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Speaker 1: Look may, oh, I see you my own and look

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Speaker 1: over there is that culture. Yes, goodness, lost culture, dinging,

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Speaker 1: lost culture. He is calling, Matt. Would you describe yourself

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Speaker 1: at any point in your life as a princess? Hmm.

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Speaker 2: There was one time I dressed up as a little princess,

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Speaker 2: and actually it was pretty viseral because my younger, Oh

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Speaker 2: my god, this is like not me having a flashback

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Speaker 2: to a traumatic memory. You didn't know this was going

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Speaker 2: to unlock something, but it did. My cousin Megan dressed

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Speaker 2: me up in a princess outfit and I went upstairs

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Speaker 2: in the princess outfit, and I can tell I could,

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Speaker 2: in the moment know that it was not the thing

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Speaker 2: to do, because my parents and all their friends were like, oh,

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Speaker 2: it's a little boy dressed as a girl.

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Speaker 1: The first sign you.

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Speaker 2: Can feel the adult sort of like like, oh.

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Speaker 1: They slurped mad.

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Speaker 2: That's what I meant to say the whole time when

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Speaker 2: I went up the dresses of the princess and they

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Speaker 2: went as well, I just went.

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Speaker 1: They went. The princess has an like in origin are

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Speaker 1: you already in? Sorry? Sorry? But now was there ever

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Speaker 1: a time when you felt like a princess?

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Speaker 3: I say, I've only really felt like a princess in

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Speaker 3: the presence of another princess, you know what I mean.

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Speaker 3: And there was something really important about our guest one

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Speaker 3: time when we were hanging out. I don't even think

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Speaker 3: you like anointed me as such, but you were just like, well,

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Speaker 3: we're princesses, and I went, you know what I mean,

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Speaker 3: you start your job dropping. So do you feel like

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Speaker 3: we should start a Queen's of comedy?

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Speaker 1: But it's the.

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Speaker 2: Princesses of Comedy because I am like, here's the thing

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Speaker 2: is like, it's a big joke, but I do say

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Speaker 2: I'm the Prince of Christmas once a year. So when

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Speaker 2: you say princess, that's hard because I've just branded us

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Speaker 2: something else. But I could change my brand if you

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Speaker 2: guys were like, we were the Princesses of comedy, like

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Speaker 2: the queens of comedy before us.

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Speaker 3: Yes, I think that's a really important discussion we should have.

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Speaker 1: So our guest is fabulous comedian. You might know him.

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Speaker 1: Princesses of Comedy is title of that, by the.

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Speaker 3: Way, Princess of Comedy. Oh my god, Look he's being

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Speaker 3: a princess right now. Can we cut to him?

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Speaker 2: Well, he's threat. He's threatened to sort of spike at

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Speaker 2: the camera the whole time. And I said, that's going

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Speaker 2: to be tough for us, someone who's had a conversation

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Speaker 2: with you.

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Speaker 3: It's going to be tough for us because we're over here,

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Speaker 3: but the camera's over there. But I mean, this person

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Speaker 3: knows his his frame. He knows how to work the

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Speaker 3: camera in a way that I don't think I've ever seen.

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Speaker 2: But here's the thing is, it's like I kind of

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Speaker 2: want to be the camera now.

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Speaker 1: I know. I'm Wow. We need to talk.

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Speaker 3: We need to talk about all things Princess, camera everything. Okay,

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Speaker 3: if you're listening to this, we I think this might

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Speaker 3: come out.

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Speaker 1: Before his show July twelfth.

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Speaker 2: This comes out in time for the Junion Hall show

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Speaker 2: on July twelfth. Hopefully you guys hear this in time.

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Speaker 2: Hear this in time, We'll cut this out and it'll

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Speaker 2: get down at Park Slope.

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Speaker 1: July twelfth, Union Hall. How How did you get to

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Speaker 1: bark Slope from here?

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Speaker 3: Bark Slope, Yeah, but I would get I would hop

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Speaker 3: on the F train and I think I would maybe

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Speaker 3: i'd transfer Barclays and I don't know if it stops

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Speaker 3: at the Unions the Union Street stage. Oh no, you

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Speaker 3: have to transfer at Barclays to the r take that

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Speaker 3: to Unions.

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Speaker 2: Yeah, that's how we'd get there from here, and we

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Speaker 2: record this podcast from what would you call this Fifth Streets. Yeah,

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Speaker 2: we're at the iHeart offices and in a studio that

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Speaker 2: we found out was originally made for Ryan Seacrest.

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Speaker 1: It feels very like Coca Cola Lounge American Idol era.

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Speaker 2: Yeah, yeah, and then our guests sang the theme song

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Speaker 2: from American Idol. No no, no, no, no. Do you

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Speaker 2: perform this in the show. And by the way, there's

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Speaker 2: other shows that are gonna happen later on September.

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Speaker 1: You said September, I have a solo show called I

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Speaker 1: Have to Do This.

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Speaker 3: Yeah, huge, huge, huge moment in comedy. I think I

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Speaker 3: have to do this. I think Richard really rocked the

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Speaker 3: scene with his centuality. We need to talk about sensuality.

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Speaker 1: We have to explain what it is.

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Speaker 4: Yeah, well, you know, there's definitely camera work involved and

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Speaker 4: just kind of like, don't be scared to like look

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Speaker 4: at it.

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Speaker 1: Who do you think?

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Speaker 3: Who do you pretend the camera is somebody that you know?

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Speaker 3: Or I pretend it's like a reflect that it's like

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Speaker 3: a mirror. I'm kind of just like, well, because you know,

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Speaker 3: when you like act in the mirror, you know when you.

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Speaker 2: Do, they're always better when you're acting in the mall.

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Speaker 4: So I just pretend that I'm like, I know what

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Speaker 4: this looks like sometimes in the mirror, just giving, and

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Speaker 4: we can be like transparent.

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Speaker 1: We got it.

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Speaker 2: We got to talk about gay mirror. Let's really get

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Speaker 2: into it. How many times have you looked into the mirror.

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Speaker 1: And been giving? I really have the time, the time,

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Speaker 1: all the time.

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Speaker 4: And then outside of the bathroom, it's, you know, impossible

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Speaker 4: to get a guitar. Yeah, it's so hard to get

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Speaker 4: in there.

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Speaker 1: Yeah. I would push.

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Speaker 3: For mirrors, mirrors on cameras on all sets. Yeah, yeah,

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Speaker 3: you know what I mean, Like, it's a shame that

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Speaker 3: we don't have a mirror here today.

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Speaker 2: I know what for me, I don't know about for y'all,

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Speaker 2: but the work that you'd get out of me if

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Speaker 2: I just could act with the mirror, it would be crazy.

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Speaker 4: Yeah, Emma Stone, worse than dead, jealous, threatened.

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Speaker 1: Wait, it's actually really cool.

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Speaker 2: Number thirteen jealous, that's worse than dead to be caught.

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Speaker 1: When when you're jealous.

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Speaker 4: Oh, I mean there's that saying about it? What is

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Speaker 4: is a disease or whatever?

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Speaker 2: Yes, jealousy is a disease, so get well soon. There's

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Speaker 2: also jealousy is the green eyed monster?

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Speaker 1: Get well soon? Oh, envy is the green eyed monster.

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Speaker 3: Envy is the green eyed monster, and jealousy, jealousy is

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Speaker 3: a disease.

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Speaker 1: Get well soon. Do you know who first said that?

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Speaker 1: Who was Mirror Tomorrow?

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Speaker 5: Really like her?

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Speaker 4: Well, I don't like, I don't watch housewives like I

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Speaker 4: don't know that universe like at all.

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Speaker 3: I think you, out of anybody, would really love it.

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Speaker 1: Really. I feel like you'd like like old New York.

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Speaker 1: Don't you think that?

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Speaker 4: Yes, I think like I don't know of course, like

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Speaker 4: my friends love it and it's just such a big universe. Friends,

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Speaker 4: we both we both leave got him Richards lied to

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Speaker 4: us they only had two big poofy dresses, your little

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Speaker 4: like prince very.

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Speaker 1: Who's the best princess in media? Do we know?

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Speaker 4: I'd say, like I was when I was thinking about us,

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Speaker 4: So the princess discussion, I'm like your mind's eye, like

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Speaker 4: Mario Party, Like there's Peach Daisy and then there's another one.

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Speaker 1: The Princess.

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Speaker 3: She is from Mario Galaxy. She has a really tragic

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Speaker 3: story and you find out about it as you go

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Speaker 3: to visit the library, as you unlock more worlds you read,

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Speaker 3: you read about her.

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Speaker 2: It's very much like Little Prince. She her parents die.

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Speaker 2: They based Mystic River on her. Did you ever see

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Speaker 2: Mystic River?

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Speaker 1: I think actually it was on TV once.

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Speaker 2: Emmy and then watched her character. It's based on Rosa's sister.

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Speaker 1: Oh yeah, yeah, horrible. And her dad is Sean Penn.

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Speaker 2: Yeah, and he was like, my god. And then Marcia g.

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Speaker 2: Harden in Universe turned to performance bitch. I think Marsia

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Speaker 2: Harden is a princess of screen.

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Speaker 1: Yes, wa wait is that the one that was wait

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Speaker 1: wait you came to last and I do?

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Speaker 5: I do?

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Speaker 6: She was?

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Speaker 3: She was?

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Speaker 1: She an urban ledge and my god, I don't even

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Speaker 1: know that.

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Speaker 4: I don't know that. I might be thinking of someone else.

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Speaker 4: She got like light eyes and like she got light eye. Yeah,

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Speaker 4: she's like, oh she plays she.

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Speaker 1: Have you ever seen the movie? You ever say that?

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Speaker 2: Mono?

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Speaker 1: Lisa smile? No, God, I don't think about me.

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Speaker 2: Is I've never seen a movie that's okay, movies, I

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Speaker 2: haven't seen movies. Really, I'm trying to think of a

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Speaker 2: monoculture piece of work that Marcia gay Harden was in.

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Speaker 1: And it's hard.

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Speaker 4: But even then, like those, some of those, I'm like,

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Speaker 4: I missed it and it's and there's you're never gonna

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Speaker 4: watch it one day. I could same with like how's wipes?

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Speaker 4: Like one day if I.

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Speaker 1: Broke both my legs, I would I'd be caught up

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Speaker 1: on all this.

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Speaker 4: Yes, God, yeah, but absolutely I think that's kind of Yeah.

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Speaker 2: I'm gonna list some movies that Marcia gay Harden has

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Speaker 2: been in and you guys, tell me, if you've seen

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Speaker 2: this movie and if you think this movie qualified see

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Speaker 2: what she looks Yes, you can see what she looks like.

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Speaker 2: This is Marsha gay Harden, So Justin and the Zoom

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Speaker 2: and for everyone, that's Morden. That's actually of Frozen two. Okay,

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Speaker 2: So I don't know, but I'm gonna imagine that she

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Speaker 2: was there for some reason.

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Speaker 1: Yes.

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Speaker 2: So her acting credits include The First Wives Club, she

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Speaker 2: played No someone inmed doctor Leslie Rosen.

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Speaker 1: I don't remember her. I remember, I don't know me.

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Speaker 1: Joe Black m that's the Gorilla.

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Speaker 2: Alison Parrish again, Julia Roberts is in that Amazing You

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Speaker 2: may if you haven't seen that?

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Speaker 1: No, all right, have you ever seen the movie The Missed? No? Okay,

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Speaker 1: that's the this?

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Speaker 2: You know? What? How about Fifty Shades of Grave? She

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Speaker 2: played Grace Trevillian Gray. I'm only gonna imagine must be

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Speaker 2: a Christian Grace mother.

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Speaker 1: I took around.

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Speaker 4: When someone asks me if I've seen a certain movie,

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Speaker 4: I'm like, is it like forty Old Virgin?

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Speaker 2: That's that's your your north star? I guess, okay, And

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Speaker 2: now I'm like, what about TV? You know, do you

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Speaker 2: watch the Morning Show? And the Morning Show she plays

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Speaker 2: like a cunty reporter's like, I'll get you.

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Speaker 1: She's always talking, she's always telling you. You know.

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Speaker 2: It's like her adversary is Jennifer Aniston, who's like one

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Speaker 2: of the top Warner Show hosts, and she's.

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Speaker 1: Very like sorry read a Skeeter vibes where she's like, Hm,

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Speaker 1: Carrel is yeah, briefly, briefly, okay, gotcha. His character drove

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Speaker 1: off a cliff.

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Speaker 2: Oh my god, but by accident. Well, I think your

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Speaker 2: vibe is very Marcia gay Harden.

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Speaker 1: What do you what do you think of that name?

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Speaker 1: Gay Harden?

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Speaker 4: I think that it's a great last name, and I

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Speaker 4: think gay Harden. I think that I relate to it. Yeah,

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Speaker 4: gay resonates, do you Harden? So I actually do quite

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Speaker 4: a bit.

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Speaker 1: What's the name of the Pokemon that has hardened as

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Speaker 1: a move meta pod?

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Speaker 2: So if Couna was part of the lgbt Q plus community,

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Speaker 2: he would be gay hearted art that actually might be titled.

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Speaker 1: Wow, that's such a joke for Bo and Yang.

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Speaker 2: If I also.

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Speaker 4: Loved Pokemon, like I at my dad's apartment, we like

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Speaker 4: he still has the binder, I like left it there.

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Speaker 1: We had one fifty U all those there there.

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Speaker 3: It's time to sell. Really, they're up in marketing is

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Speaker 3: nodding our camera guy?

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Speaker 1: Are you serious? Cell sell? Yeah? People will buy them? Yes?

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Speaker 1: For how much? How?

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Speaker 7: Yeah?

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Speaker 1: Like what what would you say? If anyone's interesting?

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Speaker 3: I could go for I think like five k? You're

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Speaker 3: fucking no, what do you think thousand? You're saying five k?

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Speaker 2: I will never forget like going to the Pokemon card

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Speaker 2: so I called it the store, but on Tuesdays we

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Speaker 2: would go every week, and well I could never buy

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Speaker 2: a charge ark because it was twenty two dollars. But

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Speaker 2: my mom was like hopefully you'll find it in a pack,

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Speaker 2: because I'm not allowing you to pay twenty two dollars

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Speaker 2: for a card.

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Speaker 3: And then one day and now she's eating her fucking hat.

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Speaker 3: It's I don't think she understood, nor did anyone, that

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Speaker 3: it would be worth thousands, But.

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Speaker 1: No one understood except us. Yeah you know what I mean.

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Speaker 4: Yeah, like we it was so like tremendously valuable, like

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Speaker 4: the feeling of getting one of the cards you wanted,

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Speaker 4: and also you would trade for it. There was there

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Speaker 4: was a bit of strategy to it as well, and

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Speaker 4: just trying to like yeah, you know, every card was

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Speaker 4: so purposeful or something, and the holographic of it all

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Speaker 4: like that was just like yeah.

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Speaker 2: I remember like the first deals, Like I remember, like

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Speaker 2: I got in a fight with my cousin and my

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Speaker 2: aunt called our house because he regretted trading a blastoise

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Speaker 2: to me for a venosaur, and I was like, I'm sorry,

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Speaker 2: but we did say no trade backs, and that's a

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Speaker 2: verbal contract.

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Speaker 1: You got the blast door. I got the blast I remember.

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Speaker 4: I don't remember which card it was, but there was

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Speaker 4: someone from like my I think that was in fifth

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Speaker 4: grade or something or middle school that must have been

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Speaker 4: hard and yeah, this is my princess origin story. So

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Speaker 4: what happened was there was this guy who was so sweet,

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Speaker 4: very friendly guy.

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Speaker 1: No, I don't know, but I don't think so that

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Speaker 1: must have been really hard. Yeah, and he Basically what

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Speaker 1: happened was he told me he had a card that

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Speaker 1: I was looking for and he was like, yeah, I

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Speaker 1: actually have three of them, and you have three of

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Speaker 1: them he said, yeah, I do, and so then I

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Speaker 1: was like, well, I have this other one, like I

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Speaker 1: think I had two of like a rare one, And

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Speaker 1: I was like, what if we trade? And he was

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Speaker 1: like yeah, absolutely, like I can meet you or if

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Speaker 1: you want to come after school. Like I forget what happened.

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Speaker 1: We somehow Basically what ended up happening was I had

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Speaker 1: my mom drive me to his house. Yeah, but I

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Speaker 1: feel like like I don't think he actually explicitly was

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Speaker 1: like we're you were meeting me at my home to exchange.

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Speaker 1: I think he was more like like sure, like we

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Speaker 1: could do it.

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Speaker 2: This is like when a guy on Grinder is like, yeah,

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Speaker 2: i'm horny, I'm down.

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Speaker 1: It's like he's like, oh I'm horny, I'm horny. It's nothing.

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Speaker 2: It's like I guess he's at the childhood version of him.

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Speaker 2: You're like, come over, I'll trade you like my clferry,

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Speaker 2: and there's nothing of the sort.

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Speaker 1: He he didn't show me any cards.

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Speaker 4: He was just like he was like, oh, it's actually

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Speaker 4: at my it's at my dad's house, like all the

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Speaker 4: cards or something.

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Speaker 2: Just wanted to play with you. He wanted to play

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Speaker 2: with you, but he keep he catfished you.

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Speaker 1: He fished you.

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Speaker 2: Yeah, fish fish, Oh my god, Yeah, what was the

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Speaker 2: fucking deal?

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Speaker 1: You was sort of he was like kind of like

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Speaker 1: Emo a little bit. It was just understood. Yeah. Do

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Speaker 1: you think me is Emo?

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Speaker 4: Me was a little bit em Oh no, mewtwo, Yeah,

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Speaker 4: Metwo is Emo.

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Speaker 1: Mew was like was like this is fine, like.

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Speaker 4: God, and then it turns into like he hardens, he hardens,

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Speaker 4: Gay heartens tour Guy mewtwo And then there's that movie

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Speaker 4: The Pokemon.

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Speaker 2: I just think I remember that because mewtube was very scary. Yeah,

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Speaker 2: because capable of anything. I don't know what that song

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Speaker 2: it was, well not for nothing, but dark Horse is

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Speaker 2: kind of YouTube coded, like it's scary.

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Speaker 3: Richard, you could like you were you ever an a cappella? No,

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Speaker 3: you have an ear you have.

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Speaker 1: An ear for like mimicking instruments. You could be a

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Speaker 1: mimic on Thank you so much.

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Speaker 2: Well, we have plans to do a singing together at

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Speaker 2: Joe's Pup. Remember I'm only remembering now in the moment

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Speaker 2: that we did. We just said we were going to

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Speaker 2: do a cabaret night.

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Speaker 1: Yeah, what what?

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Speaker 7: What?

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Speaker 1: What would it be? We'd sit on two ends of

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Speaker 1: the stage and.

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Speaker 8: We stand the same time, exact time, our own very

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Speaker 8: different energy access and then me tops be like and bottoms.

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Speaker 2: Yeah, I'm doing like physical comedy, like to get away

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Speaker 2: with not like having written material. I'm like dropping it

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Speaker 2: low checking master.

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Speaker 1: What's it like to have like juicy asses? Both of

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Speaker 1: you are are juicy ass queens? Please you mean like

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Speaker 1: in a physical sense?

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Speaker 2: Yeah, like the energy you do answer that question, I'm

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Speaker 2: a mad could drop it to the floor and people

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Speaker 2: would erupt and scream.

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Speaker 1: You can take a picture from behind.

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Speaker 3: You've done like the bunny the bunny feet, so if

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Speaker 3: you if you don't know, Richard is I think also

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Speaker 3: very famous for his bunny feet photos.

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Speaker 2: Right, it's like the feet peaking. It's like it's like

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Speaker 2: you're taking a photo above.

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Speaker 4: Yes, you you you're kind of like on your knees,

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Speaker 4: like on the ground, and like your feet, you're like

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Speaker 4: sitting on your feet. You're sitting on your toes are

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Speaker 4: kind of poking out of your bums. Yeah yeah, but

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Speaker 4: you're taking a photo from above, so it just looks

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Speaker 4: like a little like rabbit. Yeah, like a little I

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Speaker 4: call it bunny feet making people uncomfortable.

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Speaker 2: But no, no, no, I'm more comfortable now than.

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Speaker 1: I'm glad you addressed it.

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Speaker 2: We're just breaking down the walls, like the room, because

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Speaker 2: I gotta say, I have I have Hank Hill ass.

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Speaker 2: You have Hank You're hanging Hank Kill has nothing. Peggy

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Speaker 2: Hill is the only member of the of the Hill family,

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Speaker 2: the Hill that has an ass.

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Speaker 1: Dead ass.

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Speaker 2: I have Hank Hill ass you have. You have some

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Speaker 2: of the most iconic legs.

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Speaker 1: I was gonna say, I'd rather have a good ass.

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Speaker 2: But having having such strong legs does make your ass

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Speaker 2: sit higher, Like you don't have no ass.

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Speaker 1: That's not true. I understand that that might be a lie.

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Speaker 1: You're telling yourself.

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Speaker 4: Like a catfish, like I feel like my ass isn't

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Speaker 4: like it's not actually real, richer, it's all an illusion.

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Speaker 2: Can we can we just like not see it, but

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Speaker 2: like do you want to, like you get up unless

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Speaker 2: you're unomfortable for us, Like, don't do that. Also, what

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Speaker 2: I'm wearing, I like wanted to keep like the illusion

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Speaker 2: of like I don't know.

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Speaker 1: Maybe I'm like Arcade Fire.

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Speaker 3: That's Arcade Fire. Yeah, you want people to hoe to

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Speaker 3: watch and say that's ArKade Fire.

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Speaker 1: Oh my god? Should we say the episode is with

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Speaker 1: arkid Fire Jay Harden?

377
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Speaker 2: But if you would, you would have to actually have

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Speaker 2: hit the episode to know that it was working for us.

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00:19:06,160 --> 00:19:07,720
Speaker 2: We should do that. We want everyone to know. We

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Speaker 2: want to know right when they see the social.

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Speaker 1: You know, that's all. I don't know.

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Speaker 2: It's like it's like it was where the wild thing

383
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Speaker 2: is the wild thing. I might like them then because.

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Speaker 1: I like that.

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00:19:24,200 --> 00:19:29,520
Speaker 2: Dun't dun't dun't dun't dun't du dun't dunt You have

386
00:19:29,560 --> 00:19:32,399
Speaker 2: such a good, easy tone, And every time I do

387
00:19:32,480 --> 00:19:34,480
Speaker 2: hear you singing, I'm always like so blown away by

388
00:19:34,480 --> 00:19:36,879
Speaker 2: how easy your access is and your resonators. Have you

389
00:19:36,920 --> 00:19:39,600
Speaker 2: ever told a cigarette or how to octo alcohol in

390
00:19:39,640 --> 00:19:40,040
Speaker 2: your life?

391
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Speaker 4: I I've smoking. I don't know how to do that. Really,

392
00:19:46,040 --> 00:19:48,520
Speaker 4: I tried and it goes bad, Like I bought a

393
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Speaker 4: pack of cigarettes when I was like a freshman in college,

394
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Speaker 4: because you know, it's like how you meet people to

395
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Speaker 4: like everyone's.

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Speaker 1: Outside what they told you. That must have been hard, know, like.

397
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Speaker 4: Where I went to college, Like my freshman sophomore hero

398
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Speaker 4: is in Delaware for and it is my Princess origin story,

399
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Speaker 4: Princess of the Cards.

400
00:20:05,359 --> 00:20:12,680
Speaker 1: That's Ashley Biden's vibe. Girl. Oh mgez waits you grew

401
00:20:12,720 --> 00:20:14,640
Speaker 1: up in Delaware? No no, no, I grew up.

402
00:20:16,600 --> 00:20:19,240
Speaker 4: No no, So I'm the Princess of New Jersey, right, but

403
00:20:19,720 --> 00:20:22,600
Speaker 4: I did take a little bit of time. I spent

404
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Speaker 4: some time in Delaware and then for the taxes and

405
00:20:28,560 --> 00:20:29,919
Speaker 4: and I was getting I got in trouble with some

406
00:20:29,920 --> 00:20:32,480
Speaker 4: stuff in Jerseys, so my parents sent me to Delaware

407
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Speaker 4: for two years.

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Speaker 1: And so then like, I.

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Speaker 3: Wait, what's the trouble the trouble Princess origins story?

410
00:20:42,560 --> 00:20:49,520
Speaker 1: Well, this must have been hard. Whatever this is? Oh

411
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Speaker 1: that's fake? Are you serious? Love that? It's really good?

412
00:21:01,840 --> 00:21:04,280
Speaker 1: This is what I'm saying. It's like literally really good.

413
00:21:04,320 --> 00:21:08,040
Speaker 2: But your vocal stylings are like lisman Ellie.

414
00:21:08,320 --> 00:21:17,840
Speaker 9: Thank you so much, Thank you so much. I what

415
00:21:18,040 --> 00:21:19,000
Speaker 9: was the trouble in Jersey?

416
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Speaker 4: I I think I was just like I was Indie

417
00:21:22,359 --> 00:21:27,240
Speaker 4: and so like, yeah, I was, I was just I was.

418
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Speaker 5: I did.

419
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Speaker 4: I was a bit mute at first, and then I

420
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Speaker 4: got mewtwo okay, and so then like I got to

421
00:21:33,840 --> 00:21:36,600
Speaker 4: get away from here, okay, okay, like Indie Emo, like

422
00:21:36,640 --> 00:21:38,119
Speaker 4: I was just like I gotta get away, Like this

423
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Speaker 4: is like you guys, like how old were you in Delaware?

424
00:21:41,000 --> 00:21:44,159
Speaker 4: I was eighteen, freshman year of college, okay, okay, it

425
00:21:44,520 --> 00:21:46,960
Speaker 4: ud no, no, no. This was a school that doesn't

426
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Speaker 4: exist anymore, called Delaware College of Art Design. It closed

427
00:21:50,320 --> 00:21:53,199
Speaker 4: down like a couple of years ago. Decad decad what

428
00:21:53,240 --> 00:21:53,720
Speaker 4: do they call it?

