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Speaker 1: The volume Welcome back of the week.

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Speaker 2: Yes, yes, I feel like Cameron and fifty might be

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Speaker 2: in our comments soon because it is freezing in the

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Speaker 2: studio right now. The heat is on, but it's like

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Speaker 2: thirty degrees a year. I don't know what's It was

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Speaker 2: kind of warm this weekend too. Sometimes when we leave

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Speaker 2: the heat off, it gets cold in here. Yeah, it's

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Speaker 2: like colder in here. Then outside it's this warming up though.

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Speaker 2: I had to take my jacket.

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Speaker 1: I get hot in fifty degree weather. I mean, this

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Speaker 1: is like lined with it. That's like a bear skin

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Speaker 1: for you. That's like, you know, why you don't make

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Speaker 1: cold that's like a mink you gotta.

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Speaker 2: Make only a white would mink out a car heard

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Speaker 2: jacket with a special red guy?

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Speaker 1: Oh man, what's going on? Man? I'm good. How you feeling?

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Speaker 2: I feel good. I feel like we should get right

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Speaker 2: to it. Let's get right to it, man. I feel

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Speaker 2: I feel in a mood today. I feel some type

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Speaker 2: of way today. I feel like you owe the culture

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Speaker 2: some push ups. Why I feel like you owe ten

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Speaker 2: pushups for because on Friday, nothing dropped but another very Mad.

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Speaker 1: Mad Albums dropped.

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Speaker 2: No No, but one of the most anticipated Albums of

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Speaker 2: All Time did not.

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Speaker 1: Drop Mad Albums dropped Mad song single.

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Speaker 2: I'm so happy to see that the waves free. We'll

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Speaker 2: get into the French and max V tape.

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Speaker 1: I like it a lot. I don't know. I don't know.

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Speaker 1: You didn't know. I don't know. That's what everyone is saying, Well,

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Speaker 1: did not know. I know, Come on, man, don't do that.

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Speaker 1: Don't do that.

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Speaker 2: Christmas. We gave you a Mulligan sample clearances or whatever. Yeah,

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Speaker 2: but you are certain that something that we have been anticipating,

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Speaker 2: which could only really be three people when you get

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Speaker 2: down to it. If we're talking rap m if you

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Speaker 2: said across all genres, that throw Beyonce in there.

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Speaker 1: Whatever. But we were thinking, and I guessed you were

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Speaker 1: talking about j Cole. I don't think Iceman is done yet.

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Speaker 2: I don't think Kendrick is dropping in the first quarter,

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Speaker 2: So that would only leave one, which we assume to

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Speaker 2: be based off the clues that you gave us, was

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Speaker 2: Jermaine Cole. So I feel, even though I would not

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Speaker 2: speak for the culture just in the room, I'm the

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Speaker 2: only one with the mic that wasn't wrong in this situation.

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Speaker 2: I feel like, Yo, it's ten push ups yeah, ten

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Speaker 2: push ups for the culture, just forgetting us all excited.

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Speaker 1: Had a great weekend, RN Rob Mark, we made a

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Speaker 1: good point.

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Speaker 2: I don't know if you're talk about you or not,

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Speaker 2: but I feel like as podcasters, maybe we should get

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Speaker 2: fined for misinformation. Why, Like we should put, like, you know,

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Speaker 2: a swear jar. We should do a swear jar across

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Speaker 2: the board for all podcasters. Listen, I owe a lot

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Speaker 2: of money if that's the case. But I said a name.

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Speaker 2: That's different. But I did think I did.

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Speaker 1: I did have very good intel that an album was dropping,

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Speaker 1: that we were authenticate. Okay, I don't know what.

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Speaker 2: I feel like this is almost like women's semantics, because

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Speaker 2: we knew based off the clues you were given, there

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Speaker 2: was really only one person that it.

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Speaker 1: Could have been. Okay, who else do you think it

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Speaker 1: could have been? Well, I know who I was talking about,

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Speaker 1: but I wouldn't say did they drop? No? Okay, why,

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Speaker 1: I don't know. I don't know. Things happen. I don't

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Speaker 1: know why it didn't drop, but I have very good

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Speaker 1: conversations that it was supposed to drop. But you know, Okay,

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Speaker 1: things happen, so it is what it is. Do you

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Speaker 1: think I was wrong. That's that one time. I'm sorry, y'all.

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Speaker 1: I apologize, but I didn't give that information without great resources.

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Speaker 1: That's all, which which which I understand.

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Speaker 2: I've been in that situation and sometimes you get good

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Speaker 2: information from great sources and things change. And you already

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Speaker 2: went out there and said some ship it's okay.

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Speaker 1: I'm not like others in the culture where they don't,

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Speaker 1: you know what I'm saying, apologize for their mishaps. I'm

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Speaker 1: a man. I apologize, y'all. My work's still good, My

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Speaker 1: step is still good, though you know what I'm saying.

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Speaker 1: Players fuck up to. Yeah, the work just got intercepted

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Speaker 1: at the border. That's sols Trump Trump Trump is being

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Speaker 1: all I then was your ninety two bricks. Now you're back,

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Speaker 1: It's okay, it's all right, it's so right, We're still here.

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Speaker 2: Do we think that that all right? I'm done playing

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Speaker 2: the guessing game. I me personally thought you were talking

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Speaker 2: about J Cole. You did not say it was Cole.

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Speaker 2: I felt like you were talking about Cole whatever album

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Speaker 2: it is. Do you think maybe this Friday? Do we

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Speaker 2: think it's just off? It was either last Friday or

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Speaker 2: we don't even know? Is it just getting pushed a week.

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Speaker 1: I don't know about a week, but it definitely was

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Speaker 1: again offenormation that I had. It definitely was slated to

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Speaker 1: drop Friday.

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Speaker 2: With Okay, with the fall Off being rumored, not just

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Speaker 2: with you, there was there was you were not you

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Speaker 2: were the first person, not the only one that talked

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Speaker 2: about what an album was dropping Friday or around that time.

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Speaker 2: With Iceman, we think is almost done. I don't know,

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Speaker 2: fall Off rumored to be almost done. Do Call and

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Speaker 2: Drake drop within.

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Speaker 1: The same month? No, same day? No?

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Speaker 2: So do you think they're both playing the guessing game

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Speaker 2: of who's gonna drop? And that's maybe why things are.

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Speaker 1: Being pushed back? Nah, I don't know. I mean, you know,

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Speaker 1: Drake is the algorithm. He does what he wants to

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Speaker 1: do when he wants to do. Both of them do

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Speaker 1: whatever the fuck they want to do. Yeah, but I

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Speaker 1: mean I think Drake has more of a choke hold

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Speaker 1: on the algorithm than any other artists right now. I

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Speaker 1: think more people aren't anticipating anything that Drake does or says.

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Speaker 2: Yeah, good and bad, people that want to see his downfalling,

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Speaker 2: people that want to I'm just saying you are correct. Yes,

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Speaker 2: he controls that, but I think Cole people want to

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Speaker 2: hear Cole is still very much in that algorithm based

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Speaker 2: off everything that's been going on people when they just

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Speaker 2: not talked about constantly because he's not so forward facing

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Speaker 2: as Drake has been, especially in the last two years.

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Speaker 2: So I still think Cole kind of moves. They both

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Speaker 2: move whenever the fuck they want, unless Taylor Swift is dropping.

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Speaker 2: I think the only other way that would dictate their

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Speaker 2: release schedule would be the two of them with each

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Speaker 2: other of when fall Off is coming, when Iceman is coming.

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Speaker 1: Though I don't think like it matters.

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Speaker 2: I feel like both could drop the same day and

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Speaker 2: it would be fine for who both of them. I

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Speaker 2: think you give very similar sales.

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Speaker 1: If you think if Drake and j Cole dropped the

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Speaker 1: same day they So who do you think has you know,

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Speaker 1: Cole has outstill Drake in a year before, right, I

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Speaker 1: understand it. But who do you think has the number

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Speaker 1: going into this album? Who do you think has the

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Speaker 1: number one album that week if they dropped the same day,

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Speaker 1: I don't know. I don't know based off the directions

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Speaker 1: they're taking in the album, where if Cole goes for

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Speaker 1: a more for your eyes only style type of album,

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Speaker 1: and Drake goes for a more I don't know View's style.

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Speaker 1: I'm taking Drake there, but I think you underestimate the

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Speaker 1: Cole stand fan base. And I don't want to say

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Speaker 1: streaming for him because that implies bots. But I'm saying

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Speaker 1: how dedicated and loyal his fan base is. And the

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Speaker 1: numbers that Cole does, I think it's neck and neck

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Speaker 1: to be. It's been neck and neck before. Neither Drake

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Speaker 1: has never completely outsold Coal, like by a mile. They've

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Speaker 1: They've been very similar with numbers. So they went that

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Speaker 1: Cole's outsold Drake before they dropped on the same day before. No,

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Speaker 1: I'm saying the same year because that count for something. No,

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Speaker 1: I mean I think both of them are Obviously, you

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Speaker 1: know to Forest Hills was the highest selling rap up that.

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Speaker 1: You're right, I'm not. I don't remember. I couldn't tell you.

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Speaker 2: I believe that broke a bunch of fucking numbers. No, Josh,

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Speaker 2: not Forest Tails Queen.

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Speaker 1: All.

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Speaker 2: Yeah, the tip in was j Cole. It's literally all

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Speaker 2: you needed to He touched in Forest Hills, New York.

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Speaker 2: What the fuck is going on?

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Speaker 1: Right?

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Speaker 2: Yes, Zillo came up for sales and Forest Hills. Yeah,

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Speaker 2: I think it's closer than we're gonna anticipate. I think Cole,

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Speaker 2: Kendrick and Drake for the most part. I mean, Drake

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Speaker 2: said more of an output so totality, because he's had

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Speaker 2: way more projects.

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Speaker 1: Of course he's he's outsold both of them in that regard.

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Speaker 1: But if you're going an album for album in the

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Speaker 1: years that they both drop, you make you make a

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Speaker 1: very good point. It's been It's been very close, and

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Speaker 1: I can promise you that Ja Cole doesn't want to

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Speaker 1: drop the same day. Oh I don't think it does either.

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Speaker 1: But if they're both looking at first quarter, like shit,

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Speaker 1: it's already mid January, it could end up that there

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Speaker 1: are a few weeks of park for sure. Maybe if

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Speaker 1: you're Drake or Cole, do you want to drop first

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Speaker 1: or second? In this cointop? Which one are you? Are

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Speaker 1: you waiting? Like? Which one am I?

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Speaker 2: Either one of them? Would you want to drop first?

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Speaker 1: If I'm cold, I want to drop first? Get It

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Speaker 1: out the Way his most anticipated album, get It out

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Speaker 1: of the Way. No, I'm just saying get it out.

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Speaker 1: This might be Drake's most anticipated album. Oh yeah, Okay, yeah,

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Speaker 1: so that's what I'm saying. And we've been with I

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Speaker 1: would to get this Cold album how many years ago.

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Speaker 2: I would rather Drake drop first, if I'm coal, just

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Speaker 2: to get all of the Kendrick Drake Internet.

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Speaker 1: Is he replying here?

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Speaker 2: Just I just let that clear out for two three

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Speaker 2: weeks and then people actually start listening to iceband for

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Speaker 2: the music.

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Speaker 1: It is not for what the subliminal message means. What

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Speaker 1: you said, if you're Cold, you want Drake to drop first, Yeah, get.

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Speaker 2: Get the whole Drake, just get the icemand she's.

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Speaker 1: Going away for sure.

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Speaker 2: But I'd rather I'd rather that not take over when

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Speaker 2: my album's only a week or two old, like now,

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Speaker 2: we're just this is just gonna start now.

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Speaker 1: It's so much. It's a lot of pressure on Cold

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Speaker 1: with this album though, it's a lot of pressure on

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Speaker 1: Drake two. Yeah, but I think we've seen obviously who

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Speaker 1: handles pressure better. We've seen it. So yeah, yeah, So

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Speaker 1: I mean, you.

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Speaker 2: Know, Drake has definitely made some some moves under pressure

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Speaker 2: that looked like panic, but I'm not saying they are.

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Speaker 1: But yes, and in the.

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Speaker 2: Scope of things, Cold bout out immediately where he didn't

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Speaker 2: even have the chance to make those types of.

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Speaker 1: Decisions, but.

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Speaker 2: Couldn't sleep. It's been like a day. Yeah, I'm on

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Speaker 2: three days without sleeping. But no, I'm excited. I was

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Speaker 2: hoping you were. You were correct about that, But yeah,

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Speaker 2: I like to Rob Markman's suggestion of finding podcasters.

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Speaker 1: All right, so what about wh I'm right, You're gonna

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Speaker 1: pay me more? Yeah, Rob, we told about being wrong,

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Speaker 1: but then the Jimmy Hoffer of the podcast union, But

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Speaker 1: that's gonna just when I'm right then, and then it's

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Speaker 1: just what it's like, you know, down bonus like, yeah,

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Speaker 1: it's the same thing.

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Speaker 2: Okay, then I need a bonus for getting Merrow right

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Speaker 2: fort ninety seven. Congrats to our brother Merrow Morning Show.

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Speaker 1: You never announced that you never said that out your mouth,

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Speaker 1: because I was you never said Merrol's name out of

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Speaker 1: your mouth. I gave all that you said, whoever takes

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Speaker 1: the job is somebody that has a call all this

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Speaker 1: other ship you said, somebody from New York ship. No,

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Speaker 1: I said whatever I said, whatever else you said, you

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Speaker 1: said that, right, but you never said Merrol's name.

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Speaker 2: I eluded the way you alluded to just conclude for

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Speaker 2: it to really be cold when the clip went viral

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Speaker 2: on Twitter. All the comments under based off because I

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Speaker 2: was I wasn't going to say Meryl's name out of

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Speaker 2: respect for him, even though he saw.

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Speaker 1: The clip and laughed and give fuck.

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Speaker 2: I gave as many clues where it could obviously either

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Speaker 2: land on Jesus or Meryl. So yeah, and then they

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Speaker 2: said this podcast is no fucking credibility when they announced that,

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Speaker 2: like Atlanta Digital team and we have no credibility.

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Speaker 1: Yeah, I'm a piece of ship. I should die. No

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Speaker 1: credibility yet zero, But yeah, congrats to Merril.

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Speaker 2: I think, like I said Merril a month ago, I

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Speaker 2: think it's a great fit for where Hot is that right.

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Speaker 1: Now, the Bronx legend, absolutely legend legend.

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Speaker 2: Yeah, I hope they give him as much creative freedom

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Speaker 2: as possible, you know, to turn around the Hot ninety

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Speaker 2: seven train, because you know, we've been critical of Hot,

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Speaker 2: but that still is a logo in company that has

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Speaker 2: been part of our lives forever, and we love Hot

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Speaker 2: ninety seven. We only want the best for you, That's

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Speaker 2: why we critique, And I think I think Merril makes

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Speaker 2: the most sense.

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Speaker 1: Yeah, shout out to marrow Man, good job. Yeah, we

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Speaker 1: should go up there let's do it. Go kick it

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Speaker 1: with Meryl, am let's do it. I just can't go

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Speaker 1: to sleep the night before. Well, I gotta stay up

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Speaker 1: all night and just go there, you know what I mean? Like, yeah,

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Speaker 1: no sleep, but let's do it.

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Speaker 2: How do we think Merril's gonna like, what do we

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Speaker 2: think is his blueprint for this?

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Speaker 1: This will be?

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Speaker 2: Do you think it'll be the traditional what Ebro Rosenberg

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Speaker 2: or Charlemagne ye Envy like, all right, we'll just do

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Speaker 2: our commercial break shit and then our focus will really

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Speaker 2: just be the digital interviews. Do you think Meryl will

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Speaker 2: just do that? Do we think he'll get in some

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Speaker 2: of his sketch bag? Do you think they'll focus more

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Speaker 2: on radio clips rather than long form interviews Like, I mean,

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Speaker 2: Merrow was great on Deesus and Marrow as far as

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Speaker 2: interviews went with everyone, But I'm curious to see the

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Speaker 2: two hours sit down interview one on one with Merrow

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Speaker 2: in an artist. I just don't know if he's gonna

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Speaker 2: take that route me. He does great with mellowing caz

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Speaker 2: In that regard to Yeah, but I just I don't

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Speaker 2: have the answer to it. This is me more complaining

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Speaker 2: without a solution. Radio just needs it needs a revamp

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Speaker 2: with something like it can't what Breakfast Club did to

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Speaker 2: kind of revamp radio. They need another one of those.

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Speaker 2: And I don't know if it's the same blueprint of

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Speaker 2: what Breakfast Club. Breakfast Club did what was perfect for

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Speaker 2: that time radio needed to go digital and Charlemagne smoked

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Speaker 2: that shit and completely changed radio forever. I think they

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Speaker 2: need another one of those, like give us a reason

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Speaker 2: to turn on the radio.

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Speaker 1: Yeah, I think I think it'll be a different, uh,

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Speaker 1: a different version of what we've already gotten with morning radio.

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Speaker 2: Yeah, because right now it's a YouTube, yeah, right right now,

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Speaker 2: the way Ebro and then brought it, which it's fine,

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Speaker 2: their interviews were great. It was just another it's another

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Speaker 2: podcast YouTube face. That's all it really is at the

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Speaker 2: end of the day. So I don't know if that's

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Speaker 2: it'll be the solution hopefully.

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Speaker 1: I mean I don't know, you know, I know radio

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Speaker 1: in these program directors, I hope they give Merrow more

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Speaker 1: freedom with breaking artists though. Hell yeah, yeah, especially New

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Speaker 1: York artists. I think we need to get at least

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Speaker 1: back to that in some way. Yeah. You know, radio

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Speaker 1: now you can be on your morning commute to work

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Speaker 1: or school or whatever, and as soon as you turn

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Speaker 1: the radio back on after days over, it's the same

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Speaker 1: song that you probably left off of It's crazy, like

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Speaker 1: we need to get more, you know, new artists, new

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Speaker 1: music on the radio. So hopefully Merrow kind of has

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Speaker 1: some saying that I know, you know, program directors gets

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Speaker 1: a little a little iffy in that in that regard,

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Speaker 1: But hopefully we get to that man with the morn

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Speaker 1: the show.

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Speaker 2: Yeah, I hope they focus. I hope Marrol is able

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Speaker 2: to stream six to ten. I hope they're not so

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Speaker 2: much in that old corporate bag where it's like we

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Speaker 2: have to be on this radio frequency and on this

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Speaker 2: YouTube page and if he puts this on Twitch, then

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Speaker 2: it's over because corporate would lose their mind. It all

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Speaker 2: has to be under this umbrella, like I hope, not

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Speaker 2: just discovery with music, because clearly we've seen, like people

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Speaker 2: like Kai, there's young content creators in New York that

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Speaker 2: do other things besides music. As much as I want

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Speaker 2: music discovery, a lot of the younger kids are more

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Speaker 2: interested in content discovery. So I hope Meryl can at

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Speaker 2: least focus on like local streamers and shit and get

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Speaker 2: them involved because I think even like what plackboy Max does.

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Speaker 2: I think music discovery has gotten better on streaming that

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Speaker 2: it has on any other platform, oh for sure. Like, yeah,

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Speaker 2: radios is tough to break music because you have the

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Speaker 2: gatekeepers this and that. Streamers been putting on a bunch

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Speaker 2: of new artists that I love, and then those those

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Speaker 2: artists become streamers because they're like, well, this is where

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Speaker 2: my audience is at.

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Speaker 1: Yeah.

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Speaker 2: So yeah, I hope maryl just is able to to

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Speaker 2: fuck with the younger kids and that like doesn't always

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Speaker 2: have to be some kid that.

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Speaker 1: Could freestyle well from Flatbush.

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Speaker 2: Like, let's you know, diversify with with the content and

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Speaker 2: maybe not just music can help turn that entire thing

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Speaker 2: away to get us to eventually focus on you make.

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Speaker 1: Morning shows great again? Yeah? Is that maga? It's closer

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Speaker 1: like marrow meigga? M mmm yeah, I like m make

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Speaker 1: morning shows great again? Who do you think is first?

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Speaker 1: His first guest will be Jesus? I can I can

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Speaker 1: promise you that won't be the first guest. I don't know, man,

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Speaker 1: I don't know who was first guest would be. I

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Speaker 1: don't even know for it to be a music guest, Alc,

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Speaker 1: maybe Tiana I was right about that, Congraftsiah, Yeah, take that,

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Speaker 1: Bob Markman, yeah, Rod, but I was. I told you

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Speaker 1: motherfuckers that Tianna Taylor was gonna win Best Supporting Actress

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Speaker 1: for her role in one battle after another, and god

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Speaker 1: damn it, all of them did it. Shout out to

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Speaker 1: Tiana Taylor. We love you. We uh, We're proud of you.

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Speaker 1: And I'm just happy that Tiana is getting all of

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Speaker 1: her just do man, because she's incredibly talented. So it

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Speaker 1: was it was beautiful to see Hikes received a Golden

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Speaker 1: Globe for Best Supporting Actress last night. Yeah, no, it's good.

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Speaker 1: I mean, I watched her speech. I watched monologue why

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Speaker 1: my Blanket on the comedian Blonde. She's hilarious. Nicki Glazer,

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Speaker 1: Nicki Glazer, she she was very funny. Watched her her opening.

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Speaker 2: Then I'm glad she wasn't as PC's as people have

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Speaker 2: been in the past. Said so nice to see all

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Speaker 2: these people that were redacted from a certain list. The

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Speaker 2: great the award Golden Glow for the Best Editor goes

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Speaker 2: to the TJ.

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Speaker 1: That was. That was hilarious. Yeah, but it was cool, yo.

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Speaker 2: She made she made a good point in a very

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Speaker 2: funny bit with Leo. She made another joke about him

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Speaker 2: dating young girls, and she was like, I know that

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Speaker 2: seems cheap, Leo.

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Speaker 1: We know nothing about you.

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Speaker 2: Yeah, I could find one interview from nineteen ninety one

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Speaker 2: that says your favorite food is pasta.

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Speaker 1: Yeah, nothing's changed, nothing has changed. I don't know anything

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Speaker 1: about Leo. I loved that. I know the pussy Patrol.

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Speaker 2: I know you fucked with David Blaine and was terrorizing

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Speaker 2: the streets of New York. But I know nothing besides that.

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Speaker 1: That's great. That's when you've won, when you could be

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Speaker 1: at that big in Hollywood and people know nothing about you.

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00:17:26,760 --> 00:17:30,280
Speaker 1: She said, you accomplished so much before your girlfriend turned thirty,

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Speaker 1: all before the age of thirty. She's right.

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Speaker 2: And shout out to Manhattan Plaza Warrior, Timothy Charlameagne.

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Speaker 1: Timothy Chalome Best was the Best Actor, Yes, Best Actor

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Speaker 1: Marty Supreme, which is crazy because that came out like yesterday.

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Speaker 1: It came out like right before they have time to vote.

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Speaker 1: I don't know, man, listen man, but it was a

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Speaker 1: really good movie to I enjoyed it. I did feel

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Speaker 1: like he was gonna win some awards for that, and

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Speaker 1: you could see them kind of setting Timothy up to

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Speaker 1: be the next.

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Speaker 2: I think that's been going on for Lee, which I

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Speaker 2: fully fully support because he's all grown.

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Speaker 1: But no, shout shout out to Timothy and she made

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Speaker 1: She said he's the only actor that had to gain

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Speaker 1: weight to play ping pong, that he gains he works

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Speaker 1: so hard to gain sixty ounces, but shout out Timothy

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Speaker 1: and then everyone that won and all that shit. With

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00:18:24,880 --> 00:18:28,399
Speaker 1: that said, we are back sponsored by Boost. Jamaris is

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Speaker 1: still going through some health stuff, but she is doing

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Speaker 1: much better. She's okay, she misses you guys, but yeah,

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Speaker 1: probably another week. Still a little bed ridden. Give better,

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Speaker 1: baby d I called, I facetimed Dan textas she ain't

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Speaker 1: respond answer. It's all right. I got a trick for

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Speaker 1: home when she gets back. I'm not gonna tell you

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Speaker 1: what it is yet.

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Speaker 2: Listen, there's been three or four time like yo, ill

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Speaker 2: pull up now, I'll get you some groceries, this and

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Speaker 2: that that she was complaining about. Man sucks just laying

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Speaker 2: down this and that. So I cotured this whole plan

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Speaker 2: a surprise her and shit. I even texted Peage It's like, yo,

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Speaker 2: let's gore their surpriser.

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Speaker 1: Nah, I don't come through. So I said, why no,

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Speaker 1: it's not the right time. When is the right time

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Speaker 1: to visit somebody? If there's if there's you know, home recovery,

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00:19:13,760 --> 00:19:17,800
Speaker 1: you're good at that at girl. Man, oh okay, she

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Speaker 1: had company. I don't know, I have no idea.

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Speaker 2: But all of a sudden, somebody you have been in

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Speaker 2: a frantic text mode, been talking to her NonStop every

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Speaker 2: day all day. All of a sudden, like you know

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00:19:30,080 --> 00:19:32,119
Speaker 2: when messages just get a little quicker, like no, no, no,

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Speaker 2: not right.

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Speaker 1: Now, yes now, it's not a good time. It's not

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Speaker 1: a good time. I was like, I'm leaving Queens right,

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Speaker 1: I could be there in fifteen yeah, nah nah.

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Speaker 2: And then I was like, you know, i'll link peas,

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Speaker 2: maybe get a drink kill some time. Nah for the

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Speaker 2: whole night, I'm probably gonna go to sleep gona six o'clock.

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Speaker 1: Yo. The meds. It's always the meds. You know that.

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Speaker 1: It's the meds, the meds and beds. That's all it is.

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Speaker 2: But get better, baby, prayers prayers to her, and she

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Speaker 2: she is getting better.

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Speaker 1: It's good. You know.

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Speaker 2: We'll let her tell her her health journey. But I

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Speaker 2: felt like we jinxed it. Because we the last episode,

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Speaker 2: we were like, yo, nothing crazy as happens. Something always

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00:20:11,320 --> 00:20:13,760
Speaker 2: crazy happens to this podcast at the end of the year,

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Speaker 2: and we're like, damn, we made it this year. Marris

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Speaker 2: had emergency surgery like the second thing.

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Speaker 1: Oh yeah, that was Yeah, we can never just get

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Speaker 1: out of it. Like quarter in the first quarter clean,

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Speaker 1: we was not We weren't thinking anything like that, sir. No,

431
00:20:28,200 --> 00:20:30,080
Speaker 1: like that's like you know me, but we are down

432
00:20:30,240 --> 00:20:36,399
Speaker 1: a cast member. You will be returning. Thanks, Yes, how

433
00:20:36,520 --> 00:20:39,040
Speaker 1: was your weekend? Though? It was cool? Man, just just chilled,

434
00:20:39,800 --> 00:20:42,320
Speaker 1: didn't do too much, went so my homeboy went to

435
00:20:42,320 --> 00:20:44,480
Speaker 1: his store, kicked doing him for a minute, did a

436
00:20:44,480 --> 00:20:47,320
Speaker 1: little shopping. But nothing crazy, not not older that just

437
00:20:47,400 --> 00:20:49,840
Speaker 1: chill ship. Yeah, I was about the same. I was

438
00:20:49,880 --> 00:20:50,360
Speaker 1: about the same.

439
00:20:51,240 --> 00:20:53,160
Speaker 2: I watched Uh, when was the last time you watched

440
00:20:53,200 --> 00:20:56,040
Speaker 2: D two The Mighty Ducks the second when when their

441
00:20:56,080 --> 00:20:56,679
Speaker 2: team USA.

