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Speaker 1: I'm here with Daddy. Ah, Daddy's looking good. You're my hero.

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Speaker 1: I didn't know you were a dick yet, very similar

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Speaker 1: to golf we did. This is my fourth Well, it's

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Speaker 1: my fleabag camera. I can't really wake up before seven

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Speaker 1: unless it's for overcompensating.

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Speaker 2: And you have some exciting news about that we're doing

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Speaker 2: season two.

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Speaker 3: Like are you thick?

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Speaker 1: Like your son's gay? And did I say? Why do

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Speaker 1: you watch it? Yeah? I've been thinking about the Oregon

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Speaker 1: coast a lot lately. The dogs become really important. I

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Speaker 1: think little Bob, well, any excuse to wear away? That's

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Speaker 1: the face of Balnciaga. Do you guys get that? Hey,

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Speaker 1: he's no chain toogal now. But we shouldn't be allowed

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Speaker 1: to podcast, No, we shouldn't. What do we even do?

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Speaker 2: What are we even doing? By the way, ladies and gentlemen,

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Speaker 2: this is what are we even doing? And we're here

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Speaker 2: with Benny Drama. I'm here with Daddy Oh, and we

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Speaker 2: just start some really really good news we're going to

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Speaker 2: get to so, as you know, we are interviewing actors,

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Speaker 2: creators all type about their world, their creative world, how

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Speaker 2: they use social media, what's happening we get weird together

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Speaker 2: in a good way, and today we have it. I'm

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Speaker 2: going to do a proper introduction brilliant comedian, writer, actor,

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Speaker 2: podcast host Idaho.

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Speaker 1: And oh yeah before acting of course they do, of course,

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Speaker 1: and my on.

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Speaker 2: Screen biological song yes blood relative. Yeah, almost only because

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Speaker 2: you're from Bois and I'm from Yakama.

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Speaker 1: Yeah, and we can talk about the relations somewhere. There

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Speaker 1: is definitely a cross over there.

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Speaker 2: I am happy, happy, happy to be here with you. You're

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Speaker 2: my hero, pleas your bless your heart.

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Speaker 1: So we do podcasts together a lot. This is kind

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Speaker 1: of our thing now.

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Speaker 2: I think it could be because we did the one

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Speaker 2: for a twenty four Yeah, explosive and talk to Yeah,

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Speaker 2: yeah it was. It was fantastic. Yeah, talking about overcompensating

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Speaker 2: so fun. And you have some exciting news about that.

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Speaker 1: I do, and I think we can share. Yeah, we're

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Speaker 1: doing season two. We're going back. We're going back.

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Speaker 3: There's one hundred people here. Yeah, yes, the audience.

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Speaker 1: I'm so excited because I started to tell you a

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Speaker 1: few things I wanted us to do, but I was

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Speaker 1: just saying, like, you don't want to fall in love

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Speaker 1: too much with storylines and stuff. I'm like, please just

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Speaker 1: let this happen. So now I'm just like, I'm a

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Speaker 1: nightmare to have dinner with right now, because I'll just

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Speaker 1: literally in the middle of a story. I'll be like,

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Speaker 1: so then Carmen's trying to get Benny's skinny jeans off, right,

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Speaker 1: and they're just like cool, you like you're not here.

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Speaker 1: It's like you're already writing, You're in the writer You're

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Speaker 1: already working it. Are you going to stay here and

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Speaker 1: do the writer's room here in La Yeah? Yeah, yeah,

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Speaker 1: we do. I think we're gonna do a little bit

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Speaker 1: in New York. A few of the writers are there,

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Speaker 1: Wally and Mary Beth are doing the room with me

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Speaker 1: as well, so which would be so fun. But we

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Speaker 1: do it on zoom, you know, which works. Yeah, so

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Speaker 1: we kind of I think we're going to do a

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Speaker 1: mix of in person in zoom this time. Last time

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Speaker 1: it was just zoom, which I think was good for

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Speaker 1: me because I had never done a room before, so

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Speaker 1: I was like I needed something to, you know, fidget

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Speaker 1: with things. Yeah, so nervous, and I was with like

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Speaker 1: peers and people I've like looked up to, and yeah,

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Speaker 1: you just get so.

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Speaker 2: You've seemed to be like you handled yourself really really well.

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Speaker 2: I mean, and that's of course watching you during the

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Speaker 2: filming when I was there, and just how you handle

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Speaker 2: everything and just you know, like a pro.

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Speaker 1: That is so nice to hear you say that, because

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Speaker 1: when you came in, I have never been more nervous.

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Speaker 1: And the first thing we did was you and my

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Speaker 1: room changes, like where you put on my close and

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Speaker 1: I remember just being like, I had this really weird

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Speaker 1: moment where I find this all the time where it's

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Speaker 1: like hearing your voice is what really freaked me out.

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Speaker 1: The mom It's like hearing your voice and Connie's voice

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Speaker 1: they're actually here.

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Speaker 2: Oh yeah, and I just was mid And then also

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Speaker 2: I have the thing too where then I just start

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Speaker 2: to watch like it's so fun because you've.

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Speaker 1: Written the you know words, and now you get to

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Speaker 1: watch like cal McLaughlin's doing it, and I so yeah,

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Speaker 1: I'm kind of like sitting back. I was like, oh fuck,

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Speaker 1: I'm in the scene with him. Yeah. Let mean I

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Speaker 1: did that at the dinner.

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Speaker 3: Table scene to pay attention.

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Speaker 1: You're like, yeah, oh yeah, I engage with you. Sorry, yeah,

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Speaker 1: but oh.

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Speaker 2: I love an audience and that was fun to the

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Speaker 2: dinner scene.

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Speaker 1: Oh my god.

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Speaker 2: Well, what he had written was so perfect. I was

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Speaker 2: just like, oh, I'm gonna take this as far as

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Speaker 2: I can the.

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Speaker 1: Way you did. And I wrote that was Scott King

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Speaker 1: and that is one of those scenes. And he had

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Speaker 1: known Connie for so like they had worked together. Oh

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Speaker 1: I didn't know, Okay, okay, it was just like and

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Speaker 1: you were our dreamcast, so it was like we I

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Speaker 1: think that was one of the easiest things to edit.

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Speaker 1: Like that was one of those things where also the

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Speaker 1: first time I watched it was what is on screen?

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Speaker 1: Like it was just like that scene is so and

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Speaker 1: with the lights and we played with the light flickering

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Speaker 1: a lot and posted the one part I broke and

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Speaker 1: I'm so bad. I break in every scene, but with

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Speaker 1: the you.

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Speaker 2: Know, yeah, yeah, it's just like, I mean, that was

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Speaker 2: such a that was such a brilliant, brilliant idea. I

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Speaker 2: don't know, you know, you have these things and like experience.

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Speaker 1: I had so many friends parents who were all doing

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Speaker 1: in visil line at the same time, okay, and I

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Speaker 1: don't know why, but it was like I think maybe

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Speaker 1: for their kids weddings. They were all like, I'm getting

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Speaker 1: straight teeth, Like my parents did it and then Mary

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Speaker 1: Beth had done it randomly, and then her I think

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Speaker 1: maybe her mom had done it, like just an assortment

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Speaker 1: of parents. So I was like, let's give him envissile,

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Speaker 1: and I thought maybe I didn't. I mean, I assumed

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Speaker 1: you were the best. I didn't know you were a

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Speaker 1: dick yet. But I was just like, I think he'll

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Speaker 1: be down. And then right now day one in the trailer,

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Speaker 1: you were like trying on my enviscile.

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Speaker 2: Yes, I'm so excited. It's gonna how I'm going to talk?

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Speaker 2: It was good, just it just informs a character so

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Speaker 2: so much. Those little things that you lay in really

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Speaker 2: support the character.

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Speaker 1: What you're doing.

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Speaker 2: You know what I mean to take and just make

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Speaker 2: it very easy. So I was nervous at first day too.

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Speaker 2: I'm walking in, I'm like, I got to take my

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Speaker 2: shirt off now, and I'm like, okay, I'm a man

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Speaker 2: of a certain age.

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Speaker 3: My daddy, Daddy's like, good, do the best he can.

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Speaker 1: No, in the take, I should have gone ship dad, Yeah,

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Speaker 1: right that one mile up and down the block?

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Speaker 3: You ate that up?

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Speaker 1: Oh yeah, no I can't. We kind of threw you

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Speaker 1: into the deep end there, but fantastic. I love it.

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Speaker 1: I love it.

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Speaker 2: I love working with Connie. She is so I had

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Speaker 2: not worked there before.

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Speaker 1: I mean to kne who she was.

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Speaker 2: Of course, she has that rare quality where I can't

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Speaker 2: tell if she knows that she's funny or what she

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Speaker 2: just is.

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Speaker 1: Oh, it's so, you know, It's like that is such

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Speaker 1: a perfect way of describing her, because it's I think

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Speaker 1: she you know, maybe in the back of her mind nose,

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Speaker 1: but I think there's something where she like knows she

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Speaker 1: has the power in the scene. Because I always felt

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Speaker 1: that I'm like she it doesn't feel like someone trying

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Speaker 1: to be seen by the camera in a way, and

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Speaker 1: I felt the same way with you. It's just like

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Speaker 1: it's there, which I think is a tendency in comedy,

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Speaker 1: is like I have to make sure the camera sees

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Speaker 1: the bit I'm doing, whereas I feel like in every

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Speaker 1: take with both of you, you were doing such different

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Speaker 1: things and that was so exciting to.

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Speaker 2: See the interesting you say that because I think when

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Speaker 2: I first started, I was like much more aware of

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Speaker 2: the camera and much more aware of like matching things

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Speaker 2: and is catching everything. And then as I kind of

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Speaker 2: you know, went got older and went through things, I

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Speaker 2: was like, you know, what more and more. It's about

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Speaker 2: like trying not to show just the thing and not

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Speaker 2: even the cameras like it's gonna get what it's going

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Speaker 2: to get.

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Speaker 1: The play of it, like watching both of you play. Yeah,

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Speaker 1: she has that crazy monologue out with the dogs, and

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Speaker 1: she also chow Chow puppies are not relaxed and they're

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Speaker 1: not particularly sweet, and sometimes the chow chow community is

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Speaker 1: going to come for me, you see my trauma from

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Speaker 1: having a podcast big. I'm like, I love chow Chow's,

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Speaker 1: by the way, but watching her do that, there was

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Speaker 1: no take that was similar. She just like and the

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Speaker 1: way she would riff. And also she has this line

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Speaker 1: where she's like, I didn't and it was one of

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Speaker 1: my favorite lines to write because it felt so like

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Speaker 1: what my mom would say. She's like, I didn't want

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Speaker 1: to do J jail because it would ruin it. I

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Speaker 1: didn't want to ruin it for me, so I did

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Speaker 1: J Crue factory And just her saying that she kind

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Speaker 1: of threw it away, and I was like, God, she's brilliant.

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Speaker 1: You're so smart.

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Speaker 2: Yeah, I want to ask you about growing up in

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Speaker 2: a small town in the Northwest. Yeah, because we share

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Speaker 2: that you're from Boise, Idaho. I'm from Yakama, Washington.

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Speaker 1: Yeah.

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Speaker 2: I think the two towns are very similar. Can Napoleon

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Speaker 2: was Napoleon died and it.

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Speaker 1: Was it was in I think Rexburg, Idaho. Okay, yeah, okay,

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Speaker 1: but I've described it as this and and now everyone

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Speaker 1: around me is like, sure, I guess that makes kind

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Speaker 1: of sense. But we grew up with the sawtooth mountains

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Speaker 1: go through Voice beautiful, and so I every morning, like

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Speaker 1: at the end of my drive, like I could see

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Speaker 1: the mountains where we would ski in the winter, and

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Speaker 1: it helped me with direction. So everywhere I go, I know,

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Speaker 1: based on I find my mountain. Ye, yeah, I know

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Speaker 1: where I am. So nothing else in my personality would

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Speaker 1: make it seem like I'm good at directions, but I'm

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Speaker 1: actually good. And I think it's because of growing up

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Speaker 1: with a view that having.

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Speaker 2: I think I agree with you, you know, reference exactly. Yeah, yeah, meane,

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Speaker 2: this is my wee b. We didn't have any mountains.

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Speaker 2: We could see the cascades so pretty, and we could

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Speaker 2: see some of the mountains like Mount Rain near Mount Adams.

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Speaker 2: We couldn't see Mount Saint Helen's, but there was a

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Speaker 2: few that we could see.

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Speaker 1: And so that's the way you.

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Speaker 2: Got your we got I got my remember where things are?

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Speaker 1: You know Helen? But saw tooths are those are some beautiful. Yeah.

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Speaker 1: That's why I think sometimes people think Idaho flat or Midwest.

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Speaker 1: No hate to that, No, no, I love you. Yeah,

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Speaker 1: but it's the this is my fourth wall. It's my

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Speaker 1: flea bag camera right here, which is yours, yours. It's

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Speaker 1: just like, I'm like, it's so funny that you're thinking

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Speaker 1: of Idaho. It's like because to me, I'm like, it's mountains,

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Speaker 1: like mountains and Mount Saint Helen is so funny. My

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Speaker 1: grandparents flew over it five hours before it went off.

