1 00:00:05,280 --> 00:00:06,840 Speaker 1: Hey, this is Annie and welcome to stuff. 2 00:00:06,840 --> 00:00:19,200 Speaker 2: I've never told you production if I hurried you, and yes, 3 00:00:19,360 --> 00:00:20,680 Speaker 2: I am by myself today. 4 00:00:20,720 --> 00:00:22,800 Speaker 1: Samantha's got some family stuff going on. 5 00:00:23,280 --> 00:00:24,959 Speaker 2: But I did want to bring back an episode we 6 00:00:25,000 --> 00:00:30,600 Speaker 2: did since we've been talking about our thoughts around aging 7 00:00:30,760 --> 00:00:34,239 Speaker 2: as we get older, the good and the bad and 8 00:00:34,240 --> 00:00:36,519 Speaker 2: what we thought was gonna happen and what actually happened. 9 00:00:36,920 --> 00:00:39,199 Speaker 2: So I thought I would bring back this episode we 10 00:00:39,280 --> 00:00:44,920 Speaker 2: did about the history of that with women around anti 11 00:00:45,040 --> 00:00:50,720 Speaker 2: aging and our thoughts around aging, especially in the West. 12 00:00:51,080 --> 00:00:54,160 Speaker 1: So please enjoy. 13 00:00:57,240 --> 00:00:59,680 Speaker 2: Hey, this is Annie and Samantha and welcome to stuff. 14 00:00:59,680 --> 00:01:11,080 Speaker 2: I'm never told your production of iHeartRadio. So I feel 15 00:01:11,080 --> 00:01:13,440 Speaker 2: like I have asked you this before, and if so, 16 00:01:13,520 --> 00:01:17,040 Speaker 2: you'll have to forgive me listeners. And Samantha, but what 17 00:01:17,080 --> 00:01:18,880 Speaker 2: are your thoughts on immortality? 18 00:01:19,600 --> 00:01:21,959 Speaker 3: I don't think you've asked me this before because that 19 00:01:22,120 --> 00:01:24,440 Speaker 3: is a very broad and general question. 20 00:01:26,480 --> 00:01:30,160 Speaker 1: Who knows a lot of conversations. 21 00:01:30,319 --> 00:01:33,920 Speaker 3: Yes, we have off and on Mike when it comes 22 00:01:33,959 --> 00:01:34,920 Speaker 3: to immortality. 23 00:01:35,640 --> 00:01:36,040 Speaker 1: M hmm. 24 00:01:36,760 --> 00:01:39,920 Speaker 3: I have no thoughts other than it's not real, So 25 00:01:39,920 --> 00:01:45,640 Speaker 3: why are we talking about it? My own self, my 26 00:01:45,880 --> 00:01:50,480 Speaker 3: own sad take on death and immortality is that I 27 00:01:50,560 --> 00:01:52,760 Speaker 3: assumed I would have been dead before. I would be 28 00:01:52,760 --> 00:01:55,640 Speaker 3: dead before fifty five. And I think it's just because 29 00:01:56,240 --> 00:01:58,240 Speaker 3: of all the things that I've gone through as a 30 00:01:58,280 --> 00:02:00,920 Speaker 3: kid that it didn't make sense, but I would extend 31 00:02:00,960 --> 00:02:04,040 Speaker 3: past a certain time. I do have a small fear 32 00:02:04,080 --> 00:02:06,560 Speaker 3: of growing old. Actually have a lot of fears in 33 00:02:06,600 --> 00:02:09,720 Speaker 3: growing older, and as my body feels like it's slowly 34 00:02:09,760 --> 00:02:12,800 Speaker 3: giving out is getting worse those little fears and trying 35 00:02:12,800 --> 00:02:15,800 Speaker 3: to figure out what to do just because I don't 36 00:02:15,840 --> 00:02:19,240 Speaker 3: want to go to like revert back to being dependent 37 00:02:19,320 --> 00:02:22,440 Speaker 3: on someone. And then of course you and I talked 38 00:02:22,480 --> 00:02:25,120 Speaker 3: about the fact that if we don't have children, who's 39 00:02:25,120 --> 00:02:27,040 Speaker 3: going to look after us, Who's going to care for us? 40 00:02:27,040 --> 00:02:29,440 Speaker 3: And what's going to happen if we can't care for ourselves. 41 00:02:31,840 --> 00:02:35,440 Speaker 3: So those are my thoughts on life and death and immortality. 42 00:02:35,520 --> 00:02:38,160 Speaker 3: I don't want to live forever because that sounds miserable, 43 00:02:39,480 --> 00:02:41,880 Speaker 3: especially with some of the things that have happened. Being 44 00:02:41,919 --> 00:02:44,600 Speaker 3: a depressive makes me sad to think that I would 45 00:02:44,639 --> 00:02:46,920 Speaker 3: have to be depressed with the rest of life life 46 00:02:47,080 --> 00:02:50,160 Speaker 3: seeing some of the bad things that have happened. I 47 00:02:50,200 --> 00:02:52,160 Speaker 3: am a pessimist, so it doesn't help. 48 00:02:53,120 --> 00:02:54,520 Speaker 1: True. True. 49 00:02:56,320 --> 00:02:58,440 Speaker 2: I mean it's interesting because I've always felt that way too. 50 00:02:58,560 --> 00:03:02,680 Speaker 2: Of like immortality, he doesn't appeal to me unless people 51 00:03:02,680 --> 00:03:06,600 Speaker 2: around me that I cared about were and also that 52 00:03:06,680 --> 00:03:10,400 Speaker 2: I was in good like mental and physical condition. 53 00:03:12,400 --> 00:03:14,880 Speaker 1: Even then, it just sounds like eventually you'd get pretty bored. 54 00:03:14,960 --> 00:03:17,000 Speaker 2: But I don't know. I mean, I was telling you 55 00:03:17,040 --> 00:03:18,760 Speaker 2: the other day, it's like the Star Wars is gonna 56 00:03:18,760 --> 00:03:19,880 Speaker 2: be coming out when I die. 57 00:03:20,000 --> 00:03:22,960 Speaker 1: They never stopped. That's true. 58 00:03:23,160 --> 00:03:26,600 Speaker 3: That the care for you also as of late, like 59 00:03:26,800 --> 00:03:29,960 Speaker 3: the more we talk about the apocalypse and thinking it 60 00:03:30,080 --> 00:03:32,720 Speaker 3: might happen sooner than later, Well, lord, I don't know 61 00:03:32,720 --> 00:03:35,400 Speaker 3: if I want to be alive through that. 62 00:03:35,400 --> 00:03:38,640 Speaker 2: That's yeah. Yeah, Now we're starting out really grim with 63 00:03:38,680 --> 00:03:45,280 Speaker 2: this one. Yeah, sure are sure are. We're certainly not 64 00:03:45,320 --> 00:03:48,560 Speaker 2: the only people who have been talking about this and 65 00:03:48,600 --> 00:03:51,960 Speaker 2: thinking about this and as our technology shifts, because this 66 00:03:52,000 --> 00:03:55,680 Speaker 2: has been a part of our cultural narrative forever, like 67 00:03:55,720 --> 00:03:59,880 Speaker 2: when we talk about any type of creature like vampires, 68 00:03:59,880 --> 00:04:01,440 Speaker 2: and that's always like one of the reasons I love 69 00:04:01,480 --> 00:04:02,840 Speaker 2: what we do in the Shadows is you get to 70 00:04:02,840 --> 00:04:07,000 Speaker 2: see how wonky they are and out of touch they 71 00:04:07,000 --> 00:04:11,600 Speaker 2: are with their immortality. But as as technology has advanced, 72 00:04:11,680 --> 00:04:15,480 Speaker 2: people are legitimately talking about ways to slow down or 73 00:04:15,480 --> 00:04:19,560 Speaker 2: stop aging and or achieve immortality. And I know Jeff 74 00:04:19,560 --> 00:04:22,720 Speaker 2: Bezos was just in the news for investing in something 75 00:04:23,400 --> 00:04:26,480 Speaker 2: looking into this, and there's been a lot of movies 76 00:04:26,480 --> 00:04:29,560 Speaker 2: about it for sure. For anybody who's already like preemptively 77 00:04:29,680 --> 00:04:32,160 Speaker 2: angry that of the language I used around. 78 00:04:31,880 --> 00:04:34,120 Speaker 1: That am at like stopping aging? Well, we'll get to that. 79 00:04:34,360 --> 00:04:34,919 Speaker 1: We'll get to that. 80 00:04:34,920 --> 00:04:40,839 Speaker 2: Does that get But as we are moving into you 81 00:04:40,960 --> 00:04:45,960 Speaker 2: listeners know we love some Halloween, we love the season 82 00:04:46,000 --> 00:04:50,400 Speaker 2: of fall and scary movies and spooky things, And as 83 00:04:50,440 --> 00:04:53,520 Speaker 2: we're moving into that, this is sort of a lower 84 00:04:53,600 --> 00:04:56,160 Speaker 2: key tie in because it's just this concept we've been 85 00:04:56,160 --> 00:04:59,520 Speaker 2: talking about for a couple of months now about dying 86 00:04:59,560 --> 00:05:04,039 Speaker 2: to be young and our cultural just real fascination and 87 00:05:04,440 --> 00:05:07,760 Speaker 2: occupation with being young and where did that come from 88 00:05:07,800 --> 00:05:10,120 Speaker 2: and some of the extremes that it has gone to. 89 00:05:11,080 --> 00:05:13,040 Speaker 2: So to start out with, we're going to be talking 90 00:05:13,040 --> 00:05:18,640 Speaker 2: about media because, as we've talked about before, in in 91 00:05:18,720 --> 00:05:23,080 Speaker 2: our popular media and movies and TV, as a woman, 92 00:05:23,600 --> 00:05:26,159 Speaker 2: it's a joke, it's a running joke that you're dead 93 00:05:26,279 --> 00:05:28,320 Speaker 2: after thirty, like, that's. 94 00:05:28,320 --> 00:05:29,360 Speaker 1: Your career is over. 95 00:05:30,600 --> 00:05:35,320 Speaker 2: And the average age of a Hollywood Stars female is 96 00:05:35,360 --> 00:05:38,520 Speaker 2: thirty four, whereas for a man it is forty six, 97 00:05:38,560 --> 00:05:40,240 Speaker 2: So you can already see that's ten. 98 00:05:40,200 --> 00:05:42,200 Speaker 3: Your gap some vast difference. 99 00:05:42,640 --> 00:05:45,039 Speaker 1: Yes, yes, absolutely. 100 00:05:44,640 --> 00:05:47,799 Speaker 3: Oh yeah so as in fact, and IMDb study reported 101 00:05:47,839 --> 00:05:51,800 Speaker 3: on by Washington Post found that among twenty year old actors, 102 00:05:51,920 --> 00:05:55,479 Speaker 3: women get eighty percent of the leading roles. By age thirty, 103 00:05:55,600 --> 00:05:58,480 Speaker 3: women only get forty percent of the leading roles, and 104 00:05:58,560 --> 00:06:02,159 Speaker 3: past age forty, men claim eighty percent of the leading 105 00:06:02,360 --> 00:06:06,920 Speaker 3: roles while women only get twenty percent, and have all 106 00:06:06,960 --> 00:06:09,080 Speaker 3: these roles for women to go to those thirty three 107 00:06:09,279 --> 00:06:13,040 Speaker 3: and younger and men overall just have way more roles 108 00:06:13,080 --> 00:06:16,159 Speaker 3: available to them, and we've seen that constantly. 109 00:06:16,760 --> 00:06:17,200 Speaker 1: Yeah. 110 00:06:17,520 --> 00:06:19,240 Speaker 2: I think I've told this story before, but I remember 111 00:06:19,279 --> 00:06:23,520 Speaker 2: so clearly watching I think I was too young to 112 00:06:23,560 --> 00:06:26,480 Speaker 2: be watching it that I was watching Entrapment and I 113 00:06:26,520 --> 00:06:28,080 Speaker 2: turned to my friend and I was like, why does 114 00:06:28,120 --> 00:06:33,000 Speaker 2: she want to be with Sean Connery? O? 115 00:06:33,320 --> 00:06:33,839 Speaker 3: Next question? 116 00:06:35,000 --> 00:06:37,120 Speaker 2: But that being said, I know that people can have 117 00:06:37,160 --> 00:06:40,040 Speaker 2: age caps and relationships and it'd be great, but as a child, 118 00:06:40,040 --> 00:06:40,680 Speaker 2: it just did not. 119 00:06:40,839 --> 00:06:42,919 Speaker 1: I was like, I don't understand this. 120 00:06:43,760 --> 00:06:45,760 Speaker 3: And I think what we're talking about here is not 121 00:06:45,960 --> 00:06:49,200 Speaker 3: just that fact, but that it is more acceptable to 122 00:06:49,279 --> 00:06:52,239 Speaker 3: see you very young women with older men, and people 123 00:06:52,240 --> 00:06:56,160 Speaker 3: are like ooh yeah, absolutely normal to the point that 124 00:06:56,200 --> 00:06:59,919 Speaker 3: it reflects real life. Leonardo DiCaprio and everybody kind of 125 00:07:00,200 --> 00:07:02,839 Speaker 3: accepts it. Yeah, there's a factor of like, uh, what 126 00:07:03,560 --> 00:07:07,080 Speaker 3: after a while, Yeah, but in the actuality, it's like, yeah, okay, 127 00:07:07,360 --> 00:07:12,280 Speaker 3: obviously one is more acceptable than a woman doing that, right, 128 00:07:12,320 --> 00:07:13,160 Speaker 3: because she is. 129 00:07:14,720 --> 00:07:14,880 Speaker 1: Right. 