WEBVTT - Talking TV with Catastrophe’s Sharon Horgan

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<v Speaker 1>Hi Katie, Hi Brian, and hello everyone again from London.

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<v Speaker 1>When I visit the city, which is one of my favorites.

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<v Speaker 1>By the way, I always feel like Lindsay Lohan's character

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<v Speaker 1>or characters in The Parent Trap. Remember when she drives

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<v Speaker 1>around London soaking in all the sites and sounds. It's

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<v Speaker 1>so great. I love that movie, and of course you're

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<v Speaker 1>always compared to Lindsay Lohan. But anyway, now that you

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<v Speaker 1>mentioned that The Parent Trap is actually on theme with

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<v Speaker 1>today's show, and not just because it's in London. It's

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<v Speaker 1>also about a divorced couple and their tug of war

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<v Speaker 1>over their kids. That's right. It does have a wonderfully

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<v Speaker 1>happy ending, but we won't get into that. But messy relationships,

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<v Speaker 1>those are today's guests, bread and butter. Sharon Horgan is

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<v Speaker 1>a British writer, actor, and producer whose body of work

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<v Speaker 1>has covered everything from dating and not being sure about

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<v Speaker 1>getting married, to trying to make a marriage work, to Yes,

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<v Speaker 1>d I v O r c E. Which, by the way,

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<v Speaker 1>is the name of Sharon series for HBO, which stars

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<v Speaker 1>Sarah Jessica Parker and Thomas Hayden Church. I guess you

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<v Speaker 1>have to have three names to be on that show,

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<v Speaker 1>and in the last dozen years, Sharon has written or

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<v Speaker 1>co written no fewer than four UK TV series and

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<v Speaker 1>acted in even more. Her break through show was a

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<v Speaker 1>dark comedy series on the BBC called Pulling And for

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<v Speaker 1>those of you who do not know uh and get

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<v Speaker 1>your minds out of the gutter, pulling is a bit

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<v Speaker 1>of British slang and we had Sharon explain what it

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<v Speaker 1>means and stay tuned for that because it is a

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<v Speaker 1>bit saucy. More recently, Sharon has been co starring and

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<v Speaker 1>writing the Amazon series Catastrophe, which is about to launch

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<v Speaker 1>its fourth season, and Sharon met Rob Delaney, her Catastrophe

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<v Speaker 1>co star and co creator, on Twitter. How very twenty

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<v Speaker 1>one Century of Them? That shows all about a sexy

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<v Speaker 1>fling that resulted in a row pregnancy and a new

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<v Speaker 1>couple trying to make a life together, getting things a

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<v Speaker 1>bit out of border. That's not even to mention yet

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<v Speaker 1>another current TV show of Sharon's motherland. And she does

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<v Speaker 1>really make me feel lazy Katy, I think compared to Sharon,

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<v Speaker 1>we're both kind of lazy brand what are we going

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<v Speaker 1>to do? Anyway? We were super psyched to have That's

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<v Speaker 1>what they say over here in Britain. Isn't it super

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<v Speaker 1>psyched to have come and do our podcast here in London,

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<v Speaker 1>especially after a long day of filming. And we talked

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<v Speaker 1>about all kinds of things for various TV shows, her

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<v Speaker 1>childhood and why she got into acting, her friendship with

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<v Speaker 1>the late Great Carrie Fisher. We also talked about the vote,

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<v Speaker 1>the recent vote in Ireland, the me Too movement, and

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<v Speaker 1>your favorite subject, Brian Gregsit Okay, Sharon Oregon. We're so

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<v Speaker 1>happy to have you here. We're here in London and

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<v Speaker 1>we're interviewing you. So life is good for us, but

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<v Speaker 1>perhaps not as good for you because you've been filming

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<v Speaker 1>all day long. You're probably exhausted and about ready to

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<v Speaker 1>kill us now, I mean I'm going to kill you.

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<v Speaker 1>It's it's a pleasure to be here. I'm just like

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<v Speaker 1>worried that I'm brain dead. I mean, also I'm in

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<v Speaker 1>trouble with my eldest daughter because I'm supposed to be

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<v Speaker 1>at home. But that aside, I'm more worried about just

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<v Speaker 1>you know, my fatigue making your show not interesting. Well,

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<v Speaker 1>I'm worried about your eldest daughter and please extend her

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<v Speaker 1>My apologies to her, So, so you make me feel

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<v Speaker 1>like such a loser. You're doing three TV shows at

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<v Speaker 1>at the same time. You're starting in one, writing and

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<v Speaker 1>producing two others. You were just in Game Night, so

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<v Speaker 1>obviously you're doing some film as well. You're running a

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<v Speaker 1>production company with your female partner, well your partner, not

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<v Speaker 1>your female partner. You're you're not married to your production

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<v Speaker 1>company partner. So are are you now? When people say partner,

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<v Speaker 1>I'm always like, Wayne, but are you loving life? Are

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<v Speaker 1>you really stressed out? What is your state of my vs? Days? Sharon?

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<v Speaker 1>I mean it kind of changes day to day. Really,

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<v Speaker 1>yesterday I hated my life and today, you know, it's

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<v Speaker 1>all right. It's yeah, it's a bit busy at the

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<v Speaker 1>moment because of our production company, and you know, there's

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<v Speaker 1>a few things sort of moving at the one time.

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<v Speaker 1>But that always happens, doesn't that I mean exact right,

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<v Speaker 1>So I still have that slight thing of um because

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<v Speaker 1>I got my break kind of late in life. I'm

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<v Speaker 1>still like, you know, you've got yeah, exactly, and it's

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<v Speaker 1>it's ridiculous. I should just take some time off. Let's

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<v Speaker 1>just be, you know, like a normal person. One. But

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<v Speaker 1>on the other hand, it's kind of an unpredictable business.

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<v Speaker 1>And when your hat your hat, sister, yeah it is.

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<v Speaker 1>I mean that's the problem. That's my that is the problem.

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<v Speaker 1>But yeah, but I mean most of the time, I

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<v Speaker 1>just feel pretty lucky because I enjoy my job. Like

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<v Speaker 1>it's hard work, but you know, it's got lots of

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<v Speaker 1>plus science. The good news is things are going really

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<v Speaker 1>really well. I mean, I'll kidding aside, you're in demand,

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<v Speaker 1>you're doing great work. You're doing I'm sure what you

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<v Speaker 1>dreamt that you could do one day. Oh god, yeah yeah,

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<v Speaker 1>yeah yeah, So take a moment and soak that in.

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<v Speaker 1>I will. I mean, people keep telling me to do that.

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<v Speaker 1>Really nice women actually keep telling me to do that

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<v Speaker 1>because they sort of notice it more than anyone else,

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<v Speaker 1>Like just go and like, you know, have a burger

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<v Speaker 1>or you know, Rob and I when we first started

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<v Speaker 1>writing Catastrophe, we planned constantly that at some point when

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<v Speaker 1>we when we finished writing, like whatever, it was the

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<v Speaker 1>first series at that point, just like we should just go,

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<v Speaker 1>we should just go and have lunch, you know. And

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<v Speaker 1>there's never just been a moment. We're all like always

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<v Speaker 1>just like you know, last minute writing. It's always like

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<v Speaker 1>a crazy kick bollock scrumble and then you know, then

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<v Speaker 1>there's no time for lunch. So, speaking of catastrophe, of

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<v Speaker 1>which I'm a big fan, the name comes from orb

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<v Speaker 1>of the Greek as I've learned. So tell us about

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<v Speaker 1>that quote, I'm married, Um God, what is the quote? Again?

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<v Speaker 1>I'm very I have a wife, kids, house. The whole

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<v Speaker 1>catastrophe what it was about, it was it was too

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<v Speaker 1>I mean, we love the idea of, you know, terrible

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<v Speaker 1>things happening to regular people and those people kind of

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<v Speaker 1>finding a way out of it, you know. Um, but

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<v Speaker 1>also we like the idea that just marriage is a catastrophe,

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<v Speaker 1>just as a as an idea, you know. Um. So yeah,

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<v Speaker 1>we just I don't know, Rob came up with it,

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<v Speaker 1>and we just it was one of those things like

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<v Speaker 1>everyone will tell you that the title they give something,

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<v Speaker 1>it's a working title. And I really think it's looking better.

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<v Speaker 1>I mean everything I've ever written is like, that'll do

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<v Speaker 1>for now. And then you're like God, and then you

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<v Speaker 1>know you go with us. Well it does kind of

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<v Speaker 1>say it all. And before we talk about the premise

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<v Speaker 1>of the show, which is so funny and so great,

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<v Speaker 1>let's talk about Rapp Delaney for a second, because you

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<v Speaker 1>all met on Twitter, which to me strikes me as

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<v Speaker 1>so funny. Although I'm starting to get to know people

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<v Speaker 1>on Instagram and Twitter and sometimes I d M people

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<v Speaker 1>and you know, people tell me things on the social

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<v Speaker 1>media platforms and then I start talking to them and

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<v Speaker 1>developing a relationship. How did it happen with you and Roth?

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<v Speaker 1>It was kind of like that, really, Um. He he'd

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<v Speaker 1>started getting a lot of interest in the UK, UM,

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<v Speaker 1>just because he's he's so funny, like he's always done

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<v Speaker 1>these amazing one liners and he you know, he's kind

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<v Speaker 1>of gross and I mean the stuff he says not

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<v Speaker 1>not him and um, so I started following him and

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<v Speaker 1>and I noticed he was following me. And at that

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<v Speaker 1>point when I joined Twitter, I'd had a show on

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<v Speaker 1>the BBC called Pulling and he had somehow watched UM

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<v Speaker 1>in the US, and so he got in touch with

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<v Speaker 1>me just to say that he enjoyed the show and

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<v Speaker 1>and I was like, well, you're great as well. I like,

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<v Speaker 1>that's like you had a little Twitter flirtation. Not really,

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<v Speaker 1>but you know, he was pay his picture on Twitter

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<v Speaker 1>He's on a beach in green speedos. So yeah, okay,

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<v Speaker 1>an element of that I thought he looked like Buck Rogers.

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<v Speaker 1>So yeah, a few of us were like, oh my god,

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<v Speaker 1>who's this guy? And uh and then I when I

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<v Speaker 1>when I went to the US to work, I'd go

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<v Speaker 1>and see him do stand up and we sort of

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<v Speaker 1>kind of became friendly, and you know, we sort of

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<v Speaker 1>planned to work together on something. And then he Um,

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<v Speaker 1>the BBC originally offered him, you know, a sort of

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<v Speaker 1>script deal, and he was like, I've never written a

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<v Speaker 1>sitcom before. We you write with me, and and the

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<v Speaker 1>rest is history. They say, you never know how these

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<v Speaker 1>things are going to go. I mean and definitely, and

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<v Speaker 1>we always say it. We we literally never expected it

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<v Speaker 1>to go beyond writing something for fun, you know, and

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<v Speaker 1>it would get turned down and then but yeah, it

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<v Speaker 1>sort of it worked out. And yeah, series four, Season four,

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<v Speaker 1>now you're shooting now, right, And and for people who

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<v Speaker 1>don't love this show like Brian and I do, or

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<v Speaker 1>maybe or haven't discovered it yet, tell us quickly the premise, um, well,

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<v Speaker 1>I mean, the premise really is um. Is their partnership,

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<v Speaker 1>is the marriage? I mean, I guess the very genesis

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<v Speaker 1>of it is them meeting Um, you know, he they

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<v Speaker 1>meet they have this wonderful sort of six days in London.

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<v Speaker 1>He gets are pregnant, and they decided to just have

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<v Speaker 1>a go, you know, because of their ages and situations,

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<v Speaker 1>and they like each other. I mean they do like

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<v Speaker 1>there's definitely you know, in the first episode you can

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<v Speaker 1>sort of see that there's something there and so yeah,

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<v Speaker 1>it's excited. The pregnancy is a complete show. Oh yeah,

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<v Speaker 1>I mean it's kind of slightly based on my life

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<v Speaker 1>situation a little in that I got pregnant very quickly

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<v Speaker 1>with you know, a man's baby, and you know, we

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<v Speaker 1>just decided to have a go, and you know, we're

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<v Speaker 1>still together. But yeah, we just we just liked the

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<v Speaker 1>idea of writing about a real marriage and and really

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<v Speaker 1>genuinely making it as words and all as possible. And

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<v Speaker 1>when the kids come along, we didn't want to write

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<v Speaker 1>about what it's like to be a parent. We kind

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<v Speaker 1>of wanted to write about what it's like to continue

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<v Speaker 1>to have a relationship whilst being a parent. You know,

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<v Speaker 1>So it's never been about the kids. It's always been

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<v Speaker 1>about them. I mean, I think we've given the kid

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<v Speaker 1>one line in four years. The genesis, as you mentioned,

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<v Speaker 1>is based on this unexpected pregnancy. Here is the clip

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<v Speaker 1>from the show Let's take a listen. You just don't

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<v Speaker 1>think that stuff like this will happen. What they repeated,

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<v Speaker 1>sexual intercourse between two healthy adults will do the exact

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<v Speaker 1>thing it's supposed to do. Have you ever done a

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<v Speaker 1>science class? You know how to read. I'm sorry, I'm

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<v Speaker 1>not pregnant, and you are and it's because of me.

