Speaker 1: Look out, you're shown the films to be betted with. Hello,
Speaker 1: and welcome to Films to be buried with. My name
Speaker 1: is Brett Galstein. I'm a comedian and actor, a writer
Speaker 1: director at CRISP, and I love films. As Albert Schweitzer
Speaker 1: once said, there are two means of refuge from the
Speaker 1: misery of life, music and cats. Oh three if you
Speaker 1: count the Jungle Book. I'd say that list could be
Speaker 1: a bit longer, But thank you Albert for contributing to
Speaker 1: this week's show. Every week special guest over, I tell
Speaker 1: them they've died, then I get them to discuss their
Speaker 1: life through the films that meant the most of them.
Speaker 1: Previous guests include Barry Jenkins, Jimez Patel, Mark Frost, Sharon Stone,
Speaker 1: Jamila Jamil and even Bled Clambles. But this week it's
Speaker 1: the Excellent, the Wonderful, the Amazing is mister Sam Richardson.
Speaker 1: You can watch all of Shrinking on Apple tv Plus
Speaker 1: and all of Ted Lasso seasons one to three starring
Speaker 1: Sam richards also on Apple tv Plus. Watch all of it,
Speaker 1: love all of it, have a nice time. Thank you
Speaker 1: very much. Head over to the Patreon at patreon dot com.
Speaker 1: Forward slash Brett Goldstein, where you get an extra twenty
Speaker 1: minutes weird Sam, We talk about a secret, we talk
Speaker 1: about beginnings and endings of films. You get the whole episode,
Speaker 1: uncut and ad free and as a video. Check it
Speaker 1: out over at patreon dot com. Forward slash Brett Goldstein.
Speaker 1: So Sam Richardson is a incredible actor. You know him
Speaker 1: from your favorite shows, Detroit's Veep Ted Lasso. I think
Speaker 1: you should leave. He's also in the upcoming season two
Speaker 1: of The Brilliant after Party. He's a movie star, he's
Speaker 1: a producer, he's an all round absolute legend and a
Speaker 1: bloody hero. We recorded this on Zoom a couple of
Speaker 1: weeks ago, and he's a fucking enjoy I really think
Speaker 1: you're gonna like this one. So that is it for now.
Speaker 1: I very much hope you enjoy episode two hundred and
Speaker 1: fifty three of Films to be Buried With. Hello, and
Speaker 1: welcome to Films to be Buried With. It is I
Speaker 1: Brett Goldstein, and I enjoined today by an actor, a writer,
Speaker 1: a comedian, an improvisor, a detroitter.
Speaker 2: A second citier, question mark correct, a correct tora, a
Speaker 2: film star, a TV star, a Edwin Nikufua, a star
Speaker 2: of stage and screen and of all our hearts, and
Speaker 2: currently in my favorite comedy show.
Speaker 1: He's here, He's here, he's here. Please, as his famous
Speaker 1: song goes, he's here, he's here, he's here. He's one
Speaker 1: of the all time greats, an absolute legend. I can't
Speaker 1: believe he's here, could you? Well, he's here, he's here,
Speaker 1: he's here. Please, welcome to the show. It's so wonderful.
Speaker 1: It's Sam Ridge, is it?
Speaker 3: Yeah, Trulie, that's the greatest intro I've ever heard. Let
Speaker 3: alone be given you, Sam Richardson, I'm so good. I'm
Speaker 3: so good, my friend.
Speaker 1: What we've discovered, for those of you who are listening
Speaker 1: on audio and not watching on video is both Samini,
Speaker 1: who Sam, as you may know, has the reputation is like,
Speaker 1: you know, one of the loveliest men in the world.
Speaker 1: Both of us have a blood background which suggests serial killers,
Speaker 1: and that's serialsow.
Speaker 4: We will keep it exactly.
Speaker 3: You'll never know until it's too late, just blank walls
Speaker 3: or plastic on the floor.
Speaker 1: This is how I like to think of people in
Speaker 1: my life. There are people who are in focus and
Speaker 1: at some point once I've dealt with them, they will
Speaker 1: be a blood background. Yeah yeah, now, Sam Richardson, so
Speaker 1: much to talk about. Okay, let's deal with you as
Speaker 1: a human beings, shall we. Okay, yeah, I'm about to
Speaker 1: bring the hammer down now. I was very grateful, and
Speaker 1: this is not me like name dropping, but I was
Speaker 1: very grateful to be invited to your twenty first birthday
Speaker 1: last year. And what I thought at that at that
Speaker 1: birthday is you know in Muppet Christmas Carol, when Scrooge
Speaker 1: at the end, he sings and if you want to
Speaker 1: take the measure of a man, you simply count as friends.
Speaker 1: And I don't think he's talking about numbers. I think
Speaker 1: he's talking about the quality of his friends. You add
Speaker 1: lots of people at your party, but the loveliest people.
Speaker 1: Everyone there was so lovely, and I thought it speaks
Speaker 1: very highly of you that not any of there are
Speaker 1: lots of people here, but these are all good people here.
Speaker 1: I think that's either you're the exception to that rule,
Speaker 1: or that says something very nice for you. But then
Speaker 1: I also wanted a lot of them improvisers, and I
Speaker 1: was like, is it improvises a good paper discuss?
Speaker 3: I think, you know, I think so I think it's
Speaker 3: but I I uh a lot of my friends. My
Speaker 3: girlfriend is talk about like how my my friends. I
Speaker 3: take pride in having like really good people as friends
Speaker 3: because I don't I don't like to play lack of
Speaker 3: a better term, like shade games where I can't trust somebody.
Speaker 3: So you know, I keep my friends for a long
Speaker 3: time and like having a party, Like whenever I have
Speaker 3: a birthday party, it's so nice to see all my
Speaker 3: friends together because I'm like, oh, yeah, you're a person
Speaker 3: I love very much, and you're a person I love
Speaker 3: very much, and you're a person I love very much,
Speaker 3: and I think you guys will love each other and
Speaker 3: or you're already friends. I think improvisers can can. I'm
Speaker 3: not going to sit here and say that every improviser
Speaker 3: is the greatest person.
Speaker 1: That's not true.
Speaker 3: But I think the nature of improv kind of leads
Speaker 3: itself to that because you have to be to be
Speaker 3: a good adproviser, you have to be open and like
Speaker 3: willing to take something and grow with it and play
Speaker 3: with that. So it's it's a natural, really friendly interaction.
Speaker 3: You know, you get close to people very quickly because
Speaker 3: you you don't form an ensemble like in an instant
Speaker 3: to then mix stuff up or without a net, and
Speaker 3: also like with the other librizs as we have like
Speaker 3: a shorthand about comedies so we can all know stupids
Speaker 3: and then like kind of get out of it and
Speaker 3: more bits or annoy everybody else around you, unless it
Speaker 3: about around you is also invited.
Speaker 1: It was a bit fast. Yes, tell me, you are
Speaker 1: very very busy. You're in everything you start and everything.
Speaker 1: You're very successful, You're brilliant. How do you keep your
Speaker 1: ego in check? Like how do you stay the man
Speaker 1: you seem to have always been when you are a
Speaker 1: big Hollywood movie star and you know there's a lot
Speaker 1: of politics to all this stuff and all that. How
Speaker 1: do you keep your sanity I suppose and all of it?
Speaker 1: Do you have a secret or is it just you?
Speaker 4: I don't know. I think to a degree it is
Speaker 4: like just how I process.
Speaker 3: Information and how I how I am, Like I'm pretty
Speaker 3: naturally kind of buoyant and not to say bubbly, but boyant,
Speaker 3: like I can like stay sort of pull it above
Speaker 3: thing even like in sort of like troubling times or
Speaker 3: like I very rarely get like truly mad, and like
Speaker 3: I mean, I get mad, but I really get like
Speaker 3: I've maybe yelled at someone maybe a handful of times,
Speaker 3: you know, one of them being like yesterday I yelled
Speaker 3: at somebody that's so rare. I'll put I'll put on
Speaker 3: a best Buy Okay, a lot of.
Speaker 4: TV years ago.
Speaker 3: But I got the protection plan, uh, you know, the
Speaker 3: total care package. So like if something goes wrong, you know,
Speaker 3: they repair it, they come and then they replace.
Speaker 4: You plan to protect it.
Speaker 3: You know, you pay a little bonus and the minutes
Speaker 3: and the ideas of insurance and it might be even
Speaker 3: sucker insurance.
Speaker 4: But I'm like, hey, things break.
Speaker 3: So then my TV goes out, and so I'm like
Speaker 3: I call and have them come to repair the TV.
Speaker 3: They repair it once, then it breaks again, repair twice,
Speaker 3: another foul. Then okay, well now we can junk this
Speaker 3: out so we can replace this TV for you. So
Speaker 3: I get the replacement order thing. I'm like, okay, great, Uh,
Speaker 3: they're like approved, go into the store.
Speaker 4: They'll help to swap out. Fine. So I go into
Speaker 4: the store and there's just like dude and he is like.
Speaker 3: Your typical like out of the box like a salesman,
Speaker 3: you know what I mean, Like a car salesman.
Speaker 4: Salesman, you know, he rolled up.
Speaker 3: Sleeves, slacks, glass, like I'm nothing against bald and but
Speaker 3: you know, it's all part of the costume. And he's like, oh,
Speaker 3: I was trying to try to I've built this guy before.
Speaker 3: He's always like trying to upsell on something. But I
Speaker 3: was like, oh, well, I've got this junk out thing.
Speaker 3: It's like, oh, well, we don't take care of it here.
Speaker 3: It's at the front desk of best Buy. And at
Speaker 3: best Buy there's Magnolia Center, which is for like the
Speaker 3: nice TV stuff and it's the best Buy, a proper okay,
Speaker 3: so they're like, take care of this, it best by it.
Speaker 4: So I go to So I'll go to the best
Speaker 4: By kind of like oh, we don't have that here.
Speaker 4: It's gotta be a Magnolion. So I go.
Speaker 3: He's like I don't see it, and like just I'm
Speaker 3: waiting for like literally an hour for this guy to
Speaker 3: like do the thing, to look it up me, like
Speaker 3: I can tell you he's not doing.
