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Speaker 1: Hey, everybody, Hey there, friend, how's everybody doing hopefully great? Yeah, yeah,

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Speaker 1: I think everybody's gotta be doing fine. He's got to

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Speaker 1: be doing fine. Nothing happening, everything's good, everything's chill out

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Speaker 1: there in the world. We're good. We're finally we're back

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Speaker 1: in our home, uh, back in our recording little booth

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Speaker 1: that we made, so you can tell. It sounds so

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Speaker 1: much better our last episode, which was a mishmash of

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Speaker 1: like hotel room problems, zoom problems, whatever, whatever you could,

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Speaker 1: you could understand what we're saying. I hope that matters most,

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Speaker 1: and that is sort of the point of a podcast.

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Speaker 1: Quality is secondary, tertiary even even Yeah, we had a

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Speaker 1: great time in Palm Springs watching our friends get married. Yes,

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Speaker 1: beautiful wedding out in the open air of the desert.

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Speaker 1: Only a brief minor sandstorm right before the ceremony started.

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Speaker 1: It was really just a lot of wind that it

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Speaker 1: inherently brings sand with it when you're in the desert. Um,

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Speaker 1: so we were all like rubbing our eyes like, no,

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Speaker 1: I'm crying, it's not the sand. What was cool though,

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Speaker 1: was that our friend, of course, had a very long,

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Speaker 1: beautiful veil and so the wind kind of did like

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Speaker 1: a Beyonce effect for her perfect. So I'm glad it

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Speaker 1: didn't mess up and like go the other way, you

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Speaker 1: know what I mean. It was just like in the

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Speaker 1: wind like a damn painting. It really was, really was

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Speaker 1: such a nice time. Whether it was perfect beautiful out

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Speaker 1: there in Palm Springs, who knew? Yeah right, But yeah,

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Speaker 1: I guess we've we have been a little bit quiet

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Speaker 1: on the podcast. Um, partly because of our insane driving

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Speaker 1: and for hours and then crashing at a at a

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Speaker 1: seedy hotel. I guess they're not seedy. That's not fair,

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Speaker 1: but you know what I mean, roadside motels and stuff,

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Speaker 1: and um, just partly that and partly that, you know,

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Speaker 1: we had a bit of a family tragedy in my

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Speaker 1: family while we were out there. Um, and it was

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Speaker 1: very crazy. Yeah, I wish I had better words to

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Speaker 1: explain how weird it is to be first of all,

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Speaker 1: three thousand miles away from your home that and you

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Speaker 1: drove three days, you know, so you're not close. You

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Speaker 1: can't just go right back or anything. And to be

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Speaker 1: so happy about our friends and to be at this

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Speaker 1: amazing destination party with a bunch of our other friends

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Speaker 1: who had you know, we hadn't seen and over two years,

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Speaker 1: you know, maybe even before the pandemic because they moved

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Speaker 1: and just all scattered about. So it was just such

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Speaker 1: a wonderful high energy, like giddy energy around this wedding.

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Speaker 1: And then, um, also a death in my family that

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Speaker 1: was very sad and uh so it's sort of and

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Speaker 1: then a couple of days later, my cousin had her

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Speaker 1: first baby, and it was just like, oh my god,

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Speaker 1: it's like union's death, birth, like everything about life and

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Speaker 1: just compressed in a couple of days. It was just

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Speaker 1: a very crazy roller coaster and I don't like roller

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Speaker 1: coasters person, so a little bit difficult to get our

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Speaker 1: head in the game, I guess. Um. And now, of

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Speaker 1: course we just got home and we have to turn

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Speaker 1: back around and go to Michigan for the funeral. So

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Speaker 1: uh yeah, it's just been uh, it's just been tough

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Speaker 1: to keep up with everything. It's it's been a whirlwind.

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Speaker 1: Uh what ten days, not even like, yeah, that's a

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Speaker 1: real sandstorm of a week, and uh, we're getting through it, um,

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Speaker 1: but it has shifted what you know, we're capable of doing,

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Speaker 1: I think in that time and so so we decided

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Speaker 1: to come back today with with something a little different. Yeah,

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Speaker 1: that's been I know, we've kind of been doing things

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Speaker 1: that are a little different for the last couple of years.

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Speaker 1: I can't wait to get back to our like, you know,

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Speaker 1: dense biographical episodes. So much fun. There have been so

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Speaker 1: many good suggestions from y'all, by the way, Like I

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Speaker 1: cannot tell you the amount of stories that we have

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Speaker 1: just from you that I'm like dying to get into. Like,

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Speaker 1: y'all have some really good stuff. So thank you for

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Speaker 1: all those suggestions. I swear we are just so excited

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Speaker 1: to get into them. That is very true. And uh

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Speaker 1: and as soon as we get back from Michigan next week,

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Speaker 1: we'll be jumping into some of those. Yeah, we'll get

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Speaker 1: back to those wonderful profiles and character stories and everything

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Speaker 1: like that. But since we didn't have time for a

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Speaker 1: good research project this week, we thought we'd just have

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Speaker 1: a little fun with you all today. Um, while we

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Speaker 1: were researching for our two parter about sex toys with

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Speaker 1: ridiculous history, which hopefully all heard pretty good time, we

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Speaker 1: found a few body poems back in the day people

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Speaker 1: talking about naughty stuff, and one of them we actually

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Speaker 1: left out because it was just too long to do

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Speaker 1: in a poetry corner for les. So we thought it

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Speaker 1: might be fun to read it to you today and

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Speaker 1: have a nice performative reading of a poem called Barranger

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Speaker 1: of the long Asshole. And it was written in the

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Speaker 1: thirte Tree. And it's a type of poem called a fablio.

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Speaker 1: And needless to say, not that everyone gathers around with

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Speaker 1: their toddlers to listen to this show, but it is

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Speaker 1: a It is definitely not safe for your century work.

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Speaker 1: You know, it's got some raunchy language, but it's like

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Speaker 1: seven year old language, so it's kind of, uh, it's

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Speaker 1: not that bad, but it's hilarious, so funny. Um The

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Speaker 1: Riverside Chaucer, which is a translation and analysis of Chaucer's writings,

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Speaker 1: very academic right. One of the reviews on Amazon says

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Speaker 1: that it weighs over six pounds. I was like, whoa weight?

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Speaker 1: So they say that a fablio is quote a brief

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Speaker 1: comic tale in verse, usually scurrulous, and often scatological or obscene.

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Speaker 1: The style is simple, vigorous, and straightforward. The time is

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Speaker 1: in the present, and the settings real familiar places. The

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Speaker 1: characters are ornary sorts, tradesmen, peasants, priests, students, restless wives,

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Speaker 1: and the plots are realistically motivated tricks and ruses. The

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Speaker 1: fablio thus presents a lively image of everyday life among

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Speaker 1: the middle and lower class. And then Kimberly Arnold on

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Speaker 1: the New Zealand Digital Library website further clarifies that often

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Speaker 1: in these tales, women were described as either quote demanding, verbose,

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Speaker 1: irrational and not very smart, or as quote a welcoming

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Speaker 1: sexual orifice without thought or speech. Yeah, can imagine women

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Speaker 1: being presented like that in media? That would never happen

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Speaker 1: today history, Right, so weird. But fortunately the one that

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Speaker 1: we're reading today is the exact opposite of those. So

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Speaker 1: all that being said, I say that we we jump

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Speaker 1: right into this poem because it is insane and I'm

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Speaker 1: very excited for all to hear it. Yeah, let's go, Hey,

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Speaker 1: their French, come listen. Well, Eli and Diana got some

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Speaker 1: stories to tell. There's no matchmaking, no romantic tips. It's

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Speaker 1: just about ridiculous relationships. A lover, it might be any

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Speaker 1: type of person at all, and abstract concept a concrete wall.

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Speaker 1: But if there's a story with a second Clans ridiculous

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Speaker 1: roleance a production of I Heart Radio. So Jeffrey Chaucer

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Speaker 1: actually reworked many of the most well known surviving fabilio

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Speaker 1: in Middle English into the Canterbury Tales, classic classic, and

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Speaker 1: so did Giovanni Boccaccio in the Decameron, another classic, another classic. Literally,

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Speaker 1: this poem is by a poet named Gallon, about whom

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Speaker 1: like nothing is known except that he wrote a few

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Speaker 1: body and naughty poem stories, which I kind of love

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Speaker 1: that as a legacy. I don't know who you were,

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Speaker 1: where you lived, if you were married or not, whatever

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Speaker 1: else he did for life. Anyway, you wrote some naughty stuff.

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Speaker 1: He still got that. That's what survives. And now at

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Speaker 1: least he made some people laugh in his time. Absolutely,

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Speaker 1: and for hundreds of years later exactly we're still one

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Speaker 1: a legacy. So please enjoy this performance of Barrangiers of

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Speaker 1: the long Asshole by Geron. For two years, I've been

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Speaker 1: telling so many fine tales and fabilioux which I've discovered

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Speaker 1: or made up that by Saint John, It's time to

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Speaker 1: stop and tell no more except this last called Barongier

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Speaker 1: of the long Ass a story which you haven't heard,

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Speaker 1: but if you'd like, you'll hear it word for word,

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Speaker 1: this minute, no delay. Hear it, good people. Gron will

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Speaker 1: say what happened once in Lombardy, where men aren't known

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Speaker 1: for bravery, to a knight errant who'd been wed to

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Speaker 1: a fine lady, purely bred, and daughter to a landed earl.

