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Speaker 1: Hello, Hi, Hello everyone. It's me Sam, famed and beloved

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Speaker 1: co host of um notable podcast Radio Lab that you're

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Speaker 1: currently listening to. I'm here with a little announcement, and

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Speaker 1: that is that I am doing a solo show called

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Speaker 1: Club Comic at the Bellhouse in Brooklyn on February at

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Speaker 1: seven thirty pm. UH. Tickets are available now. This show

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Speaker 1: is beloved by me. I used to do it before

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Speaker 1: the pandemic and um, it's like club tracks and videos

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Speaker 1: and stand up and yeah, it's upon club Comic, get it.

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Speaker 1: But it's it's always really fun. And I was like,

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Speaker 1: should I bring it back. I'm a different person now

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Speaker 1: that the global pandemic and everything. But then I was like, wait, no,

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Speaker 1: I didn't change it all. I'm actually the exact same person. Um,

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Speaker 1: so I'm bringing it back at to the Bellhouse February seventeen,

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Speaker 1: and I couldn't be more excited. So get tickets. I

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Speaker 1: look forward to seeing your gorgeous but tastefully flawed faces.

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Speaker 1: Is there? Okay? Enjoy the episode by bye. Podcast starts now.

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Speaker 1: Hello everyone, and welcome to Stradio Lab. We are sick.

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Speaker 1: Might pick that up Sam, don't listen to him. The

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Speaker 1: mic did not pick up the fact that you move

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Speaker 1: the water bottle. I needed to move the water bottle

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Speaker 1: because Um, I needed to prepare because we today have

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Speaker 1: a return guest. Um that strikes fear in our hearts,

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Speaker 1: anxiety and our listeners. Max. So for anyone at home,

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Speaker 1: he is putting the pen and paper close to the

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Speaker 1: mic in order for it to make noise. You can

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Speaker 1: sort of. Yeah, So before we introduce our guest today, UM, George,

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Speaker 1: how are you feeling? You know? Before we be all

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Speaker 1: I want to say is, no matter what happens, the

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Speaker 1: two of the two of us, the two of us

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Speaker 1: are a team. Yes, and at no point will we

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Speaker 1: turn on one another. It is us against anyone who

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Speaker 1: might who might be an enemy at any given foreign

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Speaker 1: or domestic. Yes, exactly. We are the Department of Homeland Security.

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Speaker 1: If it's laid, If it's laid, and it's code orange. Yes,

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Speaker 1: you guys can see that. I'm here right, Yes, Should

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Speaker 1: we just introduce sure? Okay, it's one of those unconventional episodes,

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Speaker 1: So without further ado, please welcome back. Do you mean

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Speaker 1: unconventional episode? Well, normally we do an intro that's like

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Speaker 1: ten minutes song and then we bring in the guest

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Speaker 1: ten minutes. Yes, and they just sit here the whole Yes. Yes,

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Speaker 1: we have discussed this and like we know that. On

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Speaker 1: the one hand, yes, it's awkward to have them gets

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Speaker 1: sitting there. But I think what we landed on is

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Speaker 1: that we're not even looking at me when you talk, Max,

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Speaker 1: let me warm up, I'm looking learning up meant completely

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Speaker 1: ignoring everyone else. Well yet again, yet again. Normally we

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Speaker 1: do have an intro where Sam and I talk and

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Speaker 1: sort of like, didn't you record an episode right before this? Yeah,

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Speaker 1: but it's different for each guest's there's like a different

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Speaker 1: tone every time. What. Yeah, it's like very h like

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Speaker 1: find something new? Since when do you have any variation

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Speaker 1: in this podcast? Oh? What do you know? Based on

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Speaker 1: the ones episodes you've done? You think all of the

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Speaker 1: episodes are like that? Okay, so further ado, please welcome

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Speaker 1: to the podcast our dear dear friend, Max Twitard. So

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Speaker 1: what exactly are you doing here? Well? I thought I

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Speaker 1: was gonna try to be nice, but I guess since

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Speaker 1: you're coming in hot, all warmed up, I guess I'm

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Speaker 1: just here on the defensive. Once again, We're not wormed

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Speaker 1: up because we wanted to do an intro, but it's

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Speaker 1: pretty hot in here to me. Yeah, well what were

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Speaker 1: you writing in your notebook? I'm really curious. Yeah, that's

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Speaker 1: for later, that's for me. Okay, okay, okay, Well that's

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Speaker 1: such a problem. It's not We're not diligent. Get It's

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Speaker 1: like I put in the work and then you come

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Speaker 1: in hot, right hot, off the presses, chopping me to

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Speaker 1: the like you know, I'm saying, like, so, what are

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Speaker 1: you doing here? That's like a very clear joke, like

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Speaker 1: this is an improv based podcast. Like you know, if

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Speaker 1: I say something silly like that to open up a conversation,

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Speaker 1: you know, you sort of want to yes and and

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Speaker 1: be like me, who am I here? What are you

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Speaker 1: doing here? That's actually improv at all. Actually, that's asking

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Speaker 1: a lot of questions, which one on one. It's like,

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Speaker 1: don't ask all those questions, right well, I right, yeah,

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Speaker 1: the answers yes and Okay, Max, you're starting out really hot.

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Speaker 1: I'm really like we can't. We have to build up

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Speaker 1: to that. I think we had to build up to that. Great.

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Speaker 1: Oh I'm sorry, I'm drinking hot tea. Let me let

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Speaker 1: me just scald my mouth and make it totally silent

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Speaker 1: for you. Do you feel like what you just did help?

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Speaker 1: Do you not scald your mouth? Yeah? Of course included

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Speaker 1: everyone knows that instinctually. What if you you think down

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Speaker 1: without a sound and think that's what. No, I've never

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Speaker 1: seen you do anything without a sound. Let's just say that.

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Speaker 1: But I think you should sort of like ease into

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Speaker 1: it and pour a little bit in your mouth. I

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Speaker 1: think if you're going to be like pouring slurring, ever

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Speaker 1: had to drink before you're going to be? Can? I

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Speaker 1: maybe I'll try to do that when you have a

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Speaker 1: water in front of well water though it's not hot water,

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Speaker 1: but I can try to demonstrate you bring it, you

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Speaker 1: bring it as close as possible to your lips, and

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Speaker 1: then you sort of so that would be when you

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Speaker 1: say as close as possible, you put it on into

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Speaker 1: your lips well as clo as possible, So you can

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Speaker 1: sort of question, do you ever ever ever in this

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Speaker 1: lifetime wash your lips? Have you ever washed your lips?

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Speaker 1: I never washed my that's actually disgusting. Hold on, that's

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Speaker 1: a shocking question. When you wash your face, I would

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Speaker 1: say the face wash does not go on my lips.

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Speaker 1: Never on the lips and when you brust your teeth,

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Speaker 1: are you brushing those lips? Here's what I'll say. It's

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Speaker 1: the basically you clean it by lick. You clean your

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Speaker 1: lips by licking them. It's the only part of your

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Speaker 1: body that it's socially acceptable cleans asses. Oh my god. Max.

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Speaker 1: So anyway, have you guys get out what this podcast

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Speaker 1: as yet? Yeah? So basically it's about straight culture, and

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Speaker 1: every episode we sort of unpack a different element of

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Speaker 1: straight culture what you guys do. In the last one, um,

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Speaker 1: we did homodiciroticism, which is sort of a fun twest

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Speaker 1: on it because of course that sounds like a gay topic,

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Speaker 1: but it's always fun when it's a surprise that's something

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Speaker 1: that seems gay is actually straight. Well yeah, I mean

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Speaker 1: it sort of reminds me a little bit of the

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Speaker 1: Live show, in which I my straight topic was gay guys. Yeah. Yeah,

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Speaker 1: it's a little bit like that. Yeah, well we didn't.

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Speaker 1: You can take it up with Sabrina if if that

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Speaker 1: um teenage, yes, Sabrina the teenage. Yeah, the teenage WU

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Speaker 1: was our last guest. Um. Yeah, so you can go

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Speaker 1: ahead and email them, Um, talk to your lawyer. Sure,

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Speaker 1: I just I want to say, I don't think Sabrina,

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Speaker 1: I only have one lawyer. How many lawyers do you have?

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Speaker 1: Look for and as semitic anti semitic question. It just

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Speaker 1: seems like you wouldn't need that many lawyers. I'm just

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Speaker 1: because I'm so good at litigating myself. I just don't know,

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Speaker 1: like what contracts you would need lawyers? You know what

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Speaker 1: I mean? Oh, it's not about it. I don't sign

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Speaker 1: a damn thing. Bitch. Are you bragging about being sued?

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Speaker 1: Who are you? By the way, if you keep asking questions,

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Speaker 1: watch your back, watch your email and watch your bag.

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Speaker 1: Are you doing a sort of email phishing scheme that

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Speaker 1: you're being sued about? No, I'm You'll be hearing from

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Speaker 1: my lawyers if you about what? What is the what

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Speaker 1: is the controversy? Um uh number number one? Okay, I

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Speaker 1: want to address something. Um Max, you have previously demanded

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Speaker 1: that we record in studio. Do you feel calmer? Do

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Speaker 1: you feel happy? Do you feel like you got what

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Speaker 1: you want? That's not the point, and we are and

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Speaker 1: we are in studio for everyone, and that's not that's

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Speaker 1: not a bit. We're in studio. I can see Max,

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Speaker 1: he's wearing a sort of beautiful green T shirt. And

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Speaker 1: I've seen that if it was on a zoom though. Okay,

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Speaker 1: but I can say, I bet I can say you're

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Speaker 1: wearing wearing black pants, which I couldn't see if we

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Speaker 1: were on zoom if I stood up here. Here's an

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Speaker 1: example of something that you can't. Max is in the

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Speaker 1: studio with us. He stinks like ship. I was just

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Speaker 1: gonna say, I was gonna like, wow, you're on thin

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Speaker 1: ice because now, just in that moment, you and Max

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Speaker 1: were gaming up against me to tell me you're right right,

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Speaker 1: I'm sorry, I'm sorry, and actually I'm sorry actually that

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Speaker 1: you have to go for Sam first. No, I will.

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Speaker 1: I would never do that, and I'm sorry, but even

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Speaker 1: for a second I accused you of So there's so

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Speaker 1: much paranoia in this room. There is. It's not my fault.

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Speaker 1: So anyway, you were in the studio and you're tell

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Speaker 1: us how that makes you feel? Yeah, it feels right?

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Speaker 1: Does it feel better than when we were on zoom

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Speaker 1: the last two times? You know? What? What do you mean? Well? Actually,

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Speaker 1: the first time Max said it was in studio. First time,

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Speaker 1: exid it was in studio. Second time that was in

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Speaker 1: the trash can. The second time was on zoom. Now

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Speaker 1: it's this beautiful studio. Yeah. And by the way, there's

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Speaker 1: is that Is there an actual one too behind that

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Speaker 1: curtain or is it just a curtain on the wall?

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Speaker 1: I let's see, it's a window. Why isn't that open?

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Speaker 1: Because it's better for sound quality. There's a curtain rather

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Speaker 1: than glass a glass pane. What Yeah, I thought you

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Speaker 1: were like multi excuse me. Have you ever yelled at

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Speaker 1: someone from behind a curtain versus yelling at someone from

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Speaker 1: behind a glass panel? No? No, no, no no, no no,

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Speaker 1: those are two very different things. We don't want the

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Speaker 1: sound to travel past the curtain, does that make sense?

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Speaker 1: We want the curtain to absorb the sound. I guess

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Speaker 1: what I'm saying. So if it's glass, it's gonna bos

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Speaker 1: off the glass, but it's a curtain, it's going to

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Speaker 1: absorb it. I guess what I'm saying is that it's

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Speaker 1: just a little curtain. Yeah. I didn't like, I didn't

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Speaker 1: say it was like where I stand. I'm just sort

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Speaker 1: of like, oh, it's just like a tiny little curtain

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Speaker 1: that's like very like barely they're like, I mean just

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Speaker 1: like you could like see if the window had nipples.

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Speaker 1: I could see the windows nipples through that curtain, you

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Speaker 1: know what I mean, it's like really like thin material.

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Speaker 1: Well the window doesn't have nipples, yeah, and if they

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Speaker 1: and by the way, if it didn't, you couldn't see them.

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Speaker 1: Why not because the curtain is far enough from it

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Speaker 1: that you cannot see the windows, and the windows would

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Speaker 1: be really into nipple plant so it has those big milkers.

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Speaker 1: And if the window has like ab normally large nipples

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Speaker 1: that are like insane and unlike anything you've ever seen,

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Speaker 1: then you probably would want to see. They'd be like

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Speaker 1: some things in Sand's inbox. Oh, this blood shaving of Sam.

