1 00:00:03,600 --> 00:00:06,760 Speaker 1: Reality with the King is hosted by me, Carlos King. 2 00:00:07,080 --> 00:00:10,239 Speaker 1: I'm an executive producer who have produced some of your 3 00:00:10,240 --> 00:00:13,520 Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey 4 00:00:13,920 --> 00:00:17,360 Speaker 1: and my own creation, The Love and Marriage Franchise and 5 00:00:17,520 --> 00:00:23,040 Speaker 1: Bell Collective. Every episode we recap reality television from the 6 00:00:23,079 --> 00:00:27,680 Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset, in 7 00:00:27,720 --> 00:00:31,680 Speaker 1: addition to celebrity guests, whether in the unscripted space or 8 00:00:31,720 --> 00:00:32,920 Speaker 1: scripted as well. 9 00:00:36,640 --> 00:00:43,600 Speaker 2: Babeb somebody called the police, somebody called ninety one one. 10 00:00:44,680 --> 00:00:52,199 Speaker 2: Because baby, there's a wild woman of the loose and 11 00:00:52,360 --> 00:00:56,720 Speaker 2: her name is Lisa Barlow. This episode, oh my gosh, 12 00:00:56,920 --> 00:01:02,000 Speaker 2: row of applause. I'm so to talk about episode three 13 00:01:03,440 --> 00:01:06,080 Speaker 2: of this season of the Royal House Squad of Salt 14 00:01:06,120 --> 00:01:13,800 Speaker 2: Lake City. This ohc watch your bad girls. Sunlake City 15 00:01:13,920 --> 00:01:18,360 Speaker 2: is back at baby. Listen. That first episode I could 16 00:01:18,360 --> 00:01:27,119 Speaker 2: do without. Last week's episode about gout was everything. I 17 00:01:27,200 --> 00:01:32,800 Speaker 2: did not think episode three would top that one. Intended 18 00:01:36,200 --> 00:01:43,120 Speaker 2: if you know, you know, if you know you know, 19 00:01:44,240 --> 00:01:46,520 Speaker 2: let's get right into it. So listen. This episode was 20 00:01:46,880 --> 00:01:50,840 Speaker 2: pure perfection. It really was. And it was my complaint 21 00:01:50,920 --> 00:01:53,800 Speaker 2: about the first episode where we did not get any 22 00:01:53,920 --> 00:01:58,120 Speaker 2: lack of personal story. This episode gave me more personal 23 00:01:58,200 --> 00:02:01,720 Speaker 2: story than I thought I need it. I first want 24 00:02:01,800 --> 00:02:06,920 Speaker 2: to shout out in GK who is trying to be 25 00:02:06,960 --> 00:02:10,280 Speaker 2: a citizen, and how her daughter played her and said, 26 00:02:10,320 --> 00:02:13,040 Speaker 2: your obsession with Greek makes no sense to me. I 27 00:02:13,080 --> 00:02:15,240 Speaker 2: love it all. I love it all. And we'll get 28 00:02:15,280 --> 00:02:19,480 Speaker 2: to Bronwin and her mom and father and Todd, but 29 00:02:19,600 --> 00:02:22,200 Speaker 2: first we got to get in to how this episode started. 30 00:02:22,760 --> 00:02:26,840 Speaker 2: Lisa Barlow is on the loose. Woman are found loose, 31 00:02:27,760 --> 00:02:34,800 Speaker 2: loose lips, give it up, turn it loose, Kevin Bacon footloose, 32 00:02:36,240 --> 00:02:41,920 Speaker 2: Aliah loose wraps. That's all I got, Okay. Lisa Barlaw 33 00:02:42,040 --> 00:02:45,840 Speaker 2: opened up this episode showing us exactly what she does best, 34 00:02:45,919 --> 00:02:48,480 Speaker 2: and that is work. Honey. She can work a room, 35 00:02:49,120 --> 00:02:52,080 Speaker 2: she can work an outfit. What thing we so brala 36 00:02:52,160 --> 00:02:55,840 Speaker 2: can work to as a middle down hairstyle, the part 37 00:02:55,919 --> 00:03:00,920 Speaker 2: in the middle is a Lisa Barlow look. Now for 38 00:03:01,040 --> 00:03:06,160 Speaker 2: the black girls, we call that a bus down. It's 39 00:03:06,160 --> 00:03:09,520 Speaker 2: the Marlow Hampton look. So Marlow Hampton is the queen 40 00:03:09,520 --> 00:03:14,400 Speaker 2: of busdowns. Okay. A buzz down in the black community 41 00:03:14,880 --> 00:03:18,400 Speaker 2: is the part in the middle. It's a whig or 42 00:03:19,280 --> 00:03:20,520 Speaker 2: it's a week. It's a week. 43 00:03:21,200 --> 00:03:21,400 Speaker 3: You know. 44 00:03:21,960 --> 00:03:25,480 Speaker 2: Marlow Hampton is the queen of bus downs. Lisa Barlow 45 00:03:25,560 --> 00:03:28,640 Speaker 2: has a buzz down too, But Lisa Barlow doesn't have 46 00:03:28,680 --> 00:03:33,560 Speaker 2: a wig gone. Although I do think it's extensions, I 47 00:03:33,600 --> 00:03:36,720 Speaker 2: do think that nevertheless, we get to see her work 48 00:03:36,760 --> 00:03:41,840 Speaker 2: the room. I will say this. I had a documentary 49 00:03:42,040 --> 00:03:46,640 Speaker 2: by the name of the Stroll that was a part 50 00:03:46,680 --> 00:03:53,520 Speaker 2: of HBO Documentary Films. It was a Sundance film as well, 