WEBVTT - We AREN’T Skibidi Cooked, Chat! with Etymology Nerd 09.23.25

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<v Speaker 1>What's the etymology of the dream blunt rotation? I wonder

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<v Speaker 1>who came up with dreams?

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<v Speaker 2>Shakespeare are very creative, I guess, yeah, right, I'll have

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<v Speaker 2>to look more into it.

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<v Speaker 3>Yeah yeah, yeah, that was an etymologists. I'd just always

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<v Speaker 3>be like Shakespeare man, right right, that's the fall back.

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<v Speaker 3>Oh you didn't read that one. Well, guess who's stupid

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<v Speaker 3>now it's you?

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<v Speaker 2>Or always just be like it's Latin dog Yeah, I

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<v Speaker 2>mean nowadays it's eider k or Latin Yeah yeah?

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<v Speaker 4>Wait?

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<v Speaker 1>What is our?

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<v Speaker 3>Is our? Shakespeare?

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<v Speaker 1>What's kayson not given to us in the MA?

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<v Speaker 2>Like riz huzz phantom tax like all the popular jen

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<v Speaker 2>alpha words.

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<v Speaker 1>Really yeah, realize that? Wait what is phantom tax?

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<v Speaker 2>It's like the same, this is what the episode is.

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<v Speaker 2>Can be someone's food? Yeah yeah, it's just like stealing

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<v Speaker 2>someone's food.

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<v Speaker 3>But do I have riz have it? Right?

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<v Speaker 1>There's I look by a junior high and whenever I

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<v Speaker 1>walk out, when or walk by when the school gets out,

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<v Speaker 1>they they all call me like, hey, dickhead.

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<v Speaker 3>But I think it's like cool.

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<v Speaker 2>That's the news lang word. It means it really cool.

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<v Speaker 1>Yeah, that's what I fucking thought. See my partner thinks

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<v Speaker 1>they're just it's bad. I'm like, nah, I'm like that's right, dude,

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<v Speaker 1>it's your dickhead.

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<v Speaker 4>Bro.

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<v Speaker 2>Yeah, you'll know partner doesn't know the Daily's like, guys,

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<v Speaker 2>then that's right.

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<v Speaker 3>We're here reading the TVs.

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<v Speaker 1>A Jenna Alipha yesterday, I was like, all right, explained

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<v Speaker 1>six seven, and he got so embarrassed, even though it's

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<v Speaker 1>like nothing bad, it's just like it started.

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<v Speaker 2>Do you guys remember like twenty one, like the vine

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<v Speaker 2>twenty one. It was like it was like a joke

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<v Speaker 2>when I was in middle of school to say twenty

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<v Speaker 2>one and like six seven is the new twenty one.

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<v Speaker 2>That's just it's just like a funny number that doesn't

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<v Speaker 2>mean anything.

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<v Speaker 3>Right, right, I mean we had sixty nine and it

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<v Speaker 3>meant something.

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<v Speaker 2>Well, that made mean something.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, back in my day, nonsense numbers meant something.

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<v Speaker 1>Six and I wasn't going dupe doop okay, that shit

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<v Speaker 1>met something.

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<v Speaker 3>I was going nice time and that's just what you did.

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<v Speaker 1>Oh yeah, we're going to open your bibles, Philippians.

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<v Speaker 5>Six nice check, Get out Jack, get out out of class.

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<v Speaker 1>Hello the Internet, and welcome the season four.

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<v Speaker 3>US have an episode two of Dirt Eily's Hey Guys,

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<v Speaker 3>a production of iHeartRadio. This is the podcast where you

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<v Speaker 3>take a deep bab into American share consciousness. And it's Tuesday,

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<v Speaker 3>September twenty third, twenty twenty five.

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<v Speaker 1>Mm hmm, what's that. It's the Rapture. Hey, it's the Rapture.

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<v Speaker 3>Baby, bundle up.

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<v Speaker 1>Time to join Time to join them in the Kingdom

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<v Speaker 1>of Heaven. Also shout out my boy Chris's birthday, National

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<v Speaker 1>Teal Talk Day, National.

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<v Speaker 4>Six He'll talk snack stick Day, Okay, stick snackstick Day,

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<v Speaker 4>So like stick if a stick is in the shape

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<v Speaker 4>of if a snack is in a stick form, then

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<v Speaker 4>a snack stick Day.

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<v Speaker 1>It's also National Great American Pop Pride Day. Also celebrate

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<v Speaker 1>Bisexuality Day. It's also Energized Day, which sounds like some

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<v Speaker 1>woo woo will miss shit oh because it's the day

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<v Speaker 1>after the Oh shit is the equal We're fully in fall.

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<v Speaker 1>I forgot about that part.

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<v Speaker 3>Oh was the equinox yesterday? Twenty second?

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<v Speaker 1>Yeah? Yeah, my favorite jee All.

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<v Speaker 3>Right, shout out to the Great American Popeye. My name

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<v Speaker 3>is Jack O'Brien aka you can Go and you I

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<v Speaker 3>Go and you a that one. Courtesy of Kai who

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<v Speaker 3>said to the tune of Go Your Own Way by

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<v Speaker 3>Fleewood Mac. I think Jack said he used to say

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<v Speaker 3>and ui because he had only seen the word in

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<v Speaker 3>text on we Yeah. I was aware of both. I

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<v Speaker 3>was aware of on WII.

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<v Speaker 4>Oh.

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<v Speaker 3>I was aware of the word in ui that I

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<v Speaker 3>just hadn't connected the cool sounding French word with the

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<v Speaker 3>word I saw on texts that meant a certain vague,

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<v Speaker 3>frenchy existential boredom. I was like theod they should make

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<v Speaker 3>those the same word. Yeah, Alas, I'm thrilled to be

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<v Speaker 3>joined as always buy my co host, mister Miles Grime.

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<v Speaker 1>Miles akaa crimey. My gene's so frozen day shiny, No

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<v Speaker 1>hand washing line dry in frozen crust is dripping like

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<v Speaker 1>dime is crimey because you know, putting jeans in the freezer,

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<v Speaker 1>no matter what the stain is or the situation and

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<v Speaker 1>not a great way to clean your genes. Okay, So

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<v Speaker 1>I'm just gonna put that out there, Just put that

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<v Speaker 1>out there.

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<v Speaker 3>I need is a cryo chamber and a chiseling to

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<v Speaker 3>get all the dirt and shit off my jeans. Miles,

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<v Speaker 3>We're thrilled to be joined in our third seat by

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<v Speaker 3>a linguist who you know as the etymology nerd on

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<v Speaker 3>social media. His new book out Everywhere now is I'll

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<v Speaker 3>go speak how social media is transforming the future of language.

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<v Speaker 3>It's Adam Alexe. Hello, Am.

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<v Speaker 2>I supposed to have a musical intro as well?

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<v Speaker 3>Yes, oh, Adam, I don't have any Come on, man,

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<v Speaker 3>improvise something now. It's fine. It's great to have you here, man. Yeah,

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<v Speaker 3>thanks for thanks for taking the time to be here.

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<v Speaker 1>Yeah. Yeah, I feel like this is a it's an

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<v Speaker 1>interesting time because this over the last year, I feel

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<v Speaker 1>like we've gotten really into like gen Z Jen alphis

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<v Speaker 1>Lang and just going what the fuck are they talking about?

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<v Speaker 1>Are they okay?

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<v Speaker 3>Am?

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<v Speaker 1>I okay? Uh? And yeah your area of expertise lines

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<v Speaker 1>up perfectly with that perfect Yeah.

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<v Speaker 2>I'm a skibbitty scholar.

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<v Speaker 1>Oh yes, yes, and I'm Professor Chimpanzeini by Nanini at

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<v Speaker 1>your service.

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<v Speaker 3>And I don't know what you guys are talking about anyway.

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<v Speaker 1>Jack and Jack We're gonna talk about all.

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<v Speaker 3>Of that plenty more. We're also gonna get into maybe

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<v Speaker 3>a news story about flying cars, but mainly we want

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<v Speaker 3>to talk to you about language and how it's rotting

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<v Speaker 3>the brains of our youth or is it. No, we're

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<v Speaker 3>not going to talk. We're not going to say that,

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<v Speaker 3>but before we get to it, we do like to

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<v Speaker 3>ask our guest, what is something Adam from your search

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<v Speaker 3>history that's revealing about who you are.

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<v Speaker 2>I just checked my search history and the most recent

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<v Speaker 2>thing was Trila leo trala la high resolution?

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<v Speaker 1>Wait, I red is like the image of it?

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<v Speaker 2>Yeah yeah, I mean you gotta have the high definition

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<v Speaker 2>version of it? First academic presentations? Is that your favorite

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<v Speaker 2>Italian brain run character? I think that's the most indicative

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<v Speaker 2>of the genre. It was the first one that I encountered,

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<v Speaker 2>so to me as a special value.

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<v Speaker 1>Yeah, yeah, yeah, yeah, I'm I'm more of a tum

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<v Speaker 1>tum tum sah or guy myself.

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<v Speaker 2>Oh he's great too.

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<v Speaker 1>Yeah.

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<v Speaker 2>I guess for those that don't know, I don't know

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<v Speaker 2>why you're not caught up, but it's like a shark

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<v Speaker 2>wearing shoes and.

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<v Speaker 3>Work on yourself. Yeah yeah, yeah, shark wearing sneakers on

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<v Speaker 3>his pectoral fins.

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<v Speaker 2>Right, I know, he's got straight up lest he's got

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<v Speaker 2>it's actually hybrid.

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<v Speaker 3>Yeah, it kind of varies sometimes it looks like yeah,

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<v Speaker 3>but Anyways, he got shoes on.

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<v Speaker 1>He signed that Nike deal man Phil Knight got to

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<v Speaker 1>him quick. He's like, man, I want in the fucking

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<v Speaker 1>swoosh now.

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<v Speaker 3>And as you're like reading the trends in language, are

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<v Speaker 3>you ahead of the curve? Are you like basketball? Like

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<v Speaker 3>the weird basketball savants who saw Lebron James as a

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<v Speaker 3>twelve year old and we're like, this guy's the next.

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<v Speaker 1>Christ, next guy's the next note.

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<v Speaker 3>It's like, that's such a weird skill to have, but

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<v Speaker 3>amazing that they were able to call that at age twelve.

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<v Speaker 3>Did you see Italian brain rot? And we're just immediately

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<v Speaker 3>knew that this was the future.

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<v Speaker 2>I genuinely think I'm more tapped in than your average

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<v Speaker 2>linguist for sure at this point because I publicly comment

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<v Speaker 2>on where words come from. People will like tag me

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<v Speaker 2>in videos where new words are being used, so I

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<v Speaker 2>sort of have that opportunity to see it before it

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<v Speaker 2>goes viral. Then I sort of get to monitor it

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<v Speaker 2>over time. I think there is like I do have

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<v Speaker 2>maybe that awareness before most people, but Italian brain rot

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<v Speaker 2>I was like a little early curve life.

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<v Speaker 1>Over like Thanksgiving in the holidays. I will be around

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<v Speaker 1>some jen Alfa relatives. What's what's some like new wave shit?

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<v Speaker 1>I can kind of hit them with.

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<v Speaker 2>So I think you just got to be talking to them.

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<v Speaker 2>That's exactly it. They're more tapped in than we could

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<v Speaker 2>ever possibly be because they are the ones that are

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<v Speaker 2>defining the culture and it just revolves around them.

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<v Speaker 1>Okay, Okay, so.

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<v Speaker 3>You're in a room with twelve year olds and you're

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<v Speaker 3>just listening.

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<v Speaker 2>We should just start, Yeah, pay attention to them, learn

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<v Speaker 2>from them, you know, maybe interview them. I'm trying to

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<v Speaker 2>get up on site. That's why I'm hanging out in

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<v Speaker 2>the middle.

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<v Speaker 1>It's clearly an academic what do you I hate not

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<v Speaker 1>knowing what Ohio means.

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<v Speaker 3>Yeah, the Skibbty thing that we've dug into that, the

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<v Speaker 3>fact that there is an entire Michael bay fictional universe

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<v Speaker 3>in the works, in the Skibbity works. Very confused by

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<v Speaker 3>that one. I do. There's a certain artistic beauty about

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<v Speaker 3>the Italian brand I'm very confused by. I guess the

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<v Speaker 3>skivity toilet shit could be like Didesta a little bit,

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<v Speaker 3>but it's very confusing to me. Anyways, I can't wait

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<v Speaker 3>to see the films. Uh from my favorite filmmaker Michael Bay.

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<v Speaker 3>What is something you think is underrated vibes?

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<v Speaker 2>I think like I come from a background of academic linguistics,

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<v Speaker 2>where people tend to over categorize things and don't recognize

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<v Speaker 2>that things have feelings, Like you have a feeling about

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<v Speaker 2>a word, which is why you adopt.

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<v Speaker 1>It, right, what's wait? So what's like sort of like

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<v Speaker 1>the overly academic.

