1 00:00:03,720 --> 00:00:09,920 Speaker 1: The I Am Rappaport Stereo aio podcast live and you're 2 00:00:09,960 --> 00:00:13,680 Speaker 1: down with rapp Report. Yes I am I am a Rapperport. 3 00:00:14,080 --> 00:00:17,880 Speaker 1: Yes I am I am a Rapperport. Yes I am 4 00:00:17,600 --> 00:00:21,200 Speaker 1: a Rapperport. Yes I am at a tune in. I 5 00:00:21,239 --> 00:00:24,400 Speaker 1: am rapp Report dot com because every single podcast, you know, 6 00:00:24,480 --> 00:00:26,840 Speaker 1: we drops bombs. I've seen him on set a season 7 00:00:26,920 --> 00:00:29,000 Speaker 1: veting True Town, catch him on his way to course 8 00:00:29,080 --> 00:00:31,200 Speaker 1: fit rocking the New Balance. He asked me to do 9 00:00:31,240 --> 00:00:32,960 Speaker 1: the track because you know, I round the leak. But 10 00:00:33,000 --> 00:00:34,960 Speaker 1: I'm just waiting for the Robert the Nero line of 11 00:00:35,000 --> 00:00:37,920 Speaker 1: the week reference the Champions hosted Bagel, Cream, Cheese and Lock. 12 00:00:38,040 --> 00:00:40,519 Speaker 1: This is I Am Rappaport. The show never stopped. You 13 00:00:40,640 --> 00:00:43,360 Speaker 1: might catch the Mountain Public stretching his knee, But if 14 00:00:43,360 --> 00:00:45,640 Speaker 1: you don't listen to the show, yo, we're gonna plead, 15 00:00:47,479 --> 00:00:53,520 Speaker 1: We're gonna rapport. All right, let's the Iron Rapports Stereo 16 00:00:53,600 --> 00:00:58,960 Speaker 1: podcast coming live and direct. Um. My name is Michael Rappaport, 17 00:00:59,000 --> 00:01:02,840 Speaker 1: a kid and Grinko man digging. My name is Dean Collins. 18 00:01:03,040 --> 00:01:06,920 Speaker 1: Let me finish the intro. God damn, it's not like 19 00:01:07,000 --> 00:01:09,560 Speaker 1: it's the first time. Let me finish the intro, then 20 00:01:09,760 --> 00:01:14,720 Speaker 1: chime in. My name is Michael rappaport ak the greno mandingo. Um, 21 00:01:15,880 --> 00:01:18,200 Speaker 1: this is the Iron Rappers stereo podcast. I'm in here 22 00:01:18,280 --> 00:01:21,800 Speaker 1: with Dean Collins. We call him the Young Shooter. He 23 00:01:22,120 --> 00:01:25,960 Speaker 1: joined us victoriously in San Francisco. You haven't been on 24 00:01:26,040 --> 00:01:27,960 Speaker 1: the show since San Francisco. I don't think I have. 25 00:01:29,400 --> 00:01:31,679 Speaker 1: What was your takeaway from the crowd in San franci 26 00:01:31,680 --> 00:01:36,360 Speaker 1: San Francisco crowd was about it. I wasn't prepared for 27 00:01:36,480 --> 00:01:39,160 Speaker 1: how rowdy they got it. They were fucking wild man, 28 00:01:39,280 --> 00:01:41,400 Speaker 1: and I didn't I mean that in the best way, 29 00:01:41,480 --> 00:01:44,920 Speaker 1: but like it was like a Wednesday night there show. 30 00:01:45,040 --> 00:01:47,160 Speaker 1: They're like turning up on like a on like a 31 00:01:47,319 --> 00:01:49,320 Speaker 1: school night. I mean, I thought it was gonna be 32 00:01:49,400 --> 00:01:52,960 Speaker 1: really hipster friendly, you know. I didn't think wearing, you know, 33 00:01:53,080 --> 00:01:55,880 Speaker 1: skinny jeans was gonna be a huge deal going into 34 00:01:55,960 --> 00:01:58,640 Speaker 1: that going into that building. But I guess that was 35 00:01:58,760 --> 00:02:02,960 Speaker 1: like everyone was commenting on, like the skinny genification thing. 36 00:02:03,120 --> 00:02:05,400 Speaker 1: What were they calling you, Dean with the skinny jeans? 37 00:02:05,560 --> 00:02:07,400 Speaker 1: Is that right? That? Actually they had a funny rhyme 38 00:02:07,480 --> 00:02:09,799 Speaker 1: like it was like skinny gene Dean. I don't know, 39 00:02:09,919 --> 00:02:11,720 Speaker 1: but it's fine. I just I don't think you should 40 00:02:11,720 --> 00:02:13,799 Speaker 1: ever insult a man's genes. I mean, I just don't know. 41 00:02:13,840 --> 00:02:16,239 Speaker 1: I don't understand why that's such a big deal. Like 42 00:02:16,320 --> 00:02:19,120 Speaker 1: I'm a skinny guy. I know you're a skinny guy. Uh. 43 00:02:19,680 --> 00:02:22,840 Speaker 1: The crowd was they were, they were. You know, it's 44 00:02:22,880 --> 00:02:25,280 Speaker 1: hard to compare because we've done I think like ten 45 00:02:25,440 --> 00:02:29,040 Speaker 1: different cities. Now what how do you what is that rank? 46 00:02:29,160 --> 00:02:31,720 Speaker 1: On day? I think they were the wildest one. Like 47 00:02:32,040 --> 00:02:34,639 Speaker 1: they were fucking rowdy. And the setup of of of 48 00:02:34,800 --> 00:02:36,919 Speaker 1: the chapel. I didn't like the set up because you 49 00:02:37,000 --> 00:02:38,960 Speaker 1: guys are on the stage and you want me to moderate. 50 00:02:39,040 --> 00:02:40,519 Speaker 1: I wanted you to be out in the crowd, but 51 00:02:40,639 --> 00:02:43,560 Speaker 1: like it was if you weren't there. Obviously you've heard 52 00:02:43,600 --> 00:02:46,560 Speaker 1: it now it's it's the San Francisco Live episode. Of 53 00:02:46,600 --> 00:02:50,760 Speaker 1: course you've heard it. UM five star reviewed, UM. But 54 00:02:50,960 --> 00:02:53,880 Speaker 1: the the visual was that it was kind of standing 55 00:02:54,000 --> 00:02:56,760 Speaker 1: room only, and and I had imagined that the shooter 56 00:02:56,840 --> 00:02:59,679 Speaker 1: would be in the crowd or rating the show and 57 00:03:00,000 --> 00:03:03,560 Speaker 1: making questions. People were so hyped to see Dean the 58 00:03:03,680 --> 00:03:07,280 Speaker 1: young Shooter, and just so hyped of the night in 59 00:03:07,400 --> 00:03:10,280 Speaker 1: general that it was like it was unruly, but I 60 00:03:10,280 --> 00:03:11,959 Speaker 1: thought they were going to start a mosh pit, like 61 00:03:12,240 --> 00:03:13,799 Speaker 1: it was like a free for roll, Like I was 62 00:03:13,840 --> 00:03:16,720 Speaker 1: out there like giving you that look like yo, I'm 63 00:03:16,760 --> 00:03:18,600 Speaker 1: in a different city, Like I don't know these people, 64 00:03:18,680 --> 00:03:21,080 Speaker 1: Like I was afraid from Did you get nervous? Did 65 00:03:21,160 --> 00:03:24,280 Speaker 1: you did for I wasn't nervous. But when they started 66 00:03:24,320 --> 00:03:26,840 Speaker 1: taking the mic, they took the mic from you, and 67 00:03:26,880 --> 00:03:29,639 Speaker 1: then they would that's good. That's like a like a 68 00:03:29,760 --> 00:03:34,079 Speaker 1: cop losing his gun. Exactly that a cop losing his gun. 69 00:03:34,400 --> 00:03:37,400 Speaker 1: Like you're the orator of the iron rap ports stereo pockets. 70 00:03:37,480 --> 00:03:39,240 Speaker 1: You're out there doing it for the first time in 71 00:03:39,280 --> 00:03:42,120 Speaker 1: a foreign city. To you not that we were like 72 00:03:42,200 --> 00:03:46,080 Speaker 1: out of the country. Um and and and uh you 73 00:03:46,240 --> 00:03:48,440 Speaker 1: you get the microphone taken away from you when the 74 00:03:48,520 --> 00:03:51,880 Speaker 1: one thing you're supposed to be doing is holding keeping 75 00:03:51,920 --> 00:03:54,560 Speaker 1: the microphone in my hand. And yeah, but but they 76 00:03:54,600 --> 00:03:56,160 Speaker 1: would pass it to all their friends or a lot 77 00:03:56,160 --> 00:03:57,920 Speaker 1: of drunk people. It was like they were playing like ring. 78 00:03:58,040 --> 00:04:00,240 Speaker 1: It was like they were playing, um, keep away from 79 00:04:00,280 --> 00:04:02,480 Speaker 1: the young Sho was like, well, I don't understand, like 80 00:04:02,560 --> 00:04:04,080 Speaker 1: give me the microphone. I'll give it to you. Just 81 00:04:04,520 --> 00:04:06,360 Speaker 1: just you know, tap me on the show. Don't give 82 00:04:06,440 --> 00:04:09,320 Speaker 1: the fucking mic phone ever away, So I'm holding it 83 00:04:09,520 --> 00:04:13,160 Speaker 1: from now on. I hold it, Yes, you hold the mic. 84 00:04:13,440 --> 00:04:14,880 Speaker 1: It was just it was