WEBVTT - Eliot Glazer Disobeys Bridger

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<v Speaker 1>Well, I invited you. Hear, I thought I made myself

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<v Speaker 1>perfectly clear. But you're a guess, Tom. You gotta come

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<v Speaker 1>to me empty And I said, no guests. Your presences

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<v Speaker 1>presents enough. I already had too much stuff, So how

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<v Speaker 1>did you dare to surbey me?

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<v Speaker 2>Welcome to? I said, no gifts. I'm Bridgard Wineger. We're

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<v Speaker 2>in the backyard. It's absolutely beautiful. The birds are chirping.

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<v Speaker 2>Tomorrow it'll be ninety nine degrees, so we're just enjoying

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<v Speaker 2>the last moment of mild temperatures. I refilled the windshield

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<v Speaker 2>wipe or fluid in my car, just mostly to stop

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<v Speaker 2>the beeping. My entire life is just kind of about

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<v Speaker 2>lowering the amount of beeping going on. And so that's

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<v Speaker 2>nice and I'm able to see through the windshield. Now

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<v Speaker 2>what else is going on? I saw an hour of

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<v Speaker 2>Megalopolis last night. That was enough. And now here we

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<v Speaker 2>are ready to go. I'm so so excited about today's guest.

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<v Speaker 2>It's Elliott Glazer. Elliott hey Man, Welcome to. I said,

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<v Speaker 2>no gifts.

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<v Speaker 3>What is Megalopolis?

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<v Speaker 2>Oh my, are you not familiar with Megalopolis?

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<v Speaker 3>I don't know what this is.

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<v Speaker 2>This is Francis Ford Coppola's new movie that he sold

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<v Speaker 2>his entire wine business, I believe, to finance or his

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<v Speaker 2>half of the wine business, to finance a movie, to

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<v Speaker 2>finance a movie that is is maybe the worst film

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<v Speaker 2>I've ever seen. Oh no, yeah, it feels tough.

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<v Speaker 3>Wait, he's he financed by selling his wine company. Yes,

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<v Speaker 3>and his wine company is very profitable and apparently people

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<v Speaker 3>like the wine. Yeah, I've heard it's made more. It

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<v Speaker 3>made him more money than his films.

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<v Speaker 2>Well, it's going to make him more money than this

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<v Speaker 2>one will wow.

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<v Speaker 3>Yeah.

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<v Speaker 2>I think he's been wanting to make it for decades. Right,

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<v Speaker 2>he had this idea. Maybe he heard the word megalopolis

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<v Speaker 2>and thought someone's got to make that movie, and has

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<v Speaker 2>been trying and trying and failing and finally said, well,

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<v Speaker 2>let's just sell my children's inheritance and make a movie

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<v Speaker 2>out of it. And what better way to spend like

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<v Speaker 2>one hundred and fifty million dollars than on a movie

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<v Speaker 2>of course, with a limited release.

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<v Speaker 3>Who's in it?

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<v Speaker 2>Adam Driver, Aubrey Plaza, John Voight, Jason Schwartzman. When I

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<v Speaker 2>left the movie, he had had one line.

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<v Speaker 3>Is it so? It's a long one it's about.

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<v Speaker 2>It's not as long as you would think. It's two

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<v Speaker 2>hours and twenty minutes. Okay, but it does. I started

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<v Speaker 2>to feel a little sleepy.

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<v Speaker 3>And you were in it was USA in the theater, yes,

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<v Speaker 3>oh wow.

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<v Speaker 2>And you know I saw people walking out that were

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<v Speaker 2>clearly like, we didn't know what this was. We've got

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<v Speaker 2>to get out of here.

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<v Speaker 3>It was that bad.

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<v Speaker 2>It's crazy.

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<v Speaker 3>Oh no.

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<v Speaker 2>I mean, Adam Driver can control time or you can

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<v Speaker 2>stop time, but it doesn't really play into the movie.

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<v Speaker 2>Aubrey Plaza plays a character named Wow Platinum, who is

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<v Speaker 2>a news reporter for the money Bunny.

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<v Speaker 3>How does a movie I mean, I know it's cliche

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<v Speaker 3>at this point, but how is it possible that one

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<v Speaker 3>of the greatest filmmakers of the of our era, of

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<v Speaker 3>the of the medium itself could make something so poor

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<v Speaker 3>and not get financed, Like like nothing makes sense.

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<v Speaker 2>I mean I imagine if this script was all that

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<v Speaker 2>people were going on, that would be.

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<v Speaker 3>The answer, right, and that so it speaks for itself.

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<v Speaker 2>Yeah, I mean the whole time I was thinking that

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<v Speaker 2>theme of this movie is very much this is very

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<v Speaker 2>important to your grandfather. I see, just essentially like Grandpa

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<v Speaker 2>wants to make a movie and.

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<v Speaker 3>So well, John Voyd is the first sign. Yeah. I mean, listen,

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<v Speaker 3>he's an amazing actor, but his politics at this point

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<v Speaker 3>supersede his talent. He's such a he's such a coup.

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<v Speaker 2>He's crazy, he's such a coop. I mean they've kind

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<v Speaker 2>of driven his driven Angelina away right, Oh yeah.

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<v Speaker 3>Far away. I mean he's there, No, they're no nowhere

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<v Speaker 3>near each other. I feel like he speaks to her

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<v Speaker 3>through like entertainment tonight. I think that's how they communicate.

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<v Speaker 2>That's the only way to gate to a child. Yeah,

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<v Speaker 2>John Tesh is the middleman.

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<v Speaker 3>John Tesh. I still remember seeing a clip as a kid,

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<v Speaker 3>or maybe I don't know how young I was, but

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<v Speaker 3>of John Tesh, this is maniacal of him. I guess

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<v Speaker 3>backstage at entertainment tonight or maybe on the road touring,

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<v Speaker 3>but either way, he was backstage and he had a

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<v Speaker 3>bowl of syria and he filled it with water instead

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<v Speaker 3>of milk.

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<v Speaker 2>By necessity or because that's what he prefers.

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<v Speaker 3>That's what he prefers. Yeah, crazy, that's just that's psycholog

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<v Speaker 3>that's psychologically deficient.

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<v Speaker 2>When does that begin? I mean, was his mother serving

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<v Speaker 2>him cereal covered in water who knows.

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<v Speaker 3>I don't know. I mean you mix that with his

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<v Speaker 3>like new age jazz and his religion. You know, wait,

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<v Speaker 3>what's his really?

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<v Speaker 2>I wasn't aware there was a religious aspect.

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<v Speaker 3>I think he's evangelical Christian.

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<v Speaker 2>Oh interesting, I believe, yeah, like hardcore hardcore.

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<v Speaker 3>I had no idea, I think so unless I made

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<v Speaker 3>that up. I mean, I know he's No, I believe

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<v Speaker 3>that's that's true.

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<v Speaker 2>Wow, all of these et reporters, Mary Heart's real conservative conservative?

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<v Speaker 3>Yeah you want to. I mean all those that that

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<v Speaker 3>line of thinking is already fascinating that somebody like Mary Hart,

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<v Speaker 3>you know, is like aligned with just like celebrity gossip

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<v Speaker 3>and la and then happens turns into like a Trumper.

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<v Speaker 2>I thought these people had integrity.

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<v Speaker 3>It's just so, I don't know. It's like you imagine

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<v Speaker 3>somebody surrounded by, like I'm gonna say it, like gay

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<v Speaker 3>makeup artists, you know, and hairstylists, and then they're like

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<v Speaker 3>at Trump rallies. I don't know if she's is she

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<v Speaker 3>a Trumper? Just because she is? Yeah? I think so too.

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<v Speaker 2>You know, I don't think her name would really be

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<v Speaker 2>in the news other.

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<v Speaker 3>No, no, No, it's it's no, it's like her Shazam

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<v Speaker 3>and uh Chachizam. Who is the guy who played Shazam

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<v Speaker 3>just came out for Trump.

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<v Speaker 2>I have no idea who played Shazam.

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<v Speaker 3>His name is Zachary Levi. He was on the RFK cruise.

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<v Speaker 3>There was fundraising cruise out of Marina del Rey with

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<v Speaker 3>dread Matteo Shazam. Sheryl Hines like, how did that not

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<v Speaker 3>end in a mass suicide? That is so crazy? Isn't

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<v Speaker 3>that crazy? And the poster for it was like barely

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<v Speaker 3>done on Canva, like barely canva, like genuinely, like what

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<v Speaker 3>program did you even use?

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<v Speaker 1>You know?

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<v Speaker 3>But now Zachary Levi or Shazam is like he's going

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<v Speaker 3>to Trump. He's out for Trump because he was an

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<v Speaker 3>RFK stan Wow.

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<v Speaker 2>On these cruises, do you think each of them is

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<v Speaker 2>like everyone's a loser here but me?

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<v Speaker 3>Who for RFK?

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<v Speaker 2>Yeah, for any of these weird cruises. They're like I'm

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<v Speaker 2>sure the rest of them suck and the bus or

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<v Speaker 2>their careers failed. But I'm okay, I.

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<v Speaker 3>Think that's I mean, I mean there's got to be

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<v Speaker 3>a mass illusion going on there anyway, right, there has

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<v Speaker 3>to be right, so you know, of course it takes.

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<v Speaker 3>That's the next level of it.

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<v Speaker 2>Yeah. Cheryl Hines, for me is the most disappointing.

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<v Speaker 3>I think disappointing.

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<v Speaker 2>She plays such a common sense character on Curb and

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<v Speaker 2>you're always like, I'm on Cheryl's.

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<v Speaker 3>Correct, and then you're just like, oh him. I guess

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<v Speaker 3>I think maybe when I thought a Kennedy, you know,

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<v Speaker 3>if i'd learned about it maybe a year or two ago,

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<v Speaker 3>it was like, Okay, I guess Kennedy, Sure, but this one,

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<v Speaker 3>this guy, I mean, he's just so bizarre. Are He's

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<v Speaker 3>so he's so bizarre.

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<v Speaker 2>The thing about Kennedy's is I don't associate Kennedy's with

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<v Speaker 2>sun damage.

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<v Speaker 3>No you don't.

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<v Speaker 2>You kind of of course they're out on the beach,

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<v Speaker 2>you know, but I feel like they're always taking care

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<v Speaker 2>of themselves or they have good routine, nighttime routine. Yes,

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<v Speaker 2>he is leather.

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<v Speaker 3>Yeah, he's like they're they're very like, you know, Cape Cod, Yes,

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<v Speaker 3>and he's very like Boca Modesto. Yeah, forget, forget, forget Boca.

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<v Speaker 3>It's like, yeah, Tampa Baker's face. He's very Baker's Field. Yeah,

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<v Speaker 3>it's rough.

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<v Speaker 2>Is a is a rough go So yeah, this cruise,

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<v Speaker 2>Drea Damas. I mean, it's just interesting. You just watched

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<v Speaker 2>the collision of a person's career falling apart in them

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<v Speaker 2>joining these loser purposes like, oh no, now I've got

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<v Speaker 2>some big ideas and this is the reason my I mean,

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<v Speaker 2>the rest of you are the reason my career failed.

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<v Speaker 2>And I'm a smart one.

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<v Speaker 3>I really don't. I don't know, I don't really understand it,

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<v Speaker 3>but I do. It's just so bizarre to live in

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<v Speaker 3>a time where we've watched social media, you know, becomes

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<v Speaker 3>so all consuming so quickly, but you can look at

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<v Speaker 3>somebody's feed, or you can just look at their sort

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<v Speaker 3>of like their their aesthetic. If you see skulls and crossbones,

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<v Speaker 3>or you see red, white and blue, or you see flags,

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<v Speaker 3>and you're like like you know what's coming, and you know,

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<v Speaker 3>like Instagram, I think, I don't know how I even

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<v Speaker 3>stumble on it. But Drea de Matteo, who I wouldn't

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<v Speaker 3>think about in a million years of but she a

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<v Speaker 3>clip of her floated up in through my algorithm of

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<v Speaker 3>her on Megan Kelly's podcast. But it's just a clip

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<v Speaker 3>where she's saying, I'm She's like, I'm from New York,

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<v Speaker 3>so I've always loved Trump, And it's like, that's as

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<v Speaker 3>a New Yorker. It's like, that's not how that sentence

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<v Speaker 3>ends for anybody else ever, It's just like, I'm from

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<v Speaker 3>New York and Trump was always a joke. And she's like,

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<v Speaker 3>I'm from New York and I've always loved Trump. So

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<v Speaker 3>I've always loved Trump. So but do you mean so

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<v Speaker 3>as a joke? Not as a joke. It makes no

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<v Speaker 3>but it's it's but that's the world we live in.

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<v Speaker 3>Dread Matteo is like stumping for RFK and Trump and.

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<v Speaker 2>And building buzz for her brand, building buzz her brand

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<v Speaker 2>she does only fans like, Okay, it's all but it's all.

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<v Speaker 3>This sort of circuitous. It's just a strange journey that's

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<v Speaker 3>happening right for so many it feels very binary too.

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<v Speaker 3>Oh of course, that's what's bizarre.

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<v Speaker 2>And it feels like, Yeah, as soon as the career

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<v Speaker 2>shows any signs of cracking, it's like, okay, we're rebranding,

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<v Speaker 2>I'm revealing that I can't read right right and moving forward.

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<v Speaker 3>Something there's a new, there's something is new in the narrative. Yeah,

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<v Speaker 3>something is popping.

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<v Speaker 2>Out or something's always been simmering.

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<v Speaker 3>Yeah, you can. That's the thing too. It's like I

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<v Speaker 3>never thought twice about Shazam, you know, but he's said

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<v Speaker 3>a couple of things that have been like questionable, and

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<v Speaker 3>then it's like and then it like you're saying it,

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<v Speaker 3>then it spills, and then it just fully you know,

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<v Speaker 3>it's like he's at c with RFK and now he's

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<v Speaker 3>just full on trump like okay, you know, like it

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<v Speaker 3>it just but you're right, it's just like it's a

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<v Speaker 3>it's sort of it comes out slowly and then it's a.

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<v Speaker 2>Just a torrent a torrent. What Wasuzam before Shazam?

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<v Speaker 3>What was Shazam before Shazam?

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<v Speaker 1>Yeah?

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<v Speaker 3>But did he was he? I think he was in

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<v Speaker 3>maybe like a sitcom or something. Okay, I think he

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<v Speaker 3>was in like some like two thousand sitcom. I'm not

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<v Speaker 3>really sure he.

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<v Speaker 2>Was in Chuck. He was then he was also like

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<v Speaker 2>the male voice lead Entangled, which is what my brain

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<v Speaker 2>goes to a rough Yeah, okay, interesting, Okay, So now

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<v Speaker 2>I'm also saying a bit of a crossover with James L.

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<v Speaker 2>Wood's playing Hades and Hercules. Oh yeah, so I wonder

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<v Speaker 2>if there's a you know, he's getting need to.

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<v Speaker 3>But that's the thing, Like, do you need to know

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<v Speaker 3>Shazam's politics.

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<v Speaker 1>I do.

0:11:54.600 --> 0:11:56.400
<v Speaker 2>I'm not voting until I hear from Shazam.

0:11:58.120 --> 0:12:01.760
<v Speaker 3>It's so weird. Even the whole thing was like Chapel Roane. Oh,

0:12:02.160 --> 0:12:05.000
<v Speaker 3>I love Chapel Roone, but I am not looking to

0:12:05.080 --> 0:12:07.199
<v Speaker 3>her for advice on who to vote for.

0:12:07.679 --> 0:12:11.160
<v Speaker 2>A lot of people are, I mean, And she seems

0:12:11.160 --> 0:12:13.120
<v Speaker 2>to be making a lot of good points and very

0:12:13.160 --> 0:12:16.360
<v Speaker 2>good points. Uh yeah, I'm like basically on her side.

0:12:16.400 --> 0:12:17.880
<v Speaker 2>But it's like she shouldn't have to deal with this

0:12:17.960 --> 0:12:18.400
<v Speaker 2>in any way.

0:12:18.480 --> 0:12:20.760
<v Speaker 3>It's so weird. It's just like leave her alone. Like

0:12:21.600 --> 0:12:24.800
<v Speaker 3>I don't. I'm sort of baffled by it. Yet, I

0:12:24.840 --> 0:12:27.560
<v Speaker 3>guess to me, is like, Okay, that's the That might

0:12:27.640 --> 0:12:30.600
<v Speaker 3>be one of a handful of people whose I think,

0:12:30.720 --> 0:12:33.480
<v Speaker 3>whose voices are so you know, have such broad appeal

0:12:33.520 --> 0:12:35.239
<v Speaker 3>that they could really affect things.

0:12:36.480 --> 0:12:40.640
<v Speaker 2>Affecting local economies. Yes, exactly, I think that that's the.

0:12:40.679 --> 0:12:45.559
<v Speaker 3>T there's college courses being taught about you somewhere. Yes, absolutely, yes,

0:12:45.720 --> 0:12:49.160
<v Speaker 3>But I mean I don't just like leave her, leave

0:12:49.240 --> 0:12:53.120
<v Speaker 3>Chapel alone, Like, leave her alone. She's great. Yeah, she's

0:12:53.160 --> 0:12:55.360
<v Speaker 3>asked for that she's asked to be left alone.

0:12:55.400 --> 0:12:58.400
<v Speaker 2>Leave her alone to make so, I mean, and for

0:12:58.559 --> 0:13:01.880
<v Speaker 2>that feeling for her to have already started.

0:13:02.640 --> 0:13:04.960
<v Speaker 3>Already it's been like three months, right.

0:13:05.080 --> 0:13:07.640
<v Speaker 2>But this early in her career. Oh, it's not going

0:13:07.720 --> 0:13:08.360
<v Speaker 2>to get any better.

0:13:08.520 --> 0:13:10.640
<v Speaker 3>But I think that's reflective of where we are where.

0:13:10.760 --> 0:13:16.360
<v Speaker 3>It's like her assent has been so quick, genuinely so fast,

0:13:16.720 --> 0:13:20.240
<v Speaker 3>and the sort of parasocial element of social media, and

0:13:20.760 --> 0:13:24.080
<v Speaker 3>like it's just you know, people are so into her

0:13:24.200 --> 0:13:27.640
<v Speaker 3>and they yet so quickly seem to demand answers about

0:13:27.679 --> 0:13:30.680
<v Speaker 3>her politics, and that when they disagree with her, they

0:13:30.760 --> 0:13:33.040
<v Speaker 3>want to like tear her to It's just so weird.

0:13:33.400 --> 0:13:34.360
<v Speaker 3>It's so weird.

