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Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

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Speaker 2: And Daphney's Aniga an iHeartRadio podcast.

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Speaker 3: All Right, girls, good to see you.

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Speaker 1: Yeah, so it's good to see you, Guys's been a

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Speaker 1: very exciting morning for me.

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Speaker 2: Yes.

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Speaker 1: So, I very earnestly watched episode six like a Good

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Speaker 1: Girl on my Amazon where I have bought the season

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Speaker 1: because I'm such a kiss ass. Wow, and I came

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Speaker 1: in today and Daphney started talking about it. It was

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Speaker 1: not the episode i'd watched.

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Speaker 2: Yep. She's staring at me like, are you crazy? And

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Speaker 2: I go, you totally made out with Ja and she's forgot.

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Speaker 1: And you're gonnaze you with Billy's parents. What happened?

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Speaker 3: It wasn't your fault. It wasn't you that you watched

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Speaker 3: the wrong episode.

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Speaker 1: It was not, thank god, because as a good girl,

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Speaker 1: I'd be devastated. So apparently on Paramount Plus and Amazon

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Speaker 1: they have different sixes and seven. It's the only time

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Speaker 1: it happened. So if you're following along with us and

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Speaker 1: you're thinking, why aren't you talking about Alison going on

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Speaker 1: vacation with Billy's parents Because you're watching on Amazon.

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Speaker 3: And they're showing seven before six and.

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Speaker 1: They're showing seven before six, right, So so pair went

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Speaker 1: back next week and then watched this episode that I

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Speaker 1: just watched in the hallway because it's crazy good. Yeah,

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Speaker 1: and I did. I made out with Jake.

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Speaker 3: Three times a glad, let's get into it.

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Speaker 1: I don't remember. I was like, oh my goodness, that

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Speaker 1: is some pretty hot stuff. That was spicy.

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Speaker 2: Yeah.

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Speaker 3: So the one we are supposed to be watching now,

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Speaker 3: Courtney's all, when you.

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Speaker 1: Guys watched, how was it?

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Speaker 2: I loved about it is It was totally like the

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Speaker 2: bad boy and good girl fantasy. It felt like it

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Speaker 2: was a fantasy for both types.

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Speaker 1: I feel like Breakfast Club, didn't it?

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Speaker 2: Yeah?

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Speaker 1: Yeah it did. It was so you.

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Speaker 2: Would have liked me. I thought you would be too smart.

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Speaker 2: I thought you wouldn't you know? It was great?

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Speaker 1: Yeah, you know. But we're cutting to the end. Okay,

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Speaker 1: so we have to start at the beginning. But I

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Speaker 1: literally watched it three minutes ago, so it's very freshman

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Speaker 1: eat it up from it.

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Speaker 2: She's already to.

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Speaker 3: Go, all right, So we are talking about season one,

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Speaker 3: episode six, the title Second Chances and Okay, so this

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Speaker 3: episode opens on a poker game in Billy and Allison's

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Speaker 3: apartment and they're playing poker. Ronda wants to she needs

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Speaker 3: to buy in. She wants to offer up tickets to

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Speaker 3: a dance show instead of money. The gangs is no way.

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Speaker 3: And then the last round of cards, Allison's all in

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Speaker 3: and she ends up scaring everybody out. They fold. Turns

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Speaker 3: out she was bluffing.

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Speaker 1: But it was so cute the way I love seeing

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Speaker 1: everybody together. Right, we've done it at the pool, but

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Speaker 1: I remember that we would get in so much trouble

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Speaker 1: because we were laughing so hard. We just want to

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Speaker 1: talk in between. It's like, but we don't all As

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Speaker 1: you guys know, I've been trying to get everybody in

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Speaker 1: my house for dinner for now thirty years, so this

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Speaker 1: is the only chance we had to sort of all

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Speaker 1: be in a room talking and chatting. So it was

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Speaker 1: like being kindergarteners. We kept getting shirt, we kept getting

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Speaker 1: in trouble with The chemistry was great among all of us,

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Speaker 1: was so sweet. You could really see that we were friends, Yeah, right,

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Speaker 1: I could really.

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Speaker 3: I think those scenes were so important for that to

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Speaker 3: start happening that comra. Do you remember shooting that scene, Like,

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Speaker 3: do you remember sitting around the poker table.

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Speaker 1: I don't remember that scene exactly. It was fun to watch,

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Speaker 1: but I remember having scenes when we were all together

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Speaker 1: and we would get they were so frustrated with us,

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Speaker 1: but we were so excited to be together because especially

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Speaker 1: later when you guys came on, the storylines were so separate. Yep,

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Speaker 1: so it really became more rare for us all to

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Speaker 1: be together. So it's really so much fun to we

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Speaker 1: were catching up. We want it. We're like, you've brought

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Speaker 1: us all together, don't make us stop into our lines.

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Speaker 3: Yeah, very And it was always the most fun when

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Speaker 3: we were all together, most fun. And I love that

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Speaker 3: this episode we're starting to see that more often in

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Speaker 3: the last episode two, like they're putting the characters all together. Yes,

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Speaker 3: but it is sort of Uh, they're still in this

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Speaker 3: mode of just telling one character story at a time.

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Speaker 3: They're not necessarily carrying over just yet. These are self

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Speaker 3: contained stories. Still in this this episode, we really are

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Speaker 3: going to have an Alison and Jake storyline, and then

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Speaker 3: we're also going to have a Rhonda storyline, just as

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Speaker 3: we're getting to know those characters individually exactly. But yeah,

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Speaker 3: so the end of the Poker Hand, Alison reveals that

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Speaker 3: she's the reason she's so good at bluffing is she

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Speaker 3: feels like she's good under pressure. And that was also,

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Speaker 3: by the way, how she studied in school. She would

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Speaker 3: do it at the last minute, she'd cramp for things

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Speaker 3: because she was so good under pressure.

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Speaker 1: She said.

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Speaker 3: So she takes the pot, she wins the hand for

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Speaker 3: the night, and but Jake's like the scene out is

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Speaker 3: like him going hmm.

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Speaker 1: A little fun on the that's what Alison said about.

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Speaker 2: Yeah. So then we go have some very Melrose lines.

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Speaker 2: He says, I showed you mine, you show me. Yeah,

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Speaker 2: that was the Melrose line. So there's already already this

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Speaker 2: this flirty foreplay happening and foreshadowing. And then I wouldn't

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Speaker 2: have taken you for this, and then you said, well

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Speaker 2: you don't know me, and it was just this whole

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Speaker 2: kind of thing foreshadowing. Yeah, those very key Melrose lines. Yeah,

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Speaker 2: very showed you mine, show me your.

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Speaker 3: I'm very subtle, very super subtle.

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Speaker 2: Yeah.

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Speaker 3: So then we find Matt swimming in the pool, Ronda

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Speaker 3: coming to invite him. Yea topless count. Ronda's inviting him

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Speaker 3: to go to this dance thing, and he has absolutely

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Speaker 3: no interest in attending. She says, I need you there.

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Speaker 3: He says, all right, I'll go.

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Speaker 1: So of course she does, because he's the nicest person, is.

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Speaker 3: The nicest friend. And then Jake comes knocking on Alison's

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Speaker 3: door the next morning or later the next morning, asking

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Speaker 3: for help with something. Doesn't want to tell her what

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Speaker 3: it is, but would she mind coming to his apartment

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Speaker 3: later that night.

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Speaker 1: Right, which is also said Daphne's thinking about the foreshadowing.

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Speaker 1: So now you've already been set up that there's some chemistry,

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Speaker 1: so it feels.

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Speaker 2: Like and.

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Speaker 3: What is that about?

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Speaker 1: Like?

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Speaker 3: So then we go to the dance performance and Matt

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Speaker 3: and Ronda are watching the performance, and I think that

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Speaker 3: Matt is just wrapped. He is just loving the performance.

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Speaker 3: He didn't expect to and is just.

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Speaker 1: Love so much of the dancing. Yeah, like they really

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Speaker 1: focused on the dancing. That was fun.

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Speaker 2: I mean to see that, to see these amazing dancers

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Speaker 2: clearly not just you know, extras, they were dancers, and

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Speaker 2: the doing what they were doing, the choreography, and that

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Speaker 2: that lead guy was amazing. It looked like dancer.

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Speaker 3: And just just for the prep work for that scene,

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Speaker 3: like they had to get those dancers together and rehearse

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Speaker 3: it and to shoot that sort of thing.

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Speaker 2: And the music. I think it brought a lot into Melose.

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Speaker 2: It is in the courtyard, and it was really cool

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Speaker 2: to bring in that artists, you know, that that artistic

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Speaker 2: just bring it into our gang.

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Speaker 1: I really enjoy Yeah, and to give it that much time,

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Speaker 1: I really liked it too. I was very impressed.

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Speaker 3: But I did happen to watch the show with Doug

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Speaker 3: and made him watch with me, and he's sitting there going,

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Speaker 3: I don't remember any of this episode. He didn't remember

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Speaker 3: the poker game. And then he's like watching the concerts,

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Speaker 3: like yet, no no recollection of watching this at all.

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Speaker 3: And then and then as his character is like so

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Speaker 3: enamored with the dancing, you know, for a guy who

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Speaker 3: didn't want to go in the first place. And then

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Speaker 3: he's watching the show and he's so enamored and he's like, yes,

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Speaker 3: I want to go backstage. Yes, I love this. And

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Speaker 3: he said to me, he goes, what is Matt straight?

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Speaker 1: Who's your friends?

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Speaker 3: So I want to meet your friend?

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Speaker 1: Meet her?

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Speaker 3: And it was it was confusing to him because he

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Speaker 3: has no recollection of it all. He's just great for Teresa,

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Speaker 3: but he was watching stage. So yeah. So then before

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Speaker 3: they go backstage, though, we find out what's going on

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Speaker 3: with Jake and Allison. She shows up at his apartment

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Speaker 3: and he reveals that his secret is he didn't have

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Speaker 3: a great upbringing and he never finished with high school

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Speaker 3: and what he's doing now is studying for the GED.

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Speaker 3: Would she help him?

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Speaker 1: And which is so sweet And this is what makes

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Speaker 1: Grant such a lovely guy and makes Jake such an

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Speaker 1: interesting character, which is he's this tough guy. Same with

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Speaker 1: Grant too, it's something they share, but this incredibly sweet

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Speaker 1: side and that he can play both. I was so

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Speaker 1: moved by this scene.

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Speaker 2: I was just like the vulnerability from the tough guy.

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Speaker 3: Yeah, we love we love the vulnerable, the vulnerable.

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Speaker 2: Because that's real. It's not even like a vulnerability of

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Speaker 2: like his feelings to not have a deed to not

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Speaker 2: you know, have graduated, not from college, but high school

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Speaker 2: is a shame that you know, he carried around. So

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Speaker 2: to open that up to you, you know, yeah, the smart,

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Speaker 2: pretty girl. I thought that was really and that he

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Speaker 2: was optimistic about it. Felt like for the first time

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Speaker 2: he might have a future because he's been he's decided

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Speaker 2: to work towards this, but he does think maybe I

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Speaker 2: need some help because I want to make sure that

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Speaker 2: I get this, and so he's asking Alison.

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Speaker 1: Yeah, and to ask for help, right, Like, that's such

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Speaker 1: a sweet moment for when a man can ask for help.

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Speaker 1: It's so important. It's a great thing to model to.

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Speaker 1: I mean, this was a great such is such a

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Speaker 1: sweet scene.

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Speaker 3: So then we're back at the dance performance and Matt

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Speaker 3: wants to meet the dancer friend Teresa, So they go

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Speaker 3: backstage to find her. I don't know if you guys

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Speaker 3: notice this. Do you know who opened the door to

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Speaker 3: the dressing room to let them in? No, Chip Chalmers

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Speaker 3: one of our directors. He recurring directors, Yes, and yeah,

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Speaker 3: often he would, but they would often put crew members

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Speaker 3: in as like little bit parts or x you know,

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Speaker 3: like background performance. Sure enough, he had his head set

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Speaker 3: on and he opens the door like he's playing the

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Speaker 3: stage manager. Again. That was that was Doug spotting Chip.

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Speaker 3: He doesn't remember anything about the episode, but he's spotted.

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Speaker 1: He's like, wait, oh that's mind that Oh that's amazing.

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Speaker 3: Yeah, that was fun. So they walk into the dressing

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Speaker 3: room and they meet Teresa, and Teresa says to Matt

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Speaker 3: who's I loved you know, I love the performance, glad

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Speaker 3: I could turn you on, And then Ronda says, well

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Speaker 3: so far, well only to yeah, so a dirty lick,

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Speaker 3: eliciting a dirty lock from Matt, like all right, really

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Speaker 3: around it again. Doug has zero recollection of she did

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Speaker 3: that scene. But I did sort of know like we're

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Speaker 3: just sort of like hinting around at the character of

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Speaker 3: Matt being gay, like nobody's come out and said, oh buddy,

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Speaker 3: you know whatever, Like it's not like an open conversation.

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Speaker 3: It's just sort of like lines like this. Those the

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Speaker 3: bread crumbs were just sort of like dropping for the audience.

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Speaker 3: I asked Doug if there was anything like where you

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Speaker 3: were you not allowed to openly talk about, like how

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Speaker 3: like what were the parameters that was this thing part

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Speaker 3: of because there were so many things they weren't allowed

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Speaker 3: to do and that they weren't comfortable pushing certain boundaries

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Speaker 3: and stuff. But anyway, I just sort of noticed it

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Speaker 3: as like they're just leaving these little bread crumbs, like

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Speaker 3: well only to a point, just.

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Speaker 2: Doesn't she's not like this episode, she's a little toy

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Speaker 2: about why it was written this way and why he

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Speaker 2: played it that way because it was obviously flirty. I mean, yeah,

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Speaker 2: it was.

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Speaker 3: It was sort of like, at first it looks like, oh,

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Speaker 3: he's almost enamored with Teresa, yeah, as being attracted to her,

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Speaker 3: but turns out that's not it. He's just sort of

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Speaker 3: enamored with that with art, the performance and the dancing,

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Speaker 3: and he's just really impressed with her dancings.

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Speaker 1: I didn't I can't remember. Did Doug remembers they're seeing

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Speaker 1: when he tells us I thought we all knew. No.

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Speaker 3: I think I think the characters all do. It's just

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Speaker 3: everyone knows. It's just sort of interesting the way the

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Speaker 3: show slips it in.

