WEBVTT - When I Worked with John Cena at WWE

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<v Speaker 1>Welcome back to Wrestling with Freddie. Thank you for coming

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<v Speaker 1>back to us. I had a lovely winter break. I

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<v Speaker 1>hope you guys did as well. I went on a

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<v Speaker 1>trip with the Trip. Before you have kids, they're called vacations,

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<v Speaker 1>they're wonderful, they're fantastic, and post kids, they're called trips,

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<v Speaker 1>and there is no such thing as a vacation until

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<v Speaker 1>they graduate and move out. So let's start the show.

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<v Speaker 1>Welcome to Wrestling with Freddy. Now stuffing up for the mic.

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<v Speaker 1>The host of Wrestling with Freddie, Freddie Prince Junya. But

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<v Speaker 1>we went to Hawaii, Home of the Rock, and it

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<v Speaker 1>was lovely. I felt the Mana, I felt the magic.

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<v Speaker 1>I've always felt the magic there. Actually lived there when

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<v Speaker 1>I was a little kid, only for six months. My

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<v Speaker 1>mom was working in a hotel and she was in

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<v Speaker 1>the hotel industry. She was a chef and uh we

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<v Speaker 1>stayed on Oahu in Honolulu. But I was just a

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<v Speaker 1>little kid. But I guess you just get some kind

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<v Speaker 1>of weird connection to that place. The only thing I

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<v Speaker 1>could link it to that I felt similar is New

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<v Speaker 1>Mexico because it's such an old land. I mean, when

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<v Speaker 1>we were kids, we would go on field trips to

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<v Speaker 1>like the Anasazi ruins, which were built into walls, and

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<v Speaker 1>you would see civilizations that live there. There's a magic

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<v Speaker 1>to New Mexico. But Hawaii is a special place, I think.

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<v Speaker 1>And the Rock talks about Mana, right, but that's that's

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<v Speaker 1>real because it's like lava coming from the center of

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<v Speaker 1>the earth out and it's it's it's an earth builder,

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<v Speaker 1>you know what I mean. So there's a lot of

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<v Speaker 1>power there and it's very humbling. And the point of

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<v Speaker 1>this is, when I'm an old, fat, retired guy, I'll

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<v Speaker 1>probably live there and I'll start my own little indie

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<v Speaker 1>Hawaiian Wrestling Federation. But I digress. We're back to the

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<v Speaker 1>show and it's gonna be no guest today. You're stuck

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<v Speaker 1>with Uncle Freddie and you're gonna get some stories. And

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<v Speaker 1>I thought we would kind of take it old school,

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<v Speaker 1>not old school like the old days, but just old school,

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<v Speaker 1>meaning three of the dudes that weren't necessarily people I

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<v Speaker 1>worked with, but people that had an impact on me,

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<v Speaker 1>that were there before me, during my time there and

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<v Speaker 1>long after. And we'd start and I've talked about John

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<v Speaker 1>Cena's distaste for me when I was there a little bit,

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<v Speaker 1>but I thought we would kind of deep dive into that, um,

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<v Speaker 1>deep dive into my relationship with with Kane, who has

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<v Speaker 1>mayor Glenn Jacobs. That's right, people, he is the mayor

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<v Speaker 1>of a small town in Tennessee and uh. And then

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<v Speaker 1>finally with Chris Jericho with a conversation he and I

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<v Speaker 1>had that really kind of broke down Vince for me,

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<v Speaker 1>and people go, I love your your your perspective and

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<v Speaker 1>your philosophy on Vince. Well, these perspectives come from experiences

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<v Speaker 1>with other people who are more experienced than me, and

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<v Speaker 1>I sort of I rely on their on their knowledge

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<v Speaker 1>to kind of come up with my own opinions with

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<v Speaker 1>live in a world today where opinions are solidified so

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<v Speaker 1>quickly because of a like button, or even worse, the retweet,

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<v Speaker 1>because then you're you're you're reiterating something that you just

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<v Speaker 1>saw that must be fact. Um. But I you know,

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<v Speaker 1>I'm forty five, so I didn't grow up with that,

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<v Speaker 1>and I kind of wait to make my my opinion

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<v Speaker 1>on someone until I have as much information as I'm

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<v Speaker 1>comfortable with. And my generation is just I think, maybe

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<v Speaker 1>comfortable with more or uncomfortable with less information. Maybe that's

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<v Speaker 1>a very brustly way to say it. We started at

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<v Speaker 1>the company and me and this other writer, Angelo, who

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<v Speaker 1>I've I've mentioned a couple of times on the show

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<v Speaker 1>before all the writers would take heat from meaning they

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<v Speaker 1>would catch a lot of crap from the talent, because

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<v Speaker 1>a lot of the old school talent doesn't think there's

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<v Speaker 1>a need for writers, and I tend to agree with

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<v Speaker 1>a lot of them, because a lot of the men

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<v Speaker 1>and women that are over in that company are highly

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<v Speaker 1>capable of writing or improving their own promos in ring

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<v Speaker 1>or backstage, and they don't really require writers. Sina. I mean,

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<v Speaker 1>Brian Gowertz wrote for him, but Sena could write his

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<v Speaker 1>own promos if he wanted to, and I'm a hundred

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<v Speaker 1>percent certain that he did many a time, or at

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<v Speaker 1>least rewrote what Brian laid down for him in some

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<v Speaker 1>bullet points and then filled it in. They worked together,

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<v Speaker 1>but John was a hundred percent capable as people can

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<v Speaker 1>see now, he's an incredibly talented actor, uh a talented

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<v Speaker 1>artist period. And I've always said I respected John even

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<v Speaker 1>though he didn't like me when I was there, because

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<v Speaker 1>I was an actor, which he is now, um, but

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<v Speaker 1>I always respected him because John was willing to wear

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<v Speaker 1>the crown during the g rated era, and that was

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<v Speaker 1>a crown that no top guy wanted. John made his

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<v Speaker 1>bones being the opposite of the Marine. John made his

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<v Speaker 1>bones being a brash, in your face, white rapper who

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<v Speaker 1>would talk trash to you, and you know, there was

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<v Speaker 1>nothing marine ish about him. And then when he became

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<v Speaker 1>the Marine, and he became the world champion, and he

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<v Speaker 1>found a gimmick that would stick right, because he's not

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<v Speaker 1>any of those things. He's all of those things. And

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<v Speaker 1>it's about finding certain personality types that you think will

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<v Speaker 1>make an impact. And when he found the Marine character,

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<v Speaker 1>even when you booed him, he would take the booze

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<v Speaker 1>right the way a soldier would take it, the way

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<v Speaker 1>a soldier returning from Vietnam was was you know, yelled

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<v Speaker 1>at and people were throwing things that our soldiers coming home.

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<v Speaker 1>You know, you really try. You saw John really trying

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<v Speaker 1>to embody that character. And other guys could have taken it,

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<v Speaker 1>like Triple Edge could have worn that crown. But Triple

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<v Speaker 1>Edge didn't want to do segments in the first hour

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<v Speaker 1>of Raw when it was still family friendly. He wanted

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<v Speaker 1>to be in the last hour of SmackDown or raw

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<v Speaker 1>and do his d X adult stuff, the stuff that

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<v Speaker 1>got him over, the stuff that he always did once

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<v Speaker 1>he found the right character right, so he could have

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<v Speaker 1>taken the crown. Vince would have gladly given it to him,

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<v Speaker 1>but he chose not to. John took this on himself.

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<v Speaker 1>And you, I mean, you don't have to respect that.

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<v Speaker 1>But a guy like me is just programmed to respect

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<v Speaker 1>the hell out of that. So when I got there,

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<v Speaker 1>I already had respect for John. And the first time

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<v Speaker 1>I met him, he called me Ashton Kutcher. So you

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<v Speaker 1>have to understand, I'm going in there as positive as

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<v Speaker 1>as a human being could possibly be. Looking at this

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<v Speaker 1>guy like dang man, that's that's a thankless I'm not

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<v Speaker 1>saying this, but in my head, I'm like this, it's

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<v Speaker 1>a thankless job. He's getting booed for being the good

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<v Speaker 1>guy so much, and you know it bugs him, and

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<v Speaker 1>he's been public about it now and said that, yeah,

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<v Speaker 1>that that bothered him. Sometimes he learned to embrace it,

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<v Speaker 1>and when he did, they started cheering again, which is crazy,

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<v Speaker 1>um and a cool journey on itself. But uh, I

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<v Speaker 1>met him and he hated me, and it wasn't even

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<v Speaker 1>that he hated me. It was just like a total disregard.

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<v Speaker 1>I think he called me Ashton Kusher and uh, you know, great,

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<v Speaker 1>we got Ashton Kusher working here now. And I take

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<v Speaker 1>everything with it with a smile and uh and a chuckle.

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<v Speaker 1>And I I don't take myself seriously, but I take

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<v Speaker 1>what I do very seriously. And I was there to work.

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<v Speaker 1>And I've said this before, I don't mind earning it.

