1 00:00:00,720 --> 00:00:18,000 Speaker 1: I am all in you, I am all in with 2 00:00:18,120 --> 00:00:22,720 Speaker 1: Scott Patterson and I heart radio podcast Everybody Scott Patterson, 3 00:00:22,760 --> 00:00:26,640 Speaker 1: I Am all in Podcast Pop Culture, Season four, Episode fourteen, 4 00:00:26,680 --> 00:00:30,720 Speaker 1: The Incredible Shrinking Laurel I or is it Laurel Lies? 5 00:00:30,800 --> 00:00:37,400 Speaker 1: Is it Laurel Lie? The Incredible is Laura Lie? Yeah right, 6 00:00:37,440 --> 00:00:42,839 Speaker 1: it's Laurel Lines. And I say it and an ass appears. 7 00:00:42,960 --> 00:00:49,320 Speaker 1: It's amazing. Janet and Paris. Janet and parents arguing about 8 00:00:49,680 --> 00:00:56,640 Speaker 1: Janet's boyfriend hanging out in their college dorm room. Paris, 9 00:00:56,680 --> 00:00:59,560 Speaker 1: I should just tell her Asher Flemings my man so 10 00:00:59,640 --> 00:01:03,680 Speaker 1: she can compare her circle. Nineteen seventy two Lou Frigno 11 00:01:03,800 --> 00:01:06,920 Speaker 1: with Frigno with him, It's a good line. Starting in 12 00:01:07,080 --> 00:01:11,399 Speaker 1: nineteen seventy one, Lou Frigno uh started competing in body 13 00:01:11,480 --> 00:01:14,600 Speaker 1: building competitions. In seventy two, he placed second in the 14 00:01:14,640 --> 00:01:19,360 Speaker 1: World body Building Guild MR America competition. LOUI even won 15 00:01:19,760 --> 00:01:23,560 Speaker 1: the International Federation of body Building Fitness MR Universe title 16 00:01:23,560 --> 00:01:27,600 Speaker 1: in ninety three, but didn't get cast as the Incredible 17 00:01:28,800 --> 00:01:34,440 Speaker 1: Hulk in nineteen seventy seven. He didn't so who back 18 00:01:34,480 --> 00:01:39,399 Speaker 1: in the day and this was on the Hulk scared me. 19 00:01:39,760 --> 00:01:43,199 Speaker 1: I used to have nightmares. He's turning into the Hulk, 20 00:01:43,680 --> 00:01:47,000 Speaker 1: Like I was so terrified at the Incredible Hulk. But 21 00:01:47,080 --> 00:01:50,080 Speaker 1: the Hulk in like the Mark Ruffalo Hulk is way 22 00:01:50,160 --> 00:01:53,560 Speaker 1: less scary. If you watched The Incredible Hulk from the 23 00:01:53,600 --> 00:01:55,440 Speaker 1: seventies and you're a kid, it was a little scary. 24 00:01:57,080 --> 00:02:00,720 Speaker 1: Mark Ruffalo turns into the Hulk, or no he does. 25 00:02:01,120 --> 00:02:03,120 Speaker 1: He's such a nice guy. How could he be scared 26 00:02:03,160 --> 00:02:06,000 Speaker 1: to him? Well, he's so Bruce Banner. But then the Hulk, 27 00:02:06,080 --> 00:02:08,919 Speaker 1: I think, is like c G I but mover or no. 28 00:02:09,200 --> 00:02:11,880 Speaker 1: That was scary when he when like, um, oh my god, 29 00:02:11,919 --> 00:02:14,560 Speaker 1: who played Bruce Banner? Don't tell me? Oh my god, 30 00:02:14,600 --> 00:02:17,320 Speaker 1: what was that guy's name? That actor, that famous actor 31 00:02:17,360 --> 00:02:19,880 Speaker 1: that played Oh wait a minute, here's a correction from 32 00:02:20,000 --> 00:02:23,880 Speaker 1: the staff. And he didn't get cast as the Incredible 33 00:02:23,919 --> 00:02:30,200 Speaker 1: Hulk until Hill till seven. Okay, Jackie who played Bruce Banner? 