130 00:07:14,920 --> 00:07:16,560 Speaker 2: And we've talked about that a lot before, about that 131 00:07:16,640 --> 00:07:20,080 Speaker 2: double standard of for men it's seen as like, oh, 132 00:07:20,240 --> 00:07:21,120 Speaker 2: props to you. 133 00:07:21,120 --> 00:07:22,960 Speaker 1: You've got a young lady interested. 134 00:07:22,560 --> 00:07:25,640 Speaker 2: In you, young lady, whereas for women, it's like she's 135 00:07:25,640 --> 00:07:28,720 Speaker 2: preying upon this young man and it must be for 136 00:07:28,840 --> 00:07:33,720 Speaker 2: nefarious reasons, right, Yeah, those are generalizations and stereotypes, but 137 00:07:33,760 --> 00:07:36,440 Speaker 2: it's definitely more acceptable for an older man to be 138 00:07:36,520 --> 00:07:37,440 Speaker 2: with a younger woman. 139 00:07:37,960 --> 00:07:38,760 Speaker 1: Than vice versa. 140 00:07:39,480 --> 00:07:43,080 Speaker 2: And so this whole, like all these ideas around women 141 00:07:43,120 --> 00:07:46,600 Speaker 2: in age in Hollywood, has been a topic of conversation, 142 00:07:46,760 --> 00:07:48,400 Speaker 2: especially among female celebrities. 143 00:07:48,400 --> 00:07:49,520 Speaker 1: Who's spoken out about this. 144 00:07:50,200 --> 00:07:53,600 Speaker 2: Maggie Smith, Charlie's Thereon, Sarah Tiska Parker, Helen Miira, and 145 00:07:53,640 --> 00:07:56,520 Speaker 2: Mal Street, Kate Blinchett, so many mostly white women in 146 00:07:56,560 --> 00:07:58,800 Speaker 2: this context, but a lot of it is happening. 147 00:07:58,480 --> 00:08:01,680 Speaker 1: Like now and within recent years. 148 00:08:01,720 --> 00:08:06,640 Speaker 2: It's pretty new in terms of how many women have 149 00:08:06,680 --> 00:08:09,080 Speaker 2: spoken up about it. And I did want to give 150 00:08:09,160 --> 00:08:11,720 Speaker 2: some brief like examples that were just top of mine 151 00:08:11,800 --> 00:08:15,239 Speaker 2: for me, because this is an idea that we see 152 00:08:15,320 --> 00:08:19,240 Speaker 2: so often, And one is from Black Swan, which I 153 00:08:19,240 --> 00:08:25,680 Speaker 2: watched recently, where Wanona Writer is this ballet dancer who's 154 00:08:25,760 --> 00:08:29,200 Speaker 2: been like head of the ballet. She's made a lot 155 00:08:29,200 --> 00:08:31,800 Speaker 2: of money for this troop, this huge New York troop, 156 00:08:32,360 --> 00:08:35,720 Speaker 2: but then all the other ballet dancers are kind of 157 00:08:35,760 --> 00:08:37,680 Speaker 2: talking about her behind her back and saying like, oh, 158 00:08:37,679 --> 00:08:40,400 Speaker 2: she's dead, like she's a dancing corpse. 159 00:08:40,000 --> 00:08:41,120 Speaker 1: Like she's so old. 160 00:08:41,840 --> 00:08:47,400 Speaker 2: And then Winona Writer's character obviously being upset about this 161 00:08:47,520 --> 00:08:50,160 Speaker 2: and furious that she's given so much of herself to 162 00:08:50,240 --> 00:08:53,840 Speaker 2: this company, and then they just kind of unceremoniously to 163 00:08:53,920 --> 00:08:57,520 Speaker 2: her away when she gets older and replace her with 164 00:08:58,120 --> 00:09:00,880 Speaker 2: Natalie Portman. And even in terms of like the romance 165 00:09:00,960 --> 00:09:04,160 Speaker 2: kind of dynamic between the male leader of the ballet 166 00:09:04,520 --> 00:09:08,199 Speaker 2: troupe and Anona writer, and then Natalie Portman. That always 167 00:09:08,240 --> 00:09:10,640 Speaker 2: stuck with me. And Natalie Portman's character has to see 168 00:09:10,679 --> 00:09:14,680 Speaker 2: where she's like, oh, poor Beth, like obviously feeling sympathy 169 00:09:14,800 --> 00:09:17,440 Speaker 2: and like seeing that happen with her mom when she 170 00:09:17,559 --> 00:09:19,760 Speaker 2: got pregnant, and feeling like I one day I will 171 00:09:19,800 --> 00:09:22,680 Speaker 2: be thrown away too. But yeah, that just always stuck 172 00:09:22,720 --> 00:09:25,120 Speaker 2: with me because it's like, like I said, it is. 173 00:09:25,120 --> 00:09:28,839 Speaker 1: A running joke. We all know this joke and this idea. 174 00:09:29,559 --> 00:09:33,000 Speaker 2: And there are certain aspects that I get, like it's 175 00:09:33,080 --> 00:09:36,640 Speaker 2: weird because I understand that, you know, younger people in 176 00:09:36,679 --> 00:09:41,600 Speaker 2: general can do more athletic things I don't know, but 177 00:09:41,800 --> 00:09:44,760 Speaker 2: still like, that's really terrible to just be like, well, 178 00:09:44,800 --> 00:09:46,360 Speaker 2: you're done and you'll never work again. 179 00:09:47,200 --> 00:09:50,360 Speaker 3: So another example I've never actually seen black Swana need 180 00:09:50,400 --> 00:09:52,760 Speaker 3: to go back to it. But another example would be, 181 00:09:52,880 --> 00:09:57,000 Speaker 3: of course, one of our episodes First Wives Club. I 182 00:09:57,040 --> 00:10:01,840 Speaker 3: mean that is the ultimate story of of being replaced 183 00:10:02,000 --> 00:10:05,400 Speaker 3: by younger women. As each one of the characters show, 184 00:10:05,520 --> 00:10:09,480 Speaker 3: whether it's Sarah Jessica Parker's character who is in competition 185 00:10:09,800 --> 00:10:14,360 Speaker 3: with Bette Midler, or even the therapist with Diane Keaton's character, 186 00:10:14,800 --> 00:10:17,079 Speaker 3: you know who's gets ran over her, and then you've 187 00:10:17,080 --> 00:10:20,160 Speaker 3: got the Goldie Hahn character, which she's replaced by the 188 00:10:20,240 --> 00:10:23,920 Speaker 3: sixteen year old actress because she I think she's in 189 00:10:23,960 --> 00:10:24,640 Speaker 3: her thirties. 190 00:10:25,440 --> 00:10:29,960 Speaker 2: Yeah, in this I'm pretty sure she comments directly on 191 00:10:30,000 --> 00:10:31,440 Speaker 2: what we're talking about and. 192 00:10:31,600 --> 00:10:33,480 Speaker 3: Talking about being replaced and to the point that she 193 00:10:33,520 --> 00:10:37,280 Speaker 3: plays the hag mother who dies essentially an upcoming movie 194 00:10:37,280 --> 00:10:39,880 Speaker 3: and her thinking she's coming in for the younger character 195 00:10:39,960 --> 00:10:43,959 Speaker 3: and being like, whoop's just kidding, and so she retires 196 00:10:44,040 --> 00:10:46,280 Speaker 3: out of film to go on to Broadway because it's 197 00:10:46,280 --> 00:10:51,160 Speaker 3: more acceptable for mature women to be a part of Essentially, Yeah, 198 00:10:51,280 --> 00:10:53,600 Speaker 3: there are so many things in that storyline on it 199 00:10:53,679 --> 00:10:57,599 Speaker 3: all together, just talking about how women are set to 200 00:10:57,640 --> 00:11:00,160 Speaker 3: pasture at a certain age as if they are no 201 00:11:00,240 --> 00:11:02,640 Speaker 3: longer of any purpose. And we think about that with 202 00:11:02,720 --> 00:11:05,320 Speaker 3: like menopause again, like whether or not we're able to 203 00:11:05,360 --> 00:11:09,520 Speaker 3: breed essentially, to put it very bluntly, and or what 204 00:11:09,559 --> 00:11:12,160 Speaker 3: our value is. And when it comes to Hollywood, I'm 205 00:11:12,160 --> 00:11:15,480 Speaker 3: sure and we have seen it being even harsher narratives. 206 00:11:15,520 --> 00:11:17,800 Speaker 3: But you know, in everyday life people talk about that too, 207 00:11:17,840 --> 00:11:20,440 Speaker 3: whether it's the cliche of being left for a younger 208 00:11:20,440 --> 00:11:23,480 Speaker 3: women and or having to compete with younger women for 209 00:11:24,240 --> 00:11:28,400 Speaker 3: career or any of those statuses. You know, it's interesting 210 00:11:28,480 --> 00:11:31,600 Speaker 3: to see. But this movie was definitely one of those like, hey, 211 00:11:31,760 --> 00:11:36,640 Speaker 3: in your face, this is what's happening, right comment. 212 00:11:36,840 --> 00:11:39,920 Speaker 2: Right, yeah, and we're gon we're gonna break in, breakdown 213 00:11:39,960 --> 00:11:42,520 Speaker 2: some of that a bit more later about kind of 214 00:11:42,600 --> 00:11:44,760 Speaker 2: this pressure to be invisible as you get older as 215 00:11:44,800 --> 00:11:49,000 Speaker 2: a woman. And then I was thinking about this Amazon 216 00:11:49,080 --> 00:11:51,400 Speaker 2: movie called Neon Demon, which I don't know if you've 217 00:11:51,400 --> 00:11:51,800 Speaker 2: seen that. 218 00:11:52,160 --> 00:11:52,679 Speaker 3: I have not. 219 00:11:53,080 --> 00:11:56,240 Speaker 2: Okay, well, it was a very strange film, but it 220 00:11:56,800 --> 00:12:00,520 Speaker 2: kind of That's why every time I think of it, 221 00:12:00,559 --> 00:12:02,480 Speaker 2: I feel like it's some fever dream that I had. 222 00:12:03,040 --> 00:12:07,960 Speaker 2: But it's about like models in Hollywood, And is it 223 00:12:08,040 --> 00:12:09,400 Speaker 2: el Fanning or Ellie Fanning? 224 00:12:09,640 --> 00:12:13,480 Speaker 1: El Fanning, I don't know, you know who I'm talking about. Yeah, yeah, yeah. 225 00:12:13,520 --> 00:12:18,880 Speaker 2: She comes into this young model into this world and 226 00:12:19,240 --> 00:12:21,960 Speaker 2: there's a lot of this movie's very up and down 227 00:12:21,960 --> 00:12:24,880 Speaker 2: and bumpy, but there was interesting commentary on like the 228 00:12:24,880 --> 00:12:27,679 Speaker 2: power of beauty and youth for women. And she says 229 00:12:27,679 --> 00:12:30,360 Speaker 2: something about like you know what the power she feels 230 00:12:30,360 --> 00:12:32,280 Speaker 2: when she walks into her room and everyone is looking 231 00:12:32,320 --> 00:12:34,160 Speaker 2: at her and feeling jealous of her. Of course, these 232 00:12:34,200 --> 00:12:35,800 Speaker 2: other models that have been in the game longer than 233 00:12:35,840 --> 00:12:39,160 Speaker 2: her don't like that, so they end up spoilers, I 234 00:12:39,160 --> 00:12:41,160 Speaker 2: guess how old is This movie's pretty old. They end 235 00:12:41,280 --> 00:12:43,480 Speaker 2: up killing her and eating pieces of her body to 236 00:12:43,559 --> 00:12:46,640 Speaker 2: try to get her youth, including an eyeball. 237 00:12:46,640 --> 00:12:47,480 Speaker 1: It was real gruesome. 238 00:12:49,200 --> 00:12:53,120 Speaker 2: Well okay then, but yeah, that was just I did 239 00:12:53,120 --> 00:12:55,719 Speaker 2: not expect that turn, for one, But yeah, it was 240 00:12:55,760 --> 00:13:01,840 Speaker 2: another kind of example of this this pressure to feel 241 00:13:01,880 --> 00:13:05,720 Speaker 2: young and kind of that diminishing value of like they 242 00:13:05,760 --> 00:13:09,959 Speaker 2: were willing to murder this person to feel like they 243 00:13:09,960 --> 00:13:12,920 Speaker 2: were young and had in their minds more power. And 244 00:13:12,960 --> 00:13:17,360 Speaker 2: then on top of that, songs. We've been right singing 245 00:13:17,440 --> 00:13:19,600 Speaker 2: these songs. 