WEBVTT - 8. Kill Switch

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<v Speaker 1>Tomorrow's Monsters as a production of My Heart Radio Flynn

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<v Speaker 1>Picture Company, Psycopia Pictures and Upper Room Productions. Watching someone

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<v Speaker 1>drown is horrifying. In the first stage, the victim holds

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<v Speaker 1>their breath until the urge to breathe becomes overwhelming. Depending

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<v Speaker 1>on the amount of activity occurrent thrashing in the water

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<v Speaker 1>of the heart rate, this stage can last anywhere from

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<v Speaker 1>a couple of seconds to a couple of minutes. Inevitably,

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<v Speaker 1>the urge to breathe becomes unbearable and the victim's free

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<v Speaker 1>will evaporates, and so it breathes in the water. The

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<v Speaker 1>thing it believes will allow it to survive will in

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<v Speaker 1>fact kill it. And this part only stops when the

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<v Speaker 1>brain stops. You were dreaming about the incident from your child.

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<v Speaker 1>This was different, This was someone else. It was a woman.

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<v Speaker 1>Her head was forced under the water. Someone was drowning

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<v Speaker 1>her and I just stood there watching it, kept repeating, playing,

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<v Speaker 1>over and over and over again. It doesn't surprise me.

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<v Speaker 1>You missed two doses, Max, and when you finally crashed,

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<v Speaker 1>your brain had a lot of housekeeping to do all

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<v Speaker 1>on its own. You can't be missing doses like sure

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<v Speaker 1>cast I get that, but you're you're a psychiatrist, dream

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<v Speaker 1>like that? What do you think it? I don't know.

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<v Speaker 1>Represents dreams are how our brains process emotion. Nightmares represent

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<v Speaker 1>repressed fears like powerlessness or loss of control. Didn't feel

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<v Speaker 1>like a representation. It was vivid, lucid. It felt real.

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<v Speaker 1>I'll bet it. That kind of activity in your subconscious

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<v Speaker 1>indicates its processing at an accelerated rate. It's your brain

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<v Speaker 1>activated at a high level, racing to catch up. It's

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<v Speaker 1>a symptom of withdraw Max, your dreams are going to

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<v Speaker 1>be a little frightening if you go cold turkey. How

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<v Speaker 1>do I make them stop? Well? Nice forward, deep breath.

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<v Speaker 1>How are you back now? Yeah, I'm back? And is

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<v Speaker 1>it done? Yeah? It's done. Get by m hm m

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<v Speaker 1>hm h or lou Virginia about an hour and a

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<v Speaker 1>half from Arlington, depending on how much this storm slows

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<v Speaker 1>me down. After Maxis speech sees the value of the

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<v Speaker 1>next course, initial coin offering skyrocketed over five million people

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<v Speaker 1>try to pre order shy and next Corps website crashed.

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<v Speaker 1>The offers were pouring in. One VC offered four hundred billion,

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<v Speaker 1>and Max turned it down because in the days leading

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<v Speaker 1>up to see. Yes, Max Fuller had been up to something,

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<v Speaker 1>something big and now shot. I was about to fall

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<v Speaker 1>into someone else's hands. You see, Max had been offered

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<v Speaker 1>and on goodly sung by someone to acquire his start

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<v Speaker 1>up and release his products of the masses, whether they

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<v Speaker 1>were safe or not. It would have to have been

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<v Speaker 1>someone gigantic, someone with the resources the funding to roll

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<v Speaker 1>out Shy on a massive scale without having to worry

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<v Speaker 1>about regulations at all. By the time I made it

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<v Speaker 1>back to San Francisco, Max was already got in all

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<v Speaker 1>the departments at Next Corp, laying off of sev of

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<v Speaker 1>all Next Corp employees. Only the critical stuff remained. Afterwards,

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<v Speaker 1>Max quote a private meeting in Cassandra's office. That's when

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<v Speaker 1>I crashed, right, Jack. I'd been lying there, passed out

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<v Speaker 1>for exactly three minutes. My head and Mike was recording

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<v Speaker 1>the entire time. We need to call an ambulance. Casket

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<v Speaker 1>Eddie in here? Hey Jack, Jack, wake up? Should we

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<v Speaker 1>call an ambulance? I doubt that's necessary? Well, is he breathing? Finn?

