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Speaker 1: Course Love Supreme is a production of iHeartRadio. This classic

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Speaker 1: episode was produced by the team at Pandora.

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Speaker 2: Y'all check it out, y'all, This is Fante fan Ticolo

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Speaker 2: back with this week's qre Les Classic.

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Speaker 3: This week, we're gonna take it.

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Speaker 2: All the way back to February thirteenth, twenty nineteen for

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Speaker 2: part two of our Black TV Writers Roundtable, where we

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Speaker 2: chop it up with our good friends Tracy Ashley, Diallo Riddle,

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Speaker 2: Sheer saladein My Brothers from Sherman Showcase, and Angela Nissel,

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Speaker 2: who is getting a lot of.

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Speaker 3: Love right now from her mentioned in Dave.

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Speaker 2: Chappelle's Much bescer So Yeah, Angie doing your thing love her.

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Speaker 3: Listen.

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Speaker 2: We sit down with them, we talk about how the

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Speaker 2: black media landscape is changing, and we get into a

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Speaker 2: whole lot more So.

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Speaker 3: Check it out cure Les Classic. Get into it, yeah piece.

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Speaker 4: Hey.

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Speaker 3: Last week on Quest Love Supreme, I introduced you guys

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Speaker 3: to four black writers currently working in Hollywood, Angela Missile,

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Speaker 3: Diallar Riddle, and Tracy Ashley. Collectively, they've written for shows

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Speaker 3: like Scrubs Now with Jimmy Fallons, The Last O G

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Speaker 3: and many many more. Hey, let's not waste any time.

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Speaker 3: Let's get right back to the conversation. So like the

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Speaker 3: old shows, the old black shows, let's say, like like

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Speaker 3: the Jefferson's What's Happening? Did they have black writers or

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Speaker 3: you know, like.

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Speaker 5: They most absolute mostly good, very much mostly did not

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Speaker 5: was it was?

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Speaker 3: It was incredible?

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Speaker 6: Yeah, normanly are actually just I just listened to a

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Speaker 6: podcast he did and he talked about that. How I

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Speaker 6: think he said the black the Black Panthers showed up

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Speaker 6: at his at the studio because they were mad that

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Speaker 6: they were like this white man is writing this this story.

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Speaker 7: Yeah, so I don't think they have.

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Speaker 5: The way there was some black authorship was the star

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Speaker 5: usually had some level of veto power.

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Speaker 3: So that's the role.

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Speaker 5: When you got a script could then be like no, no, no, no, no.

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Speaker 3: Say this.

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Speaker 5: But that's like the very last level. But right before that,

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Speaker 5: there was nobody in that room.

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Speaker 3: Briefly, on Sanford and Son, I know that Paul Mooney

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Speaker 3: and Richard Pryor were brought into.

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Speaker 8: By the way, A lot of people don't realize Sanford

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Speaker 8: and Son was actually an import from the UK.

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Speaker 9: People.

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Speaker 3: The junk step. How long was that on?

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Speaker 5: This is before the days of BBC America, So we

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Speaker 5: don't we have no idea.

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Speaker 3: So of the four of you, who's getting fired?

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Speaker 5: How many of you are always always aware of that?

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Speaker 3: How many of you are willing to truly sacrifice for

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Speaker 3: the greater good? Now? I know, I know there's a

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Speaker 3: load of questions because I know that usually a lot

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Speaker 3: of nepotism and sort of the patriarchy, like the system

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Speaker 3: of starting out as an intern and then becoming a writer,

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Speaker 3: then a head writer, and then next thing, you know,

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Speaker 3: your network head. I know that's very hard for black

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Speaker 3: people to even fathom that situation. Usually you're worn out

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Speaker 3: and tired after ten to fifteen years of this bullshit.

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Speaker 3: But how many of you are thinking past writer, head

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Speaker 3: writer and showrunner to I would like to run the network?

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Speaker 3: And especially all right, I would assume that for women,

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Speaker 3: and I see this often. You know when I investigate

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Speaker 3: the culinary world, most women don't last in those high

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Speaker 3: end the kitchen situ because you have to really give

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Speaker 3: like fifteen to twenty five years of your life in

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Speaker 3: that situation. Usually you want to have kids and you

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Speaker 3: retire after a while. So are you are you even

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Speaker 3: thinking about in twenty thirty five, I'd like to be

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Speaker 3: president of the network, so that way I could really

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Speaker 3: open doors.

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Speaker 9: Well, I think that for us, I don't know any

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Speaker 9: for us, the highest.

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Speaker 10: Thing you can do is be a showrunner, is to

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Speaker 10: be somebody like a Kenya Barris.

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Speaker 9: For I don't think too many writers actually want to.

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Speaker 3: Yeah, that's a different track.

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Speaker 9: That nobody has to run a network.

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Speaker 3: I would assume that now that Shonda Rhymes is kind

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Speaker 3: of in the is she the besides Oprah the highest

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Speaker 3: level where you could be in the game? Right now?

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Speaker 3: I think so?

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Speaker 9: Yeah, she runs her own production company.

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Speaker 3: Right So if Shonda Rhymes not even eight steps away

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Speaker 3: from oprah hood, if she goes on this.

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Speaker 5: Role, my two cents would be she's as close to

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Speaker 5: being somebody who has that network power without giving up

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Speaker 5: the thing which is the reason we get up in

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Speaker 5: the morning because we feel like artists and we want

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Speaker 5: to go make art. I mean, I wouldn't you know

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Speaker 5: I know this. I know A and M Records were

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Speaker 5: started by uh right, I think most but you know

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Speaker 5: that's a that's sort of a parallel thing in a

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Speaker 5: sense of like, well those guys were musicians and they

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Speaker 5: said we got to got our own label.

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Speaker 3: It does happen.

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Speaker 2: But you know, even with that, it was one guy

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Speaker 2: that was really music and the other guy was the business.

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Speaker 9: On the show still get notes from a network? Yeah

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Speaker 9: she still?

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Speaker 3: Yes, does she honor all those notes? Who knows? Yeah? Yeah,

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Speaker 3: Well here's me asking is willing to sacrifice because you know, like,

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Speaker 3: but it's already, but one day he has a black woman.

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Speaker 3: There are black executives who writes women who they're about

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Speaker 3: to take over some things.

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Speaker 5: It's coming. No, it's happening. That's why Roseanne. Roseanne happened

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Speaker 5: because the black woman was.

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Speaker 11: Like a black woman named Zone one. Just you know,

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Speaker 11: whatever you think of it, it's there.

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Speaker 3: Well, I'm not saying it has it happened. I'm saying,

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Speaker 3: who in this room is willing to how far are

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Speaker 3: you willing to go in this this trek, in this

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Speaker 3: journey of television of being able to be fired?

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Speaker 10: Oh yeah, I'm like again, I don't for me personally, yeah,

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Speaker 10: but a lot of men I would love again for me,

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Speaker 10: if you just go to movies, if what my girlfriend

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Speaker 10: and I were, if what me and my girlfriends talk

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Speaker 10: about is right, you know, and there hasn't been a

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Speaker 10: black female half an hour comedy network showrunner, broadcast showrunner

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Speaker 10: since the nineties. I mean, I've been in this since

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Speaker 10: two thousand and two. I can't give up, now what

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Speaker 10: else can I do?

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Speaker 3: You know?

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Speaker 10: And I like being able to help other younger people

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Speaker 10: like Tracy come in and do you know, so if

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Speaker 10: it ain't me, it's going to be her hopefully. So

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Speaker 10: I mean, I'm not giving up until I'm dead. What

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Speaker 10: the hell that's one of y'all gonna take me in

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Speaker 10: and me your sugar dad.

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Speaker 8: I think the ability, I think the ability to create

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Speaker 8: new shows, new characters, new environments. I think that's what

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Speaker 8: you know, juveniles, you know what I mean, as opposed

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Speaker 8: to the desire to have other people bring us those

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Speaker 8: things and be like, Okay, well you're gonna get eight

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Speaker 8: pm on Wednesday, Like I don't. I just think that

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Speaker 8: that's a slightly different thing, you know, And maybe sometimes

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Speaker 8: people will make that jump, you know, but you know,

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Speaker 8: so what I'm feeling here.

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Speaker 3: Is that the there's a limit to your Sky.

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Speaker 10: Network executive and like none of us if we were

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Speaker 10: executive network executives, we wouldn't be able to write and

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Speaker 10: create new characters.

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Speaker 8: Any network executives and maybe one of them will become

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Speaker 8: head of their network.

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Speaker 5: I just you know, I mean, can I just say

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Speaker 5: for me? It's like if you I'm not saying.

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Speaker 2: I'm I'm not a Picasso, but I'm saying if you

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Speaker 2: went to Picasso and said, you know, you really got

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Speaker 2: to run a museum man, and he'd be like, I

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Speaker 2: just want to I'm a painter.

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Speaker 3: Like, so I'm saying, like, it's the top who's willing

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Speaker 3: to sacrifice? Who wants to sacrifice?

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Speaker 2: Like I love doing this, but was creative and then

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Speaker 2: he stopped being creative and became president for the Greater

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Speaker 2: Good to bring a susher, to bring a STLC, to

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Speaker 2: bring it, you know on he.

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Speaker 3: Jones was a trumpet player and love scoring. Would he

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Speaker 3: but okay?

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Speaker 2: But would he have kept doing that had the deal

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Speaker 2: been selling like ten twenty million records?

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Speaker 5: Like?

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Speaker 3: Would he have seen the moment and he jumped at it? Now?

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Speaker 3: We asked Jimmy jam the same thing, like would you

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Speaker 3: want to stop creating music and producing just to you know,

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Speaker 3: to be in the front office and not be creative?

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Speaker 3: He said, no, I didn't want to do that. Yeah,

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Speaker 3: So I understand That's why I was asking.

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Speaker 2: I think what's creatives just don't people don't think like that.

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Speaker 2: I mean, you kind of do what you do just

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Speaker 2: because that's I want to do that like.

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Speaker 3: But I will say I think about it all the

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Speaker 3: time though, ye, so you know.

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Speaker 5: But I would say, just really quickly, go ahead.

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Speaker 6: I have to admit that that actually did cross my

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Speaker 6: mind being at CBS and being on this show, because

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Speaker 6: I was looking around at all the executives.

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Speaker 3: All right, oh, we developed over there.

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Speaker 5: But you know, I just wanted to say really quick

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Speaker 5: that Kevin Hart is starting is on network right now.

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Speaker 5: The way the media landscape is changing, between cord cutting,

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Speaker 5: there's seven, you know, there's I think I might be

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Speaker 5: making this number. I think there was like thirteen hundred

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Speaker 5: new TV shows or something like that, or maybe let's say,

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Speaker 5: if I'm wrong, let's say it's three hundred. That's still

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Speaker 5: three hundred things. Everybody ain't watching all that shit. So

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Speaker 5: I'm saying it's a little bit of a different terrain

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Speaker 5: than the seventies. I think there are definitely talented people

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Speaker 5: now who are saying, look, I can just get an

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Speaker 5: app on your TV the way that other people. The

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Speaker 5: Netflix has an app and you'll watch the but sheer network,

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Speaker 5: and then that'll be the way that I, you know,

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Speaker 5: corral the conversation and be able to give green light

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Speaker 5: power to people. And I think that's already actually happening

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Speaker 5: right now. There are people creating networks right now that

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Speaker 5: utilize technology to be the people who are in charge.

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Speaker 5: Puppy out Revolt.

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Speaker 11: I'm scared for Kevin Hart though, because I wonder, I'm like, wow,

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Speaker 11: how many people because there are so many outlets, how

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Speaker 11: many people.

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Speaker 7: Are going to the LOL network or whatever?

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Speaker 3: I don't know. Maybe that's the next part of it, right.

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Speaker 11: It's like, so, what is the other thing that's going

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Speaker 11: to be created that you can be a boss and

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Speaker 11: maybe not be a network exact it, maybe not to

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Speaker 11: be an app.

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Speaker 7: I don't know.

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Speaker 3: I hate to ask this question. Is Revolt a nationwide?

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Speaker 2: It depends on I've yet to see we get it get.

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Speaker 3: We get in Carolina. Who's your cable provider? We ship

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Speaker 3: it's been brought like fifty providers.

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Speaker 11: It's not about the providers. It's on Comcast, is on Time,

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Speaker 11: Warner's on Charter. It's about the cities that they're in

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Speaker 11: because it's not on it's not in the.

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Speaker 3: Spectrum in New York City, and I still don't get

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Speaker 3: it where he will be like watch my showing. Fuse'd

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Speaker 3: be like, yeah, that's true, challenge. You can't even tell.

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Speaker 5: This is the only time in history, Like you can

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Speaker 5: be at a restaurant sitting next somebody who is a

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Speaker 5: fucking star on TV show you don't know who they are,

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Speaker 5: and somebody comes to it's an autograph. Who are you?

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Speaker 3: I got you know?

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Speaker 2: I got a TV show on pal I'm a Palladium brock.

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Speaker 3: Legit starts is l O L and actual, Yeah.

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Speaker 5: Network, he's buying studio space out in uh Chatsworth, Like

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Speaker 5: he's he's doing this. This is happening. I went out

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Speaker 5: there and saw the space like there, this is happening.

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Speaker 11: Someone spread itself then and nothing b as.

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Speaker 2: With the with the whole like core cutting thing, just

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Speaker 2: in terms of the economics of TV scary, Yeah, I

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Speaker 2: mean because to me it just doesn't seem like and

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Speaker 2: I don't know how it affects like writers and actors

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Speaker 2: and stuff, because like, yeah, people are cutting the cores,

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Speaker 2: but they still jacking you up to ask for the Internet.

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Speaker 5: So the amount of the amount of people who watch

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Speaker 5: each TV show has gone down the amount of individuals

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Speaker 5: who spend their day watching TV. It's fine. It's actually

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Speaker 5: that number is consistent. So the people in this room

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Speaker 5: will always have offers and stuff because it's like we

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Speaker 5: create content it.

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Speaker 8: Then I will say, you know, you got to have

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Speaker 8: ten jobs. So I will say so I want to

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Speaker 8: say this. We are developing another show with I f C.

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Speaker 8: You know, and uh and we're very excited about the

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Speaker 8: produced by John Legend, our composer. Fund Take a look

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Speaker 8: in the room.

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Speaker 3: There you go.

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Speaker 8: One of the things that I noticed when I was

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Speaker 8: talking to some of the some of the millennial assistants.

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Speaker 8: I would be like, hey, so how do y'all watch

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Speaker 8: cable TV? You know, like because I have to steal it?

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Speaker 8: And they'd be like they'd be like, well, you know, uh,

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Speaker 8: like none of them will actually pay for cable, Like

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Speaker 8: somebody on watch it once I once it goes on Netflix.

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Speaker 8: Somebody else was like, well, I never cut the cord

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Speaker 8: because I never had a cord.

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Speaker 5: I'm gonna put somebody. I want to put somebody on blast.

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Speaker 5: Who I live with, who I married watches and we

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Speaker 5: watch every real house we watch all of those. We

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Speaker 5: do not have cable in our house. How we watch

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Speaker 5: all those shows every night on the TV in the

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Speaker 5: living room. That's the question you should ask yourself. I

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Speaker 5: don't know. It's the website to special website. Yeah, we

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Speaker 5: watched every one of those. I'm like, this is evil.

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Speaker 7: You got a fire stick you ain't never got And.

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Speaker 5: The kids can't even understand paying for content. They don't

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Speaker 5: even they don't get content we paid for.

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Speaker 7: I don't pay for content. I used my mother's cable

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Speaker 7: when I log.

