WEBVTT - Teacher's Pet ("Second Chances" S1 E6)

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphney's Aniga an iHeartRadio podcast.

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<v Speaker 3>All Right, girls, good to see you.

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<v Speaker 1>Yeah, so it's good to see you, Guys's been a

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<v Speaker 1>very exciting morning for me.

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<v Speaker 2>Yes.

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<v Speaker 1>So, I very earnestly watched episode six like a Good

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<v Speaker 1>Girl on my Amazon where I have bought the season

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<v Speaker 1>because I'm such a kiss ass. Wow, and I came

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<v Speaker 1>in today and Daphney started talking about it. It was

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<v Speaker 1>not the episode i'd watched.

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<v Speaker 2>Yep. She's staring at me like, are you crazy? And

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<v Speaker 2>I go, you totally made out with Ja and she's forgot.

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<v Speaker 1>And you're gonnaze you with Billy's parents. What happened?

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<v Speaker 3>It wasn't your fault. It wasn't you that you watched

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<v Speaker 3>the wrong episode.

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<v Speaker 1>It was not, thank god, because as a good girl,

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<v Speaker 1>I'd be devastated. So apparently on Paramount Plus and Amazon

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<v Speaker 1>they have different sixes and seven. It's the only time

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<v Speaker 1>it happened. So if you're following along with us and

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<v Speaker 1>you're thinking, why aren't you talking about Alison going on

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<v Speaker 1>vacation with Billy's parents Because you're watching on Amazon.

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<v Speaker 3>And they're showing seven before six and.

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<v Speaker 1>They're showing seven before six, right, So so pair went

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<v Speaker 1>back next week and then watched this episode that I

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<v Speaker 1>just watched in the hallway because it's crazy good. Yeah,

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<v Speaker 1>and I did. I made out with Jake.

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<v Speaker 3>Three times a glad, let's get into it.

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<v Speaker 1>I don't remember. I was like, oh my goodness, that

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<v Speaker 1>is some pretty hot stuff. That was spicy.

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<v Speaker 2>Yeah.

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<v Speaker 3>So the one we are supposed to be watching now,

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<v Speaker 3>Courtney's all, when you.

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<v Speaker 1>Guys watched, how was it?

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<v Speaker 2>I loved about it is It was totally like the

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<v Speaker 2>bad boy and good girl fantasy. It felt like it

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<v Speaker 2>was a fantasy for both types.

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<v Speaker 1>I feel like Breakfast Club, didn't it?

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<v Speaker 2>Yeah?

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<v Speaker 1>Yeah it did. It was so you.

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<v Speaker 2>Would have liked me. I thought you would be too smart.

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<v Speaker 2>I thought you wouldn't you know? It was great?

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<v Speaker 1>Yeah, you know. But we're cutting to the end. Okay,

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<v Speaker 1>so we have to start at the beginning. But I

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<v Speaker 1>literally watched it three minutes ago, so it's very freshman

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<v Speaker 1>eat it up from it.

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<v Speaker 2>She's already to.

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<v Speaker 3>Go, all right, So we are talking about season one,

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<v Speaker 3>episode six, the title Second Chances and Okay, so this

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<v Speaker 3>episode opens on a poker game in Billy and Allison's

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<v Speaker 3>apartment and they're playing poker. Ronda wants to she needs

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<v Speaker 3>to buy in. She wants to offer up tickets to

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<v Speaker 3>a dance show instead of money. The gangs is no way.

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<v Speaker 3>And then the last round of cards, Allison's all in

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<v Speaker 3>and she ends up scaring everybody out. They fold. Turns

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<v Speaker 3>out she was bluffing.

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<v Speaker 1>But it was so cute the way I love seeing

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<v Speaker 1>everybody together. Right, we've done it at the pool, but

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<v Speaker 1>I remember that we would get in so much trouble

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<v Speaker 1>because we were laughing so hard. We just want to

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<v Speaker 1>talk in between. It's like, but we don't all As

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<v Speaker 1>you guys know, I've been trying to get everybody in

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<v Speaker 1>my house for dinner for now thirty years, so this

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<v Speaker 1>is the only chance we had to sort of all

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<v Speaker 1>be in a room talking and chatting. So it was

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<v Speaker 1>like being kindergarteners. We kept getting shirt, we kept getting

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<v Speaker 1>in trouble with The chemistry was great among all of us,

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<v Speaker 1>was so sweet. You could really see that we were friends, Yeah, right,

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<v Speaker 1>I could really.

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<v Speaker 3>I think those scenes were so important for that to

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<v Speaker 3>start happening that comra. Do you remember shooting that scene, Like,

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<v Speaker 3>do you remember sitting around the poker table.

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<v Speaker 1>I don't remember that scene exactly. It was fun to watch,

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<v Speaker 1>but I remember having scenes when we were all together

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<v Speaker 1>and we would get they were so frustrated with us,

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<v Speaker 1>but we were so excited to be together because especially

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<v Speaker 1>later when you guys came on, the storylines were so separate. Yep,

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<v Speaker 1>so it really became more rare for us all to

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<v Speaker 1>be together. So it's really so much fun to we

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<v Speaker 1>were catching up. We want it. We're like, you've brought

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<v Speaker 1>us all together, don't make us stop into our lines.

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<v Speaker 3>Yeah, very And it was always the most fun when

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<v Speaker 3>we were all together, most fun. And I love that

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<v Speaker 3>this episode we're starting to see that more often in

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<v Speaker 3>the last episode two, like they're putting the characters all together. Yes,

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<v Speaker 3>but it is sort of Uh, they're still in this

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<v Speaker 3>mode of just telling one character story at a time.

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<v Speaker 3>They're not necessarily carrying over just yet. These are self

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<v Speaker 3>contained stories. Still in this this episode, we really are

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<v Speaker 3>going to have an Alison and Jake storyline, and then

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<v Speaker 3>we're also going to have a Rhonda storyline, just as

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<v Speaker 3>we're getting to know those characters individually exactly. But yeah,

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<v Speaker 3>so the end of the Poker Hand, Alison reveals that

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<v Speaker 3>she's the reason she's so good at bluffing is she

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<v Speaker 3>feels like she's good under pressure. And that was also,

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<v Speaker 3>by the way, how she studied in school. She would

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<v Speaker 3>do it at the last minute, she'd cramp for things

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<v Speaker 3>because she was so good under pressure.

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<v Speaker 1>She said.

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<v Speaker 3>So she takes the pot, she wins the hand for

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<v Speaker 3>the night, and but Jake's like the scene out is

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<v Speaker 3>like him going hmm.

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<v Speaker 1>A little fun on the that's what Alison said about.

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<v Speaker 2>Yeah. So then we go have some very Melrose lines.

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<v Speaker 2>He says, I showed you mine, you show me. Yeah,

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<v Speaker 2>that was the Melrose line. So there's already already this

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<v Speaker 2>this flirty foreplay happening and foreshadowing. And then I wouldn't

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<v Speaker 2>have taken you for this, and then you said, well

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<v Speaker 2>you don't know me, and it was just this whole

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<v Speaker 2>kind of thing foreshadowing. Yeah, those very key Melrose lines. Yeah,

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<v Speaker 2>very showed you mine, show me your.

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<v Speaker 3>I'm very subtle, very super subtle.

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<v Speaker 2>Yeah.

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<v Speaker 3>So then we find Matt swimming in the pool, Ronda

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<v Speaker 3>coming to invite him. Yea topless count. Ronda's inviting him

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<v Speaker 3>to go to this dance thing, and he has absolutely

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<v Speaker 3>no interest in attending. She says, I need you there.

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<v Speaker 3>He says, all right, I'll go.

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<v Speaker 1>So of course she does, because he's the nicest person, is.

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<v Speaker 3>The nicest friend. And then Jake comes knocking on Alison's

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<v Speaker 3>door the next morning or later the next morning, asking

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<v Speaker 3>for help with something. Doesn't want to tell her what

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<v Speaker 3>it is, but would she mind coming to his apartment

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<v Speaker 3>later that night.

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<v Speaker 1>Right, which is also said Daphne's thinking about the foreshadowing.

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<v Speaker 1>So now you've already been set up that there's some chemistry,

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<v Speaker 1>so it feels.

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<v Speaker 2>Like and.

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<v Speaker 3>What is that about?

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<v Speaker 1>Like?

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<v Speaker 3>So then we go to the dance performance and Matt

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<v Speaker 3>and Ronda are watching the performance, and I think that

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<v Speaker 3>Matt is just wrapped. He is just loving the performance.

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<v Speaker 3>He didn't expect to and is just.

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<v Speaker 1>Love so much of the dancing. Yeah, like they really

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<v Speaker 1>focused on the dancing. That was fun.

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<v Speaker 2>I mean to see that, to see these amazing dancers

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<v Speaker 2>clearly not just you know, extras, they were dancers, and

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<v Speaker 2>the doing what they were doing, the choreography, and that

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<v Speaker 2>that lead guy was amazing. It looked like dancer.

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<v Speaker 3>And just just for the prep work for that scene,

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<v Speaker 3>like they had to get those dancers together and rehearse

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<v Speaker 3>it and to shoot that sort of thing.

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<v Speaker 2>And the music. I think it brought a lot into Melose.

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<v Speaker 2>It is in the courtyard, and it was really cool

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<v Speaker 2>to bring in that artists, you know, that that artistic

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<v Speaker 2>just bring it into our gang.

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<v Speaker 1>I really enjoy Yeah, and to give it that much time,

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<v Speaker 1>I really liked it too. I was very impressed.

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<v Speaker 3>But I did happen to watch the show with Doug

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<v Speaker 3>and made him watch with me, and he's sitting there going,

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<v Speaker 3>I don't remember any of this episode. He didn't remember

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<v Speaker 3>the poker game. And then he's like watching the concerts,

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<v Speaker 3>like yet, no no recollection of watching this at all.

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<v Speaker 3>And then and then as his character is like so

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<v Speaker 3>enamored with the dancing, you know, for a guy who

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<v Speaker 3>didn't want to go in the first place. And then

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<v Speaker 3>he's watching the show and he's so enamored and he's like, yes,

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<v Speaker 3>I want to go backstage. Yes, I love this. And

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<v Speaker 3>he said to me, he goes, what is Matt straight?

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<v Speaker 1>Who's your friends?

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<v Speaker 3>So I want to meet your friend?

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<v Speaker 1>Meet her?

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<v Speaker 3>And it was it was confusing to him because he

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<v Speaker 3>has no recollection of it all. He's just great for Teresa,

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<v Speaker 3>but he was watching stage. So yeah. So then before

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<v Speaker 3>they go backstage, though, we find out what's going on

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<v Speaker 3>with Jake and Allison. She shows up at his apartment

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<v Speaker 3>and he reveals that his secret is he didn't have

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<v Speaker 3>a great upbringing and he never finished with high school

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<v Speaker 3>and what he's doing now is studying for the GED.

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<v Speaker 3>Would she help him?

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<v Speaker 1>And which is so sweet And this is what makes

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<v Speaker 1>Grant such a lovely guy and makes Jake such an

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<v Speaker 1>interesting character, which is he's this tough guy. Same with

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<v Speaker 1>Grant too, it's something they share, but this incredibly sweet

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<v Speaker 1>side and that he can play both. I was so

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<v Speaker 1>moved by this scene.

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<v Speaker 2>I was just like the vulnerability from the tough guy.

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<v Speaker 3>Yeah, we love we love the vulnerable, the vulnerable.

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<v Speaker 2>Because that's real. It's not even like a vulnerability of

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<v Speaker 2>like his feelings to not have a deed to not

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<v Speaker 2>you know, have graduated, not from college, but high school

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<v Speaker 2>is a shame that you know, he carried around. So

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<v Speaker 2>to open that up to you, you know, yeah, the smart,

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<v Speaker 2>pretty girl. I thought that was really and that he

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<v Speaker 2>was optimistic about it. Felt like for the first time

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<v Speaker 2>he might have a future because he's been he's decided

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<v Speaker 2>to work towards this, but he does think maybe I

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<v Speaker 2>need some help because I want to make sure that

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<v Speaker 2>I get this, and so he's asking Alison.

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<v Speaker 1>Yeah, and to ask for help, right, Like, that's such

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<v Speaker 1>a sweet moment for when a man can ask for help.

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<v Speaker 1>It's so important. It's a great thing to model to.

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<v Speaker 1>I mean, this was a great such is such a

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<v Speaker 1>sweet scene.

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<v Speaker 3>So then we're back at the dance performance and Matt

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<v Speaker 3>wants to meet the dancer friend Teresa, So they go

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<v Speaker 3>backstage to find her. I don't know if you guys

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<v Speaker 3>notice this. Do you know who opened the door to

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<v Speaker 3>the dressing room to let them in? No, Chip Chalmers

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<v Speaker 3>one of our directors. He recurring directors, Yes, and yeah,

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<v Speaker 3>often he would, but they would often put crew members

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<v Speaker 3>in as like little bit parts or x you know,

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<v Speaker 3>like background performance. Sure enough, he had his head set

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<v Speaker 3>on and he opens the door like he's playing the

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<v Speaker 3>stage manager. Again. That was that was Doug spotting Chip.

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<v Speaker 3>He doesn't remember anything about the episode, but he's spotted.

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<v Speaker 1>He's like, wait, oh that's mind that Oh that's amazing.

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<v Speaker 3>Yeah, that was fun. So they walk into the dressing

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<v Speaker 3>room and they meet Teresa, and Teresa says to Matt

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<v Speaker 3>who's I loved you know, I love the performance, glad

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<v Speaker 3>I could turn you on, And then Ronda says, well

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<v Speaker 3>so far, well only to yeah, so a dirty lick,

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<v Speaker 3>eliciting a dirty lock from Matt, like all right, really

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<v Speaker 3>around it again. Doug has zero recollection of she did

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<v Speaker 3>that scene. But I did sort of know like we're

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<v Speaker 3>just sort of like hinting around at the character of

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<v Speaker 3>Matt being gay, like nobody's come out and said, oh buddy,

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<v Speaker 3>you know whatever, Like it's not like an open conversation.

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<v Speaker 3>It's just sort of like lines like this. Those the

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<v Speaker 3>bread crumbs were just sort of like dropping for the audience.

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<v Speaker 3>I asked Doug if there was anything like where you

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<v Speaker 3>were you not allowed to openly talk about, like how

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<v Speaker 3>like what were the parameters that was this thing part

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<v Speaker 3>of because there were so many things they weren't allowed

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<v Speaker 3>to do and that they weren't comfortable pushing certain boundaries

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<v Speaker 3>and stuff. But anyway, I just sort of noticed it

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<v Speaker 3>as like they're just leaving these little bread crumbs, like

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<v Speaker 3>well only to a point, just.

0:10:52.280 --> 0:10:55.040
<v Speaker 2>Doesn't she's not like this episode, she's a little toy

0:10:55.080 --> 0:10:57.400
<v Speaker 2>about why it was written this way and why he

0:10:57.559 --> 0:11:01.280
<v Speaker 2>played it that way because it was obviously flirty. I mean, yeah,

0:11:01.280 --> 0:11:01.520
<v Speaker 2>it was.

0:11:01.600 --> 0:11:04.040
<v Speaker 3>It was sort of like, at first it looks like, oh,

0:11:04.080 --> 0:11:08.080
<v Speaker 3>he's almost enamored with Teresa, yeah, as being attracted to her,

0:11:08.160 --> 0:11:10.199
<v Speaker 3>but turns out that's not it. He's just sort of

0:11:10.320 --> 0:11:13.000
<v Speaker 3>enamored with that with art, the performance and the dancing,

0:11:13.000 --> 0:11:14.720
<v Speaker 3>and he's just really impressed with her dancings.