429
00:21:53,760 --> 00:21:56,920
Speaker 1: Decad? Like scad? Yeah, like Scott and.

430
00:21:56,880 --> 00:22:00,520
Speaker 2: Their sister schools. They were sister schools with Pratt and Corkoran.

431
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Speaker 1: Oh wow.

432
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Speaker 4: So like people generally would go there and then transferred

433
00:22:06,119 --> 00:22:09,880
Speaker 4: to either school. And so that's what my mission was.

434
00:22:10,040 --> 00:22:12,520
Speaker 4: I'm right here and then I ultimately want to get

435
00:22:12,520 --> 00:22:13,200
Speaker 4: to New York.

436
00:22:13,840 --> 00:22:15,119
Speaker 1: And then wait, wait, when did you bet to New

437
00:22:15,200 --> 00:22:18,640
Speaker 1: York again? Twenty eleven? Right on time, right on time?

438
00:22:18,720 --> 00:22:21,280
Speaker 1: When did y'all move? Huh? When did y'all move here.

439
00:22:23,160 --> 00:22:25,800
Speaker 1: So we got here and then sort of everything changed,

440
00:22:25,840 --> 00:22:26,840
Speaker 1: you know what I mean? Oh my god?

441
00:22:27,480 --> 00:22:30,520
Speaker 3: Here when when they got bin Laden? Because I was

442
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Speaker 3: twenty eleven.

443
00:22:31,880 --> 00:22:34,600
Speaker 1: I don't actually I think that was in the beginning

444
00:22:34,680 --> 00:22:34,920
Speaker 1: of the.

445
00:22:34,920 --> 00:22:39,720
Speaker 3: Year, right was May I remember. I don't really remember

446
00:22:39,760 --> 00:22:42,600
Speaker 3: the like, where were you in London? To be honest

447
00:22:42,640 --> 00:22:43,320
Speaker 3: with you, I.

448
00:22:43,359 --> 00:22:46,119
Speaker 1: Don't remember where I was when they got bin Laden.

449
00:22:46,800 --> 00:22:49,840
Speaker 4: I feel like I was in my like like sophomore year,

450
00:22:49,960 --> 00:22:52,280
Speaker 4: like apartment when I found you were in Delawary.

451
00:22:52,600 --> 00:22:54,879
Speaker 1: Yeah, and but no that there's a Thailand.

452
00:22:56,720 --> 00:22:59,880
Speaker 4: But the when I when I moved to New York

453
00:23:00,440 --> 00:23:02,880
Speaker 4: the next day the earthquake happened.

454
00:23:03,520 --> 00:23:05,960
Speaker 1: What Earth? Which was there was an earthquake here? There

455
00:23:06,080 --> 00:23:09,879
Speaker 1: was not? Yes, now August twenty eleven.

456
00:23:09,960 --> 00:23:13,040
Speaker 2: This is Mandela effect. So then you moved in August.

457
00:23:13,119 --> 00:23:15,560
Speaker 2: That's you know what effect is?

458
00:23:16,320 --> 00:23:21,720
Speaker 1: Yes, yes, we'll explain it then that you guys.

459
00:23:21,840 --> 00:23:26,200
Speaker 4: Mandela effect is something that can happen when you start

460
00:23:26,240 --> 00:23:28,920
Speaker 4: to think that things are going a certain way.

461
00:23:29,880 --> 00:23:33,280
Speaker 1: It was always different. Yeah, well that's a great way

462
00:23:33,280 --> 00:23:33,960
Speaker 1: of putting it.

463
00:23:35,560 --> 00:23:40,000
Speaker 3: What is it, Berenstein bears, Oh, yeah, bar, yes, and

464
00:23:40,040 --> 00:23:43,080
Speaker 3: it's been and it's Barren's stay in this timeline, Yes.

465
00:23:43,440 --> 00:23:45,680
Speaker 1: Got it, but you'll be able to remember the earthquake.

466
00:23:45,920 --> 00:23:49,040
Speaker 2: Honestly, No, I don't remember the earthquake. I think I

467
00:23:49,080 --> 00:23:53,480
Speaker 2: remember one happening more recently. There was one last summer, Yes,

468
00:23:54,359 --> 00:23:56,880
Speaker 2: last summer, but then it hasn't happened since this one

469
00:23:56,920 --> 00:23:59,200
Speaker 2: in twenty eleven. But you know, even when I'm in LA,

470
00:23:59,240 --> 00:24:01,919
Speaker 2: I don't feel them. My group Chad will be like earthquake,

471
00:24:02,000 --> 00:24:05,080
Speaker 2: all caps and I'll be like and like, and I'll

472
00:24:05,119 --> 00:24:07,080
Speaker 2: be like, I didn't feel it. I never feel them.

473
00:24:07,520 --> 00:24:09,840
Speaker 2: I felt them maybe a couple of times. One I'm

474
00:24:09,840 --> 00:24:12,080
Speaker 2: famously and we were in Palm Springs in a restaurant

475
00:24:12,160 --> 00:24:25,200
Speaker 2: that was not fun. I'm sorry that was shocking, hits Hey,

476
00:24:25,760 --> 00:24:28,800
Speaker 2: just like.

477
00:24:29,560 --> 00:24:37,600
Speaker 1: About the vocal quality. I'm telling you. I mean, listen,

478
00:24:37,760 --> 00:24:39,720
Speaker 1: if you I guess, we just have to stop smoking.

479
00:24:39,840 --> 00:24:42,560
Speaker 1: We just have to stop smoking. Okay, yeah, okay weed

480
00:24:42,640 --> 00:24:42,879
Speaker 1: for me.

481
00:24:42,960 --> 00:24:48,720
Speaker 4: So my princess origin so like I so I went

482
00:24:48,760 --> 00:24:54,800
Speaker 4: to this very small art school and uh just there

483
00:24:54,920 --> 00:24:58,760
Speaker 4: was basically two dorms, like or an apartment building that

484
00:24:58,840 --> 00:25:01,520
Speaker 4: like students lived to, and then there was a dorm

485
00:25:01,840 --> 00:25:05,200
Speaker 4: and then the school, which was like really small, okay,

486
00:25:05,520 --> 00:25:08,160
Speaker 4: and people would hang out outside the dorm just like

487
00:25:08,520 --> 00:25:11,800
Speaker 4: smoking cigarettes and like whatever, and so I was like

488
00:25:11,800 --> 00:25:14,840
Speaker 4: trying to make friends and so this what I I was,

489
00:25:14,960 --> 00:25:16,360
Speaker 4: you know, eighteen, So I was like, okay, I can

490
00:25:16,359 --> 00:25:17,200
Speaker 4: buy cigarettes.

491
00:25:17,240 --> 00:25:20,760
Speaker 1: So I went for it. And then I just I

492
00:25:20,760 --> 00:25:21,080
Speaker 1: don't know.

493
00:25:21,119 --> 00:25:25,159
Speaker 4: Anytime I've tried to smoke, I just like end up

494
00:25:25,200 --> 00:25:27,560
Speaker 4: like coughing for like thirty minutes, and I don't know

495
00:25:27,600 --> 00:25:28,560
Speaker 4: how to like inhale.

496
00:25:28,960 --> 00:25:32,879
Speaker 1: Same with right, you're not supposed to No, I'm sorry

497
00:25:32,920 --> 00:25:33,199
Speaker 1: you are.

498
00:25:35,960 --> 00:25:38,520
Speaker 2: I will say this like it takes me at So

499
00:25:38,960 --> 00:25:42,679
Speaker 2: when Bowen Yang whips out cigarettes, which is every day,

500
00:25:43,400 --> 00:25:46,720
Speaker 2: not really but sure is has it been more recently

501
00:25:46,720 --> 00:25:48,399
Speaker 2: because we've been doing a lot, and that sort of

502
00:25:48,560 --> 00:25:50,520
Speaker 2: comes away, Wait, what is it with you and cigarettes?

503
00:25:50,560 --> 00:25:52,720
Speaker 2: Like when you whip out a cigarette, like why are

504
00:25:52,720 --> 00:25:56,800
Speaker 2: you doing that? Physiologically? Its stress oral fixation and stress.

505
00:25:56,920 --> 00:26:00,000
Speaker 2: It's like what let's say, I'm gonna say it's like

506
00:26:00,359 --> 00:26:03,120
Speaker 2: six a week, okay, and I do it for community,

507
00:26:03,160 --> 00:26:05,040
Speaker 2: which is like I would never think to buy it

508
00:26:05,200 --> 00:26:07,280
Speaker 2: by myself, but when there's one around, like I will

509
00:26:07,800 --> 00:26:11,280
Speaker 2: have a cigarette with Bowen or a friend, right, But

510
00:26:11,440 --> 00:26:16,479
Speaker 2: it takes me a second every time to not cough.

511
00:26:17,119 --> 00:26:19,040
Speaker 2: I'm not because I smoke so much weed, and that is,

512
00:26:19,080 --> 00:26:20,440
Speaker 2: of course a different mechanism.

513
00:26:20,640 --> 00:26:23,240
Speaker 4: Even we too, like I tried to get into it

514
00:26:23,520 --> 00:26:27,520
Speaker 4: and every time vaping as well. I'm like, I remember

515
00:26:27,560 --> 00:26:28,680
Speaker 4: hookah bars like.

516
00:26:29,400 --> 00:26:31,040
Speaker 1: Well, especially when you first moved to New York.

517
00:26:31,080 --> 00:26:33,160
Speaker 2: Did you have the same experience When I first moved

518
00:26:33,160 --> 00:26:35,520
Speaker 2: to New York, I was going to hookah bars all.

519
00:26:35,560 --> 00:26:40,080
Speaker 1: My god, like I'm a adult, the hookah era of

520
00:26:40,080 --> 00:26:42,840
Speaker 1: New York. Remember Horus on Avenue A. I actually do.

521
00:26:43,520 --> 00:26:46,080
Speaker 3: Yeah, I think it's still there. Really, I think it's

522
00:26:46,119 --> 00:26:48,399
Speaker 3: a hookah bar. Like the theme is like.

523
00:26:48,720 --> 00:26:52,920
Speaker 2: It's by the bagel place or whatever. There's probably a

524
00:26:52,960 --> 00:26:56,000
Speaker 2: lot of bigel places new York City. Hunt anyway, we

525
00:26:56,040 --> 00:27:02,280
Speaker 2: can't be sure. Yeah, anyway, you can.

526
00:27:02,320 --> 00:27:04,080
Speaker 1: You do try whistleson.

527
00:27:05,280 --> 00:27:08,119
Speaker 2: No, No, that wasn't okay.

528
00:27:08,160 --> 00:27:08,640
Speaker 1: I don't know.

529
00:27:09,000 --> 00:27:16,040
Speaker 2: Oh I feel I feel scared. Yeah, that's probably spread

530
00:27:16,680 --> 00:27:17,320
Speaker 2: and night.

531
00:27:21,240 --> 00:27:21,560
Speaker 5: M hm.

532
00:27:22,200 --> 00:27:24,840
Speaker 1: Did you have when you were young? Did Actually?

533
00:27:25,640 --> 00:27:29,439
Speaker 4: I used to listen to my visit my dad on

534
00:27:29,440 --> 00:27:31,879
Speaker 4: the weekends, and he would buy me like marian the

535
00:27:31,960 --> 00:27:34,760
Speaker 4: Mariah Carey like he bought me like her Greatest Hits.

536
00:27:34,600 --> 00:27:36,720
Speaker 1: Album and White One number one.

537
00:27:36,840 --> 00:27:39,200
Speaker 4: Yeah, and then he also bought me the clean on

538
00:27:39,200 --> 00:27:42,400
Speaker 4: One one of them, yeah, the one that's like all

539
00:27:42,440 --> 00:27:45,919
Speaker 4: the way, yes, yes, all the way, and then.

540
00:27:45,880 --> 00:27:50,960
Speaker 1: The same and then Whitney Witney that was such a

541
00:27:50,960 --> 00:27:51,480
Speaker 1: good cover.

542
00:27:51,920 --> 00:27:54,040
Speaker 2: The Whitney one is great because the first one, the

543
00:27:54,080 --> 00:27:59,920
Speaker 2: red one is the ballads, and the blue one was Yeah,

544
00:28:00,080 --> 00:28:04,119
Speaker 2: so so many good ones. Yes, she probably out of

545
00:28:04,119 --> 00:28:05,520
Speaker 2: the three of them, that was probably the best.

546
00:28:05,560 --> 00:28:10,200
Speaker 1: Greatest hits. Yeah, it takes you on such a journey. Yeah,

547
00:28:10,280 --> 00:28:11,920
Speaker 1: it's such a journey. There's a remix of Queen of

548
00:28:11,960 --> 00:28:12,560
Speaker 1: the Night on that.

549
00:28:12,840 --> 00:28:19,560
Speaker 2: Yes, yes, see what I'm saying.

550
00:28:20,600 --> 00:28:21,320
Speaker 1: It's so good.

551
00:28:22,359 --> 00:28:25,639
Speaker 4: It's so like my dad, like on the weekends we

552
00:28:25,680 --> 00:28:31,040
Speaker 4: would go I visit him and he would bring me

553
00:28:31,080 --> 00:28:33,000
Speaker 4: with like he cleaned offices on the weekend.

554
00:28:33,160 --> 00:28:35,040
Speaker 1: He cleaned offices and listen to divas.

555
00:28:35,160 --> 00:28:37,000
Speaker 4: No no, no, Like on the weekends, like he would like

556
00:28:37,119 --> 00:28:39,560
Speaker 4: drive us there, like me and my brother. But then

557
00:28:39,800 --> 00:28:41,800
Speaker 4: we would like hang out. Sometimes we'd help him, but

558
00:28:41,960 --> 00:28:44,520
Speaker 4: mostly we were just like there was vending machines with

559
00:28:44,520 --> 00:28:46,760
Speaker 4: like free candies, so we would just like hang out.

560
00:28:46,840 --> 00:28:49,760
Speaker 3: Such a thing going to your dad's office where there's

561
00:28:49,800 --> 00:28:50,520
Speaker 3: free or whatever.

562
00:28:50,600 --> 00:28:52,760
Speaker 2: And I'm like perfect, and I'm like I'm in her,

563
00:28:53,120 --> 00:28:55,760
Speaker 2: and so would you on the way, I would have

564
00:28:55,840 --> 00:28:59,080
Speaker 2: my headphones on blasting.

565
00:28:59,320 --> 00:29:04,200
Speaker 1: Yeah, literally, you were You are Adison, You really are.

566
00:29:05,040 --> 00:29:09,440
Speaker 2: That's the princess that you are. Princess Addison. Oh my gosh,

567
00:29:09,960 --> 00:29:10,640
Speaker 2: that's a good title.

568
00:29:10,680 --> 00:29:11,360
Speaker 1: That's a good title.

569
00:29:13,520 --> 00:29:20,160
Speaker 4: Addison, Princess Addison, Arcade Fire, gay hardened, gay heartened.

570
00:29:20,560 --> 00:29:21,720
Speaker 1: Might be too many words.

571
00:29:22,040 --> 00:29:26,959
Speaker 4: No, oh really, but just make sure my name is first, Okay,

572
00:29:27,200 --> 00:29:30,200
Speaker 4: Richard Perez, the Princess Addison, Arcade.

573
00:29:29,880 --> 00:29:33,480
Speaker 1: Fire, you're really quiere. I can't really understand you. Well,

574
00:29:33,600 --> 00:29:35,960
Speaker 1: I bet just you're Are you doing a s m R?

575
00:29:36,520 --> 00:29:39,400
Speaker 2: Just make sure you guys think include my name, will

576
00:29:39,400 --> 00:29:41,520
Speaker 2: include your name. It was just a bit I think

577
00:29:41,600 --> 00:29:44,720
Speaker 2: on the subject of your voice. Unless this makes you uncomfortable,

578
00:29:44,920 --> 00:29:47,360
Speaker 2: I did earlier ask you to show your ass to everyone,

579
00:29:47,360 --> 00:29:50,160
Speaker 2: which I don't know why, but I think I think,

580
00:29:50,560 --> 00:29:53,560
Speaker 2: what is what is it about your sensuality as a performer,

581
00:29:53,840 --> 00:29:55,360
Speaker 2: because it's really magnetic?

582
00:29:56,440 --> 00:30:00,000
Speaker 1: Thank you? What is about scentuality?

583
00:30:00,120 --> 00:30:02,680
Speaker 3: Well, because like I think, one of the thing that

584
00:30:02,800 --> 00:30:08,720
Speaker 3: shook shook me. I'll always remember this is just it's

585
00:30:08,760 --> 00:30:13,640
Speaker 3: just the moments of you posting videos where it's it's

586
00:30:13,920 --> 00:30:15,080
Speaker 3: you know, pov.

587
00:30:14,800 --> 00:30:16,200
Speaker 1: Of you getting fed up.

588
00:30:16,440 --> 00:30:18,240
Speaker 2: That was I think that was when it changed for

589
00:30:18,280 --> 00:30:20,720
Speaker 2: me that I was like, Okay, this is a comedy

590
00:30:20,800 --> 00:30:21,760
Speaker 2: Central comic to watch.

591
00:30:23,280 --> 00:30:26,120
Speaker 3: Yeah, And which the companion piece to that is the

592
00:30:26,120 --> 00:30:27,840
Speaker 3: album which I tried to find the other day, by

593
00:30:27,840 --> 00:30:31,360
Speaker 3: the way, I couldn't was the Alama draft House film.

594
00:30:31,800 --> 00:30:36,080
Speaker 3: And that gets interrupted because someone because.

595
00:30:35,880 --> 00:30:37,040
Speaker 1: People are using their phones or.

596
00:30:37,440 --> 00:30:40,960
Speaker 2: People using their phone, and you came on screen as

597
00:30:41,040 --> 00:30:44,280
Speaker 2: the general manager of the Alma draft House saying guys, I'm.

598
00:30:44,200 --> 00:30:45,880
Speaker 1: So phones away.

599
00:30:46,240 --> 00:30:47,760
Speaker 3: But it was it would it would be during these

600
00:30:47,800 --> 00:30:51,040
Speaker 3: like love making scenes while you were in like the

601
00:30:51,080 --> 00:30:52,280
Speaker 3: closet at work.

602
00:30:52,160 --> 00:30:56,520
Speaker 2: We're like, I see, I try to do it now.

603
00:30:56,560 --> 00:30:58,360
Speaker 3: And I felt self conscious and I was like I

604
00:30:58,400 --> 00:30:59,800
Speaker 3: can't totally tap into that.

605
00:31:00,120 --> 00:31:02,840
Speaker 1: Maybe I used to. I mean, I mean I could.

606
00:31:02,840 --> 00:31:06,080
Speaker 4: I definitely am so self gosteous like sexually, but like,

607
00:31:07,400 --> 00:31:12,320
Speaker 4: I I don't know. I think maybe it's because if

608
00:31:12,360 --> 00:31:17,719
Speaker 4: the real thing is happening, I'm like, what Yeah, If

609
00:31:17,720 --> 00:31:21,360
Speaker 4: it's just like I'm like fantasy of it, then I'm

610
00:31:21,400 --> 00:31:27,080
Speaker 4: like I can totally just like like, yeah.

611
00:31:27,040 --> 00:31:28,600
Speaker 1: I'm trying to to you know what I mean.

612
00:31:28,680 --> 00:31:32,160
Speaker 4: I recently had phone sex, which I've never done in

613
00:31:32,160 --> 00:31:36,400
Speaker 4: my life, and it was so fun on the phone.

614
00:31:36,120 --> 00:31:36,920
Speaker 1: Vintage phone call.

615
00:31:37,000 --> 00:31:39,800
Speaker 4: Yeah, just a regular phone call, and it was spontaneous

616
00:31:39,880 --> 00:31:40,440
Speaker 4: and like.

617
00:31:42,400 --> 00:31:43,680
Speaker 1: We were on the phone for like an hour and

618
00:31:43,720 --> 00:31:44,080
Speaker 1: a half.

619
00:31:44,920 --> 00:31:48,200
Speaker 4: It's like so we were like building a scene and

620
00:31:48,240 --> 00:31:52,720
Speaker 4: like we were we were like, yeah, it was so

621
00:31:52,800 --> 00:31:54,600
Speaker 4: fun like the and I was like getting used to

622
00:31:54,600 --> 00:31:58,600
Speaker 4: like my voice earnestly saying things or whatever. And I'm

623
00:31:58,600 --> 00:32:01,520
Speaker 4: just like, I'm like, this is my sexual like self,

624
00:32:01,600 --> 00:32:04,600
Speaker 4: like my true like desire something. I'm like, let me

625
00:32:04,640 --> 00:32:07,040
Speaker 4: like try to like own it right now because I

626
00:32:07,160 --> 00:32:09,600
Speaker 4: hide behind it as like joking around and stuff, but

627
00:32:09,720 --> 00:32:12,280
Speaker 4: you know and being like yeah, you know doing these

628
00:32:12,320 --> 00:32:15,280
Speaker 4: bits and and even like live performances and stuff like that.

629
00:32:15,360 --> 00:32:19,080
Speaker 1: But I was like, let me try to like express

630
00:32:19,160 --> 00:32:20,000
Speaker 1: this in a true way.

631
00:32:20,120 --> 00:32:23,080
Speaker 4: And then after like thirty minutes of that, then we

632
00:32:23,080 --> 00:32:25,480
Speaker 4: were like, so, like where did you grow up?

633
00:32:26,920 --> 00:32:34,080
Speaker 1: So you know, I actually.

634
00:32:33,720 --> 00:32:36,440
Speaker 2: Think that people are onto something with this thing of

635
00:32:36,520 --> 00:32:40,760
Speaker 2: like if you like somebody really with gays like have

636
00:32:40,880 --> 00:32:44,840
Speaker 2: sex first and then go to dinner and stuff, because

637
00:32:44,840 --> 00:32:46,800
Speaker 2: then you don't have to like negotiate whatever the hell

638
00:32:46,960 --> 00:32:48,120
Speaker 2: lot all is, you.

639
00:32:48,040 --> 00:32:48,440
Speaker 1: Know what I mean.

640
00:32:49,320 --> 00:32:51,200
Speaker 2: If you if you find that you can get on

641
00:32:51,240 --> 00:32:54,080
Speaker 2: the same page as someone like, oh, we like each

642
00:32:54,080 --> 00:32:56,440
Speaker 2: other and we're sexually interested in each other. I've actually

643
00:32:56,440 --> 00:32:59,560
Speaker 2: found that that's actually a nice way to date someone.

644
00:32:59,720 --> 00:33:02,040
Speaker 2: You feel like, Okay, we're not in our heads the

645
00:33:02,160 --> 00:33:04,920
Speaker 2: entire time, we're hanging out thinking about whether or not

646
00:33:04,920 --> 00:33:07,239
Speaker 2: we're gonna kiss, whether or not we're how far it's

647
00:33:07,280 --> 00:33:11,000
Speaker 2: gonna go. Like you figure that out immediately. If that

648
00:33:11,040 --> 00:33:13,520
Speaker 2: part doesn't go great, then you kind of save the

649
00:33:13,600 --> 00:33:16,320
Speaker 2: time totally. Not to say lead with sex and like

650
00:33:16,480 --> 00:33:19,960
Speaker 2: that's better, but I'm just saying as an option, it's been.

651
00:33:20,800 --> 00:33:22,440
Speaker 4: Especially if you get in your head like to kind

652
00:33:22,440 --> 00:33:25,280
Speaker 4: of like break the ice that way exactly. And then

653
00:33:25,960 --> 00:33:28,560
Speaker 4: especially because i feel like every date I'm getting better

654
00:33:29,200 --> 00:33:32,080
Speaker 4: with it. But i feel like I'm like a little

655
00:33:32,200 --> 00:33:35,680
Speaker 4: or instant that and I'm also thinking, like the whole time,

656
00:33:35,720 --> 00:33:42,360
Speaker 4: it's like there's like an intrusive thoughts. He's looking his

657
00:33:42,400 --> 00:33:44,520
Speaker 4: eyes shifted, like, oh, he's.

658
00:33:44,720 --> 00:33:45,440
Speaker 1: Just engaging for me.

659
00:33:45,520 --> 00:33:49,560
Speaker 2: It's I'm always fixated on what. It's not about sex,

660
00:33:49,600 --> 00:33:54,640
Speaker 2: it's whether or not we're gonna kiss. I am crazy,

661
00:33:54,800 --> 00:33:57,200
Speaker 2: but I it feels the dates ending, like I'm like,

662
00:33:57,200 --> 00:34:00,920
Speaker 2: what's gonna happen, What's gonna happen? And I'm just like

663
00:34:01,120 --> 00:34:03,440
Speaker 2: and then and then on the outside, I'm just like

664
00:34:04,120 --> 00:34:07,800
Speaker 2: uh huh yeah, to the point where I'm like, when

665
00:34:07,840 --> 00:34:10,120
Speaker 2: the food comes, I actually get I get upset.

666
00:34:10,920 --> 00:34:12,040
Speaker 1: When the why did you get upset?

667
00:34:12,160 --> 00:34:14,479
Speaker 2: Because when the food comes, it's like, oh my god,

668
00:34:14,560 --> 00:34:16,960
Speaker 2: Like we moved on to another stage of this, We're

669
00:34:16,960 --> 00:34:19,480
Speaker 2: getting closer to the we're gonna find.

670
00:34:19,280 --> 00:34:20,840
Speaker 1: Out that part.

671
00:34:21,640 --> 00:34:25,640
Speaker 2: It's interesting that's entirely an anxious response you identify with that.