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<v Speaker 1>So I go, yeah, and I'm I'm I'll learn it now.

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<v Speaker 1>I never wrote anything for John because, like I said,

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<v Speaker 1>he didn't need it, and Brian Gowertz was his guy

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<v Speaker 1>the same way that he was the Rocks guy. And

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<v Speaker 1>Brian knows what he's doing. And uh so I never

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<v Speaker 1>had to work with him. I worked with other talent

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<v Speaker 1>that he would be in segments with sometimes and sometimes

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<v Speaker 1>would write like a half of a segment. Believe it

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<v Speaker 1>or not, there would be two writers, each one writing

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<v Speaker 1>a different half of the segment. Don't ask me how

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<v Speaker 1>it works. Oh wait us in so maybe they saidn't

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<v Speaker 1>do that, but I, you know, dealt with him a lot.

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<v Speaker 1>And when we it got awkward when I started the

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<v Speaker 1>acting class, so we had I've told you the stories

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<v Speaker 1>before our numbers. When we first started, and this was

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<v Speaker 1>before the class was real popular. But a lot of

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<v Speaker 1>the younger talent, the f c W which is now

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<v Speaker 1>an XT talent that we're coming up, they were just

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<v Speaker 1>looking to brush up their their acting skills, and so

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<v Speaker 1>we started doing scenes from movies they liked. I said,

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<v Speaker 1>you you find any movie you want. I'm not gonna

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<v Speaker 1>make you do any of the crap work. You send

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<v Speaker 1>it to me. I'll transcribe it. I'll give it to

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<v Speaker 1>you a physical copy and an email so you always

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<v Speaker 1>have it. When you lose it, I will print you

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<v Speaker 1>up another one. All you have to do is the

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<v Speaker 1>scene work, breaking down the moments. Why is the character

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<v Speaker 1>saying this, what's the motivation, Let's look at the scene

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<v Speaker 1>on an overview, what's the obstacle and what's the goal?

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<v Speaker 1>What do you want and what's preventing you from getting there?

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<v Speaker 1>And once you start to analyze that, it's like practicing

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<v Speaker 1>a martial arts technique. You stop thinking about it and

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<v Speaker 1>you just start doing it. And that's when acting feels

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<v Speaker 1>more real, is when actors aren't searching for lines or

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<v Speaker 1>trying to remember blocking because they rehearsed and put in

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<v Speaker 1>the work, and that way your take one is actually

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<v Speaker 1>pretty damn good instead of it taking fourteen fifteen takes

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<v Speaker 1>because an actor was lazy. I get a little triggered

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<v Speaker 1>by lazy actors. If you can't tell this will turn

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<v Speaker 1>into a thirty minute podcast about people not knowing their ship.

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<v Speaker 1>Uh sorry. So anyway, I was working these scenes with

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<v Speaker 1>the talent and I think it was Writer and Hawkins,

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<v Speaker 1>and they were doing a scene from Bad Boys with

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<v Speaker 1>Will Smith and Martin Lawrence, which was making me laugh

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<v Speaker 1>before they even started, just to see these two guys

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<v Speaker 1>do it, and they actually did really well with the scene.

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<v Speaker 1>And in the middle of this class this scene, John

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<v Speaker 1>just swing has opened the door, grabs us a folding

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<v Speaker 1>chair that we were all sitting in, sets it down

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<v Speaker 1>in between Hawkins and Rider, and sits in it and

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<v Speaker 1>just looks at me like what are you gonna do?

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<v Speaker 1>And in my head, I'm just like, what the why

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<v Speaker 1>would you do? Why would you make this about you? Man?

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<v Speaker 1>Like why wouldn't you wait until after this? Like what

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<v Speaker 1>why would you interrupt this? And I get answers to

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<v Speaker 1>this in a moment, but I don't say anything. I

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<v Speaker 1>just go, hey, man, you want to talk to me outside?

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<v Speaker 1>And he stands up right away and he's mugus dude,

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<v Speaker 1>he's built like Ben Grimm from The Fantastic Four for

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<v Speaker 1>crying out loud. And we go outside. So I'm not

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<v Speaker 1>going to fight the dude. So we go outside and

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<v Speaker 1>I go, man, what the hell was that? And he goes,

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<v Speaker 1>that's what I was about to ask you. So he

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<v Speaker 1>has zero respect for whatever process I'm I'm attempting to

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<v Speaker 1>bring to the table, right And we kind of jaw

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<v Speaker 1>back and forth for a minute, and he and these

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<v Speaker 1>are his words, and he would he would admit to

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<v Speaker 1>all this. It is not a bad thing. Confrontation is good.

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<v Speaker 1>Conflict is good. That's how situations get resolved. When you

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<v Speaker 1>avoid it, it becomes passive aggressive, and then it carries

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<v Speaker 1>on and on and on, and it affects your work,

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<v Speaker 1>it affects their work, and then it affects the company's work,

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<v Speaker 1>and then everyone sucks a lot of passive aggression in Hollywood.

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<v Speaker 1>So so I'm of the opinion you should just confront

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<v Speaker 1>situations head on, and that's what we did. And he said, look,

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<v Speaker 1>maybe I'm a neanderthal his words, and he says, but

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<v Speaker 1>I just don't see how any of this ship works.

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<v Speaker 1>And I'm looking at him, like in my head and

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<v Speaker 1>look and now look in hindsight, he's out here making movies.

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<v Speaker 1>So it's all it's a growing it's a growing experience,

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<v Speaker 1>learning experience for all of us in the end, whether

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<v Speaker 1>we recognize that or not. But I look at him

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<v Speaker 1>and I say, hey, man, not everybody can do you do?

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<v Speaker 1>All right? I'm not saying, hey, can I work with

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<v Speaker 1>John and can I give him acting lessons? When I

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<v Speaker 1>had my first meeting with Steph, I said, why the

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<v Speaker 1>hell weren't you Duke and g I Joe, You're the

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<v Speaker 1>best actor on the roster. I said, but I'm trying

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<v Speaker 1>to get them to a level where you're at or

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<v Speaker 1>close to it, because if I don't, who the hell

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<v Speaker 1>is And he kind of like shrugged his shoulders and

0:12:22.360 --> 0:12:24.520
<v Speaker 1>like excelled, and I said, hey man, it's not like

0:12:24.559 --> 0:12:27.920
<v Speaker 1>you're helping him out. And that kind of like tightened

0:12:28.000 --> 0:12:32.320
<v Speaker 1>up as humongous muscles, these massive shoulders that kind of

0:12:32.360 --> 0:12:34.760
<v Speaker 1>like tense stuff. And he goes, yeah or whatever, and

0:12:34.800 --> 0:12:38.560
<v Speaker 1>he walked away and I go back in and Cardona

0:12:38.640 --> 0:12:40.280
<v Speaker 1>was like, dude, I thought you guys were gonna fight,

0:12:40.520 --> 0:12:43.040
<v Speaker 1>Like bro, I'm not trying to fight the incredible hulk Man.

0:12:43.120 --> 0:12:48.120
<v Speaker 1>Shut up. So we finished the class, and uh, I didn't.

0:12:48.320 --> 0:12:50.680
<v Speaker 1>We have our taping of whatever show was that day,

0:12:51.040 --> 0:12:54.040
<v Speaker 1>Monday and Iraq as John was there, and uh he

0:12:54.160 --> 0:12:55.920
<v Speaker 1>was the face of the company and Monday and I

0:12:56.000 --> 0:12:59.120
<v Speaker 1>Raw was the show of the company back then. So

0:12:59.720 --> 0:13:02.360
<v Speaker 1>I'm on the jet. We're flying back to White Plains,

0:13:02.400 --> 0:13:05.000
<v Speaker 1>New York from whatever city were in Cleveland or wherever

0:13:05.040 --> 0:13:09.840
<v Speaker 1>it was, and Vince has me hold out my hands.

0:13:09.840 --> 0:13:13.320
<v Speaker 1>He's got some hand sanitizer and he's he's you know,

0:13:13.320 --> 0:13:16.079
<v Speaker 1>you don't like germs, and so he starts to put

0:13:16.120 --> 0:13:18.600
<v Speaker 1>some hand sanitizer in my hand and then as a

0:13:18.679 --> 0:13:22.920
<v Speaker 1>rib won't stop, he just keeps squeezing it and squeezing it,

0:13:23.000 --> 0:13:25.880
<v Speaker 1>and he's just staring me down, and I'm staring him down. Right.

0:13:26.280 --> 0:13:28.160
<v Speaker 1>It's not like I can just let the crap fall

0:13:28.400 --> 0:13:32.000
<v Speaker 1>in his G four, G five, whatever it is, G something,

0:13:33.080 --> 0:13:36.679
<v Speaker 1>because that's disrespectful. But I'm not gonna wine or whimper

0:13:36.720 --> 0:13:38.679
<v Speaker 1>or tap out. So I just let him into the

0:13:38.720 --> 0:13:42.280
<v Speaker 1>bottle and I stand up and I slap it down

0:13:42.280 --> 0:13:44.960
<v Speaker 1>in the sink in the bathroom, wipe my hands. I

0:13:45.000 --> 0:13:47.360
<v Speaker 1>come back in and he's laughing. He thinks it's great.