442
00:20:57,080 --> 00:20:59,879
Speaker 1: It's been years so the last time I watched that

443
00:21:00,080 --> 00:21:01,840
Speaker 1: probably was like Blu Ray or something like that.

444
00:21:02,040 --> 00:21:04,960
Speaker 2: Yeah, I feel like I've seen the first one within

445
00:21:05,040 --> 00:21:06,959
Speaker 2: the last five years, but D two I don't think

446
00:21:06,960 --> 00:21:10,320
Speaker 2: i've seen since the nineties. So I'm just rewatching all

447
00:21:10,359 --> 00:21:12,760
Speaker 2: my old favorite kid movies. Try to get Amara into him,

448
00:21:12,800 --> 00:21:14,800
Speaker 2: like we we ran through toy store already. I was like,

449
00:21:14,880 --> 00:21:18,600
Speaker 2: let me see non animation sports. See for mars Intuit

450
00:21:18,640 --> 00:21:21,360
Speaker 2: if she's too young. So we watched the first one.

451
00:21:21,400 --> 00:21:21,800
Speaker 1: It was cool.

452
00:21:21,840 --> 00:21:24,960
Speaker 2: It was like, let's watch D two. I did not

453
00:21:25,200 --> 00:21:28,920
Speaker 2: remember that. In the first round of the Junior Olympics,

454
00:21:29,320 --> 00:21:36,080
Speaker 2: Team USA goes against Trinidad and Tobago's hockey team.

455
00:21:37,720 --> 00:21:41,119
Speaker 1: Me was it? Was it a tight one? Have they

456
00:21:41,160 --> 00:21:43,040
Speaker 1: haven't seen ice in Trinidad and Tobago?

457
00:21:44,160 --> 00:21:46,840
Speaker 2: Can you please google Trinidad and Tobago Mighty Ducks. Mom,

458
00:21:47,440 --> 00:21:49,600
Speaker 2: you're aware of the colors of Trinidad and Tobago. Yes,

459
00:21:50,600 --> 00:21:54,440
Speaker 2: instead of using the colors of the I just threw

460
00:21:54,560 --> 00:22:00,720
Speaker 2: tight eye on them. That is, nothing about their colors

461
00:22:00,760 --> 00:22:02,960
Speaker 2: has anything to do with that. No, it's like a

462
00:22:03,080 --> 00:22:04,400
Speaker 2: Jerry Garcia hippie movie.

463
00:22:04,400 --> 00:22:06,040
Speaker 1: And none of those kids are from Trinida and Tobago.

464
00:22:06,080 --> 00:22:08,800
Speaker 1: Those kids are from Queens maybe Brooklyn.

465
00:22:08,920 --> 00:22:11,560
Speaker 2: And then in the stands they put a bunch of

466
00:22:11,560 --> 00:22:15,720
Speaker 2: guys in T shirts with steel drums. I was like,

467
00:22:15,840 --> 00:22:18,560
Speaker 2: I do not this is the most racist imber that

468
00:22:18,640 --> 00:22:21,840
Speaker 2: scroll up. That's their fan base. They're just at the

469
00:22:21,840 --> 00:22:25,080
Speaker 2: top and more tie I mind, nothing.

470
00:22:24,800 --> 00:22:27,320
Speaker 1: About you could never have too much tie die. You

471
00:22:27,359 --> 00:22:30,160
Speaker 1: know that not even at Carnival did they have not

472
00:22:30,200 --> 00:22:33,040
Speaker 1: at all? Well maybe because jewve they throw paint on you,

473
00:22:33,160 --> 00:22:35,040
Speaker 1: so maybe they was going for the jewve. Look, maybe

474
00:22:35,040 --> 00:22:35,320
Speaker 1: do you.

475
00:22:35,280 --> 00:22:38,439
Speaker 2: Think the Mighty Ducks producers were that tappeny think they

476
00:22:38,520 --> 00:22:40,760
Speaker 2: was some subtle They may have been going for the juve,

477
00:22:41,200 --> 00:22:41,359
Speaker 2: you know.

478
00:22:41,359 --> 00:22:43,080
Speaker 1: What I mean, still paying right there, you know what

479
00:22:43,119 --> 00:22:44,720
Speaker 1: I'm saying, like, you know, give it a little coach

480
00:22:44,720 --> 00:22:48,080
Speaker 1: in the Disney movie. That's all. Yeah, I do not

481
00:22:48,160 --> 00:22:49,560
Speaker 1: remember that. That's hilarious.

482
00:22:50,040 --> 00:22:52,200
Speaker 2: And then if you didn't think they could top which

483
00:22:52,440 --> 00:22:54,520
Speaker 2: they should sell that Kiss should put this out.

484
00:22:54,920 --> 00:22:57,720
Speaker 1: Yeah you put kith on that right there. That sells

485
00:22:58,560 --> 00:23:02,720
Speaker 1: for sure. Absolutely. Then you know, after they squeaked by

486
00:23:02,760 --> 00:23:05,840
Speaker 1: Trinidad in the first round, it was a close one.

487
00:23:05,920 --> 00:23:08,760
Speaker 2: It was how how close was D two to Cool Runnings?

488
00:23:09,160 --> 00:23:10,720
Speaker 2: Was this maybe that year that they were just like

489
00:23:10,760 --> 00:23:11,560
Speaker 2: we gotta try ship?

490
00:23:12,320 --> 00:23:14,399
Speaker 1: Yeah nah, they was. That was a few years apart

491
00:23:14,440 --> 00:23:17,600
Speaker 1: Cool Runners. I feel like it was early nineties. D

492
00:23:17,720 --> 00:23:20,280
Speaker 1: two was what like ninety eight nine something like that.

493
00:23:20,800 --> 00:23:23,000
Speaker 1: Four okay, so yeah, four and then Cool Runners might

494
00:23:23,040 --> 00:23:25,720
Speaker 1: have been ninety two ninety three the year after. Yeah,

495
00:23:26,680 --> 00:23:29,080
Speaker 1: so they do what Hollywood does when you see something, work,

496
00:23:29,720 --> 00:23:32,280
Speaker 1: rinse and repeat. Charlie and the Ducks. All right, they

497
00:23:32,280 --> 00:23:38,120
Speaker 1: did Jamaica suy rhyme, Let's get ready, it's Bob Slid

498
00:23:38,359 --> 00:23:44,560
Speaker 1: Die cool Running. Now, Cool Runners is a classic though

499
00:23:45,040 --> 00:23:47,359
Speaker 1: that Cool Runners as like they really could have got

500
00:23:47,440 --> 00:23:50,320
Speaker 1: Jamaican actors. Yeah. Well, I mean, you know, at that time,

501
00:23:50,440 --> 00:23:52,800
Speaker 1: you know, they was trying to find Malik Yoba was

502
00:23:52,840 --> 00:23:57,360
Speaker 1: like the quintessential you know, West Indian, yeah, correspondent.

503
00:23:57,920 --> 00:24:01,800
Speaker 2: So yeah, after they they squeaked by the alternate Jersey

504
00:24:02,240 --> 00:24:03,320
Speaker 2: Trinidad and Tobago co.

505
00:24:05,359 --> 00:24:09,120
Speaker 1: Big upset with that one. They need a little toughening up.

506
00:24:10,280 --> 00:24:15,119
Speaker 2: So there there's a gentleman that's in the stands that is,

507
00:24:15,440 --> 00:24:19,320
Speaker 2: you know, just an avid hockey fan harassing Team USA.

508
00:24:19,480 --> 00:24:23,240
Speaker 2: Only the black kids, may add Keenan Thompson is heckling,

509
00:24:23,480 --> 00:24:25,560
Speaker 2: and for some reason, only the black kids on the

510
00:24:25,600 --> 00:24:29,400
Speaker 2: team start fighting. And because they barely you know, got

511
00:24:29,440 --> 00:24:32,159
Speaker 2: by Trinidad, coach Bombay thought it'd be cool if they

512
00:24:32,200 --> 00:24:34,600
Speaker 2: went to the hood of South Central to get a

513
00:24:34,640 --> 00:24:39,639
Speaker 2: little toughening up from Keenan and the boys, and of

514
00:24:39,680 --> 00:24:42,240
Speaker 2: course Charlie and the crew are met with open arms

515
00:24:42,440 --> 00:24:46,600
Speaker 2: in the rolling sixties. Absolutely, and then they had assembled

516
00:24:46,600 --> 00:24:48,680
Speaker 2: this team with the Ducks and all the greatest players

517
00:24:49,160 --> 00:24:53,000
Speaker 2: in the entire country, from the rodeo guy, the male

518
00:24:53,080 --> 00:24:57,359
Speaker 2: Michelle Kwan, whole crew. Then they come back from the

519
00:24:57,640 --> 00:25:01,840
Speaker 2: rowing sixties, jumped in crypt up with Keenan Thompson until

520
00:25:02,160 --> 00:25:05,439
Speaker 2: the country of the United States. Yo, it's our homeboy

521
00:25:05,480 --> 00:25:08,120
Speaker 2: from from the hoodie on the team though, and they

522
00:25:08,160 --> 00:25:10,159
Speaker 2: just take him on. Get on the bus, kid from

523
00:25:10,200 --> 00:25:15,040
Speaker 2: South Central we've never met. My name's coach bombay Is.

524
00:25:15,080 --> 00:25:17,320
Speaker 1: This was Jesse in this one too. No, it it

525
00:25:17,359 --> 00:25:19,320
Speaker 1: was the first. He didn't he didn't make tm USA.

526
00:25:19,920 --> 00:25:22,480
Speaker 1: He had he had other plans. He had other plans going.

527
00:25:22,560 --> 00:25:25,760
Speaker 1: He was becoming an R and B singer in Chicago. Yeah. Yeah,

528
00:25:26,160 --> 00:25:29,240
Speaker 1: classic movie though, it was a classic one. It's it's incredible.

529
00:25:29,280 --> 00:25:33,679
Speaker 1: It's just listen that right and sounds so crazy sometimes.

530
00:25:33,680 --> 00:25:36,119
Speaker 2: And then the one the one black kid that was

531
00:25:36,200 --> 00:25:38,760
Speaker 2: like left behind, like he he gave his blessings to

532
00:25:38,840 --> 00:25:40,280
Speaker 2: Keenan to go with the with the squad.

533
00:25:40,359 --> 00:25:42,280
Speaker 1: But you could sell that was really his dream. It

534
00:25:42,359 --> 00:25:42,960
Speaker 1: was too old.

535
00:25:43,520 --> 00:25:46,040
Speaker 2: And then as they're running through South Central, he's behind

536
00:25:46,080 --> 00:25:46,560
Speaker 2: the fences.

537
00:25:47,080 --> 00:25:50,760
Speaker 1: Go Usa, Go. That's how it always happened. That's how

538
00:25:51,240 --> 00:25:53,480
Speaker 1: it was always happened to. His mother didn't sign Uh

539
00:25:54,000 --> 00:25:57,280
Speaker 1: was it the consent form? Consent for him? Yes, to

540
00:25:57,280 --> 00:25:59,640
Speaker 1: be represented by the United States? How many how many

541
00:25:59,800 --> 00:26:02,480
Speaker 1: gamesters do you think we're birth from their parent not

542
00:26:02,520 --> 00:26:06,560
Speaker 1: signing a consent form? Like? How how many gangsters villain

543
00:26:06,600 --> 00:26:08,760
Speaker 1: origin is that their mom didn't sign a consent form

544
00:26:08,760 --> 00:26:12,520
Speaker 1: to go on the school trip to Six Flags. I'm

545
00:26:12,520 --> 00:26:14,960
Speaker 1: pretty sure a lot of gangsters in New York City

546
00:26:15,280 --> 00:26:18,160
Speaker 1: was birth in that moment. Well, I lost my virginity

547
00:26:18,280 --> 00:26:20,880
Speaker 1: that way on the school trip.

548
00:26:21,160 --> 00:26:22,800
Speaker 2: Yeah, my mom was out of town, so I couldn't

549
00:26:22,840 --> 00:26:24,480
Speaker 2: get the consent form, so I forged it to go

550
00:26:24,520 --> 00:26:25,360
Speaker 2: to bronxu.

551
00:26:26,680 --> 00:26:29,200
Speaker 1: Oh and that's where. Yeah, yes, so you got your

552
00:26:29,200 --> 00:26:32,840
Speaker 1: first piece. Look at mom. Mom don't even know does

553
00:26:32,880 --> 00:26:36,159
Speaker 1: she know that you ever told you that story? Okay, I'm like,

554
00:26:36,560 --> 00:26:38,600
Speaker 1: I don't have that relationship with my mom to talk

555
00:26:38,600 --> 00:26:42,280
Speaker 1: about your first time having sex. It's like sex period. Okay,

556
00:26:42,520 --> 00:26:43,920
Speaker 1: so your mom thought you was a virgin until you

557
00:26:43,960 --> 00:26:46,440
Speaker 1: had tomorrow. No, I don't think that.

558
00:26:46,760 --> 00:26:50,919
Speaker 2: But even like even telling her kid was pregnant kind

559
00:26:50,920 --> 00:26:54,640
Speaker 2: of like made me like, but now my mom's not.

560
00:26:54,480 --> 00:26:55,959
Speaker 1: Telling your mom, she's about to your grandma.

561
00:26:56,040 --> 00:26:58,879
Speaker 2: Made you like because we just never like we just

562
00:26:58,920 --> 00:26:59,960
Speaker 2: didn't have that relationship.

563
00:27:00,240 --> 00:27:02,120
Speaker 1: We would talk about those types of things. So it's

564
00:27:02,200 --> 00:27:06,000
Speaker 1: like and then like I don't know, like yeah mom kids,

565
00:27:06,000 --> 00:27:08,800
Speaker 1: like yeah, we'd be having sexis shoot, like you know

566
00:27:09,520 --> 00:27:12,600
Speaker 1: you live together, Like yeah, with parents.

567
00:27:12,640 --> 00:27:14,520
Speaker 2: I mean some of my mom's friends I would talk

568
00:27:14,560 --> 00:27:16,360
Speaker 2: to about that type of stuff, And like, I don't

569
00:27:16,440 --> 00:27:18,560
Speaker 2: I didn't have that relationship, not with all adults, but

570
00:27:18,640 --> 00:27:21,280
Speaker 2: just with my mom specifically, Like that's odd. And then

571
00:27:21,320 --> 00:27:23,440
Speaker 2: like he is mom, I felt weird the first time,

572
00:27:23,480 --> 00:27:25,080
Speaker 2: Like damn, she just knows like m.

573
00:27:25,200 --> 00:27:34,679
Speaker 1: Hmm, just yeah, going making your belly button kiss. We

574
00:27:34,800 --> 00:27:36,360
Speaker 1: make our belly buttons kiss at night.

575
00:27:38,320 --> 00:27:40,679
Speaker 2: When was the first time you, well, you've been in

576
00:27:40,760 --> 00:27:41,879
Speaker 2: one long term relationship.

577
00:27:42,040 --> 00:27:45,399
Speaker 1: Did you sleep over her family's house ever? Yeah, did

578
00:27:45,440 --> 00:27:48,040
Speaker 1: you guys sleep in the same bed? What was that? Like?

579
00:27:48,880 --> 00:27:50,800
Speaker 1: It was it? I mean for me, it was a

580
00:27:50,920 --> 00:27:55,120
Speaker 1: you know, but it was it was also kind of like, uh,

581
00:27:55,720 --> 00:27:58,399
Speaker 1: you know, the parents were so cool where it was like,

582
00:27:58,600 --> 00:28:00,000
Speaker 1: you know what I mean, it wasn't tripping about nothing.

583
00:28:00,040 --> 00:28:03,240
Speaker 1: It was it was a very in the first thought

584
00:28:03,280 --> 00:28:04,520
Speaker 1: of it, I was kind of like, all right, so

585
00:28:04,560 --> 00:28:06,639
Speaker 1: I got to wear like actual pajamas, you know what

586
00:28:06,640 --> 00:28:08,840
Speaker 1: I'm saying, You gotta get your real pajamas. And then

587
00:28:08,880 --> 00:28:11,400
Speaker 1: I'm like, you got to sleep in your pajamas type

588
00:28:11,400 --> 00:28:13,239
Speaker 1: of thing. But it wasn't. It wasn't as awkward as

589
00:28:13,240 --> 00:28:15,840
Speaker 1: I thought it would be though. Yeah, even like when

590
00:28:15,880 --> 00:28:18,200
Speaker 1: I was engaged, when I would stay there, I would

591
00:28:18,200 --> 00:28:21,680
Speaker 1: sleep on like the basement couch. You got to be

592
00:28:21,760 --> 00:28:25,120
Speaker 1: married in that house, not my house, and that hell nah,

593
00:28:25,560 --> 00:28:26,520
Speaker 1: sleep on the couch.

594
00:28:27,080 --> 00:28:29,240
Speaker 2: And then it was It wasn't until I was engaged

595
00:28:29,240 --> 00:28:33,240
Speaker 2: that my knowingly a woman slept in my bed at

596
00:28:33,240 --> 00:28:33,840
Speaker 2: my mom's holf.

597
00:28:34,760 --> 00:28:35,080
Speaker 1: Wow.

598
00:28:35,680 --> 00:28:39,000
Speaker 2: Yeah nah, and my mom like, yeah, she's hardcore Catholic,

599
00:28:39,080 --> 00:28:40,200
Speaker 2: but not like that.

600
00:28:40,800 --> 00:28:42,920
Speaker 1: But it still was like, I don't know, it's all

601
00:28:43,720 --> 00:28:45,440
Speaker 1: it is awkward. It's still an awkward few I know

602
00:28:45,480 --> 00:28:48,680
Speaker 1: what you mean, But when the family is so cool

603
00:28:48,720 --> 00:28:51,000
Speaker 1: and understanding where it kind of like knocks the edge

604
00:28:51,000 --> 00:28:52,480
Speaker 1: off of that. Yeah, you know what I mean, That's

605
00:28:52,520 --> 00:28:55,160
Speaker 1: that's what my experience was the family was like super cool,

606
00:28:55,280 --> 00:28:59,680
Speaker 1: Yeah did you fucking no? No, no, no, no, okay, because that's like, yeah,

607
00:29:00,160 --> 00:29:01,960
Speaker 1: that's next level crazy. I'm not doing that.

608
00:29:02,400 --> 00:29:05,640
Speaker 2: I understand eventually my daughter is going to become a

609
00:29:05,680 --> 00:29:07,640
Speaker 2: woman and being a relationship.

610
00:29:08,320 --> 00:29:10,480
Speaker 1: I'm not that naive, but don't be fucking in.

611
00:29:10,440 --> 00:29:13,600
Speaker 2: My house, Like, at least have that No, at least

612
00:29:13,600 --> 00:29:16,280
Speaker 2: have that respect for me, no matter how old you get, Like,

613
00:29:16,440 --> 00:29:19,600
Speaker 2: just don't fuck knowingly because I fucked at my mom's

614
00:29:19,600 --> 00:29:22,600
Speaker 2: house not knowingly all the time. And I'm not naive

615
00:29:22,680 --> 00:29:26,520
Speaker 2: to think that my kids won't be any different than

616
00:29:26,520 --> 00:29:28,760
Speaker 2: me as far as teenage exploring.

617
00:29:28,760 --> 00:29:31,520
Speaker 1: God, just don't let me know. Nah to see knowing.

618
00:29:32,160 --> 00:29:34,920
Speaker 1: I got to take that back. We definitely did have

619
00:29:35,000 --> 00:29:38,440
Speaker 1: sex in her parents' house, but the mom used to

620
00:29:38,480 --> 00:29:41,080
Speaker 1: go to work and her father used to go to work, right,

621
00:29:41,240 --> 00:29:44,920
Speaker 1: so like we thought they were both gone. It was

622
00:29:44,960 --> 00:29:47,200
Speaker 1: in there going crazy one morning. I'm talking about like

623
00:29:47,680 --> 00:29:52,080
Speaker 1: through we was in there by myself going crazy. She

624
00:29:52,240 --> 00:29:55,480
Speaker 1: going to shower, I go to the kitchen. Pops is

625
00:29:55,520 --> 00:29:58,480
Speaker 1: in the bed just laying there watching TV. I'm like,

626
00:29:58,560 --> 00:30:00,720
Speaker 1: y'all go back, and I'm like, yo, Dad is in

627
00:30:00,800 --> 00:30:03,000
Speaker 1: the room, and I know he heard us because it

628
00:30:03,000 --> 00:30:04,760
Speaker 1: was one of those sessions where you think you got

629
00:30:04,800 --> 00:30:08,040
Speaker 1: the house to yourself. Yeah, relaxed everything. Oh my god,

630
00:30:08,360 --> 00:30:11,760
Speaker 1: crazy Karen, about nine am, crazy morning. Would you know

631
00:30:11,800 --> 00:30:14,959
Speaker 1: how I go thinking we had the house to ourself. Yeah,

632
00:30:15,320 --> 00:30:16,880
Speaker 1: Pops was laying right in the bed watching like The

633
00:30:16,920 --> 00:30:18,720
Speaker 1: Price is Right or some shit like that. I'm like,

634
00:30:18,760 --> 00:30:20,520
Speaker 1: he definitely hurt us in there.

635
00:30:21,200 --> 00:30:24,520
Speaker 2: That has happened one time with a sister that she

636
00:30:24,640 --> 00:30:28,000
Speaker 2: was living with, and oh, you had the whole shit.

637
00:30:28,120 --> 00:30:34,440
Speaker 2: I walked out but asked, oh shit, close, your sister's

638
00:30:34,440 --> 00:30:34,840
Speaker 2: out there.

639
00:30:35,800 --> 00:30:38,080
Speaker 1: But I had to piss from my clothes back on,

640
00:30:38,920 --> 00:30:40,160
Speaker 1: and I was cool with her sister. It's not like

641
00:30:40,200 --> 00:30:42,959
Speaker 1: my first TIY was just like when I walked back

642
00:30:42,960 --> 00:30:44,640
Speaker 1: outfter he use the bathroom, she was in the living room.

643
00:30:44,680 --> 00:30:44,880
Speaker 1: I was it.

644
00:30:45,480 --> 00:30:47,120
Speaker 2: There's nothing I can say that's going to change this.

645
00:30:48,280 --> 00:30:53,080
Speaker 2: Let's just pretend it that round. Are you There's nothing? Yeah,

646
00:30:53,280 --> 00:30:54,640
Speaker 2: we can't take nothing that's.

647
00:30:54,520 --> 00:30:56,440
Speaker 1: Gonna Yeah it happened. It is what it is. Let's

648
00:30:56,440 --> 00:31:02,120
Speaker 1: not make it any more awkward at all. Yeah, but

649
00:31:02,160 --> 00:31:04,720
Speaker 1: you having to be like engaged before you can even

650
00:31:04,720 --> 00:31:07,360
Speaker 1: sleep in the same bed. It's crazy, but I mean

651
00:31:07,360 --> 00:31:10,720
Speaker 1: that was out of respect to her, like the values

652
00:31:10,800 --> 00:31:12,840
Speaker 1: of her No, I get it. I get it.

653
00:31:13,440 --> 00:31:16,640
Speaker 2: Foreign parents like they don't play that they was married

654
00:31:16,680 --> 00:31:22,080
Speaker 2: at seventeen in the village like lineages of this is like,

655
00:31:23,800 --> 00:31:26,040
Speaker 2: so you know you got to I mean, granted, I

656
00:31:26,080 --> 00:31:28,360
Speaker 2: was staying there so much that you know, we were

657
00:31:28,360 --> 00:31:30,840
Speaker 2: in the basement. She had a you know, like in

658
00:31:30,960 --> 00:31:33,360
Speaker 2: Queen's basement stuff they're like finished. In some case it's

659
00:31:33,360 --> 00:31:35,600
Speaker 2: an apartment. So I would sleep on the couch she

660
00:31:35,680 --> 00:31:37,760
Speaker 2: was sleeping. Then you know, by midnight, I'm going in there,

661
00:31:37,800 --> 00:31:39,680
Speaker 2: and then my alarm is set for five, And then you.

662
00:31:39,680 --> 00:31:42,960
Speaker 1: Got, yeah, it's so crazy that you got to live.

663
00:31:43,040 --> 00:31:45,280
Speaker 1: That's a real way to like be in a relationship.

664
00:31:46,160 --> 00:31:49,520
Speaker 2: When I was in college, I guess I wouldn't call

665
00:31:49,520 --> 00:31:52,720
Speaker 2: it college girlfriend, but somebody was I was seriously talking to. Summertime,

666
00:31:52,760 --> 00:31:55,360
Speaker 2: I went out to her crib in like West bubble fuck,

667
00:31:55,400 --> 00:31:58,320
Speaker 2: New Jersey, and I was planning on leaving.

668
00:31:58,520 --> 00:32:01,160
Speaker 1: Also had super super religious parents.

669
00:32:02,000 --> 00:32:04,760
Speaker 2: I fell asleep in her but it wasn't our intention

670
00:32:04,960 --> 00:32:07,080
Speaker 2: and we weren't fucking at that time either.

671
00:32:07,600 --> 00:32:08,240
Speaker 1: I fell asleep.

672
00:32:08,280 --> 00:32:11,000
Speaker 2: Her father walked in that shit I have never seen

673
00:32:11,400 --> 00:32:16,040
Speaker 2: a Jamaican man restrain himself from choking the fucking life out.

674
00:32:16,080 --> 00:32:19,160
Speaker 2: He started having to pray to himself to calm down,

675
00:32:19,200 --> 00:32:20,760
Speaker 2: Like he went in the corner and he was speaking

676
00:32:20,800 --> 00:32:22,480
Speaker 2: in tongues to calm himself to fuck out. I thought

677
00:32:22,480 --> 00:32:24,200
Speaker 2: I was going to die in that fucking room.

678
00:32:24,320 --> 00:32:27,720
Speaker 1: Damn, that's serious. I mean, didn't play that shit, I guess.

679
00:32:27,720 --> 00:32:30,080
Speaker 1: Come on, man, it ain't that deep overly religious. No,

680
00:32:30,080 --> 00:32:31,080
Speaker 1: not get it, I understand.

681
00:32:31,320 --> 00:32:35,160
Speaker 2: Anyways, D two's and Mighty Ducks clashing out out now, Yeah,

682
00:32:35,440 --> 00:32:36,360
Speaker 2: have you watched D three?

683
00:32:36,880 --> 00:32:39,640
Speaker 1: No? When they get the private school scholarship? Nah, I

684
00:32:39,680 --> 00:32:42,160
Speaker 1: didn't watch that. Now, you got to revisit that one.

685
00:32:42,280 --> 00:32:47,320
Speaker 2: Yeah, But ironically, some real Mighty Duck shit happened this

686
00:32:47,360 --> 00:32:49,520
Speaker 2: week too. Did you see the fight between like the

687
00:32:49,560 --> 00:32:53,920
Speaker 2: pee wee hockey kids over the weekend? Start from the beginning.

688
00:32:53,960 --> 00:32:56,600
Speaker 2: This is the biggest royal rumble. This is all time, Yes,

689
00:32:56,600 --> 00:32:59,760
Speaker 2: one hundred percent real. You know, like at football games,

690
00:33:00,080 --> 00:33:03,160
Speaker 2: like at halftime they'll bring out like the Pop Warner League,

691
00:33:03,240 --> 00:33:04,800
Speaker 2: they do that hockey games too, So it's like the

692
00:33:04,840 --> 00:33:10,000
Speaker 2: pew of wherever this is at the full blown brawl. No,

693
00:33:10,160 --> 00:33:11,640
Speaker 2: getting like legit punches in.

694
00:33:12,040 --> 00:33:13,960
Speaker 1: Wait, is this a league or just like this the kids?

