1 00:00:00,200 --> 00:00:03,480 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,560 --> 00:00:07,040 Speaker 1: iHeartRadio and welcome back to Coast to Coast George Norri 3 00:00:07,160 --> 00:00:09,600 Speaker 1: with you, Craig, weback with us. Craig as a dream 4 00:00:09,640 --> 00:00:14,520 Speaker 1: in consciousness author, researcher, an inventor, a professional educator and 5 00:00:14,600 --> 00:00:18,439 Speaker 1: performing artist, an award winning filmmaker. His life path was 6 00:00:18,480 --> 00:00:22,280 Speaker 1: set in motion three decades ago when he nearly drowned 7 00:00:22,320 --> 00:00:26,560 Speaker 1: on a whitewater rafting trip and suddenly began recalling up 8 00:00:26,560 --> 00:00:29,880 Speaker 1: to ten dreams a day can you imagine that? And 9 00:00:30,000 --> 00:00:33,640 Speaker 1: having lucid dreams and verifiable visions of the future. Since then, 10 00:00:33,880 --> 00:00:38,559 Speaker 1: he's graduated from McGill University, participated in pioneering dream and 11 00:00:38,560 --> 00:00:43,320 Speaker 1: consciousness research at Stanford University, a hospital in Montreal. He 12 00:00:43,400 --> 00:00:48,120 Speaker 1: has also designed electronic mind development and biofeedback tools, helped 13 00:00:48,120 --> 00:00:52,040 Speaker 1: founded and produced Making Contact, which was a radio show 14 00:00:52,080 --> 00:00:54,600 Speaker 1: airing on up to two hundred and fifty stations for 15 00:00:54,680 --> 00:00:58,720 Speaker 1: more than two decades Internationally. His books include The Dreams 16 00:00:58,760 --> 00:01:02,360 Speaker 1: Behind the Music, CD Dreams and Dying Craig, Welcome back, 17 00:01:02,400 --> 00:01:05,839 Speaker 1: How are you sir? Hi? George? Great to be back 18 00:01:05,959 --> 00:01:09,360 Speaker 1: doing pretty well? Thanks great? I love these dream stories. 19 00:01:09,440 --> 00:01:12,679 Speaker 1: I know last time I was on I think you 20 00:01:12,720 --> 00:01:15,760 Speaker 1: guys closed with Louis Armstrong music. I don't know if 21 00:01:15,840 --> 00:01:21,320 Speaker 1: remember I do a dream inspired artist Armstrong. This is 22 00:01:21,360 --> 00:01:24,320 Speaker 1: amazing though. Well, we're going to get into your latest work, 23 00:01:24,360 --> 00:01:27,960 Speaker 1: the Dreams behind the music, because that has inspired so 24 00:01:28,040 --> 00:01:31,320 Speaker 1: many different artists. But dreams are amazing. But let's talk 25 00:01:31,360 --> 00:01:34,920 Speaker 1: about for new people. Talk about this episode of that 26 00:01:35,000 --> 00:01:39,320 Speaker 1: happened three decades ago. Were you nearly drowned? What happened? Yeah, well, 27 00:01:39,840 --> 00:01:42,760 Speaker 1: I guess that was kind of my water set experience. 28 00:01:43,480 --> 00:01:46,680 Speaker 1: I was a good little physicist, you know, very science minded, 29 00:01:46,680 --> 00:01:53,680 Speaker 1: objective world provability research, and then pretty suddenly everything changed, 30 00:01:54,400 --> 00:01:58,120 Speaker 1: very shortly after I had this near drowning. So I 31 00:01:58,160 --> 00:02:00,320 Speaker 1: was on a whitewater raft in a river or in 32 00:02:00,400 --> 00:02:04,360 Speaker 1: Quebec city actually Jacques Artie River, and you know, I 33 00:02:05,040 --> 00:02:07,600 Speaker 1: wasn't too afraid of water. I was a big swimmer kayaker, 34 00:02:07,640 --> 00:02:09,800 Speaker 1: but sat near the back of the raft for because 35 00:02:09,800 --> 00:02:13,640 Speaker 1: the bumps were better. But then a surprise submersion, you know, 36 00:02:13,760 --> 00:02:16,680 Speaker 1: kind of imagine cold fall of water with silt, so 37 00:02:16,720 --> 00:02:19,680 Speaker 1: I couldn't see anything and I had my life jacket, 38 00:02:19,760 --> 00:02:22,760 Speaker 1: but bumping into the raft underneath, no time for a breath, 39 00:02:23,400 --> 00:02:25,520 Speaker 1: and then kind of everything slowed down. I guess the 40 00:02:25,600 --> 00:02:29,600 Speaker 1: fight and flight turned to this