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Speaker 2: That's where that get here on the back, I know it.

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Speaker 1: And I grew up with crazy hearing about Mount Saint

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Speaker 1: Helens for so that was like, you know, that crazed

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Speaker 1: my family all golf, So we were like driving around. Yeah,

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Speaker 1: that's why I was always in Washington and and see

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Speaker 1: you golf.

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Speaker 2: Wa do we talk about this? So because I grew

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Speaker 2: up on the golf team in high school, I wasn't

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Speaker 2: I wasn't very all my siblings did I know.

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Speaker 3: I did football.

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Speaker 1: And then when I was in college I did radio

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Speaker 1: DJ so, but all my siblings played college golf very

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Speaker 1: similar to GOLFO well of course, well yeah, it's like

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Speaker 1: it's either if one doesn't work, you have Okay, golf

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Speaker 1: was tricky for me. I'm not patient.

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Speaker 3: Yeah I well yeah, and also yeah exactly.

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Speaker 1: Like I remember I was doing it one morning and

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Speaker 1: I probably was like nine. This guy was keeping scoring.

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Speaker 1: He was like the dad of one of the kids

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Speaker 1: I was playing with, so like, I don't know, they

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Speaker 1: just all bothered me. Yeah, yeah, yeah, and I got

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Speaker 1: like it took me an eleven shots to get out

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Speaker 1: of the sand trap on this one hole, and then

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Speaker 1: I just by the end, I was just so fucking pissed.

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Speaker 1: And the guy to me was like, you know what's

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Speaker 1: great about golf is that you have the next hole

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Speaker 1: and it's just a total. It's just a wash, like

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Speaker 1: it's just all new. And I was like, yeah, that's

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Speaker 1: really cool. You're still going to count that fifteen I

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Speaker 1: shot on that last whole, right, yeah, And then I

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Speaker 1: was just like I shouldn't play this, like some of

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Speaker 1: my parents put me into track instead of spring. Oh

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Speaker 1: and I could, you could, and that would be yeah,

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Speaker 1: but that football and track.

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Speaker 2: Yeah, that was good. Was the classic sports. And of

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Speaker 2: course golf was not cool when I was when I

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Speaker 2: was in school, it was not cool.

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Speaker 1: See it kind of got like I got my siblings,

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Speaker 1: it being kind of you know, is the Tiger Woods

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Speaker 1: of golf at that.

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Speaker 2: Was when it was good, and now it's kind of

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Speaker 2: gone back, I think into some other.

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Speaker 1: I don't know what it is. I don't I don't

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Speaker 1: know if I'm allowed on courses anymore. But I love

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Speaker 1: taking a you know, whack at it.

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Speaker 2: Yeah. Yeah, so that's high school. Did you do sports

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Speaker 2: in college Georgetown?

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Speaker 1: No. I was the first of my family did not

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Speaker 1: play a sport. But still, like I mean, I've always

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Speaker 1: kind of been like a semi gym guy, you know.

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Speaker 1: I love like I was maybe going to do like

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Speaker 1: a running team and then or a running club. You know.

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Speaker 1: They kind of really scout intensely for crew on those

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Speaker 1: East Go schools, for sure, So I thought about that.

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Speaker 1: But I can't really like unless it's for overcomptable. I

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Speaker 1: got to be on camera, But.

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Speaker 2: Did you you didn't row?

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Speaker 1: I mean, yeah, because you imagine the tub at the Yeah,

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Speaker 1: I would have been probably a little tricky and boys

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Speaker 1: we had to drive to like ketch him or McCall

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Speaker 1: which or you catch well, actually, no, there's no lake

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Speaker 1: in ketcham. I'm going to get right for that, McCall.

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Speaker 1: I haven't been home. Oh. People love to say that

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Speaker 1: to me, and I'm like, sometimes I don't know. Yeah,

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Speaker 1: I think I was just sad movie theaters.

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Speaker 2: I love it.

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Speaker 1: I just love the Northwest. I do, I really.

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Speaker 2: I mean it's a certain to it. And so there's

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Speaker 2: a scent and a smell and a look in tree right,

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Speaker 2: I'm really trying about.

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Speaker 1: The news, about the news about coming back.

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Speaker 2: It's gonna be great. I think we have one of

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Speaker 2: the great father son relationships and there's more to mine,

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Speaker 2: you know what I mean about that relationship.

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Speaker 1: Yeah, like almost Connie got more of the emotional beats

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Speaker 1: in this season, you know, which I think does make

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Speaker 1: sense for a lot of these experiences of you know,

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Speaker 1: when people come out. I think moms have a different

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Speaker 1: relationship to it than dads in a way. I agree.

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Speaker 1: I've just been rereading this book, The Velvet Rage, which

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Speaker 1: is kind of about this experience of being in the

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Speaker 1: closet and as you come out and and how that

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Speaker 1: manifests in different ways for you. You know, and how

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Speaker 1: it I think kind of changes who you are. And

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Speaker 1: it talks about that too, the relationship between parents, and

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Speaker 1: so I think, you know, looking into season two, I

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Speaker 1: am excited for Also there more emotion, I think.

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Speaker 2: Yeah, I'm usually I'm curious about the journey. I'm looking

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Speaker 2: forward to the journey because I think, at the end

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Speaker 2: of the day, this is this person is your flesh

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Speaker 2: and blood, right, this is your son or your daughter,

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Speaker 2: and that supersedes everything. Of course, I mean there's nothing whatever,

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Speaker 2: whatever they're going through, whatever's happening, you know, you find acceptance,

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Speaker 2: You find.

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Speaker 1: A way to understand you.

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Speaker 2: You work towards that if you're having a difficulty, if

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Speaker 2: it's not just immediate, you know, because you just can't

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Speaker 2: be denied.

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Speaker 1: The relationship can't be denied. So I'm really I'm.

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Speaker 2: Curious to find out how if my character sort of

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Speaker 2: finds his way to connect with you.

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Speaker 1: It's also I'm now having, you know, this excitement with

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Speaker 1: writing season two of like I get to write for

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Speaker 1: you, you know, it's like the dream before of you know,

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Speaker 1: and now I get to know that it's waally yeah, yeah, yeah, sure,

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Speaker 1: And yeah, I think that's what's kind of yeah, to

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Speaker 1: go and a confidence with with you now, you know.

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Speaker 1: It's like, I like, that is so exciting to me

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Speaker 1: that I'm like, I know you and I know also

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Speaker 1: and being on set with you, I'm like, how what

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Speaker 1: would be like fun and enjoyable as an actor to

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Speaker 1: get to do with you and play But you know,

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Speaker 1: I think I told you. It's it's so interesting. It's

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Speaker 1: like parents go through this journey and then at the

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Speaker 1: other side of it, they're like wearing pride merch yes,

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Speaker 1: you know, and it's just like so funny.

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Speaker 2: You can see that happening and she's like, well, well

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Speaker 2: now it's like, yeah, let's get let's get in at the.

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Speaker 1: North Face pride merch. Yes, my dad does, and he

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Speaker 1: looks greted. Yeah yeah. I'm like hell yeah, King.

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Speaker 3: Like light that up and he's like check it.

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Speaker 1: I'm like I love the rainbow fabulous, yes, but all that's.

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Speaker 2: All that's going to awaken, which I think is really

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Speaker 2: fun and just.

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Speaker 1: Like I love doing bits with I mean, just you,

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Speaker 1: having bits and parent bits are fun to just I

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Speaker 1: lean to dad bits, you know me like yeah, and

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Speaker 1: I want to see the J Crew factory with Connie.

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Speaker 1: That would be fun too. I really want to we

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Speaker 1: gotta find them all.

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Speaker 2: Well, you know, and I do, And I actually love

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Speaker 2: that relationship too. I love the fact that I think

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Speaker 2: you really believe that we're parents, Yeah, that have been

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Speaker 2: together for a long time and you know, gone through

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Speaker 2: all sorts of different things, and you know, we're connected,

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Speaker 2: we're together, but we're also doing our.

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Speaker 1: Own thing and you know, now we're all gone. So

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Speaker 1: it's like I think that you know, we were talking

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Speaker 1: about it in the writer's room. Everyone kind of had

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Speaker 1: different stories of when they left and what their parents

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Speaker 1: how that affected their parents' lives because they were like, well,

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Speaker 1: they've just given eighteen years to being so focused on you.

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Speaker 1: Now they're trying to rEFInd out who they are without

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Speaker 1: you in the house, and then almost coming back together

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Speaker 1: and re meeting each other, yes, like not parents, but

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Speaker 1: as like partners, which I think is really that.

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Speaker 2: I think that's that's that's really true. In fact, we're

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Speaker 2: my wife and I are facing our sons and a

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Speaker 2: rising in a senior year. He's just started a senior

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Speaker 2: so one year and he's off somewhere.

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Speaker 1: That's crazy. We only have one. So yeah, that's a

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Speaker 1: little I'm not going to terrify. The dogs become really important.

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Speaker 1: I think, oh, the dogs. My mom is absolutely the

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Speaker 1: dogs become huge.

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Speaker 2: Absolutely God, which is we're.

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Speaker 1: On that way. My dogs smell better than any human

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Speaker 1: I met. Like it's explosive. I go, oh, just the

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Speaker 1: coats on those goldens. Sorry, we didn't do golden so

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00:16:09,560 --> 00:16:12,480
Speaker 1: goldens would have been easier. So then Scott King, our showrunner,

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Speaker 1: loves cow Chow's, so that's why we did twelve.

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Speaker 2: I was I going on really going to chow Land.

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Speaker 1: Okay, well it's one of these Okay, so going to

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Speaker 1: chow Land? Okay, clip that?

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Speaker 3: But there was that, Yeah, I heard clip that.

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Speaker 1: But that's one of those things where you write in

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Speaker 1: a script and this is something that it sounds like.

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Speaker 1: So I feel very lucky that this is true. But

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Speaker 1: you'll write something in a script and you've read it

393
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Speaker 1: so many times you don't even really read the stage

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Speaker 1: direction anymore. So I kind of forget sometimes. But then

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Speaker 1: obviously a production designer, you know, everyone is is like, well,

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Speaker 1: this is what's in script, and like, we want to

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Speaker 1: make the world come to life as like the writers

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Speaker 1: have written. So it would be something like that where

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Speaker 1: all of a sudden They're like, yeah, and you wanted

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Speaker 1: this girl to have a service dog that was a poodle, right,

401
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Speaker 1: And I'm like.

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Speaker 3: Yeah, and they're like, well, we've looked.

403
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Speaker 1: All over Toronto. We found one. And I was just like,

404
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Speaker 1: oh my gosh, it's so bad.

405
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Speaker 2: I'm like, we could have easily because like your wishes

406
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Speaker 2: their command.

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00:17:08,400 --> 00:17:10,320
Speaker 1: Like they're like, yeah, this is the way, and I'm like,

408
00:17:10,440 --> 00:17:12,280
Speaker 1: oh my god, I just didn't much time. Did you

409
00:17:12,280 --> 00:17:15,800
Speaker 1: spend exactly cost? And what did it take? Shout out

410
00:17:16,440 --> 00:17:18,720
Speaker 1: Josh who found those childs for you? I think that

411
00:17:18,840 --> 00:17:23,160
Speaker 1: took a really long time to find chow chow puppies

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Speaker 1: that were okay to be filmed, Yeah, and be handled

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Speaker 1: by an actor. Yeah, it was so yeah. Yeah, next

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00:17:29,840 --> 00:17:32,879
Speaker 1: time I'll be maybe a little things. Yeah, yeah, do

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Speaker 1: you have any requests? We're gonna do it. Well.

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Speaker 2: I'm gonna talk a little bit too about because we

417
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Speaker 2: talked about were commentating a lot. But I'm very excited

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Speaker 2: about that we're gonna shoot in Toronto.

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Speaker 1: What do we know? I don't know. Campuses are hard.

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Speaker 1: Shooting on campuses is tricky, so trying to figure that out.

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Speaker 1: And during this school year. School year, we had we

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Speaker 1: had one night that was So it was one of

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00:17:54,760 --> 00:17:56,679
Speaker 1: those things where then after you just feel like this

424
00:17:56,800 --> 00:17:58,919
Speaker 1: is so cool that this is like really happening. But

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Speaker 1: we were shooting on campus with me and Wally and

426
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Speaker 1: we were doing a golf cart sequence and then this

427
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Speaker 1: one where we're walking and you know, I say that

428
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Speaker 1: I'm super picky with girls, and then I asked her

429
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Speaker 1: and she's like, I'm not picky at all with God.