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Speaker 2: In, when nobody paid for television. Yeah, they just paid

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Speaker 2: for the box. Yeah box, that's true. I wanted I

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Speaker 2: got my So you talk about millennials, my nephew, I

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Speaker 2: guess we want to watch Handmate's tail. And so he

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Speaker 2: was like, yeah, give us the He was like, I

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Speaker 2: give you my Hulu pass with him, like all right,

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Speaker 2: And I pulled that ship.

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Speaker 3: And it was like five other profiles because or do

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Speaker 3: you consider internet based tvcies real shows? Or one?

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Speaker 5: Amazon? By the way, I'm on I'm on Netflix. Shout

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Speaker 5: out Netflix, Let's go glow.

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Speaker 3: But episode eight or whatever, the actual show the.

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Speaker 5: One that But can I just say something, But Amazon

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Speaker 5: has some of the best terrible black movies.

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Speaker 3: Listen in the world. Watch every single one of them.

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Speaker 2: Watch you watch this the ones with your boy murdered pain, Yeah,

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Speaker 2: I watch all They shout out to the game, Uh,

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Speaker 2: the one it takes place like Detroit, Like he's in

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Speaker 2: the plug, the.

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Speaker 3: Plug to the plug too. Yeah, we watched that one.

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Speaker 5: Watch they talking about Amazon realized that it don't matter

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Speaker 5: the level of money people spend on it. If it's available,

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Speaker 5: Black people will watch that ship. Amazon will buy it.

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Speaker 3: There's a bunch of bat ballots on about it looked

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Speaker 3: like the goddamn God, like you know, on the bluff

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Speaker 3: that level.

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Speaker 2: Yo, good, Yeah, that's the piece the bluff. These movies

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Speaker 2: have no s These movies have no d P. I'm

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Speaker 2: sitting here in my living room watching the movie. It

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Speaker 2: was like this whole scene, there's nothing.

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Speaker 8: Sometimes you won't see a character for forty minutes, minutes,

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Speaker 8: back up and you'll be.

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Speaker 3: Like, oh, he's still the movie.

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Speaker 5: That's content. I mean, but that's content. I'm watching it

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Speaker 5: in the living room. Okay, shout out Amazon and Amazon too.

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Speaker 5: I think they do a good Neflicis. Don't kill me

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Speaker 5: for that because they they watch it. They don't listen

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Speaker 5: to Netflix.

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Speaker 2: They glow glow gloss okay, glow is though Netflix they

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Speaker 2: have they black movies because like I watch, you know,

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Speaker 2: because like they it's all this ship like the world

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Speaker 2: is a fucking algorithm.

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Speaker 3: So like I watched, Yes, I watched, they have level

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Speaker 3: they should I watch. Netflix has Church plays Netflix.

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Speaker 2: They're like, there's a movie here, get down on their

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Speaker 2: laptop immediately. Boy By is a movie written you wants Houston,

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Speaker 2: you will.

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Speaker 3: Starrying Wendy ri Carol Robinson.

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Speaker 2: And in case you were wondering, there is a line

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Speaker 2: in the movie where she says.

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Speaker 3: Boy By, Yeah, the movie spoilers bro clipped. The pole

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Speaker 3: is not in that one, yo. You know who's even

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Speaker 3: like twelve of them?

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Speaker 2: Know who was in Cana is not in that way.

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Speaker 2: It's the saddest thing is that all those movies, there's

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Speaker 2: always one person who's like a little too big.

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Speaker 3: Like that motherfuckers. Look right, didn't you have your own TV?

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Speaker 8: John Amos? In The Watermelon, you were like the water

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Speaker 8: That's what real movie.

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Speaker 3: You'd be like Villica Foxes, Yo? Did that? You know?

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Speaker 7: Did the conversation go down?

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Speaker 3: But you want some money?

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Speaker 2: Yeah, listen, it's the twenty eighth I know that Muggae

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Speaker 2: is doing the first.

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Speaker 3: You could either you could not get paid or you

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00:17:06,000 --> 00:17:14,400
Speaker 3: could get paid. That boy by so much one what

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Speaker 3: was the September. I mean it's it's good bad, but

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Speaker 3: it's sequels to movies. You didn't know. It's like five

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Speaker 3: can play that game they have like twy four. Oh

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Speaker 3: I thought, yeah, there was a sequel to that ship

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Speaker 3: they call it.

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Speaker 2: Oh wow, Yeah, I was ty was one of the first,

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Speaker 2: like was was one of the first movies I can remember.

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Speaker 2: I was in college. This was my firstman year at

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Speaker 2: Central and they marketed twil like it was a fucking

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Speaker 2: wrap out.

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Speaker 5: They came to campus. One of the producers came to

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Speaker 5: Harvard and was talking to us. They came, there is.

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Speaker 3: A twy four I just made that up. Damn, we're

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Speaker 3: off your schedule. Out Yah, check that out. I love

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Speaker 3: that stuff. That stuff is great. Yeah. Yeah. My favorite

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Speaker 3: black act all Powell.

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Speaker 8: Damn he's Clifton Powell came all the way back to

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Speaker 8: two two seven, right you Clifton days.

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Speaker 3: I'm thinking Quincy.

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Speaker 9: Shot that out with the Street.

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Speaker 5: Clifton po the gangster, He's in everything, He's in everything.

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Speaker 2: And Clinton Powell like, yeah, he'll be like in like

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Speaker 2: a murder Pain movie and then you'll see that nigga

361
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Speaker 2: like Black Panther three.

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Speaker 3: It's like he has a wide range.

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Speaker 5: You know what he likes to work. Yeah, I would

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00:18:40,000 --> 00:18:41,480
Speaker 5: give him that. He every day he wakes up like

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Speaker 5: I'm going to somebody set. Somebody's putting me in front

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Speaker 5: of the camera today.

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Speaker 3: So like as writers like, tell us what shows do

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Speaker 3: y'all like better? Like Ricking Morton, y'all are like, Yo,

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Speaker 3: this is great writing.

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Speaker 5: Yo, sell Rick Morton. No, no, no, I hear. I think

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Speaker 5: what said about the audience is true. I don't think

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Speaker 5: you should. I don't think it's smart when you watch it,

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Speaker 5: however you feel about it's the real ship.

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Speaker 3: Ricking Morty is on only show I know that.

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00:19:05,440 --> 00:19:07,440
Speaker 5: It's as funny as it is and also still has

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00:19:07,520 --> 00:19:09,679
Speaker 5: jokes that have layers for like people who are nerds

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00:19:09,840 --> 00:19:10,399
Speaker 5: but you don't need.

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00:19:10,440 --> 00:19:10,840
Speaker 3: But you don't need.

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Speaker 10: I'm about to say men will be watching that and

380
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Speaker 10: be like, oh my god, they just went into the

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Speaker 10: conspiracy thing.

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Speaker 9: Yes, but I just laughed.

383
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Speaker 4: I didn't know what.

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00:19:22,960 --> 00:19:25,399
Speaker 3: Okay, So I don't know if it's I mean, someone

385
00:19:25,440 --> 00:19:27,400
Speaker 3: told me watch rick and Morty the Ship.

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00:19:27,480 --> 00:19:34,080
Speaker 2: Watch baskets to I was about to do it.

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00:19:34,440 --> 00:19:36,520
Speaker 3: Also showing gum another one.

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Speaker 5: By the way, really funny, not trying to be like

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Speaker 5: like just hard jokes.

390
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Speaker 9: What do you think about that?

391
00:19:44,040 --> 00:19:45,800
Speaker 7: What you and I'm having?

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Speaker 11: And yeah, not every bad woman gets my love. I

393
00:19:51,280 --> 00:19:53,600
Speaker 11: mean I tried to try to support the girl Jessica

394
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Speaker 11: and her Brooklyn Jessica Day was on the Daily Ship.

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Speaker 3: That was awful. My lord, I watch Two Funky Girls.

396
00:20:01,560 --> 00:20:02,119
Speaker 3: Wait what is it?

397
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Speaker 4: Don't wait?

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00:20:05,359 --> 00:20:07,720
Speaker 11: But he has a show on Netflix and I tried

399
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Speaker 11: it was a movie that wasn't it was a movie

400
00:20:09,720 --> 00:20:11,480
Speaker 11: but the white guys, Yeah a movie.

401
00:20:11,520 --> 00:20:13,760
Speaker 3: It was too millennially.

402
00:20:13,240 --> 00:20:14,199
Speaker 7: New Brooklyn for me.

403
00:20:14,280 --> 00:20:16,720
Speaker 3: I think feel you were too old for.

404
00:20:18,600 --> 00:20:19,400
Speaker 7: Maybe black.

405
00:20:20,680 --> 00:20:26,919
Speaker 9: I like to go with too black, Like what's your

406
00:20:26,960 --> 00:20:27,560
Speaker 9: favorite show?

407
00:20:28,680 --> 00:20:30,199
Speaker 11: Don't do that because the first one to come to

408
00:20:30,200 --> 00:20:31,679
Speaker 11: mind is family, guy, Please don't judge me.

409
00:20:34,960 --> 00:20:36,040
Speaker 3: Really watch television?

410
00:20:36,400 --> 00:20:38,320
Speaker 9: Yes, yeah, too much?

411
00:20:39,720 --> 00:20:42,280
Speaker 3: Is weird because most people I know that are in

412
00:20:42,359 --> 00:20:46,760
Speaker 3: the TV world, Like it's there, it's beneath him to

413
00:20:46,760 --> 00:20:51,200
Speaker 3: watch television. Every watch everything you have to you gotta watch.

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00:20:52,040 --> 00:20:55,399
Speaker 3: Interestingly enough, most of what I watch is drama lately.

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00:20:55,640 --> 00:20:56,120
Speaker 3: I mean like.

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Speaker 8: Kids, kids, like the kids the second the kids go

417
00:21:01,080 --> 00:21:04,200
Speaker 8: to bed. I watched a lot of depressing, dark adult

418
00:21:04,240 --> 00:21:04,760
Speaker 8: stuff that.

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Speaker 4: Around the room.

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Speaker 3: Okay, around the room. What are your what's your two

421
00:21:10,720 --> 00:21:13,679
Speaker 3: go to shows? Well, right now I'm actually getting caught up.

422
00:21:13,680 --> 00:21:15,359
Speaker 3: I can't live without no, I'm getting caught up on

423
00:21:15,440 --> 00:21:17,240
Speaker 3: Fear of the Walking Dead. I mean, I'm not gonna

424
00:21:17,240 --> 00:21:25,639
Speaker 3: lie to you, damn it. Uh I read the comic.

425
00:21:26,960 --> 00:21:29,000
Speaker 3: You could only name one? All right, give me your

426
00:21:30,040 --> 00:21:34,000
Speaker 3: give me your your your your guilty Pleasure. I'm ashamed

427
00:21:34,000 --> 00:21:37,920
Speaker 3: of I watched this show. I can't quite go there.

428
00:21:38,040 --> 00:21:41,719
Speaker 3: Say it. We're all gonna be honest. Just say it.

429
00:21:42,000 --> 00:21:44,679
Speaker 7: Pull up your Netflix real quick, just say it.

430
00:21:45,760 --> 00:21:50,520
Speaker 3: You know what I know when blah blah blah. I

431
00:21:50,520 --> 00:21:55,639
Speaker 3: can tell you when Gold Girls on My ass is

432
00:21:55,680 --> 00:21:59,840
Speaker 3: on the couch watching that ship show.

433
00:22:00,200 --> 00:22:04,240
Speaker 11: Yeah, gold Girls, guilty Pleasure show that you you.

434
00:22:04,240 --> 00:22:07,440
Speaker 3: Know, Real Housewives or like reality I mean black in Chicago.

435
00:22:07,480 --> 00:22:08,320
Speaker 3: I don't feel proud.

436
00:22:08,119 --> 00:22:12,159
Speaker 2: About I'm gonna tell you what's on my director.

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00:22:12,200 --> 00:22:16,800
Speaker 3: You right, watch when something's on that you're ashamed to

438
00:22:16,800 --> 00:22:22,119
Speaker 3: say that you watch? What is that show? Okay? I

439
00:22:22,200 --> 00:22:26,560
Speaker 3: say it's keeping up with the Cardigan. Listen. I've never

440
00:22:26,600 --> 00:22:31,600
Speaker 3: seen that. I don't love to watch it regularly. I

441
00:22:31,680 --> 00:22:33,840
Speaker 3: know I don't watch them. I know because I just

442
00:22:33,840 --> 00:22:35,119
Speaker 3: pulled it up, but I was, like, I know, I

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00:22:35,160 --> 00:22:35,680
Speaker 3: watched something.

444
00:22:36,320 --> 00:22:38,959
Speaker 8: My guilty pleasure is actually the show called the nineteen

445
00:22:39,000 --> 00:22:40,440
Speaker 8: Eighties The Deadliest Decade.

446
00:22:41,040 --> 00:22:41,600
Speaker 3: It's at the.

447
00:22:41,600 --> 00:22:45,159
Speaker 8: Time on Discovery, I did, which is the best channel.

448
00:22:45,280 --> 00:22:48,760
Speaker 3: Wait, what the hell is that? Okay? Investigator.

449
00:22:48,920 --> 00:22:53,560
Speaker 8: Discovery is basically like a twenty four hour forty eight

450
00:22:53,600 --> 00:22:56,720
Speaker 8: hours slash date line, where like every show is about

451
00:22:56,760 --> 00:22:59,439
Speaker 8: like people who are married killing one another. So it's

452
00:22:59,480 --> 00:23:02,119
Speaker 8: always like they were the perfect couple. It seemed they

453
00:23:02,160 --> 00:23:06,119
Speaker 8: had everything until she showed up missing after the boat trip.

454
00:23:06,200 --> 00:23:09,120
Speaker 8: Like that's basically the whole And they have this one

455
00:23:09,119 --> 00:23:12,439
Speaker 8: show called nineteen Eighties The Deadliest Decade. The thing I

456
00:23:12,600 --> 00:23:15,080
Speaker 8: like about it, on top of like marriages falling apart,

457
00:23:15,119 --> 00:23:17,400
Speaker 8: which is perversely fantastic to.

458
00:23:17,359 --> 00:23:19,840
Speaker 3: Me, is all the old footage.

459
00:23:20,040 --> 00:23:22,840
Speaker 8: Like I could actually watch old footage on YouTube all

460
00:23:22,840 --> 00:23:25,840
Speaker 8: the time. Like, so last night I was watching U

461
00:23:26,440 --> 00:23:31,720
Speaker 8: As It Happened footage from LA TV news shows of the.

462
00:23:31,640 --> 00:23:32,560
Speaker 3: North Ridge quake.

463
00:23:32,840 --> 00:23:36,000
Speaker 8: Oh, you know, like I just like to watch, like, oh,

464
00:23:36,040 --> 00:23:38,440
Speaker 8: how do we react in the moment that it was

465
00:23:38,440 --> 00:23:40,520
Speaker 8: announced that John Lennon died, you know what I mean,

466
00:23:40,600 --> 00:23:43,280
Speaker 8: like cause I like the old like graphics and I like,

467
00:23:43,480 --> 00:23:45,879
Speaker 8: you know, like the grainy footage and like, you know

468
00:23:45,960 --> 00:23:48,800
Speaker 8: the best part to me in Cocaine Cowboys is like

469
00:23:48,840 --> 00:23:51,479
Speaker 8: when they show like you know, like Miami footage of

470
00:23:51,560 --> 00:23:52,280
Speaker 8: like the day.

471
00:23:53,600 --> 00:23:55,280
Speaker 3: Yeah, when they're like, there were.

472
00:23:55,160 --> 00:23:58,359
Speaker 8: Three people found dead in this apartment tonight, like you know,

473
00:23:58,400 --> 00:24:01,040
Speaker 8: and you're just like the footage itself is scary because

474
00:24:01,040 --> 00:24:03,679
Speaker 8: it's like, why is this so dark? And like Rainy

475
00:24:03,760 --> 00:24:05,760
Speaker 8: and Gan Cowboys too is the one to hustle them

476
00:24:05,800 --> 00:24:10,080
Speaker 8: with the Godmother? That was my one of course about Discovery.