very strange piece. Wow, 41 00:02:29,639 --> 00:02:32,880 Speaker 1: I'm dying. This is really it, you know. I just 42 00:02:32,919 --> 00:02:36,720 Speaker 1: had this simple single thought and with it this piece 43 00:02:36,800 --> 00:02:40,040 Speaker 1: which I wouldn't expect normally when I'm drowning, But there 44 00:02:40,040 --> 00:02:42,200 Speaker 1: it was, and I just took it. And then I 45 00:02:42,200 --> 00:02:44,919 Speaker 1: guess the guide must have pulled me out. I don't 46 00:02:44,960 --> 00:02:47,519 Speaker 1: remember exactly, but I rafted the rest of the day 47 00:02:47,560 --> 00:02:51,720 Speaker 1: pretty much as normal, and then I started remembering, like 48 00:02:51,720 --> 00:02:55,320 Speaker 1: like you mentioned before, many many dreams a day, sometimes 49 00:02:55,400 --> 00:02:58,080 Speaker 1: previous day's dreams in the following days. And I'd never 50 00:02:58,080 --> 00:03:02,160 Speaker 1: really remembered dreams much before some kind of big gate 51 00:03:02,280 --> 00:03:06,400 Speaker 1: open where I was connecting with intuition, subconscious dreams, and 52 00:03:06,560 --> 00:03:10,359 Speaker 1: of course the lucid dreaming where you know you're dreaming 53 00:03:10,520 --> 00:03:13,359 Speaker 1: in the dream, which is pretty remarkable all by itself, 54 00:03:13,480 --> 00:03:16,200 Speaker 1: isn't it right? Right? And and that kind of dream 55 00:03:16,240 --> 00:03:18,640 Speaker 1: started too, so it was kind of I wrote a 56 00:03:18,680 --> 00:03:21,280 Speaker 1: song about it, but I was like, wow, he means 57 00:03:21,320 --> 00:03:25,680 Speaker 1: that physical life here where I perceived with my eyes, ears, nose, skin. 58 00:03:26,760 --> 00:03:30,000 Speaker 1: That's just one station on a big dial. Of experience. Wow, 59 00:03:30,040 --> 00:03:32,640 Speaker 1: nobody told me that in physics class. You know, we 60 00:03:32,639 --> 00:03:35,280 Speaker 1: can pick up things with precognition. We can tune in 61 00:03:35,280 --> 00:03:38,520 Speaker 1: to other people telepathically, and then we can get pretty 62 00:03:38,600 --> 00:03:43,440 Speaker 1: interesting info, maybe creativity, sometimes very practical daily career or 63 00:03:43,600 --> 00:03:47,080 Speaker 1: relationship guidance, all these things I was finding out in 64 00:03:47,160 --> 00:03:49,520 Speaker 1: my dreams and lucid dreams. I was kind of like, Okay, 65 00:03:49,680 --> 00:03:52,720 Speaker 1: I guess I'll explore and research this, and I guess 66 00:03:52,720 --> 00:03:55,280 Speaker 1: at the end of thirty thirty five years, now you 67 00:03:55,600 --> 00:03:59,680 Speaker 1: see the story as it laid out. It's truly remarkable 68 00:03:59,680 --> 00:04:04,880 Speaker 1: that now are dreams originating from the brain or outside 69 00:04:04,880 --> 00:04:09,400 Speaker 1: of the brain. Yeah, that's an interesting conundrum there, it is. 70 00:04:09,720 --> 00:04:13,440 Speaker 1: I would say dreams itself is a word we should 71 00:04:13,440 --> 00:04:15,120 Speaker 1: define a little bit because a lot of people use 72 00:04:15,160 --> 00:04:18,160 Speaker 1: it differently. For now and for tonight, I guess we'll 73 00:04:18,240 --> 00:04:20,919 Speaker 1: use an experience that you have well, you know, physically 74 00:04:20,960 --> 00:04:26,040 Speaker 1: prone and usually asleep, eyes closed. But there's lots of variations. 75 00:04:26,080 --> 00:04:28,760 Speaker 1: Certainly there's a big variation people use all these dreams 76 00:04:28,760 --> 00:04:31,280 Speaker 1: I have for my future and waking life. So it's 77 00:04:31,279 --> 00:04:34,839 Speaker 1: not exactly what we're talking about today. But the dreams 78 00:04:34,880 --> 00:04:37,480 Speaker 1: had sleep I would say, originate at least in the 79 00:04:37,520 --> 00:04:42,359 Speaker 1: whole body. So let's expand a little bit just past 80 00:04:42,400 --> 00:04:47,160 Speaker 1: the sleeping brain. Since certain body positions, certain touch certain 81 00:04:47,839 --> 00:04:51,040 