34 00:02:30,400 --> 00:02:36,040 Speaker 1: It was yeah, he was famous, wasn't it. The Bill Bixby? Yes, 35 00:02:36,200 --> 00:02:39,240 Speaker 1: Oh god, Scott, did I just get you nailed that? 36 00:02:39,320 --> 00:02:42,600 Speaker 1: You nailed that Courtship Bavetti's father Bill Bixby, and I 37 00:02:42,680 --> 00:02:47,000 Speaker 1: actually googled randomly the other day, did the Hulk ever 38 00:02:47,080 --> 00:02:50,720 Speaker 1: get cured? And I think the answer was no. Like 39 00:02:50,760 --> 00:02:52,600 Speaker 1: at the end of the remember how sad that was 40 00:02:52,639 --> 00:02:54,800 Speaker 1: at the end of the show when they played that 41 00:02:54,960 --> 00:02:59,560 Speaker 1: sad music, and like Bruce Banner would walk up or 42 00:02:59,639 --> 00:03:02,520 Speaker 1: was it, yeah, Bruce Banner, not David Banner. Shoot, was 43 00:03:02,560 --> 00:03:05,080 Speaker 1: it David Banner or Bruce Banner? It was David Banner. 44 00:03:05,240 --> 00:03:08,200 Speaker 1: David Banner, okay, And David Banner would walk off with 45 00:03:08,240 --> 00:03:11,800 Speaker 1: his like backpack and it was so sad, and You're like, 46 00:03:11,840 --> 00:03:13,960 Speaker 1: oh no, he's still the Hoholk and he's just like 47 00:03:14,360 --> 00:03:19,720 Speaker 1: off he goes sad. What a show? What a show? 48 00:03:19,800 --> 00:03:22,440 Speaker 1: What a show? What it really was? It really? What 49 00:03:22,560 --> 00:03:25,399 Speaker 1: a concert? Right? I was watching a ton of old 50 00:03:25,440 --> 00:03:29,560 Speaker 1: Wonder Woman the other day. Has such great television in 51 00:03:29,600 --> 00:03:34,560 Speaker 1: the seventies. Do yourself a favorite people wonder Woman. In 52 00:03:35,320 --> 00:03:37,560 Speaker 1: the sixties, you watch the original Batman. Then you get 53 00:03:37,560 --> 00:03:40,040 Speaker 1: to the seventies, you get all that great stuff. Six 54 00:03:40,080 --> 00:03:45,440 Speaker 1: million Dollar Man, I mean totally Bionic Woman. Okay. Rory 55 00:03:45,600 --> 00:03:50,120 Speaker 1: got a job card swiping dining cards at Yale. Glenn 56 00:03:50,360 --> 00:03:53,360 Speaker 1: is getting impatient because she is trying to study and 57 00:03:53,680 --> 00:03:57,320 Speaker 1: card swipe and talking on the punk Glenn. Everyone is 58 00:03:57,360 --> 00:04:01,080 Speaker 1: going to be sorry one day. Everyone looks off. Rory. 59 00:04:01,480 --> 00:04:05,440 Speaker 1: You really gotta stop watching Taxi Driver. Glenn. Roy is 60 00:04:05,520 --> 00:04:09,960 Speaker 1: referring to Glenn as the taxi driver character that Robert 61 00:04:10,000 --> 00:04:13,160 Speaker 1: De Niro portrayed from the film the same name as 62 00:04:13,240 --> 00:04:16,800 Speaker 1: main character Travis is in a decaying mental state of 63 00:04:16,880 --> 00:04:22,359 Speaker 1: chronic insomnia and loneliness brought on by post traumatic stress 64 00:04:22,360 --> 00:04:27,680 Speaker 1: syndrome from the Vietnam War. UH. Taxi Driver is a 65 00:04:27,800 --> 00:04:31,240 Speaker 1: ninety six film by Martin Scorsese story Robert J. Hero. 66 