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Speaker 1: Raperate Our Podcast. Aliah Wilson, my name is Brian B.

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Speaker 2: Dot Miller.

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Speaker 1: Man, you get a.

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Speaker 3: Full government, man, that's how you're feeling. Man, that's how

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Speaker 3: you're feeling right now. Gotta say the whole thing like

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Speaker 3: a tryp cool question, man. Queens Man, Queen's in the building, Man,

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Speaker 3: so be ben within a home stretch man, our final episodes.

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Speaker 2: Man, how you feeling?

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Speaker 1: Then we're getting down to the home stretch.

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Speaker 2: It's the final countdown.

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Speaker 4: Yo.

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Speaker 1: I can't believe it. Man. Once they got us back

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Speaker 1: in the scenes, they can't get rid of us.

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Speaker 5: Man, absolutely, Man, make sure y'all stick around though. For

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Speaker 5: that Queen Naje episode that's available right now.

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Speaker 1: Right now, thank you to the Queen for blessing us. Man.

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Speaker 3: I'm real proud of when we do stuff like that, Man,

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Speaker 3: like what ging them on a on their Victoria one

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Speaker 3: and then we'll do like thirty eight spash or Geechee Gotti.

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Speaker 1: Man, we got to show them the range. Man.

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Speaker 3: Nobody got the range that we do with these rap

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Speaker 3: Ariate Our Podcast episodes.

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Speaker 5: Man, I like to think so, but you know, it's

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Speaker 5: also about why right now, like timely, it always has

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Speaker 5: to make sense as to why now you know, so

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Speaker 5: thirty eight special might have made since you know, a

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Speaker 5: year ago, but today he does, and so does Queen Naga.

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Speaker 5: So shout to her, shout to after the butterflies, make

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Speaker 5: sure y'all stream that, or she says, go buy it.

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Speaker 3: She wants you to copy. Man, make sure you go

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Speaker 3: to get that dust off your iTunes account. Man, get

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Speaker 3: to buy some CDs man fifty cents counting man say

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Speaker 3: he keeps track of all those things, little sales.

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Speaker 1: It's hard to remember.

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Speaker 2: That was passwords man.

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Speaker 1: But speaking of which man, I was looking at the

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Speaker 1: landscape man, and then we was like, wait a minute.

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Speaker 3: You know, obviously it'd be great to have you know,

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Speaker 3: Collie Grove a little way and two changs together, but

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Speaker 3: you know, two changs to me on his own is

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Speaker 3: the story too. And then I know with these collegegirl projects,

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Speaker 3: he really knows. He's really kind of to me the

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Speaker 3: engine mind putting those things together. So I was like, yo,

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Speaker 3: beat out, what do you think about us going down

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Speaker 3: to the atl and checking our old friend to change man? Absolutely,

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Speaker 3: you know, it's been like five years since we last

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Speaker 3: talked to him, but she was like, it was yesterday.

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Speaker 3: That's crazy.

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Speaker 5: Yeah, And and a lot has happened since then, right,

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Speaker 5: So you got the new Collige Grove project was Little Wayne.

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Speaker 1: He just opened up a new strip club, you know,

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Speaker 1: the strip club.

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Speaker 4: Man.

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Speaker 3: We was in there, man first, Is that the first

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Speaker 3: rapp ord or podcast of the strip club?

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Speaker 5: I think it has been. Man, We've done Arenas, We've

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Speaker 5: done hell copters. Now we can say we get a strip.

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Speaker 4: You know.

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Speaker 3: Well, for the record, there were no strippers dancing at

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Speaker 3: the time. You know, I'm a married man, but you

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Speaker 3: know it was Candy Land man, his lovely established videos

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Speaker 3: gotten off the ground. It's a new establishment, right for

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Speaker 3: mister two chains.

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Speaker 5: Yeah, you know, he's a budding hospitality and entrepreneur already

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Speaker 5: has the restaurant and tap his escobar. So now he's

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Speaker 5: expanding his reach into the gentleman's nightlife space. And he's

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Speaker 5: called us onto it too, man Like. There were some

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Speaker 5: things about that scene and I didn't know, Like, you

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Speaker 5: can't just open up a strip club and you have

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Speaker 5: to be grandfathered in. So it was definitely an educational

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Speaker 5: process for sure.

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Speaker 3: And again slut when it comes to the music, man,

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Speaker 3: you know, I've heard about this project coming together for

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Speaker 3: a while now, but I had My change is patience man,

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Speaker 3: to go through the pols into the game, you know

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Speaker 3: what I mean? And like and that record doesn't sound

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Speaker 3: like it's old. It sounds timely.

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Speaker 4: You know.

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Speaker 3: There's some really good singles on there, you know, Oprah

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Speaker 3: and Gale with Benny the Butcher I guy on there. Like,

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Speaker 3: there's some really good ship on there. Like, so I

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Speaker 3: really salute to Chains for you know, persevering. And now

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Speaker 3: he's he's in a damn rap group a little Wayne man,

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Speaker 3: it's official facts.

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Speaker 5: You know what's funny is like I honestly didn't think

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Speaker 5: it was gonna happen because it's been like almost seven

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Speaker 5: years since the last project. Yeah, and you know, sometimes

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Speaker 5: things just kind of fall by the wayside. But you know,

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Speaker 5: like you said, they delivered a really solid effort and

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Speaker 5: Ppa is one of my favorites.

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Speaker 1: We had a nice conversation about that.

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Speaker 3: Yeah, you're gonna break that acronym down, man, you know,

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Speaker 3: connect to connects to the episode of this this one

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Speaker 3: right here boy crazy absolutely will b.

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Speaker 1: I got a question, man, what happened to your Twitter?

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Speaker 1: But you got hacked? Man, they're trying to get you

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Speaker 1: for this year. En listabit. These people try to get you.

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Speaker 1: What happened, man, that's the Russians. Man, I don't know

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Speaker 1: what happened.

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Speaker 5: I woke up one day and all of a sudden,

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Speaker 5: my emails told me someone was in my account and.

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Speaker 4: They changed it.

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Speaker 5: But you know, luckily, I know a guy that knows

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Speaker 5: the guy, and uh, you know we we we're restored order.

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Speaker 1: So we're back. Okay, we're back in business. Man.

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Speaker 3: I was worried out there, but I feel like the

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Speaker 3: rappers got on you, man. They're worried about that that

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Speaker 3: year en list man. They tried to get an early peak.

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Speaker 3: They trying to get her peaking to see what you

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Speaker 3: got in the list.

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Speaker 6: Man.

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Speaker 1: It was gonna make the cut. Man, it's almost the

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Speaker 1: sapper man.

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Speaker 5: Listen, we don't negotiate with terrorists, but coming out real soon.

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Speaker 4: So stand by.

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Speaker 1: The wrap, roll the weights, man. What I'm saying, also

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Speaker 1: the rapper all the waits. After this's two chased, when

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Speaker 1: we got one more to go right by season two.

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Speaker 5: Finale, we'll keep that at the tuck for now, we'll

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Speaker 5: keep that at the tuck.

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Speaker 2: It's a good one.

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Speaker 1: It's a good one. I don't think anybody's gonna see

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Speaker 1: it coming. I will say that.

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Speaker 3: I think it's the fact when we didn't even know

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Speaker 3: it was gonna come, you know, pause or whatever to

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Speaker 3: Cameron to make safe, but uh, you know it was time, man,

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Speaker 3: And it's not Cameron to make sorry spoiler alert.

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Speaker 1: It's not Canon. May working on that but not yet.

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Speaker 3: So now it's definitely a really good finale that we

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Speaker 3: already got the can. We'll talk about it next week, man. Yeah,

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Speaker 3: Season two has been amazing season. We appreciate everybody's support,

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Speaker 3: you know, listening to the audio, watching the video on YouTube.

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Speaker 1: Man, we appreciate y'all.

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Speaker 4: Man.

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Speaker 3: You know, the podcast space is hectic, man, But we

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Speaker 3: continue to you know, leave our own market in the game,

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Speaker 3: and we can't do it without y'all.

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Speaker 1: So we appreciate y'all.

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Speaker 5: Appreciate the people absolutely, we have to. Man, without them,

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Speaker 5: there is no us. So with that being said, sit back,

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Speaker 5: listen to to Change to podcasts. Yeah, yo's rap arateof podcasts.

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Speaker 5: My name is beat Ott Elliott, Wilson Elliott. We're here

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Speaker 5: in candy Land.

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Speaker 2: Is it the PPA once no board game?

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Speaker 4: That's for damn sure, Yes, yes, yes.

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Speaker 2: It's back.

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Speaker 4: Finally to Change Changes man, Thank you, man, I appreciate

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Speaker 4: you been a.

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Speaker 7: Minute man since we chopped it up on this platform.

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Speaker 4: Man, good to see you, brother, Good to see you too.

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Speaker 2: Both of y'all change. Man, you're a serial entrepreneur. Where

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Speaker 2: are we at? Candyland?

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Speaker 4: You Candyland?

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Speaker 2: Heard you bought this for your birthday?

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Speaker 4: Right? Yeah? Yeah? The reason I said that because, yeah,

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Speaker 4: the money that I would have used to buy watch

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Speaker 4: our car, use it to help me get this piece

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Speaker 4: of you know, property, which is which? And it was

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Speaker 4: around my birthday. So that's why it went out like that,

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Speaker 4: but it was it was the truth. One of my

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Speaker 4: friends called me from prison and he was like, you know, Tony,

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Speaker 4: you know, he was watching my page, like what you get?

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Speaker 4: What you get yourself for your birthday? Man? You know,

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Speaker 4: I'm you know I'm gonna buy something right and uh man,

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Speaker 4: ain't see you posting that on your page anybody, now,

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Speaker 4: I said, Man, I can't. I was just I can't

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Speaker 4: tell you man, I'm about to get something like tell me.

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Speaker 4: I'm just And I'm just one of those people who

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Speaker 4: I don't like to talk about things until you know

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Speaker 4: it's it's it's it's it's closed. Everything The ink is dry,

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Speaker 4: so you know the process, you know, it just takes

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Speaker 4: time to do, you know, basically anything these days. And

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Speaker 4: it took a while. And in my mind, it was

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Speaker 4: supposed to be open around my birthday and I was

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Speaker 4: gonna you know, and it just didn't happen that way,

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Speaker 4: and that's how God and said it fit. But it

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Speaker 4: ended up happening and we're here now and I'm one

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Speaker 4: of the I'm not gonna say black. I'm use myself

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Speaker 4: as like an artist or entrepreneur. I mean an artist

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Speaker 4: or uh a rapper, but I don't like to call

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Speaker 4: myself a rapper anymore. But someone in that space that

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Speaker 4: owns something like this and own it right to have

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Speaker 4: some ownership and something like this because they don't sell

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Speaker 4: strip clubs anymore. You have to have this. This ain't

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Speaker 4: about who got the most money and all of that stuff.

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Speaker 4: Even though I'm doing well in that to part, I

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Speaker 4: don't want to act like somebody in Atlanta is not doing.

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Speaker 4: You know, this is a city where people are flourishing,

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Speaker 4: and if and if it was possible, it would be

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Speaker 4: strip clubs on every corner like liquor stores. Because we

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Speaker 4: have it like that. It's just a situation where you

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Speaker 4: have to it was this is our relationship driven. It's

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Speaker 4: just like what I'm teaching my kids right there, Like

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Speaker 4: money is cool, but you know, timing and knowing people

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Speaker 4: being in the right place, you know, you get at

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Speaker 4: least you get an opportunity. And that's what I was given,

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Speaker 4: an opportunity and I capitalized on it.

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Speaker 3: Yeah, because the whole strip club think is so much

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Speaker 3: a part of Atlantic culture, right, Yeah, like what's grew

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Speaker 3: up in it?

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Speaker 4: And yes, but do you.

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Speaker 7: Have to claim ownership in it? The challenges of that?

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Speaker 7: Was that always something in your mind that you wanted

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Speaker 7: to try to achieve.

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Speaker 4: Yeah, so that's that's that's another part. You have it

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Speaker 4: in your mind, but it's not possible here. I mean,

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Speaker 4: like legally not possible to open up a strip club.

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Speaker 4: It has to be something that's existing. Someone has to

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Speaker 4: have to have a permit and you have to negotiate

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Speaker 4: that with the person that holds a piece of paper

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Speaker 4: that's no longer. I mean, you can't get it anymore.

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Speaker 4: They don't print this twenty dollars bill or this whatever

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Speaker 4: piece of paper anymore, you know what I mean. And

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Speaker 4: so that's where I talk about relationships. Being in the

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Speaker 4: right place at the right time to be able to

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Speaker 4: try to negotiate something with someone that has something so valuable.

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Speaker 4: So you have to be grandfathered in absolutely. Wow, yeah,

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Speaker 4: you have to do that. So and it's still things

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Speaker 4: getting changed over because because of that process.

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Speaker 3: Like once you finally got it going though, it's just

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Speaker 3: been nothing but great energy out to get I saw

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Speaker 3: your numb when they was doing things. Like everything's just

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Speaker 3: been on the on the right level of like oh

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Speaker 3: this feels right.

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Speaker 4: Yeah. For me, it's about support, you know what I mean,

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Speaker 4: And a lot of people support me and my endeavors

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Speaker 4: and what I do, and obviously I reciprocate the support,

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Speaker 4: but I'm able to gauge it. And it's not about

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Speaker 4: who comes in here and throws the most money. We

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Speaker 4: got good food, we got good vibes. You know what

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Speaker 4: I'm saying. You can come in here and you know,

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Speaker 4: make you a playlist and listen to what you want to,

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Speaker 4: you know, listen to. So it's not about you know,

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Speaker 4: coming in here and having to get once to impress

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Speaker 4: me and impress the lady's. Just coming in the parking

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Speaker 4: lot makes me a very happy man, you know.

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Speaker 2: Yeah, do you pick the dances yourself.

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Speaker 4: I've been here for some auditions. I had to see

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Speaker 4: it all the way through. Man, I have to see

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Speaker 4: it all the way through. I'm you know, this business

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Speaker 4: is different than some of my other businesses, but they

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Speaker 4: still have like a common thread in them, you know.

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Speaker 4: So you know, like that picking you know, dances and

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Speaker 4: all of that, how that works, and and then telling

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Speaker 4: them how to go get the proper permit to work.

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Speaker 4: You have to have to have a permit to work

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Speaker 4: in here. In order to have a permit, you can't

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Speaker 4: be like a feeling, you know, you can't be like

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Speaker 4: one of them, like thug and chicks trying to like

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Speaker 4: yeah whatever whatever. You know, I actually gotta And I'm

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Speaker 4: not talking down anybody, because I became a feeling very

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Speaker 4: very very young, and it just sometimes stuff just happens.

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Speaker 4: But in this system, I would to never I want

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Speaker 4: to never know that, Like, yeah, yeah, I want to

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Speaker 4: never know. I thought you could just so you know,

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Speaker 4: it's like they got like this moral standards for for

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Speaker 4: for some people. You know, you would think like this

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Speaker 4: would be you know, you look at like this's got

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Speaker 4: to be the hour. This is the wild, wild West.

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Speaker 4: It's got to be some have fingerprints, two forms of

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Speaker 4: I D You have to do.

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Speaker 2: That. Yeah, that's important having this place.

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Speaker 5: It's kind of ironic because you made birthday song one

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Speaker 5: of the best strip club anthems of all time.

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Speaker 4: That's crazy because birthday songs should be one of the

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Speaker 4: best birthday songs all the time. It's just blurry. It's

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Speaker 4: a little blurry, and with the music that I made,

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Speaker 4: obviously it has some strip club tone and energy in

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Speaker 4: it because I have been attending strip club when I

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Speaker 4: was fifteen, sixteen years old, you know what I'm saying, Like,

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Speaker 4: I remember a strip club used to on Cleveland Avenue

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Speaker 4: used to give away like free popcorn, and I was like,

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Speaker 4: I think, you know what I'm saying, Like we go

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Speaker 4: up in there and be smelling so good, we might

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Speaker 4: need to bring that here, honestly, man, Yeah, booming, and

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Speaker 4: they got the machine in the back and you go

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Speaker 4: up there and we sit back and you know, so

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Speaker 4: I've been coming here a long time and it was like,

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Speaker 4: you know what, mind owning something like this, And the

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Speaker 4: opportunity came, Man, it was It's a real blessing.

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Speaker 3: Us have a great opportunity to make records with this

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Speaker 3: guy a little Wayne. I feel like every college growth

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Speaker 3: album is its on journey to get to the finish line.

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Speaker 4: That's a fact.

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Speaker 3: So talk to me about this, about this current one

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Speaker 3: and the journey of this do that and why is

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Speaker 3: that so important you think when you look at it

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Speaker 3: to your legacy and your musical legacy.

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Speaker 4: The one that's out now I am, and I'm going

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Speaker 4: to put me more music out. But if I didn't

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Speaker 4: do another thing, I would be just so content with

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Speaker 4: my journey. That's how proud and how how much hard work, sweat,

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Speaker 4: blood and tears and just time and and effort went

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Speaker 4: into not only putting it together but seeing it to

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Speaker 4: the finish line. Patient, Oh my god, all of that.

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Speaker 4: So someone that that is not afraid to learn new

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Speaker 4: things actually want to learn new things. Someone is not

298
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Speaker 4: afraid to learn new people, and so on and so forth.

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Speaker 4: This was a journey of all of those things. It's

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Speaker 4: a rap album, it's with bars, It's yes, it's a

301
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Speaker 4: rap out. It wasn't created this year like this has been.

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Speaker 4: This has been cooking for a long time a lot

303
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Speaker 4: of and I'm into micro waverable things as well, you

304
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Speaker 4: know what I'm saying. But I can honestly tell you

305
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Speaker 4: this is old fashioned, set the oven on three point fifty. Yeah,

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Speaker 4: whatever that process is, that's what this process was for

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Speaker 4: the for this and so you know, you know, being

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Speaker 4: around him is always a different energy from me because

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Speaker 4: I'm always like the captain wherever I am or whatever,

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Speaker 4: you know what I'm saying, Being around someone like him,

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Speaker 4: who I have modeled a lot of my success after

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Speaker 4: and who has I ultimately kind of like recognized as

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Speaker 4: someone as the kind of gave me that catch aport

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Speaker 4: I needed, you know what I'm saying, because honestly, without

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Speaker 4: the Dubel bag boy, I think whole little energy around

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Speaker 4: that time, he's just hot. He don't even have to

317
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Speaker 4: mess with these two guys, like who are these two guys?

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Speaker 4: And then like the circle they actually rapping and it

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Speaker 4: just and so I never looked back after that. I

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Speaker 4: was somebody that really took the ball and just kept running. Yeah.

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Speaker 4: I mean, and I look back and it may not

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Speaker 4: be anyone behind me. I'm just still running even from

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Speaker 4: that time. So the beta, you know, the first one

324
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Speaker 4: I thought was something that I thought was like it

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Speaker 4: was doing a period he couldn't really put out on

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Speaker 4: his own body at work. So I'm like, yeah, the

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Speaker 4: first one, I'm like, you know, this is my brother.

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Speaker 4: You know what can I do? And you know, I'm

329
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Speaker 4: thinking I'm being smart. I could just really like use

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Speaker 4: you know, because I would never like pay him per se,

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Speaker 4: you know, I'm like, because we do, but like I

332
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Speaker 4: got a budget with these people who I would would

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Speaker 4: I would I would pay if I want to be

334
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Speaker 4: this artist or something, I would pay them. So let

335
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Speaker 4: me pay my homeboy. Look out while he whatever, I

336
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Speaker 4: don't know what he's doing, you know what I mean.

337
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Speaker 4: So that was the mindset around the first one, and

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Speaker 4: it's still something that I love very much. The second

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Speaker 4: one was like we on every song, we know what

340
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Speaker 4: this mission is. Right now, let's let's really a group

341
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Speaker 4: of your line. Yeah, we we you know we're doing.

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Speaker 4: This is the first interview I've done without him since

343
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Speaker 4: putting out the project, because I didn't even want to,

344
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Speaker 4: like we either do it together. I don't want to

345
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Speaker 4: do it. We appreciate that. Yeah, And so this is

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Speaker 4: the first one I did without him. But like, because

347
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Speaker 4: I'm very very happy, you know what I'm saying. I'm

348
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Speaker 4: I'm grammy happy. I'm like that happy you know what

349
00:15:49,320 --> 00:15:51,000
Speaker 4: I'm saying when I talk about that, And I don't

350
00:15:51,040 --> 00:15:53,640
Speaker 4: know the process or whatever, but I just feel that

351
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Speaker 4: way about this project. You know, from top to bottom,

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Speaker 4: from the narrations that I put together with Fifty to

353
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Speaker 4: the musical bed that's behind the narrations that I put

354
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Speaker 4: together with them joints, you know what I'm saying, and

355
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Speaker 4: everything just so much thought that this was just not

356
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Speaker 4: an accident.