Speaker 1: I guess trauma held in the body can, and even 82 00:04:51,080 --> 00:04:53,520 Speaker 1: injuries and wounds on the body can show up well 83 00:04:53,560 --> 00:04:57,719 Speaker 1: in dreams and vice versa. So and then let's say 84 00:04:57,720 --> 00:05:01,800 Speaker 1: there must be some kind of invisible substance. I don't know, 85 00:05:01,880 --> 00:05:04,800 Speaker 1: the mind, you might call it that, or something like 86 00:05:04,839 --> 00:05:08,440 Speaker 1: the ethereal body or the invisible body that prints out 87 00:05:08,480 --> 00:05:11,839 Speaker 1: into the physical. And my guess is the dreams bridge 88 00:05:11,880 --> 00:05:15,279 Speaker 1: between the physical brain and physical body and some of 89 00:05:15,320 --> 00:05:17,760 Speaker 1: some of this inner matter or whatever we want to 90 00:05:17,760 --> 00:05:20,880 Speaker 1: call it the mind and the realm beyond. So I 91 00:05:20,880 --> 00:05:24,520 Speaker 1: guess probably both, and maybe way more. Do you think 92 00:05:24,560 --> 00:05:31,200 Speaker 1: societies have been interested in dreams since the beginning of mankind? Absolutely? 93 00:05:31,200 --> 00:05:35,880 Speaker 1: In fact, not just interested I think living probably. I 94 00:05:35,920 --> 00:05:39,760 Speaker 1: mean even little children nowadays, you know, George, they don't 95 00:05:39,800 --> 00:05:42,800 Speaker 1: necessarily differentiate too much between dreams. They say, oh, yeah, 96 00:05:42,839 --> 00:05:45,960 Speaker 1: I met my little friend. But the little child didn't 97 00:05:45,960 --> 00:05:48,000 Speaker 1: go out to play at all. They said, oh, you 98 00:05:48,040 --> 00:05:51,960 Speaker 1: were dreaming that. Oh well, yes, I met him. Eventually 99 00:05:52,000 --> 00:05:54,479 Speaker 1: we trained them that, oh, that was imagination, that was 100 00:05:54,520 --> 00:05:57,680 Speaker 1: a dream, but the child's experiencing it full on as 101 00:05:57,720 --> 00:06:01,719 Speaker 1: if they might experience that physical It's I think, you know, 102 00:06:01,800 --> 00:06:05,600 Speaker 1: native societies have not quite lost that connection, maybe as 103 00:06:05,680 --> 00:06:07,520 Speaker 1: much as we did. And in fact, there's a lot 104 00:06:07,520 --> 00:06:12,280 Speaker 1: of shamans worldwide, sort of let's say cultural spiritual cultures, 105 00:06:12,279 --> 00:06:16,200 Speaker 1: and certainly the spiritual folks from those cultures we call 106 00:06:16,279 --> 00:06:20,120 Speaker 1: shamans or medicine men or medicine women who are quite 107 00:06:20,120 --> 00:06:25,000 Speaker 1: connected with the inner worlds. The shamanic world's dreaming in 108 00:06:25,040 --> 00:06:28,640 Speaker 1: practical ways to help their I guess tribe and family 109 00:06:28,720 --> 00:06:32,720 Speaker 1: members and certainly themselves. And what way do you say 110 00:06:32,760 --> 00:06:36,559 Speaker 1: about that? Do you think cultures over many years, maybe 111 00:06:36,600 --> 00:06:39,720 Speaker 1: many many millennia have stayed tuned with giant dreams. Yeah, 112 00:06:39,760 --> 00:06:42,479 Speaker 1: I think they probably have. And what fascinates me about 113 00:06:42,600 --> 00:06:46,719 Speaker 1: the dreams more than anything is the precognitive dreams. How 114 00:06:46,760 --> 00:06:50,359 Speaker 1: in the world does that happen? Like the Pharaoh right, yeah, 115 00:06:50,400 --> 00:06:54,640 Speaker 1: back to the Egyptian culture, you know, documented in the Bible, 116 00:06:54,760 --> 00:06:58,919 Speaker 1: the Pharaoh had the dream that later Joseph interpreted that 117 00:06:59,160 --> 00:07:02,400 Speaker 1: they acted, which we'll slip in a little principle here 118 00:07:02,440 --> 00:07:06,080 Speaker 1: for listeners, not just what does a dream mean? Which 119 00:07:06,080 --> 00:07:09,240 Speaker 1: is a great question a little bit around Higmund Freud, 120 00:07:09,560 --> 00:07:13,000 Speaker 1: But what does it want? In this case, the pharaoh's dream. 