0:13:47.400 --> 0:13:50.240
<v Speaker 1>And Kevin Dunn thinks it's the greatest joke that anyone's

0:13:50.240 --> 0:13:54.640
<v Speaker 1>ever pulled off in the history of jokes. And uh,

0:13:54.800 --> 0:13:57.200
<v Speaker 1>I sit down and Vince goes, so, I heard you

0:13:57.240 --> 0:14:00.000
<v Speaker 1>had a little, uh, a little problem with Sina today.

0:14:01.520 --> 0:14:03.719
<v Speaker 1>I'm like, no, man, I try to downplay it. I go, no,

0:14:03.880 --> 0:14:06.000
<v Speaker 1>I think he's just testing me. Man, all you guys

0:14:06.040 --> 0:14:08.160
<v Speaker 1>like to test me. And he goes, I don't worry

0:14:08.160 --> 0:14:10.200
<v Speaker 1>about it. I'm the only one that can fire you anyway,

0:14:10.520 --> 0:14:14.360
<v Speaker 1>and Kevin laughs at that. He starts laughing at Vince's joke, like, man,

0:14:14.400 --> 0:14:17.520
<v Speaker 1>that wasn't even that good. And uh, but I I

0:14:18.640 --> 0:14:20.920
<v Speaker 1>learned in that moment, like, Yo, don't worry about it.

0:14:21.000 --> 0:14:24.280
<v Speaker 1>Keep doing your thing. If they're giving you crap, I'm

0:14:24.280 --> 0:14:27.200
<v Speaker 1>the only one that you need to worry about giving

0:14:27.200 --> 0:14:29.200
<v Speaker 1>you crap. Right, you could take it from everyone else,

0:14:29.480 --> 0:14:32.360
<v Speaker 1>is how I took it to to me. So I

0:14:32.440 --> 0:14:34.720
<v Speaker 1>go in there and I'm just hopeful that he doesn't

0:14:34.760 --> 0:14:37.960
<v Speaker 1>interrupt the class again. And to his credit, he never did,

0:14:38.160 --> 0:14:45.000
<v Speaker 1>not even once, And as time went on, he called,

0:14:45.000 --> 0:14:47.160
<v Speaker 1>he still said, oh, what's up, Baston Crusher. I think

0:14:47.200 --> 0:14:49.880
<v Speaker 1>one time I used to wear this hat that my uncle,

0:14:49.920 --> 0:14:53.720
<v Speaker 1>he was a Vietnam veteran. Uh when he passed away,

0:14:53.760 --> 0:14:57.040
<v Speaker 1>I stole it from that from the house, and UH

0:14:57.080 --> 0:14:58.680
<v Speaker 1>I used to wear it a lot. Because my uncle

0:14:58.760 --> 0:15:01.920
<v Speaker 1>is real responsible for the man that I grew up

0:15:01.960 --> 0:15:05.320
<v Speaker 1>to become. I'm named for him. His name is James Barber,

0:15:05.720 --> 0:15:08.680
<v Speaker 1>and my middle name is James. My son's middle name

0:15:08.760 --> 0:15:13.640
<v Speaker 1>is James's. He's an important man in our in our

0:15:13.640 --> 0:15:18.680
<v Speaker 1>family's history. Side Quist a very important man, and he

0:15:18.840 --> 0:15:23.480
<v Speaker 1>demanded not only respect for himself, but he always demanded

0:15:23.520 --> 0:15:26.000
<v Speaker 1>the family show respect to one another. He was in

0:15:26.040 --> 0:15:27.840
<v Speaker 1>and out of our lives a lot because he had

0:15:27.880 --> 0:15:30.600
<v Speaker 1>a lot of problems coming back from from Vietnam. I

0:15:30.640 --> 0:15:33.280
<v Speaker 1>remember I used to have to crumple up newspaper and

0:15:33.360 --> 0:15:35.160
<v Speaker 1>toss it at him when he'd be napping on the

0:15:35.200 --> 0:15:37.440
<v Speaker 1>couch to wake him up for dinner. Because if you

0:15:37.520 --> 0:15:39.920
<v Speaker 1>went while I learn hard way, if you went and

0:15:39.920 --> 0:15:42.080
<v Speaker 1>shook him, you were on your back and his hand

0:15:42.160 --> 0:15:43.760
<v Speaker 1>was on your throat because in his head he was

0:15:43.800 --> 0:15:46.360
<v Speaker 1>still in the war. He had to do just look

0:15:46.440 --> 0:15:48.880
<v Speaker 1>up reconnaissance Marines Vietnam, and you'll know what he had

0:15:48.920 --> 0:15:51.480
<v Speaker 1>to do. We're not gonna make this depressing. So anyway,

0:15:52.000 --> 0:15:53.880
<v Speaker 1>I'm wearing this hat and he goes, oh, nice doe

0:15:53.920 --> 0:15:56.480
<v Speaker 1>she had, and I hit him. I don't even look

0:15:56.480 --> 0:15:58.000
<v Speaker 1>at him when I say it. I go it was

0:15:58.040 --> 0:16:01.600
<v Speaker 1>my uncle's he was in Vietnam, and it just goes, oh,

0:16:01.640 --> 0:16:04.520
<v Speaker 1>like that right. They never talked about that ever again.

0:16:04.840 --> 0:16:08.520
<v Speaker 1>So there is respect there. It just has to be

0:16:08.600 --> 0:16:11.880
<v Speaker 1>something he deems worthy of respect or you gotta earn it.

0:16:21.240 --> 0:16:25.320
<v Speaker 1>So six months in I'm doing a segment and it

0:16:25.400 --> 0:16:31.640
<v Speaker 1>was with Santina Morella, Beth Phoenix and some and someone

0:16:31.680 --> 0:16:34.160
<v Speaker 1>else I can't I can't remember who else. And I'm

0:16:34.200 --> 0:16:38.080
<v Speaker 1>sitting next to Vince in Guerrilla and the segments going well,

0:16:38.240 --> 0:16:42.960
<v Speaker 1>because our Santino is the man Like anything you wrote

0:16:43.280 --> 0:16:48.080
<v Speaker 1>he would make better. I loved working with him when

0:16:48.120 --> 0:16:49.800
<v Speaker 1>he was on SmackDown. I got to work with him

0:16:49.840 --> 0:16:52.720
<v Speaker 1>all the time and we would just crack each other

0:16:52.840 --> 0:16:56.400
<v Speaker 1>up with jokes like on what the scene is gonna be?

0:16:56.520 --> 0:16:58.960
<v Speaker 1>Things he would say words he could butcher, and he

0:16:59.000 --> 0:17:01.640
<v Speaker 1>would just not get dead no matter, no matter what.

0:17:01.720 --> 0:17:05.040
<v Speaker 1>And he needed so little direction you could. If anything,

0:17:05.080 --> 0:17:07.119
<v Speaker 1>it was only to like tighten it up because he

0:17:07.119 --> 0:17:09.400
<v Speaker 1>could go on for thirty minutes and we only had two.

0:17:10.080 --> 0:17:12.919
<v Speaker 1>So it was a segment that was going really well.

0:17:12.960 --> 0:17:17.680
<v Speaker 1>Again all credit to the talent, especially in the case

0:17:17.760 --> 0:17:21.359
<v Speaker 1>of of of the Lion. It's going well, and Vince

0:17:21.359 --> 0:17:23.480
<v Speaker 1>gives me the elbow to the ribs, but not the

0:17:23.560 --> 0:17:27.959
<v Speaker 1>fu elbow. It's it's not like the Randy Macho may

0:17:28.000 --> 0:17:30.600
<v Speaker 1>have finished your elbow. It's like the revitalizing elbow when

0:17:30.600 --> 0:17:32.760
<v Speaker 1>he hit Hogan with it and woke Hogan up, which

0:17:32.840 --> 0:17:36.439
<v Speaker 1>was like horrible, should have never happened, but it happened.