357
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Speaker 5: Like the first voice we hear is in on the album, like,

358
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Speaker 5: how did you convince him to do the narration for

359
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Speaker 5: the project?

360
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Speaker 4: Well, I have a rapport with fifty, you know what

361
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Speaker 4: I'm saying, I have a report with a lot of people.

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Speaker 4: I'm just not like, I don't know what it is.

363
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Speaker 4: I'm just you know, just be cool. And so I

364
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Speaker 4: had this idea because you know, it's, uh, how do

365
00:16:34,920 --> 00:16:38,880
Speaker 4: I explain it? A lot of the projects that were

366
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Speaker 4: coming out, I felt like we're getting back to like

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Speaker 4: some type of interaction. It was just like, you know

368
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Speaker 4: what I mean, at least that's what I wanted to

369
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Speaker 4: bring back into the game. And instead of doing like

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Speaker 4: a normal maybe like a DJ hosting type of thing,

371
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Speaker 4: because I saw Felicia to go do it with with

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Speaker 4: with with Drum I've already done. But even even we're

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Speaker 4: even doing that, I would have felt like I'd have

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Speaker 4: been even though I've done one, I felt like I'd

375
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Speaker 4: have been being a follower, so to speak. Yeah, and

376
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Speaker 4: so with Welcome to Collie Grow, it's like this fictional

377
00:17:12,560 --> 00:17:15,000
Speaker 4: place I put college part whatever together. So now I'm

378
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Speaker 4: trying to and now I'm listening to some of the

379
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Speaker 4: songs and I'm like, they have these like to me,

380
00:17:19,680 --> 00:17:22,520
Speaker 4: have a visual aspect to it or whatever. So I

381
00:17:22,560 --> 00:17:26,320
Speaker 4: actually wrote these things for fifty to say you know

382
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Speaker 4: what I'm saying, and I sent it to him and

383
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Speaker 4: I explained to him because first of all, fifty is

384
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Speaker 4: somebody that has a voice I think people can recognize.

385
00:17:34,880 --> 00:17:37,359
Speaker 4: And two he's in the TV space. And three I

386
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Speaker 4: knew that when it was trying to put out the album,

387
00:17:38,960 --> 00:17:41,120
Speaker 4: I was gonna do something to like maybe fuck people

388
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Speaker 4: up to think maybe he was putting out I had

389
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Speaker 4: this whole thing in my head about trailers and just

390
00:17:45,600 --> 00:17:48,439
Speaker 4: you know, you know, chaos and mayhammer, just like what

391
00:17:48,520 --> 00:17:50,800
Speaker 4: the hell of they got going on? And so I

392
00:17:50,920 --> 00:17:54,679
Speaker 4: reached out to him, but I was already having a

393
00:17:54,800 --> 00:17:58,120
Speaker 4: mutual conversation with him about BMF. Yeah, okay, because I'm

394
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Speaker 4: in the first, I'm in the next whatever being Yeah Stacks,

395
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Speaker 4: that's right. Yeah, so that's my character name Stacks. That

396
00:18:05,640 --> 00:18:10,760
Speaker 4: nigga five. I don't even want to see. I don't

397
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Speaker 4: like to talk about stuff until you see what I'm saying.

398
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Speaker 4: So I'm gonna leave leave them, leave that alone.

399
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Speaker 2: But look out for that.

400
00:18:17,480 --> 00:18:21,840
Speaker 4: Yeah, so special. Yeah, So I'm I'm doing BMF. I'm

401
00:18:22,280 --> 00:18:24,040
Speaker 4: stacked somebody to do this be a meth thing. And

402
00:18:24,119 --> 00:18:26,439
Speaker 4: so I hit him and he and he did it

403
00:18:26,480 --> 00:18:28,119
Speaker 4: for me. I mean it didn't take long and he

404
00:18:28,200 --> 00:18:29,919
Speaker 4: killed it on the first take. As far as like

405
00:18:30,760 --> 00:18:33,359
Speaker 4: knowing how to breathe, the spaces, just little stuff that

406
00:18:33,480 --> 00:18:36,240
Speaker 4: us as creators just you know that I just wanted.

407
00:18:36,280 --> 00:18:39,440
Speaker 4: So that part was done, and then it became time

408
00:18:39,480 --> 00:18:42,200
Speaker 4: for me to, Like normally I would let someone else

409
00:18:42,320 --> 00:18:44,879
Speaker 4: arrange my album. I'm somebody that's like it's done, figure

410
00:18:44,880 --> 00:18:47,200
Speaker 4: it out or whatever. But with this one, I felt

411
00:18:47,200 --> 00:18:50,240
Speaker 4: the need to just do everything because if it was

412
00:18:50,280 --> 00:18:53,000
Speaker 4: gonna be a movie, then it didn't I couldn't worry

413
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Speaker 4: about tempos and what came next and all of that stuff,

414
00:18:55,680 --> 00:18:59,280
Speaker 4: because if you're watching a movie, they have these different

415
00:18:59,320 --> 00:19:01,680
Speaker 4: scenes and different energies, and so when I started putting

416
00:19:01,680 --> 00:19:05,280
Speaker 4: the scenes together, it just, man, it just made it

417
00:19:05,320 --> 00:19:07,679
Speaker 4: a beautiful piece of art. And I'm just excited about it,

418
00:19:07,720 --> 00:19:11,000
Speaker 4: and and and I'm looking forward to using this old

419
00:19:11,040 --> 00:19:14,480
Speaker 4: footage next year whenever we go to the Grammys and

420
00:19:14,480 --> 00:19:17,240
Speaker 4: and pick pick up, pick up that thing.

421
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Speaker 2: It early chains, I'm serious. Word, What do you think

422
00:19:21,480 --> 00:19:21,719
Speaker 2: of it?

423
00:19:21,760 --> 00:19:23,479
Speaker 5: When Wayne says that you and him are the new

424
00:19:23,520 --> 00:19:25,439
Speaker 5: big Timers, do you feel like any pressure living up

425
00:19:25,480 --> 00:19:26,040
Speaker 5: to that title?

426
00:19:26,400 --> 00:19:28,359
Speaker 4: I think that was just a bar Okay, Yeah, I

427
00:19:28,359 --> 00:19:30,920
Speaker 4: think that was just abart. The big Timers were a

428
00:19:31,119 --> 00:19:35,280
Speaker 4: Baby and many Fresh, and we could never replace those guys.

429
00:19:35,320 --> 00:19:39,439
Speaker 4: You know what I'm saying, Baby is a huge you

430
00:19:39,480 --> 00:19:42,560
Speaker 4: know whatever you want to call it. Logul Many Fresh

431
00:19:42,640 --> 00:19:46,320
Speaker 4: is one of our greatest producers of you know whatever.

432
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Speaker 4: And he actually did that beat. So I think that's

433
00:19:48,800 --> 00:19:51,320
Speaker 4: what that was, and that song was a Big Timers

434
00:19:51,359 --> 00:19:51,880
Speaker 4: sound right.

435
00:19:52,200 --> 00:19:54,560
Speaker 2: Yeah, But you also compare yourselves to Ray and Ghosts

436
00:19:54,600 --> 00:19:55,440
Speaker 2: because you're a big.

437
00:19:55,359 --> 00:20:01,199
Speaker 4: Great qualm. Yeah, I do. I saw Raykon at uh

438
00:20:01,960 --> 00:20:04,480
Speaker 4: Callus birthday recent I was like, man, that's my dog

439
00:20:04,640 --> 00:20:07,960
Speaker 4: right there. Man, I met I met Ray Kuon in Atlanta.

440
00:20:09,840 --> 00:20:12,119
Speaker 4: He was going in like a racetrack gas station. I

441
00:20:12,160 --> 00:20:16,720
Speaker 4: was with my wife. I was like, man, that's ray Kwan.

442
00:20:17,359 --> 00:20:19,440
Speaker 4: She was like, I'm like that's very corn You got

443
00:20:19,480 --> 00:20:25,480
Speaker 4: like a certain box. Just ran to see me. So

444
00:20:25,520 --> 00:20:27,120
Speaker 4: I'm like, man, ship, I'm about to go. I walk

445
00:20:27,160 --> 00:20:29,920
Speaker 4: in the stove, yo. Right. He don't really know me

446
00:20:29,960 --> 00:20:33,080
Speaker 4: at the time, you know, like I would be if

447
00:20:33,119 --> 00:20:35,160
Speaker 4: somebody walked up in the game. I totally get how

448
00:20:35,720 --> 00:20:39,440
Speaker 4: is it? He's like, what's good? I'm like, titty boy

449
00:20:39,480 --> 00:20:42,840
Speaker 4: whatever whatever. I kicked on. I'm a huge payan man,

450
00:20:42,880 --> 00:20:47,439
Speaker 4: you know Atlanta, you know, like cool cool, like you know.

451
00:20:47,560 --> 00:20:49,040
Speaker 4: Then I hit him with my second you know my

452
00:20:49,119 --> 00:20:53,199
Speaker 4: real job. You need some weed, you know your man whatever?

453
00:20:53,359 --> 00:20:55,960
Speaker 4: You know what I'm saying. And man, we built a

454
00:20:55,960 --> 00:20:59,080
Speaker 4: beautiful relationship. Man. We on old National, like the street

455
00:20:59,119 --> 00:21:01,919
Speaker 4: I'm from whatever, like sitting at this little place it

456
00:21:02,000 --> 00:21:04,520
Speaker 4: was called the Frozen and he pulled up in a

457
00:21:04,600 --> 00:21:06,600
Speaker 4: range row. But I never forget it. Man, he was

458
00:21:06,680 --> 00:21:12,200
Speaker 4: walking up the hill and like, man, this nigga looked

459
00:21:12,240 --> 00:21:15,119
Speaker 4: like right was his nigga looked the whole time? It

460
00:21:15,160 --> 00:21:17,000
Speaker 4: was him. Man, it was just he was just walking

461
00:21:17,040 --> 00:21:19,639
Speaker 4: with open arms. He ended up I mean my mixtape days.

462
00:21:20,200 --> 00:21:23,240
Speaker 4: He did verses and he actually told me that I

463
00:21:23,359 --> 00:21:25,800
Speaker 4: was gonna be. He he predicted. I mean I kind

464
00:21:25,800 --> 00:21:28,360
Speaker 4: of felt it, but he I remember him saying, You're

465
00:21:28,359 --> 00:21:29,920
Speaker 4: gonna be. You wanted them once.

466
00:21:32,320 --> 00:21:34,120
Speaker 7: I always remember. I felt like it was the magic sign.

467
00:21:34,280 --> 00:21:36,320
Speaker 3: Was like, oh, nine twenty ten, we had just got

468
00:21:36,359 --> 00:21:38,159
Speaker 3: rapperated out going spend.

469
00:21:38,200 --> 00:21:39,040
Speaker 8: It was taken off.

470
00:21:39,600 --> 00:21:42,199
Speaker 3: I remember text sent us to email like he's no

471
00:21:42,240 --> 00:21:45,000
Speaker 3: longer titty boy, He's two chains.

472
00:21:45,160 --> 00:21:49,840
Speaker 4: Oh he's sent out an email. He's stuff stuff, don't

473
00:21:49,840 --> 00:21:51,240
Speaker 4: even be sposing you.

474
00:21:51,280 --> 00:21:54,280
Speaker 3: Was like, you know, Trappa Valley tea boy. But it

475
00:21:54,359 --> 00:21:56,920
Speaker 3: was like now you're two chains. Spending was taken off,

476
00:21:57,200 --> 00:21:59,719
Speaker 3: and even the breakfast Club we didn't show, SOB's Breakfast

477
00:21:59,760 --> 00:22:00,720
Speaker 3: Club hosted the show.

478
00:22:01,000 --> 00:22:02,600
Speaker 4: I remember that we were like a sponsor.

479
00:22:02,680 --> 00:22:05,600
Speaker 3: You came to my room, interviewed you, and I feel

480
00:22:05,640 --> 00:22:07,879
Speaker 3: like everything was coming together, like two changes, like the

481
00:22:08,000 --> 00:22:11,320
Speaker 3: artist Breakfast Club ro Radar as a website, like like

482
00:22:11,400 --> 00:22:13,280
Speaker 3: just talk about it, like like I always tell artists,

483
00:22:13,280 --> 00:22:15,639
Speaker 3: like it's really that one song, as much work you

484
00:22:15,640 --> 00:22:19,200
Speaker 3: put in that one song, eventually changes everything, Right.

485
00:22:19,119 --> 00:22:25,520
Speaker 4: I think everybody's one song away, everybody, Yeah, the biggest artist,

486
00:22:25,600 --> 00:22:28,440
Speaker 4: the yeah one. It just it's just it's really take

487
00:22:28,520 --> 00:22:31,760
Speaker 4: one song. I mean, you know a lot of other

488
00:22:31,840 --> 00:22:34,040
Speaker 4: things have to happen, but it's really one song.

489
00:22:34,160 --> 00:22:36,800
Speaker 3: I mean, here's it's It's spended for you. But that

490
00:22:36,920 --> 00:22:38,919
Speaker 3: might not even get played in yoursell list now. But

491
00:22:39,359 --> 00:22:42,040
Speaker 3: what that record was at that time was needed for

492
00:22:42,080 --> 00:22:42,760
Speaker 3: you to be who you.

493
00:22:42,720 --> 00:22:47,879
Speaker 4: Are today, and it was something other people could relate to,

494
00:22:50,080 --> 00:22:53,119
Speaker 4: like the song and it's mine whatever. It was that energy,

495
00:22:53,240 --> 00:22:56,359
Speaker 4: and it was the fact for me that this was

496
00:22:56,359 --> 00:23:00,800
Speaker 4: actually my seven to mixtape. I'm just like damn seventh trying. Yes,

497
00:23:01,119 --> 00:23:04,360
Speaker 4: I was on my seventh mixtape when I put this out. Yes.

498
00:23:04,640 --> 00:23:10,040
Speaker 4: And with that also came some shows, some thirty five hundred,

499
00:23:10,160 --> 00:23:12,280
Speaker 4: some five some seventy five hundred shows, you know what

500
00:23:12,320 --> 00:23:15,080
Speaker 4: I'm saying, to the point where I did run up

501
00:23:16,240 --> 00:23:20,560
Speaker 4: you know sixty Yeah, I run up a couple of bands, right,

502
00:23:20,760 --> 00:23:24,959
Speaker 4: That's not with the so I got bag bands because

503
00:23:26,000 --> 00:23:31,680
Speaker 4: before before dumble Bag, I'm I'm the song dumble bag.

504
00:23:31,760 --> 00:23:35,679
Speaker 4: I'm serving tune too, I'm serving rapper. That's what I

505
00:23:35,840 --> 00:23:39,719
Speaker 4: was known because yeah, you know, ludas working. He used

506
00:23:39,720 --> 00:23:41,879
Speaker 4: to work on the radio, and everybody knew him, and

507
00:23:42,400 --> 00:23:45,639
Speaker 4: he knew me. And so that's how I really was

508
00:23:45,680 --> 00:23:47,480
Speaker 4: in with a lot of rap Snoop and a lot

509
00:23:47,480 --> 00:23:50,200
Speaker 4: of these other guys whoever. It was before I even

510
00:23:50,640 --> 00:23:52,240
Speaker 4: was said I was a rapper. I would just do

511
00:23:52,359 --> 00:23:56,720
Speaker 4: this and so so when when when That's why I

512
00:23:56,760 --> 00:23:58,680
Speaker 4: was so happy when Wayne did the hook the dumbel

513
00:23:58,680 --> 00:24:00,480
Speaker 4: Bad Boys. I didn't tell him shit. He just said,

514
00:24:00,920 --> 00:24:03,240
Speaker 4: go get double back. I was like, I'm like, nigga,

515
00:24:03,280 --> 00:24:05,399
Speaker 4: do this, nigga. Know it was just so much like

516
00:24:06,000 --> 00:24:09,280
Speaker 4: I'm like this, nigga be paying attention, you know, you know,

517
00:24:09,400 --> 00:24:11,399
Speaker 4: it was just it was just crazy how that happened. So,

518
00:24:12,800 --> 00:24:16,000
Speaker 4: you know, fast fast forwar. In that space, I'm having

519
00:24:16,720 --> 00:24:19,359
Speaker 4: some money, you know, I'm hustling. I got a studio,

520
00:24:19,400 --> 00:24:21,399
Speaker 4: but I'm not recording all the time. And then I

521
00:24:21,440 --> 00:24:26,040
Speaker 4: go on tour with Wayne to see just how much

522
00:24:26,080 --> 00:24:29,440
Speaker 4: he you know, raps, and I understand that this is so,

523
00:24:29,560 --> 00:24:31,199
Speaker 4: this is job. I'm I supposed to do this every day.

524
00:24:31,240 --> 00:24:34,040
Speaker 4: I'm really I'm I'm really chripping. I'm trying to like

525
00:24:34,160 --> 00:24:36,520
Speaker 4: make up play and rap. Later on. And then so

526
00:24:36,680 --> 00:24:41,040
Speaker 4: once I go cold turkey, no hustling, that stopped. This

527
00:24:41,200 --> 00:24:43,520
Speaker 4: other thing started happening. You know what I'm saying. And

528
00:24:43,600 --> 00:24:45,520
Speaker 4: I see it happening. I'm feeling it happen. I'm all

529
00:24:45,560 --> 00:24:47,800
Speaker 4: the artists dming me or whatever it is at the time.

530
00:24:48,400 --> 00:24:52,720
Speaker 4: And and and that focus that I got from that focus,

531
00:24:52,800 --> 00:24:54,359
Speaker 4: I think, I mean, it just turned me up. You

532
00:24:54,400 --> 00:24:57,199
Speaker 4: know what I'm saying. It wasn't about you know, you know,

533
00:24:57,440 --> 00:24:59,600
Speaker 4: weed or nothing. No more so when the songs spend,

534
00:24:59,680 --> 00:25:02,320
Speaker 4: it come out, we serving it to radio and and

535
00:25:02,359 --> 00:25:03,959
Speaker 4: all of that. And I never forget this. I never

536
00:25:04,000 --> 00:25:06,240
Speaker 4: forget this. Tech comes to me, the same one that

537
00:25:06,320 --> 00:25:08,359
Speaker 4: emails you and says, man, we're gonna need about forty

538
00:25:08,400 --> 00:25:10,840
Speaker 4: thousand dollars or we're gonna lose this record. You know

539
00:25:10,880 --> 00:25:13,040
Speaker 4: what I'm saying. We independent, We're not with a label.