695
00:33:13,960 --> 00:33:16,479
Speaker 1: That's happened. It's halftime. This is just kids at halftime

696
00:33:16,520 --> 00:33:19,440
Speaker 1: of an NHL game. Yes, going to it. Now they're

697
00:33:19,440 --> 00:33:22,320
Speaker 1: starting to beat up their own teammates. They're swinging at anybody.

698
00:33:23,480 --> 00:33:24,760
Speaker 1: You've ever been in a party in the dark, fight

699
00:33:24,800 --> 00:33:26,680
Speaker 1: and you end up hitting your homeboy by accident, That's

700
00:33:26,680 --> 00:33:27,840
Speaker 1: what happened. He this is crazy.

701
00:33:27,880 --> 00:33:31,120
Speaker 2: Wait till the goalie comes from across. No, no, no,

702
00:33:31,160 --> 00:33:35,400
Speaker 2: there's another goalie. That's goalie number one. Goalie number two

703
00:33:35,440 --> 00:33:37,160
Speaker 2: comes in with a flying, fucking knee and ends the

704
00:33:37,160 --> 00:33:37,560
Speaker 2: old fight.

705
00:33:38,200 --> 00:33:40,720
Speaker 1: That's crazy. And how long is this? Josh?

706
00:33:41,160 --> 00:33:43,480
Speaker 2: This is the shorter version. That's fifty eight seconds. Not

707
00:33:43,560 --> 00:33:46,800
Speaker 2: a parent, not a ref. It's an arena full of adults.

708
00:33:46,960 --> 00:33:50,120
Speaker 2: I mean, well, this is hockey, right, It's just that's

709
00:33:50,160 --> 00:33:52,920
Speaker 2: the culture of hockey. You gotta fight, not even the NFL.

710
00:33:53,760 --> 00:33:57,440
Speaker 2: The NHL allows this for adults. Once you full and

711
00:33:57,440 --> 00:34:00,000
Speaker 2: now you're hitting your own teammates in the NHL, want.

712
00:33:59,880 --> 00:34:01,400
Speaker 1: You hit the floor that shit? The fight is over.

713
00:34:02,040 --> 00:34:05,120
Speaker 1: When somebody dropped my man at the bottom left just

714
00:34:05,160 --> 00:34:08,400
Speaker 1: gave up. No, I got to give it to these kids.

715
00:34:08,800 --> 00:34:11,160
Speaker 1: I like it though, Man, Yeah, I like that. I

716
00:34:11,280 --> 00:34:13,600
Speaker 1: like to see that in sports with kids. Man, show

717
00:34:13,640 --> 00:34:16,600
Speaker 1: a little toughness. No kid is out there crying, you

718
00:34:16,640 --> 00:34:17,879
Speaker 1: know what I mean? Like, yeah, we got to throw

719
00:34:17,880 --> 00:34:20,719
Speaker 1: hands a little bit. I like that protective gear on. Yeah,

720
00:34:20,760 --> 00:34:22,799
Speaker 1: you gotta clap for that. That's part of the game.

721
00:34:22,840 --> 00:34:23,879
Speaker 1: That's part of the sport. Man.

722
00:34:24,200 --> 00:34:26,480
Speaker 2: There's a couple of kids on the white team that

723
00:34:26,520 --> 00:34:28,799
Speaker 2: you see skate away. I don't want to hope they

724
00:34:28,880 --> 00:34:29,800
Speaker 2: review this footage.

725
00:34:30,040 --> 00:34:32,799
Speaker 1: Yeah, you're not on the team. Where he was at

726
00:34:33,120 --> 00:34:38,080
Speaker 1: when the niggas was on? Like, yeah, he was at man,

727
00:34:39,000 --> 00:34:40,759
Speaker 1: respect told me right there. He came and helped his man.

728
00:34:40,920 --> 00:34:43,880
Speaker 2: But wait till the blue goalie comes he throws josh

729
00:34:43,960 --> 00:34:45,440
Speaker 2: at the shorter.

730
00:34:45,520 --> 00:34:48,640
Speaker 1: No, but all seriously, where the rep's at is? I

731
00:34:48,680 --> 00:34:50,000
Speaker 1: see a mascot.

732
00:34:51,360 --> 00:34:54,440
Speaker 2: That goalie just went nuts. No, this goes on you

733
00:34:54,480 --> 00:34:55,800
Speaker 2: know how long? A three minute?

734
00:34:55,800 --> 00:34:58,279
Speaker 1: Fighters? Yeah, no, that's but yeah, we're the reps. The

735
00:34:58,280 --> 00:35:01,279
Speaker 1: refs didn't stop it. The coaches. No, that's what I'm saying.

736
00:35:01,320 --> 00:35:06,480
Speaker 2: Okay, where was the guys on the steel drums section

737
00:35:06,560 --> 00:35:07,920
Speaker 2: with WHI child was doing?

738
00:35:10,520 --> 00:35:11,360
Speaker 1: It would be fun to do.

739
00:35:11,480 --> 00:35:14,880
Speaker 2: Uh, like the way they do beer leagues for softball

740
00:35:14,920 --> 00:35:17,760
Speaker 2: and all that. I would like a like a hockey one,

741
00:35:18,360 --> 00:35:21,160
Speaker 2: not like super contact, but I think it would be fun.

742
00:35:21,760 --> 00:35:25,920
Speaker 1: Good luck with that not too serious hockey. Yeah, nah,

743
00:35:26,200 --> 00:35:27,800
Speaker 1: nobody want to see that ship. If you don't know

744
00:35:27,800 --> 00:35:29,440
Speaker 1: how to skate and really play hockey, don't don't go

745
00:35:29,440 --> 00:35:32,840
Speaker 1: out there. I can skate, yeah, but skating and playing

746
00:35:32,880 --> 00:35:33,560
Speaker 1: hockey too, I know.

747
00:35:33,560 --> 00:35:35,080
Speaker 2: But like I'm saying, like a beer lead the way

748
00:35:35,080 --> 00:35:38,279
Speaker 2: they do softball for like you're just there to knock

749
00:35:38,280 --> 00:35:39,880
Speaker 2: out an hour and get the blood flowing and then

750
00:35:39,920 --> 00:35:41,440
Speaker 2: you go to the bar after with your friends like.

751
00:35:41,400 --> 00:35:43,160
Speaker 1: That type of Yeah, that's peach type of ship. I

752
00:35:43,160 --> 00:35:45,319
Speaker 1: get it. That'd be fun. Roller hockey. Did you ever

753
00:35:45,320 --> 00:35:49,720
Speaker 1: play roller hockey? No? Never played hockey. Damn my life.

754
00:35:49,400 --> 00:35:52,239
Speaker 1: An Nah, we didn't. That didn't That didn't reach That

755
00:35:52,280 --> 00:35:54,279
Speaker 1: didn't reach my block because didn't play a little pond hot,

756
00:35:54,760 --> 00:35:57,040
Speaker 1: didn't reach the university. I didn't reach Questing, I promise

757
00:35:57,040 --> 00:35:59,400
Speaker 1: you I didn't reach Quested. No.

758
00:36:01,760 --> 00:36:03,600
Speaker 2: Well, what's that right there? It doesn't look like the

759
00:36:03,600 --> 00:36:07,759
Speaker 2: most powerful iPhone that's ever existed. That is not the

760
00:36:07,880 --> 00:36:12,000
Speaker 2: all new iPhone seventeen pro designing those powerful iPhone of

761
00:36:12,080 --> 00:36:14,279
Speaker 2: all time. But I know why you haven't gotten it

762
00:36:14,280 --> 00:36:17,240
Speaker 2: is because of traffic and the store and transferring data.

763
00:36:17,040 --> 00:36:18,160
Speaker 1: Will do good news.

764
00:36:18,440 --> 00:36:21,880
Speaker 2: Boost Mobile will send an expert to your home, to work,

765
00:36:22,320 --> 00:36:24,239
Speaker 2: or a coffee shop wherever you're at.

766
00:36:24,560 --> 00:36:26,000
Speaker 1: Just drop your location right to me.

767
00:36:26,120 --> 00:36:27,960
Speaker 2: Boost is going to be right there with with the

768
00:36:28,000 --> 00:36:31,200
Speaker 2: iPhone seventeen. Transfer everything, no hassle at all.

769
00:36:31,360 --> 00:36:33,759
Speaker 1: Visit boostsmobile dot com to get started. Delivery available for

770
00:36:33,800 --> 00:36:36,560
Speaker 1: select devices. Purchase at boost mobile dot com. Terms apply.

771
00:36:42,560 --> 00:36:44,080
Speaker 2: Well anyways, I don't know why we went on that

772
00:36:44,239 --> 00:36:47,320
Speaker 2: that hockey tangent, but let's get back to you pissing

773
00:36:47,360 --> 00:36:49,040
Speaker 2: everybody off because it wasn't.

774
00:36:49,000 --> 00:36:50,720
Speaker 1: Just to push job.

775
00:36:52,360 --> 00:36:54,880
Speaker 2: A lot of my friends called me over over the

776
00:36:54,920 --> 00:36:56,839
Speaker 2: weekend of a lot of minds too.

777
00:36:57,480 --> 00:36:59,719
Speaker 1: A lot of people hit me. Call your friends. I

778
00:36:59,800 --> 00:37:03,680
Speaker 1: call my friends and we can debate rap every week. Yeah,

779
00:37:03,680 --> 00:37:07,480
Speaker 1: we can debate this rap. Let's do it.

780
00:37:07,480 --> 00:37:10,320
Speaker 2: It felt like last year all over again for some reason,

781
00:37:10,520 --> 00:37:12,520
Speaker 2: like Yo, I'm all really believe this. I'm like, guys,

782
00:37:12,560 --> 00:37:15,040
Speaker 2: I don't know, call him you want his number?

783
00:37:15,080 --> 00:37:17,160
Speaker 1: Here it is Yeah, they called me, man, I'm always

784
00:37:17,160 --> 00:37:17,759
Speaker 1: willing to talk.

785
00:37:17,880 --> 00:37:19,680
Speaker 2: A lot of people hit me about your Andre three

786
00:37:19,680 --> 00:37:21,920
Speaker 2: thousand take that when viral?

787
00:37:22,160 --> 00:37:24,080
Speaker 1: What's the number to be called viral? At this point?

788
00:37:24,120 --> 00:37:26,200
Speaker 1: Who knows a lot of people were adding it.

789
00:37:26,239 --> 00:37:29,279
Speaker 2: I guess yes, which is kind of funny because I

790
00:37:29,280 --> 00:37:33,520
Speaker 2: think this goes back to our Drake Kendrick post battle

791
00:37:33,680 --> 00:37:37,719
Speaker 2: New rat Fan situation, because while I don't agree with

792
00:37:37,760 --> 00:37:39,920
Speaker 2: your take with Andre three thousand, and we debated it.

793
00:37:41,160 --> 00:37:43,800
Speaker 2: That's not a crazy take. You're not the first person

794
00:37:44,000 --> 00:37:46,799
Speaker 2: to say that, that's not the wildest. That has been

795
00:37:46,840 --> 00:37:47,799
Speaker 2: a take for twenty years.

796
00:37:47,840 --> 00:37:49,080
Speaker 1: I never asked you this. Do you have him in

797
00:37:49,120 --> 00:37:53,440
Speaker 1: your top five? No? Okay, maybe my top ten? I'd

798
00:37:53,480 --> 00:37:55,440
Speaker 1: have to yeah, maybe my top ten. He's not my

799
00:37:55,480 --> 00:37:58,320
Speaker 1: top five? Do you know how small five is? I

800
00:37:58,360 --> 00:37:59,960
Speaker 1: think a lot of people just have the conversation.

801
00:38:00,120 --> 00:38:01,560
Speaker 2: But again, while I disagree with you, I think a

802
00:38:01,560 --> 00:38:03,319
Speaker 2: lot of people that were replying to you don't have

803
00:38:03,440 --> 00:38:04,279
Speaker 2: him in their top five.

804
00:38:04,760 --> 00:38:06,640
Speaker 1: Let's I'm here to have the conversation.

805
00:38:07,719 --> 00:38:10,799
Speaker 2: Reiterate because I hate We used to blame page, but

806
00:38:10,840 --> 00:38:13,200
Speaker 2: now I can't even blame page because Peage gets the

807
00:38:13,200 --> 00:38:15,239
Speaker 2: full points in there. I just think now I need

808
00:38:15,280 --> 00:38:17,919
Speaker 2: to blame Trey because I don't even know if people

809
00:38:17,960 --> 00:38:21,560
Speaker 2: are watching the clips or just reading the caption, and

810
00:38:21,600 --> 00:38:24,439
Speaker 2: they know if they comment to go against it, they'll

811
00:38:24,440 --> 00:38:28,480
Speaker 2: get their traction. And the waterfall of Elon Musk just continues.

812
00:38:29,120 --> 00:38:32,320
Speaker 2: But I don't think it's a crazy take to say

813
00:38:32,680 --> 00:38:35,520
Speaker 2: three Stacks is not in my top five because he

814
00:38:35,560 --> 00:38:39,120
Speaker 2: does not have a solo rap project for everyone. My god,

815
00:38:39,320 --> 00:38:42,319
Speaker 2: I was losing brain cells watching people try to tell

816
00:38:42,400 --> 00:38:44,880
Speaker 2: us that The Love Below is a solo rap album

817
00:38:45,760 --> 00:38:48,399
Speaker 2: like lose It, and they were saying it with I mean,

818
00:38:48,440 --> 00:38:50,399
Speaker 2: it's it's Twitter, so you can't really tell their tone,

819
00:38:50,480 --> 00:38:54,120
Speaker 2: but I can read like smug arrogant shit on Twitter.

820
00:38:54,280 --> 00:38:57,160
Speaker 2: How they come across just the smugness of like will

821
00:38:57,360 --> 00:39:00,040
Speaker 2: the Love Below is a solo rap album where.

822
00:39:02,440 --> 00:39:05,160
Speaker 1: And I thought I thought I was baser one rap.

823
00:39:05,000 --> 00:39:09,520
Speaker 2: Song on that entire twenty two track outcast album.

824
00:39:10,160 --> 00:39:14,600
Speaker 1: I thought that I was being very fair and saying

825
00:39:14,600 --> 00:39:18,040
Speaker 1: that three thousand is definitely a legend. He's one of

826
00:39:18,080 --> 00:39:20,719
Speaker 1: the greatest rappers, one of my favorite rappers of all time.

827
00:39:20,800 --> 00:39:24,200
Speaker 1: I just couldnot no longer have them, and my personal

828
00:39:24,920 --> 00:39:27,200
Speaker 1: personal is the key word. Person on top of needs

829
00:39:27,239 --> 00:39:30,520
Speaker 1: to be everyone else's stuff. But it's just I've had listen,

830
00:39:30,560 --> 00:39:33,640
Speaker 1: I've had these conversations with so many people, whether there's

831
00:39:34,120 --> 00:39:36,840
Speaker 1: other artists, whether it's just people from different parts of

832
00:39:36,840 --> 00:39:40,320
Speaker 1: the country. You would be amazed, well you actually noticed,

833
00:39:40,320 --> 00:39:45,280
Speaker 1: but so many people from Atlanta, like the city of Atlanta,

834
00:39:45,320 --> 00:39:47,879
Speaker 1: do not have three thousand in their top five more

835
00:39:47,880 --> 00:39:50,880
Speaker 1: people in that from Atlanta today. You would hit them

836
00:39:50,880 --> 00:39:54,080
Speaker 1: say future. You would hear them say little Baby. You

837
00:39:54,080 --> 00:39:56,960
Speaker 1: would hit them say Thug. You would hear them say Gucci.

838
00:39:57,440 --> 00:40:00,279
Speaker 1: You would Because I've had this conversation, I'm like, y'all

839
00:40:00,320 --> 00:40:02,560
Speaker 1: don't listen to they like, we don't listen to three

840
00:40:02,560 --> 00:40:05,560
Speaker 1: thousands like that, Like he's not as revered in Atlanta

841
00:40:05,600 --> 00:40:09,480
Speaker 1: as people from other states or cities view. And I'm like, really,

842
00:40:10,040 --> 00:40:12,160
Speaker 1: I've literally had you were there for some of them.

843
00:40:12,160 --> 00:40:15,600
Speaker 1: I've had these conversations and I'm like, yo, y'all look crazy,

844
00:40:15,680 --> 00:40:18,120
Speaker 1: Like I could see his influence in a bunch of

845
00:40:18,160 --> 00:40:21,040
Speaker 1: these artists from Atlanta. Hell yeah, so he's influencing Thug.

846
00:40:21,200 --> 00:40:23,799
Speaker 1: So for people to take what I said and feel like,

847
00:40:23,880 --> 00:40:28,360
Speaker 1: you know, I'm discrediting Andre or I'm not qualified to

848
00:40:28,400 --> 00:40:30,759
Speaker 1: say what I'm saying I didn't know I had to

849
00:40:30,800 --> 00:40:35,120
Speaker 1: be qualified to have a personal favorite top five rappers

850
00:40:35,120 --> 00:40:38,440
Speaker 1: of all time. And I challenge anybody that feels like

851
00:40:38,440 --> 00:40:41,920
Speaker 1: I'm wrong with saying that. Show me Andre three thousand's juicy,

852
00:40:42,560 --> 00:40:46,359
Speaker 1: show me his one mic, show me his you know,

853
00:40:46,480 --> 00:40:50,719
Speaker 1: all of the his, his, his, lose yourself. He has

854
00:40:50,800 --> 00:40:53,760
Speaker 1: those records. But no, no, no, no, no, no, I'm talking about

855
00:40:53,920 --> 00:41:00,480
Speaker 1: solo rap classic songs. I'm talking about the ones are

856
00:41:00,680 --> 00:41:05,240
Speaker 1: undeniable rap classic solo songs. I'm not He has classic verses,

857
00:41:06,080 --> 00:41:09,960
Speaker 1: has amazing songs with other artists, outcasts, whether it be

858
00:41:10,000 --> 00:41:13,080
Speaker 1: you know, Dungeon family, whoever. Dred two thousand is a goat.

859
00:41:13,920 --> 00:41:15,880
Speaker 1: We'll never take that away. I'm just saying I can't

860
00:41:15,880 --> 00:41:18,600
Speaker 1: have him in my personal top five because when you

861
00:41:18,640 --> 00:41:22,480
Speaker 1: think about it, it's like, where is the solo classic

862
00:41:23,040 --> 00:41:26,400
Speaker 1: and it's not there. Not saying he doesn't have classic verses,

863
00:41:26,960 --> 00:41:29,600
Speaker 1: not saying that he's not on classic songs, not saying

864
00:41:29,600 --> 00:41:34,200
Speaker 1: he doesn't have classic albums. I'm talking about solo by himself.

865
00:41:34,840 --> 00:41:39,760
Speaker 1: Where are they? And this is where we differ post

866
00:41:39,800 --> 00:41:43,760
Speaker 1: that debate and just seeing all the controversy it caused,

867
00:41:43,960 --> 00:41:47,960
Speaker 1: where we differ on that is that's not as important

868
00:41:48,000 --> 00:41:50,520
Speaker 1: to me as it is to you. I think it's

869
00:41:50,520 --> 00:41:51,000
Speaker 1: not as.

870
00:41:50,840 --> 00:41:54,560
Speaker 2: Important that there isn't the solo album there. His output

871
00:41:54,560 --> 00:41:58,080
Speaker 2: of verses gives me enough as a rap fan to

872
00:41:58,200 --> 00:42:01,279
Speaker 2: put him in a top ten personally for me or

873
00:42:01,360 --> 00:42:05,520
Speaker 2: top fifteen. Taking that away from him, that's not a

874
00:42:05,600 --> 00:42:10,840
Speaker 2: huge like check for me based off for other artists. Sure,

875
00:42:10,920 --> 00:42:13,960
Speaker 2: but other artists don't have the output that three thousand

876
00:42:14,080 --> 00:42:18,240
Speaker 2: had with four back to back classic rap albums without

877
00:42:18,239 --> 00:42:20,759
Speaker 2: casts like So that's where I just don't there are

878
00:42:20,800 --> 00:42:24,440
Speaker 2: some artists that, yeah, you would need some more based

879
00:42:24,719 --> 00:42:26,840
Speaker 2: off your output, even with your skill level to be

880
00:42:26,880 --> 00:42:29,080
Speaker 2: there if you're in a group, I agree this Three

881
00:42:29,120 --> 00:42:30,840
Speaker 2: Sacks of Me just has done enough for me to

882
00:42:30,880 --> 00:42:31,359
Speaker 2: feel that way.

883
00:42:31,400 --> 00:42:34,320
Speaker 1: I'll ask you this, if Biggie the rest is Soul

884
00:42:34,719 --> 00:42:36,960
Speaker 1: was just a part of Junior Mafia his entire career,

885
00:42:37,480 --> 00:42:41,200
Speaker 1: with anybody there, we only get to get like, I'm

886
00:42:41,200 --> 00:42:43,319
Speaker 1: gonna ask you the question again, is Junior Mafia putting

887
00:42:43,320 --> 00:42:47,120
Speaker 1: out a QUEMENI I'm going to yes, they did, Yes,

888
00:42:47,280 --> 00:42:51,040
Speaker 1: and the big is rapping three sacks versus I would say, Wow,

889
00:42:51,040 --> 00:42:54,000
Speaker 1: this guy's incredible. Would you have them top five, Maybe

890
00:42:54,520 --> 00:42:58,360
Speaker 1: you don't have three thousand top five. I mean, I

891
00:42:58,400 --> 00:43:00,319
Speaker 1: don't know what the counterpoint. I mean, I think Big

892
00:43:00,320 --> 00:43:03,120
Speaker 1: Boys a little better than C's, So I don't know

893
00:43:03,280 --> 00:43:06,080
Speaker 1: that would work. Would you? Would you have if jay

894
00:43:06,160 --> 00:43:08,360
Speaker 1: Z was in a group its entire career? Weird have you?

895
00:43:08,360 --> 00:43:10,040
Speaker 1: But I don't know how to answer that hypothetical. But

896
00:43:10,080 --> 00:43:13,839
Speaker 1: why not? Because what we're talking about, because we're talking

897
00:43:13,840 --> 00:43:17,359
Speaker 1: about an incredible rapper, incredible artist. So just doesn't say

898
00:43:17,480 --> 00:43:19,080
Speaker 1: solo albums.

899
00:43:18,920 --> 00:43:22,879
Speaker 2: Jay Z's thirteen projects where there's the way they were,

900
00:43:23,160 --> 00:43:26,200
Speaker 2: but also there was another verse on every song.

901
00:43:26,040 --> 00:43:29,000
Speaker 1: That was another rapper. No it is non't changes, no

902
00:43:29,040 --> 00:43:29,640
Speaker 1: solo album.

903
00:43:29,680 --> 00:43:31,680
Speaker 2: I know I'm saying jay Z's in a duo and

904
00:43:31,719 --> 00:43:34,360
Speaker 2: we have the same catalog with the same jay Z verses,

905
00:43:34,360 --> 00:43:36,080
Speaker 2: but now there's just an extra verse from his Will

906
00:43:36,120 --> 00:43:37,160
Speaker 2: you have him as ta Fi?

907
00:43:37,320 --> 00:43:37,520
Speaker 1: Yes?

908
00:43:37,560 --> 00:43:39,879
Speaker 2: Because everything that he said in all those verses, all

909
00:43:39,880 --> 00:43:41,400
Speaker 2: those songs is fucking incredible.

910
00:43:41,400 --> 00:43:42,800
Speaker 1: I don't care if you add an extra verse. I

911
00:43:42,800 --> 00:43:45,480
Speaker 1: don't believe you. If if I don't believe you, If

912
00:43:45,920 --> 00:43:48,120
Speaker 1: Sauce money this is not like a slider, I don't

913
00:43:48,120 --> 00:43:50,759
Speaker 1: believe you, Sauce is an incredible rapper. I don't believe you,

914
00:43:50,840 --> 00:43:54,360
Speaker 1: but if if reasonable doubt Volume one, everything is exactly

915
00:43:54,400 --> 00:43:55,480
Speaker 1: the same. I don't believe you.

916
00:43:55,640 --> 00:43:58,600
Speaker 2: Same songs, same verses from total everything. But you're adding

917
00:43:58,640 --> 00:44:01,680
Speaker 2: a sauce money verse to every every single song. I'm sorry,

918
00:44:01,760 --> 00:44:04,000
Speaker 2: jay Z is still a goat to me. That's not

919
00:44:04,040 --> 00:44:04,680
Speaker 2: what I'm saying.

920
00:44:04,800 --> 00:44:08,239
Speaker 1: Three thousand is still a gooey saying would you have

921
00:44:08,280 --> 00:44:10,640
Speaker 1: him in your top five? It's the would you have

922
00:44:10,719 --> 00:44:12,759
Speaker 1: him in your top five? Yes? No, you would not.

923
00:44:13,560 --> 00:44:16,560
Speaker 1: Everything's the same, you would not not. The hustle is

924
00:44:16,600 --> 00:44:18,520
Speaker 1: the same versus we just add a sauce money one

925
00:44:18,560 --> 00:44:21,359
Speaker 1: At the end, bro, listen, Beyonce is Beyonce Beyonce. If

926
00:44:21,360 --> 00:44:24,600
Speaker 1: she never leaves Destiny's Child, was she queen? That's that's

927
00:44:24,640 --> 00:44:27,439
Speaker 1: such a hard arguments. She was part of a group

928
00:44:27,480 --> 00:44:30,320
Speaker 1: that she went solo and became who she is. Okay,

929
00:44:31,560 --> 00:44:34,240
Speaker 1: so she's now revered as the greatest of all time?

930
00:44:34,680 --> 00:44:38,560
Speaker 2: Is Destiny's Child gonna continue to make more albums instead

931
00:44:38,560 --> 00:44:39,400
Speaker 2: of be going solo?

932
00:44:39,480 --> 00:44:39,560
Speaker 1: Like?

933
00:44:39,640 --> 00:44:42,200
Speaker 2: Are you just saying I only get this Destiny's Child

934
00:44:42,239 --> 00:44:44,240
Speaker 2: album to make that case? And then Beyonce retires?

935
00:44:44,280 --> 00:44:47,799
Speaker 1: I'm saying you only get Destiny's Child's discography, but they

936
00:44:47,800 --> 00:44:50,440
Speaker 1: would have kept making music at Beyonce not went solo.

937
00:44:50,880 --> 00:44:54,720
Speaker 1: So I don't know. Maybe maybe maybe you get Beyonce,

938
00:44:54,920 --> 00:44:57,879
Speaker 1: you only get Beyonce with Destiny's Child. Is she still

939
00:44:57,920 --> 00:45:05,840
Speaker 1: revered as the artist, the performer, the entertainer as she is? No,

940
00:45:06,040 --> 00:45:07,880
Speaker 1: because in those.

941
00:45:09,440 --> 00:45:12,000
Speaker 2: Those Destiny Chills days after they broke up, with the

942
00:45:12,000 --> 00:45:13,880
Speaker 2: five of them to three of them, it was pretty

943
00:45:13,880 --> 00:45:18,200
Speaker 2: fucking balanced until you get Survivor. Yes, Beyonce may have

944
00:45:18,239 --> 00:45:21,920
Speaker 2: been the forward facing star of the three, but they

945
00:45:22,000 --> 00:45:25,279
Speaker 2: balanced out those records pretty fucking well Michelle and Kelly.

946
00:45:25,600 --> 00:45:28,040
Speaker 2: So it's tough because how they were doing that group Like,

947
00:45:28,880 --> 00:45:30,920
Speaker 2: I'm not dancing around question. Your question is just tough

948
00:45:30,960 --> 00:45:33,400
Speaker 2: to answer because something's so hypothetical.

