WEBVTT - The Set-Up | EP 1

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<v Speaker 1>Hi, Curse Up listeners, I know you miss me on

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<v Speaker 1>your feed. Don't worry. We're working on an all new

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<v Speaker 1>season of Curse Of coming out later this year. In

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<v Speaker 1>the meantime, if you can't stop thinking about the shocking

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<v Speaker 1>stories you heard about America's Next Top Model, you'll definitely

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<v Speaker 1>want to check out our new docuseries from E Dirty

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<v Speaker 1>Rotten Scandals. In the series, you'll hear from the America's

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<v Speaker 1>Next Top Model participants you heard from on Curse Of,

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<v Speaker 1>and a few you didn't like former A and TM

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<v Speaker 1>judge Janis Dickinson. Dirty Rotten Scandals unveils the dark underbelly

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<v Speaker 1>of the long running TV series through the untold stories

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<v Speaker 1>of former contestants, and shows what happens when a golden

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<v Speaker 1>opportunity for aspiring models unravels into a harrowing saga of exploitation,

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<v Speaker 1>shattered dreams, and resilience. You can find the two part

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<v Speaker 1>docuseries Dirty Rotten Scandals America's Next Top Model on E Network.

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<v Speaker 1>Check your local TV provider schedule. If you've ever watched

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<v Speaker 1>America's Next Top Model, or even if you haven't, you

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<v Speaker 1>probably recognize this scene coming.

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<v Speaker 2>Here with a defeatist attitude I don't have.

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<v Speaker 1>A bad attitude. Maybe I am angry inside.

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<v Speaker 2>I've been through stuff, so I'm angry, which is not

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<v Speaker 2>anybody belot that's what is watching you.

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<v Speaker 1>But you're not bad on the surface. It's Tyra Banks

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<v Speaker 1>finally losing her patients on a seemingly apathetic contestant named

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<v Speaker 1>Tiffany Richardson. Tiffany had just been eliminated from the competition,

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<v Speaker 1>and Tyra was disappointed in her attitude. But there's something

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<v Speaker 1>deeper going on here. I've never in my life yolder

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<v Speaker 1>the girl like this.

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<v Speaker 2>When my mother yells at this, it's because she loves me.

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<v Speaker 1>I was rooting for you.

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<v Speaker 2>We were all rooting for you. Out Damn you learn

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<v Speaker 2>something from this.

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<v Speaker 1>It's become one of the most iconic moments in all

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<v Speaker 1>of reality TV history, maybe in all of pop culture history.

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<v Speaker 1>I was rooting for you. We were all rooting for you.

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<v Speaker 1>Those words have trans sended their context. They've become a

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<v Speaker 1>meme and a catchphrase. That moment aired on April thirteenth,

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<v Speaker 1>two thousand and five, just a few days short of

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<v Speaker 1>my seventeenth birthday, and I was one of the five

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<v Speaker 1>point five million people watching it live. For a long time,

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<v Speaker 1>I thought I understood that moment, But after doing some

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<v Speaker 1>digging and talking to the models and crew members who

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<v Speaker 1>were there that day, I found out I had no clue.

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<v Speaker 3>If you were so rooting for her and saw her drowning,

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<v Speaker 3>what did you help her?

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<v Speaker 1>I'm just clutching my pearls. Okay, at this point, it

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<v Speaker 1>is ooh scary.

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<v Speaker 4>It's the same feeling that you get when your mom

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<v Speaker 4>was cursing out your sibling.

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<v Speaker 5>There was a huge chunk that got cut out of that.

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<v Speaker 5>Tyra got real personal with her and she hit her

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<v Speaker 5>below the bell.

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<v Speaker 2>I cried every freaking episode.

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<v Speaker 1>I cried so much. I was just like, I'm not crying.

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<v Speaker 6>Them all gone, like I'm not.

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<v Speaker 1>Gonna beg to be here. People often wonder if that

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<v Speaker 1>moment was staged, and while a lot of the stuff

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<v Speaker 1>that happened on America's Next Top Model or ANTM was,

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<v Speaker 1>according to everyone I spoke to and Tiffany Richardson herself,

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<v Speaker 1>the I was rooting for you moment was not staged.

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<v Speaker 1>That was real emotion and it's one of the few

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<v Speaker 1>times we see Tyra's wiggslip, a moment where we see

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<v Speaker 1>the real her.

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<v Speaker 2>You go to bed at night, you lay there and

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<v Speaker 2>you take responsibility for yourself because nobody's gonna take responsibility

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<v Speaker 2>for you. You rolling your eyes and because you've heard

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<v Speaker 2>it all before. You've heard it all before. You don't

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<v Speaker 2>know where the hell I come from. You have no

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<v Speaker 2>idea what I've been through. But I'm not a victim.

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<v Speaker 2>I grow from it and I learn take responsibility for yourself.

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<v Speaker 1>I've been looking into what happened on set that day,

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<v Speaker 1>and I've talked to people from every part of the

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<v Speaker 1>A and T and production, like Jose Torres. He was

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<v Speaker 1>a sound mixer on the show for twenty seasons, and

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<v Speaker 1>he was there during the we were Rooting for You moment.

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<v Speaker 5>Tyra took some mean shots, and a lot of it

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<v Speaker 5>felt like she was personally invested in her. But she

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<v Speaker 5>said some things to her about what are you going

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<v Speaker 5>to do when you go back home and you're sleeping

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<v Speaker 5>on that mattress again, when it's just you and your baby.

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<v Speaker 5>You know, she got personal and she didn't need to,

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<v Speaker 5>but I could see she was really pissed off.

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<v Speaker 1>For the past six months, I've interviewed dozens of contestants, producers,

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<v Speaker 1>and crew members about their experiences on the show. I've

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<v Speaker 1>been sent contracts and heard about dubious psyche valuations. I've

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<v Speaker 1>been told about dangerous photoshoots and production standards that sound

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<v Speaker 1>were like psychological experiments. I've heard about body shaming that

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<v Speaker 1>caused lifelong trauma and edits that ruin people's careers. I

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<v Speaker 1>wanted to know everything, from how this show got made

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<v Speaker 1>to what really happened behind the scenes. I wanted to

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<v Speaker 1>figure out why A and TM had so many of

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<v Speaker 1>us in a choke hold and the effect it had

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<v Speaker 1>on us the audience. I wanted to know if the

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<v Speaker 1>price the contestants paid for their fifteen minutes of fame

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<v Speaker 1>was really worth it. And I wanted to figure out

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<v Speaker 1>if the show was cursed like so many people say,

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<v Speaker 1>and if it was, who are the real victims of

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<v Speaker 1>the curse. Now, let's go on this investigative journey so

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<v Speaker 1>we can figure this out together. We want to beyond some,

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<v Speaker 1>want to beyond some. I'm Bridget Armstrong, and this is

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<v Speaker 1>the Curse of America's Next Top Model. A deep dive

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<v Speaker 1>into one of the most iconic and problematic shows in

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<v Speaker 1>American history. When A and TM premiered in two thousand

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<v Speaker 1>and three, it felt like it was the first reality

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<v Speaker 1>show for so one like me. I wouldn't say I

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<v Speaker 1>ever wanted to be a model, but I certainly thought

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<v Speaker 1>that with my high top Melissa Jelly sneakers, the girls

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<v Speaker 1>who Know Know, and my low rise Deilia's jeans, I

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<v Speaker 1>was a fashion girly while my peers were rocking micro raids.

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<v Speaker 1>I printed out a picture of Eva the Diva's makeover

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<v Speaker 1>haircut from cycle three, took it to my stylus and said,

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<v Speaker 1>give me that. I don't think it's an exaggeration to

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<v Speaker 1>say A and TM had an impact on the woman

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<v Speaker 1>I became, and I know I'm not the only one.

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<v Speaker 1>For millennial women. The influence of the show was inescapable.

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<v Speaker 1>Even if you didn't watch, it was in the air

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<v Speaker 1>around you, and in a way, it's still embedded in

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<v Speaker 1>our pop culture all these years later. And I would

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<v Speaker 1>know because I still love reality TV and pop culture

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<v Speaker 1>so much so that I've made a whole career out

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<v Speaker 1>of it. I've spent the last fifteen years as a

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<v Speaker 1>producer covering pop culture from NPR to box media to

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<v Speaker 1>the skim. The thing that's always fascinated me about pop

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<v Speaker 1>culture is that it's a reflection of our society, of

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<v Speaker 1>who we are. It's what we choose to create and consume,

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<v Speaker 1>and even if we don't want to admit it, it's

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<v Speaker 1>a reflection of our values and beliefs. That's what makes

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<v Speaker 1>America's Next Top Model such an interesting case study. In

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<v Speaker 1>a lot of ways, it's a time capsule of us.