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Speaker 1: I mean, first, it's that it cleans other people's butt

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Speaker 1: holes by licking them. Now it'said his inbox is filled

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Speaker 1: with that normally large nipples acts as to my inbox

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Speaker 1: in this scenario. I know, it is very strange. My

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Speaker 1: lawyers are your lawyers like your lawyers like crooked like

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Speaker 1: mafia lawyers, And yet you're the and then and you're

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Speaker 1: the ones suing people. I'm the headmaster of your lawyers lawyers.

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Speaker 1: Oh wow, that's so interesting. I mean, I fantasy I

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Speaker 1: have always had as like people that that was a

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Speaker 1: better sip than before. Well it's not as hot now,

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Speaker 1: like when it's finally room temperature, you'll sort of sip

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Speaker 1: in a normal way that doesn't make a listener want

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Speaker 1: to throw up. Maybe I'll see go ahead, George. I

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Speaker 1: that was my final question. You know. I know a

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Speaker 1: man that SIPs. Every time he SIPs his beer, he

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Speaker 1: does it like that, and he's going afterwards every time. Yeah,

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Speaker 1: he was, he goes it does that big, and then

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Speaker 1: he goes and then he rubs his lip. Wait, okay,

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Speaker 1: here's the question for you guys. I was thinking the

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Speaker 1: other day about how okay. So I was like, I

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Speaker 1: was cooking and I was like chopping a big carrot,

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Speaker 1: and I was like, there's nothing that makes me feel

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Speaker 1: like I'm cooking more than like chopping a big carrot,

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Speaker 1: you know, because it's it's so like cinematic. What is there?

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Speaker 1: Do you guys have anything like that where you're like, oh,

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Speaker 1: I am like doing it. That's actually that's a really

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Speaker 1: good ques's a great question. Um. I mean, unfortunately, the

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Speaker 1: only thing that's coming to mind is sex related things,

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Speaker 1: because sometimes when you're having sex, it's because I turn

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Speaker 1: you on. Yeah I'm rock hard right now, and you're

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Speaker 1: actually stop max under the table, stop doing that, but

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Speaker 1: my bed. Now you're really happy that I'm sipping on

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Speaker 1: this max o um. By the way, my niece listens

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Speaker 1: to this. Okay, but Sex is a classic example because

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Speaker 1: he is a class Often oftentimes it is you know,

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Speaker 1: you do sort of zoom out and you're like wow,

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Speaker 1: like kid me would be so proud. But I said,

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Speaker 1: I'm like riding it horse dogs. Dollar was going to say,

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Speaker 1: you know, whipping my hit my mate around, yeh, wagging

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Speaker 1: my tail. I just sort of like flipping upside down

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Speaker 1: on my hoofs clip, clumping, bouncing around on my curly

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Speaker 1: little tail, barking left and right. Yeah yeah, bouncing up

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Speaker 1: and down, bashing my head against the ceiling. You have

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Speaker 1: like an Ariana grande wig, just for the second exactly,

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Speaker 1: and then you're just pausing, like wait, can we take

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Speaker 1: us that guy? Oh my god, this is so hot.

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Speaker 1: I'm like, I'm like sweating. This is so INtime. I

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Speaker 1: never thought I'd be in this place at this time,

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Speaker 1: during this crazy thing on this little life we call her.

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Speaker 1: Yeah yeah, click, Oh my god, I just got banned

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Speaker 1: from Baby. I can my life. Don't stop something, Okay,

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Speaker 1: so sex is one thing. Sex is a great example.

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Speaker 1: Can I tell you I wanted one that it actually

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Speaker 1: has not panned out. I started making my own coffee,

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Speaker 1: which is a huge step for me. Okay, I think

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Speaker 1: I know what you're talking about, and I really wanted

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Speaker 1: like I'm making my own coffee. I'm like pouring it

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Speaker 1: into my cup and it's like morning and I'm like

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Speaker 1: setting it down on the desk, like whipping your ponytail.

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Speaker 1: I'm like clopping my cloppe making her coffee. But also

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Speaker 1: with Arianna splashing boiling all over the dogs, the only

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Speaker 1: way to feel authentic is to like have a whipping

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Speaker 1: air bag before. Well, I really thought I would like

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Speaker 1: feel like that, like feeling of like I'm in a

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Speaker 1: log cabin when I'm making coffee, and I do not

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Speaker 1: at all. I wanted to zoom out every morning and

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Speaker 1: be like today is the first day of the rest

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Speaker 1: of my life. And it never feels like that instead

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Speaker 1: of feels like, okay, this is an errand in a

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Speaker 1: chore and I wish I had just bought coffee instead.

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Speaker 1: Can I ask you something, what kind of mug are

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Speaker 1: we talking? So I even I have thought about this

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Speaker 1: and like a diner style mug, a place in main

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Speaker 1: that's good. Then it's like logo and I really like

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Speaker 1: it's going to do it. I think what you need

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Speaker 1: is I actually think that while you're making your coffee,

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Speaker 1: you need a big, big sweater so that your hands

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Speaker 1: look so humble holding coffee and cupping it with both hands.

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Speaker 1: And you also need the steam and like you know

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Speaker 1: when you're like you know, like that like with like

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Speaker 1: the within the like cable nt like coming over your

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Speaker 1: palms a little bit and you're like clumbly cupping a cup.

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Speaker 1: Another sort of version of that might be flannel pants

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Speaker 1: and even a blanket draped around your shoulders, so you're like,

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Speaker 1: so huga, that's so u um. I hate flannel pants,

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Speaker 1: like I hate PJ pants, Like sorry, what well, what

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Speaker 1: if we want in a more sexy erection then, and

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Speaker 1: rather than daisy dude, rather than mean cozy, you're like

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Speaker 1: in your tidy white ees and a tank top, like

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Speaker 1: you know still you know, haven't fully awoken bed head.

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Speaker 1: Oh that is what I want, So maybe try that.

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Speaker 1: Do you get dressed before coffee next time? Trying to

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Speaker 1: usually walk the dog and then I make the coffee,

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Speaker 1: so I have to put on clothes to walk the

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Speaker 1: dog and issue. And it's even like I walk the dog,

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Speaker 1: I go to the gym, that I make coffee. I

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Speaker 1: haven't showered at this point. Probably not. Well, why would

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Speaker 1: your shore before the gym? I show her before after?

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Speaker 1: Why not? In New York, I can waste as much

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Speaker 1: water as I want. Well, that is true. They famously

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Speaker 1: are trying to get rid of it. There's too much water.

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Speaker 1: Here's too much and it's the opposite, sweetheart, I tell

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Speaker 1: you better start now getting as much water civic duty

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Speaker 1: to bringing the horses to the trough to see someone

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Speaker 1: just constantly down in water. Like sorry, I'm an environmental um.

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Speaker 1: You know, if we have all this water and like

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Speaker 1: California is like fully having drought, like they're gonna come

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Speaker 1: and they're gonna kill us for our water. They're gonna

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Speaker 1: take it till we gottadrik it. That's so true. You know,

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Speaker 1: everyone should be putting water in plastic containers and mailing

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Speaker 1: them overnight overnight to California. And I think then it

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Speaker 1: would fix the descrepance. I do think, I do think

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Speaker 1: we really need to fix California's water for all. I agree.

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Speaker 1: I think it's sometimes they have too much. Sometimes they're

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Speaker 1: too little. Right now they're really having too much. It

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Speaker 1: sort of can't keep trying. It's actually crazy because and

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Speaker 1: I don't want to make light of this, but California

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Speaker 1: is a place where it will be fully flooded and

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Speaker 1: then someone will be like, we have to do something

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Speaker 1: about the drought, and you're like, get your story straight.

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Speaker 1: Oh my god, that is such an oversimplification. So in

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Speaker 1: terms of things that we feel like, it's like, I

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Speaker 1: just thought that you had more journalistic integrity. Integrity, George,

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Speaker 1: He's right, integrity, And you know what I just want

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Speaker 1: to say, I know, I know what I said. It

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Speaker 1: was an oversimplification. I said it for comedic effects. But

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Speaker 1: cross across the line. The name of our crossed the

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Speaker 1: line solding the name of Gawker Media. You're You're absolutely right.

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Speaker 1: I crossed the line. And sometimes you know, you sometimes

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Speaker 1: you leap, you leap before you think. And I know,

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Speaker 1: I you know, the corporation that owns US will take

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Speaker 1: the necessary steps. I will meet with HR, I will

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Speaker 1: meet with legal, I will meet with Max's entire team

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Speaker 1: of lawyers that he is the headmistress of wit. Did

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Speaker 1: you what I just what do you feel that? What?

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Speaker 1: The integrity just like left through the antegrity just flew

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Speaker 1: out the razor thin curtains. I feel it too. It

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Speaker 1: actually like left the int agrity is gone. Do you

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Speaker 1: have no integrity? It's so difficult to even speak without integrity?

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Speaker 1: You know what I always say, don't talk to me

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Speaker 1: before I've had my So, Max, are you ready to

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Speaker 1: reveal what you were jotting down in your little notebook? So?

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Speaker 1: Is it crazy that I want to keep talking about

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Speaker 1: things that you feel like you're doing them when you're

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Speaker 1: doing them? Sure? Does no one else care about? No?

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Speaker 1: I mean I love this because it's a really good question.

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Speaker 1: I have the biggest Oh my god, you hurt your

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Speaker 1: did that? Did that peak? Ye? Did the mic? Did

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Speaker 1: the mike pick up on any of them? No? I

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Speaker 1: think you're good. Max tripped and fell on his face

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Speaker 1: and the scalding hot liquid just landed all over here.

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Speaker 1: Oh my god, Oh, oh my god. It's okay, it's okay.

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Speaker 1: I know I'm resilient because I have integrity. Well, steam

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Speaker 1: is coming off of your bare skin. I mean, you

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Speaker 1: seem like you're in a lot of pain. Yeah, Well,

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Speaker 1: some of us can bring and Barron others are weak.

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Speaker 1: Do you feel like you can bear more physical pain

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Speaker 1: because of all your integrity whereas I would sort of

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Speaker 1: like turn into a puddle. Yes? And do you think

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Speaker 1: victims are just integrity list people? Yes? And I'm just

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Speaker 1: doing what I was told to do. Do you think

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Speaker 1: doing what I was told you just saying yes and

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Speaker 1: and then stopping talking. M okay, okay, And it's an

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00:21:34,520 --> 00:21:38,040
Speaker 1: amazing that really brings people together. We can't talk about

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Speaker 1: it too much because we're all start crying. Another thing

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Speaker 1: that I feel like we're being kind of boring. I

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Speaker 1: feel like I have another thing that feels like you're

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Speaker 1: doing the thing when you're doing the thing, riding in

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Speaker 1: a train. Riding in a train is the most I'm writing,

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Speaker 1: like the not like the A C. No no, no.

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Speaker 1: Like if you're on the NAM track and you see

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Speaker 1: like the tree that's so true and you're like and

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Speaker 1: you're like, oh, I need to start my novel. You're

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Speaker 1: literally I'm morning, but I don't know why exactly. Yeah. Yeah,

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Speaker 1: it's sort of yeah, sort of like this is both

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Speaker 1: the beginning and the end of the movie. Yes, yeah,

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Speaker 1: I love that about trains. Yeah, yeah, do that to

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Speaker 1: the It would make it more fun making it, make

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Speaker 1: it a good train go out of the city. They

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Speaker 1: should make more of the trains just like go away. Yeah,

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Speaker 1: you should be like trying to get to like Midtown

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Speaker 1: and you end up in like Hudson. That would be

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Speaker 1: so I would love. That would a nice surprise. You

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Speaker 1: think you're going to Midtown and you end up in Hudson.

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Speaker 1: That's so nice. You think you're getting a driver's license,

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Speaker 1: but then as it turns out, you're stuck in the

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Speaker 1: middle of nowhere. Classic me. I don't like this tim

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Speaker 1: or being here. This is like really yeah, I know

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Speaker 1: this is like, this stresses me out? Why can I

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Speaker 1: be honest? Also, actually, now that I'm in the studio,

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Speaker 1: I feel a little extra stressed out. Yeah, I think

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00:23:00,680 --> 00:23:03,640
Speaker 1: I can admit that. Now. I'm glad you see that. Yeah,

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Speaker 1: you guys do too, or you don't know, we're not

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Speaker 1: stressed out. Well, there's another thing where there's like a

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00:23:08,040 --> 00:23:11,639
Speaker 1: camera on me right here. There's also it's not on

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Speaker 1: it's not record. Cia has done all kinds of things

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Speaker 1: well and then which you would know if youstic integrity,

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00:23:21,480 --> 00:23:23,760
Speaker 1: and then of course there's a world behind this window,

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00:23:24,480 --> 00:23:27,200
Speaker 1: like an observation change. I just want to say, you

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Speaker 1: are right that if I had journalistic integrity, I would

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Speaker 1: know that the CIA has done all kinds of things. Yeah, exactly,

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Speaker 1: but I don't, so I actually didn't know that. Yeah, yeah,

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00:23:35,680 --> 00:23:38,600
Speaker 1: You're integrity is lacking. Well, don't you feel like to

399
00:23:38,640 --> 00:23:40,639
Speaker 1: bring it back to our discussion about I'm only entertaining

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Speaker 1: myself with that. And I know that now that we

401
00:23:43,880 --> 00:23:47,120
Speaker 1: are in saying integrity, now what I mean it's own.