a lot of people. It 85 00:04:15,000 --> 00:04:16,480 Speaker 1: was a lot of people. It was a dope show. 86 00:04:16,560 --> 00:04:19,159 Speaker 1: It's it's of course it's now five star review. If 87 00:04:19,200 --> 00:04:21,880 Speaker 1: you haven't heard the live San Francisco show, you're missing out. 88 00:04:22,480 --> 00:04:25,160 Speaker 1: Um it was. It was a dope night. Um. But 89 00:04:25,320 --> 00:04:29,920 Speaker 1: we're back. Um, it's me Dean Collins ak the young Shooter. Um. 90 00:04:30,160 --> 00:04:31,480 Speaker 1: I didn't ask you how the rest of the tour 91 00:04:31,560 --> 00:04:33,760 Speaker 1: was because I haven't spoken to was dope. The tour 92 00:04:33,880 --> 00:04:36,440 Speaker 1: was dope. Seattle was dope. We had Sewan Kemp up there, 93 00:04:37,000 --> 00:04:40,560 Speaker 1: and then Vancouver was dope. Yo. We talked about this 94 00:04:40,640 --> 00:04:43,320 Speaker 1: on the show already. Uh, the live episode when we 95 00:04:43,440 --> 00:04:46,680 Speaker 1: were crossing the border in Vancouver, Yeah, hell was that yo. 96 00:04:47,800 --> 00:04:51,240 Speaker 1: Jennifer Lawrence was at the border, not real Jennifer Lawrence, 97 00:04:51,279 --> 00:04:53,960 Speaker 1: but the border patrol officer was like a like a 98 00:04:54,080 --> 00:04:56,720 Speaker 1: fucking like a supermodel. We were like, what the And 99 00:04:56,760 --> 00:04:59,720 Speaker 1: I'm not saying she was pretty for a border control person. 100 00:05:00,400 --> 00:05:03,360 Speaker 1: I was like, well, huh, she just got a you know, 101 00:05:03,480 --> 00:05:05,480 Speaker 1: a good, good job. I guess I'm been saying that 102 00:05:05,600 --> 00:05:08,040 Speaker 1: she should, you know, every gorgeous girl should, like, you know, 103 00:05:08,120 --> 00:05:10,799 Speaker 1: exploit their looks and all that stuff. But she was modeled. 104 00:05:11,320 --> 00:05:13,920 Speaker 1: She was that level. And I was bugging, and I 105 00:05:14,080 --> 00:05:17,960 Speaker 1: think she heard me say, yo, look at this fucking broad. 106 00:05:18,000 --> 00:05:19,920 Speaker 1: I think she heard that because then they had they 107 00:05:20,480 --> 00:05:22,600 Speaker 1: detained us for about an hour and a half and 108 00:05:22,680 --> 00:05:25,800 Speaker 1: they put us through the works, show the idea. What 109 00:05:25,920 --> 00:05:28,680 Speaker 1: are you doing there? Fucking five goons rolling up to 110 00:05:28,720 --> 00:05:30,680 Speaker 1: the border. I mean, they're not just gonna but how 111 00:05:30,720 --> 00:05:32,640 Speaker 1: many times a day do you think that happens to 112 00:05:32,720 --> 00:05:36,039 Speaker 1: home girls? Is the point? That's true? When you're attractive 113 00:05:36,120 --> 00:05:38,600 Speaker 1: like that? She she was. I was there, man, but 114 00:05:38,760 --> 00:05:41,520 Speaker 1: you weren't. I know. I'm just based on your your 115 00:05:41,560 --> 00:05:44,480 Speaker 1: your your live rating skills. I don't know if we 116 00:05:44,560 --> 00:05:46,360 Speaker 1: have to, like we have to send you to like 117 00:05:46,560 --> 00:05:48,520 Speaker 1: like like you have to do like a camp, some 118 00:05:48,640 --> 00:05:50,560 Speaker 1: sort of boot camp because you don't give up that 119 00:05:50,680 --> 00:05:52,599 Speaker 1: fucking okay, but you got I mean you never said 120 00:05:52,640 --> 00:05:55,640 Speaker 1: don't give it up. And it doesn't matter, it doesn't matter. 121 00:05:55,960 --> 00:05:57,880 Speaker 1: That shouldn't be something I have to say. I didn't 122 00:05:57,920 --> 00:06:00,279 Speaker 1: know the crowd was gonna be so nuts out there. 123 00:06:01,040 --> 00:06:03,840 Speaker 1: And I say that in the best way of course. See, 124 00:06:04,240 --> 00:06:06,720 Speaker 1: I'm always thinking that I'm you know, we podcast. You know, 125 00:06:06,800 --> 00:06:08,680 Speaker 1: we do it at the studio here, at the Gloom Tom, 126 00:06:09,080 --> 00:06:11,000 Speaker 1: we do it at the New York City Gloom Tom 127 00:06:11,279 --> 00:06:13,000 Speaker 1: or wherever we might do. Sometimes you do it at 128 00:06:13,040 --> 00:06:15,440 Speaker 1: the room to them, which is my car, and there's 129 00:06:15,480 --> 00:06:17,640 Speaker 1: not people around. So when you do it in front 130 00:06:17,640 --> 00:06:20,080 Speaker 1: of a group of people, like, you're gonna get that energy. 131 00:06:20,240 --> 00:06:22,680 Speaker 1: And and I'm not surprised that I bring out that 132 00:06:22,920 --> 00:06:26,920 Speaker 1: that kind of antagonistic quality in people, um, because that's 133 00:06:27,080 --> 00:06:29,839 Speaker 1: that's me. Sometimes you forget like that people are getting 134 00:06:29,960 --> 00:06:32,320 Speaker 1: hyped listening to this, Like this is just us in 135 00:06:32,360 --> 00:06:34,120 Speaker 1: the gloom to them obviously, but like people are like 136 00:06:34,600 --> 00:06:37,320 Speaker 1: they're excited to see it live. Yes, the whole other experience. 137 00:06:37,520 --> 00:06:41,680 Speaker 1: So shooter. Um. Everybody always wants to know what you're 138 00:06:41,760 --> 00:06:45,159 Speaker 1: up to, if you're skating off, if you know, because 139 00:06:45,160 --> 00:06:48,400 Speaker 1: you've had some some great events um um with some women, 140 00:06:48,520 --> 00:06:51,960 Speaker 1: some good, some bad, but but very entertaining. Always how's 141 00:06:52,000 --> 00:06:55,000 Speaker 1: your dating life? Dating life is fine, it's it's there's 142 00:06:55,040 --> 00:06:56,920 Speaker 1: no stories I'm gonna bring to the table today. I 143 00:06:56,920 --> 00:06:58,840 Speaker 1: don't know. I just I don't need a story every 144 00:06:58,880 --> 00:07:01,680 Speaker 1: time I come on with know what's going on? Like like, no, 145 00:07:01,880 --> 00:07:04,200 Speaker 1: it's it's it's it's chill. I'm focusing a little bit 146 00:07:04,279 --> 00:07:08,120 Speaker 1: more on work stuff, right, just trying not to, you know, 147 00:07:08,440 --> 00:07:11,000 Speaker 1: get too caught up on girls ship. I'm just like 148 00:07:11,160 --> 00:07:14,040 Speaker 1: so focused on that. Yeah, so you know today is 149 00:07:14,080 --> 00:07:18,200 Speaker 1: my birthday? Actually today? Yeah? Today? You're fucking you didn't 150 00:07:18,200 --> 00:07:20,160 Speaker 1: tell me your birthday was today. I just thought you knew. 151 00:07:20,200 --> 00:07:22,680 Speaker 1: I just kind of make cold or something. I thought 152 00:07:22,720 --> 00:07:24,360 Speaker 1: you were being like kind of cold or cool, like 153 00:07:24,480 --> 00:07:27,040 Speaker 1: you didn't. You can't say happy birth? How are you 154 00:07:28,720 --> 00:07:33,920 Speaker 1: fucking seven young suitors? Twenty seven seven but looks nineteen? 155 00:07:34,120 --> 00:07:36,600 Speaker 1: That's right, And I met you at fifteen. You met 156 00:07:36,680 --> 00:07:39,960 Speaker 1: me at fifteen seven today when we did the ward home, 157 00:07:40,000 --> 00:07:43,280 Speaker 1: you were fifteen and your twenty seven fucking years old 158 00:07:43,320 --> 00:07:47,320 Speaker 1: today and you look like you're nineteen, twenty fucking seven. 159 00:07:47,560 --> 00:07:50,120 Speaker 1: So I you were like, I want to come on 160 00:07:50,240 --> 00:07:52,240 Speaker 1: the podcast? Were you coming on the podcast to tell 161 00:07:52,240 --> 00:07:54,600 Speaker 1: everybody it's your birthday? No, I'm not promoting my birthday 162 00:07:54,680 --> 00:07:56,320 Speaker 1: or like or anything like that. I mean, I didn't 163 00:07:56,320 --> 00:07:58,840 Speaker 1: get you ship. I'm telling you if you thought you 164 00:07:58,920 --> 00:08:00,840 Speaker 1: were coming over to get a president. I'm what do 165 00:08:00,920 --> 00:08:04,760 Speaker 1: you mean? Is I got nothing? There's no gifts, there's 166 00:08:04,800 --> 00:08:09,160 Speaker 1: no not funny, true, got no gifts, no nothing but 167 00:08:09,320 --> 00:08:13,920 Speaker 1: happy birthday? Um? Sorry, thank you paid for my coffee 168 00:08:14,000 --> 00:08:17,440 Speaker 1: on your birthday. I didn't know it was your birthday. Listen, listen. 