672
00:34:26,840 --> 00:34:28,600
Speaker 2: It's because I it's because we were actually just talking

673
00:34:28,600 --> 00:34:30,480
Speaker 2: about this on the walk over here, Like we have

674
00:34:30,480 --> 00:34:33,759
Speaker 2: two very different responses to being anxious.

675
00:34:34,239 --> 00:34:35,200
Speaker 1: Like I have like an.

676
00:34:35,200 --> 00:34:37,320
Speaker 2: Very anxious response to things, and he has like a

677
00:34:37,400 --> 00:34:38,640
Speaker 2: more like I guess what you call it, like a

678
00:34:38,680 --> 00:34:39,680
Speaker 2: depressive dude.

679
00:34:39,719 --> 00:34:42,560
Speaker 3: Yeah, it goes down, Yes, I go okay, like and

680
00:34:42,600 --> 00:34:45,880
Speaker 3: then and then it's just a downward slow But both do.

681
00:34:45,880 --> 00:34:47,920
Speaker 2: You mean like do you kind of withdraw or something?

682
00:34:47,920 --> 00:34:50,680
Speaker 2: Are you like this is like I withdraw?

683
00:34:50,840 --> 00:34:54,920
Speaker 3: And this is to Matt's point about leading with sex

684
00:34:55,000 --> 00:34:58,560
Speaker 3: or just starting with it being I'm gonna say for me,

685
00:34:58,880 --> 00:35:01,560
Speaker 3: it sounds like the better option because this is what happens.

686
00:35:01,840 --> 00:35:03,960
Speaker 3: I've been on either side of this, where you go

687
00:35:04,000 --> 00:35:07,040
Speaker 3: on dates, they're great, and then for some reason, the

688
00:35:07,040 --> 00:35:09,759
Speaker 3: anxiety of sex coming up is the thing that like,

689
00:35:09,840 --> 00:35:11,640
Speaker 3: and if it doesn't go well, like what does this mean?

690
00:35:12,239 --> 00:35:14,279
Speaker 3: Then people pull away or they pull away before the

691
00:35:14,280 --> 00:35:16,960
Speaker 3: sex even happens. So then if you're ripping the steal

692
00:35:16,960 --> 00:35:19,600
Speaker 3: off of sex and then you're like, okay, pressure is off,

693
00:35:19,760 --> 00:35:21,759
Speaker 3: let's just get to know each other, like like the

694
00:35:21,800 --> 00:35:23,040
Speaker 3: pillow talk after the phone sex.

695
00:35:23,160 --> 00:35:25,760
Speaker 1: Yeah, it's like mostakes, right.

696
00:35:25,840 --> 00:35:29,600
Speaker 2: They're also a lot less likely to perform like or

697
00:35:29,640 --> 00:35:31,879
Speaker 2: like be fake or be a version of yourself. That's

698
00:35:31,920 --> 00:35:34,280
Speaker 2: not true. If someone has already seen.

699
00:35:34,120 --> 00:35:37,200
Speaker 1: Like the whole up close, that's true. That's the way

700
00:35:37,239 --> 00:35:38,239
Speaker 1: with Balls went to a whole.

701
00:35:38,400 --> 00:35:43,400
Speaker 2: I mean, that's a lot too depressive anxious. That's just

702
00:35:43,440 --> 00:35:48,560
Speaker 2: sort of the binary up here.

703
00:35:48,760 --> 00:35:54,320
Speaker 1: Balls is depressed. Depression is so anxious. I just don't

704
00:35:54,719 --> 00:35:55,400
Speaker 1: balls for me.

705
00:35:55,480 --> 00:35:58,040
Speaker 2: Maybe it's because mine are so sensitive and whenever guys

706
00:35:58,080 --> 00:35:59,240
Speaker 2: are interacting.

707
00:35:58,800 --> 00:35:59,799
Speaker 1: With them, it's like hurt.

708
00:36:00,080 --> 00:36:03,480
Speaker 2: It's like painful when guys want me to like lick

709
00:36:03,560 --> 00:36:04,960
Speaker 2: their balls, stuck their balls.

710
00:36:05,000 --> 00:36:08,800
Speaker 1: Like, I'm just like, okay, I mean it's not my favorite.

711
00:36:08,840 --> 00:36:10,880
Speaker 1: I don't balls, but I love Yeah, I.

712
00:36:10,880 --> 00:36:14,360
Speaker 3: Don't crave it, but I'm like, this is cute balls.

713
00:36:14,480 --> 00:36:17,560
Speaker 3: Balls like depression. It's just something that's there. Are you

714
00:36:17,600 --> 00:36:19,880
Speaker 3: know what I mean? Do you like balls?

715
00:36:19,880 --> 00:36:21,160
Speaker 1: It depends every now and the I'm like.

716
00:36:21,160 --> 00:36:24,799
Speaker 3: Balls, Are your balls resilient? I would say they are.

717
00:36:25,000 --> 00:36:28,200
Speaker 3: I've got good balls. Yeah, I think I do too.

718
00:36:28,560 --> 00:36:32,520
Speaker 2: I mean, it certainly work. It's just like I'm producing

719
00:36:33,320 --> 00:36:35,880
Speaker 2: but I don't. But they are incredibly sensitive.

720
00:36:36,000 --> 00:36:36,400
Speaker 1: Holes.

721
00:36:36,560 --> 00:36:41,160
Speaker 3: All I am so sensitive. Whole is anxiety because it is,

722
00:36:44,560 --> 00:36:47,000
Speaker 3: am I gonna do this? You should do ans? You

723
00:36:47,000 --> 00:36:48,720
Speaker 3: should do that in the show. This is my impression

724
00:36:48,719 --> 00:36:52,040
Speaker 3: of a hole.

725
00:36:53,880 --> 00:37:00,400
Speaker 1: You I feel insane. Oh my god, wait that's she.

726
00:37:02,400 --> 00:37:05,320
Speaker 2: I'm so much more comfortable with my hole than my balls,

727
00:37:05,800 --> 00:37:07,000
Speaker 2: like my w I.

728
00:37:06,960 --> 00:37:10,600
Speaker 1: Want to get there some hick golly. I really want

729
00:37:10,600 --> 00:37:14,520
Speaker 1: to get it. Damn, damn.

730
00:37:14,640 --> 00:37:16,839
Speaker 2: I don't know what it is like, but maybe it's

731
00:37:16,880 --> 00:37:22,400
Speaker 2: because whatever, Like I was so so so not okay

732
00:37:22,480 --> 00:37:26,560
Speaker 2: with anyone like doing whole stuff to me until later

733
00:37:27,320 --> 00:37:28,480
Speaker 2: and then when I became that way.

734
00:37:28,520 --> 00:37:29,839
Speaker 1: I was like, oh my god, it's like.

735
00:37:30,680 --> 00:37:33,879
Speaker 6: That Solan Mile line for me.

736
00:37:35,080 --> 00:37:39,040
Speaker 2: Yes, And you know what's crazy is like that's a

737
00:37:39,080 --> 00:37:40,799
Speaker 2: Mandy Moore song. And I think, like, you know, she

738
00:37:40,960 --> 00:37:43,520
Speaker 2: loves the podcast, like she's probably gonna hear me talk

739
00:37:43,560 --> 00:37:44,000
Speaker 2: about like.

740
00:37:45,800 --> 00:38:05,680
Speaker 6: Le my head back and pray see.

741
00:38:09,320 --> 00:38:09,600
Speaker 2: To be.

742
00:38:13,560 --> 00:38:15,520
Speaker 5: To be yours.

743
00:38:15,719 --> 00:38:18,759
Speaker 6: I know, no, you Mile.

744
00:38:23,640 --> 00:38:25,600
Speaker 2: You know it's not the first time we've done that

745
00:38:25,960 --> 00:38:27,240
Speaker 2: entire part of the song.

746
00:38:27,360 --> 00:38:29,440
Speaker 1: When was the last time twenty eleven the earthquake.

747
00:38:31,440 --> 00:38:35,960
Speaker 2: I think it's happened since, but maybe maybe I probably do.

748
00:38:36,800 --> 00:38:38,960
Speaker 2: I don't know about y'all, but probably that comes up

749
00:38:39,200 --> 00:38:40,360
Speaker 2: as a thing to sing.

750
00:38:40,200 --> 00:38:42,920
Speaker 1: At least once a year. Absolutely, yeah, at least.

751
00:38:43,120 --> 00:38:46,879
Speaker 2: Yeah, great songs. That really is one of the great

752
00:38:46,880 --> 00:38:48,600
Speaker 2: scenes in film. Absolutely.

753
00:38:48,600 --> 00:38:52,680
Speaker 4: I also just love like like a recently rewatched Laguna

754
00:38:52,719 --> 00:38:55,200
Speaker 4: Beach and there's that did.

755
00:38:55,360 --> 00:39:00,000
Speaker 1: Did you see Cavalaries podcast? No, Elsie is on Christian

756
00:39:00,200 --> 00:39:04,760
Speaker 1: like huge, this is recent yeaheah, I have that culture.

757
00:39:04,880 --> 00:39:07,080
Speaker 1: I'm immediately going to watch that after this. Of course,

758
00:39:12,640 --> 00:39:13,120
Speaker 1: that tell us.

759
00:39:13,080 --> 00:39:16,040
Speaker 2: What that is in terms of in terms of Kristin

760
00:39:16,080 --> 00:39:19,280
Speaker 2: and Elsie, in terms of your recent viewing of Theaguna beach. Yeah,

761
00:39:19,320 --> 00:39:21,439
Speaker 2: what was your take on Kristin and Elsie? I would

762
00:39:21,480 --> 00:39:24,000
Speaker 2: love to know in a twenty twenty five lens.

763
00:39:24,600 --> 00:39:29,040
Speaker 4: I think, I mean, okay, from mind you, I watched

764
00:39:29,040 --> 00:39:32,120
Speaker 4: this five years ago, okay, and a lot has happened,

765
00:39:32,120 --> 00:39:32,800
Speaker 4: so you're watching.

766
00:39:33,840 --> 00:39:36,560
Speaker 1: Yeah, so everything was all fucked up blur Yeah that

767
00:39:36,640 --> 00:39:36,759
Speaker 1: was so.

768
00:39:37,760 --> 00:39:42,239
Speaker 4: I don't necessarily remember so the details of their dynamic,

769
00:39:42,480 --> 00:39:45,960
Speaker 4: but I do feel like, I mean, I don't I

770
00:39:46,000 --> 00:39:48,279
Speaker 4: relate to both of them. I feel like Elsie was

771
00:39:48,280 --> 00:39:52,239
Speaker 4: a bit more like maybe insecure or something like.

772
00:39:52,440 --> 00:39:55,640
Speaker 2: She seemed more ensurished to me, like she was always

773
00:39:55,680 --> 00:39:59,840
Speaker 2: Elsie was always I mean obviously like she's she's.

774
00:39:59,680 --> 00:40:10,640
Speaker 1: Watched She's.

775
00:40:07,680 --> 00:40:09,560
Speaker 2: No for sure And this is a this is a

776
00:40:09,600 --> 00:40:12,279
Speaker 2: binary that makes perfect sense to me.

777
00:40:13,160 --> 00:40:13,480
Speaker 1: Elsie.

778
00:40:16,640 --> 00:40:19,799
Speaker 2: Remember when when Elsie like didn't go to Paris? Yes,

779
00:40:20,560 --> 00:40:23,080
Speaker 2: she think about it every day. I think about that

780
00:40:23,080 --> 00:40:23,520
Speaker 2: every day.

781
00:40:23,520 --> 00:40:26,040
Speaker 1: What would you have done? I would have gone to Paris? Well? Yes,

782
00:40:26,640 --> 00:40:28,440
Speaker 1: what was the name of the guy Justin? Bobby?

783
00:40:28,880 --> 00:40:33,920
Speaker 4: No, Justin Bobby is Audrina's guy? And what were your

784
00:40:33,960 --> 00:40:39,600
Speaker 4: what's your take on Audrina? Audrina is like I love her,

785
00:40:39,719 --> 00:40:41,880
Speaker 4: I love her. I love a person that's just like

786
00:40:42,239 --> 00:40:45,239
Speaker 4: kind of like smiling and kind of like dead eyed

787
00:40:45,239 --> 00:40:48,319
Speaker 4: a little bit. She's like I don't see, like what

788
00:40:48,480 --> 00:40:51,080
Speaker 4: I did wrong, Like I don't know if I feel

789
00:40:51,120 --> 00:40:53,439
Speaker 4: for her, Like I feel like she is like put

790
00:40:53,440 --> 00:40:56,680
Speaker 4: in these circumstances that are like stressful, and she's kind

791
00:40:56,680 --> 00:40:59,520
Speaker 4: of trying to like make things.

792
00:40:59,719 --> 00:41:01,680
Speaker 1: I don't know, she's trying to diffuse things. Yeah, she's

793
00:41:01,719 --> 00:41:02,440
Speaker 1: trying to diffuse.

794
00:41:02,520 --> 00:41:02,680
Speaker 2: You know.

795
00:41:02,719 --> 00:41:05,000
Speaker 1: I really relate to that just anything that I'm doing

796
00:41:05,080 --> 00:41:06,760
Speaker 1: right now, Like this is my Audrena impression.

797
00:41:07,320 --> 00:41:10,439
Speaker 2: That's yeah, yeah, absolutely, you know, I will never put

798
00:41:10,440 --> 00:41:14,279
Speaker 2: she's uncomfortable when she's like happy like it's and it's

799
00:41:14,360 --> 00:41:15,960
Speaker 2: kind of like like I don't know, even like Corney

800
00:41:16,040 --> 00:41:19,919
Speaker 2: Kardashian has that too, but there's always a smile while

801
00:41:20,040 --> 00:41:21,280
Speaker 2: like they're the same tone.

802
00:41:21,360 --> 00:41:23,800
Speaker 1: I love that. Yeah, like I love that tone. The

803
00:41:23,880 --> 00:41:24,680
Speaker 1: same tone there.

804
00:41:25,239 --> 00:41:34,520
Speaker 10: Wait is pussy if la la Lauren's balls, you know

805
00:41:34,560 --> 00:41:35,439
Speaker 10: what Adrena want?

806
00:41:35,520 --> 00:41:38,000
Speaker 1: Like this is my favorite Audrena Patrick's fact. And this is.

807
00:41:37,960 --> 00:41:41,000
Speaker 2: Something that I think do the math only I know, Okay,

808
00:41:41,239 --> 00:41:43,759
Speaker 2: if any of you know this, please let me know.

809
00:41:44,960 --> 00:41:49,160
Speaker 2: Audrina Patridge won an award for acting in Sorority Row It.

810
00:41:49,120 --> 00:41:51,360
Speaker 1: Was called the Show West Female Star.

811
00:41:51,239 --> 00:41:53,439
Speaker 2: Of Tomorrow Award that they gave to the entire cast

812
00:41:53,480 --> 00:41:56,360
Speaker 2: of Sorority Row, which people forget that Audrina Patrick was

813
00:41:56,400 --> 00:41:59,560
Speaker 2: in it, but so was rumor willis My entire cast

814
00:41:59,640 --> 00:42:02,200
Speaker 2: won this award, and I swear to god it was

815
00:42:02,239 --> 00:42:04,759
Speaker 2: the same award that like Anne Halfaway had won when

816
00:42:04,760 --> 00:42:05,239
Speaker 2: she was like.

817
00:42:05,360 --> 00:42:08,160
Speaker 1: Whoah, my god, every I'm gonna look why don't we

818
00:42:08,280 --> 00:42:09,760
Speaker 1: know this? I'm gonna look at.

819
00:42:09,680 --> 00:42:12,680
Speaker 2: Like the history of the female I don't know what

820
00:42:12,680 --> 00:42:14,560
Speaker 2: Sorority Row is either, but I want to.

821
00:42:14,560 --> 00:42:16,360
Speaker 1: I want to share a quick thing about Audrina Patridge.

822
00:42:16,400 --> 00:42:19,719
Speaker 1: What I don't know Sorority Row. No, you're a horror girl.

823
00:42:20,400 --> 00:42:23,960
Speaker 1: Oh no, share this, Share the Adrina story.

824
00:42:24,000 --> 00:42:26,200
Speaker 3: I will never get my Audrina sort of thing that

825
00:42:26,239 --> 00:42:28,719
Speaker 3: I will always associate with her is there was an

826
00:42:28,800 --> 00:42:30,680
Speaker 3: US Weekly, mind you, this is the Midots where they

827
00:42:30,719 --> 00:42:32,840
Speaker 3: were doing celebrity diets and her quote it's her in

828
00:42:32,840 --> 00:42:35,120
Speaker 3: a bikini and then a big burst in a bubble.

829
00:42:35,160 --> 00:42:38,759
Speaker 3: It's her quote she says, sometimes you don't have to

830
00:42:38,760 --> 00:42:41,839
Speaker 3: eat the whole burger. I'll eat a burger, and I'll

831
00:42:41,840 --> 00:42:43,680
Speaker 3: have a couple of bites, and I'll put it down

832
00:42:43,719 --> 00:42:46,279
Speaker 3: and I thought at the time, Wow, that's so incredible

833
00:42:46,840 --> 00:42:53,160
Speaker 3: the most I'm sorry ed thing. Poor girls were fucking

834
00:42:54,000 --> 00:42:57,600
Speaker 3: on TV like in their in their teens and twenties,

835
00:42:57,719 --> 00:43:01,000
Speaker 3: like being like fucking like taken to apart. Like I

836
00:43:01,000 --> 00:43:02,520
Speaker 3: don't know if I don't know if the culture was

837
00:43:02,560 --> 00:43:05,280
Speaker 3: ever good around reality TV, like in terms of the audience,

838
00:43:05,320 --> 00:43:07,160
Speaker 3: but like I feel like with those hills, with those

839
00:43:07,200 --> 00:43:10,160
Speaker 3: Luguna Beach Hills people, I'm like, oh my god, you

840
00:43:10,160 --> 00:43:12,560
Speaker 3: you were you were put through the fucking ringer. And

841
00:43:12,600 --> 00:43:14,760
Speaker 3: I remember watching one episode of the City with Whitney

842
00:43:14,760 --> 00:43:15,359
Speaker 3: and then being done.

843
00:43:15,640 --> 00:43:16,760
Speaker 1: Literally I'm right, okay.

844
00:43:16,880 --> 00:43:19,440
Speaker 2: Two thousand and nine, they won the Female Star of

845
00:43:19,440 --> 00:43:25,120
Speaker 2: Tomorrow and literally so was Vanessa Hudgens, Chris Pine, Emil

846
00:43:25,239 --> 00:43:29,799
Speaker 2: Hirsh Wow, Breslan Hia. This goes all the way back

847
00:43:29,800 --> 00:43:33,000
Speaker 2: to Mark Hamill won it, but Roberts in two thousand

848
00:43:33,040 --> 00:43:37,719
Speaker 2: and seven, look random, Ralph Jennifer Hudson one and six, like.

849
00:43:37,640 --> 00:43:38,719
Speaker 1: What's this award called?

850
00:43:38,760 --> 00:43:41,640
Speaker 2: It's the It's the Show West Star of Tomorrow Award,

851
00:43:41,680 --> 00:43:44,960
Speaker 2: And they would pick like a male and a female

852
00:43:45,239 --> 00:43:48,000
Speaker 2: and they would give out the awards and Audrina Patridge

853
00:43:48,000 --> 00:43:49,920
Speaker 2: as part of the cast of Sorority.

854
00:43:49,520 --> 00:43:52,120
Speaker 1: Wrote won this award. Wo wow, he was the most

855
00:43:52,120 --> 00:43:55,480
Speaker 1: recent person see it was. Yeah, they're still doing I

856
00:43:55,480 --> 00:43:57,680
Speaker 1: bet she's a fantastic actor. I don't think I've seen

857
00:43:57,719 --> 00:43:59,480
Speaker 1: her work. I think you kind of have to be

858
00:43:59,600 --> 00:44:02,080
Speaker 1: like in a vessel, a vessel.

859
00:44:02,400 --> 00:44:07,799
Speaker 3: See, I think Elsie was maybe had more like was

860
00:44:07,800 --> 00:44:10,160
Speaker 3: too much, had too much space in the vessel, you

861
00:44:10,239 --> 00:44:14,160
Speaker 3: know what I mean, Like I was more. I love

862
00:44:14,239 --> 00:44:17,880
Speaker 3: Lauren Conrad for life. Yeah, I was watching for Spencer

863
00:44:17,920 --> 00:44:18,279
Speaker 3: and Heidi.

864
00:44:18,800 --> 00:44:20,040
Speaker 1: Oh you know what I mean?

865
00:44:20,160 --> 00:44:23,759
Speaker 2: Yeah, Yeah, I mean I could literally list all day,

866
00:44:23,800 --> 00:44:26,000
Speaker 2: and it's like it's like it's like a best New

867
00:44:26,080 --> 00:44:26,520
Speaker 2: Artist thing.

868
00:44:26,800 --> 00:44:28,080
Speaker 1: Who actually made it? Who didn't?

869
00:44:28,160 --> 00:44:32,480
Speaker 2: Like Hailey Steinfeld twenty thirteen made it totally anyway? Yeah no,

870
00:44:32,800 --> 00:44:35,839
Speaker 2: justin uh fucking Heidi and Spencer like they had staying.

871
00:44:35,560 --> 00:44:38,200
Speaker 3: Power too, they did and still like they're still in

872
00:44:38,280 --> 00:44:39,160
Speaker 3: the culture in a way.

873
00:44:39,760 --> 00:44:42,040
Speaker 1: Absolutely, you know what I mean. Oh, it makes news

874
00:44:42,040 --> 00:44:44,920
Speaker 1: when she didn't she because her Wig artist.

875
00:44:44,760 --> 00:44:47,480
Speaker 3: Her Wig artists like hop Off kind of pulled a

876
00:44:47,480 --> 00:44:51,680
Speaker 3: prank on her on a carpet recently. Oh real, yeah, yeah,

877
00:44:51,800 --> 00:44:55,200
Speaker 3: put her in the way. Her hairline was low that's all.

878
00:44:55,200 --> 00:44:58,280
Speaker 1: That's all it happened. Yeah, truly, truly it does.

879
00:44:58,360 --> 00:45:02,920
Speaker 3: It happened to me on that's it out Those hairlines

880
00:45:02,920 --> 00:45:08,400
Speaker 3: are right, no, Jody Queen. Yeah, wait, I want to

881
00:45:08,440 --> 00:45:10,200
Speaker 3: know more about this.

882
00:45:10,840 --> 00:45:13,080
Speaker 1: Well, you don't have to go into it. Wait any culture.

883
00:45:14,080 --> 00:45:16,880
Speaker 2: Here's a question, Richard Pres What was the culture that

884
00:45:16,920 --> 00:45:19,200
Speaker 2: made you say culture was for you? You know this

885
00:45:19,239 --> 00:45:20,319
Speaker 2: wasn't we actually have to have it.

886
00:45:20,800 --> 00:45:23,360
Speaker 4: We're right, I've okay, by the way, I've listened to

887
00:45:23,440 --> 00:45:27,520
Speaker 4: this podcast for years stop since like I got into

888
00:45:27,600 --> 00:45:31,320
Speaker 4: it around like twenty eighteen. Really yeah, And like I

889
00:45:32,040 --> 00:45:33,640
Speaker 4: used to work like at an office job, and I

890
00:45:33,680 --> 00:45:36,200
Speaker 4: was just like listen this before I was performing, and

891
00:45:36,239 --> 00:45:37,799
Speaker 4: I was just like listen to you guys and like

892
00:45:37,840 --> 00:45:41,200
Speaker 4: find out about like so many comedians I'm like now

893
00:45:41,239 --> 00:45:43,680
Speaker 4: like such a big fan of and some of I've

894
00:45:43,719 --> 00:45:46,359
Speaker 4: become friends with, and like, you know.

895
00:45:47,440 --> 00:45:49,000
Speaker 1: I didn't know that you didn't know.

896
00:45:49,840 --> 00:45:51,399
Speaker 2: You never told us that, you never told us, Thank

897
00:45:51,440 --> 00:45:54,720
Speaker 2: you for that and they and so this like feels

898
00:45:54,760 --> 00:45:58,200
Speaker 2: so surreal to be chatting with both of you.

899
00:46:00,280 --> 00:46:05,200
Speaker 1: We love a guest and.

900
00:46:04,239 --> 00:46:06,520
Speaker 4: Actually and I remember one time I met you really

901
00:46:06,640 --> 00:46:10,640
Speaker 4: briefly at Metro but it was like such a quick exchange,

902
00:46:10,640 --> 00:46:12,759
Speaker 4: and I was like so starstruck, and I was like.

903
00:46:12,920 --> 00:46:14,920
Speaker 1: I was like, I listened to your podcast.

904
00:46:14,960 --> 00:46:17,920
Speaker 4: I love like you were he yeah, I think you

905
00:46:17,920 --> 00:46:20,520
Speaker 4: put your hand in my face and then.

906
00:46:20,440 --> 00:46:23,160
Speaker 1: You get a shot. I'm trying to take my shot.

907
00:46:23,480 --> 00:46:27,000
Speaker 2: Yeah, and then you had a big poofy dress made

908
00:46:27,040 --> 00:46:27,440
Speaker 2: your ass.

909
00:46:29,120 --> 00:46:32,160
Speaker 3: Oh so you're gas lighting my ass? Now, well you

910
00:46:32,160 --> 00:46:34,160
Speaker 3: you had the bounce.

911
00:46:34,200 --> 00:46:37,880
Speaker 1: Oh my god, that thing. I always wondered what that.

912
00:46:39,440 --> 00:46:42,000
Speaker 3: Know, that's a gay thing. It's like where we all

913
00:46:42,000 --> 00:46:43,440
Speaker 3: want to know what that we all wish we had.

914
00:46:43,440 --> 00:46:50,040
Speaker 4: I know, I think of like Cinderella, like.

