WEBVTT - #35 - Katori Walker

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<v Speaker 1>Jesus Christ, wetleg Can't Podcast. Yes we are. Hey, welcome

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<v Speaker 1>to another edition of the Bootleg motherfucking Can't Podcast. Man,

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<v Speaker 1>I hope you enjoying your goddamn Can't podcast ship, whatever

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<v Speaker 1>day it is, man, salute to everybody who's locked in.

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<v Speaker 1>We're gonna be dropping a lot of dope episodes in

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<v Speaker 1>the coming weeks. Also, I'm really trying to tap in. Man.

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<v Speaker 1>If you listen to the uh uh you know, to

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<v Speaker 1>the podcast on Twitter on Twitter. If you listen to

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<v Speaker 1>the podcast on Instagram, Instagram, god damn, I'm out of it.

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<v Speaker 1>If you listen to the podcast on fucking Apple, Spotify, title,

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<v Speaker 1>wherever the fuck you're listening to your podcast at, I

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<v Speaker 1>would really appreciate it if you left the rating specifically

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<v Speaker 1>on Apple. If you go down to the reviews and

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<v Speaker 1>you give this motherfucker five stars, you know what I'm saying,

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<v Speaker 1>And if you don't, it's all good. Really, I'm not tripping.

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<v Speaker 1>I actually would really appreciate some feedback too, like, who

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<v Speaker 1>do you think I should be interviewing? What kind of

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<v Speaker 1>content you want us to do more of? I understand

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<v Speaker 1>everyone thinks I interrupt people during my interviews. I really

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<v Speaker 1>don't give a shit whatever, bruh, but yeah, tap in

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<v Speaker 1>with me Twitter, Instagram, Apple Lake hev with your feedback.

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<v Speaker 1>We got a dope episode today with the homie Katori Walker.

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<v Speaker 1>Shout out to Katory Walker, who's been making noise man

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<v Speaker 1>out of Pasadena for a minute. And I feel like

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<v Speaker 1>this year, you know, a lot of people have taken

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<v Speaker 1>advantage of the pandemic in a good way and not

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<v Speaker 1>kind of let that. You know, there's been a lot

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<v Speaker 1>of people using it as an excuse as to why

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<v Speaker 1>they're slowing down, and Katori Walker has done quite the opposite.

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<v Speaker 1>He put out a project called Idols that is extremely dope.

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<v Speaker 1>It pretty much pays homage to all of the idols

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<v Speaker 1>on the musical side that he has, Kendrick fifty Cent,

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<v Speaker 1>Kanye West, j Cole Drake, etc. And I really enjoyed

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<v Speaker 1>it so much. I was like, man, I gotta have

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<v Speaker 1>this guy come up and just have a good conversation

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<v Speaker 1>because I know he's got a dope taste in hip

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<v Speaker 1>hop and he could wrap his ass off, which is

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<v Speaker 1>why there also be a freestyle dropping from Katory Walker

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<v Speaker 1>beginning of next week. But we just had a dope

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<v Speaker 1>rap conversational to talk to him about his project, his

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<v Speaker 1>come up, but also just a dope hip hop conversation.

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<v Speaker 1>So I hope you enjoy it. Katory Walker, make sure

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<v Speaker 1>you go tap in with him and tap in with

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<v Speaker 1>you know what I'm saying, Shout out to them. And

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<v Speaker 1>you know, if you need to get someone a gift

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<v Speaker 1>Tyson joints. Some of them chuckies, you know what I'm saying,

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<v Speaker 1>some of them they got the sweetest fish joints. They

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<v Speaker 1>got them ramen noodle joints. How about some WWE how

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<v Speaker 1>about some Rick Flair socks some motherfucker. Yeah, go get

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<v Speaker 1>caps save twenty percent off. Let's get into this Katori

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<v Speaker 1>Walker episode. It's the boutleg cap podcast Bootleg Cap Podcast.

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<v Speaker 1>Katory Walker's here, Ladies and Gentlemen, Pasadena's Finest, Pasadiena's fine

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<v Speaker 1>as Wow, that's a big title. Who else is from pasadenas? Uh?

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<v Speaker 1>Like I said, he got tied to Pasidiena. I don't

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<v Speaker 1>know if he was born there, but I know his

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<v Speaker 1>family's from there. Who else is in Pasadena? There's a

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<v Speaker 1>lot of up and coming arts of Pastena. Do you

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<v Speaker 1>know you know Overdose? Yeah? Yeah, I didn't know they

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<v Speaker 1>were from Pasadena? Yeah, yeah, So what happened to those guys?

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<v Speaker 1>I don't know. I know Ken Jams are doing this thing.

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<v Speaker 1>I interviewed them and they were hilarious. Those guys were hilarious.

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<v Speaker 1>Shout out to Overdose. But welcome man. You're having a

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<v Speaker 1>pretty crazy year. You're project idols. Would you say that

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<v Speaker 1>as a body of work, this has been the your

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<v Speaker 1>biggest body of work as far as like recognition performance,

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<v Speaker 1>because you had it like like like were you ranking

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<v Speaker 1>this one at I would say, this is my most

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<v Speaker 1>free body of work and this is my most like

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<v Speaker 1>honest body of work. This is the one like the

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<v Speaker 1>ones that I'm most proud of, you know, like you know,

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<v Speaker 1>every other body of work has done different things for me,

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<v Speaker 1>but this one is just like, Yo, all right, this

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<v Speaker 1>dude can really do his damn thing, you know. Yeah.

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<v Speaker 1>For people who are listening who might not have heard

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<v Speaker 1>of you, you put a record out called Idols, and

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<v Speaker 1>the concept of the album was really to pay homage

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<v Speaker 1>to your idols in the music industry. It's an EP.

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<v Speaker 1>Each record is dedicated to we got what, Kendrick, Cole, Drake, Kanye,

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<v Speaker 1>and then one to yourself, one to myself. Yeah, when

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<v Speaker 1>you were making like like it was the idea a

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<v Speaker 1>conscious idea when you were record it or did you

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<v Speaker 1>like hear the songs be like you know what this

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<v Speaker 1>this was like? Like like or did you do? It?

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<v Speaker 1>Was everything on purpose? I think half of the project

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<v Speaker 1>was on purpose. I think I did. I did one

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<v Speaker 1>song and I was actually trying to mimic Cold, like yeah,

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<v Speaker 1>I want to do a Cold flow in this one.

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<v Speaker 1>And I was a record that I didn't even make

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<v Speaker 1>the project actually because I had two Cold records. So

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<v Speaker 1>I'm like, Yo, this this is dope. And then I

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<v Speaker 1>did a Kendrick record. I'm like, Yo, this is dope.

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<v Speaker 1>You know. And then after that, I was just like, Yo,

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<v Speaker 1>I'm gonna put this all together and make this a

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<v Speaker 1>body of work, you know, And like the last ones

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<v Speaker 1>I did was the fallback record for myself and then

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<v Speaker 1>the higher hopes to Kanye won because I was like

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<v Speaker 1>the toughest thing to do because Kanye is like a

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<v Speaker 1>Swiss army knife. So how do you Yeah, Kanye's he's

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<v Speaker 1>my favorite artist. Yeah, he's an artist for real, bro, Yeah,

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<v Speaker 1>more than a fan of Jesus Is King. I'm not

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<v Speaker 1>gonna lie, but you know, discography wise, nobody can fuck

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<v Speaker 1>with you. Yeah. I think I think the thing that

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<v Speaker 1>I got from Jesus is King is I felt that

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<v Speaker 1>peace listening to it. It wasn't the best lyrical album,

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<v Speaker 1>it wasn't the best mixed album at all, but it

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<v Speaker 1>felt peaceful. It was great production. There was some great

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<v Speaker 1>production on there. Shout out to boost the Beasts. But

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<v Speaker 1>but yeah, it's dope because like, not a lot of

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<v Speaker 1>people pay homage to fifty as much as they should.

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<v Speaker 1>Fifty is a pioneer, bro. Fifty is like his run

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<v Speaker 1>was so it was it was. I mean his run

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<v Speaker 1>at the top was short, right, It was two albums

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<v Speaker 1>long plus the g Unit album and then you know,

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<v Speaker 1>the Curtis came out and things kind of were left.

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<v Speaker 1>But you know, we're talking Get Rich or Die Trying

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<v Speaker 1>is like I feel like, unarguably a top five album

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<v Speaker 1>of all time. You could put it higher, but I

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<v Speaker 1>feel like if you put it any lower than five,

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<v Speaker 1>you're you're fucking lyon or you're a hater. But like,

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<v Speaker 1>definitely dope. Like to see someone pay homage to fifty

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<v Speaker 1>because I feel like that happens. A lot of people

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<v Speaker 1>pay homage this year, like a lot of people. I

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<v Speaker 1>think it was what three or four mini men. Oh yeah,

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<v Speaker 1>that was a lot. You know, you're right, it's a

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<v Speaker 1>good year for fifty twenty one. Savage did it, Pop

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<v Speaker 1>Pop Smoke did it. Yeah, and I did it. Yeah.

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<v Speaker 1>I don't know who else did it, but yeah, so

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<v Speaker 1>and it was all that same record, and I was

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<v Speaker 1>all Get Rich of Die Trying. So yeah, he's getting

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<v Speaker 1>to respect he deserved. Fifty had a video game, bro,

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<v Speaker 1>like not a lot of right hey, and it wasn't

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<v Speaker 1>a bad game. It's a great game. That shit was solid.

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<v Speaker 1>You'd be with young Buck Lloyd Banks, spring up fools

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<v Speaker 1>in Iraq, Like what the fuck is going on? Fifty

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<v Speaker 1>fifty had a crazy run. That was the first time

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<v Speaker 1>I was listening to fifty when I was I think

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<v Speaker 1>I think that was what two thousand and two when

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<v Speaker 1>that came out two thousand and one, three two. I

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<v Speaker 1>think you're right. Two thousand and three. Prob. That was

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<v Speaker 1>when I first started writing my own raps because when

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<v Speaker 1>I was young, I used to have like my uncles

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<v Speaker 1>wrap myself for me. So I was listening to get

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<v Speaker 1>rich of I try and trying to pin out some

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<v Speaker 1>shit like to mimic fifty. So that's why that album

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<v Speaker 1>meant the world to me. And the Unit album was

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<v Speaker 1>fired Bag for Mercy was crazy. That was a great album.

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<v Speaker 1>Fifty was like I don't think he got enough credit

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<v Speaker 1>for his hooks. Bro oh, oh my god. That's why

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<v Speaker 1>when they were talking about like the Game in fifty verses,

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<v Speaker 1>I was like, like, Game is an a legend. I

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<v Speaker 1>love Game, love his music, but like his biggest songs

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<v Speaker 1>that he could play have fifty cent on them. Yeah

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<v Speaker 1>you know what I'm saying. Yeah, And it's like, how

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<v Speaker 1>would that work? They both wrap it together. Yeah, it's

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<v Speaker 1>a point for each It's like a point for each

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<v Speaker 1>but yeah, and then the artwork. What was dope about

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<v Speaker 1>your artwork for your project was it just kind of

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<v Speaker 1>incorporated all of that on like in a very tasteful way.

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<v Speaker 1>Whose idea was was the artwork? So me and my

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<v Speaker 1>creative manager, his name is Cash, we had just been

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<v Speaker 1>trying to figure out how to mash everybody's like face

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<v Speaker 1>together and just looked at weird. So then I'm like, yo,

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<v Speaker 1>let's take a piece of each every each album that

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<v Speaker 1>we liked the most from every artist and make it

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<v Speaker 1>a thing. And then we just was like, okay, cool,

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<v Speaker 1>We're gonna take the border from Kendrick, We're gonna take

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<v Speaker 1>the heart from Kanye, We're gonna take the sky from Dragon,

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<v Speaker 1>take the crown from Cole, and we're like, what the

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<v Speaker 1>fuck we're gonna do for fifty I was like, y'all,

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<v Speaker 1>let's just sit on it. He hit me back an

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<v Speaker 1>hour later, like check your text, like I've seen the

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<v Speaker 1>bullet holes. I'm like, my god, it's done. It's done. Here.

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<v Speaker 1>I was sending people that album covered before it even

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<v Speaker 1>came out, like yo, just look, you don't even to hear,

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<v Speaker 1>you don't even need to hear. Just look at the

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<v Speaker 1>album cover bro. When I when me and Head had

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<v Speaker 1>linked up with you, it was like almost two years

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<v Speaker 1>ago you had you were coming into a situation with Capital.

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<v Speaker 1>What's the update or the status of your situation record

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<v Speaker 1>label wise? We cut to eyes. I'm now independent, you know, Capital.

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<v Speaker 1>We had our run, you know, we did our thing,

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<v Speaker 1>and I think for where I wanted to go and

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<v Speaker 1>what I'm trying to do, we just wasn't seeing eye

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<v Speaker 1>to eye. And then you know, Lord rest is my

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<v Speaker 1>a R. I ended up passing away. So it was

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<v Speaker 1>like that was just a thing, you know. So I'm

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<v Speaker 1>now independent. I want to be able to like freely move,

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<v Speaker 1>you know, do what you want to do. Yeah. Man,

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<v Speaker 1>I don't think you know, unless it's a bag player.

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<v Speaker 1>I don't think labels got that much power these days.

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<v Speaker 1>You ain't lying, Yeah, I mean, look, but I was

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<v Speaker 1>just crazy because you got you're on the playlist that

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<v Speaker 1>you that the label would get you on anyway. Yeah, yeah, man,

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<v Speaker 1>I got on the playlist just off the strength. When

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<v Speaker 1>I first dropped, I wasn't on no playlist. And I

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<v Speaker 1>think Carl Cherry had heard it and was like, yo,

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<v Speaker 1>it's crazy. Yeah. I saw he was like tweeting tweeting

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<v Speaker 1>out your lyrics and shit. Yeah, and it's like, yo,

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<v Speaker 1>but I don't know you from nowhere, So that was

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<v Speaker 1>just an organic thing. Was just organic, bro, because you know,

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<v Speaker 1>he's like the gate the gatekeeper that everyone. Yeah, it

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<v Speaker 1>was organic bro. And he had hit me like, bro,

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<v Speaker 1>this is crazy, this is crazy, And I'm like, yeah,

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<v Speaker 1>I'm glad you tapping in with the music and speaking

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<v Speaker 1>of the label, this is something that the label had

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<v Speaker 1>had for a year, you know. Well, it's also kind

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<v Speaker 1>of like reaffirms the fact that you don't need the

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<v Speaker 1>label because really, what else, Like that's why that's what

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<v Speaker 1>they're there for, right, is to try to get you

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<v Speaker 1>placements or you know, but dog, if you are like

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<v Speaker 1>outside of a bag, like you said, yeah, what else,

0:10:34.080 --> 0:10:35.880
<v Speaker 1>what else do you need a label for? These days?

0:10:36.040 --> 0:10:38.920
<v Speaker 1>Like you're gonna give somebody twenty percent of what you're

0:10:38.920 --> 0:10:41.400
<v Speaker 1>doing to press upload. I want to ask you, So

0:10:41.440 --> 0:10:42.920
<v Speaker 1>we're going to go through the project and I want

0:10:42.960 --> 0:10:44.480
<v Speaker 1>you to tell me your favorite albums from each of

0:10:44.480 --> 0:10:46.240
<v Speaker 1>these artists. Well, obviously he's got to be giving your

0:10:46.280 --> 0:10:48.439
<v Speaker 1>dad trying for fifty out. Yeah, of course that goes

0:10:48.480 --> 0:10:52.440
<v Speaker 1>what I'm saying. By the way, Massacres, super swept on. Yeah,

0:10:52.559 --> 0:10:54.760
<v Speaker 1>but what about I mean, you say your favorite it

0:10:54.760 --> 0:10:56.880
<v Speaker 1>was eight awaits your favorite album since she used the heart. Nah,

0:10:56.920 --> 0:11:02.000
<v Speaker 1>that's just a symbol. It makes sense. Graduation, graduation, It's like, Bro,

0:11:02.480 --> 0:11:05.240
<v Speaker 1>that was impeccable. It's a great body of work. It's like,

0:11:06.120 --> 0:11:07.720
<v Speaker 1>I don't know, like I think everybody liked to say

0:11:07.720 --> 0:11:11.360
<v Speaker 1>my beautiful, dark twisted, but that I'm a Late Registration guy,

0:11:11.600 --> 0:11:14.640
<v Speaker 1>also older, older Kanye. Yeah, I love Late Registration. Yeah,

0:11:14.920 --> 0:11:19.760
<v Speaker 1>graduation was solid, and I just I don't know, man,

0:11:20.200 --> 0:11:22.320
<v Speaker 1>I Mike, I'm Mike. I'm not as high as graduation

0:11:22.480 --> 0:11:25.560
<v Speaker 1>on graduation as everyone else. I'm not. It's a great look.