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<v Speaker 1>But if you're going to have this baby, he says,

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<v Speaker 1>I'm going to, Uh, well, how old are you? Look?

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<v Speaker 1>The good news is is that we're reasonably good people,

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<v Speaker 1>so we could probably do this and not fund the

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<v Speaker 1>kid up too horribly. I'm just saying, a terrible thing

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<v Speaker 1>has happened. Let's make the best of it. So are

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<v Speaker 1>you staying I'm joking, I'm staying in my spare room.

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<v Speaker 1>I'm joking. I'm a teacher. I'm a spare room. So

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<v Speaker 1>so much of this show, if not ripped from the headlines,

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<v Speaker 1>is ripped from the pages of your actual life. And

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<v Speaker 1>we'll get to your other shows and how they're ripped

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<v Speaker 1>from the pages of your life as well. But is

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<v Speaker 1>it true that nothing from this show is really made up?

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<v Speaker 1>That either happened to Robert to you in some form.

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<v Speaker 1>I think we said, um in the first series that

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<v Speaker 1>we made up some ridiculous figure, like you know, percent

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<v Speaker 1>of it and mean there there there was a bunch

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<v Speaker 1>of stuff in the first series that was pulled from

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<v Speaker 1>our lives and you know, bigger ideas and small plot

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<v Speaker 1>lines and you know, tiny little detail. I mean, we

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<v Speaker 1>were kind of stealing. But but as it's gone on,

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<v Speaker 1>it's kind of become less and less because we know

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<v Speaker 1>the characters more and we know you know, what they

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<v Speaker 1>would do as opposed to what you know we would do,

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<v Speaker 1>so and it's, um, yeah, it's been an interesting process

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<v Speaker 1>in that way. I mean, they'll still always be stuff

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<v Speaker 1>that's real in there, because we both you know, we

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<v Speaker 1>arrive into the writer's room having just come from our

0:12:40.000 --> 0:12:42.280
<v Speaker 1>lives and it's very hard to leave that behind when

0:12:42.280 --> 0:12:47.120
<v Speaker 1>you're writing a show that's you know, has similarities. And

0:12:47.160 --> 0:12:50.160
<v Speaker 1>also the cadence I would assume sort of the dialogue

0:12:50.200 --> 0:12:52.240
<v Speaker 1>and the way you talk, I mean, even sort of

0:12:52.280 --> 0:12:54.959
<v Speaker 1>that last line when you were making the joke about

0:12:55.000 --> 0:12:58.000
<v Speaker 1>being a teaching that, I mean, I would imagine we're

0:12:58.040 --> 0:13:01.720
<v Speaker 1>not friends, but that's probably something you would kind of

0:13:01.920 --> 0:13:06.080
<v Speaker 1>riff with, riff on with your friends or with your husband. Yeah, yeah,

0:13:06.160 --> 0:13:09.760
<v Speaker 1>I mean we both m yeah, when when we walk

0:13:09.800 --> 0:13:13.120
<v Speaker 1>into the writer's room, we really do just start writing

0:13:13.120 --> 0:13:15.640
<v Speaker 1>down what each other are saying, you know, before we've

0:13:15.640 --> 0:13:19.319
<v Speaker 1>even kind of worked out any bigger sort of plotlines

0:13:19.360 --> 0:13:21.760
<v Speaker 1>and stuff that that kind of I think, Yes, how

0:13:21.800 --> 0:13:25.200
<v Speaker 1>you how you speak and how you say things, um,

0:13:25.240 --> 0:13:29.360
<v Speaker 1>sort of yeah, definitely comes into it a lot. Jeremy Rainboard,

0:13:29.440 --> 0:13:31.880
<v Speaker 1>your husband, who has the best name ever, by the way,

0:13:31.960 --> 0:13:39.120
<v Speaker 1>it sounds like a super action figure. Well, the good

0:13:39.120 --> 0:13:41.760
<v Speaker 1>news is he's home taking care of the girls right now.

0:13:41.880 --> 0:13:45.360
<v Speaker 1>So yeah, that's true. So so when he when he

0:13:45.679 --> 0:13:52.680
<v Speaker 1>watches this, does he ever say honey really? Um no,

0:13:53.080 --> 0:13:55.640
<v Speaker 1>I mean only in that, you know, he kind of

0:13:56.559 --> 0:13:59.160
<v Speaker 1>wishes that I dealt with my real life problems the

0:13:59.160 --> 0:14:02.520
<v Speaker 1>way you know, my character sales with them in the show.

0:14:02.679 --> 0:14:06.280
<v Speaker 1>I mean she's like a kind of more emotionally developed

0:14:06.720 --> 0:14:11.000
<v Speaker 1>version of me, you know, like she has those feelings

0:14:11.040 --> 0:14:13.240
<v Speaker 1>and says those things, but then kind of works through

0:14:13.240 --> 0:14:14.880
<v Speaker 1>them and comes out the other side. I mean, I

0:14:14.960 --> 0:14:16.400
<v Speaker 1>just kind of feel them and then just sort of

0:14:16.440 --> 0:14:20.160
<v Speaker 1>store them up like a horrible kind of bubbling councor Alright,

0:14:20.200 --> 0:14:23.240
<v Speaker 1>I think you're not a good talker. No, I mean

0:14:23.480 --> 0:14:25.960
<v Speaker 1>that's unusual because usually the woman all she wants to

0:14:26.000 --> 0:14:28.760
<v Speaker 1>do is talk and the guy won't. And in your case,

0:14:28.880 --> 0:14:31.920
<v Speaker 1>your you kind of keep things bottled up. Yeah. Yeah,

0:14:32.080 --> 0:14:34.320
<v Speaker 1>that's just that's just what I've tell them to do.

0:14:34.320 --> 0:14:40.720
<v Speaker 1>It was an interview, it's actually a therapy session. I

0:14:40.760 --> 0:14:43.400
<v Speaker 1>have a little paper towel your head and a little

0:14:44.680 --> 0:14:47.240
<v Speaker 1>I don't know why it is, that is just it

0:14:47.400 --> 0:14:50.600
<v Speaker 1>is how it is, you know, my upbringing or something.

0:14:50.680 --> 0:14:54.720
<v Speaker 1>I don't know what we'll get to that. When you

0:14:54.760 --> 0:14:56.920
<v Speaker 1>when you embarked on this journey share and were you

0:14:57.000 --> 0:15:00.320
<v Speaker 1>writing I guess because you and Rob wrote this together.

0:15:00.760 --> 0:15:04.600
<v Speaker 1>So were you cognizant of making it appealing for both

0:15:05.080 --> 0:15:07.640
<v Speaker 1>sort of both sides of the pond, if you will.

0:15:07.960 --> 0:15:10.920
<v Speaker 1>Were you writing for an American audience, a British audience,

0:15:11.240 --> 0:15:14.400
<v Speaker 1>just any old audience you could get. Well, I mean,

0:15:14.480 --> 0:15:18.080
<v Speaker 1>I guess to a certain extent it was any old audience,

0:15:18.160 --> 0:15:20.200
<v Speaker 1>because you know, the at the time, we you know,

0:15:20.240 --> 0:15:22.160
<v Speaker 1>we had no idea where it was going to go,

0:15:22.240 --> 0:15:24.880
<v Speaker 1>what was going to happen. But once we got beyond

0:15:24.920 --> 0:15:28.720
<v Speaker 1>the pilot, yeah, we definitely, we definitely had one eye

0:15:28.720 --> 0:15:32.240
<v Speaker 1>on on both camps, and you know there's those jokes

0:15:32.320 --> 0:15:34.440
<v Speaker 1>that don't kind of go in if we feel like

0:15:34.520 --> 0:15:38.960
<v Speaker 1>they won't translate. Um. So yeah, and also you know

0:15:39.000 --> 0:15:42.080
<v Speaker 1>how we chose to cast it, and you know, making

0:15:42.080 --> 0:15:45.760
<v Speaker 1>sure he had an American buddy in London and you know,

0:15:45.840 --> 0:15:48.920
<v Speaker 1>getting carry and we we definitely wanted to feel like

0:15:48.960 --> 0:15:54.680
<v Speaker 1>there was recognizable characters to a US and a UK audience.

0:15:54.720 --> 0:15:57.280
<v Speaker 1>And you know, not that you always need that. I

0:15:57.280 --> 0:15:59.560
<v Speaker 1>mean I think if you know stories have got a

0:15:59.640 --> 0:16:04.280
<v Speaker 1>kind of truth in them, you know anyone would kind

0:16:04.280 --> 0:16:07.120
<v Speaker 1>of get it. But definitely now we kind of have

0:16:07.200 --> 0:16:09.880
<v Speaker 1>an eye on both. And you just mentioned Carrie Fisher,

0:16:09.960 --> 0:16:13.040
<v Speaker 1>who played your sort of evil mother in law on

0:16:13.120 --> 0:16:17.320
<v Speaker 1>the show, and it's extraordinary. I mean, you had dinner

0:16:17.440 --> 0:16:20.240
<v Speaker 1>with her here in London the night before she died.

0:16:20.800 --> 0:16:23.240
<v Speaker 1>You wrote a very moving tribute to her in the

0:16:23.280 --> 0:16:28.080
<v Speaker 1>Hollywood Reporter. Um, what made her such a complete original? Why?

0:16:28.200 --> 0:16:30.800
<v Speaker 1>Why why did you? Um, why were you so attracted

0:16:30.840 --> 0:16:36.200
<v Speaker 1>to her? Well? We um, we went to this awards

0:16:36.320 --> 0:16:39.560
<v Speaker 1>do where she was giving an award to Graham Norton actually,

0:16:40.000 --> 0:16:42.120
<v Speaker 1>and we weren't expecting her to be there. We were

0:16:42.160 --> 0:16:44.400
<v Speaker 1>just in the audience and she got up and she

0:16:44.520 --> 0:16:49.200
<v Speaker 1>did this speech and you know, like any Carrie Fisher's speech,

0:16:49.280 --> 0:16:52.520
<v Speaker 1>it was kind of everything was you know, irreverend and

0:16:52.800 --> 0:16:58.040
<v Speaker 1>naughty and brave and very funny. And I think that

0:16:58.120 --> 0:16:59.840
<v Speaker 1>was it. I think we did. We just looked up

0:16:59.840 --> 0:17:02.320
<v Speaker 1>at and went, that's um, that's your mom there, Rob,

0:17:02.680 --> 0:17:06.760
<v Speaker 1>And we just never thought for a second she'd say yes,

0:17:06.840 --> 0:17:12.199
<v Speaker 1>but she did. And why we we chose her is

0:17:12.800 --> 0:17:15.679
<v Speaker 1>because she is that unique person that you're talking about,

0:17:15.920 --> 0:17:22.440
<v Speaker 1>you know, I mean, she was a complex individual and um,

0:17:22.480 --> 0:17:27.040
<v Speaker 1>but mainly I think it's very, very difficult to grow

0:17:27.119 --> 0:17:31.720
<v Speaker 1>up in that sort of very Hollywood lifestyle. And I mean,

0:17:31.760 --> 0:17:36.639
<v Speaker 1>apart from that, I think it's difficult obviously being Princess Leiah,

0:17:36.680 --> 0:17:40.640
<v Speaker 1>being such a so hugely famous that it kind of

0:17:40.960 --> 0:17:43.800
<v Speaker 1>almost kind of surpassed everything else. But she still, you know,

0:17:43.880 --> 0:17:46.320
<v Speaker 1>she just had a very sort of rye kind of

0:17:46.520 --> 0:17:49.560
<v Speaker 1>point of view on all that. I mean, she talked

0:17:49.600 --> 0:17:51.479
<v Speaker 1>about it a lot, and she talked about her family

0:17:51.520 --> 0:17:54.520
<v Speaker 1>a lot, and she was very open. She was really

0:17:54.760 --> 0:17:57.440
<v Speaker 1>good talker. Obviously, you could listen to her all night

0:17:58.280 --> 0:18:00.480
<v Speaker 1>and we were just desperate to get to hour from

0:18:00.480 --> 0:18:02.639
<v Speaker 1>the minute she showed up. But it wasn't until the

0:18:02.720 --> 0:18:05.240
<v Speaker 1>third season that. I don't know, it's just weird. We

0:18:05.320 --> 0:18:08.320
<v Speaker 1>just sort of clicked, you know. She just started messaging

0:18:08.359 --> 0:18:13.040
<v Speaker 1>me and I was like, you know, I was absolutely thrilled,

0:18:13.119 --> 0:18:15.080
<v Speaker 1>and we just started hanging out. She came to my

0:18:15.080 --> 0:18:18.160
<v Speaker 1>house in Hackney and I went for dinner and just

0:18:18.280 --> 0:18:23.120
<v Speaker 1>like talked a lot, laughed a lot, and yeah, it's

0:18:23.200 --> 0:18:27.119
<v Speaker 1>just horribly tragic because I mean, that night we had dinner,

0:18:27.200 --> 0:18:31.560
<v Speaker 1>there was you know, I mean, she she'd like health

0:18:31.600 --> 0:18:34.879
<v Speaker 1>troubles and stuff, you know, of course, but it just

0:18:34.880 --> 0:18:37.280
<v Speaker 1>didn't it didn't seem like someone who she seemed like

0:18:37.280 --> 0:18:39.280
<v Speaker 1>someone who had a lot of plans. You know, she

0:18:39.320 --> 0:18:43.280
<v Speaker 1>had a lot more to give. And she also she

0:18:43.400 --> 0:18:45.440
<v Speaker 1>loved acting. You know, that was the thing I really

0:18:45.480 --> 0:18:48.440
<v Speaker 1>sort of learned about her. She really she really wanted

0:18:48.480 --> 0:18:50.600
<v Speaker 1>to do more, and it kind of bothered her that

0:18:51.480 --> 0:18:54.200
<v Speaker 1>she didn't kind of get the opportunities that she would

0:18:54.200 --> 0:18:57.359
<v Speaker 1>have liked to have to have gotten. And but yeah,

0:18:57.400 --> 0:19:00.800
<v Speaker 1>we we genuinely felt and I'm gonna see blast and

0:19:00.880 --> 0:19:03.520
<v Speaker 1>lucky to have her for that short time. I mean,

0:19:04.280 --> 0:19:06.600
<v Speaker 1>on a ridiculous privilege. I was going to say, it

0:19:06.640 --> 0:19:09.880
<v Speaker 1>sounds like you all became actually really really good friends.