0:11:14.840 --> 0:11:17.880
<v Speaker 1>I didn't I can't remember. Did Doug remembers they're seeing

0:11:17.880 --> 0:11:20.160
<v Speaker 1>when he tells us I thought we all knew. No.

0:11:20.280 --> 0:11:22.320
<v Speaker 3>I think I think the characters all do. It's just

0:11:22.360 --> 0:11:24.840
<v Speaker 3>everyone knows. It's just sort of interesting the way the

0:11:24.880 --> 0:11:26.439
<v Speaker 3>show slips it in.

0:11:27.080 --> 0:11:31.120
<v Speaker 2>Just that time. You know, again, this is what early nineties,

0:11:31.520 --> 0:11:35.760
<v Speaker 2>and it was I think a lot of men and

0:11:35.840 --> 0:11:40.080
<v Speaker 2>women just were it was like their own self kind

0:11:40.080 --> 0:11:43.360
<v Speaker 2>of like, don't tell her whatever, because it wasn't safe,

0:11:43.440 --> 0:11:47.400
<v Speaker 2>especially in Hollywood actors. It was so it was like

0:11:47.440 --> 0:11:50.120
<v Speaker 2>they're just gonna be themselves and if they meet someone,

0:11:50.280 --> 0:11:53.240
<v Speaker 2>maybe they'll go somewhere else or they're not open with it,

0:11:53.320 --> 0:11:56.560
<v Speaker 2>which is why it's so great now. So maybe that's

0:11:56.600 --> 0:11:58.360
<v Speaker 2>in there here he is with this group of people,

0:11:58.400 --> 0:12:00.600
<v Speaker 2>and he has a whole life of where he can

0:12:00.640 --> 0:12:01.000
<v Speaker 2>tell it.

0:12:01.000 --> 0:12:03.440
<v Speaker 3>Or not tell it, and right it was. It was

0:12:03.480 --> 0:12:05.480
<v Speaker 3>just sort of the reaction to those lines like that.

0:12:05.600 --> 0:12:08.240
<v Speaker 3>Rhonda was like, well, only to a point almost like

0:12:08.800 --> 0:12:11.360
<v Speaker 3>it was like, we're gonna hint at this, but not really.

0:12:11.360 --> 0:12:12.320
<v Speaker 2>And then I.

0:12:12.400 --> 0:12:15.280
<v Speaker 3>Was like, yeah, it was so annoyed, like that was

0:12:15.320 --> 0:12:18.480
<v Speaker 3>annoying or whatever, and that was notable.

0:12:18.520 --> 0:12:20.880
<v Speaker 1>I thought, Yeah, so far the character is sort of

0:12:21.000 --> 0:12:24.679
<v Speaker 1>overtly sexless, like everybody else is having romances and things

0:12:24.720 --> 0:12:28.200
<v Speaker 1>are heating up, and right, yeah, and I remember Doug

0:12:28.800 --> 0:12:31.320
<v Speaker 1>talking about it and saying, you know, this character has

0:12:31.360 --> 0:12:34.120
<v Speaker 1>to have a real life. Yeah, And I also loved

0:12:34.120 --> 0:12:36.400
<v Speaker 1>in this we're coming up on it, but you got

0:12:36.480 --> 0:12:39.200
<v Speaker 1>to see that part of Doug that so like intense

0:12:39.240 --> 0:12:41.120
<v Speaker 1>and serious and earnest, and he's trying to get her

0:12:41.120 --> 0:12:42.640
<v Speaker 1>to do this and take a stand. And that's how

0:12:42.640 --> 0:12:45.520
<v Speaker 1>I remember him being such a man of principle, hilariously

0:12:45.559 --> 0:12:48.320
<v Speaker 1>funny and also really principal. It was fun to seem.

0:12:48.400 --> 0:12:49.240
<v Speaker 1>I was like, Oh, there's Doug.

0:12:53.720 --> 0:12:56.480
<v Speaker 3>They decide that they want to go out for a

0:12:56.520 --> 0:13:00.560
<v Speaker 3>bite to eat afterwards and continue their conversation. That's where

0:13:00.880 --> 0:13:03.640
<v Speaker 3>Matt learns that Teresa and Ronda went to high school

0:13:03.679 --> 0:13:06.559
<v Speaker 3>together and now that Teresa's making a living as a dancer.

0:13:07.200 --> 0:13:09.400
<v Speaker 3>The audition to get her into this company was something

0:13:09.400 --> 0:13:11.160
<v Speaker 3>that Ronda was supposed to do five years ago, but

0:13:11.240 --> 0:13:13.719
<v Speaker 3>at the last minute, Ronda had broken her ankle and

0:13:13.920 --> 0:13:16.320
<v Speaker 3>didn't end up making the audition. So that was news

0:13:16.760 --> 0:13:17.240
<v Speaker 3>to Matt.

0:13:17.360 --> 0:13:20.120
<v Speaker 2>So that really shows that Ronda has been hiding her

0:13:20.160 --> 0:13:25.480
<v Speaker 2>own shames about this whole storyline about is she good

0:13:25.559 --> 0:13:27.880
<v Speaker 2>enough and that whole I mean, the whole thing's about frenemies.

0:13:27.920 --> 0:13:30.400
<v Speaker 2>We'll see as we go on. But for Matt, her

0:13:30.480 --> 0:13:34.800
<v Speaker 2>best friend, to not know, he say, wait, what you audition?

0:13:34.960 --> 0:13:37.080
<v Speaker 2>Wait what? I don't know. I just they made a

0:13:37.080 --> 0:13:38.199
<v Speaker 2>point to that, yeah, in.

0:13:38.160 --> 0:13:41.440
<v Speaker 3>There, and so we'll learn more about that. But then

0:13:41.480 --> 0:13:45.000
<v Speaker 3>we were back to Jake and Allison's studying and they're

0:13:45.040 --> 0:13:47.760
<v Speaker 3>having coffee and staying up late, and she's pushing him

0:13:47.760 --> 0:13:49.400
<v Speaker 3>to keep going, and she says, the only way to

0:13:50.160 --> 0:13:53.960
<v Speaker 3>cram is to cram, So let's keep going. So on

0:13:54.000 --> 0:13:54.800
<v Speaker 3>the very.

0:13:54.679 --> 0:13:58.160
<v Speaker 1>Heated studying, there's a lot of meaningful looks, there's a

0:13:58.200 --> 0:14:02.199
<v Speaker 1>lot of head tilts. It's very yeah, very loaded study.

0:14:02.840 --> 0:14:07.559
<v Speaker 3>And so back with Matt and Rnda and Teresa. Matt

0:14:07.600 --> 0:14:12.000
<v Speaker 3>is encouraging Randa to go to the audition, and hey,

0:14:12.080 --> 0:14:16.360
<v Speaker 3>there's this, you know, another opportunity to opening in the company.

0:14:16.360 --> 0:14:19.200
<v Speaker 3>You should go. And you know, I think there's a

0:14:19.240 --> 0:14:23.720
<v Speaker 3>reason that we, you know, had this dinner with Teresa.

0:14:23.800 --> 0:14:26.080
<v Speaker 3>I think there's a reason she was put in in

0:14:26.080 --> 0:14:28.280
<v Speaker 3>front of you, is is this fate you should try

0:14:28.280 --> 0:14:30.640
<v Speaker 3>out for this new opening in the company. What have

0:14:30.680 --> 0:14:31.280
<v Speaker 3>you got to lose?

0:14:31.280 --> 0:14:36.800
<v Speaker 2>So we talk about how Doug channel Jimmy Stewart, can

0:14:36.920 --> 0:14:40.920
<v Speaker 2>we just talk about how don't you believe in fate?

0:14:41.520 --> 0:14:44.040
<v Speaker 2>And she's up on this thing, and he's just like,

0:14:44.840 --> 0:14:47.440
<v Speaker 2>and I mean these were the early days in Melrose. Yeah,

0:14:47.880 --> 0:14:50.960
<v Speaker 2>I mean that ended in a few more episodes, but

0:14:51.280 --> 0:14:54.120
<v Speaker 2>I just love all that good and he did it

0:14:54.240 --> 0:14:57.840
<v Speaker 2>so beautifully. I just felt like, Wow, what happened to this?

0:14:58.040 --> 0:15:00.280
<v Speaker 2>What show am I watching? This is the.

0:15:00.240 --> 0:15:03.240
<v Speaker 3>Morows so earnest and so encouraging.

0:15:03.400 --> 0:15:05.680
<v Speaker 2>Don't you believe in Faidon? Yeah?

0:15:06.200 --> 0:15:10.520
<v Speaker 3>And we're off her considering what she just said. So

0:15:10.640 --> 0:15:14.480
<v Speaker 3>then the next morning, Billy is in the court already

0:15:14.520 --> 0:15:18.200
<v Speaker 3>comes knocking on Jane and Michael's apartment because he's worried

0:15:18.280 --> 0:15:25.320
<v Speaker 3>that Alison didn't come home last night. So we learned

0:15:25.320 --> 0:15:27.680
<v Speaker 3>that Alison didn't come home that night, and we know

0:15:27.760 --> 0:15:30.120
<v Speaker 3>where she's been, but Billy doesn't know where she's been.

0:15:30.240 --> 0:15:34.160
<v Speaker 1>People start gathering, and like people gathering.

0:15:34.080 --> 0:15:36.280
<v Speaker 3>Everyone comes out of their apartments and they all one,

0:15:36.320 --> 0:15:40.800
<v Speaker 3>and we're all gathering around Jade and Michaels and the

0:15:40.840 --> 0:15:47.760
<v Speaker 3>speculation and then yeah, and then the speculation that she

0:15:47.840 --> 0:15:50.560
<v Speaker 3>must have had one night stand and that you know,

0:15:50.640 --> 0:15:53.040
<v Speaker 3>puts that seat in Billy's head. And then out she

0:15:53.200 --> 0:15:54.680
<v Speaker 3>comes from Jake Store.

0:15:54.920 --> 0:16:01.280
<v Speaker 1>Everyone's talking about you say very pressed with Allison that

0:16:01.360 --> 0:16:04.320
<v Speaker 1>she just sort of goes basically, believe what you want,

0:16:04.760 --> 0:16:07.480
<v Speaker 1>it's none of your I was like, oh, good for you,

0:16:07.560 --> 0:16:09.120
<v Speaker 1>because she's such a good girl. You would think she

0:16:09.120 --> 0:16:11.240
<v Speaker 1>would immediately say it's nothing. Is something. She does say

0:16:11.280 --> 0:16:12.920
<v Speaker 1>it's not what you think, but in a very sort

0:16:12.920 --> 0:16:16.320
<v Speaker 1>of light way that leaves it open for interpretation.

0:16:15.840 --> 0:16:17.600
<v Speaker 3>And she does the walk of not shame back to

0:16:17.640 --> 0:16:18.320
<v Speaker 3>her own apartment.

0:16:18.360 --> 0:16:18.760
<v Speaker 1>Watch is.

0:16:20.680 --> 0:16:23.920
<v Speaker 2>Just I helped him, honest test. But wait, I have

0:16:23.960 --> 0:16:27.680
<v Speaker 2>a question for the audience. I lived in an apartment,

0:16:27.720 --> 0:16:30.400
<v Speaker 2>as I said earlier with Darren, and I'm wondering if

0:16:30.440 --> 0:16:35.440
<v Speaker 2>he got some of these stories. I'm trying to remember anyway,

0:16:35.760 --> 0:16:38.080
<v Speaker 2>But that's the only time I lived in an apartment

0:16:38.200 --> 0:16:40.280
<v Speaker 2>really when I was young like that, and it was

0:16:40.320 --> 0:16:42.920
<v Speaker 2>a small one. I want to know of the audience,

0:16:43.080 --> 0:16:46.720
<v Speaker 2>like how much do your neighbors become friends and get

0:16:46.720 --> 0:16:49.080
<v Speaker 2>in your business? And I know over the years we've

0:16:49.120 --> 0:16:51.720
<v Speaker 2>heard like, oh, we had a place like that, but

0:16:51.760 --> 0:16:55.280
<v Speaker 2>for to come out and everyone's standing around having a

0:16:55.360 --> 0:16:58.120
<v Speaker 2>discussion about should we call the police because one of

0:16:58.200 --> 0:17:00.760
<v Speaker 2>us didn't come home last night? Yeah? Is that normal?

0:17:01.840 --> 0:17:02.560
<v Speaker 2>Does anyone else?

0:17:02.720 --> 0:17:05.560
<v Speaker 1>I want to imagine me all the time, all the

0:17:05.640 --> 0:17:07.840
<v Speaker 1>time and say I lived in an apartment just like that.

0:17:07.880 --> 0:17:09.639
<v Speaker 1>We were all friends, we all hung out, So I

0:17:09.680 --> 0:17:12.520
<v Speaker 1>think it does happened. I didn't have that experience either,

0:17:12.560 --> 0:17:16.960
<v Speaker 1>although I lived in an apartment and my boyfriend's best

0:17:16.960 --> 0:17:20.440
<v Speaker 1>friend lived downstairs, so that had that sort of we

0:17:20.560 --> 0:17:23.199
<v Speaker 1>really would if someone was having a barbecue, everybody showed up.

0:17:23.280 --> 0:17:26.000
<v Speaker 1>It was minors, there were only it was a duplex. Yeah,

0:17:26.080 --> 0:17:27.800
<v Speaker 1>but I do think it happens, But.

0:17:27.800 --> 0:17:30.120
<v Speaker 3>I don't think to the extent that we're talking about

0:17:30.160 --> 0:17:32.240
<v Speaker 3>in the scene where everybody knew the precise moment to

0:17:32.240 --> 0:17:33.960
<v Speaker 3>come out into the courtyard and get involved in this

0:17:34.000 --> 0:17:37.679
<v Speaker 3>one conversation that happened to you exactly talking are we

0:17:37.720 --> 0:17:39.720
<v Speaker 3>talking about Alison not coming up? Okay, let's all talk

0:17:39.720 --> 0:17:41.960
<v Speaker 3>about it like they all came out precisely this moment

0:17:42.000 --> 0:17:44.359
<v Speaker 3>to weigh in and say, you know, she probably I

0:17:44.359 --> 0:17:46.919
<v Speaker 3>don't want to stand and you know whatever, and the

0:17:46.960 --> 0:17:49.720
<v Speaker 3>speculation all right, and then it's like she confirms it

0:17:49.760 --> 0:17:52.160
<v Speaker 3>when she comes out. But like that, I think obviously

0:17:52.200 --> 0:17:54.280
<v Speaker 3>is a heightened sort of in our courtyard the.

0:17:54.200 --> 0:17:57.920
<v Speaker 1>Middle every second of this, Laura.

0:17:57.240 --> 0:17:59.879
<v Speaker 3>All these moments happened in the courtyard, Billy and Alice.

0:18:00.320 --> 0:18:02.040
<v Speaker 2>I don't know where you guys were, but we.

0:18:01.880 --> 0:18:04.560
<v Speaker 1>Were building already, okay, on Okay.

0:18:04.680 --> 0:18:07.080
<v Speaker 2>So I just it's an interesting point of like you

0:18:07.119 --> 0:18:09.160
<v Speaker 2>were just friends in the show. So at what point

0:18:09.280 --> 0:18:11.760
<v Speaker 2>does he you know, I see him questioning like should

0:18:11.760 --> 0:18:12.000
<v Speaker 2>I be?

0:18:12.760 --> 0:18:13.680
<v Speaker 1>You know what I mean, Like.

0:18:13.920 --> 0:18:15.919
<v Speaker 2>He's not just a friend. He really likes you. But

0:18:16.119 --> 0:18:18.560
<v Speaker 2>is he getting too possessive? Is he expecting too much?