430
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Speaker 1: And we look up after a take because we kept

431
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Speaker 1: hearing like people time. We were like what and there

432
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Speaker 1: was like a high school camp that they had within

433
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Speaker 1: the dorms in there they were it was an entire

434
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Speaker 1: row of these like high school boys filming us and

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00:18:26,960 --> 00:18:30,000
Speaker 1: filming her. I was just like, yeah, we should probably

436
00:18:30,119 --> 00:18:33,600
Speaker 1: do it on a closed this decision I saw I

437
00:18:33,640 --> 00:18:35,879
Speaker 1: still get, you know, tagged in those videos, and I'm like,

438
00:18:35,920 --> 00:18:38,280
Speaker 1: that's like, there you go.

439
00:18:38,520 --> 00:18:41,879
Speaker 2: That was a private Having a successful show, you know

440
00:18:42,000 --> 00:18:44,520
Speaker 2: you just gonna be yeah, you're gonna be hrdhlighted. So

441
00:18:44,920 --> 00:18:47,280
Speaker 2: but you've done some really fun characters too. So I

442
00:18:47,320 --> 00:18:49,280
Speaker 2: was not familiar with these characters when we were together,

443
00:18:49,320 --> 00:18:51,199
Speaker 2: but looked into some of them.

444
00:18:51,359 --> 00:18:51,879
Speaker 1: That's scary.

445
00:18:51,960 --> 00:18:53,800
Speaker 2: I don't think that you're doing these anymore.

446
00:18:53,960 --> 00:18:55,080
Speaker 1: But it's been a while.

447
00:18:55,200 --> 00:18:58,159
Speaker 2: Deliverance Richard just one that I got a kick out of.

448
00:18:58,280 --> 00:19:01,159
Speaker 1: She would love you, yeah, to sell you a vineyard

449
00:19:02,040 --> 00:19:05,399
Speaker 1: all in. I miss her a lot. I really do

450
00:19:05,440 --> 00:19:08,359
Speaker 1: miss being Deliverance. She was. She is kind of just me.

451
00:19:08,840 --> 00:19:11,080
Speaker 2: You're just free association, going crazy.

452
00:19:10,880 --> 00:19:13,800
Speaker 1: Just going to town like. I love her. I did

453
00:19:13,840 --> 00:19:17,320
Speaker 1: her because I was I was looking for a place,

454
00:19:17,560 --> 00:19:20,680
Speaker 1: and I kept meeting with different realitors and every single

455
00:19:20,680 --> 00:19:22,920
Speaker 1: time I found that a few of them I met with.

456
00:19:23,320 --> 00:19:26,359
Speaker 1: Anything I said, they went with. And then so I

457
00:19:26,400 --> 00:19:28,159
Speaker 1: would be like, yeah, I really liked it, and they're like,

458
00:19:28,200 --> 00:19:29,639
Speaker 1: isn't it the best? And I'm like, yeah, but this

459
00:19:29,720 --> 00:19:31,800
Speaker 1: one thing, you know, I'm not loving. They're like right,

460
00:19:31,880 --> 00:19:34,320
Speaker 1: like I fucking lived there and kill myself before it.

461
00:19:34,359 --> 00:19:36,399
Speaker 1: And I'm like, okay, do you like it or not?

462
00:19:36,640 --> 00:19:39,320
Speaker 1: Like wait, should I not get it? And I just

463
00:19:39,480 --> 00:19:43,520
Speaker 1: and the outfits and the selling sunset and the fingernails,

464
00:19:43,520 --> 00:19:46,040
Speaker 1: remember the whole thing. I love having. I wear like

465
00:19:46,080 --> 00:19:49,640
Speaker 1: gloves and I wear like hats. I did a pregnant

466
00:19:49,640 --> 00:19:51,879
Speaker 1: belly at one point just because I was like, I

467
00:19:51,920 --> 00:19:54,520
Speaker 1: think she'd be pregnant still walk in this you know,

468
00:19:54,720 --> 00:19:56,160
Speaker 1: so she was fun.

469
00:19:56,200 --> 00:19:58,520
Speaker 2: That was one of my favorite. Jenny the TMI hair

470
00:19:58,560 --> 00:19:59,720
Speaker 2: shy list scared me.

471
00:20:00,000 --> 00:20:00,960
Speaker 1: You'd love to give you a cut?

472
00:20:01,080 --> 00:20:02,919
Speaker 2: Yeah, I bet you would. I just don't still give

473
00:20:02,920 --> 00:20:05,040
Speaker 2: you a die job. I would just be like, I'm

474
00:20:05,040 --> 00:20:07,520
Speaker 2: a deer in headlights. I'm like, oh, no, was there

475
00:20:07,520 --> 00:20:09,480
Speaker 2: one that you were like, oh, this is close to me?

476
00:20:10,080 --> 00:20:11,760
Speaker 2: Just one of the characters that you created?

477
00:20:11,960 --> 00:20:14,719
Speaker 1: Oh my god, you know what's funny. I actually one

478
00:20:14,720 --> 00:20:17,000
Speaker 1: of the first characters I did was Haley, who became

479
00:20:17,040 --> 00:20:19,439
Speaker 1: the character in the show Oh, played by Holmes so

480
00:20:19,560 --> 00:20:23,040
Speaker 1: brilliantly one of the most talented people I've met, and

481
00:20:23,119 --> 00:20:25,400
Speaker 1: I that was something where we had done a stand

482
00:20:25,480 --> 00:20:27,800
Speaker 1: up show together like two years maybe two years prior

483
00:20:27,840 --> 00:20:29,440
Speaker 1: to shooting. I think that's what they said. They said, yes,

484
00:20:29,560 --> 00:20:31,720
Speaker 1: that's how you met. We met in backstage. It was

485
00:20:31,720 --> 00:20:34,480
Speaker 1: at the Allegiant Theater and it was very kind of

486
00:20:34,480 --> 00:20:37,000
Speaker 1: this like small little backstage that they have, and it

487
00:20:37,080 --> 00:20:39,359
Speaker 1: was like immediately foreheads touching, you know, we're in the

488
00:20:39,359 --> 00:20:41,960
Speaker 1: corner just like talking to agent, just throwing up in

489
00:20:42,000 --> 00:20:45,520
Speaker 1: each other's mouth. And then she had this incredible set

490
00:20:45,560 --> 00:20:47,480
Speaker 1: and I was like, got, she's good and then when

491
00:20:47,480 --> 00:20:51,240
Speaker 1: we were auditioning people, she read for Carmen and Scott

492
00:20:51,320 --> 00:20:53,320
Speaker 1: King sent it to me and he was like, wow,

493
00:20:53,400 --> 00:20:55,880
Speaker 1: she's like incredible. Yeah, and I was like, oh my god,

494
00:20:56,080 --> 00:20:57,760
Speaker 1: what and I said, get her on tape for him.

495
00:20:57,840 --> 00:21:01,399
Speaker 1: Haley ran, Now I have never laughed like that. And

496
00:21:01,440 --> 00:21:03,639
Speaker 1: I love that character so much because it was like

497
00:21:03,720 --> 00:21:07,600
Speaker 1: this first character I developed. Yeah, you know I initially

498
00:21:07,640 --> 00:21:09,040
Speaker 1: she was a character that I had where it's like

499
00:21:09,080 --> 00:21:11,320
Speaker 1: a girl who just got back from abroad, and then

500
00:21:11,320 --> 00:21:12,840
Speaker 1: I kind of used her for a bunch of different

501
00:21:12,840 --> 00:21:15,520
Speaker 1: things like that, and this kind of I think, like

502
00:21:15,600 --> 00:21:18,240
Speaker 1: bad out of Hell that arrives at college was so

503
00:21:18,840 --> 00:21:21,360
Speaker 1: I mean, she writing that part is like a gay

504
00:21:21,400 --> 00:21:24,120
Speaker 1: man's stream and having someone like Hans come in, it's

505
00:21:24,200 --> 00:21:26,120
Speaker 1: just and you know what, the way she did it

506
00:21:26,160 --> 00:21:29,280
Speaker 1: is that she believed everything she said, and like, I

507
00:21:29,359 --> 00:21:32,199
Speaker 1: think that's why people have responded so well to it.

508
00:21:32,200 --> 00:21:35,199
Speaker 1: It's because you know, she came in and she was

509
00:21:35,280 --> 00:21:36,919
Speaker 1: you know, it's like what you're saying where something's just

510
00:21:37,000 --> 00:21:40,560
Speaker 1: inform the character. She was just like she is so loyal,

511
00:21:40,680 --> 00:21:43,000
Speaker 1: She's obsessed with Carmen, like she's she might even be

512
00:21:43,000 --> 00:21:44,840
Speaker 1: in love with her. And I'm like, I love this,

513
00:21:45,280 --> 00:21:47,960
Speaker 1: like this every she just found a reason why all

514
00:21:48,000 --> 00:21:50,200
Speaker 1: of it made sense to her and none of it

515
00:21:50,359 --> 00:21:52,760
Speaker 1: was what I think some people could read on the page.

516
00:21:52,760 --> 00:21:55,440
Speaker 1: And also why I think Adam DeMarco was so great.

517
00:21:55,480 --> 00:21:57,600
Speaker 1: It's he was like, it's not a bimbo, and she

518
00:21:57,720 --> 00:21:59,280
Speaker 1: was like, you know, this isn't a bimbo. It's an

519
00:21:59,400 --> 00:22:02,159
Speaker 1: kid who wants to be loved and seen hasn't been

520
00:22:02,240 --> 00:22:03,320
Speaker 1: seen in the right way.

521
00:22:03,600 --> 00:22:06,480
Speaker 2: And I just an absolute truth, like there's you can't

522
00:22:06,560 --> 00:22:08,720
Speaker 2: she can't be dishonest, which I know I think is

523
00:22:08,720 --> 00:22:10,200
Speaker 2: such an extraordinary quality.

524
00:22:10,280 --> 00:22:12,919
Speaker 1: Absolutely, you really feel that the performance. So yeah, anyone

525
00:22:12,920 --> 00:22:15,440
Speaker 1: were to do with Hailey, Oh, she's fun.

526
00:22:15,240 --> 00:22:18,159
Speaker 2: To write she is, and knowing that I'm putting in

527
00:22:18,160 --> 00:22:19,359
Speaker 2: my my head, I'd love to seeing.

528
00:22:19,520 --> 00:22:23,040
Speaker 1: I'd love to seeing ye Oh, I would love that.

529
00:22:24,880 --> 00:22:28,640
Speaker 1: Be like your son's gay. Wait, yeah, you know, like

530
00:22:28,640 --> 00:22:30,960
Speaker 1: like are you thik like your son's gay? Yeah? Yeah,

531
00:22:31,440 --> 00:22:43,119
Speaker 1: like with her palm already? Yeah. Oh yeah.

532
00:22:42,600 --> 00:22:45,879
Speaker 2: What you've done with overcommisating is you the people that

533
00:22:45,960 --> 00:22:48,640
Speaker 2: you know, your friends, Yeah, people that you worked with

534
00:22:48,640 --> 00:22:51,320
Speaker 2: that you know within the circuits that the comedy circuit,

535
00:22:51,320 --> 00:22:54,080
Speaker 2: the dramas are in the show, and you brought them,

536
00:22:54,119 --> 00:22:55,960
Speaker 2: and you brought them and you know them, and you

537
00:22:55,960 --> 00:22:58,720
Speaker 2: bring them and you let them do their thing. Like

538
00:22:58,760 --> 00:23:03,000
Speaker 2: Marybeth is a great I loved working with her soul much.

539
00:23:03,200 --> 00:23:06,920
Speaker 1: It's so funny when we did those first the photos

540
00:23:06,920 --> 00:23:09,480
Speaker 1: of the family, anyone who I showed it to, they're like,

541
00:23:09,560 --> 00:23:11,840
Speaker 1: I kind of get it, Like they're like, I know

542
00:23:11,880 --> 00:23:15,440
Speaker 1: who got each Like feature, I know who's I was

543
00:23:15,480 --> 00:23:18,800
Speaker 1: so glad you got to do that. We did episode

544
00:23:18,840 --> 00:23:21,120
Speaker 1: seven with the parents and that you got to see

545
00:23:21,200 --> 00:23:25,320
Speaker 1: because that was I think such an amazing showcase of

546
00:23:25,359 --> 00:23:27,880
Speaker 1: why I have always responded to her comedy and think

547
00:23:27,960 --> 00:23:31,000
Speaker 1: she's so brilliant, and that performance that she gives at

548
00:23:31,000 --> 00:23:33,959
Speaker 1: the dinner table, and and even that really sad sequence

549
00:23:33,960 --> 00:23:35,719
Speaker 1: in the bathroom where she's kind of dressed herself up

550
00:23:35,720 --> 00:23:37,840
Speaker 1: and her mom compliments it and it feels good, but

551
00:23:37,880 --> 00:23:39,560
Speaker 1: she doesn't want to show that it feels too good.

552
00:23:40,040 --> 00:23:43,000
Speaker 1: I just love her in that that episode was really

553
00:23:43,040 --> 00:23:44,560
Speaker 1: for her. It was like we wanted it to be

554
00:23:44,600 --> 00:23:47,639
Speaker 1: a showcase of I think this a great moment for Benny,

555
00:23:47,680 --> 00:23:49,399
Speaker 1: but it was so much more about her and the

556
00:23:49,440 --> 00:23:53,200
Speaker 1: parents and like finding like this family. You see, this

557
00:23:53,240 --> 00:23:54,760
Speaker 1: is the thing that was just what I love.