0:19:10.520 --> 0:19:13.919
<v Speaker 1>And so it must have been surreal, Sharon, for you

0:19:14.040 --> 0:19:16.679
<v Speaker 1>to spend this time with her, you know, having so

0:19:16.760 --> 0:19:19.679
<v Speaker 1>much fun the night before, and then hearing the news

0:19:20.320 --> 0:19:23.200
<v Speaker 1>that this had happened. It must have been such a shock.

0:19:23.440 --> 0:19:26.240
<v Speaker 1>Do you remember when you heard that and how you

0:19:26.320 --> 0:19:30.200
<v Speaker 1>were able to process it? Yeah? I absolutely remember, because

0:19:30.240 --> 0:19:33.719
<v Speaker 1>I was having a Christmas drinks party in my house

0:19:34.359 --> 0:19:39.240
<v Speaker 1>and my daughter came running down from upstairs because you know,

0:19:39.359 --> 0:19:43.000
<v Speaker 1>obviously she's a teenager and on social media all the time,

0:19:43.480 --> 0:19:46.359
<v Speaker 1>and they came running into the kitchen and told me,

0:19:46.400 --> 0:19:50.399
<v Speaker 1>and yeah, well I just had to leave my own party,

0:19:51.440 --> 0:19:55.600
<v Speaker 1>and I went upstairs and I start That's when I

0:19:55.640 --> 0:19:57.880
<v Speaker 1>started writing that article, because I thought, if I don't

0:19:57.880 --> 0:19:59.880
<v Speaker 1>write down this stuff now, like what if I don't

0:20:00.040 --> 0:20:03.440
<v Speaker 1>remember the conversation, Like what if I remember the last

0:20:03.480 --> 0:20:04.960
<v Speaker 1>thing she said to me when she walked up to

0:20:05.000 --> 0:20:07.399
<v Speaker 1>her bedroom, And so like that's how I kind of

0:20:07.440 --> 0:20:11.240
<v Speaker 1>processed it. I just immediately started writing everything down. Well,

0:20:11.280 --> 0:20:14.840
<v Speaker 1>you know, I guess in some ways, I mean not

0:20:14.920 --> 0:20:18.920
<v Speaker 1>to to be pollyannish about it. As tragic as as

0:20:19.000 --> 0:20:21.159
<v Speaker 1>Carrie's death was. I mean, what a gift that you

0:20:21.280 --> 0:20:23.320
<v Speaker 1>got to work with her and get to know her

0:20:23.480 --> 0:20:27.960
<v Speaker 1>and you know, and spend time with her. But it

0:20:28.119 --> 0:20:31.320
<v Speaker 1>is it's so heartbreaking because I watched that documentary about

0:20:31.359 --> 0:20:36.080
<v Speaker 1>her mother and with with Debbie Reynolds, and I think

0:20:36.119 --> 0:20:40.760
<v Speaker 1>you're right. It was such a unique sort of situation

0:20:41.000 --> 0:20:44.199
<v Speaker 1>and they're living right next door to her mom, and

0:20:44.359 --> 0:20:49.239
<v Speaker 1>the you can understand how crazy making that whole scene was.

0:20:49.440 --> 0:20:53.560
<v Speaker 1>And the fact that Carrie Fisher survived and in some

0:20:53.640 --> 0:20:58.280
<v Speaker 1>ways thrived despite these kind of this very uh sort

0:20:58.280 --> 0:21:02.680
<v Speaker 1>of high octane in the light Hollywood existence, I think

0:21:02.840 --> 0:21:06.080
<v Speaker 1>is pretty remarkable. I haven't watched it yet, I think

0:21:06.080 --> 0:21:08.920
<v Speaker 1>as it came out not too long after death, and

0:21:08.960 --> 0:21:10.800
<v Speaker 1>I was like, I just don't think I can because

0:21:10.800 --> 0:21:14.280
<v Speaker 1>she was so and also we were editing the third

0:21:14.320 --> 0:21:17.200
<v Speaker 1>season when it happens, so we were like seeing her

0:21:17.240 --> 0:21:20.000
<v Speaker 1>every every day and she's so alive on screen. And

0:21:20.000 --> 0:21:23.440
<v Speaker 1>then I thought, I can't watch it, but I definitely

0:21:23.440 --> 0:21:26.480
<v Speaker 1>will at some point. It's very much worth watching for

0:21:26.520 --> 0:21:29.680
<v Speaker 1>her and for Debbie. Yeah. Yeah, Well, when we come back,

0:21:29.680 --> 0:21:31.920
<v Speaker 1>we're going to talk to you, Sharon about sort of

0:21:32.560 --> 0:21:36.800
<v Speaker 1>how you got into this crazy business. You're sort of

0:21:37.080 --> 0:21:44.720
<v Speaker 1>Irish heritage or for Irish heritage right your your work

0:21:44.800 --> 0:21:47.159
<v Speaker 1>with Sarah Jessica Parker, which a lot of our listeners

0:21:47.200 --> 0:21:49.280
<v Speaker 1>will be interested in. So we'll be back with more

0:21:49.800 --> 0:22:05.880
<v Speaker 1>from Sharon right after this. Remember we love hearing from

0:22:05.880 --> 0:22:09.720
<v Speaker 1>you listeners. Listeners like Julio Lopez, who wrote this to us,

0:22:09.920 --> 0:22:12.680
<v Speaker 1>take it away, Katie. I enjoyed the show so much.

0:22:12.880 --> 0:22:16.600
<v Speaker 1>I even considered offering my services as the Lighty to

0:22:16.720 --> 0:22:20.640
<v Speaker 1>your barefoot contessa. That's very sweet of you, Julia, Thank

0:22:20.680 --> 0:22:23.440
<v Speaker 1>you so much, and for everyone else. Lighty is Ena

0:22:23.480 --> 0:22:26.639
<v Speaker 1>Garten's assistant who was featured in the interview we taped

0:22:26.640 --> 0:22:30.440
<v Speaker 1>in INA's kitchen. Julia also wrote, I would be remiss

0:22:30.440 --> 0:22:33.000
<v Speaker 1>if I did not mention that Katie singing Oh, I

0:22:33.160 --> 0:22:36.119
<v Speaker 1>love this, Julia is one of the highlights of the show.

0:22:36.240 --> 0:22:38.720
<v Speaker 1>Well for some of us, Well, thank you very much.

0:22:38.760 --> 0:22:41.639
<v Speaker 1>Don't worry. I'm going to keep those hits coming. We

0:22:41.720 --> 0:22:46.240
<v Speaker 1>also heard recently from an Irish listener, gosh, we're so international,

0:22:46.359 --> 0:22:49.280
<v Speaker 1>Brian named Thomas. Why don't you read that one and

0:22:49.440 --> 0:22:52.040
<v Speaker 1>try not to do it with an Irish accent? Oh damn,

0:22:52.080 --> 0:22:54.840
<v Speaker 1>I was about to sure think, Thomas writes, I have

0:22:54.960 --> 0:22:57.320
<v Speaker 1>to say that the Trump era has somewhat changed the

0:22:57.359 --> 0:22:59.320
<v Speaker 1>image of your country to the rest of the world.

0:22:59.640 --> 0:23:02.520
<v Speaker 1>The US on your podcast, however, remind us of the

0:23:02.560 --> 0:23:06.120
<v Speaker 1>great forward thinking minds that still originate from America, and

0:23:06.200 --> 0:23:09.080
<v Speaker 1>listening to your show, I became a lot more optimistic

0:23:09.359 --> 0:23:13.520
<v Speaker 1>about the future ahead. By the way, Thomas also wrote, ps,

0:23:13.800 --> 0:23:17.120
<v Speaker 1>come on a world tour and visit us sometime, kind

0:23:17.160 --> 0:23:20.240
<v Speaker 1>of the Irish version of May West this Tamus. Hey,

0:23:20.280 --> 0:23:22.640
<v Speaker 1>we didn't make it all the way to Ireland this time,

0:23:22.680 --> 0:23:26.879
<v Speaker 1>but hopefully you'll be enjoying these London episodes. Remember if

0:23:26.880 --> 0:23:28.480
<v Speaker 1>you want to drop us a line, you can email

0:23:28.560 --> 0:23:31.800
<v Speaker 1>us at comments at current podcast dot com or call

0:23:31.840 --> 0:23:35.280
<v Speaker 1>and leave a message at two to four, four, six,

0:23:35.359 --> 0:23:37.560
<v Speaker 1>three seven. The messages really mean a lot to us

0:23:37.560 --> 0:23:39.880
<v Speaker 1>and we try to read and listen to all of them,

0:23:39.960 --> 0:23:44.840
<v Speaker 1>so please keep them coming people. And now back to

0:23:44.880 --> 0:23:50.199
<v Speaker 1>our conversation with Sharon Horgan. Sharon, you talked about the

0:23:50.200 --> 0:23:53.879
<v Speaker 1>difference a little bit between British and American humor, and

0:23:53.920 --> 0:23:56.600
<v Speaker 1>there's this great quote in a New Yorker profile of

0:23:56.680 --> 0:23:59.960
<v Speaker 1>you that UK sitcoms tend to be darker than America

0:24:00.040 --> 0:24:04.120
<v Speaker 1>could ones encouraged by a powerful public broadcasting system whose

0:24:04.160 --> 0:24:07.359
<v Speaker 1>aim is to serve the varying taste of taxpayers, not

0:24:07.520 --> 0:24:11.360
<v Speaker 1>the upbeat preferences of advertisers, and by a national psyche

0:24:11.640 --> 0:24:14.919
<v Speaker 1>fixated on the immutability of the class system, not on

0:24:14.920 --> 0:24:18.160
<v Speaker 1>a dream of self improvement. Americans believe that things will

0:24:18.200 --> 0:24:21.240
<v Speaker 1>get better. Brits laugh at how things stay the same.

0:24:21.560 --> 0:24:26.639
<v Speaker 1>Do you think that's right? Um, yeah, I mean, I

0:24:26.680 --> 0:24:31.880
<v Speaker 1>guess essentially, I mean, I think the game sort of

0:24:32.359 --> 0:24:35.720
<v Speaker 1>changes and is changing all the time, because I think

0:24:35.720 --> 0:24:37.919
<v Speaker 1>there's a huge difference between what you see on a

0:24:38.080 --> 0:24:41.160
<v Speaker 1>on a network TV channel, you know, in an NBC

0:24:41.240 --> 0:24:44.480
<v Speaker 1>or ABC, and what you know goes out on Amazon

0:24:44.640 --> 0:24:47.719
<v Speaker 1>or HBO. And but yeah, I mean when when I

0:24:47.760 --> 0:24:53.080
<v Speaker 1>was initially working over there making pilots, I found it

0:24:53.200 --> 0:24:56.280
<v Speaker 1>hard to sort of tell the stories I wanted to

0:24:56.320 --> 0:24:58.280
<v Speaker 1>tell because it felt like there always had to be

0:24:58.320 --> 0:25:00.359
<v Speaker 1>a kind of moral at the end, and you know,

0:25:00.440 --> 0:25:04.320
<v Speaker 1>there had to be a kind of rosy ending, and

0:25:04.560 --> 0:25:08.480
<v Speaker 1>we never felt the need to do that here. And

0:25:08.520 --> 0:25:12.840
<v Speaker 1>I think all of the most famous and successful sitcoms

0:25:14.240 --> 0:25:18.800
<v Speaker 1>very happy to have an unlikable hero at the heart

0:25:18.840 --> 0:25:20.920
<v Speaker 1>of it, and that you don't have to be successful,

0:25:21.320 --> 0:25:23.320
<v Speaker 1>you know, you don't have to be good at your job.