0:18:18.560 --> 0:18:19.480
<v Speaker 2>Should he just let you be?

0:18:19.720 --> 0:18:22.399
<v Speaker 1>It's a confused Well in the last episode that I

0:18:22.520 --> 0:18:24.640
<v Speaker 1>watched that you guys haven't seen yet unless you're watching

0:18:24.680 --> 0:18:26.800
<v Speaker 1>on Amazon, and which case, you just watched it. Oh right,

0:18:27.320 --> 0:18:29.720
<v Speaker 1>we pretend to be boyfriend and girlfriend with his parents,

0:18:29.720 --> 0:18:31.879
<v Speaker 1>so that the writers were definitely leaning towards this. I

0:18:31.960 --> 0:18:35.200
<v Speaker 1>wondered watching it. I thought, I wondered if originally they

0:18:35.200 --> 0:18:38.080
<v Speaker 1>had planned on Alison and Jake getting together, and then

0:18:38.560 --> 0:18:41.399
<v Speaker 1>Andrew and I had such good chemistry. Maybe that's why

0:18:41.480 --> 0:18:44.800
<v Speaker 1>maybe this show was already written and then they pivoted

0:18:44.840 --> 0:18:46.399
<v Speaker 1>because all of a sudden they were like, oh no, no,

0:18:46.640 --> 0:18:47.800
<v Speaker 1>these two were going to get together.

0:18:47.840 --> 0:18:49.960
<v Speaker 3>Maybe see I felt like it was this was the

0:18:50.000 --> 0:18:53.480
<v Speaker 3>moment where we got to challenge what I thought the

0:18:53.520 --> 0:18:56.640
<v Speaker 3>audience all wanted to see, which was Alison and Billy

0:18:56.680 --> 0:18:58.960
<v Speaker 3>getting together. Right then, this is the moment that we

0:18:59.000 --> 0:19:01.639
<v Speaker 3>put trouble in front of it, right, you have you

0:19:01.720 --> 0:19:05.040
<v Speaker 3>have trouble because then Sandy, who has this you know,

0:19:05.240 --> 0:19:08.960
<v Speaker 3>obvious like back and forth attraction and situation with Jake

0:19:09.000 --> 0:19:12.120
<v Speaker 3>that's sort of like underlying everything they say to each other.

0:19:13.080 --> 0:19:14.720
<v Speaker 3>It's an opportunity at the end of that scene for

0:19:14.760 --> 0:19:19.000
<v Speaker 3>both Sandy. Sandy's exasperated with Jake, like great Jake, right,

0:19:19.280 --> 0:19:22.840
<v Speaker 3>She's exasperated that he had Alison in his apartment all night,

0:19:22.880 --> 0:19:26.719
<v Speaker 3>and Billy's obviously distraught while everybody else just thinks it's funny,

0:19:26.760 --> 0:19:29.760
<v Speaker 3>like you know, Michael. Michael goes back in the apartment

0:19:29.800 --> 0:19:32.200
<v Speaker 3>laughing about it, like, oh, look, they spent the night together.

0:19:32.720 --> 0:19:35.720
<v Speaker 3>But that's where we as an audience get to see

0:19:35.920 --> 0:19:41.119
<v Speaker 3>Billy frustrated because of that growing interest in Alison, and

0:19:41.160 --> 0:19:44.480
<v Speaker 3>then Sandy being frustrated about Jake, which does resolve later

0:19:44.520 --> 0:19:46.080
<v Speaker 3>in the episode. Is the two of them get their

0:19:46.200 --> 0:19:48.159
<v Speaker 3>like explanations and they're like, whew, that's not what.

0:19:48.359 --> 0:19:51.000
<v Speaker 1>Yeah, but Alison and Jake have such sweet chemistry. I

0:19:51.080 --> 0:19:53.160
<v Speaker 1>was rooting for them. I was like, yeah, I don't

0:19:53.160 --> 0:19:54.760
<v Speaker 1>even real like those are I can't believe that I

0:19:54.880 --> 0:19:57.199
<v Speaker 1>forgot I was rooting for them. They were so sweet together.

0:19:57.440 --> 0:19:58.879
<v Speaker 2>Yeah, very cute.

0:19:59.160 --> 0:20:01.359
<v Speaker 3>So anyway, Alison goes back to the apartment and she

0:20:01.520 --> 0:20:03.919
<v Speaker 3>still won't explain to Billy she's not going to give

0:20:04.000 --> 0:20:06.359
<v Speaker 3>up Jake's secret. She won't tell Billy about she's a

0:20:06.600 --> 0:20:07.600
<v Speaker 3>fault Alison.

0:20:07.680 --> 0:20:07.959
<v Speaker 2>She is.

0:20:08.000 --> 0:20:09.960
<v Speaker 3>She's keeping his secret. And oh, by the way, she

0:20:10.000 --> 0:20:11.520
<v Speaker 3>needs to go get some sleep because she didn't get

0:20:11.560 --> 0:20:12.359
<v Speaker 3>very much sleep last night.

0:20:12.640 --> 0:20:14.639
<v Speaker 1>And this I think it was in this scene Billy

0:20:14.680 --> 0:20:17.320
<v Speaker 1>and he goes but I tell you everything Billy does.

0:20:17.320 --> 0:20:20.840
<v Speaker 1>I was like, Oh, that was so sweet. But I

0:20:20.920 --> 0:20:21.760
<v Speaker 1>tell you everything.

0:20:21.800 --> 0:20:24.119
<v Speaker 2>I know. That's what I mean. It's a sweet, tough place.

0:20:24.240 --> 0:20:26.919
<v Speaker 2>You know, a lot of relationships start this way in

0:20:26.960 --> 0:20:28.960
<v Speaker 2>real life, you know, where you're like, oh, you can't

0:20:29.200 --> 0:20:30.840
<v Speaker 2>want to say too much, you're just friends, but you

0:20:30.920 --> 0:20:32.720
<v Speaker 2>really want to know, and I do. I told you this,

0:20:32.920 --> 0:20:36.000
<v Speaker 2>you tell me this. I want to know. Yeah, poor guy.

0:20:36.280 --> 0:20:39.040
<v Speaker 3>So then we're back to Ronda. She shows up to

0:20:39.080 --> 0:20:41.320
<v Speaker 3>work on the dancing with Teresa, and she says, I'm

0:20:41.320 --> 0:20:42.880
<v Speaker 3>going to do this. I'm going to try to I'm

0:20:42.880 --> 0:20:45.240
<v Speaker 3>going to try to audition for the company. I want

0:20:45.240 --> 0:20:48.840
<v Speaker 3>to dance more funky. And Teresa tells Ronda she needs

0:20:48.880 --> 0:20:50.399
<v Speaker 3>to clean up her lines, and all of a sudden,

0:20:50.440 --> 0:20:52.840
<v Speaker 3>she's like sort of coaching her and helping her get

0:20:52.880 --> 0:20:55.680
<v Speaker 3>ready for this competition. But it's clear that there is

0:20:55.760 --> 0:20:58.639
<v Speaker 3>competition between the two of them, and it's a little

0:20:58.640 --> 0:21:01.919
<v Speaker 3>bit feisty, a little bit friendly competition. I'm not so

0:21:02.040 --> 0:21:06.600
<v Speaker 3>sure it's just like actual competition. Teresa's awfully superior, I thought,

0:21:07.280 --> 0:21:09.560
<v Speaker 3>with the way she's talking to round about it. But

0:21:09.640 --> 0:21:12.119
<v Speaker 3>there is where this montage of them, the two of

0:21:12.160 --> 0:21:16.199
<v Speaker 3>them dancing and working on this together turned into a

0:21:16.280 --> 0:21:21.800
<v Speaker 3>really elaborate montage is really amazing. Yeah, And I thought again,

0:21:21.920 --> 0:21:25.240
<v Speaker 3>like the amount of time it took to get that

0:21:25.359 --> 0:21:28.280
<v Speaker 3>right because the choreography, these girls had to rehearse that

0:21:28.400 --> 0:21:30.879
<v Speaker 3>part off sites to get that ready and then shoot

0:21:30.920 --> 0:21:33.159
<v Speaker 3>it and montage. I thought it was really elaborate and

0:21:33.200 --> 0:21:35.159
<v Speaker 3>like like good production.

0:21:35.200 --> 0:21:35.840
<v Speaker 1>Really well done.

0:21:37.200 --> 0:21:39.160
<v Speaker 2>To the point of the character of Ronda, I think it's,

0:21:39.200 --> 0:21:41.080
<v Speaker 2>you know, they're getting deeper with each here we are

0:21:41.119 --> 0:21:43.440
<v Speaker 2>what six in and they're getting deeper with each one,

0:21:43.480 --> 0:21:47.679
<v Speaker 2>and that's important because she is aerobics teacher or a funk.

0:21:48.400 --> 0:21:50.200
<v Speaker 3>Yeah, she's an aerobics teacher, but she's.

0:21:50.080 --> 0:21:52.600
<v Speaker 2>A dancer at heart. They've done that, so I loved

0:21:52.640 --> 0:21:55.000
<v Speaker 2>how they spent the time on that. Yeah.

0:21:55.240 --> 0:21:58.560
<v Speaker 3>And then at the end of that scene that Ronda says,

0:21:58.640 --> 0:22:00.760
<v Speaker 3>you know, let's go out to eat and I want

0:22:00.760 --> 0:22:04.160
<v Speaker 3>to have pasta, and Teresa sort of mentions looking down

0:22:04.200 --> 0:22:06.600
<v Speaker 3>on her, like with three days before the audition, I

0:22:06.600 --> 0:22:11.280
<v Speaker 3>don't I think you should reconsider that pasta making run

0:22:11.280 --> 0:22:16.720
<v Speaker 3>to feel insecure, dancer, not cool. Back at Shooters, Billy

0:22:16.840 --> 0:22:18.960
<v Speaker 3>goes to Shooters and he wants to commiserate with Sandy.

0:22:19.000 --> 0:22:21.000
<v Speaker 3>So here again, I think it's an example of like

0:22:21.080 --> 0:22:25.680
<v Speaker 3>these two that maybe have interest in Jake and Allison.

0:22:25.720 --> 0:22:26.880
<v Speaker 3>They're sort of commiserating on.

0:22:26.960 --> 0:22:28.920
<v Speaker 1>Like what and this is what. We haven't talked about

0:22:28.920 --> 0:22:31.200
<v Speaker 1>this yet, but this is the episode where Sandy loses

0:22:31.240 --> 0:22:35.240
<v Speaker 1>her accent absolutely, notice, which is a relief, I'll be honest,

0:22:35.520 --> 0:22:38.000
<v Speaker 1>like it just you don't feel it anymore. It's like,

0:22:38.000 --> 0:22:39.120
<v Speaker 1>oh that's nice, that's good.

0:22:39.160 --> 0:22:41.600
<v Speaker 2>Yep. She'd initially had this girl from the Southern and

0:22:41.640 --> 0:22:43.760
<v Speaker 2>then they just said it's not working, just lose it.

0:22:43.760 --> 0:22:46.720
<v Speaker 1>It was distracting, right, I think without it, it's a.

0:22:46.680 --> 0:22:49.160
<v Speaker 2>Lot and then everyone like just brushed it over it

0:22:49.200 --> 0:22:50.800
<v Speaker 2>and that was Yeah, no one ever.

0:22:50.680 --> 0:22:52.560
<v Speaker 1>Talked about it now. We never talked about it again.

0:22:52.640 --> 0:22:54.880
<v Speaker 2>We just adnswer. Yeah.

0:22:56.359 --> 0:22:58.320
<v Speaker 1>I'm sure if there had been social media at the time,

0:22:58.359 --> 0:22:59.880
<v Speaker 1>it would have been discussed.

0:22:59.440 --> 0:23:03.040
<v Speaker 3>Discuss right, But it was she seemed a lot more comfortable.

0:23:03.040 --> 0:23:05.960
<v Speaker 3>The character just seemed a lot more comfortable. And yes, yeah,

0:23:06.080 --> 0:23:10.639
<v Speaker 3>it was things were really smooth. Yeah. While they're at

0:23:10.680 --> 0:23:13.160
<v Speaker 3>the bar commiserating about this and sort of speculating on

0:23:13.359 --> 0:23:16.200
<v Speaker 3>whether these two would get together, they both have sort

0:23:16.200 --> 0:23:17.879
<v Speaker 3>of different versions of how they think it might have

0:23:17.960 --> 0:23:21.240
<v Speaker 3>happened and they go into dream secrets, but I just wanted.

0:23:21.000 --> 0:23:23.879
<v Speaker 1>To It was one funny line that that Andrew shoes tired,

0:23:24.200 --> 0:23:30.680
<v Speaker 1>she was spent. Oh that's very clear, Like yeah, yes,

0:23:30.720 --> 0:23:32.159
<v Speaker 1>but then you're right, they both have fantasy.

0:23:32.320 --> 0:23:35.359
<v Speaker 2>I love hers fantasy. Yeah no, I think it happened

0:23:35.400 --> 0:23:38.040
<v Speaker 2>like this and then you guys acted out.

0:23:38.720 --> 0:23:42.160
<v Speaker 1>Yeah, it's funny. So in hers, Alison is clearly the aggressive,

0:23:42.160 --> 0:23:44.720
<v Speaker 1>which is just watched fun to play as an actor

0:23:44.760 --> 0:23:47.840
<v Speaker 1>that I got to do these different character black.

0:23:48.040 --> 0:23:51.240
<v Speaker 2>Outfit and nine and a half weeks video. I was wondering,

0:23:51.320 --> 0:23:54.240
<v Speaker 2>if you watch this with me, you nailed the girl.

0:23:54.680 --> 0:23:56.720
<v Speaker 2>It was great. It was great to see Alison do this.

0:23:56.920 --> 0:24:01.000
<v Speaker 3>But Billy's version, like Billy's versions, like know, and he's

0:24:01.040 --> 0:24:04.760
<v Speaker 3>so like Sandy's trying to have her version like make

0:24:04.840 --> 0:24:07.399
<v Speaker 3>excuses for why Jake might have like done that, you

0:24:07.440 --> 0:24:09.320
<v Speaker 3>know what was all? She was so aggressive and like

0:24:09.440 --> 0:24:14.159
<v Speaker 3>Billie's version, he's trying to emasculate. Well, it was just

0:24:14.240 --> 0:24:16.800
<v Speaker 3>you know, it was super clunky, like like dream sequens.

0:24:16.800 --> 0:24:19.040
<v Speaker 3>Well this happened, and then he's afraid of spiders, so

0:24:19.200 --> 0:24:22.760
<v Speaker 3>then Alison goes to take care of the spider.

0:24:22.880 --> 0:24:26.520
<v Speaker 2>Was so bizarre was off. That was fun.

0:24:27.080 --> 0:24:28.359
<v Speaker 1>That was really funny.

0:24:28.520 --> 0:24:29.600
<v Speaker 2>Smart writers to.

0:24:29.560 --> 0:24:32.040
<v Speaker 3>Do that, you think so cute, super funny.

0:24:32.200 --> 0:24:34.360
<v Speaker 1>We got to be a little more whimsical, yea before

0:24:34.400 --> 0:24:36.680
<v Speaker 1>it got dramatically really fun.

0:24:36.800 --> 0:24:41.280
<v Speaker 3>Dream sequence in almost every like in like four episodes.

0:24:40.840 --> 0:24:42.960
<v Speaker 1>So yeah, yeah, but every series. Oh my god, they're

0:24:42.960 --> 0:24:45.560
<v Speaker 1>making out again. Oh my god, they're making yeah, remember

0:24:45.600 --> 0:24:48.040
<v Speaker 1>it at the time. So funny.

