WEBVTT - Deborah

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<v Speaker 1>Pushkin. Hey, you picked up the phone. Very spontaneous. Do

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<v Speaker 1>you think I'm spontaneous? No, nothing spontaneous about you. I'm

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<v Speaker 1>pretty spontaneous. I live in Minnesota, Minnesota.

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<v Speaker 2>I got married. Oh, while I was at the shopping mill,

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<v Speaker 2>I bought a parrot.

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<v Speaker 3>Yeah.

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<v Speaker 2>Oh wait one.

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<v Speaker 1>Second, chicken lever.

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<v Speaker 2>Oh did you hear that in the background?

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<v Speaker 3>Yeah?

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<v Speaker 2>What Jackie Cohen? Oh did you hear that?

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<v Speaker 4>Jackie Coin?

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<v Speaker 1>What she hung up on you? I know she did

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<v Speaker 1>imaginary parrot from Pushkin Industries. I'm Jonathan Goldstein and this

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<v Speaker 1>is Heavyweight Today's episode. Deborah right after the break.

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<v Speaker 2>Hello, Hello, is this Barbara?

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<v Speaker 3>No, this is Deborah.

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<v Speaker 2>How are you related to Barbara?

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<v Speaker 3>I don't know who Barbara is.

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<v Speaker 1>Although this might sound like a classic cheech and chong routine,

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<v Speaker 1>it's actually me phoning Debrah. Deborah, you should know, is

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<v Speaker 1>one hundred and two years old. Yet it is I

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<v Speaker 1>who is having the senior moment. Oh my, I'm so sorry.

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<v Speaker 1>For some reason, I think I thought your name was Barbara.

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<v Speaker 3>Hey, I've lived long enough I could take any name.

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<v Speaker 1>I'm phoning Deborah. Her name is Deborah because she made

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<v Speaker 1>a discovery recently that has turned her life on its head.

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<v Speaker 1>It all began with a phone call from her daughter Lee.

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<v Speaker 3>She called me several months ago and she said, Mom,

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<v Speaker 3>given your age, I'd like to help you clear out

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<v Speaker 3>your storage room. So I said fine, When are you coming?

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<v Speaker 3>She said? Now.

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<v Speaker 1>The storage room is a room in Deborah's Bronx apartment.

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<v Speaker 1>She affectionately calls it the snake pit. It's where expired

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<v Speaker 1>vitamins and broken kitchen appliances collecked well. Cleaning it out,

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<v Speaker 1>her daughter Lee saw something that caught her.

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<v Speaker 3>Eye, and she walked out of the storage room with

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<v Speaker 3>the cardboard box.

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<v Speaker 1>Written across the top of the box were Debrah's initials,

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<v Speaker 1>and beside those initials, underlined in black ink, were the

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<v Speaker 1>words go through. When Debra lifted the lid, she uncovered

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<v Speaker 1>something she'd stashed away long ago and had never gone through.

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<v Speaker 3>Two hundred fifty six letters written to me when I

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<v Speaker 3>was twenty one.

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<v Speaker 1>The letters, tied up in ribboned bundles were from Deborah's

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<v Speaker 1>first love, a man named Jerry Robbins.

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<v Speaker 3>We were engaged to be married. He okay, I'm sorry.

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<v Speaker 1>Jerry was killed in World War Two on Christmas Eve

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<v Speaker 1>nineteen forty four.

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<v Speaker 3>My future was shredded as well as the man that

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<v Speaker 3>I loved.

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<v Speaker 1>And had you forgotten about these letters?

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<v Speaker 3>I didn't forget. I just found his death so disturbing

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<v Speaker 3>I couldn't take it. So I sequestered that aspect of

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<v Speaker 3>my prior life away and never looked at it again.

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<v Speaker 5>She has a really powerful ability to flip the switch.

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<v Speaker 2>As she calls it.

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<v Speaker 1>This is Deborah's daughter Lee.

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<v Speaker 5>Put it away, not think about it.

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<v Speaker 1>And that's just what Debra did. To escape the grief

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<v Speaker 1>of Jerry's death. She threw herself into graduate school, got

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<v Speaker 1>a master's degree in social work, and from there life

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<v Speaker 1>just kept unspooling. She married a man named Irving, who

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<v Speaker 1>was an attorney and a good provider, and together they

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<v Speaker 1>raised three kids. All the while, through sixty four years

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<v Speaker 1>of marriage, through every move, every new chapter, Deborah kept

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<v Speaker 1>the box with its lid closed shut until recently, nearly

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<v Speaker 1>eighty years after Jerry's death and over a decade after

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<v Speaker 1>the death of her husband Irving, Deborah was finally ready

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<v Speaker 1>to open the box and start reading.

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<v Speaker 3>Every letter, every postcard, and every V mail email V mail.

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<v Speaker 3>The letter V as in victory right right.

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<v Speaker 1>Will you listen to me? V? Mail, as I only

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<v Speaker 1>later learned, was a method the government used to get

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<v Speaker 1>soldiers letters to their families. And as Deborah read these letters,

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<v Speaker 1>something began to happen.

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<v Speaker 3>I fell love with Jerry again.

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<v Speaker 1>Not only did the box contain Jerry's handwritten letters, but

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<v Speaker 1>also a number of his poems and short stories. Jerry,

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<v Speaker 1>Deborah tells me, was an aspiring writer with big dreams.

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<v Speaker 3>His absolute motivation was to write, write, and compose. If

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<v Speaker 3>he had a pencil or a pen in hand, he

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<v Speaker 3>seek out paper to write on.

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<v Speaker 1>The sheer volume of letters their depth and detail attest

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<v Speaker 1>to this, and each day, sometimes all through the day,

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<v Speaker 1>Deborah would read and reread Jerry's words, and as she did,

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<v Speaker 1>she felt him return to her. It was like time

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<v Speaker 1>had collapsed.

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<v Speaker 3>How can ae hundred and one year old woman whose

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<v Speaker 3>hormones have long since shriveled fall in love again.

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<v Speaker 1>Debra's daughter Lee noticed the change that came over her mother,

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<v Speaker 1>how re energized she'd become, and Lee thought that was wonderful.