915
00:46:47,680 --> 00:46:53,200
Speaker 2: Like come come girls, and yeah, they bounced, come come,

916
00:46:53,239 --> 00:46:53,920
Speaker 2: come girls.

917
00:46:54,040 --> 00:46:55,759
Speaker 1: And they would say and then they would snarl on

918
00:46:55,800 --> 00:46:56,200
Speaker 1: the way out.

919
00:46:56,239 --> 00:46:59,880
Speaker 2: Because here's the thing about Cinderella's stepmother and the sister.

920
00:47:01,600 --> 00:47:04,719
Speaker 2: They at least knew they were awful. Yeah, but they

921
00:47:05,280 --> 00:47:08,040
Speaker 2: knew they were rotted. They never even tried to be nice.

922
00:47:08,080 --> 00:47:11,080
Speaker 2: They were never they They lived it, snorted it, and

923
00:47:11,160 --> 00:47:11,640
Speaker 2: fucked it.

924
00:47:11,840 --> 00:47:13,440
Speaker 1: Yeah. Truly, yeah truly.

925
00:47:14,239 --> 00:47:17,440
Speaker 4: So what was the culture that made so sorry, so sorry,

926
00:47:18,560 --> 00:47:21,440
Speaker 4: so funny enough that we're talking about the hills and

927
00:47:21,440 --> 00:47:25,160
Speaker 4: all this stuff. I wrote down in my notes that

928
00:47:25,400 --> 00:47:30,360
Speaker 4: my culture okay, so this isn't okay, it's too The

929
00:47:30,440 --> 00:47:33,640
Speaker 4: year two thousand and seven is what I will say

930
00:47:33,800 --> 00:47:36,879
Speaker 4: is my answer for like culture that made me say

931
00:47:36,880 --> 00:47:38,799
Speaker 4: cultures for me, like, I feel like it's such a

932
00:47:38,840 --> 00:47:43,799
Speaker 4: big year in media culture like the world, but but

933
00:47:43,920 --> 00:47:46,839
Speaker 4: even just like personally for me, I feel like that

934
00:47:47,280 --> 00:47:50,440
Speaker 4: was definitely like a time that I took things in

935
00:47:50,440 --> 00:47:52,960
Speaker 4: in a different way and especially trying to visualize like

936
00:47:53,000 --> 00:47:55,759
Speaker 4: what my life could look like and starting to have

937
00:47:55,840 --> 00:47:58,920
Speaker 4: like really more vivid dreams of like, oh, like a

938
00:47:58,960 --> 00:48:01,560
Speaker 4: city life of you know, either La or New York

939
00:48:01,719 --> 00:48:05,719
Speaker 4: or you know. Gossip Girl came out there like there

940
00:48:05,760 --> 00:48:07,760
Speaker 4: was I don't know even like the music like getting

941
00:48:07,800 --> 00:48:09,799
Speaker 4: like more like indie and stuff like that.

942
00:48:09,960 --> 00:48:12,520
Speaker 1: Like I feel like that was around that time. What

943
00:48:12,600 --> 00:48:14,160
Speaker 1: were the what were the touch points?

944
00:48:14,480 --> 00:48:21,480
Speaker 4: So gossip Girl, Brittany, the gossip Girl, Brittany blackout, Blackout

945
00:48:21,520 --> 00:48:23,000
Speaker 4: of course, uh.

946
00:48:23,160 --> 00:48:26,880
Speaker 1: I started working at Panera. Bread was this already so

947
00:48:27,239 --> 00:48:30,719
Speaker 1: bread was already huge though, right there's actually the pan

948
00:48:32,040 --> 00:48:34,600
Speaker 1: was like the new girl in two thousand and seven.

949
00:48:35,360 --> 00:48:38,399
Speaker 2: I literally pana Bread will always live on the same

950
00:48:38,440 --> 00:48:40,880
Speaker 2: byeline to me as Kristin Cavalari.

951
00:48:41,520 --> 00:48:43,480
Speaker 1: I mean, I do, I do feel like.

952
00:48:44,640 --> 00:48:48,760
Speaker 2: I do feel like they were both at their imperial

953
00:48:48,800 --> 00:48:52,000
Speaker 2: phase at the same time, Panera Bread and Christian And

954
00:48:52,040 --> 00:48:54,040
Speaker 2: by the way, I have Panera Bread like three times

955
00:48:54,040 --> 00:48:55,040
Speaker 2: a week.

956
00:48:55,600 --> 00:48:58,160
Speaker 1: You know, I have two all the time.

957
00:48:59,160 --> 00:49:02,799
Speaker 2: But I can recognize that it was around that time

958
00:49:02,800 --> 00:49:03,960
Speaker 2: that they were out their peak.

959
00:49:04,120 --> 00:49:07,319
Speaker 3: You picked two is still to this day one of

960
00:49:07,360 --> 00:49:09,520
Speaker 3: the best food systems.

961
00:49:09,840 --> 00:49:13,200
Speaker 2: Yeah, period, absolute and you.

962
00:49:12,360 --> 00:49:15,120
Speaker 1: Don't need more than that. No, No, here's what i'd say.

963
00:49:15,160 --> 00:49:17,120
Speaker 2: You get your half sandwich and I always do get

964
00:49:17,120 --> 00:49:18,000
Speaker 2: the bowl of soup.

965
00:49:18,320 --> 00:49:22,800
Speaker 4: Yeah, I sometimes get a salad. I get the food once.

966
00:49:22,600 --> 00:49:24,879
Speaker 1: In a while. But I started working Panera two dozand

967
00:49:24,880 --> 00:49:26,880
Speaker 1: and seven, So I started. I worked at Panera Bread

968
00:49:26,920 --> 00:49:27,839
Speaker 1: in two thousand and seven.

969
00:49:28,080 --> 00:49:32,399
Speaker 2: All the task they would like, move us around, so

970
00:49:32,520 --> 00:49:35,880
Speaker 2: like I mostly did, like cashier or like I clean

971
00:49:35,960 --> 00:49:41,240
Speaker 2: the like dining room like duty they liked so soa

972
00:49:41,239 --> 00:49:44,719
Speaker 2: stream too, the Panera Bread. Didn't you think Panana Bread

973
00:49:44,760 --> 00:49:46,440
Speaker 2: was one of the chains and Delta Work knows what

974
00:49:46,480 --> 00:49:47,120
Speaker 2: I'm talking about.

975
00:49:47,480 --> 00:49:47,680
Speaker 1: Yeah.

976
00:49:47,800 --> 00:49:50,839
Speaker 2: Always their soda machines I felt were some of the

977
00:49:50,840 --> 00:49:52,200
Speaker 2: better quality.

978
00:49:52,320 --> 00:49:54,680
Speaker 1: Yeah, really good carbonation.

979
00:49:55,000 --> 00:49:57,799
Speaker 4: Yeah, but also Okay, Like when I started working there,

980
00:49:58,000 --> 00:50:02,799
Speaker 4: they told us and train that, you know, like their

981
00:50:03,800 --> 00:50:05,839
Speaker 4: ethos or I don't know, like they were kind of

982
00:50:05,920 --> 00:50:09,600
Speaker 4: just like we're a break from the day to day

983
00:50:09,800 --> 00:50:12,840
Speaker 4: like life, you know, like work and all this crazy commotion.

984
00:50:12,960 --> 00:50:14,640
Speaker 4: That were an oasis from all of that.

985
00:50:16,080 --> 00:50:20,520
Speaker 2: So we would never number one, that was what you

986
00:50:20,560 --> 00:50:23,000
Speaker 2: were told. But they were like, we would never open

987
00:50:23,200 --> 00:50:27,200
Speaker 2: in a major city lying there, we would never do that.

988
00:50:27,200 --> 00:50:28,360
Speaker 2: That's capitalism for you.

989
00:50:28,600 --> 00:50:31,040
Speaker 1: So then like that's two seven.

990
00:50:31,560 --> 00:50:33,600
Speaker 4: But then what's crazy is that went because then like

991
00:50:34,000 --> 00:50:35,920
Speaker 4: I when I went to college, like when I was

992
00:50:35,960 --> 00:50:38,839
Speaker 4: in Delaware, I would work at. I would be home

993
00:50:38,880 --> 00:50:41,200
Speaker 4: on the holidays or summer and I would work at

994
00:50:41,960 --> 00:50:44,440
Speaker 4: in Jersey. Yeah, and so then I would work there again.

995
00:50:44,520 --> 00:50:46,800
Speaker 4: But then I was officially done with it when I moved.

996
00:50:46,560 --> 00:50:47,080
Speaker 1: To New York.

997
00:50:47,600 --> 00:50:51,960
Speaker 4: And then Guests they open. They opened in twenty eleven

998
00:50:52,360 --> 00:50:53,600
Speaker 4: into J Street.

999
00:50:53,600 --> 00:50:55,000
Speaker 1: J Street Metro Tech.

1000
00:50:55,160 --> 00:50:58,040
Speaker 2: Yeah, because I feel like I associate the the New

1001
00:50:58,080 --> 00:50:59,560
Speaker 2: York pera as you know, where I'm going to say

1002
00:50:59,560 --> 00:51:04,319
Speaker 2: to Chelsea one, I was gonna say Union Square one.

1003
00:51:04,360 --> 00:51:07,640
Speaker 1: Of course, the Union Square one closed, I think so,

1004
00:51:08,000 --> 00:51:08,399
Speaker 1: and so.

1005
00:51:08,400 --> 00:51:11,400
Speaker 2: Did the TGI Fridays, the city is going down Zorn

1006
00:51:11,600 --> 00:51:13,280
Speaker 2: save us.

1007
00:51:18,880 --> 00:51:20,920
Speaker 1: Why is that not the theme song?

1008
00:51:21,480 --> 00:51:22,040
Speaker 9: You can use?

1009
00:51:27,600 --> 00:51:30,759
Speaker 1: This is huge for his campaign. We're gonna play this

1010
00:51:30,840 --> 00:51:33,440
Speaker 1: for him. Please send it to he can use it

1011
00:51:34,520 --> 00:51:37,200
Speaker 1: for free. That's so free busses free song.

1012
00:51:37,440 --> 00:51:40,160
Speaker 5: Yeah, you give me the free busses.

1013
00:51:43,280 --> 00:51:43,680
Speaker 1: Wow.

1014
00:51:43,719 --> 00:51:46,400
Speaker 2: I you had a texture on that one that was giving,

1015
00:51:48,320 --> 00:51:55,640
Speaker 2: that was giving like Springsteen. Ye you ever like you

1016
00:51:55,640 --> 00:51:58,360
Speaker 2: ever think about throwing on up at the end like

1017
00:51:58,560 --> 00:52:01,480
Speaker 2: Jennifer Holiday.

1018
00:52:00,480 --> 00:52:01,200
Speaker 7: The Road.

1019
00:52:04,280 --> 00:52:10,000
Speaker 1: Like wait, yeah.

1020
00:52:10,040 --> 00:52:12,800
Speaker 4: So I started working at Pana Brad and then also

1021
00:52:14,120 --> 00:52:18,480
Speaker 4: I started going to New York City for the first time,

1022
00:52:18,600 --> 00:52:22,360
Speaker 4: like alone or with friends, so without without my parents

1023
00:52:22,360 --> 00:52:27,360
Speaker 4: and so like like one of my friends, like she

1024
00:52:28,920 --> 00:52:33,200
Speaker 4: moved to our town a few years prior and she

1025
00:52:33,440 --> 00:52:37,520
Speaker 4: grew up in Brooklyn, and so she moved to New

1026
00:52:37,600 --> 00:52:42,279
Speaker 4: Jersey from Brooklyn. So she and she was like so stylish.

1027
00:52:44,920 --> 00:52:48,000
Speaker 4: She just like had fantastic taste too, and like music

1028
00:52:48,080 --> 00:52:48,799
Speaker 4: like everything.

1029
00:52:49,160 --> 00:52:50,920
Speaker 1: I just thought she was so cool and so.

1030
00:52:52,480 --> 00:52:57,319
Speaker 4: Like like me her and like my like bestie. Like

1031
00:52:57,400 --> 00:53:00,279
Speaker 4: we would go like she would be like, you guys,

1032
00:53:00,320 --> 00:53:05,239
Speaker 4: want to come with me to so and you know,

1033
00:53:05,280 --> 00:53:07,000
Speaker 4: we can go shopping and then you know, I was

1034
00:53:07,080 --> 00:53:09,160
Speaker 4: just starting to make money at Panera Bread, so like

1035
00:53:09,840 --> 00:53:12,960
Speaker 4: I would save some of that, and then we go

1036
00:53:13,040 --> 00:53:16,239
Speaker 4: to Soho and go to like American Apparel and Urban

1037
00:53:16,239 --> 00:53:18,920
Speaker 4: Outfitters and like that was like catour and like that

1038
00:53:19,040 --> 00:53:22,120
Speaker 4: was that first So like, no one, this isn't in

1039
00:53:22,160 --> 00:53:24,719
Speaker 4: our malls just yet, yeah, or if it is, it's

1040
00:53:24,760 --> 00:53:26,880
Speaker 4: like far away from the one that I.

1041
00:53:26,560 --> 00:53:28,080
Speaker 1: Remember American Apparel being.

1042
00:53:28,400 --> 00:53:31,720
Speaker 2: I actually distinctly remember walking in there the right across

1043
00:53:31,760 --> 00:53:34,720
Speaker 2: from NYU Tish there was one yes, and I remember

1044
00:53:34,719 --> 00:53:37,880
Speaker 2: being like, I'm gonna buy something nice for myself.

1045
00:53:38,080 --> 00:53:40,840
Speaker 1: I'm going to really splurge and spend fifty bucks.

1046
00:53:40,920 --> 00:53:44,560
Speaker 4: Yeah, yes, yeah, I was like fifty four screens, zip

1047
00:53:44,560 --> 00:53:50,000
Speaker 4: a puddy twenty eight dollars T shirt, send.

1048
00:53:49,760 --> 00:53:52,439
Speaker 1: The first wash. But the deep fees? Were you doing

1049
00:53:52,440 --> 00:53:53,799
Speaker 1: a deep fee? Yes, we all were.

1050
00:53:53,960 --> 00:53:56,120
Speaker 3: Come on, But if you're out here saying I never

1051
00:53:56,160 --> 00:53:59,359
Speaker 3: wore a V neck, yes it is unless you were

1052
00:53:59,400 --> 00:54:00,680
Speaker 3: Mandela acting.

1053
00:54:01,000 --> 00:54:02,799
Speaker 1: You were in a different time on that Merger Tower.

1054
00:54:02,840 --> 00:54:05,439
Speaker 4: Don't look like, yeah, I like you're not a whole.

1055
00:54:05,520 --> 00:54:08,400
Speaker 4: Don't act like you're not balls exactly.

1056
00:54:08,840 --> 00:54:11,040
Speaker 2: Even if it wasn't like a deep V you were

1057
00:54:11,120 --> 00:54:13,759
Speaker 2: doing a V you were doing because they did give

1058
00:54:13,960 --> 00:54:16,520
Speaker 2: There was different iterations of the V neck there. Remember

1059
00:54:16,520 --> 00:54:18,200
Speaker 2: there was the one because I remember for reality show

1060
00:54:18,200 --> 00:54:20,320
Speaker 2: we had have to wear them. There was there was

1061
00:54:20,360 --> 00:54:22,319
Speaker 2: a shallow V which I chose, and there was a

1062
00:54:22,560 --> 00:54:25,520
Speaker 2: deep yes which some people were choosing. And it was

1063
00:54:25,560 --> 00:54:28,239
Speaker 2: the very frosted tipped vibes at the time where I

1064
00:54:28,280 --> 00:54:29,759
Speaker 2: was like, I know that's not going to age.

1065
00:54:29,760 --> 00:54:32,400
Speaker 1: Well, no one's gonna like later the pictures of you

1066
00:54:32,440 --> 00:54:32,920
Speaker 1: and the deep thing.

1067
00:54:33,040 --> 00:54:35,239
Speaker 3: Oh my god, a deep V on someone who had

1068
00:54:35,480 --> 00:54:38,080
Speaker 3: the tits was so important.

1069
00:54:38,160 --> 00:54:39,600
Speaker 1: Yeah, you know what I mean, I need to see that.

1070
00:54:39,680 --> 00:54:41,640
Speaker 1: I need to see that. I miss cleavage.

1071
00:54:41,760 --> 00:54:45,960
Speaker 2: Yeah, male cleavage, any cleavage. Well, female cleavage is still around,

1072
00:54:46,680 --> 00:54:47,400
Speaker 2: not as much.

1073
00:54:47,840 --> 00:54:48,200
Speaker 5: Yeah.

1074
00:54:48,360 --> 00:54:50,520
Speaker 2: Remember a couple of years ago when people were doing

1075
00:54:50,560 --> 00:54:52,759
Speaker 2: the thing, like male celebrities were doing the thing of

1076
00:54:52,800 --> 00:54:56,640
Speaker 2: like just a jacket nothing underneath, right, Yeah, and then

1077
00:54:56,640 --> 00:54:58,279
Speaker 2: you know it was over when the other two made

1078
00:54:58,280 --> 00:55:00,160
Speaker 2: fun of it.

1079
00:55:00,320 --> 00:55:03,880
Speaker 4: I beg my friend, my best friend Olivia, I like

1080
00:55:04,000 --> 00:55:07,120
Speaker 4: beg her like every other day. I'm like, just please

1081
00:55:07,280 --> 00:55:09,319
Speaker 4: show them you're a book gay like me.

1082
00:55:11,440 --> 00:55:13,640
Speaker 1: Yeah, totally, I am. We're out here.

1083
00:55:13,840 --> 00:55:15,279
Speaker 2: Yeah, you know what I mean, and I'm just like,

1084
00:55:15,360 --> 00:55:17,239
Speaker 2: show it, come on, what do you want to see?

1085
00:55:17,280 --> 00:55:17,919
Speaker 1: Like the whole thing.

1086
00:55:18,320 --> 00:55:20,160
Speaker 4: Yeah, I don't know. I'm always like joking with her.

1087
00:55:20,200 --> 00:55:21,640
Speaker 4: I'm just like, she's like, what should I wear to

1088
00:55:21,719 --> 00:55:24,640
Speaker 4: like this event or whatever? And I'm just like, well,

1089
00:55:24,680 --> 00:55:31,200
Speaker 4: I have to body con, like fucking like tit's pouring out.

1090
00:55:31,680 --> 00:55:36,800
Speaker 1: Yeah, yeah, just like a really like body con. Bring

1091
00:55:36,800 --> 00:55:41,919
Speaker 1: that back. Yeah I want. And she's like, no, I want.

1092
00:55:42,040 --> 00:55:45,920
Speaker 1: I want body con for guys. Yeah, me too. You

1093
00:55:45,920 --> 00:55:47,760
Speaker 1: know what I mean. I would wear that body stalking

1094
00:55:47,960 --> 00:55:48,520
Speaker 1: for guys.

1095
00:55:48,640 --> 00:55:50,960
Speaker 3: They have it, I know, but it's like it's like

1096
00:55:51,080 --> 00:55:52,680
Speaker 3: a wrestling singlet you know what I mean.

1097
00:55:52,760 --> 00:55:56,279
Speaker 1: Have you ever worn male spanks? Yes? I have kind

1098
00:55:56,320 --> 00:55:58,200
Speaker 1: of fun I was living.

1099
00:55:58,520 --> 00:56:19,359
Speaker 11: I'm like, yeah, it's very.

1100
00:56:11,600 --> 00:56:12,520
Speaker 1: Diet pepsi.

1101
00:56:15,680 --> 00:56:19,400
Speaker 2: They should collab Son and Addison that it would got

1102
00:56:20,280 --> 00:56:22,719
Speaker 2: honestly diet pepsi with Son from back in the day

1103
00:56:22,719 --> 00:56:26,880
Speaker 2: wrapping on a future. My god, how you get elected

1104
00:56:26,920 --> 00:56:27,560
Speaker 2: this November?

1105
00:56:27,640 --> 00:56:29,600
Speaker 1: Oh my god. That's how you get the.

1106
00:56:29,360 --> 00:56:31,080
Speaker 2: People on the phone, That's how you get the clomo

1107
00:56:31,160 --> 00:56:32,560
Speaker 2: sexuals to come your way.

1108
00:56:32,680 --> 00:56:37,200
Speaker 1: Sure, sexuals are politically homeless, now, you know what I mean.

1109
00:56:37,840 --> 00:56:40,799
Speaker 1: I don't know where to go. Come here, come here,

1110
00:56:40,840 --> 00:56:43,799
Speaker 1: come here, come here. Wait. So I think we need

1111
00:56:43,840 --> 00:56:47,160
Speaker 1: to really explore two thousand and seven in Yes, Yes, Okay.

1112
00:56:47,320 --> 00:56:51,200
Speaker 2: So besides Panera, what was so great about it the

1113
00:56:51,280 --> 00:56:53,160
Speaker 2: Hills is the peaking.

1114
00:56:52,880 --> 00:56:56,799
Speaker 4: Yeah, Hills was peaking. Gossip Girl Chess came out, and

1115
00:56:56,920 --> 00:57:01,759
Speaker 4: like I also feel like and this might be so dumb,

1116
00:57:01,760 --> 00:57:04,880
Speaker 4: and I think maybe just like growing up or something,

1117
00:57:04,920 --> 00:57:08,200
Speaker 4: and also like things have changed tremendously of course since then,

1118
00:57:08,400 --> 00:57:13,040
Speaker 4: like in Little World, but like I felt like at

1119
00:57:13,040 --> 00:57:16,760
Speaker 4: that time like indie movies or indie music or something

1120
00:57:16,840 --> 00:57:19,040
Speaker 4: like felt like oh me, and like five people in

1121
00:57:19,080 --> 00:57:21,400
Speaker 4: New Jersey know about this, no one else like you

1122
00:57:21,480 --> 00:57:24,400
Speaker 4: truly feel yeah, like I'm like no one else knows

1123
00:57:24,440 --> 00:57:27,680
Speaker 4: about passionate it. But they were actually like they were

1124
00:57:27,920 --> 00:57:30,160
Speaker 4: very big, and now things are just so much more

1125
00:57:30,520 --> 00:57:32,840
Speaker 4: broken down or something or much much more.

1126
00:57:33,480 --> 00:57:34,040
Speaker 1: It's ironic.

1127
00:57:34,040 --> 00:57:35,960
Speaker 3: It's like things that you think would be more mainstream

1128
00:57:36,000 --> 00:57:37,680
Speaker 3: today are actually a niche. And then the things that

1129
00:57:37,720 --> 00:57:40,240
Speaker 3: you were like convinced that was it was just Carly,

1130
00:57:40,360 --> 00:57:41,920
Speaker 3: you and five other people were huge.

1131
00:57:41,920 --> 00:57:46,240
Speaker 4: Things were yeah massive, So like Rylo Kylie, like I

1132
00:57:46,280 --> 00:57:49,640
Speaker 4: remember like VH one, like artists who I don't know,

1133
00:57:49,920 --> 00:57:52,440
Speaker 4: or something that felt like a true like I'm like, oh,

1134
00:57:52,480 --> 00:57:56,840
Speaker 4: we're stepping into this like unknown territory or something.

1135
00:57:56,880 --> 00:57:58,360
Speaker 3: Did you ever like did you guys ever like go

1136
00:57:58,400 --> 00:58:00,280
Speaker 3: to like Borders or Barnes and Noble and like flipped

1137
00:58:00,280 --> 00:58:02,960
Speaker 3: through like Spin magazine, Yeah, and you'd be like, oh

1138
00:58:03,040 --> 00:58:06,920
Speaker 3: my god, Spin, Oh my god, I can't say yeah,

1139
00:58:06,960 --> 00:58:08,080
Speaker 3: like who who are they?

1140
00:58:08,560 --> 00:58:13,560
Speaker 2: Yeah, Sufion steven I'm specifically thinking of my friend Allison Guela,

1141
00:58:13,600 --> 00:58:16,280
Speaker 2: who was my bestie in high school and we would

1142
00:58:16,280 --> 00:58:19,160
Speaker 2: do these things together. Passion Pit was huge for her,

1143
00:58:19,680 --> 00:58:23,080
Speaker 2: and what you just said, which was Sufian Stevens, was

1144
00:58:23,160 --> 00:58:25,320
Speaker 2: huge for her. And I remember we went to go

1145
00:58:25,360 --> 00:58:28,080
Speaker 2: see the movie Five Hundred Days of Summer and I

1146
00:58:28,120 --> 00:58:30,880
Speaker 2: thought it was like I thought I saw like Red

1147
00:58:30,960 --> 00:58:31,760
Speaker 2: Rocket was.

1148
00:58:31,840 --> 00:58:33,800
Speaker 1: I was like, I just saw the indie film.

1149
00:58:33,640 --> 00:58:36,360
Speaker 2: Yeah year and it was literally like, well in two

1150
00:58:36,360 --> 00:58:40,680
Speaker 2: thousand very successful movie. In two thousand and seven, Juno

1151
00:58:40,800 --> 00:58:45,960
Speaker 2: came out, Yeah, and that had a tremendous influence, Like

1152
00:58:46,200 --> 00:58:49,840
Speaker 2: what part on me? Just like the tone of the movie,

1153
00:58:50,240 --> 00:58:54,640
Speaker 2: the like the acting, the music, the soundtrack was just like,

1154
00:58:54,840 --> 00:58:57,080
Speaker 2: oh I brought I used to bring a bag of

1155
00:58:57,120 --> 00:59:01,200
Speaker 2: CDs with me everywhere. I would I I've always been headphones.

