WEBVTT - Mini Crush #12 0:00:24.560 --> 0:00:27.600 Hey, everybody, and welcome to Movie Crush Mini Crush Edition. 0:00:28.400 --> 0:00:30.920 Chuck here in the studio pot City Mark, Atlanta, No 0:00:31.040 --> 0:00:34.160 old to my left, Chuck, I've missed you. I know, man, 0:00:34.479 --> 0:00:37.240 it's been a minute. It's been a minute, a proper minute, 0:00:37.240 --> 0:00:39.680 because we did a batch of these, and then we 0:00:39.720 --> 0:00:41.600 didn't do any for a while, and then I couldn't 0:00:41.600 --> 0:00:45.120 do the last one. I said, like a jerk, you're 0:00:45.159 --> 0:00:46.839 out of town. I was out of town. It was 0:00:46.840 --> 0:00:48.600 it worth while trip. I saw a cool movie. I'll 0:00:48.640 --> 0:00:53.800 mention later. Well let's stick around for that, everybody. So 0:00:54.040 --> 0:00:57.840 welcome everyone. Thanks for chiming in with your social media 0:00:58.720 --> 0:01:01.760 uh answers and questions and posts and things. We'll get 0:01:01.800 --> 0:01:03.400 to those in a minute. But the show has been 0:01:03.400 --> 0:01:05.480 going great. I feel like we're on a bit of 0:01:05.480 --> 0:01:08.399 a role with the guest booking, which is a very 0:01:09.600 --> 0:01:12.240 very soothing feeling, because that's the hardest part of this job, 0:01:12.760 --> 0:01:15.800 booking guest getting people to say yes and then to 0:01:15.840 --> 0:01:20.520 show up. Uh is are two different things, and it's tough, 0:01:20.760 --> 0:01:23.520 and you know, I'm trying to get more diverse guests 0:01:23.520 --> 0:01:26.160 in here, so it's not just chucking his pals, and 0:01:26.160 --> 0:01:29.520 that's kind of been happening lately. So we had a 0:01:29.520 --> 0:01:32.319 Emmy winner and Tony Shalhoub. We've had a had a 0:01:32.360 --> 0:01:35.240 Tony winner in coming this summer. I'm gonna wait on 0:01:35.280 --> 0:01:39.280 that one. But David Digs of Hamilton, everybody was in 0:01:39.360 --> 0:01:43.080 our our building. That's pretty exciting. It's super exciting. Our 0:01:43.120 --> 0:01:45.440 our buddy Manguesh made a social media post about it 0:01:45.480 --> 0:01:47.400 where he clearly had a bit of a fanboy moment 0:01:47.480 --> 0:01:50.560 looking through the window, did he I didn't see that, 0:01:51.200 --> 0:01:53.880 so that was great. David was awesome in his movie 0:01:53.880 --> 0:01:56.920 Blind Spotting that he made with his partner in crime, 0:01:57.080 --> 0:02:00.480 Rafael Kassal, is coming out this summer, so we're gonna 0:02:00.520 --> 0:02:02.160 sit on that one and try and time it with 0:02:02.200 --> 0:02:05.640 their movie release because I need these little pr opportunities 0:02:05.640 --> 0:02:07.760 to come along and that always helps. I had a 0:02:07.760 --> 0:02:10.400 Grammy winner that will be coming soon. Loud Wayne right 0:02:10.480 --> 0:02:13.320 the third went and interviewed him in his green room 0:02:13.320 --> 0:02:16.040 before his performance. So now all I need is an 0:02:16.040 --> 0:02:18.960 Oscar winner. Everybody is that the egot and then you'll 0:02:19.000 --> 0:02:20.720 have the egot? Is that what it's called? We have? 0:02:20.840 --> 0:02:25.919 If you win the Oscar, the Ammy, no Oscar Tony, 0:02:26.120 --> 0:02:28.799 that's the egot. I think Whoopee has one. Whoop he's 0:02:28.840 --> 0:02:31.520 got the good Oh we're yeah. And the guy from 0:02:31.680 --> 0:02:35.640 who wrote Frozen and Avenue, Q Lopez is one of 0:02:35.680 --> 0:02:38.320 the Lopezes has as the egt. Why do I think 0:02:38.360 --> 0:02:41.799 that Rita Moreno has the egot? I don't know. Maybe 0:02:41.800 --> 0:02:43.640 she does, all right, we'll look that up. I didn't 0:02:43.639 --> 0:02:47.280 know Whoopy did good for her. Um. So the guests 0:02:47.320 --> 0:02:50.960 are rolling in, things are going great, UM trying to 0:02:51.160 --> 0:02:53.440 you know, it's gonna vary a little bit here and there. 