540
00:25:13,119 --> 00:25:15,080
Speaker 4: He's like, we're gonna have to get some people. He's

541
00:25:15,080 --> 00:25:17,560
Speaker 4: trying to explain to me, like to basically work for us,

542
00:25:17,560 --> 00:25:20,439
Speaker 4: help us, man, you know what I'm saying. And they

543
00:25:20,520 --> 00:25:22,720
Speaker 4: gonna Man, we're gonna be up good up in Detroit

544
00:25:22,800 --> 00:25:24,960
Speaker 4: and DC. Man, we need I'm telling you, we're gonna

545
00:25:24,960 --> 00:25:26,720
Speaker 4: lose this record. So I said, all right, cool, cool,

546
00:25:26,720 --> 00:25:28,879
Speaker 4: col I hang up the phone right and then on

547
00:25:28,960 --> 00:25:31,760
Speaker 4: answer for like two days because I'm like, I ain't

548
00:25:31,800 --> 00:25:34,960
Speaker 4: got like a six this is my wrap. Man done,

549
00:25:35,040 --> 00:25:37,480
Speaker 4: ran up. I got about sixty seven. He want forty

550
00:25:37,520 --> 00:25:42,840
Speaker 4: of it and man man man. To this day, I'm

551
00:25:42,880 --> 00:25:44,240
Speaker 4: happy I did it, but I did not want to

552
00:25:44,240 --> 00:25:47,159
Speaker 4: do it. I'm gonna be honest, you know, because I

553
00:25:47,160 --> 00:25:48,960
Speaker 4: could see my I had a count. I could kind

554
00:25:48,960 --> 00:25:50,440
Speaker 4: of see how much money I was gonna get, whether

555
00:25:50,440 --> 00:25:51,560
Speaker 4: it be it was you know, we call it the

556
00:25:51,640 --> 00:25:55,359
Speaker 4: chitling market with you know around here you can you

557
00:25:55,400 --> 00:25:59,520
Speaker 4: can be rich in Mississippi and Memphis markets and the

558
00:25:59,600 --> 00:26:02,760
Speaker 4: Caroline honest. And so I did that, and I have

559
00:26:02,880 --> 00:26:05,159
Speaker 4: to make that sacrifice. I had to. I had to

560
00:26:05,200 --> 00:26:07,760
Speaker 4: ship my own video with my own you know money,

561
00:26:07,800 --> 00:26:10,000
Speaker 4: and and it's just it just like it was a

562
00:26:10,000 --> 00:26:12,159
Speaker 4: lot of things that that that I want artists to

563
00:26:12,240 --> 00:26:15,680
Speaker 4: know like that. I know that is what makes other

564
00:26:15,680 --> 00:26:17,800
Speaker 4: people believe in you when you're not afraid to like

565
00:26:17,840 --> 00:26:20,440
Speaker 4: go in your own pocket and be like, you know, ship,

566
00:26:20,760 --> 00:26:22,280
Speaker 4: I'm gonna do it. You know what I'm saying? How

567
00:26:22,320 --> 00:26:25,359
Speaker 4: much the video, like damn that's how much damn you know, like,

568
00:26:25,640 --> 00:26:29,040
Speaker 4: and I did that. Can't nobody take that from me?

569
00:26:29,119 --> 00:26:31,600
Speaker 4: And it worked for me, you know. And I do

570
00:26:31,720 --> 00:26:34,159
Speaker 4: know other people that will wait kind of wait for

571
00:26:34,200 --> 00:26:37,000
Speaker 4: somebody to you know, do something for him, you know,

572
00:26:37,600 --> 00:26:40,960
Speaker 4: whether it's you know, book a flight or do anything

573
00:26:41,000 --> 00:26:42,880
Speaker 4: like that. But I'm just somebody that's kind of proactive

574
00:26:42,920 --> 00:26:44,240
Speaker 4: and I go get it myself.

575
00:26:44,800 --> 00:26:46,480
Speaker 5: You still got that hunger, though, man, I saw that

576
00:26:46,520 --> 00:26:48,800
Speaker 5: you tweeted. I still wrap every night, just in case

577
00:26:48,800 --> 00:26:50,840
Speaker 5: you thought I was comfortable, you know, at this point

578
00:26:50,840 --> 00:26:52,480
Speaker 5: in your career, Like what's fueling that hunger?

579
00:26:53,840 --> 00:26:53,919
Speaker 1: Me?

580
00:26:54,040 --> 00:26:56,320
Speaker 4: Not knowing what I'm gonna say next is still super

581
00:26:56,320 --> 00:27:02,600
Speaker 4: exciting to me. Me not knowing Like me, I said

582
00:27:02,600 --> 00:27:05,720
Speaker 4: some shit the other day. I'm in the studio. I'm

583
00:27:05,760 --> 00:27:07,680
Speaker 4: already working on this next roightject, right, so I say

584
00:27:07,720 --> 00:27:09,960
Speaker 4: some shit the other day. Right, Well, it's looping because

585
00:27:09,960 --> 00:27:11,399
Speaker 4: I'm trying to get the rest of my shit together.

586
00:27:11,480 --> 00:27:15,480
Speaker 4: Not the blue motherfucker said, Man, I just heard this

587
00:27:16,000 --> 00:27:19,080
Speaker 4: song been looping fucking twenty thirty minute. Nigga just heard

588
00:27:19,080 --> 00:27:21,119
Speaker 4: what I said, and it just geeked me up that

589
00:27:21,240 --> 00:27:24,159
Speaker 4: you know what I'm saying. I said something about a

590
00:27:24,240 --> 00:27:26,359
Speaker 4: meeting Greek. A fan asked me to sign a pee,

591
00:27:26,359 --> 00:27:29,119
Speaker 4: but I was going I was in this lane and

592
00:27:29,320 --> 00:27:32,040
Speaker 4: niggas did. Didn't hear it until like thirty minutes later.

593
00:27:32,080 --> 00:27:36,439
Speaker 4: So I think me just knowing that I'm not burnt

594
00:27:36,480 --> 00:27:38,960
Speaker 4: out yet. You know what I'm saying. I think I'm

595
00:27:39,000 --> 00:27:43,840
Speaker 4: still creative. That's what I want to say. I still

596
00:27:43,920 --> 00:27:50,399
Speaker 4: have good ideas, and people pay money for ideas. People

597
00:27:50,640 --> 00:27:54,879
Speaker 4: still ideas. God still giving me ideas. That's why I

598
00:27:54,920 --> 00:27:56,800
Speaker 4: want to say. That's why I want to make my point.

599
00:27:56,840 --> 00:27:58,920
Speaker 4: Did I really want to say that? I think ideas

600
00:27:59,000 --> 00:28:02,560
Speaker 4: is one of the biggest forms of currency. I get them.

601
00:28:02,640 --> 00:28:04,960
Speaker 4: I have a lot of ideas still to this day.

602
00:28:05,760 --> 00:28:06,920
Speaker 4: So that's what my drive.

603
00:28:07,160 --> 00:28:08,760
Speaker 8: You think that's a blessing is just it.

604
00:28:08,800 --> 00:28:16,680
Speaker 4: Gotta be people by the people pay fuck billions. You

605
00:28:16,800 --> 00:28:21,480
Speaker 4: got a really good idea, this idea, think about it.

606
00:28:21,800 --> 00:28:23,040
Speaker 2: I got something right.

607
00:28:24,440 --> 00:28:26,240
Speaker 4: I'll tell you about this ship out of this fifty

608
00:28:26,280 --> 00:28:28,840
Speaker 4: shit a year old I don't put together on these ideas,

609
00:28:28,920 --> 00:28:31,679
Speaker 4: even the ship that the trail ain't even the listening

610
00:28:31,720 --> 00:28:35,119
Speaker 4: party in the movie theater Boom Boom, even what this

611
00:28:35,200 --> 00:28:37,120
Speaker 4: listening party in the theater means for the next chapter

612
00:28:37,200 --> 00:28:39,600
Speaker 4: of My Wife is all just like these ideas I got.

613
00:28:39,760 --> 00:28:41,640
Speaker 3: That's what always buzzed me out about artists like y'all

614
00:28:41,680 --> 00:28:43,560
Speaker 3: can make something and you have to sit on it

615
00:28:43,640 --> 00:28:45,600
Speaker 3: and wait a year, maybe for two years for it

616
00:28:45,640 --> 00:28:48,320
Speaker 3: to come out. But the crazy thing about this Collego project,

617
00:28:48,360 --> 00:28:50,719
Speaker 3: even though it took so long, it doesn't feel like

618
00:28:50,840 --> 00:28:52,000
Speaker 3: y'all just was sitting on it.

619
00:28:52,080 --> 00:28:54,320
Speaker 7: They feel like it could have been made last month.

620
00:28:54,400 --> 00:28:58,680
Speaker 4: You're so first of all, good music, it's time less.

621
00:28:58,680 --> 00:29:06,120
Speaker 4: We know that you're not talking about you know what, Yeah, yeah,

622
00:29:06,160 --> 00:29:11,200
Speaker 4: you do this. I'm just gonna you know what I'm saying.

623
00:29:11,200 --> 00:29:12,840
Speaker 4: You know exactly what it is. So when it's not

624
00:29:12,960 --> 00:29:17,960
Speaker 4: trendy raps or trendy flows or trendy beats, shit, we

625
00:29:18,000 --> 00:29:20,360
Speaker 4: got a song pressure with it. Damn. I didn't even

626
00:29:20,440 --> 00:29:23,200
Speaker 4: know the producer was whistling until we did. I'm like,

627
00:29:23,240 --> 00:29:25,840
Speaker 4: we're gonna go to Jimmy, Jimmy kim and do this show.

628
00:29:25,880 --> 00:29:31,000
Speaker 4: I want you to make the beat Jimmy fallon and

629
00:29:31,040 --> 00:29:33,000
Speaker 4: do the show, and i want you to make the

630
00:29:33,040 --> 00:29:37,000
Speaker 4: beat on TV because it's like, I'm just saying what

631
00:29:37,080 --> 00:29:39,960
Speaker 4: we could do to be creative and keep you know,

632
00:29:40,040 --> 00:29:42,000
Speaker 4: and then for me a lot of times, because I've

633
00:29:42,000 --> 00:29:44,640
Speaker 4: done TV so much, I feel like most of the

634
00:29:44,680 --> 00:29:49,040
Speaker 4: times it should be melodic hooks because the crowd there

635
00:29:49,160 --> 00:29:51,360
Speaker 4: drives that what you're saying on TV, you know what

636
00:29:51,400 --> 00:29:53,520
Speaker 4: I'm saying. So if it's like somebody singing at the end,

637
00:29:54,160 --> 00:29:57,360
Speaker 4: then you can hear the TV goal. They get everything.

638
00:29:57,400 --> 00:29:59,080
Speaker 4: You know what, I've done this. When you go up

639
00:29:59,080 --> 00:30:01,160
Speaker 4: there trying to rap and ship right at you might

640
00:30:01,160 --> 00:30:04,400
Speaker 4: hear one, you know, and it could be a hit record. Right.

641
00:30:04,600 --> 00:30:07,200
Speaker 4: I'm like, man, I don't know you're gonna do this.

642
00:30:07,240 --> 00:30:09,160
Speaker 4: I'm like, man, maybe we should do you know the

643
00:30:09,280 --> 00:30:11,560
Speaker 4: Usher record transmant. Now, we gotta wake you know what

644
00:30:11,560 --> 00:30:14,000
Speaker 4: I'm saying. That's how big one we're gonna So I'm like,

645
00:30:14,000 --> 00:30:16,240
Speaker 4: what can we Let's just be creative, man, you know

646
00:30:17,160 --> 00:30:19,200
Speaker 4: this is crazy creative. You know what I'm saying. He

647
00:30:19,800 --> 00:30:22,880
Speaker 4: gonna wear a crazy hat or some shit, and I'm like,

648
00:30:23,000 --> 00:30:24,960
Speaker 4: let's let's have him make the beat.

649
00:30:25,040 --> 00:30:28,400
Speaker 6: You know what I'm saying. This is no bullshit. Take

650
00:30:28,480 --> 00:30:31,280
Speaker 6: this this ship eight times? This nigga whistled the same

651
00:30:31,320 --> 00:30:35,200
Speaker 6: way eight times. I was like, yeah, and I know.

652
00:30:35,280 --> 00:30:37,400
Speaker 4: Tune was like, man, man, he fresh used to make

653
00:30:37,480 --> 00:30:41,120
Speaker 4: beats you know, you know verbally too, you know what

654
00:30:41,160 --> 00:30:44,520
Speaker 4: I'm saying. So they had Yeah, So just stuff like that,

655
00:30:44,680 --> 00:30:47,800
Speaker 4: just taking those creative risks and then honestly having somebody

656
00:30:47,880 --> 00:30:50,800
Speaker 4: like Wayne with me makes it easy for me to

657
00:30:50,840 --> 00:30:53,200
Speaker 4: take these creative risks because I'm with a whole alien

658
00:30:53,200 --> 00:30:55,280
Speaker 4: over here, you know what I'm saying. So it's like, man,

659
00:30:55,320 --> 00:30:58,440
Speaker 4: bro I'm thinking about just like he like cool, you

660
00:30:58,440 --> 00:30:59,080
Speaker 4: know what I'm saying.

661
00:30:59,160 --> 00:31:01,280
Speaker 2: So, but as tight as you guys are, do you

662
00:31:01,320 --> 00:31:04,520
Speaker 2: have creative differences? What does that look like? Is that

663
00:31:04,720 --> 00:31:05,719
Speaker 2: arguing in the studio?

664
00:31:06,880 --> 00:31:13,680
Speaker 3: It's fun though, it's fun man, because you probably motivate

665
00:31:13,720 --> 00:31:15,680
Speaker 3: the alien like nobody else can.

666
00:31:16,040 --> 00:31:19,239
Speaker 4: So what that comes to other motivated and aggravate one

667
00:31:19,280 --> 00:31:19,600
Speaker 4: of the other.

668
00:31:19,760 --> 00:31:22,880
Speaker 3: That's that's where the other side comes from, right, like it?

669
00:31:23,000 --> 00:31:25,640
Speaker 7: But like you like that fire in them more than

670
00:31:25,680 --> 00:31:26,680
Speaker 7: anybody in some.

671
00:31:26,640 --> 00:31:30,640
Speaker 4: Sense, Yeah, I mean, and not just in the studio,

672
00:31:31,840 --> 00:31:34,720
Speaker 4: every video set, wherever it is. You know what I'm saying.

673
00:31:34,720 --> 00:31:39,720
Speaker 4: It's just no, because he he is who he is already.

674
00:31:39,720 --> 00:31:41,960
Speaker 4: He don't have to really like prove nothing really not

675
00:31:42,080 --> 00:31:45,800
Speaker 4: me either, And but I honestly, like I was saying earlier,

676
00:31:45,920 --> 00:31:48,760
Speaker 4: Still I'm still in a space where I can still

677
00:31:48,840 --> 00:31:51,040
Speaker 4: learn things, not like learn how to do a record.

678
00:31:51,080 --> 00:31:56,880
Speaker 4: But it's still you know, maybe I'm not carrying myself

679
00:31:56,920 --> 00:31:59,360
Speaker 4: to the highest level that I should in certain instances,

680
00:31:59,360 --> 00:32:00,960
Speaker 4: you know what I'm saying. And there's not so much

681
00:32:00,960 --> 00:32:03,520
Speaker 4: of him saying that. It just made me like, think

682
00:32:03,600 --> 00:32:07,040
Speaker 4: you know what I'm saying, because sometimes I will. I

683
00:32:07,080 --> 00:32:11,040
Speaker 4: don't know. I'm just somebody that's I like to try

684
00:32:11,040 --> 00:32:12,840
Speaker 4: to be as normal as possible. Still, you know what

685
00:32:12,840 --> 00:32:15,480
Speaker 4: I told you, I gotta what I gotta do after this,

686
00:32:15,560 --> 00:32:17,560
Speaker 4: and shit, I got like daddy ship to do after this,

687
00:32:17,720 --> 00:32:19,680
Speaker 4: you know, doing my interview in the strip club. Then

688
00:32:19,680 --> 00:32:23,960
Speaker 4: I'm i gotta go do some daddy reality. Yeah, and

689
00:32:24,040 --> 00:32:25,720
Speaker 4: I'm gonna you know what I mean. So I'm somebody

690
00:32:25,760 --> 00:32:27,400
Speaker 4: trying to trying to do all that, you know what

691
00:32:27,400 --> 00:32:30,520
Speaker 4: I'm saying. So, but you know, it is that energy

692
00:32:30,520 --> 00:32:32,880
Speaker 4: where we we do want the best for each.

693
00:32:32,760 --> 00:32:35,440
Speaker 5: Other being at your second time in the group, Like,

694
00:32:35,560 --> 00:32:38,160
Speaker 5: is there similarities of differences working with Wayne versus Dollar

695
00:32:38,200 --> 00:32:38,880
Speaker 5: from play a Circle?

696
00:32:39,560 --> 00:32:41,920
Speaker 4: Now, that's a good question, thank you. It's a real

697
00:32:42,000 --> 00:32:44,960
Speaker 4: good question. Well, I can tell you this man, Dollar

698
00:32:45,000 --> 00:32:46,440
Speaker 4: grew up together, you know what I'm saying. And at

699
00:32:46,480 --> 00:32:48,360
Speaker 4: this point I've known Wayne for twenty years, so we've

700
00:32:48,480 --> 00:32:50,160
Speaker 4: kind of grown up. I guess the second part of

701
00:32:50,160 --> 00:32:51,440
Speaker 4: my life. I ain't thinking about it like that.

702
00:32:51,480 --> 00:32:52,680
Speaker 2: Wow damn.

703
00:32:52,800 --> 00:32:54,440
Speaker 4: Yeah, yeah that's crazy.

704
00:32:54,560 --> 00:32:55,760
Speaker 2: Yeah, you love a rap.

705
00:32:56,360 --> 00:32:59,120
Speaker 4: But but him and Dollar with both you know, on

706
00:32:59,240 --> 00:33:00,680
Speaker 4: side of me when I got Merrit, you know what

707
00:33:00,720 --> 00:33:05,240
Speaker 4: I'm saying. So they both was there, best men. Yeah,

708
00:33:05,280 --> 00:33:11,640
Speaker 4: they both there. So the the process with me and

709
00:33:11,760 --> 00:33:16,920
Speaker 4: Dollar is that, I mean, it's some similarity. Dollar was

710
00:33:17,000 --> 00:33:23,600
Speaker 4: rapping before me. Mum hm, you know I learned stuff

711
00:33:23,640 --> 00:33:29,240
Speaker 4: from him as well. You know. Uh, I don't know, man,

712
00:33:29,920 --> 00:33:33,080
Speaker 4: It's just I don't know, you know, Wayne was his

713
00:33:33,200 --> 00:33:35,800
Speaker 4: little Wayne. You know, I don't know how to how

714
00:33:35,840 --> 00:33:37,440
Speaker 4: to put it. But just like when I'm thinking about

715
00:33:37,480 --> 00:33:40,760
Speaker 4: like the process of it, like the projects, but the

716
00:33:40,800 --> 00:33:46,200
Speaker 4: process of doing the songs is kind of like similar.

717
00:33:46,280 --> 00:33:49,160
Speaker 4: Like we're not giving each other like a lot of

718
00:33:49,240 --> 00:33:54,280
Speaker 4: directions I think out of respect and confidence knowing that

719
00:33:54,360 --> 00:33:57,800
Speaker 4: they got this, like, you know, I think that's what

720
00:33:57,840 --> 00:34:00,400
Speaker 4: it is on both on both of those projects. It's like,

721
00:34:01,600 --> 00:34:03,800
Speaker 4: I know, Dollar gonna go crazy. I know I ain't

722
00:34:03,800 --> 00:34:04,640
Speaker 4: gonna go crazy.

723
00:34:04,760 --> 00:34:06,920
Speaker 3: Yeah, but how war it was it because the first

724
00:34:06,960 --> 00:34:08,560
Speaker 3: college growth there was some label politics.

725
00:34:08,600 --> 00:34:09,799
Speaker 8: You couldn't have them on every song.

726
00:34:10,560 --> 00:34:11,279
Speaker 4: You're so good.

727
00:34:11,760 --> 00:34:13,640
Speaker 3: Now this album is like you get to be a

728
00:34:13,680 --> 00:34:16,200
Speaker 3: real rap group. Like there's no solo song every song.

729
00:34:16,280 --> 00:34:19,799
Speaker 4: You know, both connected to that was very important. That

730
00:34:19,880 --> 00:34:22,000
Speaker 4: was that was that was one of the most important

731
00:34:22,040 --> 00:34:24,320
Speaker 4: things for me, that we be on every song together.

732
00:34:24,719 --> 00:34:26,839
Speaker 4: We could have did the one solo song a piece

733
00:34:26,920 --> 00:34:28,880
Speaker 4: or whatever, but I didn't. I didn't even see that

734
00:34:28,920 --> 00:34:31,399
Speaker 4: being fit. I thought we all needed to mesh up,

735
00:34:32,080 --> 00:34:35,080
Speaker 4: do songs, mix it up, you know. Like I said,

736
00:34:35,200 --> 00:34:38,479
Speaker 4: production was key. You know, we got two Havoc beats

737
00:34:38,560 --> 00:34:39,960
Speaker 4: on there. You know what I'm saying. It's like it's

738
00:34:40,880 --> 00:34:42,640
Speaker 4: you got a many fresh and a habit and a

739
00:34:42,680 --> 00:34:45,319
Speaker 4: brain of this what y'all got going on over here,

740
00:34:45,320 --> 00:34:48,040
Speaker 4: you know what I'm saying. And I'm like, yeah, we

741
00:34:48,080 --> 00:34:49,960
Speaker 4: can do that, like we're able to do We're in

742
00:34:50,000 --> 00:34:51,560
Speaker 4: a space where we can do this. We can take

743
00:34:51,560 --> 00:34:56,239
Speaker 4: these creative risks and read the rewards when it's time too.