1156
00:59:01,200 --> 00:59:04,400
Speaker 2: I've always been headphones. I've always been headphones on my

1157
00:59:04,440 --> 00:59:08,320
Speaker 2: whole life, like or at least like like the a

1158
00:59:08,360 --> 00:59:10,320
Speaker 2: few years leading into two thousand stuff I get you

1159
00:59:10,320 --> 00:59:12,160
Speaker 2: know me too, because I would always just like bring

1160
00:59:12,200 --> 00:59:13,960
Speaker 2: them with me and just kind of like and I

1161
00:59:14,000 --> 00:59:16,640
Speaker 2: brought a little bag with CDs and and I would

1162
00:59:16,680 --> 00:59:20,000
Speaker 2: just like change them if I wanted to, and uh

1163
00:59:20,280 --> 00:59:21,480
Speaker 2: kind of just like start.

1164
00:59:21,560 --> 00:59:25,600
Speaker 4: Living in my little world. But also like it was

1165
00:59:25,800 --> 00:59:28,400
Speaker 4: a bit of a defense like or a protective thing

1166
00:59:28,400 --> 00:59:30,760
Speaker 4: because people definitely would shout things like from their car

1167
00:59:31,080 --> 00:59:33,520
Speaker 4: and you know, like say like unkind things. And so

1168
00:59:34,040 --> 00:59:36,560
Speaker 4: I was just like, okay, like this I'm listening to

1169
00:59:36,760 --> 00:59:41,960
Speaker 4: you know, Coldplay, like Mariah cold Play, like Vampire Weekend.

1170
00:59:42,200 --> 00:59:45,120
Speaker 4: Like I'm like I'm good, Like I'm just like, you know,

1171
00:59:45,160 --> 00:59:47,880
Speaker 4: having a day right now. And so jo I felt

1172
00:59:47,880 --> 00:59:53,240
Speaker 4: like that just that soundtrack was just like really really influential,

1173
00:59:53,320 --> 00:59:55,640
Speaker 4: and I don't know, that was like one of those

1174
00:59:55,680 --> 00:59:57,280
Speaker 4: projects that made me think like, oh.

1175
00:59:57,120 --> 00:59:58,760
Speaker 1: Maybe I don't know, I want to like in.

1176
00:59:58,800 --> 01:00:00,560
Speaker 2: A real way, I'm asking this, did you feel like

1177
01:00:00,600 --> 01:00:03,240
Speaker 2: seen by the character, I guess.

1178
01:00:03,000 --> 01:00:06,240
Speaker 1: So yeah, I don't know, Yeah, I guess, I guess

1179
01:00:06,280 --> 01:00:06,640
Speaker 1: I did.

1180
01:00:06,760 --> 01:00:09,919
Speaker 2: Yeah, because humor was a defense mechanism for her. Totally yeah.

1181
01:00:10,000 --> 01:00:10,200
Speaker 1: Yes.

1182
01:00:10,360 --> 01:00:14,120
Speaker 4: And and then also I just developed a massive crush

1183
01:00:14,120 --> 01:00:17,600
Speaker 4: on Michael Sarah and that led me to like arrested development.

1184
01:00:17,880 --> 01:00:19,960
Speaker 1: Oh, like Nick.

1185
01:00:20,400 --> 01:00:23,160
Speaker 4: Is infinite and I was just like, Okay, well I

1186
01:00:23,160 --> 01:00:24,160
Speaker 4: got to move to New York.

1187
01:00:24,600 --> 01:00:30,680
Speaker 3: That's beautiful. Nick is such an underrated Yeah. But Juno,

1188
01:00:31,520 --> 01:00:33,720
Speaker 3: you know what seeing I'm like that Elli Page doesn't

1189
01:00:33,720 --> 01:00:38,440
Speaker 3: get the credit for is when after like Jason Bateman

1190
01:00:38,480 --> 01:00:42,800
Speaker 3: like puts a move on Juno and she the character Juno,

1191
01:00:43,120 --> 01:00:46,600
Speaker 3: like gets in the van drives pulls over to the

1192
01:00:46,600 --> 01:00:49,040
Speaker 3: side of the road, and it's just that shot of Junia's.

1193
01:00:50,480 --> 01:00:54,600
Speaker 1: Best car c truly so underrated, you know what I mean.

1194
01:00:55,000 --> 01:00:58,840
Speaker 2: It's so heartbreaking, really good hands on the wheel breakdown act. Yeah,

1195
01:00:59,080 --> 01:01:02,000
Speaker 2: and the time when it wasn't a trope, right, not really,

1196
01:01:02,360 --> 01:01:02,600
Speaker 2: you know.

1197
01:01:03,040 --> 01:01:07,640
Speaker 4: But also recently someone referenced this like as a joke

1198
01:01:08,080 --> 01:01:09,440
Speaker 4: and I was like, it just like took me back

1199
01:01:09,440 --> 01:01:12,320
Speaker 4: because I haven't watched that movie in a while. But

1200
01:01:12,880 --> 01:01:17,080
Speaker 4: the like part where they do a montage with like

1201
01:01:17,160 --> 01:01:20,479
Speaker 4: sea of love like hat power. I love that, and

1202
01:01:20,760 --> 01:01:25,720
Speaker 4: she's like, like Juno is like I think I think

1203
01:01:25,760 --> 01:01:28,640
Speaker 4: he was always hers and then it cuts to like Jennifer.

1204
01:01:28,280 --> 01:01:36,720
Speaker 2: Ge the note that said if you're in, I'm in. Yeah,

1205
01:01:36,760 --> 01:01:40,160
Speaker 2: and I was like, but you know, not to interrupt.

1206
01:01:40,200 --> 01:01:43,240
Speaker 2: The jam sash was an improvised line by Jennifer Garner.

1207
01:01:44,360 --> 01:01:49,560
Speaker 1: Really love that. I love that her rate of the

1208
01:01:49,560 --> 01:01:56,000
Speaker 1: Patty Saver. Can you hear me be b Jennifer.

1209
01:01:57,280 --> 01:02:00,840
Speaker 2: Jennifer Garner in that era was in her bag. By

1210
01:02:00,880 --> 01:02:02,400
Speaker 2: the way, thirteen going on thirsday.

1211
01:02:02,440 --> 01:02:04,960
Speaker 1: I saw that for the first time, Like, what is

1212
01:02:05,000 --> 01:02:05,760
Speaker 1: that as weeping?

1213
01:02:06,000 --> 01:02:08,560
Speaker 2: I didn't expect it to be that, Like, it's incredibly

1214
01:02:09,120 --> 01:02:14,640
Speaker 2: it's phenomenal, by the way, Like also all of Alias,

1215
01:02:15,360 --> 01:02:18,400
Speaker 2: this was like what made j j Abers Yeah yeah, yeah,

1216
01:02:18,440 --> 01:02:22,200
Speaker 2: in many ways like this this was like she's like Alias,

1217
01:02:22,240 --> 01:02:23,240
Speaker 2: there's certainly no.

1218
01:02:23,240 --> 01:02:26,200
Speaker 3: Loss because Jennifer Garter, there's no Alias popping off the

1219
01:02:26,200 --> 01:02:26,880
Speaker 3: way to yeah.

1220
01:02:27,520 --> 01:02:29,600
Speaker 1: Yeah, they were in tandem.

1221
01:02:29,760 --> 01:02:32,680
Speaker 2: No, Jennifer, the pilot of Alias is one of the

1222
01:02:32,720 --> 01:02:37,160
Speaker 2: great pilots. Like they it's just so good. It's Jared

1223
01:02:37,200 --> 01:02:40,000
Speaker 2: Frieder's favorite show of all time.

1224
01:02:40,400 --> 01:02:45,880
Speaker 1: Yeah, my god, he loves alias. You know, Jared, we

1225
01:02:45,960 --> 01:02:46,640
Speaker 1: heard along grade.

1226
01:02:52,200 --> 01:02:55,840
Speaker 3: I feel like we should just like very intensely focused

1227
01:02:55,840 --> 01:02:59,480
Speaker 3: in on like indie culture in that time, because it

1228
01:02:59,520 --> 01:03:04,520
Speaker 3: did to slowly fall apart. I would stay around twenty thirteen,

1229
01:03:04,720 --> 01:03:07,440
Speaker 3: Yeah twelve like that we didn't know how good we

1230
01:03:07,480 --> 01:03:07,840
Speaker 3: had it about.

1231
01:03:07,960 --> 01:03:10,640
Speaker 2: Yeah, it because they started to say a thing like

1232
01:03:10,760 --> 01:03:12,800
Speaker 2: the hipster thing like went out of control?

1233
01:03:13,040 --> 01:03:16,560
Speaker 1: Was that was that in handem with this? No, I don't.

1234
01:03:16,600 --> 01:03:18,160
Speaker 1: I don't know, like did.

1235
01:03:18,000 --> 01:03:20,680
Speaker 3: Your friend who lived who came from Brooklyn? Did she

1236
01:03:20,920 --> 01:03:23,320
Speaker 3: like because because we because we actually talked about this

1237
01:03:23,400 --> 01:03:25,600
Speaker 3: Josh and Aaron on their episode a couple of weeks

1238
01:03:25,600 --> 01:03:29,520
Speaker 3: ago where it was like behind every gay guy like

1239
01:03:29,640 --> 01:03:33,000
Speaker 3: millennial gay guy is like a straight girl and honors

1240
01:03:33,040 --> 01:03:36,680
Speaker 3: English quote unquote, who like told you like what to

1241
01:03:36,720 --> 01:03:38,080
Speaker 3: listen to, told you what to watch?

1242
01:03:38,160 --> 01:03:39,160
Speaker 1: Yeah, what to do.

1243
01:03:39,600 --> 01:03:43,000
Speaker 3: So this girl, Kayla stirback one year from my birthday,

1244
01:03:43,000 --> 01:03:44,920
Speaker 3: bought me The Hipster Handbook, which was like totally off

1245
01:03:44,920 --> 01:03:46,880
Speaker 3: of Urban Outfitters, but back then that was like the

1246
01:03:46,920 --> 01:03:50,600
Speaker 3: cool thing to do buy books from urban The whole

1247
01:03:50,600 --> 01:03:53,919
Speaker 3: thing was like hipsters don't call themselves hipsters, Like yeah,

1248
01:03:54,000 --> 01:03:57,240
Speaker 3: like hipsters like just like moving, silence and all these things,

1249
01:03:57,360 --> 01:03:59,400
Speaker 3: and like, yeah, I think it did like go out

1250
01:03:59,440 --> 01:04:04,000
Speaker 3: of control with like I don't know, like something, you

1251
01:04:04,040 --> 01:04:07,400
Speaker 3: know what, something kind of like I'm gonna I'm gonna

1252
01:04:07,400 --> 01:04:12,360
Speaker 3: put something out there once like so Lunge came on

1253
01:04:12,400 --> 01:04:16,880
Speaker 3: the scene and like bridge the gap between like indie

1254
01:04:16,960 --> 01:04:20,920
Speaker 3: hipster music and like pop music in a way like

1255
01:04:21,160 --> 01:04:24,960
Speaker 3: things started to like blend into one and then totally

1256
01:04:25,400 --> 01:04:28,560
Speaker 3: absumed because beyond it.

1257
01:04:28,560 --> 01:04:31,880
Speaker 1: Doesn't get the credit for everything. It trickled up, you

1258
01:04:31,880 --> 01:04:32,360
Speaker 1: know what I mean.

1259
01:04:32,560 --> 01:04:35,120
Speaker 4: I had literally just moved here and like losing you

1260
01:04:37,000 --> 01:04:40,680
Speaker 4: in the music video, yeah, oh my god, and the

1261
01:04:40,800 --> 01:04:46,320
Speaker 4: same with like two and two, like yeah, like dancing

1262
01:04:46,320 --> 01:04:48,120
Speaker 4: on my own like Robin, I don't know.

1263
01:04:48,240 --> 01:04:49,760
Speaker 1: Like that, there was this like.

1264
01:04:50,120 --> 01:04:53,760
Speaker 2: It did feel like there was there was like mainstream

1265
01:04:53,880 --> 01:04:55,680
Speaker 2: pop at the time, and then there was like what

1266
01:04:55,800 --> 01:04:58,120
Speaker 2: the cool girls were doing even in music at large,

1267
01:04:58,120 --> 01:05:00,880
Speaker 2: not to just say pop because we actually we were

1268
01:05:00,880 --> 01:05:03,000
Speaker 2: in Paris like a couple of weeks ago. We were

1269
01:05:03,000 --> 01:05:06,320
Speaker 2: seeing Beyonce and we were talking about Beyonce about how

1270
01:05:06,360 --> 01:05:11,800
Speaker 2: everything changed between I Am Sasha Fierce and four and

1271
01:05:11,880 --> 01:05:14,280
Speaker 2: we were talking about like what it was, and it

1272
01:05:14,320 --> 01:05:16,360
Speaker 2: was like obviously when she got rid of Matthew, her

1273
01:05:16,440 --> 01:05:19,120
Speaker 2: dad as her manager. But really I think it was

1274
01:05:19,240 --> 01:05:20,000
Speaker 2: so lange.

1275
01:05:20,360 --> 01:05:21,240
Speaker 1: I think so lange.

1276
01:05:21,360 --> 01:05:25,520
Speaker 2: Being as cool and having less expectation than Beyonce made

1277
01:05:25,600 --> 01:05:28,439
Speaker 2: Beyonce look at her sister and be like I want

1278
01:05:28,480 --> 01:05:31,120
Speaker 2: to do what my sister is doing or something closer

1279
01:05:31,160 --> 01:05:34,040
Speaker 2: to that. So I'm like yep, because then then was that.

1280
01:05:34,720 --> 01:05:37,120
Speaker 2: Then after that was the digital title.

1281
01:05:38,400 --> 01:05:42,880
Speaker 3: A Man because it was so lange and it was

1282
01:05:42,920 --> 01:05:46,440
Speaker 3: so luge going to like a Dirty Projector's concert. Totally,

1283
01:05:46,480 --> 01:05:48,240
Speaker 3: it was Beyonce and jay Z going to a Grizzly

1284
01:05:48,280 --> 01:05:51,160
Speaker 3: Bear concert beach House, beach House. That's that's when things

1285
01:05:51,160 --> 01:05:53,960
Speaker 3: started to sort of like true, you know what I mean?

1286
01:05:54,520 --> 01:05:59,120
Speaker 3: And I think I do think pop music swallowed a

1287
01:05:59,160 --> 01:05:59,800
Speaker 3: little bit of that.

1288
01:05:59,840 --> 01:06:01,560
Speaker 1: Up totally, you know what I mean?

1289
01:06:01,720 --> 01:06:06,040
Speaker 4: Absolutely so yeah, because it's and now it just feels

1290
01:06:06,080 --> 01:06:12,000
Speaker 4: like I can't tell if like how what's where we're

1291
01:06:12,040 --> 01:06:16,360
Speaker 4: at now with like, oh, pop music or like what

1292
01:06:16,360 --> 01:06:18,400
Speaker 4: would like what would be alternative or like.

1293
01:06:18,440 --> 01:06:20,920
Speaker 3: Well, because in that time I was like eighty totally

1294
01:06:21,240 --> 01:06:23,760
Speaker 3: like right, like I don't know. My listening habits now

1295
01:06:23,760 --> 01:06:26,640
Speaker 3: are so weird where I'm like I like ten years

1296
01:06:26,640 --> 01:06:29,640
Speaker 3: ago now, twelve years ago, twenty thirteen, I was like,

1297
01:06:29,800 --> 01:06:32,520
Speaker 3: you know what, I am really going to curate these

1298
01:06:32,560 --> 01:06:35,920
Speaker 3: like these like unknown artists, these like these like artists

1299
01:06:35,920 --> 01:06:39,000
Speaker 3: that feel very independent along with like my pop music, and.

1300
01:06:38,920 --> 01:06:43,360
Speaker 1: Now it is all pop. Yeah, I've lost that like totally.

1301
01:06:43,360 --> 01:06:46,360
Speaker 2: It Also, pop now means so many things as genre

1302
01:06:46,400 --> 01:06:48,520
Speaker 2: has broken down, Like now it's.

1303
01:06:48,400 --> 01:06:52,760
Speaker 4: Like like Addison, like yep, you know, like she's pop.

1304
01:06:53,320 --> 01:06:56,040
Speaker 1: She's she feels she's like so straightforward pop.

1305
01:06:56,120 --> 01:06:59,520
Speaker 2: But that's because I think, and I think one of

1306
01:06:59,560 --> 01:07:01,840
Speaker 2: the reasons why she's like the pop girl of the

1307
01:07:01,920 --> 01:07:05,920
Speaker 2: moment is because it does she's like weirdly playing with

1308
01:07:07,320 --> 01:07:10,120
Speaker 2: a lot of retros.

1309
01:07:09,360 --> 01:07:11,080
Speaker 1: As well of life.

1310
01:07:11,880 --> 01:07:14,720
Speaker 2: That's why it feels like and that that's what makes

1311
01:07:14,720 --> 01:07:15,680
Speaker 2: it feel the most current.

1312
01:07:15,800 --> 01:07:17,520
Speaker 3: Like I feel like I have not kept up in

1313
01:07:17,560 --> 01:07:19,600
Speaker 3: the ways that I should. When I'm like, oh, there's

1314
01:07:19,640 --> 01:07:22,600
Speaker 3: a great new like Spoon album out, and I'm like,

1315
01:07:22,920 --> 01:07:25,200
Speaker 3: and I don't know if I like gave them the

1316
01:07:25,280 --> 01:07:30,280
Speaker 3: regular listening that I like Since like twenty twenty eleven,

1317
01:07:30,320 --> 01:07:30,960
Speaker 3: twenty twelve, I.

1318
01:07:30,920 --> 01:07:32,040
Speaker 1: Don't even know what Spoon is.

1319
01:07:32,080 --> 01:07:36,600
Speaker 3: Oh spoon oc coded soundtrack, Yes, you know what I mean.

1320
01:07:37,960 --> 01:07:41,320
Speaker 1: I had the soundtrack. Yeah, my bag of CDs I

1321
01:07:41,360 --> 01:07:43,480
Speaker 1: was in there. Was it okay? Was it an actual

1322
01:07:43,480 --> 01:07:44,760
Speaker 1: back or was it bind a bag?

1323
01:07:45,600 --> 01:07:49,280
Speaker 2: And then and then I had a binder too, But

1324
01:07:50,240 --> 01:07:52,640
Speaker 2: I think I would like have the binder home and then.

1325
01:07:52,560 --> 01:07:56,240
Speaker 1: Bring it was too big. It's too big, So.

1326
01:07:56,200 --> 01:07:57,720
Speaker 4: Then I would just like bring a few CDs. I

1327
01:07:57,720 --> 01:08:00,919
Speaker 4: would like make us select which ones. I'm like, okay,

1328
01:08:00,920 --> 01:08:01,560
Speaker 4: I'm gonna.

1329
01:08:01,960 --> 01:08:04,320
Speaker 1: Was it Windows Media Player burning or was it iTunes?

1330
01:08:04,960 --> 01:08:05,040
Speaker 10: No?

1331
01:08:04,960 --> 01:08:07,959
Speaker 2: No, no, these were I bought. I was too scared

1332
01:08:08,040 --> 01:08:10,160
Speaker 2: jump the Torrent. I was way too scared to like

1333
01:08:10,240 --> 01:08:14,200
Speaker 2: down viruses or getting either getting down your door.

1334
01:08:14,360 --> 01:08:17,120
Speaker 1: Yeah. I was literally like something will happen. It did

1335
01:08:17,160 --> 01:08:17,760
Speaker 1: feel at the time.

1336
01:08:18,680 --> 01:08:22,800
Speaker 2: It was like they'll come get me download something really yeah,

1337
01:08:22,880 --> 01:08:24,840
Speaker 2: like the lawsuits that were happening in the news.

1338
01:08:24,840 --> 01:08:26,439
Speaker 1: It was like, oh, that's like I'm next.

1339
01:08:26,680 --> 01:08:31,360
Speaker 2: Because I had a crazy napster like I was, I

1340
01:08:31,400 --> 01:08:32,200
Speaker 2: was a thief.

1341
01:08:32,400 --> 01:08:34,680
Speaker 1: I was like, really really really download a lot of

1342
01:08:34,760 --> 01:08:37,080
Speaker 1: bad stuff, not us.

1343
01:08:37,240 --> 01:08:39,400
Speaker 2: The viruses that your computer would get to would be

1344
01:08:39,439 --> 01:08:40,160
Speaker 2: so crazy.

1345
01:08:40,320 --> 01:08:42,360
Speaker 3: No, they'd be normally they and then there's so much

1346
01:08:42,400 --> 01:08:45,000
Speaker 3: that the virus narrative really stayed with you for a while,

1347
01:08:46,040 --> 01:08:46,799
Speaker 3: like I'm.

1348
01:08:46,640 --> 01:08:49,240
Speaker 2: Still pretty pretty scared of like down the well. Then

1349
01:08:49,280 --> 01:08:51,400
Speaker 2: they said, oh, what's Apple? You can't get viruses?

1350
01:08:51,400 --> 01:08:55,000
Speaker 3: I really can't, but yeah you can't get crew. You

1351
01:08:55,000 --> 01:08:58,320
Speaker 3: don't really get viruses on Apple stuff anymore. Yeah, I

1352
01:08:58,400 --> 01:09:01,759
Speaker 3: don't think so the list, but I mean, who knows.

1353
01:09:01,800 --> 01:09:03,120
Speaker 3: It seems like anything can happen.

1354
01:09:03,200 --> 01:09:07,840
Speaker 1: But yeah, this is the perfect device. You know, you

1355
01:09:07,880 --> 01:09:11,439
Speaker 1: have so much to learn see this? Yeah? What is that?

1356
01:09:16,320 --> 01:09:25,840
Speaker 1: Did you get that? Break the I love it? It's

1357
01:09:25,880 --> 01:09:30,720
Speaker 1: so good. This is not selfie. Wait we get in

1358
01:09:31,960 --> 01:09:34,120
Speaker 1: I'm over here. This is gonna be the photo of

1359
01:09:34,120 --> 01:09:42,000
Speaker 1: the episode. Ready, hold on, get in on. It has

1360
01:09:42,040 --> 01:09:44,680
Speaker 1: to be that. That will be.

1361
01:09:48,560 --> 01:09:48,960
Speaker 4: Oh my.

1362
01:09:52,360 --> 01:09:55,960
Speaker 1: Not come to you to do You're gonna break that, Cara?

1363
01:09:57,720 --> 01:10:01,400
Speaker 1: That is really cool. I love it. Make it's the

1364
01:10:01,439 --> 01:10:05,599
Speaker 1: new flip phone. We're not to take this.

1365
01:10:07,880 --> 01:10:10,840
Speaker 2: What I love to be like such a little like

1366
01:10:11,760 --> 01:10:13,960
Speaker 2: it makes me feel like a little coquettish. When I

1367
01:10:14,040 --> 01:10:15,880
Speaker 2: met in my bathroom and I just like do like

1368
01:10:16,320 --> 01:10:18,160
Speaker 2: that's in the mirror, and then I take a FaceTime

1369
01:10:18,200 --> 01:10:20,960
Speaker 2: while I'm like, what's up?

1370
01:10:21,000 --> 01:10:24,840
Speaker 1: Talk to me? What's going on? Okay?

1371
01:10:24,280 --> 01:10:26,559
Speaker 2: Yeah, but I do feel that when I want to

1372
01:10:26,560 --> 01:10:28,920
Speaker 2: do that a mirror because I need to that you

1373
01:10:28,920 --> 01:10:31,880
Speaker 2: see the it's not a perfect.

1374
01:10:31,479 --> 01:10:35,880
Speaker 1: Science, but I need to get one. I have to you.

1375
01:10:36,560 --> 01:10:41,240
Speaker 1: But he's got that's what this is? What this is ball?

1376
01:10:43,040 --> 01:10:47,719
Speaker 1: It's a fidget spinner on this makes so much sunsee balls.

1377
01:10:49,120 --> 01:10:51,240
Speaker 1: Literally this is sucking up.

1378
01:10:52,240 --> 01:11:16,960
Speaker 12: Oh my god, it's my phone books. Oh so now

1379
01:11:17,120 --> 01:11:21,440
Speaker 12: you know it's really and yours is like for everyone.

1380
01:11:21,160 --> 01:11:22,400
Speaker 1: At home that's just listening to this.

1381
01:11:22,520 --> 01:11:24,920
Speaker 2: We are sort of looking at each other's phone, said

1382
01:11:25,080 --> 01:11:27,720
Speaker 2: I I have I have something that like you can

1383
01:11:27,720 --> 01:11:30,640
Speaker 2: stick to the mirror and picks your phone up and

1384
01:11:30,760 --> 01:11:31,479
Speaker 2: Bowen has.

1385
01:11:33,080 --> 01:11:42,760
Speaker 3: Puffe gender jiggly puff right now, Yeah, what is in

1386
01:11:42,800 --> 01:11:43,160
Speaker 3: the show?

1387
01:11:43,280 --> 01:11:45,880
Speaker 1: What's the jigg puffs gender in the show? Because Bowen

1388
01:11:45,920 --> 01:11:48,200
Speaker 1: thinks he knows that I think are now I think

1389
01:11:48,320 --> 01:11:53,920
Speaker 1: jiggly puff in the show? Is he Okay, that's not

1390
01:11:53,920 --> 01:11:57,879
Speaker 1: what Bowen thinks. I think she she her day.

1391
01:11:57,720 --> 01:12:02,320
Speaker 2: Them say them, I don't think any of the Pokemons

1392
01:12:02,360 --> 01:12:02,800
Speaker 2: have gender.

1393
01:12:02,920 --> 01:12:06,320
Speaker 1: That's me. Actually they really don't they do they actually

1394
01:12:06,320 --> 01:12:08,080
Speaker 1: maybe something is that? Is that actually true?

1395
01:12:08,200 --> 01:12:08,479
Speaker 5: Yeah?

1396
01:12:08,520 --> 01:12:10,840
Speaker 1: Of course you Oh you guys haven't played since Gen one.

