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Speaker 1: Big Bag and DJ Screen bring you Big Bats, the

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Speaker 1: hottest podcast in the streets. Visit the new website today

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Speaker 1: www dot Big Facts pod dot com live for first

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Speaker 1: class sounds. You know who it is, DJ Screen, Big Bank,

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Speaker 1: Baby j This is Big Facts, and you know we're

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Speaker 1: showing a love to the black film directors, the black

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Speaker 1: actors and actresses and everything, just a lot of black excellence.

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Speaker 1: So we had to bring in today the creator of

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Speaker 1: the Mixed Girl film That's Grey, and of course the

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Speaker 1: start actor in that you might know, miss j Young.

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Speaker 1: So let's let's give it up for them pulling up

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Speaker 1: the Big Facts. What's up, homies, everybody feeling well, Hey,

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Speaker 1: we're feeling good. I just want to say thank you

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Speaker 1: for having us on your show today. You know, everything's

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Speaker 1: Big Facts, you know, you know what it is, so

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Speaker 1: so so one of the days we've been talking about

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Speaker 1: today leading up to this conversation is just black film.

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Speaker 1: You know what I'm saying. And how I guess, like

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Speaker 1: in the nineties, black film was I guess you could

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Speaker 1: say kind of like at a peak, like he had

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Speaker 1: black films to watch over and over and over again,

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Speaker 1: and I don't know, I guess at some point, like

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Speaker 1: black television as a whole is still always been popping,

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Speaker 1: but at some point it's just like you don't have

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Speaker 1: those uh what do we say? I got the hook

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Speaker 1: Ups in the Woods, Yeah, Friday Society, Yeah, this man Man.

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Speaker 1: Those classic films. Um Honestly, as a filmmaker myself, you know,

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Speaker 1: I love those old movies like you um that we reference.

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Speaker 1: I just think that, you know, when it comes to creativity,

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Speaker 1: a lot of you know, filmmakers, they're just looking at

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Speaker 1: what's right now. And you know, to me, it's all

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Speaker 1: about creating a story. To First of all, you gotta

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Speaker 1: take your time when you're writing a script. You know,

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Speaker 1: everybody just want to do something. You just want to

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Speaker 1: do it right away. So if you look at if

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Speaker 1: you look at those classic films, even Ice C when

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Speaker 1: he wrote Friday. You know, I remember I was watching

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Speaker 1: the interview from him. He told me like he was saying,

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Speaker 1: like it took him two years to write that script.

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Speaker 1: You could tell up because now it's a classic, you know.

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Speaker 1: So I feel like that's the that's that's what we're missing.

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Speaker 1: You know a lot of writers that I come across,

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Speaker 1: when they write something, they don't never take their time

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Speaker 1: to do it right, and then when you try to

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Speaker 1: critique them, they get personal. They're getting their feelings. But really,

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Speaker 1: like when you're writing something and you want something to

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Speaker 1: be a classic, you gotta take your time so you

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Speaker 1: can't make sure that it's it's a classic film. And

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Speaker 1: that's what I'm focused on. So I want to bring

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Speaker 1: that old school vibe that you're talking about classic. That's

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Speaker 1: what this whole empire is about now, is about breathing,

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Speaker 1: creating movies that's gonna be a lone life situation where

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Speaker 1: our grandkids can watch it and it's still be a classic.

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Speaker 1: What's the biggest obstacle being a black female director? Who?

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Speaker 1: The biggest obstacle to me is like being respected. You know, Um,

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Speaker 1: working in a male dominant industry is hard for females

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Speaker 1: to be respected because they look at us like, oh,

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Speaker 1: you're a woman, you don't know what you're talking about.

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Speaker 1: Oh just go sit over there. Oh you don't know

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Speaker 1: nothing about this camera, you don't know anything about this land,

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Speaker 1: you know. But really, like a woman, if we want

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Speaker 1: to learn something, we're gonna like go above and beyond

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Speaker 1: to study and know about it. So like working in

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Speaker 1: this industry a lot of times. You know, I used

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Speaker 1: to get overlooked at because I was a female, you know,

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Speaker 1: but so I had to work ten times harder than

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Speaker 1: a male to be respected. So I feel like the

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Speaker 1: respect thing to me is so important when it comes

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Speaker 1: to like working in this dominant male industry. You gotta like,

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Speaker 1: as a woman, just talking to other female creators out there,

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Speaker 1: you just have a you gotta have a tough skin.

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Speaker 1: You gotta have tough skin. You can't say things personal.

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Speaker 1: You know, it's gonna be time that you know you're

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Speaker 1: gonna work on something and somebody's gonna say they don't

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Speaker 1: like it just because they want to hurt your feelings.

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Speaker 1: But you gotta be tough, like you gotta. You gotta

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Speaker 1: stick to your vision. If you see something, you just

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Speaker 1: gotta go after it. And just everything else around. You

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Speaker 1: should be a blur. And that's what I did. When

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Speaker 1: you're coming from like music videos, named some of the

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Speaker 1: people that you did music videos. I've directed music videos

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Speaker 1: for a Little Baby, I directed music videos for Future,

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Speaker 1: I've directed music videos for the Vito. I directed a

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Speaker 1: music video for Chris Brown um Ship. So yeah, Gotti,

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Speaker 1: I was saying, you know what I'm saying like you

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Speaker 1: feel me, you feel me like yo, yeah yeah, because

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Speaker 1: my guy man, I'm excited about continue to work with

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Speaker 1: him in general. So um yeah, I don't did a

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Speaker 1: lot of people why jumping into film and how hard it? Like,

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Speaker 1: how hard is it to transition into doing the film

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Speaker 1: because now you're looking at something that's three minutes or

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Speaker 1: something that's an hour longer. When I tell you the

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Speaker 1: process we shot this movie with last year. Yeah, we

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Speaker 1: shot it August of last year. The process of making

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Speaker 1: a movie, it's a process, you know, because you gotta

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Speaker 1: think about the pre production side. First, you gotta worry

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Speaker 1: about the casting, making sure you cast the right people.

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Speaker 1: And then you gotta look at the locations. You gotta

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Speaker 1: look at permits, you gotta it's just so so much

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Speaker 1: that goes into like creating a movie. And the hardest

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Speaker 1: part is the post production when it comes to editing movie.

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Speaker 1: So I would say, like you just gotta have patience

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Speaker 1: and you gotta make sure you hire the right people

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Speaker 1: around you. That's not looking at the dollar, but looking

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Speaker 1: at the art first, because the money gonna come, you

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Speaker 1: gotta look at the art first, you know. So the

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Speaker 1: process of that from music videos, into sam patients was

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Speaker 1: just a passion. Like when did you first pick up

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Speaker 1: a camel? Yoh, that's so crazy, Like I first pick

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Speaker 1: up a camera when I first moved to America. I

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Speaker 1: moved to America when I was thirteen years old, you

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Speaker 1: know Haiti. Yeah, so I grew up in Haiti. You know,

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Speaker 1: I grew up very poor and you know, third world country,

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Speaker 1: So I never had TV. I never had nothing, you know.

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Speaker 1: So I was like one of those kids used to

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Speaker 1: be running the street with nothing, just eating out the

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Speaker 1: trash who was poor. So when I moved here in Miami.

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Speaker 1: I moved to Miami, and I remember like seeing a TV.

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Speaker 1: I was just so shocked. I was like, what is that?

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Speaker 1: And it was just looking at me so weird. But

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Speaker 1: it's like my whole childhood, I've never seen the TV.

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Speaker 1: And I remember like my little brother was watching Barney

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Speaker 1: and I was like, what is this, you know, And

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Speaker 1: I was just so amazed with it because it's a kid,

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Speaker 1: you know, being homeless, like running in the street of

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Speaker 1: Haiti and just seeing lights coming through people's houses because

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Speaker 1: we stay in the hut. So it's like when I'm

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Speaker 1: seeing like people houses lights coming through, they through the

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Speaker 1: windows at night. I used to wonder, like what is

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Speaker 1: that light? Like what is that light? So moving to

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Speaker 1: America is seeing that light. I'm like, man, I want

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Speaker 1: to be that person behind the TV. So like since

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Speaker 1: then I said that, And I remember when I said

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Speaker 1: that to my mom and she barely speak English. She

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Speaker 1: said what you want to be? What? And I was like,

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Speaker 1: I want to, I want to I want to do

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Speaker 1: this and she said, oh, no, no, You're gonna go

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Speaker 1: be a ner us. I said, nerves, but is no,

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Speaker 1: I want to do this. And I remember like I

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Speaker 1: used to go to the flea market, like helping her

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Speaker 1: like sell products in the flea market, and she used

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Speaker 1: to pay me and I purchased the camera, you know.

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Speaker 1: And when I purchased the camera, and I just started

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Speaker 1: being a photographer. And I've just been going that's what

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Speaker 1: I wanted to do. I wanted to be that person

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Speaker 1: behind the television. So coming like coming from from that

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Speaker 1: and coming from like the way that you were brought

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Speaker 1: up over in Haiti, does that make you appreciate the opportunities? Yes, yes, yes,

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Speaker 1: I'm very like I'm very humble, you know, like every

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Speaker 1: opportunity I get, I always say thank you. Because where

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Speaker 1: I'm from, like even when I go back home, like

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Speaker 1: the neighborhood, When I go home, it's like a big

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Speaker 1: celebration because like I literally grew up very poor, you know.

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Speaker 1: So when I go home, you know, my country, they

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Speaker 1: support me. You know. Two years ago, White Cleft gen

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Speaker 1: like he called me. He was like, hey, that's great,

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Speaker 1: and I was so shocked because he's a legend in

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Speaker 1: my country and he was like, you know, you hate

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Speaker 1: these first female Haitian director. So he's like, I'm a

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Speaker 1: sup tourt you whatever you're doing, Like I got your back,

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Speaker 1: you know. So like just having that support because it's

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Speaker 1: like at the end of the day, like we don't

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Speaker 1: get that type of supporting Haiti, you know, like the

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Speaker 1: kids they don't have toys, they don't have nothing, you know.

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Speaker 1: So like every time, like I get obstacles and things

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Speaker 1: start getting hard, I think about moments when I was

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Speaker 1: a child. Things I went through as a child is

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Speaker 1: harder than what I'm going through right now. So that's

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Speaker 1: what motivates me to keep going. J you're making a

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Speaker 1: transition from from being an artist to being an actor.

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Speaker 1: To tell us a little bit about what's spart that. Um,

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Speaker 1: I think I always I mean, I've been acting for years,

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Speaker 1: but of course you met me. Music was the first passion.

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Speaker 1: But I've always been just in an entertainment period. Um.

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Speaker 1: It started like I started doing movie extra stuff. And

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Speaker 1: the reason I started doing that originally was to like

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Speaker 1: promote my music. Um, you know, I've just seen it

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Speaker 1: like okay, you go on the movies, said it's gonna

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Speaker 1: be all these people. It's probably rich people. You know.

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Speaker 1: That was like my mindset, Like there's gonna be directors,

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Speaker 1: they're gonna be potential investors. So when I started doing film,

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Speaker 1: it was just more so to promote my music. And

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Speaker 1: then I really found a passion for it and um

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Speaker 1: and I love for it and I was doing both,

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Speaker 1: so I always kind of went back and forth, and

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Speaker 1: then they started just started going like this, and um,

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Speaker 1: then the first movie All Eyes on Me, I played

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Speaker 1: played Who's saying Fatal Outlaws? And that was where I

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Speaker 1: got my sad card and I was like, all right,

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Speaker 1: I'm at the door now for sure, you know what

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Speaker 1: I mean. And then I started really pushing and then

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Speaker 1: a lot of opportunities just been coming and roll after

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Speaker 1: roll after role. Do you see do you see um

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Speaker 1: the act then like moving in a moving like in

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Speaker 1: front of your life before music. So I love acting

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Speaker 1: and I love music and I don't care which one

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Speaker 1: go first, because I really love him. It's like when

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Speaker 1: people ask me, they're like, what do you love more?

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Speaker 1: I'm like, if you had a son and the daughter,

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Speaker 1: who would you love more? You know what I mean?

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Speaker 1: You love your son because he looked like you, and

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Speaker 1: he played football and he would protect or do whatever,

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Speaker 1: and he like a many you. But then you love

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Speaker 1: your daughter because she's sweet, because she she adore you.

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Speaker 1: She it's so many different, you know things. So I

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Speaker 1: look at I look at it like that. It's like

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Speaker 1: playing or like Deon Sander's playing two sports are playing

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Speaker 1: both ways while receiver, cornerback whatever. Like That's how I

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Speaker 1: look at music and film. So I love them both

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Speaker 1: and I don't care what go first, and I just

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Speaker 1: keep going. Which one you think is the easier to do?

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Speaker 1: I think music is easier, um, because it's not as

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Speaker 1: much like film is. Like it's like you have to

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Speaker 1: read your lines, you have to study the lines, you

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Speaker 1: have to be that character depending on the road to UM.

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Speaker 1: So I feel like music is easier because it's more natural,

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Speaker 1: like you do it and you can throw it out.

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Speaker 1: It's not as much pressure. I don't feel like as

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Speaker 1: it's like film because people like, all right, like a director,

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Speaker 1: you read that script like like nope. So it's yeah,

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Speaker 1: that's what I would saying that you could have done

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Speaker 1: a movie about anything in the world. You could have

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Speaker 1: any topic in the world, but you decided to do

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Speaker 1: one about a young mixed girl. Why is that man

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Speaker 1: mixed girl? You know? The reason why I wanted to

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Speaker 1: do a movie about that topic because a lot of

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Speaker 1: times I feel like when it comes to a person

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Speaker 1: being mixed, you know, we no offense to no colors.

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Speaker 1: You know, I see a lot of about the black woman, right,

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Speaker 1: so then what about the mixed girl? You know, what

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Speaker 1: about the girl that's stuck in between both where she's

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Speaker 1: Caucasians also she's black, you know, so how's that experience

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Speaker 1: for her in her household? Is she accepted from the

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Speaker 1: other side? Do they treat her different because she doesn't

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Speaker 1: look like her other siblings? That might be both sides,

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Speaker 1: you know. So I wanted to touch on that topic

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Speaker 1: because that's a topic that's not being discussed, you know. So, um,

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Speaker 1: Mixed Girl is just basically about a girl. Her mother

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Speaker 1: is white and her father is black, and she never

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Speaker 1: met the father because the mother, you know, she met

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Speaker 1: the father at a college party. They kicked it off

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Speaker 1: and she end up getting pregnant and and he ended

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Speaker 1: up giving her money have abortion, but she wanted to

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Speaker 1: suck it off and go turn up, so she lied

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Speaker 1: to the father. So now you have this black man

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Speaker 1: that don't know that he have a kid, you know,

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Speaker 1: don't know nothing about this child. So now you have

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Speaker 1: this mother that grew up in the South in a

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Speaker 1: small town that's not accepted, you know, being with a

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Speaker 1: black man. So now she have a kid. Her mom

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Speaker 1: just owned her and she got to raise her white

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Speaker 1: son and her mixed daughter in this small town. So

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Speaker 1: it's like this little girl, she's going through a lot

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Speaker 1: of different change because number one, she don't know who

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Speaker 1: she is because everything that's around her is one color,

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Speaker 1: you know. And then she's getting picked on. And then

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Speaker 1: you have this white brother that want to protect his

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Speaker 1: sister because he knows his sister is different, but he

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Speaker 1: feels someway because it's like why you, why you? Why

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Speaker 1: you look so different from me? Why why am I

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Speaker 1: being bullied, like why we can't be you know. So

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Speaker 1: it's like that topic is so important because a lot

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Speaker 1: of mixed p go through racist issues, you know, they

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Speaker 1: go through that, or they might not be light enough,

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Speaker 1: you know, or they hair texture might not be straight enough.