0:24:48.720 --> 0:24:51.680
<v Speaker 3>So then back at Allison is at Jake's apartment and

0:24:52.000 --> 0:24:54.600
<v Speaker 3>they're getting to know each other a little bit more,

0:24:54.640 --> 0:24:57.280
<v Speaker 3>and Alison reveals to Jake that she got good grades

0:24:57.320 --> 0:24:59.040
<v Speaker 3>but felt like she didn't really fit in in school.

0:24:59.640 --> 0:25:01.120
<v Speaker 3>By the way, I thought she was wearing a very

0:25:01.119 --> 0:25:04.640
<v Speaker 3>cute outfit, high waisted short Did you notice this I did?

0:25:04.800 --> 0:25:06.160
<v Speaker 3>Super cute, like very current.

0:25:06.240 --> 0:25:09.320
<v Speaker 1>Right now it's all bad again, Yeah, it's all back.

0:25:09.720 --> 0:25:11.840
<v Speaker 3>And Jake reveals he was the opposite in high school.

0:25:11.920 --> 0:25:13.840
<v Speaker 3>He you know, seemed cool, but he sort of like

0:25:14.119 --> 0:25:16.920
<v Speaker 3>didn't care about stuff, and you know, now he sort

0:25:16.920 --> 0:25:18.840
<v Speaker 3>of regrets living that way, and now he's for the

0:25:18.880 --> 0:25:20.600
<v Speaker 3>first time feeling hopeful about his future.

0:25:20.880 --> 0:25:23.080
<v Speaker 1>I liked the moment of Alison saying, I live so

0:25:23.160 --> 0:25:24.960
<v Speaker 1>much in the future. I wasn't in the moment. I'm like,

0:25:25.000 --> 0:25:28.280
<v Speaker 1>and there's your spiritual lesson from Melo's place for the day,

0:25:28.600 --> 0:25:32.399
<v Speaker 1>live in the moment. Yeah, right, the present is a gift.

0:25:32.680 --> 0:25:34.640
<v Speaker 3>But they do bond over the fact that neither one

0:25:34.640 --> 0:25:36.800
<v Speaker 3>of them really know where they're headed. They don't, you know,

0:25:36.960 --> 0:25:39.800
<v Speaker 3>both of them feel equally confused, although they have sort

0:25:39.840 --> 0:25:41.080
<v Speaker 3>of different paths to get there.

0:25:41.200 --> 0:25:43.640
<v Speaker 1>That's why it felt like breakfast Club to me, right,

0:25:43.680 --> 0:25:46.119
<v Speaker 1>because it's like it looks so different and yet inside

0:25:46.160 --> 0:25:48.159
<v Speaker 1>were just the same. I thought it was so cute.

0:25:48.440 --> 0:25:51.680
<v Speaker 2>It was Melrose version. You know, you guys are about

0:25:51.680 --> 0:25:54.200
<v Speaker 2>to make out and you're like in shorts and you're

0:25:54.200 --> 0:25:56.680
<v Speaker 2>in one of your apartments, but his breakfast club.

0:25:57.520 --> 0:26:00.359
<v Speaker 3>And there Allison broach the subject. She said, does it

0:26:00.359 --> 0:26:03.240
<v Speaker 3>bother you? That everyone in the building thinks, you know,

0:26:03.320 --> 0:26:07.359
<v Speaker 3>they're we're having a thing, And instead of answering the question,

0:26:07.440 --> 0:26:09.480
<v Speaker 3>he turns it around and said does it bother you?

0:26:10.080 --> 0:26:11.800
<v Speaker 3>And it looks like it doesn't bother either of them.

0:26:11.960 --> 0:26:14.480
<v Speaker 2>Yeah, Well, if they're saying it.

0:26:14.560 --> 0:26:18.240
<v Speaker 3>Then we're back to Teresa and Ronda, where the sass

0:26:18.440 --> 0:26:20.960
<v Speaker 3>is sort of escalating. She's telling Ronda not to eat

0:26:20.960 --> 0:26:24.000
<v Speaker 3>the pasta and I thought that Teresa was a real

0:26:24.040 --> 0:26:27.520
<v Speaker 3>SaaS monster here and they start they start having.

0:26:27.720 --> 0:26:29.919
<v Speaker 2>I have a great metabolism, which she does.

0:26:30.400 --> 0:26:35.360
<v Speaker 3>Yeah, and Teresa accuses Ronda of being bitter and jealous,

0:26:35.400 --> 0:26:37.480
<v Speaker 3>and Ronda says, there's no way she's gonna let Teresa,

0:26:38.200 --> 0:26:40.280
<v Speaker 3>you know, mess her up and psicher out. She's coming

0:26:40.440 --> 0:26:43.600
<v Speaker 3>for that spot in the dance company. So Ronda's determined.

0:26:44.080 --> 0:26:48.000
<v Speaker 3>Back with Billy and Alison in the apartment, Billy wants

0:26:48.080 --> 0:26:51.639
<v Speaker 3>Alison to go to the beach with him and Alison says, sorry, can't.

0:26:51.720 --> 0:26:53.359
<v Speaker 3>I got to spend the day with Jake. But she

0:26:53.400 --> 0:26:55.560
<v Speaker 3>still won't tell him why. So this is where he

0:26:55.600 --> 0:26:57.840
<v Speaker 3>gets really hurt and like, wait a minute, I tell

0:26:57.880 --> 0:27:02.240
<v Speaker 3>you everything. Yeah, yeah, this is where he's feeling like

0:27:02.480 --> 0:27:04.560
<v Speaker 3>maybe I'll maybe I'll stop, maybe I'll stop telling you

0:27:04.600 --> 0:27:06.919
<v Speaker 3>everything if you don't tell me what's going on with you.

0:27:07.200 --> 0:27:09.760
<v Speaker 3>But Alison is a vault. We go to the aerobic

0:27:09.800 --> 0:27:13.199
<v Speaker 3>studio where Matt is again taking the aerobics class that

0:27:13.280 --> 0:27:16.960
<v Speaker 3>Ronda is teaching, and today Ronda is teaching very aggressively.

0:27:16.880 --> 0:27:19.399
<v Speaker 1>So Doug doesn't remember taking the class.

0:27:19.160 --> 0:27:21.639
<v Speaker 3>Recollection, He was just shocked he's like, he's not a

0:27:21.640 --> 0:27:25.560
<v Speaker 3>guy who enjoys dancing now, and he's like, gosh, for

0:27:25.600 --> 0:27:27.679
<v Speaker 3>somebody who doesn't really dance, they had me dancing a

0:27:27.680 --> 0:27:30.360
<v Speaker 3>lot and he has no reception.

0:27:30.520 --> 0:27:34.920
<v Speaker 1>Bro, Yeah he really was. He's like, all right, that's

0:27:34.920 --> 0:27:35.320
<v Speaker 1>what we're.

0:27:35.160 --> 0:27:36.800
<v Speaker 3>Doing, but you had to learn a few steps to

0:27:36.840 --> 0:27:38.040
<v Speaker 3>do that bunjie jumping.

0:27:38.080 --> 0:27:39.600
<v Speaker 1>He's dancing. There's so much to do.

0:27:40.880 --> 0:27:42.880
<v Speaker 3>Ronda sort of scolds him for not doing it right,

0:27:42.920 --> 0:27:43.440
<v Speaker 3>and he's.

0:27:43.280 --> 0:27:45.440
<v Speaker 2>Like, yeah, who's mad at everybody? Why?

0:27:45.680 --> 0:27:48.800
<v Speaker 3>Why the tension? So they walk out after the class.

0:27:49.400 --> 0:27:52.440
<v Speaker 3>Rnonda reveals she is nervous about the audition and Matt

0:27:52.480 --> 0:27:55.080
<v Speaker 3>is worried about her stress level, and she says, I'm

0:27:55.080 --> 0:27:57.720
<v Speaker 3>going back to the studio to rehearse even more good

0:27:57.720 --> 0:28:00.760
<v Speaker 3>for her. So then we find Alison quizzing Jake on

0:28:00.800 --> 0:28:03.520
<v Speaker 3>State capitols. They're at a bar during the studying. He

0:28:03.560 --> 0:28:05.520
<v Speaker 3>gets all the answers right. He says he knows all

0:28:05.560 --> 0:28:09.000
<v Speaker 3>this from his life experience. He's tired of studying, wants

0:28:09.040 --> 0:28:12.119
<v Speaker 3>to go somewhere else and says, are you game?

0:28:12.560 --> 0:28:13.080
<v Speaker 2>Should we go?

0:28:13.359 --> 0:28:16.840
<v Speaker 3>She says yep, and off they go. Back at the studio.

0:28:16.880 --> 0:28:19.440
<v Speaker 3>Matt comes to the studio late find Ronda still working

0:28:19.520 --> 0:28:21.600
<v Speaker 3>late at night. He says he's worried about her. And he,

0:28:21.800 --> 0:28:24.920
<v Speaker 3>by the way, is wearing his Birken socks and socks

0:28:25.200 --> 0:28:31.320
<v Speaker 3>again and something he would never.

0:28:31.119 --> 0:28:35.120
<v Speaker 1>Wear I remember, and he's not allowed to wear now.

0:28:35.280 --> 0:28:36.320
<v Speaker 2>No, he's not allowed.

0:28:37.320 --> 0:28:43.880
<v Speaker 3>He only even works totally back. Yeah, he's got sucks.

0:28:45.520 --> 0:28:49.280
<v Speaker 3>And Ronda reveals then that the audition from five years ago,

0:28:49.400 --> 0:28:51.520
<v Speaker 3>she didn't actually break her ankle.

0:28:51.720 --> 0:28:54.840
<v Speaker 2>Yes, that's the that's the reveal of.

0:28:54.760 --> 0:28:57.840
<v Speaker 1>Her big reveal that she raising.

0:28:58.160 --> 0:29:00.600
<v Speaker 3>Yeah, that she felt like the pressure was so intense

0:29:00.800 --> 0:29:03.880
<v Speaker 3>and she just sort of made up the story about

0:29:03.880 --> 0:29:05.320
<v Speaker 3>the broken angles so she wouldn't have to go through

0:29:05.320 --> 0:29:06.440
<v Speaker 3>with it. She was afraid of failing.

0:29:06.600 --> 0:29:10.800
<v Speaker 2>She even wore a bandone, she said, yeah, for weeks.

0:29:11.040 --> 0:29:14.959
<v Speaker 3>And that her parents maybe never forgave her. And she

0:29:14.960 --> 0:29:17.240
<v Speaker 3>feels like Teresa maybe is living the life she was

0:29:17.280 --> 0:29:20.320
<v Speaker 3>meant to have, and so this audition feels really important

0:29:20.320 --> 0:29:20.640
<v Speaker 3>to her.

0:29:20.960 --> 0:29:22.520
<v Speaker 1>Yeah, And then you think back to about all the

0:29:22.520 --> 0:29:24.880
<v Speaker 1>other scenes in the restaurant with Teresa when this is

0:29:24.920 --> 0:29:27.120
<v Speaker 1>the truth, right and they're having these arguments based on

0:29:27.400 --> 0:29:30.320
<v Speaker 1>this line. Wow, she was really behind that lie, like

0:29:30.400 --> 0:29:33.720
<v Speaker 1>she really committed that lie for so long.

0:29:34.000 --> 0:29:38.520
<v Speaker 3>Yeah, So she tells her truth to Matt and then

0:29:39.200 --> 0:29:41.880
<v Speaker 3>we cut back to Alison, who's now on the back

0:29:41.920 --> 0:29:42.720
<v Speaker 3>of Jake's.

0:29:42.400 --> 0:29:44.640
<v Speaker 1>Motorcycle or motorcycle? Are you kidding?

0:29:44.680 --> 0:29:47.560
<v Speaker 3>Do you remember that? Were you actually was it like

0:29:47.920 --> 0:29:52.360
<v Speaker 3>green screen? Like, were you actually up there? It kind

0:29:52.360 --> 0:29:53.960
<v Speaker 3>of looked a little bit like it might have been.

0:29:54.200 --> 0:29:56.920
<v Speaker 1>I mean, Grant rode a motorcycle right, right.

0:29:56.720 --> 0:29:59.160
<v Speaker 3>But what was it like? Because if the camera's parallel

0:29:59.200 --> 0:30:00.720
<v Speaker 3>to you and you're going like, because.

0:30:00.560 --> 0:30:03.160
<v Speaker 2>Wasn't it for me? How was that scenes up there

0:30:03.360 --> 0:30:04.840
<v Speaker 2>on the motorcycle when I came on.

0:30:04.960 --> 0:30:06.600
<v Speaker 1>You bought a motorcycle? Yeah?

0:30:06.640 --> 0:30:09.440
<v Speaker 2>In real life, yes, But I also as Joe was

0:30:09.480 --> 0:30:11.239
<v Speaker 2>on the back of his motorcycle up there. We went

0:30:11.280 --> 0:30:14.360
<v Speaker 2>up to Moholland and rode around. You know, you just

0:30:14.360 --> 0:30:15.640
<v Speaker 2>get another car you block off.

0:30:16.160 --> 0:30:19.280
<v Speaker 3>Yeah, And so the camera is in a car driving

0:30:19.320 --> 0:30:20.840
<v Speaker 3>parallel to you shooting.

0:30:20.520 --> 0:30:23.040
<v Speaker 2>Out, yeah, or if there's one where you go buy yep.

0:30:23.240 --> 0:30:25.840
<v Speaker 2>So you probably were, but but you don't remember. It

0:30:25.880 --> 0:30:26.760
<v Speaker 2>was a long time ago.

0:30:26.920 --> 0:30:29.320
<v Speaker 1>It sounds familiar, but I don't know if I'm remembering.

0:30:29.360 --> 0:30:30.840
<v Speaker 1>Like when you hear a story a lot about when

0:30:30.840 --> 0:30:32.720
<v Speaker 1>you were a kid, and I remember that though you

0:30:32.720 --> 0:30:35.840
<v Speaker 1>were too, I don't. Yeah, so I don't watching it

0:30:36.000 --> 0:30:39.120
<v Speaker 1>or now i've seen it, I remember what it looked like. Yeah,

0:30:39.360 --> 0:30:40.000
<v Speaker 1>so I don't know.

0:30:40.280 --> 0:30:41.400
<v Speaker 2>Yeah.

0:30:41.520 --> 0:30:43.600
<v Speaker 3>So Jake is taking her up to Moholland to see

0:30:43.600 --> 0:30:45.800
<v Speaker 3>the view, which is where it gets very, very flirty.

0:30:46.800 --> 0:30:51.480
<v Speaker 1>I was so surprised by this because I thought, like, okay,

0:30:51.480 --> 0:30:54.320
<v Speaker 1>we've had this fantasy scene and that was it, the

0:30:54.360 --> 0:30:56.960
<v Speaker 1>fantasy scene. And then as we're on this lookout having

0:30:56.960 --> 0:31:02.200
<v Speaker 1>this very romantic suite flirty scene, the chemistry was amazing.

0:31:02.680 --> 0:31:07.200
<v Speaker 1>I'm like, what, I what could possibly happen? Any memory

0:31:07.240 --> 0:31:07.520
<v Speaker 1>of it?

0:31:08.320 --> 0:31:11.360
<v Speaker 3>Yeah, well you don't have a memory of the actual

0:31:11.560 --> 0:31:14.719
<v Speaker 3>kiss up there. That's hysterical.

0:31:15.000 --> 0:31:15.320
<v Speaker 2>Okay.

0:31:15.360 --> 0:31:17.600
<v Speaker 1>He tells her we're not in high school anymore.