402
00:23:47,240 --> 00:23:49,440
Speaker 1: That's only for me. It's like not for anybody else.

403
00:23:49,800 --> 00:23:52,920
Speaker 1: And I know that. Let George speak. Now that we're

404
00:23:53,080 --> 00:23:55,560
Speaker 1: in a studio and you have headphones on and you

405
00:23:55,640 --> 00:23:58,280
Speaker 1: have a mic in front of you, you are aware

406
00:23:58,400 --> 00:24:00,359
Speaker 1: that you're doing a podcast in a way you wouldn't

407
00:24:00,359 --> 00:24:02,440
Speaker 1: be if you were at home and your pgs on zoom.

408
00:24:03,119 --> 00:24:06,400
Speaker 1: I don't have You're sorry, you're flannel Daisy dukes. Oh yeah,

409
00:24:06,440 --> 00:24:09,280
Speaker 1: there you go, Yeah with my bag? So do you

410
00:24:09,359 --> 00:24:14,880
Speaker 1: feel like daisies? Yeah? When you say both signs, both sides,

411
00:24:14,920 --> 00:24:17,240
Speaker 1: do you mean up? Oh? Both sides of your ass

412
00:24:17,240 --> 00:24:21,000
Speaker 1: sticking out the daisy the whole hold on either side

413
00:24:21,000 --> 00:24:22,639
Speaker 1: of the day. I thought you made your ass sticking

414
00:24:22,680 --> 00:24:25,320
Speaker 1: out both on top and in the bottom and top

415
00:24:25,359 --> 00:24:29,879
Speaker 1: boobin underboom of in the middle. Yeah. So it's more

416
00:24:29,960 --> 00:24:32,080
Speaker 1: it's barely daisy dude, truly, it's more like a string

417
00:24:32,200 --> 00:24:34,680
Speaker 1: that's going around your butt. Yeah. Yeah, like it's like, yeah,

418
00:24:34,720 --> 00:24:40,320
Speaker 1: it's just yeah, it's a hanky. Yeah, I have you're

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00:24:40,359 --> 00:24:42,320
Speaker 1: doing a hanky code, but instead of wearing pants and

420
00:24:42,440 --> 00:24:47,960
Speaker 1: doing it, you're just stick it. Yeah you can tell.

421
00:24:49,320 --> 00:24:51,359
Speaker 1: You can tell what I'm into if you spread my

422
00:24:51,520 --> 00:24:53,919
Speaker 1: ass open and pull the handkerchief out. Yeah, but then

423
00:24:53,960 --> 00:24:56,400
Speaker 1: the handkerchief is like really prudish. It's like your naked

424
00:24:56,480 --> 00:24:58,560
Speaker 1: with a handker up your asking the handkerchief represents like

425
00:24:58,760 --> 00:25:01,200
Speaker 1: I don't have sex, Yeah, exactly exactly. Yeah, it's like

426
00:25:01,440 --> 00:25:06,840
Speaker 1: it's like what Yeah, what I prefer is to respect, yeah,

427
00:25:07,359 --> 00:25:13,960
Speaker 1: tasteful intimacy, taste Yeah yeah, well I mean I appreciate, um,

428
00:25:14,520 --> 00:25:17,240
Speaker 1: you know you feeling intimidated by the space. I think

429
00:25:17,320 --> 00:25:20,680
Speaker 1: that's going to be groundbreaking for people to hear. I

430
00:25:20,720 --> 00:25:26,840
Speaker 1: wouldn't say intimidated, Okay, scared. I wouldn't say scared, frightened,

431
00:25:28,080 --> 00:25:40,960
Speaker 1: the little terrified. No, like um, I um like it's

432
00:25:41,000 --> 00:25:48,560
Speaker 1: like it's would yes, I would say it. I just

433
00:25:48,720 --> 00:25:53,800
Speaker 1: feel like, um, like it's like a pressure cooker in back.

434
00:25:55,080 --> 00:25:56,760
Speaker 1: So in that room, I was feeling like I was

435
00:25:56,800 --> 00:25:58,960
Speaker 1: in a pressure cooker. You know a lot of people

436
00:25:59,080 --> 00:26:01,600
Speaker 1: don't realize is that like to be on a reality

437
00:26:01,680 --> 00:26:05,000
Speaker 1: show is actually a whole lot of stress and so

438
00:26:05,520 --> 00:26:07,840
Speaker 1: um in that moment, yeah, I was going through a

439
00:26:07,920 --> 00:26:09,159
Speaker 1: lot trying to think of what I was going to

440
00:26:09,200 --> 00:26:12,520
Speaker 1: say to Sam and George, and uh, yeah, you know what,

441
00:26:12,640 --> 00:26:14,639
Speaker 1: I didn't say the best thing. Okay, I could have

442
00:26:14,720 --> 00:26:18,280
Speaker 1: done better, but I am not here to record a podcast.

443
00:26:18,560 --> 00:26:22,920
Speaker 1: I'm here to win. When I saw Max stumbling to

444
00:26:23,960 --> 00:26:28,360
Speaker 1: make a sentence, I at first felt joy at his demise,

445
00:26:28,960 --> 00:26:30,960
Speaker 1: but then the more I started to think about it,

446
00:26:31,040 --> 00:26:33,480
Speaker 1: I started feel empathy, and I thought, you know what,

447
00:26:33,840 --> 00:26:36,040
Speaker 1: that's my friend, no matter what he's done in the past,

448
00:26:36,359 --> 00:26:39,920
Speaker 1: and I'm going to support him and talk um when

449
00:26:40,119 --> 00:26:43,840
Speaker 1: it's time. When Max entered, I really did feel like

450
00:26:44,880 --> 00:26:50,520
Speaker 1: the you know, of a villain that we have painted

451
00:26:50,600 --> 00:26:54,960
Speaker 1: as such was present, and my initial instinct was to

452
00:26:55,160 --> 00:26:58,159
Speaker 1: get on the defensive. And then when I realized that Max,

453
00:26:58,400 --> 00:27:00,080
Speaker 1: you know, when I when it was all stripped, I

454
00:27:00,200 --> 00:27:03,080
Speaker 1: realized I am the one that has projected this narrative

455
00:27:03,119 --> 00:27:06,240
Speaker 1: onto Max. Max did not actually come in wanting to

456
00:27:06,560 --> 00:27:08,800
Speaker 1: be rude in any way. He did not. He came in,

457
00:27:08,960 --> 00:27:11,960
Speaker 1: he followed the rules, he sat down, put his headphones on,

458
00:27:12,440 --> 00:27:14,960
Speaker 1: and and it turns out I'm the one that really

459
00:27:15,040 --> 00:27:19,200
Speaker 1: like turned on the animosity. And so it's tough because

460
00:27:19,320 --> 00:27:22,119
Speaker 1: on the one hand, I want to push I. I

461
00:27:22,240 --> 00:27:24,720
Speaker 1: want to, you know, embrace him and say Max, it's okay.

462
00:27:24,720 --> 00:27:26,399
Speaker 1: I didn't mean everything I said earlier. But on the

463
00:27:26,440 --> 00:27:28,440
Speaker 1: other hand, I'm so aware of the fact that, you know,

464
00:27:28,480 --> 00:27:30,680
Speaker 1: it's reality TV. I'm playing a character, and I can't

465
00:27:30,720 --> 00:27:34,200
Speaker 1: just change who I am halfway through. So it's a process.

466
00:27:34,800 --> 00:27:38,320
Speaker 1: And at that moment I realized that it was important

467
00:27:38,880 --> 00:27:45,800
Speaker 1: for me to clear the air. You guys, I have

468
00:27:45,920 --> 00:27:48,560
Speaker 1: to clear the air right now. God a sort of

469
00:27:48,640 --> 00:27:52,040
Speaker 1: sense that he was maybe going to clearly as well, Yeah, okay, great,

470
00:27:52,040 --> 00:27:59,320
Speaker 1: I'm glad it's done you after clearing the air, I'm

471
00:27:59,359 --> 00:28:02,040
Speaker 1: just so happy it was cleared, because I just can't

472
00:28:02,040 --> 00:28:04,240
Speaker 1: help but feel it's not quite clear. You don't feel

473
00:28:04,240 --> 00:28:05,840
Speaker 1: like he said, I'm going to clearly are and then

474
00:28:05,880 --> 00:28:08,840
Speaker 1: he didn't do anything. It was at that moment that

475
00:28:08,960 --> 00:28:12,960
Speaker 1: I realized that Sam was not on my side and

476
00:28:13,240 --> 00:28:22,960
Speaker 1: I had made an enemy. George, can you do a

477
00:28:23,000 --> 00:28:28,000
Speaker 1: soundtrack for me? Were you reading this because you want

478
00:28:28,200 --> 00:28:30,840
Speaker 1: my soundtrack or because you wanted me to stop using

479
00:28:30,880 --> 00:28:34,480
Speaker 1: my phone? George? Do you want you can use it? Yeah?

480
00:28:34,560 --> 00:28:37,240
Speaker 1: You're just just pressed play and then use the volume. Yeah,

481
00:28:37,280 --> 00:28:39,040
Speaker 1: I just yeah, I thought you were trying to chastise me,

482
00:28:39,080 --> 00:28:42,440
Speaker 1: and I was reacting against that. Okay, go ahead, mh

483
00:28:42,920 --> 00:28:44,280
Speaker 1: you have to play it and then turn it up

484
00:28:44,800 --> 00:28:50,200
Speaker 1: in order to it. Yeah, okay. They when Max, when

485
00:28:50,240 --> 00:28:52,240
Speaker 1: I reached from Max's phone and he pulled away from me,

486
00:28:52,760 --> 00:28:55,160
Speaker 1: I couldn't have but feel that, like this meant he's

487
00:28:55,400 --> 00:28:57,720
Speaker 1: afraid of me, like when a dog flinches, and it's

488
00:28:57,800 --> 00:29:00,160
Speaker 1: like this. Whole time I thought Max has been but

489
00:29:00,280 --> 00:29:08,480
Speaker 1: maybe maybe it was men. Yeah. Here. When Max and

490
00:29:08,520 --> 00:29:11,320
Speaker 1: Sam started doing like confessional type things in the studio,

491
00:29:11,400 --> 00:29:13,000
Speaker 1: at first, I was confused because I was like, I

492
00:29:13,080 --> 00:29:15,160
Speaker 1: can see you and this is all happening live. But

493
00:29:15,240 --> 00:29:17,440
Speaker 1: then I thought, well, they're not going to be the

494
00:29:17,480 --> 00:29:19,480
Speaker 1: ones to define my narrative. Only I can do that.

495
00:29:21,960 --> 00:29:25,120
Speaker 1: So George, I've always felt like your narrative is um,

496
00:29:25,920 --> 00:29:28,440
Speaker 1: well it's I'm going to stop you right there, because

497
00:29:28,560 --> 00:29:33,200
Speaker 1: no one can define my narrative except me. That was beautiful.

498
00:29:35,120 --> 00:29:40,560
Speaker 1: Do you want to clear the air? No? Because but

499
00:29:40,640 --> 00:29:44,320
Speaker 1: what I actually want to talk about is uh, Okay,

500
00:29:44,360 --> 00:29:46,960
Speaker 1: did you guys watch like Love Is Blind? No? Yeah,

501
00:29:47,000 --> 00:29:51,880
Speaker 1: I watched season one. Oh wait, I watched the well,

502
00:29:52,160 --> 00:29:56,760
Speaker 1: um because like there's this thing that happens with I've

503
00:29:56,840 --> 00:30:00,240
Speaker 1: noticed especially um, like I want to say, like it

504
00:30:00,360 --> 00:30:04,120
Speaker 1: happens way too quickly where people start talking about like

505
00:30:04,800 --> 00:30:09,520
Speaker 1: how completely dedicated they are to their partner, like having

506
00:30:09,880 --> 00:30:12,800
Speaker 1: met them, what in our experience of the show is

507
00:30:12,880 --> 00:30:15,960
Speaker 1: like five minutes ago, right you know. Um, but so

508
00:30:16,120 --> 00:30:17,640
Speaker 1: like you know, and they'll be like they'll be like

509
00:30:18,160 --> 00:30:21,600
Speaker 1: like Jamie, I will fight for you and I'm gonna

510
00:30:21,720 --> 00:30:24,240
Speaker 1: fight for us. And I've been obsessed with the phrase

511
00:30:24,320 --> 00:30:26,920
Speaker 1: like fighting and like this like battle battle battle thing

512
00:30:26,920 --> 00:30:29,440
Speaker 1: where it's like it's like like no matter what we

513
00:30:29,520 --> 00:30:32,680
Speaker 1: call it, don't like we're gonna take on the world together.

