1 00:00:00,240 --> 00:00:03,400 Speaker 1: Hello the Internet, and welcome to season thirty one, Episode five, 2 00:00:04,040 --> 00:00:09,320 Speaker 1: Daily Zeitgeist for May two thousand and eight. Team my 3 00:00:09,400 --> 00:00:13,720 Speaker 1: name is Jack O'Brien, a k Sharkonade Tots O'Brien. That 4 00:00:13,840 --> 00:00:16,480 Speaker 1: is courtesy of at Year of the Aunt on Twitter, 5 00:00:16,520 --> 00:00:18,520 Speaker 1: and I am thrilled to be joined as always by 6 00:00:18,520 --> 00:00:22,360 Speaker 1: my co host Mr Miles Grey Today's ak. I'm gonna 7 00:00:22,400 --> 00:00:26,280 Speaker 1: keep the base thing going because Miles that she wants 8 00:00:26,760 --> 00:00:30,400 Speaker 1: is another Gray Bay. She's going tomorrow. Oh boy, Miles 9 00:00:30,480 --> 00:00:35,959 Speaker 1: that she Isn't that a Gray By. I do lead 10 00:00:35,960 --> 00:00:39,880 Speaker 1: a lonely life, yes, and thank you to Jeremiah Alexander 11 00:00:40,040 --> 00:00:42,879 Speaker 1: at Cascadian eighty three. I think it's said that yet 12 00:00:43,000 --> 00:00:45,839 Speaker 1: on Twitter, so yeah, thought out to you. Yeah, and 13 00:00:45,880 --> 00:00:48,440 Speaker 1: that is also how you lead your life, just kind 14 00:00:48,479 --> 00:00:51,440 Speaker 1: of trying to looking for I'm the hunt people to 15 00:00:51,479 --> 00:00:53,920 Speaker 1: have a baby with so you can get on that 16 00:00:53,960 --> 00:00:57,680 Speaker 1: welfare scheme right basically, I mean, or at least just 17 00:00:57,800 --> 00:00:59,240 Speaker 1: you know, I want my mom to visit, she said, 18 00:00:59,240 --> 00:01:03,200 Speaker 1: if there's a grandchot to uh well, we are thrilled 19 00:01:03,440 --> 00:01:07,040 Speaker 1: to be joined by the hilarious comedian and co host 20 00:01:07,040 --> 00:01:10,120 Speaker 1: of one of the best podcasts out there. The Bechdel Cast. 21 00:01:10,800 --> 00:01:17,440 Speaker 1: She's Caitlin Durante. Hi, thanks, and a little bird told 22 00:01:17,560 --> 00:01:21,120 Speaker 1: me that it's your birthday. A little happy birthday as 23 00:01:21,160 --> 00:01:23,440 Speaker 1: an order by a little bird. I mean you right 24 00:01:23,480 --> 00:01:26,559 Speaker 1: before we start recording. But now I saw on social 25 00:01:26,600 --> 00:01:32,320 Speaker 1: media and I had found out yesterday afternoon that I 26 00:01:32,400 --> 00:01:35,480 Speaker 1: was invited to a party for your birthday. But it 27 00:01:35,520 --> 00:01:38,959 Speaker 1: was on Facebook, and I don't use that anymore. So unfortunate, 28 00:01:39,120 --> 00:01:42,800 Speaker 1: but so that's her fault. How did how did that go? Um? 29 00:01:42,800 --> 00:01:45,800 Speaker 1: It was really good? Um, happy birthday? Thank you so 30 00:01:45,880 --> 00:01:49,200 Speaker 1: much that my birthday was yesterday. But have you belated birthday? 31 00:01:49,160 --> 00:01:52,480 Speaker 1: The technically i'll say that. Um, you know, I'm thirty 32 00:01:52,520 --> 00:01:56,520 Speaker 1: two and I feel great. Hey right, yeah it doesn't 33 00:01:56,600 --> 00:02:00,919 Speaker 1: feel good. Yeah, I feel like now I can puff 34 00:02:00,920 --> 00:02:03,000 Speaker 1: my chest out about my life experience a little bit 35 00:02:03,000 --> 00:02:04,880 Speaker 1: more than like when you're twenties or you think you 36 00:02:04,880 --> 00:02:07,360 Speaker 1: know everything. I'm like, I'm slowly approaching where I know 37 00:02:07,520 --> 00:02:09,320 Speaker 1: more things. I don't know everything. I don't don't I 38 00:02:09,320 --> 00:02:12,040 Speaker 1: don't really don't know about much. But being I'm really 39 00:02:12,160 --> 00:02:17,240 Speaker 1: enjoying me. You're the youngest adult, Yeah exactly. Yeah, so yes, 40 00:02:17,280 --> 00:02:23,880 Speaker 1: you seem ancient to children like Sophie Lictorman or super 41 00:02:23,960 --> 00:02:27,240 Speaker 1: Producer on a hose n. They're like, what are you 42 00:02:27,280 --> 00:02:30,200 Speaker 1: like forty five or what that's the running joke about 43 00:02:31,639 --> 00:02:35,440 Speaker 1: kay dead? Uh, Caitlin, what is something from your search 44 00:02:35,520 --> 00:02:39,520 Speaker 1: history that's reeling about who you are? I just searched 45 00:02:39,600 --> 00:02:47,120 Speaker 1: for sleep patches, patches sleep a fentyl patch. Well I 46 00:02:47,120 --> 00:02:53,079 Speaker 1: don't know what that is. Uh. Yeah, someone sent me 47 00:02:53,120 --> 00:02:55,280 Speaker 1: a link because they know I have trouble sleeping. And 48 00:02:55,280 --> 00:02:59,120 Speaker 1: apparently there are things called sleep patches that you like 49 00:02:59,240 --> 00:03:01,120 Speaker 1: just slap on your arm and it helps you, like 50 00:03:01,160 --> 00:03:04,720 Speaker 1: releases like Melotona nutrients. It says I could not find 51 00:03:04,760 --> 00:03:07,480 Speaker 1: out more information. Is there an ingredients? I thought you're 52 00:03:07,520 --> 00:03:11,480 Speaker 1: gonna say medicine? Uh, we don't know. It sounds like 53 00:03:11,480 --> 00:03:14,040 Speaker 1: it's bullshit, sounds like a scam. Wait, can we let's 54 00:03:14,040 --> 00:03:15,680 Speaker 1: explore this though I don't want to in case you 55 00:03:15,720 --> 00:03:17,480 Speaker 1: know this this this could be a remedy. Now. So 56 00:03:17,520 --> 00:03:21,359 Speaker 1: I was looking for at a specific brand clover with 57 00:03:21,400 --> 00:03:25,840 Speaker 1: a ok K l O V A clover. Okay, Miles 58 00:03:25,919 --> 00:03:29,799 Speaker 1: does not like the spelling, said KKK before. I think 59 00:03:29,880 --> 00:03:34,160 Speaker 1: you were just getting your getting a rhythm point. But okay, yeah, 60 00:03:34,200 --> 00:03:36,280 Speaker 1: that was a weird vocal warm up before we started 61 00:03:36,280 --> 00:03:43,840 Speaker 1: recording KKK Clove cigarettes arms. Now you're looking into Clover Now, 62 00:03:43,920 --> 00:03:46,000 Speaker 1: are they like the top brand or something. I'm not 63 00:03:46,000 --> 00:03:48,400 Speaker 1: try I'm just finding out about these patches, and I 64 00:03:48,400 --> 00:03:50,520 Speaker 1: don't think I will follow through with them, but I 65 00:03:50,920 --> 00:03:53,040 Speaker 1: was curious. I was like, maybe because I have really 66 00:03:53,080 --> 00:03:56,840 Speaker 1: bad insomnia, and uh, I have been trying different remedies 67 00:03:56,880 --> 00:03:59,960 Speaker 1: over the course of my whole life. And I was like, well, 68 00:04:00,160 --> 00:04:04,320 Speaker 1: maybe that's But because the website for these Clover sleep 69 00:04:04,360 --> 00:04:08,200 Speaker 1: patches didn't give more detailed information about what exactly is 70 00:04:08,240 --> 00:04:10,640 Speaker 1: in the at least not that I could find. I 71 00:04:11,240 --> 00:04:13,880 Speaker 1: did not investigate that, Like, don't worry about it. You 72 00:04:13,920 --> 00:04:15,840 Speaker 1: don't have to put it in your mouth. Look, you're 73 00:04:15,840 --> 00:04:19,680 Speaker 1: slapping on you. You're tired, right, so stop asking questions 74 00:04:19,760 --> 00:04:22,640 Speaker 1: BTUs patch on baby trying to go to sleep. Right. 75 00:04:23,640 --> 00:04:25,720 Speaker 1: It's interesting. Yeah, when you're right you go on the 76 00:04:25,760 --> 00:04:28,920 Speaker 1: website even like when you say the how it works sections, Yeah, 77 00:04:28,920 --> 00:04:32,160 Speaker 1: it doesn't say anything about tell me how the ingredients work. 78 00:04:32,360 --> 00:04:35,920 Speaker 1: They just tell you how sleep works. Uh, Caitlin, what's 79 00:04:35,920 --> 00:04:41,280 Speaker 1: something that is overrated? I think weddings just all weddings 80 00:04:41,320 --> 00:04:43,400 Speaker 1: I think it's I think they're one of the dumbest 81 00:04:43,400 --> 00:04:46,120 Speaker 1: things that a lot of people still do. I don't know, 82 00:04:46,279 --> 00:04:49,240 Speaker 1: that's probably not a popular opinion, but yeah, I hate 83 00:04:49,240 --> 00:04:54,479 Speaker 1: wedding culture. I don't like love in general. Oh wow, okay, 84 00:04:55,360 --> 00:04:58,719 Speaker 1: that's not true. But I am pretty cynical. Well okay, 85 00:04:58,839 --> 00:05:01,240 Speaker 1: is this because of the royal way? Is that sort 86 00:05:01,240 --> 00:05:05,120 Speaker 1: of compounding this sort of overratedness? Are you maybe just 87 00:05:05,160 --> 00:05:11,280 Speaker 1: a little bit mad that you weren't invited a little bit? Um? Yeah, 88 00:05:11,320 --> 00:05:16,880 Speaker 1: other people's weddings are rough unless you're like good, you know, 89 00:05:16,920 --> 00:05:18,720 Speaker 1: it's worth the worst thing if you if you ever 90 00:05:18,720 --> 00:05:20,960 Speaker 1: been to a wedding where you're like, these people don't 91 00:05:21,000 --> 00:05:24,000 Speaker 1: love each other. Yeah, and you and you have to 92 00:05:24,120 --> 00:05:26,280 Speaker 1: deal with that being there at the wedding. That's a 93 00:05:26,360 --> 00:05:28,679 Speaker 1: funked up kind of wedding. And like use the energy 94 00:05:28,760 --> 00:05:30,320 Speaker 1: is bad at those weddings to begin with, Like they're 95 00:05:30,320 --> 00:05:31,839 Speaker 1: the kind of weddings like no one wants to party 96 00:05:31,920 --> 00:05:34,360 Speaker 1: after like all right, guys, think it's nine, I'm gonna 97 00:05:34,400 --> 00:05:37,960 Speaker 1: go home. Uh yeah, that's those can be painful. I 98 00:05:38,000 --> 00:05:40,720 Speaker 1: love a good destination wedding, though. Oh yeah, see, I 99 00:05:40,720 --> 00:05:43,000 Speaker 1: would be mad if I got invited to a destination wedding. 100 00:05:43,040 --> 00:05:46,200 Speaker 1: Well destination not so much as like going like Europe 101 00:05:46,279 --> 00:05:47,720 Speaker 1: or something, but if it's like, you know, to take 102 00:05:47,720 --> 00:05:51,400 Speaker 1: a drive to enjoy the ocean, the trees. But yeah, 103 00:05:51,880 --> 00:05:55,040 Speaker 1: I part of me like really fears for the amount 104 00:05:55,040 --> 00:05:57,279 Speaker 1: of money that people spend on on weddings that I'm like, 105 00:05:57,600 --> 00:06:02,839 Speaker 1: that's what I hyper consumerism necessary. It's really about the love, right, Yeah, 106 00:06:03,279 --> 00:06:06,360 Speaker 1: what what I would say, weddings are probably the event 107 00:06:06,560 --> 00:06:10,440 Speaker 1: that took the biggest fall and enjoyability, Like when I 108 00:06:10,480 --> 00:06:14,039 Speaker 1: stopped drinking. It's like weddings were went from fun to 109 00:06:14,200 --> 00:06:17,800 Speaker 1: being like exhausting, right because you're permanently the guy who 110 00:06:17,839 --> 00:06:22,320 Speaker 1: shows up to the party when everyone's drunk. Um. Yeah, 111 00:06:22,400 --> 00:06:27,400 Speaker 1: that are driving? Driving is way less fun now and 112 00:06:27,480 --> 00:06:32,360 Speaker 1: those kids gotta get school, Kaitlyn. What's something that is underrated? Uh? 113 00:06:32,520 --> 00:06:37,880 Speaker 1: Do you guys know the movie Storks? No? It is 114 00:06:37,920 --> 00:06:43,120 Speaker 1: an animated children's film from sixteen, But it's got an 115 00:06:43,120 --> 00:06:45,919 Speaker 1: all star cast and it's really funny and I like 116 00:06:46,000 --> 00:06:48,480 Speaker 1: it a lot, and it like totally went under the radar, 117 00:06:48,560 --> 00:06:51,240 Speaker 1: I think for most people. But it's really good and 118 00:06:51,279 --> 00:06:56,800 Speaker 1: I want people to elaborate film buff it's just it's 119 00:06:56,800 --> 00:06:59,320 Speaker 1: an animally are they delivering babies? Like, what's the you know, 120 00:06:59,360 --> 00:07:01,880 Speaker 1: give me that little So it's uh, I mean I've 121 00:07:01,920 --> 00:07:04,800 Speaker 1: always seen it once. Is it a hero's journey? I 122 00:07:04,839 --> 00:07:07,960 Speaker 1: mean I think, okay, so it's a it's about a 123 00:07:08,000 --> 00:07:11,720 Speaker 1: colony of storks who deliver babies to people in this 124 00:07:12,120 --> 00:07:15,560 Speaker 1: The world building in the movie Storks is that babies 125 00:07:15,600 --> 00:07:19,440 Speaker 1: come from where like somewhere, and then the storks deliver 126 00:07:19,520 --> 00:07:22,720 Speaker 1: them to the parents. So they've still obscured the actual 127 00:07:22,760 --> 00:07:25,640 Speaker 1: process of procreation, right, okay, which I am. You know, 128 00:07:25,720 --> 00:07:29,320 Speaker 1: I'm very supportive of that. I'm a very sex negative person. 