00:04:31,320 --> 00:04:33,560 Speaker 1: The scene where Travis Pickele is talking to himself of 67 00:04:33,600 --> 00:04:36,760 Speaker 1: the mirror was completely ad libbed by Robert jer you're 68 00:04:36,760 --> 00:04:39,320 Speaker 1: talking to me. You're talking to me. I'm the only 69 00:04:39,360 --> 00:04:42,960 Speaker 1: one here talking to me. Uh, you must be talking 70 00:04:42,960 --> 00:04:48,800 Speaker 1: to me. The screenplay details, Um, Travis looks in the mirror. 71 00:04:49,880 --> 00:04:52,640 Speaker 1: That's all the screenplay said. Travis looks in the mirror 72 00:04:52,720 --> 00:04:54,960 Speaker 1: and then shocked to know that I've never seen this movie. 73 00:04:55,040 --> 00:04:58,520 Speaker 1: You've never seen Taxi Driver. And I'll bet money with 74 00:04:58,560 --> 00:05:02,480 Speaker 1: Albert Brooks and sil Shepherd. No, but I love Sibyl 75 00:05:02,520 --> 00:05:04,600 Speaker 1: Shepherd and I love Albert Brooks. In was he and 76 00:05:04,640 --> 00:05:09,440 Speaker 1: Aaron Brock and Peter Boyle and from Everybody Loves Raymond 77 00:05:10,880 --> 00:05:13,919 Speaker 1: Peter oh Man, you gotta you have to see Taxi 78 00:05:14,000 --> 00:05:18,440 Speaker 1: Driver was Albert Brooks in No wait, he's not an 79 00:05:18,440 --> 00:05:23,080 Speaker 1: Aaron Brockovitch. Just I'm gonna I don't know, but I'm 80 00:05:23,080 --> 00:05:25,599 Speaker 1: gonna prepare you when you when you see Taxi Driver. 81 00:05:25,640 --> 00:05:27,880 Speaker 1: I'm gonna prepare you for one thing. Okay, Harvey Ky 82 00:05:27,920 --> 00:05:30,719 Speaker 1: tells in this now you will watch it because civil 83 00:05:30,760 --> 00:05:34,599 Speaker 1: Shepherds and and you gotta see the scene where Robert 84 00:05:34,640 --> 00:05:39,680 Speaker 1: de Niro where Travis Bickle gets a date with Sibyl Shepherd, 85 00:05:40,400 --> 00:05:43,880 Speaker 1: right with a young Cibyl Shepherd, and where he takes her. 86 00:05:43,960 --> 00:05:47,279 Speaker 1: You've got to see the movie just for that scene. 87 00:05:47,640 --> 00:05:53,640 Speaker 1: Anyone care? It was Albert Finney in Aaron Brockovich, right, Um, anyway, 88 00:05:54,279 --> 00:05:56,160 Speaker 1: that's all that was written in the script. Travis looks 89 00:05:56,160 --> 00:05:58,240 Speaker 1: in the mirror, and then de Niro took care of 90 00:05:58,240 --> 00:06:03,000 Speaker 1: the rest with his amazing talent. Um Martin Scorsese claims 91 00:06:03,080 --> 00:06:05,880 Speaker 1: that he got the inspiration for the scene from Marlon 92 00:06:06,000 --> 00:06:09,840 Speaker 1: Brando mouthing words in front of a mirror in Reflections 93 00:06:10,240 --> 00:06:13,719 Speaker 1: of a in a Golden Eye from an old Brando film. 94 00:06:14,680 --> 00:06:18,360 Speaker 1: Paris is upset again at Janet, saying her boyfriend put 95 00:06:18,360 --> 00:06:21,359 Speaker 1: a big crater in the couch when he sat on 96 00:06:21,480 --> 00:06:25,599 Speaker 1: at Janet, you're so full of it Paris, Paris, kids 97 00:06:25,600 --> 00:06:29,080 Speaker 1: were skateboarding up and down it. Gandalf the Gray is 98 00:06:29,120 --> 00:06:32,719 Speaker 1: still falling down