51 00:03:54,560 --> 00:03:57,120 Speaker 2: so the film with the Sundance, so I was able 52 00:03:57,160 --> 00:04:00,560 Speaker 2: to go to Salt Lake City. This is this is 53 00:04:00,640 --> 00:04:04,240 Speaker 2: like two two years ago, maybe two or three years ago, 54 00:04:05,800 --> 00:04:10,200 Speaker 2: maybe three years ago. I was in Saltat City promoting 55 00:04:10,720 --> 00:04:14,800 Speaker 2: my documentary along with the amazing producers that director, and 56 00:04:14,920 --> 00:04:18,919 Speaker 2: we're there and guess who I see rain drops? I 57 00:04:18,960 --> 00:04:26,160 Speaker 2: see Lisa Barlow. Now, mind you, I wasn't How can 58 00:04:26,200 --> 00:04:29,360 Speaker 2: I say this, Let me just see how I feel. 59 00:04:30,000 --> 00:04:34,520 Speaker 2: I wasn't like the biggest fan of Sallet City, which 60 00:04:34,560 --> 00:04:37,920 Speaker 2: means I wasn't a big fan of the girls besides Jenshaw, 61 00:04:38,080 --> 00:04:41,200 Speaker 2: if I'm being honest, Jinshaw to me was sort of 62 00:04:41,320 --> 00:04:46,240 Speaker 2: like who Liam locking into Dallas Housewives? That's how I 63 00:04:46,279 --> 00:04:52,560 Speaker 2: thought like Lianne obviously did some problematic stuff when she 64 00:04:52,680 --> 00:04:55,120 Speaker 2: left the show, I was like, well, there's no sister 65 00:04:55,200 --> 00:04:58,159 Speaker 2: watch again. Because she was the only forced multiplier on 66 00:04:58,200 --> 00:05:01,720 Speaker 2: the show. In the struck, I canceled. Now when it 67 00:05:01,720 --> 00:05:07,560 Speaker 2: comes to Jim Shall, I thought Jim Shaw was like 68 00:05:08,160 --> 00:05:12,240 Speaker 2: the show and boy or boy was I wrong? So 69 00:05:13,160 --> 00:05:15,800 Speaker 2: I said that to say I had to go to 70 00:05:15,800 --> 00:05:19,160 Speaker 2: this HBO after party because HBO threw after party for 71 00:05:19,279 --> 00:05:23,040 Speaker 2: the movie and I was there at Baby, I saw 72 00:05:23,200 --> 00:05:28,640 Speaker 2: Lisa Barlow put shit together. She I guess her company 73 00:05:28,760 --> 00:05:32,800 Speaker 2: was the one who was planning the event. And I 74 00:05:33,400 --> 00:05:36,720 Speaker 2: saw her in action, like moving tables, just what we 75 00:05:36,760 --> 00:05:39,240 Speaker 2: saw this episode. I saw her do that in person. 76 00:05:39,440 --> 00:05:43,400 Speaker 2: She was movie tables. She's gorgeous in person, and she 77 00:05:43,560 --> 00:05:45,920 Speaker 2: was really working it. And this was around the Sunday's 78 00:05:45,960 --> 00:05:50,080 Speaker 2: Film Festival, which is the hottest ticket in town in 79 00:05:50,160 --> 00:05:53,200 Speaker 2: Salt Lake City. It's the hottest ticket. It's like the 80 00:05:53,240 --> 00:05:58,240 Speaker 2: Oscars Honey for Salt Lake City. So I can't corroborate 81 00:05:58,320 --> 00:06:02,080 Speaker 2: that Lisa Barlow is a work. I can also corroborate 82 00:06:02,200 --> 00:06:08,680 Speaker 2: that Lisa Barlow loves to name drop. The fact that 83 00:06:08,720 --> 00:06:14,000 Speaker 2: she name dropped everybody from Usher to Forrest. Whitaker gave 84 00:06:14,080 --> 00:06:18,120 Speaker 2: me everything I needed to begin this episode. Lisa Barlow 85 00:06:18,480 --> 00:06:22,080 Speaker 2: is going to let the girls know exactly who she's around, 86 00:06:22,520 --> 00:06:28,919 Speaker 2: why she's busy, why lawsuits happened to her, why she 87 00:06:29,200 --> 00:06:32,040 Speaker 2: is that girl, and why we need to know everybody 88 00:06:32,080 --> 00:06:35,160 Speaker 2: she's involved with. I, for one, have to say I 89 00:06:35,279 --> 00:06:40,440 Speaker 2: enjoyed it. I enjoyed it. Listen. Lisa is an accomplished woman, 90 00:06:41,720 --> 00:06:43,039 Speaker 2: and I like seeing her. 91 00:06:45,560 --> 00:06:48,000 Speaker 4: I like seeing her brag about it. I don't think 92 00:06:48,000 --> 00:06:51,000 Speaker 4: it's a problem. I mean, she's a housewife. That's what 93 00:06:51,120 --> 00:06:54,440 Speaker 4: makes her great television. I loved it so shot out 94 00:06:54,440 --> 00:06:59,200 Speaker 4: to Lisa. It was nice seeing you at work getting 95 00:06:59,200 --> 00:07:03,200 Speaker 4: things together. It reminded me of our brief time together. 96 00:07:03,560 --> 00:07:06,440 Speaker 4: Although I did I go up and speak to you because. 