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Speaker 1: So we're in the rafters making spooky sounds to sort

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Speaker 1: of scare the theater goers. And I'm you know, I'm

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Speaker 1: scurrying across and it sounds like little animals and yeah

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Speaker 1: all that, and I'm with I'm there with Randy Moss,

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Speaker 1: and he is, i'll say it, faster than me.

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Speaker 2: Yeah, okay, Hey, that congratulations. That's really big.

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Speaker 3: You know what.

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Speaker 2: I don't want to just like blow by that. That's

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Speaker 2: huge that you could say that.

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Speaker 1: I don't have to be the best at everything. And

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Speaker 1: I think there are things that I am better at

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Speaker 1: than Randy.

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Speaker 2: Uh huh, what like catching? Like where are you on

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Speaker 2: that catching? Yeah versus him? Yeah, it's close. I would

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Speaker 2: say he's faster than me, which I've admitted. Yeah, it's huge.

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Speaker 1: He probably edges me out a little bit on catching.

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Speaker 1: I'm probably stronger than him in terms of pure raw.

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Speaker 2: Strength country strength, yeah, which is like what's real.

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Speaker 1: I'm what people call country strong, which is like, no,

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Speaker 1: I don't have shredded muscles. Yeah, but I can pick

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Speaker 1: up a tractor and smash cornwall without ever working out.

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Speaker 1: I've never worked out. But the fact of the matter

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Speaker 1: is when you're around tractors as much as I have

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Speaker 1: been at some point, just by instinct, you understand leverage

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Speaker 1: and you can pick up the tractor and smash all

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Speaker 1: your corn in like an hour.

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Speaker 2: Both the tree, you ring the triangle and you come

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Speaker 2: in and the table is just a s cash corn.

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Speaker 2: It get spread out all over the.

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Speaker 4: Tablesh corn, Give your smashed corn, everybody.

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Speaker 1: No plates, no plates, no utensils, no table. Really we

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Speaker 1: call it at table, but it's a blanket smash corn.

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Speaker 2: That's one thing. It seems like it would be so

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Speaker 2: much better to serve on a smooth surface, right instead

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Speaker 2: of one that it has like fibers and stuff.

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Speaker 5: Tradition.

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Speaker 1: What is it about these traditions that we can't let

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Speaker 1: go of? They make it special. You feel a connection

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Speaker 1: to your ancestors who also probably wished they had a

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Speaker 1: smooth surface to eat off of. But something about that

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Speaker 1: frustration it really makes us hard, doesn't It makes us tough?

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Speaker 2: Anyway?

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Speaker 1: I'm tougher than Randy as well, because I did have

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Speaker 1: to eat smash corn off a blanket.

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Speaker 2: And you're making the sounds bringing the sounds.

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Speaker 1: I'm doing doing sort of Adam Sandlery sounds.

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Speaker 2: Ce people are looking up like what and sometimes you're

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Speaker 2: going like, who's that? What's that sound? So they're like,

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Speaker 2: am I the the am I the ghostly presence? Oh god,

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Speaker 2: it's looking at me?

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Speaker 1: Is this?

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Speaker 2: Yeah? Am I like in the others? Am I like

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Speaker 2: the end of the others?

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Speaker 1: But knowing what the end is from the beginning, Yes,

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Speaker 1: Oh god, they're all looking at me, the ghosts are.

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Speaker 2: I'm doing that?

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Speaker 1: And then the show starts.

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Speaker 2: I hadn't even started it.

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Speaker 1: No, I was sort of trying to set them like

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Speaker 1: it's gonna be spooky here. And I gotta say, I

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Speaker 1: got so caught up in the funny jokes and songs.

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Speaker 6: Yeah, that I completely forgot to haunt the place.

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Speaker 1: I wound up just watching the spam a lot.

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Speaker 2: Hey, Welcome to Hollyllywood, had book.

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Speaker 1: Incidlays, got to gate By, drop names and a cover

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Speaker 1: linebacks this in two cultural business a what up?

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Speaker 3: What up?

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Speaker 2: And we have a big guest today.

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Speaker 1: We love our return guests, don't we hayes Man.

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Speaker 2: Oh weird? And we say these words. We say it's insiders,

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Speaker 2: and we say it's the hallways. But is it really like,

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Speaker 2: what does it mean when we say this stuff? When

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Speaker 2: you put all those words together. They come up you

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Speaker 2: put it together. They come up with this like completely

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Speaker 2: different meaning.

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Speaker 1: Absolutely the order they're in and what you are saying.

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Speaker 2: And huh and that actually is the same as true

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Speaker 2: for notes and what do I mean notes and musical note?

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Speaker 2: Music note? So who do we know who does a

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Speaker 2: musical note every once at all? I know has music

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Speaker 2: note And it's Michael Cronin. Hi, hey, and he is

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Speaker 2: is on our label, GOJR Records.

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Speaker 1: We discovered him. Yes, do you say thank.

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Speaker 2: You, thank you, You're welcome you What kind of instrument

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Speaker 2: did you play when we first found.

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Speaker 6: It?

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Speaker 2: I tried it tried to be a guitar. It was

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Speaker 2: trying very hard to be a guitar. Yes, yeah, it

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Speaker 2: was a little guitar that could. And I think it

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Speaker 2: was as empty tissue box with some floss, right, maybe

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Speaker 2: a rubber band, maybe one rubber band on a good day.

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Speaker 1: On a number band on a good day. It made noises. Yeah,

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Speaker 1: And we could just feel this kid's got something special.

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Speaker 2: And it ain't the tissue box.

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Speaker 7: Mm hmm, that's nothing special.

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Speaker 2: What's this eating noise? It's different than the normal one.

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Speaker 2: Speaking of noise, So bush Man the Dog has a

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Speaker 2: toy today. Uh huh.

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Speaker 1: Now, last time he took a part his toy, took

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Speaker 1: out all the fluff and tried to eat part of

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Speaker 1: the like metal rattley thing inside.

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Speaker 2: That's what that was.

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Speaker 1: Okay, Today I have brought big Pretzel.

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Speaker 2: We all like pretzel?

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Speaker 1: Yeah, okay, And it does not really have fluff inside

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Speaker 1: or anything metal, so if he does rip it up,

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Speaker 1: it will really just be cloth. And then it seems

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Speaker 1: like the inner side of it is all just one

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Speaker 1: crinkly piece.

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Speaker 2: Does it make it loud crinkly sound? Yes?

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Speaker 1: Does that ruin the podcast?

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Speaker 7: Yes?

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Speaker 1: Am I gonna take it away from him? Absolute?

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Speaker 5: No?

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Speaker 2: And can I just point out how effortlessly you did

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Speaker 2: an entire Doughboys episode just in one tiny part of

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Speaker 2: that story saying we all like Pretzel. That's it. That's

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Speaker 2: the entire show, the whole fucking show man, except they're like,

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Speaker 2: stretch it out, stretch it out. But they could just say,

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Speaker 2: you play the thing, do the theme song. Yeah, Yeah,

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Speaker 2: we all like Pretzel. Everyone go home.

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Speaker 1: Phineas Prettz sold the Fourth was baking his bread for

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Speaker 1: his missus one night and left it in a little

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Speaker 1: too long. The hard concoction that came out Thrilled is

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Speaker 1: Children served as a teething ring and a salty treat

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Speaker 1: for after work in the minds. But Phineas didn't know

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Speaker 1: yet that maybe.

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Speaker 2: Michael, Hey, what the everything, the music? And what are

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Speaker 2: we getting? First of all a new some new actual product?

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Speaker 3: Oh?

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Speaker 7: Pretty soon?

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Speaker 1: I raw product raw?

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Speaker 2: Can I just say? Also, I think there was maybe

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Speaker 2: a misunderstanding with this whole thing. You are, of course

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Speaker 2: on our label. Yeah. The assumption was sort of that

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Speaker 2: you would bring we are operate sort of a bringer label. Yeah,

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Speaker 2: where you are the bringer of your friends.

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Speaker 1: Young aretists, oh new miile artists for the label. Okay,

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Speaker 1: you're something of a honeypop Michael. And the idea is

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Speaker 1: that you would draw in all your young friends who

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Speaker 1: have their little homemade instruments, and you would bring them

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Speaker 1: here and say, hey.

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Speaker 2: These guys will give you forty bucks and then you

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Speaker 2: get free song. Oh, that's pretty good deal.

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Speaker 7: That's not bad. That's not bad.

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Speaker 2: Free song for Michael.

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Speaker 6: Should I have a I have a few young up

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Speaker 6: and comers I could I could bring up Okay, what

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Speaker 6: kind of what what are you looking for?

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Speaker 2: Michael?

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Speaker 6: Michael Is to look at him, you'd be like, oh,

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Speaker 6: this is a freaking punk. No, it's true, coming down

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Speaker 6: the street, Yeah.

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Speaker 2: To beat my ass. Yeah, when I'm out of here.

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Speaker 1: When I first saw him, when you brought it, because

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Speaker 1: you had brought him into the studio and you hadn't

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Speaker 1: warned me.

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Speaker 2: On a on a on a leash, and my.

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Speaker 1: Fingers immediately drifted into the brass knuckles that I keep

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Speaker 1: on my belt loop, and I thought, I'm gonna need

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Speaker 1: to pound this guy's face because otherwise that's what he's

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Speaker 1: gonna do to me.

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Speaker 2: But what happened instead was this sweet guy. Yeah, he's

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Speaker 2: a sweet punk. I mean, these guys more like you.

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Speaker 7: They Yeah, there's just sweet. Most of them are sweet.

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Speaker 6: Some of them are a little on the punker side.