it. It was a big hole. Gandalf 99 00:06:32,720 --> 00:06:35,080 Speaker 1: as a wizard. In J. R. Tolken's novels The Hobbit 100 00:06:35,320 --> 00:06:38,080 Speaker 1: and Lord of the Rings, Paris are referring to Gandalf 101 00:06:38,080 --> 00:06:42,960 Speaker 1: falling down the whole the battle with ball Rog and 102 00:06:43,279 --> 00:06:45,520 Speaker 1: landing on top of the mountain, as he did in 103 00:06:45,640 --> 00:06:49,159 Speaker 1: Lord of the Rings. Lourel I upset at Suki for 104 00:06:49,200 --> 00:06:52,800 Speaker 1: not being more involved in the decision making of the 105 00:06:52,800 --> 00:06:54,800 Speaker 1: in Laurela Suki, for the past six weeks, I have 106 00:06:54,920 --> 00:06:57,840 Speaker 1: taken every meeting. I've been in and out the in 107 00:06:58,000 --> 00:07:00,760 Speaker 1: round the clock. I haven't had a second for himself. 108 00:07:00,800 --> 00:07:02,320 Speaker 1: And I just asked for one hour to get my 109 00:07:02,360 --> 00:07:04,080 Speaker 1: hair done, and then two seconds into the shampoo we 110 00:07:04,080 --> 00:07:05,600 Speaker 1: get a phone call from a guy it sounds like 111 00:07:06,279 --> 00:07:07,920 Speaker 1: kids in the hall character telling me I have to 112 00:07:07,920 --> 00:07:11,040 Speaker 1: get in the end today. Uh to okay a sink 113 00:07:11,080 --> 00:07:13,920 Speaker 1: and I wouldn't know how to okay? Because I don't 114 00:07:13,920 --> 00:07:17,280 Speaker 1: know what makes it okay. You know what makes it okay, 115 00:07:17,320 --> 00:07:19,480 Speaker 1: which is why you said you're gonna be there whether 116 00:07:19,600 --> 00:07:21,720 Speaker 1: or not it was okay, all right. The Kids in 117 00:07:21,760 --> 00:07:25,520 Speaker 1: the Hall as a Canadian sketch comedy troupe for consisting 118 00:07:25,560 --> 00:07:30,600 Speaker 1: of comedians Dave Foley, Bruce McCulloch, Kevin McDonald, Mike McKinney, 119 00:07:30,640 --> 00:07:35,320 Speaker 1: and Scott Thompson. Uh. Their names came from nineteen fifties 120 00:07:35,480 --> 00:07:40,720 Speaker 1: TV sitcom comedians, said Caesar, who would attribute a joke 121 00:07:40,880 --> 00:07:45,000 Speaker 1: that did not go over well or played worse than 122 00:07:45,080 --> 00:07:48,560 Speaker 1: expecting to the kids in the Hall, referring to a 123 00:07:48,560 --> 00:07:53,640 Speaker 1: group of young writers hanging around, I got into it, 124 00:07:53,720 --> 00:07:55,200 Speaker 1: so he's he'd tell a bad joke and they go, 125 00:07:55,360 --> 00:07:57,760 Speaker 1: that's that's because the kids in the Hall. Uh wrote 126 00:07:57,800 --> 00:08:01,840 Speaker 1: a bad joke, alright. Visiting Rory's visiting your professor of 127 00:08:01,920 --> 00:08:05,200 Speaker 1: game theory at Yale in his office, making up an 128 00:08:05,240 --> 00:08:09,360 Speaker 1: excuse about her notes. Uh Rory, Okay, Well, I have 129 00:08:09,480 --> 00:08:11,880 Speaker 1: something down here, but I cannot, for the life of me, 130 00:08:12,280 --> 00:08:15,320 Speaker 1: read my own handwriting. Seriously, if I had this analyze, 131 00:08:16,080 --> 00:08:19,440 Speaker 1: Shirley's Theron would be playing