129 00:07:31,520 --> 00:07:34,720 Speaker 1: That's why I love Storks. This movie came out in 130 00:07:34,760 --> 00:07:37,200 Speaker 1: two thousand and sixteen and made a hundred and eighty 131 00:07:37,280 --> 00:07:42,080 Speaker 1: two million dollars and but no one, no one has 132 00:07:42,240 --> 00:07:45,080 Speaker 1: heard about it. Definitely on the radar that much, right 133 00:07:45,200 --> 00:07:47,320 Speaker 1: scratch anyway, I'm sorry. So these they get together, their 134 00:07:47,640 --> 00:07:50,320 Speaker 1: job is to deliver them. And there's one, uh stork 135 00:07:50,880 --> 00:07:54,280 Speaker 1: in particular, who something about like he's not good at 136 00:07:54,320 --> 00:07:56,240 Speaker 1: his job or like no one wants him. He keeps 137 00:07:56,280 --> 00:08:01,000 Speaker 1: like messing up? Does he drop babies? So you really like, dammit, 138 00:08:01,080 --> 00:08:05,400 Speaker 1: Harold you've dropped an I'm not going to be able 139 00:08:05,520 --> 00:08:08,880 Speaker 1: to give a good recap because I don't remember it. 140 00:08:10,000 --> 00:08:14,320 Speaker 1: I just remember, did you see it in the theater? No? 141 00:08:14,440 --> 00:08:20,160 Speaker 1: I didn't. Undu dv okay beautiful. Wait do you really 142 00:08:20,160 --> 00:08:22,200 Speaker 1: still have a DVD player? I still have a DVD 143 00:08:22,280 --> 00:08:28,560 Speaker 1: player and I still get DVDs from Netflix DVD because 144 00:08:28,560 --> 00:08:30,160 Speaker 1: there are a lot there is a ton that you 145 00:08:30,280 --> 00:08:32,920 Speaker 1: that is just not on the streaming service. Yeah. Are 146 00:08:32,920 --> 00:08:37,280 Speaker 1: they still connected? Yes? Yeah, like you get the delivery 147 00:08:37,320 --> 00:08:39,720 Speaker 1: with your streaming. No. That well, there's what I mean, 148 00:08:39,720 --> 00:08:41,240 Speaker 1: because it used to be like when you had the 149 00:08:41,280 --> 00:08:45,360 Speaker 1: regular Netflix, like we give you the streaming separated, so 150 00:08:45,400 --> 00:08:48,120 Speaker 1: I have to I pay separately for the DVDs. Aren't 151 00:08:48,120 --> 00:08:51,040 Speaker 1: we doing well? Remember when they were thinking about renaming 152 00:08:51,240 --> 00:08:56,439 Speaker 1: themselves yeah, fix yeah Flixter? Yeah? Was that they were 153 00:08:56,480 --> 00:09:00,480 Speaker 1: going to call their streaming service flixter or the mailing service? 154 00:09:00,600 --> 00:09:04,240 Speaker 1: I think the mailing service for all I know, they 155 00:09:04,280 --> 00:09:08,280 Speaker 1: could have renamed the mailing service because I'm looking and 156 00:09:08,640 --> 00:09:13,079 Speaker 1: reportedly only one person still uses the mailing DVD and 157 00:09:14,720 --> 00:09:16,920 Speaker 1: my mom too. Yeah. She has to get all her 158 00:09:16,920 --> 00:09:20,280 Speaker 1: like BBC like dramas and stuff that she can't like 159 00:09:20,320 --> 00:09:22,160 Speaker 1: get anywhere else, or she just gets it from the 160 00:09:22,360 --> 00:09:26,400 Speaker 1: like PBS website. Caitlin, why were you watching Storks? Had 161 00:09:26,440 --> 00:09:29,520 Speaker 1: somebody told you, Oh, it's good. It's got apparently Andy Sandberg, 162 00:09:30,400 --> 00:09:32,959 Speaker 1: Key and Peel Or in it. It's an all star cast. Yeah, 163 00:09:33,040 --> 00:09:39,240 Speaker 1: Kelsey Grammar, I love her. Jennifer Aniston, Oh, I love him. Uh, 164 00:09:39,320 --> 00:09:45,679 Speaker 1: Danny Trejo, he Danny. I was telling somebody about how 165 00:09:45,679 --> 00:09:47,760 Speaker 1: amazing he is, Like when I used to work at 166 00:09:47,800 --> 00:09:49,920 Speaker 1: Power one of six, he came in when Machete was 167 00:09:49,960 --> 00:09:52,680 Speaker 1: doing press and he did his own hair for a 168 00:09:52,760 --> 00:09:54,920 Speaker 1: radio interview. Like he came in and he was like, 169 00:09:54,960 --> 00:09:56,760 Speaker 1: hey man, good to meet you. You gotta go a 170 00:09:56,840 --> 00:09:59,200 Speaker 1: dressing room, And I was like, not really, this is 171 00:09:59,320 --> 00:10:04,600 Speaker 1: radio like radio. Should I not have done come with 172 00:10:04,640 --> 00:10:08,520 Speaker 1: like full hair and makeup? Amazing? You know, because we 173 00:10:08,520 --> 00:10:10,120 Speaker 1: do the photo at the end, so you will look 174 00:10:10,160 --> 00:10:12,440 Speaker 1: beautiful for that. But it's weird that she set up 175 00:10:12,440 --> 00:10:15,679 Speaker 1: her own lighting for the recording that because there are 176 00:10:15,720 --> 00:10:18,600 Speaker 1: no cameras in here. But yeah, he COEs in and 177 00:10:18,720 --> 00:10:20,600 Speaker 1: we just set him up like in this conference room 178 00:10:20,600 --> 00:10:22,960 Speaker 1: with like someone had like a mirror, like the makeup, 179 00:10:23,280 --> 00:10:25,400 Speaker 1: and he like he had a bag. He had a 180 00:10:25,440 --> 00:10:28,480 Speaker 1: brush and a hair dryer and he's just straight up 181 00:10:29,080 --> 00:10:31,560 Speaker 1: tended to his locks so amazingly, and he was so 182 00:10:31,640 --> 00:10:33,360 Speaker 1: low maintenance. It was kind of dope to see someone 183 00:10:33,440 --> 00:10:35,520 Speaker 1: kind of do like this high maintenance like sort of 184 00:10:35,760 --> 00:10:37,920 Speaker 1: this is my image thing, but also not really trying 185 00:10:37,960 --> 00:10:39,839 Speaker 1: to bother anybody with it. He was like, yeah, good, 186 00:10:39,880 --> 00:10:41,280 Speaker 1: I just needed an outlet and it was just like 187 00:10:42,040 --> 00:10:43,920 Speaker 1: and it was just so funny watched Danny Trejo just 188 00:10:43,920 --> 00:10:48,320 Speaker 1: straighten his hair by himself for a radio. This is 189 00:10:48,480 --> 00:10:52,120 Speaker 1: huge for me though, as somebody who my kids are 190 00:10:53,160 --> 00:10:55,040 Speaker 1: reaching the age where they're going to be able to 191 00:10:55,080 --> 00:10:59,520 Speaker 1: watch children's movies and children's entertainment, so I I really 192 00:10:59,559 --> 00:11:05,000 Speaker 1: appreciate it. Oh of course, yeah show them Paddington's Paddington too. 193 00:11:05,040 --> 00:11:11,120 Speaker 1: I've heard heard the Paddington franchisees eraser Head. Eraser Head 194 00:11:11,240 --> 00:11:13,800 Speaker 1: would be also be good. Well, my birthday party last 195 00:11:13,920 --> 00:11:18,440 Speaker 1: night was Paddington themed, really because I have been to 196 00:11:18,760 --> 00:11:21,600 Speaker 1: a two year old's birthday party that was Paddington themed 197 00:11:22,000 --> 00:11:27,480 Speaker 1: and it was lit really fucking amazing. What does he 198 00:11:27,520 --> 00:11:29,400 Speaker 1: wear like a slicker and like a rain hat. What's 199 00:11:29,400 --> 00:11:33,240 Speaker 1: Paddington's like garb? Yeah, it's like a duffle jacket, blue 200 00:11:33,280 --> 00:11:37,280 Speaker 1: duffle coat, and um, like a red hat. I don't 201 00:11:37,280 --> 00:11:39,560 Speaker 1: know what you call that style of hat. Yeah, like 202 00:11:39,600 --> 00:11:43,160 Speaker 1: a like a fisherman, like a seafaring hat. Yeah, I'm 203 00:11:43,160 --> 00:11:45,320 Speaker 1: sure someone he keeps some marmalade sandwich in there for 204 00:11:45,360 --> 00:11:48,000 Speaker 1: emergency inside the How long has it been in there? 205 00:11:48,000 --> 00:11:49,720 Speaker 1: Do they talk about how much he switches it out? 206 00:11:49,920 --> 00:11:52,000 Speaker 1: They don't talk about that. But I hate for that 207 00:11:52,000 --> 00:11:57,280 Speaker 1: trying to just be rotting on his head and he's like, oh, 208 00:11:57,320 --> 00:12:02,120 Speaker 1: I got a sandwich here, it's into my head Paddington. 209 00:12:02,559 --> 00:12:04,840 Speaker 1: Right now, my son is into a show called Terrific 210 00:12:04,880 --> 00:12:07,920 Speaker 1: Trucks that's just trucks driving around that they've c g 211 00:12:08,000 --> 00:12:11,320 Speaker 1: I had eyes onto. I'm just realizing it has like 212 00:12:11,400 --> 00:12:14,720 Speaker 1: really problematic politics. Like the leader of the gang is 213 00:12:14,760 --> 00:12:18,600 Speaker 1: just this like very like gruff military type guy, and 214 00:12:18,640 --> 00:12:22,400 Speaker 1: then like there's like all there's a gay truck who's 215 00:12:22,440 --> 00:12:25,400 Speaker 1: like really into his image, and then there's a woman 216 00:12:26,040 --> 00:12:28,840 Speaker 1: truck who speaks with an accent, who's like very dizzy 217 00:12:29,000 --> 00:12:31,199 Speaker 1: and like never knows what she's doing and he has 218 00:12:31,240 --> 00:12:33,640 Speaker 1: to like keep her on tasks. I was just like, 219 00:12:33,720 --> 00:12:38,840 Speaker 1: oh man, this is dead. But but yeah, yeah, you 220 00:12:38,840 --> 00:12:45,320 Speaker 1: should check out Terrific truck truck, Terrific Trucks, Terrific trucks. Yeah, 221 00:12:45,440 --> 00:12:49,280 Speaker 1: very creative. Yeah no, it's like perfectly made for the 222 00:12:49,320 --> 00:12:52,960 Speaker 1: two year old boy's mind. Uh. What is a myth? 223 00:12:53,000 --> 00:12:55,160 Speaker 1: What's something that people think is true that, based on 224 00:12:55,200 --> 00:12:58,880 Speaker 1: your experience, you know to be false? Oh okay, So, um, 225 00:12:59,080 --> 00:13:02,720 Speaker 1: this ties into a recent experience of mine, Um, that 226 00:13:03,280 --> 00:13:09,240 Speaker 1: that old people are lonely, unproductive, um, just kind of 227 00:13:09,400 --> 00:13:13,240 Speaker 1: sitting around not doing anything, um, which is a bias 228 00:13:13,360 --> 00:13:17,600 Speaker 1: that I am sad to say that I have participated in. 229 00:13:17,800 --> 00:13:21,719 Speaker 1: But I was recently asked to teach a stand up 230 00:13:21,720 --> 00:13:27,160 Speaker 1: comedy class at the Los Angeles LGBT Center H four Seniors. 231 00:13:27,320 --> 00:13:29,240 Speaker 1: So I've been doing that for the past few weeks 232 00:13:29,320 --> 00:13:34,680 Speaker 1: and I'm learning that the class is full of such 233 00:13:34,720 --> 00:13:38,840 Speaker 1: wonderful people. Um, they're all so sweet and one and 234 00:13:38,880 --> 00:13:42,319 Speaker 1: it's just like so exciting to know that they're like 235 00:13:42,720 --> 00:13:44,720 Speaker 1: trying stand up comedy, a lot of them for the 236 00:13:44,760 --> 00:13:48,120 Speaker 1: first time, and they're like, you know, fulfilling this dream 237 00:13:48,160 --> 00:13:50,960 Speaker 1: of theirs and they're like doing stuff and that they're 238 00:13:51,000 --> 00:13:54,000 Speaker 1: creative and they're so um. And I also I was 239 00:13:54,040 --> 00:13:56,520 Speaker 1: like you know old people are out of touch because 240 00:13:56,559 --> 00:13:58,240 Speaker 1: this is like, I mean, the old people that I knew, 241 00:13:58,280 --> 00:14:01,360 Speaker 1: like my relatives extremely so I was like, but like 242 00:14:01,440 --> 00:14:05,760 Speaker 1: they're all just like so like woke in my smart 243 00:14:05,880 --> 00:14:08,080 Speaker 1: and like they're keeping up with everything, and it was 244 00:14:08,160 --> 00:14:11,360 Speaker 1: it's just like so wonderful to know them and to 245 00:14:12,120 --> 00:14:14,480 Speaker 1: uh just be working with them. She's like Laurel or 246 00:14:14,559 --> 00:14:19,680 Speaker 1: Yanni not without my hearing aids am I right, Yeah, 247 00:14:19,840 --> 00:14:23,000 Speaker 1: I I agree. And they've done studies on happiness. I 248 00:14:23,000 --> 00:14:27,000 Speaker 1: think for whatever reason, people assume that as you get older, like, well, 249 00:14:27,120 --> 00:14:29,600 Speaker 1: but now my life's over because I've hit like fifty 250 00:14:29,720 --> 00:14:33,960 Speaker 1: or sixty or whatever. And people most people get happier 251 00:14:34,040 --> 00:14:37,920 Speaker 1: as they get older, like because you just learn how 252 00:14:38,000 --> 00:14:41,440 Speaker 1: you like to live life and like figure figure things out. 253 00:14:41,520 --> 00:14:43,040 Speaker 1: And at that point you probably can recognize your on 254 00:14:43,160 --> 00:14:45,280 Speaker 1: like self defeating thought patterns and be like, oh is 255 00:14:45,320 --> 00:14:48,240 Speaker 1: this am I stressing myself out right? I've done this 256 00:14:48,320 --> 00:14:51,040 Speaker 1: for seventy years now. Yeah, maybe this night might not 257 00:14:51,080 --> 00:14:53,960 Speaker 1: be a strategy. Yeah that was good news when I 258 00:14:54,040 --> 00:14:57,280 Speaker 1: learned that, And I'm glad you're spreading it. Yeah, what 259 00:14:57,320 --> 00:15:00,000 Speaker 1: was it? Was there? Like a real standout comedian from 260 00:15:00,120 --> 00:15:03,080 Speaker 1: class that you were like really impressed with. Um, there's 261 00:15:03,080 --> 00:15:05,840 Speaker 1: a few who like and they they are ones who've 262 00:15:05,880 --> 00:15:08,160 Speaker 1: done comedy in the past, so they already kind of 263 00:15:09,200 --> 00:15:12,640 Speaker 1: but um yeah, overall they're all like really funny and 264 00:15:12,800 --> 00:15:16,360 Speaker 1: they have such interesting stories and it's really great. I'm 265 00:15:16,400 --> 00:15:20,880 