0:11:25.800 --> 0:11:29.640
<v Speaker 1>Kanye's got the best discography ever. Yeah, He's got a

0:11:29.640 --> 0:11:33.360
<v Speaker 1>great discography. I feel like Late Registration and College Dropout

0:11:33.360 --> 0:11:35.400
<v Speaker 1>were like brothers sister albums. It kind of sounded I

0:11:35.440 --> 0:11:37.760
<v Speaker 1>didn't hear that much evolution in the in the body

0:11:37.800 --> 0:11:40.480
<v Speaker 1>of work. They kind of very same. Nah, Late Registration

0:11:40.520 --> 0:11:42.640
<v Speaker 1>have John Brian on the production. It was so much

0:11:42.720 --> 0:11:44.920
<v Speaker 1>more like that. I feel like they could, they could

0:11:44.960 --> 0:11:49.960
<v Speaker 1>be a deluxe album of each other. I disagree, all right,

0:11:49.960 --> 0:11:52.240
<v Speaker 1>So let's say the jump from Late Registration and Graduation.

0:11:52.360 --> 0:11:55.840
<v Speaker 1>Those are two completely things, different things late Registration. I

0:11:55.880 --> 0:11:58.240
<v Speaker 1>feel like the jump from each album is very different.

0:11:58.440 --> 0:12:00.079
<v Speaker 1>I don't know, I feel like those two are in

0:12:00.160 --> 0:12:02.360
<v Speaker 1>the same ballpark. I feel like my Beautiful, dark, twisted

0:12:02.400 --> 0:12:05.079
<v Speaker 1>Fantasy is his best album because you really can't say

0:12:05.120 --> 0:12:07.000
<v Speaker 1>ship and then it's really up to you to say

0:12:07.000 --> 0:12:11.840
<v Speaker 1>what your favorite is. Yeah, yeah, these are two closest,

0:12:12.080 --> 0:12:15.199
<v Speaker 1>they sound sonically closest, they're the They're the closest out

0:12:15.240 --> 0:12:21.079
<v Speaker 1>of any two. Yeah. Yeah, Graduation, Yeah, Yeah, I just

0:12:21.120 --> 0:12:23.880
<v Speaker 1>got into an argument with somebody and YouTube was killing

0:12:23.920 --> 0:12:27.360
<v Speaker 1>me because I said I like Jesus more than Graduation. Yeah,

0:12:28.520 --> 0:12:32.760
<v Speaker 1>Jesus Is it's an unpopular king and Jesus, oh you're

0:12:32.800 --> 0:12:37.880
<v Speaker 1>fucking crazy, very unpopular opinion, and h I love Jesus,

0:12:38.880 --> 0:12:43.960
<v Speaker 1>Jesus Is King. Go somewhere else with that. Yeah, Yay

0:12:44.120 --> 0:12:46.040
<v Speaker 1>was slept on though. Yeay was a good album because

0:12:46.040 --> 0:12:47.599
<v Speaker 1>I feel like nobody really talking about mental health. That

0:12:47.720 --> 0:12:50.880
<v Speaker 1>song ghost Town, Yeah, it's hard to make a better

0:12:50.880 --> 0:12:53.559
<v Speaker 1>song than ghost Town. Man, that song was Crazy was

0:12:53.559 --> 0:12:56.680
<v Speaker 1>a great record too, Yeah, for sure, for sure, for sure. Yeah, Yeah,

0:12:56.920 --> 0:12:59.640
<v Speaker 1>Yay was slept and then Kidsy ghost was like, yeah,

0:13:00.000 --> 0:13:03.000
<v Speaker 1>I feel like Kitsy Ghosts Sleeper for like one of

0:13:03.040 --> 0:13:06.040
<v Speaker 1>the best Kanye projects ever. Yeah, I've never really I know,

0:13:06.160 --> 0:13:07.880
<v Speaker 1>no line, no cap. I've never really been a Cutty

0:13:07.880 --> 0:13:10.280
<v Speaker 1>fan like that. It's crazy. I've never really been a

0:13:10.320 --> 0:13:12.440
<v Speaker 1>Cutty fan. No. I mean that's fair because I'm I'm

0:13:12.480 --> 0:13:16.760
<v Speaker 1>a I wouldn't say I'm the biggest Cuddy fan either.

0:13:17.720 --> 0:13:21.040
<v Speaker 1>I like dos a is a Cuddy. It's it's it's

0:13:21.679 --> 0:13:24.160
<v Speaker 1>it's like sit through a whole project to Cutty's probably

0:13:24.160 --> 0:13:27.319
<v Speaker 1>harder for me. Like my favorite cutting project is when

0:13:27.360 --> 0:13:29.280
<v Speaker 1>he was like still like really rapping, Like he had

0:13:29.320 --> 0:13:32.680
<v Speaker 1>a project called a Kid named Cuddy, a mixtape sponsored

0:13:32.720 --> 0:13:35.520
<v Speaker 1>by ten Deep, and then you know, the man on

0:13:35.559 --> 0:13:39.360
<v Speaker 1>the moonshit is cool. People love it, Like you can't

0:13:39.360 --> 0:13:42.120
<v Speaker 1>tell shit to a Kit Cutty fan because that'd be

0:13:42.120 --> 0:13:45.880
<v Speaker 1>like he's the greatest ever. Yeah, I mean you've met

0:13:45.880 --> 0:13:48.160
<v Speaker 1>those kinds of people, right, Yeah, bro, I mean yeah,

0:13:48.520 --> 0:13:52.040
<v Speaker 1>those Kid Cutty fans are fucking crazy. But I get it,

0:13:52.120 --> 0:13:55.000
<v Speaker 1>Like listen, man, this music is a beautiful subjective thing.

0:13:55.000 --> 0:13:57.000
<v Speaker 1>And I love Cuddy like you know in doses, I

0:13:57.080 --> 0:13:59.480
<v Speaker 1>just you know, I feel you on that. Yeah, he

0:13:59.520 --> 0:14:01.920
<v Speaker 1>got his He's at his niche audience for sure, sit

0:14:02.000 --> 0:14:06.199
<v Speaker 1>where he sits. But I got my taste and my flavors. Okay,

0:14:06.200 --> 0:14:09.360
<v Speaker 1>what about Jake Coles, what's your favorite Cold project? All right,

0:14:09.400 --> 0:14:12.240
<v Speaker 1>so my favorite Cold project is definitely Born Center. Okay,

0:14:12.320 --> 0:14:14.120
<v Speaker 1>that's a great body of work. If not if not

0:14:14.200 --> 0:14:16.840
<v Speaker 1>Born Born Centered in twenty fourteen, but those are really

0:14:17.320 --> 0:14:20.040
<v Speaker 1>forests drivers kind of like the consensus. Yeah, but that's

0:14:20.040 --> 0:14:22.440
<v Speaker 1>when that's when he got the respect. He that's when

0:14:22.440 --> 0:14:25.120
<v Speaker 1>he got disrespect he deserved. But Boring Center came out

0:14:25.160 --> 0:14:27.800
<v Speaker 1>the same day as Jesus Bro. But I what I

0:14:27.880 --> 0:14:30.600
<v Speaker 1>think don't get enough credit is those truly yours EPs

0:14:30.640 --> 0:14:33.120
<v Speaker 1>that he put out. Yeah, my god, those by those

0:14:33.160 --> 0:14:39.320
<v Speaker 1>little projects was crazy. I think for just like nostalgic purposes.

0:14:39.320 --> 0:14:42.440
<v Speaker 1>I really enjoyed. I still like love Friday Night Lights.

0:14:43.960 --> 0:14:47.040
<v Speaker 1>Friday Night Lights is crazy. He was. That's I don't know.

0:14:47.080 --> 0:14:49.440
<v Speaker 1>I feel like he was just some super duper duper

0:14:49.640 --> 0:14:52.960
<v Speaker 1>and the warm up was crazy. Yeah, yeah, yeah, yeah, yeah.

0:14:53.040 --> 0:14:58.160
<v Speaker 1>You know what's crazy is like with Cole like he

0:14:58.280 --> 0:14:59.960
<v Speaker 1>bounced back. I was not a fan of his first

0:15:00.040 --> 0:15:02.760
<v Speaker 1>the album because there was so much old ship on there,

0:15:02.840 --> 0:15:05.120
<v Speaker 1>so much leaked ship, and you know what he did

0:15:05.120 --> 0:15:06.720
<v Speaker 1>on that first album. Me and you were just talking

0:15:06.760 --> 0:15:10.480
<v Speaker 1>about he was like purposely trying to make radio records. Yeah, diase,

0:15:10.720 --> 0:15:13.480
<v Speaker 1>because you remember like he couldn't get an album out,

0:15:14.200 --> 0:15:16.360
<v Speaker 1>like they kept strowing his ship out and then like

0:15:16.400 --> 0:15:18.320
<v Speaker 1>you know, there was like mister nice watch and work

0:15:18.360 --> 0:15:20.360
<v Speaker 1>out and all that shit. It was cool, But like

0:15:20.400 --> 0:15:22.080
<v Speaker 1>you said, I think Born Tender was like the first

0:15:22.080 --> 0:15:24.040
<v Speaker 1>time he just did what the fuck he wanted. Yeah,

0:15:24.040 --> 0:15:26.720
<v Speaker 1>I think where he met the nuts some ship for

0:15:26.760 --> 0:15:28.560
<v Speaker 1>the critics and ship for the crowd. I think that's

0:15:28.560 --> 0:15:31.920
<v Speaker 1>where he finally. Okay, this is a hard one Kendrick,

0:15:31.960 --> 0:15:35.160
<v Speaker 1>because I mean he's three for three if we're talking

0:15:35.160 --> 0:15:37.240
<v Speaker 1>major releases. Obviously, if you throw section eighty and there,

0:15:37.240 --> 0:15:40.200
<v Speaker 1>he was four for four. But like I mean, Kendrick's

0:15:40.240 --> 0:15:42.920
<v Speaker 1>got no misses on his Uh yeah, Kendrick is hard.

0:15:43.000 --> 0:15:44.840
<v Speaker 1>I think I'm gonna say good kid in mass City

0:15:44.880 --> 0:15:47.920
<v Speaker 1>because I felt like he literally was telling my story

0:15:47.960 --> 0:15:51.400
<v Speaker 1>bar for bar, Like I'm talking about like hitting the

0:15:51.440 --> 0:15:53.880
<v Speaker 1>house and shit like that and friends getting murdered and

0:15:54.000 --> 0:15:56.800
<v Speaker 1>all like literally word for word, bar for bar. I

0:15:56.840 --> 0:15:59.480
<v Speaker 1>was like I was, I was hurt, like, yo, guy,

0:15:59.520 --> 0:16:01.280
<v Speaker 1>why are you and somebody else tell my story like

0:16:01.360 --> 0:16:03.800
<v Speaker 1>this man's telling my story, so that that resonated me

0:16:04.040 --> 0:16:08.880
<v Speaker 1>with me differently. And then I liked to Pember Butterfly

0:16:09.000 --> 0:16:12.080
<v Speaker 1>cosonically there it sounds like nothing I've ever heard. Yeah,

0:16:12.160 --> 0:16:13.560
<v Speaker 1>if you put a gun in my head, I would say,

0:16:13.560 --> 0:16:16.160
<v Speaker 1>good Combat City. But to Piper Butterflies right there too,

0:16:16.520 --> 0:16:20.680
<v Speaker 1>and also to Pember Butterfly was like, it's age so well.

0:16:21.200 --> 0:16:22.360
<v Speaker 1>When it came out, it was just I feel like

0:16:22.360 --> 0:16:25.640
<v Speaker 1>it's over everyone's head. Yeah, nobody couldn't up. I don't

0:16:25.680 --> 0:16:27.760
<v Speaker 1>think we were ready for that. After after second, I'm

0:16:27.760 --> 0:16:31.880
<v Speaker 1>not sec after it was like, Yo, I had to

0:16:31.880 --> 0:16:33.160
<v Speaker 1>listen to it a couple of times, and as I

0:16:33.200 --> 0:16:35.400
<v Speaker 1>listened to it, I'm like wow, and then damn, it

0:16:35.440 --> 0:16:38.320
<v Speaker 1>is just a fucking you know, just press plays hit

0:16:38.360 --> 0:16:42.280
<v Speaker 1>after after Yeah, broh is great. All right, last one, Drake,

0:16:44.560 --> 0:16:48.080
<v Speaker 1>that's a tough one. I will say as far Ours

0:16:48.600 --> 0:16:51.280
<v Speaker 1>albums is either gonna be take Care, probably take care,

0:16:51.920 --> 0:16:54.840
<v Speaker 1>take care. I want to say so far Gone because

0:16:54.840 --> 0:16:56.880
<v Speaker 1>that project did a lot for me. When I first

0:16:56.880 --> 0:16:58.840
<v Speaker 1>heard it, I was like, Yo, this is out of here.

0:16:59.040 --> 0:17:01.080
<v Speaker 1>But uh, I say take care. If y'all listen to

0:17:01.120 --> 0:17:03.520
<v Speaker 1>take care, Bro. That's hit after hit for sure. I

0:17:03.640 --> 0:17:05.040
<v Speaker 1>when the hip hop head say Drake don't have a

0:17:05.040 --> 0:17:08.840
<v Speaker 1>classic album, it's like, yo, bro, damn bro, that's me.

0:17:09.840 --> 0:17:12.320
<v Speaker 1>I say take Care as the closest thing he has

0:17:12.480 --> 0:17:14.280
<v Speaker 1>to say Care not a classic album. Well, I'm not

0:17:14.280 --> 0:17:16.239
<v Speaker 1>even saying it's not a classic album because it might

0:17:16.280 --> 0:17:18.240
<v Speaker 1>be a classic to me and to you. But I

0:17:18.280 --> 0:17:21.879
<v Speaker 1>just don't feel like it's like a consensus classic, like

0:17:21.960 --> 0:17:23.680
<v Speaker 1>you know how like you say, like good Kid, Mad City,

0:17:23.720 --> 0:17:28.160
<v Speaker 1>it's like an undeniable classic take Care. People argue whether

0:17:28.240 --> 0:17:31.160
<v Speaker 1>or not it's a classic, and and so I think

0:17:31.160 --> 0:17:33.719
<v Speaker 1>take Care as a classic. Personally for me, it's a classic.

0:17:33.760 --> 0:17:35.520
<v Speaker 1>There's a lot of albums I person I just don't

0:17:35.560 --> 0:17:41.680
<v Speaker 1>think it's like a like a undeniable, consensus classic album,

0:17:41.840 --> 0:17:43.720
<v Speaker 1>like you know when you say Doggy Style, Get Richard

0:17:43.720 --> 0:17:46.680
<v Speaker 1>Die Trying, Like these are albums like nobody will ever

0:17:46.720 --> 0:17:50.280
<v Speaker 1>say anything different. Take Care is close. But like you said,

0:17:50.359 --> 0:17:52.480
<v Speaker 1>there's a lot of people who say Drake doesn't have

0:17:52.560 --> 0:17:55.840
<v Speaker 1>a classic album. I think take Care as a classic.

0:17:55.880 --> 0:17:59.520
<v Speaker 1>I just don't think it's like it's not a consensus

0:17:59.560 --> 0:18:02.879
<v Speaker 1>like yo, undeniable, nobody's gonna say shit to you if

0:18:02.920 --> 0:18:07.520
<v Speaker 1>you say, you know, a Quimini from Outcast is a classic, Like,

0:18:07.560 --> 0:18:09.960
<v Speaker 1>who's gonna say, like, you know what I'm saying, take care,

0:18:10.040 --> 0:18:13.280
<v Speaker 1>there's some, there's some, you know some, there might be

0:18:13.280 --> 0:18:16.399
<v Speaker 1>an argument. I had this argument with my manager the

0:18:16.440 --> 0:18:18.800
<v Speaker 1>other day, and I was like, go back and play

0:18:18.800 --> 0:18:20.360
<v Speaker 1>the album because I think a lot of people don't

0:18:20.400 --> 0:18:23.000
<v Speaker 1>realize that all those records were on that same album right, right,

0:18:23.040 --> 0:18:25.240
<v Speaker 1>right a lot of times because Drake had Drake has

0:18:25.359 --> 0:18:27.280
<v Speaker 1>had a crazy run. He's still in his run, right,

0:18:27.600 --> 0:18:29.720
<v Speaker 1>but at that time, he was just literally like he

0:18:29.760 --> 0:18:33.520
<v Speaker 1>owned the radio, he owned all the spaces. But Kendrick, yeah, bro,

0:18:33.640 --> 0:18:35.639
<v Speaker 1>like yeah, Kendrick had his own record on there. So

0:18:37.280 --> 0:18:39.360
<v Speaker 1>when you go back and listen, like how many hit

0:18:39.440 --> 0:18:41.840
<v Speaker 1>records he had on there that weren't like even for

0:18:41.920 --> 0:18:43.920
<v Speaker 1>a radio that's just like, yo, this is just Drake.