744
00:34:56,360 --> 00:34:58,520
Speaker 4: And so with with that being said, it was it

745
00:34:58,600 --> 00:35:04,040
Speaker 4: was it was more fun to do it when we're

746
00:35:04,080 --> 00:35:07,719
Speaker 4: on each project together and even the visuals, just being

747
00:35:07,760 --> 00:35:10,680
Speaker 4: in the same place together doing them and not knowing

748
00:35:10,680 --> 00:35:12,839
Speaker 4: what the hell we're gonna come out the trailer looking like,

749
00:35:12,880 --> 00:35:14,440
Speaker 4: you know what I mean, it's fun.

750
00:35:14,480 --> 00:35:16,399
Speaker 3: Still, I'm gonna go back to be That's a regual question,

751
00:35:16,440 --> 00:35:17,480
Speaker 3: because I don't think you answered it.

752
00:35:17,560 --> 00:35:19,040
Speaker 4: I skipped your question all right.

753
00:35:20,239 --> 00:35:21,160
Speaker 2: When you and Waine do.

754
00:35:21,160 --> 00:35:24,000
Speaker 3: Have a mindor difference, like how does it get resultd

755
00:35:24,080 --> 00:35:25,560
Speaker 3: give its an example of when you might not have

756
00:35:25,560 --> 00:35:28,239
Speaker 3: seen everything in the same way, but you got on

757
00:35:28,280 --> 00:35:30,919
Speaker 3: the same page and that's what we now hear. Yeah,

758
00:35:31,160 --> 00:35:32,640
Speaker 3: is there an example from a new album where you

759
00:35:32,640 --> 00:35:34,760
Speaker 3: felt like it was it had to get to that place?

760
00:35:35,800 --> 00:35:39,360
Speaker 4: No? No with with Wayne, like so the process with

761
00:35:39,440 --> 00:35:42,840
Speaker 4: this album was a couple of songs weren't clearable or

762
00:35:43,440 --> 00:35:48,040
Speaker 4: had to be reconstructed to be clear. Now he works

763
00:35:48,120 --> 00:35:50,080
Speaker 4: just as hard as and if not as hard as me,

764
00:35:50,160 --> 00:35:52,000
Speaker 4: so he doesn't mind that. He'll be like, you know,

765
00:35:52,080 --> 00:35:54,839
Speaker 4: fuck it, we could just you know, we got other

766
00:35:54,920 --> 00:35:57,680
Speaker 4: songs or whatever my thing may be. You know, I

767
00:35:57,719 --> 00:36:00,200
Speaker 4: think we need this one, right, I think we need

768
00:36:00,239 --> 00:36:02,560
Speaker 4: to figure you know, And I'll just figured out but

769
00:36:02,600 --> 00:36:05,360
Speaker 4: it's not. It's nothing that that we can't never fix

770
00:36:05,440 --> 00:36:07,480
Speaker 4: or nothing where it you know, we have to come

771
00:36:07,520 --> 00:36:09,920
Speaker 4: to blows anything crazy like that. It's just some creative

772
00:36:09,920 --> 00:36:14,319
Speaker 4: stuff where one person, maybe you know, more nonchalant and

773
00:36:14,320 --> 00:36:17,239
Speaker 4: the other person is like, I'm telling you, you know

774
00:36:17,280 --> 00:36:19,360
Speaker 4: what I'm saying. We get this one right, This motherfuckers

775
00:36:19,360 --> 00:36:19,719
Speaker 4: gonna go.

776
00:36:19,880 --> 00:36:21,719
Speaker 3: So do you think he do you think he appreciates

777
00:36:21,719 --> 00:36:23,600
Speaker 3: that you have such a kind of solid vision of

778
00:36:23,600 --> 00:36:26,480
Speaker 3: what you think college growth should be. Do you is

779
00:36:26,520 --> 00:36:28,120
Speaker 3: he comfortable how you kind of assume more of a

780
00:36:28,200 --> 00:36:32,120
Speaker 3: leadership role of like what that aesthetic, what collige growth means.

781
00:36:32,800 --> 00:36:34,879
Speaker 4: He's still he's still very much a part of part

782
00:36:34,920 --> 00:36:37,240
Speaker 4: of everything. He's still very much a part of everything.

783
00:36:37,320 --> 00:36:39,719
Speaker 4: You know. We text We texted.

784
00:36:39,440 --> 00:36:41,919
Speaker 8: There every day, which you agreed upon.

785
00:36:42,200 --> 00:36:45,759
Speaker 4: We talk a lot. Yeah, just run them like run this,

786
00:36:45,960 --> 00:36:49,680
Speaker 4: run this, run his body, vice versa. And then you

787
00:36:49,680 --> 00:36:53,160
Speaker 4: know he had ideas too, which was which was very cool. Yeah, yeah,

788
00:36:53,200 --> 00:36:55,480
Speaker 4: ideas too, which was very very cool, Which is what

789
00:36:55,520 --> 00:36:57,440
Speaker 4: I wanted. That's what I told him, Like I need

790
00:36:58,000 --> 00:37:00,040
Speaker 4: like I want you to be a part, Like I

791
00:37:00,080 --> 00:37:01,600
Speaker 4: don't want to do all this stuff, I say, I

792
00:37:01,600 --> 00:37:03,640
Speaker 4: know what you do. So that was important.

793
00:37:03,760 --> 00:37:07,040
Speaker 8: What was the example one of his creata.

794
00:37:07,080 --> 00:37:12,239
Speaker 4: The idea behind oprang Geale was his idea with the butcher. Yeah,

795
00:37:12,280 --> 00:37:14,279
Speaker 4: with being the butcher. The way we shot it with

796
00:37:17,239 --> 00:37:22,120
Speaker 4: his particular camera man, it was three different eat our

797
00:37:22,160 --> 00:37:27,440
Speaker 4: own personal cameraman shot this like you know, like cinematic,

798
00:37:28,080 --> 00:37:31,000
Speaker 4: like you know, black and white footage and gluted it

799
00:37:31,040 --> 00:37:34,040
Speaker 4: all together and the shit crazy. You know what I'm saying.

800
00:37:34,040 --> 00:37:36,120
Speaker 4: It's one. It's one of the you know, you pay

801
00:37:36,160 --> 00:37:39,200
Speaker 4: all this money. But I'm not talking about all the

802
00:37:39,280 --> 00:37:41,120
Speaker 4: videos look nice. Let me just feel like all the

803
00:37:41,200 --> 00:37:44,960
Speaker 4: videos look nice. But it was something that I ain't

804
00:37:45,000 --> 00:37:48,319
Speaker 4: see because, like you know, I'm explaining, like, you know,

805
00:37:48,360 --> 00:37:50,200
Speaker 4: we got this, you know, we got an usher record,

806
00:37:50,239 --> 00:37:52,360
Speaker 4: and we got like a pressure record, but you know,

807
00:37:52,440 --> 00:37:54,520
Speaker 4: like we got we really rappers. We got to let

808
00:37:54,520 --> 00:37:57,640
Speaker 4: these folks know we wrapped like we can't like you know,

809
00:37:58,640 --> 00:38:01,839
Speaker 4: And so I guess he like thought about what I

810
00:38:01,840 --> 00:38:03,520
Speaker 4: said or something like that, you know what I'm saying.

811
00:38:03,800 --> 00:38:06,160
Speaker 4: And that was the one. And it's been getting some

812
00:38:06,200 --> 00:38:08,320
Speaker 4: great feedback, you know what I'm saying. It's been getting

813
00:38:08,360 --> 00:38:09,240
Speaker 4: some great feedback.

814
00:38:09,600 --> 00:38:12,040
Speaker 2: So do you know if Gaylor openheard the record yet.

815
00:38:12,239 --> 00:38:15,480
Speaker 4: Well you know, Oprah hit me last night. It's funny

816
00:38:15,480 --> 00:38:19,520
Speaker 4: you asked you want to hear it? No, op Gail

817
00:38:19,640 --> 00:38:24,800
Speaker 4: DM me this morning. No, man, I ain't heard nothing

818
00:38:24,840 --> 00:38:25,480
Speaker 4: from them.

819
00:38:25,520 --> 00:38:26,719
Speaker 2: Or what make you do that?

820
00:38:26,760 --> 00:38:28,480
Speaker 8: You get a car, you get a car, you get

821
00:38:28,520 --> 00:38:29,000
Speaker 8: a roe.

822
00:38:29,760 --> 00:38:33,080
Speaker 4: I bought twenty Rollies last year for Christmas from my team.

823
00:38:33,280 --> 00:38:34,640
Speaker 2: Really twenty one.

824
00:38:35,200 --> 00:38:38,480
Speaker 4: Damn. You always say your team, and I always see

825
00:38:38,480 --> 00:38:41,719
Speaker 4: that's the thing. People, you know, like you laughing, we'll

826
00:38:41,760 --> 00:38:45,280
Speaker 4: be debt serious though. Yeah, I can get people coming here, lady.

827
00:38:45,480 --> 00:38:47,759
Speaker 4: All of them got forty one. The women. I ain't

828
00:38:47,800 --> 00:38:52,000
Speaker 4: getting no little bit everybody, the women, the women got

829
00:38:52,040 --> 00:38:54,759
Speaker 4: forty one. Everybody. That's a part of like, I don't

830
00:38:54,800 --> 00:38:58,560
Speaker 4: know me. I just I just love everybody. I appreciate people,

831
00:38:58,600 --> 00:39:01,200
Speaker 4: and I actually pray that I can help people by

832
00:39:01,200 --> 00:39:03,760
Speaker 4: getting them rollies. Ain't really helping them, but they helped

833
00:39:03,760 --> 00:39:06,200
Speaker 4: me get to you a certain point that I reciprocated.

834
00:39:06,239 --> 00:39:08,400
Speaker 4: So that's what a rolely idea came from. I really

835
00:39:08,400 --> 00:39:13,080
Speaker 4: bought twenty one brand new, not no motherfucking recently. I

836
00:39:13,120 --> 00:39:15,640
Speaker 4: really went there and you know, and they was playing Jane.

837
00:39:15,640 --> 00:39:17,279
Speaker 4: They won't all bust down, you know what I mean?

838
00:39:17,400 --> 00:39:23,560
Speaker 5: But yeah, yeah, yeah, Since we talked about some of

839
00:39:23,560 --> 00:39:25,200
Speaker 5: these songs, one of my favorites is PPA.

840
00:39:25,600 --> 00:39:26,760
Speaker 2: How did that soon develop?

841
00:39:27,400 --> 00:39:28,000
Speaker 4: Yeah?

842
00:39:28,840 --> 00:39:29,920
Speaker 8: At the candy land.

843
00:39:31,640 --> 00:39:36,080
Speaker 4: I have, I don't have land. Yeah. Ppa is short

844
00:39:36,160 --> 00:39:38,880
Speaker 4: for a pretty Pussy Award. I just be thinking of

845
00:39:38,920 --> 00:39:43,359
Speaker 4: some crazy shit, some ideas, huh, And I do have

846
00:39:44,400 --> 00:39:49,520
Speaker 4: I do have a vision on doing a real award.

847
00:39:50,280 --> 00:39:52,359
Speaker 2: What does the pretty Pussy Award look like? Chase?

848
00:39:52,760 --> 00:39:54,160
Speaker 4: Oh well, let me tell you how I was gonna

849
00:39:54,160 --> 00:39:55,960
Speaker 4: do it. Please, Yeah, I'm gonna have a whole ward.

850
00:39:56,480 --> 00:39:59,839
Speaker 4: I'm having a dog. I can have just a little boy.

851
00:40:00,120 --> 00:40:03,000
Speaker 4: See somebody very toxic. You know what I'm saying, right,

852
00:40:03,239 --> 00:40:05,720
Speaker 4: you gotta have a toxic Let's do it. Let's do it, Okay.

853
00:40:06,040 --> 00:40:07,960
Speaker 4: I can't do it in l A really because they

854
00:40:07,960 --> 00:40:10,719
Speaker 4: can't get naked. I can't do it in New York

855
00:40:10,760 --> 00:40:14,480
Speaker 4: really because they can't get naked. I can do it

856
00:40:14,520 --> 00:40:16,960
Speaker 4: in Atlanta, but don't need to do it in Atlanta.

857
00:40:17,360 --> 00:40:20,560
Speaker 4: And we'll talk about that thing, Okay. So I'm thinking

858
00:40:20,560 --> 00:40:21,800
Speaker 4: about maybe like Houston.

859
00:40:22,400 --> 00:40:25,600
Speaker 7: Okay, I think it's gonna Miami outside it's going with.

860
00:40:25,560 --> 00:40:29,680
Speaker 4: It or Miami okay, but Houston in the middle, everybody

861
00:40:29,719 --> 00:40:34,440
Speaker 4: come all the way up. But Miami a good idea,

862
00:40:35,160 --> 00:40:40,160
Speaker 4: and then we do a real people come dress whatever whatever,

863
00:40:40,400 --> 00:40:49,440
Speaker 4: and it's different, you know, stuff we don't do me

864
00:40:49,560 --> 00:40:55,239
Speaker 4: like this like this, but a real award thing where

865
00:40:55,280 --> 00:40:57,360
Speaker 4: it's kind of like you know, they have porn awards

866
00:40:57,360 --> 00:41:00,600
Speaker 4: and all. Yeah, So it wouldn't be porne because it's

867
00:41:00,600 --> 00:41:04,640
Speaker 4: no sexy. The class will be just about something that

868
00:41:04,719 --> 00:41:07,560
Speaker 4: I was in my head, something that's classy and sexy,

869
00:41:08,000 --> 00:41:11,840
Speaker 4: that that celebrates the female.

870
00:41:11,760 --> 00:41:13,440
Speaker 8: Appreciate beauty on all levels.

871
00:41:15,000 --> 00:41:17,719
Speaker 4: So that's what the PP Pretty Push Awards would be,

872
00:41:17,760 --> 00:41:21,479
Speaker 4: you know what I'm saying. And you know at the end, well,

873
00:41:21,960 --> 00:41:24,560
Speaker 4: you know Grammy's they do a vote, right, you know,

874
00:41:24,600 --> 00:41:27,239
Speaker 4: we have to figure out this out.

875
00:41:27,760 --> 00:41:37,400
Speaker 2: Is there a prize? You know? Like okay, you.

876
00:41:38,920 --> 00:41:41,520
Speaker 4: Listen, you might have to go g wagon forever. Hey.

877
00:41:41,719 --> 00:41:43,799
Speaker 2: So in terms of the song, though, who hits Low?

878
00:41:43,880 --> 00:41:44,720
Speaker 2: So who is Fab?

879
00:41:44,880 --> 00:41:45,920
Speaker 8: Like, yo, you gotta get out?

880
00:41:46,000 --> 00:41:49,400
Speaker 4: So I see Fab? So that's that's that's a good story.

881
00:41:49,440 --> 00:41:51,959
Speaker 4: So I see Fab in New York. Man. I don't

882
00:41:51,960 --> 00:41:53,400
Speaker 4: know what the hell we were doing, but me and

883
00:41:53,400 --> 00:41:55,440
Speaker 4: Fab was hanging out in New York and he came

884
00:41:55,480 --> 00:41:59,160
Speaker 4: to the studio with me and I was playing these

885
00:41:59,239 --> 00:42:02,479
Speaker 4: joints and Fab is like one of the ones to see.

886
00:42:02,520 --> 00:42:04,680
Speaker 4: That's what I want to let y'all know to some

887
00:42:04,719 --> 00:42:06,920
Speaker 4: of us has been doing this thing over a decade.

888
00:42:07,480 --> 00:42:12,000
Speaker 4: They're still like, you know, relevant, hungry, getting booked, still

889
00:42:12,040 --> 00:42:15,840
Speaker 4: knowing how to put their clothes together, still knowing how yeah,

890
00:42:15,880 --> 00:42:18,440
Speaker 4: all of that stuff. FA just had a birthday out

891
00:42:18,440 --> 00:42:20,960
Speaker 4: of the day, still look taking care of herself, whatever

892
00:42:21,040 --> 00:42:24,319
Speaker 4: the thing. So I have a high respect for that

893
00:42:24,520 --> 00:42:26,479
Speaker 4: because a lot of people don't even know that. There's

894
00:42:26,520 --> 00:42:28,640
Speaker 4: like probably four or five people that's at that level

895
00:42:28,680 --> 00:42:30,960
Speaker 4: now it's been doing. It's not that, manuye. That's very

896
00:42:31,000 --> 00:42:33,960
Speaker 4: low percentage to be in if you're in your forties

897
00:42:34,000 --> 00:42:36,640
Speaker 4: and motherfucking like, I'd like to hear wrong and say,

898
00:42:36,680 --> 00:42:40,560
Speaker 4: oh my back, like if you ain't doing all that,

899
00:42:40,680 --> 00:42:42,800
Speaker 4: you know what I'm saying, and like you know what

900
00:42:42,840 --> 00:42:43,400
Speaker 4: I mean.

901
00:42:43,880 --> 00:42:47,120
Speaker 8: But relevant today, man, yeah.

902
00:42:47,040 --> 00:42:50,080
Speaker 4: Man, I'm booked this weekend. Next took this bitch over

903
00:42:50,239 --> 00:42:52,000
Speaker 4: the rest of this year, you know what I'm saying.

904
00:42:52,160 --> 00:42:56,040
Speaker 4: And you know, and so anyway, I respect FA and

905
00:42:56,320 --> 00:43:00,360
Speaker 4: so similar space. And so I went to the studio

906
00:43:01,560 --> 00:43:07,440
Speaker 4: and that beat man that beat just gave me one

907
00:43:07,440 --> 00:43:11,560
Speaker 4: of them. I don't know, like a you know we

908
00:43:11,600 --> 00:43:13,960
Speaker 4: say your kid now like a New York type of vibe.

909
00:43:13,960 --> 00:43:16,239
Speaker 4: It has that, it has that sampling. And my boy

910
00:43:16,320 --> 00:43:19,719
Speaker 4: Mark Mark Bird did that beat and so I was like, man,

911
00:43:19,800 --> 00:43:21,040
Speaker 4: I played it for him and then you know, it's

912
00:43:21,080 --> 00:43:22,759
Speaker 4: one of the ones where he totally got it, like

913
00:43:22,840 --> 00:43:26,320
Speaker 4: he like he went in on it. So appreciate Fat

914
00:43:26,360 --> 00:43:28,920
Speaker 4: for that. That was one of the features that just

915
00:43:29,560 --> 00:43:31,319
Speaker 4: because it was believe it or not, it was it

916
00:43:31,400 --> 00:43:34,919
Speaker 4: was kind of hard to get features on this project. Yeah, yeah,

917
00:43:35,000 --> 00:43:37,520
Speaker 4: it was. People really gets busy and stuff.

918
00:43:38,040 --> 00:43:39,880
Speaker 5: But when you talk about features, you're like the feature

919
00:43:39,960 --> 00:43:41,839
Speaker 5: king and this year, like on the low you've been

920
00:43:41,880 --> 00:43:47,440
Speaker 5: kind of killing it. Like from Larry June Ocean's really.

921
00:43:47,239 --> 00:43:48,839
Speaker 4: Good man, that's a hard ass verse.

922
00:43:49,680 --> 00:43:52,120
Speaker 2: We get some other verses. Got off the lot with currency,

923
00:43:52,160 --> 00:43:55,920
Speaker 2: spaceship views of the Killer Mike album, Mask Up Bucks

924
00:43:56,600 --> 00:43:57,560
Speaker 2: his list Ready, I'm.

925
00:43:57,440 --> 00:43:58,840
Speaker 4: Just saying those bars on that.

926
00:43:59,320 --> 00:44:01,239
Speaker 5: Yes, And you know I ain't capping back in like

927
00:44:01,280 --> 00:44:03,520
Speaker 5: twenty twelve, you went crazy with like one hundred features.

928
00:44:03,520 --> 00:44:05,400
Speaker 5: So it's like this year, like what's your approach when

929
00:44:05,440 --> 00:44:06,640
Speaker 5: you go to do features, are you just.

930
00:44:06,560 --> 00:44:08,680
Speaker 4: Trying to I still do them the same night, I

931
00:44:08,680 --> 00:44:10,840
Speaker 4: get them, send them back. I still do them.

