

0:16:35.240 --> 0:16:37.760
<v Speaker 2>something like you're saying you did it, so I don't know.

0:16:37.800 --> 0:16:39.800
<v Speaker 2>I didn't know about it. So I was like, is

0:16:39.840 --> 0:16:42.400
<v Speaker 2>this even real? Like none of my friends right, tell them.

0:16:42.440 --> 0:16:45.800
<v Speaker 2>They're like, this is your storyline. You're a debutante. Oh

0:16:45.880 --> 0:16:47.640
<v Speaker 2>my god. My friends in real life like were like,

0:16:48.160 --> 0:16:51.280
<v Speaker 2>this is weird. And then they had to teach me,

0:16:51.360 --> 0:16:53.880
<v Speaker 2>and I kept doing it. I was so nervous, like

0:16:53.880 --> 0:16:55.920
<v Speaker 2>my heart was pounding on my chest. I'm like, please

0:16:55.960 --> 0:16:58.000
<v Speaker 2>do it right, Please do it right. Please. I hope

0:16:58.000 --> 0:17:01.360
<v Speaker 2>my boobs don't fault my mom new boobiz fall out

0:17:01.400 --> 0:17:03.400
<v Speaker 2>of that dress? What's keeping them in?

0:17:04.480 --> 0:17:07.520
<v Speaker 3>There was a lot that was accurate in it. The

0:17:07.600 --> 0:17:10.480
<v Speaker 3>main there's a couple of flags I had on this episode,

0:17:10.480 --> 0:17:12.919
<v Speaker 3>but the one that it's a year off because you

0:17:13.080 --> 0:17:17.040
<v Speaker 3>actually would have been the debutante your freshman year of college.

0:17:17.760 --> 0:17:21.000
<v Speaker 3>So you graduate high school, they like select you to

0:17:21.040 --> 0:17:23.960
<v Speaker 3>be the debutante, and then you come out, as they say,

0:17:24.440 --> 0:17:27.719
<v Speaker 3>like around December of your freshman year of college. Now.

0:17:27.760 --> 0:17:29.680
<v Speaker 1>I don't know if this is still a thing though.

0:17:29.720 --> 0:17:32.960
<v Speaker 1>Does this thing is still happening today?

0:17:33.040 --> 0:17:36.480
<v Speaker 2>Yes, like coming oss the country? Does this happen in California?

0:17:36.760 --> 0:17:39.359
<v Speaker 1>Yeah, coming out all over the world, but for a

0:17:39.400 --> 0:17:42.440
<v Speaker 1>different reasons. Yeah, thank god.

0:17:42.880 --> 0:17:46.760
<v Speaker 2>But yeah, it's still definitely seems so archaic.

0:17:47.680 --> 0:17:48.200
<v Speaker 3>It is.

0:17:48.359 --> 0:17:50.800
<v Speaker 2>Oh my gosh, we do see what I do a

0:17:50.840 --> 0:17:53.479
<v Speaker 2>little bit later, like, I don't you know what I'm

0:17:53.480 --> 0:17:56.000
<v Speaker 2>talking about, Amy.

0:17:55.200 --> 0:18:01.960
<v Speaker 3>I'm not. I can't remember. She just did a little physical.

0:18:01.680 --> 0:18:04.639
<v Speaker 2>I just did a wave of what's to come for

0:18:04.760 --> 0:18:08.720
<v Speaker 2>Donna down the line being on a float in a row?

0:18:08.760 --> 0:18:10.840
<v Speaker 1>Are you the Rose Rose Lady?

0:18:11.200 --> 0:18:16.040
<v Speaker 2>I mean, why did I get those storylines super Bay, because.

0:18:17.440 --> 0:18:20.359
<v Speaker 3>They're kind of correct for Donna. This was not that

0:18:20.560 --> 0:18:24.440
<v Speaker 3>outlandish for the Martins and Donna.

0:18:24.359 --> 0:18:27.600
<v Speaker 2>Money, okay, yeah.

0:18:26.720 --> 0:18:31.879
<v Speaker 3>Yeah, And she's very high society missus Martin, and she

0:18:32.040 --> 0:18:36.040
<v Speaker 3>wants to be high society and all of it, the fundraising,

0:18:36.160 --> 0:18:40.840
<v Speaker 3>it's all for charity, these debutante things, and I don't know,

0:18:40.880 --> 0:18:42.240
<v Speaker 3>there was a lot of accurate stuff.

0:18:42.359 --> 0:18:44.200
<v Speaker 2>It's always I want to go I want to go back,

0:18:44.240 --> 0:18:47.800
<v Speaker 2>just for one second and say that I loved working

0:18:47.960 --> 0:18:51.800
<v Speaker 2>with Chress with Cres Williams, and I as well wish

0:18:51.920 --> 0:18:55.199
<v Speaker 2>they had become a couple, like I, yeah, I know

0:18:55.280 --> 0:18:59.639
<v Speaker 2>that was a storyline. They were delicately dancing around, but

0:18:59.840 --> 0:19:03.000
<v Speaker 2>it would have been a really great storyline. And I

0:19:03.000 --> 0:19:05.280
<v Speaker 2>felt like we had a lot of chemistry. He's super

0:19:05.280 --> 0:19:06.720
<v Speaker 2>hot and yeah.

0:19:06.560 --> 0:19:09.239
<v Speaker 3>Well, and I love that the reason you stand up

0:19:09.280 --> 0:19:11.840
<v Speaker 3>to your mom, the straw that broke the camel's back

0:19:12.520 --> 0:19:15.800
<v Speaker 3>was that that's when you had had it and you're like,

0:19:16.359 --> 0:19:18.880
<v Speaker 3>I'm out, I'm going back to school, I'm going back

0:19:18.880 --> 0:19:22.080
<v Speaker 3>to my friends. This is a load of crap, Like

0:19:22.480 --> 0:19:24.639
<v Speaker 3>that was the thing that she says in the kitchen

0:19:24.720 --> 0:19:29.360
<v Speaker 3>that you're like, oh, yeah, okay, no meat, are.

0:19:29.359 --> 0:19:33.080
<v Speaker 2>You sure there's not more? But Donna and Deshan, no,

0:19:33.160 --> 0:19:33.480
<v Speaker 2>I think that.

0:19:33.560 --> 0:19:34.680
<v Speaker 3>I don't think he's done yet.

0:19:34.840 --> 0:19:36.960
<v Speaker 1>I mean, it would have been such a great storyline too,

0:19:37.000 --> 0:19:38.679
<v Speaker 1>even if you hadn't they wanted you to stay on

0:19:38.720 --> 0:19:41.880
<v Speaker 1>the debutante thing. I mean you could then you could

0:19:41.880 --> 0:19:44.240
<v Speaker 1>bring in that you guys do end up being boyfriend

0:19:44.240 --> 0:19:46.440
<v Speaker 1>and girlfriend and how that rocks the cart, and.

0:19:46.320 --> 0:19:47.160
<v Speaker 2>That would have been great.

0:19:47.720 --> 0:19:50.159
<v Speaker 3>They've created a great character with him now, like they

0:19:50.240 --> 0:19:51.880
<v Speaker 3>kind of it took a minute for him to find

0:19:51.920 --> 0:19:54.600
<v Speaker 3>his way because in the very beginning with the like

0:19:55.640 --> 0:19:57.680
<v Speaker 3>he wasn't going to do his school work and he

0:19:58.040 --> 0:19:59.760
<v Speaker 3>was maybe gonna cheat or want a Brandon to take

0:19:59.800 --> 0:20:03.439
<v Speaker 3>his that was that isn't really who Deshaun is. And

0:20:03.520 --> 0:20:06.639
<v Speaker 3>now we're seeing who the character has become and the

0:20:06.760 --> 0:20:10.159
<v Speaker 3>chemistry and he's so charming and you like him.

0:20:10.480 --> 0:20:12.520
<v Speaker 1>Mm hmm, yeah, definitely.

0:20:13.440 --> 0:20:16.480
<v Speaker 3>So the only sort of my first flag is Valerie

0:20:16.520 --> 0:20:19.680
<v Speaker 3>is way too assimilated with the group, way too quickly.

0:20:22.320 --> 0:20:25.200
<v Speaker 2>Baby Showers's videotaping what I was.

0:20:25.160 --> 0:20:29.199
<v Speaker 1>Like, wait, what's this did? Just like I don't know.

0:20:29.320 --> 0:20:30.919
<v Speaker 1>That was so upsetting to me because it was like,

0:20:31.080 --> 0:20:34.680
<v Speaker 1>who who says that's okay? Like, I get it, she's

0:20:34.880 --> 0:20:38.639
<v Speaker 1>she can because she's Brandon's cousin niece.

0:20:38.880 --> 0:20:40.800
<v Speaker 3>No, they're family friends, family friend.

0:20:42.400 --> 0:20:46.080
<v Speaker 2>We're still always going to think that they're cousins and

0:20:46.119 --> 0:20:48.960
<v Speaker 2>it's gonna get super awkies because she's into him.

0:20:49.280 --> 0:20:52.120
<v Speaker 3>I don't keep reminding me of family friends. And they

0:20:52.160 --> 0:20:56.480
<v Speaker 3>have kissed, but yeah, but what does she wait Andrea,

0:20:56.520 --> 0:20:59.600
<v Speaker 3>who's just come home from the hospital with this baby

0:20:59.640 --> 0:21:03.199
<v Speaker 3>and said on this rando is just her bestie holding

0:21:03.240 --> 0:21:07.040
<v Speaker 3>the camcorder and talking like they've been chums for twenty

0:21:07.200 --> 0:21:07.880
<v Speaker 3>that I was like.

0:21:09.119 --> 0:21:10.960
<v Speaker 1>I mean, there is something kind of cute about it,

0:21:11.000 --> 0:21:14.760
<v Speaker 1>like accepting, you know, this new person into the group.

0:21:14.920 --> 0:21:20.439
<v Speaker 1>I kind of like that, like vibe of inclusion. But

0:21:21.560 --> 0:21:25.159
<v Speaker 1>I also think that they need to write it in

0:21:25.200 --> 0:21:28.080
<v Speaker 1>a little bit and maybe while they're at it, they

0:21:28.119 --> 0:21:31.879
<v Speaker 1>could write in a little bit of Kelly and Brandon's relationship,

0:21:31.920 --> 0:21:34.000
<v Speaker 1>because now all of a sudden, she's saying I love

0:21:34.040 --> 0:21:37.560
<v Speaker 1>you to him on the phone, like very casually, not

0:21:37.680 --> 0:21:40.240
<v Speaker 1>like I've realized I'm in love with you. And there's

0:21:40.280 --> 0:21:43.480
<v Speaker 1>no moment, there's no She's just like, Okay, I love you.

