WEBVTT - Crosswords episode, perhaps?

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio. Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh. There's shuck and

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<v Speaker 1>this is Stuff you Should Know for one seven letters.

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<v Speaker 1>I'm really excited about this one because you and I

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<v Speaker 1>chatted recently, I think, probably on our super secret trip,

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<v Speaker 1>our research trip out west, about my new crossword passion,

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<v Speaker 1>which started I don't know sometime in twenty twenty two,

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<v Speaker 1>where I started dabbling in the New York Times Crossword

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<v Speaker 1>for the first time, doing Monday Tuesday ish. I would

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<v Speaker 1>try Wednesdays, and then I was like, I wouldn't even

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<v Speaker 1>try anything past that because I knew they got progressively harder,

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<v Speaker 1>and I wasn't, you know, I was just sort of

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<v Speaker 1>learning the language of crosswords, which is a thing we'll

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<v Speaker 1>talk about, yeah, And then I was like, you know what,

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<v Speaker 1>I'm gonna try these other ones, and before you know it,

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<v Speaker 1>I'm doing all seven days. Oh really like and finishing

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<v Speaker 1>them with my little cheats, which we'll talk about as well.

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<v Speaker 1>Oh that's pretty cool, man. Saturday's too, huh. Saturday's too.

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<v Speaker 1>And I love doing it so so much. It has

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<v Speaker 1>really added a lot of like happiness in my life.

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<v Speaker 1>I really really enjoy it. Man, do some crosswords. Take

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<v Speaker 1>a good nap, drink some tomorrow. You got to figure

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<v Speaker 1>it out. It's all coming up, chuck. So the New

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<v Speaker 1>York Times, he just said, it's all coming up, Chuck.

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<v Speaker 1>The New York Times is probably the most at least iconic,

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<v Speaker 1>if not well known, in the United States, at least

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<v Speaker 1>crossword puzzle in the whole country. Sure. One thing I

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<v Speaker 1>didn't know, Olivia helps us with this is that The

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<v Speaker 1>New York Times was actually the last metropolitan newspaper by

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<v Speaker 1>far to start running their own crossword puzzle. Yeah, because

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<v Speaker 1>for a good twenty year the New York Times just

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<v Speaker 1>looked down. It's knows that crosswords is a brainless fad

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<v Speaker 1>that would surely and ever any day now, and it

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<v Speaker 1>just never didn't. They finally caved, and then you know,

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<v Speaker 1>sixty eighty years later, something like that sing about eighty

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<v Speaker 1>years Wow, that's crazy. Um, it's now like the number

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<v Speaker 1>one crossword puzzle of all time ever the paper of record. Yeah,

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<v Speaker 1>so should we talk about the inventor of the word

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<v Speaker 1>cross Yeah, that's what it was called at first. His

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<v Speaker 1>name was he was a brit and he was an immigrant. Well,

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<v Speaker 1>he was a British immigrant. What does that mean? He

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<v Speaker 1>was an immigrant to the United States from Great Britain,

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<v Speaker 1>from Liverpool to be specific. All right, I get it now.

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<v Speaker 1>His name is Arthur Wynn, with two ends and one

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<v Speaker 1>y and any in a W. And he there were

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<v Speaker 1>some we didn't go over the prehistory of crosswords, but

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<v Speaker 1>there had been sort of crossword like word puzzles for

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<v Speaker 1>hundreds and thousands of years in some cases. And when

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<v Speaker 1>was probably pretty familiar with these, and he managed what

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<v Speaker 1>was called the Fun section of New York World that

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<v Speaker 1>had puzzles and jokes and things like that. And then

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<v Speaker 1>finally in nineteen thirteen, he said, in our Christmas edition

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<v Speaker 1>this year, I've created a puzzle called a word cross

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<v Speaker 1>that was shaped like a diamond, had no blacked out squares,

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<v Speaker 1>and had you know, sort of crossword clues like we

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<v Speaker 1>would recognize them today. Yeah, I mean, it was essentially

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<v Speaker 1>a crossword. He just got the name wrong. He got

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<v Speaker 1>it the name swapped, well, he got it right. Who

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<v Speaker 1>got it wrong but ended up being right was an

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<v Speaker 1>illustrator who accidentally swapped those words. And it was cross

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<v Speaker 1>dash word capital C, capital W. Yeah, and that name

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<v Speaker 1>stuck in it eventually just they said, let's quit with

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<v Speaker 1>a little dash in the middle, and let's go ahead,

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<v Speaker 1>make it one word yep. And Wynn was like, hey,

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<v Speaker 1>this is actually starting to get kind of popular within

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<v Speaker 1>just a few months, and he went to the publishers

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<v Speaker 1>of the world and said, hey, we should probably patent this.

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<v Speaker 1>And the world said, do you know how much it

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<v Speaker 1>cost to patent something these days? One hundred dollars. Get

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<v Speaker 1>out of my office and did not ever patent the crossword.

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<v Speaker 1>And I think that was actually a really it was

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<v Speaker 1>a bad move on the world's part, but I think

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<v Speaker 1>it was really great for the world. The world, you know, yeah, yeah, totally.

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<v Speaker 1>That would be very strange if crosswords were patented. Yeah,

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<v Speaker 1>I don't think that they would be anywhere near as

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<v Speaker 1>prevalent as they are now. So in that sense, the

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<v Speaker 1>publishers of the world gave us all a pretty neat present,

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<v Speaker 1>and we are going to give you a pretty neat

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<v Speaker 1>present by introducing you to a woman named Margaret Petherbridge.

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<v Speaker 1>This was at the time Arthur Winn's secretary, and he said, hey,

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<v Speaker 1>you know, you're pretty sharp, why don't you take this

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<v Speaker 1>job over? And it turned out she had a real

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<v Speaker 1>knack for not only creating crosswords, but kind of codifying

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<v Speaker 1>what crosswords were and sort of the rules of crosswords.

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<v Speaker 1>She was the earliest one to sort of put in

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<v Speaker 1>place these rules like, hey, you should have a separate

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<v Speaker 1>list for a cross and for down, and you shouldn't

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<v Speaker 1>have any unchecked boxes, which is a square that's only

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<v Speaker 1>part of one word, like it should all tie together. Yeah,

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<v Speaker 1>and very early on, I think if she didn't add

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<v Speaker 1>the black squares, which are called blanks, the squares you

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<v Speaker 1>actually fill in, they're called lights, she helps standardize them

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<v Speaker 1>because very quickly they if you look at a crossroad.

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<v Speaker 1>I never knew this before until we started researching this.

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<v Speaker 1>If you look at all the blanks, the blacks, the squares,

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<v Speaker 1>they're symmetrical. If you look at the left side and

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<v Speaker 1>the right side, they're mirror images of one another. And

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<v Speaker 1>you can turn it on its side and the top

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<v Speaker 1>and the bottom or mirror images of one another. And

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<v Speaker 1>I was like, why, how does that help anything? And

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<v Speaker 1>apparently they just decided, I think, if it wasn't Margaret

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<v Speaker 1>Pether Bridget with somebody she was friends with early on,

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<v Speaker 1>that symmetry is just beautiful, so make it symmetrical. Well,

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<v Speaker 1>they're not always like that they are. I mean, I'm

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<v Speaker 1>looking at Today's and it's not symmetrical. No, I spent

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<v Speaker 1>so much time trying to find like something that undermined that,

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<v Speaker 1>and I didn't like. I was like, oh, it's it

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<v Speaker 1>is symmetrical. That's symmetrical. Holy cow, that's symmetrical. Did you

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<v Speaker 1>look at any crossword puzzles? I like, yes, I looked

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<v Speaker 1>at crossword puzzles. Apparently I didn't look at the one

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<v Speaker 1>from today, though. Well, Today's not. It has a great

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<v Speaker 1>deal of symmetry now that I'm looking at it, and

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<v Speaker 1>this is something I've never noticed. But for instance, I'm

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<v Speaker 1>looking at one which on the right side is an

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<v Speaker 1>L and on the other side it's an L. The

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<v Speaker 1>bottom square of that L. Okay, so it's it's not

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<v Speaker 1>quite symmetrical, but it is kind of symmetrical in some parts.

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<v Speaker 1>I'm so sick of this stupid conversation. Are you looking

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<v Speaker 1>at the Today's yet? I can't. I don't have my

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<v Speaker 1>log in right now, so well, i'll take a screenshot.

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<v Speaker 1>I'll take your word for it. Man, all right. I'm

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<v Speaker 1>just so bummed though, because you thought that was like

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<v Speaker 1>the fact of the show. It was one of them

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<v Speaker 1>for sure, and now it turned out to be the

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<v Speaker 1>incorrect fact of the show. Well, let's move on to

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<v Speaker 1>the nineteen twenties, when a young company called Simon and

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<v Speaker 1>Schuster said, Richard Simond's aunt, I think, said, hey, these

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<v Speaker 1>crosswords a lot of fun. You guys should package He's

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<v Speaker 1>together in a book, because your book company. And so

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<v Speaker 1>they hired Margaret Petherbridge, codifier of rules and master crossword designer,

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<v Speaker 1>to put this book together. And she got a couple

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<v Speaker 1>of other editors from the world and said, all right,

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<v Speaker 1>let's get to work on this thing. It'll come out

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<v Speaker 1>in nineteen twenty four. It will come with a free

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<v Speaker 1>pencil and a racer, which is super cute. Yeah, and

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<v Speaker 1>sold one hundred and twenty three thousand copies in that

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<v Speaker 1>first year. Yeah, and that one rants or did so

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<v Speaker 1>well that they released a second edition, in a third edition,

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<v Speaker 1>all within the same year, and all combined, those three

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<v Speaker 1>editions by Christmas time had sold more than a quarter

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<v Speaker 1>of a million copies. For a fledgling publishing house. That's

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<v Speaker 1>a pretty big thing. But also they were very smart,

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<v Speaker 1>Simon and Schuster. They created the Amateur Crossword Puzzle League

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<v Speaker 1>of America to basically help promote crossword doing solving, I

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<v Speaker 1>guess is what they call it, in order to help

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<v Speaker 1>sell more books. And it worked. Actually, it became a

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<v Speaker 1>legitimate thing. They started standardizing crosswords as well. Oh hold on,

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<v Speaker 1>you know what I think I'm wrong? I just sent

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<v Speaker 1>you yes, yes, So it's a mirror image in a way.

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<v Speaker 1>It's it's not I thought everything would correspond directly across

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<v Speaker 1>from one another, but it also works diagonally, So I

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<v Speaker 1>see what you mean. It is symmetrical if you include

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<v Speaker 1>the diagonal. So if you look in the tipe bright corner,

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<v Speaker 1>the bottom left corner should be the mirror image of that. Yeah, yeah, yeah, yeah, yeah,

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<v Speaker 1>it's symmetrical. They're all symmetrical. It's insane because it makes

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<v Speaker 1>it so much harder. Oh man, I'm so glad we

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<v Speaker 1>solved that for you, because thank you, dumb when I

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<v Speaker 1>was dumb, No, you didn't make me feel dumb. Mind. Well,

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<v Speaker 1>I kept looking at it and I was like, how

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<v Speaker 1>can parts of it be symmetrical? That didn't make any sense, right,

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<v Speaker 1>But I was looking for like a direct flip. It's

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<v Speaker 1>hard to explain how my brain was looking at This

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<v Speaker 1>is a rare in show correction for one of us

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<v Speaker 1>against the other. Right. Um. So oh yeah. Back to

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<v Speaker 1>the Amateur Crossword Puzzle League of America. Yes, um, which

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<v Speaker 1>sounds like they were all wearing capes while they totally

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<v Speaker 1>did um. But they had some rules like, um, no

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<v Speaker 1>part of the puzzle can be completely cut off from

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<v Speaker 1>the rest. Sure, so you can't use black squares to

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<v Speaker 1>just make an island of one grid. Um. You also

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<v Speaker 1>can't use tons of black squares. Uh. They actually is,

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<v Speaker 1>we'll see, make it easier to create a crossword because

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<v Speaker 1>using black squares breaks up the stuff so you don't

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<v Speaker 1>have to come up with So a typical I think

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<v Speaker 1>New York Times crossword is fifteen across and fifteen down,