Speaker 1: still in the middle belt, like World War two, Um, 266 00:15:21,200 --> 00:15:27,160 Speaker 1: like never trusted. So my best friend is holding his 267 00:15:27,280 --> 00:15:31,840 Speaker 1: guts and they're doing a showcase on the LGBT Center 268 00:15:31,840 --> 00:15:35,080 Speaker 1: if if anyone wants to come. Oh, okay, what is 269 00:15:35,120 --> 00:15:39,520 Speaker 1: a what's a counterintuitive like tip that people who try 270 00:15:39,560 --> 00:15:42,000 Speaker 1: stand up for the first time don't know too, isn't 271 00:15:42,080 --> 00:15:44,200 Speaker 1: Isn't there something like you're just supposed to tell stories 272 00:15:44,240 --> 00:15:48,680 Speaker 1: and not like tell jokes. Yeah, um right, I've been 273 00:15:48,680 --> 00:15:52,120 Speaker 1: telling them to just tell yeah, true stories about their 274 00:15:52,160 --> 00:15:54,080 Speaker 1: lives and themselves and things that have happened to them, 275 00:15:54,080 --> 00:15:56,920 Speaker 1: things they've done, and to like mind the comedy from 276 00:15:56,960 --> 00:15:59,920 Speaker 1: that because some of that, like a lot of beginning 277 00:16:00,160 --> 00:16:04,760 Speaker 1: comedians will um just try to either like make something 278 00:16:04,840 --> 00:16:07,480 Speaker 1: up for the sake of a joke or uh yeah, 279 00:16:07,560 --> 00:16:11,000 Speaker 1: just like get worry about getting a laugh or saying 280 00:16:11,040 --> 00:16:14,760 Speaker 1: something you know, kind of shocking or just funny. Um. 281 00:16:15,000 --> 00:16:17,320 Speaker 1: But we can we use audiences can often tell that 282 00:16:17,360 --> 00:16:21,560 Speaker 1: those things are fake and fabricating. Um, so yeah, if 283 00:16:21,560 --> 00:16:26,960 Speaker 1: you want to start truth and comedy, yeah, okay, uh, 284 00:16:27,040 --> 00:16:32,560 Speaker 1: let's get into the latest in the Laurel Yanni saga. 285 00:16:32,640 --> 00:16:34,920 Speaker 1: I know, sorry, I can't let it go. No, not 286 00:16:35,000 --> 00:16:37,800 Speaker 1: even like that. I'm just it's it's a it is 287 00:16:37,800 --> 00:16:40,560 Speaker 1: a saga and I and I really feel that this. Yeah, 288 00:16:40,600 --> 00:16:44,720 Speaker 1: we've we've reached another point in this auditory illusion world 289 00:16:44,760 --> 00:16:47,720 Speaker 1: where yeah, I give up after this one. So somebody 290 00:16:47,760 --> 00:16:51,480 Speaker 1: shared this with me on Twitter. I should find out 291 00:16:51,560 --> 00:16:53,400 Speaker 1: who that is. But it's kind of it's going all 292 00:16:53,400 --> 00:16:55,520 Speaker 1: over the place. People are sharing it quite a bit. 293 00:16:56,040 --> 00:17:00,880 Speaker 1: So this is another sound clip that you hear one 294 00:17:00,920 --> 00:17:03,280 Speaker 1: thing or the other. We're we're gonna play it for 295 00:17:03,320 --> 00:17:07,240 Speaker 1: you first, and Caitlin has not heard it. So first 296 00:17:07,240 --> 00:17:10,159 Speaker 1: you're gonna hear this weird power up sound that is 297 00:17:10,200 --> 00:17:12,680 Speaker 1: not what we're talking about. And then there's gonna be 298 00:17:12,880 --> 00:17:32,400 Speaker 1: a computer voice that says something to me. It sounds 299 00:17:32,440 --> 00:17:36,159 Speaker 1: like tornado but not I don't know, I don't know 300 00:17:36,200 --> 00:17:38,560 Speaker 1: what it sounds like. You may have been HEARDing Green Needle. 301 00:17:40,160 --> 00:17:41,880 Speaker 1: Maybe play that again and they can you hear green 302 00:17:46,600 --> 00:17:53,080 Speaker 1: I could. Yeah, I can hear it green needle. Yeah. Okay, 303 00:17:53,119 --> 00:17:59,520 Speaker 1: So now think about the word brand storm. Okay, think 304 00:17:59,560 --> 00:18:08,000 Speaker 1: about that. No, no, was I supposed to maybe hear brainstorm? 305 00:18:08,520 --> 00:18:12,199 Speaker 1: Did you not? Not even at all? Oh? Wow, I 306 00:18:12,240 --> 00:18:14,480 Speaker 1: can hear both. So this one is a new one 307 00:18:14,680 --> 00:18:18,240 Speaker 1: where it's a brainstorm or green needle, just depending on 308 00:18:18,560 --> 00:18:22,680 Speaker 1: what you go in with in your mind. Because yeah, 309 00:18:22,680 --> 00:18:24,480 Speaker 1: when I saw that, when the clip, it was like 310 00:18:24,480 --> 00:18:27,240 Speaker 1: brainstorm or green needles. So my mind I was like, okay, brainstorm. 311 00:18:27,280 --> 00:18:28,520 Speaker 1: And then I heard it and I was like, all right, 312 00:18:28,560 --> 00:18:30,240 Speaker 1: let me listen for a green needle. And I heard it, 313 00:18:30,720 --> 00:18:33,320 Speaker 1: and I thought, well, maybe this is just alternating, but 314 00:18:33,359 --> 00:18:35,240 Speaker 1: the clip is that's what I thought. I thought it 315 00:18:35,320 --> 00:18:38,760 Speaker 1: was like alternating between soundclips. Yeah, but it's just that 316 00:18:38,800 --> 00:18:41,760 Speaker 1: one clip that you can bring your own bullshit to 317 00:18:41,840 --> 00:18:44,359 Speaker 1: whether you want to hear green needle or brainstorm. So 318 00:18:44,440 --> 00:18:46,840 Speaker 1: one more time for if you're listening, will play turn 319 00:18:46,880 --> 00:18:55,520 Speaker 1: it up, crack it up? Brainstorm? No brainstorm. No, I 320 00:18:55,560 --> 00:18:59,920 Speaker 1: don't hear that at all. Green needle for me, green needle. 321 00:19:00,240 --> 00:19:04,960 Speaker 1: You're with her. You can't hear there might be something 322 00:19:05,000 --> 00:19:07,360 Speaker 1: about the oh I hear I heard it both ways. Yeah, 323 00:19:07,359 --> 00:19:09,440 Speaker 1: I did too, But I think it's another thing though, too, 324 00:19:09,440 --> 00:19:13,200 Speaker 1: where for whatever reason, the frequency range is like more 325 00:19:13,240 --> 00:19:16,240 Speaker 1: audible to me that I can hear both things. But again, 326 00:19:16,640 --> 00:19:18,800 Speaker 1: I don't know what's freaky is that I can hear 327 00:19:18,880 --> 00:19:22,080 Speaker 1: both depending on what I want to hear, not like 328 00:19:22,160 --> 00:19:24,720 Speaker 1: Laurel or Yanni, where I was really only hearing Laurel 329 00:19:24,840 --> 00:19:27,240 Speaker 1: until like the they act we had to alter the 330 00:19:27,240 --> 00:19:30,520 Speaker 1: pitch and I was like, oh, there's you. Yeah. Well, 331 00:19:30,560 --> 00:19:33,359 Speaker 1: I just tweeted that I don't hear Yanni or Laurel 332 00:19:33,440 --> 00:19:36,840 Speaker 1: because men's voices don't register with me. I just don't 333 00:19:36,840 --> 00:19:40,639 Speaker 1: hear men's. Um, So if you guys have been talking, 334 00:19:40,680 --> 00:19:45,120 Speaker 1: I have not heard a single thing. Yeah. It's like 335 00:19:45,280 --> 00:19:48,000 Speaker 1: when I think about the one word, I can't hear 336 00:19:48,040 --> 00:19:50,800 Speaker 1: the other, and when I think about another, I can't. 337 00:19:50,880 --> 00:19:53,200 Speaker 1: Like I I can only hear the word that I'm thinking. 338 00:19:53,240 --> 00:19:56,080 Speaker 1: I tried to hear where I heard green storm or 339 00:19:56,160 --> 00:19:58,879 Speaker 1: like brain needle, and it it sucked me up. Whatever. 340 00:19:58,920 --> 00:20:00,600 Speaker 1: The first thing I tried to think of it was 341 00:20:00,680 --> 00:20:02,639 Speaker 1: like it just sort of informed how I heard the 342 00:20:02,640 --> 00:20:05,159 Speaker 1: rest of it. Yeah, but I mean this is probably 343 00:20:05,200 --> 00:20:08,640 Speaker 1: the best example yet that we hear with our brains 344 00:20:08,680 --> 00:20:12,320 Speaker 1: and not with our years, Like there are no objective realities. 345 00:20:12,440 --> 00:20:15,200 Speaker 1: What you hear and see is based on what you 346 00:20:15,560 --> 00:20:20,399 Speaker 1: want to hear and see, except for Caitlin, who is 347 00:20:20,560 --> 00:20:26,600 Speaker 1: an objective vessel of scientific observation. You're hearing Yanni before anybody. 348 00:20:26,800 --> 00:20:28,239 Speaker 1: Remember when you came in and we brought that up. 349 00:20:28,240 --> 00:20:29,600 Speaker 1: I was like, Hey, the dronte was in here, she 350 00:20:29,640 --> 00:20:32,320 Speaker 1: heard Yanny. I don't trust her. Yeah, yeah, that's true. 351 00:20:32,560 --> 00:20:35,240 Speaker 1: You were in the office when that whole thing was breaking. 352 00:20:36,119 --> 00:20:38,560 Speaker 1: You're the only person who heard Yanni. No. I didn't 353 00:20:38,560 --> 00:20:43,160 Speaker 1: hear either. Yeah. Yeah, I thought it was like golem 354 00:20:43,280 --> 00:20:47,520 Speaker 1: just being like, um see and slowly this podcast will 355 00:20:47,560 --> 00:20:51,240 Speaker 1: turn into something about all auditory illusions. All right, let's 356 00:20:51,280 --> 00:21:02,800 Speaker 1: take a quick break and we'll be right back. And 357 00:21:02,920 --> 00:21:07,120 Speaker 1: we're back, and there's a ton of bad news right 358 00:21:07,160 --> 00:21:10,520 Speaker 1: now breaking. Uh. There was a plane crash in Cuba. 359 00:21:11,520 --> 00:21:15,800 Speaker 1: We're watching the details of a school shooting in Texas 360 00:21:16,480 --> 00:21:20,320 Speaker 1: in the Houston area. Um. We will sort of touch 361 00:21:20,359 --> 00:21:23,879 Speaker 1: on some school shooting stuff in a moment, but first 362 00:21:24,560 --> 00:21:29,360 Speaker 1: we wanted to talk about Solo, guys. Uh. So, Solo, 363 00:21:29,480 --> 00:21:32,880 Speaker 1: the new Star Wars movie is coming out next weekend, 364 00:21:33,320 --> 00:21:36,359 Speaker 1: and people are starting to talk about it, uh, and 365 00:21:36,800 --> 00:21:43,240 Speaker 1: specifically people are talking about Donald Glover's performance as Lando Calrissian. 366 00:21:43,320 --> 00:21:46,480 Speaker 1: Who isn't uh yeah, who isn't talking about Donald Glover 367 00:21:46,680 --> 00:21:48,920 Speaker 1: just in gen a lot of the I remember initially 368 00:21:48,920 --> 00:21:51,240 Speaker 1: everyone was like, oh, man, the guy playing Han Solo 369 00:21:51,359 --> 00:21:54,439 Speaker 1: needs a lot of help. Yeah, So it was very 370 00:21:54,480 --> 00:21:56,359 Speaker 1: easy for people have been like, oh, but Donald Glover 371 00:21:56,400 --> 00:21:59,880 Speaker 1: is amazing Lando, right. One of the angles that people 372 00:21:59,880 --> 00:22:03,840 Speaker 1: are are covering those from is that he plays the 373 00:22:03,920 --> 00:22:07,560 Speaker 1: character almost as a sort of pan sexual being who 374 00:22:07,720 --> 00:22:12,560 Speaker 1: is attracted to men, women and droids, uh tell them, 375 00:22:13,720 --> 00:22:19,200 Speaker 1: And that there's the dialogue between Solo and Lando kind 376 00:22:19,200 --> 00:22:22,520 Speaker 1: of takes on a flirty nature, but it's not over 377 00:22:22,800 --> 00:22:25,560 Speaker 1: within the movie. And now the writers are saying that 378 00:22:25,600 --> 00:22:30,959 Speaker 1: they intended this angle to be taken and saying like, 379 00:22:31,000 --> 00:22:34,960 Speaker 1: I don't mind people reading into it, which is cool, 380 00:22:35,840 --> 00:22:37,280 Speaker 1: but but it's not even that they said they don't 381 00:22:37,280 --> 00:22:39,679 Speaker 1: mind reading into it right there, like explicitly saying that 382 00:22:39,800 --> 00:22:43,560 Speaker 1: Lando like it was, it was pan sexual? Now are they? 383 00:22:43,680 --> 00:22:46,920 Speaker 1: When they talked to Jonathan Kasden, the person interviewing said 384 00:22:47,000 --> 00:22:49,680 Speaker 1: was is this character pan sexual? And then Jonathan Kasy said, 385 00:22:49,720 --> 00:22:51,639 Speaker 1: I would say, yes, there's a fluidity to Donald and 386 00:22:51,640 --> 00:22:54,880 Speaker 1: Billy D's portrayal of Lando sexuality. I mean, I would 387 00:22:54,880 --> 00:22:57,679 Speaker 1: have loved to have gotten a more explicitly LGBT character 388 00:22:57,720 --> 00:23:00,320 Speaker 1: into this movie. I think it's time, certainly for that. 389 00:23:00,359 --> 00:23:02,600 Speaker 1: And I love the fluidity sort of the spectrum of 390 00:23:02,640 --> 00:23:05,040 Speaker 1: sexuality that Donald appeals to and that droids are a 391 00:23:05,119 --> 00:23:07,640 Speaker 1: part of. He doesn't make any hard and fast rules. 392 00:23:07,680 --> 00:23:09,879 Speaker 1: I think it's fun. I don't know where it will go. So, 393 00:23:09,920 --> 00:23:12,600 Speaker 1: I mean, it seemed like they're like, yeah, he is, 394 00:23:13,080 --> 00:23:15,639 Speaker 1: he could be, but we're not gonna show you that 395 00:23:15,680 --> 00:23:18,840 Speaker 1: on screen, right that that is the way. So this 396 00:23:18,960 --> 00:23:22,320 Speaker 1: is the new way that uh you know Hollywood has 397 00:23:22,359 --> 00:23:29,840 Speaker 1: decided to portray characters who are LGBT q U in Blockbusters. 