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Speaker 1: You said your mom didn't realize you were a star

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Speaker 1: until it was like on sunset. Now that was like,

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Speaker 1: not that she didn't realize that was a start, but

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Speaker 1: the m v P ship What was the line you said? Uh,

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Speaker 1: I forget the line, but more or less like you,

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Speaker 1: she didn't realize. Uh. She was upset. So she saw

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Speaker 1: the crowd screw my name out on sunset. Yeah. Yeah,

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Speaker 1: dropped out of school, but she was upset. She saw

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Speaker 1: to crowd screw my name on on sunset. She got

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Speaker 1: to watch her son light up the whole spot right

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Speaker 1: there in that moment, like she understood my whole plot. Yeah.

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Speaker 1: I mean there was shout out to Jeff Weiss, super

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Speaker 1: great writer. Um. He was like, Yo, this was twenty December.

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Speaker 1: It was like, Yo, I got this like showcase I'm

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Speaker 1: putting on for Passion of the Whites. He's been a

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Speaker 1: supporter for Mad Long Super Dope. And he was like, Yo,

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Speaker 1: do you want to come out and just like do

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Speaker 1: what set? I was like yeah, So we go out

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Speaker 1: to bring my mom. This is like my first time

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Speaker 1: ever doing anything in l A as far as a

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Speaker 1: show anything like that. Uh. And she had never seen

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Speaker 1: me perform before and this is at the Echo Plex, right,

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Speaker 1: so it's strange or fifty people and I'm doing my

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Speaker 1: ship and she was like, oh my god, I never like,

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Speaker 1: I mean, this is the first time my mom has

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Speaker 1: ever seen me perform. Like before that, it was like

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Speaker 1: I think I was doing in the house. I'm going

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Speaker 1: to buggases, you know, I'm gonna record like it was that,

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Speaker 1: you know what I'm saying. She didn't really know how

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Speaker 1: real it was, but I do that, and you know,

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Speaker 1: it was just kind of like, oh, I didn't know

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Speaker 1: that was you on stage like that in a crazy thing.

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Speaker 1: When I went back to l A last year on

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Speaker 1: the What They Want To or from my first American

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Speaker 1: to ever, I did that same venue, you know what

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Speaker 1: I'm saying, and sold it out both nights, So sold

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Speaker 1: it out twice in the same night. So it was like,

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Speaker 1: you know, the way the universe works when you trust

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Speaker 1: it is it happens the way it's supposed to. And

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Speaker 1: there's no accidents. You know what I'm saying, There's no

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Speaker 1: there's no nothing, you know what I mean. You say before,

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Speaker 1: like you always advise people they got to trust their

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Speaker 1: gut with Yeah, But then the hardest thing also still

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Speaker 1: is patients. Like you've been one of the most persistent people,

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Speaker 1: but this was such a long journey for you. How

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Speaker 1: do how do you maintain your patients? Uh? You know

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Speaker 1: how you maintain your patients? When you're going after something,

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Speaker 1: you maintain it by You're trying to go after this

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Speaker 1: and you keep thinking that this is gonna be enough,

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Speaker 1: whatever you're doing, and then it's not enough and you're

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Speaker 1: like fuck. You get discouraged, and then you do it

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Speaker 1: again and it's not enough and you get discourage and

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Speaker 1: you do it again and again and again and again,

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Speaker 1: and it keeps not happening, and then you kind of

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Speaker 1: like realize, all right, it's not happening because it's not

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Speaker 1: supposed to be happening right now. But that also comes

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Speaker 1: from the reading that I've done. I read, uh, you know,

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Speaker 1: Magic Ladders to Success, The Point of Hill, Send, the

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Speaker 1: Spiritual Laws of Success, Deepo Chopra, the Alchemist, Power Kuwolo,

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Speaker 1: the Secret You feel me So four books, four books

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Speaker 1: the Bibles right there. I read four Agreements later on,

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Speaker 1: but those are the Bibles. But when you want to

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Speaker 1: say that you kind of trust the process and you

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Speaker 1: just and you're doing it at of pure intention. Everything

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Speaker 1: is intention, bro, It's all intention Like I was never

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Speaker 1: doing it to do anything other than make the best

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Speaker 1: ship I could ever make in my life. That's it

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Speaker 1: to me because because I wanted to prove it to myself.

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Speaker 1: You feel me like, that's it. I literally just wanted

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Speaker 1: to prove to myself. But that's how you maintain patients.

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Speaker 1: You maintain patients by understanding that you know, things don't

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Speaker 1: always happen when you want to, but you gotta trust

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Speaker 1: that there's a fucking bigger ship, stronger than you that's

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Speaker 1: making it happen when it's supposed to happen. And you

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Speaker 1: feel me so do you think you're making the best

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Speaker 1: music now? Of course? But I think I'm making my

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Speaker 1: best music tomorrow. You feel me like, right now tonight,

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Speaker 1: I'm gonna make my best song ever, But tomorrow night

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Speaker 1: it's gonna shoot on that. That's how I feel though.

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Speaker 1: You know what I'm saying, And that's the energy that

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Speaker 1: I moved with, which is you know, going back to

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Speaker 1: that point of just like it's never ending insatiable thirst

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Speaker 1: to quench. And it's funny. Before this whole ship popped off,

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Speaker 1: my dad had a me and my Dad had a

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Speaker 1: conversation where he was like, you know, you're gonna have

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Speaker 1: to learn how to be content this When I'm like team,

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Speaker 1: he's like, you're just gonna have to learn how to

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Speaker 1: be content. He's like, because you're going to be the

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Speaker 1: person who gets thirty eight Grammys and it's so pissed

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Speaker 1: that they don't have thirty nine. And I was like,

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Speaker 1: I mean, yeah, but I just you know, I'm twenty five.

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Speaker 1: I'm learning the balance. I don't know how to balance

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Speaker 1: the I have thirty eight and I want thirty nine.

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Speaker 1: But if I feel good about having thirty eight, it

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Speaker 1: doesn't mean that I can't get thirty nine. I feel like,

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Speaker 1: once you spend too much time being like, man, this

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Speaker 1: ship is let this is Everything's great right now, you

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Speaker 1: kind of just like kick your feet up and you're like,

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Speaker 1: thirty nine can wait. Right. That's why you've been able

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Speaker 1: to handle success because you look at it. This has

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Speaker 1: been your most successful year ever career wife, right, and

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Speaker 1: obviously there's a party you like. As good as this is,

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Speaker 1: this is just the beginning, right. Is that the thing

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Speaker 1: that maintains you dealing with this famous success? Well? Well

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Speaker 1: I think yeah, because I think what it is. It's

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Speaker 1: regardless of any of this ship happening. I'll give a fuck.

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Speaker 1: I'm trying to make the best song ever to night

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Speaker 1: at all times you feel me like that's what keeps

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Speaker 1: me going. And once again, it's like an unhealthy thing

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Speaker 1: a little bit, because it's like this level of like

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Speaker 1: grasping for straws where you're never gonna fucking get it,

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Speaker 1: So it's unhealthy. But at the same time, it's like,

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Speaker 1: if I was doing it for the jewelry, if I

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Speaker 1: was doing it to do this to have seven hundred

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Speaker 1: people watch me speak, if I was doing it for

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Speaker 1: the sould out shows, if I was doing it for

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Speaker 1: the platinum plaques and all this ship, then I would

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Speaker 1: have stopped. By now it's clear that I'm not doing

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Speaker 1: it for that. Yeah, I have jewelry because I like jewelry,

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Speaker 1: just like I like tattoos. It's a fucking accessory. You

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Speaker 1: feel me. But it's like if I was doing it

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Speaker 1: for like, man, once I sell out this show, I'm done.

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Speaker 1: Once I get a platinum plaque, I'm done. It's clearly

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Speaker 1: like I'm clearly not doing it for that, otherwise I

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Speaker 1: would have stopped. So I'm doing it simply to like,

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Speaker 1: I'm not playing against I'm not playing against y'all. I'm

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Speaker 1: playing against the idea of me not beating myself. You

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Speaker 1: feel me, That's really what I'm playing against. And I

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Speaker 1: can never It's fun because I can never beat myself

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Speaker 1: and I can never lose myself. So there's this like

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Speaker 1: fucked like it's a draw everything. But you're a really

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Speaker 1: prolific artist. Is there like a song that you really

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Speaker 1: do like a lot? Like myself? I think all my

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Speaker 1: songs are amazing. You don't have a favorite. Do I

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Speaker 1: have a favorite? Like you have to break it into categories,

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Speaker 1: like because I feel like I make a lot of

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Speaker 1: different vibes, Like my favorite fucking you know my favorite

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Speaker 1: bars Trackers is my favorite? You know, you have to

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Speaker 1: break it down, you know what I'm saying. So, so

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Speaker 1: like where you're at today, then like my favorite, my favorite?

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Speaker 1: What my favorite overall song? Oh man, I'm sitting on

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Speaker 1: crazy ship. Though I was gonna say, what's the vision

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Speaker 1: for the next album? Is it outside produces getting involved?

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Speaker 1: Or I have four albums done, not not song wise,

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Speaker 1: but I have four albums, Like I have the whole

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Speaker 1: narrative done, which is really the meat of this ship.

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Speaker 1: That's really the like important thing is what the funk

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Speaker 1: are you talking about a lot of people have no

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Speaker 1: like they have no uh is the car. There's no

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Speaker 1: rhyme or reason and no narrative and no story as

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Speaker 1: to why this is coming here, and this is why

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Speaker 1: it's coming here, like people are gonna like time will

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Speaker 1: be the ultimate test of why I did what I

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Speaker 1: did and why I said what I said. You know,

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Speaker 1: it's a shame that some people gotta wait for way

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Speaker 1: later on to figure out why this was happening. But

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Speaker 1: that's why I folk with the fans, because they know

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Speaker 1: what the fun is going on right fucking now what

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Speaker 1: I'm saying. Keeps talking about knowing the names of your

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Speaker 1: next four albums. Yeah, no, I know the names of

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Speaker 1: my next But it's also it's deeper than the names.

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Speaker 1: I know the story I'm trying to tell on the

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Speaker 1: next four and now it might change. I'm super impulsive,

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Speaker 1: Like tomorrow could be like, yo, funk, everything I just said.

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Speaker 1: That's your thing too. Society holds people too accountable for

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Speaker 1: like what you said right now, Like yeah, but that's

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Speaker 1: not what you said yesterday. It's like I know, but

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Speaker 1: like today is today. I gotta never change, Like you're

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Speaker 1: not allowed to change your mind in the world of

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Speaker 1: social media ever. Ever, Like whatever you say when you

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Speaker 1: were thirteen, gonna finally you don't feel like that we're

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Speaker 1: coming for your neck. It's like, really, what were you

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Speaker 1: saying at thirteen? You know what I'm saying. So I

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Speaker 1: might change my mind, but that's how for it right

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Speaker 1: now And I always speak passionately and confidently and what

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Speaker 1: I'm doing right now. So we talked about songs. Why

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Speaker 1: is it like I went to your show, you come

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Speaker 1: out to the hite like most people wait until the

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Speaker 1: show was over. They only have one why that decision

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Speaker 1: what they want? So you go to RUSSI show. Russ

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Speaker 1: comes out of nowhere and we're right into what they want.

