WEBVTT - "James Bond 007" Writer's Room

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<v Speaker 1>Welcome back to Artists on Artists on Artists on Artists.

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<v Speaker 1>This week on the show, we have another writer's room,

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<v Speaker 1>and this writer's room is the writers of James Bond movies.

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<v Speaker 2>The name's Bond, James Bond. But who wrote the name

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<v Speaker 2>in the first place. These writers have been responsible for

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<v Speaker 2>sixty years of the spy British legacy.

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<v Speaker 3>Based on Ian Fleming's famous books, the James Bond series.

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<v Speaker 3>So he is the one that wrote the name first.

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<v Speaker 3>These writers take his work and bring it to the

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<v Speaker 3>next level to the screen. We've had multiple James Von

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<v Speaker 3>actors and multiple James Vond writers. Now we're going to

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<v Speaker 3>see what makes a spy a spy?

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<v Speaker 4>So live twice say tomorrow again and set that view

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<v Speaker 4>to a kill.

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<v Speaker 5>Let's listen in.

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<v Speaker 2>It's great to see everybody.

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<v Speaker 5>We're always meet in the darker nights sometimes, don't we.

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<v Speaker 6>Light so bright?

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<v Speaker 5>Very very secretive to write James Bond.

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<v Speaker 2>Isn't it very interesting to see the three of you

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<v Speaker 2>meeting here again?

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<v Speaker 3>Yes, I would say, undoubably it is quite peculiar to

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<v Speaker 3>meet you under there's certain circumstances.

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<v Speaker 7>Yet again, let's go around and identify lovely.

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<v Speaker 8>Very nice wonderful to get together and share each other's identities.

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<v Speaker 8>To me, Agent T, I won't give my full name

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<v Speaker 8>because it is a secret. Yes, we are very secretive,

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<v Speaker 8>just like mister James Bond himself. We're in charge of

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<v Speaker 8>his ideas, and so we're also in charge of our

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<v Speaker 8>own ideas.

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<v Speaker 6>Tell that to the WGA.

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<v Speaker 2>I know your full name, I shan't reveal it.

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<v Speaker 3>Woo, what's relief? Yes, my name is mister Agent T.

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<v Speaker 8>I am a man, I am a certain height, my

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<v Speaker 8>hair color is brown, and I'm from a state.

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<v Speaker 6>How long have you been in your writers room.

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<v Speaker 8>I've been in the writer's room for forty five years.

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<v Speaker 8>The first movie I came on to was A View

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<v Speaker 8>to a Kill. I was the one that made him

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<v Speaker 8>jump on all those alligators. And I've been here ever since,

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<v Speaker 8>pitching ideas, making sure that James Bond is always interests

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<v Speaker 8>interesting and weird.

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<v Speaker 3>And I love the gadgets Tomb of gadget guy.

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<v Speaker 2>You invented the microwave shoe, if I remember.

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<v Speaker 3>Correctly, for James Bond shoe.

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<v Speaker 2>James Bond put a hot pocket in a shoe.

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<v Speaker 8>Ah, James Bond was a submarine and he was very

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<v Speaker 8>hungry but locally. Q gave him a microwave shoe, so

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<v Speaker 8>he got to microwave while he was hiding in a duct.

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<v Speaker 8>He microwaved a hot pocket in the shoe.

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<v Speaker 2>Ah, yes, undubitably, indubitably, indeed, transmission ended interesting. Well, well, well,

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<v Speaker 2>if it isn't all of you again, my name, or

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<v Speaker 2>rather one of my names, as I have many aliases,

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<v Speaker 2>is Butterfingers dupre Butterfingers, and I haves. I have known

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<v Speaker 2>around the James Bond Writer's Room as a shape shifter.

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<v Speaker 2>I have arrived in this room under many identities over

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<v Speaker 2>the past fifty years. Kit Kat Donaldson, Hershey's ass Chair, Supreme.

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<v Speaker 3>See. You think it's all candy, but it's not.

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<v Speaker 2>No, because you never must let them get on your

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<v Speaker 2>central chocolate chair chocolate chocolate chair. And I'm the janitor

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<v Speaker 2>at one point, Fingers.

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<v Speaker 8>It's very exciting because you always fall out all of

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<v Speaker 8>the start paperwork for all of these new identities.

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<v Speaker 2>There's a whole room in the James Bond Writer's Room

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<v Speaker 2>hall where I keep all of my eye nines.

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<v Speaker 7>And it's good to talk about far as the eye

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<v Speaker 7>can see. It's a hall, you see, we work in

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<v Speaker 7>it's it's a hall.

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<v Speaker 5>You've been blacklisted on wrap book.

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<v Speaker 2>They hate me at wrap Book, they hate me on

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<v Speaker 2>Entertainment Partners dot Com.

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<v Speaker 7>What's what's all sadness? The w GA doesn't know that

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<v Speaker 7>you're the same person.

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<v Speaker 2>No, No, that's the saddest thing of ally.

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<v Speaker 3>So you're never qualifying for insurance.

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<v Speaker 2>I will never get health insurance because what do I

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<v Speaker 2>want more? Do I want my health or do I

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<v Speaker 2>want my privacy? In America, ustitoose, It's an interesting conundrum.

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<v Speaker 3>An interesting point to talk about first episode.

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<v Speaker 2>And I in terms of the writer's room, I do.

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<v Speaker 2>I do a lot of as I am an alias myself.

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<v Speaker 2>I write a lot of women's names.

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<v Speaker 7>It's my favorite part of working with you is getting

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<v Speaker 7>into the bones of how these people in this universe

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<v Speaker 7>hide right?

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<v Speaker 3>Quite right?

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<v Speaker 2>Yes right, Because it's not just octopussy. It's not just

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<v Speaker 2>you can't just slap pussy anyway, wear and make it.

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<v Speaker 6>We're used to. We're used to before they brought you in.

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<v Speaker 2>No. Now, there are many new bond women you may

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<v Speaker 2>meet over the course of many years, and their names

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<v Speaker 2>are things like Titty Captain, Supreme Captain, Honker's iPad, I

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<v Speaker 2>love Honker's iPad lipstick teeth.

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<v Speaker 5>I love butthole intelligent.

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<v Speaker 2>Aerola Montgomery Tatar for now that.

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<v Speaker 6>I had to do.

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<v Speaker 7>I had to make up for the iPad one. Ha

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<v Speaker 7>ha Hellu, I am Louise Quinn. Whoops, I said my name.

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<v Speaker 2>Oh you revealed yourself. We're in a secure location, are

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<v Speaker 2>we not?

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<v Speaker 3>Are we not?

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<v Speaker 2>Are we not?

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<v Speaker 6>Any who? That's not my name, good cover. My name

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<v Speaker 6>is the Sniper. Yes, cut that part out. I am

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<v Speaker 6>the Sniper.

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<v Speaker 7>I am the oldest one, I'd say here, and I've

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<v Speaker 7>always been since the since the beginning of the franchise,

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<v Speaker 7>I have been the writer's assistant. All of those writers

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<v Speaker 7>died and have gone, and I'm still the writer's assistant.

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<v Speaker 6>And one day I'll get up there.

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<v Speaker 3>It's amazing what you do in the writer's room in

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<v Speaker 3>terms of bringing us coffee and writing our ideas down

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<v Speaker 3>when we have them. It's just beautiful what you do.

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<v Speaker 7>I think I like to assist, and of sure, one

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<v Speaker 7>day I do want to go up the ranks. But

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<v Speaker 7>I do love just being an old man assistant. You

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<v Speaker 7>don't see a lot of them anymore, and it makes

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<v Speaker 7>you think what's going on?

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<v Speaker 2>Yes, and I will say your packet. I'm going to

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<v Speaker 2>get around to reading it very soon. I swear any

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<v Speaker 2>minute now, I will read your packet, and as soon

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<v Speaker 2>as I do, I'm sure we will be able to

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<v Speaker 2>move you up.

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<v Speaker 3>You submitted those five James Bond sketches.

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<v Speaker 7>And I did them on paper because back in the day,

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<v Speaker 7>and then you guys, it's been now so long.

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<v Speaker 6>So now I did put them on drop books.

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<v Speaker 2>Yes, thank you for putting them on drop box. As

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<v Speaker 2>soon as I find the link, I will read. Yes,

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<v Speaker 2>it's it's it's five James Bond sketches.

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<v Speaker 7>Topical day, James Bond commercial.

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<v Speaker 2>Yes, so James Bond commercial. And then I believe there's

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<v Speaker 2>also some James Bond monologue jokes as well.

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<v Speaker 6>Yes, it's so, it's just lines.

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<v Speaker 7>So the monologue jokes for James Bond, I just lines,

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<v Speaker 7>he says when he walks into a real do a

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<v Speaker 7>couple of really is some from my packet. Seems like

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<v Speaker 7>I missed the orders.

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<v Speaker 2>Beauty really good.

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<v Speaker 6>Oh I didn't get to the black time anymore.

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<v Speaker 3>Oh it's really well, that's really good open because it

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<v Speaker 3>was always in that's issue. I was going to jump

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<v Speaker 3>in here. Maybe you're you're stepping on my toes a

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<v Speaker 3>little bit. You know. I my name is sir Ian

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<v Speaker 3>Donna Tello.

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<v Speaker 6>Don't say your name the four, the four, the.

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<v Speaker 3>Second, or the first, or not to my name at all.

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<v Speaker 3>Junior would be the second, just to clarify that.

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<v Speaker 6>Thanks.

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<v Speaker 3>And I do a lot of the dialogue for James

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<v Speaker 3>Bond and the women in the movies, and I just

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<v Speaker 3>you know, I find it fascinating that you would say,

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<v Speaker 3>you know that James Bond would have missed the Black

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<v Speaker 3>Time memoi.

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<v Speaker 6>I'm sorry, I'm sorry, No.

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<v Speaker 3>No, no, no, please please. It is quite all right,

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<v Speaker 3>you know, it's very fine. I would say it's very quite,

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<v Speaker 3>you know. But for me, for James, he's a man

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<v Speaker 3>of very few words. When he comes in and says charmed, delicious, amazing,

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<v Speaker 3>When he comes in and says, well, now, what do

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<v Speaker 3>we have here?

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<v Speaker 5>I love when he does what will we have?

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<v Speaker 3>Especially when it's a woman laid out? Yes, I have

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<v Speaker 3>here when a woman is laid out in the bed,

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<v Speaker 3>sometimes I like to quite peculiar.

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<v Speaker 2>Yeah, you've been very helpful to all of us no writers,

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<v Speaker 2>in that you have created a James Bond style guide.

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<v Speaker 2>Things he would say, things he.

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<v Speaker 3>Wouldn't usually need to go up or down.

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<v Speaker 7>And that's why you are such an asset in the

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<v Speaker 7>room in the hallway.

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<v Speaker 2>Here's an asset.

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<v Speaker 6>I'm playing my mouth in your mouth mouth.

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<v Speaker 2>That's right. We don't have our orchestra here today. We

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<v Speaker 2>usually write accompanied to orchestra.

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<v Speaker 3>The halloway is one room for your I nines main

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<v Speaker 3>writers room, and then right across the hallway we like

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<v Speaker 3>to keep the door open. That's where the orchestra.