0:25:24.080 --> 0:25:26.880
<v Speaker 1>It didn't feel like on u KTV you needed to

0:25:26.960 --> 0:25:30.320
<v Speaker 1>do any of those, um those things people perceived class

0:25:30.400 --> 0:25:33.080
<v Speaker 1>differently and whether the future is always going to be

0:25:33.080 --> 0:25:36.160
<v Speaker 1>better differently. Yeah, I don't know. I mean the class thing.

0:25:36.240 --> 0:25:38.760
<v Speaker 1>I mean, you can't really mention Rosanne now Ken you

0:25:38.800 --> 0:25:42.440
<v Speaker 1>but Kenny, well, it's just sit back in the day.

0:25:42.520 --> 0:25:45.719
<v Speaker 1>That was the sitcom that sort of inspired me to

0:25:45.960 --> 0:25:48.480
<v Speaker 1>want to write sitcom you know, I mean out of

0:25:48.520 --> 0:25:52.439
<v Speaker 1>the U the U S sitcoms because it was a

0:25:52.520 --> 0:25:56.080
<v Speaker 1>working class family and it did kind of allow you to,

0:25:57.480 --> 0:26:00.359
<v Speaker 1>you know, laugh with them, but you know, be ad

0:26:00.400 --> 0:26:03.879
<v Speaker 1>with them, and um, it wasn't aspirational, but you know

0:26:03.960 --> 0:26:06.000
<v Speaker 1>you kind of wanted to spend time with them. And

0:26:06.840 --> 0:26:09.320
<v Speaker 1>I mean that doesn't seem to be something that you

0:26:09.880 --> 0:26:15.720
<v Speaker 1>saw that regularly on on USTv. It felt kind of unusual. Um,

0:26:15.760 --> 0:26:19.440
<v Speaker 1>I mean I don't know, I only read on Twitter

0:26:19.920 --> 0:26:23.000
<v Speaker 1>what happens about that? Yeah, so, I mean on Twitter

0:26:23.200 --> 0:26:26.200
<v Speaker 1>and you pretty much have the story then because it

0:26:26.280 --> 0:26:29.560
<v Speaker 1>all started on Twitter. And when when you read about that,

0:26:29.720 --> 0:26:32.320
<v Speaker 1>did you think, I yi yi or what what was

0:26:32.359 --> 0:26:39.479
<v Speaker 1>your reaction? Um? Well, oh god, I mean I guess

0:26:39.480 --> 0:26:44.200
<v Speaker 1>it was it felt like absolute fair dues that they

0:26:44.240 --> 0:26:48.320
<v Speaker 1>canceled it, because I mean, that's an impossible situation to

0:26:48.400 --> 0:26:51.920
<v Speaker 1>be put in, isn't it. I mean, what a disaster.

0:26:52.920 --> 0:26:58.760
<v Speaker 1>But um, I just find her such a difficult character

0:26:58.920 --> 0:27:01.680
<v Speaker 1>to get my head around. And I actually just found

0:27:01.680 --> 0:27:05.199
<v Speaker 1>myself wondering what the dynamic was, you know, in the

0:27:05.200 --> 0:27:08.840
<v Speaker 1>writer's room and on set and you know, how that

0:27:09.880 --> 0:27:13.159
<v Speaker 1>how that worked, how involved you know was she or

0:27:13.359 --> 0:27:16.840
<v Speaker 1>you know in terms of storylines and but yeah, I

0:27:16.840 --> 0:27:18.600
<v Speaker 1>mean I just didn't see what else they could have done.

0:27:18.600 --> 0:27:20.520
<v Speaker 1>They were in a they couldn't win. You know, I

0:27:20.560 --> 0:27:23.720
<v Speaker 1>wanted to ask you just because it happened so quickly

0:27:23.840 --> 0:27:27.639
<v Speaker 1>after Rosanne, Samantha be gotten a bit of hot water,

0:27:27.920 --> 0:27:32.320
<v Speaker 1>And I'm curious if you read about that. Yes, when

0:27:32.400 --> 0:27:34.679
<v Speaker 1>she you know, sometimes people are busy and they're not

0:27:34.720 --> 0:27:37.360
<v Speaker 1>as addicted to social media as some of us. But

0:27:37.800 --> 0:27:41.520
<v Speaker 1>you know, Samantha b who we've had on this podcast too,

0:27:41.680 --> 0:27:46.560
<v Speaker 1>I've got well, she's the opposite of unhinged. I think

0:27:46.600 --> 0:27:50.119
<v Speaker 1>she's I mean, I absolutely love her show, and I

0:27:50.160 --> 0:27:54.679
<v Speaker 1>love her and I think she's a really smart, brave woman,

0:27:54.880 --> 0:27:57.840
<v Speaker 1>and I think she's a great mouthpiece for you know,

0:27:58.600 --> 0:28:03.080
<v Speaker 1>American females to of there, I think she's you know, angry,

0:28:03.160 --> 0:28:05.679
<v Speaker 1>and she should be. I don't know, I think we

0:28:05.720 --> 0:28:08.119
<v Speaker 1>have a different relationship with that word here, you know,

0:28:08.240 --> 0:28:11.399
<v Speaker 1>I mean we kind of bondy it about. Like I

0:28:11.440 --> 0:28:13.520
<v Speaker 1>wanted to ask you about that because I read a

0:28:13.600 --> 0:28:16.959
<v Speaker 1>column that was a bunch of journalists from the New

0:28:17.040 --> 0:28:20.200
<v Speaker 1>York Times, and Barry Wise is a columnist for the Times,

0:28:20.680 --> 0:28:25.160
<v Speaker 1>talked about how she dated somebody here and how this

0:28:25.200 --> 0:28:29.800
<v Speaker 1>word is a lot less incendiary that word in the

0:28:29.920 --> 0:28:33.159
<v Speaker 1>UK that it is in America, because in America it

0:28:33.280 --> 0:28:37.639
<v Speaker 1>is like horrifying. Yeah, but that's also kind of ridiculous

0:28:37.680 --> 0:28:41.479
<v Speaker 1>because it's such an insane double standard. You know, it's

0:28:41.520 --> 0:28:44.800
<v Speaker 1>such an insane double standard that some words are considered

0:28:44.840 --> 0:28:46.880
<v Speaker 1>that bob, but other words are kind of you know,

0:28:47.680 --> 0:28:51.800
<v Speaker 1>glossed over. I mean, particularly just from the American right,

0:28:52.040 --> 0:28:55.880
<v Speaker 1>you know, I mean, they're they're insane anger over. That

0:28:56.040 --> 0:28:59.480
<v Speaker 1>just doesn't just doesn't bring true to me in any way.

0:28:59.800 --> 0:29:03.840
<v Speaker 1>It a crazy time, isn't it. I Mean we are

0:29:04.040 --> 0:29:07.880
<v Speaker 1>talking about the C word, talking about all this stuff

0:29:07.920 --> 0:29:10.880
<v Speaker 1>that's going on, and uh, it's hard to keep up

0:29:10.920 --> 0:29:14.760
<v Speaker 1>with it, isn't it. Yeah, I mean, I don't know.

0:29:14.800 --> 0:29:20.760
<v Speaker 1>I think it's interesting how comedy is sort of dealing

0:29:20.800 --> 0:29:24.240
<v Speaker 1>with it, you know, how how much comedy has sort

0:29:24.280 --> 0:29:27.960
<v Speaker 1>of taken it all. Everything is feels so fraught, Isn't

0:29:27.960 --> 0:29:30.840
<v Speaker 1>it like a landmine? That's it, And it's still shocking

0:29:30.880 --> 0:29:33.080
<v Speaker 1>every time you hear one of these things break. But

0:29:33.120 --> 0:29:35.880
<v Speaker 1>I'm gonna do an awkward transition ask you a little

0:29:35.880 --> 0:29:40.240
<v Speaker 1>bit about your biography. Um, So you were born here

0:29:40.240 --> 0:29:43.480
<v Speaker 1>in Britain. Your dad owned a pub, which is I

0:29:43.480 --> 0:29:47.120
<v Speaker 1>don't know, stereotypical but still kind of cool. But you

0:29:47.160 --> 0:29:49.760
<v Speaker 1>actually moved to a turkey farm in Ireland when you

0:29:49.800 --> 0:29:52.760
<v Speaker 1>were really little. So do you consider yourself British or

0:29:52.800 --> 0:29:55.640
<v Speaker 1>Irish or some combination of the two. Well, no, I

0:29:56.120 --> 0:30:00.360
<v Speaker 1>consider myself um Irish. Um, but I always so kind

0:30:00.360 --> 0:30:04.320
<v Speaker 1>of consider myself a Londoner. I suppose because it's one

0:30:04.320 --> 0:30:06.680
<v Speaker 1>of those cities that it kind of feels part of you.

0:30:06.920 --> 0:30:10.920
<v Speaker 1>I guess like New Yorkers feel. Um. I moved to

0:30:11.520 --> 0:30:13.760
<v Speaker 1>Ireland when I was really little on my mom's Irish.

0:30:13.880 --> 0:30:15.880
<v Speaker 1>She met my dad in London. That's why you know

0:30:15.960 --> 0:30:18.360
<v Speaker 1>I was kind of born here. Um. You know, my

0:30:18.440 --> 0:30:21.240
<v Speaker 1>brothers and sisters are Irish because they were all born

0:30:21.240 --> 0:30:24.120
<v Speaker 1>there except from my older sister, and I don't know,

0:30:24.200 --> 0:30:26.960
<v Speaker 1>I guess it. It's it's one of those countries that

0:30:27.240 --> 0:30:29.880
<v Speaker 1>kind of you know, it's just in your blood. There's

0:30:29.880 --> 0:30:31.920
<v Speaker 1>nothing you can do about it. I mean, I've got

0:30:31.920 --> 0:30:34.520
<v Speaker 1>a kind of ridiculous accent now that isn't really I

0:30:34.560 --> 0:30:36.720
<v Speaker 1>have to show you not very Irish at all. I

0:30:36.760 --> 0:30:39.000
<v Speaker 1>was going to say, what is it. It's just a mess,

0:30:39.080 --> 0:30:42.360
<v Speaker 1>that's what it is. It's like twenty five years of

0:30:42.400 --> 0:30:44.920
<v Speaker 1>living in London and then occasionally helping back to Ireland

0:30:45.000 --> 0:30:48.480
<v Speaker 1>and you know, inhaling some of the accent just to

0:30:48.760 --> 0:30:51.520
<v Speaker 1>you know, at least get the vowels right. Do you

0:30:51.560 --> 0:30:55.360
<v Speaker 1>find you slip into, you know, talking with much more

0:30:55.360 --> 0:30:58.400
<v Speaker 1>of an Irish accent when you go home or yeah,

0:30:58.440 --> 0:31:01.400
<v Speaker 1>I do. But then it's almost more ridiculous in a

0:31:01.400 --> 0:31:03.120
<v Speaker 1>way because it's like I'm trying to be one of

0:31:03.160 --> 0:31:07.680
<v Speaker 1>the gang, so so talk to me and you're I'm

0:31:07.680 --> 0:31:10.640
<v Speaker 1>not going to see that because it'll sound like a

0:31:10.720 --> 0:31:17.200
<v Speaker 1>called Irish accent and then I won't get any work. Well,

0:31:17.280 --> 0:31:19.320
<v Speaker 1>you you did? You always want to be an actress

0:31:19.440 --> 0:31:22.080
<v Speaker 1>from the time you were young or when did you

0:31:22.120 --> 0:31:24.840
<v Speaker 1>get bitten by the bug. Oh, I mean kind of

0:31:25.080 --> 0:31:29.479
<v Speaker 1>mid teens. I think I wanted to go to our college.

0:31:29.480 --> 0:31:32.280
<v Speaker 1>I mean way before I I you know, decided that

0:31:32.360 --> 0:31:33.840
<v Speaker 1>I wanted to be an actor. I don't know, I'm

0:31:33.880 --> 0:31:36.360
<v Speaker 1>not sure where that came from. Just you know, I

0:31:36.400 --> 0:31:39.600
<v Speaker 1>come from a large Irish family, so you know, the

0:31:39.640 --> 0:31:42.680
<v Speaker 1>attention seeking must be part of it. But many kids

0:31:42.680 --> 0:31:46.560
<v Speaker 1>in your family, there's five of us. That's kind of smart.

0:31:48.560 --> 0:31:50.560
<v Speaker 1>You know, it's hard to fight your way to fight

0:31:50.600 --> 0:31:53.920
<v Speaker 1>your way to the top of that one. Um. But yeah,

0:31:54.000 --> 0:31:56.880
<v Speaker 1>I don't know where the acting thing came from because

0:31:57.000 --> 0:31:59.880
<v Speaker 1>you know, like you said, turkey farm, it's not the

0:32:00.320 --> 0:32:02.400
<v Speaker 1>sort of I mean, who do I think I was

0:32:02.600 --> 0:32:06.160
<v Speaker 1>kind of thing. How good were you at plucking the turkeys?