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<v Speaker 1>If he wasn't breathing, I'd call a damn ambulance. What

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<v Speaker 1>n't I? Well, how's his pulses. He feverish. He's fine, Finn,

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<v Speaker 1>it's probably just withdrawal. What is from with the two

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<v Speaker 1>of you? Fan? Come now? No, No, I held my

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<v Speaker 1>tongue after the trials, Max, when you started testing on

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<v Speaker 1>yourself because it was your goddamn body, Max, and you

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<v Speaker 1>knew the risk. He knows the risk. Save it, Cassandra.

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<v Speaker 1>We were all on a straight and narrow before you

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<v Speaker 1>inserted yourself into this. What do you have to gain

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<v Speaker 1>cast that I don't know about? Yeah? What do you

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<v Speaker 1>have to go? You fired? If you're happy getting time

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<v Speaker 1>pumps inside of every brain that challenges you, well guess

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<v Speaker 1>what you're not getting into mine. You can both go

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<v Speaker 1>straight to hell and expect to hear from my lawyers.

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<v Speaker 1>If I decide that I'm forgiving enough not to go

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<v Speaker 1>straight to the goddamn h then let him go. He

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<v Speaker 1>can tear everything down. No, he can't. If anyone gets

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<v Speaker 1>ahold of our records. Guest, listen to me, listen to me.

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<v Speaker 1>Shut up. Hi, Yeah, it's Mr Fuller. I need security

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<v Speaker 1>to immediately intercept Mr Connolly and remove him from the building.

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<v Speaker 1>That's right, yes, sir, thank you, that's Eddie. Are you

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<v Speaker 1>calm yet? I am Eddie. You need me? It's Jack?

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<v Speaker 1>Holy shit? What happened withdrawal from shut eye? Spars the theatrics? Eddie,

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<v Speaker 1>I already got a whole earful from Finn. Just check

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<v Speaker 1>to make sure he didn't split his goddamn skull. Okay,

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<v Speaker 1>his pupils look normal. Where'd you hit back of the head?

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<v Speaker 1>No blood. He'll probably have a crick in his neck

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<v Speaker 1>from the way you had him lying. Can you do

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<v Speaker 1>anything for what his head ache? No, it's cholesterol. Can

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<v Speaker 1>you wake him up? Jack? Jack? Jack? Fine, Eddie, that'll

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<v Speaker 1>be fine. We're good. Are we going to talk about

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<v Speaker 1>my department? Sure? Um, they're fired except you if you

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<v Speaker 1>want to stay. Jesus, them's the brakes kid? Oh? Are

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<v Speaker 1>you going to dose him? I'm going ahead to the meeting?

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<v Speaker 1>All right, you can deal with the rest. Yes, yep,

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<v Speaker 1>thank you so much. There you go, Jack. His pulse

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<v Speaker 1>is a little high. How you feeling, Jack? That'll be

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<v Speaker 1>all Eddie, Thank you, Cassandra. Yes, you can all go

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<v Speaker 1>to hell. Thank you. Eddie. Who was long enough to

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<v Speaker 1>miss the fireworks? And there was a call for you?

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<v Speaker 1>I told them you were out, But you may want

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<v Speaker 1>to check your voicemail they very badly wanted to talk

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<v Speaker 1>to you. Well fires weapons. Well, you tell me, Jack,

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<v Speaker 1>how much should I have you been taking? And how often?

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<v Speaker 1>Just what you gave me ship. So a side effect

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<v Speaker 1>is that it makes the program that he's trying to

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<v Speaker 1>fix was it regulates hormones on your behalf. If you

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<v Speaker 1>don't recharge the nanites at regular intervals, they go offline,

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<v Speaker 1>and so your body loses that delicate balance and you crash.

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<v Speaker 1>You may want to put that on the label. Your

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<v Speaker 1>opinion has been noted. While you were out cold. We

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<v Speaker 1>fired his entire department. Wait what, I can understand what

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<v Speaker 1>he's upset. But when Max makes a decision, everyone yeah

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<v Speaker 1>in his department. Don't worry Jack, you still have a job.

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<v Speaker 1>Max's orders. He had to run. There's quite a bit

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<v Speaker 1>going on. And and Finn, well he was okay with it,

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<v Speaker 1>of course not he quit quit. It was all quite dramatic.