514
00:30:33,240 --> 00:30:35,640
Speaker 1: And it's and it's like it's like do you mean

515
00:30:35,880 --> 00:30:39,640
Speaker 1: like like like you're like smoothie job or like, well,

516
00:30:40,120 --> 00:30:42,360
Speaker 1: they also do this thing where they it builds up

517
00:30:42,400 --> 00:30:45,160
Speaker 1: to it where you see the conversation where they're supposedly bonding,

518
00:30:45,440 --> 00:30:48,160
Speaker 1: and then in the confessional the person is like, and

519
00:30:48,280 --> 00:30:50,200
Speaker 1: that's how I knew were bonded. So the conversation will

520
00:30:50,200 --> 00:30:52,760
Speaker 1: be like, I love the Knicks. Wait, you're a Knicks fan,

521
00:30:53,040 --> 00:30:55,120
Speaker 1: and then it literally will cut to the woman being like,

522
00:30:55,760 --> 00:30:58,640
Speaker 1: I mean, we both love the Knicks, and it's not

523
00:30:58,840 --> 00:31:00,920
Speaker 1: just the Knicks we have, it's it really points to

524
00:31:00,960 --> 00:31:03,640
Speaker 1: similar values that we have in our lives. And if

525
00:31:03,720 --> 00:31:06,400
Speaker 1: everyone I've met this week, that's the first time. So

526
00:31:06,520 --> 00:31:10,360
Speaker 1: when I met actually did like the Knicks. Yeah, exactly. Okay,

527
00:31:10,800 --> 00:31:13,640
Speaker 1: I'm going to put away in my phone now, Okay, yeah, Um,

528
00:31:13,880 --> 00:31:15,920
Speaker 1: has the air been cleared? I actually feel the air

529
00:31:16,000 --> 00:31:17,560
Speaker 1: has been cleared. Should we do our first segment? I

530
00:31:17,640 --> 00:31:20,440
Speaker 1: think so, I actually think we should. Okay, So you

531
00:31:20,480 --> 00:31:23,000
Speaker 1: guys are gonna enter the show and like say your

532
00:31:23,040 --> 00:31:25,720
Speaker 1: names and doc. Yeah. So basically I'm Sam and I'm

533
00:31:25,760 --> 00:31:32,440
Speaker 1: George and this is Stradio podcast starts. Now. Wow, we're

534
00:31:32,520 --> 00:31:35,600
Speaker 1: joined today. But Max Twitter, who's really nice? Who's super nice? Now?

535
00:31:36,400 --> 00:31:39,800
Speaker 1: And we're going to you know what I mean, Max,

536
00:31:40,440 --> 00:31:42,960
Speaker 1: come up for this episode. You're like not being mean

537
00:31:43,080 --> 00:31:44,880
Speaker 1: like you did in the last episode, so like, that's

538
00:31:44,880 --> 00:31:47,760
Speaker 1: sort of the twist. So me and last episode, well,

539
00:31:47,800 --> 00:31:51,760
Speaker 1: we came in, we came in. We came in, and

540
00:31:52,000 --> 00:31:54,760
Speaker 1: I'll take responsibility for this. We came in expecting it

541
00:31:54,840 --> 00:31:59,640
Speaker 1: to be villainous, but you actually the ultimate villainous move,

542
00:31:59,680 --> 00:32:04,760
Speaker 1: which is gaslight us into thinking you're normal. And so

543
00:32:04,920 --> 00:32:06,800
Speaker 1: now we're going to go with that, and we're just

544
00:32:06,840 --> 00:32:08,640
Speaker 1: gonna be normal and the air has been cleared. We're

545
00:32:08,640 --> 00:32:11,360
Speaker 1: going to be normal. You are normal. We're treating you

546
00:32:11,480 --> 00:32:13,400
Speaker 1: as we would any other day. What you're telling me

547
00:32:13,560 --> 00:32:15,400
Speaker 1: is that just now you're like, you just gas let

548
00:32:15,480 --> 00:32:18,400
Speaker 1: us into thinking you're normal, and then you said, but

549
00:32:18,640 --> 00:32:21,960
Speaker 1: really really were normal, which makes me think that you're

550
00:32:21,960 --> 00:32:24,400
Speaker 1: now trying to guess like normal people are actually in

551
00:32:24,480 --> 00:32:28,080
Speaker 1: so doing, maybe even gaslighting yourself. I would never gaslight myself.

552
00:32:28,160 --> 00:32:31,200
Speaker 1: I love myself and only normal people can be gaslight

553
00:32:32,360 --> 00:32:38,640
Speaker 1: what so you just admitted to being normal, because yeah,

554
00:32:38,800 --> 00:32:42,200
Speaker 1: you're not normal, so you can gaslight me someone who's normal.

555
00:32:43,280 --> 00:32:49,080
Speaker 1: I'm unsuspecting. But then, what's what's the issue. I don't know.

556
00:32:49,320 --> 00:32:51,240
Speaker 1: Why don't you tell me you seem to be upset.

557
00:32:51,920 --> 00:32:54,560
Speaker 1: I am not upset. I think you're pretty upset right now,

558
00:32:55,400 --> 00:32:57,280
Speaker 1: I actually feel why do you you know, just go

559
00:32:57,320 --> 00:33:00,800
Speaker 1: ahead and introduce the podcast. Okay, I'm Sam and I'm George,

560
00:33:00,880 --> 00:33:06,520
Speaker 1: and this is um, Welcome to the show. Um. We

561
00:33:06,720 --> 00:33:10,360
Speaker 1: have such an incredible guest who is one of our

562
00:33:10,560 --> 00:33:15,120
Speaker 1: best friends, and I will never forget how he made

563
00:33:15,240 --> 00:33:19,000
Speaker 1: me feel um today when he walked into the studio

564
00:33:19,480 --> 00:33:22,440
Speaker 1: and um, it was just such a tell them about

565
00:33:22,440 --> 00:33:25,560
Speaker 1: the presence that I give you you didn't give using

566
00:33:26,600 --> 00:33:28,040
Speaker 1: think you know you know what I mean? Like you

567
00:33:28,160 --> 00:33:32,080
Speaker 1: just like saying there's no reason to lie. We're like

568
00:33:32,160 --> 00:33:35,200
Speaker 1: being genuine about max they can give you. We're just

569
00:33:35,320 --> 00:33:36,920
Speaker 1: being like earnest about how we like you and that

570
00:33:37,040 --> 00:33:39,080
Speaker 1: you're a friend and we really value you. Would just

571
00:33:39,160 --> 00:33:41,320
Speaker 1: like me to give us presents for us to not like.

572
00:33:41,880 --> 00:33:44,240
Speaker 1: But the thing is that, like it's like some people

573
00:33:44,280 --> 00:33:47,400
Speaker 1: that listen to the podcast, there the way they receive affection,

574
00:33:47,480 --> 00:33:49,760
Speaker 1: it's like through gifts, and so they need to know that, like,

575
00:33:49,800 --> 00:33:52,080
Speaker 1: I'm the type of person why would we want to

576
00:33:52,160 --> 00:33:55,200
Speaker 1: like because their love language is that I mean, I know,

577
00:33:55,320 --> 00:33:57,440
Speaker 1: but that's not our love language or your love language.

578
00:33:57,480 --> 00:33:59,360
Speaker 1: Like we have our friendship and this is not a

579
00:33:59,360 --> 00:34:01,800
Speaker 1: podcast for all people. Yes, but I think the fact

580
00:34:01,840 --> 00:34:03,760
Speaker 1: that I think people can empathize with someone who has

581
00:34:03,760 --> 00:34:06,520
Speaker 1: a different love language than them. M. I don't think

582
00:34:06,560 --> 00:34:08,120
Speaker 1: that's how that works. So when you watch like a

583
00:34:08,239 --> 00:34:10,440
Speaker 1: film or read a book, you need everyone to have

584
00:34:10,520 --> 00:34:12,520
Speaker 1: the same love language then you do in order to

585
00:34:12,640 --> 00:34:14,960
Speaker 1: relate to them. Oh so you're telling me that, Like

586
00:34:15,080 --> 00:34:18,680
Speaker 1: if you watch a movie and there's a couple and

587
00:34:18,719 --> 00:34:21,759
Speaker 1: they never expressed any physical affection, because for me, you know,

588
00:34:21,840 --> 00:34:23,800
Speaker 1: physical faction and big deal. Of course the expressed no

589
00:34:23,800 --> 00:34:27,080
Speaker 1: physical affection, you wouldn't be like that's weird. Okay, So okay,

590
00:34:27,080 --> 00:34:28,200
Speaker 1: I'll let me do it. I'll read do it, I'll

591
00:34:28,239 --> 00:34:33,000
Speaker 1: do it. Um okay, so um wow, we're so excited.

592
00:34:33,040 --> 00:34:35,120
Speaker 1: We have the most amazing friend with us here today.

593
00:34:35,400 --> 00:34:39,319
Speaker 1: His name is Max, and he came in and um

594
00:34:39,800 --> 00:34:43,319
Speaker 1: gave us all types of love language. He gave us

595
00:34:43,360 --> 00:34:49,360
Speaker 1: a gift of um uh coffee mug and coffee beans,

596
00:34:49,880 --> 00:34:54,000
Speaker 1: which is so thoughtful. And he gave us physical that

597
00:34:54,040 --> 00:34:56,040
Speaker 1: they were from Lebanon, because like that's like where the

598
00:34:56,120 --> 00:35:03,239
Speaker 1: best coffee comes from. They were let yeah, they were

599
00:35:03,360 --> 00:35:07,200
Speaker 1: beans all the way from Lebanon. Um. Then he gave

600
00:35:07,280 --> 00:35:11,200
Speaker 1: us words of affirmation. So he looked at Sam and said,

601
00:35:11,320 --> 00:35:14,320
Speaker 1: you've never been taller. And then he looked at me

602
00:35:14,440 --> 00:35:19,399
Speaker 1: and said, you've never been um shorter, which he knows.

603
00:35:19,560 --> 00:35:22,800
Speaker 1: I'm really insecure because I want to be shorter. And

604
00:35:22,920 --> 00:35:25,560
Speaker 1: he said, you you're literally two inches tall. I've I

605
00:35:25,719 --> 00:35:28,480
Speaker 1: almost stepped on you. Never seen so much smaller in

606
00:35:28,520 --> 00:35:32,200
Speaker 1: my life, and I yes, I and you know again

607
00:35:32,320 --> 00:35:34,640
Speaker 1: Max knows. I haven't talked about this publicly, but I

608
00:35:35,080 --> 00:35:37,840
Speaker 1: have a very specific form of body dysmorphia where I

609
00:35:38,000 --> 00:35:42,760
Speaker 1: think I'm nine ft tall. So it really has affirming

610
00:35:42,920 --> 00:35:45,239
Speaker 1: for me. It's affirming to me when people tell me

611
00:35:45,280 --> 00:35:47,799
Speaker 1: I'm two inches tall. Um. So he did give us

612
00:35:47,800 --> 00:35:51,360
Speaker 1: words of affirmation. He also gave us acts of service,

613
00:35:51,480 --> 00:35:56,640
Speaker 1: which is the other love language, by donating. Donated on

614
00:35:56,719 --> 00:36:00,160
Speaker 1: our behalf, yeah to us, to us on our half.

615
00:36:00,239 --> 00:36:02,799
Speaker 1: He donated to me from Sam and to Sam from

616
00:36:02,840 --> 00:36:06,640
Speaker 1: me yea, to our charities, which was really nice. And

617
00:36:06,840 --> 00:36:08,239
Speaker 1: the rest of them. You can just move on because

618
00:36:08,239 --> 00:36:11,640
Speaker 1: I think, okay, well, and I'll just say, because there's

619
00:36:11,680 --> 00:36:13,439
Speaker 1: only one, I think that people are kind of bored.