0:32:06.000 --> 0:32:11.040
<v Speaker 1>That's it's pretty okay. Yeah, I would not want to. Yeah,

0:32:11.760 --> 0:32:16.960
<v Speaker 1>it's a revolting it's horrible job. Yes, yes, it's vile.

0:32:17.040 --> 0:32:19.120
<v Speaker 1>I made a little short film about it a few

0:32:19.200 --> 0:32:24.040
<v Speaker 1>years but it's called The Week Before Christmas because growing

0:32:24.120 --> 0:32:26.120
<v Speaker 1>up on a turkey farm, you know, it was all

0:32:26.200 --> 0:32:28.560
<v Speaker 1>about it was all about Christmas, and it was a

0:32:28.600 --> 0:32:32.000
<v Speaker 1>crazy time of year and we as kids kind of

0:32:32.120 --> 0:32:35.920
<v Speaker 1>you know, I just had to had to deal with it,

0:32:36.440 --> 0:32:38.200
<v Speaker 1>had to deal with the craziness of it. But there

0:32:38.280 --> 0:32:41.200
<v Speaker 1>was like, within within all those years there was some

0:32:41.280 --> 0:32:44.760
<v Speaker 1>kind of interesting stories that kind of kind of condensed

0:32:44.800 --> 0:32:47.760
<v Speaker 1>into one kind of fifteen minutes short film. It's kind

0:32:47.760 --> 0:32:50.120
<v Speaker 1>of a love load. We're gonna have to check that out. Yeah,

0:32:50.600 --> 0:32:52.800
<v Speaker 1>I'll send it to you. So it didn't really work

0:32:52.840 --> 0:32:56.200
<v Speaker 1>out initially for you in terms of acting, right, I mean,

0:32:56.240 --> 0:33:00.480
<v Speaker 1>you couldn't get arrested, basically, that's true. True mind you

0:33:00.960 --> 0:33:04.840
<v Speaker 1>sad chapter in your bath. It all worked out, but

0:33:04.880 --> 0:33:07.880
<v Speaker 1>you were working, I guess and at an employment center

0:33:07.920 --> 0:33:10.880
<v Speaker 1>in London while you were pursuing an acting career, not

0:33:11.160 --> 0:33:13.960
<v Speaker 1>particularly successfully at the time. And then you kind of

0:33:14.000 --> 0:33:16.640
<v Speaker 1>had a holy ship moment literally right and you said,

0:33:16.960 --> 0:33:20.000
<v Speaker 1>I'm out of here. What happened? What was my holy

0:33:20.040 --> 0:33:24.640
<v Speaker 1>ship moments? Well? I was working in a job center,

0:33:24.880 --> 0:33:29.480
<v Speaker 1>an employment service center for six years. Um, you know

0:33:29.840 --> 0:33:33.320
<v Speaker 1>that wasn't good. I was, you know, I was kind

0:33:33.320 --> 0:33:36.360
<v Speaker 1>of doing the odd play above pubs, you know, a

0:33:36.360 --> 0:33:39.040
<v Speaker 1>bit of fringe theater, but really you know, not not

0:33:39.200 --> 0:33:43.880
<v Speaker 1>getting anywhere. And I think not trying really because if

0:33:43.920 --> 0:33:46.920
<v Speaker 1>I tried, I might get it and then fail you know. So,

0:33:46.960 --> 0:33:49.800
<v Speaker 1>I mean, I'm guessing that that's what it was because

0:33:50.600 --> 0:33:52.480
<v Speaker 1>I can't think of a better reason. But yeah, I

0:33:52.560 --> 0:33:56.040
<v Speaker 1>was asked by my office manager one day if i'd

0:33:56.080 --> 0:33:59.880
<v Speaker 1>clean up at the front of the building, and I went.

0:34:00.080 --> 0:34:01.480
<v Speaker 1>I was like, First of all, I was like, why

0:34:01.480 --> 0:34:05.400
<v Speaker 1>are you asking me to clean up? But anyway, I

0:34:05.440 --> 0:34:09.359
<v Speaker 1>went out the front of the building and there was, Yeah,

0:34:09.400 --> 0:34:12.560
<v Speaker 1>there was a human turd on the pavement. And I

0:34:12.640 --> 0:34:16.000
<v Speaker 1>just sort of how did you know it was human?

0:34:16.080 --> 0:34:18.759
<v Speaker 1>By the way, it's it's pretty obvious case been a

0:34:18.800 --> 0:34:22.759
<v Speaker 1>big dog. I guess it could have been. I guess

0:34:22.800 --> 0:34:24.040
<v Speaker 1>it could have been. I don't know. I live in

0:34:24.080 --> 0:34:27.360
<v Speaker 1>New York Share and I see this have been frequently

0:34:27.480 --> 0:34:30.120
<v Speaker 1>with big dogs, And I was like, holy moly, wow,

0:34:30.280 --> 0:34:32.040
<v Speaker 1>do you know what people? Where is your bag? No?

0:34:32.239 --> 0:34:34.640
<v Speaker 1>I do, actually, and I see people that seen up

0:34:34.680 --> 0:34:37.879
<v Speaker 1>after their dog. I say, squeeze me. You actually say

0:34:37.960 --> 0:34:41.160
<v Speaker 1>squeeze me. Yeah, but I do call them out. But anyway,

0:34:41.239 --> 0:34:43.960
<v Speaker 1>so you said, yeah, I just I just went back

0:34:44.000 --> 0:34:45.920
<v Speaker 1>in and then I handed in my notice and I

0:34:46.000 --> 0:34:49.000
<v Speaker 1>left and and I went to university. And when I

0:34:49.040 --> 0:34:52.319
<v Speaker 1>went and applied to do a degree in English, and

0:34:52.400 --> 0:34:54.759
<v Speaker 1>part of my degree was creative writing, and that's kind

0:34:54.760 --> 0:35:01.320
<v Speaker 1>of what got me writing creatively creatively. Just a fast forward,

0:35:01.360 --> 0:35:05.160
<v Speaker 1>you met Dennis Kelly uh in a pub of all places,

0:35:05.239 --> 0:35:07.640
<v Speaker 1>you meet people in the strange place this year, and

0:35:07.960 --> 0:35:12.000
<v Speaker 1>you all teamed up and you created the aforementioned show Pulling.

0:35:12.600 --> 0:35:15.000
<v Speaker 1>I'm afraid to ask where that name came from. By

0:35:15.000 --> 0:35:18.560
<v Speaker 1>the way, Well you know what it means, right, I don't. Oh, well,

0:35:18.640 --> 0:35:21.880
<v Speaker 1>pulling over here is just like going out to get yourself,

0:35:22.520 --> 0:35:24.960
<v Speaker 1>you know, a guy or a girl. It's it's like

0:35:25.040 --> 0:35:29.040
<v Speaker 1>going out specifically to use it in a sentence for me, Um,

0:35:30.000 --> 0:35:35.640
<v Speaker 1>did you pull anyone the other night? Yes? I did. Yeah,

0:35:35.800 --> 0:35:38.680
<v Speaker 1>I got really lucky. I pulled a really really good

0:35:38.680 --> 0:35:40.680
<v Speaker 1>looking lad. I mean, that's that's all it is. It's

0:35:40.920 --> 0:35:44.640
<v Speaker 1>it's hooked up or nailed. It means hooked up. I

0:35:44.640 --> 0:35:47.200
<v Speaker 1>mean it could be you could pull someone and it's

0:35:47.239 --> 0:35:48.640
<v Speaker 1>just like a bit of making out. Or you could

0:35:48.640 --> 0:35:50.600
<v Speaker 1>pull someone and you know, you go home with them.

0:35:50.640 --> 0:35:52.480
<v Speaker 1>I mean there's a whole, there's a rain, there's a

0:35:52.600 --> 0:35:55.200
<v Speaker 1>range of pulling. Thank you. I feel so much smarter

0:35:55.320 --> 0:35:58.480
<v Speaker 1>now for knowing that. Yeah, so that's where it came from,

0:35:58.560 --> 0:36:00.600
<v Speaker 1>and that became a cult hit and that was sort

0:36:00.600 --> 0:36:03.600
<v Speaker 1>of about your life in your twenties. Yeah, well Milan

0:36:03.680 --> 0:36:07.799
<v Speaker 1>Dennis Kelly's life completely because we both you know, we're

0:36:07.800 --> 0:36:11.440
<v Speaker 1>both on sort of wrong paths, um, and yet we

0:36:11.520 --> 0:36:15.080
<v Speaker 1>both found ourselves living you know, in the capital city,

0:36:15.400 --> 0:36:19.160
<v Speaker 1>living in London with no money, you know, with not

0:36:19.320 --> 0:36:23.160
<v Speaker 1>many prospects, in bad relationships, doing jobs we didn't like.

0:36:24.000 --> 0:36:26.520
<v Speaker 1>But you know, living in London and sort of seeing

0:36:26.560 --> 0:36:30.040
<v Speaker 1>that there was something much better over there, you know

0:36:30.080 --> 0:36:33.320
<v Speaker 1>that someone else was having and so yeah, it was

0:36:33.440 --> 0:36:35.399
<v Speaker 1>kind of it's kind of about that time. It's about

0:36:35.440 --> 0:36:39.200
<v Speaker 1>that sort of difficult time where you're you realize you're

0:36:39.400 --> 0:36:42.920
<v Speaker 1>definitely not a kid anymore, but you definitely don't have

0:36:43.000 --> 0:36:45.919
<v Speaker 1>the skills to to be a proper grown up. So

0:36:46.120 --> 0:36:49.160
<v Speaker 1>when that show came out, you were also either pregnant

0:36:49.200 --> 0:36:52.360
<v Speaker 1>or you just had a baby. Yeah, your daughter, Yeah,

0:36:52.520 --> 0:36:57.840
<v Speaker 1>it's one of them. It's waiting for you, but you

0:36:57.880 --> 0:37:05.720
<v Speaker 1>remember her. Okay. Anyway, you said it was the making

0:37:05.760 --> 0:37:08.400
<v Speaker 1>of me. It gave me a different work ethic. So

0:37:08.480 --> 0:37:12.840
<v Speaker 1>how did having a baby make you and change you? Um?

0:37:12.880 --> 0:37:17.879
<v Speaker 1>Just focus, I guess just um, I really liked being

0:37:17.880 --> 0:37:20.960
<v Speaker 1>a mom like way more than I thought. I like it.

0:37:21.239 --> 0:37:24.839
<v Speaker 1>I really like babies, and I wanted to hang out

0:37:24.840 --> 0:37:27.479
<v Speaker 1>with her, and so if I was going to work,

0:37:27.520 --> 0:37:29.879
<v Speaker 1>I just had to make sure that the time I

0:37:29.920 --> 0:37:33.760
<v Speaker 1>was away from her was used really productively and wisely.

0:37:33.920 --> 0:37:36.799
<v Speaker 1>So it just made me, you know, someone would come

0:37:36.840 --> 0:37:39.120
<v Speaker 1>in to look after her. Obviously, I just didn't like

0:37:39.280 --> 0:37:43.279
<v Speaker 1>leave Renny corner. You didn't leave the door open. So yeah,

0:37:43.280 --> 0:37:45.000
<v Speaker 1>I would just sit down in my desk and work

0:37:45.080 --> 0:37:47.680
<v Speaker 1>solidly for those hours when I when I had a childminder,

0:37:47.719 --> 0:37:49.719
<v Speaker 1>and that was the kind of that's what kind of

0:37:50.280 --> 0:37:53.160
<v Speaker 1>termed from babysitter here, child mind, childminder. Yeah, but you

0:37:53.160 --> 0:37:56.520
<v Speaker 1>can say babysitter. Babysitter kind of implies something you do

0:37:56.600 --> 0:37:59.759
<v Speaker 1>in the evening. You know, a teenage girl baby there

0:37:59.840 --> 0:38:04.040
<v Speaker 1>was more fun. Maybe there's more fun. So I'm a

0:38:04.080 --> 0:38:08.800
<v Speaker 1>relatively new parent, and uh, there's something I struggle with people.