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<v Speaker 1>So if you didn't use black squares, you would have

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<v Speaker 1>to come up with fifteen fifteen letter words. So no,

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<v Speaker 1>I guess thirty fifteen letter words, which would be really

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<v Speaker 1>really hard because they'd also all have to interact. So

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<v Speaker 1>they use these black squares to kind of break things

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<v Speaker 1>up and make it a little easier on themselves, to

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<v Speaker 1>shorten the letters and words and stuff like that. But

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<v Speaker 1>the Amateur Crossword Puzzle League of America said, Okay, no

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<v Speaker 1>more than one sixth of all the squares can be

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<v Speaker 1>blacks can be the black squares, because after that you're

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<v Speaker 1>really just kind of making a lame crossword. Yeah, and

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<v Speaker 1>I want to take another stab at correcting you, Oh no,

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<v Speaker 1>or to maybe clear up when you say fifteen across

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<v Speaker 1>and fifteen downs, that's fifteen lines, not fifteen clues, right,

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<v Speaker 1>But there's also fifteen spaces right total I'm saying. And

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<v Speaker 1>if there weren't any blacked out blanks, you would have

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<v Speaker 1>a fifteen letter word across at the top, a fifteen

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<v Speaker 1>letter word below that, a fifteen letter word below that,

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<v Speaker 1>and then from up vertically there'd be that have to

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<v Speaker 1>make a note its owned fifteen letter word, and so

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<v Speaker 1>on and so forth. So yeah, it'd be fifteen across

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<v Speaker 1>in fifteen down, right. I just want to make sure

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<v Speaker 1>people knew you didn't mean fifteen across clues in fifteen

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<v Speaker 1>down clues. There's fifteen lines vertically, in fifteen lines horizontally,

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<v Speaker 1>and on each line there can be as many as

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<v Speaker 1>you know, four words, no, no, four clues, Okay, but

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<v Speaker 1>that's if you have black blank squares. If you didn't

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<v Speaker 1>have blank right, But if you didn't, you'd have to

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<v Speaker 1>come up with fifteen letter words, any of them that

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<v Speaker 1>all interactive with one another. That's what I'm saying. Yeah, yeah, yeah,

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<v Speaker 1>I get it. But it sounded are we really talking

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<v Speaker 1>about this, man, this is a brainbuster of an episode.

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<v Speaker 1>I wasn't expecting this when you were talking about it. Initially,

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<v Speaker 1>it sounded like you were saying, there were fifteen acrosses

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<v Speaker 1>in fifteen downs. Yes, if you didn't have black squares,

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<v Speaker 1>there would be right, but there, that's not a crossword,

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<v Speaker 1>right right, agreed. But the thing is is you could

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<v Speaker 1>keep adding more and more black squares to make it

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<v Speaker 1>easier on yourself, the puzzle constructor. And if you why,

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<v Speaker 1>because they're shorter words. Yeah, it makes shorter words. It

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<v Speaker 1>makes it easier to come up with words that interact

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<v Speaker 1>and intersect with one another. And I disagree. They said, well,

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<v Speaker 1>you should take it up with the crossword puzzle constructors

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<v Speaker 1>because they say it makes it easier. Oh really, Because

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<v Speaker 1>I've begun working on constructing my own, that's sort of

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<v Speaker 1>the giveaway. And I found that having a good long

0:12:51.040 --> 0:12:54.480
<v Speaker 1>word is a real benefit. Okay, yeah, it definitely can be.

0:12:55.320 --> 0:12:58.600
<v Speaker 1>But imagine having to come up with thirty fifteen letter

0:12:58.679 --> 0:13:01.400
<v Speaker 1>words that all interact with one another. That's not a

0:13:01.400 --> 0:13:04.640
<v Speaker 1>crossword though. That's my whole point. Okay, forget it. The

0:13:04.720 --> 0:13:06.439
<v Speaker 1>other thing, the other way to look at it, Chuck,

0:13:06.520 --> 0:13:10.400
<v Speaker 1>is that to show off crossword constructors use as few

0:13:10.760 --> 0:13:15.000
<v Speaker 1>blanks as possible. Yeah, so then get those longer words.

0:13:16.679 --> 0:13:19.320
<v Speaker 1>That's fine. Well, yes, we'll agree to that. Short words

0:13:19.320 --> 0:13:21.440
<v Speaker 1>you're challenging. I think you're thinking of a word search.

0:13:21.920 --> 0:13:25.040
<v Speaker 1>No I'm not. I know what I'm talking about. Will

0:13:25.120 --> 0:13:28.960
<v Speaker 1>Schwartz please come to our aid and settle this once

0:13:28.960 --> 0:13:32.079
<v Speaker 1>and for all. Oh well, ironically, I think we've been

0:13:32.120 --> 0:13:34.240
<v Speaker 1>saying the same thing, just in different ways. I think.

0:13:34.240 --> 0:13:38.040
<v Speaker 1>So Two, we need Jerry here to to interpret for us. Yeah,

0:13:38.120 --> 0:13:41.640
<v Speaker 1>Jerry's not here today. That's why we're fighting. Let's finish

0:13:41.679 --> 0:13:45.319
<v Speaker 1>this is as bad as our fights get. We should

0:13:45.400 --> 0:13:48.640
<v Speaker 1>finish this part, I think before we go on and

0:13:48.720 --> 0:13:52.320
<v Speaker 1>take a break. And that is when things got hot

0:13:52.360 --> 0:13:55.760
<v Speaker 1>in the crossword community. Was the nineteen twenties in the

0:13:55.800 --> 0:13:59.839
<v Speaker 1>United States, and it was a like a big d

0:14:00.400 --> 0:14:02.960
<v Speaker 1>such that there were people that came out and said, hey,

0:14:03.000 --> 0:14:05.319
<v Speaker 1>these cross It was sort of like these jazz cigarettes

0:14:05.320 --> 0:14:10.360
<v Speaker 1>are ruining our culture, Like these jazz puzzles are ruining

0:14:10.360 --> 0:14:12.880
<v Speaker 1>things because people are just spending all their time doing

0:14:12.920 --> 0:14:16.400
<v Speaker 1>crossword puzzles. Uh, there was and in the in the

0:14:16.520 --> 0:14:19.600
<v Speaker 1>UK there was in nineteen twenty four a headline from

0:14:19.840 --> 0:14:24.160
<v Speaker 1>the Tamworth Herald that said crossword puzzles it should be

0:14:24.200 --> 0:14:28.360
<v Speaker 1>a colon and enslaved America. And they were talking about

0:14:28.360 --> 0:14:30.840
<v Speaker 1>how like men are wasted, it was a sinful waste

0:14:30.880 --> 0:14:35.280
<v Speaker 1>of time, and that it was a fad that would vanish. Yeah,

0:14:35.280 --> 0:14:37.120
<v Speaker 1>that was the New York Times that called this sinful

0:14:37.160 --> 0:14:38.600
<v Speaker 1>waste of time. So yeah, there was a real like

0:14:39.520 --> 0:14:42.400
<v Speaker 1>if you were if you consider yourself an intellectual, you

0:14:42.520 --> 0:14:45.240
<v Speaker 1>definitely look down on crosswords in the twenties because it

0:14:45.360 --> 0:14:48.120
<v Speaker 1>was just such a huge popular pop culture sensation. Yeah,

0:14:48.360 --> 0:14:51.840
<v Speaker 1>there was a song that was called crossword Mama. You

0:14:51.920 --> 0:14:54.680
<v Speaker 1>puzzle me demand in parentheses, but Papa is going to

0:14:54.760 --> 0:14:58.520
<v Speaker 1>figure you out. It's like vaguely intimidating, it is it is.

0:14:58.880 --> 0:15:00.680
<v Speaker 1>So it was like it was a really big deal.

0:15:00.720 --> 0:15:02.840
<v Speaker 1>But um, yeah, as much as the New York Times

0:15:02.840 --> 0:15:06.360
<v Speaker 1>and some of the other um of the tongue clucking

0:15:06.400 --> 0:15:09.960
<v Speaker 1>set wished m crosswords didn't go anywhere. They just became

0:15:10.000 --> 0:15:13.240
<v Speaker 1>more and more popular and eventually they did catch on.

0:15:13.320 --> 0:15:16.160
<v Speaker 1>In Britain, Chuck, they have their own version called Cryptic Crosswords.

0:15:16.160 --> 0:15:19.520
<v Speaker 1>Did you see anything about that? Yeah? The Cryptics are

0:15:20.960 --> 0:15:23.840
<v Speaker 1>like the New York Times Crossword will have a handful

0:15:23.840 --> 0:15:29.200
<v Speaker 1>of clues that are sort of deal more and they're

0:15:29.240 --> 0:15:32.520
<v Speaker 1>more clever. There's more word word play, there's puns. They

0:15:32.560 --> 0:15:35.520
<v Speaker 1>try to throw you off track, and apparently these in

0:15:35.880 --> 0:15:39.720
<v Speaker 1>Britain are that's all they are. They are and they're

0:15:39.760 --> 0:15:42.600
<v Speaker 1>really tough. They have really different rules than American ones.

0:15:42.640 --> 0:15:47.320
<v Speaker 1>So one an example, I think whatsoever a clue. A

0:15:47.440 --> 0:15:52.000
<v Speaker 1>clue was artist's phone hacked by terrible woman and the

0:15:52.080 --> 0:15:55.800
<v Speaker 1>answer is Chagal who is an artist. But the reason

0:15:55.960 --> 0:15:58.080
<v Speaker 1>Chigal is the answer is because in the middle of

0:15:58.200 --> 0:16:01.400
<v Speaker 1>Chigal there's the word hag And if you take the

0:16:01.440 --> 0:16:04.640
<v Speaker 1>word hag out of chical, you have call, which references

0:16:04.640 --> 0:16:08.080
<v Speaker 1>a phone. Wow. Yeah, like my brain just melted out

0:16:08.080 --> 0:16:10.600
<v Speaker 1>of my ear a little bit. Yeah. My deal with

0:16:10.680 --> 0:16:14.000
<v Speaker 1>the New York Times is I I love a good

0:16:14.000 --> 0:16:19.160
<v Speaker 1>clever clue like that. That's that I can figure out. Yeah,

0:16:19.200 --> 0:16:22.160
<v Speaker 1>there's the best. I saw a friend American Crossroad. I

0:16:22.160 --> 0:16:25.400
<v Speaker 1>don't know who wrote it, but it was it brings

0:16:25.440 --> 0:16:27.440
<v Speaker 1>The clue was it brings out the child in you,

0:16:28.200 --> 0:16:32.200
<v Speaker 1>and the answer was labor. M that's good. That's the

0:16:32.360 --> 0:16:35.800
<v Speaker 1>that's sort of they have those routinely, Like, that's what

0:16:35.840 --> 0:16:38.560
<v Speaker 1>I'm talking about. That's a good example of a really good,

0:16:38.560 --> 0:16:42.360
<v Speaker 1>clever but gettable thing. You know, I really thought I

0:16:42.400 --> 0:16:44.040
<v Speaker 1>was going to get a better response out of you

0:16:44.080 --> 0:16:46.600
<v Speaker 1>than that for that one. Yeah, it's a great one.

0:16:46.840 --> 0:16:49.280
<v Speaker 1>It brings out a child in you, labor like you

0:16:49.360 --> 0:16:52.000
<v Speaker 1>just gave birth to a child. Yeah, but those are

0:16:52.240 --> 0:16:54.080
<v Speaker 1>there were two or three of those in almost every

0:16:54.080 --> 0:16:57.400
<v Speaker 1>puzzle I know that, but that one is particularly We

0:16:57.440 --> 0:16:59.840
<v Speaker 1>need to start this episode over all, right, let's think

0:16:59.840 --> 0:17:02.240
<v Speaker 1>of break and we'll go hatch this out. We'll be

0:17:02.320 --> 0:17:27.159
<v Speaker 1>right back, all right. So we mentioned that the New

0:17:27.240 --> 0:17:29.960
<v Speaker 1>York Times finally got their crossword puzzle years and years

0:17:30.320 --> 0:17:32.840
<v Speaker 1>after they were all the rage in the twenties. And

0:17:32.920 --> 0:17:36.960
<v Speaker 1>it was when we entered World War two. Enter once again.