0:21:44.320 --> 0:21:48.160
<v Speaker 2>They skip all of their momentous. I never knew this.

0:21:48.359 --> 0:21:51.200
<v Speaker 2>I never knew in their relationship. That's like the big

0:21:51.240 --> 0:21:52.600
<v Speaker 2>like OMG moment.

0:21:52.720 --> 0:21:58.680
<v Speaker 3>Yeah, they skip what. I was like, wowsa, Like they

0:21:58.760 --> 0:22:01.080
<v Speaker 3>said it like they've been saying a thousand times, and

0:22:01.200 --> 0:22:05.359
<v Speaker 3>I don't particularly remember Kelly and Dylan saying it like that.

0:22:06.640 --> 0:22:09.800
<v Speaker 3>M they're very cute.

0:22:10.119 --> 0:22:12.159
<v Speaker 1>I do know that Kelly's ever said that to anyone.

0:22:13.200 --> 0:22:16.000
<v Speaker 3>I'm like, I'm obsessed with them as a couple, and

0:22:16.040 --> 0:22:19.919
<v Speaker 3>maybe it's intentional, like we're supposed to really they're in,

0:22:20.560 --> 0:22:23.040
<v Speaker 3>but it was jarring. I'm like, I just want to

0:22:23.040 --> 0:22:23.440
<v Speaker 3>see it.

0:22:23.440 --> 0:22:25.200
<v Speaker 2>It's okay if they're in fast, I want to see

0:22:25.200 --> 0:22:27.040
<v Speaker 2>it though, Yeah, see it play out.

0:22:27.240 --> 0:22:30.000
<v Speaker 3>And obviously they and I know why, and Tory you

0:22:30.000 --> 0:22:33.160
<v Speaker 3>may remember why, Josh Richland has sort of been written back.

0:22:32.960 --> 0:22:34.320
<v Speaker 2>In I don't remember.

0:22:34.600 --> 0:22:36.480
<v Speaker 3>Oh well, we'll find out very soon.

0:22:36.800 --> 0:22:39.520
<v Speaker 1>Why does it take a long time.

0:22:39.880 --> 0:22:41.680
<v Speaker 3>No, it's actually quite tragile.

0:22:42.320 --> 0:22:47.120
<v Speaker 1>Does anybody I mean, oh, that's not good. I should

0:22:47.119 --> 0:22:49.199
<v Speaker 1>probably shouldn't say this then, but I'm going to can.

0:22:49.240 --> 0:22:51.920
<v Speaker 1>Does anybody care about this student government storyline?

0:22:52.040 --> 0:22:52.240
<v Speaker 2>No?

0:22:52.680 --> 0:22:55.960
<v Speaker 3>But I think they've brought him back for this. I

0:22:55.960 --> 0:22:58.560
<v Speaker 3>can't remember if it's next week. And I'm not getting spoilers.

0:22:58.600 --> 0:22:59.880
<v Speaker 3>We've all seen the show thousand times.

0:23:00.280 --> 0:23:00.960
<v Speaker 2>No, we don't know.

0:23:01.080 --> 0:23:01.440
<v Speaker 3>We don't know.

0:23:01.560 --> 0:23:02.840
<v Speaker 2>You're spoiling everything, right, not?

0:23:04.560 --> 0:23:07.840
<v Speaker 3>Oh god, I'm gonna get so many dms. But yes,

0:23:07.920 --> 0:23:10.520
<v Speaker 3>he's clearly been written back in because he sort of

0:23:10.560 --> 0:23:13.840
<v Speaker 3>disappeared and faded ish. But here he's back, and all

0:23:13.880 --> 0:23:19.040
<v Speaker 3>of a sudden, he's quite like Major. He also looks forty.

0:23:19.800 --> 0:23:23.080
<v Speaker 3>No disrespect to the actor, but he looks really old.

0:23:24.040 --> 0:23:26.560
<v Speaker 1>He's such a great face man like, what a great

0:23:26.680 --> 0:23:30.960
<v Speaker 1>character actor. I don't know his career path, but I'm

0:23:31.000 --> 0:23:32.680
<v Speaker 1>sure he's worked a ton.

0:23:34.880 --> 0:23:39.600
<v Speaker 3>Should we talk about Dylan Good?

0:23:40.640 --> 0:23:41.040
<v Speaker 1>I guess.

0:23:41.080 --> 0:23:46.240
<v Speaker 3>So. He looks smoking hot, he's blue.

0:23:46.280 --> 0:23:50.720
<v Speaker 1>Perry is so babelish, He's so fine.

0:23:51.080 --> 0:23:56.000
<v Speaker 3>And even drunky dirty Dylan is amazing.

0:23:56.400 --> 0:24:00.119
<v Speaker 2>I think it's even better and we all feel for

0:24:00.200 --> 0:24:04.160
<v Speaker 2>him that he has an addiction and he's an alcoholic,

0:24:04.240 --> 0:24:08.520
<v Speaker 2>so obviously not trying to glamorize that at all, but

0:24:08.640 --> 0:24:13.320
<v Speaker 2>he really disheveled. Dylan at his like slow point is

0:24:13.640 --> 0:24:15.200
<v Speaker 2>super hot.

0:24:15.600 --> 0:24:17.880
<v Speaker 1>Well, he throws around a number, a hard number of

0:24:17.880 --> 0:24:21.840
<v Speaker 1>his fortune. Do you notice email always like how much

0:24:21.880 --> 0:24:22.520
<v Speaker 1>money does he have?

0:24:23.840 --> 0:24:26.199
<v Speaker 3>I mean he lost a lot of money.

0:24:27.240 --> 0:24:31.920
<v Speaker 1>Yeah, that sucks. Yeah, I mean if I was him,

0:24:31.920 --> 0:24:34.720
<v Speaker 1>I'd be going after them. I'd be doing more than

0:24:34.840 --> 0:24:37.560
<v Speaker 1>just king my woes away.

0:24:37.680 --> 0:24:40.879
<v Speaker 3>Totally totally can't.

0:24:40.960 --> 0:24:41.720
<v Speaker 2>He can't.

0:24:41.800 --> 0:24:41.960
<v Speaker 3>Jen.

0:24:42.160 --> 0:24:45.560
<v Speaker 2>He's just you know, he's had family trauma, lost, like

0:24:45.640 --> 0:24:49.400
<v Speaker 2>he just wants to do something but he can't.

0:24:51.040 --> 0:24:55.760
<v Speaker 3>He's unhinged. It's like I sort of expect better, and

0:24:55.800 --> 0:24:57.800
<v Speaker 3>I guess that's why they got the drinking in there,

0:24:57.880 --> 0:25:01.320
<v Speaker 3>because that's why he's imploding. Because the real Dylan, the

0:25:01.359 --> 0:25:05.840
<v Speaker 3>sort of new Dylan, really could have handled this differently.

0:25:06.000 --> 0:25:09.520
<v Speaker 3>But he's just super unhinged and a hot mess. And

0:25:10.040 --> 0:25:12.800
<v Speaker 3>the way he attacked the Walshes that was so aggressive.

0:25:13.520 --> 0:25:16.080
<v Speaker 3>And I love Nat in this episode, so maybe we

0:25:16.200 --> 0:25:18.600
<v Speaker 3>talk about that like that.

0:25:18.840 --> 0:25:25.440
<v Speaker 1>Was oh yeah, because Nat can talk to these characters

0:25:25.440 --> 0:25:30.720
<v Speaker 1>that way, like he's got that fatherly figure energy.

0:25:30.840 --> 0:25:34.600
<v Speaker 3>I think as series goes on, he becomes more prominent,

0:25:35.400 --> 0:25:39.159
<v Speaker 3>especially as the Walshes disappear. So I loved seeing that.

0:25:39.600 --> 0:25:40.520
<v Speaker 3>But when he.

0:25:40.400 --> 0:25:43.399
<v Speaker 1>Dropping Walshes are disappearing, not for a bit, one at

0:25:43.440 --> 0:25:45.640
<v Speaker 1>a time, what's happening.

0:25:58.960 --> 0:26:01.560
<v Speaker 2>We might have to have funeral at some point for

0:26:02.000 --> 0:26:05.280
<v Speaker 2>Jim Walsh's suspenders when they leave the show, because you

0:26:05.400 --> 0:26:05.960
<v Speaker 2>might not be.

0:26:05.960 --> 0:26:10.800
<v Speaker 1>Okay, wait, he officially is not on the show at

0:26:10.800 --> 0:26:13.520
<v Speaker 1>some point the moment okay, I need to get some

0:26:13.600 --> 0:26:17.959
<v Speaker 1>gig go below it. It's like you It's like I

0:26:18.000 --> 0:26:21.120
<v Speaker 1>wasn't even there because you know what, I wasn't there.

0:26:22.720 --> 0:26:25.600
<v Speaker 1>That was you know, a different person back then.

0:26:25.800 --> 0:26:28.280
<v Speaker 3>Well, and there was some things that I'm sure you

0:26:28.280 --> 0:26:30.680
<v Speaker 3>guys kind of had to block out or you're working

0:26:30.800 --> 0:26:31.760
<v Speaker 3>so much I.

0:26:31.880 --> 0:26:37.000
<v Speaker 2>Think personal preservation doing during the filming of this survival.

0:26:37.480 --> 0:26:41.080
<v Speaker 3>Yeah, but I really particularly like Nat in this episode.

0:26:41.160 --> 0:26:44.000
<v Speaker 3>I really like how he sort of gives that signal

0:26:44.000 --> 0:26:48.480
<v Speaker 3>to the Walshes like don't don't worry. He really you

0:26:48.560 --> 0:26:50.720
<v Speaker 3>see the gnat that we sort of I think, always

0:26:50.800 --> 0:26:53.200
<v Speaker 3>think of, and then he really lets him have it.

0:26:53.560 --> 0:26:56.280
<v Speaker 3>But ooh, when he lets the cat out of the bag,

0:26:56.520 --> 0:26:58.600
<v Speaker 3>I actually was like shook.