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<v Speaker 2>So I think the most famous, like example of vibes

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<v Speaker 2>in linguistics is like buba and kiki. We all feel

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<v Speaker 2>like the word buba is round and the word kiki

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<v Speaker 2>is sharp, and yet the standard models don't really have

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<v Speaker 2>like an explanation for that. I think all of languages

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<v Speaker 2>kind of vibe based that, like we have feelings about

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<v Speaker 2>words and whether we like them or not, and that's

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<v Speaker 2>why we actually adopt them.

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<v Speaker 1>I was with somebody recently who is like, your name

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<v Speaker 1>is either this name or this name, and they're like, oh,

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<v Speaker 1>Miles is totally this same thing. I was like, what

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<v Speaker 1>the fuck are you talking about? Like, I'm like I

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<v Speaker 1>became old. I'm like, my name is my name, it's

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<v Speaker 1>not I forget what it was. But they're like these

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<v Speaker 1>two distinct names or they felt like vibe wise groups.

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<v Speaker 2>Your name fit into one vibe or the other.

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<v Speaker 1>But then it's interesting because I feel like vibes are

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<v Speaker 1>a little subjective too, So like I got this.

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<v Speaker 2>Like I've seen a lot of discourse about like does

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<v Speaker 2>someone's name like sound like it belongs to them, which

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<v Speaker 2>is like completely a vibe based thing. But like if

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<v Speaker 2>it doesn't, people make nicknames, or they make longer names,

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<v Speaker 2>or they like replace it that like that's how vibes work.

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<v Speaker 3>Mm hmmmm, yeah, Adam, I feel like kind of a

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<v Speaker 3>soft has a soft name to it. Miles has a

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<v Speaker 3>nice soft feel to it, Like I'm the first dude

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<v Speaker 3>that's not yet. No, sure you're soft, bro.

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<v Speaker 2>Well it's interesting with like names, with names, especially like

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<v Speaker 2>fifty percent of Gen Alpha names end in an N

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<v Speaker 2>for boys, like why you know, like the Mason, Carson, Jackson, Grayson,

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<v Speaker 2>Like these are the most popular Gen Alpha names, And

0:10:53.840 --> 0:10:56.760
<v Speaker 2>it's because parents right now have a vibe that a

0:10:56.840 --> 0:10:59.880
<v Speaker 2>masculine name ends in an end. That's literally it, it's

0:10:59.880 --> 0:11:00.760
<v Speaker 2>all vibes based.

0:11:00.920 --> 0:11:04.199
<v Speaker 3>They need to know it's my son. Jack Son is

0:11:04.280 --> 0:11:07.839
<v Speaker 3>very important to me. What is something you think is overrated?

0:11:08.720 --> 0:11:12.040
<v Speaker 2>Efficiency? I think I spend a time a lot of

0:11:12.040 --> 0:11:15.800
<v Speaker 2>time studying algorithms, studying how people optimize for things, and

0:11:15.840 --> 0:11:17.640
<v Speaker 2>I don't think that's where we find meaning. And things

0:11:17.720 --> 0:11:21.080
<v Speaker 2>like uber eats, like delivering something straight to your doorstep.

0:11:21.120 --> 0:11:24.400
<v Speaker 2>You don't experience the friction that makes life feel worth living.

0:11:24.400 --> 0:11:25.880
<v Speaker 2>You don't bump into your friend in the street, you

0:11:25.880 --> 0:11:28.920
<v Speaker 2>don't interact with your local community. The efficiency of algorithms

0:11:28.960 --> 0:11:31.120
<v Speaker 2>and how everything is streamlined in society is kind of

0:11:31.120 --> 0:11:31.640
<v Speaker 2>boring to me.

0:11:32.160 --> 0:11:35.640
<v Speaker 1>Yeah, yeah, yeah, unless you're yeah, unless you hate running

0:11:35.640 --> 0:11:37.520
<v Speaker 1>into people you went to high school with in public

0:11:37.559 --> 0:11:39.320
<v Speaker 1>when you're high and you just want to get taco

0:11:39.360 --> 0:11:42.520
<v Speaker 1>bell just just quietly, there's a time and playece.

0:11:42.640 --> 0:11:44.520
<v Speaker 3>Yeah, yeah, yeah, yeah. I always found people to be

0:11:44.559 --> 0:11:50.400
<v Speaker 3>an impediment to the efficiency of commerce, and so yeah,

0:11:50.400 --> 0:11:52.840
<v Speaker 3>that's why I'm really excited about this new direction that

0:11:52.880 --> 0:11:56.679
<v Speaker 3>our society has taken. This This actually gets to kind

0:11:56.720 --> 0:11:59.000
<v Speaker 3>of my first question for you is just you know

0:11:59.080 --> 0:12:02.559
<v Speaker 3>the difference between I mean, I feel like you did

0:12:02.600 --> 0:12:07.640
<v Speaker 3>a post on like quant speak and like how the

0:12:07.840 --> 0:12:11.880
<v Speaker 3>the language of efficiency is sort of bleeding in, Like

0:12:12.080 --> 0:12:14.240
<v Speaker 3>I one example that I've noticed, I don't know if

0:12:14.240 --> 0:12:17.080
<v Speaker 3>this would be categorized the same in Yearbook. But like

0:12:17.720 --> 0:12:21.360
<v Speaker 3>the phrase replacement level is a thing that I've like

0:12:21.400 --> 0:12:24.400
<v Speaker 3>from the world of sports analytics, which is just like, yeah,

0:12:24.400 --> 0:12:29.280
<v Speaker 3>they're like an average player, but it like adds this

0:12:29.400 --> 0:12:33.080
<v Speaker 3>sort of dark fascist like Thomas the tank engine thing,

0:12:33.160 --> 0:12:38.080
<v Speaker 3>where like everybody is just replaceable and CHANGEABI. Yeah, yeah,

0:12:38.120 --> 0:12:42.000
<v Speaker 3>people as commodities. Like so I do I notice that

0:12:42.559 --> 0:12:45.719
<v Speaker 3>as a as a newish trend sort of vying with

0:12:46.240 --> 0:12:49.760
<v Speaker 3>the more broad trends of like language. It seems too

0:12:50.520 --> 0:12:55.920
<v Speaker 3>historically and even modern like today feel it's like a

0:12:55.960 --> 0:13:00.120
<v Speaker 3>democratic phenomenon. It's like not top down and it's you know,

0:13:00.200 --> 0:13:05.280
<v Speaker 3>it comes from like teenagers or like frequently persecuted minority groups,

0:13:05.640 --> 0:13:10.880
<v Speaker 3>and like it's a way for people without officially sanctioned

0:13:10.960 --> 0:13:14.760
<v Speaker 3>power to like weird wield their creativity and like power,

0:13:14.800 --> 0:13:18.080
<v Speaker 3>which is I think beautiful. And that's what you see

0:13:18.080 --> 0:13:22.320
<v Speaker 3>with a lot of these linguistic trends that scare people online.

0:13:22.600 --> 0:13:26.800
<v Speaker 3>But then yeah, I do see also, you know, whether

0:13:26.840 --> 0:13:30.000
<v Speaker 3>it be the world of like you know, like analytics

0:13:30.000 --> 0:13:34.080
<v Speaker 3>people are stat people, or just like the corporate world,

0:13:34.200 --> 0:13:36.840
<v Speaker 3>you know, creating these new phrases. I feel like that's

0:13:36.880 --> 0:13:40.600
<v Speaker 3>sort of an interesting like dark and light side battle

0:13:40.880 --> 0:13:44.640
<v Speaker 3>that we see in linguistics happening all the time. Do

0:13:44.720 --> 0:13:46.280
<v Speaker 3>you think about it that way at all?

0:13:46.440 --> 0:13:47.240
<v Speaker 1>That's so interesting No.

0:13:47.440 --> 0:13:50.199
<v Speaker 2>I think there's each community always finds the best way

0:13:50.240 --> 0:13:52.840
<v Speaker 2>to speak for that community, and it changes as the

0:13:52.920 --> 0:13:55.160
<v Speaker 2>vibe changes. Again, I think the vibe is important here.

0:13:55.320 --> 0:13:58.440
<v Speaker 2>It's very probably true that since the moneyball era started

0:13:58.600 --> 0:14:01.800
<v Speaker 2>the sports language has got more about like quantifying things,

0:14:01.840 --> 0:14:03.839
<v Speaker 2>and you're talking more about things like RBIs than you

0:14:03.920 --> 0:14:06.719
<v Speaker 2>used to. Probably, right, people care about stats a lot more.

0:14:06.840 --> 0:14:10.640
<v Speaker 2>I think as communities have shared values, language emerges to

0:14:10.640 --> 0:14:13.080
<v Speaker 2>reflect those values. So the video you were referencing was

0:14:13.120 --> 0:14:16.160
<v Speaker 2>about how math nerds and cs people kind of find

0:14:16.240 --> 0:14:19.680
<v Speaker 2>streamline optimized ways of communicating. I think that's definitely true,

0:14:19.720 --> 0:14:24.000
<v Speaker 2>because their goal is to find efficient ways, maybe mathematically,

0:14:24.440 --> 0:14:27.640
<v Speaker 2>to express things. Same things happening with middle schoolers, right.

0:14:27.680 --> 0:14:30.840
<v Speaker 2>Middle schoolers are just vibing in that they are using

0:14:30.920 --> 0:14:34.080
<v Speaker 2>language to connect with other middle schoolers, to differentiate their

0:14:34.120 --> 0:14:36.840
<v Speaker 2>identity from adults. And that distinction between top down and

0:14:36.840 --> 0:14:40.600
<v Speaker 2>bottom up is kind of constant that we always impose

0:14:40.680 --> 0:14:43.600
<v Speaker 2>like a layer, like through dictionaries or through formal rules

0:14:43.600 --> 0:14:45.200
<v Speaker 2>of what language is supposed to be, but then in

0:14:45.280 --> 0:14:48.160
<v Speaker 2>reality that doesn't fit onto everybody, and then different communities

0:14:48.200 --> 0:14:50.320
<v Speaker 2>find their own ways of expressing themselves.

0:14:50.200 --> 0:14:53.720
<v Speaker 3>Right, Yeah, I feel like, I mean it's a fit. Right.

0:14:53.760 --> 0:14:56.760
<v Speaker 3>They're trying to find the most efficient way to communicate,

0:14:56.800 --> 0:15:00.280
<v Speaker 3>but they're also trying to make each other laugh and

0:15:00.320 --> 0:15:05.400
<v Speaker 3>trying to impress people, you know, And like there's this

0:15:05.480 --> 0:15:09.000
<v Speaker 3>book about the evolution of birds and the role of

0:15:09.080 --> 0:15:12.120
<v Speaker 3>beauty and like how birds evolved, and so like, you know,

0:15:12.160 --> 0:15:16.200
<v Speaker 3>we tend to think of, you know, the way evolution

0:15:16.400 --> 0:15:19.800
<v Speaker 3>works and as like the survival of the fittest being,

0:15:19.880 --> 0:15:23.200
<v Speaker 3>like you know, it's just everything is a something that

0:15:23.280 --> 0:15:26.920
<v Speaker 3>was evolved to like feed or like defeat or dominate

0:15:27.000 --> 0:15:28.960
<v Speaker 3>the other side. And it's like, you know, a lot

0:15:29.040 --> 0:15:31.800
<v Speaker 3>of the stuff that birds have evolved to do is

0:15:31.880 --> 0:15:34.320
<v Speaker 3>just to be like beautiful in a way that is

0:15:34.400 --> 0:15:37.400
<v Speaker 3>like attract some other mate, you know. And so I

0:15:37.440 --> 0:15:41.400
<v Speaker 3>feel like, similarly, in language, you have how to most

0:15:41.800 --> 0:15:44.640
<v Speaker 3>efficiently communicate your meaning, but also how to do so

0:15:44.760 --> 0:15:47.520
<v Speaker 3>in a way that is just like fun, you know,

0:15:47.800 --> 0:15:50.360
<v Speaker 3>and like makes people laugh and makes people impressed by

0:15:50.400 --> 0:15:51.960
<v Speaker 3>your creativity a little bit.

0:15:52.160 --> 0:15:55.400
<v Speaker 2>Yeah, I don't think everything is about efficiency, right, I

0:15:55.440 --> 0:15:59.120
<v Speaker 2>think it can also be you're joking, you're kind of

0:15:59.280 --> 0:16:01.640
<v Speaker 2>trying to communicy that your chill or laid back, those

0:16:01.680 --> 0:16:03.640
<v Speaker 2>those things aren't efficient. If you're being efficient, that it

0:16:03.680 --> 0:16:05.400
<v Speaker 2>isn't chill or laid back. And I don't know, like

0:16:05.480 --> 0:16:08.560
<v Speaker 2>surfer communities, like we'll talk differently than the quants, you know,

0:16:08.640 --> 0:16:10.280
<v Speaker 2>because they have a different goal in mind, they have

0:16:10.320 --> 0:16:12.640
<v Speaker 2>a different vibe of how they're approaching language.

