1 00:00:00,080 --> 00:00:02,160 Speaker 1: Are you single and feeling out of the loop? Put 2 00:00:02,200 --> 00:00:04,400 Speaker 1: away that mouse and get out of the house. Join 3 00:00:04,559 --> 00:00:07,880 Speaker 1: in the Loop, Seattle's brand new activities clubs just for singles. 4 00:00:07,920 --> 00:00:14,920 Speaker 1: Put in the Loop singles dot Com today rooking Jebels second, 5 00:00:15,040 --> 00:00:19,439 Speaker 1: d d You know who I can't stand at the party? 6 00:00:20,079 --> 00:00:23,079 Speaker 1: The guy that busts out the guitar. Really, you know 7 00:00:23,200 --> 00:00:25,560 Speaker 1: I'm talking? Well, of course you like him because you're female, 8 00:00:26,200 --> 00:00:29,680 Speaker 1: But guys that can't play instruments don't like this dude, 9 00:00:29,680 --> 00:00:32,120 Speaker 1: because as soon as the guitar guy comes to the party, 10 00:00:32,479 --> 00:00:38,479 Speaker 1: all the girls are just focused on him. Hello. My 11 00:00:38,600 --> 00:00:43,040 Speaker 1: name is Raoul, and I played the guitar for fun 12 00:00:43,760 --> 00:00:47,239 Speaker 1: in front of my friends to impress them with my 13 00:00:47,360 --> 00:00:50,239 Speaker 1: musical skills. And it looks like we're talking to that 14 00:00:50,240 --> 00:00:53,600 Speaker 1: guy today, the guy that knows how to play guitar 15 00:00:53,720 --> 00:00:56,960 Speaker 1: and steals all the ladies from other dudes with no talent. 16 00:00:57,680 --> 00:01:01,240 Speaker 1: His name is Brenton, and Brenton is not getting a 17 00:01:01,280 --> 00:01:03,400 Speaker 1: call back from a girl named Megan. Hello, Brenton, how 18 00:01:03,400 --> 00:01:07,440 Speaker 1: are you? I have had some better days let me 19 00:01:07,440 --> 00:01:09,720 Speaker 1: tell you that. Yeah, it looks like the guitar thing 20 00:01:09,720 --> 00:01:12,759 Speaker 1: didn't work for you this time. Did it, buddy, Well 21 00:01:12,800 --> 00:01:14,959 Speaker 1: it did in the beginning because it got me a 22 00:01:15,080 --> 00:01:19,199 Speaker 1: date with this girl, but it's not seeming to work 23 00:01:19,319 --> 00:01:22,039 Speaker 1: from that point on. So your email said that you 24 00:01:22,080 --> 00:01:24,000 Speaker 1: met this girl where you're actually playing a show, like 25 00:01:24,040 --> 00:01:26,000 Speaker 1: it wasn't like you were just hanging out. Yeah, it 26 00:01:26,040 --> 00:01:28,119 Speaker 1: was my gig. I was playing for a show and 27 00:01:28,280 --> 00:01:31,319 Speaker 1: she was there having a drink at the bar and 28 00:01:31,480 --> 00:01:33,560 Speaker 1: that's where we met. Is she the one that approached 29 00:01:33,600 --> 00:01:36,080 Speaker 1: you or did you approach her? Well, I had finished 30 00:01:36,120 --> 00:01:37,960 Speaker 1: playing and when I went up to the bar, she 31 00:01:38,000 --> 00:01:39,360 Speaker 1: came up to me and she told me that I 32 00:01:39,360 --> 00:01:42,040 Speaker 1: did a really great job, and she kept locking eyes 33 00:01:42,040 --> 00:01:44,040 Speaker 1: with me, and I figured, you know, she had to 34 00:01:44,080 --> 00:01:47,560 Speaker 1: be interested. So yeah, so you knew that insider head 35 00:01:47,560 --> 00:01:52,080 Speaker 1: this was playing, I must take Brenton home