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Speaker 1: You know. So I wanted to talk. I wanted to

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Speaker 1: touch on something that's going to create a conversation piece

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Speaker 1: for a change. You know. So everything that me as

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Speaker 1: a director that I want to bring to light is

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Speaker 1: like topics that people are scared to talk about, and

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Speaker 1: let's just bring it out to the light and let's

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Speaker 1: discuss it. So Jung who played different characters for real,

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Speaker 1: he had to play a younger version of himself, which

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Speaker 1: is a twenty year old wild and then he had

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Speaker 1: to play the older version himself, the successful black man

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Speaker 1: that didn't know that he had a child out somewhere,

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Speaker 1: you know. So it was an interesting thing. But one

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Speaker 1: thing I can say about j Young, like he he's

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Speaker 1: very talented because playing two different roles, like you have

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Speaker 1: to really focus on that, you know, especially being young

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Speaker 1: and going too old. You know. So, um, you guys

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Speaker 1: just gonna have to see mixed girl man like yeah,

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Speaker 1: which brings us to our next question, how can everybody

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Speaker 1: see Mixed Girl? So right now, Mixed Girl is going

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Speaker 1: to be streaming at all the film festivals. First, you know,

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Speaker 1: we have a lot of different deals on the table

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Speaker 1: right now, so you know how business gold who ever

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Speaker 1: talked the biggest talk you know, So it's pretty soon

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Speaker 1: you guys are gonna be seeing it. But meanwhile, we're

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Speaker 1: gonna do another screening in certain areas, so you just

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Speaker 1: gotta follow us, you know, the Mixed Girl film, to

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Speaker 1: just get all the updates of the screaming private screaming

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Speaker 1: that we're gonna be doing until it gets to where

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Speaker 1: it needs to go television wise. And you already got

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Speaker 1: your next films playing out already. Yeah, it was a

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Speaker 1: little you gotta do with this big facts you But

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Speaker 1: all I know is I have my star right here. Yeah,

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Speaker 1: and we haven't talked yet, but I don't want you

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Speaker 1: any because the you'll be doing your thing, I was

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Speaker 1: selling Dre that, so I was like, Dre, you think

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Speaker 1: you'll be down, you know so so so you'll be

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Speaker 1: doing your thing. I just love how I came in

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Speaker 1: your last screening, and I just love how you just

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Speaker 1: like so dedicated to everything that you do, Like everything

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Speaker 1: that you do you so focus on like she hasn't

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Speaker 1: worked with that's great like that. So I'm about a

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Speaker 1: challenge that ship together. But look now we need all

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Speaker 1: of that. But I can't. I can't. I can't give

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Speaker 1: you the steed we need one. So the next project

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Speaker 1: is gonna be like major, major major. I'm super super

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Speaker 1: excited about it. We actually got to start getting to

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Speaker 1: casting for a very very soon. So I'm just here, man,

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Speaker 1: it's just just just the beginning. Get you to my name.

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Speaker 1: That's great, a going nowhere, getting started when I get

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Speaker 1: big Usually what was saying and rapping, like what what

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Speaker 1: do you wanna? What game do you want to get

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Speaker 1: to the people? But I want you to give some

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Speaker 1: game to our videographer, Cash directs clear Chris, what kind

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Speaker 1: of game would you give Cash as a young black

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Speaker 1: woman coming up in this game behind the camera? You know,

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Speaker 1: first thing first, like I acknowledge that you was taking

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Speaker 1: your time, paying attention to all details. I was like, okay,

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Speaker 1: she paid attention to details. So you know, being a

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Speaker 1: being a director, this is what you want to do.

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Speaker 1: Just know that you're gonna have so many different obstacles

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Speaker 1: like so many, so many different obstacles. But first cash,

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Speaker 1: you gotta stick to your vision. You know, like whatever

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Speaker 1: your vision is, whatever you're trying to create, make sure

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Speaker 1: you create you a strong team around you, because you

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Speaker 1: can't do it by yourself. You know, a lot of

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Speaker 1: the mistakes that I see directors made, like just growing

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Speaker 1: up and just watching them, they get greedy and they

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Speaker 1: just always wanted that just that one spot like that

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Speaker 1: I could do it by myself. Have a team around you,

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Speaker 1: and make sure that whatever you see, don't let nobody black. Oh,

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Speaker 1: now we can do it this way. Be like funk

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Speaker 1: that we're doing it this way. Direct the game. That

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Speaker 1: sound already there? You see that. I can't wait. I'm

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Speaker 1: gonnakiss the next streaming and I'm gonna be in the

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Speaker 1: next movie for show. I ain't even gonna I know

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Speaker 1: the name of the movie and I know it's about

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Speaker 1: but I ain't gonna see it. Yeah, ye, locked in,

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Speaker 1: that's what it is. We appreciate you. Pull it up.

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Speaker 1: Anything you want to say to the big Facts supporters,

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Speaker 1: you know what I'm saying. Any other endeavors if you

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Speaker 1: want to, you know, now's the time to let everybody

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Speaker 1: know what's going down. First of all, thank you for

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Speaker 1: having us. You know, I know you for years. You

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Speaker 1: a legend, you a legend, you a legend. Thank you.

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Speaker 1: I just met you, but anybody, everybody legend. Thank you

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Speaker 1: for having us. Definitely, Uh, we can't wait to everybody

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Speaker 1: see this makes a girl project. This is a very

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Speaker 1: very um necessary project from a very great director. And um,

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Speaker 1: I can't wait to everybody really lay their eyes on it.

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Speaker 1: We're gonna have screenings in different cities. L A coming soon, um,

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Speaker 1: Miami as well, right, and yeah, this is New York.

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Speaker 1: And then we definitely got be in every film festival.

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Speaker 1: And if anybody out there looking at have a film

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Speaker 1: festival or anything like that, make sure you'll reach out

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Speaker 1: to us too if you want to do screening. So

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Speaker 1: the best way to get at us D there's gray

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Speaker 1: that's my Instagram, or you can follow us on the

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00:18:31,520 --> 00:18:35,040
Speaker 1: page and that's Mixed Girl Film, or you can go

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Speaker 1: to ww dot Mixed Girl Screening dot com. It's information

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00:18:41,320 --> 00:18:43,199
Speaker 1: that's all you need. Or you can Hill at the

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Speaker 1: Big Boss Dre. Yeah yeah, yeah, yeah, yeah yeah that

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00:18:51,400 --> 00:18:55,399
Speaker 1: money told you hill D. We appreciate you put on

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Speaker 1: our game for sure. I Appreciate you all for having

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Speaker 1: us for a family anytime. It's love. Yeah, you a legend,

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Speaker 1: you a legend, you we legend legendary episode Black Excell said,

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Speaker 1: project to It's done. Yeah yeah, we locked it all right.

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Speaker 1: Triple W Dot Big Facts Pot dot Com Salute, Salute

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Speaker 1: the whole truth and nothing but the Truth. A lot

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Speaker 1: of first class sounds is DJ Scream, Big Big Baby

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Speaker 1: j Special guests today A Big Facts the cast from

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Speaker 1: the Detroit Dreams Movies, Detroit Dreams Movie, We got Smoked,

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Speaker 1: our new you'll introduced the whole game. Welcome to Big Facts.

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Speaker 1: What's going on, everybody? Man, Thank you for having this man,

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Speaker 1: what's up? What's up? Appreciate you all pulling up, looking

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Speaker 1: forward to a great conversation today. So before obviously we're

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Speaker 1: gonna get really deep into your movie, but let's just

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Speaker 1: talk about how the state of I guess, independent black

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Speaker 1: films or black movies has changed, because you know, like

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Speaker 1: in the nineties, yea, so many classes you can help

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Speaker 1: me name them. You have f they boys in the hood,

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Speaker 1: menister society, Jones. And then we started to see some

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Speaker 1: of the rappers make classics like uh I got to

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Speaker 1: hook up paid in full and all that type of

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Speaker 1: ship about it. There you go bit classes right, and

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Speaker 1: then we fast forward to like I don't know, some

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Speaker 1: past the two thousand's and same like that aren't kind

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Speaker 1: of just faded and we don't see as many like

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Speaker 1: people are still doing black films, independent black films, but

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Speaker 1: they're not as huge as they used to be. So why,

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Speaker 1: I guess my first question is why do y'all think

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Speaker 1: that is? And how are y'all trying to continue their legacy? Well,

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Speaker 1: I think from the standpoint of black movie making, I

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Speaker 1: think it chilled for a minute because we was always

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Speaker 1: getting screwed. You know, it's being a filmmaker. I think

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Speaker 1: this is like my eighth movie. So I've been through

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Speaker 1: the through the through the ranger. Where we sell a

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Speaker 1: movie or we spend fifty thousand, hundred thousand, it's just

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Speaker 1: being a small budget film. And then we give it

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Speaker 1: to this white company that said we're gonna give you this,

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Speaker 1: give you this, but only take this ten thousand now

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Speaker 1: because you're gonna make this, and then you never see

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Speaker 1: a check again. They just seen you along ex sales

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Speaker 1: spreadsheet that says, yo, you still owe us. You know what,

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Speaker 1: I mean, and that was just a real frustrating thing

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Speaker 1: for filmmakers, which had us like stagnant for a minute,

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Speaker 1: you know what I mean. But now it's changing something

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Speaker 1: like platforms are streaming Hill kind of make it easier

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Speaker 1: to bring it back because basically you eat what definitely

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Speaker 1: to be shout out to be, ron of applause to

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Speaker 1: to be, because to Be is the black Netflix. It's

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Speaker 1: free for everybody. Everybody black that and downloaded it so

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Speaker 1: they sit and watch it is free, and it gives

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Speaker 1: the filmmakers a chance to put their movie up and

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Speaker 1: not had these huge white companies. They only got an aggregator,

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Speaker 1: so they only you only got to give to an

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Speaker 1: aggregator and they give you the rest of the money

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Speaker 1: versus before you might take ten thousand from a company

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Speaker 1: and they're telling you, like, bro, you know, we're gonna

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Speaker 1: keep your joint. We're gonna keep it for like ten years,

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Speaker 1: thirteen years, and you never get a dollar again. So

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Speaker 1: that was very very messed up. This does out of

427
00:21:58,800 --> 00:22:02,440
Speaker 1: man screening Me and Finesse. Yes, well, Finesse was a

428
00:22:02,440 --> 00:22:04,800
Speaker 1: little different screen Media, So we did a deal with

429
00:22:04,880 --> 00:22:08,439
Speaker 1: screen Media, the same people that put out Snowing the Bluff, right,

430
00:22:08,920 --> 00:22:10,560
Speaker 1: A lot of people don't know Snowing the Bluff only

431
00:22:10,640 --> 00:22:13,320
Speaker 1: got paid eight thousand dollar advancement, right, and it made

432
00:22:13,400 --> 00:22:15,600
Speaker 1: all of that huge money, and they didn't make their

433
00:22:15,640 --> 00:22:18,320
Speaker 1: money back. I mean the actors, Curtis Snow you see

434
00:22:18,359 --> 00:22:20,040
Speaker 1: what's going on like, they didn't see no money. They

435
00:22:20,080 --> 00:22:22,600
Speaker 1: got eight thousand dollar advancement. We got the same type

436
00:22:22,640 --> 00:22:24,320
Speaker 1: of deal, you know what I mean, Light Scaring help

437
00:22:24,600 --> 00:22:26,520
Speaker 1: put that one together, and we put all of the

438
00:22:26,600 --> 00:22:28,879
Speaker 1: money in and they gave us twenty four thousand dollars

439
00:22:29,000 --> 00:22:31,880
Speaker 1: as an advancement. Now, people of this work, they gave

440
00:22:31,960 --> 00:22:35,159
Speaker 1: us twenty four tho as an advancement. We spent twenty

441
00:22:35,280 --> 00:22:38,320
Speaker 1: four thousand on the premiere, right, they gave us twenty

442
00:22:38,359 --> 00:22:41,560
Speaker 1: four thousand on the contingency that Red Box was gonna

443
00:22:41,680 --> 00:22:44,800
Speaker 1: buy thirty thousand copies or some stuff like that. Right

444
00:22:45,200 --> 00:22:47,080
Speaker 1: then they turned around and say, well, they didn't buy that,

445
00:22:47,200 --> 00:22:50,920
Speaker 1: but Netflix licensed it for twenty five thousand. So we said,

446
00:22:50,960 --> 00:22:55,000
Speaker 1: we're cool. At least we recoup that, right. No, uh,

447
00:22:55,400 --> 00:22:58,040
Speaker 1: Walmarts sold out eight hundred and sixty six stores of

448
00:22:58,119 --> 00:23:01,760
Speaker 1: Walmarts sold it out right Sears all of these online

449
00:23:01,840 --> 00:23:04,600
Speaker 1: best by sold it out. I literally got a statement

450
00:23:04,680 --> 00:23:08,080
Speaker 1: skin to tell you, um, well, how how long is

451
00:23:08,119 --> 00:23:09,600
Speaker 1: that skin? That we was on the phone with them

452
00:23:09,640 --> 00:23:12,640
Speaker 1: and they said, we still owe sixteen hundred dollars. Yeah,

453
00:23:12,720 --> 00:23:15,360
Speaker 1: three months ago the company said, we still owe sixteen

454
00:23:15,440 --> 00:23:17,800
Speaker 1: hundred dollars on Birds of a Feather Part one. We

455
00:23:17,880 --> 00:23:21,320
Speaker 1: owe them that after, you know, after it was just

456
00:23:21,440 --> 00:23:24,040
Speaker 1: a remarkable movie for the side, you know what I mean. Man,

457
00:23:24,119 --> 00:23:27,959
Speaker 1: they sent you this long Excel spreadsheet till you got

458
00:23:28,040 --> 00:23:31,359
Speaker 1: all of these returns. You had this, They spent this,

459
00:23:31,640 --> 00:23:33,520
Speaker 1: They spent satus like, well, we never told you to

460
00:23:33,600 --> 00:23:36,160
Speaker 1: spend that, and why y'all lying, y'all capping. So it's

461
00:23:36,160 --> 00:23:39,240
Speaker 1: just basically, as filmmakers, we never could know how much

462
00:23:39,280 --> 00:23:42,560
Speaker 1: a movie generated. We never could know because they could

463
00:23:42,560 --> 00:23:45,600
Speaker 1: tell us whatever. So it's literally like they told me

464
00:23:46,440 --> 00:23:47,720
Speaker 1: a skin to tell you. I was on the phone.

465
00:23:47,760 --> 00:23:49,160
Speaker 1: I said, MA, I'm about to kill all y'all. I'm

466
00:23:49,680 --> 00:23:51,719
Speaker 1: I'll be in New York. It's whatever, bitch, I'm I'm

467
00:23:51,760 --> 00:23:54,000
Speaker 1: about to do something. And he telling me, Bro calm down.

468
00:23:54,080 --> 00:23:57,360
Speaker 1: And and what's so crazy about it is the attorney

469
00:23:57,600 --> 00:24:01,480
Speaker 1: that I had go get the sixteen hunted when we

470
00:24:01,560 --> 00:24:04,280
Speaker 1: got the sixteen hundred. The attorney said, hey, man, you

471
00:24:04,400 --> 00:24:11,879
Speaker 1: all me that. I said, motherfucker bad didn't tell you.