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<v Speaker 8>And there across from the mysterious commentsary that is full

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<v Speaker 8>of popjeps.

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<v Speaker 2>It's the comary. They have pop chips, dirty martinis and

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<v Speaker 2>no water, no.

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<v Speaker 6>Water gin and skinny pop.

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<v Speaker 3>Kettle of nice, nice dirty martinis, a dirty martin.

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<v Speaker 2>Well, I heard you were the original writer because I

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<v Speaker 2>was there, of the one who of the one who

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<v Speaker 2>created the iconic phrase shaken not stir.

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<v Speaker 3>Thank you. It's you know, it took a long time

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<v Speaker 3>to figure out that scene, and we kind of landed

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<v Speaker 3>on you know, what would this man drink? What would

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<v Speaker 3>this peculiar little minx have for drinks at the bar?

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<v Speaker 2>That's an interesting question. Didn't you try many other There

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<v Speaker 2>were lots of other drafts for Shaken not stood I

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<v Speaker 2>really won.

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<v Speaker 3>I was hot. Yes, dirty Martini hot didn't work. It

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<v Speaker 3>made him kind of disgusting immediately.

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<v Speaker 7>There was one where we tried to put him more

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<v Speaker 7>on this in the South and we said dirty Martini,

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<v Speaker 7>drop a piece of I p A.

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<v Speaker 3>In it, which which was very confusing for a British

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<v Speaker 3>audience that early.

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<v Speaker 8>I like the one where we tried to make him

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<v Speaker 8>like he was kind of in a rush Martini throw

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<v Speaker 8>it in a to go coffee.

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<v Speaker 3>It didn't make sense because he was arrived.

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<v Speaker 8>It's one of those things where you get so into

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<v Speaker 8>a script and you're in the middle of something and

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<v Speaker 8>you forget.

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<v Speaker 3>What had just happened. You're punching it up so much

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<v Speaker 3>because you're.

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<v Speaker 2>Just trying old after all, dirty Martini over eyes half

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<v Speaker 2>a shot of skim milk as well.

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<v Speaker 3>Which is disgusting. All the juice and skim milk, all the.

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<v Speaker 7>Branded ones, the branded ones. Oh yes, shaken, we were

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<v Speaker 7>pitching off them. They never went but shaking not stood.

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<v Speaker 7>Add some liquid ivy grapefruit.

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<v Speaker 3>Yes, it was very interesting New Age.

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<v Speaker 5>Remember, we tried to make that his Saved the Cat

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<v Speaker 5>moment too.

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<v Speaker 8>Tried to make it because save the Cat if you

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<v Speaker 8>read the book. It's it's a little moment where somebody

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<v Speaker 8>does something nice. So you like the characters. So we

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<v Speaker 8>had one that said Martini, make it for yourself and

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<v Speaker 8>drink it. She's like, oh, he bought the bar very straight,

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<v Speaker 8>so what's he drinking. I loved clean Martini. Light on

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<v Speaker 8>the alcohol. My tummy is upset. It was so close

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<v Speaker 8>to all of you are saying dirty Martini. Why are

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<v Speaker 8>you saying that?

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<v Speaker 3>Doesn't say dirty Martin.

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<v Speaker 2>I'm on this, I am pumping on this and I

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<v Speaker 2>hate to get I hate to go there. I hate

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<v Speaker 2>to get into this again. Dirty he would want it dirty.

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<v Speaker 8>You wouldn't want to do It's not sexy to ask

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<v Speaker 8>for a dirty Martini.

0:14:49.760 --> 0:14:54.200
<v Speaker 3>She's not sexy. That's why we're confusing across drigs a

0:14:54.240 --> 0:15:03.680
<v Speaker 3>little bit. So we love sex, and.

0:15:00.080 --> 0:15:04.160
<v Speaker 2>That's why there is a real Bond villain named mister Big. Yes,

0:15:04.680 --> 0:15:08.520
<v Speaker 2>mister Big is a Bond villain and he is also

0:15:08.760 --> 0:15:11.920
<v Speaker 2>in Sex and the City and a little Hollywood fun fact.

0:15:12.120 --> 0:15:13.400
<v Speaker 2>They're the same man.

0:15:13.560 --> 0:15:15.840
<v Speaker 3>They're the same man, not played by the same age.

0:15:19.160 --> 0:15:24.440
<v Speaker 7>It's what's important to bring up is that each we

0:15:24.560 --> 0:15:27.760
<v Speaker 7>have to watch women in other shows because I think

0:15:27.800 --> 0:15:30.040
<v Speaker 7>We've heard a lot of the years that the Bond

0:15:30.040 --> 0:15:33.640
<v Speaker 7>women are just kind of figures of an imagination or

0:15:33.680 --> 0:15:35.640
<v Speaker 7>they move like.

0:15:34.960 --> 0:15:36.960
<v Speaker 6>Like they move as muses and not women.

0:15:37.080 --> 0:15:40.280
<v Speaker 7>So at lunch with some pop chips in Martini, we

0:15:40.360 --> 0:15:42.920
<v Speaker 7>put on Chicks in the City and we.

0:15:42.960 --> 0:15:46.880
<v Speaker 6>Just started and just like that, the yes and just

0:15:47.080 --> 0:15:47.480
<v Speaker 6>like that.

0:15:47.760 --> 0:15:50.560
<v Speaker 2>The finale was so funny, how they were all pooping

0:15:50.680 --> 0:15:51.560
<v Speaker 2>like that.

0:15:51.720 --> 0:15:53.080
<v Speaker 6>I love shade the well.

0:15:53.160 --> 0:15:55.800
<v Speaker 8>We should get into exactly what it is we do

0:15:55.840 --> 0:16:00.480
<v Speaker 8>and how we create the movies, because obviously what writers

0:16:00.560 --> 0:16:03.560
<v Speaker 8>usually attached to the movie, but below that there's a

0:16:03.600 --> 0:16:06.640
<v Speaker 8>secret society of screenwriters who are in charge of the

0:16:06.800 --> 0:16:09.720
<v Speaker 8>legacy of Double O seven, who.

0:16:09.680 --> 0:16:14.080
<v Speaker 7>Roam the hallways up and down, up and down, up

0:16:14.120 --> 0:16:14.640
<v Speaker 7>and down.

0:16:14.720 --> 0:16:20.360
<v Speaker 2>We roam the hallways making sure James Bond's legacy remains intact.

0:16:20.680 --> 0:16:20.880
<v Speaker 5>Right.

0:16:20.960 --> 0:16:24.000
<v Speaker 8>So a typical day, as we start at noon, we

0:16:24.160 --> 0:16:25.960
<v Speaker 8>show up, we kind of talk.

0:16:26.600 --> 0:16:27.760
<v Speaker 5>The talking is important.

0:16:27.760 --> 0:16:31.240
<v Speaker 2>I think the catching up it's important forty five to

0:16:31.360 --> 0:16:33.880
<v Speaker 2>fifty five minutes of catch up before you start the day.

0:16:34.120 --> 0:16:37.880
<v Speaker 3>Absolutely, I believe it's, you know, very important to clear

0:16:38.000 --> 0:16:43.160
<v Speaker 3>up the brain from the day before and love somewhere new, catch.

0:16:42.960 --> 0:16:47.080
<v Speaker 5>Up and somebody pulls up Google News on the screen.

0:16:47.360 --> 0:16:49.800
<v Speaker 3>Google News. We'll look at googlees.

0:16:50.360 --> 0:16:55.120
<v Speaker 7>And for some reason, the computers we've been using in

0:16:55.160 --> 0:16:58.600
<v Speaker 7>the in the hallway office are set to bing.

0:16:59.280 --> 0:17:01.440
<v Speaker 6>Yes, we have to go to Google News.

0:17:01.680 --> 0:17:05.399
<v Speaker 3>And also the zoom we've someone has messed with the

0:17:05.480 --> 0:17:09.000
<v Speaker 3>computer where everything is zoomed in too far. It's all

0:17:09.080 --> 0:17:09.600
<v Speaker 3>zoomed in.

0:17:09.840 --> 0:17:10.280
<v Speaker 6>It's all.

0:17:10.760 --> 0:17:14.720
<v Speaker 2>I go on to the Chrome window and I click reset,

0:17:14.960 --> 0:17:18.520
<v Speaker 2>reset the little magnifying glass like clickerset. It doesn't do it.

0:17:18.760 --> 0:17:20.440
<v Speaker 3>Somebody put what's it called? Honey?

0:17:20.720 --> 0:17:22.160
<v Speaker 5>Somebody put that honey.

0:17:21.840 --> 0:17:25.119
<v Speaker 3>Plug, Oh, terrible plug. And like we go to a

0:17:25.200 --> 0:17:26.000
<v Speaker 3>Reuter's article.

0:17:26.080 --> 0:17:27.919
<v Speaker 5>It says you could save twenty dollars on this.

0:17:29.440 --> 0:17:33.760
<v Speaker 3>You can barely see the word Router's coming by the

0:17:33.880 --> 0:17:34.679
<v Speaker 3>honey pop up.

0:17:34.920 --> 0:17:36.000
<v Speaker 2>I hate the honey pop.

0:17:36.119 --> 0:17:39.040
<v Speaker 6>This is the one computer we have, yes, we all.

0:17:39.400 --> 0:17:41.439
<v Speaker 2>This is how the writer's room works. We all crouch

0:17:41.480 --> 0:17:42.840
<v Speaker 2>around one computer.

0:17:43.000 --> 0:17:44.960
<v Speaker 8>I also am afraid that we might have spoiled the

0:17:44.960 --> 0:17:46.400
<v Speaker 8>next film for towel's name.

0:17:46.720 --> 0:18:07.360
<v Speaker 9>Oh honey, honey.

0:17:49.600 --> 0:18:03.320
<v Speaker 10>Pop h Why should I do a warm up and listen?

0:18:03.320 --> 0:18:04.840
<v Speaker 2>More famed fan Fortale names.

0:18:06.119 --> 0:18:08.359
<v Speaker 7>These are some of the fan Fortale names in the

0:18:08.440 --> 0:18:10.400
<v Speaker 7>Bond movies that have never been green lit.

0:18:10.480 --> 0:18:13.200
<v Speaker 2>But o're good, but we're yes, but we're there. We're

0:18:13.280 --> 0:18:25.080
<v Speaker 2>shortlisting them for our next film. Yes, leg Ahead, lipp of, Titty,

0:18:25.840 --> 0:18:37.159
<v Speaker 2>Fanny Go Go, Hips Are Bottom, Bottom, Suck Mackenzie.

0:18:37.800 --> 0:18:49.600
<v Speaker 11>Our Shadow, blow Job, thighs Mackenzie, lips, Sarah Kiss, belly

0:18:49.760 --> 0:18:51.639
<v Speaker 11>button Mackenzie.

0:18:51.960 --> 0:19:02.080
<v Speaker 2>Fishnet head, Golder, Pussy Silver, titty.

0:18:59.800 --> 0:19:10.240
<v Speaker 3>Head Mackenzie, Sloan, Vagina, Sarah Donovan.