949
00:45:35,120 --> 00:45:39,840
Speaker 1: Okay, listen, if Big, if Big doesn't die and puts

950
00:45:39,880 --> 00:45:42,600
Speaker 1: out seven dog shit albums after life after death, we're

951
00:45:42,600 --> 00:45:44,799
Speaker 1: having a different biggie conversation. We can't have that because

952
00:45:44,800 --> 00:45:48,640
Speaker 1: he passed away, and that's a hypothetical. It's unfair. A

953
00:45:48,640 --> 00:45:54,160
Speaker 1: conversation of somebody being in a group extremely talented but

954
00:45:54,280 --> 00:45:54,800
Speaker 1: not having.

955
00:45:55,040 --> 00:45:56,640
Speaker 2: The line stays in Leaders of the New School, No,

956
00:45:56,719 --> 00:45:59,160
Speaker 2: I don't look at him as the same buster, of course,

957
00:45:59,239 --> 00:46:01,520
Speaker 2: not because I saw what happened.

958
00:46:02,600 --> 00:46:07,239
Speaker 1: He became a great solo actor. PG. I feel like

959
00:46:07,239 --> 00:46:08,319
Speaker 1: you're on my side. It's okay.

960
00:46:08,600 --> 00:46:11,520
Speaker 2: I just don't understand. Can someone maybe explain the question

961
00:46:11,920 --> 00:46:12,759
Speaker 2: a bit differently to me?

962
00:46:12,800 --> 00:46:14,719
Speaker 1: I know I explained it to you. You said what

963
00:46:14,800 --> 00:46:21,640
Speaker 1: you said doesn't be out. I mean, if he would

964
00:46:22,239 --> 00:46:26,799
Speaker 1: him top five everything, Rory just doing Rory doing what

965
00:46:26,880 --> 00:46:29,360
Speaker 1: Rory dude, just trying to be this like you know

966
00:46:29,480 --> 00:46:31,560
Speaker 1: exactly what I'm saying, Bro, you would not have You're

967
00:46:31,600 --> 00:46:33,800
Speaker 1: making up a hypothetic. No, of course I'm making a

968
00:46:35,360 --> 00:46:36,040
Speaker 1: I do do that a lot.

969
00:46:36,080 --> 00:46:37,880
Speaker 2: I'm not doing that this time because I don't understand

970
00:46:37,920 --> 00:46:41,680
Speaker 2: the question if if Biggie doesn't put out Ready to

971
00:46:41,719 --> 00:46:43,759
Speaker 2: Die or Life after Death and he is just part

972
00:46:43,800 --> 00:46:45,600
Speaker 2: of this Fulton crew of Little Sea's, Little.

973
00:46:45,440 --> 00:46:50,440
Speaker 1: Kim and big I don't know. I don't know what

974
00:46:50,560 --> 00:46:55,480
Speaker 1: I don't know. No, don't, he's just doing this thing

975
00:46:55,480 --> 00:46:58,160
Speaker 1: that he likes it. No, don't, don't. Don't worry about him.

976
00:46:58,280 --> 00:47:00,759
Speaker 1: It fucking he's just doing the ship life Never leave

977
00:47:00,800 --> 00:47:03,680
Speaker 1: one hundred and ninety second Street. I don't okay, No,

978
00:47:03,719 --> 00:47:08,239
Speaker 1: they're not the greatest. I don't know. Hey, listen, my

979
00:47:08,320 --> 00:47:11,919
Speaker 1: point still stands. Three thousand is an incredible MC, incredible rap,

980
00:47:11,960 --> 00:47:14,200
Speaker 1: incredible artists. He's all of those things. I would never

981
00:47:14,520 --> 00:47:16,319
Speaker 1: I'm never trying to take that away from them, And

982
00:47:16,320 --> 00:47:18,319
Speaker 1: I thought I was very clear and what I was saying,

983
00:47:18,360 --> 00:47:21,040
Speaker 1: I'm just saying in my personal top five, you cannot

984
00:47:21,080 --> 00:47:24,239
Speaker 1: be there if you don't have a solo album, you

985
00:47:24,239 --> 00:47:28,760
Speaker 1: don't have any solo work, Like it's unfair to guys

986
00:47:28,800 --> 00:47:31,080
Speaker 1: that you know have so many solo albums and they

987
00:47:31,080 --> 00:47:35,919
Speaker 1: have transcended fucking generations in decades, Like should I could?

988
00:47:35,920 --> 00:47:39,280
Speaker 1: I probably should put llll there before on three two thousand,

989
00:47:39,320 --> 00:47:44,560
Speaker 1: if we're being honest, first rap star transmitted with three

990
00:47:44,680 --> 00:47:46,440
Speaker 1: four decades since the eighties.

991
00:47:47,440 --> 00:47:50,000
Speaker 2: Oh, you're putting together a top ten, not a person

992
00:47:50,040 --> 00:47:53,200
Speaker 2: on just the top ten. Elo cool Jas is in

993
00:47:53,239 --> 00:47:55,200
Speaker 2: the top ten of the fifty years we've had for

994
00:47:55,480 --> 00:47:56,160
Speaker 2: So that's what I'm saying.

995
00:47:56,200 --> 00:47:58,880
Speaker 1: So we were talking about like favorites, but this is

996
00:47:58,880 --> 00:48:00,520
Speaker 1: what I'm just saying. I'm just saying that it's not

997
00:48:00,719 --> 00:48:03,279
Speaker 1: fair to other MC's of the artists, other rappers that

998
00:48:03,360 --> 00:48:08,279
Speaker 1: have solo albums solo albums, solo albums and not have

999
00:48:08,480 --> 00:48:11,400
Speaker 1: them near when it's like three thousand, it's incredible. But

1000
00:48:12,239 --> 00:48:12,959
Speaker 1: he's in a group.

1001
00:48:13,200 --> 00:48:16,359
Speaker 2: I think what what made the internet upset, which which

1002
00:48:16,400 --> 00:48:18,520
Speaker 2: is again we're not going to take any accountability. We

1003
00:48:18,520 --> 00:48:20,239
Speaker 2: put it on page. We can't do that anymore. So

1004
00:48:20,280 --> 00:48:23,440
Speaker 2: now it's trife for sure. I think the word overrated

1005
00:48:23,600 --> 00:48:27,120
Speaker 2: is what sent people off. Your point. I understand your point.

1006
00:48:27,280 --> 00:48:30,600
Speaker 2: I totally get it. We can debate the point. It's

1007
00:48:30,640 --> 00:48:33,080
Speaker 2: not a point that other people haven't made either. I

1008
00:48:33,120 --> 00:48:37,520
Speaker 2: think everyone just reacted to the word overrated. But there's

1009
00:48:37,560 --> 00:48:39,920
Speaker 2: no world where one hundred and two thousand is overrated.

1010
00:48:40,360 --> 00:48:44,000
Speaker 1: Like if you have him in your top five, that's

1011
00:48:44,000 --> 00:48:48,600
Speaker 1: overrating them. Okay, I mean that's subjective to me. To me,

1012
00:48:50,640 --> 00:48:53,600
Speaker 1: that's if you need so you need solo albums. As

1013
00:48:53,600 --> 00:48:56,080
Speaker 1: an MC, you need solo albums. It is what it

1014
00:48:56,160 --> 00:48:58,279
Speaker 1: is like. But that's not a knock on him. That's

1015
00:48:58,280 --> 00:49:00,520
Speaker 1: not I'm not saying he can't do it. He just

1016
00:49:00,560 --> 00:49:05,000
Speaker 1: didn't do it for whatever reason. That's his creative, you know, decision.

1017
00:49:05,239 --> 00:49:07,040
Speaker 1: I'm just saying, if I'm looking at all of the

1018
00:49:07,040 --> 00:49:10,280
Speaker 1: other rappers and mcs that are in my top twenty.

1019
00:49:10,440 --> 00:49:12,960
Speaker 1: All of them have solo albums. Yeah, you can't be

1020
00:49:13,040 --> 00:49:15,239
Speaker 1: the only one that doesn't have a solo album and

1021
00:49:15,360 --> 00:49:17,799
Speaker 1: you're in top five, Like it's no, no, come on, man,

1022
00:49:17,920 --> 00:49:21,080
Speaker 1: that's unfair. You know, ninth Wonder has some very interesting

1023
00:49:21,120 --> 00:49:22,600
Speaker 1: things to say. I'm not saying it was about me,

1024
00:49:23,840 --> 00:49:27,080
Speaker 1: my brother and as. He just had some very expressive

1025
00:49:27,160 --> 00:49:29,800
Speaker 1: things that he wanted to get off his chest about

1026
00:49:29,840 --> 00:49:33,680
Speaker 1: the three thousand take. And you know, I've read what

1027
00:49:33,760 --> 00:49:36,040
Speaker 1: Knife said, and I respect ninth and he's I think

1028
00:49:36,040 --> 00:49:39,359
Speaker 1: he's incredibly talented. So he's somebody who I would look

1029
00:49:39,400 --> 00:49:41,680
Speaker 1: at and listen to what they have to say and

1030
00:49:41,880 --> 00:49:44,440
Speaker 1: take some you know, I would take something from that

1031
00:49:44,480 --> 00:49:47,759
Speaker 1: because I respect his opinion. But yeah, I mean it's

1032
00:49:47,800 --> 00:49:50,120
Speaker 1: just my personal opinion. No disrespect to Andrew. But like

1033
00:49:50,160 --> 00:49:53,080
Speaker 1: I said, you have this conversation in Atlanta. A lot

1034
00:49:53,080 --> 00:49:54,959
Speaker 1: of these a lot of cats in Atlanta don't even

1035
00:49:55,120 --> 00:49:56,920
Speaker 1: rever Andrew to say. So when people say, oh, your

1036
00:49:56,920 --> 00:50:00,320
Speaker 1: regional biases, I'm from New York City. The fact that

1037
00:50:00,360 --> 00:50:02,640
Speaker 1: I would even have Andre two thousand in that conversation

1038
00:50:02,880 --> 00:50:04,960
Speaker 1: means I'm not being biased. I don't think there's plenty

1039
00:50:04,960 --> 00:50:07,279
Speaker 1: of other New York mcs. I could have put there

1040
00:50:07,640 --> 00:50:10,279
Speaker 1: in my top five, just if I'm being biased, but

1041
00:50:10,360 --> 00:50:13,719
Speaker 1: the fact that I recognized with Outcast, because we're not

1042
00:50:13,760 --> 00:50:16,200
Speaker 1: going to just say Andre with Outcast did for the

1043
00:50:16,200 --> 00:50:18,800
Speaker 1: culture and the music that they gave us, especially somebody

1044
00:50:18,840 --> 00:50:22,560
Speaker 1: like me. That's why Andre was in that conversation. But

1045
00:50:23,160 --> 00:50:26,040
Speaker 1: it's not a regional bias, like I'm not biased because

1046
00:50:26,080 --> 00:50:27,799
Speaker 1: I'm from New York and I just want to I'm

1047
00:50:27,840 --> 00:50:31,000
Speaker 1: not knocking Aundre, but again, you go to Atlanta. The

1048
00:50:31,040 --> 00:50:34,279
Speaker 1: disrespect that I've personally had conversations and the things that

1049
00:50:34,320 --> 00:50:36,799
Speaker 1: I've heard, or or the kind of like the knock

1050
00:50:36,840 --> 00:50:40,120
Speaker 1: that they give Andre in Atlanta. We're in the city

1051
00:50:40,160 --> 00:50:42,600
Speaker 1: that he's from, and I'm looking at the I'm arguing

1052
00:50:42,640 --> 00:50:44,000
Speaker 1: for Andre in Atlanta.

1053
00:50:44,080 --> 00:50:46,120
Speaker 2: I can co sign several times when I'm not even

1054
00:50:46,200 --> 00:50:49,040
Speaker 2: then with you in studios, I've been the only person

1055
00:50:49,080 --> 00:50:51,520
Speaker 2: defending Andrexie thousands Yes, within a bunch of kids that

1056
00:50:51,520 --> 00:50:53,000
Speaker 2: were born and raised in Atlanta.

1057
00:50:53,080 --> 00:50:56,799
Speaker 1: So it's not I'm not being biased, just personally. You

1058
00:50:56,840 --> 00:50:59,400
Speaker 1: don't have any solo albums, so.

1059
00:50:59,520 --> 00:51:02,160
Speaker 2: This was I didn't see all the ninth tweets he

1060
00:51:02,280 --> 00:51:05,360
Speaker 2: was suggesting that there was oh yeah, NC bias.

1061
00:51:05,480 --> 00:51:08,279
Speaker 1: Nith was saying, we need to take the microphones away. Well,

1062
00:51:08,320 --> 00:51:10,880
Speaker 1: I don't think he was specifically Rosenberg said that I

1063
00:51:10,920 --> 00:51:13,839
Speaker 1: need to take a week off. I'm just like, God,

1064
00:51:13,920 --> 00:51:18,279
Speaker 1: damn for my personal top five shit. I mean, if

1065
00:51:18,280 --> 00:51:20,440
Speaker 1: that's if I was being real, if I was being biased,

1066
00:51:20,560 --> 00:51:23,880
Speaker 1: I could have had Nikki in my top five. What's funny?

1067
00:51:24,480 --> 00:51:27,399
Speaker 2: But the top five part, when you sit and think

1068
00:51:27,400 --> 00:51:31,000
Speaker 2: about it, I think i'd want to ask Ninth and

1069
00:51:31,160 --> 00:51:33,440
Speaker 2: Pete it's three stacks in their top five and then

1070
00:51:33,520 --> 00:51:37,680
Speaker 2: naming your top five is five a small small.

1071
00:51:37,440 --> 00:51:39,520
Speaker 1: You know how many rappers, but how many rappers have

1072
00:51:39,560 --> 00:51:42,520
Speaker 1: come through the culture, fifty years of hip hop? Top five?

1073
00:51:43,600 --> 00:51:45,319
Speaker 1: I don't think it's disrespectful. Someone's like, y'all, I got

1074
00:51:45,320 --> 00:51:47,960
Speaker 1: three stacks at twelve. I wouldn't think that's a diss

1075
00:51:48,000 --> 00:51:50,560
Speaker 1: at all. It's not. So that's what I'm saying. I

1076
00:51:50,600 --> 00:51:53,200
Speaker 1: wasn't and I think for the most because again, I

1077
00:51:53,239 --> 00:51:55,480
Speaker 1: got a lot of phone calls and text messages and

1078
00:51:55,600 --> 00:51:58,960
Speaker 1: dms from some of your favorite rappers, artists, producers where

1079
00:51:59,000 --> 00:52:01,480
Speaker 1: they were agree with me. Yeah, they were saying, yo,

1080
00:52:01,520 --> 00:52:04,000
Speaker 1: you're right, you gotta have that solo work. You have to.

1081
00:52:04,360 --> 00:52:05,920
Speaker 1: But it's not They understood what I was saying. I'm

1082
00:52:05,960 --> 00:52:08,480
Speaker 1: not knocking his skill set. That would be fucking crazy

1083
00:52:08,520 --> 00:52:10,799
Speaker 1: for me to knock two thousand skill set. Like he's

1084
00:52:10,800 --> 00:52:13,960
Speaker 1: a fucking a legend in every sense of the word.

1085
00:52:14,040 --> 00:52:16,919
Speaker 1: He's one of the most creative, you know, people we've

1086
00:52:16,920 --> 00:52:21,080
Speaker 1: had in our culture. But without that solo work, there's

1087
00:52:21,120 --> 00:52:23,719
Speaker 1: too many other artists that we can fight for, and

1088
00:52:23,760 --> 00:52:25,320
Speaker 1: they have plenty of solo albums.

1089
00:52:25,360 --> 00:52:30,320
Speaker 2: I wouldn't I'd be lying if I said regency bias

1090
00:52:30,360 --> 00:52:33,799
Speaker 2: does not exist, but I don't think it exists in

1091
00:52:33,840 --> 00:52:37,240
Speaker 2: a negative way whatsoever. Like if I hear a rapper

1092
00:52:37,640 --> 00:52:39,960
Speaker 2: and I ask yo where they're from. If they're from

1093
00:52:40,040 --> 00:52:41,799
Speaker 2: New York, am I going to be happy about that

1094
00:52:41,840 --> 00:52:45,319
Speaker 2: and be like, Yeah, of course, I probably like more

1095
00:52:45,320 --> 00:52:49,319
Speaker 2: New York rappers based off where I was from, grew up.

1096
00:52:49,239 --> 00:52:50,160
Speaker 1: Listen to that type of music.

1097
00:52:50,200 --> 00:52:53,000
Speaker 2: I probably have more of an affinity for kiss than

1098
00:52:53,040 --> 00:52:56,560
Speaker 2: maybe somebody in the Midwest or the South. I get that.

1099
00:52:56,560 --> 00:52:59,520
Speaker 2: That's in a positive light. I've never heard someone and

1100
00:52:59,560 --> 00:53:02,200
Speaker 2: then they say that, oh nah, they're from Chicago, and

1101
00:53:02,239 --> 00:53:03,760
Speaker 2: I went, I don't like them anymore.

1102
00:53:03,840 --> 00:53:06,200
Speaker 1: Yeah, yeah, yeah, it doesn't make sense.

1103
00:53:06,239 --> 00:53:09,960
Speaker 2: That's never Yes, there is a bias no matter what.

1104
00:53:10,840 --> 00:53:13,279
Speaker 2: By proxy, wherever you grow up, you're probably gonna like

1105
00:53:13,320 --> 00:53:15,400
Speaker 2: that music more because it's right there. You're gonna be

1106
00:53:15,400 --> 00:53:18,719
Speaker 2: excited to champion the people that have the same experiences

1107
00:53:18,760 --> 00:53:20,560
Speaker 2: as you in the same neighborhoods that you grew up in.

1108
00:53:20,640 --> 00:53:23,239
Speaker 2: You can identify with them more. Yes, that adds in

1109
00:53:23,360 --> 00:53:26,280
Speaker 2: a piece to it. But I've never heard a rapper

1110
00:53:26,280 --> 00:53:29,399
Speaker 2: that I liked and they said, nah, he's from Gwennett County, Like.

1111
00:53:29,400 --> 00:53:34,800
Speaker 1: Oh, yeah, I would never hateng in the top ten. Yeah.

1112
00:53:35,000 --> 00:53:37,239
Speaker 1: And the thing about the top five is, you know,

1113
00:53:37,360 --> 00:53:39,920
Speaker 1: they say we're originally biased, there's really only two slots

1114
00:53:39,920 --> 00:53:42,520
Speaker 1: that because I think I think for the most part,

1115
00:53:42,880 --> 00:53:46,200
Speaker 1: most of us in the culture, guys like Ninth, Pete

1116
00:53:46,440 --> 00:53:48,320
Speaker 1: and you know guys that have you know, been around

1117
00:53:48,360 --> 00:53:51,160
Speaker 1: or in music or created music. I think we all

1118
00:53:51,200 --> 00:53:54,400
Speaker 1: have j Big and Nas. I think that's three that

1119
00:53:54,480 --> 00:53:57,200
Speaker 1: I think I could safely say I think Ninth and

1120
00:53:57,200 --> 00:53:59,399
Speaker 1: piece eras most of those guys. No matter of us,

1121
00:53:59,440 --> 00:54:01,440
Speaker 1: we have Ja Big and all three of those gentlemen

1122
00:54:01,440 --> 00:54:04,759
Speaker 1: are from New York City. Yeah, So where does my

1123
00:54:04,840 --> 00:54:08,600
Speaker 1: regional box come in if we all unanimously have three

1124
00:54:08,760 --> 00:54:10,799
Speaker 1: gentlemen in our top five. In the beginning, it was

1125
00:54:10,840 --> 00:54:14,040
Speaker 1: mostly you know, till the early nineties when the West

1126
00:54:14,040 --> 00:54:16,719
Speaker 1: Coast came with dominance, it was New York for the

1127
00:54:16,719 --> 00:54:18,319
Speaker 1: most part. So that's what I'm saying. So why am

1128
00:54:18,320 --> 00:54:23,120
Speaker 1: I now being regionally regionally biased? If we all collectively

1129
00:54:23,200 --> 00:54:26,839
Speaker 1: have at least three guys in our top five from

1130
00:54:26,920 --> 00:54:29,919
Speaker 1: the city I'm from, I'm not being biased, Like that's

1131
00:54:29,920 --> 00:54:33,200
Speaker 1: what we all have to choose. So what if you're

1132
00:54:33,200 --> 00:54:34,640
Speaker 1: not being negative? What's wrong with that?

1133
00:54:34,719 --> 00:54:37,279
Speaker 2: Like, I have no idea what it's like to be

1134
00:54:37,320 --> 00:54:40,759
Speaker 2: from Atlanta and go buy a fucking Gucci mixtape in

1135
00:54:41,080 --> 00:54:42,560
Speaker 2: five off Cleveland, Like, I don't.

1136
00:54:42,600 --> 00:54:44,160
Speaker 1: I don't know what's saying. It doesn't hit.

1137
00:54:44,440 --> 00:54:46,480
Speaker 2: I don't know what that's like, right, right? Does that

1138
00:54:46,600 --> 00:54:48,720
Speaker 2: mean that I need I discredit Gucci?

1139
00:54:49,080 --> 00:54:49,560
Speaker 1: No, I just don't.

1140
00:54:49,560 --> 00:54:51,080
Speaker 2: I don't have that experience, And I wouldn't look at

1141
00:54:51,120 --> 00:54:55,560
Speaker 2: someone who has that experience and be like, nah, it's trash.

1142
00:54:55,800 --> 00:54:58,040
Speaker 1: Yeah, And I wasn't there. We all kind of have

1143
00:54:58,160 --> 00:55:00,839
Speaker 1: some regional regional bias because again, the way you live

1144
00:55:00,880 --> 00:55:02,600
Speaker 1: with the music, the way you grow up with the music,

1145
00:55:03,080 --> 00:55:05,080
Speaker 1: what it means personally to you, the time stamp of

1146
00:55:05,120 --> 00:55:06,880
Speaker 1: it though, where it takes you back as far as

1147
00:55:06,920 --> 00:55:09,279
Speaker 1: being a kid in high school, like where you're from. Yeah,

1148
00:55:09,280 --> 00:55:11,560
Speaker 1: that's the music that you listen to growing up, so

1149
00:55:11,600 --> 00:55:14,719
Speaker 1: it has a different meaning to you, and it holds

1150
00:55:14,719 --> 00:55:17,000
Speaker 1: a different amount of weight personally to you.

1151
00:55:17,120 --> 00:55:19,759
Speaker 2: And but to me, even like Gucci's an example of that.

1152
00:55:19,920 --> 00:55:25,879
Speaker 2: I think Three Stacks has surpassed any region. Yes, yes,

1153
00:55:26,200 --> 00:55:29,359
Speaker 2: I think So Street has Astlanta as you could come.

1154
00:55:29,400 --> 00:55:33,239
Speaker 1: I sound something to say of atl We've had this

1155
00:55:33,400 --> 00:55:36,359
Speaker 1: argument with people from Atlanta are surpassed Atlanta, But you've

1156
00:55:36,360 --> 00:55:39,319
Speaker 1: had this argument with people from Atlanta who don't feel

1157
00:55:39,360 --> 00:55:43,280
Speaker 1: that way about three thousand. They don't. They don't feel

1158
00:55:43,320 --> 00:55:45,759
Speaker 1: the way I feel for three thousand, and they're from

1159
00:55:45,800 --> 00:55:48,160
Speaker 1: the city he's from. So that's what I'm saying. It's like,

1160
00:55:48,760 --> 00:55:50,680
Speaker 1: you know, reading things that what Knife is saying, It's like,

1161
00:55:50,680 --> 00:55:54,080
Speaker 1: I understand it, I get it, But it's like there

1162
00:55:54,120 --> 00:55:56,400
Speaker 1: are people from the city that Andre is from that

1163
00:55:56,520 --> 00:55:59,160
Speaker 1: don't hold them to the regard that I hold them

1164
00:55:59,200 --> 00:55:59,360
Speaker 1: from it.

1165
00:55:59,360 --> 00:56:01,279
Speaker 2: And I'm from New York and again I don't know

1166
00:56:01,280 --> 00:56:03,840
Speaker 2: if he was specifically talking about you were this podcast

1167
00:56:03,840 --> 00:56:04,560
Speaker 2: in general.

1168
00:56:04,360 --> 00:56:05,400
Speaker 1: He was talking about me.

1169
00:56:05,520 --> 00:56:08,440
Speaker 2: Man is my brid like you was talking to night

1170
00:56:08,560 --> 00:56:11,560
Speaker 2: me as your brother. I will reply on this POD's

1171
00:56:11,600 --> 00:56:14,400
Speaker 2: behalf of saying regional bias.

1172
00:56:16,000 --> 00:56:16,719
Speaker 1: I'm from New York.

1173
00:56:17,760 --> 00:56:19,920
Speaker 2: In my top three, if not, one of my personal

1174
00:56:19,960 --> 00:56:22,200
Speaker 2: favorite group of all time is Little.

1175
00:56:21,920 --> 00:56:23,759
Speaker 1: Brother from North Carolina. Yeah.

1176
00:56:25,320 --> 00:56:30,080
Speaker 2: Yeah, when I was thirteen when I picked up one

1177
00:56:30,080 --> 00:56:31,840
Speaker 2: of the best produced albums ever the listening.

1178
00:56:32,440 --> 00:56:36,319
Speaker 1: I'm not sure the producer's name right, what's his name again?

1179
00:56:36,760 --> 00:56:42,319
Speaker 1: I didn't go Durham. Yeah, I would never take this

1180
00:56:42,400 --> 00:56:46,120
Speaker 1: out of my head. Oh my god.

1181
00:56:46,200 --> 00:56:48,440
Speaker 2: In ninth wonder this is a great ship I've ever

1182
00:56:48,440 --> 00:56:55,520
Speaker 2: heard in my life. Yeah, there was no reasonabi slum village.

1183
00:56:56,600 --> 00:56:59,200
Speaker 1: I hate Detroit. What Knight says so and this is

1184
00:56:59,200 --> 00:57:02,040
Speaker 1: his conclusion, so knows what's just fucking around right now?

1185
00:57:02,160 --> 00:57:04,560
Speaker 1: Of course we love Knife, So in conclusion, I don't

1186
00:57:04,600 --> 00:57:07,680
Speaker 1: care what ranking anyone puts him. Damn we're talking to me.

1187
00:57:08,000 --> 00:57:10,200
Speaker 1: Andre Benjamin is one of the greatest ever to put

1188
00:57:10,239 --> 00:57:12,640
Speaker 1: pin the papers. I respect. I've seen people put their

1189
00:57:12,680 --> 00:57:16,200
Speaker 1: favorites on list even with the subpar album discography. Nope.

1190
00:57:16,240 --> 00:57:18,520
Speaker 1: Three thousand is a master of words. Period.

1191
00:57:19,000 --> 00:57:21,480
Speaker 2: Well, I don't agree. I don't disagree with one thing.

1192
00:57:21,600 --> 00:57:24,240
Speaker 1: Neither do I. Neither do I. But there's nobody on

1193
00:57:24,280 --> 00:57:26,760
Speaker 1: my list whose discography is whacking my top five. I'll

1194
00:57:26,760 --> 00:57:30,200
Speaker 1: tell you that not in my top five. No, and No.