0:13:34.480 --> 0:13:37.120
<v Speaker 2>You wonder where these people were three months ago, three

0:13:37.200 --> 0:13:40.480
<v Speaker 2>months what was happening in their brain politically, literally three

0:13:40.600 --> 0:13:42.119
<v Speaker 2>months ready to be activated.

0:13:42.200 --> 0:13:46.400
<v Speaker 3>It's so nuts, it's so nuts. I hope she's well.

0:13:47.400 --> 0:13:49.320
<v Speaker 2>I think she will. I mean, she's at least making

0:13:49.360 --> 0:13:52.839
<v Speaker 2>the moves to be to protect herself. Yes, I'm sure

0:13:52.840 --> 0:13:54.040
<v Speaker 2>there are a lot of people in her life that

0:13:54.120 --> 0:13:55.800
<v Speaker 2>are like, stop doing that.

0:13:56.120 --> 0:13:58.720
<v Speaker 3>Yes, I'm sure that too of that too. I love her,

0:13:58.880 --> 0:14:01.800
<v Speaker 3>I'm really I'm very happy for her success. Yeah, of

0:14:01.880 --> 0:14:02.800
<v Speaker 3>course she's exciting.

0:14:03.040 --> 0:14:05.120
<v Speaker 2>She's exciting, she's saying whatever she wants.

0:14:05.320 --> 0:14:08.319
<v Speaker 3>She's got a great voice, great voice. People like forget that.

0:14:08.559 --> 0:14:11.440
<v Speaker 3>I think when they get excited about musicians or they

0:14:11.520 --> 0:14:13.679
<v Speaker 3>get they have some sort of they develop that sort

0:14:13.720 --> 0:14:18.520
<v Speaker 3>of parasocial or obsessive relationship the fandom of it all.

0:14:19.400 --> 0:14:22.880
<v Speaker 3>But it's like she has a really unique voice. Like

0:14:23.200 --> 0:14:25.360
<v Speaker 3>I'm a singer and I can recognize in her voice

0:14:25.360 --> 0:14:28.120
<v Speaker 3>that she does like yodels. She has yodeling in her voice.

0:14:28.120 --> 0:14:31.280
<v Speaker 2>Interesting cracks at the top of.

0:14:31.320 --> 0:14:33.840
<v Speaker 3>Her tone when she hits these high notes and there's

0:14:33.840 --> 0:14:35.640
<v Speaker 3>a little yodel at the top, And I'm like, that

0:14:35.920 --> 0:14:38.800
<v Speaker 3>is awesome. We haven't heard that since like Alanis Morris.

0:14:39.080 --> 0:14:41.240
<v Speaker 2>Wow, what an interesting Yeah, Lenea.

0:14:41.520 --> 0:14:43.280
<v Speaker 3>She she can sing at the top of a register

0:14:43.320 --> 0:14:45.440
<v Speaker 3>where it cracks, but she uses it to her benefit.

0:14:45.560 --> 0:14:47.640
<v Speaker 3>It's part of her technique. And I'm like, that is

0:14:48.640 --> 0:14:50.200
<v Speaker 3>so it's so special and new.

0:14:50.800 --> 0:14:52.000
<v Speaker 2>And do you think that's on purpose?

0:14:52.560 --> 0:14:55.520
<v Speaker 3>Oh yeah, definitely, yeah, No, definitely on purpose. It's just her.

0:14:55.840 --> 0:14:58.480
<v Speaker 3>It's just her style of like there's I feel like

0:14:59.600 --> 0:15:03.040
<v Speaker 3>because of in this sort of twee Zoe dationell era

0:15:03.160 --> 0:15:05.720
<v Speaker 3>of it all, like that the sort of like how

0:15:05.720 --> 0:15:09.080
<v Speaker 3>would you describe it, the like whisper saying that like

0:15:09.240 --> 0:15:11.720
<v Speaker 3>sort of like Caucasian Billie Holiday, you.

0:15:11.760 --> 0:15:15.760
<v Speaker 2>Know that sound like a bike corn, what a bike

0:15:15.800 --> 0:15:16.800
<v Speaker 2>horn bike corn?

0:15:17.600 --> 0:15:20.880
<v Speaker 3>But that became like that sort of led into the

0:15:20.920 --> 0:15:24.680
<v Speaker 3>ether a little bit and like became quirky, right, and

0:15:24.800 --> 0:15:26.680
<v Speaker 3>then we've sort of I don't know, there's always been

0:15:26.800 --> 0:15:29.560
<v Speaker 3>like there's always been melisma, which is riffing.

0:15:30.040 --> 0:15:31.880
<v Speaker 2>Oh I've never heard the word melisma.

0:15:32.040 --> 0:15:36.080
<v Speaker 3>Yeah, it's like you know, you know, like Mariah Whitney, Aretha,

0:15:36.280 --> 0:15:40.320
<v Speaker 3>Like there's always been that. But the sort of patterns

0:15:40.360 --> 0:15:43.560
<v Speaker 3>of what is popular in pop music sort of ebbs

0:15:43.600 --> 0:15:45.840
<v Speaker 3>and flows, but that always stays the same or at

0:15:45.920 --> 0:15:48.640
<v Speaker 3>least since like the eighties, I would say, you know,

0:15:48.800 --> 0:15:52.200
<v Speaker 3>like that's been persistent. But with someone like Chapel, she

0:15:52.320 --> 0:15:55.720
<v Speaker 3>has a distinctive vocal technique that.

0:15:55.800 --> 0:15:58.800
<v Speaker 2>I just find so exciting because it's different, right, and

0:15:58.880 --> 0:16:01.120
<v Speaker 2>probably because it's difficult to do it can't become.

0:16:00.960 --> 0:16:04.440
<v Speaker 3>Popular, definitely difficult. Definitely, Well you can do it easily

0:16:04.560 --> 0:16:06.640
<v Speaker 3>and just be like h O T. You know, you

0:16:06.680 --> 0:16:08.880
<v Speaker 3>can just do that. But she's just got a distinct

0:16:08.920 --> 0:16:11.640
<v Speaker 3>technique when she sings like good Luck Babe. It's just

0:16:11.720 --> 0:16:13.720
<v Speaker 3>like that's a hard song to sing, right.

0:16:14.080 --> 0:16:15.640
<v Speaker 2>So hard. I do want to hear that version of

0:16:15.920 --> 0:16:21.800
<v Speaker 2>Hot to Go, which one kind of joddo it sound

0:16:21.920 --> 0:16:25.600
<v Speaker 2>like a like a personal injury jingle.

0:16:26.600 --> 0:16:29.120
<v Speaker 3>There's a guy on Instagram. This is a terrible to say,

0:16:29.240 --> 0:16:30.880
<v Speaker 3>just like on a podcast when I don't even know

0:16:30.920 --> 0:16:33.800
<v Speaker 3>his name. Oh, I shouldn't even say it. There's a

0:16:33.840 --> 0:16:37.840
<v Speaker 3>guy on Instagram who's found a niche in singing pop

0:16:37.960 --> 0:16:42.160
<v Speaker 3>songs like b Arthur, Oh my God, and it's glory.

0:16:42.280 --> 0:16:45.560
<v Speaker 3>It brings me so much joy. It's glorious.

0:16:45.880 --> 0:16:48.200
<v Speaker 2>But see, this actually will probably benefit him because there'll

0:16:48.200 --> 0:16:49.720
<v Speaker 2>be a bunch of listeners being like, it's this guy.

0:16:49.800 --> 0:16:51.520
<v Speaker 2>Then they're going to be lighting up the comments. Oh,

0:16:51.840 --> 0:16:53.680
<v Speaker 2>I think he's gonna be getting more buzz. I hope

0:16:53.800 --> 0:16:54.880
<v Speaker 2>building buzz for this guy.

0:16:55.280 --> 0:16:57.800
<v Speaker 3>I mean it's and it's not just like he's doing

0:16:57.880 --> 0:17:01.480
<v Speaker 3>b Arthur. He's doing like Darthy's born a like talk

0:17:01.600 --> 0:17:05.800
<v Speaker 3>singing about it's so it's so like, it's so for me,

0:17:06.480 --> 0:17:07.200
<v Speaker 3>you know, it's.

0:17:07.080 --> 0:17:07.720
<v Speaker 1>So for me.

0:17:08.520 --> 0:17:09.639
<v Speaker 3>I'm so happy about it.

0:17:09.880 --> 0:17:11.640
<v Speaker 2>I saw a Vanity play the other day that said

0:17:11.680 --> 0:17:16.160
<v Speaker 2>D's bornac really it's great, which is great, but also

0:17:16.200 --> 0:17:18.040
<v Speaker 2>a little I'm like, I'm not quite sure what we're

0:17:18.040 --> 0:17:21.840
<v Speaker 2>communicating somebody that I love that.

0:17:22.000 --> 0:17:24.920
<v Speaker 3>Yeah, I'm like such a Golden Girls, you know, fanatic

0:17:25.119 --> 0:17:26.639
<v Speaker 3>that I have b Arthur on my.

0:17:26.800 --> 0:17:31.160
<v Speaker 2>Arm, be on my arm. That's oh wow, that's beautiful

0:17:31.720 --> 0:17:32.360
<v Speaker 2>Arthur there.

0:17:33.520 --> 0:17:36.879
<v Speaker 3>But yeah, she's it's a big part of my life.

0:17:37.160 --> 0:17:37.879
<v Speaker 3>I would say, do.

0:17:37.920 --> 0:17:41.600
<v Speaker 2>You play Connections? Oh yeah, this morning, You've got to

0:17:41.600 --> 0:17:42.240
<v Speaker 2>play this morning?

0:17:42.440 --> 0:17:44.080
<v Speaker 3>Oh wow, Oh I'm excited.

0:17:44.320 --> 0:17:47.639
<v Speaker 2>There's a real uh I guess maybe a red herring.

0:17:48.080 --> 0:17:49.880
<v Speaker 2>Oh the Golden Girls.

0:17:49.880 --> 0:17:52.719
<v Speaker 3>Okay, so just be prepared. Okay, I'm gonna look out

0:17:52.760 --> 0:17:55.760
<v Speaker 3>because it's gonna it's gonna say Dorothy Blanche.

0:17:57.480 --> 0:17:59.199
<v Speaker 2>That is what I'll say, Okay, and.

0:18:01.119 --> 0:18:01.480
<v Speaker 3>Its lie.

0:18:01.840 --> 0:18:03.280
<v Speaker 2>It can be very, very sneaky.

0:18:03.320 --> 0:18:05.000
<v Speaker 3>They're very sneaky on connection.

0:18:05.160 --> 0:18:07.119
<v Speaker 2>Sometimes I feel like you should be able to make

0:18:07.200 --> 0:18:07.640
<v Speaker 2>your case.

0:18:08.320 --> 0:18:10.439
<v Speaker 3>Yes, you'd be like, well, but.

0:18:10.520 --> 0:18:14.080
<v Speaker 2>This actually does connect, and unfortunately you have to let

0:18:14.119 --> 0:18:14.440
<v Speaker 2>me have it.

0:18:14.680 --> 0:18:17.480
<v Speaker 3>I agree. It's sometimes they're but that's you know, they're

0:18:17.520 --> 0:18:20.520
<v Speaker 3>they're playing close to the vest, extremely close. It's a

0:18:20.600 --> 0:18:22.600
<v Speaker 3>little it's a little rude, but I guess I wouldn't

0:18:22.600 --> 0:18:26.160
<v Speaker 3>expect otherwise from the New York Times. It's a little snooty,

0:18:27.359 --> 0:18:28.040
<v Speaker 3>a little tricky.

0:18:28.119 --> 0:18:30.679
<v Speaker 2>You never quite know where it stands. It might surprise

0:18:30.760 --> 0:18:31.400
<v Speaker 2>you in bad ways.

0:18:31.480 --> 0:18:33.000
<v Speaker 3>What do you feel? How do you feel about the news?

0:18:33.160 --> 0:18:34.360
<v Speaker 3>I don't know what you call it? What it's called

0:18:34.400 --> 0:18:35.760
<v Speaker 3>squiggle it's not called squiggles.

0:18:36.960 --> 0:18:38.720
<v Speaker 2>I don't know this one, but I like that could

0:18:38.720 --> 0:18:39.520
<v Speaker 2>be in the next game.

0:18:39.600 --> 0:18:43.680
<v Speaker 3>It's like kind of like word banky oh man, I

0:18:43.720 --> 0:18:44.359
<v Speaker 3>forget wait.

0:18:44.359 --> 0:18:47.720
<v Speaker 2>Is kind of almost like a word search. Yes, I've

0:18:47.760 --> 0:18:50.080
<v Speaker 2>played this one. Anything that comes close to a word search,

0:18:50.200 --> 0:18:50.600
<v Speaker 2>I'm out.

0:18:51.080 --> 0:18:52.960
<v Speaker 3>I'm into it. Okay, I'm into it.

0:18:53.200 --> 0:18:57.399
<v Speaker 2>There's a there's that element of just uh, finding a

0:18:57.480 --> 0:19:00.040
<v Speaker 2>word among letters that write bugs men.

0:19:00.280 --> 0:19:03.000
<v Speaker 3>But there's a there's an element in encouraging you to

0:19:03.840 --> 0:19:07.280
<v Speaker 3>make words, and then when you get when you find

0:19:07.400 --> 0:19:10.200
<v Speaker 3>enough words that are actual words, that's a hint to

0:19:10.280 --> 0:19:13.200
<v Speaker 3>help solve the rest of the puzzle, which are thematically

0:19:13.320 --> 0:19:15.480
<v Speaker 3>themed span gram that's what it's called.

0:19:16.680 --> 0:19:18.720
<v Speaker 2>Do you get kind of like coins almost that you

0:19:18.800 --> 0:19:19.399
<v Speaker 2>can use.

0:19:19.359 --> 0:19:22.320
<v Speaker 3>To essentially, Yeah, essentially I could.

0:19:22.160 --> 0:19:25.240
<v Speaker 2>Give it another shot. Yeah, I'm doing connections, I'm doing

0:19:25.320 --> 0:19:26.439
<v Speaker 2>the mini crossword and.

0:19:26.680 --> 0:19:28.560
<v Speaker 3>What's your order? In all four hours, and what do

0:19:28.600 --> 0:19:30.520
<v Speaker 3>you do? Which ones do you do? And what's the order?

0:19:30.560 --> 0:19:33.840
<v Speaker 2>I do connections first. Okay, connections. You really don't know

0:19:33.880 --> 0:19:34.760
<v Speaker 2>how much time it's going to do.

0:19:34.840 --> 0:19:35.840
<v Speaker 3>That's why I do it last.

0:19:36.119 --> 0:19:39.160
<v Speaker 2>Oh interesting, Yeah, I spend almost all of my mental

0:19:39.280 --> 0:19:41.879
<v Speaker 2>energy on connections, gotcha. And then I get into the

0:19:41.920 --> 0:19:45.679
<v Speaker 2>mini crossword, which is essentially like a Highlights magazine level difficulty,

0:19:47.000 --> 0:19:49.480
<v Speaker 2>and try to beat that out as quickly as possible. Sure,

0:19:49.920 --> 0:19:51.879
<v Speaker 2>and then I'm on with my day, which is just

0:19:51.960 --> 0:19:53.200
<v Speaker 2>doing nothing right.

0:19:55.160 --> 0:19:58.120
<v Speaker 3>So you don't touch letterbox or whatever it's called.

0:19:58.000 --> 0:19:59.920
<v Speaker 2>Now letterbox reds the movie review webs.

0:20:00.080 --> 0:20:02.880
<v Speaker 3>Actually I'm forgetting on the red one.

0:20:03.280 --> 0:20:03.880
<v Speaker 2>The red one.

0:20:04.560 --> 0:20:06.719
<v Speaker 3>I'm not familiar with that one where you like connect

0:20:06.840 --> 0:20:10.280
<v Speaker 3>letters and you have to make a word, but that

0:20:10.440 --> 0:20:13.239
<v Speaker 3>word has to only have one of each essentially one

0:20:13.320 --> 0:20:14.240
<v Speaker 3>of each letter in it.

0:20:14.520 --> 0:20:15.399
<v Speaker 2>Is that like spelling B?

0:20:16.000 --> 0:20:18.280
<v Speaker 3>No a yellow one? I know colors?

0:20:18.400 --> 0:20:20.280
<v Speaker 2>Oh yeah, it's spelling B. Of course they want it

0:20:20.320 --> 0:20:22.719
<v Speaker 2>to be kind of honey. And yes, the red one

0:20:22.720 --> 0:20:23.680
<v Speaker 2>I'm not even familiar with.

0:20:23.880 --> 0:20:25.840
<v Speaker 3>Yeah, it's like kind of like you're kind of a

0:20:25.960 --> 0:20:28.840
<v Speaker 3>connecting it actually is letterboxed letterbox.

0:20:29.720 --> 0:20:35.399
<v Speaker 2>Wow. But what is the app? There is a D,

0:20:35.720 --> 0:20:40.639
<v Speaker 2>but there's no E. It's Letterboxed without the E, and

0:20:40.720 --> 0:20:41.960
<v Speaker 2>New York Times is with an E.

0:20:42.359 --> 0:20:43.920
<v Speaker 3>Yes, there's got to be a suit.

0:20:44.359 --> 0:20:46.800
<v Speaker 2>I'm happy class action. I don't know what it is.

0:20:47.040 --> 0:20:50.200
<v Speaker 3>There's legally is waiting to be This is an unfurled here.

0:20:50.359 --> 0:20:53.480
<v Speaker 2>You're seeing the effects immediately, of course. Yes, I'm getting

0:20:53.520 --> 0:20:56.679
<v Speaker 2>my games and my reviews by straight men mixed up.

0:20:58.920 --> 0:21:01.560
<v Speaker 2>It's very difficult to keep track up. Yeah, okay, so

0:21:01.640 --> 0:21:03.920
<v Speaker 2>I'll have to look into letterbox I've looked.

0:21:04.000 --> 0:21:04.320
<v Speaker 3>I love it.

0:21:04.520 --> 0:21:07.000
<v Speaker 2>I love letterboxed all just guessing words.

0:21:07.359 --> 0:21:11.240
<v Speaker 3>I love Letterboxed. I've never used the app letter Boxed.

0:21:11.880 --> 0:21:14.320
<v Speaker 3>I've never used that app. But I play the game.

0:21:14.480 --> 0:21:16.760
<v Speaker 2>I've browsed the apps and never played the game.