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<v Speaker 1>And when the A and TM time capsule was opened

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<v Speaker 1>in twenty twenty, many of us were horrified at what

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<v Speaker 1>we saw. And welcome back to another episode of why

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<v Speaker 1>America's Next opp Model is the most toxic show up

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<v Speaker 1>its decade.

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<v Speaker 3>Robin was getting body shamed and age shamed the worst

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<v Speaker 3>out of all of them.

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<v Speaker 1>And I just need to talk about some of the

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<v Speaker 1>makeovers that still make me mad to this day. A

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<v Speaker 1>and TM, especially in the early seasons, it's riddled with

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<v Speaker 1>body shaming and misguided and ignorant views on sexuality and race.

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<v Speaker 1>The things that didn't seem deep to us back then

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<v Speaker 1>now seem deeply problematic. In every speaking engagement Tyra's done

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<v Speaker 1>since twenty twenty, she's had to address the backlash. Here

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<v Speaker 1>she is in twenty twenty five, accepting a luminary spotlight

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<v Speaker 1>of work from Essen and she's still talking about the

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<v Speaker 1>A ANDTM controversy. Did we get in right?

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<v Speaker 6>Hell?

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<v Speaker 1>No, I say some dumb shit.

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<v Speaker 6>But I refuse to have my legacy be about some

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<v Speaker 6>stuff linked together on the internet when there were twenty

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<v Speaker 6>four cycles.

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<v Speaker 1>Of changing the world. Tyra's right, they did say some

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<v Speaker 1>dumb shit. But here's the thing, even with my twenty

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<v Speaker 1>twenty five sensibilities and maturity, when I rewatched America's Next

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<v Speaker 1>Top Model, there's something about it that's still so good.

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<v Speaker 1>There's a reason why it lasted for twenty first seasons,

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<v Speaker 1>and why it's been adapted in fifty countries, why there

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<v Speaker 1>are so many Reddit pages with thousands of posts dedicated

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<v Speaker 1>to reliving A andtm's best moments, and why at its

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<v Speaker 1>peak it drew over seven million viewers in episode. Even

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<v Speaker 1>with all the problematic shit, there's something magical about America's

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<v Speaker 1>Next Top Model, at least for the audience, But for

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<v Speaker 1>the models it's more complicated. Today, many of them are

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<v Speaker 1>speaking out about the negative experiences they had on the show.

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<v Speaker 1>Take Yo Wanna House. She won the competition on cycle two,

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<v Speaker 1>but in that year afterwards she didn't feel like she

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<v Speaker 1>won much of anything. She was flat broke and she

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<v Speaker 1>wasn't getting any help from A and TM here's Yuanna.

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<v Speaker 4>It was really hard to not get in that headspace

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<v Speaker 4>of being bitter towards the show because you spit me

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<v Speaker 4>on as a winner. I won it rightfully so and

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<v Speaker 4>now I'm having to look and be a million bucks,

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<v Speaker 4>but I'm not making any money right now. I'm living

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<v Speaker 4>on a couch from a makeup artist who extended their

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<v Speaker 4>couch for me. Yet I'm famous.

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<v Speaker 1>And Cycle four finalist Kenya Hill, whose entire storyline on

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<v Speaker 1>the show was about how much she ate. Kenya was thin,

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<v Speaker 1>she just wasn't afraid to eat on camera, so producers

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<v Speaker 1>decided a good storyline for her would be about her

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<v Speaker 1>supposed overeating that caused her to gain weight uncontrollably, which

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<v Speaker 1>wasn't true.

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<v Speaker 7>Even still to this day, I am mindful of is

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<v Speaker 7>there anybody watching me eat right now? They believed what

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<v Speaker 7>was portrayed on the show, and so that has actually

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<v Speaker 7>been a struggle of just even eating in public.

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<v Speaker 1>I've heard a lot of disturbing stories and you will

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<v Speaker 1>too as this season goes on. But out of all

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<v Speaker 1>the criticisms and complaints, the contestants say, the biggest one

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<v Speaker 1>is that the show was never really voting for them.

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<v Speaker 1>That A ANDTM failed to deliver the one thing it

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<v Speaker 1>repeatedly promised, a career in the high fashion modeling industry.

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<v Speaker 1>In fact, only one contestant went on to achieve top

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<v Speaker 1>model stardom that's anything close to Tyro's career, and that

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<v Speaker 1>was Winnie Harlowe. She's probably one of the most recognizable

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<v Speaker 1>women in fashion today. She has a true, one of

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<v Speaker 1>a kind look. She has been algo, a condition that

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<v Speaker 1>causes patches of skin to lose their color. It makes

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<v Speaker 1>her incredibly striking. When she was on A ANDTM cycle

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<v Speaker 1>twenty one, she went by her real name Chantelle, and

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<v Speaker 1>she was eliminated on the fourth episode, brought back, and

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<v Speaker 1>then eliminated again on episode thirteen. When she was first eliminated,

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<v Speaker 1>it was for an optical illusion photoshoot. In her picture,

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<v Speaker 1>she's perched in this awkward sitting position and she looks

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<v Speaker 1>like she's wearing her shoulders as earrings. I don't know

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<v Speaker 1>if this was her best picture, but you can certainly

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<v Speaker 1>see why the judges sent her home.

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<v Speaker 8>Chantelle, here you are looking so beautiful, but we feel

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<v Speaker 8>like all this beauty is being thrown away. The judges

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<v Speaker 8>and social media are not happy with your photo.

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<v Speaker 1>After she was eliminated, Winnie went on to have a

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<v Speaker 1>hugely successful career. She've walked the Victoria Secret Runway. She

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<v Speaker 1>was in Beyonce's visual album Lemonade. She's been on the

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<v Speaker 1>cover of Al Magazine, Harper's Bizarre, Vogue, Grease, Vogue India.

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<v Speaker 1>She's that girl. But according to Winnie, A and TM

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<v Speaker 1>didn't help her modeling career at all. Here she is

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<v Speaker 1>on Watch What Happens Live. You were on America's Next

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<v Speaker 1>Top Model.

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<v Speaker 5>You did great, but then you really broke through and

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<v Speaker 5>here we are.

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<v Speaker 1>So I really started after the show because that really

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<v Speaker 1>didn't do anything for my career, which it doesn't do

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<v Speaker 1>anything for any model's career realistically. I went on because

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<v Speaker 1>I thought like that was going to be a career starter,

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<v Speaker 1>but it was really like a reality TV show. That's

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<v Speaker 1>not what I signed up for. I mean, it is

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<v Speaker 1>what she signed up for. She just thought she was

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<v Speaker 1>going to get a lot more out of it. Season

0:13:08.559 --> 0:13:11.600
<v Speaker 1>after season, we saw dozens of models compete for a

0:13:11.720 --> 0:13:15.079
<v Speaker 1>career making opportunity, and we watched one model be crowned

0:13:15.120 --> 0:13:17.600
<v Speaker 1>the winner of a and TM. But when they didn't

0:13:17.600 --> 0:13:20.000
<v Speaker 1>appear on the cover of Vogue or walk the Chanelle

0:13:20.040 --> 0:13:23.959
<v Speaker 1>or do your runways, when they didn't actually become top models,

0:13:24.360 --> 0:13:26.320
<v Speaker 1>it didn't stop us from tuning in the next season

0:13:26.679 --> 0:13:31.280
<v Speaker 1>because it wasn't about that the show was entertaining short

0:13:31.400 --> 0:13:34.440
<v Speaker 1>Some contestants did work his models after the show, and

0:13:34.559 --> 0:13:37.160
<v Speaker 1>some used their fame to launch careers in other areas

0:13:37.160 --> 0:13:40.480
<v Speaker 1>of entertainment. But if this was a show that was

0:13:40.640 --> 0:13:44.680
<v Speaker 1>really about creating top models, why are there so many

0:13:44.760 --> 0:13:48.319
<v Speaker 1>contestants who say being on it actually hurt their chances

0:13:48.320 --> 0:13:53.040
<v Speaker 1>in the fashion industry. Like Angelie Preston, who first competed

0:13:53.080 --> 0:13:56.040
<v Speaker 1>on Cycle fourteen and then later on All Star seventeen.

0:13:56.920 --> 0:14:00.280
<v Speaker 1>After the show ended, she wasn't booking modeling gigs, and

0:14:00.320 --> 0:14:03.280
<v Speaker 1>she didn't know why until a friend in the industry

0:14:03.480 --> 0:14:04.400
<v Speaker 1>told her the truth.