with me. 36 00:01:53,000 --> 00:01:56,080 Speaker 1: So she seeked you out. And did you guys go 37 00:01:56,120 --> 00:01:58,800 Speaker 1: out that night or did you schedule a date? We 38 00:01:58,920 --> 00:02:02,000 Speaker 1: actually scheduled date after the show that night and we 39 00:02:02,080 --> 00:02:04,640 Speaker 1: ended up meeting up for lunch. Okay, and how did 40 00:02:04,720 --> 00:02:08,880 Speaker 1: lunch go with her? Well, it started off all right, Um, 41 00:02:09,040 --> 00:02:12,400 Speaker 1: did you bring your guitar to lunch? No? I didn't. 42 00:02:12,480 --> 00:02:14,480 Speaker 1: I did not bring my guitar to lunch. That's probably 43 00:02:14,520 --> 00:02:17,280 Speaker 1: why she's not calling you back. Can I just ask 44 00:02:17,320 --> 00:02:19,440 Speaker 1: her quick? Was it your idea for lunch or hers? 45 00:02:19,960 --> 00:02:22,120 Speaker 1: I had suggested we went out for a drink again 46 00:02:22,320 --> 00:02:25,680 Speaker 1: after my next gig, but she insisted that we met 47 00:02:25,760 --> 00:02:27,600 Speaker 1: for lunch because she had to go to work later 48 00:02:27,639 --> 00:02:30,799 Speaker 1: that night. Yeah. I always think lunch is already kind 49 00:02:30,840 --> 00:02:33,600 Speaker 1: of a red flag, like she's not that interesting. It was. 50 00:02:33,880 --> 00:02:36,240 Speaker 1: It was weird because we were at lunch and she 51 00:02:36,360 --> 00:02:39,080 Speaker 1: acted like she was no longer interrupted in me. I 52 00:02:39,080 --> 00:02:40,720 Speaker 1: don't know if it was because there you know what, 53 00:02:40,840 --> 00:02:42,760 Speaker 1: there wasn't dark lighting. I don't know if it was 54 00:02:42,800 --> 00:02:46,079 Speaker 1: because because she wasn't drinking. So yeah, maybe she was 55 00:02:46,200 --> 00:02:48,000 Speaker 1: drunk and it was in the darkness. She's like, Oh, 56 00:02:48,080 --> 00:02:49,800 Speaker 1: that guitar guys really hot. And then you showed up, 57 00:02:49,840 --> 00:02:54,560 Speaker 1: she's like, oh, that's you're the guitar guy. It actually 58 00:02:54,560 --> 00:02:57,440 Speaker 1: should be like, oh that's the guitar guy. I mean, yeah, 59 00:02:57,480 --> 00:03:01,280 Speaker 1: that's the reality. Sometimes maybe you're right. Maybe she met 60 00:03:01,320 --> 00:03:02,760 Speaker 1: you that night and she had had a little bit 61 00:03:02,760 --> 00:03:04,400 Speaker 1: to drink and you were not who she thought she 62 00:03:04,400 --> 00:03:07,480 Speaker 1: had asked out. Well, I mean, if anything, she may 63 00:03:07,520 --> 00:03:10,200 Speaker 1: have been lying to me then because we really did 64 00:03:10,280 --> 00:03:12,639 Speaker 1: hit it off at the bar the first night. How 65 00:03:12,680 --> 00:03:16,800 Speaker 1: did everything end with her? Well? I paid, hoping that 66 00:03:16,840 --> 00:03:19,280 Speaker 1: would kind of put a little bit of icing on it. 67 00:03:19,320 --> 00:03:21,440 Speaker 1: But did you pay with your card or did you 68 00:03:21,480 --> 00:03:32,080 Speaker 1: pay with a song guitar man? Yeah, I'd pay with cash. Osh, So, 69 00:03:32,240 --> 00:03:34,240 Speaker 1: with as hot and heavy as this date sounds, I'm 70 00:03:34,240 --> 00:03:36,040 Speaker 1: guessing you did not get a