0:17:36.640 --> 0:17:39.000
<v Speaker 1>He's given you the positive I'm like, hey, good job, kid,

0:17:39.040 --> 0:17:42.120
<v Speaker 1>God damn. And Cina is back there too, because he's

0:17:42.119 --> 0:17:44.439
<v Speaker 1>in the next segment. I think I'm even wearing my

0:17:44.520 --> 0:17:48.320
<v Speaker 1>uncle's hat and uh, he says, and again I'm my

0:17:48.440 --> 0:17:51.199
<v Speaker 1>eyes are on. The monitors were just backstage. They call

0:17:51.240 --> 0:17:53.560
<v Speaker 1>a guerrilla position. It's where they come out of the

0:17:53.560 --> 0:17:55.080
<v Speaker 1>curtain and walked to the ring for those of you

0:17:55.160 --> 0:17:58.120
<v Speaker 1>that don't really watch the brand. And so he's back

0:17:58.160 --> 0:18:00.440
<v Speaker 1>there waiting for his time and he goes, hey, man,

0:18:00.440 --> 0:18:02.199
<v Speaker 1>that was a that was a really good segment and

0:18:02.240 --> 0:18:04.200
<v Speaker 1>I didn't even look at him much, but yeah, whatever,

0:18:04.800 --> 0:18:07.640
<v Speaker 1>and just they liked it, and I phil Vince gotta

0:18:07.680 --> 0:18:10.199
<v Speaker 1>give me another nudge, which was either chill out or

0:18:10.240 --> 0:18:11.919
<v Speaker 1>well done. I don't know which one it was. We

0:18:11.920 --> 0:18:14.879
<v Speaker 1>didn't talk about it, and uh, that was the moment

0:18:14.880 --> 0:18:17.440
<v Speaker 1>where I was like, all right, he's I think I

0:18:17.480 --> 0:18:19.760
<v Speaker 1>think I earned his respect and I don't. But I

0:18:19.760 --> 0:18:22.000
<v Speaker 1>don't know, you know, man, maybe not. Maybe he was

0:18:22.040 --> 0:18:23.880
<v Speaker 1>just like, well, I'm just done crapping on him because

0:18:23.880 --> 0:18:26.240
<v Speaker 1>the boss is right there. But either way, we never

0:18:26.320 --> 0:18:29.400
<v Speaker 1>had an issue or or a conflict ever again. After that,

0:18:29.760 --> 0:18:31.639
<v Speaker 1>he was always just would give me a nod. He

0:18:31.680 --> 0:18:34.879
<v Speaker 1>didn't talk about my uncle's hat. He called me Freddie

0:18:34.920 --> 0:18:38.560
<v Speaker 1>instead of Ashton. By the way, his last name I

0:18:38.560 --> 0:18:40.919
<v Speaker 1>think is Coucher, not cousher. And I don't know if

0:18:41.000 --> 0:18:43.240
<v Speaker 1>John knew that. But you know, you can't say a

0:18:43.240 --> 0:18:46.120
<v Speaker 1>man's name, right. I don't say John Cena. I say

0:18:46.200 --> 0:18:48.800
<v Speaker 1>John Cena. So anyway, I know people have had fun,

0:18:48.840 --> 0:18:51.080
<v Speaker 1>and I've told some of the Seni stories before. I

0:18:51.119 --> 0:18:53.640
<v Speaker 1>wanted to be clear. Even though he didn't like me

0:18:53.760 --> 0:18:57.720
<v Speaker 1>and I didn't like John, I respect John. I respected

0:18:57.800 --> 0:19:01.960
<v Speaker 1>him then I respect him now. I respect the irony

0:19:02.040 --> 0:19:05.240
<v Speaker 1>of what he what he's doing now because he hated it.

0:19:05.359 --> 0:19:11.080
<v Speaker 1>He hated Hollywood so much. But Hollywood doesn't show wrestling

0:19:11.119 --> 0:19:14.000
<v Speaker 1>the respect that I think wrestling deserves. So I think

0:19:14.440 --> 0:19:17.679
<v Speaker 1>if there's ever a company man, John Cena is the

0:19:17.840 --> 0:19:22.920
<v Speaker 1>ultimate company man, like he would do anything for the company.

0:19:23.000 --> 0:19:28.160
<v Speaker 1>He would take any bullet for Vince McMahon, because that's

0:19:28.200 --> 0:19:32.119
<v Speaker 1>his experience with the company has always been not I'm

0:19:32.119 --> 0:19:35.320
<v Speaker 1>not gonna say always been positive. Everyone has ups and downs,

0:19:35.359 --> 0:19:40.080
<v Speaker 1>but this company found him, developed him in o VW,

0:19:40.640 --> 0:19:43.720
<v Speaker 1>brought him up, made him the face of the company.

0:19:43.840 --> 0:19:48.600
<v Speaker 1>Not for a year, not for two years, not forever. Okay,

0:19:48.880 --> 0:19:53.280
<v Speaker 1>he was the champion forever, Himmer Randy, and he would

0:19:53.280 --> 0:19:56.679
<v Speaker 1>always win it back. So his love and respect for

0:19:56.680 --> 0:20:00.840
<v Speaker 1>that company is the way you would love school counselor

0:20:00.880 --> 0:20:02.920
<v Speaker 1>that saved your ass and and put your life on

0:20:02.960 --> 0:20:04.719
<v Speaker 1>the right track, or the way you look after your

0:20:04.760 --> 0:20:07.520
<v Speaker 1>parents as someone spoke against them. So that's where his

0:20:07.600 --> 0:20:11.240
<v Speaker 1>loyalty was in Hollywood has never been pro pro wrestling.

0:20:11.280 --> 0:20:14.680
<v Speaker 1>They're happy to pluck the most talented people and make

0:20:14.720 --> 0:20:17.960
<v Speaker 1>them a star, but they've always had their their kind

0:20:17.960 --> 0:20:21.159
<v Speaker 1>of crappy feelings for it. That'll switch us over to

0:20:21.280 --> 0:20:24.760
<v Speaker 1>a more positive relationship. I had, and that was with

0:20:24.840 --> 0:20:30.760
<v Speaker 1>Glenn Jacobs, who plays this hideous monster from hell named Kane.

0:20:31.240 --> 0:20:34.639
<v Speaker 1>And he was the Undertaker's brother, younger brother, thank you

0:20:34.720 --> 0:20:39.720
<v Speaker 1>very much. And he had insecurities throughout his career about

0:20:39.760 --> 0:20:42.399
<v Speaker 1>being the younger brother. He had conflict with his brother.

0:20:42.680 --> 0:20:45.920
<v Speaker 1>They had resolutions and wrestled together, and we're the most

0:20:45.960 --> 0:20:49.000
<v Speaker 1>powerful tag team in the universe. He had his own

0:20:49.119 --> 0:20:54.919
<v Speaker 1>singles title runs. He did horror type wrestling all the

0:20:54.960 --> 0:20:58.359
<v Speaker 1>way to comedy type wrestling when he tag teamed with

0:20:58.440 --> 0:21:01.960
<v Speaker 1>Brian Danielson who's in a w He's shown a large

0:21:02.320 --> 0:21:06.640
<v Speaker 1>range as far as what limited range the Kane character

0:21:06.720 --> 0:21:09.720
<v Speaker 1>allows you to have. He's even starred as the monster

0:21:09.800 --> 0:21:12.119
<v Speaker 1>in a monster movie. I can't remember the name off

0:21:12.160 --> 0:21:15.160
<v Speaker 1>the top of my head. You get this image of him,

0:21:15.200 --> 0:21:18.760
<v Speaker 1>and he is a a hideous beast behind a mask.

0:21:18.800 --> 0:21:21.160
<v Speaker 1>Why else would he wear a mask? It must be hideous,

0:21:21.240 --> 0:21:23.399
<v Speaker 1>he wears. When he took the mask off because he

0:21:23.480 --> 0:21:26.280
<v Speaker 1>was no longer hideous, he would put in crazy contacts

0:21:26.359 --> 0:21:30.080
<v Speaker 1>to make himself look more freaky. Freaky, and and and

0:21:30.080 --> 0:21:33.280
<v Speaker 1>and strike fear in the hearts of men. And then

0:21:33.320 --> 0:21:35.639
<v Speaker 1>you meet Glenn and you could call him Kane. He

0:21:35.720 --> 0:21:39.560
<v Speaker 1>responds to either one, and he's a he's like a poet.

0:21:41.080 --> 0:21:45.399
<v Speaker 1>I think he's immensum member even like he's this. The

0:21:45.480 --> 0:21:49.199
<v Speaker 1>dude reads Shakespeare. The guy gave me book recommend The

0:21:49.280 --> 0:21:52.600
<v Speaker 1>guy got me to read that Hawaiian The Rich Dad,

0:21:52.600 --> 0:21:55.439
<v Speaker 1>Poor Dad. He like, hey, man, this book meant a

0:21:55.440 --> 0:21:56.960
<v Speaker 1>lot to me. You should you should give it a read.

0:21:57.000 --> 0:22:00.399
<v Speaker 1>And I'm like, alright, cool. He gave me a book

0:22:00.760 --> 0:22:06.480
<v Speaker 1>about the Rothchild's system of banking, its influence on America,

0:22:06.760 --> 0:22:09.000
<v Speaker 1>and why should we should be wary up at his

0:22:09.119 --> 0:22:11.960
<v Speaker 1>way into bigcoin and why should we should be wary

0:22:12.000 --> 0:22:15.760
<v Speaker 1>of our paper currency that's barely backed on gold anymore.