0:14:05.840 --> 0:14:09.400
<v Speaker 3>My booker was like, he loves you, but he cannot

0:14:09.440 --> 0:14:11.800
<v Speaker 3>sign you and he can't work with you because of

0:14:11.840 --> 0:14:12.880
<v Speaker 3>how you were portrayed.

0:14:13.760 --> 0:14:17.720
<v Speaker 1>Basically, they not messing with you. And I was so

0:14:18.120 --> 0:14:22.360
<v Speaker 1>gutted because I was just like, why did I go

0:14:22.520 --> 0:14:25.960
<v Speaker 1>on the show? Angelie was portrayed as a girl who'd

0:14:26.000 --> 0:14:28.480
<v Speaker 1>left the hood, but couldn't quite get the hood to

0:14:28.720 --> 0:14:31.400
<v Speaker 1>leave her. But when she came back for the All

0:14:31.400 --> 0:14:34.400
<v Speaker 1>Star season, she'd had a glow up. It wasn't that

0:14:34.480 --> 0:14:36.960
<v Speaker 1>her look had changed, it was the way she carried

0:14:36.960 --> 0:14:40.680
<v Speaker 1>herself and the judges noticed. She was crowned the winner

0:14:40.680 --> 0:14:43.400
<v Speaker 1>of A and TM All Stars, but she didn't keep

0:14:43.400 --> 0:14:46.680
<v Speaker 1>that title long. A and TM stripped her of her

0:14:46.680 --> 0:14:52.120
<v Speaker 1>win and after she couldn't book any modeling jobs. But

0:14:52.160 --> 0:14:55.720
<v Speaker 1>that's a story we'll get into later this season. Angelie

0:14:55.920 --> 0:14:58.000
<v Speaker 1>wasn't the only model who told me she had a

0:14:58.000 --> 0:15:03.440
<v Speaker 1>hard time finding representation after being on A ANDTM. Gina

0:15:03.480 --> 0:15:05.680
<v Speaker 1>Turner was on the final cycle of A and TM.

0:15:06.120 --> 0:15:09.040
<v Speaker 1>You may remember her clean, bald haircut that gave her

0:15:09.080 --> 0:15:13.080
<v Speaker 1>an otherworldly look. After she left Top Model, she had

0:15:13.080 --> 0:15:15.200
<v Speaker 1>trouble of finding an agent who would sign her.

0:15:16.560 --> 0:15:18.720
<v Speaker 9>I did have an agent tell me she knew I

0:15:18.720 --> 0:15:20.760
<v Speaker 9>was on America's Except Model and not as much as

0:15:20.760 --> 0:15:22.200
<v Speaker 9>she loved my look and would have loved to sign

0:15:22.240 --> 0:15:25.840
<v Speaker 9>into the agency. The agency unfortunately, does not typically affiliate

0:15:25.840 --> 0:15:27.920
<v Speaker 9>themselves with girls who have been on the show. It's

0:15:28.000 --> 0:15:30.720
<v Speaker 9>just really distracting for a lot of clients. And that

0:15:30.840 --> 0:15:33.040
<v Speaker 9>you know, she was happy to meet me that unfortunately

0:15:33.040 --> 0:15:34.800
<v Speaker 9>she couldn't sign me, and I was really bummed.

0:15:34.840 --> 0:15:38.920
<v Speaker 1>Out of course, for this show, I had to call

0:15:39.000 --> 0:15:43.200
<v Speaker 1>Lisa Dematto. She's probably one of the most infamous contestants

0:15:43.200 --> 0:15:46.680
<v Speaker 1>from ANTM because of her wild child antics, like the

0:15:46.760 --> 0:15:49.520
<v Speaker 1>time she peeded in a diaper on the set of

0:15:49.520 --> 0:15:53.640
<v Speaker 1>a photoshoot on cycle five. She's also known because to

0:15:53.680 --> 0:15:57.880
<v Speaker 1>this day she still trashes ANTM every chance she gets.

0:15:58.240 --> 0:15:59.440
<v Speaker 1>I couldn't get an agency.

0:15:59.560 --> 0:16:01.360
<v Speaker 4>They're like, we can't book you for anything.

0:16:01.520 --> 0:16:03.600
<v Speaker 9>The clients that I would normally see for like nutrient

0:16:03.600 --> 0:16:05.360
<v Speaker 9>gene are crust or you.

0:16:05.400 --> 0:16:06.520
<v Speaker 4>Know, any type of catalog.

0:16:07.080 --> 0:16:09.960
<v Speaker 1>No one wanted to see me. After the show. They

0:16:10.000 --> 0:16:14.000
<v Speaker 1>completely destroyed me. This is how a lot of contestants

0:16:14.120 --> 0:16:17.040
<v Speaker 1>talk about Tyra and A and TM today, But I

0:16:17.040 --> 0:16:21.880
<v Speaker 1>don't think it was Tyra's initial intention to ruin their careers.

0:16:25.680 --> 0:16:28.040
<v Speaker 1>Coming up, we're going to dive into the origins of

0:16:28.080 --> 0:16:31.280
<v Speaker 1>America's Next Top Model. When a young Tyra Banks came

0:16:31.360 --> 0:16:33.880
<v Speaker 1>up with an idea to launch her second act, an

0:16:33.920 --> 0:16:37.200
<v Speaker 1>idea that will propel want to be models into supermodel stardom.

0:16:37.800 --> 0:16:40.160
<v Speaker 1>But as we know, only one of those things became

0:16:40.200 --> 0:16:50.880
<v Speaker 1>a reality when we talk about A and TM today,

0:16:51.280 --> 0:16:54.280
<v Speaker 1>it's usually about how problematic it was, or the fact

0:16:54.320 --> 0:16:57.240
<v Speaker 1>that it didn't really produce top models and that it

0:16:57.320 --> 0:17:01.280
<v Speaker 1>featured rampant body shaming and so called race flapping photo shoots.

0:17:01.920 --> 0:17:05.080
<v Speaker 1>Critics of the show usually fall into one of two camps.

0:17:05.359 --> 0:17:08.680
<v Speaker 1>You either believe Tyra was an evil mastermind responsible for

0:17:08.840 --> 0:17:12.280
<v Speaker 1>everything wrong with ANTM, or you believe she was just

0:17:12.359 --> 0:17:14.840
<v Speaker 1>a host, a pretty face brought in to anchor a

0:17:14.840 --> 0:17:18.000
<v Speaker 1>modeling competition, just doing what she was told by sinister

0:17:18.119 --> 0:17:22.399
<v Speaker 1>faithless execs. The first thing I learned in reporting this

0:17:22.480 --> 0:17:28.320
<v Speaker 1>podcast is that the second option is not true. America's

0:17:28.320 --> 0:17:31.240
<v Speaker 1>next top Model was Tyra's idea. It was her baby,

0:17:31.359 --> 0:17:34.400
<v Speaker 1>her passion project. So let's go back to the beginning

0:17:34.400 --> 0:17:36.439
<v Speaker 1>to figure out how this germ of an idea in

0:17:36.480 --> 0:17:40.280
<v Speaker 1>Tyra's mind became a pop culture phenomenon. Don't you get

0:17:40.280 --> 0:17:43.280
<v Speaker 1>the idea for that show? That is such a good idea,

0:17:43.400 --> 0:17:46.200
<v Speaker 1>it's a weird. It was two thousand and two. Tyra

0:17:46.280 --> 0:17:48.679
<v Speaker 1>Banks was in her late twenty and looking for her

0:17:48.760 --> 0:17:50.040
<v Speaker 1>next move. Oprah.

0:17:50.080 --> 0:17:52.240
<v Speaker 2>I looked out the window and have this beautiful view,

0:17:52.680 --> 0:17:54.800
<v Speaker 2>and it came to me. I was like, I want

0:17:54.800 --> 0:17:56.879
<v Speaker 2>to do like an American idol book for models, but

0:17:56.920 --> 0:17:58.520
<v Speaker 2>they lived together like the real world.

0:17:58.800 --> 0:18:02.280
<v Speaker 1>A modeling boot camp based on her early career, those

0:18:02.400 --> 0:18:05.760
<v Speaker 1>scrappy years when she was just trying to become a supermodel,

0:18:06.320 --> 0:18:09.520
<v Speaker 1>Tyra started modeling she was still a teenager. A girl

0:18:09.560 --> 0:18:11.280
<v Speaker 1>at school came up to her and told her she

0:18:11.359 --> 0:18:12.160
<v Speaker 1>had the right look.