0:27:00.560 --> 0:27:05.920
<v Speaker 1>Did you notice Nadine the employee at the beach Pit?

0:27:06.440 --> 0:27:08.199
<v Speaker 1>She had two lines in this episode?

0:27:08.760 --> 0:27:10.960
<v Speaker 2>Wait, I missed her first time? Jen, you think?

0:27:11.359 --> 0:27:14.200
<v Speaker 1>I think that was Nadine's first time with lines, which

0:27:14.240 --> 0:27:17.760
<v Speaker 1>means she got her sad card. You know, so cool.

0:27:17.840 --> 0:27:19.600
<v Speaker 1>That must have been really big for her.

0:27:19.920 --> 0:27:21.720
<v Speaker 3>Do you remember what she says at all?

0:27:23.560 --> 0:27:26.600
<v Speaker 1>Nope? Just watched it last night?

0:27:26.920 --> 0:27:27.800
<v Speaker 2>Nope.

0:27:29.960 --> 0:27:32.239
<v Speaker 3>Okay, Shall I keep going with my questions? You have

0:27:32.280 --> 0:27:35.399
<v Speaker 3>something like a particular storyline you want to talk about.

0:27:36.280 --> 0:27:38.159
<v Speaker 1>I don't know, but that line that Dylan says to

0:27:38.359 --> 0:27:42.719
<v Speaker 1>Brandon when Brandon goes over to see him is so

0:27:44.040 --> 0:27:46.000
<v Speaker 1>I don't know what's kind of haunting When he said

0:27:46.040 --> 0:27:48.679
<v Speaker 1>she seems like such a long time ago, and he

0:27:48.760 --> 0:27:52.800
<v Speaker 1>was referring to Brenda. I just felt it just sort

0:27:52.800 --> 0:27:53.439
<v Speaker 1>of haunted me.

0:27:54.200 --> 0:27:58.520
<v Speaker 3>And the interesting sort of continuing to sprinkle Brenda in

0:27:58.680 --> 0:28:00.840
<v Speaker 3>which I like, it's not like she Shannon left the

0:28:00.840 --> 0:28:04.119
<v Speaker 3>show and it's just like she's vanished. They say she called,

0:28:04.160 --> 0:28:05.879
<v Speaker 3>and right after she asked my dad for money, she

0:28:05.960 --> 0:28:09.280
<v Speaker 3>asks about you. It's like they're definitely acknowledging it. And

0:28:09.320 --> 0:28:13.200
<v Speaker 3>we get the same thing with Valerie shopping. Why don't

0:28:13.200 --> 0:28:16.440
<v Speaker 3>you get something from Brenda's closet. Oh she's a snige too,

0:28:17.280 --> 0:28:21.400
<v Speaker 3>you know. Okay, here's the credit card, so her presence

0:28:21.440 --> 0:28:22.240
<v Speaker 3>is still there.

0:28:22.800 --> 0:28:26.840
<v Speaker 2>Yeah, now, yeah, good because Emily Valentine, I know she

0:28:27.000 --> 0:28:36.000
<v Speaker 2>wasn't Brenda, but still, like we have talked about like they're.

0:28:34.640 --> 0:28:39.360
<v Speaker 1>Long lost soulmates and then waiting for one another mentioned

0:28:39.440 --> 0:28:40.160
<v Speaker 1>her name again.

0:28:42.080 --> 0:28:45.520
<v Speaker 3>I really actually sort of had a lot of questions

0:28:45.520 --> 0:28:50.680
<v Speaker 3>about the relationship between Brandon, Dylan and Steve. Steve is

0:28:51.000 --> 0:28:56.160
<v Speaker 3>very quick to be hateful towards Dylan every opportunity he has,

0:28:56.440 --> 0:28:59.000
<v Speaker 3>and it hasn't It's not just in this episode he's

0:28:59.040 --> 0:29:01.840
<v Speaker 3>sort of a word about Dylan.

0:29:01.960 --> 0:29:02.960
<v Speaker 2>He's threatened by him.

0:29:03.280 --> 0:29:06.560
<v Speaker 3>Yeah, and it comes all the time.

0:29:07.040 --> 0:29:09.840
<v Speaker 1>Steve was jealous probably of Dylan in a lot of ways.

0:29:10.080 --> 0:29:15.600
<v Speaker 1>But I mean, I don't think that's warranted because some

0:29:15.680 --> 0:29:18.600
<v Speaker 1>would say Steve is the lucky one of that of

0:29:18.640 --> 0:29:20.160
<v Speaker 1>those two totally.

0:29:20.720 --> 0:29:25.520
<v Speaker 2>I think typically with personalities, when someone has that, like

0:29:26.600 --> 0:29:30.480
<v Speaker 2>you know, Steve gets reactive, Steve has some anger sometimes,

0:29:30.800 --> 0:29:35.200
<v Speaker 2>Steve very kind heart, but all those qualities, I feel

0:29:35.200 --> 0:29:38.120
<v Speaker 2>like he can easily be friends with Brandon because Brandon

0:29:38.280 --> 0:29:43.120
<v Speaker 2>kind of is a neutral guy. He's about what he says,

0:29:44.040 --> 0:29:46.960
<v Speaker 2>says it and Dylan's not. So they're very much kind

0:29:47.000 --> 0:29:50.280
<v Speaker 2>of the same person in a different way. Steve Steven Dylan,

0:29:51.560 --> 0:29:55.440
<v Speaker 2>and it's very uh typical.

0:29:55.520 --> 0:29:57.000
<v Speaker 3>You don't see it of men as much as you

0:29:57.040 --> 0:30:00.680
<v Speaker 3>do women, that he wants his best friend to himself

0:30:00.760 --> 0:30:04.200
<v Speaker 3>and they really like. Even though it's subtle, it's almost

0:30:04.200 --> 0:30:07.160
<v Speaker 3>like he's so jealous of Dylan taking Brandon from him

0:30:07.360 --> 0:30:10.080
<v Speaker 3>that he gets kind of happy when Dylan's a mess

0:30:10.080 --> 0:30:11.520
<v Speaker 3>because he gets more branded.

0:30:13.640 --> 0:30:17.400
<v Speaker 2>Do you really think it's that maybe I didn't nerve

0:30:17.640 --> 0:30:18.360
<v Speaker 2>with him.

0:30:19.280 --> 0:30:19.760
<v Speaker 3>I get it.

0:30:19.800 --> 0:30:22.400
<v Speaker 2>Because the romance before that word existed there.

0:30:22.200 --> 0:30:25.280
<v Speaker 3>He go, yeah, And I think he always and I don't.

0:30:25.360 --> 0:30:28.040
<v Speaker 3>I don't know if it's subtle or super intentional, but

0:30:28.120 --> 0:30:31.440
<v Speaker 3>like whenever he introduces even with Howie Long, oh, this

0:30:31.480 --> 0:30:34.160
<v Speaker 3>is my best friend Brandon Walsh, like he always says,

0:30:34.320 --> 0:30:36.960
<v Speaker 3>there's about best brand, And so I do think that

0:30:37.080 --> 0:30:40.600
<v Speaker 3>he's so happy when Dylan's on the ounce because he

0:30:40.640 --> 0:30:46.120
<v Speaker 3>gets his bestie to himself, telling you, guys.

0:30:45.960 --> 0:30:48.520
<v Speaker 2>Yeah, because I'm gonna look for that. It's easy. He's

0:30:48.560 --> 0:30:51.720
<v Speaker 2>easy to be friends with, he's popular, he's yeah, he's everything.

0:30:51.880 --> 0:30:55.120
<v Speaker 3>Yeah, and he always comes. He saves the day for

0:30:55.240 --> 0:31:00.600
<v Speaker 3>Steve a lot, you know whatever. So in particular, I

0:31:00.680 --> 0:31:03.360
<v Speaker 3>like the scene where Brandon comes in and Dylan's all

0:31:03.440 --> 0:31:07.560
<v Speaker 3>drunk in asleep and he's like, get dressed, all be outside.

0:31:07.800 --> 0:31:11.760
<v Speaker 3>It's very brotherly, but like with the authority that sort

0:31:11.800 --> 0:31:13.480
<v Speaker 3>of someone needs over Dylan.

0:31:13.680 --> 0:31:15.320
<v Speaker 1>In that moment in the situation.

0:31:15.480 --> 0:31:19.200
<v Speaker 3>Yeah, I was so distracted by their flannel though that

0:31:19.240 --> 0:31:21.719
<v Speaker 3>I can't remember what transpired in that scene.

0:31:22.640 --> 0:31:28.760
<v Speaker 1>I was distracted by the way, Yeah, Luke was so

0:31:29.000 --> 0:31:32.560
<v Speaker 1>good at waking up like dear like he was so

0:31:32.640 --> 0:31:36.240
<v Speaker 1>good at waking up in scenes always because it looks

0:31:36.280 --> 0:31:36.880
<v Speaker 1>so real.

0:31:37.360 --> 0:31:39.600
<v Speaker 3>On that note, I'd like to commend your fake eating

0:31:39.680 --> 0:31:45.760
<v Speaker 3>with that ginormous sandwich. He never took a bias. It

0:31:45.800 --> 0:31:47.400
<v Speaker 3>took like I thought it was a chip. Was it

0:31:47.480 --> 0:31:51.200
<v Speaker 3>the lettuce? Yeah, you took like two bites, but it

0:31:51.240 --> 0:31:53.720
<v Speaker 3>wasn't annoying because they didn't just keep showing the sandwich.

0:31:53.720 --> 0:31:55.560
<v Speaker 3>You sort of backed up into the couch and then

0:31:55.560 --> 0:31:57.920
<v Speaker 3>there was the makeout. So I was like, all right,

0:31:58.000 --> 0:32:00.440
<v Speaker 3>I'll let it slide that she never took a bite of.

0:32:01.640 --> 0:32:04.240
<v Speaker 2>It's odd because they used to give choices usually with

0:32:04.360 --> 0:32:06.920
<v Speaker 2>food just to make sure you're okay with it, or

0:32:06.960 --> 0:32:10.280
<v Speaker 2>maybe that came later in seasons we had more authority

0:32:10.320 --> 0:32:11.479
<v Speaker 2>over the food props.

0:32:11.520 --> 0:32:15.400
<v Speaker 1>But I could have never eaten a sandwich on camera.