1195
00:57:30,440 --> 00:57:33,480
Speaker 2: Nine is correct everything he said there, and again I

1196
00:57:33,520 --> 00:57:35,320
Speaker 2: do think right here, we got to stop reasonable bias

1197
00:57:35,320 --> 00:57:38,040
Speaker 2: because if three thousand was born with a Northern area

1198
00:57:38,080 --> 00:57:40,640
Speaker 2: code into a ton of mixtapes and versus, we aren't

1199
00:57:40,640 --> 00:57:41,320
Speaker 2: having this debate.

1200
00:57:41,520 --> 00:57:45,040
Speaker 1: Of course, exactly if he had mixtapes, if he had

1201
00:57:45,280 --> 00:57:49,040
Speaker 1: solo shit, Yeah, you're right. That's my whole point where

1202
00:57:49,120 --> 00:57:52,160
Speaker 1: you're right if he did that, but not if he didn't.

1203
00:57:52,200 --> 00:57:55,120
Speaker 1: If three Stacks was born in New York.

1204
00:57:56,680 --> 00:57:58,440
Speaker 2: No, I actually think a lot of the genius of

1205
00:57:58,520 --> 00:58:02,440
Speaker 2: what three Stacks is is his Atlanta perspective. No matter

1206
00:58:02,520 --> 00:58:05,200
Speaker 2: where you put that beautiful mind, it's gonna be amazing.

1207
00:58:05,760 --> 00:58:09,880
Speaker 2: But that sound in Southern playlistic Cadillac like that. That's

1208
00:58:09,880 --> 00:58:13,240
Speaker 2: my how much I love three Stacks is based off

1209
00:58:13,280 --> 00:58:16,400
Speaker 2: the sonics that he created. Likes a style, Yeah, and

1210
00:58:16,440 --> 00:58:18,600
Speaker 2: that's that's an Atlanta stack. That's why I love him

1211
00:58:18,680 --> 00:58:20,960
Speaker 2: is because he's from Atlanta. Yeah, and when you get

1212
00:58:20,960 --> 00:58:23,440
Speaker 2: down and this is a regional bias that a lot

1213
00:58:23,480 --> 00:58:26,400
Speaker 2: of people outside of New York hold to. This myth

1214
00:58:26,440 --> 00:58:29,640
Speaker 2: of New York bias northern area code. Go talk to

1215
00:58:29,680 --> 00:58:31,800
Speaker 2: a bunch of kids in Jersey, because they'll start to

1216
00:58:31,840 --> 00:58:35,000
Speaker 2: think if I was born in Brooklyn, people in DC,

1217
00:58:35,280 --> 00:58:37,560
Speaker 2: if I was born you just keep going down and

1218
00:58:37,600 --> 00:58:39,320
Speaker 2: down and down. It's no one's ever going to be

1219
00:58:39,400 --> 00:58:44,800
Speaker 2: happy Northern. I'm sure the Clips thought at the time, like, damn,

1220
00:58:44,840 --> 00:58:46,880
Speaker 2: we was born. Well, I guess they were. But if

1221
00:58:46,880 --> 00:58:50,320
Speaker 2: we were from the Bronx Bronch legend, they are. But

1222
00:58:50,360 --> 00:58:52,040
Speaker 2: that's what made the Clips the Clips is because they

1223
00:58:52,040 --> 00:58:54,560
Speaker 2: were from Virginia. So I don't agree with that. If

1224
00:58:54,600 --> 00:58:57,080
Speaker 2: if they were from a certain area code, they'd be

1225
00:58:57,120 --> 00:58:57,720
Speaker 2: revered more.

1226
00:58:57,800 --> 00:58:59,520
Speaker 1: I like what this gentleman had to say in response

1227
00:58:59,520 --> 00:59:01,600
Speaker 1: to night We said, know what does region have to

1228
00:59:01,600 --> 00:59:04,280
Speaker 1: do with people saying he needs a solo catalog? Y'all

1229
00:59:04,280 --> 00:59:07,040
Speaker 1: love screaming biased when up north folks don't agree. I

1230
00:59:07,120 --> 00:59:11,320
Speaker 1: like that. I like that. Yeah, I'm just saying, solo catalog,

1231
00:59:11,480 --> 00:59:15,200
Speaker 1: solo album, even if it was just one, even if

1232
00:59:15,240 --> 00:59:17,120
Speaker 1: he just gave us one solo album. I'm not saying

1233
00:59:17,120 --> 00:59:19,680
Speaker 1: he had to give us five six album. I'm just saying,

1234
00:59:19,720 --> 00:59:22,120
Speaker 1: even if it's just something where we could say, Okay,

1235
00:59:22,160 --> 00:59:25,000
Speaker 1: this is what three thousand looks like on his own

1236
00:59:25,040 --> 00:59:28,320
Speaker 1: away from Outcast. Yah know, he has verses, but again

1237
00:59:28,360 --> 00:59:31,040
Speaker 1: his features on other people's songs, and you know what

1238
00:59:31,040 --> 00:59:34,520
Speaker 1: I'm saying, Like, it's just not solo. Yeah rap because

1239
00:59:34,560 --> 00:59:37,040
Speaker 1: he gave people was Fighting for Love Below and all

1240
00:59:37,040 --> 00:59:39,480
Speaker 1: of that, and I'm just like, bro, that's not rap.

1241
00:59:39,520 --> 00:59:41,480
Speaker 2: It's not And I have to give some pushback to

1242
00:59:41,960 --> 00:59:43,960
Speaker 2: Even though I'm on the ninth side with this and

1243
00:59:44,000 --> 00:59:46,360
Speaker 2: agree with what he said and disagree with you, I

1244
00:59:46,440 --> 00:59:49,720
Speaker 2: still if you look at Knights Knife was already a

1245
00:59:49,760 --> 00:59:53,640
Speaker 2: young legend when he was with LB. But him doing threats,

1246
00:59:53,800 --> 00:59:58,080
Speaker 2: him doing girls for Destiny's Child, and then him going

1247
00:59:58,120 --> 01:00:00,400
Speaker 2: on to start his label, have his own own artists,

1248
01:00:00,480 --> 01:00:04,520
Speaker 2: produced for other people that made Ninth the legend outside

1249
01:00:04,520 --> 01:00:10,200
Speaker 2: of the group like Primo, Gangstar Greatest groups of all time?

1250
01:00:11,200 --> 01:00:13,360
Speaker 2: Would Premo be a legend just just with Guru for sure?

1251
01:00:13,480 --> 01:00:17,320
Speaker 2: But why prem is alien like is because he went

1252
01:00:17,360 --> 01:00:20,560
Speaker 2: out and did so much stuff as DJ Premiere and

1253
01:00:21,120 --> 01:00:24,000
Speaker 2: I feel like producers go through that same thing. There's

1254
01:00:24,680 --> 01:00:27,000
Speaker 2: a lot of times we've seen producers that are like

1255
01:00:27,080 --> 01:00:28,840
Speaker 2: and you know, the early days when it was producer

1256
01:00:29,320 --> 01:00:32,080
Speaker 2: MC group type thing, like we I got to see

1257
01:00:32,080 --> 01:00:34,480
Speaker 2: what they do outside of just the group. That's a

1258
01:00:34,480 --> 01:00:36,480
Speaker 2: big thing with producers too. I think Ninth is the

1259
01:00:36,560 --> 01:00:39,280
Speaker 2: legend he is based off Little Brother for sure, but

1260
01:00:39,320 --> 01:00:43,320
Speaker 2: it's everything Ninth did outside of LB that made him

1261
01:00:43,560 --> 01:00:45,560
Speaker 2: who he is and why we revere him so much,

1262
01:00:45,920 --> 01:00:49,080
Speaker 2: because he had the range to do shit elsewhere outside

1263
01:00:49,080 --> 01:00:51,160
Speaker 2: of just what he was doing in the LB bubble.

1264
01:00:51,760 --> 01:00:55,640
Speaker 2: So yeah, I would say the same thing for producers.

1265
01:00:56,320 --> 01:00:58,720
Speaker 2: And I hear what he's saying. He's three sacks is

1266
01:00:58,720 --> 01:01:00,160
Speaker 2: one of the greatest to ever put that paper like

1267
01:01:00,200 --> 01:01:01,960
Speaker 2: that goes by saying, but that's not even what the

1268
01:01:02,040 --> 01:01:03,200
Speaker 2: argument was exactly.

1269
01:01:03,400 --> 01:01:05,360
Speaker 1: Showed me where that wasn't. I didn't, I didn't say

1270
01:01:05,360 --> 01:01:08,400
Speaker 1: all of that, didn't take nothing away from just personally

1271
01:01:09,400 --> 01:01:12,080
Speaker 1: God to have so albums man, but love to three thousand.

1272
01:01:12,200 --> 01:01:14,320
Speaker 1: I hope he didn't see that clip and think that I,

1273
01:01:14,440 --> 01:01:17,120
Speaker 1: you know, with disrespect, it's never that from me. Loved

1274
01:01:17,120 --> 01:01:19,400
Speaker 1: the three thousand one of the greatest ever we just

1275
01:01:19,480 --> 01:01:20,720
Speaker 1: need solo three thousand.

1276
01:01:20,880 --> 01:01:22,600
Speaker 2: Okay, well this is good, this good segue to get

1277
01:01:22,600 --> 01:01:24,400
Speaker 2: out of because I know this to drag a bit.

1278
01:01:26,000 --> 01:01:29,520
Speaker 2: I had someone I consider a friend, Ninth, hit me

1279
01:01:29,560 --> 01:01:32,440
Speaker 2: about you over the weekend. And listen, man, I'm always

1280
01:01:32,440 --> 01:01:35,240
Speaker 2: here to defend you. I see one of your friends

1281
01:01:35,240 --> 01:01:37,840
Speaker 2: just throwing me up on his Instagram and I don't

1282
01:01:37,840 --> 01:01:43,120
Speaker 2: know if I got this the same protection. Oh here,

1283
01:01:43,160 --> 01:01:45,840
Speaker 2: I am taking strays for you, just strays from your people.

1284
01:01:46,640 --> 01:01:48,560
Speaker 2: I'm telling Roseberg, Naw, he ain't mean it like that.

1285
01:01:48,600 --> 01:01:50,880
Speaker 2: I'm telling Ninth like, nah, nah he hear out the argument.

1286
01:01:51,960 --> 01:01:53,400
Speaker 1: I'll put you all on the phone. How about you

1287
01:01:53,480 --> 01:01:54,240
Speaker 1: call onto the show.

1288
01:01:54,720 --> 01:01:58,680
Speaker 2: I'm like, nah, come on, I'm here defending my man's Meanwhile,

1289
01:01:58,760 --> 01:01:59,920
Speaker 2: my man's man.

1290
01:02:00,320 --> 01:02:05,120
Speaker 1: It's just man in the triple threat position. That was

1291
01:02:05,240 --> 01:02:08,000
Speaker 1: so nasty. I forgot about that picture. That was so

1292
01:02:08,240 --> 01:02:10,760
Speaker 1: hilarious to see it and it was random as fuck.

1293
01:02:11,000 --> 01:02:15,280
Speaker 1: So all right for those that is such a random post.

1294
01:02:15,840 --> 01:02:19,520
Speaker 1: That is such a random post, bro, Like, what the

1295
01:02:19,560 --> 01:02:23,760
Speaker 1: fuck that was? It's almost like yo, is he hacked?

1296
01:02:23,840 --> 01:02:26,040
Speaker 1: Like that is? That's how random that post is.

1297
01:02:26,640 --> 01:02:29,000
Speaker 2: I know, because then everyone was coming like YO did

1298
01:02:29,000 --> 01:02:30,480
Speaker 2: you say something. I was like, I don't think I've

1299
01:02:30,480 --> 01:02:34,760
Speaker 2: said anything positive negative, anything early period that would be

1300
01:02:35,480 --> 01:02:37,440
Speaker 2: Drake worthy, like something that would even be on his

1301
01:02:37,760 --> 01:02:38,400
Speaker 2: not great arc.

1302
01:02:38,560 --> 01:02:42,000
Speaker 1: Yeah. Nah, we laughed and it. We laughed about it.

1303
01:02:42,280 --> 01:02:44,240
Speaker 2: Here here I am going against my guy ninth for

1304
01:02:44,280 --> 01:02:46,240
Speaker 2: you and you just laughing up. Not see what Demarus

1305
01:02:46,240 --> 01:02:48,160
Speaker 2: was talking about because it was with all those laughs,

1306
01:02:48,720 --> 01:02:50,080
Speaker 2: it was such a random post.

1307
01:02:50,080 --> 01:02:51,800
Speaker 1: I was like, bro, what the I laughed at it,

1308
01:02:51,920 --> 01:02:54,800
Speaker 1: like what is this like? It was just a random

1309
01:02:54,920 --> 01:02:57,720
Speaker 1: a random random post like just you know, I don't

1310
01:02:57,760 --> 01:03:00,360
Speaker 1: know why. We laughed at it, and it was just

1311
01:03:00,400 --> 01:03:04,120
Speaker 1: like you said, this is sick Like that was like,

1312
01:03:04,200 --> 01:03:06,920
Speaker 1: I don't I don't have no story behind why he

1313
01:03:07,000 --> 01:03:09,320
Speaker 1: posted it. We laughed about it. It was just a

1314
01:03:09,400 --> 01:03:11,080
Speaker 1: random I guess it popped up in his phone and

1315
01:03:11,120 --> 01:03:13,040
Speaker 1: memories or something, you know how that shit goes. I

1316
01:03:13,040 --> 01:03:15,160
Speaker 1: don't know. Memories don't live like people. Yeah, you've seen that.

1317
01:03:15,200 --> 01:03:16,520
Speaker 1: I was like, oh yeah, I got to remind this

1318
01:03:16,600 --> 01:03:19,120
Speaker 1: dude of how crazy he looked in his picture. Nah, Because.

1319
01:03:20,560 --> 01:03:23,760
Speaker 2: There was another time that Drake sent a photo of

1320
01:03:23,840 --> 01:03:26,680
Speaker 2: me when I just got Baislely. Baisley was about this

1321
01:03:26,720 --> 01:03:29,960
Speaker 2: big and I was. I think I was somewhere in

1322
01:03:29,960 --> 01:03:32,240
Speaker 2: like Columbus Circle and someone took a photo of me

1323
01:03:32,320 --> 01:03:36,160
Speaker 2: and Baize. I'm wearing like a pink uh tied eye

1324
01:03:36,160 --> 01:03:38,160
Speaker 2: to fade in the blues and nasty shirt. Yeah, and

1325
01:03:38,200 --> 01:03:41,240
Speaker 2: I'm holding up a puffy Drake springshot of that ship.

1326
01:03:41,520 --> 01:03:43,720
Speaker 1: Not at the time, like a lot of time had passed.

1327
01:03:44,080 --> 01:03:46,479
Speaker 2: He held it and sent it to somebody and said

1328
01:03:46,480 --> 01:03:51,640
Speaker 2: this is your man, and I was like, he's had

1329
01:03:51,640 --> 01:03:52,640
Speaker 2: that photo for a while.

1330
01:03:52,960 --> 01:03:55,800
Speaker 1: Baisley's about this big. Yeah, yeah, nah, that was such

1331
01:03:55,840 --> 01:03:59,320
Speaker 1: a and the zooming is crazy, yes, like you could

1332
01:03:59,320 --> 01:03:59,800
Speaker 1: even crop it.

1333
01:04:04,280 --> 01:04:06,400
Speaker 2: My cousin Hartley put me in a group chat with

1334
01:04:06,520 --> 01:04:09,080
Speaker 2: our other cousin, Justin and both of their wives at

1335
01:04:09,120 --> 01:04:12,880
Speaker 2: midnight and put that in there and said, do explain.

1336
01:04:14,080 --> 01:04:16,360
Speaker 1: Yeah, that was so ran. I thought that was I

1337
01:04:16,360 --> 01:04:18,040
Speaker 1: thought you posted. I had to look when I just

1338
01:04:18,120 --> 01:04:21,240
Speaker 1: you know, sometimes I posted some some more I gave.

1339
01:04:21,320 --> 01:04:22,880
Speaker 1: I gave the streets some more of the photo shoot.

1340
01:04:23,360 --> 01:04:25,680
Speaker 1: Drake posted, No, I didn't post it. Then he posted

1341
01:04:25,840 --> 01:04:27,280
Speaker 1: that was just so I didn't. I had to look

1342
01:04:27,320 --> 01:04:29,200
Speaker 1: and see who posted it. I thought you posted that.

1343
01:04:30,000 --> 01:04:33,520
Speaker 2: Well, I'll give backstory to this because it is actually hilarious.

1344
01:04:34,000 --> 01:04:36,000
Speaker 2: I'll be forgetting. There's so many like just new fans

1345
01:04:36,320 --> 01:04:39,520
Speaker 2: because this was a thing eight years ago that like

1346
01:04:39,560 --> 01:04:41,560
Speaker 2: we all laughed about. So we were doing a photo

1347
01:04:41,560 --> 01:04:45,920
Speaker 2: shoot with Spotify and with shot our guy Jay Silvere.

1348
01:04:46,000 --> 01:04:49,360
Speaker 2: He hit me and said, I never thought this would

1349
01:04:49,400 --> 01:04:54,080
Speaker 2: be the photo of mine that Drake posted. So we

1350
01:04:54,120 --> 01:04:56,120
Speaker 2: had this photo shoot where we had an idea of

1351
01:04:56,120 --> 01:04:59,200
Speaker 2: color palettes and this and that, and then Spotify, without

1352
01:04:59,240 --> 01:05:01,640
Speaker 2: telling us, comes to the photo shoot what was at

1353
01:05:01,680 --> 01:05:04,840
Speaker 2: their office, but shows up to the rumor in with

1354
01:05:04,960 --> 01:05:06,480
Speaker 2: Spotify basketball.

1355
01:05:06,040 --> 01:05:08,200
Speaker 1: Jerseys yeah, and.

1356
01:05:08,240 --> 01:05:12,680
Speaker 2: Some athletic gear and a NERF ball and said, why

1357
01:05:12,680 --> 01:05:15,760
Speaker 2: don't we do like a basketball theme? We said no,

1358
01:05:16,480 --> 01:05:18,800
Speaker 2: and as a joke we put the shit on. And

1359
01:05:18,840 --> 01:05:21,120
Speaker 2: that's why I'm sitting in a bad triple threat because

1360
01:05:21,120 --> 01:05:23,760
Speaker 2: it's like we were clowning Spotify and how bad the

1361
01:05:23,800 --> 01:05:25,919
Speaker 2: idea was, they never went out in the press release.

1362
01:05:25,920 --> 01:05:27,760
Speaker 2: We ended up just going up to the fucking roof

1363
01:05:28,160 --> 01:05:31,280
Speaker 2: and shooting an equally nasty photo shoot, but at least

1364
01:05:31,320 --> 01:05:31,800
Speaker 2: it wasn't this.

1365
01:05:32,000 --> 01:05:33,000
Speaker 1: Yeah. No, we was having fun.

1366
01:05:33,080 --> 01:05:36,480
Speaker 2: We released these photos ourselves because they were so hilarious.

1367
01:05:36,560 --> 01:05:39,040
Speaker 2: We got the back but yes, this was not a

1368
01:05:39,160 --> 01:05:42,440
Speaker 2: serious thing. This was to show Spotify that any of

1369
01:05:42,480 --> 01:05:44,840
Speaker 2: your creative ideas you can keep to your fucking self.

1370
01:05:44,920 --> 01:05:47,400
Speaker 1: Yeah, this was ridiculous. But when they brought that little

1371
01:05:47,440 --> 01:05:50,400
Speaker 1: nerf ball in, let's have fun, fuck it, let's have

1372
01:05:50,440 --> 01:05:52,360
Speaker 1: a good time, fun time. But we still do you

1373
01:05:52,400 --> 01:05:55,800
Speaker 1: still have your Spotify Jurney? No, god, no, I probably

1374
01:05:55,840 --> 01:05:57,680
Speaker 1: left it there that day. I never took that out

1375
01:05:57,680 --> 01:06:01,440
Speaker 1: of there. Yo. That was That was a nasty, nasty shoot,

1376
01:06:01,480 --> 01:06:03,959
Speaker 1: good times, man. But that was just a random fucking post.

1377
01:06:03,960 --> 01:06:07,160
Speaker 1: I'll tell you that. Very random. Now, I gotta know

1378
01:06:07,200 --> 01:06:12,600
Speaker 1: what other screenshot said. Oh man, that was from twenty eighteen.

1379
01:06:14,360 --> 01:06:19,600
Speaker 1: Oh man, I got one of you from that shoot. Yeah. Now,

1380
01:06:19,640 --> 01:06:22,480
Speaker 1: I had to do the do rag on on hold on,

1381
01:06:22,960 --> 01:06:25,200
Speaker 1: I'll even find it so I remember CP. I remember

1382
01:06:25,240 --> 01:06:26,880
Speaker 1: my nasty ship I had to do. I had to

1383
01:06:26,960 --> 01:06:29,120
Speaker 1: do rag on, had the jersey on one arm like

1384
01:06:29,160 --> 01:06:34,800
Speaker 1: I know, nasty nasty times. Yeah, to do right, We're disgusting.

1385
01:06:35,080 --> 01:06:38,400
Speaker 1: I assume you didn't bring that armband. No, man, you

1386
01:06:38,400 --> 01:06:43,600
Speaker 1: think I have a just had army fam No nasty times, man,

1387
01:06:44,320 --> 01:06:46,919
Speaker 1: I mean what did they think? I don't know, man,

1388
01:06:47,000 --> 01:06:47,960
Speaker 1: we were just trying.

1389
01:06:48,120 --> 01:06:51,080
Speaker 2: Feel like billboards and ship like it was gonna be

1390
01:06:51,080 --> 01:06:55,880
Speaker 2: like that is crazy. That looks like an athletic and

1391
01:06:55,920 --> 01:06:56,640
Speaker 2: agile man.

1392
01:06:57,920 --> 01:07:09,720
Speaker 1: That was like a JD sports ad, Like that's definitely

1393
01:07:09,720 --> 01:07:13,160
Speaker 1: a case Swiss ad for sure. Oh god, that's disgusting. Yeah,

1394
01:07:13,240 --> 01:07:15,520
Speaker 1: or like if Gap ever put out an athletic line,

1395
01:07:15,680 --> 01:07:16,960
Speaker 1: it would look like that. I don't know if you

1396
01:07:17,040 --> 01:07:23,240
Speaker 1: bowl in a basketball or what like, I don't know what. Yo.

1397
01:07:23,320 --> 01:07:25,720
Speaker 1: That was hilario. I wonder if I still have that jerseys.

1398
01:07:26,280 --> 01:07:29,360
Speaker 1: It was also like six sizes too small. That's why

1399
01:07:29,360 --> 01:07:32,000
Speaker 1: I think you actually have your ship hang out off here. Yeah,

1400
01:07:32,560 --> 01:07:36,400
Speaker 1: because I was squeezing into that thing. Oh my god. Yeah,

1401
01:07:36,400 --> 01:07:43,280
Speaker 1: that was That was a funny. Today's show is brought

1402
01:07:43,280 --> 01:07:46,160
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01:07:46,160 --> 01:07:49,040
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1406
01:07:55,720 --> 01:07:56,080
Speaker 1: this point.

1407
01:07:56,720 --> 01:07:59,440
Speaker 2: Yes, more, I have been heavy with the NBA and

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Speaker 2: third quarter with the Knicks and Trailblazers. So you know,

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1427
01:08:48,560 --> 01:08:50,639
Speaker 1: In all of the states. Must be twenty one plus

1428
01:08:50,720 --> 01:08:54,759
Speaker 1: and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

1429
01:08:54,800 --> 01:08:57,400
Speaker 1: New Jersey, Ohio, Tennessee, or Virginia to play terms and

1430
01:08:57,439 --> 01:09:00,519
Speaker 1: conditions applied concerned about gambling and Florida called one A

1431
01:09:00,600 --> 01:09:02,880
Speaker 1: three three play wise in Indiana, if you was someone

1432
01:09:02,920 --> 01:09:05,160
Speaker 1: you know has a gambler problem, wants helped, call one

1433
01:09:05,200 --> 01:09:07,200
Speaker 1: eight hundred and nine with it gambling problem called one

1434
01:09:07,200 --> 01:09:10,880
Speaker 1: eight hundred gambler Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio,

1435
01:09:10,920 --> 01:09:20,439
Speaker 1: Tennessee and Virginia. Well, anyways, while we're still on music,

1436
01:09:23,960 --> 01:09:26,720
Speaker 1: I didn't want to come in here todate why not

1437
01:09:27,320 --> 01:09:31,400
Speaker 1: hate this great man stolee thing the algorithm pushes.

1438
01:09:31,880 --> 01:09:34,479
Speaker 2: Because I feel like, not that I care anymore, but

1439
01:09:34,720 --> 01:09:37,559
Speaker 2: I think I come across with this specific artist as

1440
01:09:37,600 --> 01:09:39,960
Speaker 2: a hater and we're not gonna get in with another

1441
01:09:39,960 --> 01:09:40,880
Speaker 2: full Bruno conbo.

1442
01:09:41,600 --> 01:09:45,439
Speaker 1: But I wait for the album. I'll just put it

1443
01:09:45,439 --> 01:09:47,559
Speaker 1: that way. It wasn't really filling the single weight though

1444
01:09:47,680 --> 01:09:50,120
Speaker 1: I would dance to this at a bar for sure.

1445
01:09:52,120 --> 01:09:56,040
Speaker 1: It's Brunos. It's good. Yeah, it's gonna always be good.

1446
01:09:56,240 --> 01:09:58,280
Speaker 1: That's just the type of orders is. It's never gonna

1447
01:09:58,280 --> 01:10:00,479
Speaker 1: be bad. Like I didn't. I didn't really like sexy

1448
01:10:00,520 --> 01:10:02,679
Speaker 1: Red Joint. But if it comes on out of spot

1449
01:10:02,720 --> 01:10:04,840
Speaker 1: I do the j meme, I'll start looking at the

1450
01:10:04,880 --> 01:10:06,800
Speaker 1: DJ like that got a nice little groove to it.

1451
01:10:06,880 --> 01:10:08,280
Speaker 1: But I just hope.

1452
01:10:08,240 --> 01:10:10,439
Speaker 2: Black Sam and Nipsey's family got royalties for that record.

1453
01:10:10,479 --> 01:10:12,439
Speaker 2: That's all I'm saying. Which this one he just put

1454
01:10:12,439 --> 01:10:18,760
Speaker 2: out No One. That's the last time that I checked. Yeah,

1455
01:10:18,840 --> 01:10:20,720
Speaker 2: here's the thing I saw. Most of the internet was

1456
01:10:20,960 --> 01:10:21,920
Speaker 2: giving him shit because.

1457
01:10:21,720 --> 01:10:23,519
Speaker 1: They're saying he's been making the same music for the

1458
01:10:23,520 --> 01:10:25,759
Speaker 1: past ten years. Cool, so have a lot of artists.

1459
01:10:25,840 --> 01:10:27,360
Speaker 2: I don't even know if this is in the same

1460
01:10:27,400 --> 01:10:30,080
Speaker 2: exact realm of everything Bruno's put out, but it has

1461
01:10:30,240 --> 01:10:34,760
Speaker 2: had the same generic feel I guess would be the

1462
01:10:34,800 --> 01:10:37,000
Speaker 2: way the sound is different, but it's the same feel.