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Speaker 1: Of Okay, you remind me of Sugar High, the song

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Speaker 1: from the end of Empire Records, because it is punk,

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Speaker 1: but it's very sweet and it's about just sugar.

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Speaker 8: Hmmm.

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Speaker 1: If you remember when Renezo Wigar finally gets the courage

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Speaker 1: to sing lead on that song.

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Speaker 2: Who are these guys?

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Speaker 9: Guy?

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Speaker 7: Guys and gals?

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Speaker 2: I got Yeah, I called Garrett, I called girls guys.

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Speaker 1: Also, no, I know, I know, yeah, I say that's

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Speaker 1: the guy you know what I'm looking at.

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Speaker 6: Girls, I'm I'm touring with with my friend Shannon Ley.

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Speaker 6: She's she's sweet, she's a sweetie. She's also punk, she's

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Speaker 6: got she's got orange hair. Yeah, but she's just she's sweet,

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Speaker 6: she's sweet.

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Speaker 2: She won't sorry.

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Speaker 1: I hit myself in the leg with my brass knuckles.

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Speaker 1: I just punched my thigh.

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Speaker 7: Oh, that's very careful of those things.

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Speaker 2: That's so bad that they're so heavy.

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Speaker 1: Basically, if I get them all of my belt loop,

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Speaker 1: I'm immediately punching straight downward at my own leg.

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Speaker 2: The weight of the breaks your fist right into your leg.

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Speaker 1: I don't know what I would do with them if

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Speaker 1: anybody ever really came at me, because they basically just

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Speaker 1: dragged my whole arm down and send me tumbling ass

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Speaker 1: over tea kettle heavy.

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Speaker 2: You have to at least hope that they have for

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Speaker 2: some reason migrated down by your side.

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Speaker 3: My yea.

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Speaker 1: My only real hope is that their initial attack move

199
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Speaker 1: was to get underneath me somehow, face up, ground attack,

200
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Speaker 1: leg sweep or something. Well, it would be more if

201
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Speaker 1: they were going to like pretend to be a mechanic

202
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Speaker 1: going under a car in order to initially attack me,

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Speaker 1: and then as they're sort of rolling towards me, boom

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Speaker 1: with the brass knuckles and then I'm tumbling ass over

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Speaker 1: tea kettle.

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Speaker 2: Regardless, Michael may those couple of changes around here.

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Speaker 7: Yeah, fancy new digs.

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Speaker 2: New office.

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Speaker 1: Yeah you think, Yeah, it's not bad, not too bad.

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Speaker 2: But also we have someone in the room who this

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Speaker 2: whole episode has been like, oh boy, one on I go,

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Speaker 2: when is it my turn?

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Speaker 3: Music? Music?

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Speaker 2: It was residing in the cut and her name is

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Speaker 2: and she's short in yes hi, and she has BA

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Speaker 2: vocal performance. Yes, and so as we do songs today,

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Speaker 2: we are gon do song.

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Speaker 1: Yes, guys, it's Michael's here. And yes, our license expired

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00:12:19,360 --> 00:12:23,000
Speaker 1: on all our old songs. We uh did not do

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Speaker 1: the paperwork correctly, and it is illegal for us to

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Speaker 1: use the song.

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Speaker 2: Everyone forgot to use them on the show.

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Speaker 1: Anyone who doesn't remember is Michael came here before after

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Speaker 1: Colin screamed at us, humiliated himself more than us really,

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Speaker 1: but said that we were no longer allowed to have

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Speaker 1: music on the show. We said, fine, we'll make our

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Speaker 1: own music, and Michael came in to help us, and

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Speaker 1: we made the music. We never used it once and

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Speaker 1: the license is expired and we have no access to it, and.

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Speaker 2: People listening like, oh go check out that episode. Sound

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Speaker 2: of them smashing into the paywall smeared on the paywall.

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Speaker 2: Just another stain up against the paywall. Fuck man, this

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Speaker 2: fucking place is brutal. People want universal healthcare.

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Speaker 1: You can't even get universal podcast access this shit, dude,

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Speaker 1: this fucking country. At least Colin's happy, right office recaps? Yeah, Kevin,

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Speaker 1: were you posted to take our healthcare?

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Speaker 3: Kevin?

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Speaker 1: Were you pissed about those office recaps?

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Speaker 2: Did you see this?

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Speaker 10: Hey, guys, chef Kevin here? Yeah, I was pissed. Me

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Speaker 10: and Tom have to start from scratch now, so we're

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Speaker 10: taking ideas.

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Speaker 1: Did you see this announcement?

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Speaker 3: Michael?

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Speaker 6: No?

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Speaker 3: Do you see this?

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Speaker 2: Michael? You see this?

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Speaker 1: You've seen this here?

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Speaker 3: Lose.

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Speaker 7: I haven't seen this thing.

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Speaker 5: Seen this thing.

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Speaker 1: It's the office recap podcast, apparently Pam and Angreewa from

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Speaker 1: the office to recaps.

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Speaker 2: Hey, what do you think about that?

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Speaker 7: It's not this office?

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Speaker 1: No, okay, it's the office.

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Speaker 2: It is in this office. Yeah, do they get this

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Speaker 2: is now? I guess the office is technically the office.

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Speaker 2: You ever do one of these editor Jordan the Office

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Speaker 2: one of the recaps.

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Speaker 10: Oh no, no, I've seen them in the studio.

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Speaker 7: I haven't personally recorded them.

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Speaker 1: Now they're in the studio, but they know when to

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Speaker 1: do our show.

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Speaker 2: Who's doing those? Whose engineer? Sam?

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Speaker 10: That's a Sam production.

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Speaker 1: Oh gosh, well, so that is a ticking time bomb.

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Speaker 2: That's why he changed his hair back. His hair was

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Speaker 2: freaky pink for so long, and then all of a

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Speaker 2: sudden he looks like mister Norman normal to ingratiate his

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Speaker 2: way onto.

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Speaker 1: The office recap from Para Norman to Norman Normal overnight,

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Speaker 1: and you gotta wonder what inspired that. He's trying to

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Speaker 1: fit in with all Michael's punk friends, and then the

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Speaker 1: next day it's like, no, no, no, I'm a part

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Speaker 1: of the office too. That is a powder keg. This

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Speaker 1: typical your wolf, Michael.

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Speaker 2: We have to do. We got to replace all these songs,

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Speaker 2: and they're also out of date, some of them.

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Speaker 1: The information has changed. At the time, Kevin was almost

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Speaker 1: exclusively a pervert. Now he's also annoying and abandoned us.

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Speaker 2: So should we do one about I guess just the

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Speaker 2: experience of looking to get like it. Basically, it should

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Speaker 2: be a segment now where we need Kevin for something

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Speaker 2: and then realize that he is not there.

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Speaker 3: Right.

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Speaker 2: So the song is a story.

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Speaker 1: It's almost like a musical, right, And the story is

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Speaker 1: that there's literally the most basic thing that a producer

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Speaker 1: might provide to your show, this physical presence, uh huh,

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Speaker 1: and and instead what we get is a fucking knife

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Speaker 1: in the belly.

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Speaker 7: Sounds like a sounds like a country song.

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Speaker 2: That does okay. And this is.

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Speaker 6: Why Michael has been so helpful to our label.

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Speaker 1: I'm running, lady, Could somebody meet the guests in the

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Speaker 1: lobby forre me?

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Speaker 3: I'm running out of that be.

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Speaker 2: Maybe I can make fun of the producer.

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Speaker 11: I need a glass of water, need a glass of cof.

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Speaker 3: We need a tissue.

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Speaker 9: Dude, need a napkin.

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Speaker 11: And somebody's got a walk.

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Speaker 1: My dog got sure ain't gonna take care of my

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Speaker 1: old dog.

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Speaker 5: But he's gone.

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Speaker 3: He's gone.

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Speaker 5: My friend who.

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Speaker 2: Wins this spies, he's gone. Missus Hare and his pervertedies

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Speaker 2: haven't seen him.

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Speaker 3: Four nine on a year.

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Speaker 1: He's out with Conan and the Threedom game.

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Speaker 2: He's selling shirts and celebrating his birthday and.

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Speaker 5: I haven't seen him in a.

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Speaker 11: Month something about having a girlfriend made him big for

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Speaker 11: his breeches.

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Speaker 10: That's a fact.

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Speaker 2: He bought a car and he's strutting around like he's

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Speaker 2: king of shit Hollywood of the podcast world. That's how

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Speaker 2: songs end, right, Yeah, Hi Bosh, what's up, buddy? He's

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Speaker 2: right up in the window. Bash, you want your own song?

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Speaker 2: This is like, honestly, in Bosh's musical biopic, like in

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Speaker 2: like Ray or something, he hears a guitar on a

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Speaker 2: podcast and he's like, what the heck is that sound?

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Speaker 2: And he like, he gets addicted to the sound. Yeah,

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Speaker 2: and he becomes a famous musical dog. That's quite likely

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Speaker 2: to happen.

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Speaker 1: I love seeing this sort of seed be planted that

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Speaker 1: will later grow into the beautiful tree of Bosh's music career.

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Speaker 1: I mean, he has become a much bigger party. I

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Speaker 1: don't think he got his own song in the first

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Speaker 1: iteration of this, right.

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Speaker 2: Was he an a live dog at that time? He

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Speaker 2: might have been.

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Speaker 1: He might have been a puppy.

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Speaker 7: Okay, he wasn't here.

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Speaker 1: He wasn't here, Yeah, but at the time he was

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Speaker 1: maybe going to.