0:32:15.760 --> 0:32:19.200
<v Speaker 1>My TMJ was just forming at that stage, like just

0:32:19.320 --> 0:32:26.000
<v Speaker 1>coming in hot right out. I had just gotten the

0:32:26.040 --> 0:32:30.280
<v Speaker 1>TMJ and there's no chance of eating a sandwich like that.

0:32:30.400 --> 0:32:32.280
<v Speaker 2>What about a salad? Like they didn't give like, hey

0:32:32.280 --> 0:32:33.840
<v Speaker 2>do you want this or this? And you'd be like, hey,

0:32:33.840 --> 0:32:36.080
<v Speaker 2>I want a salad, not like a sandwich in the seat.

0:32:36.360 --> 0:32:39.480
<v Speaker 1>It never really ends up mattering because you don't eat it.

0:32:39.800 --> 0:32:42.200
<v Speaker 3>A piece of pizza would be a little easier, maybe

0:32:42.200 --> 0:32:43.840
<v Speaker 3>just you could take one bite of it.

0:32:45.480 --> 0:32:47.960
<v Speaker 1>Who knows, who knows? What do you guys think of

0:32:48.240 --> 0:32:53.520
<v Speaker 1>every every I think she better get my freaking bathrobe off.

0:32:53.600 --> 0:32:58.760
<v Speaker 1>That's what I think, bitch be wearing my bathrobe?

0:32:59.080 --> 0:33:01.160
<v Speaker 2>And because my man, what's that?

0:33:01.640 --> 0:33:05.880
<v Speaker 3>Totally? Brother? Now, what did you think? Okay, speaking of

0:33:05.960 --> 0:33:08.560
<v Speaker 3>when Dylan says, what are you doing here at two

0:33:08.600 --> 0:33:13.720
<v Speaker 3>in the morning? And I think, hmm, a good point.

0:33:14.040 --> 0:33:17.680
<v Speaker 3>Why would you go over there at two in the morning, Kelly?

0:33:18.320 --> 0:33:19.600
<v Speaker 3>Where was she coming from?

0:33:19.920 --> 0:33:19.960
<v Speaker 2>What?

0:33:20.160 --> 0:33:20.400
<v Speaker 3>Back?

0:33:20.440 --> 0:33:22.920
<v Speaker 2>Off? She must have had a reason like her, Yeah, stopped.

0:33:23.200 --> 0:33:27.040
<v Speaker 2>What do you mean? So Dylan called Kelly out for me, I.

0:33:27.080 --> 0:33:34.040
<v Speaker 4>Like it, Yeah.

0:33:31.240 --> 0:33:32.960
<v Speaker 1>Why is she there to am? I have no idea

0:33:33.400 --> 0:33:36.640
<v Speaker 1>what was she going? Because she felt bad the way

0:33:36.640 --> 0:33:39.160
<v Speaker 1>things were going down. She was worried about him. I'm

0:33:39.160 --> 0:33:40.080
<v Speaker 1>gonna stick with that.

0:33:40.080 --> 0:33:42.360
<v Speaker 3>Too, And why would you go at two if you

0:33:42.360 --> 0:33:43.440
<v Speaker 3>didn't want to hook up?

0:33:46.000 --> 0:33:47.800
<v Speaker 1>I don't think she's looking Kelly Taylor.

0:33:49.800 --> 0:33:52.600
<v Speaker 3>I mean, he sure said you did. And I was like,

0:33:53.120 --> 0:33:54.960
<v Speaker 3>it never would have occurred to me. But he called

0:33:54.960 --> 0:33:56.640
<v Speaker 3>it out, and I'm like, why is she there at

0:33:56.640 --> 0:33:57.320
<v Speaker 3>two in the morning?

0:33:58.280 --> 0:34:01.320
<v Speaker 1>Oh? That watching them those body shots?

0:34:01.360 --> 0:34:01.600
<v Speaker 2>Though?

0:34:02.280 --> 0:34:10.360
<v Speaker 1>Oh I hated that Hey did it?

0:34:10.360 --> 0:34:13.759
<v Speaker 3>It was kind of wrap And he says, oh, I'm

0:34:13.760 --> 0:34:15.280
<v Speaker 3>sorry to harp on this, but he says, it doesn't

0:34:15.280 --> 0:34:17.319
<v Speaker 3>take a psych class to figure out why you're here

0:34:17.360 --> 0:34:20.880
<v Speaker 3>at two in the morning. And I was like, oh,

0:34:21.880 --> 0:34:25.279
<v Speaker 3>there's explore this.

0:34:25.280 --> 0:34:30.720
<v Speaker 2>This is all hypothetical. What if Kelly was there because

0:34:30.760 --> 0:34:37.279
<v Speaker 2>she still has feelings for him? What if in that way,

0:34:37.360 --> 0:34:38.280
<v Speaker 2>what would have happened?

0:34:39.280 --> 0:34:44.000
<v Speaker 1>There would have been trouble in River City, bigger trouble

0:34:44.200 --> 0:34:48.640
<v Speaker 1>than Brandon and and and Dylan already have.

0:34:49.000 --> 0:34:51.120
<v Speaker 3>But he put the nail in the coffin by being

0:34:51.200 --> 0:34:56.480
<v Speaker 3>not only like so gross with Eberley, but also so aggressive,

0:34:56.480 --> 0:35:00.960
<v Speaker 3>and she was like, I'm so done with you bye.

0:35:01.239 --> 0:35:04.040
<v Speaker 2>Everally looks very familiar.

0:35:04.920 --> 0:35:07.560
<v Speaker 3>She was quite lovely, but I think it was also intentional.

0:35:07.880 --> 0:35:10.520
<v Speaker 2>I can't find her name on our guest star lists.

0:35:10.560 --> 0:35:13.279
<v Speaker 3>Who played Everly. Don't you think they also made her

0:35:13.280 --> 0:35:15.359
<v Speaker 3>from the Valley on purpose? Eight one eight?

0:35:15.600 --> 0:35:21.040
<v Speaker 1>I was like, come on, they wanted her insulting, Yeah,

0:35:21.120 --> 0:35:22.200
<v Speaker 1>what's wrong with the valley?

0:35:22.440 --> 0:35:25.560
<v Speaker 3>But that's why they're telling you remember the movie.

0:35:25.480 --> 0:35:27.920
<v Speaker 2>Valley Girl and like clueless, like you would never go

0:35:27.960 --> 0:35:28.520
<v Speaker 2>to the valley?

0:35:28.640 --> 0:35:29.799
<v Speaker 1>Like, no, it's not like that.

0:35:29.840 --> 0:35:31.720
<v Speaker 2>Now the Valley is all the rage.

0:35:31.840 --> 0:35:34.200
<v Speaker 3>Okay. They got the hip after the flower Shop because

0:35:34.200 --> 0:35:36.319
<v Speaker 3>they did the five to five five, because remember they

0:35:36.320 --> 0:35:38.560
<v Speaker 3>showed the flower Shop with the real phone number.

0:35:40.560 --> 0:35:42.439
<v Speaker 2>Every sorry on.

0:35:44.040 --> 0:35:46.719
<v Speaker 1>Sometimes in a relationship, that's what it takes, though, that

0:35:46.719 --> 0:35:49.799
<v Speaker 1>that final straw, And maybe Dylan was doing that intentionally

0:35:50.800 --> 0:35:56.720
<v Speaker 1>in some subconscious way, hmmm, because he knows that Kelly's

0:35:56.719 --> 0:36:01.400
<v Speaker 1>better off with Brandon. I like that he wears.

0:36:01.120 --> 0:36:04.280
<v Speaker 3>A robe like nobody's business though, because.

0:36:04.640 --> 0:36:08.600
<v Speaker 1>It's like in an ugly robe, even like a most dude.

0:36:08.840 --> 0:36:11.799
<v Speaker 2>Face a body, the whole thing, like nobody's business. It's

0:36:11.840 --> 0:36:12.600
<v Speaker 2>just let's be real.

0:36:13.200 --> 0:36:16.360
<v Speaker 3>I agree. I'm like they both are so hot.

0:36:16.600 --> 0:36:19.239
<v Speaker 2>Wait, and remember I was all Brandon like season one.

0:36:19.239 --> 0:36:21.279
<v Speaker 2>I was like, I've never known this. I'm now as

0:36:21.320 --> 0:36:23.520
<v Speaker 2>a fangirl. And then I was like, oh, I'm not

0:36:24.000 --> 0:36:25.839
<v Speaker 2>enjoying the Brandon of it all because of the hair

0:36:25.920 --> 0:36:29.040
<v Speaker 2>and different things. And then he's back, So I'm full

0:36:29.080 --> 0:36:32.480
<v Speaker 2>on Brandon and Dylan now like obsessive with both of them.

0:36:32.600 --> 0:36:35.360
<v Speaker 2>They look great. Bye, David, Bye.

0:36:35.920 --> 0:36:40.000
<v Speaker 1>We really need to talk about val coming out in

0:36:40.040 --> 0:36:42.880
<v Speaker 1>her underwear. Oh my god, this was a big moment.

0:36:43.200 --> 0:36:44.719
<v Speaker 2>I thought it was a bathing suit at first. It

0:36:44.800 --> 0:36:45.880
<v Speaker 2>was so like coordinated.

0:36:45.960 --> 0:36:51.319
<v Speaker 1>I was like, she was wearing heels, so epic. It's

0:36:51.320 --> 0:36:54.920
<v Speaker 1>so epic the whole thing, and so nonchalant about it,

0:36:55.040 --> 0:36:55.680
<v Speaker 1>very funny.

0:36:55.960 --> 0:36:59.839
<v Speaker 2>It was definitely the amazing. She looks amazing. I'd love

0:36:59.880 --> 0:37:03.560
<v Speaker 2>to give that a shout out, that her body looks gorgeous.

0:37:03.600 --> 0:37:06.319
<v Speaker 2>And I was just like, I kind.

0:37:06.239 --> 0:37:09.680
<v Speaker 3>Of agree that. Do you think they sort of because

0:37:09.719 --> 0:37:11.920
<v Speaker 3>like they don't make you guys walk around in your underwear,

0:37:12.239 --> 0:37:14.719
<v Speaker 3>you know, maybe a bathing siren on the show.

0:37:14.760 --> 0:37:18.600
<v Speaker 2>She's the bad girl, she's a sex symbol, and.