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Speaker 1: Absolutely set the tone platform beginning like a song set list. Yeah,

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Speaker 1: it used to be like thirty two. We trimmed it

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Speaker 1: down to like that's it. Yeah now, But I mean,

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Speaker 1: you know, that's the benefit of having real fans all Jose,

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Speaker 1: I just be talking mass ship. You are so like

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Speaker 1: sensitive and insecure, Like, oh my god, he just likes

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Speaker 1: himself too much. You don't like yourself enough. You have

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Speaker 1: no openers neither no openers, Yeah not because you didn't

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Speaker 1: bring any tickets. So why do you get to eat

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Speaker 1: off of my fan base? I will know fake ship

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Speaker 1: prosper over you because it's impossible, seriously, right, no fake

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Speaker 1: shit against me shot prosper right. The mindset against that

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Speaker 1: ship is that this ship that I'm doing right. The

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Speaker 1: reason why I'm sitting here, this whole, this whole fruition

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Speaker 1: of this fucking life. This is fucking now eleven years

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Speaker 1: into making right. So this is eleven years of positivity

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Speaker 1: and eleven years of me trying to do this thing

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Speaker 1: to come to this point. So your little two week

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Speaker 1: old hates and negativity cannot prosper against its eleven year

201
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Speaker 1: fucking positive train. It can't work. You feel me. You're late,

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Speaker 1: you know what I'm saying. Even if you I have

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Speaker 1: eight years of negativity against me, I'm still ahead. No

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Speaker 1: one is ahead of me when it comes to your hate.

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Speaker 1: You're late to the party. You feel me. It's almost

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Speaker 1: like it's almost like this train of crazy positivity is

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Speaker 1: moving so fast that if you try and throw a

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Speaker 1: little nickel onto the tracks of your little two week

209
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Speaker 1: old hate. I just heard Russell and I hate him.

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Speaker 1: I don't even feel like, what are you talking about?

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Speaker 1: Do you think that's gonna stop something? You better come

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Speaker 1: through with your own train, you feel me because anxiously

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Speaker 1: stopping this ship period before we go to you did

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Speaker 1: drop like that was like, how long we've been talking?

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Speaker 1: Can we get some drinks? Us is comfortable like ten

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Speaker 1: minutes now, saying so you basically gave us four Scott

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Speaker 1: Storge collaborations, like a goddamn Scott strep. But I was

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Speaker 1: talking to him a guy Mr we work in Mr

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Speaker 1: Cela body said you got a fifth one y'all are

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Speaker 1: sitting on now? Why why not getting that one yet? Uh?

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Speaker 1: It might fit the narrative of the next album. Mhm

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Speaker 1: give us Sleepy Year Positive. So you're impulsive. So I'm

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Speaker 1: just gonna get out of you that you'll regret. You're impulsive.

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Speaker 1: So when this comes out on tid on Thursday, you

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Speaker 1: dropped the record that day. But where we for the

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Speaker 1: new like where you at Monster was, It's just a

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Speaker 1: reflection of where I'm at in my life and my career,

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Speaker 1: which is like you're on now. You know what I'm saying,

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Speaker 1: There's no more of this like man, I'm trying to

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Speaker 1: get on. I'm trying to get on even though that

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Speaker 1: hunger will never leave because I'm always just trying to

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Speaker 1: get on to the next level of my own potential

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Speaker 1: and ship. But um, you know, I like that guy.

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Speaker 1: But it's like it's that, you know, it's that new

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Speaker 1: phase where it's like, bro, I mean life is least

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Speaker 1: shows and selling out plaques all this ship, like music

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Speaker 1: is great, everything is late. So like this is just

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Speaker 1: my audio diary. It's always been that you feel me.

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Speaker 1: It's always been just like, this is what's happened right

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Speaker 1: now and I and I hope that everything knows that

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Speaker 1: this is what you're gonna get from me. You're gonna

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Speaker 1: get how I feel about this ship right now and

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Speaker 1: how I fucking feel about getting to this point, because

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Speaker 1: a lot of people right they want to focus on like, yeah,

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Speaker 1: but you're popping and I can't relate to that. You

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Speaker 1: got half a million and jewelry. I can't relate to that.

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Speaker 1: It's like, yeah, that's because you're looking at the finish line.

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Speaker 1: You need to look at that. You need to look

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Speaker 1: at the point from A to B. You don't need

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Speaker 1: to look at B to get the inspiration you need

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Speaker 1: to look at, Like, really, how God from A to

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Speaker 1: B what I'm saying, that's why I have the problem

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Speaker 1: with that dumbass industry plan ship, because you're trying to

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Speaker 1: come at the integrity of a whole fucking come up.

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Speaker 1: You feel me, keep it on the I don't like

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Speaker 1: you because you're mad about some other weirdo insecure ship,

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Speaker 1: but like for you to ignorantly come at something that's

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Speaker 1: so well documented, it's say you still share that, Like

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Speaker 1: if you go to your feed, you'll be obviously done

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Speaker 1: what you're dealing with currently, but you'll go back and

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Speaker 1: put something up for music ago. I mean, motherfucker's who

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Speaker 1: are like? And Russ is so cocky? Russ My, I

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Speaker 1: think my first tweet ever. First of all, my first

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Speaker 1: account ever on Twitter was at I made Classics, first

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Speaker 1: account ever before I even had a song out, you

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Speaker 1: feel me? And like my first tweet or second tweet

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Speaker 1: or whatever was, it's a million dollars a beat now,

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Speaker 1: you know, it's like I was a fucking you know

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Speaker 1: what I'm saying, Like, that's a fucking crazy eighteen seventeen,

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Speaker 1: eighteen year old kid who's just like the world fucking

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Speaker 1: better wait the fun like you're frustrated, bro, like you

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Speaker 1: gotta have contact with everything. Back then, I didn't have

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Speaker 1: the I didn't have the wisdom of knowing that I

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Speaker 1: needed to be patient. Back then, it was there, not patient,

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Speaker 1: Russ the funck y'all, y'all onwe me Russ. You know

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Speaker 1: what I'm saying. But that's why I like to me

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Speaker 1: that whole determination, Yeah, showing they're like yo, by any

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Speaker 1: fucking means necessary, That's why I was hitting up Block.

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Speaker 1: I'm sure I hit y'all up, like yep, that was

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Speaker 1: his fault, but like, honestly, you know what I'm saying,

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Speaker 1: But that's why I hit up everyone because it was like,

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Speaker 1: by any means necessary, Who knows if that's how I'm

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Speaker 1: gonna get on. Maybe if they post me, I'll get on. Maybe.

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Speaker 1: Like it was that fucking desperation that created all these

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Speaker 1: new found ways to get on. So how do artists

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Speaker 1: make an impression? Because like I was going, I went

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Speaker 1: to revote conference. I feel like a lot of times

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Speaker 1: my takeaway sometimes happens now with artists that they'll meet

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Speaker 1: you for the first time and it's like they're so

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Speaker 1: anxious to get your email or your contact and it's like,

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Speaker 1: you're not making a real connection like you like it

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Speaker 1: to be. It's not. It's not hard to contact people,

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Speaker 1: so it's like, why why don't you find a way

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Speaker 1: to say something clever or do something to make a

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Speaker 1: real connecs. The problem is is that it's not about that.

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Speaker 1: It's not about them trying to connect with you and

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Speaker 1: them trying to be like, yo, what's your email or

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Speaker 1: them saying yo, like something clever to catch your attention.

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Speaker 1: What it is is making it so that y'all go

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Speaker 1: to them. That's what it is. And if you're not

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Speaker 1: really about it, then you're not really about it, you

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Speaker 1: know what I'm saying. And the fact it's tremmed and

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Speaker 1: the cream rises to the top, you know what I'm saying.

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Speaker 1: But really, what you need to do it's bust your

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Speaker 1: ass in the corner of your world. Like after fucking

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Speaker 1: I dropped my first mixed mixtape in twenty eleven, and

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Speaker 1: after sucking eleven mixtapes and still sitting at a thousand followers,

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Speaker 1: I was like, all right, I need this with something.

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Speaker 1: And that's when I was like, you know what, funk

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Speaker 1: all these blogs funk all these people. I'm gonna take

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Speaker 1: matters into my own hand. I'm not waiting for y'all

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Speaker 1: to put me on. I'm gonna drop a song every

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Speaker 1: week because I feel that confidently about my ship and

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Speaker 1: I feel like I have high quality and high quantity.

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Speaker 1: I'm gonna drop a song every week and I'm not

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Speaker 1: gonna stop until I blow up. And that's how you

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Speaker 1: take the reins into your own hands. And that's when

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Speaker 1: the whole industry came to me. But that's what I've

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Speaker 1: talked about when when you talk about industry plans, industry

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Speaker 1: plan is you bo? Because it's like, since all my

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Speaker 1: fans know, since I've been mentioning how whacked that ship is,

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Speaker 1: so for that to get cast on me, you know,

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Speaker 1: my homies are like, chill, this is crazy, Like you

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Speaker 1: know when they do those interviews, like what's the craziest

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Speaker 1: room You've ever heard about yourself? It's like it's it's

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Speaker 1: just literally fucking retarded. Bro. It's crazy because it's so documented,

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Speaker 1: it's so documented. I had to go straight to the people,

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Speaker 1: and then the industry came around. It wasn't like you

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Speaker 1: saw me all over the blogs and I was on

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Speaker 1: radio and you saw me in pictures, what like I

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Speaker 1: was dropping three songs before I got on. You were

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Speaker 1: saying too that you loved and you love the Netflix

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Speaker 1: model and business because they kind of give you the

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Speaker 1: whole season at once. In content. It seems like the

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Speaker 1: audience today like you give him a great song like

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Speaker 1: with the sky sor they loved that you gave him

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00:16:28,960 --> 00:16:31,200
Speaker 1: a great song every day, like they're insatiable. How do

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00:16:31,240 --> 00:16:33,960
Speaker 1: you deal with the public's thirst that the appetite, they're

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00:16:34,000 --> 00:16:36,280
Speaker 1: always looking for the next thing and another one for Well,

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00:16:36,400 --> 00:16:37,800
Speaker 1: you can look at it two ways. You can look

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Speaker 1: at it like damn, I'm never gonna be able to

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Speaker 1: quench their thirst, right, or you can look at it

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Speaker 1: kind of like I'm never gonna be able to quench

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Speaker 1: the thirst, which means always gonna come back because they're thirsty. Jemmy,

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00:16:54,040 --> 00:16:57,520
Speaker 1: it's a fucking because they know it's coming so much.

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00:16:57,680 --> 00:16:59,840
Speaker 1: You could have the glass half m be thing of

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00:17:00,040 --> 00:17:03,720
Speaker 1: like damn, they're never satisfied, or you could have the

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00:17:03,760 --> 00:17:08,159
Speaker 1: glass half for like they're never satisfied, which means I

349
00:17:08,200 --> 00:17:11,040
Speaker 1: always got room to drop ship. I gotta stop calling

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00:17:11,040 --> 00:17:14,080
Speaker 1: this guy man for some spiritual advicement. I'm telling you

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00:17:14,160 --> 00:17:15,760
Speaker 1: just how do you trust? Who do you trust? Who

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00:17:15,760 --> 00:17:18,080
Speaker 1: do you get? Is anybody outside your circle that you

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Speaker 1: get advised? I think you have some song when you

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00:17:19,640 --> 00:17:23,399
Speaker 1: said something about a O G. Yeah, I was. I

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00:17:23,400 --> 00:17:27,440
Speaker 1: had a super fortunate like link up with UM with

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Speaker 1: Whiz Yeah, which was super cool. Like it was just

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00:17:31,880 --> 00:17:35,159
Speaker 1: we were at the same festival in Vancouver, UM, and

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Speaker 1: he just like he said something that just stuck with me,

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00:17:36,960 --> 00:17:40,320
Speaker 1: which is embrace it. You know what I'm saying, Just

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00:17:40,440 --> 00:17:43,880
Speaker 1: embrace it, embrace it all. So I was super dopen. Yeah,

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00:17:43,920 --> 00:17:46,560
Speaker 1: outside of my circle like bugis his older brother Lamar,

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Speaker 1: Like that's like that's the board of advisors. Like we

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Speaker 1: do everything. Like you know what I'm saying, We make

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Speaker 1: every decision together and mentor and ship. Um. Embracing it

365
00:17:55,160 --> 00:17:57,320
Speaker 1: means the good and bad. Yeah, just like embrace it,

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Speaker 1: but embraced the position. Embrace where you embraced the phase.