Speaker 4: I'm like, all right, well, what's what's what's happening here?
Speaker 3: So okay, Well it turns out like we're not I
Speaker 3: can find out so it's probably gonna be like a
Speaker 3: couple of days we'll find this thing. So I'm like,
Speaker 3: all right, well why they make me drive out here directly?
Speaker 3: So I go home and I'm like he's like, yeall,
Speaker 3: give me give me your number so you know i'll
Speaker 3: call you when it gets fixed. So I'm like texting
Speaker 3: him two days later, Hey, anything going on? Now it's
Speaker 3: the weekend, holiday weekend, so I'm like, okay, a couple
Speaker 3: days and half of the week I'm like, hey, what's up.
Speaker 3: Nothing I call. I'm not seeing it. So now we're
Speaker 3: like two weeks out. I don't have a TV on
Speaker 3: my wall, so I bought I bought another TV and
Speaker 3: I was like, well, i'll return this when the other
Speaker 3: one comes through. Maybe three days ago, I call Magnolia.
Speaker 3: I'm like, hey, what's to deal with this? They're like, oh,
Speaker 3: no way, put this paperwork tip tap done. So I'm
Speaker 3: done within five minutes. And so yesterday I go in
Speaker 3: and I'm like in the best Buy and I'm walking
Speaker 3: and I see him see me and like try and
Speaker 3: like zoom around, and so he goes to the back
Speaker 3: and I'm like just what, I'm like kailing him, like
Speaker 3: like a secret agent, you know what. I like going
Speaker 3: to this thing and I see where he goes. And
Speaker 3: then somebody comes up and it's like, hey, can I
Speaker 3: help you? And I'm like, oh, yeah, it's Peter here.
Speaker 4: And he's like.
Speaker 3: The guy's like, oh, I don't know. I don't I
Speaker 3: don't know if he's ended it, like I saw him,
Speaker 3: he's here. Can you tell him I'm here? And so
Speaker 3: then like they send up two other guys are like, hey,
Speaker 3: what's the problem, Like, oh, y'all know. Finally, in the
Speaker 3: middle of the transaction, Peters like, hey, what's going on here? Oh,
Speaker 3: let me see if the things come through. I'm like,
Speaker 3: it's come through. Here's the thing. Just to make it happen,
Speaker 3: it's like, all right, like an issue rebund it has
Speaker 3: to be gift cards, and we can't do more than
Speaker 3: a TV TV.
Speaker 4: He's like, oh, big TV. So it was like three
Speaker 4: thousand dollars. I can only do like two.
Speaker 1: Thousand dollars a day. I'm like, what are you talking about.
Speaker 3: I'm like this, you have the TV's here, give me
Speaker 3: one from there today. And he's like and he's like
Speaker 3: a still law. I'm like, I like literally say, I'm
Speaker 3: like look, I don't get mad about a lot of stuff,
Speaker 3: and I'm saying, full voiced, I'm getting mad about a lot,
Speaker 3: but this is making me very mad.
Speaker 4: You need to correct this.
Speaker 3: And and like you can tell like everybody starts to
Speaker 3: get like a little nervous. I'm like, oh, I don't
Speaker 3: like to do that either, but like sometimes at some
Speaker 3: point you gotta like really seriously.
Speaker 1: So like everybody's like kind of like, oh, this is and.
Speaker 3: He starts talking to me about like movies like oh houses,
Speaker 3: the writer strike. I'm like, bro, this is your connection.
Speaker 3: A hell of a lot harder without a TV to
Speaker 3: like kind of entertain myself with. So then like so
Speaker 3: they may issue me two thousands of gift cards. I
Speaker 3: gotta go there today to get the rest. But man,
Speaker 3: I screamed at this guy and the story the only time,
Speaker 3: and like it's always like tech guys like I had.
Speaker 3: I'm sorry, I'm on a whole run About times I screamed.
Speaker 1: Well, keep guying, but I love well, I love about
Speaker 1: that guy is at the beginning of the story. You
Speaker 1: got I've had runnings with this guy before. I love
Speaker 1: that this guy that he really he really is.
Speaker 4: And another time I got my house.
Speaker 3: I got it wired for internet, put in you know,
Speaker 3: sound system and security camps. I was like, I know
Speaker 3: the security cams that I want. I was like, get
Speaker 3: these and put these security cams and do the install.
Speaker 3: So then I come to see the install. He's put
Speaker 3: in these different cameras and I'm like, what are these?
Speaker 3: I told you what I wanted. He's like, oh, no,
Speaker 3: this is better. This is this is what I was like, Well, no,
Speaker 3: I asked you for something very specific. And then he's
Speaker 3: just like like trying to like like talk through and
Speaker 3: I'm like, then I'm in my living room and I'm
Speaker 3: yelling at this guy like he's a twelve year old
Speaker 3: who you know what i mean? Got into an R
Speaker 3: rated movie anyway, These these are very short and like
Speaker 3: not really not really like a fight fight, but that's
Speaker 3: the extent of like when I get upset, you know.
Speaker 1: He'll take it out and I talking about the whole world.
Speaker 4: This guy, this guy got all Black Lives Matter just
Speaker 4: from TV.
Speaker 1: I'm like, oh, yeah, it's really fascinating. But you but
Speaker 1: how do you handle yourself? Like I'm sure it's happened
Speaker 1: in your life. Have you been on a set way
Speaker 1: you know, you haven't liked what's going on on the set,
Speaker 1: or you're being us to do something you don't want
Speaker 1: to do, or it's got to get a direction and
Speaker 1: you don't like it. Are you good at handling that
Speaker 1: sort of stuff or do you just do it very nicely?
Speaker 3: I think I am, because i think I've got a
Speaker 3: pretty good bedside manner. If I'm like dealing with something
Speaker 3: directly with another actor or whatever, I think I'm pretty
Speaker 3: good at being like, hey, this is kind of weird
Speaker 3: and why are we doing this for the most part,
Speaker 3: or I don't have a problem like going to the
Speaker 3: macro view and being like, hey, either director or producer,
Speaker 3: like this is a situation, this is how I feel
Speaker 3: right now, this is where I see it's going. This
Speaker 3: is what I'm doing to correct it. But know that
Speaker 3: point A is when to come, point B is going
Speaker 3: to come. Point C, and so I'm letting you know
Speaker 3: because like we're a point A, I'm going to bring
Speaker 3: this up again, we're at point B. So no that
Speaker 3: I've said point where point C is going to be.
Speaker 3: So I'm very like matter of fact with that. But
Speaker 3: I'm also you know, I'm I'm incredibly patient, So I
Speaker 3: you know, I can see things through, but I have
Speaker 3: maybe two a fault patients because I think all so
Speaker 3: many things are impermanent.
Speaker 1: That's so interesting that And what about and you've been
Speaker 1: producing your own stuff now you made were Wolf yourself.
Speaker 4: Made were Wolves Within.
Speaker 1: Yeah.
Speaker 3: Yeah, I was a producer on that, and it was
Speaker 3: that your first film? Thank you as a producer. Yeah, yeah,
Speaker 3: I was.
Speaker 4: Thank you.
Speaker 3: It's like my first like really like like full all
Speaker 3: like leading role in movie too.
Speaker 1: I mean I've done well. I've done another couple.
Speaker 3: Of things where I was like believe, but like that
Speaker 3: was like Top Marquee is like my first thing.
Speaker 4: I had a really great time with that.
Speaker 3: Josh Rubin directed that, and they do with Milana Advenab
Speaker 3: and uh, it was like such a fun movie. Like
Speaker 3: we shut that maybe two like maybe like a month,
Speaker 3: like three weeks in the Catskills and like while we're
Speaker 3: filming that movie, it's like it's it's a horror movie comedy,
Speaker 3: but like as we're filming that, a real horror movie
Speaker 3: is happening in the background because we're in this remote
Speaker 3: thing and the TV like in a zombie movie. Yeah,
Speaker 3: there's like, oh, COVID cases are in China and like
Speaker 3: in the beginning of the movie, and then as we
Speaker 3: get further it's like, oh, one case found in America.
Speaker 3: Okay Trump, Oh it's only eight but that's it. We're
Speaker 3: fixing it. And like this as the movie goes on,
Speaker 3: like this is happening in the background, and like it
Speaker 3: starts to explode when we come so and we're remote
Speaker 3: from everything. It's when they come back home things and
Speaker 3: we're in a cabin, like so they come back home,
Speaker 3: like everything's kind of different, Like it really started to
Speaker 3: take hold. I was going to do press for this
Speaker 3: other movie I did called Hooking Up, and right before,
Speaker 3: like after our first I think, we did KTLA and
Speaker 3: then everything shut down. There's no more press than or anything.
Speaker 3: So it went from a movie that was going to
Speaker 3: theaters to like on demand. That was the first one
Speaker 3: of that for me.
Speaker 4: And it's like everything changed right then in making that movie.
Speaker 4: It was wild Man, and.
Speaker 1: I saw that film. I think I saw that film Hotel,
Speaker 1: and I remember being like, this is a cinema movie,
Speaker 1: like it's a real I felt sad few that COVID
Speaker 1: happened because it was like, oh, this is like a
Speaker 1: big screen, this is like a proper cinema fun horror comedy.
Speaker 4: Yeah, I never got to see it in a theater.
Speaker 1: Man, I'm sorry. I'm sorry. They'll do it. They'll do
Speaker 1: a retrospective season at the BFI of your your work,
Speaker 1: and you'll.
Speaker 4: Get see it. That's all I asked.
Speaker 1: That's all Zey asked, retrospect me. You know what I mean.
Speaker 1: My one other question for you, did you do cruise
Speaker 1: ship improv? I did?
Speaker 4: I did Second City.
Speaker 1: I'm obsessed with cruise ship entertainment. Please tell me how
Speaker 1: long you were and the experience of that and what
Speaker 1: it's like.
Speaker 3: It was what So I worked, so working in Second
Speaker 3: City or at Second City, we had a contract on
Speaker 3: cruise ships so we would go on the Norwegian Cruise line.
Speaker 3: So I was I was living in Detroit, and I
Speaker 3: was like trying to to work in Chicago.
Speaker 4: So I was living into Detroit.