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Speaker 2: The Bosch segment will be good. That one's great. So

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00:19:07,920 --> 00:19:11,480
Speaker 2: that kind of replaces the need for like when I

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Speaker 2: need to use Kevin as a crutch on the show.

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Speaker 2: Then we can just play the song and I'll use

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Speaker 2: that time to figure out something else to do.

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Speaker 1: We'll just kick to like hey, Bush, didn't you have

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Speaker 1: a song you wanted to play? And then he'll sing

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Speaker 1: his own song that is great too. Yeah, something soulful, right,

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Speaker 1: I mean, just.

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Speaker 2: Got a little bit of soul.

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Speaker 12: Okay, squishush a dog named Bush.

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Speaker 3: Careful body, or you'll end up on.

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Speaker 9: Top because the dog mate.

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Speaker 13: But there's a hell of a scene.

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Speaker 9: Well, it could go quite viral if you know what

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Speaker 9: I mean.

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Speaker 4: Bosh, put your ass on tars when you find joke Bud.

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Speaker 9: Daniel Tar's laughing you, but it's gonna tell you what.

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00:20:38,960 --> 00:20:43,600
Speaker 4: Critch op your face and put your ass unto your toe.

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Speaker 4: That's rise squiz, motherfucking squad.

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00:20:55,040 --> 00:21:01,240
Speaker 2: Very soulful. I have a little concerned about this specificity

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00:21:03,080 --> 00:21:11,360
Speaker 2: of the content. It's it's Bosh threatening. He's basically like, yeah,

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00:21:11,400 --> 00:21:16,679
Speaker 2: he's threatening, yeah, to put someone on Tosh point.

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00:21:16,680 --> 00:21:21,000
Speaker 6: Oh, he's saying that he's gonna bite your butt and

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Speaker 6: that someone will I guess be recording this on video

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00:21:24,240 --> 00:21:27,680
Speaker 6: and that Daniel Tosh is gonna make a meal out

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Speaker 6: of that at his show, So what what's the concern?

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Speaker 2: I don't know, Just like, it doesn't seem like there

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00:21:36,960 --> 00:21:41,040
Speaker 2: are a lot of opportunities to use a song about that.

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Speaker 2: It doesn't really like, I don't know, it doesn't.

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Speaker 1: You want a more general Well, it's introduced switch Squash

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Speaker 1: up a dog Dave Bot.

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Speaker 2: No, that's right, that's my fault.

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Speaker 1: So that introduces him. And then it basically like I

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Speaker 1: think it's more universal than you giving it credit for,

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00:22:01,080 --> 00:22:05,080
Speaker 1: because basically he's saying, anyone who was about to criticize

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00:22:05,160 --> 00:22:07,840
Speaker 1: or attack us, you will get your butt bits so

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Speaker 1: hard you end up straight on tash.

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00:22:10,200 --> 00:22:11,840
Speaker 2: That's good to get out ahead of that.

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00:22:11,920 --> 00:22:15,040
Speaker 1: It's a one way ticket to tosh Point. Oh and

379
00:22:15,119 --> 00:22:16,760
Speaker 1: there will be no web redemp ship.

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Speaker 2: Andrew Jordan obviously needs a song, and she has been

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Speaker 2: asking me in between records. She's been saying, like, when

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00:22:29,640 --> 00:22:32,760
Speaker 2: am I really gonna get to flex these pipes?

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00:22:33,359 --> 00:22:36,440
Speaker 1: Yeah, And she's been going over my head to ask

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Speaker 1: you that because of course YE said, Hey, that's not

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00:22:40,240 --> 00:22:42,080
Speaker 1: really part of the show. It's like a comedy podcast.

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00:22:42,080 --> 00:22:46,000
Speaker 1: It's like a sort of improvised comedy podcast. Yeah, and

387
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Speaker 1: a Hollywood advice guy.

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Speaker 2: God, that was so long ago.

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Speaker 1: But I said, we don't do music. Yeah, I want

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Speaker 1: to feel old, tried being meet, Yeah, I want to

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Speaker 1: feel old.

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Speaker 2: My knees are killed me. Yeah.

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Speaker 1: So I said, absolutely not under no circumstances. And then

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00:23:09,680 --> 00:23:13,720
Speaker 1: she goes around to daddy. Mommy said, it's okay that

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Speaker 1: I can sing sing as loud as I want.

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00:23:18,000 --> 00:23:18,840
Speaker 2: That's verbati.

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00:23:19,600 --> 00:23:24,240
Speaker 1: Yeah, as long as it's okay with you, and then

398
00:23:24,320 --> 00:23:27,040
Speaker 1: you and then I go off thinking you approved it,

399
00:23:27,080 --> 00:23:28,200
Speaker 1: and you think I did.

400
00:23:28,119 --> 00:23:31,000
Speaker 2: So mm hmm. And she's she was saying, like, you

401
00:23:31,000 --> 00:23:33,719
Speaker 2: got me splashing around the kiddie pool with these socks

402
00:23:34,000 --> 00:23:37,480
Speaker 2: we're doing. It's like just like swimming on the kitties

403
00:23:37,560 --> 00:23:38,640
Speaker 2: peep pee. Yeah.

404
00:23:39,200 --> 00:23:41,720
Speaker 1: No, She's like, I'm ready to do a fucking half

405
00:23:41,760 --> 00:23:49,560
Speaker 1: gainer into the deep end, baby lady Gaga style, kept saying,

406
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Speaker 1: Lady Gaga style.

407
00:23:53,359 --> 00:23:57,320
Speaker 2: So let's finally give Jordan an opportunity to like fully

408
00:23:57,640 --> 00:24:00,960
Speaker 2: let it rip. You don't even need to use like

409
00:24:01,160 --> 00:24:05,520
Speaker 2: words like will just like set you up in the

410
00:24:05,520 --> 00:24:11,760
Speaker 2: song and you can just like tear off some real

411
00:24:11,880 --> 00:24:25,720
Speaker 2: vocal performance. Here comes Jordan. She's about to go off Here.

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00:24:25,600 --> 00:24:30,040
Speaker 6: Comes Jordan's clearing her throat with a cough to open

413
00:24:30,240 --> 00:24:33,320
Speaker 6: up that broke for a big.

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Speaker 2: Old song, Jordan's three two one won't Jordan, here's my song?

415
00:24:43,640 --> 00:24:44,400
Speaker 10: I'm singing?

416
00:24:45,200 --> 00:24:49,760
Speaker 3: How him?

417
00:24:49,840 --> 00:24:51,840
Speaker 9: You told me to sing a song.

418
00:24:53,800 --> 00:24:57,399
Speaker 3: He would have?

419
00:24:57,840 --> 00:25:05,400
Speaker 2: Bo Okay, it's enough. Back to the show. Haze and

420
00:25:05,480 --> 00:25:08,520
Speaker 2: Sean are the only stars of the show.

421
00:25:09,320 --> 00:25:13,640
Speaker 11: Jordan's sold her soul to the devil for a good voice,

422
00:25:13,800 --> 00:25:16,000
Speaker 11: and all she got out.

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00:25:15,680 --> 00:25:17,760
Speaker 9: Of it was a ten second song.

424
00:25:18,920 --> 00:25:22,560
Speaker 2: People listen to the show to hear Haes and Sean.

425
00:25:23,800 --> 00:25:26,879
Speaker 2: What do you expect an entire show of you just

426
00:25:27,040 --> 00:25:36,000
Speaker 2: seeing us are Nope, not happening. Sorry, pal, Let's do

427
00:25:36,119 --> 00:25:37,520
Speaker 2: this again next year.

428
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Speaker 3: Thanks guys.

429
00:25:41,040 --> 00:25:42,119
Speaker 5: Sure, yeah, we'll use that.

430
00:25:43,080 --> 00:25:46,240
Speaker 2: We'll use that. So many opportunities that'll come up to

431
00:25:46,400 --> 00:25:55,400
Speaker 2: use that. And Michael, if you had any ideas as

432
00:25:55,440 --> 00:25:58,680
Speaker 2: you listen to the show, like for like any times

433
00:25:58,720 --> 00:26:00,080
Speaker 2: where you're like, oh, it could be good to do

434
00:26:00,160 --> 00:26:00,680
Speaker 2: a song about.

435
00:26:00,720 --> 00:26:02,440
Speaker 1: Yeah, you're a fan of the show. Is there anything

436
00:26:02,480 --> 00:26:05,359
Speaker 1: you feel like needs its own song?

437
00:26:06,760 --> 00:26:07,840
Speaker 7: Let's see.

438
00:26:10,080 --> 00:26:15,199
Speaker 6: A part you have the opening song that's important, okay, yes,

439
00:26:15,240 --> 00:26:17,920
Speaker 6: which is agreed, a very short closing song.

440
00:26:20,160 --> 00:26:26,360
Speaker 2: Okay, it goes whoa, Yes, that is a song, thank you? Yeah, yes,

441
00:26:26,720 --> 00:26:30,800
Speaker 2: typically a song. Trying to tell me that's not a song.

442
00:26:30,960 --> 00:26:31,760
Speaker 2: Songs can be short.

443
00:26:31,800 --> 00:26:34,399
Speaker 7: He's telling you that's not a song. Please, that's false.

444
00:26:34,600 --> 00:26:37,480
Speaker 1: Yeah, thank you? So you got those?

445
00:26:38,920 --> 00:26:40,200
Speaker 7: Do you need an intermission?

446
00:26:40,480 --> 00:26:40,880
Speaker 2: Do you ever?

447
00:26:41,440 --> 00:26:42,440
Speaker 7: Do you ever feel so that.

448
00:26:42,400 --> 00:26:44,919
Speaker 2: We could just take a break and the bathroom or

449
00:26:44,920 --> 00:26:48,040
Speaker 2: something long intermission that could be really good?