0:18:44.119 --> 0:18:47.000
<v Speaker 1>You know, I think you'll you can say that one

0:18:47.080 --> 0:18:49.560
<v Speaker 1>is a classic. I don't know what whatever Crew Level

0:18:49.600 --> 0:18:52.879
<v Speaker 1>was on there, right, yeah, yeah, crew Love. Yeah, you know,

0:18:53.000 --> 0:18:55.000
<v Speaker 1>I don't disagree with you. I think it's a classic,

0:18:55.000 --> 0:18:57.240
<v Speaker 1>but I just think that it's not like, you know,

0:18:58.280 --> 0:19:02.199
<v Speaker 1>I think I'm just waiting for Drake to drop a

0:19:02.320 --> 0:19:06.719
<v Speaker 1>project that like, upon first listen, you're like, oh my god.

0:19:07.480 --> 0:19:09.440
<v Speaker 1>And I'm not saying that take Care is not that,

0:19:09.800 --> 0:19:12.880
<v Speaker 1>but I just mean, like you can't say shit about

0:19:12.920 --> 0:19:16.360
<v Speaker 1>Good Kid Mass City. Yeah No, Like if someone told you, like, nah,

0:19:16.359 --> 0:19:18.399
<v Speaker 1>that ain't a classic, you know, like like you'd be like,

0:19:18.880 --> 0:19:21.000
<v Speaker 1>you're like, shut the fuck up. But a lot of

0:19:21.000 --> 0:19:25.600
<v Speaker 1>people whose opinion you would respect and hip hop might

0:19:25.680 --> 0:19:27.199
<v Speaker 1>not say to take Care as a class I just

0:19:27.240 --> 0:19:30.840
<v Speaker 1>mean it's a classic to me, to you subjectively, we

0:19:30.880 --> 0:19:32.520
<v Speaker 1>all have our own classics, you know what I'm saying.

0:19:32.720 --> 0:19:34.480
<v Speaker 1>But I just don't think Drake's got that one that

0:19:34.600 --> 0:19:37.640
<v Speaker 1>like there's no argument for I think the reason why

0:19:37.680 --> 0:19:39.240
<v Speaker 1>I take Care is in a classic because it's not

0:19:39.280 --> 0:19:42.200
<v Speaker 1>a themed album. I think the skits on Good Kid

0:19:42.200 --> 0:19:44.360
<v Speaker 1>Mass City is what makes it this classic body of work.

0:19:44.400 --> 0:19:47.560
<v Speaker 1>The same thing with a Tip of a Butterfly or

0:19:47.600 --> 0:19:49.760
<v Speaker 1>even Damn. But it's like it's a cohesive body of

0:19:49.800 --> 0:19:52.520
<v Speaker 1>work to where you cannot deny it. And creatively it

0:19:52.600 --> 0:19:56.520
<v Speaker 1>was like a lot of just risk taking. Yeah, I

0:19:56.560 --> 0:19:58.560
<v Speaker 1>just think, Yeah, I don't know, man, I love Drake.

0:19:59.200 --> 0:20:01.679
<v Speaker 1>Nothing was the same my favorite Drake album, But I

0:20:01.720 --> 0:20:05.159
<v Speaker 1>do think take Care my book is classic. Yeah, I

0:20:05.240 --> 0:20:09.720
<v Speaker 1>used to nothing was the same clouds because that's more known. Really. Yeah,

0:20:09.800 --> 0:20:11.399
<v Speaker 1>the clouds is like when you see those clouds, oh

0:20:12.160 --> 0:20:14.199
<v Speaker 1>the clouds on the album cover. Yeah, oh yeah that

0:20:14.240 --> 0:20:16.960
<v Speaker 1>was That's not my Drake my favorite Drake project. Just

0:20:16.960 --> 0:20:18.520
<v Speaker 1>a great album. Yeah, but it made sense, you know

0:20:18.560 --> 0:20:20.760
<v Speaker 1>exactly what I'm talking about looking at those clouds. It

0:20:20.800 --> 0:20:25.520
<v Speaker 1>makes sense. So yeah, so what what spark? Now you're independent?

0:20:26.000 --> 0:20:28.640
<v Speaker 1>What's next for you? This this project is out, it's

0:20:28.640 --> 0:20:31.040
<v Speaker 1>been going crazy, But what's next for you? So? I

0:20:31.080 --> 0:20:35.040
<v Speaker 1>got two projects in the works. I got Ignorance Part

0:20:35.080 --> 0:20:37.280
<v Speaker 1>two that I'm kind of iffy on putting out because

0:20:37.560 --> 0:20:39.439
<v Speaker 1>Ignorant Part one was dedicated to my brother and I

0:20:39.440 --> 0:20:42.280
<v Speaker 1>don't want to step on his toes, you know, uh,

0:20:42.760 --> 0:20:44.680
<v Speaker 1>and like kind of try to recreate some energy when

0:20:44.720 --> 0:20:47.920
<v Speaker 1>it was like really organic. And then I'm working on

0:20:47.920 --> 0:20:50.280
<v Speaker 1>on my debut even though nobody's looking for it. I'm

0:20:50.320 --> 0:20:54.320
<v Speaker 1>like literally just putting songs away. So you're like official album,

0:20:54.600 --> 0:20:57.400
<v Speaker 1>like they are official, like more than seven tracks. I've

0:20:57.400 --> 0:20:59.320
<v Speaker 1>never put out a eping that's more than seven tracks.

0:20:59.359 --> 0:21:02.719
<v Speaker 1>I want to really have something where like it's undeniable

0:21:02.720 --> 0:21:06.560
<v Speaker 1>from top to bottom. So I'm sitting on fifty sixty records,

0:21:06.560 --> 0:21:08.240
<v Speaker 1>like every artist you know, sitting on a whole lot

0:21:08.280 --> 0:21:09.920
<v Speaker 1>of records and just wait for the right time to

0:21:09.920 --> 0:21:12.480
<v Speaker 1>put it out because I what's the right time? Though

0:21:12.600 --> 0:21:14.679
<v Speaker 1>there is no right time, but like, how do you

0:21:14.720 --> 0:21:16.760
<v Speaker 1>determine that. I hate when people say that I'm waiting

0:21:16.760 --> 0:21:19.840
<v Speaker 1>for the right time to put something, but I don't know.

0:21:19.880 --> 0:21:21.200
<v Speaker 1>It was the right to put out idols when I

0:21:21.240 --> 0:21:23.439
<v Speaker 1>put it out. But a lot of people using the

0:21:23.440 --> 0:21:25.320
<v Speaker 1>pandemic on why they're not putting music. I'm like, you're

0:21:25.320 --> 0:21:27.679
<v Speaker 1>fucking tripping. People are at home with nothing to do

0:21:28.040 --> 0:21:30.959
<v Speaker 1>and they're listening to music. Yeah. I just feel like

0:21:31.240 --> 0:21:32.720
<v Speaker 1>my thing is I always want to put out a

0:21:32.720 --> 0:21:35.040
<v Speaker 1>body of work that is cohesive. Every one of my

0:21:35.040 --> 0:21:37.480
<v Speaker 1>body of works was themed, every single one of them.

0:21:37.680 --> 0:21:39.120
<v Speaker 1>So I don't want to just put out a body

0:21:39.119 --> 0:21:40.760
<v Speaker 1>of work just like oh, this is music here, you

0:21:40.800 --> 0:21:42.959
<v Speaker 1>can have it. I might put out a single, but

0:21:43.040 --> 0:21:44.880
<v Speaker 1>I don't want to just put out something that it's

0:21:44.920 --> 0:21:46.679
<v Speaker 1>not like, Oh, I understand what you're trying to do here,

0:21:46.680 --> 0:21:49.560
<v Speaker 1>because I feel like that's the biggest thing for me

0:21:49.720 --> 0:21:52.600
<v Speaker 1>as an artist, Like Yo, he's telling stories with everything

0:21:52.640 --> 0:21:56.760
<v Speaker 1>he does, and everybody at work meant something to him.

0:21:57.320 --> 0:22:03.119
<v Speaker 1>You talked about obviously the capital deal came into play

0:22:03.160 --> 0:22:04.600
<v Speaker 1>and a lot of people are trying to sign you.

0:22:07.520 --> 0:22:09.320
<v Speaker 1>Can you talk about like you said you were eating

0:22:09.320 --> 0:22:12.280
<v Speaker 1>dinner and someone called you. Yeah, so I was eating dinner,

0:22:12.520 --> 0:22:15.640
<v Speaker 1>well Thanksgiving dinner. It was like three years ago. This

0:22:15.680 --> 0:22:19.280
<v Speaker 1>is years ago. Yeah, I had dropped. This is when

0:22:19.280 --> 0:22:20.880
<v Speaker 1>I had dropped a many of your time, and Top

0:22:20.960 --> 0:22:23.080
<v Speaker 1>caused me and he didn't He said, all I'm gonna

0:22:23.119 --> 0:22:24.159
<v Speaker 1>hit you, but I didn't think he was gonna hit

0:22:24.160 --> 0:22:26.639
<v Speaker 1>me on Thanksgiving. So I'm like, who is this? He's like,

0:22:26.680 --> 0:22:28.199
<v Speaker 1>this is Top. I'm like what, Like, you know what

0:22:28.200 --> 0:22:30.399
<v Speaker 1>I'm saying? It was Top. So that that kind of

0:22:30.440 --> 0:22:33.080
<v Speaker 1>like solidified what I was really really doing at that time.

0:22:33.080 --> 0:22:35.119
<v Speaker 1>Where you already did you already make the decision to uh?

0:22:35.320 --> 0:22:37.119
<v Speaker 1>I was already signed the Capital at the time, but

0:22:37.160 --> 0:22:38.800
<v Speaker 1>I had already fulfilled my deal. But I still need

0:22:38.840 --> 0:22:40.600
<v Speaker 1>to give him another project because I wanted to put

0:22:40.640 --> 0:22:43.720
<v Speaker 1>the project out. So long story short, took the meeting

0:22:43.760 --> 0:22:45.360
<v Speaker 1>with Top. He was fucking with what I was doing,

0:22:45.359 --> 0:22:47.159
<v Speaker 1>but then I still had to fulfill the rest of

0:22:47.200 --> 0:22:49.760
<v Speaker 1>my duties. To Capital, and I you know, I love

0:22:49.840 --> 0:22:51.800
<v Speaker 1>top Dog, Like I think that's one of those labels

0:22:51.800 --> 0:22:54.600
<v Speaker 1>that represent artistic in tech, what you're doing real Like, yeah,

0:22:54.760 --> 0:22:57.159
<v Speaker 1>them Dreamville. I don't know what they're finna do with

0:22:57.359 --> 0:23:00.480
<v Speaker 1>pg lang, but that might be a pocket. But yeah,

0:23:00.520 --> 0:23:02.240
<v Speaker 1>I really love what the guys over there that top

0:23:02.280 --> 0:23:04.600
<v Speaker 1>Dog is doing. And like, like I said, I ended

0:23:04.640 --> 0:23:06.600
<v Speaker 1>up staying at Capitol, you know, for filling the rest

0:23:06.640 --> 0:23:08.880
<v Speaker 1>of my deal. But yeah, I would love to work

0:23:08.920 --> 0:23:11.520
<v Speaker 1>with top of like he understands what I'm trying to say.

0:23:11.560 --> 0:23:16.840
<v Speaker 1>So the video you shot that went viral, It's there's

0:23:16.880 --> 0:23:18.879
<v Speaker 1>been a lot of videos that have been similar to

0:23:18.920 --> 0:23:21.760
<v Speaker 1>that video since it came out. Yeah. Yeah, I remember

0:23:21.800 --> 0:23:25.240
<v Speaker 1>specifically when the Baby put out his video. What song

0:23:25.359 --> 0:23:27.679
<v Speaker 1>was it? The Baby? He did it for the Rock

0:23:28.160 --> 0:23:30.159
<v Speaker 1>the Rockstar remix ye ye, yep, when he did a

0:23:30.480 --> 0:23:37.560
<v Speaker 1>Black Lives Matter remix Yeah, and very similar almost to

0:23:37.640 --> 0:23:42.320
<v Speaker 1>the t Yeah. How did you feel when you saw that?

0:23:43.480 --> 0:23:45.720
<v Speaker 1>I think now because I think the Baby was like

0:23:45.760 --> 0:23:48.280
<v Speaker 1>the last person that's done it right. Well yeah, because

0:23:48.320 --> 0:23:53.520
<v Speaker 1>there was some other artists similar. Yeah, but uh, long

0:23:53.600 --> 0:23:56.440
<v Speaker 1>story short, the Baby did and I kind of felt like, yo,

0:23:57.680 --> 0:24:00.199
<v Speaker 1>I'm here to inspire. I can't be mad. And I

0:24:00.240 --> 0:24:02.320
<v Speaker 1>inspired somebody, you know. And I may not even have

0:24:02.440 --> 0:24:05.119
<v Speaker 1>inspired the baby. I may have inspired his director or

0:24:05.119 --> 0:24:07.199
<v Speaker 1>his team. Yeah, we were talking about that. I was like,

0:24:07.240 --> 0:24:09.080
<v Speaker 1>I'm not sure the baby like saw that and was like,

0:24:09.160 --> 0:24:11.840
<v Speaker 1>let's do that. It might have been a subconscious effort

0:24:11.840 --> 0:24:14.959
<v Speaker 1>on his director whoever his videographer was, because it was

0:24:15.040 --> 0:24:17.280
<v Speaker 1>it was like damn yeah. But then again, I put

0:24:17.280 --> 0:24:19.400
<v Speaker 1>out that video back in twenty seventeen. Who's to say

0:24:19.400 --> 0:24:22.040
<v Speaker 1>that his director had that in his subconscious and didn't

0:24:22.080 --> 0:24:25.040
<v Speaker 1>even remember like how to exactly. Yeah, you know, so

0:24:25.119 --> 0:24:27.639
<v Speaker 1>like like I said, like he was telling the story.

0:24:27.640 --> 0:24:31.000
<v Speaker 1>And if if your director is getting inspired to tell

0:24:31.000 --> 0:24:33.200
<v Speaker 1>a story something similar to what I did, you know,

0:24:33.640 --> 0:24:36.280
<v Speaker 1>push pushing the same message. I was gonna say, like,

0:24:36.400 --> 0:24:40.840
<v Speaker 1>did you any sort of communication with him or his

0:24:40.880 --> 0:24:43.399
<v Speaker 1>camp at all about it? Now? I had tweeted. I

0:24:43.440 --> 0:24:45.399
<v Speaker 1>was like, Yo, this looks very familiar, and I was it.

0:24:45.480 --> 0:24:47.040
<v Speaker 1>That tweet kind of went up, got a bunch of

0:24:47.080 --> 0:24:50.000
<v Speaker 1>like replies and retweets and shit like that. So that

0:24:50.200 --> 0:24:52.479
<v Speaker 1>was it. But I didn't I didn't reach out to nobody.

0:24:52.480 --> 0:24:55.280
<v Speaker 1>It ain't It's not my business, you know, what I'm saying.

0:24:55.440 --> 0:24:57.440
<v Speaker 1>I got I got my bag, I got my deal

0:24:57.440 --> 0:24:59.320
<v Speaker 1>off that video. So it's like, if you want to

0:24:59.359 --> 0:25:01.680
<v Speaker 1>eat too, go ahead. You know, I'm still eating off

0:25:01.680 --> 0:25:03.119
<v Speaker 1>that song. So it's like, yeah, when you when your

0:25:03.200 --> 0:25:08.560
<v Speaker 1>videos are so like conceptually, so dope, like is it?

0:25:08.320 --> 0:25:10.520
<v Speaker 1>It's like, is it hard to like out like like

0:25:11.440 --> 0:25:17.000
<v Speaker 1>when you shoot videos like that that are so conceptually

0:25:17.520 --> 0:25:21.080
<v Speaker 1>at a high level, Like can it be frustrating to

0:25:21.119 --> 0:25:23.439
<v Speaker 1>just shoot a regular video or just like everything, Like

0:25:23.480 --> 0:25:26.000
<v Speaker 1>I feel like you like you gotta I don't know,

0:25:26.280 --> 0:25:29.680
<v Speaker 1>I'll do yourself, but like that shit, you know you

0:25:29.760 --> 0:25:32.639
<v Speaker 1>got some crazy visuals. Bro. I think I write. I

0:25:32.680 --> 0:25:36.680
<v Speaker 1>write songs visually, so I see the video first video

0:25:36.720 --> 0:25:39.720
<v Speaker 1>as I'm writing while you're writing. Literally, like when I

0:25:39.800 --> 0:25:41.280
<v Speaker 1>just was doing a freestyle, I have my eyes closed.

0:25:41.280 --> 0:25:44.119
<v Speaker 1>I literally literally visually see what I'm saying. So a

0:25:44.119 --> 0:25:45.639
<v Speaker 1>lot of times it's not hard to come up with

0:25:45.680 --> 0:25:48.880
<v Speaker 1>these conceptual videos. It's hard to execute them sometimes because

0:25:48.920 --> 0:25:51.560
<v Speaker 1>sometimes the idea is so grand and now, being independent,

0:25:51.560 --> 0:25:54.320
<v Speaker 1>you ain't got capital that spend fifty thousand on the video,

0:25:54.400 --> 0:25:56.040
<v Speaker 1>you know, like you got to come out of pocket.