932
00:44:11,120 --> 00:44:12,479
Speaker 8: You said, same night every time.

933
00:44:12,600 --> 00:44:15,000
Speaker 4: Yeah, oh yeah, yeah I do that. I still do that.

934
00:44:16,000 --> 00:44:17,879
Speaker 4: I got the most stug gonna come out in a minute.

935
00:44:17,880 --> 00:44:19,600
Speaker 4: I did it for people. Yeah, I still do that.

936
00:44:22,200 --> 00:44:24,719
Speaker 4: But it's of course I'm not getting asked as much

937
00:44:24,719 --> 00:44:26,920
Speaker 4: as I was in twenty twelve. But if somebody asks

938
00:44:27,000 --> 00:44:28,799
Speaker 4: me to do something, I'll I'll do it and send

939
00:44:28,800 --> 00:44:30,520
Speaker 4: it back because I'm already in the studio every night.

940
00:44:30,560 --> 00:44:32,279
Speaker 4: You know what I'm saying. I call it homework. So

941
00:44:32,320 --> 00:44:34,560
Speaker 4: I asked my agine, we got the homework do tonight? No,

942
00:44:35,080 --> 00:44:36,480
Speaker 4: just do us? I do that.

943
00:44:37,400 --> 00:44:38,839
Speaker 3: Do you think it has to connect to you right

944
00:44:38,880 --> 00:44:40,879
Speaker 3: away for you to feel like it's the write song

945
00:44:40,880 --> 00:44:41,440
Speaker 3: for you to be on.

946
00:44:41,920 --> 00:44:44,960
Speaker 4: No, when I'm doing a feature for someone. When I'm

947
00:44:44,960 --> 00:44:49,040
Speaker 4: doing a feature for someone, obviously I listen to the song. Yeah. Now,

948
00:44:49,280 --> 00:44:51,360
Speaker 4: if it's something that I'm just not in that space,

949
00:44:51,400 --> 00:44:54,320
Speaker 4: then I'm not gonna do it. And I have some

950
00:44:54,320 --> 00:44:55,840
Speaker 4: some people have sent me a couple of things, but

951
00:44:55,880 --> 00:44:58,360
Speaker 4: it's just like I'm not even I'm not there anymore

952
00:44:58,440 --> 00:45:01,120
Speaker 4: or whatever it is. It might be if it's heavy

953
00:45:01,160 --> 00:45:03,160
Speaker 4: on the maybe the boodhis shake and the heavy on

954
00:45:03,239 --> 00:45:05,319
Speaker 4: some other stuff like come on, man, I can't be

955
00:45:05,960 --> 00:45:09,200
Speaker 4: some of this stuff. But for the most part, people

956
00:45:09,280 --> 00:45:11,560
Speaker 4: been giving me some really dope, dope records and stuff

957
00:45:11,600 --> 00:45:14,080
Speaker 4: like this, and like, you know, the Larry record. Cardo

958
00:45:14,160 --> 00:45:16,160
Speaker 4: actually sent me that record. I ran into Cardo at

959
00:45:16,200 --> 00:45:18,840
Speaker 4: a hotel. I don't even know what the hell I

960
00:45:18,920 --> 00:45:20,239
Speaker 4: was at, but I ran into him and he was

961
00:45:20,239 --> 00:45:22,520
Speaker 4: telling me that he was finishing up the Larry project.

962
00:45:22,520 --> 00:45:24,920
Speaker 4: And I'm a Larry fan. And so that's how that happened.

963
00:45:25,040 --> 00:45:27,400
Speaker 5: Last year though you had the record with the Osley Brothers,

964
00:45:27,400 --> 00:45:29,520
Speaker 5: the plug. He said, God worked this out in a

965
00:45:29,520 --> 00:45:32,520
Speaker 5: real crazy way. Can you explain what happened that?

966
00:45:33,080 --> 00:45:37,240
Speaker 4: Man? Another thing, Man, I was in LA and I

967
00:45:37,320 --> 00:45:43,239
Speaker 4: called Lance from fifteen hundred okay, yeah, yeah, And I

968
00:45:43,360 --> 00:45:49,120
Speaker 4: was like, man, I got this idea for a record, man,

969
00:45:49,239 --> 00:45:52,480
Speaker 4: and I saw you messing with this. I saw you

970
00:45:53,040 --> 00:45:54,879
Speaker 4: with Ron or something like they like, yeah, I ain't

971
00:45:54,880 --> 00:45:56,520
Speaker 4: finna pull up. Now you have to pull up too.

972
00:45:58,320 --> 00:46:01,239
Speaker 4: We shooting a video. Wow, Like you shouldn't be like

973
00:46:01,280 --> 00:46:02,839
Speaker 4: all right, cool, I want to meet him. I came.

974
00:46:03,120 --> 00:46:05,920
Speaker 4: When I came to meet him, Run liked me so

975
00:46:06,000 --> 00:46:07,680
Speaker 4: much he put me on the song they shooting a

976
00:46:07,760 --> 00:46:09,600
Speaker 4: video for. And I had to go get some clothes

977
00:46:09,640 --> 00:46:12,440
Speaker 4: to get in the video that same day that they

978
00:46:12,440 --> 00:46:16,200
Speaker 4: were shooting. So I get there they shooting the video. Man,

979
00:46:16,200 --> 00:46:18,800
Speaker 4: He's like, man, you started calling me son and everything.

980
00:46:18,880 --> 00:46:22,320
Speaker 4: You know. I like, man, my daddy passed away. I'm like, Pops,

981
00:46:22,320 --> 00:46:25,799
Speaker 4: what's what we're doing? We build that cool report And

982
00:46:26,080 --> 00:46:28,320
Speaker 4: I did a verse right there. He sat right here

983
00:46:28,719 --> 00:46:31,040
Speaker 4: and I did my verse rop beside him, and then

984
00:46:32,640 --> 00:46:35,880
Speaker 4: that was like you you ready to shoot the video?

985
00:46:36,600 --> 00:46:39,120
Speaker 4: So I sent somebody to the crib to grab some

986
00:46:39,120 --> 00:46:40,920
Speaker 4: some pans or something, and we shot the video. And

987
00:46:40,960 --> 00:46:44,040
Speaker 4: then after that the original thing that I called for.

988
00:46:44,120 --> 00:46:46,719
Speaker 4: I was like, well, man, I got this idea and

989
00:46:46,719 --> 00:46:49,040
Speaker 4: it's a song I got. It's called Atlanta. It's gonna

990
00:46:49,040 --> 00:46:51,160
Speaker 4: come out so and I love it. But that's how

991
00:46:51,200 --> 00:46:54,759
Speaker 4: it ended up happening in a really godly way. I'd

992
00:46:54,840 --> 00:46:56,200
Speaker 4: like to say, Yeah.

993
00:46:55,840 --> 00:46:57,640
Speaker 2: That's dope. Let's get back to some more of the

994
00:46:57,760 --> 00:46:59,960
Speaker 2: music from College grow too millions from the.

995
00:47:00,360 --> 00:47:02,560
Speaker 4: Means from that, I was just playing that pulling up.

996
00:47:03,000 --> 00:47:04,759
Speaker 4: Literally when I parked, I was playing.

997
00:47:04,520 --> 00:47:07,800
Speaker 8: That song that feels like a lot of your energy.

998
00:47:09,120 --> 00:47:13,040
Speaker 4: And it's the truth. The thing about my stuff is,

999
00:47:13,800 --> 00:47:18,279
Speaker 4: and I mean it's so humbly, so so humbly. But

1000
00:47:18,320 --> 00:47:20,479
Speaker 4: when people come to me and be like, you know, man,

1001
00:47:20,680 --> 00:47:24,239
Speaker 4: I booked you, book you in twenty thirteen at the

1002
00:47:25,160 --> 00:47:29,880
Speaker 4: such and such a South Carolina. First of all, a

1003
00:47:29,920 --> 00:47:32,160
Speaker 4: lot of artists don't actually meet the person that booked them.

1004
00:47:32,320 --> 00:47:36,839
Speaker 4: Let's get that clear. Really, No, they deal with you

1005
00:47:36,880 --> 00:47:41,120
Speaker 4: have a you have a booking person that deals with

1006
00:47:41,200 --> 00:47:43,759
Speaker 4: the promoter. I show up to the club. I'm not

1007
00:47:44,680 --> 00:47:46,280
Speaker 4: I'm not. You know, it'd be a couple of promoters

1008
00:47:46,280 --> 00:47:47,719
Speaker 4: that make their way in there and do whatever it

1009
00:47:47,760 --> 00:47:51,600
Speaker 4: take you mighty, but you ain't hit me up, gave

1010
00:47:51,640 --> 00:47:53,560
Speaker 4: me no money, I ain't put so then you might

1011
00:47:53,600 --> 00:47:55,759
Speaker 4: walk up, I might see someone somewhere, and obviously we

1012
00:47:55,840 --> 00:47:59,200
Speaker 4: all look different from ten years ago, most men, most

1013
00:47:59,280 --> 00:48:04,960
Speaker 4: men and women and so and so. Then you know,

1014
00:48:05,040 --> 00:48:10,760
Speaker 4: you do that and it's like, man, that was millions

1015
00:48:10,760 --> 00:48:16,759
Speaker 4: of dollars ago. Humbly, I just don't remember that, you

1016
00:48:16,800 --> 00:48:22,040
Speaker 4: know what I'm saying. And so, in a in a weird,

1017
00:48:22,120 --> 00:48:26,040
Speaker 4: crazy way by the time some of us get a

1018
00:48:26,080 --> 00:48:29,520
Speaker 4: million dollars, we won't remember the person that we had

1019
00:48:29,600 --> 00:48:31,280
Speaker 4: knew it ten thousand dollars.

1020
00:48:31,480 --> 00:48:33,400
Speaker 2: Money brings amnesia.

1021
00:48:33,800 --> 00:48:35,800
Speaker 6: It just bring a whole bunch of shit because you

1022
00:48:35,880 --> 00:48:37,239
Speaker 6: got to do a whole bunch of shit to get

1023
00:48:37,280 --> 00:48:39,600
Speaker 6: this money, and you just may not. Now of course

1024
00:48:39,640 --> 00:48:42,560
Speaker 6: those those special love and close ones to you. But

1025
00:48:42,760 --> 00:48:45,600
Speaker 6: this is then, honestly, this is just my theory, my

1026
00:48:45,719 --> 00:48:48,240
Speaker 6: take on things. I don't I'm not right about everything.

1027
00:48:48,960 --> 00:48:52,200
Speaker 6: But you know, I'm not somebody that says money should

1028
00:48:52,239 --> 00:48:55,440
Speaker 6: change you or nothing like that. But you know, in

1029
00:48:55,600 --> 00:48:57,799
Speaker 6: certain senses, by the time you.

1030
00:48:58,080 --> 00:49:00,920
Speaker 4: Save instance for me, you know, rigally, for me to

1031
00:49:00,920 --> 00:49:02,279
Speaker 4: get a meeting, I might have to do so many,

1032
00:49:02,360 --> 00:49:04,760
Speaker 4: so many shows. Right, So then I'm in different states,

1033
00:49:05,440 --> 00:49:08,320
Speaker 4: different stages, I see different fans. I'm not just getting

1034
00:49:08,320 --> 00:49:10,760
Speaker 4: my million dollars in Vegas at a resident I'm actually

1035
00:49:10,800 --> 00:49:13,120
Speaker 4: moving around, you know. And even if it was Vegas,

1036
00:49:13,160 --> 00:49:15,320
Speaker 4: that's a tourist city, so people will be moving around,

1037
00:49:15,320 --> 00:49:17,080
Speaker 4: so it don't expect me. And that's all I'm saying.

1038
00:49:17,680 --> 00:49:20,480
Speaker 4: So I mightn't remember. You won't remember, you know, so

1039
00:49:21,960 --> 00:49:25,040
Speaker 4: you know I remember you because you're still around if

1040
00:49:25,080 --> 00:49:27,160
Speaker 4: you came back and like, man, I was in your room,

1041
00:49:27,320 --> 00:49:30,920
Speaker 4: like you know, this weird, So that that's what it is. Man.

1042
00:49:31,000 --> 00:49:32,880
Speaker 2: You would say you made a million dollars bootlegging your

1043
00:49:32,920 --> 00:49:33,640
Speaker 2: own mixtape.

1044
00:49:34,400 --> 00:49:36,960
Speaker 4: How did you, man, I'll just be telling the truth.

1045
00:49:37,840 --> 00:49:38,520
Speaker 8: That's why you're here.

1046
00:49:38,920 --> 00:49:41,160
Speaker 4: Well, when I say bootleg my mixtape is I did

1047
00:49:41,200 --> 00:49:43,440
Speaker 4: the mixtape. And then you know this is back when

1048
00:49:43,480 --> 00:49:47,960
Speaker 4: you had to press up so many CDs, and you

1049
00:49:48,000 --> 00:49:51,120
Speaker 4: know this is around this right after I've seen GZ

1050
00:49:51,280 --> 00:49:54,239
Speaker 4: run running ship all the way up. I'm seeing all

1051
00:49:54,280 --> 00:49:55,920
Speaker 4: these niggas running it up. So by the time I

1052
00:49:55,960 --> 00:49:59,000
Speaker 4: get to like true religion and all that stuff, I

1053
00:49:59,080 --> 00:50:01,879
Speaker 4: just started, you know, press more of my things to sell.

1054
00:50:02,080 --> 00:50:04,000
Speaker 4: And so that's what I meant by you know. So

1055
00:50:04,080 --> 00:50:07,640
Speaker 4: when I did get my deal, when I finally went

1056
00:50:07,680 --> 00:50:10,799
Speaker 4: back to depth jail, it wasn't so much about the

1057
00:50:10,920 --> 00:50:15,040
Speaker 4: money and definitely I wasn't doing the three sixty because

1058
00:50:15,040 --> 00:50:17,320
Speaker 4: I had so much leverage and I had some money.

1059
00:50:17,360 --> 00:50:19,400
Speaker 4: My my thing and every meaning that I went to

1060
00:50:19,600 --> 00:50:23,960
Speaker 4: was about being my international superstar, like what y'all got

1061
00:50:24,000 --> 00:50:27,200
Speaker 4: going on internationally. That was some of my questions. How

1062
00:50:27,200 --> 00:50:30,480
Speaker 4: many you have you have employees over there, someone would

1063
00:50:30,480 --> 00:50:32,799
Speaker 4: say twenty something would would say, you know, we have

1064
00:50:33,120 --> 00:50:36,239
Speaker 4: this this, And so I wanted to be known internationally

1065
00:50:36,239 --> 00:50:38,200
Speaker 4: because I felt like when I finally was going to

1066
00:50:38,200 --> 00:50:41,160
Speaker 4: get a deal, I had already made some I had

1067
00:50:41,200 --> 00:50:43,520
Speaker 4: been to South Dakota, North Dakota, I had been the

1068
00:50:43,600 --> 00:50:46,319
Speaker 4: Boys Idaho. I'm one of them people. But I didn't

1069
00:50:46,360 --> 00:50:48,719
Speaker 4: touched it. I swear, I'm like, I done did the

1070
00:50:48,719 --> 00:50:52,160
Speaker 4: whole United States. When I look up, I did the whole,

1071
00:50:52,200 --> 00:50:54,560
Speaker 4: you know, And so of course I'm you know, I

1072
00:50:54,600 --> 00:50:56,799
Speaker 4: ain't doing my towner or some shit like that. But

1073
00:50:57,480 --> 00:51:01,240
Speaker 4: and so that's that was my my, my my approach

1074
00:51:01,440 --> 00:51:04,040
Speaker 4: to to doing what I'm doing.

1075
00:51:04,200 --> 00:51:05,319
Speaker 8: Why do you think you was ready for?

1076
00:51:05,400 --> 00:51:05,440
Speaker 4: Like?

1077
00:51:05,440 --> 00:51:07,000
Speaker 3: Because think about it, like you put all the work

1078
00:51:07,000 --> 00:51:09,799
Speaker 3: in to get to that moment, spend it happens. Then

1079
00:51:10,320 --> 00:51:12,880
Speaker 3: I remember just that first run, everybody felt like chance

1080
00:51:12,920 --> 00:51:16,040
Speaker 3: can't miss no lie birthday. Everything was just like this,

1081
00:51:16,239 --> 00:51:18,080
Speaker 3: like why do you think you was so built for

1082
00:51:18,160 --> 00:51:19,920
Speaker 3: it that moment? And like what was that like with

1083
00:51:19,960 --> 00:51:21,560
Speaker 3: that momentum you was building at that time?

1084
00:51:21,719 --> 00:51:24,680
Speaker 4: Wanted is so bad? Man? That's that's I have to

1085
00:51:24,920 --> 00:51:27,080
Speaker 4: I have to really remind myself not all the time,

1086
00:51:27,120 --> 00:51:29,720
Speaker 4: but sometimes I have to remind myself that I prayed

1087
00:51:29,880 --> 00:51:35,239
Speaker 4: to be here, like asks to like ask whatever God

1088
00:51:35,280 --> 00:51:38,480
Speaker 4: I believe in. You know, I believe and I prayed

1089
00:51:38,480 --> 00:51:41,360
Speaker 4: to be so sometimes when I don't feel like taking

1090
00:51:41,400 --> 00:51:45,000
Speaker 4: a picture or fucking like yeah, you know what I'm saying,

1091
00:51:45,040 --> 00:51:49,319
Speaker 4: it's like, you know, because I'm a human being with

1092
00:51:49,440 --> 00:51:51,640
Speaker 4: you know, feelings and most sometimes I'm tired and all

1093
00:51:51,680 --> 00:51:54,759
Speaker 4: that stuff. I do actually have to think, like, man,

1094
00:51:54,840 --> 00:51:57,800
Speaker 4: I prayed to be like a not I pray to

1095
00:51:57,840 --> 00:52:01,120
Speaker 4: be like a good like rap. I ain't just say

1096
00:52:01,239 --> 00:52:03,799
Speaker 4: you want to wrap please, just like let me be

1097
00:52:03,840 --> 00:52:06,080
Speaker 4: a rap. I want to be like yeah, I'm like,

1098
00:52:06,160 --> 00:52:08,279
Speaker 4: I'm really letting it in. It's like it's starting to happen.

1099
00:52:08,320 --> 00:52:10,359
Speaker 4: It starting to because you know, for me, it's about

1100
00:52:10,440 --> 00:52:12,920
Speaker 4: lining up. I remember how the no light thing happened.

1101
00:52:12,920 --> 00:52:16,200
Speaker 4: I remember how I remember how the birthday song happened.

1102
00:52:16,200 --> 00:52:18,480
Speaker 4: When when you heard I remember, I remember how all

1103
00:52:18,560 --> 00:52:20,680
Speaker 4: these things even happened.

1104
00:52:21,080 --> 00:52:22,800
Speaker 3: Break that down, No, break that down. A lot of

1105
00:52:22,840 --> 00:52:24,600
Speaker 3: people know know at this point that was you know

1106
00:52:25,440 --> 00:52:28,000
Speaker 3: with those spend it takes off.

1107
00:52:27,960 --> 00:52:29,560
Speaker 4: Just spend it takes off, and then.

1108
00:52:29,760 --> 00:52:34,279
Speaker 7: No lie and like birthday like that whole no lie.

1109
00:52:34,360 --> 00:52:40,880
Speaker 4: I saw Drake at a All Star game and I'm popping.

1110
00:52:40,960 --> 00:52:43,879
Speaker 4: I mean, like people yelling too chains from the court

1111
00:52:44,120 --> 00:52:48,719
Speaker 4: during during the national anthem, I'm like Lebron yelling to

1112
00:52:49,640 --> 00:52:52,200
Speaker 4: but I'm like in roll ten. At the same time,

1113
00:52:52,800 --> 00:52:54,720
Speaker 4: I still ain't gotten my ship all the way together.

1114
00:52:55,440 --> 00:52:59,920
Speaker 4: Now I see I think I see Tune down and

1115
00:53:00,080 --> 00:53:02,040
Speaker 4: on the bench, which I know wherever he at. Even

1116
00:53:02,120 --> 00:53:05,799
Speaker 4: then I'm good and I see Tuned, I see a

1117
00:53:05,800 --> 00:53:07,880
Speaker 4: couple other people, you know, I see they know me

1118
00:53:07,960 --> 00:53:09,840
Speaker 4: down here, you know what I mean. So, just like

1119
00:53:09,880 --> 00:53:12,200
Speaker 4: anything else, I just like I was supposed to be here.