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<v Speaker 1>He stormed out of the building. You should have been here,

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<v Speaker 1>well here and a week now. If you'll excuse me, Jack,

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<v Speaker 1>Max has created quite a bit of paperwork. I think

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<v Speaker 1>you'll find you've got your share of work cut out

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<v Speaker 1>for you to Oh, I have something for you, shy

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<v Speaker 1>enough for you to ramp down over the coming days.

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<v Speaker 1>As you can see, you don't want to go cold

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<v Speaker 1>turkey on this. Okay, huh, I guess half the dose.

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<v Speaker 1>Every time the headaches come back, You kiss when and

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<v Speaker 1>if you need more? See me. When I finally did

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<v Speaker 1>check my voice moment I got the ass as to

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<v Speaker 1>why Abby Reynolds didn't me in the alleyway. This is

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<v Speaker 1>Detective Charles of the San Francisco Pete Homicide Unit. We're

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<v Speaker 1>investigating the drowning death of Dr Abbey Reynolds. You understand

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<v Speaker 1>that you may be the last person to have seen

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<v Speaker 1>her alive. If you could call me. I had to

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<v Speaker 1>find Finn if he was out that maybe he was vulnerable,

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<v Speaker 1>maybe even in a position to come clean. I was

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<v Speaker 1>still working out my game, my strategy of how to

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<v Speaker 1>get a confession out of him. When I co op

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<v Speaker 1>with him, I thought, I find you here, What the

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<v Speaker 1>hell do you want? I'm sorry, Finn, man, I need

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<v Speaker 1>to tell you something. Beat to Jack, I'm on level

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<v Speaker 1>thirteen and I can't chit chat right now. You have

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<v Speaker 1>to trust me, Finn. I'm sorry. What Why would I

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<v Speaker 1>trust you, Jack? Of all people? Because no, no, no, no, no, no, no, enough. Look,

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<v Speaker 1>I want to trust to Jack, because despite all of

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<v Speaker 1>your bullshit and your lives, you're actually pretty cool. Baby.

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<v Speaker 1>You need to explain this, damn it. Vegas. You help me,

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<v Speaker 1>not just the speech, which would have been really good

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<v Speaker 1>things to you, but you reminded me of a part

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<v Speaker 1>of myself i'd forgotten. He reminded me who I really am,

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<v Speaker 1>which is a geek obsessed with antique arcade games, sci

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<v Speaker 1>fi and psychedelics and the mechanics of the human brain,

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<v Speaker 1>of an endearing uber nerd, instead of what I become,

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<v Speaker 1>which is a mad scientist whose body hacking startup is

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<v Speaker 1>about to evolve millions of humans and the machines, which

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<v Speaker 1>brings me back to the reason I can't trust you, Jack,

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<v Speaker 1>even if you really are a cool dude deep down inside,

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<v Speaker 1>I can't trust you because right now you have a

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<v Speaker 1>swarm of tiny robots in your brain. No, no, listen,

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<v Speaker 1>no ship, an alien fleet of space invaders inside your skull,

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<v Speaker 1>converging in clusters a cross millions of synapsis and bombing

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<v Speaker 1>the ship out of them. They're a program to light

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<v Speaker 1>up your endocrine system on command from your hypothalamus, all

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<v Speaker 1>the way down to your testicles, my friend. It's taking

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<v Speaker 1>control of your body's communication. But instead of using nerves

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<v Speaker 1>to transmit information, it uses your blood. It's a hormone

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<v Speaker 1>delivery system. Dopamine, oxytose and testosterone, adrenaline, serotonin, cortisol, and

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<v Speaker 1>so on and so on. It it's controlling your brain.

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<v Speaker 1>You understand that, don't you? And guess who owns the aliens? Jack?

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<v Speaker 1>Next quote Benga, when you took shot I, Jack, you

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<v Speaker 1>handed Cassandra Berkeley a joystick to your brain? Oh wait,

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<v Speaker 1>I thought I was just asleep, right? Should and about

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<v Speaker 1>keeping you awake. It's about keeping you connected. Should I

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<v Speaker 1>can be used to make you happy or sad. It

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<v Speaker 1>can give you a raging heart on or it can

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<v Speaker 1>make you want to jump off of a building. Jack shut.