0:16:12.880 --> 0:16:17.920
<v Speaker 3>Yeah, it does feel like teenagers, Like how we experience

0:16:18.560 --> 0:16:22.320
<v Speaker 3>language being spoken by teenagers today and then how we

0:16:22.400 --> 0:16:25.800
<v Speaker 3>actually use language those spoken by teenagers in years past

0:16:26.240 --> 0:16:29.720
<v Speaker 3>is like kind of you know, people don't realize how

0:16:29.800 --> 0:16:33.640
<v Speaker 3>much of our modern dialect is just created by sort

0:16:33.680 --> 0:16:36.680
<v Speaker 3>of younger people. Or you know, I've heard people talk

0:16:36.720 --> 0:16:40.520
<v Speaker 3>about upspeak being a thing that was started by teen

0:16:40.600 --> 0:16:43.760
<v Speaker 3>girls and criticized and criticized and criticized, and until the

0:16:43.760 --> 0:16:46.720
<v Speaker 3>people criticizing it, we're also doing it with upspeak. You know,

0:16:47.640 --> 0:16:50.080
<v Speaker 3>how do you like it is that sort of a

0:16:50.280 --> 0:16:55.040
<v Speaker 3>constant in your study of like how language evolves, or

0:16:55.120 --> 0:16:58.160
<v Speaker 3>also like persecuted minority groups like you.

0:16:58.120 --> 0:17:00.160
<v Speaker 2>See you seem to really know what's happening that it

0:17:00.200 --> 0:17:02.480
<v Speaker 2>often does come out of these minority groups because they

0:17:02.480 --> 0:17:07.119
<v Speaker 2>have the biggest reason to defy the hierarchical imposition of language,

0:17:07.160 --> 0:17:09.520
<v Speaker 2>because that's not their version of language. The language that's

0:17:09.520 --> 0:17:12.600
<v Speaker 2>being imposed is like the super straight, white old man

0:17:12.680 --> 0:17:16.439
<v Speaker 2>version of language. So minority groups, women, they're going to

0:17:16.440 --> 0:17:18.159
<v Speaker 2>want to eventually talk different than than they do, and

0:17:18.200 --> 0:17:20.680
<v Speaker 2>then they're kind of scrutinized by these other people. Except

0:17:21.080 --> 0:17:23.360
<v Speaker 2>these young people and the marginalized communities are the ones

0:17:23.359 --> 0:17:25.800
<v Speaker 2>that are actually generating the new language. And sometimes that

0:17:25.880 --> 0:17:27.680
<v Speaker 2>leaks into the mainstream and then it gets adopted, and

0:17:27.680 --> 0:17:31.480
<v Speaker 2>then it gets institutionalized, and then we once again forget

0:17:31.520 --> 0:17:33.960
<v Speaker 2>like that it came from that group. This is a

0:17:34.119 --> 0:17:36.359
<v Speaker 2>time honored process that we see over and over again.

0:17:36.400 --> 0:17:38.920
<v Speaker 2>But yeah, you seem to really have a good graph

0:17:38.960 --> 0:17:40.800
<v Speaker 2>of that. I think we have a tendency to call

0:17:40.840 --> 0:17:44.399
<v Speaker 2>things brain rot right, and the idea that words are

0:17:44.400 --> 0:17:46.720
<v Speaker 2>bad for your brain, it's kind of funny. I think

0:17:46.760 --> 0:17:49.640
<v Speaker 2>brain rod is also a meme aesthetic, and to be fair,

0:17:50.280 --> 0:17:52.479
<v Speaker 2>the words that are spreading right now fit into that

0:17:52.520 --> 0:17:54.959
<v Speaker 2>meme aesthetic really well. And the aesthetic is like pointing

0:17:55.000 --> 0:17:57.280
<v Speaker 2>back to the algorithm and how the algorithm is bad

0:17:57.320 --> 0:17:58.800
<v Speaker 2>for our brains. And these words are coming from the

0:17:58.840 --> 0:18:02.280
<v Speaker 2>algorithm risk, ivideo high do bichocolate, la, booboo, macha. You know,

0:18:03.640 --> 0:18:06.200
<v Speaker 2>all of those are memes brought to us by the algorithm.

0:18:06.200 --> 0:18:08.639
<v Speaker 2>And the words are funny because they're like algorithmic words.

0:18:08.640 --> 0:18:10.600
<v Speaker 2>But I don't think the words themselves are bad. But

0:18:10.760 --> 0:18:13.640
<v Speaker 2>you know, we do have this tendency to call language bad,

0:18:13.680 --> 0:18:15.240
<v Speaker 2>and we've been doing it time and time again. And

0:18:15.440 --> 0:18:16.919
<v Speaker 2>you go back to the nineteen hundreds and there are

0:18:16.960 --> 0:18:20.000
<v Speaker 2>articles about people like being upset at words that we

0:18:20.080 --> 0:18:21.160
<v Speaker 2>now find normal.

0:18:21.280 --> 0:18:23.520
<v Speaker 1>Right right, I wonder too, like if it's kind of

0:18:23.640 --> 0:18:26.080
<v Speaker 1>you know, we we sort of speak the same way,

0:18:26.160 --> 0:18:29.040
<v Speaker 1>especially as kids, because you're referencing something in pop culture

0:18:29.560 --> 0:18:31.679
<v Speaker 1>or like sort of in group as like young people.

0:18:31.720 --> 0:18:34.800
<v Speaker 1>This is like a shared experience or value. And I

0:18:34.840 --> 0:18:36.560
<v Speaker 1>wonder too, because, like I was trying to think, like,

0:18:36.600 --> 0:18:38.920
<v Speaker 1>what the fuck was I saying? That would have even

0:18:38.920 --> 0:18:42.280
<v Speaker 1>been perceived as brain rot quote unquote, like because again

0:18:42.320 --> 0:18:45.159
<v Speaker 1>this is all generationally cyclical, where the like they go,

0:18:45.440 --> 0:18:48.520
<v Speaker 1>what are the kids talking about these days? And I'm like,

0:18:48.640 --> 0:18:51.880
<v Speaker 1>I wonder too, because like in the eighties and nineties,

0:18:52.040 --> 0:18:56.680
<v Speaker 1>there was really a very limited amount of content movies

0:18:56.760 --> 0:18:59.200
<v Speaker 1>TV that's sort of a lot of people were experiencing

0:18:59.240 --> 0:19:01.520
<v Speaker 1>at the same time. With the Internet, it becomes so

0:19:01.640 --> 0:19:05.879
<v Speaker 1>much more specific that suddenly like everyone knows Ace Ventura

0:19:06.080 --> 0:19:10.399
<v Speaker 1>or everyone knows the Budweiser frogs. So being like or

0:19:10.600 --> 0:19:14.400
<v Speaker 1>saying like still to this day, yeah, same or alrighty,

0:19:14.480 --> 0:19:17.439
<v Speaker 1>then is again the same way we were just saying

0:19:17.480 --> 0:19:19.919
<v Speaker 1>some dumb shit because it's from this thing you like,

0:19:19.960 --> 0:19:22.000
<v Speaker 1>not because you're like that's the way I talk. You're like,

0:19:22.240 --> 0:19:24.840
<v Speaker 1>we're saying the thing from the thing we like that

0:19:25.080 --> 0:19:29.520
<v Speaker 1>now because there's so many different like sort of inputs

0:19:29.560 --> 0:19:32.600
<v Speaker 1>for like what that what can affect someone's language or

0:19:32.600 --> 0:19:34.439
<v Speaker 1>the kind of content that they have an affinity for,

0:19:34.880 --> 0:19:36.920
<v Speaker 1>that's that Now it's like people are like, well, I

0:19:36.960 --> 0:19:39.560
<v Speaker 1>don't know fucking skimmity of toilet, So what the fuck

0:19:39.640 --> 0:19:40.680
<v Speaker 1>is skimmity toilet?

0:19:40.720 --> 0:19:40.840
<v Speaker 3>You know?

0:19:41.000 --> 0:19:42.960
<v Speaker 2>Literally, I think you is a really a good point

0:19:43.000 --> 0:19:45.280
<v Speaker 2>about like media and the role that media plays in

0:19:45.320 --> 0:19:47.679
<v Speaker 2>our adoption of slang, and it's always been based on

0:19:47.760 --> 0:19:50.360
<v Speaker 2>what we're consuming. So when hip hop in the nineties

0:19:50.400 --> 0:19:53.080
<v Speaker 2>was influencing language, people would say things like fo shizzle

0:19:53.400 --> 0:19:57.040
<v Speaker 2>and then to this when you know, movies were influencing

0:19:57.720 --> 0:20:00.119
<v Speaker 2>culture people. It's you know, was up, you know the

0:20:00.520 --> 0:20:02.760
<v Speaker 2>millennials laying that doesn't really stick around. Some of it

0:20:02.760 --> 0:20:05.600
<v Speaker 2>does stick around, you know, words like cool emerge from

0:20:05.600 --> 0:20:08.040
<v Speaker 2>minority communities and now just like a part of language.

0:20:08.240 --> 0:20:11.359
<v Speaker 2>But vine I think in twenty fourteen people were saying

0:20:11.400 --> 0:20:14.000
<v Speaker 2>things like bay fam on fleek way more. Sometimes those

0:20:14.040 --> 0:20:17.119
<v Speaker 2>are still around, but I think largely they were a

0:20:17.160 --> 0:20:21.040
<v Speaker 2>fat in the general population, and same thing is happening

0:20:21.040 --> 0:20:22.440
<v Speaker 2>now with TikTok. Some of the words are going to

0:20:22.480 --> 0:20:23.520
<v Speaker 2>stick around, some of them aren't.

0:20:24.000 --> 0:20:27.520
<v Speaker 3>Yeah, I also wonder if they're having to like if

0:20:27.680 --> 0:20:31.359
<v Speaker 3>we're seeing this moment of exploding you know, slang that

0:20:31.720 --> 0:20:37.199
<v Speaker 3>is like kind of extra inscrutable because everybody, like the

0:20:37.640 --> 0:20:39.520
<v Speaker 3>as miles as you were talking about, like what were

0:20:39.520 --> 0:20:43.159
<v Speaker 3>the words that we said to like define ourselves away

0:20:43.200 --> 0:20:47.040
<v Speaker 3>from like previous generations. It was a lot of like swearing, right.

0:20:47.000 --> 0:20:50.240
<v Speaker 1>Like yeah, you know just to this day, yeah, terrible, terrible, no.

0:20:50.600 --> 0:20:53.480
<v Speaker 3>But now the fucking president like swears and like the

0:20:53.560 --> 0:20:55.919
<v Speaker 3>vice pread you know, they're constantly swearing. So like I

0:20:55.920 --> 0:20:59.639
<v Speaker 3>feel like you need new tools that aren't just this

0:21:00.000 --> 0:21:03.359
<v Speaker 3>standard old tools of like saying bad words. But like

0:21:03.440 --> 0:21:06.880
<v Speaker 3>you have to like create your own sort of aggressive

0:21:06.960 --> 0:21:11.040
<v Speaker 3>words that like won't be used by the president, you

0:21:11.080 --> 0:21:13.320
<v Speaker 3>know what I mean. Yeah, I wonder if that that

0:21:13.480 --> 0:21:16.480
<v Speaker 3>is pushing the young people to like have to get

0:21:16.520 --> 0:21:20.119
<v Speaker 3>extra creative and like create new ways of speaking, because

0:21:20.200 --> 0:21:23.000
<v Speaker 3>literally everybody says.

0:21:22.760 --> 0:21:23.879
<v Speaker 1>For everything's on the table.

0:21:23.960 --> 0:21:27.320
<v Speaker 2>Yeah, yeah, yeah, you're kind of right that like absurdism

0:21:27.440 --> 0:21:30.400
<v Speaker 2>is the only option here, and the importance of identity

0:21:30.480 --> 0:21:34.000
<v Speaker 2>formation because young people are always trying to build a

0:21:34.040 --> 0:21:37.080
<v Speaker 2>shared identity for themselves that's different from the identity of adults,

0:21:37.080 --> 0:21:38.639
<v Speaker 2>because they're trying to figure out who they are in

0:21:38.680 --> 0:21:39.080
<v Speaker 2>the world.

0:21:39.320 --> 0:21:39.760
<v Speaker 1>That's normal.

0:21:39.840 --> 0:21:41.320
<v Speaker 2>That's why young people are always the ones that are

0:21:41.320 --> 0:21:43.520
<v Speaker 2>coming up with slang, whereas old people have a crystallized

0:21:43.560 --> 0:21:45.760
<v Speaker 2>idea of who they are and what language is. But

0:21:45.960 --> 0:21:48.320
<v Speaker 2>in a world where I think things are overly structured,

0:21:48.359 --> 0:21:51.560
<v Speaker 2>like through algorithms which force feed us like the content

0:21:51.600 --> 0:21:54.840
<v Speaker 2>that makes them money, and through like I think society

0:21:54.880 --> 0:21:58.680
<v Speaker 2>is structuring things a lot more. But at the same time,

0:21:58.840 --> 0:22:01.320
<v Speaker 2>we have this uncertainty of about what's going on, and

0:22:01.320 --> 0:22:03.199
<v Speaker 2>then we turn to obsurdism in the same way, I

0:22:03.200 --> 0:22:05.720
<v Speaker 2>think you're right to point out dadaism in like the

0:22:05.800 --> 0:22:08.199
<v Speaker 2>nineteen tens. I think that's a really good analogy. There

0:22:08.280 --> 0:22:10.480
<v Speaker 2>was a kind of that period of uncertainty going on

0:22:10.520 --> 0:22:10.880
<v Speaker 2>as well.