0:25:56.119 --> 0:26:00.480
<v Speaker 1>So yeah, I literally visually write every song, every video.

0:26:00.640 --> 0:26:01.920
<v Speaker 1>I don't know if a lot of people know, but like,

0:26:02.280 --> 0:26:04.639
<v Speaker 1>like I directed and wrote those treatments for all of it.

0:26:04.760 --> 0:26:09.520
<v Speaker 1>But he said, you shot that video you yourself? Right? Yeah? Yeah, yeah, literally,

0:26:09.920 --> 0:26:12.080
<v Speaker 1>that shit's crazy on a on a camp, I just

0:26:12.080 --> 0:26:14.320
<v Speaker 1>put the camera on the floor. That was kool aid

0:26:14.400 --> 0:26:18.400
<v Speaker 1>and corn starch, the blood. Yeah, but I spent seven

0:26:18.440 --> 0:26:20.120
<v Speaker 1>dollars on that video and that video changed my life.

0:26:20.160 --> 0:26:23.240
<v Speaker 1>That's fucking crazy. Artists out there, don't make no fucking

0:26:23.240 --> 0:26:26.280
<v Speaker 1>excuses about what you should be doing, because you can

0:26:26.320 --> 0:26:29.400
<v Speaker 1>make this shit happen. They're cheap. I want I wanted

0:26:29.400 --> 0:26:31.040
<v Speaker 1>to ask you. Obviously we're at the end of the year,

0:26:31.080 --> 0:26:34.280
<v Speaker 1>what's your who's your like, what's your favorite album of

0:26:34.320 --> 0:26:36.040
<v Speaker 1>the year. We're just talking about the Grammy nominations, but

0:26:36.080 --> 0:26:38.720
<v Speaker 1>what's your personal top album in twenty twenty? Top album

0:26:38.800 --> 0:26:42.320
<v Speaker 1>twenty twenty is definitely No Love Lost by Blast That's fair.

0:26:42.440 --> 0:26:44.719
<v Speaker 1>That is that an EP? That's I don't know what

0:26:44.760 --> 0:26:47.280
<v Speaker 1>that is, but it's EP. But no, we were just

0:26:47.320 --> 0:26:50.600
<v Speaker 1>talking about Blasting there. Yeah yeah, yeah, so about that.

0:26:50.680 --> 0:26:52.680
<v Speaker 1>And by the way, the way he shopped the videos,

0:26:52.960 --> 0:26:56.720
<v Speaker 1>yeah crazy. So the Homie City James directed that and

0:26:56.760 --> 0:26:58.800
<v Speaker 1>he's five. You go tapping with City James and look

0:26:58.800 --> 0:27:02.119
<v Speaker 1>at his videos. My god, he's really like he's vague.

0:27:02.240 --> 0:27:06.159
<v Speaker 1>Yeah man, yeah, so yeah, so yeah, all right. So

0:27:06.200 --> 0:27:08.520
<v Speaker 1>if we want to say blast album is not an album,

0:27:08.600 --> 0:27:11.159
<v Speaker 1>so it's called that an EP EP. He's got the

0:27:11.200 --> 0:27:13.199
<v Speaker 1>Deluxe coming out, which will kind of fill it out

0:27:13.240 --> 0:27:15.919
<v Speaker 1>to be down because I'm drawing a blank here. Let

0:27:16.000 --> 0:27:18.480
<v Speaker 1>me see who while you're While you're looking that up,

0:27:18.680 --> 0:27:21.320
<v Speaker 1>let's go through the best hip hop album nominees and

0:27:21.560 --> 0:27:25.119
<v Speaker 1>who you think will win. We got Alfredo from Freddy

0:27:25.119 --> 0:27:30.480
<v Speaker 1>Gibbs and Alchemist. We got Royce's album d Smoke, Black Habits,

0:27:31.560 --> 0:27:40.439
<v Speaker 1>NAS's King Disease, and Jay Electronica. I think either Freddy

0:27:40.480 --> 0:27:42.160
<v Speaker 1>or NAS is gonna win. They might give it Knas

0:27:42.240 --> 0:27:44.040
<v Speaker 1>might be the clear winner. You know what's funny is

0:27:44.080 --> 0:27:45.800
<v Speaker 1>I said the same thing. I'm like, Freddy should win,

0:27:45.880 --> 0:27:47.440
<v Speaker 1>but they might just give it to NABS because Nas

0:27:47.520 --> 0:27:49.719
<v Speaker 1>never had a Grammy out of respect for the culture.

0:27:49.760 --> 0:27:52.359
<v Speaker 1>So I would say one of the biggest albums and

0:27:52.480 --> 0:27:54.800
<v Speaker 1>hip we say that hip hop no, no, your favorite,

0:27:55.040 --> 0:27:59.600
<v Speaker 1>like album of the year, I would say, because I

0:27:59.600 --> 0:28:01.119
<v Speaker 1>don't really be listening, I was like that but if

0:28:01.119 --> 0:28:02.680
<v Speaker 1>I'm say albums that I listen to, I would say

0:28:03.840 --> 0:28:05.679
<v Speaker 1>Pop Smoke, that sh At the Stars. That was a

0:28:05.720 --> 0:28:08.000
<v Speaker 1>great That's a great album for me. It's a great

0:28:08.359 --> 0:28:10.080
<v Speaker 1>album that I listened to because I've been listening to

0:28:10.080 --> 0:28:13.199
<v Speaker 1>like a lot of EPs and like that, like you

0:28:13.280 --> 0:28:15.760
<v Speaker 1>do you funk with ke Bell? You know of course

0:28:16.080 --> 0:28:19.200
<v Speaker 1>his little I think it was after Hours. Yeah, he's dope,

0:28:19.200 --> 0:28:20.760
<v Speaker 1>He's dope. That was great. He's going to put a

0:28:20.800 --> 0:28:25.080
<v Speaker 1>shirt on them that that guy never put a shirt

0:28:25.119 --> 0:28:27.800
<v Speaker 1>on my guy. But uh yeah, so yeah, I think

0:28:28.400 --> 0:28:32.159
<v Speaker 1>those those projects really are something that I listened to

0:28:32.240 --> 0:28:34.880
<v Speaker 1>a lot, like on repeat, especially like I was saying,

0:28:34.880 --> 0:28:36.640
<v Speaker 1>like that Blast project, I'm glad you said his name

0:28:36.680 --> 0:28:39.400
<v Speaker 1>because I didn't know if it was Ion or because

0:28:39.440 --> 0:28:41.160
<v Speaker 1>because it's with the X is in his name, So

0:28:41.960 --> 0:28:43.640
<v Speaker 1>I'm glad. I'm glad now I know how to say

0:28:43.680 --> 0:28:45.320
<v Speaker 1>his name. I don't know if he's trying to do

0:28:45.400 --> 0:28:46.600
<v Speaker 1>like you know, how a Blast got like the X

0:28:46.640 --> 0:28:48.600
<v Speaker 1>in his Maybe that's why he's doing it, Like that

0:28:48.800 --> 0:28:50.240
<v Speaker 1>X kind of looks like a K. I don't know.

0:28:50.320 --> 0:28:51.680
<v Speaker 1>I don't know. I don't know why he did that.

0:28:51.880 --> 0:28:53.520
<v Speaker 1>I had to ask him, like yo, just because I

0:28:53.520 --> 0:28:55.640
<v Speaker 1>went to high school him, he went to We went

0:28:55.680 --> 0:28:57.760
<v Speaker 1>the same high school. His project is dope though a

0:28:57.760 --> 0:28:59.120
<v Speaker 1>lot of he look, there's like a lot of dope

0:28:59.120 --> 0:29:01.080
<v Speaker 1>ship coming out of l A on the R and

0:29:01.120 --> 0:29:03.400
<v Speaker 1>B side. Yeah, bro l a kind of kind of

0:29:03.400 --> 0:29:06.400
<v Speaker 1>doing that damn thing. Bro real definitely, No, I agree.

0:29:06.480 --> 0:29:10.360
<v Speaker 1>I think Blast is uh you know, if we're talking

0:29:10.360 --> 0:29:13.840
<v Speaker 1>about just bodies of work, EPs albums, it's up there man. Yeah.

0:29:15.080 --> 0:29:17.360
<v Speaker 1>And I didn't know. I was looking at the credits

0:29:17.360 --> 0:29:19.480
<v Speaker 1>the other day. Bro, he's producing all that himself. Yeah,

0:29:19.480 --> 0:29:21.280
<v Speaker 1>I was. He was up here for the podcast and

0:29:21.320 --> 0:29:25.000
<v Speaker 1>he's like Russ. He records himself, mixes and produces and

0:29:25.040 --> 0:29:28.920
<v Speaker 1>masters and like he does everything himself. Yeah it's crazy. Yeah,

0:29:28.960 --> 0:29:31.360
<v Speaker 1>I record, mixed and master all my stuff, but I

0:29:31.360 --> 0:29:34.200
<v Speaker 1>don't produce the beats like that making his own level,

0:29:34.240 --> 0:29:35.760
<v Speaker 1>Like we start producing your ship. Well, you know the

0:29:35.800 --> 0:29:39.120
<v Speaker 1>Kaaling record, the pull Up and get right with It,

0:29:39.200 --> 0:29:41.880
<v Speaker 1>he produced that. Wow so that that he that's his

0:29:41.960 --> 0:29:45.080
<v Speaker 1>beat over that Kaling record. Yeah, it's crazy, super crazy.

0:29:45.120 --> 0:29:48.240
<v Speaker 1>Shout out to Blast man. Yeah you got music with Blast. Yeah,

0:29:48.520 --> 0:29:51.160
<v Speaker 1>we gotta we got like a song we hit that.

0:29:51.280 --> 0:29:53.560
<v Speaker 1>I don't know, but hit boy. Yeah, Hip Hip produced

0:29:53.560 --> 0:29:55.720
<v Speaker 1>it me him and hit. It sounds like a big

0:29:55.760 --> 0:29:57.840
<v Speaker 1>move man, as like a big move for the city.

0:29:57.880 --> 0:30:01.200
<v Speaker 1>It hit clear, that ship hit clear that shit. So

0:30:01.240 --> 0:30:02.920
<v Speaker 1>that'd be some dope shit. That'd be some dope shit.

0:30:02.960 --> 0:30:04.520
<v Speaker 1>That's the record we did like a year maybe year

0:30:04.520 --> 0:30:07.080
<v Speaker 1>and a half ago. Yeah, and that's before you know,

0:30:07.440 --> 0:30:10.400
<v Speaker 1>Blast was Blast. Yeah, he had literally just put up

0:30:10.400 --> 0:30:11.960
<v Speaker 1>off the strength, Like, yo, brother, fuck with your shit,

0:30:12.040 --> 0:30:13.520
<v Speaker 1>let's work. You know what I'm saying. I ain't even

0:30:13.560 --> 0:30:15.960
<v Speaker 1>tapped in with him. I'm like, bro fly, young man,

0:30:16.040 --> 0:30:17.480
<v Speaker 1>do your thing. You know. I don't want to be

0:30:17.520 --> 0:30:19.960
<v Speaker 1>the guy that, like, yo, remember this this record we got,

0:30:20.080 --> 0:30:21.520
<v Speaker 1>you know, I don't want to do that. Bro Fly,

0:30:21.720 --> 0:30:24.240
<v Speaker 1>spread your wings my guy, because I'm rooting for you

0:30:24.320 --> 0:30:26.280
<v Speaker 1>for sure. Yeah. That pop Smoke album though. They did

0:30:26.280 --> 0:30:28.120
<v Speaker 1>a great job with him, man, I thought that, you know,

0:30:28.160 --> 0:30:30.680
<v Speaker 1>it's hard to pull off an album when someone's not

0:30:30.760 --> 0:30:33.880
<v Speaker 1>here anymore, especially you're kind of knowing that probably a

0:30:33.920 --> 0:30:39.000
<v Speaker 1>lot of those songs weren't finished. They did a masterful job. Yeah, yeah, Yeah,

0:30:39.000 --> 0:30:40.920
<v Speaker 1>I wondered. I was wondering how they pulled off certain things,

0:30:41.480 --> 0:30:43.240
<v Speaker 1>and I don't know how much, how much fifty. He

0:30:43.240 --> 0:30:44.600
<v Speaker 1>had his hands in it, but that was it was

0:30:44.640 --> 0:30:46.520
<v Speaker 1>It was dope because he had a couple of great

0:30:46.560 --> 0:30:50.480
<v Speaker 1>records on there. Oh yeah, solid body of your work. Yeah,

0:30:50.760 --> 0:30:53.720
<v Speaker 1>shout out to pop Smoke. So we don't have any

0:30:53.800 --> 0:30:56.479
<v Speaker 1>sort of So you're you're thinking about dropping uh well,

0:30:56.520 --> 0:30:58.680
<v Speaker 1>you're putting records in site for your album? Yeah, thinking

0:30:58.680 --> 0:31:02.720
<v Speaker 1>about dropping a follow up EP? Yeah next year, early

0:31:02.760 --> 0:31:04.840
<v Speaker 1>next year. Yeah, I'm not gonna do it this year

0:31:04.920 --> 0:31:06.440
<v Speaker 1>if I'm not, if I'm me, shit, we got three

0:31:06.480 --> 0:31:13.400
<v Speaker 1>weeks left. Yeah right, so yeah, so yeah, either most

0:31:13.440 --> 0:31:16.400
<v Speaker 1>likely early next year January February probably another EP and

0:31:16.440 --> 0:31:20.160
<v Speaker 1>then begin working towards the album. But my manager was

0:31:20.160 --> 0:31:22.280
<v Speaker 1>telling them, like, bro, just keep dropping EPs, just keep

0:31:22.360 --> 0:31:24.600
<v Speaker 1>dropping a little small by sized bodies of work until

0:31:24.880 --> 0:31:26.720
<v Speaker 1>people are begging for an album and then just doing

0:31:26.760 --> 0:31:29.520
<v Speaker 1>ye man, run up that catalog. Yeah bro, that's what Yeah, Bro,

0:31:29.640 --> 0:31:32.000
<v Speaker 1>that's just you know, getting you know, my first independent

0:31:32.040 --> 0:31:34.320
<v Speaker 1>Spotify check. I'm like, I'm gonna run up this catalog.

0:31:34.520 --> 0:31:36.239
<v Speaker 1>Just keep going because yeah, because now now you got

0:31:36.280 --> 0:31:38.400
<v Speaker 1>the you got the listeners, you got the monthly listeners

0:31:38.400 --> 0:31:41.240
<v Speaker 1>that are tapped in, they'll get that release radar, you know, Yeah,

0:31:41.280 --> 0:31:43.520
<v Speaker 1>it's kind of crazy that we're talking out loud about this,

0:31:43.760 --> 0:31:46.360
<v Speaker 1>Like it's like something you got to think about, Like, Okay,

0:31:46.520 --> 0:31:49.920
<v Speaker 1>I got people on Spotify listening, so I gotta keep

0:31:49.920 --> 0:31:52.640
<v Speaker 1>on feeding them. Yeah, so it hits their algorithm and

0:31:52.640 --> 0:31:56.840
<v Speaker 1>their algorithmic playlist, their daily mixes and all that shit. Yeah. Man,

0:31:56.920 --> 0:31:58.880
<v Speaker 1>but it's just the world we're in, man. That's yeah,

0:31:58.920 --> 0:32:01.040
<v Speaker 1>that's where we're at. And that's I realized, like you can't,

0:32:01.120 --> 0:32:03.000
<v Speaker 1>especially as an independent artists. You can't wait too long.

0:32:03.640 --> 0:32:06.040
<v Speaker 1>You cannot wait too long. Too long, but you also

0:32:06.120 --> 0:32:08.520
<v Speaker 1>can't overdo it, you know. So I'm like, okay, cool,

0:32:08.960 --> 0:32:11.400
<v Speaker 1>I don't know who said it, Like you should kind

0:32:11.440 --> 0:32:12.840
<v Speaker 1>of try to be on a three to four month

0:32:13.000 --> 0:32:14.920
<v Speaker 1>when you independent, if you're doing EPs, three to four

0:32:14.960 --> 0:32:17.000
<v Speaker 1>month radius to where it's like drop something with a

0:32:17.040 --> 0:32:18.760
<v Speaker 1>couple of months, d drop something, because if you keep

0:32:18.760 --> 0:32:21.000
<v Speaker 1>smacking people over the head every thirty days, they're gonna

0:32:21.000 --> 0:32:23.719
<v Speaker 1>start listening. That's too much unless you're doing singles, yeah,

0:32:23.720 --> 0:32:26.640
<v Speaker 1>but before projects definitely. I don't know if I'm like

0:32:26.640 --> 0:32:30.280
<v Speaker 1>a single artist at this point, just like like I

0:32:30.320 --> 0:32:31.840
<v Speaker 1>like bodies of work towards like, oh I see what

0:32:31.880 --> 0:32:33.800
<v Speaker 1>he trying to do not for sure, Yeah, yeah, I

0:32:33.800 --> 0:32:35.920
<v Speaker 1>mean I get it and doing the EP thing smart, Yeah,

0:32:36.120 --> 0:32:37.880
<v Speaker 1>I like, I actually like it that way. I feel

0:32:37.920 --> 0:32:41.200
<v Speaker 1>like giving people's bite sized amounts of content, it's it's

0:32:41.240 --> 0:32:43.040
<v Speaker 1>the way to go. I don't I get I see

0:32:43.040 --> 0:32:46.080
<v Speaker 1>an album with nineteen songs on it get scared, like

0:32:46.080 --> 0:32:49.200
<v Speaker 1>that's too much. Yeah, man, it's too much for me.