558
00:23:54,840 --> 00:23:56,160
Speaker 2: This is why I think you're doing what you need

559
00:23:56,200 --> 00:23:59,240
Speaker 2: to do is because you these characters have depth, they

560
00:23:59,240 --> 00:24:03,080
Speaker 2: have things, other things going on. You know, overcompisating, you're

561
00:24:03,080 --> 00:24:05,879
Speaker 2: covering up something. You understand that. And you've brought in

562
00:24:05,880 --> 00:24:08,440
Speaker 2: people that I think really can do that and can

563
00:24:08,520 --> 00:24:08,920
Speaker 2: groove in it.

564
00:24:09,000 --> 00:24:09,800
Speaker 1: And everybody has one.

565
00:24:09,920 --> 00:24:12,800
Speaker 2: She's just you know, there's you know, she's got this

566
00:24:12,920 --> 00:24:16,600
Speaker 2: in sadness and that I see that that she just

567
00:24:16,720 --> 00:24:19,240
Speaker 2: lets be there, you know, like even that moment when

568
00:24:19,240 --> 00:24:27,200
Speaker 2: we the house my son and she's like like, oh, hey,

569
00:24:27,240 --> 00:24:30,639
Speaker 2: how are you? And I was like, I want to

570
00:24:30,640 --> 00:24:32,600
Speaker 2: play it like, oh he does care, but he cares

571
00:24:32,600 --> 00:24:33,240
Speaker 2: about the son.

572
00:24:33,600 --> 00:24:37,000
Speaker 1: This is you know, sorry, the prodigal son. And she's returned.

573
00:24:37,080 --> 00:24:39,560
Speaker 2: Yeah, she's left kind of there you are.

574
00:24:39,880 --> 00:24:43,280
Speaker 1: Yeah. It's interesting too because I was so excited. I

575
00:24:43,320 --> 00:24:45,800
Speaker 1: feel like people really responded to that character so much too,

576
00:24:45,880 --> 00:24:48,240
Speaker 1: And that's what was so exciting. And I think also,

577
00:24:48,960 --> 00:24:52,240
Speaker 1: you know, this idea of a coldness and that being

578
00:24:52,240 --> 00:24:54,720
Speaker 1: seen as such a bad like a bad thing especially

579
00:24:54,720 --> 00:24:57,480
Speaker 1: for women, and I feel like for her to play

580
00:24:57,520 --> 00:25:01,119
Speaker 1: that and and also kind of do that and it

581
00:25:01,200 --> 00:25:03,639
Speaker 1: be triumphant that by the end she does get to

582
00:25:03,720 --> 00:25:07,320
Speaker 1: return to more of like a coldness and not trying

583
00:25:07,359 --> 00:25:09,359
Speaker 1: to be what all these people want. I mean, that

584
00:25:09,520 --> 00:25:12,879
Speaker 1: was really exciting to me. Kind of being darker, I think,

585
00:25:12,920 --> 00:25:15,639
Speaker 1: and in moodier I think was so and that's what

586
00:25:15,680 --> 00:25:17,720
Speaker 1: I've always seen in her stand up too. When I

587
00:25:17,760 --> 00:25:19,880
Speaker 1: was doing stand up, I was like running around stage

588
00:25:19,920 --> 00:25:22,399
Speaker 1: like slapping my ass and throwing on wigs, and she

589
00:25:22,560 --> 00:25:24,679
Speaker 1: was just standing there with a mic and just like

590
00:25:25,000 --> 00:25:25,960
Speaker 1: so cold and.

591
00:25:26,960 --> 00:25:30,840
Speaker 2: She's kind of sharp, yes restraint, which I admire so

592
00:25:30,880 --> 00:25:31,879
Speaker 2: much because I'm not like that.

593
00:25:32,160 --> 00:25:40,040
Speaker 1: I have a what do you mean? Like what I'll

594
00:25:40,080 --> 00:25:43,880
Speaker 1: always work with friends. I'm doing everything with you. Sorry,

595
00:25:44,800 --> 00:25:47,480
Speaker 1: I just I think I grew up. I mean I

596
00:25:47,520 --> 00:25:49,439
Speaker 1: mine was. I grew up with Adam Sandler movies and

597
00:25:49,480 --> 00:25:52,160
Speaker 1: then watching like my Rudolph and Kristen wigg and Amy

598
00:25:52,200 --> 00:25:54,960
Speaker 1: Poehler and watching them all be in each other's projects.

599
00:25:54,960 --> 00:25:58,440
Speaker 1: I'm like, well, this is who inspires me, and these

600
00:25:58,440 --> 00:26:00,560
Speaker 1: are like yeah, I'm like I times I feel like

601
00:26:00,560 --> 00:26:05,199
Speaker 1: I'm fan first for who do you? I mean?

602
00:26:05,240 --> 00:26:08,480
Speaker 2: Are people you watch you admire people like that inspire you?

603
00:26:08,520 --> 00:26:09,639
Speaker 1: And it sounds like, oh.

604
00:26:09,560 --> 00:26:12,200
Speaker 2: Yeah, comedians, you know, definitely was there a moment when

605
00:26:12,200 --> 00:26:14,280
Speaker 2: you were like, this is this is me, this is

606
00:26:14,280 --> 00:26:16,080
Speaker 2: what I'm want to do, this is this is.

607
00:26:16,840 --> 00:26:19,600
Speaker 1: I do remember seeing Missus Doubtfire when I was really

608
00:26:19,600 --> 00:26:22,040
Speaker 1: young and Robin Williams and that and being like, wow,

609
00:26:22,520 --> 00:26:24,280
Speaker 1: I just felt so much emotion from him, and I

610
00:26:24,280 --> 00:26:26,920
Speaker 1: think he also carried such like a beautiful like everything

611
00:26:26,960 --> 00:26:29,960
Speaker 1: he did felt really emotional, but also just being able

612
00:26:30,000 --> 00:26:33,280
Speaker 1: to tap into the comedy and yeah, I just I

613
00:26:33,320 --> 00:26:35,439
Speaker 1: remember that as a kid like really sticking with me

614
00:26:35,480 --> 00:26:37,959
Speaker 1: and being like I would love to do something like

615
00:26:38,000 --> 00:26:40,520
Speaker 1: this like he just feels and all of his films

616
00:26:40,560 --> 00:26:42,320
Speaker 1: I think I really like followed them as a kid

617
00:26:42,480 --> 00:26:45,320
Speaker 1: and SNL. I mean I when I was in high school,

618
00:26:45,320 --> 00:26:49,879
Speaker 1: it was the Maya, Rudolph, Jami Polar, Tina Fey, Kristen Wiggs.

619
00:26:49,920 --> 00:26:51,960
Speaker 1: So I just got that to me. I was so

620
00:26:52,800 --> 00:26:55,800
Speaker 1: I was like electrified by that. Every Saturday I was

621
00:26:55,840 --> 00:26:59,199
Speaker 1: watching them, and so I think that really inspired me.

622
00:26:59,320 --> 00:27:01,159
Speaker 1: But I don't know. I didn't say I was a

623
00:27:01,160 --> 00:27:03,840
Speaker 1: comedian until Mary Beth forced me to before the show

624
00:27:04,280 --> 00:27:05,639
Speaker 1: because I was just like, I don't know, I'm just

625
00:27:05,680 --> 00:27:09,919
Speaker 1: a guy, you're a comedian. No, and you're a gay guy.

626
00:27:10,359 --> 00:27:10,720
Speaker 2: Come on?

627
00:27:10,800 --> 00:27:15,080
Speaker 1: But it was so yeah. So I always loved film

628
00:27:15,119 --> 00:27:18,560
Speaker 1: and TV and they were always places where I felt

629
00:27:18,920 --> 00:27:21,960
Speaker 1: like very safe. And I think I told you, but

630
00:27:22,040 --> 00:27:25,159
Speaker 1: the first time I saw blue Velvet was in a

631
00:27:25,280 --> 00:27:28,119
Speaker 1: It was called like senior seminar. It was a class

632
00:27:28,119 --> 00:27:30,520
Speaker 1: I took in high school and that was shout out

633
00:27:30,520 --> 00:27:32,960
Speaker 1: Missus Simmons. We watched films for the first time and

634
00:27:32,960 --> 00:27:35,240
Speaker 1: wrote about them and kind of analyzed them. That was

635
00:27:35,240 --> 00:27:37,360
Speaker 1: where I was like, WHOA, I maybe I would want

636
00:27:37,359 --> 00:27:39,320
Speaker 1: to study this. And at the time I was still

637
00:27:39,359 --> 00:27:42,280
Speaker 1: in the closet, so performing wasn't really on the menu

638
00:27:42,359 --> 00:27:44,560
Speaker 1: really until I started to come out and.

639
00:27:44,560 --> 00:27:46,560
Speaker 2: You're saying you're like going up on the stage, you

640
00:27:46,560 --> 00:27:47,600
Speaker 2: would be like, oh.

641
00:27:47,440 --> 00:27:50,240
Speaker 1: I mean me as Danny Zuko would. People would not

642
00:27:50,280 --> 00:27:56,480
Speaker 1: have any questions about yeah, oh okay, yeah we've we've

643
00:27:56,480 --> 00:27:56,920
Speaker 1: been new.

644
00:27:59,680 --> 00:27:59,920
Speaker 2: Yeah.

645
00:28:00,160 --> 00:28:02,399
Speaker 1: It would have been two seconds again. So it's like

646
00:28:02,400 --> 00:28:06,480
Speaker 1: called just two sports and occasionally, you know run People

647
00:28:06,520 --> 00:28:08,320
Speaker 1: would say I run like a girl, which I'd take

648
00:28:08,359 --> 00:28:12,119
Speaker 1: as a compliment. I love it. Listen, that's your ass idea?

649
00:28:12,480 --> 00:28:14,480
Speaker 1: Why And did I say why are you watching.

650
00:28:14,440 --> 00:28:17,440
Speaker 2: Yeah, yeah, look at this, Yeah, look at my form.

651
00:28:17,800 --> 00:28:20,199
Speaker 1: Yeah what about you? What was your do you have

652
00:28:20,280 --> 00:28:22,280
Speaker 1: like a moment where you were like, oh, that's.

653
00:28:22,200 --> 00:28:25,800
Speaker 2: Kind of couple A couple actually, because I was more

654
00:28:26,160 --> 00:28:27,800
Speaker 2: high school, we you know, I did the play and

655
00:28:27,880 --> 00:28:29,960
Speaker 2: I did the musicals. Kind of everybody kind of did.

656
00:28:30,119 --> 00:28:33,159
Speaker 2: There was no stigma to do that. It was like

657
00:28:33,400 --> 00:28:34,880
Speaker 2: some of the cool guys, some of the cool guys,

658
00:28:34,920 --> 00:28:37,040
Speaker 2: the jocks, were actually in the plays, you know, in

659
00:28:37,080 --> 00:28:38,600
Speaker 2: the musicals because it was a cool thing to do.

660
00:28:38,640 --> 00:28:41,160
Speaker 1: Yeah, it was. It was like Washington there, you go

661
00:28:42,600 --> 00:28:43,360
Speaker 1: ahead of our time.

662
00:28:43,760 --> 00:28:45,160
Speaker 2: But I remember doing that and having a great time.

663
00:28:45,160 --> 00:28:46,040
Speaker 2: Then going to college and.

664
00:28:46,000 --> 00:28:50,240
Speaker 1: Going I gotta think about something serious. I gotta study,

665
00:28:50,320 --> 00:28:51,800
Speaker 1: you know, I got what am I going to do?

666
00:28:51,840 --> 00:28:52,000
Speaker 1: You know?

667
00:28:52,480 --> 00:28:54,720
Speaker 2: And I was like, well, I'll take some communication courses,

668
00:28:54,800 --> 00:28:56,040
Speaker 2: which is like perfect.

669
00:28:56,600 --> 00:28:58,760
Speaker 1: I don't want to do in communications, of course, I

670
00:28:58,840 --> 00:29:00,480
Speaker 1: gotta see that. Yeah.

671
00:29:01,040 --> 00:29:03,120
Speaker 2: I took public speaking and I was terrible. But I

672
00:29:03,160 --> 00:29:05,080
Speaker 2: also just took a drama I took a drama classes.

673
00:29:05,320 --> 00:29:07,360
Speaker 2: Well I just do an acting class, yeah.

674
00:29:07,400 --> 00:29:07,880
Speaker 1: You know what I mean.

675
00:29:08,200 --> 00:29:10,880
Speaker 2: Yeah, And I was like I was like that was

676
00:29:10,920 --> 00:29:12,840
Speaker 2: pretty good. I a really enjoyed that.

677
00:29:12,960 --> 00:29:15,040
Speaker 1: Yeah, you're like, shit, I'm kind of absolutely incredible.

678
00:29:15,160 --> 00:29:17,480
Speaker 2: Yeah, I don't know, like I said, I.