0:02:53.520 --> 0:02:56.600 I decided I can't be so rigid with the format 0:02:56.960 --> 0:03:00.360 when these pr ops come through. For instance, the Broken 0:03:00.400 --> 0:03:03.120 Lizard episode that you just heard, I had all the 0:03:03.160 --> 0:03:07.040 guys in here, which was so much fun. But you know, 0:03:07.160 --> 0:03:09.440 sometimes I gotta mix it up and like sometimes I 0:03:09.480 --> 0:03:13.079 forget I forgot to ask David Digs and Raphael there 0:03:13.000 --> 0:03:16.320 are five questions at the end. Yeah. Sometimes people come 0:03:16.320 --> 0:03:18.119 in and they don't even know what they're doing right there, 0:03:18.120 --> 0:03:20.160 like into the room and you kind of got to 0:03:20.160 --> 0:03:22.400 give him the rundown in the Yeah. So I'm trying 0:03:22.400 --> 0:03:25.680 to just roll with it and uh. In David's episode, 0:03:25.680 --> 0:03:27.679 we end up talking more about the movie that they 0:03:27.720 --> 0:03:31.239 made than their movie picks per se. But I'm just 0:03:31.280 --> 0:03:33.880 trying to roll with it, everybody, So I'm hanging there. Um. 0:03:33.919 --> 0:03:35.960 I totally forgot Loud and Wayne right to do the 0:03:36.000 --> 0:03:39.080 Ebert section, but I did ask him the five questions, 0:03:39.880 --> 0:03:42.040 So I'm doing the best I can read a Marina 0:03:42.120 --> 0:03:44.280 totally and he got winner by the way, all right, 0:03:45.480 --> 0:03:49.480 real time looking it up with nol mel Brooks also 0:03:49.520 --> 0:03:54.120 has it. Audrey Hepburn really, Helen Hayes, Richard Rogers of 0:03:56.480 --> 0:04:00.240 She Want a Grammys. Sometimes those people sneak like a 0:04:00.280 --> 0:04:04.920 spoken word in audio book or something. Alright, So we're 0:04:04.920 --> 0:04:08.680 gonna kick it off this week with Social Studies. Social 0:04:12.880 --> 0:04:16.200 put out the call this morning, kind of last minute 0:04:16.240 --> 0:04:19.840 for I believe this one was favorite. We'll go with 0:04:19.960 --> 0:04:23.920 favorite documentary film for this one, and I am going 0:04:23.960 --> 0:04:26.279 to read through a bunch of your answers and I 0:04:26.320 --> 0:04:28.680 try to bounce around. So just because you didn't see 0:04:28.720 --> 0:04:33.400 it first, its first, He's then you won't get ignored. 0:04:33.440 --> 0:04:36.719 So uh, rest assured that if you were low on 0:04:36.720 --> 0:04:39.320 the list, I will try and get to you. Christopher A. Bell, 0:04:39.720 --> 0:04:42.240 he is first, He's King of Kong. If it's full 0:04:42.279 --> 0:04:44.640 of quarters, that's a great, great pick. You heard the 0:04:44.640 --> 0:04:47.520 there's an update to that. Uh oh wait, he just 0:04:47.600 --> 0:04:50.080 got like a band or he got banned. Billy Mitchell, 0:04:50.080 --> 0:04:54.400 who's kind of the douchebag antagonist in that movie. Um, 0:04:54.440 --> 0:04:58.680 you know, triumphs over the underdog who with everyone likes. Um. 0:04:58.760 --> 0:05:02.719 He got accused of cheating at Kong using emulation software 0:05:03.120 --> 0:05:04.919 which you can change the frame rate of it to 0:05:04.960 --> 0:05:08.200 make it slower or you can actually capture video more easily. 0:05:08.320 --> 0:05:12.119 You're kind of fake time. Well, but now he's saying 0:05:12.120 --> 0:05:13.760 that he's got proof that he didn't cheat. But if 0:05:13.760 --> 0:05:17.599 you've seen the movie, he is such a braggadocious um 0:05:17.760 --> 0:05:21.880 hot sauce company impressario, piece of trash. Not not a 0:05:21.920 --> 0:05:25.640 fan of Billy Mitchell. Well, if he's cheating at Donkey Kong, 0:05:25.680 --> 0:05:29.360 then he's, you know, he's a loser. John millsap HBO 0:05:29.440 --> 0:05:33.080 is going clear, totally agree. Great, great, great, Joshua Brennan, 0:05:33.120 --> 0:05:35.200 it might get loud. That was really good. Did you 0:05:35.240 --> 0:05:36.560 see that? I don't know that one? What's that about? 