0:38:08.880 --> 0:38:10.719
<v Speaker 1>I think a lot of people just talk about this

0:38:10.760 --> 0:38:12.799
<v Speaker 1>in the context of women, but it affects men to

0:38:13.040 --> 0:38:15.640
<v Speaker 1>sort of work life balance. When your work, you feel

0:38:15.640 --> 0:38:17.560
<v Speaker 1>guilty for being with your kid. When you're with your kid,

0:38:17.600 --> 0:38:20.759
<v Speaker 1>you feel guilty for not working. How have you dealt

0:38:20.800 --> 0:38:22.920
<v Speaker 1>with all of that? Because you've seemed to manage both

0:38:22.960 --> 0:38:26.279
<v Speaker 1>pretty well. Oh do you know that? What do you

0:38:26.400 --> 0:38:31.600
<v Speaker 1>know that? Well? Manage both very well? Her kids seemed

0:38:31.600 --> 0:38:34.279
<v Speaker 1>to like her some of the time, and her professional

0:38:34.320 --> 0:38:36.279
<v Speaker 1>life is going really well. So I don't know, I

0:38:36.320 --> 0:38:39.439
<v Speaker 1>was making a bit of an assumption. Yeah you did,

0:38:39.840 --> 0:38:42.600
<v Speaker 1>but that's okay. Is that a correct assumption or an

0:38:42.600 --> 0:38:46.000
<v Speaker 1>incorrect assumption? I don't know. I think I've gotten better

0:38:46.080 --> 0:38:49.520
<v Speaker 1>at it over the years. I think back in the day,

0:38:49.800 --> 0:38:55.720
<v Speaker 1>it used to stress me out horribly. Guilt was massive,

0:38:56.040 --> 0:38:58.600
<v Speaker 1>But then I still realized, you know, they've turned out

0:38:58.640 --> 0:39:02.680
<v Speaker 1>pretty well. They're both really nice girls. You know, we

0:39:02.719 --> 0:39:06.960
<v Speaker 1>all like each other. I mean, I've it's nothing terrible

0:39:07.040 --> 0:39:10.040
<v Speaker 1>has happened, you know, And I'm definitely I definitely give

0:39:10.080 --> 0:39:12.279
<v Speaker 1>myself less of a hard time than I used to,

0:39:13.360 --> 0:39:15.680
<v Speaker 1>because I mean, I guess I figured out what was

0:39:15.719 --> 0:39:17.880
<v Speaker 1>the point of it, And I think, I don't know,

0:39:18.200 --> 0:39:20.279
<v Speaker 1>I think you have to stop giving yourself a hard

0:39:20.280 --> 0:39:23.600
<v Speaker 1>time before you can stop sort of giving other women

0:39:23.600 --> 0:39:26.399
<v Speaker 1>a hard time as well. I mean, I think it's

0:39:26.440 --> 0:39:32.000
<v Speaker 1>really um easy to I don't know, just to go

0:39:32.040 --> 0:39:35.200
<v Speaker 1>out and say that you're supportive of of women in

0:39:35.600 --> 0:39:39.359
<v Speaker 1>this industry and you know what should be happening, and

0:39:39.520 --> 0:39:43.680
<v Speaker 1>you know, but it's actually it's really important when a

0:39:43.760 --> 0:39:46.640
<v Speaker 1>woman turns around and says to you, um, you know, God,

0:39:46.640 --> 0:39:48.959
<v Speaker 1>I had to go away for you know, a week

0:39:49.120 --> 0:39:51.799
<v Speaker 1>or a month or whatever it was. And instead of going,

0:39:52.080 --> 0:39:54.920
<v Speaker 1>God the kids miss you, just go, you know, no

0:39:55.040 --> 0:39:57.720
<v Speaker 1>good for you? How are you? You know you're actually

0:39:57.760 --> 0:40:01.600
<v Speaker 1>need to drink, you know, And I'm just I don't know.

0:40:01.640 --> 0:40:05.319
<v Speaker 1>I think it's really important to give give each other

0:40:05.400 --> 0:40:08.759
<v Speaker 1>a break and also give yourself a break. Yeah, I

0:40:08.800 --> 0:40:10.800
<v Speaker 1>just didn't feel that guilty. And I was a single

0:40:10.840 --> 0:40:15.320
<v Speaker 1>mom for most of my children's lives, and I feel

0:40:15.400 --> 0:40:18.640
<v Speaker 1>like working and being out in the world made them

0:40:18.680 --> 0:40:21.440
<v Speaker 1>proud of me and also made them more independent. I

0:40:21.480 --> 0:40:25.240
<v Speaker 1>think sometimes, you know, you spend too much time worrying

0:40:25.280 --> 0:40:28.719
<v Speaker 1>and hovering. And I was so excited when I went

0:40:28.719 --> 0:40:31.480
<v Speaker 1>back to work after Ellie was born. It was like,

0:40:31.920 --> 0:40:34.839
<v Speaker 1>I gotta go because I had this nasty green villo

0:40:34.880 --> 0:40:37.440
<v Speaker 1>or bathrobe and I was trying to use this freaking

0:40:37.600 --> 0:40:39.759
<v Speaker 1>breast pump and it was such a nightmare. I could

0:40:39.800 --> 0:40:42.000
<v Speaker 1>not wait to get out of there. Well, I mean,

0:40:42.000 --> 0:40:44.960
<v Speaker 1>the thing is, I was not really bad, am I

0:40:44.960 --> 0:40:49.920
<v Speaker 1>I'm not judging people are gonna think they shouldn't. The

0:40:49.920 --> 0:40:51.880
<v Speaker 1>thing is is when I get in in the evening,

0:40:51.920 --> 0:40:53.760
<v Speaker 1>I mean, it's different when I'm filming because you finished

0:40:53.760 --> 0:40:56.200
<v Speaker 1>really late, especially when you come and do podcasts after

0:40:56.200 --> 0:40:59.880
<v Speaker 1>you've finished filming. We apologize to you, but what no

0:41:00.000 --> 0:41:02.879
<v Speaker 1>probally writing I you know, I finish a decent time.

0:41:02.920 --> 0:41:06.640
<v Speaker 1>I get home for supper. We have supper together, like

0:41:06.800 --> 0:41:09.920
<v Speaker 1>you know, read stories, and I think having dinner again

0:41:10.280 --> 0:41:13.120
<v Speaker 1>and and and I mean obviously not always, but as

0:41:13.200 --> 0:41:16.359
<v Speaker 1>much as we can. But like I think, when I'm

0:41:16.360 --> 0:41:18.319
<v Speaker 1>when I'm having that time my kids, I think, what

0:41:18.440 --> 0:41:21.560
<v Speaker 1>would I do if I got home like two hours earlier.

0:41:21.840 --> 0:41:24.239
<v Speaker 1>I mean I would just I would be a less

0:41:24.280 --> 0:41:26.840
<v Speaker 1>good mother because I would be less you know, on

0:41:26.920 --> 0:41:30.439
<v Speaker 1>it or fun or you know, less focused on them.

0:41:30.920 --> 0:41:34.560
<v Speaker 1>I honestly wouldn't know how to use the extra time.

0:41:34.640 --> 0:41:37.080
<v Speaker 1>And that's the truth. I think. The bottom line is

0:41:37.120 --> 0:41:39.520
<v Speaker 1>people have to do what's right for them. You know,

0:41:39.560 --> 0:41:41.839
<v Speaker 1>I respect women who want to stay home and men

0:41:41.880 --> 0:41:44.520
<v Speaker 1>who want to stay home, which we're seeing an increasing

0:41:44.600 --> 0:41:48.120
<v Speaker 1>number of men. Also, there's a lot of women who can't.

0:41:48.280 --> 0:41:50.719
<v Speaker 1>They don't have that choice. It's not like I can afford,

0:41:50.920 --> 0:41:52.719
<v Speaker 1>you know you, They have to go out to work.

0:41:52.760 --> 0:41:56.000
<v Speaker 1>So for them, those women especially, it's not about choice.

0:41:56.040 --> 0:41:59.920
<v Speaker 1>So absolutely we have to support them completely. I agree,

0:42:00.239 --> 0:42:03.040
<v Speaker 1>so and if and if you. I was trying to

0:42:03.040 --> 0:42:05.160
<v Speaker 1>come up with a cute segue to divorce, but that

0:42:05.280 --> 0:42:09.359
<v Speaker 1>just isn't working. Um um um. You teamed up with

0:42:09.400 --> 0:42:13.200
<v Speaker 1>Sarah Jesca Parker for on HBO for her show Divorce.

0:42:13.280 --> 0:42:15.279
<v Speaker 1>I know she hadn't done a TV show since Sex

0:42:15.320 --> 0:42:16.799
<v Speaker 1>in the City. Were you a big fan by the

0:42:16.800 --> 0:42:20.120
<v Speaker 1>way of Sex in the City. Yes, absolutely, I've watched

0:42:20.160 --> 0:42:23.520
<v Speaker 1>every episode like five times, except for the funky spunk one,

0:42:23.880 --> 0:42:26.600
<v Speaker 1>which I inadvertently watched with my eight year old and

0:42:26.640 --> 0:42:30.080
<v Speaker 1>twelve year old at the time. My daughter's basically learned

0:42:30.120 --> 0:42:34.920
<v Speaker 1>about the birds and the bees from Sex in the City.

0:42:35.120 --> 0:42:38.920
<v Speaker 1>How did you how did you pull Sarah? Just? Well, well,

0:42:38.960 --> 0:42:42.760
<v Speaker 1>we were set up by HBO. I'd written some scripts

0:42:42.760 --> 0:42:45.040
<v Speaker 1>for HBO that hadn't got picked up, and I was

0:42:45.160 --> 0:42:48.000
<v Speaker 1>developing something else with them, and at that time she

0:42:48.120 --> 0:42:51.520
<v Speaker 1>had just begune through her company pretty much as you know,

0:42:52.200 --> 0:42:57.040
<v Speaker 1>developing something, trying to find something, and HBO just suggested

0:42:57.080 --> 0:43:00.160
<v Speaker 1>that we might like to meet, and I think she

0:43:00.160 --> 0:43:02.320
<v Speaker 1>she'd read a couple of my scription and seen something

0:43:02.360 --> 0:43:05.440
<v Speaker 1>I've done, and so they flew me over to New

0:43:05.520 --> 0:43:08.520
<v Speaker 1>York to met arn. We had lunch and talked about

0:43:08.600 --> 0:43:10.759
<v Speaker 1>you know what TV she liked and you know what

0:43:10.880 --> 0:43:13.359
<v Speaker 1>stories we wanted to tell, and then it kind of

0:43:13.920 --> 0:43:16.680
<v Speaker 1>came from there. The show is about the unraveling of

0:43:16.680 --> 0:43:19.560
<v Speaker 1>a relationship, a show that quotes days Mired in the

0:43:19.680 --> 0:43:23.560
<v Speaker 1>angry muck. According to The New Yorker, it's also about

0:43:23.600 --> 0:43:26.560
<v Speaker 1>the divorce industry, and I think the collateral damage right

0:43:26.600 --> 0:43:30.640
<v Speaker 1>that happens when a couple gets divorced. Clearly it's not

0:43:30.800 --> 0:43:33.839
<v Speaker 1>based on your life experiences so far, and we hope

0:43:33.840 --> 0:43:36.439
<v Speaker 1>it never is. But why did you want to go there?

0:43:36.520 --> 0:43:41.040
<v Speaker 1>What interested you in the dissolution of a marriage? Well,

0:43:41.080 --> 0:43:45.960
<v Speaker 1>I mean Sarah Jessica was wanting to make a show

0:43:45.960 --> 0:43:50.400
<v Speaker 1>about a long term relationship that was, you know, in crisis.

0:43:50.400 --> 0:43:53.240
<v Speaker 1>I mean that's what she was looking for it anyway,

0:43:53.440 --> 0:43:59.040
<v Speaker 1>and a friend of mine had recently gotten divorced, and

0:44:00.239 --> 0:44:03.080
<v Speaker 1>you know, I guess how she talked about it. Um,

0:44:03.600 --> 0:44:06.359
<v Speaker 1>those sort of stories stayed with me, and I just,

0:44:06.680 --> 0:44:10.640
<v Speaker 1>you know, watch the more the roses and UM a

0:44:10.680 --> 0:44:13.880
<v Speaker 1>few other things that it's sort of, you know, inspired

0:44:13.960 --> 0:44:19.360
<v Speaker 1>that as a sort of a good route for UM

0:44:19.360 --> 0:44:21.879
<v Speaker 1>telling the story of that relationship, because you know, they're

0:44:21.880 --> 0:44:25.040
<v Speaker 1>at the beginning of the end of a very long

0:44:25.239 --> 0:44:29.080
<v Speaker 1>term relationship, and you know, the kind of that sort

0:44:29.080 --> 0:44:31.600
<v Speaker 1>of idea of who are they now? I mean when

0:44:31.600 --> 0:44:34.480
<v Speaker 1>you leave that behind, that that marriage has been part

0:44:34.520 --> 0:44:36.759
<v Speaker 1>of your life and your psyche for so long that

0:44:36.880 --> 0:44:39.680
<v Speaker 1>you know kind of what happens when when you when

0:44:39.680 --> 0:44:45.600
<v Speaker 1>you separate that. And like you said, I thought it

0:44:45.640 --> 0:44:50.200
<v Speaker 1>would be interesting to show the industry around that and

0:44:50.239 --> 0:44:54.840
<v Speaker 1>how that sort of you know, how people you know

0:44:54.880 --> 0:44:57.600
<v Speaker 1>they're they're not just battling an X, they're battling all

0:44:57.640 --> 0:45:01.080
<v Speaker 1>the people that surround them who are basically feeding off

0:45:01.120 --> 0:45:04.840
<v Speaker 1>there the carcass of of their marriage. And not just

0:45:04.920 --> 0:45:07.520
<v Speaker 1>the industry, but the friends that you know that are

0:45:07.560 --> 0:45:09.800
<v Speaker 1>there as well, friends who have either been through divorce

0:45:09.960 --> 0:45:13.000
<v Speaker 1>or you know, are in a bad relationship and want one.