477
00:24:10,359 --> 00:24:13,200
Speaker 8: Disappointed with that answer, but that's the Discovery.

478
00:24:13,240 --> 00:24:17,399
Speaker 3: I do still believe the Kardashians. I can't live without

479
00:24:18,240 --> 00:24:19,840
Speaker 3: what What's Your Show?

480
00:24:20,000 --> 00:24:22,760
Speaker 5: Star Trek de Space nine? But okay, What's show?

481
00:24:22,880 --> 00:24:25,399
Speaker 3: Go to the show that I watched way too much of?

482
00:24:27,640 --> 00:24:34,160
Speaker 5: Man, I watch a ton of Uh damn, I'm so sorry.

483
00:24:34,240 --> 00:24:37,040
Speaker 5: I honestly I watch a lot of family Guys. I

484
00:24:37,080 --> 00:24:40,120
Speaker 5: think it's still to this day. I'm a cord cutter,

485
00:24:40,160 --> 00:24:41,920
Speaker 5: so I gotta wait for it to seep into other ship.

486
00:24:42,000 --> 00:24:44,120
Speaker 5: But yeah, every time I watch it when.

487
00:24:44,040 --> 00:24:45,399
Speaker 7: It comes on TVs and then you watch.

488
00:24:45,280 --> 00:24:48,200
Speaker 3: It on I'm saying, I love that show.

489
00:24:48,200 --> 00:24:49,880
Speaker 5: I think that show is I think I like, I like.

490
00:24:50,480 --> 00:24:57,080
Speaker 3: What's your what's your guilty pleasure show? Ruppulse rag Race. Yeah.

491
00:24:57,400 --> 00:25:00,320
Speaker 5: I just say though that those people are incredible, the

492
00:25:00,640 --> 00:25:04,200
Speaker 5: funniest and they and I'm from a conservative muscle family.

493
00:25:04,280 --> 00:25:05,919
Speaker 5: So we had him at the house on Thanksgiving and

494
00:25:05,960 --> 00:25:10,800
Speaker 5: my father was like, what in the brother, I've made

495
00:25:10,800 --> 00:25:15,320
Speaker 5: so many mistakes and I was like, okay.

496
00:25:16,760 --> 00:25:18,600
Speaker 6: Lot, I will be I will admit, I will sit

497
00:25:18,840 --> 00:25:22,400
Speaker 6: binge watch shows I watched. I binge watched RuPaul's Drag Race.

498
00:25:22,440 --> 00:25:25,879
Speaker 6: But the thing I'm watching now is the Americans. I'm watching.

499
00:25:27,160 --> 00:25:31,520
Speaker 6: Everybody says it's good, it's really good, it's great because

500
00:25:31,560 --> 00:25:34,280
Speaker 6: I want it's great, and but my guilty pleasure is

501
00:25:34,320 --> 00:25:36,240
Speaker 6: I have to admit love and hip hop, the one

502
00:25:36,240 --> 00:25:38,760
Speaker 6: with Atlanta or the one with Stevie J.

503
00:25:39,800 --> 00:25:42,920
Speaker 3: That's the one incredible watch indible.

504
00:25:43,840 --> 00:25:49,760
Speaker 7: Come on, she's already been on it. She he already

505
00:25:49,880 --> 00:25:52,320
Speaker 7: broke up with her once and now they back to GAVL.

506
00:25:54,560 --> 00:25:58,960
Speaker 3: Go ahead, I don't yeah, go ahead, I don't.

507
00:25:58,760 --> 00:26:00,639
Speaker 11: Know because I watched way too much TV. I'm right now,

508
00:26:00,640 --> 00:26:01,880
Speaker 11: I'm just looking forward to the Ozark.

509
00:26:02,040 --> 00:26:05,560
Speaker 4: So good.

510
00:26:06,600 --> 00:26:10,400
Speaker 7: Anything that Jason Bateman and to me is generally good development.

511
00:26:12,040 --> 00:26:14,080
Speaker 7: I don't say I'm rest development because.

512
00:26:15,119 --> 00:26:17,840
Speaker 3: I love this year with the drinks in society. I didn't.

513
00:26:17,880 --> 00:26:18,320
Speaker 3: I didn't like.

514
00:26:18,720 --> 00:26:20,520
Speaker 2: I was just I think to me, like Breaking Bad

515
00:26:20,720 --> 00:26:23,919
Speaker 2: was like the pinnacle of White Man goes into scary

516
00:26:24,000 --> 00:26:28,240
Speaker 2: dark territory, like ship like that was I.

517
00:26:28,200 --> 00:26:32,720
Speaker 11: Was guilty pleasure staying on adult Swim Robot Chicken.

518
00:26:33,200 --> 00:26:36,640
Speaker 3: That's not a guilty pleasure. That's well loved. Somebody who

519
00:26:36,800 --> 00:26:38,480
Speaker 3: enjoys marijuana. Yeah, that's just a night.

520
00:26:39,160 --> 00:26:41,159
Speaker 11: And as a black and black black person, it's like

521
00:26:41,160 --> 00:26:43,120
Speaker 11: it wouldn't you would be my guilty pleasure because people

522
00:26:43,119 --> 00:26:43,720
Speaker 11: want to expect this.

523
00:26:44,240 --> 00:26:45,520
Speaker 7: I like, like a white boy, I.

524
00:26:45,600 --> 00:26:47,840
Speaker 5: Like that every reference, I feel like it's for me

525
00:26:47,880 --> 00:26:49,960
Speaker 5: because I'm like them did ten minutes on he Man.

526
00:26:50,000 --> 00:26:54,600
Speaker 3: I'm like, that's my ship and it's only fifteen minutes long. Yeah. Yeah.

527
00:26:55,320 --> 00:26:56,800
Speaker 5: By the way, he Man is on Netflix right now.

528
00:26:57,240 --> 00:27:01,280
Speaker 5: That ship is so good, so good. No, no, I

529
00:27:01,280 --> 00:27:01,600
Speaker 5: mean the.

530
00:27:01,520 --> 00:27:06,880
Speaker 3: Cartoon and Killing Eve. I watched Killing Eve.

531
00:27:07,760 --> 00:27:09,520
Speaker 7: I remember when Laundry played He.

532
00:27:09,560 --> 00:27:19,399
Speaker 12: Man what's on Killing Killing Evendre and uh oh I

533
00:27:19,520 --> 00:27:21,000
Speaker 12: just started just ordered it on.

534
00:27:22,119 --> 00:27:24,480
Speaker 3: So it's good. It's good. You really enjoyed it. This

535
00:27:24,560 --> 00:27:28,760
Speaker 3: season one is impeccable. Uh the joint I'm watching right now,

536
00:27:28,800 --> 00:27:33,119
Speaker 3: I'm working with Snowfall. Yeah. Did Walter Mosley right that

537
00:27:33,440 --> 00:27:35,600
Speaker 3: he is writing on like a lot of It's incredible

538
00:27:35,640 --> 00:27:40,639
Speaker 3: what season one is like? Cooldress is one of my

539
00:27:40,680 --> 00:27:41,760
Speaker 3: favorite movies of all time.

540
00:27:42,320 --> 00:27:44,679
Speaker 2: Yeah, and the glow is like glow. I watched that.

541
00:27:45,800 --> 00:27:48,560
Speaker 2: I watched him made sale. But I'm like lowed out already,

542
00:27:48,840 --> 00:27:49,560
Speaker 2: Like I'm done.

543
00:27:49,560 --> 00:27:50,920
Speaker 11: There's no way to boot like that, No way, Like

544
00:27:50,960 --> 00:27:55,600
Speaker 11: you gotta have Hulu, right, excuse me, Bill, I'll call

545
00:27:55,640 --> 00:27:57,960
Speaker 11: you thank you.

546
00:27:58,000 --> 00:27:59,600
Speaker 2: No, no, no, he's saying he got it, he got

547
00:27:59,600 --> 00:28:02,720
Speaker 2: the hook up. I thought we couldn't mention who'll give.

548
00:28:02,600 --> 00:28:05,080
Speaker 3: You who passwork? They don't stream podcast.

549
00:28:06,760 --> 00:28:07,080
Speaker 5: Words.

550
00:28:07,280 --> 00:28:09,639
Speaker 2: But yeah, I pulled out on that. I was like,

551
00:28:10,240 --> 00:28:13,000
Speaker 2: I'm good on that ship. Well that's the only thing

552
00:28:13,000 --> 00:28:16,920
Speaker 2: I pulled out on TV show. But nah, man, that joint,

553
00:28:17,160 --> 00:28:20,200
Speaker 2: I guess my guilty pleasure, yo, real rap bro like

554
00:28:20,840 --> 00:28:27,880
Speaker 2: ninety Day fianceance Man, it.

555
00:28:27,880 --> 00:28:30,680
Speaker 3: Comes on like Brivo. It comes on one on channels.

556
00:28:30,920 --> 00:28:37,119
Speaker 2: It is basically a show about holes overseas, finessing military

557
00:28:37,200 --> 00:28:41,160
Speaker 2: niggas in the States. It's real fantastic horse. Yeah, well,

558
00:28:41,360 --> 00:28:43,400
Speaker 2: I mean what you call it, what's the political?

559
00:28:43,640 --> 00:28:46,040
Speaker 3: The political? No no, no, not that sex work. No no, no,

560
00:28:46,160 --> 00:28:48,240
Speaker 3: they're not sex workers. But well some of them are.

561
00:28:48,520 --> 00:28:49,080
Speaker 3: Some of them are.

562
00:28:50,160 --> 00:28:52,160
Speaker 2: Some of them really are, like they just want to move.

563
00:28:53,040 --> 00:28:55,640
Speaker 2: It's just like they hustling niggas for green cars. It is.

564
00:28:56,280 --> 00:29:01,120
Speaker 3: That's a show that's allowed. Yeah, yeah, and I guess

565
00:29:01,160 --> 00:29:05,520
Speaker 3: maybe that makes it. They're not coming from shipthole counts noted.

566
00:29:06,280 --> 00:29:08,240
Speaker 8: A lot of a know the real truth, that's what's

567
00:29:08,240 --> 00:29:09,880
Speaker 8: said is like I watch a lot of dramas, and

568
00:29:09,920 --> 00:29:12,160
Speaker 8: I watched a hell of I probably watched too much news.

569
00:29:12,360 --> 00:29:12,920
Speaker 3: M S n b C.

570
00:29:15,640 --> 00:29:17,720
Speaker 7: If you can name the first five people on the

571
00:29:17,760 --> 00:29:19,479
Speaker 7: line of M S n b C like I can,

572
00:29:19,600 --> 00:29:20,280
Speaker 7: you probably.

573
00:29:20,000 --> 00:29:21,600
Speaker 3: Got a problem. I do have a problem, and I

574
00:29:21,640 --> 00:29:22,320
Speaker 3: could name them.

575
00:29:23,840 --> 00:29:24,920
Speaker 7: So passionate. I love her.

576
00:29:25,120 --> 00:29:28,280
Speaker 3: I kind of had a that you said, because she

577
00:29:28,400 --> 00:29:29,680
Speaker 3: like she's like work.

578
00:29:30,200 --> 00:29:30,680
Speaker 7: I love her.

579
00:29:31,720 --> 00:29:33,520
Speaker 3: No, No, no, I like how like punchy she is.

580
00:29:33,920 --> 00:29:35,920
Speaker 3: She just she's just like she'll put like one arm

581
00:29:35,920 --> 00:29:37,600
Speaker 3: back and she'll be like, what do you think about

582
00:29:40,240 --> 00:29:43,480
Speaker 3: up in the morning. I'm like, she's already on the show.

583
00:29:43,560 --> 00:29:44,160
Speaker 3: She loves the show.

584
00:29:44,800 --> 00:29:47,160
Speaker 9: She's such as rulers listening to this.

585
00:29:47,680 --> 00:29:51,680
Speaker 3: She's like, my bff, I were really hot. I never

586
00:29:52,000 --> 00:29:53,760
Speaker 3: brought up to you guys, because I didn't think no,

587
00:29:54,240 --> 00:29:55,040
Speaker 3: you didn't think it was the same.

588
00:29:55,240 --> 00:29:57,760
Speaker 11: I've seen her stand up how she had some hicks

589
00:29:57,800 --> 00:29:59,480
Speaker 11: and some dope ass ways Like she's like.

590
00:29:59,480 --> 00:30:01,360
Speaker 7: What do you mean you didn't know that he's from Canada?

591
00:30:01,400 --> 00:30:02,440
Speaker 7: What did you think he was from?

592
00:30:03,320 --> 00:30:03,440
Speaker 2: Oh?

593
00:30:03,520 --> 00:30:05,280
Speaker 3: Yeah, that was a great day. That was great. I

594
00:30:05,400 --> 00:30:15,360
Speaker 3: remember that day. Jack. I've been trying to okay, okay,

595
00:30:15,520 --> 00:30:18,440
Speaker 3: but this was incredible. Actually, this show is like a

596
00:30:18,480 --> 00:30:22,440
Speaker 3: perfect the perfect vision camera.

597
00:30:25,400 --> 00:30:26,840
Speaker 6: She was.

598
00:30:26,880 --> 00:30:29,720
Speaker 3: That was my celebrity friend. She told me she is

599
00:30:29,880 --> 00:30:35,440
Speaker 3: coming on. Uh is she cool? Secrets? Happy? Okay, secrets,

600
00:30:36,560 --> 00:30:40,560
Speaker 3: something's about that happen Like, okay, four months, I'll support it.

601
00:30:40,640 --> 00:30:43,320
Speaker 11: You can see her in the Andre Leon Tally documentary

602
00:30:43,360 --> 00:30:45,239
Speaker 11: if you just happened to go by miss her.

603
00:30:45,400 --> 00:30:47,160
Speaker 7: She's on that. She wanted to drop that because it's

604
00:30:47,160 --> 00:30:48,120
Speaker 7: a really dope documentary.

605
00:30:49,320 --> 00:30:52,680
Speaker 3: We have I ever told my Andre Leon Tally joke

606
00:30:52,800 --> 00:30:55,400
Speaker 3: before so much.

607
00:30:55,440 --> 00:30:56,360
Speaker 7: I've seen a documentary.

608
00:30:56,440 --> 00:30:59,880
Speaker 3: No it's not about him, Okay, No. Once there's a

609
00:31:00,040 --> 00:31:03,640
Speaker 3: go to Andre Leon Tallely with the with the that

610
00:31:03,880 --> 00:31:07,040
Speaker 3: uh fur hat thing and his get up and it's

611
00:31:07,080 --> 00:31:13,160
Speaker 3: like uh Russell's ex wife and I think spears and

612
00:31:14,200 --> 00:31:21,240
Speaker 3: I thought it was jay Z was happy to hear it,

613
00:31:23,440 --> 00:31:27,280
Speaker 3: and I hit him up, like, yo, that's that's a weird.

614
00:31:27,360 --> 00:31:31,880
Speaker 3: Uh you hit up jay about this business? You know

615
00:31:31,880 --> 00:31:32,880
Speaker 3: how many times he's been mad.

616
00:31:33,040 --> 00:31:35,120
Speaker 2: But there is a picture of jay in like this

617
00:31:35,280 --> 00:31:38,880
Speaker 2: weird fucking hat. Yeah, a real picture.

618
00:31:39,360 --> 00:31:41,160
Speaker 3: If you look at it, you can google it and

619
00:31:41,240 --> 00:31:43,640
Speaker 3: see like it looks more like jay Z than Andre

620
00:31:43,760 --> 00:31:46,440
Speaker 3: And I was just like, I was like, interesting choice

621
00:31:46,480 --> 00:31:47,560
Speaker 3: of code. Yeah there, sir, And.

