1 00:00:00,120 --> 00:00:02,960 Speaker 1: Hey, thanks for listening to the Two Pros and a 2 00:00:03,040 --> 00:00:06,360 Speaker 1: Cup of Joe Podcast with LaVar Arrington, Brady Quinn and 3 00:00:06,400 --> 00:00:10,799 Speaker 1: myself Jonas Knox. Make sure you catch us live weekdays 4 00:00:10,880 --> 00:00:13,280 Speaker 1: six to nine am Eastern Time three to six am 5 00:00:13,360 --> 00:00:16,360 Speaker 1: Pacific on Fox Sports Radio. You can find your local 6 00:00:16,440 --> 00:00:18,959 Speaker 1: station for the Two Pros and a Cup of Joe 7 00:00:19,040 --> 00:00:22,880 Speaker 1: show over at Foxsports Radio dot Com, or stream us 8 00:00:22,960 --> 00:00:29,560 Speaker 1: live every day on the iHeartRadio app by searching FSR. 9 00:00:32,120 --> 00:00:34,200 Speaker 2: You're listening to Fox Sports Radio. 10 00:00:37,920 --> 00:00:40,240 Speaker 1: It is Two Pros and a Cup of Joe, Fox 11 00:00:40,240 --> 00:00:44,800 Speaker 1: Sports Radio, LeVar Arrington, Jonas Knox with the air. You 12 00:00:44,840 --> 00:00:47,400 Speaker 1: can listen to this show as always on the iHeartRadio app. 13 00:00:47,440 --> 00:00:50,479 Speaker 1: You can find us on hundreds of affiliates all across 14 00:00:50,479 --> 00:00:52,559 Speaker 1: the country. Wherever you are making us a part of 15 00:00:52,600 --> 00:00:54,880 Speaker 1: your Wednesday morning, we appreciate it. We'll be taking you 16 00:00:54,920 --> 00:00:56,400 Speaker 1: all the way up until the end of this hour 17 00:00:56,920 --> 00:01:00,000 Speaker 1: nine am Eastern Time, six o'clock Pacific, but it is 18 00:01:00,080 --> 00:01:04,319 Speaker 1: still for a Wednesday tradition here on the show, the 19 00:01:04,319 --> 00:01:07,760 Speaker 1: one and only Petros Papadakis, the co host of the 20 00:01:07,880 --> 00:01:11,280 Speaker 1: Petros and Money Show. You can hear on the blow 21 00:01:11,400 --> 00:01:15,400 Speaker 1: Torch and five seventy l a sports Fox college football analysts. 22 00:01:15,400 --> 00:01:17,800 Speaker 1: You can get him on X at the old p 23 00:01:17,800 --> 00:01:23,600 Speaker 1: Petros Wednesday morning to you, sir pop, good morning. Hello, 24 00:01:24,600 --> 00:01:27,400 Speaker 1: by the way, a happy belated birthday. 25 00:01:27,640 --> 00:01:29,800 Speaker 2: I hope you birthday, my guy. 26 00:01:29,880 --> 00:01:32,280 Speaker 1: I hope you got got my text I sent you 27 00:01:32,480 --> 00:01:36,480 Speaker 1: on your birthday night. Oh, I wasn't sure if you 28 00:01:36,480 --> 00:01:39,600 Speaker 1: didn't reply, So I wasn't sure if you were upset. 29 00:01:39,360 --> 00:01:41,160 Speaker 2: About any day? Been on his friends list? 30 00:01:41,240 --> 00:01:43,720 Speaker 3: Man, do you texted me? 31 00:01:44,040 --> 00:01:46,200 Speaker 2: I did you texted me? 32 00:01:48,040 --> 00:01:48,320 Speaker 3: Damn? 33 00:01:49,360 --> 00:01:52,880 Speaker 2: Jodahs doesn't answer people's text or calls away from here either. 34 00:01:52,760 --> 00:01:57,760 Speaker 1: Sid it's true radio, Yes, yeah, since you ever? 35 00:01:58,720 --> 00:01:59,040 Speaker 2: Really? 36 00:01:59,480 --> 00:02:05,160 Speaker 3: Yeah here back, it's unfortunate. Thanks, by the way, I 37 00:02:05,200 --> 00:02:07,120 Speaker 3: can't great, wonderful. 38 00:02:08,040 --> 00:02:08,880 Speaker 2: How'd you celebrate? 39 00:02:08,960 --> 00:02:10,360 Speaker 3: So I don't want to talk about it? 40 00:02:10,400 --> 00:02:13,440 Speaker 1: What's what? Why do you want to talk about it? 41 00:02:13,480 --> 00:02:14,040 Speaker 1: What happened? 42 00:02:14,360 --> 00:02:15,040 Speaker 3: It's just. 43 00:02:16,720 --> 00:02:19,360 Speaker 4: I do AM radio and my birthday brings too much attention. 44 00:02:20,040 --> 00:02:24,120 Speaker 2: Oh all right, well hey, that's a good reason for me. 45 00:02:24,200 --> 00:02:26,720 Speaker 2: I mean, I'll leave it alone. Yeah, that's fine, all right, 46 00:02:26,720 --> 00:02:29,800 Speaker 2: I know though that Just tell me, just tell me 47 00:02:29,880 --> 00:02:32,040 Speaker 2: right now, act like you didn't tell me you know 48 00:02:32,680 --> 00:02:36,040 Speaker 2: about what your birthday how do you celebrate that's it? 49 00:02:36,120 --> 00:02:38,200 Speaker 2: How you celebrate it? What'd you do? But if you 50 00:02:38,200 --> 00:02:39,079 Speaker 2: don't get into it. 51 00:02:39,919 --> 00:02:43,359 Speaker 3: Saturday I had lunch with my parents. Sunday I went 52 00:02:43,400 --> 00:02:47,600 Speaker 3: to a Father's Day party at a friend's house, and 53 00:02:47,840 --> 00:02:49,200 Speaker 3: Monday I had to go to. 54 00:02:49,160 --> 00:02:53,639 Speaker 1: The Dodger gate nice Speaking of the Dodgers, why did 55 00:02:53,680 --> 00:02:56,760 Speaker 1: the uh po the head two? 56 00:02:56,840 --> 00:02:57,080 Speaker 3: Part? 57 00:02:57,200 --> 00:02:59,119 Speaker 4: Was it became way too much? 58 00:03:00,080 --> 00:03:02,400 Speaker 3: Yeah, because of the Otani thing, like we didn't know, 59 00:03:03,320 --> 00:03:05,080 Speaker 3: you know, and we were doing the show from there, 60 00:03:05,120 --> 00:03:06,799 Speaker 3: and it ended up being great because it was a 61 00:03:06,880 --> 00:03:10,480 Speaker 3: big day for the Dodgers. But I've never seen Dodger 62 00:03:10,560 --> 00:03:15,880 Speaker 3: Stadium ever like that, ever, not for a World Series game, 63 00:03:16,040 --> 00:03:19,560 Speaker 3: not for o Tani Bobblehead Night. I guess so Tani 64 00:03:19,600 --> 00:03:21,720 Speaker 3: Bobblehead Night. You know, people get there early to get 65 00:03:21,760 --> 00:03:25,120 Speaker 3: the bobblehead. Or now they figured that they can't do 66 00:03:25,240 --> 00:03:30,520 Speaker 3: their normal cutoff of whatever it is, twenty five thousand bobbleheads. 67 00:03:30,919 --> 00:03:33,160 Speaker 3: They have to give every single person that walks in 68 00:03:33,200 --> 00:03:34,800 Speaker 3: there a bobblehead or there's going to be a war 69 00:03:34,840 --> 00:03:38,320 Speaker 3: in the streets because people line up early in the morning. 70 00:03:38,360 --> 00:03:41,240 Speaker 3: If not, so that's kind of a thing. But I've 71 00:03:41,240 --> 00:03:45,640 Speaker 3: never seen Dodger Stadium where everybody is in their seat 72 00:03:45,800 --> 00:03:50,480 Speaker 3: ready to go for first pitch because it's so hard 73 00:03:50,520 --> 00:03:54,760 Speaker 3: to get in there. It's such a process. But until 74 00:03:54,840 --> 00:03:56,800 Speaker 3: everybody knew that he was only going to pitch, you know, 75 00:03:56,880 --> 00:03:59,560 Speaker 3: one inning, maybe two turned out to be only one, 76 00:04:00,240 --> 00:04:05,600 Speaker 3: and the whole place was so anticipatory. It was very interesting. 77 00:04:05,640 --> 00:04:10,680 Speaker 3: The other thing was they they they don't play the 78 00:04:10,880 --> 00:04:15,880 Speaker 3: organ or anything like between pitches when he's pitching, Like, 79 00:04:15,920 --> 00:04:19,320 Speaker 3: I guess he doesn't like it. Oh, so it's just 80 00:04:19,440 --> 00:04:24,360 Speaker 3: like dead silent, dead silent, like like golf while people 81 00:04:24,440 --> 00:04:27,480 Speaker 3: were waiting for the next pitch. It was. It was 82 00:04:27,520 --> 00:04:30,599 Speaker 3: a very interesting dynamic. And you know what his walk 83 00:04:30,720 --> 00:04:35,919 Speaker 3: up song is? Uh oh no, it's no big deal. 84 00:04:36,640 --> 00:04:46,120 Speaker 2: Oh, I would say, what's the guy? What what is 85 00:04:46,160 --> 00:04:46,800 Speaker 2: that song called? 86 00:04:46,839 --> 00:04:47,159 Speaker 5: Oh? 87 00:04:47,240 --> 00:04:48,640 Speaker 1: Yeah, god, I forget his name. 88 00:04:48,800 --> 00:04:50,760 Speaker 2: Gundam style yeah style. 89 00:04:51,400 --> 00:04:53,080 Speaker 3: Yeah. Well that guy's Korea, I guess. 90 00:04:53,960 --> 00:04:55,800 Speaker 2: I mean, I wasn't trying to match him up. I 91 00:04:55,920 --> 00:04:58,080 Speaker 2: just thought that that might be the song that he liked. 