0:19:11.560 --> 0:19:22.400
<v Speaker 2>Cova, Saint Clair, Clit, Bob Sponge, Clit, Bob pants.

0:19:23.160 --> 0:19:35.760
<v Speaker 3>Labia, Gator, Binsburg, Jonas Brother, Boobies, Charlotte, Harlotte.

0:19:37.840 --> 0:19:45.840
<v Speaker 2>Labyama, Norah, Nora, Norah Jones, and.

0:19:45.840 --> 0:19:52.040
<v Speaker 3>Let's just talk about lad.

0:19:49.800 --> 0:19:53.280
<v Speaker 6>And we're getting We're trying to get Nora trying.

0:19:53.840 --> 0:19:57.520
<v Speaker 8>Yes, Nora, Norah Jones, James Bunson, kind of kind of

0:19:57.560 --> 0:19:58.760
<v Speaker 8>an oxymora, kind of.

0:19:58.920 --> 0:20:03.119
<v Speaker 6>This wedding she doesn't Yeah, just came away with me

0:20:05.119 --> 0:20:05.800
<v Speaker 6>in the night.

0:20:08.320 --> 0:20:11.720
<v Speaker 3>A bit of a mash up, a bit of a

0:20:11.760 --> 0:20:13.520
<v Speaker 3>messy mash Well.

0:20:13.560 --> 0:20:17.119
<v Speaker 2>We've brought up now James Bond songs and that is

0:20:17.160 --> 0:20:19.560
<v Speaker 2>a part of what we do. We do work with

0:20:19.720 --> 0:20:24.159
<v Speaker 2>musicians to devise the James Bond song. It sort of

0:20:24.160 --> 0:20:27.960
<v Speaker 2>dictates the tone of the movie that we're going for.

0:20:28.359 --> 0:20:32.720
<v Speaker 2>And to find a good James Bond song singer, I

0:20:33.040 --> 0:20:35.320
<v Speaker 2>don't know if you would agree. I believe that it

0:20:35.600 --> 0:20:38.240
<v Speaker 2>has to be someone a little spooky, you know.

0:20:38.760 --> 0:20:41.240
<v Speaker 6>Like a little just a little.

0:20:41.400 --> 0:20:44.200
<v Speaker 8>Blurred on the well, someone is a bit of an edge.

0:20:44.280 --> 0:20:47.720
<v Speaker 8>Usually you know, someone like Lady Gaga who has done one.

0:20:47.800 --> 0:20:51.800
<v Speaker 8>Of course, Billie Eilish, Yes, and Deranduran from View to

0:20:51.880 --> 0:20:53.440
<v Speaker 8>a Kill, the first one that I was in.

0:20:59.160 --> 0:21:00.320
<v Speaker 2>That's a good one.

0:21:00.520 --> 0:21:01.719
<v Speaker 6>You need to have a sinner.

0:21:02.240 --> 0:21:05.240
<v Speaker 7>Yes, It's like it's just like how Taylor Swift is

0:21:05.320 --> 0:21:08.719
<v Speaker 7>perfect for a Toy Story movie because that's a bright,

0:21:09.160 --> 0:21:09.920
<v Speaker 7>happy song.

0:21:10.320 --> 0:21:12.919
<v Speaker 6>We need a song that roams through the hallways.

0:21:13.000 --> 0:21:17.240
<v Speaker 8>We're actually in charge of listening to all the submissions.

0:21:17.359 --> 0:21:19.880
<v Speaker 5>They submit wildly and it's open all the time.

0:21:21.200 --> 0:21:24.560
<v Speaker 3>Most recently, did you like that one? I don't know

0:21:24.640 --> 0:21:25.840
<v Speaker 3>if I like that.

0:21:26.320 --> 0:21:29.600
<v Speaker 12>Get Up and kill him, Get up and kill him,

0:21:31.600 --> 0:21:32.840
<v Speaker 12>Get get get get up.

0:21:34.720 --> 0:21:34.920
<v Speaker 6>Oh.

0:21:35.000 --> 0:21:38.919
<v Speaker 7>I thought I thought Kesha's was close, but not, you

0:21:38.960 --> 0:21:45.440
<v Speaker 7>know it, Grab your gun and walk into the realm.

0:21:46.560 --> 0:21:51.439
<v Speaker 3>Just like that song. This year listen, I like that one.

0:21:51.720 --> 0:21:56.439
<v Speaker 13>I liked it it's time we're there going.

0:21:56.119 --> 0:21:57.639
<v Speaker 3>Back to London.

0:21:59.680 --> 0:22:02.399
<v Speaker 2>Because when I wake up in the night, oh that

0:22:02.560 --> 0:22:05.840
<v Speaker 2>is that lie. We're not coming back to London.

0:22:06.920 --> 0:22:11.520
<v Speaker 7>She cannot my titties are she can not stir.

0:22:12.560 --> 0:22:14.399
<v Speaker 3>And it's just it was tough for me to picture

0:22:14.760 --> 0:22:17.480
<v Speaker 3>opening sequence with my titties are shaken, not stir.

0:22:18.200 --> 0:22:18.840
<v Speaker 2>But I liked it.

0:22:19.200 --> 0:22:21.320
<v Speaker 6>What was the SpongeBob girl we mentioned?

0:22:21.359 --> 0:22:27.480
<v Speaker 2>Oh, sponge clit pants, sponge clit bob pants. Oh no,

0:22:27.800 --> 0:22:29.520
<v Speaker 2>but there is I spices.

0:22:29.080 --> 0:22:31.600
<v Speaker 3>Well, sponge slip bob pants. Yes, let's talk about sponge

0:22:31.600 --> 0:22:36.200
<v Speaker 3>clitob missed because we want to focus on sponge.

0:22:36.320 --> 0:22:37.479
<v Speaker 2>Clit bob pants.

0:22:37.640 --> 0:22:40.639
<v Speaker 14>Lives under the sea and she can't slip from the

0:22:40.720 --> 0:22:43.439
<v Speaker 14>water in a bikini.

0:22:42.920 --> 0:22:46.440
<v Speaker 2>In a bikini, hot bikini, hot bikini.

0:22:46.560 --> 0:22:49.400
<v Speaker 7>And I like the not to SpongeBob where she's got

0:22:49.400 --> 0:22:50.680
<v Speaker 7>a little bit of board short.

0:22:50.960 --> 0:22:52.200
<v Speaker 6>Yeah, and we are.

0:22:52.359 --> 0:22:54.959
<v Speaker 8>Yes going out to that woman from off campus who

0:22:55.000 --> 0:22:57.359
<v Speaker 8>wore that top. We don't know her name, but we

0:22:57.400 --> 0:22:59.200
<v Speaker 8>saw her in the top and punch she'd be great.

0:23:00.119 --> 0:23:02.880
<v Speaker 3>You guys know that top. I know that.

0:23:04.680 --> 0:23:07.040
<v Speaker 2>I don't think I know seven year old man.

0:23:07.280 --> 0:23:08.119
<v Speaker 3>You're in the room.

0:23:08.400 --> 0:23:12.080
<v Speaker 2>I love ya, and I watch it all and I

0:23:12.200 --> 0:23:12.600
<v Speaker 2>know the.

0:23:12.640 --> 0:23:15.760
<v Speaker 3>Top, Yes, check out the top. I'll pull it up

0:23:15.800 --> 0:23:18.560
<v Speaker 3>on a thing. It's gonna be fun. It's going to be.

0:23:20.119 --> 0:23:20.600
<v Speaker 2>Moaded.

0:23:20.920 --> 0:23:23.000
<v Speaker 3>Guarantee. We never see her. We're just stuck in the

0:23:23.040 --> 0:23:24.679
<v Speaker 3>background of whatever that photo is.

0:23:25.280 --> 0:23:28.600
<v Speaker 7>No, but we have other other submissions from Chate McCrae.

0:23:28.840 --> 0:23:34.560
<v Speaker 7>Had I love Yes, Casey Muskraves just wasn't the brand.

0:23:35.240 --> 0:23:37.200
<v Speaker 2>Yeah, it was going to catch it.

0:23:38.080 --> 0:23:44.680
<v Speaker 15>Branish cownboy, my British count boy, Come on over, Come

0:23:44.720 --> 0:23:46.359
<v Speaker 15>on over, British conboy.

0:23:46.600 --> 0:23:51.080
<v Speaker 3>We almost went with justin Timberlake. That was very interesting.

0:23:52.080 --> 0:23:56.040
<v Speaker 3>You gotta beat James bun.

0:23:59.560 --> 0:24:00.840
<v Speaker 6>Really all that's crazy.

0:24:01.280 --> 0:24:05.840
<v Speaker 2>There was no where there was that Dolly parton one.

0:24:06.520 --> 0:24:09.240
<v Speaker 2>I thought it was quite charming that when will you

0:24:09.359 --> 0:24:12.159
<v Speaker 2>wake up and you're James Bond and then you're gonna

0:24:12.160 --> 0:24:15.240
<v Speaker 2>go to bed, wake up and James Bond and then

0:24:15.320 --> 0:24:16.520
<v Speaker 2>you do it all again.

0:24:17.440 --> 0:24:20.520
<v Speaker 12>Our problem was our problem was didn't talk anything about

0:24:20.520 --> 0:24:24.240
<v Speaker 12>what she says goes to bed.

0:24:24.240 --> 0:24:25.120
<v Speaker 2>It could be anybody.

0:24:25.200 --> 0:24:28.919
<v Speaker 7>I still think Dolly sent us an Ai Shong. I

0:24:29.080 --> 0:24:33.120
<v Speaker 7>don't think she. I think Dolly's people made an age.

0:24:33.480 --> 0:24:36.119
<v Speaker 3>We got it from Dolly at a I dot a.

0:24:36.240 --> 0:24:39.000
<v Speaker 6>I think it's an Ai shong.

0:24:40.560 --> 0:24:40.720
<v Speaker 16>Oh.

0:24:40.880 --> 0:24:42.439
<v Speaker 2>I hope she's not using her.

0:24:42.760 --> 0:24:46.240
<v Speaker 6>I think shame. I love Ben Platt's song, and.

0:24:46.200 --> 0:24:46.879
<v Speaker 17>I still think.

0:24:51.560 --> 0:24:52.880
<v Speaker 3>Lots of rips.

0:24:53.560 --> 0:24:56.479
<v Speaker 2>Yeah, well there's there's a lin Manuel Miranda.

0:24:56.680 --> 0:24:58.160
<v Speaker 3>I was just going to say.

0:24:58.000 --> 0:25:05.240
<v Speaker 13>That the first next line, how does an agent British

0:25:05.440 --> 0:25:09.159
<v Speaker 13>guy of the Queen and the M fifteen in the

0:25:09.320 --> 0:25:10.800
<v Speaker 13>eye of James villain?

0:25:11.000 --> 0:25:12.280
<v Speaker 3>I am an agent.

0:25:12.640 --> 0:25:14.600
<v Speaker 7>So my songs, you made fun of me for making them,

0:25:14.640 --> 0:25:17.040
<v Speaker 7>just apparently of the other songs, and that's what she.

0:25:18.359 --> 0:25:24.400
<v Speaker 3>Make fun of you. I made fun of Kesha. I think.