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<v Speaker 1>To a point.

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<v Speaker 5>There's a thin line, because she started slipping into what

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<v Speaker 5>we would call Jerry Land.

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<v Speaker 1>Oh what is that?

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<v Speaker 5>That is? Not label it too much, but a kind

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<v Speaker 5>of overarching obsession with all things Jerry.

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<v Speaker 4>All she did was live in Jerry Land.

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<v Speaker 1>This is Debra's other daughter, Lauren.

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<v Speaker 6>And every time I called her up or would see her,

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<v Speaker 6>it would be Jerry said this, and Jerry said that.

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<v Speaker 5>She would spend all my conversations with her just talking

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<v Speaker 5>about Jerry.

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<v Speaker 1>It sounds a little bit of the way you just

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<v Speaker 1>describe it as like, you know, like when a teenager's

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<v Speaker 1>in love. You know, yeah, they're just drawing like the

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<v Speaker 1>person's name and tarts, you know, in their notebook or something.

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<v Speaker 5>Yeah, you just can't help but talk about it all

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<v Speaker 5>the time.

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<v Speaker 1>Lauren says their mother stopped watching movies, reading books, attending

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<v Speaker 1>the classes she took online.

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<v Speaker 6>I was concerned about it. Lee was concerned about it.

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<v Speaker 6>We all kept saying, here, mom, here's a great book,

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<v Speaker 6>read this, watch this. Why don't you invite people over?

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<v Speaker 6>And it was truly like she was in a bubble.

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<v Speaker 1>Also concerning to Lauren is how since the discovery of

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<v Speaker 1>the letters, Jerry has threatened to eclipse her late father Irving.

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<v Speaker 1>For proof, you need look no further than Deborah's living room.

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<v Speaker 1>On an entry table by the door is a photoph

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<v Speaker 1>of Irving. But beside her favorite chair is one of

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<v Speaker 1>Jerry sitting.

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<v Speaker 6>Right next to her, and my father is off to

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<v Speaker 6>the side.

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<v Speaker 4>What the hell?

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<v Speaker 1>How does that make you feel?

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<v Speaker 4>Weird? Strange?

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<v Speaker 1>Deborah, for her part, insists her feelings for Jerry have

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<v Speaker 1>no bearing on the love she feels for her late husband.

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<v Speaker 1>But this passionate side of Deborah is new to Lauren.

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<v Speaker 6>They always say, we become more of ourselves the older

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<v Speaker 6>we get.

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<v Speaker 2>Do you think so?

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<v Speaker 4>I think so, don't you.

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<v Speaker 1>I'd like to think so. Yeah. I mean it certainly

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<v Speaker 1>seems like with your mother. I mean she continues to grow,

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<v Speaker 1>you know.

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<v Speaker 4>She does.

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<v Speaker 6>There's a great line I love to quote and it's

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<v Speaker 6>from Metallica, Metallica, the heavy metal Dads, and they one

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<v Speaker 6>of the lines is my lifestyle determines.

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<v Speaker 4>My death style. And I think it's a great line.

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<v Speaker 6>Like not she's not dying, but you know, I think

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<v Speaker 6>we just keep becoming more. Yeah, and oh there, I'm

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<v Speaker 6>sorry for all these texts.

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<v Speaker 4>My husband just got nominated for two Emmys.

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<v Speaker 1>Oh my goodness, that's fantastic.

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<v Speaker 4>Yeah.

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<v Speaker 1>As it happens, Lauren's husband is the award winning documentary

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<v Speaker 1>filmmaker Joe Berlinger. Among his work some kind of monster,

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<v Speaker 1>an exploration of Metallica's experience in group therapy.

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<v Speaker 6>He just got dominated in My whole family is like, Yay,

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<v Speaker 6>that's great, your grads.

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<v Speaker 1>Good for him, But you know, it's also good as good,

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<v Speaker 1>if not better than being nominated for TV's most prestigious award.

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<v Speaker 1>Helping people. And right now I'm going to help Deborah

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<v Speaker 1>with something she's taken to calling her mandate.

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<v Speaker 3>When I was a daughter, I had an obligation to

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<v Speaker 3>my parents, as a student, to my teacher in my school,

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<v Speaker 3>as a wife and a mother to my family. But

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<v Speaker 3>now that I've lived this long, my mandate is to

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<v Speaker 3>do something with these amazing letters.

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<v Speaker 1>Deborah hopes to honor Jerry by giving his writing an audience.

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<v Speaker 1>It occurs to me that I have an audience, and

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<v Speaker 1>perhaps if Deborah and I read through the letters together,

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<v Speaker 1>it would fulfill her man and allow her to move on.

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<v Speaker 1>I put the idea to Lee. Do you think like

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<v Speaker 1>getting something out there into the world would allow her

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<v Speaker 1>to leave Jerry Land?

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<v Speaker 2>Yeah?

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<v Speaker 5>I do, because he'll always be twenty one. He'll always

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<v Speaker 5>be a writer who never got to live his potential.

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<v Speaker 5>So there's this quality of stuckness or stasis getting his

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<v Speaker 5>work out there. It's almost like she gets to the.

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<v Speaker 3>End, can you come to my apartment?

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<v Speaker 1>Well, I'm in Minnesota.

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<v Speaker 3>I wouldn't fly out where you are, but if you

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<v Speaker 3>can come to my home, I would be journally grateful

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<v Speaker 3>for as long as I last.

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<v Speaker 1>I mean, I would love to see the letters, and

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<v Speaker 1>it would be uh, it would be really nice to

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<v Speaker 1>meet you in person.

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<v Speaker 3>Okay, mister Goldsting, So come up, yeah, said the old

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<v Speaker 3>lighty to the young man.

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<v Speaker 1>And so it looks like this fifty six year old

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<v Speaker 1>young man is heading off to New York because, like

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<v Speaker 1>the writing on the box says, maybe the only way

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<v Speaker 1>out is to go through. And speaking of going through,

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<v Speaker 1>it's time for you to grease up the wheels on

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<v Speaker 1>your shopping cart and go through some ads. Two hundred

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<v Speaker 1>and fifty six letters. It took several weeks for my

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<v Speaker 1>producer Phoebe and me to read them all. Many of

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<v Speaker 1>the letters were missing dates and locations, but we puzzled

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<v Speaker 1>our way through, doing our best to bring chronological order,

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<v Speaker 1>and as we did, a life emerged and a portrait

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<v Speaker 1>of the young man who lived it. Went through all

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<v Speaker 1>two hundred and fifty six of the letters.