0:37:18.600 --> 0:37:22.520
<v Speaker 3>They sure threw her in her underwear real quick, really quick,

0:37:22.840 --> 0:37:25.200
<v Speaker 3>same bra. Though it seemed like, as you guys flashed,

0:37:26.160 --> 0:37:26.600
<v Speaker 3>just the.

0:37:26.480 --> 0:37:30.240
<v Speaker 2>Black that's all that existed at that point in life.

0:37:30.719 --> 0:37:34.000
<v Speaker 1>But I was like, Brandon, Brandon, pay to look to

0:37:34.120 --> 0:37:36.560
<v Speaker 1>your left when he was on the phone, was like, look,

0:37:37.040 --> 0:37:39.919
<v Speaker 1>there's a girl. There's a she's in her underwear. Turn

0:37:40.000 --> 0:37:42.280
<v Speaker 1>turn and he never took him forever too.

0:37:55.640 --> 0:37:59.080
<v Speaker 3>So what do you guys make of Valerie and Brandon

0:37:59.400 --> 0:38:02.520
<v Speaker 3>and her like? And then she's in the pink satin

0:38:02.640 --> 0:38:04.399
<v Speaker 3>robe and kind of standing there.

0:38:04.520 --> 0:38:05.920
<v Speaker 2>I don't want to see them hook up. I'm not

0:38:05.920 --> 0:38:07.440
<v Speaker 2>gonna lie. Is that wrong?

0:38:08.520 --> 0:38:09.000
<v Speaker 3>Oh my god?

0:38:09.120 --> 0:38:11.480
<v Speaker 2>I can't say that it's your boyfriend? Oh my god,

0:38:12.400 --> 0:38:16.759
<v Speaker 2>is that gonna Happenry, No, it's your boyfriend.

0:38:17.080 --> 0:38:20.000
<v Speaker 1>But but does that happen? You're not gonna tell me?

0:38:20.360 --> 0:38:21.440
<v Speaker 2>This is spoiler.

0:38:21.480 --> 0:38:25.960
<v Speaker 1>I want now please tell me, because.

0:38:25.760 --> 0:38:27.520
<v Speaker 2>I mean, how old is he supposed to be at

0:38:27.520 --> 0:38:28.319
<v Speaker 2>this point?

0:38:28.719 --> 0:38:29.200
<v Speaker 1>How old?

0:38:29.920 --> 0:38:33.799
<v Speaker 2>Like the card? Okay, an eighteen year old nineteen year

0:38:33.800 --> 0:38:36.759
<v Speaker 2>old boy? I'm sorry, that's living night next door to

0:38:36.800 --> 0:38:40.400
<v Speaker 2>you with a Jeff Jill connecting bathroom. I'm sorry, walking

0:38:40.440 --> 0:38:42.919
<v Speaker 2>around in heels in a black stropolis braw and it's

0:38:42.920 --> 0:38:44.880
<v Speaker 2>probably like, I don't know. Does she turned around? I

0:38:44.880 --> 0:38:46.480
<v Speaker 2>did and see that bar. It was a g strength, No,

0:38:46.640 --> 0:38:49.360
<v Speaker 2>it had it was French. Okay, it doesn't matter what

0:38:49.400 --> 0:38:52.080
<v Speaker 2>it was. That's hard to resist. I'm sorry. He's just

0:38:52.120 --> 0:38:56.640
<v Speaker 2>a young but it's who never does anything wrong, but

0:38:56.680 --> 0:39:03.120
<v Speaker 2>he still has he still is feelings. She's Louise. That

0:39:03.120 --> 0:39:05.879
<v Speaker 2>would be a hard one to turn down. She's making

0:39:05.920 --> 0:39:07.720
<v Speaker 2>it real hard, which isn't nice of her.

0:39:07.719 --> 0:39:11.560
<v Speaker 1>And not fast, like, yeah, she's not wasting any time.

0:39:11.560 --> 0:39:13.600
<v Speaker 2>But they kissed me. Of course, She's probably always had

0:39:13.600 --> 0:39:16.760
<v Speaker 2>a crush on him, and she's probably here and like, oh, okay,

0:39:16.760 --> 0:39:20.200
<v Speaker 2>this is perfect. I'm right here. I'm gonna get him.

0:39:20.239 --> 0:39:23.239
<v Speaker 3>They sure like to show her pot cigarette. I don't

0:39:23.239 --> 0:39:23.960
<v Speaker 3>know what you call that.

0:39:25.400 --> 0:39:27.400
<v Speaker 1>She took one, but she never smoked it, right.

0:39:27.800 --> 0:39:30.279
<v Speaker 3>Yeah, she has one there and then she like put

0:39:30.320 --> 0:39:35.040
<v Speaker 3>it in her cigarettes. I don't know. I was nervous

0:39:35.440 --> 0:39:37.360
<v Speaker 3>Walsh's credit card. I thought she was really going to

0:39:37.440 --> 0:39:39.319
<v Speaker 3>go to town on it. I was like, give her a

0:39:39.440 --> 0:39:42.960
<v Speaker 3>spending limit at least something. I'm like, oh my god,

0:39:43.360 --> 0:39:45.080
<v Speaker 3>what are you thinking of Valerie?

0:39:45.520 --> 0:39:48.319
<v Speaker 2>Here's why I like her. She's a bad girl, but

0:39:48.360 --> 0:39:53.840
<v Speaker 2>she doesn't play it. She has a genuine what's the word,

0:39:55.719 --> 0:39:59.640
<v Speaker 2>like a nice heart quality coming through that makes her vulnerable.

0:40:00.120 --> 0:40:04.880
<v Speaker 3>So yeah, well because she's very cute looking. She's so

0:40:05.200 --> 0:40:07.040
<v Speaker 3>cute looking in the hair.

0:40:07.080 --> 0:40:09.200
<v Speaker 2>She acts cute, you know, she Yeah, and you don't

0:40:09.200 --> 0:40:11.480
<v Speaker 2>feel threatened by her, like yeah, you don't feel like

0:40:11.480 --> 0:40:13.480
<v Speaker 2>there's a mean bone in her body. So you're like,

0:40:13.680 --> 0:40:16.240
<v Speaker 2>okay that those are the types you don't see coming?

0:40:16.600 --> 0:40:16.920
<v Speaker 2>Were you?

0:40:18.840 --> 0:40:21.400
<v Speaker 3>And she sort of looked. There was this scene at

0:40:21.440 --> 0:40:24.080
<v Speaker 3>the debutante party, I don't know what to call it,

0:40:24.360 --> 0:40:27.560
<v Speaker 3>where she was real kind of cringey, nervous, and then

0:40:28.480 --> 0:40:31.080
<v Speaker 3>someone brought her her drink and they were Brandon maybe

0:40:31.120 --> 0:40:32.840
<v Speaker 3>came over and she's sort of relaxed. But I was like,

0:40:32.880 --> 0:40:36.839
<v Speaker 3>are we supposed to like hmm, she was very you know,

0:40:36.960 --> 0:40:38.120
<v Speaker 3>nervous or something.

0:40:38.920 --> 0:40:39.680
<v Speaker 1>I didn't notice.

0:40:40.080 --> 0:40:42.600
<v Speaker 3>It's right when she first gets there, and I was like, oh,

0:40:42.640 --> 0:40:44.840
<v Speaker 3>what's she doing. I'm sort of ready for her to

0:40:46.080 --> 0:40:52.200
<v Speaker 3>at any minute, like yeah, like the dark side is

0:40:52.280 --> 0:40:53.800
<v Speaker 3>real buried, but it's coming.

0:40:53.920 --> 0:40:55.680
<v Speaker 1>It's coming. You can tell it's coming.

0:40:57.280 --> 0:40:57.759
<v Speaker 3>How do you all.

0:40:58.200 --> 0:40:59.520
<v Speaker 1>I'm looking forward to that.

0:41:00.280 --> 0:41:04.000
<v Speaker 3>How do you guys feel about the Jesse Andrea daycare

0:41:04.280 --> 0:41:05.920
<v Speaker 3>baby dilemma?

0:41:06.320 --> 0:41:06.839
<v Speaker 2>I don't care.

0:41:09.200 --> 0:41:12.879
<v Speaker 1>Well. I mean I was thinking while I was watching it, like, well,

0:41:12.920 --> 0:41:16.440
<v Speaker 1>this is what they get for, you know, getting pregnant

0:41:16.440 --> 0:41:19.680
<v Speaker 1>and this is their life now. But I don't really

0:41:19.719 --> 0:41:23.160
<v Speaker 1>as a especially if I were the age audience that

0:41:23.320 --> 0:41:25.440
<v Speaker 1>was into our show, I would be like, why am

0:41:25.520 --> 0:41:27.719
<v Speaker 1>I watching this? I don't care about these people and

0:41:27.760 --> 0:41:28.600
<v Speaker 1>their baby, And.

0:41:29.880 --> 0:41:31.879
<v Speaker 2>Right, that's all I met when I said I don't care.

0:41:32.000 --> 0:41:34.800
<v Speaker 2>It's like I'm watching a teen show, Like at that point,

0:41:34.920 --> 0:41:38.279
<v Speaker 2>that's not that stuff we think we deal with later.

0:41:38.320 --> 0:41:40.480
<v Speaker 2>But I know it's a reality for teens. It happens,

0:41:40.880 --> 0:41:44.719
<v Speaker 2>and obviously a good storyline. They were being topical and.

0:41:45.120 --> 0:41:47.080
<v Speaker 1>It feels a little bit like a movie of the

0:41:47.120 --> 0:41:50.560
<v Speaker 1>week messaging thing, like like a movie of the week

0:41:50.560 --> 0:41:54.439
<v Speaker 1>where it's a teen pregnancy and you know how hard

0:41:54.480 --> 0:41:55.959
<v Speaker 1>it is to be a teen mom.

0:41:56.840 --> 0:42:00.680
<v Speaker 3>I'm much more into his bar stuff. I'm like, Okay,

0:42:00.960 --> 0:42:03.279
<v Speaker 3>he's very charming at the bar. He sort of has

0:42:03.320 --> 0:42:06.680
<v Speaker 3>the run in with Dylan. I'm definitely noticing all the

0:42:06.760 --> 0:42:11.520
<v Speaker 3>pretty ladies in the bar. Those scenes then like, poor

0:42:11.560 --> 0:42:15.400
<v Speaker 3>Gabriella is giving her nothing to do, I mean, just

0:42:15.400 --> 0:42:16.280
<v Speaker 3>like hold the baby.