0:45:13.080 --> 0:45:15.480
<v Speaker 1>You know, the kind of the influences that those two

0:45:15.520 --> 0:45:20.520
<v Speaker 1>people you know have. And I started reading about divorce stories,

0:45:20.560 --> 0:45:22.960
<v Speaker 1>reading about the really long term ones that just go

0:45:23.080 --> 0:45:25.759
<v Speaker 1>on and on and on and start out not horribly

0:45:25.800 --> 0:45:31.560
<v Speaker 1>but end up so acrimonious because they're, you know, fighting

0:45:31.600 --> 0:45:34.520
<v Speaker 1>about stuff that they just shouldn't be fighting about just

0:45:34.600 --> 0:45:37.839
<v Speaker 1>to punish each other. And I don't know, it just

0:45:37.920 --> 0:45:41.800
<v Speaker 1>felt like, um, it felt like a sort of story

0:45:41.880 --> 0:45:44.839
<v Speaker 1>area that had a lot of possibilities and it resonates

0:45:44.920 --> 0:45:50.280
<v Speaker 1>with at least we have a clip of a scene

0:45:50.320 --> 0:45:53.240
<v Speaker 1>from Divorce. Let's take a listen to that. I don't

0:45:53.239 --> 0:46:02.000
<v Speaker 1>love you anymore. I want to divorce. Oh God, Robert

0:46:04.719 --> 0:46:08.440
<v Speaker 1>beating so much cheese? Listen, Robert, are you hearing what

0:46:08.480 --> 0:46:11.560
<v Speaker 1>I'm saying? Are you hearing me? Chee? I heard? Can

0:46:11.560 --> 0:46:13.200
<v Speaker 1>I get your full name? At constant? Can you just

0:46:13.280 --> 0:46:15.319
<v Speaker 1>I'm sorry? Can you just wait one second? Please? Can

0:46:15.320 --> 0:46:18.680
<v Speaker 1>you just hang on? Robert listen to me? Listen. We

0:46:18.719 --> 0:46:20.919
<v Speaker 1>don't have to make this horrible, alright, I don't want

0:46:20.920 --> 0:46:27.759
<v Speaker 1>it to be horrible. I'm sorry. He had a lot

0:46:27.800 --> 0:46:34.000
<v Speaker 1>of fun to Those are two pretty special actors with

0:46:34.080 --> 0:46:36.719
<v Speaker 1>Sarah Jessica Parker and Thomas Hayden Church and they each

0:46:36.760 --> 0:46:40.680
<v Speaker 1>have three names? What up with that? I know? Has

0:46:40.719 --> 0:46:42.680
<v Speaker 1>it been fun to work with them? I mean it

0:46:42.760 --> 0:46:46.760
<v Speaker 1>was an amazing experience. I mean they're amazing to watch

0:46:46.800 --> 0:46:49.919
<v Speaker 1>them and sometimes I would say the monitor and kind

0:46:49.920 --> 0:46:51.920
<v Speaker 1>of forget that I was at work and think I was,

0:46:52.320 --> 0:46:57.160
<v Speaker 1>you know, watching TV because it was very surreal. You know,

0:46:57.200 --> 0:47:04.440
<v Speaker 1>it was very surreal for me and kind of overpowering. Um,

0:47:04.480 --> 0:47:08.920
<v Speaker 1>but um, yeah, it was. I went. I went to

0:47:08.960 --> 0:47:12.399
<v Speaker 1>New York and I stayed there for five months. That

0:47:12.840 --> 0:47:15.480
<v Speaker 1>is not a good or easy thing to do when

0:47:15.480 --> 0:47:17.720
<v Speaker 1>you have a family, even if you're sort of flying

0:47:17.800 --> 0:47:21.360
<v Speaker 1>back and forth. And it was tricky, but I loved it.

0:47:21.440 --> 0:47:24.200
<v Speaker 1>I love the show that came out of it. Um.

0:47:24.239 --> 0:47:28.520
<v Speaker 1>I was very uninvolved in the second season. Um, I

0:47:28.640 --> 0:47:31.359
<v Speaker 1>just got to sort of read scripts, you know, at

0:47:31.360 --> 0:47:33.399
<v Speaker 1>the very beginning, and so it's kind of sort of

0:47:33.480 --> 0:47:37.719
<v Speaker 1>gone off and taken a life of its own, and um,

0:47:37.760 --> 0:47:41.120
<v Speaker 1>it's still like it's still a kind of surreal, kind

0:47:41.120 --> 0:47:43.560
<v Speaker 1>of pinch myself kind of moment. I got to got

0:47:43.600 --> 0:47:46.480
<v Speaker 1>to do that. And when you hear Thomas Hayden Church Vomity,

0:47:46.560 --> 0:47:50.960
<v Speaker 1>just now it just must just because that was the

0:47:51.040 --> 0:47:54.000
<v Speaker 1>pilot and it was I mean, it was an amazing experience,

0:47:54.000 --> 0:47:58.319
<v Speaker 1>but it's pilots are hardcore stress just getting all that

0:47:58.360 --> 0:48:01.719
<v Speaker 1>story told in such a sure period of time. So

0:48:01.840 --> 0:48:03.640
<v Speaker 1>everything that was going through my head was just what

0:48:03.680 --> 0:48:06.600
<v Speaker 1>was happening in the in the next room about time

0:48:06.600 --> 0:48:08.200
<v Speaker 1>and he was waiting to go on and how behind

0:48:08.280 --> 0:48:10.719
<v Speaker 1>we were or you know that kind of stuff. You

0:48:10.800 --> 0:48:14.560
<v Speaker 1>are now working on another show called Motherland, right, and

0:48:14.560 --> 0:48:17.839
<v Speaker 1>and can you tell us briefly about that? Yeah, well,

0:48:17.920 --> 0:48:24.080
<v Speaker 1>Motherland is UM it's it's about well, it's about mothers essentially,

0:48:24.080 --> 0:48:26.160
<v Speaker 1>but there there's a there's a father in there as well,

0:48:26.200 --> 0:48:29.480
<v Speaker 1>but it's a it's kind of about that idea that

0:48:32.080 --> 0:48:33.880
<v Speaker 1>it's like being with a bunch of people and the

0:48:33.880 --> 0:48:36.080
<v Speaker 1>only reason why you're with them is because you know

0:48:36.360 --> 0:48:37.960
<v Speaker 1>you have something in common and that thing that you

0:48:37.960 --> 0:48:39.879
<v Speaker 1>have in common is that you all happen to give

0:48:39.960 --> 0:48:43.640
<v Speaker 1>birth UM around at the same time. Yeah, I mean

0:48:43.640 --> 0:48:46.719
<v Speaker 1>it's about kids, obviously, but like Catastrophe, it's much more

0:48:46.760 --> 0:48:52.000
<v Speaker 1>about how those parents are just coping and it's about

0:48:52.080 --> 0:48:54.920
<v Speaker 1>I guess kind of friendships that you build. It's it's

0:48:54.960 --> 0:48:57.480
<v Speaker 1>about the kind of world that you create to help

0:48:57.560 --> 0:49:01.960
<v Speaker 1>you cope and help you get through the day. So, UM,

0:49:02.040 --> 0:49:06.160
<v Speaker 1>how's it going. Yeah, I mean, we we are first season.

0:49:06.440 --> 0:49:10.360
<v Speaker 1>UM came out over here UM at the end of

0:49:10.400 --> 0:49:13.960
<v Speaker 1>last year. So and it's just UM started on Sundance

0:49:14.520 --> 0:49:19.600
<v Speaker 1>in the US, and yeah, yeah, I was interested to

0:49:19.640 --> 0:49:22.640
<v Speaker 1>know what a US audience would make of it, because

0:49:23.480 --> 0:49:27.959
<v Speaker 1>really they are you know, they they're They're not They're

0:49:27.960 --> 0:49:33.919
<v Speaker 1>not sunny characters. You know, they've got they are super flawed, tricky,

0:49:33.960 --> 0:49:38.560
<v Speaker 1>difficult at times. Um, people sound like my kind of women. Yeah, well,

0:49:38.600 --> 0:49:41.040
<v Speaker 1>I hope so, I mean, I hope so that It's

0:49:41.080 --> 0:49:43.080
<v Speaker 1>just that there is not like with Catastrope, there's kind

0:49:43.080 --> 0:49:46.239
<v Speaker 1>of a sweet kind of underbelly to it, um, But

0:49:46.320 --> 0:49:50.480
<v Speaker 1>with Motherland, there is no such underbelly. We know you

0:49:50.560 --> 0:49:52.799
<v Speaker 1>have to leave, But I just wanted to ask you

0:49:52.840 --> 0:49:55.560
<v Speaker 1>a couple of quick questions about current affairs. I was

0:49:55.640 --> 0:49:58.640
<v Speaker 1>curious that someone raised in Ireland what your reaction was

0:49:58.760 --> 0:50:01.400
<v Speaker 1>to the vote that overturned and the biana An abortion.

0:50:01.440 --> 0:50:06.400
<v Speaker 1>There were you surprised? I was surprised at the landslide

0:50:06.840 --> 0:50:09.480
<v Speaker 1>nature of it. I think that was the thing that

0:50:09.640 --> 0:50:15.560
<v Speaker 1>blew everyone's mind. I mean, we all thought it was

0:50:15.600 --> 0:50:20.520
<v Speaker 1>going to be such a close call. And it's thanks

0:50:20.560 --> 0:50:23.560
<v Speaker 1>to the sort of ground movement of the women of

0:50:23.600 --> 0:50:27.879
<v Speaker 1>that country because really, um, the Yes campaign, they just

0:50:28.239 --> 0:50:31.319
<v Speaker 1>went out and they knocked on doors and they it

0:50:31.400 --> 0:50:34.360
<v Speaker 1>was such a. It was such a positive, lovely campaign

0:50:35.040 --> 0:50:38.600
<v Speaker 1>that they ran. They put the groundwork in and and

0:50:38.640 --> 0:50:43.120
<v Speaker 1>I guess people listened, and I think everyone's feeling was

0:50:45.320 --> 0:50:48.520
<v Speaker 1>so just so proud of the country and just so

0:50:48.560 --> 0:50:51.759
<v Speaker 1>proud of the country that it has become. And and

0:50:51.840 --> 0:50:55.480
<v Speaker 1>the fact that you know, women were finally listened to

0:50:55.640 --> 0:50:59.239
<v Speaker 1>and those stories were heard, and like some of these

0:50:59.239 --> 0:51:02.600
<v Speaker 1>women have just been fighting for that for for years.

0:51:02.680 --> 0:51:05.400
<v Speaker 1>And I mean it was a difficult time because there

0:51:05.480 --> 0:51:08.839
<v Speaker 1>was a lot of really desperate, sad, sad stories coming

0:51:08.840 --> 0:51:11.440
<v Speaker 1>out of it. So it was emotional, you know, it

0:51:11.480 --> 0:51:15.359
<v Speaker 1>was very emotional campaign. But um, you know, I mean

0:51:15.920 --> 0:51:19.040
<v Speaker 1>the absolute right decision was made and I think it's

0:51:19.080 --> 0:51:22.240
<v Speaker 1>just gonna impact on the country in such a positive,

0:51:22.280 --> 0:51:26.000
<v Speaker 1>beautiful way. Speaking of movements, I'm curious if Me Too

0:51:26.080 --> 0:51:30.560
<v Speaker 1>has kind of reverberated here in the UK. It's something

0:51:30.640 --> 0:51:33.480
<v Speaker 1>that has really captured the imagination of so many people

0:51:33.520 --> 0:51:37.520
<v Speaker 1>in the States. And are you all experiencing a similar

0:51:37.600 --> 0:51:40.520
<v Speaker 1>movement or is it not caught fire here as it

0:51:40.560 --> 0:51:44.399
<v Speaker 1>has in the United States. I mean, it has absolutely

0:51:44.480 --> 0:51:48.960
<v Speaker 1>had an impact here and in that people are talking

0:51:49.000 --> 0:51:54.759
<v Speaker 1>about the issue of inequality, um and and sexism within

0:51:54.840 --> 0:51:57.040
<v Speaker 1>the industry, but I mean a lot of it is

0:51:57.120 --> 0:52:01.040
<v Speaker 1>kind of focusing on For example, there's of fifty fifty

0:52:01.200 --> 0:52:05.960
<v Speaker 1>campaign about actresses having you know, equal screen time. There's

0:52:06.000 --> 0:52:09.640
<v Speaker 1>an absolutely terrible statistic that I unfortunately can't give you

0:52:09.840 --> 0:52:13.440
<v Speaker 1>of how much time females spent on screen compared to

0:52:13.040 --> 0:52:17.480
<v Speaker 1>the genus. Gina Davis Institute did a whole big study

0:52:17.480 --> 0:52:20.000
<v Speaker 1>on this. I mean it's not only speaking, but appearing

0:52:20.400 --> 0:52:23.720
<v Speaker 1>and and of course from behind uses, from kids shows

0:52:23.800 --> 0:52:27.560
<v Speaker 1>kind of right the way through. They're just horribly underrepresented.