kiss at the end 71 00:03:36,040 --> 00:03:39,120 Speaker 1: of it. No, but this is the thing. We actually 72 00:03:39,120 --> 00:03:42,520 Speaker 1: set up another date after the lunch date. Oh really, 73 00:03:42,560 --> 00:03:45,000 Speaker 1: how did that work? I told her that I was 74 00:03:45,040 --> 00:03:47,320 Speaker 1: going to be playing at this next gig because I 75 00:03:47,360 --> 00:03:50,520 Speaker 1: played these small thingues all around the city, and she 76 00:03:50,640 --> 00:03:52,680 Speaker 1: was totally down and said she'd be there. I told 77 00:03:52,720 --> 00:03:54,720 Speaker 1: at the time, and she said that she'd bring a 78 00:03:54,760 --> 00:03:58,720 Speaker 1: friend and she'd show up. And so she didn't show up. No, no, 79 00:03:58,800 --> 00:04:01,560 Speaker 1: show didn't pick up after when I called. She just 80 00:04:01,600 --> 00:04:03,480 Speaker 1: basically fell off the face of the earth. So you 81 00:04:03,480 --> 00:04:05,280 Speaker 1: haven't heard anything from her since you guys went out 82 00:04:05,280 --> 00:04:09,200 Speaker 1: to lunch. No. I mean, I hate to say this, 83 00:04:09,240 --> 00:04:10,880 Speaker 1: but for all I know, I mean, she could be dead. 84 00:04:10,920 --> 00:04:15,560 Speaker 1: I don't I don't know. I No, You're right. In 85 00:04:15,600 --> 00:04:17,680 Speaker 1: my experience, anytime a girl hasn't called me back. It's 86 00:04:17,680 --> 00:04:20,159 Speaker 1: because she's died and I feel like you and I 87 00:04:20,160 --> 00:04:24,039 Speaker 1: are kind of kindred spirits like that, you know. Yeah, yeah, 88 00:04:24,040 --> 00:04:26,080 Speaker 1: I mean you probably have the bongos at the party. 89 00:04:26,120 --> 00:04:29,000 Speaker 1: I'm the woman the guitar. Yeah, Jobil is totally the 90 00:04:29,000 --> 00:04:32,440 Speaker 1: bongo guy. Definitely, women love it. All right, well we'll 91 00:04:32,480 --> 00:04:35,200 Speaker 1: play a song, comeback, call her and get your second 92 00:04:35,279 --> 00:04:38,800 Speaker 1: date update. Okay, thanks man, all right, man, hang on 93 00:04:42,720 --> 00:04:46,839 Speaker 1: brooking Jubil in the morning. Second update. We're in the 94 00:04:46,839 --> 00:04:48,760 Speaker 1: middle of a second date update. And if you're just 95 00:04:48,880 --> 00:04:55,359 Speaker 1: joining us, Brinton is on the phone, and Breton is 96 00:04:55,360 --> 00:04:57,680 Speaker 1: a guitar player. That's how he met the girl that 97 00:04:57,720 --> 00:04:59,840 Speaker 1: he wants to call today. He met her had one 98 00:04:59,839 --> 00:05:03,360 Speaker 1: of his shows. They hit it off, they met for lunch, 99 00:05:03,480 --> 00:05:07,240 Speaker 1: and ever since lunch, she has not contacted him at all, 100 00:05:07,320 --> 00:05:10,440 Speaker 1: even though he's tried. And Brenton just got done telling 101 00:05:10,520 --> 00:05:13,400 Speaker 1: us that he and his guitar have bagged over a 102 00:05:13,600 --> 00:05:18,480 Speaker 1: thousand women and now he's just trying to track her 103 00:05:18,480 --> 00:05:22,560 Speaker 1: down because she's the one that got away. Isn't that right, Brot, 104 00:05:23,720 --> 00:05:27,359 Speaker 1: I never said that, Yes, you did said I have 105 00:05:27,480 --> 00:05:30,640 Speaker 1: bagged a thousand women. Jewel and then you strummed your guitar. 