0:25:24.520 --> 0:25:27.240
<v Speaker 3>I think he's always just saying the song.

0:25:28.720 --> 0:25:31.919
<v Speaker 6>I didn't make fun of you. I made fun of Kesha.

0:25:32.840 --> 0:25:36.840
<v Speaker 2>In this room, we don't punch down. We only punch

0:25:37.040 --> 0:25:39.040
<v Speaker 2>up or at kesh oh.

0:25:38.960 --> 0:25:43.040
<v Speaker 3>We kick shoot oh, we shoot up. In this room.

0:25:43.080 --> 0:25:46.479
<v Speaker 3>If we're shooting up, it's shooting up some sort of villain.

0:25:48.600 --> 0:25:52.399
<v Speaker 7>Drugs, steady pop, cheeps.

0:25:55.600 --> 0:25:57.160
<v Speaker 6>I just have fun at the end of the week.

0:25:57.800 --> 0:26:01.160
<v Speaker 7>You put as at the end of the and shoot it.

0:26:01.280 --> 0:26:03.359
<v Speaker 8>Do you guys remember when I put all the chips

0:26:03.359 --> 0:26:05.760
<v Speaker 8>in a bowl of gin and a Marco for forty

0:26:05.800 --> 0:26:07.320
<v Speaker 8>five minutes.

0:26:08.440 --> 0:26:11.840
<v Speaker 7>That smelled crazy and what came out looked like one

0:26:11.840 --> 0:26:13.960
<v Speaker 7>of those easterless candies, a peep.

0:26:14.280 --> 0:26:17.439
<v Speaker 5>Yes, And that was the inspiration for renovating the kitchen.

0:26:18.800 --> 0:26:22.080
<v Speaker 3>Nothing to do with James Vond. We needed to renovate

0:26:22.119 --> 0:26:23.399
<v Speaker 3>the kitchen after that smell.

0:26:24.040 --> 0:26:27.200
<v Speaker 6>So let's talk about a man with a gun.

0:26:27.960 --> 0:26:31.200
<v Speaker 2>Let's talk about a man with a gun. The man,

0:26:31.480 --> 0:26:32.960
<v Speaker 2>the man with a gun.

0:26:33.200 --> 0:26:35.639
<v Speaker 8>How do you come up with new adventures for James

0:26:35.640 --> 0:26:39.560
<v Speaker 8>Bond after so many like what.

0:26:39.400 --> 0:26:42.000
<v Speaker 2>Do you get the man for Christmas? Who has already

0:26:42.080 --> 0:26:44.120
<v Speaker 2>had it all? Do you know what I mean?

0:26:44.280 --> 0:26:47.400
<v Speaker 8>Yes, we literally have a goal a globe in our

0:26:48.320 --> 0:26:51.440
<v Speaker 8>office with a pin where every country James one has been.

0:26:51.600 --> 0:26:56.560
<v Speaker 18>Yes, it looks like a like a like a pin factory.

0:26:56.600 --> 0:26:57.920
<v Speaker 2>It's sort of like a pin.

0:26:58.040 --> 0:27:01.159
<v Speaker 3>Looks exactly like a pin, look like a pin factory.

0:27:01.160 --> 0:27:03.200
<v Speaker 7>But I think it's also because of the microwave. When

0:27:03.200 --> 0:27:05.439
<v Speaker 7>it exploded, I.

0:27:05.480 --> 0:27:07.160
<v Speaker 3>Put the globe in the microwave.

0:27:09.640 --> 0:27:10.040
<v Speaker 2>Microwave.

0:27:11.760 --> 0:27:15.400
<v Speaker 3>Can't get his hands off of a microwave. I'm thinking now,

0:27:15.800 --> 0:27:18.560
<v Speaker 3>I think the only contribution you've given to any James

0:27:18.560 --> 0:27:22.160
<v Speaker 3>Bond is the microwave shoe. I did wave.

0:27:22.200 --> 0:27:26.200
<v Speaker 2>If you say you're across gadgets, but I think most

0:27:26.200 --> 0:27:29.280
<v Speaker 2>of your pitches are kind of you're reworking the microwave

0:27:29.359 --> 0:27:30.880
<v Speaker 2>into different parts of clothing.

0:27:31.240 --> 0:27:33.520
<v Speaker 8>Well, hold on a minute, because the problem is we

0:27:33.600 --> 0:27:39.080
<v Speaker 8>cannot describe our contributions as what's gotten to screen. Okay,

0:27:39.320 --> 0:27:41.680
<v Speaker 8>it's the only thing I've ever pitched microwave shoe that's

0:27:41.680 --> 0:27:42.280
<v Speaker 8>gotten to screen.

0:27:42.280 --> 0:27:44.280
<v Speaker 5>That's correct, that's good, that's a good place.

0:27:44.320 --> 0:27:47.840
<v Speaker 8>Doesn't mean I haven't been the initial idea for something

0:27:47.880 --> 0:27:51.160
<v Speaker 8>that has become big. I had one the microwave watch,

0:27:51.480 --> 0:27:55.800
<v Speaker 8>and then ten years later there was a smartwatch kind

0:27:55.840 --> 0:27:57.399
<v Speaker 8>of thing with a detonator watch.

0:27:57.480 --> 0:27:59.920
<v Speaker 19>So I think that is what is the difference between

0:27:59.920 --> 0:28:04.199
<v Speaker 19>a microwave and a detonator watch. A detonator bomb is

0:28:04.200 --> 0:28:07.800
<v Speaker 19>basically an outside microwave and least everything up around it.

0:28:08.000 --> 0:28:12.000
<v Speaker 6>This conversation always gets to this. It's always ends.

0:28:12.400 --> 0:28:14.840
<v Speaker 3>You say microwave, you say an item, and then if

0:28:14.880 --> 0:28:17.159
<v Speaker 3>anything is used with that item, you claim it as

0:28:17.160 --> 0:28:19.920
<v Speaker 3>your I will say, I mean, you said microwave gun,

0:28:20.440 --> 0:28:22.600
<v Speaker 3>and now every gun that we use you claim that

0:28:22.680 --> 0:28:24.160
<v Speaker 3>you came up well, because what is.

0:28:24.119 --> 0:28:26.960
<v Speaker 20>A gun if not microwave that shoots it directly heat

0:28:27.000 --> 0:28:28.159
<v Speaker 20>to your buddy or something.

0:28:30.320 --> 0:28:33.320
<v Speaker 2>I think it's a bullet might what it is with

0:28:33.880 --> 0:28:34.720
<v Speaker 2>our accents?

0:28:36.359 --> 0:28:38.720
<v Speaker 3>These are going all around.

0:28:40.080 --> 0:28:43.840
<v Speaker 2>Here's the thing. I believe it's due to the way

0:28:44.000 --> 0:28:48.480
<v Speaker 2>that sort of you know how there's international school accent.

0:28:48.520 --> 0:28:53.040
<v Speaker 2>Are you aware of this? Yes, where people are international

0:28:53.200 --> 0:28:54.040
<v Speaker 2>school accent.

0:28:54.200 --> 0:28:55.760
<v Speaker 3>Let's finally talk about it.

0:28:55.800 --> 0:28:59.200
<v Speaker 2>Let's talk about international school accent. I believe there's another

0:28:59.320 --> 0:29:03.640
<v Speaker 2>version in the UK where they take someone from every

0:29:03.760 --> 0:29:06.320
<v Speaker 2>single part of the UK and they put him in

0:29:06.360 --> 0:29:09.640
<v Speaker 2>a school in the exact center of the island and

0:29:09.680 --> 0:29:13.840
<v Speaker 2>then everyone sort of adjust.

0:29:14.120 --> 0:29:15.520
<v Speaker 3>He went to school. Is that what you're saying?

0:29:15.600 --> 0:29:19.120
<v Speaker 2>Yes, I went to school at Saints Center Center.

0:29:21.120 --> 0:29:23.600
<v Speaker 3>By the way, I'm a devout Catholic and I've got

0:29:23.600 --> 0:29:25.400
<v Speaker 3>to say my favorite saint to Saint Center.

0:29:26.080 --> 0:29:28.520
<v Speaker 2>Saint Center was so good. He gave so much bread

0:29:28.560 --> 0:29:30.640
<v Speaker 2>to those pigeons.

0:29:30.680 --> 0:29:32.920
<v Speaker 6>Politically, politically right out in the middle.

0:29:33.400 --> 0:29:35.760
<v Speaker 2>Yes, yes, it's controversial.

0:29:35.880 --> 0:29:38.400
<v Speaker 5>He drove all those rats out of London.

0:29:38.680 --> 0:29:40.240
<v Speaker 2>Yes, yes, yes.

0:29:41.760 --> 0:29:44.880
<v Speaker 7>Speaking of religion, do you ever think there's a there's

0:29:44.880 --> 0:29:47.160
<v Speaker 7>a world in which a Bond could be a Christian?

0:29:48.000 --> 0:29:51.360
<v Speaker 5>That's better not be he isn't he's Christian?

0:29:51.440 --> 0:29:54.480
<v Speaker 3>Isn't he? You should know he has to be Christian.

0:29:54.520 --> 0:29:56.280
<v Speaker 2>I always saw the fellow as Buddhist.

0:29:57.320 --> 0:30:06.480
<v Speaker 3>He's not Buddhist, He's not I does not Buddhism. James

0:30:06.480 --> 0:30:07.720
<v Speaker 3>Bond could be bouts.

0:30:09.680 --> 0:30:13.000
<v Speaker 2>If James Bond isn't a Buddhist, how on earth does

0:30:13.040 --> 0:30:16.280
<v Speaker 2>he deal with the mental load of dealing with all

0:30:16.320 --> 0:30:28.640
<v Speaker 2>these villages Christian Christian that is not with prayer. No,

0:30:29.840 --> 0:30:30.240
<v Speaker 2>he's not.

0:30:32.160 --> 0:30:37.080
<v Speaker 7>A Buddhist, he's not a bis and he's not Christian,

0:30:37.400 --> 0:30:39.480
<v Speaker 7>then he's not Jewish.

0:30:39.640 --> 0:30:42.320
<v Speaker 2>If he's agnostic, I eat my hat. He's not a

0:30:42.320 --> 0:30:43.840
<v Speaker 2>Gnostic Christian.

0:30:45.200 --> 0:30:47.320
<v Speaker 3>I saw him as a Sunni Muslim.

0:30:49.560 --> 0:30:52.560
<v Speaker 2>This is interesting. Maybe we can roll back.

0:30:52.880 --> 0:30:55.920
<v Speaker 3>You never see him when it's called to prayer. He's

0:30:55.960 --> 0:30:58.800
<v Speaker 3>always missing his nap.

0:30:58.920 --> 0:31:00.680
<v Speaker 2>And what's he doing on christ mis Day? Have we

0:31:00.720 --> 0:31:01.360
<v Speaker 2>ever seen that?

0:31:02.720 --> 0:31:03.840
<v Speaker 3>I don't know.

0:31:04.240 --> 0:31:07.480
<v Speaker 2>He's not there because he's busy meditating, because he's a Bodhist.

0:31:07.960 --> 0:31:23.840
<v Speaker 2>He's not bedet. You are being a baby, baby a

0:31:23.960 --> 0:31:29.680
<v Speaker 2>baby about this? It is I need you to grow up.