0:21:16.840 --> 0:21:19.320
<v Speaker 3>Yeah, play the game. Got to get I don't touch

0:21:19.359 --> 0:21:22.560
<v Speaker 3>the crossword puzzle really, not even the mini. The mini

0:21:22.640 --> 0:21:24.520
<v Speaker 3>I can kind of. It just makes me feel so

0:21:24.640 --> 0:21:26.840
<v Speaker 3>stupid when I don't figure out the mini too quickly.

0:21:27.000 --> 0:21:29.439
<v Speaker 3>Oh okay, the big ones, I'm just like, I'm an idiot.

0:21:29.480 --> 0:21:31.639
<v Speaker 3>I'm out of here. I need like letters and colors.

0:21:31.840 --> 0:21:34.360
<v Speaker 2>Well, the big one is a project. It's not a object.

0:21:34.480 --> 0:21:37.560
<v Speaker 2>It is a project. It's hours long, yes, and I

0:21:37.760 --> 0:21:40.600
<v Speaker 2>just don't. I mean, I absolutely have the time. Yeah,

0:21:40.920 --> 0:21:44.399
<v Speaker 2>and well maybe not the energy, right, but I'm not

0:21:44.440 --> 0:21:45.080
<v Speaker 2>getting into that.

0:21:45.240 --> 0:21:45.960
<v Speaker 3>Yeah, that's fair.

0:21:46.920 --> 0:21:50.119
<v Speaker 2>Well, there is something we should get into that's probably

0:21:50.160 --> 0:21:53.240
<v Speaker 2>a little bit more important and probably equally is confusing.

0:21:53.480 --> 0:21:57.359
<v Speaker 2>And the podcast is called I said no gifts. I

0:21:57.560 --> 0:22:00.200
<v Speaker 2>was naturally looking forward to having you here today. I thought, Ellie,

0:22:00.280 --> 0:22:02.920
<v Speaker 2>it'll come by. He'll bring the dog. I haven't even

0:22:03.000 --> 0:22:05.119
<v Speaker 2>mentioned to the listener yet that your dog most is

0:22:05.240 --> 0:22:08.000
<v Speaker 2>glorious dog. So that's a fun surprise for everybody's They

0:22:08.119 --> 0:22:09.159
<v Speaker 2>probably felt his presence.

0:22:09.160 --> 0:22:09.960
<v Speaker 3>Oh yeah, for sure.

0:22:11.320 --> 0:22:12.960
<v Speaker 2>I was really excited to have you here, and so

0:22:13.080 --> 0:22:16.680
<v Speaker 2>I was a little bit Yeah, I don't even know

0:22:16.760 --> 0:22:18.840
<v Speaker 2>what the word is at this point. I had to

0:22:19.720 --> 0:22:20.880
<v Speaker 2>tamp down some feelings.

0:22:21.160 --> 0:22:21.360
<v Speaker 3>Yeah.

0:22:21.600 --> 0:22:24.399
<v Speaker 2>When I saw you walk into my backyard holding a

0:22:24.600 --> 0:22:28.840
<v Speaker 2>beautiful gift bag that I immediately assumed was for me,

0:22:29.000 --> 0:22:32.040
<v Speaker 2>I didn't want to, you know, I try not to

0:22:32.119 --> 0:22:35.159
<v Speaker 2>assume too often. Sure, I thought, why would anyone give

0:22:35.200 --> 0:22:40.040
<v Speaker 2>on a Lisa gift? Okay, And so I thought, of course.

0:22:39.880 --> 0:22:40.240
<v Speaker 1>It's for me.

0:22:41.000 --> 0:22:42.480
<v Speaker 2>I mean, do you have anything to say about this?

0:22:42.680 --> 0:22:44.800
<v Speaker 3>Or it is for you? Okay, do you want to

0:22:44.840 --> 0:22:45.440
<v Speaker 3>know what it is?

0:22:45.880 --> 0:22:47.040
<v Speaker 2>I mean, do you want me to open it? Here

0:22:47.119 --> 0:22:53.040
<v Speaker 2>on the podcast, you can open it. Okay, okay, we're

0:22:53.040 --> 0:22:54.520
<v Speaker 2>getting into the beautiful gift bag.

0:22:54.560 --> 0:22:55.040
<v Speaker 3>I will say.

0:22:55.119 --> 0:22:58.160
<v Speaker 2>Yeah, it's got these little tasteful penguins wearing party hats,

0:22:58.200 --> 0:23:00.399
<v Speaker 2>little party hats. I draw a lot of parts when

0:23:00.400 --> 0:23:03.280
<v Speaker 2>I'm doodling. Anytime I doodle a character, there's like a

0:23:03.600 --> 0:23:05.200
<v Speaker 2>nine out of ten chance that I'm going to draw

0:23:05.200 --> 0:23:05.960
<v Speaker 2>a party hat on top.

0:23:06.040 --> 0:23:06.159
<v Speaker 1>Oh.

0:23:06.200 --> 0:23:08.639
<v Speaker 2>Really, it's a little secret to doodlers. Oh interesting, I

0:23:08.640 --> 0:23:09.960
<v Speaker 2>had a unique element to your day.

0:23:10.040 --> 0:23:10.560
<v Speaker 3>Yeah. I love that.

0:23:10.680 --> 0:23:11.800
<v Speaker 2>It's an easy thing to draw.

0:23:11.960 --> 0:23:13.160
<v Speaker 3>Yeah, I only draw faces.

0:23:13.560 --> 0:23:15.359
<v Speaker 2>Well, the face can have a party had.

0:23:15.359 --> 0:23:16.720
<v Speaker 3>I'm going to put a party had on a face.

0:23:17.240 --> 0:23:18.480
<v Speaker 2>Okay, I'm opening.

0:23:20.800 --> 0:23:24.040
<v Speaker 3>Oh in the ribbon's part of the bagh.

0:23:24.160 --> 0:23:25.400
<v Speaker 2>Okay, we're pulling this out.

0:23:26.440 --> 0:23:27.240
<v Speaker 3>Oh late.

0:23:29.000 --> 0:23:32.600
<v Speaker 2>It's the book Ladies Who Punch The explosive inside story

0:23:32.640 --> 0:23:34.879
<v Speaker 2>of the View. Yes, I will eat this up.

0:23:35.080 --> 0:23:39.400
<v Speaker 3>Yes, it's by Ramen Situta, and it is uh quite

0:23:39.440 --> 0:23:39.800
<v Speaker 3>a read.

0:23:40.920 --> 0:23:42.280
<v Speaker 2>Why did you bring this here today?

0:23:43.320 --> 0:23:46.359
<v Speaker 3>Because it's the it's a great book, and you deserve

0:23:46.440 --> 0:23:48.760
<v Speaker 3>a great book. You need a good read. I'm assuming.

0:23:49.000 --> 0:23:51.359
<v Speaker 2>Oh, I've actually been in the I've been in the

0:23:51.680 --> 0:23:54.600
<v Speaker 2>market for a non fiction easy to read, you know,

0:23:54.760 --> 0:23:55.760
<v Speaker 2>to page Turner.

0:23:55.560 --> 0:23:57.720
<v Speaker 3>An expose and exposed. I love this will do it,

0:23:58.040 --> 0:23:59.800
<v Speaker 3>This will do it. There's a lot of Rosy, which

0:23:59.840 --> 0:24:02.680
<v Speaker 3>is Rosie. Then I think subsequently said that she was

0:24:02.720 --> 0:24:05.200
<v Speaker 3>the biggest mistake of her like like the biggest book.

0:24:05.600 --> 0:24:09.080
<v Speaker 3>Whoopy said nothing because she's not involved. Oh yeah, because

0:24:09.080 --> 0:24:12.600
<v Speaker 3>they watched the show every day, every single day.

0:24:12.760 --> 0:24:15.080
<v Speaker 2>They put on the cover and Whoop is on the cover.

0:24:15.800 --> 0:24:17.920
<v Speaker 3>Yeah, well, what could you do? I mean, whoop be,

0:24:18.320 --> 0:24:21.359
<v Speaker 3>Barbara Walters and Rosie are on the cover and who else?

0:24:21.600 --> 0:24:23.560
<v Speaker 2>I mean did they talk to I mean they've talked

0:24:23.600 --> 0:24:24.680
<v Speaker 2>to Liz Hasselback.

0:24:25.040 --> 0:24:30.679
<v Speaker 3>They talked to Liz Hasselback. There's Debbie, Matt Napolis. I think, oh,

0:24:30.760 --> 0:24:32.320
<v Speaker 3>definitely is this I mean Star Jones.

0:24:32.359 --> 0:24:34.719
<v Speaker 2>Of course, does Barbara Walters?

0:24:35.680 --> 0:24:37.440
<v Speaker 3>I God, I don't remember.

0:24:37.480 --> 0:24:39.480
<v Speaker 2>Well, if they didn't get Barb I forgot what was

0:24:39.520 --> 0:24:42.560
<v Speaker 2>I think it might have been written after she passed. Okay,

0:24:42.960 --> 0:24:45.639
<v Speaker 2>I think let's say I'm saying quotes from her.

0:24:45.920 --> 0:24:47.960
<v Speaker 3>Yeah, I mean, if not, then she definitely had some

0:24:48.160 --> 0:24:49.960
<v Speaker 3>you know, had to be part of it right, you

0:24:50.040 --> 0:24:52.080
<v Speaker 3>got it. You know you can't not talk to Barbara.

0:24:52.200 --> 0:24:55.520
<v Speaker 3>But Whoopee certainly Whoodby. I'm a huge you know, view

0:24:55.640 --> 0:24:58.840
<v Speaker 3>fan and like one of the most I think it's

0:24:59.440 --> 0:25:02.879
<v Speaker 3>it's baffling parts of the show is how Whoopee is

0:25:02.960 --> 0:25:06.320
<v Speaker 3>there but seems to hate the job okay, and when

0:25:06.320 --> 0:25:09.000
<v Speaker 3>she's asked about it sort of off the air, like

0:25:09.240 --> 0:25:12.560
<v Speaker 3>in press or whatever, or in interviews, she literally is like,

0:25:12.720 --> 0:25:14.520
<v Speaker 3>it's just my job. I show up and I do

0:25:14.680 --> 0:25:16.920
<v Speaker 3>my job. But she really seems to not just do

0:25:17.080 --> 0:25:19.439
<v Speaker 3>the job but have like but resent the.

0:25:19.480 --> 0:25:21.359
<v Speaker 2>Show, public contempt for this.

0:25:21.440 --> 0:25:24.000
<v Speaker 3>She's so interesting to me, it's so weird.

0:25:24.520 --> 0:25:26.399
<v Speaker 2>Helicopter has been there for a while. I think that

0:25:26.480 --> 0:25:31.160
<v Speaker 2>the criminal is in the backyard and she's probably been there.

0:25:31.720 --> 0:25:34.359
<v Speaker 3>She's been there for very so long. She's been there

0:25:34.400 --> 0:25:36.159
<v Speaker 3>for so long. I think twenty years.

0:25:36.160 --> 0:25:38.360
<v Speaker 2>Is after Barbara Walters. Is she the longest?

0:25:39.359 --> 0:25:39.479
<v Speaker 1>Oh?

0:25:39.600 --> 0:25:43.320
<v Speaker 3>I would what? I is that right? Maybe joy might

0:25:43.359 --> 0:25:48.520
<v Speaker 3>be heavy since I think she was fired briefly, but

0:25:49.400 --> 0:25:51.679
<v Speaker 3>but yeah, who no, No, I think Joey's probably been

0:25:51.720 --> 0:25:52.520
<v Speaker 3>there a little bit longer.

0:25:52.880 --> 0:25:55.480
<v Speaker 2>Do we know the shortest tenure, the.

0:25:55.560 --> 0:26:02.280
<v Speaker 3>Shortest tenure, I would guess would be Abby. Uh, I

0:26:02.400 --> 0:26:07.000
<v Speaker 3>forget her last name, Bobby. She's the daughter of a politician,

0:26:07.240 --> 0:26:08.520
<v Speaker 3>Abby Huntsman.

0:26:08.359 --> 0:26:12.000
<v Speaker 2>Abbie Huntsman. Now, is she the daughter of John Huntsman? Yes,

0:26:12.119 --> 0:26:13.200
<v Speaker 2>the Utah politicians.

0:26:13.320 --> 0:26:15.280
<v Speaker 3>Yes, that's right.

0:26:15.440 --> 0:26:15.840
<v Speaker 2>How was that?

0:26:17.080 --> 0:26:17.560
<v Speaker 3>That's right?

0:26:17.840 --> 0:26:19.680
<v Speaker 2>I grew up in Salike and that family's name is

0:26:19.720 --> 0:26:20.479
<v Speaker 2>all over everything.

0:26:20.640 --> 0:26:21.480
<v Speaker 3>She's a Huntsman.

0:26:21.600 --> 0:26:24.119
<v Speaker 2>They donated to all kinds of things, I'm sure, and

0:26:24.200 --> 0:26:25.800
<v Speaker 2>they're Mormon, but I think they were kind. I mean,

0:26:26.160 --> 0:26:28.640
<v Speaker 2>I think, by nature of being ultra wealthy and kind

0:26:28.680 --> 0:26:30.639
<v Speaker 2>of of the world, was probably a little more moderate

0:26:30.760 --> 0:26:31.560
<v Speaker 2>or something maybe.

0:26:31.640 --> 0:26:34.719
<v Speaker 3>I mean, she's she's very she was very like TV friendly,

0:26:35.880 --> 0:26:38.080
<v Speaker 3>but kind of kind of cold. And they tried to

0:26:38.119 --> 0:26:44.400
<v Speaker 3>make her sort of like the softer antidote to Megan McCain. Okay,

0:26:44.640 --> 0:26:47.680
<v Speaker 3>and it just didn't. She just wasn't particularly interesting, I

0:26:47.680 --> 0:26:49.560
<v Speaker 3>would say, right, you know, she tried to be I

0:26:49.600 --> 0:26:52.440
<v Speaker 3>think a little more moderate, but right, it wasn't really interesting.

0:26:52.560 --> 0:26:56.200
<v Speaker 2>And the view there's not that m for my behavior.

0:26:56.359 --> 0:27:01.000
<v Speaker 3>Yeah, although they're Republican now is fantastic.

0:27:01.280 --> 0:27:02.520
<v Speaker 2>What's this person's name?

0:27:02.680 --> 0:27:09.320
<v Speaker 3>Her name is Alissa Alyssa. Oh, Okay, she's great, she's

0:27:09.359 --> 0:27:12.159
<v Speaker 3>like she's a Republican, but she's like very intelligent. She

0:27:12.320 --> 0:27:15.040
<v Speaker 3>worked for Trump, which is wild. She worked in that

0:27:15.119 --> 0:27:18.800
<v Speaker 3>White House and speaks so poorly of it, okay, but

0:27:18.960 --> 0:27:21.040
<v Speaker 3>not in a way where you feel like she's like thirsty.

0:27:22.160 --> 0:27:22.760
<v Speaker 2>Interesting.

0:27:23.080 --> 0:27:26.720
<v Speaker 3>She left because of you know, January sixth, right, which

0:27:26.760 --> 0:27:28.960
<v Speaker 3>is in my opinion, a little too late, But okay,

0:27:29.400 --> 0:27:31.320
<v Speaker 3>you know, I mean, of course, there's always that underlying

0:27:31.400 --> 0:27:32.879
<v Speaker 3>question of like why were you there? How could you

0:27:32.960 --> 0:27:34.760
<v Speaker 3>be there in the first place if you have like

0:27:35.640 --> 0:27:38.439
<v Speaker 3>functioning brain cells, you know, or like as long as

0:27:38.520 --> 0:27:43.000
<v Speaker 3>you were, But she does seem like a very decent person, okay.

0:27:43.240 --> 0:27:46.119
<v Speaker 3>And I don't know, I just I like her vibe.

0:27:46.440 --> 0:27:48.480
<v Speaker 2>She's got some skeletons in her closet.

0:27:48.200 --> 0:27:50.639
<v Speaker 3>Maybe, but she's also just like she she has the

0:27:50.720 --> 0:27:54.200
<v Speaker 3>sort of Republican answer to everything in a sort of

0:27:55.240 --> 0:27:57.879
<v Speaker 3>in a in a benefit of the benefit of the

0:27:57.960 --> 0:28:01.600
<v Speaker 3>doubt in her way or not even not even Devil's advocate. Like.

0:28:01.680 --> 0:28:04.760
<v Speaker 3>She tries to be pretty fair minded, and I appreciate it.

0:28:04.920 --> 0:28:07.520
<v Speaker 2>Tries to make you understand how someone could believe these

0:28:07.640 --> 0:28:12.680
<v Speaker 2>I think, so, yes, which I well, I assume is valueable.

0:28:12.880 --> 0:28:15.280
<v Speaker 3>I mean, I guess, but it's also like the reason

0:28:15.359 --> 0:28:17.520
<v Speaker 3>that I'm obsessed with the show, and I've only been

0:28:17.800 --> 0:28:22.160
<v Speaker 3>watched it obsessively since our do you know Michelle Collins?

0:28:22.440 --> 0:28:25.560
<v Speaker 3>Oh course, I love Michelle, Love Michelle, and she when

0:28:25.640 --> 0:28:27.240
<v Speaker 3>she went back on When she went on the show

0:28:27.359 --> 0:28:28.320
<v Speaker 3>is when I started watching.

0:28:28.480 --> 0:28:30.359
<v Speaker 2>Oh this so it's a pretty recent thing. It's not

0:28:30.480 --> 0:28:31.840
<v Speaker 2>like you started watching in middle school.

0:28:31.920 --> 0:28:33.640
<v Speaker 3>No no, no, no no, that's pretty recent. But when

0:28:33.640 --> 0:28:36.879
<v Speaker 3>I started watching with Michelle, I was baffled by a

0:28:37.280 --> 0:28:42.720
<v Speaker 3>that her joke, her incredible lightning fast humor was like

0:28:42.880 --> 0:28:43.880
<v Speaker 3>lost on the audience.

0:28:44.680 --> 0:28:45.320
<v Speaker 2>Tough place to be.

0:28:45.560 --> 0:28:47.440
<v Speaker 3>But that's where I got so baffled because it was like,

0:28:47.760 --> 0:28:49.440
<v Speaker 3>how is that happening in New York? Like I just

0:28:49.480 --> 0:28:52.520
<v Speaker 3>didn't get it. And subsequently I realized that the show

0:28:52.960 --> 0:28:56.760
<v Speaker 3>with and without Michelle is like a it's like always always,

0:28:56.800 --> 0:29:00.520
<v Speaker 3>always on the verge of utter chaos, always always in

0:29:00.600 --> 0:29:02.680
<v Speaker 3>the verge of utter chaos, if not fully there.