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Speaker 1: You feel me another one, bro, I had a crazy

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00:18:04,119 --> 00:18:07,840
Speaker 1: when that T shirt was going crazy. I was in Malibu,

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Speaker 1: like on this in this crazy hotel, like the ocean

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00:18:11,680 --> 00:18:14,000
Speaker 1: is right there type of ship right and I'm there

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Speaker 1: to link up with sky Storge and the T shirt

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00:18:15,640 --> 00:18:17,480
Speaker 1: is going crazy. Because it's right after Day and Night Festival,

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Speaker 1: just September ten, when night before. So I'm sitting this

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Speaker 1: hotel and it's going crazy, and I'm like, I experienced

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00:18:23,200 --> 00:18:25,800
Speaker 1: like my should had gone like big before. I mean,

376
00:18:25,800 --> 00:18:28,359
Speaker 1: she's was blotting them whatever, whatever, but you hadn't gone

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Speaker 1: to that level where the underworld of Twitter starts to

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Speaker 1: you know what I'm saying, like those weirdos who think,

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00:18:34,160 --> 00:18:38,320
Speaker 1: like y'all know the underworld of Twitter, right, you don't

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00:18:38,320 --> 00:18:40,760
Speaker 1: know the underworld on Twitter? Oh, the underworld of Twitter

381
00:18:40,840 --> 00:18:45,679
Speaker 1: has a has a Mount Rushmore, it has aunt let

382
00:18:45,680 --> 00:18:47,440
Speaker 1: me tell you now, it doesn't have amount Rushmore. The

383
00:18:47,480 --> 00:18:51,840
Speaker 1: underworld Twitter things J Cole is corny, things, Drake is garbage,

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Speaker 1: and think Kendrick is overrated. That's what the underworld of

385
00:18:54,760 --> 00:18:58,800
Speaker 1: Twitter thinks. And it's like, it's like weird, I don't

386
00:18:58,800 --> 00:19:01,560
Speaker 1: know what game y'all watch right, I didn't know that

387
00:19:01,720 --> 00:19:08,560
Speaker 1: like rooting for Tiers seven artists was the thing, but okay,

388
00:19:08,600 --> 00:19:13,200
Speaker 1: oh yeah, underworld Twitter is that they think J Cole's corny,

389
00:19:13,280 --> 00:19:17,600
Speaker 1: Kendrick is overrated, in Drake's garbage, which is crazy fucking outlandish.

390
00:19:17,920 --> 00:19:21,040
Speaker 1: All that literally sounds like is the pron sucks. Steph

391
00:19:21,080 --> 00:19:24,400
Speaker 1: Curry can't shoot Kim Durant fucking sucks. Fuck it. It's

392
00:19:24,440 --> 00:19:27,480
Speaker 1: like you sure? Are you sure? You want to? Like?

393
00:19:27,600 --> 00:19:30,320
Speaker 1: You sure? Because who do you fuck with? Who do

394
00:19:30,320 --> 00:19:35,080
Speaker 1: you foke with? Like Kirk Heinrich. No, But I was,

395
00:19:35,119 --> 00:19:37,280
Speaker 1: I mallebu And I'm sitting there and like dealing with

396
00:19:37,320 --> 00:19:43,439
Speaker 1: all this crazy like I'm doing on fire crazy and

397
00:19:43,520 --> 00:19:45,399
Speaker 1: like John Mayor just text me, like and we have

398
00:19:45,480 --> 00:19:49,520
Speaker 1: this crazy conversation of just like b I'm talking like

399
00:19:49,800 --> 00:19:54,439
Speaker 1: mind blowing like paragraphs for his paragraphs to like crazy conversation.

400
00:19:55,040 --> 00:19:57,440
Speaker 1: And I pull up the Scott Stortz's house while we're

401
00:19:57,440 --> 00:20:02,080
Speaker 1: having this conversation, and that's when may prosper. But and

402
00:20:02,160 --> 00:20:04,280
Speaker 1: that's when I may think twice. But that's why I said,

403
00:20:04,359 --> 00:20:06,520
Speaker 1: like I started looking at my life and I'm like,

404
00:20:06,640 --> 00:20:08,720
Speaker 1: it's hard to hear that hate over these waves crashing

405
00:20:08,760 --> 00:20:10,600
Speaker 1: because I'm sitting there looking at the waves. It's like,

406
00:20:11,400 --> 00:20:13,600
Speaker 1: I think your time is up. I think your waves crashing.

407
00:20:13,760 --> 00:20:16,440
Speaker 1: The other thing is I think that's crazy about that thing?

408
00:20:16,440 --> 00:20:19,119
Speaker 1: Twice song um, Like I said, to reiterate the Joe

409
00:20:19,160 --> 00:20:21,320
Speaker 1: Budden ship, I funked with Joe Budding he crossed the

410
00:20:21,359 --> 00:20:23,080
Speaker 1: line because he brought my family into it. And you

411
00:20:23,119 --> 00:20:25,640
Speaker 1: didn't even bring my family into it on some truthful ship.

412
00:20:25,920 --> 00:20:29,240
Speaker 1: You brought You brought a rumor against my fucking dad

413
00:20:29,760 --> 00:20:31,879
Speaker 1: onto some ship like you don't know how being a

414
00:20:31,960 --> 00:20:34,520
Speaker 1: rapper goes as far as like people say, isn't he

415
00:20:34,600 --> 00:20:39,960
Speaker 1: just reflecting the undercurrent of Twitter? That Now, if he

416
00:20:40,080 --> 00:20:44,200
Speaker 1: was a journalist, a true journalist or whatever, I would

417
00:20:44,200 --> 00:20:47,399
Speaker 1: give him that pass. Bro, you were you were this

418
00:20:47,560 --> 00:20:50,560
Speaker 1: only four months ago. You should know better. You feel me,

419
00:20:50,680 --> 00:20:52,320
Speaker 1: and you're a grown ass man. You know not to

420
00:20:52,320 --> 00:20:54,840
Speaker 1: bring people's family into it. You crossed the line. You're

421
00:20:54,840 --> 00:20:56,879
Speaker 1: a grown ass man. So like you could have just

422
00:20:56,960 --> 00:20:59,639
Speaker 1: kept it on something like playful like music ship, Like

423
00:20:59,760 --> 00:21:01,640
Speaker 1: you cross the line. Bro, You brought in a fake

424
00:21:01,720 --> 00:21:04,760
Speaker 1: as rumor about my fucking family into it. You got

425
00:21:04,800 --> 00:21:07,400
Speaker 1: my dad's name in your fucking mouth. You're tripping your

426
00:21:07,400 --> 00:21:11,239
Speaker 1: bugging and you know it, period, period, That's what it is.

427
00:21:11,400 --> 00:21:13,399
Speaker 1: And that whole song I only gave him two bars,

428
00:21:13,440 --> 00:21:15,280
Speaker 1: you know what I'm saying. That was light work. It

429
00:21:15,359 --> 00:21:18,040
Speaker 1: seems like you draw inspiration from a lot of different sources.

430
00:21:18,080 --> 00:21:20,040
Speaker 1: Like I remember when we had our first conversation, talked

431
00:21:20,080 --> 00:21:22,720
Speaker 1: about Kiki he was about and then talking about the

432
00:21:22,760 --> 00:21:27,359
Speaker 1: other chick with the ladies stream rush the rap listen

433
00:21:27,400 --> 00:21:32,480
Speaker 1: to wife, Yeah, it's like is that from particular lady

434
00:21:32,520 --> 00:21:35,679
Speaker 1: in Wife? You up? So the the first verse was

435
00:21:35,720 --> 00:21:38,960
Speaker 1: about the chick from losing control because I was like,

436
00:21:39,080 --> 00:21:43,080
Speaker 1: I was sitting there. I was like, man, it's funck

437
00:21:43,200 --> 00:21:45,280
Speaker 1: how like no no, no, no, no, no no no, no no,

438
00:21:45,600 --> 00:21:48,720
Speaker 1: one more time, one more time, no losing control. Losing

439
00:21:48,720 --> 00:21:51,560
Speaker 1: control was the chick that was good goodbye, was and

440
00:21:51,600 --> 00:21:57,000
Speaker 1: shake that was sucked up. Now the losing control, she

441
00:21:57,119 --> 00:21:58,439
Speaker 1: was the good one. I was the one that was

442
00:21:58,480 --> 00:22:01,720
Speaker 1: like playing because I was too immature emotionally. I was seventeen.

443
00:22:02,080 --> 00:22:04,480
Speaker 1: What I'm saying, people are immature emotionally, they're not ready

444
00:22:04,480 --> 00:22:06,680
Speaker 1: to deal with especially men. A lot of times women

445
00:22:06,720 --> 00:22:11,760
Speaker 1: are much more progressive emotionally and everything. But yeah, no,

446
00:22:11,840 --> 00:22:14,840
Speaker 1: it's a fact. But I was looking back like damn.

447
00:22:15,000 --> 00:22:17,680
Speaker 1: And that wasn't the first time that I looked bad.

448
00:22:17,720 --> 00:22:19,080
Speaker 1: But I was looking back like, yo, if there was

449
00:22:19,119 --> 00:22:21,760
Speaker 1: a chick that was like really down for me type

450
00:22:21,800 --> 00:22:24,199
Speaker 1: of ship, it was the first one. Because I was sucking.

451
00:22:24,920 --> 00:22:26,760
Speaker 1: I was not shipped. I was nothing so that's why

452
00:22:26,760 --> 00:22:27,960
Speaker 1: I said at the end of the first verse like

453
00:22:28,280 --> 00:22:30,960
Speaker 1: looking back and shame, we were only a phase. But

454
00:22:31,040 --> 00:22:33,920
Speaker 1: then the second verse was kind of like there's a

455
00:22:33,960 --> 00:22:38,520
Speaker 1: couple of candidates, you feel me, But it was also

456
00:22:38,600 --> 00:22:42,600
Speaker 1: kind of like what I envisioned, kind of like what

457
00:22:42,920 --> 00:22:46,639
Speaker 1: like my fucking uh resume and requirements. Almost it was

458
00:22:46,680 --> 00:22:49,359
Speaker 1: half like resume requirements and half like these are girls

459
00:22:49,359 --> 00:22:51,200
Speaker 1: that I actually know though too, So you can't take

460
00:22:51,280 --> 00:22:54,119
Speaker 1: chicks have been overseas, remember he said in one of

461
00:22:54,119 --> 00:22:57,639
Speaker 1: those of ours, Oh yeah, I got what. I forget that.