0:18:12.320 --> 0:18:14.280
<v Speaker 2>She was a beautiful girl, and she was like, you know,

0:18:14.320 --> 0:18:15.920
<v Speaker 2>you look like you should be a model, and mighty

0:18:15.960 --> 0:18:19.560
<v Speaker 2>tell you you'd model. You ain't model, And I was like, what,

0:18:19.920 --> 0:18:21.840
<v Speaker 2>you know, people stare at me, but not for that.

0:18:22.280 --> 0:18:24.080
<v Speaker 2>And she kind of took me under her wing and

0:18:24.119 --> 0:18:27.320
<v Speaker 2>taught me everything, and she started modeling, I think later

0:18:27.400 --> 0:18:29.399
<v Speaker 2>in the ninth grade. She started kind of early, and

0:18:29.440 --> 0:18:32.240
<v Speaker 2>then I started in the eleventh grade when I was fifteen.

0:18:33.320 --> 0:18:36.320
<v Speaker 1>And at first Tyra actually got rejected by a lot

0:18:36.320 --> 0:18:40.600
<v Speaker 1>of agencies. But all you need is one yes, and

0:18:40.640 --> 0:18:43.320
<v Speaker 1>she got that when she was seventeen, so she packed

0:18:43.320 --> 0:18:46.240
<v Speaker 1>her bags and went to Paris alone. She went to

0:18:46.280 --> 0:18:49.439
<v Speaker 1>casting after casting, walked runway after runway to make it

0:18:49.480 --> 0:18:51.480
<v Speaker 1>to the top. And this was a time when there

0:18:51.520 --> 0:18:55.200
<v Speaker 1>were very few black supermodels, and Tyra was no Gigi

0:18:55.280 --> 0:18:58.800
<v Speaker 1>hided she didn't have the benefit of nepotism. She had

0:18:58.840 --> 0:19:01.560
<v Speaker 1>to get it out the mud. Here's a CNN segment

0:19:01.560 --> 0:19:02.560
<v Speaker 1>about her rise to fame.

0:19:03.600 --> 0:19:06.960
<v Speaker 10>Nineteen year old Tyra Banks uses her chameleon likability to

0:19:07.040 --> 0:19:09.920
<v Speaker 10>change her attitude as often as she changes her clothes.

0:19:10.280 --> 0:19:13.960
<v Speaker 10>One minute, she shined, demure, the next salty and sex sea.

0:19:14.320 --> 0:19:17.239
<v Speaker 10>Tyra stands five feet eleven inches and especially in her

0:19:17.280 --> 0:19:19.320
<v Speaker 10>way to international fame.

0:19:20.040 --> 0:19:22.159
<v Speaker 1>In the span of a decade, which is quite a

0:19:22.200 --> 0:19:25.440
<v Speaker 1>long career for a model, Tyra became the first black

0:19:25.480 --> 0:19:28.480
<v Speaker 1>woman to do the cover of GQ and Sports Illustrated,

0:19:28.960 --> 0:19:31.119
<v Speaker 1>and she eventually went on to become one of the

0:19:31.160 --> 0:19:36.119
<v Speaker 1>most recognizable Victoria's Secret Angels. But from the beginning, Tyra

0:19:36.240 --> 0:19:39.880
<v Speaker 1>knew her modeling career was temporary. She was always planning

0:19:39.880 --> 0:19:43.240
<v Speaker 1>her next big thing. Here she is at age nineteen.

0:19:43.600 --> 0:19:45.920
<v Speaker 2>I'd like to reach my peaking around twenty three or

0:19:45.960 --> 0:19:48.399
<v Speaker 2>twenty four, like five years from now, I guess, and

0:19:48.480 --> 0:19:49.480
<v Speaker 2>move on to something else.

0:19:49.560 --> 0:19:51.159
<v Speaker 10>What can you want to do besides modeling.

0:19:51.600 --> 0:19:54.520
<v Speaker 2>I'm going to film and television first media as an actress,

0:19:54.560 --> 0:19:56.000
<v Speaker 2>to learn that side of the camera.

0:19:56.000 --> 0:19:57.240
<v Speaker 1>But that's not my main though.

0:19:57.240 --> 0:19:58.840
<v Speaker 2>I mean that's not what I want to do.

0:19:58.920 --> 0:20:00.120
<v Speaker 8>I want to be on the other side.

0:20:00.119 --> 0:20:02.680
<v Speaker 2>Account like writing for film and televisions.

0:20:02.720 --> 0:20:05.680
<v Speaker 1>And she made the first part happen. Tyra did TV

0:20:05.760 --> 0:20:09.320
<v Speaker 1>appearances like this one where she played Wilsmith's homegirl Jackie

0:20:09.480 --> 0:20:11.080
<v Speaker 1>on The Fresh Prince. That's it.

0:20:11.280 --> 0:20:16.440
<v Speaker 2>I didn't come all the way here from Philly.

0:20:16.520 --> 0:20:22.800
<v Speaker 1>You are not even gonna change. Oh my gosh. I

0:20:22.920 --> 0:20:27.280
<v Speaker 1>remember that episode, and Tyra nailed it. She had a

0:20:27.280 --> 0:20:30.639
<v Speaker 1>pretty significant role in the nineteen ninety five film Higher Learning.

0:20:31.080 --> 0:20:33.639
<v Speaker 1>She was even in a Disney movie with Lindsay Lohan

0:20:33.760 --> 0:20:37.320
<v Speaker 1>called Life Size, where she played a doll come to life.

0:20:37.800 --> 0:20:41.200
<v Speaker 1>So by the early two thousands, Tyra was a household name,

0:20:41.640 --> 0:20:44.080
<v Speaker 1>but she was also in her late twenties. And if

0:20:44.080 --> 0:20:46.800
<v Speaker 1>there's anything A and TM taught me, it's that if

0:20:46.840 --> 0:20:48.960
<v Speaker 1>you're over the age of twenty two, you might as

0:20:48.960 --> 0:20:52.600
<v Speaker 1>well be dead. In the modeling industry, some models use

0:20:52.640 --> 0:20:55.840
<v Speaker 1>their beauty to pivot into serious acting careers, like Charlie's

0:20:55.880 --> 0:20:59.560
<v Speaker 1>Thereon or Cameron Diaz. Others were content to fade into

0:20:59.600 --> 0:21:03.879
<v Speaker 1>the shadow to become fashion icons of yesteryear. But Tyra

0:21:04.280 --> 0:21:08.280
<v Speaker 1>was determined to roll her fame into something even bigger.

0:21:09.720 --> 0:21:12.000
<v Speaker 2>Because I'm not satisfied with just my career now. I mean,

0:21:12.040 --> 0:21:12.840
<v Speaker 2>I always want more.

0:21:12.880 --> 0:21:13.800
<v Speaker 4>I always want to do more.

0:21:13.840 --> 0:21:16.200
<v Speaker 2>I never like just stop and get satisfied with something.

0:21:16.200 --> 0:21:20.600
<v Speaker 1>So that's when Tyra got her billion dollar idea, a

0:21:20.640 --> 0:21:23.919
<v Speaker 1>show that would use her expertise in modeling and launched

0:21:23.920 --> 0:21:26.879
<v Speaker 1>her career in TV. And just like she had to

0:21:26.920 --> 0:21:29.800
<v Speaker 1>fight to make it on the Runway, Tyra had to

0:21:29.840 --> 0:21:34.680
<v Speaker 1>fight to get a and TM made. When Tyra initially

0:21:34.680 --> 0:21:36.960
<v Speaker 1>came up with the show, her agent told her it

0:21:37.080 --> 0:21:38.160
<v Speaker 1>was a bad idea.

0:21:38.880 --> 0:21:40.720
<v Speaker 2>I had a lot of people tell me that this

0:21:40.840 --> 0:21:43.960
<v Speaker 2>wasn't going to work, that models are unsympathetic characters. Actually

0:21:44.040 --> 0:21:46.800
<v Speaker 2>is my agent. He told me models are unsympathetic characters.

0:21:46.800 --> 0:21:47.760
<v Speaker 2>Nobody wants to see this.