398 00:23:29,920 --> 00:23:33,600 Speaker 1: Is that you'll have it maybe open to interpretation within 399 00:23:33,680 --> 00:23:37,280 Speaker 1: the movie and then you'll be brave in the press 400 00:23:37,359 --> 00:23:41,199 Speaker 1: junket about the movie essentially. So yeah, I don't know. 401 00:23:41,280 --> 00:23:44,080 Speaker 1: I guess it's a step in the right direction, But 402 00:23:44,960 --> 00:23:46,639 Speaker 1: I don't know. It's weird. Mean, you can't like it. 403 00:23:46,840 --> 00:23:50,160 Speaker 1: It's so stupid, like to like, why not just represent 404 00:23:50,200 --> 00:23:53,040 Speaker 1: these characters in the film then just doing the half 405 00:23:53,040 --> 00:23:55,080 Speaker 1: asked woke version and being like, oh yeah, I think 406 00:23:55,160 --> 00:23:57,000 Speaker 1: I think that's fair, because what are you afraid you're 407 00:23:57,000 --> 00:23:59,680 Speaker 1: gonna put off like the small group of homophobic audience? 408 00:23:59,680 --> 00:24:02,080 Speaker 1: Remember is hearing like I'm not going to this movie 409 00:24:02,119 --> 00:24:05,679 Speaker 1: now because what didn't they do this like with I 410 00:24:05,680 --> 00:24:07,359 Speaker 1: don't watch Harry Potter. But wasn't that with one of 411 00:24:07,400 --> 00:24:10,520 Speaker 1: the characters Harry Potter? Yeah. J K Rowling later said 412 00:24:10,560 --> 00:24:16,479 Speaker 1: that she intended for all along for Dumbledore to be gay, which, um, 413 00:24:16,520 --> 00:24:19,760 Speaker 1: but like, what's the point of that to me? If 414 00:24:19,800 --> 00:24:23,879 Speaker 1: you're going to have representation at lgbt Q characters on screen, 415 00:24:24,240 --> 00:24:29,879 Speaker 1: to have it only be like implicit and not like showing, 416 00:24:30,119 --> 00:24:35,000 Speaker 1: Like having two men on screen kiss normalizes that and 417 00:24:35,160 --> 00:24:39,640 Speaker 1: that will help, like I think, turn societies around in 418 00:24:39,760 --> 00:24:43,040 Speaker 1: terms of their views of homosexuality. Um, but if it's 419 00:24:43,080 --> 00:24:46,160 Speaker 1: not normalized and if it's just if it may stays 420 00:24:46,200 --> 00:24:49,280 Speaker 1: as like implicit or also like not showing it made 421 00:24:49,520 --> 00:24:52,200 Speaker 1: me makes it like seem more secretive or that it 422 00:24:52,520 --> 00:24:55,320 Speaker 1: stud or it appeals to sort of like that diet 423 00:24:55,359 --> 00:24:57,520 Speaker 1: homophobia that people have where it's sort of like I 424 00:24:57,520 --> 00:24:59,600 Speaker 1: don't mind what people do in their own right, right, 425 00:24:59,840 --> 00:25:02,080 Speaker 1: I still want to see and that's the same thing, 426 00:25:02,080 --> 00:25:04,280 Speaker 1: and it kind of takes that same stance. I don't 427 00:25:04,320 --> 00:25:07,240 Speaker 1: mind what happens off camera, just not on camera, because 428 00:25:07,240 --> 00:25:10,199 Speaker 1: then it becomes some weird liberal movie or whatever the 429 00:25:10,200 --> 00:25:12,919 Speaker 1: funk it is. I mean, yeah, I think I don't understand. Again, 430 00:25:13,240 --> 00:25:15,000 Speaker 1: this is just the way I think Hollywood works too, 431 00:25:15,040 --> 00:25:17,720 Speaker 1: is because they have their calculus of like what's too far, 432 00:25:17,920 --> 00:25:21,680 Speaker 1: what's too much representation? Sadly, but yeah, this is a 433 00:25:22,000 --> 00:25:23,639 Speaker 1: I guess time on a tradition of just sort of 434 00:25:23,640 --> 00:25:28,640 Speaker 1: obscuring these these characters identities in that way. I guess 435 00:25:28,640 --> 00:25:31,399 Speaker 1: it's better than because a lot of movies have this 436 00:25:31,440 --> 00:25:35,440 Speaker 1: problem as coding characters as gay and usually villains. So 437 00:25:35,760 --> 00:25:39,479 Speaker 1: Disney will code squad of their villains as gay, and 438 00:25:39,520 --> 00:25:44,480 Speaker 1: then that sends a message to young people's grains. Yeah exactly, Yeah, 439 00:25:44,640 --> 00:25:48,320 Speaker 1: I mean early nineties movies. I feel like all the 440 00:25:48,400 --> 00:25:53,280 Speaker 1: hits had like gay or effeminate like lead villains like 441 00:25:53,520 --> 00:25:58,199 Speaker 1: Scar from Lion King, and like the serial killer in 442 00:25:58,680 --> 00:26:02,119 Speaker 1: Silence of the Lambs was like, oh yeah, that's a 443 00:26:02,200 --> 00:26:06,520 Speaker 1: hugely problematic, like transphobic. Was the name Buffalo Bob, Buffalo 444 00:26:06,560 --> 00:26:11,680 Speaker 1: Bill Buffalo Bill Buffalo Bob did right in that respect, 445 00:26:11,840 --> 00:26:16,479 Speaker 1: it is somewhat progressive comparing it to movies where they 446 00:26:16,520 --> 00:26:21,760 Speaker 1: just like villainize and demonize, you know, sexual fluidity and 447 00:26:21,800 --> 00:26:24,879 Speaker 1: stuff like that. This could be seen as a uh, 448 00:26:25,720 --> 00:26:27,880 Speaker 1: as a step in the right direction, but it does 449 00:26:27,920 --> 00:26:31,360 Speaker 1: still imply that you know, this is something to be 450 00:26:31,720 --> 00:26:36,840 Speaker 1: hidden U. And it's just so crazy that, you know, 451 00:26:37,000 --> 00:26:43,000 Speaker 1: people conservative people call liberals snowflakes when like, we can't 452 00:26:43,000 --> 00:26:47,359 Speaker 1: even show somebody who has a lifestyle that you disagree 453 00:26:47,359 --> 00:26:50,520 Speaker 1: with without people like freaking out, Like that's why we 454 00:26:50,560 --> 00:26:54,320 Speaker 1: don't show them movies is because they're scared of like 455 00:26:54,720 --> 00:26:58,840 Speaker 1: letter writing campaigns and you know, boycotts from or that 456 00:26:58,840 --> 00:27:01,320 Speaker 1: they're trying to snuff out great white male characters in 457 00:27:01,400 --> 00:27:04,480 Speaker 1: Star Wars movies. Yeah, exactly what. People still fucking go. 458 00:27:04,640 --> 00:27:07,480 Speaker 1: Then they will go even if you have Lando Calorisian 459 00:27:07,560 --> 00:27:11,160 Speaker 1: be this sort of sexual fluidity on camera. Right, Honestly, 460 00:27:11,200 --> 00:27:14,480 Speaker 1: I want to see a man fucking a droid to 461 00:27:14,560 --> 00:27:17,200 Speaker 1: see that on screen, and we might get that, who knows. 462 00:27:17,200 --> 00:27:19,200 Speaker 1: I don't want to spoil anything, but let's keep our 463 00:27:19,240 --> 00:27:22,320 Speaker 1: fingers crossed and our droid digits crossed. Yeah, one of 464 00:27:22,720 --> 00:27:28,240 Speaker 1: the best characters I think underrated performances Jude Laws then 465 00:27:28,800 --> 00:27:31,800 Speaker 1: in Ai Oh yeah, I like the way he clicked 466 00:27:31,800 --> 00:27:35,120 Speaker 1: his neck and music came out. Like all right, there's 467 00:27:35,160 --> 00:27:38,920 Speaker 1: tons of movies where like a fem like a female 468 00:27:39,000 --> 00:27:43,760 Speaker 1: presenting android, all the men like have a sexual fetish 469 00:27:43,840 --> 00:27:48,640 Speaker 1: for that blade runner x Mokia Like yeah, but like 470 00:27:49,240 --> 00:27:53,359 Speaker 1: for it to then be like a male human and 471 00:27:53,400 --> 00:28:00,600 Speaker 1: then whatever gendered robot. That's too much, right right. I 472 00:28:00,600 --> 00:28:06,439 Speaker 1: would love to see if Landol he hooks upot light, 473 00:28:06,640 --> 00:28:09,720 Speaker 1: We'll see. I don't know. Um, let's check it out, alright, 474 00:28:09,800 --> 00:28:13,720 Speaker 1: So we are all celebrating. I think it was yesterday 475 00:28:14,359 --> 00:28:17,400 Speaker 1: a huge anniversary. Um. And I'm not just talking about 476 00:28:17,480 --> 00:28:21,520 Speaker 1: Caitlin's birthday. Uh, it is the one year anniversary this 477 00:28:21,560 --> 00:28:25,280 Speaker 1: week of the Mueller investigation. So one thing that I've 478 00:28:25,320 --> 00:28:28,840 Speaker 1: just been hearing over and over again from conservative media 479 00:28:29,119 --> 00:28:33,720 Speaker 1: and conservatives I encounter in the real world is that 480 00:28:33,880 --> 00:28:37,080 Speaker 1: let's wrap it up. They haven't found anything. Let's come on, guys. 481 00:28:37,560 --> 00:28:41,240 Speaker 1: So thirty eight did an update of this chart that 482 00:28:41,280 --> 00:28:44,240 Speaker 1: they had made a couple of months ago, where they 483 00:28:44,280 --> 00:28:49,080 Speaker 1: have like the timelines of all the different special investigation 484 00:28:49,200 --> 00:28:54,360 Speaker 1: since nineteen seventy three that resulted in charges and UM. 485 00:28:54,520 --> 00:28:56,800 Speaker 1: They kind of point out that the only ones that 486 00:28:56,840 --> 00:29:02,480 Speaker 1: are as big as the Mueller Russian investigation or Watergate, UM, 487 00:29:02,640 --> 00:29:08,480 Speaker 1: white Water and UH around Contra, and all of those 488 00:29:08,560 --> 00:29:13,800 Speaker 1: lasted over four years, and nobody during any of them 489 00:29:13,920 --> 00:29:16,040 Speaker 1: was like, wrap it up, man, come on, let's get 490 00:29:16,040 --> 00:29:20,120 Speaker 1: this over with. Uh. And this sort of window of 491 00:29:20,800 --> 00:29:23,000 Speaker 1: you know, saying that, like this is taking a long 492 00:29:23,040 --> 00:29:26,880 Speaker 1: time is completely created by the conservative media because we 493 00:29:26,960 --> 00:29:29,760 Speaker 1: have to create some argument to be like, we gotta 494 00:29:29,800 --> 00:29:33,720 Speaker 1: get this done, because clearly they're afraid that this investigation 495 00:29:33,720 --> 00:29:36,760 Speaker 1: could unearth something, so why give it this pressure of oh, 496 00:29:36,760 --> 00:29:39,000 Speaker 1: it needs to wrap up. But it's interesting to also 497 00:29:39,080 --> 00:29:42,360 Speaker 1: hear how like, you know, most GOP senators in Congress 498 00:29:42,360 --> 00:29:44,960 Speaker 1: people prior to this, were like, you know, let the 499 00:29:45,000 --> 00:29:47,880 Speaker 1: investigation happen, let it, let Robert Muller do what he 500 00:29:47,920 --> 00:29:49,880 Speaker 1: has to do. Let's not interfere. Even though they wouldn't 501 00:29:49,880 --> 00:29:52,480 Speaker 1: offer any sort of legislation to protect him. It seemed 502 00:29:52,480 --> 00:29:55,160 Speaker 1: like the talking point was, yo, let's you know, let 503 00:29:55,160 --> 00:29:57,000 Speaker 1: it rock, let him do his thing. And now you're 504 00:29:57,000 --> 00:29:59,719 Speaker 1: starting to hear them say maybe we should wrap it up. 505 00:30:00,080 --> 00:30:02,920 Speaker 1: Maybe like it's it's gone from leave the man alone 506 00:30:02,960 --> 00:30:05,400 Speaker 1: to some people. Now you can kind of see how 507 00:30:05,400 --> 00:30:07,240 Speaker 1: they're Oh, they're starting now, we're starting to see the 508 00:30:07,320 --> 00:30:09,200 Speaker 1: change in some of these politicians who are now just 509 00:30:09,200 --> 00:30:12,960 Speaker 1: saying who are following this sort of wrap it up rhetoric? Yeah, 510 00:30:13,040 --> 00:30:15,320 Speaker 1: And I mean in terms of things that we have, 511 00:30:15,920 --> 00:30:20,520 Speaker 1: we have Donald Trump Jr. Opening that Trump Tower meeting 512 00:30:20,600 --> 00:30:24,200 Speaker 1: with a Russian agent by saying, so, I understand you 513 00:30:24,240 --> 00:30:27,360 Speaker 1: have something for us, after saying, oh if it's what 514 00:30:27,440 --> 00:30:29,160 Speaker 1: if it is what you say it is, I love 515 00:30:29,200 --> 00:30:33,960 Speaker 1: it when like that is explicitly an attempt to collude 516 00:30:34,080 --> 00:30:37,840 Speaker 1: with Russia to affect the election. Uh. And we also 517 00:30:37,880 --> 00:30:40,280 Speaker 1: know that Russia intervened on their behalf. So it's like 518 00:30:40,600 --> 00:30:43,360 Speaker 1: the other thing that I hear is that it's been 519 00:30:43,400 --> 00:30:46,280 Speaker 1: a year and we still don't have any proof or evidence, 520 00:30:46,600 --> 00:30:50,200 Speaker 1: and it's like pretty clear that you know there's something 521 00:30:50,240 --> 00:30:53,040 Speaker 1: going on there. That whole meeting, though, wasn't there. I 522 00:30:53,360 --> 00:30:55,280 Speaker 1: felt like this week they were trying to defend that. 523 00:30:55,320 --> 00:30:57,880 Speaker 1: It's like, well, yeah, they offered stuff, but it wasn't good. 524 00:30:58,000 --> 00:31:00,760 Speaker 1: So we're like, nah, yeah, we were going to use it. 525 00:31:01,560 --> 00:31:03,960 Speaker 1: Like you so you still met to try and exchange 526 00:31:04,000 --> 00:31:06,520 Speaker 1: some kind of information and then you decide, well, it's 527 00:31:06,560 --> 00:31:09,840 Speaker 1: not good, so I'm not going to fully follow through 528 00:31:09,920 --> 00:31:14,240 Speaker 1: with this plan to you know, to to leak information damaging. 