169 00:08:17,480 --> 00:08:19,080 Speaker 1: I got a lot of ship going on in my life. 170 00:08:19,400 --> 00:08:22,800 Speaker 1: I got my own fucking problems. And what I'm saying, 171 00:08:22,920 --> 00:08:26,280 Speaker 1: is it anybody in my world or my life? Uh, 172 00:08:26,640 --> 00:08:28,280 Speaker 1: you need to tell me it's your birth What do 173 00:08:28,320 --> 00:08:30,280 Speaker 1: you mean? I called you like one pm on your 174 00:08:30,320 --> 00:08:32,080 Speaker 1: birthday and you're like, this is too late. The birthday 175 00:08:32,120 --> 00:08:34,880 Speaker 1: is already over. It's fucking I am, that's right, and 176 00:08:34,920 --> 00:08:36,280 Speaker 1: I have to tell you it's my birthday and I'm 177 00:08:36,280 --> 00:08:38,439 Speaker 1: paying for your coffee. That's correct. You called me on 178 00:08:38,559 --> 00:08:41,520 Speaker 1: my birthday midway through the afternoon and I was insulted. 179 00:08:41,960 --> 00:08:44,240 Speaker 1: I was insulted. It's like, yeah, no, it's too late. 180 00:08:44,679 --> 00:08:48,000 Speaker 1: Parties over. Asshole, doesn't work, doesn't apply. It's a two 181 00:08:48,040 --> 00:08:51,080 Speaker 1: way street though. Well you're here, it's ten am. Thanks 182 00:08:51,160 --> 00:08:53,679 Speaker 1: for the coffee, and happy birthday, birthday to me, Happy 183 00:08:53,720 --> 00:08:56,520 Speaker 1: birthday to you. That's something. I don't know what to 184 00:08:56,559 --> 00:08:58,280 Speaker 1: tell you. And if you're looking out looking for some 185 00:08:58,400 --> 00:09:02,200 Speaker 1: handouts the Iron Wrap Port Stereo podcast crowd, I don't 186 00:09:02,240 --> 00:09:03,880 Speaker 1: believe that's gonna happen. I'm sure you'll get some well 187 00:09:03,960 --> 00:09:07,000 Speaker 1: wishes and probably some of the some of the artistic 188 00:09:07,120 --> 00:09:09,679 Speaker 1: crew that would be that would make my birth they'll 189 00:09:09,679 --> 00:09:14,280 Speaker 1: make you some you know birthday. You know means other 190 00:09:14,360 --> 00:09:16,680 Speaker 1: than that, it's probably not gonna be anything, you know what? Fine? 191 00:09:16,720 --> 00:09:20,760 Speaker 1: And I wasn't even promoting I feel like you were 192 00:09:20,880 --> 00:09:23,640 Speaker 1: promoting your birthday. No, I was telling you why I'm 193 00:09:23,679 --> 00:09:26,720 Speaker 1: not really seeing so many girls. I'm saying, I'm twenty 194 00:09:26,800 --> 00:09:28,679 Speaker 1: seven now. I'm trying to get my head on straight. 195 00:09:28,840 --> 00:09:31,040 Speaker 1: I'm working a little bit tougher. I'm doing a lot 196 00:09:31,080 --> 00:09:33,839 Speaker 1: of shooting, but not not in the shooting that you 197 00:09:33,880 --> 00:09:37,160 Speaker 1: would expect me to be doing, but actual camera right, um, 198 00:09:37,559 --> 00:09:39,839 Speaker 1: which you're very good at. Thank you, very very very 199 00:09:40,000 --> 00:09:42,079 Speaker 1: very good at. Thank you so much. Man. Have you 200 00:09:42,160 --> 00:09:45,240 Speaker 1: seen any movies? I've actually been watching a lot of stuff. 201 00:09:45,320 --> 00:09:49,360 Speaker 1: Did you see um funk? I watched it the other day, 202 00:09:49,880 --> 00:09:52,600 Speaker 1: The de Niro The Wizard of Lies. Oh my god, 203 00:09:52,679 --> 00:09:56,560 Speaker 1: actually really liked The Wizard of Life the HBO Bernie 204 00:09:56,640 --> 00:09:59,600 Speaker 1: made Off. It's the story of Bernie made Off. Robert 205 00:09:59,640 --> 00:10:03,080 Speaker 1: Denia Row plays Bernie made Off. Michelle Feiffer plays Ruth 206 00:10:03,160 --> 00:10:10,240 Speaker 1: made Off. Um uh, what's the kid named? Holissandro neflex Alexander? 207 00:10:11,760 --> 00:10:13,240 Speaker 1: And I know, I mean, he's a really good actor. 208 00:10:13,320 --> 00:10:16,040 Speaker 1: He's a really good part. He plays his son, Holissandro 209 00:10:16,160 --> 00:10:21,360 Speaker 1: alex he's really shifting. It's alex Alessandro Nevola, Holissandra Nevola. 210 00:10:21,440 --> 00:10:23,439 Speaker 1: And he's a good actor. He plays his son. And 211 00:10:23,520 --> 00:10:26,720 Speaker 1: I was hyped to see de Niro play Bernie Madoff 212 00:10:26,880 --> 00:10:28,480 Speaker 1: and and and one of the reasons why I was 213 00:10:28,559 --> 00:10:31,400 Speaker 1: hyped to see DeNiro play Bernie Madoff is because as 214 00:10:31,480 --> 00:10:35,840 Speaker 1: an actor gets older, you know, it's essentially it's funked 215 00:10:35,920 --> 00:10:38,599 Speaker 1: up because it shouldn't because the audiences don't change, but 216 00:10:39,080 --> 00:10:41,640 Speaker 1: it be it's a young man's game in terms of 217 00:10:41,720 --> 00:10:46,200 Speaker 1: the amount of opportunities you get. Even for somebody like DeNiro, 218 00:10:46,640 --> 00:10:50,839 Speaker 1: Dustin Hoffman, al Pacino, they don't make as much stuff 219 00:10:50,880 --> 00:10:54,360 Speaker 1: for them. So you know, those guys have at times 220 00:10:54,440 --> 00:10:56,480 Speaker 1: I felt like done stuff just to do it, and 221 00:10:56,559 --> 00:10:59,160 Speaker 1: they should because one thing I want to say about like, 222 00:10:59,360 --> 00:11:02,600 Speaker 1: you know, like artists and and and entertainers and stuff, 223 00:11:02,800 --> 00:11:07,440 Speaker 1: that propensity, that need, that impotence to perform, to act, 224 00:11:07,559 --> 00:11:10,240 Speaker 1: to paint, to sing, to dance, whatever the funk you do, 225 00:11:10,480 --> 00:11:13,880 Speaker 1: It doesn't just go away. And you certainly with somebody 226 00:11:13,960 --> 00:11:16,800 Speaker 1: like Bob, so for him to play a part that 227 00:11:17,000 --> 00:11:21,679 Speaker 1: was age appropriate, age appropriate and he embodied that just 228 00:11:22,240 --> 00:11:25,719 Speaker 1: like Bernie made nose is totally prosthetic. Ship, No, that 229 00:11:25,840 --> 00:11:27,719 Speaker 1: was his nose. No, but that's not that's not I 230 00:11:27,800 --> 00:11:29,920 Speaker 1: think it's because they removed his hair and made his 231 00:11:30,040 --> 00:11:32,360 Speaker 1: nose more prominent, because that's Bob's. No. I don't know 232 00:11:32,600 --> 00:11:34,360 Speaker 1: if that was a fake nose. That was the best 233 00:11:34,440 --> 00:11:36,480 Speaker 1: fake nose I've ever seen, telling you it's a fake 234 00:11:36,559 --> 00:11:38,280 Speaker 1: nose because I looked at Bernie made Off and I 235 00:11:38,320 --> 00:11:40,640 Speaker 1: saw a photo and his nose is that fucking no, 236 00:11:40,880 --> 00:11:43,280 Speaker 1: I don't think. Can anyone out there please fact you. 237 00:11:43,480 --> 00:11:45,240 Speaker 1: We don't fact check. I'm not gonna look up ship. 238 00:11:45,320 --> 00:11:46,760 Speaker 1: We all know what happened last time I did that. 239 00:11:46,920 --> 00:11:49,320 Speaker 1: But I mean the nose was I was like, Wow, 240 00:11:49,400 --> 00:11:52,480 Speaker 1: he's Bob is going for it. Bob. Can someone fact 241 00:11:52,600 --> 00:11:55,840 Speaker 1: check whether or not Robert de Niro used the prosthetic 242 00:11:55,960 --> 00:11:58,920 Speaker 1: nose to play Bernie made Off in the Wizard of Lies, 243 00:11:59,200 --> 00:12:01,880 Speaker 1: the story of he made up who's a fucking lunatic? 244 00:12:02,160 --> 00:12:11,880 Speaker 1: He is a He's a real scumbag brother. Motherfuck I 245 00:12:12,000 --> 00:12:16,440 Speaker 1: got you on your birthday. So so um. DeNiro was great. 246 00:12:16,559 --> 00:12:19,800 Speaker 1: He was in the pocket. He didn't jew it up um, 247 00:12:20,360 --> 00:12:22,760 Speaker 1: but but there was enough of that sort of Jewish cadence. 