622
00:31:47,640 --> 00:31:51,160
Speaker 2: He was like that's not me and didn't talk to

623
00:31:51,280 --> 00:31:53,920
Speaker 2: me for like three months. And yo, am I the

624
00:31:54,000 --> 00:31:56,240
Speaker 2: only one that watches h G t V like around.

625
00:31:58,240 --> 00:32:01,480
Speaker 3: I watched Property Brothers. Yeah yeah, that's my Property.

626
00:32:01,200 --> 00:32:04,360
Speaker 7: Brothers, National House, Hunter's Honey International.

627
00:32:03,840 --> 00:32:05,960
Speaker 3: House like International. I watched the Regular House.

628
00:32:06,040 --> 00:32:06,840
Speaker 7: What's the one with the flip?

629
00:32:06,960 --> 00:32:08,480
Speaker 9: Is it flip the house? None of that?

630
00:32:08,960 --> 00:32:13,520
Speaker 3: You don't okay, I'm sorry. It does look like jay Z.

631
00:32:14,200 --> 00:32:21,280
Speaker 3: See see it's not gonna enough. You're not gonna be Okay.

632
00:32:23,960 --> 00:32:26,000
Speaker 2: He didn't talk to me for three months for that ship.

633
00:32:27,120 --> 00:32:30,160
Speaker 2: That's all right, Bill? With what do you watch? What

634
00:32:30,280 --> 00:32:31,440
Speaker 2: do I watch? Too much of?

635
00:32:32,560 --> 00:32:36,400
Speaker 3: What's your show that you bringe out for yourself? I'm

636
00:32:36,400 --> 00:32:42,080
Speaker 3: gonna go last Okay, I'm hey, you being watching? I

637
00:32:42,160 --> 00:32:44,600
Speaker 3: plan on watching Better Calls Saw season four, like in

638
00:32:44,640 --> 00:32:48,320
Speaker 3: a few weeks. Okay. How do you feel about Better

639
00:32:48,400 --> 00:32:50,640
Speaker 3: Cross Saw? I love it. I love it now, I'm

640
00:32:50,680 --> 00:32:53,320
Speaker 3: here and talk that it's better than Breaking Bad.

641
00:32:53,440 --> 00:32:58,600
Speaker 5: I'm here and talk. I'm watching the different ship Durian

642
00:32:58,680 --> 00:32:59,200
Speaker 5: musics on that.

643
00:33:00,160 --> 00:33:02,080
Speaker 2: Not on Better Call, so I don't think, well, unless

644
00:33:02,080 --> 00:33:03,840
Speaker 2: he hasn't showed up yet, I'm like behind.

645
00:33:03,560 --> 00:33:04,239
Speaker 5: The episode or two.

646
00:33:04,360 --> 00:33:07,840
Speaker 3: Yeah, I'm buying a few, so I'm still in the middle. Three.

647
00:33:07,920 --> 00:33:09,120
Speaker 3: So it's a different show.

648
00:33:09,200 --> 00:33:12,000
Speaker 2: So I'm not really judging it by breaking bad standards

649
00:33:12,040 --> 00:33:14,200
Speaker 2: because it's not about Walter White. It's not about you know,

650
00:33:14,320 --> 00:33:17,040
Speaker 2: some dude becoming a meth dealer's.

651
00:33:16,600 --> 00:33:19,800
Speaker 3: But it's about it. It's about you know, Jimmy turn

652
00:33:19,840 --> 00:33:23,440
Speaker 3: it into Saw. Right, So it's a different journey. Now,

653
00:33:23,520 --> 00:33:25,040
Speaker 3: what's your guilty pleasure?

654
00:33:25,560 --> 00:33:27,680
Speaker 2: I spend way too much time watching the Fresh Prince

655
00:33:27,760 --> 00:33:32,720
Speaker 2: bel Airs. You don't understand how much time I spend

656
00:33:32,800 --> 00:33:35,360
Speaker 2: watching you feel guilty for the time.

657
00:33:36,160 --> 00:33:37,960
Speaker 3: Okay, now a guilty pleasure show.

658
00:33:38,000 --> 00:33:38,239
Speaker 11: I hear.

659
00:33:38,360 --> 00:33:40,280
Speaker 2: I have not watched it, but I hear that it's

660
00:33:40,440 --> 00:33:43,680
Speaker 2: like perfect guilty pleasure. Reverend runs new show.

661
00:33:44,080 --> 00:33:48,040
Speaker 11: I tried to watch, that's I heard. But it's like scripted,

662
00:33:48,120 --> 00:33:49,400
Speaker 11: y'all scripted.

663
00:33:49,680 --> 00:33:52,080
Speaker 2: They tried to take his reality show and make it

664
00:33:52,160 --> 00:33:53,720
Speaker 2: to a real show. Make it to a real show.

665
00:33:53,840 --> 00:33:56,680
Speaker 2: So he's not playing, he's playing himself. But he has

666
00:33:56,760 --> 00:33:57,800
Speaker 2: another name for.

667
00:33:58,440 --> 00:34:01,240
Speaker 3: I'm about to say, shout out to you. Is it Red?

668
00:34:04,320 --> 00:34:04,880
Speaker 7: No black ones?

669
00:34:05,160 --> 00:34:05,240
Speaker 2: Right?

670
00:34:07,840 --> 00:34:10,880
Speaker 3: All writers in the show got really really I'm in

671
00:34:10,920 --> 00:34:12,200
Speaker 3: the bubble got the.

672
00:34:12,280 --> 00:34:13,000
Speaker 7: Job on the Reverend.

673
00:34:14,640 --> 00:34:18,000
Speaker 3: Damn, I've not watched one frame.

674
00:34:18,440 --> 00:34:21,839
Speaker 7: Can google who kids better to look at? Not for nothing?

675
00:34:21,920 --> 00:34:26,000
Speaker 7: But you know I wanted to see diggy hmm, Sorry.

676
00:34:25,840 --> 00:34:29,640
Speaker 3: There it is child molesters. You are you too?

677
00:34:29,880 --> 00:34:35,080
Speaker 7: Nigga's think the man of Suspect?

678
00:34:35,239 --> 00:34:35,520
Speaker 5: What do you?

679
00:34:35,719 --> 00:34:40,880
Speaker 3: What do you been there? I like to ark watching

680
00:34:40,920 --> 00:34:46,640
Speaker 3: the Orange season Orange controversial for some reason. This season

681
00:34:46,719 --> 00:34:50,200
Speaker 3: right dark? Is that what happened? I think they need

682
00:34:50,239 --> 00:34:51,560
Speaker 3: to kind of wrap it up. I think this next

683
00:34:51,560 --> 00:34:53,799
Speaker 3: season needs to be Have you'all seen More? Have y'all

684
00:34:53,800 --> 00:35:01,160
Speaker 3: seen Wentworth? Yes, yes, that's all I'm saying what I

685
00:35:01,200 --> 00:35:03,560
Speaker 3: thought you might have said it Because it's Australia's.

686
00:35:03,280 --> 00:35:05,399
Speaker 5: It is so damn the same year it came out

687
00:35:05,400 --> 00:35:08,839
Speaker 5: the same year too, Australia's Orangers and New Blake is called.

688
00:35:09,200 --> 00:35:13,840
Speaker 3: Okay, okay anybody with gomor no.

689
00:35:16,200 --> 00:35:16,439
Speaker 7: Person?

690
00:35:18,520 --> 00:35:24,800
Speaker 2: Amazon, isn't it? Yeah, it's on Uh, it's on Netflix.

691
00:35:24,840 --> 00:35:27,080
Speaker 2: I think season one and two on Netflix. And it's

692
00:35:27,160 --> 00:35:30,560
Speaker 2: basically The Wire, but like how the Wire would be.

693
00:35:30,600 --> 00:35:32,840
Speaker 2: It takes place in Italy, yes, and it's basically the

694
00:35:33,360 --> 00:35:37,399
Speaker 2: Sicilian Mom. Yes, Mom, watching tonight. That ship is fucking dope.

695
00:35:37,440 --> 00:35:39,680
Speaker 2: So it's based on a book like that. If you like,

696
00:35:41,280 --> 00:35:43,160
Speaker 2: it's better than you know what I'm saying.

697
00:35:45,640 --> 00:35:46,719
Speaker 7: You said is pretty good?

698
00:35:46,760 --> 00:35:52,280
Speaker 3: Now better than is whooping.

699
00:35:53,040 --> 00:35:55,560
Speaker 2: As it's based on a book, it's a real story

700
00:35:55,600 --> 00:35:57,640
Speaker 2: about the Camorra crime family more like the guy that

701
00:35:57,760 --> 00:36:00,680
Speaker 2: wrote it with the g Yeah, just like soone Moore

702
00:36:00,719 --> 00:36:02,320
Speaker 2: and like the author that wrote it, like the nigga

703
00:36:02,360 --> 00:36:04,120
Speaker 2: had to go like and hiding and ship like he's

704
00:36:04,160 --> 00:36:05,719
Speaker 2: still more and someone's.

705
00:36:05,400 --> 00:36:06,440
Speaker 3: Like, is this your porn?

706
00:36:08,440 --> 00:36:08,640
Speaker 4: Man?

707
00:36:08,760 --> 00:36:14,320
Speaker 3: But it's not what you expect. It's a guilty pleasure

708
00:36:15,760 --> 00:36:18,040
Speaker 3: more as hard as nails. I think, I know what

709
00:36:18,080 --> 00:36:22,759
Speaker 3: you're guilty pleasure, but what is it? Me Riverdale right now? Yeah,

710
00:36:25,040 --> 00:36:30,359
Speaker 3: but yeah, that's what Arizona archies. But if archies were

711
00:36:31,000 --> 00:36:36,800
Speaker 3: uh c w so good, so gossip girl, if the

712
00:36:36,960 --> 00:36:39,600
Speaker 3: Archies were gossip Girl, it's so that's it.

713
00:36:39,800 --> 00:36:40,279
Speaker 4: It is good.

714
00:36:40,280 --> 00:36:41,919
Speaker 3: I watched, I watched.

715
00:36:42,000 --> 00:36:43,440
Speaker 9: I hate how good it is, Like this is some

716
00:36:43,520 --> 00:36:47,280
Speaker 9: good ship, all right, my guilty pleasure.

717
00:36:47,480 --> 00:36:48,799
Speaker 3: No, you're you're a regular joints.

718
00:36:49,040 --> 00:36:51,879
Speaker 9: I've been watching a cartoon on Netflix called Big Mouth

719
00:36:51,960 --> 00:36:52,200
Speaker 9: right now.

720
00:36:53,560 --> 00:36:54,640
Speaker 3: I pulled out of that one too.

721
00:36:54,719 --> 00:36:57,239
Speaker 9: I was just like, I can't know, but it's just

722
00:36:57,360 --> 00:37:00,560
Speaker 9: stupid to me. It's like, I guess it's like y'all

723
00:37:00,600 --> 00:37:01,520
Speaker 9: watching those soaper.

724
00:37:02,760 --> 00:37:04,680
Speaker 3: To me, it was I was just worried it.

725
00:37:04,760 --> 00:37:06,919
Speaker 2: To me, the slope was kind of slippy because it's like, okay,

726
00:37:07,040 --> 00:37:11,200
Speaker 2: these are teenage genitalia talking and I know it's animated.

727
00:37:11,600 --> 00:37:12,160
Speaker 3: No I'm dead.

728
00:37:12,320 --> 00:37:15,279
Speaker 9: I was just I was like, this angel and I

729
00:37:15,320 --> 00:37:17,680
Speaker 9: don't it was it was it was too close to

730
00:37:17,800 --> 00:37:18,080
Speaker 9: tell you.

731
00:37:18,600 --> 00:37:18,640
Speaker 2: No.

732
00:37:19,120 --> 00:37:23,879
Speaker 3: The one episode Jesus Christ is Genitalia.

733
00:37:24,719 --> 00:37:28,920
Speaker 2: It's like like the Girls about going through puberty, and

734
00:37:29,040 --> 00:37:31,360
Speaker 2: so it's one episode where like the girls vaginas and

735
00:37:31,440 --> 00:37:32,880
Speaker 2: I was just like, dude, I can't do this.

736
00:37:33,280 --> 00:37:35,560
Speaker 10: I am happy that the girls Vagina's getting as much

737
00:37:35,640 --> 00:37:37,960
Speaker 10: time as the boys masturbation episode.

738
00:37:39,320 --> 00:37:44,080
Speaker 9: That I was very, very pleasantly surprised.

739
00:37:44,320 --> 00:37:48,879
Speaker 3: I think they got a second season to read Guilty.

740
00:37:48,640 --> 00:37:51,960
Speaker 10: Pleasure, though. I'm with Diallo because I've watched too much Discovery.

741
00:37:52,000 --> 00:37:57,560
Speaker 10: I d Wives with Knives because I literally called Discovery.

742
00:37:57,560 --> 00:37:59,320
Speaker 10: I d the White on White Crime Channel.

743
00:38:01,760 --> 00:38:03,799
Speaker 3: And then just watch like three hours of it. You'll

744
00:38:03,800 --> 00:38:07,799
Speaker 3: be hood, Yeah, yeah, is it better than.

745
00:38:10,000 --> 00:38:10,520
Speaker 9: Smart People?

746
00:38:13,640 --> 00:38:15,000
Speaker 3: My show show?

747
00:38:15,160 --> 00:38:17,080
Speaker 2: I think it came on I d was Nicked and Afraid.

748
00:38:17,280 --> 00:38:25,400
Speaker 2: If you'll watched niked in, that's your gram all that I.

749
00:38:25,360 --> 00:38:29,399
Speaker 3: Didn't watch it because you know there's anyone here watching Disenchantment.

750
00:38:30,560 --> 00:38:33,120
Speaker 11: I watched it in the bathroom. In the last three days,

751
00:38:33,120 --> 00:38:35,120
Speaker 11: I've been watching in the bathroom because I can't. It's

752
00:38:35,160 --> 00:38:37,360
Speaker 11: no windows in the hotel for me to do what

753
00:38:37,480 --> 00:38:39,600
Speaker 11: I do, So I put it on my phone and

754
00:38:39,680 --> 00:38:42,360
Speaker 11: watch Disenchantment the show the bathroom.

755
00:38:42,520 --> 00:38:45,120
Speaker 3: It's Matt Groening's read what I'm saying.

756
00:38:45,400 --> 00:38:46,040
Speaker 7: We have no bad.

757
00:38:47,480 --> 00:38:55,040
Speaker 3: Series, okay with what's your name from? Abby? Oh? There

758
00:38:55,080 --> 00:39:00,480
Speaker 3: you go, allright, Abby from Rock City. Okay, it's just

759
00:39:00,520 --> 00:39:06,520
Speaker 3: like an animated magroning and what's your name from? Yeah?

760
00:39:07,200 --> 00:39:11,640
Speaker 7: I never was that, like really it was good going

761
00:39:11,680 --> 00:39:13,520
Speaker 7: and you can't in the Law and Order you watch.

762
00:39:14,480 --> 00:39:23,200
Speaker 3: You got good? You got good taste. I'm co signing

763
00:39:23,239 --> 00:39:24,200
Speaker 3: mad ship on this side.

764
00:39:24,239 --> 00:39:24,560
Speaker 4: All right?

765
00:39:26,400 --> 00:39:28,399
Speaker 3: Damn wait you had to answer the question.

766
00:39:28,520 --> 00:39:28,680
Speaker 4: Yeah.