1463
01:10:37,320 --> 01:10:40,360
Speaker 1: So somebody said he's been releasing the same song for

1464
01:10:40,400 --> 01:10:43,760
Speaker 1: the past ten years, and Bruno replies, and you've never

1465
01:10:43,800 --> 01:10:45,920
Speaker 1: been shipping y'all in your life. I see. I like

1466
01:10:45,960 --> 01:10:48,479
Speaker 1: that though. I respect that Bruno. Listen, man, it is

1467
01:10:48,520 --> 01:10:51,479
Speaker 1: what it is. He's consistent. Listen, Bruno is you know

1468
01:10:51,479 --> 01:10:54,800
Speaker 1: I feel like incredible artists. It's just like you again,

1469
01:10:54,920 --> 01:10:57,599
Speaker 1: I understand what this person is saying. It just feels

1470
01:10:57,600 --> 01:11:01,000
Speaker 1: like we've got this music before, we have heard this sound, yeah,

1471
01:11:01,040 --> 01:11:03,080
Speaker 1: for so long already, Like, so, I you know, again,

1472
01:11:03,120 --> 01:11:05,840
Speaker 1: what does Bruno sound like? I still don't. I still

1473
01:11:05,840 --> 01:11:07,599
Speaker 1: don't know how to answer them. Somebody said, what does

1474
01:11:07,600 --> 01:11:10,000
Speaker 1: Brune Mars sound? I don't think I wouldn't know how

1475
01:11:10,040 --> 01:11:11,920
Speaker 1: to answer that. It's this feel. It's not a sound,

1476
01:11:11,960 --> 01:11:15,120
Speaker 1: it's this feel. Okay. It was funny that Mary j

1477
01:11:15,360 --> 01:11:18,200
Speaker 1: just went well, it wasn't e viral, but she had

1478
01:11:18,280 --> 01:11:19,800
Speaker 1: a clip that was on in and I saw this

1479
01:11:19,840 --> 01:11:21,600
Speaker 1: morning of her in the studio a while ago. I

1480
01:11:21,640 --> 01:11:23,559
Speaker 1: believe Puff was in there too, and they were going

1481
01:11:23,560 --> 01:11:26,920
Speaker 1: through a mix and she preferred the demo version to

1482
01:11:27,000 --> 01:11:28,720
Speaker 1: what they had just mixed, and they were they were

1483
01:11:28,720 --> 01:11:30,960
Speaker 1: trying to trick her to play her what she thought

1484
01:11:31,000 --> 01:11:33,600
Speaker 1: was the demo and she was like, no, no, this is

1485
01:11:33,640 --> 01:11:36,360
Speaker 1: not this is not my version. You took the grits

1486
01:11:36,360 --> 01:11:42,880
Speaker 1: out of it. M Okay, I just might like I know,

1487
01:11:43,000 --> 01:11:44,760
Speaker 1: I don't. I didn't even look to see produce. I

1488
01:11:44,760 --> 01:11:47,800
Speaker 1: just know a producer, I revered, Demile has been working

1489
01:11:47,840 --> 01:11:48,840
Speaker 1: on it. I know James and Boll.

1490
01:11:50,479 --> 01:11:53,160
Speaker 2: I feel like whoever touches Bruno's mixes takes the grits

1491
01:11:53,160 --> 01:11:57,000
Speaker 2: out of Okay, because he works with people that are

1492
01:11:57,080 --> 01:11:59,280
Speaker 2: the greatest, and you hear everything else they do outside

1493
01:11:59,280 --> 01:12:02,479
Speaker 2: of Bruno, and again, this is perfect pop music. I

1494
01:12:02,520 --> 01:12:05,160
Speaker 2: don't want this to him across his hate. You can't

1495
01:12:05,160 --> 01:12:08,920
Speaker 2: hate on it. It's like, that's how annoyingly perfect it is.

1496
01:12:09,560 --> 01:12:13,240
Speaker 2: So let's see what the album entails. This was a

1497
01:12:13,360 --> 01:12:19,200
Speaker 2: very predictable single where I was hoping Bruno for this

1498
01:12:19,240 --> 01:12:22,400
Speaker 2: point in his career, would finally take that heel like

1499
01:12:22,479 --> 01:12:25,720
Speaker 2: this was the time, maybe almost like his Weekend in

1500
01:12:25,720 --> 01:12:28,439
Speaker 2: the mask phase for a year, like even though the

1501
01:12:28,479 --> 01:12:30,800
Speaker 2: Weekend has been accused of making very similar music for

1502
01:12:30,840 --> 01:12:33,400
Speaker 2: his whole career. Once that happened, it still stayed in

1503
01:12:33,439 --> 01:12:37,120
Speaker 2: the pop weekend sonic realm, but it changed a bit.

1504
01:12:37,560 --> 01:12:40,360
Speaker 2: I thought maybe with the time Bruno took off, we

1505
01:12:40,439 --> 01:12:46,160
Speaker 2: would get his complete second half of his career shift

1506
01:12:46,479 --> 01:12:50,120
Speaker 2: like I did all that, let's do something completely unexpected

1507
01:12:50,800 --> 01:12:52,639
Speaker 2: and it doesn't appear to be that way.

1508
01:12:53,720 --> 01:12:55,280
Speaker 1: I didn't. I don't think we needed to wait for this.

1509
01:12:55,840 --> 01:12:57,400
Speaker 1: I think Bruno can do this in his sleep.

1510
01:12:57,720 --> 01:13:00,320
Speaker 2: Yeah, Bruno and the resources he has could not this

1511
01:13:00,360 --> 01:13:05,080
Speaker 2: out in a weekend? Is this what we were waiting for?

1512
01:13:05,560 --> 01:13:10,080
Speaker 2: I thought with the time they were concocting the whole

1513
01:13:10,120 --> 01:13:13,840
Speaker 2: new Bruno sound sound for the second half of his career. Like, yes,

1514
01:13:13,960 --> 01:13:17,320
Speaker 2: I have been this character sure for fucking fifteen years.

1515
01:13:18,120 --> 01:13:19,439
Speaker 2: It's time to be a heel. I'm turning.

1516
01:13:19,479 --> 01:13:20,720
Speaker 1: This is going to be You're either gonna like it

1517
01:13:20,800 --> 01:13:22,599
Speaker 1: or not. I'm gonna make the consumer like this new

1518
01:13:22,600 --> 01:13:23,200
Speaker 1: shit that I'm doing.

1519
01:13:23,320 --> 01:13:26,240
Speaker 2: Right, All the pop stars eventually have tried to do

1520
01:13:26,280 --> 01:13:28,400
Speaker 2: it to some degree. Even Lady Got God does this

1521
01:13:28,400 --> 01:13:32,800
Speaker 2: shit like Bruno's never done that. So you're discrediting three

1522
01:13:32,840 --> 01:13:36,720
Speaker 2: stacks for the solo thing. I'm crediting someone who is

1523
01:13:36,760 --> 01:13:38,240
Speaker 2: a legend in their own right. Bruno mar is a

1524
01:13:38,240 --> 01:13:43,960
Speaker 2: pop star legend. You've made the same thing forever. Yeah,

1525
01:13:44,000 --> 01:13:47,960
Speaker 2: you gotta do something that pushes the sound forward, not

1526
01:13:48,720 --> 01:13:52,479
Speaker 2: just makes the sound sound better. Yeah, because that's you're

1527
01:13:52,520 --> 01:13:55,760
Speaker 2: just taking a sound and making it more polished, and

1528
01:13:55,800 --> 01:13:56,799
Speaker 2: you're great at it.

1529
01:13:56,800 --> 01:13:58,720
Speaker 1: It's awesome. I would dance at the bar to this.

1530
01:13:58,840 --> 01:14:02,720
Speaker 1: It's great lyrics, cool, melody is great. It's Bruno. Yeah,

1531
01:14:03,120 --> 01:14:07,080
Speaker 1: to be in that combo, you gotta do something. You

1532
01:14:07,160 --> 01:14:09,719
Speaker 1: have to have some vision. Are you saying some vision?

1533
01:14:09,840 --> 01:14:11,639
Speaker 1: Are you saying you want Bruno to kind of take

1534
01:14:11,760 --> 01:14:16,360
Speaker 1: a risk, yes artistically, yes, Okay, I think I feel

1535
01:14:16,400 --> 01:14:18,759
Speaker 1: the same way. I want to hear Bruno do something

1536
01:14:19,360 --> 01:14:22,720
Speaker 1: completely out of pocket, different than we wouldn't expect him

1537
01:14:22,720 --> 01:14:25,080
Speaker 1: to do. Like, that's what I think I want for Bruno.

1538
01:14:25,160 --> 01:14:30,639
Speaker 1: We know he's an amazing musician, talented, great stage presence,

1539
01:14:30,680 --> 01:14:33,080
Speaker 1: great stage. He's a star. Bruno Mars is a fucking star.

1540
01:14:33,840 --> 01:14:38,200
Speaker 1: But I want to see him do something totally unexpected.

1541
01:14:38,760 --> 01:14:41,360
Speaker 1: I want to hear him sound a way we never

1542
01:14:41,400 --> 01:14:42,880
Speaker 1: thought we would hear him sound. I think I'm on

1543
01:14:42,920 --> 01:14:44,479
Speaker 1: that too, Like, I want to hear that spot, his

1544
01:14:44,479 --> 01:14:48,400
Speaker 1: spot is solidified. Yeah, it's it's done. You're you're a legend.

1545
01:14:48,479 --> 01:14:50,719
Speaker 2: You don't need to prove anything more to the pop

1546
01:14:50,800 --> 01:14:53,599
Speaker 2: charts of who you are as an entertainer. Your live

1547
01:14:53,640 --> 01:14:55,960
Speaker 2: shows are incredible. You did the fucking super Bowl with Beyonce.

1548
01:14:56,120 --> 01:14:58,880
Speaker 2: You are a legend. What type of music do you like?

1549
01:15:00,240 --> 01:15:05,560
Speaker 1: Whichever music you like? Like? What does Bruno listen to

1550
01:15:05,600 --> 01:15:07,320
Speaker 1: on his way to the gym? Whatever music you listen

1551
01:15:07,360 --> 01:15:13,679
Speaker 1: to on you Wait, so Bruno's been on a first

1552
01:15:13,760 --> 01:15:20,800
Speaker 1: date with us, Bruno, what do you like? Whatever you're like? Yeah, yeah,

1553
01:15:20,840 --> 01:15:22,600
Speaker 1: like whatever you like, whatever you like, I can do it.

1554
01:15:22,800 --> 01:15:24,760
Speaker 1: That's what that's what Bruto is. Whatever you want to hear,

1555
01:15:25,160 --> 01:15:26,640
Speaker 1: he can do it. I want to hear Bruno ta

1556
01:15:26,640 --> 01:15:30,080
Speaker 1: take the hats off it, let's get the tempo. Yeah, yeah,

1557
01:15:31,000 --> 01:15:33,160
Speaker 1: we'll do that. Is that what you want? And that's

1558
01:15:33,160 --> 01:15:34,559
Speaker 1: what I'm saying. Like, when you see what we're saying

1559
01:15:34,560 --> 01:15:36,760
Speaker 1: about Bruno, I feel like if he does that, it's

1560
01:15:36,840 --> 01:15:38,920
Speaker 1: gonna be fucking amazing. I feel like that's how talented

1561
01:15:39,120 --> 01:15:40,840
Speaker 1: he could take a risk on his music, on his

1562
01:15:41,000 --> 01:15:44,519
Speaker 1: sound everything, and it's still going to be amazing because

1563
01:15:44,560 --> 01:15:48,559
Speaker 1: I think he pays attention to detail that closely, like

1564
01:15:48,640 --> 01:15:52,519
Speaker 1: he's very maniacal with everything. I think Bruno does what

1565
01:15:53,120 --> 01:15:55,200
Speaker 1: my brother Hop said, he saw DJ Quick do it,

1566
01:15:55,240 --> 01:15:57,120
Speaker 1: he never saw nobody else do. He said, he came

1567
01:15:57,200 --> 01:16:00,240
Speaker 1: in the studio, he sat at the soundboard and he

1568
01:16:00,320 --> 01:16:04,120
Speaker 1: touched every knob. I think Bruno does that. I think

1569
01:16:04,120 --> 01:16:06,680
Speaker 1: Bruno is that meticulous with his.

1570
01:16:06,920 --> 01:16:09,280
Speaker 2: Yeah, and I think that's probably I'm glad you brought

1571
01:16:09,280 --> 01:16:11,040
Speaker 2: that up because that is why I think we give

1572
01:16:11,120 --> 01:16:13,560
Speaker 2: Bruno the ship that we give him on this podcast,

1573
01:16:13,880 --> 01:16:16,800
Speaker 2: because we're not talking about some plant that was just

1574
01:16:16,880 --> 01:16:20,400
Speaker 2: given like, yeah, we know Bruno is a music nerd,

1575
01:16:20,800 --> 01:16:25,240
Speaker 2: extremely talented writer, singer, producer, Like answer, like, we know

1576
01:16:25,960 --> 01:16:30,240
Speaker 2: what Bruno's mind does. I feel like he's selling himself short. Yeah,

1577
01:16:30,640 --> 01:16:32,720
Speaker 2: he's not offering his full genius to us, which is

1578
01:16:32,720 --> 01:16:35,120
Speaker 2: a selfish thing as a fan. But I just think

1579
01:16:35,160 --> 01:16:37,519
Speaker 2: he could push the envelope because he's one of them.

1580
01:16:37,640 --> 01:16:41,800
Speaker 2: To me, it's just like, Okay, let's see what's on that.

1581
01:16:42,320 --> 01:16:43,160
Speaker 2: Let's see what's on the album.

1582
01:16:43,200 --> 01:16:46,240
Speaker 1: I don't know, I get it. He might surprise us.

1583
01:16:46,240 --> 01:16:48,320
Speaker 1: He might have something on the album. Is totally different.

1584
01:16:48,080 --> 01:16:52,639
Speaker 2: Because I'm like, all right with Beyonce, you won't break

1585
01:16:52,640 --> 01:16:57,559
Speaker 2: my soul off Renaissance, Like the single all right cool,

1586
01:16:57,720 --> 01:17:01,280
Speaker 2: it's very much that same repetitive dyn synth, but all

1587
01:17:01,360 --> 01:17:04,000
Speaker 2: right cool, we can't break It's catchy, I get it.

1588
01:17:04,520 --> 01:17:06,880
Speaker 2: I was hoping that she wasn't going to lean into that,

1589
01:17:07,160 --> 01:17:09,960
Speaker 2: and she didn't it all. She experimented crazy on Renaissance,

1590
01:17:10,200 --> 01:17:13,960
Speaker 2: but she gave us very much the quintessential dance first single.

1591
01:17:14,520 --> 01:17:18,479
Speaker 2: So I'm hoping that Bruno takes that approach. I will

1592
01:17:18,520 --> 01:17:21,760
Speaker 2: give the casual fans the radio billboard this is what

1593
01:17:21,800 --> 01:17:24,559
Speaker 2: you guys, want from Bruno. Here you go on the album.

1594
01:17:24,600 --> 01:17:26,640
Speaker 2: We're not doing that ship though. Yeah, okay, that's what

1595
01:17:26,680 --> 01:17:27,040
Speaker 2: I hope.

1596
01:17:27,240 --> 01:17:33,840
Speaker 1: I hope we shall see whatever you lie. Max b

1597
01:17:34,000 --> 01:17:40,120
Speaker 1: French Montana. Yeah, listen, man, it's all right. I like, no, no,

1598
01:17:40,640 --> 01:17:43,040
Speaker 1: I don't want my pause there to come alongst this

1599
01:17:43,120 --> 01:17:46,080
Speaker 1: and Jaer like it. I know what the pause was.

1600
01:17:46,560 --> 01:17:50,040
Speaker 1: I was jamming all my way to try to surprise Demeris.

1601
01:17:50,160 --> 01:17:53,320
Speaker 1: I don't know, I don't know, I don't know I was.

1602
01:17:53,360 --> 01:17:54,800
Speaker 1: I was playing all day.

1603
01:17:54,840 --> 01:17:57,200
Speaker 2: I was on the Jackie listening to that song specifically

1604
01:17:57,479 --> 01:17:58,479
Speaker 2: trying to surprise the mars.

1605
01:17:58,800 --> 01:18:00,479
Speaker 1: I fuck with it, Yeah I do.

1606
01:18:01,120 --> 01:18:05,320
Speaker 2: And I'm happy Paul's Max getting the kings out and

1607
01:18:05,360 --> 01:18:07,160
Speaker 2: he's doing it with French on just you know, a

1608
01:18:07,240 --> 01:18:09,639
Speaker 2: quick drop like I'm not mad at that approach.

1609
01:18:09,840 --> 01:18:13,400
Speaker 1: Yeah, Max, Max was never really in pocket. Now he's

1610
01:18:13,400 --> 01:18:15,559
Speaker 1: a little further out of pocket. But he just got

1611
01:18:15,600 --> 01:18:16,880
Speaker 1: to get his time in. He just got to get

1612
01:18:16,880 --> 01:18:18,960
Speaker 1: his feedback up under him. But I was the music's

1613
01:18:19,040 --> 01:18:21,200
Speaker 1: choice on that. Yeah. No, the music is good, and

1614
01:18:21,439 --> 01:18:23,240
Speaker 1: that's you know, a very important part to having a

1615
01:18:23,280 --> 01:18:25,320
Speaker 1: good a good project. The music has to be good,

1616
01:18:25,320 --> 01:18:27,440
Speaker 1: and the music is good. I think we got glimpses

1617
01:18:27,520 --> 01:18:31,880
Speaker 1: of you know, old Max the melodies again, He's just

1618
01:18:32,080 --> 01:18:35,040
Speaker 1: just coming home after being away for so long, so

1619
01:18:35,280 --> 01:18:38,120
Speaker 1: things kind of felt a little out of pocket. Uh,

1620
01:18:38,200 --> 01:18:41,320
Speaker 1: you know the melodies wasn't as sharp and certain songs

1621
01:18:41,320 --> 01:18:44,719
Speaker 1: as they could be. Like that, we know Max to deliver.

1622
01:18:45,080 --> 01:18:47,280
Speaker 1: But overall, I think it was a good project. Though

1623
01:18:47,280 --> 01:18:48,679
Speaker 1: I'm not mad at it. I think him and French

1624
01:18:48,680 --> 01:18:49,320
Speaker 1: did a good job.

1625
01:18:50,000 --> 01:18:52,400
Speaker 2: It also reminded me too because so much time had

1626
01:18:52,439 --> 01:18:56,280
Speaker 2: passed and French has just become you know, he had

1627
01:18:56,479 --> 01:18:57,160
Speaker 2: what was the song with?

1628
01:18:57,320 --> 01:19:01,320
Speaker 1: So we being regionally biased originally bias because we like

1629
01:19:02,080 --> 01:19:04,960
Speaker 1: the French and Max is it's so nostalgic just to

1630
01:19:05,080 --> 01:19:07,880
Speaker 1: New York because nobody outside of New York listens to Max.

1631
01:19:07,920 --> 01:19:10,040
Speaker 1: B Is that the thing that they're saying on the internet.

1632
01:19:10,160 --> 01:19:13,200
Speaker 1: Only New Yorkers like Max. Bet. If that's the case,

1633
01:19:13,479 --> 01:19:15,120
Speaker 1: I'm sorry. I'm from New York City. We want my

1634
01:19:15,200 --> 01:19:20,000
Speaker 1: position doesn't change. Yeah, I'm from New York. French Montana Bronx.

1635
01:19:19,760 --> 01:19:24,519
Speaker 2: Legend, but French surpassed so much from like the mac

1636
01:19:24,520 --> 01:19:30,160
Speaker 2: and Cheese days, I forgot how much influence is in

1637
01:19:30,240 --> 01:19:34,080
Speaker 2: French's music from Max. Yeah, well I know, but just

1638
01:19:34,080 --> 01:19:35,120
Speaker 2: so much time passed like.

1639
01:19:35,120 --> 01:19:38,400
Speaker 1: Well, no, I actually got actually actually people would say

1640
01:19:38,400 --> 01:19:41,840
Speaker 1: that French kind of took some of Maxis style. That's

1641
01:19:41,840 --> 01:19:43,400
Speaker 1: what I'm saying, you know what I'm saying, like, you know,

1642
01:19:43,439 --> 01:19:45,320
Speaker 1: but that's his boys, so it's not it's not.

1643
01:19:45,040 --> 01:19:46,360
Speaker 2: Not I didn't mean it and that type of way,

1644
01:19:46,479 --> 01:19:49,280
Speaker 2: just just you know, two of them before Max went away.

1645
01:19:49,680 --> 01:19:52,479
Speaker 2: But then when you know, French obviously kept going and

1646
01:19:52,479 --> 01:19:55,240
Speaker 2: had hit hit fucking records, number one record.

1647
01:19:55,360 --> 01:19:58,040
Speaker 1: Yeah, French left us for a second. French Frinch got

1648
01:19:58,080 --> 01:20:00,439
Speaker 1: away from us for us, started making world music. He

1649
01:20:00,439 --> 01:20:02,080
Speaker 1: got off the block. And I ain't mad at him.

1650
01:20:02,360 --> 01:20:04,760
Speaker 1: He got off the block. He just came back to

1651
01:20:04,800 --> 01:20:08,599
Speaker 1: get Max. Yeah he's yeah, he's taking Max and Saudi

1652
01:20:08,640 --> 01:20:12,960
Speaker 1: Arabia tomorrow one thousand. Yeah, and I ain't mad at

1653
01:20:13,000 --> 01:20:13,599
Speaker 1: it either.

1654
01:20:14,520 --> 01:20:17,799
Speaker 2: But yeah, hearing them together, it did it. Just I forgot,

1655
01:20:17,840 --> 01:20:20,439
Speaker 2: you know, fucking damn in twenty years past, I forgot

1656
01:20:20,479 --> 01:20:23,439
Speaker 2: how much a frenchis style does derived from what Max

1657
01:20:23,680 --> 01:20:26,240
Speaker 2: used to do. Hearing them to guess, like, damn, this

1658
01:20:26,320 --> 01:20:28,600
Speaker 2: is French has so much of Max in him, the

1659
01:20:28,600 --> 01:20:30,200
Speaker 2: way he approaches versus like.

1660
01:20:30,560 --> 01:20:32,920
Speaker 1: It was cool, and it's just it's good to see.

1661
01:20:33,840 --> 01:20:36,040
Speaker 1: It's good to see this story because a lot.

1662
01:20:35,880 --> 01:20:39,200
Speaker 2: Of times when people go to jail, things completely fall

1663
01:20:39,240 --> 01:20:42,120
Speaker 2: apart with the people that they were with when they

1664
01:20:42,120 --> 01:20:44,519
Speaker 2: win in so it's it's good to see this story

1665
01:20:44,640 --> 01:20:47,600
Speaker 2: and get right back and yo, I just married a

1666
01:20:47,640 --> 01:20:50,120
Speaker 2: fucking oil princess, but not were about to.

1667
01:20:50,120 --> 01:20:52,519
Speaker 1: Just put out a mixtape. Yeah, I think let's.

1668
01:20:52,280 --> 01:20:55,680
Speaker 2: Get right back to that. On that note, welcome home

1669
01:20:55,760 --> 01:20:57,680
Speaker 2: to Feedti Wop. We didn't say a lot because it

1670
01:20:57,680 --> 01:21:01,240
Speaker 2: happened while we were recording. I saw that three hundred

1671
01:21:01,240 --> 01:21:03,160
Speaker 2: welcome them back with open arms. I think that's great,

1672
01:21:03,479 --> 01:21:07,760
Speaker 2: and usually I am very much on the side of

1673
01:21:08,040 --> 01:21:11,000
Speaker 2: labels using artists, especially once they go to jail, not

1674
01:21:11,000 --> 01:21:13,040
Speaker 2: giving a fuck. I do know Rain and everyone over

1675
01:21:13,040 --> 01:21:15,640
Speaker 2: at three hundred really does care about Fetti, and that

1676
01:21:15,760 --> 01:21:18,040
Speaker 2: was a very genuine welcome home. We want to get

1677
01:21:18,040 --> 01:21:21,120
Speaker 2: the ball rolling for you, which I think is honorable

1678
01:21:21,160 --> 01:21:24,160
Speaker 2: because I mean I was there when three hundred was

1679
01:21:24,200 --> 01:21:28,320
Speaker 2: started and when they were using Kevin Lyle's office space

1680
01:21:28,320 --> 01:21:30,960
Speaker 2: where we were at. Once Fetti Wap came in the door,

1681
01:21:31,560 --> 01:21:34,840
Speaker 2: they left us and bought their own office space like Fetti.

1682
01:21:35,400 --> 01:21:37,400
Speaker 2: Fetti really helped launch that of course, along with the

1683
01:21:37,439 --> 01:21:41,360
Speaker 2: Migos and you, Doug and other artists, but Fetti was

1684
01:21:41,560 --> 01:21:45,360
Speaker 2: a big part of Lee or Raina Todd all of

1685
01:21:45,360 --> 01:21:47,759
Speaker 2: them just just getting off the ground with that new company.

1686
01:21:48,080 --> 01:21:50,719
Speaker 2: So I think it was great of them to welcome

1687
01:21:50,760 --> 01:21:53,920
Speaker 2: Fetti back the way that they did, And I hope eats.

1688
01:21:53,760 --> 01:21:54,400
Speaker 1: The ground running.

1689
01:21:54,520 --> 01:22:00,200
Speaker 2: Like music, it's funny with Max and Fetti. Yeah, the

1690
01:22:00,200 --> 01:22:03,719
Speaker 2: world music hasn't a change for so many people except

1691
01:22:03,720 --> 01:22:06,639
Speaker 2: for those two. Like Fetti sounds like the times now,

1692
01:22:07,560 --> 01:22:10,479
Speaker 2: so I think I think he'll be great. I think

1693
01:22:10,520 --> 01:22:13,120
Speaker 2: this will be one of one of the few instances

1694
01:22:13,160 --> 01:22:14,720
Speaker 2: where someone comes out of jail and.

1695
01:22:14,680 --> 01:22:17,519
Speaker 1: Gets gets right right back to it. Yeah, the sound

1696
01:22:17,600 --> 01:22:19,360
Speaker 1: is there, so definitely want to hear what he cook

1697
01:22:19,439 --> 01:22:21,879
Speaker 1: up though. I mean Fetti, like you said, the melody

1698
01:22:22,040 --> 01:22:25,120
Speaker 1: is more prevalent in rap now than probably when you

1699
01:22:25,120 --> 01:22:28,400
Speaker 1: know Fetti started and he was doing it. Max had

1700
01:22:28,400 --> 01:22:30,200
Speaker 1: a big hand in that as well, and like you said,

1701
01:22:30,240 --> 01:22:31,880
Speaker 1: they both home now and that seems to be the

1702
01:22:31,920 --> 01:22:33,280
Speaker 1: popular sound in the genre.

1703
01:22:33,360 --> 01:22:35,639
Speaker 2: So tell me tomorrow if you heard a rod Wave

1704
01:22:35,640 --> 01:22:38,120
Speaker 2: and Fetti wap song, it would sound anything different than

1705
01:22:38,200 --> 01:22:39,599
Speaker 2: twenty twenty five and twenty twenty six.

1706
01:22:39,840 --> 01:22:44,439
Speaker 1: Definitely the rod Wave and Max B definitely need that

1707
01:22:44,600 --> 01:22:47,000
Speaker 1: for sure that I think that will help me get

1708
01:22:47,040 --> 01:22:50,280
Speaker 1: into rad Wave's music a little more. Yeah, because I

1709
01:22:50,320 --> 01:22:51,519
Speaker 1: you know, I always say I would try to get

1710
01:22:51,520 --> 01:22:54,200
Speaker 1: into rod Wave listen. Honestly, I recognize that he's talented.