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<v Speaker 3>Oh boy, so you know Jerry.

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<v Speaker 1>Oh yeah, So let's uh, why don't we just start

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<v Speaker 1>off by reading the first letter?

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<v Speaker 4>Here goes.

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<v Speaker 3>Dear deb finding myself with a few spare moments.

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<v Speaker 1>Jerry's first letters are from the spring of nineteen forty,

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<v Speaker 1>nearly four years before he enlisted.

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<v Speaker 3>My mother advised me that she doesn't mind my saying

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<v Speaker 3>in your house till all hours of the night. She

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<v Speaker 3>likes you quite a bit, which practically makes it unanimous.

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<v Speaker 1>Deborah and Jerry had been friends since their elementary school

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<v Speaker 1>days in Brooklyn, but their friendship was beginning to blossom

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<v Speaker 1>into something more. What were you guys doing until all

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<v Speaker 1>hours of the night?

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<v Speaker 3>Talking as passionate as it was, it was never consummated,

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<v Speaker 3>which is my regret. It is a regret, oh intensely so.

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<v Speaker 1>Deborah says she was waiting for marriage.

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<v Speaker 3>But we would have had a hot time together. I

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<v Speaker 3>forgot that I'm being cool.

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<v Speaker 1>Jerry over an hour away by subway, and before texting

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<v Speaker 1>emails and the prevalence of phone calls, weekend rendezvous were

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<v Speaker 1>planned out over letters. Jerry's writing is clever. In one missive,

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<v Speaker 1>he invites Deborah out to a show for New Year's Eve.

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<v Speaker 1>When she doesn't give him a straight answer, he sends

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<v Speaker 1>a follow up to help you make a decision, and

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<v Speaker 1>for your convenience, you will find on page four of

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<v Speaker 1>this letter a ballot. Just check one and mail within

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<v Speaker 1>the next week. The ballot shows two options, yes and yes.

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<v Speaker 2>Be it.

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<v Speaker 1>In his letters or his short stories, Jerry had away

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<v Speaker 1>with a closing line. His fiction often showcased an ironic

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<v Speaker 1>reveal in the final sentence. In one story, the piecenake

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<v Speaker 1>babbling in the mental institution turns out to be a

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<v Speaker 1>former war commissioner. In another, the motorist who stops to

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<v Speaker 1>help a stranded world turns out to be an executioner

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<v Speaker 1>on his way to put the woman's son to death.

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<v Speaker 1>They were like Twilight Zone episodes. Almost twenty years before

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<v Speaker 1>the show went on the air, Jerry shared drafts of

0:17:22.209 --> 0:17:26.649
<v Speaker 1>these stories along with poems. Deborah appreciated his lyrical turns

0:17:26.689 --> 0:17:27.170
<v Speaker 1>of phrase.

0:17:28.330 --> 0:17:35.129
<v Speaker 3>I call them Jerry is instead of war, he says,

0:17:35.850 --> 0:17:47.169
<v Speaker 3>man made madness instead of bullet hot sperm of death.

0:17:48.409 --> 0:17:49.050
<v Speaker 4>How is that.

0:17:50.970 --> 0:17:54.850
<v Speaker 3>Hot sperm of death?

0:17:56.409 --> 0:17:59.570
<v Speaker 1>I'm no poet, but it strikes me that the mighty

0:17:59.649 --> 0:18:04.049
<v Speaker 1>Metallica itself would be proud to name an album something

0:18:04.169 --> 0:18:15.850
<v Speaker 1>so in one's face. As a student at Columbia studying

0:18:15.889 --> 0:18:18.889
<v Speaker 1>to be a writer, Jerry was exempt from the draft,

0:18:19.449 --> 0:18:22.450
<v Speaker 1>but in the winter of nineteen forty three, he decided

0:18:22.490 --> 0:18:27.570
<v Speaker 1>to leave school and enlist. Aside from his parents, Deborah

0:18:27.609 --> 0:18:30.609
<v Speaker 1>was the first person he told. Since one of my

0:18:30.689 --> 0:18:34.369
<v Speaker 1>guiding rules, he wrote, has always been to thine own

0:18:34.449 --> 0:18:37.449
<v Speaker 1>self be true. I feel I can't stay out any

0:18:37.449 --> 0:18:42.250
<v Speaker 1>longer just paying lip service to my beliefs. From boot camp,

0:18:42.449 --> 0:18:46.570
<v Speaker 1>Jerry's letters arrived in Deborah's mailbox every day. His clever

0:18:46.649 --> 0:18:50.010
<v Speaker 1>short stories with the tidy twilight's own endings gave way

0:18:50.129 --> 0:18:54.810
<v Speaker 1>to reportage. Jerry detailed the eccentric characters he met, the

0:18:54.889 --> 0:18:57.889
<v Speaker 1>sergeant with a jaw like a rock, the chaplain who

0:18:57.929 --> 0:19:01.449
<v Speaker 1>was a secret lush, but he also shared his feelings.