0:05:36.800 --> 0:05:39.400 That was the one with Jimmy Page the Edge and 0:05:39.480 --> 0:05:42.480 Jack White, that's right, talking about playing the guitar. Yeah, 0:05:42.480 --> 0:05:44.200 and that one was fun. I remember thinking, though I 0:05:44.240 --> 0:05:46.880 wanted more of them in the room together, um, because 0:05:46.880 --> 0:05:48.400 they did all the back stories of each one of them, 0:05:48.400 --> 0:05:50.440 which was great. But once you get those three guys 0:05:50.440 --> 0:05:52.400 in the room, it was kind of felt like the 0:05:52.440 --> 0:05:55.080 third act, and I wanted more of that. Uh. And 0:05:55.120 --> 0:05:57.600 he also mentions be aware of Mr Baker that awesome 0:05:57.880 --> 0:06:00.760 documentary on the Drummer Ginger Baker's and I haven't seen that. 0:06:00.800 --> 0:06:04.000 I always see it pop up in my my suggested, Yeah, 0:06:04.000 --> 0:06:08.120 they know, you know, Jacob Thompson Exit through the gift 0:06:08.120 --> 0:06:12.000 Shop of course. So good classic. So it's so metat too, 0:06:12.000 --> 0:06:15.280 like it's almost not. It blurs the line between documentary 0:06:15.320 --> 0:06:17.920 and kind of fiction. Yeah, I love it so much. Yeah, 0:06:18.040 --> 0:06:21.279 Kelly Shank, I am not your Negro. I really wanted 0:06:21.320 --> 0:06:24.360 to see that when it was out, but I did 0:06:24.400 --> 0:06:27.200 not get to. But that is on the list for sure. 0:06:27.440 --> 0:06:29.640 That's supposed to be really, really amazing things I've not 0:06:29.680 --> 0:06:32.599 seen any of. Trent More When we Were Kings Man, 0:06:32.680 --> 0:06:35.000 even if you don't like boxing. When We Were Kings 0:06:35.080 --> 0:06:37.960 is one of the great documentaries of all time. Let 0:06:38.040 --> 0:06:44.120 me see here, Oh, Sam Lucien uh Plowski, The Act 0:06:44.160 --> 0:06:47.880 of Killing did you see that one? That's another kind 0:06:47.920 --> 0:06:50.640 of blur in the lines, one where he makes the 0:06:50.680 --> 0:06:55.400 war criminals reenact their crimes like like they're doing a 0:06:55.480 --> 0:06:57.400 film scene kind of. I have not seen it. I've 0:06:57.440 --> 0:07:00.560 just man, Yeah, it's so good. I went through a 0:07:00.880 --> 0:07:03.320 I mean, I've always always watched documentaries. I love them, 0:07:03.320 --> 0:07:05.400 but I went through a phase a few years ago 0:07:05.440 --> 0:07:07.800 where I really tried to kind of tick off all 0:07:07.880 --> 0:07:12.800 the biggies on the box. Don Lozano searching for sugar 0:07:12.840 --> 0:07:15.680 Man another great one. Have you seen that one? Heard 0:07:15.680 --> 0:07:18.000 about it too that I haven't been watching enough docks 0:07:18.040 --> 0:07:20.800 in the last time. I'm starting to gather that and 0:07:20.840 --> 0:07:22.600 those are all music docks, like those are right up 0:07:22.600 --> 0:07:25.520 your alley. Man, you would love tugger Man. That's a 0:07:25.520 --> 0:07:29.400 good one. Jason albe Man on Wire, totally agree. Great 0:07:29.440 --> 0:07:32.920 great documentary. Have seen that one? Bad movie? Okay, you 0:07:32.920 --> 0:07:34.520 want to speak to it. No, it's just great. I mean, 0:07:34.600 --> 0:07:36.960 it's just yeah. But I heard the movie was awful 0:07:36.960 --> 0:07:40.200 with Joseph Gordon Levitt playing the what's what's the guy's name? 0:07:40.200 --> 0:07:42.880 I can't even remember his name, the type rope walk 0:07:42.920 --> 0:07:45.520 between the twin towers. So it also kind of became 0:07:45.600 --> 0:07:49.840 this powerful symbol after nine eleven happened. Um, but yeah, 0:07:49.960 --> 0:07:52.920 really just the guys like such a quirky, mavericky like 0:07:53.000 --> 0:07:54.880 he's gonna do what he's gonna do kind of character, 0:07:55.080 --> 0:07:57.440 which I love. And it also plays like a heist movie, 0:07:57.440 --> 0:07:59.640 which is cool. Yeah, for sure, they gotta like break 0:07:59.640 --> 0:08:02.320 in and get up as easy as walking the wire, 0:08:02.400 --> 0:08:04.560 like you gotta get that chip set up and not 0:08:04.600 --> 0:08:08.040 get caught. Very cool. Weston Holstin the kid stays in 0:08:08.080 --> 0:08:12.720 the picture. Probably top five for me. Brett Giles, Sound City. 0:08:12.840 --> 0:08:16.280 Did you see that one noel about the Sound City Studio? 