246 00:13:19,080 --> 00:13:21,319 Speaker 3: And I will say so for the first song you 247 00:13:21,400 --> 00:13:24,520 Speaker 3: picked out, because as you were and I were talking 248 00:13:24,520 --> 00:13:26,480 Speaker 3: about this episode, I told you in my head, I 249 00:13:26,520 --> 00:13:29,840 Speaker 3: can't stop singing forever young. Yeah. Also, that might makes 250 00:13:29,880 --> 00:13:33,000 Speaker 3: me go back to a thirty Rock episode in which 251 00:13:33,800 --> 00:13:37,000 Speaker 3: Jenna is being She has that same ecedence of going 252 00:13:37,040 --> 00:13:39,400 Speaker 3: to a show thinking she's about to be cast as 253 00:13:39,440 --> 00:13:42,520 Speaker 3: a teenager, when probably she's cast as the dying mother 254 00:13:42,760 --> 00:13:45,160 Speaker 3: once again, and she actually says in the line I 255 00:13:45,200 --> 00:13:49,880 Speaker 3: have to die now I'm thirty six, like she's essentially 256 00:13:49,960 --> 00:13:53,440 Speaker 3: saying that, but because she's so in such shock and 257 00:13:53,520 --> 00:13:55,800 Speaker 3: so sad about it that she's taping up her face 258 00:13:56,080 --> 00:13:58,320 Speaker 3: singing forever young and brother of Marror, trying to make 259 00:13:58,360 --> 00:14:01,400 Speaker 3: herself look younger because you in that crisis. But that 260 00:14:01,600 --> 00:14:03,600 Speaker 3: is where both of those things come into mind. 261 00:14:04,160 --> 00:14:06,360 Speaker 1: Yes, forever Young has been sick in my head too, 262 00:14:06,760 --> 00:14:09,760 Speaker 1: would you know that? Good? I always thought of that 263 00:14:09,800 --> 00:14:12,200 Speaker 1: as being like in your heart, forever young, but what 264 00:14:12,240 --> 00:14:16,040 Speaker 1: do I know? And then for me, are You Old Enough? 265 00:14:16,280 --> 00:14:18,840 Speaker 2: Which is a very creepy song, which is about this 266 00:14:18,920 --> 00:14:20,960 Speaker 2: guy basically saying like are you old enough to have 267 00:14:21,040 --> 00:14:21,400 Speaker 2: sex with? 268 00:14:21,720 --> 00:14:21,960 Speaker 3: Right? 269 00:14:22,000 --> 00:14:24,640 Speaker 2: But that was recently featured in Willington Paranormal and it 270 00:14:24,680 --> 00:14:27,760 Speaker 2: has been stuck in my head. But there's I mean, 271 00:14:27,760 --> 00:14:32,680 Speaker 2: there's so many songs about that and right, we're gonna awesome, yes, yes, 272 00:14:33,040 --> 00:14:35,080 Speaker 2: and kind of like a lot of times that it 273 00:14:35,160 --> 00:14:39,320 Speaker 2: is dudes like trying to get young girls. And there 274 00:14:39,360 --> 00:14:43,640 Speaker 2: are plenty of songs about you know that romanticized youth, 275 00:14:45,040 --> 00:14:47,720 Speaker 2: and we're gonna look into that as well. But yeah, 276 00:14:47,760 --> 00:14:50,520 Speaker 2: that it's very present and a lot of our media. 277 00:14:50,840 --> 00:14:52,840 Speaker 2: I was also thinking about books like The Portrait of 278 00:14:52,840 --> 00:14:55,160 Speaker 2: Dorian Gray, which isn't women but kind of again shows 279 00:14:55,160 --> 00:15:00,480 Speaker 2: this like real historical preoccupation we've had with youth, or 280 00:15:01,360 --> 00:15:03,720 Speaker 2: the old Hag feeding on the young maiden trop which 281 00:15:03,760 --> 00:15:05,080 Speaker 2: is in Snow White, and pretty much. 282 00:15:04,920 --> 00:15:06,960 Speaker 1: Every fairy tale that features an older woman and. 283 00:15:07,000 --> 00:15:10,280 Speaker 3: A younger woman try to take that youth. 284 00:15:10,680 --> 00:15:14,280 Speaker 2: Yes, which is another way women have been pitted against 285 00:15:14,280 --> 00:15:16,800 Speaker 2: each other in our media. 286 00:15:17,320 --> 00:15:18,840 Speaker 1: But also if you move out of that. 287 00:15:18,840 --> 00:15:21,320 Speaker 2: Like it's a compliment to say you look so much younger, 288 00:15:21,320 --> 00:15:24,760 Speaker 2: and it's one of those kind of problematic compliments where 289 00:15:24,800 --> 00:15:27,160 Speaker 2: what are you really saying and what are we holding up. 290 00:15:27,120 --> 00:15:28,240 Speaker 1: With a compliment like that. 291 00:15:29,440 --> 00:15:31,440 Speaker 2: There's this whole idea of like trying to get away 292 00:15:31,480 --> 00:15:47,560 Speaker 2: with it or looking you know, younger. And I was 293 00:15:47,560 --> 00:15:51,440 Speaker 2: thinking about this too in terms of I haven't been 294 00:15:51,440 --> 00:15:54,640 Speaker 2: shopping in a mall in a very long time, but 295 00:15:55,840 --> 00:15:58,240 Speaker 2: I mean certainly within the past couple of years. I 296 00:15:58,280 --> 00:16:00,800 Speaker 2: always I still go to the junior sect, and it's 297 00:16:00,800 --> 00:16:02,680 Speaker 2: because I feel like they're clothes, they are cuter, and 298 00:16:02,720 --> 00:16:05,720 Speaker 2: if you go into like the women's section, it's all 299 00:16:05,760 --> 00:16:07,520 Speaker 2: like business clothes. 300 00:16:07,440 --> 00:16:11,520 Speaker 3: Right, I'm not gonna lie. I've now jumped away from 301 00:16:11,720 --> 00:16:14,640 Speaker 3: the junior's clothing because their size no longer makes sense 302 00:16:14,680 --> 00:16:19,040 Speaker 3: to me. Mmmm, now that is true, So I'm gonna 303 00:16:19,080 --> 00:16:21,600 Speaker 3: go over here. I think that's why I stay way 304 00:16:21,640 --> 00:16:23,960 Speaker 3: from things like the mall, where you have departments who 305 00:16:23,960 --> 00:16:27,600 Speaker 3: are very like ages in that they separate it like that. 306 00:16:28,120 --> 00:16:30,840 Speaker 3: H places like Target where they do have the junior sections. 307 00:16:30,880 --> 00:16:33,320 Speaker 3: I've seen it, but the women's section and the junior 308 00:16:33,320 --> 00:16:37,000 Speaker 3: section are similar enough that it's like, Okay, there's not 309 00:16:37,080 --> 00:16:40,760 Speaker 3: really different variations to this. I'm good with it. And 310 00:16:40,760 --> 00:16:43,680 Speaker 3: typically it's just all like, hey, here's this one sweater. 311 00:16:43,760 --> 00:16:46,360 Speaker 3: It was like Ponchos season of the Ponchos. So I'm 312 00:16:46,360 --> 00:16:52,520 Speaker 3: definitely leaning into quote unquote my age clothing in that 313 00:16:52,600 --> 00:16:56,600 Speaker 3: I'm just rather but I've always dressed like this. There's 314 00:16:56,680 --> 00:17:01,520 Speaker 3: nothing in my wardrobes, even being younger, that really said 315 00:17:02,080 --> 00:17:03,680 Speaker 3: this is a juniors off of it. Like I'd never 316 00:17:03,720 --> 00:17:06,840 Speaker 3: really wore like jeans, I had holes in it. I'd 317 00:17:06,920 --> 00:17:10,199 Speaker 3: have one accident, lay tripped and fell, and I you know, 318 00:17:10,280 --> 00:17:14,439 Speaker 3: like that's why, sure, But like it was never my 319 00:17:14,520 --> 00:17:16,800 Speaker 3: thing because I was always so self conscious that I 320 00:17:16,840 --> 00:17:19,639 Speaker 3: wanted to mute it down as much as possible, so 321 00:17:19,840 --> 00:17:22,520 Speaker 3: just as playing as playing can be is my my 322 00:17:22,600 --> 00:17:24,840 Speaker 3: go to and I still am that way to this day. 323 00:17:25,520 --> 00:17:27,960 Speaker 3: And again, I love cardigans and ponchos and I feel 324 00:17:28,000 --> 00:17:30,560 Speaker 3: like that's definitely like older leaning and I'm like, I'm. 325 00:17:30,400 --> 00:17:30,840 Speaker 1: Cool with that. 326 00:17:30,920 --> 00:17:33,040 Speaker 3: I will forever wear that. This is my this is 327 00:17:33,080 --> 00:17:34,120 Speaker 3: who I am. 328 00:17:34,560 --> 00:17:37,640 Speaker 2: Yeah, yeah, I mean I do think there's I don't 329 00:17:37,640 --> 00:17:39,760 Speaker 2: want to make it sound like there aren't cute clothes 330 00:17:40,520 --> 00:17:44,480 Speaker 2: for women who are not juniors like older, right, there are, 331 00:17:44,560 --> 00:17:47,560 Speaker 2: but I feel like in a traditional mall department store setting, 332 00:17:47,880 --> 00:17:51,040 Speaker 2: it's like, oh these are it's again like the breakdown 333 00:17:51,040 --> 00:17:53,000 Speaker 2: of the Badonna and the Horror almost where it's like, oh, 334 00:17:53,200 --> 00:17:56,520 Speaker 2: junior section, cuter, cuter things, maybe some cleavage going on, 335 00:17:56,880 --> 00:18:00,320 Speaker 2: and then like business suits, yeah, or. 336 00:18:00,440 --> 00:18:03,040 Speaker 3: You have the dresses that has no body shape and 337 00:18:03,080 --> 00:18:05,280 Speaker 3: it's somehow doubled up to something else and you're like 338 00:18:05,560 --> 00:18:09,359 Speaker 3: what is this say, because yeah, even in shoes, I 339 00:18:09,480 --> 00:18:12,480 Speaker 3: do that like this is obviously a younger kid. Get 340 00:18:12,480 --> 00:18:15,320 Speaker 3: to stick with this, you know, not this, And it's 341 00:18:15,400 --> 00:18:17,240 Speaker 3: kind of like these are shoes I don't. 342 00:18:17,520 --> 00:18:22,679 Speaker 2: Right, Yeah, And that's something I know a lot of 343 00:18:22,680 --> 00:18:25,080 Speaker 2: my friends and I have joked about because I'm really 344 00:18:25,560 --> 00:18:28,320 Speaker 2: young at heart, as they say, and I feel like 345 00:18:28,359 --> 00:18:30,240 Speaker 2: I get judged for like in childish things and a 346 00:18:30,280 --> 00:18:32,040 Speaker 2: lot of times I'll end up in like the boys 347 00:18:32,119 --> 00:18:37,120 Speaker 2: section because they have like superhero shirts are Star Wars shirts, and. 348 00:18:37,119 --> 00:18:37,879 Speaker 1: That's what I like. 349 00:18:38,680 --> 00:18:42,120 Speaker 2: But then there's this whole idea of like age appropriate clothing, 350 00:18:42,160 --> 00:18:45,080 Speaker 2: which we could break down in more seriously, but in 351 00:18:45,160 --> 00:18:47,000 Speaker 2: terms of what we're talking about now, it's like you 352 00:18:47,080 --> 00:18:50,800 Speaker 2: reach an age and that's just you have to wear, yeah, 353 00:18:51,200 --> 00:18:56,200 Speaker 2: a formless right blanket almost you know what. 354 00:18:56,119 --> 00:18:57,320 Speaker 3: Those give me my moumou. 355 00:18:58,960 --> 00:19:01,880 Speaker 1: I've got my Star warso you. 356 00:19:01,880 --> 00:19:02,919 Speaker 3: Know, ill of a good poncho? 357 00:19:03,720 --> 00:19:04,080 Speaker 1: I do? 358 00:19:04,080 --> 00:19:04,639 Speaker 3: Do? I not? 359 00:19:04,680 --> 00:19:06,320 Speaker 2: There's nothing wrong with it, but I think we need 360 00:19:06,320 --> 00:19:08,040 Speaker 2: more options and we need to investigate. 361 00:19:09,600 --> 00:19:12,159 Speaker 3: No. When it comes to also, it's kind of the 362 00:19:12,359 --> 00:19:16,760 Speaker 3: expense and who gets what is seen as a stylish 363 00:19:16,800 --> 00:19:18,679 Speaker 3: and we also know that we see that as in 364 00:19:18,800 --> 00:19:21,800 Speaker 3: sizes too, like when we talk about celebrities trying to 365 00:19:21,840 --> 00:19:24,800 Speaker 3: find really nice, fancy things and being told we're not 366 00:19:24,840 --> 00:19:26,119 Speaker 3: going to give you this, and we're not going to 367 00:19:26,160 --> 00:19:27,960 Speaker 3: sponsor you this. We don't want you to wear this 368 00:19:28,600 --> 00:19:32,479 Speaker 3: type of thing. And we see that agism is a 369 00:19:32,520 --> 00:19:35,639 Speaker 3: complete thing where we saw Millie Bobby Brown got like 370 00:19:35,920 --> 00:19:38,240 Speaker 3: ripped apart because they were like you wearing clothesess too 371 00:19:38,240 --> 00:19:41,360 Speaker 3: old for you. And it's kind of like, I don't understand. 372 00:19:41,400 --> 00:19:44,960 Speaker 3: She's wearing a cute suit outfit. Yeah she's sixteen, but 373 00:19:45,080 --> 00:19:48,600 Speaker 3: she's pulling it off and she's coming to a fancy event. 