0:19:02.090 --> 0:19:04.609
<v Speaker 1>In one letter, he described the first time he stood

0:19:04.649 --> 0:19:07.850
<v Speaker 1>before a mirror and saw himself in uniform, how it

0:19:07.889 --> 0:19:12.050
<v Speaker 1>gave him chills. As training became more grueling and the

0:19:12.090 --> 0:19:15.689
<v Speaker 1>thought of war more present and real, Jerry sought refuge

0:19:15.689 --> 0:19:19.609
<v Speaker 1>in Deborah, summoning her presence during lonely evenings at camp

0:19:20.010 --> 0:19:24.010
<v Speaker 1>or long marches in the heat. I didn't mind walking

0:19:24.169 --> 0:19:28.130
<v Speaker 1>because I wasn't alone. You were with me, walking by

0:19:28.169 --> 0:19:31.729
<v Speaker 1>my side and keeping me company All the time. We

0:19:31.810 --> 0:19:36.210
<v Speaker 1>spoke about a thousand things, my furlough, the invasion, what

0:19:36.250 --> 0:19:39.169
<v Speaker 1>we're going to do together when I come back. I

0:19:39.250 --> 0:19:42.369
<v Speaker 1>recited poetry to you, and when no one was watching,

0:19:42.730 --> 0:19:45.570
<v Speaker 1>I put my arms around you, held you close to me,

0:19:46.129 --> 0:19:58.649
<v Speaker 1>and whispered I love you into your ears. Jerry and

0:19:58.689 --> 0:20:01.929
<v Speaker 1>Deborah created a ritual which they enacted at ten o'clock

0:20:02.010 --> 0:20:06.330
<v Speaker 1>each evening. Jerry called it their nightly meeting. When the

0:20:06.369 --> 0:20:09.290
<v Speaker 1>hour struck, they dropped whatever they were doing, and in

0:20:09.330 --> 0:20:12.689
<v Speaker 1>the absence of a telephone, each would simply think of

0:20:12.770 --> 0:20:17.889
<v Speaker 1>the other. I close my eyes, Jerry rode. The world

0:20:17.970 --> 0:20:21.290
<v Speaker 1>fades away, and then it's now.

0:20:22.689 --> 0:20:28.409
<v Speaker 3>Now was one of our secret words. The only thing

0:20:28.570 --> 0:20:40.250
<v Speaker 3>that was real was here and now. Through the ebony

0:20:40.369 --> 0:20:45.490
<v Speaker 3>of night, I reach out for you, and from across

0:20:45.609 --> 0:20:52.290
<v Speaker 3>the wide expense of c you come, your eyes flashing,

0:20:52.409 --> 0:20:58.729
<v Speaker 3>your body warm and curved. This is the only place,

0:20:59.850 --> 0:21:15.129
<v Speaker 3>this is the only time here and now.

0:21:14.570 --> 0:21:17.009
<v Speaker 2>Do you want to read another letter?

0:21:17.209 --> 0:21:19.210
<v Speaker 1>This one will be a special one.

0:21:19.530 --> 0:21:25.369
<v Speaker 3>Sure, So here I go again, doing things cruelly and

0:21:25.609 --> 0:21:31.850
<v Speaker 3>probably very badly, Honey, I want to get engaged on

0:21:31.929 --> 0:21:39.090
<v Speaker 3>my furlough. I needn't add that I'm anxiously and eagerly

0:21:39.290 --> 0:21:40.810
<v Speaker 3>awaiting your reply.

0:21:41.889 --> 0:21:42.770
<v Speaker 4>Just say yes.

0:21:43.889 --> 0:21:47.889
<v Speaker 1>And here Deborah recites from memory her reply from over

0:21:47.970 --> 0:21:49.010
<v Speaker 1>eighty years ago.

0:21:49.889 --> 0:21:54.649
<v Speaker 3>My answer to you is yes, yes, Yes.

0:21:56.290 --> 0:21:59.649
<v Speaker 1>Back at bootcamp, time marched on, and in the fall

0:21:59.730 --> 0:22:03.730
<v Speaker 1>of nineteen forty four, Jerry received notice he was going

0:22:03.770 --> 0:22:07.490
<v Speaker 1>to be deployed. But before his deployment, he was granted

0:22:07.570 --> 0:22:11.010
<v Speaker 1>a final furlough, so he went home to see Deborah,

0:22:11.090 --> 0:22:14.410
<v Speaker 1>where he gave her a ring. Together they made plans

0:22:14.449 --> 0:22:17.570
<v Speaker 1>for the future, talked about everything that lay ahead once

0:22:17.609 --> 0:22:21.249
<v Speaker 1>he was home for good. Then, standing on the subway

0:22:21.290 --> 0:22:24.810
<v Speaker 1>platform in Washington Heights, they said their last goodbye.

0:22:25.570 --> 0:22:32.649
<v Speaker 3>I couldn't almost feel it. I remember kissing him and saying,

0:22:33.609 --> 0:22:39.129
<v Speaker 3>this isn't good. I don't know what's happening. And I

0:22:39.409 --> 0:22:46.769
<v Speaker 3>went into the train and I cried hysterically all the

0:22:46.850 --> 0:22:49.450
<v Speaker 3>way till the last stop.

0:22:49.490 --> 0:22:57.889
<v Speaker 1>On that train, Jerry's company was shipped off to England,

0:22:58.050 --> 0:23:01.169
<v Speaker 1>where American soldiers were preparing to join the fight in

0:23:01.209 --> 0:23:05.570
<v Speaker 1>mainland Europe. Unbeknownst to them, they were destined for one

0:23:05.570 --> 0:23:08.810
<v Speaker 1>of the deadliest campaigns of World War Two, the Battle

0:23:08.850 --> 0:23:13.249
<v Speaker 1>of the Bulge, but they never made it there. Jerry

0:23:13.330 --> 0:23:15.889
<v Speaker 1>was among more than twenty two hundred men loaded onto

0:23:15.929 --> 0:23:19.449
<v Speaker 1>a troop ship on Christmas Eve. The ship was bound

0:23:19.449 --> 0:23:23.289
<v Speaker 1>for Cherbourg, France, just a short trip across the English Channel,

0:23:24.010 --> 0:23:26.929
<v Speaker 1>but hours later, just five miles from the entrance to

0:23:26.970 --> 0:23:31.850
<v Speaker 1>the harbor, a torpedo strock. A survivor described the slender

0:23:31.970 --> 0:23:34.850
<v Speaker 1>silver missile cutting through the water and colliding with the

0:23:34.889 --> 0:23:38.289
<v Speaker 1>ship as having shaken the vessel from stern to stern.

0:23:39.369 --> 0:23:42.489
<v Speaker 1>Hundreds of men in the lower decks were killed instantly

0:23:42.889 --> 0:23:46.690
<v Speaker 1>as the sea rushed into the massive gash. Those who

0:23:46.730 --> 0:23:49.570
<v Speaker 1>made it to the upper decks weren't much better off.