450
00:26:48,400 --> 00:26:51,080
Speaker 1: Oh wow, yeah, that could be smart bathroom song.

451
00:26:51,240 --> 00:26:54,440
Speaker 6: It's just you two running this running this ship, and like, yeah,

452
00:26:54,440 --> 00:26:58,120
Speaker 6: I know that, you know, I don't know you ever

453
00:26:58,200 --> 00:26:58,840
Speaker 6: need a break.

454
00:26:59,040 --> 00:27:03,160
Speaker 2: I've trained my boy. It's incredible. What basically a superhuman podcast,

455
00:27:03,240 --> 00:27:07,200
Speaker 2: or I become where my endocrine system and basically all

456
00:27:07,200 --> 00:27:10,800
Speaker 2: my other internal organs will shut off or just be

457
00:27:10,920 --> 00:27:12,840
Speaker 2: like it's okay, no need to like take care of

458
00:27:12,920 --> 00:27:18,000
Speaker 2: us for the next fifty minutes because they know, they

459
00:27:18,200 --> 00:27:20,960
Speaker 2: just know, yes, I don't even have to do it consciously.

460
00:27:21,119 --> 00:27:23,720
Speaker 2: Oh wow, okay at this point, so if I were

461
00:27:23,760 --> 00:27:26,399
Speaker 2: to try to go to the bathroom, I would like

462
00:27:26,480 --> 00:27:29,040
Speaker 2: get hurt trying to do it.

463
00:27:29,119 --> 00:27:32,600
Speaker 6: Okay, you don't want to, you don't, Yeah, you don't

464
00:27:32,600 --> 00:27:33,160
Speaker 6: want to do that?

465
00:27:33,320 --> 00:27:35,639
Speaker 7: Then you don't you don't even want to try.

466
00:27:37,240 --> 00:27:39,040
Speaker 1: Don't make him try to go to the bathroom.

467
00:27:39,040 --> 00:27:41,000
Speaker 2: But I like to be able to say that I

468
00:27:41,160 --> 00:27:44,760
Speaker 2: have to go to not have to speak on the show.

469
00:27:44,880 --> 00:27:47,440
Speaker 2: So then I could go in the bathroom, stand still.

470
00:27:47,320 --> 00:27:51,000
Speaker 1: Take a breather. Yeah yeah, just wash your face.

471
00:27:51,720 --> 00:27:51,920
Speaker 4: Hmm.

472
00:27:52,840 --> 00:27:55,280
Speaker 1: I come to ear Wolf. First thing I do. I

473
00:27:55,480 --> 00:27:59,520
Speaker 1: wash my face in the bathroom. I clean under my

474
00:27:59,600 --> 00:28:00,880
Speaker 1: nail and.

475
00:28:00,800 --> 00:28:03,280
Speaker 2: Not to splash water on it like fully.

476
00:28:03,840 --> 00:28:06,720
Speaker 1: No, no, no, I get in the bathroom. I locked

477
00:28:06,760 --> 00:28:10,160
Speaker 1: the door. I do a mask. I have this whole

478
00:28:10,400 --> 00:28:13,560
Speaker 1: I have a whole case of brushes and stuff, and

479
00:28:13,640 --> 00:28:15,919
Speaker 1: I get in there and I polish it and I

480
00:28:16,119 --> 00:28:19,320
Speaker 1: use different creams and special elixirs.

481
00:28:19,600 --> 00:28:20,800
Speaker 7: You have to feel comfortable.

482
00:28:21,359 --> 00:28:24,520
Speaker 2: You have to yell. It's an emergency.

483
00:28:24,880 --> 00:28:28,119
Speaker 1: And it comes through on the show and got some

484
00:28:28,240 --> 00:28:31,199
Speaker 1: fresh as a daisy. Yeah you don't see it, but

485
00:28:31,280 --> 00:28:35,199
Speaker 1: you hear the You hear it, You hear what you

486
00:28:35,320 --> 00:28:38,440
Speaker 1: would be seen. You hear my face well, and I

487
00:28:38,520 --> 00:28:39,960
Speaker 1: talk through my face.

488
00:28:42,040 --> 00:28:42,720
Speaker 2: I'll admit that.

489
00:28:44,680 --> 00:28:47,760
Speaker 1: So Michael pitched an intermission song that we could use

490
00:28:47,800 --> 00:28:49,600
Speaker 1: if we want to go to the bathroom. You said

491
00:28:49,640 --> 00:28:50,760
Speaker 1: you don't go to the bathroom.

492
00:28:50,800 --> 00:28:51,920
Speaker 2: I don't go to the bathroom, but I like to

493
00:28:51,920 --> 00:28:55,280
Speaker 2: be able to go in there and stand perfectly still.

494
00:28:57,160 --> 00:28:58,920
Speaker 2: So do we want to do a song for that

495
00:28:59,080 --> 00:29:00,719
Speaker 2: by having to go to the bathroom? Yeah? And then

496
00:29:00,760 --> 00:29:01,640
Speaker 2: other people could use.

497
00:29:01,600 --> 00:29:03,160
Speaker 1: That too, Yeah, that's true.

498
00:29:03,240 --> 00:29:04,040
Speaker 2: That could actually be.

499
00:29:04,120 --> 00:29:06,160
Speaker 1: We could license it out to other podcasts.

500
00:29:06,200 --> 00:29:09,720
Speaker 2: It's like people did songs about different the days of

501
00:29:09,760 --> 00:29:13,880
Speaker 2: the week the new I turn on the radio and

502
00:29:13,920 --> 00:29:17,080
Speaker 2: there's a panic at the disco, like Saturday song. Yeah,

503
00:29:17,120 --> 00:29:19,640
Speaker 2: that's one day of a week. People go to the

504
00:29:19,640 --> 00:29:24,000
Speaker 2: bathroom every day? Yeah, all the time. No, it's so yeah,

505
00:29:24,360 --> 00:29:27,200
Speaker 2: every secularly, every day someone is going to the bathroom.

506
00:29:27,240 --> 00:29:28,960
Speaker 2: It's a trippy think about that, dude.

507
00:29:29,120 --> 00:29:33,600
Speaker 1: Yeah, somebody's dropping one right now, a big pe.

508
00:29:41,000 --> 00:29:46,480
Speaker 9: What's this feeling swelling up inside of me?

509
00:29:47,840 --> 00:29:49,520
Speaker 3: There's something inside me.

510
00:29:49,720 --> 00:29:53,280
Speaker 2: I have to get it.

511
00:29:54,560 --> 00:29:56,880
Speaker 9: There's a hole in the front of me that it

512
00:29:56,960 --> 00:30:01,400
Speaker 9: could come out of. Man, I just want to screaming, shouting.

513
00:30:01,560 --> 00:30:06,000
Speaker 2: I have to stand over the water and get the

514
00:30:06,040 --> 00:30:08,080
Speaker 2: other pee in the water.

515
00:30:08,400 --> 00:30:12,640
Speaker 1: There's only one room I'm allowed to do it in.

516
00:30:12,240 --> 00:30:14,240
Speaker 9: In this whole damn building.

517
00:30:14,400 --> 00:30:19,080
Speaker 6: And I got to go, gotta go, gotta go, gotta.

518
00:30:18,720 --> 00:30:23,600
Speaker 3: Go, And there's only one part of the.

519
00:30:23,640 --> 00:30:28,840
Speaker 2: Special room where I'm allowed to do this thing. It's

520
00:30:28,920 --> 00:30:33,320
Speaker 2: usually in the corner of the room, but not that corner,

521
00:30:33,600 --> 00:30:34,880
Speaker 2: that one over there.

522
00:30:35,440 --> 00:30:38,800
Speaker 9: It's in the corner from the first corner of that.

523
00:30:39,000 --> 00:30:41,440
Speaker 5: I checked, and I forgot that.

524
00:30:41,560 --> 00:30:42,720
Speaker 9: There's a lid.

525
00:30:42,600 --> 00:30:46,240
Speaker 1: On it sometimes, which is down, and I gotta lift

526
00:30:46,280 --> 00:30:46,680
Speaker 1: it up.

527
00:30:46,920 --> 00:30:48,360
Speaker 3: Gotta go, gotta go.

528
00:30:49,520 --> 00:30:53,920
Speaker 2: What do I do after I've done? I'm just standing here.

529
00:30:54,320 --> 00:30:56,240
Speaker 2: No one's here to give me directions.

530
00:30:56,640 --> 00:30:59,720
Speaker 11: Oh yeah, I guess I'll call out down the hall

531
00:30:59,840 --> 00:31:02,560
Speaker 11: and see if anyone wants to help me.

532
00:31:03,560 --> 00:31:04,240
Speaker 3: No one game.

533
00:31:13,360 --> 00:31:14,720
Speaker 7: It's good to have just in case.

534
00:31:15,000 --> 00:31:16,640
Speaker 1: Yeah, no, I think that'll come up.

535
00:31:17,920 --> 00:31:26,840
Speaker 2: Yeah, Kevin, any requests, Yeah, any requests.

536
00:31:27,280 --> 00:31:30,440
Speaker 10: Parody song, parody song would be super fun. Anything you

537
00:31:30,440 --> 00:31:32,000
Speaker 10: guys are listening to lately.

538
00:31:31,840 --> 00:31:40,120
Speaker 2: Kevin, I am asking you do one thing, help us.

539
00:31:40,840 --> 00:31:45,880
Speaker 1: Okay, what would Conan like to hear? I guess yes,

540
00:31:46,000 --> 00:31:49,760
Speaker 1: you can bring it back to him, fetch fetch your

541
00:31:50,160 --> 00:31:51,880
Speaker 1: boss's slippers or whatever.