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Speaker 2: Just that time. You know, again, this is what early nineties,

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Speaker 2: and it was I think a lot of men and

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Speaker 2: women just were it was like their own self kind

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Speaker 2: of like, don't tell her whatever, because it wasn't safe,

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Speaker 2: especially in Hollywood actors. It was so it was like

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Speaker 2: they're just gonna be themselves and if they meet someone,

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Speaker 2: maybe they'll go somewhere else or they're not open with it,

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Speaker 2: which is why it's so great now. So maybe that's

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Speaker 2: in there here he is with this group of people,

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Speaker 2: and he has a whole life of where he can

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Speaker 2: tell it.

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Speaker 3: Or not tell it, and right it was. It was

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Speaker 3: just sort of the reaction to those lines like that.

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Speaker 3: Rhonda was like, well, only to a point almost like

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Speaker 3: it was like, we're gonna hint at this, but not really.

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Speaker 2: And then I.

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Speaker 3: Was like, yeah, it was so annoyed, like that was

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Speaker 3: annoying or whatever, and that was notable.

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Speaker 1: I thought, Yeah, so far the character is sort of

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Speaker 1: overtly sexless, like everybody else is having romances and things

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Speaker 1: are heating up, and right, yeah, and I remember Doug

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Speaker 1: talking about it and saying, you know, this character has

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Speaker 1: to have a real life. Yeah, And I also loved

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Speaker 1: in this we're coming up on it, but you got

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Speaker 1: to see that part of Doug that so like intense

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Speaker 1: and serious and earnest, and he's trying to get her

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Speaker 1: to do this and take a stand. And that's how

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Speaker 1: I remember him being such a man of principle, hilariously

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Speaker 1: funny and also really principal. It was fun to seem.

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Speaker 1: I was like, Oh, there's Doug.

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Speaker 3: They decide that they want to go out for a

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Speaker 3: bite to eat afterwards and continue their conversation. That's where

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Speaker 3: Matt learns that Teresa and Ronda went to high school

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Speaker 3: together and now that Teresa's making a living as a dancer.

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Speaker 3: The audition to get her into this company was something

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Speaker 3: that Ronda was supposed to do five years ago, but

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Speaker 3: at the last minute, Ronda had broken her ankle and

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Speaker 3: didn't end up making the audition. So that was news

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Speaker 3: to Matt.

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Speaker 2: So that really shows that Ronda has been hiding her

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Speaker 2: own shames about this whole storyline about is she good

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Speaker 2: enough and that whole I mean, the whole thing's about frenemies.

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Speaker 2: We'll see as we go on. But for Matt, her

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Speaker 2: best friend, to not know, he say, wait, what you audition?

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Speaker 2: Wait what? I don't know. I just they made a

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Speaker 2: point to that, yeah, in.

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Speaker 3: There, and so we'll learn more about that. But then

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Speaker 3: we were back to Jake and Allison's studying and they're

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Speaker 3: having coffee and staying up late, and she's pushing him

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Speaker 3: to keep going, and she says, the only way to

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Speaker 3: cram is to cram, So let's keep going. So on

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Speaker 3: the very.

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Speaker 1: Heated studying, there's a lot of meaningful looks, there's a

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Speaker 1: lot of head tilts. It's very yeah, very loaded study.

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Speaker 3: And so back with Matt and Rnda and Teresa. Matt

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Speaker 3: is encouraging Randa to go to the audition, and hey,

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Speaker 3: there's this, you know, another opportunity to opening in the company.

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Speaker 3: You should go. And you know, I think there's a

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Speaker 3: reason that we, you know, had this dinner with Teresa.

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Speaker 3: I think there's a reason she was put in in

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Speaker 3: front of you, is is this fate you should try

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Speaker 3: out for this new opening in the company. What have

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Speaker 3: you got to lose?

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Speaker 2: So we talk about how Doug channel Jimmy Stewart, can

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Speaker 2: we just talk about how don't you believe in fate?

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Speaker 2: And she's up on this thing, and he's just like,

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Speaker 2: and I mean these were the early days in Melrose. Yeah,

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Speaker 2: I mean that ended in a few more episodes, but

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Speaker 2: I just love all that good and he did it

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Speaker 2: so beautifully. I just felt like, Wow, what happened to this?

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Speaker 2: What show am I watching? This is the.

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Speaker 3: Morows so earnest and so encouraging.

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Speaker 2: Don't you believe in Faidon? Yeah?

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Speaker 3: And we're off her considering what she just said. So

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Speaker 3: then the next morning, Billy is in the court already

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Speaker 3: comes knocking on Jane and Michael's apartment because he's worried

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Speaker 3: that Alison didn't come home last night. So we learned

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Speaker 3: that Alison didn't come home that night, and we know

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Speaker 3: where she's been, but Billy doesn't know where she's been.

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Speaker 1: People start gathering, and like people gathering.

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Speaker 3: Everyone comes out of their apartments and they all one,

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Speaker 3: and we're all gathering around Jade and Michaels and the

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Speaker 3: speculation and then yeah, and then the speculation that she

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Speaker 3: must have had one night stand and that you know,

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Speaker 3: puts that seat in Billy's head. And then out she

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Speaker 3: comes from Jake Store.

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Speaker 1: Everyone's talking about you say very pressed with Allison that

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Speaker 1: she just sort of goes basically, believe what you want,

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Speaker 1: it's none of your I was like, oh, good for you,

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Speaker 1: because she's such a good girl. You would think she

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Speaker 1: would immediately say it's nothing. Is something. She does say

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Speaker 1: it's not what you think, but in a very sort

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Speaker 1: of light way that leaves it open for interpretation.

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Speaker 3: And she does the walk of not shame back to

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Speaker 3: her own apartment.

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Speaker 1: Watch is.

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Speaker 2: Just I helped him, honest test. But wait, I have

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Speaker 2: a question for the audience. I lived in an apartment,

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Speaker 2: as I said earlier with Darren, and I'm wondering if

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Speaker 2: he got some of these stories. I'm trying to remember anyway,

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Speaker 2: But that's the only time I lived in an apartment

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Speaker 2: really when I was young like that, and it was

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Speaker 2: a small one. I want to know of the audience,

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Speaker 2: like how much do your neighbors become friends and get

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Speaker 2: in your business? And I know over the years we've

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Speaker 2: heard like, oh, we had a place like that, but

351
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Speaker 2: for to come out and everyone's standing around having a

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Speaker 2: discussion about should we call the police because one of

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Speaker 2: us didn't come home last night? Yeah? Is that normal?

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Speaker 2: Does anyone else?

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Speaker 1: I want to imagine me all the time, all the

356
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Speaker 1: time and say I lived in an apartment just like that.

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Speaker 1: We were all friends, we all hung out, So I

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Speaker 1: think it does happened. I didn't have that experience either,

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Speaker 1: although I lived in an apartment and my boyfriend's best

360
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Speaker 1: friend lived downstairs, so that had that sort of we

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Speaker 1: really would if someone was having a barbecue, everybody showed up.

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Speaker 1: It was minors, there were only it was a duplex. Yeah,

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Speaker 1: but I do think it happens, But.

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Speaker 3: I don't think to the extent that we're talking about

365
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Speaker 3: in the scene where everybody knew the precise moment to

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Speaker 3: come out into the courtyard and get involved in this

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Speaker 3: one conversation that happened to you exactly talking are we

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Speaker 3: talking about Alison not coming up? Okay, let's all talk

369
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Speaker 3: about it like they all came out precisely this moment

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Speaker 3: to weigh in and say, you know, she probably I

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Speaker 3: don't want to stand and you know whatever, and the

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Speaker 3: speculation all right, and then it's like she confirms it

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Speaker 3: when she comes out. But like that, I think obviously

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Speaker 3: is a heightened sort of in our courtyard the.

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Speaker 1: Middle every second of this, Laura.

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Speaker 3: All these moments happened in the courtyard, Billy and Alice.

377
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Speaker 2: I don't know where you guys were, but we.

378
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Speaker 1: Were building already, okay, on Okay.

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Speaker 2: So I just it's an interesting point of like you

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Speaker 2: were just friends in the show. So at what point

381
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Speaker 2: does he you know, I see him questioning like should

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Speaker 2: I be?

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Speaker 1: You know what I mean, Like.

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Speaker 2: He's not just a friend. He really likes you. But

385
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Speaker 2: is he getting too possessive? Is he expecting too much?

386
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Speaker 2: Should he just let you be?

387
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Speaker 1: It's a confused Well in the last episode that I

388
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Speaker 1: watched that you guys haven't seen yet unless you're watching

389
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Speaker 1: on Amazon, and which case, you just watched it. Oh right,

390
00:18:27,320 --> 00:18:29,720
Speaker 1: we pretend to be boyfriend and girlfriend with his parents,

391
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Speaker 1: so that the writers were definitely leaning towards this. I

392
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Speaker 1: wondered watching it. I thought, I wondered if originally they

393
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Speaker 1: had planned on Alison and Jake getting together, and then

394
00:18:38,560 --> 00:18:41,399
Speaker 1: Andrew and I had such good chemistry. Maybe that's why

395
00:18:41,480 --> 00:18:44,800
Speaker 1: maybe this show was already written and then they pivoted

396
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Speaker 1: because all of a sudden they were like, oh no, no,

397
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Speaker 1: these two were going to get together.

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Speaker 3: Maybe see I felt like it was this was the

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Speaker 3: moment where we got to challenge what I thought the

400
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Speaker 3: audience all wanted to see, which was Alison and Billy

401
00:18:56,680 --> 00:18:58,960
Speaker 3: getting together. Right then, this is the moment that we

402
00:18:59,000 --> 00:19:01,639
Speaker 3: put trouble in front of it, right, you have you

403
00:19:01,720 --> 00:19:05,040
Speaker 3: have trouble because then Sandy, who has this you know,

404
00:19:05,240 --> 00:19:08,960
Speaker 3: obvious like back and forth attraction and situation with Jake

405
00:19:09,000 --> 00:19:12,120
Speaker 3: that's sort of like underlying everything they say to each other.

406
00:19:13,080 --> 00:19:14,720
Speaker 3: It's an opportunity at the end of that scene for

407
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Speaker 3: both Sandy. Sandy's exasperated with Jake, like great Jake, right,

408
00:19:19,280 --> 00:19:22,840
Speaker 3: She's exasperated that he had Alison in his apartment all night,

409
00:19:22,880 --> 00:19:26,719
Speaker 3: and Billy's obviously distraught while everybody else just thinks it's funny,

410
00:19:26,760 --> 00:19:29,760
Speaker 3: like you know, Michael. Michael goes back in the apartment

411
00:19:29,800 --> 00:19:32,200
Speaker 3: laughing about it, like, oh, look, they spent the night together.

412
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Speaker 3: But that's where we as an audience get to see

413
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Speaker 3: Billy frustrated because of that growing interest in Alison, and

414
00:19:41,160 --> 00:19:44,480
Speaker 3: then Sandy being frustrated about Jake, which does resolve later

415
00:19:44,520 --> 00:19:46,080
Speaker 3: in the episode. Is the two of them get their

416
00:19:46,200 --> 00:19:48,159
Speaker 3: like explanations and they're like, whew, that's not what.

417
00:19:48,359 --> 00:19:51,000
Speaker 1: Yeah, but Alison and Jake have such sweet chemistry. I

418
00:19:51,080 --> 00:19:53,160
Speaker 1: was rooting for them. I was like, yeah, I don't

419
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Speaker 1: even real like those are I can't believe that I

420
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Speaker 1: forgot I was rooting for them. They were so sweet together.

421
00:19:57,440 --> 00:19:58,879
Speaker 2: Yeah, very cute.

422
00:19:59,160 --> 00:20:01,359
Speaker 3: So anyway, Alison goes back to the apartment and she

423
00:20:01,520 --> 00:20:03,919
Speaker 3: still won't explain to Billy she's not going to give

424
00:20:04,000 --> 00:20:06,359
Speaker 3: up Jake's secret. She won't tell Billy about she's a

425
00:20:06,600 --> 00:20:07,600
Speaker 3: fault Alison.

426
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Speaker 2: She is.

427
00:20:08,000 --> 00:20:09,960
Speaker 3: She's keeping his secret. And oh, by the way, she

428
00:20:10,000 --> 00:20:11,520
Speaker 3: needs to go get some sleep because she didn't get

429
00:20:11,560 --> 00:20:12,359
Speaker 3: very much sleep last night.

430
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Speaker 1: And this I think it was in this scene Billy

431
00:20:14,680 --> 00:20:17,320
Speaker 1: and he goes but I tell you everything Billy does.

432
00:20:17,320 --> 00:20:20,840
Speaker 1: I was like, Oh, that was so sweet. But I

433
00:20:20,920 --> 00:20:21,760
Speaker 1: tell you everything.

434
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Speaker 2: I know. That's what I mean. It's a sweet, tough place.

435
00:20:24,240 --> 00:20:26,919
Speaker 2: You know, a lot of relationships start this way in

436
00:20:26,960 --> 00:20:28,960
Speaker 2: real life, you know, where you're like, oh, you can't

437
00:20:29,200 --> 00:20:30,840
Speaker 2: want to say too much, you're just friends, but you

438
00:20:30,920 --> 00:20:32,720
Speaker 2: really want to know, and I do. I told you this,

439
00:20:32,920 --> 00:20:36,000
Speaker 2: you tell me this. I want to know. Yeah, poor guy.

440
00:20:36,280 --> 00:20:39,040
Speaker 3: So then we're back to Ronda. She shows up to

441
00:20:39,080 --> 00:20:41,320
Speaker 3: work on the dancing with Teresa, and she says, I'm

442
00:20:41,320 --> 00:20:42,880
Speaker 3: going to do this. I'm going to try to I'm

443
00:20:42,880 --> 00:20:45,240
Speaker 3: going to try to audition for the company. I want

444
00:20:45,240 --> 00:20:48,840
Speaker 3: to dance more funky. And Teresa tells Ronda she needs

445
00:20:48,880 --> 00:20:50,399
Speaker 3: to clean up her lines, and all of a sudden,

446
00:20:50,440 --> 00:20:52,840
Speaker 3: she's like sort of coaching her and helping her get

447
00:20:52,880 --> 00:20:55,680
Speaker 3: ready for this competition. But it's clear that there is

448
00:20:55,760 --> 00:20:58,639
Speaker 3: competition between the two of them, and it's a little

449
00:20:58,640 --> 00:21:01,919
Speaker 3: bit feisty, a little bit friendly competition. I'm not so

450
00:21:02,040 --> 00:21:06,600
Speaker 3: sure it's just like actual competition. Teresa's awfully superior, I thought,

451
00:21:07,280 --> 00:21:09,560
Speaker 3: with the way she's talking to round about it. But

452
00:21:09,640 --> 00:21:12,119
Speaker 3: there is where this montage of them, the two of

453
00:21:12,160 --> 00:21:16,199
Speaker 3: them dancing and working on this together turned into a

454
00:21:16,280 --> 00:21:21,800
Speaker 3: really elaborate montage is really amazing. Yeah, And I thought again,

455
00:21:21,920 --> 00:21:25,240
Speaker 3: like the amount of time it took to get that

456
00:21:25,359 --> 00:21:28,280
Speaker 3: right because the choreography, these girls had to rehearse that

457
00:21:28,400 --> 00:21:30,879
Speaker 3: part off sites to get that ready and then shoot

458
00:21:30,920 --> 00:21:33,159
Speaker 3: it and montage. I thought it was really elaborate and

459
00:21:33,200 --> 00:21:35,159
Speaker 3: like like good production.

