1 00:00:00,720 --> 00:00:05,080 Speaker 1: Welcome to Noble Blood, a production of iHeartRadio and Grim 2 00:00:05,120 --> 00:00:36,920 Speaker 1: and Mild from Aaron Mankie Listener discretion advised. The year 3 00:00:37,280 --> 00:00:42,519 Speaker 1: eighteen o eight, the setting Regency, England. There we meet 4 00:00:42,560 --> 00:00:47,479 Speaker 1: a man called Sir Giles Staverlely, a gambling addict who 5 00:00:47,640 --> 00:00:51,680 Speaker 1: attempted to win back all he had by betting his 6 00:00:51,920 --> 00:00:57,280 Speaker 1: daughter Serena's hand in marriage and betting her eighty thousand 7 00:00:57,520 --> 00:01:02,880 Speaker 1: pound trust fund, but he lost once again, and unable 8 00:01:02,960 --> 00:01:07,240 Speaker 1: to face his daughter, he instigated and lost a duel 9 00:01:07,360 --> 00:01:13,520 Speaker 1: on purpose, ultimately killing himself. This left Serena's fate in 10 00:01:13,560 --> 00:01:17,919 Speaker 1: the hands of the man her father lost to, Lord 11 00:01:18,360 --> 00:01:23,080 Speaker 1: Justin Vulcan, who she'd been told was simply the worst 12 00:01:23,319 --> 00:01:26,959 Speaker 1: sort of rake. She swore she could never fall in 13 00:01:27,000 --> 00:01:30,280 Speaker 1: love with a man like Lord Vulcan, but after he 14 00:01:30,360 --> 00:01:33,759 Speaker 1: invited her to come live at his estate, Man Drake, 15 00:01:34,360 --> 00:01:38,520 Speaker 1: the two come to form an unlikely bond, but they 16 00:01:38,600 --> 00:01:44,640 Speaker 1: also had to contend with Justin's scheming mother, highwaymen, gamblers, 17 00:01:45,000 --> 00:01:49,120 Speaker 1: and smugglers before the two of them could admit their feelings. 18 00:01:50,200 --> 00:01:54,240 Speaker 1: In case you haven't realized, that is, of course all 19 00:01:54,400 --> 00:01:59,000 Speaker 1: a work of fiction, a historical romance written long before 20 00:01:59,120 --> 00:02:04,280 Speaker 1: any of the Bridgeton's stepped into their semi anachronistic shoes. 21 00:02:05,000 --> 00:02:09,920 Speaker 1: Published in nineteen forty nine, A Hazard of Hearts was 22 00:02:10,120 --> 00:02:15,239 Speaker 1: just one of over seven hundred works published by Dame 23 00:02:15,480 --> 00:02:21,240 Speaker 1: Barbara Cartland, otherwise known as the Queen of Romance. Her 24 00:02:21,280 --> 00:02:25,760 Speaker 1: work earned her many fans of all ages, including a 25 00:02:25,880 --> 00:02:30,840 Speaker 1: young Diana Spencer, who would eventually become both the Princess 26 00:02:30,919 --> 00:02:37,480 Speaker 1: of Wales and Barbara's own step granddaughter. Despite not being 27 00:02:37,600 --> 00:02:41,760 Speaker 1: born with a title, Barbara would run in noble circles 28 00:02:41,800 --> 00:02:46,320 Speaker 1: her entire life, including her connections to her dearest friend, 29 00:02:46,639 --> 00:02:51,520 Speaker 1: Lord Mountbatten of Burma, Prince Philip's uncle, and other men 30 00:02:51,560 --> 00:02:55,680 Speaker 1: of high birth that she would allege were the potential 31 00:02:55,960 --> 00:03:01,160 Speaker 1: true fathers of her daughter. To this day, Barbara continues 32 00:03:01,200 --> 00:03:06,680 Speaker 1: to hold her spot as the fifth most translated author worldwide, 33 00:03:07,200 --> 00:03:11,240 Speaker 1: thanks to the success of novels like A Hazard of Hearts, 34 00:03:11,440 --> 00:03:15,360 Speaker 1: as well as The Cruel Count, The Angel and the Rake, 35 00:03:15,919 --> 00:03:20,440 Speaker 1: and my personal favorite title, The Marquise Who Hated Women, 36 00:03:21,040 --> 00:03:25,760 Speaker 1: all featuring fantastically illustrated covers that are, as best as 37 00:03:25,800 --> 00:03:30,560 Speaker 1: I can describe them, buttoned up bodice rippers. More on 38 00:03:30,639 --> 00:03:34,680 Speaker 1: the purity later, though some of those novels were even 39 00:03:34,760 --> 00:03:38,960 Speaker 1: adapted into films. A Hazard of Hearts was made for 40 00:03:39,080 --> 00:03:44,080 Speaker 1: television in nineteen eighty seven, featuring a fresh faced Helena 41 00:03:44,120 --> 00:03:47,680 Speaker 1: Bonham Carter in one of her first major roles as 42 00:03:47,760 --> 00:03:52,560 Speaker 1: the unlucky Angenoux Serena. A print ad for the film 43 00:03:52,720 --> 00:03:56,880 Speaker 1: read quote, he captured her body with force, he freed 44 00:03:56,960 --> 00:04:01,480 Speaker 1: her soul with passion. That is more often and not 45 00:04:02,320 --> 00:04:07,000 Speaker 1: a general theme in Barbara's novels. An innocent girl is 46 00:04:07,080 --> 00:04:11,160 Speaker 1: caught up in a dastardly scheme, but she ultimately makes 47 00:04:11,240 --> 00:04:14,600 Speaker 1: a good man out of a not so good one. 48 00:04:14,720 --> 00:04:19,080 Speaker 1: Barbara certainly did not invent the tropes of the romance novel, 49 00:04:19,520 --> 00:04:22,840 Speaker 1: but it's not a stretch to say she defined them 50 00:04:23,000 --> 00:04:27,400 Speaker 1: for an era. Still, we can't say her extensive collection 51 00:04:27,720 --> 00:04:33,160 Speaker 1: is exclusively one note. Heroiness also include a professional figure skater, 52 00:04:33,760 --> 00:04:38,839 Speaker 1: a quote lovely young gang leader, and a Scottish spy 53 00:04:39,160 --> 00:04:42,440 Speaker 1: in the French court watching over a young Mary Stuart, 54 00:04:43,000 --> 00:04:46,400 Speaker 1: which should delight any of our listeners over on Patreon 55 00:04:46,760 --> 00:04:49,719 Speaker 1: who have been listening to our recap of the television 56 00:04:49,800 --> 00:04:53,240 Speaker 1: show Rain. As time went. 57 00:04:53,080 --> 00:04:57,000 Speaker 2: On and Barbara continued to produce more and more books 58 00:04:57,080 --> 00:05:02,279 Speaker 2: every year. She became a British culture figure, frequently showing 59 00:05:02,360 --> 00:05:06,120 Speaker 2: up in print and on television to discuss her thoughts 60 00:05:06,160 --> 00:05:12,480 Speaker 2: on love and morality in an extensive and iconic pink wardrobe. 61 00:05:13,120 --> 00:05:17,039 Speaker 2: Barbara may have been the Queen of Romance, but as 62 00:05:17,080 --> 00:05:22,240 Speaker 2: we will learn from her once fan Diana, fairytale stories, 63 00:05:22,760 --> 00:05:27,640 Speaker 2: especially when they involve nobles, don't always follow a simple 64 00:05:27,839 --> 00:05:37,120 Speaker 2: plot structure. I'm Dana Schwartz and this is noble blood. 65 00:05:39,839 --> 00:05:44,920 Speaker 2: Gwenn Robbins authorized biography of Barbara Cartland begins by making 66 00:05:45,000 --> 00:05:49,680 Speaker 2: something very clear. Quote. Firstly, she is a direct descendant 67 00:05:49,720 --> 00:05:55,039 Speaker 2: of the oldest Saxon family in existence. End quote. Barbara's 68 00:05:55,120 --> 00:05:59,880 Speaker 2: mother's ancestor was apparently Thomas de Scovenhol, the High sh 69 00:06:00,080 --> 00:06:05,159 Speaker 2: Sheriff of Devonshire thirty two years before the Norman conquest. 