0:22:11.359 --> 0:22:14.480
<v Speaker 3>Yeah, let's take a quick break now that you've said

0:22:14.480 --> 0:22:17.560
<v Speaker 3>something I said was a good point for just let people,

0:22:18.080 --> 0:22:19.680
<v Speaker 3>you know, rest with that, think about.

0:22:19.880 --> 0:22:21.040
<v Speaker 1>Something a good point too.

0:22:21.200 --> 0:22:24.040
<v Speaker 3>I know. Yeah, we're fucking killing it high flight you

0:22:24.160 --> 0:22:26.199
<v Speaker 3>so hard. What's the score right now? Just text me

0:22:26.240 --> 0:22:29.840
<v Speaker 3>the score. We're going to take a quick break. We'll

0:22:29.840 --> 0:22:43.200
<v Speaker 3>be back to continue talking about this, and we're back.

0:22:43.320 --> 0:22:46.680
<v Speaker 3>We're back and yeah, so first of all, I think,

0:22:47.200 --> 0:22:49.480
<v Speaker 3>like this seems like a great corner. I just want

0:22:49.520 --> 0:22:53.480
<v Speaker 3>to congratulate you, like just such a good time, such

0:22:53.520 --> 0:22:57.680
<v Speaker 3>a wealth of material. It's like, you know, you're trying

0:22:57.720 --> 0:23:02.240
<v Speaker 3>to study a culture, like it's just like the Internet

0:23:02.359 --> 0:23:06.000
<v Speaker 3>is like a real time live like gig where you

0:23:06.000 --> 0:23:10.080
<v Speaker 3>can just like watch all of the things happening, all

0:23:10.119 --> 0:23:12.879
<v Speaker 3>of the different tools being used by the culture that

0:23:12.920 --> 0:23:16.560
<v Speaker 3>you're studying. There, there's definitely, as Miles you alluded to,

0:23:16.720 --> 0:23:19.880
<v Speaker 3>like there we see a lot of stories about education

0:23:20.560 --> 0:23:24.439
<v Speaker 3>sliding in the United States and that being associated with

0:23:24.680 --> 0:23:29.040
<v Speaker 3>how people use language or just like I get I

0:23:29.040 --> 0:23:32.200
<v Speaker 3>guess everything just gets associated with like well, this this

0:23:32.320 --> 0:23:36.719
<v Speaker 3>generation is bad, just look at them. But I don't know,

0:23:36.800 --> 0:23:40.600
<v Speaker 3>I feel like that's a time honor tradition that happens

0:23:40.640 --> 0:23:44.960
<v Speaker 3>with every every generation. But this generation is particularly screwed,

0:23:45.000 --> 0:23:47.680
<v Speaker 3>but not not because of Italian brain rot.

0:23:47.720 --> 0:23:49.399
<v Speaker 1>I would asume, Yeah, well, I think just to like

0:23:49.560 --> 0:23:52.800
<v Speaker 1>preface all that, like there's this, you know, the group

0:23:52.880 --> 0:23:55.560
<v Speaker 1>that comes out like with the Nation's report Card, like

0:23:55.600 --> 0:23:58.120
<v Speaker 1>if you know the Nation's report Card dot gov, which

0:23:58.200 --> 0:24:01.000
<v Speaker 1>is like a congressional you know, congression funded thing where

0:24:01.000 --> 0:24:03.959
<v Speaker 1>they assess just sort of like what the educational system

0:24:04.000 --> 0:24:06.640
<v Speaker 1>is like and how students are performing. Like the most

0:24:06.680 --> 0:24:09.479
<v Speaker 1>recent one was pretty bleak. They're basically saying like twelfth

0:24:09.480 --> 0:24:12.760
<v Speaker 1>graders have like they are reading at their lowest level

0:24:12.800 --> 0:24:16.640
<v Speaker 1>since this even process began of assessings in nineteen ninety two,

0:24:16.680 --> 0:24:19.200
<v Speaker 1>and the math scores are as as the lowest they've

0:24:19.200 --> 0:24:22.159
<v Speaker 1>been in twenty years. And I think, you know, a

0:24:22.160 --> 0:24:24.880
<v Speaker 1>lot of people want to point to different things. They'll

0:24:24.960 --> 0:24:27.919
<v Speaker 1>be like, well, it's the pandemic lockdowns, or it's social media,

0:24:28.040 --> 0:24:31.240
<v Speaker 1>or it's the dang fucking skibbitty toilet nonsense that's doing

0:24:31.280 --> 0:24:34.320
<v Speaker 1>it all. But again, we've seen these trends sort of

0:24:34.400 --> 0:24:36.440
<v Speaker 1>they predate COVID and a lot of these other things

0:24:36.480 --> 0:24:39.600
<v Speaker 1>because I think, you know, there's been a systematic defunding

0:24:39.640 --> 0:24:42.960
<v Speaker 1>of public education and now we have like a literal

0:24:43.160 --> 0:24:46.960
<v Speaker 1>villain from entertainment wrestling who doesn't know AI from a

0:24:47.119 --> 0:24:49.560
<v Speaker 1>one stake sauce sort of at the wheel. So don't

0:24:49.560 --> 0:24:52.439
<v Speaker 1>see much happening to that trend. But I think again,

0:24:53.000 --> 0:24:56.320
<v Speaker 1>there's like this a cycle, but right now it does

0:24:56.400 --> 0:25:00.240
<v Speaker 1>kind of fit with the sort of bleak assessment that, yes,

0:25:00.520 --> 0:25:04.520
<v Speaker 1>while our education system is in a pretty dark era

0:25:04.640 --> 0:25:07.400
<v Speaker 1>right now, it's not always like this thing to lay

0:25:07.440 --> 0:25:09.400
<v Speaker 1>at the feet of just basic like and that's why

0:25:09.440 --> 0:25:11.879
<v Speaker 1>they talk in this way where I don't understand the words.

0:25:11.920 --> 0:25:15.880
<v Speaker 1>Back when I was working at the Triangle Shape shirtwaist factory,

0:25:15.960 --> 0:25:17.000
<v Speaker 1>we weren't talking like that.

0:25:18.160 --> 0:25:20.720
<v Speaker 2>Maybe one of my hottest takes is that literacy is

0:25:20.720 --> 0:25:22.800
<v Speaker 2>a little bit of a construct. I think it, to

0:25:22.840 --> 0:25:24.800
<v Speaker 2>be clear. I think it's incredibly important we should have

0:25:24.920 --> 0:25:28.320
<v Speaker 2>incredible literacy rates in math education and all that really

0:25:28.359 --> 0:25:31.560
<v Speaker 2>does matter, but also it's a metric of how proficient

0:25:31.600 --> 0:25:34.760
<v Speaker 2>we are in the medium of reading, which is sort

0:25:34.800 --> 0:25:37.640
<v Speaker 2>of let's be really honest with ourselves in the cultural moment,

0:25:37.680 --> 0:25:40.080
<v Speaker 2>it's sort of a dying medium, and we also are

0:25:40.160 --> 0:25:43.679
<v Speaker 2>facing and consuming content in other mediums like algorithms, and

0:25:43.760 --> 0:25:48.199
<v Speaker 2>I think these Skippity generation kids are more literate in

0:25:48.240 --> 0:25:51.120
<v Speaker 2>the algorithmic medium than a lot of boomers are. They

0:25:51.160 --> 0:25:53.359
<v Speaker 2>know like sort of oh, this looks AI generated, and

0:25:53.359 --> 0:25:56.200
<v Speaker 2>boomers are getting tricks by like Ai slop Jesus shrimp

0:25:56.240 --> 0:25:58.600
<v Speaker 2>on Facebook in twenty twenty two. They don't know what's

0:25:58.600 --> 0:26:01.360
<v Speaker 2>happening at all. The boomers do understand algorithms nearly as

0:26:01.359 --> 0:26:03.160
<v Speaker 2>well as Jen Alfa does. So I would say there's

0:26:03.200 --> 0:26:05.879
<v Speaker 2>a high literacy in a different medium because that medium

0:26:05.920 --> 0:26:08.600
<v Speaker 2>is more president in our society. Unfortunately, that does mean

0:26:08.640 --> 0:26:11.280
<v Speaker 2>a decreased maybe literacy, and I think it is related.

0:26:11.440 --> 0:26:14.480
<v Speaker 2>Because we're consuming algorithms, we are less literally. I think

0:26:14.480 --> 0:26:17.240
<v Speaker 2>that's probably true. But it also has to do with

0:26:17.320 --> 0:26:19.960
<v Speaker 2>the role of media in our society, and books shouldn't

0:26:19.960 --> 0:26:23.520
<v Speaker 2>be the only paragon of epistemic wealth in our society.

0:26:23.560 --> 0:26:26.399
<v Speaker 2>Of like information that we are consuming, we should be

0:26:26.440 --> 0:26:28.760
<v Speaker 2>literal in all forms of media. So that means I

0:26:28.840 --> 0:26:30.800
<v Speaker 2>literally think there should be classes in how to look

0:26:30.840 --> 0:26:32.879
<v Speaker 2>at TikTok, and at the same time, there should be

0:26:32.920 --> 0:26:34.640
<v Speaker 2>classes in how to read books because of the more

0:26:34.640 --> 0:26:37.439
<v Speaker 2>different types of information we can consume, the better it

0:26:37.520 --> 0:26:38.200
<v Speaker 2>is overall.

0:26:38.680 --> 0:26:41.960
<v Speaker 1>So are you necessarily saying like it's overblown that literis

0:26:42.080 --> 0:26:45.280
<v Speaker 1>like reading comprehensives, Like you're just saying there, maybe zoom

0:26:45.320 --> 0:26:46.480
<v Speaker 1>out a bit, because.

0:26:46.320 --> 0:26:48.360
<v Speaker 2>I don't want to say anything that could be construed

0:26:48.440 --> 0:26:51.680
<v Speaker 2>as I don't think it's important to read in them,

0:26:52.359 --> 0:26:55.040
<v Speaker 2>and I think we should really have good literacy rates,

0:26:55.080 --> 0:26:58.280
<v Speaker 2>but I think we should also be paying equal attention

0:26:58.640 --> 0:27:02.960
<v Speaker 2>to being literally in algorithms. And I think like media

0:27:03.000 --> 0:27:05.480
<v Speaker 2>literacy is something people talk about but as a buzzword,

0:27:05.520 --> 0:27:08.000
<v Speaker 2>and they don't really understand what that means to really

0:27:08.040 --> 0:27:11.240
<v Speaker 2>be fluent in what it means to engage online and

0:27:11.240 --> 0:27:14.240
<v Speaker 2>to go viral because there are so many like outside

0:27:14.240 --> 0:27:17.600
<v Speaker 2>forces manipulating our understanding of reality in the online space,

0:27:17.960 --> 0:27:22.639
<v Speaker 2>literal government psyops, there is just AI flooding things. You

0:27:22.680 --> 0:27:24.840
<v Speaker 2>don't know what's real and what's not real, And it's

0:27:24.920 --> 0:27:29.360
<v Speaker 2>that kind of literacy where you can understand how to engage.

0:27:29.240 --> 0:27:32.760
<v Speaker 3>Right, So you're saying, just sorry not to take us back,

0:27:32.800 --> 0:27:35.280
<v Speaker 3>but you're saying that that Jesus made out of shrimp

0:27:35.400 --> 0:27:38.480
<v Speaker 3>was not real. That wasn't actually.

0:27:38.160 --> 0:27:41.120
<v Speaker 1>Just it looks just exactly like that looks so much.

0:27:41.400 --> 0:27:44.160
<v Speaker 2>I think whenever we talk about kids not being literate

0:27:44.200 --> 0:27:46.159
<v Speaker 2>in books, we should also be talking about boomers not

0:27:46.200 --> 0:27:47.760
<v Speaker 2>being literate on TikTok.

0:27:47.560 --> 0:27:52.840
<v Speaker 3>Yes, yeah, or TikTok filtered down to Facebook, which.

0:27:52.800 --> 0:27:56.240
<v Speaker 2>Right right to facebooks, which is like diluted TikTok slottery.

0:27:56.280 --> 0:27:58.439
<v Speaker 1>Yeah, yeah, yeah, yeah, some of the worst.

0:27:59.040 --> 0:28:03.479
<v Speaker 3>Yeah, I do. Like so, I feel like etymology sometimes

0:28:03.480 --> 0:28:07.280
<v Speaker 3>gives us these weird like windows into history speaking of boomers.