462
00:22:57,720 --> 00:22:59,480
Speaker 1: I forget what song was. But you said, you can't

463
00:22:59,560 --> 00:23:02,600
Speaker 1: date a girl that overseas act like you see some

464
00:23:02,640 --> 00:23:04,760
Speaker 1: money before. I can't date this year that's never left

465
00:23:04,760 --> 00:23:12,760
Speaker 1: the country before. What that really is is, though, is

466
00:23:12,840 --> 00:23:16,320
Speaker 1: like fun, the like traveling aspect of it, like the

467
00:23:16,359 --> 00:23:20,920
Speaker 1: physical location. I can't date a local minded chick where

468
00:23:20,960 --> 00:23:23,719
Speaker 1: it's like you think that the world operates around your

469
00:23:23,800 --> 00:23:27,760
Speaker 1: zip code. That's what that really means. That was just

470
00:23:27,800 --> 00:23:29,480
Speaker 1: me saying it in a way like a rap line

471
00:23:29,480 --> 00:23:31,800
Speaker 1: like the Rhyman Ship. But I can't date the chick

472
00:23:31,880 --> 00:23:35,240
Speaker 1: that things that like life revolves around what I'm saying,

473
00:23:35,240 --> 00:23:38,040
Speaker 1: Like no, the funk it doesn't feel me like wake up.

474
00:23:38,560 --> 00:23:41,119
Speaker 1: You feel like you have to date somebody successful like

475
00:23:41,320 --> 00:23:45,960
Speaker 1: you as this point, Or I meet someone liking fucking

476
00:23:46,440 --> 00:23:48,720
Speaker 1: some country who has no idea who the funk I am.

477
00:23:49,240 --> 00:23:51,640
Speaker 1: They don't give a funk about rap, But like that's

478
00:23:51,760 --> 00:23:55,119
Speaker 1: I always talking about how the window of opportunity. I

479
00:23:55,119 --> 00:23:56,480
Speaker 1: don't know. I mean, it could be a lie that

480
00:23:56,480 --> 00:23:58,320
Speaker 1: I'm telling to myself, right, because it could just be

481
00:23:58,440 --> 00:24:01,560
Speaker 1: me being scared of like commitment, whatever the funk it is.

482
00:24:02,160 --> 00:24:05,919
Speaker 1: But it's like, I know, it's like girlfriends who are

483
00:24:05,960 --> 00:24:10,199
Speaker 1: like I'm telling you on the one you keep playing

484
00:24:10,240 --> 00:24:14,720
Speaker 1: with me now, But it's like, you know, you realize

485
00:24:14,760 --> 00:24:17,640
Speaker 1: that this is such an a regular life. It's an

486
00:24:17,680 --> 00:24:21,400
Speaker 1: irregular life. So to try and get a quote unquote

487
00:24:21,800 --> 00:24:24,480
Speaker 1: chick who's doing regular day to day ship to understand

488
00:24:24,520 --> 00:24:27,600
Speaker 1: everything that goes into this irregular life, bro, it's like

489
00:24:28,000 --> 00:24:30,640
Speaker 1: it's speed bump after speed bump after speed bump. Why

490
00:24:30,720 --> 00:24:34,080
Speaker 1: you gotta be out? Why you gotta what is this? Yeah,

491
00:24:34,119 --> 00:24:36,840
Speaker 1: it's like who you have to Why do you think

492
00:24:36,880 --> 00:24:41,160
Speaker 1: that most celebrities day celebrities is not because they're like fun, right,

493
00:24:41,880 --> 00:24:44,800
Speaker 1: It's because they're the only ones who get it, and

494
00:24:44,800 --> 00:24:48,640
Speaker 1: and a relationship is about took with the real one.

495
00:24:48,640 --> 00:24:53,120
Speaker 1: Ain't soking. No one from the bronze feel me, ain't

496
00:24:53,119 --> 00:24:56,919
Speaker 1: folk with the Dominican from the Bronze. I saw a

497
00:24:56,920 --> 00:24:59,919
Speaker 1: fan she had a tattoo your face on her body.

498
00:25:00,119 --> 00:25:03,800
Speaker 1: That's beautiful. That's you can't fall off, huh, I said,

499
00:25:03,800 --> 00:25:07,120
Speaker 1: you can't fall off? Now I fall off? She falls off?

500
00:25:10,720 --> 00:25:12,640
Speaker 1: Not but the window closed? You feel me? It's like

501
00:25:13,160 --> 00:25:15,280
Speaker 1: we haven't had your feelings hurt by a young ladies

502
00:25:15,280 --> 00:25:17,680
Speaker 1: since the success kicked in this year? Right? Oh yeah,

503
00:25:17,880 --> 00:25:23,840
Speaker 1: I have this year? Oh this year? Yeah? Yeah, yeah, yeah,

504
00:25:23,880 --> 00:25:26,080
Speaker 1: no I have. When did it used to you dropped?

505
00:25:26,240 --> 00:25:29,160
Speaker 1: When did you see you drop? You dropped this year? Right? Yeah?

506
00:25:29,320 --> 00:25:31,760
Speaker 1: The album came out again, since the album came out. No,

507
00:25:32,040 --> 00:25:35,000
Speaker 1: you can't get close to me now, No, I'm kidding not,

508
00:25:35,119 --> 00:25:38,840
Speaker 1: I haven't, just because like you know, it's you gotta

509
00:25:39,320 --> 00:25:43,400
Speaker 1: what's up? No one like you said yourself, ya gonna

510
00:25:43,400 --> 00:25:46,040
Speaker 1: say you knowing that you now have this more regular life.

511
00:25:46,040 --> 00:25:48,240
Speaker 1: Here's a crazy thing, right, I'm so glad like because

512
00:25:48,240 --> 00:25:50,880
Speaker 1: it's like Suggar thought in my head. Here's the fun

513
00:25:51,000 --> 00:25:53,720
Speaker 1: thing about like fame or whatever the fun you want

514
00:25:53,720 --> 00:25:56,520
Speaker 1: to call this. Yep, right, this is I need you

515
00:25:56,520 --> 00:25:59,320
Speaker 1: to be quiet just for like you feel mean you

516
00:25:59,359 --> 00:26:01,760
Speaker 1: to soak it up. Yeah, like just be quiet, like

517
00:26:02,040 --> 00:26:04,600
Speaker 1: I like, I love the energy, but like real ship

518
00:26:04,680 --> 00:26:06,480
Speaker 1: is being said and had you feel me? But I

519
00:26:06,560 --> 00:26:08,439
Speaker 1: funk with it. You're the man I met him in

520
00:26:08,440 --> 00:26:16,880
Speaker 1: the elevator with this girl. Yeah okay, but like yeah, chill, chill.

521
00:26:17,920 --> 00:26:21,280
Speaker 1: But the fun thing about about society and how they

522
00:26:21,359 --> 00:26:24,400
Speaker 1: view the celebrity ship, right, it's like, damn you change,

523
00:26:24,800 --> 00:26:28,879
Speaker 1: you switched uff, You're not the same anymore. It's like, nah,

524
00:26:29,040 --> 00:26:32,959
Speaker 1: what ends up happening, right, is people change how they

525
00:26:33,000 --> 00:26:36,879
Speaker 1: treat you. Like I'm walking around regular day live like

526
00:26:36,960 --> 00:26:41,120
Speaker 1: doing my ship and now people want to like, oh

527
00:26:41,280 --> 00:26:45,480
Speaker 1: my god, it's crazy and it's like that's fire. I

528
00:26:45,560 --> 00:26:48,399
Speaker 1: funkt with that. But don't act like I'm acting different.

529
00:26:49,000 --> 00:26:53,000
Speaker 1: I'm still just like I'm chilling. Y'all are acting different, right,

530
00:26:53,160 --> 00:26:55,880
Speaker 1: So I would have to be a fucking naive idiot

531
00:26:56,080 --> 00:26:59,399
Speaker 1: to not adjust to how society is treating me if

532
00:26:59,400 --> 00:27:01,560
Speaker 1: you don't want to beat me, like I'm a fucking

533
00:27:01,680 --> 00:27:04,159
Speaker 1: unicorn and oh my god, I just caught a sighting

534
00:27:04,160 --> 00:27:08,080
Speaker 1: of bigfoot. That's how they treat you. It's like I

535
00:27:08,080 --> 00:27:11,679
Speaker 1: would be a fool to just think that I should

536
00:27:11,680 --> 00:27:14,240
Speaker 1: just act the same. That's why I when I kick

537
00:27:14,240 --> 00:27:16,760
Speaker 1: it with girls or whatever. Yeah, you gotta sign an NBA.

538
00:27:17,080 --> 00:27:23,080
Speaker 1: Why because you absolutely Who said why? Who said why?

539
00:27:23,600 --> 00:27:29,000
Speaker 1: I'll tell you now. I'll tell you why because because unfortunately,

540
00:27:29,200 --> 00:27:31,200
Speaker 1: I'd be trying to be regular, like you'd be kicking

541
00:27:31,200 --> 00:27:33,800
Speaker 1: it whatever you're regular doing you and then all of

542
00:27:33,840 --> 00:27:37,480
Speaker 1: a sudden, like tomorrow, you're just like all over social

543
00:27:37,480 --> 00:27:39,240
Speaker 1: media is like a person is doing too much. And

544
00:27:39,240 --> 00:27:43,119
Speaker 1: it's like, oh, so I didn't change up, y'all switched stuff.

545
00:27:43,640 --> 00:27:46,760
Speaker 1: I didn't switch up. I'm me, I'll be chilling, I'll

546
00:27:46,760 --> 00:27:49,160
Speaker 1: be kicking it whatever. I'm still with my homies from

547
00:27:49,160 --> 00:27:51,480
Speaker 1: when I was working twelve, still take my mom everywhere.

548
00:27:51,680 --> 00:27:54,560
Speaker 1: I'm regular, y'all. Switch up, y'all feel like you're in

549
00:27:54,600 --> 00:27:56,480
Speaker 1: the presence of someone who you need to sneak pictures

550
00:27:56,560 --> 00:27:59,240
Speaker 1: under the legs. And you know what I'm saying. I didn't.

551
00:27:59,280 --> 00:28:00,800
Speaker 1: I didn't tell you how to not anything like that,

552
00:28:01,200 --> 00:28:02,600
Speaker 1: you know what I'm saying. So I would be an

553
00:28:02,640 --> 00:28:07,639
Speaker 1: idiot to not also make necessary safe, protective adjustments to

554
00:28:07,800 --> 00:28:10,359
Speaker 1: deal with the new change that society is bringing on.

555
00:28:10,400 --> 00:28:14,040
Speaker 1: To me, that's just retarded. If I don't Yeah, it's

556
00:28:14,040 --> 00:28:16,479
Speaker 1: like I mean, I mean, but that's that's not on me.

557
00:28:17,080 --> 00:28:19,560
Speaker 1: It's like, yo, well, I gotta sign the NDA, Like

558
00:28:19,600 --> 00:28:21,520
Speaker 1: who do you think you are? Who do you think

559
00:28:21,560 --> 00:28:25,120
Speaker 1: I am? That's the real question, Not who do I

560
00:28:25,160 --> 00:28:27,040
Speaker 1: think I am. I'm going off of who you think

561
00:28:27,080 --> 00:28:30,920
Speaker 1: I am. I gotta now respond and reciprocate your energy

562
00:28:30,960 --> 00:28:32,840
Speaker 1: of who you think I am. You think I'm this

563
00:28:32,880 --> 00:28:36,200
Speaker 1: ship worth photographing and worth fucking putting on social media

564
00:28:36,240 --> 00:28:38,640
Speaker 1: as a trophy. So now I need to fucking really

565
00:28:38,880 --> 00:28:40,480
Speaker 1: take a step back and be like, funk who I

566
00:28:40,520 --> 00:28:42,720
Speaker 1: think I am. I gotta operate off of who they

567
00:28:42,760 --> 00:28:45,640
Speaker 1: think I am. Otherwise I'm gonna get fucked, you feel me.