0:42:16.480 --> 0:42:20.480
<v Speaker 1>Yeah. I like it though, how her body didn't go

0:42:20.640 --> 0:42:23.800
<v Speaker 1>right back to what it was before pregnancy looks natural.

0:42:23.800 --> 0:42:25.520
<v Speaker 1>I think we kind of talked about that last week.

0:42:25.520 --> 0:42:29.279
<v Speaker 1>But the bar thing for me is weird because my

0:42:29.840 --> 0:42:33.920
<v Speaker 1>husband owns a bar and he often works in it

0:42:33.960 --> 0:42:36.200
<v Speaker 1>and you know, has to hold down for it and

0:42:36.239 --> 0:42:39.440
<v Speaker 1>be a bartender sometimes. So I was it always on

0:42:39.560 --> 0:42:40.680
<v Speaker 1>my head? Is that what it's like?

0:42:42.640 --> 0:42:45.760
<v Speaker 2>It's not, but for no reason, A little bit it's.

0:42:45.640 --> 0:42:47.920
<v Speaker 3>Too close for comfort, triggering.

0:42:47.600 --> 0:42:51.400
<v Speaker 1>But for no reason because at Dave's bar, it's mostly

0:42:51.480 --> 0:42:58.480
<v Speaker 1>just guys drinking beer and watching sports exactly, don't do anything.

0:42:58.880 --> 0:43:01.319
<v Speaker 3>I have so many more questions about this episode. Did

0:43:01.360 --> 0:43:05.280
<v Speaker 3>we think that this was the debut of the itty

0:43:05.280 --> 0:43:07.440
<v Speaker 3>bitty backpack trend?

0:43:09.040 --> 0:43:10.480
<v Speaker 1>Well, who had an itty bitty backpack?

0:43:10.680 --> 0:43:13.360
<v Speaker 2>That's fine to say, you guys say it aty bitty backpack,

0:43:13.640 --> 0:43:14.799
<v Speaker 2>itty bitty backpack.

0:43:14.920 --> 0:43:19.359
<v Speaker 3>It's fun, right, that was a cute I saw that

0:43:19.560 --> 0:43:23.399
<v Speaker 3>and was like, is this because right time we all

0:43:23.440 --> 0:43:30.440
<v Speaker 3>started wearing itty bitty backpacks like all around college, and

0:43:30.480 --> 0:43:32.680
<v Speaker 3>so I'm like, was this the debut of the Little

0:43:32.719 --> 0:43:33.640
<v Speaker 3>Black backpack.

0:43:34.480 --> 0:43:42.000
<v Speaker 1>Hmm, I think so maybe maybe twice.

0:43:42.080 --> 0:43:43.759
<v Speaker 3>Shoot, you were it at the bank and then you

0:43:43.800 --> 0:43:47.440
<v Speaker 3>wore it again, the little Black backpack.

0:43:48.719 --> 0:43:50.799
<v Speaker 1>I was sad that Dylan never came. He said he

0:43:50.840 --> 0:43:52.560
<v Speaker 1>was going to come, and he never came. He told

0:43:52.600 --> 0:43:54.840
<v Speaker 1>Donna he would be there.

0:43:55.600 --> 0:43:58.399
<v Speaker 3>That's when we got the like nine shots of the

0:43:58.440 --> 0:44:03.279
<v Speaker 3>pool table. It was like he was gonna come.

0:44:03.840 --> 0:44:05.160
<v Speaker 2>Dream episode coming soon?

0:44:07.080 --> 0:44:07.600
<v Speaker 1>Yeah?

0:44:07.800 --> 0:44:08.080
<v Speaker 3>Is it?

0:44:09.160 --> 0:44:09.640
<v Speaker 1>I don't know.

0:44:10.120 --> 0:44:12.359
<v Speaker 3>He's just all drunk again. Still at the end. Can

0:44:12.360 --> 0:44:13.480
<v Speaker 3>we talk about that scene?

0:44:13.560 --> 0:44:14.640
<v Speaker 2>Do you know what I'm talking about? Amy?

0:44:14.719 --> 0:44:15.560
<v Speaker 3>Wait? Say it again?

0:44:15.840 --> 0:44:22.120
<v Speaker 2>Is the dream episode coming soon? That Dylan? I can't

0:44:22.320 --> 0:44:27.200
<v Speaker 2>remember my dream episode? I can't remember what I do

0:44:27.440 --> 0:44:29.799
<v Speaker 2>love though, And probably my favorite scene in this whole

0:44:29.800 --> 0:44:32.800
<v Speaker 2>episode is the Dylan and Donna scene in the kitchen.

0:44:36.040 --> 0:44:38.280
<v Speaker 1>Mm hmm, it's really good.

0:44:40.040 --> 0:44:43.880
<v Speaker 2>Yeah you didn't like it? What's say it? Say?

0:44:43.920 --> 0:44:44.200
<v Speaker 3>It's it?

0:44:44.520 --> 0:44:46.759
<v Speaker 1>No, I was just remembering when I was watching it,

0:44:46.800 --> 0:44:49.759
<v Speaker 1>I was thinking, Oh, they like each other, like, yeah,

0:44:49.920 --> 0:44:56.360
<v Speaker 1>very kindred little relationship. He's Cyril and on the show,

0:44:56.400 --> 0:45:00.200
<v Speaker 1>you know, like you guys are so close in real life?

0:44:59.480 --> 0:45:03.279
<v Speaker 3>Yea, did you have that similar relationship with Luke? He's

0:45:03.320 --> 0:45:07.200
<v Speaker 3>so loving toward you in any.

0:45:07.440 --> 0:45:09.439
<v Speaker 1>Left sorry, oh my god.

0:45:09.840 --> 0:45:15.640
<v Speaker 3>Yeah, somewhere in a brotherly brother Yeah that hand to flirt.

0:45:16.280 --> 0:45:17.279
<v Speaker 3>There's just enough.

0:45:17.920 --> 0:45:20.799
<v Speaker 2>But that was lit Luke, Like you know, he was

0:45:20.840 --> 0:45:24.279
<v Speaker 2>always looking out for me, always worried. He was that

0:45:24.320 --> 0:45:28.480
<v Speaker 2>one that would step in and, you know, do something

0:45:28.560 --> 0:45:32.040
<v Speaker 2>if something wasn't going right. But also at the same time,

0:45:32.239 --> 0:45:34.279
<v Speaker 2>you would like call me Cammell because he said I

0:45:34.280 --> 0:45:38.160
<v Speaker 2>had the most beautiful sexy like lashes, long lashes. So

0:45:38.320 --> 0:45:40.640
<v Speaker 2>but it wasn't a threatening sexual thing. It was just

0:45:40.680 --> 0:45:43.200
<v Speaker 2>always like, oh, it means you feel good about yourself, like.

0:45:44.160 --> 0:45:47.520
<v Speaker 3>And you really did the same in that scene, and

0:45:47.560 --> 0:45:50.120
<v Speaker 3>I thought that was so important, Like you're like, you

0:45:50.160 --> 0:45:53.120
<v Speaker 3>know what, I feel bad for you. I know how

0:45:53.120 --> 0:45:56.600
<v Speaker 3>painful this is. Like we want you just come back

0:45:56.600 --> 0:46:00.120
<v Speaker 3>to us. You don't. You're not just a wallflower like

0:46:00.360 --> 0:46:03.080
<v Speaker 3>taking his compliments. You really stood up too, And that's

0:46:03.120 --> 0:46:05.400
<v Speaker 3>why I love the relationship. It's very equal.

0:46:06.880 --> 0:46:08.879
<v Speaker 2>That is so weird you say that because as soon

0:46:08.920 --> 0:46:10.839
<v Speaker 2>as you said that, you know, when things just go

0:46:11.239 --> 0:46:14.080
<v Speaker 2>come back to you. We had that in real life

0:46:14.120 --> 0:46:17.440
<v Speaker 2>because I mean, I'm still trying to find my voice

0:46:17.440 --> 0:46:19.880
<v Speaker 2>in life. But back then it was really hard for

0:46:19.920 --> 0:46:21.839
<v Speaker 2>me to speak out. Donna speaks out way more than

0:46:21.840 --> 0:46:26.719
<v Speaker 2>toy me back then, and Luke I was able to

0:46:27.360 --> 0:46:29.600
<v Speaker 2>like we would have like things in life that he

0:46:29.680 --> 0:46:32.560
<v Speaker 2>would be very adamant about, and I would actually talk

0:46:32.600 --> 0:46:34.720
<v Speaker 2>back to him and say step where other people I wouldn't.

0:46:34.760 --> 0:46:35.960
<v Speaker 2>I wasn't comfortable.

0:46:38.440 --> 0:46:41.960
<v Speaker 3>That's interesting. It's probably his nature to welcome that, do

0:46:42.000 --> 0:46:43.239
<v Speaker 3>you know what I mean? Like he wasn't going to

0:46:43.320 --> 0:46:45.600
<v Speaker 3>turn on you if you did that, which was exactly

0:46:45.680 --> 0:46:48.040
<v Speaker 3>what I saw in the scene. You were able to

0:46:48.080 --> 0:46:50.520
<v Speaker 3>say to each other the things that needed to be said,

0:46:50.880 --> 0:46:54.279
<v Speaker 3>and him saying, Donna, you're not your mother, Like, I

0:46:54.280 --> 0:46:57.680
<v Speaker 3>don't know, I just that scene is so good. It's

0:46:57.840 --> 0:47:04.160
<v Speaker 3>so good. And he's very like David Silver, David Silver,

0:47:04.480 --> 0:47:07.360
<v Speaker 3>and he's like that's one dude, and fourteen thousand people

0:47:07.360 --> 0:47:11.960
<v Speaker 3>at the school, like you're good. I don't know. I

0:47:12.040 --> 0:47:13.600
<v Speaker 3>just wo for me.

0:47:13.719 --> 0:47:16.800
<v Speaker 1>I loved it, good big brotherly vibes.

0:47:17.160 --> 0:47:19.040
<v Speaker 2>Yeah. I think he was probably giving me the same

0:47:19.040 --> 0:47:22.479
<v Speaker 2>advice to the boyfriend I had it in real life

0:47:22.920 --> 0:47:24.920
<v Speaker 2>business probably around the same time.