0:17:37.160 --> 0:17:42.040
<v Speaker 1>Margaret Petherbridge, now Margaret Ferrar said, wrote a letter to

0:17:42.040 --> 0:17:44.160
<v Speaker 1>the New York Times, is you know what we're going

0:17:44.160 --> 0:17:48.000
<v Speaker 1>into war? It's impossible too, and this is a real quote.

0:17:48.040 --> 0:17:50.840
<v Speaker 1>You can't think of your troubles while solving a crossword,

0:17:51.320 --> 0:17:52.960
<v Speaker 1>so like this, this is going to be a big

0:17:53.000 --> 0:17:56.119
<v Speaker 1>distraction for everyone during this tough time. And the New

0:17:56.200 --> 0:17:58.640
<v Speaker 1>York Times said, you know what, I think you're right,

0:17:58.760 --> 0:18:01.080
<v Speaker 1>and why don't we hire you to do it and

0:18:01.200 --> 0:18:03.000
<v Speaker 1>you can be our editor? And she said, I'd be

0:18:03.000 --> 0:18:05.600
<v Speaker 1>happy to do that for twenty seven years, right, man.

0:18:05.680 --> 0:18:09.080
<v Speaker 1>This was nineteen forty two, I think that they brought

0:18:09.080 --> 0:18:13.760
<v Speaker 1>her on board. And Margaret Petheridge Ferrar had been or

0:18:13.840 --> 0:18:18.679
<v Speaker 1>Petherbridge had been um a like involved in the crossword

0:18:18.720 --> 0:18:22.320
<v Speaker 1>world since the beginning, since they were invented, and so

0:18:22.359 --> 0:18:24.560
<v Speaker 1>who else would you bring on as the first editor

0:18:24.600 --> 0:18:28.480
<v Speaker 1>of the New York Times Crossword? Yeah? And she did

0:18:28.520 --> 0:18:30.920
<v Speaker 1>it for twenty seven years, like you said, which is

0:18:30.960 --> 0:18:34.720
<v Speaker 1>eclipsed in time only by the current crossword editor, Real Shortz,

0:18:34.720 --> 0:18:37.240
<v Speaker 1>who's been doing it for like, I think thirty something years,

0:18:37.240 --> 0:18:43.240
<v Speaker 1>thirty two maybe. But yet she had a really huge

0:18:43.320 --> 0:18:47.480
<v Speaker 1>impact on crosswords, and that's something I think a lot

0:18:47.480 --> 0:18:54.240
<v Speaker 1>of people overlook. The impact that crosswords have on society

0:18:54.280 --> 0:18:58.040
<v Speaker 1>and culture is really like under the radar, but it

0:18:58.200 --> 0:19:03.240
<v Speaker 1>is really significant because what you choose as words and

0:19:03.440 --> 0:19:05.879
<v Speaker 1>clues and the way that you put things has a

0:19:06.640 --> 0:19:11.560
<v Speaker 1>there's millions of people all experiencing that same that that

0:19:11.800 --> 0:19:15.200
<v Speaker 1>same puzzle, and so it's like you're planning seeds and

0:19:15.320 --> 0:19:17.639
<v Speaker 1>millions of people's heads, and those millions of people go

0:19:17.720 --> 0:19:20.879
<v Speaker 1>on to talk and interact and it has a really huge,

0:19:20.920 --> 0:19:24.160
<v Speaker 1>far reaching effect, way more than you'd think of, Especially

0:19:24.160 --> 0:19:26.719
<v Speaker 1>the New York Times crossword. Yeah, there's something that I

0:19:26.800 --> 0:19:29.399
<v Speaker 1>realized what there's is that, uh, And I was just

0:19:29.560 --> 0:19:31.159
<v Speaker 1>naive because I didn't know much about it and I

0:19:31.200 --> 0:19:33.560
<v Speaker 1>hadn't seen the documentary wordplay at that point. Have you

0:19:33.600 --> 0:19:36.680
<v Speaker 1>seen it yet? Yeah, it's great, but there's a real

0:19:36.720 --> 0:19:39.719
<v Speaker 1>community around it. And once I started doing it. Um.

0:19:39.920 --> 0:19:42.680
<v Speaker 1>I think I told you that Hodgeman and I were

0:19:43.040 --> 0:19:45.400
<v Speaker 1>talking on the phone about something else and the crossword

0:19:45.440 --> 0:19:47.440
<v Speaker 1>came up, and he had been doing it. He's he's

0:19:47.440 --> 0:19:51.040
<v Speaker 1>a big words guy, no surprise, and does play scrabble

0:19:51.119 --> 0:19:54.760
<v Speaker 1>with his wife and for years and years and decades,

0:19:55.720 --> 0:19:59.000
<v Speaker 1>and so he's long done the New York Times. And

0:19:59.040 --> 0:20:01.800
<v Speaker 1>I was like, oh cool, and we started talking about it,

0:20:01.840 --> 0:20:04.160
<v Speaker 1>and I was so new to it. I was super excited,

0:20:04.440 --> 0:20:07.399
<v Speaker 1>and I think that sort of rebbed his motor a

0:20:07.400 --> 0:20:09.399
<v Speaker 1>little bit because I was, you know, I was a

0:20:09.440 --> 0:20:10.879
<v Speaker 1>new guy that was like, thought it was the coolest

0:20:10.880 --> 0:20:14.160
<v Speaker 1>thing ever. And so we started texting a lot about it,

0:20:14.240 --> 0:20:18.000
<v Speaker 1>and then our friend Ben Harrison of the Greatest Gen Podcasts,

0:20:18.359 --> 0:20:20.360
<v Speaker 1>Ben does it. So all of a sudden, I've got

0:20:21.200 --> 0:20:23.879
<v Speaker 1>all these people like colleagues and other podcasters that we

0:20:23.920 --> 0:20:27.239
<v Speaker 1>like text each other hints or you know. John was like, man,

0:20:27.280 --> 0:20:29.240
<v Speaker 1>text me if you don't know a thing, and I

0:20:29.320 --> 0:20:31.399
<v Speaker 1>was like, well, I could just look it up, and

0:20:31.440 --> 0:20:34.120
<v Speaker 1>he said, text me. It's more fun. And I was like, right,

0:20:34.400 --> 0:20:38.520
<v Speaker 1>there's a community here, yeah, and about it. I can

0:20:38.560 --> 0:20:40.919
<v Speaker 1>just go lock myself in the basement with a candle

0:20:40.920 --> 0:20:43.440
<v Speaker 1>and look it up. And I wasn't saying I shouldn't

0:20:43.440 --> 0:20:45.399
<v Speaker 1>get in touch with you about it, but it's like,

0:20:45.400 --> 0:20:47.159
<v Speaker 1>why would I bug you about it? And he was like, no,

0:20:47.320 --> 0:20:49.280
<v Speaker 1>bug me. That's the whole point is it's like it

0:20:49.320 --> 0:20:51.639
<v Speaker 1>can be a social thing even though it's a generally

0:20:51.680 --> 0:20:57.159
<v Speaker 1>a solo pursuit. Absolutely, So Margaret for our kind of

0:20:57.200 --> 0:21:01.240
<v Speaker 1>like coming to our live podcast shows. Huh yeah. So

0:21:01.440 --> 0:21:05.639
<v Speaker 1>Margaret fer Our, she retired in I think nineteen sixty

0:21:05.680 --> 0:21:08.199
<v Speaker 1>nine and a guy named Will Wang took over. And

0:21:08.280 --> 0:21:12.000
<v Speaker 1>Will Wang um he had a huge impact on the

0:21:12.080 --> 0:21:14.639
<v Speaker 1>crossword as well. He had a great sense of humor

0:21:15.000 --> 0:21:17.760
<v Speaker 1>and so he got into that word play. Those puns

0:21:18.800 --> 0:21:21.960
<v Speaker 1>kind of like a diversions, like making you think it

0:21:22.240 --> 0:21:24.760
<v Speaker 1>was it's one thing when it's really another, the use

0:21:24.800 --> 0:21:29.159
<v Speaker 1>of a word that's got to be a will whanger.

0:21:31.040 --> 0:21:35.080
<v Speaker 1>He was replaced after eight years. He moved on and

0:21:35.240 --> 0:21:38.600
<v Speaker 1>by a guy named Eugene te Moleska, and he was

0:21:38.640 --> 0:21:41.840
<v Speaker 1>the editor from seventy seven to ninety three. And he's

0:21:41.880 --> 0:21:44.000
<v Speaker 1>the one that I think a lot of people our

0:21:44.080 --> 0:21:48.480
<v Speaker 1>age who don't like crosswords think of when they think

0:21:48.520 --> 0:21:51.399
<v Speaker 1>of how much they don't like crosswords, because he was

0:21:51.480 --> 0:21:56.520
<v Speaker 1>really being into opera, a former school superintendent, he knew Latin,

0:21:56.840 --> 0:22:00.480
<v Speaker 1>and he expected the crossword puzzlers, the solvers, I say,

0:22:00.640 --> 0:22:03.800
<v Speaker 1>to have the same like background in education and tastes

0:22:03.880 --> 0:22:06.560
<v Speaker 1>that he did. And a lot of people don't, you know,

0:22:06.680 --> 0:22:08.960
<v Speaker 1>like it's not like you have to hate opera, but

0:22:09.000 --> 0:22:11.960
<v Speaker 1>if you don't really like opera, you're probably not at

0:22:12.040 --> 0:22:14.040
<v Speaker 1>all into opera, you know what I mean. There's it's

0:22:14.040 --> 0:22:16.960
<v Speaker 1>not like I'm kind of into opera thing, you know

0:22:17.000 --> 0:22:20.360
<v Speaker 1>what I mean? And to expect everybody else to understand

0:22:20.400 --> 0:22:23.320
<v Speaker 1>the clue that that you know, wordplay about you know,

0:22:23.440 --> 0:22:27.119
<v Speaker 1>and some opera that it's not. I don't know. I

0:22:27.200 --> 0:22:32.160
<v Speaker 1>just get the impression that the approachability of it really

0:22:32.200 --> 0:22:36.480
<v Speaker 1>bottlenecked under Molaska. Yeah. And the one thing that John

0:22:36.480 --> 0:22:38.440
<v Speaker 1>and I agree on is like, and this is true

0:22:38.440 --> 0:22:40.359
<v Speaker 1>when we've designed our trivia games that we used to

0:22:40.440 --> 0:22:45.320
<v Speaker 1>do or pub trivia, is that the best clues in trivia,

0:22:45.440 --> 0:22:47.840
<v Speaker 1>we believe and in crosswords are ones that you can

0:22:47.880 --> 0:22:50.880
<v Speaker 1>probably kind of figure out and even if you don't

0:22:50.880 --> 0:22:54.040
<v Speaker 1>know the answer, and the worst ones are you know,

0:22:54.359 --> 0:22:57.679
<v Speaker 1>this person wrote this book or this opera, and you're like, well,

0:22:57.680 --> 0:22:58.959
<v Speaker 1>if you don't know it, you don't know it. It's

0:22:59.000 --> 0:23:01.680
<v Speaker 1>a lot more fun to try and test your brain

0:23:02.280 --> 0:23:04.320
<v Speaker 1>into seeing if you can kind of figure it out.

0:23:04.400 --> 0:23:07.840
<v Speaker 1>And eventually you'll do that by getting other letters that

0:23:07.960 --> 0:23:11.040
<v Speaker 1>intersect with that word, of course. But if if it's

0:23:11.080 --> 0:23:12.879
<v Speaker 1>just like I don't know, it's kind of lazy to me.

0:23:13.680 --> 0:23:16.959
<v Speaker 1>To me to be like, you know, just name this

0:23:17.000 --> 0:23:20.679
<v Speaker 1>person who start in this movie. Yeah, lazy is a

0:23:20.680 --> 0:23:22.520
<v Speaker 1>good way to put it. But on the other hand,

0:23:22.640 --> 0:23:26.200
<v Speaker 1>like the converse of it is like you just really

0:23:26.240 --> 0:23:29.000
<v Speaker 1>touched on an important thing of cross words, and that

0:23:29.280 --> 0:23:31.840
<v Speaker 1>they are approachable and they do something to your brain

0:23:31.920 --> 0:23:35.960
<v Speaker 1>that taps into a part of your mind and your

0:23:36.000 --> 0:23:39.960
<v Speaker 1>intellect that's not just wrote memory, that where you can

0:23:40.119 --> 0:23:43.120
<v Speaker 1>combine different things that don't seem to be at all combined,

0:23:43.200 --> 0:23:45.840
<v Speaker 1>and it just makes it a really like pleasurable thing.

