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Speaker 1: Model Katy Liis.

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Speaker 2: Wake Up Way, why you guys really are Like the

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Speaker 2: hip hop early morning late night Talk to your Breakfast Club.

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Speaker 3: Is the most powerful popular urban radio show.

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Speaker 4: Maybe like from.

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Speaker 5: The Black Mothership in New York City. It's DJ MV

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Speaker 5: and Charlamagne to God.

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Speaker 4: It's different.

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Speaker 6: You know what I'm saying, Like, y'all know what y'all

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Speaker 6: talking about.

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Speaker 7: Thanks to y'all be Black.

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Speaker 8: I love y'all.

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Speaker 5: Collectively known as Breakfast Club.

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Speaker 2: So I'm always nervous when I do the Breakfast Club

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Speaker 2: because sometimes you say stuff and it's just gonna get you.

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Speaker 9: Everybody, what wait, this is your time to get it

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Speaker 9: off your chest.

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Speaker 5: She's cooling. Eight hundred and five eighty five one O

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Speaker 5: five one. We want to hear from you on the

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Speaker 5: Breakfast Club. Hello, who's this?

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Speaker 10: This is George.

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Speaker 11: How are you guys doing?

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Speaker 5: Gay?

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Speaker 1: Thank you?

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Speaker 12: Hey.

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Speaker 5: I just want to say I.

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Speaker 11: Listen to you guys over every morning, go to work.

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Speaker 4: I love I bet you guys like.

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Speaker 11: Get my day going, my morning going. I just wanted

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Speaker 11: to say that, and I want to give a shout

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Speaker 11: out my boss, Harris Brooks, the Man.

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Speaker 13: Okay, thank you so much.

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Speaker 5: Hello, who's this I'm on to dj MV oneing.

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Speaker 14: Uh, yes, hey, hey, I got a question. Man, We're

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Speaker 14: gonna go ahead, uh and hire yes as your third

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Speaker 14: co host.

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Speaker 8: So yeah, keep back, keep them, It's okay, keep.

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Speaker 5: Back to.

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Speaker 14: No off to the other co hosts. But you know

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Speaker 14: what I'm saying.

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Speaker 4: She brings a.

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Speaker 14: Different energy to the to the show, you think, so yeah,

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Speaker 14: oh yeahs.

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Speaker 2: I'm concerned that she can't keep up these outfits, you

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Speaker 2: know what I'm saying. Like, I don't know, I'm.

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Speaker 8: The only one that come up here like this.

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Speaker 2: First of all, don't play with me, thank you exactly.

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Speaker 2: I think you get tired of dressing up this early

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Speaker 2: in the morning. I make them look in here looking good.

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Speaker 2: I make them dressed.

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Speaker 14: I think I think y'all need to go ahead and

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Speaker 14: just go ahead and sign it and just do it

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Speaker 14: if you need to do to get her there every day.

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Speaker 12: Just be too busy. Like next week, just as in Detroit.

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Speaker 12: Oh week, we'll see what God got planning.

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Speaker 7: I am, but I'm only in Detroit because somebody else

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Speaker 7: gonna be up here.

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Speaker 6: So yeah, well we'll see what God got playing.

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Speaker 11: Hello, who's this Shatima with a team?

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Speaker 8: Okay, Chatima with a t Get it off your chest, mama.

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Speaker 15: All right, I don't have anything to get off my chest,

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Speaker 15: but I just.

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Speaker 7: Wanted to call and wish my daughter a happy twenty

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Speaker 7: first birthday.

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Speaker 11: I am so proud of her.

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Speaker 2: She's a senior at the University of Delaware and she's

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Speaker 2: doing her stay there you go, universit Delaware. Su her

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Speaker 2: for surviving Delaware.

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Speaker 5: Stop it yeah, University of Delaware.

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Speaker 16: She is a senior.

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Speaker 14: Her name is Janaiah Hodge.

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Speaker 6: Jania hope you go out there and do great things

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Speaker 6: in this world.

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Speaker 8: Absolutely.