92 00:04:58,600 --> 00:05:02,159 Speaker 3: Side that guy, I remember there's a there's a there's 93 00:05:02,200 --> 00:05:06,440 Speaker 3: a video of that Korean guy. Because back then the 94 00:05:06,480 --> 00:05:11,120 Speaker 3: Dodgers had uh a horrible that's horrible. It's okay. The 95 00:05:11,839 --> 00:05:15,840 Speaker 3: Dodgers had a Korean pit picture and they had that 96 00:05:15,880 --> 00:05:18,719 Speaker 3: guy sigh and he was very popular, and they had 97 00:05:18,720 --> 00:05:23,640 Speaker 3: that guy sigh dancing around at Dodger Stadium and Tommy 98 00:05:23,720 --> 00:05:26,680 Speaker 3: Lasorda was still alive. And there's a great picture of 99 00:05:26,760 --> 00:05:32,320 Speaker 3: Lesorda just like staring at that guy dancing around and 100 00:05:33,520 --> 00:05:36,440 Speaker 3: no there the song showing a tony song is a 101 00:05:36,560 --> 00:05:39,880 Speaker 3: Feeling Good, which is really old song. 102 00:05:39,920 --> 00:05:41,640 Speaker 4: It's from nineteen sixty. 103 00:05:41,680 --> 00:05:48,680 Speaker 2: Yeah, huh good, yeah, really yeah. 104 00:05:48,720 --> 00:05:51,040 Speaker 3: And the funny thing is is, like, I mean, that's 105 00:05:51,120 --> 00:05:56,120 Speaker 3: Michael Boublay. He was a relatively contemporary jazz singer, a 106 00:05:56,160 --> 00:05:57,040 Speaker 3: Canadian idiot. 107 00:05:58,520 --> 00:06:02,440 Speaker 1: But good song. 108 00:06:02,760 --> 00:06:05,719 Speaker 3: It's a great song and it's old. It's from the sixties. 109 00:06:05,680 --> 00:06:10,960 Speaker 6: To walk out to, Yeah, I don't know, man, the 110 00:06:11,000 --> 00:06:14,919 Speaker 6: soul and not only not only is that his walkout 111 00:06:14,920 --> 00:06:17,720 Speaker 6: when he when he kids, you know, when he pitches. 112 00:06:17,800 --> 00:06:20,800 Speaker 3: They played the whole thing, you know, so they were 113 00:06:20,839 --> 00:06:23,400 Speaker 3: banging that. But that's an old song from a musical. 114 00:06:23,720 --> 00:06:26,760 Speaker 3: I would encourage others to listen to the Nina Simone 115 00:06:26,839 --> 00:06:28,039 Speaker 3: version of it. 116 00:06:28,279 --> 00:06:30,960 Speaker 2: That's a wonderful version of it, by the way, and 117 00:06:31,000 --> 00:06:31,800 Speaker 2: that's brushed. 118 00:06:32,080 --> 00:06:34,320 Speaker 3: That's probably the first jazz version of it. I mean 119 00:06:34,480 --> 00:06:37,440 Speaker 3: before that, it was like so many jazz standards. It 120 00:06:37,560 --> 00:06:40,279 Speaker 3: was in a musical called Smell of the Crowd. 121 00:06:43,080 --> 00:06:45,560 Speaker 2: Nina Simone has huh, well, Nina. 122 00:06:45,400 --> 00:06:46,600 Speaker 4: Simon is an interesting story. 123 00:06:46,680 --> 00:06:52,520 Speaker 3: Nina Simone, a tall woman, was a piano player, very famous, 124 00:06:52,560 --> 00:06:55,680 Speaker 3: well not famous, but very skilled jazz pianist at the time. 125 00:06:56,120 --> 00:06:59,400 Speaker 3: And she was on tour and she went somewhere and 126 00:06:59,440 --> 00:07:03,279 Speaker 3: the guy's like whatever. The promoter or the booker was like, hey, 127 00:07:03,320 --> 00:07:07,120 Speaker 3: where is the where's there? Yeah, where's the singer. And 128 00:07:07,160 --> 00:07:09,200 Speaker 3: they were like, well, we don't sing and we don't 129 00:07:09,240 --> 00:07:11,520 Speaker 3: have a singer. She just plays the piano. And they 130 00:07:11,520 --> 00:07:13,520 Speaker 3: were like, if you don't have a singer, yelling and paid. 131 00:07:14,240 --> 00:07:17,880 Speaker 3: So she started singing and she became you know what 132 00:07:17,960 --> 00:07:21,320 Speaker 3: she is today, Nina Simone, one of the great jazz 133 00:07:21,400 --> 00:07:23,880 Speaker 3: voices of all time and a very unique voice. 134 00:07:24,560 --> 00:07:26,720 Speaker 2: She's gone now right, Oh yeah, she's been dead for 135 00:07:26,960 --> 00:07:27,440 Speaker 2: she's gone. 136 00:07:27,560 --> 00:07:30,760 Speaker 4: She shot. She shot a child, her neighbor. 137 00:07:32,120 --> 00:07:33,000 Speaker 2: She's too loud. 138 00:07:33,240 --> 00:07:36,400 Speaker 4: Yeah, she shot very good, LeVar she shot. 139 00:07:36,480 --> 00:07:38,520 Speaker 2: I liked them feel like I know a few things 140 00:07:38,600 --> 00:07:39,720 Speaker 2: like you, not as much as. 141 00:07:39,560 --> 00:07:43,040 Speaker 3: You, but I'm not. It's not a competition, no, but 142 00:07:43,120 --> 00:07:45,160 Speaker 3: she shot me. You know, most people don't care about 143 00:07:45,640 --> 00:07:48,080 Speaker 3: playing off of you though. Yeah, most people don't care 144 00:07:48,080 --> 00:07:51,640 Speaker 3: about you know, dead jazz artists from decades and decades ago. 145 00:07:52,080 --> 00:07:54,720 Speaker 3: But she shot a neighbor's child in France because the 146 00:07:54,800 --> 00:07:57,720 Speaker 3: kid wouldn't shut up. And the funny thing was in France, 147 00:07:57,760 --> 00:08:01,800 Speaker 3: they were like, yeah, it's Nina Simone. It was a 148 00:08:01,800 --> 00:08:05,720 Speaker 3: low caliber pistol, you know. Uh, but she was a 149 00:08:05,800 --> 00:08:10,080 Speaker 3: volatile lady. The first song she sang was a very 150 00:08:10,080 --> 00:08:14,000 Speaker 3: famous called I Loves You, Poorgy from Porgy and Bess, 151 00:08:14,080 --> 00:08:16,760 Speaker 3: which is a very famous one of the very first 152 00:08:16,840 --> 00:08:21,560 Speaker 3: operas American written operas, at least that we remember, by 153 00:08:21,600 --> 00:08:25,280 Speaker 3: George and Ira Gershwin. So Nita Simone with. 154 00:08:25,360 --> 00:08:28,240 Speaker 2: The Baltimore but that's my favorite verse. 155 00:08:28,360 --> 00:08:29,520 Speaker 4: Oh yes, that's a good one. 156 00:08:30,080 --> 00:08:32,720 Speaker 3: Y we wrote. That's a Randy Newman I think wrote 157 00:08:32,720 --> 00:08:36,000 Speaker 3: that song or somebody very yes, somebody weird that you 158 00:08:36,000 --> 00:08:39,920 Speaker 3: wouldn't think of. I knew the guy that wrote I 159 00:08:40,000 --> 00:08:42,439 Speaker 3: Will Survive mmm, and. 160 00:08:42,440 --> 00:08:44,880 Speaker 4: He was a little old. You think it would be 161 00:08:44,920 --> 00:08:46,760 Speaker 4: like a big fat black lady, right. 162 00:08:46,679 --> 00:08:49,240 Speaker 2: You know, big old right? 163 00:08:49,800 --> 00:08:54,760 Speaker 1: What an old juicy one right, like first, you know, a. 164 00:08:55,080 --> 00:09:06,360 Speaker 3: Huge bah the right I will survive was actually an 165 00:09:06,360 --> 00:09:11,160 Speaker 3: old Greek guy with a big gray afro named Dino Ficaris. 166 00:09:12,559 --> 00:09:14,040 Speaker 2: Well it makes sense these days. 167 00:09:18,800 --> 00:09:22,199 Speaker 3: He also wrote Reunited and it feels so good. Oh wow, 168 00:09:22,800 --> 00:09:28,320 Speaker 3: that makes sense these days once again. So so the 169 00:09:28,360 --> 00:09:32,240 Speaker 3: Greek so Otani was doing the warm up pitching and 170 00:09:32,280 --> 00:09:33,559 Speaker 3: they were playing the. 171 00:09:37,920 --> 00:09:39,440 Speaker 2: And then everybody got pumped up when. 172 00:09:40,960 --> 00:09:42,480 Speaker 4: Everybody had a real bone dignity. 173 00:09:42,679 --> 00:09:45,240 Speaker 1: Hey, why do they why do the padres have such 174 00:09:45,240 --> 00:09:48,280 Speaker 1: a red ass? Is it because they're they peaked and 175 00:09:48,320 --> 00:09:50,880 Speaker 1: now they're starting to uh come all the way back down, 176 00:09:51,000 --> 00:09:54,800 Speaker 1: so they're throwing at Otani and well, you know, uh. 177 00:09:54,640 --> 00:09:57,000 Speaker 3: You get like after like a big event like that 178 00:09:57,000 --> 00:09:59,560 Speaker 3: that only lasts like five minutes, you know, kind of 179 00:09:59,559 --> 00:10:02,600 Speaker 3: like watching one hundred meter final in the Olympics. Yeah, 180 00:10:02,679 --> 00:10:05,520 Speaker 3: there is a little bit of a letdown, like, oh, okay, 181 00:10:05,520 --> 00:10:08,199 Speaker 3: we're still playing baseball. You know, when's he going to 182 00:10:08,240 --> 00:10:10,880 Speaker 3: pitch again? Well maybe an inning in a week, so okay, 183 00:10:10,920 --> 00:10:12,440 Speaker 3: so you got to come on to the next thing. 184 00:10:12,880 --> 00:10:15,800 Speaker 3: And the next thing is a nice well they call 185 00:10:15,840 --> 00:10:17,959 Speaker 3: it a bean ball war, but it's not really a 186 00:10:17,960 --> 00:10:20,480 Speaker 3: bean ball unless somebody throws it at the other guy's head. 187 00:10:21,080 --> 00:10:24,720 Speaker 3: That's what bean balls are. And people have been nailed 188 00:10:24,760 --> 00:10:26,400 Speaker 3: in the ribs or in the middle of the back. 189 00:10:26,480 --> 00:10:30,080 Speaker 3: And they threw it out on Tawny's leg. That was interesting, 190 00:10:30,120 --> 00:10:32,880 Speaker 3: and then Dave Roberts went out there, so that made 191 00:10:32,920 --> 00:10:37,840 Speaker 3: it compelling. Yeah, Dodgers padres is a great modern day rivalry. 