767
00:39:28,840 --> 00:39:31,600
Speaker 3: I was like, you guys are so uh well rounded

768
00:39:31,640 --> 00:39:35,719
Speaker 3: with your choices, like I'm barely keeping up with all

769
00:39:35,760 --> 00:39:38,480
Speaker 3: the own stuff, like I've just gotten the Queen Sugar said,

770
00:39:38,680 --> 00:39:42,719
Speaker 3: watch watching Queen Sugar. I'm not doing that. Are you watching?

771
00:39:42,880 --> 00:39:43,080
Speaker 6: Good?

772
00:39:43,280 --> 00:39:47,640
Speaker 3: Here's the thing, though, man, fucking this angel needs to talk.

773
00:39:48,680 --> 00:39:56,080
Speaker 3: Every actually told me that they spend twice the budget

774
00:39:56,120 --> 00:40:04,280
Speaker 3: money and post uh turning up trying to adjust, he whispers. Anyway,

775
00:40:05,160 --> 00:40:08,200
Speaker 3: uh yeah, so every green leaf that what else am

776
00:40:08,200 --> 00:40:08,600
Speaker 3: I missing on?

777
00:40:08,719 --> 00:40:08,879
Speaker 2: Own?

778
00:40:08,920 --> 00:40:10,919
Speaker 3: That's a that's a drama. Isn't there a third? Love

779
00:40:11,040 --> 00:40:14,440
Speaker 3: is love is too big on? I gave it an

780
00:40:16,120 --> 00:40:19,279
Speaker 3: that's the time period, the serious drama thing that's on

781
00:40:19,360 --> 00:40:23,000
Speaker 3: the level of Queen Sugar and Greenleaf Ship. Could I

782
00:40:23,080 --> 00:40:33,359
Speaker 3: forget y'all fixed my life? Pretty nigga? Yeah, that's pretty great.

783
00:40:33,560 --> 00:40:35,960
Speaker 2: Oh my god, because the greatest part about it is

784
00:40:36,040 --> 00:40:39,440
Speaker 2: like after every show, it's like, since appearing on the

785
00:40:39,520 --> 00:40:42,879
Speaker 2: Yalling Picks my life ship has gotten exponentially worse.

786
00:40:43,640 --> 00:40:46,640
Speaker 3: That's like the end of every show. She never picked.

787
00:40:49,080 --> 00:40:52,800
Speaker 5: It's almost like she she tells him more specific reasons

788
00:40:52,800 --> 00:40:55,400
Speaker 5: to hate each other. You don't like him because he

789
00:40:55,480 --> 00:40:58,200
Speaker 5: reminds you of your mama. Who laughing, You're like, can

790
00:40:58,239 --> 00:41:01,160
Speaker 5: I pitch something? I've a sure of the pitch. No, No,

791
00:41:01,280 --> 00:41:02,799
Speaker 5: here's here's I'll open up to the room.

792
00:41:03,280 --> 00:41:05,479
Speaker 8: Is there a show because you mentioned to two seven again,

793
00:41:05,880 --> 00:41:09,640
Speaker 8: is there a show that Netflix can pluck out of

794
00:41:09,680 --> 00:41:12,600
Speaker 8: the past, out of the black past and do like

795
00:41:13,320 --> 00:41:15,160
Speaker 8: the serious, the serious.

796
00:41:15,440 --> 00:41:28,080
Speaker 3: Version version Archie to Riverdale to seven Family Matters Living

797
00:41:28,120 --> 00:41:33,680
Speaker 3: in Chicago, Chicago with the nerd. Yeah, that was like

798
00:41:33,800 --> 00:41:36,640
Speaker 3: the whitest, blackest show. This is all about what happened

799
00:41:36,640 --> 00:41:42,480
Speaker 3: to Judy. Oh yeah, she w yeah she went upstairs

800
00:41:42,760 --> 00:41:45,319
Speaker 3: and talking about her going into porn. I'm talking about

801
00:41:46,960 --> 00:41:48,839
Speaker 3: why did you care? Went upstairs? And then they never

802
00:41:48,920 --> 00:41:50,279
Speaker 3: did like all right, that's it. Yeah, that was it.

803
00:41:50,400 --> 00:41:51,240
Speaker 5: That was like ALF.

804
00:41:52,640 --> 00:41:56,200
Speaker 8: Golf got canceled, but they ended on a cliffhanger. Technically,

805
00:41:56,920 --> 00:41:59,720
Speaker 8: technically the end of Alpha is the scientists dragging.

806
00:42:00,200 --> 00:42:01,120
Speaker 3: He's like, will.

807
00:42:04,600 --> 00:42:05,960
Speaker 7: Yeah, I'm still man, y'all.

808
00:42:06,040 --> 00:42:07,719
Speaker 9: Show didn't get on the air, and somebody pitched ALF

809
00:42:07,800 --> 00:42:08,440
Speaker 9: and got rich.

810
00:42:11,239 --> 00:42:12,880
Speaker 3: There's a they say that was about.

811
00:42:14,560 --> 00:42:19,839
Speaker 8: They said ALF is hands down the angriest, nastiest, most

812
00:42:19,880 --> 00:42:22,520
Speaker 8: toxic set in the history.

813
00:42:22,200 --> 00:42:25,640
Speaker 2: Of the Dad was on crack. And then that wrote

814
00:42:25,640 --> 00:42:32,600
Speaker 2: it was yeah, yeah, your dad, your dad on real crack.

815
00:42:32,680 --> 00:42:34,120
Speaker 9: I heard Small Wonder was the worst.

816
00:42:34,520 --> 00:42:42,080
Speaker 3: Can we small Wonder that I'm gonna make a little girl, Marrie?

817
00:42:42,160 --> 00:42:44,480
Speaker 3: Just google ALF, Dad crack House. I don't want you.

818
00:42:45,840 --> 00:42:48,840
Speaker 2: The writer from ALF also the boy from Basketball Diaries,

819
00:42:48,880 --> 00:42:52,440
Speaker 2: that movie, the movie that I remember the movie but

820
00:42:52,600 --> 00:42:54,200
Speaker 2: and he was about It was about a writer that

821
00:42:54,880 --> 00:42:56,560
Speaker 2: his life was all fucked up. He was the guy

822
00:42:56,640 --> 00:43:00,279
Speaker 2: that rolle ALF. He was a drug addict. Ship Yeah,

823
00:43:00,400 --> 00:43:04,640
Speaker 2: oh that makes sense. No, my guilty. I will stick

824
00:43:04,680 --> 00:43:05,800
Speaker 2: with what I really think yours is.

825
00:43:06,600 --> 00:43:09,279
Speaker 3: I will say that if I'm in bed and I

826
00:43:09,320 --> 00:43:12,480
Speaker 3: don't feel like reaching for the remote and there's a

827
00:43:13,120 --> 00:43:18,840
Speaker 3: Kardashian Marathon, I won't rush to change the channel, like

828
00:43:19,120 --> 00:43:19,960
Speaker 3: I'm just too lazy.

829
00:43:22,080 --> 00:43:24,480
Speaker 8: When I was on Fallin because like it reminded me

830
00:43:24,640 --> 00:43:26,479
Speaker 8: of living in l A. You know what I'm saying,

831
00:43:26,560 --> 00:43:29,440
Speaker 8: Like like you see the freeways, you see like you'll

832
00:43:29,480 --> 00:43:29,680
Speaker 8: be like.

833
00:43:29,920 --> 00:43:31,360
Speaker 3: Oh, just look at all that.

834
00:43:32,040 --> 00:43:34,560
Speaker 8: Like it was it was like a little postcard from home.

835
00:43:35,360 --> 00:43:37,760
Speaker 8: Regardless of who they were talking. You know they're talking.

836
00:43:37,600 --> 00:43:40,040
Speaker 3: About it's only like three episodes and then I gotta stop,

837
00:43:40,280 --> 00:43:42,000
Speaker 3: like I find myself getting sucked in.

838
00:43:42,120 --> 00:43:44,480
Speaker 5: The show is not popular because it sucks. You know,

839
00:43:45,000 --> 00:43:47,840
Speaker 5: it's a good show. The reason is super popular is

840
00:43:47,880 --> 00:43:50,520
Speaker 5: because it's like, but I feel super guilty for watching it.

841
00:43:51,480 --> 00:43:53,440
Speaker 3: We'll take one last break and then we'll finish our

842
00:43:53,480 --> 00:44:04,200
Speaker 3: last object and then we got to wrap up the showize.

843
00:43:59,640 --> 00:44:05,120
Speaker 2: Right, Yes, it sounds like you donald this like example

844
00:44:05,200 --> 00:44:08,600
Speaker 2: that this was written by Michael McDonald's Daryl Hall.

845
00:44:09,400 --> 00:44:15,200
Speaker 3: There's there's no stuff, but it's sounds like Daryl Hall.

846
00:44:15,360 --> 00:44:18,800
Speaker 7: Right, Michael McDonald, I believe every day I got stuff.

847
00:44:25,360 --> 00:44:26,840
Speaker 3: Okay, count the negatives. Here we go.

848
00:44:29,600 --> 00:44:30,040
Speaker 9: You can't.

849
00:44:37,480 --> 00:44:37,839
Speaker 3: All right?

850
00:44:41,640 --> 00:44:42,000
Speaker 4: That was like.

851
00:44:43,800 --> 00:44:48,800
Speaker 3: Shout, that's a matter. That's the they were painting exactly.

852
00:44:51,600 --> 00:45:01,960
Speaker 4: Michael das Davis version went there.

853
00:45:02,280 --> 00:45:03,279
Speaker 3: Yes, yes, shout out the.

854
00:45:04,880 --> 00:45:11,279
Speaker 5: Original Kim Tenderness, Yes Kim is file Erbow nineteen seventy seven.

855
00:45:11,760 --> 00:45:14,040
Speaker 5: But yes, that's my one of my favorite records, one

856
00:45:14,040 --> 00:45:14,920
Speaker 5: of the best records I've made.

857
00:45:15,040 --> 00:45:21,840
Speaker 3: My final question is already is Hollywood running out of ideas?

858
00:45:22,280 --> 00:45:27,560
Speaker 3: All these No, should we reboot many I'm just outside

859
00:45:27,560 --> 00:45:30,320
Speaker 3: of the studio. I just seen a sign for magnum.

860
00:45:30,000 --> 00:45:34,200
Speaker 9: P I see that's that's new ideas.

861
00:45:34,239 --> 00:45:36,200
Speaker 10: But if they think they can make more money on

862
00:45:36,280 --> 00:45:39,080
Speaker 10: a reboot, we are the We are sellers and networks

863
00:45:39,080 --> 00:45:41,080
Speaker 10: are buyers, and we go in and we pitch a

864
00:45:41,120 --> 00:45:41,600
Speaker 10: new idea.

865
00:45:41,880 --> 00:45:43,440
Speaker 9: Say I want to pitch black Girl lives in a

866
00:45:43,480 --> 00:45:44,160
Speaker 9: pinball machine.

867
00:45:44,440 --> 00:45:49,759
Speaker 3: They'll say that's sold. Say no, they're going to go

868
00:45:49,840 --> 00:45:50,880
Speaker 3: through the whatever.

869
00:45:50,680 --> 00:45:52,239
Speaker 9: Maath they used to see which one's going to bring

870
00:45:52,239 --> 00:45:52,759
Speaker 9: in more money.

871
00:45:52,880 --> 00:45:55,799
Speaker 3: So it's not that we don't boots that already has

872
00:45:55,840 --> 00:45:59,759
Speaker 3: a building that's already been successful. Yeah, has been on

873
00:45:59,840 --> 00:46:01,360
Speaker 3: the air for like nine seasons.

874
00:46:01,400 --> 00:46:05,000
Speaker 8: I haven't seen one episode, but like anytime, like I'm

875
00:46:05,040 --> 00:46:07,359
Speaker 8: at home and I turned on CBS on a Friday night,

876
00:46:07,800 --> 00:46:10,360
Speaker 8: you'll see Hawaii. That's a reboot and it's been on

877
00:46:10,440 --> 00:46:14,280
Speaker 8: for nine yes seasons of those guys were on Lost.

878
00:46:14,400 --> 00:46:19,200
Speaker 3: They just stayed on the island of Hawaii. Another show coming, y'all.

879
00:46:19,239 --> 00:46:23,360
Speaker 3: I feel it's still a toxic night on television. I

880
00:46:23,840 --> 00:46:24,120
Speaker 3: think so.

881
00:46:24,239 --> 00:46:27,240
Speaker 8: Actually, no, I don't think so, because isn't Blue Blood's

882
00:46:27,239 --> 00:46:29,879
Speaker 8: on Friday too. I feel like CBS has a bunch

883
00:46:29,960 --> 00:46:33,520
Speaker 8: of dramas on Friday, and they've been all they're all.

884
00:46:33,520 --> 00:46:37,840
Speaker 3: Successful, and Friday night like the lay up night, like

885
00:46:37,920 --> 00:46:40,879
Speaker 3: that's the boot up night. Saturday Night is the I think.

886
00:46:40,920 --> 00:46:42,760
Speaker 8: I think what it is is CBS knows their audience.

887
00:46:43,040 --> 00:46:45,440
Speaker 8: They're all really old. They have not cut the day.

888
00:46:45,480 --> 00:46:47,360
Speaker 8: They don't even know what cutting the cord is about.

889
00:46:47,800 --> 00:46:50,440
Speaker 8: And so they're just like, ah, this shows about the cops,

890
00:46:50,520 --> 00:46:53,000
Speaker 8: and then this other shows about more cops on Hawaii.

891
00:46:53,320 --> 00:46:55,520
Speaker 7: So like they like cops, cops in hospitals.

892
00:46:56,200 --> 00:46:58,839
Speaker 5: Everything is like a lazy trend too, Like they all

893
00:46:58,880 --> 00:47:00,920
Speaker 5: was saying we were the HBO girl was successful, so

894
00:47:00,960 --> 00:47:03,279
Speaker 5: they try to make everything like that. Roseanne has been

895
00:47:03,320 --> 00:47:05,640
Speaker 5: a successful reboots and now you see all these reboots coming.

896
00:47:06,360 --> 00:47:08,399
Speaker 5: But the other part of that equation, I think is Also,

897
00:47:08,440 --> 00:47:10,919
Speaker 5: the TV viewers are just a lot older than people

898
00:47:10,960 --> 00:47:11,400
Speaker 5: think they are.

899
00:47:11,600 --> 00:47:13,400
Speaker 7: So are we ready for the Martin reboot?

900
00:47:14,680 --> 00:47:15,439
Speaker 3: Is that going to happen?

901
00:47:15,880 --> 00:47:16,719
Speaker 7: They were talking about it.

902
00:47:16,760 --> 00:47:17,360
Speaker 9: I don't know that.

903
00:47:18,640 --> 00:47:23,840
Speaker 2: Yeah, trust me, friends, some things just need to be

904
00:47:23,920 --> 00:47:27,800
Speaker 2: left alone. Sometimes you just fun up when you just

905
00:47:27,840 --> 00:47:31,920
Speaker 2: bring it back. Like Roseanne, she sucked that up that

906
00:47:32,040 --> 00:47:36,160
Speaker 2: we was like, I'm saying it would have been I

907
00:47:36,239 --> 00:47:42,960
Speaker 2: saw it wasn't want I didn't.

908
00:47:42,719 --> 00:47:45,000
Speaker 3: Want to go against Cosby back when they were like

909
00:47:45,280 --> 00:47:46,000
Speaker 3: going Addy.

910
00:47:46,120 --> 00:47:47,120
Speaker 9: You know you never watched it?

911
00:47:49,120 --> 00:47:51,640
Speaker 3: Catch it enjoyed today?

912
00:47:51,680 --> 00:47:55,520
Speaker 5: Actually that's the show I love. I love I know

913
00:47:55,640 --> 00:47:57,719
Speaker 5: this family. I always wanted to see a black person

914
00:47:58,120 --> 00:47:58,399
Speaker 5: you watched.