679
00:29:19,600 --> 00:29:24,640
Speaker 1: But yeah, yeah, sorry, but I was like that.

680
00:29:25,760 --> 00:29:27,360
Speaker 2: I can't, I can't do this, you know what I mean.

681
00:29:27,400 --> 00:29:28,760
Speaker 2: But but I was like I was in college. It

682
00:29:28,840 --> 00:29:31,640
Speaker 2: was so unhappy. Yeah, and I went, I dropped out

683
00:29:31,680 --> 00:29:34,560
Speaker 2: my third quarter. I pledged beta. I was in the

684
00:29:34,600 --> 00:29:36,640
Speaker 2: Beta house, was a fraternity. I said, this isn't really

685
00:29:36,680 --> 00:29:38,760
Speaker 2: my vibe so much, but my dad was a Beta

686
00:29:38,840 --> 00:29:40,200
Speaker 2: and I was like, oh, I'll try to do this.

687
00:29:40,720 --> 00:29:42,680
Speaker 2: And I was like and I just and I took

688
00:29:42,680 --> 00:29:44,480
Speaker 2: I took a quarter off, I worked in a mill,

689
00:29:44,840 --> 00:29:47,000
Speaker 2: made some money, and that summer I went to summerstock

690
00:29:47,160 --> 00:29:50,640
Speaker 2: in North Carolina. Well, and that's when I was like, oh,

691
00:29:50,880 --> 00:29:52,800
Speaker 2: I was watching stuff and I got to actually be

692
00:29:53,320 --> 00:29:55,120
Speaker 2: a lead character in one of the plays for one

693
00:29:55,160 --> 00:29:56,239
Speaker 2: of the weeks that they did it.

694
00:29:56,120 --> 00:29:57,200
Speaker 1: It was kind of a big deal.

695
00:29:57,560 --> 00:29:59,880
Speaker 2: Yeah, And I was like, this is basically the director

696
00:29:59,880 --> 00:30:02,200
Speaker 2: is told me everything to do they do this, do this,

697
00:30:02,240 --> 00:30:04,280
Speaker 2: do this. I was like okay, and I had a

698
00:30:04,320 --> 00:30:06,800
Speaker 2: really great experience. I was like, wow, this is really

699
00:30:06,840 --> 00:30:09,000
Speaker 2: I feel like something is clicking.

700
00:30:09,040 --> 00:30:12,600
Speaker 1: But I still was like I don't know Yeah.

701
00:30:12,680 --> 00:30:15,760
Speaker 2: I got back to college and there was a program

702
00:30:15,800 --> 00:30:18,479
Speaker 2: there that they had that was for a repertory theater actors,

703
00:30:18,600 --> 00:30:22,640
Speaker 2: three years training to work you know, Shakespeare festivals, repertory theaters.

704
00:30:22,720 --> 00:30:23,480
Speaker 1: That was going to be it.

705
00:30:23,520 --> 00:30:25,040
Speaker 2: And I watched what they did. I saw I went

706
00:30:25,040 --> 00:30:26,560
Speaker 2: to a couple of plays, and I said that I

707
00:30:26,560 --> 00:30:27,480
Speaker 2: think I have to do this.

708
00:30:27,880 --> 00:30:28,160
Speaker 1: Wow.

709
00:30:28,240 --> 00:30:29,960
Speaker 2: And so I worked really hard to get accepted into

710
00:30:29,960 --> 00:30:32,080
Speaker 2: the program, which I was accepted, and then I went

711
00:30:32,120 --> 00:30:35,080
Speaker 2: for three years. I was terrible, just terrible, but I

712
00:30:35,120 --> 00:30:37,960
Speaker 2: was doing I know what I wanted to do. And

713
00:30:38,160 --> 00:30:41,080
Speaker 2: then I just I can't started working and it was like,

714
00:30:41,120 --> 00:30:42,200
Speaker 2: this is what I'm going to do. I had no

715
00:30:42,240 --> 00:30:43,560
Speaker 2: idea I was going to make a living. I didn't

716
00:30:43,560 --> 00:30:45,120
Speaker 2: even think about that. It was just like I really

717
00:30:45,200 --> 00:30:48,400
Speaker 2: loved this process, and so it was it was like

718
00:30:48,440 --> 00:30:51,920
Speaker 2: a series of doors opening that kind of made sense.

719
00:30:51,920 --> 00:30:54,840
Speaker 1: Sometimes wanting to not want it. Yeah, I know, being

720
00:30:54,960 --> 00:30:58,000
Speaker 1: like that I can't love this that much. No, I'm like,

721
00:30:58,040 --> 00:30:58,560
Speaker 1: no one will.

722
00:30:58,680 --> 00:30:59,680
Speaker 2: Something else has to hell.

723
00:30:59,760 --> 00:31:02,160
Speaker 1: Someone in the Pacific Northwest I want to be an

724
00:31:02,200 --> 00:31:05,640
Speaker 1: act Yeah, like they're gonna like I think a dentist

725
00:31:05,680 --> 00:31:10,160
Speaker 1: still like one recently asked my dad like has been okay.

726
00:31:11,280 --> 00:31:13,800
Speaker 1: They're like he's still trying to do the acting. It's

727
00:31:15,960 --> 00:31:18,040
Speaker 1: kind of rurle, you know. Yeah, they're just like that's

728
00:31:18,080 --> 00:31:21,120
Speaker 1: just a job, you know. So they're like and I

729
00:31:21,240 --> 00:31:24,120
Speaker 1: just that was in my head too. I studied like well,

730
00:31:24,120 --> 00:31:26,280
Speaker 1: I studied English, so I don't know what. I wasn't

731
00:31:26,280 --> 00:31:28,239
Speaker 1: doing communications or anything, so I don't know like how

732
00:31:28,320 --> 00:31:29,880
Speaker 1: much more I was doing just like.

733
00:31:29,840 --> 00:31:31,440
Speaker 2: What are you what are you gonna do with communications?

734
00:31:31,560 --> 00:31:34,280
Speaker 1: Want to with that? I didn't even know. That's the

735
00:31:34,280 --> 00:31:36,000
Speaker 1: thing too where people are like was there a backup?

736
00:31:36,040 --> 00:31:39,040
Speaker 1: And I'm like, I think at the time, I was

737
00:31:39,080 --> 00:31:42,120
Speaker 1: like I'd love to like help people with music videos,

738
00:31:42,160 --> 00:31:47,000
Speaker 1: like I said, ship like, like what is that? Good luck? Yeah?

739
00:31:47,120 --> 00:31:49,000
Speaker 2: Yeah, that was sort of my yeah, just in the

740
00:31:49,000 --> 00:31:51,760
Speaker 2: process of my process, which was thank god, you know,

741
00:31:51,800 --> 00:31:55,120
Speaker 2: and it sort of why asked myself, why did I

742
00:31:55,200 --> 00:32:00,200
Speaker 2: have such a hard time like accepting this clearly something

743
00:32:00,240 --> 00:32:01,960
Speaker 2: that I was better at than everything else.

744
00:32:02,200 --> 00:32:03,840
Speaker 1: I don't know. Still if I don't think I've really

745
00:32:03,880 --> 00:32:07,520
Speaker 1: done a play, but I'm dying too, I would one.

746
00:32:07,560 --> 00:32:08,200
Speaker 1: We should do one.

747
00:32:08,280 --> 00:32:10,520
Speaker 2: I've read somewhere that you were interested in doing that.

748
00:32:10,640 --> 00:32:13,480
Speaker 1: Maybe I think so I almost did one recently, but

749
00:32:13,520 --> 00:32:15,880
Speaker 1: then it just didn't work with the show. Yeah, but

750
00:32:15,960 --> 00:32:17,680
Speaker 1: I was really sad to not do it because I

751
00:32:17,720 --> 00:32:20,600
Speaker 1: was like, that would be I'm yeah. And then randomly,

752
00:32:20,640 --> 00:32:23,240
Speaker 1: when I was living in Brooklyn, there was a friend

753
00:32:23,240 --> 00:32:26,640
Speaker 1: who was doing a production of Alice in Wonderland and

754
00:32:26,680 --> 00:32:28,600
Speaker 1: they needed a mad Hatter and they always had like

755
00:32:28,760 --> 00:32:30,800
Speaker 1: someone common do the mad Hatter, and I almost it,

756
00:32:30,800 --> 00:32:32,440
Speaker 1: but then I couldn't do it. That would be fun.

757
00:32:32,480 --> 00:32:34,640
Speaker 1: That would have been fun. The mad everything. I mean,

758
00:32:34,680 --> 00:32:37,000
Speaker 1: I love that, you know, Yeah, that's my Will. I

759
00:32:37,000 --> 00:32:40,680
Speaker 1: could see he was you can't okay good, Like Willy Wonka.

760
00:32:40,760 --> 00:32:42,880
Speaker 1: I mean all those kind of like old Johnny Depp

761
00:32:43,000 --> 00:32:45,960
Speaker 1: ones were really huge. I mean that Willy Wonka was

762
00:32:46,000 --> 00:32:48,479
Speaker 1: like it was him for Halloween, Like that was brilliant.

763
00:32:48,960 --> 00:32:53,600
Speaker 1: Oh yeah yeah with a little Bob anywhere, I'm Will.

764
00:32:53,640 --> 00:32:55,360
Speaker 1: You're working there Courtney, right.

765
00:32:55,240 --> 00:32:56,680
Speaker 2: Is that the one that has the courtney?

766
00:32:56,760 --> 00:32:59,880
Speaker 1: Yeah. They changed their hair so much with the Widows,

767
00:32:59,880 --> 00:33:00,640
Speaker 1: you can't imagine.

768
00:33:00,720 --> 00:33:01,960
Speaker 2: That was a stroke of brilliance.

769
00:33:01,960 --> 00:33:04,240
Speaker 1: Whose I think was that? Yeah? The wades peak was me.

770
00:33:04,400 --> 00:33:08,800
Speaker 1: I just I really started to get it. I did

771
00:33:08,840 --> 00:33:12,400
Speaker 1: start to really enjoy making my face look more and

772
00:33:12,440 --> 00:33:15,440
Speaker 1: more like person. I just found that, like somehow my

773
00:33:15,520 --> 00:33:19,760
Speaker 1: face just felt like it lent itself in makeup. Yeah, yeah, yeah,

774
00:33:19,840 --> 00:33:21,520
Speaker 1: you know. So I was really close. I was like,

775
00:33:21,560 --> 00:33:23,760
Speaker 1: it just doesn't quite look like her. And then I

776
00:33:23,800 --> 00:33:24,920
Speaker 1: was like, all right, let me look at her one

777
00:33:24,920 --> 00:33:26,719
Speaker 1: more time and see what's different. Yeah, And then there

778
00:33:26,760 --> 00:33:28,520
Speaker 1: was a windows and I didn't have a wig, so

779
00:33:28,560 --> 00:33:31,560
Speaker 1: I took a that's what it needs, made it, and

780
00:33:31,600 --> 00:33:33,440
Speaker 1: I was like, we've got it.

781
00:33:33,560 --> 00:33:33,680
Speaker 3: You know.

782
00:33:33,680 --> 00:33:35,400
Speaker 2: It's funny because I was talking with and after I

783
00:33:35,440 --> 00:33:37,480
Speaker 2: really respect and we were talking about process, and I said,

784
00:33:37,520 --> 00:33:40,160
Speaker 2: how do you what where do you drop in to

785
00:33:40,200 --> 00:33:43,080
Speaker 2: the character? Is just what's the Ah, I got it,

786
00:33:43,520 --> 00:33:43,880
Speaker 2: I got it.

787
00:33:43,920 --> 00:33:44,080
Speaker 1: You know.

788
00:33:44,080 --> 00:33:46,520
Speaker 2: It could be those could be the shoes that you wear.

789
00:33:46,560 --> 00:33:48,320
Speaker 2: With the shoes and I've got you know, and from

790
00:33:48,360 --> 00:33:50,200
Speaker 2: there everything kind of grows. And he said the voice,

791
00:33:50,520 --> 00:33:53,240
Speaker 2: he said, and I said, that's that's interesting. And I said,

792
00:33:53,440 --> 00:33:55,920
Speaker 2: but I think in the process also the look I

793
00:33:55,960 --> 00:33:59,240
Speaker 2: remember doing mister c and yeah, twin Peaks of Return,

794
00:33:59,560 --> 00:34:02,080
Speaker 2: and I remember it's we're putting the character together kind

795
00:34:02,080 --> 00:34:04,040
Speaker 2: of a little by pieces and stuff. And then David

796
00:34:04,920 --> 00:34:08,680
Speaker 2: did like this kind of a dirt stipple on my face. Yeah,

797
00:34:09,520 --> 00:34:12,360
Speaker 2: and that I said, I got it.