0:31:30.760 --> 0:31:34.840
<v Speaker 2>The music's Christian. It's a confessional. Should we talk about

0:31:34.880 --> 0:31:37.800
<v Speaker 2>the plot of the latest James Bond This.

0:31:37.840 --> 0:31:41.840
<v Speaker 3>Is very interesting because unfortunately we were excluded from the

0:31:41.920 --> 0:31:43.600
<v Speaker 3>last three Bond movies.

0:31:43.680 --> 0:31:48.440
<v Speaker 2>Yeah, folks, Yeah, let's be honest about this. There is

0:31:48.520 --> 0:31:51.240
<v Speaker 2>a clique in the writer's.

0:31:50.880 --> 0:31:58.000
<v Speaker 3>Room, a traditional James Bond, one who is smart, smarmy,

0:31:58.520 --> 0:32:09.240
<v Speaker 3>put together and polish. Nothing like the rugged, no pained, sad.

0:32:08.080 --> 0:32:10.160
<v Speaker 2>Like ash therapy Bond.

0:32:11.800 --> 0:32:15.720
<v Speaker 7>I don't know where in our world that they decided

0:32:15.800 --> 0:32:21.840
<v Speaker 7>to make the male protagonist scruffy, confused and forgiving.

0:32:22.160 --> 0:32:22.600
<v Speaker 5>Yeah.

0:32:22.640 --> 0:32:25.720
<v Speaker 3>Absolutely. And also, my James Bond does not have traps?

0:32:25.880 --> 0:32:28.800
<v Speaker 8>What was that with this, Daniel Craig, what's going on

0:32:28.520 --> 0:32:29.520
<v Speaker 8>on your lick?

0:32:29.680 --> 0:32:33.320
<v Speaker 3>My James Bond is not shaved head and drinking a

0:32:33.480 --> 0:32:35.880
<v Speaker 3>heinekin of for God's sake.

0:32:36.080 --> 0:32:38.600
<v Speaker 15>No, not to be fair, I wanted to be in

0:32:38.640 --> 0:32:41.600
<v Speaker 15>the writer's rooms, but I do think I do think

0:32:41.680 --> 0:32:46.040
<v Speaker 15>Daniel Craig told us that we couldn't because he came

0:32:46.080 --> 0:32:48.160
<v Speaker 15>to that Christmas party we through and we tried to

0:32:48.200 --> 0:32:49.080
<v Speaker 15>take his clothes off.

0:32:49.240 --> 0:32:50.560
<v Speaker 5>Yes, I think that's there.

0:32:50.400 --> 0:32:52.240
<v Speaker 7>Is What should we do we have every time we

0:32:52.280 --> 0:32:54.120
<v Speaker 7>meet the new Bond, we like to pants him like

0:32:54.160 --> 0:32:54.920
<v Speaker 7>it's middle school.

0:32:55.000 --> 0:32:58.320
<v Speaker 3>Yes, yes, And even though he's the most secret spy

0:32:58.400 --> 0:33:00.560
<v Speaker 3>in the world, he can't get past the writers.

0:33:03.840 --> 0:33:06.680
<v Speaker 2>It's sort of a hazing. It's sort of remember who

0:33:06.720 --> 0:33:07.680
<v Speaker 2>your duddy is.

0:33:08.240 --> 0:33:13.000
<v Speaker 7>Remember and your daddy is buds exactly.

0:33:17.080 --> 0:33:20.320
<v Speaker 3>The word makes you all change your access so quickly.

0:33:22.920 --> 0:33:25.880
<v Speaker 2>What was talking about to do? The response that we're

0:33:25.960 --> 0:33:27.800
<v Speaker 2>cooking in the search.

0:33:28.560 --> 0:33:33.800
<v Speaker 3>We're on the search, the talent, talent is in.

0:33:34.360 --> 0:33:37.640
<v Speaker 2>And we are looking at I don't want to spoil

0:33:37.720 --> 0:33:40.800
<v Speaker 2>any deals that are already in motion, but let's spoil

0:33:40.960 --> 0:33:45.920
<v Speaker 2>some shower we are talking to. We are talking to

0:33:47.560 --> 0:33:49.440
<v Speaker 2>Pedro Pascal.

0:33:50.440 --> 0:33:51.360
<v Speaker 3>American Bond.

0:33:51.400 --> 0:33:53.920
<v Speaker 2>He would be the first American bond.

0:33:53.960 --> 0:33:56.680
<v Speaker 8>He would be talking to Josh your corner, that little

0:33:56.720 --> 0:33:57.440
<v Speaker 8>mousey boy.

0:34:00.440 --> 0:34:02.640
<v Speaker 7>One of my favorites since we're talking to is a

0:34:02.760 --> 0:34:08.080
<v Speaker 7>Jonathan Bailey. A gay bond, gay bond.

0:34:08.200 --> 0:34:11.600
<v Speaker 14>Can you imagine you a new world, the things we

0:34:11.680 --> 0:34:14.640
<v Speaker 14>could do with gay bond, Well, with a gay bond.

0:34:15.320 --> 0:34:18.040
<v Speaker 14>You don't get a bond, girl, do you? You get

0:34:18.040 --> 0:34:18.960
<v Speaker 14>a bond boy?

0:34:19.400 --> 0:34:19.920
<v Speaker 5>A bond?

0:34:20.040 --> 0:34:23.040
<v Speaker 2>Bottle Penis make.

0:34:23.400 --> 0:34:29.160
<v Speaker 12>Golden Fly, the first, the first gay man film. For towels, Yes,

0:34:30.920 --> 0:34:37.279
<v Speaker 12>Ah Balls, Magee Balls McGhee, Delicious.

0:34:38.200 --> 0:34:44.000
<v Speaker 2>Jeez, Royalie, Jeez, Jesus.

0:34:44.200 --> 0:34:52.480
<v Speaker 3>Ah chest Hair, dupre Come, Canter, dick Cock.

0:34:54.760 --> 0:35:01.200
<v Speaker 2>Five o'clock, Shuder Long Shonderland five a clock Shadow.

0:35:01.239 --> 0:35:06.880
<v Speaker 3>I got that part. That's the part shonderaland was the

0:35:06.880 --> 0:35:08.280
<v Speaker 3>part I had a question.

0:35:08.800 --> 0:35:15.160
<v Speaker 12>That's just for fun long to do Adam Apple, Oh,

0:35:17.840 --> 0:35:18.800
<v Speaker 12>that's very good.

0:35:19.440 --> 0:35:25.200
<v Speaker 2>That's very good member gold member gold members Son.

0:35:26.840 --> 0:35:33.160
<v Speaker 3>True, but that's actually Austin Powers character. That's true.

0:35:35.239 --> 0:35:42.840
<v Speaker 2>To each other. Lube larentis male nipple Napoli.

0:35:43.000 --> 0:35:50.000
<v Speaker 3>Male nipple nap He's Italian taint pube that we could

0:35:50.040 --> 0:35:50.880
<v Speaker 3>do for both.

0:35:55.239 --> 0:36:00.719
<v Speaker 21>Non binary bond, for the town Prostatia underwater.

0:36:02.640 --> 0:36:12.680
<v Speaker 3>It's always the last name with you that it's you know.

0:36:10.560 --> 0:36:12.200
<v Speaker 5>So many other potential bonds.

0:36:12.239 --> 0:36:13.200
<v Speaker 3>It's very exciting.

0:36:13.280 --> 0:36:14.320
<v Speaker 2>Yes, it's very exciting.

0:36:14.360 --> 0:36:16.719
<v Speaker 3>But when we're looking for a Bond, I mean we

0:36:16.920 --> 0:36:22.120
<v Speaker 3>really are also looking for a villain who because every

0:36:22.239 --> 0:36:27.680
<v Speaker 3>Bond movie has a distinct iconic villain. Who are some

0:36:27.760 --> 0:36:29.680
<v Speaker 3>of your favorite villains from the Bond movie?

0:36:31.960 --> 0:36:34.440
<v Speaker 2>You want me to go? Should we all go at

0:36:34.480 --> 0:36:35.040
<v Speaker 2>the same time?

0:36:35.560 --> 0:36:49.240
<v Speaker 3>Love Doctor No. I thought he was Freddie Mercury. Freddie Mercury.

0:36:51.360 --> 0:36:53.920
<v Speaker 6>Mercury played an antagonist.

0:37:00.040 --> 0:37:04.279
<v Speaker 2>About I have to run away. You've ever gone. I'll

0:37:04.280 --> 0:37:13.799
<v Speaker 2>get on a bicycle. Bicycle, fat bottom girl.

0:37:14.480 --> 0:37:19.240
<v Speaker 7>That's just James Bond anyway.

0:37:18.480 --> 0:37:22.759
<v Speaker 6>But antagonists the antagonists need to be good sometimes. Can

0:37:22.800 --> 0:37:25.120
<v Speaker 6>I be honest? Can I be Missy for a second? Yes,

0:37:25.239 --> 0:37:27.680
<v Speaker 6>I watched these Marvel movies and I go, I do.

0:37:27.760 --> 0:37:31.520
<v Speaker 7>All these villains have all these weird colors and weird animals.

0:37:31.920 --> 0:37:35.360
<v Speaker 6>Just give the man a bow tie and an ugly expression.

0:37:35.760 --> 0:37:39.200
<v Speaker 3>That's all you need for an Joe gold teeth like jars,

0:37:39.239 --> 0:37:43.600
<v Speaker 3>make it big and tall? Why does know? But do

0:37:43.640 --> 0:37:47.440
<v Speaker 3>you have scars anymore? I mean, what are we thinking?

0:37:47.719 --> 0:37:50.759
<v Speaker 6>All these antagonists need to be so animated?

0:37:51.280 --> 0:37:55.320
<v Speaker 8>Also, I mean everybody here has written an iconic James

0:37:55.440 --> 0:37:57.520
<v Speaker 8>von Villain monologue, Yes.

0:37:57.400 --> 0:37:59.520
<v Speaker 5>Where he's tied up and like a wellness to Von.

0:37:59.600 --> 0:38:00.759
<v Speaker 5>They also talk too long.

0:38:00.920 --> 0:38:02.120
<v Speaker 2>Yeah, that's a classic thing.

0:38:02.200 --> 0:38:04.120
<v Speaker 8>James von Villain's always talked too long and then end

0:38:04.200 --> 0:38:06.439
<v Speaker 8>up getting killed because they basically should have been killing

0:38:06.520 --> 0:38:08.000
<v Speaker 8>James Bond while they were talking to you.

0:38:08.120 --> 0:38:11.480
<v Speaker 7>Yes, it's it's kind of the I Want song of

0:38:11.600 --> 0:38:14.640
<v Speaker 7>the antagonist that we do because it's it's the moment

0:38:14.680 --> 0:38:17.560
<v Speaker 7>where we get to really see Bond get red for filth.