1711
01:22:54,640 --> 01:22:57,160
Speaker 1: It's just the music doesn't really connect with me. I

1712
01:22:57,200 --> 01:22:58,600
Speaker 1: don't know if it's whether it's just the content of

1713
01:22:58,640 --> 01:23:01,280
Speaker 1: the music or whatever it is. It yees like it

1714
01:23:01,400 --> 01:23:03,519
Speaker 1: just doesn't really like I don't know where I would

1715
01:23:03,520 --> 01:23:06,240
Speaker 1: listen to that at. But I recognized that rod Wave

1716
01:23:06,320 --> 01:23:08,840
Speaker 1: was extremely talented, and a lot of his music is

1717
01:23:08,840 --> 01:23:11,720
Speaker 1: you know, obviously very heavy on the melody. So him

1718
01:23:11,800 --> 01:23:14,360
Speaker 1: and Max, him and Fetti, that makes that's not an

1719
01:23:14,360 --> 01:23:17,880
Speaker 1: awkward relationship. It sounds like it makes sense. So yeah,

1720
01:23:18,040 --> 01:23:19,680
Speaker 1: that'll probably be something. I don't know. If I think

1721
01:23:19,680 --> 01:23:22,599
Speaker 1: I did see something where I don't know, if Max

1722
01:23:22,680 --> 01:23:25,040
Speaker 1: was was talking a round Wave on the phone or

1723
01:23:25,040 --> 01:23:26,320
Speaker 1: something like that. I think I've seen, I don't know,

1724
01:23:26,360 --> 01:23:29,719
Speaker 1: some video somewhere online the same is rod Wave. Yeah,

1725
01:23:29,920 --> 01:23:31,400
Speaker 1: I don't know, but that will be that would be

1726
01:23:31,400 --> 01:23:38,960
Speaker 1: interesting to see them work together yeah, just a tape together. Yeah, wave, yeah, easy,

1727
01:23:39,000 --> 01:23:39,519
Speaker 1: great music.

1728
01:23:39,960 --> 01:23:43,000
Speaker 2: I saw that Ari Lennox and I'm just gonna assume

1729
01:23:43,040 --> 01:23:45,639
Speaker 2: now she's working directly with JD. I know he worked

1730
01:23:45,680 --> 01:23:49,160
Speaker 2: on Age Sex Location as well, But it looks like

1731
01:23:50,560 --> 01:23:53,400
Speaker 2: pe Cox and JD are doing Vacancy.

1732
01:23:53,080 --> 01:23:55,439
Speaker 1: Ri Lennox album. This w's come out on January twenty third.

1733
01:23:56,080 --> 01:23:58,000
Speaker 2: I like the record Vacancy Under the Moon is Fire,

1734
01:23:58,080 --> 01:24:01,200
Speaker 2: twin Flame is Fire. There records that that Ari has

1735
01:24:01,240 --> 01:24:03,600
Speaker 2: put out in the last few months I think have

1736
01:24:03,680 --> 01:24:04,479
Speaker 2: been great.

1737
01:24:04,800 --> 01:24:06,559
Speaker 1: Listen, it's gonna be as hard for an R and

1738
01:24:06,600 --> 01:24:09,760
Speaker 1: B artist to be in the studio with JD and

1739
01:24:09,760 --> 01:24:14,280
Speaker 1: and and b Cox and not create some dope ship. Yeah.

1740
01:24:14,479 --> 01:24:18,040
Speaker 1: So I'm pretty sure this whatever they cooked up, it's

1741
01:24:18,080 --> 01:24:19,200
Speaker 1: gonna be it's gonna be five.

1742
01:24:19,240 --> 01:24:22,160
Speaker 2: Yeah, Because I mean even Pressure that I know JD did,

1743
01:24:22,600 --> 01:24:25,720
Speaker 2: which was as far as last which was also like

1744
01:24:26,720 --> 01:24:29,040
Speaker 2: it was like the old school way of working a

1745
01:24:29,080 --> 01:24:32,519
Speaker 2: record like Pressure, ended up doing great on radio charts

1746
01:24:32,560 --> 01:24:36,320
Speaker 2: three four months into it even being one, I think

1747
01:24:36,360 --> 01:24:39,160
Speaker 2: on R and B charts it eventually did okay. But

1748
01:24:39,320 --> 01:24:41,920
Speaker 2: I'm excited for the Ari project, first one without Dreamville,

1749
01:24:43,240 --> 01:24:45,360
Speaker 2: So you know, I'm curious just to see what her

1750
01:24:45,600 --> 01:24:47,920
Speaker 2: sound is now that she's I don't want to say

1751
01:24:47,920 --> 01:24:50,040
Speaker 2: free because that's a bad way of putting it, because

1752
01:24:50,080 --> 01:24:52,559
Speaker 2: I don't think like dream Violle, you know, suppressed her

1753
01:24:52,680 --> 01:24:53,599
Speaker 2: or anything like that.

1754
01:24:53,640 --> 01:24:54,840
Speaker 1: I just don't think it worked out. I think those

1755
01:24:54,840 --> 01:24:58,320
Speaker 1: were her exact words. Did she say that? I felt

1756
01:24:58,360 --> 01:25:00,960
Speaker 1: like she went on a rant and wasn't happy about out. Okay,

1757
01:25:01,439 --> 01:25:04,000
Speaker 1: over there they prophray.

1758
01:25:04,000 --> 01:25:06,559
Speaker 2: She's still with Interscope obviously, but you know, I'm curious,

1759
01:25:06,800 --> 01:25:08,840
Speaker 2: would just you know Ari in the kitchen?

1760
01:25:08,880 --> 01:25:13,040
Speaker 1: What what that looks like she would? Is she with JD?

1761
01:25:13,160 --> 01:25:15,120
Speaker 1: Are they man? Are they working? I'm not sure. I

1762
01:25:15,120 --> 01:25:15,920
Speaker 1: can't speak to me.

1763
01:25:15,960 --> 01:25:18,839
Speaker 2: It looks like what's going on with Division and everything,

1764
01:25:19,000 --> 01:25:21,680
Speaker 2: But I know Ari is still signed to Interscope, but

1765
01:25:22,240 --> 01:25:24,920
Speaker 2: from what it looks like optics outside looking in, she's

1766
01:25:25,000 --> 01:25:27,120
Speaker 2: just locked in with JD and and b Cox for

1767
01:25:27,200 --> 01:25:28,360
Speaker 2: this project.

1768
01:25:28,000 --> 01:25:30,439
Speaker 1: That feels like the same Division route. It feels like

1769
01:25:30,520 --> 01:25:32,160
Speaker 1: it feels like I'm not mad at it. It feels

1770
01:25:32,160 --> 01:25:34,320
Speaker 1: like it though not mad at it. Yeah, when do

1771
01:25:34,320 --> 01:25:36,600
Speaker 1: we think we'll get a Division project? They should be

1772
01:25:36,640 --> 01:25:38,360
Speaker 1: dropping something. They put a record out, didn't put a

1773
01:25:38,400 --> 01:25:40,400
Speaker 1: record out yet, so they should be. It should be

1774
01:25:40,400 --> 01:25:43,519
Speaker 1: happening soon. I would say first quarter. I feel like

1775
01:25:43,560 --> 01:25:46,960
Speaker 1: they'd be a little bit more active. If it's first quarter,

1776
01:25:46,960 --> 01:25:49,840
Speaker 1: I feel like it would be first quarter. Definitely want

1777
01:25:49,840 --> 01:25:51,599
Speaker 1: to hear they new shit though. Shout out to the division.

1778
01:25:51,800 --> 01:25:53,519
Speaker 1: I know. I just saw him in I think it

1779
01:25:53,520 --> 01:25:56,439
Speaker 1: was South Africa over the New Year's Oh, everybody's South

1780
01:25:56,520 --> 01:25:57,280
Speaker 1: is in Africa, I know.

1781
01:25:57,320 --> 01:25:59,800
Speaker 2: But even specifically the stage that they were doing at

1782
01:25:59,800 --> 01:26:03,680
Speaker 2: that festival and the crowd, I was like, God, they

1783
01:26:03,680 --> 01:26:07,920
Speaker 2: should just move to South Africa. They was saying every word. Yeah,

1784
01:26:08,000 --> 01:26:11,680
Speaker 2: Daniel shut that ship down. I feel like we now

1785
01:26:11,720 --> 01:26:14,599
Speaker 2: we can bring back a Mal's Baddies segment. Is that

1786
01:26:15,479 --> 01:26:16,400
Speaker 2: I didn't see the fight.

1787
01:26:16,439 --> 01:26:18,400
Speaker 1: I kind of fell off the batty train a little bit. Man.

1788
01:26:18,400 --> 01:26:19,720
Speaker 1: I've been you know what I mean, it's other shit

1789
01:26:19,760 --> 01:26:21,120
Speaker 1: going on. All this shit I'm watching. I ain't really

1790
01:26:21,200 --> 01:26:23,639
Speaker 1: been locked in with the batties. What's going They fighting? Okay,

1791
01:26:23,680 --> 01:26:25,559
Speaker 1: this is regular batties shit. They fight. Can't be the

1792
01:26:25,560 --> 01:26:29,080
Speaker 1: Batties without fights. Oh yeah, that's what he That's what

1793
01:26:29,120 --> 01:26:31,400
Speaker 1: he's part of the audition. You gotta I gotta know

1794
01:26:31,400 --> 01:26:32,880
Speaker 1: if you could fight wait, how else would they do

1795
01:26:32,880 --> 01:26:34,679
Speaker 1: the audition? Yeah, like you thought they were gonna sing

1796
01:26:34,720 --> 01:26:36,439
Speaker 1: like well taken to the audition. They gotta fight.

1797
01:26:36,479 --> 01:26:38,720
Speaker 2: I thought it was a royal rumber like whoever is

1798
01:26:38,840 --> 01:26:40,640
Speaker 2: left is in the cast.

1799
01:26:41,080 --> 01:26:44,160
Speaker 1: Versus persuasion versus pressure. I don't know who any of

1800
01:26:44,200 --> 01:26:48,000
Speaker 1: these ladies are. Couldn't tell you, but shout out to

1801
01:26:48,040 --> 01:26:51,840
Speaker 1: persuasion and pressure. Get your ship off. So what season

1802
01:26:51,880 --> 01:26:57,080
Speaker 1: is this now? I'm not sure they just did Baddies America.

1803
01:26:57,720 --> 01:27:00,400
Speaker 1: I think they just did Baddies America to come up

1804
01:27:00,439 --> 01:27:03,840
Speaker 1: with Batties Africa. I'm not sure what audition this is

1805
01:27:03,840 --> 01:27:04,400
Speaker 1: for though.

1806
01:27:04,200 --> 01:27:06,200
Speaker 2: Well, I saw Natalie Nunn was doing like press front

1807
01:27:06,200 --> 01:27:09,559
Speaker 2: shit she was with cam so I guess I haven't

1808
01:27:09,600 --> 01:27:10,200
Speaker 2: been keeping up.

1809
01:27:11,400 --> 01:27:13,280
Speaker 1: I was about to cancel my zeus, but I mean

1810
01:27:13,280 --> 01:27:16,479
Speaker 1: if they back at it. I was going through my statements,

1811
01:27:16,479 --> 01:27:17,880
Speaker 1: I was like, why am I still paying this zu shit?

1812
01:27:20,280 --> 01:27:22,400
Speaker 1: Yeah nah, it's a new season coming, you get canceled it.

1813
01:27:22,439 --> 01:27:25,680
Speaker 2: That no, because once they were scrapping in front of

1814
01:27:26,200 --> 01:27:28,479
Speaker 2: the band in Africa, of all the kids, I was like,

1815
01:27:29,280 --> 01:27:32,240
Speaker 2: this is not this was funny before twelve ninety nine.

1816
01:27:32,960 --> 01:27:34,840
Speaker 1: Yeah, yeah, you guys are taking a little too far

1817
01:27:34,880 --> 01:27:37,360
Speaker 1: from me. You can't fight at the charity event like

1818
01:27:37,400 --> 01:27:39,960
Speaker 1: with the kids. It's fucking crazy. Yeah, but I kind

1819
01:27:39,960 --> 01:27:41,160
Speaker 1: of fell off the batty train and I got to

1820
01:27:41,160 --> 01:27:42,320
Speaker 1: get back on and she was going on with the

1821
01:27:42,360 --> 01:27:43,320
Speaker 1: ladies though. Okay.

1822
01:27:44,160 --> 01:27:47,920
Speaker 2: Also before we get out of here, Ben Affleck, did

1823
01:27:48,400 --> 01:27:49,160
Speaker 2: you said all the smoke?

1824
01:27:49,160 --> 01:27:51,040
Speaker 1: Did this right? Yes? This is all the smoke did?

1825
01:27:51,640 --> 01:27:55,799
Speaker 2: Hood Classic Movies? Where where Ben got to pick his favorites?

1826
01:27:55,960 --> 01:27:58,720
Speaker 2: I mean I just clicked it just because I was

1827
01:27:58,840 --> 01:28:03,160
Speaker 2: curious what Ben new Man. I know, he's I know,

1828
01:28:03,200 --> 01:28:05,519
Speaker 2: he's a cinema Ben new the Hood.

1829
01:28:05,520 --> 01:28:07,519
Speaker 1: He knew the Hood movies, though I was. I was

1830
01:28:07,600 --> 01:28:08,320
Speaker 1: very surprised.

1831
01:28:08,560 --> 01:28:10,560
Speaker 2: Yeah, this this was kind of funny to watch, to

1832
01:28:10,600 --> 01:28:12,840
Speaker 2: be quite honest. So out the Gate they start with

1833
01:28:13,320 --> 01:28:15,759
Speaker 2: Friday versus soul Plane.

1834
01:28:16,680 --> 01:28:17,760
Speaker 1: Where where are you picking? There?

1835
01:28:17,800 --> 01:28:20,639
Speaker 2: More before we get to the final reveal where Ben

1836
01:28:20,720 --> 01:28:21,639
Speaker 2: decides what's better.

1837
01:28:22,080 --> 01:28:25,160
Speaker 1: I'm definitely going Friday. Yeah, Friday, I don't even think

1838
01:28:25,160 --> 01:28:28,040
Speaker 1: it's close and funny. So Plane is a great movie,

1839
01:28:28,040 --> 01:28:30,880
Speaker 1: but Friday Friday verse Rush Hour.

1840
01:28:30,960 --> 01:28:33,439
Speaker 2: So how this works is whatever when you pick staves

1841
01:28:33,479 --> 01:28:36,960
Speaker 2: and Ben went with Friday, So you know, the culture

1842
01:28:37,000 --> 01:28:37,439
Speaker 2: can rest.

1843
01:28:37,680 --> 01:28:40,280
Speaker 1: Ben af Flack has decided what the better.

1844
01:28:40,439 --> 01:28:44,520
Speaker 2: Yes the class Ben Bens, Cambridge, Massachusetts.

1845
01:28:44,680 --> 01:28:50,320
Speaker 1: Let Yes, Batman has stamped the hood classes Friday versus

1846
01:28:50,400 --> 01:28:58,599
Speaker 1: Rush Hour, Oh Ship both Chris Tucker legendary movies, classic movies.

1847
01:29:00,400 --> 01:29:07,000
Speaker 1: Do I go Ice Cube over Jackie Chan? Damn? For me?

1848
01:29:07,560 --> 01:29:09,599
Speaker 1: This one is very this is tough. It's very very,

1849
01:29:09,720 --> 01:29:12,599
Speaker 1: this is tough. This is Friday or Rush Out. I'm

1850
01:29:12,600 --> 01:29:14,760
Speaker 1: gonna go Friday, though. I think I think I watched

1851
01:29:14,800 --> 01:29:17,320
Speaker 1: Friday more than I watched Rush Hour. I'm going Friday

1852
01:29:17,320 --> 01:29:17,679
Speaker 1: as well.

1853
01:29:17,760 --> 01:29:19,840
Speaker 2: Yeah, but I have Rush Hours tough just because you

1854
01:29:19,880 --> 01:29:22,160
Speaker 2: get like the Kung Fu action ship in it as well.

1855
01:29:22,200 --> 01:29:24,920
Speaker 1: It's the production, it's a bigger movie, of course.

1856
01:29:25,040 --> 01:29:27,160
Speaker 2: But he was one of my favorite Chris Tucker lines

1857
01:29:27,160 --> 01:29:29,400
Speaker 2: ever again Kidna got Chelsea Clinton.

1858
01:29:29,479 --> 01:29:34,639
Speaker 1: Yeah, but if Chris Tucker went solo, if Chris Tucker

1859
01:29:34,680 --> 01:29:36,920
Speaker 1: had some solo church, you know what I mean? Oh yeah,

1860
01:29:36,920 --> 01:29:39,200
Speaker 1: but I'm going Friday me personally, Friday with rush all.

1861
01:29:40,439 --> 01:29:43,599
Speaker 1: Ben went with Rush Hour Rush I get it, though,

1862
01:29:43,960 --> 01:29:45,840
Speaker 1: I get it if you if you're talking about because

1863
01:29:46,280 --> 01:29:49,559
Speaker 1: is this Ben's personal or is he just saying is

1864
01:29:49,600 --> 01:29:51,439
Speaker 1: he just saying what he feels like is just a bigger,

1865
01:29:51,439 --> 01:29:53,640
Speaker 1: better movie. I think just because I think it's what

1866
01:29:53,680 --> 01:29:56,920
Speaker 1: he prefers. The fucking Rush Hours with Michael bay I

1867
01:29:56,920 --> 01:29:59,360
Speaker 1: think did that. I don't forgot the director. Did Michael

1868
01:29:59,360 --> 01:30:02,479
Speaker 1: Bay do rush Who did Russia? It wasn't him? Know

1869
01:30:02,640 --> 01:30:08,040
Speaker 1: who's the guy that did Ah was Michael Bayt. Bret

1870
01:30:08,080 --> 01:30:09,880
Speaker 1: Radner did a lot of crazy music. He did, like

1871
01:30:10,479 --> 01:30:14,920
Speaker 1: whole music. Yeah, yeah, so he picked he picked us

1872
01:30:15,360 --> 01:30:18,679
Speaker 1: rush Hour, Okay, then it went to rush Hour verse

1873
01:30:19,640 --> 01:30:21,120
Speaker 1: Coming to America. All right, here's my thing.

1874
01:30:21,880 --> 01:30:25,479
Speaker 2: Rush Hour and Coming to America hood classics or are

1875
01:30:25,520 --> 01:30:26,719
Speaker 2: they just like classic movies?

1876
01:30:26,760 --> 01:30:28,559
Speaker 1: I feel like Coming to America is a hood classic.

1877
01:30:29,240 --> 01:30:30,920
Speaker 1: I feel like that's a hood class Rush Hour is

1878
01:30:31,240 --> 01:30:33,439
Speaker 1: it's just a classic. I think that Coming to America

1879
01:30:33,520 --> 01:30:35,479
Speaker 1: is more. I don't think Coming to America is like,

1880
01:30:36,080 --> 01:30:39,519
Speaker 1: is just a worldwide movie. No, I don't think it's

1881
01:30:39,520 --> 01:30:42,719
Speaker 1: a worldwide It's Eddie Murphy. Yeah, but I'm just saying

1882
01:30:42,760 --> 01:30:45,519
Speaker 1: I feel like it's still like a very I really

1883
01:30:45,560 --> 01:30:48,519
Speaker 1: like cop Okay, I feel like Beverly Hill Cop Is

1884
01:30:48,560 --> 01:30:48,880
Speaker 1: he was.

1885
01:30:48,800 --> 01:30:51,840
Speaker 2: Bigger at that time. Yeah, Coming to America's that wasn't

1886
01:30:52,000 --> 01:30:53,000
Speaker 2: That was probably his first.

1887
01:30:52,880 --> 01:30:55,479
Speaker 1: Coming to America was after Beverly Hills. Was Yeah, that

1888
01:30:55,520 --> 01:30:57,600
Speaker 1: was after Beverly Hills. I just don't think Coming to

1889
01:30:57,600 --> 01:30:59,800
Speaker 1: America is like a hood movie. I think it's a

1890
01:30:59,800 --> 01:31:01,599
Speaker 1: hook classic. It's a hood classic.

1891
01:31:01,640 --> 01:31:05,000
Speaker 2: Bro, all right, Well, then to me coming to America

1892
01:31:05,040 --> 01:31:07,599
Speaker 2: like wins all of these.

1893
01:31:07,520 --> 01:31:09,799
Speaker 1: Yeah, coming to America, definitely. I'm picking up a rushout

1894
01:31:09,800 --> 01:31:10,800
Speaker 1: Will coming to America. Same.

1895
01:31:12,200 --> 01:31:14,920
Speaker 2: I just don't consider it really like a hood class.

1896
01:31:14,920 --> 01:31:16,719
Speaker 2: It's a classic movie in my opinion.

1897
01:31:16,960 --> 01:31:19,720
Speaker 1: Okay, Ben Ben Wim would coming to America. I mean,

1898
01:31:19,760 --> 01:31:21,320
Speaker 1: I feel like that's the only right answer in this

1899
01:31:21,479 --> 01:31:21,880
Speaker 1: entire thing.

1900
01:31:22,240 --> 01:31:24,680
Speaker 2: The next one is coming to America over Boys in

1901
01:31:24,720 --> 01:31:26,599
Speaker 2: the Hood, Oh shit, very weird.

1902
01:31:27,240 --> 01:31:33,880
Speaker 1: Shit is a hood class. Coming to America is a

1903
01:31:33,880 --> 01:31:36,360
Speaker 1: hood class. If I'm picking out of the two of these,

1904
01:31:36,360 --> 01:31:40,519
Speaker 1: I'm it's coming to America. I'm gonna go far. I

1905
01:31:40,560 --> 01:31:43,720
Speaker 1: love Boys in the Hood. It's coming to America. But

1906
01:31:43,760 --> 01:31:46,040
Speaker 1: it's two different types of movies to at the same time.

1907
01:31:46,080 --> 01:31:49,240
Speaker 1: It's like such two different vibes, like I just one

1908
01:31:49,320 --> 01:31:51,280
Speaker 1: is a comedy. One is like, you know, touching on

1909
01:31:51,360 --> 01:31:53,400
Speaker 1: real shit that's going on. That was a lot of funny.

1910
01:31:53,800 --> 01:31:55,960
Speaker 1: It was a lot of hilarious, even when they weren't

1911
01:31:55,960 --> 01:32:00,120
Speaker 1: trying to be funny. Yelling Ricky was kind of funny

1912
01:32:01,400 --> 01:32:03,559
Speaker 1: I'm gonna go come into America saying I'm gonna go

1913
01:32:03,560 --> 01:32:08,840
Speaker 1: come into America. But Ben's answer on this, Pau's real quick, Josh.

1914
01:32:08,920 --> 01:32:13,120
Speaker 2: He chose coming to America because he feels menace to

1915
01:32:13,200 --> 01:32:16,519
Speaker 2: society is a better version of the same message as

1916
01:32:16,560 --> 01:32:19,000
Speaker 2: boys in the Hood. And I was like, I see

1917
01:32:19,000 --> 01:32:21,080
Speaker 2: what he's saying, because that would be tougher for me

1918
01:32:21,120 --> 01:32:23,839
Speaker 2: coming to America versus men of society.

1919
01:32:24,120 --> 01:32:29,880
Speaker 1: That's a tough debate. Yeah, Menace is probably Yeah, Menace

1920
01:32:29,920 --> 01:32:31,559
Speaker 1: is a hood classic that shouldn't be a hood classic,

1921
01:32:31,640 --> 01:32:34,240
Speaker 1: that should just be a classic. All right. Then when

1922
01:32:34,360 --> 01:32:37,640
Speaker 1: coming to America versus Juice Oh man, I watched I

1923
01:32:37,680 --> 01:32:40,320
Speaker 1: watched Juice More. Yeah, I watched Juice More, But coming

1924
01:32:40,360 --> 01:32:45,040
Speaker 1: to America's is probably at America.

1925
01:32:45,200 --> 01:32:48,040
Speaker 2: Coming to America versus Paytentful Again. I watched Peytonful. I

1926
01:32:48,080 --> 01:32:49,920
Speaker 2: watch Coming to America.

1927
01:32:49,720 --> 01:32:51,640
Speaker 1: Is a better movie. Coming to America is definitely a

1928
01:32:51,680 --> 01:32:53,840
Speaker 1: better a better movie, and Peytonful is a hood classic.

1929
01:32:53,840 --> 01:32:56,639
Speaker 1: Coming to America isn't Belly. You know how I feel

1930
01:32:56,640 --> 01:32:58,679
Speaker 1: about Belly coming to America. I might go with Belly

1931
01:32:58,720 --> 01:33:02,360
Speaker 1: on this one. Same neighborhoo. Fuck no, not overcoming to America.

1932
01:33:02,439 --> 01:33:04,200
Speaker 2: It's not fair. Why couldn't they have done the Hood

1933
01:33:04,200 --> 01:33:06,400
Speaker 2: Classics versus the Hood Classic? Why couldn't we do Juice

1934
01:33:06,400 --> 01:33:08,599
Speaker 2: and Belly that feel like coming to American Juice versus

1935
01:33:08,600 --> 01:33:10,760
Speaker 2: Belly Juice Juice?

1936
01:33:10,800 --> 01:33:13,200
Speaker 1: Yeah, yeah, obviously, Hell yeah.

1937
01:33:13,240 --> 01:33:14,880
Speaker 2: This is a little bit more fair because I think

1938
01:33:15,040 --> 01:33:17,400
Speaker 2: neither of these are Hood classics coming to America versus

1939
01:33:17,400 --> 01:33:21,160
Speaker 2: Training Day. Completely different movies, but it's who totally different movies.

1940
01:33:21,720 --> 01:33:23,160
Speaker 2: You think Training Day is a Hood classic?

1941
01:33:24,520 --> 01:33:26,840
Speaker 1: Nah, I'm not gonna say Hood classic, but I mean shit,

1942
01:33:26,920 --> 01:33:29,080
Speaker 1: it was shot in the Hood. It was classic for

1943
01:33:29,120 --> 01:33:34,080
Speaker 1: that coming to America A train Damn two of my

1944
01:33:34,080 --> 01:33:37,599
Speaker 1: favorite movies. I'm gonna go pooh shit, Training Day.

1945
01:33:38,240 --> 01:33:41,240
Speaker 2: I'm going Training Day and me and Peter were talking

1946
01:33:41,280 --> 01:33:44,160
Speaker 2: off Mike. Training Day came out in one. I would

1947
01:33:44,160 --> 01:33:46,320
Speaker 2: say Training Day is a top five movie of the

1948
01:33:46,400 --> 01:33:47,800
Speaker 2: last twenty five years.

1949
01:33:49,520 --> 01:33:54,840
Speaker 1: Yeah. But did Denzel go solo? Though? Actually, does he

1950
01:33:54,920 --> 01:33:57,760
Speaker 1: have any solo? If we're on the Brunos side. This

1951
01:33:57,880 --> 01:34:00,960
Speaker 1: was the first time Denzel ever played a villain yeah.

1952
01:34:01,080 --> 01:34:04,720
Speaker 1: He was always that we were rooting for, and this

1953
01:34:04,800 --> 01:34:07,439
Speaker 1: was when he showed his range of like origin, You're

1954
01:34:07,439 --> 01:34:10,080
Speaker 1: gonna hate me by the end of this fucking yeah, yeah, yeah.

1955
01:34:10,880 --> 01:34:13,439
Speaker 1: He chose coming to America. He chose coming to America

1956
01:34:13,479 --> 01:34:16,679
Speaker 1: with Training Day. Training Day is ship twenty first century,

1957
01:34:16,720 --> 01:34:18,760
Speaker 1: one of the greats. I never thought Ben Affleck fucked

1958
01:34:18,880 --> 01:34:20,400
Speaker 1: was coming to I would have never thought that Ben

1959
01:34:20,400 --> 01:34:23,200
Speaker 1: Affleck fuck wud coming to America like that. Training Day

1960
01:34:23,280 --> 01:34:25,800
Speaker 1: is one of the greatest movies ever for sure. Yeah.