472
00:24:12,720 --> 00:24:15,600
Speaker 1: You know. The thing with Finess for Next was my baby.

473
00:24:15,720 --> 00:24:17,320
Speaker 1: I really thought we was gonna do something with that.

474
00:24:17,680 --> 00:24:20,119
Speaker 1: I took it to the distributors. They hurt. They said, well,

475
00:24:20,160 --> 00:24:23,080
Speaker 1: you got hunky, you use fag, you said a lot

476
00:24:23,160 --> 00:24:26,720
Speaker 1: of degrading things. We can't pick it up. So I said, okay,

477
00:24:26,760 --> 00:24:28,280
Speaker 1: well let me put it on Amazon and see what

478
00:24:28,400 --> 00:24:31,040
Speaker 1: it do. To this day, it's like, okay, you know

479
00:24:31,560 --> 00:24:33,440
Speaker 1: a few thousand, you know what I mean. It's like,

480
00:24:34,000 --> 00:24:36,240
Speaker 1: you can't get no money on Amazon. So to be

481
00:24:36,440 --> 00:24:38,600
Speaker 1: is the new thing now, whereas in we can hopefully

482
00:24:38,960 --> 00:24:41,000
Speaker 1: start making money on movies, you know what I mean,

483
00:24:41,119 --> 00:24:44,680
Speaker 1: Because they're like, yo, just find your aggregator and you know,

484
00:24:44,760 --> 00:24:47,040
Speaker 1: we could do the SEV. But you still gotta be

485
00:24:47,560 --> 00:24:50,240
Speaker 1: mind for the aggregator. He might be a coper. He could.

486
00:24:50,359 --> 00:24:52,480
Speaker 1: You don't know the numbers he gonna tell you, bro.

487
00:24:52,720 --> 00:24:54,920
Speaker 1: Like I dealt with that with Finess, I gave it

488
00:24:54,960 --> 00:24:57,320
Speaker 1: to another company, a company that was out here, a

489
00:24:57,440 --> 00:24:59,160
Speaker 1: young brother that was like, new, give me a shot.

490
00:24:59,240 --> 00:25:01,280
Speaker 1: You ain't made no money. His name was Trey, I

491
00:25:01,320 --> 00:25:03,200
Speaker 1: want to tell this company, but he said give me

492
00:25:03,240 --> 00:25:05,600
Speaker 1: a shot. Man like, let me distribute your movie Black

493
00:25:05,640 --> 00:25:08,480
Speaker 1: Black Black on the Black's gotta stick together. Gave him

494
00:25:08,520 --> 00:25:10,879
Speaker 1: the movie. Man. He told me it was gonna make

495
00:25:10,960 --> 00:25:13,119
Speaker 1: me ten thousand dollars a month. I looked up at

496
00:25:13,200 --> 00:25:15,119
Speaker 1: eight months. He ain't give me a dollar. And then

497
00:25:15,160 --> 00:25:16,520
Speaker 1: I called him and said, well, bro, what do we

498
00:25:16,640 --> 00:25:18,560
Speaker 1: What do we did? He said, Bro, we did a

499
00:25:18,640 --> 00:25:20,680
Speaker 1: six hunted monne And I said, well, Bro, I don't

500
00:25:20,680 --> 00:25:22,639
Speaker 1: want to do this deal. No mo He said, no, Man,

501
00:25:22,680 --> 00:25:26,600
Speaker 1: that ain't high work. What should night on me? He said, no, Bro,

502
00:25:27,119 --> 00:25:29,040
Speaker 1: that ain't how this work. We're gonna keep your movie

503
00:25:29,119 --> 00:25:34,440
Speaker 1: found for a couple of years. I think it's this

504
00:25:34,600 --> 00:25:36,639
Speaker 1: tune too, He said, we're gonna keep your movie for

505
00:25:36,720 --> 00:25:38,560
Speaker 1: a minute. When you hear that, you know some ship

506
00:25:38,720 --> 00:25:40,639
Speaker 1: might need to redo a cover on it. How we

507
00:25:40,720 --> 00:25:43,560
Speaker 1: get smoking the movie? So you know, I learned a lot.

508
00:25:43,680 --> 00:25:45,280
Speaker 1: So I had to come and get my squad for

509
00:25:45,359 --> 00:25:48,320
Speaker 1: my Detrade squad and do something different. How would get

510
00:25:48,400 --> 00:25:53,480
Speaker 1: the blush smoking the movie? Man? Man Detroit Dre Just

511
00:25:53,600 --> 00:25:56,639
Speaker 1: to be honest with you, shid y'all, can hear me

512
00:25:56,960 --> 00:26:01,040
Speaker 1: over there to be honest with you, said, Oh, he

513
00:26:01,119 --> 00:26:03,360
Speaker 1: didn't see the vision, like he believing me some much

514
00:26:03,680 --> 00:26:06,920
Speaker 1: high skiing fans. I'll call them folks if you know

515
00:26:06,960 --> 00:26:10,040
Speaker 1: what I'm saying. But he's like, man, I see it

516
00:26:10,119 --> 00:26:12,960
Speaker 1: in you. You got potential to go bigger and do

517
00:26:13,119 --> 00:26:17,280
Speaker 1: bigger things. Like it's time for you to do something different.

518
00:26:17,359 --> 00:26:19,520
Speaker 1: You know what I'm saying. I found a different avenue

519
00:26:19,560 --> 00:26:21,639
Speaker 1: because it's a lot of ways to you know what

520
00:26:21,680 --> 00:26:23,600
Speaker 1: I'm saying, to take your brand to the next level.

521
00:26:24,000 --> 00:26:26,920
Speaker 1: What's your background? Give us your background for you know,

522
00:26:27,520 --> 00:26:30,359
Speaker 1: I'm a party remoter from Detroit, number one party, from

523
00:26:30,680 --> 00:26:33,359
Speaker 1: one party from Detroit. You know what I'm saying, to

524
00:26:33,440 --> 00:26:37,240
Speaker 1: collab with a lot of people with the Ultimate Black Party,

525
00:26:37,320 --> 00:26:42,080
Speaker 1: the Ultimate White Party. Um. We did Summer jaff last year. Me,

526
00:26:42,320 --> 00:26:47,360
Speaker 1: Freddy and my huncle Cat Skins partnered with We did.

527
00:26:47,760 --> 00:26:53,159
Speaker 1: I did Atlanta Weekend here me Pad, I was with

528
00:26:53,280 --> 00:26:56,560
Speaker 1: you too. Thanks. I did a lot of little ship

529
00:26:56,600 --> 00:26:59,159
Speaker 1: and then I did it. Um. You know, I do

530
00:26:59,240 --> 00:27:04,600
Speaker 1: a lot of ship. You know, I do a lot

531
00:27:04,640 --> 00:27:07,359
Speaker 1: of ship. Miami. We did be in the Boss Weekend.

532
00:27:07,440 --> 00:27:09,280
Speaker 1: We did a whole bunch of things. You know what

533
00:27:09,320 --> 00:27:12,320
Speaker 1: I'm saying, but we got a chance, and I met

534
00:27:12,320 --> 00:27:13,880
Speaker 1: a lot of great people. You know what I'm saying

535
00:27:13,960 --> 00:27:18,359
Speaker 1: by this traveling going state to state and with this

536
00:27:18,520 --> 00:27:21,640
Speaker 1: movie ship, see it, I ain't like when they're carking

537
00:27:21,680 --> 00:27:25,960
Speaker 1: with this ship like you ways about to be in

538
00:27:26,000 --> 00:27:28,840
Speaker 1: the movie. I was like, what he's like, Man, you

539
00:27:28,880 --> 00:27:30,880
Speaker 1: about to be in the movie. We get ship? Else

540
00:27:31,160 --> 00:27:34,200
Speaker 1: you about to do a movie? What you got going on?

541
00:27:34,440 --> 00:27:38,440
Speaker 1: Drop everything I got you. Let's live it out with

542
00:27:38,640 --> 00:27:47,800
Speaker 1: that Jinkie light skiing fields hap honest with you, Nuke

543
00:27:48,400 --> 00:27:50,560
Speaker 1: Luke like he takes you know, he takes pride. You

544
00:27:50,600 --> 00:27:52,800
Speaker 1: know what I'm saying about what he do. You know

545
00:27:52,840 --> 00:27:54,600
Speaker 1: what I'm saying, He is joy doing this ship. And

546
00:27:54,680 --> 00:27:57,359
Speaker 1: he pushed me like crazy, like man, listen, man, this

547
00:27:57,400 --> 00:27:59,320
Speaker 1: ship is gonna be real. You know what I'm saying.

548
00:27:59,720 --> 00:28:02,119
Speaker 1: He he ain't know me as well, so he's like, man,

549
00:28:02,240 --> 00:28:04,560
Speaker 1: you shore this motherfucking He saw me and look like

550
00:28:05,160 --> 00:28:07,280
Speaker 1: this motherfucker ain't gonna take this ship serious? Like this

551
00:28:07,400 --> 00:28:09,119
Speaker 1: didn't get too much of the ship going on. But

552
00:28:09,680 --> 00:28:11,880
Speaker 1: you know, when I take my time out and people

553
00:28:11,920 --> 00:28:13,680
Speaker 1: believe in me, you know what I'm saying, I'll be

554
00:28:13,720 --> 00:28:16,880
Speaker 1: trying to actually like put the work in and give

555
00:28:16,920 --> 00:28:19,720
Speaker 1: them what they're expecting or do what they're expecting me

556
00:28:19,800 --> 00:28:21,159
Speaker 1: to do. You know what I'm saying, because I know

557
00:28:21,280 --> 00:28:24,159
Speaker 1: that the opportunity there and it could be bigger than

558
00:28:24,200 --> 00:28:25,880
Speaker 1: what it really is. You know what I'm saying. Then

559
00:28:25,880 --> 00:28:28,520
Speaker 1: I saw your crazy as you called smoke big code

560
00:28:28,560 --> 00:28:32,880
Speaker 1: up there for the boom, y'all. Like I gotta be serious. Yeah,

561
00:28:33,119 --> 00:28:34,719
Speaker 1: but you know what I'm saying, thinking something you can

562
00:28:34,800 --> 00:28:36,639
Speaker 1: you can you can see yourself doing in the future though,

563
00:28:37,400 --> 00:28:39,440
Speaker 1: Hell yeah, because I know if I liked it with

564
00:28:39,520 --> 00:28:41,240
Speaker 1: the jeky fans, I know what it's gonna be like

565
00:28:44,680 --> 00:28:47,200
Speaker 1: and the real Yeah, we had a great time though.

566
00:28:47,240 --> 00:28:50,320
Speaker 1: But other than that, man, I just appreciate the opportunity

567
00:28:50,520 --> 00:28:52,600
Speaker 1: that you know what I'm saying, God keep it in

568
00:28:52,720 --> 00:28:54,400
Speaker 1: to me, you know what I'm saying to my people

569
00:28:54,440 --> 00:28:56,720
Speaker 1: believing in me and my support system is just so

570
00:28:56,840 --> 00:29:00,600
Speaker 1: strong from the streets, from everywhere, you know, said everybody

571
00:29:00,640 --> 00:29:02,720
Speaker 1: believe in me, they won't be keep going and keep pushing.

572
00:29:03,240 --> 00:29:05,840
Speaker 1: So I just try to take anything serious and be

573
00:29:06,400 --> 00:29:07,719
Speaker 1: you know what I'm saying, be there when I need

574
00:29:07,800 --> 00:29:09,320
Speaker 1: to be there. You know what I'm saying, the movie

575
00:29:09,400 --> 00:29:11,840
Speaker 1: seem like like like y'all kind of unifying the truck,

576
00:29:12,000 --> 00:29:14,040
Speaker 1: Like I see a lot of people in the film though,

577
00:29:14,480 --> 00:29:16,360
Speaker 1: h yeah, a lot of different people in that film.

578
00:29:16,480 --> 00:29:19,000
Speaker 1: So the movie really like the movie really just based

579
00:29:19,040 --> 00:29:21,800
Speaker 1: on the promoter out of Detroit that's entering the rap

580
00:29:21,880 --> 00:29:24,040
Speaker 1: game trying to blow a sitting there, you know what

581
00:29:24,080 --> 00:29:26,240
Speaker 1: I'm saying. So you know the type of the ship

582
00:29:26,400 --> 00:29:29,680
Speaker 1: dealing with the street ship. So I wouldn't gotta nigg

583
00:29:29,800 --> 00:29:32,560
Speaker 1: that serious from the other side of the time, and

584
00:29:32,640 --> 00:29:34,920
Speaker 1: you know you've got some neighborhood niggas that's wrapping you know,

585
00:29:35,120 --> 00:29:39,120
Speaker 1: just like nowadays, like my ass about it. So me,

586
00:29:39,440 --> 00:29:44,320
Speaker 1: I'm still trying to keep anything on the level side, Like, man,

587
00:29:44,360 --> 00:29:46,120
Speaker 1: I get to all this, let me work this ship out,

588
00:29:46,440 --> 00:29:50,600
Speaker 1: but everything just keep backfiring, keep backfiring. I'm then I'm

589
00:29:50,640 --> 00:29:55,840
Speaker 1: working with this crazy as nick name crazy a think

590
00:29:56,000 --> 00:29:57,840
Speaker 1: just want to keep giving give you a little paper,

591
00:29:57,920 --> 00:29:59,640
Speaker 1: but don't want to give you all My mother da

592
00:30:03,320 --> 00:30:09,800
Speaker 1: call me to play. Yeah you did that too, You

593
00:30:09,920 --> 00:30:13,240
Speaker 1: did that. What's crazy though, is um When I originally

594
00:30:13,280 --> 00:30:16,320
Speaker 1: wrote this movie, I thought about crush grew. That was

595
00:30:16,400 --> 00:30:20,000
Speaker 1: my initial thought. About crushing. Yeah, because I felt like Detroit,

596
00:30:20,120 --> 00:30:22,240
Speaker 1: how we're moving right now? It's my time. So y'all

597
00:30:22,320 --> 00:30:24,360
Speaker 1: know me. So, y'all remember when I moved down here

598
00:30:24,680 --> 00:30:26,880
Speaker 1: ten years ago, like eleven years ago, just working with

599
00:30:27,000 --> 00:30:30,080
Speaker 1: Za and doing whatever I can. But I left Detroit

600
00:30:30,160 --> 00:30:31,959
Speaker 1: at the moment where I was really doing a lot

601
00:30:32,040 --> 00:30:33,720
Speaker 1: of stuff and they looked at me like, how could you?

602
00:30:33,920 --> 00:30:35,680
Speaker 1: You know what I mean? So I always knew I

603
00:30:35,720 --> 00:30:38,200
Speaker 1: had to come back and do something. And just seeing

604
00:30:38,280 --> 00:30:40,840
Speaker 1: how we evolved over these years, how we're seeing T

605
00:30:41,040 --> 00:30:43,520
Speaker 1: Grizzly Foe two Dug and just cash down all our

606
00:30:43,640 --> 00:30:46,480
Speaker 1: real people. I say, it's time, But what can I do?