460
00:21:35,200 --> 00:21:35,840
Speaker 1: Really well done.

461
00:21:37,200 --> 00:21:39,160
Speaker 2: To the point of the character of Ronda, I think it's,

462
00:21:39,200 --> 00:21:41,080
Speaker 2: you know, they're getting deeper with each here we are

463
00:21:41,119 --> 00:21:43,440
Speaker 2: what six in and they're getting deeper with each one,

464
00:21:43,480 --> 00:21:47,679
Speaker 2: and that's important because she is aerobics teacher or a funk.

465
00:21:48,400 --> 00:21:50,200
Speaker 3: Yeah, she's an aerobics teacher, but she's.

466
00:21:50,080 --> 00:21:52,600
Speaker 2: A dancer at heart. They've done that, so I loved

467
00:21:52,640 --> 00:21:55,000
Speaker 2: how they spent the time on that. Yeah.

468
00:21:55,240 --> 00:21:58,560
Speaker 3: And then at the end of that scene that Ronda says,

469
00:21:58,640 --> 00:22:00,760
Speaker 3: you know, let's go out to eat and I want

470
00:22:00,760 --> 00:22:04,160
Speaker 3: to have pasta, and Teresa sort of mentions looking down

471
00:22:04,200 --> 00:22:06,600
Speaker 3: on her, like with three days before the audition, I

472
00:22:06,600 --> 00:22:11,280
Speaker 3: don't I think you should reconsider that pasta making run

473
00:22:11,280 --> 00:22:16,720
Speaker 3: to feel insecure, dancer, not cool. Back at Shooters, Billy

474
00:22:16,840 --> 00:22:18,960
Speaker 3: goes to Shooters and he wants to commiserate with Sandy.

475
00:22:19,000 --> 00:22:21,000
Speaker 3: So here again, I think it's an example of like

476
00:22:21,080 --> 00:22:25,680
Speaker 3: these two that maybe have interest in Jake and Allison.

477
00:22:25,720 --> 00:22:26,880
Speaker 3: They're sort of commiserating on.

478
00:22:26,960 --> 00:22:28,920
Speaker 1: Like what and this is what. We haven't talked about

479
00:22:28,920 --> 00:22:31,200
Speaker 1: this yet, but this is the episode where Sandy loses

480
00:22:31,240 --> 00:22:35,240
Speaker 1: her accent absolutely, notice, which is a relief, I'll be honest,

481
00:22:35,520 --> 00:22:38,000
Speaker 1: like it just you don't feel it anymore. It's like,

482
00:22:38,000 --> 00:22:39,120
Speaker 1: oh that's nice, that's good.

483
00:22:39,160 --> 00:22:41,600
Speaker 2: Yep. She'd initially had this girl from the Southern and

484
00:22:41,640 --> 00:22:43,760
Speaker 2: then they just said it's not working, just lose it.

485
00:22:43,760 --> 00:22:46,720
Speaker 1: It was distracting, right, I think without it, it's a.

486
00:22:46,680 --> 00:22:49,160
Speaker 2: Lot and then everyone like just brushed it over it

487
00:22:49,200 --> 00:22:50,800
Speaker 2: and that was Yeah, no one ever.

488
00:22:50,680 --> 00:22:52,560
Speaker 1: Talked about it now. We never talked about it again.

489
00:22:52,640 --> 00:22:54,880
Speaker 2: We just adnswer. Yeah.

490
00:22:56,359 --> 00:22:58,320
Speaker 1: I'm sure if there had been social media at the time,

491
00:22:58,359 --> 00:22:59,880
Speaker 1: it would have been discussed.

492
00:22:59,440 --> 00:23:03,040
Speaker 3: Discuss right, But it was she seemed a lot more comfortable.

493
00:23:03,040 --> 00:23:05,960
Speaker 3: The character just seemed a lot more comfortable. And yes, yeah,

494
00:23:06,080 --> 00:23:10,639
Speaker 3: it was things were really smooth. Yeah. While they're at

495
00:23:10,680 --> 00:23:13,160
Speaker 3: the bar commiserating about this and sort of speculating on

496
00:23:13,359 --> 00:23:16,200
Speaker 3: whether these two would get together, they both have sort

497
00:23:16,200 --> 00:23:17,879
Speaker 3: of different versions of how they think it might have

498
00:23:17,960 --> 00:23:21,240
Speaker 3: happened and they go into dream secrets, but I just wanted.

499
00:23:21,000 --> 00:23:23,879
Speaker 1: To It was one funny line that that Andrew shoes tired,

500
00:23:24,200 --> 00:23:30,680
Speaker 1: she was spent. Oh that's very clear, Like yeah, yes,

501
00:23:30,720 --> 00:23:32,159
Speaker 1: but then you're right, they both have fantasy.

502
00:23:32,320 --> 00:23:35,359
Speaker 2: I love hers fantasy. Yeah no, I think it happened

503
00:23:35,400 --> 00:23:38,040
Speaker 2: like this and then you guys acted out.

504
00:23:38,720 --> 00:23:42,160
Speaker 1: Yeah, it's funny. So in hers, Alison is clearly the aggressive,

505
00:23:42,160 --> 00:23:44,720
Speaker 1: which is just watched fun to play as an actor

506
00:23:44,760 --> 00:23:47,840
Speaker 1: that I got to do these different character black.

507
00:23:48,040 --> 00:23:51,240
Speaker 2: Outfit and nine and a half weeks video. I was wondering,

508
00:23:51,320 --> 00:23:54,240
Speaker 2: if you watch this with me, you nailed the girl.

509
00:23:54,680 --> 00:23:56,720
Speaker 2: It was great. It was great to see Alison do this.

510
00:23:56,920 --> 00:24:01,000
Speaker 3: But Billy's version, like Billy's versions, like know, and he's

511
00:24:01,040 --> 00:24:04,760
Speaker 3: so like Sandy's trying to have her version like make

512
00:24:04,840 --> 00:24:07,399
Speaker 3: excuses for why Jake might have like done that, you

513
00:24:07,440 --> 00:24:09,320
Speaker 3: know what was all? She was so aggressive and like

514
00:24:09,440 --> 00:24:14,159
Speaker 3: Billie's version, he's trying to emasculate. Well, it was just

515
00:24:14,240 --> 00:24:16,800
Speaker 3: you know, it was super clunky, like like dream sequens.

516
00:24:16,800 --> 00:24:19,040
Speaker 3: Well this happened, and then he's afraid of spiders, so

517
00:24:19,200 --> 00:24:22,760
Speaker 3: then Alison goes to take care of the spider.

518
00:24:22,880 --> 00:24:26,520
Speaker 2: Was so bizarre was off. That was fun.

519
00:24:27,080 --> 00:24:28,359
Speaker 1: That was really funny.

520
00:24:28,520 --> 00:24:29,600
Speaker 2: Smart writers to.

521
00:24:29,560 --> 00:24:32,040
Speaker 3: Do that, you think so cute, super funny.

522
00:24:32,200 --> 00:24:34,360
Speaker 1: We got to be a little more whimsical, yea before

523
00:24:34,400 --> 00:24:36,680
Speaker 1: it got dramatically really fun.

524
00:24:36,800 --> 00:24:41,280
Speaker 3: Dream sequence in almost every like in like four episodes.

525
00:24:40,840 --> 00:24:42,960
Speaker 1: So yeah, yeah, but every series. Oh my god, they're

526
00:24:42,960 --> 00:24:45,560
Speaker 1: making out again. Oh my god, they're making yeah, remember

527
00:24:45,600 --> 00:24:48,040
Speaker 1: it at the time. So funny.

528
00:24:48,720 --> 00:24:51,680
Speaker 3: So then back at Allison is at Jake's apartment and

529
00:24:52,000 --> 00:24:54,600
Speaker 3: they're getting to know each other a little bit more,

530
00:24:54,640 --> 00:24:57,280
Speaker 3: and Alison reveals to Jake that she got good grades

531
00:24:57,320 --> 00:24:59,040
Speaker 3: but felt like she didn't really fit in in school.

532
00:24:59,640 --> 00:25:01,120
Speaker 3: By the way, I thought she was wearing a very

533
00:25:01,119 --> 00:25:04,640
Speaker 3: cute outfit, high waisted short Did you notice this I did?

534
00:25:04,800 --> 00:25:06,160
Speaker 3: Super cute, like very current.

535
00:25:06,240 --> 00:25:09,320
Speaker 1: Right now it's all bad again, Yeah, it's all back.

536
00:25:09,720 --> 00:25:11,840
Speaker 3: And Jake reveals he was the opposite in high school.

537
00:25:11,920 --> 00:25:13,840
Speaker 3: He you know, seemed cool, but he sort of like

538
00:25:14,119 --> 00:25:16,920
Speaker 3: didn't care about stuff, and you know, now he sort

539
00:25:16,920 --> 00:25:18,840
Speaker 3: of regrets living that way, and now he's for the

540
00:25:18,880 --> 00:25:20,600
Speaker 3: first time feeling hopeful about his future.

541
00:25:20,880 --> 00:25:23,080
Speaker 1: I liked the moment of Alison saying, I live so

542
00:25:23,160 --> 00:25:24,960
Speaker 1: much in the future. I wasn't in the moment. I'm like,

543
00:25:25,000 --> 00:25:28,280
Speaker 1: and there's your spiritual lesson from Melo's place for the day,

544
00:25:28,600 --> 00:25:32,399
Speaker 1: live in the moment. Yeah, right, the present is a gift.

545
00:25:32,680 --> 00:25:34,640
Speaker 3: But they do bond over the fact that neither one

546
00:25:34,640 --> 00:25:36,800
Speaker 3: of them really know where they're headed. They don't, you know,

547
00:25:36,960 --> 00:25:39,800
Speaker 3: both of them feel equally confused, although they have sort

548
00:25:39,840 --> 00:25:41,080
Speaker 3: of different paths to get there.

549
00:25:41,200 --> 00:25:43,640
Speaker 1: That's why it felt like breakfast Club to me, right,

550
00:25:43,680 --> 00:25:46,119
Speaker 1: because it's like it looks so different and yet inside

551
00:25:46,160 --> 00:25:48,159
Speaker 1: were just the same. I thought it was so cute.

552
00:25:48,440 --> 00:25:51,680
Speaker 2: It was Melrose version. You know, you guys are about

553
00:25:51,680 --> 00:25:54,200
Speaker 2: to make out and you're like in shorts and you're

554
00:25:54,200 --> 00:25:56,680
Speaker 2: in one of your apartments, but his breakfast club.

555
00:25:57,520 --> 00:26:00,359
Speaker 3: And there Allison broach the subject. She said, does it

556
00:26:00,359 --> 00:26:03,240
Speaker 3: bother you? That everyone in the building thinks, you know,

557
00:26:03,320 --> 00:26:07,359
Speaker 3: they're we're having a thing, And instead of answering the question,

558
00:26:07,440 --> 00:26:09,480
Speaker 3: he turns it around and said does it bother you?

559
00:26:10,080 --> 00:26:11,800
Speaker 3: And it looks like it doesn't bother either of them.

560
00:26:11,960 --> 00:26:14,480
Speaker 2: Yeah, Well, if they're saying it.

561
00:26:14,560 --> 00:26:18,240
Speaker 3: Then we're back to Teresa and Ronda, where the sass

562
00:26:18,440 --> 00:26:20,960
Speaker 3: is sort of escalating. She's telling Ronda not to eat

563
00:26:20,960 --> 00:26:24,000
Speaker 3: the pasta and I thought that Teresa was a real

564
00:26:24,040 --> 00:26:27,520
Speaker 3: SaaS monster here and they start they start having.

565
00:26:27,720 --> 00:26:29,919
Speaker 2: I have a great metabolism, which she does.

566
00:26:30,400 --> 00:26:35,360
Speaker 3: Yeah, and Teresa accuses Ronda of being bitter and jealous,

567
00:26:35,400 --> 00:26:37,480
Speaker 3: and Ronda says, there's no way she's gonna let Teresa,

568
00:26:38,200 --> 00:26:40,280
Speaker 3: you know, mess her up and psicher out. She's coming

569
00:26:40,440 --> 00:26:43,600
Speaker 3: for that spot in the dance company. So Ronda's determined.

570
00:26:44,080 --> 00:26:48,000
Speaker 3: Back with Billy and Alison in the apartment, Billy wants

571
00:26:48,080 --> 00:26:51,639
Speaker 3: Alison to go to the beach with him and Alison says, sorry, can't.

572
00:26:51,720 --> 00:26:53,359
Speaker 3: I got to spend the day with Jake. But she

573
00:26:53,400 --> 00:26:55,560
Speaker 3: still won't tell him why. So this is where he

574
00:26:55,600 --> 00:26:57,840
Speaker 3: gets really hurt and like, wait a minute, I tell

575
00:26:57,880 --> 00:27:02,240
Speaker 3: you everything. Yeah, yeah, this is where he's feeling like

576
00:27:02,480 --> 00:27:04,560
Speaker 3: maybe I'll maybe I'll stop, maybe I'll stop telling you

577
00:27:04,600 --> 00:27:06,919
Speaker 3: everything if you don't tell me what's going on with you.

578
00:27:07,200 --> 00:27:09,760
Speaker 3: But Alison is a vault. We go to the aerobic

579
00:27:09,800 --> 00:27:13,199
Speaker 3: studio where Matt is again taking the aerobics class that

580
00:27:13,280 --> 00:27:16,960
Speaker 3: Ronda is teaching, and today Ronda is teaching very aggressively.

581
00:27:16,880 --> 00:27:19,399
Speaker 1: So Doug doesn't remember taking the class.