0:29:02.880 --> 0:29:04.360
<v Speaker 2>That they've been able to keep it on for this

0:29:04.520 --> 0:29:06.959
<v Speaker 2>long I know, And it's interesting.

0:29:06.960 --> 0:29:10.080
<v Speaker 3>It has a really interesting take on politics because they

0:29:10.600 --> 0:29:14.600
<v Speaker 3>they all have different interests, but they're good at like

0:29:14.880 --> 0:29:17.560
<v Speaker 3>digesting politics in a way or dissecting politics in a

0:29:17.600 --> 0:29:20.960
<v Speaker 3>way that is broad. But yet again it's always in

0:29:21.000 --> 0:29:24.560
<v Speaker 3>the verge of chaos because the audience seems completely like

0:29:24.760 --> 0:29:28.520
<v Speaker 3>not there. They're like baffled or clueless. It's so weird,

0:29:29.760 --> 0:29:32.720
<v Speaker 3>that's my question. And the leader of the you know,

0:29:32.800 --> 0:29:36.680
<v Speaker 3>the sort of MC whoopee who is like insistent upon

0:29:36.800 --> 0:29:40.000
<v Speaker 3>being the moderator and like, you know, really hurting the crew,

0:29:40.080 --> 0:29:43.360
<v Speaker 3>I guess you would say, is again, like you said,

0:29:43.400 --> 0:29:48.560
<v Speaker 3>contemptuous for being there and her often her job there

0:29:49.360 --> 0:29:50.760
<v Speaker 3>is breaks the fourth wall.

0:29:51.480 --> 0:29:53.440
<v Speaker 2>Oh, she's speaking to the viewer at home.

0:29:53.840 --> 0:29:57.520
<v Speaker 3>It's not that, it's that she talks about what's going

0:29:57.600 --> 0:30:00.120
<v Speaker 3>on on the production. Oh, while the show is on.

0:30:00.560 --> 0:30:03.040
<v Speaker 3>Who so she like gets mad at the producer for

0:30:03.160 --> 0:30:06.520
<v Speaker 3>telling her to rap. She talks to the control room

0:30:06.560 --> 0:30:09.600
<v Speaker 3>without explaining that she's talking to the control room. She's

0:30:09.680 --> 0:30:13.160
<v Speaker 3>like mad at the teleprompter. It is baffling. It is

0:30:13.240 --> 0:30:16.440
<v Speaker 3>truly like and what's I mean. That's what's so interesting

0:30:16.560 --> 0:30:19.800
<v Speaker 3>is that it's a successful morning show in a world

0:30:19.840 --> 0:30:22.360
<v Speaker 3>where every other like the formula of a morning show

0:30:22.440 --> 0:30:25.720
<v Speaker 3>is that sort of like squeaky, squeaky clean, right, you know,

0:30:25.920 --> 0:30:29.880
<v Speaker 3>shiny happy exactly like a very like contained vibe and

0:30:30.040 --> 0:30:32.360
<v Speaker 3>this show is on the verge of chaos at all

0:30:32.440 --> 0:30:36.640
<v Speaker 3>times times. I don't know, you should watch it.

0:30:36.800 --> 0:30:38.000
<v Speaker 2>Have you seen any big fights?

0:30:38.680 --> 0:30:40.680
<v Speaker 3>It's not even that, that's the thing. It's not even

0:30:40.760 --> 0:30:43.960
<v Speaker 3>the like Megan and Megan would have fights with Joy

0:30:44.040 --> 0:30:46.520
<v Speaker 3>or Megan would have fights with Whoopee. And during COVID

0:30:46.720 --> 0:30:50.760
<v Speaker 3>there's Zoo. The show on Zoom was off the like

0:30:51.000 --> 0:30:53.720
<v Speaker 3>just off the rails, truly off the rails. But back

0:30:53.760 --> 0:30:57.000
<v Speaker 3>in the studio there's not really fights per se. But

0:30:57.160 --> 0:31:00.360
<v Speaker 3>that's what's interesting. When it gets heated, it feels very

0:31:00.560 --> 0:31:04.280
<v Speaker 3>real and awkward, which is like, again, very different from

0:31:04.920 --> 0:31:08.480
<v Speaker 3>any political round table show anything, Right, So that's what

0:31:08.640 --> 0:31:11.520
<v Speaker 3>that it's it sort of has that electric electricity to it.

0:31:11.880 --> 0:31:14.360
<v Speaker 3>And then I genuinely like lose interest when they veer

0:31:14.440 --> 0:31:17.560
<v Speaker 3>into like guests or pop culture. It's like the more

0:31:17.600 --> 0:31:21.400
<v Speaker 3>they talk about politics or themselves, the more interested I am.

0:31:22.600 --> 0:31:23.720
<v Speaker 2>What time does it air.

0:31:25.040 --> 0:31:27.760
<v Speaker 3>The LA It's eleven, Okay, I mean I watch you

0:31:27.800 --> 0:31:30.560
<v Speaker 3>at night? Oh interesting, yeah, yeah, I watch your hour. Yeah,

0:31:30.800 --> 0:31:33.840
<v Speaker 3>certainly after hours. It's actually your former your former guest

0:31:33.960 --> 0:31:37.080
<v Speaker 3>HLN Scott, my dear friend. I'll send him like you know,

0:31:37.240 --> 0:31:39.480
<v Speaker 3>like ten or eleven at night. I'll be like, what

0:31:39.720 --> 0:31:41.760
<v Speaker 3>is what be you talking about? Because he watches too,

0:31:42.240 --> 0:31:44.160
<v Speaker 3>and I'm like, what is she Because she'll say things.

0:31:44.320 --> 0:31:48.200
<v Speaker 3>She will literally say things in gobblygook word cell that

0:31:48.320 --> 0:31:50.960
<v Speaker 3>refer to things that you don't I don't even know

0:31:51.000 --> 0:31:52.960
<v Speaker 3>what she's talking about, you know, like she's trying to

0:31:53.000 --> 0:31:56.600
<v Speaker 3>make a point but referencing things that we aren't aware

0:31:56.680 --> 0:31:59.920
<v Speaker 3>that she's referencing zero context, zero context, and so it's

0:32:00.240 --> 0:32:03.920
<v Speaker 3>and it gets very like ambiguous. So it's just so confusing.

0:32:04.000 --> 0:32:05.600
<v Speaker 3>When she's like, I have to make a point. She

0:32:05.680 --> 0:32:08.320
<v Speaker 3>gets mad too because she needs she's a moderator, so

0:32:08.440 --> 0:32:12.840
<v Speaker 3>she gives the question or the topic exactly, and she

0:32:12.920 --> 0:32:14.640
<v Speaker 3>gets really mad when they don't get back to her

0:32:14.680 --> 0:32:17.200
<v Speaker 3>in time, which is when she gets indignant with the

0:32:17.280 --> 0:32:21.280
<v Speaker 3>producers in the control room at the camera. So weird.

0:32:21.480 --> 0:32:23.400
<v Speaker 3>It's so weird. It's like, but you're on a live

0:32:23.480 --> 0:32:25.560
<v Speaker 3>TV show and you've been doing this for so long.

0:32:25.720 --> 0:32:26.840
<v Speaker 3>I'm figure it out?

0:32:27.120 --> 0:32:27.360
<v Speaker 2>Have you?

0:32:27.480 --> 0:32:29.400
<v Speaker 3>How have you not figured it out yet? It's so

0:32:30.160 --> 0:32:33.080
<v Speaker 3>and again I only say that knowing that that is

0:32:33.240 --> 0:32:36.200
<v Speaker 3>just her on she was on broad City, right, she

0:32:36.280 --> 0:32:38.280
<v Speaker 3>did a walk on on Broad City and I went

0:32:38.360 --> 0:32:41.160
<v Speaker 3>there on I wasn't on or writing or anything that day,

0:32:41.600 --> 0:32:43.840
<v Speaker 3>but I had to go meet her and she was

0:32:44.560 --> 0:32:48.640
<v Speaker 3>so like. Meeting her was like, oh, this is why

0:32:48.800 --> 0:32:51.959
<v Speaker 3>she's It's not just that she's, you know, a great actress.

0:32:52.160 --> 0:32:56.120
<v Speaker 3>It was like she exudes the kind of charm and

0:32:56.280 --> 0:32:59.160
<v Speaker 3>warmth that like you don't you don't find every day,

0:32:59.600 --> 0:33:01.760
<v Speaker 3>and I didn't I had. I mean, I met her

0:33:01.840 --> 0:33:04.080
<v Speaker 3>so briefly and then I was in here and makeup

0:33:04.120 --> 0:33:05.800
<v Speaker 3>and just saying goodbye to my sister and Abby and

0:33:05.920 --> 0:33:08.440
<v Speaker 3>just you know, leaving and I was like nice and

0:33:08.480 --> 0:33:09.760
<v Speaker 3>Whoopy was there and I was like nice to me,

0:33:09.840 --> 0:33:11.760
<v Speaker 3>and she's like because I gave a Lon and Abby

0:33:12.120 --> 0:33:14.120
<v Speaker 3>hugs as I do, right, And She's like, I don't

0:33:14.120 --> 0:33:14.640
<v Speaker 3>get a hug.

0:33:15.600 --> 0:33:18.360
<v Speaker 2>And I was like, oh my god, for a celebrity

0:33:18.440 --> 0:33:21.080
<v Speaker 2>to ask for the hug for whoopee wow.

0:33:21.360 --> 0:33:25.200
<v Speaker 3>Oh whoopy yes wow. No I get a hug. Like

0:33:25.400 --> 0:33:27.040
<v Speaker 3>if we're hugging, I get the hug.

0:33:27.200 --> 0:33:27.640
<v Speaker 2>Of course.

0:33:28.040 --> 0:33:30.360
<v Speaker 3>I get to embrace you like she is. She is,

0:33:30.760 --> 0:33:32.719
<v Speaker 3>that is her where you're just like, oh you are

0:33:33.280 --> 0:33:36.400
<v Speaker 3>her charm and warmth and likability as a person is

0:33:36.600 --> 0:33:38.800
<v Speaker 3>so contagious.

0:33:39.160 --> 0:33:39.200
<v Speaker 2>That.

0:33:39.360 --> 0:33:42.960
<v Speaker 3>I think that's probably that can't have not you know,

0:33:43.080 --> 0:33:44.240
<v Speaker 3>attributed to her success.

0:33:44.960 --> 0:33:45.120
<v Speaker 2>You know.

0:33:46.160 --> 0:33:48.640
<v Speaker 3>Yeah, But again, that's what's so interesting is like watching

0:33:48.680 --> 0:33:51.000
<v Speaker 3>her on the view, you can see her connect with

0:33:51.040 --> 0:33:52.920
<v Speaker 3>people in that way, but then at the same time

0:33:53.040 --> 0:33:56.440
<v Speaker 3>she seems like she you know, like hell, hath no

0:33:56.920 --> 0:33:59.600
<v Speaker 3>fury or whatever when it comes to her being wrapped.

0:34:00.040 --> 0:34:01.400
<v Speaker 3>You know, I'm trying to go to a break and

0:34:01.480 --> 0:34:04.560
<v Speaker 3>she's like, no, no, I'm going to say this. She

0:34:04.600 --> 0:34:06.480
<v Speaker 3>gets mad when they play the music over her. It's like,

0:34:06.920 --> 0:34:09.399
<v Speaker 3>it's so funny. It's like every day is day one.

0:34:09.680 --> 0:34:10.520
<v Speaker 3>It's hilarious.

0:34:13.920 --> 0:34:15.919
<v Speaker 2>Do you have any good things to share from this book,

0:34:16.040 --> 0:34:18.239
<v Speaker 2>any nice little gems about the don't?

0:34:19.080 --> 0:34:21.840
<v Speaker 3>I mean, honestly, it's just about it is about like

0:34:22.000 --> 0:34:26.680
<v Speaker 3>Elizabeth Hasselback and Barbara Sparring. Oh, that's the most interesting

0:34:26.760 --> 0:34:27.160
<v Speaker 3>part of it.

0:34:27.360 --> 0:34:30.120
<v Speaker 2>I'm, of course on Elizabeth's side in every situation.

0:34:30.280 --> 0:34:31.719
<v Speaker 3>Well, I think you'll be even more so on her

0:34:31.760 --> 0:34:33.560
<v Speaker 3>side when you read What Happened Back?

0:34:33.640 --> 0:34:35.759
<v Speaker 2>Wait, is that actually true? Oh yeah, Oh, I mean

0:34:35.800 --> 0:34:37.480
<v Speaker 2>I'm not on her side in any situation.

0:34:37.560 --> 0:34:39.680
<v Speaker 3>I mean me either, But like when you read the

0:34:39.719 --> 0:34:41.759
<v Speaker 3>book and you see the way that she was sort

0:34:41.800 --> 0:34:44.719
<v Speaker 3>of I don't know the way that I hate to

0:34:44.719 --> 0:34:49.520
<v Speaker 3>say I'm manipulated, but Okay, despite having zero in common

0:34:49.600 --> 0:34:52.360
<v Speaker 3>with her as a person or her politics, I can

0:34:52.520 --> 0:34:55.719
<v Speaker 3>understand why she would be so upset, right and feel

0:34:55.800 --> 0:34:59.120
<v Speaker 3>so maligned when you read the context about what was

0:34:59.200 --> 0:35:02.640
<v Speaker 3>going on, because Barbara was a shark, and like as

0:35:02.760 --> 0:35:05.200
<v Speaker 3>much as she seemed like a you know, she was

0:35:05.320 --> 0:35:08.759
<v Speaker 3>like the real gold standard of journalism, she's also a

0:35:09.040 --> 0:35:11.960
<v Speaker 3>shark and like the producer in her is so real.

0:35:12.080 --> 0:35:13.319
<v Speaker 3>And that's what you'll get from the book.

0:35:13.360 --> 0:35:14.160
<v Speaker 2>Oh, I loved it.

0:35:14.480 --> 0:35:15.120
<v Speaker 3>So interesting.

0:35:15.200 --> 0:35:16.280
<v Speaker 2>Oh, I'm very excited.

0:35:16.520 --> 0:35:17.120
<v Speaker 3>Yeah, I loved it.

0:35:17.560 --> 0:35:20.480
<v Speaker 2>I mean, as far as Rosie goes, I feel like

0:35:20.680 --> 0:35:25.000
<v Speaker 2>Rosie history is finally correcting itself about Rosio dom you think, so,

0:35:25.200 --> 0:35:26.839
<v Speaker 2>I feel like she's coming back out on top.

0:35:27.320 --> 0:35:27.640
<v Speaker 3>How so.

0:35:28.040 --> 0:35:29.880
<v Speaker 2>I feel like there were some years in the wilderness

0:35:29.880 --> 0:35:33.359
<v Speaker 2>where people were like, you know, she's difficult, blah blah blah,

0:35:33.600 --> 0:35:35.200
<v Speaker 2>and now I feel like the public is like, no,

0:35:35.440 --> 0:35:39.040
<v Speaker 2>Rosie's right almost all the time. She says what she wants. Yes,

0:35:39.560 --> 0:35:42.439
<v Speaker 2>and we also loved her in the nineties. I think

0:35:42.560 --> 0:35:45.520
<v Speaker 2>that's correct, and it's nice to see kind of a correction.

0:35:46.000 --> 0:35:49.520
<v Speaker 3>I think that's correct. I think it's like her wisdom

0:35:49.719 --> 0:35:54.160
<v Speaker 3>and her sort of like relatability has returned right on TikTok.

0:35:55.080 --> 0:35:57.040
<v Speaker 3>I mean, I don't use TikTok, but she I see

0:35:57.040 --> 0:36:02.279
<v Speaker 3>stuff she reposts on Instagram. Right, it's very boomer sure,

0:36:02.440 --> 0:36:04.840
<v Speaker 3>not sure how to use technology. But I love her.

0:36:05.080 --> 0:36:06.920
<v Speaker 3>I love her poetry. I loved her blog when she

0:36:06.960 --> 0:36:07.919
<v Speaker 3>had a Paiku blog.

0:36:08.040 --> 0:36:09.120
<v Speaker 2>I didn't know she had a blog.

0:36:09.280 --> 0:36:12.000
<v Speaker 3>She had a Rosie had a Haiku blog. Love that.

0:36:12.360 --> 0:36:14.319
<v Speaker 3>I love her. She grew up a town, a town

0:36:14.360 --> 0:36:16.759
<v Speaker 3>next to me. I'm the Island, So I just it's

0:36:17.400 --> 0:36:20.040
<v Speaker 3>my experience with her as a kid, and watching the

0:36:20.120 --> 0:36:24.360
<v Speaker 3>show pretty religiously was interesting because it felt so close,

0:36:24.800 --> 0:36:26.879
<v Speaker 3>right because of her accent, because it was in New York,

0:36:26.960 --> 0:36:30.160
<v Speaker 3>because this yeah, and it was like, I'm I was

0:36:30.200 --> 0:36:32.719
<v Speaker 3>like a closeted kid who was like into theater, and

0:36:32.800 --> 0:36:34.239
<v Speaker 3>they she had theater on the show. It was just

0:36:34.560 --> 0:36:37.680
<v Speaker 3>all very coated, you know, she wasn't out. But and

0:36:37.800 --> 0:36:40.080
<v Speaker 3>of course I'm like a gay kid, and I'm like, yeah,

0:36:40.160 --> 0:36:42.560
<v Speaker 3>she loves Tom Cruise, you know, loves Tom Cruise.

0:36:42.800 --> 0:36:44.359
<v Speaker 2>She loves that guy.

0:36:44.760 --> 0:36:49.800
<v Speaker 3>He's so hot, he's so sexual and hot. He's so sexual,

0:36:49.920 --> 0:36:52.920
<v Speaker 3>exudes sexual. It's like what you know. But I think

0:36:53.000 --> 0:36:55.920
<v Speaker 3>time has has worked on her side. Where you're right,

0:36:56.000 --> 0:36:59.600
<v Speaker 3>there was like a valley and now she's like returning

0:36:59.600 --> 0:37:00.719
<v Speaker 3>to a peece of some kind.

0:37:01.000 --> 0:37:02.440
<v Speaker 2>Right, I'm very happy for her.

0:37:02.600 --> 0:37:05.320
<v Speaker 3>She could be. She could honestly do anything she wants.

0:37:05.560 --> 0:37:08.360
<v Speaker 2>She really could. And she honestly is a great actor,

0:37:08.560 --> 0:37:10.080
<v Speaker 2>great actor, excellent actor.