Speaker 3: Working at Second City in Detroit, and I was trying
Speaker 3: to get a job at Second Seed in Chicago, and
Speaker 3: h you know, I was like and then they're like, hey,
Speaker 3: do you want.
Speaker 4: To do a cruise ship? So it's like, oh, yes,
Speaker 4: I do.
Speaker 3: And I was like twenty two twenty one, like during
Speaker 3: twenty two years old go and live on this cruise
Speaker 3: ship for essentially in total, I did a year five months,
Speaker 3: came home for a month and a half, and then
Speaker 3: another five months on the Norwegian Pearl.
Speaker 1: Where is the Crazy Guy?
Speaker 3: So I went through the Caribbean, So we went to
Speaker 3: like to Saint Lucia and Tortola and Somanna and osam Mel.
Speaker 3: You know, it was wow because I was like so
Speaker 3: young relatively speaking, because I'm only twenty three now.
Speaker 1: Yeah years yeah, yes, right, yeah, those years I got.
Speaker 3: Yeah, I got well, I'm kind of you know, whis
Speaker 3: for my age, like I live in a old man
Speaker 3: h But it was a wild time because when I
Speaker 3: was on there, we only were for like four hours
Speaker 3: a week because we were these guests entertainers, so we
Speaker 3: had we did two best of Second City shows, which
Speaker 3: are an hour long, and then two improv shows at
Speaker 3: the end of the week, so each an hour long,
Speaker 3: and then maybe you would.
Speaker 4: Do a workshop four hours. That's five hours total.
Speaker 3: The rest of the time, I was just like on vacation,
Speaker 3: you know what I mean, I'm going all these places.
Speaker 3: I'm twenty two, I'm drinking like I'm on vacation and like,
Speaker 3: so every week on the ship had like like a
Speaker 3: sort of a cadence. You know, you'd get used to
Speaker 3: the like sort of the rhythm of how things went.
Speaker 3: So on Sunday you'd get into port, like we were
Speaker 3: reporting in.
Speaker 4: New York, we'd get to like New York.
Speaker 3: Passengers would get off from the week before, a bunch
Speaker 3: of new passengers would get on this thing. And this
Speaker 3: is like a huge ship you're talking about, like, you know,
Speaker 3: thirty five hundred people on this ship, three thousand people.
Speaker 3: So you know, the first day, you know, I've spent
Speaker 3: the day in New York, so I'm feeling very metropolitan.
Speaker 4: Yeah, I'm coming into the out of.
Speaker 3: The ship with my new stuff like whatever. I went
Speaker 3: to the Virgin record store. So you come in and
Speaker 3: everybody it's like a fun celebration.
Speaker 4: Everybody's like on the all these people are new to
Speaker 4: the ship.
Speaker 3: They're kind of like all film things out. So you
Speaker 3: go and you chill up in the lounge a little bit,
Speaker 3: having a drink. But then you kind of go and
Speaker 3: you hide away in the crew areas, and in the
Speaker 3: next day people are like a little bit wobbly footed.
Speaker 3: That's the time when the people who had we had
Speaker 3: what was called blue card access, so we.
Speaker 4: Could do passenger and crew things.
Speaker 3: So during that Monday, we go to the restaurants and
Speaker 3: all you could eat twenty dollars steakhouse, you know, all
Speaker 3: you could eat fifteen dollars sushi.
Speaker 1: But doing that yum yum, and then you sorry. I
Speaker 1: have many of you in this.
Speaker 4: In the group.
Speaker 3: There's five actors and the music director who like playing
Speaker 3: Fianda all the stuff. So like, you know, we you know,
Speaker 3: we're family, and then Tuesday comes in. One run of
Speaker 3: Tuesday would come in. We would like go to the
Speaker 3: first island so that we'd be on like in Barbados,
Speaker 3: you know, and then Wednesday we'd have our show and
Speaker 3: all of a sudden you're a celebrity on the ship.
Speaker 3: Everybody in the ship then knows you, you know, so
Speaker 3: they're like, hey man, do.
Speaker 1: That block doll thing?
Speaker 4: This one?
Speaker 1: Do that? Hey do that? Oh you should come and
Speaker 1: live in my basement.
Speaker 3: That would say that so often, like we have a
Speaker 3: nice we have a nice finished house in Wisconsin.
Speaker 4: You come and live here. I'm like, what what do
Speaker 4: you think?
Speaker 1: Are you rescuing me? What will I do there?
Speaker 4: How nice of a basement?
Speaker 3: Like that the most money I've ever made, because which
Speaker 3: is like, you know, nine hundred dollars a week. So
Speaker 3: I'm like, I'm rich, you know, no expenses, just you know, food,
Speaker 3: just kind of like drinks and if you're drinking up
Speaker 3: in the passing your area, the drinks are expensive. But
Speaker 3: I'm also twenty to twenty one and just drinking like
Speaker 3: I'm in college, because I college, you know, and so
Speaker 3: I'm I'm.
Speaker 4: Living it up.
Speaker 3: And then at the end of my five month contract,
Speaker 3: I made no money because I spent it all. So
Speaker 3: then I had to go to another contract and then
Speaker 3: lived that life again, and then I moved to Chicago.
Speaker 3: They hired me to the touring company.
Speaker 1: Okay, take you follow up questions. One are you still
Speaker 1: in touch with the five plaster musical director? The other
Speaker 1: four that you were.
Speaker 3: Not really you know, we talked to I do well,
Speaker 3: I nowhere four of the five are.
Speaker 1: That's pretty good.
Speaker 3: And then in the other half. So two different contracts
Speaker 3: with two different groups. So the other one, I was
Speaker 3: on the ship with my friend Sean Hanlin, who like
Speaker 3: one of my first ever improv team. He was my
Speaker 3: actual first impropt teacher when I was sixteen, years old.
Speaker 3: And then we gave roommates on the cruise ship, so
Speaker 3: I see him all the time. Yeah, so I so
Speaker 3: I see them more often I see the first group,
Speaker 3: but still friends. We're all still friends.
Speaker 1: That's nice. And then the other question is how many
Speaker 1: passengers did you date the year?
Speaker 3: Oh my goodness, so you weren't supposed to date passengers,
Speaker 3: but they couldn't say what you could and couldn't do
Speaker 3: on like the land and like you need to hang
Speaker 3: out because like it's up many hand I say, a.
Speaker 1: Handful, many, many handfuls, Okay, many for you. I want
Speaker 1: to ask you, let's tell many other things. But I
Speaker 1: also think I've probably got to tell you this thing
Speaker 1: which I forgot to tell you. What's that? Oh? The
Speaker 1: thing is, Sam, I forgot to tell you this. I
Speaker 1: should have probably said it earlier.
Speaker 4: Say what's up? Open book?
Speaker 1: Like I said, you sure, because you seem you know
Speaker 1: we've said this about like you're very yes and and
Speaker 1: supportive and you've got my back up your back. So
Speaker 1: whatever I say.
Speaker 4: I am unflappable. Whatever whatever you say, trust me.
Speaker 1: You're this guy, You're gonna be fine with it. Well
Speaker 1: before I say, I guess do you do you like
Speaker 1: life and stuff? You seemed like a happy choice.
Speaker 4: Love it? Maybe favorite thing?
Speaker 1: Right? Okay? Well yeah, I mean you've had listen, you've
Speaker 1: had an awful lot of yes and training and support
Speaker 1: the idea. I suppose, as they say, you know, sure, yeah,
Speaker 1: I actually think this is going to go fine. So
Speaker 1: I'll just say it. What's your favorite thing? Again? What
Speaker 1: did the thing you like most of them?
Speaker 4: Life? And living and living this life? That?
Speaker 1: Okay? Well, according to this, I wish I hadn't asked
Speaker 1: you what your favorite thing was? Now, well, uh, you've
Speaker 1: How do I put it? How do I put it in?
Speaker 1: I should probably just say it? You? What's the what's
Speaker 1: the word? You've died? You're dead? Oh? Man?
Speaker 4: I knew, I know.
Speaker 1: I feel like such an idiot. I should have. No,
Speaker 1: it's my fault for Brian and asking you what things
Speaker 1: you like? I'm sorry. I just said life was my favorite.
Speaker 4: I just said, why did I tempt you? Feed? Am? I? No,
Speaker 4: I'm not dead? You dad dead? You can't be.
Speaker 3: Just had a nice meal and I went to bed.
Speaker 3: I've been I've been doing this new. I've been doing
Speaker 3: this new. I've been like cooking a lot.
Speaker 4: You know.
Speaker 3: So like I've been like working on these recipes and
Speaker 3: so I've been like doing a lot and I've been
Speaker 3: trying to eat lean me. So I did like the
Speaker 3: other day, I did uh, like a tune of tartar
Speaker 3: and it was like really nice.
Speaker 4: You just you just like dice it up and then
Speaker 4: you can like put it over like rice or like whatever.
Speaker 1: You know.
Speaker 4: That was nice. And the next day I did like
Speaker 4: this beef tartar and I was like, oh, this is
Speaker 4: kind of spicy. You know.
Speaker 3: It took a really nice wagu beef and the diced
Speaker 3: it up really good, and then you it was scary.
Speaker 4: It's like you don't cook it. So that's like fun.
Speaker 4: So like meat is really good. You know, it should
Speaker 4: be good.
Speaker 3: And so then like yesterday or last night, I guess
Speaker 3: it was. I was like, well, you know, these two
Speaker 3: things are good. Like you know what I what I
Speaker 3: like to do.
Speaker 4: I call it land syne Sky, so I do you know,
Speaker 4: uh my my sea is like a fish.
Speaker 3: My land is like a meat, and I do sky,
Speaker 3: which is like a bird. So I was like, oh,
Speaker 3: I'll do chicken tartar. So I made uh so I
Speaker 3: just like skin this, uh this I took the skin
Speaker 3: off of this chicken breast was like nice up, real nice.
Speaker 3: I made it's like a real nice case of it,
Speaker 3: and then you know, put salt on it, you know,
Speaker 3: but light touch. You know, it's all about the season,
Speaker 3: and you don't want to not over don't want to
Speaker 3: overdo it, don't want to underdo it.
Speaker 4: And then laid it over this bed.
Speaker 1: But yeah, you're an under road ticket.