192 00:10:37,880 --> 00:10:40,480 Speaker 3: It's not what the Dodgers Giants is. It doesn't have 193 00:10:40,559 --> 00:10:42,800 Speaker 3: the great history of that. And the Giants are playing well, 194 00:10:42,840 --> 00:10:45,079 Speaker 3: and they just traded for that guy from the Red 195 00:10:45,120 --> 00:10:48,800 Speaker 3: Sox Devers, and he's going to be good for them, 196 00:10:49,520 --> 00:10:52,199 Speaker 3: so that's kind of interesting. The Giants are sort of 197 00:10:52,240 --> 00:10:56,959 Speaker 3: popping up Buster Posey's doing making moves. But the Dodgers 198 00:10:56,960 --> 00:11:00,679 Speaker 3: padres is a thing, and it's fun to want Manny 199 00:11:00,720 --> 00:11:04,320 Speaker 3: Machado and Tatis and these guys go at it with 200 00:11:04,360 --> 00:11:07,440 Speaker 3: the Dodgers. But the Dodgers, i think, have won four 201 00:11:07,480 --> 00:11:10,160 Speaker 3: of the last five, so they have their number a 202 00:11:10,160 --> 00:11:12,200 Speaker 3: little bit. So maybe that's why they have a red ass. 203 00:11:12,200 --> 00:11:14,960 Speaker 3: But it makes it interesting. I mean, we're talking about 204 00:11:15,000 --> 00:11:18,880 Speaker 3: baseball here in the middle of June, and normally that's 205 00:11:19,000 --> 00:11:21,240 Speaker 3: kind of a spin your wheels time for the sport 206 00:11:21,920 --> 00:11:25,600 Speaker 3: and their stuff happening in La. Shoe El Tani's pitching, 207 00:11:26,160 --> 00:11:29,400 Speaker 3: that's a big deal. So it's something to embrace this 208 00:11:29,440 --> 00:11:32,040 Speaker 3: time of year and not as much have to lament 209 00:11:32,240 --> 00:11:34,240 Speaker 3: usc status like I. 210 00:11:34,240 --> 00:11:39,240 Speaker 2: Usually do, which is interesting. I guess a segue from 211 00:11:39,280 --> 00:11:44,160 Speaker 2: that is and obviously this isn't the seemingly which is 212 00:11:44,200 --> 00:11:47,040 Speaker 2: crazy to think that we're not in a very very 213 00:11:47,640 --> 00:11:51,000 Speaker 2: fast time for sports, even though you know, we got 214 00:11:51,720 --> 00:11:56,560 Speaker 2: game what Game six coming up tomorrow with the NBA Finals, 215 00:11:56,920 --> 00:12:01,160 Speaker 2: and to have these conversations the the Stanley Cup just 216 00:12:01,240 --> 00:12:07,440 Speaker 2: wrapped up, to have these conversations surrounding baseball at this 217 00:12:07,559 --> 00:12:10,200 Speaker 2: time of the year with the championship rounds of other 218 00:12:10,240 --> 00:12:14,000 Speaker 2: sports going on, Like and if to be in La 219 00:12:14,440 --> 00:12:18,640 Speaker 2: where you're you're locally covering these things at you know, 220 00:12:18,720 --> 00:12:22,400 Speaker 2: such a close eye, how does that like does it 221 00:12:22,440 --> 00:12:25,520 Speaker 2: feel different like from year to year? Petro's like, like, 222 00:12:25,800 --> 00:12:29,240 Speaker 2: this time last year, is it different from where we're 223 00:12:29,240 --> 00:12:29,880 Speaker 2: at right now? 224 00:12:29,920 --> 00:12:33,079 Speaker 3: Today? Is like more excitement. I think that's a good question. 225 00:12:33,120 --> 00:12:36,320 Speaker 3: But what's happened over the years is and we had 226 00:12:36,320 --> 00:12:38,440 Speaker 3: a little bit of this conversation, I think a couple 227 00:12:38,440 --> 00:12:41,560 Speaker 3: of weeks ago or last week, and I've repeated a 228 00:12:41,600 --> 00:12:45,440 Speaker 3: couple of the points that you guys made to people 229 00:12:45,679 --> 00:12:46,640 Speaker 3: talking about them. 230 00:12:48,000 --> 00:12:48,760 Speaker 4: In season. 231 00:12:49,160 --> 00:12:52,360 Speaker 3: You're hoping, if you're a sports league, right, you're hoping 232 00:12:52,480 --> 00:12:56,480 Speaker 3: that you remain relevant throughout. You know, something happened, somebody 233 00:12:56,559 --> 00:12:58,920 Speaker 3: scores a bunch of points, somebody hits a bunch of 234 00:12:59,000 --> 00:13:03,000 Speaker 3: home runs. You know, there's something something to talk about. 235 00:13:03,320 --> 00:13:08,440 Speaker 3: But part of the art of these sports leagues or 236 00:13:08,679 --> 00:13:14,559 Speaker 3: whatever is keeping themselves relevant a year round on the calendar. 237 00:13:15,040 --> 00:13:20,559 Speaker 3: Colin Cowherd had Jim Harbaugh on yesterday, and Jim Harbaugh 238 00:13:20,679 --> 00:13:22,880 Speaker 3: was at the Dodger game and he asked him about 239 00:13:22,920 --> 00:13:26,040 Speaker 3: shoe Heyotani and he's talking. You know, it's the most 240 00:13:26,080 --> 00:13:29,719 Speaker 3: animated he got in the whole interview, talking for two 241 00:13:29,800 --> 00:13:33,840 Speaker 3: three minutes about how impressed he was with shoe Heotani. 242 00:13:34,400 --> 00:13:39,120 Speaker 3: The NFL has become masterful and handling their off season, 243 00:13:39,600 --> 00:13:44,120 Speaker 3: the draft, all of these different things, the Aaron Rodgers drama. 244 00:13:44,800 --> 00:13:49,080 Speaker 3: Seemingly there's always always something to talk about. And you 245 00:13:49,160 --> 00:13:51,840 Speaker 3: can be so stupid like ESPN and even put up 246 00:13:51,880 --> 00:13:56,240 Speaker 3: a chirron that says, what's Dak Prescott's legacy? Right now? 247 00:13:57,120 --> 00:14:00,560 Speaker 3: You know, I mean they're having these conversations in June 248 00:14:00,840 --> 00:14:03,560 Speaker 3: when guys are running around with no pads and helmets 249 00:14:03,600 --> 00:14:07,440 Speaker 3: on for like two or three days. I remember basketball 250 00:14:08,120 --> 00:14:11,800 Speaker 3: did a much better job for a long time. Remember 251 00:14:11,800 --> 00:14:16,479 Speaker 3: when they're following Kawhi Leonard around Canada and a helicopter. 252 00:14:16,480 --> 00:14:20,640 Speaker 3: Remember when DeAndre Jordan was dating Doc Rivers' daughter so 253 00:14:20,760 --> 00:14:23,600 Speaker 3: he could become, you know, stay with the Clippers. 254 00:14:23,680 --> 00:14:26,880 Speaker 1: You know, you remember they had the emojis, like different 255 00:14:26,880 --> 00:14:30,040 Speaker 1: players are posting emojis on Twitter trying to land de 256 00:14:30,120 --> 00:14:33,800 Speaker 1: Andre Jordan and Mark Cuban went after Christisard afterwards. 257 00:14:34,080 --> 00:14:38,680 Speaker 3: It's great Geeter McGee's doing videos about Andre Drummond like 258 00:14:38,720 --> 00:14:42,160 Speaker 3: he's gonna somehow make a difference for the Lakers, you know. 259 00:14:42,280 --> 00:14:47,800 Speaker 3: I mean the off season things become a deal. And 260 00:14:47,840 --> 00:14:50,600 Speaker 3: look at baseball. When the Dodger signed no Tani, it 261 00:14:50,640 --> 00:14:54,600 Speaker 3: was like a Japanese party. And then they signed Yamamoto, 262 00:14:54,760 --> 00:14:58,880 Speaker 3: Japanese party. They signed Roki Sasaki, Japanese off season party. 263 00:14:58,960 --> 00:15:01,160 Speaker 1: By the way, I remember being on the air when 264 00:15:01,240 --> 00:15:04,800 Speaker 1: Gordon I remember being on the air when Gordon Hayward 265 00:15:04,920 --> 00:15:10,440 Speaker 1: signed with the Celtics and some guy from Utah called 266 00:15:10,480 --> 00:15:13,000 Speaker 1: in and said he was driving across the state line 267 00:15:13,000 --> 00:15:15,160 Speaker 1: to go buy booze because he was so depressed about 268 00:15:15,200 --> 00:15:15,880 Speaker 1: Gordon Hayward. 269 00:15:16,080 --> 00:15:17,360 Speaker 2: Those are the good old days. 270 00:15:18,000 --> 00:15:20,200 Speaker 3: Yeah, but you know, like it's something to do in 271 00:15:20,240 --> 00:15:23,720 Speaker 3: the off season. And I think we did you make 272 00:15:23,800 --> 00:15:28,120 Speaker 3: this point. I mean, college football's offseason sucks. Oh, college 273 00:15:28,120 --> 00:15:30,840 Speaker 3: football's offseason has become like the worst thing ever. It's 274 00:15:30,880 --> 00:15:34,600 Speaker 3: become something so unsavory that nobody even wants to deal with. 275 00:15:34,720 --> 00:15:38,240 Speaker 3: You know, the transfer portal makes people sick, the NIL 276 00:15:38,360 --> 00:15:42,720 Speaker 3: makes people sick. All the different confusing conference changes and 277 00:15:42,760 --> 00:15:44,000 Speaker 3: everybody's suing each other. 