121 00:07:13,440 --> 00:07:15,680 Speaker 1: We won't get into all the details, but it came 122 00:07:15,720 --> 00:07:17,960 Speaker 1: pretty clear to Joseph and the pharaoh. It wanted them 123 00:07:18,000 --> 00:07:21,480 Speaker 1: to actually physically save grain and save meats for seven 124 00:07:21,560 --> 00:07:25,560 Speaker 1: years in the storehouses. And the pharaoh thought it was 125 00:07:25,600 --> 00:07:28,040 Speaker 1: so important he put you know, prisoner at the time, 126 00:07:28,080 --> 00:07:30,640 Speaker 1: a prisoner Joseph in charge of it as his I guess, 127 00:07:30,680 --> 00:07:33,240 Speaker 1: first in command. And they did. They saved it all 128 00:07:33,320 --> 00:07:36,200 Speaker 1: up after the dream and saved many millions of lives 129 00:07:36,240 --> 00:07:38,800 Speaker 1: when there was a huge draft and famine later. So 130 00:07:39,320 --> 00:07:43,000 Speaker 1: an interesting history there, and I guess a precognitive dream 131 00:07:43,080 --> 00:07:46,960 Speaker 1: that served many, many, many people. Who gives us the information? 132 00:07:47,240 --> 00:07:50,600 Speaker 1: Is it coming from other sources like the angelic world? 133 00:07:50,720 --> 00:07:56,480 Speaker 1: Or is it God Who's telling people these things? Who's 134 00:07:56,480 --> 00:07:58,280 Speaker 1: telling people? And who's telling us? Have you ever had 135 00:07:58,280 --> 00:08:01,080 Speaker 1: a premonition or a precognitive dream? My daughter did. She 136 00:08:01,120 --> 00:08:03,280 Speaker 1: had a nine one one dream, but we didn't know 137 00:08:03,320 --> 00:08:07,320 Speaker 1: what it was until after the fact. Unfortunately, how long 138 00:08:07,480 --> 00:08:11,480 Speaker 1: before it two weeks before she called me up and said, Dad, 139 00:08:11,520 --> 00:08:14,640 Speaker 1: I had the strangest dream that I'm in this big 140 00:08:14,720 --> 00:08:19,640 Speaker 1: city walking down the street and I'm looking up and 141 00:08:19,880 --> 00:08:24,360 Speaker 1: all I can see is ash coming down like huge snowflakes. 142 00:08:24,920 --> 00:08:27,520 Speaker 1: And I looked down and I'm in six inches of 143 00:08:27,560 --> 00:08:30,880 Speaker 1: it walking, but it's all over the place. I could 144 00:08:30,920 --> 00:08:34,840 Speaker 1: barely breathe, and I could see these buildings but you 145 00:08:34,880 --> 00:08:38,120 Speaker 1: couldn't see them. It was really weird. And then she 146 00:08:38,240 --> 00:08:40,920 Speaker 1: called me up when the first plane hit one of 147 00:08:40,920 --> 00:08:44,800 Speaker 1: the towers. Yea, and she said, Dad, it's my dream. Look. 148 00:08:44,920 --> 00:08:47,600 Speaker 1: And I turned on the television that morning and I 149 00:08:47,640 --> 00:08:50,240 Speaker 1: saw what was going on. But she had that two 150 00:08:50,280 --> 00:08:54,239 Speaker 1: weeks before. Yeah, and at that time, you know, September, 151 00:08:54,480 --> 00:08:58,240 Speaker 1: I guess maybe August two thousand and one. And then 152 00:08:58,280 --> 00:09:02,599 Speaker 1: certainly after September eleventh, I got a lot of inquiries 153 00:09:02,640 --> 00:09:04,839 Speaker 1: and a lot of people, in fact that a lot 154 00:09:04,880 --> 00:09:07,160 Speaker 1: of people even would come on different shows that I 155 00:09:07,200 --> 00:09:09,880 Speaker 1: was invited on to say yes, yes, yes, I dreamt 156 00:09:09,920 --> 00:09:14,679 Speaker 1: that event beforehand, too, like fairly clearly, with some specifics, 157 00:09:14,720 --> 00:09:17,280 Speaker 1: And some people got warning dreams don't go to work today. 