1120
00:53:12,239 --> 00:53:15,279
Speaker 4: So I started walking down And now that I'm thinking

1121
00:53:15,320 --> 00:53:17,360
Speaker 4: about this, I never forget I remember Mary J. Blige,

1122
00:53:17,440 --> 00:53:19,360
Speaker 4: even though I'm really I'm cool with her. Now I

1123
00:53:19,360 --> 00:53:22,720
Speaker 4: remember her saying, hey you to changing. I'm like, man, Mary,

1124
00:53:22,760 --> 00:53:24,719
Speaker 4: know who the fuck I am. I remember just being

1125
00:53:24,840 --> 00:53:27,280
Speaker 4: like a moment and then I ran in the drizzy.

1126
00:53:27,280 --> 00:53:29,680
Speaker 4: But I already knew him from when I went on

1127
00:53:29,760 --> 00:53:34,120
Speaker 4: tour with music to see like, oh this is how

1128
00:53:34,160 --> 00:53:35,799
Speaker 4: you you know, you get off stage and then you

1129
00:53:35,800 --> 00:53:37,799
Speaker 4: go back to the studio like that's all Wayne did

1130
00:53:37,800 --> 00:53:40,200
Speaker 4: so that's what when I talked about going cold Turkey

1131
00:53:40,239 --> 00:53:43,640
Speaker 4: with the trapping. So when I saw him, he was like, man,

1132
00:53:44,120 --> 00:53:46,000
Speaker 4: what's good? I said, man, you know I got one

1133
00:53:46,000 --> 00:53:51,080
Speaker 4: for you, and I was lying. So it's funny that's

1134
00:53:51,080 --> 00:53:53,680
Speaker 4: called no lie. It's funny that it's called a lot.

1135
00:53:53,719 --> 00:53:56,799
Speaker 4: That's hilarious. But one of my investments before I got

1136
00:53:56,800 --> 00:53:59,080
Speaker 4: my deal was this tool bus with a studio on it.

1137
00:53:59,120 --> 00:54:02,920
Speaker 4: Because I already what this boy way Anet be doing

1138
00:54:02,920 --> 00:54:06,319
Speaker 4: on this. I'm already when I went on to let me,

1139
00:54:06,520 --> 00:54:09,200
Speaker 4: I'm sleeping on the studio bus. So that was one

1140
00:54:09,200 --> 00:54:10,680
Speaker 4: of my big I don't went through like two of

1141
00:54:10,719 --> 00:54:13,279
Speaker 4: these little converted This is before sprinting, so I'm going

1142
00:54:13,280 --> 00:54:16,399
Speaker 4: through these little turtle top bands and then I saw

1143
00:54:17,120 --> 00:54:22,040
Speaker 4: tour bus. It's three four hundred thousand. You know, mama

1144
00:54:22,040 --> 00:54:24,120
Speaker 4: got a house. I got her house, and this before

1145
00:54:24,160 --> 00:54:25,680
Speaker 4: I even got my house. I said, you know how

1146
00:54:25,719 --> 00:54:28,560
Speaker 4: you know how we think no, this how we think

1147
00:54:28,600 --> 00:54:31,000
Speaker 4: of shit, don't go right, we go back to my mind.

1148
00:54:32,120 --> 00:54:35,360
Speaker 4: This is how, you know. And I've met mentors of

1149
00:54:35,400 --> 00:54:37,399
Speaker 4: my life that told me that's not the way the

1150
00:54:37,440 --> 00:54:40,040
Speaker 4: other cultures think. That's just some like some really some

1151
00:54:40,120 --> 00:54:43,279
Speaker 4: black ship get up this house and then I get

1152
00:54:43,320 --> 00:54:45,279
Speaker 4: this tour bus. But in my mind, I'm like, the

1153
00:54:45,320 --> 00:54:47,520
Speaker 4: two bus got beds, kitchen, and if I got two nigga,

1154
00:54:47,600 --> 00:54:51,839
Speaker 4: this the crib, you know what I'm saying. And the

1155
00:54:51,840 --> 00:54:53,799
Speaker 4: bus outside, and I go to the bus and my

1156
00:54:53,840 --> 00:54:56,480
Speaker 4: engineering I go to my engineer said, ship, man, I

1157
00:54:56,560 --> 00:54:58,799
Speaker 4: just told you, Drake, I got some form. He said,

1158
00:54:58,880 --> 00:55:01,640
Speaker 4: send it and he's like, what you gonna see him on? Like, man,

1159
00:55:01,680 --> 00:55:03,080
Speaker 4: I don't know. So they was like, we need to

1160
00:55:03,080 --> 00:55:05,120
Speaker 4: pull up some beats. And me and Mike Will had

1161
00:55:05,200 --> 00:55:08,480
Speaker 4: been working together for years since Mike Will before Mike

1162
00:55:08,520 --> 00:55:11,680
Speaker 4: Will was twenty one. I literally I've said this before.

1163
00:55:11,680 --> 00:55:13,359
Speaker 4: He used to sneak him in the clubs with you

1164
00:55:13,360 --> 00:55:14,920
Speaker 4: know what I'm saying. He was just somebody that just

1165
00:55:16,000 --> 00:55:19,040
Speaker 4: Mike was someone that just did not take no far answers.

1166
00:55:19,080 --> 00:55:22,160
Speaker 4: And I'm being honest, like, and it worked for him.

1167
00:55:22,200 --> 00:55:24,680
Speaker 4: He did not. There was no way. He was not

1168
00:55:24,760 --> 00:55:27,960
Speaker 4: pulling up on you. It was no way. And so

1169
00:55:29,040 --> 00:55:32,560
Speaker 4: even though Mike Will wasn't there, his he was on

1170
00:55:32,600 --> 00:55:34,560
Speaker 4: my mind. You know what I'm saying. I'm like, ladies,

1171
00:55:34,680 --> 00:55:38,000
Speaker 4: you know Mike Will, you know something, Yeah, yeah, and

1172
00:55:38,040 --> 00:55:40,160
Speaker 4: he played the beating and no lot beat like had

1173
00:55:40,200 --> 00:55:42,400
Speaker 4: like some type of drop in it that I told myself,

1174
00:55:42,680 --> 00:55:45,719
Speaker 4: this sounds like a part where Draken like some melody.

1175
00:55:45,840 --> 00:55:48,719
Speaker 4: You know. I feel like I feel like Dracer do

1176
00:55:48,840 --> 00:55:50,640
Speaker 4: some melody. Ship right here. So I do a verse

1177
00:55:50,719 --> 00:55:53,680
Speaker 4: right then and there, and I sent it to him

1178
00:55:54,760 --> 00:55:57,040
Speaker 4: and he's like, you know, great, whatever he's gonna. You know,

1179
00:55:58,160 --> 00:56:00,640
Speaker 4: he got me, you know, and I'm like, okay, cool,

1180
00:56:00,680 --> 00:56:03,680
Speaker 4: and I'm like, man ship, it be crazy. And you know,

1181
00:56:04,680 --> 00:56:06,640
Speaker 4: he got me turned to like a week and maybe

1182
00:56:06,719 --> 00:56:08,880
Speaker 4: took like two weeks and maybe not a month, but

1183
00:56:08,920 --> 00:56:10,600
Speaker 4: maybe maybe three weeks. You know what I'm saying, And

1184
00:56:10,600 --> 00:56:12,840
Speaker 4: why I'm just like waiting, like to see what he gets.

1185
00:56:12,880 --> 00:56:14,440
Speaker 4: I do another verse, just waiting, you.

1186
00:56:14,440 --> 00:56:16,040
Speaker 8: Know what I'm saying, on the same song.

1187
00:56:16,120 --> 00:56:18,600
Speaker 4: On the same song, I do another verse, name a

1188
00:56:18,680 --> 00:56:21,480
Speaker 4: nigga that won't some o rapers as our traps ahead

1189
00:56:22,400 --> 00:56:26,160
Speaker 4: and sent that to him. Now I'm just sitting on that, yeah,

1190
00:56:26,360 --> 00:56:29,160
Speaker 4: only sending the first one. And so then and so

1191
00:56:29,360 --> 00:56:31,360
Speaker 4: when he does do the hook, he sends the hook

1192
00:56:32,080 --> 00:56:35,120
Speaker 4: and he does the verse, which is like, if Drake

1193
00:56:35,160 --> 00:56:38,640
Speaker 4: does that for anybody, you should you should and if

1194
00:56:38,680 --> 00:56:40,759
Speaker 4: you can't win off that, then you should just not.

1195
00:56:41,520 --> 00:56:42,600
Speaker 4: You should not just like.

1196
00:56:44,320 --> 00:56:45,080
Speaker 2: New occupation.

1197
00:56:46,320 --> 00:56:49,279
Speaker 8: If he does it for beat, that might happen one d.

1198
00:56:51,320 --> 00:56:53,200
Speaker 4: That's just my personal opinion. You know what I'm saying.

1199
00:56:53,239 --> 00:56:57,080
Speaker 4: And I'm talking about even now. You know what I'm.

1200
00:56:57,000 --> 00:57:00,000
Speaker 2: Saying, that's still worse now. Yeah, so that's crazy.

1201
00:57:00,560 --> 00:57:05,399
Speaker 4: I'm telling you. So he said this hook like, I said,

1202
00:57:05,400 --> 00:57:08,319
Speaker 4: oh no, this is no bullshit. I listened to the

1203
00:57:08,360 --> 00:57:11,360
Speaker 4: song two times and I never listened to it again.

1204
00:57:11,960 --> 00:57:14,600
Speaker 4: I said, this is my first time knowing what it hit.

1205
00:57:14,680 --> 00:57:16,480
Speaker 4: Sounds like I put that on everything, like this ship.

1206
00:57:17,760 --> 00:57:19,680
Speaker 4: It had sounded like I heard this ship one hundred times.

1207
00:57:19,800 --> 00:57:20,760
Speaker 2: It was already done. Yeah.

1208
00:57:20,920 --> 00:57:22,680
Speaker 4: I keep closing because my mind it was it was

1209
00:57:22,720 --> 00:57:27,720
Speaker 4: like my computer and I just remember like and I

1210
00:57:27,760 --> 00:57:31,160
Speaker 4: remember my homeboy came and I remember playing for him,

1211
00:57:31,600 --> 00:57:33,160
Speaker 4: and I just you don't need to hear me once.

1212
00:57:34,320 --> 00:57:35,520
Speaker 4: I'm like, you know what this you know?

1213
00:57:36,400 --> 00:57:36,640
Speaker 2: You know?

1214
00:57:36,680 --> 00:57:39,520
Speaker 4: And I put my and that that one was that.

1215
00:57:39,600 --> 00:57:42,560
Speaker 4: And then with the birthday song I did south By

1216
00:57:42,680 --> 00:57:45,720
Speaker 4: Southwest and Big Sean and Kanye came to support me,

1217
00:57:46,160 --> 00:57:49,520
Speaker 4: Boom boom, and at this time, same thing, I got

1218
00:57:49,520 --> 00:57:52,280
Speaker 4: my bus outside of my studio, and I got my

1219
00:57:52,400 --> 00:57:54,439
Speaker 4: chef with me. I've been having a chef for ten

1220
00:57:54,640 --> 00:57:57,040
Speaker 4: fifteen years. But that's something that I also saw Wayne

1221
00:57:57,040 --> 00:57:59,240
Speaker 4: had back in O eight. So I got the chef

1222
00:57:59,320 --> 00:58:03,360
Speaker 4: only certain food. I've been only eating certain food and

1223
00:58:03,360 --> 00:58:05,320
Speaker 4: and I don't really I'm not a fast food eating

1224
00:58:05,400 --> 00:58:08,760
Speaker 4: So I got my cheft cooking, you know what I'm saying.

1225
00:58:09,560 --> 00:58:11,680
Speaker 4: Got everything smelled. So I'm like, man, you know, you

1226
00:58:11,680 --> 00:58:15,360
Speaker 4: guys want something to eat like And I remember Sean

1227
00:58:15,480 --> 00:58:17,600
Speaker 4: got something different, whatever it was, and Yay got some

1228
00:58:17,680 --> 00:58:19,520
Speaker 4: different than we on my studio bus. And I had

1229
00:58:19,560 --> 00:58:21,760
Speaker 4: a song in my mind that I thought was some

1230
00:58:21,880 --> 00:58:24,840
Speaker 4: Yay ship and I'm sure everybody always does this to everybody.

1231
00:58:25,080 --> 00:58:27,040
Speaker 4: There's some two change and I'm like, no, it ain't.

1232
00:58:28,080 --> 00:58:30,200
Speaker 4: I'm like, I play this ship for yeah. Let me

1233
00:58:30,320 --> 00:58:31,760
Speaker 4: let me see what else you got, you know. And

1234
00:58:31,800 --> 00:58:33,560
Speaker 4: I was like, damn, man, I just know he was

1235
00:58:33,560 --> 00:58:37,120
Speaker 4: gonna love this song, you know. And I played song cool,

1236
00:58:37,160 --> 00:58:40,480
Speaker 4: and then I play this song you know my birthday

1237
00:58:40,800 --> 00:58:44,040
Speaker 4: is a big booty hole and he he was like

1238
00:58:44,160 --> 00:58:51,439
Speaker 4: that's hard. I was like, you this what he said?

1239
00:58:51,440 --> 00:58:55,640
Speaker 4: Some most stuff that I ain't gonna say right, so yeah,

1240
00:58:55,760 --> 00:58:58,680
Speaker 4: he was like this the one and not and you know,

1241
00:58:59,120 --> 00:59:02,120
Speaker 4: and shot the Sunny digital because he was a producer

1242
00:59:02,160 --> 00:59:04,240
Speaker 4: on that. And then you know that that that took

1243
00:59:04,240 --> 00:59:06,280
Speaker 4: off too. So all this energy was just.

1244
00:59:06,640 --> 00:59:09,600
Speaker 8: But but so that momentum.

1245
00:59:09,720 --> 00:59:12,520
Speaker 4: Yeah, but I want to say this, those two songs,

1246
00:59:12,640 --> 00:59:16,880
Speaker 4: So No Lie was my first single, Birthday songs my

1247
00:59:16,920 --> 00:59:22,440
Speaker 4: second single, but my third single was different, right, and

1248
00:59:22,440 --> 00:59:27,360
Speaker 4: and with them different, I remember being in London and

1249
00:59:27,440 --> 00:59:31,200
Speaker 4: them telling me that it was platinum. It sold him,

1250
00:59:31,240 --> 00:59:36,360
Speaker 4: you know, it did his thing, and that out of

1251
00:59:36,440 --> 00:59:41,400
Speaker 4: all the songs, made me feel like I was an

1252
00:59:41,480 --> 00:59:43,840
Speaker 4: artist or whatever I came because it was just me.

1253
00:59:45,240 --> 00:59:47,680
Speaker 4: You know. I did the hug, I did the verse,

1254
00:59:48,200 --> 00:59:50,760
Speaker 4: must it did to be ain't no soundple ain't nothing

1255
00:59:51,040 --> 00:59:56,240
Speaker 4: Like with No Lie? I still well, it kept. I

1256
00:59:56,280 --> 00:59:58,760
Speaker 4: still was humble, like this drake on it. You know,

1257
01:00:00,960 --> 01:00:04,240
Speaker 4: bless Yeah, he blessed me with birthday song. He's like, yay,

1258
01:00:04,360 --> 01:00:06,080
Speaker 4: he gonna pick the person to do the video here

1259
01:00:06,120 --> 01:00:08,440
Speaker 4: and the song like man, this is you know I wasn't.

1260
01:00:09,000 --> 01:00:15,680
Speaker 4: I wasn't you know. But when I'm different, when platinum,

1261
01:00:16,040 --> 01:00:19,160
Speaker 4: I'm in the mirror like you got this, you know

1262
01:00:19,160 --> 01:00:23,640
Speaker 4: what I'm saying, right, that's right short, you know what

1263
01:00:23,640 --> 01:00:25,960
Speaker 4: I'm saying. They don't know they believe you. They you

1264
01:00:26,000 --> 01:00:28,920
Speaker 4: know what I'm saying. They thought you you did this.

1265
01:00:29,280 --> 01:00:30,480
Speaker 4: You know what I'm saying. You you you know what

1266
01:00:30,480 --> 01:00:32,520
Speaker 4: I'm saying. It was just that and so that was

1267
01:00:32,560 --> 01:00:34,360
Speaker 4: the energy behind that, you know what I'm saying. And

1268
01:00:34,400 --> 01:00:36,880
Speaker 4: I and I feel that way for other artists too.

1269
01:00:36,920 --> 01:00:39,280
Speaker 4: I'm like, artists know when they ain't done shit, like

1270
01:00:39,320 --> 01:00:43,640
Speaker 4: you know, you know, you don't know. Sometimes they be like,

1271
01:00:43,680 --> 01:00:45,800
Speaker 4: you know, throw this money away because I know, ain't

1272
01:00:45,800 --> 01:00:47,440
Speaker 4: done shit. Or sometimes they be like, let me be

1273
01:00:47,560 --> 01:00:49,400
Speaker 4: cool because it's you know, two ways to do it.

1274
01:00:49,440 --> 01:00:51,400
Speaker 4: But you know, for me, that was my energy around

1275
01:00:51,440 --> 01:00:51,880
Speaker 4: the time.

1276
01:00:54,000 --> 01:00:55,680
Speaker 2: Earlier. You say, you know you're working on your own

1277
01:00:55,680 --> 01:00:56,640
Speaker 2: solo stuff still.

1278
01:00:56,840 --> 01:00:59,920
Speaker 5: You know last year though, for your project, you have

1279
01:01:00,040 --> 01:01:01,240
Speaker 5: a song called free BG.

1280
01:01:01,840 --> 01:01:03,640
Speaker 2: Now free BG's free.

1281
01:01:03,720 --> 01:01:07,640
Speaker 4: Yeah, yeah, we have a song together already. Oh really okay,

1282
01:01:07,800 --> 01:01:10,960
Speaker 4: BG's actually knew BG. I met BG before I met

1283
01:01:10,960 --> 01:01:14,480
Speaker 4: Wayne Wow. Because BG, for people who know the hot

1284
01:01:14,520 --> 01:01:16,960
Speaker 4: boys thing, they broke up or whatever. BG came to

1285
01:01:17,040 --> 01:01:20,640
Speaker 4: Atlanta and once again I was selling, I was trapping,

1286
01:01:20,720 --> 01:01:23,520
Speaker 4: you know what I mean, and he came to Atlanta.

1287
01:01:23,560 --> 01:01:26,200
Speaker 4: When he came to Atlanta, everybody was like, man, you know, BG,

1288
01:01:26,440 --> 01:01:30,000
Speaker 4: Atlanta was like fucking with him. T I was had

1289
01:01:30,080 --> 01:01:31,080
Speaker 4: him around a lot.

1290
01:01:31,000 --> 01:01:32,520
Speaker 8: And so trying to bring the groundhouse.

1291
01:01:33,240 --> 01:01:35,520
Speaker 4: Yeah, so we built it. We build a report in

1292
01:01:35,720 --> 01:01:39,680
Speaker 4: and you know, drinking lean and all that ship back then.

1293
01:01:39,960 --> 01:01:43,840
Speaker 4: And then I ended up I ended up meeting you

1294
01:01:43,880 --> 01:01:46,160
Speaker 4: know Wayne maybe a little wise after that, not that

1295
01:01:46,240 --> 01:01:46,600
Speaker 4: long ago.

1296
01:01:47,280 --> 01:01:50,560
Speaker 2: Have you guys obviously done the record? What was that session?

1297
01:01:50,640 --> 01:01:54,200
Speaker 4: Like, we weren't in together. Mike will too, that's crazy,

1298
01:01:54,240 --> 01:01:56,400
Speaker 4: Mike will put it together. I did something and Mike

1299
01:01:56,440 --> 01:01:58,919
Speaker 4: will put it together for me. But me and BG

1300
01:01:59,120 --> 01:02:02,720
Speaker 4: we facetiming all. I just didn't try to like recorded

1301
01:02:02,800 --> 01:02:04,760
Speaker 4: and put it everywhere and all that. We had a

1302
01:02:04,800 --> 01:02:07,760
Speaker 4: good long conversation. Yeah that's a that's a friend of mine.

1303
01:02:07,760 --> 01:02:10,080
Speaker 4: And we did when he was locked up too though. Yeah,

1304
01:02:10,760 --> 01:02:12,640
Speaker 4: this is not my first time community came in.