0:32:49.360 --> 0:32:52.120
<v Speaker 1>It's a lot. There's no bros. There's like three people

0:32:52.280 --> 0:32:55.240
<v Speaker 1>in the game that I will listen to their whole album. Well,

0:32:55.360 --> 0:32:58.840
<v Speaker 1>I mean, especially if it's nineteen songs. Yeah, I think

0:32:58.920 --> 0:33:01.600
<v Speaker 1>Dot can drop a he could drop a forty song

0:33:01.640 --> 0:33:07.000
<v Speaker 1>album and I'm in whatever Kendrick wants to just whatever, Like, yeah,

0:33:07.000 --> 0:33:08.840
<v Speaker 1>I think that and Cold do you think of Drake

0:33:08.880 --> 0:33:10.360
<v Speaker 1>Dropp a forty song album? You listen to all of it?

0:33:10.640 --> 0:33:12.880
<v Speaker 1>I didn't listen to all the Scorpion answer your question. So,

0:33:13.400 --> 0:33:15.080
<v Speaker 1>I mean, I think I might have listened to all

0:33:15.120 --> 0:33:17.080
<v Speaker 1>of it, but it was like in pieces because it

0:33:17.120 --> 0:33:19.200
<v Speaker 1>was like a technically a double double album double was

0:33:19.200 --> 0:33:21.320
<v Speaker 1>half all. I like the R and B side to

0:33:21.360 --> 0:33:25.120
<v Speaker 1>be honest a lot on the Scorpion, but now like Drake,

0:33:26.120 --> 0:33:28.120
<v Speaker 1>it took me a while, Like if Kendrick drops a

0:33:28.160 --> 0:33:30.960
<v Speaker 1>forty song album, I'm gonna smoke some weeds, sit in

0:33:31.000 --> 0:33:35.960
<v Speaker 1>my man cave fucking and just zone out for two hours.

0:33:35.960 --> 0:33:38.800
<v Speaker 1>Two hours, yeah, and just be like, Yo, there's no

0:33:38.840 --> 0:33:41.000
<v Speaker 1>way Kendrick's gonna drop a forty song album and it

0:33:41.120 --> 0:33:44.800
<v Speaker 1>not be a masterpiece. Drake drop a forty song album,

0:33:44.880 --> 0:33:48.000
<v Speaker 1>You're like, well, you know that Chris Brown did? That?

0:33:48.120 --> 0:33:51.200
<v Speaker 1>Was it last year? Christ thirty six? Albums thirty six?

0:33:51.320 --> 0:33:53.520
<v Speaker 1>It was some crazy some of the Red Moon or

0:33:53.520 --> 0:33:57.880
<v Speaker 1>something like that? Was man. I was like, Yo, damn Breezy,

0:33:58.200 --> 0:34:01.400
<v Speaker 1>I'll fuck with you, bro, But I'm I mean, I

0:34:01.440 --> 0:34:05.480
<v Speaker 1>got ship to do, I got life to live. The

0:34:05.520 --> 0:34:09.040
<v Speaker 1>songs I need to hear will make their way to me. Yeah, Bro,

0:34:09.480 --> 0:34:10.799
<v Speaker 1>I feel like I feel like I was just talking

0:34:10.800 --> 0:34:12.640
<v Speaker 1>about that. That Chris Brown record is one of my

0:34:12.640 --> 0:34:15.320
<v Speaker 1>favorite records right now though him a young thug. Oh yeah,

0:34:15.560 --> 0:34:17.680
<v Speaker 1>I listened to that record every day. Again, that's a

0:34:17.760 --> 0:34:22.239
<v Speaker 1>radio record I don't typically Yeah, crazy, great beautiful song.

0:34:22.320 --> 0:34:26.040
<v Speaker 1>Yeah yeah, bro, So shout to Chris Brown, man, Yeah. Many.

0:34:26.160 --> 0:34:31.400
<v Speaker 1>Let me ask you something is Chris Brown? Is he

0:34:31.480 --> 0:34:33.880
<v Speaker 1>the most talented artist we've ever seen? I think he

0:34:33.960 --> 0:34:37.360
<v Speaker 1>would be I think unfortunately that incident with him Rihanna. No, No,

0:34:37.480 --> 0:34:39.160
<v Speaker 1>I'm not talking about that. I'm talking about is he

0:34:39.200 --> 0:34:41.360
<v Speaker 1>the most talented artist. I'm saying yes. I feel like

0:34:41.400 --> 0:34:43.480
<v Speaker 1>he would be god level had he not done some

0:34:43.520 --> 0:34:46.319
<v Speaker 1>stuff in his adolescence. I think he's god level. You

0:34:46.360 --> 0:34:47.919
<v Speaker 1>think he is. I don't think he gets to shine

0:34:47.920 --> 0:34:49.759
<v Speaker 1>and he deserves. But I'm not talking about the shine

0:34:49.840 --> 0:34:53.799
<v Speaker 1>or the record. I'm talking about talent. Yeah, god level. Yeah.

0:34:55.080 --> 0:34:57.600
<v Speaker 1>I've been extremely critical of Chris Brown and his personal

0:34:57.640 --> 0:35:02.680
<v Speaker 1>decisions outside of the Rihanna thing. Yeah, but Jesus Christ's

0:35:03.200 --> 0:35:04.759
<v Speaker 1>he's out of this world. I'm like, how do you

0:35:04.800 --> 0:35:08.520
<v Speaker 1>still are you making fifty song projects? Bro? He's an

0:35:08.520 --> 0:35:11.480
<v Speaker 1>alien man and he can dance. He can paint a

0:35:11.560 --> 0:35:14.719
<v Speaker 1>mural on a Ferrari Yeah, he can sing a jump

0:35:14.719 --> 0:35:19.239
<v Speaker 1>shot yeah, solid on the Celebrity Basketball game. Yeah he was.

0:35:19.440 --> 0:35:23.279
<v Speaker 1>He was really mixing people. He could act. Yeah. Yeah.

0:35:23.360 --> 0:35:26.040
<v Speaker 1>I think about like I said, I hope we give

0:35:26.120 --> 0:35:28.960
<v Speaker 1>that man his roses, bro, because he's really a great

0:35:29.520 --> 0:35:32.120
<v Speaker 1>yeah man, And I'm being very critical, but I'm like, yo, like,

0:35:32.120 --> 0:35:34.280
<v Speaker 1>I don't know if there's been another more talented human

0:35:34.360 --> 0:35:37.040
<v Speaker 1>being that we've seen in the public eye besides Chris Brown.

0:35:37.040 --> 0:35:39.120
<v Speaker 1>Now you might argue that there's people who's made better music,

0:35:39.239 --> 0:35:43.040
<v Speaker 1>but just pure talent. Chris Brown has got people. Chris

0:35:43.040 --> 0:35:45.960
<v Speaker 1>Brown makes phenomenal music. Who's really making better music than

0:35:46.040 --> 0:35:48.840
<v Speaker 1>Christ Down? I mean, you know, I think if I

0:35:48.880 --> 0:35:52.040
<v Speaker 1>mean not anymore, I was gonna say Kanye, but not anymore,

0:35:52.120 --> 0:35:56.759
<v Speaker 1>But Jesus Jesus King is it could turn. I don't

0:35:56.760 --> 0:35:59.279
<v Speaker 1>know all this fucking that non No song Kanye Drop

0:35:59.680 --> 0:36:02.680
<v Speaker 1>is the worst fucking Kanye song he's ever released besides

0:36:02.719 --> 0:36:06.040
<v Speaker 1>the The Scoop shit. But that was he was trolling

0:36:06.120 --> 0:36:08.000
<v Speaker 1>and that beat was fire on the poop the Scoop shit.

0:36:08.000 --> 0:36:10.799
<v Speaker 1>That beat was crazy what I wanted to I really

0:36:10.840 --> 0:36:12.680
<v Speaker 1>would have loved to have heard what Drake did on

0:36:12.719 --> 0:36:15.000
<v Speaker 1>that because that was Drake's beat. Yeah, that's what Drake

0:36:15.120 --> 0:36:16.800
<v Speaker 1>was saying, like Kanye gave it to him, did that

0:36:16.840 --> 0:36:18.960
<v Speaker 1>shit on top of it. But yeah, I just hope

0:36:19.040 --> 0:36:21.800
<v Speaker 1>Kanye pulls his head out the ground and just starts

0:36:21.800 --> 0:36:23.359
<v Speaker 1>getting back. I don't know, man, I don't know how

0:36:23.400 --> 0:36:24.959
<v Speaker 1>if he can be as a greade of an artist

0:36:24.960 --> 0:36:27.279
<v Speaker 1>as we would want him to be while he's like

0:36:27.320 --> 0:36:31.239
<v Speaker 1>a hardcore Christian. I think I know one of the

0:36:31.239 --> 0:36:34.000
<v Speaker 1>producers that's over there, Damn Joints, and he's like, really

0:36:34.000 --> 0:36:36.239
<v Speaker 1>out of this Them Joints produced the Not on Us. Yeah,

0:36:36.560 --> 0:36:39.440
<v Speaker 1>great beat, Yeah bro. So I know that because I've

0:36:39.480 --> 0:36:42.200
<v Speaker 1>written records with him and he's produced a couple records

0:36:42.239 --> 0:36:44.920
<v Speaker 1>for me. He's artistic integrity. So I'm pretty sure if

0:36:44.960 --> 0:36:48.120
<v Speaker 1>he's rubbing shoulders with Kanye, I'm pretty sure in the

0:36:48.160 --> 0:36:50.359
<v Speaker 1>next project. I have faith in this next body of while.

0:36:50.560 --> 0:36:52.279
<v Speaker 1>So I just feel like people are just like, I'm

0:36:52.280 --> 0:36:54.040
<v Speaker 1>just happy to be in the room with Kanye. Let

0:36:54.080 --> 0:36:56.600
<v Speaker 1>him do whatever bullshit he wants to do, and we're

0:36:56.640 --> 0:36:58.359
<v Speaker 1>just here for it because he's yay and we grew

0:36:58.400 --> 0:37:02.240
<v Speaker 1>up loving him. And yeah, he's my favorite artist ever. Yeah,

0:37:02.280 --> 0:37:04.879
<v Speaker 1>like number one. I mean he's not my favorite MC ever,

0:37:05.000 --> 0:37:07.680
<v Speaker 1>But like artists wise, I don't feel like anyone's ever

0:37:07.680 --> 0:37:10.680
<v Speaker 1>made better music and hip hop than Kanye West. Yeah. Artistry, yeah,

0:37:10.680 --> 0:37:13.680
<v Speaker 1>I don't. I don't think nobody. Yeah, I think if

0:37:14.080 --> 0:37:17.840
<v Speaker 1>I think, if Kendrick gives us something completely different on

0:37:17.880 --> 0:37:20.799
<v Speaker 1>his next project, this is what I always say to people, right,

0:37:21.200 --> 0:37:26.840
<v Speaker 1>So everyone puts Biggie in there, and I put Biggie

0:37:26.880 --> 0:37:29.960
<v Speaker 1>in my top ten. Bigg's one of my favorite rappers ever.

0:37:30.680 --> 0:37:34.279
<v Speaker 1>But Biggie is consistently putting people's top five, top three,

0:37:34.400 --> 0:37:38.600
<v Speaker 1>top two, whatever off of two albums two Right two classics,

0:37:39.360 --> 0:37:42.479
<v Speaker 1>Life After Death, Ready to Die, incredible bodies of work,

0:37:43.239 --> 0:37:51.040
<v Speaker 1>undisputable classic albums. But Kendrick he's dropped. I mean, I

0:37:51.080 --> 0:37:53.680
<v Speaker 1>can can consider section eighty at classic. But if we

0:37:53.880 --> 0:37:56.520
<v Speaker 1>with discard section eighty because some people it wasn't a mixtape.

0:37:56.520 --> 0:37:57.839
<v Speaker 1>You couldn't download it for free, you had to buy

0:37:57.840 --> 0:38:01.080
<v Speaker 1>it on iTunes. But if you just take his three

0:38:01.160 --> 0:38:06.560
<v Speaker 1>albums that came out through Interscope untitled A side, like,

0:38:06.719 --> 0:38:09.319
<v Speaker 1>you gotta put Kendrick, He's like four or five all

0:38:09.400 --> 0:38:11.600
<v Speaker 1>time in my book, man, Like, I don't see how

0:38:11.640 --> 0:38:16.160
<v Speaker 1>you could, like, like when you drop music that's on

0:38:16.200 --> 0:38:19.440
<v Speaker 1>that level three times in a row, four times in

0:38:19.480 --> 0:38:20.879
<v Speaker 1>a row to me, you know, because I think section

0:38:20.920 --> 0:38:24.759
<v Speaker 1>eighty's amazing, Like, bro, what are we talking about? I

0:38:24.760 --> 0:38:27.239
<v Speaker 1>think it's just because he's young and he's here right now.

0:38:27.360 --> 0:38:29.880
<v Speaker 1>That's what it is. That's what it is. And Michael's thinking, oh,

0:38:29.920 --> 0:38:35.120
<v Speaker 1>maybe it's recency bias. Like no, Kendrick is fucking that dude, Bro,

0:38:36.400 --> 0:38:40.160
<v Speaker 1>and nobody wants to smoke with Kadot Who would? Who would?

0:38:40.200 --> 0:38:42.480
<v Speaker 1>Who would do that? This man has been throwing subliminal

0:38:42.520 --> 0:38:46.080
<v Speaker 1>shots at Drake and Bro. Who wants smoke with Kendrick?

0:38:47.239 --> 0:38:50.800
<v Speaker 1>Nobody will say his name because they will get destroyed.

0:38:52.160 --> 0:38:54.719
<v Speaker 1>Like the Control Verse was such a moment man shout

0:38:54.760 --> 0:38:59.319
<v Speaker 1>out to Kendrick man top five all time top Yeah.

0:38:59.520 --> 0:39:01.640
<v Speaker 1>I think I think people want to deny that because,

0:39:01.640 --> 0:39:03.520
<v Speaker 1>like I said, because he's here and a lot of

0:39:03.520 --> 0:39:06.480
<v Speaker 1>times people, you know, you pass away and you just

0:39:06.520 --> 0:39:10.879
<v Speaker 1>become this super idol. Lord forbid. If Kendrick passed away,

0:39:11.480 --> 0:39:13.560
<v Speaker 1>everyone would be like, Yo, he's top three all time,

0:39:14.080 --> 0:39:16.440
<v Speaker 1>you know, and it's whacked that that's the type of

0:39:16.480 --> 0:39:19.359
<v Speaker 1>shit that has to happen. Yeah, I think Kendrick is

0:39:19.400 --> 0:39:21.720
<v Speaker 1>on another level because and I think that's the difference

0:39:21.760 --> 0:39:24.080
<v Speaker 1>between Cole and Kendrick is Kendrick knows how to make

0:39:24.160 --> 0:39:26.719
<v Speaker 1>hit records and keep him conscious. Like dam was all

0:39:26.800 --> 0:39:29.920
<v Speaker 1>hit records, Bro, and they're all conscious records. You can't

0:39:30.080 --> 0:39:33.440
<v Speaker 1>really me being a conscious artist. I know the difficulty

0:39:33.520 --> 0:39:35.600
<v Speaker 1>of having some shit that not, but it's like I'm

0:39:35.640 --> 0:39:38.920
<v Speaker 1>really telling you something, you know that's that's really difficult,

0:39:39.120 --> 0:39:42.239
<v Speaker 1>you know. So I think if if we want to

0:39:42.239 --> 0:39:44.880
<v Speaker 1>have that conversation, the top five, come on, Man, I

0:39:44.880 --> 0:39:46.440
<v Speaker 1>don't know who, Like, I don't know who. You can

0:39:46.480 --> 0:39:50.080
<v Speaker 1>find four other like who? Yeah, I feel like there's like,

0:39:50.160 --> 0:39:53.040
<v Speaker 1>you know, probably a six or seven rapper arrange that

0:39:53.080 --> 0:39:55.719
<v Speaker 1>you could kind of rearrange into, like who's the top five? Ever?

0:39:55.800 --> 0:39:58.880
<v Speaker 1>But like, I feel like Kendrick's in that conversation. It's close.

0:39:58.920 --> 0:40:00.840
<v Speaker 1>I want to ask you a question because I'll always

0:40:00.840 --> 0:40:02.880
<v Speaker 1>ask people this question and nobody can ever answer it.