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Speaker 1: The young knight's father was a churl who had gotten

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Speaker 1: rich by usury. His cellars were full, his granary held

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Speaker 1: all it could. He had cows and goats, dollars, danyers,

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Speaker 1: mark sus and groats, and the earl was deeply in

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Speaker 1: his debt, with nothing left to pay except to give

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Speaker 1: the rich man's son his daughter. That's how good blood

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Speaker 1: thins down to water, how counts and earls and all

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Speaker 1: their race decline and finish in disgrace. Damn, that's very rude.

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Speaker 1: Garrel had a real opinion about like gentry marrying down.

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Speaker 1: If you're if you're of noble blood, this is this

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Speaker 1: is how you ruin it by marrying commoners. Be more

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Speaker 1: like kings and queens who marry their own brothers and cousins.

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Speaker 1: That's how you keep blood nice and thick. Yeah, yeah,

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Speaker 1: you certainly do so. Thickow pump through your You have

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Speaker 1: the thickest blood I've ever seen, Thank you. My parents

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Speaker 1: were siblings. So okay, So there's this normal dude. Yeah,

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Speaker 1: I think there's like a normal young man who who's

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Speaker 1: father is rich but not not noble. He's just a

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Speaker 1: rich guy. Yeah, he got rich by usury. Yeah, the

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Speaker 1: worst way to get rich, the only way to get

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Speaker 1: And he's saying that like this earl was deeply in

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Speaker 1: the debt of this rich not noble man. I guess

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Speaker 1: the merchant probably or something. Sure, yeah, yeah, yeah, the

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Speaker 1: agriculture at some point. And so he said, oh, I

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Speaker 1: can't pay you back, how about you just marry my daughter.

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Speaker 1: Classic way to solve a dispute in history, I suppose.

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Speaker 1: And he's like, here you go. I've got cows and

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Speaker 1: goats and grain and money and the guys like I

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Speaker 1: got all that. Yeah, I got some daughters, perfect. My

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Speaker 1: son really needs one of those needs a wife. So

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Speaker 1: let's take one of them and marry him to my son.

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Speaker 1: Now we're all together. He's this rich kid who didn't

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Speaker 1: come by it, honestly, trust fund baby, trust fund baby,

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Speaker 1: with marrying an earl's daughter who probably was expecting better

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Speaker 1: for herself. Poor girl, She was like, what's this? All right?

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Speaker 1: It continues if people wed to get out of debt,

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Speaker 1: disgrace is what they ought to get. Damn, the harm

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Speaker 1: they do cannot be told from those who covet silver

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Speaker 1: and gold more than nobility. A race of foolish, good

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Speaker 1: for nothing face and chicken hearted knights descends. Thus chivalry

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Speaker 1: declines and ends. So again he's really hammering at home.

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Speaker 1: How if you're not noble, you must be a big

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Speaker 1: piece of ship. But here's the gist of what I heard.

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Speaker 1: From start to finish, as it occurred, not wasting any time,

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Speaker 1: the earl put wedding garments on the girl and married

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Speaker 1: her to the young peasant, then dubbed him night for

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Speaker 1: a wedding present. I guess the wife wasn't enough of

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Speaker 1: a wedding present. It's like, also, i'll make you a sir.

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Speaker 1: The young man went home with the maid for more

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Speaker 1: than ten years. There they stayed this new night valued relaxation,

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Speaker 1: not valiant deeds or reputation. The code of chivalry could go. Hang.

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Speaker 1: He loved pie, custard and merangue. It's my kind of guy,

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Speaker 1: And all right, I get this guy, but the common

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Speaker 1: people he despised. Never mind boo. Now when the lady

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Speaker 1: realized how utterly her husband lacked virtue, how he was

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Speaker 1: in fact useless for tournaments or war and liked to

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Speaker 1: fill a straw bed more than wheeled a lance or

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Speaker 1: grasp a shield, from which it clearly was revealed to

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Speaker 1: her that though the man was quite a talker, he

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Speaker 1: was not a night worth talking of, but born and

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Speaker 1: raised a commoner. That's when she praised the line of

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Speaker 1: knights from whence she's from woud valiant knights who never

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Speaker 1: hung around the house from dawn to dark. She's like,

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Speaker 1: you know, a bunch of men in my family were knights,

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Speaker 1: and let me tell you about all the cool ship

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Speaker 1: that is. They were cool. You lay it, You lay

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Speaker 1: around this bed all day long. You never pick up

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Speaker 1: a shield or a lance. Trying to give my honey

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Speaker 1: do list. Well, you know, it's like, I don't think

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Speaker 1: you have to go prove your manhood in a fight

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Speaker 1: all the time or anything, but it does get frustrating

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Speaker 1: when somebody just lays around the house and doesn't do anything,

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Speaker 1: eating meringue from dawn to dark. The husband knew that

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Speaker 1: these remarks were aimed at him to put him down, lady,

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Speaker 1: he said, I have renowned I have more prowess than

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Speaker 1: a dozen of your grandfather's. There's not a cousin or

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Speaker 1: night of any clan or class whose valor I do

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Speaker 1: not surpass, and I'm not lazy. Take it from me.

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Speaker 1: Tomorrow morning. You will see if I can find my

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Speaker 1: foes tomorrow who envy me and want to borrow trouble

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Speaker 1: from me, I'll prove myself. Not one will get off

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Speaker 1: with his health. Those enemies whose scorn and scoff will

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Speaker 1: not scoff long with their heads off at dusk tomorrow.

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Speaker 1: They'll be dead for the time being. That's all he said.

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Speaker 1: The night arose at dawn next day and rang a

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Speaker 1: bell for his valet, who brought his buckler, sword and

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Speaker 1: lance and armed his lord with elegance. This guy, this

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Speaker 1: guy's like I'll kill them all, show you only if

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Speaker 1: I can find them. They're not like here. He's like

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Speaker 1: anybody who's got something bad to say about he is

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Speaker 1: going to hear about it. Like no one has ever

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Speaker 1: heard of you. You've been sitting around the house eat

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Speaker 1: pie all day. Now your wife is the only one

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Speaker 1: roasted you did. The arms and armor were all splendid,

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Speaker 1: not being dirtied, scratched or DENTI straight, pristine out of

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Speaker 1: the box. I never did ship with him. When he

242
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Speaker 1: was geared and rigged for battle, and sitting proudly in

243
00:15:23,640 --> 00:15:27,280
Speaker 1: the saddle, he wondered what he should do next to

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Speaker 1: give his wife a good pretext for thinking him a

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Speaker 1: noble knight. He saw a forest to his right, a

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Speaker 1: quarter mile from his front door. Without delay, he headed

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Speaker 1: for the forest at a gallop. There they had to

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Speaker 1: gasp a bit for air because all those meringues he rode,

249
00:15:46,440 --> 00:15:51,440
Speaker 1: not exactly doing cardio, and all this time his armor

250
00:15:51,520 --> 00:15:56,840
Speaker 1: is heavy. Who knew? He rode on further through the

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Speaker 1: wood to where a giant oak tree stood and cast

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Speaker 1: its shade upon a field. He tied his horse, unhooked

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Speaker 1: his shield, and hung it from the lowest bow. Listen

254
00:16:08,400 --> 00:16:12,160
Speaker 1: to what the fool did now. He drew his sword,

255
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Speaker 1: shining and bright, and beat the shield with all his might,

256
00:16:18,120 --> 00:16:21,520
Speaker 1: battering like a maniac, making it clatter at every whack

257
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Speaker 1: till it mutilated it. He took his sturdy lance and

258
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Speaker 1: hit the branch. The lance flintered in thirds. His work

259
00:16:29,680 --> 00:16:32,920
Speaker 1: was finished, so he spurred his horse around the woods

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Speaker 1: some more before arriving home. He bore a third of

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00:16:36,320 --> 00:16:38,960
Speaker 1: his lance and but a fourth of the shields that

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00:16:39,040 --> 00:16:42,960
Speaker 1: he had carried forth. He reined his horse. His wife

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00:16:43,000 --> 00:16:45,560
Speaker 1: came out to ask what this was all about and

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00:16:45,640 --> 00:16:50,160
Speaker 1: hold his stirrup strap in place, But the night hit

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Speaker 1: her in the fake excuse me with the full weight

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Speaker 1: of his big foot. What this bitch stand back, he cried,

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Speaker 1: Hands off the boot. Let it be known. It isn't

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Speaker 1: right for you to touch so great a night as

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Speaker 1: I am, not with my renown. No such night from

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Speaker 1: Adam down adorns the family tree. You faunted. I'm not defeated,

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Speaker 1: weak or daunted. I am the flower of chivalry. The

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Speaker 1: lady didn't disagree. Does she really wanted to while she

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00:17:32,160 --> 00:17:33,879
Speaker 1: just kicked her? He just kicked her in the face.

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Speaker 1: I know she was probably like, well, I have something

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Speaker 1: to say, but let me retreat to a safe distuct.

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Speaker 1: I'm want to wait till i'm not, you know, eye

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Speaker 1: level with your foot. Freaking foot exactly What an asshole

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00:17:45,600 --> 00:17:49,399
Speaker 1: guy sucks? What a chivalrous guy just kicked your wife

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Speaker 1: in the face. I'm the chivalry in consternation. She beheld

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00:17:57,240 --> 00:18:00,879
Speaker 1: the shattered lance and broken shield, not knowing what to

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00:18:00,920 --> 00:18:04,440
Speaker 1: think or say about the evidence on display. Afraid he'd

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00:18:04,480 --> 00:18:07,840
Speaker 1: beat her to the ground because he threatened her and frowned.

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00:18:08,359 --> 00:18:11,560
Speaker 1: She dared not touch, but stood somewhat out of his reach.

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Speaker 1: Her mouth stayed shut. What shall I say? He used

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00:18:16,240 --> 00:18:19,560
Speaker 1: this game to vilify her family name and put her

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00:18:19,600 --> 00:18:22,840
Speaker 1: in her place, that is, to set her value under his.