915
00:47:58,719 --> 00:48:00,640
Speaker 9: Did they explain how the white guys wouldn't kiss a

916
00:48:00,640 --> 00:48:02,560
Speaker 9: black girl back in the day? Adopted a white girl

917
00:48:02,640 --> 00:48:03,319
Speaker 9: a black girl?

918
00:48:03,360 --> 00:48:05,359
Speaker 7: You try to say, DJ, what you mean you mean

919
00:48:05,400 --> 00:48:09,719
Speaker 7: on the episode when they have that's the things that

920
00:48:09,760 --> 00:48:10,360
Speaker 7: they haven't.

921
00:48:10,800 --> 00:48:12,600
Speaker 3: That's what I think. That's why they why they had

922
00:48:12,680 --> 00:48:13,520
Speaker 3: him adopted.

923
00:48:13,160 --> 00:48:15,600
Speaker 7: Black and they hadn't gotten to that yet.

924
00:48:15,640 --> 00:48:17,640
Speaker 11: There were so many original characters that I thought was

925
00:48:17,680 --> 00:48:18,960
Speaker 11: dope that there were still a part of the show

926
00:48:18,960 --> 00:48:21,640
Speaker 11: they brought back that they were still getting couple.

927
00:48:21,719 --> 00:48:24,160
Speaker 3: Yet I felt like they were treating that black girl

928
00:48:24,239 --> 00:48:25,200
Speaker 3: on the show is like a mask.

929
00:48:26,960 --> 00:48:29,880
Speaker 7: Yes, And I was like, is she his because she's on.

930
00:48:29,920 --> 00:48:36,719
Speaker 3: Different strokes Oliver on Bunch like just the mister d

931
00:48:38,400 --> 00:48:40,520
Speaker 3: Did the Bundes have another child at the seven?

932
00:48:40,640 --> 00:48:40,839
Speaker 4: Yeah?

933
00:48:41,680 --> 00:48:44,200
Speaker 3: Yeah, anytime a baby showed up on a sitcom, that's

934
00:48:44,200 --> 00:48:49,560
Speaker 3: when you know that. On the Contine Winnie and Nelson,

935
00:48:49,800 --> 00:48:52,600
Speaker 3: Winnie and Nelson raving Simon, I didn't.

936
00:48:52,400 --> 00:48:54,760
Speaker 5: Know she was great, but she absolutely was an injection

937
00:48:54,840 --> 00:48:56,040
Speaker 5: of all right, we need some new characters.

938
00:48:57,160 --> 00:49:02,080
Speaker 3: Then that was a mistake. I mean that I don't

939
00:49:02,360 --> 00:49:06,799
Speaker 3: understand that they brought the and like Howard, I was.

940
00:49:06,840 --> 00:49:09,920
Speaker 2: Like because even like it was either if you knew

941
00:49:09,920 --> 00:49:11,360
Speaker 2: what sick comes a by the end, when like a

942
00:49:11,440 --> 00:49:15,640
Speaker 2: baby showed up or when Bumpy.

943
00:49:16,280 --> 00:49:17,160
Speaker 3: Like when he showed up.

944
00:49:17,200 --> 00:49:19,640
Speaker 2: It's like I was gonna say when Colonel Taylor married Lisa,

945
00:49:19,760 --> 00:49:22,440
Speaker 2: but you know that was that happened?

946
00:49:22,520 --> 00:49:25,279
Speaker 7: Oh my god, watch you remind me of Yeah, that

947
00:49:25,440 --> 00:49:29,480
Speaker 7: was uncomfortable. Then she got pregnant and it was like, oh,

948
00:49:29,840 --> 00:49:30,680
Speaker 7: we're all really doing this.

949
00:49:31,360 --> 00:49:36,520
Speaker 5: Actors were uncomfortable. They were like reading that script like what.

950
00:49:36,960 --> 00:49:40,920
Speaker 3: Yo, I hate you? Right, now pull up the rock

951
00:49:41,560 --> 00:49:46,000
Speaker 3: that nigga that nigga plarent so fun Wait one one.

952
00:49:45,920 --> 00:49:48,440
Speaker 2: Word, that one place where that rule does not work.

953
00:49:48,680 --> 00:49:51,680
Speaker 2: On Living Single, he showed he was. He was in

954
00:49:51,800 --> 00:49:54,680
Speaker 2: the early seasons as like one of agious assistants or

955
00:49:54,680 --> 00:49:56,600
Speaker 2: something like, oh wow, okay, I didn't watch The Living

956
00:49:56,640 --> 00:49:58,560
Speaker 2: Single like that, but I forgot an underrated show.

957
00:49:58,840 --> 00:50:00,960
Speaker 3: The show was so rated. I didn't watch them singing

958
00:50:01,080 --> 00:50:01,440
Speaker 3: like that. Now.

959
00:50:01,600 --> 00:50:03,800
Speaker 2: My assumption was that show was so good and I like,

960
00:50:04,000 --> 00:50:05,600
Speaker 2: but I didn't watch a lot of TV like in

961
00:50:05,680 --> 00:50:07,759
Speaker 2: the nineties, like I was just always this music.

962
00:50:08,880 --> 00:50:11,080
Speaker 5: I was saying the Living Single was was it was

963
00:50:11,640 --> 00:50:14,160
Speaker 5: underrated because my assumptions the times were about to get

964
00:50:14,200 --> 00:50:16,640
Speaker 5: a bunch of new shows like this, and I was wrong.

965
00:50:16,920 --> 00:50:18,879
Speaker 5: There wasn't a bunch of because my friend, that show

966
00:50:19,000 --> 00:50:21,960
Speaker 5: is so good. Yeah, but that shows I think that

967
00:50:22,000 --> 00:50:23,640
Speaker 5: show is personally better than Friends.

968
00:50:23,360 --> 00:50:24,920
Speaker 9: Shout out Betty Bowser.

969
00:50:25,400 --> 00:50:28,520
Speaker 5: Yes, well, at least the beginning. I mean Friends, I

970
00:50:28,560 --> 00:50:30,920
Speaker 5: will admit towards the middle of Handyman on that.

971
00:50:30,960 --> 00:50:32,759
Speaker 9: Show, Overton over.

972
00:50:36,000 --> 00:50:39,640
Speaker 3: Man, it was funny, a little too much like your mama.

973
00:50:40,239 --> 00:50:42,279
Speaker 3: He used always do this prince joke, like maybe I'm

974
00:50:42,360 --> 00:50:43,040
Speaker 3: just like my mama.

975
00:50:43,120 --> 00:50:47,640
Speaker 5: Yeah, a little too much like Big He was hilarious sequence,

976
00:50:48,719 --> 00:50:51,000
Speaker 5: but Eric Alexander, I thought was big.

977
00:50:53,239 --> 00:50:55,359
Speaker 9: Called her big Legs, and havn't called her big legs.

978
00:50:56,120 --> 00:51:02,920
Speaker 3: Her name was big Legs, big less. Wait a minute, Okay,

979
00:51:03,120 --> 00:51:07,719
Speaker 3: I mean learning, learning, all right, So I've learned, uh

980
00:51:07,880 --> 00:51:12,560
Speaker 3: these past two hours that uh that what we learned.

981
00:51:12,760 --> 00:51:14,560
Speaker 3: Oh yeah, what we learned. Yeah, we got to bring

982
00:51:14,640 --> 00:51:20,440
Speaker 3: it back. Yeah. So I've learned that, uh that reboots

983
00:51:21,600 --> 00:51:23,600
Speaker 3: are not a good idea, but you guys are pitching

984
00:51:23,680 --> 00:51:28,319
Speaker 3: new ideas and executives are ignoring. Uh, and I'm also

985
00:51:28,400 --> 00:51:32,160
Speaker 3: getting the feeling that we won't overcome What did you

986
00:51:32,280 --> 00:51:32,640
Speaker 3: learn from?

987
00:51:33,440 --> 00:51:33,600
Speaker 6: Man?

988
00:51:33,840 --> 00:51:34,400
Speaker 3: I learned it?

989
00:51:35,600 --> 00:51:38,959
Speaker 2: Well, It's hard to say because I've known everyone pretty

990
00:51:39,040 --> 00:51:42,120
Speaker 2: much for a while. But uh, but but no, I mean,

991
00:51:42,160 --> 00:51:44,480
Speaker 2: I just I hope what I hope people see is

992
00:51:44,560 --> 00:51:46,480
Speaker 2: just how long it takes to achieve your dream. I mean,

993
00:51:47,200 --> 00:51:50,040
Speaker 2: just from knowing Aerngie from okay player and like knowing

994
00:51:50,040 --> 00:51:53,360
Speaker 2: where she's come from, and then just watching these cats

995
00:51:53,400 --> 00:51:58,000
Speaker 2: like go through yeah seven yeah, yeah, like they from

996
00:51:58,080 --> 00:52:00,480
Speaker 2: they started with a web series and the message like

997
00:52:00,520 --> 00:52:03,520
Speaker 2: an old seven before the yeah, even before fouling and

998
00:52:03,640 --> 00:52:07,160
Speaker 2: like just seeing how long it takes to actually gain.

999
00:52:07,000 --> 00:52:09,200
Speaker 3: Some ground in this ship man like forever.

1000
00:52:09,640 --> 00:52:14,399
Speaker 2: Yeah, it's it's it's a testament that's just hardworking, just perseverance.

1001
00:52:15,360 --> 00:52:16,000
Speaker 3: What did you learn?

1002
00:52:16,520 --> 00:52:19,080
Speaker 11: I learned there needs to be a slew of domestic

1003
00:52:19,560 --> 00:52:23,040
Speaker 11: writing workshops for women, especially the black ones, especially when

1004
00:52:23,080 --> 00:52:25,759
Speaker 11: it comes to comedy. I kind of already knew that,

1005
00:52:26,080 --> 00:52:27,799
Speaker 11: but I just wanted to reiterate that to the world

1006
00:52:27,800 --> 00:52:29,480
Speaker 11: because I got Angela in my life who tells me

1007
00:52:29,560 --> 00:52:29,920
Speaker 11: this all the.

1008
00:52:29,960 --> 00:52:33,360
Speaker 3: Time, but how are you on your journey?

1009
00:52:33,480 --> 00:52:37,719
Speaker 11: And well, I got these two gigs from Questlove Supreme,

1010
00:52:38,239 --> 00:52:40,600
Speaker 11: so I haven't been necessarily working on my dreams like

1011
00:52:40,640 --> 00:52:42,360
Speaker 11: I should have. But I think after we've done this

1012
00:52:42,480 --> 00:52:45,760
Speaker 11: marathon and recordings in La, it's time she did a stand.

1013
00:52:45,640 --> 00:52:46,239
Speaker 3: Up you did?

1014
00:52:46,680 --> 00:52:49,640
Speaker 2: She did like five minutes. Uh when we were there

1015
00:52:49,680 --> 00:52:52,520
Speaker 2: for Rooth's picnic. When did this comedy thing?

1016
00:52:52,680 --> 00:52:52,799
Speaker 4: Right?

1017
00:52:53,280 --> 00:52:56,880
Speaker 3: She did like five minutes. I recorded it.

1018
00:52:57,160 --> 00:52:58,960
Speaker 2: Yeah, we still got to talk about but I recorded it.

1019
00:52:59,040 --> 00:53:00,600
Speaker 2: And I'm not like a stand up for me, nothing

1020
00:53:00,680 --> 00:53:02,840
Speaker 2: like that. I just recorded it and I watched it.

1021
00:53:03,520 --> 00:53:08,200
Speaker 2: You just gotta write some jokes like her. She's no

1022
00:53:09,040 --> 00:53:11,680
Speaker 2: I'm dead as she's gotta write some jokes like her

1023
00:53:15,480 --> 00:53:18,759
Speaker 2: come from under that when she stepped on stage. The

1024
00:53:18,840 --> 00:53:20,879
Speaker 2: one thing I will say, and I mean we talked

1025
00:53:20,920 --> 00:53:24,319
Speaker 2: briefly her command of the stage is really fucking dope.

1026
00:53:24,360 --> 00:53:27,360
Speaker 2: When you stepped on stage, charismatic people were listening like

1027
00:53:27,480 --> 00:53:28,919
Speaker 2: you had them at every word.

1028
00:53:29,520 --> 00:53:33,960
Speaker 3: There was just no jokes, but like, but you had

1029
00:53:34,040 --> 00:53:36,959
Speaker 3: good premises, like you had a no no, I mean.

1030
00:53:36,880 --> 00:53:37,560
Speaker 4: You had that thing.

1031
00:53:37,719 --> 00:53:39,200
Speaker 2: You had a thing where you were like talking about

1032
00:53:39,239 --> 00:53:41,120
Speaker 2: living in l A as a black woman in l A.

1033
00:53:41,520 --> 00:53:43,759
Speaker 2: Which was like a funny premise, you know what I mean.

1034
00:53:43,840 --> 00:53:44,319
Speaker 11: But it just.

1035
00:53:51,239 --> 00:53:52,960
Speaker 3: You're on the right path. Talk about.

1036
00:53:56,200 --> 00:53:57,719
Speaker 4: That time.

1037
00:54:02,360 --> 00:54:05,800
Speaker 3: Now, we've been here for one hundred plus episodes, and

1038
00:54:06,120 --> 00:54:09,200
Speaker 3: the common theme that we've learned from every artist we

1039
00:54:09,280 --> 00:54:11,960
Speaker 3: have an interviewed on the show is that the wisdom

1040
00:54:12,040 --> 00:54:13,839
Speaker 3: and the knowledge come from the failure part.

1041
00:54:14,760 --> 00:54:19,359
Speaker 7: And now you're quiet listening, I'm listening, listening.

1042
00:54:19,440 --> 00:54:23,640
Speaker 3: Now you're quiet. I'm just saying that we've we've got

1043
00:54:23,800 --> 00:54:28,040
Speaker 3: every comedian has gone through this. Dude, I secretly go

1044
00:54:28,120 --> 00:54:31,600
Speaker 3: through this. Even the world that I occasionally get along.

1045
00:54:31,760 --> 00:54:34,799
Speaker 7: I understand. Angeler came to my first ever comedy show,

1046
00:54:35,000 --> 00:54:37,480
Speaker 7: and I was nervous for that. She was sitting in the.

1047
00:54:37,960 --> 00:54:40,239
Speaker 3: Your bravorit person that I am, because no one I

1048
00:54:40,440 --> 00:54:46,440
Speaker 3: know has ever seen me get on stage. I know

1049
00:54:46,560 --> 00:54:51,719
Speaker 3: you many times. You've been here for those smoke too

1050
00:54:51,760 --> 00:54:54,279
Speaker 3: much weed? Are we Are we doing that?

1051
00:54:54,560 --> 00:54:55,080
Speaker 5: Are we doing that?

1052
00:54:57,480 --> 00:55:01,680
Speaker 3: I would like something. My point is that, yes, in

1053
00:55:01,880 --> 00:55:04,359
Speaker 3: order for you to get better, you have to keep

1054
00:55:04,440 --> 00:55:07,319
Speaker 3: doing it. Yeah, you gotta start in the mail room.

1055
00:55:07,520 --> 00:55:08,640
Speaker 3: So I think you're on the right path.

1056
00:55:08,719 --> 00:55:08,799
Speaker 2: Now.

1057
00:55:08,880 --> 00:55:10,600
Speaker 3: She started out like I mean, she had. Have you

1058
00:55:10,680 --> 00:55:17,839
Speaker 3: been on stage since the Roots picnic? Anyway? What else

1059
00:55:17,880 --> 00:55:19,040
Speaker 3: have you learned that?

1060
00:55:19,719 --> 00:55:20,160
Speaker 9: That's good?