568
00:28:45,680 --> 00:28:48,440
Speaker 1: That's when you get caught sleeping in a fucking hotel

569
00:28:48,880 --> 00:28:52,040
Speaker 1: with you know whatever chicken Mexico type. It's like, because

570
00:28:52,080 --> 00:28:55,080
Speaker 1: motherfucker's are looking at you like a trophy. They're like, man,

571
00:28:55,640 --> 00:28:58,320
Speaker 1: I conquered the Great Wall of you know what I'm saying.

572
00:28:58,320 --> 00:29:00,520
Speaker 1: It is like the times when you have like a

573
00:29:00,600 --> 00:29:02,640
Speaker 1: hobby or some ship. You have to unplug from this ship.

574
00:29:02,720 --> 00:29:07,400
Speaker 1: Like jumps me, I jumps me. Anyone plays balld here,

575
00:29:07,440 --> 00:29:13,120
Speaker 1: my jump is better than yours. Can he really play? Guys?

576
00:29:13,880 --> 00:29:17,240
Speaker 1: Ask them? You feel me? It's a Nigerian Olympic basketball

577
00:29:17,280 --> 00:29:19,440
Speaker 1: member right here? Are right here? You feel me? What

578
00:29:19,600 --> 00:29:23,400
Speaker 1: co signed by real talent? Yeah? No, I'll be playing ball.

579
00:29:23,440 --> 00:29:25,560
Speaker 1: But like, honestly, my hobby turned into my life. My

580
00:29:25,600 --> 00:29:28,680
Speaker 1: hobby was always just making music, So that's what I

581
00:29:28,680 --> 00:29:30,840
Speaker 1: al would you know? Advise to anyone is kind of like, man,

582
00:29:31,400 --> 00:29:33,560
Speaker 1: I don't know my passion. You feel me? Everyone just says, oh,

583
00:29:33,640 --> 00:29:36,320
Speaker 1: follow your passion. What the fund is that people like,

584
00:29:36,360 --> 00:29:38,400
Speaker 1: I don't know what my passion is not good at anything?

585
00:29:39,200 --> 00:29:41,719
Speaker 1: That's everyone's response. I don't have a talent. I have

586
00:29:41,760 --> 00:29:44,320
Speaker 1: no talent. It's like, yeah, you do? You feel me?

587
00:29:44,600 --> 00:29:47,520
Speaker 1: Like what you love is your talent? Being able to

588
00:29:47,560 --> 00:29:50,520
Speaker 1: just fall in love with something that means that that's

589
00:29:50,560 --> 00:29:53,560
Speaker 1: your ship and yo, trust me. In the world of

590
00:29:53,600 --> 00:29:57,080
Speaker 1: the internet, in the fucking uh just way to connect

591
00:29:57,080 --> 00:30:00,480
Speaker 1: with worldwide people everywhere. If you up with it, you

592
00:30:00,480 --> 00:30:01,840
Speaker 1: could turn it into some money. You don't have to

593
00:30:01,880 --> 00:30:03,840
Speaker 1: worry about. Man, there's no money in this. There's no

594
00:30:03,960 --> 00:30:06,000
Speaker 1: jobs in this field. Like, if you funk with it,

595
00:30:06,040 --> 00:30:09,960
Speaker 1: you funk with it, you can flip it. Dope, you

596
00:30:10,080 --> 00:30:12,840
Speaker 1: ready for what I think you should get? The fans

597
00:30:12,880 --> 00:30:15,120
Speaker 1: like three questions. I'm trying to get out of here. Yeah,

598
00:30:15,280 --> 00:30:16,440
Speaker 1: I want to see if I want to say some

599
00:30:16,480 --> 00:30:24,880
Speaker 1: more ship. I just have some ship to say. And

600
00:30:25,040 --> 00:30:27,520
Speaker 1: it doesn't really matter how the people take it, not y'all,

601
00:30:27,720 --> 00:30:31,320
Speaker 1: because that's the thing right, this whole world, this whole

602
00:30:32,320 --> 00:30:37,280
Speaker 1: this whole life. When you're going after your ship, is uh,

603
00:30:37,920 --> 00:30:42,520
Speaker 1: love verse doubt. That's it. There's either people in your

604
00:30:42,600 --> 00:30:45,160
Speaker 1: ring who are like, it's you versued doubt. You know

605
00:30:45,160 --> 00:30:47,959
Speaker 1: what I'm saying, it's the love versus the doubt. And

606
00:30:48,000 --> 00:30:50,480
Speaker 1: every time a song cells and every time the ticket

607
00:30:50,480 --> 00:30:52,600
Speaker 1: gets sold, and every time I do ship like this,

608
00:30:52,800 --> 00:30:55,160
Speaker 1: y'all are knocking the funk out of haters. You feel

609
00:30:55,160 --> 00:31:00,400
Speaker 1: me every fucking time, every fucking time. So the ones

610
00:31:00,440 --> 00:31:02,400
Speaker 1: who don't get it don't get it and they feel

611
00:31:02,400 --> 00:31:04,400
Speaker 1: offended because they didn't like me anyway. But you gotta

612
00:31:04,440 --> 00:31:07,040
Speaker 1: really look at this fucking industry, right, you gotta really

613
00:31:07,080 --> 00:31:11,560
Speaker 1: look at why why are we fucking championship that doesn't

614
00:31:11,640 --> 00:31:15,440
Speaker 1: even actually pierced through like that. It's just at an

615
00:31:15,480 --> 00:31:18,400
Speaker 1: entertainment level. You know what I'm saying, because people keep

616
00:31:18,440 --> 00:31:21,040
Speaker 1: asking me little pump, Little Pump, Little Pump, and it's like,

617
00:31:21,040 --> 00:31:22,400
Speaker 1: why are you asking me about to see senior kid

618
00:31:22,400 --> 00:31:24,440
Speaker 1: who's just trying to get it? You feel me. It's

619
00:31:24,440 --> 00:31:26,640
Speaker 1: a six year old kid. I'm saying, he's getting it,

620
00:31:26,920 --> 00:31:29,479
Speaker 1: and it's Krudo's to him. You feel me, he's getting it.

621
00:31:29,520 --> 00:31:33,280
Speaker 1: Once again, you're gonna clip interviews, clip clips whatever. Hopefully

622
00:31:33,360 --> 00:31:37,800
Speaker 1: y'all don't with your little bit like yeah, yeah, motherfucker's

623
00:31:37,800 --> 00:31:40,280
Speaker 1: clip whatever. But little Pump is sixteen, he's getting it.

624
00:31:40,320 --> 00:31:43,240
Speaker 1: That's sucking crazy, but that's lit. But at the same time,

625
00:31:43,320 --> 00:31:46,520
Speaker 1: like his fan base should be ashamed. And I'll tell

626
00:31:46,560 --> 00:31:49,840
Speaker 1: you why why y'all left someone with four million followers

627
00:31:50,520 --> 00:31:52,640
Speaker 1: only sell forty five thousand in the first week. Where's

628
00:31:52,640 --> 00:31:55,840
Speaker 1: your support that you feel me? You don't want to

629
00:31:55,840 --> 00:31:58,720
Speaker 1: be in your little underworld of Twitter saying that he's

630
00:31:58,760 --> 00:32:01,200
Speaker 1: the great, he's he's you know, all this like joking,

631
00:32:01,200 --> 00:32:03,880
Speaker 1: ship whatever, but you don't really support him like that.

632
00:32:04,160 --> 00:32:06,200
Speaker 1: And you see it every year bo and it's like

633
00:32:06,800 --> 00:32:09,400
Speaker 1: it's it's really like I'm trying to I'm not even

634
00:32:09,440 --> 00:32:12,480
Speaker 1: shot on a little pump like I'm I'm almost on

635
00:32:12,560 --> 00:32:13,960
Speaker 1: his side as far as just trying to get it.

636
00:32:14,000 --> 00:32:16,640
Speaker 1: Maybe not the content ship like that, but like, damn, bro,

637
00:32:16,840 --> 00:32:19,800
Speaker 1: like I feel for you where you you're probably looking at,

638
00:32:19,840 --> 00:32:23,440
Speaker 1: like how I got four million followers into people bought

639
00:32:23,440 --> 00:32:26,040
Speaker 1: my ship in the first week. What type of engagement

640
00:32:26,080 --> 00:32:28,800
Speaker 1: percentage rate is that? You know what I'm saying, just

641
00:32:28,840 --> 00:32:33,160
Speaker 1: for like, just for comparison, funk that it's me right

642
00:32:33,600 --> 00:32:36,640
Speaker 1: do it? Bird's eye view, This artist named Russ had

643
00:32:36,640 --> 00:32:40,320
Speaker 1: four hundred forty thou followers and then came the first week,

644
00:32:40,600 --> 00:32:42,720
Speaker 1: So how does someone with four million do forty five?

645
00:32:43,360 --> 00:32:45,320
Speaker 1: You gotta look at why people are following people for

646
00:32:45,360 --> 00:32:47,600
Speaker 1: what They're following them for what I'm saying. And it's

647
00:32:47,600 --> 00:32:49,920
Speaker 1: a shame because you get a lot of you get

648
00:32:49,920 --> 00:32:52,280
Speaker 1: a lot of artists every year who think that motherfucker's

649
00:32:52,280 --> 00:32:54,480
Speaker 1: are with them for them in the music, and then

650
00:32:54,520 --> 00:32:56,080
Speaker 1: you kind of come to find out, like damn, when

651
00:32:56,120 --> 00:32:58,680
Speaker 1: push comes to shove, the numbers go up. Y'all just

652
00:32:58,720 --> 00:33:01,760
Speaker 1: fucking with me for like entertainment, like my court gesture

653
00:33:01,840 --> 00:33:04,080
Speaker 1: to you and I feel from that's a six year

654
00:33:04,080 --> 00:33:06,840
Speaker 1: old kid. Bro, you know what I'm saying, So shout

655
00:33:06,880 --> 00:33:08,720
Speaker 1: a little pump because he's sixteen and getting it. But

656
00:33:09,280 --> 00:33:11,120
Speaker 1: I feel bad for that fucking fan base because that

657
00:33:11,160 --> 00:33:13,480
Speaker 1: type of fan base is fickle, because those motherfucker's will

658
00:33:13,520 --> 00:33:15,240
Speaker 1: go suck the dick of any artists who's got to

659
00:33:15,280 --> 00:33:17,040
Speaker 1: line out the door of Supreme waiting for some hype

660
00:33:17,040 --> 00:33:26,640
Speaker 1: beside ship I don't even up will come out. Yeah,

661
00:33:26,720 --> 00:33:28,360
Speaker 1: Well I knew I how to make music that was

662
00:33:28,400 --> 00:33:30,600
Speaker 1: honest to me, and I knew how to beat myself,

663
00:33:30,640 --> 00:33:32,560
Speaker 1: and I just knew how to make good music, you

664
00:33:32,600 --> 00:33:34,240
Speaker 1: know what I'm saying. And you look at a lot

665
00:33:34,280 --> 00:33:36,840
Speaker 1: of artists like him and a lot of just you know,

666
00:33:36,920 --> 00:33:41,840
Speaker 1: a lot of artists, and it's not it's not uh,

667
00:33:41,880 --> 00:33:44,920
Speaker 1: there's no longevity to it. And it's because the fans

668
00:33:44,920 --> 00:33:48,760
Speaker 1: that you have are not lifelong fans. They're not that

669
00:33:48,800 --> 00:33:52,320
Speaker 1: type of consumer. They're the type of consumer. I mean.