248 00:12:23,120 --> 00:12:25,800 Speaker 1: It was a quiet powerful I mean, he didn't have 249 00:12:25,880 --> 00:12:28,520 Speaker 1: to say much to her. There's some great DeNiro moments 250 00:12:28,559 --> 00:12:31,200 Speaker 1: in it. There's some great DeNiro moments in it. Michelle 251 00:12:31,280 --> 00:12:34,000 Speaker 1: Feiffer was great. She looks great even though she she 252 00:12:34,120 --> 00:12:39,520 Speaker 1: played this sort of sort of weird character, Bernie Madoff's wife. 253 00:12:39,720 --> 00:12:42,360 Speaker 1: She just still like her face is so pretty and 254 00:12:42,520 --> 00:12:46,600 Speaker 1: and and I mean she was really really good and um, 255 00:12:46,640 --> 00:12:48,840 Speaker 1: and I think she's going to continue to do because 256 00:12:49,040 --> 00:12:50,920 Speaker 1: I feel like, you know, when she was younger, her 257 00:12:51,000 --> 00:12:57,000 Speaker 1: looks were so because she's so freaking beautiful and just 258 00:12:57,160 --> 00:13:00,440 Speaker 1: like a unique looking catwoman. I was like growing up 259 00:13:00,480 --> 00:13:02,679 Speaker 1: watching that ship. She just like looked like you were like, 260 00:13:03,120 --> 00:13:05,719 Speaker 1: what is this ship different? Like when she first came out, 261 00:13:05,800 --> 00:13:07,120 Speaker 1: Like I think the first time I ever saw it 262 00:13:07,200 --> 00:13:08,920 Speaker 1: was scarface and I saw that when it came out 263 00:13:08,960 --> 00:13:11,560 Speaker 1: in the theories, and like Michelle Peiffer was like, yeah, 264 00:13:11,960 --> 00:13:14,439 Speaker 1: is this a real person. She's she's still got it. 265 00:13:14,720 --> 00:13:17,320 Speaker 1: Still about that scene where I mean you're talking about 266 00:13:17,440 --> 00:13:19,600 Speaker 1: there's some great denial scenes, but what about when he's 267 00:13:20,000 --> 00:13:22,880 Speaker 1: when he's saying four hundred million? He said, well, you know, 268 00:13:23,000 --> 00:13:25,439 Speaker 1: when he's hustling and give it away because everybody knows 269 00:13:25,480 --> 00:13:28,439 Speaker 1: the story, you know the story story that well that well, 270 00:13:28,600 --> 00:13:30,719 Speaker 1: my father is a stockbroker, he's in the he's in 271 00:13:30,920 --> 00:13:33,160 Speaker 1: you know, investments in real estate and this kind of stuff. 272 00:13:33,280 --> 00:13:35,920 Speaker 1: And I knew all. I just always heard him talking 273 00:13:35,960 --> 00:13:37,599 Speaker 1: about it. But I finally got to sit down and 274 00:13:37,640 --> 00:13:40,240 Speaker 1: I thought it was a I mean, without giving to 275 00:13:40,559 --> 00:13:42,480 Speaker 1: you guys, you could give it away, you know what happens. 276 00:13:42,520 --> 00:13:44,560 Speaker 1: The thing about this story that I found good because 277 00:13:44,559 --> 00:13:46,400 Speaker 1: I followed her when it was in the news, and 278 00:13:46,480 --> 00:13:49,040 Speaker 1: then I also saw it was good to the Richard 279 00:13:49,120 --> 00:13:52,760 Speaker 1: dreyfuss Um made for TV Bernie made off movie. I 280 00:13:52,840 --> 00:13:55,480 Speaker 1: watched that and and and now you know, doing all that, 281 00:13:55,559 --> 00:13:57,640 Speaker 1: and I watched all the things on it, and the 282 00:13:57,720 --> 00:14:00,280 Speaker 1: sixty minutes piece on it, which they referred to in 283 00:14:00,360 --> 00:14:03,079 Speaker 1: the actual Wizard of Lines with Danira, it's like, you 284 00:14:03,240 --> 00:14:07,480 Speaker 1: can't believe somebody was so greedy and the lying and 285 00:14:07,600 --> 00:14:10,600 Speaker 1: the deceit that it's like almost like watching a horror 286 00:14:10,640 --> 00:14:12,360 Speaker 1: film and you know how it ends where you're like, 287 00:14:12,400 --> 00:14:15,360 Speaker 1: I can't believe that this actually happened. Like it wasn't 288 00:14:15,400 --> 00:14:17,880 Speaker 1: like he was just stealing from the rich. He ruined 289 00:14:17,960 --> 00:14:21,640 Speaker 1: people's lives, like the people that the billionaires that lost 290 00:14:21,720 --> 00:14:24,680 Speaker 1: like twenty billion dollars at a forty billion dollars, Okay, 291 00:14:24,760 --> 00:14:26,920 Speaker 1: that's fucked up, but the people that had like two 292 00:14:27,040 --> 00:14:30,640 Speaker 1: hundred thousand dollars in life savings all gone. So many 293 00:14:30,720 --> 00:14:33,600 Speaker 1: regular people now he now he was prepared to send 294 00:14:33,680 --> 00:14:37,320 Speaker 1: his kids to fucking take the take the blame for 295 00:14:37,400 --> 00:14:40,000 Speaker 1: him if he ever, you know, passed away unexpectedly and 296 00:14:40,040 --> 00:14:41,480 Speaker 1: they found out it was a big fraud. I mean 297 00:14:41,520 --> 00:14:42,920 Speaker 1: that's also in the movie that like, you know, you 298 00:14:43,040 --> 00:14:46,120 Speaker 1: were prepared to like ruin your kids lives, you know, 299 00:14:46,680 --> 00:14:48,560 Speaker 1: And he's staying, you know, there's a there's a really 300 00:14:48,640 --> 00:14:51,680 Speaker 1: good podcast. I think it's on Audible. It's it's not 301 00:14:51,880 --> 00:14:54,240 Speaker 1: on where you can find regular podcasts. And look at 302 00:14:54,320 --> 00:14:56,200 Speaker 1: um I don't know the name. Again, we don't fact check. 303 00:14:56,680 --> 00:14:59,880 Speaker 1: Did you hear the Bernie made offf podcast. It's it's good. 304 00:15:00,000 --> 00:15:01,920 Speaker 1: It's on audible dot com. You should listen to it. 305 00:15:02,120 --> 00:15:04,160 Speaker 1: He's not talking, and made Off is in it. The 306 00:15:04,240 --> 00:15:06,960 Speaker 1: guy like tracks And the thing about a crazy person 307 00:15:07,040 --> 00:15:09,600 Speaker 1: like this is he I mean, he has no shame, 308 00:15:09,880 --> 00:15:11,720 Speaker 1: you know. The sad thing is and and all this 309 00:15:11,840 --> 00:15:14,320 Speaker 1: is public, so I'm not like ruining his one son 310 00:15:14,400 --> 00:15:17,920 Speaker 1: committed suicide. Friends, that was the craziest committed was that 311 00:15:18,000 --> 00:15:19,840 Speaker 1: he had He had a wife and a kid. The 312 00:15:19,920 --> 00:15:24,760 Speaker 1: other son, unfortunately died of cancer old because of the 313 00:15:24,880 --> 00:15:27,280 Speaker 1: stress and the and the betrayal. And you know that's 314 00:15:27,320 --> 00:15:29,440 Speaker 1: why he got the cancer. You know, that's why he 315 00:15:29,560 --> 00:15:32,600 Speaker 1: died too. Yes, And you know there's one point where 316 00:15:32,800 --> 00:15:35,360 Speaker 1: like it's based on like a book that a woman wrote, 317 00:15:35,880 --> 00:15:38,240 Speaker 1: made Off, the real made Off, the irony of his 318 00:15:38,360 --> 00:15:40,840 Speaker 1: name being made off, his fucking nuts. The the the 319 00:15:41,000 --> 00:15:43,240 Speaker 1: real made Off gave her an interview and and and 320 00:15:43,440 --> 00:15:46,280 Speaker 1: and this this this film is sort of based on 321 00:15:46,400 --> 00:15:49,440 Speaker 1: that interview. Um and it flashbacks and it cos the 322 00:15:49,480 --> 00:15:52,240 Speaker 1: current time and it's really well done. And and and 323 00:15:52,360 --> 00:15:55,240 Speaker 1: when he's convicted, he's in jail, they compare him to 324 00:15:55,480 --> 00:15:59,040 Speaker 1: uh bobb It? Uh John Wayne bobb It? Is it 325 00:15:59,120 --> 00:16:01,080 Speaker 1: John Way bobbit? Or John No? No, no, no no. 326 00:16:01,360 --> 00:16:03,920 Speaker 1: They compare him to Jeffrey Dahmer, Right, no, not jeffreydam 327 00:16:04,040 --> 00:16:07,880 Speaker 1: don't they were really And he's like, he's like, he's 328 00:16:07,880 --> 00:16:10,480 Speaker 1: a real monster. No, it's not dumber, It's it's bobb It. 329 00:16:10,800 --> 00:16:12,160 Speaker 1: Or is bob It the guy who got his Ted 330 00:16:12,200 --> 00:16:16,320 Speaker 1: Bundy Bundy, Ted Bundy, Ted Bundy the serial killer. And 331 00:16:16,480 --> 00:16:18,640 Speaker 1: he's like, well, why would you compare me to him? 332 00:16:18,680 --> 00:16:20,720 Speaker 1: Like he killed people? It's like you didn't kill Like 333 00:16:20,840 --> 00:16:23,680 Speaker 1: what you did is almost worst because like people became 334 00:16:23,840 --> 00:16:26,920 Speaker 1: homeless because you're like old people that were living in 335 00:16:27,040 --> 00:16:31,240 Speaker 1: nursing homes with their life's nest, tak them all teen 336 00:16:31,360 --> 00:16:33,840 Speaker 1: years and and and and just to end it, you know, 337 00:16:33,920 --> 00:16:38,120 Speaker 1: it ends on him saying do you think I'm a sociopath? Yeah, 338 00:16:38,200 --> 00:16:41,560 Speaker 1: you're so. It's like, yeah, yeah, you're a fucking nutshot Reez. 339 00:16:41,600 --> 00:16:44,920 Speaker 1: He's in here the stereo podcast News and Movie Dog. 340 00:16:45,000 --> 00:16:48,560 Speaker 1: He's scratching. He's sitting on a casper bed. You know, 341 00:16:48,640 --> 00:16:52,960 Speaker 1: the Iron Rapports stereo podcast is probably sponsored by Casper mattresses. 