542
00:31:52,000 --> 00:31:53,080
Speaker 2: Any Conan stories?

543
00:31:53,920 --> 00:32:00,400
Speaker 1: Yeah, uh no, sounds like an interesting.

544
00:32:02,760 --> 00:32:05,160
Speaker 10: A lot of people apologize to me on tour that

545
00:32:05,200 --> 00:32:08,080
Speaker 10: I met. They're like, sorry, what you're going through with Hollywood?

546
00:32:08,120 --> 00:32:08,600
Speaker 7: Handbook.

547
00:32:08,800 --> 00:32:10,600
Speaker 1: What what are you talking about?

548
00:32:10,760 --> 00:32:16,120
Speaker 10: Push through? You know, just the glasses half full.

549
00:32:16,520 --> 00:32:19,360
Speaker 2: Not getting not you mean not getting to participate in

550
00:32:19,440 --> 00:32:21,640
Speaker 2: it for weeks on end.

551
00:32:22,920 --> 00:32:24,840
Speaker 1: Because you have your priorities fucked.

552
00:32:26,600 --> 00:32:32,000
Speaker 10: Yeah, I think that's what they meant. What about like Lizzo?

553
00:32:33,280 --> 00:32:35,000
Speaker 2: Okay, which one you want to do that?

554
00:32:35,960 --> 00:32:37,800
Speaker 1: You want to perform a Lizzo parody?

555
00:32:37,960 --> 00:32:38,080
Speaker 11: Oh?

556
00:32:38,160 --> 00:32:40,240
Speaker 10: Okay, I'm gonna parody it.

557
00:32:40,440 --> 00:32:43,440
Speaker 2: We can help. What are you looking at on your phone?

558
00:32:43,520 --> 00:32:44,200
Speaker 10: Any song?

559
00:32:45,720 --> 00:32:50,240
Speaker 2: It is a question why is Kevin great? Until the

560
00:32:50,320 --> 00:32:53,680
Speaker 2: second he has to be great? Like right right, like

561
00:32:53,840 --> 00:32:54,280
Speaker 2: right now?

562
00:32:54,480 --> 00:32:54,680
Speaker 3: Yeah.

563
00:32:55,480 --> 00:32:58,400
Speaker 10: And that one is called truth hurts.

564
00:32:59,280 --> 00:33:04,160
Speaker 1: Okay one, Yeah, that's the main one, the DNA test one.

565
00:33:04,360 --> 00:33:06,080
Speaker 2: It's become the main one for sure.

566
00:33:06,920 --> 00:33:08,280
Speaker 10: Yes, yeap.

567
00:33:08,400 --> 00:33:10,280
Speaker 2: What good as hell was the main one before?

568
00:33:10,520 --> 00:33:14,080
Speaker 10: No, it's the other one, fitness no tempo.

569
00:33:14,640 --> 00:33:17,880
Speaker 2: It was called was it called juice? Juice? Yeah? That

570
00:33:17,520 --> 00:33:19,240
Speaker 2: was that used to be the main Juice was the

571
00:33:19,280 --> 00:33:20,640
Speaker 2: main one. Now it's this one.

572
00:33:21,160 --> 00:33:22,080
Speaker 3: Do you know that one?

573
00:33:22,600 --> 00:33:23,360
Speaker 7: The liz No?

574
00:33:24,440 --> 00:33:25,560
Speaker 10: Do you want a little sample?

575
00:33:25,840 --> 00:33:26,080
Speaker 7: Yeah?

576
00:33:28,600 --> 00:33:31,120
Speaker 10: Good acoustic, that's not stuff, that's not it.

577
00:33:31,440 --> 00:33:34,200
Speaker 12: That's hurt.

578
00:33:35,040 --> 00:33:36,840
Speaker 2: Say the truth, truth hurt.

579
00:33:43,520 --> 00:33:45,240
Speaker 10: It's that's all I can play.

580
00:33:46,840 --> 00:33:47,600
Speaker 7: I got it from here.

581
00:33:47,720 --> 00:33:48,800
Speaker 2: Yeah, holy ship.

582
00:33:55,480 --> 00:33:56,680
Speaker 7: Okay, this is me?

583
00:33:57,080 --> 00:34:05,200
Speaker 2: Yeah, why chef Gray Tillie gotta be Gray.

584
00:34:06,120 --> 00:34:09,200
Speaker 10: I just took a DNA test. Turns out I'm one

585
00:34:09,280 --> 00:34:13,560
Speaker 10: hundred percent that chef even when I'm being when I'm

586
00:34:13,560 --> 00:34:19,520
Speaker 10: crying crazy, Yeah, I got white problems. That's the producer

587
00:34:19,600 --> 00:34:23,120
Speaker 10: and me blinkling, I solve them. That's the goddess in me.

588
00:34:23,840 --> 00:34:27,200
Speaker 10: You could have a bad bitch, noncommittal help you with

589
00:34:27,280 --> 00:34:28,160
Speaker 10: your podcast?

590
00:34:28,680 --> 00:34:32,399
Speaker 3: Just a little thank you?

591
00:34:32,520 --> 00:34:38,439
Speaker 2: That's it. Yeah, Okay, that was good. Yeah, that's really good. Yeah,

592
00:34:39,200 --> 00:34:40,560
Speaker 2: it's a really good parody song.

593
00:34:40,920 --> 00:34:41,719
Speaker 7: That's really good.

594
00:34:42,000 --> 00:34:43,759
Speaker 2: We did we do an intermission? Yes, we did the

595
00:34:43,800 --> 00:34:49,080
Speaker 2: intermission song That's the Bath was about the bath. So

596
00:34:49,440 --> 00:34:51,920
Speaker 2: I'm not going to take the bait on this. Dana

597
00:34:51,960 --> 00:34:54,680
Speaker 2: and Bratt are like together now and they want us

598
00:34:54,719 --> 00:34:56,239
Speaker 2: so badly to talk about it.

599
00:34:56,520 --> 00:35:00,600
Speaker 1: Yes, they would like an official love song to commemorate

600
00:35:00,680 --> 00:35:01,520
Speaker 1: their romance.

601
00:35:01,719 --> 00:35:02,520
Speaker 2: Not happening.

602
00:35:02,800 --> 00:35:05,759
Speaker 1: Please, we couldn't possibly do something like that at the

603
00:35:05,800 --> 00:35:08,520
Speaker 1: same time, maybe we need to.

604
00:35:11,080 --> 00:35:14,000
Speaker 2: Are there any other Oh wow, that I broke a string?

605
00:35:17,239 --> 00:35:20,480
Speaker 6: Yeah it's okay, I don't need that one.

606
00:35:20,960 --> 00:35:24,960
Speaker 1: Damn you were jamming so strings yeah, it did fucking rock.

607
00:35:25,480 --> 00:35:25,959
Speaker 7: Thank you.

608
00:35:27,760 --> 00:35:28,640
Speaker 2: There's another guitar.

609
00:35:28,719 --> 00:35:30,280
Speaker 10: I can grab it for you in the other studio,

610
00:35:30,360 --> 00:35:31,200
Speaker 10: but it's electric.

611
00:35:31,760 --> 00:35:34,080
Speaker 7: H This is okay, okay, yeah, thank you.

612
00:35:34,239 --> 00:35:36,600
Speaker 1: He likes it this way. He's got a president of

613
00:35:36,640 --> 00:35:38,120
Speaker 1: the US a kind of thing going.

614
00:35:39,520 --> 00:35:41,640
Speaker 7: Yeah, the less, the less strings, the better.

615
00:35:41,760 --> 00:35:46,200
Speaker 6: Actually brings me back to my tissue box days.

616
00:35:50,080 --> 00:35:51,760
Speaker 7: But a love a love song.

617
00:35:51,800 --> 00:35:55,440
Speaker 1: A love song about Dana and Brett. Yeah, wow, that's

618
00:35:55,719 --> 00:35:57,400
Speaker 1: that's juicy. That's spicy.

619
00:35:57,760 --> 00:35:58,920
Speaker 2: Really nice of us to do.

620
00:35:59,280 --> 00:36:16,680
Speaker 13: Frankly, engineer my heart, check the levels, make sure we're recording.

621
00:36:16,960 --> 00:36:22,799
Speaker 2: Dear, I need to book a guest for dinner tonight.

622
00:36:30,680 --> 00:36:34,880
Speaker 3: Sign my table. I love you.

623
00:36:37,760 --> 00:36:40,440
Speaker 11: Hey, did you think I was good on off books

624
00:36:41,480 --> 00:36:42,359
Speaker 11: this afternoon?

625
00:36:42,480 --> 00:36:45,320
Speaker 9: When we did it together? Then we went home.

626
00:36:45,120 --> 00:36:49,520
Speaker 11: Together, Then we kissed together, had our dinner together, watch

627
00:36:49,640 --> 00:36:50,640
Speaker 11: TV together.

628
00:36:50,880 --> 00:36:54,640
Speaker 9: We're together, you and I.

629
00:37:01,200 --> 00:37:02,520
Speaker 2: That's so nice of us.

630
00:37:02,680 --> 00:37:05,200
Speaker 1: That was really sweet.

631
00:37:08,640 --> 00:37:14,280
Speaker 2: Okay, Like, we have to do more songs.

632
00:37:15,200 --> 00:37:16,960
Speaker 1: Yep, we gotta do a bunch of them.

633
00:37:17,480 --> 00:37:20,360
Speaker 2: Should we do another show thing? We did it for

634
00:37:20,440 --> 00:37:21,600
Speaker 2: Da Vinci's Demons.