582
00:27:19,160 --> 00:27:21,639
Speaker 3: Recollection, He was just shocked he's like, he's not a

583
00:27:21,640 --> 00:27:25,560
Speaker 3: guy who enjoys dancing now, and he's like, gosh, for

584
00:27:25,600 --> 00:27:27,679
Speaker 3: somebody who doesn't really dance, they had me dancing a

585
00:27:27,680 --> 00:27:30,360
Speaker 3: lot and he has no reception.

586
00:27:30,520 --> 00:27:34,920
Speaker 1: Bro, Yeah he really was. He's like, all right, that's

587
00:27:34,920 --> 00:27:35,320
Speaker 1: what we're.

588
00:27:35,160 --> 00:27:36,800
Speaker 3: Doing, but you had to learn a few steps to

589
00:27:36,840 --> 00:27:38,040
Speaker 3: do that bunjie jumping.

590
00:27:38,080 --> 00:27:39,600
Speaker 1: He's dancing. There's so much to do.

591
00:27:40,880 --> 00:27:42,880
Speaker 3: Ronda sort of scolds him for not doing it right,

592
00:27:42,920 --> 00:27:43,440
Speaker 3: and he's.

593
00:27:43,280 --> 00:27:45,440
Speaker 2: Like, yeah, who's mad at everybody? Why?

594
00:27:45,680 --> 00:27:48,800
Speaker 3: Why the tension? So they walk out after the class.

595
00:27:49,400 --> 00:27:52,440
Speaker 3: Rnonda reveals she is nervous about the audition and Matt

596
00:27:52,480 --> 00:27:55,080
Speaker 3: is worried about her stress level, and she says, I'm

597
00:27:55,080 --> 00:27:57,720
Speaker 3: going back to the studio to rehearse even more good

598
00:27:57,720 --> 00:28:00,760
Speaker 3: for her. So then we find Alison quizzing Jake on

599
00:28:00,800 --> 00:28:03,520
Speaker 3: State capitols. They're at a bar during the studying. He

600
00:28:03,560 --> 00:28:05,520
Speaker 3: gets all the answers right. He says he knows all

601
00:28:05,560 --> 00:28:09,000
Speaker 3: this from his life experience. He's tired of studying, wants

602
00:28:09,040 --> 00:28:12,119
Speaker 3: to go somewhere else and says, are you game?

603
00:28:12,560 --> 00:28:13,080
Speaker 2: Should we go?

604
00:28:13,359 --> 00:28:16,840
Speaker 3: She says yep, and off they go. Back at the studio.

605
00:28:16,880 --> 00:28:19,440
Speaker 3: Matt comes to the studio late find Ronda still working

606
00:28:19,520 --> 00:28:21,600
Speaker 3: late at night. He says he's worried about her. And he,

607
00:28:21,800 --> 00:28:24,920
Speaker 3: by the way, is wearing his Birken socks and socks

608
00:28:25,200 --> 00:28:31,320
Speaker 3: again and something he would never.

609
00:28:31,119 --> 00:28:35,120
Speaker 1: Wear I remember, and he's not allowed to wear now.

610
00:28:35,280 --> 00:28:36,320
Speaker 2: No, he's not allowed.

611
00:28:37,320 --> 00:28:43,880
Speaker 3: He only even works totally back. Yeah, he's got sucks.

612
00:28:45,520 --> 00:28:49,280
Speaker 3: And Ronda reveals then that the audition from five years ago,

613
00:28:49,400 --> 00:28:51,520
Speaker 3: she didn't actually break her ankle.

614
00:28:51,720 --> 00:28:54,840
Speaker 2: Yes, that's the that's the reveal of.

615
00:28:54,760 --> 00:28:57,840
Speaker 1: Her big reveal that she raising.

616
00:28:58,160 --> 00:29:00,600
Speaker 3: Yeah, that she felt like the pressure was so intense

617
00:29:00,800 --> 00:29:03,880
Speaker 3: and she just sort of made up the story about

618
00:29:03,880 --> 00:29:05,320
Speaker 3: the broken angles so she wouldn't have to go through

619
00:29:05,320 --> 00:29:06,440
Speaker 3: with it. She was afraid of failing.

620
00:29:06,600 --> 00:29:10,800
Speaker 2: She even wore a bandone, she said, yeah, for weeks.

621
00:29:11,040 --> 00:29:14,959
Speaker 3: And that her parents maybe never forgave her. And she

622
00:29:14,960 --> 00:29:17,240
Speaker 3: feels like Teresa maybe is living the life she was

623
00:29:17,280 --> 00:29:20,320
Speaker 3: meant to have, and so this audition feels really important

624
00:29:20,320 --> 00:29:20,640
Speaker 3: to her.

625
00:29:20,960 --> 00:29:22,520
Speaker 1: Yeah, And then you think back to about all the

626
00:29:22,520 --> 00:29:24,880
Speaker 1: other scenes in the restaurant with Teresa when this is

627
00:29:24,920 --> 00:29:27,120
Speaker 1: the truth, right and they're having these arguments based on

628
00:29:27,400 --> 00:29:30,320
Speaker 1: this line. Wow, she was really behind that lie, like

629
00:29:30,400 --> 00:29:33,720
Speaker 1: she really committed that lie for so long.

630
00:29:34,000 --> 00:29:38,520
Speaker 3: Yeah, So she tells her truth to Matt and then

631
00:29:39,200 --> 00:29:41,880
Speaker 3: we cut back to Alison, who's now on the back

632
00:29:41,920 --> 00:29:42,720
Speaker 3: of Jake's.

633
00:29:42,400 --> 00:29:44,640
Speaker 1: Motorcycle or motorcycle? Are you kidding?

634
00:29:44,680 --> 00:29:47,560
Speaker 3: Do you remember that? Were you actually was it like

635
00:29:47,920 --> 00:29:52,360
Speaker 3: green screen? Like, were you actually up there? It kind

636
00:29:52,360 --> 00:29:53,960
Speaker 3: of looked a little bit like it might have been.

637
00:29:54,200 --> 00:29:56,920
Speaker 1: I mean, Grant rode a motorcycle right, right.

638
00:29:56,720 --> 00:29:59,160
Speaker 3: But what was it like? Because if the camera's parallel

639
00:29:59,200 --> 00:30:00,720
Speaker 3: to you and you're going like, because.

640
00:30:00,560 --> 00:30:03,160
Speaker 2: Wasn't it for me? How was that scenes up there

641
00:30:03,360 --> 00:30:04,840
Speaker 2: on the motorcycle when I came on.

642
00:30:04,960 --> 00:30:06,600
Speaker 1: You bought a motorcycle? Yeah?

643
00:30:06,640 --> 00:30:09,440
Speaker 2: In real life, yes, But I also as Joe was

644
00:30:09,480 --> 00:30:11,239
Speaker 2: on the back of his motorcycle up there. We went

645
00:30:11,280 --> 00:30:14,360
Speaker 2: up to Moholland and rode around. You know, you just

646
00:30:14,360 --> 00:30:15,640
Speaker 2: get another car you block off.

647
00:30:16,160 --> 00:30:19,280
Speaker 3: Yeah, And so the camera is in a car driving

648
00:30:19,320 --> 00:30:20,840
Speaker 3: parallel to you shooting.

649
00:30:20,520 --> 00:30:23,040
Speaker 2: Out, yeah, or if there's one where you go buy yep.

650
00:30:23,240 --> 00:30:25,840
Speaker 2: So you probably were, but but you don't remember. It

651
00:30:25,880 --> 00:30:26,760
Speaker 2: was a long time ago.

652
00:30:26,920 --> 00:30:29,320
Speaker 1: It sounds familiar, but I don't know if I'm remembering.

653
00:30:29,360 --> 00:30:30,840
Speaker 1: Like when you hear a story a lot about when

654
00:30:30,840 --> 00:30:32,720
Speaker 1: you were a kid, and I remember that though you

655
00:30:32,720 --> 00:30:35,840
Speaker 1: were too, I don't. Yeah, so I don't watching it

656
00:30:36,000 --> 00:30:39,120
Speaker 1: or now i've seen it, I remember what it looked like. Yeah,

657
00:30:39,360 --> 00:30:40,000
Speaker 1: so I don't know.

658
00:30:40,280 --> 00:30:41,400
Speaker 2: Yeah.

659
00:30:41,520 --> 00:30:43,600
Speaker 3: So Jake is taking her up to Moholland to see

660
00:30:43,600 --> 00:30:45,800
Speaker 3: the view, which is where it gets very, very flirty.

661
00:30:46,800 --> 00:30:51,480
Speaker 1: I was so surprised by this because I thought, like, okay,

662
00:30:51,480 --> 00:30:54,320
Speaker 1: we've had this fantasy scene and that was it, the

663
00:30:54,360 --> 00:30:56,960
Speaker 1: fantasy scene. And then as we're on this lookout having

664
00:30:56,960 --> 00:31:02,200
Speaker 1: this very romantic suite flirty scene, the chemistry was amazing.

665
00:31:02,680 --> 00:31:07,200
Speaker 1: I'm like, what, I what could possibly happen? Any memory

666
00:31:07,240 --> 00:31:07,520
Speaker 1: of it?

667
00:31:08,320 --> 00:31:11,360
Speaker 3: Yeah, well you don't have a memory of the actual

668
00:31:11,560 --> 00:31:14,719
Speaker 3: kiss up there. That's hysterical.

669
00:31:15,000 --> 00:31:15,320
Speaker 2: Okay.

670
00:31:15,360 --> 00:31:17,600
Speaker 1: He tells her we're not in high school anymore.

671
00:31:17,680 --> 00:31:20,840
Speaker 3: Yeah, and they kiss and they're discussing how they are

672
00:31:20,880 --> 00:31:23,680
Speaker 3: total opposites and like they never would have made sense

673
00:31:23,720 --> 00:31:25,680
Speaker 3: in high school. And he says, we're not in high

674
00:31:25,720 --> 00:31:28,360
Speaker 3: school and it leads to this lovely kiss and.

675
00:31:28,320 --> 00:31:31,080
Speaker 1: I will yummy kiss too. That really that was yummy.

676
00:31:31,120 --> 00:31:34,640
Speaker 1: That was Yes, I wish, I wish, I no, but

677
00:31:34,680 --> 00:31:37,240
Speaker 1: I do know. I do know because he and I

678
00:31:37,280 --> 00:31:40,000
Speaker 1: had scenes later like Allison and Jake dated later, so

679
00:31:40,040 --> 00:31:42,640
Speaker 1: I did remember he was a really big taste. It

680
00:31:42,720 --> 00:31:44,960
Speaker 1: must have been because I was dating Andrew. I must

681
00:31:44,960 --> 00:31:46,880
Speaker 1: have like, I have to block this out. I cannot

682
00:31:46,920 --> 00:31:51,520
Speaker 1: let myself. I couldn't say to Andrew it was yummy,

683
00:31:52,320 --> 00:31:54,600
Speaker 1: not really. Yeah, so apparently I blocked it out, but

684
00:31:54,600 --> 00:31:56,080
Speaker 1: I could see that it was nice.

685
00:31:55,920 --> 00:31:58,240
Speaker 3: But speaking I mean in your defense, Like Doug was

686
00:31:58,240 --> 00:32:01,360
Speaker 3: watching the show with me and he's like, what is happening.

687
00:32:01,480 --> 00:32:04,560
Speaker 2: I know it didn't come out of noe. We didn't

688
00:32:04,560 --> 00:32:05,040
Speaker 2: see it coming.

689
00:32:05,040 --> 00:32:06,680
Speaker 3: And then all of a sudden it was like this lovely,

690
00:32:06,720 --> 00:32:08,360
Speaker 3: real kiss, and he was like, what.

691
00:32:08,320 --> 00:32:11,360
Speaker 1: Is honestly like, I'm half kidding, but honestly, so Andrew

692
00:32:11,360 --> 00:32:13,120
Speaker 1: and I are dating, We're in a new relationship, and

693
00:32:13,160 --> 00:32:15,320
Speaker 1: we're all friends. So then you say you have this

694
00:32:15,400 --> 00:32:17,640
Speaker 1: friend group, and then your producer saying, now you have

695
00:32:17,720 --> 00:32:20,160
Speaker 1: to make out with this other friend. I imagine it

696
00:32:20,200 --> 00:32:21,880
Speaker 1: was quite a lot for us all the handle, so

697
00:32:21,920 --> 00:32:23,280
Speaker 1: we all just blocked it out.

698
00:32:23,400 --> 00:32:26,000
Speaker 3: I think it's yeah, I think it's trauma that you've

699
00:32:26,000 --> 00:32:28,440
Speaker 3: all just blocked it out because nobody can remember any

700
00:32:28,480 --> 00:32:28,680
Speaker 3: of it.

701
00:32:28,720 --> 00:32:30,440
Speaker 1: Because I had to keep saying to Andrew oh it

702
00:32:30,480 --> 00:32:31,840
Speaker 1: was nothing. Oh it was nothing. Was it was a

703
00:32:31,880 --> 00:32:35,440
Speaker 1: living hell. It was work, It was a living Helly

704
00:32:35,520 --> 00:32:35,880
Speaker 1: come home?

705
00:32:36,080 --> 00:32:38,840
Speaker 2: Where were you all day? Were you shooting with Grant again?

706
00:32:39,720 --> 00:32:43,400
Speaker 3: It was all I tell you everything. This is the

707
00:32:43,520 --> 00:32:47,280
Speaker 3: episode that it suddenly occurred to me we need to

708
00:32:47,360 --> 00:32:51,440
Speaker 3: stop counting kisses within an episode. It's more about a

709
00:32:51,560 --> 00:32:54,120
Speaker 3: tally like who kissed who? Like, this is the episode

710
00:32:54,160 --> 00:32:55,840
Speaker 3: where that occurred to me, Like, wait a minute, our

711
00:32:55,920 --> 00:32:58,920
Speaker 3: kiss count needs to be more about like who has kissed?

712
00:32:59,640 --> 00:33:02,840
Speaker 3: Because like we're gonna just keep counting kisses every episode.

713
00:33:02,880 --> 00:33:06,760
Speaker 1: In charge of counting our own we kissed because I've

714
00:33:06,800 --> 00:33:07,720
Speaker 1: already had two.

715
00:33:07,880 --> 00:33:09,080
Speaker 3: Well, this is what I'm saying.

716
00:33:10,280 --> 00:33:12,480
Speaker 1: This is camera, I'm kissing Andrews. So don't I don't

717
00:33:12,480 --> 00:33:14,400
Speaker 1: know that it's happening.