0:23:50.290 --> 0:23:52.890
<v Speaker 1>They'd not been briefed on how to lower the lifeboats

0:23:52.970 --> 0:23:55.770
<v Speaker 1>or free the rafts that might have carried them to safety.

0:23:56.570 --> 0:23:58.929
<v Speaker 1>That they were told was the job of the crew.

0:23:59.889 --> 0:24:03.369
<v Speaker 1>But the crew, a Belgian outfit, spoke little English and

0:24:03.409 --> 0:24:06.850
<v Speaker 1>had little loyalty to the American troops aboard, And so

0:24:06.929 --> 0:24:10.369
<v Speaker 1>it happened that many crew members and in ship, while

0:24:10.409 --> 0:24:14.290
<v Speaker 1>the Americans aboard still had no idea they were slowly sinking.

0:24:15.609 --> 0:24:18.489
<v Speaker 1>Many soldiers were presumed to have gone down with the ship.

0:24:19.050 --> 0:24:23.050
<v Speaker 1>Others were lost to injuries in hypothermia. In the end,

0:24:23.409 --> 0:24:27.250
<v Speaker 1>seven hundred and sixty three men died. Jerry was one

0:24:27.290 --> 0:24:31.369
<v Speaker 1>of them. After six months of training, he saw one

0:24:31.530 --> 0:24:41.090
<v Speaker 1>day of war. The scale of death was so needless,

0:24:41.409 --> 0:24:45.090
<v Speaker 1>the failed emergency response so poor that for decades the

0:24:45.169 --> 0:24:49.529
<v Speaker 1>US government covered up the details. Survivors risked losing their

0:24:49.609 --> 0:24:53.289
<v Speaker 1>veteran benefits if they talked, and so when a family

0:24:53.409 --> 0:24:56.169
<v Speaker 1>was notified that they'd lost a loved one, only the

0:24:56.169 --> 0:24:57.649
<v Speaker 1>barest details were shared.

0:24:58.730 --> 0:25:04.930
<v Speaker 3>I was in Jerry's parents' home. His mother and father

0:25:05.570 --> 0:25:12.090
<v Speaker 3>were in the room. They handed me that telegram.

0:25:12.250 --> 0:25:15.050
<v Speaker 1>In the months before he died, looking towards the war

0:25:15.169 --> 0:25:19.010
<v Speaker 1>he was about to enter, Jerry wrote a poem, all

0:25:19.050 --> 0:25:22.850
<v Speaker 1>I ask for God in the brief second before eternity

0:25:22.970 --> 0:25:26.090
<v Speaker 1>swallows me up a glimpse of the world that is

0:25:26.129 --> 0:25:30.249
<v Speaker 1>to be where no man need make a prayer like mine?

0:25:30.490 --> 0:25:33.570
<v Speaker 1>Then will I know there is meaning amidst this man

0:25:33.730 --> 0:25:36.369
<v Speaker 1>made madness.

0:25:39.330 --> 0:25:47.570
<v Speaker 3>In a certain way, I've never verbalized this, but in

0:25:47.570 --> 0:25:54.570
<v Speaker 3>a certain way. The discovery of those letters have turned

0:25:55.330 --> 0:26:03.130
<v Speaker 3>my life upside down, because I don't feel as happy

0:26:03.169 --> 0:26:06.090
<v Speaker 3>as I used to feel. I really don't.

0:26:07.169 --> 0:26:09.889
<v Speaker 1>It's the first time I've heard Debra say this. I

0:26:09.929 --> 0:26:13.409
<v Speaker 1>thought for Deborah, jerry Land was a happy escape, and

0:26:13.490 --> 0:26:17.449
<v Speaker 1>it seems it can be. But there's sadness there too.

0:26:17.850 --> 0:26:22.209
<v Speaker 1>After discovering the box, Deborah found herself having nightmares. The

0:26:22.290 --> 0:26:26.050
<v Speaker 1>letters abruptly end in nineteen forty four, so in place

0:26:26.050 --> 0:26:30.409
<v Speaker 1>of an actual ending, Deborah's mindcrafted its own. She dreamt

0:26:30.409 --> 0:26:33.530
<v Speaker 1>of Jerry in the water. She dreamt of him frozen

0:26:33.730 --> 0:26:36.330
<v Speaker 1>in the English Channel, and it was like a piece

0:26:36.369 --> 0:26:40.769
<v Speaker 1>of Deborah was stuck there with him. Recently, though, I

0:26:40.850 --> 0:26:49.689
<v Speaker 1>learned something that might help Deborah to work herself free.

0:26:49.850 --> 0:26:53.050
<v Speaker 1>A few months ago, a genealogist friend of the family

0:26:53.369 --> 0:26:57.569
<v Speaker 1>was doing some digging and turned up something surprising, something

0:26:57.570 --> 0:27:02.009
<v Speaker 1>that Debora never knew. Jerry's body wasn't in the English Channel,

0:27:02.409 --> 0:27:06.290
<v Speaker 1>nor was it buried somewhere in Europe. Jerry's body had

0:27:06.330 --> 0:27:10.409
<v Speaker 1>actually been repatriated back to America and interred in a

0:27:10.490 --> 0:27:14.850
<v Speaker 1>Jewish cemetery called Mount Lebanon, And it turns out the

0:27:14.889 --> 0:27:21.169
<v Speaker 1>cemetery is not an hour's drive from Deborah's apartment. To

0:27:21.250 --> 0:27:24.410
<v Speaker 1>move on from jerry Land, maybe Deborah needs more than

0:27:24.530 --> 0:27:28.490
<v Speaker 1>just to revisit the past, or honor the past. Maybe

0:27:28.530 --> 0:27:32.009
<v Speaker 1>she needs to grieve it. Leaving the house at one

0:27:32.090 --> 0:27:35.130
<v Speaker 1>hundred and two is not so easily done, and Deborah

0:27:35.129 --> 0:27:38.169
<v Speaker 1>has yet to visit Jerry's grave. I ask if it

0:27:38.250 --> 0:27:40.210
<v Speaker 1>might be something we can do together.

0:27:40.689 --> 0:27:44.730
<v Speaker 3>Anything that brings me closer to him some game.