374 00:19:49,200 --> 00:19:52,679 Speaker 3: M what's what's the problem and her ripped for that. 375 00:19:52,800 --> 00:19:54,720 Speaker 3: It's not like it was sexy and even at that, 376 00:19:54,960 --> 00:19:56,960 Speaker 3: like we need to talk about that standard dress co 377 00:19:57,080 --> 00:20:00,440 Speaker 3: standard outside of this anyway, But I had to say, 378 00:20:00,480 --> 00:20:02,640 Speaker 3: is why can't she And then having older women who 379 00:20:02,640 --> 00:20:05,119 Speaker 3: were wearing a little bit tighter clothes and showing a 380 00:20:05,160 --> 00:20:07,399 Speaker 3: few more things and be like that's that's too sexy. 381 00:20:07,400 --> 00:20:09,680 Speaker 3: You're a mom, You're like, well does that mean? 382 00:20:10,160 --> 00:20:13,840 Speaker 2: Yeah, it's just another instance of policing women's bodies and 383 00:20:13,880 --> 00:20:14,560 Speaker 2: what they wear. 384 00:20:15,400 --> 00:20:19,240 Speaker 1: And like we'll take we being society at large, not me. 385 00:20:19,280 --> 00:20:24,560 Speaker 2: But personally, but any opportunity to tear a woman down 386 00:20:24,960 --> 00:20:29,680 Speaker 2: right and make her feel bad about her body. But yeah, 387 00:20:29,960 --> 00:20:31,520 Speaker 2: like going back to you know that whole quote of 388 00:20:31,560 --> 00:20:34,440 Speaker 2: like looking good for your age, which is I think 389 00:20:34,480 --> 00:20:38,960 Speaker 2: also problematic in terms of behind your back, they might 390 00:20:39,000 --> 00:20:42,520 Speaker 2: be saying she's too old for that or whatever. You know, 391 00:20:42,640 --> 00:20:45,480 Speaker 2: never ask a woman her age, which really implies that 392 00:20:45,520 --> 00:20:49,920 Speaker 2: it's shameful and embarrassing to get older. And then, yeah, 393 00:20:49,960 --> 00:20:51,320 Speaker 2: it was just kind of as you were talking, I 394 00:20:51,400 --> 00:20:55,000 Speaker 2: was kind of thinking about how clothing cycles, so like 395 00:20:55,080 --> 00:20:58,399 Speaker 2: what people might have been wearing in the eighties is 396 00:20:58,440 --> 00:21:02,000 Speaker 2: now popular nineties amone younger people, and so it's kind 397 00:21:02,040 --> 00:21:05,359 Speaker 2: of like silly that will police people for this, But 398 00:21:05,400 --> 00:21:08,800 Speaker 2: when when the cycle comes back now, it's cool when 399 00:21:08,840 --> 00:21:11,040 Speaker 2: young people are right. 400 00:21:11,880 --> 00:21:14,800 Speaker 3: Really kept some of my clothes because it has I'm like, 401 00:21:14,840 --> 00:21:17,159 Speaker 3: I had that outfit, like I've picked out specifically, I 402 00:21:17,200 --> 00:21:21,760 Speaker 3: wore that in junior high school, in middle school. Cool. Cool, cool. Yeah, 403 00:21:21,760 --> 00:21:23,280 Speaker 3: And I think one of the big things you were 404 00:21:23,280 --> 00:21:27,119 Speaker 3: talking about, you know, being complimented. I tell my age. Obviously, 405 00:21:27,160 --> 00:21:30,240 Speaker 3: I'm very fit forward. Everyone knows my age. I'm turning 406 00:21:30,320 --> 00:21:32,160 Speaker 3: forty one soon, and it's kind of like, oh god, 407 00:21:32,160 --> 00:21:34,840 Speaker 3: I'm turning forty forty one. Forties is a huge number. 408 00:21:35,160 --> 00:21:37,680 Speaker 3: And then comparing myself and this is really bad on 409 00:21:37,720 --> 00:21:40,360 Speaker 3: me and my own perspective as well as my own 410 00:21:40,359 --> 00:21:43,080 Speaker 3: biases is like do I look like that forty one 411 00:21:43,160 --> 00:21:45,120 Speaker 3: year old? Because I don't. I don't want to look 412 00:21:45,160 --> 00:21:47,720 Speaker 3: like that like that. There's levels of like I need 413 00:21:47,760 --> 00:21:49,800 Speaker 3: to look younger and I want to tell people my 414 00:21:49,880 --> 00:21:53,399 Speaker 3: age so they better have a right reaction, like in 415 00:21:53,520 --> 00:21:57,280 Speaker 3: my head, they're going to be shocked or disbelieve because 416 00:21:57,280 --> 00:21:59,359 Speaker 3: as the way that has the other today they're like, okay, 417 00:21:59,400 --> 00:22:02,760 Speaker 3: I'm like sun and I just kind of walk away. 418 00:22:03,280 --> 00:22:05,800 Speaker 3: But there is that level as I'm getting older, like 419 00:22:05,920 --> 00:22:07,959 Speaker 3: but I don't look like that forty one year older, right, 420 00:22:08,280 --> 00:22:10,840 Speaker 3: because I still have the image of my mother being 421 00:22:10,880 --> 00:22:14,679 Speaker 3: forty something when I was so young, and now I'm like, yeah, 422 00:22:14,680 --> 00:22:16,880 Speaker 3: I look like my mother. Obviously I don't because she's 423 00:22:16,960 --> 00:22:20,520 Speaker 3: very white and I'm not. There's very big differences, but 424 00:22:20,640 --> 00:22:25,280 Speaker 3: the aging level of like wow, it's weird. 425 00:22:26,280 --> 00:22:28,680 Speaker 1: Yeah, and I think that kind of shit it is. 426 00:22:28,800 --> 00:22:31,480 Speaker 2: I think I think that line of thinking is really 427 00:22:32,240 --> 00:22:34,760 Speaker 2: it is encouraged by our media because I feel like 428 00:22:34,760 --> 00:22:36,840 Speaker 2: I see magazine headlines like that all the time. 429 00:22:36,720 --> 00:22:39,919 Speaker 1: Like how did she accomplish this? Look? She looks so young? 430 00:22:40,119 --> 00:22:43,640 Speaker 2: And right, I know, like you know list thirty under 431 00:22:43,640 --> 00:22:45,600 Speaker 2: thirty when I was researching this, this came up a 432 00:22:45,640 --> 00:22:48,639 Speaker 2: lot of like that's also kind of a troublesome line 433 00:22:48,720 --> 00:22:49,760 Speaker 2: of thinking. 434 00:22:50,800 --> 00:22:51,520 Speaker 1: But we do see it. 435 00:22:51,560 --> 00:22:53,640 Speaker 2: We see it, and it usually it's trying to sell 436 00:22:53,680 --> 00:22:55,720 Speaker 2: something where it's like, how did she do it with 437 00:22:55,880 --> 00:22:56,879 Speaker 2: this retinall cream? 438 00:22:56,920 --> 00:23:05,280 Speaker 1: Of course, Uh, it's the. 439 00:23:05,240 --> 00:23:07,879 Speaker 3: Whole thing, and you know, going back to it is 440 00:23:07,920 --> 00:23:10,600 Speaker 3: a whole conversation about how we look at youth and 441 00:23:11,960 --> 00:23:15,879 Speaker 3: how we treasure that and long for it. Sometimes I 442 00:23:15,920 --> 00:23:18,760 Speaker 3: don't want I wish there's a part of me we're like, man, 443 00:23:18,800 --> 00:23:21,760 Speaker 3: I do wish that I was able to enjoy my 444 00:23:21,880 --> 00:23:26,280 Speaker 3: youth in that I have so much more confidence now 445 00:23:26,400 --> 00:23:29,920 Speaker 3: than I did ten fifteen, even five years ago, honestly, 446 00:23:30,080 --> 00:23:33,399 Speaker 3: not really like ten fifteen years ago, and really wishing 447 00:23:33,440 --> 00:23:36,359 Speaker 3: that I could have gone back to be like, hey, right, 448 00:23:36,440 --> 00:23:39,560 Speaker 3: it's okay, enjoy being you instead of constantly being so 449 00:23:39,640 --> 00:23:43,800 Speaker 3: self conscious that you can't you feel awkward in any situation. 450 00:23:44,000 --> 00:23:46,760 Speaker 3: And that's not a way to enjoy life. That's the 451 00:23:46,800 --> 00:23:50,000 Speaker 3: only part in that. But yeah, in the West, the 452 00:23:50,040 --> 00:23:53,639 Speaker 3: aging is often seen as something shameful and to be 453 00:23:53,720 --> 00:23:57,880 Speaker 3: hidden away and fought against instead of being respected, which 454 00:23:57,920 --> 00:24:00,960 Speaker 3: I'm like let's get back to that. Although to be fair, 455 00:24:02,560 --> 00:24:05,680 Speaker 3: some of the boomers have not shown that level of right. 456 00:24:05,880 --> 00:24:07,800 Speaker 3: I think whish we could talk about that later. But 457 00:24:07,840 --> 00:24:14,160 Speaker 3: like in general, respecting age versus uh, yeah, experience being 458 00:24:14,440 --> 00:24:18,800 Speaker 3: invisible because we're no longer relevant. I say, we our 459 00:24:18,840 --> 00:24:22,840 Speaker 3: elderly are often invisible to us. And yeah, in the US, 460 00:24:22,880 --> 00:24:26,359 Speaker 3: specifically in this culture, it's kind of gross. Yeah, but 461 00:24:26,520 --> 00:24:29,879 Speaker 3: we don't respect. Of course, respect is earned in that, 462 00:24:31,080 --> 00:24:35,520 Speaker 3: but there's just that level of like, huh, where was that? Yeah, 463 00:24:35,600 --> 00:24:37,960 Speaker 3: but of like, we want to age. That means we've 464 00:24:37,960 --> 00:24:42,240 Speaker 3: come through life okay, ish, we've survived it. And again 465 00:24:42,320 --> 00:24:45,640 Speaker 3: we've long discussed the link between traditional beauty for women 466 00:24:46,240 --> 00:24:50,080 Speaker 3: and power. That's a whole big conversation. 467 00:25:03,720 --> 00:25:06,719 Speaker 2: Looking young, especially when it comes to women, is a 468 00:25:06,840 --> 00:25:10,719 Speaker 2: big business. So many products promising to do away with 469 00:25:10,960 --> 00:25:13,360 Speaker 2: any signs of age. You can get rid of your wrinkles, 470 00:25:13,400 --> 00:25:16,680 Speaker 2: erase gray hairs, get dinner and look younger. Get dimples 471 00:25:16,680 --> 00:25:19,160 Speaker 2: that will make you look young too, like almost everything. 472 00:25:19,520 --> 00:25:21,720 Speaker 2: When we did our episode of Ridiculous History where we 473 00:25:21,720 --> 00:25:25,240 Speaker 2: were talking about beauty trends, kind of ridiculous beauty trends 474 00:25:25,320 --> 00:25:26,680 Speaker 2: or dangerous beauty trends of history. 475 00:25:26,720 --> 00:25:28,680 Speaker 1: Almost all of them were about looking younger. 476 00:25:29,000 --> 00:25:32,640 Speaker 3: Right, Oh yeah, absolutely, we're looking wider both of those things. 477 00:25:33,119 --> 00:25:35,800 Speaker 3: And some numbers for you, because you know we love 478 00:25:35,880 --> 00:25:39,280 Speaker 3: some numbers up in here. As of twenty eleven, Americans 479 00:25:39,280 --> 00:25:44,760 Speaker 3: spent about ten point four billion dollars on cosmetic surgery. 480 00:25:45,040 --> 00:25:48,639 Speaker 3: The anti aging industry is believed to be worth one 481 00:25:48,720 --> 00:25:53,640 Speaker 3: hundred and forty billion dollars. And then a twenty eighteen 482 00:25:53,720 --> 00:25:57,520 Speaker 3: study found that over fifty percent of women aged eighteen 483 00:25:57,600 --> 00:26:01,720 Speaker 3: to twenty four surveyed agreed that an anti wrinkle treatment 484 00:26:01,760 --> 00:26:07,000 Speaker 3: was essential to their beauty regimen. I'm like, I don't 485 00:26:07,000 --> 00:26:08,520 Speaker 3: think I have any of those. I'm trying to think 486 00:26:08,520 --> 00:26:11,640 Speaker 3: about it. Mine was all about acting because I still 487 00:26:11,640 --> 00:26:13,480 Speaker 3: get them. I got one big name of pimple right here. 488 00:26:13,480 --> 00:26:17,399 Speaker 3: I'm like, I'm supposed to be forty. This is not 489 00:26:17,440 --> 00:26:18,800 Speaker 3: supposed to be an issue anymore. 490 00:26:19,359 --> 00:26:19,960 Speaker 1: It's okay. 491 00:26:21,000 --> 00:26:23,960 Speaker 3: And this was up from twenty percent who said the 492 00:26:24,000 --> 00:26:28,359 Speaker 3: same thing in twenty twelve, and searches for retinal I 493 00:26:28,480 --> 00:26:32,720 Speaker 3: believed anti aging ingredient doubled in twenty twenty. Not gonna 494 00:26:32,760 --> 00:26:35,600 Speaker 3: lie kind of use that for my under eyes because 495 00:26:35,600 --> 00:26:37,600 Speaker 3: I was like whoa, I like tired. 