718
00:33:14,680 --> 00:33:16,480
Speaker 3: Our new kiss count is gonna be a chart and

719
00:33:16,640 --> 00:33:18,960
Speaker 3: there's gonna be graphics. Yeah, it's gonna be like a

720
00:33:18,960 --> 00:33:19,520
Speaker 3: pie chart.

721
00:33:19,440 --> 00:33:24,480
Speaker 1: The PowerPoint PowerPoint. It's gonna get so long and yeah,

722
00:33:24,680 --> 00:33:26,479
Speaker 1: later on you can't even keep up.

723
00:33:26,880 --> 00:33:31,400
Speaker 3: So far to go we're really only on episode six, really, yeah,

724
00:33:31,440 --> 00:33:33,560
Speaker 3: but already I do need to keep a tally, like

725
00:33:34,040 --> 00:33:38,280
Speaker 3: I'll make a chart, I'll have it. Next week, So

726
00:33:39,040 --> 00:33:41,360
Speaker 3: Alison and Billy in the morning. Alison tells Billy that

727
00:33:41,400 --> 00:33:43,440
Speaker 3: the reason they were spending time together was because of

728
00:33:43,480 --> 00:33:46,400
Speaker 3: the test. She reveals, now, okay, let me tell you

729
00:33:46,440 --> 00:33:48,320
Speaker 3: the truth. I was helping Jake that the whole tree

730
00:33:48,320 --> 00:33:48,640
Speaker 3: for the test.

731
00:33:48,680 --> 00:33:49,800
Speaker 1: Let me tell you part of the truth.

732
00:33:49,880 --> 00:33:54,560
Speaker 3: Yeah, but Billy is visibly very relieved. So few my

733
00:33:54,600 --> 00:33:57,000
Speaker 3: imagination was getting away with me and oh, you guys

734
00:33:57,040 --> 00:34:01,320
Speaker 3: have nothing in common, to which Alison is saying, you

735
00:34:01,320 --> 00:34:03,040
Speaker 3: know what, I got to know him and I like him,

736
00:34:03,080 --> 00:34:05,280
Speaker 3: and you really have to be able to see behind

737
00:34:05,520 --> 00:34:07,080
Speaker 3: beyond people's facades.

738
00:34:07,520 --> 00:34:09,440
Speaker 1: And weren't you thinking at this point in the episode,

739
00:34:09,440 --> 00:34:11,719
Speaker 1: because we know that it doesn't become something at this

740
00:34:11,760 --> 00:34:13,839
Speaker 1: point in the show, were you thinking, how do we

741
00:34:13,960 --> 00:34:14,799
Speaker 1: disentangle this?

742
00:34:15,040 --> 00:34:17,640
Speaker 3: Well, yeah, it's going to be tricky, is what you think.

743
00:34:17,680 --> 00:34:19,279
Speaker 3: It's a little tricky because she is keeping the seat.

744
00:34:19,400 --> 00:34:20,840
Speaker 3: She's not going to tell the part about the kiss,

745
00:34:21,160 --> 00:34:24,000
Speaker 3: and Billy is obviously interested in Alison enough to be

746
00:34:24,080 --> 00:34:27,279
Speaker 3: relieved that it was only studying for a test. Like

747
00:34:28,280 --> 00:34:30,359
Speaker 3: so it is it does seem to be like an

748
00:34:30,480 --> 00:34:35,600
Speaker 3: entanglement them here. Yeah, and then we also find that

749
00:34:35,960 --> 00:34:40,840
Speaker 3: Sandy is sort of talking to Jake about the Alison things, saying, well,

750
00:34:41,239 --> 00:34:42,840
Speaker 3: you know, you have nothing in common, but if you

751
00:34:42,880 --> 00:34:44,839
Speaker 3: too are happy, you should go for you know, she's

752
00:34:44,880 --> 00:34:49,359
Speaker 3: sort of testing him, and he says, no, the real

753
00:34:49,400 --> 00:34:51,480
Speaker 3: reason we were hanging out is she was helping me

754
00:34:51,520 --> 00:34:53,080
Speaker 3: study for a test. So he comes clean to her

755
00:34:53,120 --> 00:34:57,040
Speaker 3: as well and resolving that relationship. Sandy is visibly relieved

756
00:34:57,480 --> 00:34:59,120
Speaker 3: and says, you know, you could have come to me

757
00:34:59,200 --> 00:35:01,359
Speaker 3: for help. I would have helped you. But he says, well,

758
00:35:01,360 --> 00:35:06,080
Speaker 3: that would have been a distraction. So we're keeping that

759
00:35:06,120 --> 00:35:09,359
Speaker 3: sort of possibility alive too. So it's getting very complicated.

760
00:35:11,719 --> 00:35:14,399
Speaker 3: So then Ronda's audition. We're at the audition and all

761
00:35:14,440 --> 00:35:17,080
Speaker 3: of a sudden, for the first time, Matt is wearing

762
00:35:17,080 --> 00:35:21,040
Speaker 3: his baseball hat correctly. Did anybody notice that?

763
00:35:21,200 --> 00:35:21,760
Speaker 1: Big news.

764
00:35:21,840 --> 00:35:24,919
Speaker 3: It's the first time we've seen Matt wearing is based

765
00:35:25,160 --> 00:35:26,160
Speaker 3: forward forward.

766
00:35:26,440 --> 00:35:29,200
Speaker 2: That's surprising because that wasn't allowed either because you can't

767
00:35:29,200 --> 00:35:30,759
Speaker 2: even see the eyes right.

768
00:35:31,440 --> 00:35:34,280
Speaker 3: But he was at the audition being her supportive best friend,

769
00:35:34,360 --> 00:35:36,400
Speaker 3: and he did have his baseball hat on, and he

770
00:35:36,600 --> 00:35:39,000
Speaker 3: says to her that he would miss her if she

771
00:35:39,320 --> 00:35:43,680
Speaker 3: gets the job, but go get it. And at that point,

772
00:35:43,719 --> 00:35:46,080
Speaker 3: Doug said he still does not remember a single of

773
00:35:46,080 --> 00:35:48,840
Speaker 3: those scene. Still nothing so ron.

774
00:35:48,920 --> 00:35:51,360
Speaker 1: And it looked very flash dance, right, so do we

775
00:35:51,520 --> 00:35:55,839
Speaker 1: think so, she's obviously a good dancer, Vanessa, but they

776
00:35:55,920 --> 00:35:58,040
Speaker 1: might I think they had a double, because otherwise why

777
00:35:58,080 --> 00:36:01,319
Speaker 1: would they be why would she be backlit? Right, So

778
00:36:01,480 --> 00:36:03,239
Speaker 1: we shoot a lot from the back, we can't see

779
00:36:03,280 --> 00:36:05,640
Speaker 1: it's a great double. If it is a double, it

780
00:36:05,640 --> 00:36:08,080
Speaker 1: looks like her, the really long limbs terrific.

781
00:36:08,080 --> 00:36:11,600
Speaker 3: But I also I ended up not knowing for sure

782
00:36:11,600 --> 00:36:14,160
Speaker 3: if it was a double, because Vanessa is a great dancer.

783
00:36:14,320 --> 00:36:17,480
Speaker 2: And there was that shot on the ground where they

784
00:36:17,480 --> 00:36:20,160
Speaker 2: shot the shadow and the spinning around. But I think

785
00:36:20,200 --> 00:36:22,000
Speaker 2: obviously some of it was Vanessa.

786
00:36:21,719 --> 00:36:25,239
Speaker 3: Was Yeah, the front is clearly Vanessa, but the back

787
00:36:25,320 --> 00:36:25,600
Speaker 3: to me.

788
00:36:27,400 --> 00:36:29,480
Speaker 1: Too, right, I mean, so they didn't flash dance too,

789
00:36:29,520 --> 00:36:30,720
Speaker 1: didn't feel flash dancy?

790
00:36:30,880 --> 00:36:35,600
Speaker 3: Yeah, yeah for the front in the back. And the

791
00:36:35,640 --> 00:36:41,359
Speaker 3: director of the dance company is, oh, this guest star

792
00:36:41,960 --> 00:36:47,840
Speaker 3: Charles Randolph Wright. He he actually went on he's huge

793
00:36:47,960 --> 00:36:52,839
Speaker 3: accomplished director, executive producer, choreography, choreographer, writer. He's like done

794
00:36:53,200 --> 00:36:56,760
Speaker 3: mostly directing for the remainder of his career. Very accomplished director.

795
00:36:57,120 --> 00:36:59,040
Speaker 2: So cool, Yeah, very cool.

796
00:36:59,760 --> 00:37:03,799
Speaker 3: And and so after the audition, Teresa follows Rnda out

797
00:37:03,800 --> 00:37:06,000
Speaker 3: into the lobby and that's and tells her she's going

798
00:37:06,040 --> 00:37:07,680
Speaker 3: to get a call back for sure. And we saw

799
00:37:07,680 --> 00:37:10,760
Speaker 3: it on Teresa's face that she was like watching Ronda

800
00:37:11,120 --> 00:37:14,960
Speaker 3: and feeling a combination, you know, like a lot of

801
00:37:15,000 --> 00:37:20,000
Speaker 3: emotions like pride, also like sad. A lot of things

802
00:37:20,040 --> 00:37:22,240
Speaker 3: were going through her face. I thought she was beautiful

803
00:37:22,239 --> 00:37:25,040
Speaker 3: and that scene showing a lot of colors, yeah, about

804
00:37:25,040 --> 00:37:27,400
Speaker 3: how she was feeling about that. And then she admits

805
00:37:27,560 --> 00:37:30,400
Speaker 3: to Ronda that she had actually wanted to see Rnda fail.

806
00:37:31,200 --> 00:37:33,120
Speaker 2: Yeah, I mean I thought she was her apology. I

807
00:37:33,120 --> 00:37:35,080
Speaker 2: thought it was feeling threatened by Ronda. I think that's

808
00:37:35,120 --> 00:37:38,840
Speaker 2: what that close up was. Yeah, absolutely, Okay, the truth.

809
00:37:39,040 --> 00:37:41,640
Speaker 2: I've tried to hide it, she's tried to hide it.

810
00:37:41,640 --> 00:37:43,719
Speaker 2: It is coming up, you know what I mean, Like

811
00:37:43,800 --> 00:37:45,319
Speaker 2: she's really good.

812
00:37:45,800 --> 00:37:47,440
Speaker 3: Yeah, but she tells her the truth and it's her

813
00:37:47,480 --> 00:37:50,239
Speaker 3: apology saying, you know what I was. I wasn't a

814
00:37:50,239 --> 00:37:52,040
Speaker 3: good friend. I wanted to see you fail. I was

815
00:37:52,040 --> 00:37:55,040
Speaker 3: threatened by you. I always thought if you had audition

816
00:37:55,160 --> 00:37:56,919
Speaker 3: five years ago, I never would have gotten this job,

817
00:37:56,960 --> 00:37:58,839
Speaker 3: and so I was, you know, nervous that you were

818
00:37:58,880 --> 00:38:01,040
Speaker 3: going to come in and take my job. But you

819
00:38:01,080 --> 00:38:04,760
Speaker 3: know what, you deserve it. And that's when Ronda says,

820
00:38:04,880 --> 00:38:06,879
Speaker 3: even if I get it, I'm not going to take

821
00:38:06,920 --> 00:38:11,080
Speaker 3: it because I've realized I like my life and I

822
00:38:11,080 --> 00:38:12,799
Speaker 3: don't even want to know if I get the job.

823
00:38:13,560 --> 00:38:18,200
Speaker 3: And you know, that whole thing was resolved. They Ronda

824
00:38:18,280 --> 00:38:20,640
Speaker 3: and Matt leave the dance studio before even finding out

825
00:38:20,640 --> 00:38:21,440
Speaker 3: if she got the spot.

826
00:38:21,640 --> 00:38:23,319
Speaker 1: Yeah, that was a really sweet So you talk about

827
00:38:23,360 --> 00:38:25,360
Speaker 1: freedom like I just needed to know I could do it.

828
00:38:25,400 --> 00:38:27,120
Speaker 1: I don't need to have the reward.

829
00:38:28,040 --> 00:38:30,239
Speaker 2: Yep, I just needed I did too.

830
00:38:30,880 --> 00:38:34,680
Speaker 3: As Ronda and Matt were leaving their iconic glimpse of

831
00:38:34,880 --> 00:38:37,520
Speaker 3: Doug's sides in his back pocket, See that.

832
00:38:39,800 --> 00:38:42,719
Speaker 1: Sides are the little mini right, Yeah, the scripts we have.

833
00:38:42,760 --> 00:38:44,560
Speaker 1: We have little mini scripts so we can keep our lines.

834
00:38:44,640 --> 00:38:47,080
Speaker 3: Yes, they're folded very small, and you usually have them

835
00:38:47,080 --> 00:38:48,799
Speaker 3: in your hand when you're just trying to you know,

836
00:38:49,480 --> 00:38:52,440
Speaker 3: last minute, you know, follow along, know where you are

837
00:38:52,480 --> 00:38:54,680
Speaker 3: whatever when you're rehearsing, but you forget you might leave

838
00:38:54,719 --> 00:38:56,280
Speaker 3: them in your pocket for the audience.

839
00:38:56,320 --> 00:38:59,719
Speaker 2: Are those days lines that you're given to us. And

840
00:38:59,719 --> 00:39:04,279
Speaker 2: then the old days they were this regular size and

841
00:39:04,640 --> 00:39:07,960
Speaker 2: the day your pages, all of them would be stapled together.

842
00:39:08,040 --> 00:39:09,840
Speaker 2: And then I remember coming to some one day in

843
00:39:09,880 --> 00:39:12,400
Speaker 2: some year, some show, and they were a quarter of

844
00:39:12,880 --> 00:39:17,760
Speaker 2: the minis and they're minis, and they're like shrunk so little,

845
00:39:17,880 --> 00:39:20,080
Speaker 2: and I was just like, and then I started just saying,

846
00:39:20,120 --> 00:39:22,040
Speaker 2: can I have regular size? Please? Can I have grown

847
00:39:22,080 --> 00:39:26,040
Speaker 2: up the glasses? I couldn't because when I needed glasses

848
00:39:26,160 --> 00:39:28,040
Speaker 2: it was you know you sometimes you just want to

849
00:39:28,040 --> 00:39:29,640
Speaker 2: pull them out from nder a prop that's in front

850
00:39:29,640 --> 00:39:31,960
Speaker 2: of you and sneak you're lying, Oh okay. But when

851
00:39:31,960 --> 00:39:36,680
Speaker 2: they were so shrunken into these minis, whoever invented those?