0:38:17.960 --> 0:38:20.520
<v Speaker 2>Yes, well, this is a here we'll all do our

0:38:21.040 --> 0:38:24.239
<v Speaker 2>or I Want songs, our Bond villain monogues. This is

0:38:24.239 --> 0:38:27.400
<v Speaker 2>a mine from the upcoming movie that we are still

0:38:27.440 --> 0:38:38.319
<v Speaker 2>working on. From the villain Casino double pants. Wow wow,

0:38:38.520 --> 0:38:43.239
<v Speaker 2>whoa mister Bond. Funny you find yourself here at my

0:38:43.480 --> 0:38:48.240
<v Speaker 2>black jack table. But the only thing you'll be jacking

0:38:49.440 --> 0:38:53.439
<v Speaker 2>is a sentence in prison. I'm going to lock you up.

0:38:54.440 --> 0:38:58.360
<v Speaker 2>Care to bet it all? Or are you too afraid?

0:39:00.120 --> 0:39:04.240
<v Speaker 2>They always fold eventually, God's.

0:39:08.680 --> 0:39:11.919
<v Speaker 3>Beautiful monologue. I guess when it's on paper and it's

0:39:11.920 --> 0:39:15.960
<v Speaker 3>super zoomed in it, it looks better than its sound.

0:39:16.680 --> 0:39:19.439
<v Speaker 3>You said the only thing you'll be jacking, which made

0:39:19.520 --> 0:39:22.680
<v Speaker 3>me feel a little masturbatory. And then you said he

0:39:22.760 --> 0:39:26.480
<v Speaker 3>is a jail so he's cop. But I love it.

0:39:26.680 --> 0:39:29.200
<v Speaker 2>Ja, So here's sort of it. He said, no, you don't.

0:39:29.239 --> 0:39:31.759
<v Speaker 2>This is what you don't understand about this character. He's

0:39:31.800 --> 0:39:34.960
<v Speaker 2>a casino boss, but he's in bed with the police.

0:39:35.200 --> 0:39:37.560
<v Speaker 2>He's got the whole town in his finger tips.

0:39:37.960 --> 0:39:40.200
<v Speaker 3>I know he's a casino boss. His name is Casino.

0:39:41.080 --> 0:39:42.120
<v Speaker 2>Well, my favorite thing.

0:39:41.960 --> 0:39:44.880
<v Speaker 7>About these antagonists is it we pick one thing and

0:39:44.920 --> 0:39:50.680
<v Speaker 7>that's it, right, Casino like a male boy antagonist was one, O, Yes,

0:39:50.840 --> 0:39:52.040
<v Speaker 7>I love you have to do.

0:39:55.200 --> 0:39:57.800
<v Speaker 6>It always starts with her well.

0:39:57.200 --> 0:39:58.600
<v Speaker 2>Well, well, well, mister Brown.

0:39:59.400 --> 0:40:02.160
<v Speaker 6>Sorry, im assistant, this is probably gonna be dogshit.

0:40:04.000 --> 0:40:05.440
<v Speaker 5>It was good before he took it out immediately.

0:40:07.840 --> 0:40:12.279
<v Speaker 7>Well, well, well, mister Bond, you find yourself in a

0:40:12.400 --> 0:40:18.360
<v Speaker 7>pile of postcards and blood on your face a return

0:40:18.440 --> 0:40:18.920
<v Speaker 7>to sender.

0:40:19.440 --> 0:40:20.080
<v Speaker 6>I think not.

0:40:21.520 --> 0:40:24.320
<v Speaker 7>Post office doesn't have a lot of money these days,

0:40:24.360 --> 0:40:31.960
<v Speaker 7>but I do because I have been stealing from your Bond,

0:40:32.680 --> 0:40:40.239
<v Speaker 7>you stupid pussy. I have you all in order of

0:40:40.760 --> 0:40:48.360
<v Speaker 7>po box attack. Yes, I'll stick you in a box

0:40:50.040 --> 0:40:55.600
<v Speaker 7>ship you right away. How dare you think I couldn't

0:40:55.640 --> 0:41:00.160
<v Speaker 7>find your address as I drive a car with no

0:41:00.320 --> 0:41:04.600
<v Speaker 7>doors a mail truck with a bomb.

0:41:04.360 --> 0:41:09.680
<v Speaker 3>In the back. That's male, boy, he drives a mail

0:41:09.760 --> 0:41:13.360
<v Speaker 3>truck with a bomb in the back. It's very you know.

0:41:13.480 --> 0:41:17.240
<v Speaker 7>That was beautiful, like a natural lull to the empisodes.

0:41:18.640 --> 0:41:21.560
<v Speaker 3>I was many comments about it.

0:41:22.560 --> 0:41:23.839
<v Speaker 5>Yes, we were taking it in.

0:41:25.360 --> 0:41:28.400
<v Speaker 3>Crime was to steal from James Bond, and then he

0:41:28.480 --> 0:41:30.880
<v Speaker 3>was going to send him back to his own address.

0:41:31.080 --> 0:41:33.280
<v Speaker 2>I like the term peo box attack.

0:41:34.200 --> 0:41:36.319
<v Speaker 8>I like how clear it was that he drove a

0:41:36.320 --> 0:41:38.359
<v Speaker 8>mail truck and he described to what a mail truck

0:41:38.440 --> 0:41:40.319
<v Speaker 8>is kind of like where there's no doors on the side.

0:41:40.360 --> 0:41:43.200
<v Speaker 3>But I and I also liked how unclear everything else?

0:41:44.560 --> 0:41:45.719
<v Speaker 6>Yes, yes, well what about your.

0:41:46.200 --> 0:41:49.560
<v Speaker 8>Well, obviously a Bond villain has some giant objective that

0:41:49.640 --> 0:41:52.000
<v Speaker 8>Bond is trying to stop, you know, to take over

0:41:52.080 --> 0:41:55.600
<v Speaker 8>the world. So my Bond villain, one of my favorite

0:41:55.640 --> 0:42:00.319
<v Speaker 8>ones that never got through, was the mysterious whiskers Light,

0:42:00.920 --> 0:42:05.880
<v Speaker 8>who was trying to turn it into a world where

0:42:06.080 --> 0:42:10.239
<v Speaker 8>cats could be used as informational gathering devices. So he

0:42:10.360 --> 0:42:13.880
<v Speaker 8>was putting chips into cats, and cats were scanning memories

0:42:13.960 --> 0:42:16.040
<v Speaker 8>and they were basically turning all cats into robots.

0:42:16.200 --> 0:42:17.920
<v Speaker 3>Yes, and he was kind of are you sure this

0:42:18.040 --> 0:42:19.760
<v Speaker 3>wasn't a black mir draft?

0:42:19.880 --> 0:42:21.640
<v Speaker 5>Oh, this was real, This was real.

0:42:21.560 --> 0:42:22.560
<v Speaker 3>This happened.

0:42:23.840 --> 0:42:25.000
<v Speaker 6>It's the British dog.

0:42:25.400 --> 0:42:27.439
<v Speaker 3>Yes, the cats and the British dog. And the dog

0:42:27.760 --> 0:42:32.760
<v Speaker 3>is the American dog Joey.

0:42:32.760 --> 0:42:35.120
<v Speaker 8>He's very interesting, very flamboyant. We used to rid a

0:42:35.160 --> 0:42:37.240
<v Speaker 8>lot of flamboyant Von villains.

0:42:37.600 --> 0:42:39.400
<v Speaker 2>They don't let you be flamboyant.

0:42:39.400 --> 0:42:41.440
<v Speaker 6>You can't be bad and a flamboyant.

0:42:41.440 --> 0:42:44.080
<v Speaker 2>You're either happy or flamboyant or bad and bad.

0:42:44.920 --> 0:42:48.200
<v Speaker 20>Well, Well, well, mister Bone, it turns out it looks

0:42:48.280 --> 0:42:50.279
<v Speaker 20>like you're going to be buried with the kids.

0:42:50.400 --> 0:42:53.480
<v Speaker 2>Nitter. Oh my goodness, mister bone.

0:42:53.480 --> 0:42:56.920
<v Speaker 16>I was trying my hardness not to kill you, scratch

0:42:57.000 --> 0:43:00.719
<v Speaker 16>you up, scratch post, but it turns out out it's

0:43:00.800 --> 0:43:03.359
<v Speaker 16>time for you to go take a lots of cat

0:43:03.480 --> 0:43:04.600
<v Speaker 16>nap in again.

0:43:06.040 --> 0:43:08.680
<v Speaker 20>First, about a little kissy. Why won't you kiss me,

0:43:08.760 --> 0:43:12.040
<v Speaker 20>mister Bond? Why won't you kiss me? Why won't you

0:43:12.080 --> 0:43:15.480
<v Speaker 20>touch me? Mister Bond? Why won't you let me hold you?

0:43:15.640 --> 0:43:16.400
<v Speaker 20>Mister Bond?

0:43:16.800 --> 0:43:21.239
<v Speaker 2>Mister Bond, what's wrong with me? Mister Bond? Kiss me?

0:43:22.440 --> 0:43:22.920
<v Speaker 2>Kiss me?

0:43:24.239 --> 0:43:27.200
<v Speaker 3>You know, I see why we took took out clamboyancy.

0:43:32.160 --> 0:43:33.160
<v Speaker 2>We couldn't write it.

0:43:33.400 --> 0:43:34.120
<v Speaker 5>We just couldn't.

0:43:34.800 --> 0:43:37.000
<v Speaker 6>And it's just like you can't really, you can't get

0:43:37.040 --> 0:43:38.319
<v Speaker 6>scared of pick me like that.

0:43:39.480 --> 0:43:42.600
<v Speaker 2>It's me. It's the scariest thing about this villain's.

0:43:43.480 --> 0:43:45.960
<v Speaker 6>It's so horrifying, but you can't really add anything on

0:43:46.000 --> 0:43:46.279
<v Speaker 6>to that.

0:43:46.600 --> 0:43:48.759
<v Speaker 3>It's funny. I love his purple suit.

0:43:48.680 --> 0:43:52.399
<v Speaker 2>Yes, yes, I like that he became cat like while

0:43:52.440 --> 0:43:55.520
<v Speaker 2>here's millions and cats as well, exposed ankles.

0:43:55.680 --> 0:43:58.800
<v Speaker 3>I love that beautiful. Well, my, you know one of

0:43:58.880 --> 0:44:05.960
<v Speaker 3>my favorites was you know it was Professor Dark Oh?

0:44:06.040 --> 0:44:07.840
<v Speaker 6>Yes, the school system.

0:44:07.600 --> 0:44:13.520
<v Speaker 3>The school system, yes, how corrupt. He was taking data

0:44:13.560 --> 0:44:17.160
<v Speaker 3>to switch out nuclear submarines so they would fire at

0:44:17.200 --> 0:44:20.920
<v Speaker 3>each other, start a global war, and he would control

0:44:21.000 --> 0:44:22.560
<v Speaker 3>the world in the chaos of it all.

0:44:22.640 --> 0:44:24.040
<v Speaker 6>Let the monologue explain it.

0:44:24.040 --> 0:44:25.000
<v Speaker 2>It's in the writing.