496 00:26:39,280 --> 00:26:43,320 Speaker 2: Yeah, I've definitely tried products for my under eyes. It's 497 00:26:43,359 --> 00:26:46,359 Speaker 2: mine are very dark and baggy, and that is because 498 00:26:46,400 --> 00:26:51,040 Speaker 2: I don't sleep very well, among other things. And yes, 499 00:26:51,160 --> 00:26:53,399 Speaker 2: just disclaimer, we're not really coming out against any of 500 00:26:53,440 --> 00:26:56,719 Speaker 2: these things per se, but more against the societal pressure 501 00:26:56,760 --> 00:26:59,720 Speaker 2: that makes people, and in this context mostly women feel 502 00:26:59,760 --> 00:27:02,679 Speaker 2: like they have to do these things that it has 503 00:27:02,720 --> 00:27:03,879 Speaker 2: to do with their worth. And I think there's a 504 00:27:03,920 --> 00:27:07,000 Speaker 2: lot of fear around it, like every day your skin 505 00:27:07,080 --> 00:27:09,760 Speaker 2: is getting worse. I saw this, I think it must 506 00:27:09,760 --> 00:27:11,320 Speaker 2: have been in two thousand and one and two thousand 507 00:27:11,320 --> 00:27:16,760 Speaker 2: and two interview with oh, what's her name? Naomi Watts, 508 00:27:17,440 --> 00:27:21,400 Speaker 2: and she was saying, you know my skin, the way 509 00:27:21,440 --> 00:27:23,240 Speaker 2: I keep it this way is I put on sunscreen 510 00:27:23,280 --> 00:27:25,280 Speaker 2: every day and ever since then, I put on sunscreen 511 00:27:25,320 --> 00:27:29,399 Speaker 2: alce every day on my face. But that was like 512 00:27:29,400 --> 00:27:30,639 Speaker 2: the power of it, because I was like, what if 513 00:27:30,680 --> 00:27:33,400 Speaker 2: if if I mess it up now, it'll be too 514 00:27:33,520 --> 00:27:36,119 Speaker 2: late later, right, And yeah, this does start at a 515 00:27:36,160 --> 00:27:38,320 Speaker 2: young age, because I must have been like, I don't know, 516 00:27:38,359 --> 00:27:41,040 Speaker 2: fourteen thirteen or fourteen when I saw that interview, and 517 00:27:41,080 --> 00:27:43,480 Speaker 2: I remember when I was in high school. This really 518 00:27:43,520 --> 00:27:48,080 Speaker 2: traditionally pretty girl who's like a year older than me. 519 00:27:48,560 --> 00:27:51,760 Speaker 2: She was talking about her anti wrinkle regimend that she 520 00:27:51,920 --> 00:27:53,320 Speaker 2: was doing, and I was I looked at her, like, 521 00:27:53,359 --> 00:27:55,520 Speaker 2: oh my gosh, am I supposed to be doing that already. 522 00:27:56,240 --> 00:27:59,480 Speaker 2: And a lot of anti rinkle commercials do use young 523 00:27:59,520 --> 00:28:02,040 Speaker 2: women that definitely don't have wrinkles anywhere if they do 524 00:28:02,280 --> 00:28:04,160 Speaker 2: their airbrushed out or like, not that. 525 00:28:04,160 --> 00:28:07,439 Speaker 3: Many, right, and I find this interesting. I think the 526 00:28:07,480 --> 00:28:09,880 Speaker 3: other big problem is not we're not saying that these 527 00:28:09,880 --> 00:28:13,320 Speaker 3: things are awful or that you know, the devil or anything. 528 00:28:13,760 --> 00:28:16,240 Speaker 3: What we're saying is we see this as a marketing 529 00:28:16,359 --> 00:28:19,199 Speaker 3: racket that is completely aimed at women. And if this 530 00:28:19,320 --> 00:28:22,760 Speaker 3: is truly for their benefit, women's benefit, why the hell 531 00:28:22,840 --> 00:28:26,119 Speaker 3: is this so damn expensive. That's the other part. I'm like, 532 00:28:26,440 --> 00:28:29,520 Speaker 3: what is happening? And then the links and the way 533 00:28:29,560 --> 00:28:31,560 Speaker 3: we're ruining the environment to get to some of those 534 00:28:31,560 --> 00:28:38,280 Speaker 3: things also really really problematic, And it's all about that capitalism. Yeah, 535 00:28:38,320 --> 00:28:40,240 Speaker 3: and we know this, and I think that's part of 536 00:28:40,240 --> 00:28:42,280 Speaker 3: the problem. Is it's not so bad to want to 537 00:28:42,280 --> 00:28:44,320 Speaker 3: try things that are good for your skin or what 538 00:28:44,360 --> 00:28:47,400 Speaker 3: you know, want to do things preventatively whatever, and being 539 00:28:47,400 --> 00:28:51,160 Speaker 3: self conscious and making you feel good about yourself, that's 540 00:28:51,200 --> 00:28:54,200 Speaker 3: one thing, but doing it at what costs is the 541 00:28:54,240 --> 00:28:56,960 Speaker 3: conversation as well as who is benefiting it and why 542 00:28:57,000 --> 00:28:59,120 Speaker 3: are we looking closer at that? 543 00:29:00,440 --> 00:29:00,520 Speaker 4: Right? 544 00:29:01,680 --> 00:29:04,560 Speaker 3: And of course we make fun of older women who 545 00:29:04,600 --> 00:29:07,440 Speaker 3: do it too, that they're pathetic and not fooling anyone, 546 00:29:08,240 --> 00:29:11,040 Speaker 3: despite the fact that we live in a society that 547 00:29:11,120 --> 00:29:14,640 Speaker 3: penalizes age and our further penalizing women for trying to 548 00:29:14,680 --> 00:29:18,960 Speaker 3: fit into that society that was created to go against 549 00:29:19,680 --> 00:29:22,800 Speaker 3: right essentially, so trying to fit into that narrative, trying 550 00:29:22,840 --> 00:29:26,120 Speaker 3: to make it a situation or having you know, the 551 00:29:26,240 --> 00:29:29,600 Speaker 3: audacity to change something that they don't really find uplifting 552 00:29:29,640 --> 00:29:32,760 Speaker 3: for themselves. That's a whole other conversation too. Why can't 553 00:29:32,760 --> 00:29:33,400 Speaker 3: we let it be? 554 00:29:33,920 --> 00:29:36,880 Speaker 2: Yeah, and I think this has been a big It's 555 00:29:36,880 --> 00:29:39,760 Speaker 2: been something people have been discussing a lot around women 556 00:29:40,160 --> 00:29:43,560 Speaker 2: and cosmetic surgery and all of this stuff we're talking 557 00:29:43,560 --> 00:29:46,320 Speaker 2: about we could unpack further in other episodes. But how 558 00:29:46,400 --> 00:29:49,000 Speaker 2: like we're saying the joke is you're dead at thirty, 559 00:29:49,120 --> 00:29:51,800 Speaker 2: like the median age is thirty three or whatever, And 560 00:29:51,840 --> 00:29:55,760 Speaker 2: then yet we make fun of actresses who get cosmetic 561 00:29:55,800 --> 00:29:59,600 Speaker 2: surgery to look younger when that's their career and their job. 562 00:30:00,160 --> 00:30:02,240 Speaker 1: It is a problem. It's a problem that that's true. 563 00:30:02,720 --> 00:30:05,720 Speaker 2: But I think it's very telling that we are making 564 00:30:05,760 --> 00:30:10,640 Speaker 2: fun of people who are trying to not lose their 565 00:30:10,720 --> 00:30:15,640 Speaker 2: job essentially in a really right sexist, patriarchal agist system. 566 00:30:15,840 --> 00:30:19,440 Speaker 3: Right, and also just knowing that for a lot, and 567 00:30:19,600 --> 00:30:21,760 Speaker 3: we could talk about the Korean beauty standards, which is 568 00:30:21,800 --> 00:30:24,680 Speaker 3: just which is a whole different conversation in itself, that 569 00:30:24,720 --> 00:30:28,200 Speaker 3: it happens starts at a very young age and being 570 00:30:28,800 --> 00:30:35,719 Speaker 3: molded essentially into what is thought of as the perfect body, 571 00:30:35,800 --> 00:30:38,600 Speaker 3: the perfect face, the perfect skin tone, like all of 572 00:30:38,640 --> 00:30:44,239 Speaker 3: these things. It's such an oh yeah, overwhelming sense of 573 00:30:44,280 --> 00:30:46,240 Speaker 3: like what what are we supposed to be doing? And 574 00:30:46,280 --> 00:30:49,959 Speaker 3: for those who aren't within that narrative, within that frame 575 00:30:50,160 --> 00:30:55,120 Speaker 3: of thinking and or seeing looking, what happens to those 576 00:30:55,120 --> 00:30:57,200 Speaker 3: people completely dismissed and I'm not seen? 577 00:30:57,840 --> 00:31:01,120 Speaker 2: Yeah, Yeah, it's yeah, Like we said, it starts at 578 00:31:01,160 --> 00:31:03,640 Speaker 2: such a young age and you really get inundated with 579 00:31:03,680 --> 00:31:04,640 Speaker 2: it and internalize it. 580 00:31:04,680 --> 00:31:06,480 Speaker 1: I know there's been studies that found by like the 581 00:31:06,520 --> 00:31:07,480 Speaker 1: age of four, for. 582 00:31:07,520 --> 00:31:11,880 Speaker 2: Young girls, they're like wrinkles are bad, age is bad, 583 00:31:12,720 --> 00:31:14,880 Speaker 2: and a lot of other troubling beauty standards as well, 584 00:31:15,720 --> 00:31:16,240 Speaker 2: just so young. 585 00:31:16,280 --> 00:31:16,959 Speaker 1: We pick up on it. 586 00:31:17,000 --> 00:31:19,880 Speaker 2: And like going back to your point when it comes 587 00:31:19,920 --> 00:31:24,080 Speaker 2: to this whole conversation of yeah, we want women to 588 00:31:24,160 --> 00:31:27,800 Speaker 2: do what they want to look to feel good about 589 00:31:27,800 --> 00:31:29,400 Speaker 2: themselves or something they might just enjoy it. 590 00:31:29,480 --> 00:31:32,720 Speaker 1: It's like when we talked about in taking. 591 00:31:32,360 --> 00:31:34,560 Speaker 2: Self care, you know, spat days, that might really be 592 00:31:34,640 --> 00:31:38,960 Speaker 2: your thing, but there is a financial and time cost. 593 00:31:40,360 --> 00:31:42,880 Speaker 2: And also this whole what we're really talking about is 594 00:31:42,880 --> 00:31:46,880 Speaker 2: the demonizing of age and particularly for women. And also yeah, 595 00:31:47,080 --> 00:31:51,920 Speaker 2: it's just that pressure, the pressure to do it. Like 596 00:31:51,960 --> 00:31:54,320 Speaker 2: if you want to do it, you know, good for you, 597 00:31:54,480 --> 00:31:56,440 Speaker 2: but it's I think a lot of us feel like 598 00:31:56,480 --> 00:31:58,520 Speaker 2: we have to do it, and there is kind of 599 00:31:58,520 --> 00:32:02,480 Speaker 2: like a fear base decision of oh no, my value 600 00:32:02,520 --> 00:32:03,080 Speaker 2: is going down. 601 00:32:03,240 --> 00:32:04,920 Speaker 1: I need to save up money and. 602 00:32:04,880 --> 00:32:07,920 Speaker 2: Go get this and go do this, and just feeling 603 00:32:07,920 --> 00:32:12,800 Speaker 2: bad about yourself, which I hate, right right, Yeah, And 604 00:32:12,840 --> 00:32:14,800 Speaker 2: then when we look at sexual assault and grooming, there 605 00:32:14,800 --> 00:32:16,920 Speaker 2: are so many instances, like we were talking about earlier, 606 00:32:16,920 --> 00:32:21,360 Speaker 2: of older famous men grooming younger often underage young women, 607 00:32:22,360 --> 00:32:24,440 Speaker 2: and there are even pieces of media in. 608 00:32:24,400 --> 00:32:27,360 Speaker 1: All kinds of media directly about that whole thing. 609 00:32:28,280 --> 00:32:30,600 Speaker 2: Several recent studies have looked into why growing numbers of 610 00:32:30,640 --> 00:32:33,520 Speaker 2: young women are seeking cosmetic surgeries, with one of the 611 00:32:33,600 --> 00:32:36,680 Speaker 2: dominant theories being asked to do with social media filters. 612 00:32:36,720 --> 00:32:37,520 Speaker 1: So basically, you. 613 00:32:37,440 --> 00:32:42,280 Speaker 2: Want to look as airbrushed as your social media filter looks. 614 00:32:42,280 --> 00:32:43,080 Speaker 1: You want to match that. 615 00:32:44,960 --> 00:32:49,680 Speaker 2: But also obviously the constant bombardment of messaging in our media. 