278 00:15:44,160 --> 00:15:48,520 Speaker 1: Every commissioner's campaigning for their conference to get more automatic quality. 279 00:15:48,280 --> 00:15:51,960 Speaker 3: And every commissioner and the SEC's campaigning to leave the NCAA, 280 00:15:52,080 --> 00:15:54,960 Speaker 3: which is inevitable. I mean, you know, it's just not 281 00:15:55,080 --> 00:15:58,600 Speaker 3: as fun as DeAndre Dordon Jordan and Doc River's daughter. 282 00:16:02,360 --> 00:16:03,160 Speaker 1: It's a fair point. 283 00:16:03,320 --> 00:16:06,080 Speaker 3: Like I'd almost rather listen to Steve Kerr and Popovich 284 00:16:06,160 --> 00:16:10,360 Speaker 3: bitch about politics. And I don't want to hear those guys, like, 285 00:16:10,400 --> 00:16:13,920 Speaker 3: you know, I mean, you guys are basketball coaching, Like 286 00:16:14,000 --> 00:16:16,360 Speaker 3: what's going on? Like seriously, why do you have to 287 00:16:16,400 --> 00:16:18,160 Speaker 3: do that? Like it's like a press conference, like you're 288 00:16:18,160 --> 00:16:20,320 Speaker 3: sitting in the White House, like give an oppresser. 289 00:16:21,960 --> 00:16:23,760 Speaker 4: So what do you think about this new policy change. 290 00:16:23,760 --> 00:16:26,680 Speaker 4: We'll let me tell you. Thanks, Steve Kerr. 291 00:16:32,240 --> 00:16:35,520 Speaker 3: So you know, I mean it is interesting how how 292 00:16:35,600 --> 00:16:38,920 Speaker 3: damaging our off season is becoming college football. I don't 293 00:16:39,000 --> 00:16:42,040 Speaker 3: really think it effects when the game start. I think 294 00:16:42,080 --> 00:16:45,480 Speaker 3: people get really excited like all of us and want 295 00:16:45,480 --> 00:16:48,160 Speaker 3: to see what happens. And when the teams put are 296 00:16:48,200 --> 00:16:50,920 Speaker 3: put together, then that's it. It should be it and 297 00:16:50,960 --> 00:16:51,560 Speaker 3: we should play. 298 00:16:52,280 --> 00:16:52,400 Speaker 2: Uh. 299 00:16:52,640 --> 00:16:55,280 Speaker 3: But they've got to figure out a better offseason because 300 00:16:55,320 --> 00:16:58,520 Speaker 3: everybody else has it figured out way better than we do, 301 00:16:59,200 --> 00:17:00,480 Speaker 3: even punk ass NBA. 302 00:17:00,760 --> 00:17:03,080 Speaker 2: Yeah, that's interesting. 303 00:17:03,160 --> 00:17:05,560 Speaker 3: Well we have is Lebron's podcast you know this time 304 00:17:05,600 --> 00:17:08,640 Speaker 3: of year, So wait for him to say something stupid 305 00:17:08,680 --> 00:17:10,760 Speaker 3: and then you know we we have to make twenty 306 00:17:10,800 --> 00:17:13,960 Speaker 3: minutes out of it. He's coming back, Well his podcast 307 00:17:14,040 --> 00:17:15,000 Speaker 3: came back the other day. 308 00:17:15,680 --> 00:17:16,520 Speaker 2: Is he coming back? 309 00:17:16,640 --> 00:17:18,639 Speaker 3: Oh? I don't care as long as he says something 310 00:17:18,680 --> 00:17:20,800 Speaker 3: on this podcast stupid and we can make fun of 311 00:17:20,880 --> 00:17:25,399 Speaker 3: him for ten minutes. Steve Nash yesterday, the low energy 312 00:17:25,480 --> 00:17:30,000 Speaker 3: podcaster Steve Nash out of the South Bay by way 313 00:17:30,040 --> 00:17:35,919 Speaker 3: of Canada, Lebron said the A all be all like 314 00:17:36,080 --> 00:17:38,920 Speaker 3: A and B like the letters in the alphabet, as 315 00:17:38,920 --> 00:17:42,280 Speaker 3: opposed to the end all be all, you know, because 316 00:17:42,280 --> 00:17:45,720 Speaker 3: he's trying to sound smart, uh and I got him 317 00:17:45,720 --> 00:17:49,920 Speaker 3: like ten minutes out of that time. Hey, I even 318 00:17:49,960 --> 00:17:53,679 Speaker 3: say it like Andre Nicotina, A y'all, B y'all f 319 00:17:53,800 --> 00:17:56,719 Speaker 3: around with a y'all all up in my knees. 320 00:17:56,920 --> 00:17:59,080 Speaker 4: All must have been crazy, y'all. 321 00:18:00,560 --> 00:18:03,640 Speaker 2: That's really good. That's that's like a really fire bar 322 00:18:03,840 --> 00:18:04,399 Speaker 2: right there, bro. 323 00:18:04,720 --> 00:18:07,760 Speaker 4: Thank you Nicotina Ao for yo. 324 00:18:08,359 --> 00:18:10,960 Speaker 1: Hey, what was the name of the woman you mentioned 325 00:18:10,960 --> 00:18:14,200 Speaker 1: earlier that shot that kid? The tall woman who was 326 00:18:14,280 --> 00:18:17,399 Speaker 1: Na Simone? Anina Simone? Speaking of tall women, what do 327 00:18:17,400 --> 00:18:19,840 Speaker 1: you make of the treatment of Caitlin Clark by the 328 00:18:20,040 --> 00:18:23,240 Speaker 1: WNBA and the rough housing that is going on? 329 00:18:23,320 --> 00:18:25,560 Speaker 3: Can I admit a guilty pleasure? Yes? 330 00:18:27,040 --> 00:18:27,680 Speaker 2: You like it? 331 00:18:29,080 --> 00:18:34,200 Speaker 4: I watch Caitlin Clark highlights, hey, like when the. 332 00:18:34,160 --> 00:18:36,800 Speaker 3: Fever's over, Like when the game's over and I see 333 00:18:36,800 --> 00:18:38,879 Speaker 3: the fever have played, you know, because it pops up 334 00:18:38,880 --> 00:18:41,840 Speaker 3: somewhere Caitlin Clark hits eight point shot, you know, or 335 00:18:41,840 --> 00:18:47,680 Speaker 3: something like that. I go back on YouTube. I mean 336 00:18:47,720 --> 00:18:50,120 Speaker 3: there's a they do an incredible job on YouTube. 337 00:18:50,200 --> 00:18:50,800 Speaker 2: Yeah they do. 338 00:18:51,200 --> 00:18:53,520 Speaker 4: You know, those things are up ten minutes. 339 00:18:53,600 --> 00:18:56,200 Speaker 3: The people that cut highlights, they're up ten, fifteen, twenty 340 00:18:56,280 --> 00:19:00,919 Speaker 3: minutes after the game is over. Sometimes Quicker and I 341 00:19:01,000 --> 00:19:04,000 Speaker 3: watched the highlights. And last night I watched the highlights 342 00:19:04,000 --> 00:19:05,639 Speaker 3: of her game. I was like, where's the whole fighting? 343 00:19:07,520 --> 00:19:09,320 Speaker 3: They only cut out that. They cut out all the 344 00:19:09,320 --> 00:19:12,879 Speaker 3: good parts. They only showed people making shots. Uh, so 345 00:19:12,920 --> 00:19:14,680 Speaker 3: I had to go back and look at that as well. 346 00:19:14,760 --> 00:19:16,119 Speaker 1: They didn't show any of the rough housing. 347 00:19:16,480 --> 00:19:19,560 Speaker 4: Well I found it. Oh yeah, but I didn't know that. 348 00:19:19,640 --> 00:19:21,959 Speaker 3: They call the three white chicks that play for the 349 00:19:21,960 --> 00:19:23,840 Speaker 3: Indiana Fever trace Lea Chase. 350 00:19:25,359 --> 00:19:26,280 Speaker 4: Did you guys know that? 351 00:19:26,880 --> 00:19:29,719 Speaker 2: I know, they look like they're pretty good looking girls. 352 00:19:30,840 --> 00:19:35,560 Speaker 2: Somebody did mention that girls tough. 353 00:19:35,920 --> 00:19:42,040 Speaker 3: One of them from Stanford and one from Miszoo Chips Sophie. Yeah, 354 00:19:42,040 --> 00:19:45,800 Speaker 3: she's from Missoo. The other one is from Stanford Hall 355 00:19:46,000 --> 00:19:49,080 Speaker 3: or something, and then the other one is is Caitlyn Clark. 356 00:19:49,480 --> 00:19:51,439 Speaker 3: And they all are pretty white, you know. I mean, 357 00:19:51,640 --> 00:19:54,080 Speaker 3: Kaitlyn Park's really white, like she never left the gym, 358 00:19:54,200 --> 00:19:56,879 Speaker 3: like you could tell that she's translucently white. 359 00:19:57,560 --> 00:19:59,840 Speaker 4: And uh and they call them the trace Lache. 360 00:20:01,000 --> 00:20:01,720 Speaker 2: That's interesting. 