798
00:34:12,239 --> 00:34:16,680
Speaker 1: It is so it sounds so like actory, but it

799
00:34:16,760 --> 00:34:18,440
Speaker 1: is that moment where you kind of go, oh, I

800
00:34:18,480 --> 00:34:20,400
Speaker 1: know it's connect like I got yeah, you're just like

801
00:34:20,440 --> 00:34:24,359
Speaker 1: it's one little thing where you're like, it's so, that's so. Yeah,

802
00:34:24,600 --> 00:34:27,040
Speaker 1: it really can be that. It gives you Yeah, but

803
00:34:27,080 --> 00:34:28,959
Speaker 1: it gives you the just you know they're real.

804
00:34:29,200 --> 00:34:32,200
Speaker 2: Yeah, it gives you the okay the door opened. Yeah,

805
00:34:32,239 --> 00:34:34,120
Speaker 2: now I believe it, and now I believe it until

806
00:34:34,120 --> 00:34:34,920
Speaker 2: I can make it happen.

807
00:34:35,080 --> 00:34:36,040
Speaker 1: In the widow's peak, I.

808
00:34:35,960 --> 00:34:38,359
Speaker 3: Think, yeah, it's like widow's peaker.

809
00:34:40,719 --> 00:34:42,680
Speaker 1: Voice interesting and yeah, the voice is good.

810
00:34:42,680 --> 00:34:44,919
Speaker 2: I thought that was an interesting choice because I said, yeah,

811
00:34:44,920 --> 00:34:45,880
Speaker 2: that would that would work.

812
00:34:45,920 --> 00:34:48,360
Speaker 1: Where do you pitch? Where do you find it? Well, Benny,

813
00:34:48,400 --> 00:34:50,520
Speaker 1: it was so hard because it was like I am

814
00:34:50,840 --> 00:34:52,880
Speaker 1: in the closet and some people are believing it and

815
00:34:52,920 --> 00:34:56,920
Speaker 1: some people aren't. So what is that? How much do

816
00:34:57,000 --> 00:35:00,600
Speaker 1: we get to play within how deep the goes or

817
00:35:00,640 --> 00:35:03,279
Speaker 1: how masculine i'm you know, or how thick my neck is?

818
00:35:03,360 --> 00:35:05,640
Speaker 1: Like I found I also find posture to be like

819
00:35:05,719 --> 00:35:08,560
Speaker 1: really posture. And then this sounds kind of crap, but

820
00:35:08,800 --> 00:35:11,120
Speaker 1: sometimes I do it's helpful to think of how a

821
00:35:11,160 --> 00:35:15,120
Speaker 1: character would have sex. I know that's sorry, no no, no,

822
00:35:15,719 --> 00:35:17,600
Speaker 1: I don't want to talk about it in front of you.

823
00:35:17,719 --> 00:35:19,759
Speaker 1: But it's like Seasons is going to be a lot

824
00:35:19,800 --> 00:35:21,560
Speaker 1: of this, so we got to get ready. But I

825
00:35:21,560 --> 00:35:24,440
Speaker 1: think it's just it's like helpful to think of them

826
00:35:25,040 --> 00:35:27,279
Speaker 1: or in a relationship. I think it's helpful to me

827
00:35:28,600 --> 00:35:30,600
Speaker 1: exactly how would they how would they be?

828
00:35:30,719 --> 00:35:33,279
Speaker 2: You know, that's really you know, I think I really

829
00:35:33,280 --> 00:35:35,520
Speaker 2: want to ask yourself those questions, like it's helpful this

830
00:35:35,640 --> 00:35:37,640
Speaker 2: or this or this where and because it doesn't gives

831
00:35:37,640 --> 00:35:40,600
Speaker 2: you a picture, gives you a feeling more importantly, and

832
00:35:40,640 --> 00:35:44,640
Speaker 2: out of that comes behavior. Yeah, movement, I mean how

833
00:35:44,640 --> 00:35:46,600
Speaker 2: you interact with somebody, how you might touch someone or

834
00:35:46,640 --> 00:35:48,600
Speaker 2: grab someone or just anything like that.

835
00:35:48,800 --> 00:35:51,120
Speaker 1: Totally. I had one character where I was like, he

836
00:35:51,160 --> 00:35:54,680
Speaker 1: would shower before sex. Yeah, and it's just like to me,

837
00:35:54,880 --> 00:35:56,680
Speaker 1: I'm like, oh, I so get it, Like he's just

838
00:35:56,760 --> 00:35:58,200
Speaker 1: kind of hell. I've played characters like.

839
00:35:58,120 --> 00:35:59,960
Speaker 3: That, you know, where it's like he's just that.

840
00:36:00,239 --> 00:36:02,799
Speaker 2: I'm like, I don't know how I kind of get

841
00:36:02,800 --> 00:36:05,760
Speaker 2: all that informs you know, it's just like a little Yeah,

842
00:36:06,000 --> 00:36:08,279
Speaker 2: informs everything, and I think that that's that's that's a

843
00:36:08,280 --> 00:36:09,680
Speaker 2: process or organic process.

844
00:36:09,680 --> 00:36:12,759
Speaker 1: But I think it is really really important. Yeah, I

845
00:36:12,800 --> 00:36:14,600
Speaker 1: got I would love to draw one on you. I'm

846
00:36:14,600 --> 00:36:16,279
Speaker 1: gonna do that. I'll bring that way I.

847
00:36:16,280 --> 00:36:19,320
Speaker 2: Could do because there was you remember the monsters. Oh yeah, okay,

848
00:36:19,360 --> 00:36:21,919
Speaker 2: So Eddie Munster, the little kid had a widow's peak.

849
00:36:22,400 --> 00:36:24,120
Speaker 2: And when I was, when I was younger, when I

850
00:36:24,160 --> 00:36:26,920
Speaker 2: had more hair, and when my hair was black, literally

851
00:36:27,200 --> 00:36:30,000
Speaker 2: so much black hair on the rest hanging in looks great.

852
00:36:30,120 --> 00:36:31,600
Speaker 2: But when I was but I looked back when I

853
00:36:31,600 --> 00:36:33,160
Speaker 2: was a kid, they knew her mind. Because my son

854
00:36:33,239 --> 00:36:35,239
Speaker 2: has just got his hair is hoped that you can't

855
00:36:35,239 --> 00:36:37,200
Speaker 2: even see the scout. It's like that God, And that's

856
00:36:37,200 --> 00:36:39,080
Speaker 2: what my hair was like. And it was jet black,

857
00:36:39,719 --> 00:36:41,800
Speaker 2: and it was like there was an Eddie Monster thing happening.

858
00:36:42,000 --> 00:36:43,600
Speaker 1: Yeah, that was good. And then I had a friend

859
00:36:43,640 --> 00:36:44,120
Speaker 1: of mine who.

860
00:36:44,040 --> 00:36:46,920
Speaker 2: Actually even looked like him, also black hair, until we

861
00:36:46,960 --> 00:36:49,520
Speaker 2: nicknamed him Eddie. I'm sure he loved that.

862
00:36:50,360 --> 00:36:53,919
Speaker 1: He was so excited to get that God means the world.

863
00:36:53,960 --> 00:36:56,239
Speaker 2: That's it for Eddie Monster, I said, But the widows speak. Yeah,

864
00:36:56,280 --> 00:36:57,640
Speaker 2: that's a killer that's a good that's a good thing.

865
00:36:57,719 --> 00:36:59,640
Speaker 1: Thank you so much that I miss being Courtney. I

866
00:36:59,719 --> 00:37:01,799
Speaker 1: wonder I haven't done her in a while. Yeah, I'm

867
00:37:01,800 --> 00:37:05,719
Speaker 1: here with I wonder if just yeah, there we go.

868
00:37:06,200 --> 00:37:09,440
Speaker 1: There's always do you have the one word that help you? Yes? Yeah,

869
00:37:09,960 --> 00:37:14,000
Speaker 1: like if I do watch Oh no, I know, I

870
00:37:14,040 --> 00:37:14,319
Speaker 1: don't know.

871
00:37:15,360 --> 00:37:15,640
Speaker 2: No.

872
00:37:16,360 --> 00:37:16,600
Speaker 1: Yeah.

873
00:37:16,760 --> 00:37:19,040
Speaker 2: And then when I did, I did a lawyer and

874
00:37:19,360 --> 00:37:23,040
Speaker 2: he was from Texas and the word ring was snow cone. Yeah,

875
00:37:23,200 --> 00:37:25,800
Speaker 2: snow cone and I'm locked in, You're locked in?

876
00:37:26,120 --> 00:37:28,759
Speaker 1: Yeah? So what was it it, Courtney? I think it

877
00:37:28,840 --> 00:37:33,000
Speaker 1: was just human like that to me was just coming

878
00:37:33,280 --> 00:37:36,960
Speaker 1: just right. And now I have it. Yeah, orange just

879
00:37:37,760 --> 00:37:40,520
Speaker 1: tears so kind weep.

880
00:37:41,760 --> 00:37:42,719
Speaker 2: I'm a big fig fan.

881
00:37:42,920 --> 00:37:46,640
Speaker 1: Yeah, well of course, yeah, I know. Yeah, I'm here.

882
00:37:46,680 --> 00:37:47,080
Speaker 2: How could you?

883
00:37:48,280 --> 00:37:49,560
Speaker 3: Yeah? God, she was fun.

884
00:37:49,719 --> 00:37:52,200
Speaker 1: I do remember after though, It's like, you know, family

885
00:37:52,239 --> 00:37:53,719
Speaker 1: and friends around me they were like, oh I still

886
00:37:53,719 --> 00:37:55,400
Speaker 1: hear Courtney, and I'm like, oh yeah, sorry, I was

887
00:37:56,719 --> 00:37:58,719
Speaker 1: in front of the green screen. I'm losing it.

888
00:37:59,520 --> 00:38:01,160
Speaker 2: And she's to be a good sport about it, right,

889
00:38:01,160 --> 00:38:01,720
Speaker 2: I mean lovely.

890
00:38:01,880 --> 00:38:02,200
Speaker 1: Yeah.

891
00:38:02,320 --> 00:38:03,320
Speaker 2: I think it was Dana Carvey.

892
00:38:03,320 --> 00:38:03,680
Speaker 1: He said this.

893
00:38:03,719 --> 00:38:05,239
Speaker 2: I don't know if he's attributed to him, but I said,

894
00:38:05,239 --> 00:38:07,239
Speaker 2: if you want to learn a voice, because he would

895
00:38:07,239 --> 00:38:10,120
Speaker 2: do bush, he said, you have to hear somebody else

896
00:38:10,440 --> 00:38:14,120
Speaker 2: do the voice, like maybe an extreme version, and then

897
00:38:14,200 --> 00:38:17,200
Speaker 2: you learn from them instead of learning from the person

898
00:38:17,200 --> 00:38:19,480
Speaker 2: that you're that you're gonna imitate. Yeah, somebody else has

899
00:38:19,520 --> 00:38:20,960
Speaker 2: to do it, and you're like, oh, I picked that up,

900
00:38:21,160 --> 00:38:22,960
Speaker 2: you know what I mean. So it's like, maybe you

901
00:38:22,960 --> 00:38:26,040
Speaker 2: listen to someone who does a really great version, you know,

902
00:38:26,360 --> 00:38:27,920
Speaker 2: and yeah, and go that way. So I don't know,

903
00:38:27,960 --> 00:38:29,560
Speaker 2: but you sounds like you went right.

904
00:38:30,000 --> 00:38:32,359
Speaker 1: I went to her because I just needed to. It

905
00:38:32,400 --> 00:38:34,200
Speaker 1: was also extreme, and we was good. I think I

906
00:38:34,239 --> 00:38:36,480
Speaker 1: went pretty extreme because hearing her talk, I was like,

907
00:38:36,560 --> 00:38:40,000
Speaker 1: I'm you know, it's a I had one person gave

908
00:38:40,040 --> 00:38:41,640
Speaker 1: me like a note once and I was like, yeah,

909
00:38:41,760 --> 00:38:43,360
Speaker 1: I mean, I am a man doing it, so just

910
00:38:43,440 --> 00:38:45,400
Speaker 1: like fuck ah, you know, I'm like, I think we're okay.

911
00:38:45,880 --> 00:38:48,400
Speaker 1: This feels like within the world, you know, I'm we're

912
00:38:48,440 --> 00:38:51,360
Speaker 1: bracketing here, like chill, Okay, we have a different we

913
00:38:51,440 --> 00:38:54,080
Speaker 1: have different chords. Yeah. I watched that and then one

914
00:38:54,960 --> 00:38:57,640
Speaker 1: I remember one thing that was Shawn Mendes was kind

915
00:38:57,680 --> 00:38:59,600
Speaker 1: of tricky for me at first, but I just watched

916
00:38:59,600 --> 00:39:01,880
Speaker 1: a few interviews, and sometimes it's just hearing how they

917
00:39:01,920 --> 00:39:05,560
Speaker 1: say one or two words, and him saying Levely was

918
00:39:05,719 --> 00:39:08,000
Speaker 1: really I was like, I know exactly how to get

919
00:39:08,120 --> 00:39:10,160
Speaker 1: my voice to sound like that, and that was like

920
00:39:10,200 --> 00:39:12,400
Speaker 1: the one. You know. It's just I don't know, but

921
00:39:12,560 --> 00:39:14,840
Speaker 1: I do think in hearing someone, I think maybe I

922
00:39:14,840 --> 00:39:18,319
Speaker 1: heard Chloe Feineman do Timothy Shallome ones like, oh, yeah

923
00:39:18,360 --> 00:39:21,719
Speaker 1: he's tough, he's really hard, but then he's way more

924
00:39:21,840 --> 00:39:25,640
Speaker 1: physical than yeah, you know.