616 00:32:50,560 --> 00:32:54,240 Speaker 1: Again, we can unpack all of the stuff and. 617 00:32:54,280 --> 00:32:58,360 Speaker 3: Yeah, it's definitely grown. Maybe also accessibility has grown. That 618 00:32:58,680 --> 00:33:01,760 Speaker 3: needs to be part of that conversation too, but it's 619 00:33:01,840 --> 00:33:04,440 Speaker 3: always been there. If you think about the women who 620 00:33:04,840 --> 00:33:08,520 Speaker 3: literally went through plastic surgery to look like Barbie, and 621 00:33:08,520 --> 00:33:12,160 Speaker 3: that was before social media. She was already famous because 622 00:33:12,280 --> 00:33:14,640 Speaker 3: that was her whole stint. And then there's been several 623 00:33:14,680 --> 00:33:18,040 Speaker 3: more that follows suit and they're big influencers. And that's 624 00:33:18,120 --> 00:33:20,840 Speaker 3: kind of that other conversation is the level of what 625 00:33:20,920 --> 00:33:23,880 Speaker 3: we look at as who are influencers, and it's typically 626 00:33:23,920 --> 00:33:27,440 Speaker 3: everything about looks. So it seems to me, especially when 627 00:33:27,440 --> 00:33:30,880 Speaker 3: it comes to women are non binary, and it's one 628 00:33:30,880 --> 00:33:33,400 Speaker 3: thing to love makeup and do makeup. That's gorgeous. I 629 00:33:33,400 --> 00:33:35,960 Speaker 3: really wish people could teach me how to do it well, 630 00:33:36,240 --> 00:33:39,280 Speaker 3: because I'm not one of those people do it well. 631 00:33:39,400 --> 00:33:41,320 Speaker 3: My niece is really good at it. She's actually a 632 00:33:41,360 --> 00:33:43,160 Speaker 3: makeup artist. I'm like, go ahead, do your things. I 633 00:33:43,160 --> 00:33:45,760 Speaker 3: don't know what this means, right, and maybe I need 634 00:33:45,800 --> 00:33:49,120 Speaker 3: your help. But that's something different than that. That's the 635 00:33:49,240 --> 00:33:52,680 Speaker 3: influence and trying to get that perfect standard. And yeah, 636 00:33:52,760 --> 00:33:56,040 Speaker 3: some of these we need to come back to. Annie. 637 00:33:56,200 --> 00:33:58,200 Speaker 3: Is the fact that a lot of these filters are 638 00:33:58,240 --> 00:34:01,000 Speaker 3: not made for women of color. Yeah, many times that 639 00:34:01,040 --> 00:34:02,800 Speaker 3: I've put it on my face and it did nothing. 640 00:34:02,880 --> 00:34:04,840 Speaker 3: I was like, what is this? And the fact of 641 00:34:04,840 --> 00:34:07,800 Speaker 3: the matter is because it's not for women of color 642 00:34:07,880 --> 00:34:11,680 Speaker 3: and it doesn't do which is probably a good thing. Honestly, 643 00:34:11,719 --> 00:34:15,200 Speaker 3: I don't know. It looks yeah, I don't know. There's 644 00:34:15,239 --> 00:34:16,600 Speaker 3: many times where I did the filter, I was like 645 00:34:16,640 --> 00:34:20,719 Speaker 3: why why, It's probably a good thing, But many times 646 00:34:21,000 --> 00:34:22,480 Speaker 3: there was nothing. I was like, oh, I'm too brown 647 00:34:22,560 --> 00:34:28,960 Speaker 3: for this. Interesting I compack to that. So data from 648 00:34:29,000 --> 00:34:34,000 Speaker 3: Okay Cupids suggests, not surprisingly, that men seek out slightly 649 00:34:34,120 --> 00:34:38,440 Speaker 3: younger women when they made the first time women slightly older. 650 00:34:38,719 --> 00:34:42,880 Speaker 3: But if men remarried, they seek out women half their age. 651 00:34:43,320 --> 00:34:45,640 Speaker 3: The rating theory for why is this is how men 652 00:34:45,680 --> 00:34:49,520 Speaker 3: and women have been socialized historically, with women more concerned 653 00:34:49,520 --> 00:34:54,120 Speaker 3: about social status, men more concerned with indicators of fertility. 654 00:34:54,680 --> 00:34:57,239 Speaker 3: I wonder, though, I have to go back, because we've 655 00:34:57,239 --> 00:35:00,319 Speaker 3: talked about this a little bit. Every time I ever 656 00:35:00,360 --> 00:35:03,799 Speaker 3: been on a site, most of the men, if they 657 00:35:03,840 --> 00:35:08,560 Speaker 3: had an age preference, if would always do their own 658 00:35:08,600 --> 00:35:10,960 Speaker 3: age as the cap and younger. 659 00:35:11,840 --> 00:35:11,960 Speaker 2: HM. 660 00:35:12,360 --> 00:35:14,120 Speaker 3: So if the man was thirty five, it would be 661 00:35:14,360 --> 00:35:16,960 Speaker 3: thirty five to twenty four, like I've seen that. And 662 00:35:17,000 --> 00:35:19,520 Speaker 3: there'd be several men who would do not even to 663 00:35:19,600 --> 00:35:22,080 Speaker 3: the As they were getting older, the age would stay 664 00:35:22,120 --> 00:35:24,919 Speaker 3: the same. So they might be thirty eight, but their 665 00:35:24,960 --> 00:35:27,799 Speaker 3: cap for twenty four to thirty five. And I'm kind 666 00:35:27,840 --> 00:35:30,080 Speaker 3: of like, you're a thirty eight year old man, you 667 00:35:30,120 --> 00:35:33,080 Speaker 3: want to they have twenty four year old? Is what 668 00:35:33,239 --> 00:35:37,000 Speaker 3: is happening? So I did find that a lot like 669 00:35:37,880 --> 00:35:41,520 Speaker 3: if it was specific, it was much younger typically, and 670 00:35:41,560 --> 00:35:43,960 Speaker 3: I found that very interesting. So I find this like, 671 00:35:44,200 --> 00:35:47,400 Speaker 3: I feel like that's underwhelming of a report. 672 00:35:47,920 --> 00:35:50,160 Speaker 2: Well, you know, it was only a couple of thousand 673 00:35:50,200 --> 00:35:55,080 Speaker 2: of people. And also yeah, I mean it's hard to 674 00:35:57,120 --> 00:35:59,880 Speaker 2: I would imagine the data pool. It's probably pretty significant, 675 00:35:59,880 --> 00:36:03,440 Speaker 2: but not too significant when it comes to remarrying and 676 00:36:04,480 --> 00:36:06,080 Speaker 2: things like that. But it was just interesting because he 677 00:36:06,440 --> 00:36:09,200 Speaker 2: the founder, wanted to look more into this and that's 678 00:36:09,239 --> 00:36:13,600 Speaker 2: sort of the general pattern that he saw. 679 00:36:13,840 --> 00:36:16,359 Speaker 1: But yeah, be interested to find out more. 680 00:36:29,920 --> 00:36:33,040 Speaker 2: In twenty nineteen, the US Food and Drug Administration had 681 00:36:33,040 --> 00:36:36,320 Speaker 2: to release a statement advising against older people injecting themselves 682 00:36:36,360 --> 00:36:40,400 Speaker 2: with the plasma of younger people, the so called vampire treatment. 683 00:36:40,920 --> 00:36:44,760 Speaker 2: Soon after the FDA's statement, California startup Ambrosia Health began 684 00:36:44,880 --> 00:36:48,480 Speaker 2: offering one leader of quote youth blood for eight thousand 685 00:36:48,480 --> 00:36:53,080 Speaker 2: dollars and two leaders for twelve thousand dollars, and several 686 00:36:53,080 --> 00:36:56,120 Speaker 2: companies have popped up around blood and use in this 687 00:36:56,239 --> 00:36:58,560 Speaker 2: idea of like it's not always framed as it will 688 00:36:58,560 --> 00:37:03,320 Speaker 2: make you younger, but it'supposed to like revitalize your body inside. 689 00:37:03,880 --> 00:37:07,240 Speaker 2: And yeah, we talked about the vampire facial as well. 690 00:37:07,320 --> 00:37:11,200 Speaker 3: Right, I feel like if you got like just blood, 691 00:37:11,480 --> 00:37:13,840 Speaker 3: that's going to start a lot of flowing in your system, 692 00:37:14,000 --> 00:37:17,040 Speaker 3: and typically not necessarily because you're healthier, but because of 693 00:37:17,160 --> 00:37:20,759 Speaker 3: like the flow the blood flow, which we know does 694 00:37:20,840 --> 00:37:22,640 Speaker 3: have a little to do with like whether or not 695 00:37:22,719 --> 00:37:25,160 Speaker 3: you are pale, you know, all of that. I feel 696 00:37:25,160 --> 00:37:27,759 Speaker 3: like that whole narrative is misleading. But an you want 697 00:37:27,760 --> 00:37:29,759 Speaker 3: to go in, we'll buy two for one, two for 698 00:37:29,960 --> 00:37:30,760 Speaker 3: the cheaper price. 699 00:37:33,080 --> 00:37:33,719 Speaker 1: I don't know. 700 00:37:34,520 --> 00:37:38,560 Speaker 2: That's some weird like blood bond before betweens. 701 00:37:38,400 --> 00:37:40,640 Speaker 3: Look at two bags. It's cheaper to get two, obviously, 702 00:37:40,680 --> 00:37:41,160 Speaker 3: look at it. 703 00:37:41,480 --> 00:37:42,719 Speaker 1: There we go, There we go. 704 00:37:42,920 --> 00:37:45,120 Speaker 2: I have actually written a horror story about this very thing. 705 00:37:45,239 --> 00:37:47,719 Speaker 2: When it happened, I remember this new story and I was. 706 00:37:47,680 --> 00:37:50,520 Speaker 3: Like, oh, it haped. 707 00:37:50,520 --> 00:37:54,759 Speaker 2: Speaking of horror stories, QAnon has gotten in on this too. 708 00:37:55,239 --> 00:37:57,080 Speaker 2: Some followers of q and on believe that members of 709 00:37:57,120 --> 00:38:00,080 Speaker 2: the Hollywood elite take a psychedelic drug manufactured from the 710 00:38:00,080 --> 00:38:04,319 Speaker 2: fear of children called adrenochrome, and they also think that 711 00:38:04,320 --> 00:38:07,640 Speaker 2: mosters eate the Pixar film is essentially a Fortian slip, 712 00:38:07,640 --> 00:38:10,880 Speaker 2: that that's what like kind of happens, and Hollywood accidentally 713 00:38:10,880 --> 00:38:14,240 Speaker 2: told on themselves. So the story goes that this chemical 714 00:38:14,680 --> 00:38:18,520 Speaker 2: is extracted from the pituitary gland of tortured children. From 715 00:38:18,520 --> 00:38:21,040 Speaker 2: what I can tell, the actual adrenochrome is fairly easily 716 00:38:21,040 --> 00:38:25,160 Speaker 2: obtained chemical. I don't know that it's like legal, but 717 00:38:25,200 --> 00:38:26,399 Speaker 2: it's not too hard to get. 718 00:38:26,800 --> 00:38:28,680 Speaker 1: Not that it's like it doesn't matter, they're not going 719 00:38:28,719 --> 00:38:33,000 Speaker 1: to listen to me. But obviously, oh, I know. 720 00:38:33,040 --> 00:38:35,759 Speaker 3: They went as far as the saying that, yeah, pedophiles, 721 00:38:35,760 --> 00:38:37,839 Speaker 3: that eight children and that has something to do with 722 00:38:37,840 --> 00:38:40,960 Speaker 3: that as well like keeping youth, as well as a 723 00:38:41,120 --> 00:38:42,520 Speaker 3: satanic ritual. 724 00:38:43,120 --> 00:38:52,720 Speaker 4: Right right, ye okon you are you are something else anyway, 725 00:38:53,040 --> 00:38:58,040 Speaker 4: So there has been some pushback against these narratives recently. 726 00:38:58,360 --> 00:39:02,000 Speaker 3: In twenty seventeen, Helen mary And appeared on the cover 727 00:39:02,120 --> 00:39:04,640 Speaker 3: of a Loure magazine where she was called the hero 728 00:39:04,840 --> 00:39:07,880 Speaker 3: we need and when it comes to ending the anti 729 00:39:08,080 --> 00:39:11,760 Speaker 3: aging industry. That same article got a lot of flack 730 00:39:11,880 --> 00:39:14,839 Speaker 3: for its promise to use different terms of things like 731 00:39:14,920 --> 00:39:18,640 Speaker 3: anti aging, anti wrinkle, drawing criticism that it was just 732 00:39:18,719 --> 00:39:22,439 Speaker 3: repackaging the same stereotypes. Yeah, it was this whole thing. 