0:23:45.840 --> 0:23:49.600
<v Speaker 1>A lot of people compare, especially the British version, crypto

0:23:49.640 --> 0:23:54.919
<v Speaker 1>crosswords to reading like a miniature murder mystery and when

0:23:54.960 --> 0:23:56.720
<v Speaker 1>you figure out who it was, it turns out you

0:23:56.720 --> 0:23:58.959
<v Speaker 1>were right, your suspect was the one who did it.

0:23:59.000 --> 0:24:01.880
<v Speaker 1>That that feeling of like I knew it. That same

0:24:01.920 --> 0:24:04.840
<v Speaker 1>thing can come from like every single clue almost of

0:24:04.880 --> 0:24:07.359
<v Speaker 1>a really well written crossword, and it's kind of the

0:24:07.400 --> 0:24:10.520
<v Speaker 1>same thing where there's this discovery and you you also

0:24:10.600 --> 0:24:13.800
<v Speaker 1>have that kind of rush of accomplishment for having figured

0:24:13.840 --> 0:24:17.119
<v Speaker 1>it out without just knowing a fact that you learned

0:24:17.119 --> 0:24:19.320
<v Speaker 1>in school. I think that was a really important point

0:24:19.359 --> 0:24:22.440
<v Speaker 1>you made. Yeah, but also it's not you can have

0:24:23.040 --> 0:24:25.360
<v Speaker 1>I wouldn't want to go all cryptic like a good

0:24:25.359 --> 0:24:28.720
<v Speaker 1>crossword total And it's has a mix of both because

0:24:28.760 --> 0:24:31.560
<v Speaker 1>it's also nice when you do know something and it's

0:24:31.840 --> 0:24:37.040
<v Speaker 1>you know this man let voices carry and you know

0:24:37.040 --> 0:24:40.600
<v Speaker 1>it's amy, you know what I mean? Did you get

0:24:40.640 --> 0:24:42.720
<v Speaker 1>that one? I did? It was pretty good. But would

0:24:42.760 --> 0:24:45.080
<v Speaker 1>you just made that one up? Wouldn't you have to?

0:24:45.160 --> 0:24:47.080
<v Speaker 1>It's good chuck, but think about it, you're gonna have

0:24:47.119 --> 0:24:51.119
<v Speaker 1>to fess up and make it two ends. Well. Sure,

0:24:52.359 --> 0:24:54.600
<v Speaker 1>so that's a huge giveaway too, but that's part of

0:24:54.600 --> 0:24:57.439
<v Speaker 1>the cheekiness of it. Yeah, no, I'm with you. But

0:24:57.560 --> 0:25:01.879
<v Speaker 1>sometimes it literally just says this person started and whatever. Movie. Right.

0:25:04.080 --> 0:25:06.119
<v Speaker 1>So there's one other one I want to give a

0:25:06.119 --> 0:25:10.879
<v Speaker 1>cryptic crossworth that just blows my char So that clue

0:25:11.160 --> 0:25:16.800
<v Speaker 1>is lineage and the answer is eagle. Can you figure

0:25:16.840 --> 0:25:19.840
<v Speaker 1>it out? Well, I mean I know it because you

0:25:20.240 --> 0:25:22.199
<v Speaker 1>this is something that I read. We'll pretend like you

0:25:22.240 --> 0:25:25.000
<v Speaker 1>just figured it out and share it. No, how about

0:25:25.040 --> 0:25:29.520
<v Speaker 1>you ask the audience, well, audience, do you know no? No,

0:25:29.600 --> 0:25:32.439
<v Speaker 1>Well I'll tell you. It turns out that lineage can

0:25:32.480 --> 0:25:37.879
<v Speaker 1>also be read as L in eg eage. Well, if

0:25:37.920 --> 0:25:41.280
<v Speaker 1>you put L in eage, you get eagle. Yeah, I

0:25:41.280 --> 0:25:43.960
<v Speaker 1>mean those are tough, man, That is really tough. You

0:25:44.040 --> 0:25:47.720
<v Speaker 1>have to be so thoroughly British to be like, yes,

0:25:47.880 --> 0:25:51.240
<v Speaker 1>I totally am tapping into this. Yeah, it's just it's

0:25:51.240 --> 0:25:53.080
<v Speaker 1>just a different way of doing it, but it's the

0:25:53.119 --> 0:25:55.119
<v Speaker 1>same thing, and I think it's neat that everybody's got

0:25:55.160 --> 0:25:58.479
<v Speaker 1>their own way. Yeah. My Actually, let me amend that

0:25:58.640 --> 0:26:01.159
<v Speaker 1>my least favorite clues and I will bail on a

0:26:01.200 --> 0:26:04.240
<v Speaker 1>puzzle altogether. If the theme and we'll talk about the

0:26:04.240 --> 0:26:06.360
<v Speaker 1>fact that they have themes in a minute, But if

0:26:06.359 --> 0:26:09.560
<v Speaker 1>the theme is it's just you have to misspell this

0:26:09.600 --> 0:26:13.880
<v Speaker 1>word in order for it to be right. I hate those. Yeah,

0:26:14.000 --> 0:26:16.240
<v Speaker 1>you're like, if it's not a duke is a hazard theme,

0:26:16.240 --> 0:26:18.280
<v Speaker 1>I don't want to have anything to do with that crossword.

0:26:19.359 --> 0:26:22.560
<v Speaker 1>Back to will Schartz in the timeline of editors, because

0:26:22.600 --> 0:26:28.280
<v Speaker 1>like you said, there's only been one, two, three, four, Yeah,

0:26:28.800 --> 0:26:31.280
<v Speaker 1>I mean it's a good gig that, like the least

0:26:31.280 --> 0:26:34.840
<v Speaker 1>tenard was what eight years, yeah, Will Wing. So it

0:26:34.840 --> 0:26:36.960
<v Speaker 1>seems like a job that people like because they keep

0:26:37.000 --> 0:26:40.080
<v Speaker 1>doing it forever. But Schwartz has been there for thirty years.

0:26:41.040 --> 0:26:43.719
<v Speaker 1>There was no full time staff there besides himself when

0:26:43.760 --> 0:26:47.440
<v Speaker 1>he came on, just a part time assistant, and he

0:26:48.320 --> 0:26:50.480
<v Speaker 1>changed that had somewhat of a staff. All of a

0:26:50.520 --> 0:26:53.040
<v Speaker 1>sudden he added the buyeline, which is a big deal.

0:26:53.080 --> 0:26:55.360
<v Speaker 1>When you go to your daily puzzle. You see who

0:26:55.359 --> 0:26:58.640
<v Speaker 1>wrote it and who constructed it, which is kind of cool.

0:26:59.280 --> 0:27:03.320
<v Speaker 1>And before that there was no biolin at all. And

0:27:03.359 --> 0:27:04.920
<v Speaker 1>then he said, you know what, we should also get

0:27:05.000 --> 0:27:08.119
<v Speaker 1>like clues that like talked about people of color and

0:27:08.160 --> 0:27:13.480
<v Speaker 1>talked about different types of cultures and more diversity overall.

0:27:14.000 --> 0:27:16.200
<v Speaker 1>I'll also add brand names, which is something they never

0:27:16.240 --> 0:27:19.119
<v Speaker 1>did before. Yeah, for sure, to just really kind of

0:27:19.160 --> 0:27:23.719
<v Speaker 1>opened it up. He definitely did. He also started publishing

0:27:23.760 --> 0:27:26.560
<v Speaker 1>from a lot of different people too, including teenagers. I

0:27:26.600 --> 0:27:30.320
<v Speaker 1>think up to the Shorts era, only I think like

0:27:30.440 --> 0:27:34.320
<v Speaker 1>sixteen teenagers had ever been published in the New York Times,

0:27:35.040 --> 0:27:38.560
<v Speaker 1>And since he's been there, I think it's like sixty

0:27:38.560 --> 0:27:43.120
<v Speaker 1>four now now that was six teenagers. Six teenagers. It's

0:27:43.119 --> 0:27:46.080
<v Speaker 1>even less than I thought before. Yeah, six, and then

0:27:47.040 --> 0:27:50.640
<v Speaker 1>during his tenure forty six. Wow, So I really cool.

0:27:50.800 --> 0:27:53.800
<v Speaker 1>Screwed the pooch on that one, but the gist was

0:27:53.880 --> 0:27:58.000
<v Speaker 1>still correct. One thing that is also correct is they

0:27:58.040 --> 0:28:02.000
<v Speaker 1>do get progressively harder, and I was sort of wrong

0:28:02.000 --> 0:28:03.720
<v Speaker 1>when I first started doing and I thought Sunday was

0:28:03.720 --> 0:28:08.560
<v Speaker 1>the hardest. They get more intellectually challenging Monday through Saturday,

0:28:09.080 --> 0:28:12.159
<v Speaker 1>and then Sunday's sort of like a midweek level, but

0:28:12.240 --> 0:28:14.840
<v Speaker 1>it's just larger. That's what I saw about one hundred

0:28:14.840 --> 0:28:20.040
<v Speaker 1>and forty clues. Usually, yeah, it's it's not lines. I know,

0:28:20.200 --> 0:28:23.720
<v Speaker 1>not lines. It's not what I meant. Here's let's do

0:28:23.800 --> 0:28:27.040
<v Speaker 1>this great example that Livia gave, because this is another

0:28:27.119 --> 0:28:32.280
<v Speaker 1>kind of fun head teaser, brain teaser. So the clue sandwich,

0:28:32.400 --> 0:28:37.520
<v Speaker 1>often given a twist, might be the Saturday clue for oreo,

0:28:37.880 --> 0:28:41.320
<v Speaker 1>whereas the Monday version might just be Nibisco sandwich cookie.

0:28:41.640 --> 0:28:44.520
<v Speaker 1>I saw that they start out easy on Monday and

0:28:44.520 --> 0:28:49.680
<v Speaker 1>then get increasingly harder day by day because they assumed

0:28:49.800 --> 0:28:53.720
<v Speaker 1>that the crossword solvers out there were still recuperating from

0:28:53.720 --> 0:28:56.520
<v Speaker 1>the weekend morning, and that they were getting sharper and

0:28:56.560 --> 0:28:59.000
<v Speaker 1>sharper as the days went on. And then you on Monday,

0:28:59.040 --> 0:29:01.680
<v Speaker 1>you get to just blaze through one. No, no, like

0:29:01.720 --> 0:29:04.040
<v Speaker 1>you're still hungover on Monday. So they made it easy

0:29:04.080 --> 0:29:05.800
<v Speaker 1>on you, That's what I'm saying. And you get to

0:29:05.840 --> 0:29:07.720
<v Speaker 1>blaze through it in ten minutes and feel good about

0:29:07.720 --> 0:29:10.680
<v Speaker 1>yourself again, right exactly, and then throw up from having

0:29:10.720 --> 0:29:13.080
<v Speaker 1>to focus on the little tiny print for an hour.

0:29:14.240 --> 0:29:16.080
<v Speaker 1>But just to explain in case you don't do them

0:29:16.080 --> 0:29:17.840
<v Speaker 1>at all, and you're like, I don't get the oreo thing.

0:29:18.280 --> 0:29:21.280
<v Speaker 1>Sandwich often given a twist. People often twist the oreo apart.