925
00:39:25,600 --> 00:39:29,319
Speaker 2: It's more like, yeah, that's I can see you wanting

926
00:39:29,360 --> 00:39:31,640
Speaker 2: to do it. I want I haven't.

927
00:39:31,400 --> 00:39:33,239
Speaker 1: Studied Hi yet. I mean, such a.

928
00:39:35,480 --> 00:39:38,400
Speaker 2: Fantastic I'm like, but I like the extreme ones, you know,

929
00:39:38,600 --> 00:39:44,759
Speaker 2: the thewkan or the but we were playing we were

930
00:39:44,760 --> 00:39:46,359
Speaker 2: playing earlier with we should do that.

931
00:39:46,760 --> 00:39:48,279
Speaker 1: It's David Attenborough.

932
00:39:48,600 --> 00:39:53,000
Speaker 2: Oh today, Yeah we're talking with Benny Trauma.

933
00:39:53,120 --> 00:39:56,080
Speaker 1: Oh that's and this is fantastic. See where I got

934
00:39:56,120 --> 00:39:58,719
Speaker 1: it from? But do you get that is.

935
00:39:59,320 --> 00:40:05,840
Speaker 2: In the why he perpetuates the ongoing.

936
00:40:05,080 --> 00:40:10,880
Speaker 1: Process of a man, a man at his peak. Truly,

937
00:40:11,480 --> 00:40:13,120
Speaker 1: I wish David would talk about me like that.

938
00:40:13,520 --> 00:40:14,560
Speaker 3: Fuck he will.

939
00:40:15,400 --> 00:40:17,439
Speaker 1: That was delicious. I love that. That's really good.

940
00:40:17,480 --> 00:40:19,880
Speaker 2: He's but I need an extreme you know I have.

941
00:40:20,280 --> 00:40:23,839
Speaker 1: I have one for you. It's Daniel Craig in Night's Out.

942
00:40:24,960 --> 00:40:29,200
Speaker 1: There's been a I can't stop saying it. Saying it

943
00:40:29,239 --> 00:40:32,520
Speaker 1: to Mary Bedtune, she goes, oh, here's been wa But

944
00:40:32,920 --> 00:40:35,439
Speaker 1: he came into that movie, was such a hot take

945
00:40:35,480 --> 00:40:39,200
Speaker 1: on it. Oh it's an accent. Yeah, it's it's breath taking. Yeah.

946
00:40:40,000 --> 00:40:42,239
Speaker 1: I think about it a lot. I have to remember that.

947
00:40:42,280 --> 00:40:44,640
Speaker 1: I have to watch it again get a sense of him. Well,

948
00:40:44,640 --> 00:40:46,319
Speaker 1: we should be in one. It seems kind of fucked

949
00:40:46,360 --> 00:40:48,160
Speaker 1: up at this point. I think so too, But I

950
00:40:48,200 --> 00:40:50,520
Speaker 1: think that's the joy. It's like, yeah, because I thought

951
00:40:50,560 --> 00:40:53,600
Speaker 1: that too. With Parker Posey and White Lotus. The first episode,

952
00:40:53,640 --> 00:40:55,719
Speaker 1: I was like, oh, I don't know this accent, like,

953
00:40:55,920 --> 00:40:57,719
Speaker 1: and then by the middle I was like, it's just

954
00:40:58,000 --> 00:41:00,920
Speaker 1: like it's a stroke of genius. Yeah, this accent is

955
00:41:01,000 --> 00:41:03,680
Speaker 1: like it is such a choice in it, like and

956
00:41:03,760 --> 00:41:05,000
Speaker 1: it delivers.

957
00:41:05,080 --> 00:41:08,920
Speaker 2: It was me like watching Peter Dinklage in Game of Thrones,

958
00:41:09,280 --> 00:41:10,600
Speaker 2: like it's.

959
00:41:10,440 --> 00:41:14,120
Speaker 1: Not English necessarily, no, but what is it? But yeah?

960
00:41:14,160 --> 00:41:16,319
Speaker 3: But I was like, yeah, but go.

961
00:41:16,320 --> 00:41:20,759
Speaker 1: I not Yeah, great, Yeah, I love that We're going

962
00:41:20,760 --> 00:41:21,840
Speaker 1: to a break, so we'll see you.

963
00:41:22,000 --> 00:41:32,960
Speaker 2: We'll be back. Don't go away for this segment I

964
00:41:33,000 --> 00:41:36,080
Speaker 2: designed just for you. I've cribbed a bit from you

965
00:41:36,160 --> 00:41:41,280
Speaker 2: and Mary Beth's segment Perfect Ride, and this is called

966
00:41:41,800 --> 00:41:42,840
Speaker 2: can I give you a ride?

967
00:41:43,320 --> 00:41:46,000
Speaker 1: Question? And I wish I would be careful because drove here,

968
00:41:46,040 --> 00:41:47,560
Speaker 1: which is not I should be allowed.

969
00:41:47,840 --> 00:41:49,480
Speaker 2: All right, So you're good. I'm going to give you

970
00:41:49,480 --> 00:41:52,120
Speaker 2: these glasses these because I don't I don't want you

971
00:41:52,160 --> 00:41:53,160
Speaker 2: to get any bugs.

972
00:41:52,840 --> 00:41:54,319
Speaker 1: On your ones.

973
00:41:54,400 --> 00:41:59,080
Speaker 2: I do whoa, Okay, I'm gonna listen.

974
00:41:59,560 --> 00:42:00,120
Speaker 1: I'm gonna lis.

975
00:42:00,120 --> 00:42:01,000
Speaker 2: I'm gonna put some on too.

976
00:42:01,719 --> 00:42:04,759
Speaker 1: Does that look you think that great? That's the face

977
00:42:04,760 --> 00:42:06,319
Speaker 1: of Balencia. You guys get that.

978
00:42:08,040 --> 00:42:09,440
Speaker 3: No free ads believe that?

979
00:42:09,600 --> 00:42:10,800
Speaker 1: What do you talk about our shirts?

980
00:42:10,880 --> 00:42:12,680
Speaker 2: That this this is I wore this and you wore that.

981
00:42:12,760 --> 00:42:15,960
Speaker 2: And then there's something that's crazy that's called the family.

982
00:42:16,160 --> 00:42:17,520
Speaker 2: That's family in my head.

983
00:42:17,560 --> 00:42:20,080
Speaker 1: Now I can't see, but I can't ye, yes, but

984
00:42:20,320 --> 00:42:22,560
Speaker 1: I did. I'm gonna close my eyes now, okay, bi

985
00:42:22,680 --> 00:42:24,960
Speaker 1: color any color? Oh my god, I know it's a

986
00:42:25,040 --> 00:42:26,120
Speaker 1: very red pill blue pillar.

987
00:42:27,600 --> 00:42:30,040
Speaker 2: Yes, what's gonna look better with with us?

988
00:42:30,400 --> 00:42:33,080
Speaker 1: To me? I'm blue blue. So I'll go red, I'll

989
00:42:33,080 --> 00:42:33,399
Speaker 1: go read.

990
00:42:33,560 --> 00:42:36,080
Speaker 2: Okay, you're gonna tell me if you I'm going to

991
00:42:36,160 --> 00:42:37,600
Speaker 2: tell you a few things I write for and you're

992
00:42:37,640 --> 00:42:41,080
Speaker 2: gonna tell me if you ye also ride.

993
00:42:41,239 --> 00:42:44,839
Speaker 1: You need crookies on those. This is what I need.

994
00:42:45,040 --> 00:42:47,279
Speaker 3: You knew that exactly that term.

995
00:42:47,440 --> 00:42:50,799
Speaker 2: I was in the yard showing uh, shawing up some

996
00:42:50,840 --> 00:42:53,880
Speaker 2: bamboo and the sweating, and they kept falling hate with

997
00:42:54,080 --> 00:42:57,920
Speaker 2: my head in my right, I'm gonna go with I

998
00:42:58,000 --> 00:42:59,600
Speaker 2: might have to take that for season two.

999
00:42:59,880 --> 00:43:01,240
Speaker 1: I was sawing bamboo, bamboo.

1000
00:43:01,719 --> 00:43:03,440
Speaker 2: I'm ready, I'm gardening in the backyard.

1001
00:43:03,719 --> 00:43:04,480
Speaker 1: Okay, we're gonna write.

1002
00:43:04,719 --> 00:43:07,640
Speaker 2: We're gonna ride, if you ride with me, whether it's okay,

1003
00:43:07,640 --> 00:43:09,959
Speaker 2: you're ready, yeah, here we go to me. It's like, yeah,

1004
00:43:10,040 --> 00:43:12,600
Speaker 2: this is okay, good and we're kind of moving. Remember

1005
00:43:12,600 --> 00:43:14,000
Speaker 2: how you do with shots, like if you have the

1006
00:43:14,120 --> 00:43:15,000
Speaker 2: driving scenes?

1007
00:43:15,239 --> 00:43:17,600
Speaker 1: So the only book things I've written for myself. Oh,

1008
00:43:17,640 --> 00:43:21,279
Speaker 1: I don't know. I don't really, I haven't done that,

1009
00:43:21,360 --> 00:43:22,480
Speaker 1: but I'm dying to do that.

1010
00:43:22,560 --> 00:43:25,399
Speaker 2: A driving scene. Yeah, Oh, let's do it. It's hard to yeah,

1011
00:43:25,520 --> 00:43:28,080
Speaker 2: because it's a good place for conversations.

1012
00:43:27,520 --> 00:43:31,719
Speaker 1: Like a parent in an uber is so explosive, you know,

1013
00:43:32,560 --> 00:43:34,800
Speaker 1: I feel that. Oh yeah, okay.

1014
00:43:34,840 --> 00:43:36,960
Speaker 2: I ride for wearing indoor shoes outdoors.

1015
00:43:37,239 --> 00:43:40,120
Speaker 1: Oh yeah, I absolutely. I slap on an UG and

1016
00:43:40,160 --> 00:43:43,279
Speaker 1: I ripped through. Yes, yeah, that a slipper little bear pod.

1017
00:43:43,280 --> 00:43:46,239
Speaker 1: If you're getting nasty, I think that's good. Yeah, that's

1018
00:43:46,280 --> 00:43:48,319
Speaker 1: the shoe of choice. I like the UG. I think

1019
00:43:48,360 --> 00:43:49,160
Speaker 1: your suggestion was right.

1020
00:43:49,360 --> 00:43:52,600
Speaker 2: Perfect fuzzy fuzzy inside has to be a slippery fuzzy inside.

1021
00:43:52,640 --> 00:43:54,400
Speaker 1: Would I then wear them into like a bed or

1022
00:43:54,400 --> 00:43:55,719
Speaker 1: put them on the couch? Probably not.

1023
00:43:56,120 --> 00:43:57,560
Speaker 2: No, you bring them inside, but you could wear them

1024
00:43:57,560 --> 00:44:00,000
Speaker 2: inside depending on what you walk through on the outside something.

1025
00:44:00,000 --> 00:44:00,960
Speaker 2: Did you just leave him at the door?

1026
00:44:01,440 --> 00:44:04,960
Speaker 1: I love leaving at the door. A little clog, deal

1027
00:44:05,000 --> 00:44:08,719
Speaker 1: with it. I ride for gardening, so I'm glad you do.

1028
00:44:08,960 --> 00:44:11,040
Speaker 1: I personally don't, but I love that you do.

1029
00:44:11,200 --> 00:44:13,360
Speaker 2: Wait, so you grew up in Boise, but there's no gardening.

1030
00:44:13,680 --> 00:44:14,759
Speaker 2: Well I just thought it was the thing you did

1031
00:44:14,760 --> 00:44:15,840
Speaker 2: in the Northwest.

1032
00:44:15,800 --> 00:44:18,400
Speaker 1: Like my mom does. Like my mom loves her garden,

1033
00:44:18,680 --> 00:44:20,960
Speaker 1: and but you leave her to it. Yeah yeah, I

1034
00:44:21,360 --> 00:44:25,239
Speaker 1: think I just plants see me come in and they're

1035
00:44:25,280 --> 00:44:30,960
Speaker 1: like get thirsty. Yeah, yes, okay, but I do. I

1036
00:44:31,000 --> 00:44:32,640
Speaker 1: love the thought of you out there, and I love

1037
00:44:32,680 --> 00:44:35,080
Speaker 1: going to someone's garden that they're really proud of. Good

1038
00:44:35,080 --> 00:44:37,720
Speaker 1: will have you o having little tomatoes, a little little

1039
00:44:37,719 --> 00:44:38,719
Speaker 1: blueberry why not?