70 00:06:05,440 --> 00:06:09,120 Speaker 2: From him, you can trace the family lineage directly to 71 00:06:09,400 --> 00:06:16,600 Speaker 2: Mary Hamilton Scobel aka Polly, Barbara's mother. The family faced 72 00:06:16,800 --> 00:06:21,760 Speaker 2: major upheaval shortly after Barbara was born in nineteen oh one. 73 00:06:21,800 --> 00:06:26,599 Speaker 2: Her paternal grandparents, the Cartlands, had been suddenly bankrupted when 74 00:06:26,760 --> 00:06:31,159 Speaker 2: their bank surprise called in immediate payment on a twenty 75 00:06:31,200 --> 00:06:36,640 Speaker 2: five thousand pound loan that Barbara's grandfather, James, had taken out. 76 00:06:37,279 --> 00:06:41,240 Speaker 2: That very weekend, Barbara's parents left young Barbara to go 77 00:06:41,480 --> 00:06:46,080 Speaker 2: visit the distraught grandparents, inviting them to come stay with 78 00:06:46,160 --> 00:06:50,400 Speaker 2: the young family. The elder Cartlands refused to leave their home, 79 00:06:50,800 --> 00:06:53,720 Speaker 2: and James told his daughter in law that he would 80 00:06:53,720 --> 00:06:59,359 Speaker 2: see her on Monday. On Sunday morning, James Cartland shot himself. 81 00:07:00,279 --> 00:07:05,320 Speaker 2: His death left his debt to his son, Barbara's father, Bertie. 82 00:07:06,120 --> 00:07:10,280 Speaker 2: Polly and Bertie's home, Bobrooke, had been verbally given to 83 00:07:10,360 --> 00:07:13,640 Speaker 2: them by James, but as the title deeds were not 84 00:07:13,920 --> 00:07:16,840 Speaker 2: in their name, the bank said the house was to 85 00:07:16,880 --> 00:07:21,120 Speaker 2: be surrendered to pay the overdue loan. The house was 86 00:07:21,160 --> 00:07:24,640 Speaker 2: put up for sale, along with nearly all of the 87 00:07:24,680 --> 00:07:29,120 Speaker 2: belongings in it. Poor I may be, but common I 88 00:07:29,200 --> 00:07:33,440 Speaker 2: am not, Barbara's mother, Polly declared. While her husband and 89 00:07:33,520 --> 00:07:37,880 Speaker 2: his mother were said to be incapacitated by the circumstances, 90 00:07:38,480 --> 00:07:41,280 Speaker 2: Polly found a new home for the family to rent 91 00:07:41,600 --> 00:07:45,920 Speaker 2: on their three hundred pounds a year income. Bertie, a 92 00:07:46,120 --> 00:07:50,040 Speaker 2: former officer of the British Army, naturally did not work 93 00:07:50,480 --> 00:07:53,920 Speaker 2: as would be completely unbefitting of a gentleman of the age, 94 00:07:54,360 --> 00:07:58,600 Speaker 2: and so that money came from allowances from their respective families. 95 00:07:59,280 --> 00:08:02,520 Speaker 2: For forty pounds a year, they moved into a country 96 00:08:02,560 --> 00:08:07,760 Speaker 2: home in Worcestershire, fit with six bedrooms, a tennis court, stables, 97 00:08:07,840 --> 00:08:12,760 Speaker 2: and four acres of overgrown gardens. That was where Barbara 98 00:08:12,880 --> 00:08:16,800 Speaker 2: grew up, and those gardens were where she first invented 99 00:08:17,040 --> 00:08:21,160 Speaker 2: new worlds. Quote. I never drive through Worcestershire in the 100 00:08:21,200 --> 00:08:24,480 Speaker 2: spring without the memory of our garden like a pink 101 00:08:24,560 --> 00:08:28,720 Speaker 2: and white fairyland, she would reflect as an adult. She 102 00:08:28,800 --> 00:08:32,600 Speaker 2: recalls listening to the trees and hearing the fairies moving 103 00:08:32,640 --> 00:08:36,000 Speaker 2: about inside, and she was sure that she saw wings 104 00:08:36,120 --> 00:08:41,080 Speaker 2: among the flowers. Her first experience with literature was with 105 00:08:41,200 --> 00:08:45,600 Speaker 2: the novels she could find in her father's study, mainly Dickens, 106 00:08:46,320 --> 00:08:49,320 Speaker 2: and her mother then began to nurture Barbara's love of 107 00:08:49,360 --> 00:08:54,320 Speaker 2: stories by reading her fantasy books. Upon her mother's death 108 00:08:54,600 --> 00:08:59,280 Speaker 2: years later, Barbara would find amongst the piles of paper 109 00:08:59,360 --> 00:09:03,640 Speaker 2: her mother had kept the very first short story she 110 00:09:03,720 --> 00:09:06,679 Speaker 2: had ever written at five and a half years old. 111 00:09:08,920 --> 00:09:13,000 Speaker 2: But sudden bankruptcy wouldn't be the only upheaval in young 112 00:09:13,200 --> 00:09:17,760 Speaker 2: Barbara's life. When it became obvious in nineteen fourteen that 113 00:09:17,880 --> 00:09:21,600 Speaker 2: the country was to go to war with Germany, Bertie 114 00:09:22,000 --> 00:09:25,280 Speaker 2: was called up to serve. As he was stationed in 115 00:09:25,360 --> 00:09:29,240 Speaker 2: different parts of England, the family moved around to stay 116 00:09:29,280 --> 00:09:34,319 Speaker 2: with friends near him. In nineteen seventeen, Bertie was killed 117 00:09:34,360 --> 00:09:38,280 Speaker 2: in action. Polly was now a widow and a single 118 00:09:38,360 --> 00:09:42,760 Speaker 2: mother to three children, Barbara and her two younger brothers. 119 00:09:43,480 --> 00:09:46,760 Speaker 2: Barbara recalls that her mother adopted a stricter sense of 120 00:09:46,800 --> 00:09:49,760 Speaker 2: discipline during that time, but it was always clear that 121 00:09:49,840 --> 00:09:53,400 Speaker 2: she did everything out of love. Polly had also been 122 00:09:53,520 --> 00:09:57,520 Speaker 2: something of a surrogate mother to her husband, who needed 123 00:09:57,679 --> 00:10:01,360 Speaker 2: motivation and guidance throughout his lia adult life, and she 124 00:10:01,480 --> 00:10:04,959 Speaker 2: was determined that her own children would be self sufficient. 125 00:10:05,760 --> 00:10:09,480 Speaker 2: Barbara would later reflect quote, Mummy lit a flame in 126 00:10:09,520 --> 00:10:12,200 Speaker 2: all three of us that was to burn brighter year 127 00:10:12,240 --> 00:10:16,320 Speaker 2: by year. She made us believe in ourselves and our capabilities. 