733 00:39:22,640 --> 00:39:25,279 Speaker 3: It's kind of hard where you're like, I think this 734 00:39:25,360 --> 00:39:27,799 Speaker 3: is where we have a hard time with feminism as 735 00:39:27,840 --> 00:39:31,200 Speaker 3: well women, not because we don't think it exists and 736 00:39:31,239 --> 00:39:33,160 Speaker 3: we know it's necessary, but the fact that we have 737 00:39:33,280 --> 00:39:35,920 Speaker 3: to highlight it in such a way that it becomes 738 00:39:36,680 --> 00:39:40,400 Speaker 3: a typical and it shouldn't be. It shouldn't be like this, 739 00:39:40,440 --> 00:39:43,120 Speaker 3: should just let it be. The opposite should be happening 740 00:39:43,120 --> 00:39:46,319 Speaker 3: where we don't have to worry about aging instead of highlighting, Look, 741 00:39:46,360 --> 00:39:49,600 Speaker 3: she looks so young and forever young because she's successful. 742 00:39:49,600 --> 00:39:51,880 Speaker 3: Now it's like we should change that and make that 743 00:39:51,960 --> 00:39:55,080 Speaker 3: a norm instead of trying to highlight it being unusual. 744 00:39:55,520 --> 00:39:58,239 Speaker 3: Can we do that same thing with feminist stuff, like 745 00:39:58,400 --> 00:40:00,839 Speaker 3: we shouldn't be highlighting someone because they're doing well as 746 00:40:00,840 --> 00:40:03,359 Speaker 3: a woman, but we have to in order for any 747 00:40:03,400 --> 00:40:08,399 Speaker 3: recognition or any equity to be had. And it's irritating. Yeah, 748 00:40:08,960 --> 00:40:12,839 Speaker 3: oh yeah, But whatever the case, people are finally getting 749 00:40:12,880 --> 00:40:17,080 Speaker 3: tired of all of this. Yay us included. Twenty twelve 750 00:40:17,200 --> 00:40:21,080 Speaker 3: worldwide study found that sixty three percent of respondents believe 751 00:40:21,160 --> 00:40:25,760 Speaker 3: that our cultural preoccupation with youth have gone too far. 752 00:40:26,080 --> 00:40:28,759 Speaker 3: And yeah, I think we just started to understand that 753 00:40:28,840 --> 00:40:33,759 Speaker 3: as all of the regimens and the sunderies and the 754 00:40:33,760 --> 00:40:36,320 Speaker 3: money that we could spend and the lies that are happening, 755 00:40:36,360 --> 00:40:41,160 Speaker 3: and the influencers that keep spouting miracle drug. 756 00:40:41,760 --> 00:40:44,879 Speaker 2: Yeah yeah, And there are a lot of reasons behind 757 00:40:44,880 --> 00:40:47,400 Speaker 2: our cultural preoccupation with you. Some of which we've already 758 00:40:47,400 --> 00:40:49,560 Speaker 2: talked about, and particularly in this context in the West, 759 00:40:50,000 --> 00:40:53,040 Speaker 2: one is yep, money capitalism. Young people are believed to be, 760 00:40:53,680 --> 00:40:56,719 Speaker 2: not always accurately, actually the people who spend more time 761 00:40:56,800 --> 00:41:00,440 Speaker 2: on screens and thus are exposed to more ads. Because 762 00:41:00,440 --> 00:41:03,520 Speaker 2: of that, ads often are more geared towards younger people 763 00:41:03,600 --> 00:41:06,360 Speaker 2: and feature younger people, which internal leads to this idea 764 00:41:06,360 --> 00:41:08,120 Speaker 2: that youth is the norm and what we should all 765 00:41:08,160 --> 00:41:11,239 Speaker 2: strive for. We should all want to be these beautiful 766 00:41:11,360 --> 00:41:14,919 Speaker 2: young people we're seeing in ads because they're cool and 767 00:41:14,960 --> 00:41:19,720 Speaker 2: there's something to aspire to. Again, generalizations, because most ads 768 00:41:19,719 --> 00:41:23,040 Speaker 2: I see these days are just cringey, but you know 769 00:41:23,680 --> 00:41:27,520 Speaker 2: that's the idea. They represent people who are connected and 770 00:41:27,600 --> 00:41:30,879 Speaker 2: living life to the fullest. People aged eighteen to thirty 771 00:41:30,880 --> 00:41:33,640 Speaker 2: have long been believed to have the most disposable income, 772 00:41:33,920 --> 00:41:36,680 Speaker 2: but again at twenty twelve study found that people over 773 00:41:36,760 --> 00:41:39,880 Speaker 2: fifty accounted for over forty seven percent of household spending. 774 00:41:39,880 --> 00:41:41,879 Speaker 2: And that's been an interesting conversation to play out as 775 00:41:41,920 --> 00:41:43,360 Speaker 2: well of. 776 00:41:43,280 --> 00:41:45,839 Speaker 3: Just like how that these kids are just coming out 777 00:41:45,880 --> 00:41:47,680 Speaker 3: of college, how do they have disposable advice? 778 00:41:48,040 --> 00:41:51,560 Speaker 2: I think it's just a really false It kind of 779 00:41:51,560 --> 00:41:54,040 Speaker 2: goes back to this conversation where we're there's all this 780 00:41:54,080 --> 00:41:56,640 Speaker 2: hand ringing over like the millennials aren't buying houses and 781 00:41:56,680 --> 00:41:59,200 Speaker 2: owning cars anymore, and we're like, yeah, because we are 782 00:41:59,239 --> 00:42:01,480 Speaker 2: not the same generation and we don't have who can't 783 00:42:01,520 --> 00:42:03,840 Speaker 2: get jobs, we can't get like you're well paying jobs, 784 00:42:04,000 --> 00:42:06,239 Speaker 2: Like it's different. But I think they're basing it off 785 00:42:06,280 --> 00:42:09,279 Speaker 2: of how it was and it's a mistake and it's 786 00:42:09,320 --> 00:42:10,360 Speaker 2: not the same anymore. 787 00:42:10,600 --> 00:42:13,040 Speaker 3: Interesting. I'm bafful because I'm like, I didn't get a 788 00:42:13,120 --> 00:42:17,480 Speaker 3: living wage, truly living wage until yeah, I had three 789 00:42:17,560 --> 00:42:19,640 Speaker 3: jobs and that was just four years ago. 790 00:42:20,840 --> 00:42:23,480 Speaker 1: Yeah. No, I think it's really misinformed. 791 00:42:23,520 --> 00:42:25,919 Speaker 2: I think it's based off of how it was with 792 00:42:26,080 --> 00:42:29,160 Speaker 2: like boomers who had disposable income, right, but it's not. 793 00:42:30,520 --> 00:42:34,880 Speaker 3: Yeah, So another reason our narratives around age, especially for women, 794 00:42:34,960 --> 00:42:40,479 Speaker 3: as something humiliating in chambel, something to fight against lest Yeah, 795 00:42:40,520 --> 00:42:42,280 Speaker 3: we needed we needed to fight. 796 00:42:42,320 --> 00:42:44,360 Speaker 1: Yeah for that, we need to fight to change it. 797 00:42:44,480 --> 00:42:47,040 Speaker 2: Well, let's just have when you think of because companies 798 00:42:47,040 --> 00:42:50,160 Speaker 2: and capitalism is so good at doing this and adapting. Right, 799 00:42:50,280 --> 00:42:53,160 Speaker 2: So we're like, oh, we don't like anti aging, quit 800 00:42:53,200 --> 00:42:55,080 Speaker 2: saying that in your ads and they're like okay, and 801 00:42:55,120 --> 00:42:57,799 Speaker 2: so now they're using all these words like combat or 802 00:42:57,840 --> 00:43:02,080 Speaker 2: defy or implying that your fight against this thing, which 803 00:43:02,360 --> 00:43:04,919 Speaker 2: thereby implies that it is bad. 804 00:43:09,400 --> 00:43:10,920 Speaker 1: Yeah, yep. 805 00:43:11,080 --> 00:43:13,319 Speaker 2: Another factor is long held belief that youth is linked 806 00:43:13,320 --> 00:43:15,399 Speaker 2: to fertility and health of women, and thus a young person, 807 00:43:15,440 --> 00:43:17,880 Speaker 2: particularly a woman, is a more desirable partner. 808 00:43:17,920 --> 00:43:19,160 Speaker 1: And we've talked about that a lot. 809 00:43:19,719 --> 00:43:26,560 Speaker 2: This very unfortunate, unfortunate pressure for young women like our 810 00:43:26,680 --> 00:43:29,960 Speaker 2: sexual desirability, particularly when comes to the male gaze, is 811 00:43:30,000 --> 00:43:34,560 Speaker 2: also the value and youth is usually almost always tied 812 00:43:34,600 --> 00:43:38,279 Speaker 2: into that. A study of dating sites conducted by sociologists 813 00:43:38,320 --> 00:43:40,879 Speaker 2: at the University of Michigan found that a woman's desirability 814 00:43:40,880 --> 00:43:43,840 Speaker 2: to other website users began to decline after age eighteen, 815 00:43:44,719 --> 00:43:47,480 Speaker 2: whereas a man's desirability as a potential date could peak 816 00:43:47,480 --> 00:43:50,000 Speaker 2: as late as forty five, which is just upsetting. 817 00:43:50,239 --> 00:43:51,520 Speaker 1: That's eighteen. 818 00:43:52,239 --> 00:43:56,480 Speaker 3: Yeah, yeah, this makes me want to like flip the 819 00:43:56,480 --> 00:44:03,440 Speaker 3: table over. What eight the hill? So in twenty eleven, 820 00:44:03,680 --> 00:44:07,080 Speaker 3: study found that men reported feeling old at fifty eight 821 00:44:07,680 --> 00:44:10,280 Speaker 3: for women, oh yeah, twenty nine. 822 00:44:11,040 --> 00:44:11,800 Speaker 1: Yeah. 823 00:44:11,880 --> 00:44:14,640 Speaker 3: I always talk about I make a joke about feeling 824 00:44:14,680 --> 00:44:18,000 Speaker 3: older it's typically because my friend groups, I'm the older 825 00:44:18,040 --> 00:44:20,719 Speaker 3: one of the friend group, so I always tease about 826 00:44:20,719 --> 00:44:23,400 Speaker 3: the fact that I'm old. I don't know if I 827 00:44:23,520 --> 00:44:26,840 Speaker 3: started feeling really old until recently when my hips started hurting, 828 00:44:26,880 --> 00:44:29,720 Speaker 3: which I was running and my hip started hurting around 829 00:44:29,719 --> 00:44:32,600 Speaker 3: thirty five, and I was like, oh God, what's happening? 830 00:44:34,200 --> 00:44:36,439 Speaker 3: And my back went out, and I was like, Yep, 831 00:44:36,719 --> 00:44:37,239 Speaker 3: there it is. 832 00:44:38,320 --> 00:44:38,720 Speaker 1: Yeah. 833 00:44:38,920 --> 00:44:42,400 Speaker 2: I think it's an interesting jextaposition with conversations that you 834 00:44:42,440 --> 00:44:45,439 Speaker 2: and I have had. Whereas I don't necessarily feel old, 835 00:44:45,480 --> 00:44:47,600 Speaker 2: but man, am I'm already preparing for what if I 836 00:44:47,600 --> 00:44:53,319 Speaker 2: slip in the shower? Like I'm already yeah, imagining these 837 00:44:53,360 --> 00:44:56,400 Speaker 2: scenarios and what am I going to do? Which is 838 00:44:56,480 --> 00:44:57,840 Speaker 2: I mean that is also a big part of what 839 00:44:57,880 --> 00:44:59,759 Speaker 2: we're talking about too, right. We've talked about that a 840 00:44:59,800 --> 00:45:01,640 Speaker 2: little lot of this fear of ending up as the 841 00:45:02,080 --> 00:45:04,719 Speaker 2: Heaven forbid, the spinster who has an no one who's 842 00:45:04,760 --> 00:45:06,600 Speaker 2: going to care for her, and she's going to die alone, 843 00:45:06,960 --> 00:45:07,799 Speaker 2: dial alone. 844 00:45:08,640 --> 00:45:09,680 Speaker 3: So that's the threaten it. 845 00:45:10,280 --> 00:45:12,760 Speaker 1: Yep, it is, And we've talked about that recently. 846 00:45:14,040 --> 00:45:15,680 Speaker 2: And we're not going to go into too much history 847 00:45:15,680 --> 00:45:17,359 Speaker 2: because we did talk about it, and we have talked 848 00:45:17,360 --> 00:45:19,719 Speaker 2: about it in several things. If you didn't listen to 849 00:45:19,719 --> 00:45:22,120 Speaker 2: our Ridiculous History episode, you can hear us go into 850 00:45:22,200 --> 00:45:27,320 Speaker 2: more examples of the history of women trying to usually 851 00:45:27,440 --> 00:45:31,360 Speaker 2: capture beauty and youth through these very dangerous. 852 00:45:30,880 --> 00:45:32,040 Speaker 1: And painful looking things. 