1961
01:34:25,960 --> 01:34:30,080
Speaker 2: Coming to America versus Menace to Society again, very weird matchup.

1962
01:34:30,560 --> 01:34:33,439
Speaker 1: Very weird. I'm gonna come into America. I'm just like

1963
01:34:34,240 --> 01:34:38,160
Speaker 1: I'm he picked minutes, yo, Ben, I didn't. I didn't.

1964
01:34:38,280 --> 01:34:40,479
Speaker 1: I didn't know Ben. I didn't know he was I

1965
01:34:40,520 --> 01:34:42,680
Speaker 1: had no idea. I learned so much about being Ben

1966
01:34:42,720 --> 01:34:44,080
Speaker 1: Affleck in the last two minutes.

1967
01:34:44,080 --> 01:34:46,000
Speaker 2: All right, Well, if we want to do a fake

1968
01:34:46,040 --> 01:34:48,960
Speaker 2: deep dive, Clearly, all the movies, for the most part,

1969
01:34:49,000 --> 01:34:51,679
Speaker 2: in the beginning of Ben's career and throughout his career

1970
01:34:51,680 --> 01:34:53,120
Speaker 2: are very much region focused.

1971
01:34:53,120 --> 01:34:55,920
Speaker 1: He is a regional bias. He is to the Greater

1972
01:34:55,960 --> 01:34:57,559
Speaker 1: New England, but.

1973
01:34:57,600 --> 01:34:59,760
Speaker 2: Because he's from there, he makes great Moen. He understands

1974
01:34:59,800 --> 01:35:02,600
Speaker 2: that that the culture culture. I'm sure he would have

1975
01:35:02,640 --> 01:35:05,160
Speaker 2: a good appreciation for somebody that would do a regional

1976
01:35:05,280 --> 01:35:09,080
Speaker 2: movie that that really shows exactly what this place is about,

1977
01:35:09,280 --> 01:35:12,360
Speaker 2: where Menace is. If you didn't know about what was

1978
01:35:12,360 --> 01:35:14,920
Speaker 2: happening in la it told you exactly what was happening

1979
01:35:14,920 --> 01:35:16,880
Speaker 2: in l A at that time, so I could see

1980
01:35:16,880 --> 01:35:22,040
Speaker 2: Ben I mean Goodwill Hunting is more of the snobby

1981
01:35:22,120 --> 01:35:24,720
Speaker 2: New England mental health version of Mena Society without the

1982
01:35:24,720 --> 01:35:27,760
Speaker 2: projects if you really get into it, like you know,

1983
01:35:28,040 --> 01:35:30,920
Speaker 2: O Dog and do you like apples? Are pretty much yo,

1984
01:35:31,000 --> 01:35:33,280
Speaker 2: y'all want these hamburgers? Do you like apples? Tell me

1985
01:35:33,320 --> 01:35:39,120
Speaker 2: the difference? That was funny to me. Mena Society verse

1986
01:35:39,200 --> 01:35:40,640
Speaker 2: New Jack City tough.

1987
01:35:41,960 --> 01:35:45,360
Speaker 1: Tough. I'm going Menace, very tough. Yeah, I gotta go

1988
01:35:45,479 --> 01:35:47,720
Speaker 1: Menace over that love New.

1989
01:35:47,760 --> 01:35:51,280
Speaker 2: Jack's funny Newjack versus a lot of the ones before

1990
01:35:54,080 --> 01:35:57,240
Speaker 2: Mena Society Don't be a Menace, I mean meta Society.

1991
01:35:57,280 --> 01:36:00,719
Speaker 2: But yes, you know it's no in the same movie.

1992
01:36:02,000 --> 01:36:03,960
Speaker 1: Yeah, I get it, but yeah, no, we gotta go

1993
01:36:04,040 --> 01:36:06,320
Speaker 1: minus Don't be a minuised as a classic.

1994
01:36:05,960 --> 01:36:10,720
Speaker 2: Though Menace verse eight Mile I'm going Menace, but eight

1995
01:36:10,760 --> 01:36:12,880
Speaker 2: miles still needs its flowers Man eight miles A really

1996
01:36:12,920 --> 01:36:15,000
Speaker 2: really really yeah.

1997
01:36:15,200 --> 01:36:17,639
Speaker 1: I think I'm gonna go eight mile though, really yeah,

1998
01:36:18,640 --> 01:36:23,080
Speaker 1: really yeah. I think we'll got legendary scenes versus legendary scenes.

1999
01:36:23,120 --> 01:36:26,559
Speaker 1: I mean, yeah, you're going eight mile. Yeah, I think

2000
01:36:26,560 --> 01:36:31,360
Speaker 1: we'll go eight mile. Eight mile versus Poetic Justice, damn,

2001
01:36:31,439 --> 01:36:34,320
Speaker 1: another classic. This is some tough. This is not as

2002
01:36:34,320 --> 01:36:37,000
Speaker 1: easy to answer because it's a it's a better movie

2003
01:36:37,080 --> 01:36:41,960
Speaker 1: versus what movie you watch more? Because I watch Poetic

2004
01:36:42,080 --> 01:36:44,960
Speaker 1: Justice way more than I watch eight Mile. But it's

2005
01:36:45,080 --> 01:36:48,360
Speaker 1: Poetic Justice a better movie than eight Mile. It is,

2006
01:36:48,400 --> 01:36:50,400
Speaker 1: you know what I'm saying. You think Poetic Justice is

2007
01:36:50,439 --> 01:36:53,080
Speaker 1: a better movie, I don't know.

2008
01:36:54,080 --> 01:36:57,880
Speaker 2: Eight It's also not fair because kind of back to

2009
01:36:57,880 --> 01:37:03,800
Speaker 2: our rush hour conversation versus Friday, like eight Mile was

2010
01:37:03,840 --> 01:37:08,680
Speaker 2: a major movie budget production, like Poetic Justice is the

2011
01:37:09,040 --> 01:37:12,800
Speaker 2: quintessential hood classic movie. Working with a budget that you

2012
01:37:12,840 --> 01:37:15,919
Speaker 2: had and created a fucking classic with Janet Jackson and Tupac.

2013
01:37:18,479 --> 01:37:20,960
Speaker 2: Voting against Janet and Tupac would make my stomach hurt.

2014
01:37:23,280 --> 01:37:26,040
Speaker 1: Yeah, but does pok have any solo see if Janet

2015
01:37:26,040 --> 01:37:28,120
Speaker 1: didn't go solo, you know what I mean, would she

2016
01:37:28,200 --> 01:37:31,840
Speaker 1: either he's his first solo underground of poetic justice. I

2017
01:37:31,920 --> 01:37:34,880
Speaker 1: understand if Janet didn't leave the family, would she even

2018
01:37:34,920 --> 01:37:38,240
Speaker 1: be cast in a poetic justice? If she was just

2019
01:37:38,320 --> 01:37:40,759
Speaker 1: running up onto her brothers, would she have gotten casted?

2020
01:37:40,880 --> 01:37:43,200
Speaker 1: You know that's true. Uh, I'm gonna have to go

2021
01:37:43,200 --> 01:37:47,040
Speaker 1: poetic justice during this one, and ironically am decided not

2022
01:37:47,080 --> 01:37:48,639
Speaker 1: to be solo at this time and join D twelve

2023
01:37:48,920 --> 01:37:53,200
Speaker 1: exactly see what if he never went solo? I'm going

2024
01:37:53,240 --> 01:37:55,360
Speaker 1: poetic justice. But a mile like I hate to not

2025
01:37:55,400 --> 01:37:57,439
Speaker 1: give eight Mile the credit that they fucking deserves. A

2026
01:37:57,439 --> 01:38:01,559
Speaker 1: great movie. Been with eight Mile? Eight mile? Hustle and Flow.

2027
01:38:01,640 --> 01:38:04,280
Speaker 1: I'm gonna Hustle and Flow. I know that's flat, yo.

2028
01:38:04,479 --> 01:38:08,240
Speaker 1: Hustle and Flow is so fucking underrated. Hustle and Flow

2029
01:38:08,320 --> 01:38:11,200
Speaker 1: is the big boy of this entire conversation. A hustling

2030
01:38:11,280 --> 01:38:14,519
Speaker 1: flow plot makes zero sense. Great boy, is it a

2031
01:38:14,560 --> 01:38:17,519
Speaker 1: fucking great movie? Great movie? Great. I gotta go eight

2032
01:38:17,560 --> 01:38:20,280
Speaker 1: Mile though. Great. Hustle Flow is a great movie though,

2033
01:38:20,720 --> 01:38:23,240
Speaker 1: But I'll go eight mile. Personally, eight Mile. They both

2034
01:38:23,320 --> 01:38:27,639
Speaker 1: equally shortened the time of what it takes to make

2035
01:38:27,640 --> 01:38:32,200
Speaker 1: it as a rapper. Yeah, it's not that easy. I

2036
01:38:32,240 --> 01:38:32,720
Speaker 1: promise you.

2037
01:38:35,040 --> 01:38:36,720
Speaker 2: He hadn't wrapped in like thirty years. He ran in

2038
01:38:36,800 --> 01:38:38,840
Speaker 2: some guy who went to middle school with like, yo,

2039
01:38:39,120 --> 01:38:40,120
Speaker 2: I think I'm a rap again.

2040
01:38:40,200 --> 01:38:44,599
Speaker 1: Here's three classics. Here you go, eight Mile versus American Gangster,

2041
01:38:44,600 --> 01:38:48,240
Speaker 1: American gangster, American gangster again. Not a Hood classic. No,

2042
01:38:48,280 --> 01:38:52,040
Speaker 1: it's not a classic, Russell Crow and Denzel, Yeah, that's

2043
01:38:52,040 --> 01:38:56,040
Speaker 1: not a Hood classic. Yeah, American gangster for sure. Ooh,

2044
01:38:56,320 --> 01:39:01,760
Speaker 1: American gangster. A Dead Presidents, Damn Dead Presidence. I'm going

2045
01:39:01,840 --> 01:39:04,799
Speaker 1: Dead Presidents. Yeah, I'm going Dead Presidents.

2046
01:39:05,000 --> 01:39:09,480
Speaker 2: Dead Presidents. Dead Presidents does fall Underhood classic, and it shouldn't.

2047
01:39:10,000 --> 01:39:12,840
Speaker 2: It should be revered the way American Gangster is to

2048
01:39:12,880 --> 01:39:13,240
Speaker 2: the public.

2049
01:39:13,800 --> 01:39:14,360
Speaker 1: Dead President.

2050
01:39:14,439 --> 01:39:17,040
Speaker 2: You have everything from the action scenes to the war

2051
01:39:17,280 --> 01:39:19,400
Speaker 2: to what it was like for Vietnam vets to come

2052
01:39:19,439 --> 01:39:20,240
Speaker 2: back to the city.

2053
01:39:20,800 --> 01:39:23,400
Speaker 1: Like then you get into bank robberies.

2054
01:39:23,439 --> 01:39:29,040
Speaker 2: It covers so many different plots and succeeds where most

2055
01:39:29,040 --> 01:39:30,519
Speaker 2: movies try to do a bunch of plots and then

2056
01:39:30,520 --> 01:39:32,680
Speaker 2: fall short because you're trying to do too much. They

2057
01:39:32,720 --> 01:39:34,760
Speaker 2: did too much and succeeded through the whole thing. How

2058
01:39:34,800 --> 01:39:38,040
Speaker 2: you have the high school experience Vietnam drug addiction, coming

2059
01:39:38,080 --> 01:39:41,040
Speaker 2: back to the Bronx robbery, then dealing with the court

2060
01:39:41,080 --> 01:39:43,679
Speaker 2: system and how they treated the vets that they ignored.

2061
01:39:44,120 --> 01:39:46,559
Speaker 1: How do you cover all of that in a masterful way?

2062
01:39:46,720 --> 01:39:48,400
Speaker 1: And not only that, you got one of probably the

2063
01:39:48,479 --> 01:39:52,559
Speaker 1: most iconic Hood costumes during Halloween out of just for

2064
01:39:52,600 --> 01:39:54,960
Speaker 1: sure this movie, Like I was avetted by the white Face.

2065
01:39:54,960 --> 01:39:57,200
Speaker 1: But I don't know anybody that didn't do that as

2066
01:39:57,360 --> 01:39:59,960
Speaker 1: at Halloween at one point. So I'm going dead President

2067
01:40:00,160 --> 01:40:05,400
Speaker 1: over American Gangster personally, Ben took American gangst Okay, blood

2068
01:40:05,400 --> 01:40:07,320
Speaker 1: and blood. I wouldn't even think they would know about

2069
01:40:07,360 --> 01:40:09,559
Speaker 1: this blood and blood you know you've never seen blood

2070
01:40:09,560 --> 01:40:15,599
Speaker 1: in Yeah, I'm going to Blood and blood Out. Oh shit, classic,

2071
01:40:16,120 --> 01:40:20,920
Speaker 1: that's like, that's like Hood, Mexican Classic. That's Mexican classic. Right,

2072
01:40:20,960 --> 01:40:26,479
Speaker 1: I'm going to American Gangster. But damn, Blood and Blood

2073
01:40:26,520 --> 01:40:29,200
Speaker 1: Out is it's a really good movie though, But yeah,

2074
01:40:29,200 --> 01:40:32,479
Speaker 1: American Gangster with Blood and Blood Out? For sure? Did

2075
01:40:32,560 --> 01:40:34,960
Speaker 1: they live? Did they leave any out? Wait? I'm sure

2076
01:40:35,120 --> 01:40:37,840
Speaker 1: of course they did. But out of those I'm curious

2077
01:40:37,840 --> 01:40:40,759
Speaker 1: how they even landed on them, some of those movies.

2078
01:40:41,040 --> 01:40:43,479
Speaker 1: But they covered, they covered most of the hood classics, though,

2079
01:40:43,520 --> 01:40:46,000
Speaker 1: the ones that we talk about, they covered most of them.

2080
01:40:46,000 --> 01:40:47,960
Speaker 1: That was a I wasn't expecting to see blood and

2081
01:40:48,000 --> 01:40:50,400
Speaker 1: that was a curveball at the end. Blood and blood out.

2082
01:40:50,400 --> 01:40:52,400
Speaker 1: I don't I don't know many people that have seen

2083
01:40:52,400 --> 01:40:57,680
Speaker 1: that movie. American Me is the Mexican hood movie. Yeah that,

2084
01:40:57,840 --> 01:40:59,880
Speaker 1: you know, everybody kind of goes blood and blood out.

2085
01:41:00,280 --> 01:41:03,000
Speaker 1: I was hophing colors would have been there. Colors. I

2086
01:41:03,040 --> 01:41:05,760
Speaker 1: know you're big on Freedom Writers. One of your famis

2087
01:41:08,880 --> 01:41:16,400
Speaker 1: you bring that one up a lot, yo. That's fucking funny.

2088
01:41:17,520 --> 01:41:21,200
Speaker 1: Freedom Writer. What have you ever heard me talk about that?

2089
01:41:26,280 --> 01:41:30,599
Speaker 2: Remember when she taught those inner city youth that poetry

2090
01:41:30,680 --> 01:41:31,000
Speaker 2: is cool?

2091
01:41:31,040 --> 01:41:37,000
Speaker 1: If Tupac doesn't. Freedom was the original Freedom Writers where

2092
01:41:37,000 --> 01:41:39,240
Speaker 1: she gets the leather jacket from the Mexican kid. It's

2093
01:41:39,240 --> 01:41:41,120
Speaker 1: the same plot as Freedom Writer. It was the first one.

2094
01:41:41,720 --> 01:41:43,920
Speaker 1: What movie was that? I can see the white woman's

2095
01:41:43,960 --> 01:41:49,040
Speaker 1: face right now? Is that Michelle Peiffer, right? Yeah? It

2096
01:41:49,080 --> 01:41:50,920
Speaker 1: was just thee It was offensive that they just that's

2097
01:41:50,960 --> 01:41:53,040
Speaker 1: what gangs? Yeah, coolie. Oh that's the songs from right.

2098
01:41:53,360 --> 01:41:54,439
Speaker 1: What was the name of that movie?

2099
01:41:55,200 --> 01:41:57,639
Speaker 2: Because it was like when Freedom Riders trailer came on TV.

2100
01:41:57,760 --> 01:42:00,519
Speaker 2: I was like, all right, so there's just making the.

2101
01:42:00,479 --> 01:42:02,840
Speaker 1: Same Dangerous Minds.

2102
01:42:02,960 --> 01:42:06,320
Speaker 2: Yes, Wow, Dangerous Minds is offensive, It's not even remotely closed.

2103
01:42:06,920 --> 01:42:09,600
Speaker 2: Freedom Writers is almost like the Don't Drink Juice in

2104
01:42:09,640 --> 01:42:11,960
Speaker 2: South Central, like parody of.

2105
01:42:11,920 --> 01:42:14,360
Speaker 1: It, but they were trying to be serious. Yeah, that

2106
01:42:14,400 --> 01:42:18,280
Speaker 1: movie is fucking classic. Though Dangerous Minds Danish mind is cool.

2107
01:42:18,439 --> 01:42:22,240
Speaker 1: I'm saying Freedom, Freedom Writers. That's hilarious. Oh man, all right,

2108
01:42:22,280 --> 01:42:25,120
Speaker 1: Well hopefully man, were you know, not as hated as

2109
01:42:25,120 --> 01:42:29,240
Speaker 1: we was last week? Apologies again for the false start.

2110
01:42:29,800 --> 01:42:32,000
Speaker 1: You know what I mean. No, I just know that

2111
01:42:32,200 --> 01:42:37,479
Speaker 1: people are not watching the actual clip. Yeah, most people are.

2112
01:42:37,600 --> 01:42:39,880
Speaker 2: Even though it was a pretty mixed bag, like it

2113
01:42:40,000 --> 01:42:42,960
Speaker 2: wasn't just this take is insane. There was a lot

2114
01:42:43,000 --> 01:42:44,880
Speaker 2: of people that were agreeing with what you were. I

2115
01:42:44,920 --> 01:42:48,040
Speaker 2: think I think most people was agreeing with me from

2116
01:42:48,040 --> 01:42:49,679
Speaker 2: what I saw. Again, I'm just just what I don't

2117
01:42:49,680 --> 01:42:51,479
Speaker 2: know what else bubble. Yeah, in my world, you.

2118
01:42:51,439 --> 01:42:53,400
Speaker 1: Know what I'm saying. But I think most people agreeing

2119
01:42:53,400 --> 01:42:55,519
Speaker 1: with me. I've had some interesting conversations about it, but

2120
01:42:56,000 --> 01:42:56,439
Speaker 1: all love.

2121
01:42:57,160 --> 01:42:59,599
Speaker 2: A lot of my uh, a lot of my white

2122
01:42:59,600 --> 01:43:03,040
Speaker 2: liberal friends were not happy with your backfield take.

2123
01:43:03,080 --> 01:43:03,280
Speaker 1: Either.

2124
01:43:03,520 --> 01:43:08,639
Speaker 2: I got a earful from the Williamsburg libs about being

2125
01:43:08,680 --> 01:43:13,120
Speaker 2: more offended by Beyonce going out for the Kamala thing

2126
01:43:13,120 --> 01:43:18,040
Speaker 2: than Nicki and the Charlie Kirk's wife.

2127
01:43:18,040 --> 01:43:20,200
Speaker 1: I didn't say nothing about wife, but yeah, we're talking.

2128
01:43:20,240 --> 01:43:23,640
Speaker 1: When Nicki went up and did the turning point us

2129
01:43:23,760 --> 01:43:26,000
Speaker 1: a ship and you said you you were more upset

2130
01:43:26,000 --> 01:43:31,200
Speaker 1: that Beyonce went and did the speech for Kamala. Oh yeah, yeah,

2131
01:43:31,240 --> 01:43:34,000
Speaker 1: I stand on that for sure. The ch T crowd

2132
01:43:34,080 --> 01:43:36,519
Speaker 1: was not not happy with me. I mean, you know

2133
01:43:36,680 --> 01:43:39,760
Speaker 1: that is part of the problem to me, right, I'm

2134
01:43:39,760 --> 01:43:43,519
Speaker 1: part of the problem. I got it. Yeah, surprise albums

2135
01:43:43,520 --> 01:43:46,760
Speaker 1: this week. Listen, listen peage, don't get me in why

2136
01:43:47,040 --> 01:43:49,479
Speaker 1: you know what I'm saying. I don't know. I'm just

2137
01:43:49,479 --> 01:43:52,000
Speaker 1: saying I don't know. Nah, I haven't. Finally he's saying

2138
01:43:52,040 --> 01:43:54,679
Speaker 1: he doesn't know. No, no, no, no, no, I'm not I don't.

2139
01:43:54,760 --> 01:43:57,839
Speaker 1: I don't know. No. I don't have any any updates

2140
01:43:57,840 --> 01:43:59,920
Speaker 1: on anything that's supposed to be dropping. But I do know.

2141
01:44:00,000 --> 01:44:03,080
Speaker 1: Oh that you know, I think we get all three

2142
01:44:03,120 --> 01:44:04,760
Speaker 1: of those guys this year old album for sure.

2143
01:44:05,040 --> 01:44:08,520
Speaker 2: Do you think the person that gave you that information

2144
01:44:09,960 --> 01:44:11,960
Speaker 2: maybe was purposely given wrong information.

2145
01:44:12,600 --> 01:44:17,800
Speaker 1: No, okay, nah, he don't know because they do that too.

2146
01:44:18,200 --> 01:44:22,240
Speaker 1: Oh yeah, I mean but not for me though that

2147
01:44:22,479 --> 01:44:24,799
Speaker 1: That wasn't it fair enough? I think it was really

2148
01:44:25,400 --> 01:44:26,200
Speaker 1: a thing, a real thing.

2149
01:44:26,400 --> 01:44:31,000
Speaker 2: Yeah, we're not going to do voicemails today, but everyone

2150
01:44:31,360 --> 01:44:34,320
Speaker 2: that is sign up to our patreon that is able

2151
01:44:34,360 --> 01:44:37,120
Speaker 2: to do voicemails, please send in some voicemails for baby

2152
01:44:37,160 --> 01:44:40,000
Speaker 2: d send her well wishes, just say hi to her.

2153
01:44:39,880 --> 01:44:43,160
Speaker 1: And make her laugh. We'd like to hear some of

2154
01:44:43,160 --> 01:44:46,240
Speaker 1: those so we can send them over to her. You

2155
01:44:46,240 --> 01:44:46,880
Speaker 1: know what's fucked up?

2156
01:44:46,880 --> 01:44:49,720
Speaker 2: I consider Damrius, one of my best friends and a

2157
01:44:49,760 --> 01:44:51,880
Speaker 2: pod listener hit me and asked for her T shirt

2158
01:44:52,040 --> 01:44:53,840
Speaker 2: and hoodie size because they were trying to put like

2159
01:44:53,920 --> 01:44:57,880
Speaker 2: a pack together for her. I didn't know what to

2160
01:44:57,920 --> 01:45:00,040
Speaker 2: say because I didn't want to be offensive, but and

2161
01:45:00,080 --> 01:45:04,599
Speaker 2: I didn't want to be Yeah, I replied, you think

2162
01:45:04,680 --> 01:45:06,000
Speaker 2: you think she could fit my hoodie?

2163
01:45:06,600 --> 01:45:11,679
Speaker 1: I give you my size because I don't. I don't

2164
01:45:12,240 --> 01:45:14,840
Speaker 1: what do you say with a woman's size? Well, you

2165
01:45:14,840 --> 01:45:17,479
Speaker 1: guessed her weight down to the ounce, so maybe they

2166
01:45:17,479 --> 01:45:20,560
Speaker 1: should have asked you instead of me. I went with medium.

2167
01:45:20,960 --> 01:45:25,160
Speaker 1: That's cool, that's that's cool because sometimes the oversize. Yeah, yeah,

2168
01:45:25,240 --> 01:45:26,680
Speaker 1: to give a little room in a hoodie like the

2169
01:45:26,720 --> 01:45:30,200
Speaker 1: women preferred baggy hood I assume that's fine. I think

2170
01:45:30,200 --> 01:45:32,240
Speaker 1: that's that's safe. But then I wasn't sure because maybe

2171
01:45:32,280 --> 01:45:34,240
Speaker 1: she would want a large, and then I don't know,

2172
01:45:34,320 --> 01:45:35,920
Speaker 1: the large might have been too you're swimming in it

2173
01:45:35,960 --> 01:45:38,120
Speaker 1: too much at that point, that's just down. Yeah, I

2174
01:45:38,200 --> 01:45:39,599
Speaker 1: get it all.

2175
01:45:39,560 --> 01:45:43,200
Speaker 2: Right, Well, yeah, please send over your voicemails to to

2176
01:45:43,280 --> 01:45:46,160
Speaker 2: Demerius and also, uh, Mary J. Blige may get me

2177
01:45:46,160 --> 01:45:48,920
Speaker 2: to Vegas. The residency is like three days, but I

2178
01:45:48,960 --> 01:45:51,920
Speaker 2: think it's around my birthday. Yeah, it's made maybe first

2179
01:45:51,920 --> 01:45:55,360
Speaker 2: to ninth and then July ten to eighteen. Okay, Mary

2180
01:45:55,360 --> 01:45:56,240
Speaker 2: in Vegas could be fun.

2181
01:45:56,439 --> 01:45:57,280
Speaker 1: Yeah, definitely.

2182
01:45:57,439 --> 01:46:00,360
Speaker 2: And I'd prefer the AUNTI crowd in Vegas over you know,

2183
01:46:00,800 --> 01:46:06,760
Speaker 2: Brooklyn No to the usher coked out white crowd because

2184
01:46:06,760 --> 01:46:09,720
Speaker 2: it got so popular, Like I like that. This is

2185
01:46:09,800 --> 01:46:11,479
Speaker 2: just like a two week gap, So you just have

2186
01:46:11,520 --> 01:46:13,120
Speaker 2: to be a fan. You want to make it, you're not.

2187
01:46:13,240 --> 01:46:15,040
Speaker 2: This isn't just be part of the Vegas experience, like

2188
01:46:15,080 --> 01:46:15,800
Speaker 2: you're going for this?

2189
01:46:16,040 --> 01:46:18,559
Speaker 1: Where is it at in Vegas? The MGM? She said,

2190
01:46:18,560 --> 01:46:21,840
Speaker 1: what it was at Park m GM. Okay, yeah, I'm

2191
01:46:21,840 --> 01:46:25,080
Speaker 1: sure that'll be great. Yeah yeah, So congrats to Mary.

2192
01:46:25,680 --> 01:46:27,320
Speaker 2: Love to see that because I'm sure that you know,

2193
01:46:27,600 --> 01:46:30,360
Speaker 2: puts her over for her her alimony. I hope she

2194
01:46:30,400 --> 01:46:32,000
Speaker 2: put it in a whole separate company.

2195
01:46:32,680 --> 01:46:34,840
Speaker 1: Oh you know, all of that is, all of that is.

2196
01:46:35,120 --> 01:46:37,479
Speaker 1: She's not doing this unless you know absolutely this is

2197
01:46:37,479 --> 01:46:40,000
Speaker 1: this is this is for her, This is hers, absolutely one.

2198
01:46:41,120 --> 01:46:43,800
Speaker 1: All right, Well with to y'all. Soon be safe, be

2199
01:46:43,920 --> 01:46:46,799
Speaker 1: blessed on that nigga. He's just ginger peace