852
00:39:36,880 --> 00:39:42,440
Speaker 2: I think too many directors and cameramen saw these all

853
00:39:42,440 --> 00:39:44,239
Speaker 2: over the set, you know what I mean, like our

854
00:39:44,360 --> 00:39:45,160
Speaker 2: little cheap seats.

855
00:39:45,239 --> 00:39:47,200
Speaker 3: No, they're like, we got to make them smaller. Yeah,

856
00:39:47,200 --> 00:39:48,960
Speaker 3: when you find these things lying, you know they're not

857
00:39:48,960 --> 00:39:50,600
Speaker 3: supposed to be in the show and they're supposed to

858
00:39:50,640 --> 00:39:53,000
Speaker 3: be hidden, and yeah, this was one of those fun

859
00:39:53,800 --> 00:39:59,319
Speaker 3: caught a glimpse. And then we're back with Alison and Jake,

860
00:39:59,400 --> 00:40:02,799
Speaker 3: where Alice talks to Jakes and says, you know last

861
00:40:02,880 --> 00:40:05,080
Speaker 3: night that was that was really fun. But you know,

862
00:40:05,160 --> 00:40:07,360
Speaker 3: that was just a that was just a kiss. We're

863
00:40:07,440 --> 00:40:09,080
Speaker 3: just friends, We're just going to be friends. And it

864
00:40:09,120 --> 00:40:12,000
Speaker 3: seemed to be like a mutual understanding that that's what

865
00:40:12,040 --> 00:40:13,480
Speaker 3: it was. It was just all sort of like.

866
00:40:13,520 --> 00:40:18,160
Speaker 1: Abruptly decided, yeah, now we're done, yeah, done, just that

867
00:40:18,280 --> 00:40:20,560
Speaker 1: and a wee. And I was proud of them for

868
00:40:20,600 --> 00:40:23,479
Speaker 1: having the conversation and not just moving awkwardly to say

869
00:40:23,520 --> 00:40:25,399
Speaker 1: that was lovely, but let's let it stay there.

870
00:40:25,680 --> 00:40:28,600
Speaker 2: Yeah, And that scene takes place, as we were saying earlier,

871
00:40:29,320 --> 00:40:32,759
Speaker 2: on the sound stages at in Santa Clarita, outside the

872
00:40:32,760 --> 00:40:37,040
Speaker 2: production offices. So probably when Jake was walking out, you know,

873
00:40:37,320 --> 00:40:39,760
Speaker 2: some of our production was in there, and probably Andrew

874
00:40:39,840 --> 00:40:44,279
Speaker 2: was using the facts to start doing something yeah political, yeah,

875
00:40:44,320 --> 00:40:47,239
Speaker 2: but yeah, so right behind that door is like our

876
00:40:47,280 --> 00:40:50,880
Speaker 2: whole you know, office staff, and then we we did that.

877
00:40:50,960 --> 00:40:53,160
Speaker 2: All that became Jane's store.

878
00:40:53,600 --> 00:40:55,960
Speaker 3: It was Jane's Fatigue. But also it was the aerobic studio.

879
00:40:56,080 --> 00:40:59,279
Speaker 3: So every time Ronda had an aerobics class, they would

880
00:40:59,280 --> 00:41:01,400
Speaker 3: clear our production offices out and they'd have to take

881
00:41:01,400 --> 00:41:03,640
Speaker 3: the fax machine out and everything, and they would set

882
00:41:03,719 --> 00:41:05,840
Speaker 3: dress to make it look like an aerobic studio.

883
00:41:05,920 --> 00:41:08,040
Speaker 2: And also the hospital. You sed to remember some of

884
00:41:08,080 --> 00:41:09,680
Speaker 2: the hospital outside right.

885
00:41:09,640 --> 00:41:12,520
Speaker 3: Later, exterior, so outside the building they do like the

886
00:41:12,520 --> 00:41:14,960
Speaker 3: parking lot and stuff like that. So we would utilize

887
00:41:15,520 --> 00:41:18,440
Speaker 3: not just the sound stages that were there in Santa Clarita,

888
00:41:18,480 --> 00:41:20,600
Speaker 3: but but they'd use the office, which is the front part.

889
00:41:20,600 --> 00:41:22,560
Speaker 3: They would convert it into another set, and then the

890
00:41:22,600 --> 00:41:23,520
Speaker 3: exteriors as well.

891
00:41:23,719 --> 00:41:26,000
Speaker 2: Have to move some of the camera trucks sometimes to know.

892
00:41:26,239 --> 00:41:29,040
Speaker 1: How many stages did we have at the end two

893
00:41:29,120 --> 00:41:32,560
Speaker 1: I think I thought we had too too. Yeah, yeah,

894
00:41:33,160 --> 00:41:34,520
Speaker 1: and she was shot there.

895
00:41:34,640 --> 00:41:36,719
Speaker 2: Before that, there was that what was that Jamie Lee

896
00:41:36,760 --> 00:41:41,000
Speaker 2: Curtis Schwarzenegger movie. They shot that up there, I think? True, true,

897
00:41:41,280 --> 00:41:41,520
Speaker 2: I think.

898
00:41:42,400 --> 00:41:44,239
Speaker 3: But we had it to ourselves for the most part.

899
00:41:44,320 --> 00:41:46,480
Speaker 3: It was just like this isolated place up on the.

900
00:41:46,480 --> 00:41:49,000
Speaker 2: Health Do you remember our security guard like this one.

901
00:41:49,239 --> 00:41:50,600
Speaker 2: There was like a booth and a.

902
00:41:50,560 --> 00:41:53,800
Speaker 3: Guy and it was just like it was so quiet

903
00:41:53,840 --> 00:41:56,120
Speaker 3: and easy. We'd walk around in our slippers and our

904
00:41:56,520 --> 00:41:58,800
Speaker 3: sort of yeah, our robes and it was just comfortable

905
00:41:58,800 --> 00:41:59,680
Speaker 3: and it.

906
00:41:59,640 --> 00:42:00,200
Speaker 2: Was our home.

907
00:42:00,560 --> 00:42:02,520
Speaker 3: But then Allison says, come on, I'll buy you a beer,

908
00:42:02,520 --> 00:42:04,759
Speaker 3: and that story is neatly wrapped up, and she takes

909
00:42:04,840 --> 00:42:09,239
Speaker 3: him to Jake. She takes Jake to Shooters, where everybody

910
00:42:09,239 --> 00:42:12,240
Speaker 3: in the gang is waiting to congratulate him on his graduation.

911
00:42:12,280 --> 00:42:17,040
Speaker 3: They're wearing graduation caps and that was really cute, and

912
00:42:17,080 --> 00:42:20,400
Speaker 3: he's surprised. Doug has his graduation cap on top of

913
00:42:20,440 --> 00:42:24,120
Speaker 3: his baseball hat, which no, he cannot recall, but he

914
00:42:24,120 --> 00:42:28,560
Speaker 3: did like the choice anyway. And that's where Sandy says

915
00:42:28,560 --> 00:42:31,360
Speaker 3: to Alison, I just knew that you two couldn't be

916
00:42:31,400 --> 00:42:34,520
Speaker 3: a thing. You know too much, not you're not alike enough.

917
00:42:34,560 --> 00:42:38,319
Speaker 3: And Alison gets the best line, the punchline to her,

918
00:42:38,480 --> 00:42:41,000
Speaker 3: just to taunt her. Yeah, but he's a really good kisser.

919
00:42:42,000 --> 00:42:44,879
Speaker 2: Yeah. I love how you use your delivery. Yep, just

920
00:42:44,920 --> 00:42:48,040
Speaker 2: like like you just smacked her walk off.

921
00:42:48,280 --> 00:42:50,400
Speaker 3: He's a really great here's some food.

922
00:42:50,280 --> 00:42:55,320
Speaker 2: For the camera. She's like, what, yeah, come back.

923
00:42:55,200 --> 00:42:58,760
Speaker 3: Here, but food for thoughts. So now Sandy knows that happened,

924
00:42:58,880 --> 00:42:59,480
Speaker 3: or does she?

925
00:43:00,360 --> 00:43:02,440
Speaker 2: I really do love how we all came back together.

926
00:43:02,520 --> 00:43:05,960
Speaker 2: How you guys the everyone came together from the apartment

927
00:43:06,040 --> 00:43:09,360
Speaker 2: to surprise him, and he didn't, you know, because again

928
00:43:09,520 --> 00:43:12,920
Speaker 2: acknowledging what he kept a secret for so long and

929
00:43:12,920 --> 00:43:16,239
Speaker 2: what was painful and shameful like was really celebration at

930
00:43:16,239 --> 00:43:16,480
Speaker 2: the end.

931
00:43:16,600 --> 00:43:18,600
Speaker 1: Yeah, and that really is like these first episodes were

932
00:43:18,600 --> 00:43:21,000
Speaker 1: getting to know the characters each you go the little

933
00:43:21,040 --> 00:43:23,000
Speaker 1: bit more, little bit breadcrumbs. And I also think it's

934
00:43:23,000 --> 00:43:25,040
Speaker 1: so cute because you guys can think when we're all together,

935
00:43:25,120 --> 00:43:28,480
Speaker 1: which is true because there it feels like because we're

936
00:43:28,520 --> 00:43:31,560
Speaker 1: going so slowly, but really fourteen and nineteen, right, the

937
00:43:31,600 --> 00:43:33,560
Speaker 1: episodes you guys come and then you're on for the

938
00:43:33,600 --> 00:43:36,160
Speaker 1: rest of it, so it's only a few episodes without you,

939
00:43:36,200 --> 00:43:38,760
Speaker 1: and it is a wee right, I don't it's strange

940
00:43:38,760 --> 00:43:40,640
Speaker 1: to me that you guys aren't here. I keep saying

941
00:43:40,680 --> 00:43:42,760
Speaker 1: we Yeah, when we were all together.

942
00:43:42,880 --> 00:43:45,600
Speaker 3: Well, I feel like this season because it was such

943
00:43:45,600 --> 00:43:48,560
Speaker 3: a different tone, It feels like a whole different like

944
00:43:49,000 --> 00:43:51,520
Speaker 3: segment of time that like the bulk of what we

945
00:43:51,719 --> 00:43:54,840
Speaker 3: think about when we remember this time were those crazy

946
00:43:54,920 --> 00:43:57,400
Speaker 3: years of seasons two, three, four, five, you know, those

947
00:43:58,400 --> 00:44:01,560
Speaker 3: is what we talk about as we and this tonally

948
00:44:01,880 --> 00:44:05,160
Speaker 3: is we're still in like stage one. You know, before

949
00:44:05,200 --> 00:44:07,200
Speaker 3: it this show wasn't a hit.

950
00:44:07,680 --> 00:44:10,839
Speaker 1: The show watching how it was sweet? Yeah, and then

951
00:44:10,920 --> 00:44:13,200
Speaker 1: the show you guys were on was a hit. So

952
00:44:13,239 --> 00:44:17,160
Speaker 1: the two two kind of separate shows, really.

953
00:44:17,040 --> 00:44:19,200
Speaker 3: So and at this time, so episode six, they were

954
00:44:19,320 --> 00:44:23,280
Speaker 3: almost halfway through their initial order, which was thirteen episodes

955
00:44:23,320 --> 00:44:24,720
Speaker 3: were originally contract.

956
00:44:24,760 --> 00:44:27,640
Speaker 1: Andrew, our businessman was coming every with all the what

957
00:44:27,760 --> 00:44:29,880
Speaker 1: the ratings meant and what they I was like, I

958
00:44:29,920 --> 00:44:31,640
Speaker 1: don't whatever. We're just here to do our work.

959
00:44:31,719 --> 00:44:33,680
Speaker 3: And it wasn't he was paying very It wasn't great.

960
00:44:33,719 --> 00:44:36,720
Speaker 3: At this point, we holding steady, it mediocre.

961
00:44:36,880 --> 00:44:38,759
Speaker 1: We were after nine o two and oh, and we

962
00:44:38,800 --> 00:44:41,399
Speaker 1: were not holding our own like there. I remember there

963
00:44:41,440 --> 00:44:43,680
Speaker 1: was a drop off. Andrew might even remember, honestly, he

964
00:44:43,719 --> 00:44:45,680
Speaker 1: paid such close attention to the numbers. There was sort

965
00:44:45,680 --> 00:44:47,600
Speaker 1: of a drop off. And then you guys came out.

966
00:44:47,640 --> 00:44:49,720
Speaker 1: Did Heather come on before you?

967
00:44:49,840 --> 00:44:50,279
Speaker 3: Just after?

968
00:44:50,640 --> 00:44:53,600
Speaker 1: Just after? Okay, that's when we'll get to that. But

969
00:44:53,760 --> 00:44:57,080
Speaker 1: I remember we got new trailers. Either came on like,

970
00:44:57,239 --> 00:44:59,400
Speaker 1: Heather can't be in these disgusting trailers. You guys have

971
00:45:01,600 --> 00:45:05,840
Speaker 1: gotta love a girl while you're here for so many reasons.

972
00:45:06,200 --> 00:45:09,799
Speaker 2: I mean, I think Aaron called Heather his you know, lucky.

973
00:45:09,560 --> 00:45:11,080
Speaker 3: His good luck charms, his good luck charm.

974
00:45:11,239 --> 00:45:11,479
Speaker 1: Heather.

975
00:45:12,120 --> 00:45:15,719
Speaker 2: I gotta get new, get those kids some new trailers. Yeah,

976
00:45:15,840 --> 00:45:17,120
Speaker 2: my good luck charms coming.

977
00:45:17,320 --> 00:45:19,680
Speaker 1: Yeah. And she didn't ask I remember, she didn't ask

978
00:45:19,719 --> 00:45:22,600
Speaker 1: for anything. It wasn't she didn't demand it. They just

979
00:45:23,640 --> 00:45:25,360
Speaker 1: wanted to take care of her. And I think we

980
00:45:25,440 --> 00:45:28,239
Speaker 1: had favorite nations with trailers, which means everybody gets the same.

981
00:45:28,320 --> 00:45:31,920
Speaker 1: So you're like, thanks, everybody's lives got a little better

982
00:45:31,920 --> 00:45:38,480
Speaker 1: when Heather showed up. Yeah, yes, do we have time

983
00:45:38,560 --> 00:45:41,080
Speaker 1: to do a couple of We have some audience questions,

984
00:45:41,080 --> 00:45:45,160
Speaker 1: and I would like to know, Daphne, how your relationship

985
00:45:45,200 --> 00:45:47,759
Speaker 1: with Darren Starr changed after you started on the show.