342 00:16:53,040 --> 00:16:55,640 Speaker 1: Do they make dog beds Casper. Yes they make dog beds. 343 00:16:55,720 --> 00:17:01,320 Speaker 1: No way. Casper Mattress Casper, the award winning, obsessively engineered 344 00:17:01,400 --> 00:17:05,399 Speaker 1: mattress at a shockingly fair price. Casper has made in 345 00:17:05,480 --> 00:17:08,399 Speaker 1: the United States. You can try a Casper mattress for 346 00:17:08,480 --> 00:17:11,000 Speaker 1: a hundred nights, risk free in your home. If you 347 00:17:11,080 --> 00:17:13,360 Speaker 1: don't love it, they will pick it up and will 348 00:17:13,400 --> 00:17:17,680 Speaker 1: refund you everything. Listen to me, We're not selling mattresses 349 00:17:17,760 --> 00:17:20,320 Speaker 1: just to sell mattresses. I sleep on a castro mattress 350 00:17:20,400 --> 00:17:25,000 Speaker 1: every single night, so do I. Great pricing and a 351 00:17:25,160 --> 00:17:30,280 Speaker 1: great product. It's risk free, Okay. If you don't like it, 352 00:17:30,440 --> 00:17:34,360 Speaker 1: they will pick up up and refund you everything. There's 353 00:17:34,400 --> 00:17:37,280 Speaker 1: over twenty reviews online with an average of four point 354 00:17:37,359 --> 00:17:42,000 Speaker 1: eight stars. Casper is quickly becoming the internet's most popular mattress. 355 00:17:42,080 --> 00:17:44,640 Speaker 1: I could say for myself, it's Michael Rappaport, the gringo 356 00:17:44,720 --> 00:17:49,280 Speaker 1: man dingoes most popular, favorite and only mattress. Go to www. 357 00:17:49,480 --> 00:17:52,720 Speaker 1: Dot Casper dot com, forward slash Rappaport, use the promo 358 00:17:52,800 --> 00:17:55,800 Speaker 1: code wrapp Report say fifty dollars towards any mattress purchase. 359 00:17:56,359 --> 00:17:58,639 Speaker 1: They have sheets, they have pillows, and I said it 360 00:17:58,720 --> 00:18:01,600 Speaker 1: once I'll say it again. They have doggie bets. They 361 00:18:01,680 --> 00:18:05,359 Speaker 1: have doggie mattresses at Casper. Go to www dot Casper 362 00:18:05,440 --> 00:18:13,800 Speaker 1: dot com. Forward slash Rappaport gammer Tag Radio was headed 363 00:18:13,840 --> 00:18:17,280 Speaker 1: to Eree three is one of the biggest events for 364 00:18:17,359 --> 00:18:19,440 Speaker 1: gamer tag Radio and you don't want to miss this. 365 00:18:19,760 --> 00:18:23,120 Speaker 1: Joint host Danny pa Paris Lily and Peter Toledo direct 366 00:18:23,200 --> 00:18:25,920 Speaker 1: from the convention Center floor. Where are the plants from Microsoft? 367 00:18:25,920 --> 00:18:28,800 Speaker 1: We're gonna see morning titles from Sony PlayStation? How about 368 00:18:28,880 --> 00:18:33,000 Speaker 1: Nintendo interviews, rock tables, discussion reviews, hand on impressions and 369 00:18:33,160 --> 00:18:39,440 Speaker 1: more coverage on gamer tag Radio, gamer tag radio dot 370 00:18:39,520 --> 00:18:48,680 Speaker 1: com or played that it forward slash gamer tag So anyway, 371 00:18:49,400 --> 00:18:51,040 Speaker 1: so anyway, let's what else have you seen? Just not 372 00:18:51,160 --> 00:18:52,640 Speaker 1: to get too caught up on the Wizard of Lives? 373 00:18:52,680 --> 00:18:55,920 Speaker 1: But are you watching Wizard of Lives? Which I loved 374 00:18:56,720 --> 00:18:59,200 Speaker 1: and and you know, it's just slow grind, but it's 375 00:18:59,240 --> 00:19:01,280 Speaker 1: really good and the DeNiro moments are great and he 376 00:19:01,400 --> 00:19:04,200 Speaker 1: looks great. But for some reason, it didn't feel that 377 00:19:04,440 --> 00:19:06,159 Speaker 1: slow to me. I know it's a little long, it's 378 00:19:06,200 --> 00:19:09,800 Speaker 1: two hours. I loved all of it in it like 379 00:19:10,040 --> 00:19:13,080 Speaker 1: I loved it. Bob looked great. He looked great. Um, 380 00:19:13,760 --> 00:19:17,160 Speaker 1: I haven't I started watching this this Netflix show. Please 381 00:19:17,200 --> 00:19:19,480 Speaker 1: tell me it's called The Keepers, The Keepers, Yet you're 382 00:19:19,520 --> 00:19:22,720 Speaker 1: watching one episode in two episodes in the key the 383 00:19:23,000 --> 00:19:25,760 Speaker 1: Netflix show. It's the same people that did making a 384 00:19:25,880 --> 00:19:29,119 Speaker 1: murder and the what's the one about the woman? Uh, 385 00:19:29,560 --> 00:19:31,760 Speaker 1: what's the other one? We're not fact checking. We're proving 386 00:19:31,840 --> 00:19:34,000 Speaker 1: that we're not fact checking, and we have short term 387 00:19:34,080 --> 00:19:36,800 Speaker 1: memory loss that we can't remember. But it's the making 388 00:19:36,840 --> 00:19:39,440 Speaker 1: of murder. It's Netflix. I don't need to It's fucking good. 389 00:19:39,520 --> 00:19:41,359 Speaker 1: We don't got to sell a Netflix. We don't want 390 00:19:41,920 --> 00:19:43,960 Speaker 1: we have to like every time we we every time 391 00:19:44,000 --> 00:19:46,200 Speaker 1: we uh we we bring something up, we have to 392 00:19:46,240 --> 00:19:48,080 Speaker 1: like give him a hand job. No, it's Netflix. They 393 00:19:48,119 --> 00:19:51,400 Speaker 1: speak for themselves. Yeah, exactly. Netflix and Chill Fantasy Football 394 00:19:51,400 --> 00:19:54,960 Speaker 1: and Chill The Keeper, which is about a murder that 395 00:19:55,119 --> 00:20:00,280 Speaker 1: took place. I think it was a nun uh um 396 00:20:00,680 --> 00:20:02,760 Speaker 1: and she was murdered, and and this town that she 397 00:20:02,880 --> 00:20:07,080 Speaker 1: lives in and outside of Pittsburgh, Pennsylvania, they never were 398 00:20:07,160 --> 00:20:10,440 Speaker 1: settled with it, and people, the people of the town 399 00:20:10,920 --> 00:20:13,240 Speaker 1: are like, we're gonna figure this out. And then they're 400 00:20:13,240 --> 00:20:18,160 Speaker 1: like elderly now like these like young elderly, Like the elderly, 401 00:20:19,359 --> 00:20:23,480 Speaker 1: I'm don't look at me like that. You're like like 402 00:20:23,840 --> 00:20:26,000 Speaker 1: they're they're they're young, they're they're I mean they're they're 403 00:20:26,000 --> 00:20:28,439 Speaker 1: they're in their sixties, but they're they're young. Sixth year, 404 00:20:28,560 --> 00:20:31,239 Speaker 1: late fifties is still you know, pretty young. And then 405 00:20:31,320 --> 00:20:34,320 Speaker 1: sixties you're kind of like forty seven, asshole. I feel 406 00:20:34,320 --> 00:20:36,320 Speaker 1: like this is all about me being seven. I mean 407 00:20:36,359 --> 00:20:38,960 Speaker 1: that's just an insecurity ignored them because I didn't mention you. 408 00:20:39,880 --> 00:20:42,919 Speaker 1: I did fifty pups and fifty squats and random mile. Okay, 409 00:20:43,040 --> 00:20:45,239 Speaker 1: what do you do uts, It's my birthday. I can 410 00:20:45,560 --> 00:20:49,920 Speaker 1: do what I want today. Bro, big big, big, mean 411 00:20:50,000 --> 00:20:52,760 Speaker 1: move big mean dean, it's your birthday or twenty seven. 