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<v Speaker 1>I is mind control, And somehow, with all of our

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<v Speaker 1>hard work, you and me just helped Max Fuller convinced

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<v Speaker 1>over a million people to order it. That's when I

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<v Speaker 1>saw it through the back window the gray van. We

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<v Speaker 1>have to leave? What leave? I just got Finny. We

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<v Speaker 1>have to leave this place right and I'm not going

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<v Speaker 1>anywhere with you? Jack? All right? How long has it

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<v Speaker 1>been following? What? Who? Who's fall with us in the

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<v Speaker 1>great van behind you in the black alley. What gray van,

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<v Speaker 1>Jesus Christ Man, those space in vaders. You must really

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<v Speaker 1>be doing getting paranoid. Listen to me, man, The van

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<v Speaker 1>has been following me and women's in it. It's dangerous bullshit.

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<v Speaker 1>You are losing it, Abbey. I'm met Abbey Reynolds. Abbey, Okay.

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<v Speaker 1>Max wanted me to give her a payout, but I

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<v Speaker 1>never could. When I came back to my table from

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<v Speaker 1>the Red starre Abbey was gone, disappeared, and the guys

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<v Speaker 1>in the grave vand yes, yes. And a few hours

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<v Speaker 1>ago I got back from bankers only to see my

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<v Speaker 1>apartment building on fire, my home in flames. And you

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<v Speaker 1>know what else I saw there? Yes, Finn, they almost

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<v Speaker 1>got me, just like they got tomorrow. Just up and

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<v Speaker 1>April nine, Michael Colpid, how the hell do you know

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<v Speaker 1>about our test subject? Remember them, fim? They would the

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<v Speaker 1>first humans to test your ship out in themselves. Man.

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<v Speaker 1>But they are dead now because someone got to them.

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<v Speaker 1>Now now, now there is no direct correlation between the Triumphant,

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<v Speaker 1>all right, So I suppose you're you're gonna say that

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<v Speaker 1>Abby Reynold's death was a coincidence to what heah Man yesterday.

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<v Speaker 1>I don't believe you, but no, I don't believe you,

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<v Speaker 1>Mr Cross. This is Detective Charles of the San Francisco

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<v Speaker 1>Pete Homicide Unit. We're investigating the drowning death of Dr

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<v Speaker 1>Abbey Reynolds. We understand that you may be the last

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<v Speaker 1>person to seeing her alive. If you could tell, oh

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<v Speaker 1>my god, now, are you ready to drop people ship

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<v Speaker 1>than that routine? Because I hope you are. You can't

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<v Speaker 1>dodge this anymore, and you can't resignize your way through it.

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<v Speaker 1>You can't convince yourself everything's gonna be fine. You made

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<v Speaker 1>this thing. This is your atom bomb. You know. The

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<v Speaker 1>truth is I'm the only person you can trust anymore

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<v Speaker 1>because I know, Finn. I know everything I know about

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<v Speaker 1>the rats and the cover ups and the human trial

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<v Speaker 1>has gone bad. And like you, I know that Shy,

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<v Speaker 1>your brain child is dangerous and if next Corp your

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<v Speaker 1>company lets it get into the wrong hands, a lot

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<v Speaker 1>more people are gonna die. But we don't have much

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<v Speaker 1>time because whoever is in that fucking gray van isn't

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<v Speaker 1>here for some street fire to championship. Get up? Okay,

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<v Speaker 1>made me in my place The rooftop garden. I'll tell

0:16:56.440 --> 0:17:16.639
<v Speaker 1>you everything. Yeah, I snapped off the elevator and so

0:17:16.800 --> 0:17:18.879
<v Speaker 1>Fincy and at the far end of the rooftop garden

0:17:18.920 --> 0:17:24.560
<v Speaker 1>on the ledge. I approached him cautiously. Are you okay?

0:17:26.320 --> 0:17:29.480
<v Speaker 1>Don't worry, I'm not gonna jump. I just want to

0:17:29.480 --> 0:17:35.679
<v Speaker 1>feel it. But feeling and pull, it's a strange phenomenon.