106 00:05:30,720 --> 00:05:33,839 Speaker 1: I heard you. I am a one woman kind of guy. 107 00:05:34,040 --> 00:05:36,200 Speaker 1: I don't know. I bet you. I bet you could 108 00:05:36,200 --> 00:05:37,760 Speaker 1: back a thousand women if you wanted to, because you 109 00:05:37,760 --> 00:05:43,080 Speaker 1: play guitar. Well, I'm not doubting it, but I'm all right. 110 00:05:43,920 --> 00:05:47,320 Speaker 1: You're adorably dorky and I really like it. We're about 111 00:05:47,400 --> 00:05:51,440 Speaker 1: to call what's her name? Her name's Megan? Right, yes, Megan? 112 00:05:51,480 --> 00:05:53,560 Speaker 1: All right, We're about to call Megan right now. Any 113 00:05:53,720 --> 00:05:58,240 Speaker 1: last thoughts before I doll her phone. Um, let's pray 114 00:05:58,320 --> 00:06:11,720 Speaker 1: that she's kind to me. Right here we go. Hello, Hi, 115 00:06:11,760 --> 00:06:15,320 Speaker 1: can I speak to Megan? Please speaking? Hi Megan. This 116 00:06:15,360 --> 00:06:17,120 Speaker 1: is Jewel from Brooke and Jewil in the Morning. How 117 00:06:17,160 --> 00:06:21,200 Speaker 1: are you? You're from? Where? Brooke and Jewil in the Morning. 118 00:06:21,240 --> 00:06:25,840 Speaker 1: The radio show? What radio show? That's that's the name 119 00:06:25,880 --> 00:06:31,920 Speaker 1: of it. It's called Brooke and Jewil in the Morning. Um, okay, 120 00:06:32,040 --> 00:06:34,520 Speaker 1: you're obviously a big time listener and I appreciate that. 121 00:06:34,600 --> 00:06:39,200 Speaker 1: Let me thank you in advance. Um, what do you want? 122 00:06:41,040 --> 00:06:43,760 Speaker 1: I'm calling you because one of our listeners emailed us 123 00:06:43,800 --> 00:06:45,920 Speaker 1: about you and he asked me to get a hold 124 00:06:45,960 --> 00:06:50,719 Speaker 1: of you. Okay, this is weird. It's a guy that 125 00:06:50,760 --> 00:06:52,760 Speaker 1: you went out on a date with and he's been 126 00:06:52,800 --> 00:06:54,440 Speaker 1: trying to get a hold of you for a second date, 127 00:06:54,480 --> 00:06:57,440 Speaker 1: but you're not calling him back. His name is Brenton. 128 00:06:57,800 --> 00:07:04,880 Speaker 1: Do you remember meeting Britton? Oh jeezus, yes, all right, 129 00:07:04,920 --> 00:07:10,040 Speaker 1: so it sounds like you don't really like Britain very much. No, okay, 130 00:07:10,120 --> 00:07:13,360 Speaker 1: I was blunted. I'll just tell you what he told us. 131 00:07:13,400 --> 00:07:15,640 Speaker 1: He said that you guys met at a gig where 132 00:07:15,680 --> 00:07:18,600 Speaker 1: he was playing guitar. You seemed really into him, and 133 00:07:18,640 --> 00:07:21,080 Speaker 1: then you're not to lunch, and during lunch you got 134 00:07:21,120 --> 00:07:24,640 Speaker 1: cold and seemed upset with him, and then just haven't 135 00:07:24,840 --> 00:07:27,720 Speaker 1: called him back, haven't made any effort for another date 136 00:07:27,800 --> 00:07:32,760 Speaker 1: or anything. Well, you know, I was really excited to 137 00:07:32,880 --> 00:07:34,800 Speaker 1: go out with this guy. He seemed like such a 138 00:07:34,800 --> 00:07:37,480 Speaker 1: cool musician, and then I show up to the lunch 