1040
00:44:39,040 --> 00:44:40,319
Speaker 2: Yes, controversial take.

1041
00:44:40,320 --> 00:44:45,480
Speaker 1: But I ride for Steve Brady. Okay, sure, I think

1042
00:44:45,560 --> 00:44:47,880
Speaker 1: that's fantastic. From Sex and the City, that's what you're in.

1043
00:44:48,280 --> 00:44:51,480
Speaker 1: For a second, I thought, is that an athlete Steve Brady?

1044
00:44:51,800 --> 00:44:55,200
Speaker 1: One hundred percent I ride. I think he's fantastic. I

1045
00:44:55,200 --> 00:44:57,279
Speaker 1: think I recently, I mean I recently told Kristin that

1046
00:44:57,360 --> 00:45:01,960
Speaker 1: I thought. I mean he yeah, he's ten Okay, yeah, yeah,

1047
00:45:02,000 --> 00:45:04,320
Speaker 1: hey he's no tao no.

1048
00:45:04,320 --> 00:45:07,920
Speaker 2: But yes, I mean he's got really quiet ultimate ultimately, but.

1049
00:45:07,920 --> 00:45:10,040
Speaker 1: I think he's I think he's fantastic and he's so

1050
00:45:11,400 --> 00:45:15,520
Speaker 1: you know, you guys on the road keep you of course, sorry,

1051
00:45:15,560 --> 00:45:17,960
Speaker 1: but to me, yeah, I I really did like them together.

1052
00:45:18,320 --> 00:45:19,320
Speaker 1: They were kind of a beautiful.

1053
00:45:19,600 --> 00:45:22,480
Speaker 2: They ride for being silly on social media, I mean,

1054
00:45:22,719 --> 00:45:24,200
Speaker 2: come on, I go, I don't.

1055
00:45:24,600 --> 00:45:27,439
Speaker 1: I want to be really serious. You are social media.

1056
00:45:27,840 --> 00:45:28,840
Speaker 3: It was very moody.

1057
00:45:29,120 --> 00:45:31,000
Speaker 2: We're driving a little fast right now, son, a little bit,

1058
00:45:31,000 --> 00:45:31,479
Speaker 2: because you're.

1059
00:45:31,360 --> 00:45:34,400
Speaker 1: Getting See this is why I'm not allowed to drive cars.

1060
00:45:34,840 --> 00:45:41,279
Speaker 1: This is silly on social yeah, I and yours is

1061
00:45:42,200 --> 00:45:45,120
Speaker 1: you inspire me. Oh that's nice to hear things. I

1062
00:45:45,120 --> 00:45:46,960
Speaker 1: get sometimes scared of TikTok because I feel like I

1063
00:45:47,000 --> 00:45:49,279
Speaker 1: didn't come up on it. So sometimes I have my

1064
00:45:49,360 --> 00:45:51,600
Speaker 1: I have a team here there is. They're absolutely genius

1065
00:45:51,600 --> 00:45:52,480
Speaker 1: and they helped exactly.

1066
00:45:52,520 --> 00:45:52,799
Speaker 3: They help.

1067
00:45:53,040 --> 00:45:57,080
Speaker 1: They're my GUIDs tears Okay, I ride for kale.

1068
00:45:57,400 --> 00:46:00,440
Speaker 2: Oh yeah right, I mean you're healthy Kales.

1069
00:46:00,440 --> 00:46:01,680
Speaker 3: Sometimes when I'm eating it, it does.

1070
00:46:01,760 --> 00:46:04,040
Speaker 1: I look up after two hours and I think I'm

1071
00:46:04,040 --> 00:46:04,719
Speaker 1: still eating this.

1072
00:46:05,680 --> 00:46:08,440
Speaker 2: But I do like because you're not full, Kale doesn't

1073
00:46:08,640 --> 00:46:09,359
Speaker 2: fill you up.

1074
00:46:09,640 --> 00:46:10,000
Speaker 3: It does.

1075
00:46:10,120 --> 00:46:12,759
Speaker 1: I think it does make me bloated, but it does, guess, yeah,

1076
00:46:12,800 --> 00:46:15,319
Speaker 1: of course, but I do. I love Kale. Kale's great.

1077
00:46:15,320 --> 00:46:16,360
Speaker 1: I put it smoothie.

1078
00:46:16,440 --> 00:46:18,799
Speaker 2: I like a little bit of like a little I

1079
00:46:18,880 --> 00:46:21,200
Speaker 2: like a salt oil, a little bit of honey, oh

1080
00:46:21,320 --> 00:46:25,239
Speaker 2: ship and tiny bit of boom and a cigarette and

1081
00:46:25,400 --> 00:46:26,040
Speaker 2: well you know what, I.

1082
00:46:26,000 --> 00:46:27,400
Speaker 3: Love them, right, Kale Caesar.

1083
00:46:27,760 --> 00:46:31,680
Speaker 2: Well, Kale is my nickname from David. Oh yeah, I

1084
00:46:31,719 --> 00:46:34,160
Speaker 2: love Yeah, he called me Kale. It wasn't and he

1085
00:46:34,280 --> 00:46:36,080
Speaker 2: wasn't the one who who thought of it originally.

1086
00:46:36,080 --> 00:46:37,080
Speaker 1: Well he thought of.

1087
00:46:37,040 --> 00:46:40,320
Speaker 2: The calling me Kale but it was the late producer

1088
00:46:40,360 --> 00:46:45,120
Speaker 2: Dino Dyla Renis who who couldn't pronounce Kyle Kale and

1089
00:46:45,200 --> 00:46:49,160
Speaker 2: David loved that. That's it from now on, I'm Kale.

1090
00:46:49,160 --> 00:46:50,359
Speaker 1: We're driving off a cliff right now.

1091
00:46:50,800 --> 00:46:56,879
Speaker 2: Definitely, we've driven off the cliff. We're fine moment.

1092
00:46:57,000 --> 00:46:57,360
Speaker 1: Yeah.

1093
00:46:57,400 --> 00:46:59,360
Speaker 2: I ride for the nerd emoji.

1094
00:47:00,560 --> 00:47:03,399
Speaker 1: Oh is that the little teeth in the glasses? Yeah?

1095
00:47:03,600 --> 00:47:05,839
Speaker 1: So cute. Love. I don't know if I've ever used it,

1096
00:47:06,200 --> 00:47:08,960
Speaker 1: but I I love receiving it. I mean, how cute.

1097
00:47:09,120 --> 00:47:11,960
Speaker 2: I don't know. I because my nerd emoji or them

1098
00:47:12,480 --> 00:47:14,319
Speaker 2: I go with, I mean a thumbs up a lot,

1099
00:47:14,360 --> 00:47:17,839
Speaker 2: hark a lot. I like the emoji with the two

1100
00:47:18,760 --> 00:47:21,799
Speaker 2: the kind of the ice kind of squinting clothes and smiling. Oh.

1101
00:47:21,920 --> 00:47:24,480
Speaker 2: I like that, Like, oh god, that was maybe that

1102
00:47:24,560 --> 00:47:25,000
Speaker 2: was too much.

1103
00:47:25,120 --> 00:47:27,480
Speaker 1: I like the one where it's a he's kind of like.

1104
00:47:28,120 --> 00:47:30,440
Speaker 2: Oh yes, yeah, laughing behind. I feel like that a lot.

1105
00:47:30,520 --> 00:47:32,759
Speaker 1: I'm like, oh, life is so embarrassed and said that.

1106
00:47:33,200 --> 00:47:34,919
Speaker 3: Yeah cute.

1107
00:47:34,920 --> 00:47:38,120
Speaker 2: Here what the FUCKA Oh here's a good one.

1108
00:47:38,160 --> 00:47:40,680
Speaker 1: I ride for Chow Chow's the dog read. Oh yeah,

1109
00:47:41,200 --> 00:47:42,400
Speaker 1: what you thought about that?

1110
00:47:42,719 --> 00:47:44,719
Speaker 2: H I love Chow.

1111
00:47:45,360 --> 00:47:46,200
Speaker 3: I love chow chows.

1112
00:47:46,200 --> 00:47:47,360
Speaker 1: I don't know if I want to shoot with the

1113
00:47:47,440 --> 00:47:50,759
Speaker 1: chow chow again. I think chow chouse prefer camera diplomatic,

1114
00:47:50,800 --> 00:47:53,600
Speaker 1: but I think they're they're beautiful. Dog Scott King, that

1115
00:47:54,360 --> 00:47:59,000
Speaker 1: wonderful showerunner over compensating. Yeah, one, and he's such a king.

1116
00:47:59,120 --> 00:48:03,040
Speaker 1: So I love I love Chachaus, butch puppies that's another story,

1117
00:48:03,440 --> 00:48:05,799
Speaker 1: you know, maybe off camera? Yeah, off camera, very good,

1118
00:48:05,920 --> 00:48:09,719
Speaker 1: very good. I ride for being a podcast host. Yeah,

1119
00:48:10,840 --> 00:48:15,600
Speaker 1: because you imagine, I go die. I'm so glad you

1120
00:48:15,640 --> 00:48:17,680
Speaker 1: are one now. I'm having so much fun. I know

1121
00:48:17,719 --> 00:48:17,960
Speaker 1: you are.

1122
00:48:18,000 --> 00:48:20,640
Speaker 2: I'm kind say I didn't really getting into it. I

1123
00:48:20,680 --> 00:48:22,560
Speaker 2: was like, you know what, I'm actually really enjoying this

1124
00:48:23,000 --> 00:48:25,560
Speaker 2: because I get to learn, and yeah, I am curious

1125
00:48:25,560 --> 00:48:28,000
Speaker 2: and I get to learn and ask questions, and I

1126
00:48:28,040 --> 00:48:30,000
Speaker 2: think that's it.

1127
00:48:31,280 --> 00:48:33,840
Speaker 1: D how far have we coked up? Well, we know

1128
00:48:33,880 --> 00:48:35,040
Speaker 1: what's coming up for you. Yeah.

1129
00:48:35,440 --> 00:48:37,320
Speaker 2: Yeah, you're going into the writer's room right now, and

1130
00:48:37,320 --> 00:48:38,680
Speaker 2: you're going to write beautiful stuff.

1131
00:48:38,840 --> 00:48:40,640
Speaker 1: I'm going into a k hole for a bit and

1132
00:48:40,760 --> 00:48:42,440
Speaker 1: then all once I climb back out, I've got to

1133
00:48:42,560 --> 00:48:43,920
Speaker 1: have some gifts for you.

1134
00:48:45,520 --> 00:48:49,239
Speaker 2: I'm so excited. Me too, I'm always excited to be here.

1135
00:48:49,239 --> 00:48:52,320
Speaker 1: But I know you now. Yeah, I just bother you whenever.

1136
00:48:52,400 --> 00:48:56,239
Speaker 2: You can bother me whenever except for yes, never mind.

1137
00:48:56,400 --> 00:48:58,200
Speaker 2: But it's been a real pleasure. It's been real pleasure.

1138
00:48:58,239 --> 00:48:59,440
Speaker 1: That'll talk to you forever.

1139
00:48:59,600 --> 00:49:02,200
Speaker 2: Okay, everybody else, bless your heart. I love you too.

1140
00:49:02,880 --> 00:49:05,160
Speaker 2: We're in for another season. Thanks for coming on. That's

1141
00:49:05,200 --> 00:49:08,239
Speaker 2: our show. We uh and we're sticking to it. Did

1142
00:49:08,280 --> 00:49:09,880
Speaker 2: we discover what are we even doing? I don't know

1143
00:49:09,880 --> 00:49:11,120
Speaker 2: if we did, but we had a good time doing it.

1144
00:49:11,239 --> 00:49:13,680
Speaker 1: What are we doing? What are we even doing? We're family,

1145
00:49:13,719 --> 00:49:16,359
Speaker 1: We're doing this. It's working, We're creating. Whatever we're doing,

1146
00:49:16,400 --> 00:49:18,560
Speaker 1: we're having fun. We're having fun. There you go.

1147
00:49:19,560 --> 00:49:22,640
Speaker 2: What Are We Even Doing is a production of iHeartMedia

1148
00:49:22,800 --> 00:49:26,840
Speaker 2: and the Elvis Duran podcast Network, hosted by me Kyle

1149
00:49:26,960 --> 00:49:31,439
Speaker 2: McLachlin and created and produced by Full Picture Productions Yay,

1150
00:49:32,440 --> 00:49:36,319
Speaker 2: featuring music by Yata and artwork by Danica Robinson. For

1151
00:49:36,400 --> 00:49:39,520
Speaker 2: more information about the podcast, please visit our Instagram and

1152
00:49:39,600 --> 00:49:46,000
Speaker 2: TikTok at wa w ed with Kyle. Please rate, review,

1153
00:49:46,080 --> 00:49:51,440
Speaker 2: and subscribe to What Are We Even Doing? On Apple, Spotify, YouTube,

1154
00:49:51,920 --> 00:49:55,360
Speaker 2: or anywhere you get your podcasts, exclamation points,