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00:18:24,080 --> 00:18:27,280
Speaker 1: Another time, the night came back with another shield, all

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00:18:27,400 --> 00:18:31,520
Speaker 1: hued and hacked and full of holes. His chain mail shirt, however,

289
00:18:31,960 --> 00:18:35,320
Speaker 1: was by no means hurt. Neither was he from head

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00:18:35,359 --> 00:18:38,760
Speaker 1: to foot. He wasn't bruised, he wasn't cut, he wasn't

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00:18:38,800 --> 00:18:43,520
Speaker 1: even tired out. That's when his wife began to doubt

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00:18:44,200 --> 00:18:49,359
Speaker 1: her husband's claim that he'd unhorsed, defeated, subjugated, forced to

293
00:18:49,440 --> 00:18:54,080
Speaker 1: pay homage, put to flight, and hanged two dozen enemy

294
00:18:54,280 --> 00:18:59,720
Speaker 1: nights that day. She saw that he concealed his cowardice

295
00:19:00,000 --> 00:19:03,600
Speaker 1: of a cracked shield and told herself, if he went

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00:19:03,680 --> 00:19:07,600
Speaker 1: back into the woods again, she'd track him down to

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00:19:07,800 --> 00:19:11,160
Speaker 1: learn what foes he sought and what he did and

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00:19:11,200 --> 00:19:15,080
Speaker 1: how he fought. I like this girl, Yeah, she's canny.

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00:19:15,240 --> 00:19:17,960
Speaker 1: She said, Okay, We're going to hold my tongue for now,

300
00:19:18,600 --> 00:19:21,600
Speaker 1: but I'm about to find out about you, sir. Really

301
00:19:21,680 --> 00:19:27,280
Speaker 1: some bullshit happening here, sir, bullshit obviously already, this guy,

302
00:19:27,520 --> 00:19:30,359
Speaker 1: you know, Mr Pie and Custard all day is not

303
00:19:30,480 --> 00:19:33,040
Speaker 1: going out there and killing two dozen guys at a time.

304
00:19:33,640 --> 00:19:38,920
Speaker 1: And then he comes back completely undented armor. His shield

305
00:19:39,080 --> 00:19:41,280
Speaker 1: is the only thing that's Oh okay, I guess he's

306
00:19:41,359 --> 00:19:46,680
Speaker 1: so good at blocking hit. Come on, come on, man,

307
00:19:46,800 --> 00:19:49,000
Speaker 1: let's follow make your lie a little more believable. Should

308
00:19:49,080 --> 00:19:51,320
Speaker 1: let your squire like punchy in the face ones or something? Yes,

309
00:19:51,400 --> 00:19:55,120
Speaker 1: exactly all of this could have been avoided. So I'm

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00:19:55,160 --> 00:19:57,840
Speaker 1: glad that she's got a plan. She's figuring it out.

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00:19:58,200 --> 00:20:00,600
Speaker 1: And before we find out what she did dead, I

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00:20:00,600 --> 00:20:03,120
Speaker 1: think we should take just a real quick commercial break. Yes,

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00:20:07,440 --> 00:20:13,560
Speaker 1: all right, welcome back to Bragier of the long assholes.

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00:20:14,000 --> 00:20:17,480
Speaker 1: These were the plans she settled on early next day,

315
00:20:17,520 --> 00:20:20,800
Speaker 1: at break of dawn, her husband armed and said he

316
00:20:21,000 --> 00:20:25,359
Speaker 1: still had three more enemies to kill, who kept on

317
00:20:25,480 --> 00:20:30,800
Speaker 1: threatening and defying, causing disturbances and spying crimes which the

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00:20:30,920 --> 00:20:37,040
Speaker 1: noble knight detested. The lady tactfully suggested he takes some servants,

319
00:20:37,320 --> 00:20:41,199
Speaker 1: three or four to make the victory more sure. Lady,

320
00:20:41,400 --> 00:20:45,440
Speaker 1: he said, I'll go alone. I'll kill him so well

321
00:20:45,520 --> 00:20:48,800
Speaker 1: on my own. Not one will get away with his life.

322
00:20:49,960 --> 00:20:53,520
Speaker 1: Urging his charger past his wife, he sallied forth with

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00:20:53,640 --> 00:20:58,040
Speaker 1: zeal and zest into the woods. She rose and dressed

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00:20:58,119 --> 00:21:02,840
Speaker 1: herself in armor like a night mounted a stallion, held

325
00:21:02,880 --> 00:21:06,239
Speaker 1: on tight, did not delay, did not look back, and

326
00:21:06,359 --> 00:21:09,720
Speaker 1: followed in her husband's track till there he was in

327
00:21:09,720 --> 00:21:12,760
Speaker 1: the same field, and from the same oak tree. His

328
00:21:12,880 --> 00:21:16,760
Speaker 1: shield was hanging. He was beating it, banging and making

329
00:21:16,760 --> 00:21:21,119
Speaker 1: it submit to a cruel martyrdom and rigor. A person

330
00:21:21,200 --> 00:21:24,960
Speaker 1: standing near might figure a hundred devils were there yelling,

331
00:21:25,640 --> 00:21:28,639
Speaker 1: this isn't any joke, I'm telling He raised a rocket

332
00:21:28,840 --> 00:21:36,200
Speaker 1: to the guy. The lady reined her horse nearby. Classic

333
00:21:37,280 --> 00:21:41,800
Speaker 1: century cross dressing trick. Yeah, this Shakespeare chaucer. All of

334
00:21:41,800 --> 00:21:44,439
Speaker 1: them were like ladies can address as a man and

335
00:21:44,480 --> 00:21:46,600
Speaker 1: go in and take care of business and just handle

336
00:21:46,680 --> 00:21:50,000
Speaker 1: this whole situation right now. I also love these like

337
00:21:50,080 --> 00:21:52,600
Speaker 1: this ain't a joke, y'all, even like a joke story,

338
00:21:53,760 --> 00:21:55,119
Speaker 1: Like I know I've been telling you a joke this

339
00:21:55,119 --> 00:21:58,240
Speaker 1: whole time. But this, this one's not a joke all out.

340
00:21:59,200 --> 00:22:02,000
Speaker 1: I love this image of him screaming and wailing on

341
00:22:02,040 --> 00:22:05,720
Speaker 1: the shield in the tree. How about you? Why I

342
00:22:08,400 --> 00:22:13,720
Speaker 1: say that to my face? Shield? Bang bang bang? Why

343
00:22:13,720 --> 00:22:17,399
Speaker 1: don't you pick on someone your own size? At first,

344
00:22:17,440 --> 00:22:21,800
Speaker 1: the sight of this display of folly filled her with dismay,

345
00:22:21,840 --> 00:22:25,480
Speaker 1: But when she'd heard her fill of noise, she shouted

346
00:22:25,560 --> 00:22:29,200
Speaker 1: with a mighty voice and urged her chargers straight ahead.

347
00:22:30,280 --> 00:22:34,000
Speaker 1: Sir knight, Sir knight, what folly led you to come

348
00:22:34,080 --> 00:22:38,359
Speaker 1: cutting up my manner? Vain? Are my knighthood and my honor?

349
00:22:38,640 --> 00:22:42,000
Speaker 1: If I don't slay you on this field? Why are

350
00:22:42,040 --> 00:22:45,639
Speaker 1: you picking on that shield? What has it ever done

351
00:22:45,680 --> 00:22:48,720
Speaker 1: to you? You've bit off more than you can chew?

352
00:22:49,080 --> 00:22:52,240
Speaker 1: Fine on whoever says it's fit for you to wage

353
00:22:52,280 --> 00:22:57,600
Speaker 1: a war on it? Why did that shield out to

354
00:22:57,640 --> 00:23:03,120
Speaker 1: defend the shields honor? And when he heard the speech

355
00:23:03,200 --> 00:23:07,840
Speaker 1: she made, he was dumbfounded and dismayed his wife he

356
00:23:07,880 --> 00:23:12,639
Speaker 1: didn't recognize at once. Great tears fell from his eyes,

357
00:23:13,240 --> 00:23:18,520
Speaker 1: and his damasked sword fell from his grasp. Sir, for

358
00:23:18,680 --> 00:23:22,920
Speaker 1: God's sake, he managed to gasp, pity. If I've done

359
00:23:22,960 --> 00:23:27,240
Speaker 1: any wrong, I'll give you whatever you want. My pony lance.