128 00:10:16,720 --> 00:10:19,200 Speaker 2: She made us see that anything was possible if we 129 00:10:19,360 --> 00:10:23,280 Speaker 2: really wanted it and worked hard enough. Shortly after her 130 00:10:23,280 --> 00:10:27,840 Speaker 2: father's death, Barbara turned eighteen and left school. During her 131 00:10:27,920 --> 00:10:32,439 Speaker 2: school years, her love of storytelling only grew. She discovered 132 00:10:32,520 --> 00:10:36,240 Speaker 2: the romance novels of ethel M. Dell, BERTA. Ruck, and 133 00:10:36,360 --> 00:10:40,560 Speaker 2: Eleanor Glynn, who was notably quite the scandalous writer of 134 00:10:40,600 --> 00:10:45,120 Speaker 2: her time. It was actually Dell's influence in particular that 135 00:10:45,160 --> 00:10:50,160 Speaker 2: would have the greatest impact on Barbara's career. Barbara's biographer writes, 136 00:10:50,640 --> 00:10:55,160 Speaker 2: Barbara really believed all heroes should be tall, silent men, 137 00:10:55,600 --> 00:11:00,360 Speaker 2: seething with burning passions, but passions so controlled that one 138 00:11:00,440 --> 00:11:03,320 Speaker 2: was not aware of them until they broke down under 139 00:11:03,360 --> 00:11:07,400 Speaker 2: an overwhelming love. Her leading ladies, on the other hand, 140 00:11:07,520 --> 00:11:12,280 Speaker 2: should be quote soft, sweet, easily frightened, yet longing to 141 00:11:12,320 --> 00:11:17,880 Speaker 2: be dominated by a strong and masculine man. Barbara was 142 00:11:17,960 --> 00:11:22,480 Speaker 2: a so called plain child, so much so that apparently 143 00:11:22,679 --> 00:11:26,839 Speaker 2: other mothers pitied Polly, but by this time she had 144 00:11:26,920 --> 00:11:32,280 Speaker 2: blossomed into something of a classic leading lady herself. Barbara 145 00:11:32,400 --> 00:11:37,320 Speaker 2: received her first proposal this summer after school, on holiday 146 00:11:37,400 --> 00:11:40,240 Speaker 2: with her family on the Isle of Wight. He was 147 00:11:40,280 --> 00:11:45,760 Speaker 2: a colonel over forty years old with a red handlebar mustache. 148 00:11:45,800 --> 00:11:50,440 Speaker 2: Barbara wanted absolutely nothing to do with him, rushing to 149 00:11:50,520 --> 00:11:53,880 Speaker 2: her mother to ask for help. Polly told her daughter, 150 00:11:54,240 --> 00:11:57,960 Speaker 2: you must learn to look after yourself. It's harsh advice, 151 00:11:58,040 --> 00:12:01,000 Speaker 2: but falls in line with Polly's desay desire to instill 152 00:12:01,120 --> 00:12:06,920 Speaker 2: self sufficiency and tenacity within her daughter. Still, when another 153 00:12:07,280 --> 00:12:11,600 Speaker 2: elderly married this time man, tried to make advances on 154 00:12:11,679 --> 00:12:15,960 Speaker 2: Barbara that same summer, he was met with Polly's fury. 155 00:12:16,840 --> 00:12:22,000 Speaker 2: This clown, in turn asked out Polly instead. When asked 156 00:12:22,120 --> 00:12:25,560 Speaker 2: if any of her suitors that summer attempted to kiss her, 157 00:12:25,920 --> 00:12:30,720 Speaker 2: Barbara responded, certainly not. We were not mauled in those days. 158 00:12:31,000 --> 00:12:34,679 Speaker 2: Our innocence protected us. I was quite determined that the 159 00:12:34,760 --> 00:12:37,240 Speaker 2: only man who would ever be allowed to kiss me 160 00:12:37,320 --> 00:12:41,400 Speaker 2: on the lips was the one I would marry. Barbara 161 00:12:41,520 --> 00:12:45,400 Speaker 2: would have plenty more marriage candidates to consider when she 162 00:12:45,480 --> 00:12:48,840 Speaker 2: moved to London with the family after that summer break. 163 00:12:49,280 --> 00:12:52,640 Speaker 2: She had a small budget for clothes provided by her mother, 164 00:12:53,120 --> 00:12:57,040 Speaker 2: and she began to experiment with fashionable makeup and hair 165 00:12:57,200 --> 00:13:01,040 Speaker 2: of the time, all in service of her coming out 166 00:13:01,200 --> 00:13:06,439 Speaker 2: in society, and Barbara was a hit. Courting in nineteen 167 00:13:06,520 --> 00:13:11,400 Speaker 2: twenty's London mainly consisted of dinner and dancing, but it 168 00:13:11,520 --> 00:13:15,160 Speaker 2: was improper for a man and woman to dine alone together, 169 00:13:15,679 --> 00:13:18,720 Speaker 2: so the woman would have dinner at home while the 170 00:13:18,800 --> 00:13:22,280 Speaker 2: man dined at his social club before picking up his 171 00:13:22,400 --> 00:13:26,320 Speaker 2: date later. Once the dancing was done, a taxi would 172 00:13:26,360 --> 00:13:29,960 Speaker 2: be called. The driver would stop for a coffee at 173 00:13:29,960 --> 00:13:33,439 Speaker 2: the green painted stand at the corner of Hyde Park 174 00:13:33,880 --> 00:13:37,560 Speaker 2: while the young couple sat in the back seat. This 175 00:13:37,800 --> 00:13:41,120 Speaker 2: was all a dance of its own. The cab drivers 176 00:13:41,160 --> 00:13:44,959 Speaker 2: would all sit together and chat and play cards while 177 00:13:45,160 --> 00:13:49,679 Speaker 2: the couples in their back seats scored some convenient alone time. 178 00:13:50,360 --> 00:13:54,800 Speaker 2: Barbara often sat in these back seats, remembering the quote 179 00:13:55,040 --> 00:13:59,320 Speaker 2: delicious feeling of anticipation, but mind out of the gutter. 180 00:13:59,520 --> 00:14:03,760 Speaker 2: Which she was anticipating was a potential proposal, or just 181 00:14:03,800 --> 00:14:07,600 Speaker 2: to see if her date would attempt a kiss in 182 00:14:07,640 --> 00:14:11,400 Speaker 2: the backseat of one of those cabs. Barbara did accept 183 00:14:11,440 --> 00:14:16,120 Speaker 2: a proposal from a gentleman named Dick Usher, a young 184 00:14:16,280 --> 00:14:19,960 Speaker 2: officer Polly. Her mother had advised her to wait a 185 00:14:20,080 --> 00:14:24,000 Speaker 2: month to announce the engagement in the Times, and it 186 00:14:24,120 --> 00:14:27,360 Speaker 2: was a good thing she did, because Barbara had a 187 00:14:27,480 --> 00:14:31,280 Speaker 2: question for her mother, How does one have a baby? 188 00:14:31,760 --> 00:14:32,440 Speaker 1: She asked. 189 00:14:33,040 --> 00:14:35,760 Speaker 2: It had been nagging at her and it was never 190 00:14:35,960 --> 00:14:40,720 Speaker 2: taught at the girls' schools she attended. Barbara had thought 191 00:14:40,720 --> 00:14:43,240 Speaker 2: it had something to do with a man kissing a 192 00:14:43,280 --> 00:14:47,640 Speaker 2: woman's neck, because one of the novels she read contained 193 00:14:47,720 --> 00:14:51,640 Speaker 2: the line quote he kissed her neck passionately, and she 194 00:14:51,760 --> 00:14:55,880 Speaker 2: knew what he meant. When Barbara's mother told her how 195 00:14:56,000 --> 00:15:00,760 Speaker 2: things actually worked, Barbara was so horrified that she broke 196 00:15:00,840 --> 00:15:04,680 Speaker 2: off the engagement. Barbara would go on to say that 197 00:15:04,760 --> 00:15:09,080 Speaker 2: throughout her life she never enjoyed being touched or kissed 198 00:15:09,560 --> 00:15:15,400 Speaker 2: unless it was by someone she really loved. Two nights 199 00:15:15,480 --> 00:15:18,280 Speaker 2: after she broke the