139 00:07:37,560 --> 00:07:41,360 Speaker 1: date and it's like, what the what do you mean? 140 00:07:42,480 --> 00:07:46,880 Speaker 1: He was still the same guy? Right? Yeah, No, he 141 00:07:47,040 --> 00:07:49,360 Speaker 1: was not the same guy. Oh all right, here's one 142 00:07:49,400 --> 00:07:50,680 Speaker 1: of the things that he told us. He thinks it 143 00:07:50,760 --> 00:07:53,680 Speaker 1: might be he thought that maybe that night when you 144 00:07:53,720 --> 00:07:55,360 Speaker 1: met him, when he was playing guitar in the dark, 145 00:07:55,640 --> 00:07:58,080 Speaker 1: he looked hot and then you saw him in broad 146 00:07:58,120 --> 00:07:59,840 Speaker 1: daylight and you were like, oh my god, he's ugly. 147 00:08:00,400 --> 00:08:03,960 Speaker 1: Is that what happened? Well, I mean, like he's a 148 00:08:03,960 --> 00:08:06,440 Speaker 1: good looking guy like his you know, he looks fine, 149 00:08:06,480 --> 00:08:11,280 Speaker 1: but just the way he was dressed, he's bad. He's 150 00:08:11,280 --> 00:08:14,320 Speaker 1: a bad dresser. I mean he comes in and he's 151 00:08:14,360 --> 00:08:18,800 Speaker 1: wearing flax and a buttonup shirt. Well, it's during the 152 00:08:19,360 --> 00:08:21,880 Speaker 1: day and he probably has a job. Isn't that a 153 00:08:21,880 --> 00:08:26,880 Speaker 1: good thing? He's supposed to be this hot musician though, 154 00:08:28,360 --> 00:08:32,680 Speaker 1: So it was his clothes. I mean, I'm trying to 155 00:08:32,679 --> 00:08:35,480 Speaker 1: figure out, you know, what it is. And within five 156 00:08:35,559 --> 00:08:39,199 Speaker 1: minutes of talking to him, I realized he's a programmer. 157 00:08:40,040 --> 00:08:44,640 Speaker 1: What a programmer? What is a programmer? Oh? Come on, 158 00:08:44,840 --> 00:08:48,360 Speaker 1: you know what a programmer is? I actually, what is that? 159 00:08:49,280 --> 00:08:52,840 Speaker 1: You know, these middle aged white guy tech nerds that 160 00:08:52,920 --> 00:08:56,800 Speaker 1: are just taking over the city. Okay, So you're saying 161 00:08:56,840 --> 00:08:58,959 Speaker 1: that he's like a tech dude by day and then 162 00:08:58,960 --> 00:09:01,280 Speaker 1: he plays his guitar as a hobby and that that's 163 00:09:01,559 --> 00:09:06,080 Speaker 1: unattractive to you. Exactly, He's not a true artist. He's 164 00:09:06,160 --> 00:09:09,199 Speaker 1: working for the man, doing his tech program stuff and 165 00:09:09,600 --> 00:09:12,640 Speaker 1: pushing all the artists out. So you want him to 166 00:09:12,960 --> 00:09:15,320 Speaker 1: have no money and be living in like a studio 167 00:09:15,360 --> 00:09:18,960 Speaker 1: apartment with four other people right now. Not necessarily, but 168 00:09:19,000 --> 00:09:21,640 Speaker 1: he should be trying to work for it and trying 169 00:09:21,679 --> 00:09:24,079 Speaker 1: to be an artist. If he's an artist, he shouldn't 170 00:09:24,120 --> 00:09:26,240 Speaker 1: be working a day job. So you don't think he 171 00:09:26,240 --> 00:09:28,600 Speaker 1: should perpetrate at night and try to play guitar and 172 00:09:28,640 --> 00:09:31,040 Speaker 1: act like an artist when he actually is part of 173 00:09:31,040 --> 00:09:34,600 Speaker 1: the corporate world. This guy is exactly what we don't 174 00:09:34,679 --> 00:09:38,760 Speaker 1: need in the city. He is such a fake. They're 175 00:09:38,800 --> 00:09:42,920 Speaker 1: taking over this city and ruining it. Why are you 176 00:09:43,000 --> 00:09:45,840 Speaker 1: so passionate about this? What do you do for a living? 