0:40:03.239 --> 0:40:06.480
<v Speaker 1>Or let's just say Kendrick, Cole and Drake are at

0:40:06.480 --> 0:40:08.840
<v Speaker 1>the top of the game. Who's in that space to

0:40:08.960 --> 0:40:11.960
<v Speaker 1>even be close to it? That's not bound level. It's

0:40:11.960 --> 0:40:15.479
<v Speaker 1>like a long three mile gap in between that. Who

0:40:15.640 --> 0:40:18.239
<v Speaker 1>is even a mout up in that gap? You know?

0:40:18.280 --> 0:40:23.040
<v Speaker 1>What's interesting is I don't think we put Kanye in

0:40:23.040 --> 0:40:27.600
<v Speaker 1>that conversation because I don't think people think I think

0:40:27.640 --> 0:40:31.120
<v Speaker 1>Kanye has to be the fourth guy there, just consistency

0:40:31.120 --> 0:40:34.399
<v Speaker 1>over the last twelve, fifteen years whatever. But I also

0:40:34.440 --> 0:40:40.520
<v Speaker 1>don't think Kanye like lyrically is on that level. But yeah,

0:40:40.560 --> 0:40:42.640
<v Speaker 1>I don't know, man, the first name that comes to

0:40:42.719 --> 0:40:45.120
<v Speaker 1>mind and I would be like a Big Sean maybe

0:40:45.239 --> 0:40:51.400
<v Speaker 1>or like yeah, but but it's afar, it's far. If

0:40:51.480 --> 0:40:54.160
<v Speaker 1>Kendrick Cole and Drake are tense, what would Big Sean

0:40:54.160 --> 0:40:56.759
<v Speaker 1>be a six? No disrespect right right? Right, Well, that's

0:40:56.800 --> 0:40:58.920
<v Speaker 1>what I'm saying, like you seven, eight and nine that

0:40:59.040 --> 0:41:02.359
<v Speaker 1>you know it's it would have to yeah, Like I'm

0:41:02.400 --> 0:41:04.560
<v Speaker 1>just trying to think. So I'm thinking Big Sean is

0:41:05.000 --> 0:41:10.680
<v Speaker 1>kind of that next tier and then like, yeah, I

0:41:10.719 --> 0:41:18.719
<v Speaker 1>don't know, man, who else is not just just overall greatness.

0:41:18.800 --> 0:41:20.759
<v Speaker 1>That's that's right now, that's relevant right now. Of course

0:41:20.800 --> 0:41:23.480
<v Speaker 1>you can throw Dre I mean not Dre Jay in there,

0:41:23.560 --> 0:41:26.080
<v Speaker 1>jay Z in there, but he's already he's already past

0:41:26.120 --> 0:41:29.680
<v Speaker 1>the generation. Yeah, I'm thinking right now, And and I

0:41:29.680 --> 0:41:32.240
<v Speaker 1>think you would have you would have to put Kanye

0:41:32.400 --> 0:41:35.280
<v Speaker 1>in that top tier. But like, I don't think relevance

0:41:35.440 --> 0:41:37.640
<v Speaker 1>as an artist at the moment is not what we're

0:41:37.680 --> 0:41:39.560
<v Speaker 1>looking at ya for at the moment. I think we're

0:41:39.560 --> 0:41:42.600
<v Speaker 1>looking at him for things he's done already. Yeah, So

0:41:42.719 --> 0:41:46.160
<v Speaker 1>I would just say that those are the three and

0:41:46.239 --> 0:41:52.600
<v Speaker 1>I'm not sure where you know, if we're talking like impact,

0:41:52.600 --> 0:41:56.600
<v Speaker 1>commercial success, artistic integrity, Like yeah, those those are the

0:41:56.600 --> 0:42:00.279
<v Speaker 1>three and and and and anything below that is very

0:42:00.280 --> 0:42:05.680
<v Speaker 1>far away, very very very very It's a gigantic gap. Yeah,

0:42:05.800 --> 0:42:08.239
<v Speaker 1>I mean there's independent artists that are super like I think,

0:42:08.440 --> 0:42:10.959
<v Speaker 1>you know, I think Freddy Gibbs has had a great

0:42:11.280 --> 0:42:16.120
<v Speaker 1>run recently, you know, I think you can look at Yeah,

0:42:16.160 --> 0:42:20.120
<v Speaker 1>but like we're talking Cole Kendrick Drake for ten years.

0:42:20.360 --> 0:42:24.399
<v Speaker 1>I mean, Good Community was twenty twelve. Yeah, Born Center

0:42:24.480 --> 0:42:26.480
<v Speaker 1>was twenty twelve, I think, yeah, it was, it was.

0:42:26.640 --> 0:42:28.640
<v Speaker 1>It was twenty thirteen. It came out the same day

0:42:28.640 --> 0:42:32.360
<v Speaker 1>as Jesus. Yeah, and Take Take Care was what twenty eleven,

0:42:33.120 --> 0:42:37.360
<v Speaker 1>twenty twelve? Yeah, yeah, you're right, those are the three.

0:42:37.800 --> 0:42:39.480
<v Speaker 1>I don't know who else you would say, Man, there's

0:42:39.480 --> 0:42:41.440
<v Speaker 1>people who've had their pockets and their runs, but like

0:42:41.560 --> 0:42:45.359
<v Speaker 1>not a decade, bro a decade of consistently being the

0:42:45.480 --> 0:42:52.000
<v Speaker 1>fucking guys turning on the radio. And it's like, especially Drake,

0:42:52.160 --> 0:42:55.960
<v Speaker 1>what Drake doesn't play fair, don't I just like, dude,

0:42:56.000 --> 0:43:01.239
<v Speaker 1>he's so like Drake's no one's ever been able to

0:43:01.280 --> 0:43:06.399
<v Speaker 1>make songs that are like like he's the biggest hip

0:43:06.440 --> 0:43:11.120
<v Speaker 1>maker ever. Like it's just not fair, Like Drake can

0:43:11.160 --> 0:43:14.239
<v Speaker 1>literally do anything, and it's just it's it's number one,

0:43:14.360 --> 0:43:17.719
<v Speaker 1>or it's it's it's like, it's just really not fair.

0:43:18.000 --> 0:43:20.359
<v Speaker 1>I think that we've never seen anything like that ever

0:43:20.400 --> 0:43:23.200
<v Speaker 1>in hip hop. Like what Drake's doing, we've never seen.

0:43:23.400 --> 0:43:25.399
<v Speaker 1>You could say, well, Wayne had a couple of year

0:43:25.480 --> 0:43:27.560
<v Speaker 1>run where he was like no, no, no, no, no, no,

0:43:27.640 --> 0:43:31.200
<v Speaker 1>what Drake's doing, nobody's ever done. You know. It's crazy, though,

0:43:31.600 --> 0:43:33.520
<v Speaker 1>If I tell you name your top five rappers, people

0:43:33.560 --> 0:43:35.480
<v Speaker 1>don't even put Drake in the I'm not a big

0:43:35.560 --> 0:43:38.520
<v Speaker 1>Drake though, because why don't we respect that? Man? My

0:43:38.960 --> 0:43:42.040
<v Speaker 1>manager told me he was like those references man kind

0:43:42.040 --> 0:43:44.040
<v Speaker 1>of killed it for me. Man. When I heard the

0:43:44.200 --> 0:43:47.440
<v Speaker 1>Running through the sixth, I was like, oh, oh, people,

0:43:48.120 --> 0:43:49.839
<v Speaker 1>you're not gonna get in that discussion. But no, no no,

0:43:49.880 --> 0:43:53.319
<v Speaker 1>But and the thing is is for me, that's why

0:43:53.360 --> 0:43:55.759
<v Speaker 1>he can't be in in that discussion. But he could

0:43:55.800 --> 0:43:58.279
<v Speaker 1>be in the biggest artist of all time discussion. He

0:43:58.280 --> 0:44:00.440
<v Speaker 1>could be in the biggest hip Like I don't put

0:44:00.520 --> 0:44:04.440
<v Speaker 1>Kanye in the greatest MC discussion. Yeah, but it's one

0:44:04.480 --> 0:44:06.680
<v Speaker 1>of the biggest artists. But but yeah, because I know

0:44:06.719 --> 0:44:09.239
<v Speaker 1>that Kanye openly has people write him for him. Yeah,

0:44:09.280 --> 0:44:12.200
<v Speaker 1>you know, like Ryan Fest wrote Jesus Walks. I didn't

0:44:12.239 --> 0:44:14.640
<v Speaker 1>know that. Yeah, Ryan Fest wrote that song. Wow. So

0:44:15.120 --> 0:44:17.840
<v Speaker 1>you know that doesn't take away from Drake. Like I

0:44:17.880 --> 0:44:19.600
<v Speaker 1>told you, Kanye is my favorite artist, but I can't

0:44:19.600 --> 0:44:21.399
<v Speaker 1>put him in that conversation, just like I can't put

0:44:21.440 --> 0:44:24.080
<v Speaker 1>Drake in that conversation. But Drake don't play fair man.

0:44:24.120 --> 0:44:26.719
<v Speaker 1>You think Drake got somebody writing his bars? I don't know.

0:44:27.120 --> 0:44:29.160
<v Speaker 1>I think I mean, you go listen to that he

0:44:29.239 --> 0:44:31.600
<v Speaker 1>rapped rewrapped all them Quentin Miller bars. Those were verses.

0:44:31.600 --> 0:44:33.480
<v Speaker 1>But that's not even our favorite Drake project. But do

0:44:33.520 --> 0:44:35.200
<v Speaker 1>you think he got another secret person? You know a

0:44:35.200 --> 0:44:39.080
<v Speaker 1>lot of people like that if you're reading this tool, Yeah,

0:44:39.360 --> 0:44:42.279
<v Speaker 1>people really like that project. Yeah, because that was like him,

0:44:42.520 --> 0:44:44.640
<v Speaker 1>that was like his rapping ass rapping project. And the

0:44:44.680 --> 0:44:47.120
<v Speaker 1>fact that that was his rapping ass rapping project and

0:44:47.160 --> 0:44:50.400
<v Speaker 1>there was what two references I believe there's just not

0:44:50.440 --> 0:44:53.400
<v Speaker 1>that least three three. Yeah, So that's why I'm like,

0:44:54.560 --> 0:44:56.840
<v Speaker 1>I don't care, because he makes enjoyable music and he

0:44:56.880 --> 0:44:58.680
<v Speaker 1>also delivers them because if you listen to the Quentin

0:44:58.680 --> 0:45:00.560
<v Speaker 1>Miller versions of those songs, they sound as and then

0:45:00.640 --> 0:45:03.040
<v Speaker 1>Drake gets on him and you're like, oh shit, yeah, Drake,

0:45:03.080 --> 0:45:06.080
<v Speaker 1>don't play fair, man, it's unfair. No one's ever done

0:45:06.080 --> 0:45:09.319
<v Speaker 1>what he's he's doing. I'm not sure anyone will ever

0:45:09.360 --> 0:45:14.080
<v Speaker 1>do what he's doing. Yeah, it's like Drake the Weekend,

0:45:15.440 --> 0:45:20.120
<v Speaker 1>Bruno Mars. Yeah, like like when we're just talking about

0:45:20.160 --> 0:45:24.080
<v Speaker 1>commercial success, who the fuck is touching Drake? Bro, he

0:45:24.120 --> 0:45:28.000
<v Speaker 1>could do another ten years like with his eyes closed. Yeah, Bro,

0:45:28.680 --> 0:45:31.160
<v Speaker 1>it's it's it's ridiculous. He could do yeah, bro. And

0:45:31.200 --> 0:45:34.200
<v Speaker 1>I'm a critical Drake fan, like I'm I think that

0:45:34.239 --> 0:45:36.560
<v Speaker 1>there's a lot of things he hasn't done that I

0:45:36.560 --> 0:45:38.040
<v Speaker 1>would like to see him do. I would like to

0:45:38.040 --> 0:45:41.040
<v Speaker 1>see him make a concept project. All right, So look,

0:45:41.040 --> 0:45:44.279
<v Speaker 1>this is what I'm about to say. Earlier, So I

0:45:44.320 --> 0:45:47.560
<v Speaker 1>was on a you tapped it on Clubhouse man. I

0:45:47.600 --> 0:45:49.680
<v Speaker 1>was on there, Man, I got it, bro, but I

0:45:49.760 --> 0:45:51.560
<v Speaker 1>just like, I don't got time for that. Yeah that shit,

0:45:51.600 --> 0:45:52.960
<v Speaker 1>take your time, but it's good, like if you're driving

0:45:53.040 --> 0:45:55.360
<v Speaker 1>or some shit. But like, so, long story short, I

0:45:55.400 --> 0:45:58.160
<v Speaker 1>was having a conversation and they were saying that Drake

0:45:58.200 --> 0:46:00.920
<v Speaker 1>isn't one of the best lyricists ever, right, And I

0:46:01.080 --> 0:46:04.719
<v Speaker 1>was saying, if we like to be wold By like

0:46:04.800 --> 0:46:08.640
<v Speaker 1>super duper triple on tandras and all the other stuff. Right,

0:46:08.920 --> 0:46:11.360
<v Speaker 1>But if you can say something so simple that a

0:46:11.400 --> 0:46:14.200
<v Speaker 1>baby can understand it, a teenager can understand it, and

0:46:14.239 --> 0:46:16.600
<v Speaker 1>a grandmother can understand it, does that make not make

0:46:16.640 --> 0:46:20.000
<v Speaker 1>you one of the best lyricists because it's so easily

0:46:20.280 --> 0:46:23.239
<v Speaker 1>easy to digest. Sometimes Kendrick will say some shit that

0:46:23.239 --> 0:46:25.720
<v Speaker 1>if you're not a rap head, you have no idea

0:46:25.760 --> 0:46:28.080
<v Speaker 1>what he's talking about. Same thing with Cole. But if

0:46:28.160 --> 0:46:30.560
<v Speaker 1>Draken simplifies so much to what every single person can

0:46:30.640 --> 0:46:33.200
<v Speaker 1>understand it, but it's still the dopest line ever, does

0:46:33.239 --> 0:46:35.239
<v Speaker 1>that not make him one of the greatest lyricists ever?

0:46:36.120 --> 0:46:41.399
<v Speaker 1>I think if he's writing those bars, if he's writing them,

0:46:41.960 --> 0:46:45.799
<v Speaker 1>and yeah, I think Drake is an elite MC yeah, yeah,

0:46:45.960 --> 0:46:49.800
<v Speaker 1>I just don't know what is he writing? What is

0:46:49.840 --> 0:46:52.319
<v Speaker 1>he not? I don't know. So the question that I

0:46:52.320 --> 0:46:54.520
<v Speaker 1>don't know would you be heard? Would you be would

0:46:54.520 --> 0:46:56.120
<v Speaker 1>you hear lets you say some something came out like

0:46:56.360 --> 0:46:58.640
<v Speaker 1>cold wasn't rightdow Ship? Would you be hurt? Of course?

0:46:59.360 --> 0:47:03.000
<v Speaker 1>Of course I'd be like, what like if someone told

0:47:03.000 --> 0:47:05.160
<v Speaker 1>me Kendrick didn't write his ship or there was I would.

0:47:05.200 --> 0:47:07.480
<v Speaker 1>I would be heartbroken, That's what That's what Head had

0:47:07.480 --> 0:47:08.919
<v Speaker 1>asked me, Like, Yo, what if you found out Pockin

0:47:08.960 --> 0:47:11.960
<v Speaker 1>Biggie had ghostwriters? How would you feel about yourself? I'm like, Dad,

0:47:12.400 --> 0:47:15.920
<v Speaker 1>I don't know what I would do. I mean, I

0:47:15.960 --> 0:47:19.239
<v Speaker 1>think that there's a lot of our our I think

0:47:19.239 --> 0:47:24.080
<v Speaker 1>that there's some substantial situational evidence that Wayne has had

0:47:24.120 --> 0:47:27.399
<v Speaker 1>some help with some of his bars. I think when

0:47:27.760 --> 0:47:30.239
<v Speaker 1>this is my own bias, but I think when Drake

0:47:30.280 --> 0:47:32.880
<v Speaker 1>first came out, I think Drake was helping Wayne with

0:47:32.880 --> 0:47:35.120
<v Speaker 1>some bars, because there was very similar when Drake had

0:47:35.400 --> 0:47:37.399
<v Speaker 1>ly the Kid. Yeah, we know that, but that wasn't

0:47:37.520 --> 0:47:41.680
<v Speaker 1>long cool man. We know that though, because you remember

0:47:41.760 --> 0:47:44.600
<v Speaker 1>there was such a jump. Yeah, because like Wayne was

0:47:44.640 --> 0:47:48.560
<v Speaker 1>like block is hot five hundred degrees and then all

0:47:48.560 --> 0:47:51.759
<v Speaker 1>of a sudden just he was rapping, rapping, and he

0:47:51.880 --> 0:47:55.000
<v Speaker 1>was always solid, Like I always thought he was the

0:47:55.040 --> 0:47:57.160
<v Speaker 1>best dude in the Hot Boys as far as like

0:47:57.239 --> 0:47:59.520
<v Speaker 1>who I like to hear rap? But you know, obviously

0:47:59.600 --> 0:48:01.359
<v Speaker 1>Droven Out probably made the best music in that era.