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Speaker 14: I can't believe I got through.

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Speaker 17: This is in all these years.

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Speaker 16: This is the only time I got through.

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Speaker 11: So you know, it's a prayer from God for my daughter.

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Speaker 12: There you go, all right, Thank y'all for taking the call.

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Speaker 5: All right, Hello, who's this?

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Speaker 4: You don't what's up?

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Speaker 10: Its lows from shot Town, Loas.

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Speaker 2: What up?

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Speaker 8: Get it off your chest, y'all.

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Speaker 2: I just want to thank you to both you guys,

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Speaker 2: Man Selling Man and every Man.

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Speaker 11: I read both y'all books.

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Speaker 5: Oh, I ain't got telling me to sign my book.

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Speaker 10: In Atlanta the podcast Stuff festival he had, Thank you, brother.

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Speaker 4: I'm working on that.

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Speaker 5: I'm working on the third one right.

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Speaker 4: Now, Yo, I'm buying it.

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Speaker 11: I'm buying it, y'all. Y'are both your books did me

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Speaker 11: some good with my marriage.

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Speaker 14: Man.

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Speaker 10: Y'all y'all really changed my life with those two books

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Speaker 10: at so big word up.

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Speaker 12: Yeah, me and the wife just finished the second book.

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Speaker 12: We were talking about raising our kids. You know, we

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Speaker 12: got six kids. One is twenty two to the youngest

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Speaker 12: is two. So it's real life, real family when we're

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Speaker 12: just talking about, you know, the different ages and how we.

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Speaker 5: Raise our kids. Brother, Well, thank you, loose. We appreciate you. Brother.

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Speaker 11: Yeah, you're no problem.

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Speaker 14: Man.

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Speaker 4: Bliss brown and how your favorite? There you go?

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Speaker 6: Well, I'm black, but same respect your color.

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Speaker 4: You're Hugh.

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Speaker 5: Hello, who's this?

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Speaker 11: What's up?

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Speaker 12: D your envy?

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Speaker 11: This frank piece for your town?

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Speaker 14: Or how man?

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Speaker 5: What up? Frank? Get it off your chest? Brother?

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Speaker 11: Man, I want to talk about the c I and

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Speaker 11: man turn situation. Man, I keep people talk about that.

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Speaker 11: I just want to say, man, I don't care how

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Speaker 11: old I get, any of my kids ever disrespecting them

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Speaker 11: trying to raise their hand. I'm gonna put them down.

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Speaker 4: Right there, especially your son. Yeah.

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Speaker 11: Yeah, that's that's crazy.

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Speaker 14: Man.

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Speaker 11: I don't even know why people have fixed the him

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Speaker 11: out to say TI tripping or messing up their family

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Speaker 11: are embarrassing. Come on, man, that's crazy yea.

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Speaker 2: And there's probably people saying that who ain't got no kids,

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Speaker 2: especially science, because reality is, you know, we've all got

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Speaker 2: buck on our fathers.

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Speaker 4: At one point we're.

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Speaker 5: Going to test it out that, you know what I mean?

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Speaker 11: Yeah, but that's just man. I don't know. People just

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Speaker 11: be like to talk.

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Speaker 10: Man.

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Speaker 11: I don't know what's going on with this world. But

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Speaker 11: I promise you any of my kids raise their hands

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Speaker 11: that me or they Mama, I'm putting them down right

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Speaker 11: there where they are.

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Speaker 18: I didn't hear nobody talking bad about nobody.

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Speaker 4: Can't nobody say to you I was wrong handed that

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Speaker 4: situation in.

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Speaker 11: A couple of comings, saying like he embarrassing the family,

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Speaker 11: or why ain't messing with something like that. I just

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Speaker 11: wanted to put that out there. These littles need to relax. Man,

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Speaker 11: These streets ain't what it is.

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Speaker 2: Also, you know what's in I didn't really get both

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Speaker 2: with my dad, you know, physically, because my dad showed

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Speaker 2: me that power early. Your dad let me know, my

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Speaker 2: dad let me know. It wasn't a game earlier early.