177 00:09:45,880 --> 00:09:50,160 Speaker 1: I'm just curious. I'm an artist. What's your medium? What 178 00:09:50,200 --> 00:09:53,760 Speaker 1: do you do? I create visual art and sculpture, and 179 00:09:53,840 --> 00:09:57,480 Speaker 1: that's all you do? Yes, okay, I am in the struggle. 180 00:09:57,640 --> 00:10:00,079 Speaker 1: I'm working at it. Not that you would understand, and 181 00:10:00,240 --> 00:10:05,800 Speaker 1: that I guess not. I'm sorry, you know what. I 182 00:10:05,920 --> 00:10:07,680 Speaker 1: kind of agree with you, though, in a weird sort 183 00:10:07,679 --> 00:10:10,960 Speaker 1: of way. Yeah, these dudes bug me. They've always bugged me. 184 00:10:11,000 --> 00:10:13,480 Speaker 1: The tech guys that are in their garage making craft 185 00:10:13,559 --> 00:10:16,560 Speaker 1: beers and then trying to play guitar at night for 186 00:10:16,679 --> 00:10:19,720 Speaker 1: a hobby. I kind of understand what you're getting that, Megan, 187 00:10:20,080 --> 00:10:22,200 Speaker 1: and maybe not as passionate as you are about it, 188 00:10:22,240 --> 00:10:25,120 Speaker 1: but I guess I sort of understand what you mean. 189 00:10:25,800 --> 00:10:29,160 Speaker 1: The city is just overrun. Traffic is worse. They're moving 190 00:10:29,200 --> 00:10:32,000 Speaker 1: into the city. Rents are going up because they all 191 00:10:32,040 --> 00:10:34,520 Speaker 1: want to come lived in a cool downtown lock. You know, 192 00:10:34,600 --> 00:10:37,680 Speaker 1: my friends are getting picked out. It's just they're ruining 193 00:10:37,760 --> 00:10:42,120 Speaker 1: the city. They're all over the place, these stupid programmers. 194 00:10:43,960 --> 00:10:46,400 Speaker 1: I can't even ride my bike down to the store 195 00:10:46,920 --> 00:10:50,320 Speaker 1: because these are taking up the whole road with their 196 00:10:50,400 --> 00:10:56,320 Speaker 1: fancy cars. They're all in the play. Okay, so that's 197 00:10:56,400 --> 00:10:58,840 Speaker 1: pretty harsh. Thank you for being honest with us. I 198 00:10:58,840 --> 00:11:01,640 Speaker 1: appreciate that. Well. I don't know what else I can 199 00:11:01,760 --> 00:11:04,760 Speaker 1: tell you. This guy's a douche. No, Hey, that's all 200 00:11:04,800 --> 00:11:06,440 Speaker 1: you needed to tell us. That's all we were calling 201 00:11:06,440 --> 00:11:08,600 Speaker 1: to find out, is why you weren't getting back to him. 202 00:11:08,679 --> 00:11:10,880 Speaker 1: I should also let you know that Britton is actually 203 00:11:10,920 --> 00:11:17,760 Speaker 1: listening to this conversation. What the I can't believe you're 204 00:11:17,880 --> 00:11:21,080 Speaker 1: judging me because I make a living so I can 205 00:11:21,240 --> 00:11:25,640 Speaker 1: do my art. You're not an artist, Brinton, You're a hobbyist. 