620
00:36:13,680 --> 00:36:15,200
Speaker 1: It just seems like you don't want us to say

621
00:36:15,239 --> 00:36:17,200
Speaker 1: that you give us physical affection. But I just I'm

622
00:36:17,239 --> 00:36:19,680
Speaker 1: a little like, Okay, so I don't oh yeah, I

623
00:36:19,760 --> 00:36:24,160
Speaker 1: mean I don't do that. So you do want to

624
00:36:24,600 --> 00:36:27,319
Speaker 1: alienate people with some love language? Is just not all

625
00:36:27,400 --> 00:36:29,080
Speaker 1: of them? Well no, I just think that it was

626
00:36:29,280 --> 00:36:32,720
Speaker 1: like it's like we are like because like my lawyers

627
00:36:32,760 --> 00:36:37,360
Speaker 1: were like, don't talk about how you touch people and

628
00:36:37,560 --> 00:36:39,480
Speaker 1: so and so I just think that part we can

629
00:36:39,520 --> 00:36:43,840
Speaker 1: probably skip. Okay, okay, let me do it again. Please

630
00:36:43,880 --> 00:36:47,359
Speaker 1: welcome our dear friend who's so warm and will never

631
00:36:47,520 --> 00:36:52,320
Speaker 1: touch anyone Max Twitter. Yeah and never, I also say that,

632
00:36:53,200 --> 00:36:58,840
Speaker 1: and please welcome to the podcast. I'm Sam and I'm George,

633
00:36:58,960 --> 00:37:01,080
Speaker 1: and this is Stradio Lab, and today we are joined

634
00:37:01,120 --> 00:37:05,480
Speaker 1: by our dear friend who has never inappropriately touched anyone

635
00:37:06,440 --> 00:37:10,960
Speaker 1: and uh, going forward, never will. I just want to say,

636
00:37:11,040 --> 00:37:16,440
Speaker 1: I mean, Max Twitter, my integrity is flaring, My journalistic

637
00:37:16,440 --> 00:37:19,399
Speaker 1: integrity is flaring, and I just want to say Max,

638
00:37:20,520 --> 00:37:25,120
Speaker 1: Max has touched me. Oh what, well, it's not inappropriately,

639
00:37:25,280 --> 00:37:32,160
Speaker 1: but you know the idea that Max is against. Sorry,

640
00:37:32,160 --> 00:37:33,600
Speaker 1: I don't know why I did that. I'm sorry that

641
00:37:33,680 --> 00:37:38,160
Speaker 1: just come out first segments. Let's to our first segment.

642
00:37:38,719 --> 00:37:41,920
Speaker 1: I think that would really I think something is like

643
00:37:42,960 --> 00:37:45,480
Speaker 1: I don't got to offer tooth or something. We should

644
00:37:45,640 --> 00:37:48,280
Speaker 1: get that checked out. Okay, so let's start the first segment,

645
00:37:48,719 --> 00:37:53,279
Speaker 1: which is straight Shooters. Okay. So our first segment is

646
00:37:53,320 --> 00:37:59,320
Speaker 1: called straight Shooters, and and it we engage your question.

647
00:38:03,560 --> 00:38:05,880
Speaker 1: I'm not sorry to French. I'm really sorry about before

648
00:38:05,960 --> 00:38:10,439
Speaker 1: and I'll never say anything. What did I say to you? Oh? Sorry,

649
00:38:10,560 --> 00:38:14,560
Speaker 1: I don't know what. I can't sell myself. Okay, okay, Um, Sam,

650
00:38:14,680 --> 00:38:17,919
Speaker 1: just go first. I need a second okay. Um. Yeah,

651
00:38:18,040 --> 00:38:19,640
Speaker 1: and by the way, the microphone didn't pick that up,

652
00:38:19,640 --> 00:38:24,040
Speaker 1: but you didn't know that was really quiet? Okay. Um

653
00:38:24,440 --> 00:38:29,200
Speaker 1: Max a people pleaser or a total top total top

654
00:38:29,960 --> 00:38:35,680
Speaker 1: h Max French toast for the table, or French onion

655
00:38:35,760 --> 00:38:39,759
Speaker 1: soup with a ladle French onion soup with a ladle Max. Yeah.

656
00:38:40,680 --> 00:38:45,600
Speaker 1: Lisa Lampanelli or Lisa left Lope, Lisa left, I Lopez Max.

657
00:38:46,080 --> 00:38:49,080
Speaker 1: We are the champions. I am legend he has risen

658
00:38:49,239 --> 00:38:51,719
Speaker 1: or she is mother. Sorry I wasn't paying attention. Can

659
00:38:51,760 --> 00:38:54,680
Speaker 1: you say that one again? Of course I'd be happy

660
00:38:54,760 --> 00:38:57,920
Speaker 1: to We are the champions. I am legend he has

661
00:38:58,000 --> 00:39:03,040
Speaker 1: risen or she is mother. He has risen. Okay, Max, Sam,

662
00:39:03,120 --> 00:39:08,759
Speaker 1: I am curious George or hbo, Max, I don't even

663
00:39:08,760 --> 00:39:12,240
Speaker 1: need to dance with that one. Max. Don't worry darling,

664
00:39:12,640 --> 00:39:17,319
Speaker 1: or don't touch that. I'm not done, okay Max. Doing

665
00:39:17,360 --> 00:39:23,960
Speaker 1: an off Broadway run or doing an off a cliff jump? Yeah,

666
00:39:24,040 --> 00:39:28,920
Speaker 1: off Broadway run, Max, Bono from you two or Mano?

667
00:39:29,120 --> 00:39:30,960
Speaker 1: Did you get it to ma? No? Did you get

668
00:39:31,000 --> 00:39:34,920
Speaker 1: it too? Yeah? No, one would choose the form. You

669
00:39:34,960 --> 00:39:41,759
Speaker 1: would rather uh get Mono than meet Bono. The reason

670
00:39:41,840 --> 00:39:43,960
Speaker 1: I would want to meet Bono is to give him

671
00:39:44,000 --> 00:39:50,120
Speaker 1: Mono no for some accountability. What does he need to

672
00:39:50,120 --> 00:39:55,520
Speaker 1: be held accountable for? We never once addressed the iPod issue.

673
00:39:55,800 --> 00:39:58,399
Speaker 1: I think it's been addressed repeatedly over and over again

674
00:39:58,440 --> 00:40:00,680
Speaker 1: since it happened. Have you ever been on dot com?

675
00:40:01,239 --> 00:40:04,920
Speaker 1: There's some incredible takes about that is your when you

676
00:40:05,160 --> 00:40:09,200
Speaker 1: talk about your team of lawyers. Is the main lawsuit

677
00:40:09,440 --> 00:40:16,320
Speaker 1: against Bono for the iPod thing? That younouring money and

678
00:40:17,440 --> 00:40:21,239
Speaker 1: for the better part of fifteen years. I can either

679
00:40:21,360 --> 00:40:26,359
Speaker 1: confirmations trying to make a class action, but no one

680
00:40:26,440 --> 00:40:29,760
Speaker 1: else is joining because people are like, it's not action.

681
00:40:29,880 --> 00:40:32,400
Speaker 1: You know who has no class As you were asking

682
00:40:33,280 --> 00:40:38,520
Speaker 1: about my actions. Wow, okay, Samantha. Yeah. When Max accused

683
00:40:38,520 --> 00:40:42,000
Speaker 1: me of not having any class, I said, okay, fine,

684
00:40:42,040 --> 00:40:44,240
Speaker 1: I don't have integrity. Integrity is not even that important,

685
00:40:44,280 --> 00:40:49,839
Speaker 1: but class. I mean that's how I was raised. Considering

686
00:40:50,560 --> 00:40:53,560
Speaker 1: George seems so studious, you would think that he would

687
00:40:53,560 --> 00:40:58,200
Speaker 1: be used to class, but as was discovered over the

688
00:40:58,320 --> 00:41:04,960
Speaker 1: course of this season, he clearly does not. George and

689
00:41:05,040 --> 00:41:08,800
Speaker 1: Max were fighting over something and I was going to

690
00:41:08,920 --> 00:41:11,360
Speaker 1: do my best to not let it ruin my birthday

691
00:41:12,480 --> 00:41:16,840
Speaker 1: Happy birthday, saying, uh, I got you a present. I

692
00:41:17,000 --> 00:41:19,320
Speaker 1: hope you like it. You're um, I want you to

693
00:41:19,680 --> 00:41:25,120
Speaker 1: unwrap it. Oh my god, what is it? I'm unwrapping it?

694
00:41:26,360 --> 00:41:33,399
Speaker 1: Oh my god? What do you think? It's a bike? Yes,

695
00:41:34,080 --> 00:41:38,399
Speaker 1: a tiny, tiny little one. How nice is that? That's

696
00:41:38,400 --> 00:41:42,000
Speaker 1: super nice because George's two inches all. I thought you

697
00:41:42,080 --> 00:41:44,439
Speaker 1: could put George on the bike and you could watch

698
00:41:44,520 --> 00:41:46,399
Speaker 1: him just go around a little circles and that would

699
00:41:46,440 --> 00:41:49,440
Speaker 1: be really fun for you. Are you like, so your

700
00:41:49,480 --> 00:41:52,800
Speaker 1: gift for Sam is really for me? Well, that's that

701
00:41:53,000 --> 00:41:55,440
Speaker 1: he donated to both of us, from both of us.

702
00:41:55,480 --> 00:42:04,360
Speaker 1: So you actually have a present open too. Oh what

703
00:42:04,640 --> 00:42:10,640
Speaker 1: is this? It's a gigantic bicycle. Oh my god, yeah,

704
00:42:11,680 --> 00:42:15,200
Speaker 1: so that you can feel even tiny. That's really considerate,

705
00:42:15,200 --> 00:42:20,920
Speaker 1: because that was still to George. Yeah, one tiny bicycle

706
00:42:20,960 --> 00:42:23,640
Speaker 1: and one giant bicycle. So you want me to feel

707
00:42:23,719 --> 00:42:26,600
Speaker 1: dysmorphic half the time and then you fork the other half.

708
00:42:27,480 --> 00:42:31,080
Speaker 1: Life is about balance? Well I guess that's true. And

709
00:42:31,080 --> 00:42:32,919
Speaker 1: you know what else is about balance? Riding a bike

710
00:42:36,000 --> 00:42:41,640
Speaker 1: and that's the t Oh my god, Okay, that was genius.

711
00:42:41,680 --> 00:42:50,600
Speaker 1: I'm chilling. Wow, Max, Do you want to tell us

712
00:42:50,640 --> 00:42:57,200
Speaker 1: what your topic was today? Conflict? Conflict? What? What? What

713
00:42:57,440 --> 00:42:59,719
Speaker 1: was that? I was looking at my watch to see

714
00:42:59,719 --> 00:43:02,040
Speaker 1: how said? Oh no, no, no, no no. I was

715
00:43:02,080 --> 00:43:04,480
Speaker 1: looking at my watch and see how much how much

716
00:43:04,520 --> 00:43:07,920
Speaker 1: time we had left? Not because we don't not because

717
00:43:08,160 --> 00:43:09,719
Speaker 1: because you want to rush through. No, I do not

718
00:43:09,800 --> 00:43:11,160
Speaker 1: want to rest for it. I want to know which

719
00:43:11,160 --> 00:43:13,040
Speaker 1: I do understand because we do have a hibachi dinner

720
00:43:13,080 --> 00:43:17,160
Speaker 1: after this. Yeah. I have been hearing about this a lot. Yeah. Yeah,

721
00:43:17,200 --> 00:43:21,040
Speaker 1: it feels getting forced down our throats. You're not gonna

722
00:43:21,040 --> 00:43:23,200
Speaker 1: want to force a damn thing time, because it's you're

723
00:43:23,239 --> 00:43:26,080
Speaker 1: gonna you're just gonna willingly take it all. I'm telling

724
00:43:26,120 --> 00:43:28,759
Speaker 1: you that this place is great you're like almost doing

725
00:43:28,800 --> 00:43:37,000
Speaker 1: a Trump. Yeah, great Trump impression. You. Thanks. So what's

726
00:43:37,000 --> 00:43:41,640
Speaker 1: your topic? Conflict? Okay, so that's my response to everything. Thanks.

727
00:43:42,480 --> 00:43:45,400
Speaker 1: Oh that's fun. That's actually a good sort of catchphrase

728
00:43:45,480 --> 00:43:49,520
Speaker 1: for real, for the reality show You Can make Thanks. No, No,

729
00:43:50,480 --> 00:43:53,160
Speaker 1: was not called you thanks, and Ariana do like another

730
00:43:53,239 --> 00:43:58,520
Speaker 1: version of like thank you, thank you thanks. Um. But

731
00:43:58,680 --> 00:44:01,680
Speaker 1: I could see it. You thinks as your catchphrase having

732
00:44:01,800 --> 00:44:05,359
Speaker 1: legs merch. Yeah, maybe, as I thought you were saying.

733
00:44:05,360 --> 00:44:07,600
Speaker 1: I thought you were it's just your catchphrase. I thought

734
00:44:07,640 --> 00:44:10,720
Speaker 1: you were saying. It's not your comma comma having legs,

735
00:44:11,440 --> 00:44:13,840
Speaker 1: And I was like, why is it? Like, why is

736
00:44:13,920 --> 00:44:16,359
Speaker 1: having legs my thing? No? No, no, no, I get

737
00:44:16,480 --> 00:44:18,600
Speaker 1: what you're saying. Now, Okay, so your topic is conflict?