97 00:07:08,839 --> 00:07:11,160 Speaker 2: Of the show. But listen, I'm a fan out and 98 00:07:11,160 --> 00:07:13,600 Speaker 2: I'm a Lisa Barlow stan I'm a Brahma stand. I 99 00:07:13,600 --> 00:07:16,040 Speaker 2: love all the girls. I'm a Salt Lake City stand. Okay. 100 00:07:16,560 --> 00:07:23,960 Speaker 2: Moving on, speaking of Broadway, she informed us that her 101 00:07:24,000 --> 00:07:30,480 Speaker 2: father has Alzheimer's disease, which is incredibly difficult for anybody, 102 00:07:31,240 --> 00:07:36,200 Speaker 2: especially you know, a parent or child to deal with that. 103 00:07:38,680 --> 00:07:40,960 Speaker 2: And my heart goes out to Brahma and the family. 104 00:07:41,480 --> 00:07:43,960 Speaker 2: She spoke to Todd about it, and what was so 105 00:07:44,160 --> 00:07:48,960 Speaker 2: interesting about her conversation with Todd. Todd was very likable 106 00:07:49,480 --> 00:07:54,080 Speaker 2: in this scene. And I love the fact that Broadwyn 107 00:07:54,480 --> 00:07:58,400 Speaker 2: decided to give Todd his flowers and said, like, I 108 00:07:58,480 --> 00:08:02,280 Speaker 2: know my parents moving in with me was an ideal 109 00:08:02,360 --> 00:08:07,880 Speaker 2: for you, that it wasn't something you know you didn't want, 110 00:08:08,040 --> 00:08:10,560 Speaker 2: but you made it happen for me, and I appreciate you. 111 00:08:11,480 --> 00:08:15,520 Speaker 2: And I thought that was beautiful because look, a man 112 00:08:15,640 --> 00:08:20,400 Speaker 2: like Todd doesn't ask for much because he gives so much. 113 00:08:21,160 --> 00:08:23,920 Speaker 2: So I love the fact that it appeared to me 114 00:08:24,000 --> 00:08:30,000 Speaker 2: that these two sister reunion are having another opportunity to 115 00:08:30,080 --> 00:08:33,640 Speaker 2: really work on their marriage. Strength of their marriage. They're 116 00:08:33,679 --> 00:08:37,840 Speaker 2: now hearing each other. Broadwind go out of her way 117 00:08:37,880 --> 00:08:41,520 Speaker 2: to give Todd his flowers. I thought it was beautiful. 118 00:08:41,800 --> 00:08:44,600 Speaker 2: And I also think she knew that Todd needed to 119 00:08:44,640 --> 00:08:50,160 Speaker 2: hear that, and not only does hear it privately, she 120 00:08:50,280 --> 00:08:54,320 Speaker 2: knew that he needed that to be said publicly so 121 00:08:54,360 --> 00:08:57,960 Speaker 2: that the world doesn't think he's this massagynist. At least 122 00:08:58,000 --> 00:09:00,480 Speaker 2: aballa think he his job. So I thought that was 123 00:09:00,480 --> 00:09:05,319 Speaker 2: great and I just really appreciate Brahma being so vulnerable 124 00:09:05,800 --> 00:09:10,559 Speaker 2: talking to the audience us about what's happening in her household. 125 00:09:11,160 --> 00:09:15,679 Speaker 2: So then we get to her her mother, Baby. Brahma's 126 00:09:15,679 --> 00:09:18,880 Speaker 2: mother is a piece of work. I knew something was 127 00:09:19,000 --> 00:09:23,599 Speaker 2: off the moment Brahmin brought the can of soda and 128 00:09:23,720 --> 00:09:27,079 Speaker 2: the mother asked what was the cold and Brahma made 129 00:09:27,080 --> 00:09:30,400 Speaker 2: a face like, I just got it off the fridge. 130 00:09:30,640 --> 00:09:35,200 Speaker 2: I was like, oh, there's something here, got it. 131 00:09:38,040 --> 00:09:40,840 Speaker 1: This is reality with the King and I'm Carlos King. 132 00:09:41,320 --> 00:09:45,680 Speaker 2: Let's get back into the show. So then they're talking 133 00:09:46,120 --> 00:09:49,679 Speaker 2: and Brahmin's mom talked about the fact that she had 134 00:09:49,720 --> 00:09:53,800 Speaker 2: to go back to the house to pack up some 135 00:09:53,960 --> 00:09:59,079 Speaker 2: of the things, and she was just worried about throwing 136 00:09:59,200 --> 00:10:02,480 Speaker 2: things away belongs to her husband, and she got an 137 00:10:02,480 --> 00:10:06,120 Speaker 2: emotional about that because those are difficult decisions you need 138 00:10:06,160 --> 00:10:12,080 Speaker 2: to make, because it's sort of it's like the realization 139 00:10:13,640 --> 00:10:18,400 Speaker 2: that the person who you love is no longer going 140 00:10:18,480 --> 00:10:23,000 Speaker 2: to be that same person when you're dealing with somebody 141 00:10:23,000 --> 00:10:27,840 Speaker 2: that has Alzheimer's, and not only that, what the chef 142 00:10:27,880 --> 00:10:32,160 Speaker 2: life is for that life. So all of that I 143 00:10:32,240 --> 00:10:36,079 Speaker 2: assume was just coming at the mom all at once, 144 00:10:36,720 --> 00:10:39,839 Speaker 2: and it's so sad. It's sad to see it. It 145 00:10:39,880 --> 00:10:42,920 Speaker 2: was sad to deal with it. It's sad to know 146 00:10:43,000 --> 00:10:52,000 Speaker 2: that the father's disease is out of state where he 147 00:10:52,080 --> 00:11:01,600 Speaker 2: doesn't really see Brahmin or her daughter as the sort 148 00:11:01,640 --> 00:11:05,680 