news to Dick, they ran into 200 00:15:18,360 --> 00:15:21,480 Speaker 2: each other at a party, and, feeling sorry for him, 201 00:15:21,640 --> 00:15:25,440 Speaker 2: Barbara agreed to talk. They took a taxi to the 202 00:15:25,480 --> 00:15:29,400 Speaker 2: stall at Hyde Park, where Dick proceeded to take out 203 00:15:29,440 --> 00:15:33,320 Speaker 2: a revolver and he declared, unless you marry me, I 204 00:15:33,440 --> 00:15:38,360 Speaker 2: will shoot myself. This was, believe it or not, Barbara's 205 00:15:38,520 --> 00:15:42,000 Speaker 2: second incident with a loaded gun in her young life, 206 00:15:42,400 --> 00:15:46,280 Speaker 2: after another army officer had attempted to flirt with her 207 00:15:46,520 --> 00:15:50,160 Speaker 2: by showing off his weapon and nearly shooting her after 208 00:15:50,640 --> 00:15:54,240 Speaker 2: incorrectly believing the gun had no bullets left. And to 209 00:15:54,280 --> 00:15:58,200 Speaker 2: be clear, I promise these are not innu windows. Barbara 210 00:15:58,440 --> 00:16:01,320 Speaker 2: was able to talk Dick down far enough that he 211 00:16:01,400 --> 00:16:05,640 Speaker 2: got tired and agreed to take Barbara home, where she 212 00:16:05,760 --> 00:16:09,479 Speaker 2: rushed through the front door and up to her mother's bedroom. 213 00:16:09,840 --> 00:16:14,240 Speaker 2: Dick later wrote a letter to Polly describing his agony. 214 00:16:14,800 --> 00:16:18,680 Speaker 2: If only I weren't cursed with such a big, big love, 215 00:16:18,840 --> 00:16:21,520 Speaker 2: it might be easier. But you know that I just 216 00:16:21,680 --> 00:16:25,520 Speaker 2: worship Barbara with my whole heart and soul and body. 217 00:16:25,760 --> 00:16:28,360 Speaker 2: That to lose her is worse than a million times. 218 00:16:28,400 --> 00:16:33,600 Speaker 2: The torture of the damned life was certainly providing Barbara 219 00:16:33,920 --> 00:16:39,080 Speaker 2: with plenty of material for her future career. In nineteen twenty, 220 00:16:39,320 --> 00:16:43,080 Speaker 2: Barbara declared to her family one morning over breakfast that 221 00:16:43,160 --> 00:16:47,040 Speaker 2: she was going to write a novel. They laughed, You'll 222 00:16:47,080 --> 00:16:51,440 Speaker 2: never finish it, they said. She started right away. Once 223 00:16:51,480 --> 00:16:54,080 Speaker 2: she had a few chapters completed, she showed them to 224 00:16:54,160 --> 00:16:59,440 Speaker 2: her mother, Polly, who offered both criticism and compliments. Polly 225 00:16:59,560 --> 00:17:03,120 Speaker 2: asked a writer friend over for lunch, where she in 226 00:17:03,160 --> 00:17:07,159 Speaker 2: turn asked Barbara to read her draft out loud, A 227 00:17:07,200 --> 00:17:12,160 Speaker 2: personal nightmare for many writers, especially a writer just starting out, 228 00:17:12,600 --> 00:17:16,520 Speaker 2: but it was apparently a breeze for Barbara. It's very good, 229 00:17:16,680 --> 00:17:21,080 Speaker 2: the writer told her. Finish it. Barbara spent three months 230 00:17:21,119 --> 00:17:25,400 Speaker 2: doing just that. Where many writers also struggle to find 231 00:17:25,520 --> 00:17:30,320 Speaker 2: their voice, Barbara had internalized her beloved romance novels and 232 00:17:30,400 --> 00:17:33,439 Speaker 2: knew exactly what she wanted to say and how to 233 00:17:33,520 --> 00:17:37,400 Speaker 2: say it. Their eyes met reads one of the closing 234 00:17:37,560 --> 00:17:41,199 Speaker 2: lines of that first novel. Each was conscious of the 235 00:17:41,240 --> 00:17:45,680 Speaker 2: flame of love and desire within the other explanations words 236 00:17:45,800 --> 00:17:51,840 Speaker 2: were unnecessary. Barbara called the book Jigsaw and dedicated it 237 00:17:51,880 --> 00:17:56,359 Speaker 2: to Polly. It cost seven shillings and sixpence and it 238 00:17:56,440 --> 00:18:02,280 Speaker 2: became a minor sensation almost immediately. Jigsaw tells the story 239 00:18:02,359 --> 00:18:05,840 Speaker 2: of the innocent but enchanting Mona, who ends up in 240 00:18:05,920 --> 00:18:10,439 Speaker 2: a love triangle with a sensible, strong willed duke and 241 00:18:10,600 --> 00:18:15,320 Speaker 2: a dark and handsome stranger. Mona ultimately chooses the duke 242 00:18:15,760 --> 00:18:23,679 Speaker 2: as goodness prevails over temptation. This is a good moment 243 00:18:23,760 --> 00:18:27,360 Speaker 2: to talk about the tropes of Barbara's writing. In her 244 00:18:27,440 --> 00:18:32,600 Speaker 2: own words quote, there are two means. One is the impatient, 245 00:18:32,840 --> 00:18:38,200 Speaker 2: rather aggressive crusader, sometimes overpowersing with a tendency to fight 246 00:18:38,320 --> 00:18:41,240 Speaker 2: violently for what I believe is right. And the other 247 00:18:41,359 --> 00:18:46,240 Speaker 2: image I have of myself is sweet, soft, gentle, understanding, 248 00:18:46,640 --> 00:18:51,199 Speaker 2: perceptive and very feminine. Longing to be protected by a 249 00:18:51,320 --> 00:18:56,480 Speaker 2: strong masculine man. It is a kind of idealistic, mental 250 00:18:56,600 --> 00:19:01,480 Speaker 2: and spiritual virginity which I have given my heroines, and 251 00:19:01,640 --> 00:19:07,280 Speaker 2: which I have always had myself. End quote Mona Or 252 00:19:07,560 --> 00:19:11,560 Speaker 2: Barbara has an angel and a devil, so to speak 253 00:19:11,640 --> 00:19:15,440 Speaker 2: on her shoulder in Jigsaw, the strong but silent Duke 254 00:19:15,560 --> 00:19:20,639 Speaker 2: Peter and the exciting but dangerous Alec. It brings to 255 00:19:20,720 --> 00:19:25,800 Speaker 2: mind the Madonna horror complex, which sees women as either 256 00:19:26,040 --> 00:19:31,840 Speaker 2: saintly or degenerate, never in between. Barbara's heroines are always 257 00:19:32,000 --> 00:19:37,000 Speaker 2: pure madonnas who seek stability with Peters, and they must 258 00:19:37,119 --> 00:19:41,520 Speaker 2: reject their inner whore who is driving them toward an 259 00:19:41,560 --> 00:19:46,080 Speaker 2: alec or. Sometimes the heroine is so saintly that the 260 00:19:46,200 --> 00:19:50,360 Speaker 2: leading man will overcome his degeneracy in order to devote 261 00:19:50,400 --> 00:19:54,000 Speaker 2: himself to her. This episode isn't a book report, but 262 00:19:54,119 --> 00:19:57,560 Speaker 2: these themes, especially with regards to the way she frames 263 00:19:57,600 --> 00:20:02,000 Speaker 2: and portrays women and female desire, I think is important 264 00:20:02,359 --> 00:20:05,439 Speaker 2: when we think about how much Barbara has stated that 265 00:20:05,480 --> 00:20:11,520 Speaker 2: her heroines represent herself and her morals. Back to Jigsaw's success. 