1305
01:02:12,800 --> 01:02:16,360
Speaker 5: Okay, So spell back to the solo effort, Like, what's

1306
01:02:16,400 --> 01:02:17,440
Speaker 5: the outlook for that?

1307
01:02:17,520 --> 01:02:19,040
Speaker 2: Like, what's the goal?

1308
01:02:19,720 --> 01:02:21,120
Speaker 4: Man, it's gonna it's a man.

1309
01:02:21,160 --> 01:02:22,680
Speaker 8: I already kind of got it put together.

1310
01:02:23,280 --> 01:02:28,000
Speaker 4: I'm excited, man, I am already. Yes, man, it's gonna

1311
01:02:28,040 --> 01:02:30,800
Speaker 4: be dope too. Okay, Yeah, man, I got together the

1312
01:02:30,880 --> 01:02:36,000
Speaker 4: title I'm working with like some of the arrangement and everything,

1313
01:02:36,000 --> 01:02:38,160
Speaker 4: but it fl I mean, has some samples that need

1314
01:02:38,200 --> 01:02:40,640
Speaker 4: to be clear like everything else, but I'm happy about it.

1315
01:02:40,760 --> 01:02:43,000
Speaker 4: The next project I'm putting out is that static project,

1316
01:02:43,000 --> 01:02:44,880
Speaker 4: you know what I'm saying. But it's a lot of upgrading,

1317
01:02:44,960 --> 01:02:48,960
Speaker 4: moving around some stuff like that. So it's actually fun.

1318
01:02:49,160 --> 01:02:51,920
Speaker 4: It's actually really really fun fun to be working on this.

1319
01:02:52,040 --> 01:02:56,920
Speaker 4: It's like no trap, drums, no whatsoever, you know, but

1320
01:02:57,120 --> 01:03:01,360
Speaker 4: I'm able to I'm able to navigate through that. You know,

1321
01:03:01,520 --> 01:03:05,640
Speaker 4: I'm I'm a really good rapper. Man, I'm a really

1322
01:03:05,720 --> 01:03:06,200
Speaker 4: good rapper.

1323
01:03:06,320 --> 01:03:07,560
Speaker 8: I've gotten better as a rapper.

1324
01:03:08,480 --> 01:03:10,520
Speaker 4: I still think I can get better, you know. I

1325
01:03:10,520 --> 01:03:13,360
Speaker 4: think I got these things that I'm ultimately good at,

1326
01:03:13,440 --> 01:03:14,800
Speaker 4: Like if it was sports, you know what I'm saying.

1327
01:03:14,800 --> 01:03:16,240
Speaker 4: But it's some things I can work with on my

1328
01:03:16,280 --> 01:03:17,680
Speaker 4: off hand, you know what I'm saying. And I think

1329
01:03:17,720 --> 01:03:20,320
Speaker 4: my offhand would be like more like more or less

1330
01:03:21,120 --> 01:03:22,960
Speaker 4: more melodies and stuff like that. You know, I'm not

1331
01:03:23,080 --> 01:03:25,160
Speaker 4: somebody's gonna come on like just try to sing the

1332
01:03:25,240 --> 01:03:27,280
Speaker 4: roof up and nothing like that. My melodies come just

1333
01:03:27,280 --> 01:03:30,000
Speaker 4: if I you know, stretch a word or something like that.

1334
01:03:30,040 --> 01:03:32,960
Speaker 4: But it's not really intentional either. I have like this

1335
01:03:33,240 --> 01:03:37,840
Speaker 4: self melody thing. So it's just about, like I said earlier,

1336
01:03:37,880 --> 01:03:42,840
Speaker 4: taking certain creative risks, but also using the studio to

1337
01:03:44,400 --> 01:03:47,000
Speaker 4: make those arrangements and adjustments. You know what I'm saying,

1338
01:03:47,080 --> 01:03:50,320
Speaker 4: use the studio to make those mistakes. You know what

1339
01:03:50,360 --> 01:03:52,120
Speaker 4: I'm saying, Like, I'm not making a mistake when I

1340
01:03:52,160 --> 01:03:54,080
Speaker 4: put it out. When I put it out, you know,

1341
01:03:54,080 --> 01:03:57,000
Speaker 4: I'm already like gotted where I needed to be. Yeah,

1342
01:03:57,360 --> 01:04:00,840
Speaker 4: but I do think even where I am now, Like

1343
01:04:00,840 --> 01:04:03,440
Speaker 4: like I told me that, I still really really, I

1344
01:04:03,440 --> 01:04:05,960
Speaker 4: promise to god, I surprised myself. Man, I'm gonna say

1345
01:04:06,000 --> 01:04:08,040
Speaker 4: some ship and I'm gonna be like, man, what the

1346
01:04:08,600 --> 01:04:10,240
Speaker 4: like I will talk to I'm the only child, so

1347
01:04:10,240 --> 01:04:11,920
Speaker 4: I talk to myself. I'll be like, well, what the

1348
01:04:11,960 --> 01:04:14,960
Speaker 4: fuck is wrong with you? But I'll be talking to me.

1349
01:04:15,560 --> 01:04:18,000
Speaker 4: But yeah, that's that's still where I am right now. Man.

1350
01:04:18,120 --> 01:04:21,080
Speaker 4: And I don't think I have to like prove that

1351
01:04:21,120 --> 01:04:24,800
Speaker 4: I can outrap the next you know, top tier rappers.

1352
01:04:25,800 --> 01:04:27,760
Speaker 4: But I've done songs with most of all of them.

1353
01:04:27,800 --> 01:04:31,600
Speaker 4: And yeah, and still be kind of like, you know,

1354
01:04:31,760 --> 01:04:33,439
Speaker 4: more people I would like to play, I won't.

1355
01:04:35,080 --> 01:04:37,160
Speaker 5: I do like those creative risks, like as a fan,

1356
01:04:37,480 --> 01:04:39,200
Speaker 5: you know, for your next project, just putting it out there,

1357
01:04:39,240 --> 01:04:41,480
Speaker 5: like you talk about ideas. I love what you did

1358
01:04:41,520 --> 01:04:43,560
Speaker 5: on wrap Go to the League, the song saying I

1359
01:04:43,560 --> 01:04:46,200
Speaker 5: felt that was very underrated because I never saw you

1360
01:04:46,240 --> 01:04:49,520
Speaker 5: talk about that subject matter and I've never really heard

1361
01:04:49,640 --> 01:04:53,040
Speaker 5: anybody talk about that, especially what you said on the outro.

1362
01:04:53,400 --> 01:04:55,760
Speaker 2: I said, Okay, I didn't know about taxes like that.

1363
01:04:55,840 --> 01:04:58,240
Speaker 5: So I feel like that record really helped me understand

1364
01:04:58,280 --> 01:04:59,360
Speaker 5: it just a little bit more clear.

1365
01:04:59,520 --> 01:05:03,840
Speaker 4: That's dope, Thank you man. Yeah, So, how how how

1366
01:05:03,880 --> 01:05:06,600
Speaker 4: do we say this hot? And I think Hope does

1367
01:05:06,600 --> 01:05:09,880
Speaker 4: a good job of this and maybe Ross a little bit,

1368
01:05:10,360 --> 01:05:15,000
Speaker 4: But how to balance the a cool way of teaching,

1369
01:05:16,440 --> 01:05:18,280
Speaker 4: because that's what rap kind of that's what NAH does,

1370
01:05:18,320 --> 01:05:20,040
Speaker 4: that's what rap is really kind of supposed to be.

1371
01:05:20,720 --> 01:05:24,120
Speaker 4: Like one of my homeboys kids came over and uh

1372
01:05:24,240 --> 01:05:26,240
Speaker 4: it just I mean he's like not a kid, he's

1373
01:05:26,280 --> 01:05:28,320
Speaker 4: twenty three or twenty four, but he was listening to

1374
01:05:30,240 --> 01:05:32,840
Speaker 4: Long Story Short on our album and he said, oh man, yeah,

1375
01:05:33,080 --> 01:05:35,880
Speaker 4: I had to look up vicariously. You know what I'm saying.

1376
01:05:36,680 --> 01:05:38,400
Speaker 6: He tells us that, like, yeah, yeah, yeah, I had

1377
01:05:38,400 --> 01:05:40,200
Speaker 6: to I had to google vicariously today.

1378
01:05:40,200 --> 01:05:42,400
Speaker 4: You know what I'm saying. I was like, you know,

1379
01:05:42,480 --> 01:05:47,439
Speaker 4: but what you're saying is that, like, you know, find

1380
01:05:47,480 --> 01:05:50,280
Speaker 4: a cool way to spread some game, so to speak.

1381
01:05:50,680 --> 01:05:52,680
Speaker 4: You know what I'm saying, And I don't. I don't

1382
01:05:52,720 --> 01:05:55,320
Speaker 4: mind that. I got a couple of songs. That's crazy, said,

1383
01:05:55,320 --> 01:05:57,240
Speaker 4: I got a couple of songs kind of in those

1384
01:05:57,320 --> 01:06:00,240
Speaker 4: lanes where not too preachy, yeah, not too preach, but

1385
01:06:00,280 --> 01:06:01,960
Speaker 4: it's just some it's just some game in there.

1386
01:06:02,200 --> 01:06:03,680
Speaker 3: But that's how much your place in the game. Though,

1387
01:06:03,680 --> 01:06:05,760
Speaker 3: if you think about it, it's like, what is that transition?

1388
01:06:05,920 --> 01:06:08,120
Speaker 3: Like that You're like you was the one trying to

1389
01:06:08,160 --> 01:06:10,680
Speaker 3: get in. Now you you're in and you're the establishment

1390
01:06:10,680 --> 01:06:13,160
Speaker 3: in the sense like you're a standard. What do you

1391
01:06:13,240 --> 01:06:14,200
Speaker 3: think that transition is?

1392
01:06:14,240 --> 01:06:17,320
Speaker 4: In a sense being being You got to be transparent,

1393
01:06:17,600 --> 01:06:20,440
Speaker 4: got to be transparent with with what you're doing where

1394
01:06:20,480 --> 01:06:25,080
Speaker 4: you are. You know what I'm saying. Whether it's whether

1395
01:06:25,120 --> 01:06:28,400
Speaker 4: it's doing the interview, it can't Candyland or I'm saying

1396
01:06:28,600 --> 01:06:30,160
Speaker 4: Esco whatever, it just got to be like, this is

1397
01:06:30,200 --> 01:06:34,240
Speaker 4: what's going on, and whether an artist like it's saying,

1398
01:06:34,320 --> 01:06:36,840
Speaker 4: they get it, they get it. We don't open up

1399
01:06:36,840 --> 01:06:39,320
Speaker 4: a bunch of lounges in Atlanta since ESCO been open,

1400
01:06:39,400 --> 01:06:41,760
Speaker 4: you know what I'm saying, Like people or people get

1401
01:06:41,920 --> 01:06:44,439
Speaker 4: what's going on, you know what I'm saying. And it's

1402
01:06:44,560 --> 01:06:46,920
Speaker 4: like that's kind of like my way of spreading game.

1403
01:06:46,960 --> 01:06:49,880
Speaker 4: Whether I actually articulated in the verse or not. I'm

1404
01:06:49,920 --> 01:06:53,440
Speaker 4: so transparent. It's like, you know, I'm just I'm out

1405
01:06:53,560 --> 01:06:56,200
Speaker 4: I'm I'm in Atlanta, I'm out here. I'm just showing

1406
01:06:56,240 --> 01:06:59,640
Speaker 4: people what the possibilities will be. You know what I'm saying.

1407
01:06:59,680 --> 01:07:02,240
Speaker 4: I'm not like keeping anything took. I mean, you know,

1408
01:07:02,760 --> 01:07:04,680
Speaker 4: like I said, I might announce it, announce it when

1409
01:07:04,720 --> 01:07:07,840
Speaker 4: it's time to announce. But for the most part, you know,

1410
01:07:08,000 --> 01:07:09,920
Speaker 4: you know, you know how many artists came here. I mean,

1411
01:07:09,960 --> 01:07:12,480
Speaker 4: how you get this? Ship mean, I poll to do

1412
01:07:12,560 --> 01:07:14,920
Speaker 4: this all pull just like this is what happened, bro,

1413
01:07:15,080 --> 01:07:16,720
Speaker 4: you know, this is the process.

1414
01:07:16,800 --> 01:07:16,960
Speaker 1: You know.

1415
01:07:17,440 --> 01:07:18,680
Speaker 4: So I don't have a problem. I don't have a

1416
01:07:18,760 --> 01:07:22,680
Speaker 4: problem like sharing information, that's a big problem in our community.

1417
01:07:22,760 --> 01:07:24,400
Speaker 4: But I don't I don't think I got a problem

1418
01:07:24,440 --> 01:07:24,600
Speaker 4: with that.

1419
01:07:25,520 --> 01:07:27,480
Speaker 2: I don't have you said, the hustle is genetic.

1420
01:07:27,840 --> 01:07:31,360
Speaker 4: So that is though my mom my, mom my, mom

1421
01:07:31,960 --> 01:07:34,280
Speaker 4: my mom. You know, I was in my mom my

1422
01:07:34,400 --> 01:07:36,360
Speaker 4: dad they did the trap thing, but then my mom's

1423
01:07:36,480 --> 01:07:39,200
Speaker 4: mom then did the bootleg house where they sold liquor

1424
01:07:39,640 --> 01:07:42,360
Speaker 4: when you want supposed to. So when I think about it,

1425
01:07:44,000 --> 01:07:46,320
Speaker 4: you know, my kids not gonna have to really sell anything,

1426
01:07:46,360 --> 01:07:47,760
Speaker 4: you know what I'm saying. So when I think about

1427
01:07:47,760 --> 01:07:50,800
Speaker 4: it's just something that that I that I feel like

1428
01:07:51,880 --> 01:07:55,520
Speaker 4: that we all should do when around anyway, Like I

1429
01:07:55,640 --> 01:07:58,280
Speaker 4: talk about selling drugs a lot of my route because

1430
01:07:58,440 --> 01:08:02,120
Speaker 4: a lot of my life. I actually to the point

1431
01:08:02,160 --> 01:08:04,360
Speaker 4: where it's hard for me to believe. I ain't gonna lie.

1432
01:08:04,680 --> 01:08:06,520
Speaker 4: But I talk about it also with the ed like

1433
01:08:06,600 --> 01:08:10,120
Speaker 4: in past tense. I don't really think it's cool right now.

1434
01:08:10,120 --> 01:08:11,800
Speaker 4: I didn't think it was a matter of fact. When

1435
01:08:11,840 --> 01:08:15,040
Speaker 4: I did say drug, it wasn't cool. You like didn't

1436
01:08:15,080 --> 01:08:18,240
Speaker 4: tell everybody you like played crazy, You didn't like yeah yeah.

1437
01:08:18,280 --> 01:08:20,400
Speaker 4: When I was around like Luda or something like that,

1438
01:08:20,520 --> 01:08:23,120
Speaker 4: I didn't tell the niggas I had a jay outside

1439
01:08:23,200 --> 01:08:24,880
Speaker 4: waiting on me. I was just like, man, I'm about

1440
01:08:24,880 --> 01:08:26,760
Speaker 4: to run run to the store right quick, or whatever

1441
01:08:26,840 --> 01:08:31,360
Speaker 4: that that excuse was. And so, and that's another thing,

1442
01:08:32,400 --> 01:08:36,639
Speaker 4: not even just like with using the past and whatever

1443
01:08:36,720 --> 01:08:39,400
Speaker 4: happened in the past, as far as trauma and stuff

1444
01:08:39,479 --> 01:08:43,439
Speaker 4: like that, now figuring out a way to not do

1445
01:08:43,760 --> 01:08:45,479
Speaker 4: like I see a lot of people because right now

1446
01:08:45,520 --> 01:08:47,160
Speaker 4: I'm in the process of working on a book and

1447
01:08:47,280 --> 01:08:50,439
Speaker 4: a FM. But these things that I'm working on are

1448
01:08:50,520 --> 01:08:53,840
Speaker 4: not based on who went through the most pain, who

1449
01:08:53,920 --> 01:08:56,880
Speaker 4: went through the most trauma, who the toughest, who had

1450
01:08:56,880 --> 01:08:59,680
Speaker 4: the toughest background, or whatever that is. You know what

1451
01:08:59,680 --> 01:09:03,720
Speaker 4: I'm saying, Because when I think about trauma a lot

1452
01:09:03,920 --> 01:09:06,880
Speaker 4: with me and we talk about you know, we will

1453
01:09:06,920 --> 01:09:10,080
Speaker 4: talk about, you know, whatever that we were dealing with

1454
01:09:10,320 --> 01:09:13,320
Speaker 4: in the household. When you talk about trauma with a woman,

1455
01:09:13,479 --> 01:09:17,080
Speaker 4: she could go into something that we can't even be

1456
01:09:17,200 --> 01:09:20,200
Speaker 4: on the same level with. So the presentations that I'm

1457
01:09:20,240 --> 01:09:22,640
Speaker 4: gonna present with the book and with the film and

1458
01:09:22,800 --> 01:09:27,559
Speaker 4: about me trying to out out gainst a nobody, out

1459
01:09:27,640 --> 01:09:30,559
Speaker 4: tough nobody, nothing like that. Actually, my book is going

1460
01:09:30,640 --> 01:09:34,360
Speaker 4: to really be a different angle than what you've heard

1461
01:09:34,400 --> 01:09:37,160
Speaker 4: a lot of people that's like me put out. Let

1462
01:09:37,240 --> 01:09:39,400
Speaker 4: me just say that without telling too much. And as

1463
01:09:39,439 --> 01:09:41,600
Speaker 4: far as the film space, I would say that in

1464
01:09:41,680 --> 01:09:43,679
Speaker 4: the same space, it's not some I'm not in the film.

1465
01:09:43,800 --> 01:09:47,200
Speaker 4: I'm just inking at seeing it through and all of

1466
01:09:47,280 --> 01:09:50,920
Speaker 4: that stuff. But at the same time, it's not based

1467
01:09:51,040 --> 01:09:56,360
Speaker 4: off you know, it's some stuff in there, but it's

1468
01:09:56,400 --> 01:09:59,879
Speaker 4: not based off like this is the most gangsters, grungees

1469
01:10:00,000 --> 01:10:02,800
Speaker 4: stuff like you know what I mean, I'm really I'm

1470
01:10:02,840 --> 01:10:05,640
Speaker 4: really in this into in this creative space. You know

1471
01:10:05,680 --> 01:10:07,599
Speaker 4: what I'm saying. I'm really just being into something that's

1472
01:10:07,680 --> 01:10:09,840
Speaker 4: just putting dope stuff together, you know what I mean,

1473
01:10:10,080 --> 01:10:13,439
Speaker 4: Curating dope stuff. That's where I am right now in life,

1474
01:10:13,720 --> 01:10:18,479
Speaker 4: whether it's curating this, this is how this looks. I'm

1475
01:10:18,560 --> 01:10:23,040
Speaker 4: just into curating ship right now. For real. I love

1476
01:10:23,080 --> 01:10:29,639
Speaker 4: this place, man, stick around tonight. You know, I always

1477
01:10:29,680 --> 01:10:30,000
Speaker 4: want to know.

1478
01:10:30,080 --> 01:10:31,880
Speaker 5: This as a rapper, and just its on the right

1479
01:10:32,000 --> 01:10:34,960
Speaker 5: like with the rids of streaming and like the fall

1480
01:10:35,040 --> 01:10:37,840
Speaker 5: of gatekeeping, right, how important is the strip club still

1481
01:10:38,000 --> 01:10:40,720
Speaker 5: when it comes to music, like for breaking new music.

1482
01:10:40,840 --> 01:10:44,240
Speaker 8: Rather, that's a good one man focused today.