1397
01:12:11,080 --> 01:12:14,880
Speaker 3: It's been so long. So there's no female Pikachu. There

1398
01:12:15,080 --> 01:12:17,920
Speaker 3: is a female Pikachu. It looks she looks the same

1399
01:12:17,960 --> 01:12:21,000
Speaker 3: as a male Pikachu. The only thing at Pokemon that

1400
01:12:21,000 --> 01:12:24,679
Speaker 3: that appear different and involved different branch out evolutionarily based

1401
01:12:24,680 --> 01:12:28,840
Speaker 3: on their gender. So Nita Ran goes tonoh arena or

1402
01:12:28,880 --> 01:12:31,639
Speaker 3: need arena, and then queen. But then there are other

1403
01:12:31,680 --> 01:12:35,479
Speaker 3: things where like a female you know, uh, a female

1404
01:12:35,800 --> 01:12:40,320
Speaker 3: I think uh snore un goes into uh frost lasts.

1405
01:12:42,600 --> 01:12:48,479
Speaker 2: That means I recognize that this is the only one, right, Like,

1406
01:12:48,520 --> 01:12:49,559
Speaker 2: there's only one of the three.

1407
01:12:50,160 --> 01:12:53,160
Speaker 1: There's one. There's one Mew, there's one. There's one legendary bird.

1408
01:12:53,000 --> 01:12:57,519
Speaker 3: Yeah, legend jinks Jinx, yes, Jinx is there's some mil

1409
01:12:57,560 --> 01:13:01,320
Speaker 3: Tank is always female. Jinx is always female. Yes, you

1410
01:13:01,320 --> 01:13:01,519
Speaker 3: know what.

1411
01:13:01,600 --> 01:13:04,280
Speaker 2: Pokemon I literally never got to fuck with because I

1412
01:13:04,320 --> 01:13:06,120
Speaker 2: didn't have the version of the game that they were in.

1413
01:13:06,160 --> 01:13:07,840
Speaker 2: I think they were in blue version and I only

1414
01:13:07,840 --> 01:13:11,320
Speaker 2: had red and then yellow. Magmar I could never fuck

1415
01:13:11,400 --> 01:13:15,000
Speaker 2: with Magmar. Never don't even know her, never matter him,

1416
01:13:15,200 --> 01:13:18,639
Speaker 2: I don't know. Yeah, it depends there is that one

1417
01:13:18,680 --> 01:13:19,479
Speaker 2: can be both gender.

1418
01:13:19,600 --> 01:13:23,120
Speaker 3: There there are yes, most Pokemon are are are are

1419
01:13:23,240 --> 01:13:24,320
Speaker 3: any gender.

1420
01:13:26,680 --> 01:13:30,840
Speaker 1: Doesn't matter if you love him or capital H.

1421
01:13:30,920 --> 01:13:41,080
Speaker 2: I am.

1422
01:13:38,280 --> 01:13:52,400
Speaker 1: You were born. Mama told.

1423
01:13:55,800 --> 01:14:01,040
Speaker 5: Superstar money.

1424
01:14:07,280 --> 01:14:07,519
Speaker 2: Wrong.

1425
01:14:07,800 --> 01:14:11,080
Speaker 13: Love it who you are, she said, because it made

1426
01:14:11,080 --> 01:14:11,719
Speaker 13: you perfect.

1427
01:14:11,840 --> 01:14:12,240
Speaker 9: Baby.

1428
01:14:14,520 --> 01:14:22,720
Speaker 5: The right your fun you had to fall in my

1429
01:14:22,840 --> 01:14:26,719
Speaker 5: way is comic. Sou say, I'm on the right trying

1430
01:14:26,760 --> 01:14:27,600
Speaker 5: to baby.

1431
01:14:27,560 --> 01:14:33,240
Speaker 2: I was born this way. I tried to yourself and

1432
01:14:33,360 --> 01:14:37,240
Speaker 2: regret yourself, and you said, I'm on the right track.

1433
01:14:37,439 --> 01:14:39,400
Speaker 1: Baby, I was born this way.

1434
01:14:40,000 --> 01:14:40,479
Speaker 5: This way.

1435
01:14:41,040 --> 01:14:46,519
Speaker 4: First heard that song, I was in Delaware, and I, yeah,

1436
01:14:46,520 --> 01:14:49,480
Speaker 4: that changed my life. DoD Go is huge for you, Yes,

1437
01:14:49,960 --> 01:14:55,400
Speaker 4: Like that was like because I also I wasn't like

1438
01:14:55,560 --> 01:14:59,920
Speaker 4: out necessarily to anyone. I mean in high school there's

1439
01:15:00,160 --> 01:15:04,439
Speaker 4: few people I would like talk to about it. Yeah, yeah,

1440
01:15:04,479 --> 01:15:06,880
Speaker 4: like like three or four friends or at least. Yeah,

1441
01:15:07,280 --> 01:15:09,360
Speaker 4: and also like my best friends also like a gay guy,

1442
01:15:09,840 --> 01:15:14,040
Speaker 4: so like no, but like but we were we like

1443
01:15:14,160 --> 01:15:16,880
Speaker 4: grew up together and like you know, we had each

1444
01:15:16,920 --> 01:15:19,280
Speaker 4: other to like go through all that. So that was

1445
01:15:19,360 --> 01:15:25,599
Speaker 4: like really really like I was so lucky and yeah,

1446
01:15:25,680 --> 01:15:30,080
Speaker 4: like I feel like in college just going out and

1447
01:15:30,160 --> 01:15:33,439
Speaker 4: you know, meeting new friends, like meeting new people, Like

1448
01:15:33,479 --> 01:15:37,719
Speaker 4: I was just so scared of like that, like anyone

1449
01:15:38,200 --> 01:15:40,840
Speaker 4: finding out, even though I've always been exactly like this

1450
01:15:41,000 --> 01:15:44,640
Speaker 4: and so like you know, but still like it was like,

1451
01:15:45,439 --> 01:15:48,200
Speaker 4: you know, so then when that came out, like I

1452
01:15:48,280 --> 01:15:51,120
Speaker 4: was kind of just like I also I developed a

1453
01:15:51,120 --> 01:15:54,200
Speaker 4: crush on this guy that I became friends with. It

1454
01:15:54,280 --> 01:15:59,479
Speaker 4: was my first like crush on a guy. Yeah, and

1455
01:15:59,560 --> 01:16:03,320
Speaker 4: I feel that I had, yeah, that feeling. So I

1456
01:16:03,400 --> 01:16:05,519
Speaker 4: was like, did I went crazy?

1457
01:16:05,520 --> 01:16:08,160
Speaker 1: Find out? I told Eventually I like broke down and

1458
01:16:08,200 --> 01:16:08,720
Speaker 1: I told him.

1459
01:16:09,160 --> 01:16:10,400
Speaker 2: Was it that you broke down and told him that

1460
01:16:10,439 --> 01:16:12,000
Speaker 2: you were gay? You broked and told him that you

1461
01:16:12,000 --> 01:16:13,679
Speaker 2: were gay and had feelings for him?

1462
01:16:13,880 --> 01:16:16,760
Speaker 1: Wow? And was he kind?

1463
01:16:17,040 --> 01:16:19,720
Speaker 4: He was so kind about it. I was like, I

1464
01:16:19,800 --> 01:16:24,240
Speaker 4: was very like crazy about it. And yeah, but that

1465
01:16:24,360 --> 01:16:27,760
Speaker 4: but that that came that that single came out in

1466
01:16:27,800 --> 01:16:30,800
Speaker 4: the beginning of that year of like twenty eleven, from

1467
01:16:30,800 --> 01:16:35,840
Speaker 4: my memory of it, and then that summer like that

1468
01:16:35,920 --> 01:16:37,760
Speaker 4: was the last time I saw him and I never

1469
01:16:37,760 --> 01:16:41,120
Speaker 4: saw him again. But then that summer that album came out,

1470
01:16:41,160 --> 01:16:42,559
Speaker 4: I think or something wrong?

1471
01:16:43,000 --> 01:16:49,560
Speaker 1: Yeah, yeah, right? Is that true?

1472
01:16:49,479 --> 01:16:49,639
Speaker 2: Yes?

1473
01:16:50,439 --> 01:16:55,360
Speaker 3: And Gaga and Got and Born This Way Skidmore? But ok,

1474
01:16:55,479 --> 01:16:57,080
Speaker 3: the Born This Way of single came out to February

1475
01:16:57,120 --> 01:17:02,320
Speaker 3: of twenty eleven. Yes, and yeah, yeah, so wow. So

1476
01:17:02,360 --> 01:17:03,960
Speaker 3: that was February. And then that was when Matt and

1477
01:17:03,960 --> 01:17:06,519
Speaker 3: I were like kind of like bombing for the first

1478
01:17:06,520 --> 01:17:10,840
Speaker 3: time meaningfully. We were like screaming at singing, singing born

1479
01:17:10,920 --> 01:17:12,559
Speaker 3: this way and then.

1480
01:17:12,600 --> 01:17:15,160
Speaker 2: I forget that that song was a part of that. Yeah,

1481
01:17:15,200 --> 01:17:17,720
Speaker 2: I think you know what this is. Famously, it took

1482
01:17:17,720 --> 01:17:20,760
Speaker 2: me a little bit longer to get fully on board, sure,

1483
01:17:20,920 --> 01:17:23,479
Speaker 2: but actually was gon until art Pop that I was

1484
01:17:23,520 --> 01:17:25,799
Speaker 2: like writing hard for God.

1485
01:17:25,920 --> 01:17:27,639
Speaker 1: Yeah, I definitely that's hard.

1486
01:17:27,680 --> 01:17:27,920
Speaker 5: Part.

1487
01:17:28,160 --> 01:17:32,200
Speaker 2: Also, like I was for Halloween twenty thirteen, I was

1488
01:17:32,280 --> 01:17:37,439
Speaker 2: like her vm A performance The Mermaid, that the White Boy,

1489
01:17:37,960 --> 01:17:50,720
Speaker 2: that was can feel yourying your hand.

1490
01:17:49,840 --> 01:17:59,240
Speaker 6: Meeting ready.

1491
01:18:00,400 --> 01:18:09,520
Speaker 5: It's so.

1492
01:18:09,720 --> 01:18:13,960
Speaker 7: That is what I was best performances and was like

1493
01:18:14,360 --> 01:18:18,040
Speaker 7: applause Yeah, and then all those changes of costume changes,

1494
01:18:18,120 --> 01:18:21,479
Speaker 7: like oh my, I like I rewatch that still when

1495
01:18:21,479 --> 01:18:22,840
Speaker 7: I need like inspiration.

1496
01:18:24,280 --> 01:18:28,280
Speaker 2: Mac Taylor Swift's favorite lady song really.

1497
01:18:28,880 --> 01:18:31,040
Speaker 1: She plays before every aerstor Yes.

1498
01:18:31,360 --> 01:18:33,680
Speaker 2: One Dog says that Taylor Scheff came up to her

1499
01:18:33,680 --> 01:18:35,880
Speaker 2: at a party and was like, I love applause And

1500
01:18:35,960 --> 01:18:37,880
Speaker 2: she was at first like, Okay, this girl coming up

1501
01:18:37,880 --> 01:18:39,160
Speaker 2: telling me she likes applause?

1502
01:18:39,200 --> 01:18:40,639
Speaker 1: Why because it's like the last single.

1503
01:18:40,720 --> 01:18:45,160
Speaker 2: Yeah yeah, and then like legitimately, like in private, people

1504
01:18:45,160 --> 01:18:48,040
Speaker 2: would be like, Taylor is black laughing applause. Right now

1505
01:18:48,320 --> 01:18:51,000
Speaker 2: she was like, Okay, this girl is the real She actually.

1506
01:18:50,640 --> 01:18:51,240
Speaker 9: Loves a law.

1507
01:18:51,560 --> 01:18:54,000
Speaker 1: It's like she plays it there.

1508
01:18:54,200 --> 01:18:55,080
Speaker 5: It's so good.

1509
01:18:55,240 --> 01:18:57,160
Speaker 1: I'm actually inspiring me.

1510
01:18:57,200 --> 01:18:58,800
Speaker 3: And I'm gonna I'm gonna go there for my I

1511
01:18:58,840 --> 01:19:03,200
Speaker 3: don't think so, honey, and it's it's gonna look it's

1512
01:19:03,400 --> 01:19:06,120
Speaker 3: I might be like biting the hand.

1513
01:19:06,400 --> 01:19:07,639
Speaker 1: What do you mean biting the hand?

1514
01:19:08,080 --> 01:19:10,280
Speaker 3: Just just you wait, just you wait. And this makes

1515
01:19:10,280 --> 01:19:12,800
Speaker 3: me nervous. No, no, no, not biting the hand. I'm

1516
01:19:12,800 --> 01:19:16,400
Speaker 3: just saying, like, there's something that I want as a

1517
01:19:16,400 --> 01:19:18,840
Speaker 3: as a true little monster, and we're all little monsters here.

1518
01:19:19,439 --> 01:19:22,840
Speaker 3: There's something that I think should happen. But I you know,

1519
01:19:22,960 --> 01:19:25,160
Speaker 3: I say this as a as a fan, of course,

1520
01:19:26,200 --> 01:19:29,120
Speaker 3: but I just want to point out that born this way,

1521
01:19:30,240 --> 01:19:32,880
Speaker 3: people like you are you saying that there is a

1522
01:19:32,920 --> 01:19:35,599
Speaker 3: direct link between you coming out and that that album

1523
01:19:35,640 --> 01:19:38,880
Speaker 3: coming out, Like this is the thing that people don't

1524
01:19:38,920 --> 01:19:42,880
Speaker 3: realize that was like that unleashed something in the world.

1525
01:19:43,000 --> 01:19:45,439
Speaker 1: It gives permission to a lot of people like and

1526
01:19:45,479 --> 01:19:49,320
Speaker 1: you have that's why people ride so fucking hard for Gaga,

1527
01:19:49,439 --> 01:19:50,000
Speaker 1: you know what I mean?

1528
01:19:50,720 --> 01:19:56,120
Speaker 4: Absolutely actually found recently found I have like a few

1529
01:19:56,120 --> 01:19:59,400
Speaker 4: bins of just like college, like because I studied photography,

1530
01:19:59,520 --> 01:20:03,639
Speaker 4: so like, I have like negatives and slot like pictures whatever,

1531
01:20:03,760 --> 01:20:08,080
Speaker 4: and like paperwork notebooks, and so I found a little

1532
01:20:08,439 --> 01:20:10,680
Speaker 4: notebook I guess I used to bring around with me.

1533
01:20:10,720 --> 01:20:13,160
Speaker 4: I don't really remember this, but I found a page

1534
01:20:13,160 --> 01:20:15,640
Speaker 4: that a loose page, just like torn off, and I

1535
01:20:15,720 --> 01:20:18,760
Speaker 4: wrote quotes that I guess I was inspired by. I

1536
01:20:18,880 --> 01:20:24,120
Speaker 4: literally wrote, like, wait, what was it like born this way?

1537
01:20:24,200 --> 01:20:26,280
Speaker 1: Yeah, it was born this way lyrics I heard exactly

1538
01:20:26,320 --> 01:20:28,080
Speaker 1: which one people don't really.

1539
01:20:28,160 --> 01:20:32,800
Speaker 2: I think it's so easy for people that have been

1540
01:20:32,840 --> 01:20:35,960
Speaker 2: either been in cities for a long time or exposed

1541
01:20:36,000 --> 01:20:40,640
Speaker 2: to you know, more complex kinds of social dynamics and

1542
01:20:40,680 --> 01:20:44,519
Speaker 2: social scenes and sexual sexualities and things like that, like

1543
01:20:44,560 --> 01:20:48,040
Speaker 2: people take for granted how important it is to be

1544
01:20:48,160 --> 01:20:51,800
Speaker 2: explicit sometimes in messaging. Yes, because I feel like, you know,

1545
01:20:52,479 --> 01:20:55,920
Speaker 2: before Gaga, obviously there was Madonna. Madonna like was like,

1546
01:20:56,360 --> 01:21:01,080
Speaker 2: you know, like her messaging was very explicit, and then

1547
01:21:01,120 --> 01:21:03,200
Speaker 2: of course, like she do so much work, that was

1548
01:21:03,240 --> 01:21:05,920
Speaker 2: then more like, you know, for her experimental and things

1549
01:21:06,000 --> 01:21:07,519
Speaker 2: like that, and then people were able to get on

1550
01:21:07,560 --> 01:21:09,760
Speaker 2: board with it, but only because she had been made

1551
01:21:09,760 --> 01:21:13,720
Speaker 2: an explicit connection with her fans and her messaging and

1552
01:21:13,760 --> 01:21:16,840
Speaker 2: so Gaga saying you are born this way and it

1553
01:21:16,840 --> 01:21:21,280
Speaker 2: doesn't matter what you are, You're amazing, Like that opens

1554
01:21:21,320 --> 01:21:23,880
Speaker 2: the door to then literally art pop, which was so

1555
01:21:24,400 --> 01:21:27,240
Speaker 2: many things hard to quantify, how hard to boil down.

1556
01:21:27,640 --> 01:21:29,320
Speaker 2: But it's like that with Chapel Roone too, you know

1557
01:21:29,320 --> 01:21:31,360
Speaker 2: what I mean, Like Pink Pony Club. This is a

1558
01:21:31,439 --> 01:21:36,920
Speaker 2: place that I'm explicitly uh like realizing for you where

1559
01:21:37,000 --> 01:21:41,680
Speaker 2: you belong. And I think sometimes people it's almost like

1560
01:21:41,720 --> 01:21:44,639
Speaker 2: why overcompensating I think is connecting so much too, because

1561
01:21:45,080 --> 01:21:49,080
Speaker 2: it's there is power and there is real like benefit

1562
01:21:49,160 --> 01:21:53,479
Speaker 2: to just being explicit and clear because so many people

1563
01:21:53,560 --> 01:21:56,680
Speaker 2: need that even if like we may not or you

1564
01:21:56,800 --> 01:21:58,960
Speaker 2: may not, there was a time that you really did.

1565
01:22:00,479 --> 01:22:03,920
Speaker 4: Yeah, so that's so beautiful, that's so true. I think,

1566
01:22:04,040 --> 01:22:07,479
Speaker 4: like it's so easy to or not easy and it's not.

1567
01:22:07,400 --> 01:22:07,880
Speaker 1: The right word.

1568
01:22:07,960 --> 01:22:10,640
Speaker 4: It's like we just take it for granted. Yeah we do,

1569
01:22:11,000 --> 01:22:13,559
Speaker 4: We truly do. And I think sometimes like to create

1570
01:22:13,640 --> 01:22:18,439
Speaker 4: things too, and sometimes you want to hide behind the

1571
01:22:18,520 --> 01:22:22,519
Speaker 4: direct the actual messaging of something, which totally makes sense

1572
01:22:22,640 --> 01:22:25,559
Speaker 4: sometimes as an artistic choice or an expression or something

1573
01:22:25,640 --> 01:22:27,920
Speaker 4: like maybe sometimes you don't want to be so deliberately

1574
01:22:29,080 --> 01:22:30,640
Speaker 4: you know, like this is what this is a you

1575
01:22:30,680 --> 01:22:33,800
Speaker 4: know whatever, but like and there's power in that too,

1576
01:22:33,920 --> 01:22:37,200
Speaker 4: and like people interpreting things for sure, But but it

1577
01:22:37,560 --> 01:22:41,240
Speaker 4: is like songs like that absolutely just like.

1578
01:22:43,600 --> 01:22:49,080
Speaker 2: Enter your like heart and yeah, oh they're telling and

1579
01:22:49,160 --> 01:22:51,960
Speaker 2: it's exactly what it is that I feel like that's

1580
01:22:52,000 --> 01:22:55,080
Speaker 2: exactly it like, and I think sometimes there's like especially

1581
01:22:55,120 --> 01:22:57,479
Speaker 2: twenty eleven like that whole because there was also so

1582
01:22:57,600 --> 01:23:01,599
Speaker 2: much like you know, in detail, and this type of

1583
01:23:02,840 --> 01:23:07,320
Speaker 2: that also had like was so expressive too and felt

1584
01:23:07,439 --> 01:23:10,160
Speaker 2: so like but also I felt like I was constantly

1585
01:23:10,160 --> 01:23:12,200
Speaker 2: on song meanings dot Com like okay, now what Yeah,

1586
01:23:12,880 --> 01:23:15,439
Speaker 2: I'm so stirred and like moved by these songs, but

1587
01:23:15,479 --> 01:23:16,519
Speaker 2: like what the hell does this mean?

1588
01:23:16,680 --> 01:23:17,280
Speaker 1: Right, you know?

1589
01:23:17,360 --> 01:23:20,559
Speaker 4: And I'm like yeah, and I'm still I'm still like

1590
01:23:20,680 --> 01:23:23,320
Speaker 4: kind of trying to you know, and I'm like, well,

1591
01:23:23,360 --> 01:23:26,200
Speaker 4: you know, but but then at the same time, something

1592
01:23:26,240 --> 01:23:28,200
Speaker 4: like that to come out and also to just like

1593
01:23:28,479 --> 01:23:32,280
Speaker 4: pierce through and and just like pull out your heart

1594
01:23:32,360 --> 01:23:35,439
Speaker 4: and yeah and just be like you know, it's okay and.

1595
01:23:35,720 --> 01:23:37,080
Speaker 1: Yeah because it's funny.

1596
01:23:37,120 --> 01:23:41,160
Speaker 2: How like the lyrics to Born this Way are so straightforward,

1597
01:23:41,200 --> 01:23:43,800
Speaker 2: and like the story of it is so straightforward, but

1598
01:23:44,120 --> 01:23:46,920
Speaker 2: she was doing such crazy stuff in terms of style

1599
01:23:46,960 --> 01:23:50,559
Speaker 2: and aesthetics and even sound yea that it's like it's

1600
01:23:50,600 --> 01:23:52,599
Speaker 2: like it's I remember when it came out and people

1601
01:23:52,640 --> 01:23:53,800
Speaker 2: were like, oh, this is.

1602
01:23:53,760 --> 01:23:55,120
Speaker 1: Like like the cynical.

1603
01:23:55,160 --> 01:23:59,080
Speaker 2: People were like, this is like more basic than something

1604
01:23:59,200 --> 01:24:03,040
Speaker 2: like Bad Romance or poker Face that had like layers

1605
01:24:03,120 --> 01:24:05,559
Speaker 2: to it, Like poker Face is kind of like when

1606
01:24:05,600 --> 01:24:07,240
Speaker 2: you read it on the page, you're kind of like,

1607
01:24:07,600 --> 01:24:11,800
Speaker 2: what is this, Like it's it's it's dealing in metaphor, right,

1608
01:24:11,920 --> 01:24:14,320
Speaker 2: Whereas like Born this Way wasn't, And like there was

1609
01:24:14,360 --> 01:24:17,160
Speaker 2: this idea that like it was like more basic and

1610
01:24:17,200 --> 01:24:20,000
Speaker 2: that was bad. But like, I don't think it's basic

1611
01:24:20,080 --> 01:24:23,320
Speaker 2: to be explicit. I think you know, like you can

1612
01:24:23,479 --> 01:24:25,439
Speaker 2: you just get away with other things and you find

1613
01:24:25,479 --> 01:24:27,320
Speaker 2: other ways to dynamicize.

1614
01:24:27,320 --> 01:24:28,639
Speaker 1: If that's a word what you're doing.

1615
01:24:28,800 --> 01:24:31,679
Speaker 2: Yeah, right, that sounds like a word.

1616
01:24:31,439 --> 01:24:32,040
Speaker 1: Sound like a word.

1617
01:24:32,040 --> 01:24:33,599
Speaker 2: But I wonder if we if we looked it up,

1618
01:24:33,600 --> 01:24:35,840
Speaker 2: if it would be dynamic I think I actually.

1619
01:24:35,479 --> 01:24:39,439
Speaker 4: Have like dynamicizize dynamicized Gayhearten.

1620
01:24:40,800 --> 01:24:47,400
Speaker 1: Dynamicize dynamicism. Can you can you do what you do?

1621
01:24:47,400 --> 01:24:49,080
Speaker 1: You remember what you did during when we were doing

1622
01:24:49,080 --> 01:24:50,200
Speaker 1: the earthquake.

1623
01:24:49,800 --> 01:24:54,080
Speaker 2: Like, oh yeah, that would you when when the earthquake happened,

1624
01:24:54,240 --> 01:24:54,960
Speaker 2: you guys liked it.

1625
01:24:55,040 --> 01:24:58,400
Speaker 3: You're like, yeah, yeah, it was that.

1626
01:24:59,080 --> 01:25:11,960
Speaker 5: Oh oh my god. Now again starting out, oh god, this.

1627
01:25:14,040 --> 01:25:25,200
Speaker 2: Is holy, Oh baby, wait, this bit is my This

1628
01:25:25,320 --> 01:25:27,360
Speaker 2: actually is my second favorite bit that you do. Do

1629
01:25:27,400 --> 01:25:29,000
Speaker 2: you know what the first one is, I don't have

1630
01:25:29,120 --> 01:25:29,400
Speaker 2: to do it.

1631
01:25:30,200 --> 01:25:31,400
Speaker 1: It's you on the roller coaster.

1632
01:25:31,800 --> 01:25:33,960
Speaker 2: Oh yeah, because I never in my live show, which

1633
01:25:34,000 --> 01:25:38,760
Speaker 2: everyone you've never seen anyone to perform well not only

1634
01:25:38,800 --> 01:25:41,720
Speaker 2: being a roller coaster, being on a is it that

1635
01:25:41,800 --> 01:25:43,880
Speaker 2: you're on a date on a roller coaster and you're

1636
01:25:43,960 --> 01:25:46,240
Speaker 2: sort of pretending you're okay with what's happening, but you're

1637
01:25:46,360 --> 01:25:47,000
Speaker 2: very scared.