206 00:11:25,720 --> 00:11:31,520 Speaker 1: It's so unattractive. This is absurd, Nigan. Don't you think 207 00:11:31,520 --> 00:11:34,280 Speaker 1: you're being like a little closed minded? No, I'm not 208 00:11:34,360 --> 00:11:37,560 Speaker 1: close minded. It's these programmers who thinks that they can 209 00:11:37,640 --> 00:11:40,640 Speaker 1: just run the world and swish all of the artists 210 00:11:40,720 --> 00:11:43,640 Speaker 1: out and think that they can just dabble in it 211 00:11:43,720 --> 00:11:47,560 Speaker 1: at night. But wasn't he a pretty good guitarist? I 212 00:11:47,559 --> 00:11:50,959 Speaker 1: mean he was. Okay, you liked him, you liked him 213 00:11:50,960 --> 00:11:55,960 Speaker 1: when you first met him. I feel tricked. I feel 214 00:11:56,000 --> 00:11:59,960 Speaker 1: like you tricked me. I tricked you. I got catfish 215 00:12:00,080 --> 00:12:09,280 Speaker 1: by a programmar Here, Megan, I do have to ask you, 216 00:12:09,320 --> 00:12:10,840 Speaker 1: and I think I know your answer, but I have 217 00:12:10,880 --> 00:12:13,480 Speaker 1: to ask the question anyway. Would you like to go 218 00:12:13,559 --> 00:12:16,440 Speaker 1: on a second date with Britain? We will pay for it. 219 00:12:16,520 --> 00:12:20,320 Speaker 1: Oh no, I'll send you guys to a farmer's market 220 00:12:20,320 --> 00:12:24,079 Speaker 1: where everything's fair trade. Brandon probably doesn't even know what 221 00:12:24,520 --> 00:12:28,559 Speaker 1: it is. You want me to try harder to get 222 00:12:28,559 --> 00:12:31,280 Speaker 1: you another date. I can keep going. That's fine, Megan. 223 00:12:31,360 --> 00:12:33,280 Speaker 1: You don't have to take another date with me because 224 00:12:33,720 --> 00:12:36,040 Speaker 1: I can get wherever I want with my gasar, who 225 00:12:37,320 --> 00:12:40,080 Speaker 1: not an artist like me. You're never gonna get this. 226 00:12:42,240 --> 00:12:44,720 Speaker 1: Why didn't you just go do one of your other 227 00:12:44,800 --> 00:12:48,920 Speaker 1: programmar friends Brenton. Well, when you're a true artist, there 228 00:12:48,920 --> 00:12:51,360 Speaker 1: isn't no sexual preference. You just take what is given. 229 00:12:53,720 --> 00:12:58,480 Speaker 1: Wherever the wind blows you. You go right, Megan, I'm done. 230 00:12:58,520 --> 00:13:02,400 Speaker 1: You know, Brenton. Will enjoy your life in your cookie 231 00:13:02,400 --> 00:13:05,880 Speaker 1: cutter house with your wife and your two point five 232 00:13:06,000 --> 00:13:13,239 Speaker 1: kids and your cocker spaniel. While you're living your both existence, 233 00:13:13,559 --> 00:13:19,120 Speaker 1: I will be creating. I think she hung up, Brittain, 234 00:13:19,200 --> 00:13:23,040 Speaker 1: she hung up whoa good I'm surprised she even had 235 00:13:23,080 --> 00:13:30,440 Speaker 1: a cell phone broken Jewil in the Morning text message 236 00:13:30,440 --> 00:13:32,280 Speaker 1: and at seven eight five to nine two that says 237 00:13:32,360 --> 00:13:35,760 Speaker 1: that girl Megan sounds like an art school reject, just 238 00:13:35,800 --> 00:13:39,680 Speaker 1: an angry little art school reject. It's broken Jewil in 239 00:13:39,720 --> 00:13:42,600 Speaker 1: the Morning. In case you missed the second date update, 240 00:13:43,120 --> 00:13:45,640 Speaker 1: this guy Britton wanted us to call this girl Megan 