0:31:17.680 --> 0:31:20.840
<v Speaker 3>Yeah, and they kiss and they're discussing how they are

0:31:20.880 --> 0:31:23.680
<v Speaker 3>total opposites and like they never would have made sense

0:31:23.720 --> 0:31:25.680
<v Speaker 3>in high school. And he says, we're not in high

0:31:25.720 --> 0:31:28.360
<v Speaker 3>school and it leads to this lovely kiss and.

0:31:28.320 --> 0:31:31.080
<v Speaker 1>I will yummy kiss too. That really that was yummy.

0:31:31.120 --> 0:31:34.640
<v Speaker 1>That was Yes, I wish, I wish, I no, but

0:31:34.680 --> 0:31:37.240
<v Speaker 1>I do know. I do know because he and I

0:31:37.280 --> 0:31:40.000
<v Speaker 1>had scenes later like Allison and Jake dated later, so

0:31:40.040 --> 0:31:42.640
<v Speaker 1>I did remember he was a really big taste. It

0:31:42.720 --> 0:31:44.960
<v Speaker 1>must have been because I was dating Andrew. I must

0:31:44.960 --> 0:31:46.880
<v Speaker 1>have like, I have to block this out. I cannot

0:31:46.920 --> 0:31:51.520
<v Speaker 1>let myself. I couldn't say to Andrew it was yummy,

0:31:52.320 --> 0:31:54.600
<v Speaker 1>not really. Yeah, so apparently I blocked it out, but

0:31:54.600 --> 0:31:56.080
<v Speaker 1>I could see that it was nice.

0:31:55.920 --> 0:31:58.240
<v Speaker 3>But speaking I mean in your defense, Like Doug was

0:31:58.240 --> 0:32:01.360
<v Speaker 3>watching the show with me and he's like, what is happening.

0:32:01.480 --> 0:32:04.560
<v Speaker 2>I know it didn't come out of noe. We didn't

0:32:04.560 --> 0:32:05.040
<v Speaker 2>see it coming.

0:32:05.040 --> 0:32:06.680
<v Speaker 3>And then all of a sudden it was like this lovely,

0:32:06.720 --> 0:32:08.360
<v Speaker 3>real kiss, and he was like, what.

0:32:08.320 --> 0:32:11.360
<v Speaker 1>Is honestly like, I'm half kidding, but honestly, so Andrew

0:32:11.360 --> 0:32:13.120
<v Speaker 1>and I are dating, We're in a new relationship, and

0:32:13.160 --> 0:32:15.320
<v Speaker 1>we're all friends. So then you say you have this

0:32:15.400 --> 0:32:17.640
<v Speaker 1>friend group, and then your producer saying, now you have

0:32:17.720 --> 0:32:20.160
<v Speaker 1>to make out with this other friend. I imagine it

0:32:20.200 --> 0:32:21.880
<v Speaker 1>was quite a lot for us all the handle, so

0:32:21.920 --> 0:32:23.280
<v Speaker 1>we all just blocked it out.

0:32:23.400 --> 0:32:26.000
<v Speaker 3>I think it's yeah, I think it's trauma that you've

0:32:26.000 --> 0:32:28.440
<v Speaker 3>all just blocked it out because nobody can remember any

0:32:28.480 --> 0:32:28.680
<v Speaker 3>of it.

0:32:28.720 --> 0:32:30.440
<v Speaker 1>Because I had to keep saying to Andrew oh it

0:32:30.480 --> 0:32:31.840
<v Speaker 1>was nothing. Oh it was nothing. Was it was a

0:32:31.880 --> 0:32:35.440
<v Speaker 1>living hell. It was work, It was a living Helly

0:32:35.520 --> 0:32:35.880
<v Speaker 1>come home?

0:32:36.080 --> 0:32:38.840
<v Speaker 2>Where were you all day? Were you shooting with Grant again?

0:32:39.720 --> 0:32:43.400
<v Speaker 3>It was all I tell you everything. This is the

0:32:43.520 --> 0:32:47.280
<v Speaker 3>episode that it suddenly occurred to me we need to

0:32:47.360 --> 0:32:51.440
<v Speaker 3>stop counting kisses within an episode. It's more about a

0:32:51.560 --> 0:32:54.120
<v Speaker 3>tally like who kissed who? Like, this is the episode

0:32:54.160 --> 0:32:55.840
<v Speaker 3>where that occurred to me, Like, wait a minute, our

0:32:55.920 --> 0:32:58.920
<v Speaker 3>kiss count needs to be more about like who has kissed?

0:32:59.640 --> 0:33:02.840
<v Speaker 3>Because like we're gonna just keep counting kisses every episode.

0:33:02.880 --> 0:33:06.760
<v Speaker 1>In charge of counting our own we kissed because I've

0:33:06.800 --> 0:33:07.720
<v Speaker 1>already had two.

0:33:07.880 --> 0:33:09.080
<v Speaker 3>Well, this is what I'm saying.

0:33:10.280 --> 0:33:12.480
<v Speaker 1>This is camera, I'm kissing Andrews. So don't I don't

0:33:12.480 --> 0:33:14.400
<v Speaker 1>know that it's happening.

0:33:14.680 --> 0:33:16.480
<v Speaker 3>Our new kiss count is gonna be a chart and

0:33:16.640 --> 0:33:18.960
<v Speaker 3>there's gonna be graphics. Yeah, it's gonna be like a

0:33:18.960 --> 0:33:19.520
<v Speaker 3>pie chart.

0:33:19.440 --> 0:33:24.480
<v Speaker 1>The PowerPoint PowerPoint. It's gonna get so long and yeah,

0:33:24.680 --> 0:33:26.479
<v Speaker 1>later on you can't even keep up.

0:33:26.880 --> 0:33:31.400
<v Speaker 3>So far to go we're really only on episode six, really, yeah,

0:33:31.440 --> 0:33:33.560
<v Speaker 3>but already I do need to keep a tally, like

0:33:34.040 --> 0:33:38.280
<v Speaker 3>I'll make a chart, I'll have it. Next week, So

0:33:39.040 --> 0:33:41.360
<v Speaker 3>Alison and Billy in the morning. Alison tells Billy that

0:33:41.400 --> 0:33:43.440
<v Speaker 3>the reason they were spending time together was because of

0:33:43.480 --> 0:33:46.400
<v Speaker 3>the test. She reveals, now, okay, let me tell you

0:33:46.440 --> 0:33:48.320
<v Speaker 3>the truth. I was helping Jake that the whole tree

0:33:48.320 --> 0:33:48.640
<v Speaker 3>for the test.

0:33:48.680 --> 0:33:49.800
<v Speaker 1>Let me tell you part of the truth.

0:33:49.880 --> 0:33:54.560
<v Speaker 3>Yeah, but Billy is visibly very relieved. So few my

0:33:54.600 --> 0:33:57.000
<v Speaker 3>imagination was getting away with me and oh, you guys

0:33:57.040 --> 0:34:01.320
<v Speaker 3>have nothing in common, to which Alison is saying, you

0:34:01.320 --> 0:34:03.040
<v Speaker 3>know what, I got to know him and I like him,

0:34:03.080 --> 0:34:05.280
<v Speaker 3>and you really have to be able to see behind

0:34:05.520 --> 0:34:07.080
<v Speaker 3>beyond people's facades.

0:34:07.520 --> 0:34:09.440
<v Speaker 1>And weren't you thinking at this point in the episode,

0:34:09.440 --> 0:34:11.719
<v Speaker 1>because we know that it doesn't become something at this

0:34:11.760 --> 0:34:13.839
<v Speaker 1>point in the show, were you thinking, how do we

0:34:13.960 --> 0:34:14.799
<v Speaker 1>disentangle this?

0:34:15.040 --> 0:34:17.640
<v Speaker 3>Well, yeah, it's going to be tricky, is what you think.

0:34:17.680 --> 0:34:19.279
<v Speaker 3>It's a little tricky because she is keeping the seat.

0:34:19.400 --> 0:34:20.840
<v Speaker 3>She's not going to tell the part about the kiss,

0:34:21.160 --> 0:34:24.000
<v Speaker 3>and Billy is obviously interested in Alison enough to be

0:34:24.080 --> 0:34:27.279
<v Speaker 3>relieved that it was only studying for a test. Like

0:34:28.280 --> 0:34:30.359
<v Speaker 3>so it is it does seem to be like an

0:34:30.480 --> 0:34:35.600
<v Speaker 3>entanglement them here. Yeah, and then we also find that

0:34:35.960 --> 0:34:40.840
<v Speaker 3>Sandy is sort of talking to Jake about the Alison things, saying, well,

0:34:41.239 --> 0:34:42.840
<v Speaker 3>you know, you have nothing in common, but if you

0:34:42.880 --> 0:34:44.839
<v Speaker 3>too are happy, you should go for you know, she's

0:34:44.880 --> 0:34:49.359
<v Speaker 3>sort of testing him, and he says, no, the real

0:34:49.400 --> 0:34:51.480
<v Speaker 3>reason we were hanging out is she was helping me

0:34:51.520 --> 0:34:53.080
<v Speaker 3>study for a test. So he comes clean to her

0:34:53.120 --> 0:34:57.040
<v Speaker 3>as well and resolving that relationship. Sandy is visibly relieved

0:34:57.480 --> 0:34:59.120
<v Speaker 3>and says, you know, you could have come to me

0:34:59.200 --> 0:35:01.359
<v Speaker 3>for help. I would have helped you. But he says, well,

0:35:01.360 --> 0:35:06.080
<v Speaker 3>that would have been a distraction. So we're keeping that

0:35:06.120 --> 0:35:09.359
<v Speaker 3>sort of possibility alive too. So it's getting very complicated.

0:35:11.719 --> 0:35:14.399
<v Speaker 3>So then Ronda's audition. We're at the audition and all

0:35:14.440 --> 0:35:17.080
<v Speaker 3>of a sudden, for the first time, Matt is wearing

0:35:17.080 --> 0:35:21.040
<v Speaker 3>his baseball hat correctly. Did anybody notice that?

0:35:21.200 --> 0:35:21.760
<v Speaker 1>Big news.

0:35:21.840 --> 0:35:24.919
<v Speaker 3>It's the first time we've seen Matt wearing is based

0:35:25.160 --> 0:35:26.160
<v Speaker 3>forward forward.

0:35:26.440 --> 0:35:29.200
<v Speaker 2>That's surprising because that wasn't allowed either because you can't

0:35:29.200 --> 0:35:30.759
<v Speaker 2>even see the eyes right.

0:35:31.440 --> 0:35:34.280
<v Speaker 3>But he was at the audition being her supportive best friend,

0:35:34.360 --> 0:35:36.400
<v Speaker 3>and he did have his baseball hat on, and he

0:35:36.600 --> 0:35:39.000
<v Speaker 3>says to her that he would miss her if she

0:35:39.320 --> 0:35:43.680
<v Speaker 3>gets the job, but go get it. And at that point,

0:35:43.719 --> 0:35:46.080
<v Speaker 3>Doug said he still does not remember a single of

0:35:46.080 --> 0:35:48.840
<v Speaker 3>those scene. Still nothing so ron.

0:35:48.920 --> 0:35:51.360
<v Speaker 1>And it looked very flash dance, right, so do we

0:35:51.520 --> 0:35:55.839
<v Speaker 1>think so, she's obviously a good dancer, Vanessa, but they

0:35:55.920 --> 0:35:58.040
<v Speaker 1>might I think they had a double, because otherwise why

0:35:58.080 --> 0:36:01.319
<v Speaker 1>would they be why would she be backlit? Right, So

0:36:01.480 --> 0:36:03.239
<v Speaker 1>we shoot a lot from the back, we can't see

0:36:03.280 --> 0:36:05.640
<v Speaker 1>it's a great double. If it is a double, it

0:36:05.640 --> 0:36:08.080
<v Speaker 1>looks like her, the really long limbs terrific.

0:36:08.080 --> 0:36:11.600
<v Speaker 3>But I also I ended up not knowing for sure

0:36:11.600 --> 0:36:14.160
<v Speaker 3>if it was a double, because Vanessa is a great dancer.

0:36:14.320 --> 0:36:17.480
<v Speaker 2>And there was that shot on the ground where they

0:36:17.480 --> 0:36:20.160
<v Speaker 2>shot the shadow and the spinning around. But I think

0:36:20.200 --> 0:36:22.000
<v Speaker 2>obviously some of it was Vanessa.

0:36:21.719 --> 0:36:25.239
<v Speaker 3>Was Yeah, the front is clearly Vanessa, but the back

0:36:25.320 --> 0:36:25.600
<v Speaker 3>to me.

0:36:27.400 --> 0:36:29.480
<v Speaker 1>Too, right, I mean, so they didn't flash dance too,

0:36:29.520 --> 0:36:30.720
<v Speaker 1>didn't feel flash dancy?

0:36:30.880 --> 0:36:35.600
<v Speaker 3>Yeah, yeah for the front in the back. And the

0:36:35.640 --> 0:36:41.359
<v Speaker 3>director of the dance company is, oh, this guest star

0:36:41.960 --> 0:36:47.840
<v Speaker 3>Charles Randolph Wright. He he actually went on he's huge

0:36:47.960 --> 0:36:52.839
<v Speaker 3>accomplished director, executive producer, choreography, choreographer, writer. He's like done

0:36:53.200 --> 0:36:56.760
<v Speaker 3>mostly directing for the remainder of his career. Very accomplished director.

0:36:57.120 --> 0:36:59.040
<v Speaker 2>So cool, Yeah, very cool.

0:36:59.760 --> 0:37:03.799
<v Speaker 3>And and so after the audition, Teresa follows Rnda out

0:37:03.800 --> 0:37:06.000
<v Speaker 3>into the lobby and that's and tells her she's going

0:37:06.040 --> 0:37:07.680
<v Speaker 3>to get a call back for sure. And we saw

0:37:07.680 --> 0:37:10.760
<v Speaker 3>it on Teresa's face that she was like watching Ronda

0:37:11.120 --> 0:37:14.960
<v Speaker 3>and feeling a combination, you know, like a lot of

0:37:15.000 --> 0:37:20.000
<v Speaker 3>emotions like pride, also like sad. A lot of things

0:37:20.040 --> 0:37:22.240
<v Speaker 3>were going through her face. I thought she was beautiful

0:37:22.239 --> 0:37:25.040
<v Speaker 3>and that scene showing a lot of colors, yeah, about

0:37:25.040 --> 0:37:27.400
<v Speaker 3>how she was feeling about that. And then she admits

0:37:27.560 --> 0:37:30.400
<v Speaker 3>to Ronda that she had actually wanted to see Rnda fail.

0:37:31.200 --> 0:37:33.120
<v Speaker 2>Yeah, I mean I thought she was her apology. I

0:37:33.120 --> 0:37:35.080
<v Speaker 2>thought it was feeling threatened by Ronda. I think that's

0:37:35.120 --> 0:37:38.840
<v Speaker 2>what that close up was. Yeah, absolutely, Okay, the truth.

0:37:39.040 --> 0:37:41.640
<v Speaker 2>I've tried to hide it, she's tried to hide it.

0:37:41.640 --> 0:37:43.719
<v Speaker 2>It is coming up, you know what I mean, Like

0:37:43.800 --> 0:37:45.319
<v Speaker 2>she's really good.