412 00:20:53,160 --> 00:20:54,760 Speaker 1: I feel like this whole thing is some sort of 413 00:20:54,760 --> 00:20:58,119 Speaker 1: guilt ship. Let's stay focused man on the show. I 414 00:20:58,280 --> 00:21:01,399 Speaker 1: really like the show. There's seven episod zodes uh the 415 00:21:01,560 --> 00:21:05,280 Speaker 1: Nuns waits honestly, wait till you get to wait till 416 00:21:05,280 --> 00:21:08,560 Speaker 1: you get to episode two because these priests and all 417 00:21:08,640 --> 00:21:13,440 Speaker 1: this ship is so fucked up, man, I mean pedophile ship. 418 00:21:13,640 --> 00:21:17,040 Speaker 1: I don't want to gets uncovered. It's so fucked what 419 00:21:17,160 --> 00:21:20,480 Speaker 1: these priests do and and and that's why they think. 420 00:21:20,600 --> 00:21:23,439 Speaker 1: They start unfolding that right off the bat on episode two. 421 00:21:23,480 --> 00:21:25,480 Speaker 1: And that's why they think that maybe the nun was 422 00:21:25,640 --> 00:21:27,720 Speaker 1: kind of that she was killed, maybe she was covering 423 00:21:27,960 --> 00:21:31,320 Speaker 1: she was she knew about the priests, and then I 424 00:21:31,359 --> 00:21:34,200 Speaker 1: didn't get to that. It's it's really funny. We we 425 00:21:34,280 --> 00:21:36,200 Speaker 1: need to, we need to. I want to finish watching it, 426 00:21:36,680 --> 00:21:38,639 Speaker 1: you know. And I'm like one of these people. I 427 00:21:38,960 --> 00:21:41,399 Speaker 1: as much as I love any show, like even like 428 00:21:41,520 --> 00:21:44,399 Speaker 1: the show Atlanta, or or like any any show that 429 00:21:44,440 --> 00:21:46,800 Speaker 1: I get into, I don't like to. I'm not binge 430 00:21:46,880 --> 00:21:48,840 Speaker 1: watching like. I don't like to ruin it all in 431 00:21:48,880 --> 00:21:52,080 Speaker 1: a weekend. I like to say, yeah, maybe watch two episodes, 432 00:21:52,119 --> 00:21:53,760 Speaker 1: but I don't like, I watched the whole thing in 433 00:21:53,960 --> 00:21:55,639 Speaker 1: in in three hours. Yeah, I mean, what happened to 434 00:21:55,680 --> 00:21:57,199 Speaker 1: the good old days? We had to wait till next 435 00:21:57,240 --> 00:21:59,600 Speaker 1: Sunday to see your favorite episode and build the suspense. 436 00:21:59,760 --> 00:22:03,040 Speaker 1: I'll never forget waiting with Toby Moore's Friend of the 437 00:22:03,040 --> 00:22:08,480 Speaker 1: Iron Raper Stereo podcast for the last episode of The Sopranos, Waiting, waiting, excited, 438 00:22:08,760 --> 00:22:11,160 Speaker 1: be talking about it, you know, like it was must 439 00:22:11,240 --> 00:22:14,000 Speaker 1: watch TV I'm not saying there's anything wrong with binge watching, 440 00:22:14,200 --> 00:22:17,080 Speaker 1: but I like to like, even if I love the 441 00:22:17,080 --> 00:22:18,600 Speaker 1: show and I can't wait, like, I like to like 442 00:22:19,160 --> 00:22:21,360 Speaker 1: enjoy a little bit. I also don't think you could absorb, 443 00:22:21,840 --> 00:22:24,600 Speaker 1: you know, nine hours of TV in twenty four hours, 444 00:22:24,680 --> 00:22:27,240 Speaker 1: that's really absorbing. I just don't think you can. I 445 00:22:27,320 --> 00:22:29,120 Speaker 1: felt the same way about Breaking Bad. I mean those 446 00:22:29,240 --> 00:22:32,280 Speaker 1: last two episodes. I mean, it was was great. Fuck, yeah, 447 00:22:32,359 --> 00:22:34,919 Speaker 1: what's gonna happen? You would see that preview, it would end, 448 00:22:34,960 --> 00:22:36,960 Speaker 1: and you would be like, funk, I gotta wait till 449 00:22:37,000 --> 00:22:39,240 Speaker 1: next week? And I think that values that are I 450 00:22:39,359 --> 00:22:41,879 Speaker 1: agree the binge watching thing cool for some people, but 451 00:22:42,200 --> 00:22:46,080 Speaker 1: I'm not not for me. I don't. I just said 452 00:22:46,119 --> 00:22:48,440 Speaker 1: it wasn't for me. I know it doesn't. It doesn't 453 00:22:48,480 --> 00:22:49,920 Speaker 1: have to be for you. I'm just saying, not for me, 454 00:22:51,640 --> 00:22:57,159 Speaker 1: not for me, Okay, Okay, so go ahead. And you know, 455 00:22:57,280 --> 00:22:59,040 Speaker 1: I was just what I was wondering, if God, it's 456 00:22:59,080 --> 00:23:01,920 Speaker 1: like it's it's like stepping on each other while we're 457 00:23:01,960 --> 00:23:03,760 Speaker 1: talking and looking at each other while we're doing it, 458 00:23:04,040 --> 00:23:05,879 Speaker 1: Like it's like the timing can't be any worse. I 459 00:23:05,880 --> 00:23:07,680 Speaker 1: don't know how I figure out that. So you just 460 00:23:08,600 --> 00:23:11,680 Speaker 1: go ahead talk, it's your show. This is the Dean 461 00:23:11,760 --> 00:23:18,399 Speaker 1: Rappaport Stereo podcast. Ahead, go ahead, okay, Uh did you 462 00:23:18,560 --> 00:23:23,120 Speaker 1: see there's a doc on HBO called Mommy Dead and Dearest. 463 00:23:23,160 --> 00:23:25,040 Speaker 1: I didn't see it. What is it? Oh? Man? It 464 00:23:25,200 --> 00:23:28,280 Speaker 1: is so fucked up. It's like this girl is now 465 00:23:28,800 --> 00:23:31,200 Speaker 1: five years old, when she was little and first born 466 00:23:31,320 --> 00:23:35,760 Speaker 1: her mother. This is syndrome called Munchausen by proxy. It's 467 00:23:35,760 --> 00:23:38,280 Speaker 1: where the where the parent wants all the attention for 468 00:23:38,400 --> 00:23:40,920 Speaker 1: like a dying child. That there that the you know, 469 00:23:40,960 --> 00:23:43,760 Speaker 1: they have a dying kid and they crave the attention. 470 00:23:44,000 --> 00:23:49,600 Speaker 1: Wait they is the kid dying? So the kids daughter? Wait? Wait, 471 00:23:49,720 --> 00:23:52,280 Speaker 1: I have a question. Go ahead. Is Munchausen by proxy 472 00:23:52,600 --> 00:23:55,800 Speaker 1: when a parent wants the attention or the parent wants 473 00:23:55,840 --> 00:23:59,800 Speaker 1: the attention when it's a dying kid. It's when the 474 00:24:00,080 --> 00:24:04,359 Speaker 1: arrant wants the attention by making the child sick or 475 00:24:04,480 --> 00:24:09,000 Speaker 1: get like purposely making them sick. I think something like that. 476 00:24:09,720 --> 00:24:13,359 Speaker 1: You listen, you what the fund did you watch the 477 00:24:13,400 --> 00:24:15,840 Speaker 1: movie or not? Yeah? So, so she has a daughter. 478 00:24:16,680 --> 00:24:19,399 Speaker 1: Right when she's born, she starts saying to the husband, Oh, 479 00:24:19,520 --> 00:24:21,399 Speaker 1: she's sick with all these things. She has this she 480 00:24:21,480 --> 00:24:24,280 Speaker 1: has that her legs don't work, and so this daughter, 481 00:24:24,640 --> 00:24:28,560 Speaker 1: her daughter was bound to a wheelchair for fifteen years 482 00:24:28,600 --> 00:24:31,520 Speaker 1: of her life. But the daughter is not sick. Later 483 00:24:31,680 --> 00:24:34,680 Speaker 1: on you find out she's not sick and she can walk, 484 00:24:35,200 --> 00:24:38,159 Speaker 1: and they've been treating her as like a cancer patient. 