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Speaker 2: You don't even think about it, you know if.

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Speaker 18: You no, I did this day. I think I had

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Speaker 18: an attitude with my dad.

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Speaker 12: One time he said something I had an attitude punched

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Speaker 12: me dead my chest.

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Speaker 8: I was the last time ever. It was crazy. Yeah,

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Speaker 8: last time ever.

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Speaker 12: Get it off your chest. Eight hundred five eight five

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Speaker 12: one oh five one. If you need to vent, hit

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Speaker 12: us up now.

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Speaker 8: It's the Breakfast Club for morning.

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Speaker 9: The Breakfast Club, it's a new is your time to

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Speaker 9: get it off your chest?

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Speaker 8: Wait, whether you're mad.

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Speaker 13: Or black, time to get up and get something.

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Speaker 4: Call up now. Eight hundred five eight five one o

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Speaker 4: five one.

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Speaker 8: We want to hear from you on the Breakfast Club.

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Speaker 5: Hey Mike, what's up?

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Speaker 16: But this is Uber Mike Breakfast Club for the Morning.

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Speaker 5: To y'all, Uber Mike, what's up? Get it off your chest?

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Speaker 4: Brother?

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Speaker 16: I got I gotta do the first I wanted to say.

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Speaker 16: I want to thank y'all for fourteen years of hard service.

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Speaker 16: You guys haven't inspired me to start a podcast, Uber Driver.

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Speaker 16: It's called and just a driver on Spotify.

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Speaker 12: Got to be And if you don't, you can actually

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Speaker 12: do the interview in the call with people.

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Speaker 6: Yes, it would be Doe are driving around talking.

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Speaker 5: To people in the cameras filming, and while he's driving around.

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Speaker 2: Don't I don't want to inspire people in that way.

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Speaker 2: I want to inspire you to go to therapy, you

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Speaker 2: know what I'm saying. I want to inspire you to,

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Speaker 2: you know, do some things, but not the point.

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Speaker 16: There's a lot of stories out here, Charlotte Man, I

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Speaker 16: have a we have up to forty thousand rides, so

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Speaker 16: we got stuff to talk about.

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Speaker 6: So it's like taxi cab confessions.

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Speaker 4: I love it.

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Speaker 16: It's everything's stories for what people have gone through. It's

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Speaker 16: a whole bunch of things now.

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Speaker 11: Yeah, literally the eyes and airs of the streets.

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Speaker 6: Are you making these people sign waivers that they agree.

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Speaker 16: You're interview with people. We're talking to insurance agents reports,

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Speaker 16: you know, the ports and have the insurance when you're

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Speaker 16: driving a whole bunch of things that people are missing,

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Speaker 16: and then your ratings as a passenger. Why sometimes it

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Speaker 16: takes you a long time to get a ride of

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Speaker 16: all those things.

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Speaker 6: Yeah, but are you making these people sign waves?

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Speaker 5: Are they allowing me to I'm not interviewing people.

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Speaker 16: I mean, I'm not interviewing people.

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Speaker 4: I'm confused.

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Speaker 2: We have the wait, you're confused, So what are you

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Speaker 2: doing if you're not interviewing people?

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Speaker 16: We're talking about like insurance, we're talking about what drivers

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Speaker 16: go through. Do you know what driver?

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Speaker 8: He's not calling an interview, he's calling a conversation.

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Speaker 6: So you are you talking? Are you talking to these people?

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Speaker 16: No, we're not talking to people, Charlemagne. We are talking

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Speaker 16: to us like fellows, drivers.

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Speaker 6: The driver, they're talking amongst each other.

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Speaker 16: Okay, yes, yes, And last thing before I go, I

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Speaker 16: wonder what you guys are happy holidays?

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Speaker 5: Thank you sir.

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Speaker 16: And then whoever you guys make you're a third person

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Speaker 16: or whatever they have to pass the slander of the

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Speaker 16: breakfast club.

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Speaker 4: Second, that's impossible.

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Speaker 10: It's not that impossible.