0:17:35.760 --> 0:17:38.520
<v Speaker 1>Even though I'm a mentally stable person, I still have

0:17:38.680 --> 0:17:41.400
<v Speaker 1>the thought, what if I just did it? What if

0:17:41.400 --> 0:17:47.720
<v Speaker 1>I just jumped? The French call it the pell d V,

0:17:48.040 --> 0:17:52.280
<v Speaker 1>the call of the void. Staring at the abyss, it

0:17:52.520 --> 0:17:59.960
<v Speaker 1>stares back, Finn. I have some questions and I need

0:18:00.080 --> 0:18:09.400
<v Speaker 1>straight honests. Okay, the trials. How did you select the participants?

0:18:11.240 --> 0:18:13.480
<v Speaker 1>Surely you knew several of the individuals in the sample

0:18:13.560 --> 0:18:17.919
<v Speaker 1>group of higher risk. Why didn't you screen for PTSD

0:18:18.160 --> 0:18:20.639
<v Speaker 1>and they take this position for skins of fail. We

0:18:20.680 --> 0:18:28.199
<v Speaker 1>didn't screen out high probability candidates, Jack, We enlisted them.

0:18:28.240 --> 0:18:32.480
<v Speaker 1>We used them. What we needed a clear vantage point

0:18:32.480 --> 0:18:36.120
<v Speaker 1>for the causality of adverse effects, the potential for increases

0:18:36.359 --> 0:18:41.159
<v Speaker 1>neuro toxicity across that particular demograts. What is this a cult?

0:18:41.920 --> 0:18:46.760
<v Speaker 1>When did cast brainwash you? You would agree to continue

0:18:46.760 --> 0:18:48.800
<v Speaker 1>working on this when the danger because I had to.

0:18:49.800 --> 0:18:52.639
<v Speaker 1>That was the only voice of reason. I was the

0:18:52.720 --> 0:18:58.199
<v Speaker 1>last best hope for making shunn I safe. And I

0:18:58.320 --> 0:19:05.359
<v Speaker 1>have what I've done, it done? What exactly made it safe? Jack?

0:19:07.560 --> 0:19:12.720
<v Speaker 1>Kill switch? I've been working on an in secret. I

0:19:12.760 --> 0:19:17.000
<v Speaker 1>knew we needed a governor in the system, and and

0:19:17.160 --> 0:19:21.880
<v Speaker 1>I finally found it. It was in the delivery system.

0:19:21.920 --> 0:19:24.960
<v Speaker 1>I solved the problem with Walter Fuller's nanites. I just

0:19:25.119 --> 0:19:31.720
<v Speaker 1>reprogrammed them with a simple regulator, a kill switch. How so, Well,

0:19:31.760 --> 0:19:34.400
<v Speaker 1>if the nanites detect the sudden surge of cortisol levels

0:19:34.400 --> 0:19:36.760
<v Speaker 1>in the brain, they just shut off and he swift.

0:19:37.880 --> 0:19:40.280
<v Speaker 1>I think, so we need to go to the lab

0:19:40.320 --> 0:19:43.640
<v Speaker 1>to see the lad. I started a new trial new

0:19:43.760 --> 0:19:48.879
<v Speaker 1>rats thirteen days ago, so you know it was well.

0:19:49.440 --> 0:19:52.920
<v Speaker 1>I suppose if the rats haven't eaten each other yet, Jack,

0:19:53.040 --> 0:19:57.639
<v Speaker 1>then it works. And if they haven't, then all we

0:19:57.680 --> 0:19:59.919
<v Speaker 1>need to do is get the kill switch into Max's

0:20:00.080 --> 0:20:04.960
<v Speaker 1>rain and maybe we can get him back. You knew

0:20:06.000 --> 0:20:13.160
<v Speaker 1>what is time? What you knew that Max was changing?

0:20:16.160 --> 0:20:21.600
<v Speaker 1>It wasn't clear at first. I mean mood swings, yeah,

0:20:21.640 --> 0:20:26.080
<v Speaker 1>but Max has always had those. And then one day,

0:20:27.640 --> 0:20:31.960
<v Speaker 1>you're talking, and he just looked at me differently, like

0:20:32.200 --> 0:20:37.040
<v Speaker 1>there was someone else in the house. You know, I

0:20:37.119 --> 0:20:39.639
<v Speaker 1>was already developing the kill switch, but that made me

0:20:39.680 --> 0:20:43.880
<v Speaker 1>work a lot faster. Two ways he going to be Well,

0:20:43.880 --> 0:20:47.400
<v Speaker 1>that part's an easy He'll be in Arlington, Virginian three days.