1061
00:55:20,280 --> 00:55:20,680
Speaker 7: I'm done.

1062
00:55:20,719 --> 00:55:21,640
Speaker 3: You gotta do this weekly.

1063
00:55:21,719 --> 00:55:22,880
Speaker 7: I don't have no more.

1064
00:55:23,200 --> 00:55:25,640
Speaker 3: Is the comedy act theater? Theater is still a thing

1065
00:55:25,719 --> 00:55:27,640
Speaker 3: in l A. Or is that like a thing of

1066
00:55:27,719 --> 00:55:28,000
Speaker 3: the past.

1067
00:55:28,080 --> 00:55:31,680
Speaker 9: There's many open we can get Baker maker, I would

1068
00:55:31,719 --> 00:55:32,799
Speaker 9: love to make here.

1069
00:55:32,920 --> 00:55:36,279
Speaker 7: Now, Okay, let's do it, maker natural, I'll go with you.

1070
00:55:36,600 --> 00:55:36,719
Speaker 5: All.

1071
00:55:37,440 --> 00:55:39,160
Speaker 3: This will help you. This will help in a lot

1072
00:55:39,200 --> 00:55:39,560
Speaker 3: of areas.

1073
00:55:39,719 --> 00:55:43,080
Speaker 7: You're gonna start the sweating, Lord child, Okay, sweating.

1074
00:55:43,800 --> 00:55:45,680
Speaker 6: But the fact that they're listening to that, he's saying

1075
00:55:45,680 --> 00:55:48,439
Speaker 6: that they were listening. Yeah, that's really your your half.

1076
00:55:48,480 --> 00:55:52,640
Speaker 6: That's half always half the battle, right, So huge, huge.

1077
00:55:52,960 --> 00:55:54,759
Speaker 6: I know a lot of comedians who are funny, but

1078
00:55:54,840 --> 00:55:56,160
Speaker 6: they can't hold that audience.

1079
00:55:56,719 --> 00:55:58,640
Speaker 7: Okay, so that's something that they listen to.

1080
00:55:58,719 --> 00:56:00,919
Speaker 9: You did you learn I did.

1081
00:56:03,400 --> 00:56:05,680
Speaker 7: I learned that when I work a long day, maybe

1082
00:56:05,719 --> 00:56:06,920
Speaker 7: I should come do a pack.

1083
00:56:10,400 --> 00:56:10,840
Speaker 9: I got.

1084
00:56:12,840 --> 00:56:16,399
Speaker 7: No, no, no, actually I did learn that from you guys.

1085
00:56:16,440 --> 00:56:19,839
Speaker 6: I didn't realize that writers go through the same kind

1086
00:56:19,880 --> 00:56:23,440
Speaker 6: of long hustle comedians go through. I did not realize

1087
00:56:24,040 --> 00:56:27,360
Speaker 6: how long the fight was, and I think that's interesting.

1088
00:56:27,880 --> 00:56:30,600
Speaker 2: Did not realize the grind is the thing, like, yeah,

1089
00:56:31,400 --> 00:56:34,360
Speaker 2: can I just I learned I'm gonna be real tired tomorrow.

1090
00:56:35,520 --> 00:56:36,279
Speaker 3: I'm gonna let you go.

1091
00:56:37,000 --> 00:56:38,160
Speaker 5: Are we going in the Okay?

1092
00:56:38,760 --> 00:56:38,880
Speaker 3: Uh?

1093
00:56:39,120 --> 00:56:39,800
Speaker 4: What I learned?

1094
00:56:41,000 --> 00:56:41,160
Speaker 2: Uh?

1095
00:56:41,719 --> 00:56:46,359
Speaker 3: Man, I learned that. I learned Donald Lover was brought

1096
00:56:46,600 --> 00:56:50,960
Speaker 3: on to write for Tracy Morgan. I would tell that

1097
00:56:56,640 --> 00:56:58,600
Speaker 3: YE call him.

1098
00:56:59,120 --> 00:57:02,920
Speaker 9: Yes, I knew, I say, I've heard I've never heard.

1099
00:57:02,760 --> 00:57:06,799
Speaker 2: That, and I know people if he was in the room, like, oh,

1100
00:57:07,040 --> 00:57:09,080
Speaker 2: I got a great two for line. I got a

1101
00:57:09,160 --> 00:57:14,320
Speaker 2: great Uh, I got a great line for Juree. No, no,

1102
00:57:17,120 --> 00:57:22,880
Speaker 2: I learned this Jordan and Bill Cosby bought NBC right exactly.

1103
00:57:23,120 --> 00:57:24,880
Speaker 2: I learned this fact tried to buy him.

1104
00:57:26,760 --> 00:57:29,280
Speaker 3: It was one of my favorite songs. And when I

1105
00:57:30,200 --> 00:57:34,040
Speaker 3: asked about it because I got to know Jeff, Tina's

1106
00:57:34,120 --> 00:57:37,160
Speaker 3: husband who does the music for the show, he explained

1107
00:57:37,200 --> 00:57:40,600
Speaker 3: to me that, yes, Donald wrote this and then also

1108
00:57:40,720 --> 00:57:42,320
Speaker 3: explain that, you know, he.

1109
00:57:42,840 --> 00:57:46,800
Speaker 9: Was I'm agreeing with the way the the way y'all

1110
00:57:47,040 --> 00:57:52,160
Speaker 9: saw unless you are in the writer's room.

1111
00:57:52,440 --> 00:57:54,760
Speaker 10: I'm just I've heard people say you write all of

1112
00:57:54,840 --> 00:57:58,440
Speaker 10: Tarik's rhymes and and it's like they say that, and

1113
00:57:58,560 --> 00:58:00,240
Speaker 10: I'm like, you're an electrician, how the hell you know?

1114
00:58:01,000 --> 00:58:03,080
Speaker 3: I got another question now, I was about to let

1115
00:58:03,120 --> 00:58:08,800
Speaker 3: the show go. How uh how small is the world

1116
00:58:09,000 --> 00:58:11,800
Speaker 3: as far as like writers rooms are concerned, Like, oh

1117
00:58:12,160 --> 00:58:16,280
Speaker 3: I heard stuff about uh that particular show, and like,

1118
00:58:17,160 --> 00:58:19,560
Speaker 3: like I said, writers rooms versus writers rooms, Like how

1119
00:58:19,680 --> 00:58:22,080
Speaker 3: fast does news travel about certain shows?

1120
00:58:22,600 --> 00:58:25,680
Speaker 8: You can travel real fast. If they're friends who work

1121
00:58:25,720 --> 00:58:29,080
Speaker 8: on shows, You'll be like, oh, man, that how motherfucker

1122
00:58:29,160 --> 00:58:30,400
Speaker 8: came in there and he he.

1123
00:58:30,480 --> 00:58:32,640
Speaker 3: Told so, and so you you fired? You know, like

1124
00:58:32,720 --> 00:58:35,800
Speaker 3: all that tuf you know, Okay, without naming is there

1125
00:58:35,920 --> 00:58:38,520
Speaker 3: a show? Just is there?

1126
00:58:39,640 --> 00:58:39,680
Speaker 6: It?

1127
00:58:39,760 --> 00:58:44,960
Speaker 3: Was Neil Simon is the show shows My gossip is old?

1128
00:58:45,200 --> 00:58:48,400
Speaker 3: Is there a list of shows that's like, uh, the

1129
00:58:48,520 --> 00:58:51,640
Speaker 3: top three shows I know never to ever approach or

1130
00:58:51,760 --> 00:58:56,640
Speaker 3: to go to, Like you've heard that, I'm show Game

1131
00:58:56,680 --> 00:58:59,920
Speaker 3: of Throw work for, Yes, there's a Game of Throw.

1132
00:59:00,000 --> 00:59:02,360
Speaker 8: This is literally two guys and their staff writers. So

1133
00:59:02,440 --> 00:59:03,680
Speaker 8: that's like one of the smallest.

1134
00:59:03,440 --> 00:59:05,880
Speaker 9: Rooms the mist producers you know, or showrunners that people

1135
00:59:05,920 --> 00:59:07,680
Speaker 9: say not to work for. But I will also say

1136
00:59:07,720 --> 00:59:09,800
Speaker 9: that when Methan Red got canceled, it was the shot

1137
00:59:09,920 --> 00:59:11,080
Speaker 9: black writers heard around.

1138
00:59:10,880 --> 00:59:11,520
Speaker 3: The world.

1139
00:59:13,040 --> 00:59:24,360
Speaker 9: Existed because again, at this point, I'm the only black

1140
00:59:24,360 --> 00:59:24,760
Speaker 9: writer in.

1141
00:59:24,760 --> 00:59:28,400
Speaker 3: The room you wrote on that show. You No, it

1142
00:59:28,520 --> 00:59:29,400
Speaker 3: was literally.

1143
00:59:29,240 --> 00:59:33,400
Speaker 10: Traveled around because from what I hear and again this

1144
00:59:33,520 --> 00:59:35,880
Speaker 10: is passed it down the line, but there was there

1145
00:59:35,960 --> 00:59:38,680
Speaker 10: was a room full of white writers and Methan Red

1146
00:59:38,720 --> 00:59:42,360
Speaker 10: didn't like what was being written and someone they were like, yeah,

1147
00:59:42,400 --> 00:59:43,800
Speaker 10: he shoved him in the face, and they were like

1148
00:59:43,960 --> 00:59:46,800
Speaker 10: and Methan Red called it a mush and the mushed

1149
00:59:46,880 --> 00:59:47,160
Speaker 10: him in the.

1150
00:59:47,200 --> 00:59:51,200
Speaker 3: Face like they were teaching them about yeah, and so

1151
00:59:51,240 --> 00:59:51,720
Speaker 3: it was like and.

1152
00:59:51,760 --> 00:59:53,160
Speaker 10: They were like, you just don't come to Hollywood and

1153
00:59:53,200 --> 00:59:54,520
Speaker 10: we give you a show and you mush people. And

1154
00:59:54,600 --> 00:59:56,800
Speaker 10: so for the next seven weeks, I could you know

1155
00:59:56,920 --> 00:59:59,080
Speaker 10: I heard was rappers come in to Hollywood, mushed people,

1156
00:59:59,120 --> 01:00:00,560
Speaker 10: they don't a ship.

1157
01:00:01,880 --> 01:00:03,440
Speaker 9: And then I'm the one black person room. I'm like,

1158
01:00:03,600 --> 01:00:05,520
Speaker 9: I didn't mush anybody, while y'all looking at me. I've

1159
01:00:05,520 --> 01:00:06,400
Speaker 9: never even heard that word.

1160
01:00:08,240 --> 01:00:10,520
Speaker 3: So I also learned not to believe everything I hear

1161
01:00:10,720 --> 01:00:15,560
Speaker 3: when it comes from Jeff Richmond. You would you learn?

1162
01:00:16,000 --> 01:00:18,920
Speaker 8: I learned two things. I learned that Stephanie Ruhl listens

1163
01:00:18,960 --> 01:00:22,240
Speaker 8: to QLs. That's that's pretty fun. I also learned that

1164
01:00:22,280 --> 01:00:25,960
Speaker 8: Hal Lindon is still alive and man Ron Glasses and so,

1165
01:00:26,240 --> 01:00:29,440
Speaker 8: you know, shout out to Hal wherever you are and.

1166
01:00:31,800 --> 01:00:34,520
Speaker 3: Has been gone. No, he just recently died.

1167
01:00:34,600 --> 01:00:41,280
Speaker 8: Oh really, And shout out to the guys who make

1168
01:00:41,320 --> 01:00:43,760
Speaker 8: it through their nineties. I love that documentary. The fact

1169
01:00:43,800 --> 01:00:46,440
Speaker 8: that No Brooks and Carl Reiner is still buddies and

1170
01:00:46,440 --> 01:00:48,760
Speaker 8: they still hang out in the afternoon, that's amazing to me.

1171
01:00:49,080 --> 01:00:51,280
Speaker 3: Soash Bill, where'd you learn?

1172
01:00:51,480 --> 01:00:52,960
Speaker 2: I learned that if I ever want to get a

1173
01:00:53,040 --> 01:00:56,680
Speaker 2: show in the air, don't take it to HBO unless

1174
01:00:56,720 --> 01:00:57,959
Speaker 2: I have like a decade away.

1175
01:01:00,080 --> 01:01:02,360
Speaker 3: You would think that with Netflix and the way that

1176
01:01:02,520 --> 01:01:04,880
Speaker 3: streaming cer I think that's changing. By the way, I

1177
01:01:05,920 --> 01:01:09,720
Speaker 3: think things are changing. I think our experience devastating.

1178
01:01:10,640 --> 01:01:13,160
Speaker 2: We were still a little bit unique and what you

1179
01:01:13,280 --> 01:01:14,840
Speaker 2: know are for the course, well you know, well, you

1180
01:01:14,920 --> 01:01:16,680
Speaker 2: know what, man like, I had a homie that was

1181
01:01:16,760 --> 01:01:20,040
Speaker 2: working on they were doing a they were doing a

1182
01:01:20,120 --> 01:01:21,000
Speaker 2: Lewis and Clark.

1183
01:01:21,480 --> 01:01:24,120
Speaker 8: It was supposed to be it was it was like

1184
01:01:24,160 --> 01:01:26,400
Speaker 8: three four years they developed. That's that's the one that

1185
01:01:26,480 --> 01:01:29,240
Speaker 8: took eight years. Yeah, and they and Clark took eight

1186
01:01:29,320 --> 01:01:31,120
Speaker 8: years to develop. And I had a homie that was

1187
01:01:31,160 --> 01:01:34,760
Speaker 8: working he was in that show and they were just like, nah,

1188
01:01:34,880 --> 01:01:37,840
Speaker 8: fuck it. Look, I think that's changed a lot because

1189
01:01:38,120 --> 01:01:40,560
Speaker 8: you know, for the first time, Netflix got more nominations

1190
01:01:40,600 --> 01:01:43,640
Speaker 8: in HBO. I think Netflix, I think things are I

1191
01:01:43,720 --> 01:01:45,680
Speaker 8: think I think the industry is changing. I got a

1192
01:01:45,720 --> 01:01:48,520
Speaker 8: bunch of parties aways. You know, I'm actually to go

1193
01:01:48,640 --> 01:01:50,640
Speaker 8: back to your point earlier. I'm becoming more of a

1194
01:01:50,720 --> 01:01:53,960
Speaker 8: student of how people consume. So I'm finding out that

1195
01:01:54,120 --> 01:01:57,160
Speaker 8: like vo D doesn't really count towards your ratings, but

1196
01:01:57,280 --> 01:02:00,560
Speaker 8: people watching on the app does, Like, so maybe stay

1197
01:02:00,600 --> 01:02:02,200
Speaker 8: on the people on the tech side to make sure

1198
01:02:02,240 --> 01:02:04,000
Speaker 8: that the app doesn't crash when too many people are

1199
01:02:04,040 --> 01:02:06,400
Speaker 8: trying to watch the show through the app. Like, there

1200
01:02:06,400 --> 01:02:08,520
Speaker 8: are a lot of ways the technology and the and

1201
01:02:08,640 --> 01:02:11,760
Speaker 8: the UH and and the content creation are colliding. I

1202
01:02:11,800 --> 01:02:14,800
Speaker 8: think it's smart for all creators to educate yourself. Man, well,

1203
01:02:14,840 --> 01:02:17,680
Speaker 8: I guess O D doesn't count towards ratings. It's complicated

1204
01:02:17,840 --> 01:02:21,960
Speaker 8: like the apps and UH. I saw a chart and

1205
01:02:22,000 --> 01:02:24,280
Speaker 8: we actually have a meeting next week at i f

1206
01:02:24,320 --> 01:02:26,720
Speaker 8: C on this. But like there is a chart that

1207
01:02:26,800 --> 01:02:29,440
Speaker 8: shows you, like which things count actually towards your ratings

1208
01:02:29,800 --> 01:02:31,200
Speaker 8: and which things are lovely?