0:29:21.720 --> 0:29:26.000
<v Speaker 1>It is a cookie sandwich, and as Libya astutely points out,

0:29:26.040 --> 0:29:29.080
<v Speaker 1>that also satisfies what you see a lot in crosswords,

0:29:29.120 --> 0:29:35.080
<v Speaker 1>which is the short word with a lot of vowels,

0:29:35.120 --> 0:29:38.520
<v Speaker 1>like once a week, Enya the New Age artist. Enya

0:29:38.600 --> 0:29:42.080
<v Speaker 1>is a clue. She's never been She's been topical for

0:29:42.440 --> 0:29:45.760
<v Speaker 1>thirty something years because of her name. It's really funny,

0:29:45.760 --> 0:29:50.440
<v Speaker 1>and they're different ways of like describing the clue or whatever,

0:29:50.480 --> 0:29:53.400
<v Speaker 1>but it's it's very funny. It's always like this this

0:29:53.480 --> 0:29:55.320
<v Speaker 1>new ager or something like that, and so I see it,

0:29:55.440 --> 0:29:58.360
<v Speaker 1>there's Enya. Yeah. Yeah, that's another thing too that I

0:29:58.360 --> 0:30:01.000
<v Speaker 1>think you kind of referenced earliers. You know, you start

0:30:01.040 --> 0:30:04.360
<v Speaker 1>to get a feel for the language of cross words,

0:30:04.360 --> 0:30:06.960
<v Speaker 1>and sometimes some clues are virtually the same as others.

0:30:06.960 --> 0:30:10.400
<v Speaker 1>There's only so many ways you can describe ye, So yeah,

0:30:10.440 --> 0:30:13.920
<v Speaker 1>that'll start popping up, especially if it's a vowel heavy

0:30:14.080 --> 0:30:17.479
<v Speaker 1>heavy word. We should talk about themes a little bit

0:30:17.480 --> 0:30:21.640
<v Speaker 1>more though, right, sure, Well, they're themed. A lot of times,

0:30:22.840 --> 0:30:25.920
<v Speaker 1>not always, but it seems like out of the seven days,

0:30:26.360 --> 0:30:28.000
<v Speaker 1>I would say three or four of them are usually

0:30:28.040 --> 0:30:31.440
<v Speaker 1>themed at least, and that is when there would be

0:30:31.480 --> 0:30:35.560
<v Speaker 1>like it's usually like four or five of the clues

0:30:36.320 --> 0:30:38.840
<v Speaker 1>have a theme, and then there would be an additional

0:30:38.880 --> 0:30:42.840
<v Speaker 1>one that says blank blank blank is a clue and

0:30:42.880 --> 0:30:48.560
<v Speaker 1>that it will say or a great clue to the answers,

0:30:48.720 --> 0:30:52.280
<v Speaker 1>you know, four or seventeen, sixteen, and twenty four, So

0:30:52.440 --> 0:30:55.800
<v Speaker 1>it'll it'll be a clue plus an additional thing that

0:30:55.960 --> 0:30:59.720
<v Speaker 1>sort of helped describe what the theme might be. Like

0:31:00.080 --> 0:31:03.360
<v Speaker 1>the theme the answer might be doubles, and that is

0:31:03.360 --> 0:31:05.760
<v Speaker 1>also the theme of the other ones that you you know,

0:31:05.880 --> 0:31:08.200
<v Speaker 1>hopefully got by that point. One of the other things

0:31:08.240 --> 0:31:13.080
<v Speaker 1>I saw that make theme crosswords popular, especially among constructors,

0:31:13.160 --> 0:31:16.760
<v Speaker 1>is that the theme answers are usually multi lettered see

0:31:16.760 --> 0:31:21.719
<v Speaker 1>ten letters, and that's a big long string of consonants

0:31:21.760 --> 0:31:25.080
<v Speaker 1>and vowels that you can use to branch other words

0:31:25.120 --> 0:31:28.600
<v Speaker 1>off of the intersect with. So you'll have four or

0:31:28.600 --> 0:31:31.960
<v Speaker 1>five theme words. So you've got four or five ten

0:31:32.080 --> 0:31:35.320
<v Speaker 1>letter words right off the bat, but you don't have

0:31:35.360 --> 0:31:38.960
<v Speaker 1>to come up with thirty fifteen letter words. So it's

0:31:39.040 --> 0:31:43.880
<v Speaker 1>much more advantageous. Yeah, and like the example Olivia gave

0:31:43.920 --> 0:31:47.760
<v Speaker 1>of a theme, they're very This is very typical winner

0:31:47.840 --> 0:31:52.160
<v Speaker 1>of a preparing contest would be best sheller. And so

0:31:52.240 --> 0:31:55.640
<v Speaker 1>the theme ends up being adding an h in other

0:31:55.720 --> 0:31:58.200
<v Speaker 1>common terms to make it a different term. So, in

0:31:58.240 --> 0:32:01.520
<v Speaker 1>other words, instead of best seller, it's sheller. Another one

0:32:01.560 --> 0:32:04.400
<v Speaker 1>in that same theme would be Lothario's line in a

0:32:04.480 --> 0:32:08.400
<v Speaker 1>single spar pick up sticks instead of pick up sticks.

0:32:09.040 --> 0:32:12.320
<v Speaker 1>So themes like that I really enjoy. But the themes

0:32:12.360 --> 0:32:14.320
<v Speaker 1>I don't like, or like I said, when it's like

0:32:14.760 --> 0:32:20.600
<v Speaker 1>this is the word misspelled or something. Okay, thank gotcha. Okay,

0:32:20.960 --> 0:32:24.600
<v Speaker 1>I'm getting on my crossword soapbox a little. I say,

0:32:24.640 --> 0:32:26.320
<v Speaker 1>we take our second break and then come back and

0:32:26.360 --> 0:32:28.760
<v Speaker 1>talk about how people out there who are like I

0:32:28.800 --> 0:32:31.000
<v Speaker 1>like hearing about these crosswords. I'm gonna go try one.

0:32:31.320 --> 0:32:34.760
<v Speaker 1>Wait wait, wait, because we're about to inform you how

0:32:34.880 --> 0:32:39.080
<v Speaker 1>to solve them more efficiently, starting in just a minute

0:32:39.160 --> 0:33:06.040
<v Speaker 1>or two after this moment, So the New York Times

0:33:06.280 --> 0:33:10.880
<v Speaker 1>went so full bore into um, which is, by the way,

0:33:11.000 --> 0:33:15.960
<v Speaker 1>is not sexual, kind of like balls out into crosswords

0:33:16.040 --> 0:33:20.200
<v Speaker 1>that they actually have a crossword column, not just a crossword.

0:33:20.240 --> 0:33:24.280
<v Speaker 1>They have a columnist dedicated to writing about crosswords. Yeah,

0:33:24.280 --> 0:33:27.959
<v Speaker 1>her name's currently deb Amlin. Well that's probably always going

0:33:28.000 --> 0:33:30.240
<v Speaker 1>to be her name from now on, but I'm saying

0:33:30.240 --> 0:33:33.800
<v Speaker 1>the current columnists is named deb Amlin. Sure, and she's

0:33:33.800 --> 0:33:36.520
<v Speaker 1>at the New York Times, and she's got some tips

0:33:37.000 --> 0:33:40.000
<v Speaker 1>that she maintains that are they're pretty good if you

0:33:40.040 --> 0:33:42.640
<v Speaker 1>want to start out learning how to kind of basically

0:33:43.720 --> 0:33:45.800
<v Speaker 1>solve a crossword a little faster than you might have

0:33:45.840 --> 0:33:48.239
<v Speaker 1>on your own. Yeah, for sure. And by the way,

0:33:48.280 --> 0:33:51.040
<v Speaker 1>there are lots of fun blogs outside the New York

0:33:51.080 --> 0:33:54.160
<v Speaker 1>Times too that that write kind of funny takedowns of

0:33:54.480 --> 0:33:59.320
<v Speaker 1>the day's puzzle. Nice. But Amlin says to start by

0:33:59.360 --> 0:34:03.280
<v Speaker 1>scanning for an the answers you definitely know for sure, Right,

0:34:03.280 --> 0:34:07.400
<v Speaker 1>it's a good way to start. Yeah, take a guess sometimes,

0:34:07.720 --> 0:34:09.400
<v Speaker 1>but use your racer, of course, I do mind on

0:34:09.440 --> 0:34:13.880
<v Speaker 1>the app online version. And then once you get like

0:34:14.080 --> 0:34:17.239
<v Speaker 1>the intersecting words, more things will reveal themselves. So it's

0:34:17.280 --> 0:34:19.040
<v Speaker 1>fine to take a guess because you can go back

0:34:19.040 --> 0:34:21.479
<v Speaker 1>and redo the word once you've realized that you were wrong.

0:34:22.480 --> 0:34:26.160
<v Speaker 1>Another one she suggests is yours and Hodgeman's method working

0:34:26.160 --> 0:34:30.319
<v Speaker 1>with another person. Yeah, via text or in person can

0:34:30.320 --> 0:34:33.880
<v Speaker 1>be fun. Over the breakfast table. Sure, if you get stuck,

0:34:34.080 --> 0:34:36.600
<v Speaker 1>just take a break. You don't have to finish this thing.

0:34:36.600 --> 0:34:39.200
<v Speaker 1>It's not a competition, like you can walk away from

0:34:39.200 --> 0:34:41.799
<v Speaker 1>it and come back. And oftentimes you'll do that kind

0:34:41.800 --> 0:34:45.320
<v Speaker 1>of unconscious thinking, almost like sleeping on it without sleeping,

0:34:45.680 --> 0:34:49.560
<v Speaker 1>and these things that just seemed totally impenetrable will suddenly

0:34:49.600 --> 0:34:52.960
<v Speaker 1>seem clear to you with fresh eyes. That happens almost

0:34:52.960 --> 0:34:55.680
<v Speaker 1>every time I do that. It's it's And I told

0:34:55.719 --> 0:34:59.080
<v Speaker 1>Hodgeman that and he went, yeah, that's a documented phenomenon

0:34:59.120 --> 0:35:03.719
<v Speaker 1>that happens. Yeah. Another one is that it's and this

0:35:03.800 --> 0:35:06.560
<v Speaker 1>is very controversial, but everyone has their own way of

0:35:06.560 --> 0:35:08.239
<v Speaker 1>doing it. There's no right way of doing it. There

0:35:08.239 --> 0:35:11.560
<v Speaker 1>are some purists, I'm sure that do not cheat at all,

0:35:11.640 --> 0:35:14.080
<v Speaker 1>and if they don't finish it, I guess they just

0:35:14.120 --> 0:35:16.920
<v Speaker 1>don't finish it. I like to finish it. So here's

0:35:17.040 --> 0:35:20.800
<v Speaker 1>what I do. I will do all my acrosses first,

0:35:21.440 --> 0:35:24.160
<v Speaker 1>and then I'll do a check and it tells you

0:35:24.160 --> 0:35:27.040
<v Speaker 1>what you've gotten wrong. Then I do all the downs,

0:35:27.600 --> 0:35:29.960
<v Speaker 1>and then I do a check. Because I don't want

0:35:29.960 --> 0:35:32.239
<v Speaker 1>to spend it. I don't have a like hours and

0:35:32.280 --> 0:35:34.319
<v Speaker 1>hours a day to work on these things, and I

0:35:34.320 --> 0:35:36.200
<v Speaker 1>want to finish them, so, like, I don't want to

0:35:36.200 --> 0:35:38.320
<v Speaker 1>spend a lot of time trying to figure out something

0:35:38.560 --> 0:35:41.880
<v Speaker 1>and drive myself crazy if I've gotten the A cross

0:35:41.920 --> 0:35:45.320
<v Speaker 1>word wrong to begin with, because then you're just throwing

0:35:45.360 --> 0:35:48.239
<v Speaker 1>yourself off. So I do a check one check down,

0:35:48.320 --> 0:35:50.920
<v Speaker 1>one check across, And that's the only sort of cheats

0:35:50.920 --> 0:35:53.719
<v Speaker 1>I'll use most times. Unless I'm just really stuck at

0:35:53.760 --> 0:35:55.839
<v Speaker 1>the end and i can't get the last couple. Then

0:35:55.840 --> 0:35:57.719
<v Speaker 1>I'll cheat, and I'll be like, all right, you know,

0:35:57.840 --> 0:36:00.640
<v Speaker 1>because what you're doing is you're learning something. If you're

0:36:00.680 --> 0:36:03.400
<v Speaker 1>if you're stopping three quarters of the way through because

0:36:03.440 --> 0:36:06.200
<v Speaker 1>you like you refuse to cheat, then you might be

0:36:06.239 --> 0:36:09.239
<v Speaker 1>missing out and learning something cool. So or you know,

0:36:09.760 --> 0:36:11.360
<v Speaker 1>solve it your own way. If you want to be

0:36:11.400 --> 0:36:13.719
<v Speaker 1>a purist and just not finish it, that's fine too.