0:21:48.320 --> 0:21:52.520
<v Speaker 1>I hope she fired that guy. But Tyra knew she

0:21:52.600 --> 0:21:55.520
<v Speaker 1>had something special, so she kept telling people about her

0:21:55.520 --> 0:21:58.840
<v Speaker 1>little reality show idea until she found someone who saw

0:21:58.880 --> 0:22:04.679
<v Speaker 1>the vision, an established television producer named Ken Mock. A

0:22:04.760 --> 0:22:07.960
<v Speaker 1>friend introduced Tyran. Ken, they had a two hour meeting

0:22:08.040 --> 0:22:10.919
<v Speaker 1>and he was sold. They decided to be partners on

0:22:10.920 --> 0:22:14.639
<v Speaker 1>this project. Ken had already produced a few reality shows,

0:22:14.880 --> 0:22:16.840
<v Speaker 1>so we had some connections and he helped their set

0:22:16.880 --> 0:22:19.400
<v Speaker 1>up meetings to pitch the show to networks, and they

0:22:19.440 --> 0:22:20.680
<v Speaker 1>got a lot of nos.

0:22:21.119 --> 0:22:23.320
<v Speaker 2>And we pitched it like I stood up because I

0:22:23.400 --> 0:22:25.440
<v Speaker 2>knew who I wanted my cast to be. I walk

0:22:25.520 --> 0:22:28.200
<v Speaker 2>and acted like miss Jay Honeycappache, I think you don't.

0:22:28.680 --> 0:22:32.399
<v Speaker 6>I did the whole thing for all of the networks.

0:22:32.560 --> 0:22:34.600
<v Speaker 2>I sure did acted out everybody.

0:22:34.920 --> 0:22:36.000
<v Speaker 1>They must have loved it.

0:22:36.160 --> 0:22:36.720
<v Speaker 4>They loved it.

0:22:36.760 --> 0:22:38.359
<v Speaker 2>Not everybody bought it, but they loved it.

0:22:39.200 --> 0:22:41.880
<v Speaker 1>Tyron's over the top antics started before she even had

0:22:41.880 --> 0:22:44.480
<v Speaker 1>a deal. She was in those boardrooms putting on a

0:22:44.560 --> 0:22:48.760
<v Speaker 1>one woman show. She literally acted out her dream cast

0:22:49.040 --> 0:22:52.240
<v Speaker 1>and people loved it, but not enough to fund the show.

0:22:53.119 --> 0:22:55.440
<v Speaker 1>That was until she met with an exec from CBS

0:22:55.520 --> 0:22:58.280
<v Speaker 1>named Ken Maynard, who also told her it was a

0:22:58.359 --> 0:23:01.359
<v Speaker 1>no for CBS, but he did think it could be

0:23:01.400 --> 0:23:08.439
<v Speaker 1>good for a smaller network. He oversaw UPN UPN didn't

0:23:08.440 --> 0:23:11.160
<v Speaker 1>have as wide of a reach as CBS. It targeted

0:23:11.200 --> 0:23:14.760
<v Speaker 1>a smaller demographic, and I was in that smaller demographic.

0:23:15.480 --> 0:23:18.120
<v Speaker 1>By two thousand and three, the golden era of nineties

0:23:18.160 --> 0:23:21.600
<v Speaker 1>black sitcoms had ended, so UPN stepped in to fill

0:23:21.600 --> 0:23:24.880
<v Speaker 1>in the gap, and I used to Love Me Some, UPN,

0:23:25.480 --> 0:23:29.680
<v Speaker 1>Half in Half, One on One, Moesha, The Parkers. While

0:23:29.680 --> 0:23:32.200
<v Speaker 1>it didn't cast as wide of a net as other networks,

0:23:32.480 --> 0:23:35.760
<v Speaker 1>a lot of UPN's programming was younger and blacker. It

0:23:35.840 --> 0:23:39.080
<v Speaker 1>featured shows that starred black leads and majority black casts

0:23:39.240 --> 0:23:41.879
<v Speaker 1>at a time when other networks were basically presended like

0:23:41.880 --> 0:23:46.720
<v Speaker 1>black people didn't exist for a while. That really worked

0:23:46.720 --> 0:23:50.280
<v Speaker 1>for UPN. They had the market cornered on scripted programming

0:23:50.320 --> 0:23:53.760
<v Speaker 1>with black leads. BT obviously was the other network that

0:23:53.800 --> 0:23:57.080
<v Speaker 1>featured black celebrities, but they had more unscripted shows and

0:23:57.240 --> 0:24:01.359
<v Speaker 1>music countdowns, and that was really it if you wanted

0:24:01.359 --> 0:24:03.359
<v Speaker 1>to see more than two black people on TV at

0:24:03.359 --> 0:24:06.680
<v Speaker 1>the same time. Here's Raquel Gates, an associate professor of

0:24:06.760 --> 0:24:11.040
<v Speaker 1>film at Columbia University. She studies, writes, and teaches about television,

0:24:11.240 --> 0:24:13.280
<v Speaker 1>particularly through the lens of race and culture.

0:24:13.680 --> 0:24:16.159
<v Speaker 11>UPN and the WB really follow in the line of

0:24:16.240 --> 0:24:18.840
<v Speaker 11>Fox Network in the nineties, where you have these new

0:24:19.200 --> 0:24:24.280
<v Speaker 11>networks that realized that younger audiences, black audiences are a

0:24:24.320 --> 0:24:28.960
<v Speaker 11>really safe bet in terms of getting eyeballs on the

0:24:29.000 --> 0:24:30.320
<v Speaker 11>screens and on the programming.

0:24:30.880 --> 0:24:34.240
<v Speaker 1>Initially, UPN heard the pitch as a courtesy, but after

0:24:34.359 --> 0:24:37.600
<v Speaker 1>meeting with Tyra, they realized she wasn't just a pretty face,

0:24:38.240 --> 0:24:40.800
<v Speaker 1>she was an entertainer, and they decided to take a

0:24:40.920 --> 0:24:43.959
<v Speaker 1>chance on the show. They greenlit it for one season.

0:24:44.720 --> 0:24:48.040
<v Speaker 1>Tyra was a little disappointed at first. She envisioned her

0:24:48.119 --> 0:24:51.480
<v Speaker 1>project on a more mainstream network, but to me, the

0:24:51.520 --> 0:24:54.760
<v Speaker 1>placement on UPN made a lot of sense. Tyra was

0:24:54.800 --> 0:24:57.840
<v Speaker 1>one of a small handful of black supermodels, and from

0:24:57.880 --> 0:25:00.760
<v Speaker 1>the beginning, Tyra said she wanted A and TM to

0:25:00.800 --> 0:25:04.200
<v Speaker 1>feature diverse beauty to challenge the rigid standards of the

0:25:04.280 --> 0:25:08.080
<v Speaker 1>high fashion world. Here's Tyra reflecting back on her initial

0:25:08.160 --> 0:25:08.960
<v Speaker 1>vision for the show.

0:25:09.800 --> 0:25:13.760
<v Speaker 8>The why for me with this top Model show is

0:25:13.800 --> 0:25:17.719
<v Speaker 8>because I want to expand the definition of beauty.

0:25:17.760 --> 0:25:19.680
<v Speaker 1>I want to kick to the curb.

0:25:19.840 --> 0:25:22.320
<v Speaker 2>This thing about this cookie cutter and you have to

0:25:22.359 --> 0:25:25.280
<v Speaker 2>be six feet one hundred and twenty pounds, have.

0:25:25.359 --> 0:25:27.479
<v Speaker 6>Blonde hair, and you know like all that.

0:25:27.560 --> 0:25:29.399
<v Speaker 1>I was like, I want to kick that to the curb.

0:25:31.640 --> 0:25:33.800
<v Speaker 1>That's funny because at least when it came to looks,

0:25:33.920 --> 0:25:36.760
<v Speaker 1>the first two winners didn't exactly break the mold. They

0:25:36.760 --> 0:25:39.959
<v Speaker 1>were both six feet tall, skinny, white women, they just

0:25:40.000 --> 0:25:45.200
<v Speaker 1>weren't blonde, But that's a different conversation. For Tyra, getting

0:25:45.200 --> 0:25:48.000
<v Speaker 1>the opportunity to bring this show to life overshadowed her

0:25:48.000 --> 0:25:52.280
<v Speaker 1>disappointment of not being on CBS. Plus, she realized one

0:25:52.280 --> 0:25:54.000
<v Speaker 1>of the perks of being a big fish in a

0:25:54.040 --> 0:25:58.159
<v Speaker 1>small pond was that she had more control. Tyra owned

0:25:58.200 --> 0:26:01.200
<v Speaker 1>twenty five percent of America's Next Time Model A and

0:26:01.280 --> 0:26:04.000
<v Speaker 1>TM was part of Tyra's larger plan for her career.