me in a movie because 132 00:08:19,760 --> 00:08:22,000 Speaker 1: I'd be a serial killer and pretty girls like to 133 00:08:22,000 --> 00:08:24,600 Speaker 1: get fat play serial killers because they went an oscar 134 00:08:24,640 --> 00:08:31,240 Speaker 1: and I'm sorry I should go on. That was that 135 00:08:31,360 --> 00:08:35,040 Speaker 1: was pretty funny. Yeah, Rory is referring to charlie's Theron's 136 00:08:35,160 --> 00:08:40,360 Speaker 1: role in Monster and Monster. She was in Monster. Yes, yes, 137 00:08:40,400 --> 00:08:42,319 Speaker 1: that's the name I felt. Sorry, sorry, sorry, sorry, I'm 138 00:08:42,320 --> 00:08:46,319 Speaker 1: thinking of I'm thinking of halle Berry wasn't. Halle Berry 139 00:08:46,360 --> 00:08:52,960 Speaker 1: was in Monster's Ball. So both incredibly attractive, very talented 140 00:08:53,000 --> 00:08:57,160 Speaker 1: actresses played in films where they were but halle Berry 141 00:08:57,200 --> 00:09:01,719 Speaker 1: didn't gain any weight for that. Um anyway, I don't know. Uh. 142 00:09:01,880 --> 00:09:05,280 Speaker 1: She's preferring to Charlie Stron's role in Monster as serial 143 00:09:05,360 --> 00:09:11,400 Speaker 1: killer Eileen, a prostitute who murdered seven of her male 144 00:09:11,480 --> 00:09:18,720 Speaker 1: clients between one year. She whacked seven seven John's the 145 00:09:18,800 --> 00:09:25,040 Speaker 1: real Aileen Knows, a notoriously uncooperative person, gave writer and 146 00:09:25,080 --> 00:09:28,200 Speaker 1: director Patty Jenkins access to hundreds of letters she had 147 00:09:28,240 --> 00:09:31,959 Speaker 1: written and received in order to gain insight into a 148 00:09:32,120 --> 00:09:42,320 Speaker 1: Leen's life. Grandma Tricks is criticizing Richard's mustache tricks. It 149 00:09:42,360 --> 00:09:49,000 Speaker 1: makes you look like Adolph Mendu was an American actor's 150 00:09:49,040 --> 00:09:51,560 Speaker 1: career spanned both silent films and talk as. He appeared 151 00:09:51,559 --> 00:09:54,800 Speaker 1: in such films as Charlie Chaplin's A Woman of Paris, 152 00:09:54,800 --> 00:09:58,280 Speaker 1: where he played the lead role Stanley Kubrick's Passive Glory. 153 00:09:58,360 --> 00:10:01,840 Speaker 1: That's right. He was that commanding officer that was on 154 00:10:01,880 --> 00:10:06,840 Speaker 1: the side of Kirk Douglas. Um. None of this is meaning. Oh, 155 00:10:06,880 --> 00:10:09,200 Speaker 1: you have to see Passive Glory. Passive Glory is one 156 00:10:09,240 --> 00:10:10,599 Speaker 1: of the best war films you ever saw. It was 157 00:10:10,679 --> 00:10:13,280 Speaker 1: maybe one of the best films Stanley Kubrick ever directed. 158 00:10:13,400 --> 00:10:17,360 Speaker 1: I mean really just it's such a fast paced film 159 00:10:17,600 --> 00:10:20,800 Speaker 1: and it's so full of tension. Stanley Kubrick lost me 160 00:10:20,840 --> 00:10:24,680 Speaker 1: because I watched that Tom Cruise disaster. What the the 161 00:10:25,120 --> 00:10:30,360 Speaker 1: eyes wide shut? That was a great film, very watchable film. 162 00:10:30,559 --> 00:10:33,400 Speaker 1: I love Tom Cruise more, I really love him. And