266 00:20:12,200 --> 00:20:17,080 Speaker 2: Now a minor celebrity, Barbara was becoming even more popular 267 00:20:17,160 --> 00:20:20,320 Speaker 2: in the London social scene than she had already been. 268 00:20:20,840 --> 00:20:23,720 Speaker 2: Her dance card was always full, and she was always 269 00:20:23,760 --> 00:20:27,480 Speaker 2: present in the gossip columns of magazines like Tattler and 270 00:20:27,600 --> 00:20:32,440 Speaker 2: other newspapers. At the same time, Barbara had already been 271 00:20:32,640 --> 00:20:38,520 Speaker 2: secretly writing four gossip columns, gathering tips from her society circles, 272 00:20:38,880 --> 00:20:43,800 Speaker 2: and she would continue that secret career four years. Can 273 00:20:43,960 --> 00:20:50,160 Speaker 2: someone say, Lady Whistle down? These social circles contained various 274 00:20:50,400 --> 00:20:55,560 Speaker 2: lords and ladies, earls and countesses, and a young Winston Churchill, 275 00:20:55,600 --> 00:20:58,920 Speaker 2: who Barbara struck up a friendship with. Barbara would get 276 00:20:58,920 --> 00:21:02,679 Speaker 2: further inspiration for her leading men when she met the 277 00:21:02,840 --> 00:21:08,320 Speaker 2: Duke of Sutherland. He, like most men Barbara encountered, also 278 00:21:08,480 --> 00:21:10,959 Speaker 2: fell in love with her, but there was the issue 279 00:21:11,000 --> 00:21:15,639 Speaker 2: of his already having a wife, and his advances were rejected. 280 00:21:16,640 --> 00:21:21,720 Speaker 2: When Barbara did decide to marry, it was proposal number fifty. 281 00:21:22,480 --> 00:21:28,359 Speaker 2: Alexander George mccorkadale was not one of Barbara's brooding dukes. Rather, 282 00:21:28,440 --> 00:21:32,240 Speaker 2: he was a British Army officer from Scotland and heir 283 00:21:32,359 --> 00:21:36,480 Speaker 2: to a printing fortune. He was, however, said to have 284 00:21:36,680 --> 00:21:40,960 Speaker 2: looked the part of a Cartland hero, dark haired, strong, 285 00:21:41,160 --> 00:21:45,080 Speaker 2: and yes, of course brooding. The couple were married on 286 00:21:45,160 --> 00:21:50,280 Speaker 2: April twenty third, nineteen twenty seven. For the wedding, Barbara 287 00:21:50,400 --> 00:21:55,240 Speaker 2: wore the first tool dress that society had seen since 288 00:21:55,280 --> 00:22:00,960 Speaker 2: World War One, made by the English designer extraordinary Norman Hartnell, 289 00:22:01,320 --> 00:22:08,240 Speaker 2: but designed by Barbara herself. Years later, Barbara would write 290 00:22:08,320 --> 00:22:13,040 Speaker 2: an article on honeymoons for The Evening News, and although 291 00:22:13,080 --> 00:22:17,240 Speaker 2: she describes a fictitious young bride in the article, there 292 00:22:17,400 --> 00:22:21,520 Speaker 2: was truth to her own experience quote. She the fictional 293 00:22:21,560 --> 00:22:26,040 Speaker 2: bride dreamed of a strong, silent cave man, a man 294 00:22:26,119 --> 00:22:29,400 Speaker 2: of deeds but a few words, a man who, underneath 295 00:22:29,480 --> 00:22:34,399 Speaker 2: a deep reserve, was passionate, commanding, conquering. Finally, she thought 296 00:22:34,440 --> 00:22:38,320 Speaker 2: she had found that in her husband. She mistook inertia 297 00:22:38,480 --> 00:22:44,160 Speaker 2: for reserve, lack of interest for silent strength, and inexperience 298 00:22:44,359 --> 00:22:50,920 Speaker 2: for hidden passion. She was miserably disappointed. Barbara's marriage would 299 00:22:51,000 --> 00:22:55,439 Speaker 2: last only five years, but it brought the couple a baby, girl, 300 00:22:55,920 --> 00:23:01,080 Speaker 2: Rain mccorkidale. In September of nineteen twenty nine, Barbara's mother 301 00:23:01,160 --> 00:23:04,239 Speaker 2: in law implored her to give up her career and 302 00:23:04,320 --> 00:23:08,400 Speaker 2: stop writing her quote immoral novels, but she had no 303 00:23:08,480 --> 00:23:12,520 Speaker 2: intention of doing that. Not only did Barbara continue her 304 00:23:12,600 --> 00:23:16,879 Speaker 2: literary career as a mother, but she took on new ventures, 305 00:23:17,359 --> 00:23:21,520 Speaker 2: including advocating for better public health awareness. After her daughter 306 00:23:21,680 --> 00:23:27,159 Speaker 2: reign inexplicably fell nearly fatally ill, and Barbara also became 307 00:23:27,240 --> 00:23:33,040 Speaker 2: interested in aviation advancements. Particularly, she was interested in recent 308 00:23:33,160 --> 00:23:37,800 Speaker 2: innovations in gliding, and she worked with two inventors to 309 00:23:37,920 --> 00:23:42,720 Speaker 2: deliver the first air mail cross country via glider. When 310 00:23:42,720 --> 00:23:46,159 Speaker 2: the project was complete, it was of course christened the 311 00:23:46,320 --> 00:23:51,679 Speaker 2: Barbara Cartland Glider. Her experiment proved to be essential to 312 00:23:51,840 --> 00:23:54,840 Speaker 2: further designs and had an impact on the air mail 313 00:23:54,920 --> 00:23:58,520 Speaker 2: system during the Second World War, so much so that 314 00:23:58,600 --> 00:24:02,920 Speaker 2: in nineteen eighty four she was awarded the US Bishop 315 00:24:03,040 --> 00:24:09,760 Speaker 2: Wrights Air Industry Award. While Barbara continued to explore her 316 00:24:09,960 --> 00:24:14,679 Speaker 2: new career ventures and interests, she faced difficulties at home. 317 00:24:15,280 --> 00:24:18,199 Speaker 2: In the early nineteen thirties, while her husband was away, 318 00:24:18,720 --> 00:24:22,560 Speaker 2: Barbara came across a series of love letters in another 319 00:24:22,760 --> 00:24:28,240 Speaker 2: woman's handwriting. Instead of confronting her husband directly the next morning, 320 00:24:28,400 --> 00:24:33,080 Speaker 2: she took her findings straight to his parents. Upon returning 321 00:24:33,200 --> 00:24:36,200 Speaker 2: from his trip, her husband went straight to their home 322 00:24:36,480 --> 00:24:40,480 Speaker 2: and refused all requests to see or speak to his wife. 323 00:24:41,160 --> 00:24:44,159 Speaker 2: The social circles Barbara had once been the darling of 324 00:24:44,640 --> 00:24:48,919 Speaker 2: were now beginning to shun her as a divorcee. The 325 00:24:49,119 --> 00:24:53,680 Speaker 2: Matrimonial Causes Act that allowed for either spouse to petition 326 00:24:53,880 --> 00:24:57,199 Speaker 2: for divorce on the basis of adultery had only just 327 00:24:57,320 --> 00:25:01,040 Speaker 2: been adopted in nineteen twenty three, a decade earlier, and 328 00:25:01,240 --> 00:25:04,960 Speaker 2: the upper echelons of British society were never the ones 329 00:25:05,040 --> 00:25:10,800 Speaker 2: to quickly adopt progressive mindsets. The Countess of Pembroke forbade 330 00:25:10,920 --> 00:25:14,560 Speaker 2: Barbara from helping her arrange a charity ball, which was 331 00:25:14,640 --> 00:25:19,159 Speaker 2: ironic considering the Earl of Pembroke had just run away 332 00:25:19,200 --> 00:25:22,520 Speaker 2: with another woman and was at the moment begging his 333 00:25:22,560 --> 00:25:26,800 Speaker 2: wife for a divorce. It should also be noted though 334 00:25:26,920 --> 00:25:31,439 Speaker 2: Barbara may not have been entirely faithful during the marriage either. 