986
00:45:48,120 --> 00:45:50,960
Speaker 2: Uh. You know, I didn't see him very often because

987
00:45:51,000 --> 00:45:54,560
Speaker 2: he was the writers were nowhere near us. They were

988
00:45:54,600 --> 00:45:56,160
Speaker 2: here in l A and we were out in the

989
00:45:56,200 --> 00:45:58,920
Speaker 2: sticks and in Santa Curita, which now is like just

990
00:45:59,040 --> 00:46:02,000
Speaker 2: another neighborhood it seem like, but back then it was

991
00:46:02,040 --> 00:46:07,360
Speaker 2: pretty far. But I do remember a couple of these lines.

992
00:46:07,400 --> 00:46:09,920
Speaker 2: So I come in, like we said later this season,

993
00:46:11,719 --> 00:46:15,920
Speaker 2: and I remember using the facts and sending him some

994
00:46:16,120 --> 00:46:18,719
Speaker 2: edits I had in a in a scene or two

995
00:46:18,760 --> 00:46:20,960
Speaker 2: and just going, oh, it's Darren, you know, like I'm

996
00:46:20,960 --> 00:46:25,800
Speaker 2: sure he'll be fine, and I'm like so I wrote.

997
00:46:25,880 --> 00:46:28,279
Speaker 3: I was like, no, but she repeats herself, and I

998
00:46:28,320 --> 00:46:29,080
Speaker 3: think maybe.

999
00:46:28,800 --> 00:46:30,480
Speaker 2: This might be better. This is what would I mean that?

1000
00:46:31,160 --> 00:46:33,800
Speaker 2: So I sent him some to make it more flowy,

1001
00:46:34,280 --> 00:46:39,759
Speaker 2: and I got back good editing from Darren. Don't again, No,

1002
00:46:40,680 --> 00:46:46,040
Speaker 2: we don't really do that here. And I was like, oh, okay,

1003
00:46:46,360 --> 00:46:48,480
Speaker 2: you're the boss, I'm the you know what I mean?

1004
00:46:48,560 --> 00:46:51,359
Speaker 2: Like it was so I had to. He was very

1005
00:46:51,400 --> 00:46:53,960
Speaker 2: sweet about it, and I got it, you know, I mean,

1006
00:46:54,080 --> 00:46:56,400
Speaker 2: and I can't even imagine if eight or nine of

1007
00:46:56,480 --> 00:47:00,520
Speaker 2: us started like can we just and then shortly at

1008
00:47:00,560 --> 00:47:03,200
Speaker 2: some point in there, we were not too at all.

1009
00:47:03,280 --> 00:47:05,480
Speaker 2: If I had another thing, they would say. So that's

1010
00:47:06,120 --> 00:47:09,040
Speaker 2: that was just one thing. It I think it it.

1011
00:47:10,480 --> 00:47:12,399
Speaker 2: I think it grew. I mean, we stayed friends. It's

1012
00:47:12,440 --> 00:47:14,480
Speaker 2: just a clear thinking, Oh I got a buddy in

1013
00:47:14,480 --> 00:47:17,319
Speaker 2: the office. I'll just not a big deal. And I

1014
00:47:17,360 --> 00:47:19,799
Speaker 2: was like yeah, he said, yeah, that's not we don't

1015
00:47:20,040 --> 00:47:20,839
Speaker 2: really do that here.

1016
00:47:21,320 --> 00:47:23,359
Speaker 1: Yeah, because I think because we were so far first

1017
00:47:23,400 --> 00:47:25,160
Speaker 1: of all, we ruined it for you because in the beginning,

1018
00:47:25,200 --> 00:47:27,920
Speaker 1: people were changing things left and right, and it's not

1019
00:47:28,000 --> 00:47:30,040
Speaker 1: like on a sitcom you call up the guys come

1020
00:47:30,080 --> 00:47:31,759
Speaker 1: down and you work through it, right. We were so

1021
00:47:32,680 --> 00:47:35,360
Speaker 1: much experience, so many secoms. We were so far apart

1022
00:47:35,400 --> 00:47:37,720
Speaker 1: that they felt like they were losing control and people

1023
00:47:37,719 --> 00:47:41,120
Speaker 1: were actually changing the meaning of lines, not just making

1024
00:47:41,200 --> 00:47:44,560
Speaker 1: it more comfortable. So they got really strict because it

1025
00:47:44,600 --> 00:47:48,880
Speaker 1: was like it had been taken advantage of. So that

1026
00:47:48,960 --> 00:47:50,799
Speaker 1: is a different thing that's on the firstcast.

1027
00:47:50,840 --> 00:47:52,600
Speaker 2: I didn't know that writers right there.

1028
00:47:52,640 --> 00:47:54,640
Speaker 1: The writers are right there, and they come down and they.

1029
00:47:54,800 --> 00:47:57,160
Speaker 2: Tried, like I've done a couple of guest stars on so.

1030
00:47:57,200 --> 00:47:59,160
Speaker 1: Yeah, yeah, they come. They're there all the time. They're

1031
00:47:59,160 --> 00:48:00,600
Speaker 1: there every day. But you all so you don't really

1032
00:48:00,719 --> 00:48:02,640
Speaker 1: change it on your own. You wait till they come down.

1033
00:48:02,640 --> 00:48:04,880
Speaker 1: They come down every day, you do run through and

1034
00:48:04,880 --> 00:48:06,760
Speaker 1: then you say this isn't working. You all work together

1035
00:48:06,800 --> 00:48:07,279
Speaker 1: to fix it.

1036
00:48:07,360 --> 00:48:09,640
Speaker 2: And well they would there's a line, there's a script

1037
00:48:09,640 --> 00:48:14,120
Speaker 2: and they would say like try this phrase instead, right, yeah,

1038
00:48:14,360 --> 00:48:16,080
Speaker 2: and you'd work at it and they say, no, it

1039
00:48:16,080 --> 00:48:18,160
Speaker 2: doesn't work, go back or yeah.

1040
00:48:18,200 --> 00:48:19,759
Speaker 1: Yeah, you get to rehearse it every day. So they

1041
00:48:19,760 --> 00:48:22,280
Speaker 1: didn't have they didn't get to see us rehearse it.

1042
00:48:22,480 --> 00:48:25,000
Speaker 1: Like sometimes on a movie you'll have the writers there

1043
00:48:25,000 --> 00:48:26,879
Speaker 1: and you'll do it something won't work and then they'll

1044
00:48:26,880 --> 00:48:28,399
Speaker 1: fix it and do it right there. But they were

1045
00:48:28,440 --> 00:48:31,560
Speaker 1: so far away. Yeah, they couldn't have us doing your

1046
00:48:31,600 --> 00:48:33,839
Speaker 1: own couldn't have this doing our own thing.

1047
00:48:34,080 --> 00:48:38,120
Speaker 3: Okay, so here's another question. Somebody asked, and I'll just

1048
00:48:38,280 --> 00:48:40,200
Speaker 3: post to the group. If you could have played any

1049
00:48:40,239 --> 00:48:43,040
Speaker 3: other character, male or female, who would you want to play?

1050
00:48:44,440 --> 00:48:46,839
Speaker 1: I would play Grant because I like to be topless.

1051
00:48:48,040 --> 00:48:52,520
Speaker 3: No, I suspected as much. I suspected that would be

1052
00:48:52,560 --> 00:48:54,319
Speaker 3: your answer for all the times that you've showed up

1053
00:48:54,320 --> 00:48:55,400
Speaker 3: for this podcast topless.

1054
00:48:55,480 --> 00:48:59,120
Speaker 1: I bet we bring a shirt for Court and you

1055
00:48:59,120 --> 00:48:59,799
Speaker 1: put a shirt on.

1056
00:49:00,000 --> 00:49:01,279
Speaker 2: She want to show for six Pack?

1057
00:49:01,440 --> 00:49:05,160
Speaker 1: Well, I love Laura. I loved watching Sydney. But I

1058
00:49:05,239 --> 00:49:08,360
Speaker 1: thought all the time, that's so amazing. Thank god, I

1059
00:49:08,360 --> 00:49:11,560
Speaker 1: don't have to do it what I often thought you were.

1060
00:49:11,600 --> 00:49:15,719
Speaker 1: They put you through the ringer. You were willing and

1061
00:49:15,800 --> 00:49:18,200
Speaker 1: able to do the craziest thing. I was full of

1062
00:49:18,239 --> 00:49:22,759
Speaker 1: admiration and fear, healthy fear. I like to think I

1063
00:49:22,760 --> 00:49:25,239
Speaker 1: would have liked to play Sydney, but I don't know

1064
00:49:25,280 --> 00:49:26,680
Speaker 1: that I would have had the balls.

1065
00:49:27,120 --> 00:49:28,279
Speaker 2: Wow, that's interesting.

1066
00:49:28,640 --> 00:49:30,840
Speaker 3: She was definitely a fun character to play.

1067
00:49:31,120 --> 00:49:33,359
Speaker 1: Yeah, I mean it was just you were like, all right,

1068
00:49:33,680 --> 00:49:36,399
Speaker 1: it throws getting crazy at you and you were like, yeah, right,

1069
00:49:36,480 --> 00:49:37,279
Speaker 1: and you would do.

1070
00:49:37,239 --> 00:49:40,280
Speaker 3: It kind of didn't have a choice. You're like, all right, yeah,

1071
00:49:40,320 --> 00:49:42,200
Speaker 3: but it was super.

1072
00:49:42,000 --> 00:49:45,799
Speaker 2: Funny, did all of that, totally committed to everything. Yeah,

1073
00:49:45,880 --> 00:49:48,399
Speaker 2: she was such a chameleon. And all those outfits were

1074
00:49:48,560 --> 00:49:52,000
Speaker 2: on my side, seemed like over the top or like

1075
00:49:52,040 --> 00:49:54,960
Speaker 2: out of Mary Tyllamora Beret one minute, you know what

1076
00:49:55,040 --> 00:49:57,760
Speaker 2: I mean. And yet in your little outfits all matched,

1077
00:49:58,000 --> 00:50:01,080
Speaker 2: and yet you made it work because behind all that

1078
00:50:01,239 --> 00:50:04,439
Speaker 2: is crazy. I mean, there's a crazy girl back there,

1079
00:50:04,480 --> 00:50:07,680
Speaker 2: you know. And and but I never wanted to play Sydney.

1080
00:50:07,920 --> 00:50:12,000
Speaker 2: I loved playing Joe, to be honest. But there were

1081
00:50:12,000 --> 00:50:13,440
Speaker 2: times when I thought, oh, it would be like to

1082
00:50:13,440 --> 00:50:15,560
Speaker 2: be in D and D and play Amanda or something

1083
00:50:15,640 --> 00:50:19,239
Speaker 2: like that, you know, because Joe was she wasn't a bit,

1084
00:50:19,480 --> 00:50:22,120
Speaker 2: you know, when Amanda was like this crazy mean woman

1085
00:50:22,160 --> 00:50:23,880
Speaker 2: and you guys went at each other and stuff, and

1086
00:50:23,920 --> 00:50:28,279
Speaker 2: I never she wasn't like that, So it would be fun.

1087
00:50:28,320 --> 00:50:29,920
Speaker 1: I did. I thought that sometimes it'd be fun to

1088
00:50:29,920 --> 00:50:31,800
Speaker 1: play a bitch, and then I got to be drunk Allison,

1089
00:50:31,800 --> 00:50:32,400
Speaker 1: and drunk.

1090
00:50:32,200 --> 00:50:34,200
Speaker 3: Alison was probably a lot of fun too.

1091
00:50:34,239 --> 00:50:36,360
Speaker 1: Drunk Alison is super fun. That's one thing about I

1092
00:50:36,400 --> 00:50:37,880
Speaker 1: show like this that you think I want to be

1093
00:50:37,920 --> 00:50:39,440
Speaker 1: that character, and the next thing, you know, oh I

1094
00:50:39,440 --> 00:50:42,800
Speaker 1: am that character. Like we just to give you because

1095
00:50:42,840 --> 00:50:45,680
Speaker 1: it changed so much, but you had the most extreme

1096
00:50:46,480 --> 00:50:49,520
Speaker 1: swings from week to week, and somehow you made it work.

1097
00:50:49,560 --> 00:50:51,000
Speaker 2: I had.

1098
00:50:51,440 --> 00:50:53,040
Speaker 3: I had a lot of people ask me like, would

1099
00:50:53,040 --> 00:50:54,960
Speaker 3: I have liked to play another character? And the truth

1100
00:50:55,000 --> 00:50:58,440
Speaker 3: is I loved playing Sydney. Like I thought it was

1101
00:50:59,719 --> 00:51:02,239
Speaker 3: so fun, you know, and I as the character and

1102
00:51:02,280 --> 00:51:04,240
Speaker 3: she's not there yet, she's not where we're on the recap,

1103
00:51:04,280 --> 00:51:07,960
Speaker 3: We're not there yet. But as she arrived and then evolved,

1104
00:51:08,800 --> 00:51:11,560
Speaker 3: she really grew into this character that would morph into

1105
00:51:11,560 --> 00:51:14,520
Speaker 3: whatever was going on, you know. And I liked there

1106
00:51:14,560 --> 00:51:17,160
Speaker 3: were times when we felt like Sidney was kind of

1107
00:51:17,280 --> 00:51:20,280
Speaker 3: doing her own show, you know, Like Sidney was allowed

1108
00:51:20,320 --> 00:51:23,360
Speaker 3: to wear hats, Sydney was allowed to do crazy stuff

1109
00:51:23,360 --> 00:51:25,840
Speaker 3: that none of the other characters were. It was somehow

1110
00:51:25,840 --> 00:51:28,239
Speaker 3: okay for Sydney to do it and not for the

1111
00:51:28,239 --> 00:51:30,520
Speaker 3: other characters, right, So it felt like I was on

1112
00:51:30,560 --> 00:51:33,360
Speaker 3: my own little comedy planet, like I was, like, I

1113
00:51:33,920 --> 00:51:35,919
Speaker 3: get to kind of find the funny in this where

1114
00:51:35,920 --> 00:51:37,800
Speaker 3: everybody else is just a little bit more earnest and

1115
00:51:37,840 --> 00:51:40,880
Speaker 3: straight and and I just I felt really lucky about that.

1116
00:51:40,960 --> 00:51:46,000
Speaker 3: And I really enjoyed that and appreciated that. I felt

1117
00:51:46,040 --> 00:51:50,520
Speaker 3: like she had kind of a lot of leeway wow

1118
00:51:50,600 --> 00:51:52,440
Speaker 3: with the character, and I got to play around and

1119
00:51:52,600 --> 00:51:55,640
Speaker 3: it just felt really fun. So I really appreciated that

1120
00:51:55,640 --> 00:51:57,080
Speaker 3: that was the character I got to play.