0:28:07.680 --> 0:28:11.359
<v Speaker 3>Like lately, I've been pointing out how dumb I feel

0:28:11.359 --> 0:28:15.480
<v Speaker 3>when I use the word movies ever since I realized

0:28:16.200 --> 0:28:19.240
<v Speaker 3>what that word like, the etymology of that. Like we

0:28:19.320 --> 0:28:22.960
<v Speaker 3>joke about all people calling movies talkies right because they're like,

0:28:23.000 --> 0:28:25.920
<v Speaker 3>god damn, that moving picture just talked, but not realizing

0:28:26.000 --> 0:28:28.600
<v Speaker 3>the reason we call them movies is because god damn

0:28:28.640 --> 0:28:29.720
<v Speaker 3>that picture just moved.

0:28:29.800 --> 0:28:32.720
<v Speaker 1>It's like fucking things moving kill it.

0:28:34.040 --> 0:28:37.520
<v Speaker 3>Are there other words like that where they like give

0:28:37.560 --> 0:28:41.200
<v Speaker 3>you a portal into just like how different people were,

0:28:41.720 --> 0:28:45.760
<v Speaker 3>like either stupid or simpler, or just like how different perception.

0:28:46.440 --> 0:28:49.880
<v Speaker 2>Yeah, well, I was just reflecting on Instagram reels, like

0:28:49.880 --> 0:28:53.000
<v Speaker 2>what's the real? Real used to be a film reel,

0:28:53.040 --> 0:28:55.680
<v Speaker 2>which was a literal like spool of film that was

0:28:55.800 --> 0:28:58.760
<v Speaker 2>reeled around like a fishing reel, and then that got

0:28:58.800 --> 0:29:01.080
<v Speaker 2>abstracted to the sense of this clip that you watch,

0:29:01.120 --> 0:29:03.800
<v Speaker 2>and then that got abstracted to the thing you scroll

0:29:03.840 --> 0:29:05.960
<v Speaker 2>on Instagram meals. And in fact, now that I just said,

0:29:05.960 --> 0:29:10.160
<v Speaker 2>the word scroll, scroll comes from unfurling like a scroll

0:29:10.240 --> 0:29:13.360
<v Speaker 2>like the field. Like that's still how I consume Instagram.

0:29:13.440 --> 0:29:19.600
<v Speaker 2>But yeah on skull, Yeah, use your wooden dowels.

0:29:20.160 --> 0:29:21.120
<v Speaker 1>What do we have today?

0:29:21.480 --> 0:29:22.280
<v Speaker 3>Yeah?

0:29:22.480 --> 0:29:27.200
<v Speaker 2>Or a podcast being iPod plus broadcast, broadcast being a

0:29:27.240 --> 0:29:30.800
<v Speaker 2>style of communication where you disseminate information like it used

0:29:30.840 --> 0:29:34.360
<v Speaker 2>to be broadcast seeding and agriculture, which is a style

0:29:34.400 --> 0:29:38.880
<v Speaker 2>of dispersing seeds. So like this agricultural metaphor goes all

0:29:38.920 --> 0:29:42.280
<v Speaker 2>the way back and influences the word podcast. I don't know,

0:29:42.320 --> 0:29:45.000
<v Speaker 2>turn up the volume. We don't often turn a knob

0:29:45.040 --> 0:29:46.920
<v Speaker 2>anymore or hang up the phone. I often don't hang

0:29:46.960 --> 0:29:49.320
<v Speaker 2>things anymore. Like that, we have these sort of vestiges

0:29:49.320 --> 0:29:50.840
<v Speaker 2>in our language, and that's kind of what's compelling to

0:29:50.840 --> 0:29:52.920
<v Speaker 2>me about etomology that it tells this story about who

0:29:52.920 --> 0:29:54.680
<v Speaker 2>we were in the past and how we've evolved as

0:29:54.680 --> 0:29:55.120
<v Speaker 2>a culture.

0:29:55.560 --> 0:29:58.120
<v Speaker 3>Yeah. Yeah, yeah. One thing, just going through some of

0:29:58.160 --> 0:29:59.800
<v Speaker 3>your posts on butterfly.

0:30:00.280 --> 0:30:02.480
<v Speaker 2>Wait, let me stop you on the word post, Like,

0:30:02.480 --> 0:30:03.480
<v Speaker 2>why do we call it a post?

0:30:03.480 --> 0:30:04.000
<v Speaker 1>What's up with that?

0:30:04.040 --> 0:30:06.440
<v Speaker 2>It used to be like physically something was nailing to

0:30:06.520 --> 0:30:07.000
<v Speaker 2>a post.

0:30:07.080 --> 0:30:11.240
<v Speaker 3>Yeah, yeah, wall in the town I was just noticing

0:30:11.320 --> 0:30:14.360
<v Speaker 3>this actually made me sad. I was noticing at my

0:30:15.280 --> 0:30:18.840
<v Speaker 3>doctor's office, like in the hospital, the waiting room they

0:30:18.880 --> 0:30:23.480
<v Speaker 3>called the town square because they're like trying to appropriate

0:30:23.520 --> 0:30:27.360
<v Speaker 3>I guess the language of community and stuff, which I

0:30:27.600 --> 0:30:31.240
<v Speaker 3>feel like is all over the place. That like, as

0:30:31.280 --> 0:30:35.640
<v Speaker 3>we're being kind of converted into these little, you know,

0:30:35.760 --> 0:30:41.040
<v Speaker 3>cellular beings of like consumption and you know that just

0:30:41.160 --> 0:30:44.000
<v Speaker 3>being isolated from one another, I feel like that people

0:30:44.040 --> 0:30:46.880
<v Speaker 3>are like trying, or like corporations are like trying to

0:30:47.080 --> 0:30:51.760
<v Speaker 3>just like gesture at like old style community things to

0:30:51.880 --> 0:30:54.640
<v Speaker 3>just be like, hey, guys, like we're we're all part

0:30:54.640 --> 0:30:59.240
<v Speaker 3>of the same community hanging out in a town square. Wait,

0:30:59.360 --> 0:31:01.960
<v Speaker 3>so hosting things to one another? Would you like check

0:31:02.000 --> 0:31:03.920
<v Speaker 3>in for employment then like okay, have a seat in

0:31:03.960 --> 0:31:07.760
<v Speaker 3>the town square in the town Square and you're like

0:31:08.120 --> 0:31:11.040
<v Speaker 3>these chairs. I was like yeah, and then every time

0:31:11.040 --> 0:31:12.840
<v Speaker 3>he just sits there and waits for their name to

0:31:12.960 --> 0:31:13.880
<v Speaker 3>come up on a screen.

0:31:14.720 --> 0:31:16.840
<v Speaker 2>I think there's a lot of like community buzzwords. I

0:31:16.880 --> 0:31:18.960
<v Speaker 2>don't know in the content creation space. I'm so sick

0:31:18.960 --> 0:31:21.680
<v Speaker 2>of the word authenticity, Like we all know we want authenticity,

0:31:21.720 --> 0:31:23.880
<v Speaker 2>but they throw around that word like like it doesn't

0:31:23.920 --> 0:31:24.840
<v Speaker 2>mean anything anymore.

0:31:25.360 --> 0:31:28.640
<v Speaker 1>Yeah, that's the part that I'm really like in hearing

0:31:28.680 --> 0:31:31.800
<v Speaker 1>you talk about algorithms, and also just like how algorithms

0:31:31.840 --> 0:31:35.680
<v Speaker 1>are informing how people speak that you know, like so

0:31:36.280 --> 0:31:39.480
<v Speaker 1>there is so much power in these algorithms and some

0:31:39.520 --> 0:31:41.280
<v Speaker 1>people I think maybe are aware of it, and maybe

0:31:41.280 --> 0:31:44.040
<v Speaker 1>others somewhat aware but to a lesser extent, maybe not

0:31:44.120 --> 0:31:47.760
<v Speaker 1>fully understanding, like that these are being manipulated for someone

0:31:47.760 --> 0:31:51.080
<v Speaker 1>else's gain a lot of the time. But like you know,

0:31:51.160 --> 0:31:54.200
<v Speaker 1>I was struck by your ted talk when you talked

0:31:54.200 --> 0:31:58.520
<v Speaker 1>about how like algorithms find a way to quickly like

0:31:58.840 --> 0:32:02.560
<v Speaker 1>go get people into this higher compartmentalization, and that the

0:32:02.640 --> 0:32:05.760
<v Speaker 1>algorithm point of these algorithms is to sort you more easily,

0:32:06.320 --> 0:32:08.560
<v Speaker 1>and that the idea that you know when you get

0:32:08.560 --> 0:32:11.760
<v Speaker 1>into something and you're saying, like, oh, I'm into cottage core,

0:32:11.960 --> 0:32:15.200
<v Speaker 1>gork core fashion or whatever. Now it's like like you said,

0:32:15.200 --> 0:32:18.000
<v Speaker 1>you're like the algorithm actually gave you that identity based

0:32:18.040 --> 0:32:21.600
<v Speaker 1>on what you were interacting with. And that's like a

0:32:21.680 --> 0:32:24.280
<v Speaker 1>really just sort of mind fuck kind of thing too,

0:32:24.400 --> 0:32:28.440
<v Speaker 1>that people are also chasing algorithmic words to a get

0:32:28.480 --> 0:32:31.080
<v Speaker 1>their content we've seen more or to be more popular.

0:32:31.360 --> 0:32:34.120
<v Speaker 1>And I see this a lot in especially like sports

0:32:34.160 --> 0:32:35.840
<v Speaker 1>talk on YouTube, or I just see it a lot

0:32:35.880 --> 0:32:39.400
<v Speaker 1>in any YouTube where it's about commentary, where people know

0:32:39.480 --> 0:32:43.560
<v Speaker 1>that using certain words or certain talking points or certain

0:32:43.640 --> 0:32:47.320
<v Speaker 1>topics as outrage bait is just how you get more eyeballs,

0:32:47.360 --> 0:32:50.600
<v Speaker 1>like on your shit. But it's no longer sincere expression,

0:32:50.680 --> 0:32:54.920
<v Speaker 1>because now you are completely chasing the algorithmic goal of relevance.

0:32:55.480 --> 0:32:59.120
<v Speaker 1>And like you know, when I like, I'm curious now

0:32:59.160 --> 0:33:00.960
<v Speaker 1>like no one is just saying how they feel in

0:33:01.040 --> 0:33:04.320
<v Speaker 1>certain against certain genre like YouTube content, No one exactly

0:33:04.360 --> 0:33:06.240
<v Speaker 1>says how they feel. They just see they just say

0:33:06.240 --> 0:33:09.600
<v Speaker 1>what they believe will get increased engagement. How do you

0:33:09.640 --> 0:33:13.320
<v Speaker 1>see like that playing out? Just sort of as we

0:33:13.400 --> 0:33:15.400
<v Speaker 1>go down the road, like as sort of this way

0:33:15.400 --> 0:33:18.480
<v Speaker 1>of thinking becomes more consolidated or like one track because

0:33:18.560 --> 0:33:20.560
<v Speaker 1>it's it used to be it's like, well, this person's

0:33:20.600 --> 0:33:22.320
<v Speaker 1>interesting and people are interested in what they're saying. And

0:33:22.320 --> 0:33:24.440
<v Speaker 1>now it's like, no, I need to say these five

0:33:24.560 --> 0:33:28.280
<v Speaker 1>words to get my shit up and the algorithmic ratings

0:33:28.480 --> 0:33:30.360
<v Speaker 1>and then that's how I will become relevant.

0:33:30.600 --> 0:33:33.200
<v Speaker 2>Yeah, well, I mean we're definitely performing for the algorithm.

0:33:33.200 --> 0:33:36.600
<v Speaker 2>There's this idea of like signaling not only to your audience,

0:33:36.680 --> 0:33:39.800
<v Speaker 2>but like using words as metadata, because the algorithm reads

0:33:39.800 --> 0:33:42.120
<v Speaker 2>everything when you upload it. It knows that you're using

0:33:42.160 --> 0:33:44.920
<v Speaker 2>certain words and will use those words to target your audience.

0:33:44.960 --> 0:33:47.240
<v Speaker 2>Metadata is and just like hashtags anymore, it's anything that

0:33:47.280 --> 0:33:50.160
<v Speaker 2>gives information about content and the video itself. The words

0:33:50.160 --> 0:33:52.280
<v Speaker 2>you use in the video are information. So it all

0:33:52.320 --> 0:33:55.160
<v Speaker 2>becomes part of this loop of the algorithm being able

0:33:55.200 --> 0:33:58.600
<v Speaker 2>to categorize more, identify more, pin you down as a

0:33:58.640 --> 0:34:01.640
<v Speaker 2>person better. Right, And we are playing into that. I

0:34:01.680 --> 0:34:05.520
<v Speaker 2>will say, like people have always been performing and playing

0:34:05.560 --> 0:34:09.399
<v Speaker 2>into the like I think TV broadcasters are really fake,

0:34:09.719 --> 0:34:11.520
<v Speaker 2>Like they don't they're performing.

0:34:11.520 --> 0:34:14.560
<v Speaker 1>I don't know anyone who speaks like this ATAM right.

0:34:14.600 --> 0:34:16.560
<v Speaker 2>They're performing for the idea of how you're supposed to

0:34:16.560 --> 0:34:18.640
<v Speaker 2>talk on TV, and I think influencers are performing for

0:34:18.680 --> 0:34:20.880
<v Speaker 2>the idea of how you're supposed to talk on social media.