Speaker 4: Yeah no, exactly, just want you want to be just right.
Speaker 3: So like no oven in my assuming that the room
Speaker 3: temperature is going to bring it to like a healthy level.
Speaker 3: So I left it out outside so we could like
Speaker 3: get that like sort of like room temperature. And then
Speaker 3: I ate it and I went to bed.
Speaker 1: I think I think I have poisoned yourself with with
Speaker 1: row chicken. That's what I did in it, That is
Speaker 1: what I did.
Speaker 4: I think i'd a raamed gun.
Speaker 1: I think frames emphasis doesn't cook it enough. And I
Speaker 1: don't know a lot about I.
Speaker 4: Mean, I guess I don't either.
Speaker 1: Here I am well okay, well, yeah, well you tried something,
Speaker 1: and that's the main thing.
Speaker 4: Can you get somebody to erase my computer?
Speaker 1: It's so blood I looked at everything.
Speaker 3: Okay, good good, toss it out.
Speaker 1: What do you worry about death?
Speaker 4: I do? I do?
Speaker 3: I think about it and like what what happens? You know,
Speaker 3: or like what doesn't happen? Because like the like this idea,
Speaker 3: like the input stop reading, you know, so like you
Speaker 3: don't see anthing, you don't feel anything, you don't hear anything.
Speaker 3: Then like what is there to receive any inputs? But
Speaker 3: then like at the same time, and like what am
Speaker 3: I doing right now? And then what's the difference? You know,
Speaker 3: think about it all the time?
Speaker 1: Right? Oh good? Do you have anything? What happens after
Speaker 1: we're do inputs and outputs?
Speaker 3: I mean my theory is that it's just nothing, you
Speaker 3: know what I mean, Like like SEUs this to be
Speaker 3: and then like if there is like some sort of
Speaker 3: furial sort of consciousness, it's unaware of itself as being this,
Speaker 3: and then it just moves on to like another thing,
Speaker 3: but it's unaware of what this was or what it
Speaker 3: will be, you.
Speaker 4: Know what I mean.
Speaker 3: So I mean in that way, I guess comforting, but
Speaker 3: not really because like I like this, you know what
Speaker 3: I mean?
Speaker 1: Yeah, so you think it's like pure nothingness, That's what
Speaker 1: I think. Oh, this talk of AI and I've been
Speaker 1: reading a lot and listening to a lot of scary
Speaker 1: podcasts that tell me we're already dead. Yeah. My question,
Speaker 1: My question is if we're already computer programs we think,
Speaker 1: we think stuff though, right.
Speaker 4: Right, yeah, exactly.
Speaker 1: So if so, I still can't can't compute nothing this
Speaker 1: because in your nothingness, wouldn't you experience nothing this?
Speaker 3: Therefore I don't think so there's nothing to experience, and
Speaker 3: like there's nothing to experience than those nothings. I always
Speaker 3: think about also, like oh, you know, you put your
Speaker 3: consciousness in a computer, you know, or whatever, but like
Speaker 3: there's got to be some point where you stop being
Speaker 3: there and then like this thing takes over without the
Speaker 3: actual memories you have.
Speaker 4: So this entity isn't me.
Speaker 3: It's something that is affects simile and it has like
Speaker 3: you know, data of me and like what my my
Speaker 3: memories were, But it's not me because I could then
Speaker 3: exist and look at this thing. Therefore I am separate
Speaker 3: from it, you know what I mean? So I think
Speaker 3: about that often. So the idea is just to prolong
Speaker 3: my life with the robotics, but then never turn off
Speaker 3: the brain.
Speaker 4: Keep the brain, keep the brain.
Speaker 1: So just keep replacing limbs and skin and skull. Keep
Speaker 1: the brain, so the brain get the brain.
Speaker 5: Cut with it like fresh, exactly exactly keep going.
Speaker 1: And you think that the only thing that's gonna waver
Speaker 1: the brain is the stuff around it with it.
Speaker 3: So I think we're gonna find some sort of like
Speaker 3: good juice for a brain to be in. There's like
Speaker 3: a forever juice that brain can live. And even if
Speaker 3: it's like a Wi Fi, so like it's sits somewhere
Speaker 3: very safe.
Speaker 4: I've never thought about this before, but now I'm like
Speaker 4: coming on that idea.
Speaker 3: The brain sits in like a you know, like a
Speaker 3: storage warehouse, and if you're really rich, it's like a
Speaker 3: very nice one and it's like perfectly controlled.
Speaker 4: And then like be a Wi.
Speaker 3: Fi, it beams your stuff to your robot body so
Speaker 3: you're you know, it's safe so you can't be.
Speaker 5: Destroyed, you know, and western house, so your ribbo buddy
Speaker 5: is like your perfect buddy, looks like you, perfect you.
Speaker 1: And then if you get lined up, just making you
Speaker 1: rubber buddy that looks perfect.
Speaker 3: Just making me robot body. Yeah, and hopefully residuals are
Speaker 3: working so I can afford it.
Speaker 1: Oh absolutely, Yeah, after this strike. I think you'll be
Speaker 1: fine if we're not, If we're not AI already, which
Speaker 1: I've now started. I've listened to the Cybery podcasts. That's
Speaker 1: the way telling me that we're already dead that now
Speaker 1: I'm like, we are.
Speaker 4: I mean maybe were?
Speaker 3: I play a lot of I play a lot, I
Speaker 3: do a lot of gaming, you know, and then you
Speaker 3: sort of watch how the sort of program responses in
Speaker 3: some of these like AI figures and characters are and
Speaker 3: you're like, oh, and then you sort of build the
Speaker 3: world out. You're able to build these these like sort
Speaker 3: of simulated universes and worlds like oh, that's probably not
Speaker 3: too hard to do if you have like advanced advanced
Speaker 3: advanced programming. Like I'm like, oh, I think this, but
Speaker 3: it's such a program that's like the program is that
Speaker 3: I think this, you know what I mean.
Speaker 4: Like I what is the you know?
Speaker 3: Like like my programming is to say that, oh, I
Speaker 3: feel like this way, and like another sub category of
Speaker 3: my programming is to like make me.
Speaker 4: Feel that that's what it is.
Speaker 1: But am I this relates to films, which I guess
Speaker 1: at some point we're gonna have to talk about it.
Speaker 4: Oh, sure, as.
Speaker 1: Much as I before we started this, I said, is
Speaker 1: the other thing you want to talk about? What I
Speaker 1: think I've been thinking in relations to film, because I
Speaker 1: have been thinking a lot about this AI and whether
Speaker 1: it's a worry or not. And you know this thing
Speaker 1: of like writers, you know, were all this strikes going on,
Speaker 1: and everyone's worried about AI. And I have looked at
Speaker 1: the AI thing and I've said, write me a scripts,
Speaker 1: write me a ted lasts a script, and it's dreadful.
Speaker 1: It's dreadful. And I read it and I go, this
Speaker 1: is no good. This isn't a worry to me. But
Speaker 1: I think artists, let's use the word I rarely do,
Speaker 1: but let's use it for now, artists versus AI. Right,
Speaker 1: that there's this lovely dream we have that AI can't
Speaker 1: do what we do because AI doesn't have feelings and
Speaker 1: thoughts and random whatever, and people will connect to us
Speaker 1: in a way they won't with AI. I don't know
Speaker 1: if that's true. I like to think that's true. I
Speaker 1: don't know if it's true, because then I go, maybe
Speaker 1: it isn't. Maybe an AI can learn enough and replicate
Speaker 1: it and no one will a no. But here's my point,
Speaker 1: when I watch a film with CGI in it. I
Speaker 1: still to this day I believe, and I could be
Speaker 1: wrong because maybe I've seen some excellent cgo that I
Speaker 1: didn't realize what CGI. But when I watch stuff like
Speaker 1: King Kong Peter Jackson's King Kong, I think it's very
Speaker 1: well made and he's an excellent filmmaker. I don't believe
Speaker 1: for a second that King Kong is there because he's
Speaker 1: not there because he's a computer. Do you know what
Speaker 1: I mean? Like there's some disconnectsolutely between the actual King
Speaker 1: Kong and Themie Watts. They're both doing good things, but
Speaker 1: in my soul, I know he's not there because he's
Speaker 1: because he's a computer, do you know what I mean?
Speaker 1: There's exactly like there's a part of me that goes.
Speaker 1: I don't think I've ever been scared by a CGI
Speaker 1: thing on camera. When I think about Jurassic Park, the original,
Speaker 1: you go, the scary bits are when the creature, the
Speaker 1: puppet creature, he comes in that is real, that is
Speaker 1: physically there. When you see his giant foot, that is
Speaker 1: physically there. That's the scary bit. The bits where it's
Speaker 1: CGI aren't scary. I don't think I could be wrong
Speaker 1: but I feel like person versus computed subconsciously we feel,
Speaker 1: oh I do. I don't know if I can speak
Speaker 1: for everyone, but you know what I.
Speaker 3: Mean, I think I think we do, but like we
Speaker 3: we sort of in order to enjoy we like do
Speaker 3: that illusion of sort of like you will let yourself
Speaker 3: try and believe that it is because you're like, oh, what's.
Speaker 4: The story here?
Speaker 1: This is?
Speaker 4: This is this thing in the story.
Speaker 3: But ain't I think if you just have and like
Speaker 3: look at you're like, oh, well, I know that's computed
Speaker 3: and what it's supposed to do is like elicit the
Speaker 3: idea in my head and man like that, I gets
Speaker 3: to try and get as.
Speaker 4: Close to being real as it can be.
Speaker 3: Like I'm a raachnophobic, so I can't look at even
Speaker 3: CGI spiders because then they make me think of real spiders.
Speaker 1: All right, CG spider scary, right, you know what I mean?
Speaker 3: Yeah, they messed me up because I'm like, the movement
Speaker 3: is real enough, and like as long as I can
Speaker 3: see that and my brain even I'm like, I know,
Speaker 3: I'm like, look at computer, but it makes me think
Speaker 3: of what a real spider does.
Speaker 4: And now I'm thinking about spiders and so, but.