0:08:16.560 --> 0:08:19.080 Is that with Dave Girl? Yeah, I haven't seen anything. Yeah, 0:08:19.240 --> 0:08:23.680 I'm I definitely have suffered from Dave Girl overkill. But 0:08:24.240 --> 0:08:29.200 that is a great documentary, very much worth supporting. Uh, 0:08:29.280 --> 0:08:33.439 Jill sort of. Vinden says, all of ken Burns work, Um, 0:08:33.800 --> 0:08:37.719 fair enough. Ken Burns is is he does what he 0:08:37.760 --> 0:08:40.319 does well, I'll say that he's got that effect, the 0:08:40.440 --> 0:08:43.679 ken Burns effect. Man just a slow zoom on the 0:08:43.800 --> 0:08:47.400 archival photos. Yeah, and it was sort of I mean, 0:08:47.400 --> 0:08:50.880 I know the documentaries, but just pre podcast world, it 0:08:50.960 --> 0:08:53.360 was where you could really go and take such a 0:08:53.400 --> 0:08:56.480 deep dive and learn about things. They're like six hours 0:08:56.480 --> 0:08:59.080 a piece right there, multi parts, well, it depends. Yeah, 0:08:59.120 --> 0:09:04.439 the jazz one is jazz and baseball and uh Lewis 0:09:04.480 --> 0:09:07.439 and Clark are the top three for me and I 0:09:07.559 --> 0:09:10.480 just started Vietnam. Vietnam is pretty, the music is really cool. 0:09:10.480 --> 0:09:12.880 Trent Resner did the music for Vietnam or a lot 0:09:12.880 --> 0:09:16.880 of Yeah, all right, that doesn't surprise me. Let me 0:09:16.920 --> 0:09:22.240 see here. Nathaniel Gibbey Schuff says the new Judd Apatile 0:09:22.320 --> 0:09:26.240 documentary may at last portrait of the Avid Brothers. I've 0:09:26.240 --> 0:09:28.920 seen that one too, really good. It made me kind 0:09:28.920 --> 0:09:30.719 of get into the Avid Brothers again. And I will 0:09:30.760 --> 0:09:35.440 be going to see them at Red Rocks, Colorado. Nice. 0:09:35.559 --> 0:09:38.000 That's a bucket list venue. So I had our our 0:09:38.120 --> 0:09:42.280 Denver stuff you should know show planned around. Well. I 0:09:42.400 --> 0:09:44.800 asked could it be placed near enough to a show 0:09:44.840 --> 0:09:47.600 that I might want to go to, and my booking agent, 0:09:47.679 --> 0:09:50.720 Josh Lndren, said, well, the Ava Brothers are there, how 0:09:50.760 --> 0:09:53.480 about that? And I was like, yeah, sure, it's funny. 0:09:53.480 --> 0:09:55.280 They used to play there before they got famous. They 0:09:55.280 --> 0:09:57.440 played a lot in my hometown of Augusta, Georgia, at 0:09:57.440 --> 0:10:00.400 a very small place called Stillwater tap Room, and it 0:10:00.480 --> 0:10:02.760 was just like tiny, little blue grass place and they 0:10:02.800 --> 0:10:05.280 would play there and they got kind of beloved locally 0:10:05.360 --> 0:10:07.120 and had a real good reputations. They were nice guys, 0:10:07.480 --> 0:10:09.360 and then they started like going up, up, up up, 0:10:09.400 --> 0:10:11.319 and then they came back and would play the big venue. 0:10:11.320 --> 0:10:15.400 Then they played the slightly bigger venue. Yeah, it's pretty wild. 0:10:15.400 --> 0:10:17.760 And they've got like what Rick Rubin producing their records 0:10:17.760 --> 0:10:19.920 and stuff. Yeah. I mean the documentary is good too, 0:10:19.920 --> 0:10:22.880 because they are good guys and through all this success, 0:10:22.880 --> 0:10:25.800 what really still hits home is that there's still the 0:10:25.800 --> 0:10:28.280 things they care about most, or family. It's really cool. 0:10:29.240 --> 0:10:34.880 Sarah Strand says, dear Zachary, what a movie. Past the Tissues. 0:10:36.120 --> 0:10:39.040 One of the most hardcore documentaries I've ever seen as 0:10:39.040 --> 0:10:42.360 far as just raw emotions spilling out of my guts. 0:10:43.000 --> 0:10:47.520 That's visceral shock. It's really really tough. Man. A bunch 0:10:47.520 --> 0:10:50.120 of people. Jeremy Caine, my buddy out in Washington said, 0:10:50.120 --> 0:10:55.200 American movie. Um, that's on the lists. Covin, right, they're 0:10:55.200 --> 0:10:58.600 making the movie, Colvin. Yeah, it's so good. That's so good. 0:10:58.920 --> 0:11:01.800 I couldn't believe that it is real. It's it's like, 0:11:01.840 --> 0:11:04.080 I know, it seems like it could have easily been 0:11:04.080 --> 0:11:07.439 a Christopher guest. It's so so fun but sad and 0:11:07.600 --> 0:11:10.040 pointing like it's a wonderful, wonderful film. It is great. 