607
00:30:47,200 --> 00:30:49,480
Speaker 1: And I said, man, God bought me that spirit. I

608
00:30:49,480 --> 00:30:53,400
Speaker 1: got to remake a Crush group. Crush grew about somebody

609
00:30:53,440 --> 00:30:55,560
Speaker 1: who's just really trying to put the city on and

610
00:30:55,640 --> 00:30:57,960
Speaker 1: you know, it just organically came together like that. It's

611
00:30:57,960 --> 00:31:00,840
Speaker 1: a lot of movies based out of Detroit, like in

612
00:31:00,920 --> 00:31:05,840
Speaker 1: the films I'll be watching on Yeah, yeah, we got

613
00:31:05,920 --> 00:31:07,640
Speaker 1: the Detroit movies got to be on a lot, so

614
00:31:07,680 --> 00:31:10,040
Speaker 1: you can so you can imagine how for me doing

615
00:31:10,080 --> 00:31:12,160
Speaker 1: the movies with y'all and going through what I was

616
00:31:12,200 --> 00:31:15,000
Speaker 1: going through and then hearing back home all of is

617
00:31:15,600 --> 00:31:18,960
Speaker 1: they make it going cray. I'm like, wait a minute,

618
00:31:19,000 --> 00:31:21,880
Speaker 1: how did this dude? He's about seen? So I gotta

619
00:31:21,920 --> 00:31:24,080
Speaker 1: come back home and throw a hate maker, you know

620
00:31:24,120 --> 00:31:27,800
Speaker 1: what I mean? If man yeah, buffed up, shout out

621
00:31:28,000 --> 00:31:30,120
Speaker 1: the films man yeah, shout out, shout out all them

622
00:31:30,160 --> 00:31:33,240
Speaker 1: guys crazy. I just want to shout out the whole Detroit.

623
00:31:33,280 --> 00:31:35,600
Speaker 1: You know what I'm saying. Everybody came stood on business,

624
00:31:36,080 --> 00:31:38,800
Speaker 1: no show love, and everybody wanted to be in the

625
00:31:38,880 --> 00:31:40,960
Speaker 1: film like we had everybody. A matter of fact, I

626
00:31:41,080 --> 00:31:44,480
Speaker 1: want to say, recipe Swisz wanted the dudes. I don't

627
00:31:44,600 --> 00:31:48,240
Speaker 1: think he meant did sis you at the strip club

628
00:31:48,360 --> 00:31:49,960
Speaker 1: that night? I don't think you, madam. Yeah, I don't

629
00:31:50,000 --> 00:32:01,520
Speaker 1: think we got you. You're spoken like so you got this? Yeah,

630
00:32:01,640 --> 00:32:04,360
Speaker 1: Tills till so he was on the same tail. So

631
00:32:04,440 --> 00:32:06,280
Speaker 1: it's a couple of people in there that kind of

632
00:32:06,320 --> 00:32:07,680
Speaker 1: passed the way. You know what I'm saying. They ain't

633
00:32:07,680 --> 00:32:09,880
Speaker 1: gonna get a chance, but we're gonna make sure their

634
00:32:09,960 --> 00:32:13,320
Speaker 1: parents get a chance to come out and see saying

635
00:32:13,360 --> 00:32:15,120
Speaker 1: that they part. You know what I'm saying, something that

636
00:32:15,200 --> 00:32:18,600
Speaker 1: they was doing positive. You know what I'm saying. That's

637
00:32:18,640 --> 00:32:20,400
Speaker 1: what I just I just think though, like this is

638
00:32:20,480 --> 00:32:23,000
Speaker 1: just a big twenty for the whole city because they're,

639
00:32:23,120 --> 00:32:25,600
Speaker 1: like he said, the light owners right now. It ain't

640
00:32:25,640 --> 00:32:27,239
Speaker 1: just with the rap ship. It's just with a lot

641
00:32:27,320 --> 00:32:30,000
Speaker 1: of ship. And just hopefully she ain't know. Hopefully then

642
00:32:30,040 --> 00:32:32,000
Speaker 1: when this been takeoff ship, I'm gonna come back to

643
00:32:32,080 --> 00:32:37,280
Speaker 1: this and doing nothing. But but I see how you

644
00:32:37,360 --> 00:32:40,000
Speaker 1: move around each like you get love from East side.

645
00:32:40,200 --> 00:32:44,000
Speaker 1: Like how you how you managed to like keep away

646
00:32:44,040 --> 00:32:48,800
Speaker 1: from the bullshit able to just stage neutral to the

647
00:32:48,880 --> 00:32:53,160
Speaker 1: bullshit Because I'm just me and anywhere on any room

648
00:32:53,160 --> 00:32:55,120
Speaker 1: when I go in, I'm always gonna beat me. You

649
00:32:55,200 --> 00:32:57,640
Speaker 1: know what I'm saying. You ain't gotta be like no

650
00:32:58,000 --> 00:32:59,840
Speaker 1: this side and nigga that side of nigga to get

651
00:32:59,880 --> 00:33:01,840
Speaker 1: a loan and be cool with you know what I'm

652
00:33:01,880 --> 00:33:03,840
Speaker 1: saying with both sides of the field. You know what

653
00:33:03,880 --> 00:33:06,400
Speaker 1: I'm saying. I'm a mutual nigger. You know what I'm saying.

654
00:33:06,400 --> 00:33:09,440
Speaker 1: Everybody like me. I'm a genuine person and I respect everybody.

655
00:33:09,440 --> 00:33:11,240
Speaker 1: I come out respectful. You know what I'm saying. You

656
00:33:11,360 --> 00:33:14,040
Speaker 1: give respect to get respect. You know what I'm saying that,

657
00:33:14,240 --> 00:33:16,120
Speaker 1: and I don't never go in on a cricket ship.

658
00:33:16,200 --> 00:33:18,200
Speaker 1: And everybody know me. I got a good name for

659
00:33:18,280 --> 00:33:20,360
Speaker 1: where I come from, my background good and I stand

660
00:33:20,400 --> 00:33:22,440
Speaker 1: on business. You know what I'm saying. I ain't running

661
00:33:22,440 --> 00:33:26,840
Speaker 1: around playing like that gangster road. Should everybody be acting

662
00:33:26,880 --> 00:33:29,560
Speaker 1: like they're playing because if you bought that ship anyway,

663
00:33:29,640 --> 00:33:31,280
Speaker 1: you know that she gonna speak for it stuff. You

664
00:33:31,320 --> 00:33:34,000
Speaker 1: know what I'm saying. I wrote all row and I

665
00:33:34,120 --> 00:33:38,440
Speaker 1: disrespect everybody in movie respectfully. That's it. And everybody just

666
00:33:38,520 --> 00:33:41,920
Speaker 1: pun with me, you know for sure, you know what

667
00:33:41,920 --> 00:33:44,200
Speaker 1: I'm saying. I just I build my brand off just

668
00:33:44,360 --> 00:33:46,600
Speaker 1: being a real nigga, trying to be a real nigger

669
00:33:46,960 --> 00:33:49,480
Speaker 1: and not codone, no bullish it, you know what I'm saying.

670
00:33:50,080 --> 00:33:51,560
Speaker 1: And that's where it comes in there, Like when you

671
00:33:51,680 --> 00:33:55,200
Speaker 1: got when you just carry yourself that way around everybody,

672
00:33:55,240 --> 00:33:58,240
Speaker 1: and you could be yourself in any room, you're always

673
00:33:58,320 --> 00:34:01,760
Speaker 1: gonna stand out there like shit. Same she saw the movie,

674
00:34:01,800 --> 00:34:04,160
Speaker 1: what you thought when she saw the movie? And when

675
00:34:04,200 --> 00:34:06,320
Speaker 1: I saw the movie, I didn't really get a chance

676
00:34:06,360 --> 00:34:07,960
Speaker 1: to see the movie. He kind of heard some of

677
00:34:08,000 --> 00:34:10,480
Speaker 1: this ship, Like I got like a little bit of

678
00:34:10,600 --> 00:34:14,840
Speaker 1: a job and didnt you hear a little bit from me?

679
00:34:14,960 --> 00:34:18,239
Speaker 1: I got my goodness. But from what I've seen, I

680
00:34:18,360 --> 00:34:20,640
Speaker 1: did a great job from not going to act to

681
00:34:20,680 --> 00:34:23,719
Speaker 1: school and all that I said, all the ship that

682
00:34:23,840 --> 00:34:26,000
Speaker 1: people have to go through to actually be in the

683
00:34:26,080 --> 00:34:28,719
Speaker 1: movie Ship, I think I did a good job from

684
00:34:28,719 --> 00:34:30,879
Speaker 1: what I was seeing and ship. Unless he's gonna trying

685
00:34:30,880 --> 00:34:34,279
Speaker 1: to sun my amag what you're taking serious and trying

686
00:34:34,280 --> 00:34:37,320
Speaker 1: to take some classes and ship here we are, that

687
00:34:37,360 --> 00:34:39,840
Speaker 1: should makes sense to sho make dollars. Ship makes sense?

688
00:34:40,920 --> 00:34:44,359
Speaker 1: You know what? She something great. When when you're doing

689
00:34:44,440 --> 00:34:46,560
Speaker 1: something great, money gonna come with it. That's how I

690
00:34:46,640 --> 00:34:48,800
Speaker 1: feel about it, Like I ain't tripping on the money.

691
00:34:49,000 --> 00:34:52,920
Speaker 1: The money gonna be there Eventually that she gets where

692
00:34:52,960 --> 00:34:55,479
Speaker 1: they need to get, then the paper really gonna start

693
00:34:55,520 --> 00:34:58,480
Speaker 1: being what they supposed to be, you know what I'm saying. Plus,

694
00:34:58,560 --> 00:35:03,719
Speaker 1: you know we got no money problems? What about what

695
00:35:03,840 --> 00:35:06,960
Speaker 1: about like the movie? What do you do you know

696
00:35:07,040 --> 00:35:11,640
Speaker 1: if any situation that can like similar to the movie

697
00:35:11,760 --> 00:35:13,880
Speaker 1: like that in real life? Like can you can you

698
00:35:13,960 --> 00:35:17,640
Speaker 1: think of a real life situation? Yeah? Yeah, that's a

699
00:35:17,920 --> 00:35:21,200
Speaker 1: that's a it's a it's like that like we were

700
00:35:21,800 --> 00:35:25,160
Speaker 1: like before this like we had like a little rap ship,

701
00:35:25,320 --> 00:35:28,120
Speaker 1: like my brothers, my cousin, we was all doing like

702
00:35:28,520 --> 00:35:30,400
Speaker 1: a little rap ship, like we got one of the

703
00:35:30,480 --> 00:35:33,000
Speaker 1: we get the one of the biggest songs out of Detroit,

704
00:35:33,440 --> 00:35:36,320
Speaker 1: like people ain't really know like too much, but she

705
00:35:36,520 --> 00:35:38,440
Speaker 1: that been blew up on crazy. I don't know if

706
00:35:38,440 --> 00:35:40,160
Speaker 1: I never heard like Cooper Street, the mom on the

707
00:35:40,239 --> 00:35:43,000
Speaker 1: Here Hunter all that ship it's called hands on my

708
00:35:43,160 --> 00:35:46,839
Speaker 1: brother book East Warren Bo Like we we was going

709
00:35:46,960 --> 00:35:49,680
Speaker 1: that way, like trying to mess with the music ship.

710
00:35:49,800 --> 00:35:52,000
Speaker 1: And then it was just so many people and the

711
00:35:52,360 --> 00:35:55,520
Speaker 1: once the song blew up, everybody like, man, you can

712
00:35:55,600 --> 00:35:57,440
Speaker 1: start doing this, you can do this, be this on.

713
00:35:57,760 --> 00:36:00,120
Speaker 1: But I honestly think if they would stay together, I

714
00:36:00,160 --> 00:36:01,680
Speaker 1: think it could have been bigger. They could have been

715
00:36:01,719 --> 00:36:04,200
Speaker 1: bigger than anybody that that came out of that. You

716
00:36:04,239 --> 00:36:06,440
Speaker 1: know what I'm saying, it's a lot of a lot

717
00:36:06,480 --> 00:36:09,440
Speaker 1: of these niggas doing really good, like dud See you

718
00:36:09,560 --> 00:36:14,920
Speaker 1: gotta think ship. That's easy, baby, that's right. See um,

719
00:36:15,880 --> 00:36:18,760
Speaker 1: it's a lot of baby money. He just got signed.

720
00:36:19,960 --> 00:36:21,480
Speaker 1: You know, I'm saying, we're on fire right now. But

721
00:36:21,640 --> 00:36:26,840
Speaker 1: every fact, yeah, Peter signing him, so um, I just

722
00:36:27,000 --> 00:36:31,239
Speaker 1: think ship, if everybody just keep working together and stick

723
00:36:31,320 --> 00:36:34,279
Speaker 1: together and this, I think it'll just be like a

724
00:36:34,360 --> 00:36:36,560
Speaker 1: better outcome this time. Because you think they had it

725
00:36:36,640 --> 00:36:39,120
Speaker 1: like as niggers, just like them niggas grind me, niggas

726
00:36:39,200 --> 00:36:43,120
Speaker 1: Detroit taking this ship. But I think they're on the

727
00:36:43,160 --> 00:36:45,279
Speaker 1: real on the They on the path they need to

728
00:36:45,320 --> 00:36:47,759
Speaker 1: be on Detroit on the raft. This movie. Ship might

729
00:36:47,840 --> 00:36:50,800
Speaker 1: take off with this y'all cooking. I know y'all cooking

730
00:36:50,840 --> 00:36:53,960
Speaker 1: some skin with y'all cooking, man, I don't know that

731
00:36:54,080 --> 00:36:56,719
Speaker 1: we're getting ready for it. Yeah, what's the next movie

732
00:36:57,200 --> 00:37:03,560
Speaker 1: we're working? Man? You thought about trying to write a series, Uh?

733
00:37:04,239 --> 00:37:06,040
Speaker 1: I did. I had one out here the line of

734
00:37:06,080 --> 00:37:08,640
Speaker 1: called bag Man that was up a few years ago.

735
00:37:08,760 --> 00:37:10,520
Speaker 1: It was crazy. I really want to bring it back.

736
00:37:10,600 --> 00:37:12,520
Speaker 1: That was one of my favorite projects. I didn't act

737
00:37:12,560 --> 00:37:14,840
Speaker 1: into nothing. I just wrote and directed it and it

738
00:37:14,960 --> 00:37:16,879
Speaker 1: was wild. It was about two brothers in the line

739
00:37:16,920 --> 00:37:19,239
Speaker 1: of cars and hav it um. Yes it's on two

740
00:37:19,280 --> 00:37:21,879
Speaker 1: B two. I made it into a movie after all

741
00:37:21,920 --> 00:37:24,600
Speaker 1: of the what's the names? And this was before powering everything,

742
00:37:25,040 --> 00:37:27,080
Speaker 1: you know, But I learned a lot making series like

743
00:37:27,200 --> 00:37:29,080
Speaker 1: you gotta do them, you gotta do five six something

744
00:37:29,120 --> 00:37:32,759
Speaker 1: at one time. You can't shoot series ever tried you like, man,

745
00:37:32,800 --> 00:37:35,799
Speaker 1: didn't even know. I turned to Atlanta nigga. Man, yeah,

746
00:37:37,320 --> 00:37:40,000
Speaker 1: I remember one time. It was weird, was real weird.

747
00:37:40,160 --> 00:37:42,120
Speaker 1: Was like about a year and a half ago. Right,

748
00:37:42,160 --> 00:37:43,520
Speaker 1: I had to come, I had to go home and

749
00:37:43,600 --> 00:37:45,160
Speaker 1: do something. And I've seen cash down with the car

750
00:37:45,239 --> 00:37:47,560
Speaker 1: wash and she was on the east side of my hood.