Speaker 3: I think like with like the it's true, like the
Speaker 3: scariest parts of the Jurassic Park are when it's the
Speaker 3: puppet versus the thing, because like I think, we are
Speaker 3: also able to pick up on like the subtle like
Speaker 3: things that are in space, whether you know, even to
Speaker 3: like everybodys looking at something empty.
Speaker 4: Even the best actors are.
Speaker 3: Still like looking at something empty, they say, Brendan Fraser
Speaker 3: is sent right. You can yeah, you can sense it,
Speaker 3: and you're like, oh, well, there's nothing actually taking up
Speaker 3: space there, So you're like looking at a point. But
Speaker 3: in reality you're probably be looking at many things on
Speaker 3: this thing, you know what I mean. But you're like
Speaker 3: looking at its eyes because's where the tennis ball is.
Speaker 3: But like in reality, like if it's a ten foot
Speaker 3: you're a fifty foot dinosaur, you're probably like looking at
Speaker 3: all it and then like when it makes that movement,
Speaker 3: you're doing that, but like you have to predict it
Speaker 3: and then like the and program the other thing to
Speaker 3: either match it or you're just like looking at this
Speaker 3: when it's going there.
Speaker 4: I don't know how far out we are from like
Speaker 4: that not being the thing.
Speaker 3: Maybe as programs can then see where our eyes are looking.
Speaker 4: In the program. Something at the other end of that,
Speaker 4: like eye tracking. I don't know, I don't.
Speaker 3: Know what we're you gonna say about, Oh, the sat
Speaker 3: Britain Fraser. The reason he did so many like CGI movies.
Speaker 3: You know, he was like in that Looney Tunes movie,
Speaker 3: and he was in like Monkey Bone.
Speaker 4: And other movies like that. It's because he's like the
Speaker 4: best and the Mummy movies.
Speaker 3: It's because he's the best at interacting with things that
Speaker 3: aren't there. He's like the best at it. So because
Speaker 3: like he's like like if anybody's the most convincing, it's
Speaker 3: him at like like, oh that thing is there, when
Speaker 3: everybody else is like he's.
Speaker 4: Like I'm gonna I don't remember the lines of many
Speaker 4: of his movies. I'm gonna send you to Mummy.
Speaker 1: Hell.
Speaker 4: I think that's a line from the.
Speaker 3: Movie have you have you had a three D model
Speaker 3: of you done yet?
Speaker 1: Yeah? When you have to stand and get yes, uh huh.
Speaker 1: That's scary.
Speaker 4: That's scary, it really is.
Speaker 3: I'm like, oh, no, oh, I just thought the cameras
Speaker 3: aren't good enough. Good enough, They're like, what we still
Speaker 3: need you?
Speaker 1: Maybe neither of us are here yeah, I got news
Speaker 1: for you, buddy boy. You died a long time ago,
Speaker 1: making and now. But the good news is there's heaven,
Speaker 1: real heaven, and you are excited and everyone there is
Speaker 1: so excited to see you. And it's filled with your
Speaker 1: favorite thing. What was your favorite thing? It was living.
Speaker 1: It's filled with the living living living there so excited.
Speaker 1: Huge fans of all your stuff, huge fans of everything
Speaker 1: you've done and your life and your your heart and
Speaker 1: your body and your face. They love it. And what
Speaker 1: they but what they want to do. They want to
Speaker 1: talk about your life through film. I can't believe how
Speaker 1: long we've talked before getting to this. They want to
Speaker 1: talk about your three film We might have to pick
Speaker 1: the first film, they ask you. The last thing they
Speaker 1: want to know is what is the first film you
Speaker 1: remember seeing? Samrcisid It's a few things.
Speaker 3: I'm like, I'm trying to remember what the actual first thing is,
Speaker 3: because like Little Mermaid just came out, the new Little Mermaid,
Speaker 3: and I think that maybe the first movie I went
Speaker 3: to the theater in like eighty nine was a Little Mermaid.
Speaker 3: I remember going with my dad to see that movie.
Speaker 3: But then like, if it's not that I was like
Speaker 3: even was watching a movie on tape or something.
Speaker 4: It might have been The Land Before Time?
Speaker 1: What double bell?
Speaker 4: You know what I mean? Either one of those shots
Speaker 4: will kill you.
Speaker 3: Yeah, Jesus, I just loved them.
Speaker 1: I need child.
Speaker 4: I'm my mom's only.
Speaker 3: Child, my dad's fourth and separated by like fourteen years
Speaker 3: at least.
Speaker 1: Eh, shit with the huffs.
Speaker 4: Not super close that we do love each other, you know.
Speaker 1: I like the way you set that up. Sided You
Speaker 1: were just your mom's favorite, my mom's.
Speaker 4: Child, my mom. I'm the only one.
Speaker 1: The other. Did you see you went with your dad
Speaker 1: and you're right I did. That's breaking and beautiful.
Speaker 4: Yeah, yeah, maybe I.
Speaker 1: Love that film so hard. What's the film that's scaredy
Speaker 1: the mice? Do you like being scaredy? You made of horror?
Speaker 1: For God's sake? Do you like it? I do? I
Speaker 1: really do.
Speaker 3: I mean I say, horror isn't like my super genre.
Speaker 3: I'm like, a new scared movie comes out and.
Speaker 1: I'm like, boys, roll up.
Speaker 3: However, my friends are like boys roll up, and I'm like, yeah,
Speaker 3: I'll go, let's do this. But a movie that scared
Speaker 3: me the most, there's two. One I was talking about
Speaker 3: before is a rachnophobia. Like I got actual recophobia from
Speaker 3: watching this movie. I was like, oh it sucked. I was.
Speaker 1: I was.
Speaker 3: I was in Ghana as a as a kid. I
Speaker 3: was maybe about six years old and my I was
Speaker 3: watching a Recophobe with my cousin Julian, and it gets
Speaker 3: to the part where they're in the basement. Gran spider
Speaker 3: goes and I'm like oh sh and then my cousin
Speaker 3: goes and I get up and I run and like,
Speaker 3: So there's this house in Ghana, so like there's like
Speaker 3: a hall that's the living room leads to a hallway.
Speaker 3: On the other side of that wall is like a
Speaker 3: patio out there, patio area. Now hallway leads to the
Speaker 3: kitchen and on.
Speaker 4: That patio, that wall on the hallway with the patio.
Speaker 3: Is like these three windows, uh, and the throws some
Speaker 3: light on the patio. So I'm like running through that
Speaker 3: hallway and I stopped and I'm like okay, And then
Speaker 3: like my back is against the wall with the windows,
Speaker 3: and I look at the wall. Its white wall, and
Speaker 3: they're like a bat symbol is like this sort of
Speaker 3: shadow of this spider. And I look and there's a
Speaker 3: spider like this big right by my face. I even like,
Speaker 3: right now, I got this bumps even talking bad goose bumps,
Speaker 3: you know. So that's that's that's real rack noophobia. And
Speaker 3: the other one, uh was.
Speaker 1: How to Rectify? How to you guys?
Speaker 4: Exactly straight up.
Speaker 1: Like how to have.
Speaker 3: My My dad rented this movie from a trade wind
Speaker 3: video and uh the movie was called Armageddon and it
Speaker 3: was as a documentary. So this movie came out way
Speaker 3: before the movie uh with with I don't want to
Speaker 3: miss a thing, you know the Bruce Willis masterpiece, but
Speaker 3: Ben Affleck live Tyler, you know, so this is this
Speaker 3: movie is a documentary about like way is the world
Speaker 3: can end? And I remember my fantie Letitia, whose house
Speaker 3: I was in in Ghana, was in Detroit visiting and
Speaker 3: we were got this video to watch and I remember
Speaker 3: I was I didn't know what Arma getting man, So
Speaker 3: I was just like making fun of the name, and
Speaker 3: I was like, I'm getting home. That was a song
Speaker 3: arm Getting Home. And I was like, this is very funny.
Speaker 3: He's laughing I'm getting home. And we sat down and watched
Speaker 3: the movie and there were so many images of like
Speaker 3: this total annihilation, like meteors hitting the earth and like
Speaker 3: I was like, the jokes became fewer, and then I
Speaker 3: was just vexed and I couldn't sleep.
Speaker 1: Get it, I'm gonna get into bed. I'm getting no sleep.
Speaker 1: Oh wow, that's a fun family but oh yeah, traumatized.
Speaker 1: What about crying? That's the film that you cry? The
Speaker 1: vice do you cry cry?
Speaker 3: I you know, I cried, but like in odd and
Speaker 3: random times, you know, very unpredictable in ways. So I was,
Speaker 3: I was shooting the movie Mike and debut wedding dates
Speaker 3: in Hawaii and the movie Inside Out came out, and
Speaker 3: so we were like, let's go see this movie. Had
Speaker 3: like an off day, so we went to see Inside
Speaker 3: Out and I was I remember specifically saying, uh, just
Speaker 3: so you know, guys, I don't cry at movies.
Speaker 4: And so I sat down.
Speaker 3: And like literally the opening movie, you know, a little short,
Speaker 3: the Pixar short.
Speaker 4: Came on about like the volcanos, the lava.
Speaker 3: Yeah, and I'm talking about that when it happened, and
Speaker 3: I started falling like full just like I was like, oh,
Speaker 3: oh no, okay. So the movie starts and like even
Speaker 3: just some music, Michael, I started to like well up
Speaker 3: a little bit, and I'm like uh oh, this movie's
Speaker 3: unlock something in me. And like throughout that whole movie,
Speaker 3: I am just tearing up and I'm crying because like
Speaker 3: the music, with the storytelling and at the very end
Speaker 3: or or like the even the middle like bing bong
Speaker 3: and like and.
Speaker 4: Where she's like talks through like like the idea of
Speaker 4: like the memory being this.
Speaker 3: I'm I'm crying that whole movie because I'm like, this
Speaker 3: movie is like the most emotionally educational movie sort of
Speaker 3: like it just teaches you, I mean, not kids, but
Speaker 3: people that like the sides of emotions, like not that
Speaker 3: everything has facets, you know. Like I love that lesson
Speaker 3: of like, you know, bad memories having good parts to
Speaker 3: them and good memories having bad parts of them. It's
Speaker 3: so real, so universal, I think, so educational, and I
Speaker 3: wept the whole time.