0:48:01.680 --> 0:48:05.560
<v Speaker 1>But there was a big jump man his pen game.

0:48:05.640 --> 0:48:08.399
<v Speaker 1>He took a fucking leap on Carter one and those

0:48:08.400 --> 0:48:11.080
<v Speaker 1>squad of mixtapes and all that shit. So yeah, I

0:48:11.080 --> 0:48:13.799
<v Speaker 1>don't know. I also know people who have been in

0:48:13.800 --> 0:48:15.480
<v Speaker 1>the studio with Wayne and they're like, he's an alien.

0:48:15.520 --> 0:48:16.800
<v Speaker 1>He goes in and it's all off the top of

0:48:16.840 --> 0:48:21.279
<v Speaker 1>his head and it's you know, I'm not I'm a

0:48:21.280 --> 0:48:24.279
<v Speaker 1>little Wayne fan, but I'm very you know critical. Well,

0:48:24.320 --> 0:48:26.440
<v Speaker 1>you know people people really put Wayne in Like, if

0:48:26.440 --> 0:48:28.239
<v Speaker 1>you put Wayne in your top five, I just can't

0:48:28.239 --> 0:48:30.640
<v Speaker 1>take you serious. Really, I just can't do it, man,

0:48:30.760 --> 0:48:33.759
<v Speaker 1>my god, I can't do with god. I don't know

0:48:33.800 --> 0:48:35.960
<v Speaker 1>if Wayne would be top five, but if he definitely

0:48:35.960 --> 0:48:38.160
<v Speaker 1>in the top seven, come on now, I can't do it.

0:48:38.239 --> 0:48:40.920
<v Speaker 1>Wayne also had like an eight year run. Well he

0:48:40.960 --> 0:48:42.960
<v Speaker 1>didn't have a year run. What was it like two thousand?

0:48:43.520 --> 0:48:49.160
<v Speaker 1>Think about so really think about think about his run. Right, So,

0:48:49.200 --> 0:48:52.560
<v Speaker 1>I believe Carter one was five. I was still in

0:48:52.640 --> 0:48:54.279
<v Speaker 1>high school. I was gonna best buy when Carter one

0:48:54.320 --> 0:48:57.479
<v Speaker 1>came out four oh five. I think it was oh five.

0:48:58.280 --> 0:49:01.759
<v Speaker 1>I know Carter two was seven or eight, right, and

0:49:01.800 --> 0:49:04.560
<v Speaker 1>then No. Eight was Carter three. So Carter three came

0:49:04.560 --> 0:49:07.120
<v Speaker 1>out in eight. I know that for sure. Okay, because

0:49:07.120 --> 0:49:11.080
<v Speaker 1>that was the first year I ever got arrested. Four

0:49:11.200 --> 0:49:13.120
<v Speaker 1>was Carter one? Yeah, so that was my junior year

0:49:13.120 --> 0:49:16.640
<v Speaker 1>in high school? Man, when was Carter two? Was that

0:49:16.840 --> 0:49:23.839
<v Speaker 1>six o seven five? Wow? Okay my freshman year? Well

0:49:23.840 --> 0:49:27.359
<v Speaker 1>so think about this, right, Carter one and Carter two.

0:49:27.440 --> 0:49:29.839
<v Speaker 1>Carter two is my favorite Wayne album. But Carter one

0:49:29.880 --> 0:49:36.400
<v Speaker 1>and Carter two, Wayne wasn't the biggest fucking guy, Like

0:49:36.480 --> 0:49:39.359
<v Speaker 1>he wasn't like the guy yet those were albums where

0:49:39.400 --> 0:49:41.080
<v Speaker 1>people are like, oh shit. Then Carter two came out.

0:49:41.120 --> 0:49:43.160
<v Speaker 1>He started calling himself the best rapper alive. Right, He

0:49:43.239 --> 0:49:46.239
<v Speaker 1>had a song on there called exactly And even then,

0:49:46.360 --> 0:49:50.279
<v Speaker 1>like if you think about Carter two, like what was

0:49:50.320 --> 0:49:53.000
<v Speaker 1>the hit record, like the undeniable hit record, It wasn't

0:49:53.080 --> 0:49:55.279
<v Speaker 1>go DJ, wasn't like a super smash and was that

0:49:55.440 --> 0:49:58.319
<v Speaker 1>was go DJ? Carter one? Yeah, Carter one, So go

0:49:58.400 --> 0:50:01.440
<v Speaker 1>DJ was Carter one. That record was dope and it

0:50:01.520 --> 0:50:06.680
<v Speaker 1>got radio play. But like his commercial foot like I

0:50:06.719 --> 0:50:09.400
<v Speaker 1>think after Carter two he started that feature run in

0:50:09.440 --> 0:50:12.480
<v Speaker 1>that Drought, the Drought series and all that shit, dedication,

0:50:12.800 --> 0:50:16.000
<v Speaker 1>dedication shit, and then Carter three was like the cherry

0:50:16.040 --> 0:50:18.360
<v Speaker 1>on top bro and during that whole run he was

0:50:18.400 --> 0:50:21.720
<v Speaker 1>just on everybody. Shit. So I would argue to say

0:50:21.880 --> 0:50:25.880
<v Speaker 1>that Wayne's run as the guy probably started in like

0:50:26.239 --> 0:50:29.799
<v Speaker 1>seven Carter three dropped, that was the peak, and then

0:50:29.840 --> 0:50:33.560
<v Speaker 1>by like twenty ten it was Drake's world. Yeah, so

0:50:33.600 --> 0:50:36.000
<v Speaker 1>you say he had a three year run as the guy,

0:50:36.239 --> 0:50:38.200
<v Speaker 1>bro as the guy, I don't know. Maybe because I'm

0:50:38.200 --> 0:50:40.520
<v Speaker 1>a rapper, rapper bro. When he was putting out the

0:50:40.560 --> 0:50:44.360
<v Speaker 1>Dedication one and that's what two thousand and six, like,

0:50:44.440 --> 0:50:46.319
<v Speaker 1>come on, now you know what's crazy? I was like,

0:50:46.360 --> 0:50:48.480
<v Speaker 1>that was a run all my favorite all my favorite

0:50:48.480 --> 0:50:50.839
<v Speaker 1>Wayne shit is shit isn't even on, like it's all

0:50:50.880 --> 0:50:56.040
<v Speaker 1>it's on that pif Yeah, bro that yeah Wayne. But

0:50:56.120 --> 0:50:58.399
<v Speaker 1>I just don't like, no, no, no no, like if you're

0:50:58.440 --> 0:51:00.640
<v Speaker 1>counting like Carter one all the way. So I just

0:51:00.640 --> 0:51:03.600
<v Speaker 1>think that after Carter three he dropped No Ceilings, which

0:51:03.640 --> 0:51:06.919
<v Speaker 1>to me was the last great lyrical little Wayne. Yeah,

0:51:06.960 --> 0:51:08.759
<v Speaker 1>because I wasn't a fan of Carter four. It had

0:51:08.800 --> 0:51:11.080
<v Speaker 1>some hits on it. Yeah. By the way, motherfuckers in

0:51:11.080 --> 0:51:12.719
<v Speaker 1>the comments hate me because I just had J Mills

0:51:12.760 --> 0:51:14.279
<v Speaker 1>up here and I was shitting on the Carter four.

0:51:15.040 --> 0:51:17.239
<v Speaker 1>Was not a fan of the Carter four. Huge drop

0:51:17.239 --> 0:51:20.279
<v Speaker 1>off to me, major, right, And then he did I'm

0:51:20.280 --> 0:51:23.920
<v Speaker 1>not a human being revolver. He just had a lot

0:51:23.960 --> 0:51:26.160
<v Speaker 1>of stuff that just wasn't He went to the rock

0:51:26.239 --> 0:51:29.360
<v Speaker 1>world and it just wasn't like the level of like

0:51:29.400 --> 0:51:31.400
<v Speaker 1>when even the tapes he dropped after that were just

0:51:31.480 --> 0:51:33.799
<v Speaker 1>kind of whatever. It was like like no ceilings three

0:51:33.880 --> 0:51:36.279
<v Speaker 1>just came out and it's like I haven't heard it yet.

0:51:36.680 --> 0:51:39.880
<v Speaker 1>I mean, it's cool, there's some shit on there. Yeah,

0:51:39.960 --> 0:51:41.640
<v Speaker 1>but all right, let's just say this. So then the

0:51:41.680 --> 0:51:43.799
<v Speaker 1>Trump endorsement, you got to knock it out the top ten.

0:51:45.719 --> 0:51:46.799
<v Speaker 1>But you know why he did it. He did it

0:51:46.840 --> 0:51:49.759
<v Speaker 1>to get the parted and for these federal charges you got.

0:51:49.760 --> 0:51:52.200
<v Speaker 1>You gotta know that that's coming. Because he's got those

0:51:52.200 --> 0:51:53.880
<v Speaker 1>gun charges that they just brought up on him. He

0:51:53.960 --> 0:51:56.680
<v Speaker 1>might go to prison. I didn't know that. When I

0:51:56.719 --> 0:51:58.480
<v Speaker 1>saw that, I was like, oh, the Trump thing makes sense.

0:51:58.600 --> 0:52:01.279
<v Speaker 1>Trump's gonna part of Little Wayne. I put a thousand dollars.

0:52:01.600 --> 0:52:04.120
<v Speaker 1>Trump has to part in Lil Wayne. There's no way

0:52:04.160 --> 0:52:05.960
<v Speaker 1>Little Wayne took a picture with his ass. We're in

0:52:05.960 --> 0:52:08.120
<v Speaker 1>that goofy ass sweater and Trump don't give him a

0:52:08.160 --> 0:52:10.279
<v Speaker 1>fucking party. How many parties do the president get as

0:52:10.320 --> 0:52:13.600
<v Speaker 1>many as he wants? It's unlimited. God damn, he getting

0:52:13.600 --> 0:52:16.000
<v Speaker 1>a party. But look, I'm gonna say this. You're saying that,

0:52:16.000 --> 0:52:17.520
<v Speaker 1>and I'm not mad at him. If he gets the part,

0:52:17.600 --> 0:52:19.719
<v Speaker 1>if he gets to parton, it's all good. I get it. Bro,

0:52:19.880 --> 0:52:21.520
<v Speaker 1>you want to do fifteen years of prisoner, go take

0:52:21.520 --> 0:52:23.960
<v Speaker 1>a picture with the fucking you know, biggest skysucker in

0:52:24.000 --> 0:52:27.600
<v Speaker 1>the world. I mean, look, I get it. Hey to

0:52:27.640 --> 0:52:29.120
<v Speaker 1>each their own, but look, this is what I'm about

0:52:29.120 --> 0:52:31.600
<v Speaker 1>to say. For you to say that Wayne Runn may

0:52:31.600 --> 0:52:33.400
<v Speaker 1>not have been that long, but when it comes to

0:52:33.440 --> 0:52:37.000
<v Speaker 1>influence in today's world, sen is the biggest. Come on,

0:52:37.080 --> 0:52:39.000
<v Speaker 1>So why is he not in what are we just

0:52:39.000 --> 0:52:41.399
<v Speaker 1>basing of If he's one of the greatest lyricists we've

0:52:41.400 --> 0:52:45.200
<v Speaker 1>ever heard, some of his punchlines is out of this world? Right? No? No,

0:52:45.320 --> 0:52:46.480
<v Speaker 1>I mean I don't know if he's one of the

0:52:46.520 --> 0:52:50.840
<v Speaker 1>greatest lyricists. Oh my god, he's just a top twenty lyricist.

0:52:50.960 --> 0:52:54.760
<v Speaker 1>Oh top twenty. Like would you put as a lyricist

0:52:54.840 --> 0:52:57.719
<v Speaker 1>you said lyricist? Yeah, but he's not a storyteller. He's

0:52:57.719 --> 0:52:59.040
<v Speaker 1>not gonna give you a story but you But if're

0:52:59.040 --> 0:53:01.719
<v Speaker 1>talking about saying lyrics sing dope ship, than there I mean,

0:53:01.960 --> 0:53:03.440
<v Speaker 1>we don't want to dive in that hole because I'll

0:53:03.440 --> 0:53:05.280
<v Speaker 1>start the name and names that you'll get mad about.

0:53:05.840 --> 0:53:08.000
<v Speaker 1>So Rayce the five nine is a better lyricistan Little

0:53:08.000 --> 0:53:11.960
<v Speaker 1>Wayne bro So how this Braddy gives a better lyricists?

0:53:11.960 --> 0:53:16.720
<v Speaker 1>Little Wayne? Killer Mike's a better lyricist a little Wayne.

0:53:16.760 --> 0:53:22.080
<v Speaker 1>You said lyricists, You said Loupe Fiasco better lyricist than

0:53:22.080 --> 0:53:24.759
<v Speaker 1>little is one of the greatest lyricists ever. But he

0:53:24.880 --> 0:53:27.239
<v Speaker 1>just don't get the like Lil Wayne is not even

0:53:27.280 --> 0:53:30.960
<v Speaker 1>like sniffing that level of lyricism. So do you think

0:53:30.960 --> 0:53:32.600
<v Speaker 1>do you think Drake is a better lyricist of those

0:53:32.600 --> 0:53:35.000
<v Speaker 1>than your name? Because Wayne, do you think when it

0:53:35.000 --> 0:53:39.040
<v Speaker 1>comes to rapping and punch lines triple on tandras, who's

0:53:39.040 --> 0:53:41.640
<v Speaker 1>really touching him other than Jay? When it comes to

0:53:41.800 --> 0:53:46.720
<v Speaker 1>races to five nine? Yeah, loop A Fiasco, Yeah, Killer

0:53:46.800 --> 0:53:52.600
<v Speaker 1>Mike Uh. I mean, but they're not on that eminem eminem. Yeah,

0:53:52.640 --> 0:53:56.440
<v Speaker 1>He's is a man of words. Andre three thousand, Andre

0:53:56.520 --> 0:53:59.759
<v Speaker 1>three thousand. I mean, I could keep going, but I

0:53:59.760 --> 0:54:02.560
<v Speaker 1>don't don't. I'm not I've never tapped into Royce. I've

0:54:02.600 --> 0:54:06.080
<v Speaker 1>never tapped into Killer Mike, Jay Electronica, never tapped into

0:54:06.120 --> 0:54:11.680
<v Speaker 1>Ja Electronica, Jay Electronica, col Rap come on no at

0:54:11.800 --> 0:54:15.200
<v Speaker 1>all projects because I heard that project. I skimmed through it. Well.

0:54:15.239 --> 0:54:19.200
<v Speaker 1>That project did not deserve no. I don't disagree with you. Listen.

0:54:19.239 --> 0:54:21.120
<v Speaker 1>I don't have no disrespect to them. I don't know

0:54:21.120 --> 0:54:24.040
<v Speaker 1>they washed that man on that record. I don't listen.

0:54:24.160 --> 0:54:26.160
<v Speaker 1>I don't know Jay Electronica. I have no dog in

0:54:26.160 --> 0:54:29.960
<v Speaker 1>the Jay Electronica fight. He should not have gotten nominated.

0:54:30.480 --> 0:54:32.480
<v Speaker 1>There's a there's a some others that probably shouldn't have

0:54:32.480 --> 0:54:35.520
<v Speaker 1>gotten nominated. But you know some homies of mine that

0:54:35.600 --> 0:54:38.520
<v Speaker 1>got nominated. I'm happy for. Yeah, what album do you

0:54:38.560 --> 0:54:40.200
<v Speaker 1>feel like should have got on there? I feel like

0:54:40.239 --> 0:54:42.439
<v Speaker 1>Roddy rich and Little Baby Little Baby, Bro. Little Baby

0:54:42.480 --> 0:54:44.960
<v Speaker 1>has had one of the greatest years. Roddy Richard Little Baby. Yeah.

0:54:45.000 --> 0:54:49.400
<v Speaker 1>Oh yeah, so I forgot about right his album came out.

0:54:50.200 --> 0:54:51.799
<v Speaker 1>But I say a Little Baby is the best album

0:54:51.800 --> 0:54:53.320
<v Speaker 1>of this year. Then I like Little Baby Baby. I

0:54:53.360 --> 0:54:56.560
<v Speaker 1>don't album better than crazy about Little Baby is. If

0:54:56.560 --> 0:54:59.480
<v Speaker 1>you're like a hardcore hip hop head, you can still

0:54:59.480 --> 0:55:02.040
<v Speaker 1>listen to his album and it's like this ship is fire, bro,

0:55:02.080 --> 0:55:04.800
<v Speaker 1>He's really talking about some shit. Yeah, Little baby crazy.

0:55:04.960 --> 0:55:06.880
<v Speaker 1>Now I'm a huge fan of I didn't know bro

0:55:06.920 --> 0:55:08.560
<v Speaker 1>it was that young. He's like twenty five years old.

0:55:09.120 --> 0:55:12.640
<v Speaker 1>I think he's younger than that. Twenty five. Yeah they did.