0:44:25.320 --> 0:44:33.279
<v Speaker 3>Well, well, well, misterbun, looks like you've met your end

0:44:33.360 --> 0:44:37.919
<v Speaker 3>of paper. Yes, the term limit is up and your

0:44:38.040 --> 0:44:42.319
<v Speaker 3>writing is overdue because you can't stop what's going to

0:44:42.400 --> 0:44:49.239
<v Speaker 3>happen next. Every deep nuclear sub we're large their nuclear

0:44:49.400 --> 0:44:54.640
<v Speaker 3>warhead the exact same time, causing a worldwide kiss check

0:44:54.680 --> 0:44:59.480
<v Speaker 3>attached to me. And there's nothing you nor anyone can

0:44:59.680 --> 0:45:05.120
<v Speaker 3>stop to stop this. So let me make myself clear.

0:45:06.840 --> 0:45:12.160
<v Speaker 3>It's over. You get an f goodbye.

0:45:13.600 --> 0:45:16.200
<v Speaker 2>Can I be honest? I found it difficult to focus

0:45:16.280 --> 0:45:19.560
<v Speaker 2>because it sounded really similar to the guy who does

0:45:19.560 --> 0:45:35.360
<v Speaker 2>the voices on Love Island.

0:45:24.960 --> 0:45:33.000
<v Speaker 7>Sterling did Jack Sparrow and they did a collap But

0:45:33.080 --> 0:45:35.480
<v Speaker 7>it was a beautiful monologue, and I just wish I

0:45:35.480 --> 0:45:37.799
<v Speaker 7>think the school system was hard to put bond in

0:45:38.560 --> 0:45:40.520
<v Speaker 7>because it's just like full of red tape.

0:45:40.600 --> 0:45:43.000
<v Speaker 2>Well, I believe they were trying to go off of

0:45:43.120 --> 0:45:47.400
<v Speaker 2>the TikTok trend of dark academia. Yes, we're trying to

0:45:47.400 --> 0:45:50.440
<v Speaker 2>tap into this sort of you know this dark academia.

0:45:52.200 --> 0:45:54.759
<v Speaker 3>I understand this as much as that earlier thing you

0:45:54.760 --> 0:45:58.680
<v Speaker 3>were talking about voice.

0:45:59.160 --> 0:46:01.920
<v Speaker 2>No, my thing, it's not an amusing thing.

0:46:01.960 --> 0:46:05.440
<v Speaker 3>I said, what is dark academia?

0:46:05.680 --> 0:46:09.080
<v Speaker 2>Dark academia is a really fun trend.

0:46:09.160 --> 0:46:11.840
<v Speaker 3>Now this has got my interest.

0:46:12.760 --> 0:46:19.279
<v Speaker 2>No academia is sort of what if school felt like God,

0:46:20.080 --> 0:46:25.680
<v Speaker 2>what if school were let low with big books and

0:46:26.239 --> 0:46:30.959
<v Speaker 2>plan and winter the uniforms?

0:46:31.200 --> 0:46:33.840
<v Speaker 7>Yeah, I was disgusting, Like, you can put him in

0:46:34.160 --> 0:46:36.279
<v Speaker 7>microway right.

0:46:36.400 --> 0:46:38.360
<v Speaker 5>Maybe you can put the tie in a microwave.

0:46:40.520 --> 0:46:41.640
<v Speaker 3>Imagine what would happened?

0:46:41.600 --> 0:46:45.719
<v Speaker 6>I said that, and I shouldn't have done it.

0:46:46.520 --> 0:46:47.160
<v Speaker 3>I'm king.

0:46:49.480 --> 0:46:56.040
<v Speaker 2>I would just simply get a little warmer alert Alert

0:46:56.200 --> 0:46:59.560
<v Speaker 2>emergency Alert. There's a Patreon you need to subscribe to.

0:46:59.719 --> 0:47:01.240
<v Speaker 3>Hold on pause the episode.

0:47:03.560 --> 0:47:05.640
<v Speaker 1>Oh my god, how fun would it be to just

0:47:05.680 --> 0:47:07.600
<v Speaker 1>hang out with us, like maybe at weird times of

0:47:07.640 --> 0:47:10.120
<v Speaker 1>the day like seven am or eleven thirty pm.

0:47:10.400 --> 0:47:13.240
<v Speaker 2>Little peek behind the Curtain. This episode was recorded between

0:47:13.360 --> 0:47:15.120
<v Speaker 2>nine to five, But if you want to see what

0:47:15.160 --> 0:47:17.800
<v Speaker 2>we're like after hours, you got to join the patreon.

0:47:18.040 --> 0:47:21.200
<v Speaker 1>Well recap episodes and then also we'll do weird stuff

0:47:21.239 --> 0:47:22.160
<v Speaker 1>like bully Jeremy.

0:47:22.320 --> 0:47:24.640
<v Speaker 2>We bully Jeremy. We make him do twelve weeks of

0:47:24.719 --> 0:47:27.160
<v Speaker 2>dancing in a row. We made Patrick write an entire

0:47:27.200 --> 0:47:29.560
<v Speaker 2>screenplay in one day, and we're doing an Oscars draft.

0:47:29.640 --> 0:47:32.680
<v Speaker 2>So come on bye, it's three bucks. See you there,

0:47:32.800 --> 0:47:37.799
<v Speaker 2>byefore we go? Can we do a.

0:47:37.760 --> 0:47:39.640
<v Speaker 6>Couple more shaken not stags?

0:47:39.960 --> 0:47:40.160
<v Speaker 3>Well?

0:47:40.239 --> 0:47:43.000
<v Speaker 2>Yeah, oh yes, James Bond entrance line.

0:47:43.239 --> 0:47:47.200
<v Speaker 3>Yes, let's right on draft. It's our favorite James Bond

0:47:47.280 --> 0:47:49.280
<v Speaker 3>dialogue we have recently written.

0:47:49.760 --> 0:47:51.879
<v Speaker 8>And I want to say before we go, we did

0:47:51.960 --> 0:47:53.560
<v Speaker 8>not talk about the flood of the next Dames.

0:47:54.160 --> 0:47:55.239
<v Speaker 3>You're just gonna have to see.

0:47:55.400 --> 0:47:58.279
<v Speaker 7>You're not gonna get from us, And maybe that's the

0:47:58.320 --> 0:48:00.239
<v Speaker 7>most informational pot of this totally of you.

0:48:00.320 --> 0:48:02.440
<v Speaker 2>It's that we don't have the plot unless we have

0:48:02.560 --> 0:48:03.000
<v Speaker 2>the bond.

0:48:03.480 --> 0:48:07.640
<v Speaker 3>Get us the Bond, the Bond, Amazon, get us the boat.

0:48:07.680 --> 0:48:09.359
<v Speaker 3>By the way, we did want to just say really quickly,

0:48:09.440 --> 0:48:10.239
<v Speaker 3>we do. Order to get into it.

0:48:10.280 --> 0:48:12.800
<v Speaker 8>Amazon is trying to kind of fuck with the gadgets,

0:48:12.800 --> 0:48:13.840
<v Speaker 8>and it's been really difficult.

0:48:14.200 --> 0:48:17.960
<v Speaker 3>It's like like Q and the Newest movie. Hey, here's

0:48:18.239 --> 0:48:21.400
<v Speaker 3>the gadget you need to use. It's a cab cob

0:48:21.520 --> 0:48:23.760
<v Speaker 3>Co three set dresser.

0:48:23.520 --> 0:48:29.880
<v Speaker 2>Yes, sixteen exactly. Yeah, I know. One of the gadgets

0:48:29.920 --> 0:48:32.920
<v Speaker 2>is you have to say hey, you LEXA to operate it.

0:48:33.600 --> 0:48:36.399
<v Speaker 6>Yes, or when Bond, we were trying that thing out.

0:48:36.440 --> 0:48:38.920
<v Speaker 7>When Bond orders the two day delivery of a gun

0:48:39.440 --> 0:48:41.880
<v Speaker 7>and he's checking Amazon dot com to see how close

0:48:41.920 --> 0:48:43.680
<v Speaker 7>this gun is, and then he finds the truck. He

0:48:43.800 --> 0:48:46.960
<v Speaker 7>runs into the truck, grabs it, kills.

0:48:46.719 --> 0:48:50.320
<v Speaker 2>The driver, and two days is supposed to be fast

0:48:50.400 --> 0:48:55.840
<v Speaker 2>for Bond. Anyway, anyway, let's do another round of shaken,

0:48:55.960 --> 0:48:59.239
<v Speaker 2>not through, come on, and just one to say goodbye.

0:48:59.640 --> 0:49:03.120
<v Speaker 3>Yes, let's do that. And also, you know any famous

0:49:03.239 --> 0:49:09.840
<v Speaker 3>James Bond signature lines that you will try now, sifne.

0:49:08.600 --> 0:49:10.239
<v Speaker 6>Just the last line to say good night?

0:49:12.680 --> 0:49:17.160
<v Speaker 5>Turns out I'm James Vond.

0:49:19.320 --> 0:49:27.759
<v Speaker 2>Well, well, well, looks like the bed overturned a lady.

0:49:28.840 --> 0:49:32.840
<v Speaker 7>Look at that view, and I don't mean pussy Galore's body.

0:49:35.640 --> 0:49:38.759
<v Speaker 3>I guess these diamonds will need to go somewhere.

0:49:40.400 --> 0:49:47.920
<v Speaker 14>Colin made this thing's a mess, Bartender, give me a

0:49:48.000 --> 0:49:49.600
<v Speaker 14>secret over ice.

0:49:51.680 --> 0:49:56.360
<v Speaker 8>Turns out the only legs I'm spreading are the legs

0:49:56.360 --> 0:49:56.840
<v Speaker 8>of truth.

0:50:00.080 --> 0:50:05.160
<v Speaker 7>Bartender, get me a martini. Make it Mike's way.

0:50:07.560 --> 0:50:14.200
<v Speaker 2>With the olive oil and olive old vinegar and a

0:50:14.280 --> 0:50:15.120
<v Speaker 2>big pilot letters.

0:50:15.560 --> 0:50:19.120
<v Speaker 3>No, mister President, I don't need my bail because I've

0:50:19.160 --> 0:50:28.319
<v Speaker 3>met my donner dinner bond. Well, well, well, that's always well.

0:50:28.360 --> 0:50:35.480
<v Speaker 2>Well, well, looks like I've once again found myself unprotected

0:50:36.000 --> 0:50:36.720
<v Speaker 2>in the penis.

0:50:36.760 --> 0:50:43.120
<v Speaker 5>That is, God save the Queen, and God save a.

0:50:43.160 --> 0:50:43.719
<v Speaker 3>Kiss for me.

0:50:44.680 --> 0:50:47.920
<v Speaker 2>Keep calm and carry a gun.

0:50:48.320 --> 0:50:54.240
<v Speaker 6>Oh two ladies, double o boobies, it's me double oh seven.

0:50:55.200 --> 0:50:59.480
<v Speaker 3>Looks like my big ben tonight is meeting the London eye.

0:51:00.400 --> 0:51:04.480
<v Speaker 8>The only world you're gonna blow up is your parents'

0:51:04.480 --> 0:51:06.680
<v Speaker 8>worlds when they get a call that you've been killed.

0:51:08.160 --> 0:51:11.080
<v Speaker 6>I'm driving on the other side of the road, and

0:51:11.120 --> 0:51:12.240
<v Speaker 6>so is my dick.