361 00:20:01,920 --> 00:20:04,600 Speaker 3: The one thing I really am impressed with Caitlin Clark, 362 00:20:04,640 --> 00:20:06,840 Speaker 3: I think when I watch you know, I'm no, I'm 363 00:20:06,840 --> 00:20:09,680 Speaker 3: not you know, Naysmith or anything, but I watch a 364 00:20:09,720 --> 00:20:13,360 Speaker 3: lot of basketball and we do sports, is just I mean, 365 00:20:15,119 --> 00:20:18,439 Speaker 3: the way she sees she sees the floor and the 366 00:20:18,480 --> 00:20:21,960 Speaker 3: way she distributes the ball is really the wildest thing 367 00:20:21,960 --> 00:20:24,920 Speaker 3: in the world, which makes her so hard to deal 368 00:20:24,960 --> 00:20:27,879 Speaker 3: with because you try to double team her because you 369 00:20:27,920 --> 00:20:29,680 Speaker 3: know she's going to try to get that shot off 370 00:20:29,720 --> 00:20:33,640 Speaker 3: and she finds people like, you know, it looks too easy, 371 00:20:34,520 --> 00:20:38,200 Speaker 3: and it's pretty amazing. I love watching her, and it's 372 00:20:38,800 --> 00:20:41,040 Speaker 3: I mean, I hate to be such a bandwagon guy 373 00:20:41,200 --> 00:20:43,160 Speaker 3: because it's not like I was like, oh my god, 374 00:20:43,200 --> 00:20:46,000 Speaker 3: I want to watch this Iron Scoo tape, you know, 375 00:20:46,200 --> 00:20:50,440 Speaker 3: or I wasn't watching you know, Sue Brn or I mean, 376 00:20:50,480 --> 00:20:53,240 Speaker 3: I came from usc where Cheryl Miller is a legend, 377 00:20:53,280 --> 00:20:56,520 Speaker 3: and yeah, I watch a little Juju I guess before 378 00:20:56,560 --> 00:20:59,680 Speaker 3: her leg fell off in the and that was tough 379 00:20:59,680 --> 00:21:04,800 Speaker 3: to watch. But yeah, I watch her. I'm I'm on 380 00:21:04,880 --> 00:21:06,719 Speaker 3: the hype train, you know, and I have been for 381 00:21:06,760 --> 00:21:09,080 Speaker 3: a couple of years. I've been watching her highlights since 382 00:21:09,200 --> 00:21:13,000 Speaker 3: maybe her senior year at Iowa or her junior year, 383 00:21:13,680 --> 00:21:16,680 Speaker 3: and I just I love to watch her compete. She's great, 384 00:21:16,880 --> 00:21:19,040 Speaker 3: she really is. I wish I could say something. 385 00:21:18,960 --> 00:21:21,800 Speaker 2: Snarky, can I can I ask this. 386 00:21:23,160 --> 00:21:23,359 Speaker 3: To you? 387 00:21:23,600 --> 00:21:25,800 Speaker 2: You say you watch that hot, because that's exactly you 388 00:21:25,880 --> 00:21:29,760 Speaker 2: kind of said it exactly the same way I said it. 389 00:21:29,960 --> 00:21:34,600 Speaker 2: Am I off. I know Jordan didn't shoot like like 390 00:21:34,720 --> 00:21:38,480 Speaker 2: Caitlyn Clark shoots because it just wasn't the necessity back then. 391 00:21:39,240 --> 00:21:42,080 Speaker 2: But everybody tries to make the comp of Angel Reese 392 00:21:42,119 --> 00:21:44,640 Speaker 2: and Caitlyn Clark and put them together and say that's 393 00:21:44,640 --> 00:21:49,080 Speaker 2: the comp is bird Magic and Caitlyn and Angel Reese. 394 00:21:49,520 --> 00:21:52,960 Speaker 2: I think the comp from what I'm seeing and how 395 00:21:52,960 --> 00:21:56,160 Speaker 2: she's getting banged up but still trying to figure it out, 396 00:21:56,280 --> 00:22:00,439 Speaker 2: still producing her points and still adjusting in a acting 397 00:22:01,000 --> 00:22:03,640 Speaker 2: is to Jordan. And I know it might sound crazy, 398 00:22:04,080 --> 00:22:06,439 Speaker 2: but when you really think about it, when did you 399 00:22:06,520 --> 00:22:09,800 Speaker 2: have a player that hit met the caliber of what 400 00:22:09,840 --> 00:22:12,520 Speaker 2: Michael Jordan was to the NBA when he got there. 401 00:22:13,200 --> 00:22:16,240 Speaker 2: And what has that been post Jordan? Right? 402 00:22:16,520 --> 00:22:20,000 Speaker 3: Yeah, there's nobody, There's been nobody. Way, Yeah, there's been 403 00:22:20,040 --> 00:22:23,560 Speaker 3: nobody where you're just like this person is, you know, 404 00:22:23,680 --> 00:22:26,720 Speaker 3: six feet above sea level and everybody else is under 405 00:22:26,800 --> 00:22:31,919 Speaker 3: the water, all right, you know, and in the sports pantheon. 406 00:22:32,600 --> 00:22:34,960 Speaker 3: I mean it reminds me of Usaint Molt you know, 407 00:22:35,080 --> 00:22:39,280 Speaker 3: running one hundred and two. I mean he's winning, Yeah, 408 00:22:39,320 --> 00:22:43,639 Speaker 3: he's wincorns. Yeah he's winning. But he's also fifteen or 409 00:22:43,720 --> 00:22:48,720 Speaker 3: ten meters faster in one hundred meter race than the 410 00:22:48,800 --> 00:22:51,160 Speaker 3: other ten fastest guys on. 411 00:22:51,080 --> 00:22:52,760 Speaker 2: Earth, which is crazy. 412 00:22:52,880 --> 00:22:55,600 Speaker 3: That's stupid, Like you're not supposed to be that much 413 00:22:55,640 --> 00:23:00,320 Speaker 3: better than everybody else. Those guys are hauling ass. I mean, 414 00:23:00,320 --> 00:23:02,480 Speaker 3: it's not like he's out there running against the West 415 00:23:02,560 --> 00:23:06,240 Speaker 3: Torrance uh sprinting team. No, no offense to the Warrior. 416 00:23:07,440 --> 00:23:10,840 Speaker 3: Uh So that's kind of what it like. That's like 417 00:23:10,920 --> 00:23:13,960 Speaker 3: I saw something Dominique. Well we are talking. It's so 418 00:23:14,040 --> 00:23:18,760 Speaker 3: crazy that Michael Jordan played so long ago, uh comparatively 419 00:23:18,800 --> 00:23:21,680 Speaker 3: to how much stuff like most stuff we mentioned from 420 00:23:21,720 --> 00:23:25,359 Speaker 3: Michael Jordan's era to anybody that's not you know, your 421 00:23:25,400 --> 00:23:30,080 Speaker 3: age or or around there, they don't know it. You know, 422 00:23:30,440 --> 00:23:33,639 Speaker 3: they don't know don't know what the gobots are. You know, 423 00:23:33,720 --> 00:23:39,080 Speaker 3: they got no love from mask. You know, they don't 424 00:23:39,119 --> 00:23:43,280 Speaker 3: understand the real characters of G I. Joe, like Zartan. Yeah, 425 00:23:43,640 --> 00:23:46,639 Speaker 3: come ye, commander Baby. Yeah, they can tell you what 426 00:23:46,720 --> 00:23:48,639 Speaker 3: happened between Jordan and the bad boys. 427 00:23:48,840 --> 00:23:51,600 Speaker 1: Right, are you talking to mask Eric Stoltz? 428 00:23:51,760 --> 00:23:52,240 Speaker 2: Are you talking? 429 00:23:52,320 --> 00:23:55,000 Speaker 3: No, I'm not talking mask Eric Stoltz, the modern day 430 00:23:55,000 --> 00:23:59,200 Speaker 3: Ellen fant Man. I'm talking the toy Mask anyway, exactly. 431 00:23:59,240 --> 00:24:04,560 Speaker 3: No one remembered with Jim Carrey. No, No, like that 432 00:24:04,680 --> 00:24:07,359 Speaker 3: was that was like that was a cartoon called Mask, 433 00:24:07,760 --> 00:24:10,119 Speaker 3: and it was like this giant mechanical mask and a 434 00:24:10,240 --> 00:24:12,360 Speaker 3: sweet car would go around it and the dude would 435 00:24:12,440 --> 00:24:14,760 Speaker 3: kick ass and the mask. See. 436 00:24:14,960 --> 00:24:17,480 Speaker 2: I think that that was misleading though, because I know, 437 00:24:18,080 --> 00:24:18,640 Speaker 2: but that's. 438 00:24:18,480 --> 00:24:21,680 Speaker 3: What I'm saying. It makes my point that people don't 439 00:24:21,720 --> 00:24:23,160 Speaker 3: remember anything from that era. 440 00:24:23,840 --> 00:24:26,520 Speaker 2: There was the kid in the movie that ended up, like, 441 00:24:26,680 --> 00:24:28,639 Speaker 2: you know, passing away at the end of the movie. 442 00:24:28,800 --> 00:24:31,320 Speaker 2: That share was the mom like there's that. 443 00:24:31,280 --> 00:24:34,879 Speaker 1: He looked like Brian Scalabrini or boiler alert. Yeah, he 444 00:24:34,960 --> 00:24:39,200 Speaker 1: did look like scalabrin Yeah, reaction. I don't care about 445 00:24:39,240 --> 00:24:40,119 Speaker 1: spoiler alerts. 446 00:24:40,200 --> 00:24:42,560 Speaker 2: So you go, you go, you know what you're saying. 447 00:24:42,640 --> 00:24:43,960 Speaker 4: You know, if you're gonna. I mean, it's a thirty 448 00:24:44,040 --> 00:24:45,480 Speaker 4: year old movie. If you're gonna say the guy. 449 00:24:45,359 --> 00:24:49,159 Speaker 2: That big hitted boy dies at the end, is what 450 00:24:49,240 --> 00:24:53,280 Speaker 2: it is he did and he did he gone so 451 00:24:53,480 --> 00:24:58,600 Speaker 2: the elephant anyway, Yeah, that was a really sad movie. 452 00:24:58,359 --> 00:24:59,320 Speaker 3: Man, Yes, no doubt. 453 00:24:59,640 --> 00:25:02,680 Speaker 2: So what I was saying is super said movie man. 454 00:25:03,320 --> 00:25:06,040 Speaker 3: Like Michael Jordan's the only thing any of us, anybody 455 00:25:06,080 --> 00:25:07,200 Speaker 3: remembers from that era. 456 00:25:07,600 --> 00:25:09,160 Speaker 4: We don't remember a lot of the stuff. 457 00:25:09,560 --> 00:25:12,800 Speaker 2: And it's because Jackson had the elephant man's bones. 458 00:25:13,440 --> 00:25:13,840 Speaker 4: He did. 459 00:25:14,600 --> 00:25:17,200 Speaker 1: Yeah, Dan used a couple. 460 00:25:17,440 --> 00:25:20,720 Speaker 4: The elephant man's name. I believe Joseph Merrick or John Merrick. 