360
00:23:27,440 --> 00:23:32,600
Speaker 1: Here's my shield, saddle money, the lady said, as God's

361
00:23:32,680 --> 00:23:36,840
Speaker 1: my shield. Before you've parted from this field, you'll change

362
00:23:36,880 --> 00:23:41,280
Speaker 1: your tune. Now stop this noise. I'm giving you an

363
00:23:41,320 --> 00:23:45,960
Speaker 1: even choice. Either you joust with me right now. If so,

364
00:23:46,520 --> 00:23:49,720
Speaker 1: you have my solemn vow. If you're unhorsed, you will

365
00:23:49,760 --> 00:23:52,960
Speaker 1: not fail to lose your head. It won't avail to

366
00:23:53,040 --> 00:23:57,920
Speaker 1: beg for pity or remorse. Or Let me get down

367
00:23:58,040 --> 00:24:01,440
Speaker 1: from my horse and I'll bend dover on the grass

368
00:24:01,720 --> 00:24:06,600
Speaker 1: and you can come and kiss my ass right in

369
00:24:06,640 --> 00:24:10,240
Speaker 1: the middle, if you please, just take whichever one of

370
00:24:10,280 --> 00:24:16,480
Speaker 1: these that suits your inclination. Choose. He who was shaking

371
00:24:16,520 --> 00:24:21,520
Speaker 1: in his shoes, whose cowardliness no shame could oust, declared

372
00:24:21,560 --> 00:24:26,359
Speaker 1: his purpose not to joust. I love this so what,

373
00:24:27,160 --> 00:24:30,000
Speaker 1: she said. I'll either fight you and I will kill you,

374
00:24:30,400 --> 00:24:32,440
Speaker 1: or you can come over here and kiss me right

375
00:24:32,480 --> 00:24:37,000
Speaker 1: between the cheeks, right in the butt hole area. I

376
00:24:37,000 --> 00:24:41,720
Speaker 1: want you to look, he said, in my eye, and

377
00:24:41,840 --> 00:24:48,000
Speaker 1: he said, I'll take I'd like to kiss your butt. Amazing,

378
00:24:48,440 --> 00:24:52,359
Speaker 1: good sir, he said, I've deeply sworn an oath to

379
00:24:52,520 --> 00:24:57,720
Speaker 1: joust with no old man born. What a lie, I've

380
00:24:57,880 --> 00:25:01,760
Speaker 1: sworn an oath? Why would you need to do that anyway? Sorry,

381
00:25:01,760 --> 00:25:05,120
Speaker 1: I just can't. I just saw when I was born

382
00:25:05,240 --> 00:25:11,320
Speaker 1: my mother's again deeply held sincere religious beliefs. But be

383
00:25:11,520 --> 00:25:15,080
Speaker 1: so kind as to dismount, and I'll do what it

384
00:25:15,200 --> 00:25:18,719
Speaker 1: is you want. The lady didn't wait around, but lightly

385
00:25:18,800 --> 00:25:22,359
Speaker 1: leapt upon the ground, stood with her back before his nose,

386
00:25:22,840 --> 00:25:27,359
Speaker 1: lifted her tunic, touched her toes, and said, your face

387
00:25:27,440 --> 00:25:32,280
Speaker 1: goes here, sir knight. But when her crivice came in sight,

388
00:25:32,920 --> 00:25:36,800
Speaker 1: it seemed to him the ass and cunt were one

389
00:25:37,000 --> 00:25:42,360
Speaker 1: long crack from back to front. He thought it surely

390
00:25:42,560 --> 00:25:47,720
Speaker 1: must have been the longest ass he'd ever seen. And

391
00:25:47,800 --> 00:25:53,240
Speaker 1: there he placed the kiss of sleep, which cowards customarily use,

392
00:25:53,880 --> 00:25:57,160
Speaker 1: next to the whole. That's how she served the night,

393
00:25:57,359 --> 00:26:02,240
Speaker 1: what richly he deserved. The lady stood, turned round and mounted.

394
00:26:02,760 --> 00:26:06,760
Speaker 1: Before she left, her husband shouted, tell me your name, sir.

395
00:26:07,040 --> 00:26:10,760
Speaker 1: Since you're leaving, then go in peace. We'll call it even.

396
00:26:12,520 --> 00:26:16,920
Speaker 1: I'll call it even even, dude, you've just got humiliated.

397
00:26:17,000 --> 00:26:25,720
Speaker 1: Good sir, there's no even about this I won vassal.

398
00:26:25,920 --> 00:26:29,399
Speaker 1: I'll tell it, I don't mind another such name. You

399
00:26:29,520 --> 00:26:32,720
Speaker 1: will not find. All other men are beneath my class.

400
00:26:33,119 --> 00:26:36,760
Speaker 1: I'm barangier of the long ass who puts to shame

401
00:26:36,840 --> 00:26:41,280
Speaker 1: the chicken hearted. The wife had finished what she'd started.

402
00:26:41,880 --> 00:26:45,239
Speaker 1: Now she returned home through the wood, disarmed herself as

403
00:26:45,280 --> 00:26:48,439
Speaker 1: best she could, and sent for the night. She held

404
00:26:48,480 --> 00:26:53,200
Speaker 1: above all others in esteem and love. She led him

405
00:26:53,240 --> 00:26:57,680
Speaker 1: into the bedchamber, where with an eager kiss, he claimed her.

406
00:26:58,760 --> 00:27:01,920
Speaker 1: And when the husband read to the house, she, who

407
00:27:01,960 --> 00:27:05,960
Speaker 1: did not fear her spouse, didn't even dane to stir,

408
00:27:06,520 --> 00:27:09,320
Speaker 1: but made her lovers sit by her. And when the

409
00:27:09,440 --> 00:27:13,639
Speaker 1: night came in the room, afflicted by despair and gloom,

410
00:27:13,680 --> 00:27:16,919
Speaker 1: the sight of a lover with his wife was not

411
00:27:17,160 --> 00:27:22,480
Speaker 1: the high point of his life. Boy, what a day.

412
00:27:23,040 --> 00:27:25,240
Speaker 1: You know, I decided to kiss this guy's ass. Now

413
00:27:25,240 --> 00:27:27,359
Speaker 1: I come home. There's other guys have been my wife.

414
00:27:27,640 --> 00:27:30,240
Speaker 1: I caught in the act, acting like an idiotte Now

415
00:27:30,240 --> 00:27:33,000
Speaker 1: she's caught in the act. You know, called that one

416
00:27:33,000 --> 00:27:37,679
Speaker 1: a draw and came home to this, and I love that.

417
00:27:37,720 --> 00:27:39,800
Speaker 1: She's just like, yeah, what it would come on him?

418
00:27:39,800 --> 00:27:42,399
Speaker 1: Are you going to do? Yeah? No, no, honey, you

419
00:27:42,480 --> 00:27:45,600
Speaker 1: stay right here. Yes, my husband's home. Don't you move, Oh,

420
00:27:45,600 --> 00:27:50,240
Speaker 1: don't you worry. He can't do ship to you, madam,

421
00:27:50,520 --> 00:27:54,480
Speaker 1: he said. It's plain to me that you have done

422
00:27:54,560 --> 00:27:59,680
Speaker 1: me injury bringing a man to my abode. You'll pay

423
00:27:59,760 --> 00:28:03,160
Speaker 1: for the is my girl you've sewed, and you shall reap.

424
00:28:03,400 --> 00:28:06,680
Speaker 1: Shut up, you bore, she said, And don't say anymore,

425
00:28:07,160 --> 00:28:11,119
Speaker 1: because one more instinuation against my name and reputation, and

426
00:28:11,200 --> 00:28:14,119
Speaker 1: by the Saint cellphile a claim against you for my

427
00:28:14,280 --> 00:28:19,320
Speaker 1: injured fame. Go on, you cuckold, go on, be jealous.

428
00:28:19,440 --> 00:28:23,800
Speaker 1: You'll file a claim. And who, pray tell us, will

429
00:28:23,920 --> 00:28:28,120
Speaker 1: hear a claim that comes from you, your fellow knight

430
00:28:28,160 --> 00:28:31,680
Speaker 1: at arms? Is who who subjugated you today? I mean,

431
00:28:31,760 --> 00:28:35,680
Speaker 1: my lord, Sir Barrangier of the long Ass, who will

432
00:28:35,720 --> 00:28:41,120
Speaker 1: disgrace you once again? The husband's face turned fiery red

433
00:28:41,120 --> 00:28:45,080
Speaker 1: with rage and shame. No more could he abuse her name.

434
00:28:45,560 --> 00:28:49,360
Speaker 1: He felt checkmated, he felt ill, And from that day

435
00:28:49,920 --> 00:28:54,000
Speaker 1: she did her will. She was no common girl or fool.

436
00:28:54,920 --> 00:29:00,280
Speaker 1: When the shepherd's weak, the wolf ships wool. What a

437
00:29:00,400 --> 00:29:06,080
Speaker 1: moral the end? The end? Yea When the shepherd's weak,

438
00:29:06,240 --> 00:29:09,880
Speaker 1: the wolf ships. Well, well, you know you gotta watch

439
00:29:09,920 --> 00:29:13,240
Speaker 1: you gotta be a good shepherd there. Well, and that's

440
00:29:13,240 --> 00:29:16,479
Speaker 1: what's interesting about this fabilio, you know, compared to others,

441
00:29:16,680 --> 00:29:18,640
Speaker 1: if you kind of mentioned in the beginning, the women

442
00:29:18,680 --> 00:29:21,360
Speaker 1: are usually not like the main character of the story

443
00:29:21,520 --> 00:29:24,080
Speaker 1: or even a very well respected character of the story.

444
00:29:24,440 --> 00:29:26,840
Speaker 1: But this one was very much immoral about like, you

445
00:29:26,880 --> 00:29:30,360
Speaker 1: should not demean your wife, and trust me, she'll find

446
00:29:30,360 --> 00:29:34,560
Speaker 1: a way to roll reversal that if she can, or

447
00:29:34,640 --> 00:29:36,320
Speaker 1: you know, maybe he was just trying to be like,

448
00:29:36,960 --> 00:29:39,480
Speaker 1: even if she can't, you should have to kiss someone's

449
00:29:39,680 --> 00:29:42,560
Speaker 1: as for kicking your wife in the face and acting

450
00:29:42,600 --> 00:29:45,280
Speaker 1: like she's not a equal partner to you and stuff

451
00:29:45,320 --> 00:29:48,240
Speaker 1: like that, right, um, And I wonder if it's because

452
00:29:48,280 --> 00:29:50,720
Speaker 1: she's from nobility, like if he would have written it

453
00:29:50,760 --> 00:29:55,280
Speaker 1: about another commoner, or if he was just like, oh,

454
00:29:55,400 --> 00:29:58,720
Speaker 1: she's worth more because she's that don't seem to have

455
00:29:58,800 --> 00:30:01,800
Speaker 1: that sort of classism about him. Well, we're gonna talk.