0:27:48.850 --> 0:28:12.810
<v Speaker 1>After the break Jerry. Just as I'm about to book

0:28:12.810 --> 0:28:16.169
<v Speaker 1>a minivan for our visit to the cemetery, I receive

0:28:16.209 --> 0:28:22.850
<v Speaker 1>an invitation to a video conference. Hello, Hey, sorry, I

0:28:22.929 --> 0:28:27.090
<v Speaker 1>had to I guess log in. Debra's Emmy Award winning

0:28:27.129 --> 0:28:30.489
<v Speaker 1>son in law, Joe Berlinger, also wants to come to

0:28:30.530 --> 0:28:35.050
<v Speaker 1>the cemetery to film for his own project about Debra.

0:28:35.570 --> 0:28:38.250
<v Speaker 4>I mean, we're all such huge fans of Heavyweight that

0:28:38.770 --> 0:28:40.930
<v Speaker 4>we're so excited that you're engaged.

0:28:42.330 --> 0:28:47.690
<v Speaker 1>Yeah, I mean, right back at you. We you know,

0:28:47.810 --> 0:28:52.090
<v Speaker 1>we love what you do. So we have I a

0:28:52.130 --> 0:28:56.290
<v Speaker 1>pet hamster and my fanny pack. Allow me to explain

0:28:56.370 --> 0:28:59.650
<v Speaker 1>my lack of enthusiasm about Joe's participation.

0:29:00.090 --> 0:29:01.570
<v Speaker 2>You know, when I go out and I do something

0:29:01.610 --> 0:29:03.170
<v Speaker 2>for Netflix or whatever, it's a little The.

0:29:03.090 --> 0:29:06.850
<v Speaker 1>World of documentary is a hierarchy that breaks down thusly,

0:29:08.130 --> 0:29:14.010
<v Speaker 1>Netflix document entries the top floor, Penthouse Suite Audio documentaries

0:29:14.490 --> 0:29:19.209
<v Speaker 1>the underground parking garage where audio documentarians park their used

0:29:19.250 --> 0:29:23.170
<v Speaker 1>Ford fiestas. So as much as I love Joe's work,

0:29:23.810 --> 0:29:28.969
<v Speaker 1>let's just say Metallica doesn't have two lead guitarists. Let's

0:29:29.090 --> 0:29:34.130
<v Speaker 1>just say it only has one. And according to the Internet,

0:29:34.450 --> 0:29:38.610
<v Speaker 1>his name is Kirkley Hammett. And on this documentary shoot,

0:29:39.290 --> 0:29:40.050
<v Speaker 1>I'm the Kirk.

0:29:40.730 --> 0:29:43.650
<v Speaker 2>It's not like we're going to be dueling interviewers or

0:29:43.690 --> 0:29:44.290
<v Speaker 2>anything like that.

0:29:44.330 --> 0:29:45.529
<v Speaker 7>I want to assure you of that.

0:29:45.690 --> 0:29:47.370
<v Speaker 1>I just want to be a fly on the wall

0:29:47.410 --> 0:29:51.730
<v Speaker 1>and observe what's happening. Canadian etiquette dictates my not saying no,

0:29:52.450 --> 0:29:56.810
<v Speaker 1>but I will be documenting you, Joe Berlinger documenting me

0:29:58.010 --> 0:30:09.170
<v Speaker 1>as I document Debra. On a sunny morning in October,

0:30:09.290 --> 0:30:12.690
<v Speaker 1>we all meet at Debra's Hello Hi.

0:30:13.170 --> 0:30:14.930
<v Speaker 3>Hi.

0:30:16.850 --> 0:30:20.290
<v Speaker 1>Debrah is seated by the window, wearing a colorful kerchief

0:30:20.330 --> 0:30:24.130
<v Speaker 1>around her neck. The sunlight illuminates her shoulder length white

0:30:24.130 --> 0:30:25.569
<v Speaker 1>hair in a puffy halo.

0:30:26.490 --> 0:30:29.730
<v Speaker 3>I'd like to say a few words, if that's okay.

0:30:29.770 --> 0:30:33.330
<v Speaker 1>Of course, Debrah has prepared a speech about Jerry that

0:30:33.410 --> 0:30:36.650
<v Speaker 1>she'd like to recite at his gravesite. In fact, a

0:30:36.690 --> 0:30:39.850
<v Speaker 1>few days earlier, she left a phone message saying it

0:30:39.890 --> 0:30:43.450
<v Speaker 1>would be four minutes long, suggesting she'd already timed it

0:30:43.730 --> 0:30:47.209
<v Speaker 1>and practiced it just to get it all right. My

0:30:47.330 --> 0:30:50.210
<v Speaker 1>worry is that with a speech already committed to memory,

0:30:50.610 --> 0:30:54.170
<v Speaker 1>Deborah might have already decided how and how much she

0:30:54.290 --> 0:30:55.009
<v Speaker 1>wants to feel.

0:30:57.209 --> 0:30:57.810
<v Speaker 4>Yep, thank you.

0:30:58.650 --> 0:31:02.090
<v Speaker 1>We load into the van Deborah, her aid Hove, her

0:31:02.170 --> 0:31:06.809
<v Speaker 1>daughter Lee, and my producer Phoebe. Joe seats himself up front.

0:31:07.370 --> 0:31:12.490
<v Speaker 1>The papa ostensibly its so he can silently record Deborah

0:31:12.490 --> 0:31:19.729
<v Speaker 1>and me in the seats behind him silently Jonathan, what

0:31:19.770 --> 0:31:20.610
<v Speaker 1>are we doing today?

0:31:21.970 --> 0:31:22.210
<v Speaker 3>Well?