1483
01:10:44,520 --> 01:10:46,880
Speaker 4: I got some good ones man. Streaming is a whole

1484
01:10:46,960 --> 01:10:52,559
Speaker 4: other world. Streaming is a whole other world, and it's

1485
01:10:52,560 --> 01:10:55,400
Speaker 4: an era thing, but I think what I'm starting to

1486
01:10:55,439 --> 01:10:58,120
Speaker 4: see and in all the spaces it's kind of like

1487
01:10:59,479 --> 01:11:05,960
Speaker 4: and I hate use let me just like you see

1488
01:11:08,240 --> 01:11:11,960
Speaker 4: older talent or talent before me or whatever. A lot

1489
01:11:12,000 --> 01:11:15,800
Speaker 4: of the things they do, the fans just they grow

1490
01:11:15,920 --> 01:11:17,600
Speaker 4: with them, so they're able to still go on to

1491
01:11:17,680 --> 01:11:19,519
Speaker 4: They able to still sell merchy, able to still do

1492
01:11:19,600 --> 01:11:25,519
Speaker 4: stuff like that. In a crazy sense. The strip club

1493
01:11:25,560 --> 01:11:28,920
Speaker 4: has a similar thing, not so much to females but

1494
01:11:29,439 --> 01:11:33,400
Speaker 4: the actual people that attend strip clubs who attended them

1495
01:11:33,479 --> 01:11:36,519
Speaker 4: five as they still might pop out to go to

1496
01:11:36,600 --> 01:11:38,519
Speaker 4: a strip club because the energy and the strip club

1497
01:11:38,520 --> 01:11:40,400
Speaker 4: has always been I just want to go swearing, Cheerwell,

1498
01:11:40,400 --> 01:11:42,240
Speaker 4: ain't a lot of people. I just want to hear

1499
01:11:42,360 --> 01:11:44,639
Speaker 4: some music, have a drink, and if a naked girl

1500
01:11:44,720 --> 01:11:51,080
Speaker 4: walk by, that to be really cool. I'm serious. Ain't

1501
01:11:51,080 --> 01:11:54,360
Speaker 4: nobody like low Ki, Ain't nobody like I want to

1502
01:11:54,360 --> 01:11:56,320
Speaker 4: go spend I want to go throw away five thousand.

1503
01:11:56,360 --> 01:11:58,160
Speaker 4: That's not the mentality of most people that come in

1504
01:11:58,200 --> 01:12:00,200
Speaker 4: the strip club. They like, I'm going to go he

1505
01:12:00,720 --> 01:12:03,360
Speaker 4: watched the game blah blah blah. I'm not. I'm They

1506
01:12:03,400 --> 01:12:05,760
Speaker 4: actually like I'm too old to go to the club.

1507
01:12:06,040 --> 01:12:08,960
Speaker 4: You know. So when you say that, I'm thinking, and

1508
01:12:09,120 --> 01:12:10,680
Speaker 4: I'm thinking about us a lot of people that I

1509
01:12:10,760 --> 01:12:14,960
Speaker 4: see coming here, and it's like we are growing up together,

1510
01:12:15,120 --> 01:12:17,960
Speaker 4: you know what I'm saying. Like even the strip I

1511
01:12:18,000 --> 01:12:20,519
Speaker 4: guess the strip club fan base or whatever, they grew

1512
01:12:20,640 --> 01:12:23,000
Speaker 4: up and still you know, kind of want to you know,

1513
01:12:23,120 --> 01:12:25,120
Speaker 4: they still come out. It's not so much where like

1514
01:12:26,000 --> 01:12:28,920
Speaker 4: a lot of young cats come out twenty two, twenty

1515
01:12:28,960 --> 01:12:31,600
Speaker 4: three and throw two thousand like happened in the p

1516
01:12:31,720 --> 01:12:32,599
Speaker 4: I don't see that a lot.

1517
01:12:32,560 --> 01:12:34,760
Speaker 5: Yeah, because like you know, artists like a Geezy you know,

1518
01:12:34,880 --> 01:12:37,519
Speaker 5: his songs got broken in the strip club and artists

1519
01:12:37,520 --> 01:12:39,080
Speaker 5: as well. And it's like, I don't know if it's

1520
01:12:39,120 --> 01:12:41,760
Speaker 5: still the same, like the attitudes or you.

1521
01:12:42,040 --> 01:12:45,320
Speaker 4: You are here songs, But I think it's I think

1522
01:12:45,400 --> 01:12:49,000
Speaker 4: it's I don't think it's here first. It used to

1523
01:12:49,000 --> 01:12:51,840
Speaker 4: be here first, like we used to be here first,

1524
01:12:52,560 --> 01:12:54,960
Speaker 4: and then it was here first because the people it

1525
01:12:55,120 --> 01:12:57,720
Speaker 4: was some besides the people that were just coming to chill,

1526
01:12:57,760 --> 01:12:59,800
Speaker 4: it was some movies and shakers and that were coming

1527
01:12:59,800 --> 01:13:04,479
Speaker 4: straightrip clubs, you know, yeah, because it's it's not many

1528
01:13:04,520 --> 01:13:06,960
Speaker 4: people getting killed in the strip club, beat up, none

1529
01:13:07,000 --> 01:13:08,920
Speaker 4: of that ship. It's like, this is really a place

1530
01:13:08,960 --> 01:13:11,479
Speaker 4: you can come. You just smell like smoke. When you leave,

1531
01:13:11,520 --> 01:13:14,439
Speaker 4: your clothes still look the same. You know, it's really

1532
01:13:14,600 --> 01:13:17,080
Speaker 4: like that. You really, it's really like that. Man, When

1533
01:13:17,120 --> 01:13:18,760
Speaker 4: you just think about the probability of going to the

1534
01:13:18,800 --> 01:13:22,160
Speaker 4: strip club lead going and leaving getting home safely is

1535
01:13:22,200 --> 01:13:24,160
Speaker 4: a very high chance instead going to club.

1536
01:13:25,320 --> 01:13:25,600
Speaker 1: What's up?

1537
01:13:26,200 --> 01:13:29,080
Speaker 4: What you doing? Man? Get you out all that old energy?

1538
01:13:29,120 --> 01:13:30,400
Speaker 4: You know what I'm saying. It's very rare in here

1539
01:13:30,439 --> 01:13:32,960
Speaker 4: because really only the girls supposed to be dancing, so

1540
01:13:33,000 --> 01:13:35,200
Speaker 4: ain't nobody got no bending really bumping into you, stepping

1541
01:13:35,240 --> 01:13:37,800
Speaker 4: on your shoes and stuff. That's my philosophy on things,

1542
01:13:38,200 --> 01:13:41,000
Speaker 4: you know. So I think that's why. But but as

1543
01:13:41,040 --> 01:13:44,120
Speaker 4: far as music, I don't hear the first song. I

1544
01:13:44,439 --> 01:13:47,519
Speaker 4: ain't a lot at ESCO. And that might be based

1545
01:13:47,560 --> 01:13:49,479
Speaker 4: on the DJs. I've heard songs in there that I

1546
01:13:49,760 --> 01:13:51,400
Speaker 4: have never heard been like who is in it? I

1547
01:13:51,520 --> 01:13:53,280
Speaker 4: mean a month later that should be out of here.

1548
01:13:53,360 --> 01:13:57,120
Speaker 4: But I think that's based off the particular dj. You

1549
01:13:57,160 --> 01:13:58,680
Speaker 4: know what I'm saying. When I think about it, Yeah,

1550
01:13:58,720 --> 01:14:04,720
Speaker 4: I think it's the because I've heard man when when

1551
01:14:05,280 --> 01:14:09,000
Speaker 4: man Club Club God beat King's first like he been

1552
01:14:09,040 --> 01:14:11,000
Speaker 4: doing his thing, but when he had the like when

1553
01:14:11,120 --> 01:14:13,840
Speaker 4: the run come with the eat Me Out and all

1554
01:14:13,920 --> 01:14:16,920
Speaker 4: them little the songs like that, Man, I'll being Esco

1555
01:14:17,240 --> 01:14:20,519
Speaker 4: and everybody around me. That would be just you know, like, man,

1556
01:14:20,920 --> 01:14:22,479
Speaker 4: who is this? And it was a couple, it was

1557
01:14:22,479 --> 01:14:25,679
Speaker 4: another artist, a couple of artists. But I remember that stand.

1558
01:14:25,680 --> 01:14:27,479
Speaker 4: I remember asking like who is this? And I remember

1559
01:14:27,520 --> 01:14:29,200
Speaker 4: it was a couple of the artists. But in the

1560
01:14:29,240 --> 01:14:31,960
Speaker 4: strip club, I think it's might be secondary now.

1561
01:14:33,280 --> 01:14:36,599
Speaker 2: And be honest, first things. Firsts is college Grove too, man,

1562
01:14:37,400 --> 01:14:39,000
Speaker 2: make sure everyone goes stream.

1563
01:14:38,760 --> 01:14:39,800
Speaker 8: That by it sad.

1564
01:14:39,880 --> 01:14:44,479
Speaker 4: Please do tour for this. Yeah, we're going. That's gonna

1565
01:14:44,520 --> 01:14:48,559
Speaker 4: be fun too. Yeah, we're trying to, you know, get

1566
01:14:48,600 --> 01:14:50,800
Speaker 4: it all together, write all that stuff. But a tour

1567
01:14:51,080 --> 01:14:54,080
Speaker 4: that is necessary for this project. I guess some ideas

1568
01:14:54,120 --> 01:14:56,400
Speaker 4: for that too, But the tour is necessary for the project.

1569
01:14:59,080 --> 01:15:01,200
Speaker 4: And then he, you know, he got the call the

1570
01:15:01,240 --> 01:15:04,880
Speaker 4: six coming. I got my yeah, man, you know he

1571
01:15:04,920 --> 01:15:07,320
Speaker 4: can rap right, it's I heard. Yeah, you can wrap

1572
01:15:07,439 --> 01:15:10,760
Speaker 4: you both a pretty good. I like I like to

1573
01:15:10,880 --> 01:15:13,640
Speaker 4: I like to pat myself on the back to they

1574
01:15:13,640 --> 01:15:14,679
Speaker 4: ain't get washed.

1575
01:15:14,600 --> 01:15:17,000
Speaker 2: Competitive with the verses when you like every.

1576
01:15:16,880 --> 01:15:22,600
Speaker 4: Time does it ever? Man, I don't want nobody to

1577
01:15:22,640 --> 01:15:24,519
Speaker 4: look at our phone and I phone full of like

1578
01:15:25,560 --> 01:15:31,439
Speaker 4: fullish off the record, fullish Ship. But it's like man home,

1579
01:15:32,080 --> 01:15:34,559
Speaker 4: he's he's man, It's just like it's dope. Man, it's dope,

1580
01:15:34,720 --> 01:15:38,040
Speaker 4: you know. And I'm sure now rap group of Little Wayne. Yeah,

1581
01:15:38,520 --> 01:15:40,400
Speaker 4: I ain't thinking to rap group a Little Wayne. Yeah,

1582
01:15:40,560 --> 01:15:44,160
Speaker 4: that's that's that's cool. I ain't boy titty boy.

1583
01:15:44,680 --> 01:15:47,719
Speaker 2: Rapple Little Wayne, little Wings in the rapt Hello.

1584
01:15:47,960 --> 01:15:51,599
Speaker 4: And I ain't getting washed now, I ain't getting I'm

1585
01:15:51,600 --> 01:15:56,120
Speaker 4: standing on. I'm standing on business. I love it, I

1586
01:15:56,200 --> 01:15:59,479
Speaker 4: love you. I'm standing on business. Man, get washed.

1587
01:15:59,520 --> 01:16:01,559
Speaker 3: Man, what do you think that when you look back?

1588
01:16:01,600 --> 01:16:03,400
Speaker 3: I mean, you're gonna do more albums after? Like, what

1589
01:16:03,439 --> 01:16:05,519
Speaker 3: do you think that these colleague growl projects will way?

1590
01:16:05,920 --> 01:16:07,160
Speaker 3: What does that mean to your career?

1591
01:16:07,280 --> 01:16:10,439
Speaker 4: Your legacy? You think when you look at it? You

1592
01:16:10,520 --> 01:16:13,320
Speaker 4: got the one cover with my face his tattoo, the

1593
01:16:13,400 --> 01:16:17,640
Speaker 4: other cover with his face my beard. We we just

1594
01:16:17,800 --> 01:16:20,320
Speaker 4: we brothers like that. Man. It was good that we

1595
01:16:20,439 --> 01:16:22,360
Speaker 4: had an error where we can go back and sit

1596
01:16:22,520 --> 01:16:29,280
Speaker 4: like we put some because man, the music the music,

1597
01:16:29,720 --> 01:16:33,200
Speaker 4: although like all the music we do, it has a

1598
01:16:33,280 --> 01:16:35,479
Speaker 4: time caps on you can like go back and kind

1599
01:16:35,520 --> 01:16:38,200
Speaker 4: of remember what was going on. It's just something, you know,

1600
01:16:38,320 --> 01:16:43,120
Speaker 4: really special about just working with somebody that really don't

1601
01:16:43,160 --> 01:16:45,760
Speaker 4: have to do nothing no more, but still does it

1602
01:16:45,880 --> 01:16:48,640
Speaker 4: every day, very passionately, at a very high level, you

1603
01:16:48,680 --> 01:16:50,800
Speaker 4: know what I'm saying, And so being able to come

1604
01:16:50,880 --> 01:16:52,920
Speaker 4: into that world and like I say, still sharp and

1605
01:16:53,000 --> 01:16:58,560
Speaker 4: steel and you know, like if you don't know, like

1606
01:16:58,840 --> 01:17:02,560
Speaker 4: he's someone that's like playing a guitar right here and

1607
01:17:02,800 --> 01:17:05,360
Speaker 4: rapping it and the recording that you know what I'm saying, Yeah,

1608
01:17:05,880 --> 01:17:08,960
Speaker 4: doing our type of stuff, you know, And so it's

1609
01:17:09,040 --> 01:17:11,559
Speaker 4: just about not believing and having like a glass ceiling.

1610
01:17:11,600 --> 01:17:14,000
Speaker 4: I think that's what this project just proved. Like it's

1611
01:17:14,040 --> 01:17:16,000
Speaker 4: no such things as a glass ceiling, you know what

1612
01:17:16,000 --> 01:17:19,439
Speaker 4: I'm saying. We just you know, we're standing on on

1613
01:17:19,600 --> 01:17:22,160
Speaker 4: whatever we have to stand on. But they're just a

1614
01:17:22,200 --> 01:17:24,360
Speaker 4: blessing man. And when you say being in a group

1615
01:17:24,400 --> 01:17:25,880
Speaker 4: with little I ain't really think about it like that,

1616
01:17:26,120 --> 01:17:33,320
Speaker 4: but I guess currently ghosts and ghosts, ghost ghosts, somebody

1617
01:17:33,360 --> 01:17:35,600
Speaker 4: actually hit tegers like y'all need to we need to

1618
01:17:35,640 --> 01:17:37,560
Speaker 4: go out with them and do some stuff that'll be

1619
01:17:37,680 --> 01:17:39,280
Speaker 4: cool too. What made you do that?

1620
01:17:39,360 --> 01:17:40,280
Speaker 8: With the whole shame on it?

1621
01:17:40,439 --> 01:17:41,240
Speaker 2: Like do we ask.

1622
01:17:43,200 --> 01:17:44,640
Speaker 4: To go all in? But to go all in with

1623
01:17:44,720 --> 01:17:46,240
Speaker 4: I went all the way in. I changed my tone.

1624
01:17:46,320 --> 01:17:53,439
Speaker 4: I was shameoanner. I was on all that, and actually

1625
01:17:53,520 --> 01:17:55,800
Speaker 4: Dollar put me on them. I wasn't on wool change.

1626
01:17:55,800 --> 01:17:57,920
Speaker 4: I was somebody that would only listening to like Atlanta

1627
01:17:58,040 --> 01:18:02,760
Speaker 4: music for a long time. And then I never forget

1628
01:18:02,800 --> 01:18:05,880
Speaker 4: I knocked on Dollar doing and his mom was like

1629
01:18:06,840 --> 01:18:08,400
Speaker 4: his doors made. When you open the door of the

1630
01:18:08,479 --> 01:18:10,720
Speaker 4: steps go straight to his room. His mom like, yeah, there,

1631
01:18:12,040 --> 01:18:14,040
Speaker 4: listen to something, and man, I never forget it. Bro,

1632
01:18:14,160 --> 01:18:16,080
Speaker 4: you got to thank somebody from Atlanta. I want you.

1633
01:18:16,120 --> 01:18:17,800
Speaker 4: I want to put you where I was. I'm young,

1634
01:18:17,880 --> 01:18:24,840
Speaker 4: I'm from Atlanta and he's listening to just stors and

1635
01:18:24,960 --> 01:18:29,120
Speaker 4: it's all that I don't know if yeah, so you

1636
01:18:29,160 --> 01:18:33,439
Speaker 4: gotta think when I look at them, I'm not knowing.

1637
01:18:33,479 --> 01:18:36,800
Speaker 4: I'm like, what video game? But he explained to me

1638
01:18:37,320 --> 01:18:39,360
Speaker 4: that they trapped to That's really what he was trying

1639
01:18:39,360 --> 01:18:41,240
Speaker 4: to tell me, Like, Bro, you gotta listen. He's like, Bro,

1640
01:18:41,720 --> 01:18:44,559
Speaker 4: the folks you know, they don't know talking about doing

1641
01:18:44,680 --> 01:18:48,240
Speaker 4: snoring and everything. So dollar, Bro, the folks trapped to Bro,

1642
01:18:48,320 --> 01:18:50,360
Speaker 4: they trapped just like we trapped. Trying to tell me

1643
01:18:50,439 --> 01:18:54,519
Speaker 4: there I can't even get I can't even yeah, I

1644
01:18:54,560 --> 01:18:56,519
Speaker 4: can't even get you know, through it. But he kind

1645
01:18:56,560 --> 01:18:58,400
Speaker 4: of the one put me in there, like, Bro, you

1646
01:18:58,439 --> 01:19:01,439
Speaker 4: gotta listen home, said he doing this. They they're doing

1647
01:19:01,560 --> 01:19:03,000
Speaker 4: week you know, And I was like, oh, you know,

1648
01:19:03,160 --> 01:19:05,080
Speaker 4: that's how I got put on it, and then started

1649
01:19:05,120 --> 01:19:09,000
Speaker 4: being like, oh damn, damn. You know what I mean

1650
01:19:09,040 --> 01:19:11,960
Speaker 4: when I started being able to like read their language,

1651
01:19:11,960 --> 01:19:14,720
Speaker 4: you know what I'm saying, But it did. They was

1652
01:19:14,840 --> 01:19:17,760
Speaker 4: like some some street dudes, so to speak. So but yeah,

1653
01:19:17,800 --> 01:19:20,360
Speaker 4: that that's what it was. To redo that, to pay

1654
01:19:20,439 --> 01:19:21,320
Speaker 4: homage to them.

1655
01:19:21,640 --> 01:19:26,320
Speaker 8: Yeah, Collie growth too change. Thank you, brother, We thank

1656
01:19:26,360 --> 01:19:27,519
Speaker 8: you appreciate your.

1657
01:19:29,680 --> 01:19:30,639
Speaker 2: One of the best the ship.

1658
01:19:31,520 --> 01:19:31,800
Speaker 4: Thank you.

1659
01:19:33,200 --> 01:19:34,360
Speaker 2: Rap rate All podcast.

1660
01:19:34,520 --> 01:19:35,559
Speaker 4: Yeah True.

1661
01:19:36,560 --> 01:19:39,519
Speaker 2: Rap Radar is The Interval presents original production from hyper House,

1662
01:19:39,760 --> 01:19:43,040
Speaker 2: produced by Laura Wasser, hosts some producers Elliott Wilson and

1663
01:19:43,080 --> 01:19:47,240
Speaker 2: Brian B. Dot Miller, From Presents executive producers Alan Coy

1664
01:19:47,520 --> 01:19:50,880
Speaker 2: and Jake Kleinberg, executive producer Paul Rosenberg.

1665
01:19:51,360 --> 01:19:54,960
Speaker 5: Editing is sound designed by Dylan Alexander Freeman, recording engineer

1666
01:19:55,120 --> 01:19:59,920
Speaker 5: Great Paul, Visual directors Sammy Delil and Caleb Seals, operationsly

1667
01:20:00,240 --> 01:20:04,040
Speaker 5: Sarah You, business development lead Cheffie Allen Swig, and marketing

1668
01:20:04,120 --> 01:20:05,160
Speaker 5: lead Samara Still.

1669
01:20:05,479 --> 01:20:07,080
Speaker 2: Make sure to follow a rap raator or listen on

1670
01:20:07,120 --> 01:20:10,280
Speaker 2: Apple Podcasts, Spotify, Amazon Music, or wherever you get your

1671
01:20:10,320 --> 01:20:10,799
Speaker 2: podcasts