Speaker 2: of like adult that they are. And it allowed us 149 00:11:05,760 --> 00:11:10,600 Speaker 2: to really understand Brahmin's personal story about the fact that 150 00:11:10,640 --> 00:11:15,280 Speaker 2: she was eighteen years old got pregnant and how that 151 00:11:15,440 --> 00:11:21,240 Speaker 2: just wasn't something that her father of course liked. She 152 00:11:21,360 --> 00:11:25,200 Speaker 2: was in college and this happened to her, and how 153 00:11:25,240 --> 00:11:27,439 Speaker 2: she just pretty much made the decisions that her father 154 00:11:27,600 --> 00:11:30,360 Speaker 2: did not agree with, and how he was worried about 155 00:11:30,360 --> 00:11:32,520 Speaker 2: her all the time, and the fact that in his 156 00:11:32,600 --> 00:11:36,360 Speaker 2: state of having Alzheimer's, that's who he sees when he 157 00:11:36,360 --> 00:11:40,360 Speaker 2: looks at Bromwin, is that girl who was around that age, 158 00:11:40,520 --> 00:11:44,400 Speaker 2: and how he was always worried about her. And it 159 00:11:44,520 --> 00:11:49,840 Speaker 2: made me feel sad that she has to go through this, 160 00:11:50,800 --> 00:11:55,560 Speaker 2: And it made me feel sad when you saw the 161 00:11:55,720 --> 00:12:02,679 Speaker 2: mother say to Broadwin that, yeah, you couldn't get here 162 00:12:02,720 --> 00:12:12,280 Speaker 2: without Todd or Todd's don and although listen, although that 163 00:12:12,360 --> 00:12:15,280 Speaker 2: may be true, because I'm not going to negate what 164 00:12:15,400 --> 00:12:17,880 Speaker 2: Todd has done for brom with and I don't think 165 00:12:17,920 --> 00:12:20,360 Speaker 2: Brahma will ever they get what Todd has done for her, 166 00:12:21,200 --> 00:12:27,800 Speaker 2: hence her telling him earlier in their one on one 167 00:12:28,200 --> 00:12:33,440 Speaker 2: that she appreciates everything he is doing for her. So 168 00:12:33,559 --> 00:12:36,160 Speaker 2: I don't think it's not lost on her that this 169 00:12:36,320 --> 00:12:40,319 Speaker 2: man helped her. But I think what's happening is this 170 00:12:41,160 --> 00:12:45,160 Speaker 2: for most women who are married to wealthy men and 171 00:12:45,200 --> 00:12:47,880 Speaker 2: they are truly a real housewife, or they may have 172 00:12:47,920 --> 00:12:53,640 Speaker 2: a job that is it contributing to the household because 173 00:12:54,240 --> 00:12:58,600 Speaker 2: their husbands are wealthy, and he looks at her paycheck like, well, 174 00:12:58,640 --> 00:13:01,600 Speaker 2: that's just yours. Do whatever you want to do with it, 175 00:13:01,800 --> 00:13:03,880 Speaker 2: Like child, that little money ain't gonna help me pay 176 00:13:03,920 --> 00:13:05,920 Speaker 2: the mortgage, so do what you gotta do with it. 177 00:13:06,920 --> 00:13:11,719 Speaker 2: I think for most women in Brahmin's position, yes it's 178 00:13:11,720 --> 00:13:18,080 Speaker 2: an accomplishment that I'm married well, and yes it's beautiful 179 00:13:18,280 --> 00:13:23,480 Speaker 2: that a man came into my life and embraced me 180 00:13:23,760 --> 00:13:28,280 Speaker 2: and my child. Those are beautiful things that Todd has done, right, 181 00:13:29,760 --> 00:13:32,280 Speaker 2: But I think Bronwin wants to hear from her mother, 182 00:13:32,559 --> 00:13:35,840 Speaker 2: who she admitted that she always feels she needs disapproval 183 00:13:35,880 --> 00:13:41,720 Speaker 2: from I think she wants her mother to say, I'm 184 00:13:41,760 --> 00:13:44,880 Speaker 2: proud of you, so let's have a real conversation. It 185 00:13:45,000 --> 00:13:51,840 Speaker 2: takes a smart woman to find date, stay with, marry 186 00:13:52,880 --> 00:13:57,880 Speaker 2: a rich man. That's a skill set in itself. Nobody 187 00:13:57,920 --> 00:14:02,080 Speaker 2: wants to have a conversation. Just like I believe the 188 00:14:02,080 --> 00:14:04,520 Speaker 2: best job in the world and the toughest job in 189 00:14:04,520 --> 00:14:07,280 Speaker 2: the world is being a teacher. I feel the same 190 00:14:07,320 --> 00:14:12,520 Speaker 2: way about that those jobs also being mothers. I think 191 00:14:12,559 --> 00:14:15,360 Speaker 2: being a mother is the most beautiful job in the 192 00:14:15,360 --> 00:14:19,880 Speaker 2: world and the most difficult and the most challenging, and 193 00:14:19,920 --> 00:14:23,560 Speaker 2: that's a real job. Brahmi should get all the pops 194 00:14:23,560 --> 00:14:25,200 Speaker 2: in the world because at the end of the day, 195 00:14:26,360 --> 00:14:31,640 Speaker 2: she was a teen mother, but she was able to 196 00:14:31,920 --> 00:14:38,960 Speaker 2: work