635
00:37:22,239 --> 00:37:24,319
Speaker 1: Oh yeah, do we want to just knock one out

636
00:37:24,400 --> 00:37:25,560
Speaker 1: for like a TV show?

637
00:37:25,800 --> 00:37:28,440
Speaker 2: Sell one and then the podcast pays for itself.

638
00:37:28,760 --> 00:37:33,759
Speaker 1: Yeah, and we can sell one of these songs. That's

639
00:37:33,800 --> 00:37:38,880
Speaker 1: our year. Yeah, that's gravy. Everything else is gravy. The

640
00:37:38,920 --> 00:37:40,640
Speaker 1: rest of the podcast we can do for free.

641
00:37:41,120 --> 00:37:41,440
Speaker 6: M hm.

642
00:37:42,600 --> 00:37:45,439
Speaker 2: Is there a show now that like need like new

643
00:37:45,480 --> 00:37:47,680
Speaker 2: show needs a theme.

644
00:37:48,960 --> 00:37:51,680
Speaker 1: On becoming a god in Central Florida or whatever?

645
00:37:51,800 --> 00:37:56,239
Speaker 2: Yeah? Remember what that that is? What it's called? That

646
00:37:56,280 --> 00:37:56,959
Speaker 2: one's called?

647
00:37:57,040 --> 00:37:57,440
Speaker 7: Yeah?

648
00:37:57,600 --> 00:38:01,080
Speaker 2: Is it central Florida? Is I believe it is Central Florida?

649
00:38:02,760 --> 00:38:03,640
Speaker 2: There's that one.

650
00:38:04,160 --> 00:38:05,120
Speaker 3: Are there any new.

651
00:38:05,040 --> 00:38:08,799
Speaker 2: Like historical shows so we can be like, hey, you

652
00:38:08,800 --> 00:38:12,239
Speaker 2: remember that song we did for Davinci's Demons, right, and

653
00:38:12,360 --> 00:38:17,240
Speaker 2: sort of this is from history the Romanovs, the Romanovs.

654
00:38:17,760 --> 00:38:22,880
Speaker 1: Do we do a theme song for the Romanovs? That

655
00:38:23,400 --> 00:38:26,960
Speaker 1: is really smart because they appear to have a pretty

656
00:38:26,960 --> 00:38:27,560
Speaker 1: big budget.

657
00:38:29,360 --> 00:38:33,520
Speaker 2: So, Michael, you really you you crushed the da Vinci's

658
00:38:33,520 --> 00:38:37,960
Speaker 2: Demons one last time. So can we hear just a

659
00:38:38,000 --> 00:38:41,880
Speaker 2: theme song for the Romanovs, maybe listing some of their names,

660
00:38:41,920 --> 00:38:42,200
Speaker 2: some of.

661
00:38:42,200 --> 00:38:47,160
Speaker 1: The Romanovs names, Yeah, and maybe their jobs.

662
00:38:48,400 --> 00:38:53,040
Speaker 6: Yeah, I haven't I haven't seen the Romans.

663
00:38:53,120 --> 00:38:57,080
Speaker 2: That's okay, that's okay, that's okay, that's okay, one of

664
00:38:57,080 --> 00:39:01,120
Speaker 2: them is probably named Natasha. Okay, gotta be.

665
00:39:01,760 --> 00:39:07,880
Speaker 1: There's mister Romanov, there's mister little Baby Romanoff is always Romano.

666
00:39:08,960 --> 00:39:10,239
Speaker 2: There's Anti Romanoff.

667
00:39:13,640 --> 00:39:15,520
Speaker 1: I'm roaming off.

668
00:39:17,800 --> 00:39:21,399
Speaker 14: With Anti Romana.

669
00:39:21,920 --> 00:39:32,759
Speaker 8: And baby Room, Grandma Roomanoff and doctor.

670
00:39:32,600 --> 00:39:45,920
Speaker 14: Romano, Professor Romanoff and Uncle Romano. We're all roman Off.

671
00:39:46,800 --> 00:39:49,920
Speaker 3: It's on Amazon and Amazon.

672
00:39:51,520 --> 00:39:52,520
Speaker 7: That ship that's spa.

673
00:39:52,719 --> 00:39:54,120
Speaker 1: That's a little coin right there.

674
00:39:55,360 --> 00:39:59,759
Speaker 2: So now the like, let's see it's gravy maw. Yeah,

675
00:39:59,840 --> 00:40:03,600
Speaker 2: now whatever we want to do, I'm sipping gravy. I'm

676
00:40:03,680 --> 00:40:08,920
Speaker 2: just drinking a big wat of gravy tea bag pulled gravy.

677
00:40:09,120 --> 00:40:12,200
Speaker 2: Just drop it in, drop it in my yeah, drop

678
00:40:12,200 --> 00:40:17,640
Speaker 2: it in my mug of tea. So should we improve

679
00:40:17,680 --> 00:40:20,000
Speaker 2: a song off your new album?

680
00:40:20,120 --> 00:40:22,240
Speaker 1: Is there any that you feel like aren't quite finished?

681
00:40:22,239 --> 00:40:23,480
Speaker 1: And maybe is there one that is?

682
00:40:23,960 --> 00:40:24,359
Speaker 3: There's one?

683
00:40:24,560 --> 00:40:25,440
Speaker 2: Some of them are fucked?

684
00:40:27,000 --> 00:40:29,400
Speaker 1: Is one of them particularly fucked? And it needs a

685
00:40:29,480 --> 00:40:33,040
Speaker 1: touch of two fucking miracle workers like us.

686
00:40:33,160 --> 00:40:35,080
Speaker 6: I could use I could use a little help. I

687
00:40:35,360 --> 00:40:40,799
Speaker 6: just kind of scrapped it together doing could Yeah. Yeah,

688
00:40:42,120 --> 00:40:46,120
Speaker 6: should I'll just I'll play the sorry around, give us

689
00:40:46,120 --> 00:40:51,160
Speaker 6: a version and we'll give it back to you. Yeah, okay,

690
00:40:51,520 --> 00:40:55,400
Speaker 6: I'm so little in the middle of aragon Stone.

691
00:40:58,320 --> 00:41:01,120
Speaker 14: Is it settled in the center of that whole wizard?

692
00:41:01,520 --> 00:41:05,080
Speaker 14: So so okay, I got it.

693
00:41:05,160 --> 00:41:06,279
Speaker 7: I'm sorry, I got it.

694
00:41:06,680 --> 00:41:11,719
Speaker 2: Give it to me. I'm a big ass bitch in

695
00:41:11,800 --> 00:41:13,839
Speaker 2: the middle of a fucking tornado.

696
00:41:16,160 --> 00:41:18,759
Speaker 9: I'm kicking its ass and I'm.

697
00:41:18,760 --> 00:41:22,600
Speaker 2: Sending it back to wherever we're it came from.

698
00:41:23,200 --> 00:41:26,360
Speaker 6: Oh some more, just more aggression.

699
00:41:25,840 --> 00:41:30,400
Speaker 2: Yes, yeah, yeah, yeah, keep going, tornado gotta suck my

700
00:41:30,520 --> 00:41:33,560
Speaker 2: wing because I'm a badass.

701
00:41:34,560 --> 00:41:36,680
Speaker 9: Hey, tornado, ever seen one of these?

702
00:41:36,800 --> 00:41:39,120
Speaker 3: That's right, it's a big ass waning.

703
00:41:41,320 --> 00:41:44,800
Speaker 2: So that's aggress It's okay, I guess it's a tornado.

704
00:41:44,960 --> 00:41:48,080
Speaker 1: Well yeah, that's what's great about it is it's a tornado.

705
00:41:48,360 --> 00:41:51,479
Speaker 1: So it's not like a person like we're all trying

706
00:41:51,480 --> 00:41:52,520
Speaker 1: to beat up tornadoes.

707
00:41:52,600 --> 00:41:58,920
Speaker 6: Natos are aggressive inherently, they're completely destructive and very force

708
00:41:59,360 --> 00:42:03,040
Speaker 6: for humansanity Like, can we finally find.

709
00:42:02,760 --> 00:42:08,000
Speaker 2: Some common crowd and making this tormado suck our way? Yeah?

710
00:42:14,080 --> 00:42:15,560
Speaker 1: You want to give us a taste of something else

711
00:42:15,600 --> 00:42:16,200
Speaker 1: that's fucked.

712
00:42:30,560 --> 00:42:33,120
Speaker 9: Save a place for the sinner.

713
00:42:34,920 --> 00:42:41,319
Speaker 14: Mind, youselfa malose, make a path for the wanderer.

714
00:42:43,320 --> 00:42:45,160
Speaker 9: Are we ready to go?

715
00:42:46,680 --> 00:42:49,000
Speaker 7: So I'm a little lost on this.

716
00:42:49,360 --> 00:42:51,240
Speaker 2: Yeah, Okay, I got it. I got it. I'm feeling

717
00:42:51,320 --> 00:42:52,080
Speaker 2: that I got it.

718
00:42:52,120 --> 00:42:52,640
Speaker 3: I got it.

719
00:43:01,040 --> 00:43:06,560
Speaker 11: Save a place for big fun. Let's go hang out

720
00:43:06,640 --> 00:43:11,799
Speaker 11: with big Foo. Imagine meeting freaking big Fu.

721
00:43:13,800 --> 00:43:16,840
Speaker 3: You'd be a fucking legend. Dude.

722
00:43:18,080 --> 00:43:23,839
Speaker 2: You've seen those funny commercials guys are hanging out with

723
00:43:24,000 --> 00:43:31,120
Speaker 2: big Foot. Imagine if you could be those guys from

724
00:43:31,200 --> 00:43:33,200
Speaker 2: those funnyesque.