158 00:09:17,320 --> 00:09:20,640 Speaker 1: Somebody worked in the towers, you know. So where does 159 00:09:20,679 --> 00:09:25,600 Speaker 1: it come from? Certainly it comes from something inside you. Know, 160 00:09:25,640 --> 00:09:29,520 Speaker 1: we're not exactly tuned to events future events. We don't 161 00:09:29,559 --> 00:09:32,280 Speaker 1: have any time machine quite yet in physical life. But 162 00:09:32,400 --> 00:09:36,680 Speaker 1: let's say the brain, the mind, something inside invisible mechanism, 163 00:09:36,760 --> 00:09:39,640 Speaker 1: intuition maybe we want to call it, can tune in 164 00:09:39,720 --> 00:09:44,880 Speaker 1: across time, certainly more obviously to past events, but somehow 165 00:09:44,920 --> 00:09:48,720 Speaker 1: also to future events. And when something's really emotionally marking, 166 00:09:49,320 --> 00:09:53,280 Speaker 1: like September eleventh, you know, the Twin Towers, which affected 167 00:09:53,280 --> 00:09:56,520 Speaker 1: the whole world and certainly North America, it's going to 168 00:09:56,600 --> 00:09:59,160 Speaker 1: be very strong in terms of sort of I don't 169 00:09:59,200 --> 00:10:01,400 Speaker 1: know what we could call it ghosts, image or a 170 00:10:01,520 --> 00:10:04,560 Speaker 1: probable future, or something that we can tune into in dreams. 171 00:10:04,559 --> 00:10:08,280 Speaker 1: In fact, I dreamt of huge towers falling into rubble 172 00:10:08,400 --> 00:10:11,760 Speaker 1: and sort of crumbling from the ground in a big 173 00:10:11,800 --> 00:10:15,360 Speaker 1: city five years before, but on September eleventh, to five 174 00:10:15,440 --> 00:10:18,160 Speaker 1: years before. Wow, So I thought, that's kind of interest. 175 00:10:18,200 --> 00:10:22,640 Speaker 1: Are no coincidences, little principle there, These things happened, and 176 00:10:22,720 --> 00:10:25,200 Speaker 1: they happen for a reason. But now and again though 177 00:10:25,240 --> 00:10:28,560 Speaker 1: the question is what's doing it? I mean, what are 178 00:10:28,559 --> 00:10:31,680 Speaker 1: we tapping into all of us when when we have 179 00:10:31,800 --> 00:10:38,520 Speaker 1: these precognitive events, whether it's telepathy, precognitive dreams, whatever it is, 180 00:10:38,960 --> 00:10:42,080 Speaker 1: there's got to be something out there that we're you know, 181 00:10:42,320 --> 00:10:46,320 Speaker 1: just like a wireless internet getting in touch with. Yeah, 182 00:10:46,440 --> 00:10:50,240 Speaker 1: like what I call the inner and half. Right, Well, 183 00:10:50,280 --> 00:10:52,719 Speaker 1: I'd like to make a visual analogy because we can 184 00:10:52,760 --> 00:10:55,200 Speaker 1: relate a little bit better. You know, times sometimes a 185 00:10:55,200 --> 00:10:58,800 Speaker 1: little bit vague or tough to grasp for some people. 186 00:10:58,840 --> 00:11:01,199 Speaker 1: But let's say we're driving down a road or a highway. 187 00:11:01,679 --> 00:11:03,480 Speaker 1: We know we have to get off at this exit, 188 00:11:03,559 --> 00:11:06,160 Speaker 1: take this turn, and do this, and then we'll see 189 00:11:06,280 --> 00:11:08,480 Speaker 1: our friend, or we'll go to this meeting or go 190 00:11:08,559 --> 00:11:11,600 Speaker 1: to work or school or whatever. So we have this 191 00:11:11,720 --> 00:11:15,640 Speaker 1: kind of timeline. Now I'm using the road as an analogy, 192 00:11:15,640 --> 00:11:19,640 Speaker 1: where there's certain events along the highway of life, except 193 00:11:19,760 --> 00:11:22,360 Speaker 1: that at the moment we can't really see farther than 194 00:11:22,440 --> 00:11:24,360 Speaker 1: the windshield of our car, in other words, kind of 195 00:11:24,360 --> 00:11:26,880 Speaker 1: the present moment, and we can guess what's going to 196 00:11:26,960 --> 00:11:30,520 Speaker 1: happen in the next five ten minutes most likely. But 197 00:11:30,640 --> 00:11:33,400 Speaker 1: then we can tune in somehow. Let's say our inner 198 00:11:33,440 --> 00:11:37,200 Speaker 1: GPS says, yeah, well, yeah, there's a map, here's the 199 00:11:37,280 --> 00:11:40,440 Speaker 1: most likely event you know, for your daughter two weeks 200 00:11:40,600 --> 00:11:44,360 Speaker 1: hence and it's very emotionally upsetting. So we won't give 201 00:11:44,360 --> 00:11:47,360 Speaker 1: you details because probably you can't prevent it, so that 202 00:11:47,400 --> 00:11:50,000 Speaker 1: would just be frustrating and