her way into creating a life for herself where 197 00:14:39,200 --> 00:14:43,480 Speaker 2: she doesn't have to suffer, at least financially. Now. I 198 00:14:43,480 --> 00:14:46,280 Speaker 2: don't know what happens in the household everyday child, but 199 00:14:47,240 --> 00:14:52,280 Speaker 2: that's a skill state because a lot of women, unfortunately, 200 00:14:52,960 --> 00:14:56,960 Speaker 2: I mean, in my opinion, that doesn't happen for them. 201 00:14:57,200 --> 00:15:00,720 Speaker 2: It's not every day that the team mom can and 202 00:15:01,280 --> 00:15:07,280 Speaker 2: mustered through and marry somebody that will embrace a child 203 00:15:07,360 --> 00:15:14,080 Speaker 2: that's not there. But Brahman did, And I think that's 204 00:15:14,120 --> 00:15:19,200 Speaker 2: when you say to your daughter, Look, obviously we all 205 00:15:19,200 --> 00:15:22,800 Speaker 2: felt like you made decisions we didn't want for you. 206 00:15:23,560 --> 00:15:27,040 Speaker 2: But what I must say is I love the fact 207 00:15:27,080 --> 00:15:30,160 Speaker 2: that you were able to work hard, you were able 208 00:15:30,200 --> 00:15:33,680 Speaker 2: to really take care of your child, You were able 209 00:15:33,720 --> 00:15:37,040 Speaker 2: to really, you know, meet somebody who loves you dearly, 210 00:15:37,520 --> 00:15:42,400 Speaker 2: who embraced you and your daughter, and you have really 211 00:15:42,520 --> 00:15:45,120 Speaker 2: creative this life for yourself. I'm proud of you. And 212 00:15:45,160 --> 00:15:47,880 Speaker 2: look at you now you're on TV sort of like 213 00:15:47,920 --> 00:15:52,280 Speaker 2: how ke Key on Miami Housewives. Excuse me on Miami Housewives, 214 00:15:52,760 --> 00:15:55,600 Speaker 2: how her father looks at her like, look, yeah, I 215 00:15:55,720 --> 00:15:59,120 Speaker 2: kicked you out, I did all those things, but look 216 00:15:59,200 --> 00:16:04,240 Speaker 2: yo to me like that, look what you've done for yourself, girl, 217 00:16:04,320 --> 00:16:07,560 Speaker 2: I'm proud of you. I think Browin wants to hear 218 00:16:07,640 --> 00:16:13,560 Speaker 2: that from her own mother, and rightfully so. But baby, 219 00:16:13,560 --> 00:16:16,280 Speaker 2: that mom's a trip. I love the mom, but the 220 00:16:16,320 --> 00:16:19,080 Speaker 2: MAM's a trip. So much so when she said to 221 00:16:19,160 --> 00:16:25,360 Speaker 2: her like, yeah, but get you know, Alicia, learning all 222 00:16:25,360 --> 00:16:27,760 Speaker 2: of this or get used to this, because you're gonna 223 00:16:27,760 --> 00:16:32,400 Speaker 2: have to deal with this with Todd. Like Todd's gonna 224 00:16:32,400 --> 00:16:38,600 Speaker 2: get awesome for his mom. What the what? Girl? What 225 00:16:38,720 --> 00:16:42,240 Speaker 2: the what? Okay? That was that? But loved it. Loved it. 226 00:16:42,360 --> 00:16:45,960 Speaker 2: Love the personal stories with that, love Angie's personal story 227 00:16:46,720 --> 00:16:50,080 Speaker 2: with really talking about her Greek heritage with her father. 228 00:16:50,920 --> 00:16:59,880 Speaker 2: These are see I love. Now let's get into the 229 00:17:01,840 --> 00:17:06,240 Speaker 2: So Lisa Barlow decided to throw an event and she 230 00:17:06,480 --> 00:17:10,639 Speaker 2: only invited who she described as the A team. So 231 00:17:10,680 --> 00:17:20,080 Speaker 2: the A team consisted of her social like bestie, Mary, Meredith, 232 00:17:22,840 --> 00:17:28,879 Speaker 2: and Brittany. And then she decided to have a lunch 233 00:17:29,800 --> 00:17:35,520 Speaker 2: and the other girls and gee with me and Brown, 234 00:17:36,359 --> 00:17:40,040 Speaker 2: who she considered to be on the D team, had 235 00:17:40,080 --> 00:17:45,400 Speaker 2: to meet her at the lunch, so they all walk 236 00:17:45,440 --> 00:17:49,040 Speaker 2: in together after meeting up and Baby. When they walked in, 237 00:17:50,040 --> 00:17:55,000 Speaker 2: they are welcomed by poster boards that Lisa Barlow and 238 00:17:55,080 --> 00:18:03,240 Speaker 2: her team put together of the actual lawsuits printed out 239 00:18:04,840 --> 00:18:12,800 Speaker 2: with Lisa Barlow's headshots. That was giving Frederick of Hollywood teas. 240 00:18:16,720 --> 00:18:23,040 Speaker 2: It was a eyed, the filter was filtering, the face tuned, 241 00:18:23,320 --> 00:18:28,959 Speaker 2: was face tuning. The fact that this woman decided to 242 00:18:29,080 --> 00:18:37,400 Speaker 2: print out her glamour shots and placed them on a 243 00:18:37,520 --> 00:18:43,120 Speaker 2: poster board with her lossits on it where she redacted 244 00:18:43,400 --> 00:18:49,000 