335 00:25:32,080 --> 00:25:34,560 Speaker 2: This claim must be taken with a grain of salt, 336 00:25:34,720 --> 00:25:38,440 Speaker 2: as it was reported in The Daily Mail posthumously as 337 00:25:38,480 --> 00:25:43,040 Speaker 2: a conversation that happened off the record, but she allegedly 338 00:25:43,600 --> 00:25:46,720 Speaker 2: told a journalist that she had a number of lovers 339 00:25:46,960 --> 00:25:51,800 Speaker 2: who could even potentially have been Rayne's real father, including 340 00:25:51,840 --> 00:25:56,600 Speaker 2: her prototypical hero, the Duke of Sutherland and Prince George, 341 00:25:56,680 --> 00:25:59,879 Speaker 2: the Duke of Kent. Barbara would go on to have 342 00:26:00,400 --> 00:26:05,720 Speaker 2: two more children, both sons, with a second husband, her 343 00:26:05,760 --> 00:26:10,800 Speaker 2: ex's cousin, Hugh mccorkydale. They had been friends and he 344 00:26:10,920 --> 00:26:13,760 Speaker 2: became something of a rock for Barbara during the years 345 00:26:14,000 --> 00:26:18,560 Speaker 2: following the divorce. Darling, I am getting older, reads a 346 00:26:18,640 --> 00:26:22,320 Speaker 2: letter from Hugh to his future wife. Yet you, the 347 00:26:22,440 --> 00:26:26,199 Speaker 2: loveliest creature God ever made, loves me and wants to 348 00:26:26,280 --> 00:26:30,359 Speaker 2: marry me. It's so wonderful, I can't believe it's true. 349 00:26:30,480 --> 00:26:34,640 Speaker 2: The couple would have twenty seven years together before Hugh 350 00:26:34,880 --> 00:26:38,399 Speaker 2: passed due to a heart condition, but he would be 351 00:26:38,440 --> 00:26:42,680 Speaker 2: the great love of Barbara's life. The couple were married 352 00:26:43,080 --> 00:26:47,200 Speaker 2: in nineteen thirty six, by which point Barbara had begun 353 00:26:47,240 --> 00:26:51,280 Speaker 2: to publish around two novels a year. Throughout all of 354 00:26:51,320 --> 00:26:54,320 Speaker 2: those events I discussed, and all of the events I 355 00:26:54,400 --> 00:26:58,159 Speaker 2: will discuss, it is safe to say that Barbara was 356 00:26:58,240 --> 00:27:07,080 Speaker 2: writing through them. Barbara would continue to publish throughout the 357 00:27:07,200 --> 00:27:10,680 Speaker 2: nineteen forties, but once again she was forced to live 358 00:27:10,720 --> 00:27:14,359 Speaker 2: through a World war, and once again she would lose 359 00:27:14,520 --> 00:27:18,320 Speaker 2: family in the fighting. This time, both of her brothers 360 00:27:18,760 --> 00:27:23,560 Speaker 2: died in Dunkirk. As daily life in London got more perilous, 361 00:27:23,880 --> 00:27:27,600 Speaker 2: Barbara and her children left for Canada at the invitation 362 00:27:27,760 --> 00:27:31,000 Speaker 2: of a friend, but Barbara soon decided she had made 363 00:27:31,000 --> 00:27:34,040 Speaker 2: a mistake and that she and her family should return 364 00:27:34,080 --> 00:27:37,800 Speaker 2: to England, where her husband, Hugh had remained. She wanted 365 00:27:37,840 --> 00:27:41,520 Speaker 2: to help however they could. She would become the chief 366 00:27:41,640 --> 00:27:45,960 Speaker 2: Lady Welfare Officer to the Services in Bedfordshire, which often 367 00:27:46,000 --> 00:27:49,760 Speaker 2: meant improving the lives of local women. Some of her 368 00:27:49,800 --> 00:27:52,520 Speaker 2: aid came in the form of getting the service women 369 00:27:52,680 --> 00:27:56,800 Speaker 2: better material for their clothing, helping them feel more beautiful, 370 00:27:57,160 --> 00:27:59,400 Speaker 2: and some of it came in the form of helping 371 00:27:59,520 --> 00:28:04,600 Speaker 2: local pregnant women or women going through divorces. As the 372 00:28:04,680 --> 00:28:08,960 Speaker 2: only female welfare officer, she was in a unique position 373 00:28:09,080 --> 00:28:14,600 Speaker 2: to understand problems that were often overlooked by men. By 374 00:28:14,640 --> 00:28:18,159 Speaker 2: all accounts, she was excellent at her job, but it 375 00:28:18,280 --> 00:28:21,920 Speaker 2: seems like an odd fit when you consider that Barbara 376 00:28:22,160 --> 00:28:26,760 Speaker 2: publicly stated numerous times that she did not care for 377 00:28:26,880 --> 00:28:30,840 Speaker 2: women in general and had very few women friends in 378 00:28:30,880 --> 00:28:35,560 Speaker 2: her life. As the war ended, Barbara became even more 379 00:28:35,600 --> 00:28:40,040 Speaker 2: devoted to her writing, finishing her thirtieth novel and resuming 380 00:28:40,080 --> 00:28:44,719 Speaker 2: her journalistic career. In nineteen forty eight, inspired by her 381 00:28:44,800 --> 00:28:50,320 Speaker 2: daughter's first extravagant wedding, Barbara responded to a request from 382 00:28:50,400 --> 00:28:55,200 Speaker 2: a woman's magazine that implored her to write a historical romance. 383 00:28:55,800 --> 00:28:59,360 Speaker 2: That book would be Hazard of Hearts, and it would 384 00:28:59,480 --> 00:29:03,239 Speaker 2: change the course of Barbara's career. Until that point, her 385 00:29:03,280 --> 00:29:07,000 Speaker 2: stories had been modern, but the more she researched, the 386 00:29:07,000 --> 00:29:10,920 Speaker 2: more she discovered her love of history. It also didn't 387 00:29:10,960 --> 00:29:14,720 Speaker 2: hurt that one of Barbara's primary values, a woman being 388 00:29:14,800 --> 00:29:18,760 Speaker 2: a virgin, had been even more valuable in the days 389 00:29:18,800 --> 00:29:23,560 Speaker 2: of yore. In nineteen fifty, Barbara and her family moved 390 00:29:23,680 --> 00:29:28,360 Speaker 2: to Camfield Place, a country estate built by Edmund Potter, 391 00:29:28,720 --> 00:29:33,120 Speaker 2: grandfather of Beatrix Potter. Its gardens actually gave birth to 392 00:29:33,240 --> 00:29:37,440 Speaker 2: Peter Rabbit, just as the gardens of Barbara's childhood home 393 00:29:37,720 --> 00:29:42,280 Speaker 2: had been the original source of her imagination. That same year, 394 00:29:42,480 --> 00:29:47,880 Speaker 2: Barbara faced a plagiarism allegation from one of her original