1
00:00:00,080 --> 00:00:08,600
Speaker 1: It's another Jube the twenties five. Wow, it's just Terry. Hey,

2
00:00:08,600 --> 00:00:12,039
Speaker 1: I was looking for Sonia. She's not available right now.

3
00:00:12,039 --> 00:00:15,640
Speaker 1: Who's it? This is Chaz Peterson. I recently interviewed her

4
00:00:15,640 --> 00:00:17,000
Speaker 1: for a part time job. This is one of the

5
00:00:17,079 --> 00:00:19,880
Speaker 1: numbers where she said I can get hold of her. Yes,

6
00:00:20,000 --> 00:00:22,160
Speaker 1: she's not here right now. Okay, I leave a message

7
00:00:22,200 --> 00:00:24,439
Speaker 1: for Yeah, you can. Chief. Can you tell her that

8
00:00:24,560 --> 00:00:27,680
Speaker 1: Chaz from Little Darling's called and I'd be interested in

9
00:00:27,680 --> 00:00:35,440
Speaker 1: the second interview? Okay, Little Darlings? Yeah, what's that? What

10
00:00:35,640 --> 00:00:40,720
Speaker 1: is Little Darlings? Yes, it's a gentleman's cabaret, assuming you're

11
00:00:40,720 --> 00:00:46,240
Speaker 1: probably heard of it. So you're looking for Sonya. Yeah,

12
00:00:46,440 --> 00:00:48,560
Speaker 1: she came in the other day dropped off an application

13
00:00:48,600 --> 00:00:52,400
Speaker 1: to be a hostess. No, there's there's got to be

14
00:00:52,440 --> 00:00:58,360
Speaker 1: a mistake. My wife didn't come into a gentleman's cabaret, right. Well,

15
00:00:58,360 --> 00:00:59,960
Speaker 1: but I don't know why i'd call you out of

16
00:01:00,040 --> 00:01:03,080
Speaker 1: the blue and just make the story up. Well, listen, listen,

17
00:01:03,600 --> 00:01:05,720
Speaker 1: don't call me. But okay, I'm not your but you're

18
00:01:05,760 --> 00:01:09,440
Speaker 1: trying to give my wife a job and a gentleman's cabaret.

19
00:01:09,480 --> 00:01:11,039
Speaker 1: All I know is she came in the other day,

20
00:01:11,120 --> 00:01:14,520
Speaker 1: dropped off an application to be a hostess, and we

21
00:01:14,520 --> 00:01:16,800
Speaker 1: did a short little interview. Told her i'd call her back,

22
00:01:16,840 --> 00:01:18,200
Speaker 1: And now I'm trying to get her on the phone

23
00:01:18,240 --> 00:01:20,720
Speaker 1: because I actually think she'd probably make a better dancer. Well,

24
00:01:20,920 --> 00:01:23,200
Speaker 1: excuse me, I can talk about all that with her.

25
00:01:23,240 --> 00:01:25,720
Speaker 1: Can you just tell me some confusion? She she she

26
00:01:26,480 --> 00:01:28,480
Speaker 1: must have thought it was something else. Can you just

27
00:01:28,560 --> 00:01:31,679
Speaker 1: tell her I called champ. I'd appreciate you. I cannot

28
00:01:31,720 --> 00:01:33,760
Speaker 1: tell her that you called. No, I will not tell

29
00:01:33,800 --> 00:01:36,000
Speaker 1: her that you called. When I interviewed her, she told

30
00:01:36,000 --> 00:01:38,679
Speaker 1: me all about her family, Your kids are away at college.

31
00:01:38,680 --> 00:01:40,440
Speaker 1: She mentioned you. She didn't mention that you were a

32
00:01:40,480 --> 00:01:44,360
Speaker 1: huge though. Okay, Okay, stop it right there, sir. Okay,

33
00:01:44,400 --> 00:01:46,160
Speaker 1: I'm gonna You're not gonna talk to me like that

34
00:01:46,200 --> 00:01:48,320
Speaker 1: in my own home. Okay, I'm not in your home.

35
00:01:49,440 --> 00:01:51,880
Speaker 1: I'm not in your home. I'm actually on the phone. Yeah,

36
00:01:51,920 --> 00:01:54,120
Speaker 1: you're calling me at home. Okay. You're trying to get

37
00:01:54,160 --> 00:01:56,000
Speaker 1: my wife to leave my home and come and work

38
00:01:56,040 --> 00:01:58,200
Speaker 1: in your challenge cabaret and she has no interest in it,

39
00:01:58,280 --> 00:02:01,240
Speaker 1: so please stop calling. Hey, sport, what's your problem with

40
00:02:01,280 --> 00:02:04,720
Speaker 1: my establishment? Anyway. My problem with your establishment is you're

41
00:02:04,720 --> 00:02:06,880
Speaker 1: calling me trying to recruit my wife into your horhouse.

42
00:02:06,960 --> 00:02:10,440
Speaker 1: I don't have any place. Hey, I will have you know.

43
00:02:10,720 --> 00:02:12,240
Speaker 1: I will have you know. Everything that happens in my

44
00:02:12,280 --> 00:02:16,160
Speaker 1: club is above board and below the belt. Well, nothing

45
00:02:16,160 --> 00:02:18,480
Speaker 1: good for you. I'm glad for you, but that's not

46
00:02:18,520 --> 00:02:20,520
Speaker 1: how we do things in my home. I don't understand

47
00:02:20,560 --> 00:02:23,000
Speaker 1: where you're not getting here though she's the one. Well

48
00:02:23,000 --> 00:02:25,040
Speaker 1: you're not getting. No, she is not coming to work there.