Speaker 2: big she us to see with the word dismissed and 245 00:18:49,119 --> 00:18:56,000 Speaker 2: blazing all over the copy. This was epic in every 246 00:18:56,080 --> 00:18:58,480 Speaker 2: sense of the word. And this is why Lisa Barlow 247 00:18:58,840 --> 00:19:05,960 Speaker 2: is an excellent house. Excellent, excellent, excellent, excellent, excellent. The 248 00:19:06,040 --> 00:19:08,960 Speaker 2: woman had pictures of her and John at the jazz game. 249 00:19:09,480 --> 00:19:12,239 Speaker 2: The woman had a picture of her and John her 250 00:19:12,320 --> 00:19:18,320 Speaker 2: husband on a yacht. And then Brahma clocked in when 251 00:19:18,359 --> 00:19:20,720 Speaker 2: she saw the picture of them at the jazz game. 252 00:19:20,800 --> 00:19:24,119 Speaker 2: She's like, oh, yeah, that was us sitting courtside and 253 00:19:24,200 --> 00:19:26,199 Speaker 2: brons like that in courtse I sees, baby, look at 254 00:19:26,200 --> 00:19:38,120 Speaker 2: the chairs those aren't. I love this silly show. It's 255 00:19:38,160 --> 00:19:41,320 Speaker 2: so good. Okay, So Lisa did all that. I still 256 00:19:41,320 --> 00:19:45,200 Speaker 2: don't know why Lisa decided to print out sexy pictures 257 00:19:45,200 --> 00:19:48,919 Speaker 2: of her and John that should be in the hidden 258 00:19:49,000 --> 00:19:53,879 Speaker 2: folder on your iPhone. Girl, But I'm like, so Lisa 259 00:19:54,000 --> 00:19:56,080 Speaker 2: says them now, and she's like, love, y'all were talking 260 00:19:56,119 --> 00:19:59,680 Speaker 2: about me, and I decided to bring you guys some lunch. 261 00:20:00,040 --> 00:20:02,440 Speaker 2: So y'all can hear it straight from me about all 262 00:20:02,560 --> 00:20:06,080 Speaker 2: these stories about the lawsuit. So Brown, who went to 263 00:20:06,119 --> 00:20:11,159 Speaker 2: the Kim Kardashian School of Law, decided to ask the 264 00:20:11,280 --> 00:20:17,760 Speaker 2: proper questions. She asked if the case were dismissed because 265 00:20:18,119 --> 00:20:23,399 Speaker 2: you paid them, you pay them back, or is it 266 00:20:23,640 --> 00:20:28,840 Speaker 2: just dismissed, which to me is a fair question. Lisa, 267 00:20:29,680 --> 00:20:32,000 Speaker 2: I don't know why she was bothered this way. She's like, 268 00:20:32,960 --> 00:20:36,479 Speaker 2: it's none of your fucking business. Well, it's what, excuse me? 269 00:20:37,440 --> 00:20:40,280 Speaker 2: I think it is my business. You invited me to 270 00:20:40,400 --> 00:20:44,440 Speaker 2: a luncheon. It is my business. You went to the 271 00:20:44,480 --> 00:20:50,160 Speaker 2: business center at the hotel lobby at the Hilton, printed 272 00:20:50,200 --> 00:20:55,639 Speaker 2: it out, went to FedEx Kinkos, paid for the poster 273 00:20:55,760 --> 00:21:02,199 Speaker 2: board to be a by Kim in size. Then you 274 00:21:02,240 --> 00:21:07,520 Speaker 2: went to Michaels, got some Arson Crafts redacted things in purple. 275 00:21:09,880 --> 00:21:12,840 Speaker 2: I think it is our business. You went to the 276 00:21:12,920 --> 00:21:19,960 Speaker 2: business center to print it out. It's our business. That's 277 00:21:20,000 --> 00:21:24,040 Speaker 2: why we're here, that's why you're invited us. I need 278 00:21:24,080 --> 00:21:27,760 Speaker 2: to know these things. So Lisa lost that one to 279 00:21:27,800 --> 00:21:32,120 Speaker 2: me because I'm like, if you were going to do this, 280 00:21:33,040 --> 00:21:37,520 Speaker 2: you why is your why are you so like ANTSI? 281 00:21:37,840 --> 00:21:40,679 Speaker 2: Why is your guard of like? I don't get it, Like, 282 00:21:40,720 --> 00:21:42,160 Speaker 2: this is an opportunity for. 283 00:21:42,080 --> 00:21:49,919 Speaker 3: You to clearly, succinctly and plainly talk to us about 284 00:21:49,960 --> 00:21:55,119 Speaker 3: what exactly happened, but she failed to do that. So 285 00:21:55,160 --> 00:21:58,960 Speaker 3: then Angie K who is everything, was like, look, I 286 00:21:59,080 --> 00:22:03,760 Speaker 3: have questions. This guy is saying he paid for things. 287 00:22:04,119 --> 00:22:07,199 Speaker 3: This guy is saying he bought you stuff. You know, 288 00:22:07,760 --> 00:22:11,000 Speaker 3: is it true that you owe the guy one hundred 289 00:22:11,000 --> 00:22:14,800 Speaker 3: and eighteen thousand dollars? Is it true that. 290 00:22:17,680 --> 00:22:19,560 Speaker 2: He gave you a credit card with his name on 291 00:22:19,640 --> 00:22:22,960 Speaker 2: it or something like that? And then the socialite one 292 00:22:23,040 --> 00:22:26,120 Speaker 2: of Lisa's lap dogs, No shame, she's a social life 293 00:22:26,200 --> 00:22:29,800 Speaker 2: I live, but it was given lap dog behavior. It 294 00:22:29,880 --> 00:22:35,560 Speaker 2: was it was ruthe ruth, okay, shout out to Lassie. 