456
00:30:01,800 --> 00:30:04,080
Speaker 1: We gotta squeeze one more commercial break in we'll talk

457
00:30:04,120 --> 00:30:06,560
Speaker 1: more about it, and uh, and a few other poems

458
00:30:06,560 --> 00:30:08,479
Speaker 1: that will will just kind of summarize for you all

459
00:30:08,480 --> 00:30:14,560
Speaker 1: when we come back right after this welcome back to

460
00:30:14,640 --> 00:30:18,959
Speaker 1: the show, everybody. All right, So this really this poem,

461
00:30:18,960 --> 00:30:23,520
Speaker 1: I mean, the characters are so hilarious. I mean because

462
00:30:23,680 --> 00:30:27,320
Speaker 1: she's great. Obviously we talked about that. And again, yeah,

463
00:30:27,360 --> 00:30:31,080
Speaker 1: maybe it's because she's noble. And this author clearly thinks

464
00:30:31,120 --> 00:30:33,960
Speaker 1: that noble people are better than common people, Like if

465
00:30:34,000 --> 00:30:36,760
Speaker 1: you're poor and you marry into money, you're a big

466
00:30:36,760 --> 00:30:39,000
Speaker 1: piece of ship, like you must be a gold digger,

467
00:30:39,120 --> 00:30:42,080
Speaker 1: you know. And obviously he's creating these characters who matched

468
00:30:42,120 --> 00:30:46,440
Speaker 1: that stereotype. But um, but she's great. She's like, I'm

469
00:30:46,480 --> 00:30:49,959
Speaker 1: gonna take care of business, I'm gonna dress up as

470
00:30:50,000 --> 00:30:53,800
Speaker 1: a night and then she called herself bronge a of

471
00:30:53,840 --> 00:30:57,000
Speaker 1: the long ass. So did he comment on it when

472
00:30:57,040 --> 00:30:58,880
Speaker 1: he saw it? Well, And when I read it, I

473
00:30:58,880 --> 00:31:00,959
Speaker 1: thought he was just thinking too him, right, But a

474
00:31:00,960 --> 00:31:05,360
Speaker 1: lot of the like analysis of the poem, they seem

475
00:31:05,440 --> 00:31:07,520
Speaker 1: to act as if he says it out loud. And

476
00:31:07,560 --> 00:31:10,360
Speaker 1: that's why she writes Brownie at the long Ass and

477
00:31:10,400 --> 00:31:12,960
Speaker 1: it's like part of his humiliation that he can't recognize

478
00:31:13,040 --> 00:31:17,640
Speaker 1: female genitals, like, like it's not just the fact that

479
00:31:17,640 --> 00:31:20,280
Speaker 1: he is like such a lame night that he's never

480
00:31:20,360 --> 00:31:22,720
Speaker 1: done anything. It's not just the fact that is he

481
00:31:22,760 --> 00:31:25,080
Speaker 1: doesn't recognize his own wife when she's talking to him,

482
00:31:25,280 --> 00:31:27,880
Speaker 1: but it's also like he sees a vagina and he's like,

483
00:31:27,920 --> 00:31:33,440
Speaker 1: what's that? Just like, wow, where does he think this

484
00:31:33,480 --> 00:31:37,360
Speaker 1: guy's dick is on his stomach? That's the other question

485
00:31:37,480 --> 00:31:41,720
Speaker 1: that he's very he doesn't understand male or female anatomy.

486
00:31:42,040 --> 00:31:43,520
Speaker 1: He's like, I guess this dick comes out of his

487
00:31:43,560 --> 00:31:49,120
Speaker 1: belly button. This guy's crazy as goes all the way around. WHOA,

488
00:31:50,720 --> 00:31:52,440
Speaker 1: maybe he just thought he had a really tall but

489
00:31:53,160 --> 00:32:00,480
Speaker 1: just very tall but stationed fans out there. Yes, just

490
00:32:00,520 --> 00:32:03,800
Speaker 1: like station and you had stations. But yeah, yeah, Martian.

491
00:32:03,920 --> 00:32:07,600
Speaker 1: But um, amazing, who did this translation? Do we know?

492
00:32:08,120 --> 00:32:09,840
Speaker 1: I don't know. I just saw it was an English

493
00:32:09,880 --> 00:32:14,280
Speaker 1: translation that the one I found was like it was

494
00:32:14,440 --> 00:32:16,920
Speaker 1: linked in another place, but that link is now broken.

495
00:32:17,040 --> 00:32:19,880
Speaker 1: So they were like, I'm just sharing it here for

496
00:32:19,880 --> 00:32:26,120
Speaker 1: for posterity, posteriors, posterior area. If you translated this, let

497
00:32:26,160 --> 00:32:29,000
Speaker 1: us know and we'll shot the episode, or lie to

498
00:32:29,080 --> 00:32:30,680
Speaker 1: us and tell us you did and we'll say it anyway.

499
00:32:30,720 --> 00:32:35,040
Speaker 1: We don't know. Wow, amazing. I'm I am very fascinated

500
00:32:35,080 --> 00:32:38,720
Speaker 1: by translations, especially of poems where you have to take

501
00:32:38,760 --> 00:32:41,680
Speaker 1: it from what it rhymed in one language, and it's

502
00:32:41,680 --> 00:32:43,920
Speaker 1: a certain meter and rhythm in one language, and they

503
00:32:44,040 --> 00:32:46,400
Speaker 1: have to make it rhyme and have meter and everything

504
00:32:46,560 --> 00:32:51,080
Speaker 1: in it the new language and match the context and

505
00:32:51,120 --> 00:32:55,000
Speaker 1: the intention and everything. Yeah, that's that must be very heard.

506
00:32:55,320 --> 00:32:57,760
Speaker 1: This might be a very biased thing that I heard.

507
00:32:57,880 --> 00:33:01,360
Speaker 1: And this wasn't you know, years ago and school a

508
00:33:01,440 --> 00:33:06,800
Speaker 1: few years ago in high school a couple of years that. Um,

509
00:33:06,840 --> 00:33:10,840
Speaker 1: some poets and scholars have said that probably they mean

510
00:33:10,920 --> 00:33:14,000
Speaker 1: of Western European languages, that English is the easiest one

511
00:33:14,040 --> 00:33:16,440
Speaker 1: to rhyme in. But I don't know, because I feel

512
00:33:16,480 --> 00:33:20,240
Speaker 1: like French everything sounds, everything's the same vowel sounds. So

513
00:33:22,040 --> 00:33:25,280
Speaker 1: it's true, that is true. But yeah, it is pretty

514
00:33:25,280 --> 00:33:28,280
Speaker 1: fascinating that that job is tough. I've read some translations

515
00:33:28,320 --> 00:33:29,920
Speaker 1: and then you go back and like the original, You're like,

516
00:33:29,920 --> 00:33:31,800
Speaker 1: oh my god, how did they did you do this?

517
00:33:32,320 --> 00:33:36,040
Speaker 1: Or how did this fit so well? Right? That damn,

518
00:33:36,240 --> 00:33:38,480
Speaker 1: this is a straight translation and it still rhymes. That

519
00:33:38,520 --> 00:33:41,480
Speaker 1: guy must have been like, lucky me the east job

520
00:33:41,480 --> 00:33:44,000
Speaker 1: I've ever had. This is great. I just get to

521
00:33:44,000 --> 00:33:47,360
Speaker 1: write about a really long asshole. I do, Like I

522
00:33:47,400 --> 00:33:50,440
Speaker 1: did read once that like translation is like there's a

523
00:33:50,440 --> 00:33:53,280
Speaker 1: whole other layer to it that's very difficult, which is

524
00:33:53,560 --> 00:33:56,880
Speaker 1: what people really mean the word they use, and like

525
00:33:57,080 --> 00:33:59,760
Speaker 1: that's all kind of cultural context, it's not really in

526
00:33:59,840 --> 00:34:02,520
Speaker 1: a definition. Is very hard to teach. It's one of

527
00:34:02,520 --> 00:34:04,120
Speaker 1: those things you kind of have to grow up to know,

528
00:34:04,960 --> 00:34:06,920
Speaker 1: you know. So they've talked about that being like, oh,

529
00:34:07,120 --> 00:34:09,720
Speaker 1: you know, this person's translation of this is not quite

530
00:34:09,719 --> 00:34:13,040
Speaker 1: as accurate as this person's translation because of data. Like

531
00:34:13,120 --> 00:34:16,200
Speaker 1: there's so many things like that for sure, So hopefully

532
00:34:16,239 --> 00:34:19,240
Speaker 1: this is a good considered a good translation at this poem,

533
00:34:19,320 --> 00:34:21,919
Speaker 1: I certainly enjoyed it. I mean it's great, the meter

534
00:34:22,120 --> 00:34:25,600
Speaker 1: is solid, the rhymes are funny, Like, yeah, it's a

535
00:34:25,640 --> 00:34:28,200
Speaker 1: really good one. I think my favorite was was not

536
00:34:28,400 --> 00:34:34,560
Speaker 1: the high point of his understatement. I also like that

537
00:34:34,600 --> 00:34:38,839
Speaker 1: he always called her lady, lady listen here. I know

538
00:34:38,920 --> 00:34:41,800
Speaker 1: that's not how they said it, but whatever was lady

539
00:34:42,440 --> 00:34:47,600
Speaker 1: shut up? Oh well, that is certainly just one of

540
00:34:47,800 --> 00:34:52,720
Speaker 1: many many fabulios out there or fabulio fablio French plural.