529 00:31:14,320 --> 00:31:18,040 Speaker 1: This is not normal like opposition research stuff the you know, 530 00:31:18,240 --> 00:31:22,920 Speaker 1: one time, during the preparation for the debates in two thousand, 531 00:31:23,680 --> 00:31:27,520 Speaker 1: the Gore campaign was given like all the questions and 532 00:31:27,560 --> 00:31:31,400 Speaker 1: preparation and answers that George W. Bush was about to 533 00:31:31,680 --> 00:31:35,000 Speaker 1: use in a debate, and they immediately turned it over 534 00:31:35,120 --> 00:31:39,360 Speaker 1: the FBI because it's a huge violation and somebody was 535 00:31:39,520 --> 00:31:43,960 Speaker 1: clearly trying to cheat in a you know, presidential election. 536 00:31:44,440 --> 00:31:47,840 Speaker 1: And you know, that's what you do is you contact 537 00:31:48,160 --> 00:31:52,520 Speaker 1: law enforcement officials and say, hey, this is this is 538 00:31:52,600 --> 00:31:56,760 Speaker 1: going on. And they made absolutely no attempt to cooperate 539 00:31:56,880 --> 00:32:01,120 Speaker 1: with any sort of investigation. So yeah, I say, take 540 00:32:01,160 --> 00:32:03,800 Speaker 1: your time, but I mean they'll probably fire Muller with 541 00:32:03,840 --> 00:32:06,840 Speaker 1: them the next well, who knows. Yeah, they gotta they 542 00:32:06,840 --> 00:32:10,240 Speaker 1: gotta get rid of Rosenstein first and then slowly hamstring it. 543 00:32:10,320 --> 00:32:13,080 Speaker 1: But again, you know, this whole investigation isn't something that's 544 00:32:13,160 --> 00:32:15,719 Speaker 1: so centralized that by simply removing to people that all 545 00:32:15,760 --> 00:32:18,600 Speaker 1: the troubles go away. So it's much more complex than 546 00:32:18,640 --> 00:32:21,400 Speaker 1: even I think. I don't know. I guess if it's 547 00:32:21,440 --> 00:32:24,080 Speaker 1: going by this sort of simple equals be equals see 548 00:32:24,120 --> 00:32:26,360 Speaker 1: sort of sequence of events that they think is going 549 00:32:26,400 --> 00:32:29,160 Speaker 1: to happen. I think it's probably not going to be 550 00:32:29,200 --> 00:32:31,720 Speaker 1: as easy as they believe. But again I don't understand 551 00:32:31,760 --> 00:32:33,880 Speaker 1: why they should know that it's not going to be 552 00:32:33,960 --> 00:32:36,680 Speaker 1: that easy. So why try and even present this as 553 00:32:37,240 --> 00:32:39,120 Speaker 1: like a sort of simple case of well, he's gone 554 00:32:39,160 --> 00:32:40,440 Speaker 1: too far and he needs to end, and then that 555 00:32:40,480 --> 00:32:43,640 Speaker 1: will be all of our troubles over right. We do 556 00:32:43,720 --> 00:32:46,160 Speaker 1: want to bring up the school shooting. We do know 557 00:32:46,240 --> 00:32:50,800 Speaker 1: now that there are ten people dead in the shooting 558 00:32:51,000 --> 00:32:54,040 Speaker 1: and a school in Texas in the Houston area I believe, 559 00:32:55,160 --> 00:32:57,640 Speaker 1: a Texas, I think. So we wanted to talk about 560 00:32:58,120 --> 00:33:00,880 Speaker 1: the fact that not only does the n r A 561 00:33:01,400 --> 00:33:07,680 Speaker 1: pay candidates for electric office, uh, they also have money 562 00:33:07,720 --> 00:33:12,360 Speaker 1: that they grant to schools. Now, back in two thousand fourteen, 563 00:33:13,040 --> 00:33:17,400 Speaker 1: they created this idea of doing a plan where they 564 00:33:17,440 --> 00:33:21,320 Speaker 1: would sort of prepare schools for shootings by sending in 565 00:33:21,360 --> 00:33:26,040 Speaker 1: their like security people to focus on, you know, whether 566 00:33:26,080 --> 00:33:29,280 Speaker 1: a school was prepared for an active shooter and basically 567 00:33:29,280 --> 00:33:34,600 Speaker 1: like turn schools into military compounds or like police. Wait, 568 00:33:34,640 --> 00:33:36,400 Speaker 1: so like the orcan man, who's like, all right, so 569 00:33:36,400 --> 00:33:38,520 Speaker 1: you might have roaches coming through here. Whatever, it's a 570 00:33:38,640 --> 00:33:41,120 Speaker 1: n r A. Yeah, you want to fortify this door 571 00:33:41,440 --> 00:33:44,120 Speaker 1: like a peep hole here. They specifically talk about like 572 00:33:44,240 --> 00:33:49,160 Speaker 1: making the windows in classroom doors bullet proof. So actually 573 00:33:49,240 --> 00:33:51,920 Speaker 1: we have a clip from the video where they're suggesting this. 574 00:33:52,480 --> 00:33:54,960 Speaker 1: You go in and u assess a school from all 575 00:33:55,000 --> 00:33:58,160 Speaker 1: the way on the outside exterior perimeter, to the building exterior, 576 00:33:58,200 --> 00:34:01,680 Speaker 1: to the building interior, and you're looking at areas that 577 00:34:01,720 --> 00:34:04,160 Speaker 1: could be exploited if it was someone that was seeking 578 00:34:04,160 --> 00:34:07,240 Speaker 1: to do harm. This is not just about an armed intruder. 579 00:34:07,520 --> 00:34:10,120 Speaker 1: There's a lot of violence in schools period, and this 580 00:34:10,200 --> 00:34:13,239 Speaker 1: process doesn't just secure against armed intruder, it secures the 581 00:34:13,320 --> 00:34:16,319 Speaker 1: entire school for a lot of different things. Okay, why 582 00:34:16,400 --> 00:34:20,040 Speaker 1: is the music so minor key? Right? Really, you're really 583 00:34:20,080 --> 00:34:22,800 Speaker 1: just trying to create that suspense of just scare the 584 00:34:22,800 --> 00:34:25,400 Speaker 1: ship out of you and wow. So the n r 585 00:34:25,480 --> 00:34:29,520 Speaker 1: A school grants increased dramatically after the Sandy Hook School shooting, 586 00:34:29,560 --> 00:34:36,960 Speaker 1: and unfortunately they only did this program at three separate schools. 587 00:34:37,360 --> 00:34:39,799 Speaker 1: The School Shield program is what they called it. But 588 00:34:39,960 --> 00:34:43,759 Speaker 1: the tax records show they only gave these grants to 589 00:34:44,320 --> 00:34:48,200 Speaker 1: you know, turn schools into bunkers, to three schools, or 590 00:34:48,280 --> 00:34:51,160 Speaker 1: they gave three grants out under the school Shield program. 591 00:34:51,200 --> 00:34:53,600 Speaker 1: So what did they do with all that other money 592 00:34:53,640 --> 00:34:56,480 Speaker 1: that had been you know, given to them to give 593 00:34:56,520 --> 00:34:58,359 Speaker 1: out to school So how much money were they dealing 594 00:34:58,400 --> 00:35:03,560 Speaker 1: with it initially? So between sixteen they had seven point 595 00:35:03,600 --> 00:35:07,520 Speaker 1: three million dollars to give out to schools. And other 596 00:35:07,600 --> 00:35:11,760 Speaker 1: than those three grants to schools for the school Shield 597 00:35:12,000 --> 00:35:16,759 Speaker 1: like Defend the Lives of Children program, they gave out 598 00:35:16,800 --> 00:35:23,080 Speaker 1: competitive grants meant to promote shooting sports. So so like 599 00:35:23,080 --> 00:35:24,800 Speaker 1: a shooting club, like hey, we'll hook you able to 600 00:35:24,920 --> 00:35:28,480 Speaker 1: like targets so that way the kids like the guns 601 00:35:28,520 --> 00:35:32,440 Speaker 1: and and you get kids early on hooked. It's like 602 00:35:32,680 --> 00:35:36,359 Speaker 1: Joe Cammell style, you know, getting getting the guns into 603 00:35:36,400 --> 00:35:40,319 Speaker 1: kids hands early and amazingly. And I can't believe a 604 00:35:40,320 --> 00:35:43,280 Speaker 1: bigger deal wasn't made of this. The Parkland shooter Nicholas 605 00:35:43,280 --> 00:35:45,800 Speaker 1: Cruz was on one of those n r A sponsored 606 00:35:45,840 --> 00:35:49,319 Speaker 1: shooting teams. Like interesting, I mean not that it's one 607 00:35:49,719 --> 00:35:53,319 Speaker 1: relates to the other, but like, yeah, that's because yeah, 608 00:35:53,320 --> 00:35:55,000 Speaker 1: the n r A really is like in a it's 609 00:35:55,000 --> 00:35:59,760 Speaker 1: an organization that is trying to fight for a dying interest, 610 00:36:00,080 --> 00:36:02,839 Speaker 1: a hobby that is like waning. So they're really having 611 00:36:02,880 --> 00:36:04,720 Speaker 1: to do like a full core press of like, okay, 612 00:36:04,760 --> 00:36:07,600 Speaker 1: how do we unearthed like this next generation of basically 613 00:36:07,680 --> 00:36:09,279 Speaker 1: what they're trying to do or find more people who 614 00:36:09,280 --> 00:36:11,120 Speaker 1: are going to step up for them are a come 615 00:36:11,160 --> 00:36:13,040 Speaker 1: down the road, not just sort of like oh, we 616 00:36:13,120 --> 00:36:15,719 Speaker 1: just we want to protect schools or just allow for 617 00:36:15,920 --> 00:36:18,600 Speaker 1: you know, help kids get into competitive shooting. They're trying 618 00:36:18,640 --> 00:36:21,560 Speaker 1: to create this next sort of generation of people who 619 00:36:21,640 --> 00:36:23,520 Speaker 1: are going to take up for him because it seems like, yeah, 620 00:36:23,640 --> 00:36:26,880 Speaker 1: right now, boy and or I couldn't be more unpopular 621 00:36:26,880 --> 00:36:29,960 Speaker 1: with young people. It's it's like it wasn't the KKK 622 00:36:30,280 --> 00:36:33,480 Speaker 1: like opening their doors to like people of color and 623 00:36:33,480 --> 00:36:35,960 Speaker 1: stuff like that, because they're like their numbers were dropping 624 00:36:35,960 --> 00:36:38,520 Speaker 1: and they're like, yeah, you know, we hate black people. 625 00:36:38,600 --> 00:36:40,680 Speaker 1: But if you're black and you want to join the KKK, 626 00:36:41,680 --> 00:36:45,600 Speaker 1: like the numbers guys, I guess beggars can be choosers. 627 00:36:46,880 --> 00:36:50,280 Speaker 1: It's so crazy, and there's so money should be going 628 00:36:50,520 --> 00:36:54,880 Speaker 1: to schools, not to fund you know, gun sports and 629 00:36:54,960 --> 00:36:58,160 Speaker 1: to like make them into like military barracks is basically 630 00:36:58,160 --> 00:37:01,920 Speaker 1: but like I don't know, more resources and textbooks and 631 00:37:02,360 --> 00:37:05,640 Speaker 1: pay teachers better and like that. No, no, no, no, 632 00:37:05,680 --> 00:37:08,279 Speaker 1: that costs too much money. That cost too much and 633 00:37:08,600 --> 00:37:13,120 Speaker 1: have some guns and bulletproof glass. I wonder who really 634 00:37:13,120 --> 00:37:14,960 Speaker 1: curious to know because that's like something the nr has 635 00:37:14,960 --> 00:37:17,320 Speaker 1: been pushing for a long time, is like fortifying these schools, 636 00:37:17,320 --> 00:37:20,200 Speaker 1: and like that's really what needs to happen. I'm curious 637 00:37:20,200 --> 00:37:23,319 Speaker 1: to know what companies really stand to benefit from, like 638 00:37:23,440 --> 00:37:25,680 Speaker 1: you know, like who's building these reinforced doors that they 639 00:37:25,719 --> 00:37:28,000 Speaker 1: would put in, or are making the kind of bulletproof 640 00:37:28,040 --> 00:37:31,279 Speaker 1: glass that feels like it is suitable for a school. Yeah, 641 00:37:31,600 --> 00:37:33,319 Speaker 1: but there's a lot of people. They only gave out 642 00:37:33,320 --> 00:37:35,239 Speaker 1: three of those grants, so it could have been too 643 00:37:35,239 --> 00:37:37,240 Speaker 1: big a racket. No, but I mean even in general, 644 00:37:37,280 --> 00:37:39,760 Speaker 1: because now at a federal level, you know, you have Trump. 645 00:37:40,080 --> 00:37:41,880 Speaker 1: After the Parkling shooting, he was like, someone's got to 646 00:37:41,880 --> 00:37:44,240 Speaker 1: step up to the n r A. And then meanwhile 647 00:37:44,320 --> 00:37:46,360 Speaker 1: at the convention he just did a one A D 648 00:37:46,520 --> 00:37:48,520 Speaker 1: into a full sixty nine with the n r A 649 00:37:48,920 --> 00:37:50,880 Speaker 1: and was like, oh yeah, we got a amount of 650 00:37:50,920 --> 00:37:53,640 Speaker 1: knife crimes crazy the UK, like you know, just doing 651 00:37:53,680 --> 00:37:56,200 Speaker 1: his whole crazy fearmongering thing. That I'm sure that if 652 00:37:56,239 --> 00:37:58,239 Speaker 1: there were a push at a federal level that like 653 00:37:58,280 --> 00:37:59,799 Speaker 1: you know, all our public schools, we got to sort 654 00:37:59,800 --> 00:38:03,000 Speaker 1: this out. That's a massive contract. One a d and 655 00:38:03,040 --> 00:38:07,239 Speaker 1: to a full sixty is at the very least athletically impressive. 656 00:38:08,040 --> 00:38:11,120 Speaker 1: It's always been impressed by that. All right, we're going 657 00:38:11,160 --> 00:38:21,440 Speaker 1: to take a quick break. We'll be right back, and 658 00:38:21,560 --> 00:38:25,439 Speaker 1: we're back and it's time for another edition of Bloyd Watch. 659 00:38:26,680 --> 00:38:30,760 Speaker 1: Um so it's a big weekend for oh my goodness. 