0:11:10.240 --> 0:11:14.400 A few more here, Jane Longshore says, Hoop Dreams and 0:11:14.480 --> 0:11:16.480 when we were Kings, And she says, and I'm really 0:11:16.480 --> 0:11:20.880 not even a sports person, so Hoop Dreams classic, really wonderful, 0:11:20.920 --> 0:11:25.440 wonderful film. Uh. And then let's go with one more. 0:11:26.080 --> 0:11:28.880 How about this from Janet James Almond Dogtown and Z 0:11:29.080 --> 0:11:33.680 Boys or Writing Giants to have her favorite documentaries of 0:11:33.679 --> 0:11:37.080 all time? Both great great movies, Dogtown and Z Boys. Man, 0:11:37.080 --> 0:11:40.040 I can watch that thing a hundred times, the Skater movie, right, yeah, dude, 0:11:40.400 --> 0:11:43.280 good stuff. And Writing Giants is about the surf culture 0:11:43.559 --> 0:11:48.000 and the big the people who surf those monster waves 0:11:48.240 --> 0:11:53.000 all over the world. All right, social studies, that's in 0:11:53.040 --> 0:11:55.200 the bag, good one. All right. Now, we're gonna premiere 0:11:55.280 --> 0:11:58.280 a new segment right now that you don't even know about, 0:11:59.120 --> 0:12:03.480 called Trope Time. Yes, I love it already. So we're 0:12:03.520 --> 0:12:05.319 gonna go five at a time here over the course 0:12:05.360 --> 0:12:08.000 of however many weeks and months, until we cover every 0:12:08.040 --> 0:12:11.480 movie trope ever, uh and feel free to send these 0:12:11.480 --> 0:12:14.000 in on on Facebook, by the way. So we're gonna 0:12:14.000 --> 0:12:17.920 start with number one, the Banker's box after you get fired. 0:12:18.920 --> 0:12:21.320 Oh yeah, well they present you with the banker's box 0:12:21.360 --> 0:12:23.400 and you put all your ship in there. Every movie, 0:12:23.520 --> 0:12:27.040 every time somebody gets fired, invariably they walk out with 0:12:27.160 --> 0:12:29.960 it's always a banker's box. He's got those little handles 0:12:30.120 --> 0:12:31.800 and then the lid. But the lid never fits on 0:12:31.800 --> 0:12:34.640 it because there's always like a bowling trophy coming up outside. 0:12:34.760 --> 0:12:38.680 You know, absolutely, there's never a lid because of the 0:12:38.679 --> 0:12:43.319 bowling trob Oh, you nailed it in home. It's genius though. Man, 0:12:43.520 --> 0:12:45.000 I've never even thought of that as being a trope 0:12:45.080 --> 0:12:48.439 until that, but it is, yep. Always, It's like they 0:12:48.480 --> 0:12:50.480 they should just call them move you got fired in 0:12:50.480 --> 0:12:53.559 a movie box because there aren't even bankers boxes anymore. 0:12:54.400 --> 0:12:56.480 All right, Well, here's another one, speaking of things sticking 0:12:56.480 --> 0:13:01.439 out the grocery bag in every movie has two things 0:13:01.480 --> 0:13:03.920 invariably that you see sticking out of the top. What's 0:13:03.920 --> 0:13:06.880 one of them, like a bottle of wine? I don't know, 0:13:07.320 --> 0:13:10.400 I don't bag. Oh okay, that was gonna be my 0:13:10.600 --> 0:13:13.720 the loaf of French bread or some sort of leafy green. 0:13:14.400 --> 0:13:17.520 And I think it's because in the art department, like 0:13:17.559 --> 0:13:19.200 you want to see you can't just walk with a 0:13:19.200 --> 0:13:21.439 grocery bag. You want to see the director like we 0:13:21.520 --> 0:13:23.719 have something spilling out, you know, we want to see it, 0:13:24.040 --> 0:13:26.160 and a big leafy green looks great. And it's always 0:13:26.160 --> 0:13:28.600 a bag at uh. And that's become such a trope 0:13:28.600 --> 0:13:31.080 that in the movie Michael Clayton movie I talk about 0:13:31.080 --> 0:13:33.560 all the time, there is a scene with the great 0:13:33.600 --> 0:13:38.319 actor Tom Wilkinson carrying a bag full of baguettes. There's 0:13:38.400 --> 0:13:42.480 like fifteen baghats and bag. Yeah, that's all that's in there. 