461 00:25:20,760 --> 00:25:29,080 Speaker 3: Anyway, it is important to understand that Michael Jordan is 462 00:25:29,119 --> 00:25:34,440 Speaker 3: so transcendent that no one ever says anything else about 463 00:25:34,440 --> 00:25:37,919 Speaker 3: anybody else from any other era. I remember Dominique Wilkins 464 00:25:37,960 --> 00:25:40,800 Speaker 3: saying the other day, like people don't understand what it 465 00:25:40,840 --> 00:25:43,800 Speaker 3: was like competing against that guy, Like we were great, 466 00:25:43,960 --> 00:25:46,919 Speaker 3: but his eyes were red. He was crazy, you know. 467 00:25:47,119 --> 00:25:50,520 Speaker 3: And uh, And I think that's what you know. I mean, 468 00:25:50,560 --> 00:25:54,080 Speaker 3: I think you're right. You're looking at somebody who's who's 469 00:25:55,200 --> 00:25:59,919 Speaker 3: must watch television every time she's playing basketball for basket 470 00:26:00,080 --> 00:26:02,480 Speaker 3: all types, and I think Kaylan Clark, I think that 471 00:26:02,520 --> 00:26:06,040 Speaker 3: would be the comparison, you know, much like me to 472 00:26:06,080 --> 00:26:07,639 Speaker 3: some other stiff white running back. 473 00:26:07,600 --> 00:26:12,919 Speaker 1: I would compare Petros. It's always fun. We appreciate it, 474 00:26:13,200 --> 00:26:16,560 Speaker 1: thanks for doing it, and we will have this conversation 475 00:26:16,600 --> 00:26:17,520 Speaker 1: again next Wednesday. 476 00:26:17,520 --> 00:26:20,520 Speaker 3: Here, I hope you and shout out to Isabel at 477 00:26:20,520 --> 00:26:22,920 Speaker 3: the group home and woke up early out at Annah. 478 00:26:23,000 --> 00:26:26,679 Speaker 1: Yeah, at the old pon ch is where you can 479 00:26:26,720 --> 00:26:30,119 Speaker 1: find them. Always a fun ride here with Petros Papadegas, 480 00:26:30,160 --> 00:26:31,879 Speaker 1: the co host of the Petro Some Money Showing a 481 00:26:31,920 --> 00:26:34,199 Speaker 1: Fox College Football analyst. It is Two Pros and a 482 00:26:34,200 --> 00:26:36,680 Speaker 1: Cup of Joe here on FSR. Coming up next, though, 483 00:26:37,160 --> 00:26:38,600 Speaker 1: LaVar and I are going to tell you about how 484 00:26:38,640 --> 00:26:42,280 Speaker 1: somebody in the NFL, despite support from their own team, 485 00:26:43,000 --> 00:26:45,760 Speaker 1: is pushing back against something in the NFL that is 486 00:26:45,760 --> 00:26:47,440 Speaker 1: yours right here on Fox Sports Radio. 487 00:26:47,920 --> 00:26:50,560 Speaker 7: Be sure to catch live editions of Two Pros and 488 00:26:50,600 --> 00:26:53,600 Speaker 7: a Cup of Joe with Brady Quinn, LeVar Errington, and 489 00:26:53,720 --> 00:26:58,000 Speaker 7: Jonas Knox weekdays at six am Eastern three am Pacific 490 00:26:58,320 --> 00:27:01,520 Speaker 7: on Fox Sports Radio, the iHeartRadio app. 491 00:27:02,720 --> 00:27:04,960 Speaker 1: Two Pros and a Cup of Joe, Fox Sports Radio 492 00:27:06,359 --> 00:27:09,359 Speaker 1: LaVar Arrington, Jonas Knox with you here coming up about 493 00:27:09,359 --> 00:27:11,119 Speaker 1: twelve minutes from now. We're going to close up shop 494 00:27:11,119 --> 00:27:13,840 Speaker 1: on this Wednesday morning with another edition of Lee's Leftovers. 495 00:27:13,840 --> 00:27:18,000 Speaker 1: That'll be yours here on FSR LaVar Arrington. One of 496 00:27:18,000 --> 00:27:21,800 Speaker 1: the big topics of conversation in the NFL this offseason 497 00:27:22,359 --> 00:27:26,040 Speaker 1: was the tush push. The tush push and whether or 498 00:27:26,080 --> 00:27:28,600 Speaker 1: not it was going to be gone, they were going 499 00:27:28,640 --> 00:27:31,800 Speaker 1: to ban it, We're going to make it stay legal again, Like, 500 00:27:31,800 --> 00:27:34,879 Speaker 1: how are they going to handle this old tush push conversation? Well, 501 00:27:35,320 --> 00:27:39,520 Speaker 1: Josh Allen, somebody very successful at said tush push play, 502 00:27:40,040 --> 00:27:43,840 Speaker 1: spoke about his feelings on the rule. Let's take a listen. 503 00:27:43,960 --> 00:27:45,600 Speaker 8: You know, if you can use it to your benefit, great, 504 00:27:46,520 --> 00:27:49,560 Speaker 8: And again I'm a firm believer in you know, there's 505 00:27:50,040 --> 00:27:52,439 Speaker 8: even in practice, right if the defense doesn't want us 506 00:27:52,520 --> 00:27:54,520 Speaker 8: dancing and having a good time, don't let us in 507 00:27:54,560 --> 00:27:56,280 Speaker 8: the end zone. So find a way to stop it. 508 00:27:56,320 --> 00:27:59,280 Speaker 8: And that's that's kind of my mindset. And there are 509 00:27:59,280 --> 00:28:01,000 Speaker 8: teams that do a better job of stopping it. There 510 00:28:01,000 --> 00:28:02,560 Speaker 8: are teams that don't do as good as his job 511 00:28:02,560 --> 00:28:05,920 Speaker 8: is stopping just like any other concept in the game plan. 512 00:28:06,160 --> 00:28:11,199 Speaker 1: Now he is speaking on behalf of himself when his 513 00:28:11,359 --> 00:28:15,800 Speaker 1: organization tried to speak for him because his organization voted 514 00:28:15,840 --> 00:28:20,080 Speaker 1: to ban the tush push. But Josh Allen's like, hey, listen, man, 515 00:28:20,400 --> 00:28:21,600 Speaker 1: if you don't like it, you're going to have to 516 00:28:21,600 --> 00:28:23,040 Speaker 1: stop it. You got to figure out a way to 517 00:28:23,080 --> 00:28:26,760 Speaker 1: stop it. And for me, now that the conversation about 518 00:28:26,840 --> 00:28:30,040 Speaker 1: the tush push being banned is gone at least for 519 00:28:30,080 --> 00:28:34,479 Speaker 1: this year, shouldn't the discussion now be all right, how 520 00:28:34,520 --> 00:28:36,679 Speaker 1: are we going to figure this out? Defensively? How are 521 00:28:36,680 --> 00:28:38,160 Speaker 1: we going to figure this out? It's here for at 522 00:28:38,240 --> 00:28:40,080 Speaker 1: least a year until they try and ban it again. 523 00:28:40,680 --> 00:28:43,080 Speaker 1: So now the conversation becomes, are we just going to 524 00:28:43,200 --> 00:28:45,400 Speaker 1: let these guys run all over us? Or is somebody 525 00:28:45,440 --> 00:28:47,560 Speaker 1: going to step up and figure out a way to 526 00:28:47,640 --> 00:28:50,720 Speaker 1: adapt and try and try and make some sort of 527 00:28:50,720 --> 00:28:52,479 Speaker 1: an impact on the play or are they just going 528 00:28:52,520 --> 00:28:53,680 Speaker 1: to continue to get run over? 529 00:28:54,440 --> 00:28:57,760 Speaker 2: Bro, you're not walking into the meeting room and your 530 00:28:57,840 --> 00:29:03,000 Speaker 2: scouting report. That's the first, second, maybe even the third 531 00:29:03,160 --> 00:29:08,680 Speaker 2: play in your scouting report. It's not so people have 532 00:29:08,760 --> 00:29:11,960 Speaker 2: to understand and keep it in a proper perspective. You're 533 00:29:12,040 --> 00:29:17,880 Speaker 2: talking about a short yardage play, and if that short 534 00:29:17,920 --> 00:29:20,880 Speaker 2: yardage play works, what you got to focus in on 535 00:29:21,560 --> 00:29:24,240 Speaker 2: is making sure that they don't get to a point 536 00:29:24,360 --> 00:29:27,440 Speaker 2: where they can use that play in a short yardage situation. 537 00:29:28,640 --> 00:29:34,280 Speaker 2: So the defense of coordinators are most likely looking at 538 00:29:34,320 --> 00:29:37,400 Speaker 2: the film. The guys are breaking down the film that 539 00:29:37,960 --> 00:29:43,240 Speaker 2: work for the organization, you know, the you know, the assistance, 540 00:29:43,360 --> 00:29:47,520 Speaker 2: the the I guess what are they called. I forget 541 00:29:47,560 --> 00:29:49,920 Speaker 2: what they're called, but they're in scouting. I guess whatever 542 00:29:49,960 --> 00:29:52,520 Speaker 2: it is. I don't know. Video coordinators there you go, 543 00:29:52,560 --> 00:29:55,200 Speaker 2: all right, they're doing the cut ups of the film. 544 00:29:56,000 --> 00:29:59,640 Speaker 2: And as you're breaking down the opponents that you're going 545 00:29:59,720 --> 00:30:03,120 Speaker 2: to have for the twenty five twenty six season, you're 546 00:30:03,160 --> 00:30:09,240 Speaker 2: breaking down formations, You're breaking down personnel groupings, you're breaking 547 00:30:09,320 --> 00:30:13,600 Speaker 2: down what those represent on down in distance, what quarter 548 00:30:13,680 --> 00:30:17,320 Speaker 2: it happens in, you know, what's the score. There's a 549 00:30:17,360 --> 00:30:23,120 Speaker 2: lot of situational things that you plan and you prepare for, 550 00:30:23,680 --> 00:30:27,920 Speaker 2: and short yardage is one of