0:20:47.760 --> 0:20:51.199
<v Speaker 1>Why he's signing everything over to the new owners of

0:20:51.240 --> 0:20:55.640
<v Speaker 1>Next Corps, the new owners of Shut Eye. I can

0:20:55.640 --> 0:20:58.639
<v Speaker 1>put up a legal fight, but that's only gonna stall him. Now,

0:20:58.640 --> 0:21:00.520
<v Speaker 1>that wouldn't be necessary. If we can get Max back,

0:21:02.720 --> 0:21:06.200
<v Speaker 1>we'll fly out tomorrow. All right, you have the antidote.

0:21:06.240 --> 0:21:10.520
<v Speaker 1>He's here with you. No, that is the hard part.

0:21:11.400 --> 0:21:13.560
<v Speaker 1>It's in my lap, in my desk. I need to

0:21:13.600 --> 0:21:17.399
<v Speaker 1>get back there before they confiscate everything they can do

0:21:17.400 --> 0:21:22.960
<v Speaker 1>to Technically it's company property. I should go now while

0:21:22.960 --> 0:21:24.680
<v Speaker 1>they're still at check. Okay, then go go go check

0:21:24.680 --> 0:21:27.240
<v Speaker 1>your rats, get the antidote and call me. Well where

0:21:27.240 --> 0:21:30.320
<v Speaker 1>are you going? You know someone who can help. I'll

0:21:30.320 --> 0:21:37.600
<v Speaker 1>meet you back here. Jack. What's your back? You too?

0:21:44.000 --> 0:21:48.359
<v Speaker 1>Jenna Cole Agent bat dialing agent beating, Come on, come on,

0:21:48.440 --> 0:21:51.159
<v Speaker 1>pick pick up. You've ranched Special Agent Beatty with the

0:21:51.240 --> 0:21:54.760
<v Speaker 1>human enhancement administration. Don't forget to lead your number of folks.

0:21:56.840 --> 0:21:58.719
<v Speaker 1>It's Jack, Jack. Look, I got your message. We need

0:21:58.760 --> 0:22:00.960
<v Speaker 1>to meet in person. There is a lot you need

0:22:01.040 --> 0:22:32.600
<v Speaker 1>to know. I'm made of your way. Now. The man

0:22:32.720 --> 0:22:37.399
<v Speaker 1>had fallen who was lying on on top of cross Cliver.

0:22:37.520 --> 0:22:42.879
<v Speaker 1>Even his body was shattered, twisted, beading from everywhere. His

0:22:43.119 --> 0:22:48.560
<v Speaker 1>limbs and neck were bent impossible angles, his bloody fingers

0:22:48.640 --> 0:22:54.480
<v Speaker 1>reaching upwards towards the nice guy. The life was fading

0:22:54.600 --> 0:22:59.439
<v Speaker 1>from him, and in his eyes I can see the

0:22:59.480 --> 0:23:02.399
<v Speaker 1>horrifying confusion of a creature that didn't quite grasp what

0:23:02.440 --> 0:23:06.199
<v Speaker 1>had happened to it. It wasn't until I stepped a

0:23:06.200 --> 0:23:08.720
<v Speaker 1>few feet closer that my mind allowed the recognition of

0:23:08.760 --> 0:23:17.240
<v Speaker 1>the dying man's face. It was Finn. He was just

0:23:17.320 --> 0:23:24.920
<v Speaker 1>staring ahead into the abyss. He almost looked peaceful as

0:23:24.960 --> 0:23:27.480
<v Speaker 1>the terror faded and the life flickered out of his eyes.