0:37:10.239 --> 0:37:14.440
<v Speaker 3>She does Howard Stern's show occasionally because they were Howard

0:37:14.560 --> 0:37:17.799
<v Speaker 3>was relentless to her in the nineties, very mean. Oh

0:37:17.800 --> 0:37:20.360
<v Speaker 3>I didn't know this, yeah, and they and so she

0:37:20.520 --> 0:37:23.640
<v Speaker 3>was scared of him m because he was a scary man, right,

0:37:24.080 --> 0:37:26.800
<v Speaker 3>And then I became a huge Howard fan once he

0:37:26.880 --> 0:37:31.320
<v Speaker 3>started doing like psychotherapy and became very, very, very evolved.

0:37:31.560 --> 0:37:35.760
<v Speaker 3>And people don't know that because right, because this reputation proceeds. Yes, absolutely,

0:37:35.800 --> 0:37:39.080
<v Speaker 3>but he's so evolved. He's so a huge advocate for

0:37:39.239 --> 0:37:42.239
<v Speaker 3>queer LGBT, like he's on the right side of things.

0:37:42.320 --> 0:37:44.480
<v Speaker 3>You never know if you didn't listen. But he has

0:37:44.600 --> 0:37:47.400
<v Speaker 3>rose on because they're now friends. She is such an

0:37:47.480 --> 0:37:49.440
<v Speaker 3>interesting guest because she's so smart.

0:37:49.719 --> 0:37:53.200
<v Speaker 2>Oh, she's incredibly intelligent, incredibly intelligent and yeah.

0:37:53.000 --> 0:37:55.040
<v Speaker 3>I guess so is he so smart?

0:37:55.280 --> 0:37:57.279
<v Speaker 2>I mean, whenever he would be on Letterman or at

0:37:57.360 --> 0:37:59.400
<v Speaker 2>least like later years, I'd always be like, oh, these

0:37:59.440 --> 0:38:00.800
<v Speaker 2>are such fast interviews.

0:38:00.880 --> 0:38:03.120
<v Speaker 3>Oh. I mean he's he's a brilliant guy, you know,

0:38:03.239 --> 0:38:05.040
<v Speaker 3>and he can play you know, he can play it

0:38:05.120 --> 0:38:07.120
<v Speaker 3>off as being like, well, I'm into like toilet humor

0:38:07.160 --> 0:38:10.800
<v Speaker 3>and stuff. But he's also an incredible interviewer and the

0:38:10.920 --> 0:38:14.880
<v Speaker 3>show is has levels that levels of depth that I

0:38:15.000 --> 0:38:17.759
<v Speaker 3>can't even describe in words that you can. He can

0:38:17.800 --> 0:38:22.319
<v Speaker 3>do toilet humor, really raunchy toilet sex humor, and then

0:38:22.400 --> 0:38:25.040
<v Speaker 3>in the next breath be interviewing Bruce Springsteen and it's

0:38:25.120 --> 0:38:27.600
<v Speaker 3>like a transcendent interview.

0:38:27.880 --> 0:38:30.080
<v Speaker 2>How long does that show go on each day? Is

0:38:30.440 --> 0:38:30.959
<v Speaker 2>three hours?

0:38:31.080 --> 0:38:33.720
<v Speaker 3>He does three days a week and it's usually four hours.

0:38:34.040 --> 0:38:35.239
<v Speaker 2>Do you listen to the whole thing?

0:38:35.719 --> 0:38:37.200
<v Speaker 3>I have to break it up.

0:38:37.360 --> 0:38:38.080
<v Speaker 2>That's a lot of.

0:38:38.200 --> 0:38:39.880
<v Speaker 3>If I'm like a in a writer's room, like I

0:38:40.200 --> 0:38:42.480
<v Speaker 3>really get behind right of course. But if I'm not

0:38:42.600 --> 0:38:45.000
<v Speaker 3>and I'm like doing my own thing, you know, I

0:38:45.080 --> 0:38:46.920
<v Speaker 3>can I listen. I mean I also listen to like

0:38:47.040 --> 0:38:50.279
<v Speaker 3>repeats and old episodes constantly. I've done the wrap up

0:38:50.320 --> 0:38:53.600
<v Speaker 3>show for stern a Bunch and I just I'm so

0:38:53.800 --> 0:38:54.920
<v Speaker 3>into it. Wow.

0:38:55.160 --> 0:38:57.239
<v Speaker 2>Yeah, And he used to be five days a week?

0:38:57.320 --> 0:38:57.799
<v Speaker 2>Is that true?

0:38:58.080 --> 0:38:58.719
<v Speaker 3>God, I don't know.

0:38:59.000 --> 0:39:00.759
<v Speaker 2>Is there a period where people or listening to twenty

0:39:00.840 --> 0:39:01.640
<v Speaker 2>hours of him a week?

0:39:01.719 --> 0:39:04.240
<v Speaker 3>I think probably when he was on terrestrial radio okay,

0:39:04.400 --> 0:39:07.560
<v Speaker 3>when he went to Sirius in the like mid two thousands.

0:39:08.200 --> 0:39:10.600
<v Speaker 3>He I think that's when he switched to three days

0:39:10.640 --> 0:39:13.600
<v Speaker 3>a week. Oh okay, because he could could do whatever

0:39:13.640 --> 0:39:13.959
<v Speaker 3>he wants.

0:39:14.000 --> 0:39:16.480
<v Speaker 2>Honestly, yeah, of course he can. I mean, he's why

0:39:16.960 --> 0:39:19.120
<v Speaker 2>do anything exactly, So do whatever you wants.

0:39:19.160 --> 0:39:19.480
<v Speaker 3>Of course.

0:39:20.080 --> 0:39:21.399
<v Speaker 2>Do you have any interest in being in the live

0:39:21.440 --> 0:39:22.400
<v Speaker 2>audience of the view.

0:39:24.600 --> 0:39:28.080
<v Speaker 3>Not particularly. I don't know, I really don't. It's really like, honestly,

0:39:28.160 --> 0:39:31.800
<v Speaker 3>it's like it's better observed from behind the TV screen.

0:39:32.280 --> 0:39:37.080
<v Speaker 3>That being said, Just to sort of dovetail this conversation together,

0:39:37.520 --> 0:39:40.560
<v Speaker 3>there is an amazing clip of that somebody took in

0:39:40.640 --> 0:39:43.279
<v Speaker 3>the audience at the view when Rosie was on, and

0:39:43.360 --> 0:39:45.680
<v Speaker 3>she's she can't help but engage with the audience, like

0:39:45.800 --> 0:39:49.120
<v Speaker 3>standing and talking to them, and she starts talking about

0:39:50.160 --> 0:39:52.800
<v Speaker 3>her nine to eleven conspiracy theories. It's like in a

0:39:52.840 --> 0:39:55.080
<v Speaker 3>commercial break people are like making her up, you know,

0:39:55.440 --> 0:39:58.759
<v Speaker 3>and she's like, you know, faya can't melt steal that

0:39:58.920 --> 0:40:01.279
<v Speaker 3>just can't happen or whatever, you know, metal, whatever the

0:40:01.440 --> 0:40:05.680
<v Speaker 3>conspiracy is. Yeah, she's like, she's she's in deep her

0:40:05.840 --> 0:40:11.520
<v Speaker 3>and of all people in the world. Character actress Christine Ebersol,

0:40:12.440 --> 0:40:15.000
<v Speaker 3>I know that name. She's let me look, she's an actress.

0:40:15.080 --> 0:40:16.640
<v Speaker 3>I don't know how else to describe her. She's like

0:40:16.760 --> 0:40:20.520
<v Speaker 3>a you'd know her face. Yeah, I'm pretty sure her actress.

0:40:20.560 --> 0:40:23.680
<v Speaker 3>She's on I think she was on SM only eighties briefly.

0:40:23.960 --> 0:40:28.560
<v Speaker 2>Of course, she's a huge imagine her. I mean I

0:40:28.680 --> 0:40:30.359
<v Speaker 2>can this is one thing I'll say. I can see

0:40:30.360 --> 0:40:33.200
<v Speaker 2>her rapidly clicking a mouse at a computer. Yes, exactly,

0:40:33.520 --> 0:40:34.520
<v Speaker 2>and that makes sense.

0:40:34.640 --> 0:40:36.120
<v Speaker 3>Of course. What kind of computer though, you think a

0:40:36.200 --> 0:40:36.719
<v Speaker 3>laptop or.

0:40:37.040 --> 0:40:38.560
<v Speaker 2>This is a I mean it's not even a flat

0:40:38.640 --> 0:40:39.880
<v Speaker 2>screen coming out exactly.

0:40:39.880 --> 0:40:42.680
<v Speaker 3>It's a massive it's a massive desktop computer.

0:40:42.800 --> 0:40:43.719
<v Speaker 2>And she was looking like this.

0:40:46.360 --> 0:40:48.560
<v Speaker 3>I love it. She doesn't know she's like on FaceTime.

0:40:50.160 --> 0:40:53.960
<v Speaker 3>I'm I'm I love it. Boomer boomers and computers are

0:40:54.520 --> 0:40:56.120
<v Speaker 3>It's my favorite thing in the world.

0:40:56.200 --> 0:40:58.040
<v Speaker 2>Fascinating combination of worlds.

0:40:58.440 --> 0:41:01.120
<v Speaker 3>I'm obsessed my mom, My mom. I'm like, I'm like,

0:41:01.560 --> 0:41:06.000
<v Speaker 3>she got the iPhone sixteen and I'm like, what are

0:41:06.080 --> 0:41:09.360
<v Speaker 3>you doing? What are you doing? She has literally ruined

0:41:09.440 --> 0:41:14.640
<v Speaker 3>relationships by texting diatribes that are misspelled and like unwanted.

0:41:15.120 --> 0:41:17.799
<v Speaker 3>She has ruined relationships. And I've said, I'm like, if

0:41:17.840 --> 0:41:20.600
<v Speaker 3>I had one wish, it would be that her iPhone

0:41:20.640 --> 0:41:22.920
<v Speaker 3>every time she touched it turned into a Nokia a

0:41:22.960 --> 0:41:27.400
<v Speaker 3>flip phone. That it was basic, basic, basic, basic, you know, qualities,

0:41:28.320 --> 0:41:32.560
<v Speaker 3>just calls, maybe some T nine but that's it, right, right.

0:41:33.160 --> 0:41:34.799
<v Speaker 2>Was there ever a period when she was signing her

0:41:34.840 --> 0:41:35.880
<v Speaker 2>texts Mom.

0:41:36.320 --> 0:41:39.600
<v Speaker 3>Oh yeah, it was there. You mean yes? My dad

0:41:39.680 --> 0:41:42.319
<v Speaker 3>does that still, which we've said, like, Dad, you don't

0:41:42.320 --> 0:41:45.080
<v Speaker 3>need to do this, and he's like, I know, he

0:41:45.239 --> 0:41:48.239
<v Speaker 3>knows better. I think it's so cute. But he also

0:41:48.280 --> 0:41:51.360
<v Speaker 3>hasn't he doesn't have the same relationship with technology that

0:41:51.480 --> 0:41:53.920
<v Speaker 3>my mom does. For my mom's is like I can

0:41:54.000 --> 0:41:57.920
<v Speaker 3>see her anxiety spilt, you know, spern not spurn spiral

0:41:58.040 --> 0:42:02.439
<v Speaker 3>out right, the way she has many so many apps open,

0:42:02.520 --> 0:42:04.920
<v Speaker 3>She's on so many websites. She has a ton that

0:42:05.000 --> 0:42:07.000
<v Speaker 3>are on her home screen on her phone. Even though

0:42:07.040 --> 0:42:08.440
<v Speaker 3>they're just links to Facebook.

0:42:09.719 --> 0:42:11.320
<v Speaker 2>She opens a new one every time she wants to

0:42:11.360 --> 0:42:11.800
<v Speaker 2>get into.

0:42:11.680 --> 0:42:14.800
<v Speaker 3>Facebook correct and puts on her home screen instead of

0:42:14.880 --> 0:42:18.040
<v Speaker 3>like bookmarking, it's it's it's wild and like, I don't

0:42:18.200 --> 0:42:21.760
<v Speaker 3>Facebook scares the Jesus out of me. It's so scary.

0:42:22.160 --> 0:42:23.680
<v Speaker 3>But I will go on every now and then to

0:42:23.800 --> 0:42:26.320
<v Speaker 3>just make sure that she hasn't posted anything. You know,

0:42:26.400 --> 0:42:30.040
<v Speaker 3>it's all like you know, it's all far left, sure,

0:42:30.320 --> 0:42:33.279
<v Speaker 3>the liberal boomer stuff, but sometimes you just want to.

0:42:33.280 --> 0:42:35.919
<v Speaker 2>Be like, no, not this, not this, this one's wrong,

0:42:36.200 --> 0:42:37.320
<v Speaker 2>not this untrue.

0:42:37.480 --> 0:42:39.839
<v Speaker 3>I think also because of Facebook, she says to us,

0:42:39.960 --> 0:42:41.920
<v Speaker 3>now love you to the moon and back, and my

0:42:42.000 --> 0:42:44.839
<v Speaker 3>sister and I are like, you never said this? Come back?

0:42:45.640 --> 0:42:47.719
<v Speaker 3>Like where did you? She's not she's not a home

0:42:47.800 --> 0:42:48.560
<v Speaker 3>goods you know.

0:42:48.920 --> 0:42:51.279
<v Speaker 2>She saw that on a pillow on Facebook's.

0:42:50.760 --> 0:42:52.120
<v Speaker 3>But that's what I mean. It's like, she's not a

0:42:52.320 --> 0:42:54.239
<v Speaker 3>she doesn't have anything in the house, has like kissed

0:42:54.280 --> 0:42:56.680
<v Speaker 3>the cook or like always kiss me good night. But

0:42:56.800 --> 0:42:59.920
<v Speaker 3>because of Facebook, I think she's seen enough that she's like,

0:43:00.320 --> 0:43:01.279
<v Speaker 3>love you to the moon and back.

0:43:01.400 --> 0:43:03.040
<v Speaker 2>We've got to find out where that came from.

0:43:03.239 --> 0:43:05.960
<v Speaker 3>I I well, I also don't want to know. Part

0:43:05.960 --> 0:43:07.279
<v Speaker 3>of me wants to know, but part of me is like,

0:43:07.480 --> 0:43:08.520
<v Speaker 3>just let that be a mystery.

0:43:08.600 --> 0:43:11.560
<v Speaker 2>Wow, somebody's got to write a book on the beginning

0:43:11.600 --> 0:43:13.880
<v Speaker 2>of love you to the moon and back, because whoever

0:43:14.000 --> 0:43:15.600
<v Speaker 2>that is is a fascinating place.

0:43:15.680 --> 0:43:17.919
<v Speaker 3>So, I mean, I still remember a friend of mine

0:43:18.000 --> 0:43:20.239
<v Speaker 3>when we were younger, her parents, her mom had all

0:43:20.280 --> 0:43:24.080
<v Speaker 3>those platitudes or like on like drift fake drift food

0:43:24.120 --> 0:43:27.320
<v Speaker 3>or whatever, and she hung a sign over the toilet

0:43:27.640 --> 0:43:31.760
<v Speaker 3>that said always kiss me good night, and we were like, here, here.

0:43:32.200 --> 0:43:40.760
<v Speaker 2>That's the only place that right, here's the toilet, the toilet,

0:43:41.520 --> 0:43:42.120
<v Speaker 2>get in bed.

0:43:43.320 --> 0:43:46.200
<v Speaker 3>Awful. I those spook me out.

0:43:46.920 --> 0:43:49.640
<v Speaker 2>They're very odd, very odd, meaningless.

0:43:50.160 --> 0:43:52.320
<v Speaker 3>But that's what's so spooky at them is that people

0:43:52.440 --> 0:43:56.920
<v Speaker 3>adopt them as like meaning and they're meaningless. Yes, they're meaningless.

0:43:57.760 --> 0:43:58.360
<v Speaker 3>Oh what is it?

0:43:58.600 --> 0:43:58.719
<v Speaker 2>Oh?

0:43:59.000 --> 0:44:01.319
<v Speaker 3>My favorite one that I saw was like in Nana's house,

0:44:01.400 --> 0:44:01.880
<v Speaker 3>you can.

0:44:04.080 --> 0:44:06.120
<v Speaker 2>We've got to set some boundaries.

0:44:10.040 --> 0:44:10.640
<v Speaker 3>For disaster.

0:44:12.040 --> 0:44:15.160
<v Speaker 2>I mean, I feel like those are kind of belong

0:44:15.239 --> 0:44:18.279
<v Speaker 2>to boomers, and I think for millennials it's the pink

0:44:18.400 --> 0:44:20.719
<v Speaker 2>neon sign, which is just.

0:44:20.760 --> 0:44:29.440
<v Speaker 4>Like the podcast background now right, wild drugs or whateverage, Right, savager,

0:44:30.600 --> 0:44:35.000
<v Speaker 4>get it, get it, yeah, girl boss so odd.

0:44:35.800 --> 0:44:37.600
<v Speaker 2>I'm trying to figure out if gen Z if there

0:44:37.640 --> 0:44:40.840
<v Speaker 2>are any signs of their future humiliation, and.

0:44:41.320 --> 0:44:48.520
<v Speaker 3>They're like, it's your fault. You're wrong, you're right, you

0:44:48.640 --> 0:44:52.000
<v Speaker 3>are wrong about this, and this is why, this is

0:44:52.080 --> 0:44:56.759
<v Speaker 3>why you're canceled. It's so weird. Yeah, that that that

0:44:56.960 --> 0:45:02.799
<v Speaker 3>you're right, that neon pink sign is petrifying. It's absolutely really,

0:45:02.960 --> 0:45:05.200
<v Speaker 3>you're right. It's like the millennial version of like boomer

0:45:05.680 --> 0:45:09.000
<v Speaker 3>rustic driftwood, inspirational driftwood.

0:45:09.200 --> 0:45:11.279
<v Speaker 2>You want to feel like you're at the ace, you know,

0:45:11.640 --> 0:45:12.799
<v Speaker 2>when you're like eighty years old.