738
00:44:18,760 --> 00:44:22,640
Speaker 1: What kind of conflict? Just? I mean, I think conflict

739
00:44:22,760 --> 00:44:26,840
Speaker 1: in its essence is sort of a straight thing because

740
00:44:27,120 --> 00:44:33,200
Speaker 1: it relies on differences, which is very right. Well, I've

741
00:44:33,280 --> 00:44:36,680
Speaker 1: never seen any gay people have conflict with one another,

742
00:44:36,960 --> 00:44:39,200
Speaker 1: or there shouldn't be in a perfect in a perfectly

743
00:44:39,280 --> 00:44:45,120
Speaker 1: homosexual world, that would be no conflict, right, right, right,

744
00:44:45,120 --> 00:44:49,320
Speaker 1: because in perfectly homosexual spaces, there's everyone's in great moods.

745
00:44:49,920 --> 00:44:52,839
Speaker 1: No one's anxious and everyone is happy exactly. Yeah. Yeah,

746
00:44:52,880 --> 00:44:58,560
Speaker 1: there's no like differences and expectations of anything. Everyone feels

747
00:44:58,600 --> 00:45:04,480
Speaker 1: affirmed at every turn. Exactly. Yeah. Okay, so conflict is

748
00:45:04,520 --> 00:45:08,040
Speaker 1: a straight but also you know, like wars are so straight.

749
00:45:08,920 --> 00:45:12,640
Speaker 1: That's true. I mean, I listen, this is like a

750
00:45:12,719 --> 00:45:14,840
Speaker 1: downgrade from what I wanted to talk about, which is

751
00:45:14,920 --> 00:45:16,840
Speaker 1: what I mean. I wanted to talk about Nazis, but

752
00:45:16,880 --> 00:45:19,560
Speaker 1: you guys wouldn't let me. That's true. That's true. That

753
00:45:19,719 --> 00:45:22,160
Speaker 1: was your first choice topic like several times, and you

754
00:45:22,200 --> 00:45:25,880
Speaker 1: guys kind of stopped actually even responding. Well, it is

755
00:45:25,920 --> 00:45:28,719
Speaker 1: true that you asked multiple times to talk to Nazis

756
00:45:28,920 --> 00:45:31,719
Speaker 1: be your topic, and we sort of never responded. I mean, listen,

757
00:45:31,960 --> 00:45:38,080
Speaker 1: I do think in theory Nazis. See yeah, we both responded.

758
00:45:38,840 --> 00:45:43,200
Speaker 1: We both responded with not Nazis. You said, not Nazis. Yeah, well,

759
00:45:44,239 --> 00:45:47,680
Speaker 1: I guess it's one of those things that is funnier

760
00:45:47,760 --> 00:45:50,600
Speaker 1: in theory than in practice, in my opinion, potentially agree

761
00:45:50,640 --> 00:45:53,719
Speaker 1: with that, Like, yes, it's iconic that you came in

762
00:45:54,160 --> 00:45:58,800
Speaker 1: and your straight topic was Nazis. Well, because yeah, I

763
00:45:58,840 --> 00:46:01,040
Speaker 1: mean something that I particue the reason that I was

764
00:46:01,120 --> 00:46:03,320
Speaker 1: really talking thinking about it. Yeah, I'm thinking about it.

765
00:46:03,840 --> 00:46:06,400
Speaker 1: It was because it was around the time of like

766
00:46:07,600 --> 00:46:11,480
Speaker 1: like gift guides for men, men's gift guides, and how

767
00:46:11,560 --> 00:46:15,480
Speaker 1: they're like all very very Nazi vibes. Yes, right, well

768
00:46:15,560 --> 00:46:18,760
Speaker 1: it's like how to take care of your tiny little mustache,

769
00:46:19,440 --> 00:46:22,280
Speaker 1: you know. Well, it's really like it's the one area

770
00:46:22,400 --> 00:46:26,320
Speaker 1: where the American media like doesn't know how to be progressive.

771
00:46:26,440 --> 00:46:29,000
Speaker 1: Like every other day of the year they're like, oh,

772
00:46:29,160 --> 00:46:32,400
Speaker 1: a photo package about drag Queen's voguing, But then on

773
00:46:32,680 --> 00:46:36,600
Speaker 1: gift guide season it's like whiskey Stones. Yeah, it's like

774
00:46:36,880 --> 00:46:39,480
Speaker 1: like oil. It's literally like or it will be like

775
00:46:39,760 --> 00:46:42,640
Speaker 1: even less. It'll be like you It'll be like a cable,

776
00:46:42,760 --> 00:46:46,120
Speaker 1: get him a cable car, yeah, yeah, a long cable,

777
00:46:46,200 --> 00:46:49,399
Speaker 1: a really long cable all the way. Just wires, yeah,

778
00:46:49,480 --> 00:46:53,960
Speaker 1: get them a bundle of wires. Yeah yeah, because it

779
00:46:54,120 --> 00:46:57,640
Speaker 1: is Wait, I actually relish a bundle of wires. Well,

780
00:46:57,680 --> 00:47:00,680
Speaker 1: you can make a sort of beautiful art projects mixed

781
00:47:00,719 --> 00:47:06,439
Speaker 1: media installation with it. In fact, here's here's a great

782
00:47:06,440 --> 00:47:10,520
Speaker 1: idea for your next art show. This is take going

783
00:47:10,600 --> 00:47:13,239
Speaker 1: on the strategists and find a gift guide for dad

784
00:47:13,520 --> 00:47:15,520
Speaker 1: by all of those things and make a mixed media

785
00:47:15,520 --> 00:47:18,520
Speaker 1: installation made out of all gifts for dad. And it's

786
00:47:18,560 --> 00:47:25,360
Speaker 1: a commentary to commentary on American mascure the lens of

787
00:47:25,440 --> 00:47:28,240
Speaker 1: digital media. That's actually kind of funny. Okay, I'm sorry,

788
00:47:28,280 --> 00:47:31,680
Speaker 1: but what isn't a commentary on American masculinity these days?

789
00:47:31,719 --> 00:47:35,719
Speaker 1: And what isn't digital media? And what literally, what isn't it? Yeah,

790
00:47:35,760 --> 00:47:39,640
Speaker 1: when's anyone to do a commentary on femininity? Yeah, no

791
00:47:39,880 --> 00:47:43,440
Speaker 1: one is tall literally, no one has ever in the

792
00:47:43,719 --> 00:47:48,719
Speaker 1: in the history of art. And you know what it's well, yeah,

793
00:47:48,760 --> 00:47:52,879
Speaker 1: but not the present, mama, sweetheart. But you know, it's

794
00:47:52,920 --> 00:47:55,800
Speaker 1: almost like it's it's easy to criticize masculinity because of

795
00:47:55,920 --> 00:47:58,800
Speaker 1: course that is where our culture is right now, But

796
00:47:58,880 --> 00:48:01,520
Speaker 1: then it almost becomes a snake getting its own tail,

797
00:48:01,640 --> 00:48:04,080
Speaker 1: because then we're just focusing on masks, sort of like

798
00:48:04,160 --> 00:48:09,240
Speaker 1: a man sucking short as well. Why would you say phallic?

799
00:48:10,120 --> 00:48:11,880
Speaker 1: Why would it snake be an ass and not a

800
00:48:11,960 --> 00:48:14,719
Speaker 1: penis a tail? You think a tail is the front,

801
00:48:14,840 --> 00:48:17,000
Speaker 1: is in the front. Well no, but well no, but

802
00:48:17,120 --> 00:48:19,160
Speaker 1: I do think a tail is in the front. I

803
00:48:19,200 --> 00:48:20,800
Speaker 1: don't think a tailor is on the front. I'm just

804
00:48:20,880 --> 00:48:25,520
Speaker 1: considering how studious George claims to be, you would think

805
00:48:25,719 --> 00:48:29,280
Speaker 1: that he would have taken a class on tails and cocks.

806
00:48:30,080 --> 00:48:34,080
Speaker 1: I'm sort of like worried about Max's understanding of visual

807
00:48:34,280 --> 00:48:37,360
Speaker 1: design writ large, because he is, as far as I know,

808
00:48:37,560 --> 00:48:39,520
Speaker 1: like an artist and an illustrator, and yet he sees

809
00:48:39,520 --> 00:48:42,759
Speaker 1: a snake and thinks asshole rather than penis. I was

810
00:48:42,800 --> 00:48:45,000
Speaker 1: getting so upset because it was my birthday and I

811
00:48:45,080 --> 00:48:47,560
Speaker 1: was turning twenty two, and everyone was getting so mad

812
00:48:47,600 --> 00:48:49,560
Speaker 1: at each other, and I was like, this only comes

813
00:48:49,680 --> 00:48:52,799
Speaker 1: once in a lifetime, and it's ruined. Ruined, I tell

814
00:48:52,840 --> 00:48:57,600
Speaker 1: you so. I called over the waiter, Hey, are you

815
00:48:57,680 --> 00:49:01,680
Speaker 1: guys done over here? No? I want no, hang on,

816
00:49:01,719 --> 00:49:04,360
Speaker 1: I'm almost I'm almost finished. Oh sorry, it looks like

817
00:49:04,400 --> 00:49:06,040
Speaker 1: your friend. It looks like your friend is coming, so

818
00:49:06,080 --> 00:49:13,320
Speaker 1: I'll come back later. When Max started coming at my

819
00:49:13,440 --> 00:49:17,560
Speaker 1: birthday party, I said, this, my twenty second birthday comes,

820
00:49:17,600 --> 00:49:20,600
Speaker 1: but once in a lifetime, and it's ruined, and Max

821
00:49:20,680 --> 00:49:26,040
Speaker 1: does it a bunch. Okay, sorry, guys, looks like everyone again.

822
00:49:26,120 --> 00:49:28,920
Speaker 1: My niece listens to this program, so you guys have

823
00:49:29,040 --> 00:49:33,000
Speaker 1: to cool it. Okay, Sorry, go ahead, waiter, go ahead. Sorry.

824
00:49:35,640 --> 00:49:36,960
Speaker 1: Back to the scene. We're going back to the scene.

825
00:49:36,960 --> 00:49:38,520
Speaker 1: Now I was breaking the fourth wall, but we're going back,

826
00:49:38,520 --> 00:49:41,000
Speaker 1: so I'll get you guys some napkins in just to check. Otherwise,

827
00:49:43,400 --> 00:49:49,360
Speaker 1: do you have any dessert? Yeah? Um, we have a

828
00:49:49,480 --> 00:49:53,880
Speaker 1: flowerless chocolate cake blood orange. Oh, it looks like it's

829
00:49:53,880 --> 00:49:57,040
Speaker 1: gonna come again. All right, it's gonna take me a while,

830
00:49:57,080 --> 00:50:00,440
Speaker 1: so I'm sorry. We have a rule. No, it's if

831
00:50:00,520 --> 00:50:03,080
Speaker 1: someone eating wants to come, the waiter can't be at

832
00:50:03,080 --> 00:50:10,919
Speaker 1: the table. Wow. It was then that my twenty second

833
00:50:10,960 --> 00:50:13,200
Speaker 1: birthday started to turn around, and I could feel that

834
00:50:13,840 --> 00:50:21,080
Speaker 1: these girls weren't just my friends, they were my family. Hey, guys,

835
00:50:21,120 --> 00:50:23,359
Speaker 1: I'm back. Sorry, what did I miss? The waiter came

836
00:50:23,400 --> 00:50:26,399
Speaker 1: and next came and started drinking off again. Oh my god,

837
00:50:26,480 --> 00:50:28,440
Speaker 1: that's what he was talking about. I was just with

838
00:50:28,480 --> 00:50:30,840
Speaker 1: the waiter in the bathroom and he was saying that

839
00:50:30,920 --> 00:50:33,480
Speaker 1: someone kept coming at a table in the left side

840
00:50:33,520 --> 00:50:36,960
Speaker 1: of the room. Yeah, it was our table. Cut to

841
00:50:37,760 --> 00:50:41,920
Speaker 1: the area right near the kitchen. Oh my god, I

842
00:50:42,040 --> 00:50:44,920
Speaker 1: can't believe you had a patron doing that like the

843
00:50:45,160 --> 00:50:48,560
Speaker 1: fun It was really weird, and honestly, like because he's gay.