751
00:37:47,560 --> 00:37:49,000
Speaker 1: So as soon as I got out and put up

752
00:37:49,040 --> 00:37:51,000
Speaker 1: on her. As soon as I get out, it was

753
00:37:51,040 --> 00:37:53,320
Speaker 1: a typical detrait nigga. Nke what up nigga? You know

754
00:37:53,640 --> 00:37:55,560
Speaker 1: with Thelanta Nias nigga, you know what it is. We

755
00:37:55,560 --> 00:37:58,439
Speaker 1: had cut down, never matter all the but he going

756
00:37:58,520 --> 00:38:01,319
Speaker 1: off on a lianta but in't directly cutting in the meat.

757
00:38:01,600 --> 00:38:03,680
Speaker 1: So as a Detroit nigger, you gotta know how to

758
00:38:03,760 --> 00:38:06,239
Speaker 1: respond to that, you know what I'm saying. So the

759
00:38:06,400 --> 00:38:08,919
Speaker 1: only way that I could go back to that is like, yeah, nigga,

760
00:38:08,960 --> 00:38:10,759
Speaker 1: what the funk up, Let's go kill a nigga. Let's

761
00:38:10,760 --> 00:38:14,600
Speaker 1: go the noes like this, and to make him say, oh, yeah, nigga,

762
00:38:14,760 --> 00:38:18,280
Speaker 1: you still the same thing, okay, you know, but Detroit

763
00:38:18,400 --> 00:38:20,400
Speaker 1: moved like that. We we like that, bro, they's just

764
00:38:20,560 --> 00:38:24,400
Speaker 1: real weird. Detroit really love Altes. So that's the first place. Uh,

765
00:38:24,920 --> 00:38:26,440
Speaker 1: first play, any nigga say as soon as he get

766
00:38:26,520 --> 00:38:31,320
Speaker 1: a shootout, fire anything about to go down there, oka't

767
00:38:31,360 --> 00:38:40,480
Speaker 1: wait to do it. Yeah, well I got big so

768
00:38:40,640 --> 00:38:42,680
Speaker 1: side bay, we said, we asked him about his uh

769
00:38:43,040 --> 00:38:47,280
Speaker 1: what started five? Would he create like got Detroit Rappers,

770
00:38:47,400 --> 00:38:50,080
Speaker 1: New Detroit Rappers? So I want to see y'all perspective

771
00:38:50,160 --> 00:38:52,560
Speaker 1: on that, Like what would be y'all starting five if

772
00:38:52,600 --> 00:38:54,640
Speaker 1: you're going to bus ass and win the championship out

773
00:38:54,680 --> 00:39:02,759
Speaker 1: of Detroit starting five goat rappers. When we heard, yeah

774
00:39:03,160 --> 00:39:05,400
Speaker 1: I miss you, I ain't missing T. I ain't missing

775
00:39:05,480 --> 00:39:09,480
Speaker 1: t T my man, tarn side of my man. You

776
00:39:09,520 --> 00:39:11,360
Speaker 1: know what I'm saying there with all of them, you

777
00:39:11,400 --> 00:39:14,279
Speaker 1: know what I'm saying. But my start in five, Yeah,

778
00:39:14,320 --> 00:39:17,759
Speaker 1: we needed we need these niggas in order, these nigs, yeah,

779
00:39:18,960 --> 00:39:21,200
Speaker 1: I want them in order. I need him in order.

780
00:39:21,560 --> 00:39:26,040
Speaker 1: Never like start stop starting with eminem to everybody. I

781
00:39:26,080 --> 00:39:29,440
Speaker 1: don't think everybody you gotta draft five will out of

782
00:39:29,520 --> 00:39:35,160
Speaker 1: your champion. Yeah, okay, honestly I was. Okay, let me

783
00:39:35,280 --> 00:39:40,160
Speaker 1: tell you some personally, like some real ship. I don't

784
00:39:40,200 --> 00:39:46,479
Speaker 1: even listen to him. I don't listen. I ain't gonna

785
00:39:46,480 --> 00:39:50,840
Speaker 1: come on these business You ever listen, Oh, it's just

786
00:39:51,000 --> 00:39:53,680
Speaker 1: it's just m Have you ever listened to him? I

787
00:39:53,719 --> 00:39:57,759
Speaker 1: don't heard some music and some songs and shou I

788
00:39:57,800 --> 00:40:02,880
Speaker 1: am not riding around listening to it's a new area

789
00:40:03,040 --> 00:40:07,560
Speaker 1: like we this, that's what we listened exact same. There's

790
00:40:07,560 --> 00:40:10,719
Speaker 1: no disrespect. We just want to know your five five.

791
00:40:10,760 --> 00:40:18,319
Speaker 1: Don't disrespect. All right, let's say, um number five, number five,

792
00:40:19,080 --> 00:40:26,400
Speaker 1: number five, um five. Let's go on, let's go, let's go,

793
00:40:26,760 --> 00:40:32,440
Speaker 1: let's go, let's go. One was one was one here

794
00:40:32,480 --> 00:40:35,960
Speaker 1: on fire right now. You gotta give it, dood dog

795
00:40:36,040 --> 00:40:44,000
Speaker 1: on fire right now, point guard, dug two, I'm gonna say,

796
00:40:45,040 --> 00:40:50,000
Speaker 1: te been going, he's still I'm still like his ship. Three,

797
00:40:50,000 --> 00:40:53,359
Speaker 1: you gotta say, I gotta go. It's between you pace

798
00:40:53,440 --> 00:40:56,000
Speaker 1: and so between them two them three and four like

799
00:40:56,120 --> 00:40:59,399
Speaker 1: them too, them too, like three and four and then

800
00:41:00,040 --> 00:41:08,480
Speaker 1: senter center. Oh yeah, pe easy, gotta go center. So

801
00:41:09,120 --> 00:41:10,640
Speaker 1: if you had a six man, who with the six

802
00:41:10,719 --> 00:41:14,600
Speaker 1: man b my brother for sure, I gotta put my

803
00:41:14,680 --> 00:41:16,440
Speaker 1: brother in the game. You gotta come out the bench.

804
00:41:17,000 --> 00:41:19,000
Speaker 1: But as he respect coming off the beach because he's

805
00:41:19,000 --> 00:41:21,040
Speaker 1: gonna hes gonna play like Little Will. He's gonna be

806
00:41:21,160 --> 00:41:25,360
Speaker 1: six Man of the Year, off the bitch or not perform.

807
00:41:26,040 --> 00:41:28,719
Speaker 1: But if he took it serious, he would be. He

808
00:41:28,760 --> 00:41:31,040
Speaker 1: would be in the top five. But for sure he

809
00:41:31,040 --> 00:41:34,120
Speaker 1: would be. And my cousin Kato, I gotta mention because

810
00:41:34,440 --> 00:41:40,320
Speaker 1: them to it like this, Come on, you gotta do it.

811
00:41:41,440 --> 00:41:47,080
Speaker 1: Let's let's buckle up and together. Well it's crazy because

812
00:41:47,080 --> 00:41:48,600
Speaker 1: I've been in a lot of errors. On one of that,

813
00:41:48,640 --> 00:41:50,400
Speaker 1: I feel like I'm one of the founders a Detroit

814
00:41:50,480 --> 00:41:53,000
Speaker 1: starting to really rap and pop off right. So I'm

815
00:41:53,040 --> 00:41:55,759
Speaker 1: gonna tell you from my aspect, i feel like I'm

816
00:41:55,760 --> 00:41:59,320
Speaker 1: gonna go. It's gonna be hard. We're gonna catch slack,

817
00:41:59,400 --> 00:42:01,239
Speaker 1: of course, but it I'm gonna go. I'm standing on this.

818
00:42:02,120 --> 00:42:05,719
Speaker 1: I'm gonna go I've been sucking with folks too lately.

819
00:42:05,760 --> 00:42:08,279
Speaker 1: I ain't gonna lie fox with him, so I'm gonna

820
00:42:08,280 --> 00:42:10,839
Speaker 1: put him in. At this point, I got the rock

821
00:42:10,920 --> 00:42:20,680
Speaker 1: with my baby Bezo that yeah, yeah, my bad, yeah yeah.

822
00:42:21,120 --> 00:42:24,160
Speaker 1: I'm gonna put easy because because I I funk with

823
00:42:24,239 --> 00:42:28,200
Speaker 1: that peasy music, I ride off that ship crazy. That

824
00:42:28,280 --> 00:42:30,120
Speaker 1: is the way to get heavy. I don't know this

825
00:42:30,320 --> 00:42:32,560
Speaker 1: next nigger. I don't know which one. He got to

826
00:42:32,560 --> 00:42:34,399
Speaker 1: be a hard nig I'm gonna go with Sean. I'm

827
00:42:34,400 --> 00:42:37,000
Speaker 1: gonna ride my baby, break my baby. But I gotta

828
00:42:37,040 --> 00:42:39,080
Speaker 1: go with Big Sean. And I don't even shine, that's

829
00:42:39,120 --> 00:42:41,160
Speaker 1: my baby. But you're saying to go up against my

830
00:42:42,760 --> 00:42:48,000
Speaker 1: business to go Sean didn't give me him, you know

831
00:42:48,000 --> 00:42:50,640
Speaker 1: what I mean. Hey, I'm standing on that. You know

832
00:42:50,680 --> 00:42:53,759
Speaker 1: what I mean. I'm standing on that sixth man out there,

833
00:42:53,800 --> 00:42:58,960
Speaker 1: one more ship. Well let him answer. You got to

834
00:42:59,000 --> 00:43:00,759
Speaker 1: write my baby and Ray in the movie, you know

835
00:43:00,800 --> 00:43:02,480
Speaker 1: what I mean. But I gotta give it to this

836
00:43:02,640 --> 00:43:09,320
Speaker 1: nigga over over seniority stripes test the time, kind of

837
00:43:09,320 --> 00:43:11,400
Speaker 1: a little brick. I would give it to Royce, but

838
00:43:11,480 --> 00:43:16,160
Speaker 1: I gotta give it to pay Roll. Yeah, and you know,

839
00:43:16,320 --> 00:43:18,960
Speaker 1: I shout out dark on everybody the home. I got it, Yeah,

840
00:43:19,040 --> 00:43:29,160
Speaker 1: I got it. The thing about it. If it was easy, then,

841
00:43:29,239 --> 00:43:32,359
Speaker 1: I mean, y'all ain't got nothing going on. Hard to pick. Yeah,

842
00:43:32,560 --> 00:43:34,799
Speaker 1: I mean I've been in where it was nothing, when

843
00:43:34,840 --> 00:43:36,880
Speaker 1: it was zero, when it was me trick tricking, like

844
00:43:37,000 --> 00:43:39,240
Speaker 1: I think bombshell or somebody. It was like three rappings.

845
00:43:39,280 --> 00:43:41,160
Speaker 1: They thought we was crazy as hell going out here

846
00:43:41,239 --> 00:43:43,000
Speaker 1: rapping because they was like, Yo, what is y'all doing?

847
00:43:43,160 --> 00:43:45,680
Speaker 1: Like we love who we love? Who's on the radio.

848
00:43:46,239 --> 00:43:50,279
Speaker 1: You know what I mean. He's been going crazy. I

849
00:43:50,440 --> 00:43:53,120
Speaker 1: believe we had to go, like to be hones, we

850
00:43:53,200 --> 00:43:58,879
Speaker 1: had to go top team, football team, everybody like you said,

851
00:43:58,960 --> 00:44:02,759
Speaker 1: t b he going crazy. He got a whole bunch

852
00:44:02,760 --> 00:44:05,080
Speaker 1: of ship. He's been dropping And I ain't gonna loe

853
00:44:05,120 --> 00:44:08,200
Speaker 1: to you. I kind of there's shows have been up there.

854
00:44:08,880 --> 00:44:12,520
Speaker 1: Hell yeah, I and my ship kind of like I

855
00:44:12,600 --> 00:44:15,360
Speaker 1: can't say so you're swapping then smoke? What you swapping

856
00:44:15,400 --> 00:44:18,440
Speaker 1: something out of your five speak. I'm gonna be honest

857
00:44:18,440 --> 00:44:20,680
Speaker 1: with you for show the show, Like there's gotta be

858
00:44:20,800 --> 00:44:23,840
Speaker 1: in there. There's gotta be in that top five. Somebody

859
00:44:23,880 --> 00:44:27,880
Speaker 1: going to get bumped down because I ain't hold it,

860
00:44:27,880 --> 00:44:30,400
Speaker 1: don't even bust. I ain't gonna bump nobody. I'm just

861
00:44:30,520 --> 00:44:34,879
Speaker 1: being honest though, because there's actually I see the as

862
00:44:35,000 --> 00:44:40,160
Speaker 1: elevator from yeah, coming back still working. It's a lot

863
00:44:40,200 --> 00:44:45,399
Speaker 1: of gay that ship and going independent and working real hard.

864
00:44:45,440 --> 00:44:50,200
Speaker 1: You know what I'm saying, Like that's real ship. Like, Yeah,

865
00:44:50,280 --> 00:44:54,200
Speaker 1: there's a lot of losing ship. Yeah, type, but you

866
00:44:54,239 --> 00:44:56,839
Speaker 1: know what's important though, yards and always tell them all

867
00:44:56,920 --> 00:44:58,640
Speaker 1: because I know him all. Like I said, from young

868
00:44:58,680 --> 00:45:01,640
Speaker 1: the old, I tell him, you know, let's stay hungry though,

869
00:45:01,840 --> 00:45:03,440
Speaker 1: you know what I mean, Let's stay hongry because it's

870
00:45:03,480 --> 00:45:05,040
Speaker 1: a lot of real estate that we still need to

871
00:45:05,120 --> 00:45:08,200
Speaker 1: get and it's a marathon. So let's not. Let's not

872
00:45:08,320 --> 00:45:10,480
Speaker 1: let's not get it too excited. Let's not start beefing

873
00:45:10,520 --> 00:45:13,000
Speaker 1: with each other. Let's not start doing the petty tip

874
00:45:13,120 --> 00:45:14,880
Speaker 1: for that. That's why when you look at this Detroit

875
00:45:15,000 --> 00:45:17,680
Speaker 1: Dreams movie, you're gonna see brothers that really don't even

876
00:45:17,760 --> 00:45:19,880
Speaker 1: rock with each other like that, but they in the movie.

877
00:45:20,160 --> 00:45:23,080
Speaker 1: You see, oh you see new I put the old

878
00:45:23,239 --> 00:45:25,440
Speaker 1: rappers that was with the new rappers. That's what makes

879
00:45:25,480 --> 00:45:27,719
Speaker 1: this movie so great is that you're gonna see a

880
00:45:27,840 --> 00:45:30,400
Speaker 1: sense of the whole cultural of Detroit. I guarantee you

881
00:45:30,560 --> 00:45:32,840
Speaker 1: they're gonna watch this movie twenty years down the line

882
00:45:33,400 --> 00:45:35,960
Speaker 1: to find out what's the culture of Detroit, what's the sound,

883
00:45:36,120 --> 00:45:38,440
Speaker 1: what it's like. They're gonna go to this this movie.