660 00:38:30,840 --> 00:38:32,759 Speaker 1: But you know what, it's a huge weekend, but we 661 00:38:32,800 --> 00:38:36,440 Speaker 1: still couldn't see the coveted blood factor where one story 662 00:38:36,760 --> 00:38:40,960 Speaker 1: is on every single tabloid. We've always come close, haven't we, Sophie, 663 00:38:41,600 --> 00:38:43,680 Speaker 1: Sophie when she when we look at the Bloys, we 664 00:38:43,719 --> 00:38:45,799 Speaker 1: always look for the blood factor. And you think this 665 00:38:45,840 --> 00:38:49,359 Speaker 1: weekend with the royal wedding beyond every cover. But a 666 00:38:49,360 --> 00:38:51,880 Speaker 1: couple of magazines had to be think for themselves, like 667 00:38:52,000 --> 00:38:56,560 Speaker 1: Star and Okay and completely omit this information from their covers, 668 00:38:56,880 --> 00:39:01,440 Speaker 1: mostly because I don't think it's a story, right, it's uh. 669 00:39:01,640 --> 00:39:03,680 Speaker 1: They're also a lot of them are owned by the 670 00:39:03,719 --> 00:39:06,359 Speaker 1: same people, so they probably couldn't just do the same 671 00:39:06,400 --> 00:39:10,439 Speaker 1: story or weird iteration of the same story. Um. Yeah, 672 00:39:10,520 --> 00:39:13,120 Speaker 1: but that is something that we we've been kind of 673 00:39:13,480 --> 00:39:17,600 Speaker 1: we always track trends on Google Trends, and they have 674 00:39:17,760 --> 00:39:20,120 Speaker 1: this chart that they've had at the top of the 675 00:39:20,160 --> 00:39:23,040 Speaker 1: page for the past six months. I think they've been 676 00:39:23,080 --> 00:39:28,160 Speaker 1: waiting for interest in Britain's royal wedding to kind of 677 00:39:28,360 --> 00:39:31,279 Speaker 1: kick back up, because it was off the charts back 678 00:39:31,320 --> 00:39:34,279 Speaker 1: in November when it was first announced that you know, 679 00:39:34,440 --> 00:39:38,719 Speaker 1: an American was engaged to one of the princes. That 680 00:39:38,800 --> 00:39:40,959 Speaker 1: was a big deal. So back in November you see 681 00:39:40,960 --> 00:39:45,480 Speaker 1: this huge spike. Uh, and ever since then, there's just 682 00:39:45,560 --> 00:39:49,239 Speaker 1: been nothing. It's just been basically crickets because I guess 683 00:39:49,280 --> 00:39:52,440 Speaker 1: functionally there's no information aside from there getting married. I 684 00:39:52,440 --> 00:39:54,320 Speaker 1: guess the next thing would be like on this date, 685 00:39:54,719 --> 00:39:57,040 Speaker 1: and then there every other thing they that becomes like 686 00:39:57,080 --> 00:39:59,920 Speaker 1: I guess quote unquote newsworthy, just like this could be 687 00:40:00,000 --> 00:40:02,760 Speaker 1: the ring she wears. It had a diamond from Diana, 688 00:40:03,080 --> 00:40:06,440 Speaker 1: this is the dress she might be friends with Kate Middleton. Like, 689 00:40:06,520 --> 00:40:10,360 Speaker 1: it's just non there's no real information aside from like 690 00:40:10,440 --> 00:40:12,640 Speaker 1: the details of the wedding, which again I don't think 691 00:40:12,640 --> 00:40:15,360 Speaker 1: most people really care about, as you say, because weddings 692 00:40:15,440 --> 00:40:23,000 Speaker 1: are overrated. Okay, boom settled um in England. Uh, this 693 00:40:23,120 --> 00:40:25,560 Speaker 1: is a big ish deal. It's not as big as 694 00:40:26,040 --> 00:40:30,839 Speaker 1: William's wedding because will is the next in line after 695 00:40:30,920 --> 00:40:35,320 Speaker 1: Prince Charles. Um. So he's you know, a couple deaths 696 00:40:35,320 --> 00:40:39,200 Speaker 1: away from the crown. Harry's like six deaths away from 697 00:40:39,200 --> 00:40:41,359 Speaker 1: the crown. So he's got a lot of work to do, 698 00:40:41,560 --> 00:40:45,640 Speaker 1: but a lot of murder, a lot of poisoning. Yeah. 699 00:40:45,880 --> 00:40:48,840 Speaker 1: So they're not even giving people a day off work 700 00:40:49,160 --> 00:40:51,640 Speaker 1: for this wedding, which is why they had it on Saturday. 701 00:40:51,719 --> 00:40:54,279 Speaker 1: Usually a royal wedding will be during the week and 702 00:40:54,280 --> 00:40:56,960 Speaker 1: they will give you the day off work. But this 703 00:40:57,239 --> 00:41:00,840 Speaker 1: wedding there just because his stature. Yeah, he's just so 704 00:41:00,960 --> 00:41:03,840 Speaker 1: far from the crown. Man, they're gonna do Megan like 705 00:41:03,880 --> 00:41:06,680 Speaker 1: that and Harry my birthday twin shot to Harry my 706 00:41:06,719 --> 00:41:10,759 Speaker 1: exact birthday twin. You know. Again, sure, for whatever reason 707 00:41:10,800 --> 00:41:12,799 Speaker 1: they keep putting it on the tabloids based on the 708 00:41:12,800 --> 00:41:16,400 Speaker 1: Google trend stuff. I just don't see where the thirst 709 00:41:16,480 --> 00:41:19,320 Speaker 1: is for this information. But again, I think it's because 710 00:41:19,840 --> 00:41:21,480 Speaker 1: is it just like a pattern that we're used to 711 00:41:21,480 --> 00:41:23,520 Speaker 1: in the in media coverage where it's like, oh, something 712 00:41:23,520 --> 00:41:25,960 Speaker 1: big royal must mean we all have to care again. 713 00:41:26,280 --> 00:41:28,440 Speaker 1: But I'm still having trouble. Who are the people out 714 00:41:28,480 --> 00:41:31,480 Speaker 1: there who are really, really, really into this wedding that 715 00:41:31,520 --> 00:41:34,719 Speaker 1: are fueling the sales of these magazines like this. I mean, 716 00:41:34,719 --> 00:41:36,480 Speaker 1: it seems like it should be a big deal because, 717 00:41:36,520 --> 00:41:41,440 Speaker 1: at least in America, because she is the first American princess, right, yeah, 718 00:41:41,480 --> 00:41:46,200 Speaker 1: it's pretty cool, and she's uh, you know, mixing things 719 00:41:46,320 --> 00:41:49,279 Speaker 1: up a little bit instead of uh, you know, bring 720 00:41:49,560 --> 00:41:52,880 Speaker 1: me into the royal family, instead of everybody being cousins 721 00:41:52,960 --> 00:41:57,640 Speaker 1: or second cousins there, uh you know, from America and 722 00:41:57,920 --> 00:42:02,120 Speaker 1: not really. Here's the thing now, I love the because 723 00:42:02,480 --> 00:42:06,160 Speaker 1: there's no actual actionable information coming out that the tabloids 724 00:42:06,239 --> 00:42:08,799 Speaker 1: just have to wildly speculate, which is why we talk 725 00:42:08,880 --> 00:42:13,080 Speaker 1: about the tabloids. And this week's In Touch is really 726 00:42:13,200 --> 00:42:17,279 Speaker 1: next level. And Sophie Literman, super producer, was showing me 727 00:42:17,400 --> 00:42:19,759 Speaker 1: just just kind of how crazy this is. On the cover, 728 00:42:19,920 --> 00:42:24,480 Speaker 1: it says Megan's pregnant exclamation, I can't wait to be 729 00:42:24,520 --> 00:42:27,040 Speaker 1: a mom, which is a quote. Now that quote is 730 00:42:27,040 --> 00:42:29,800 Speaker 1: taken out of context of the interview where she simply 731 00:42:30,320 --> 00:42:34,600 Speaker 1: verbalizes the desire to have a family right eventually, eventually, 732 00:42:34,840 --> 00:42:36,960 Speaker 1: as the same thing with Harry. So when they point 733 00:42:36,960 --> 00:42:39,799 Speaker 1: into here, there's no like, oh, man, we found out 734 00:42:39,880 --> 00:42:42,160 Speaker 1: that she's actually two months pregnant or blah blah blah, 735 00:42:42,239 --> 00:42:44,920 Speaker 1: three weeks. It says. No, they're just saying, oh, he's 736 00:42:44,960 --> 00:42:49,000 Speaker 1: been touching her stomach a lot. As we proved last 737 00:42:50,040 --> 00:42:52,320 Speaker 1: Brad Pitt looked stressed out and he was touching his 738 00:42:52,400 --> 00:42:56,239 Speaker 1: stomach last week. So and he got somebody was saying, 739 00:42:56,280 --> 00:42:58,720 Speaker 1: had a twenty six year old woman pregnant? He's pregnant? 740 00:42:58,760 --> 00:43:02,600 Speaker 1: I think, yeah, she stomach. Yeah, it's all about whatever 741 00:43:02,640 --> 00:43:04,839 Speaker 1: the stomach is being touched. That is the one that 742 00:43:05,120 --> 00:43:07,000 Speaker 1: is the one that's carrying the child. So you know, 743 00:43:07,040 --> 00:43:10,279 Speaker 1: Brad Pitt might be doing something really progressive. Yeah, um, 744 00:43:10,320 --> 00:43:13,600 Speaker 1: but yeah again, it was just really like the fucking 745 00:43:13,600 --> 00:43:17,520 Speaker 1: flimsiest news just to put up a cover like Megan's pregnant. 746 00:43:17,520 --> 00:43:20,360 Speaker 1: Come on now, leave her alone? Yea, Why aren't we 747 00:43:20,400 --> 00:43:23,600 Speaker 1: talking about her career? She has no career anymore, you 748 00:43:23,640 --> 00:43:25,440 Speaker 1: know what I mean? Like they've completely reduced her to 749 00:43:25,600 --> 00:43:28,799 Speaker 1: the woman who's marrying Harry. Is good enough, but I 750 00:43:28,840 --> 00:43:32,759 Speaker 1: think the Royal family like her. Becoming a part of 751 00:43:32,800 --> 00:43:36,920 Speaker 1: the Royal family means that she's expected to like end 752 00:43:36,960 --> 00:43:40,440 Speaker 1: her career and just be a princess, just like do 753 00:43:40,600 --> 00:43:44,400 Speaker 1: appearances at different places. Oh yeah, but don't touch people, right, 754 00:43:44,400 --> 00:43:46,959 Speaker 1: Remember there's like those rules were about what it means 755 00:43:46,960 --> 00:43:50,440 Speaker 1: to do with like your subjects. Be pleasant to your subjects, 756 00:43:50,440 --> 00:43:52,680 Speaker 1: but never talked to them for more than like two minutes. 757 00:43:52,880 --> 00:43:57,920 Speaker 1: You don't want them to think you're overly invested germs. Um. 758 00:43:58,040 --> 00:44:01,400 Speaker 1: So yeah, there's all sorts of props that are actually 759 00:44:02,080 --> 00:44:04,719 Speaker 1: the most boring prop bets I've ever seen, because I 760 00:44:05,120 --> 00:44:08,359 Speaker 1: think because I'm not British, like I can't. So there 761 00:44:08,480 --> 00:44:11,080 Speaker 1: there's a prop bet of what artists will perform at 762 00:44:11,160 --> 00:44:15,520 Speaker 1: the reception and it's Elton John Spice, Girls and then 763 00:44:15,719 --> 00:44:21,920 Speaker 1: Storms and Liam Payne. Wait, why wouldn't we know that already? Like, 764 00:44:22,120 --> 00:44:24,920 Speaker 1: is that like a secret? Yeah, apparently it's a secret. 765 00:44:25,080 --> 00:44:30,120 Speaker 1: Oh damn. They were still taking bets up until fairly 766 00:44:30,160 --> 00:44:31,920 Speaker 1: recently on who was going to walk her down the 767 00:44:31,960 --> 00:44:36,360 Speaker 1: aisle because of her father's heart trouble was rumored that 768 00:44:36,400 --> 00:44:38,520 Speaker 1: he wasn't going to go, and now that's been confirmed. 769 00:44:39,000 --> 00:44:41,200 Speaker 1: Uh so you know, you could have made a lot 770 00:44:41,200 --> 00:44:44,080 Speaker 1: of money if a couple of days ago you had 771 00:44:44,120 --> 00:44:48,080 Speaker 1: taken Prince Charles at eighteen to one, because that's who's 772 00:44:48,080 --> 00:44:51,560 Speaker 1: gonna be walking her down the aisle. That's what I 773 00:44:53,000 --> 00:44:54,960 Speaker 1: One of the reasons I hate weddings is because, like 774 00:44:55,360 --> 00:44:58,520 Speaker 1: in a hetero wedding, when a woman is getting married 775 00:44:58,520 --> 00:45:03,000 Speaker 1: to a man, it's actually she's the property. Yeah, and 776 00:45:03,000 --> 00:45:06,080 Speaker 1: then it's like here, now I bestow this property onto you, 777 00:45:06,200 --> 00:45:08,960 Speaker 1: the man that she's married. Give me my Oxen's right, 778 00:45:09,400 --> 00:45:13,600 Speaker 1: so I can plow this feeling. I know. But again 779 00:45:13,680 --> 00:45:16,359 Speaker 1: that's why that's why Again they're like, yeah, those are 780 00:45:16,400 --> 00:45:19,160 Speaker 1: the sort of old traditions were like we're still honoring 781 00:45:19,200 --> 00:45:22,120 Speaker 1: the commerce transaction part of what he used to be 782 00:45:22,560 --> 00:45:25,200 Speaker 1: rather than like two humans are dedicating themselves, like we 783 00:45:25,239 --> 00:45:28,040 Speaker 1: still gotta have touchstones to win. The man literally just says, 784 00:45:28,239 --> 00:45:30,839 Speaker 1: here you go, bro Brett, take it from here. A guy. 785 00:45:31,080 --> 00:45:33,440 Speaker 1: It also used to be the best man was your 786 00:45:33,560 --> 00:45:36,600 Speaker 1: friend who was the best at killing people because what 787 00:45:36,719 --> 00:45:39,359 Speaker 1: he had he had to be there to protect in 788 00:45:39,400 --> 00:45:42,040 Speaker 1: case somebody like ran up and tried to steal your way, 789 00:45:42,480 --> 00:45:45,560 Speaker 1: he would be there like with you. That's what the 790 00:45:45,600 --> 00:45:48,799 Speaker 1: best man. That's like the historical