well, 163 00:10:33,440 --> 00:10:37,240 Speaker 1: that's very challenging material for a box office movie starting 164 00:10:37,320 --> 00:10:41,320 Speaker 1: to get involved in. But it was a great But 165 00:10:41,480 --> 00:10:44,520 Speaker 1: I just want top Gun. Stanley Kubrick, please, thank you. 166 00:10:44,880 --> 00:10:46,480 Speaker 1: Wait a minute two thousand one of space on it. 167 00:10:46,520 --> 00:10:48,080 Speaker 1: I never saw it. I know I do need to 168 00:10:48,120 --> 00:10:50,360 Speaker 1: maybe see that. I never saw clockwork Orange. There's a 169 00:10:50,360 --> 00:10:52,280 Speaker 1: lot of things I never saw. The shining I've got 170 00:10:52,320 --> 00:10:55,320 Speaker 1: a lot to do. Shining was my least favorite. Stanley 171 00:10:55,400 --> 00:11:02,240 Speaker 1: kuber Um anyway, he played uh Stanley Krubridge Pass of 172 00:11:02,280 --> 00:11:07,120 Speaker 1: Glory with Kirk Douglas. Great performance by all players. Um. 173 00:11:07,160 --> 00:11:09,520 Speaker 1: He had over one d and fifty one film credits 174 00:11:10,000 --> 00:11:13,360 Speaker 1: from nineteen sixteen to nineteen sixty one. Tricks Is referring 175 00:11:13,400 --> 00:11:19,800 Speaker 1: to Adolfs mustache. The men jew mustache was named after him. Um. 176 00:11:19,840 --> 00:11:23,199 Speaker 1: In another very funny tricks line or no, this was 177 00:11:23,240 --> 00:11:26,960 Speaker 1: Adjason line, Jason is running away from Grandma Tricks in 178 00:11:27,080 --> 00:11:32,440 Speaker 1: Richard's study Laura, I You're hiding from my grandmother, aren't you, Jason? 179 00:11:32,720 --> 00:11:39,200 Speaker 1: She is scarier than Nick Nulty's mug shot. That yeah, 180 00:11:39,240 --> 00:11:42,560 Speaker 1: that was good. Nick Nalty is an actor known for 181 00:11:42,720 --> 00:11:45,840 Speaker 1: movies The Thin Red Line, The Warrior, The Prince of Tides, 182 00:11:46,280 --> 00:11:49,560 Speaker 1: and Affliction. In two thousand and two, Nulty was arrested 183 00:11:49,559 --> 00:11:52,240 Speaker 1: on suspicion of drunk driving after he was pulled over 184 00:11:52,320 --> 00:11:57,240 Speaker 1: in Malibu, California. When Nulty was put in cuffs and 185 00:11:57,280 --> 00:11:59,640 Speaker 1: taken to the police station, he had a post from 186 00:11:59,720 --> 00:12:03,720 Speaker 1: mug shot that would go down in history, and there 187 00:12:03,760 --> 00:12:09,240 Speaker 1: it is. Grandma tricks Is asking Laurelai about her financial state. 188 00:12:09,280 --> 00:12:13,160 Speaker 1: And assuming she is in financial trouble with opening the 189 00:12:13,200 --> 00:12:16,400 Speaker 1: in Tricks, unless your partner is a Rockefeller, you are 190 00:12:16,400 --> 00:12:20,800 Speaker 1: in serious financial trouble. Uh. As we know, John D. 191 00:12:21,000 --> 00:12:23,960 Speaker 1: Rockefeller was an oil magnet and one of the richest 192 00:12:23,960 --> 00:12:28,640 Speaker 1: men in American history. And why did he become so rich? 193 00:12:28,679 --> 00:12:34,520 Speaker 1: Do you know this? Berkeley? Berkeley? Hello Berkeley? Yeah, I'm 194 00:12:34,559 --> 00:12:36,840 Speaker 1: thinking are you sleeping again in the back of the class. 