884
00:45:38,880 --> 00:45:51,560
Speaker 1: I got a question for y'all. I asked that back first,

885
00:45:57,800 --> 00:46:04,440
Speaker 1: understand life. I want to hear top five. This ain't this,

886
00:46:04,840 --> 00:46:07,160
Speaker 1: This ain't got hing to do with accolades. It's my

887
00:46:07,320 --> 00:46:13,080
Speaker 1: personal exactly. Okay, I gotta put point pluto, this ain't

888
00:46:13,120 --> 00:46:14,759
Speaker 1: point ain't even know or you gotta do the one

889
00:46:14,880 --> 00:46:17,919
Speaker 1: like you told us. Point guard Pool Okay, point guard.

890
00:46:17,920 --> 00:46:22,840
Speaker 1: I'm going, baby, Okay, I'm going. I'm going saven. I

891
00:46:22,880 --> 00:46:29,359
Speaker 1: gotta put four Gucci. Gotta do you know I'm buying

892
00:46:30,040 --> 00:46:36,640
Speaker 1: sick dudo. Who are you gonna go after that? You

893
00:46:36,760 --> 00:46:47,040
Speaker 1: can't go puto baby sinner. I gotta put them in.

894
00:46:47,200 --> 00:46:49,799
Speaker 1: I gotta put them. No fire, I gotta put the fire.

895
00:46:50,200 --> 00:47:03,719
Speaker 1: But I got tinted. But my six man, that's your coat,

896
00:47:03,880 --> 00:47:06,759
Speaker 1: six man, I gotta go tip, okay, six man, tip,

897
00:47:06,880 --> 00:47:09,799
Speaker 1: that's hard man. I gotta go. That's hard screen where

898
00:47:09,840 --> 00:47:20,120
Speaker 1: you ladyship, everybody, everybody know you right here? Come on,

899
00:47:20,840 --> 00:47:24,400
Speaker 1: we need that point guard. Okay, so the point guard.

900
00:47:25,760 --> 00:47:34,440
Speaker 1: I'll say, baby, okay, Um, shooter, I say a little man,

901
00:47:34,480 --> 00:47:37,439
Speaker 1: I say savage, shooter, the same thing. Jay. We gotta

902
00:47:37,440 --> 00:47:39,440
Speaker 1: come on, but this this is real life right here,

903
00:47:39,480 --> 00:47:45,600
Speaker 1: we're dealing with right now. Alan okay, um, what's after

904
00:47:45,680 --> 00:47:49,600
Speaker 1: the shooter? The point guard? I mean small forward. It's

905
00:47:49,640 --> 00:47:57,040
Speaker 1: like your Lebron slime okay, slime um Um power Forward,

906
00:48:00,680 --> 00:48:11,279
Speaker 1: Power Forward, Pluto power for a Pluto Um center. I

907
00:48:11,320 --> 00:48:20,799
Speaker 1: would have to say, what did you say? Nobody got

908
00:48:20,880 --> 00:48:25,839
Speaker 1: to get you to say, you're forget about so many

909
00:48:25,880 --> 00:48:30,000
Speaker 1: of your family members. So I don't matter. She's going

910
00:48:30,080 --> 00:48:36,880
Speaker 1: to win center. She's going to win center Um Center.

911
00:48:36,920 --> 00:48:39,839
Speaker 1: I gotta go with walk. You can't do the same

912
00:48:40,000 --> 00:48:48,279
Speaker 1: five brother, brother sister. But I gotta, I gotta, I got,

913
00:48:48,640 --> 00:48:52,120
Speaker 1: I got like some extra players. We really gotta got

914
00:48:52,200 --> 00:49:04,040
Speaker 1: a hun dreams and strong. I got a seventh and

915
00:49:04,160 --> 00:49:06,480
Speaker 1: eighth man. You can't do. That's hard to do because

916
00:49:06,520 --> 00:49:09,120
Speaker 1: I'm moving our personal opinion. It really hard to peak.

917
00:49:09,680 --> 00:49:12,160
Speaker 1: But my coach to win is that you you want

918
00:49:12,200 --> 00:49:15,839
Speaker 1: to win. You did George the wind Right six win.

919
00:49:16,280 --> 00:49:23,400
Speaker 1: I didn't mind to win, come on screen. I just

920
00:49:23,440 --> 00:49:26,200
Speaker 1: wanted my question backfired on me today on big facts

921
00:49:28,120 --> 00:49:31,200
Speaker 1: that I wanted to come up with an excuse the

922
00:49:31,600 --> 00:49:33,560
Speaker 1: first nigga. If you're going to draft the first nigga

923
00:49:33,640 --> 00:49:35,279
Speaker 1: right now, you're going to draft. In my opinion, this

924
00:49:35,360 --> 00:49:42,120
Speaker 1: baby for sure, you got brick um. After that, you

925
00:49:42,200 --> 00:49:49,000
Speaker 1: gotta go grab plutough Okay, shoot guard after that, because

926
00:49:49,080 --> 00:49:52,279
Speaker 1: we all agree we know what he brings to the

927
00:49:52,400 --> 00:49:56,440
Speaker 1: city and to the table. Savage, all right, that's when

928
00:49:56,600 --> 00:50:00,880
Speaker 1: this winning get to. Oh me, get my goat out

929
00:50:00,960 --> 00:50:04,000
Speaker 1: the way so that all them niggas can just be mad.

930
00:50:04,160 --> 00:50:06,319
Speaker 1: I don't get my goat out the way. I ain't

931
00:50:06,360 --> 00:50:08,680
Speaker 1: got no team without Drake three Stacks. I just don't.

932
00:50:10,600 --> 00:50:13,399
Speaker 1: That's respect to everybody. That's just my team to win.

933
00:50:14,239 --> 00:50:17,120
Speaker 1: You know what I'm saying, Three Stacks, that's your forward.

934
00:50:17,400 --> 00:50:19,440
Speaker 1: Got about that we could put We could put that

935
00:50:19,560 --> 00:50:24,040
Speaker 1: there and then uh, that's tough. Them three names tough.

936
00:50:24,760 --> 00:50:26,680
Speaker 1: I feel like I feel like you're trying to make

937
00:50:26,880 --> 00:50:29,800
Speaker 1: us choose between two Gucci and Jeezy. That's what I

938
00:50:29,840 --> 00:50:35,759
Speaker 1: feel like you're doing. Said a strong center. Nothing, Oh

939
00:50:36,719 --> 00:50:39,440
Speaker 1: strong center. You gotta have a strong we're saying wins

940
00:50:39,520 --> 00:50:45,160
Speaker 1: when we're playing now, we're playing now now, nothing saying.

941
00:50:45,200 --> 00:50:50,560
Speaker 1: Don't know what I'm saying, it's your team to go win.

942
00:50:50,680 --> 00:50:54,080
Speaker 1: It don't matter what it is he's doing right now,

943
00:50:54,520 --> 00:50:56,759
Speaker 1: that right not doing my days the time right now?

944
00:50:56,920 --> 00:50:58,919
Speaker 1: For sure, I would still go get Dre three something

945
00:50:59,200 --> 00:51:03,200
Speaker 1: Dray three stacks doing. Ain't gonnas. The three Stacks might

946
00:51:03,239 --> 00:51:06,880
Speaker 1: not even show up. Ship what if you do show up,

947
00:51:07,000 --> 00:51:08,400
Speaker 1: you might not need to show But if he do

948
00:51:08,560 --> 00:51:11,319
Speaker 1: show up, he don't even want to enter the dray

949
00:51:14,560 --> 00:51:19,200
Speaker 1: to complete your list. Everybody got the same list, Yeah

950
00:51:19,760 --> 00:51:22,920
Speaker 1: except d three stacks and then he really ain't no

951
00:51:23,080 --> 00:51:29,400
Speaker 1: six man, he just spending That's my same list, basically

952
00:51:29,440 --> 00:51:34,239
Speaker 1: the same three yea I'm saying when I'm saying, I

953
00:51:34,360 --> 00:51:38,680
Speaker 1: put them against anything, anybody, anytime, any other all my money, anytime,

954
00:51:39,680 --> 00:51:41,680
Speaker 1: with all my money, we're gonna take out who We're

955
00:51:41,719 --> 00:51:44,560
Speaker 1: going who's gonna take out who We're gonna a something.

956
00:51:44,600 --> 00:51:47,160
Speaker 1: I'm gonna say this, Jesus really trade anyway, we just

957
00:51:47,200 --> 00:51:49,920
Speaker 1: take them over said we want to trade Jesus to

958
00:51:50,000 --> 00:51:53,719
Speaker 1: the trade. Who gonna not not not? I got a

959
00:51:53,760 --> 00:51:55,759
Speaker 1: lot of money to Jesus music though I can't even

960
00:51:56,920 --> 00:52:00,160
Speaker 1: But when when we're asking about opinions and y'all put

961
00:52:00,200 --> 00:52:01,640
Speaker 1: us on the spot, you know we can can we

962
00:52:01,680 --> 00:52:05,560
Speaker 1: can turn around and do producers too. Yeah, you know

963
00:52:05,560 --> 00:52:07,799
Speaker 1: what I'm saying, we want to pop out. We didn't

964
00:52:07,800 --> 00:52:12,359
Speaker 1: do producers all us like the music industry, like y'all

965
00:52:12,360 --> 00:52:16,000
Speaker 1: got a a star fucking teams, because I mean, we

966
00:52:16,040 --> 00:52:21,800
Speaker 1: do actually have that option. We can do producers, engineers, photograph, studio,

967
00:52:23,120 --> 00:52:33,880
Speaker 1: whatever hell may in the movie. He just before you

968
00:52:33,960 --> 00:52:38,440
Speaker 1: start a producer to that, I'm saying like like hell hell,

969
00:52:38,840 --> 00:52:42,560
Speaker 1: like I want to let everybody know this on my downfall. Yeah,

970
00:52:42,640 --> 00:52:45,640
Speaker 1: like so we everybody always be talking like I won't

971
00:52:45,719 --> 00:52:47,759
Speaker 1: be hearing his name, and too many interviews when his

972
00:52:47,880 --> 00:52:49,600
Speaker 1: name should come up, and there in the every interview

973
00:52:49,680 --> 00:52:56,960
Speaker 1: with that nigga, do because hellover he put he get

974
00:52:57,400 --> 00:52:59,759
Speaker 1: like from my knowledge of everybody, I nig's coming to me,

975
00:53:00,040 --> 00:53:02,120
Speaker 1: my perspective of them and how they painted on me,

976
00:53:02,320 --> 00:53:04,759
Speaker 1: to me, they like he lay it out like huh

977
00:53:05,320 --> 00:53:08,560
Speaker 1: and then whatever it be, it be. It just blessed

978
00:53:08,600 --> 00:53:10,600
Speaker 1: me when they get when you get right, you know

979
00:53:10,640 --> 00:53:14,719
Speaker 1: what I'm saying, do that with like my people, and

980
00:53:14,800 --> 00:53:17,680
Speaker 1: I know my people want to know where near started

981
00:53:17,760 --> 00:53:19,840
Speaker 1: all these other niggas. You know what I'm saying, So

982
00:53:20,160 --> 00:53:22,800
Speaker 1: I know if he did that for them, that nigga

983
00:53:22,840 --> 00:53:25,839
Speaker 1: that just walking in like hey, yeah, y'all had this beat.

984
00:53:26,239 --> 00:53:29,399
Speaker 1: You know what I'm saying, do y'all thing that's love.

985
00:53:29,680 --> 00:53:32,960
Speaker 1: And then as big as he is, like damn, like

986
00:53:33,080 --> 00:53:37,840
Speaker 1: he giving that like he blessing and he then like

987
00:53:38,280 --> 00:53:42,680
Speaker 1: the name my brother, and just I put Andre three thousand.

988
00:53:42,719 --> 00:53:47,120
Speaker 1: That's the coach. Well do you asked about coach comfort,

989
00:53:47,480 --> 00:53:58,400
Speaker 1: that's my coach. Coach coach because he said, I go

990
00:53:58,560 --> 00:54:02,160
Speaker 1: big shine as the going trip trigger. Okay, crazy, I'm

991
00:54:02,160 --> 00:54:08,879
Speaker 1: going to triggers my coach. You got no beach, y'all.

992
00:54:09,000 --> 00:54:13,880
Speaker 1: St y'all got two meet the weapons, y'all. Come on, man,

993
00:54:14,840 --> 00:54:24,719
Speaker 1: you're not Russia like a hit power poper New York.

994
00:54:25,000 --> 00:54:27,800
Speaker 1: It was just talking about I was just talking about

995
00:54:27,840 --> 00:54:30,200
Speaker 1: the who got love for New York? We got love

996
00:54:30,320 --> 00:54:33,480
Speaker 1: for l A. A lot of ain't nobody sucking jay

997
00:54:33,560 --> 00:54:43,960
Speaker 1: z ain't got they got they got people for sure

998
00:54:43,960 --> 00:54:48,439
Speaker 1: if ain't nobody. So the megos when you'll top group

999
00:54:48,880 --> 00:54:53,040
Speaker 1: when thinking, I ain't saying outcast, I said, said Drake.

1000
00:54:53,600 --> 00:54:55,360
Speaker 1: When I say like rapping, I think like this, like

1001
00:54:55,440 --> 00:54:59,120
Speaker 1: you did group or not? Three people can't play one

1002
00:54:59,360 --> 00:55:02,560
Speaker 1: just satified too many niggas from around my way. This

1003
00:55:02,760 --> 00:55:05,920
Speaker 1: big for me to pick anything else, right right right,

1004
00:55:06,520 --> 00:55:08,680
Speaker 1: look at what was the best around? Who was the

1005
00:55:08,760 --> 00:55:12,880
Speaker 1: best group collaps in Atlanta? Who was the best like

1006
00:55:12,920 --> 00:55:15,000
Speaker 1: one of like like like you gotta think y'all got

1007
00:55:15,080 --> 00:55:30,200
Speaker 1: like the lego who I'll cash you guys, get you

1008
00:55:30,280 --> 00:55:35,200
Speaker 1: got the horrid boys do all I'm gonna say outcast group,

1009
00:55:35,239 --> 00:55:38,480
Speaker 1: I'm gonna say good. That's what I'm gonna do. That's me.

1010
00:55:39,080 --> 00:55:40,839
Speaker 1: I know what question is to get y'all because I've

1011
00:55:40,880 --> 00:55:42,680
Speaker 1: been living in Atlanta for a long time, So I

1012
00:55:42,719 --> 00:55:51,759
Speaker 1: would you interview about Detroit Ski but you want to

1013
00:55:51,800 --> 00:55:54,040
Speaker 1: get back to that Smoke shout out to helleb because

1014
00:55:54,080 --> 00:55:56,200
Speaker 1: he did do the sound for the movie. So shout

1015
00:55:56,239 --> 00:55:59,160
Speaker 1: off the hell of like, no, no politics, nothing like.

1016
00:55:59,320 --> 00:56:03,280
Speaker 1: That's APTI simming. You know what, man, Detroit dreams. Just PI.

1017
00:56:03,360 --> 00:56:05,400
Speaker 1: Shout out to everybody from Detroit. Man. You know what

1018
00:56:05,440 --> 00:56:08,399
Speaker 1: I'm saying. And y'all better be there. Man come out

1019
00:56:08,440 --> 00:56:13,040
Speaker 1: with June first. So it's up and thanks the big

1020
00:56:13,120 --> 00:56:18,239
Speaker 1: facts man. Appreciate it all. Yea, man, get out of you.