0:36:14.440 --> 0:36:17.880
<v Speaker 1>So um, I think that's great words of advice, Chuck. Yeah.

0:36:17.920 --> 0:36:21.240
<v Speaker 1>Some other ones I saw are so when you're looking

0:36:21.239 --> 0:36:27.000
<v Speaker 1>at the clue, the plurality of it. If the plurality

0:36:27.040 --> 0:36:29.920
<v Speaker 1>if the clue is plural rather than singular, the answer

0:36:30.000 --> 0:36:32.520
<v Speaker 1>has to be plural, So in that sense, if you

0:36:32.560 --> 0:36:34.560
<v Speaker 1>see something that has a plural clue, you can just

0:36:34.600 --> 0:36:37.160
<v Speaker 1>go ahead and add an S at the end right um.

0:36:37.320 --> 0:36:40.520
<v Speaker 1>Same with tense, so if if the clue is past tense,

0:36:40.840 --> 0:36:42.920
<v Speaker 1>you can add an eed right at the bottom of

0:36:42.960 --> 0:36:46.759
<v Speaker 1>them of the the answer um. And that's a great

0:36:46.760 --> 0:36:48.680
<v Speaker 1>way to fill up a couple of squares right off

0:36:48.719 --> 0:36:51.279
<v Speaker 1>the bat too. And as you fill in other ones,

0:36:51.320 --> 0:36:55.040
<v Speaker 1>say that are going across, and you're filling down answers

0:36:55.680 --> 0:36:58.040
<v Speaker 1>with s's and eds, that stuff's going to fill up

0:36:58.080 --> 0:37:01.680
<v Speaker 1>a lot faster and become clear. Yeah, we talked about

0:37:01.719 --> 0:37:04.279
<v Speaker 1>the language of cross words, which you just sort of

0:37:04.320 --> 0:37:07.720
<v Speaker 1>get more familiar with as you do them. Partner Whenever

0:37:07.719 --> 0:37:10.800
<v Speaker 1>you see the word partner in there, it's usually linking

0:37:10.840 --> 0:37:14.080
<v Speaker 1>words together. So the example that Livia gave was a

0:37:14.239 --> 0:37:17.440
<v Speaker 1>partner of live. The answer would be learned because you

0:37:17.520 --> 0:37:21.640
<v Speaker 1>usually here live and learn stuff like that one. They

0:37:21.680 --> 0:37:25.480
<v Speaker 1>also will abbreviate words, but they say that they're abbreviating it,

0:37:25.600 --> 0:37:28.960
<v Speaker 1>So like following the clue, it will be say abbr

0:37:29.120 --> 0:37:33.040
<v Speaker 1>period or for short or in brief, or they'll actually

0:37:33.160 --> 0:37:37.319
<v Speaker 1>put an abbreviation in the clue. So a clue of

0:37:37.480 --> 0:37:42.200
<v Speaker 1>elephant group, as in GRP, the answer a GOOP because

0:37:42.320 --> 0:37:45.320
<v Speaker 1>that's an abbreviation of Grand Old Party and the elephant

0:37:45.719 --> 0:37:50.640
<v Speaker 1>group is the abbreviated group GRP. Does that make sense, Yeah,

0:37:50.640 --> 0:37:54.319
<v Speaker 1>but not all abbreviations, like it's usually if it's something abbreviated,

0:37:54.320 --> 0:37:59.000
<v Speaker 1>that usually isn't like group was abbreviated. If you see oh,

0:37:59.080 --> 0:38:01.920
<v Speaker 1>good point, like what Libya put down is a great example.

0:38:01.920 --> 0:38:04.759
<v Speaker 1>If you see VIP, that doesn't necessarily mean that the

0:38:04.800 --> 0:38:08.640
<v Speaker 1>answer is going to be an abbreviation because VP is common. Yeah,

0:38:08.800 --> 0:38:15.520
<v Speaker 1>people don't typically abbreviate group. Right. You'll also very rarely

0:38:15.560 --> 0:38:19.360
<v Speaker 1>see the same word twice in a single crossword. Yeah,

0:38:19.800 --> 0:38:24.799
<v Speaker 1>it's it's considered bad form among crossword constructors. Constructors also

0:38:24.840 --> 0:38:27.600
<v Speaker 1>frequently give you fill in the blank clues as a gimme.

0:38:28.120 --> 0:38:31.160
<v Speaker 1>So there's a blank and then the second word or

0:38:31.160 --> 0:38:35.680
<v Speaker 1>something like that in a clue makes it probably pretty

0:38:35.719 --> 0:38:38.080
<v Speaker 1>easy to figure out based on the number of letters.

0:38:39.160 --> 0:38:41.480
<v Speaker 1>That's when you can start with. And then also I

0:38:41.520 --> 0:38:46.640
<v Speaker 1>saw that you should start at the bottom right because

0:38:46.880 --> 0:38:50.799
<v Speaker 1>the premises that constructors typically will start at the top

0:38:50.880 --> 0:38:53.000
<v Speaker 1>left and by the time they make it to the

0:38:53.000 --> 0:38:55.279
<v Speaker 1>bottom right, which is the end of the puzzle. They're

0:38:55.320 --> 0:38:57.520
<v Speaker 1>they're tired and they've stopped being quite as clever, so

0:38:57.560 --> 0:39:00.680
<v Speaker 1>you can figure out the clues in the bottom right easier. Yeah,

0:39:00.719 --> 0:39:04.279
<v Speaker 1>I'd start with one and one. That's how I do it. Okay, Uh,

0:39:04.320 --> 0:39:06.359
<v Speaker 1>there's some other fun ones, and I wish I would

0:39:06.360 --> 0:39:08.680
<v Speaker 1>have looked up an example. But one that you see

0:39:08.719 --> 0:39:14.359
<v Speaker 1>every single day is like, uh, word preceding, you know,

0:39:15.239 --> 0:39:17.799
<v Speaker 1>cat and basket and it'll be a word that you

0:39:17.840 --> 0:39:21.480
<v Speaker 1>often see linked up before cat in basket That isn't

0:39:21.480 --> 0:39:23.120
<v Speaker 1>one because I can't think of one. Play cat in

0:39:23.160 --> 0:39:28.080
<v Speaker 1>basket case, cat cat case in basket case. Okay, but

0:39:28.200 --> 0:39:31.680
<v Speaker 1>that would be uh not proceeding. But yeah, um, so

0:39:31.719 --> 0:39:33.759
<v Speaker 1>they'll do that a lot. Here's some things that I

0:39:33.760 --> 0:39:37.680
<v Speaker 1>didn't know, which now I'm going to be better at. Um. Well,

0:39:37.719 --> 0:39:39.520
<v Speaker 1>I did know this. If it's a question mark at

0:39:39.560 --> 0:39:42.160
<v Speaker 1>the end of the clue, that usually means is probably

0:39:42.200 --> 0:39:45.920
<v Speaker 1>a pun or some kind of wordplay, Like current events

0:39:47.000 --> 0:39:51.560
<v Speaker 1>is really current events, so tides because tides have currents,

0:39:51.600 --> 0:39:55.360
<v Speaker 1>it's an event. Yeah, then you're like, what's the fifth

0:39:55.400 --> 0:39:58.600
<v Speaker 1>letter for well, and a lot of times the obvious

0:39:58.640 --> 0:40:01.319
<v Speaker 1>answer that's wrong. We'll have the same. If they're really good,

0:40:01.320 --> 0:40:03.440
<v Speaker 1>they'll have the same number of letters. Right, So you're like,

0:40:03.440 --> 0:40:06.440
<v Speaker 1>it has to be news. It fits, yeah, exactly. But

0:40:06.520 --> 0:40:09.680
<v Speaker 1>the ones I did not know was that if it's

0:40:09.719 --> 0:40:13.640
<v Speaker 1>in a quote, then the answer is a synonym for

0:40:13.719 --> 0:40:16.600
<v Speaker 1>a spoken phrase. And I sort of knew it was

0:40:16.640 --> 0:40:17.719
<v Speaker 1>sort of like that, but I didn't know it was

0:40:17.719 --> 0:40:20.319
<v Speaker 1>always like that. And then if it's in brackets, and

0:40:20.360 --> 0:40:21.759
<v Speaker 1>I didn't know this at all. I never knew what

0:40:21.760 --> 0:40:25.000
<v Speaker 1>the brackets meant. The brackets usually mean that the answer

0:40:25.120 --> 0:40:31.560
<v Speaker 1>is nonverbal, right, like the example Olivia gives us, that's painful.

0:40:31.719 --> 0:40:36.800
<v Speaker 1>In brackets, the answer might be grimace. Right. I didn't

0:40:36.800 --> 0:40:39.440
<v Speaker 1>know the brackets one either. The thing I like about

0:40:39.480 --> 0:40:42.279
<v Speaker 1>the quotes one is it's intuitive, Like I didn't know

0:40:42.320 --> 0:40:44.560
<v Speaker 1>that that was a convention, but I know that I've

0:40:44.640 --> 0:40:47.200
<v Speaker 1>figured that out, you know, plenty of times doing cross

0:40:47.239 --> 0:40:49.959
<v Speaker 1>words to seeing those quotes. It just it's a really

0:40:49.960 --> 0:40:53.759
<v Speaker 1>great convention, I think. And then the heteronyms, these are

0:40:53.800 --> 0:40:57.359
<v Speaker 1>my favorite. These are the really clever ones where it's

0:40:57.480 --> 0:41:00.719
<v Speaker 1>something that can be pronounced in two different ways and

0:41:00.880 --> 0:41:04.160
<v Speaker 1>you're intuitively led down a path to believe it's one,

0:41:04.200 --> 0:41:07.319
<v Speaker 1>and it's really the other. Um. So, the example that

0:41:07.400 --> 0:41:10.520
<v Speaker 1>Livia found was kitchen drawer. So you're trying to think of, like,

0:41:10.600 --> 0:41:12.640
<v Speaker 1>what's kitchen drawer? What could it be? What could it be?

0:41:13.520 --> 0:41:16.520
<v Speaker 1>And the answer is a roma. So it's not kitchen drawer,

0:41:16.560 --> 0:41:20.040
<v Speaker 1>but a kitchen drawer, as in the aroma draws you

0:41:20.040 --> 0:41:22.200
<v Speaker 1>into the kitchen. It's such a great one. I know,

0:41:22.280 --> 0:41:24.200
<v Speaker 1>I love that stuff. Not as good as labor, but

0:41:24.320 --> 0:41:27.560
<v Speaker 1>still pretty good. Okay, so you said you're trying your

0:41:27.600 --> 0:41:30.520
<v Speaker 1>hand at constructing puzzles. How's it going. Well? I mean,

0:41:30.600 --> 0:41:34.040
<v Speaker 1>I've I've started the idea of trying. I'm trying to

0:41:34.040 --> 0:41:37.040
<v Speaker 1>find a partner, asked Hodgeman, and he sort of didn't

0:41:37.040 --> 0:41:40.680
<v Speaker 1>say anything back. So I think that was a soft bass. Yeah.

0:41:40.719 --> 0:41:44.239
<v Speaker 1>Ben seemed a little more into it. And I wanted

0:41:44.239 --> 0:41:45.600
<v Speaker 1>to see if I could get stuff. You should know

0:41:45.600 --> 0:41:47.719
<v Speaker 1>when there as a clue, because obviously that would be

0:41:47.880 --> 0:41:50.680
<v Speaker 1>another bucketless thing for us. That would be great. Oh yeah, man,

0:41:50.760 --> 0:41:54.040
<v Speaker 1>can you imagine? Yeah, it'd be cool. Um so, uh,

0:41:54.560 --> 0:41:58.800
<v Speaker 1>the The New York Times actually deb ammon Um wrote

0:41:58.840 --> 0:42:02.840
<v Speaker 1>a or am and sorry. She hosted a blog post,

0:42:03.160 --> 0:42:06.560
<v Speaker 1>a four or five part blog post that is really

0:42:06.640 --> 0:42:10.600
<v Speaker 1>in depth that where she interviewed the people who actually

0:42:10.800 --> 0:42:14.200
<v Speaker 1>edit and create the New York Times crosswords and how

0:42:14.200 --> 0:42:17.000
<v Speaker 1>they do it. And it is not at all created

0:42:17.040 --> 0:42:19.279
<v Speaker 1>the way that I thought they were created. Did you

0:42:19.320 --> 0:42:21.520
<v Speaker 1>see that at all? I haven't looked at that yet.