1638
01:25:47,120 --> 01:25:48,920
Speaker 4: I'm very scared to go on the ride. I've never

1639
01:25:48,960 --> 01:25:51,799
Speaker 4: been on a roller coaster before. And then it builds

1640
01:25:51,920 --> 01:25:53,880
Speaker 4: up and it.

1641
01:25:53,680 --> 01:25:56,679
Speaker 2: Because one of the things he literally gets so right

1642
01:25:57,439 --> 01:25:59,719
Speaker 2: is the g forces, Like when it wastes on your.

1643
01:25:59,560 --> 01:26:02,880
Speaker 1: Body, you kind of pass out and you kind of going.

1644
01:26:06,439 --> 01:26:08,800
Speaker 2: I remember just I forgot where you were doing it,

1645
01:26:08,840 --> 01:26:10,439
Speaker 2: but I was watching it and I was just like

1646
01:26:10,760 --> 01:26:13,320
Speaker 2: feeling so seen because it reminded me of like Nitro,

1647
01:26:13,880 --> 01:26:17,280
Speaker 2: you know, when you're going on the helix at the

1648
01:26:17,360 --> 01:26:20,120
Speaker 2: end and you're like, oh you pass out.

1649
01:26:20,280 --> 01:26:20,760
Speaker 1: Oh my god.

1650
01:26:20,840 --> 01:26:24,000
Speaker 4: I remember Anna Gastier was there too, Oh my god.

1651
01:26:24,080 --> 01:26:30,800
Speaker 4: It was that it was so like she was there

1652
01:26:31,439 --> 01:26:34,519
Speaker 4: her yea, she so like she was into it. She

1653
01:26:34,640 --> 01:26:38,000
Speaker 4: was so like easy to talk, very warm.

1654
01:26:37,760 --> 01:26:38,920
Speaker 1: Whenever you were whenever.

1655
01:26:39,720 --> 01:26:42,240
Speaker 2: Because now we've been lucky enough to be around a

1656
01:26:42,280 --> 01:26:44,320
Speaker 2: lot of those women that like when we were coming,

1657
01:26:44,400 --> 01:26:47,559
Speaker 2: which is like the one and like it'll happen more

1658
01:26:47,600 --> 01:26:48,000
Speaker 2: and more.

1659
01:26:48,720 --> 01:26:50,080
Speaker 1: But the thing is like you are.

1660
01:26:50,080 --> 01:26:52,080
Speaker 2: Nervous because you care so much what they think, but

1661
01:26:52,120 --> 01:26:55,000
Speaker 2: then you realize they're just sketch comedians too, you know

1662
01:26:55,080 --> 01:26:57,439
Speaker 2: what I mean. So it's it's so surprising how quickly

1663
01:26:57,439 --> 01:27:01,720
Speaker 2: it can go from like you know, the reference to

1664
01:27:01,760 --> 01:27:04,960
Speaker 2: also be like like there's that there's that person making

1665
01:27:04,960 --> 01:27:07,360
Speaker 2: their noises and doing their things and doing their bits,

1666
01:27:07,360 --> 01:27:10,120
Speaker 2: which is really like who they are, but yeah, they

1667
01:27:10,160 --> 01:27:11,599
Speaker 2: are these I just want to go up to Amy

1668
01:27:11,600 --> 01:27:21,519
Speaker 2: Poehler and be like me, you could love it. We

1669
01:27:21,560 --> 01:27:24,599
Speaker 2: hope you're watching this, Amy, Amy, Amy, this is Richard.

1670
01:27:24,760 --> 01:27:26,280
Speaker 2: You need to know rich lovely to meet you.

1671
01:27:27,320 --> 01:27:29,559
Speaker 1: Thank you for listening this far if you have, and

1672
01:27:29,600 --> 01:27:30,960
Speaker 1: I hope you're having.

1673
01:27:30,560 --> 01:27:34,200
Speaker 2: I hope she didn't turn it off with the whole part.

1674
01:27:34,520 --> 01:27:39,920
Speaker 1: Hear this? Enough of this? God damn it, this is this,

1675
01:27:39,920 --> 01:27:47,160
Speaker 1: this is her? Get this? You know, what's a good bit?

1676
01:27:47,240 --> 01:27:49,240
Speaker 1: Remember when Rachel wanted to do you used to do

1677
01:27:49,360 --> 01:28:01,400
Speaker 1: this bit? It would be it would be have you

1678
01:28:01,400 --> 01:28:10,240
Speaker 1: been with it since grew days? Guys? I think there's something,

1679
01:28:10,240 --> 01:28:17,240
Speaker 1: there's something something on. This is going to be crazy.

1680
01:28:18,560 --> 01:28:23,240
Speaker 1: That was scary. It was so scary. My gosh, I'm

1681
01:28:23,240 --> 01:28:34,080
Speaker 1: so serious. Be careful. I knew it. What was that?

1682
01:28:39,200 --> 01:28:41,240
Speaker 1: I liked it?

1683
01:28:42,960 --> 01:28:44,880
Speaker 2: This is all those episodes that people are gonna be like,

1684
01:28:45,080 --> 01:28:45,679
Speaker 2: we can't.

1685
01:28:48,240 --> 01:28:49,320
Speaker 1: A YouTube channel.

1686
01:28:49,479 --> 01:28:53,479
Speaker 3: YouTube as you know, wait is doing this and is

1687
01:28:53,520 --> 01:28:56,200
Speaker 3: the bunny feet. That's photography major.

1688
01:28:56,520 --> 01:28:59,720
Speaker 2: I you know, that's part of my photographic practice that

1689
01:28:59,800 --> 01:29:01,599
Speaker 2: I take pictures a lot.

1690
01:29:02,479 --> 01:29:04,320
Speaker 1: But I do want to get back into it. But

1691
01:29:04,400 --> 01:29:07,320
Speaker 1: you know, how to present something visual or communicate something visually.

1692
01:29:07,479 --> 01:29:12,719
Speaker 4: I think compositionally a lot that's perfect comedy too. Maybe yeah,

1693
01:29:12,800 --> 01:29:17,160
Speaker 4: of course, describe what you mean, like like even just

1694
01:29:17,200 --> 01:29:19,799
Speaker 4: like building up my show, like I was like thinking

1695
01:29:19,880 --> 01:29:22,400
Speaker 4: in that like cinematically a little bit, or just kind

1696
01:29:22,439 --> 01:29:25,400
Speaker 4: of like or when I'm envisioning myself in the scenes

1697
01:29:25,520 --> 01:29:28,720
Speaker 4: or something, it's like I'm thinking from a I'm like, oh,

1698
01:29:28,800 --> 01:29:31,479
Speaker 4: like this would be like here, yeah, we got to

1699
01:29:31,479 --> 01:29:32,960
Speaker 4: get you a special or something.

1700
01:29:33,560 --> 01:29:35,320
Speaker 2: Yeah, like if this one you're working on now, would

1701
01:29:35,320 --> 01:29:36,280
Speaker 2: you hope to televise it?

1702
01:29:36,640 --> 01:29:39,799
Speaker 1: I would yeah, and I hope to do like.

1703
01:29:39,880 --> 01:29:43,799
Speaker 2: More if it was really like one of the experiences.

1704
01:29:43,800 --> 01:29:46,439
Speaker 1: I was just like I love acting. Yeah, yeah, I

1705
01:29:46,560 --> 01:29:49,519
Speaker 1: really you are an actor? Are like you are like

1706
01:29:49,880 --> 01:29:51,040
Speaker 1: like I feel like some people.

1707
01:29:51,680 --> 01:29:54,120
Speaker 2: This is not to say, but I feel like this,

1708
01:29:54,320 --> 01:29:57,200
Speaker 2: Like I did comedy because I wanted to act. I

1709
01:29:57,240 --> 01:30:00,439
Speaker 2: don't know, I think a lot of gay guys, yeah,

1710
01:30:00,520 --> 01:30:05,000
Speaker 2: queer people totally out here, Like I I didn't see

1711
01:30:05,120 --> 01:30:07,080
Speaker 2: like doing comedy for myself, Like I never thought I'd

1712
01:30:07,120 --> 01:30:09,880
Speaker 2: be that person, like doing sets like it was all

1713
01:30:09,880 --> 01:30:10,400
Speaker 2: it means.

1714
01:30:10,200 --> 01:30:11,639
Speaker 1: To an end. I don't know how you guys feel.

1715
01:30:12,200 --> 01:30:15,920
Speaker 3: I was weirdly like wanting to yeah, I was wanting

1716
01:30:15,960 --> 01:30:17,360
Speaker 3: to act, but I was like I didn't give myself

1717
01:30:17,439 --> 01:30:18,760
Speaker 3: the permission to it. So I was like I would

1718
01:30:18,760 --> 01:30:21,000
Speaker 3: be so happy and like a writer's like a staff.

1719
01:30:20,760 --> 01:30:23,200
Speaker 2: Job, because you and your in your head were like

1720
01:30:23,680 --> 01:30:25,040
Speaker 2: mitigating it to that to not like.

1721
01:30:26,120 --> 01:30:28,559
Speaker 3: Yeah, I'd be like I'm not gonna be in I'm

1722
01:30:28,560 --> 01:30:30,799
Speaker 3: not gonna be in movies or anything like truly, honestly,

1723
01:30:31,120 --> 01:30:33,600
Speaker 3: I'm not gonna They're not No one's gonna want to

1724
01:30:34,680 --> 01:30:35,080
Speaker 3: do that.

1725
01:30:35,560 --> 01:30:39,040
Speaker 2: So it was like self protection but also something you

1726
01:30:39,080 --> 01:30:40,360
Speaker 2: convinced yourself was true.

1727
01:30:40,439 --> 01:30:44,120
Speaker 3: Yeah, Like I would like stop at like Simpson's episodes

1728
01:30:44,120 --> 01:30:45,200
Speaker 3: and be like, Okay, who wrote that?

1729
01:30:45,320 --> 01:30:46,439
Speaker 1: Okay, oh this person?

1730
01:30:46,479 --> 01:30:50,599
Speaker 3: You know, Like I like I got really irolly granular

1731
01:30:50,600 --> 01:30:51,080
Speaker 3: about that.

1732
01:30:51,040 --> 01:30:51,400
Speaker 1: Kind of thing.

1733
01:30:51,520 --> 01:30:54,280
Speaker 2: Yeah yeah, but do you know, do you know how

1734
01:30:54,360 --> 01:30:56,800
Speaker 2: what that was for you? Like what what compelled you

1735
01:30:56,880 --> 01:30:59,200
Speaker 2: to perform?

1736
01:30:59,560 --> 01:31:02,840
Speaker 4: I feel like ultimately, I mean around this time, you know,

1737
01:31:02,840 --> 01:31:07,240
Speaker 4: two thousand and seven, I feel like I I was

1738
01:31:07,439 --> 01:31:10,080
Speaker 4: thinking about going to the auditioning to like get into

1739
01:31:10,120 --> 01:31:13,200
Speaker 4: a program or something. Privately, I didn't really I talked

1740
01:31:13,240 --> 01:31:15,240
Speaker 4: to like maybe one or two friends about that in

1741
01:31:15,320 --> 01:31:18,760
Speaker 4: high school, but like I was way too scared and

1742
01:31:18,800 --> 01:31:21,400
Speaker 4: I was just like, oh, like I don't know, like

1743
01:31:21,479 --> 01:31:25,720
Speaker 4: people will I think it was more like, you know,

1744
01:31:25,840 --> 01:31:28,160
Speaker 4: just being closeted and being like, oh, like I don't

1745
01:31:28,200 --> 01:31:31,840
Speaker 4: know people will like sniff it out and make fun

1746
01:31:31,880 --> 01:31:33,240
Speaker 4: of me or I don't know, Like there was something

1747
01:31:33,280 --> 01:31:36,640
Speaker 4: like yeah, and so I was just like, there's no

1748
01:31:36,680 --> 01:31:40,320
Speaker 4: way I'll ever do that. But then I felt I

1749
01:31:40,360 --> 01:31:42,800
Speaker 4: did fall in love with like photography, and that's a

1750
01:31:42,840 --> 01:31:46,840
Speaker 4: different perspective and like and that was so thrilling and

1751
01:31:47,040 --> 01:31:49,240
Speaker 4: I love doing that. So I'm just like when I

1752
01:31:49,439 --> 01:31:53,000
Speaker 4: just like look at you know, photo books, or like

1753
01:31:53,040 --> 01:31:56,760
Speaker 4: I'm at an art show or just even like just reminiscing,

1754
01:31:56,760 --> 01:31:59,320
Speaker 4: I'm just like, oh yeah, I'm so like captivated by this.

1755
01:32:00,080 --> 01:32:05,160
Speaker 1: But I feel like comedy.

1756
01:32:05,080 --> 01:32:10,120
Speaker 4: Uh, I love performing live, like I have so much fun.

1757
01:32:10,439 --> 01:32:13,360
Speaker 4: But I don't know if like I see myself, yeah,

1758
01:32:13,400 --> 01:32:18,320
Speaker 4: like having like like stand up set or something like that.

1759
01:32:18,360 --> 01:32:20,760
Speaker 2: What you do is so beyond that. Like that's when

1760
01:32:20,760 --> 01:32:22,439
Speaker 2: I feel I feel like you're like caper Land, You're

1761
01:32:22,479 --> 01:32:24,880
Speaker 2: like Cola Scola, Like that's Richard, you know what I mean.

1762
01:32:25,000 --> 01:32:27,000
Speaker 2: Like I feel like you can do whatever you want

1763
01:32:27,040 --> 01:32:29,360
Speaker 2: to do because you're that good. I really feel like

1764
01:32:29,680 --> 01:32:32,960
Speaker 2: so safe when you're performing, Like I really and I

1765
01:32:33,040 --> 01:32:35,160
Speaker 2: really feel like what you do is like brand new

1766
01:32:35,160 --> 01:32:37,200
Speaker 2: and so specific to you. That's like one of the

1767
01:32:37,200 --> 01:32:41,680
Speaker 2: reasons why, like I don't know, it's it's like I

1768
01:32:41,760 --> 01:32:44,120
Speaker 2: haven't sometimes I'm like I haven't been around in a while.

1769
01:32:44,280 --> 01:32:47,200
Speaker 2: I know, I feel that way absolutely, like like watching

1770
01:32:47,240 --> 01:32:49,000
Speaker 2: shows and stuff. But you make me excited to go

1771
01:32:49,040 --> 01:32:51,840
Speaker 2: watch like live stuff again. Yeah, thank you so much.

1772
01:32:52,000 --> 01:32:52,519
Speaker 2: Thank you.

1773
01:32:52,680 --> 01:32:58,200
Speaker 1: So people should be going to see Yeah, definitely. I

1774
01:32:58,200 --> 01:33:00,519
Speaker 1: haven't been to Union Home so much. True, hold in

1775
01:33:00,560 --> 01:33:05,360
Speaker 1: a long time. July twelve, Come with me, Oh, be in. God, well,

1776
01:33:05,360 --> 01:33:08,679
Speaker 1: I'm gonna be out. You'll just come back. I'm right.

1777
01:33:15,600 --> 01:33:18,120
Speaker 2: Well to do I don't think so, honey. And my

1778
01:33:18,240 --> 01:33:20,320
Speaker 2: thing is, I don't have one yet. So can you

1779
01:33:20,360 --> 01:33:21,840
Speaker 2: go first, because you definitely do.

1780
01:33:22,200 --> 01:33:24,599
Speaker 1: Yeah. Sure, and maybe something in yours will inspire me. Well,

1781
01:33:25,680 --> 01:33:29,639
Speaker 1: I mean I have one. No, no, no, I'll come first.

1782
01:33:30,120 --> 01:33:33,240
Speaker 2: I mean I'm gonna have one, but and it will

1783
01:33:33,280 --> 01:33:35,880
Speaker 2: happen here we go, So all right, I mean, should

1784
01:33:35,880 --> 01:33:37,280
Speaker 2: we be nervous, No, I'm not nervous.

1785
01:33:37,360 --> 01:33:39,080
Speaker 1: This is Boneniangs. I don't think so, honey. His time

1786
01:33:39,120 --> 01:33:42,920
Speaker 1: starts now, I don't think so, honey. Please please, I

1787
01:33:43,120 --> 01:33:47,639
Speaker 1: need an art pop song in the Mayhem Ball just one, yeah,

1788
01:33:47,680 --> 01:33:48,599
Speaker 1: one that would be good.

1789
01:33:48,800 --> 01:33:54,240
Speaker 3: I understand go goa that that was a very very

1790
01:33:54,280 --> 01:33:56,920
Speaker 3: tumultuous time in your life. But here we are talking

1791
01:33:56,960 --> 01:34:00,519
Speaker 3: about art pop in the way that we have the

1792
01:34:00,520 --> 01:34:03,280
Speaker 3: patina on that, and now we say, if you gave

1793
01:34:03,360 --> 01:34:06,439
Speaker 3: us applause, hopefully you think that that is a song

1794
01:34:06,520 --> 01:34:08,800
Speaker 3: that has aged enough, you have enough distance from that

1795
01:34:08,840 --> 01:34:09,320
Speaker 3: time in your.

1796
01:34:09,240 --> 01:34:10,280
Speaker 1: Life that you may seconds.

1797
01:34:10,320 --> 01:34:13,160
Speaker 3: It is such a brilliant narrative if you're saving it

1798
01:34:13,200 --> 01:34:15,439
Speaker 3: for the narrative for I'm not going to do anything

1799
01:34:15,439 --> 01:34:18,519
Speaker 3: off of art pop for a decade. Now we're on

1800
01:34:18,600 --> 01:34:22,080
Speaker 3: a decade of no art pop live anywhere. It would

1801
01:34:22,080 --> 01:34:25,040
Speaker 3: be so major, it would be such a ufort second

1802
01:34:25,120 --> 01:34:26,480
Speaker 3: lease for the little.

1803
01:34:26,200 --> 01:34:28,479
Speaker 1: Monsters out there. I'm not saying I'm not telling you

1804
01:34:28,520 --> 01:34:29,280
Speaker 1: what to do, Gaga.

1805
01:34:29,720 --> 01:34:32,800
Speaker 3: I love you. I would die for you. You don't

1806
01:34:32,800 --> 01:34:35,559
Speaker 3: have to say think about anything that I say. Five second,

1807
01:34:35,600 --> 01:34:38,760
Speaker 3: but I think I would weep. And I'm not a

1808
01:34:38,800 --> 01:34:42,360
Speaker 3: crier because I'm on Ssriyes, I would weep if you

1809
01:34:42,439 --> 01:34:43,880
Speaker 3: sang any song off urt pop.

1810
01:34:43,880 --> 01:34:44,599
Speaker 1: And that's one minute.

1811
01:34:45,280 --> 01:34:49,080
Speaker 2: See I'm not on an SSRY, and I feel that

1812
01:34:49,400 --> 01:34:50,920
Speaker 2: I'm confident.

1813
01:34:50,479 --> 01:34:53,479
Speaker 1: You would cry. I would. I absolutely know for sure.

1814
01:34:53,360 --> 01:34:56,479
Speaker 2: That yeah, absolutely, because I feel like I what would

1815
01:34:56,520 --> 01:34:58,800
Speaker 2: happen to me if she performed from art pop is

1816
01:34:58,840 --> 01:35:01,879
Speaker 2: I would be on the floria like dead, like not alive.

1817
01:35:02,320 --> 01:35:04,679
Speaker 2: So the fractionally you have to at least be crying.

1818
01:35:04,760 --> 01:35:08,840
Speaker 3: Of course, I think applause is sort of the safest

1819
01:35:08,920 --> 01:35:11,920
Speaker 3: choice for her and for us. It's like people would

1820
01:35:11,920 --> 01:35:14,639
Speaker 3: get excited for applause. She would sing applause, and it's

1821
01:35:14,680 --> 01:35:19,120
Speaker 3: like it's it's so, it's so conceptually interesting. It's obviously

1822
01:35:19,200 --> 01:35:21,479
Speaker 3: had a life of its own since eras tour. Truly,

1823
01:35:21,520 --> 01:35:23,920
Speaker 3: it's such a thing starts Okay, the show is about

1824
01:35:23,920 --> 01:35:26,840
Speaker 3: to start, like they're playing applause, like it has lived

1825
01:35:26,880 --> 01:35:29,519
Speaker 3: on in such a such a beautiful way.

1826
01:35:29,680 --> 01:35:31,479
Speaker 2: You just got to say, I have I have my

1827
01:35:31,600 --> 01:35:33,679
Speaker 2: I don't think so, honey, based on this question. Okay,

1828
01:35:33,800 --> 01:35:35,960
Speaker 2: and it's it's again, it's a roll of the dice,

1829
01:35:36,040 --> 01:35:37,719
Speaker 2: and I'm gonna risk it because I really.

1830
01:35:37,640 --> 01:35:39,560
Speaker 3: Do believe this risk it. This is Matt Rodgers. I

1831
01:35:39,560 --> 01:35:41,120
Speaker 3: don't think so many as time starts now, I.

1832
01:35:41,080 --> 01:35:42,720
Speaker 1: Don't think so, honey, can we not?

1833
01:35:43,760 --> 01:35:46,479
Speaker 2: I understand we're not supposed to use the term gypsy,

1834
01:35:46,600 --> 01:35:47,160
Speaker 2: but can we.

1835
01:35:47,160 --> 01:35:50,000
Speaker 1: Listen to and love the song Gypsy please?

1836
01:35:50,080 --> 01:35:51,800
Speaker 2: Like I feel like sometimes there's like a little bit

1837
01:35:51,800 --> 01:35:55,559
Speaker 2: of angst on the song Gypsy because of the term gypsy, like,

1838
01:35:55,720 --> 01:36:00,599
Speaker 2: but I feel like that is a pee a. Gypsy

1839
01:36:00,680 --> 01:36:03,679
Speaker 2: is one of the great Lady Gaga songs, and like it's,

1840
01:36:03,720 --> 01:36:06,439
Speaker 2: It's also opens the door for so many other things.

1841
01:36:06,479 --> 01:36:08,439
Speaker 1: I kind of believe it opens the door to like

1842
01:36:08,760 --> 01:36:09,640
Speaker 1: Babylon in a.

1843
01:36:09,640 --> 01:36:13,360
Speaker 2: Way, like It's is like a brand of Lady Gaga

1844
01:36:13,400 --> 01:36:15,720
Speaker 2: song that I don't want to forget, like, and I

1845
01:36:15,800 --> 01:36:18,519
Speaker 2: really feel like it's an important installment and it's important

1846
01:36:18,560 --> 01:36:22,240
Speaker 2: Cannon and Gaga culture. I think it would tear if

1847
01:36:22,360 --> 01:36:28,320
Speaker 2: Gaga did Gypsy at the May I really, I think

1848
01:36:28,360 --> 01:36:29,000
Speaker 2: it's gonna.

1849
01:36:28,840 --> 01:36:31,720
Speaker 1: Hit everyone so much harder. I think applause.

1850
01:36:31,400 --> 01:36:37,559
Speaker 2: Obviously, I'm adonna tell Astan I think it would go crazy. Yeah, please,

1851
01:36:37,600 --> 01:36:40,439
Speaker 2: I mean, but Gypsy, and I don't want us to

1852
01:36:40,479 --> 01:36:41,280
Speaker 2: be afraid of it.

1853
01:36:41,360 --> 01:36:44,360
Speaker 1: I think we all know the deal. But Gypsy, hey,

1854
01:36:45,080 --> 01:36:49,320
Speaker 1: I do think so, honey, I'm gonna gypsy Gypsy hey,

1855
01:36:49,880 --> 01:36:50,360
Speaker 1: don't you know.

1856
01:36:50,960 --> 01:36:52,280
Speaker 2: I feel like there was a little bit of a

1857
01:36:52,320 --> 01:36:54,200
Speaker 2: time there and that like sort of like you know,

1858
01:36:54,400 --> 01:36:56,160
Speaker 2: like over correct the time period.

1859
01:36:57,080 --> 01:36:58,240
Speaker 1: We can't do gypsy.

1860
01:36:58,280 --> 01:37:00,280
Speaker 2: And I'm like you guys, like if we if we're

1861
01:37:00,280 --> 01:37:03,400
Speaker 2: gonna comb through all of Gaga's lyrics, like it's.

1862
01:37:03,240 --> 01:37:06,240
Speaker 1: Not We're not gonna like it's just not just such

1863
01:37:06,240 --> 01:37:07,080
Speaker 1: a great The.

1864
01:37:06,920 --> 01:37:09,240
Speaker 3: Brand of song that you're talking about, that Goga something

1865
01:37:09,240 --> 01:37:11,880
Speaker 3: you're talking about is like when she is doing when

1866
01:37:11,880 --> 01:37:17,080
Speaker 3: she's just at the piano doing her channeling maybe Billy

1867
01:37:17,120 --> 01:37:19,760
Speaker 3: Joel or Elton, like I love go go at the

1868
01:37:19,760 --> 01:37:22,519
Speaker 3: piano Germany, in Germany, in Germany, like.

1869
01:37:22,479 --> 01:37:25,439
Speaker 7: These mustache, the mustache, Oh my god, like our pop

1870
01:37:25,479 --> 01:37:27,600
Speaker 7: era which she was had the blonde bleached mustache and

1871
01:37:27,640 --> 01:37:28,479
Speaker 7: she had the contacts in.

1872
01:37:30,280 --> 01:37:36,320
Speaker 1: I mean like that, that's my god. The only way

1873
01:37:36,360 --> 01:37:37,320
Speaker 1: I can describe it as like it.

1874
01:37:38,040 --> 01:37:40,080
Speaker 2: You know what else it speaks to, which also really

1875
01:37:40,120 --> 01:37:46,080
Speaker 2: should be performed is the edge of glory pop songs

1876
01:37:46,439 --> 01:37:50,200
Speaker 2: ever ever. And so the fact that that that's the

1877
01:37:50,240 --> 01:37:52,519
Speaker 2: same brand, the same tone, you know what I'm talking about.