541
00:34:53,360 --> 00:34:59,160
Speaker 1: Others include titles such as The Turd, The Three Ladies

542
00:34:59,239 --> 00:35:04,719
Speaker 1: Who Found a prick, Like what a story? I mean, right,

543
00:35:04,800 --> 00:35:06,680
Speaker 1: do you do you think they were like, oh, another one,

544
00:35:06,800 --> 00:35:11,440
Speaker 1: or were they like was it a good prick? I know,

545
00:35:11,520 --> 00:35:15,680
Speaker 1: we haven't found the text of these but titles English

546
00:35:15,680 --> 00:35:18,160
Speaker 1: translations of these ones that I could find. But I

547
00:35:18,200 --> 00:35:19,839
Speaker 1: did wonder about that because I was like, maybe they

548
00:35:19,840 --> 00:35:23,000
Speaker 1: were just a welcoming sexual orifice type one where they're

549
00:35:23,000 --> 00:35:25,839
Speaker 1: just like, who gets it. It'd be funnier if they

550
00:35:25,840 --> 00:35:30,919
Speaker 1: were like, oh, another one is called the Knight who

551
00:35:30,960 --> 00:35:36,000
Speaker 1: made cunts and assholes Speak? And I'm like, what did

552
00:35:36,000 --> 00:35:38,920
Speaker 1: they say? Were they like, was he even amazing and

553
00:35:38,960 --> 00:35:42,480
Speaker 1: they couldn't stop singing about it? Or were they like

554
00:35:42,960 --> 00:35:45,000
Speaker 1: get it out of me? I know, right, No, we

555
00:35:45,000 --> 00:35:47,480
Speaker 1: have well, we actually do have a summary at least

556
00:35:47,480 --> 00:35:50,479
Speaker 1: of this of the story of the Knight who made

557
00:35:50,520 --> 00:35:54,879
Speaker 1: gunts and Assholes Speak. Unfortunately, and can't share a translation

558
00:35:55,200 --> 00:35:58,640
Speaker 1: of the actual verses. I wish, I wish, but we

559
00:35:58,680 --> 00:36:01,440
Speaker 1: did I did find from sus Anna Greer Fine from

560
00:36:01,480 --> 00:36:05,640
Speaker 1: the University of Rochester's Digital Library Project, she wrote about

561
00:36:05,719 --> 00:36:09,600
Speaker 1: this this fablio. It's about kind of like an adventuring night.

562
00:36:09,760 --> 00:36:12,319
Speaker 1: He's very handsome and worthy, but he's kind of down

563
00:36:12,320 --> 00:36:15,680
Speaker 1: on his luck. He's got a very clever squire named Hewitt.

564
00:36:15,960 --> 00:36:23,799
Speaker 1: Hewitt for a squire, totally Hewett with me like that. Well,

565
00:36:23,840 --> 00:36:26,719
Speaker 1: in much like in many medieval tales, he's a very

566
00:36:26,719 --> 00:36:29,719
Speaker 1: clever squire, like without whom the Night would be like

567
00:36:29,920 --> 00:36:33,680
Speaker 1: totally screw. Sure, sure, he's that kind of stock character.

568
00:36:33,680 --> 00:36:36,120
Speaker 1: I guess you could say that it's very art theian.

569
00:36:36,520 --> 00:36:39,759
Speaker 1: So the Night is low on resources. He's trying to

570
00:36:39,800 --> 00:36:44,440
Speaker 1: make some money by going to different tournaments, basically tournamenting

571
00:36:44,440 --> 00:36:51,279
Speaker 1: for moneyney like you know, pay per view. It's like

572
00:36:51,280 --> 00:36:54,080
Speaker 1: the m m A of their time and of Hewitt's

573
00:36:54,120 --> 00:36:56,920
Speaker 1: of course, like great sounds great, but they're like really poor.

574
00:36:57,040 --> 00:37:01,279
Speaker 1: They have to constantly stay in like religious houses, churches, facts,

575
00:37:01,320 --> 00:37:04,080
Speaker 1: they have no money. So one day they come across

576
00:37:04,160 --> 00:37:11,080
Speaker 1: these three nymphs that are bathing like you do, and Hewitt,

577
00:37:11,200 --> 00:37:14,879
Speaker 1: being so cunning and and courageous, decides to steal their

578
00:37:14,920 --> 00:37:19,239
Speaker 1: clothes while they're bathing. Rude he is. And so in

579
00:37:19,320 --> 00:37:21,920
Speaker 1: order to get them back these maidens, who surprise are

580
00:37:21,960 --> 00:37:26,200
Speaker 1: actually fairies. There you go, don't fat, I know, please

581
00:37:26,280 --> 00:37:30,040
Speaker 1: do not like if you know anything about Faye fairy

582
00:37:30,080 --> 00:37:33,600
Speaker 1: like mythology, do not funk with fairies, but they are

583
00:37:33,680 --> 00:37:37,719
Speaker 1: not funny. Yes, So these fairies they appeal to the

584
00:37:37,880 --> 00:37:42,080
Speaker 1: night and they promise him three gifts in order for

585
00:37:42,280 --> 00:37:45,759
Speaker 1: the return of their their clothes, which is funny because

586
00:37:45,760 --> 00:37:47,880
Speaker 1: like you stole them in the first place, just give back, right,

587
00:37:47,920 --> 00:37:50,520
Speaker 1: I guess I have to give you something now. So

588
00:37:50,560 --> 00:37:53,560
Speaker 1: the first gift is like romance, right, they say, you'll

589
00:37:53,560 --> 00:37:58,399
Speaker 1: be welcomed, You'll be cherished by wherever you're a guest. Uh,

590
00:37:58,520 --> 00:38:01,200
Speaker 1: there will be love for you. Yeah, people are into you.

591
00:38:01,239 --> 00:38:05,120
Speaker 1: They're just gonna be like, oh my god, big nights here. Ah,

592
00:38:05,200 --> 00:38:08,440
Speaker 1: this guy will be the most popular kid at school.

593
00:38:08,600 --> 00:38:12,759
Speaker 1: Who it is? Yeah, every time you walk in a bar. Yeah, exactly,

594
00:38:13,520 --> 00:38:18,320
Speaker 1: we just dated ourselves. The second gift they offer adds

595
00:38:18,520 --> 00:38:21,279
Speaker 1: this like sexual fantasy for him. All the women and

596
00:38:21,360 --> 00:38:25,280
Speaker 1: girls that eMates are just gonna drop trou and say, yes,

597
00:38:25,640 --> 00:38:28,560
Speaker 1: I want you, I need you, come home. It's a

598
00:38:28,640 --> 00:38:33,000
Speaker 1: little bit like of a magical non consent. Get into

599
00:38:33,320 --> 00:38:37,399
Speaker 1: this dicey territory. Yeah for sure. Now. The third they

600
00:38:37,440 --> 00:38:41,799
Speaker 1: offer him gets into this more body territory. Uh. Fablios

601
00:38:41,840 --> 00:38:44,959
Speaker 1: often have like a surreal and fantastical element to them

602
00:38:45,480 --> 00:38:49,600
Speaker 1: and this is a very noteworthy gift. They offer him

603
00:38:49,640 --> 00:38:54,920
Speaker 1: the power to make culls and coons or countstant assholes?

604
00:38:55,200 --> 00:38:59,840
Speaker 1: Is the translation there talk and always tell the truth.

605
00:39:00,000 --> 00:39:06,240
Speaker 1: Oh my god, So he's like beard gift to be offered,

606
00:39:06,560 --> 00:39:10,920
Speaker 1: sweet asshole? What will the weather be tomorrow? It's like sunny,

607
00:39:11,640 --> 00:39:18,760
Speaker 1: sixty five degrees. I guess James Joyce would be like, yes, true,

608
00:39:19,040 --> 00:39:22,880
Speaker 1: I all also make assholes talk. Wow, what a gift.

609
00:39:23,320 --> 00:39:27,360
Speaker 1: It's excuse me. I'd be like, I'm I'm good on

610
00:39:27,480 --> 00:39:31,480
Speaker 1: that last one? Can you make? Can you make them

611
00:39:31,520 --> 00:39:33,160
Speaker 1: just tell me? The truth? Why do they have to

612
00:39:33,160 --> 00:39:34,640
Speaker 1: talk out of there? Why do they have to ace

613
00:39:34,719 --> 00:39:37,879
Speaker 1: ventura the truth? To me? I didn't even think about

614
00:39:37,880 --> 00:39:40,200
Speaker 1: them having to, Like, right, do they have to move there?

615
00:39:40,239 --> 00:39:42,719
Speaker 1: But cheeks to like? Does the spread them so they

616
00:39:42,719 --> 00:39:44,759
Speaker 1: can talk? The little mouth comes out there, little but

617
00:39:44,880 --> 00:39:49,400
Speaker 1: holes like it's like, okay, hang on, let me just

618
00:39:49,480 --> 00:39:53,839
Speaker 1: spread them here much better? Yes, The lucky numbers this

619
00:39:53,880 --> 00:40:00,239
Speaker 1: week are six, seventeen and nine. Oh my god? Or

620
00:40:00,280 --> 00:40:06,840
Speaker 1: is it like the vagina in Big Mouth? Well? Hey girl, Okay,

621
00:40:06,880 --> 00:40:10,359
Speaker 1: So the story continues with the night. Now there's more.

622
00:40:10,520 --> 00:40:12,839
Speaker 1: There's more, because you want to hear I'm sure what

623
00:40:12,880 --> 00:40:16,000
Speaker 1: the kents and assholes had to say. Um. So he's

624
00:40:16,000 --> 00:40:18,440
Speaker 1: got his three gifts and he moves on with his day.