them. It's not the 551 00:30:28,000 --> 00:30:32,000 Speaker 2: tush push. It's not we are on the scouting report 552 00:30:32,080 --> 00:30:36,600 Speaker 2: you have you know, a sudden change of possession tush 553 00:30:36,640 --> 00:30:40,200 Speaker 2: push Like that's not how it that's not what this is. 554 00:30:40,840 --> 00:30:44,920 Speaker 2: It's almost like it's almost like the tush push has 555 00:30:44,920 --> 00:30:50,000 Speaker 2: been turned into the boogeyman, right, Like it's not that 556 00:30:50,840 --> 00:30:55,560 Speaker 2: big count how many times the Tousch push happens in 557 00:30:55,600 --> 00:31:01,480 Speaker 2: the game. Right, the game is not being determined by 558 00:31:01,640 --> 00:31:05,680 Speaker 2: the Toush push. So I get I kind of get 559 00:31:05,720 --> 00:31:07,600 Speaker 2: to the point of where it's like, man, people have 560 00:31:07,640 --> 00:31:12,320 Speaker 2: gotten so carried away and and there's there's this crazy 561 00:31:12,400 --> 00:31:17,640 Speaker 2: obsession with this play. And I mean it made it 562 00:31:17,760 --> 00:31:21,160 Speaker 2: made Kelsey famous. Like all right now they're talking about 563 00:31:21,520 --> 00:31:25,200 Speaker 2: he's saying he surely has CTE. And you know, the 564 00:31:25,240 --> 00:31:28,280 Speaker 2: first thing everybody's going to say, of course, he was 565 00:31:28,400 --> 00:31:32,440 Speaker 2: the spare of the the tush push. He he's the godfather. 566 00:31:32,520 --> 00:31:34,040 Speaker 2: He will go down in history. 567 00:31:34,400 --> 00:31:38,000 Speaker 5: At his induction, they will talk about he was the 568 00:31:38,000 --> 00:31:43,680 Speaker 5: godfather of the Toush push. Like that's great, and and 569 00:31:44,160 --> 00:31:47,000 Speaker 5: it's there are moments in time. You know, you got 570 00:31:47,120 --> 00:31:50,680 Speaker 5: different plays, the flea flicker, you know, the Indo and 571 00:31:50,800 --> 00:31:55,920 Speaker 5: around the Statue of Liberty, you know, the fumble Roosky, 572 00:31:56,200 --> 00:32:02,280 Speaker 5: like you have different plays, and that's fine, but let's 573 00:32:02,400 --> 00:32:07,200 Speaker 5: not get carried away. This is still about preparing to 574 00:32:07,280 --> 00:32:12,000 Speaker 5: play a football game that one play is going to 575 00:32:12,160 --> 00:32:18,800 Speaker 5: happen once in a while during a game. I'm curious 576 00:32:19,720 --> 00:32:24,320 Speaker 5: in all the plays that the Philadelphia Eagles run. If 577 00:32:24,360 --> 00:32:27,920 Speaker 5: you're only preparing for the touch push against the Eagles, 578 00:32:28,560 --> 00:32:33,360 Speaker 5: you're in trouble. You're gonna find yourself in a bad way. 579 00:32:33,400 --> 00:32:35,880 Speaker 5: Because there's a guy by the name of Sakwon Barkley 580 00:32:35,920 --> 00:32:37,040 Speaker 5: that's in the backfield. 581 00:32:37,240 --> 00:32:39,960 Speaker 2: There's a guy by the name of aj Brown that's 582 00:32:40,000 --> 00:32:42,240 Speaker 2: on the outside. There's a guy by the name of 583 00:32:42,320 --> 00:32:45,960 Speaker 2: Devonte Smith that's on the outside. There's a guy by 584 00:32:46,000 --> 00:32:48,760 Speaker 2: the name of Jalen Hurts that is the quarterback of 585 00:32:48,800 --> 00:32:51,720 Speaker 2: the team. You are going to find yourself in a 586 00:32:51,880 --> 00:32:56,160 Speaker 2: world of trouble if you believe that stopping the touch 587 00:32:56,240 --> 00:33:00,160 Speaker 2: push is the key to overcoming what's going to going 588 00:33:00,200 --> 00:33:01,800 Speaker 2: on with the Philadelphia Eagles. 589 00:33:02,080 --> 00:33:05,400 Speaker 1: By the way, I grocked this all right, So I 590 00:33:05,440 --> 00:33:08,320 Speaker 1: looked up which team has been the most successful in 591 00:33:08,400 --> 00:33:11,880 Speaker 1: stopping the tush push, and this actually lends credence to 592 00:33:11,920 --> 00:33:15,440 Speaker 1: what you're just saying. It says that the team with 593 00:33:15,600 --> 00:33:18,440 Speaker 1: the most success in stopping the tush push was the 594 00:33:18,560 --> 00:33:22,000 Speaker 1: Jacksonville Jaguars in Week nine of the twenty twenty four 595 00:33:22,080 --> 00:33:25,760 Speaker 1: season because the Jaguars stopped the Eagles tush push on 596 00:33:25,880 --> 00:33:30,360 Speaker 1: two two point conversion attempts a rare feet that's also, 597 00:33:30,680 --> 00:33:34,080 Speaker 1: by the way, that's also the same game where Saquon 598 00:33:34,200 --> 00:33:38,080 Speaker 1: Barkley leapt backwards over some guy and got on the 599 00:33:38,080 --> 00:33:42,440 Speaker 1: cover of Madden, right, So like the Jaguars, they're like, 600 00:33:42,560 --> 00:33:45,440 Speaker 1: we got to stop this play, and some guy got 601 00:33:45,480 --> 00:33:47,920 Speaker 1: shown his ass and is now on the cover of 602 00:33:47,960 --> 00:33:53,760 Speaker 1: Madden because Saquon Barkley made him a poster by missing 603 00:33:53,760 --> 00:33:56,920 Speaker 1: a tackle and going underneath his legs and became a 604 00:33:57,040 --> 00:33:59,760 Speaker 1: highlight for the rest of eternity. That'll be out everybody's 605 00:33:59,800 --> 00:34:03,040 Speaker 1: high nobody's thinking at all about the fact that the 606 00:34:03,120 --> 00:34:05,560 Speaker 1: Jaguars in the same game stop the two point converse, 607 00:34:05,560 --> 00:34:06,920 Speaker 1: stop the toush push twice. 608 00:34:07,080 --> 00:34:11,239 Speaker 2: Nobody is two point conversions. So you're saying, during the 609 00:34:11,280 --> 00:34:14,040 Speaker 2: course of the game, the only time they had to 610 00:34:14,080 --> 00:34:19,960 Speaker 2: stop the toush push were on extra points. It's like 611 00:34:20,000 --> 00:34:23,960 Speaker 2: they not the touchdowns, not two gold line stances that 612 00:34:24,000 --> 00:34:28,080 Speaker 2: they got a touchdown, but the two point conversions. I'm 613 00:34:28,120 --> 00:34:30,680 Speaker 2: just saying, let's not get carried away, man, That's all 614 00:34:30,719 --> 00:34:35,200 Speaker 2: I'm saying. It's a play like the dangers of it 615 00:34:35,480 --> 00:34:38,560 Speaker 2: are called in the question. They're not banning it yet. 616 00:34:38,680 --> 00:34:41,520 Speaker 2: It's going to be here for another season. You're not 617 00:34:41,880 --> 00:34:44,919 Speaker 2: going to be watching on Sunday and be like, yep, 618 00:34:45,000 --> 00:34:46,080 Speaker 2: let me get my popcorn? 619 00:34:46,160 --> 00:34:46,359 Speaker 3: Yep? 620 00:34:46,400 --> 00:34:48,839 Speaker 2: Did you y'all barbecue? Did we cook ribs? We got 621 00:34:48,920 --> 00:34:49,760 Speaker 2: some grilled chicken? 622 00:34:50,000 --> 00:34:50,319 Speaker 4: All right? 623 00:34:50,360 --> 00:34:54,919 Speaker 2: Wonderful? What some spin dips? Some glizzies wonderful? Okay, let's 624 00:34:54,920 --> 00:34:58,919 Speaker 2: get all settled in some lazed potato chips. Perfect. Let's 625 00:34:58,920 --> 00:35:04,360 Speaker 2: get ready for the toush push, y'all, like, it's not happening. 626 00:35:05,680 --> 00:35:09,319 Speaker 2: Let's relax, can we please? It's over. The vote has 627 00:35:09,360 --> 00:35:13,040 Speaker 2: gone through. They're gonna have the touch push. It's time 628 00:35:13,160 --> 00:35:17,080 Speaker 2: to move on from the touch push people. It's time, Yeah, 629 00:35:17,239 --> 00:35:18,720 Speaker 2: promise you, it's time. 630 00:35:19,640 --> 00:35:21,839 Speaker 1: By the way, are you ready for a new job? 631 00:35:21,920 --> 00:35:25,319 Speaker 1: Let's Express Employment professionals help. While Express helps people in 632 00:35:25,360 --> 00:35:28,480 Speaker 1: all industries find the work. Our sweet spot is logistics 633 00:35:28,560 --> 00:35:31,640 Speaker 1: roles and Express never charges job seekers a fee. Goo 634 00:35:31,680 --> 00:35:35,759 Speaker 1: to expresspros dot com. Coming up next here, Speaking of Glizzies, 635 00:35:36,160 --> 00:35:38,120 Speaker 1: we are going to close up shop with another edition 636 00:35:38,160 --> 00:35:39,960 Speaker 1: of Lee's Leftovers here at FSR. 637 00:35:40,480 --> 00:35:41,120 Speaker 4: Be sure to. 638 00:35:41,120 --> 00:35:43,640 Speaker 7: Catch live editions of Two Pros and a Cup of 639 00:35:43,719 --> 00:35:47,759 Speaker 7: Joe with Brady Quinn, LeVar Errington, and Jonas Knox weekdays 640 00:35:47,760 --> 00:35:50,560 Speaker 7: at six am Eastern, three am Pacific. 