0:13:42.520 --> 0:13:46.280 And it was clearly a little tongue in cheek uh 0:13:46.440 --> 0:13:48.400 move to kind of make fun of that trope, which 0:13:48.440 --> 0:13:50.080 was great. And his character in the movie was a 0:13:50.080 --> 0:13:52.240 little unhinged to right, so maybe that was sort of 0:13:53.480 --> 0:13:57.280 maybe kind of guys, he's the kind of guy that 0:13:57.320 --> 0:14:00.280 would buy fifteen baghetts. You know. Apparently the hand burger 0:14:00.440 --> 0:14:03.080 is more popular than the bagat now in France. Sad 0:14:03.400 --> 0:14:05.920 oh really, m M. I saw an article, but I 0:14:05.960 --> 0:14:07.920 don't know if it's true. It sounds like one of 0:14:07.960 --> 0:14:11.600 those poles that I don't believe. Well, there's the brie 0:14:11.600 --> 0:14:14.400 and ham sandwich that's very popular, and apparently there are 0:14:14.440 --> 0:14:16.640 as many burger joints now as there are places that 0:14:16.720 --> 0:14:20.360 sell those. Oh like the croak uh croak monsieur. It's 0:14:20.360 --> 0:14:23.680 called something else. It's called like a jambon de Paris 0:14:23.840 --> 0:14:25.600 or something that was like a half a bag gat 0:14:25.760 --> 0:14:28.600 with cheese and like pickles and the special kind of ham. 0:14:28.720 --> 0:14:31.440 It's very popular sandwich. Um. But they used to kind 0:14:31.440 --> 0:14:33.760 of thumb their noses at burgers, and now it's becoming 0:14:33.760 --> 0:14:36.600 more of a cultural like thing. That of course it is, 0:14:36.600 --> 0:14:43.240 because we do it right. Frenchee, whoa shots fired? All right, 0:14:43.280 --> 0:14:48.160 here's one. The bullet proof vest reveal um in many 0:14:48.200 --> 0:14:50.560 many movies over the years, maybe most famously and back 0:14:50.600 --> 0:14:54.840 to the Future, of course, when Doc Brown reveals he's 0:14:54.880 --> 0:14:56.640 on the ground, and that's how I always goes is, 0:14:56.680 --> 0:14:59.120 oh my god, they've been killed. And then you go 0:14:59.200 --> 0:15:01.600 over to him there, eyes open, and they pulled their 0:15:01.640 --> 0:15:06.560 shirt apart to reveal the bulletproof vest. And another variation 0:15:06.640 --> 0:15:10.400 on that is the personal metal object that was given 0:15:10.440 --> 0:15:13.560 to them that stopped the bullet. It stops the bullet 0:15:13.720 --> 0:15:16.560 like the can of altoys or something that has some 0:15:16.600 --> 0:15:19.920 sort of sentimental value and that's what stops the bullet. Yeah, 0:15:19.960 --> 0:15:22.640 And I'm always like, I don't think a bullet would 0:15:22.720 --> 0:15:25.760 really be stopped by altoys. It's probably from an old musket, 0:15:25.880 --> 0:15:29.120 an old you know, yeah, exactly, And then fistful of 0:15:29.160 --> 0:15:31.560 dollars got to shout that out for a very early 0:15:31.680 --> 0:15:35.000 version of the Bulletproof fest revealed Clint Eastwood pulls up 0:15:35.080 --> 0:15:40.600 his his his poncho and he has like a a 0:15:40.600 --> 0:15:44.160 big iron plate because it's an old Western and that 0:15:44.240 --> 0:15:46.520 was the kevlar of the day, I guess. So that 0:15:46.600 --> 0:15:48.560 was a good early use. It's a good one man. 0:15:49.120 --> 0:15:50.840 Two more here. I like this segment, by the way, 0:15:51.040 --> 0:15:55.920 like this alright, two more? Uh, the one arm pull 0:15:56.080 --> 0:15:59.640 up from the bridge or the cliff's edge or whatever, 0:15:59.800 --> 0:16:03.360 doesn't matter how big the person hanging is, how weak 0:16:03.400 --> 0:16:07.080 the person pulling is. Somehow they defy physics in every 0:16:07.120 --> 0:16:12.080 movie and managed to pull somebody up onto a safe 0:16:12.120 --> 0:16:15.040 ground with just one arms. Right. And there's also the 0:16:15.160 --> 0:16:17.360 very it's very clutch moment too, because you see them 0:16:17.520 --> 0:16:20.280 cripping hands, you know, yeah, and it's just there's just 0:16:20.400 --> 0:16:23.160 no way there's no way. You can't do it. No, 0:16:23.840 --> 0:16:27.320 I can't even do a two arm pull up. I think, yeah, no, 0:16:27.320 --> 0:16:30.320 no way, And I mean, God forbid somebody to try 0:16:30.360 --> 0:16:32.760 to pull one of us up, and we're screwed. Let's 0:16:32.760 --> 0:16:35.720 take him down with us. Yeah, we're tumbling into the abyss. 