inspirations, 395 00:29:48,200 --> 00:29:54,120 Speaker 2: Georgette Hayre Hayer, alleged that Hazard of Hearts replicated character 396 00:29:54,240 --> 00:29:57,480 Speaker 2: names and plot points from a number of her novels, 397 00:29:57,880 --> 00:30:01,000 Speaker 2: but the case never went to court, so we'll never 398 00:30:01,080 --> 00:30:06,560 Speaker 2: know exactly what went down. Over the next decade, Barbara 399 00:30:06,600 --> 00:30:11,320 Speaker 2: would continue to produce an astonishing number of novels, and 400 00:30:11,440 --> 00:30:14,760 Speaker 2: by the sixties there was a devoted market of British 401 00:30:14,760 --> 00:30:20,440 Speaker 2: women eagerly awaiting every publication. By the early seventies, Barbara 402 00:30:20,480 --> 00:30:25,200 Speaker 2: had sold fifty million books. As the decade went on, 403 00:30:25,440 --> 00:30:30,080 Speaker 2: she would produce on average two books a month. Her 404 00:30:30,120 --> 00:30:34,840 Speaker 2: afternoons consisted of dictating her writing to her secretaries. She 405 00:30:34,880 --> 00:30:40,200 Speaker 2: could average seven thousand words in accession, which usually lasted 406 00:30:40,240 --> 00:30:44,720 Speaker 2: a few hours. Her secretaries were not permitted to sneeze 407 00:30:44,840 --> 00:30:48,360 Speaker 2: or cough while Barbara dictated from the couch with a 408 00:30:48,400 --> 00:30:51,560 Speaker 2: hot water bottle at her feet and her dog cuddled 409 00:30:51,600 --> 00:30:54,880 Speaker 2: next to her. This would be her routine for the 410 00:30:54,920 --> 00:31:01,280 Speaker 2: rest of her life. In nineteen seventy six, Barbara's daughter 411 00:31:01,480 --> 00:31:07,520 Speaker 2: Rain married Earl Spencer, the father of Diana. However, when 412 00:31:07,640 --> 00:31:11,440 Speaker 2: Rain fell for the Earl, she was already married with 413 00:31:11,600 --> 00:31:15,680 Speaker 2: four children. It's like one of your books, she apparently 414 00:31:15,760 --> 00:31:18,760 Speaker 2: told her mother. I am wildly in love and there's 415 00:31:18,840 --> 00:31:22,880 Speaker 2: nothing anyone can do about it. Sixteen year old Diana 416 00:31:23,240 --> 00:31:27,440 Speaker 2: had grown up a fan of her new step grandmother's novels, 417 00:31:27,840 --> 00:31:32,320 Speaker 2: and one of the princess's biographies claims that Cartland used 418 00:31:32,360 --> 00:31:36,640 Speaker 2: to send her advanced copies even before they became family. 419 00:31:37,280 --> 00:31:40,600 Speaker 2: There's a really great picture of a young Diana reading 420 00:31:40,640 --> 00:31:44,480 Speaker 2: one Cartland novel while two other books sit on her lap, 421 00:31:44,720 --> 00:31:47,840 Speaker 2: and we can only imagine she's dreaming about her own 422 00:31:48,040 --> 00:31:52,000 Speaker 2: romance one day with a duke, or an earl, or 423 00:31:52,040 --> 00:31:57,480 Speaker 2: even a prince. Rain, as Princess Diana scholars might know, 424 00:31:58,240 --> 00:32:02,560 Speaker 2: was hated by Diana and often referred to by Diana 425 00:32:02,640 --> 00:32:08,120 Speaker 2: and her siblings as Acid Rain. Their relationship was incredibly 426 00:32:08,240 --> 00:32:11,880 Speaker 2: strained for most of her life, although they would mend 427 00:32:12,000 --> 00:32:18,480 Speaker 2: things shortly before Diana's tragic death. Even before Diana became family, 428 00:32:18,720 --> 00:32:23,720 Speaker 2: Barbara had another royal connection, a long intimate friendship with 429 00:32:23,920 --> 00:32:28,360 Speaker 2: Lord Mountbatten of Burma, Prince Philip's uncle, who even helped 430 00:32:28,360 --> 00:32:31,320 Speaker 2: her write one of her romances, Love at the Helm, 431 00:32:31,720 --> 00:32:37,000 Speaker 2: by providing her information from his naval background. Barbara did 432 00:32:37,040 --> 00:32:41,640 Speaker 2: not attend the eventual royal wedding between Diana and Charles, 433 00:32:42,000 --> 00:32:44,960 Speaker 2: but she insists it was not a snub that she 434 00:32:45,080 --> 00:32:48,080 Speaker 2: instead gave up her seat so that her son Ian 435 00:32:48,200 --> 00:32:52,959 Speaker 2: could go instead. Still, Barbara would only gain more tabloid 436 00:32:52,960 --> 00:32:57,040 Speaker 2: attention from her association with the princess at a time 437 00:32:57,200 --> 00:33:01,040 Speaker 2: when her books were already becoming more popular than ever. 438 00:33:01,720 --> 00:33:05,200 Speaker 2: After all, what was Diana but a Cartland character come 439 00:33:05,240 --> 00:33:09,240 Speaker 2: to life, a young woman swept away by a romance 440 00:33:09,280 --> 00:33:18,000 Speaker 2: with a prince. The nineteen sixties saw censorships being lifted 441 00:33:18,360 --> 00:33:21,920 Speaker 2: that allowed for racier material to now be published, but 442 00:33:22,040 --> 00:33:26,240 Speaker 2: a boom of pornography meant that for many the pendulum 443 00:33:26,320 --> 00:33:30,720 Speaker 2: of taste would swing the other way, and publishers saw 444 00:33:30,760 --> 00:33:36,760 Speaker 2: a major market for Barbara's virginal heroines. The debate between 445 00:33:36,880 --> 00:33:41,680 Speaker 2: erotica and romance was best exemplified in a nineteen eighty 446 00:33:41,720 --> 00:33:46,200 Speaker 2: seven TV appearance from Barbara, where she appeared alongside the 447 00:33:46,240 --> 00:33:52,400 Speaker 2: novelist Jackie Collins, whose hit book The stud exemplified for Cartland. 448 00:33:52,840 --> 00:33:57,840 Speaker 2: Everything wrong with romance? It's evil, really, Barbara began, what 449 00:33:58,320 --> 00:34:02,360 Speaker 2: Collins asks, the book books you write quite frankly. Collins 450 00:34:02,480 --> 00:34:06,080 Speaker 2: replies that she doesn't believe there's anything evil about writing 451 00:34:06,080 --> 00:34:10,520 Speaker 2: about sex, something so natural. But Barbara is having none 452 00:34:10,560 --> 00:34:14,640 Speaker 2: of it. Don't you think it has helped perverts? She asks, 453 00:34:15,080 --> 00:34:20,600 Speaker 2: and worries about the book's influence on children. The YouTuber 454 00:34:20,760 --> 00:34:26,000 Speaker 2: Contrapoint in her video on Twilight actually discusses that debate, 455 00:34:26,440 --> 00:34:31,400 Speaker 2: describing it as quote surreal to watch a quote eighty 456 00:34:31,480 --> 00:34:35,840 Speaker 2: year old woman in clown drag lecture an audience about 457 00:34:35,880 --> 00:34:40,960 Speaker 2: sexual purity. Since this is an audio medium, I leave 458 00:34:41,000 --> 00:34:43,719 Speaker 2: it to you to watch the debate for yourself and 459 00:34:43,840 --> 00:34:48,680 Speaker 2: decide if that description is apt. Barbara's