0:45:13.160 --> 0:45:16.040
<v Speaker 3>It's why my first like writing drop that was hard

0:45:16.120 --> 0:45:19.320
<v Speaker 3>comedy was on New Girl. Oh sure, and in my

0:45:19.480 --> 0:45:24.160
<v Speaker 3>office as like a bit, I bought so many of

0:45:24.280 --> 0:45:27.120
<v Speaker 3>those pieces of shitty driftwood and hung them. It was

0:45:27.160 --> 0:45:29.000
<v Speaker 3>I guess you could say it's like art. I hung,

0:45:29.239 --> 0:45:32.200
<v Speaker 3>like no joke, like twenty five of them because I

0:45:32.239 --> 0:45:34.359
<v Speaker 3>think it's so funny that the chaos of all these

0:45:34.400 --> 0:45:37.680
<v Speaker 3>empty platitudes coming together, where it's like they're already meaningless

0:45:37.719 --> 0:45:40.680
<v Speaker 3>on their own, but seeing you know, live, laugh, love,

0:45:41.080 --> 0:45:43.640
<v Speaker 3>you know, dance like no one's watching. Always kiss me

0:45:43.680 --> 0:45:47.000
<v Speaker 3>good night. Seeing that all in one place is like exhausting.

0:45:47.200 --> 0:45:49.000
<v Speaker 2>I imagine they start to fight each other. They do.

0:45:49.160 --> 0:45:51.759
<v Speaker 2>They're like, how can I piece of life together? You

0:45:51.800 --> 0:45:52.120
<v Speaker 2>don't know what?

0:45:52.320 --> 0:45:54.160
<v Speaker 3>How to find a personality from all of this. It's

0:45:54.239 --> 0:45:54.600
<v Speaker 3>too much.

0:45:54.680 --> 0:46:01.719
<v Speaker 2>It's whiplash, a fractured person. Yes, wow, credible, Well I

0:46:01.760 --> 0:46:03.560
<v Speaker 2>think we should. It's time to play a game. Okay

0:46:03.680 --> 0:46:06.759
<v Speaker 2>today I think it's a gift Master on releas. Oh,

0:46:06.880 --> 0:46:09.600
<v Speaker 2>I'm good. I need a number between one and ten from.

0:46:09.440 --> 0:46:12.279
<v Speaker 3>You, Okay, so I can say it. Yes, Okay, I'll

0:46:12.320 --> 0:46:12.839
<v Speaker 3>say six.

0:46:13.080 --> 0:46:15.600
<v Speaker 2>Okay. I need to do some like calculating with your

0:46:15.680 --> 0:46:17.719
<v Speaker 2>number right now to get our game pieces. Okay, so

0:46:17.920 --> 0:46:20.880
<v Speaker 2>you can promote, recommend, do whatever you want with the microphone.

0:46:20.880 --> 0:46:24.880
<v Speaker 3>I'll be right. Okay, I'm here. The shows that I

0:46:24.920 --> 0:46:29.040
<v Speaker 3>would would be promoting will have happened prior to this airing.

0:46:29.880 --> 0:46:34.719
<v Speaker 3>They will have been in Cleveland, Indianapolis, and Chicago. But

0:46:34.800 --> 0:46:37.520
<v Speaker 3>if you go to my website or my Instagram or

0:46:37.600 --> 0:46:40.920
<v Speaker 3>my link tree, you'll find dates for future shows once

0:46:41.000 --> 0:46:44.680
<v Speaker 3>those are made available. Also here in the backyard today

0:46:44.920 --> 0:46:49.120
<v Speaker 3>is Moses, my dog, who is a perfect boy, the

0:46:49.280 --> 0:46:51.719
<v Speaker 3>perfect boy, and You're also welcome to go to my

0:46:51.800 --> 0:46:54.719
<v Speaker 3>Instagram to see pictures of him and now Bridges back

0:46:54.760 --> 0:46:55.160
<v Speaker 3>on the mic.

0:46:55.400 --> 0:46:58.000
<v Speaker 2>Beautiful Moses was not booked on the podcast, so for

0:46:58.080 --> 0:47:00.360
<v Speaker 2>the promotion here, it's kind of gross.

0:47:00.480 --> 0:47:01.080
<v Speaker 3>He's the best.

0:47:01.520 --> 0:47:03.799
<v Speaker 2>No, we'll have to take a picture with him. Are

0:47:03.840 --> 0:47:04.520
<v Speaker 2>going to be furious.

0:47:04.680 --> 0:47:07.759
<v Speaker 3>I know he's he's honestly, he is. I'm obsessed with him.

0:47:07.800 --> 0:47:08.399
<v Speaker 3>It's not good.

0:47:08.560 --> 0:47:10.080
<v Speaker 2>He's beautiful. What kind of dog is he?

0:47:10.560 --> 0:47:12.600
<v Speaker 3>Well, he's a rescue, so I don't know for sure.

0:47:12.760 --> 0:47:15.520
<v Speaker 3>But every animal that every breed that I've looked at

0:47:15.600 --> 0:47:19.000
<v Speaker 3>called low chen. Oh and I've never heard of low chen.

0:47:19.360 --> 0:47:21.680
<v Speaker 3>That is him. Okay, he is a low Chen to

0:47:21.880 --> 0:47:24.239
<v Speaker 3>the max to the max lo Chin to the max

0:47:24.360 --> 0:47:26.880
<v Speaker 3>and uh, not to brag, but he is a volunteer

0:47:26.880 --> 0:47:31.560
<v Speaker 3>at the Children's hospital. Now my heart, he is perfection.

0:47:31.880 --> 0:47:32.840
<v Speaker 2>Oh that's so sweet.

0:47:32.880 --> 0:47:33.640
<v Speaker 3>He's a perfect boy.

0:47:33.760 --> 0:47:35.759
<v Speaker 2>I always feel a twinge of guilt when I ask

0:47:35.880 --> 0:47:38.080
<v Speaker 2>somebody what kind of dog their dog is, because I

0:47:38.200 --> 0:47:41.640
<v Speaker 2>obviously am rescue only. Oh I mean, but I always

0:47:41.640 --> 0:47:43.279
<v Speaker 2>feel like, do they think that I'm I run a

0:47:43.320 --> 0:47:45.759
<v Speaker 2>puppy meal? Like there's a brief second where I'm like, oh,

0:47:45.800 --> 0:47:47.640
<v Speaker 2>they're gonna assume that I'm like some sort.

0:47:47.480 --> 0:47:49.799
<v Speaker 3>Of no not although do I have time to tell

0:47:49.840 --> 0:47:52.480
<v Speaker 3>you a little a little anecdote. Of course. I ran

0:47:52.520 --> 0:47:54.040
<v Speaker 3>into a guy who I went out with a couple

0:47:54.120 --> 0:47:56.880
<v Speaker 3>of times. It was two was too many, one was

0:47:56.920 --> 0:47:59.920
<v Speaker 3>too many, and he was like, and I was at

0:48:00.120 --> 0:48:04.319
<v Speaker 3>how his dog was. His dog was named Prada, which

0:48:04.440 --> 0:48:07.240
<v Speaker 3>I should have you know, I should have known, biggest possible,

0:48:07.640 --> 0:48:11.320
<v Speaker 3>should have known. And he said, well, Prada died because vets.

0:48:11.840 --> 0:48:15.520
<v Speaker 3>Prada was a French bulldog. Prada died because vets see

0:48:15.719 --> 0:48:19.239
<v Speaker 3>French bulldogs and they see cash. And he said a

0:48:19.360 --> 0:48:23.879
<v Speaker 3>vet killed the dog and now he's suing the vet.

0:48:24.440 --> 0:48:30.000
<v Speaker 3>What And I felt immense remorse for that. I don't

0:48:30.040 --> 0:48:32.839
<v Speaker 3>know what to say. And then before I could even

0:48:32.880 --> 0:48:36.279
<v Speaker 3>really offer condolences, he said, but my next dog is

0:48:36.320 --> 0:48:39.160
<v Speaker 3>going to be a furry frenchie. And I was like,

0:48:39.280 --> 0:48:42.200
<v Speaker 3>what's a furry frenchie. He's like, they're French bulldogs, but

0:48:42.239 --> 0:48:45.719
<v Speaker 3>they're furry, and he said it's either that or a

0:48:45.800 --> 0:48:50.880
<v Speaker 3>new car. And I had to restrain, I mean genuinely,

0:48:50.960 --> 0:48:54.080
<v Speaker 3>like I had to restrain all my inner like like

0:48:54.760 --> 0:48:58.719
<v Speaker 3>pan sexual. I'm not pan sexual, but like my pan

0:48:58.800 --> 0:49:02.480
<v Speaker 3>sexual vibeness, you know, the sort of pan rescue only,

0:49:03.080 --> 0:49:08.279
<v Speaker 3>adoption only, uh crunchy vibes and just just bite my

0:49:08.440 --> 0:49:12.600
<v Speaker 3>tongue and nod without like choking him. Oh what are

0:49:12.640 --> 0:49:16.280
<v Speaker 3>you doing? What are you doing? Those dogs can't breathe.

0:49:16.360 --> 0:49:19.120
<v Speaker 2>Man, he's going to get a furry French you name

0:49:19.160 --> 0:49:22.400
<v Speaker 2>it g wagon. Oh, just be prepared world.

0:49:22.840 --> 0:49:24.680
<v Speaker 3>Can you imagine Prada?

0:49:25.040 --> 0:49:25.400
<v Speaker 2>Awful?

0:49:25.960 --> 0:49:27.000
<v Speaker 3>Those are your values?

0:49:28.800 --> 0:49:30.440
<v Speaker 2>Oh that makes me sick to my stomach.

0:49:30.520 --> 0:49:33.120
<v Speaker 3>Meanwhile, I have, like I poured so much over what

0:49:33.200 --> 0:49:35.920
<v Speaker 3>I was going to name Moses, because when you're a

0:49:35.920 --> 0:49:38.320
<v Speaker 3>writer comedian, like, you're gonna want to be very careful,

0:49:38.320 --> 0:49:41.160
<v Speaker 3>and to be very careful, there's you could go too quirky,

0:49:41.200 --> 0:49:44.000
<v Speaker 3>you could go to banal, you get caught up in

0:49:44.080 --> 0:49:45.720
<v Speaker 3>a trend. You can get caught up in a trend.

0:49:45.840 --> 0:49:48.080
<v Speaker 3>And for me, it was either I think it was

0:49:48.120 --> 0:49:52.560
<v Speaker 3>gonna be Figaro, Yeah I love Figaro or fig Tait.

0:49:52.719 --> 0:49:55.680
<v Speaker 3>But he was rescued in Palm Springs, So I say

0:49:55.800 --> 0:49:57.479
<v Speaker 3>he was Moses because he was wandering in the desert.

0:49:57.560 --> 0:49:59.000
<v Speaker 2>Yeah, of course you found him in a basket.

0:50:00.320 --> 0:50:03.120
<v Speaker 3>He's very biblical, very sweet.

0:50:04.920 --> 0:50:08.759
<v Speaker 2>Well, let's play the game. Here, I'm gonna name three celebrities,

0:50:08.840 --> 0:50:11.319
<v Speaker 2>and I'm gonna name three gifts, and you're gonna tell

0:50:11.320 --> 0:50:13.520
<v Speaker 2>me which gift you would give which celebrity, and what

0:50:14.160 --> 0:50:15.160
<v Speaker 2>does that make perfect sense?

0:50:15.880 --> 0:50:16.160
<v Speaker 3>Okay?

0:50:16.280 --> 0:50:20.239
<v Speaker 2>The celebrities today are Number one Marissa Tomey okay, who

0:50:20.280 --> 0:50:22.160
<v Speaker 2>I saw friends and Family a couple of years ago.

0:50:22.200 --> 0:50:23.040
<v Speaker 2>It was very exciting.

0:50:23.160 --> 0:50:25.440
<v Speaker 3>She's beautiful, gorgeous, gorgeous.

0:50:25.200 --> 0:50:28.759
<v Speaker 2>Excellent actor too, and they've got her playing Spider Man's aunt.

0:50:29.120 --> 0:50:36.040
<v Speaker 3>I don't get it, just like what fest Okay, the

0:50:36.080 --> 0:50:36.719
<v Speaker 3>world we live in?

0:50:37.200 --> 0:50:38.680
<v Speaker 2>Number two Cynthia Arrivo.

0:50:39.040 --> 0:50:39.600
<v Speaker 3>Oh yes.

0:50:40.120 --> 0:50:43.320
<v Speaker 2>Number three Scarlet Johansson. Okay, we've got an all ladies

0:50:43.360 --> 0:50:45.960
<v Speaker 2>brunch today. The gifts you're giving away our number one

0:50:46.000 --> 0:50:48.239
<v Speaker 2>a job at the mall. It's a nice job, and

0:50:48.280 --> 0:50:50.160
<v Speaker 2>it could be kind of any job at the mall. True,

0:50:50.239 --> 0:50:53.000
<v Speaker 2>they've got all kinds of jobs there. Number two sleepless

0:50:53.200 --> 0:50:58.359
<v Speaker 2>Nights could be turned into a productive gift. And number

0:50:58.400 --> 0:50:59.279
<v Speaker 2>three official merch.

0:51:00.520 --> 0:51:02.800
<v Speaker 3>Yes, oh wow, Well, I mean I feel like the

0:51:02.960 --> 0:51:07.520
<v Speaker 3>natural inclination would be to give Scarlett Johanson official merch

0:51:07.600 --> 0:51:09.440
<v Speaker 3>because she's like a superhero whatever.

0:51:09.760 --> 0:51:11.880
<v Speaker 2>Oh interesting, she's part of the Marvel universe.

0:51:12.120 --> 0:51:15.160
<v Speaker 3>Yeah, but I think Marissa Tomey is just under the

0:51:15.280 --> 0:51:18.479
<v Speaker 3>radar enough. She's not under the radar, but just left

0:51:18.520 --> 0:51:22.479
<v Speaker 3>of center enough and underappreciated enough that she needs merch.

0:51:22.760 --> 0:51:23.360
<v Speaker 3>I would.

0:51:24.760 --> 0:51:25.040
<v Speaker 1>Like her.

0:51:25.360 --> 0:51:28.040
<v Speaker 2>I can imagine there being bootleg Marissa merchres, which I

0:51:28.040 --> 0:51:31.120
<v Speaker 2>wouldn't want. No, she was selling things with her name

0:51:31.200 --> 0:51:32.959
<v Speaker 2>and face on it. Yeah, do you think it would

0:51:32.960 --> 0:51:36.040
<v Speaker 2>be incredible cool or like, like, how do you think

0:51:36.080 --> 0:51:40.400
<v Speaker 2>her the merch would be tastefully i'd be would I

0:51:40.480 --> 0:51:43.960
<v Speaker 2>think I would want it to be slightly not tasteful enough?

0:51:44.520 --> 0:51:47.080
<v Speaker 3>Yes, I like some mistakes for that's what I think.

0:51:47.200 --> 0:51:51.160
<v Speaker 3>Like the font would be just a little too predictable,

0:51:51.840 --> 0:51:54.640
<v Speaker 3>not comic sands, not curly cues or whatever, but something

0:51:54.640 --> 0:51:57.600
<v Speaker 3>where you're just like, eh, copper played gothic. Come on,

0:51:58.440 --> 0:52:01.160
<v Speaker 3>you know you can do it something a little, you know.

0:52:01.360 --> 0:52:03.680
<v Speaker 2>With a free font pack or something exactly.

0:52:04.160 --> 0:52:06.040
<v Speaker 3>You could have you could have splurged. But so I

0:52:06.080 --> 0:52:09.800
<v Speaker 3>would give official merch to to Mursy tome perfect and

0:52:09.920 --> 0:52:13.680
<v Speaker 3>then a drop of them all on sleepless nights. Honestly,

0:52:13.760 --> 0:52:16.320
<v Speaker 3>like Cynthia or Evo is so she always is like

0:52:16.520 --> 0:52:20.040
<v Speaker 3>so good at fashion, and I know nothing about fashion,

0:52:20.080 --> 0:52:22.759
<v Speaker 3>but I know that she like she serves as as

0:52:22.840 --> 0:52:25.480
<v Speaker 3>they say. Of course it sounds homophobic coming out of

0:52:25.520 --> 0:52:32.120
<v Speaker 3>my mouth. She's serving, But she would thrive in any

0:52:32.239 --> 0:52:34.200
<v Speaker 3>job at any store in the mall. I could see

0:52:34.200 --> 0:52:36.879
<v Speaker 3>her at Talbots, for God's sake, she would.

0:52:36.920 --> 0:52:38.640
<v Speaker 2>She'd just be approached by Cynthia.

0:52:38.800 --> 0:52:41.800
<v Speaker 3>Talbots, what with the nose with the septum ring in

0:52:42.680 --> 0:52:44.759
<v Speaker 3>Point me to the dressing room and I want something

0:52:44.840 --> 0:52:51.400
<v Speaker 3>in a I want something floral in a missy, a duster,

0:52:51.520 --> 0:52:54.319
<v Speaker 3>a floral length duster. And then I guess sleepless nights,

0:52:54.360 --> 0:52:57.279
<v Speaker 3>I would say to Scarlet Johansson. Not because I wish

0:52:57.640 --> 0:53:00.400
<v Speaker 3>ill on her. I don't wish sleepless nights and anybody.

0:53:00.440 --> 0:53:04.600
<v Speaker 3>But I hate to admit it, but I think Colin

0:53:04.680 --> 0:53:08.200
<v Speaker 3>Joe's is so handsome that I would be okay with,

0:53:08.400 --> 0:53:11.400
<v Speaker 3>like just like looking for eight hours.

0:53:11.880 --> 0:53:16.360
<v Speaker 2>Wow, he's a fascinating pick, Colin. Yes, I know, a

0:53:16.400 --> 0:53:18.200
<v Speaker 2>free font packs. I feel like someone for.

0:53:18.560 --> 0:53:21.319
<v Speaker 3>Her, you know, a demo of a man for her. Him,

0:53:21.760 --> 0:53:23.319
<v Speaker 3>But you're saying it's a I mean.

0:53:23.320 --> 0:53:24.880
<v Speaker 2>As a good looking person. I feel like he's the

0:53:24.920 --> 0:53:26.120
<v Speaker 2>demo of a good looking man.

0:53:26.560 --> 0:53:28.360
<v Speaker 3>Yeah, I don't know his teeth.

0:53:28.480 --> 0:53:30.120
<v Speaker 2>He's got a great yeah, and I don't want to

0:53:30.120 --> 0:53:33.319
<v Speaker 2>say anything. He's a very just kind of everything's right. Yes,

0:53:33.719 --> 0:53:37.399
<v Speaker 2>everything right can work in certain situations, work against a person.

0:53:37.520 --> 0:53:39.680
<v Speaker 3>Yeah, I think it could work against him too. I don't.

0:53:40.080 --> 0:53:44.000
<v Speaker 3>I don't really get like why he's on TV. And

0:53:44.040 --> 0:53:45.800
<v Speaker 3>I don't. I don't mean that because he's bad. He like,

0:53:45.920 --> 0:53:47.319
<v Speaker 3>she's totally good at what he does.