0:16:35.840 --> 0:16:38.560 I think that was This is the end that comedy. 0:16:38.800 --> 0:16:41.840 I think they played with that troupe with in the 0:16:41.880 --> 0:16:43.920 scene where the earth opened up. If I'm not mistaken, 0:16:44.040 --> 0:16:46.560 that's a fun movie. Yeah, I liked it. And then 0:16:46.600 --> 0:16:49.800 finally troupe time for this week. The dead batteries in 0:16:49.800 --> 0:16:52.320 the flashlight. If you're in a horror movie and you're 0:16:52.320 --> 0:16:55.200 walking around with a with a flashlight, at some point, 0:16:55.240 --> 0:16:57.080 that thing's gonna flicker on and off, and just give 0:16:57.080 --> 0:16:59.440 it a shake. Give it a shake, You hit it 0:16:59.440 --> 0:17:02.280 with your hand couple of times, and it usually will 0:17:02.360 --> 0:17:05.680 light back up right to like, you know, something awful, Yeah, 0:17:05.800 --> 0:17:08.040 some sort of beastie standing behind you, or you know, 0:17:08.359 --> 0:17:11.639 knife wielding psychopath or something. I love it, man, I 0:17:11.680 --> 0:17:13.639 love movie tropes. It's they're fun to make fun of, 0:17:14.240 --> 0:17:19.320 but they're there for a reason, and there time tested, 0:17:19.840 --> 0:17:22.159 they're tried and true, and that's why we see them 0:17:22.200 --> 0:17:24.040 all the time. And it's also fun with like what 0:17:24.080 --> 0:17:26.440 you're talking about with the End of the World movie. 0:17:26.880 --> 0:17:29.040 It is fun when you start seeing them played with 0:17:29.080 --> 0:17:31.479 and people's expectations kind of fun with a little bit. 0:17:31.560 --> 0:17:35.360 Absolutely that can be a lot of fun. Yeah, alright, 0:17:35.480 --> 0:17:37.199 so we're gonna say, oh, man, I can't wait to 0:17:37.320 --> 0:17:48.720 do more movie tropes in the future. Segment three, I'm 0:17:48.720 --> 0:17:54.879 gonna do stream this this week. And buddy, have you 0:17:54.920 --> 0:17:58.280 watched Wild Wild Country yet? I, as you know, I 0:17:58.400 --> 0:18:01.240 do a conspiracy pie cast as well, stuff that don't 0:18:01.240 --> 0:18:04.520 want you to know. Um. And Matt Frederick watched it 0:18:04.560 --> 0:18:06.679 and said it blew his mind. And I have not 0:18:06.680 --> 0:18:09.159 seen it yet, but I'm I'm very looking for daddy. 0:18:09.240 --> 0:18:11.600 All right. So this is on Netflix, everybody. It's a 0:18:11.720 --> 0:18:16.680 six part documentary series. I'm not gonna give anything away, um, 0:18:16.720 --> 0:18:19.600 but it is made by McClain and Chapman Way I 0:18:19.640 --> 0:18:23.720 believe they're brothers, um, produced by two more brothers by 0:18:23.760 --> 0:18:27.879 the do Plas Brothers executive producer. And it is the 0:18:27.920 --> 0:18:33.080 story of raj Niche Purum, which is to say, the 0:18:33.119 --> 0:18:37.760 followers of the Indian guru Bagwan raj Niche also known 0:18:37.760 --> 0:18:41.760 as Oh Show. The followers were known as Sanni Yassen's 0:18:42.400 --> 0:18:48.760 and they set up shop in Oregon and kind of 0:18:48.760 --> 0:18:51.639 formed their own They bought a bunch of land and 0:18:51.640 --> 0:18:53.800 I'm not gonna give too much away here. I'm gonna 0:18:53.880 --> 0:18:56.760 keep it very light because the less you know, the better. 