0:47:25.640 --> 0:47:29.439
<v Speaker 3>Yeah, yeah, can I ask you guys about my random things?

0:47:29.520 --> 0:47:32.040
<v Speaker 3>So Claire, we have the return of Claire and suddenly

0:47:32.040 --> 0:47:32.840
<v Speaker 3>she's a sophomore.

0:47:33.160 --> 0:47:38.640
<v Speaker 1>Oh convenient. Oh just like David. Though, just like David

0:47:38.760 --> 0:47:42.680
<v Speaker 1>became a senior right with the group.

0:47:42.880 --> 0:47:46.279
<v Speaker 3>Let people skip grades. Yeah. I also I had a

0:47:46.320 --> 0:47:50.320
<v Speaker 3>red flag on the registering at the card tables because

0:47:52.040 --> 0:47:55.319
<v Speaker 3>we didn't There was no internet at this point, but

0:47:55.360 --> 0:47:58.319
<v Speaker 3>there was like technology, so we registered for classes. You

0:47:58.360 --> 0:48:00.759
<v Speaker 3>had to use something called tell abear and you would

0:48:00.760 --> 0:48:04.040
<v Speaker 3>have to call like a phone number, and then you

0:48:04.080 --> 0:48:07.279
<v Speaker 3>would like enter in the classes you wanted. So I

0:48:07.320 --> 0:48:09.440
<v Speaker 3>don't know if any schools were still at this time

0:48:09.520 --> 0:48:13.360
<v Speaker 3>doing it like card table registration. I've never seen anything

0:48:13.400 --> 0:48:13.719
<v Speaker 3>like that.

0:48:13.840 --> 0:48:15.759
<v Speaker 2>We both went to college. On TV, you're asking a

0:48:15.760 --> 0:48:21.200
<v Speaker 2>wrong to people. For all our listeners, Amy has a question.

0:48:21.600 --> 0:48:24.600
<v Speaker 3>My favorite part is I love Kelly and Brandon are

0:48:24.600 --> 0:48:27.840
<v Speaker 3>going to the registration and they're holding hands and they're

0:48:28.040 --> 0:48:30.400
<v Speaker 3>walking up to some table. I don't know, maybe your

0:48:30.440 --> 0:48:35.960
<v Speaker 3>psychology teacher. So then Kelly turns and immediately bumps into

0:48:36.680 --> 0:48:40.440
<v Speaker 3>an extra you know in the scene that she fully

0:48:40.520 --> 0:48:45.160
<v Speaker 3>knows just in the background, chummy chummy chummy with her,

0:48:45.160 --> 0:48:47.040
<v Speaker 3>and then you even say call you later.

0:48:50.120 --> 0:48:53.000
<v Speaker 1>I'm sure that was all ad libbed, because it's very

0:48:53.160 --> 0:48:56.759
<v Speaker 1>very awkward when you're in a scene and they, you know,

0:48:57.160 --> 0:49:00.799
<v Speaker 1>say go when you walk away so we can still

0:49:00.800 --> 0:49:02.960
<v Speaker 1>see you on camera, what are you supposed to do? Like,

0:49:03.440 --> 0:49:05.719
<v Speaker 1>I had to fill those moments with something and better

0:49:05.760 --> 0:49:08.600
<v Speaker 1>to be. Of course, Kelly has other friends than Donna

0:49:09.080 --> 0:49:12.560
<v Speaker 1>and you know Steve and the group, so I'm sure

0:49:12.640 --> 0:49:14.279
<v Speaker 1>I was like, let's just fill this up a little

0:49:14.320 --> 0:49:16.080
<v Speaker 1>bit because it's so weird.

0:49:16.160 --> 0:49:19.480
<v Speaker 3>Not too background actor probably like pooped their pants, like

0:49:19.520 --> 0:49:20.520
<v Speaker 3>and she stopped.

0:49:20.680 --> 0:49:22.640
<v Speaker 1>Yeah, she was good at it too. I feel i'm

0:49:23.160 --> 0:49:24.120
<v Speaker 1>we might have been friends.

0:49:24.120 --> 0:49:27.960
<v Speaker 3>Who knows like she's I'm in, I'm in, and then

0:49:28.000 --> 0:49:29.520
<v Speaker 3>you give her the call you later and she gives

0:49:29.520 --> 0:49:32.480
<v Speaker 3>you like a glance like you got it, like because.

0:49:32.239 --> 0:49:34.680
<v Speaker 2>They can't say anything out loud.

0:49:35.520 --> 0:49:38.640
<v Speaker 3>Yeah, so good. I'm like, oh my god, that was

0:49:39.880 --> 0:49:45.360
<v Speaker 3>the epic h There was a lot of like Beverly Hills,

0:49:45.400 --> 0:49:49.080
<v Speaker 3>Like I noticed it's right where Will sure kind of

0:49:49.120 --> 0:49:52.359
<v Speaker 3>gets towards the Beverly Hilton, that walking path right there.

0:49:52.480 --> 0:49:56.400
<v Speaker 3>We saw a lot of that. Yeah, a lot of

0:49:56.520 --> 0:49:59.480
<v Speaker 3>pool breaking that what is it called when you break

0:49:59.520 --> 0:50:03.760
<v Speaker 3>the you know, the balls are all in their pie

0:50:03.960 --> 0:50:05.719
<v Speaker 3>and then you you break them.

0:50:06.080 --> 0:50:07.280
<v Speaker 2>Oh, game of pool.

0:50:07.360 --> 0:50:09.200
<v Speaker 1>I was like, you break it, it's a break.

0:50:09.440 --> 0:50:12.920
<v Speaker 3>Yeah, But they did that like eight times. I'm like, okay,

0:50:12.920 --> 0:50:14.960
<v Speaker 3>we get it. We're gonna see some pool.

0:50:15.000 --> 0:50:18.719
<v Speaker 1>He really likes pool, you know.

0:50:18.760 --> 0:50:21.759
<v Speaker 3>I to ask you guys, there's a gratuitous shot of

0:50:21.800 --> 0:50:23.120
<v Speaker 3>the star Maps guy.

0:50:23.640 --> 0:50:24.480
<v Speaker 1>Yeah.

0:50:24.719 --> 0:50:27.239
<v Speaker 2>Was that a real Star Maps guy or was that

0:50:27.680 --> 0:50:28.800
<v Speaker 2>a person actor?

0:50:29.160 --> 0:50:31.799
<v Speaker 3>Exactly? And has the Star Maps ever gotten any of

0:50:31.840 --> 0:50:34.400
<v Speaker 3>your houses? Correct? Okay?

0:50:34.400 --> 0:50:39.080
<v Speaker 2>So growing up, we the manor that we moved into wasn'

0:50:39.120 --> 0:50:42.319
<v Speaker 2>until I was, you know, sixteen, but we lived on

0:50:42.600 --> 0:50:45.520
<v Speaker 2>it's called Mapleton. We lived on North Mapleton in the

0:50:45.520 --> 0:50:50.600
<v Speaker 2>house that my whole life. And outside of that, it

0:50:50.640 --> 0:50:53.480
<v Speaker 2>was a driveway across the street, that corner of Sunset

0:50:53.640 --> 0:50:57.040
<v Speaker 2>and Mapleton. Growing up, there was a Star Maps lady.

0:50:57.560 --> 0:50:59.560
<v Speaker 2>And I didn't know what it was. I just, you know,

0:50:59.600 --> 0:51:01.439
<v Speaker 2>growing up, I didn't know the difference, so I thought

0:51:01.440 --> 0:51:02.920
<v Speaker 2>it was someone that just lived there. It was like

0:51:02.960 --> 0:51:06.200
<v Speaker 2>a van, and it was always there, and she was

0:51:06.239 --> 0:51:08.680
<v Speaker 2>always out on her little, you know chair that you'd

0:51:08.719 --> 0:51:11.759
<v Speaker 2>put like a beach chair, little foldable chair, and she

0:51:11.800 --> 0:51:14.120
<v Speaker 2>would sit there with the Star Maps waiting for people

0:51:14.160 --> 0:51:14.840
<v Speaker 2>to come by.

0:51:15.400 --> 0:51:17.120
<v Speaker 3>And are they out of business now?

0:51:17.680 --> 0:51:20.319
<v Speaker 2>She became famous, she was like pretty famous. She was

0:51:20.360 --> 0:51:21.839
<v Speaker 2>like the Beverly Hills bel air.

0:51:22.160 --> 0:51:24.239
<v Speaker 1>For a while, they were on every corner, I mean,

0:51:24.520 --> 0:51:27.640
<v Speaker 1>and then they became that. Yeah, now it's more like tour.

0:51:27.960 --> 0:51:31.120
<v Speaker 1>Those tour buses are still just running rampant all of

0:51:31.160 --> 0:51:35.239
<v Speaker 1>her Hollywood, the like double decker with the chopped off thing,

0:51:35.520 --> 0:51:38.640
<v Speaker 1>completely unsafe, with the people on top just getting fried

0:51:38.719 --> 0:51:39.319
<v Speaker 1>by the sun.

0:51:41.120 --> 0:51:43.400
<v Speaker 2>Oh I love it, And I love pulling.

0:51:43.200 --> 0:51:45.000
<v Speaker 1>Up next to one of them because this happens all

0:51:45.040 --> 0:51:47.440
<v Speaker 1>the time to me, pull up next to one of

0:51:47.480 --> 0:51:50.680
<v Speaker 1>those Star Tours vans and just think, like if they

0:51:50.719 --> 0:51:53.919
<v Speaker 1>only knew, like who the people are that are next

0:51:53.960 --> 0:51:56.160
<v Speaker 1>to them most of the time in LA and they're

0:51:56.200 --> 0:51:58.279
<v Speaker 1>looking everywhere else, but.

0:51:58.760 --> 0:51:59.879
<v Speaker 3>They may ever look.

0:52:00.160 --> 0:52:03.520
<v Speaker 2>But when they do look like the same Jen, I

0:52:03.560 --> 0:52:05.200
<v Speaker 2>always wave because I was like, you know what, what

0:52:05.239 --> 0:52:08.080
<v Speaker 2>if there it's that one day they're driving and they

0:52:08.120 --> 0:52:11.200
<v Speaker 2>don't see anybody and they might not know who I am,

0:52:11.280 --> 0:52:13.080
<v Speaker 2>but for the off shot they're like, hey, we were

0:52:13.160 --> 0:52:15.040
<v Speaker 2>nine on two and O fans. I'm just always like hi.