0:34:20.920 --> 0:34:22.960
<v Speaker 2>When I write a book, I'm speaking in formal English,

0:34:22.960 --> 0:34:24.480
<v Speaker 2>which is not really how I speak in normal life,

0:34:24.480 --> 0:34:26.160
<v Speaker 2>but I'm performing for the idea of how you're supposed

0:34:26.160 --> 0:34:28.160
<v Speaker 2>to write a book. All of it's a little bit fake.

0:34:28.239 --> 0:34:31.200
<v Speaker 2>I think it's okay to reconcile that fakeness with recognizing

0:34:31.200 --> 0:34:33.360
<v Speaker 2>that we are going to communicate differently in each medium.

0:34:33.640 --> 0:34:36.040
<v Speaker 2>That being said, let's take a step back and look

0:34:36.040 --> 0:34:38.200
<v Speaker 2>at what these algorithms are doing. And yeah, it's really

0:34:38.239 --> 0:34:42.080
<v Speaker 2>weird that they run under a system called techno feudalism

0:34:42.080 --> 0:34:47.200
<v Speaker 2>where they simultaneously like are we create the product, we

0:34:47.280 --> 0:34:50.520
<v Speaker 2>consume the product, and we are the product. And all

0:34:50.560 --> 0:34:52.880
<v Speaker 2>they do is they find more ways to put us

0:34:52.880 --> 0:34:56.760
<v Speaker 2>into boxes and understand how we fit into this product space,

0:34:56.800 --> 0:34:59.440
<v Speaker 2>and everything is commodified. All of our language is evolving

0:34:59.440 --> 0:35:01.360
<v Speaker 2>through this con humorous lens of what can make the

0:35:01.400 --> 0:35:02.840
<v Speaker 2>algorithms money.

0:35:02.719 --> 0:35:06.520
<v Speaker 3>Just extract value through like you know, observation and like

0:35:06.560 --> 0:35:10.359
<v Speaker 3>selling information about you or selling something directly to you,

0:35:10.719 --> 0:35:13.879
<v Speaker 3>like and you're just like kind of they're dancing for them.

0:35:14.200 --> 0:35:17.480
<v Speaker 2>You can't communicate without generating value for them. To go

0:35:17.640 --> 0:35:18.680
<v Speaker 2>viral is to help the.

0:35:18.680 --> 0:35:22.040
<v Speaker 3>Platform, right, And that's what and that's what excites me

0:35:22.080 --> 0:35:27.320
<v Speaker 3>about this is that growing value for Yeah, what value?

0:35:27.440 --> 0:35:29.480
<v Speaker 1>What could we be talking about right now, Adam, Just

0:35:29.520 --> 0:35:32.680
<v Speaker 1>so I can maybe up our algorithmic score, which would

0:35:32.680 --> 0:35:33.600
<v Speaker 1>be talking about.

0:35:34.360 --> 0:35:36.799
<v Speaker 2>All right, I think we're past the summer of the

0:35:36.840 --> 0:35:38.959
<v Speaker 2>machula boo, do buy chocolate, But I don't mind saying

0:35:39.040 --> 0:35:40.320
<v Speaker 2>one more time, just in case.

0:35:41.719 --> 0:35:44.359
<v Speaker 6>We try to much a little bit a little bit

0:35:44.320 --> 0:35:47.640
<v Speaker 6>of chocolate. Uh huh, trying average like three of those

0:35:47.760 --> 0:35:55.920
<v Speaker 6>six And to be clear, six seven doesn't mean anything, right.

0:35:55.920 --> 0:35:57.640
<v Speaker 2>It's kind of like skimmitty, It's just funny.

0:35:58.040 --> 0:36:02.080
<v Speaker 7>Yeah, yeah, I just looking back looking back at as

0:36:02.160 --> 0:36:04.440
<v Speaker 7>I was mentioning some of your posts on like the

0:36:04.480 --> 0:36:08.879
<v Speaker 7>origin of butterfly names, because that's something that I.

0:36:08.840 --> 0:36:10.959
<v Speaker 3>Have a seven year old. Seven year olds are very

0:36:11.000 --> 0:36:14.239
<v Speaker 3>curious about, Like this is a naturally fascinating subject matter

0:36:14.280 --> 0:36:16.600
<v Speaker 3>for just I think all humans, and like my seven

0:36:16.680 --> 0:36:19.760
<v Speaker 3>year old this morning was asking me for the origin

0:36:19.840 --> 0:36:23.319
<v Speaker 3>of fifty cents name because his like art book had

0:36:23.320 --> 0:36:25.759
<v Speaker 3>a piece of art that had like fifty cents head

0:36:25.800 --> 0:36:28.840
<v Speaker 3>on a cockroach's body. He's like, who's that? Why is

0:36:28.840 --> 0:36:30.920
<v Speaker 3>he called fifty cent? Like they just you know, they

0:36:31.000 --> 0:36:34.239
<v Speaker 3>constantly want to know why is everything called everything?

0:36:34.640 --> 0:36:39.239
<v Speaker 1>But a textbook has a fifty cent bug me?

0:36:39.360 --> 0:36:41.840
<v Speaker 3>No, No, it's like an art It's like a street

0:36:41.960 --> 0:36:45.640
<v Speaker 3>art book that we before him. He didn't like. It's

0:36:45.680 --> 0:36:49.040
<v Speaker 3>not through school, got it, got it, got out when

0:36:49.120 --> 0:36:52.760
<v Speaker 3>curriculum is taken off. Yeah, things are fucking cool now

0:36:53.000 --> 0:36:57.239
<v Speaker 3>in a second grade. But butterflies come up a lot

0:36:57.280 --> 0:36:59.520
<v Speaker 3>because every time we see a butterfly come through, I

0:36:59.560 --> 0:37:02.200
<v Speaker 3>need to know name and the derivation. I was looking

0:37:02.239 --> 0:37:05.000
<v Speaker 3>at one of your posts and uh so too. Two

0:37:05.080 --> 0:37:08.280
<v Speaker 3>names that I think are like interesting little portals into history.

0:37:08.520 --> 0:37:11.680
<v Speaker 3>One is California's Sister, which I just thought was a

0:37:11.680 --> 0:37:14.520
<v Speaker 3>cool name because I just think it's cool to call

0:37:14.560 --> 0:37:18.400
<v Speaker 3>people brother and sister, and uh it's but it's actually

0:37:18.480 --> 0:37:21.360
<v Speaker 3>just like a nun. People are like that. That looks

0:37:21.360 --> 0:37:24.080
<v Speaker 3>like a nun's habit because it's black and white, and

0:37:24.400 --> 0:37:26.839
<v Speaker 3>which is I guess a window into history when like

0:37:27.280 --> 0:37:29.920
<v Speaker 3>forty percent of all humans you'd encounter on a daily

0:37:29.960 --> 0:37:32.759
<v Speaker 3>basis for like priests and nuns. So that was like

0:37:33.280 --> 0:37:34.960
<v Speaker 3>the only recdude, I was.

0:37:35.000 --> 0:37:36.880
<v Speaker 2>I was thinking about the word habit the other day.

0:37:36.920 --> 0:37:39.760
<v Speaker 2>It's crazy that you brought that up, because habit like

0:37:39.760 --> 0:37:42.040
<v Speaker 2>like a routine, like a thing that we do that

0:37:42.239 --> 0:37:44.600
<v Speaker 2>comes from the sense of like clothing that like nuns

0:37:44.640 --> 0:37:45.080
<v Speaker 2>would wear.

0:37:45.200 --> 0:37:46.080
<v Speaker 3>It was just like so weird.

0:37:46.080 --> 0:37:48.319
<v Speaker 2>It's like a routine that of them to put on

0:37:48.440 --> 0:37:50.759
<v Speaker 2>I have Fun's habit. Everyone to start calling that a

0:37:50.800 --> 0:37:53.440
<v Speaker 2>habit to do something as a routine, it crazy.

0:37:53.920 --> 0:37:55.960
<v Speaker 3>It's just nuns all the way down. When you go

0:37:56.000 --> 0:37:56.840
<v Speaker 3>back to history.

0:37:56.640 --> 0:37:59.080
<v Speaker 1>They were the first drag queens given us the culture

0:37:59.200 --> 0:37:59.560
<v Speaker 1>back then.

0:38:00.000 --> 0:38:05.919
<v Speaker 3>It's the worst quentin, It's just the least. But then

0:38:06.000 --> 0:38:07.719
<v Speaker 3>the other one that was like the opposite of that

0:38:07.800 --> 0:38:09.920
<v Speaker 3>was painted lady, which I always thought was just like

0:38:09.960 --> 0:38:13.600
<v Speaker 3>a pretty sounding word, but it's a historical word for

0:38:13.680 --> 0:38:16.920
<v Speaker 3>sex workers, which yeah, so you have to.

0:38:17.080 --> 0:38:19.480
<v Speaker 2>Like understand or flies in both extremes.

0:38:19.600 --> 0:38:22.080
<v Speaker 3>Yeah, yeah, you have to understand history through the prism

0:38:22.120 --> 0:38:26.440
<v Speaker 3>that people were I feel like, usually starving, usually slightly drunk,

0:38:26.480 --> 0:38:29.680
<v Speaker 3>and just ravenously horny at all times, and so like

0:38:29.840 --> 0:38:31.160
<v Speaker 3>painted Lady, they were just.

0:38:31.120 --> 0:38:32.480
<v Speaker 2>Like what's really different?

0:38:32.600 --> 0:38:36.000
<v Speaker 3>Hell yeah, yeah, yeah, I think just less starving maybe

0:38:36.160 --> 0:38:40.319
<v Speaker 3>and less drunk for sure, but still incredibly horny. But

0:38:40.560 --> 0:38:44.440
<v Speaker 3>the fact that they saw a butterfly and we're like.

0:38:45.600 --> 0:38:48.040
<v Speaker 2>That speaks to their reality. I think what we name things,

0:38:48.080 --> 0:38:50.279
<v Speaker 2>it really is an indicator of what's going on.

0:38:50.440 --> 0:38:50.640
<v Speaker 4>You know.

0:38:50.680 --> 0:38:53.439
<v Speaker 2>If we're naming things absurdly right now, that's because there's

0:38:53.440 --> 0:38:57.600
<v Speaker 2>something deeply dissonant with our current understanding of society. And

0:38:57.760 --> 0:39:00.400
<v Speaker 2>so I don't think six' seven is like some arbage.

0:39:00.400 --> 0:39:03.799
<v Speaker 2>THING i think it's you, know it's reacting to the

0:39:03.880 --> 0:39:04.520
<v Speaker 2>current state of.

0:39:04.560 --> 0:39:07.759
<v Speaker 3>Modernity, yeah or in the official version of, things it's

0:39:07.760 --> 0:39:10.080
<v Speaker 3>actually just the height of the president and that's why

0:39:10.080 --> 0:39:13.680
<v Speaker 3>they're referencing six seven And takashi six. Wrong.

0:39:13.960 --> 0:39:16.040
<v Speaker 1>Cool. YEAH i think one thing is just so funny

0:39:16.040 --> 0:39:19.000
<v Speaker 1>to me is like we're looking at how eleven year

0:39:19.040 --> 0:39:23.239
<v Speaker 1>olds talk and then being like society's, cooked and you're,

0:39:23.239 --> 0:39:25.440
<v Speaker 1>like they're fucking, eleven you know WHAT i?

0:39:25.520 --> 0:39:27.400
<v Speaker 2>Mean there's this justw.

0:39:27.200 --> 0:39:28.960
<v Speaker 3>Eleven year old's talking is how eleven year old's, talk

0:39:29.000 --> 0:39:30.359
<v Speaker 3>and everybody starts using.

0:39:30.400 --> 0:39:32.840
<v Speaker 2>It and YET i think there's something deeper to what

0:39:32.880 --> 0:39:35.120
<v Speaker 2>these eleven year olds find. Compelling if you look at skibbity,

0:39:35.160 --> 0:39:38.239
<v Speaker 2>toilet for, example it's a story diegetically narrated through the

0:39:38.320 --> 0:39:41.240
<v Speaker 2>lens of a camera headed, android and these camera headed

0:39:41.239 --> 0:39:44.319
<v Speaker 2>creatures are interacting with other cameras like with, iPads and

0:39:44.360 --> 0:39:46.680
<v Speaker 2>they're fighting this fictional series of. Toilets but what that

0:39:46.719 --> 0:39:50.360
<v Speaker 2>means is it's a state of technology versus the basist

0:39:50.440 --> 0:39:52.640
<v Speaker 2>thing you're taught is like the bad where bad things,

0:39:52.680 --> 0:39:56.360
<v Speaker 2>go which is the. Toilet so it's like this law force. Versus,

0:39:56.880 --> 0:40:00.359
<v Speaker 2>yeah well it literally if you're An Michael bay, version

0:40:00.440 --> 0:40:03.560
<v Speaker 2>you're like, shit and we should be doing a critical

0:40:03.560 --> 0:40:06.520
<v Speaker 2>reading of skivity. TOILET i think you're an iPad in

0:40:06.520 --> 0:40:09.319
<v Speaker 2>a state of. Technology like you you understand that like

0:40:09.360 --> 0:40:12.120
<v Speaker 2>this is some deep reflection of their state of.