0:37:45.800 --> 0:37:47.440
<v Speaker 3>Yeah, but she tells her the truth and it's her

0:37:47.480 --> 0:37:50.239
<v Speaker 3>apology saying, you know what I was. I wasn't a

0:37:50.239 --> 0:37:52.040
<v Speaker 3>good friend. I wanted to see you fail. I was

0:37:52.040 --> 0:37:55.040
<v Speaker 3>threatened by you. I always thought if you had audition

0:37:55.160 --> 0:37:56.919
<v Speaker 3>five years ago, I never would have gotten this job,

0:37:56.960 --> 0:37:58.839
<v Speaker 3>and so I was, you know, nervous that you were

0:37:58.880 --> 0:38:01.040
<v Speaker 3>going to come in and take my job. But you

0:38:01.080 --> 0:38:04.760
<v Speaker 3>know what, you deserve it. And that's when Ronda says,

0:38:04.880 --> 0:38:06.879
<v Speaker 3>even if I get it, I'm not going to take

0:38:06.920 --> 0:38:11.080
<v Speaker 3>it because I've realized I like my life and I

0:38:11.080 --> 0:38:12.799
<v Speaker 3>don't even want to know if I get the job.

0:38:13.560 --> 0:38:18.200
<v Speaker 3>And you know, that whole thing was resolved. They Ronda

0:38:18.280 --> 0:38:20.640
<v Speaker 3>and Matt leave the dance studio before even finding out

0:38:20.640 --> 0:38:21.440
<v Speaker 3>if she got the spot.

0:38:21.640 --> 0:38:23.319
<v Speaker 1>Yeah, that was a really sweet So you talk about

0:38:23.360 --> 0:38:25.360
<v Speaker 1>freedom like I just needed to know I could do it.

0:38:25.400 --> 0:38:27.120
<v Speaker 1>I don't need to have the reward.

0:38:28.040 --> 0:38:30.239
<v Speaker 2>Yep, I just needed I did too.

0:38:30.880 --> 0:38:34.680
<v Speaker 3>As Ronda and Matt were leaving their iconic glimpse of

0:38:34.880 --> 0:38:37.520
<v Speaker 3>Doug's sides in his back pocket, See that.

0:38:39.800 --> 0:38:42.719
<v Speaker 1>Sides are the little mini right, Yeah, the scripts we have.

0:38:42.760 --> 0:38:44.560
<v Speaker 1>We have little mini scripts so we can keep our lines.

0:38:44.640 --> 0:38:47.080
<v Speaker 3>Yes, they're folded very small, and you usually have them

0:38:47.080 --> 0:38:48.799
<v Speaker 3>in your hand when you're just trying to you know,

0:38:49.480 --> 0:38:52.440
<v Speaker 3>last minute, you know, follow along, know where you are

0:38:52.480 --> 0:38:54.680
<v Speaker 3>whatever when you're rehearsing, but you forget you might leave

0:38:54.719 --> 0:38:56.280
<v Speaker 3>them in your pocket for the audience.

0:38:56.320 --> 0:38:59.719
<v Speaker 2>Are those days lines that you're given to us. And

0:38:59.719 --> 0:39:04.279
<v Speaker 2>then the old days they were this regular size and

0:39:04.640 --> 0:39:07.960
<v Speaker 2>the day your pages, all of them would be stapled together.

0:39:08.040 --> 0:39:09.840
<v Speaker 2>And then I remember coming to some one day in

0:39:09.880 --> 0:39:12.400
<v Speaker 2>some year, some show, and they were a quarter of

0:39:12.880 --> 0:39:17.760
<v Speaker 2>the minis and they're minis, and they're like shrunk so little,

0:39:17.880 --> 0:39:20.080
<v Speaker 2>and I was just like, and then I started just saying,

0:39:20.120 --> 0:39:22.040
<v Speaker 2>can I have regular size? Please? Can I have grown

0:39:22.080 --> 0:39:26.040
<v Speaker 2>up the glasses? I couldn't because when I needed glasses

0:39:26.160 --> 0:39:28.040
<v Speaker 2>it was you know you sometimes you just want to

0:39:28.040 --> 0:39:29.640
<v Speaker 2>pull them out from nder a prop that's in front

0:39:29.640 --> 0:39:31.960
<v Speaker 2>of you and sneak you're lying, Oh okay. But when

0:39:31.960 --> 0:39:36.680
<v Speaker 2>they were so shrunken into these minis, whoever invented those?

0:39:36.880 --> 0:39:42.440
<v Speaker 2>I think too many directors and cameramen saw these all

0:39:42.440 --> 0:39:44.239
<v Speaker 2>over the set, you know what I mean, like our

0:39:44.360 --> 0:39:45.160
<v Speaker 2>little cheap seats.

0:39:45.239 --> 0:39:47.200
<v Speaker 3>No, they're like, we got to make them smaller. Yeah,

0:39:47.200 --> 0:39:48.960
<v Speaker 3>when you find these things lying, you know they're not

0:39:48.960 --> 0:39:50.600
<v Speaker 3>supposed to be in the show and they're supposed to

0:39:50.640 --> 0:39:53.000
<v Speaker 3>be hidden, and yeah, this was one of those fun

0:39:53.800 --> 0:39:59.319
<v Speaker 3>caught a glimpse. And then we're back with Alison and Jake,

0:39:59.400 --> 0:40:02.799
<v Speaker 3>where Alice talks to Jakes and says, you know last

0:40:02.880 --> 0:40:05.080
<v Speaker 3>night that was that was really fun. But you know,

0:40:05.160 --> 0:40:07.360
<v Speaker 3>that was just a that was just a kiss. We're

0:40:07.440 --> 0:40:09.080
<v Speaker 3>just friends, We're just going to be friends. And it

0:40:09.120 --> 0:40:12.000
<v Speaker 3>seemed to be like a mutual understanding that that's what

0:40:12.040 --> 0:40:13.480
<v Speaker 3>it was. It was just all sort of like.

0:40:13.520 --> 0:40:18.160
<v Speaker 1>Abruptly decided, yeah, now we're done, yeah, done, just that

0:40:18.280 --> 0:40:20.560
<v Speaker 1>and a wee. And I was proud of them for

0:40:20.600 --> 0:40:23.479
<v Speaker 1>having the conversation and not just moving awkwardly to say

0:40:23.520 --> 0:40:25.399
<v Speaker 1>that was lovely, but let's let it stay there.

0:40:25.680 --> 0:40:28.600
<v Speaker 2>Yeah, And that scene takes place, as we were saying earlier,

0:40:29.320 --> 0:40:32.759
<v Speaker 2>on the sound stages at in Santa Clarita, outside the

0:40:32.760 --> 0:40:37.040
<v Speaker 2>production offices. So probably when Jake was walking out, you know,

0:40:37.320 --> 0:40:39.760
<v Speaker 2>some of our production was in there, and probably Andrew

0:40:39.840 --> 0:40:44.279
<v Speaker 2>was using the facts to start doing something yeah political, yeah,

0:40:44.320 --> 0:40:47.239
<v Speaker 2>but yeah, so right behind that door is like our

0:40:47.280 --> 0:40:50.880
<v Speaker 2>whole you know, office staff, and then we we did that.

0:40:50.960 --> 0:40:53.160
<v Speaker 2>All that became Jane's store.

0:40:53.600 --> 0:40:55.960
<v Speaker 3>It was Jane's Fatigue. But also it was the aerobic studio.

0:40:56.080 --> 0:40:59.279
<v Speaker 3>So every time Ronda had an aerobics class, they would

0:40:59.280 --> 0:41:01.400
<v Speaker 3>clear our production offices out and they'd have to take

0:41:01.400 --> 0:41:03.640
<v Speaker 3>the fax machine out and everything, and they would set

0:41:03.719 --> 0:41:05.840
<v Speaker 3>dress to make it look like an aerobic studio.

0:41:05.920 --> 0:41:08.040
<v Speaker 2>And also the hospital. You sed to remember some of

0:41:08.080 --> 0:41:09.680
<v Speaker 2>the hospital outside right.

0:41:09.640 --> 0:41:12.520
<v Speaker 3>Later, exterior, so outside the building they do like the

0:41:12.520 --> 0:41:14.960
<v Speaker 3>parking lot and stuff like that. So we would utilize

0:41:15.520 --> 0:41:18.440
<v Speaker 3>not just the sound stages that were there in Santa Clarita,

0:41:18.480 --> 0:41:20.600
<v Speaker 3>but but they'd use the office, which is the front part.

0:41:20.600 --> 0:41:22.560
<v Speaker 3>They would convert it into another set, and then the

0:41:22.600 --> 0:41:23.520
<v Speaker 3>exteriors as well.

0:41:23.719 --> 0:41:26.000
<v Speaker 2>Have to move some of the camera trucks sometimes to know.

0:41:26.239 --> 0:41:29.040
<v Speaker 1>How many stages did we have at the end two

0:41:29.120 --> 0:41:32.560
<v Speaker 1>I think I thought we had too too. Yeah, yeah,

0:41:33.160 --> 0:41:34.520
<v Speaker 1>and she was shot there.

0:41:34.640 --> 0:41:36.719
<v Speaker 2>Before that, there was that what was that Jamie Lee

0:41:36.760 --> 0:41:41.000
<v Speaker 2>Curtis Schwarzenegger movie. They shot that up there, I think? True, true,

0:41:41.280 --> 0:41:41.520
<v Speaker 2>I think.

0:41:42.400 --> 0:41:44.239
<v Speaker 3>But we had it to ourselves for the most part.

0:41:44.320 --> 0:41:46.480
<v Speaker 3>It was just like this isolated place up on the.

0:41:46.480 --> 0:41:49.000
<v Speaker 2>Health Do you remember our security guard like this one.

0:41:49.239 --> 0:41:50.600
<v Speaker 2>There was like a booth and a.

0:41:50.560 --> 0:41:53.800
<v Speaker 3>Guy and it was just like it was so quiet

0:41:53.840 --> 0:41:56.120
<v Speaker 3>and easy. We'd walk around in our slippers and our

0:41:56.520 --> 0:41:58.800
<v Speaker 3>sort of yeah, our robes and it was just comfortable

0:41:58.800 --> 0:41:59.680
<v Speaker 3>and it.

0:41:59.640 --> 0:42:00.200
<v Speaker 2>Was our home.

0:42:00.560 --> 0:42:02.520
<v Speaker 3>But then Allison says, come on, I'll buy you a beer,

0:42:02.520 --> 0:42:04.759
<v Speaker 3>and that story is neatly wrapped up, and she takes

0:42:04.840 --> 0:42:09.239
<v Speaker 3>him to Jake. She takes Jake to Shooters, where everybody

0:42:09.239 --> 0:42:12.240
<v Speaker 3>in the gang is waiting to congratulate him on his graduation.

0:42:12.280 --> 0:42:17.040
<v Speaker 3>They're wearing graduation caps and that was really cute, and

0:42:17.080 --> 0:42:20.400
<v Speaker 3>he's surprised. Doug has his graduation cap on top of

0:42:20.440 --> 0:42:24.120
<v Speaker 3>his baseball hat, which no, he cannot recall, but he

0:42:24.120 --> 0:42:28.560
<v Speaker 3>did like the choice anyway. And that's where Sandy says

0:42:28.560 --> 0:42:31.360
<v Speaker 3>to Alison, I just knew that you two couldn't be

0:42:31.400 --> 0:42:34.520
<v Speaker 3>a thing. You know too much, not you're not alike enough.

0:42:34.560 --> 0:42:38.319
<v Speaker 3>And Alison gets the best line, the punchline to her,

0:42:38.480 --> 0:42:41.000
<v Speaker 3>just to taunt her. Yeah, but he's a really good kisser.

0:42:42.000 --> 0:42:44.879
<v Speaker 2>Yeah. I love how you use your delivery. Yep, just

0:42:44.920 --> 0:42:48.040
<v Speaker 2>like like you just smacked her walk off.

0:42:48.280 --> 0:42:50.400
<v Speaker 3>He's a really great here's some food.

0:42:50.280 --> 0:42:55.320
<v Speaker 2>For the camera. She's like, what, yeah, come back.

0:42:55.200 --> 0:42:58.760
<v Speaker 3>Here, but food for thoughts. So now Sandy knows that happened,

0:42:58.880 --> 0:42:59.480
<v Speaker 3>or does she?

0:43:00.360 --> 0:43:02.440
<v Speaker 2>I really do love how we all came back together.

0:43:02.520 --> 0:43:05.960
<v Speaker 2>How you guys the everyone came together from the apartment

0:43:06.040 --> 0:43:09.360
<v Speaker 2>to surprise him, and he didn't, you know, because again

0:43:09.520 --> 0:43:12.920
<v Speaker 2>acknowledging what he kept a secret for so long and

0:43:12.920 --> 0:43:16.239
<v Speaker 2>what was painful and shameful like was really celebration at

0:43:16.239 --> 0:43:16.480
<v Speaker 2>the end.

0:43:16.600 --> 0:43:18.600
<v Speaker 1>Yeah, and that really is like these first episodes were

0:43:18.600 --> 0:43:21.000
<v Speaker 1>getting to know the characters each you go the little

0:43:21.040 --> 0:43:23.000
<v Speaker 1>bit more, little bit breadcrumbs. And I also think it's

0:43:23.000 --> 0:43:25.040
<v Speaker 1>so cute because you guys can think when we're all together,

0:43:25.120 --> 0:43:28.480
<v Speaker 1>which is true because there it feels like because we're

0:43:28.520 --> 0:43:31.560
<v Speaker 1>going so slowly, but really fourteen and nineteen, right, the

0:43:31.600 --> 0:43:33.560
<v Speaker 1>episodes you guys come and then you're on for the

0:43:33.600 --> 0:43:36.160
<v Speaker 1>rest of it, so it's only a few episodes without you,

0:43:36.200 --> 0:43:38.760
<v Speaker 1>and it is a wee right, I don't it's strange

0:43:38.760 --> 0:43:40.640
<v Speaker 1>to me that you guys aren't here. I keep saying

0:43:40.680 --> 0:43:42.760
<v Speaker 1>we Yeah, when we were all together.

0:43:42.880 --> 0:43:45.600
<v Speaker 3>Well, I feel like this season because it was such

0:43:45.600 --> 0:43:48.560
<v Speaker 3>a different tone, It feels like a whole different like

0:43:49.000 --> 0:43:51.520
<v Speaker 3>segment of time that like the bulk of what we

0:43:51.719 --> 0:43:54.840
<v Speaker 3>think about when we remember this time were those crazy

0:43:54.920 --> 0:43:57.400
<v Speaker 3>years of seasons two, three, four, five, you know, those

0:43:58.400 --> 0:44:01.560
<v Speaker 3>is what we talk about as we and this tonally

0:44:01.880 --> 0:44:05.160
<v Speaker 3>is we're still in like stage one. You know, before

0:44:05.200 --> 0:44:07.200
<v Speaker 3>it this show wasn't a hit.

0:44:07.680 --> 0:44:10.839
<v Speaker 1>The show watching how it was sweet? Yeah, and then

0:44:10.920 --> 0:44:13.200
<v Speaker 1>the show you guys were on was a hit. So

0:44:13.239 --> 0:44:17.160
<v Speaker 1>the two two kind of separate shows, really.

0:44:17.040 --> 0:44:19.200
<v Speaker 3>So and at this time, so episode six, they were

0:44:19.320 --> 0:44:23.280
<v Speaker 3>almost halfway through their initial order, which was thirteen episodes

0:44:23.320 --> 0:44:24.720
<v Speaker 3>were originally contract.

0:44:24.760 --> 0:44:27.640
<v Speaker 1>Andrew, our businessman was coming every with all the what

0:44:27.760 --> 0:44:29.880
<v Speaker 1>the ratings meant and what they I was like, I

0:44:29.920 --> 0:44:31.640
<v Speaker 1>don't whatever. We're just here to do our work.

0:44:31.719 --> 0:44:33.680
<v Speaker 3>And it wasn't he was paying very It wasn't great.

0:44:33.719 --> 0:44:36.720
<v Speaker 3>At this point, we holding steady, it mediocre.