0:53:47.480 --> 0:53:49.319
<v Speaker 2>He's not actively bad or anything, no, no.

0:53:49.760 --> 0:53:51.680
<v Speaker 3>But I'm just like he's just there. I don't know,

0:53:51.719 --> 0:53:53.320
<v Speaker 3>he's just kind of like there again, I say it

0:53:53.400 --> 0:53:57.160
<v Speaker 3>as in like he is totally good in service, completely completely,

0:53:57.320 --> 0:53:59.759
<v Speaker 3>but he's I think he's so handsome. Guess that's why

0:53:59.760 --> 0:54:00.840
<v Speaker 3>he's on TV. So handsy.

0:54:01.040 --> 0:54:03.360
<v Speaker 2>Yeah, just like if you were to flipping through the channels,

0:54:03.360 --> 0:54:05.280
<v Speaker 2>you'd be like, of course there's a newscaster.

0:54:05.120 --> 0:54:08.120
<v Speaker 3>Yes, right, just just clean. He's so clean.

0:54:08.719 --> 0:54:11.279
<v Speaker 2>He seems he takes nine showers a day up, yeah,

0:54:12.040 --> 0:54:12.560
<v Speaker 2>cleaned up.

0:54:13.320 --> 0:54:13.919
<v Speaker 3>Maybe a bath.

0:54:15.000 --> 0:54:17.600
<v Speaker 2>I can't see Colin jos in a bathroom getting there,

0:54:17.800 --> 0:54:20.759
<v Speaker 2>no bath for no level of oil. Now you know

0:54:21.239 --> 0:54:27.160
<v Speaker 2>there's a very clean shower. Jel scent that's sharp, yeah,

0:54:27.360 --> 0:54:28.280
<v Speaker 2>not even woodsy.

0:54:28.800 --> 0:54:30.920
<v Speaker 3>You know, it's he's one of these guys who like

0:54:31.320 --> 0:54:35.400
<v Speaker 3>he's from like Staten Island, and that's so analogous to

0:54:35.640 --> 0:54:38.960
<v Speaker 3>he is so analogous to Staten Island that that is

0:54:39.000 --> 0:54:39.880
<v Speaker 3>what fascinates me.

0:54:40.320 --> 0:54:43.360
<v Speaker 2>And I guess I don't know Staten Island enough to

0:54:43.520 --> 0:54:46.279
<v Speaker 2>associate those two together. Doesn't make sense in my mind.

0:54:46.440 --> 0:54:48.840
<v Speaker 3>There is sort of like a I mean, I've encountered

0:54:48.960 --> 0:54:53.400
<v Speaker 3>like a little bit of like waspy like intellectuals on

0:54:53.560 --> 0:54:57.040
<v Speaker 3>Staten Island, but it's such such a small pocket interesting

0:54:57.200 --> 0:54:58.360
<v Speaker 3>that you would never think it.

0:54:58.680 --> 0:55:00.960
<v Speaker 2>No, because for to me, it feels working class and

0:55:01.239 --> 0:55:04.160
<v Speaker 2>very very variable what you assume of New York.

0:55:04.360 --> 0:55:07.000
<v Speaker 3>Yes, it is very removed even though it's there. It's

0:55:07.040 --> 0:55:09.600
<v Speaker 3>like I'm from Long Island. It's the same, the same politics,

0:55:09.680 --> 0:55:13.720
<v Speaker 3>the same like blue collar you know, intellect and anger

0:55:13.800 --> 0:55:17.000
<v Speaker 3>at other people, like right, So it's so intense and

0:55:17.560 --> 0:55:20.560
<v Speaker 3>it does not seem like Colin, you know, would come

0:55:20.600 --> 0:55:21.200
<v Speaker 3>from that ilk.

0:55:21.360 --> 0:55:25.720
<v Speaker 2>He's running from something something. Well that was excellently played.

0:55:25.920 --> 0:55:27.439
<v Speaker 3>Yeah, thanks beautiful gifts.

0:55:27.560 --> 0:55:30.560
<v Speaker 2>Scarlett's just kind of not even blinking. She's just lying

0:55:30.600 --> 0:55:31.640
<v Speaker 2>in bed staring at.

0:55:32.640 --> 0:55:35.960
<v Speaker 3>I'm like, and I'll do a body swap happily.

0:55:36.400 --> 0:55:37.760
<v Speaker 2>That's a great freaky Friday.

0:55:37.960 --> 0:55:40.640
<v Speaker 3>That's me and Scarlett Johansson.

0:55:41.600 --> 0:55:44.200
<v Speaker 2>She's possessed by a man who can't sleep and is

0:55:44.239 --> 0:55:49.560
<v Speaker 2>obsessed with her husband. Okay, well it's uh. This is

0:55:49.600 --> 0:55:52.480
<v Speaker 2>the final segment of the podcast is called I Said

0:55:52.560 --> 0:55:55.279
<v Speaker 2>No Emails. People write into I Said No Gifts at

0:55:55.320 --> 0:55:58.920
<v Speaker 2>gmail dot com. Every one of them has a nearly

0:55:59.040 --> 0:56:01.840
<v Speaker 2>unsolvable problem complement their life, and they finally turning to

0:56:01.880 --> 0:56:04.439
<v Speaker 2>the right source. Yes, we help me answer a question,

0:56:04.640 --> 0:56:07.800
<v Speaker 2>of course, all right, this says hello, Bridger and guest.

0:56:08.320 --> 0:56:11.680
<v Speaker 2>My apartment building has a habit of packages disappearing, and

0:56:11.840 --> 0:56:14.800
<v Speaker 2>somewhere along the line, my neighbors started bringing up packages

0:56:14.840 --> 0:56:17.600
<v Speaker 2>for me anytime they see them and setting them outside

0:56:17.680 --> 0:56:21.240
<v Speaker 2>my door, likely rescuing them from thievery in the process.

0:56:21.800 --> 0:56:23.920
<v Speaker 2>I try to return the favor as often as I can,

0:56:24.040 --> 0:56:26.719
<v Speaker 2>but there is definitely an imbalance. I'm going to be

0:56:26.840 --> 0:56:28.400
<v Speaker 2>moving out in a few months, and I'd like to

0:56:28.440 --> 0:56:31.000
<v Speaker 2>thank them for their good deeds with a gift. There's

0:56:31.040 --> 0:56:34.880
<v Speaker 2>a man, a woman, a child, and two cats in

0:56:34.920 --> 0:56:37.600
<v Speaker 2>their apartment, but I know very little about them other

0:56:37.640 --> 0:56:40.719
<v Speaker 2>than running into the woman once at Target as she

0:56:40.840 --> 0:56:45.280
<v Speaker 2>was looking for Snickers ice cream bars. Please help me properly,

0:56:45.360 --> 0:56:49.120
<v Speaker 2>thank them for being good neighbors. Thanks, And that's from Warren. Okay,

0:56:49.920 --> 0:56:52.840
<v Speaker 2>what we know about Warren is that he has been

0:56:52.920 --> 0:56:55.960
<v Speaker 2>getting the packages delivered him and assuming that no other

0:56:56.600 --> 0:56:59.279
<v Speaker 2>that this neighbor's doing this for everyone else. Yeah, he

0:56:59.400 --> 0:57:03.960
<v Speaker 2>also knows some alarming details about who's living in this apartment. Right,

0:57:04.680 --> 0:57:06.320
<v Speaker 2>maybe he has too much of a role call. I

0:57:06.360 --> 0:57:09.800
<v Speaker 2>would say maybe. And then he just happens to be

0:57:09.840 --> 0:57:12.040
<v Speaker 2>at Target knowing exactly what this woman's buying.

0:57:12.040 --> 0:57:16.320
<v Speaker 3>I don't think that's crazy. Tomato, Tomato, you think that's crazy.

0:57:17.240 --> 0:57:20.760
<v Speaker 2>I'm just going to say it's bordering on Warren, How

0:57:20.840 --> 0:57:22.360
<v Speaker 2>did you find out about the Snickers?

0:57:22.640 --> 0:57:26.920
<v Speaker 3>Because he probably spoke to her prying. Okay, Okay, there

0:57:26.960 --> 0:57:27.560
<v Speaker 3>could be prying.

0:57:28.360 --> 0:57:30.240
<v Speaker 2>And I mean he barely sees these people. How do

0:57:30.280 --> 0:57:31.280
<v Speaker 2>you even recognize her?

0:57:31.680 --> 0:57:34.400
<v Speaker 3>That's true, Well, you recognize your neighbors every now and then.

0:57:34.520 --> 0:57:36.200
<v Speaker 2>No, I don't know. It feels like the neighbor's trying

0:57:36.240 --> 0:57:38.800
<v Speaker 2>to keep away from him. They're dropping the gift and

0:57:39.160 --> 0:57:41.760
<v Speaker 2>like avoiding except for oh god, I had to go

0:57:41.800 --> 0:57:43.080
<v Speaker 2>buy Snickers and now I'm running into.

0:57:42.960 --> 0:57:45.600
<v Speaker 3>War and the neighbor could knock on his door and

0:57:45.680 --> 0:57:47.600
<v Speaker 3>deliver the right. But I don't know. I think this

0:57:47.760 --> 0:57:51.840
<v Speaker 3>is like very polite and considerate of the neighbors. Okay, Okay,

0:57:52.000 --> 0:57:52.960
<v Speaker 3>and Warren.

0:57:53.240 --> 0:57:56.240
<v Speaker 2>And interesting, right, so you're on everyone else's side, but me,

0:57:57.200 --> 0:57:58.960
<v Speaker 2>I mean there's an immediate no.

0:57:59.160 --> 0:58:01.560
<v Speaker 3>I think. I think I'm on the neighbor's side. I

0:58:01.640 --> 0:58:04.080
<v Speaker 3>do think, you know, if Warren could, I don't know.

0:58:04.160 --> 0:58:05.760
<v Speaker 3>I don't know what the inmbound. I don't really understand

0:58:05.760 --> 0:58:08.280
<v Speaker 3>the imbalance. Okay. Are there times where he chooses not

0:58:08.360 --> 0:58:09.240
<v Speaker 3>to bring their gift to them?

0:58:09.760 --> 0:58:12.320
<v Speaker 2>Like maybe they're not ordering, they're not. That's the other

0:58:12.360 --> 0:58:15.360
<v Speaker 2>thing we're learning here is Warren is deeply materialistic. He's

0:58:15.440 --> 0:58:19.960
<v Speaker 2>ordering things NonStop, right, probably from a problematic retailer.

0:58:20.160 --> 0:58:20.320
<v Speaker 3>Right.

0:58:20.680 --> 0:58:23.280
<v Speaker 2>And these people, meanwhile, I live a very minimal life.

0:58:23.440 --> 0:58:23.560
<v Speaker 1>Right.

0:58:23.960 --> 0:58:28.280
<v Speaker 2>Their packages they get are probably homemade, yes, and probably

0:58:28.520 --> 0:58:30.680
<v Speaker 2>you know, they're trying everything they can to keep their

0:58:30.720 --> 0:58:32.120
<v Speaker 2>footprint as small as possible.

0:58:32.160 --> 0:58:32.480
<v Speaker 3>That's true.

0:58:32.520 --> 0:58:36.120
<v Speaker 2>He's blasting the ac in his apartment alone, definitely, windows

0:58:36.160 --> 0:58:36.800
<v Speaker 2>probably open.

0:58:37.480 --> 0:58:39.840
<v Speaker 3>Oh god, I mean that's just he's.

0:58:39.720 --> 0:58:42.080
<v Speaker 2>Living this life that's out of control, right, and his

0:58:42.160 --> 0:58:48.320
<v Speaker 2>neighbors are trying to Warren is on the verge. But

0:58:48.600 --> 0:58:51.080
<v Speaker 2>I mean all of this, with all of this in mind,

0:58:51.160 --> 0:58:52.800
<v Speaker 2>what to Sworren get these people?

0:58:52.920 --> 0:58:55.920
<v Speaker 3>Well, my first instinct was to say, a lovely handwritten

0:58:56.000 --> 0:58:59.400
<v Speaker 3>card and a Target gift card. Oh, but when you

0:58:59.480 --> 0:59:02.360
<v Speaker 3>made it so like it was creepy, it changed my

0:59:02.560 --> 0:59:05.040
<v Speaker 3>thoughts about the Target gift card because it's like, this

0:59:05.200 --> 0:59:08.080
<v Speaker 3>is how I know you from Target. Now you're my

0:59:08.280 --> 0:59:11.520
<v Speaker 3>target now exactly, and now that creeping out. With that

0:59:11.640 --> 0:59:14.560
<v Speaker 3>being said, I always think like a gift card to

0:59:14.640 --> 0:59:17.280
<v Speaker 3>a restaurant, and if they have a kid, a gift

0:59:17.320 --> 0:59:20.800
<v Speaker 3>card to a nice kid friendly restaurant. Perhaps a chain

0:59:21.640 --> 0:59:23.680
<v Speaker 3>is a good way to you can't can't hurt to

0:59:23.680 --> 0:59:25.760
<v Speaker 3>get to let people go to outback for one hundred.

0:59:25.520 --> 0:59:27.040
<v Speaker 2>Bucks, you know you can get all kinds of things

0:59:27.160 --> 0:59:29.120
<v Speaker 2>that all kinds of stuffs.

0:59:29.240 --> 0:59:31.520
<v Speaker 3>Yeah, get a brownie Sunday, get a bloomin onion, a

0:59:31.560 --> 0:59:34.080
<v Speaker 3>bloomin onion. I think that's a nice gesture. Even if

0:59:34.120 --> 0:59:36.560
<v Speaker 3>it was just like fifty dollars. I still think a

0:59:36.680 --> 0:59:40.240
<v Speaker 3>card with a thank you for being so considerate, right

0:59:40.480 --> 0:59:41.880
<v Speaker 3>is the is the real gift there.

0:59:42.080 --> 0:59:43.560
<v Speaker 2>Now I will say about you have to be very

0:59:43.600 --> 0:59:46.880
<v Speaker 2>careful with restaurant amounts on gift cards. If you give

0:59:46.920 --> 0:59:48.840
<v Speaker 2>too little, you now put them in a trap where

0:59:48.840 --> 0:59:50.320
<v Speaker 2>why if they want to go to that restaurant but

0:59:50.360 --> 0:59:52.000
<v Speaker 2>they feel they need to correct and are going to

0:59:52.040 --> 0:59:52.640
<v Speaker 2>be spending more.

0:59:52.840 --> 0:59:54.640
<v Speaker 3>That's right, but it's a family of three.

0:59:54.840 --> 0:59:58.160
<v Speaker 2>Family of three, so assume thirty three dollars for each

0:59:58.240 --> 1:00:00.560
<v Speaker 2>person one hundred I think one hundred dollars. That's a

1:00:00.640 --> 1:00:02.600
<v Speaker 2>nice night out at outpack and listen.

1:00:02.720 --> 1:00:05.160
<v Speaker 3>If they are on the frugal side, they can go twice.

1:00:05.320 --> 1:00:06.480
<v Speaker 2>They could go hundreds of times.

1:00:06.480 --> 1:00:11.680
<v Speaker 3>They could go for five onions and are right, although

1:00:11.720 --> 1:00:15.600
<v Speaker 3>that might then kill them from heart attacks, and then

1:00:15.840 --> 1:00:16.840
<v Speaker 3>it would be Warren's fault.

1:00:17.120 --> 1:00:19.000
<v Speaker 2>But at that point he might be looking for a

1:00:19.160 --> 1:00:19.840
<v Speaker 2>vacant apartment.

1:00:21.320 --> 1:00:23.840
<v Speaker 3>He's moving well, he might be a back. Warren's back.

1:00:24.440 --> 1:00:26.520
<v Speaker 2>Warren's on the merge, warns and.

1:00:26.520 --> 1:00:29.800
<v Speaker 3>Takes their apartment, knocks down the wall he's got.

1:00:30.960 --> 1:00:35.120
<v Speaker 2>He expands, he rips the ceiling out, all in the plans,

1:00:35.760 --> 1:00:39.640
<v Speaker 2>all along. Snickers ice cream bars are delicious.

1:00:41.320 --> 1:00:43.960
<v Speaker 3>No, I'm honest, I'm not a fan of caramel or

1:00:44.040 --> 1:00:44.720
<v Speaker 3>milk chocolate.

1:00:44.840 --> 1:00:46.160
<v Speaker 2>This is a rough place for you to be.

1:00:46.920 --> 1:00:47.760
<v Speaker 3>Love, dark chocolate.

1:00:47.920 --> 1:00:51.520
<v Speaker 2>They should make a dark one, not a n ice cream.

1:00:51.560 --> 1:00:54.000
<v Speaker 2>I don't think they make a dark Snickers.

1:00:54.840 --> 1:00:56.800
<v Speaker 3>Oh I could do that. I just don't like caramel.

1:00:57.280 --> 1:00:58.760
<v Speaker 3>I'm not a huge candy bar person.

1:00:58.880 --> 1:01:00.760
<v Speaker 2>Okay, well, then this is not the cream bar for you.

1:01:01.080 --> 1:01:04.040
<v Speaker 3>I'm also like very annoying about ice cream. Oh, how

1:01:04.120 --> 1:01:08.160
<v Speaker 3>so I'm over hard ice cream? I'm over it. I

1:01:08.480 --> 1:01:11.120
<v Speaker 3>just want I just want soft.

1:01:11.360 --> 1:01:12.680
<v Speaker 2>Where are you getting soft ice cream?

1:01:13.000 --> 1:01:13.920
<v Speaker 3>Foster's Freeze?

1:01:14.160 --> 1:01:14.919
<v Speaker 2>Okay? Sure?

1:01:15.280 --> 1:01:19.920
<v Speaker 3>And then ultimately there's literally one place in El Segundo,

1:01:22.520 --> 1:01:25.400
<v Speaker 3>and my friends will tell you I'm a absolute lunatic

1:01:25.520 --> 1:01:28.480
<v Speaker 3>because I will travel quite a distance to get dessert,

1:01:28.880 --> 1:01:31.520
<v Speaker 3>a good dessert. Sure, because it's important to me. Of course,

1:01:32.120 --> 1:01:35.880
<v Speaker 3>there's a place called Dipped ice Cream, Oh el Segundo, Okay,

1:01:36.360 --> 1:01:41.440
<v Speaker 3>where they have delicious soft serve that they dunk in shells.

1:01:41.880 --> 1:01:43.120
<v Speaker 2>Oh yeah, I'm very familiar.

1:01:43.240 --> 1:01:45.200
<v Speaker 3>I mean it is. You've been to this place?