1209
01:02:31,440 --> 01:02:34,000
Speaker 3: But they do not? Oh, man, I guess where we

1210
01:02:34,000 --> 01:02:34,320
Speaker 3: should go?

1211
01:02:34,440 --> 01:02:37,240
Speaker 2: We should ask you all, like for young writers trying

1212
01:02:37,280 --> 01:02:38,720
Speaker 2: to come up, like what would you say to him?

1213
01:02:38,960 --> 01:02:43,600
Speaker 3: We should said that. But hang on, so sugar, Steve,

1214
01:02:44,000 --> 01:02:45,840
Speaker 3: can you tell us what you learned that Steve is

1215
01:02:45,920 --> 01:02:46,640
Speaker 3: not on the MIC.

1216
01:02:46,880 --> 01:02:47,600
Speaker 2: I know this.

1217
01:02:49,320 --> 01:02:52,040
Speaker 3: At IT I learned Steve Mandela, I don't like to

1218
01:02:52,080 --> 01:02:54,520
Speaker 3: be the only white guy in the room. You can

1219
01:02:54,560 --> 01:02:59,440
Speaker 3: only takes so much that Steve gave you your platform.

1220
01:02:59,480 --> 01:02:59,960
Speaker 3: You're not here.

1221
01:03:00,840 --> 01:03:01,440
Speaker 4: What did you learn?

1222
01:03:02,240 --> 01:03:04,520
Speaker 10: I actually just learned through texted my services will not

1223
01:03:04,560 --> 01:03:06,800
Speaker 10: be needed on the last OG do to something.

1224
01:03:09,560 --> 01:03:11,920
Speaker 9: Somebody in the sad room snitching about some kid.

1225
01:03:14,440 --> 01:03:15,720
Speaker 3: I'd be hilarious for real.

1226
01:03:16,040 --> 01:03:17,960
Speaker 9: The thing that I learned is that Fante has really

1227
01:03:18,000 --> 01:03:18,840
Speaker 9: shitty taste in TV.

1228
01:03:22,080 --> 01:03:25,080
Speaker 3: I watched my say by myself, Thank you very much.

1229
01:03:25,760 --> 01:03:28,200
Speaker 3: Fuck y'all. What's your question?

1230
01:03:29,000 --> 01:03:31,800
Speaker 2: Oh no, just for like young writers trying to get

1231
01:03:31,800 --> 01:03:33,520
Speaker 2: into the game, Like what would y'all tell them? I

1232
01:03:33,600 --> 01:03:35,960
Speaker 2: mean other than like start twenty five years ago, but

1233
01:03:36,560 --> 01:03:37,760
Speaker 2: to Harvard and go to Harvard.

1234
01:03:38,040 --> 01:03:38,640
Speaker 3: You know what I'm saying.

1235
01:03:39,480 --> 01:03:42,160
Speaker 8: I don't know answer real quick. I think that I

1236
01:03:42,280 --> 01:03:45,240
Speaker 8: always tell people. I'm like, you know, write every day,

1237
01:03:45,880 --> 01:03:47,920
Speaker 8: get good at writing. If you're if you claim to

1238
01:03:47,960 --> 01:03:49,600
Speaker 8: be a writer, then you should love doing it. You

1239
01:03:49,680 --> 01:03:51,480
Speaker 8: know what I'm saying. Nobody puts a gun to your

1240
01:03:51,560 --> 01:03:54,200
Speaker 8: head and says, hey, make music. You know what I'm saying, Like,

1241
01:03:54,400 --> 01:03:56,080
Speaker 8: just do it. You just do it because that's what

1242
01:03:56,200 --> 01:03:59,160
Speaker 8: you want to do. You'll get good at it, you know,

1243
01:03:59,360 --> 01:04:03,600
Speaker 8: over time and and and always, you know, stick with yourself.

1244
01:04:03,600 --> 01:04:06,120
Speaker 8: And that doesn't necessarily mean you got to write a

1245
01:04:06,240 --> 01:04:09,120
Speaker 8: show about a person who grew up in your hometown

1246
01:04:09,280 --> 01:04:11,280
Speaker 8: who came to Hollywood to try to be a writer.

1247
01:04:11,680 --> 01:04:15,120
Speaker 8: Because I always say, George Lucas didn't grow up flying spaceships.

1248
01:04:15,240 --> 01:04:18,680
Speaker 8: Like whatever is in you know, your interests, like write it,

1249
01:04:19,040 --> 01:04:21,720
Speaker 8: write it all the time. Don't ask everybody that you

1250
01:04:21,880 --> 01:04:24,960
Speaker 8: know to you know, read you constantly. Like once you

1251
01:04:25,080 --> 01:04:28,560
Speaker 8: write it and it's really really good, be happy that

1252
01:04:28,640 --> 01:04:31,600
Speaker 8: anybody reads anything that you give them. And please give

1253
01:04:31,640 --> 01:04:34,160
Speaker 8: them at least a couple of weeks even months to

1254
01:04:34,280 --> 01:04:37,080
Speaker 8: read it, because I think everybody in this room has

1255
01:04:37,160 --> 01:04:38,200
Speaker 8: had that person who's like.

1256
01:04:38,480 --> 01:04:40,400
Speaker 3: Hey, man, you you read it. Yeah, I sent it

1257
01:04:40,480 --> 01:04:43,160
Speaker 3: to you at five pm. You know, like that's the thing.

1258
01:04:43,200 --> 01:04:44,280
Speaker 3: To read a script so hard.

1259
01:04:44,360 --> 01:04:46,800
Speaker 2: It took me even like I was just like, man, like,

1260
01:04:46,960 --> 01:04:49,160
Speaker 2: it took me a while to learn like how to

1261
01:04:49,280 --> 01:04:50,040
Speaker 2: read scripts.

1262
01:04:50,080 --> 01:04:53,680
Speaker 8: And even the best writer may have terrible advice for

1263
01:04:53,800 --> 01:04:55,520
Speaker 8: how to fix your script. So at the end of

1264
01:04:55,520 --> 01:04:56,960
Speaker 8: the day, you have to believe in it. You have

1265
01:04:57,080 --> 01:04:57,880
Speaker 8: to know how to fix it.

1266
01:04:58,000 --> 01:04:59,920
Speaker 5: I tell people, you know, when young writers ask me

1267
01:05:00,040 --> 01:05:01,440
Speaker 5: all the time, I say, you know, you gotta be

1268
01:05:01,520 --> 01:05:03,840
Speaker 5: really hard in your work, like extremely hard in your work.

1269
01:05:03,880 --> 01:05:06,000
Speaker 5: Make sure the people who read it are not gonna

1270
01:05:06,000 --> 01:05:08,680
Speaker 5: be nice about it, but people who have good taste.

1271
01:05:09,080 --> 01:05:12,400
Speaker 5: But then also really make something because nobody wants to

1272
01:05:12,440 --> 01:05:14,360
Speaker 5: read the script like I'd rather you send me a

1273
01:05:14,440 --> 01:05:16,360
Speaker 5: link to some ship I can watch and let me

1274
01:05:16,400 --> 01:05:18,040
Speaker 5: see how good you are, because I'm not about to

1275
01:05:18,120 --> 01:05:19,560
Speaker 5: read ten pages.

1276
01:05:21,280 --> 01:05:23,080
Speaker 3: Make something, make something.

1277
01:05:23,960 --> 01:05:32,080
Speaker 9: I would say, don't don't steal ideas, don't steal like.

1278
01:05:32,720 --> 01:05:34,480
Speaker 6: Know, some young writers will go, oh, I like that,

1279
01:05:35,400 --> 01:05:38,320
Speaker 6: I'm gonna write that, but that's already on.

1280
01:05:38,800 --> 01:05:40,160
Speaker 7: You know, what are you like what you're saying?

1281
01:05:40,200 --> 01:05:41,280
Speaker 6: What are you passionate about?

1282
01:05:41,840 --> 01:05:42,000
Speaker 3: Hmm?

1283
01:05:43,040 --> 01:05:46,000
Speaker 7: And Shonda Rhimes did say that, and she said, don't steal.

1284
01:05:45,920 --> 01:05:50,040
Speaker 3: Don't steal. It's crazy, all right?

1285
01:05:50,120 --> 01:05:51,640
Speaker 7: Well say something or tripping?

1286
01:05:52,120 --> 01:05:54,960
Speaker 3: Did you say something and you ain't had no advice?

1287
01:06:03,800 --> 01:06:05,680
Speaker 10: My advice actually would be if you want to be

1288
01:06:05,720 --> 01:06:07,560
Speaker 10: in a writer's room is to not only get good

1289
01:06:07,640 --> 01:06:10,640
Speaker 10: at writing, but you should maybe take an improv class

1290
01:06:10,680 --> 01:06:15,360
Speaker 10: if you're not good at being around people, because you can't.

1291
01:06:15,520 --> 01:06:17,320
Speaker 8: And by the way, that's not always my biggest advice,

1292
01:06:17,440 --> 01:06:19,560
Speaker 8: especially in comedy. My biggest advice for people who want

1293
01:06:19,560 --> 01:06:21,560
Speaker 8: to come up no matter what they want to do, direct, act,

1294
01:06:21,920 --> 01:06:24,920
Speaker 8: write anything. If you haven't done that much and you're

1295
01:06:24,920 --> 01:06:26,920
Speaker 8: still figuring out what you want to do, take an

1296
01:06:26,960 --> 01:06:29,440
Speaker 8: improv class because you'll be around other people who have

1297
01:06:29,520 --> 01:06:32,480
Speaker 8: similar interests and then at some point you'll figure out, well,

1298
01:06:32,560 --> 01:06:35,440
Speaker 8: that person has an eye for something, this person is

1299
01:06:35,480 --> 01:06:37,920
Speaker 8: a better writer than an actor, and this person is

1300
01:06:38,000 --> 01:06:40,440
Speaker 8: a star in the making. You'll you'll create a network

1301
01:06:40,480 --> 01:06:42,840
Speaker 8: of people. Me and Bashir's first foray into this thing

1302
01:06:43,200 --> 01:06:45,640
Speaker 8: was just doing a sketch show with our friends, you know,

1303
01:06:45,800 --> 01:06:49,760
Speaker 8: for for no money at a theater and wow, we

1304
01:06:49,880 --> 01:06:51,280
Speaker 8: looked up one day and by the way, that was

1305
01:06:51,320 --> 01:06:53,440
Speaker 8: a hell of a sketch group. Our very first foray

1306
01:06:53,560 --> 01:06:56,480
Speaker 8: into anything was the form of a six person sketch group.

1307
01:06:56,520 --> 01:06:58,320
Speaker 8: I look back on who is in that sketch gyp

1308
01:06:58,400 --> 01:07:01,000
Speaker 8: is me and Basheer, Why it's an Robin the d

1309
01:07:01,720 --> 01:07:06,880
Speaker 8: and and Andrela Yarborough and nobody had done anything. We

1310
01:07:07,000 --> 01:07:08,560
Speaker 8: thought why it was the start because he had written.

1311
01:07:08,960 --> 01:07:11,440
Speaker 8: He had written on a season of King of the Hill.

1312
01:07:11,720 --> 01:07:13,520
Speaker 8: He was the start of the because of that.

1313
01:07:13,840 --> 01:07:15,200
Speaker 3: So there you go, Oh yeah.

1314
01:07:15,400 --> 01:07:17,600
Speaker 10: I think writers, especially people want to get into TV

1315
01:07:17,680 --> 01:07:19,840
Speaker 10: film get so caught up in the how the right

1316
01:07:19,880 --> 01:07:24,040
Speaker 10: and I have to put interior exterior ninety well sixty

1317
01:07:24,040 --> 01:07:26,880
Speaker 10: percent of this business is managing people and getting along

1318
01:07:26,960 --> 01:07:29,240
Speaker 10: with other people in personalities, and you can't read that

1319
01:07:29,360 --> 01:07:29,959
Speaker 10: in any book.

1320
01:07:30,000 --> 01:07:32,040
Speaker 9: So I would say, work on your people skills.

1321
01:07:33,320 --> 01:07:37,000
Speaker 3: Okay, well we learned a lot. That's good. Okay, so

1322
01:07:37,720 --> 01:07:41,360
Speaker 3: I think we wrapped up our special Hollywood Shuffle episode.

1323
01:07:41,600 --> 01:07:44,480
Speaker 3: You'll fix my freestyle. Yeah right, you'll fix my freestyle

1324
01:07:44,520 --> 01:07:47,400
Speaker 3: on the edit never Yeah, it's not one take hold.

1325
01:07:47,800 --> 01:07:52,880
Speaker 3: We all got it. So that take sad? What that

1326
01:07:52,960 --> 01:07:55,440
Speaker 3: movie still is? By the way, Yeah, ladies and gentlemen

1327
01:07:55,920 --> 01:07:59,480
Speaker 3: pressed out to my nine nurs Oh look look you

1328
01:07:59,600 --> 01:08:06,080
Speaker 3: just step in the room. Boy bye by, did you

1329
01:08:06,200 --> 01:08:13,760
Speaker 3: learn anything? All hilarious? Well on behalf of Oh wait,

1330
01:08:13,880 --> 01:08:17,840
Speaker 3: time out. I forgot y'all think I'm I'm bugging. I

1331
01:08:17,920 --> 01:08:19,840
Speaker 3: can't let this moment go by without a moment of

1332
01:08:21,400 --> 01:08:26,120
Speaker 3: oh god, yeah make up. Yes, I'm sorry, Bill, I

1333
01:08:26,200 --> 01:08:29,920
Speaker 3: gotta do this. Is this.

1334
01:08:32,240 --> 01:08:37,160
Speaker 7: Let's go twenty one jump street, let's go come on now?

1335
01:08:38,960 --> 01:08:42,880
Speaker 3: Uh one more time? One hundred ways?

1336
01:08:43,720 --> 01:08:44,240
Speaker 4: All right, I.

1337
01:08:46,479 --> 01:09:00,240
Speaker 3: Don't know that's next? No? Is that moonlight? So that

1338
01:09:00,320 --> 01:09:03,880
Speaker 3: did sound a little moon lighting? Miami vice.

1339
01:09:04,520 --> 01:09:06,360
Speaker 5: I got that one and.

1340
01:09:08,439 --> 01:09:12,800
Speaker 3: Yeah, second, second, second, last one?

1341
01:09:16,120 --> 01:09:19,200
Speaker 5: All right, all right, we be happy that was That

1342
01:09:19,320 --> 01:09:20,880
Speaker 5: was no way to spend three minutes.

1343
01:09:20,960 --> 01:09:22,800
Speaker 3: Thank you. Sorry, well, you.

1344
01:09:22,840 --> 01:09:24,000
Speaker 5: Know, I'm just want to be.

1345
01:09:27,840 --> 01:09:28,040
Speaker 4: Yeah.

1346
01:09:29,680 --> 01:09:31,760
Speaker 3: By the way, that was the spokesperson for Cracker.

1347
01:09:36,560 --> 01:09:37,759
Speaker 4: Go By. I see.

1348
01:09:40,000 --> 01:09:40,800
Speaker 3: My show on.

1349
01:09:56,600 --> 01:09:59,760
Speaker 1: West Love Supreme is a production of iHeart Radio. This

1350
01:10:00,040 --> 01:10:09,120
Speaker 1: classic episode was produced by the team at Pandora. For

1351
01:10:09,280 --> 01:10:13,480
Speaker 1: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1352
01:10:13,920 --> 01:10:15,639
Speaker 1: or wherever you listen to your favorite shows.