0:52:27.640 --> 0:52:30.440
<v Speaker 1>So that that's quite a big movement here. And obviously

0:52:30.600 --> 0:52:36.680
<v Speaker 1>you know, pay equality because um, you know, recently people

0:52:36.719 --> 0:52:40.839
<v Speaker 1>had to be very transparent about what people were meaning it, right.

0:52:40.880 --> 0:52:43.399
<v Speaker 1>I mean, I thought it was so interesting to learn

0:52:43.440 --> 0:52:47.239
<v Speaker 1>that the government insisted that across industries, whether it's supermarket

0:52:47.320 --> 0:52:51.919
<v Speaker 1>chains or the BBC, you had to make public your salaries. Yeah,

0:52:52.560 --> 0:52:54.800
<v Speaker 1>were a lot of people and it was shocking. Yes,

0:52:54.880 --> 0:52:59.160
<v Speaker 1>and there's a lot of very um, angry women out there,

0:52:59.320 --> 0:53:02.160
<v Speaker 1>and it's and it's great, and I mean the fact

0:53:02.239 --> 0:53:04.640
<v Speaker 1>that that it is so visible here it feels like

0:53:04.680 --> 0:53:08.520
<v Speaker 1>it's having a huge impact on you know, the industry,

0:53:08.600 --> 0:53:13.480
<v Speaker 1>TV industry and film, but also commercials exactly the same.

0:53:13.520 --> 0:53:17.080
<v Speaker 1>There's lots and lots of positive movement forward to sort

0:53:17.120 --> 0:53:21.520
<v Speaker 1>of change the situation. In your view, it's really exciting.

0:53:21.560 --> 0:53:24.600
<v Speaker 1>It's really exciting, and it's not bullshit either. It's not

0:53:24.719 --> 0:53:27.080
<v Speaker 1>just about I mean not that pinning on a badge

0:53:27.120 --> 0:53:29.600
<v Speaker 1>is bullshit. It's not because it's really important to be

0:53:29.760 --> 0:53:32.399
<v Speaker 1>visible and it's important for your role models to get

0:53:32.400 --> 0:53:34.840
<v Speaker 1>out there and say that you know, they're backing this

0:53:34.960 --> 0:53:38.080
<v Speaker 1>and they're behind it. But it's it's not just talk.

0:53:38.200 --> 0:53:42.440
<v Speaker 1>It really feels like there's something changing. And you know,

0:53:42.960 --> 0:53:45.279
<v Speaker 1>as a woman working in this industry and as someone

0:53:45.480 --> 0:53:48.040
<v Speaker 1>who runs a company with another woman, you really are

0:53:48.160 --> 0:53:50.160
<v Speaker 1>able to get in and sort of grassroots kind of

0:53:50.239 --> 0:53:53.640
<v Speaker 1>change it. But you have to be prepared to put

0:53:53.640 --> 0:53:55.840
<v Speaker 1>the work in, you know, you you really have to

0:53:55.840 --> 0:53:57.319
<v Speaker 1>be bared to put your money where your mouth is

0:53:57.360 --> 0:54:01.880
<v Speaker 1>and and and then let up BEI there exactly. You can't.

0:54:01.920 --> 0:54:05.719
<v Speaker 1>It's not it's not like we've done our bit, you know. Um,

0:54:05.760 --> 0:54:09.720
<v Speaker 1>it's it really is a constant kind of battle. And

0:54:09.960 --> 0:54:12.920
<v Speaker 1>so yeah, I hope it continues. I hope we continue

0:54:12.960 --> 0:54:15.479
<v Speaker 1>being a pain in people's arses for a long time.

0:54:15.600 --> 0:54:19.480
<v Speaker 1>Because that's the only way it's gonna you know, effectively

0:54:19.760 --> 0:54:23.520
<v Speaker 1>make a big difference. So finally, finally, um, I want

0:54:23.560 --> 0:54:25.840
<v Speaker 1>to ask you about Brexit because it was a subject

0:54:25.840 --> 0:54:28.200
<v Speaker 1>of a very funny joke in one of your episodes.

0:54:28.920 --> 0:54:32.000
<v Speaker 1>It's a bit more of it in the new season. Yeah,

0:54:32.200 --> 0:54:34.360
<v Speaker 1>we've got to we've gotten a little bit more political

0:54:34.400 --> 0:54:36.760
<v Speaker 1>this season. I mean, you know here and there, because

0:54:36.760 --> 0:54:39.880
<v Speaker 1>it's not that's not the shows about, but it impacts

0:54:39.920 --> 0:54:43.799
<v Speaker 1>everyone's great to well. I don't want to give anything away,

0:54:43.840 --> 0:54:46.040
<v Speaker 1>but it is a very very funny joke. But um,

0:54:46.200 --> 0:54:48.480
<v Speaker 1>I feel like Brexit and Trump are part of the

0:54:48.520 --> 0:54:53.200
<v Speaker 1>same phenomenon of rising populism and being against the establishment,

0:54:53.239 --> 0:54:56.279
<v Speaker 1>against the experts. Would you agree with that? Yeah, I

0:54:56.280 --> 0:55:01.160
<v Speaker 1>mean it's fear, isn't it. It's like fear of of changed,

0:55:01.400 --> 0:55:04.239
<v Speaker 1>fear of the other though as well, you know, like

0:55:04.280 --> 0:55:09.920
<v Speaker 1>who's massive massive role. I mean, there was a it

0:55:10.040 --> 0:55:12.080
<v Speaker 1>was a huge I mean there was a huge fear

0:55:12.239 --> 0:55:16.000
<v Speaker 1>mongering campaign that you know, if you didn't vote for

0:55:16.040 --> 0:55:19.520
<v Speaker 1>this then basically we're going to be inundated with immigrants

0:55:19.520 --> 0:55:20.919
<v Speaker 1>and they were going to come and take a job

0:55:20.960 --> 0:55:25.480
<v Speaker 1>and sort of burn your villages to the ground. And yeah,

0:55:25.600 --> 0:55:28.439
<v Speaker 1>I mean I think the same vote was held now,

0:55:29.040 --> 0:55:31.800
<v Speaker 1>I think it would have a completely different impact anyway,

0:55:31.840 --> 0:55:36.480
<v Speaker 1>because it's such a mess. It's such a mess. Well,

0:55:36.480 --> 0:55:42.640
<v Speaker 1>on that note, that is a terrible nough but I

0:55:42.680 --> 0:55:45.080
<v Speaker 1>mean that's what you know, that's our world. It's such

0:55:45.120 --> 0:55:48.520
<v Speaker 1>a story of our times. Well, we're going to let

0:55:48.560 --> 0:55:51.320
<v Speaker 1>you get home to your daughter's and your husband because

0:55:51.960 --> 0:55:54.680
<v Speaker 1>I don't want there to be held to pay. And

0:55:54.719 --> 0:55:56.839
<v Speaker 1>why is she mad at you? Just out of curiosity

0:55:57.000 --> 0:56:00.080
<v Speaker 1>because she's got she's got a chemistry test tomorrow and

0:56:00.120 --> 0:56:03.040
<v Speaker 1>she hates chemistry. Um, I think if I was there,

0:56:03.040 --> 0:56:04.799
<v Speaker 1>it mum be easier for telling for her to tell

0:56:04.840 --> 0:56:08.400
<v Speaker 1>me to my face so much she hates chemistry. Well

0:56:08.560 --> 0:56:12.640
<v Speaker 1>that's something to look forward to. Anyway. It's such a

0:56:12.760 --> 0:56:15.080
<v Speaker 1>it's such a treat to meet you and to talk

0:56:15.120 --> 0:56:17.360
<v Speaker 1>to you. Thank you so much for doing this because

0:56:17.400 --> 0:56:21.480
<v Speaker 1>I know it was a long day, and uh, we

0:56:21.560 --> 0:56:24.640
<v Speaker 1>really really appreciate it, and we're both big admirers of

0:56:24.719 --> 0:56:28.920
<v Speaker 1>yours and wish you continued success and everything you do.

0:56:29.000 --> 0:56:36.960
<v Speaker 1>I appreciate you, Brian. I thought Sharon was really nice

0:56:37.040 --> 0:56:38.960
<v Speaker 1>and really fun to listen to, and I just love

0:56:38.960 --> 0:56:41.000
<v Speaker 1>her accent. What can I say? She had me at

0:56:41.000 --> 0:56:45.480
<v Speaker 1>Hello or cheerio. But I really actually related to her

0:56:45.960 --> 0:56:49.279
<v Speaker 1>feeling guilty about her daughter because it took me back

0:56:49.320 --> 0:56:52.240
<v Speaker 1>to the days of sitting on the sofa and helping

0:56:52.320 --> 0:56:56.719
<v Speaker 1>carry study for a test and getting all anxious, and

0:56:56.880 --> 0:56:59.839
<v Speaker 1>at fourteen, I'm sure her daughter is a little stressed out.

0:57:00.120 --> 0:57:03.200
<v Speaker 1>And I hate chemistry too. Well, my daughter loves chemistry.

0:57:03.239 --> 0:57:06.879
<v Speaker 1>You know, she's nineteen months. She's totally she's brilliant. She's

0:57:06.880 --> 0:57:10.400
<v Speaker 1>already memorized the periodic table. Of course, you mean yours haven't.

0:57:10.560 --> 0:57:13.040
<v Speaker 1>But you enjoy Sharon, didn't you. I had a great time.

0:57:13.120 --> 0:57:15.719
<v Speaker 1>And one thing that inspired me was that, you know,

0:57:15.960 --> 0:57:18.080
<v Speaker 1>she didn't have her first big hit until she was

0:57:18.120 --> 0:57:20.000
<v Speaker 1>thirty six years old. And it reminded me of the

0:57:20.000 --> 0:57:21.880
<v Speaker 1>old quote that it took her ten years to become

0:57:21.880 --> 0:57:25.000
<v Speaker 1>an overnight sensation. And she's worked really hard and done

0:57:25.000 --> 0:57:27.600
<v Speaker 1>a million things and in the end it all worked

0:57:27.600 --> 0:57:30.120
<v Speaker 1>out for her. And so I think that's a good message,

0:57:30.160 --> 0:57:32.720
<v Speaker 1>a hopeful one for everyone listening. I think she's also

0:57:32.800 --> 0:57:36.320
<v Speaker 1>just very insightful about the human condition, you know, and

0:57:36.320 --> 0:57:40.479
<v Speaker 1>and really fascinated by what makes people tick and how

0:57:40.560 --> 0:57:43.640
<v Speaker 1>they react and behave in all kinds of situations, and

0:57:43.680 --> 0:57:47.400
<v Speaker 1>I think because of that, her work is really relatable.

0:57:47.880 --> 0:57:50.320
<v Speaker 1>And I don't know, I have a very similar sense

0:57:50.320 --> 0:57:52.800
<v Speaker 1>of humor. I'm just not that funny. You're really bleak,

0:57:52.880 --> 0:57:55.160
<v Speaker 1>dark person. That's how every perceives it is the real

0:57:55.280 --> 0:58:00.480
<v Speaker 1>Katie and the sunshine is actually super dark. So we

0:58:00.560 --> 0:58:03.440
<v Speaker 1>want to thank the BBC again for bringing us across

0:58:03.480 --> 0:58:08.320
<v Speaker 1>the Pond, and Talie It's Silk Sound for recording tonight's episode. Yes,

0:58:08.600 --> 0:58:11.480
<v Speaker 1>is very late at this point. Our usual tip of

0:58:11.520 --> 0:58:15.280
<v Speaker 1>the hat to our stitcher squad, Gianna Palmer, Nora Richie,

0:58:15.360 --> 0:58:19.040
<v Speaker 1>and Jared O'Connell. And thank you to Katie's enormous team

0:58:19.040 --> 0:58:24.760
<v Speaker 1>over at Katie Current Media. It's enormous. They pumish yours,

0:58:25.480 --> 0:58:27.760
<v Speaker 1>you know, they brush your hair, they pumise your feet

0:58:27.800 --> 0:58:31.360
<v Speaker 1>and it's incredible. They also developed some media that demiz

0:58:31.480 --> 0:58:35.720
<v Speaker 1>emibina at Alison Bresnick. You three are fantastic. Katie and

0:58:35.760 --> 0:58:38.040
<v Speaker 1>I are the executive producers of the show. Mark Phillips

0:58:38.080 --> 0:58:40.560
<v Speaker 1>wrote our theme music and hey, if you haven't already,

0:58:40.560 --> 0:58:44.040
<v Speaker 1>please leave us a rating on Apple Podcasts and subscribe

0:58:44.040 --> 0:58:47.080
<v Speaker 1>to our show wherever you listen. It really helps others

0:58:47.120 --> 0:58:49.280
<v Speaker 1>to find it. Well, that's all, folks, and we'll talk

0:58:49.320 --> 0:58:53.440
<v Speaker 1>to you next week. But that's all, folks. Thanks for listening.

0:58:53.800 --> 0:58:54.080
<v Speaker 1>Lata