0:55:11.960 --> 0:55:14.279
<v Speaker 1>They just did the thirty on the thirties twenty five.

0:55:14.280 --> 0:55:15.759
<v Speaker 1>I think he's twenty five. Yeah, they just did the

0:55:15.800 --> 0:55:18.560
<v Speaker 1>Forest thirty on the thirty. No, listen, I think Wayne

0:55:18.600 --> 0:55:22.959
<v Speaker 1>is dope. I just twenty six. He's twenty six. Wow.

0:55:23.000 --> 0:55:25.319
<v Speaker 1>I thought he was younger than that. I thought he

0:55:25.400 --> 0:55:29.840
<v Speaker 1>was like twenty two or something. Oh oh, today's birthday,

0:55:30.320 --> 0:55:33.200
<v Speaker 1>Happy birthday, a little baby yo. So yeah, man, Wayne

0:55:33.239 --> 0:55:35.239
<v Speaker 1>is fire. But I just think we put so much.

0:55:36.320 --> 0:55:41.440
<v Speaker 1>He influences different influence. There's I mean, okay, where do

0:55:41.480 --> 0:55:44.000
<v Speaker 1>you put Tupac in your top as far as influence,

0:55:44.440 --> 0:55:47.000
<v Speaker 1>He's like number one or two one Yeah, because I'm

0:55:47.000 --> 0:55:50.240
<v Speaker 1>from the West. No, No No, but like overall, Tupac influenced everybody.

0:55:50.320 --> 0:55:53.960
<v Speaker 1>Everybody like Tupac is. Probably he's the most influential rapper

0:55:54.120 --> 0:55:58.600
<v Speaker 1>I think. Ever, Yeah, it's like him. Yay ho Wayne.

0:55:58.960 --> 0:56:02.319
<v Speaker 1>I feel like where hip hop is and low key

0:56:02.400 --> 0:56:06.359
<v Speaker 1>future where hip hop is. If you got to give

0:56:06.440 --> 0:56:09.680
<v Speaker 1>Drake a lot of credit as far as influence like see,

0:56:09.680 --> 0:56:12.319
<v Speaker 1>I think nobody was singing Drake was influenced by Ita

0:56:12.320 --> 0:56:15.040
<v Speaker 1>Wates and Heartbreaks, but he was, he was, He didn't

0:56:15.040 --> 0:56:19.000
<v Speaker 1>say will Yeah, yeah he did. But as far as

0:56:19.040 --> 0:56:21.000
<v Speaker 1>making a whole career out of rapping and singing, no

0:56:21.200 --> 0:56:23.960
<v Speaker 1>rappers like hip hop is now typically art. It's like

0:56:24.000 --> 0:56:28.040
<v Speaker 1>basically it'sodic in R and B. Sure Drake's up there too,

0:56:28.719 --> 0:56:30.960
<v Speaker 1>nobody was really doing that. That's how Fitty end of

0:56:31.000 --> 0:56:33.279
<v Speaker 1>Jar rules career. Like Bro, you singing on records, that's

0:56:33.320 --> 0:56:35.920
<v Speaker 1>what we're doing. Yeah, I think it's Pac. I think

0:56:35.960 --> 0:56:41.200
<v Speaker 1>Wayne is up there and influence Wayne lyrics, poc storytelling.

0:56:42.000 --> 0:56:45.399
<v Speaker 1>I want to visualize your lyrics pop well, I don't

0:56:45.400 --> 0:56:47.600
<v Speaker 1>feel like Pac was gonna give you like crazy crazy bar.

0:56:47.680 --> 0:56:50.360
<v Speaker 1>He's just gonna make you feel it emotionally. I think Tupac.

0:56:51.200 --> 0:56:53.239
<v Speaker 1>I would listen to Tupac ten times out of ten

0:56:53.280 --> 0:56:57.080
<v Speaker 1>over Lil Wayne. Now, do I think Lil Wayne is

0:56:57.120 --> 0:57:02.000
<v Speaker 1>probably technically a better lyricist like talking about data, Yeah, probably,

0:57:02.360 --> 0:57:05.279
<v Speaker 1>But Tupac, like you said earlier about Drake, Chupac can

0:57:05.280 --> 0:57:09.040
<v Speaker 1>say some shit so simple and it just like hits you. Yeah,

0:57:09.080 --> 0:57:11.279
<v Speaker 1>And that's a fucking talent in itself. It's the emotion

0:57:11.360 --> 0:57:15.680
<v Speaker 1>in Tupac's voice that that made sense. Yeah what Yeah,

0:57:15.880 --> 0:57:18.280
<v Speaker 1>but I well, we ain't told about we said Tupac

0:57:18.360 --> 0:57:22.320
<v Speaker 1>and Wayne. But hold on, I gotta send We got

0:57:22.320 --> 0:57:24.280
<v Speaker 1>Pete Rock Collen in on zoom, hold on the time

0:57:24.280 --> 0:57:27.160
<v Speaker 1>of that twol forty five. Okay, we got twenty minutes.

0:57:28.120 --> 0:57:35.280
<v Speaker 1>Give me a sick Sorry guys, mid podcast text rapping up.

0:57:37.160 --> 0:57:39.360
<v Speaker 1>So yeah, shout out to Wayne. I'm a Wayne fan.

0:57:39.400 --> 0:57:42.760
<v Speaker 1>I enjoyed the Wayne. I I like, I enjoy the Wayne.

0:57:42.800 --> 0:57:45.920
<v Speaker 1>I enjoy But man, man, these young kids, Bro. I

0:57:45.920 --> 0:57:47.800
<v Speaker 1>had some guy in here tell me that. Bro, there's

0:57:47.800 --> 0:57:51.280
<v Speaker 1>this kid named Veno, this rapper who I'm working with,

0:57:51.560 --> 0:57:54.680
<v Speaker 1>and he's twenty three, and with a straight face, he

0:57:54.760 --> 0:57:56.360
<v Speaker 1>told me no one's had a better ten years in

0:57:56.440 --> 0:57:59.400
<v Speaker 1>hip hop history than Lil Wayne from ninety eight to eight.

0:57:59.840 --> 0:58:03.560
<v Speaker 1>And I said from ninety eight, Like what did you

0:58:03.640 --> 0:58:06.320
<v Speaker 1>just say? I wanted to smack him and kick him

0:58:06.320 --> 0:58:09.400
<v Speaker 1>out of jay Z. He wasn't think about JAYZ, bro

0:58:09.720 --> 0:58:13.720
<v Speaker 1>or DMX or fifty or like during that span. Like

0:58:13.880 --> 0:58:16.680
<v Speaker 1>what Anyway, I don't think anyone's ever had a bigger

0:58:17.320 --> 0:58:20.200
<v Speaker 1>two or three year running fifty. Yeah, fifty was the

0:58:20.240 --> 0:58:24.120
<v Speaker 1>biggest motherfucker on the planet. It's fifty. I think the

0:58:24.160 --> 0:58:26.800
<v Speaker 1>two biggest rappers ever at their peak was Snoop and

0:58:26.880 --> 0:58:30.520
<v Speaker 1>fifty Like Doggie style Snoop. He's on the cover of

0:58:30.560 --> 0:58:34.240
<v Speaker 1>Fuck's Peak. Bro, he was. Bro. Now I'm talking about it.

0:58:34.320 --> 0:58:36.960
<v Speaker 1>I'm talking bro, nah, bro god level. It was a

0:58:37.000 --> 0:58:39.520
<v Speaker 1>point where Wayne anything that Wayne touched. But I think

0:58:40.440 --> 0:58:44.479
<v Speaker 1>seven oh Wayne, like he's in that top five run

0:58:44.600 --> 0:58:46.400
<v Speaker 1>with his peak? How high he got? Bro? You know

0:58:46.400 --> 0:58:48.920
<v Speaker 1>Wayne's up there his period of time where he was

0:58:48.960 --> 0:58:50.960
<v Speaker 1>like the biggest, didn't he When was the last time?

0:58:51.000 --> 0:58:52.760
<v Speaker 1>I know? We in a different ERAa now, But Wayne

0:58:52.760 --> 0:58:55.160
<v Speaker 1>didn't do like one point three million in a week

0:58:55.440 --> 0:58:57.960
<v Speaker 1>when he dropped Carter three, Like, come on, now, that's

0:58:58.000 --> 0:59:04.680
<v Speaker 1>a run bro. You yeah, yeah, I don't think. I think.

0:59:04.880 --> 0:59:07.040
<v Speaker 1>I don't know. I think Marshall mallers up. He did

0:59:07.080 --> 0:59:09.400
<v Speaker 1>in the age too well. To be honest, I mean,

0:59:09.440 --> 0:59:12.560
<v Speaker 1>it's no, no, no no, yeah, But I just think peak

0:59:12.720 --> 0:59:16.560
<v Speaker 1>is it's Snoop and it's it's fifty. Yeah what fifty

0:59:16.640 --> 0:59:19.800
<v Speaker 1>sons first week? I don't remember that. Sure you ever

0:59:19.800 --> 0:59:21.680
<v Speaker 1>remember somebody coming out of the debut album with more

0:59:21.680 --> 0:59:25.160
<v Speaker 1>anticipation than fifty. Yeah, that shit was crazy. I wonder

0:59:25.200 --> 0:59:26.720
<v Speaker 1>how the fun did it happen like that because it

0:59:26.760 --> 0:59:28.640
<v Speaker 1>wasn't like he was doing a crazy feature run. It

0:59:28.680 --> 0:59:31.520
<v Speaker 1>wasn't like in the Club was that ship, it was

0:59:31.560 --> 0:59:35.360
<v Speaker 1>a it was it was like, I can't remember a

0:59:35.360 --> 0:59:37.760
<v Speaker 1>bigger song than in the Club. I remember having that

0:59:37.800 --> 0:59:39.960
<v Speaker 1>shit on a Casele mixtape on my disc man in

0:59:40.040 --> 0:59:41.760
<v Speaker 1>high school and me and my friends would just listen

0:59:41.760 --> 0:59:44.040
<v Speaker 1>to in the Club with all the drops and shoutouts

0:59:44.080 --> 0:59:46.240
<v Speaker 1>over and over. I feel like I'm gonna say this

0:59:46.320 --> 0:59:49.680
<v Speaker 1>and this might be crazy. Bro. I feel like as

0:59:49.720 --> 0:59:51.840
<v Speaker 1>big as The Box was, if we were in the

0:59:51.880 --> 0:59:53.600
<v Speaker 1>selling record time, I feel like it would have did

0:59:53.600 --> 0:59:56.400
<v Speaker 1>those type of numbers. Bro. Definitely, the Box was one

0:59:56.440 --> 0:59:59.960
<v Speaker 1>of the craziest records I've heard. I agree wholeheartedly. Literally,

1:00:00.120 --> 1:00:02.120
<v Speaker 1>my car, Bro, I call that ship right away. When

1:00:02.120 --> 1:00:03.720
<v Speaker 1>I was I was in Hawaii listening to the album

1:00:03.760 --> 1:00:05.640
<v Speaker 1>and they were like, yoyo, we should be playing uh.

1:00:05.680 --> 1:00:07.520
<v Speaker 1>I forget which record that they wanted to play at

1:00:07.520 --> 1:00:09.920
<v Speaker 1>the station because it had a feature on it had

1:00:10.000 --> 1:00:12.760
<v Speaker 1>uh you talking about the one with h the dude

1:00:12.760 --> 1:00:14.680
<v Speaker 1>from the kid from New York. Hey Buggy on it record.

1:00:14.720 --> 1:00:16.000
<v Speaker 1>There was a record on there and they were like,

1:00:16.000 --> 1:00:17.440
<v Speaker 1>no, no no, we're gonna go. This one's got the big

1:00:17.440 --> 1:00:19.160
<v Speaker 1>feature until the label picks it. I'm like, bro, the

1:00:19.200 --> 1:00:23.280
<v Speaker 1>boxes the box like track two, yeah, track two right,

1:00:23.360 --> 1:00:25.680
<v Speaker 1>Oh my god. I heard that. I was like, oh

1:00:25.760 --> 1:00:27.800
<v Speaker 1>my god. I showed it to everybody. I think Roddy

1:00:27.920 --> 1:00:30.440
<v Speaker 1>Rich and Post Malone have the best melodies in the

1:00:30.560 --> 1:00:33.400
<v Speaker 1>history of music. I hate to say that because people

1:00:33.440 --> 1:00:35.080
<v Speaker 1>are gonna hate kill me in the comments, but bro,

1:00:35.400 --> 1:00:39.200
<v Speaker 1>the way Roddy Rich can skate in a verse melodically,

1:00:39.320 --> 1:00:42.680
<v Speaker 1>the pockets he hits on his melodies, it's fucking crazy,

1:00:43.320 --> 1:00:44.960
<v Speaker 1>at least in the in the last like ten years.

1:00:45.000 --> 1:00:46.800
<v Speaker 1>I don't know about the history of There's Michael Jackson,

1:00:46.800 --> 1:00:49.320
<v Speaker 1>there's Quincy Jones, here was fucking you know, Lionel Ritchie

1:00:49.360 --> 1:00:52.400
<v Speaker 1>and shit. But god, did Drake hits some crazy pockets? No, no, Drake.

1:00:52.560 --> 1:00:54.720
<v Speaker 1>But I just think Drake and Post like they're like,

1:00:55.520 --> 1:01:00.000
<v Speaker 1>melody game is so unfair. I'd be like, it's impossible

1:01:00.160 --> 1:01:01.840
<v Speaker 1>for Roddy Rich to not make a song that is

1:01:01.840 --> 1:01:04.280
<v Speaker 1>easy to listen to. Yeah, Like, I've never heard of

1:01:04.360 --> 1:01:08.320
<v Speaker 1>Roddy record that. I'm like, man, turn that shit off. Yeah,

1:01:08.640 --> 1:01:11.000
<v Speaker 1>it's like all his record like post Malone's the same way. Like,

1:01:11.040 --> 1:01:13.280
<v Speaker 1>even if you're not a post Malone fan, all his music,

1:01:13.280 --> 1:01:16.600
<v Speaker 1>you got to get ros here. Oh my god, bro,

1:01:16.760 --> 1:01:19.080
<v Speaker 1>it's crazy. He's one of those artists that literally just

1:01:19.080 --> 1:01:21.280
<v Speaker 1>makes his after hits, that's all he does. And then

1:01:21.320 --> 1:01:23.720
<v Speaker 1>Roddy's gonna be the same way. Yeah. I'm excited to

1:01:23.760 --> 1:01:26.520
<v Speaker 1>see what Roddy does next because I got a feeling

1:01:26.520 --> 1:01:29.640
<v Speaker 1>it's coming soon. We'll see. Been a year since the

1:01:29.640 --> 1:01:32.280
<v Speaker 1>album dropped. Yeah, it came out last December. I was

1:01:32.280 --> 1:01:34.000
<v Speaker 1>in Hawaii. It was just it came out the same

1:01:34.320 --> 1:01:38.200
<v Speaker 1>the same week they Juice World died. Wow. Yeah, it's crazy.

1:01:38.200 --> 1:01:40.000
<v Speaker 1>I remember I was in Hawaii for the first time,

1:01:40.120 --> 1:01:42.640
<v Speaker 1>riding around convertible listening to Roddy's album and found that

1:01:42.760 --> 1:01:45.840
<v Speaker 1>Juice World died. I was like, fuck yeah, shout out

1:01:45.840 --> 1:01:48.640
<v Speaker 1>to uh to Roddy Rich though, But yo, man, your

1:01:48.640 --> 1:01:52.680
<v Speaker 1>project Idols is out, ye go follow. We actually got

1:01:52.680 --> 1:01:54.360
<v Speaker 1>a freestyle dropping with him too that will come out

1:01:54.360 --> 1:01:56.120
<v Speaker 1>a few days after this comes out. So being a

1:01:56.160 --> 1:01:58.280
<v Speaker 1>lookout for that and being a look out for a

1:01:58.320 --> 1:01:59.880
<v Speaker 1>lot of stuff with you, you can stay in the

1:02:00.120 --> 1:02:02.760
<v Speaker 1>him for a while. Yeah. Man, that's the way. I'm

1:02:02.800 --> 1:02:06.840
<v Speaker 1>good on bread, So there you go. Yeah that's bro. Yeah,

1:02:06.840 --> 1:02:08.960
<v Speaker 1>I'm good on bread, so I don't need to do

1:02:09.000 --> 1:02:11.160
<v Speaker 1>no crazy deal. And like I said, it's it's it's

1:02:11.240 --> 1:02:12.760
<v Speaker 1>labels that I would want to work with. Drop some

1:02:12.800 --> 1:02:15.680
<v Speaker 1>fucking merch man. Yeah, you're gonna talk. You gonta run

1:02:15.680 --> 1:02:17.520
<v Speaker 1>that merch up, Bud. Yeah, I'm gonna rush some sh

1:02:17.560 --> 1:02:20.000
<v Speaker 1>it up Katry Walker. If you haven't heard his ship,

1:02:20.040 --> 1:02:21.920
<v Speaker 1>go tap in, tap in Boom.