0:31:24.090 --> 0:31:27.690
<v Speaker 1>Being questioned on one's own podcast is not unlike being

0:31:27.730 --> 0:31:31.450
<v Speaker 1>strapped into a baby seat in one's own fourteen seater van,

0:31:32.050 --> 0:31:36.529
<v Speaker 1>which might I add, one paid for. Rather than demanding

0:31:36.610 --> 0:31:40.330
<v Speaker 1>that everyone in the van pause their various recording devices

0:31:40.410 --> 0:31:43.250
<v Speaker 1>so I can throw a full on Kirkley hammet level

0:31:43.410 --> 0:31:48.970
<v Speaker 1>artistic tantrum, I instead do this. We are heading off

0:31:49.050 --> 0:31:58.250
<v Speaker 1>to the Queen's Cemetery. I obey my master master. That's

0:31:58.290 --> 0:32:10.370
<v Speaker 1>a Metallica reference. We ride through Washington Heights where Jerry

0:32:10.410 --> 0:32:13.570
<v Speaker 1>grew up, past the grounds of the World's Fair where

0:32:13.570 --> 0:32:16.610
<v Speaker 1>he and Deborah spent many a summer's afternoon.

0:32:16.690 --> 0:32:22.090
<v Speaker 3>That was the greatest states we ever had together.

0:32:22.290 --> 0:32:26.370
<v Speaker 1>They marveled over futuristic architecture, the debut of the first

0:32:26.370 --> 0:32:39.209
<v Speaker 1>television Portraits of a Hopeful Future. When we arrive at

0:32:39.209 --> 0:32:42.450
<v Speaker 1>the cemetery, we consult the map. The cemetery is so

0:32:42.610 --> 0:32:45.890
<v Speaker 1>large that it has streets, and the streets have names.

0:32:46.970 --> 0:32:52.170
<v Speaker 3>Jerry's not on Paradise Savenue, whis he actually is?

0:32:52.370 --> 0:32:53.570
<v Speaker 7>Just on he is?

0:32:54.890 --> 0:32:56.090
<v Speaker 3>How about that?

0:33:00.490 --> 0:33:03.610
<v Speaker 8>Okay, we're ready to go.

0:33:03.930 --> 0:33:08.890
<v Speaker 3>Oh okay, I got to know.

0:33:09.930 --> 0:33:12.650
<v Speaker 1>We all get out of the car. According to the map,

0:33:12.810 --> 0:33:16.249
<v Speaker 1>Jerry's grave isn't far. Their brousade wheels her towards the

0:33:16.250 --> 0:33:20.050
<v Speaker 1>isle of tombstones. Okay.

0:33:22.090 --> 0:33:27.010
<v Speaker 3>What's going through my mind now is a letter from

0:33:27.370 --> 0:33:32.810
<v Speaker 3>Jerry saying there's so many things I want to do

0:33:33.930 --> 0:33:34.450
<v Speaker 3>with you.

0:33:36.890 --> 0:33:38.890
<v Speaker 4>Oh my, oh there.

0:33:40.330 --> 0:33:47.530
<v Speaker 1>Oh and suddenly there it is the headstone beloved son

0:33:47.770 --> 0:33:50.810
<v Speaker 1>and dear brother, Private Jerome Robins.

0:33:51.850 --> 0:34:07.210
<v Speaker 8>Jerry, Oh God, do.

0:34:07.130 --> 0:34:21.489
<v Speaker 7>You want to do this here? Okay, can get cherry.

0:34:22.210 --> 0:34:27.610
<v Speaker 1>We brought along the cottage. If you wanted to say it, you.

0:34:27.690 --> 0:34:29.330
<v Speaker 4>Don't have to bring it to me.

0:34:29.570 --> 0:34:30.650
<v Speaker 3>I know it.

0:34:30.690 --> 0:34:33.650
<v Speaker 1>Okay, Yeah, love for you.

0:34:41.410 --> 0:34:45.330
<v Speaker 4>To say, sure, I love my career.

0:34:51.290 --> 0:34:54.050
<v Speaker 1>When she's finished with the prayer for the dead, Deborah

0:34:54.170 --> 0:34:59.570
<v Speaker 1>remains quiet. But then something happens, something she hadn't planned

0:34:59.610 --> 0:35:02.770
<v Speaker 1>for or prepared for. Taking in the sight of all

0:35:02.770 --> 0:35:07.650
<v Speaker 1>those tombstones, she just starts talking a.

0:35:10.050 --> 0:35:17.890
<v Speaker 3>What a waste? This one nineteen, this beloved one twenty two,

0:35:19.290 --> 0:35:26.930
<v Speaker 3>the other one twenty No more, No more wars, Please please,

0:35:27.250 --> 0:35:34.210
<v Speaker 3>no more wars. There are too many beautiful, healthy, young

0:35:34.410 --> 0:35:41.690
<v Speaker 3>veterans who aligned up here and probably never had a

0:35:41.850 --> 0:35:52.770
<v Speaker 3>chance to live. What thieves warmongers are. Warmongers are thieves

0:35:52.930 --> 0:36:01.090
<v Speaker 3>of life that was never lived. Man made madness, man

0:36:01.970 --> 0:36:16.770
<v Speaker 3>made madness. Okay, I said, enough sare.

0:36:26.050 --> 0:36:29.490
<v Speaker 1>Deborah will later tell me that she surprised herself for

0:36:29.570 --> 0:36:33.290
<v Speaker 1>all the words she'd prepared. These words, she said, came

0:36:33.330 --> 0:36:37.610
<v Speaker 1>from the guts to get through her long life. Deborah

0:36:37.690 --> 0:36:40.570
<v Speaker 1>learned to box up the pain and store it neatly away.

0:36:41.370 --> 0:36:45.650
<v Speaker 1>But maybe if you live long enough, everything, even those

0:36:45.690 --> 0:36:49.969
<v Speaker 1>buried things, rise to the surface again, searching for light.

0:36:56.130 --> 0:37:01.450
<v Speaker 4>See one more step, I know.

0:37:03.810 --> 0:37:06.250
<v Speaker 1>We all load into the van and settle back in

0:37:06.370 --> 0:37:10.529
<v Speaker 1>for the journey back to the Bronx. How are you feeling.

0:37:12.970 --> 0:37:14.330
<v Speaker 4>I thought it would.

0:37:14.130 --> 0:37:21.930
<v Speaker 3>Be painful, and it wasn't painful. I got a refill

0:37:22.890 --> 0:37:30.570
<v Speaker 3>of energy. It was a little bit of steiling from

0:37:30.690 --> 0:37:44.050
<v Speaker 3>his strength. And that really came from being with Jerry.