tradition of the best man. Yeah, 791 00:45:49,080 --> 00:45:52,400 Speaker 1: because someone might try and gank your bride like you 792 00:45:52,480 --> 00:45:55,400 Speaker 1: got the thing on you? Pretty cool? Yeah, what's the 793 00:45:55,600 --> 00:45:57,799 Speaker 1: what's the maid of honor? Is there anything like that 794 00:45:57,880 --> 00:45:59,960 Speaker 1: which is like just in case you want to run away? Girl? 795 00:46:00,080 --> 00:46:02,520 Speaker 1: I got the car running right right, But I doubt 796 00:46:02,560 --> 00:46:05,239 Speaker 1: it's that woke for that kind of thing. Also, I 797 00:46:05,280 --> 00:46:09,480 Speaker 1: love that Storms is four to one. What I don't 798 00:46:09,520 --> 00:46:13,600 Speaker 1: even know who's storms? Storm is a rapper from Yeah 799 00:46:13,640 --> 00:46:16,680 Speaker 1: he's a rapper? Oh he is? Yeah, I love him too. 800 00:46:16,960 --> 00:46:21,000 Speaker 1: Do people actually place bets on this and like they must? Oh? Yeah, 801 00:46:21,760 --> 00:46:23,319 Speaker 1: I mean we're they I guess what are they taking that? 802 00:46:23,360 --> 00:46:25,600 Speaker 1: Like a Patty Power like one of the online betting 803 00:46:25,600 --> 00:46:28,359 Speaker 1: sites that they have in the UK. That makes sense, Yeah, 804 00:46:28,400 --> 00:46:33,880 Speaker 1: Patty Power exactly. Um there. So the one that seems 805 00:46:34,400 --> 00:46:38,319 Speaker 1: the most interesting to speculate about is, uh, when will 806 00:46:38,640 --> 00:46:41,400 Speaker 1: she announce that she's pregnant? What year will she announce 807 00:46:41,440 --> 00:46:45,279 Speaker 1: that she's pregnant? They have two thousand eighteen. She is 808 00:46:45,320 --> 00:46:48,359 Speaker 1: twenty five to one. Now, as we just learned, she's 809 00:46:48,400 --> 00:46:51,960 Speaker 1: definitely pregnant because she's been touching her stomach. So you 810 00:46:52,000 --> 00:46:54,440 Speaker 1: can make some good money on that one. Means you 811 00:46:54,440 --> 00:46:56,879 Speaker 1: can win twenty five dollars for every one dollar you bet. 812 00:46:56,960 --> 00:46:59,319 Speaker 1: So that's I'm gonna put down. I'm put down ten 813 00:46:59,800 --> 00:47:02,560 Speaker 1: right based off this magazine, Get it In, Get it In. 814 00:47:02,640 --> 00:47:05,520 Speaker 1: Oh my god, I might just retire Jack. I'm sorry, bro, 815 00:47:05,680 --> 00:47:08,359 Speaker 1: but you know what the Daily has provided because without 816 00:47:08,360 --> 00:47:10,160 Speaker 1: Bloyd Watch, I would not know to make this bet. 817 00:47:10,360 --> 00:47:13,399 Speaker 1: Thank you. In Touch two thousand nineteen is two to five, 818 00:47:13,480 --> 00:47:17,800 Speaker 1: two tho to one, two thou one or later six 819 00:47:17,840 --> 00:47:21,319 Speaker 1: to one. Uh So. The other one I like is yo, 820 00:47:21,600 --> 00:47:24,480 Speaker 1: leave Prince William's hair alone. They're taking odds on this ship, 821 00:47:24,560 --> 00:47:28,239 Speaker 1: like okay, buzz cut, shaved head, full head, slash, hair 822 00:47:28,280 --> 00:47:33,960 Speaker 1: transplant slash, lebron slash, Jamie Fox, ponytail and wig. Why 823 00:47:34,000 --> 00:47:36,200 Speaker 1: the fund would you even list a ponytail or a 824 00:47:36,200 --> 00:47:40,040 Speaker 1: wig on there just to take people's money? Ponytail Like 825 00:47:41,480 --> 00:47:43,319 Speaker 1: what the funk? They might as well put on like 826 00:47:43,400 --> 00:47:46,640 Speaker 1: afro wig. Right, Yeah, no, I think it's the equivalent 827 00:47:46,680 --> 00:47:51,640 Speaker 1: of like putting out yeah, so that people can spend 828 00:47:51,640 --> 00:47:55,240 Speaker 1: money and have the ticket, um right, and just be like, hey, guys, 829 00:47:55,280 --> 00:47:58,239 Speaker 1: I got it right here, ten thousand dollars that he's 830 00:47:58,239 --> 00:48:01,080 Speaker 1: gonna have a ponytail at the wedding. It's crazy. We're 831 00:48:01,239 --> 00:48:04,240 Speaker 1: now at the point where, uh, you know, young people 832 00:48:04,320 --> 00:48:07,640 Speaker 1: no longer believe so. Super producer Sophie Lickerman is like, 833 00:48:08,280 --> 00:48:12,840 Speaker 1: in her early teens, I believe h and he's age 834 00:48:12,880 --> 00:48:16,080 Speaker 1: blindness is what you have. And we're talking earlier today 835 00:48:16,160 --> 00:48:19,200 Speaker 1: and she refused to believe that Prince William used to 836 00:48:19,280 --> 00:48:22,120 Speaker 1: be considered the hot one, right, She was like, never, 837 00:48:22,800 --> 00:48:27,080 Speaker 1: he's so because he is like morphing into his father, 838 00:48:27,360 --> 00:48:31,080 Speaker 1: like very slowly. He's like just it's weird. His his 839 00:48:31,160 --> 00:48:34,480 Speaker 1: whole thing is is falling apart. And Harry used to 840 00:48:34,520 --> 00:48:37,200 Speaker 1: just be like the weird, redheaded looking dude, but now 841 00:48:37,239 --> 00:48:41,120 Speaker 1: he's uh considered the hot one. Yeah, William was rocking, 842 00:48:41,120 --> 00:48:43,120 Speaker 1: And I remember as a kid, I was like, damn, 843 00:48:43,520 --> 00:48:46,359 Speaker 1: I'm in line with Harry, who's like the washed one. 844 00:48:46,640 --> 00:48:48,680 Speaker 1: Must take so much pride in sharing, I do you 845 00:48:48,719 --> 00:48:50,839 Speaker 1: know I have to, you know, because I'm I'm feeling good, 846 00:48:50,840 --> 00:48:52,680 Speaker 1: I might as well be getting married without any of 847 00:48:52,680 --> 00:48:55,719 Speaker 1: the costs or the risk or the headache. What you 848 00:48:55,719 --> 00:48:58,959 Speaker 1: share a birthday with, Harry, We're bored the exact same day, Yeah, 849 00:48:59,040 --> 00:49:02,000 Speaker 1: so will my I was delivered. I've told this story literally, 850 00:49:02,040 --> 00:49:03,960 Speaker 1: probably seven hundred times, even though we've only done a 851 00:49:04,040 --> 00:49:06,600 Speaker 1: hundred and fifty some episodes. Uh that Like the nurse 852 00:49:06,600 --> 00:49:08,560 Speaker 1: came in when my mom was giving birth and they're like, 853 00:49:08,600 --> 00:49:11,759 Speaker 1: Princess Diana just had her baby just now. And I 854 00:49:11,840 --> 00:49:14,360 Speaker 1: was like, Oh, that's because she's such an anglophile that, 855 00:49:14,480 --> 00:49:17,000 Speaker 1: like I think she I don't even I'm not gonna 856 00:49:17,000 --> 00:49:18,880 Speaker 1: say she timed it to be like that, but she 857 00:49:18,960 --> 00:49:21,840 Speaker 1: might have. I'm just saying that if you had to 858 00:49:21,960 --> 00:49:25,680 Speaker 1: take odds, which of you you are, Harry would be 859 00:49:25,760 --> 00:49:30,640 Speaker 1: marrying Mega Markle, a young woman from the Valley. I 860 00:49:30,680 --> 00:49:34,640 Speaker 1: think I think you. Uh yeah, it's a shame. It's 861 00:49:34,640 --> 00:49:38,000 Speaker 1: a shame. But again, I love prop bets because they're 862 00:49:38,000 --> 00:49:41,120 Speaker 1: so funny to me. But the other ones I just 863 00:49:41,160 --> 00:49:46,120 Speaker 1: don't understand were like the future titles, like what is 864 00:49:46,160 --> 00:49:48,680 Speaker 1: that even so the Queen? So I didn't realize this 865 00:49:48,719 --> 00:49:51,640 Speaker 1: about the royals, But first of all, they are funded 866 00:49:51,680 --> 00:49:55,520 Speaker 1: by tax dollars. Still, like when you pay taxes in England, 867 00:49:55,680 --> 00:49:58,520 Speaker 1: you are partially just giving them money to blow on 868 00:49:58,680 --> 00:50:03,040 Speaker 1: fucking you know, rounds, but it all goes to the queen. 869 00:50:03,239 --> 00:50:08,200 Speaker 1: The queen is like everything happens at her discretion. No, 870 00:50:08,360 --> 00:50:11,600 Speaker 1: but like they don't have money, Like Harry doesn't have money, 871 00:50:11,760 --> 00:50:14,040 Speaker 1: Prince Charles doesn't have money. He just has money that 872 00:50:14,200 --> 00:50:22,280 Speaker 1: she deigns to give him. Like everything is just hand out. Yeah. Yeah, 873 00:50:22,320 --> 00:50:26,840 Speaker 1: it's like really pathetic. Yeah. Yeah, that's why if you 874 00:50:26,880 --> 00:50:30,880 Speaker 1: read stories about Prince Charles, it's hilarious because he is, uh, 875 00:50:30,920 --> 00:50:33,920 Speaker 1: you know, an arrested six year old who's just like 876 00:50:34,000 --> 00:50:37,799 Speaker 1: really mad that nobody will take him seriously, while at 877 00:50:37,840 --> 00:50:41,440 Speaker 1: the same time being like literally impossible to take seriously 878 00:50:41,520 --> 00:50:44,879 Speaker 1: because he behaves like a spoiled six year old, goes 879 00:50:44,920 --> 00:50:46,839 Speaker 1: on days with Camilla. She's like, are you paying He's 880 00:50:46,840 --> 00:50:49,840 Speaker 1: like yes, or is your mother right? I have my 881 00:50:49,880 --> 00:50:57,440 Speaker 1: own money. But when it comes to the titles, on 882 00:50:57,520 --> 00:50:59,520 Speaker 1: the day of the wedding or around the day of 883 00:50:59,520 --> 00:51:03,640 Speaker 1: the wedding, the Queen will determine who they are the 884 00:51:03,760 --> 00:51:07,600 Speaker 1: Duke and Duchess. Oh so she blesses you. Yeah, She's like, 885 00:51:07,680 --> 00:51:10,920 Speaker 1: you are the Duke and Duchess of I think the 886 00:51:10,960 --> 00:51:13,879 Speaker 1: easy money is on Sussex right now. They think she's 887 00:51:13,880 --> 00:51:17,600 Speaker 1: going to make them uh. And the last Duke of 888 00:51:17,880 --> 00:51:21,560 Speaker 1: Sussex was Prince Augustus back in eighteen o one, and 889 00:51:21,680 --> 00:51:25,040 Speaker 1: he uh never had a wife. So Mega Market will 890 00:51:25,080 --> 00:51:27,960 Speaker 1: be the first duchess of Sussex if the Queen does 891 00:51:28,040 --> 00:51:30,560 Speaker 1: decide to give. If you take that word down, it's 892 00:51:31,000 --> 00:51:33,560 Speaker 1: sus Sex. Yeah. And I don't know what she's trying 893 00:51:33,560 --> 00:51:36,520 Speaker 1: to flame them. I look, I'll be like, what do 894 00:51:36,560 --> 00:51:41,719 Speaker 1: you mean, Queen sus Sex. That's what people think. Lando's 895 00:51:41,760 --> 00:51:46,080 Speaker 1: pan sexuality right exactly is not the best in the 896 00:51:46,080 --> 00:51:50,839 Speaker 1: biss for nothing, guys. Uh. And in uh one of 897 00:51:50,880 --> 00:51:55,200 Speaker 1: the less disturbing Bill Cosby stories that we've heard in 898 00:51:55,239 --> 00:51:59,279 Speaker 1: a long time, the tabloids went through his garbage. Is 899 00:51:59,320 --> 00:52:01,359 Speaker 1: that right? I guess that's what they claimed they did. 900 00:52:01,800 --> 00:52:09,800 Speaker 1: And what did yes? Yeah, time honored way of violating 901 00:52:09,800 --> 00:52:14,240 Speaker 1: someone's privacy. Yeah. So when they usually they're not so 902 00:52:14,320 --> 00:52:16,399 Speaker 1: obvious about it. They're not like, we went through this person, 903 00:52:16,960 --> 00:52:20,480 Speaker 1: We're just like, uh, sources tell us that this person 904 00:52:20,640 --> 00:52:23,960 Speaker 1: is Yeah, so what he has they found inside this 905 00:52:24,000 --> 00:52:29,319 Speaker 1: bag of garbage was evidence of illegal drug use, and 906 00:52:29,360 --> 00:52:31,400 Speaker 1: by that they mean they took a whiff of a 907 00:52:31,400 --> 00:52:34,520 Speaker 1: bag that had a pungent scent of marijuana. Uh. And 908 00:52:34,560 --> 00:52:37,280 Speaker 1: then also like it looked like some some hemp wraps. 909 00:52:37,320 --> 00:52:39,480 Speaker 1: So good for you trying to twist up some blunts. 910 00:52:39,520 --> 00:52:43,480 Speaker 1: I guess reduced guilt chips. They're literally called reduced guilt. 911 00:52:43,560 --> 00:52:45,680 Speaker 1: He's trying to get rid of his guilt. Actually, no, 912 00:52:45,880 --> 00:52:49,000 Speaker 1: I don't think he has guilt for what he's done 913 00:52:49,160 --> 00:52:51,759 Speaker 1: because he's had all these chips. So maybe he's had 914 00:52:51,880 --> 00:52:54,360 Speaker 1: enough reduced guilt ships because he got so high he 915 00:52:54,440 --> 00:52:57,320 Speaker 1: was like weight, hold up, you just say reduced guilt chips? 