0:18:57.119 --> 0:18:59.080 But they bought a bunch of land in rural Oregon 0:18:59.600 --> 0:19:04.440 and basically made their own uber commune, like a small 0:19:04.520 --> 0:19:09.000 community which formed a bigger community called Rajni Perum. Uh. 0:19:09.040 --> 0:19:11.719 And it's the story of that. And this Indian guru 0:19:11.800 --> 0:19:17.000 Bagwah Rajnish and his top sergeant personal secretary ma A 0:19:17.080 --> 0:19:21.960 Non Sheila. Some people call them occult um. Some people 0:19:21.960 --> 0:19:26.120 called it a new religion. Some people said that they 0:19:26.160 --> 0:19:27.960 were neither. And it was just a group of people 0:19:28.560 --> 0:19:31.600 interested in establishing a new way of life. Uh. And 0:19:31.640 --> 0:19:34.120 I gotta say, while they're describing what they're what their 0:19:34.160 --> 0:19:37.280 goal is, Emilian and I are watching this thinking this 0:19:37.400 --> 0:19:41.000 sounds great. They're like organic farming, and they help one 0:19:41.000 --> 0:19:44.879 another and they're kind to one another, and it's uh 0:19:45.359 --> 0:19:49.280 sort of a rejection of capitalism and just starting a 0:19:49.280 --> 0:19:51.520 new society. And it was that period in time. It 0:19:51.520 --> 0:19:54.040 was in the early eighties where I think people were 0:19:54.880 --> 0:19:58.560 had been disillusioned by the by the sixties and seventies 0:19:58.600 --> 0:20:01.560 and they were looking for something front uh, And it 0:20:01.600 --> 0:20:06.280 tells that story and it is bananas where this story 0:20:06.280 --> 0:20:09.160 goes twisty, right, Like, I mean, it's not even twisty 0:20:09.280 --> 0:20:13.679 so much as it builds and it's just bananas. And 0:20:13.680 --> 0:20:16.840 that's all I'm gonna say. It is absolutely off the 0:20:16.920 --> 0:20:21.760 charts bonkers how far this story goes and how crazy 0:20:21.760 --> 0:20:25.359 ship gets. Some of these Netflix multipart documentaries are insane. 0:20:25.400 --> 0:20:28.520 Like there was that one the Keepers about the Nuns. Yeah, 0:20:28.920 --> 0:20:31.440 that one was really intense. But I'm like, where do 0:20:31.520 --> 0:20:33.720 they find these stories? This is wild? Yeah, And I 0:20:33.800 --> 0:20:36.119 can't believe, I mean, this one was. I can't believe 0:20:36.160 --> 0:20:37.560 this is the first time it had been done to 0:20:37.640 --> 0:20:42.000 this extent um. I was really surprised that this we're 0:20:42.080 --> 0:20:47.080 just now seeing a deep dive documentary on on Rajni Shpiram. 0:20:47.280 --> 0:20:49.320 You've heard of this guy before and all of this, Well, 0:20:49.440 --> 0:20:52.800 I hadn't, But as I was seeing the dude, it 0:20:52.960 --> 0:20:55.080 started to come back to where like, wait a minute, 0:20:55.080 --> 0:20:59.240 I was like eleven or twelve, and that face looked familiar. 0:20:59.280 --> 0:21:01.880 To me, and I think can't remember seeing it splash 0:21:01.960 --> 0:21:04.800 across the evening news occasionally. But you know, I was 0:21:04.800 --> 0:21:09.000 a kid, so I wasn't like digesting Sam Donaldson on 0:21:09.000 --> 0:21:12.520 a regular basis. All Right, we're gonna finish up this 0:21:12.520 --> 0:21:16.520 week with comment card five questions from you from Facebook 0:21:16.880 --> 0:21:22.280 to us kindle our gast Watson says, what story needs 0:21:22.320 --> 0:21:24.040 to be? What true story needs to be made into 0:21:24.040 --> 0:21:26.760 a movie? And I'm gonna just go ahead and say, wild, 0:21:26.760 --> 0:21:31.359 Wild Country. Somebody should make a two and a half 0:21:31.359 --> 0:21:34.920 to three hour movie on this. That would be my call. Cool, 0:21:35.040 --> 0:21:38.439 don't screw it up? No you can't. Well, it's like, 0:21:38.480 --> 0:21:40.080 you know we were talking earlier about Man on Wire, 0:21:40.600 --> 0:21:43.120 how they took that amazing documentary and made a really 0:21:43.160 --> 0:21:46.320 shitty movie. It's like when a documentary does such a 0:21:46.320 --> 0:21:50.760 good job and it's so compelling it I agree. I 0:21:50.800 --> 0:21:53.399 totally agree. Um, do you have a true story that 0:21:53.440 --> 0:21:54.760 you can pick up? Nol? What can we go through 0:21:54.760 --> 0:21:56.040 some of the list items and like, I need to 0:21:56.040 --> 0:21:58.440