1:01:45.400 --> 1:01:48.720
<v Speaker 2>No, I'm familiar with the dip because mister softy dip.

1:01:48.800 --> 1:01:49.080
<v Speaker 3>Of course.

1:01:49.280 --> 1:01:51.640
<v Speaker 2>In you Tah, there's a restaurant chain called Arctic Circle.

1:01:51.680 --> 1:01:54.120
<v Speaker 2>And what they call this product when they dip it

1:01:54.200 --> 1:01:55.560
<v Speaker 2>in chocolate is a brown topper.

1:01:56.320 --> 1:02:01.040
<v Speaker 3>Oh. Which that's not the right they do. Wow, that's

1:02:01.080 --> 1:02:01.920
<v Speaker 3>a very innocent.

1:02:02.320 --> 1:02:07.000
<v Speaker 2>Wow, that's just an interesting fact. I like to from

1:02:07.000 --> 1:02:07.680
<v Speaker 2>outside of Utah.

1:02:08.800 --> 1:02:14.919
<v Speaker 3>Sad whoa brown topper. That's a mistake that they could

1:02:14.960 --> 1:02:16.120
<v Speaker 3>never have seen coming. I guess.

1:02:16.360 --> 1:02:16.560
<v Speaker 1>Yeah.

1:02:17.400 --> 1:02:18.120
<v Speaker 2>Wow tough.

1:02:18.320 --> 1:02:18.400
<v Speaker 1>Uh.

1:02:18.880 --> 1:02:20.200
<v Speaker 2>I don't know if they've changed it, but it's an

1:02:20.200 --> 1:02:20.840
<v Speaker 2>interesting Uh.

1:02:21.000 --> 1:02:24.120
<v Speaker 3>Well, well, dipped ice cream is a huge brown topper.

1:02:25.760 --> 1:02:27.560
<v Speaker 2>And wait, what's theme of the place in El Segundo

1:02:28.040 --> 1:02:30.760
<v Speaker 2>dipped dipped ice cream, kipped cone or something? Have you

1:02:30.880 --> 1:02:33.640
<v Speaker 2>been to heavy Handed? This is also a drive. It's

1:02:33.680 --> 1:02:34.439
<v Speaker 2>in Studio City.

1:02:35.040 --> 1:02:35.800
<v Speaker 3>Heavy Handed.

1:02:35.880 --> 1:02:37.760
<v Speaker 2>Now, it's the best soft service cream I've ever Oh

1:02:37.840 --> 1:02:40.360
<v Speaker 2>my god, tell me everything. They only have three flavors

1:02:40.360 --> 1:02:43.920
<v Speaker 2>I believe, chocolate, vanilla, and actually maybe just swirl. But

1:02:44.040 --> 1:02:46.680
<v Speaker 2>it's so well made. I've never had soft served like

1:02:46.720 --> 1:02:49.400
<v Speaker 2>this before. I'm like this, the care put into this product,

1:02:50.280 --> 1:02:53.200
<v Speaker 2>I mean, it so unnecessary. They'll do a dip, they

1:02:53.280 --> 1:02:54.200
<v Speaker 2>do multiple dips.

1:02:54.400 --> 1:02:55.560
<v Speaker 3>Okay, this is important to me.

1:02:55.680 --> 1:02:59.040
<v Speaker 2>Heavy handed, Yeah, heavy handed, delicious, absolutely wonderful ice cream

1:02:59.120 --> 1:03:01.240
<v Speaker 2>cut that's on my rate are now it feels like

1:03:01.440 --> 1:03:03.400
<v Speaker 2>soft serve is kind of making a swing back.

1:03:03.520 --> 1:03:05.600
<v Speaker 3>I feel like it is. I don't know. I don't

1:03:05.600 --> 1:03:07.520
<v Speaker 3>know at what point I just lost interest in hard

1:03:07.560 --> 1:03:10.320
<v Speaker 3>ice cream, but I just did. I just did, and

1:03:10.400 --> 1:03:13.080
<v Speaker 3>I love because you know what it is, quite honestly,

1:03:13.760 --> 1:03:15.680
<v Speaker 3>the ice cream is less about the ice cream and

1:03:15.760 --> 1:03:21.200
<v Speaker 3>more about the dip, the brown topper, or I want, genuinely,

1:03:21.320 --> 1:03:23.360
<v Speaker 3>I want an obscene amount of sprinkles, to the point

1:03:23.400 --> 1:03:24.680
<v Speaker 3>that I can't even see the ice.

1:03:24.520 --> 1:03:27.320
<v Speaker 2>Cream colored sprinkles or chocolate sprinkle colored. Oh I love

1:03:27.400 --> 1:03:30.000
<v Speaker 2>a chocolate sprinkle over an ice cream soft serve.

1:03:30.120 --> 1:03:31.920
<v Speaker 3>Give me both, but I want I don't want to

1:03:31.960 --> 1:03:35.200
<v Speaker 3>see the ice cream. I don't want to see ice cream.

1:03:36.360 --> 1:03:38.680
<v Speaker 3>I want to see sprinkles. And then I want extras

1:03:38.720 --> 1:03:41.920
<v Speaker 3>to dip this, dip the ice cream into as you eat. Yes,

1:03:43.160 --> 1:03:45.440
<v Speaker 3>I love the texture. The texture marriage there.

1:03:45.560 --> 1:03:47.880
<v Speaker 2>You really don't find a texture like sprinkles anywhere else

1:03:47.920 --> 1:03:48.320
<v Speaker 2>in nature.

1:03:48.480 --> 1:03:50.760
<v Speaker 3>No, And you know, at these sort of bespoke places,

1:03:50.840 --> 1:03:54.720
<v Speaker 3>even like Magpies, which is say, it's good, but they

1:03:54.840 --> 1:03:58.120
<v Speaker 3>do that sort of like Whole Foods sprinkles that are

1:03:58.240 --> 1:04:01.040
<v Speaker 3>not bright enough and they just kind of like dirizzaletle

1:04:01.080 --> 1:04:03.240
<v Speaker 3>couple on and it's like no, no, no, this isn't

1:04:03.240 --> 1:04:06.120
<v Speaker 3>a garnish. This is half the meal for me.

1:04:07.240 --> 1:04:09.200
<v Speaker 2>This is a protective shell from the ice This.

1:04:09.280 --> 1:04:11.440
<v Speaker 3>Is a protective shell. Give me the I don't want

1:04:11.480 --> 1:04:13.840
<v Speaker 3>to see the ice cream, but they have those, like

1:04:14.000 --> 1:04:15.840
<v Speaker 3>you know, lay mass sprinkles.

1:04:15.600 --> 1:04:18.880
<v Speaker 2>Right justice the toppings bar. There leaves a lot to

1:04:18.960 --> 1:04:19.440
<v Speaker 2>be desired.

1:04:19.920 --> 1:04:22.080
<v Speaker 3>It's fun, It's like, oh, honeycomb, that's fun. But then

1:04:22.120 --> 1:04:27.160
<v Speaker 3>it's like all right, all right, I get it. I'm

1:04:27.160 --> 1:04:30.320
<v Speaker 3>going to Foster's Freeze, which we don't really have that

1:04:30.480 --> 1:04:33.040
<v Speaker 3>like in New York. Like I feel like mister Softy

1:04:33.080 --> 1:04:35.880
<v Speaker 3>out of the truck, which is perfection, but also like

1:04:36.320 --> 1:04:40.680
<v Speaker 3>comes in exhaust like you comes in exhaust. There used

1:04:40.680 --> 1:04:43.880
<v Speaker 3>to be tcby, which I was obsessed with it as

1:04:43.920 --> 1:04:46.280
<v Speaker 3>a kid, But we don't really like New York, but

1:04:46.400 --> 1:04:50.600
<v Speaker 3>especially like the northeastern region, even like New England. Hard

1:04:50.640 --> 1:04:52.040
<v Speaker 3>ice cream is the stuff.

1:04:52.120 --> 1:04:52.720
<v Speaker 2>That's all you get.

1:04:52.800 --> 1:04:53.400
<v Speaker 3>That's all you get.

1:04:53.480 --> 1:04:54.440
<v Speaker 2>It's excellent made, but.

1:04:54.520 --> 1:04:56.280
<v Speaker 3>You hate it. I don't hate it. I'm just like

1:04:56.400 --> 1:04:57.960
<v Speaker 3>don't like it. I could take it or leave it. Yeah,

1:04:58.000 --> 1:05:00.320
<v Speaker 3>I could take it or leave it. Yeah, could take

1:05:00.320 --> 1:05:02.360
<v Speaker 3>it or leave it. Give me I need That's why

1:05:02.400 --> 1:05:04.320
<v Speaker 3>I mean, we never had like dairy what's it called

1:05:04.360 --> 1:05:09.240
<v Speaker 3>dairy Freeze, Dairy Freeze, dairy Queen. We had actually on

1:05:09.320 --> 1:05:11.120
<v Speaker 3>Long Island, we had someone called dairy Barn, which is

1:05:11.160 --> 1:05:11.880
<v Speaker 3>like a drive through.

1:05:12.080 --> 1:05:12.240
<v Speaker 2>Oh.

1:05:12.400 --> 1:05:15.760
<v Speaker 3>I like it's so rustic sounding for the least rustic

1:05:15.800 --> 1:05:18.520
<v Speaker 3>place on Earth. But they didn't have like ice cream

1:05:18.600 --> 1:05:22.280
<v Speaker 3>or anything. It was just groceries that someone gave to you. Yeah,

1:05:22.280 --> 1:05:22.959
<v Speaker 3>it's so weird.

1:05:23.480 --> 1:05:25.160
<v Speaker 2>I hope you could at least buy milk.

1:05:25.320 --> 1:05:26.760
<v Speaker 3>You could. That's what kind of what it was for.

1:05:27.160 --> 1:05:29.160
<v Speaker 2>That's what it started with. Unless you were John Tesh

1:05:29.400 --> 1:05:37.800
<v Speaker 2>right by water and Flakes. Well, yeah, you support your

1:05:37.840 --> 1:05:38.760
<v Speaker 2>soft serve journey.

1:05:38.960 --> 1:05:39.240
<v Speaker 3>Thank you.

1:05:39.440 --> 1:05:42.400
<v Speaker 2>I'm just kind of getting into it now. But I'm

1:05:42.480 --> 1:05:43.880
<v Speaker 2>going to go to DiPT.

1:05:44.160 --> 1:05:46.600
<v Speaker 3>Yes, It's it's worth the trip. I'm a big fan.

1:05:46.720 --> 1:05:49.320
<v Speaker 2>I'm very excited about this, and I'm excited. I think

1:05:49.360 --> 1:05:50.760
<v Speaker 2>you've kind of converted me to the View.

1:05:50.920 --> 1:05:51.880
<v Speaker 3>I think you're gonna like it.

1:05:52.120 --> 1:05:54.080
<v Speaker 2>This is the exact type of television I'm looking to.

1:05:54.360 --> 1:05:57.120
<v Speaker 3>What if, like in a week, you're like watching the View,

1:05:57.200 --> 1:06:02.440
<v Speaker 3>listening to Howard Stern wearing your clothes. My clothes, by

1:06:02.440 --> 1:06:04.600
<v Speaker 3>the way, I wore my short shorts because Alan h

1:06:04.720 --> 1:06:07.600
<v Speaker 3>Allen my friend was talking about short shorts on this podcast,

1:06:08.120 --> 1:06:10.760
<v Speaker 3>right and decrying them because he likes to wear his

1:06:10.960 --> 1:06:16.320
<v Speaker 3>long sort of Billie Eilish, you know angle length capri, Yeah, Capri,

1:06:16.760 --> 1:06:19.960
<v Speaker 3>pant Janko short shorts, and I wear mine with pride.

1:06:20.040 --> 1:06:21.240
<v Speaker 2>You've got to wear a short short.

1:06:21.400 --> 1:06:22.280
<v Speaker 3>I wear them with pride.

1:06:22.280 --> 1:06:23.960
<v Speaker 2>Everybody's got to get their legs out there.

1:06:24.160 --> 1:06:26.680
<v Speaker 3>I love that guy's show legs now. Oh of course

1:06:27.040 --> 1:06:29.760
<v Speaker 3>the in seems you're getting higher and higher straight guys too,

1:06:30.080 --> 1:06:30.640
<v Speaker 3>and I love it.

1:06:30.760 --> 1:06:33.360
<v Speaker 2>I think it's fight against the basketball short.

1:06:33.480 --> 1:06:36.200
<v Speaker 3>Fight against it. Paul Meskill like lead the.

1:06:36.840 --> 1:06:37.960
<v Speaker 2>Doing an incredible job.

1:06:38.000 --> 1:06:40.960
<v Speaker 3>He's doing a service, short service, all men, all men, Yes,

1:06:41.200 --> 1:06:41.640
<v Speaker 3>I love it.

1:06:42.000 --> 1:06:45.320
<v Speaker 2>Fantastic. Everybody put on your short shorts. Watch the view

1:06:45.560 --> 1:06:47.040
<v Speaker 2>that's eat brown topper.

1:06:47.560 --> 1:06:49.960
<v Speaker 3>I think nothing of it, like nothing is more to me,

1:06:50.160 --> 1:06:52.240
<v Speaker 3>like when if I if you were to ask me

1:06:52.280 --> 1:06:57.000
<v Speaker 3>about myself, to describe myself, like I never ever ever

1:06:57.200 --> 1:07:01.760
<v Speaker 3>gave a shit about astrology, sign horoscopes, but the more

1:07:01.920 --> 1:07:04.120
<v Speaker 3>you know, obviously I'm in la. All of course, my

1:07:04.240 --> 1:07:07.600
<v Speaker 3>friends people are always into horoscopes. So I understand the

1:07:07.680 --> 1:07:09.560
<v Speaker 3>idea that as a Gemini I have I could have

1:07:09.640 --> 1:07:12.680
<v Speaker 3>two personalities. Oh sure, whatever, it is like just you know,

1:07:13.200 --> 1:07:16.120
<v Speaker 3>twin personalities. And I used to like kind of like,

1:07:16.360 --> 1:07:19.920
<v Speaker 3>you know, sort of wave it away as nonsense, and

1:07:20.000 --> 1:07:22.120
<v Speaker 3>then in recent years it's like God, I listened to

1:07:22.200 --> 1:07:26.000
<v Speaker 3>I worship like Howard Stern and like the view like

1:07:26.160 --> 1:07:28.160
<v Speaker 3>this is these are my things that I'm oh, I

1:07:28.280 --> 1:07:31.680
<v Speaker 3>can't miss, and it's like they couldn't be you know, further.

1:07:31.560 --> 1:07:32.919
<v Speaker 2>Apart, you're essentially two face.

1:07:33.040 --> 1:07:36.120
<v Speaker 3>I'm two face, So I guess that's it. I'm a Gemini.

1:07:36.120 --> 1:07:38.480
<v Speaker 3>I'm a double Gemini, owned the Gemini. I'm owning it.

1:07:38.800 --> 1:07:41.000
<v Speaker 2>I support that. I'm a Libra and apparently it's the

1:07:41.080 --> 1:07:42.920
<v Speaker 2>source of almost every one of my problems.

1:07:43.000 --> 1:07:44.960
<v Speaker 3>Okay, I mean at this point, I just it's you're

1:07:45.000 --> 1:07:46.560
<v Speaker 3>in la. So what can you do except throw your

1:07:46.600 --> 1:07:49.400
<v Speaker 3>hands up and go, okay, sure got me, you got me.

1:07:50.720 --> 1:07:52.120
<v Speaker 2>Well, thank you for the book. I'm going to be

1:07:52.160 --> 1:07:54.640
<v Speaker 2>diving into this, maybe reading, then watching and then watching

1:07:54.680 --> 1:07:55.120
<v Speaker 2>and then reading.

1:07:55.160 --> 1:07:57.960
<v Speaker 3>Oh yeah, very different from the book. The show is

1:07:58.040 --> 1:07:59.440
<v Speaker 3>very different from the book that you're gonna that you're

1:07:59.440 --> 1:08:01.320
<v Speaker 3>gonna read. In the Boo Book, Michelle, you're reading the book,

1:08:01.360 --> 1:08:05.880
<v Speaker 3>but it's still delightful and chaotic, truly, truly late, it's chaotic.

1:08:06.080 --> 1:08:08.640
<v Speaker 2>I cannot wait. Well, thank you for being here, thank

1:08:08.680 --> 1:08:11.720
<v Speaker 2>you for having me. I've had a delightful time. And listener,

1:08:11.800 --> 1:08:15.840
<v Speaker 2>the podcast is over. We've heard so many helicopters today,

1:08:16.240 --> 1:08:19.639
<v Speaker 2>and I hope you were keeping count at least seven.

1:08:20.920 --> 1:08:23.919
<v Speaker 2>Well I was obviously wasn't keeping count. But the podcast

1:08:24.120 --> 1:08:26.800
<v Speaker 2>is over. Get moving, do whatever you need to do.

1:08:27.160 --> 1:08:34.760
<v Speaker 2>I love you, goodbye, I said, No Gifts is an

1:08:34.800 --> 1:08:39.120
<v Speaker 2>exactly right production. It's produced by our dear friend Analise Nelson,

1:08:39.320 --> 1:08:42.320
<v Speaker 2>and it's beautifully mixed by Ben Holliday. And we couldn't

1:08:42.360 --> 1:08:46.120
<v Speaker 2>do it without our guest booker, Patrick Kottner. The theme song,

1:08:46.439 --> 1:08:50.240
<v Speaker 2>of course, could only come from miracle worker Amy Man.

1:08:50.960 --> 1:08:53.920
<v Speaker 2>You must follow the show on Instagram. At I said

1:08:53.960 --> 1:08:56.360
<v Speaker 2>no Gifts, I don't want to hear any excuses. That's

1:08:56.360 --> 1:08:58.400
<v Speaker 2>where you get to see pictures of all these gorgeous

1:08:58.400 --> 1:09:00.360
<v Speaker 2>gifts I'm getting. And don't you want to see pictures

1:09:00.400 --> 1:09:00.960
<v Speaker 2>of the gifts.

1:09:02.920 --> 1:09:09.880
<v Speaker 1>But I invited you here, thought I made myself perfectly clear.

1:09:11.240 --> 1:09:13.000
<v Speaker 3>But you're a guess to my home.

1:09:15.360 --> 1:09:21.400
<v Speaker 1>You gotta come to me empty, And I said, no, guess,

1:09:21.720 --> 1:09:27.519
<v Speaker 1>you're own presences, presents enough that I already had too

1:09:27.800 --> 1:09:32.439
<v Speaker 1>much stuff. So how did you dare to surbey me?