485 00:24:38,240 --> 00:24:40,359 Speaker 1: She's shaved her head. The mother shaved her head. They 486 00:24:40,400 --> 00:24:42,680 Speaker 1: go to Walt Disney World. They have all these you know, 487 00:24:43,160 --> 00:24:45,879 Speaker 1: charities giving them all this money. And later on you 488 00:24:46,040 --> 00:24:49,720 Speaker 1: find out that this mother has been, uh, has been 489 00:24:49,960 --> 00:24:53,560 Speaker 1: making her child sick and all the making her child 490 00:24:53,720 --> 00:24:58,440 Speaker 1: pretend to be sick. No, they're well, yeah, pretend to 491 00:24:58,480 --> 00:25:03,440 Speaker 1: be sick, but they you are doing this is the 492 00:25:03,480 --> 00:25:06,080 Speaker 1: movie good? It's really funked up. And the daughter later 493 00:25:06,200 --> 00:25:09,159 Speaker 1: on gets revenge on the mother and kills her. And 494 00:25:09,320 --> 00:25:11,680 Speaker 1: is all this in the documentary? Is the story? Do 495 00:25:11,760 --> 00:25:14,960 Speaker 1: they have footage of the people, Yes, major footage. It's 496 00:25:15,000 --> 00:25:18,399 Speaker 1: like they both have their buzz cuts. They're smiling, and 497 00:25:18,520 --> 00:25:21,680 Speaker 1: then later on you find out you know that she's 498 00:25:21,720 --> 00:25:23,840 Speaker 1: not really sick, and she can move her legs and 499 00:25:23,920 --> 00:25:26,240 Speaker 1: it's this whole thing and she like normal. The daughter 500 00:25:26,600 --> 00:25:30,480 Speaker 1: later on, she seems totally alive. Now, Yeah, she's in jail. 501 00:25:30,600 --> 00:25:32,359 Speaker 1: Is she in the movie? She's in jail? Yeah? Is 502 00:25:32,440 --> 00:25:35,040 Speaker 1: she do the interviewer in the movie? Yeah, it's a 503 00:25:35,080 --> 00:25:38,040 Speaker 1: whole thing. So it's called Mommy Dead and Dear. I 504 00:25:38,160 --> 00:25:43,639 Speaker 1: want to watch this pitch. It's on HBO. HBO. You 505 00:25:43,640 --> 00:25:45,800 Speaker 1: can watch on HBO. Go check it out. How do 506 00:25:45,840 --> 00:25:48,000 Speaker 1: you find out about all this fucking weird ship? This 507 00:25:48,160 --> 00:25:49,760 Speaker 1: is like a hot doc right now. It's kind of 508 00:25:49,760 --> 00:25:51,800 Speaker 1: like The Keepers on Netflix. It's it's a big doc 509 00:25:51,880 --> 00:25:54,080 Speaker 1: and it's just fucked up. Man. Okay, what else are 510 00:25:54,080 --> 00:25:58,080 Speaker 1: you watching? Uh? What else do you watch? I saw 511 00:25:58,119 --> 00:25:59,680 Speaker 1: The Founder. I don't know if we talked about that. 512 00:26:00,040 --> 00:26:03,119 Speaker 1: I mean it was the Michael Keaton McDonald's movie. Actually 513 00:26:03,200 --> 00:26:04,720 Speaker 1: really like that was a good movie. Did you see it? 514 00:26:04,840 --> 00:26:07,040 Speaker 1: I didn't see it. I actually really liked it. I 515 00:26:07,119 --> 00:26:08,960 Speaker 1: didn't see it. But when when you say I said 516 00:26:09,000 --> 00:26:10,439 Speaker 1: that was a good movie, because I heard a lot 517 00:26:10,480 --> 00:26:12,040 Speaker 1: about it and I want to see it. And he 518 00:26:12,119 --> 00:26:14,000 Speaker 1: was supposed to be nominated for an Oscar, I don't 519 00:26:14,040 --> 00:26:16,000 Speaker 1: know about all that. It was. It wasn't a nominating 520 00:26:16,040 --> 00:26:18,720 Speaker 1: a nominatable a project, I don't think so it was 521 00:26:18,840 --> 00:26:20,720 Speaker 1: it was good though, I liked it. What have you 522 00:26:20,800 --> 00:26:23,399 Speaker 1: seen that I haven't seen? Ship. I've been I've been 523 00:26:23,600 --> 00:26:26,520 Speaker 1: busting my ass working, Okay, I've been trying to do 524 00:26:26,680 --> 00:26:28,920 Speaker 1: the best I can to stay as far away from 525 00:26:28,960 --> 00:26:31,800 Speaker 1: you as possible. And have you been freaking off? Huh? 526 00:26:32,000 --> 00:26:34,720 Speaker 1: Have you been freaking off with my wife? Yeah? Yeah, 527 00:26:34,880 --> 00:26:36,440 Speaker 1: you asked me all these things? Am I have not 528 00:26:36,480 --> 00:26:40,119 Speaker 1: allowed man coming in here asking me? It was? I 529 00:26:40,240 --> 00:26:41,600 Speaker 1: just wondering if I could ask you what you want 530 00:26:41,600 --> 00:26:44,080 Speaker 1: to ask her? No? I don't want to ask you. No, No, 531 00:26:44,200 --> 00:26:46,359 Speaker 1: you have to call it. You know, Dean has a 532 00:26:46,480 --> 00:26:49,679 Speaker 1: question for you downstairs. We'll ask her. You could ask her. 533 00:26:49,720 --> 00:26:51,800 Speaker 1: I don't need to ask her. Be a fucking be a, 534 00:26:51,880 --> 00:26:54,119 Speaker 1: be a weirdo and ask her. You're asking ask a 535 00:26:54,200 --> 00:26:56,240 Speaker 1: married woman if she's been freaking off with her husband. 536 00:26:56,280 --> 00:26:59,760 Speaker 1: Don't bring her down here. I'm not big. Forget that, 537 00:26:59,840 --> 00:27:02,879 Speaker 1: for get it, forget it. Um what else, Dean? What 538 00:27:02,960 --> 00:27:06,520 Speaker 1: else have you been watching? What else he's been doing? Um? Nothing? Man? 539 00:27:06,600 --> 00:27:09,200 Speaker 1: I have a question. I just have questions. What is it? 540 00:27:09,480 --> 00:27:12,760 Speaker 1: When's the next tour? Like? When when we to the tour? 541 00:27:13,040 --> 00:27:16,320 Speaker 1: I don't know. I know we want to do East Coast. Uh, 542 00:27:16,520 --> 00:27:18,440 Speaker 1: we want to make it to Portland. We want to 543 00:27:18,480 --> 00:27:20,680 Speaker 1: go up there. We see Portugal in the man Portugal, 544 00:27:20,720 --> 00:27:24,560 Speaker 1: the man not Portugal, and the man Portugal. The man Portugal. 545 00:27:24,600 --> 00:27:26,879 Speaker 1: The man. Dude, they they're in Portland. They have their 546 00:27:26,960 --> 00:27:30,399 Speaker 1: their Twitter account. I think it's Portland's most wanted um 547 00:27:30,840 --> 00:27:32,320 Speaker 1: and I want to go. We we were gonna do 548 00:27:32,440 --> 00:27:35,000 Speaker 1: Portland and we couldn't do Portland. I want to do Philly. 549 00:27:35,200 --> 00:27:37,760 Speaker 1: I've never been to Portland. Let me finish, he asked me, 550 00:27:37,800 --> 00:27:39,840 Speaker 1: where the tour is going. I want to do Philly. 551 00:27:40,040 --> 00:27:42,119 Speaker 1: I want to do Boston. I want to do like 552 00:27:42,240 --> 00:27:44,159 Speaker 1: a whole Eastern leg. I want to do d c 553 00:27:45,119 --> 00:27:47,520 Speaker 1: Um and just go back to other places. I mean, 554 00:27:47,560 --> 00:27:49,639 Speaker 1: we haven't done Texas. We could do a whole rodeo 555 00:27:50,160 --> 00:27:54,040 Speaker 1: show down in Texas. Huh. It was funny when he 556 00:27:54,080 --> 00:27:55,879 Speaker 1: said a rodeo show. Yeah, like a rody that's what 557 00:27:55,960 --> 00:27:58,320 Speaker 1: they call it, the rodeo show. Yeah, do Texas, picturing 558 00:27:58,400 --> 00:28:00,600 Speaker 1: you and Moody and everybody out there. Well, we had 559 00:28:00,600 --> 00:28:02,960 Speaker 1: a good time. Moody and we had a good time. 560 00:28:02,960 --> 00:28:05,639 Speaker 1: Actually we chilled. San Fran was a little crazy. The 561 00:28:05,840 --> 00:28:07,760 Speaker 1: the actual show, it was fun, don't get me wrong. 562 00:28:07,840 --> 00:28:10,360 Speaker 1: It was good time, it was dope and beggars can't 563 00:28:10,359 --> 00:28:12,280 Speaker 1: be choosy. You did that one show, so just be 564 00:28:12,400 --> 00:28:14,080 Speaker 1: happy with the one show I wanted. I thought we 565 00:28:14,119 --> 00:28:15,760 Speaker 1: were going to go to the next one. Well, you know, 566 00:28:16,000 --> 00:28:18,399 Speaker 1: I said it was based on how things went the 567 00:28:18,440 --> 00:28:20,600 Speaker 1: first one, and then you got on a plane and 568 00:28:20,640 --> 00:28:23,200 Speaker 1: you went about your business. You're twenty seven years old. 569 00:28:23,240 --> 00:28:27,080 Speaker 1: I did not know this. The Young Shooter is getting 570 00:28:27,119 --> 00:28:31,160 Speaker 1: up there in age seventy years apart, exactly twenty years apart, 571 00:28:31,280 --> 00:28:35,480 Speaker 1: not exactly two months. Yeah, so we're we're we're I'm 572 00:28:35,560 --> 00:28:38,680 Speaker 1: twenty years and two months older than you. You are 573 00:28:38,800 --> 00:28:42,360 Speaker 1: young enough to be my son. Yes, you're young enough 574 00:28:42,400 --> 00:28:44,640 Speaker 1: to be my son. You're like the younger brother that 575 00:28:44,720 --> 00:28:47,880 Speaker 1: I never wanted. Um, and thank you. It's It's the 576 00:28:48,000 --> 00:28:51,400 Speaker 1: Iron Reports Stereo podcast. UM. I don't know what else 577 00:28:51,440 --> 00:28:53,520 Speaker 1: we could say, is the It's the Young Shooter edition. 