0:51:13.440 --> 0:51:16.680
<v Speaker 3>Your parents are going to be so devastated when they

0:51:16.719 --> 0:51:19.120
<v Speaker 3>hear the news that you've been killed.

0:51:20.680 --> 0:51:24.640
<v Speaker 2>I guess they called me triple O seven now for

0:51:24.840 --> 0:51:26.880
<v Speaker 2>I see three women before me.

0:51:27.600 --> 0:51:30.919
<v Speaker 8>Well, doctor, no, before you die, give me the phone

0:51:30.960 --> 0:51:32.239
<v Speaker 8>number of your parents.

0:51:33.600 --> 0:51:36.080
<v Speaker 6>Hello, ring, Ring, it's me.

0:51:36.800 --> 0:51:40.879
<v Speaker 7>You're crying mother because she just found out you're dead

0:51:40.920 --> 0:51:43.560
<v Speaker 7>in a ditch and I'm having sex with pussy Glore.

0:51:45.280 --> 0:51:50.800
<v Speaker 2>Hello Hello, oh Jamie, please pick up Oh, they're saying,

0:51:50.880 --> 0:51:55.360
<v Speaker 2>you're gone, Jamie. Hello, Todd, to get in here, blessing,

0:51:55.680 --> 0:51:56.680
<v Speaker 2>Jamie's gone.

0:51:57.040 --> 0:52:00.600
<v Speaker 3>And I hung up and gave them no answer. They'll

0:52:00.640 --> 0:52:03.760
<v Speaker 3>be haunted about that call for the rest of their life.

0:52:03.840 --> 0:52:06.719
<v Speaker 7>Well look at that. It's two parents walking on the

0:52:06.840 --> 0:52:11.200
<v Speaker 7>road crying. Guess whose parents they are? Your dead body's parent?

0:52:11.800 --> 0:52:15.879
<v Speaker 3>Ha ha. It's funny how your grandfather will cry at

0:52:15.920 --> 0:52:19.319
<v Speaker 3>your funeral, hoping that you would bury him and he

0:52:19.520 --> 0:52:19.960
<v Speaker 3>not you.

0:52:20.440 --> 0:52:23.279
<v Speaker 8>I wasn't planning on speaking at Moneypenny's funeral, but here

0:52:23.320 --> 0:52:27.359
<v Speaker 8>I am. It's nice to see his family here. I

0:52:27.440 --> 0:52:29.080
<v Speaker 8>do him in a way.

0:52:29.680 --> 0:52:33.879
<v Speaker 7>Well, well, well, there's a woman going through menopause. It's

0:52:33.960 --> 0:52:35.120
<v Speaker 7>your grieving mother.

0:52:37.320 --> 0:52:41.640
<v Speaker 3>Your death made her enter menopause fifteen years earlier than

0:52:41.640 --> 0:52:43.000
<v Speaker 3>she was supposed to, and.

0:52:42.960 --> 0:52:44.959
<v Speaker 6>I'm not getting an inch close to her.

0:52:45.200 --> 0:52:53.200
<v Speaker 2>Hello. Sorry, hello, Chase Bank. I'm trying to access an account. No,

0:52:53.320 --> 0:52:57.600
<v Speaker 2>I'm not the account holder. I'm the account holder's parent.

0:52:57.719 --> 0:53:01.560
<v Speaker 3>What a mister parent? He used to see you didn't

0:53:01.560 --> 0:53:02.960
<v Speaker 3>give them access and.

0:53:02.960 --> 0:53:06.640
<v Speaker 7>Write honey, I can't fly in our soun's apple id.

0:53:07.000 --> 0:53:08.759
<v Speaker 7>How will we get into his petswort?

0:53:08.880 --> 0:53:09.040
<v Speaker 3>Oh?

0:53:09.160 --> 0:53:11.120
<v Speaker 2>Shoot, we gotta get his past.

0:53:11.640 --> 0:53:13.839
<v Speaker 3>Worse than anything, they won't be able to log into

0:53:13.880 --> 0:53:16.520
<v Speaker 3>the Paramount plus account that you have for them, any.

0:53:16.520 --> 0:53:18.480
<v Speaker 6>You foolish, dead idiots.

0:53:18.560 --> 0:53:22.000
<v Speaker 21>I'm trying to watch the new Taylor Sheridan show, but

0:53:22.080 --> 0:53:24.960
<v Speaker 21>I can't seem to access the account. What was the

0:53:25.080 --> 0:53:30.800
<v Speaker 21>name of his pet again? Sorryffy Juffy Duffy? Oh shoot,

0:53:31.040 --> 0:53:32.000
<v Speaker 21>I can't remember.

0:53:32.320 --> 0:53:33.360
<v Speaker 3>Sorry, money Penny.

0:53:33.440 --> 0:53:35.920
<v Speaker 5>Your mother will never watch Paramount Plus again.

0:53:36.840 --> 0:53:40.439
<v Speaker 2>No, I haven't seen what happened in Yellowstone. I'm three

0:53:40.560 --> 0:53:41.359
<v Speaker 2>seasons by.

0:53:42.000 --> 0:53:46.640
<v Speaker 7>Your mother can't join a conversation about Yellowstone. Meanwhile, I'm

0:53:46.680 --> 0:53:52.319
<v Speaker 7>having sex on a beach and fucking a woman. Sex

0:53:52.360 --> 0:53:53.240
<v Speaker 7>on a beach is a drink.

0:53:55.560 --> 0:53:59.880
<v Speaker 3>Yes, those are some of the fans signature sign of

0:54:00.239 --> 0:54:02.480
<v Speaker 3>lines of James Bond right before he kills someone.

0:54:02.600 --> 0:54:04.400
<v Speaker 2>I think God, I love them all.

0:54:05.280 --> 0:54:08.920
<v Speaker 7>Thank you for listening, thank you for watching, and truly,

0:54:09.160 --> 0:54:11.960
<v Speaker 7>the second we get a bond, you can expect another

0:54:12.000 --> 0:54:13.520
<v Speaker 7>episode where we'll explain the plot.

0:54:13.760 --> 0:54:15.240
<v Speaker 6>We can't do the plot before the bond.

0:54:15.320 --> 0:54:17.279
<v Speaker 3>We cannot wait to show you this one. We have

0:54:17.360 --> 0:54:18.960
<v Speaker 3>so many ideas of what they could be. We just

0:54:18.960 --> 0:54:19.719
<v Speaker 3>need to figure out what.

0:54:19.680 --> 0:54:20.160
<v Speaker 5>He can do.

0:54:20.760 --> 0:54:22.680
<v Speaker 6>We just got to figure out what he looks like shirtless.

0:54:22.719 --> 0:54:25.000
<v Speaker 2>We need to figure out what he can do under

0:54:25.040 --> 0:54:31.080
<v Speaker 2>the laws of Buddhism because he's a Buddhist.

0:54:31.800 --> 0:54:34.120
<v Speaker 3>Before we go, I have a question. What do you

0:54:34.280 --> 0:54:37.680
<v Speaker 3>call something like a friendship that is tied together? What

0:54:37.800 --> 0:54:39.279
<v Speaker 3>is the connection that they have?

0:54:39.960 --> 0:54:55.000
<v Speaker 17>It's a Bond.

0:54:55.760 --> 0:54:57.759
<v Speaker 6>Coming to a the near you.

0:54:57.920 --> 0:55:00.160
<v Speaker 2>It's Bond and his best Friend.

0:55:00.719 --> 0:55:05.240
<v Speaker 12>Bond Bonds, Bond Bonds, Bond Bond.

0:55:05.360 --> 0:55:10.640
<v Speaker 3>We revealed it. It's a road trip.

0:55:10.400 --> 0:55:16.040
<v Speaker 2>Movie Andrew Scott and Seth Rogan Bond Bonds coming to

0:55:16.120 --> 0:55:17.799
<v Speaker 2>theaters twenty or twenty second.

0:55:17.800 --> 0:55:20.880
<v Speaker 18>If you liked eighty for Brady and No, you're gonna

0:55:20.920 --> 0:55:25.040
<v Speaker 18>love Bond barm Oh and the Bond Woman Kiky Palmer

0:55:25.120 --> 0:55:29.440
<v Speaker 18>and Scissa that's too what double dopplo seven?

0:55:30.600 --> 0:55:33.000
<v Speaker 2>Oh? We revealed it? What are you gonna do?

0:55:33.280 --> 0:55:36.800
<v Speaker 3>That's okay? Type of pop chips Vielin is Wendy McClinton coffee?

0:55:36.840 --> 0:55:42.040
<v Speaker 3>I don't know the question now, that's why they call

0:55:42.080 --> 0:55:44.920
<v Speaker 3>it show biz. Good Night Holly Live.

0:55:44.920 --> 0:55:50.319
<v Speaker 2>From the Beautiful Join the Patreon. We're gonna talk about

0:55:50.320 --> 0:55:51.680
<v Speaker 2>this and have so much more fun.

0:55:51.800 --> 0:55:54.200
<v Speaker 1>We have other writers room episodes that we'll probably put

0:55:54.200 --> 0:55:56.799
<v Speaker 1>in a little playlist, Go find it, go click on stuff.

0:55:56.440 --> 0:55:59.000
<v Speaker 3>By Artists on Artists.

0:55:59.160 --> 0:56:02.440
<v Speaker 4>Artists on Artists is improvised Hollywood round table podcast created

0:56:02.480 --> 0:56:06.440
<v Speaker 4>and hosted by Kylie Brakman, Jeremy Colhayne, Angelie Geritana, and

0:56:06.480 --> 0:56:09.359
<v Speaker 4>Patrick McDonald. It is a production of Will Ferrell's Big

0:56:09.400 --> 0:56:14.000
<v Speaker 4>Money Players and iHeartMedia Podcasts. Executive produced by Matt Appadaca

0:56:14.080 --> 0:56:18.040
<v Speaker 4>and produced by Alexandra Dennis and Laser Vision Productions. Music

0:56:18.040 --> 0:56:22.120
<v Speaker 4>by Gabrielle Ponton and edited by Connor McCabe. Thumbnail art

0:56:22.120 --> 0:56:25.320
<v Speaker 4>by Josh Florey and logo designed by Lucy tom Kowitz.

0:56:25.640 --> 0:56:29.279
<v Speaker 4>Special thanks to Samuel Curtis and the Beautiful Dynasty Typewriter Theater.

0:56:29.719 --> 0:56:32.440
<v Speaker 4>The opinions expressed on this podcast do not reflect the

0:56:32.440 --> 0:56:35.160
<v Speaker 4>opinions of anyone who works on it, not even the performers,

0:56:35.320 --> 0:56:37.920
<v Speaker 4>because this is an improvised podcast and we don't.

0:56:37.680 --> 0:56:41.040
<v Speaker 3>Know what the heck we're talking about. Full video versions.

0:56:40.680 --> 0:56:44.200
<v Speaker 4>Of AOAOAOA are available on YouTube, so please like and

0:56:44.239 --> 0:56:47.680
<v Speaker 4>subscribe and leave us five star reviews wherever you get

0:56:47.719 --> 0:56:51.000
<v Speaker 4>your podcasts. That's all for now, good Night, Hollywood,