0:42:21.560 --> 0:42:23.080
<v Speaker 1>It's it's on my list because I know it's going

0:42:23.080 --> 0:42:26.280
<v Speaker 1>to inform my process, but I've I've been kind of waiting.

0:42:26.560 --> 0:42:28.400
<v Speaker 1>Is there like a I kind of thought there might

0:42:28.440 --> 0:42:31.040
<v Speaker 1>be programs that help you sort of lay it out.

0:42:31.120 --> 0:42:33.960
<v Speaker 1>They mentioned that they do use programs to kind of

0:42:33.960 --> 0:42:37.359
<v Speaker 1>basically create grids and stuff like that more easily, but

0:42:37.400 --> 0:42:40.160
<v Speaker 1>they don't use things like auto phil which will just

0:42:40.200 --> 0:42:43.080
<v Speaker 1>populate it with words and then come up with suggested

0:42:44.400 --> 0:42:46.799
<v Speaker 1>like clues or anything like that. They come up with

0:42:46.840 --> 0:42:48.960
<v Speaker 1>them themselves, which you would hope with the New York

0:42:48.960 --> 0:42:52.680
<v Speaker 1>Times crossword puzzle. But the way that they create this,

0:42:52.800 --> 0:42:56.719
<v Speaker 1>and I think it's like almost like an assembly line

0:42:56.719 --> 0:42:59.160
<v Speaker 1>if it's done the way the blog posts suggests, where

0:42:59.239 --> 0:43:02.160
<v Speaker 1>one team will come up with the theme and they'll

0:43:02.160 --> 0:43:06.560
<v Speaker 1>come up with the answers the words for that theme. Okay,

0:43:06.719 --> 0:43:09.719
<v Speaker 1>so let's say you have five five different words that

0:43:09.760 --> 0:43:13.080
<v Speaker 1>are the theme answers, and then that's it, they hand

0:43:13.080 --> 0:43:14.759
<v Speaker 1>it off to the next people. The next people will

0:43:14.760 --> 0:43:17.839
<v Speaker 1>create the grid and they have to figure out where

0:43:17.840 --> 0:43:21.080
<v Speaker 1>to put those five theme answers in there. And once

0:43:21.080 --> 0:43:23.080
<v Speaker 1>they have that done and they got they have the

0:43:23.080 --> 0:43:26.000
<v Speaker 1>black squares in there and everything like that, they hand

0:43:26.040 --> 0:43:29.719
<v Speaker 1>it off to the people who populate the grid with words. Um,

0:43:29.960 --> 0:43:31.920
<v Speaker 1>you want to avoid three letter words. You want to

0:43:33.520 --> 0:43:39.480
<v Speaker 1>definitely no more than no less than three three right, Um.

0:43:39.640 --> 0:43:42.359
<v Speaker 1>So it's actually kind of hard to come up with

0:43:42.440 --> 0:43:45.680
<v Speaker 1>words that are interesting, right, because those are your answers.

0:43:45.960 --> 0:43:49.319
<v Speaker 1>And then after that, after the whole thing's been populated,

0:43:49.600 --> 0:43:51.560
<v Speaker 1>they hand it off to the people who write the

0:43:51.560 --> 0:43:57.360
<v Speaker 1>clues based on the words in the grids. The deposite

0:43:57.360 --> 0:43:59.360
<v Speaker 1>of solving it. When you say day, though, do you

0:43:59.360 --> 0:44:02.759
<v Speaker 1>mean is this when The New York Times is doing

0:44:02.760 --> 0:44:05.719
<v Speaker 1>their own So yes, that's my impression. I think for

0:44:05.760 --> 0:44:09.240
<v Speaker 1>the most part, if you write, if you create, sorry,

0:44:09.239 --> 0:44:12.200
<v Speaker 1>construct your own crossword, you're doing every step of this.

0:44:12.920 --> 0:44:14.960
<v Speaker 1>I don't know if they broke it down into teams

0:44:15.000 --> 0:44:17.799
<v Speaker 1>of two to make sure that everybody was interviewed in this,

0:44:18.560 --> 0:44:20.840
<v Speaker 1>or if they really do it assembly line style, and

0:44:20.960 --> 0:44:22.759
<v Speaker 1>a team of two will create the theme. A team

0:44:22.800 --> 0:44:24.560
<v Speaker 1>of two will create the grid, a team of three

0:44:24.600 --> 0:44:27.160
<v Speaker 1>populates it with words, and a team of two does

0:44:27.600 --> 0:44:31.120
<v Speaker 1>the clues, writes the clues. But it's it's really mind

0:44:31.120 --> 0:44:33.520
<v Speaker 1>boggling how how it all comes together. It comes together

0:44:33.560 --> 0:44:37.480
<v Speaker 1>in the opposite way that you you would solve the puzzle,

0:44:37.719 --> 0:44:40.040
<v Speaker 1>which is one reason why Will Shortz. He was interviewed

0:44:40.040 --> 0:44:46.120
<v Speaker 1>by Neil Conan and I Think Science Friday, where he said, like,

0:44:46.320 --> 0:44:49.960
<v Speaker 1>people who are constructors are typically not good at solving

0:44:50.000 --> 0:44:51.920
<v Speaker 1>the puzzles and vice versa. If you're really good at

0:44:51.960 --> 0:44:54.239
<v Speaker 1>solving a puzzle, it does not mean you're gonna necessarily

0:44:54.239 --> 0:44:57.680
<v Speaker 1>be good at constructing it. You know who's good at both?

0:44:58.000 --> 0:45:02.720
<v Speaker 1>Who is manning the south key? Yeah? Because Manny retired

0:45:02.719 --> 0:45:06.320
<v Speaker 1>from a medical practice in nineteen eighty three and got

0:45:06.640 --> 0:45:09.880
<v Speaker 1>was really into it and was published in ninety four,

0:45:10.280 --> 0:45:13.279
<v Speaker 1>and then since that time has created two hundred and

0:45:13.280 --> 0:45:17.160
<v Speaker 1>fifty four New York Times crosswords to be the most

0:45:17.160 --> 0:45:20.520
<v Speaker 1>prolific writer. I'm sorry, constructor, we keep saying that. Yeah,

0:45:20.560 --> 0:45:24.520
<v Speaker 1>I know, it's tough to remember. So Will Shortz. When

0:45:24.520 --> 0:45:26.400
<v Speaker 1>he started in ninety three, he was getting forty to

0:45:26.480 --> 0:45:29.680
<v Speaker 1>fifty submissions of meet a week, mostly from people age

0:45:29.760 --> 0:45:33.440
<v Speaker 1>fifty or over. Yeah, And as of April twenty twenty one,

0:45:33.480 --> 0:45:36.400
<v Speaker 1>he started getting about two hundred submissions a week. That

0:45:36.440 --> 0:45:39.640
<v Speaker 1>means two hundred different people went to the trouble of

0:45:39.640 --> 0:45:42.280
<v Speaker 1>creating a crossword and sending it into the New York Times.

0:45:42.600 --> 0:45:46.200
<v Speaker 1>And the age has declined tremendously to about the mid

0:45:46.239 --> 0:45:49.160
<v Speaker 1>to late thirties today on average. And that's in large

0:45:49.160 --> 0:45:52.120
<v Speaker 1>part because Will Shortz made a determined effort, like you

0:45:52.120 --> 0:45:57.400
<v Speaker 1>were saying, to be way more inclusive in the crossword world. Yeah,

0:45:57.400 --> 0:45:59.400
<v Speaker 1>and women get a little bit of a bump. I

0:45:59.400 --> 0:46:03.520
<v Speaker 1>think twenty percent of submissions come from women, but about

0:46:03.560 --> 0:46:08.960
<v Speaker 1>thirty percent of published puzzles or from women. And I

0:46:09.040 --> 0:46:11.920
<v Speaker 1>was kind of under the impression that all of their

0:46:11.960 --> 0:46:15.160
<v Speaker 1>puzzles were submitted, so I didn't know that anyone on

0:46:15.239 --> 0:46:18.680
<v Speaker 1>staff was writing them. I'm curious of the breakdown there. Yeah,

0:46:18.880 --> 0:46:22.040
<v Speaker 1>I am as well. I don't know, because they said

0:46:22.080 --> 0:46:24.400
<v Speaker 1>that they get about two hundred submissions per week, but

0:46:24.480 --> 0:46:27.480
<v Speaker 1>they're only running seven, so that means that the acceptance

0:46:27.560 --> 0:46:30.120
<v Speaker 1>rate is about three to four percent, which would mean

0:46:30.160 --> 0:46:33.480
<v Speaker 1>that they are accepting like they're running nothing but submissions

0:46:33.560 --> 0:46:36.640
<v Speaker 1>rather than housemade ones. Yeah, this really made me pause,

0:46:36.680 --> 0:46:38.120
<v Speaker 1>and I'm like, how much time do I want to

0:46:38.160 --> 0:46:40.880
<v Speaker 1>put into something that I have a ninety seven percent

0:46:41.239 --> 0:46:44.560
<v Speaker 1>chance of like failing. Well, you know, there's other places

0:46:44.600 --> 0:46:49.240
<v Speaker 1>that run cross words aside from the Times and Pleasures

0:46:49.239 --> 0:46:52.160
<v Speaker 1>would be more than happy to take us other pleasures

0:46:52.200 --> 0:46:54.160
<v Speaker 1>do you derive just from having done so? I think

0:46:54.160 --> 0:46:56.320
<v Speaker 1>it'd be a good even if it doesn't get published.

0:46:56.320 --> 0:46:58.800
<v Speaker 1>That doesn't mean, you know, I wrote a great seventy

0:46:58.840 --> 0:47:02.000
<v Speaker 1>show spec script that never did anything, but in my

0:47:02.040 --> 0:47:04.200
<v Speaker 1>mind it lives as a real episode. I wrote a

0:47:04.239 --> 0:47:07.120
<v Speaker 1>great Simpsons episode that it's right anything, and I love

0:47:07.160 --> 0:47:11.040
<v Speaker 1>it too. Yeah, agreed. I'll tell you what people love though,

0:47:11.160 --> 0:47:15.680
<v Speaker 1>is crosswords. And watch that documentary word Play, because you

0:47:15.719 --> 0:47:18.960
<v Speaker 1>will see a lot of it about the American crossword

0:47:18.960 --> 0:47:23.640
<v Speaker 1>puzzle tournament, which started in nineteen seventy eight. When crosswords

0:47:23.719 --> 0:47:25.920
<v Speaker 1>kind of after the twenties and thirties, they didn't go

0:47:25.920 --> 0:47:29.239
<v Speaker 1>away or anything, but they kind of laid a little

0:47:29.280 --> 0:47:31.520
<v Speaker 1>more low until the late seventies and they really kind

0:47:31.520 --> 0:47:34.719
<v Speaker 1>of picked up steam again. And the marketing director of

0:47:34.719 --> 0:47:39.240
<v Speaker 1>a Marriott hotel in Stanford, Connecticut said, Hey, in the wintertime,

0:47:39.280 --> 0:47:41.799
<v Speaker 1>no one's coming up here. So let's let's do a

0:47:41.800 --> 0:47:44.600
<v Speaker 1>crossword puzzle tournament like an official New York Times thing,

0:47:45.080 --> 0:47:48.160
<v Speaker 1>and get Will Schwartz to help us plant And they've

0:47:48.200 --> 0:47:50.680
<v Speaker 1>been doing it there ever since, and it's I think

0:47:50.680 --> 0:47:53.560
<v Speaker 1>it's in late March early April this year, and they

0:47:53.560 --> 0:47:55.600
<v Speaker 1>get you know, close to a thousand people coming to

0:47:55.680 --> 0:47:57.759
<v Speaker 1>this thing. Yeah, and you get a really good sense

0:47:57.760 --> 0:47:59.799
<v Speaker 1>of what it's like in word play, like you were

0:48:01.160 --> 0:48:03.279
<v Speaker 1>really a great Like if if this has been at

0:48:03.280 --> 0:48:05.919
<v Speaker 1>all interesting to you this episode, go check out word Play.