0:26:04.680 --> 0:26:07.680
<v Speaker 1>She wanted to be Oprah, and she said as much

0:26:07.680 --> 0:26:10.600
<v Speaker 1>in a two thousand and four interview with Newsweek. Top

0:26:10.680 --> 0:26:13.159
<v Speaker 1>Model was supposed to be her first step towards becoming

0:26:13.200 --> 0:26:19.120
<v Speaker 1>a media mogul. After the break the story of how

0:26:19.200 --> 0:26:29.520
<v Speaker 1>Tyra's big idea made it to our TV screens. Tyra

0:26:29.640 --> 0:26:33.440
<v Speaker 1>Banks had drive, she had vision, and she certainly had

0:26:33.480 --> 0:26:36.680
<v Speaker 1>that it factor. The only thing she didn't have was

0:26:36.760 --> 0:26:42.520
<v Speaker 1>reality TV production experience. That's where her new collaborator, Kim

0:26:42.600 --> 0:26:47.360
<v Speaker 1>Mock came in. Here's an interview with Kim Mock from

0:26:47.359 --> 0:26:51.040
<v Speaker 1>twenty sixteen where the interviewer talks about Kim Mack's reality TV.

0:26:50.920 --> 0:26:56.600
<v Speaker 12>Legacy even called the godfather of reality TV. You produced

0:26:56.880 --> 0:26:59.159
<v Speaker 12>making the band, which I think was the forerunner to

0:26:59.200 --> 0:27:02.040
<v Speaker 12>all these singing audition programs that we have today. I

0:27:02.200 --> 0:27:05.520
<v Speaker 12>did Pussycat Dolls Present and of course your most successful

0:27:05.600 --> 0:27:07.840
<v Speaker 12>hit so far, America's Next Top Model.

0:27:08.320 --> 0:27:11.120
<v Speaker 1>Let's talk about Kim Mack's formula for making a good

0:27:11.160 --> 0:27:16.960
<v Speaker 1>reality competition show. First, you find people who are desperate

0:27:16.960 --> 0:27:20.760
<v Speaker 1>to attain something they couldn't otherwise get. Then you offer

0:27:20.840 --> 0:27:22.399
<v Speaker 1>them that thing in a way that seems like a

0:27:22.440 --> 0:27:26.240
<v Speaker 1>shortcut or a cheat code. Next, you turn on the cameras,

0:27:26.280 --> 0:27:30.639
<v Speaker 1>and this is very important, you put them through embarrassing, stressful,

0:27:30.680 --> 0:27:34.560
<v Speaker 1>and demeaning experiences in order to prove their worthiness for

0:27:34.640 --> 0:27:40.879
<v Speaker 1>the grand prize. This was the formula kN Mack used

0:27:40.880 --> 0:27:43.479
<v Speaker 1>before on another reality show you may have heard of

0:27:43.600 --> 0:27:47.080
<v Speaker 1>that hasn't aged well. It was called Making the Band.

0:27:48.119 --> 0:27:51.680
<v Speaker 3>The Big figure over it was Sean Poffstati Calms.

0:27:52.640 --> 0:27:56.920
<v Speaker 1>That's Amanda Kline, a reality TV historian and expert. Making

0:27:56.960 --> 0:27:59.520
<v Speaker 1>the Band was like A and TM, but for music groups.

0:28:00.040 --> 0:28:02.919
<v Speaker 1>The show was famous for making These young musicians performed

0:28:02.960 --> 0:28:06.960
<v Speaker 1>demeaning task at Shawn Combe's request, like the iconic Cheesecake

0:28:07.000 --> 0:28:10.480
<v Speaker 1>incident where Diddy asked the contestants to walk the six

0:28:10.600 --> 0:28:13.720
<v Speaker 1>plus miles from Manhattan to Brooklyn to deliver him a

0:28:13.720 --> 0:28:17.520
<v Speaker 1>piece of cheesecake from Juniors. The rumor is the cheesecake

0:28:17.640 --> 0:28:19.760
<v Speaker 1>was actually for Beyonce, who was working with him in

0:28:19.800 --> 0:28:20.240
<v Speaker 1>the studio.

0:28:21.480 --> 0:28:23.920
<v Speaker 5>Puffy just told us to go to the store in

0:28:23.960 --> 0:28:27.520
<v Speaker 5>Brooklyn and bring about the cheesecake and walk as well.

0:28:27.600 --> 0:28:31.080
<v Speaker 1>Making the bitch not making back and tell them when

0:28:31.080 --> 0:28:31.359
<v Speaker 1>you're doing it.

0:28:31.359 --> 0:28:31.800
<v Speaker 7>And God.

0:28:35.040 --> 0:28:40.360
<v Speaker 1>Here it was a task that had nothing to do

0:28:40.440 --> 0:28:43.120
<v Speaker 1>with how well these people rapped or sank. It was

0:28:43.160 --> 0:28:47.959
<v Speaker 1>about entertaining the audience. I don't know whose idea that was,

0:28:48.440 --> 0:28:51.560
<v Speaker 1>but America's Next Top Model is also notorious for putting

0:28:51.600 --> 0:28:55.600
<v Speaker 1>models in difficult and yes, sometimes demeaning and even dangerous

0:28:55.640 --> 0:28:59.320
<v Speaker 1>situations that seemed to be strictly for our entertainment and

0:28:59.440 --> 0:29:02.400
<v Speaker 1>had nothing to do with modeling. And that isn't the

0:29:02.400 --> 0:29:06.800
<v Speaker 1>only parallel. The last part of Kim Mack's formula is

0:29:06.840 --> 0:29:10.600
<v Speaker 1>an expert host with a larger than life personality, someone

0:29:10.600 --> 0:29:13.520
<v Speaker 1>who could get the contestants to do the demeaning tasks.

0:29:14.040 --> 0:29:16.280
<v Speaker 1>The host needed to be someone who could make or

0:29:16.280 --> 0:29:19.480
<v Speaker 1>break the contestants' careers. Know whether they would actually make

0:29:19.520 --> 0:29:22.920
<v Speaker 1>their career that's another story. But Ken Mock needed someone

0:29:22.960 --> 0:29:25.960
<v Speaker 1>who's very presence on set raised the stakes for the

0:29:25.960 --> 0:29:29.640
<v Speaker 1>contestants and for us, someone who these contestants would do

0:29:29.920 --> 0:29:33.880
<v Speaker 1>anything to impress on making the band. It was Sean Combs.

0:29:34.320 --> 0:29:36.440
<v Speaker 1>He'd already launched the careers of some of the most

0:29:36.440 --> 0:29:40.120
<v Speaker 1>successful artists in hip hop, and when Ken met Tyra Banks,

0:29:40.320 --> 0:29:43.440
<v Speaker 1>he saw the same potential. She was a veteran supermodel

0:29:43.440 --> 0:29:45.400
<v Speaker 1>who'd climb to the top of the fashion industry.

0:29:45.920 --> 0:29:48.520
<v Speaker 3>It makes sense that ken Mock would kind of stick

0:29:48.600 --> 0:29:54.760
<v Speaker 3>with that idea of a kingmaker. Tyra Banks has this

0:29:55.240 --> 0:29:58.200
<v Speaker 3>eye right where she can pick out the model.

0:29:59.040 --> 0:30:00.800
<v Speaker 1>Now here's where we need need to talk about some

0:30:00.880 --> 0:30:05.880
<v Speaker 1>disturbing coincidences. The first three seasons of making the band

0:30:05.960 --> 0:30:08.400
<v Speaker 1>before it went to MTV and Diddy became the host,

0:30:09.000 --> 0:30:12.200
<v Speaker 1>followed the journey to bring together train and launch a

0:30:12.200 --> 0:30:16.160
<v Speaker 1>boy band called O Town. Their first music industry expert

0:30:16.200 --> 0:30:20.040
<v Speaker 1>and guide was a man named Lou Pearlman. Hey, all

0:30:20.080 --> 0:30:20.920
<v Speaker 1>you singers out there.

0:30:20.960 --> 0:30:23.680
<v Speaker 5>Lou Pearlman, the mastermind behind such bands as LFO in

0:30:23.800 --> 0:30:24.960
<v Speaker 5>Sync of the Backstreet Boys.

0:30:25.160 --> 0:30:27.480
<v Speaker 4>As looking for five talented young men to form a

0:30:27.520 --> 0:30:28.400
<v Speaker 4>new band.