maybe you'll feel guilty, But 203 00:11:50,080 --> 00:11:52,400 Speaker 1: we'll give you enough details that hey, maybe you will 204 00:11:52,400 --> 00:11:56,679 Speaker 1: start developing this inner sense, you know, precognition as a 205 00:11:56,679 --> 00:11:59,280 Speaker 1: gift that could serve you and others in a practical way, 206 00:11:59,559 --> 00:12:02,720 Speaker 1: you know, side of September eleventh, in an individual, personal, 207 00:12:02,720 --> 00:12:06,840 Speaker 1: practical way. So I usually encourage people to ask more 208 00:12:07,040 --> 00:12:10,600 Speaker 1: just like how or what can we do with it? Rather, 209 00:12:10,760 --> 00:12:13,320 Speaker 1: you know, it's rather than maybe why did it happen, 210 00:12:14,559 --> 00:12:17,880 Speaker 1: and sort of aim towards something that's practical, beneficial, because 211 00:12:17,920 --> 00:12:20,080 Speaker 1: a lot of people end up in fear or guilt, 212 00:12:20,440 --> 00:12:22,640 Speaker 1: Oh my gosh, I could have avoided it, or yeah, 213 00:12:22,720 --> 00:12:25,640 Speaker 1: my god, that's terrified. That's not really why they come. 214 00:12:25,760 --> 00:12:28,160 Speaker 1: They come to kind of help us. Sometimes the first 215 00:12:28,200 --> 00:12:30,280 Speaker 1: time it comes is kind of a wake up, Wow, 216 00:12:30,320 --> 00:12:33,160 Speaker 1: this is possible, But after that a little more practical. 217 00:12:33,320 --> 00:12:37,079 Speaker 1: So I am convinced Craig that we can influence other 218 00:12:37,120 --> 00:12:39,839 Speaker 1: people in our dream state. What do you think of that? 219 00:12:40,880 --> 00:12:45,000 Speaker 1: I love that? Like inception right, Yeah, I'm a great movie. Absolutely, 220 00:12:45,280 --> 00:12:49,880 Speaker 1: did you have an experience in that. Yes, I've practiced 221 00:12:49,880 --> 00:12:54,400 Speaker 1: it quite often to accomplish things I need to accomplish, 222 00:12:54,840 --> 00:13:00,480 Speaker 1: or to get the person that I needed to become 223 00:13:00,520 --> 00:13:04,360 Speaker 1: aware of certain things aware. And I've done that and 224 00:13:04,400 --> 00:13:07,080 Speaker 1: it seems to have worked a lot otherwise. You know, 225 00:13:07,240 --> 00:13:11,280 Speaker 1: whether it's a job interview or anything. You concentrate on 226 00:13:11,320 --> 00:13:13,960 Speaker 1: the person, you go to sleep, and then it takes over. 227 00:13:14,160 --> 00:13:17,360 Speaker 1: It does its thing, like sending an email, but not 228 00:13:17,480 --> 00:13:20,400 Speaker 1: through the internet, right right through the mind, a text 229 00:13:20,440 --> 00:13:25,120 Speaker 1: message inside or yeah, you basically planted into their brain. Well, 230 00:13:25,160 --> 00:13:29,360 Speaker 1: here's an interesting a little am I right? Well, I 231 00:13:29,400 --> 00:13:33,080 Speaker 1: would say anyone who shared their experiences always right because 232 00:13:33,120 --> 00:13:35,679 Speaker 1: it's true for them. So I absolutely agree. I've had 233 00:13:35,720 --> 00:13:40,360 Speaker 1: plenty of experiences, so I am totally resonating example here 234 00:13:40,400 --> 00:13:43,640 Speaker 1: A little more famous is Johnny Cash, you know, famous 235 00:13:43,679 --> 00:13:48,640 Speaker 1: singer who dreamt with Willie Nelson before they started working 236 00:13:48,679 --> 00:13:52,200 Speaker 1: together in the Highwayman group. He dreamt pretty clearly Willie Nelson. 237 00:13:52,240 --> 00:13:54,760 Speaker 1: I think he met him once or twice, but pretty vaguely, 238 00:13:55,520 --> 00:13:58,000 Speaker 1: and in the dream Nelson said, hey, I have this 239 00:13:58,080 --> 00:14:00,400 Speaker 1: great song for you and saying it for him, and 240 00:14:00,400 --> 00:14:01,840 Speaker 1: then he says, I think you should do a whole 241 00:14:01,840 --> 00:14:06,200 Speaker 1: album of Indian music, because Johnny Cash was Native American. Yeah, 242 00:14:06,679 --> 00:14:08,800 Speaker 1: and then he said, by the way, I have this 243 00:14:08,960 --> 00:14:11,480 Speaker 1: very specific song he might really like, and he's sort 244 00:14:11,520 --> 00:14:13,760 Speaker 1: of saying it and gave him the name. And when 245 00:14:13,840 --> 00:14:15,880 Speaker 1: Cash woke up, he's like, well, it's kind of strange. 