0:37:41.770 --> 0:37:44.170
<v Speaker 1>A young man at a time when he needed love

0:37:44.250 --> 0:37:49.490
<v Speaker 1>most conjured a spectral companion to journey by his side. Now,

0:37:49.930 --> 0:37:53.250
<v Speaker 1>almost a century later, an old woman does the same.

0:37:54.170 --> 0:37:56.890
<v Speaker 1>It's the sort of ironic twist that could have flowed

0:37:56.930 --> 0:37:57.770
<v Speaker 1>from Jerry's pen.

0:38:04.610 --> 0:38:10.850
<v Speaker 3>Hey, Joe wants some nuts, aura banana? What about a banana?

0:38:11.770 --> 0:38:14.890
<v Speaker 1>Back in the van, Joe reminds Deborah that it's his daughter,

0:38:15.210 --> 0:38:17.730
<v Speaker 1>Deborah's granddaughter's thirty first birthday.

0:38:18.410 --> 0:38:19.569
<v Speaker 4>Oh that's right.

0:38:20.370 --> 0:38:22.250
<v Speaker 2>Should we call her? Huh?

0:38:22.370 --> 0:38:27.730
<v Speaker 1>Yes, When she gets home, Deborah will return some phone calls,

0:38:28.090 --> 0:38:31.330
<v Speaker 1>maybe take a nap. All the little things that make

0:38:31.410 --> 0:38:34.969
<v Speaker 1>up a life, all the little things that make up

0:38:35.050 --> 0:38:37.049
<v Speaker 1>to hear and now, happy.

0:38:36.730 --> 0:38:48.450
<v Speaker 3>Birthday, Happy birthday to you, Happy birthday to you. Off.

0:39:27.290 --> 0:39:36.810
<v Speaker 6>Now that the furnitures returning to its goodwill home, Now

0:39:36.890 --> 0:39:40.650
<v Speaker 6>that the last month's rent is skating with.

0:39:40.850 --> 0:39:47.650
<v Speaker 4>The damage to possum, take this moment to dissolve, if

0:39:47.690 --> 0:39:49.450
<v Speaker 4>we meant it, if we talk.

0:39:51.770 --> 0:39:59.010
<v Speaker 2>We felt around for five from things that accidentally talk.

0:40:03.370 --> 0:40:06.570
<v Speaker 1>This episode of Heavyweight was produced by Phoebe Flanagan and

0:40:06.690 --> 0:40:10.890
<v Speaker 1>me Jonathan Goldstein. Our senior producer is Khalila holt Our.

0:40:10.930 --> 0:40:15.850
<v Speaker 1>Supervising producer is Stevie Lane. Editorial guidance from Emily Condon.

0:40:16.490 --> 0:40:20.330
<v Speaker 1>Special thanks to Chris Neary, Lucy Sullivan, Ben Nattihaffrey and

0:40:20.410 --> 0:40:25.010
<v Speaker 1>Greta Cone. Special thanks also to Daria O'Connor, Jack Eiferman,

0:40:25.250 --> 0:40:28.970
<v Speaker 1>and Alan Andrade. The author of the book Leopoldville A

0:40:29.090 --> 0:40:32.530
<v Speaker 1>Tragedy Too Long Secret, which is a great read if

0:40:32.570 --> 0:40:35.450
<v Speaker 1>you want to learn more about the sinking of Jerry's ship.

0:40:35.970 --> 0:40:38.930
<v Speaker 1>Debra is publishing a collection of Jerry's writing that will

0:40:38.930 --> 0:40:42.050
<v Speaker 1>soon be available on Amazon. You can find more information

0:40:42.130 --> 0:40:45.969
<v Speaker 1>about the book at waitformeworld dot com. Her daughter Lee

0:40:46.130 --> 0:40:48.690
<v Speaker 1>has been working on a screenplay about Debra and Jerry.

0:40:48.930 --> 0:40:52.010
<v Speaker 1>She's hosting a live read of the script on January

0:40:52.130 --> 0:40:56.730
<v Speaker 1>twentieth at Jazz Forum in Tarrytown, New York. As for Joe,

0:40:56.970 --> 0:41:00.690
<v Speaker 1>he has two Netflix documentaries coming out early next year.

0:41:01.210 --> 0:41:04.610
<v Speaker 1>Emmamonger mixed the episode with original music by Christine Fellows,

0:41:04.730 --> 0:41:08.610
<v Speaker 1>John K. Sampson, Blue Dot Sessions, Bobby Lord and Emma Munger.

0:41:09.090 --> 0:41:12.570
<v Speaker 1>Additional scoring by Chris Zabriski. Our theme song is by

0:41:12.610 --> 0:41:16.890
<v Speaker 1>the Weaker Than's courtesy of Epitaph Records. This is the

0:41:17.010 --> 0:41:19.250
<v Speaker 1>end of our season, the final episode, but we'll be

0:41:19.330 --> 0:41:21.970
<v Speaker 1>back in the spring with some more fun stuff, So

0:41:22.210 --> 0:41:24.610
<v Speaker 1>keep an ear out and we've got a new season

0:41:24.610 --> 0:41:27.010
<v Speaker 1>coming your way next fall. So if you have a

0:41:27.050 --> 0:41:30.810
<v Speaker 1>story for us, don't be withholding okay, email us at

0:41:30.810 --> 0:41:35.250
<v Speaker 1>Heavyweight at Pushkin dot FM. Happy holidays to all, and

0:41:35.330 --> 0:41:39.410
<v Speaker 1>thank you for your continued support and listenership. I'm Jonathan

0:41:39.450 --> 0:41:46.010
<v Speaker 1>Goldstein Tata Chow. For now adieu. Don't use that stuff

0:41:46.050 --> 0:41:48.650
<v Speaker 1>at the end, but you could put that part in.

0:41:48.690 --> 0:41:50.090
<v Speaker 1>You could part You could put in the part of

0:41:50.130 --> 0:41:53.170
<v Speaker 1>me saying don't use that stuff at the end, and

0:41:53.210 --> 0:41:54.770
<v Speaker 1>then you can put in the part where I'm saying

0:41:54.810 --> 0:42:22.890
<v Speaker 1>don't use this stuff. Okay. It'll be fun