641 00:35:51,440 --> 00:35:55,520 Speaker 1: Lavarrington, Two Pros and a Cup of Joe, Fox Sports 642 00:35:55,600 --> 00:35:58,239 Speaker 1: Radio LaVar Arrington, Jonas Knocks with you. 643 00:35:58,800 --> 00:35:59,879 Speaker 2: Let's make this one quick. 644 00:36:00,120 --> 00:36:02,319 Speaker 1: By the way, Uh, we are going to be back 645 00:36:02,360 --> 00:36:04,680 Speaker 1: on the air coming up tomorrow six am Eastern time, 646 00:36:04,840 --> 00:36:09,200 Speaker 1: three o'clock Pacific. Yeah it is, so make sure you 647 00:36:09,239 --> 00:36:12,839 Speaker 1: stick around for another edition of Black and Drack on 648 00:36:12,880 --> 00:36:15,359 Speaker 1: a Thursday morning. By the way, if you've missed any 649 00:36:15,400 --> 00:36:17,879 Speaker 1: of today's show, you can check out the podcast. It'll 650 00:36:17,920 --> 00:36:20,040 Speaker 1: be posted shortly after we go off the air. Search 651 00:36:20,120 --> 00:36:22,640 Speaker 1: Two Pros wherever you get your podcast. Be sure to 652 00:36:22,640 --> 00:36:25,040 Speaker 1: follow and review the pod and rated five stars. Again, 653 00:36:25,160 --> 00:36:26,920 Speaker 1: just search two Pros or ever you get your podcast, 654 00:36:26,920 --> 00:36:29,480 Speaker 1: you'll find today's show and the best up version posted 655 00:36:29,840 --> 00:36:31,120 Speaker 1: right after we get off the air. 656 00:36:32,440 --> 00:36:33,680 Speaker 7: These might smell. 657 00:36:33,400 --> 00:36:33,960 Speaker 2: A little fun. 658 00:36:34,239 --> 00:36:34,640 Speaker 3: What is that? 659 00:36:34,719 --> 00:36:36,479 Speaker 4: Sounds incredible, but they're still good. 660 00:36:37,040 --> 00:36:42,520 Speaker 3: Time to find out what's Lap's? Lee's lap? All right? 661 00:36:42,560 --> 00:36:43,439 Speaker 1: Dullap? What do we got? 662 00:36:43,520 --> 00:36:43,680 Speaker 3: Man? 663 00:36:43,719 --> 00:36:48,200 Speaker 9: I just got hooked up by a listener slash Lorena's friend. 664 00:36:47,960 --> 00:36:50,040 Speaker 10: Who met with some socks. 665 00:36:50,440 --> 00:36:51,839 Speaker 9: I know I'm at that age now where I get 666 00:36:51,840 --> 00:36:53,640 Speaker 9: excited about getting sucks. 667 00:36:55,000 --> 00:37:00,760 Speaker 2: Some sauce socks. Yeah, soile Ryan is starting the thirst 668 00:37:00,800 --> 00:37:05,640 Speaker 2: trapping results around to you. Huh. The groupie trays, I'll 669 00:37:05,640 --> 00:37:05,880 Speaker 2: take it. 670 00:37:05,880 --> 00:37:07,040 Speaker 10: Never falls off the truck. 671 00:37:07,120 --> 00:37:08,560 Speaker 2: Yeah, some socks. 672 00:37:09,000 --> 00:37:12,480 Speaker 1: Yeah, so great about what's so great about these socks? 673 00:37:12,680 --> 00:37:14,960 Speaker 2: Well, they're free, They're free, and. 674 00:37:15,320 --> 00:37:19,280 Speaker 11: There's an abundance of that. There's probably twenty four pairs 675 00:37:19,320 --> 00:37:20,080 Speaker 11: of socks right there. 676 00:37:20,239 --> 00:37:22,760 Speaker 1: Somebody, somebody set you socks. 677 00:37:23,480 --> 00:37:24,440 Speaker 3: Wow, what a loser. 678 00:37:24,719 --> 00:37:26,560 Speaker 10: I love getting socksh my. 679 00:37:26,480 --> 00:37:27,280 Speaker 3: God, give. 680 00:37:28,680 --> 00:37:31,400 Speaker 2: That is a loser. And by the way, super creepy 681 00:37:31,440 --> 00:37:34,200 Speaker 2: whoever you are brou socks. 682 00:37:34,280 --> 00:37:34,800 Speaker 10: I appreciate. 683 00:37:34,920 --> 00:37:36,480 Speaker 1: Let me tell you something about it. If I ever 684 00:37:36,520 --> 00:37:39,360 Speaker 1: got my wife socks, I would I would then follow 685 00:37:39,440 --> 00:37:41,760 Speaker 1: up with, can I can understand if you have an affair. 686 00:37:41,800 --> 00:37:45,560 Speaker 1: Now I can understand I'm a loser. That's a loser. 687 00:37:45,719 --> 00:37:48,440 Speaker 2: If you ever got your wife socks and you told 688 00:37:48,440 --> 00:37:50,640 Speaker 2: me you got your wife socks, I would tell you 689 00:37:50,680 --> 00:37:53,840 Speaker 2: to turn around, bend your head down to the floor, 690 00:37:53,880 --> 00:37:56,440 Speaker 2: and I would slap your neck. Well, yeah, you'd get 691 00:37:56,520 --> 00:37:58,359 Speaker 2: at least three lashes of the neck. 692 00:37:58,920 --> 00:38:01,480 Speaker 10: I'm very thankful. There's a there was one year where 693 00:38:01,480 --> 00:38:02,120 Speaker 10: I was socks. 694 00:38:02,200 --> 00:38:04,239 Speaker 9: Yeah, there was like one of those stories that like 695 00:38:04,400 --> 00:38:08,359 Speaker 9: has a bunch of crappy socks and uh, you know. 696 00:38:08,680 --> 00:38:10,040 Speaker 10: A bunch of goofy stuff on the socks. 697 00:38:10,080 --> 00:38:12,279 Speaker 9: It's good if you're looking for a lot of two 698 00:38:12,320 --> 00:38:13,919 Speaker 9: gifts for a lot of people at once. 699 00:38:14,200 --> 00:38:18,239 Speaker 2: You have one compression some song right now, a therapeutic 700 00:38:18,320 --> 00:38:19,680 Speaker 2: sock for the gout. 701 00:38:19,920 --> 00:38:21,880 Speaker 1: Yeah no, no, but but that serves a purpose. 702 00:38:22,440 --> 00:38:23,239 Speaker 3: Yeah, I don't. 703 00:38:23,680 --> 00:38:25,880 Speaker 1: I don't need a bunch of goofy stuff on my socks. 704 00:38:26,920 --> 00:38:28,640 Speaker 11: You know who had a hole in his sock when 705 00:38:28,640 --> 00:38:31,600 Speaker 11: he took off his shoe lead the lat he did 706 00:38:31,640 --> 00:38:32,440 Speaker 11: so he needed it? 707 00:38:32,920 --> 00:38:33,680 Speaker 1: Had a hole in your song? 708 00:38:33,760 --> 00:38:34,000 Speaker 3: I did. 709 00:38:34,040 --> 00:38:36,920 Speaker 2: I didn't even know how long was his fingernailor his toenail? 710 00:38:37,000 --> 00:38:37,520 Speaker 3: Was it long? 711 00:38:37,680 --> 00:38:43,800 Speaker 2: Like the toenails and dumb and dumber, because there's that's 712 00:38:43,840 --> 00:38:46,520 Speaker 2: probably a reason why there is a hole in the sock, 713 00:38:46,600 --> 00:38:48,480 Speaker 2: and it's it's a sharp toenail. 714 00:38:48,920 --> 00:38:50,120 Speaker 10: I clipped my nails yesterday. 715 00:38:50,800 --> 00:38:51,359 Speaker 2: Yeah you did. 716 00:38:51,520 --> 00:38:52,440 Speaker 1: By the way, you guys do. 717 00:38:52,600 --> 00:38:54,480 Speaker 2: Uh sanded them down. It's kind of true. 718 00:38:54,560 --> 00:38:56,520 Speaker 1: I'm not trying to make this a racial thing. 719 00:38:57,320 --> 00:38:58,800 Speaker 2: I put for black socks. 720 00:38:59,440 --> 00:39:01,560 Speaker 1: I have some, and what racist is not me? 721 00:39:01,960 --> 00:39:06,520 Speaker 2: I'm all black. Yeah that makes a top bar, Yeah 722 00:39:06,920 --> 00:39:10,000 Speaker 2: of top whatever, dude, what else? 723 00:39:10,080 --> 00:39:13,640 Speaker 9: Lee Lrenna was just asking me for some uh some places, 724 00:39:13,800 --> 00:39:16,359 Speaker 9: some advice for places things to do in Vegas. She's 725 00:39:16,400 --> 00:39:19,000 Speaker 9: looking for a show. She was looking for a burlesque show. 726 00:39:19,280 --> 00:39:21,239 Speaker 9: I had said Circa Sola first, but you know there's a. 727 00:39:22,760 --> 00:39:25,600 Speaker 10: Go does humanity looking to. 728 00:39:28,440 --> 00:39:30,640 Speaker 2: Just start there? Do your bur lutch? 729 00:39:30,760 --> 00:39:31,920 Speaker 3: So right there? 730 00:39:33,400 --> 00:39:35,080 Speaker 2: You know what? Are you going to Vegas? 731 00:39:35,640 --> 00:39:42,719 Speaker 1: I leave tomorrow afterwards? Yes, Okay? Can I guarantee this? 732 00:39:43,160 --> 00:39:44,520 Speaker 1: Lee's dropping you off, isn't he? 733 00:39:45,600 --> 00:39:52,080 Speaker 2: I'm I'm happy, happy to Lee's probably going to Vegas. 734 00:39:52,120 --> 00:39:55,160 Speaker 2: Lee just happens to be popping up in Vegas this weekend. 735 00:39:55,280 --> 00:39:59,040 Speaker 10: I'll look at like, yeah, I'll stop by after Friday. 736 00:39:59,040 --> 00:40:00,480 Speaker 10: I gotta I gotta show on Friday. 737 00:40:00,600 --> 00:40:03,080 Speaker 2: I feel like this is a repeat performance. Would you 738 00:40:03,200 --> 00:40:06,000 Speaker 2: like to come, Lee? Sure, I'll look for some flights 739 00:40:06,000 --> 00:40:08,399 Speaker 2: like you got booked flights the same day. 740 00:40:09,160 --> 00:40:10,359 Speaker 10: I'll drive out. It's all fun. 741 00:40:10,800 --> 00:40:16,960 Speaker 1: Yeahs oh my god, bring up my gosh,