670
00:33:52,360 --> 00:33:54,800
Speaker 1: It's funny, we did like a whole list of ship

671
00:33:54,960 --> 00:33:59,080
Speaker 1: of like rappers who the underworld of Twitter. Big ups

672
00:33:59,160 --> 00:34:01,040
Speaker 1: for six months us. But you know what I'm saying,

673
00:34:01,080 --> 00:34:03,680
Speaker 1: Like you were hot made, but comes July, fuck you

674
00:34:03,680 --> 00:34:05,480
Speaker 1: you know what I'm saying, And it's fucked up, you

675
00:34:05,480 --> 00:34:08,080
Speaker 1: know what I'm saying, Like I kicked it with Designer.

676
00:34:08,120 --> 00:34:09,759
Speaker 1: You know what I'm saying. Design is a really cool guy.

677
00:34:09,760 --> 00:34:16,000
Speaker 1: But look how like, come on, you feel me? Where's

678
00:34:16,640 --> 00:34:19,080
Speaker 1: because the fans are no longer with you like that?

679
00:34:19,160 --> 00:34:21,160
Speaker 1: And that's yeah, it's on you a little bit. But

680
00:34:21,200 --> 00:34:24,840
Speaker 1: it's also like it's like, damn, bro, it's because that

681
00:34:25,080 --> 00:34:28,920
Speaker 1: consumer the vultures. Bro. They look at you as this

682
00:34:29,200 --> 00:34:32,359
Speaker 1: quick fix and they fucking fly down on you, gaw

683
00:34:32,480 --> 00:34:34,600
Speaker 1: you down to the bone, and then jump over to

684
00:34:34,640 --> 00:34:36,680
Speaker 1: the other ship. And it's fucked up. You know what

685
00:34:36,680 --> 00:34:38,200
Speaker 1: I'm saying. This funk that they do it with so

686
00:34:38,239 --> 00:34:41,239
Speaker 1: many different rappers, and the rappers think that, man, I'm lit,

687
00:34:41,520 --> 00:34:43,600
Speaker 1: This's gonna last forever. Whatever funk they think. But then

688
00:34:43,600 --> 00:34:45,400
Speaker 1: all of a sudden, you know, you were hot in

689
00:34:45,440 --> 00:34:47,160
Speaker 1: the summer and you're colt in the wintertime, and it's

690
00:34:47,160 --> 00:34:54,759
Speaker 1: like you've been calling about home rap like yeah, because

691
00:34:55,000 --> 00:34:58,960
Speaker 1: that's rappers in the world. Yeah, I mean when you

692
00:34:58,960 --> 00:35:00,840
Speaker 1: look at who runs the game. Goss to this little

693
00:35:00,880 --> 00:35:04,520
Speaker 1: weird underworld Twitter community of sixteen year old white kids

694
00:35:04,560 --> 00:35:06,719
Speaker 1: who say then were when they get drunk, that's them,

695
00:35:07,000 --> 00:35:11,640
Speaker 1: you feel me, that's they're like weird though, yeah, not

696
00:35:11,920 --> 00:35:14,640
Speaker 1: like you're in high school, you're in college, you're white,

697
00:35:14,960 --> 00:35:16,560
Speaker 1: you say the N word when you get drunk with

698
00:35:16,560 --> 00:35:20,000
Speaker 1: your friends and like no, But there's real life kids

699
00:35:20,040 --> 00:35:22,640
Speaker 1: who think the culture of hip hop it's a real fact,

700
00:35:22,800 --> 00:35:26,960
Speaker 1: who think the culture is doing zan xcently. They think

701
00:35:27,000 --> 00:35:30,000
Speaker 1: that's what the culture is because they see the media

702
00:35:30,120 --> 00:35:33,759
Speaker 1: co signed this content as this is what the culture is.

703
00:35:33,960 --> 00:35:35,719
Speaker 1: And then you get a fifteen year old saying like,

704
00:35:36,400 --> 00:35:39,960
Speaker 1: that's the cool ship right now. Well, kidding ourselves. If

705
00:35:40,000 --> 00:35:43,160
Speaker 1: we think that rap is not influencing people, rappers influencing

706
00:35:43,200 --> 00:35:44,919
Speaker 1: people before it was the biggest genre in the world.

707
00:35:45,040 --> 00:35:46,399
Speaker 1: Now it's the biggest genre in the world. You don't

708
00:35:46,400 --> 00:35:50,359
Speaker 1: think it's influencing people. Come on, so you gotta really understand, like,

709
00:35:52,400 --> 00:36:04,120
Speaker 1: wh Yeah, yeah, my fans are trained the last, right,

710
00:36:04,600 --> 00:36:06,960
Speaker 1: My fans are trained to last simply because if you

711
00:36:07,040 --> 00:36:09,719
Speaker 1: funk with my ship, it's because you funk with the

712
00:36:09,800 --> 00:36:13,920
Speaker 1: music and you funk with the idea of it. Last

713
00:36:13,920 --> 00:36:16,759
Speaker 1: thing beyond the summertime, Like I said, what they want

714
00:36:16,800 --> 00:36:22,640
Speaker 1: losing control our platinum now feel me? They came out,

715
00:36:24,239 --> 00:36:31,399
Speaker 1: you know what I'm saying. No, but but they came out.

716
00:36:31,560 --> 00:36:34,000
Speaker 1: Like I said, the album is gold even though it

717
00:36:34,080 --> 00:36:35,799
Speaker 1: did four the nine K the first week, but it

718
00:36:35,880 --> 00:36:38,799
Speaker 1: goes gold in August. That's because it continues to sell,

719
00:36:39,080 --> 00:36:41,239
Speaker 1: you know what I'm saying. So these rappers who have

720
00:36:41,360 --> 00:36:44,960
Speaker 1: these big social media followings, like you could say whatever

721
00:36:45,000 --> 00:36:46,239
Speaker 1: you want to me. You know what I'm saying. You

722
00:36:46,239 --> 00:36:48,000
Speaker 1: could do whatever you want to me, But I don't

723
00:36:48,000 --> 00:36:49,719
Speaker 1: give a funk about any of that. You make bad

724
00:36:49,800 --> 00:36:52,040
Speaker 1: music and everyone knows it, which is why your fans

725
00:36:52,640 --> 00:36:56,799
Speaker 1: don't actually support your music when you drop it. Not

726
00:36:56,960 --> 00:36:59,360
Speaker 1: to that, bro, you can't have You can't be telling

727
00:36:59,360 --> 00:37:02,279
Speaker 1: me that you got fucking millions and millions of It's

728
00:37:02,280 --> 00:37:03,600
Speaker 1: not even like I said, it's not a this to

729
00:37:03,600 --> 00:37:06,480
Speaker 1: anyone getting it. I'm really super proud of anyone who

730
00:37:06,480 --> 00:37:08,600
Speaker 1: decided to go after this ship and get it. But

731
00:37:08,680 --> 00:37:11,759
Speaker 1: I'm just simply having basement conversations on camera because I

732
00:37:11,800 --> 00:37:13,919
Speaker 1: don't give a funk about the whole politically correct ship.

733
00:37:14,200 --> 00:37:15,720
Speaker 1: What other funk it is? You know what I'm saying.

734
00:37:15,920 --> 00:37:18,120
Speaker 1: The reality is that that's what the funk it is.

735
00:37:18,360 --> 00:37:20,400
Speaker 1: There's no surprise nine the one that just said this

736
00:37:20,400 --> 00:37:22,959
Speaker 1: ship on Twitter where someone was like, lyrical rap doesn't

737
00:37:23,000 --> 00:37:25,719
Speaker 1: sell anymore. He was like, then j Kogo Plane him,

738
00:37:26,040 --> 00:37:30,160
Speaker 1: then Kendrick Plan, Like who's talking about who? How can

739
00:37:30,200 --> 00:37:33,719
Speaker 1: you really say lyricism is lost in hip hop? Lyricism

740
00:37:33,880 --> 00:37:36,480
Speaker 1: is the biggest ship in hip hop right now, always

741
00:37:36,480 --> 00:37:39,080
Speaker 1: has been, always will because of the core of what

742
00:37:39,120 --> 00:37:42,280
Speaker 1: the funk hip hop is, which is lyricism. There's always

743
00:37:42,320 --> 00:37:45,000
Speaker 1: gonna be a side show. There's always gonna be a

744
00:37:45,000 --> 00:37:47,760
Speaker 1: side show. There's always gonna be the j kwans to change,

745
00:37:47,760 --> 00:37:49,919
Speaker 1: you know what I'm saying. No, but like once again,

746
00:37:49,920 --> 00:37:52,200
Speaker 1: it's not a like you're doing your show. It just

747
00:37:52,360 --> 00:37:53,759
Speaker 1: is what it is. There's always going to be a

748
00:37:53,760 --> 00:37:56,759
Speaker 1: side show of what other people are doing. But you're

749
00:37:56,800 --> 00:37:58,759
Speaker 1: never gonna be the biggest You feel me, this's no

750
00:37:58,880 --> 00:38:10,239
Speaker 1: chance to sitation like yeah where music Like yeah, I

751
00:38:10,239 --> 00:38:12,359
Speaker 1: think we're in like a super exciting time because no

752
00:38:12,400 --> 00:38:15,840
Speaker 1: one's seen what being an eighty year old legend and

753
00:38:15,920 --> 00:38:18,239
Speaker 1: rap looks like people have seen Mick Jagger, you know

754
00:38:18,280 --> 00:38:20,880
Speaker 1: what I'm saying, And people have seen bon Jovi and

755
00:38:20,920 --> 00:38:25,439
Speaker 1: like Blue Springsteen be like oh like man like still

756
00:38:25,440 --> 00:38:27,239
Speaker 1: going up with the old. No one's seen that and

757
00:38:27,360 --> 00:38:30,680
Speaker 1: rap yet, So I think jay Z is just fucking amazing,

758
00:38:31,120 --> 00:38:33,600
Speaker 1: you know what I'm saying, Like, because you gotta understand,

759
00:38:33,680 --> 00:38:38,360
Speaker 1: right that jay Z, that's it was crazy. No, but

760
00:38:38,400 --> 00:38:41,400
Speaker 1: I watched. I mean it was crazy because everything that

761
00:38:41,400 --> 00:38:43,040
Speaker 1: he was saying was really dope. But like just what

762
00:38:43,080 --> 00:38:45,840
Speaker 1: he's done with his career and just how he's managed

763
00:38:45,880 --> 00:38:50,000
Speaker 1: to stay relevant for this long. We're just good music, bro,

764
00:38:50,200 --> 00:38:53,440
Speaker 1: Like four doesn't have a hit on it. It's just

765
00:38:53,480 --> 00:38:55,960
Speaker 1: but it's like he's saying ship though, you know what

766
00:38:56,000 --> 00:38:57,880
Speaker 1: I'm saying, And I think we're like we're going to

767
00:38:58,080 --> 00:39:01,000
Speaker 1: enter a new wave right where you see a lot

768
00:39:01,040 --> 00:39:03,239
Speaker 1: of people coming out, a lot of rappers coming out

769
00:39:03,280 --> 00:39:06,880
Speaker 1: denouncing the Zanex and Lean and that whole movement, because

770
00:39:06,960 --> 00:39:09,160
Speaker 1: right now, Zannex and Lean is like the crack of

771
00:39:09,239 --> 00:39:11,480
Speaker 1: our generation now, I really is. It's like it's the

772
00:39:11,480 --> 00:39:14,600
Speaker 1: crack epidemic. Like back when I was thirteen, maybe when

773
00:39:14,640 --> 00:39:16,520
Speaker 1: you wanted to try, like being a bad kid and

774
00:39:16,520 --> 00:39:19,600
Speaker 1: a rebel and trying to escape, you're gonna smoke a cigarette.