916 00:52:57,360 --> 00:52:59,840 Speaker 1: Did I do that? Okay? Let meet those in reduced 917 00:52:59,880 --> 00:53:03,879 Speaker 1: my guilt? Maybe it's coming out, maybe it's coming out 918 00:53:03,880 --> 00:53:08,279 Speaker 1: of or maybe he thinks they literally like he ate 919 00:53:08,320 --> 00:53:11,239 Speaker 1: a bunch of them before the sentencing, like this will 920 00:53:11,360 --> 00:53:13,600 Speaker 1: this will handle that. And then also they found three 921 00:53:13,680 --> 00:53:17,720 Speaker 1: hundred lotto tickets, more than three tickets, like the computer 922 00:53:17,800 --> 00:53:21,160 Speaker 1: generated on was yes, scratchers. I don't know if is 923 00:53:21,200 --> 00:53:23,480 Speaker 1: somebody bleeding him dry or is he also just like 924 00:53:23,520 --> 00:53:26,200 Speaker 1: on some weird yolo ship, like like you know, like 925 00:53:26,239 --> 00:53:30,520 Speaker 1: you mean the smoke weeding have these lotto tickets I 926 00:53:30,520 --> 00:53:33,239 Speaker 1: think the only lottery he should be participating in is 927 00:53:33,280 --> 00:53:36,480 Speaker 1: the one from the short story The Lottery where they 928 00:53:36,520 --> 00:53:39,359 Speaker 1: get stoned to death at the end. What short story 929 00:53:39,400 --> 00:53:41,120 Speaker 1: is that? It's called the Lottery. If you don't know 930 00:53:41,239 --> 00:53:45,120 Speaker 1: that story, is it occurrence at al Creek Bridge? No, 931 00:53:45,400 --> 00:53:48,440 Speaker 1: it's the other famous short story that everybody read in 932 00:53:48,520 --> 00:53:51,480 Speaker 1: like middle school. Oh really, I don't think i've read 933 00:53:51,520 --> 00:53:54,640 Speaker 1: that one. Yeah, it's like good, who wrote it? Who's 934 00:53:54,680 --> 00:53:58,800 Speaker 1: the author? Pond? That famous writer, Shirley Jackson. Shirley Jackson. 935 00:53:59,040 --> 00:54:03,279 Speaker 1: You know they don't read a short story about a 936 00:54:03,360 --> 00:54:06,520 Speaker 1: kid getting stone to death a woman, a grown adult woman. Yeah, wow, 937 00:54:06,600 --> 00:54:10,839 Speaker 1: and that you y'all read that in junior high? Yes? Wow? Man, 938 00:54:10,880 --> 00:54:13,239 Speaker 1: they were sucking up at my Lutheran school then I 939 00:54:13,280 --> 00:54:15,800 Speaker 1: was learning about Jonah and the Whale. Yeah. It also 940 00:54:15,880 --> 00:54:19,360 Speaker 1: has like some weird ritualistic aspects of it, So maybe 941 00:54:19,600 --> 00:54:22,600 Speaker 1: they didn't teach it in religious schools because it's like 942 00:54:23,200 --> 00:54:26,640 Speaker 1: they just as a community. It's it's basically what the 943 00:54:26,719 --> 00:54:29,840 Speaker 1: Hunger Games was like partially based on, with like the lottery. 944 00:54:30,000 --> 00:54:31,720 Speaker 1: Like that's what I when I first heard the premise 945 00:54:31,760 --> 00:54:33,480 Speaker 1: of the Hunger Games, I was like, yeah, that was 946 00:54:33,480 --> 00:54:37,040 Speaker 1: that short story we all read. It was basically Hunger 947 00:54:37,080 --> 00:54:40,640 Speaker 1: Games just took the short story The Lottery and glued 948 00:54:40,680 --> 00:54:46,959 Speaker 1: it together with the great piece of cinema, Arnold Schwarzenegger's 949 00:54:47,040 --> 00:54:50,160 Speaker 1: The Running Man, and they just like put those together 950 00:54:50,360 --> 00:54:53,560 Speaker 1: and created. Yeah. The only things I remember like that 951 00:54:53,600 --> 00:55:00,560 Speaker 1: are Battle Royal, That's what other ones. Yeah, of cinema. 952 00:55:00,680 --> 00:55:02,320 Speaker 1: I just love Ambrose beer. So that's why I always 953 00:55:02,320 --> 00:55:05,800 Speaker 1: bring up an occurrence at our creek bridge. Now I've 954 00:55:06,640 --> 00:55:10,240 Speaker 1: an occurrence at out creek bridge. Was like, it's dripping 955 00:55:10,440 --> 00:55:12,880 Speaker 1: my twelve year old fucking mind. And then I was like, 956 00:55:12,920 --> 00:55:15,200 Speaker 1: you have gray eyes because they say gray eyed people 957 00:55:15,200 --> 00:55:17,200 Speaker 1: were snipers in the Civil War. I think that's like 958 00:55:17,200 --> 00:55:19,400 Speaker 1: a line in the thing, like there's no such thing 959 00:55:19,400 --> 00:55:21,600 Speaker 1: as gray eyes, but there is. I think it's just 960 00:55:21,640 --> 00:55:24,640 Speaker 1: a sort of tint of blue. Anyway, we digress. We 961 00:55:24,719 --> 00:55:30,160 Speaker 1: do digress all over the place, all right. So before 962 00:55:30,239 --> 00:55:33,360 Speaker 1: we go, we have to say r I P to 963 00:55:33,760 --> 00:55:38,959 Speaker 1: one of our favorite people at Daily zeitchheist. Yeah, young 964 00:55:39,080 --> 00:55:41,960 Speaker 1: King Dave. And if you don't know Young King Dave, 965 00:55:42,680 --> 00:55:46,400 Speaker 1: you'll probably remember this clip out here in Amish smoking 966 00:55:46,480 --> 00:55:53,120 Speaker 1: big doins in Amish, Big old Doints Gang. So that 967 00:55:53,239 --> 00:55:56,920 Speaker 1: dude who uh we played early on in the show 968 00:55:56,960 --> 00:56:00,200 Speaker 1: and he was sort of a patron saint of of 969 00:56:00,480 --> 00:56:04,880 Speaker 1: the Daily Zeitgeist, Uh myself young man and of Miles. 970 00:56:05,280 --> 00:56:08,640 Speaker 1: He was nineteen man, only nineteen and yeah he he 971 00:56:08,680 --> 00:56:10,480 Speaker 1: ha been in the hospital for a while because he 972 00:56:10,520 --> 00:56:13,479 Speaker 1: had to collapse lung and then he passed away. Uh 973 00:56:13,560 --> 00:56:16,440 Speaker 1: and during his recovery from complications. So you know what, 974 00:56:17,560 --> 00:56:19,200 Speaker 1: smoke a big old doink in your honor, make the 975 00:56:19,239 --> 00:56:21,960 Speaker 1: biggest of the biggest of doinks. And shout out to 976 00:56:23,320 --> 00:56:26,000 Speaker 1: at the good Tyrant on Twitter for pointing this out 977 00:56:26,040 --> 00:56:27,759 Speaker 1: to me because that was kind of a deep cut 978 00:56:27,800 --> 00:56:30,560 Speaker 1: reference from early on in this the show. But to 979 00:56:30,600 --> 00:56:33,560 Speaker 1: bring that news back. Yeah, you know it's hard wind 980 00:56:33,640 --> 00:56:38,040 Speaker 1: your your when when viral memes literally pass on. Yeah 981 00:56:38,160 --> 00:56:43,840 Speaker 1: it is that dude ruled Caitlin. Yes, speaking of passing on, Uh, 982 00:56:44,080 --> 00:56:48,600 Speaker 1: you are passing on from this show and back onto 983 00:56:49,840 --> 00:56:55,440 Speaker 1: the you're the Bechdel cast that almost got morbid. Where 984 00:56:56,160 --> 00:56:59,000 Speaker 1: passing on to the next dimension. You will no longer 985 00:56:59,040 --> 00:57:03,560 Speaker 1: have your physical sense. Uh. Where can people find you? 986 00:57:03,760 --> 00:57:06,840 Speaker 1: Follow you? You can follow me on Twitter and Instagram 987 00:57:06,880 --> 00:57:11,000 Speaker 1: at Caitlin Durante, and you can check out the Beckdel Cast, 988 00:57:11,040 --> 00:57:15,480 Speaker 1: which I co host with frequent guest Jamie Loftus. I've 989 00:57:15,520 --> 00:57:19,320 Speaker 1: heard yeah, yeah, yeah yeah. It wasn't her birthday recently, 990 00:57:19,360 --> 00:57:23,360 Speaker 1: so she doesn't matter. Clearly, she's the one who planned 991 00:57:23,440 --> 00:57:28,040 Speaker 1: the Paddington themed birthday. I'm very grateful for her. Um, 992 00:57:28,080 --> 00:57:30,680 Speaker 1: are you all best friends? Were best friends? Like? But 993 00:57:30,720 --> 00:57:32,480 Speaker 1: are you all road dogs? Like? Outside of just the 994 00:57:32,520 --> 00:57:34,240 Speaker 1: work you do together, do you really like? Oh yeah, 995 00:57:34,280 --> 00:57:39,440 Speaker 1: we hang hang heavy, we hang face even changed, we 996 00:57:39,480 --> 00:57:44,160 Speaker 1: hang all right. Anyway. You can listen to our podcast 997 00:57:44,080 --> 00:57:47,440 Speaker 1: at the Bechdel Cast and follow us on social media 998 00:57:47,480 --> 00:57:51,000 Speaker 1: as well. What's the latest episode? The one that came out, Um, 999 00:57:51,080 --> 00:57:55,320 Speaker 1: yesterday was Oh my God, oh Eternal Sunshine of the 1000 00:57:55,360 --> 00:58:02,000 Speaker 1: Spotless Mine, and then next week is Disney's Frozen. Eternal Sunshine. 1001 00:58:02,000 --> 00:58:03,800 Speaker 1: What a movie. I think I was telling you when 1002 00:58:03,800 --> 00:58:05,480 Speaker 1: you were recording it. I was like one of the 1003 00:58:05,720 --> 00:58:07,480 Speaker 1: first lines in the movie where Jim Carey's like, why 1004 00:58:07,480 --> 00:58:09,240 Speaker 1: do I fall in love with the first woman? That 1005 00:58:09,280 --> 00:58:11,840 Speaker 1: shows me the attention hit me at a time when 1006 00:58:11,880 --> 00:58:13,760 Speaker 1: I was so broken up in life, and I was 1007 00:58:13,800 --> 00:58:18,919 Speaker 1: like I know this anyway, Yes, Eternal Sunshine great movie 1008 00:58:19,280 --> 00:58:23,200 Speaker 1: Shut to Michelle dandry Uh. There's also episodes of the 1009 00:58:23,240 --> 00:58:27,120 Speaker 1: Bechtel Cast with Miles of Gray on that Yeah, we 1010 00:58:27,160 --> 00:58:31,360 Speaker 1: talked about the Rock, The Rock, The Rock, and yeah 1011 00:58:31,480 --> 00:58:34,480 Speaker 1: I did snow White. The first Disney movie, the one 1012 00:58:34,520 --> 00:58:38,960 Speaker 1: that set the tone for all future brilliant works of feminism, 1013 00:58:39,520 --> 00:58:42,920 Speaker 1: is the Disney catalog. Miles where people find you. You 1014 00:58:42,960 --> 00:58:46,080 Speaker 1: can find me on Twitter and Instagram and again, Zeke Gang. 1015 00:58:46,080 --> 00:58:49,240 Speaker 1: If you're a plumber rapp expertise, hit me up on 1016 00:58:49,280 --> 00:58:51,320 Speaker 1: Twitter at Miles of Great. I'm about to put in 1017 00:58:51,360 --> 00:58:54,080 Speaker 1: a valve on my Sandyway. Look, just holler at me 1018 00:58:54,080 --> 00:58:56,320 Speaker 1: because I'm I'm probably gonna end up face timing when 1019 00:58:56,360 --> 00:58:59,000 Speaker 1: the US parting. I mean, that's what we do because 1020 00:58:59,000 --> 00:59:01,760 Speaker 1: that game comes together. Miles is using our podcast like 1021 00:59:01,800 --> 00:59:04,760 Speaker 1: at the Angie's Lift. I am, yeah, I am. But 1022 00:59:04,800 --> 00:59:07,120 Speaker 1: you know what I'm out here, you know, I'm I'll 1023 00:59:07,120 --> 00:59:10,400 Speaker 1: help y'all. Yeah, I do script coverage if anyone wants 1024 00:59:10,440 --> 00:59:12,880 Speaker 1: script notes. Oh yeah, I'm also gonna I'm here to 1025 00:59:12,920 --> 00:59:15,920 Speaker 1: advertise my services. Oh yeah, okay, great, So hit me 1026 00:59:16,000 --> 00:59:18,800 Speaker 1: up all right. You can follow me at Jack Underscore 1027 00:59:18,840 --> 00:59:22,720 Speaker 1: O'Brien on Twitter. You can follow us at Daily Zeygeist 1028 00:59:22,760 --> 00:59:25,440 Speaker 1: on Twitter. We're at the Daily Zygeist on Instagram. We 1029 00:59:25,520 --> 00:59:28,080 Speaker 1: have Facebook fan page and a website Daily zi guys 1030 00:59:28,120 --> 00:59:30,680 Speaker 1: dot com where we post our episodes and are put 1031 00:59:32,120 --> 00:59:35,600 Speaker 1: where we link off to the information that we talked 1032 00:59:35,600 --> 00:59:38,520 Speaker 1: about in today's episode, as well as the song we 1033 00:59:38,600 --> 00:59:41,800 Speaker 1: ride out on and miles what's seconded Today we are 1034 00:59:41,840 --> 00:59:45,280 Speaker 1: going to do like a remix of a song called 1035 00:59:45,360 --> 00:59:48,840 Speaker 1: I Don't Want to Leave Uh. This is by Derondo 1036 00:59:49,400 --> 00:59:51,640 Speaker 1: Uh and it's just like, you know, more sample based, 1037 00:59:51,720 --> 00:59:54,080 Speaker 1: kind of groovy kind of stuff that you have come 1038 00:59:54,080 --> 00:59:57,520 Speaker 1: to expect from me when I write us outdo the 1039 00:59:57,720 --> 01:00:01,919 Speaker 1: Rondo names almost with like but like yeah exactly if 1040 01:00:01,960 --> 01:00:05,160 Speaker 1: you were also God, he's a great roller skator. If 1041 01:00:05,200 --> 01:00:07,120 Speaker 1: you really want to watch a cool video, watch Jon 1042 01:00:07,200 --> 01:00:11,200 Speaker 1: Rondo bounce rock skate. He loves to roll. That's how 1043 01:00:11,240 --> 01:00:14,320 Speaker 1: you're saying to Rondo, No region, Rondo is like a 1044 01:00:14,320 --> 01:00:17,560 Speaker 1: completely into like o G four wheel roller skate, not 1045 01:00:17,640 --> 01:00:22,680 Speaker 1: in line like strange due strange, very strange lar team. Um, 1046 01:00:22,720 --> 01:00:24,120 Speaker 1: I thought you were going to go out on cross 1047 01:00:24,240 --> 01:00:27,680 Speaker 1: roads for big old Donks on Amish. Oh my God, 1048 01:00:27,880 --> 01:00:33,440 Speaker 1: tell me, what's you gonna do? You know what, I 1049 01:00:33,440 --> 01:00:35,080 Speaker 1: don't you know what. This one's fine because it's I 1050 01:00:35,080 --> 01:00:37,040 Speaker 1: don't want to leave. Oh sure he didn't either, and 1051 01:00:37,080 --> 01:00:39,480 Speaker 1: we didn't want you to either, My guy, all right, Uh, 1052 01:00:39,520 --> 01:00:41,800 Speaker 1: we're gonna ride out on that. Have a good weekend. 1053 01:00:41,840 --> 01:01:23,040 Speaker 1: Everyone will talk to you on Monday. By disshhh the 1054 01:01:34,720 --> 01:03:07,919 Speaker 1: Love lobishsh not Rabis to love this, Love, love all 1055 01:03:09,480 --> 01:05:00,120 Speaker 1: a y