0:22:15.880 --> 0:22:19.199
<v Speaker 1>He gave me this in two thousand seven, y'all. I

0:22:19.200 --> 0:22:20.800
<v Speaker 1>don't know the name of it, and I'll be honest

0:22:20.840 --> 0:22:23.120
<v Speaker 1>with you. I only read about the fourth of it.

0:22:23.280 --> 0:22:26.720
<v Speaker 1>And Bill Burr had a joke he said, reading puts

0:22:26.760 --> 0:22:29.720
<v Speaker 1>me to sleep. It I fell asleep a lot, but

0:22:29.760 --> 0:22:31.520
<v Speaker 1>I got through a quarter of it, and I did

0:22:31.640 --> 0:22:34.600
<v Speaker 1>learn that the Rothchilds were some evil sons of bitches,

0:22:34.960 --> 0:22:37.600
<v Speaker 1>and our banking system is corrupt as all hell. So

0:22:37.640 --> 0:22:39.040
<v Speaker 1>if you want to buy a gold I'm not mad

0:22:39.080 --> 0:22:40.360
<v Speaker 1>at you. If you want to buy a big one,

0:22:40.560 --> 0:22:44.159
<v Speaker 1>I get it. But this guy, first of all, I

0:22:44.200 --> 0:22:49.320
<v Speaker 1>never saw Vince more hands on with a promo than

0:22:49.440 --> 0:22:53.520
<v Speaker 1>his feelings for Kane. He has this weird case. I've

0:22:53.560 --> 0:22:55.960
<v Speaker 1>described Vince as as a as a kid with a

0:22:56.000 --> 0:22:58.919
<v Speaker 1>toy box, right, and they're all his toys and you

0:22:58.960 --> 0:23:00.679
<v Speaker 1>have to play with them the way he wants you

0:23:00.760 --> 0:23:03.359
<v Speaker 1>to play with them. But he's never more particular than

0:23:03.400 --> 0:23:06.800
<v Speaker 1>when he was with Kane. For real. He never yelled

0:23:06.800 --> 0:23:09.080
<v Speaker 1>at me louder and we would go back and forth

0:23:09.080 --> 0:23:11.480
<v Speaker 1>from time to time, but most of the time, dude

0:23:11.560 --> 0:23:14.439
<v Speaker 1>was really cool with my with my ideas are the

0:23:14.440 --> 0:23:16.960
<v Speaker 1>ones that got to him. Sometimes they die on the

0:23:17.040 --> 0:23:18.639
<v Speaker 1>vine before they even get there. They go, no, the

0:23:18.680 --> 0:23:21.639
<v Speaker 1>show is full. I remember I came in there and

0:23:21.680 --> 0:23:24.359
<v Speaker 1>I don't remember the promo. This is you know, however

0:23:24.359 --> 0:23:29.160
<v Speaker 1>many over ten years ago. But there was the word destroyed.

0:23:29.359 --> 0:23:31.800
<v Speaker 1>He reads the word destroyed, and he stopped and he

0:23:31.920 --> 0:23:33.800
<v Speaker 1>looks at me and he's like, piste off at me,

0:23:33.880 --> 0:23:38.359
<v Speaker 1>like I've done something not wrong but offensive. I go what?

0:23:39.119 --> 0:23:44.920
<v Speaker 1>And he shot? He goes Kane, what never say it destrong? Hey?

0:23:45.000 --> 0:23:49.720
<v Speaker 1>What say ah blaate? And there's this long pause. Right,

0:23:50.560 --> 0:23:52.359
<v Speaker 1>you gotta remember the way my brain works. I'm not

0:23:52.400 --> 0:23:56.040
<v Speaker 1>a reactionary dude, and I'm comfortable with silence, so I

0:23:56.080 --> 0:23:58.439
<v Speaker 1>don't mind it. So there's this long pause, and in

0:23:58.480 --> 0:24:00.600
<v Speaker 1>my head, I'm like, this isn't a fight that I'm

0:24:00.600 --> 0:24:04.560
<v Speaker 1>gonna fight. It's it's it's a word, but I kind

0:24:04.560 --> 0:24:07.000
<v Speaker 1>of want to know why it's it's so important to

0:24:07.560 --> 0:24:13.000
<v Speaker 1>the boss. And so I take a beat and I say,

0:24:13.080 --> 0:24:16.240
<v Speaker 1>you got it, obliterate? Are there any other words in

0:24:16.320 --> 0:24:18.600
<v Speaker 1>here that are going to get that kind of reaction?

0:24:18.680 --> 0:24:21.560
<v Speaker 1>And if so, can you tell me why? And he

0:24:21.720 --> 0:24:25.560
<v Speaker 1>just gives this grunt that he would give when he's

0:24:25.640 --> 0:24:30.040
<v Speaker 1>unamused by your amusement. Basically, he wanted he wanted me

0:24:30.080 --> 0:24:31.560
<v Speaker 1>to take a more serious I guess it was just

0:24:31.560 --> 0:24:34.600
<v Speaker 1>more like and he starts reading it through, reading it through,

0:24:35.000 --> 0:24:36.760
<v Speaker 1>and he goes the rest of it is fine, just

0:24:36.800 --> 0:24:39.080
<v Speaker 1>trying to make the end a little better, Like all right,

0:24:39.240 --> 0:24:42.240
<v Speaker 1>I go back and uh, there's a writer named Christopher

0:24:42.320 --> 0:24:45.000
<v Speaker 1>to Joseph who worked there, and he was always good

0:24:45.000 --> 0:24:46.720
<v Speaker 1>to me, not all the writers for kids. To me,

0:24:46.880 --> 0:24:50.159
<v Speaker 1>Chris was always cool man from Jump Street. And I

0:24:50.240 --> 0:24:52.320
<v Speaker 1>go in and he goes, how'd it going? Yeah, pretty good.

0:24:52.359 --> 0:24:54.000
<v Speaker 1>He wants me to rewrite the end. I said, he

0:24:54.040 --> 0:24:57.119
<v Speaker 1>really hates the word destroyed. And Chris goes, yeah, I

0:24:57.160 --> 0:24:58.720
<v Speaker 1>wanted to warn you about it, but I just thought

0:24:58.760 --> 0:25:00.480
<v Speaker 1>it'd be funny if I didn't. I what are you

0:25:00.640 --> 0:25:03.719
<v Speaker 1>talking about, man, he I said, I've never seen him

0:25:03.720 --> 0:25:07.080
<v Speaker 1>get angry. He goes, he's so crazy about kine and

0:25:07.119 --> 0:25:09.560
<v Speaker 1>the words that you use. When I was like, I'm

0:25:09.600 --> 0:25:12.880
<v Speaker 1>telling you broke it was. I've seen actors trip out right,

0:25:13.720 --> 0:25:17.439
<v Speaker 1>and I mean trip out where it's over a word,

0:25:17.600 --> 0:25:20.000
<v Speaker 1>over a line, and you're like, dog, just just tell

0:25:20.080 --> 0:25:22.280
<v Speaker 1>him you're saying something different, Like you don't need to

0:25:22.840 --> 0:25:25.360
<v Speaker 1>be this dramatic and make it a level ten need

0:25:25.480 --> 0:25:27.480
<v Speaker 1>in order to convince them like you're the lead of

0:25:27.480 --> 0:25:30.520
<v Speaker 1>the show, you're the four hunder pound gorilla to be like, yo, man,

0:25:30.600 --> 0:25:32.520
<v Speaker 1>need I need a different line. You don't even have

0:25:32.560 --> 0:25:34.679
<v Speaker 1>to say better. You can say it better if you

0:25:34.680 --> 0:25:36.320
<v Speaker 1>don't want to worry about their feelings. But you can

0:25:36.359 --> 0:25:37.960
<v Speaker 1>just say a man need a different line there, and

0:25:38.000 --> 0:25:41.159
<v Speaker 1>it has just as much weight and so it was

0:25:41.200 --> 0:25:44.480
<v Speaker 1>a rib on me. But I brought it to to

0:25:44.680 --> 0:25:48.760
<v Speaker 1>Glenn and he does his thing, and he does what

0:25:48.800 --> 0:25:51.720
<v Speaker 1>he does right, and here's the difference you'll see in

0:25:51.800 --> 0:25:54.919
<v Speaker 1>like some of the writers. So he kills it and

0:25:54.960 --> 0:25:57.560
<v Speaker 1>everyone goes, oh, great bromo, Freddy, great bromo. I'm like, man,

0:25:57.600 --> 0:26:01.480
<v Speaker 1>I didn't do anything like it. It's the same speech

0:26:01.480 --> 0:26:03.879
<v Speaker 1>he's made a hundred times. It's just you know, different

0:26:03.880 --> 0:26:06.960
<v Speaker 1>bourbons that's on that's on him. The next week they

0:26:07.000 --> 0:26:10.359
<v Speaker 1>gave the same storyline promo to someone else because I

0:26:10.400 --> 0:26:12.639
<v Speaker 1>was just trying to help out. They were busy and

0:26:12.920 --> 0:26:15.520
<v Speaker 1>worn down. On that week's episode, Kane does his thing

0:26:15.560 --> 0:26:17.800
<v Speaker 1>and kills it, and the writer in chargees like, hey, Freddy,

0:26:17.840 --> 0:26:20.119
<v Speaker 1>did you see my promo? Which thing? Man? I was like,

0:26:20.320 --> 0:26:23.119
<v Speaker 1>you feel like looking for a compliment. You didn't say nothing.