844
00:50:48,680 --> 00:50:50,600
Speaker 1: I didn't want to say anything because I feel like,

845
00:50:50,840 --> 00:50:52,920
Speaker 1: I know, gay guys are like different and have their

846
00:50:52,960 --> 00:50:55,280
Speaker 1: own culture, and like I know that in gay culture

847
00:50:55,320 --> 00:50:57,799
Speaker 1: you can come in a restaurant. Yeah, they're like loud

848
00:50:57,840 --> 00:51:00,839
Speaker 1: and disgusting, and it's like it's it's like it's fine,

849
00:51:00,920 --> 00:51:04,080
Speaker 1: Like I respect your lifestyle, but like like just like

850
00:51:04,360 --> 00:51:06,680
Speaker 1: keep it to yourself, you know what I mean? What

851
00:51:06,800 --> 00:51:10,920
Speaker 1: are you guys talking about? So, chef, It's my thirty

852
00:51:11,040 --> 00:51:14,719
Speaker 1: fifth birthday, so I'm going to head out early. Oh

853
00:51:15,640 --> 00:51:17,920
Speaker 1: that's amazing because I've actually been waiting my whole life

854
00:51:17,960 --> 00:51:20,480
Speaker 1: to become a chef, and I was waiting for the opportunity.

855
00:51:21,040 --> 00:51:23,440
Speaker 1: I'll step in your place. I'm probably turned this whole

856
00:51:23,560 --> 00:51:26,319
Speaker 1: night around. Sorry, no offense, but you're the hostess. Why

857
00:51:26,360 --> 00:51:29,760
Speaker 1: would you be the chef if the chef left? Because

858
00:51:29,960 --> 00:51:32,759
Speaker 1: I've been waiting my whole life for this opportunity. Oh

859
00:51:32,800 --> 00:51:36,560
Speaker 1: I guess that makes sense. Okay, you're in charge. I'm

860
00:51:36,880 --> 00:51:44,040
Speaker 1: off to Soho house. Oh my god, that's my other job.

861
00:51:45,360 --> 00:51:47,840
Speaker 1: All right, Megan, I gotta go back to the gay guy. Okay,

862
00:51:48,040 --> 00:51:55,000
Speaker 1: have fun, Frederica, thank you? Okay, So anyway, um, wait,

863
00:51:55,120 --> 00:51:59,160
Speaker 1: so conflict yeah sorry Maxwell, Yeah, conflict. Yeah, So what

864
00:51:59,200 --> 00:52:05,120
Speaker 1: do you guys think I'm well, I think sorry, go ahead,

865
00:52:05,360 --> 00:52:07,799
Speaker 1: No you go first, No, you go first. I think

866
00:52:08,000 --> 00:52:11,000
Speaker 1: see that was an example of gay guys not having conflict. Yeah, exactly. Yeah,

867
00:52:11,080 --> 00:52:13,680
Speaker 1: I think we're all getting along really great right now, guys.

868
00:52:14,400 --> 00:52:16,960
Speaker 1: I almost think that the whole world would just be

869
00:52:17,040 --> 00:52:25,600
Speaker 1: gay guys. I think I feel like almost being comfortable

870
00:52:25,719 --> 00:52:28,160
Speaker 1: with a state of conflict is a gay impulse. Like,

871
00:52:28,280 --> 00:52:31,560
Speaker 1: you know, there is naturally conflict, even just when you're

872
00:52:31,640 --> 00:52:34,560
Speaker 1: young and you're growing up, You're like, obviously there's an

873
00:52:34,640 --> 00:52:39,239
Speaker 1: issue here, I'm gay, Okay, So you just learned to

874
00:52:39,400 --> 00:52:41,719
Speaker 1: live with conflict sort of in the background. You learn

875
00:52:41,840 --> 00:52:43,640
Speaker 1: to tune it out, to address it when it needs

876
00:52:43,640 --> 00:52:48,000
Speaker 1: to be addressed, to never address it, to sort of

877
00:52:48,120 --> 00:52:53,080
Speaker 1: like never fasters. You never fully grow up or mature.

878
00:52:53,320 --> 00:52:57,960
Speaker 1: There's sort of always there's a deep central wound that

879
00:52:58,120 --> 00:53:01,239
Speaker 1: you just feed, yeah, like a lot of nipple play,

880
00:53:01,480 --> 00:53:08,000
Speaker 1: and yet never never assaciated, insatiable and insciable whole in

881
00:53:08,080 --> 00:53:12,200
Speaker 1: your heart, which you fill by filling other people's insatiable

882
00:53:12,239 --> 00:53:16,440
Speaker 1: hole anyway, So that's sort of the game mentality. But

883
00:53:16,480 --> 00:53:18,480
Speaker 1: then I think straight people do like that. You sort

884
00:53:18,520 --> 00:53:22,400
Speaker 1: of used the royal like whole, like you sort of

885
00:53:22,440 --> 00:53:25,080
Speaker 1: like you said, other people's whole. Oh yeah, like a

886
00:53:25,160 --> 00:53:27,759
Speaker 1: collective whole. There is a collective whole, and I think

887
00:53:28,600 --> 00:53:30,640
Speaker 1: we need to talk about and we need to talk about.

888
00:53:30,719 --> 00:53:34,200
Speaker 1: But but I think that reaching a state where you

889
00:53:34,360 --> 00:53:37,600
Speaker 1: understand the collective whole of the universe is difficult, and

890
00:53:37,680 --> 00:53:39,520
Speaker 1: it's like it takes a lifetime of I mean the

891
00:53:39,600 --> 00:53:42,360
Speaker 1: collective whole. I mean, if we even just look at politics,

892
00:53:43,680 --> 00:53:45,799
Speaker 1: you know, we are said I won't and we are

893
00:53:45,880 --> 00:53:50,440
Speaker 1: so torn as a nation. I mean is like, yeah,

894
00:53:50,520 --> 00:53:52,760
Speaker 1: we've all yeah, we only need to address the fisher

895
00:53:53,320 --> 00:53:57,480
Speaker 1: on the anus of America. So anyway, but your producer

896
00:53:57,560 --> 00:54:00,799
Speaker 1: just vomited. Do you see that she has a little

897
00:54:00,840 --> 00:54:05,680
Speaker 1: cup and she just puked into it? Black black black

898
00:54:05,719 --> 00:54:08,880
Speaker 1: black Max Stop. Yeah, okay, wait, I actually have a

899
00:54:08,920 --> 00:54:12,160
Speaker 1: real thing to say, okay about conflict. Okay, but oh

900
00:54:12,280 --> 00:54:13,680
Speaker 1: do you have something the only I just want to

901
00:54:14,440 --> 00:54:16,200
Speaker 1: have something that I want to pivot you completely, the

902
00:54:16,280 --> 00:54:18,560
Speaker 1: dew brails the whole thing. Let me go for a sepiod.

903
00:54:19,200 --> 00:54:21,359
Speaker 1: It's just like, so my only point was gay people

904
00:54:21,400 --> 00:54:23,120
Speaker 1: learned to live with conflict than that is, and and

905
00:54:23,160 --> 00:54:26,399
Speaker 1: they're comfortable with that, whereas straight people, at the first

906
00:54:26,480 --> 00:54:30,040
Speaker 1: hint of conflict they get violent, they start war, they

907
00:54:30,120 --> 00:54:34,120
Speaker 1: start yelling, they start screaming. So that's my That was

908
00:54:34,360 --> 00:54:37,360
Speaker 1: what my analysis of the difference was, and Sam going, Okay,

909
00:54:37,640 --> 00:54:39,839
Speaker 1: this is a real thing. Yeah. Sometimes when I feel

910
00:54:39,840 --> 00:54:43,120
Speaker 1: like I'm in like a couple fight, it's like more

911
00:54:43,200 --> 00:54:46,080
Speaker 1: embarrassing because it's like, we're gay guys, and I'm like,

912
00:54:46,160 --> 00:54:48,840
Speaker 1: shouldn't have problems, Yeah, And it's like, no, we're supposed

913
00:54:48,840 --> 00:54:52,399
Speaker 1: to be like the like example of like calm and communication,

914
00:54:53,000 --> 00:54:55,040
Speaker 1: and when we're not getting it, I'm like we're being

915
00:54:55,160 --> 00:54:59,040
Speaker 1: like like we're almost doing like because because society expects

916
00:54:59,080 --> 00:55:01,560
Speaker 1: you to fail to like, society sort of expects you

917
00:55:01,680 --> 00:55:03,960
Speaker 1: to be like, well, you're in a gay relationship that's

918
00:55:04,000 --> 00:55:06,359
Speaker 1: sucked up to begin Well, it's like, oh, they think

919
00:55:06,360 --> 00:55:09,600
Speaker 1: they're in the real one, Like see, I in my

920
00:55:09,760 --> 00:55:11,800
Speaker 1: mind is the opposite. It's like straight people are so

921
00:55:11,960 --> 00:55:14,200
Speaker 1: invested in the narrative that love is love and that

922
00:55:14,440 --> 00:55:17,560
Speaker 1: gay love is actually even more profound and straight love

923
00:55:18,040 --> 00:55:21,279
Speaker 1: that it's so alienating for them to see two gay

924
00:55:21,320 --> 00:55:24,759
Speaker 1: guys fight. I have an imperfect relationship. Did you listen

925
00:55:24,760 --> 00:55:28,440
Speaker 1: to the as a client episode with Dan Savage. No,

926
00:55:30,320 --> 00:55:32,719
Speaker 1: Dan Savage is so huge, George, Well, at least it's

927
00:55:32,760 --> 00:55:35,239
Speaker 1: not Ezra client that is so many Yeah no, no, no,

928
00:55:35,360 --> 00:55:42,520
Speaker 1: he's like smart. Um No, but but Dan Savage brought

929
00:55:42,600 --> 00:55:45,239
Speaker 1: up this crazy statistics which I think he was talking about,

930
00:55:46,120 --> 00:55:48,960
Speaker 1: what is it? Is it the Netherlands that has like

931
00:55:49,280 --> 00:55:55,040
Speaker 1: the longest standing like like permissions for gay marriage or

932
00:55:55,080 --> 00:55:57,719
Speaker 1: whatever and like so there's like a lot more statistics

933
00:55:57,719 --> 00:56:02,280
Speaker 1: about how how different matchings? Can you turn off your phone?

934
00:56:03,239 --> 00:56:05,360
Speaker 1: My eyes are up here? Did you get a text

935
00:56:05,400 --> 00:56:10,000
Speaker 1: message from what is this? Oh? Is this your producers?

936
00:56:10,280 --> 00:56:15,240
Speaker 1: To wrap up? Okay? No, I just didn't know her name. Yeah,

937
00:56:15,239 --> 00:56:17,840
Speaker 1: well I didn't. I didn't want to because we introduced

938
00:56:17,840 --> 00:56:21,400
Speaker 1: to Yeah. I didn't want to say it's I mean,

939
00:56:21,400 --> 00:56:23,440
Speaker 1: I don't know I do you know my name? Yes? Yes,

940
00:56:23,520 --> 00:56:27,600
Speaker 1: she definitely knows your name. She's a professional. Okay, Oh oh,

941
00:56:27,640 --> 00:56:29,279
Speaker 1: I'm sorry. I'm supposed to walk into an office and

942
00:56:29,280 --> 00:56:32,160
Speaker 1: suddenly I'm a producer. I didn't say your producer. You've

943
00:56:32,200 --> 00:56:35,560
Speaker 1: been emailing with her? Like, no, I haven't. This has

944
00:56:35,560 --> 00:56:40,160
Speaker 1: all been over text. Okay, that's actually yeah, you will

945
00:56:40,160 --> 00:56:44,160
Speaker 1: be hearing from my lawyers yeah, I guess. So, I

946
00:56:44,160 --> 00:56:45,879
Speaker 1: guess you should probably wrap up because you've been talking

947
00:56:45,920 --> 00:56:50,480
Speaker 1: a lot of George. Wait wait wait you were someone

948
00:56:50,600 --> 00:56:52,600
Speaker 1: was saying something. Oh yeah, anyway, the point is is

949
00:56:52,680 --> 00:56:57,560
Speaker 1: that like gay guys stayed together longer in marriages than

950
00:56:58,360 --> 00:57:01,320
Speaker 1: then straight couples, and straight couple of stay in marriage

951
00:57:01,360 --> 00:57:07,719
Speaker 1: is longer than lesbian really weird? Oh I believe it.

952
00:57:07,760 --> 00:57:12,719
Speaker 1: They've had more time to practice, straight people more time

953
00:57:12,760 --> 00:57:15,439
Speaker 1: to press. Then let me talking about hold on stray

954
00:57:15,520 --> 00:57:17,880
Speaker 1: people's marriages last longer than lesbians? Is that what you're saying?

955
00:57:17,960 --> 00:57:23,040
Speaker 1: But guys last longer than yes, I know, I know.