1021
00:56:22,000 --> 00:56:25,600
Speaker 1: I just say, I just I just want to say, like,

1022
00:56:25,719 --> 00:56:28,120
Speaker 1: shout out to Tape because he's doing a lot with

1023
00:56:28,200 --> 00:56:30,560
Speaker 1: the baby, Like he working a lot with Baby and

1024
00:56:30,680 --> 00:56:32,880
Speaker 1: he's also playing one of the main characters Flight in

1025
00:56:32,960 --> 00:56:35,360
Speaker 1: the movie. That's like he's him and Smoke. It's like

1026
00:56:35,480 --> 00:56:40,239
Speaker 1: they really you know, together, life got a lot of

1027
00:56:40,280 --> 00:56:43,520
Speaker 1: stuff saying the show, and I know he's working how

1028
00:56:43,560 --> 00:56:46,200
Speaker 1: he's working because he actually be sitting at me that

1029
00:56:46,360 --> 00:56:48,320
Speaker 1: ship and I'll be seeing it, so I know. But

1030
00:56:48,440 --> 00:56:52,040
Speaker 1: when he dropped ship, they're gonna see you know what

1031
00:56:52,080 --> 00:56:54,160
Speaker 1: I'm saying. But we're just talking about because you know,

1032
00:56:54,320 --> 00:56:57,000
Speaker 1: everybody be on these interviews and all this ship, so

1033
00:56:58,080 --> 00:56:59,759
Speaker 1: you know, don't take it to her. You know what

1034
00:56:59,800 --> 00:57:02,480
Speaker 1: it's and you did. You gotta work. And if when

1035
00:57:02,520 --> 00:57:05,360
Speaker 1: your work, your work on. What's gonna speak for itself?

1036
00:57:06,600 --> 00:57:13,960
Speaker 1: Where we shout at? Oh sound yeah, Playground Detroit, O

1037
00:57:14,880 --> 00:57:18,320
Speaker 1: the Society's how to society shout out to Playground Detroit

1038
00:57:19,160 --> 00:57:21,360
Speaker 1: or everybody you know that even let it's use they

1039
00:57:21,480 --> 00:57:23,320
Speaker 1: being used to even shoot a part of the fan.

1040
00:57:23,440 --> 00:57:25,800
Speaker 1: You know what I'm saying. From the West, Luke had

1041
00:57:25,800 --> 00:57:29,800
Speaker 1: all these crazy ass spots. He had me on anybody smoke.

1042
00:57:29,840 --> 00:57:33,000
Speaker 1: I want to tell him to a disclaimer that everybody

1043
00:57:33,080 --> 00:57:35,440
Speaker 1: around the world know that here's so much bad stuff

1044
00:57:35,440 --> 00:57:38,160
Speaker 1: about Detroit. Like Bank can tell you. It's like who

1045
00:57:38,280 --> 00:57:41,040
Speaker 1: you with, it's how you move you like people be.

1046
00:57:41,200 --> 00:57:43,400
Speaker 1: You could be scared going to Detroit, but you could

1047
00:57:43,400 --> 00:57:45,800
Speaker 1: be with the right person. And you could be treated

1048
00:57:45,880 --> 00:57:47,840
Speaker 1: like a god like you know what I mean literally

1049
00:57:47,920 --> 00:57:50,280
Speaker 1: like bro, like nothing, ten niggas will get in front

1050
00:57:50,280 --> 00:57:52,320
Speaker 1: of your body if something was to happen just because

1051
00:57:52,320 --> 00:57:53,880
Speaker 1: you were a certain nigga or you could be with

1052
00:57:53,960 --> 00:57:56,520
Speaker 1: a fun nigga. And I just seen situations when niggas

1053
00:57:56,560 --> 00:57:58,160
Speaker 1: come to the city with the wrong nigga and being

1054
00:57:58,240 --> 00:57:59,800
Speaker 1: something might happen to them and they're like, well, how

1055
00:57:59,840 --> 00:58:02,240
Speaker 1: did that happens? Because you with this nigga? It was

1056
00:58:02,320 --> 00:58:05,600
Speaker 1: like Detroit ain't violent and wild like people may say,

1057
00:58:05,960 --> 00:58:08,160
Speaker 1: it's just all about who you with because it's small,

1058
00:58:08,680 --> 00:58:10,680
Speaker 1: so people know who the funk with, who not to

1059
00:58:10,760 --> 00:58:13,400
Speaker 1: funk with, Like how he moved, how we move, they

1060
00:58:13,400 --> 00:58:16,880
Speaker 1: ain't ain't none of that. I would actually be moving.

1061
00:58:17,160 --> 00:58:20,280
Speaker 1: I actually move around the city like how you move

1062
00:58:20,320 --> 00:58:23,520
Speaker 1: around the city. Yeah, I'm outside like you know what

1063
00:58:23,560 --> 00:58:27,320
Speaker 1: I'm saying, very east, west, east anywhere. I can go

1064
00:58:27,480 --> 00:58:31,000
Speaker 1: really anywhere and like be like comfortable because I ain't

1065
00:58:31,000 --> 00:58:33,960
Speaker 1: worry because I ain't know nigga. That's too much bullish

1066
00:58:34,000 --> 00:58:36,400
Speaker 1: it and it ain't with all but they're no on

1067
00:58:36,560 --> 00:58:40,240
Speaker 1: with whatever. Man, I'm a man. You know what I'm saying.

1068
00:58:40,240 --> 00:58:42,160
Speaker 1: You know I'm standing on tire like so if it

1069
00:58:42,240 --> 00:58:44,040
Speaker 1: ever comes to the town where it gotta be, where

1070
00:58:44,040 --> 00:58:45,400
Speaker 1: it gotta be, it's gonna be. But they got to

1071
00:58:45,440 --> 00:58:48,520
Speaker 1: be even. But I think every city got that. Like

1072
00:58:48,920 --> 00:58:50,920
Speaker 1: I come here, you know what I'm saying, I come out,

1073
00:58:51,000 --> 00:58:53,080
Speaker 1: I know a lot. And most of these times you

1074
00:58:53,160 --> 00:58:55,160
Speaker 1: see me with RELs, I'll be with you, Pat, you

1075
00:58:55,240 --> 00:58:57,840
Speaker 1: know what I'm saying. Or my uncle, you know what

1076
00:58:57,880 --> 00:59:01,360
Speaker 1: I'm saying this, you know see it. I'm really just

1077
00:59:02,400 --> 00:59:04,600
Speaker 1: she you know how she got connected dots. Man, It's

1078
00:59:04,640 --> 00:59:07,320
Speaker 1: good to know people in East State. Everybody got savages

1079
00:59:07,320 --> 00:59:09,000
Speaker 1: of the city. That's how I shouted to the dude,

1080
00:59:09,000 --> 00:59:13,880
Speaker 1: game of the close to what's the name of Yeah, yeah, yeah,

1081
00:59:13,920 --> 00:59:21,919
Speaker 1: yeah yeah Rugged, Yeah yeah yeah. I ain't get nothing. Yeah,

1082
00:59:21,960 --> 00:59:24,760
Speaker 1: I'm closed on the real He get his ship samee

1083
00:59:25,960 --> 00:59:31,440
Speaker 1: badly and it's in the details, man. Yeah, shout out Rugged, Man,

1084
00:59:31,520 --> 00:59:34,000
Speaker 1: shout baby. Jerry risk too. Because she's been working too.

1085
00:59:34,200 --> 00:59:36,240
Speaker 1: She got a whole bunch of ships. She's been pushing out.

1086
00:59:36,720 --> 00:59:38,320
Speaker 1: She gave, she gave with a whole bunch of clothes.

1087
00:59:38,320 --> 00:59:40,840
Speaker 1: You probably ain't getting another dream, Rish, I just got something.

1088
00:59:41,400 --> 00:59:47,040
Speaker 1: You're the top female wrapper from comment Natasha shout out, Matasha,

1089
00:59:47,040 --> 00:59:58,080
Speaker 1: I gotta get talk about cars down. I mean she's

1090
00:59:59,400 --> 01:00:03,440
Speaker 1: maybe like you out of there, like like, but who

1091
01:00:03,480 --> 01:00:09,520
Speaker 1: are coming? Who're going crazy? Leally um see mattases she'll

1092
01:00:09,560 --> 01:00:14,080
Speaker 1: be working Rocky, Yeah, Rocky going crazy too, Rocky been

1093
01:00:14,160 --> 01:00:18,240
Speaker 1: going like working real hard. Ship. What other female rapper

1094
01:00:18,640 --> 01:00:22,360
Speaker 1: that girl named brill? I think that's if if that's

1095
01:00:22,400 --> 01:00:25,000
Speaker 1: her name, crazy name, she's been going crazy niece in

1096
01:00:25,040 --> 01:00:31,160
Speaker 1: the shay. Have y'all love her to her go crazy?

1097
01:00:31,440 --> 01:00:32,800
Speaker 1: It's a lot of it's a lot of you know

1098
01:00:32,840 --> 01:00:34,840
Speaker 1: what I'm saying, Well, you know we paid more attention

1099
01:00:34,920 --> 01:00:38,280
Speaker 1: to like if you ain't big like Cash basically, like

1100
01:00:38,360 --> 01:00:39,880
Speaker 1: if you ain't really in the city, you ain't gonna

1101
01:00:39,880 --> 01:00:42,200
Speaker 1: really here too much because you know, being a girl rapping,

1102
01:00:42,200 --> 01:00:44,320
Speaker 1: you know, it's kind of hard taking off. But you

1103
01:00:44,440 --> 01:00:48,120
Speaker 1: catch that motherfucking hit, you're gonna be where you're supposed

1104
01:00:48,120 --> 01:00:51,680
Speaker 1: to be because Cash her ship hit when she know

1105
01:00:51,720 --> 01:00:54,520
Speaker 1: what I'm saying, one restaurant for the rest of your

1106
01:00:54,560 --> 01:01:02,080
Speaker 1: life in Detruitt with it, bem. I gotta do this.

1107
01:01:02,600 --> 01:01:04,240
Speaker 1: I gotta do this because I know it's gonna take

1108
01:01:04,240 --> 01:01:07,960
Speaker 1: care of me. I'm gonna go with cousinos and they're

1109
01:01:07,960 --> 01:01:10,160
Speaker 1: gonna be mad at They're gonna be mad at me. Yeah, bbs,

1110
01:01:10,240 --> 01:01:15,320
Speaker 1: I mean cousins. And I know you're gonna I'm gonna say,

1111
01:01:15,480 --> 01:01:20,960
Speaker 1: I'm actually saying my own rest of me. Yeah, Tom's real.

1112
01:01:22,480 --> 01:01:24,439
Speaker 1: That's what I eat for the rest of my life. Yeah,

1113
01:01:24,720 --> 01:01:27,200
Speaker 1: let me ask you all the question. Is Cathy still open? Yes?

1114
01:01:27,320 --> 01:01:29,960
Speaker 1: Shout out Kathy strictly sports where we actually shot in

1115
01:01:30,080 --> 01:01:32,720
Speaker 1: front of their so again. She was the first person

1116
01:01:32,840 --> 01:01:34,960
Speaker 1: that the first place that I went to when I

1117
01:01:35,080 --> 01:01:38,440
Speaker 1: took like the magazines to Detroit, and she like I

1118
01:01:38,560 --> 01:01:41,640
Speaker 1: ran through her ship, Like I ran through like thirty

1119
01:01:41,680 --> 01:01:44,680
Speaker 1: boxes of magazines in like two days. They're like home right. Yeah.

1120
01:01:45,720 --> 01:01:47,520
Speaker 1: I got a lot of money with her. I got

1121
01:01:47,560 --> 01:01:49,080
Speaker 1: a lot of money with her. It was important for

1122
01:01:49,160 --> 01:01:51,000
Speaker 1: me to bring people like that in the movie. Like

1123
01:01:51,080 --> 01:01:54,600
Speaker 1: when I take this movie, it's such a blessing. God

1124
01:01:54,920 --> 01:01:57,400
Speaker 1: God made it. I didn't. I didn't. I didn't do it.

1125
01:01:57,520 --> 01:01:59,800
Speaker 1: God did it. Because I was like people like her

1126
01:02:00,000 --> 01:02:03,000
Speaker 1: and her buildings and people like the new you know,

1127
01:02:03,160 --> 01:02:05,880
Speaker 1: the new people that's moving right now. Man, it's all

1128
01:02:05,960 --> 01:02:08,480
Speaker 1: of them connected and blended in from people that they

1129
01:02:08,520 --> 01:02:10,400
Speaker 1: even know each other, you know, from thirty years ago,

1130
01:02:10,440 --> 01:02:12,919
Speaker 1: and they all planet seeds, like you said, important people

1131
01:02:12,960 --> 01:02:16,080
Speaker 1: like that. I can pick those people saying I want

1132
01:02:16,120 --> 01:02:18,160
Speaker 1: you here. You They're like, what the hell for? What new?

1133
01:02:18,440 --> 01:02:20,440
Speaker 1: I don't even know? I just do this and it

1134
01:02:20,560 --> 01:02:22,840
Speaker 1: all came together. If I was watching the movie for

1135
01:02:22,960 --> 01:02:26,560
Speaker 1: inspiration motivation? What type of inspiration motivation I get from

1136
01:02:26,600 --> 01:02:32,600
Speaker 1: the move? How? What? Excuse me? What footprint do you

1137
01:02:32,680 --> 01:02:35,320
Speaker 1: want to leave on this earth? We all got to

1138
01:02:35,320 --> 01:02:38,240
Speaker 1: ask ourselves that, and that's a real life question. What

1139
01:02:38,400 --> 01:02:42,080
Speaker 1: type of footprint are you leaving? You know? And they

1140
01:02:42,080 --> 01:02:44,800
Speaker 1: can go either way. So that's what I would hope

1141
01:02:44,840 --> 01:02:48,120
Speaker 1: that you know that you you take this movie and say, Okay,

1142
01:02:48,160 --> 01:02:50,800
Speaker 1: I need to be an inspiration not only to myself

1143
01:02:51,040 --> 01:02:54,160
Speaker 1: but to somebody else. I need to inspire because it's

1144
01:02:54,160 --> 01:02:57,640
Speaker 1: bigger than me. Did you did you watch the movie?

1145
01:02:59,520 --> 01:03:03,760
Speaker 1: You've seen? Nope? Nope, nobody seen it. Like about you

1146
01:03:03,840 --> 01:03:07,080
Speaker 1: coming to Detroit with like how was your experience coming there?

1147
01:03:07,160 --> 01:03:08,840
Speaker 1: Like you know what I'm saying, I ain't get a

1148
01:03:08,920 --> 01:03:11,800
Speaker 1: chance to stay ble to day. I'm saying, like people

1149
01:03:12,200 --> 01:03:14,000
Speaker 1: coming to me and you know, no, no, no, no,

1150
01:03:14,160 --> 01:03:16,480
Speaker 1: I'm feeling them busting love. I ain't see what what

1151
01:03:16,800 --> 01:03:19,720
Speaker 1: y'all say, NA say, I don't see that. I guess

1152
01:03:19,720 --> 01:03:21,400
Speaker 1: I ain't go to the right part. I ain't see that.