725
00:43:32,400 --> 00:43:37,560
Speaker 15: Commercials having jerky with big Foot.

726
00:43:37,680 --> 00:43:45,000
Speaker 2: My man, this is better and we're selling something as well.

727
00:43:45,080 --> 00:43:46,640
Speaker 2: And so instead of it just being like.

728
00:43:46,960 --> 00:43:50,239
Speaker 1: What I'm doing this song, you gotta actually be like,

729
00:43:50,280 --> 00:43:52,799
Speaker 1: hey man, you're fucking you guys at Jacklink What I

730
00:43:52,800 --> 00:43:53,360
Speaker 1: get into.

731
00:43:53,400 --> 00:43:53,799
Speaker 2: Some of this?

732
00:43:54,200 --> 00:43:59,239
Speaker 6: Just something more, something more direct? Yeah, yeah, directly. I

733
00:43:59,239 --> 00:44:00,920
Speaker 6: could see that that line.

734
00:44:00,719 --> 00:44:03,800
Speaker 1: Tinners is so vague. Save a place for the sinners.

735
00:44:03,840 --> 00:44:06,240
Speaker 2: It's just like that's a lot I mean, which sins.

736
00:44:06,239 --> 00:44:09,279
Speaker 6: But like when you say Bigfoot, Okay, that's a mental

737
00:44:09,360 --> 00:44:11,080
Speaker 6: image I can sink my teeth into.

738
00:44:11,280 --> 00:44:13,279
Speaker 7: We've all seen the footage.

739
00:44:13,000 --> 00:44:16,280
Speaker 2: And where like is sinners or not singers? It's sinners.

740
00:44:16,480 --> 00:44:17,360
Speaker 7: It was sinners.

741
00:44:17,480 --> 00:44:20,319
Speaker 2: Okay, you might want to have an answer ready when

742
00:44:20,360 --> 00:44:22,760
Speaker 2: they're like, where are we saving a place for them?

743
00:44:22,960 --> 00:44:23,920
Speaker 2: Mm hmm jail?

744
00:44:24,880 --> 00:44:28,480
Speaker 1: Oh yeah, sinners go to jail.

745
00:44:31,680 --> 00:44:35,920
Speaker 6: It was more as as more more trying to bring

746
00:44:36,200 --> 00:44:42,960
Speaker 6: bring everyone together. But okay, you're fucked up.

747
00:44:43,160 --> 00:44:45,840
Speaker 1: You fucked up, man, that's not that's not twenty nineteen.

748
00:44:45,920 --> 00:44:46,120
Speaker 2: Dog.

749
00:44:46,440 --> 00:44:51,360
Speaker 1: Okay, some more more direct you do you want to?

750
00:44:51,520 --> 00:44:54,560
Speaker 1: I mean, I don't know if you wanted to talk

751
00:44:54,600 --> 00:44:56,759
Speaker 1: about this. Before this, you were saying that you might

752
00:44:56,800 --> 00:45:01,680
Speaker 1: want to do a campaign hung from Mere Pete. Right, Well,

753
00:45:01,800 --> 00:45:03,600
Speaker 1: I I had not that you were gonna vote for him.

754
00:45:03,640 --> 00:45:04,880
Speaker 1: I think you were not going to vote at all,

755
00:45:04,960 --> 00:45:07,160
Speaker 1: but you were saying that. Yeah, but you were saying

756
00:45:07,239 --> 00:45:09,240
Speaker 1: that you wanted Mayor Pete to have like a fucking

757
00:45:09,360 --> 00:45:12,440
Speaker 1: kicking campaign song. I just thought it would be helpful

758
00:45:12,600 --> 00:45:14,480
Speaker 1: for Do you want us to workshop it?

759
00:45:14,920 --> 00:45:16,000
Speaker 2: Yeah, let's hear what you have?

760
00:45:16,760 --> 00:45:19,680
Speaker 7: Okay, Well, I'm just I just started working on it

761
00:45:19,800 --> 00:45:20,239
Speaker 7: this morning.

762
00:45:20,320 --> 00:45:24,480
Speaker 9: But Mayor pee, mayor peek, here we go.

763
00:45:25,080 --> 00:45:29,720
Speaker 14: Everybody get peep, everybody's show.

764
00:45:30,080 --> 00:45:31,920
Speaker 2: And that's a ceiling.

765
00:45:32,000 --> 00:45:33,080
Speaker 1: It feels good to me.

766
00:45:33,360 --> 00:45:37,560
Speaker 2: It's getting it gets better at the edge. Yeah, yeah, I.

767
00:45:40,960 --> 00:45:46,080
Speaker 14: Mayor p Mayor p here we go, are we gonna win?

768
00:45:46,640 --> 00:45:47,399
Speaker 3: We're gonna win.

769
00:45:47,840 --> 00:45:51,040
Speaker 7: See I'm I'm like, yeah, yeah, I'm totally.

770
00:45:53,760 --> 00:45:58,200
Speaker 2: I could keep just keep running it back, Mayor Peep.

771
00:45:58,560 --> 00:46:01,840
Speaker 9: Here we go, we're gonna win the race.

772
00:46:02,120 --> 00:46:07,720
Speaker 3: Then we're gonna need some votes. Mayor Pete, he's the peak,

773
00:46:08,080 --> 00:46:10,560
Speaker 3: the beat. You wanna meet Pete.

774
00:46:11,480 --> 00:46:13,440
Speaker 2: He's elite on the street.

775
00:46:14,600 --> 00:46:20,800
Speaker 11: He's speaking languages, Mayor Pete. Yeah, he's eaten sangwiges Mayor Pete.

776
00:46:21,080 --> 00:46:29,480
Speaker 16: Oh yeah, yeah, mister voodoo judge, his attitudal judge you

777
00:46:29,760 --> 00:46:31,400
Speaker 16: for being a bad voter.

778
00:46:36,400 --> 00:46:38,959
Speaker 7: That's that's sounding that's sounding a lot better.

779
00:46:39,080 --> 00:46:40,439
Speaker 2: Boom, it's a rap.

780
00:46:40,560 --> 00:46:43,560
Speaker 1: People send these little clouds home.

781
00:46:44,640 --> 00:46:48,120
Speaker 7: So I just had the mayor, Mayor Pete.

782
00:46:48,440 --> 00:46:51,920
Speaker 1: But that was which was great, really actually got me.

783
00:46:52,280 --> 00:46:54,400
Speaker 2: And you notice how he sort of went off that.

784
00:46:54,800 --> 00:46:56,240
Speaker 7: Yeah, okay, so that was helpful.

785
00:46:56,400 --> 00:47:02,040
Speaker 2: That was huge, Michael, Okay, that was really important.

786
00:47:02,280 --> 00:47:04,920
Speaker 7: So I'm not I'm not sure if it's like what

787
00:47:05,280 --> 00:47:06,279
Speaker 7: he's campaigning on.

788
00:47:07,239 --> 00:47:07,880
Speaker 3: No, I don't know.

789
00:47:08,160 --> 00:47:09,600
Speaker 7: Yeah, he doesn't want votes.

790
00:47:10,200 --> 00:47:13,960
Speaker 2: Yeah, and we captured that pretty safe. And he's got

791
00:47:14,120 --> 00:47:15,160
Speaker 2: eat sandwiches, right.

792
00:47:15,760 --> 00:47:18,359
Speaker 7: I mean everyone's got to heat mm hmm.

793
00:47:18,560 --> 00:47:21,840
Speaker 2: Yeah, So that's a wrap.

794
00:47:22,560 --> 00:47:24,640
Speaker 1: Okay, So where are we at in terms of like,

795
00:47:25,239 --> 00:47:27,000
Speaker 1: do we have any other songs we need to do?

796
00:47:27,360 --> 00:47:29,800
Speaker 1: I mean, the last time we ended on doing a

797
00:47:29,960 --> 00:47:32,040
Speaker 1: song about how we're never going to do the show again?

798
00:47:32,480 --> 00:47:36,320
Speaker 2: Yeah? Should we do that? I remember sort of fucking

799
00:47:36,360 --> 00:47:39,080
Speaker 2: it up last time. Should we try and get a

800
00:47:39,200 --> 00:47:41,879
Speaker 2: better take of that song?

801
00:47:42,480 --> 00:47:42,719
Speaker 7: Yeah?

802
00:47:43,360 --> 00:47:45,800
Speaker 2: Do you remember your old songs or do you basically

803
00:47:45,880 --> 00:47:48,239
Speaker 2: give them freaking Viking funerals?

804
00:47:50,440 --> 00:47:53,560
Speaker 7: I typically dissociate from them.

805
00:47:53,680 --> 00:47:56,800
Speaker 1: But because who wrote that? Even it wasn't you, it

806
00:47:57,000 --> 00:48:00,320
Speaker 1: was it was me at some point, but it was

807
00:48:00,360 --> 00:48:04,560
Speaker 1: some man, some version Michael, you would do well to

808
00:48:04,680 --> 00:48:06,800
Speaker 1: remember this their cells.

809
00:48:07,320 --> 00:48:10,960
Speaker 6: No man can step in the same river twice, for

810
00:48:11,120 --> 00:48:13,640
Speaker 6: the river is not the same and he's not the

811
00:48:13,719 --> 00:48:14,160
Speaker 6: same man.

812
00:48:15,520 --> 00:48:16,080
Speaker 2: Did you know that?

813
00:48:16,840 --> 00:48:20,279
Speaker 1: I know? So I'll ask you again, did you write

814
00:48:20,280 --> 00:48:20,760
Speaker 1: those songs?