195 00:12:37,040 --> 00:12:40,040 Speaker 1: I'm trying to think of the Rockefeller Why? Why did 196 00:12:40,040 --> 00:12:41,880 Speaker 1: he become so rich? He was? He was rich? And 197 00:12:41,920 --> 00:12:43,360 Speaker 1: then give me a minute. Do you know what the 198 00:12:43,400 --> 00:12:45,920 Speaker 1: government did to him? They broke up his company and 199 00:12:47,679 --> 00:12:50,680 Speaker 1: so he he broke it up into twenty four different 200 00:12:50,760 --> 00:12:54,720 Speaker 1: LLC's and guess what he became twenty five times richer, 201 00:12:55,320 --> 00:12:57,600 Speaker 1: Thank you very much. Tricks is comparing her not having 202 00:12:57,640 --> 00:13:04,400 Speaker 1: money like John D. Rockefeller. Uh, when Rocket Fellers was 203 00:13:04,440 --> 00:13:08,760 Speaker 1: at its wealth, is his money equals Uh his money 204 00:13:08,800 --> 00:13:13,160 Speaker 1: equal to three hundred eighteen billion in two days money? Wow, 205 00:13:13,240 --> 00:13:17,079 Speaker 1: that's that's pretty darn good. Now there are one hundred 206 00:13:17,120 --> 00:13:22,720 Speaker 1: and fifty descendants, uh, and which some still run Rockefeller 207 00:13:22,880 --> 00:13:27,200 Speaker 1: and Company. Well, well, well, then we learned something about 208 00:13:28,559 --> 00:13:34,800 Speaker 1: this episode. Next episode is they skip Selene dion I 209 00:13:34,880 --> 00:13:37,440 Speaker 1: think we've done her a couple of times before. It's 210 00:13:37,440 --> 00:13:41,480 Speaker 1: like where it's like it was, okay, I hope she 211 00:13:41,520 --> 00:13:45,959 Speaker 1: gets better. We love Yeah, I don't know what's going on. 212 00:13:46,080 --> 00:13:52,480 Speaker 1: Is ill? What is it called stiff person syndrome joints 213 00:13:52,640 --> 00:13:55,960 Speaker 1: her joints or stiffening or something like that, honor, I don't. Well, 214 00:13:56,000 --> 00:13:59,680 Speaker 1: we send her the best and she's an extremely gifted 215 00:13:59,720 --> 00:14:04,400 Speaker 1: person and wonderful personality, wonderful person, super funny. I love her. 216 00:14:04,600 --> 00:14:08,640 Speaker 1: I love her too, so speedy recovery and all the 217 00:14:08,679 --> 00:14:12,720 Speaker 1: best to Celine dion. Um. Anyway, that's gonna that's gonna 218 00:14:12,760 --> 00:14:15,800 Speaker 1: do it for pop culture kids. I hope you enjoyed 219 00:14:15,840 --> 00:14:19,600 Speaker 1: it and we will see you next time. Best fans 220 00:14:19,680 --> 00:14:23,520 Speaker 1: on the planet. And uh my resolution for two thousand 221 00:14:23,560 --> 00:14:26,080 Speaker 1: twenty three, I want to hug every single one of you. 222 00:14:28,520 --> 00:14:31,640 Speaker 1: That's my resolution because these fans are just like they 223 00:14:31,680 --> 00:14:34,080 Speaker 1: give us so much. Look what they're giving us. Except 224 00:14:34,160 --> 00:14:41,280 Speaker 1: they did have some harsh comments on them, like they 225 00:14:41,320 --> 00:14:47,200 Speaker 1: started with a bang of aggers. But that's okay, Yeah, 226 00:14:47,240 --> 00:14:50,360 Speaker 1: but that's you know what, there's