0:44:36.880 --> 0:44:38.759
<v Speaker 1>We were after nine o two and oh, and we

0:44:38.800 --> 0:44:41.399
<v Speaker 1>were not holding our own like there. I remember there

0:44:41.440 --> 0:44:43.680
<v Speaker 1>was a drop off. Andrew might even remember, honestly, he

0:44:43.719 --> 0:44:45.680
<v Speaker 1>paid such close attention to the numbers. There was sort

0:44:45.680 --> 0:44:47.600
<v Speaker 1>of a drop off. And then you guys came out.

0:44:47.640 --> 0:44:49.720
<v Speaker 1>Did Heather come on before you?

0:44:49.840 --> 0:44:50.279
<v Speaker 3>Just after?

0:44:50.640 --> 0:44:53.600
<v Speaker 1>Just after? Okay, that's when we'll get to that. But

0:44:53.760 --> 0:44:57.080
<v Speaker 1>I remember we got new trailers. Either came on like,

0:44:57.239 --> 0:44:59.400
<v Speaker 1>Heather can't be in these disgusting trailers. You guys have

0:45:01.600 --> 0:45:05.840
<v Speaker 1>gotta love a girl while you're here for so many reasons.

0:45:06.200 --> 0:45:09.799
<v Speaker 2>I mean, I think Aaron called Heather his you know, lucky.

0:45:09.560 --> 0:45:11.080
<v Speaker 3>His good luck charms, his good luck charm.

0:45:11.239 --> 0:45:11.479
<v Speaker 1>Heather.

0:45:12.120 --> 0:45:15.719
<v Speaker 2>I gotta get new, get those kids some new trailers. Yeah,

0:45:15.840 --> 0:45:17.120
<v Speaker 2>my good luck charms coming.

0:45:17.320 --> 0:45:19.680
<v Speaker 1>Yeah. And she didn't ask I remember, she didn't ask

0:45:19.719 --> 0:45:22.600
<v Speaker 1>for anything. It wasn't she didn't demand it. They just

0:45:23.640 --> 0:45:25.360
<v Speaker 1>wanted to take care of her. And I think we

0:45:25.440 --> 0:45:28.239
<v Speaker 1>had favorite nations with trailers, which means everybody gets the same.

0:45:28.320 --> 0:45:31.920
<v Speaker 1>So you're like, thanks, everybody's lives got a little better

0:45:31.920 --> 0:45:38.480
<v Speaker 1>when Heather showed up. Yeah, yes, do we have time

0:45:38.560 --> 0:45:41.080
<v Speaker 1>to do a couple of We have some audience questions,

0:45:41.080 --> 0:45:45.160
<v Speaker 1>and I would like to know, Daphne, how your relationship

0:45:45.200 --> 0:45:47.759
<v Speaker 1>with Darren Starr changed after you started on the show.

0:45:48.120 --> 0:45:50.960
<v Speaker 2>Uh. You know, I didn't see him very often because

0:45:51.000 --> 0:45:54.560
<v Speaker 2>he was the writers were nowhere near us. They were

0:45:54.600 --> 0:45:56.160
<v Speaker 2>here in l A and we were out in the

0:45:56.200 --> 0:45:58.920
<v Speaker 2>sticks and in Santa Curita, which now is like just

0:45:59.040 --> 0:46:02.000
<v Speaker 2>another neighborhood it seem like, but back then it was

0:46:02.040 --> 0:46:07.360
<v Speaker 2>pretty far. But I do remember a couple of these lines.

0:46:07.400 --> 0:46:09.920
<v Speaker 2>So I come in, like we said later this season,

0:46:11.719 --> 0:46:15.920
<v Speaker 2>and I remember using the facts and sending him some

0:46:16.120 --> 0:46:18.719
<v Speaker 2>edits I had in a in a scene or two

0:46:18.760 --> 0:46:20.960
<v Speaker 2>and just going, oh, it's Darren, you know, like I'm

0:46:20.960 --> 0:46:25.800
<v Speaker 2>sure he'll be fine, and I'm like so I wrote.

0:46:25.880 --> 0:46:28.279
<v Speaker 3>I was like, no, but she repeats herself, and I

0:46:28.320 --> 0:46:29.080
<v Speaker 3>think maybe.

0:46:28.800 --> 0:46:30.480
<v Speaker 2>This might be better. This is what would I mean that?

0:46:31.160 --> 0:46:33.800
<v Speaker 2>So I sent him some to make it more flowy,

0:46:34.280 --> 0:46:39.759
<v Speaker 2>and I got back good editing from Darren. Don't again, No,

0:46:40.680 --> 0:46:46.040
<v Speaker 2>we don't really do that here. And I was like, oh, okay,

0:46:46.360 --> 0:46:48.480
<v Speaker 2>you're the boss, I'm the you know what I mean?

0:46:48.560 --> 0:46:51.359
<v Speaker 2>Like it was so I had to. He was very

0:46:51.400 --> 0:46:53.960
<v Speaker 2>sweet about it, and I got it, you know, I mean,

0:46:54.080 --> 0:46:56.400
<v Speaker 2>and I can't even imagine if eight or nine of

0:46:56.480 --> 0:47:00.520
<v Speaker 2>us started like can we just and then shortly at

0:47:00.560 --> 0:47:03.200
<v Speaker 2>some point in there, we were not too at all.

0:47:03.280 --> 0:47:05.480
<v Speaker 2>If I had another thing, they would say. So that's

0:47:06.120 --> 0:47:09.040
<v Speaker 2>that was just one thing. It I think it it.

0:47:10.480 --> 0:47:12.399
<v Speaker 2>I think it grew. I mean, we stayed friends. It's

0:47:12.440 --> 0:47:14.480
<v Speaker 2>just a clear thinking, Oh I got a buddy in

0:47:14.480 --> 0:47:17.319
<v Speaker 2>the office. I'll just not a big deal. And I

0:47:17.360 --> 0:47:19.799
<v Speaker 2>was like yeah, he said, yeah, that's not we don't

0:47:20.040 --> 0:47:20.839
<v Speaker 2>really do that here.

0:47:21.320 --> 0:47:23.359
<v Speaker 1>Yeah, because I think because we were so far first

0:47:23.400 --> 0:47:25.160
<v Speaker 1>of all, we ruined it for you because in the beginning,

0:47:25.200 --> 0:47:27.920
<v Speaker 1>people were changing things left and right, and it's not

0:47:28.000 --> 0:47:30.040
<v Speaker 1>like on a sitcom you call up the guys come

0:47:30.080 --> 0:47:31.759
<v Speaker 1>down and you work through it, right. We were so

0:47:32.680 --> 0:47:35.360
<v Speaker 1>much experience, so many secoms. We were so far apart

0:47:35.400 --> 0:47:37.720
<v Speaker 1>that they felt like they were losing control and people

0:47:37.719 --> 0:47:41.120
<v Speaker 1>were actually changing the meaning of lines, not just making

0:47:41.200 --> 0:47:44.560
<v Speaker 1>it more comfortable. So they got really strict because it

0:47:44.600 --> 0:47:48.880
<v Speaker 1>was like it had been taken advantage of. So that

0:47:48.960 --> 0:47:50.799
<v Speaker 1>is a different thing that's on the firstcast.

0:47:50.840 --> 0:47:52.600
<v Speaker 2>I didn't know that writers right there.

0:47:52.640 --> 0:47:54.640
<v Speaker 1>The writers are right there, and they come down and they.

0:47:54.800 --> 0:47:57.160
<v Speaker 2>Tried, like I've done a couple of guest stars on so.

0:47:57.200 --> 0:47:59.160
<v Speaker 1>Yeah, yeah, they come. They're there all the time. They're

0:47:59.160 --> 0:48:00.600
<v Speaker 1>there every day. But you all so you don't really

0:48:00.719 --> 0:48:02.640
<v Speaker 1>change it on your own. You wait till they come down.

0:48:02.640 --> 0:48:04.880
<v Speaker 1>They come down every day, you do run through and

0:48:04.880 --> 0:48:06.760
<v Speaker 1>then you say this isn't working. You all work together

0:48:06.800 --> 0:48:07.279
<v Speaker 1>to fix it.

0:48:07.360 --> 0:48:09.640
<v Speaker 2>And well they would there's a line, there's a script

0:48:09.640 --> 0:48:14.120
<v Speaker 2>and they would say like try this phrase instead, right, yeah,

0:48:14.360 --> 0:48:16.080
<v Speaker 2>and you'd work at it and they say, no, it

0:48:16.080 --> 0:48:18.160
<v Speaker 2>doesn't work, go back or yeah.

0:48:18.200 --> 0:48:19.759
<v Speaker 1>Yeah, you get to rehearse it every day. So they

0:48:19.760 --> 0:48:22.280
<v Speaker 1>didn't have they didn't get to see us rehearse it.

0:48:22.480 --> 0:48:25.000
<v Speaker 1>Like sometimes on a movie you'll have the writers there

0:48:25.000 --> 0:48:26.879
<v Speaker 1>and you'll do it something won't work and then they'll

0:48:26.880 --> 0:48:28.399
<v Speaker 1>fix it and do it right there. But they were

0:48:28.440 --> 0:48:31.560
<v Speaker 1>so far away. Yeah, they couldn't have us doing your

0:48:31.600 --> 0:48:33.839
<v Speaker 1>own couldn't have this doing our own thing.

0:48:34.080 --> 0:48:38.120
<v Speaker 3>Okay, so here's another question. Somebody asked, and I'll just

0:48:38.280 --> 0:48:40.200
<v Speaker 3>post to the group. If you could have played any

0:48:40.239 --> 0:48:43.040
<v Speaker 3>other character, male or female, who would you want to play?

0:48:44.440 --> 0:48:46.839
<v Speaker 1>I would play Grant because I like to be topless.

0:48:48.040 --> 0:48:52.520
<v Speaker 3>No, I suspected as much. I suspected that would be

0:48:52.560 --> 0:48:54.319
<v Speaker 3>your answer for all the times that you've showed up

0:48:54.320 --> 0:48:55.400
<v Speaker 3>for this podcast topless.

0:48:55.480 --> 0:48:59.120
<v Speaker 1>I bet we bring a shirt for Court and you

0:48:59.120 --> 0:48:59.799
<v Speaker 1>put a shirt on.

0:49:00.000 --> 0:49:01.279
<v Speaker 2>She want to show for six Pack?

0:49:01.440 --> 0:49:05.160
<v Speaker 1>Well, I love Laura. I loved watching Sydney. But I

0:49:05.239 --> 0:49:08.360
<v Speaker 1>thought all the time, that's so amazing. Thank god, I

0:49:08.360 --> 0:49:11.560
<v Speaker 1>don't have to do it what I often thought you were.

0:49:11.600 --> 0:49:15.719
<v Speaker 1>They put you through the ringer. You were willing and

0:49:15.800 --> 0:49:18.200
<v Speaker 1>able to do the craziest thing. I was full of

0:49:18.239 --> 0:49:22.759
<v Speaker 1>admiration and fear, healthy fear. I like to think I

0:49:22.760 --> 0:49:25.239
<v Speaker 1>would have liked to play Sydney, but I don't know

0:49:25.280 --> 0:49:26.680
<v Speaker 1>that I would have had the balls.

0:49:27.120 --> 0:49:28.279
<v Speaker 2>Wow, that's interesting.

0:49:28.640 --> 0:49:30.840
<v Speaker 3>She was definitely a fun character to play.

0:49:31.120 --> 0:49:33.359
<v Speaker 1>Yeah, I mean it was just you were like, all right,

0:49:33.680 --> 0:49:36.399
<v Speaker 1>it throws getting crazy at you and you were like, yeah, right,

0:49:36.480 --> 0:49:37.279
<v Speaker 1>and you would do.

0:49:37.239 --> 0:49:40.280
<v Speaker 3>It kind of didn't have a choice. You're like, all right, yeah,

0:49:40.320 --> 0:49:42.200
<v Speaker 3>but it was super.

0:49:42.000 --> 0:49:45.799
<v Speaker 2>Funny, did all of that, totally committed to everything. Yeah,

0:49:45.880 --> 0:49:48.399
<v Speaker 2>she was such a chameleon. And all those outfits were

0:49:48.560 --> 0:49:52.000
<v Speaker 2>on my side, seemed like over the top or like

0:49:52.040 --> 0:49:54.960
<v Speaker 2>out of Mary Tyllamora Beret one minute, you know what

0:49:55.040 --> 0:49:57.760
<v Speaker 2>I mean. And yet in your little outfits all matched,

0:49:58.000 --> 0:50:01.080
<v Speaker 2>and yet you made it work because behind all that

0:50:01.239 --> 0:50:04.439
<v Speaker 2>is crazy. I mean, there's a crazy girl back there,

0:50:04.480 --> 0:50:07.680
<v Speaker 2>you know. And and but I never wanted to play Sydney.

0:50:07.920 --> 0:50:12.000
<v Speaker 2>I loved playing Joe, to be honest. But there were

0:50:12.000 --> 0:50:13.440
<v Speaker 2>times when I thought, oh, it would be like to

0:50:13.440 --> 0:50:15.560
<v Speaker 2>be in D and D and play Amanda or something

0:50:15.640 --> 0:50:19.239
<v Speaker 2>like that, you know, because Joe was she wasn't a bit,

0:50:19.480 --> 0:50:22.120
<v Speaker 2>you know, when Amanda was like this crazy mean woman

0:50:22.160 --> 0:50:23.880
<v Speaker 2>and you guys went at each other and stuff, and

0:50:23.920 --> 0:50:28.279
<v Speaker 2>I never she wasn't like that, So it would be fun.

0:50:28.320 --> 0:50:29.920
<v Speaker 1>I did. I thought that sometimes it'd be fun to

0:50:29.920 --> 0:50:31.800
<v Speaker 1>play a bitch, and then I got to be drunk Allison,

0:50:31.800 --> 0:50:32.400
<v Speaker 1>and drunk.

0:50:32.200 --> 0:50:34.200
<v Speaker 3>Alison was probably a lot of fun too.

0:50:34.239 --> 0:50:36.360
<v Speaker 1>Drunk Alison is super fun. That's one thing about I

0:50:36.400 --> 0:50:37.880
<v Speaker 1>show like this that you think I want to be

0:50:37.920 --> 0:50:39.440
<v Speaker 1>that character, and the next thing, you know, oh I

0:50:39.440 --> 0:50:42.800
<v Speaker 1>am that character. Like we just to give you because

0:50:42.840 --> 0:50:45.680
<v Speaker 1>it changed so much, but you had the most extreme

0:50:46.480 --> 0:50:49.520
<v Speaker 1>swings from week to week, and somehow you made it work.

0:50:49.560 --> 0:50:51.000
<v Speaker 2>I had.