775
00:39:20,120 --> 00:39:22,239
Speaker 1: But now your first thing is like let me get

776
00:39:22,239 --> 00:39:24,160
Speaker 1: some lean, let me get some pills. It's like Yeah,

777
00:39:24,160 --> 00:39:26,839
Speaker 1: it's a way worse introduction to this terribleized life you're

778
00:39:26,840 --> 00:39:29,480
Speaker 1: about to embark on. So I think you're you know,

779
00:39:29,520 --> 00:39:31,640
Speaker 1: you're seeing the kind of fall of it, you know

780
00:39:31,680 --> 00:39:34,600
Speaker 1: what I mean. So it's dope ist people who say

781
00:39:34,680 --> 00:39:36,520
Speaker 1: rappers in a bad place. I don't. I don't agree

782
00:39:36,560 --> 00:39:38,880
Speaker 1: with that. So let's see what the fans think. What

783
00:39:38,960 --> 00:39:46,640
Speaker 1: do you think, Elliott? No, but I appreciate No, I

784
00:39:46,680 --> 00:39:50,439
Speaker 1: just I just definitely want to say, uh, despite all

785
00:39:50,520 --> 00:39:53,759
Speaker 1: the like all your cocky, you're too arrogant, you're this whatever,

786
00:39:53,800 --> 00:39:57,040
Speaker 1: whatever the funk it is, people gotta understand, right, people

787
00:39:57,040 --> 00:39:58,960
Speaker 1: are gonna call you that when you're the only one

788
00:39:59,000 --> 00:40:01,759
Speaker 1: who believes in yourself. You know what I'm saying. If

789
00:40:01,760 --> 00:40:04,799
Speaker 1: you're the only one who believes in yourself, they're gonna

790
00:40:04,800 --> 00:40:07,440
Speaker 1: try and shoot on that. Why because they see you

791
00:40:07,520 --> 00:40:10,279
Speaker 1: going this way and they know they simply don't even

792
00:40:10,280 --> 00:40:13,080
Speaker 1: have the balls to step a fucking foot in that direction.

793
00:40:13,760 --> 00:40:16,400
Speaker 1: So they're like, man, fuck you for even feeling like

794
00:40:16,440 --> 00:40:19,480
Speaker 1: you could. And that's what it is. Y'all get hated

795
00:40:19,480 --> 00:40:21,479
Speaker 1: on all the time from like up and coming, even

796
00:40:21,520 --> 00:40:23,600
Speaker 1: within the industry. I'm sure I'm just like people who

797
00:40:23,640 --> 00:40:25,359
Speaker 1: don't want to see you at that spot. But it's

798
00:40:25,400 --> 00:40:28,720
Speaker 1: because they don't have the balls to be at the spot,

799
00:40:29,400 --> 00:40:30,719
Speaker 1: not that they don't have to. Like I said, the

800
00:40:30,760 --> 00:40:33,000
Speaker 1: A T. B ship, it's not that everyone wants to

801
00:40:33,000 --> 00:40:36,080
Speaker 1: be at B, you know what I'm saying. No one

802
00:40:36,160 --> 00:40:38,319
Speaker 1: wants to do the trek from A to B though,

803
00:40:38,719 --> 00:40:40,680
Speaker 1: So when they see you have the balls to go

804
00:40:40,800 --> 00:40:43,160
Speaker 1: from A to B like, oh not fun? This for us?

805
00:40:43,160 --> 00:40:45,759
Speaker 1: Who then does he think he is the funk? What

806
00:40:45,880 --> 00:40:47,279
Speaker 1: you think? I can't do that ship? You're right, I

807
00:40:47,280 --> 00:40:50,160
Speaker 1: can't do that ship fun. But it's like you know,

808
00:40:50,360 --> 00:40:53,640
Speaker 1: it's I'm just super appreciative of all the fans because

809
00:40:53,640 --> 00:40:58,320
Speaker 1: it's not fans, it's people who just you and listen,

810
00:40:58,360 --> 00:41:00,799
Speaker 1: let me let me say something else, right, let me

811
00:41:00,840 --> 00:41:04,200
Speaker 1: say something else. If any rapper has a fucking problem

812
00:41:04,280 --> 00:41:07,000
Speaker 1: with anything that I fucking said, put that ship on wax.

813
00:41:07,040 --> 00:41:09,120
Speaker 1: I'm not hearing your fucking Twitter fingers. Ship, I'm not

814
00:41:09,160 --> 00:41:10,920
Speaker 1: hearing any of that ship. Motherfucker's are grown ass man.

815
00:41:10,920 --> 00:41:12,920
Speaker 1: Put that ship on wax and nobody trying to hear

816
00:41:12,920 --> 00:41:16,600
Speaker 1: your fucking hurt ask on Twitter? You feel me? Not?

817
00:41:16,880 --> 00:41:18,799
Speaker 1: Because you know there's a lot of there's a lot

818
00:41:18,800 --> 00:41:20,840
Speaker 1: of rappers who want to go to social media to

819
00:41:20,880 --> 00:41:22,399
Speaker 1: say ship. You know what I'm saying, But it's like,

820
00:41:23,320 --> 00:41:27,600
Speaker 1: don't you have a microphone? Don't you rap? You know

821
00:41:27,640 --> 00:41:29,600
Speaker 1: what I'm saying now, But I do want to say

822
00:41:29,640 --> 00:41:32,400
Speaker 1: somethingbout the Zannis and Lean ship, and people the internet

823
00:41:32,400 --> 00:41:34,000
Speaker 1: wants to make it seem like me and fraid Oough

824
00:41:34,280 --> 00:41:36,840
Speaker 1: have some problem with each other. I've never thought afraid

825
00:41:36,840 --> 00:41:39,480
Speaker 1: though I have no problems. I wish in the best

826
00:41:39,520 --> 00:41:41,759
Speaker 1: because that ship is no joke. Bro, death is no joke.

827
00:41:42,200 --> 00:41:44,759
Speaker 1: You know what I'm saying. That's not a joke. Life

828
00:41:44,760 --> 00:41:47,080
Speaker 1: and death is not a joke. That's why I stressed

829
00:41:47,080 --> 00:41:49,319
Speaker 1: the Zanex and Lean ship because it's not a fucking joke.

830
00:41:49,680 --> 00:41:51,440
Speaker 1: You can you can take that. You can take that

831
00:41:51,440 --> 00:41:53,840
Speaker 1: ship once and it and it funk up. You know

832
00:41:53,880 --> 00:41:55,759
Speaker 1: what I'm saying. You could You could die off of

833
00:41:55,880 --> 00:41:58,680
Speaker 1: just some funked up ship on the first time. So

834
00:41:58,960 --> 00:42:00,560
Speaker 1: it's not a joke. I'm not a here to be like.

835
00:42:00,600 --> 00:42:03,160
Speaker 1: You know, I was reading comments on like people's ships,

836
00:42:03,200 --> 00:42:06,839
Speaker 1: like Russell's right, Ruscott, the W's like, Bro, someone dying

837
00:42:06,960 --> 00:42:09,279
Speaker 1: is not a w You feel me like? That's an

838
00:42:09,440 --> 00:42:12,560
Speaker 1: l for everybody involved. So I wish raid of the

839
00:42:12,560 --> 00:42:14,680
Speaker 1: best and there's no animosity, and you know, I hope,

840
00:42:15,040 --> 00:42:17,960
Speaker 1: I hope everyone just like kind of starts taking just

841
00:42:18,040 --> 00:42:25,160
Speaker 1: their life serious. You feel me, because it's not, Yeah,

842
00:42:25,320 --> 00:42:27,000
Speaker 1: I lost I lost a friend of that ship, you

843
00:42:27,040 --> 00:42:28,360
Speaker 1: know what I'm saying, Like I had a best friend.

844
00:42:28,360 --> 00:42:30,759
Speaker 1: I lost the best friend to that ship where it's

845
00:42:30,800 --> 00:42:32,120
Speaker 1: like it's a shame. And I remember I have a

846
00:42:32,120 --> 00:42:34,360
Speaker 1: conversation with him, like I can't wait to be on

847
00:42:34,560 --> 00:42:37,560
Speaker 1: like we're gonna do everything, and you're like, you know,

848
00:42:37,600 --> 00:42:39,920
Speaker 1: we're gonna fucking live the high life with each other.

849
00:42:40,920 --> 00:42:42,880
Speaker 1: And to see him just kind of take that route,

850
00:42:43,239 --> 00:42:45,160
Speaker 1: and that was the last person you would think, I'm talking,

851
00:42:45,160 --> 00:42:47,200
Speaker 1: that was the last one you would think would do it.

852
00:42:46,600 --> 00:42:50,359
Speaker 1: It's you kind of see that all right. If there's someone,

853
00:42:50,520 --> 00:42:53,239
Speaker 1: If if he exists, there's a bunch of other kids

854
00:42:53,239 --> 00:42:54,880
Speaker 1: who exist, who are in college right now, who are

855
00:42:54,880 --> 00:42:57,120
Speaker 1: in high school right now. They're like, man, you know what,

856
00:42:57,360 --> 00:42:59,560
Speaker 1: that girl I'm trying to smile just doing They're like, man,

857
00:43:00,120 --> 00:43:02,439
Speaker 1: maybe I should do that, should look cool, or like, yo,

858
00:43:03,040 --> 00:43:05,000
Speaker 1: I'm at my party for the first time. I'm trying

859
00:43:05,000 --> 00:43:07,080
Speaker 1: to do that should look cool. But it's like, you know,

860
00:43:07,160 --> 00:43:08,919
Speaker 1: that's all I'm talking to and it's it's just it's

861
00:43:08,920 --> 00:43:12,040
Speaker 1: not cool. Life for dead. Dying young is not cool,

862
00:43:12,520 --> 00:43:15,920
Speaker 1: you feel me. Dying young is not fresh, period, It's

863
00:43:15,960 --> 00:43:26,560
Speaker 1: not fresh. Yeah seven time, yeah yeah, got a couple

864
00:43:26,560 --> 00:43:35,960
Speaker 1: of months people for rest of seventy. We have a

865
00:43:36,080 --> 00:43:40,120
Speaker 1: super super exciting thing happening with Red Rocks, which is crazy. Bro.

866
00:43:40,880 --> 00:43:42,880
Speaker 1: Ten thousand sold out in a couple of days. A

867
00:43:42,920 --> 00:43:45,719
Speaker 1: couple of days, a couple of days, so you know

868
00:43:46,120 --> 00:43:48,719
Speaker 1: that's beautiful. Um, but you never know, Bro, I'm a

869
00:43:48,719 --> 00:43:50,120
Speaker 1: goot to go to the studio of Swiss Beach. You

870
00:43:50,160 --> 00:43:52,320
Speaker 1: never know if we just have a week of Swiss

871
00:43:52,360 --> 00:43:55,799
Speaker 1: Beach like scot stories and Ship. Also now I want

872
00:43:55,800 --> 00:43:58,239
Speaker 1: to speak on the because I'm here to clear Ship up. Bro.