49
00:02:25,080 --> 00:02:26,919
Speaker 1: I won't give her any message, and no, she will

50
00:02:27,000 --> 00:02:29,840
Speaker 1: not be helping you, but not working with you. Let's compromise.

51
00:02:30,040 --> 00:02:32,200
Speaker 1: How about we make a deal. You give her a

52
00:02:32,200 --> 00:02:34,680
Speaker 1: one week to work at my club. I'll let you

53
00:02:34,720 --> 00:02:36,639
Speaker 1: come in and even get a free lap dance from her.

54
00:02:36,800 --> 00:02:38,520
Speaker 1: How about you tell me where your club is so

55
00:02:38,560 --> 00:02:41,200
Speaker 1: I can come down there and break your nose for you.

56
00:02:41,200 --> 00:02:43,440
Speaker 1: You realize that it's your wife's choice to work here

57
00:02:43,440 --> 00:02:46,760
Speaker 1: and not yours, right, you don't really My wife will

58
00:02:46,840 --> 00:02:49,320
Speaker 1: not be working in your establishment. Why willfe plants nothing

59
00:02:49,320 --> 00:02:51,440
Speaker 1: to do with you? And I'm this conversation is over.

60
00:02:51,520 --> 00:02:53,240
Speaker 1: And while you're at it, why don't you give your

61
00:02:53,280 --> 00:02:55,240
Speaker 1: daughter the message too? I hear she just went off

62
00:02:55,240 --> 00:02:58,760
Speaker 1: to college. That is it? Okay, I don't have plenty

63
00:02:58,840 --> 00:03:00,640
Speaker 1: for this. I don't have time for James on the phone,

64
00:03:00,680 --> 00:03:02,480
Speaker 1: not enough time for games. You are not coming into

65
00:03:02,480 --> 00:03:04,840
Speaker 1: my home. Nobody's from mine home is coming into your establishment.

66
00:03:04,880 --> 00:03:06,760
Speaker 1: You want to come dance with me? I could use

67
00:03:06,800 --> 00:03:08,600
Speaker 1: a mail dancer. Oh I want to come down? Yeah?

68
00:03:08,680 --> 00:03:10,359
Speaker 1: Will then? Oh, I'll dance with you. You and I

69
00:03:10,440 --> 00:03:13,160
Speaker 1: are going to dance. There we go. Yeah, you get

70
00:03:13,200 --> 00:03:15,080
Speaker 1: on my lap and dance for me. Who do you

71
00:03:15,200 --> 00:03:17,920
Speaker 1: think you are? Who do you think you are? I

72
00:03:17,960 --> 00:03:23,000
Speaker 1: think that I'm Jebil? What's a Jubil? Jebil from Brook

73
00:03:23,000 --> 00:03:24,760
Speaker 1: and Jewil in the morning, I'm moving eighty two point

74
00:03:24,800 --> 00:03:28,240
Speaker 1: five doing a phone tap on you? What is this

75
00:03:28,320 --> 00:03:35,680
Speaker 1: a radio thing? Yeah, it's a prank phone call. Oh

76
00:03:35,760 --> 00:03:39,000
Speaker 1: your wife sonya set you up? Okay? Well, look, I

77
00:03:39,000 --> 00:03:41,080
Speaker 1: don't care. You don't have any rights. Don't ever call

78
00:03:41,160 --> 00:03:43,680
Speaker 1: this house again. You understand me. She said she's been

79
00:03:43,720 --> 00:03:45,280
Speaker 1: looking for a new job and thought this would be

80
00:03:45,320 --> 00:03:48,240
Speaker 1: a funny phone call. Yeah, well I don't think it's

81
00:03:48,320 --> 00:03:50,280
Speaker 1: very funny. Okay, And I'll tell her that when she

82
00:03:50,360 --> 00:03:53,160
Speaker 1: gets home. Thank you very much for bringing your joke

83
00:03:53,240 --> 00:03:55,480
Speaker 1: into my home. Hey, you know if you listen to

84
00:03:55,480 --> 00:03:57,280
Speaker 1: my show next week, you win a thousand dollars with

85
00:03:57,280 --> 00:04:01,400
Speaker 1: a thousand dollars Thanksgiving. Right, they go. The shoul have

86
00:04:01,480 --> 00:04:06,880
Speaker 1: a good day week us every morning with Jul Funk

87
00:04:06,920 --> 00:04:10,520
Speaker 1: taps weekday mornings on the twenties on Ruin n two

88
00:04:10,520 --> 00:04:16,320
Speaker 1: point five, we were I was in my stroom, Carma.

89
00:04:17,480 --> 00:04:23,240
Speaker 1: We have traveled to see dude. As long as you

90
00:04:23,320 --> 00:04:29,919
Speaker 1: are with me, there's no race I'd rather be. I

91
00:04:30,279 --> 00:04:38,359
Speaker 1: was away forever, exalted in the sea. As long as

92
00:04:38,520 --> 00:04:43,200
Speaker 1: I am with you. My harkins then used to be

93
00:04:45,440 --> 00:04:49,800
Speaker 1: with every step we take Kiyoto to the lake strolls.

94
00:04:49,839 --> 00:04:56,080
Speaker 1: So casually we difern the same game. You one of

95
00:04:56,279 --> 00:05:01,720
Speaker 1: the name, switch up the bad res get you take