956
00:57:23,120 --> 00:57:26,080
Speaker 1: It throws the whole thing out of whack, and as

957
00:57:26,080 --> 00:57:27,920
Speaker 1: it turns out, the best thing for a marriage is

958
00:57:27,960 --> 00:57:32,960
Speaker 1: having a cock. Wow. Okay, so shall we do you

959
00:57:33,720 --> 00:57:37,240
Speaker 1: think it's time to end? No, you need to talk

960
00:57:37,280 --> 00:57:39,680
Speaker 1: faster because we don't have much time left. I need

961
00:57:39,760 --> 00:57:42,080
Speaker 1: to step it up, please. Okay, So I have some

962
00:57:42,120 --> 00:57:46,120
Speaker 1: street shooters for you guys. That's what you've been writing. Yeah, okay,

963
00:57:46,760 --> 00:57:48,920
Speaker 1: nice if you did it at the segment, but sure, no,

964
00:57:49,200 --> 00:57:52,120
Speaker 1: it makes more sense now. Okay, So, so can we

965
00:57:52,160 --> 00:57:54,880
Speaker 1: get the music going for that? It will be here, Okay,

966
00:57:55,000 --> 00:57:57,000
Speaker 1: can you promise me that, yeah, it'll make it that

967
00:57:57,080 --> 00:58:03,720
Speaker 1: in writing yours will get them our producer. Okay, George

968
00:58:05,240 --> 00:58:10,760
Speaker 1: praying to Aphrodite or watching Bruce Almighty praying to Aphrodite. Okay,

969
00:58:10,880 --> 00:58:15,320
Speaker 1: Sam transitioning into musical comedy or vouching for a trickle

970
00:58:15,360 --> 00:58:21,200
Speaker 1: down economy transitioning to musical comedy. George visiting the Pantheon

971
00:58:21,680 --> 00:58:26,840
Speaker 1: or I don't have any panties on visiting the Pantheon, Sam,

972
00:58:27,320 --> 00:58:31,120
Speaker 1: sucking cock or cooking spock from like the star checks

973
00:58:31,480 --> 00:58:36,959
Speaker 1: Um sucking cock. Okay, George, a gorgeous mets piled high

974
00:58:37,000 --> 00:58:39,520
Speaker 1: with feta. Or you could win a brand new Jetta.

975
00:58:40,440 --> 00:58:42,840
Speaker 1: You know, actually you could bring a win a brand

976
00:58:42,880 --> 00:58:46,320
Speaker 1: new Jetta. Sam, jealousy is a disease. Or jelly beans

977
00:58:46,400 --> 00:58:50,280
Speaker 1: for my niece, jelly beans for my niece, Okay, George

978
00:58:50,680 --> 00:58:55,200
Speaker 1: visiting ancient ruins or getting anxious and ruining, getting anxious

979
00:58:55,240 --> 00:58:59,800
Speaker 1: and ruining, Sam visiting your family at inopportune times for me,

980
00:59:01,400 --> 00:59:05,080
Speaker 1: or jelly beans for my niece, visiting my family in

981
00:59:05,080 --> 00:59:07,160
Speaker 1: an opportunit times for you, okay and for both of you, okay,

982
00:59:07,920 --> 00:59:14,960
Speaker 1: Will Farrell or filling barrels Will Farrell how do you

983
00:59:15,080 --> 00:59:17,280
Speaker 1: like that. I just thought it would be nice if,

984
00:59:17,600 --> 00:59:19,200
Speaker 1: like you got a little shout out so that maybe

985
00:59:19,200 --> 00:59:21,000
Speaker 1: he'd want to come on the podcast. Yeah. No, I

986
00:59:21,040 --> 00:59:23,320
Speaker 1: think he'll appreciate that. I think so. He's been really

987
00:59:23,400 --> 00:59:25,400
Speaker 1: like shy. Yeah, which is why he isn't come on.

988
00:59:25,680 --> 00:59:28,720
Speaker 1: Don't edit that out. Why would we edit that out?

989
00:59:28,800 --> 00:59:30,680
Speaker 1: I don't know, because you always like funk with my

990
00:59:30,800 --> 00:59:33,439
Speaker 1: words and ship. No, it's full transparency. We don't want

991
00:59:34,480 --> 00:59:38,000
Speaker 1: edited all of this like we're having such a nice time.

992
00:59:38,040 --> 00:59:41,840
Speaker 1: Whine now start yelling at us, and I'm not. You're

993
00:59:41,880 --> 00:59:46,840
Speaker 1: the one that's yelling. How Max? That ought to shut

994
00:59:46,920 --> 00:59:51,000
Speaker 1: you up? Max? Um, I guess I want to just

995
00:59:51,080 --> 00:59:54,440
Speaker 1: say thanks for coming back. Um. I have been so

996
00:59:54,600 --> 00:59:58,200
Speaker 1: impressed at the work internally you've been doing. You can

997
00:59:58,280 --> 01:00:03,880
Speaker 1: really feel a calmness, sereneness. Um. And I think you know,

998
01:00:05,080 --> 01:00:06,520
Speaker 1: I think our listeners are gonna take note. And I

999
01:00:06,560 --> 01:00:09,360
Speaker 1: think they're gonna feel happier. Yeah. I think so too.

1000
01:00:10,320 --> 01:00:15,160
Speaker 1: And yeah, and if they don't, that's a problem. Should

1001
01:00:15,160 --> 01:00:18,280
Speaker 1: we do our final segment? I think we should. Yeah.

1002
01:00:19,120 --> 01:00:22,640
Speaker 1: Oh I don't like this one. Oh yeah, yeah, I

1003
01:00:22,680 --> 01:00:27,920
Speaker 1: guess that doesn't change anything. Okay, so you'll just have

1004
01:00:27,960 --> 01:00:31,920
Speaker 1: to think of something. Okay, okay, okay. Finally it's called

1005
01:00:31,960 --> 01:00:35,200
Speaker 1: shout outs, and then we give a shout out. I

1006
01:00:35,280 --> 01:00:37,720
Speaker 1: want to give a shout out to my friend Max Witward,

1007
01:00:38,920 --> 01:00:41,680
Speaker 1: someone who reminds me every day how important it is

1008
01:00:41,720 --> 01:00:45,960
Speaker 1: to be yourself, to live out loud, to love deeply,

1009
01:00:46,880 --> 01:00:51,120
Speaker 1: to invest in your community, and to reap those benefits

1010
01:00:51,200 --> 01:00:54,360
Speaker 1: in return from that community, whether they want to give

1011
01:00:54,440 --> 01:00:57,880
Speaker 1: them up or not. Every day I wake up and

1012
01:00:57,960 --> 01:01:03,000
Speaker 1: I feel grateful for his grace, for his words, for

1013
01:01:03,200 --> 01:01:12,000
Speaker 1: his intelligence, for his beautiful, gorgeous but and for his

1014
01:01:12,200 --> 01:01:19,520
Speaker 1: incredible nipples and his incredible my niece listens to his

1015
01:01:19,800 --> 01:01:25,400
Speaker 1: incredible head of hair, his mustache, and most of all

1016
01:01:26,120 --> 01:01:30,120
Speaker 1: not being armed heart. I just want to give a

1017
01:01:30,240 --> 01:01:32,720
Speaker 1: quick shout out to my dear friend Max. You know,

1018
01:01:32,920 --> 01:01:36,480
Speaker 1: Max has been through a lot in the last year,

1019
01:01:36,960 --> 01:01:41,320
Speaker 1: and you know many people would crack under that pressure, um,

1020
01:01:41,480 --> 01:01:45,240
Speaker 1: but Max has come out swinging quite literally. He has

1021
01:01:45,560 --> 01:01:49,120
Speaker 1: hit many many people because Max is a fighter, and

1022
01:01:49,600 --> 01:01:53,400
Speaker 1: Max believes in himself, and he believes that you need

1023
01:01:53,480 --> 01:01:56,280
Speaker 1: to stick up for yourself. And you know that you

1024
01:01:56,360 --> 01:01:58,680
Speaker 1: can get physical and you can get violent if the

1025
01:01:58,760 --> 01:02:02,400
Speaker 1: situation calls for it, and he decides that it gets

1026
01:02:02,960 --> 01:02:06,200
Speaker 1: calls for a lot and chooses violence on a daily basis.

1027
01:02:06,760 --> 01:02:10,480
Speaker 1: And I respect that because I, you know, choose words

1028
01:02:10,600 --> 01:02:13,360
Speaker 1: and and sort of like to deescalate, but he lives

1029
01:02:13,360 --> 01:02:16,320
Speaker 1: out loud and he will punch you in the face.

1030
01:02:16,440 --> 01:02:18,000
Speaker 1: So I'd like to give a huge shout out to

1031
01:02:18,440 --> 01:02:26,280
Speaker 1: Max Ward. Thank you. Okay? Is that so you just

1032
01:02:26,360 --> 01:02:30,320
Speaker 1: want to end there? Mm hmmm yeah, do you want

1033
01:02:30,400 --> 01:02:33,160
Speaker 1: us just say something? I want to give a shout

1034
01:02:33,200 --> 01:02:41,560
Speaker 1: out to my hoys, Savageorge. These two are despite being

1035
01:02:41,640 --> 01:02:46,920
Speaker 1: to our number one, this is the That's podcast that

1036
01:02:47,160 --> 01:02:51,400
Speaker 1: ever was, and these guys are my that is We've

1037
01:02:51,600 --> 01:02:55,720
Speaker 1: always been thick as thieves and that's because we're stealing

1038
01:02:55,800 --> 01:03:03,880
Speaker 1: the hours of America. Beyond j that dares a lot.

1039
01:03:04,280 --> 01:03:07,320
Speaker 1: I can't a'ste in this room tonight. And it's not

1040
01:03:07,840 --> 01:03:13,640
Speaker 1: because of my bacteria, which I it's just like so mad,

1041
01:03:14,160 --> 01:03:17,040
Speaker 1: you know what I mean, And I'm like I'm weird. Yeah,

1042
01:03:17,240 --> 01:03:20,680
Speaker 1: I mean that's what smell is, you know, bacteria. And

1043
01:03:21,080 --> 01:03:26,720
Speaker 1: that is my shout out for these guys. That was

1044
01:03:26,760 --> 01:03:29,240
Speaker 1: really nice. That was really nice. Thank you. That meant

1045
01:03:29,280 --> 01:03:32,360
Speaker 1: a lot. I didn't really mean not much. Okay, it

1046
01:03:32,440 --> 01:03:34,480
Speaker 1: was sort of felt medium. I can I be honest, like,

1047
01:03:34,520 --> 01:03:36,360
Speaker 1: I really feel like we were all very detached from

1048
01:03:36,360 --> 01:03:39,919
Speaker 1: that last segment for yourself. Well, no, I can also

1049
01:03:39,920 --> 01:03:41,960
Speaker 1: speak for George, because he was looking at Instagram while

1050
01:03:42,000 --> 01:03:44,440
Speaker 1: you were doing yours and he was caught by it.

1051
01:03:44,440 --> 01:03:45,919
Speaker 1: And now he's actually checking his phone and you're checking

1052
01:03:46,160 --> 01:03:48,840
Speaker 1: to well, we're getting like urgent messages like what apparently

1053
01:03:48,880 --> 01:03:51,720
Speaker 1: the buildings on fire. Oh my god, that's okay, I

1054
01:03:51,760 --> 01:03:53,720
Speaker 1: mean we're safe in here. Oh I can smell the smoke.

1055
01:03:54,000 --> 01:03:58,080
Speaker 1: Oh my god. Oh oh hey guys, so our chefs

1056
01:03:58,120 --> 01:04:00,640
Speaker 1: had to leave, and a random host, this named Megan,

1057
01:04:00,680 --> 01:04:02,360
Speaker 1: took over, and it looks like the kitchen is on

1058
01:04:02,640 --> 01:04:08,440
Speaker 1: fire right now. It appears everything is burning up. And

1059
01:04:08,640 --> 01:04:12,200
Speaker 1: oh all right, so I think I'm going to actually

1060
01:04:12,280 --> 01:04:16,040
Speaker 1: take off and you can call us. We will be

1061
01:04:16,160 --> 01:04:19,000
Speaker 1: happy to comp that flowerless chocolate cake. But for now,

1062
01:04:19,080 --> 01:04:21,560
Speaker 1: I think it would be best if everyone just sure

1063
01:04:21,680 --> 01:04:25,480
Speaker 1: sorry walking in a single fire line and uh yeah,

1064
01:04:25,600 --> 01:04:27,840
Speaker 1: so we'll see you next time hopefully. Um when the

1065
01:04:27,880 --> 01:04:30,840
Speaker 1: fire broke out, as a firefighter really want to get

1066
01:04:30,840 --> 01:04:36,720
Speaker 1: in there and just sort of clear the air scene bye,

1067
01:04:36,880 --> 01:04:43,680
Speaker 1: thank you, bye, thank you. Okay, that was a fun

1068
01:04:43,800 --> 01:04:44,000
Speaker 1: love