0:30:28.400 --> 0:30:31.320
<v Speaker 1>Lou Pearlman made his name by launching and managing some

0:30:31.360 --> 0:30:33.600
<v Speaker 1>of the most successful boy bands in the nineties and

0:30:33.640 --> 0:30:37.240
<v Speaker 1>two thousands. He died in prison in disgrace in twenty

0:30:37.280 --> 0:30:40.320
<v Speaker 1>sixteen after being convicted of running one of the largest

0:30:40.360 --> 0:30:44.760
<v Speaker 1>Ponzi schemes in US history. He was also accused by

0:30:44.960 --> 0:30:50.560
<v Speaker 1>multiple young male performers of sexual misconduct. The person who

0:30:50.600 --> 0:30:53.120
<v Speaker 1>took Pearlman spot on Making the Band after he left

0:30:53.560 --> 0:30:56.120
<v Speaker 1>was Sean P. Diddy Combes, and we all know what

0:30:56.200 --> 0:31:01.320
<v Speaker 1>he's been accused of, including allegations of abuse, sexual misus conduct, harassment,

0:31:01.360 --> 0:31:05.240
<v Speaker 1>and intimidation by former Making the Band cast members. At

0:31:05.320 --> 0:31:08.960
<v Speaker 1>least one of those contestants, Sarah Rivers, sued Ditty for

0:31:09.000 --> 0:31:13.400
<v Speaker 1>sexual harassment she said took place during the taping of

0:31:13.440 --> 0:31:17.160
<v Speaker 1>Making the Band. To be clear, there's no evidence kN

0:31:17.200 --> 0:31:19.640
<v Speaker 1>mak knew about any of that while the shows were airing,

0:31:20.240 --> 0:31:22.600
<v Speaker 1>and while he remained credited as the show's creator during

0:31:22.640 --> 0:31:25.800
<v Speaker 1>Ditty's tenure. He reportedly took a more hands off role

0:31:25.880 --> 0:31:29.800
<v Speaker 1>in later seasons. But it is striking that on both

0:31:29.840 --> 0:31:33.480
<v Speaker 1>these shows, the kingmakers at the center were later accused

0:31:33.520 --> 0:31:37.840
<v Speaker 1>of abusing their power. And here's the thing. Years before

0:31:37.920 --> 0:31:41.400
<v Speaker 1>these serious allegations against Seawn Holmes and Lou Pearlman came

0:31:41.440 --> 0:31:44.920
<v Speaker 1>to light. Both of these men already had a reputation

0:31:45.000 --> 0:31:48.440
<v Speaker 1>for shady business dealings. In the late nineties and early

0:31:48.480 --> 0:31:52.160
<v Speaker 1>two thousands, Ditty was accused of unfair business practices by

0:31:52.240 --> 0:31:55.760
<v Speaker 1>several of his artists, including Mace one twelve and hip

0:31:55.800 --> 0:31:58.640
<v Speaker 1>hop group The Locks. Here's a two thousand and five

0:31:58.760 --> 0:32:02.080
<v Speaker 1>radio interview with The Locks where Jadakis confronted.

0:32:01.560 --> 0:32:04.040
<v Speaker 5>Ditty stopped pumping on the radio.

0:32:04.640 --> 0:32:07.560
<v Speaker 1>Now you because you just don't want to know what

0:32:07.560 --> 0:32:10.680
<v Speaker 1>you was done. We made one record with you money

0:32:10.680 --> 0:32:13.680
<v Speaker 1>to out of respect. It's ten years later, and you

0:32:13.840 --> 0:32:18.000
<v Speaker 1>showed got half about publishing. That wasn't all. Diddy was

0:32:18.120 --> 0:32:21.040
<v Speaker 1>literally on trial for shooting someone in the nightclub in

0:32:21.120 --> 0:32:24.560
<v Speaker 1>nineteen ninety nine. He was acquitted, but the rapper who

0:32:24.840 --> 0:32:28.240
<v Speaker 1>was convicted, who was also signed to Bad Boy, has

0:32:28.320 --> 0:32:32.120
<v Speaker 1>strongly implied that he took the fall for Ditty and Lou.

0:32:32.200 --> 0:32:35.280
<v Speaker 1>Pearlman's affinity for three sixty deals was well known in

0:32:35.320 --> 0:32:39.600
<v Speaker 1>the pop music industry. Here's insincs Lance Bass talking about him.

0:32:39.800 --> 0:32:43.360
<v Speaker 13>Lou really thought he was just entitled to all of this.

0:32:43.600 --> 0:32:46.040
<v Speaker 13>You know, if it was idea, you know, to do this,

0:32:46.120 --> 0:32:48.000
<v Speaker 13>and he introduced you to this person to get you

0:32:48.080 --> 0:32:50.600
<v Speaker 13>that record deal. Then yeah, he was entitled in ninety

0:32:50.640 --> 0:32:52.640
<v Speaker 13>percent of your business because if it wasn't for him,

0:32:52.920 --> 0:32:55.560
<v Speaker 13>he'd be nothing. So you want ten percent or nothing.

0:32:56.120 --> 0:32:58.840
<v Speaker 1>That was all out in the open before either of

0:32:58.880 --> 0:33:02.240
<v Speaker 1>them was hired on making band, So even if the

0:33:02.280 --> 0:33:06.040
<v Speaker 1>show's producers didn't know about the more serious allegations, they

0:33:06.080 --> 0:33:08.680
<v Speaker 1>seem to have turned a blind eye to the allegedly

0:33:08.760 --> 0:33:14.520
<v Speaker 1>unethical business practices making the band. Worked with the con

0:33:14.600 --> 0:33:18.280
<v Speaker 1>artists because he made good TV. Then they worked with

0:33:18.320 --> 0:33:20.720
<v Speaker 1>a guy who was accused of shooting someone and cheating

0:33:20.720 --> 0:33:25.680
<v Speaker 1>his artists because he made better TV. Now I'm not

0:33:25.760 --> 0:33:28.360
<v Speaker 1>saying Tyra was on the same level as Ditty or

0:33:28.440 --> 0:33:32.240
<v Speaker 1>lu Pearlman. She's never been accused of sexual misconduct or

0:33:32.280 --> 0:33:35.800
<v Speaker 1>any other crime. But the point is in the early

0:33:35.880 --> 0:33:39.480
<v Speaker 1>days of reality TV, the ethical lines were quite blurred.

0:33:40.040 --> 0:33:42.680
<v Speaker 1>The only thing that mattered was if the show was

0:33:42.680 --> 0:33:46.840
<v Speaker 1>a success. And the show Ken Mob created positioned not

0:33:47.000 --> 0:33:51.280
<v Speaker 1>one but two ethically dubious men as mentors to impressionable

0:33:51.320 --> 0:33:54.480
<v Speaker 1>young people. And while Tyra may not be of super

0:33:54.560 --> 0:33:57.480
<v Speaker 1>villain like Ditty, she chose the partner with the man

0:33:57.520 --> 0:34:01.480
<v Speaker 1>who gave him and lu Pearlman a bigger place. And

0:34:01.720 --> 0:34:03.960
<v Speaker 1>just like we saw on making the band, she was

0:34:04.000 --> 0:34:06.880
<v Speaker 1>willing to make humiliation a big part of America's Next

0:34:06.920 --> 0:34:11.080
<v Speaker 1>Top Model. The models safety, their bodies, their appearance, their

0:34:11.160 --> 0:34:14.160
<v Speaker 1>identity was put on the line and picked apart for

0:34:14.320 --> 0:34:15.239
<v Speaker 1>our entertainment.

0:34:15.400 --> 0:34:16.759
<v Speaker 8>Do you really think he can have a cover bell

0:34:16.800 --> 0:34:17.960
<v Speaker 8>contract with the gap in your room?

0:34:18.200 --> 0:34:18.359
<v Speaker 11>Yes?

0:34:18.440 --> 0:34:18.799
<v Speaker 2>Why not?

0:34:19.120 --> 0:34:22.880
<v Speaker 14>This is all people say Israel's beautiful cover girl.

0:34:23.200 --> 0:34:27.840
<v Speaker 1>She felt twice. I was like, oh my gosh.

0:34:27.280 --> 0:34:29.920
<v Speaker 2>You're trying to be so sexy and so girly and you.

0:34:29.880 --> 0:34:30.839
<v Speaker 4>Look like a man in a dress.

0:34:30.880 --> 0:34:36.440
<v Speaker 1>Girl. Now. I never thought I'd be mentioning Tyra Banks's

0:34:36.520 --> 0:34:40.239
<v Speaker 1>name next to these two criminals, But her legacy is

0:34:40.320 --> 0:34:43.279
<v Speaker 1>tied together with Ken mox and the shady early days

0:34:43.280 --> 0:34:47.360
<v Speaker 1>of reality TV. And Ken wasn't just an EP on paper.