241 00:13:46,200 --> 00:13:48,719 Speaker 1: for a second date update. She wasn't calling him back. 242 00:13:48,720 --> 00:13:50,800 Speaker 1: After they met. She met him, he was playing guitar 243 00:13:51,480 --> 00:13:54,320 Speaker 1: and she was like, oh, this guy's awesome. They exchanged numbers, 244 00:13:54,360 --> 00:13:56,400 Speaker 1: they met up for lunch, and when they met for lunch, 245 00:13:56,440 --> 00:13:58,679 Speaker 1: she suddenly was like really cold to him. We finally 246 00:13:58,720 --> 00:14:02,120 Speaker 1: got her on the phone and finds out that she 247 00:14:02,160 --> 00:14:04,720 Speaker 1: didn't like him because he showed up to lunch and 248 00:14:04,760 --> 00:14:07,720 Speaker 1: he wasn't a starving artist and he has a day 249 00:14:07,800 --> 00:14:13,640 Speaker 1: job as like a programmer or something. Yuck. He's the man, 250 00:14:14,120 --> 00:14:17,400 Speaker 1: he's part of establishment. He's not a real artist who's 251 00:14:17,440 --> 00:14:21,080 Speaker 1: struggling living in a van and can barely pay for food. 252 00:14:21,640 --> 00:14:26,000 Speaker 1: How dare he? You know? I could almost understand her 253 00:14:26,040 --> 00:14:29,560 Speaker 1: frustration with, you know, getting someone that wasn't who she 254 00:14:29,640 --> 00:14:31,520 Speaker 1: thought it was going to be. Right, she felt a 255 00:14:31,560 --> 00:14:37,320 Speaker 1: little misconceived or whatever. Yeah, thank you, but her anger, 256 00:14:37,480 --> 00:14:40,400 Speaker 1: like this is so angry. You can't hear anything she 257 00:14:40,440 --> 00:14:43,160 Speaker 1: says because she's just so angry. Yeah, she's just really 258 00:14:43,160 --> 00:14:46,240 Speaker 1: really mad at anybody who's not a true artist. They 259 00:14:46,280 --> 00:14:48,240 Speaker 1: should be kicked out of this country. As a matter 260 00:14:48,240 --> 00:14:51,239 Speaker 1: of fact, they should all be burned with their computers. 261 00:14:51,440 --> 00:14:54,400 Speaker 1: I let her art is very deep, very deep. I 262 00:14:54,480 --> 00:14:56,880 Speaker 1: struggle because I choose to struggle. They offered me a 263 00:14:56,920 --> 00:14:59,240 Speaker 1: million dollars, I wouldn't take it. Yeah, if somebody gave 264 00:14:59,280 --> 00:15:02,120 Speaker 1: me a million dollars for a painting of mine, I 265 00:15:02,160 --> 00:15:05,280 Speaker 1: would shun them and turn it away and never make 266 00:15:05,320 --> 00:15:08,160 Speaker 1: any money. You know why, because I'm a real artist. 267 00:15:08,600 --> 00:15:10,040 Speaker 1: D D to re find out that she has a 268 00:15:10,080 --> 00:15:13,000 Speaker 1: big trust fund from mommy and daddy. You know, she's 269 00:15:13,000 --> 00:15:15,800 Speaker 1: actually sitting on like one hundred million dollars so she 270 00:15:15,840 --> 00:15:18,760 Speaker 1: can afford to just do her art. Remember, if you 271 00:15:18,800 --> 00:15:19,960 Speaker 1: want a second day update, all you have to do 272 00:15:20,000 --> 00:15:21,760 Speaker 1: is email the show a Brook and Jewil at monto 273 00:15:21,800 --> 00:15:24,280 Speaker 1: five dot com. We will call the person who didn't 274 00:15:24,320 --> 00:15:26,320 Speaker 1: call you back. Moving ninety two point five