295 00:22:35,760 --> 00:22:41,479 Speaker 2: So then last see the socialite was like, well, you know, 296 00:22:41,600 --> 00:22:45,959 Speaker 2: they had a business together and that's why they had 297 00:22:46,000 --> 00:22:54,960 Speaker 2: a car together, which okay, but I don't understand why 298 00:22:55,080 --> 00:23:00,680 Speaker 2: she had to tell us that when Lisa is the 299 00:23:00,720 --> 00:23:07,280 Speaker 2: one that went to FedEx, Kinko's and Michael's in the 300 00:23:07,359 --> 00:23:12,520 Speaker 2: business center. I would have thought Lisa would be more prepared. Lisa, 301 00:23:12,600 --> 00:23:17,960 Speaker 2: you failed this baby. You look great, You failed big 302 00:23:18,000 --> 00:23:23,080 Speaker 2: as you weren't prepared to answer these questions. I think 303 00:23:23,520 --> 00:23:26,280 Speaker 2: I think that's the part that's gaggingby you literally went 304 00:23:26,320 --> 00:23:28,800 Speaker 2: out of your way to have her lunch to address it, 305 00:23:29,240 --> 00:23:32,120 Speaker 2: and when the girls ask you questions, all you say 306 00:23:32,280 --> 00:23:35,919 Speaker 2: is is dismissed. So but prom is like, so everything 307 00:23:36,000 --> 00:23:38,840 Speaker 2: that you're that says on the postal board denyed, did 308 00:23:38,840 --> 00:23:44,000 Speaker 2: not deny? Are you denying it? It? Also? Is it dismissed? 309 00:23:44,400 --> 00:23:48,080 Speaker 2: She goes, no, it hasn't been dismissed. Then why the 310 00:23:48,119 --> 00:23:53,320 Speaker 2: fuck do you have dismiss written all over it? Did 311 00:23:53,359 --> 00:24:00,720 Speaker 2: we not go to school? Like I, I. 312 00:24:02,200 --> 00:24:05,600 Speaker 3: Don't get it. 313 00:24:05,680 --> 00:24:13,719 Speaker 2: The claims are being denied, but she dismissed, okay, Lisa. 314 00:24:14,240 --> 00:24:16,280 Speaker 5: So then Lisa's like, well, I'm gonna say it because 315 00:24:16,320 --> 00:24:19,000 Speaker 5: you guys are talking about me and they're like, no, 316 00:24:19,280 --> 00:24:22,640 Speaker 5: you guys talking about me and y'all were saying things 317 00:24:22,680 --> 00:24:24,760 Speaker 5: about me behind my back, and they're like, well, we 318 00:24:24,760 --> 00:24:25,600 Speaker 5: were talking about it. 319 00:24:25,760 --> 00:24:29,520 Speaker 2: Why did you go camping with us? Lisa Barlow then 320 00:24:29,640 --> 00:24:33,800 Speaker 2: goes on to say that she didn't go camping because 321 00:24:33,840 --> 00:24:37,760 Speaker 2: she was at a Ben Affleck Blake Lively and Anatric 322 00:24:37,920 --> 00:24:38,680 Speaker 2: movie premiere. 323 00:24:40,680 --> 00:24:46,960 Speaker 6: No, girl, you were on strike. You could have been 324 00:24:46,960 --> 00:24:49,040 Speaker 6: at the premiere. I about to say you weren't there, 325 00:24:49,080 --> 00:24:51,480 Speaker 6: but baby, you weren't at the scene. 326 00:24:51,560 --> 00:24:55,280 Speaker 2: You weren't filming because you were on strike. That's what 327 00:24:55,359 --> 00:25:00,439 Speaker 2: was going on. Baby. You want them more money. You 328 00:25:00,520 --> 00:25:05,000 Speaker 2: wanted more money you weren't striking, and then because you 329 00:25:05,040 --> 00:25:08,560 Speaker 2: were on strike, baby, yes you did go to the premiere. 330 00:25:08,680 --> 00:25:11,320 Speaker 2: Now I'll know if Steve Carrell was there two child 331 00:25:11,400 --> 00:25:13,439 Speaker 2: like he was at the other things you do, but 332 00:25:13,760 --> 00:25:17,240 Speaker 2: the things had been affleck baby Blake Lively and Anna 333 00:25:17,320 --> 00:25:22,200 Speaker 2: Kendrick was their baby. Because Lisa o'barlow is what that girl. Okay, 334 00:25:22,280 --> 00:25:28,680 Speaker 2: we get it. Lisa Barlowe has never met a celebrity. 335 00:25:29,080 --> 00:25:33,840 Speaker 2: She did it, keep in her mouth to drop it 336 00:25:33,880 --> 00:25:39,080 Speaker 2: out the motherfucker. Okay, there you go. So Lisa decided 337 00:25:39,080 --> 00:25:42,600 Speaker 2: to shake the girls. They're arguing and then all of 338 00:25:42,640 --> 00:25:50,480 Speaker 2: a sudden, Meredith is trying to defend her, and Whitney's like, 339 00:25:50,560 --> 00:25:54,840 Speaker 2: oh really, you were so silent at camping, a silent camper. 