625
00:40:18,480 --> 00:40:20,880
Speaker 1: I guess. I'm sure he gives the clothes back, otherwise

626
00:40:20,920 --> 00:40:26,080
Speaker 1: he wouldn't keep the gifts. So uh. He first encounters

627
00:40:26,719 --> 00:40:31,960
Speaker 1: chaplain writing a mayor um and Hewitt reminds a night,

628
00:40:32,239 --> 00:40:35,879
Speaker 1: you know, try out your gift on this chaplain if

629
00:40:35,920 --> 00:40:38,279
Speaker 1: you can get the truth out of this guy. So

630
00:40:38,400 --> 00:40:40,920
Speaker 1: while you sit there talking to him, he asks him like,

631
00:40:41,360 --> 00:40:44,240
Speaker 1: where are you going? And the chaplain lies, but the

632
00:40:44,280 --> 00:40:53,839
Speaker 1: mayor's vagina answers, which I did not immediately perceive that

633
00:40:54,400 --> 00:40:58,920
Speaker 1: it would be like interspecies assholes. I thought it was.

634
00:40:58,960 --> 00:41:01,719
Speaker 1: I really went straight to people. But anything with an

635
00:41:01,719 --> 00:41:04,200
Speaker 1: asshole he can talk to. It's that monkey's paw magic.

636
00:41:04,360 --> 00:41:07,279
Speaker 1: You know, you don't know what you're getting exactly. All

637
00:41:07,320 --> 00:41:09,400
Speaker 1: I told you is that vaginas and assholes were going

638
00:41:09,440 --> 00:41:12,560
Speaker 1: to talk to you. I didn't say who's didn't say.

639
00:41:13,040 --> 00:41:16,240
Speaker 1: So this horse vagina is selling out the chaplain because

640
00:41:16,239 --> 00:41:19,160
Speaker 1: it has to tell the truth. It cannot. It's not

641
00:41:19,200 --> 00:41:26,080
Speaker 1: the mayor's fault, but the horses like, oh, actually, actually

642
00:41:26,120 --> 00:41:29,080
Speaker 1: this pervs going to the house of his mistress. We

643
00:41:29,239 --> 00:41:32,200
Speaker 1: go there every night. What's a week he takes me

644
00:41:32,239 --> 00:41:36,120
Speaker 1: here or whatever. So he's like, oh ship, what a chaplain,

645
00:41:36,200 --> 00:41:40,040
Speaker 1: You're off to some ladies house. And so question, could

646
00:41:40,080 --> 00:41:45,040
Speaker 1: the chaplain hear it? The horse the vagina's talk, like

647
00:41:45,080 --> 00:41:47,359
Speaker 1: make them talk or does hear them talk? I think

648
00:41:47,400 --> 00:41:51,280
Speaker 1: they talk because it's like it says, it's a shameful destiny.

649
00:41:51,560 --> 00:41:56,200
Speaker 1: He exposes. The mayor exposes the shameful destination. And I think,

650
00:41:56,360 --> 00:41:58,759
Speaker 1: and there's a couple others after this, so I think

651
00:41:58,760 --> 00:42:03,680
Speaker 1: they do hear what they're her own shock of that

652
00:42:03,760 --> 00:42:07,480
Speaker 1: chaplain just like, oh my god, what do you think

653
00:42:07,480 --> 00:42:09,440
Speaker 1: He was like, oh, yes, just off to church, you know.

654
00:42:09,520 --> 00:42:17,640
Speaker 1: And the horse was alert. Nay, he's not. Nay, it's like,

655
00:42:17,680 --> 00:42:24,600
Speaker 1: shut up your horse's ass. So then the night arrives

656
00:42:24,719 --> 00:42:27,600
Speaker 1: at a castle. Of course, because of his first gift,

657
00:42:27,640 --> 00:42:31,800
Speaker 1: he's enthusiastically welcome to stay at the castle. Yeah, norm

658
00:42:31,840 --> 00:42:34,000
Speaker 1: come on in here. And he doesn't have to stay

659
00:42:34,040 --> 00:42:36,520
Speaker 1: at religious houses anymore. He doesn't have to pay his way,

660
00:42:36,640 --> 00:42:38,920
Speaker 1: like this is a great gift for broke Gass, that

661
00:42:38,960 --> 00:42:42,319
Speaker 1: one's good. Take that gift. And then of course he

662
00:42:42,360 --> 00:42:45,399
Speaker 1: has the second gift. So a young lady visits him

663
00:42:45,400 --> 00:42:50,320
Speaker 1: in his bed that night, because of course they said

664
00:42:50,360 --> 00:42:54,000
Speaker 1: all the ladies will be ready for you, and Susannah

665
00:42:54,000 --> 00:42:58,360
Speaker 1: says quote but now operating without Hugh, it's aid the

666
00:42:58,520 --> 00:43:06,280
Speaker 1: night ungallantly questions the girls cunt. It reveals an unflattering

667
00:43:06,320 --> 00:43:09,960
Speaker 1: truth about her, and she leaves him in horror and shame.

668
00:43:10,080 --> 00:43:14,880
Speaker 1: Oh no, what in the world could her vagina have said?

669
00:43:14,920 --> 00:43:18,640
Speaker 1: I mean, it's like what thirteenth century, so probably like

670
00:43:18,800 --> 00:43:22,400
Speaker 1: sometimes she masturbates, yea, or she like slept in this morning.

671
00:43:23,000 --> 00:43:27,200
Speaker 1: Well that's uh, I get there's your monkey's pot curse, right.

672
00:43:27,680 --> 00:43:29,680
Speaker 1: You know you don't always want to hear the truth

673
00:43:29,800 --> 00:43:32,920
Speaker 1: from someone's vagina, That's right. And again there you go.

674
00:43:33,040 --> 00:43:34,920
Speaker 1: I think I think they do hear it. Because she

675
00:43:35,000 --> 00:43:37,760
Speaker 1: heard her vagina essays some ship. She was like, oh no,

676
00:43:38,000 --> 00:43:43,560
Speaker 1: why did you sell me out? How we're written this together?

677
00:43:44,680 --> 00:43:47,799
Speaker 1: And then the final adventure of this poem is when

678
00:43:47,800 --> 00:43:52,000
Speaker 1: this girl tells the lady of the castle about how

679
00:43:52,040 --> 00:43:54,279
Speaker 1: the night made her vagina talk, because of course, I

680
00:43:54,320 --> 00:43:56,239
Speaker 1: think you probably don't tell some folks about that, and

681
00:43:56,400 --> 00:43:58,600
Speaker 1: just be like, listen, this was a crazy thing. This

682
00:43:58,719 --> 00:44:01,200
Speaker 1: is going to sound in, but I need you to

683
00:44:01,239 --> 00:44:03,799
Speaker 1: go with me on this girl. She's like, girl, get

684
00:44:03,840 --> 00:44:06,400
Speaker 1: over here, I need I need to tell you right

685
00:44:06,600 --> 00:44:09,680
Speaker 1: now what has happened. Do you know these things could talk?

686
00:44:09,760 --> 00:44:11,479
Speaker 1: And the lady of the house is like, oh, yes,

687
00:44:11,880 --> 00:44:15,360
Speaker 1: I've had mine sing before. She's like no, no, I

688
00:44:15,400 --> 00:44:21,320
Speaker 1: mean literally words language. So the countess, I guess, believes

689
00:44:21,400 --> 00:44:23,400
Speaker 1: this woman and shoot this girl. And she's like, okay,

690
00:44:23,520 --> 00:44:27,239
Speaker 1: let me test this power out. And so she goes

691
00:44:27,320 --> 00:44:30,719
Speaker 1: and tries to cheat the night by putting cotton up

692
00:44:30,719 --> 00:44:34,160
Speaker 1: her vagina so that it can't talk, you know, it'll

693
00:44:34,200 --> 00:44:39,600
Speaker 1: be muffled like you did. And he tries to question

694
00:44:39,680 --> 00:44:43,520
Speaker 1: her vagina and it doesn't he can't hear. But fortunately,

695
00:44:44,120 --> 00:44:47,160
Speaker 1: of course Hewitt shows up and it's like, don't forget.

696
00:44:47,239 --> 00:44:53,960
Speaker 1: You can always ask her asshole. And so she's like,

697
00:44:54,000 --> 00:44:57,360
Speaker 1: oh my god, my butt's telling him everything. I didn't

698
00:44:57,400 --> 00:45:02,960
Speaker 1: stuff anything up my butt. I forgot plumb forgot a

699
00:45:03,120 --> 00:45:08,000
Speaker 1: plumb forgot, and Susannah concludes quote. In the end, the

700
00:45:08,080 --> 00:45:11,920
Speaker 1: two adventurers earned their honors Knight of the Cunt, Hewitt

701
00:45:11,960 --> 00:45:14,879
Speaker 1: of Little Asshole in a line that could double as

702
00:45:14,920 --> 00:45:21,319
Speaker 1: the title for the Fabilio been insane story them like,

703
00:45:22,680 --> 00:45:27,359
Speaker 1: can you imagine, Oh my god, I just I just

704
00:45:27,840 --> 00:45:32,640
Speaker 1: the idea of all these women suddenly overcome with horny

705
00:45:32,719 --> 00:45:36,040
Speaker 1: nous for this stranger and a first of all, and

706
00:45:36,080 --> 00:45:40,320
Speaker 1: then be being like, oh my god, my own body

707
00:45:40,400 --> 00:45:45,920
Speaker 1: parts are like telling him all my business? What have

708
00:45:46,000 --> 00:45:50,759
Speaker 1: I done to deserve it? Now, imagine if the night

709
00:45:50,800 --> 00:45:56,120
Speaker 1: had met the Barangier, oh would have gotten he would

710
00:45:56,120 --> 00:45:58,279
Speaker 1: have gotten two conversations, and then he would have known.