0:52:16.040 --> 0:52:17.879
<v Speaker 3>That makes me want to rint you guys, A red

0:52:17.880 --> 0:52:20.600
<v Speaker 3>BMW so bad that you could just like drive around it?

0:52:20.680 --> 0:52:22.560
<v Speaker 3>Did you guys see Ian went to the beach house.

0:52:23.560 --> 0:52:26.240
<v Speaker 2>He saw that. I saw that on his Instagram.

0:52:26.320 --> 0:52:26.800
<v Speaker 1>Yeah.

0:52:26.840 --> 0:52:29.040
<v Speaker 3>I think he wrote something funny too, like anyone home,

0:52:29.160 --> 0:52:30.920
<v Speaker 3>like something cute. I was like, I love him.

0:52:31.040 --> 0:52:33.239
<v Speaker 1>Wait, we didn't talk about when Dylan came to the

0:52:33.320 --> 0:52:38.479
<v Speaker 1>charity event. On the table, that was my favorite part.

0:52:38.560 --> 0:52:41.360
<v Speaker 1>He went colunk on the table is a.

0:52:42.840 --> 0:52:45.440
<v Speaker 3>Love that scenems so much. It was aggressive.

0:52:45.719 --> 0:52:46.640
<v Speaker 1>It was aggressive.

0:52:46.800 --> 0:52:50.480
<v Speaker 3>You were being all whispery and dirty like brand and

0:52:50.480 --> 0:52:53.960
<v Speaker 3>then making out and then incomes dirty Dylan just all

0:52:54.160 --> 0:52:57.720
<v Speaker 3>mad with his beer so good.

0:52:58.400 --> 0:53:00.680
<v Speaker 1>It was really good, Oh my god.

0:53:00.719 --> 0:53:03.799
<v Speaker 3>And that you're right the dirty booths on their on

0:53:03.880 --> 0:53:09.319
<v Speaker 3>their beautiful black and white tablescape, which I loved. The

0:53:09.480 --> 0:53:12.520
<v Speaker 3>chairs in that party were no good, but the stable

0:53:12.600 --> 0:53:17.640
<v Speaker 3>stage was beautiful. I loved a black and white tablecloth

0:53:17.760 --> 0:53:18.920
<v Speaker 3>striped beautiful.

0:53:20.000 --> 0:53:22.160
<v Speaker 1>You know what's weird about this whole storyline too, is

0:53:22.200 --> 0:53:28.000
<v Speaker 1>that Dylan's he's mad that his best friend is taking

0:53:28.040 --> 0:53:35.799
<v Speaker 1>his girlfriend, but he took broke up best friends, you

0:53:35.840 --> 0:53:40.160
<v Speaker 1>know what I mean, Like Brendan Kelly. Yeah, it's like there,

0:53:40.160 --> 0:53:40.520
<v Speaker 1>you know.

0:53:40.800 --> 0:53:46.600
<v Speaker 3>I mean, the hypocrisy is alive and well. And I

0:53:46.680 --> 0:53:51.479
<v Speaker 3>also noticed in that scene the city. The city view,

0:53:52.840 --> 0:53:57.560
<v Speaker 3>I think was like a poster taped on a stage

0:53:57.560 --> 0:54:01.759
<v Speaker 3>wall because there was no lights like twinkling, there was

0:54:01.800 --> 0:54:04.440
<v Speaker 3>no movement, Like I literally think that was You did

0:54:04.440 --> 0:54:09.759
<v Speaker 3>not film that in a actual hotel room, you know, ballroom.

0:54:10.520 --> 0:54:13.960
<v Speaker 3>That was a poster because changed in that background.

0:54:14.400 --> 0:54:17.359
<v Speaker 1>Probably true. Yeah, yeah, oh my god.

0:54:17.680 --> 0:54:19.920
<v Speaker 3>I just want to talk about the dip. The audience

0:54:20.000 --> 0:54:24.240
<v Speaker 3>demands a dip. She's the epitome of feminine grace.

0:54:24.560 --> 0:54:27.080
<v Speaker 1>Anyway, I could go on and on, Amy, you really

0:54:27.160 --> 0:54:28.840
<v Speaker 1>love this episode. I'm going to guess you give it

0:54:28.880 --> 0:54:31.520
<v Speaker 1>like a nine.

0:54:30.719 --> 0:54:33.640
<v Speaker 3>So I think I'm giving it like a ten out

0:54:33.680 --> 0:54:38.239
<v Speaker 3>of ten. What It's one of the highest marks I've

0:54:38.560 --> 0:54:42.000
<v Speaker 3>had in the whole series. There's something about this episode

0:54:42.040 --> 0:54:45.279
<v Speaker 3>and sort of the change that's happening, you know what.

0:54:45.360 --> 0:54:48.160
<v Speaker 1>I love it that you love it that much, And

0:54:48.200 --> 0:54:51.319
<v Speaker 1>I love it that everybody has a different opinion, you know,

0:54:51.640 --> 0:54:54.800
<v Speaker 1>a different favorite episode or a different like meaningful moment

0:54:54.840 --> 0:54:57.160
<v Speaker 1>from the show. That's so cool. Never would I have

0:54:57.200 --> 0:55:01.000
<v Speaker 1>thought that this would be your ten. But okay, Jen,

0:55:01.080 --> 0:55:01.920
<v Speaker 1>what do you give it?

0:55:03.360 --> 0:55:04.480
<v Speaker 2>I mean, I give.

0:55:04.360 --> 0:55:05.080
<v Speaker 1>It like a seven.

0:55:06.680 --> 0:55:08.120
<v Speaker 3>How about you.

0:55:07.600 --> 0:55:10.319
<v Speaker 2>Close your ears ear muffs? I know you're gonna go Hi,

0:55:11.400 --> 0:55:13.200
<v Speaker 2>I'm gonna have to give it a nine and a half.

0:55:13.840 --> 0:55:16.120
<v Speaker 3>Thank you, Tory, thank you, thank you for the support.

0:55:16.719 --> 0:55:19.720
<v Speaker 2>I just am so And it's not just because Donna

0:55:19.800 --> 0:55:25.400
<v Speaker 2>did the you know, the Texas what is it, the Texas,

0:55:25.440 --> 0:55:30.840
<v Speaker 2>the dip, the Texas toast, Donna does wish you do, damn.

0:55:30.560 --> 0:55:34.560
<v Speaker 1>It, Donna dips it. Donna dips it.

0:55:34.560 --> 0:55:37.560
<v Speaker 2>It's because I just love all the characters in this episode.

0:55:37.600 --> 0:55:40.360
<v Speaker 2>I love fashion, I love this. It's moon a little faster.

0:55:41.480 --> 0:55:44.200
<v Speaker 2>I am fully in. I'm scared after episode one and

0:55:44.320 --> 0:55:45.640
<v Speaker 2>now I'm in it to it.

0:55:46.120 --> 0:55:49.879
<v Speaker 1>But you know what, it does compel me to watch

0:55:49.920 --> 0:55:52.759
<v Speaker 1>the next one, like I do want to see what's

0:55:52.800 --> 0:55:56.640
<v Speaker 1>going to happen, so that that deserves higher than a seven.

0:55:56.719 --> 0:55:58.839
<v Speaker 1>J I'm I'm gonna go eight.

0:55:59.200 --> 0:56:01.520
<v Speaker 3>I go eight, yeah, because it makes you want to

0:56:01.560 --> 0:56:02.000
<v Speaker 3>keep And then.

0:56:01.920 --> 0:56:04.160
<v Speaker 1>I'm gonna go nine because you're right, Donald was so

0:56:04.239 --> 0:56:06.879
<v Speaker 1>freaking cute in this episode through a little hair doing

0:56:06.880 --> 0:56:07.360
<v Speaker 1>that dress.

0:56:07.360 --> 0:56:10.600
<v Speaker 3>I'm gonna give it nine, Jenny. I know we have

0:56:10.640 --> 0:56:18.240
<v Speaker 3>to go, but like Brandon and Kelly are really good.

0:56:18.840 --> 0:56:23.840
<v Speaker 3>They are so cute, They're really good. It's like I

0:56:23.840 --> 0:56:24.279
<v Speaker 3>I'm just.

0:56:24.440 --> 0:56:28.640
<v Speaker 2>In I'm feeling like stuff with Dylan and Kelly are coming, though.

0:56:29.320 --> 0:56:30.680
<v Speaker 1>I don't know. I don't know.

0:56:31.800 --> 0:56:35.320
<v Speaker 2>We really, you don't know. We will see next week.

0:56:36.440 --> 0:56:39.760
<v Speaker 3>She had like a message board where I could join

0:56:39.880 --> 0:56:41.200
<v Speaker 3>everybody and talk about this.

0:56:42.840 --> 0:56:43.600
<v Speaker 2>Do we have a reddit?

0:56:43.640 --> 0:56:46.319
<v Speaker 3>Can set that up, but I'll just do it on Instagram.

0:56:46.440 --> 0:56:48.160
<v Speaker 3>I don't know how to reading on board.

0:56:48.160 --> 0:56:49.840
<v Speaker 2>They have it for every nine.

0:56:51.800 --> 0:56:54.200
<v Speaker 3>People. Too many people will say how much they hate me.

0:56:54.239 --> 0:56:59.799
<v Speaker 2>On any stop that wasn't about you, Like it would

0:56:59.840 --> 0:57:01.840
<v Speaker 2>be nice for the fans and for us to communicate

0:57:01.880 --> 0:57:05.319
<v Speaker 2>on Reddit. Okay, sorry Jen?

0:57:05.440 --> 0:57:08.719
<v Speaker 1>On that note, Yeah, next episode a clean slate.

0:57:09.880 --> 0:57:11.680
<v Speaker 2>Jenn, He's like, thank god, a clean slate.

0:57:11.960 --> 0:57:16.160
<v Speaker 1>Yes, episode three of season five, So do your homework.

0:57:16.200 --> 0:57:19.120
<v Speaker 1>People watch it and we shall chat about it next

0:57:19.160 --> 0:57:19.360
<v Speaker 1>week