0:23:30.119 --> 0:23:33.040
<v Speaker 1>I backed away and I turned to leave the scene

0:23:33.040 --> 0:23:40.639
<v Speaker 1>when I saw him standing there, David Truesdale, the combat

0:23:40.640 --> 0:23:43.640
<v Speaker 1>there room from the homeless shelter. The guy Abby told

0:23:43.640 --> 0:23:48.280
<v Speaker 1>me to interview. He just stepped out of the elevator

0:23:48.320 --> 0:23:51.399
<v Speaker 1>in the lobby of Finn's building. Moments after Finn's body dropped,

0:23:52.920 --> 0:23:55.160
<v Speaker 1>David Truesdale, one of the volunteers of the Next Corp

0:23:55.240 --> 0:23:59.440
<v Speaker 1>Trials along with my brother Michael. He was trenched in

0:23:59.520 --> 0:24:03.359
<v Speaker 1>swearing m His pupils were dilated, more like an animal

0:24:03.400 --> 0:24:07.560
<v Speaker 1>than a man. Then his eyes looked on mine, and

0:24:07.600 --> 0:24:12.760
<v Speaker 1>he started walking towards me, walking fast. So I ran,

0:24:15.000 --> 0:24:17.000
<v Speaker 1>and looking back over my shoulder, I saw him gave

0:24:17.080 --> 0:24:20.760
<v Speaker 1>into the driversy of his gray hat, the gray van.

0:24:21.840 --> 0:24:26.000
<v Speaker 1>Now I knew he was looked to that Tuesdale. He

0:24:26.119 --> 0:24:31.119
<v Speaker 1>craned up, hid the gas peeled out after him. I

0:24:31.280 --> 0:24:53.200
<v Speaker 1>ran like him. Tomorrow's Monsters starring John Boyega as Jack Lock,

0:24:53.600 --> 0:24:57.760
<v Speaker 1>Darren Chris as Max Fuller, Marley Shelton as Cass Berkeley,

0:24:58.080 --> 0:25:02.720
<v Speaker 1>Clark Gregg as Walter Fuller, sah And Guja as David Trusdale,

0:25:03.000 --> 0:25:07.720
<v Speaker 1>Nicholas Takowski as Finn Connelly, Claire Bronson as dr Abby Reynolds,

0:25:08.160 --> 0:25:13.280
<v Speaker 1>David Chen as Michael Corbin, Suhila Elttar as Jenna, Victor

0:25:13.440 --> 0:25:18.480
<v Speaker 1>Rivera as Eddie Bender, Robert Kraalgo as Agent Batty, Steve

0:25:18.560 --> 0:25:22.480
<v Speaker 1>Coulter as Senator Berkeley, wrote A. Griffiths as Rainy Webb,

0:25:22.880 --> 0:25:27.160
<v Speaker 1>with additional performances by Helen Abel, Jason Williams, Michael Anthony,

0:25:27.480 --> 0:25:32.000
<v Speaker 1>Robin Bloodworth, and Teresa Davis. Our first assistant director is

0:25:32.040 --> 0:25:36.280
<v Speaker 1>Michael Monty. Our second assistant director is Sarah Klein. Sound

0:25:36.359 --> 0:25:40.159
<v Speaker 1>and music by Ben Lovitt, Additional sound design and editing

0:25:40.400 --> 0:25:45.160
<v Speaker 1>by Benjamin Belcolm, Justin Robowski and Mike Regan. Casting by

0:25:45.240 --> 0:25:49.480
<v Speaker 1>Jessica Fox Thick Pen. Our executive producers are Scott Shelton,

0:25:49.640 --> 0:25:54.280
<v Speaker 1>Shelby Thomas, Alexander Williams, and Matthew Frederick. Written by Dan

0:25:54.359 --> 0:25:58.560
<v Speaker 1>Bush and Nicholas Takowski. Created by Dan Bush and Connald

0:25:58.560 --> 0:26:03.040
<v Speaker 1>Byrne dre did by Dan Bush, Produced by both Flynn,

0:26:03.320 --> 0:26:07.760
<v Speaker 1>dan Bush and John Buega. Tomorrow's Monsters is a production

0:26:07.760 --> 0:26:12.080
<v Speaker 1>of iHeart Radio, Flynn Picture Company, Psychopia Pictures, and Upper

0:26:12.119 --> 0:26:16.240
<v Speaker 1>Room Productions. For more podcasts from my Heart Radio, visit

0:26:16.480 --> 0:26:20.080
<v Speaker 1>the I heart Radio app, Apple Podcasts, or wherever you

0:26:20.160 --> 0:26:21.280
<v Speaker 1>listen to podcasts.