0:48:05.960 --> 0:48:08.319
<v Speaker 1>You will absolutely love it. Even if you're not into

0:48:08.320 --> 0:48:12.239
<v Speaker 1>cross words. It's a great you know, um, social what

0:48:12.400 --> 0:48:16.239
<v Speaker 1>is the word social connector bonder know, the type of

0:48:16.280 --> 0:48:20.840
<v Speaker 1>documentary where it's like a little peak inside of Oh yeah,

0:48:20.840 --> 0:48:23.640
<v Speaker 1>one of those, Yeah, one of those. It's worth seeing

0:48:23.680 --> 0:48:27.400
<v Speaker 1>for sure. As far as the making you smarter, And

0:48:27.440 --> 0:48:29.600
<v Speaker 1>this was something that you and I talked a little

0:48:29.640 --> 0:48:31.520
<v Speaker 1>bit about. Like one of the reasons I started doing

0:48:31.520 --> 0:48:35.240
<v Speaker 1>it is because I wasn't the impression that word games

0:48:35.920 --> 0:48:39.400
<v Speaker 1>kept you from descending into dementia. And it kind of

0:48:39.400 --> 0:48:41.880
<v Speaker 1>depends on the study. Some studies have sort of confirmed

0:48:42.280 --> 0:48:45.960
<v Speaker 1>or at least backed it up. Some studies said there

0:48:46.040 --> 0:48:50.279
<v Speaker 1>was no effect. Some studies say that it might just

0:48:50.360 --> 0:48:55.640
<v Speaker 1>be the placebo effect happening. Other people say, like, these

0:48:55.800 --> 0:48:58.920
<v Speaker 1>things are fine, but being like genuinely creative with your

0:48:58.960 --> 0:49:03.200
<v Speaker 1>brain is better for staving off dementia. So I've read

0:49:03.239 --> 0:49:05.360
<v Speaker 1>this stuff and I was a little disappointed, but I

0:49:05.440 --> 0:49:07.960
<v Speaker 1>kind of figure it. It can't hurt, and it's can

0:49:08.000 --> 0:49:10.759
<v Speaker 1>be a part of the recipe of keeping your brain sharp. Yeah,

0:49:10.760 --> 0:49:12.600
<v Speaker 1>as far as I know, none of the studies where like,

0:49:12.680 --> 0:49:17.280
<v Speaker 1>don't do crosswords, they're going to completely rot your brain. Yeah. Yeah,

0:49:17.080 --> 0:49:20.120
<v Speaker 1>that one about the placebo effect I thought was pretty interesting.

0:49:20.200 --> 0:49:24.439
<v Speaker 1>When they advertised the puzzle as a brain training people

0:49:24.480 --> 0:49:27.239
<v Speaker 1>did better on IQ test than people who were in

0:49:27.239 --> 0:49:30.399
<v Speaker 1>a control group and did the same puzzle, but it

0:49:30.480 --> 0:49:34.240
<v Speaker 1>wasn't advertised as brain training. So I don't think it matters.

0:49:34.280 --> 0:49:37.120
<v Speaker 1>If a placebo effect doesn't matter, it doesn't diminish it.

0:49:37.239 --> 0:49:39.960
<v Speaker 1>You know, like if you can take a sugar pill

0:49:39.960 --> 0:49:43.840
<v Speaker 1>and get the same result as taking a medication, like great,

0:49:44.200 --> 0:49:46.880
<v Speaker 1>that's fantastic. I don't understand why everybody's always putting down

0:49:46.880 --> 0:49:49.400
<v Speaker 1>the placebo effect. Yeah, that sugar pill probably didn't have

0:49:49.440 --> 0:49:52.799
<v Speaker 1>side effects too. Well, it is sugar, so there's probably some.

0:49:53.000 --> 0:49:55.680
<v Speaker 1>But you know, there was a study in twenty fourteen

0:49:55.719 --> 0:49:59.040
<v Speaker 1>that found that if you were a crossword or scrabble

0:50:00.040 --> 0:50:02.960
<v Speaker 1>it says expert, but I would even say enthusiasts, then

0:50:03.040 --> 0:50:08.040
<v Speaker 1>you had a stronger working memory than the group compared,

0:50:08.120 --> 0:50:11.040
<v Speaker 1>which was I think college students who had a seven

0:50:11.160 --> 0:50:15.640
<v Speaker 1>hundred or better verbal on the SAT. Yeah, and apparently

0:50:15.640 --> 0:50:19.560
<v Speaker 1>they're better at like VISU visuo. Can I say that right?

0:50:19.760 --> 0:50:21.920
<v Speaker 1>I don't think so. I think that is right visuo

0:50:22.120 --> 0:50:29.160
<v Speaker 1>spatial information and integrating verbal and visualus. Oh man, visual space.

0:50:29.560 --> 0:50:32.200
<v Speaker 1>You're not gonna help me? Help you? Are you no? Vs? Information?

0:50:32.239 --> 0:50:36.399
<v Speaker 1>How about that vs? Information in your short term memory? Jeez,

0:50:36.480 --> 0:50:40.280
<v Speaker 1>I gotta go finish. I'm ironically pretty stumped on today's crossword,

0:50:40.280 --> 0:50:42.160
<v Speaker 1>as you can tell. Oh yeah, have you been doing

0:50:42.160 --> 0:50:44.960
<v Speaker 1>it while we've been talking? No, no, no, I made

0:50:44.960 --> 0:50:48.040
<v Speaker 1>a little bit of time earlier, but I'll usually not

0:50:48.120 --> 0:50:50.960
<v Speaker 1>do it all in one go, like the Monday through Thursday,

0:50:51.160 --> 0:50:54.719
<v Speaker 1>I'm sorry, the money through Wednesday I can generally knock

0:50:54.719 --> 0:50:57.560
<v Speaker 1>out pretty quick like Mondays. Sometimes you can knock those

0:50:57.560 --> 0:51:00.840
<v Speaker 1>out in like eleven minutes, and that's super speed. Yeah,

0:51:00.880 --> 0:51:04.200
<v Speaker 1>I've done that's my record. I think, Wow, that's impressive, man.

0:51:05.080 --> 0:51:07.600
<v Speaker 1>But uh yeah. Shout out to Ben and uh John

0:51:07.640 --> 0:51:11.160
<v Speaker 1>Hodgeman and Mark Gagliardi another podcasting friend who was who

0:51:11.200 --> 0:51:14.960
<v Speaker 1>was an enthusiast. Nice, it's fun, fun doing this stuff.

0:51:15.280 --> 0:51:19.600
<v Speaker 1>Shout out to all you constructors and solvers out there. Right. Yeah,

0:51:19.680 --> 0:51:21.920
<v Speaker 1>well hope if I ever get my own byline, then

0:51:21.960 --> 0:51:24.240
<v Speaker 1>you can bet stuff. You should know we'll be a clue. Awesome.

0:51:24.280 --> 0:51:28.520
<v Speaker 1>I appreciate that big time. Chuck. Uh, since that is

0:51:28.600 --> 0:51:31.319
<v Speaker 1>probably it, right, you got anything else? Yah? Nothing else? Well,

0:51:31.320 --> 0:51:36.399
<v Speaker 1>then that means it's time for a listener mail. I'm

0:51:36.400 --> 0:51:41.799
<v Speaker 1>gonna call this correction on animal stuff. Oh boy, this

0:51:41.880 --> 0:51:44.360
<v Speaker 1>is from Daniel. This is a good correction too, because

0:51:44.400 --> 0:51:47.480
<v Speaker 1>this feels like one of those things is just printed

0:51:47.520 --> 0:51:50.319
<v Speaker 1>everywhere and everyone believes it's true. But apparently possums don't

0:51:50.360 --> 0:51:55.440
<v Speaker 1>eat ticks. Yeah, okay, all right, fine, Hey guys, I'm

0:51:55.480 --> 0:51:59.480
<v Speaker 1>writing because I was listening to the Possums podcast and

0:51:59.520 --> 0:52:02.960
<v Speaker 1>I heard you repeat an old myth that was fact,

0:52:03.000 --> 0:52:05.320
<v Speaker 1>and I wanted to set the record straight. The idea

0:52:05.360 --> 0:52:07.360
<v Speaker 1>that possums eat thousands of six a year is a

0:52:07.360 --> 0:52:10.760
<v Speaker 1>complete myth. It's based on a single study in which

0:52:10.960 --> 0:52:15.520
<v Speaker 1>researchers placed one hundred larval ticks on many different animals,

0:52:15.640 --> 0:52:19.080
<v Speaker 1>waited four days, then counted all the ones that fell off,

0:52:20.280 --> 0:52:22.200
<v Speaker 1>the ones that did not fall off or assumed to

0:52:22.239 --> 0:52:25.680
<v Speaker 1>have been eaten. Someone read that study assumed this was

0:52:25.719 --> 0:52:27.320
<v Speaker 1>the same as the number of ticks they'd eat in

0:52:27.400 --> 0:52:30.240
<v Speaker 1>the wild, and came up with the numbers that we heard.

0:52:30.880 --> 0:52:34.520
<v Speaker 1>So is there anything out there that disproves it, or

0:52:34.640 --> 0:52:37.840
<v Speaker 1>is this really just a critique of the quality of

0:52:37.840 --> 0:52:42.920
<v Speaker 1>the study In the extrapolation Part two? Okay, more recently, guys,

0:52:42.920 --> 0:52:44.799
<v Speaker 1>the study was done with possums in the wild and

0:52:44.840 --> 0:52:49.240
<v Speaker 1>found no evidence that they ever eat ticks. They checked

0:52:49.239 --> 0:52:52.560
<v Speaker 1>the stomach of many wild possums, couldn't find evidence of

0:52:52.640 --> 0:52:55.560
<v Speaker 1>even a single tick eaten. Here's a link to an

0:52:55.600 --> 0:52:59.080
<v Speaker 1>article on the study, and this is from Field and

0:52:59.160 --> 0:53:02.560
<v Speaker 1>Stream mags. Then I'm not gonna argue with those guys.

0:53:03.840 --> 0:53:07.880
<v Speaker 1>They carry guns. Yeah, they cover both field and stream.

0:53:07.960 --> 0:53:12.520
<v Speaker 1>So just a couple of things. Number one, Daniel ruins everything. No.

0:53:13.640 --> 0:53:17.840
<v Speaker 1>Number two, I still have plenty of possum pride, and

0:53:18.440 --> 0:53:21.319
<v Speaker 1>it's fine. It doesn't diminish the possums one iota in

0:53:21.360 --> 0:53:26.920
<v Speaker 1>my eyes. Nice try Daniel, No, I agree. I think

0:53:26.960 --> 0:53:32.759
<v Speaker 1>it's like possums were great before the tick thing, so

0:53:33.120 --> 0:53:37.560
<v Speaker 1>they're certainly great taking the tick thing away. Yeah, okay,

0:53:37.960 --> 0:53:40.960
<v Speaker 1>fair enough. I can tell you that instagrammer is not

0:53:40.960 --> 0:53:45.040
<v Speaker 1>gonna like this. Well, you know, what are you gonna do?

0:53:45.160 --> 0:53:47.960
<v Speaker 1>Can't please everybody, No, you can't. If you want to

0:53:48.000 --> 0:53:50.400
<v Speaker 1>be like Daniel and ruin something for us, or try

0:53:50.440 --> 0:53:53.400
<v Speaker 1>to but fail at it terribly, you can do it

0:53:53.520 --> 0:54:01.000
<v Speaker 1>via email to stuff podcast at iHeartRadio dot com. Stuff

0:54:01.000 --> 0:54:03.799
<v Speaker 1>you Should Know is a production of iHeartRadio. For more

0:54:03.840 --> 0:54:07.799
<v Speaker 1>podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:54:07.920 --> 0:54:09.760
<v Speaker 1>or wherever you listen to your favorite shows.