578 00:28:53,720 --> 00:28:55,560 Speaker 1: You know, someone said that I am like a young 579 00:28:55,880 --> 00:28:57,520 Speaker 1: that I look like a young Larry Bird, and I 580 00:28:57,600 --> 00:29:00,360 Speaker 1: thought about you. I've had two people say that on line, 581 00:29:00,760 --> 00:29:02,680 Speaker 1: and like this kid looks like young Larry Bird. No, 582 00:29:02,800 --> 00:29:04,280 Speaker 1: what like we need to you know what we need 583 00:29:04,360 --> 00:29:06,760 Speaker 1: to do? You need to send picture to Mr Morris. 584 00:29:07,240 --> 00:29:09,760 Speaker 1: He hooked me up the other day. He cropped me 585 00:29:09,880 --> 00:29:12,760 Speaker 1: on Larry Bird's head and I swear to god, it 586 00:29:12,880 --> 00:29:15,800 Speaker 1: looked like fucking Larry Joe Bird. We need you. I'm 587 00:29:15,800 --> 00:29:17,680 Speaker 1: gonna show you the picture. We're gonna take the photo 588 00:29:17,760 --> 00:29:20,160 Speaker 1: for Mr Morris needs to crop you on there because 589 00:29:20,400 --> 00:29:23,200 Speaker 1: could be three generations of Larry Bird. It'll be Larry 590 00:29:23,280 --> 00:29:25,880 Speaker 1: Joe Bird. Me is Larry Joe Bird, and the young 591 00:29:25,960 --> 00:29:28,960 Speaker 1: shooter is Larry Joe Bird. Looks bizarre. I like that 592 00:29:29,040 --> 00:29:31,600 Speaker 1: we could just like, you know, our faces could go 593 00:29:31,640 --> 00:29:34,160 Speaker 1: anywhere together, like we're a package because we look so 594 00:29:34,280 --> 00:29:36,840 Speaker 1: similar with Yes, it's it's a package that I never 595 00:29:36,920 --> 00:29:39,920 Speaker 1: wanted to be a part of. Yet we're still here. Um. 596 00:29:40,120 --> 00:29:42,600 Speaker 1: I think it's the earliest pouting we've ever done. I'm 597 00:29:42,640 --> 00:29:44,280 Speaker 1: not gonna you know whatever time it is, but it's 598 00:29:44,280 --> 00:29:46,560 Speaker 1: just it's early. Yeah, it's fun to do it in 599 00:29:46,720 --> 00:29:49,600 Speaker 1: in the morning time. Yeah, it's good to be productive. 600 00:29:49,720 --> 00:29:51,760 Speaker 1: Thanks for having me because because sometimes I have to 601 00:29:51,800 --> 00:29:54,680 Speaker 1: call you. I call I get up early. I'm out there. 602 00:29:54,720 --> 00:29:58,000 Speaker 1: I'm I'm moving and grooving, uh you know, shaking and 603 00:29:58,080 --> 00:30:00,480 Speaker 1: bacon and I'm like I call you and you're like, 604 00:30:00,720 --> 00:30:04,680 Speaker 1: you're like, wake the funk, I've been smoken. I got 605 00:30:04,720 --> 00:30:07,200 Speaker 1: back to smoking already, said that the smoking a little 606 00:30:07,200 --> 00:30:09,320 Speaker 1: bit more. And and do you feel like that's good 607 00:30:09,440 --> 00:30:14,040 Speaker 1: or bad? Negative connotations? Uh not, negative connotations doesn't affect you. 608 00:30:14,160 --> 00:30:17,400 Speaker 1: I don't think it's good. Are you double fisting Ben 609 00:30:17,520 --> 00:30:22,120 Speaker 1: and Jerry's at night? Yes? What? Where the funck? Is Logan? 610 00:30:22,160 --> 00:30:24,280 Speaker 1: By the way, Logans in Ireland doing a movie? Yeah, 611 00:30:24,320 --> 00:30:26,840 Speaker 1: he's doing a movie with the actor John Hawks. Yes, 612 00:30:27,040 --> 00:30:28,960 Speaker 1: who's a good actor. And they're playing father and son. 613 00:30:29,040 --> 00:30:31,000 Speaker 1: It's a road trip thing. It's you know. And then 614 00:30:31,040 --> 00:30:32,960 Speaker 1: so what like Logan's like all like, oh, I'm in 615 00:30:33,120 --> 00:30:36,800 Speaker 1: character actually has like tattoos and ship but they're fake tattoos, 616 00:30:36,880 --> 00:30:38,880 Speaker 1: fake tattoos. He had to bulk up a lot. He's 617 00:30:38,880 --> 00:30:40,840 Speaker 1: gained a lot of weight. Actually like to be fat, 618 00:30:41,280 --> 00:30:46,479 Speaker 1: to be like fat and bigger. Okay, So he's doing 619 00:30:46,520 --> 00:30:49,160 Speaker 1: a movie with with John Hawks, who was nominated for 620 00:30:49,400 --> 00:30:51,400 Speaker 1: for what was that movie that Helen Hunt he was 621 00:30:51,480 --> 00:30:54,720 Speaker 1: nominated No? Or was it the Jennifer and the Jennifer 622 00:30:54,800 --> 00:30:56,880 Speaker 1: Lawrence movie that he was nominated for? The one where 623 00:30:56,920 --> 00:30:58,680 Speaker 1: he was like in the bend he wanted a hand 624 00:30:58,760 --> 00:31:00,720 Speaker 1: job for his last time. Yeah, yeah, that was with 625 00:31:00,800 --> 00:31:03,840 Speaker 1: Helen Hunt. He's a really good actor. He's real. He's 626 00:31:03,840 --> 00:31:06,040 Speaker 1: one of these guys who's really good and you you 627 00:31:06,200 --> 00:31:08,960 Speaker 1: you most unless you knew who he is. The name 628 00:31:09,040 --> 00:31:11,440 Speaker 1: you won't know, but the face you'll know. John Hawks. Yeah, 629 00:31:11,440 --> 00:31:14,000 Speaker 1: he's got an interesting face. Um. And and he's done 630 00:31:14,040 --> 00:31:17,320 Speaker 1: a great amount of work, very very good actor. Um. 631 00:31:17,720 --> 00:31:19,720 Speaker 1: Is there anything we could else to talk about? Just 632 00:31:19,880 --> 00:31:24,040 Speaker 1: like Twitter stuff? And well, Dean Rapp report, you haven't 633 00:31:24,080 --> 00:31:26,240 Speaker 1: had any Beeves on Twitter. I haven't been on there, 634 00:31:26,520 --> 00:31:28,600 Speaker 1: but I think I told you I posted that thing 635 00:31:28,680 --> 00:31:31,680 Speaker 1: of like, if this gets a hundred retweets, I will 636 00:31:32,080 --> 00:31:34,680 Speaker 1: Did you get a I got like three retweets and 637 00:31:34,720 --> 00:31:37,040 Speaker 1: four hundreds, So you said, a hundred retweets and you'll 638 00:31:37,040 --> 00:31:40,880 Speaker 1: do what? Burn a copy of burn your personal copy 639 00:31:40,960 --> 00:31:42,800 Speaker 1: of True Romance. But you didn't do it yet. I 640 00:31:42,880 --> 00:31:44,800 Speaker 1: didn't do it. I just thought that would freak everyone out. 641 00:31:44,840 --> 00:31:46,840 Speaker 1: But so why don't you do it? I should write, 642 00:31:47,120 --> 00:31:49,880 Speaker 1: Yeah you should, Well you're not gonna burn my personal copy. 643 00:31:49,920 --> 00:31:51,400 Speaker 1: And that's what I told the people that I would 644 00:31:51,440 --> 00:31:53,680 Speaker 1: burn your problem, give you the copy of True Romance. 645 00:31:53,720 --> 00:31:56,000 Speaker 1: You could burn my personal copy of truth. You can't 646 00:31:56,080 --> 00:32:00,320 Speaker 1: mislead the fucking public. I know, I know. Oh sorry, weezy, Okay, 647 00:32:00,360 --> 00:32:02,600 Speaker 1: So if you said so, now you have to take 648 00:32:02,720 --> 00:32:05,560 Speaker 1: my own personal copy of moments and burn it. Yeah, 649 00:32:05,600 --> 00:32:09,440 Speaker 1: I gotta fucking engulf that puppy and flames fine Sie 650 00:32:09,440 --> 00:32:11,800 Speaker 1: iron rapport stereo pockets. I don't know what more to say. 651 00:32:12,520 --> 00:32:16,040 Speaker 1: We're out, Uh, we're we're we're doing the damn thing 652 00:32:16,400 --> 00:32:19,920 Speaker 1: the young shooter, Happy birthday, Young shooting. Than we're about 653 00:32:19,920 --> 00:32:22,280 Speaker 1: to go to lunch. I'm not paying for lunch. You're 654 00:32:22,280 --> 00:32:24,240 Speaker 1: gonna pay for lunch. I'm not paid for the Starbucks. 655 00:32:24,280 --> 00:32:28,400 Speaker 1: I'm not paying for the fucking birthday man, thank you 656 00:32:28,480 --> 00:32:31,200 Speaker 1: for the show. Um and and uh, well we're here. 657 00:32:31,200 --> 00:32:33,560 Speaker 1: I'm not paying here. Yeah, you fucking are gonna funk 658 00:32:33,600 --> 00:32:34,000 Speaker 1: out of here.