Speaker 1: We did it. I did a Films of the Decade
Speaker 1: special of this Year, and Inside Out was my greatest
Speaker 1: film with the decade. And I never want to say
Speaker 1: it again, but I think it's Yep, I think it's profound,
Speaker 1: I least one of the most profound films i've I
Speaker 1: think it's incredible.
Speaker 4: It's I agree, that's amazing.
Speaker 1: Oh it really is. It really is like life films,
Speaker 1: The Conchang Your Life. I would put that on the
Speaker 1: way up that list. Incredible, Yes, incredible. The pacing is
Speaker 1: brilliant in that movie. The music is amazing, and the
Speaker 1: story is and.
Speaker 3: It's like an adventure film that then pulls you along
Speaker 3: the whole time, and like you grow with these characters
Speaker 3: and then like anytime look at a thing, let's you
Speaker 3: see the different facets of a character, but like in
Speaker 3: a natural way where you're when it gets you're like, oh,
Speaker 3: I'm not going with you.
Speaker 4: You are me, you know, like.
Speaker 1: And just the the there's so much to the the
Speaker 1: thing about parenting, the fact that they kind of inadvertently
Speaker 1: sort of damage the girl by saying you'll be a
Speaker 1: brave girl for daddy sort of thing like Jesus Christ.
Speaker 3: When she when she didn't saying that, like she finally
Speaker 3: like like I'm not okay, Oh oh my goodness, ridiculous.
Speaker 1: What's the film that you love? People don't like it.
Speaker 1: It's not critically acclaimed, but you love it unconditionally. What
Speaker 1: is it?
Speaker 4: I don't know.
Speaker 3: This movie is not critically I think it's not. I
Speaker 3: think it got like panned pretty hard. But do you
Speaker 3: remember the movie by Centennial Man.
Speaker 1: Oh man, that's another fel that made me cry to
Speaker 1: death as a killer.
Speaker 4: It made me cry. I love that movie. I love
Speaker 4: that movie so much.
Speaker 1: Robin Williams Tour the Forest Man. It's a killer.
Speaker 3: It's a killer, And I think the movie got like
Speaker 3: panned and like, talk about this movie.
Speaker 4: I love it so much.
Speaker 1: Killers. That's the right button you cry.
Speaker 4: Yeah, there you go.
Speaker 3: Did we just undo the whole AI argument with.
Speaker 5: Mind no Dead We've been dead from Star Trek?
Speaker 1: Yeah? Fuck, I said it's such a good shot. I
Speaker 1: don't think that's ever come up on this show.
Speaker 4: Oh I love that movie.
Speaker 1: He makes the tit Jacks Chris Kalambers always.
Speaker 4: Yeah, he really does, he really does.
Speaker 1: What's the film that you used to love? You loved it,
Speaker 1: but you've watched it recently and you've got this is
Speaker 1: not for me anymore. You might have changed. The film
Speaker 1: might still be good, but you've changed.
Speaker 4: What is it I used to love?
Speaker 3: Or I just thought I used to love the movie
Speaker 3: Legend You know that.
Speaker 1: Tom Cruise, That's right.
Speaker 3: I was like, oh, this movie is like this movie
Speaker 3: was doing like Lord of the Rings before anybody was
Speaker 3: doing Lord of the Rings, I was like, this movie
Speaker 3: is fantastic. I sat down to watch it like recently,
Speaker 3: and I was like, what is even happening? Get to
Speaker 3: Tim Curry and the giant double costume. That was like
Speaker 3: the best part of the whole thing. The make up
Speaker 3: on that truly amazing. But the movie surrounding it, God
Speaker 3: doo dooo.
Speaker 1: Is that really Scott?
Speaker 3: That's really Scott, isn't it? It's really Scott. So I
Speaker 3: might not work in films every again, but he's done better.
Speaker 3: He's done better.
Speaker 1: He's done better. You know what I think is one
Speaker 1: of his greats. All the money in the world, I've
Speaker 1: never seen that. I think it's one of his greats.
Speaker 4: Yeah, I will watch that.
Speaker 1: A really really good film and amazing that he Reshot
Speaker 1: Christopher plumbering it in like twelve days, so less than
Speaker 1: it's amazing.
Speaker 4: Yeah, I say, I still haven't seen it, but in
Speaker 4: twelve days right.
Speaker 1: And in such a way that you're like, I can't
Speaker 1: imagine this film with anyone else seamless. He's perfect for it.
Speaker 1: It's brilliant. What is the film that means the most
Speaker 1: to you, Sam Mitchison? Not the film itself, might be
Speaker 1: any good, but the experience you had around seeing the
Speaker 1: film will always make it important to you.
Speaker 3: It's a recent one in like says he would be
Speaker 3: mad at me, but it's Avengers Endgame.
Speaker 4: I buddy, I.
Speaker 3: I'm you know, I'm a Marvel fanatic and like comic books.
Speaker 3: And then mc U I was like, loved it, and
Speaker 3: every step of the ride, I was like, everything has
Speaker 3: a planned.
Speaker 1: I was like the whole time, I was like, this
Speaker 1: is hold on, this is another thing.
Speaker 3: And I remember I got knee surgery the day the
Speaker 3: movie was coming out, and so I was on Viking
Speaker 3: in and my buddy Mike, who we always go see
Speaker 3: these movies together. It was like, oh, she's probably not going.
Speaker 3: I'm like, no, man, we're going. So that same day,
Speaker 3: on crutches, we go to the Chinese theater and we
Speaker 3: watched that and every big reveal I'm looking loopy as hell.
Speaker 3: So I'm like, and I'm talking about I've never had
Speaker 3: a bigger experience like because like they like like the
Speaker 3: landing of the plane on that was so phenomenal, and
Speaker 3: like every character You're like, I love this.
Speaker 4: Moment.
Speaker 3: It's like it's it's the best case scenario for what
Speaker 3: a trillion dollar movie franchise can and that that that
Speaker 3: phase could end with that that's like a very important thing.
Speaker 3: I go back and I watch the portals scene often,
Speaker 3: but I watch it with the audience reaction on YouTube,
Speaker 3: and it always like it's.
Speaker 1: Like truly, like it really magical. That is really it really.
Speaker 3: Is you know, oh, cheering, it's like gives you goose bumps.
Speaker 4: It's like truly a mutal experience.
Speaker 1: It's it's an incredible achievement. And I always wonder about
Speaker 1: the reality of I assume I haven't looked into it
Speaker 1: my start boy and I, but like without spoiling the
Speaker 1: big post scene, the moving scene, like yeah, was everyone there?
Speaker 3: Oh, I can't believe they were.
Speaker 4: Again, nobody's looking at each other. Yeah, you know what
Speaker 4: I mean.
Speaker 1: It's the hell of a lineup, and you're like, come, god,
Speaker 1: imagine it open and ever.
Speaker 3: Just the amount of assistance that would have to do there,
Speaker 3: and just all the single banger trailers, just as far
Speaker 3: as too many trailers.
Speaker 5: You'll do it, line, my lord, just build a Starbucks.
Speaker 5: At that point, what is the film you must relate to?
Speaker 1: Sam Richardson, That is a good question.
Speaker 3: So I always kind of relate to sort of a
Speaker 3: person in a different world than they come from. Collect
Speaker 3: Growing up, I was, I grew up between Ghanda and Detroit.
Speaker 3: I always felt like I was never you know, I
Speaker 3: was never fully American.
Speaker 1: How much were you in? God? That was it like
Speaker 1: six months? Six months?
Speaker 3: It was like three months, nine months, and then vice versa.
Speaker 3: So it was like kind of even spent for a
Speaker 3: first and second grade. It was I was just in Ghana.
Speaker 3: And then you know, up until high schools, maybe i'd
Speaker 3: go for like two months and then come back and
Speaker 3: then go front three months and then come back.
Speaker 4: You know what I mean. Fits in the summers there
Speaker 4: you still got random not nearly as well.
Speaker 3: Last time I was back, I went with Porn O'Brien
Speaker 3: and that was like four years ago. So hopefully I'm
Speaker 3: going to go back. I mean, I want to go
Speaker 3: back this year, but we'll see if that can happen.
Speaker 3: I always, as a kid like identified with like Superman
Speaker 3: in that so like and so the movie Superman like
Speaker 3: sort of like this idea like being from like these
Speaker 3: two different worlds and like one gives you abilities with
Speaker 3: the other, and like not knowing what that really was.
Speaker 3: I just always so I would always wear Superman pajamas
Speaker 3: and like I'd be Superman for Halloween, and I would
Speaker 3: always like just like sold about Superman. And so the
Speaker 3: Superman movie, it's like the our Superman movies are just
Speaker 3: incredible bits of cinema just in storytelling. I didn't even
Speaker 3: realize how good they were until I got older and
Speaker 3: rewatched them, but I would watch them a lot. But
Speaker 3: I just identify with like this idea of like Clark
Speaker 3: Kent having this thing that or Superman having this side
Speaker 3: of it like this that's sort of like the duality
Speaker 3: of this person who is like also just trying to
Speaker 3: like be good and do a like be good.
Speaker 1: You know.
Speaker 3: I kind of always identified with that, and you know,
Speaker 3: like I was a big Jesus complex.
Speaker 1: So Superman question for you, are you Superman in Ghana
Speaker 1: or in Detroit? Where are you Superman? And where are
Speaker 1: your Clark?
Speaker 3: Can I'm Superman in Detroit because maybe when I was younger, though,
Speaker 3: I think I was Superman in Ghana because I had
Speaker 3: all the American stuff, so like being American so cool,
Speaker 3: you know, so I was like, oh, yeah, I'm hip,
Speaker 3: I got all the music. But now that's not currency.
Speaker 3: You know what I mean, So you know interesting, what is?
Speaker 1: Oh God, Sam, here we go. Oh God ready, I'm ready,
Speaker 1: buss God, I can't believe it. Here we go. Oh God,
Speaker 1: what's the sexiest we've ever saying times his head.
Speaker 3: So God, Oh but I'm dead and I'm blushing. I
Speaker 3: was like, just bright, bright purple cheeks of blush. That
Speaker 3: could be, you know, also just to be Saminola, I'm
Speaker 3: gonna say, because like not, it's not a movie that
Speaker 3: like has a lot.