0:26:23.520 --> 0:26:25.960
<v Speaker 1>This dude said it. So there was a lot of

0:26:26.280 --> 0:26:29.320
<v Speaker 1>There was a lot of insecurity and ego in that room.

0:26:29.359 --> 0:26:31.200
<v Speaker 1>And it wasn't just because I was there. I mean

0:26:31.240 --> 0:26:33.879
<v Speaker 1>that that's just a that's a personality trait that he

0:26:33.960 --> 0:26:36.760
<v Speaker 1>either exists or it doesn't, and you either grow out

0:26:36.760 --> 0:26:38.760
<v Speaker 1>of it or you don't write. And a lot of

0:26:38.800 --> 0:26:40.360
<v Speaker 1>these guys probably grew out of it, and a few

0:26:40.359 --> 0:26:51.680
<v Speaker 1>of them probably didn't. We're gonna end with Vince McMahon.

0:26:51.680 --> 0:26:54.760
<v Speaker 1>But to get there, the best perspective I ever got

0:26:54.760 --> 0:26:57.480
<v Speaker 1>on the man was from Chris Jericho, and Chris was

0:26:57.560 --> 0:27:00.920
<v Speaker 1>always really cool to me. He didn't have to be.

0:27:01.400 --> 0:27:04.119
<v Speaker 1>We didn't work together. There was no reason for us too.

0:27:04.480 --> 0:27:09.080
<v Speaker 1>He was high quality actor. Forget the fact that he's

0:27:09.119 --> 0:27:12.439
<v Speaker 1>one of the best wrestlers ever. Forget all that he

0:27:12.480 --> 0:27:15.000
<v Speaker 1>didn't need any help writing a promo. He didn't need

0:27:15.040 --> 0:27:17.479
<v Speaker 1>any help with direction on how to execute a promo.

0:27:17.840 --> 0:27:19.960
<v Speaker 1>So there was no reason for for he and I

0:27:20.040 --> 0:27:22.399
<v Speaker 1>to talk outside of me asking questions about, you know,

0:27:22.440 --> 0:27:25.520
<v Speaker 1>the history of wrestling, you know the matches he was

0:27:25.560 --> 0:27:27.640
<v Speaker 1>in promos that he had done, just so I could

0:27:27.680 --> 0:27:30.359
<v Speaker 1>gain information. Right, So I'm sitting and I'm talking to

0:27:30.440 --> 0:27:33.920
<v Speaker 1>him after a match, and uh, he was. I remember

0:27:34.000 --> 0:27:36.840
<v Speaker 1>his trunks they were like blue with like sparkles on him,

0:27:36.880 --> 0:27:39.680
<v Speaker 1>and he was. He was in a run with John

0:27:39.720 --> 0:27:43.040
<v Speaker 1>Cena that culminated in Boston, And this was the week

0:27:43.160 --> 0:27:46.560
<v Speaker 1>before that, and we were talking about Vince and this

0:27:46.680 --> 0:27:49.840
<v Speaker 1>idea that I had to to get one of the

0:27:49.880 --> 0:27:53.840
<v Speaker 1>smaller wrestlers over, which which was Kofi. And we'll get

0:27:53.880 --> 0:27:56.840
<v Speaker 1>into that storyline in another episode, which is the Kofe

0:27:56.840 --> 0:28:00.359
<v Speaker 1>Gauntlet match, which they took years later. In turn, didn't

0:28:00.359 --> 0:28:03.080
<v Speaker 1>do the Kofe Gotlin match that got him the World Championship.

0:28:03.920 --> 0:28:06.640
<v Speaker 1>The one we came up with was simply pitched for

0:28:07.160 --> 0:28:09.840
<v Speaker 1>him to win the Intercontinental Championship. So I was talking

0:28:09.880 --> 0:28:13.080
<v Speaker 1>to him and he said this one sentence that I'll

0:28:13.080 --> 0:28:17.960
<v Speaker 1>never forget. He said, Vince is his father's son. And

0:28:18.000 --> 0:28:19.760
<v Speaker 1>I said, what did that? What? What is that? What

0:28:19.800 --> 0:28:22.720
<v Speaker 1>does that mean? I knew nothing about Vince's dad outside

0:28:22.720 --> 0:28:24.919
<v Speaker 1>of the fact that Vince got the company from him,

0:28:24.960 --> 0:28:27.760
<v Speaker 1>you know, years ago, and and and did like some

0:28:28.000 --> 0:28:30.359
<v Speaker 1>hard business, but business he felt that had to be

0:28:30.400 --> 0:28:33.960
<v Speaker 1>done right. And he goes. Vince's dad only liked the

0:28:33.960 --> 0:28:37.240
<v Speaker 1>big guys. He never he never pushed a small guy ever.

0:28:37.400 --> 0:28:39.560
<v Speaker 1>He just didn't. He didn't believe that a small guy

0:28:39.560 --> 0:28:42.440
<v Speaker 1>could be the big guy. He goes, and that's Vince's son.

0:28:42.760 --> 0:28:44.440
<v Speaker 1>He goes, and he believes that. He goes. I can

0:28:44.440 --> 0:28:47.080
<v Speaker 1>show him a million UFC tapes. I can show him,

0:28:47.120 --> 0:28:49.360
<v Speaker 1>you know, a million instances where a smaller guy goes,

0:28:49.600 --> 0:28:51.880
<v Speaker 1>he has said. But outside of you know, a handful

0:28:51.920 --> 0:28:54.440
<v Speaker 1>of of choices that he's made over the years with

0:28:54.560 --> 0:28:56.760
<v Speaker 1>Ray and with Sean, things like that goes. He just doesn't.

0:28:56.880 --> 0:28:59.480
<v Speaker 1>He doesn't believe in the smaller guys. I said, yeah, man,

0:28:59.520 --> 0:29:01.520
<v Speaker 1>but you had all all the titles, he said, I

0:29:01.560 --> 0:29:05.200
<v Speaker 1>didn't have him for a long and I was sitting

0:29:05.240 --> 0:29:09.400
<v Speaker 1>there and it kind of it didn't hit me right away,

0:29:09.480 --> 0:29:13.280
<v Speaker 1>but on the plane going home, I never knew my

0:29:13.400 --> 0:29:17.120
<v Speaker 1>dad right, so I didn't connect with with what he

0:29:17.160 --> 0:29:20.040
<v Speaker 1>was saying at first. And then as I was going home,

0:29:20.040 --> 0:29:21.520
<v Speaker 1>and I was always trying to think of I was

0:29:21.520 --> 0:29:24.000
<v Speaker 1>always trying to figure Vince out. And there's no figuring

0:29:24.200 --> 0:29:26.840
<v Speaker 1>anyone out completely, but I was always trying to figure

0:29:26.840 --> 0:29:29.600
<v Speaker 1>out where his head was at and what would be

0:29:29.680 --> 0:29:32.880
<v Speaker 1>the best way for me to get my ideas over

0:29:32.960 --> 0:29:36.520
<v Speaker 1>to contemporize the business, so to speak, right, And I

0:29:36.560 --> 0:29:39.400
<v Speaker 1>feeled a lot, regrettably. I don't have an issue saying

0:29:39.400 --> 0:29:41.560
<v Speaker 1>it now it's ten years later, but it sucked. You know,

0:29:42.320 --> 0:29:46.320
<v Speaker 1>Failing in a segment is one thing. Failing in a pitch,

0:29:46.480 --> 0:29:49.120
<v Speaker 1>for whatever reason, always hurts me more. Right, It's like

0:29:49.240 --> 0:29:52.320
<v Speaker 1>the infancy of an idea that you're rejecting as opposed

0:29:52.360 --> 0:29:54.640
<v Speaker 1>to the totality of it. I'm sitting on the plane

0:29:54.680 --> 0:29:57.120
<v Speaker 1>and I started thinking about the father figures that I had.

0:29:58.160 --> 0:30:02.560
<v Speaker 1>My uncle James, I call him jimmy uncle Jim, my godfather,

0:30:02.680 --> 0:30:06.440
<v Speaker 1>Bob Wall, my uncle Ron de Blasio, who was my

0:30:06.520 --> 0:30:09.600
<v Speaker 1>father's manager, Richard Pryor's manager. He was the one that

0:30:09.640 --> 0:30:11.880
<v Speaker 1>got me hip to the business real quick. He was

0:30:11.920 --> 0:30:14.760
<v Speaker 1>the one that taught me the phrase it's show business,

0:30:15.080 --> 0:30:18.440
<v Speaker 1>which words bigger. That phrase came from Ron de Blasio,

0:30:19.560 --> 0:30:21.360
<v Speaker 1>and he didn't get it from anyone else. He's just

0:30:21.440 --> 0:30:24.600
<v Speaker 1>been in the game. That was Prince's manager. Y'all, remember Prince.