853 00:45:32,040 --> 00:45:35,160 Speaker 2: Often, but yes, there are so many instances throughout history 854 00:45:35,160 --> 00:45:37,840 Speaker 2: of people and especially women going to extreme measures to 855 00:45:37,880 --> 00:45:41,799 Speaker 2: stay young, whether it's Cleopatra bathing in the milk of animals, 856 00:45:42,000 --> 00:45:47,040 Speaker 2: Elizabeth Bathrie allegedly bathing in the blood of virgins, Medieval 857 00:45:47,040 --> 00:45:49,880 Speaker 2: and Victorian practices of putting slices of meat or putting 858 00:45:49,880 --> 00:45:53,120 Speaker 2: some wine on the face in hopes of minimizing the 859 00:45:53,160 --> 00:45:56,800 Speaker 2: appearance of wrinkles. In the nineteenth and early twentieth centuries, 860 00:45:56,880 --> 00:45:59,799 Speaker 2: ads around skin creams were almost entirely targeted towards women, 861 00:45:59,800 --> 00:46:02,719 Speaker 2: with these messages that looking young was the only way 862 00:46:03,120 --> 00:46:06,080 Speaker 2: that they could attract men. And here are some examples 863 00:46:06,080 --> 00:46:09,279 Speaker 2: of a ad copy from this time, one claiming that 864 00:46:09,360 --> 00:46:12,319 Speaker 2: quote middle aged skin, which could set in as young 865 00:46:12,360 --> 00:46:15,879 Speaker 2: as twenty two, meant that women had quote empty date 866 00:46:15,920 --> 00:46:20,520 Speaker 2: books or a wife who quote loses love. There was 867 00:46:20,560 --> 00:46:24,000 Speaker 2: an ad that featured to Belieguered Cupid crying I give 868 00:46:24,120 --> 00:46:28,000 Speaker 2: up a nineteen twenty six add read poor Lois, see 869 00:46:28,000 --> 00:46:31,680 Speaker 2: how old she's growing? Or this ad that asked is 870 00:46:31,719 --> 00:46:34,600 Speaker 2: it the greatest crisis of a woman's emotional life? The 871 00:46:34,719 --> 00:46:38,400 Speaker 2: sudden merciless message from a mirror's crystal dips you are 872 00:46:38,440 --> 00:46:39,839 Speaker 2: fading just a bit. 873 00:46:41,560 --> 00:46:42,120 Speaker 1: Geez. 874 00:46:42,600 --> 00:46:45,279 Speaker 3: That feels like a threat. How dare you? Yes, don't 875 00:46:45,320 --> 00:46:45,799 Speaker 3: throw me? 876 00:46:46,680 --> 00:46:49,319 Speaker 2: And this is also like, I mean, no surprise, but 877 00:46:49,680 --> 00:46:52,799 Speaker 2: depending on the life you've had and career options you've 878 00:46:52,800 --> 00:46:56,279 Speaker 2: had in environment you grew up in, your skin might 879 00:46:56,400 --> 00:47:00,520 Speaker 2: just get a little rougher around the edges. This is right, 880 00:47:00,560 --> 00:47:03,560 Speaker 2: I have access genetics. There's all kinds of things not 881 00:47:04,000 --> 00:47:06,720 Speaker 2: necessarily in your control or at all in your control. 882 00:47:07,560 --> 00:47:08,800 Speaker 1: And this is just terrible. 883 00:47:09,760 --> 00:47:13,320 Speaker 3: Again, I feel that's a threat. So as these days 884 00:47:13,360 --> 00:47:17,040 Speaker 3: have shifted gears to sound yes, more modern, moving from 885 00:47:17,239 --> 00:47:22,120 Speaker 3: shaming language to traditionally empowering language like defy or combat 886 00:47:22,160 --> 00:47:24,319 Speaker 3: as you had just said. And then there's also the 887 00:47:24,360 --> 00:47:29,160 Speaker 3: health based jargon for you, like vitality, radiance or that 888 00:47:29,320 --> 00:47:31,800 Speaker 3: glow which I told recently that I was glowing. I 889 00:47:31,840 --> 00:47:32,879 Speaker 3: was like, yeah, I'm just really oily. 890 00:47:33,040 --> 00:47:35,680 Speaker 1: Thanks for passing, and. 891 00:47:35,680 --> 00:47:39,360 Speaker 3: There's a lot of emphasis on natural and the scientific 892 00:47:39,440 --> 00:47:42,520 Speaker 3: sounding terms, which if you haven't noticed, we don't have 893 00:47:42,600 --> 00:47:45,080 Speaker 3: many of those ads that we boys because any is 894 00:47:45,120 --> 00:47:47,719 Speaker 3: like hell na and I definitely agree. And in two 895 00:47:47,760 --> 00:47:51,880 Speaker 3: thousand and seven, Dove even debuted a pro age line 896 00:47:51,920 --> 00:47:55,439 Speaker 3: because we're pro age. In twenty eighteen, a Neutrogena ran 897 00:47:55,480 --> 00:47:59,560 Speaker 3: an ad featuring Carrie Washington, Nicole Kidman, and Jennifer Garner, 898 00:48:00,120 --> 00:48:03,520 Speaker 3: then all over forty with a tagline We're not anti aging, 899 00:48:03,600 --> 00:48:05,040 Speaker 3: We're anti wrinkles. 900 00:48:05,480 --> 00:48:05,680 Speaker 1: Yeah. 901 00:48:05,719 --> 00:48:07,040 Speaker 3: I feel like that's the same thing, in't that? 902 00:48:07,960 --> 00:48:10,239 Speaker 2: Well, that's That's kind of this whole thing we've been 903 00:48:10,280 --> 00:48:13,960 Speaker 2: talking about, is we're these companies are so good at this. 904 00:48:14,000 --> 00:48:17,480 Speaker 2: They're repackaging the same thing with different language, but it's 905 00:48:17,480 --> 00:48:18,960 Speaker 2: still the same thing. 906 00:48:19,440 --> 00:48:21,799 Speaker 3: What's celebrity level of examples. 907 00:48:21,880 --> 00:48:27,080 Speaker 2: Rather occasionally these companies get fined for making unsubstantiated claims 908 00:48:27,080 --> 00:48:30,800 Speaker 2: like boosting genes. If you'll notice the language in these 909 00:48:31,120 --> 00:48:34,160 Speaker 2: the ad copy is usually quite vague. And I only 910 00:48:34,239 --> 00:48:39,080 Speaker 2: did a precursor research on this, but I'm fairly certain 911 00:48:39,200 --> 00:48:42,120 Speaker 2: nothing has None of this has been proven to work. 912 00:48:42,160 --> 00:48:43,839 Speaker 2: All it does, like a lot of times they'll say, 913 00:48:44,239 --> 00:48:47,640 Speaker 2: might minimize the appearance of wrinkles or something like that, 914 00:48:48,120 --> 00:48:49,600 Speaker 2: but yeah, you might want to keep an eye out 915 00:48:49,640 --> 00:48:52,800 Speaker 2: for that. We've also got things like, yes, the vampire 916 00:48:52,840 --> 00:48:56,000 Speaker 2: facial leeches and placenta treatments that celebrities are singing the 917 00:48:56,040 --> 00:48:57,959 Speaker 2: praises of, like some of the sounds what I was reading, 918 00:48:58,000 --> 00:48:59,880 Speaker 2: I was like, surely this is the sixteen hundreds ors 919 00:48:59,880 --> 00:49:03,880 Speaker 2: of Nope, it is modern day. So this has just 920 00:49:03,960 --> 00:49:08,719 Speaker 2: been a through line through our history. And also like 921 00:49:09,280 --> 00:49:12,160 Speaker 2: it is fascinating kind of what's been happening with some 922 00:49:12,239 --> 00:49:16,000 Speaker 2: of these women celebrities who have been releasing like that 923 00:49:16,160 --> 00:49:20,360 Speaker 2: non edited picture, which is also we've talked about that 924 00:49:20,360 --> 00:49:21,560 Speaker 2: in the past episode, but it was a couple of 925 00:49:21,600 --> 00:49:23,120 Speaker 2: years ago, so we might want to revisit it. 926 00:49:23,440 --> 00:49:25,320 Speaker 1: That can be problematic as well. 927 00:49:26,080 --> 00:49:30,680 Speaker 2: It's tricky, it's yeah, but it's interesting, interesting stuff happening here. 928 00:49:32,239 --> 00:49:35,760 Speaker 3: Well, all of this rebranding around anti age was mostly 929 00:49:35,840 --> 00:49:38,200 Speaker 3: due to the fact that anti aging was already on 930 00:49:38,239 --> 00:49:41,719 Speaker 3: the way out. From twenty ten to twenty fifteen, profits 931 00:49:41,760 --> 00:49:44,160 Speaker 3: in that sector of fill from two point two billion 932 00:49:44,239 --> 00:49:48,520 Speaker 3: dollars to one point nine billion dollars. So yeah, I 933 00:49:48,560 --> 00:49:50,560 Speaker 3: do hope it decreases. I really do. 934 00:49:51,560 --> 00:49:51,880 Speaker 1: Yeah. 935 00:49:52,040 --> 00:49:53,759 Speaker 2: I mean again, if it's something that makes you feel 936 00:49:53,800 --> 00:49:55,360 Speaker 2: good and you like it, like I have plenty of 937 00:49:55,360 --> 00:49:59,080 Speaker 2: skin products that just make my skin feel nice, right, 938 00:49:59,120 --> 00:50:01,560 Speaker 2: and I love a good just washing of the face, 939 00:50:01,719 --> 00:50:05,040 Speaker 2: to be honest, It's surprising how nice that can feel. 940 00:50:05,560 --> 00:50:10,480 Speaker 2: But yeah, this like language and rhetoric around demonizing aging 941 00:50:10,520 --> 00:50:14,040 Speaker 2: and women especially who are aging any signs of it, 942 00:50:14,560 --> 00:50:16,920 Speaker 2: that's not healthy and that we need to change that. 943 00:50:17,120 --> 00:50:18,239 Speaker 2: We need to work to change that. 944 00:50:18,880 --> 00:50:21,680 Speaker 3: Right, And anything that's too gimmicky and over the top 945 00:50:21,800 --> 00:50:24,680 Speaker 3: versus the things that, yeah, again make you feel good 946 00:50:24,680 --> 00:50:27,360 Speaker 3: about yourself, that's great. If that's something that you enjoy 947 00:50:27,440 --> 00:50:31,120 Speaker 3: and feel good, then wonderful. But to be obsessive and 948 00:50:31,160 --> 00:50:33,799 Speaker 3: lose a lot of money and doing all these things 949 00:50:33,880 --> 00:50:37,160 Speaker 3: that really causes you more harm, that's that's a different 950 00:50:37,239 --> 00:50:40,000 Speaker 3: question in itself, and I think that that's definitely what 951 00:50:40,040 --> 00:50:43,239 Speaker 3: we're talking about and understanding, Like aging is not a 952 00:50:43,280 --> 00:50:46,960 Speaker 3: bad thing, Surviving is incredible. Good job you did it, 953 00:50:47,040 --> 00:50:49,000 Speaker 3: which is kind of how I celebrate. I get depressed 954 00:50:49,040 --> 00:50:52,000 Speaker 3: around my birthday. I've been talking a lot about depression lately, 955 00:50:52,840 --> 00:50:56,000 Speaker 3: mainly because it has a whole other connotation with trauma, 956 00:50:56,120 --> 00:50:57,919 Speaker 3: and that has something to do with the holidays which 957 00:50:57,920 --> 00:50:59,719 Speaker 3: happened around the season, and I have a whole lot 958 00:50:59,760 --> 00:51:04,200 Speaker 3: of life feelings on that. But what I do celebrate 959 00:51:04,239 --> 00:51:06,279 Speaker 3: the reason I don't hide my ages because I'm like, yeah, 960 00:51:06,440 --> 00:51:08,440 Speaker 3: I did it. Yeah, I didn't think I could make it. 961 00:51:08,600 --> 00:51:13,200 Speaker 3: I'm made it to forty one, right, did it? Yes? 962 00:51:13,280 --> 00:51:16,440 Speaker 1: So we're happy that you did many more returns. 963 00:51:17,239 --> 00:51:18,920 Speaker 2: But that's another thing I was thinking about the other day, 964 00:51:18,960 --> 00:51:20,839 Speaker 2: is I just it's not a great way to live 965 00:51:20,960 --> 00:51:24,120 Speaker 2: if every day you're like you think your value is 966 00:51:24,160 --> 00:51:28,200 Speaker 2: getting less lass. No, it's not a great way to 967 00:51:28,239 --> 00:51:30,080 Speaker 2: go go about life. 968 00:51:30,800 --> 00:51:33,040 Speaker 1: Who anyway, we had a lot to say about this, 969 00:51:33,400 --> 00:51:35,160 Speaker 1: Yes we did well. Listeners. 970 00:51:35,320 --> 00:51:38,680 Speaker 2: As always, we would love to hear from you. You 971 00:51:38,719 --> 00:51:41,480 Speaker 2: can email us at Stuff Media, Moom Stuff at iHeartMedia 972 00:51:41,480 --> 00:51:43,520 Speaker 2: dot com. You can find us on Twitter at most 973 00:51:43,520 --> 00:51:45,640 Speaker 2: stuff Podcasts or on Instagram at stuff I've Never Told 974 00:51:45,680 --> 00:51:49,080 Speaker 2: You Things. As always to our super producer Christina, thank you. 975 00:51:49,560 --> 00:51:51,360 Speaker 2: Thanks to you for listening Stuff I Never Told You 976 00:51:51,440 --> 00:51:53,880 Speaker 2: production of iHeart Radio. For more podcasts on IHEARTRADIOVI is 977 00:51:53,880 --> 00:51:56,279 Speaker 2: the the iHeartRadio app Apple Podcasts or wherever you listen 978 00:51:56,360 --> 00:52:02,480 Speaker 2: to your favorite shows.