1153
01:03:21,440 --> 01:03:25,040
Speaker 1: I just seen love. Niggas fucking with me right up

1154
01:03:26,400 --> 01:03:29,280
Speaker 1: the right niggas. Is that that's what it's about. That's

1155
01:03:29,320 --> 01:03:30,680
Speaker 1: what I think is about, like when you go to

1156
01:03:30,760 --> 01:03:33,520
Speaker 1: different cities, about who you would and how they carry

1157
01:03:33,560 --> 01:03:35,880
Speaker 1: themselves in the city. You know what I'm saying. If

1158
01:03:35,920 --> 01:03:38,439
Speaker 1: you go with the motherfucker that's the only game ship

1159
01:03:38,560 --> 01:03:42,080
Speaker 1: doing about doing wild ship and shooting killing all that time, ship,

1160
01:03:42,680 --> 01:03:44,400
Speaker 1: then you got you gotta know what you expect when

1161
01:03:44,440 --> 01:03:46,160
Speaker 1: you touched down, Like I'm gonna be with you there,

1162
01:03:46,200 --> 01:03:48,760
Speaker 1: I better have a strap, you know, you know what's

1163
01:03:48,760 --> 01:03:51,800
Speaker 1: coming like that anyway. But even even even at the club,

1164
01:03:52,040 --> 01:03:55,480
Speaker 1: like four o'clock, I'm outside by myself, old time man,

1165
01:03:58,240 --> 01:04:02,720
Speaker 1: it was that I say, makes you know you here?

1166
01:04:02,800 --> 01:04:05,439
Speaker 1: He said, listen, oh we're here, fox bug. I guess

1167
01:04:05,480 --> 01:04:12,200
Speaker 1: to have it up. Bulletproved truck driving and then't move

1168
01:04:12,320 --> 01:04:16,880
Speaker 1: like Obama Loka. Then what we said, that's just him

1169
01:04:16,960 --> 01:04:21,360
Speaker 1: his driver, bulletproof truck and straps. That's how I feel

1170
01:04:21,600 --> 01:04:25,320
Speaker 1: like that's how you get about the same way when

1171
01:04:25,360 --> 01:04:28,040
Speaker 1: I come here, I know it loves like certain people,

1172
01:04:28,160 --> 01:04:33,840
Speaker 1: but still like the military. I just feel more comfortable

1173
01:04:33,920 --> 01:04:37,120
Speaker 1: just knowing that business close by. Man, I got each

1174
01:04:37,200 --> 01:04:39,800
Speaker 1: other because the girls of what I know, I'm gonna

1175
01:04:39,840 --> 01:04:43,640
Speaker 1: protect me. How you might not be looking bro right,

1176
01:04:44,280 --> 01:04:48,800
Speaker 1: you might be looking at it going up once he

1177
01:04:49,080 --> 01:04:51,400
Speaker 1: ate so back getting to shoot. He get that motherfucker's

1178
01:04:51,400 --> 01:04:54,000
Speaker 1: back on me. I'm like, Bank were good right there,

1179
01:04:54,400 --> 01:05:00,640
Speaker 1: and he ain't going My baby ain't going for that.

1180
01:05:00,880 --> 01:05:03,600
Speaker 1: But I had a good time shooting this movie though

1181
01:05:03,760 --> 01:05:06,560
Speaker 1: Detroit three. That she's gonna be big bro. I think

1182
01:05:06,720 --> 01:05:09,000
Speaker 1: night skiing fields. He got something, you got something, you

1183
01:05:09,080 --> 01:05:13,320
Speaker 1: got some got some special this time. I don't love y'all.

1184
01:05:13,400 --> 01:05:15,560
Speaker 1: Might put your here to go on the bad motherfucker. Yeah,

1185
01:05:15,600 --> 01:05:18,840
Speaker 1: for sure, Man, think about me your time. Man don't ready. Yeah,

1186
01:05:18,880 --> 01:05:20,880
Speaker 1: I'll put you in your first movie right for a show.

1187
01:05:21,000 --> 01:05:23,160
Speaker 1: I'll put black people don't know. I put Big Bank

1188
01:05:23,360 --> 01:05:27,080
Speaker 1: and you and you in the movie a lot when

1189
01:05:27,080 --> 01:05:28,720
Speaker 1: I was going place and Nigga knew me from that

1190
01:05:29,280 --> 01:05:44,080
Speaker 1: back like man, you would do the super Fly from Atlanta.

1191
01:05:44,640 --> 01:05:48,000
Speaker 1: I'm like, I'm like they're like Banks. I'm like, yeah,

1192
01:05:48,080 --> 01:05:57,320
Speaker 1: y'all call this think a super fly patrol like man,

1193
01:05:57,680 --> 01:06:01,760
Speaker 1: one of the dudes from the movie just get my stuff. Yeah, yeah,

1194
01:06:01,800 --> 01:06:05,560
Speaker 1: it was some ship. He got it. He got today

1195
01:06:06,200 --> 01:06:12,200
Speaker 1: your boy, I mean in the movie, in the movie.

1196
01:06:15,840 --> 01:06:20,560
Speaker 1: But on another note, I was gonna remember, yeah, he

1197
01:06:21,960 --> 01:06:26,840
Speaker 1: raped the people. Hey, man, that's what you get for

1198
01:06:26,920 --> 01:06:29,400
Speaker 1: that type ship. What can we do? We can't forgive

1199
01:06:29,440 --> 01:06:31,320
Speaker 1: you for that, man, I can't play with the women

1200
01:06:31,400 --> 01:06:33,320
Speaker 1: like that. I remember when we was there when they

1201
01:06:33,400 --> 01:06:36,040
Speaker 1: called Bank about that movie, like it was so weird

1202
01:06:36,040 --> 01:06:37,680
Speaker 1: because I ain't gonna say it was somebody else was

1203
01:06:37,720 --> 01:06:40,880
Speaker 1: supposed to play it, and the producers, the producer Brian,

1204
01:06:40,960 --> 01:06:42,480
Speaker 1: he was just going crazy, like who do we He

1205
01:06:42,560 --> 01:06:44,920
Speaker 1: was cussing, I think ex out. He's like, what are

1206
01:06:44,920 --> 01:06:46,680
Speaker 1: we gonna do now, like almost saying that like I

1207
01:06:46,800 --> 01:06:48,760
Speaker 1: told you so, I told you so. And it was

1208
01:06:48,840 --> 01:06:51,040
Speaker 1: like man, and it was who else? It was me

1209
01:06:51,160 --> 01:06:52,880
Speaker 1: and it was celebrity and was a and it was

1210
01:06:52,960 --> 01:06:55,600
Speaker 1: like Bank and we all just screamed and this dude

1211
01:06:55,720 --> 01:06:58,360
Speaker 1: screaming like Bank. No, we started talking to each other

1212
01:06:58,720 --> 01:07:01,640
Speaker 1: about you, like forgetting he was there. We started talking

1213
01:07:01,720 --> 01:07:04,880
Speaker 1: like you was doing the movie already, and we said Joe.

1214
01:07:05,120 --> 01:07:12,480
Speaker 1: Joe was like, yeah, man good. Joe asked me what

1215
01:07:12,640 --> 01:07:15,040
Speaker 1: we shoot our movies for and he was like, funk,

1216
01:07:15,040 --> 01:07:16,720
Speaker 1: I can't even get out the bed one day for that.

1217
01:07:17,680 --> 01:07:19,640
Speaker 1: Said yeah, I said, we know we're move it differently,

1218
01:07:20,560 --> 01:07:27,919
Speaker 1: Silver Joe shoot some parts down here to the movie

1219
01:07:28,080 --> 01:07:31,920
Speaker 1: Birds of the Trade Dreams. Uh did we shoot anything

1220
01:07:32,040 --> 01:07:35,200
Speaker 1: out here? Yeah, like we played a little bit. I

1221
01:07:35,280 --> 01:07:37,440
Speaker 1: shot some b roll stuff out here, you know what

1222
01:07:37,520 --> 01:07:39,640
Speaker 1: I mean. But you know by being out here, you

1223
01:07:39,720 --> 01:07:42,080
Speaker 1: know I'm back out here about to shoot low key.

1224
01:07:42,200 --> 01:07:44,400
Speaker 1: I'm gonna tell y'all not this is this is exclusive

1225
01:07:44,480 --> 01:07:48,440
Speaker 1: right here. I listen. This is big because this is

1226
01:07:48,520 --> 01:07:51,040
Speaker 1: a movie about culture Detrade dreams. Right. So somebody just

1227
01:07:51,160 --> 01:07:52,960
Speaker 1: came to me about we need to do in Atlanta

1228
01:07:53,000 --> 01:07:56,160
Speaker 1: one and I think y'all need to be producers on

1229
01:07:56,280 --> 01:07:58,920
Speaker 1: the movie, like and like that would be crazy, like

1230
01:07:58,960 --> 01:08:00,640
Speaker 1: the whole like we need to make it like a

1231
01:08:01,520 --> 01:08:05,760
Speaker 1: something about that, you know, dreams, like something something about

1232
01:08:05,800 --> 01:08:08,040
Speaker 1: the whole line of cultural experience and how we got

1233
01:08:08,120 --> 01:08:11,240
Speaker 1: to this point, about to take my social and my

1234
01:08:11,520 --> 01:08:15,680
Speaker 1: my routing info, get the budgets, get the budget together,

1235
01:08:15,720 --> 01:08:19,599
Speaker 1: and it works. Let me work. Shout out happy word.

1236
01:08:20,479 --> 01:08:25,120
Speaker 1: Yeah together, kids work. We gotta get man, We gotta

1237
01:08:25,160 --> 01:08:27,680
Speaker 1: get it. The numbers correct. I haven't started taking back

1238
01:08:27,680 --> 01:08:30,559
Speaker 1: from the kids again, and it's back to the kids.

1239
01:08:31,360 --> 01:08:32,960
Speaker 1: Shout out, they got to see you in movies because

1240
01:08:33,680 --> 01:08:40,720
Speaker 1: man came through many dreamt Dreams the movie Man to

1241
01:08:40,880 --> 01:08:45,960
Speaker 1: be watching exclusively on Yeah, Yeah, yeah, first ye joan

1242
01:08:46,080 --> 01:08:47,840
Speaker 1: first Man watch you get it? How you live Man,

1243
01:08:47,920 --> 01:08:51,759
Speaker 1: do whatever you can Man, Detroit Dreams dot Com shout out, Natasha,

1244
01:08:51,840 --> 01:08:54,519
Speaker 1: shot out TB shout out the whole city, Detrade. Everybody

1245
01:08:54,560 --> 01:08:56,040
Speaker 1: in the movie. They're gonna see who they thought they

1246
01:08:56,080 --> 01:08:58,600
Speaker 1: weren't gonna see in the movie. I got Kwamie Kilpatrick

1247
01:08:59,160 --> 01:09:02,280
Speaker 1: induced the movie. This is just how big this is smoke.

1248
01:09:02,360 --> 01:09:05,719
Speaker 1: Do you even know that? Yes, Kwamie Kilpatrick is about

1249
01:09:05,760 --> 01:09:08,040
Speaker 1: to do the premier at the He's saying, Yo, this

1250
01:09:08,120 --> 01:09:13,479
Speaker 1: is Kwami Kilpatrick. You're getting ready to Yeah man, black

1251
01:09:14,320 --> 01:09:16,439
Speaker 1: black excellence. This is how we're moving. This movie is

1252
01:09:16,479 --> 01:09:19,599
Speaker 1: not about just drugs and just moving about music. That's

1253
01:09:19,600 --> 01:09:22,240
Speaker 1: all music our story. So we want to be clear.

1254
01:09:22,320 --> 01:09:28,559
Speaker 1: That's huge an that nig next Yeah yeah man. If

1255
01:09:28,640 --> 01:09:30,559
Speaker 1: you need a charage to get blew up in Detroit,

1256
01:09:31,040 --> 01:09:38,400
Speaker 1: Carl that Nate to call you either man. Yeah, that

1257
01:09:38,520 --> 01:09:41,960
Speaker 1: reminded I'm gonna you know, I'm gonna get on your nerves.

1258
01:09:42,320 --> 01:09:44,599
Speaker 1: Got on your nerves. Meantime he talking about the Buzzy

1259
01:09:44,680 --> 01:09:47,519
Speaker 1: the nigger got eight assistance that text me every morning

1260
01:09:48,439 --> 01:10:00,800
Speaker 1: at the wardrobe ladies. That's count What can I say

1261
01:10:00,880 --> 01:10:04,960
Speaker 1: that she is? Can I say? Jade is the only

1262
01:10:05,080 --> 01:10:08,280
Speaker 1: one that threatened all of them that called you're you

1263
01:10:08,479 --> 01:10:12,160
Speaker 1: scared the whole like every movie they all be scared

1264
01:10:12,320 --> 01:10:20,360
Speaker 1: like no yo, like she and scared and I don't

1265
01:10:20,960 --> 01:10:24,120
Speaker 1: if you win. Three of them understand And I was

1266
01:10:24,200 --> 01:10:29,960
Speaker 1: like two like making threw you up like we're here,

1267
01:10:30,360 --> 01:10:36,080
Speaker 1: I'm not gonna suck it up. Okay. Black people, Man,

1268
01:10:36,160 --> 01:10:39,280
Speaker 1: they had me like black people time bro Like like bro,

1269
01:10:39,800 --> 01:10:46,080
Speaker 1: they calling me you m they had to address there

1270
01:10:46,200 --> 01:10:47,840
Speaker 1: be out in front of you know what I mean,

1271
01:10:48,000 --> 01:10:56,120
Speaker 1: like with the get up crazy the man. Yeah a

1272
01:10:56,240 --> 01:11:00,960
Speaker 1: team bro like team calls what a guy? But he

1273
01:11:01,040 --> 01:11:04,640
Speaker 1: has man, So shout out to the whole team that

1274
01:11:04,760 --> 01:11:07,200
Speaker 1: he has put together from the sounds people, from the

1275
01:11:07,280 --> 01:11:11,120
Speaker 1: people that have every like everything man like that ship

1276
01:11:11,240 --> 01:11:14,560
Speaker 1: was just crazy bro. Like they stayed on their pisaques.

1277
01:11:14,600 --> 01:11:17,280
Speaker 1: I'm like, God, damn, bro y'all text me on my mother.

1278
01:11:20,960 --> 01:11:22,280
Speaker 1: He got to see though the same. Hey did you

1279
01:11:22,360 --> 01:11:25,360
Speaker 1: look at she said, I'm not showing a thing like that.

1280
01:11:26,280 --> 01:11:30,200
Speaker 1: He the only wan that don't. But he write up soon.

1281
01:11:30,280 --> 01:11:31,680
Speaker 1: He con soon he get off the phone with you, like,

1282
01:11:31,840 --> 01:11:37,080
Speaker 1: what did you say? Yeah? Right, what you say? I

1283
01:11:37,200 --> 01:11:40,000
Speaker 1: put the battery in their back. Yeah, of course you

1284
01:11:40,120 --> 01:11:44,519
Speaker 1: got to. I appreciate y'all, man, thank y'all so much. Yeah,

1285
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Speaker 1: I support that Detroit. Yeah, I want to. I want

1286
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Speaker 1: to y'all get out there. I wish I can get

1287
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Speaker 1: y'all get out there, make first y'all there. You know,

1288
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Speaker 1: we got your tickets whatever. I love y'all to come

1289
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Speaker 1: out there. Tickets like plane tickets, Yeah, plane tickets on listen.

1290
01:11:56,800 --> 01:11:59,360
Speaker 1: Here's the thing though, you know, I don't felt the

1291
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Speaker 1: first class gas prices the one right that you got

1292
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Speaker 1: on that think you got us on a megaplane. You

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Speaker 1: don't have work with this trip, Big Fact. Let's when

1294
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Speaker 1: I get it, we go be good. You're listening to

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Speaker 1: get Big Facts with Big Bank and DJ scream follow

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