0:30:24.640 --> 0:30:27.520
<v Speaker 1>Everybody knows Prince, yet that was his manager. The guy's

0:30:27.560 --> 0:30:31.160
<v Speaker 1>seen everything. Anytime I had questions about Hollywood, not the

0:30:31.240 --> 0:30:34.280
<v Speaker 1>side quest, but I always went to him before my

0:30:34.320 --> 0:30:38.440
<v Speaker 1>own agents are managers. Just because Ron's seen everything, He's

0:30:38.480 --> 0:30:41.200
<v Speaker 1>dealt with everyone, I could get a better sense of

0:30:41.240 --> 0:30:44.120
<v Speaker 1>how to enter a negotiation with Warner Brothers because they're

0:30:44.160 --> 0:30:48.880
<v Speaker 1>notoriously the most evil, disgusting negotiators in the world. You'll

0:30:48.920 --> 0:30:51.200
<v Speaker 1>be worth a million bucks, they'll offer you a hundred

0:30:51.240 --> 0:30:54.440
<v Speaker 1>grand and and act like you should be thankful. And

0:30:54.480 --> 0:30:58.680
<v Speaker 1>you gotta figure out the people to speak to, when

0:30:58.720 --> 0:31:02.040
<v Speaker 1>to speak to them, to walk away, to not even respond,

0:31:02.200 --> 0:31:05.120
<v Speaker 1>and how they'll react to that. And I always wanted

0:31:05.480 --> 0:31:07.560
<v Speaker 1>to be able to be three fourths. I told you,

0:31:07.560 --> 0:31:09.480
<v Speaker 1>I want to know how Vince thinks. I would want

0:31:09.480 --> 0:31:12.080
<v Speaker 1>to know how these studios would think and operate, and

0:31:12.080 --> 0:31:13.800
<v Speaker 1>so I would always talk to people who had who

0:31:13.880 --> 0:31:16.120
<v Speaker 1>had dealt with them before any time I had a

0:31:16.120 --> 0:31:18.560
<v Speaker 1>big negotiation, which is why I always got those bumps

0:31:18.600 --> 0:31:20.760
<v Speaker 1>before to the rest of the actors, and all you

0:31:20.800 --> 0:31:23.760
<v Speaker 1>other actors should thank me for helping raise your quotes

0:31:23.800 --> 0:31:28.560
<v Speaker 1>in the nineties. It's because you know it's not Reese

0:31:28.600 --> 0:31:30.880
<v Speaker 1>Witherspoon I think is credit for that one. I start

0:31:30.920 --> 0:31:33.840
<v Speaker 1>applying that to me, which helps me then apply my

0:31:33.920 --> 0:31:38.640
<v Speaker 1>philosophies to Vince and the w w E was making.

0:31:38.840 --> 0:31:41.440
<v Speaker 1>This leads us to our final story and to close.

0:31:43.080 --> 0:31:46.040
<v Speaker 1>They were making movies, and I'm not gonna say they

0:31:46.040 --> 0:31:48.320
<v Speaker 1>were good movies, but I can say that because I've

0:31:48.320 --> 0:31:50.840
<v Speaker 1>been in some dogs myself. Y'all aren't allowed to say that,

0:31:50.960 --> 0:31:54.760
<v Speaker 1>or you're just haters. Dylan is allowed to have opinions anymore,

0:31:55.520 --> 0:31:58.720
<v Speaker 1>so they weren't necessarily great, but they were making movies,

0:31:58.960 --> 0:32:01.240
<v Speaker 1>and they were making them for five million dollars a pop,

0:32:01.640 --> 0:32:04.440
<v Speaker 1>which limits the type of movie you can make, limits

0:32:04.440 --> 0:32:07.080
<v Speaker 1>how good it can look, limits the level of talent

0:32:07.200 --> 0:32:10.960
<v Speaker 1>you can get. Money helps make a good movie. Granted

0:32:11.000 --> 0:32:12.959
<v Speaker 1>you can pull it off without We've all seen some

0:32:13.040 --> 0:32:17.520
<v Speaker 1>great movies made for a million dollars or less considerably less,

0:32:17.560 --> 0:32:19.600
<v Speaker 1>but for the most part, money can help you get

0:32:19.640 --> 0:32:22.040
<v Speaker 1>the technology and the talent at the levels you want.

0:32:22.960 --> 0:32:25.080
<v Speaker 1>So five million back then got you what it got you.

0:32:26.880 --> 0:32:30.160
<v Speaker 1>And they weren't getting distribution. They were relying on the

0:32:30.200 --> 0:32:35.560
<v Speaker 1>Walmart DVD distribution deal that they had. They weren't even

0:32:35.600 --> 0:32:37.960
<v Speaker 1>attempting to go to theaters because they were making enough

0:32:38.000 --> 0:32:41.720
<v Speaker 1>money off the Walmart releases and Walmart had paid them

0:32:41.720 --> 0:32:46.160
<v Speaker 1>in advance because they kind of had a built in audience, right.

0:32:46.400 --> 0:32:48.440
<v Speaker 1>There was a writer on the creative team who was

0:32:48.440 --> 0:32:51.240
<v Speaker 1>a television writer and I'm not going to say his name,

0:32:51.920 --> 0:32:56.040
<v Speaker 1>but he was getting it wasn't clicking with what wrestlers

0:32:56.040 --> 0:32:58.400
<v Speaker 1>needed to say and the types of stories that wrestlers

0:32:58.480 --> 0:33:00.400
<v Speaker 1>could pull off, and the types of story whereas that

0:33:00.520 --> 0:33:03.360
<v Speaker 1>we could pull off as a company. While having to

0:33:04.400 --> 0:33:08.000
<v Speaker 1>have wrestling matches. Think about that philosophy, and that was

0:33:08.000 --> 0:33:10.960
<v Speaker 1>this guy's philosophy. You have these matches are really affecting

0:33:10.960 --> 0:33:14.320
<v Speaker 1>the story. It's like, nah, dog, you're supposed to service

0:33:14.360 --> 0:33:17.320
<v Speaker 1>the matches is a wrestling show. That's why Bruce every

0:33:17.360 --> 0:33:19.360
<v Speaker 1>week would be like, it's a lot of talk. It's

0:33:19.360 --> 0:33:21.240
<v Speaker 1>a lot of talk. And he was dead on, by

0:33:21.240 --> 0:33:25.120
<v Speaker 1>the way. So this guy asked Vince if he could

0:33:25.160 --> 0:33:30.240
<v Speaker 1>transition from the creative team to the film division because

0:33:30.280 --> 0:33:34.040
<v Speaker 1>he had experience in film. Now he had experience in television,

0:33:34.640 --> 0:33:38.200
<v Speaker 1>but not really experience in film. This gentleman. Now, I

0:33:38.240 --> 0:33:41.080
<v Speaker 1>respect the man's hustle, but this was a hustle just

0:33:41.160 --> 0:33:46.040
<v Speaker 1>the same. He started selling his own scripts under a

0:33:46.040 --> 0:33:48.600
<v Speaker 1>different name, a pen name what you're allowed to do

0:33:49.320 --> 0:33:51.960
<v Speaker 1>to the w w E, and then was producing his

0:33:52.000 --> 0:33:56.640
<v Speaker 1>own movie himself and paying himself to do it. And

0:33:56.880 --> 0:33:59.080
<v Speaker 1>I saw this right away, right right. I know a

0:33:59.120 --> 0:34:05.520
<v Speaker 1>Hollywood hustle when I see one. And Vince, like I said,

0:34:06.240 --> 0:34:08.440
<v Speaker 1>when you don't have a dad and people call you

0:34:08.480 --> 0:34:10.359
<v Speaker 1>a son, it has an effect on you as a

0:34:10.360 --> 0:34:12.920
<v Speaker 1>young man. I'm forty five. Now you can call me son.

0:34:12.960 --> 0:34:15.120
<v Speaker 1>I'm not gonna do anything you ask me to do.

0:34:15.520 --> 0:34:19.239
<v Speaker 1>I'm old and cranky, so I didn't. I felt like

0:34:19.320 --> 0:34:22.319
<v Speaker 1>there was advantage being taken of. I felt like he

0:34:22.360 --> 0:34:24.720
<v Speaker 1>should have just said, hey, I wrote this great script,

0:34:24.800 --> 0:34:28.000
<v Speaker 1>let's make it, and Vince would have said yeah. He

0:34:28.440 --> 0:34:30.799
<v Speaker 1>would have said yes, but I didn't like that there

0:34:30.880 --> 0:34:33.560
<v Speaker 1>was this subversive element to it. So we're on the

0:34:33.600 --> 0:34:36.560
<v Speaker 1>tarmac in White Plains, New York, which is the home

0:34:36.600 --> 0:34:39.200
<v Speaker 1>base of the w W E jet, and we're getting

0:34:39.200 --> 0:34:42.120
<v Speaker 1>ready to fly. I think to New Orleans, and everybody's

0:34:42.160 --> 0:34:45.359
<v Speaker 1>bags are out there, and I have my car. Is there.