711
00:45:59,440 --> 00:46:05,880
Speaker 1: It's like this ain't this ain't no, man, I can't

712
00:46:05,920 --> 00:46:12,320
Speaker 1: believe it. So anyone who thought that poetry or medieval

713
00:46:12,360 --> 00:46:20,120
Speaker 1: times were at all stoic or or repressed or held

714
00:46:20,200 --> 00:46:23,719
Speaker 1: in in any way, guess what that wasn't until the Puritans,

715
00:46:23,920 --> 00:46:28,359
Speaker 1: right exactly. We got the sexually oppressed Victorians, We got

716
00:46:28,360 --> 00:46:31,800
Speaker 1: the Puritans. That's when they probably start making funny poems

717
00:46:31,840 --> 00:46:34,359
Speaker 1: like yeah, And we see time and again on this

718
00:46:34,400 --> 00:46:37,719
Speaker 1: show in other history learnings that we've all been through

719
00:46:37,760 --> 00:46:40,320
Speaker 1: in recent years, was really starting to dig in to

720
00:46:41,000 --> 00:46:48,120
Speaker 1: older history, pre puritanical stuff. Everybody loves dick and vaginas

721
00:46:48,239 --> 00:46:53,279
Speaker 1: like jokes. Everybody loves jokes. It's so true. I think

722
00:46:53,320 --> 00:46:56,719
Speaker 1: this is I really wish because I took I was

723
00:46:56,760 --> 00:46:59,000
Speaker 1: a miner in creative writing in college, and so I

724
00:46:59,040 --> 00:47:01,359
Speaker 1: took several like Poe Tree courses and a couple of

725
00:47:01,400 --> 00:47:04,399
Speaker 1: Old English Middle English like classes and stuff like that.

726
00:47:05,160 --> 00:47:07,520
Speaker 1: And why did they not lead with this? Why did

727
00:47:07,560 --> 00:47:11,000
Speaker 1: you not tell me like how funny and stupid people

728
00:47:11,040 --> 00:47:12,960
Speaker 1: have been all through life? You know, that makes it

729
00:47:13,120 --> 00:47:17,120
Speaker 1: so much more fascinating to learn about history when you're

730
00:47:17,120 --> 00:47:20,960
Speaker 1: really thinking about people being just dumb, big stupid people

731
00:47:21,000 --> 00:47:23,600
Speaker 1: like like we are today, you know what I mean.

732
00:47:23,719 --> 00:47:26,920
Speaker 1: But because I think we still so heavily repress that,

733
00:47:27,480 --> 00:47:30,520
Speaker 1: like we still think, oh, that's B thirteen. Oh that's

734
00:47:30,560 --> 00:47:34,800
Speaker 1: not acceptable for work, that's NSFW, that's you know, that

735
00:47:35,040 --> 00:47:37,759
Speaker 1: shouldn't be allowed into society. You keep that to yourself.

736
00:47:38,239 --> 00:47:41,759
Speaker 1: I don't want to hear that out loud. And why,

737
00:47:42,120 --> 00:47:44,480
Speaker 1: I know, I don't know why, because you might blush

738
00:47:44,520 --> 00:47:48,439
Speaker 1: a little, like it's okay obviously, you know, don't tell

739
00:47:48,440 --> 00:47:51,960
Speaker 1: me about a talking asshole while I'm having dinner, you know,

740
00:47:52,440 --> 00:47:56,160
Speaker 1: wait till we're done. I don't know. Look, I got

741
00:47:56,160 --> 00:47:58,799
Speaker 1: a very strong imagination that I can always shut down,

742
00:47:58,840 --> 00:48:02,479
Speaker 1: so sometimes goes right to my plate and I can't

743
00:48:02,480 --> 00:48:06,319
Speaker 1: eat anymore. And it's very frustrating. But this dumpling looks

744
00:48:06,360 --> 00:48:08,920
Speaker 1: too much like a butthole for me. It's the only

745
00:48:09,120 --> 00:48:12,359
Speaker 1: good thing I ever heard Adam Corolla say, went back

746
00:48:12,400 --> 00:48:15,480
Speaker 1: way back when Love Line was on and Doctor Drew

747
00:48:15,920 --> 00:48:19,960
Speaker 1: and somebody called in and talked about some discharge or something,

748
00:48:20,400 --> 00:48:23,400
Speaker 1: and Doctor Drew like made a reference to some food

749
00:48:23,760 --> 00:48:25,840
Speaker 1: and Adam Corla stopped at me. He said, when you

750
00:48:25,960 --> 00:48:28,359
Speaker 1: make it a food, then I have to eat it.

751
00:48:29,000 --> 00:48:32,920
Speaker 1: So don't compare gross things to foods. And that's my stance.

752
00:48:34,040 --> 00:48:38,160
Speaker 1: I can't handle it. But outside of that, this jokes

753
00:48:38,160 --> 00:48:41,759
Speaker 1: are great. This is larious, hilarious story. I would have

754
00:48:41,800 --> 00:48:44,600
Speaker 1: been like I can had walked into my house or

755
00:48:44,640 --> 00:48:46,320
Speaker 1: into a party I was throwing out, I would have

756
00:48:46,320 --> 00:48:49,439
Speaker 1: been like, hell, yeah, you're about to have a good time.

757
00:48:50,960 --> 00:48:57,640
Speaker 1: Spin us a yarn. Yeah, gong, go stand by the fire, everybody. Look, well,

758
00:48:57,760 --> 00:48:59,279
Speaker 1: this is good stuff. I hope you all thought it

759
00:48:59,320 --> 00:49:01,880
Speaker 1: was funny too. I know. I I really enjoyed reading

760
00:49:01,880 --> 00:49:05,719
Speaker 1: this poem during our research for the Sex Toys. I

761
00:49:05,800 --> 00:49:07,719
Speaker 1: was just giggling the whole way through. And I'm so

762
00:49:07,840 --> 00:49:10,359
Speaker 1: I'm super glad to get a chance to share it

763
00:49:10,400 --> 00:49:13,040
Speaker 1: with you guys, and do kind of a fun reading

764
00:49:13,080 --> 00:49:17,680
Speaker 1: of it until with you bibe and just uh, I

765
00:49:17,680 --> 00:49:22,560
Speaker 1: don't know, just kind of enjoy these like uh, literary traditions.

766
00:49:22,560 --> 00:49:25,600
Speaker 1: We're really not as buttoned up as we like to

767
00:49:25,680 --> 00:49:28,839
Speaker 1: pretend poets are, first of all, and that people from

768
00:49:28,880 --> 00:49:33,120
Speaker 1: history were so. No. People want to be entertained. They

769
00:49:33,120 --> 00:49:35,520
Speaker 1: want to laugh, they want to hear something a little naughty,

770
00:49:35,640 --> 00:49:37,960
Speaker 1: little frisky, made a blush a little bit. It's like

771
00:49:38,000 --> 00:49:40,439
Speaker 1: we do today. You know, it's all the same. So

772
00:49:40,760 --> 00:49:43,879
Speaker 1: just like you're listening here today, you wanted to hear

773
00:49:43,920 --> 00:49:48,319
Speaker 1: some jokes about guns and assholes. If you laughed, if

774
00:49:48,400 --> 00:49:52,160
Speaker 1: you blushed a little, if you were completely offended, please

775
00:49:52,640 --> 00:49:54,440
Speaker 1: let us know. We want to hear about it. Yeah,

776
00:49:54,960 --> 00:49:58,040
Speaker 1: give us, send us, send us your poems. You know,

777
00:49:58,600 --> 00:50:01,480
Speaker 1: we'd love to hear God if we had, if we

778
00:50:01,560 --> 00:50:06,960
Speaker 1: had a listener male like Limerick Corner, oh man body poems.

779
00:50:07,040 --> 00:50:11,440
Speaker 1: So yeah, sentiment we'll read, We'll read the short ones. Yeah, um,

780
00:50:11,480 --> 00:50:14,080
Speaker 1: that's awesome. Yeah, please reach out. You can always email

781
00:50:14,160 --> 00:50:18,800
Speaker 1: us in fact right now, maybe temporarily, maybe forever. H

782
00:50:19,080 --> 00:50:23,200
Speaker 1: email us at ridic romance at gmail dot com. Our

783
00:50:23,280 --> 00:50:25,400
Speaker 1: usual email is a little hung up. We're trying to

784
00:50:25,440 --> 00:50:28,640
Speaker 1: work that out, so so shoot us an email at

785
00:50:28,719 --> 00:50:31,400
Speaker 1: ridic Romance at gmail dot com right or we're on

786
00:50:31,400 --> 00:50:34,520
Speaker 1: Twitter and Instagram. I'm at Danamite Boom and I'm at

787
00:50:34,560 --> 00:50:38,080
Speaker 1: Oh Great. It's Eli and the show is at predict Romance.

788
00:50:38,440 --> 00:50:40,759
Speaker 1: We cannot wait to hear from you, and we can't

789
00:50:40,760 --> 00:50:43,080
Speaker 1: wait to be back next week. A little more to

790
00:50:43,120 --> 00:50:45,719
Speaker 1: our traditional format. But this has been a lot of

791
00:50:45,719 --> 00:50:48,040
Speaker 1: fun and I hope you all enjoyed it. Yes, love

792
00:50:48,080 --> 00:50:51,080
Speaker 1: you guys, See you next time. All right, so long friends,

793
00:50:51,120 --> 00:50:54,840
Speaker 1: it's time to go. Thanks so listening to our show,

794
00:50:55,360 --> 00:50:58,680
Speaker 1: tell your friends names, uncles, inde to listen to our

795
00:50:58,719 --> 00:51:00,319
Speaker 1: show Ridiculous. Well, yes,