340 00:25:56,200 --> 00:25:59,080 Speaker 2: And they flashed back to Mary and not to married 341 00:25:59,160 --> 00:26:03,040 Speaker 2: to Meredith Trum trying to defend her, saying, well pretty much, 342 00:26:03,080 --> 00:26:06,399 Speaker 2: how Lisa is not then to defend herself and you 343 00:26:06,440 --> 00:26:08,359 Speaker 2: know we should ask him when we see her, which 344 00:26:08,400 --> 00:26:12,280 Speaker 2: is fair. I thought that was a defense. Mary was like, 345 00:26:12,359 --> 00:26:15,400 Speaker 2: you did defend her, Whitney said, you didn't do it. 346 00:26:15,960 --> 00:26:18,280 Speaker 2: Britney is saying it. Marreydith tried to give her a 347 00:26:18,280 --> 00:26:22,440 Speaker 2: Britney child, and Maret it was like, look, Lisa, they're 348 00:26:22,440 --> 00:26:25,159 Speaker 2: trying to put us against each other. Lisa's like, I 349 00:26:25,200 --> 00:26:31,280 Speaker 2: believe you, so they're good. Then Lisa decided to shade 350 00:26:31,359 --> 00:26:39,360 Speaker 2: Whitney and asked about her businesses. Now, one thing about Whitney, 351 00:26:39,400 --> 00:26:44,679 Speaker 2: She's very honest about her business feeling, but Lisa doesn't 352 00:26:44,720 --> 00:26:47,440 Speaker 2: know that because she was gonna strike while hang out 353 00:26:47,440 --> 00:26:51,240 Speaker 2: with Blake. Likely, So Whitney's like, look, I had a 354 00:26:51,280 --> 00:26:54,359 Speaker 2: felt business and then Lisa's like, well it was all 355 00:26:54,400 --> 00:27:03,440 Speaker 2: of her TikTok and then like, your face lifts all 356 00:27:03,480 --> 00:27:07,200 Speaker 2: over TikTok. Lisa, although she said that her pression those, 357 00:27:07,240 --> 00:27:08,879 Speaker 2: but it would have been better if she would have 358 00:27:08,920 --> 00:27:11,320 Speaker 2: said it to her face. But I likes that was 359 00:27:11,359 --> 00:27:17,440 Speaker 2: still a good reed. Now Lisa and Whitney are screaming 360 00:27:17,480 --> 00:27:22,000 Speaker 2: at each other, like screaming. Whitney slams her hand on 361 00:27:22,119 --> 00:27:25,600 Speaker 2: the table. She throws a napkin at her, the way 362 00:27:25,640 --> 00:27:28,159 Speaker 2: Tama Judge threw a napkin at Gin on the o C. 363 00:27:29,640 --> 00:27:35,480 Speaker 2: Whitney gets up out of her seat approaches Lisa. I'm 364 00:27:35,480 --> 00:27:40,280 Speaker 2: from Detroit. You can't walk upon somebody behind them and 365 00:27:40,359 --> 00:27:42,800 Speaker 2: not get a reflex and getting slapped back. I'm just 366 00:27:42,800 --> 00:27:46,240 Speaker 2: saying I'm shocked Lisa did do a reflex. But maybe 367 00:27:46,240 --> 00:27:48,240 Speaker 2: that's how they get down st City child. I don't know, 368 00:27:49,119 --> 00:27:57,520 Speaker 2: but baby Whitney Rose aka Thorn Honey, Whitney Thorn fucked 369 00:27:57,520 --> 00:28:03,280 Speaker 2: the Rose decided to appro Lisa and they we're like 370 00:28:03,400 --> 00:28:11,000 Speaker 2: almost shoving each other. It gotta address up the Whitney's like, 371 00:28:11,040 --> 00:28:13,679 Speaker 2: she triggers me. You see the camera guys in the background. 372 00:28:14,240 --> 00:28:19,680 Speaker 2: It's a mess. Whitney walks off, the girls are gagging, 373 00:28:21,320 --> 00:28:25,359 Speaker 2: And the only question I still want to know do 374 00:28:25,400 --> 00:28:29,680 Speaker 2: you owe that man one hundred and eighteen thousand dollars? 375 00:28:30,000 --> 00:28:32,000 Speaker 2: I need to know what this man buying you stuff. 376 00:28:32,720 --> 00:28:34,760 Speaker 2: I need to know if it's true that you told 377 00:28:34,880 --> 00:28:38,840 Speaker 2: him not to tell John. I need to know something's 378 00:28:38,880 --> 00:28:41,600 Speaker 2: going on between you and the Speller. I don't care 379 00:28:41,640 --> 00:28:44,640 Speaker 2: about Whitney's TikTok failures. I don't care about face till 380 00:28:44,720 --> 00:28:47,280 Speaker 2: the face lift. All I care about is a mess 381 00:28:48,120 --> 00:28:53,920 Speaker 2: knocked out. I want to know if Lisa Varlow owes 382 00:28:54,000 --> 00:28:57,760 Speaker 2: that man one hundred eighteen thousand dollars. So let's hope 383 00:28:58,080 --> 00:29:01,840 Speaker 2: we get that Intel and make Shif next week. But 384 00:29:02,160 --> 00:29:07,760 Speaker 2: Solid City is backbitches, and it is a ten out 385 00:29:07,760 --> 00:29:09,240 Speaker 2: of a ten. 386 00:29:12,600 --> 00:29:17,120 Speaker 1: Reality with the King is executive produced by me Carlos King, 387 00:29:17,520 --> 00:29:21,479 Speaker 1: produced by Lizzie Nimitz, and a partnership. 388 00:29:20,880 --> 00:29:23,000 Speaker 2: With the Lack Effect Network. 389 00:29:23,360 --> 00:29:26,080 Speaker 1: You can also find us on my YouTube channel at 390 00:29:26,120 --> 00:29:29,400 Speaker 1: the Carlos King Underscore