246 00:14:15,920 --> 00:14:18,280 Speaker 1: Maybe it's just symbolic, but just in case he found 247 00:14:18,559 --> 00:14:20,640 Speaker 1: I guess he got his agent to look up Willie 248 00:14:20,640 --> 00:14:23,160 Speaker 1: Nelson and said, you don't buy any chance have any 249 00:14:23,160 --> 00:14:26,400 Speaker 1: new songs, and perhaps even a song named such and such, 250 00:14:26,920 --> 00:14:29,320 Speaker 1: And you know, we only Nelson freaked out because he 251 00:14:29,400 --> 00:14:31,520 Speaker 1: had that exact song, but he hadn't shared it. Even 252 00:14:31,560 --> 00:14:35,800 Speaker 1: with it it was his secret. So somehow tuning into 253 00:14:35,840 --> 00:14:38,440 Speaker 1: others at a distance quite possible and in this case 254 00:14:38,480 --> 00:14:41,240 Speaker 1: practical because he recorded the song. Like but we don't 255 00:14:41,320 --> 00:14:46,000 Speaker 1: know why do we or how anything is conjecture. But 256 00:14:46,120 --> 00:14:50,920 Speaker 1: let's say anything that appears in life, internet text messages, 257 00:14:51,680 --> 00:14:54,480 Speaker 1: we'll have an inner corollary, in other words, an inner 258 00:14:54,600 --> 00:14:57,640 Speaker 1: version of it. So if we can send emails, if 259 00:14:57,640 --> 00:14:59,920 Speaker 1: we can speak to people, I'm sure there's an inner verse. 260 00:15:00,080 --> 00:15:03,080 Speaker 1: And we'll just call it telepathy or dream tuning or 261 00:15:03,120 --> 00:15:07,720 Speaker 1: maybe inception it is remarkable. But people have weird dreams too, 262 00:15:07,840 --> 00:15:10,360 Speaker 1: where they're running in their feet are running like crazy, 263 00:15:10,400 --> 00:15:13,560 Speaker 1: but they're not going anywhere, or they're they're falling but 264 00:15:13,600 --> 00:15:17,640 Speaker 1: they don't they never hit. Which one is that stuck 265 00:15:17,680 --> 00:15:20,640 Speaker 1: in zello? Oh, I've never had a jollow dream yet, 266 00:15:21,080 --> 00:15:23,760 Speaker 1: that's kind of their feet stuck and can't move in 267 00:15:24,120 --> 00:15:26,520 Speaker 1: How about radio announcers seem to have the little one 268 00:15:26,560 --> 00:15:30,080 Speaker 1: a sort of dead air or you know, I can't 269 00:15:30,080 --> 00:15:32,640 Speaker 1: get my notes together for thank god, I've never had. 270 00:15:32,640 --> 00:15:34,760 Speaker 1: I'll tell you one dream I've had. This, this one 271 00:15:35,160 --> 00:15:39,640 Speaker 1: I want you to analyze for me. When I was 272 00:15:39,680 --> 00:15:44,440 Speaker 1: in college, I got a full time job at a 273 00:15:44,480 --> 00:15:48,320 Speaker 1: television station. I was nineteen years old, eighteen nineteen years old, 274 00:15:49,000 --> 00:15:53,360 Speaker 1: and in order to keep that full time job, I 275 00:15:53,880 --> 00:15:56,320 Speaker 1: it wasn't at a television station. I was just a 276 00:15:56,320 --> 00:16:01,160 Speaker 1: production assistant. I had to switch my major from daytime 277 00:16:01,560 --> 00:16:05,080 Speaker 1: to night time. My dad was concerned that I wasn't 278 00:16:05,080 --> 00:16:07,240 Speaker 1: going to get my degree in four years, and I 279 00:16:07,280 --> 00:16:09,120 Speaker 1: promised him I would. I said, Dad, I'm going to 280 00:16:09,200 --> 00:16:10,640 Speaker 1: do it. I'm just going to go to school at 281 00:16:10,720 --> 00:16:13,280 Speaker 1: night and I'm going to go right to class after 282 00:16:13,880 --> 00:16:16,840 Speaker 1: my job and he said, you promise, and I said 283 00:16:16,880 --> 00:16:20,280 Speaker 1: I will. I will. Anyways, I did all that. Now 284 00:16:20,320 --> 00:16:24,040 Speaker 1: here comes the dream you needed one hundred and twenty 285 00:16:24,040 --> 00:16:27,600 Speaker 1: eight credit hours to graduate. I went to the University 286 00:16:27,600 --> 00:16:32,280 Speaker 1: of Detroit. I would have this recurring dream that I 287 00:16:32,320 --> 00:16:35,560 Speaker 1: had one hundred and twenty seven credits. I would wake 288 00:16:35,680 --> 00:16:40,720 Speaker 1: up Craig in a sweat thinking I never graduated. I 289 00:16:40,880 --> 00:16:43,440 Speaker 1: got to the point where I had to go to 290 00:16:43,560 --> 00:16:50,000 Speaker 1: bed with my diploma by my stand so I would 291 00:16:50,040 --> 00:16:52,600 Speaker 1: see it in the morning when I had one of 292 00:16:52,640 --> 00:16:56,560 Speaker 1: those dreams. What the heck was Why was I dreaming 293 00:16:56,600 --> 00:16:58,800 Speaker 1: that in the first place, that I was a credit 294 00:16:58,840 --> 00:17:01,760 Speaker 1: hour short? Yeah, well, I got to give you credit 295 00:17:01,800 --> 00:17:04,200 Speaker 1: for sharing a nightmare here, so maybe that's your one 296 00:17:04,520 --> 00:17:08,600 Speaker 1: and twenty eighth credit there. Yeah, bad little joke, But 297 00:17:08,760 --> 00:17:11,920 Speaker 1: I would say that's pretty close to the variation a 298 00:17:11,960 --> 00:17:15,440 Speaker 1: lot of people have of not finishing the exam, or 299 00:17:15,920 --> 00:17:19,879 Speaker 1: unprepared for the exam, or like some radio announcers, the 300 00:17:19,920 --> 00:17:22,160 Speaker 1: notes aren't ready, or there's dead air on the mic, 301 00:17:22,280 --> 00:17:24,800 Speaker 1: or there's lots of variations. You know, at work, people, 302 00:17:25,160 --> 00:17:28,000 Speaker 1: I don't have any I didn't prepare the presentation it said, 303 00:17:28,680 --> 00:17:31,280 Speaker 1: So there's a concern. In waking life, the mind has 304 00:17:31,359 --> 00:17:33,600 Speaker 1: his concern. I've got to really, you know, keep my 305 00:17:33,680 --> 00:17:36,040 Speaker 1: commitment and my promise to dad and make sure that 306 00:17:36,080 --> 00:17:39,280 Speaker 1: I get the diploma and still working, and that feeling 307 00:17:39,320 --> 00:17:42,720 Speaker 1: becomes pretty entrenched. You know. Dreams are very tied to feelings. 308 00:17:43,400 --> 00:17:46,399 Speaker 1: So later on, you know, after the diploma that you 309 00:17:46,720 --> 00:17:49,160 Speaker 1: keep under your pillar to prove to yourself, you might 310 00:17:49,240 --> 00:17:53,119 Speaker 1: still have the feeling though of stressed. Maybe there's upcoming deadline, 311 00:17:53,160 --> 00:17:55,040 Speaker 1: maybe there's something you want to make sure that you 312 00:17:55,119 --> 00:17:58,359 Speaker 1: really ace it in complete well, and probably the dream 313 00:17:58,400 --> 00:18:01,679 Speaker 1: comes as it like a feeling occur to show you, oh, yeah, 314 00:18:01,720 --> 00:18:05,280 Speaker 1: we're kind of in that that mode again of watch out, 315 00:18:05,320 --> 00:18:07,760 Speaker 1: we're getting over concerned, or sometimes a little bit of 316 00:18:07,760 --> 00:18:10,920 Speaker 1: a warning, you know, prepare better. The late for an 317 00:18:10,920 --> 00:18:13,880 Speaker 1: exam or unprepared is sometimes a pretty clear warning. Make 318 00:18:13,880 --> 00:18:17,320 Speaker 1: sure that we do prepare for the show, the operation. 319 00:18:17,440 --> 00:18:20,639 Speaker 1: Some doctors have it or whatever it is. So it 320 00:18:20,720 --> 00:18:22,800 Speaker 1: can be both a little bit of a stress guidance 321 00:18:22,800 --> 00:18:24,879 Speaker 1: how to manage to stress because life is going to 322 00:18:24,960 --> 00:18:28,199 Speaker 1: have stress, and then also sometimes a bit of a warning. 323 00:18:28,400 --> 00:18:31,760 Speaker 1: So does any of that resume, Yeah, it does. It does. 324 00:18:32,160 --> 00:18:35,400 Speaker 1: Listen to more Coast to Coast AM every weeknight at 325 00:18:35,440 --> 00:18:38,000 Speaker 1: one a m. Eastern and go to Coast to Coast 326 00:18:38,040 --> 00:18:39,480 Speaker 1: am dot com for more