0:34:47.840 --> 0:34:51.880
<v Speaker 1>He was there calling the shots on set Harri's former

0:34:51.920 --> 0:34:54.000
<v Speaker 1>a and tm soal mixer Jose Torres.

0:34:54.800 --> 0:34:58.120
<v Speaker 5>Any of the major events that happened on that show,

0:34:58.360 --> 0:35:02.600
<v Speaker 5>they did not happen without Ki approval, without his say

0:35:02.640 --> 0:35:05.839
<v Speaker 5>so good or bad. If anything happened on that show,

0:35:05.920 --> 0:35:06.520
<v Speaker 5>Ken Mock.

0:35:06.360 --> 0:35:09.880
<v Speaker 1>Signed off Tyra could not have made this show without

0:35:09.880 --> 0:35:12.680
<v Speaker 1>her co pilot Ken Mock. Sure, they were just a

0:35:12.719 --> 0:35:15.759
<v Speaker 1>production team making another reality show when Reality TV was

0:35:15.800 --> 0:35:18.719
<v Speaker 1>still in its Wild Wild West era. But what I've

0:35:18.760 --> 0:35:21.680
<v Speaker 1>heard from models over and over is that America's Next

0:35:21.680 --> 0:35:24.680
<v Speaker 1>Top Model took advantage of their dreams, and the models

0:35:24.719 --> 0:35:27.359
<v Speaker 1>who were on the earlier seasons had no idea what

0:35:27.400 --> 0:35:31.359
<v Speaker 1>this show really was. There's something kind of cruel about

0:35:31.400 --> 0:35:34.719
<v Speaker 1>embarrassing young people who trust you with their dreams. These

0:35:34.760 --> 0:35:36.840
<v Speaker 1>aren't the same people who signed up to starve on

0:35:36.880 --> 0:35:39.919
<v Speaker 1>Survivor in order to win a million dollars. These were

0:35:39.920 --> 0:35:43.440
<v Speaker 1>mostly teenagers and young adults who were told this opportunity

0:35:43.480 --> 0:35:47.320
<v Speaker 1>could give them access to the otherwise inaccessible career they

0:35:47.360 --> 0:35:54.920
<v Speaker 1>desperately wanted. There's this idea that ANTM was cursed because

0:35:54.960 --> 0:35:57.520
<v Speaker 1>so few of the contestants went on to have successful

0:35:57.520 --> 0:36:01.359
<v Speaker 1>careers as models. When I first started reporting, I thought

0:36:01.400 --> 0:36:04.960
<v Speaker 1>this was an unfortunate reality of the modeling world. Maybe

0:36:04.960 --> 0:36:07.839
<v Speaker 1>the winners turned out to be fashion industry flops because

0:36:07.840 --> 0:36:09.920
<v Speaker 1>they didn't have what it took to be on top.

0:36:10.520 --> 0:36:13.120
<v Speaker 1>But now I'm wondering if the show was a setup

0:36:13.320 --> 0:36:13.960
<v Speaker 1>all along.

0:36:15.360 --> 0:36:18.360
<v Speaker 14>America's Next Top Model is about dreams, plain and simple,

0:36:18.680 --> 0:36:21.360
<v Speaker 14>and it's about accomplishing these dreams through hard work and

0:36:21.560 --> 0:36:24.520
<v Speaker 14>talent and passion. I worked my boat off to get

0:36:24.560 --> 0:36:26.640
<v Speaker 14>to the top of the modeling industry, so I know

0:36:26.760 --> 0:36:27.719
<v Speaker 14>exactly what.

0:36:27.640 --> 0:36:28.640
<v Speaker 13>It takes to make the star.

0:36:29.560 --> 0:36:32.880
<v Speaker 1>Tyra wanted us to believe she was wholeheartedly invested in

0:36:32.960 --> 0:36:35.240
<v Speaker 1>making these contestants dreams come true.

0:36:35.360 --> 0:36:37.640
<v Speaker 2>I was rooting for you, We're all rooting for you

0:36:37.760 --> 0:36:38.480
<v Speaker 2>out damn you.

0:36:38.960 --> 0:36:41.360
<v Speaker 1>But after talking to the models and the people behind

0:36:41.360 --> 0:36:46.000
<v Speaker 1>the scenes, I'm not too sure. On this season, you're

0:36:46.000 --> 0:36:49.000
<v Speaker 1>going to hear from A ANDTM fans and critics, the

0:36:49.000 --> 0:36:53.120
<v Speaker 1>show's producers, and of course the models themselves. Being on

0:36:53.160 --> 0:36:55.680
<v Speaker 1>America's Next Top Model actually saved my life.

0:36:55.840 --> 0:36:57.960
<v Speaker 4>Did they even know that I was in debt after

0:36:58.000 --> 0:36:58.440
<v Speaker 4>the show?

0:36:58.760 --> 0:37:02.160
<v Speaker 1>They just kept focusing on me being suicidal. To try

0:37:02.200 --> 0:37:04.720
<v Speaker 1>to figure out if A and TM was really cursed

0:37:05.239 --> 0:37:08.440
<v Speaker 1>and what that means for the models, judges, Tyra, and

0:37:08.560 --> 0:37:12.440
<v Speaker 1>us the audience. On the next episode, We're going back

0:37:12.480 --> 0:37:15.719
<v Speaker 1>to where it all began. Cycle one, a season that

0:37:15.840 --> 0:37:18.520
<v Speaker 1>looked like it was shot on a camcorder, yet somehow

0:37:18.600 --> 0:37:22.919
<v Speaker 1>launched a global franchise. We'll meet the very first contestants,

0:37:23.280 --> 0:37:27.200
<v Speaker 1>revisit the chaotic production, and uncover how A and TM

0:37:27.200 --> 0:37:30.320
<v Speaker 1>deceived us and the contestants. Right from the start.

0:37:30.920 --> 0:37:35.239
<v Speaker 3>Tyra Banks did not follow through on any of the winnings.

0:37:37.680 --> 0:37:40.280
<v Speaker 1>Thanks for listening to the Curse of America's Next Top Model.

0:37:41.600 --> 0:37:44.480
<v Speaker 1>We really appreciate the support. We'd love for you to

0:37:44.680 --> 0:37:47.279
<v Speaker 1>really show your support by subscribing to our show on

0:37:47.320 --> 0:37:50.279
<v Speaker 1>Apple Podcasts, and don't forget to leave us a five

0:37:50.280 --> 0:37:53.319
<v Speaker 1>star rating and review. If you love the show, tell

0:37:53.360 --> 0:37:56.320
<v Speaker 1>your group, chat, your co workers, your friends, your mama

0:37:56.440 --> 0:37:59.279
<v Speaker 1>to check us out. And if you don't, maybe keep

0:37:59.320 --> 0:38:02.520
<v Speaker 1>that one to yourself. Thanks again to all of our listeners.

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<v Speaker 1>The Curse of America's Next Top Model is a production

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<v Speaker 1>of Glass Podcasts, a division of Glass Entertainment Group, in

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<v Speaker 1>partnership with iHeart Podcasts. The show is executive produced by

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<v Speaker 1>Nancy Glass, hosted and senior produced by me Bridget Armstrong.

0:38:17.880 --> 0:38:21.640
<v Speaker 1>Our story editor is Monique Leboard, also produced by Ben

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<v Speaker 1>Fetterman and Andrea Gunny. Associate producers are Alisha Key, Kristin Melcriy,

0:38:27.400 --> 0:38:32.000
<v Speaker 1>and Curry Richmond. Consulting producers are Oliver Twist and Kate Taylor.

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<v Speaker 1>Our iHeart team is Ali Perry and Jessica Kroncheck. Audio

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<v Speaker 1>editing and mixing by Andrew Callaway and Matt del Vecchio.

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<v Speaker 1>The Curse of America's Next Top Model theme music was

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<v Speaker 1>composed by Oliver Bain Music library provided by My Music

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<v Speaker 1>Special Thanks to everyone we interviewed for this podcast, especially

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<v Speaker 1>the models for sharing their stories. And For more podcasts

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<v Speaker 1>from iHeart, visit the iHeartRadio app, Apple Podcasts, or wherever

0:38:59.280 --> 0:39:02.320
<v Speaker 1>you get your podcast. Also check out the Glass Podcast

0:39:02.440 --> 0:39:06.799
<v Speaker 1>Instagram at Glass Podcasts for Curse of America's Next Top Model,

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<v Speaker 1>behind the scenes content and more.