crusades in her 460 00:34:48,760 --> 00:34:52,359 Speaker 2: older age didn't just stop at bashing what she saw 461 00:34:52,440 --> 00:34:58,560 Speaker 2: as immoral erotica. She campaigned for purity for women, promoting 462 00:34:58,719 --> 00:35:02,640 Speaker 2: religious morality, as well as writing an article where she 463 00:35:02,760 --> 00:35:07,120 Speaker 2: expressed her worries that books published by gay man's press 464 00:35:07,239 --> 00:35:12,640 Speaker 2: could quote easily pollute children's minds. In response, The Gay 465 00:35:12,760 --> 00:35:17,040 Speaker 2: Times wrote, quote, given the garbage that Cartland turns out, 466 00:35:17,440 --> 00:35:20,920 Speaker 2: I would think that GMP are quite happy to be 467 00:35:21,320 --> 00:35:27,400 Speaker 2: in a different league, youch There's a quote from Cartland 468 00:35:27,880 --> 00:35:33,120 Speaker 2: that's in Robin's biography that reveals a sad truth. Cartland 469 00:35:33,160 --> 00:35:37,520 Speaker 2: says marriage is the best investment that was ever invented 470 00:35:37,560 --> 00:35:41,960 Speaker 2: for women. It's a security against their old age, against 471 00:35:42,040 --> 00:35:46,960 Speaker 2: them being deserted after losing their looks and becoming unattractive. 472 00:35:47,400 --> 00:35:49,920 Speaker 2: To throw away all that when you are young and 473 00:35:50,040 --> 00:35:55,880 Speaker 2: foolish is very reckless end quote. Even as the Sexual 474 00:35:55,960 --> 00:36:00,120 Speaker 2: Revolution and the Equal Rights Amendment began to gain traction, 475 00:36:00,680 --> 00:36:05,360 Speaker 2: Barbara held onto the security of tradition and shamed the 476 00:36:05,400 --> 00:36:09,200 Speaker 2: women who did not. It's incredible in a way that 477 00:36:09,280 --> 00:36:13,040 Speaker 2: a woman who would sell millions of copies of books 478 00:36:13,440 --> 00:36:17,759 Speaker 2: with a sizeable income would still see the greatest security 479 00:36:17,840 --> 00:36:22,279 Speaker 2: in her old age as still being wanted or tolerated 480 00:36:22,400 --> 00:36:26,360 Speaker 2: by a man. While the world was progressing in a 481 00:36:26,440 --> 00:36:30,640 Speaker 2: way that frankly horrified her, Barbara could always write about 482 00:36:30,680 --> 00:36:35,720 Speaker 2: a past she believed was exemplary. In the nineties, Barbara 483 00:36:35,760 --> 00:36:40,239 Speaker 2: published her five hundred and sixty fifth book, breaking the 484 00:36:40,320 --> 00:36:43,399 Speaker 2: record for the greatest number of books ever written by 485 00:36:43,520 --> 00:36:48,960 Speaker 2: British authors. By then, in her nineties, Barbara was still 486 00:36:49,239 --> 00:36:54,080 Speaker 2: churning out novels, and in nineteen ninety one, apparently after 487 00:36:54,320 --> 00:36:58,400 Speaker 2: years of complaining that she never received even a quote 488 00:36:58,600 --> 00:37:02,680 Speaker 2: measly mbe, she was made a Dame for her contribution 489 00:37:02,880 --> 00:37:06,120 Speaker 2: to literature and for her work in the community and 490 00:37:06,239 --> 00:37:10,439 Speaker 2: with charities. In two thousand, at the age of ninety eight, 491 00:37:10,719 --> 00:37:14,120 Speaker 2: Barbara died in her sleep, in her home. Her official 492 00:37:14,160 --> 00:37:18,200 Speaker 2: website states that over her career, she wrote seven hundred 493 00:37:18,200 --> 00:37:22,200 Speaker 2: and twenty three novels. She also left behind a series 494 00:37:22,280 --> 00:37:26,680 Speaker 2: of one hundred and sixty unpublished novels, which were later 495 00:37:26,760 --> 00:37:31,080 Speaker 2: published by her son Ian as the Barbara Cartland Pink Collection. 496 00:37:32,160 --> 00:37:37,520 Speaker 2: Barbara believed in reincarnation and was not afraid of death. Quote. 497 00:37:37,560 --> 00:37:40,800 Speaker 2: I've had a wonderful life with ups and downs, tears 498 00:37:40,840 --> 00:37:44,840 Speaker 2: and laughter, but so much kindness, so much happiness, so 499 00:37:45,000 --> 00:37:48,399 Speaker 2: much love, she told her biographer. How could all that 500 00:37:48,480 --> 00:37:52,440 Speaker 2: be lost? How could the effort, the striving, the sacrifices 501 00:37:52,600 --> 00:37:56,239 Speaker 2: be wasted. I believe my faith will make it all 502 00:37:56,239 --> 00:38:09,680 Speaker 2: come true tomorrow. It's a very romantic thought. That's the 503 00:38:09,719 --> 00:38:15,160 Speaker 2: story of the particular British icon Dame Barbara Cartland. But 504 00:38:15,320 --> 00:38:19,360 Speaker 2: keep listening after a brief sponsor break to hear one 505 00:38:19,560 --> 00:38:24,320 Speaker 2: important story I believe about one of her most important hobbies. 506 00:38:30,200 --> 00:38:33,560 Speaker 2: I could not end this episode without telling you about 507 00:38:34,080 --> 00:38:39,240 Speaker 2: Album of Love Songs, Barbara's record with the Royal Philharmonic. 508 00:38:40,000 --> 00:38:44,800 Speaker 2: Her singing is, let's say, interesting, but the real gems 509 00:38:44,880 --> 00:38:48,600 Speaker 2: of the album are the spoken word tracks, where she 510 00:38:48,760 --> 00:38:53,160 Speaker 2: waxes poetic about all things love. It is really the 511 00:38:53,239 --> 00:38:55,640 Speaker 2: kind of thing you just have to go listen to 512 00:38:55,760 --> 00:38:58,839 Speaker 2: on your own. I could give you my thoughts or 513 00:38:58,880 --> 00:39:02,320 Speaker 2: I could read you. A YouTube comment from noted critic 514 00:39:02,680 --> 00:39:07,880 Speaker 2: Lizzie Allen twenty two eighty four quote, OMG, it doesn't 515 00:39:07,960 --> 00:39:11,279 Speaker 2: get any camper than this. Could not have said it 516 00:39:11,400 --> 00:39:18,520 Speaker 2: better myself. Noble Blood is a production of iHeartRadio and 517 00:39:18,719 --> 00:39:22,480 Speaker 2: Grimm and Mild from Aaron Mankey. Noble Blood is hosted 518 00:39:22,520 --> 00:39:27,200 Speaker 2: by me Danish Forts, with additional writing and researching by 519 00:39:27,280 --> 00:39:33,320 Speaker 2: Hannah Johnston, Hannah Zewick, Courtney Sender, Julia Milani, and Armand Cassam. 520 00:39:33,880 --> 00:39:37,440 Speaker 2: The show is edited and produced by Noemy Griffin and 521 00:39:37,840 --> 00:39:43,400 Speaker 2: rima Il Kali, with supervising producer Josh Thain and executive 522 00:39:43,440 --> 00:39:47,839 Speaker 2: producers Aaron Manky, Alex Williams, and Matt Frederick. Four more 523 00:39:47,960 --> 00:39:53,719 Speaker 2: podcasts from iHeartRadio visit the iHeartRadio app, Apple Podcasts, or 524 00:39:53,840 --> 00:40:27,640 Speaker 2: wherever you listen to your favorite shows. Ossssssssssssssss