0:34:45.400 --> 0:34:46.719
<v Speaker 1>I get out of the car. I'm on the phone

0:34:46.760 --> 0:34:48.719
<v Speaker 1>talking to the wife. I see Vince's limo pull up,

0:34:48.760 --> 0:34:50.560
<v Speaker 1>and that's usually means it's time to get your ass

0:34:50.560 --> 0:34:52.080
<v Speaker 1>on the plane. Let's go in and say waiting on

0:34:52.160 --> 0:34:55.000
<v Speaker 1>nobody and I go, hey, babe, the boss is here.

0:34:55.040 --> 0:34:57.959
<v Speaker 1>I'm out. I love you about click the phone off.

0:34:58.160 --> 0:34:59.640
<v Speaker 1>I'll walk straight up to Vince. I go, hey, man,

0:34:59.680 --> 0:35:01.600
<v Speaker 1>before we get on the plane, I gotta tell you something.

0:35:02.400 --> 0:35:07.760
<v Speaker 1>I said, you guys are making these five million dollar movies.

0:35:08.120 --> 0:35:10.319
<v Speaker 1>This guy is selling you scripts that would not sell

0:35:10.360 --> 0:35:12.759
<v Speaker 1>in Hollywood. That I'm sure he's tried to sell a

0:35:12.800 --> 0:35:16.000
<v Speaker 1>dozen times and everyone passed on. And you're paying him

0:35:16.040 --> 0:35:18.040
<v Speaker 1>for something like that and then paying him to make

0:35:18.080 --> 0:35:21.440
<v Speaker 1>his own movie. I said, that's five movies a year

0:35:21.680 --> 0:35:23.880
<v Speaker 1>at five million dollars a piece, or maybe it was

0:35:23.960 --> 0:35:26.920
<v Speaker 1>four four movies a year at four at five million

0:35:26.920 --> 0:35:29.799
<v Speaker 1>dollars a piece. Vince, he looks me dead in the face.

0:35:29.880 --> 0:35:33.120
<v Speaker 1>He goes, Freddie, it's twenty million dollars. Get on the

0:35:33.120 --> 0:35:37.160
<v Speaker 1>fucking plane. And I literally my jaw must have hit

0:35:37.200 --> 0:35:38.680
<v Speaker 1>the girl. I looked at him and said, can I

0:35:38.719 --> 0:35:42.719
<v Speaker 1>have that job? And he started laughing, slapped me on

0:35:42.800 --> 0:35:44.600
<v Speaker 1>the back, and I got my ass on the plane

0:35:44.640 --> 0:35:46.680
<v Speaker 1>and we flew to wherever we flew toto a match

0:35:46.760 --> 0:35:50.200
<v Speaker 1>and the whole flat I'm sitting there like, that's a billionaire,

0:35:50.800 --> 0:35:54.239
<v Speaker 1>that's a bill, that's that's what a billionaires. I never

0:35:55.320 --> 0:35:57.239
<v Speaker 1>I knew Vince a little bit at that point, so

0:35:57.280 --> 0:36:01.600
<v Speaker 1>he was more comfortable to bullish ship and and and

0:36:01.800 --> 0:36:04.239
<v Speaker 1>chat a bit. But to hear someone say that the

0:36:04.280 --> 0:36:08.000
<v Speaker 1>way like if someone's like, hey, whatever your might, Hey Mike,

0:36:08.080 --> 0:36:10.919
<v Speaker 1>can I borrow some money? A normal amount of money?

0:36:10.920 --> 0:36:15.200
<v Speaker 1>You could lend somebody, what fifty bucks for me? If

0:36:15.320 --> 0:36:16.880
<v Speaker 1>a Boddy was like, Hey, I need some money. I

0:36:17.280 --> 0:36:19.520
<v Speaker 1>probably have a little bit more than I hook it up.

0:36:20.239 --> 0:36:22.319
<v Speaker 1>Hey man, I get five million dollars for a movie.

0:36:22.760 --> 0:36:26.200
<v Speaker 1>He couldn't we do that four more times? Oh yeah,

0:36:26.280 --> 0:36:31.239
<v Speaker 1>that's the million dollars cares the whole flight. That's all

0:36:31.280 --> 0:36:33.799
<v Speaker 1>I'm thinking about. I'm sitting there like, he ain't even

0:36:33.920 --> 0:36:36.480
<v Speaker 1>this dude ain't even gonna get fired. It's probably knew

0:36:36.600 --> 0:36:39.040
<v Speaker 1>it was a hustle. He just doesn't care. He's got

0:36:39.160 --> 0:36:42.000
<v Speaker 1>the money from Walmart already, so it doesn't even matter

0:36:42.040 --> 0:36:44.680
<v Speaker 1>if the movie makes a dime, so screw it. And

0:36:45.480 --> 0:36:49.040
<v Speaker 1>it was just that I never I've never looked at

0:36:49.080 --> 0:36:53.040
<v Speaker 1>my finances that way, even if I was in a

0:36:53.160 --> 0:36:56.080
<v Speaker 1>position to, I don't. I don't think I could do that,

0:36:56.239 --> 0:36:59.840
<v Speaker 1>But who knows, maybe I would be the exact same way. Anyhow,

0:37:00.200 --> 0:37:03.480
<v Speaker 1>storytime is concluding. I hope you guys have fun. I

0:37:03.600 --> 0:37:07.160
<v Speaker 1>really am enjoying this podcast, and I'm really having a

0:37:07.239 --> 0:37:09.759
<v Speaker 1>lot of fun talking with you guys. I like when

0:37:09.840 --> 0:37:12.879
<v Speaker 1>y'all hit me up on on social media. I really

0:37:12.960 --> 0:37:15.520
<v Speaker 1>enjoyed the conversations. Uh, you don't have to agree with

0:37:15.600 --> 0:37:19.400
<v Speaker 1>everything I say. If you have questions or or you

0:37:19.480 --> 0:37:21.279
<v Speaker 1>disagree with something, feel free to hit me up. Like

0:37:21.360 --> 0:37:23.960
<v Speaker 1>I said, I don't take things personally. If you're If

0:37:24.000 --> 0:37:26.279
<v Speaker 1>you're rude, I'll be rude back. If you're cool, then

0:37:26.520 --> 0:37:28.719
<v Speaker 1>I'll be cool. We can, we can disagree, and I can.

0:37:28.960 --> 0:37:30.839
<v Speaker 1>You might even change my mind on some crap. It's

0:37:30.840 --> 0:37:33.440
<v Speaker 1>been a while. We're gonna have Chris Jericho on, who

0:37:34.239 --> 0:37:36.960
<v Speaker 1>is has so much knowledge of the business on a

0:37:37.200 --> 0:37:39.759
<v Speaker 1>on a global scale, and for people that aren't even

0:37:39.800 --> 0:37:42.320
<v Speaker 1>wrestling fans, we're gonna talk about a lot of the

0:37:42.440 --> 0:37:46.200
<v Speaker 1>business of wrestling, the legit and some of the illegitimate stuff,

0:37:46.239 --> 0:37:48.200
<v Speaker 1>and we're gonna get into it on a on a

0:37:48.280 --> 0:37:50.280
<v Speaker 1>deep level. And he's a really cool guy to speak

0:37:50.280 --> 0:37:52.839
<v Speaker 1>to on that, about how the Arenas make money, who

0:37:53.000 --> 0:37:55.759
<v Speaker 1>runs the Arenas Sometimes it's the mob. So there's there's

0:37:55.760 --> 0:37:57.520
<v Speaker 1>a lot of deep stuff that we can talk about

0:37:57.960 --> 0:37:59.680
<v Speaker 1>and have some fun with. So even if you're not

0:37:59.800 --> 0:38:03.680
<v Speaker 1>that into wrestling, you might be into some scandalous stories.

0:38:04.160 --> 0:38:06.360
<v Speaker 1>But for those of you who are, it's Chris Jericho.

0:38:06.560 --> 0:38:09.200
<v Speaker 1>We're gonna talk wrestling outside of that. I love talking

0:38:09.200 --> 0:38:11.120
<v Speaker 1>to you guys. I'll see you guys again next week

0:38:11.280 --> 0:38:14.800
<v Speaker 1>right here. On wrestling with Freddy. This has been a

0:38:14.840 --> 0:38:18.080
<v Speaker 1>production of I heart Radio's Michael Tura podcast Network. For

0:38:18.200 --> 0:38:20.680
<v Speaker 1>more podcasts for my heart Radio, visit the i heart

0:38:20.760 --> 0:38:23.640
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:38:23.680 --> 0:38:28.279
<v Speaker 1>favorite shows. H m hm