815
00:48:21,480 --> 00:48:24,239
Speaker 2: And if you took a part? So imagine you are

816
00:48:24,400 --> 00:48:27,440
Speaker 2: taking apart the Nina Pinta, Santa Maria, and you replaced

817
00:48:27,520 --> 00:48:30,480
Speaker 2: one board at a time, and you switch the Pinta's

818
00:48:30,520 --> 00:48:33,120
Speaker 2: board goes over to the Santa Maria, and you switch

819
00:48:33,200 --> 00:48:36,040
Speaker 2: them all up. And then at the end, which is

820
00:48:36,120 --> 00:48:40,840
Speaker 2: it the same? You switched him and he is not

821
00:48:40,960 --> 00:48:43,439
Speaker 2: the same, man, is it? Which is it all the same?

822
00:48:43,600 --> 00:48:45,680
Speaker 1: And is Michael the river is not the same?

823
00:48:48,760 --> 00:48:53,160
Speaker 2: Think about that. But that is not how the song went.

824
00:48:53,560 --> 00:48:54,120
Speaker 7: No, it's not.

825
00:48:56,120 --> 00:48:59,760
Speaker 2: Does it need that one strand it's kind of an important.

826
00:49:00,080 --> 00:49:12,920
Speaker 5: That string a lot, dude, dude, we don't have.

827
00:49:12,960 --> 00:49:13,239
Speaker 6: To do it.

828
00:49:19,520 --> 00:49:21,960
Speaker 3: That's good, remember this now.

829
00:49:22,280 --> 00:49:24,120
Speaker 7: Yeah, it's okay, it's working.

830
00:49:25,360 --> 00:49:26,080
Speaker 3: It's working.

831
00:49:28,440 --> 00:49:33,560
Speaker 11: I've been doing it podcast for a long time. I

832
00:49:33,680 --> 00:49:36,440
Speaker 11: don't want to do the show no more because I

833
00:49:36,800 --> 00:49:38,200
Speaker 11: don't think we're funny.

834
00:49:41,080 --> 00:49:46,520
Speaker 9: Jays is right, it isn't very good. Now we should

835
00:49:46,640 --> 00:49:47,799
Speaker 9: just go do something ga.

836
00:49:50,000 --> 00:49:50,920
Speaker 5: With our time.

837
00:49:53,840 --> 00:50:06,319
Speaker 15: No more shows on ear Wolf any more. We're done

838
00:50:06,400 --> 00:50:07,319
Speaker 15: with shows.

839
00:50:13,960 --> 00:50:16,239
Speaker 2: That's worse. It was worse than the first time we

840
00:50:16,280 --> 00:50:18,080
Speaker 2: did it. Sure, yeah, But the important thing is we

841
00:50:18,200 --> 00:50:23,439
Speaker 2: did it again the exact same thing. Well that was yeah,

842
00:50:23,520 --> 00:50:26,960
Speaker 2: that was that's really important to do. Ran it ran

843
00:50:27,080 --> 00:50:29,680
Speaker 2: its course on the licensing and stuff.

844
00:50:29,800 --> 00:50:33,239
Speaker 1: So it's Taylor. This is what Taylor's doing. Well, and

845
00:50:33,320 --> 00:50:36,640
Speaker 1: we didn't do the exact same thing, right because the

846
00:50:36,719 --> 00:50:38,600
Speaker 1: song was not the same, it was worse and we

847
00:50:38,680 --> 00:50:42,719
Speaker 1: were not the same. Man, Yes, and we too are worse,

848
00:50:43,600 --> 00:50:44,120
Speaker 1: that's true.

849
00:50:46,000 --> 00:50:46,640
Speaker 2: And I was worse.

850
00:50:46,960 --> 00:50:49,960
Speaker 7: I'm missing missing the most important string on.

851
00:50:49,960 --> 00:50:55,320
Speaker 2: The whole sure, on the whole guitar. Whatever, Michael, is

852
00:50:55,360 --> 00:50:58,000
Speaker 2: there anything you want to talk about? What's her album called?

853
00:50:58,120 --> 00:50:59,080
Speaker 2: What's the album called?

854
00:50:59,760 --> 00:50:59,880
Speaker 12: Uh?

855
00:51:00,600 --> 00:51:04,920
Speaker 1: Seeker? Seeker like from freaking Quidditch?

856
00:51:05,120 --> 00:51:07,360
Speaker 2: Dude? That well it was?

857
00:51:08,320 --> 00:51:13,920
Speaker 7: I I love I love Harry Potter. I didn't nobody's

858
00:51:14,120 --> 00:51:15,919
Speaker 7: nobody's caught that quite yet.

859
00:51:16,280 --> 00:51:20,440
Speaker 1: Ah, it's all Potter references.

860
00:51:22,360 --> 00:51:28,000
Speaker 6: I think Quidditch is a really underrated game. Yeah, all

861
00:51:28,080 --> 00:51:30,360
Speaker 6: of life is comprised in quidditch.

862
00:51:30,480 --> 00:51:30,880
Speaker 1: Somewhere.

863
00:51:31,280 --> 00:51:36,440
Speaker 2: It could be you know, the Seeking the Broom. It's

864
00:51:36,480 --> 00:51:37,040
Speaker 2: not punk?

865
00:51:37,680 --> 00:51:42,239
Speaker 1: Sorry, no, I should seek for a different title. Do

866
00:51:42,239 --> 00:51:44,120
Speaker 1: you think Draco Malfoy is not punk?

867
00:51:45,000 --> 00:51:49,960
Speaker 2: Draco, though, is not. I don't believe he's not playing quidditch.

868
00:51:50,000 --> 00:51:55,239
Speaker 2: He's cheating. He's cheating. Yeah, good, nothing punk, No I know,

869
00:51:55,440 --> 00:51:58,600
Speaker 2: But just like this, just Seeker. It doesn't like there

870
00:51:58,840 --> 00:52:02,360
Speaker 2: there there is a there's a punker version of this.

871
00:52:02,600 --> 00:52:05,680
Speaker 1: Okay, So what do we want to do to adjust Seeker?

872
00:52:06,320 --> 00:52:08,600
Speaker 1: Is there a word we can add or something? I

873
00:52:08,719 --> 00:52:11,279
Speaker 1: assume a lot of the graphics are done, but if

874
00:52:11,320 --> 00:52:14,280
Speaker 1: we just slap something in front of it or after

875
00:52:14,400 --> 00:52:15,600
Speaker 1: it to make it more punk.

876
00:52:15,880 --> 00:52:20,560
Speaker 6: Hmmm, sticker something of a heat seeker that would be

877
00:52:20,640 --> 00:52:24,960
Speaker 6: easy to change. Yeah, that's for four letters right there.

878
00:52:25,080 --> 00:52:27,560
Speaker 6: I mean, really what it should be is tornado seeker.

879
00:52:27,719 --> 00:52:29,680
Speaker 2: Mm hmuse tornado seeker.

880
00:52:29,800 --> 00:52:31,480
Speaker 1: I think we're going to adjust a lot of the

881
00:52:31,680 --> 00:52:34,680
Speaker 1: songs to being about you getting pleasured by a tornado.

882
00:52:35,040 --> 00:52:37,279
Speaker 2: Right, got to say, we don't have to use we

883
00:52:37,360 --> 00:52:40,240
Speaker 2: do not have to use this milf seekert.

884
00:52:41,920 --> 00:52:42,319
Speaker 7: Mm hmm.

885
00:52:42,840 --> 00:52:48,640
Speaker 1: Think about that, Michael, And there's no requirement to use it,

886
00:52:48,920 --> 00:52:54,880
Speaker 1: but milf seeker. Just let that roll around in your

887
00:52:54,920 --> 00:52:57,560
Speaker 1: mouth a little bit and see how see how it

888
00:52:57,600 --> 00:52:58,040
Speaker 1: feels to you.

889
00:52:58,239 --> 00:52:59,840
Speaker 3: What are you doing? I'm I'm.

890
00:53:01,520 --> 00:53:02,440
Speaker 7: I'm not on the cover.

891
00:53:02,600 --> 00:53:05,759
Speaker 1: It's it's a wave crashing. It's a wave crashing into

892
00:53:05,800 --> 00:53:06,160
Speaker 1: a milf.

893
00:53:08,320 --> 00:53:12,480
Speaker 6: Milf off possibly off camera, Okay, okay, all right, this

894
00:53:12,640 --> 00:53:13,360
Speaker 6: is a new direction.

895
00:53:13,520 --> 00:53:14,120
Speaker 2: Can we see her?

896
00:53:14,320 --> 00:53:17,520
Speaker 1: Is there a shadow? Is there a silhouette of like

897
00:53:17,600 --> 00:53:18,439
Speaker 1: a tasty milf?

898
00:53:18,600 --> 00:53:21,839
Speaker 6: There could be again, we could add we we got

899
00:53:21,880 --> 00:53:24,560
Speaker 6: some we got a few months, Yeah, you got some time.

900
00:53:24,680 --> 00:53:24,879
Speaker 3: Yeah.

901
00:53:25,040 --> 00:53:29,000
Speaker 1: Yeah, I mean a lot of them are just online.

902
00:53:29,880 --> 00:53:31,560
Speaker 1: You can find them on there and just slap them

903
00:53:31,600 --> 00:53:34,560
Speaker 1: on there. Yeah, yeah, so let me ask you again,

904
00:53:34,600 --> 00:53:36,760
Speaker 1: what's your album called No Seeker.

905
00:53:37,520 --> 00:53:37,759
Speaker 15: Bye.