1121
00:51:57,400 --> 00:51:59,239
Speaker 1: You could see that you were having fun. That's part

1122
00:51:59,280 --> 00:52:00,719
Speaker 1: of what made the character so much. It was a

1123
00:52:00,719 --> 00:52:02,640
Speaker 1: blessed Yeah, I really made that.

1124
00:52:02,680 --> 00:52:05,040
Speaker 3: Yeah, I'm sure I'll be mortified when we get to

1125
00:52:05,120 --> 00:52:06,920
Speaker 3: you know, like there'll be a million ways that I'll

1126
00:52:06,960 --> 00:52:10,520
Speaker 3: be mortified for my acting and the character at the beginning,

1127
00:52:10,560 --> 00:52:12,360
Speaker 3: like I was, you know, as a brand new actress

1128
00:52:12,400 --> 00:52:14,920
Speaker 3: and still figuring it out. So I'm sure i'll be mortified.

1129
00:52:14,960 --> 00:52:17,960
Speaker 1: But I see things that obviously there aren't moments. There

1130
00:52:18,000 --> 00:52:20,040
Speaker 1: are moments aren't great. But I have so much compassion

1131
00:52:20,040 --> 00:52:22,520
Speaker 1: for myself. I was so young, yeah, right, like it

1132
00:52:22,560 --> 00:52:24,560
Speaker 1: was thirty years ago. She just gonna go, oh, sweetie,

1133
00:52:24,560 --> 00:52:26,040
Speaker 1: you could have made a better you were the younger.

1134
00:52:26,120 --> 00:52:29,160
Speaker 2: Yeah right, yeah, but you don't. Also, I've watched some

1135
00:52:29,239 --> 00:52:32,799
Speaker 2: of that recently over the last few years. And you know,

1136
00:52:32,840 --> 00:52:35,440
Speaker 2: you start out this what you're saying is comedy, comedic

1137
00:52:36,360 --> 00:52:40,560
Speaker 2: relief maybe, but you have some serious stuff later, Laura,

1138
00:52:40,680 --> 00:52:43,279
Speaker 2: and you've knocked it out of the park. I was like,

1139
00:52:43,360 --> 00:52:45,719
Speaker 2: how is she going to handle you know, whether it's

1140
00:52:45,719 --> 00:52:48,680
Speaker 2: the call girls stuff, for all of this horrible stuff

1141
00:52:48,680 --> 00:52:52,520
Speaker 2: that happened to you. And I'm like, that's where you were, Ernest,

1142
00:52:52,719 --> 00:52:54,719
Speaker 2: that's where your real stuff showed through. And that's a

1143
00:52:54,760 --> 00:52:56,440
Speaker 2: great talent to be able to do both. Thank you,

1144
00:52:56,640 --> 00:52:59,279
Speaker 2: so thank you. I it was fun. And one more

1145
00:52:59,320 --> 00:53:01,960
Speaker 2: question more, how much say do we have over our

1146
00:53:02,040 --> 00:53:06,000
Speaker 2: character style, hair, makeup, and clothes. Let's start with Laura

1147
00:53:06,120 --> 00:53:07,200
Speaker 2: because we were talking about help.

1148
00:53:07,520 --> 00:53:10,560
Speaker 3: Yeah, so that's part of what Sidney I think, had

1149
00:53:10,560 --> 00:53:14,799
Speaker 3: a unique position, Like she got the character, got to

1150
00:53:15,080 --> 00:53:17,160
Speaker 3: do some crazy things and so we were able to

1151
00:53:17,200 --> 00:53:20,719
Speaker 3: push some boundaries with that. And definitely in the like

1152
00:53:21,360 --> 00:53:24,000
Speaker 3: I would say, the third and then the fourth season,

1153
00:53:24,920 --> 00:53:27,880
Speaker 3: we were given a lot of leeway to play around,

1154
00:53:28,080 --> 00:53:30,400
Speaker 3: and I was super grateful for that. It would be

1155
00:53:30,400 --> 00:53:33,600
Speaker 3: a collaborative thing with wardrobe and hair and makeup, like

1156
00:53:33,800 --> 00:53:36,719
Speaker 3: oh this, you know, for a while Sidney's going to

1157
00:53:36,719 --> 00:53:40,200
Speaker 3: be a secretary, so she adopted this like sort of

1158
00:53:40,239 --> 00:53:42,920
Speaker 3: like fifties and sixties vibe, and like the flip and

1159
00:53:42,960 --> 00:53:45,800
Speaker 3: the hair style and so like, those were really fun

1160
00:53:45,840 --> 00:53:49,360
Speaker 3: things to play around with, but it was particular to

1161
00:53:49,400 --> 00:53:53,880
Speaker 3: that character. I don't think that that we had the

1162
00:53:53,960 --> 00:53:58,279
Speaker 3: same you know, boundaries that other characters probably had, But

1163
00:53:58,360 --> 00:54:00,400
Speaker 3: just by virtue of it being Sidney, we got to

1164
00:54:00,440 --> 00:54:01,160
Speaker 3: have a lot of fun with it.

1165
00:54:01,200 --> 00:54:02,600
Speaker 2: Did you have say on yours?

1166
00:54:03,600 --> 00:54:07,120
Speaker 1: Especially when Denise Wingate came on. She really wanted us

1167
00:54:07,120 --> 00:54:08,879
Speaker 1: to be comfortable. But I remember one time she said, okay,

1168
00:54:08,880 --> 00:54:12,280
Speaker 1: we just got a note shorter, brighter, tighter on Alison,

1169
00:54:12,400 --> 00:54:14,760
Speaker 1: and I was like, oh dear, But I was self

1170
00:54:14,760 --> 00:54:16,840
Speaker 1: conscious that my body had very big breasts and I

1171
00:54:16,880 --> 00:54:20,120
Speaker 1: really felt but she really was careful about like making

1172
00:54:20,120 --> 00:54:21,959
Speaker 1: me feel comfortable. We'll get these shows. And I wish

1173
00:54:21,960 --> 00:54:24,160
Speaker 1: someone had said, don't wear such big shirts right like

1174
00:54:24,400 --> 00:54:26,759
Speaker 1: in the early episodes, I'm like, get something fitted, but

1175
00:54:26,800 --> 00:54:29,200
Speaker 1: I was. I was uncomfortable. I felt self conscious, So

1176
00:54:30,360 --> 00:54:32,480
Speaker 1: she was very careful to make sure it was comfortable

1177
00:54:32,520 --> 00:54:35,520
Speaker 1: and try to walk the line like they want this,

1178
00:54:35,640 --> 00:54:38,880
Speaker 1: they want the skirts this short, but I wanted them longer,

1179
00:54:38,920 --> 00:54:41,839
Speaker 1: so she would find something in the middle that would

1180
00:54:41,840 --> 00:54:45,920
Speaker 1: work for everybody. But she always chose my comfort over

1181
00:54:46,360 --> 00:54:49,080
Speaker 1: their dands, right, So if I had a bathing suit scene,

1182
00:54:49,160 --> 00:54:51,160
Speaker 1: she would let me wear shorts over my bathing suit

1183
00:54:51,280 --> 00:54:53,719
Speaker 1: or whatever it was that would make us feel more comfortable.

1184
00:54:53,880 --> 00:54:56,440
Speaker 1: Mm hmm right, So it felt like a compromise, like

1185
00:54:56,480 --> 00:54:58,520
Speaker 1: they had. Very She'd tell me what the note was

1186
00:54:58,560 --> 00:55:01,040
Speaker 1: and say, this is where they want us to so

1187
00:55:01,120 --> 00:55:02,719
Speaker 1: what can we do to give them some of what

1188
00:55:02,760 --> 00:55:04,200
Speaker 1: they want but make you comfortable?

1189
00:55:04,280 --> 00:55:08,400
Speaker 2: So very amazing, isn't it for a wardrobe person. Denise

1190
00:55:08,400 --> 00:55:11,600
Speaker 2: Wingate who went on to do huge movies. She and

1191
00:55:11,600 --> 00:55:14,160
Speaker 2: I were hired the same time and we both were

1192
00:55:14,200 --> 00:55:17,920
Speaker 2: like went into Aaron Spellings, and as I've said before,

1193
00:55:18,280 --> 00:55:20,799
Speaker 2: we kind of missed the mark the first scene the

1194
00:55:20,800 --> 00:55:25,080
Speaker 2: first day on set. They she had an idea and

1195
00:55:25,120 --> 00:55:28,040
Speaker 2: they just wanted it totally the opposite. So I went

1196
00:55:28,080 --> 00:55:30,000
Speaker 2: from psych some kind of a little bit of a

1197
00:55:30,080 --> 00:55:32,600
Speaker 2: sophisticated New York outfit because it was sort of like

1198
00:55:32,920 --> 00:55:36,399
Speaker 2: Upper east Side, you know, probably my husband was of

1199
00:55:36,440 --> 00:55:40,560
Speaker 2: a New York family. And then they're like no, and

1200
00:55:40,600 --> 00:55:42,480
Speaker 2: I ended up in jeans and black and went the

1201
00:55:42,520 --> 00:55:47,439
Speaker 2: other way. But but she was. She was totally collaborative,

1202
00:55:47,560 --> 00:55:49,400
Speaker 2: So I would have to say I did have I

1203
00:55:49,520 --> 00:55:52,080
Speaker 2: was more comfortable to your point in kind of like

1204
00:55:52,160 --> 00:55:55,160
Speaker 2: those I don't know what they are, like they're more

1205
00:55:55,600 --> 00:55:59,640
Speaker 2: draw string with patterns and funky, you know, my vests

1206
00:55:59,640 --> 00:56:02,440
Speaker 2: and things like that. And the jewelry was more funky

1207
00:56:02,480 --> 00:56:06,560
Speaker 2: than just straight kind of tough punk New York. So

1208
00:56:06,600 --> 00:56:08,960
Speaker 2: she was really into that too. But I got to say,

1209
00:56:09,760 --> 00:56:11,960
Speaker 2: I gotta say, but it wasn't. I didn't create it.

1210
00:56:12,239 --> 00:56:15,359
Speaker 2: You know, she had the vision and I It's one

1211
00:56:15,360 --> 00:56:17,680
Speaker 2: of the things I love about a good wardrobe person.

1212
00:56:17,680 --> 00:56:19,520
Speaker 2: You come in, they give you all these choices and

1213
00:56:19,560 --> 00:56:20,960
Speaker 2: you're like, I love that.

1214
00:56:21,200 --> 00:56:24,040
Speaker 3: Well, it's really intimate too. It's really personal, intimate because

1215
00:56:24,040 --> 00:56:25,799
Speaker 3: you have to be comfortable in it and you're you know,

1216
00:56:26,120 --> 00:56:29,320
Speaker 3: and also like your hair and your makeup person, Yeah,

1217
00:56:29,440 --> 00:56:33,720
Speaker 3: those are really you're like they're up close and personal

1218
00:56:33,760 --> 00:56:37,120
Speaker 3: and working on you know, you get I got really

1219
00:56:37,120 --> 00:56:40,200
Speaker 3: close to makeup and hair people, and especially you know,

1220
00:56:40,400 --> 00:56:43,520
Speaker 3: Lona Jefferson was our makeup artist Org. You know, like

1221
00:56:43,640 --> 00:56:45,759
Speaker 3: you just get really close to those people because you're

1222
00:56:46,560 --> 00:56:51,120
Speaker 3: you're trusting them and they're they're so thoughtful for you

1223
00:56:51,160 --> 00:56:54,240
Speaker 3: and how they Yeah, go to the pros.

1224
00:56:54,840 --> 00:56:59,319
Speaker 2: They were doing this since the seventies probably. I think

1225
00:56:59,400 --> 00:57:02,279
Speaker 2: Greg tired not shortly after, but he used to ride

1226
00:57:02,280 --> 00:57:06,120
Speaker 2: a bike cycle a bike, not a bicycle, a BMW motorcycle.

1227
00:57:06,440 --> 00:57:08,399
Speaker 2: But they were I felt in such good hands with them.

1228
00:57:08,520 --> 00:57:11,279
Speaker 3: They're just really intimate relationships for actors like those are

1229
00:57:11,280 --> 00:57:13,520
Speaker 3: the people that really care for you so closely.

1230
00:57:13,560 --> 00:57:16,800
Speaker 1: And we felt very cared for and people were as

1231
00:57:16,840 --> 00:57:19,000
Speaker 1: the show started to take off, people were watching our

1232
00:57:19,040 --> 00:57:23,640
Speaker 1: hair and our clothes makeup, so it was it felt

1233
00:57:23,640 --> 00:57:26,240
Speaker 1: important because people were talking about it, so you really want.

1234
00:57:26,160 --> 00:57:28,200
Speaker 2: And we were, and Lona and Greg were getting all

1235
00:57:28,200 --> 00:57:30,479
Speaker 2: this product, don't you remember, like all this stuff would

1236
00:57:30,480 --> 00:57:31,920
Speaker 2: come in and no, I'm trying this.

1237
00:57:31,960 --> 00:57:33,640
Speaker 1: New days of free stuff. I miss all the.

1238
00:57:33,600 --> 00:57:38,240
Speaker 2: Free so yeah, all right.

1239
00:57:38,440 --> 00:57:42,520
Speaker 3: It's been so fun to read fans comments and questions,

1240
00:57:42,560 --> 00:57:45,840
Speaker 3: and we're getting people asking questions and leaving their thoughts

1241
00:57:45,840 --> 00:57:48,640
Speaker 3: on our Instagram and all our socials. We love that.

1242
00:57:48,680 --> 00:57:51,480
Speaker 3: We just started a Facebook account, so that's another way

1243
00:57:51,560 --> 00:57:56,280
Speaker 3: that and it's still the place, still the place Facebook, Instagram.

1244
00:57:56,280 --> 00:57:58,960
Speaker 2: Follow us on Instagram. The two of us Laura Layton

1245
00:57:59,000 --> 00:58:01,600
Speaker 2: and Daphnie Sniga and still the Place, Still the Place,

1246
00:58:01,680 --> 00:58:03,760
Speaker 2: and then hashtag Courtney Thorne Smith.

1247
00:58:04,120 --> 00:58:06,520
Speaker 3: We have another episode that Courtney is already going to

1248
00:58:06,600 --> 00:58:10,040
Speaker 3: jump on, but we'll have another Opticells and more guests

1249
00:58:10,040 --> 00:58:11,959
Speaker 3: to come. Yeah, I can't wait to see you next week.