Speaker 4: Of sex in it, but just everybody in it.
Speaker 3: It's so sexy and like it's just like a very
Speaker 3: sexy you know, the movie Mister and Missus Smith.
Speaker 1: Fuck it, that is the sexiest.
Speaker 4: Fuck It's sexy from top to bottom.
Speaker 3: There are sex pots at the height of their sexy
Speaker 3: game and just being sexy with each other.
Speaker 1: That movie sexy, sexy, sexy, pill sexy, pire sex from
Speaker 1: start to finish.
Speaker 3: Even though when you're to be like boring, I'm like, yeah, sexy,
Speaker 3: even when you're like I'm like, man, sexy, funny.
Speaker 1: Daddy, you could funny daddy. Oh live of me.
Speaker 3: Wherever you want, buddy Daddy away.
Speaker 1: What is there's a sub category troubling band is worrying.
Speaker 1: Why don't the film you found arousing you weren't sure
Speaker 1: you should? What is it?
Speaker 3: So there's a movie called I'm Gonna Get You Sucker
Speaker 3: film right, it's so funny, it's a great film. Used
Speaker 3: to watch a movie ALA as a kid. And then
Speaker 3: there's a scene where.
Speaker 1: I think he's like, you know, he's like with the woman.
Speaker 3: She like starts to take off, like she takes off
Speaker 3: her eyelashes, she takes up her her fake leg and
Speaker 3: I'm like, whoa her butt?
Speaker 4: And I remember seeing that button. I was like, that's sexy.
Speaker 4: I love that butt.
Speaker 3: I don't know what to do with the butt just yet,
Speaker 3: but I know that's a sexy little butt on the floor.
Speaker 4: Is that how sex is done?
Speaker 1: So troubling?
Speaker 4: Troubling early boners?
Speaker 1: That's about a floabo that is a traveling by It
Speaker 1: just the dis buddy flowbot.
Speaker 4: You know, it's the epitome of unnatural you would have
Speaker 4: with that flow.
Speaker 1: What is objectively the greatest fela all time? Why don't
Speaker 1: be your favorite? But it's the greatest.
Speaker 3: I'm going to jump between two answers here because one
Speaker 3: is like a more recent movie, and then one I
Speaker 3: feel is like probably a common one that you probably
Speaker 3: hear a lot, So that's well, I'll like so the
Speaker 3: common one, I'll say Good Fellas because it's truly, like
Speaker 3: the top to bottom, the great movie. It's the best.
Speaker 3: It is the best film even from the beginning, like
Speaker 3: that track and shot, it'll set you up for the
Speaker 3: whole world and introducing these characters and like the just
Speaker 3: the best film period.
Speaker 4: And then the other movie I'll say is Once upon
Speaker 4: a Time in Hollywood.
Speaker 3: Okay, you know, I agree, But the movie's pretty phenomenal,
Speaker 3: pretty phenomenal.
Speaker 1: It's a pretty phenomenal film. Why objectively the grits is
Speaker 1: that one?
Speaker 3: I think it follows like that that's sort of like storytelling. Well, okay,
Speaker 3: it's hard because I want to say a Tarantino movie
Speaker 3: because I feel like the way he does things, and
Speaker 3: I would have said in Glorious Bastards, but because like
Speaker 3: of like watching when you watch that movie over and
Speaker 3: over again, there's there's so many layers to it, which
Speaker 3: I'm like, it's a puzzle, but it's not an arduous one.
Speaker 3: I feel the same thing happens with Once upon a Time.
Speaker 3: But the performances are so brilliant that it does the
Speaker 3: same things, but like with tightened performance, you know, I mean,
Speaker 3: there's there's not as much app so it's a more
Speaker 3: close story and sort of like it's one where you
Speaker 3: go back and you find the pieces. But I think
Speaker 3: it's it's a bunch of people at the top of
Speaker 3: their game making great content.
Speaker 1: God, I'm giving you good Fellaws. Good Fellas is probably
Speaker 1: the great.
Speaker 4: Good Fella's is my true answer, is my true answer.
Speaker 3: But I want to I want to keep the love
Speaker 3: going for once my time in Hollywood so that people
Speaker 3: put it in that that category because you know, maybe
Speaker 3: as we learn more about it.
Speaker 1: Yeah, I really liked the book, the book you write.
Speaker 1: I'm sure you've read it.
Speaker 3: I just got the book. I haven't read literally just
Speaker 3: got it.
Speaker 1: It's it's wonderfully entertaining.
Speaker 4: It's you want out of a book. You know, what
Speaker 4: is the.
Speaker 1: Film you could or have watched? The Lights, Ivor and
Speaker 1: Iver Again.
Speaker 3: I'm sorry I keep on hearing with these multi answers,
Speaker 3: but uh, well, one would be the Ninja Turtle's motion picture,
Speaker 3: the nineteen ninety one. Yes, the original. I've watched that
Speaker 3: movie a thousand times. Dark and good, but like really
Speaker 3: good until you go back as an adult, You're like, oh,
Speaker 3: this is this.
Speaker 1: Is actually a story. It's a good movie.
Speaker 3: And these these turtles are real again no, cgi, these.
Speaker 4: Are real turtles. So like they take up space and
Speaker 4: I'm like, I feel them, I know them.
Speaker 1: Wow.
Speaker 4: While they're fighting in.
Speaker 3: The it seems heavy, but then they seem able to
Speaker 3: like move in the world. If you try to pick
Speaker 3: them up, sure, hard, but if they try to do
Speaker 3: a backfoot, they can do it because they have.
Speaker 1: The turtles and ninjas. Yeah.
Speaker 4: Yeah, So that another movie that.
Speaker 3: Was like in my top top, like I watched a
Speaker 3: movie a thousand times, Adventures of Baron Munchausen.
Speaker 1: Oh wow, what if?
Speaker 4: I love that movie so much.
Speaker 3: It's such a great, fun, brilliant movie. There it's it's
Speaker 3: in like a trio of three movies, right, Terry Gilliams,
Speaker 3: he did three movies. They're apparently like supposed to be
Speaker 3: like each they're a set. It's Time Bandits Brazil and
Speaker 3: the Adventures of Baron Munchausen, and it's supposed to be like
Speaker 3: imagination in youth, imagination middle age and age. So like
Speaker 3: I'd always just like watched this movie because it was
Speaker 3: so the spectacle of that movie. First off was like
Speaker 3: my mind breaking up, like what a world this is,
Speaker 3: and like sort of like the relation to time as well.
Speaker 3: Then he has or he's telling the story, but then
Speaker 3: he's like in this and he's going in this world
Speaker 3: and he's going to you know, be with the festus,
Speaker 3: you know, or or like like Robin Williams as the
Speaker 3: heads and his wife is God's another sexy move where
Speaker 3: like he's having their heads are.
Speaker 4: Separate but they're they're making nookie. You know, I just moved.
Speaker 4: I think the movie is so brilliant and so funny,
Speaker 4: you know.
Speaker 1: Yeah, what it's never come up best film, right.
Speaker 3: With Thurman's first film and that sequence. Venus is Venus.
Speaker 3: There's so's the soundtrack. I listened to the soundtrack over
Speaker 3: here and there. It's like there's like a waltz they
Speaker 3: do and they're they're dancing and they're like they start
Speaker 3: dancing so romantic that they are floating in the sky
Speaker 3: and the music that plays is just so grand and
Speaker 3: like a beautiful waltz. I think I think about that
Speaker 3: all the Time's first movie. She's presented like the the
Speaker 3: like an oyster, you know. Yeah, it's the it's the
Speaker 3: image of who in Michelangelo that with the uh where
Speaker 3: it's what is It's not aphrodity, it is the Roman
Speaker 3: equivalent of aphrodity, Venus. It's it's venus, you know, and
Speaker 3: maybe pause the image for a second. It's like a
Speaker 3: perfect fac simile of the painting.
Speaker 1: Wow, I need to that again. Excellent now some reason,
Speaker 1: you know a negative person celested this fairly quick? What's
Speaker 1: the worst filmy? Who? Old? Oh?
Speaker 4: The Shaman movie movie? Is?
Speaker 1: I like, you like old? You know what I'm going
Speaker 1: to say it. I think, oh, here's my view, and
Speaker 1: I think it's the first draft and he just shut it.
Speaker 1: I agree, and I think made amazing ideas. And if
Speaker 1: a couple more drafts and sort of fit them together
Speaker 1: slightly better, it would be a five star. Yes, but
Speaker 1: I think he went, let's shoot it.
Speaker 3: I mean, it's like if you have a Mercedes Benz
Speaker 3: and you didn't put the engine in there, right, it's
Speaker 3: not a great car.
Speaker 4: Got to fix the wheels and the tires.
Speaker 1: I like it. It's it's got it's got enough ive
Speaker 1: days in't it. And I'm like, wow, fair enough.
Speaker 4: I think you made the movie, you know what I mean?
Speaker 3: And your the ideas are there, but things so you're like, oh,
Speaker 3: what could have been?
Speaker 4: That could have been.
Speaker 3: The best movie. I'm watching that movie and I'm like, how.
Speaker 1: No, No, I love it. It's great. Now you're in comedy.
Speaker 1: You're in loads of comedies. You're also in my current
Speaker 1: favorite comedy show. It's on TV that I love so much.
Speaker 1: If any of you haven't seen it, I think you
Speaker 1: should leave. I love it so much that I can't
Speaker 1: like believe it. I think I sometimes watch it like
Speaker 1: I can't believe this exists. It's so funny. And I
Speaker 1: also watch it. Joe Kelly, you're detroit to create it
Speaker 1: and good friends and Specify a co creator on Ted Lessa.
Speaker 1: He and I were working together when it came out
Speaker 1: the new season and he watched it all in one
Speaker 1: night and he said the next money, I have you
Speaker 1: watched it all? And I was like, no, I've only
Speaker 1: watched too because I don't want to blow it all
Speaker 1: in one I love it so much. I want to
Speaker 1: like savor it.
Speaker 4: I love it so much, but I mean part of
Speaker 4: the joy is to rewatch it.