0:40:12.200 --> 0:40:12.719
<v Speaker 1>Reality.

0:40:13.000 --> 0:40:15.799
<v Speaker 3>YEAH i was reading a lot about death earlier this,

0:40:15.880 --> 0:40:18.520
<v Speaker 3>year and just like you, know our fear of, death

0:40:18.600 --> 0:40:23.360
<v Speaker 3>and historically it's very connected to shit because it's like

0:40:23.440 --> 0:40:29.000
<v Speaker 3>that's the most base like human like animal body thing that. Happens,

0:40:29.040 --> 0:40:31.600
<v Speaker 3>though like you can't deny that you're just an animal

0:40:31.640 --> 0:40:34.759
<v Speaker 3>that's going to die in the context of, shit you,

0:40:34.800 --> 0:40:37.600
<v Speaker 3>know it's just like so far from anything. Else so

0:40:37.640 --> 0:40:40.680
<v Speaker 3>that that's. Interesting also that like that is you know

0:40:40.800 --> 0:40:45.759
<v Speaker 3>this higher level like robot camera headed thing that is

0:40:45.800 --> 0:40:48.960
<v Speaker 3>like what people feel like they're in evolving. Toward and

0:40:49.000 --> 0:40:54.200
<v Speaker 3>then the enemy is head in toilet like human animal,

0:40:54.320 --> 0:40:57.120
<v Speaker 3>dead you, know dying shit. Body.

0:40:57.360 --> 0:41:00.160
<v Speaker 2>INTERESTING i feel, like, Yeah i've never thought about this,

0:41:00.280 --> 0:41:02.640
<v Speaker 2>lens that skimpy toilet is a confrontation of her own.

0:41:02.680 --> 0:41:05.120
<v Speaker 2>MORTALITY i think that's a very poignant point you.

0:41:05.239 --> 0:41:08.839
<v Speaker 1>RAISED i WAS i saw like early case studies When

0:41:08.920 --> 0:41:11.200
<v Speaker 1>picassa was doing The guernica AND i felt like there

0:41:11.600 --> 0:41:15.400
<v Speaker 1>was a skibbity toilet in. There replaced it with a conforded.

0:41:15.480 --> 0:41:16.759
<v Speaker 1>Mother but, yeah this.

0:41:16.840 --> 0:41:18.359
<v Speaker 2>Is shoes right.

0:41:18.400 --> 0:41:21.600
<v Speaker 3>Now that's, crazy you, Are, yeah damn.

0:41:22.320 --> 0:41:26.480
<v Speaker 2>Crazy, YEAH i should invest in skibbity shoes as. Well,

0:41:26.840 --> 0:41:29.960
<v Speaker 2>yeah or maybe just put make skibbity toilet like The.

0:41:30.000 --> 0:41:33.279
<v Speaker 2>GUERNICA i feel like that crossover you put. Scar really

0:41:33.320 --> 0:41:35.600
<v Speaker 2>the point is that it's. Synonymous it's the horrors of

0:41:35.640 --> 0:41:40.560
<v Speaker 2>war and technology and. MODERNIZATION i think that's the lens

0:41:40.560 --> 0:41:43.000
<v Speaker 2>to read it through. That you know, why it is

0:41:43.040 --> 0:41:46.600
<v Speaker 2>this period of time when we look At Marcel douchamp's,

0:41:46.960 --> 0:41:49.359
<v Speaker 2>fountain you, know that's a urinal and we go back

0:41:49.400 --> 0:41:53.040
<v Speaker 2>to we're talking about dataism in the modern. State it's very.

0:41:53.080 --> 0:41:56.200
<v Speaker 3>Related, YEAH i. Agree let's take one more quick. Break

0:41:56.200 --> 0:42:09.680
<v Speaker 3>we'll be right, back and we're, back all. Right just

0:42:10.239 --> 0:42:15.240
<v Speaker 3>one last. Question as people are facing the existential horrors

0:42:15.239 --> 0:42:18.280
<v Speaker 3>of LIKE, ai we've seen people try to like create

0:42:18.719 --> 0:42:22.839
<v Speaker 3>a robot slur of like, clanker WHICH i. Don't i've

0:42:22.840 --> 0:42:24.600
<v Speaker 3>seen people be, LIKE i like, It it's gonna.

0:42:24.600 --> 0:42:24.920
<v Speaker 1>WORK i.

0:42:24.960 --> 0:42:27.719
<v Speaker 3>DON'T i don't know that it is going to, Work but,

0:42:27.880 --> 0:42:31.200
<v Speaker 3>like how how do you feel like language is evolving

0:42:31.320 --> 0:42:35.480
<v Speaker 3>both in how people like obviously the corporations really want

0:42:35.560 --> 0:42:37.879
<v Speaker 3>us to love and EMBRACE, ai and THEN i think

0:42:37.880 --> 0:42:42.359
<v Speaker 3>there's probably like some deep seated discomfort around, that and

0:42:42.400 --> 0:42:45.759
<v Speaker 3>THEN ai is going to change how we use. Language

0:42:46.040 --> 0:42:47.040
<v Speaker 3>how are you thinking about?

0:42:47.040 --> 0:42:48.960
<v Speaker 2>That this comes back to that THING i was talking

0:42:49.000 --> 0:42:51.560
<v Speaker 2>about vibes and the cultural moment and how language is

0:42:51.600 --> 0:42:54.120
<v Speaker 2>not some arbitrary, thing but it responds to greater. Pressures

0:42:54.200 --> 0:42:58.240
<v Speaker 2>clanker is here because there is a greater societal concern

0:42:58.360 --> 0:43:01.560
<v Speaker 2>about the rising role OF aa in our. Culture that's

0:43:01.640 --> 0:43:05.480
<v Speaker 2>that's why we Are since earlier earl this, year people

0:43:05.480 --> 0:43:08.320
<v Speaker 2>were like trying to find us slur for. ROBOTS i

0:43:08.360 --> 0:43:10.920
<v Speaker 2>remember tweets people saying, like, oh we need a slur for,

0:43:11.040 --> 0:43:13.560
<v Speaker 2>robots and then clinker went. VIRAL i think in part

0:43:13.600 --> 0:43:15.680
<v Speaker 2>it went viral because it was used an analogy to

0:43:15.719 --> 0:43:18.960
<v Speaker 2>THE n, word and that generated more, comments which are more,

0:43:19.000 --> 0:43:20.520
<v Speaker 2>engagement which pushes it further in the.

0:43:20.560 --> 0:43:23.919
<v Speaker 1>Algorithm but all those people are, like, DAMN i really

0:43:24.160 --> 0:43:26.680
<v Speaker 1>really love using a, slur, right.

0:43:26.440 --> 0:43:30.759
<v Speaker 2>The slur and then the discourse about how it's being

0:43:30.840 --> 0:43:33.360
<v Speaker 2>used as a slur also helps push the word. Further

0:43:33.400 --> 0:43:35.320
<v Speaker 2>and it's all in a kind of a positive feedback

0:43:35.360 --> 0:43:38.719
<v Speaker 2>loop of words getting pushed into the mainstream by influencers

0:43:38.719 --> 0:43:40.839
<v Speaker 2>who are using it because they know it's going viral

0:43:40.880 --> 0:43:44.200
<v Speaker 2>and just a. Trend AND i call it the engagement.

0:43:44.239 --> 0:43:47.160
<v Speaker 2>Treadmill you, know there's like a word it's. Trending people

0:43:47.280 --> 0:43:49.879
<v Speaker 2>use the word because it's, trending becomes more. Trendy that's

0:43:49.920 --> 0:43:50.879
<v Speaker 2>like the cycle we're.

0:43:50.920 --> 0:43:54.400
<v Speaker 3>In yeah, Right, yeah it's a fun one, too and

0:43:54.440 --> 0:43:56.879
<v Speaker 3>we enjoy it and we all love it and we're.

0:43:56.920 --> 0:43:58.200
<v Speaker 3>Excited we're excited for the.

0:43:58.200 --> 0:44:00.560
<v Speaker 1>Future it feels like so much energy to be like,

0:44:00.600 --> 0:44:04.000
<v Speaker 1>clankers like as if it's that, Impressive like it's individualized

0:44:04.080 --> 0:44:05.920
<v Speaker 1>enough to be like that clanker over. There it's LIKE

0:44:06.719 --> 0:44:11.080
<v Speaker 1>ai just fucking. Sucks but again that's your generational take.

0:44:11.120 --> 0:44:13.360
<v Speaker 1>Too you're anthropomorphizing, it WHICH i think is. WEIRD i

0:44:13.360 --> 0:44:15.400
<v Speaker 1>don't think we should be treating these these things as.

0:44:15.480 --> 0:44:18.000
<v Speaker 2>Humans and it's strange to me that you, know it's

0:44:18.080 --> 0:44:21.000
<v Speaker 2>designed Chat schipet's designed like a text messaging. Conversation it's

0:44:21.000 --> 0:44:23.560
<v Speaker 2>designed to trick you into. Thinking it uses first person,

0:44:23.600 --> 0:44:27.839
<v Speaker 2>pronouns it's going to mirror your linguistic. Responses. Uh and

0:44:28.400 --> 0:44:32.000
<v Speaker 2>because it's psychologically designed to trick you into thinking that

0:44:32.040 --> 0:44:34.879
<v Speaker 2>it's human so that you believe it more or you

0:44:34.920 --> 0:44:37.680
<v Speaker 2>interact with it, more and we kind OF i Think

0:44:37.719 --> 0:44:41.359
<v Speaker 2>clanker elevates, it if, anything to a near human, level

0:44:41.440 --> 0:44:42.400
<v Speaker 2>which is so strange to.

0:44:42.440 --> 0:44:44.360
<v Speaker 1>ME i think it's again LIKE i was, saying like

0:44:44.440 --> 0:44:47.680
<v Speaker 1>it makes it seem more impressive than it, is because, like,

0:44:47.920 --> 0:44:50.840
<v Speaker 1>no that's. This we're not talking about like the FILM

0:44:50.960 --> 0:44:53.560
<v Speaker 1>ai or something or something out of Like Isaac asimov's

0:44:53.560 --> 0:44:56.399
<v Speaker 1>Like Worst nightmares or. Something this is just like people

0:44:56.400 --> 0:44:58.879
<v Speaker 1>are falling for like this chat based party trick.

0:44:58.960 --> 0:45:02.240
<v Speaker 2>Thing, yeah and, yeah it's. Sue there are sub. Credits

0:45:02.440 --> 0:45:05.040
<v Speaker 2>there's like MY r slash my boyfriend IS ai OR

0:45:05.120 --> 0:45:07.719
<v Speaker 2>r SLASH ai, soulmates where people genuinely have fallen in

0:45:07.760 --> 0:45:10.360
<v Speaker 2>love with THEIR ai companions and it's like on. Ironic

0:45:10.400 --> 0:45:12.440
<v Speaker 2>they really think this is like a real, thing and

0:45:12.480 --> 0:45:15.399
<v Speaker 2>they're like being. Persecuted like, so, LIKE i think part

0:45:15.400 --> 0:45:18.760
<v Speaker 2>of these concerns With clanker are genuinely founded and people

0:45:18.800 --> 0:45:22.840
<v Speaker 2>EXPERIENCING ai psychosis and having a shattered grip on reality

0:45:22.880 --> 0:45:25.680
<v Speaker 2>because you're interacting with machine which is trained to be

0:45:25.760 --> 0:45:29.200
<v Speaker 2>in a positive feedback loop of reinforcing your biases and

0:45:29.239 --> 0:45:31.480
<v Speaker 2>your cognitive, fallacies and then you think it's.

0:45:31.520 --> 0:45:34.600
<v Speaker 3>Real it's, love hete you, know LIKE i get mad

0:45:34.640 --> 0:45:37.040
<v Speaker 3>at him AND i call him, clanker but he lets

0:45:37.040 --> 0:45:39.160
<v Speaker 3>me use it because he's, like we're actually it's.

0:45:39.200 --> 0:45:44.719
<v Speaker 1>Okay i'm married my Daughters Havel, Clanker so you, Know

0:45:44.840 --> 0:45:47.040
<v Speaker 1>i'm all right IF i say, that you know, WHAT

0:45:47.040 --> 0:45:49.759
<v Speaker 1>i go to The clanker, cookouts you know WHAT i. Mean, so,

0:45:49.960 --> 0:45:50.719
<v Speaker 1>Yeah i'm. Good i'm.

0:45:50.760 --> 0:45:52.880
<v Speaker 3>Good but, yeah it's a part of the same illusion

0:45:52.880 --> 0:45:55.160
<v Speaker 3>where it's actually just the forces of capital with like

0:45:55.200 --> 0:45:58.799
<v Speaker 3>a mask on that makes it like clever and you,

0:45:58.840 --> 0:46:03.520
<v Speaker 3>know friendly and kiss your ass like. NonStop that's Basically,

0:46:03.640 --> 0:46:04.160
<v Speaker 3>yeah that's.