1878
01:37:52,640 --> 01:37:54,719
Speaker 3: I think, I think and so far like the Gaga

1879
01:37:54,840 --> 01:37:58,680
Speaker 3: Cella moments, Goga Cabana, like all those like Singapore this

1880
01:37:58,840 --> 01:38:01,720
Speaker 3: like pre mahem balld Tour sheet like the piano songs have.

1881
01:38:01,720 --> 01:38:06,479
Speaker 1: Been shallow yea, yeah, and yeah, I'm forgetting one other one.

1882
01:38:06,960 --> 01:38:09,600
Speaker 2: I mean you would and you wouldn't want to yeah, yeah,

1883
01:38:09,800 --> 01:38:12,000
Speaker 2: you wouldn't want to lose any of those the thing.

1884
01:38:12,040 --> 01:38:13,960
Speaker 2: But we're now at this place with Gaga where it's

1885
01:38:14,000 --> 01:38:17,479
Speaker 2: like you can watch even a two and a half

1886
01:38:17,560 --> 01:38:20,320
Speaker 2: hour set of hers, oh at three and a half

1887
01:38:20,400 --> 01:38:23,120
Speaker 2: four No, yeah, I'm saying, but like you could have

1888
01:38:23,200 --> 01:38:27,559
Speaker 2: like a super long set and you'd still lose like,

1889
01:38:27,960 --> 01:38:29,520
Speaker 2: oh my god, so many.

1890
01:38:29,240 --> 01:38:31,040
Speaker 1: Songs on the catalog that you would want to hear, yes,

1891
01:38:31,200 --> 01:38:31,639
Speaker 1: so many.

1892
01:38:31,680 --> 01:38:34,559
Speaker 2: Like even at the Gagachella, I was like, oh, wow,

1893
01:38:34,600 --> 01:38:36,519
Speaker 2: she didn't do that. One, shouldn't do that. One shouldn't

1894
01:38:36,520 --> 01:38:36,880
Speaker 2: do that one.

1895
01:38:36,880 --> 01:38:37,519
Speaker 1: And you could just.

1896
01:38:37,560 --> 01:38:39,760
Speaker 3: Keep going yeah, And I don't want the narratives to

1897
01:38:39,760 --> 01:38:41,720
Speaker 3: be like, oh, she she didn't do anything, she need

1898
01:38:41,760 --> 01:38:44,360
Speaker 3: anything like CHROMATICA. It's like, I think it's totally at

1899
01:38:44,360 --> 01:38:47,320
Speaker 3: her discretion. I do think that the bubble is about

1900
01:38:47,320 --> 01:38:50,719
Speaker 3: to burst on. We've been blue balled out of anything.

1901
01:38:50,920 --> 01:38:53,960
Speaker 3: Anything are popping, Yeah, twelve years one, And it's out

1902
01:38:53,960 --> 01:38:55,960
Speaker 3: of love that we say. It's out of love and

1903
01:38:56,080 --> 01:39:00,960
Speaker 3: enjoyment that we say and also yeah, I mean Venus babe, like.

1904
01:39:02,439 --> 01:39:06,600
Speaker 1: Venus and you touch me the side.

1905
01:39:13,920 --> 01:39:17,559
Speaker 2: I mean we've we've performed that live more than I'm

1906
01:39:17,560 --> 01:39:19,439
Speaker 2: always hitting tears down everyone.

1907
01:39:19,560 --> 01:39:23,760
Speaker 1: I mean, yes, self produced Venus. She produced that song herself.

1908
01:39:25,720 --> 01:39:28,960
Speaker 1: I mean, you should be so proud of that entire album.

1909
01:39:28,960 --> 01:39:33,200
Speaker 1: But I saw her at Roseland Ballroom. She closed it down, like.

1910
01:39:33,520 --> 01:39:35,200
Speaker 2: Oh my god, so yeah, yeah, oh yeah, so I

1911
01:39:35,240 --> 01:39:39,799
Speaker 2: saw I saw Beyonce's four there she did four shows

1912
01:39:39,080 --> 01:39:43,080
Speaker 2: for four shows of the album. Yes, it was two

1913
01:39:43,120 --> 01:39:47,759
Speaker 2: thousand and eleven. The summer of twenty eleven, it was four.

1914
01:39:47,880 --> 01:39:50,000
Speaker 2: She did four shows at Roselyn Boom, and they were

1915
01:39:50,960 --> 01:39:54,040
Speaker 2: by far up till that point. Because now I've seen

1916
01:39:54,120 --> 01:39:56,599
Speaker 2: her since and obviously so she's gotten even better.

1917
01:39:56,600 --> 01:39:57,080
Speaker 1: We just started.

1918
01:39:58,720 --> 01:40:02,120
Speaker 2: At the time, I was like, that is the most special,

1919
01:40:02,360 --> 01:40:06,040
Speaker 2: intimate performance of something so big I'd ever seen and

1920
01:40:06,560 --> 01:40:10,479
Speaker 2: that and then the real gag was like two months

1921
01:40:10,560 --> 01:40:14,320
Speaker 2: later or shortly after she did the Blue Ivy Carter

1922
01:40:14,400 --> 01:40:17,120
Speaker 2: baby bump reveal on the VMA, and I realized in

1923
01:40:17,160 --> 01:40:19,160
Speaker 2: that moment that she had been pregnant the entire time,

1924
01:40:19,760 --> 01:40:23,479
Speaker 2: which was really crazy. Yes, that was crazy. She knew

1925
01:40:23,560 --> 01:40:25,960
Speaker 2: she was yes, and I remember and then it made

1926
01:40:25,960 --> 01:40:27,920
Speaker 2: me because one of the most emotional moments of the

1927
01:40:27,960 --> 01:40:30,439
Speaker 2: whole thing was her doing one plus one and because

1928
01:40:30,439 --> 01:40:31,479
Speaker 2: because Jay was there, et cetera.

1929
01:40:31,560 --> 01:40:32,400
Speaker 1: And I remember being like.

1930
01:40:32,320 --> 01:40:35,519
Speaker 2: Wow, she really just like ripped them fucking whole into

1931
01:40:35,560 --> 01:40:38,559
Speaker 2: that song, and I realized I was like, Oh, it's

1932
01:40:38,560 --> 01:40:40,559
Speaker 2: because she knew she was pregnant with her first child.

1933
01:40:40,720 --> 01:40:41,040
Speaker 1: Damn.

1934
01:40:41,200 --> 01:40:46,400
Speaker 2: Yeah, my god, and dancing like no, you've never seen

1935
01:40:46,760 --> 01:40:48,880
Speaker 2: like there's the end of Time sort of like live

1936
01:40:49,040 --> 01:40:49,679
Speaker 2: music video.

1937
01:40:49,720 --> 01:40:51,559
Speaker 1: That's just her at the roseland doing it, and I'm like,

1938
01:40:51,600 --> 01:40:57,479
Speaker 1: the fuck they scrules, no, no, no no. Then so good.

1939
01:40:57,600 --> 01:40:59,759
Speaker 2: We heard girls run the World in the streets before

1940
01:41:00,160 --> 01:41:04,960
Speaker 2: the Parasho too, I mean her too, like her VMA Vanguard,

1941
01:41:05,200 --> 01:41:08,400
Speaker 2: Like yeah, everything like the thirteen minute or however long

1942
01:41:08,520 --> 01:41:10,880
Speaker 2: that was after the self titled right, Yeah, yeah, that

1943
01:41:11,040 --> 01:41:13,760
Speaker 2: is also something that I'm like just to watch to

1944
01:41:13,800 --> 01:41:16,479
Speaker 2: be like energized and invigorated.

1945
01:41:15,880 --> 01:41:18,200
Speaker 1: Like it's so she's phenomenal.

1946
01:41:18,320 --> 01:41:20,679
Speaker 2: We haven't even really gotten on the mic since then

1947
01:41:20,720 --> 01:41:22,800
Speaker 2: to really talk about the Cowboy Carter show, but the

1948
01:41:22,880 --> 01:41:24,599
Speaker 2: bar I was most excited for, but went to see

1949
01:41:24,600 --> 01:41:28,800
Speaker 2: where the visuals were the visual the visuals we've visuals, well,

1950
01:41:28,800 --> 01:41:30,640
Speaker 2: the visuals were I mean when I turned around, I

1951
01:41:30,680 --> 01:41:34,680
Speaker 2: was like, this was a kajillion different setups and costumes.

1952
01:41:34,200 --> 01:41:37,559
Speaker 1: And hair moments and like.

1953
01:41:36,439 --> 01:41:41,000
Speaker 3: Like like lighting gaffing moments and she and they're so

1954
01:41:41,240 --> 01:41:43,240
Speaker 3: and I say, like thrown away because it was just

1955
01:41:43,280 --> 01:41:46,600
Speaker 3: like half second, half second, half second cut. I was

1956
01:41:46,640 --> 01:41:50,160
Speaker 3: like they this must have taken months months to shoot.

1957
01:41:50,360 --> 01:41:52,280
Speaker 1: Yeah, and I'm all for these interesting We were.

1958
01:41:52,160 --> 01:41:55,000
Speaker 2: Like she very easily could have done like a cow

1959
01:41:55,160 --> 01:41:58,280
Speaker 2: and may have done like a Cowboy Carter feature film,

1960
01:41:58,439 --> 01:42:01,680
Speaker 2: because not only were there so many gorgeous like high

1961
01:42:01,800 --> 01:42:04,439
Speaker 2: quality cinematic setups and costumes whatever, but.

1962
01:42:04,439 --> 01:42:05,120
Speaker 1: She was acting.

1963
01:42:05,360 --> 01:42:09,400
Speaker 2: It's the best acting she's ever done in these Cowboy

1964
01:42:09,439 --> 01:42:12,280
Speaker 2: card visuals. Yeah, there's a moment where she is like

1965
01:42:12,320 --> 01:42:13,880
Speaker 2: in a fight with a woman at a bar and

1966
01:42:13,880 --> 01:42:15,879
Speaker 2: she takes a beer bottle and just smash.

1967
01:42:17,120 --> 01:42:20,320
Speaker 1: She never break a narrative, Like you know, what would

1968
01:42:20,320 --> 01:42:21,640
Speaker 1: you call it? It's more vignettes.

1969
01:42:21,760 --> 01:42:24,479
Speaker 3: It's vignett It's it's vignettes that like really do an

1970
01:42:24,520 --> 01:42:28,280
Speaker 3: amazing job of like like I I did not realize

1971
01:42:28,280 --> 01:42:30,400
Speaker 3: that I was getting distracted so that she could quick

1972
01:42:30,439 --> 01:42:31,760
Speaker 3: change and then come out the other side of you

1973
01:42:31,920 --> 01:42:32,479
Speaker 3: know what I mean.

1974
01:42:32,560 --> 01:42:35,680
Speaker 2: Anyone going to the bathroom during the visuals, Like it's

1975
01:42:35,680 --> 01:42:37,200
Speaker 2: hard to say you missed one of the best parts

1976
01:42:37,200 --> 01:42:39,400
Speaker 2: because the whole thing. But it was like you could

1977
01:42:39,439 --> 01:42:43,080
Speaker 2: not pull away from that tour because there was always

1978
01:42:43,120 --> 01:42:45,519
Speaker 2: something cool happening always the whole time.

1979
01:42:46,400 --> 01:42:46,960
Speaker 1: Are you going?

1980
01:42:47,760 --> 01:42:48,160
Speaker 5: No?

1981
01:42:48,160 --> 01:42:48,800
Speaker 1: No, I I.

1982
01:42:51,160 --> 01:42:54,719
Speaker 4: Rarely go to concerts because you're like, I just needed

1983
01:42:54,880 --> 01:42:58,240
Speaker 4: I need to literally be like sat like right next

1984
01:42:58,280 --> 01:43:00,720
Speaker 4: to them, and I need them to personally.

1985
01:43:00,439 --> 01:43:03,320
Speaker 1: Invite me for you prefer just sit you down.

1986
01:43:03,400 --> 01:43:04,760
Speaker 4: She's like, for Ture, I got to see for you

1987
01:43:04,800 --> 01:43:08,960
Speaker 4: in the show, like and then I'll be like, Okay,

1988
01:43:09,160 --> 01:43:10,160
Speaker 4: thank you so much.

1989
01:43:10,080 --> 01:43:13,800
Speaker 1: Man, Okay, ready for I don't think soney, Oh.

1990
01:43:13,760 --> 01:43:19,040
Speaker 2: Right, okay, right, okay, I've been listening since twenty eighteen.

1991
01:43:19,120 --> 01:43:24,559
Speaker 1: Yeah right, lying ass are you spirits? I don't think so, honey.

1992
01:43:24,880 --> 01:43:25,800
Speaker 1: Your time starts now.

1993
01:43:26,840 --> 01:43:32,280
Speaker 2: I don't think so, honey. I don't think so honey.

1994
01:43:32,640 --> 01:43:34,080
Speaker 2: The people who were.

1995
01:43:33,960 --> 01:43:37,280
Speaker 1: Unkind when I was a little boy.

1996
01:43:37,360 --> 01:43:47,400
Speaker 2: Walking the streets of New Jersey with my goddamn headphones on, bitch, Okay, okay, life.

1997
01:43:47,200 --> 01:43:48,280
Speaker 5: Is so fun.

1998
01:43:48,520 --> 01:43:52,880
Speaker 2: No clear waters, they said, I try to have fun.

1999
01:43:52,920 --> 01:43:54,720
Speaker 1: I'm listening with my bag of.

2000
01:43:54,840 --> 01:43:59,760
Speaker 2: CDs rumbling rumbling around, and you shout something unkind to

2001
01:43:59,800 --> 01:44:01,679
Speaker 2: me while I'm listening to Juno.

2002
01:44:01,840 --> 01:44:05,240
Speaker 1: Do you know who the fuck you're talking to? Rachel,

2003
01:44:05,479 --> 01:44:08,439
Speaker 1: you know the fuck you're talking to? Let him know that,

2004
01:44:10,240 --> 01:44:10,439
Speaker 1: you know.

2005
01:44:11,880 --> 01:44:14,400
Speaker 4: But I thought that that was so uncalled for and

2006
01:44:14,640 --> 01:44:17,880
Speaker 4: very very unkind to do to a young young child.

2007
01:44:18,720 --> 01:44:21,439
Speaker 4: But I wish you well and I hope that you're okay,

2008
01:44:22,040 --> 01:44:24,360
Speaker 4: but never do that again. And if you are doing that,

2009
01:44:24,439 --> 01:44:26,360
Speaker 4: if you are doing that, if I find out you

2010
01:44:26,400 --> 01:44:30,639
Speaker 4: were shouting unkind things to kids from your car, yeah

2011
01:44:30,720 --> 01:44:33,920
Speaker 4: I don't think so. Honeys, I'm gonna do something about it.

2012
01:44:33,960 --> 01:44:36,200
Speaker 1: And that's one minute. That must have been hard. That

2013
01:44:37,200 --> 01:44:41,080
Speaker 1: that was my Princess origin story literally period.

2014
01:44:41,720 --> 01:44:47,200
Speaker 3: And also, can you imagine shouting something at a child

2015
01:44:47,800 --> 01:44:51,600
Speaker 3: that's sick. It's so cruly fucking crazy that anyone.

2016
01:44:51,240 --> 01:44:51,880
Speaker 1: Would ever do that.

2017
01:44:52,080 --> 01:44:55,439
Speaker 2: Yeah, it's crazy from a car, from a car, like

2018
01:44:55,479 --> 01:44:59,920
Speaker 2: you're in the most fucking cowardly position. Yeah, you pussy,

2019
01:45:00,040 --> 01:45:06,559
Speaker 2: I'm sorry. Literally listen, you pussy. I think that literally that's.

2020
01:45:06,400 --> 01:45:07,040
Speaker 1: What they were.

2021
01:45:07,479 --> 01:45:16,599
Speaker 9: Yeahs category on the bar one in Superstar.

2022
01:45:18,960 --> 01:45:22,920
Speaker 3: My favorite, one of my favorite moments ever recorded the

2023
01:45:22,960 --> 01:45:26,560
Speaker 3: way she says, don't even waste your time trying to

2024
01:45:26,600 --> 01:45:28,920
Speaker 3: compete with me, Like are you kidding?

2025
01:45:29,160 --> 01:45:30,480
Speaker 1: What's from?

2026
01:45:31,280 --> 01:45:34,360
Speaker 2: Oh okay, don't even We were laughing because like it's

2027
01:45:34,400 --> 01:45:36,920
Speaker 2: the Cowboy Corner World Tour, and then she does Renaissance

2028
01:45:36,920 --> 01:45:39,200
Speaker 2: for three songs like Welcome to the Renaissance, but there's

2029
01:45:39,200 --> 01:45:42,040
Speaker 2: already been like kind of five songs from Renaissance from

2030
01:45:42,120 --> 01:45:47,200
Speaker 2: without and it's cozy cuffe it, and she basically does

2031
01:45:47,240 --> 01:45:49,840
Speaker 2: like the first few songs album and then she calls

2032
01:45:49,840 --> 01:45:54,559
Speaker 2: that the Renaissance section, but she also does Thick Thick.

2033
01:45:54,640 --> 01:45:56,320
Speaker 1: To me, was the moment of the show. America has

2034
01:45:56,320 --> 01:45:57,000
Speaker 1: a problem.

2035
01:45:57,680 --> 01:46:00,320
Speaker 2: Oh yeah, no, America was a problem with everything, because

2036
01:46:00,320 --> 01:46:03,360
Speaker 2: that's when Beyonce is funny with her little.

2037
01:46:04,000 --> 01:46:06,800
Speaker 1: I feel like Beyonce is so hilarious. She's hilarious.

2038
01:46:06,920 --> 01:46:09,320
Speaker 2: I feel like she like, oh my gosh, y'all need

2039
01:46:09,360 --> 01:46:11,360
Speaker 2: to get her on here. I feel like she would

2040
01:46:11,439 --> 01:46:11,920
Speaker 2: be like.

2041
01:46:12,000 --> 01:46:14,360
Speaker 1: I feel like she just doesn't do this, she.

2042
01:46:14,320 --> 01:46:17,400
Speaker 4: Doesn't do that, But I feel like, if like you ever,

2043
01:46:17,520 --> 01:46:20,840
Speaker 4: like I don't know, I'm so curious like her just

2044
01:46:20,880 --> 01:46:23,920
Speaker 4: like backstage, like with her people like, I feel like

2045
01:46:23,960 --> 01:46:26,600
Speaker 4: she's like funny, Well you forget.

2046
01:46:26,160 --> 01:46:28,559
Speaker 1: How many interviews she used to do, right, you know what?

2047
01:46:28,600 --> 01:46:30,719
Speaker 4: And I feel like she's also I have a feeling

2048
01:46:30,800 --> 01:46:33,920
Speaker 4: she's really good at impressions interesting.

2049
01:46:34,040 --> 01:46:37,559
Speaker 3: Well, remember like like during I think Sasha fears, she

2050
01:46:37,600 --> 01:46:39,719
Speaker 3: would do like these anecdotes. She would like have banter

2051
01:46:39,880 --> 01:46:41,920
Speaker 3: on stage, and there was one famous one she was

2052
01:46:42,000 --> 01:46:47,679
Speaker 3: like one time I came home, my husband goes, Beyonce,

2053
01:46:48,120 --> 01:46:52,920
Speaker 3: have you gone swimming? Because because your nose sounds all

2054
01:46:52,960 --> 01:46:57,240
Speaker 3: clogged up? And like that's like that's like she was doing.

2055
01:46:57,520 --> 01:46:59,280
Speaker 2: She was doing she was doing stand up and she

2056
01:46:59,360 --> 01:47:01,960
Speaker 2: was like doing doubts as jay Z Yeah, being like

2057
01:47:02,000 --> 01:47:07,959
Speaker 2: have you gone swimming? She wants to go to Montreal,

2058
01:47:08,760 --> 01:47:13,120
Speaker 2: wanted an SNL. Well, she was famously in the really

2059
01:47:13,160 --> 01:47:15,960
Speaker 2: general she knew exactly how to fight.

2060
01:47:15,920 --> 01:47:16,799
Speaker 1: And she was very.

2061
01:47:18,880 --> 01:47:24,040
Speaker 3: Well your princess origin story is something that we can

2062
01:47:24,040 --> 01:47:24,679
Speaker 3: all learn from.

2063
01:47:24,920 --> 01:47:25,480
Speaker 1: Definitely.

2064
01:47:26,040 --> 01:47:29,240
Speaker 2: What would you say to all the princesses out there?

2065
01:47:29,680 --> 01:47:33,240
Speaker 4: Oh, I would say to all the princesses out there

2066
01:47:33,439 --> 01:47:37,559
Speaker 4: to just follow your heart and stay true to who

2067
01:47:37,640 --> 01:47:40,719
Speaker 4: you are and have a drink a lot of water

2068
01:47:40,760 --> 01:47:43,320
Speaker 4: and have a really good day, put your best foot

2069
01:47:43,360 --> 01:47:45,559
Speaker 4: forward and take care of yourself.

2070
01:47:45,800 --> 01:47:49,000
Speaker 1: I know others well. I know that everyone would benefit

2071
01:47:49,320 --> 01:47:50,960
Speaker 1: from going to see Richard perform live.

2072
01:47:51,080 --> 01:47:53,599
Speaker 2: I love you. You're my favorite live performers. I think you're

2073
01:47:53,720 --> 01:47:56,960
Speaker 2: so good. I know, of course, we always talk about

2074
01:47:57,000 --> 01:47:58,679
Speaker 2: how funny you are. We love you a lot.

2075
01:47:58,920 --> 01:48:02,599
Speaker 3: September second, September seventh, jo just pub and July twelfth,

2076
01:48:02,640 --> 01:48:04,400
Speaker 3: because it's gonna come out of July nine till we're

2077
01:48:04,400 --> 01:48:08,160
Speaker 3: deciding now it's gonna head with our producers.

2078
01:48:09,880 --> 01:48:12,559
Speaker 2: This is the theme song to the Hills. We end

2079
01:48:12,600 --> 01:48:13,960
Speaker 2: every episode of the song, and this is one of

2080
01:48:13,960 --> 01:48:15,880
Speaker 2: the greatest songs of all the time. Bonne and I agree,

2081
01:48:17,400 --> 01:48:20,840
Speaker 2: let's go back.

2082
01:48:22,840 --> 01:48:27,120
Speaker 1: This is the hell's is unwritten? Oh my god? Oh

2083
01:48:27,240 --> 01:48:31,360
Speaker 1: wait it wasn't. Then this is which is the one?

2084
01:48:31,760 --> 01:48:33,120
Speaker 1: This is the one? The one you read watched was

2085
01:48:33,160 --> 01:48:36,160
Speaker 1: Laguna Beach? Right? Yes, sorry, okay, I'm not even gonna

2086
01:48:36,160 --> 01:48:37,439
Speaker 1: have it cut out. I'm just gonna say that was

2087
01:48:37,439 --> 01:48:38,679
Speaker 1: my mistake. No, no, no, it's okay.

2088
01:48:38,720 --> 01:48:40,880
Speaker 3: I should have just I should have just oh he

2089
01:48:40,960 --> 01:48:43,559
Speaker 3: meant Laguna Beach and I should I feel like no.

2090
01:48:43,400 --> 01:48:47,400
Speaker 1: No, no, because I made a mistake. Here we go. Let's

2091
01:48:47,479 --> 01:48:48,760
Speaker 1: go back.

2092
01:48:50,240 --> 01:48:56,240
Speaker 2: Back to the beginning, back to when the Earth sun

2093
01:48:56,800 --> 01:48:58,960
Speaker 2: stars less.

2094
01:49:00,080 --> 01:49:03,200
Speaker 1: Like an odyssey of its own Christ.

2095
01:49:03,960 --> 01:49:11,160
Speaker 13: Face didn't seem so perfect, Trying to fit a square

2096
01:49:11,200 --> 01:49:18,720
Speaker 13: into a circle was life.

2097
01:49:21,920 --> 01:49:26,080
Speaker 5: Let the rain fall down and wake man dreams. Let

2098
01:49:26,200 --> 01:49:31,320
Speaker 5: it show. I said it because I wanta.

2099
01:49:32,360 --> 01:49:37,599
Speaker 1: Wanna scream. Let the rain fall down. I'm coming clean.

2100
01:49:37,720 --> 01:49:38,479
Speaker 5: Give it to the camera.

2101
01:49:39,160 --> 01:49:49,599
Speaker 1: I'm coming clean. Babe. What did you say, Babe? I said, babe,

2102
01:49:49,760 --> 01:49:51,400
Speaker 1: like the way that the way that Richard did is

2103
01:49:51,400 --> 01:49:56,479
Speaker 1: a wrong, a road.

2104
01:49:57,280 --> 01:50:00,240
Speaker 5: Bab bab by.

2105
01:50:05,439 --> 01:50:05,719
Speaker 1: Good.

2106
01:50:10,920 --> 01:50:13,040
Speaker 3: Last Culture Racist is the production by Will Ferrell's Big

2107
01:50:13,080 --> 01:50:15,840
Speaker 3: Money Players and iHeartRadio podcasts.

2108
01:50:15,000 --> 01:50:18,360
Speaker 2: Created and hosted by Matt Rogers and bowen Ye, executive

2109
01:50:18,360 --> 01:50:20,320
Speaker 2: produced by Anna Hasnier.

2110
01:50:19,920 --> 01:50:22,360
Speaker 3: And produced by Becka Ramos, Edited and mixed by Doug

2111
01:50:22,400 --> 01:50:24,080
Speaker 3: Baymi Nikola Board and our music

2112
01:50:24,200 --> 01:50:25,280
Speaker 1: Is by Henry Komirski.