0:50:51.440 --> 0:50:53.040
<v Speaker 3>I had a lot of people ask me like, would

0:50:53.040 --> 0:50:54.960
<v Speaker 3>I have liked to play another character? And the truth

0:50:55.000 --> 0:50:58.440
<v Speaker 3>is I loved playing Sydney. Like I thought it was

0:50:59.719 --> 0:51:02.239
<v Speaker 3>so fun, you know, and I as the character and

0:51:02.280 --> 0:51:04.240
<v Speaker 3>she's not there yet, she's not where we're on the recap,

0:51:04.280 --> 0:51:07.960
<v Speaker 3>We're not there yet. But as she arrived and then evolved,

0:51:08.800 --> 0:51:11.560
<v Speaker 3>she really grew into this character that would morph into

0:51:11.560 --> 0:51:14.520
<v Speaker 3>whatever was going on, you know. And I liked there

0:51:14.560 --> 0:51:17.160
<v Speaker 3>were times when we felt like Sidney was kind of

0:51:17.280 --> 0:51:20.280
<v Speaker 3>doing her own show, you know, Like Sidney was allowed

0:51:20.320 --> 0:51:23.360
<v Speaker 3>to wear hats, Sydney was allowed to do crazy stuff

0:51:23.360 --> 0:51:25.840
<v Speaker 3>that none of the other characters were. It was somehow

0:51:25.840 --> 0:51:28.239
<v Speaker 3>okay for Sydney to do it and not for the

0:51:28.239 --> 0:51:30.520
<v Speaker 3>other characters, right, So it felt like I was on

0:51:30.560 --> 0:51:33.360
<v Speaker 3>my own little comedy planet, like I was, like, I

0:51:33.920 --> 0:51:35.919
<v Speaker 3>get to kind of find the funny in this where

0:51:35.920 --> 0:51:37.800
<v Speaker 3>everybody else is just a little bit more earnest and

0:51:37.840 --> 0:51:40.880
<v Speaker 3>straight and and I just I felt really lucky about that.

0:51:40.960 --> 0:51:46.000
<v Speaker 3>And I really enjoyed that and appreciated that. I felt

0:51:46.040 --> 0:51:50.520
<v Speaker 3>like she had kind of a lot of leeway wow

0:51:50.600 --> 0:51:52.440
<v Speaker 3>with the character, and I got to play around and

0:51:52.600 --> 0:51:55.640
<v Speaker 3>it just felt really fun. So I really appreciated that

0:51:55.640 --> 0:51:57.080
<v Speaker 3>that was the character I got to play.

0:51:57.400 --> 0:51:59.239
<v Speaker 1>You could see that you were having fun. That's part

0:51:59.280 --> 0:52:00.719
<v Speaker 1>of what made the character so much. It was a

0:52:00.719 --> 0:52:02.640
<v Speaker 1>blessed Yeah, I really made that.

0:52:02.680 --> 0:52:05.040
<v Speaker 3>Yeah, I'm sure I'll be mortified when we get to

0:52:05.120 --> 0:52:06.920
<v Speaker 3>you know, like there'll be a million ways that I'll

0:52:06.960 --> 0:52:10.520
<v Speaker 3>be mortified for my acting and the character at the beginning,

0:52:10.560 --> 0:52:12.360
<v Speaker 3>like I was, you know, as a brand new actress

0:52:12.400 --> 0:52:14.920
<v Speaker 3>and still figuring it out. So I'm sure i'll be mortified.

0:52:14.960 --> 0:52:17.960
<v Speaker 1>But I see things that obviously there aren't moments. There

0:52:18.000 --> 0:52:20.040
<v Speaker 1>are moments aren't great. But I have so much compassion

0:52:20.040 --> 0:52:22.520
<v Speaker 1>for myself. I was so young, yeah, right, like it

0:52:22.560 --> 0:52:24.560
<v Speaker 1>was thirty years ago. She just gonna go, oh, sweetie,

0:52:24.560 --> 0:52:26.040
<v Speaker 1>you could have made a better you were the younger.

0:52:26.120 --> 0:52:29.160
<v Speaker 2>Yeah right, yeah, but you don't. Also, I've watched some

0:52:29.239 --> 0:52:32.799
<v Speaker 2>of that recently over the last few years. And you know,

0:52:32.840 --> 0:52:35.440
<v Speaker 2>you start out this what you're saying is comedy, comedic

0:52:36.360 --> 0:52:40.560
<v Speaker 2>relief maybe, but you have some serious stuff later, Laura,

0:52:40.680 --> 0:52:43.279
<v Speaker 2>and you've knocked it out of the park. I was like,

0:52:43.360 --> 0:52:45.719
<v Speaker 2>how is she going to handle you know, whether it's

0:52:45.719 --> 0:52:48.680
<v Speaker 2>the call girls stuff, for all of this horrible stuff

0:52:48.680 --> 0:52:52.520
<v Speaker 2>that happened to you. And I'm like, that's where you were, Ernest,

0:52:52.719 --> 0:52:54.719
<v Speaker 2>that's where your real stuff showed through. And that's a

0:52:54.760 --> 0:52:56.440
<v Speaker 2>great talent to be able to do both. Thank you,

0:52:56.640 --> 0:52:59.279
<v Speaker 2>so thank you. I it was fun. And one more

0:52:59.320 --> 0:53:01.960
<v Speaker 2>question more, how much say do we have over our

0:53:02.040 --> 0:53:06.000
<v Speaker 2>character style, hair, makeup, and clothes. Let's start with Laura

0:53:06.120 --> 0:53:07.200
<v Speaker 2>because we were talking about help.

0:53:07.520 --> 0:53:10.560
<v Speaker 3>Yeah, so that's part of what Sidney I think, had

0:53:10.560 --> 0:53:14.799
<v Speaker 3>a unique position, Like she got the character, got to

0:53:15.080 --> 0:53:17.160
<v Speaker 3>do some crazy things and so we were able to

0:53:17.200 --> 0:53:20.719
<v Speaker 3>push some boundaries with that. And definitely in the like

0:53:21.360 --> 0:53:24.000
<v Speaker 3>I would say, the third and then the fourth season,

0:53:24.920 --> 0:53:27.880
<v Speaker 3>we were given a lot of leeway to play around,

0:53:28.080 --> 0:53:30.400
<v Speaker 3>and I was super grateful for that. It would be

0:53:30.400 --> 0:53:33.600
<v Speaker 3>a collaborative thing with wardrobe and hair and makeup, like

0:53:33.800 --> 0:53:36.719
<v Speaker 3>oh this, you know, for a while Sidney's going to

0:53:36.719 --> 0:53:40.200
<v Speaker 3>be a secretary, so she adopted this like sort of

0:53:40.239 --> 0:53:42.920
<v Speaker 3>like fifties and sixties vibe, and like the flip and

0:53:42.960 --> 0:53:45.800
<v Speaker 3>the hair style and so like, those were really fun

0:53:45.840 --> 0:53:49.360
<v Speaker 3>things to play around with, but it was particular to

0:53:49.400 --> 0:53:53.880
<v Speaker 3>that character. I don't think that that we had the

0:53:53.960 --> 0:53:58.279
<v Speaker 3>same you know, boundaries that other characters probably had, But

0:53:58.360 --> 0:54:00.400
<v Speaker 3>just by virtue of it being Sidney, we got to

0:54:00.440 --> 0:54:01.160
<v Speaker 3>have a lot of fun with it.

0:54:01.200 --> 0:54:02.600
<v Speaker 2>Did you have say on yours?

0:54:03.600 --> 0:54:07.120
<v Speaker 1>Especially when Denise Wingate came on. She really wanted us

0:54:07.120 --> 0:54:08.879
<v Speaker 1>to be comfortable. But I remember one time she said, okay,

0:54:08.880 --> 0:54:12.280
<v Speaker 1>we just got a note shorter, brighter, tighter on Alison,

0:54:12.400 --> 0:54:14.760
<v Speaker 1>and I was like, oh dear, But I was self

0:54:14.760 --> 0:54:16.840
<v Speaker 1>conscious that my body had very big breasts and I

0:54:16.880 --> 0:54:20.120
<v Speaker 1>really felt but she really was careful about like making

0:54:20.120 --> 0:54:21.959
<v Speaker 1>me feel comfortable. We'll get these shows. And I wish

0:54:21.960 --> 0:54:24.160
<v Speaker 1>someone had said, don't wear such big shirts right like

0:54:24.400 --> 0:54:26.759
<v Speaker 1>in the early episodes, I'm like, get something fitted, but

0:54:26.800 --> 0:54:29.200
<v Speaker 1>I was. I was uncomfortable. I felt self conscious, So

0:54:30.360 --> 0:54:32.480
<v Speaker 1>she was very careful to make sure it was comfortable

0:54:32.520 --> 0:54:35.520
<v Speaker 1>and try to walk the line like they want this,

0:54:35.640 --> 0:54:38.880
<v Speaker 1>they want the skirts this short, but I wanted them longer,

0:54:38.920 --> 0:54:41.839
<v Speaker 1>so she would find something in the middle that would

0:54:41.840 --> 0:54:45.920
<v Speaker 1>work for everybody. But she always chose my comfort over

0:54:46.360 --> 0:54:49.080
<v Speaker 1>their dands, right, So if I had a bathing suit scene,

0:54:49.160 --> 0:54:51.160
<v Speaker 1>she would let me wear shorts over my bathing suit

0:54:51.280 --> 0:54:53.719
<v Speaker 1>or whatever it was that would make us feel more comfortable.

0:54:53.880 --> 0:54:56.440
<v Speaker 1>Mm hmm right, So it felt like a compromise, like

0:54:56.480 --> 0:54:58.520
<v Speaker 1>they had. Very She'd tell me what the note was

0:54:58.560 --> 0:55:01.040
<v Speaker 1>and say, this is where they want us to so

0:55:01.120 --> 0:55:02.719
<v Speaker 1>what can we do to give them some of what

0:55:02.760 --> 0:55:04.200
<v Speaker 1>they want but make you comfortable?

0:55:04.280 --> 0:55:08.400
<v Speaker 2>So very amazing, isn't it for a wardrobe person. Denise

0:55:08.400 --> 0:55:11.600
<v Speaker 2>Wingate who went on to do huge movies. She and

0:55:11.600 --> 0:55:14.160
<v Speaker 2>I were hired the same time and we both were

0:55:14.200 --> 0:55:17.920
<v Speaker 2>like went into Aaron Spellings, and as I've said before,

0:55:18.280 --> 0:55:20.799
<v Speaker 2>we kind of missed the mark the first scene the

0:55:20.800 --> 0:55:25.080
<v Speaker 2>first day on set. They she had an idea and

0:55:25.120 --> 0:55:28.040
<v Speaker 2>they just wanted it totally the opposite. So I went

0:55:28.080 --> 0:55:30.000
<v Speaker 2>from psych some kind of a little bit of a

0:55:30.080 --> 0:55:32.600
<v Speaker 2>sophisticated New York outfit because it was sort of like

0:55:32.920 --> 0:55:36.399
<v Speaker 2>Upper east Side, you know, probably my husband was of

0:55:36.440 --> 0:55:40.560
<v Speaker 2>a New York family. And then they're like no, and

0:55:40.600 --> 0:55:42.480
<v Speaker 2>I ended up in jeans and black and went the

0:55:42.520 --> 0:55:47.439
<v Speaker 2>other way. But but she was. She was totally collaborative,

0:55:47.560 --> 0:55:49.400
<v Speaker 2>So I would have to say I did have I

0:55:49.520 --> 0:55:52.080
<v Speaker 2>was more comfortable to your point in kind of like

0:55:52.160 --> 0:55:55.160
<v Speaker 2>those I don't know what they are, like they're more

0:55:55.600 --> 0:55:59.640
<v Speaker 2>draw string with patterns and funky, you know, my vests

0:55:59.640 --> 0:56:02.440
<v Speaker 2>and things like that. And the jewelry was more funky

0:56:02.480 --> 0:56:06.560
<v Speaker 2>than just straight kind of tough punk New York. So

0:56:06.600 --> 0:56:08.960
<v Speaker 2>she was really into that too. But I got to say,

0:56:09.760 --> 0:56:11.960
<v Speaker 2>I gotta say, but it wasn't. I didn't create it.

0:56:12.239 --> 0:56:15.359
<v Speaker 2>You know, she had the vision and I It's one

0:56:15.360 --> 0:56:17.680
<v Speaker 2>of the things I love about a good wardrobe person.

0:56:17.680 --> 0:56:19.520
<v Speaker 2>You come in, they give you all these choices and

0:56:19.560 --> 0:56:20.960
<v Speaker 2>you're like, I love that.

0:56:21.200 --> 0:56:24.040
<v Speaker 3>Well, it's really intimate too. It's really personal, intimate because

0:56:24.040 --> 0:56:25.799
<v Speaker 3>you have to be comfortable in it and you're you know,

0:56:26.120 --> 0:56:29.320
<v Speaker 3>and also like your hair and your makeup person, Yeah,

0:56:29.440 --> 0:56:33.720
<v Speaker 3>those are really you're like they're up close and personal

0:56:33.760 --> 0:56:37.120
<v Speaker 3>and working on you know, you get I got really

0:56:37.120 --> 0:56:40.200
<v Speaker 3>close to makeup and hair people, and especially you know,

0:56:40.400 --> 0:56:43.520
<v Speaker 3>Lona Jefferson was our makeup artist Org. You know, like

0:56:43.640 --> 0:56:45.759
<v Speaker 3>you just get really close to those people because you're

0:56:46.560 --> 0:56:51.120
<v Speaker 3>you're trusting them and they're they're so thoughtful for you

0:56:51.160 --> 0:56:54.240
<v Speaker 3>and how they Yeah, go to the pros.

0:56:54.840 --> 0:56:59.319
<v Speaker 2>They were doing this since the seventies probably. I think

0:56:59.400 --> 0:57:02.279
<v Speaker 2>Greg tired not shortly after, but he used to ride

0:57:02.280 --> 0:57:06.120
<v Speaker 2>a bike cycle a bike, not a bicycle, a BMW motorcycle.

0:57:06.440 --> 0:57:08.399
<v Speaker 2>But they were I felt in such good hands with them.

0:57:08.520 --> 0:57:11.279
<v Speaker 3>They're just really intimate relationships for actors like those are

0:57:11.280 --> 0:57:13.520
<v Speaker 3>the people that really care for you so closely.

0:57:13.560 --> 0:57:16.800
<v Speaker 1>And we felt very cared for and people were as

0:57:16.840 --> 0:57:19.000
<v Speaker 1>the show started to take off, people were watching our

0:57:19.040 --> 0:57:23.640
<v Speaker 1>hair and our clothes makeup, so it was it felt

0:57:23.640 --> 0:57:26.240
<v Speaker 1>important because people were talking about it, so you really want.

0:57:26.160 --> 0:57:28.200
<v Speaker 2>And we were, and Lona and Greg were getting all

0:57:28.200 --> 0:57:30.479
<v Speaker 2>this product, don't you remember, like all this stuff would

0:57:30.480 --> 0:57:31.920
<v Speaker 2>come in and no, I'm trying this.

0:57:31.960 --> 0:57:33.640
<v Speaker 1>New days of free stuff. I miss all the.

0:57:33.600 --> 0:57:38.240
<v Speaker 2>Free so yeah, all right.

0:57:38.440 --> 0:57:42.520
<v Speaker 3>It's been so fun to read fans comments and questions,

0:57:42.560 --> 0:57:45.840
<v Speaker 3>and we're getting people asking questions and leaving their thoughts

0:57:45.840 --> 0:57:48.640
<v Speaker 3>on our Instagram and all our socials. We love that.

0:57:48.680 --> 0:57:51.480
<v Speaker 3>We just started a Facebook account, so that's another way

0:57:51.560 --> 0:57:56.280
<v Speaker 3>that and it's still the place, still the place Facebook, Instagram.

0:57:56.280 --> 0:57:58.960
<v Speaker 2>Follow us on Instagram. The two of us Laura Layton

0:57:59.000 --> 0:58:01.600
<v Speaker 2>and Daphnie Sniga and still the Place, Still the Place,

0:58:01.680 --> 0:58:03.760
<v Speaker 2>and then hashtag Courtney Thorne Smith.

0:58:04.120 --> 0:58:06.520
<v Speaker 3>We have another episode that Courtney is already going to

0:58:06.600 --> 0:58:10.040
<v Speaker 3>jump on, but we'll have another Opticells and more guests

0:58:10.040 --> 0:58:11.959
<v Speaker 3>to come. Yeah, I can't wait to see you next week.