Speaker 1: Yeah, it's better every time you watch it. I have
Speaker 1: like top five sketches and I think think number one
Speaker 1: may be Little Buff Boys, The Little Buff Boys, which
Speaker 1: is you at the very top of your guy. Fuck
Speaker 1: me every single line, every moment, Why you drink water,
Speaker 1: why you get mad at the guy for picking the
Speaker 1: wrong kid. Ah. If anyone that's not watched, please watch.
Speaker 1: I think you should leave. There's I don't think there's
Speaker 1: anything ever ever funnier.
Speaker 3: Maybe ever it's I mean I objectively, I say, you're correct.
Speaker 1: It is right. It's the funniest thing of all time.
Speaker 3: It's it's why it's it's so unique too, like like sketches,
Speaker 3: not unique, but like sort of like what it does
Speaker 3: and it just gets there directly and like does that
Speaker 3: and like it follows it's its own sort of like
Speaker 3: uh theory and like does that so well? I uh,
Speaker 3: it's true, it truly is really really.
Speaker 1: But there's something magical. And then maybe this isn't for everyone.
Speaker 1: But like I don't know, Tim Robberts, and you're a
Speaker 1: good friend, but I I feel like so many of
Speaker 1: the sketches, I'm like, I totally even though it's surreal
Speaker 1: and it goes off in such a serial direction. I go,
Speaker 1: I know what you're talking about. I know where this
Speaker 1: came from I Feel you the zip lining sketch in
Speaker 1: the new season. I'm like, one, und I get that
Speaker 1: one hundred percent. I know exactly what you mean. That's
Speaker 1: what I would be doing. And it seems like the
Speaker 1: zip line, Yeah, it sounds seems like such a sort
Speaker 1: of surreal idea, but I go, it's come from him going,
Speaker 1: I fucking love zip lines. But you know exactly what's
Speaker 1: the observation is so true. It's like, yeah, ziplines are
Speaker 1: the best thing anyway.
Speaker 4: If something like that is there, why wouldn't you want.
Speaker 1: To get that? You know? Anyway? You love him right you?
Speaker 1: You love each other, mate, and we love each other
Speaker 1: too much.
Speaker 3: We're best best best friends.
Speaker 1: Love to hear it. So saying all that, knowing that
Speaker 1: you one of the funniests and involved in the funniest,
Speaker 1: I know, the funniest everything you've done. And he said
Speaker 1: all of that, what's the film that made you love
Speaker 1: the mist? Sam Richard said.
Speaker 3: I watched this movie all the time. Still The Harlem
Speaker 3: Knights is maybe my favorite comedy of all time. It's
Speaker 3: the top to bottom so funny. Eddie Murphy is like
Speaker 3: he's able to be charming lead man and still so
Speaker 3: funny knock him out part. It was hard to do
Speaker 3: because he's playing straight man or like what, I don't
Speaker 3: know that's he's playing.
Speaker 1: He's playing the.
Speaker 3: Yeah, the straight guy. You know, he's the straight guy.
Speaker 3: But like still even to knock these things out of
Speaker 3: park and then like surrounded by like Red Fox and Delaries,
Speaker 3: Richard Pryor, you know, like, well the wall.
Speaker 4: Everybody is so good at it, it's insane.
Speaker 1: It's very very good. That's a good Listen. He's put
Speaker 1: up a lot of stuff that hasn't been said on
Speaker 1: this show. So Samriicharson, you have been wonderful, wonderful. This
Speaker 1: is great, this soul's great. However, you was cooking. You
Speaker 1: remember you was cooking. You were trying things. You know what.
Speaker 1: You hadn't had a TV for four days. You've gone mad.
Speaker 1: You were like, it's time to cook. You made tuna tata.
Speaker 1: You made steak tatar. The obvious next move chicken tatar.
Speaker 1: You put your your raw chicken, you chopped out nice
Speaker 1: and fine, and you let it cooked room temperature. You
Speaker 1: left it out overnight, not just room temperature, but filled
Speaker 1: with bugs. And then the next morning you said, I'll
Speaker 1: take a little taste to this, this little masterpiece. You
Speaker 1: had a little spoonful and you went about your day.
Speaker 1: He said, say that, my grandfather's going to love that.
Speaker 1: Later he said, he said, I won't even put it
Speaker 1: in the fridge. I'll leave it outwits at the right temperature.
Speaker 1: You went for a walk and you were walking through
Speaker 1: the grove listening to Tony Bennett, and just as one
Speaker 1: of those fountains went off, you fell to the floor,
Speaker 1: clutching your stomach, and people went, is that Sam Richardson
Speaker 1: off the telly and the films and the cruise ships.
Speaker 1: You went, yes, and your stomach and you were in
Speaker 1: terrible pain. It's very sad. People were going, I can
Speaker 1: I have a selfie? You're going, but I think it
Speaker 1: made the chicken and people taking people lying on the
Speaker 1: floor next you taking sandwiches, and you said, it's one
Speaker 1: to meet what could you call an ambulance. And then
Speaker 1: a guy he's so funny, he's doing bits, He's always
Speaker 1: doing bits, and he was like, no. I think they
Speaker 1: were like what someone said, where women should have been
Speaker 1: on the big screen? And you went, I didn't even
Speaker 1: get to see it on the big screen. And then
Speaker 1: and they said I'm so glad I got to meet you,
Speaker 1: and you said, well, thank guys, fasters, and then you die.
Speaker 1: And then I was walking past the coffin, you know,
Speaker 1: I'm like wandering around them all, and I go, is
Speaker 1: that bloody Sam Richardson with loads of people taking sandwiches
Speaker 1: with his corpse And they go yeah, and I move away.
Speaker 1: You you voked? And I go there and I get bloody.
Speaker 1: And the thing is because of the flesh eating bugs
Speaker 1: from the chicken, Tata, your stomach has grown twelve sizes.
Speaker 1: It's enough filled with bugs. I say to one of
Speaker 1: these people that go, have you got an axe? And
Speaker 1: one of them goes, yeah, always, I go, can I
Speaker 1: borrow it? Get the acts to start chopping you up,
Speaker 1: chopping you up, chopping you up, chopping up. People start
Speaker 1: screaming as still some people taking selwies. Okay, stop taking selwies.
Speaker 1: Help me out. Someone else got that yesterday. Three acts.
Speaker 1: I get three acts of people chopping up, chopping up anyway,
Speaker 1: scream scrape together. You know, I look like Tata. I've
Speaker 1: got Sam Tatar. I put you in the coffin, ram
Speaker 1: you in there. But there's more of you than I
Speaker 1: was expecting. The coffin's absolutely full. There's only enough room
Speaker 1: in the sam Tanta for me to slide one DVD
Speaker 1: in the side of the coffin for you to take
Speaker 1: across to the other side. And when you get there,
Speaker 1: it's movie night every night. What film are you taking
Speaker 1: to show the living when it is your movie night?
Speaker 1: Sam Richardson in Heaven.
Speaker 4: Oh my good this that's exactly what happened too. I
Speaker 4: remember I'm going to toss Tombstone in there.
Speaker 1: Yes, why wouldn't you. It's a wonderful film. It's a
Speaker 1: wonderful film.
Speaker 4: It's got everything you need, you know what I mean.
Speaker 3: It's historically accurate, it's got performance from from Valcilmar.
Speaker 4: Yeah.
Speaker 1: I heard.
Speaker 3: It's all transcripted, and they were just like what I
Speaker 3: remember hearing. The director was like, let's just put the
Speaker 3: words up.
Speaker 1: Bites it verbatim, you know what I mean? And proofs
Speaker 1: in the Pudding.
Speaker 4: Movie. I could watch every day of my after life.
Speaker 1: Wonderful film. Summerton is the anything you would like to
Speaker 1: tell people to watch to listen to coming up for you?
Speaker 3: Oh my goodness, I would really love it if people
Speaker 3: watched The After Party. Season two comes out July twelve too,
Speaker 3: and like, go back and watch is there season twosules?
Speaker 3: You know, wat, I think you leave watch them twice?
Speaker 3: Making nice. I think you should leave on Netflix, you know.
Speaker 1: And yeah, just find me out there.
Speaker 4: I'm out there. I'm living.
Speaker 1: It's very accessible. He's always at the grist.
Speaker 4: Him.
Speaker 1: He's lovely unless your your TV salesman.
Speaker 3: And then watch out, you fucking watch turn the hammer on,
Speaker 3: going to go right now?
Speaker 4: And my deal with this man?
Speaker 1: Oh my god. Yeah, good luck.
Speaker 4: Instruments of war behind me.
Speaker 1: Savage, and thank you for your time and for your
Speaker 1: brilliant brilliants. I hope to see you in real life
Speaker 1: saying I have a wonderful at the TV shop. Good,
Speaker 1: thank you so much. So. That was episode two hundred
Speaker 1: fifty three. Head over to the Patreon at patreon dot
Speaker 1: com forwards. Last Brett Goldstein for the extra twenty minutes
Speaker 1: of chat, secrets and video with Sam. Remember to watch
Speaker 1: Shrinking and Ted Lasso on Apple TV Plus. Go to
Speaker 1: Apple Podcast. Give us a five style rating. But right
Speaker 1: about the film that means the most to you and
Speaker 1: why it's a nice thing to read. My neighbor Marien
Speaker 1: loves it always Masa cry and it's really appreciated. Thank
Speaker 1: you very much, Thank you so much for listening. Thank
Speaker 1: you to Sam for giving me his time. Thanks to
Speaker 1: Scruby's picking the distraction pieces of network. Thanks the Buddy
Speaker 1: Peace for producing it. Thanks to iHeartMedia and Will Ferrell's
Speaker 1: Big Money Players Network for hosting it. Thanks to adding
Speaker 1: Bridgeston for the graphics and needs to light them for
Speaker 1: the photography. Come and join me next week. An absolute
Speaker 1: banger coming up. I hope you're all well. Thank you
Speaker 1: for listening. That is it for now. In the meantime,
Speaker 1: have a lovely week, and please, now more than ever,
Speaker 1: be excellent to each others.
Speaker 3: Back back by the bast back colors, USA bys and
Speaker 3: sacks by the back back toos out backs, back back
Speaker 3: by base back Tolosa by back back back back