0:46:04.840 --> 0:46:07.920
<v Speaker 2>A common theme of modern language is the forces of.

0:46:07.960 --> 0:46:12.000
<v Speaker 3>Capitalism, yeah, yeah all, Right, Well, adam wonderful having you

0:46:12.040 --> 0:46:15.040
<v Speaker 3>on the. Show where can people find? You follow you

0:46:15.160 --> 0:46:16.759
<v Speaker 3>find your? Book read you all that good.

0:46:16.800 --> 0:46:20.120
<v Speaker 2>Stuff i'm etymology nerd on, platforms BUT i think my

0:46:20.120 --> 0:46:22.839
<v Speaker 2>Book i'll Go speak says it. All hopefully more people

0:46:22.840 --> 0:46:23.480
<v Speaker 2>are still reading.

0:46:23.480 --> 0:46:27.799
<v Speaker 3>Books, yeah go check it out. Anywhere go to a you,

0:46:27.840 --> 0:46:31.240
<v Speaker 3>know local bookseller if you, can but it's it's everywhere

0:46:31.280 --> 0:46:34.279
<v Speaker 3>books are. Sold is there a work of media that

0:46:34.320 --> 0:46:34.759
<v Speaker 3>you've been.

0:46:34.880 --> 0:46:37.759
<v Speaker 2>Enjoying, yeah, Well i've been trying to connect with the

0:46:38.200 --> 0:46:41.400
<v Speaker 2>non algorithmic, stuff having spent so much time on, algorithms

0:46:41.480 --> 0:46:43.439
<v Speaker 2>trying to reconnect more of the. Album i've been listening

0:46:43.480 --> 0:46:45.279
<v Speaker 2>to a lot Of stevie wonder. RECENTLY i think more

0:46:45.280 --> 0:46:47.319
<v Speaker 2>people should listen to songs in the key of, life

0:46:47.880 --> 0:46:48.480
<v Speaker 2>such an.

0:46:48.400 --> 0:46:51.279
<v Speaker 1>Album, yeah what are you like it on that?

0:46:51.320 --> 0:46:55.200
<v Speaker 2>Album if we're talking about, vibes that is a vibe.

0:46:55.440 --> 0:46:58.759
<v Speaker 2>Album that is it's such a message of. POSITIVITY i,

0:46:58.760 --> 0:47:01.319
<v Speaker 2>THINK i mean kind of go through like all of,

0:47:02.400 --> 0:47:05.680
<v Speaker 2>life like, pain, breakup but he wraps in this message

0:47:05.680 --> 0:47:07.480
<v Speaker 2>of love AND i think it's really beautiful and it's

0:47:07.520 --> 0:47:11.520
<v Speaker 2>also influenced so much you know, else like The Mario

0:47:11.640 --> 0:47:17.480
<v Speaker 2>kart soundtrack is based on. It The Gangs Paradise. Paradise yeah.

0:47:17.560 --> 0:47:20.720
<v Speaker 2>Yeah the song Saturn by says that comes From saturn

0:47:20.719 --> 0:47:22.919
<v Speaker 2>By Stevie. Wondering so he's influenced our, culture but he's

0:47:22.920 --> 0:47:25.640
<v Speaker 2>done through uh this in a message of like, love

0:47:25.640 --> 0:47:27.960
<v Speaker 2>AND i think that's really beautiful and it is possible

0:47:28.000 --> 0:47:30.359
<v Speaker 2>to positively influence. Culture SO i think it's a good.

0:47:30.360 --> 0:47:33.960
<v Speaker 1>Album, yeah all, Right i'll give it to. Him he's all,

0:47:34.040 --> 0:47:34.759
<v Speaker 1>Right i'll check out The.

0:47:37.160 --> 0:47:40.399
<v Speaker 3>Wonder, Guy, Miles where did people find? You is there

0:47:40.400 --> 0:47:41.279
<v Speaker 3>a workimedia you've been?

0:47:41.360 --> 0:47:43.480
<v Speaker 1>Enjoying, wait we see the guy who was on stage

0:47:44.040 --> 0:47:46.160
<v Speaker 1>THE mtv VM a is Doing Wild Wow. West.

0:47:46.760 --> 0:47:48.319
<v Speaker 3>Yeah, yeah, yeah that's where you Know i'm. From.

0:47:48.440 --> 0:47:51.120
<v Speaker 1>Guy, yeah he's a. Musician, ALSO i thought he almost

0:47:51.120 --> 0:47:52.440
<v Speaker 1>got exploded by an on stage.

0:47:52.440 --> 0:47:55.319
<v Speaker 8>Pyrotechnic, dude do your own. Research he's actually on right.

0:47:55.440 --> 0:48:00.440
<v Speaker 8>Right will also borrowed From Stevie. WONDER i just saw

0:48:00.520 --> 0:48:02.440
<v Speaker 8>him do a sick. Freestyle the guy who had the

0:48:02.920 --> 0:48:05.840
<v Speaker 8>really supportive. Fans, yeah that looked kind of had weird

0:48:05.880 --> 0:48:06.520
<v Speaker 8>hands in that one.

0:48:06.600 --> 0:48:09.879
<v Speaker 3>Video Will Will Smith Will, yeah, Yeah i'm pretty sure

0:48:09.960 --> 0:48:12.640
<v Speaker 3>the part that he borrowed From stevie wonder was where

0:48:12.640 --> 0:48:13.080
<v Speaker 3>he goes.

0:48:12.920 --> 0:48:17.480
<v Speaker 1>Wiki wow Wow wicky Wow. WOW i don't know a

0:48:17.520 --> 0:48:21.560
<v Speaker 1>ton About, yeah find me everywhere at miles Of. Gray

0:48:21.840 --> 0:48:24.000
<v Speaker 1>check me talking about ninety day fiance on four to

0:48:24.000 --> 0:48:27.279
<v Speaker 1>twenty Day fiance. One one work of media like this

0:48:27.400 --> 0:48:31.359
<v Speaker 1>post on blue sky k nibs k and ibbs dot

0:48:31.440 --> 0:48:34.799
<v Speaker 1>be scout Out. SOCIAL i just said one of the

0:48:35.040 --> 0:48:37.680
<v Speaker 1>one of the downsides of impulsively getting my husband a

0:48:37.760 --> 0:48:41.440
<v Speaker 1>python For Father's day has been opening up the fridge

0:48:41.480 --> 0:48:43.800
<v Speaker 1>to this sort of. Thing and it's like a normal

0:48:43.840 --> 0:48:47.040
<v Speaker 1>shot of a, refrigerator but you look inside and just

0:48:47.200 --> 0:48:51.879
<v Speaker 1>box just says mice to, go one frozen medium. Rat

0:48:52.200 --> 0:48:53.160
<v Speaker 1>just mice to.

0:48:53.280 --> 0:48:57.120
<v Speaker 3>Go such a funny and the design of the boxes

0:48:57.320 --> 0:49:01.640
<v Speaker 3>like it looks Like World war. Two, yeah it looks

0:49:01.640 --> 0:49:03.760
<v Speaker 3>like A pixar thing like food.

0:49:03.920 --> 0:49:06.399
<v Speaker 1>Fro it feels like a thing from The, simpsons or it's,

0:49:06.400 --> 0:49:09.360
<v Speaker 1>like nice to go your python's favorite brand of frozen.

0:49:09.440 --> 0:49:12.960
<v Speaker 3>Rat there you. Go let's see a. Workmedia i've been,

0:49:13.080 --> 0:49:16.719
<v Speaker 3>enjoying you, know weekends or fre to. Kids so we

0:49:16.760 --> 0:49:19.920
<v Speaker 3>Watched dunstan checks in this, weekend which we HAD i

0:49:20.320 --> 0:49:22.040
<v Speaker 3>had never SAW i missed that. ONE i think it

0:49:22.120 --> 0:49:26.040
<v Speaker 3>came WHEN i was like sixteen, fifteen and SO i

0:49:26.080 --> 0:49:30.080
<v Speaker 3>missed that the first time. Around but the kids were howling.

0:49:29.760 --> 0:49:31.400
<v Speaker 1>Fun laughter of that. Movie.

0:49:31.440 --> 0:49:35.279
<v Speaker 3>Dude great performance From George, Costanza Jayson, alexander like you,

0:49:35.320 --> 0:49:35.719
<v Speaker 3>know with.

0:49:35.800 --> 0:49:37.319
<v Speaker 1>Hair exactly a lot of.

0:49:37.320 --> 0:49:40.319
<v Speaker 3>Fun don't, Forget. Paul you got kids and you're looking

0:49:40.360 --> 0:49:42.680
<v Speaker 3>for a Fun it's like g rated and should not.

0:49:42.840 --> 0:49:46.239
<v Speaker 3>Be there's lots of guns and weird. Shit but you,

0:49:46.239 --> 0:49:48.919
<v Speaker 3>know if you got kids who are over the age of, seven, There,

0:49:49.200 --> 0:49:50.239
<v Speaker 3>yeah it's a good.

0:49:50.239 --> 0:49:51.280
<v Speaker 1>One, yeah everybody's.

0:49:51.320 --> 0:49:56.880
<v Speaker 3>Smoking shout out to. History you can find me On

0:49:56.920 --> 0:49:59.719
<v Speaker 3>twitter At Jack underscore O'Brien and On Blue sky A

0:49:59.800 --> 0:50:02.920
<v Speaker 3>jack ich be the number. One you can find us

0:50:02.960 --> 0:50:05.920
<v Speaker 3>On twitter And Blue sky At Daily. Zeitgeist we're at

0:50:06.000 --> 0:50:09.600
<v Speaker 3>The Daily. Zeitgeist On. Instagram you can go to the

0:50:09.640 --> 0:50:12.319
<v Speaker 3>description of this episode wherever you're listening to, it and

0:50:12.360 --> 0:50:14.600
<v Speaker 3>at the bottom you will find the footnote, no which

0:50:14.600 --> 0:50:16.120
<v Speaker 3>is where we link off to the information that we

0:50:16.120 --> 0:50:19.120
<v Speaker 3>talked about in today's. Episode well also link off To adam's. Book.

0:50:19.160 --> 0:50:21.120
<v Speaker 3>There we also link off to a song that we

0:50:21.160 --> 0:50:23.319
<v Speaker 3>think you might. Enjoy, miles is there a song that

0:50:23.400 --> 0:50:24.239
<v Speaker 3>you think people might.

0:50:24.440 --> 0:50:28.600
<v Speaker 1>Enjoy, yeah this is a track From japanese beat maker Bug.

0:50:28.680 --> 0:50:31.680
<v Speaker 1>Seed i've probably recommended a track or two of his,

0:50:31.840 --> 0:50:34.919
<v Speaker 1>before but this is just just makes solid boom bab

0:50:35.239 --> 0:50:39.480
<v Speaker 1>instrumentals and for, somebody for people of a certain way.

0:50:39.520 --> 0:50:41.960
<v Speaker 1>Age sometimes you play an instrumental in your car and

0:50:42.000 --> 0:50:43.799
<v Speaker 1>you get to rap in and tap, in you know

0:50:43.800 --> 0:50:45.400
<v Speaker 1>WHAT i. Mean so this is a track for, you

0:50:45.440 --> 0:50:48.120
<v Speaker 1>but also just a really solid. Instrumental it JUST i don't.

0:50:48.160 --> 0:50:53.520
<v Speaker 1>Know music is always very, transport, transportive. Transport it transports

0:50:53.600 --> 0:50:56.719
<v Speaker 1>me to a wonderful era and boombab hip. HOP i love.

0:50:56.760 --> 0:50:59.000
<v Speaker 1>You so this is Bug seed with the track a, spiral.

0:51:00.080 --> 0:51:01.840
<v Speaker 3>Right we will link off to that in the footnote

0:51:01.880 --> 0:51:03.880
<v Speaker 3>For The Daily Zeit guy is the production Of. iHeartRadio

0:51:03.920 --> 0:51:06.360
<v Speaker 3>for more podcasts from My Heart, radio visit The iHeartRadio,

0:51:06.360 --> 0:51:08.320
<v Speaker 3>App apple, podcast or wherever you listen to your favorite.

0:51:08.320 --> 0:51:10.239
<v Speaker 3>Shows that is going to do it for us this,

0:51:10.440 --> 0:51:12.600
<v Speaker 3>morning back this afternoon to tell you what is, trending

0:51:12.800 --> 0:51:14.560
<v Speaker 3>and we'll talk to you all Then bye.

0:51:14.800 --> 0:51:18.800
<v Speaker 1>Bye The Daily Zeit guys is executive produced By Catherine, long.

0:51:18.920 --> 0:51:22.799
<v Speaker 2>Co produced By Bee, wang co produced By Victor.

0:51:22.600 --> 0:51:27.080
<v Speaker 1>Wright co written by J m, mcnapp edited and engineered

0:51:27.080 --> 0:51:27.640
<v Speaker 1>By Justin.

0:51:27.719 --> 0:51:28.040
<v Speaker 3>Conner