873
00:43:58,320 --> 00:43:59,560
Speaker 1: You know what I'm saying, because I don't do the

874
00:43:59,560 --> 00:44:01,560
Speaker 1: tutor thing and Ship. I made a clear shot up

875
00:44:01,880 --> 00:44:04,160
Speaker 1: the thing twice it because people are like, oh, it's Joe,

876
00:44:04,200 --> 00:44:07,480
Speaker 1: butden logic low pump this. First of all, I wasn't

877
00:44:07,520 --> 00:44:10,319
Speaker 1: talking about loc Pump at all. Second of all, uh,

878
00:44:10,400 --> 00:44:12,600
Speaker 1: the logic ship is like the fact that I didn't

879
00:44:12,600 --> 00:44:15,719
Speaker 1: even need to say his name. What I'm saying, I said,

880
00:44:15,800 --> 00:44:18,000
Speaker 1: rappers you on logos, but everyone still knows who the

881
00:44:18,040 --> 00:44:21,640
Speaker 1: funk I was talking about, maybe he stole it. Then

882
00:44:23,480 --> 00:44:25,200
Speaker 1: if everyone knows what I'm talking about and I don't

883
00:44:25,200 --> 00:44:28,839
Speaker 1: need to say the name, yeah, how do you? How

884
00:44:28,880 --> 00:44:31,680
Speaker 1: does everyone know? If you ask on the internet who

885
00:44:31,680 --> 00:44:35,120
Speaker 1: stole Russ his logo, everyone would say So it's like

886
00:44:37,400 --> 00:44:40,880
Speaker 1: it's like obviously there's some truth there. Then if I

887
00:44:40,880 --> 00:44:42,560
Speaker 1: don't need to say the name, and that's a real

888
00:44:42,600 --> 00:44:45,240
Speaker 1: fucking that's a real thing, that's a real thing stole

889
00:44:45,400 --> 00:44:48,680
Speaker 1: Like look at the fucking logos a reality. Uh. The

890
00:44:48,719 --> 00:44:51,680
Speaker 1: other the other part about that fucking song was Belly

891
00:44:52,000 --> 00:44:55,719
Speaker 1: you feel Me? Period because me and Belly were cool.

892
00:44:56,960 --> 00:44:58,759
Speaker 1: You know. I went to the studio with Belly. He

893
00:44:58,880 --> 00:45:00,600
Speaker 1: d and needs like yo up to the studio. I

894
00:45:00,640 --> 00:45:03,000
Speaker 1: love your music, but I'm like absolutely folk with Belly,

895
00:45:03,080 --> 00:45:04,600
Speaker 1: you know what I'm saying. It was back in l

896
00:45:04,640 --> 00:45:06,680
Speaker 1: A like six months ago, a couple of months ago whatever.

897
00:45:06,920 --> 00:45:09,320
Speaker 1: I go to the studio with Belly and it was dope.

898
00:45:09,320 --> 00:45:10,680
Speaker 1: He was cool, you know what I'm saying. We made

899
00:45:10,719 --> 00:45:13,080
Speaker 1: a song together. It was fire, was lit, put up solo.

900
00:45:13,160 --> 00:45:16,000
Speaker 1: It was fresh. I did it's cool whatever. I see

901
00:45:16,040 --> 00:45:17,919
Speaker 1: him get the shout out and y'all's jay Z ship,

902
00:45:18,480 --> 00:45:20,200
Speaker 1: and I was like, I said him, like, Yo, it's crazy,

903
00:45:20,239 --> 00:45:23,440
Speaker 1: like keep going. She's like appreciated family. Well, there's two

904
00:45:23,480 --> 00:45:27,160
Speaker 1: weeks before that shirt came out whatever, and then he's

905
00:45:27,200 --> 00:45:29,600
Speaker 1: doing like, you know, a whole bunch of like Twitter ship.

906
00:45:29,960 --> 00:45:31,640
Speaker 1: I'm kind of looking like I'm cool with belly, so

907
00:45:31,640 --> 00:45:34,080
Speaker 1: I'm kind of like I can't be about me like

908
00:45:34,520 --> 00:45:37,160
Speaker 1: he would text me because he has my number if

909
00:45:37,160 --> 00:45:39,879
Speaker 1: you have a problem, you feel me. But then like

910
00:45:40,120 --> 00:45:43,600
Speaker 1: the last tweet is like yo, get at me, and

911
00:45:43,640 --> 00:45:46,360
Speaker 1: then it mentions me with like pill I'm old. It

912
00:45:46,480 --> 00:45:48,680
Speaker 1: just you know, ship like that in the industry is

913
00:45:48,719 --> 00:45:50,680
Speaker 1: just kind of disappointing, you feel me, because it's like

914
00:45:52,400 --> 00:45:54,520
Speaker 1: he was just doing a whole bunch of like Twitter

915
00:45:54,680 --> 00:45:57,960
Speaker 1: talking of like you know, yo, like whatever, like a

916
00:45:57,960 --> 00:45:59,840
Speaker 1: whole bunch of Twitter ship, like I'm gonna slap you

917
00:46:00,000 --> 00:46:02,480
Speaker 1: to do this. What other funk it is? Um? But

918
00:46:02,600 --> 00:46:04,319
Speaker 1: it was just like super confused to me. I didn't

919
00:46:04,320 --> 00:46:06,239
Speaker 1: take it as directed at me at first because I'm like,

920
00:46:06,280 --> 00:46:07,959
Speaker 1: he has my number if he like had an issue,

921
00:46:08,040 --> 00:46:10,120
Speaker 1: just I just texted him two weeks ago. He just

922
00:46:10,160 --> 00:46:13,640
Speaker 1: texts me. But then, you know, the last thing is,

923
00:46:13,760 --> 00:46:15,840
Speaker 1: I don't do the Twitter fingers. Even though it was

924
00:46:15,880 --> 00:46:19,160
Speaker 1: after thirty tweets, I don't do the Twitter fingers. I'll

925
00:46:19,160 --> 00:46:22,319
Speaker 1: see when I see you get at me. I don't know,

926
00:46:22,400 --> 00:46:25,040
Speaker 1: I'd like. That's why I'm super I'm disappointed with that thing.

927
00:46:25,040 --> 00:46:27,040
Speaker 1: So I just want to use this platform to address bro.

928
00:46:27,239 --> 00:46:29,000
Speaker 1: You know, I don't really have a problem. Like, if

929
00:46:29,000 --> 00:46:30,719
Speaker 1: you have a problem, you can text me. I really

930
00:46:30,719 --> 00:46:33,200
Speaker 1: have a problem. That was like super weird to me. Um,

931
00:46:33,239 --> 00:46:34,840
Speaker 1: but if if you have a problem, you can text me.

932
00:46:34,880 --> 00:46:36,399
Speaker 1: You have my number. I just text you two weeks ago.

933
00:46:36,800 --> 00:46:39,280
Speaker 1: I don't know. Maybe he felt the shirt was offending

934
00:46:39,360 --> 00:46:42,840
Speaker 1: him or like his label. I really honestly have no idea.

935
00:46:43,080 --> 00:46:44,879
Speaker 1: I couldn't tell you. I couldn't speak on what someone

936
00:46:44,920 --> 00:46:47,680
Speaker 1: else's issue is with me. But I wanted to clear

937
00:46:47,760 --> 00:46:49,960
Speaker 1: up that whole song because people think it was about

938
00:46:50,200 --> 00:46:53,280
Speaker 1: this guy. This is not the first two bars about

939
00:46:53,320 --> 00:46:56,400
Speaker 1: Joe Budden. You know what I'm saying. The rapperste On

940
00:46:56,480 --> 00:46:58,520
Speaker 1: logos was larger because everyone knows he stole my logo.

941
00:46:58,920 --> 00:47:01,640
Speaker 1: You know what I'm saying, Uh, there's lines in there

942
00:47:01,680 --> 00:47:03,640
Speaker 1: about belly because it's like, bro, you're tripping, like just

943
00:47:03,680 --> 00:47:05,600
Speaker 1: hit me up. And it was never about little Pump.

944
00:47:05,600 --> 00:47:08,399
Speaker 1: The rest is just these little fucking cornballs who are

945
00:47:08,440 --> 00:47:11,840
Speaker 1: fucking like, you know, stuck in fucking Atlanta, who have

946
00:47:11,920 --> 00:47:14,200
Speaker 1: been in the same place for fucking seven years, who

947
00:47:14,200 --> 00:47:18,560
Speaker 1: are only popping on Edgewood. You know what I'm saying. Yeah,

948
00:47:18,680 --> 00:47:24,000
Speaker 1: Nipsey's a man, bro. Yeah yeah, yeah, yeah, Nipsey's a

949
00:47:24,040 --> 00:47:27,840
Speaker 1: fucking genius. Bro. Yeah, Nipsey's like as far as like

950
00:47:27,840 --> 00:47:30,360
Speaker 1: a Bible of music where I came from. He's Kendrick

951
00:47:30,400 --> 00:47:33,080
Speaker 1: mar Ep because you know, j the marathon, the warm

952
00:47:33,160 --> 00:47:38,719
Speaker 1: up and so far gone all day. Oh, don't forget

953
00:47:38,760 --> 00:47:43,200
Speaker 1: a little retall. Yeah, I'm sure. I'm sure this interview

954
00:47:43,280 --> 00:47:49,960
Speaker 1: offend somebody. Yeah No, I mean I can. Yeah. I

955
00:47:49,960 --> 00:47:54,600
Speaker 1: got some with PNB coming up. Yeah yeah, yeah, he's

956
00:47:54,600 --> 00:47:58,000
Speaker 1: super dope. I got uh J I d J just

957
00:47:58,000 --> 00:48:00,839
Speaker 1: sent me something crazy. Yeah, work with ass before too,

958
00:48:00,880 --> 00:48:04,279
Speaker 1: So yeah he's dope. He's dope. Me and Bobs have

959
00:48:04,440 --> 00:48:07,799
Speaker 1: like I'll be producing. So like Bobs has a bunch

960
00:48:07,800 --> 00:48:11,600
Speaker 1: of decent ships. I saw you get the studio too. Yeah.

961
00:48:11,600 --> 00:48:13,400
Speaker 1: At some point, but we're about from Atlanta, Like, we

962
00:48:13,520 --> 00:48:15,160
Speaker 1: just be moving around a lot, so it's hard to

963
00:48:15,200 --> 00:48:20,200
Speaker 1: like locking me and Black. Yeah, me and Jesse got

964
00:48:20,200 --> 00:48:23,080
Speaker 1: some ship coming up. Jesse rays she's super dope. But

965
00:48:23,160 --> 00:48:24,799
Speaker 1: like I funk with people like I just have to

966
00:48:24,800 --> 00:48:26,920
Speaker 1: think you're dope. It's not like I don't funk with anyone.

967
00:48:26,960 --> 00:48:32,759
Speaker 1: It's like, like, I like what the funk? I like absolutely.

968
00:48:33,760 --> 00:48:35,399
Speaker 1: Now you know why I funk with y'all. I'll tell

969
00:48:35,400 --> 00:48:40,000
Speaker 1: you why because not because y'all are honest and you're

970
00:48:40,560 --> 00:48:43,560
Speaker 1: and you're not about the fucking clicks. If you were

971
00:48:43,560 --> 00:48:45,920
Speaker 1: about the clicks, you would put up the jay Z

972
00:48:46,080 --> 00:48:49,520
Speaker 1: thing like jay Z talks Kane. You would have done

973
00:48:49,560 --> 00:48:53,600
Speaker 1: these click badass things, you know, and Yeah speaks on

974
00:48:53,640 --> 00:48:55,520
Speaker 1: the other and it would have probably gone way more

975
00:48:55,560 --> 00:48:57,560
Speaker 1: of view this type of ship. But y'all are just

976
00:48:57,600 --> 00:48:59,320
Speaker 1: here for the coach and y'all here for the truth,

977
00:48:59,600 --> 00:49:01,920
Speaker 1: and you know that's what I'm about. That's why I

978
00:49:01,920 --> 00:49:03,960
Speaker 1: can trust you all enough to even come up here.

979
00:49:03,960 --> 00:49:05,520
Speaker 1: I didn't have to come up here, but you for coming.

980
00:49:05,760 --> 00:49:07,759
Speaker 1: I appreciate you all for having me. Y'all, y'all for

981
00:49:07,800 --> 00:49:11,960
Speaker 1: coming too. About giving up for us Ka,