there's a very one 227 00:14:50,480 --> 00:14:55,280 Speaker 1: there's a very strong possibility amy that those aren't Gilmore 228 00:14:55,400 --> 00:15:00,000 Speaker 1: fans writing those messages. I'll see the daggers any day. 229 00:15:00,040 --> 00:15:03,800 Speaker 1: It too. It could be coming from the competition, you 230 00:15:03,920 --> 00:15:06,200 Speaker 1: just never know. It could be bots, it could be 231 00:15:06,240 --> 00:15:11,320 Speaker 1: disgruntled competitors. There's one I want to read. Wait, let 232 00:15:11,360 --> 00:15:13,800 Speaker 1: me read it. Hold on, it was pretty much towards me. 233 00:15:13,880 --> 00:15:17,160 Speaker 1: Let me let me read it. Oh no, I can't. Oh, 234 00:15:17,680 --> 00:15:19,880 Speaker 1: this one's so good, you guys, this one's so good. 235 00:15:22,800 --> 00:15:25,520 Speaker 1: Respect to it because it's so good. It finally hit 236 00:15:25,560 --> 00:15:27,800 Speaker 1: me this week that I give zero fs about what 237 00:15:27,920 --> 00:15:30,360 Speaker 1: any of these people have to say about Kilmar girls, 238 00:15:30,600 --> 00:15:34,760 Speaker 1: and they're actually just really annoying, you know what. You're 239 00:15:34,840 --> 00:15:41,200 Speaker 1: probably right, so's so good anyway? Yeah, so I don't know, really, 240 00:15:41,560 --> 00:15:44,120 Speaker 1: I really, I mean, have you ever written or typed 241 00:15:44,200 --> 00:15:50,240 Speaker 1: anything like that to anyone for any reason? So? I 242 00:15:50,280 --> 00:15:54,720 Speaker 1: think that says it all right there? Okay, we get 243 00:15:54,840 --> 00:16:00,040 Speaker 1: comments about that. We can take it. You can't to 244 00:16:00,080 --> 00:16:02,160 Speaker 1: do these shows if you can't take it? Are you 245 00:16:02,240 --> 00:16:05,360 Speaker 1: kidding me? I used to get booed out of baseball stadiums, 246 00:16:05,440 --> 00:16:07,640 Speaker 1: you know, because I gave up a home run. I mean, 247 00:16:08,040 --> 00:16:11,680 Speaker 1: come on, you want to see my skin? Hey man? Yeah? 248 00:16:11,760 --> 00:16:14,120 Speaker 1: Mine spinners can be, but I can take any You 249 00:16:14,120 --> 00:16:16,680 Speaker 1: want to see my skin, it's it's an inch. Think 250 00:16:16,720 --> 00:16:19,920 Speaker 1: I'm like a gorilla. You can't hurt me alright anyway, 251 00:16:20,600 --> 00:16:22,600 Speaker 1: all right, see you guys next week's best fans on 252 00:16:22,640 --> 00:16:56,280 Speaker 1: the planet. Thanks for down loan and stay safe everyone. Hey, everybody, 253 00:16:56,320 --> 00:16:59,680 Speaker 1: and don't forget Follow us on Instagram at I Am 254 00:16:59,720 --> 00:17:03,720 Speaker 1: All In podcast and email us at Gilmore at I 255 00:17:03,880 --> 00:17:07,239 Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're 256 00:17:07,240 --> 00:17:09,080 Speaker 1: looking for the best cup of coffee in the world, 257 00:17:09,119 --> 00:17:13,080 Speaker 1: go to my website for my company, scott EP dot com, 258 00:17:13,200 --> 00:17:15,359 Speaker 1: s C O T. T y P dot com, scott 259 00:17:15,359 --> 00:17:28,359 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.