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Speaker 2: I think anybody the breakfast club pretty easy that it's impossible.

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Speaker 16: What's that noble to say?

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Speaker 14: Whoever?

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Speaker 5: Y'all like, what's that she's ready for that?

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Speaker 4: Would you like to find out?

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Speaker 19: Laura?

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Speaker 8: No, I know anything.

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Speaker 17: Smile I be invited to.

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Speaker 8: So we had I trust you and we had a talk.

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Speaker 12: We had a segment called Slander the Breakfast Club, where

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Speaker 12: people can call up in Slander the Breakfast Club, would

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Speaker 12: like about the Breakfast Club.

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Speaker 8: They can do it.

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Speaker 17: Oh, we used to do that my old jobs.

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Speaker 8: So they would have to call up and be able

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Speaker 8: to slander you, and you'd have to be able to

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Speaker 8: take it.

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Speaker 17: We used to call a hit mail. Okay, that's like

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Speaker 17: a well the way you laughed about.

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Speaker 4: It, that Breakfast Club body is different.

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Speaker 17: I know it happens. It's in the comments.

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Speaker 8: Okay, Now they're different. They're different.

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Speaker 12: Get it off your chest. Eight hundred five eight five,

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Speaker 12: one oh five one. If you need the vent, hit

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Speaker 12: us up now. It's the Breakfast Club. Good morning, the

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Speaker 12: Breakfast Club.

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Speaker 5: Morning.

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Speaker 8: Everybody is dj n V Cholamine the guy.

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Speaker 5: We are the Breakfast Club.

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Speaker 8: We got a special guest in the building.

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Speaker 5: Yes, indeed, the Brother Terrors Crawt. You're welcome.

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Speaker 12: How you feeling fight those down July twenty ninth.

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Speaker 4: Yes, you think it's gonna be your toughest fight.

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Speaker 13: I don't know.

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Speaker 20: A lot of people ask me that every time I fight.

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Speaker 20: I don't know until I get in the ring with them.

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Speaker 5: How do you prepare for this fight?

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Speaker 12: Are you prepared the same way or is there any

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Speaker 12: different preparation for this one than any of the other

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Speaker 12: fights that you've had?

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Speaker 13: If it ain't broke, don't fix it.

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Speaker 20: Just keep doing what I'm doing and everything else to

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Speaker 20: play itself out.

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Speaker 2: You got to make some adjustments though. This is this

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Speaker 2: is Earl Spinch we talking about. This is this ain't

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Speaker 2: no just this the guy that you had picked over.

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Speaker 5: There picked him over.

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Speaker 8: I remember, I remember.

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Speaker 13: I don't.

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Speaker 2: I don't forget I got you got her, not because

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Speaker 2: you're not great. I just think you know sts fights.

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Speaker 2: I think I think I forgot it.

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Speaker 13: Definitely.

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Speaker 4: You feel pressure going into this fight.

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Speaker 20: Not at all, not at all. This is my moment,

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Speaker 20: this is my time. That's what I've been waiting for

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Speaker 20: in the world. Gonna see July twenty ninth.

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Speaker 12: I always talk about you know, nowadays it feels like

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Speaker 12: everybody wants to be undefeated, right, Does that put more

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Speaker 12: pressure on you? Because I think Floyd kind of did

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Speaker 12: it with his fifty and O. But back then, you

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Speaker 12: lose a fight, it was fine. I see you in

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Speaker 12: the rematch and it was okay. It wasn't cool. But

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Speaker 12: now it seems like when you lose a fight now

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Speaker 12: everybody's like, oh, it's washed, it's over.

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Speaker 13: I don't think I never felt any pressure.

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Speaker 20: I put my O on the line numerous of times

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Speaker 20: with whoever they put in front of I called out

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Speaker 20: the best fighters in each division that I've ever been in.

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Speaker 20: Floyd have made it kind of hard for people to

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Speaker 20: take a loss and keep going because so many people

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Speaker 20: want to be like Floyd, and so many people was

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Speaker 20: attracted to Floyd and follow Floyd's career, and they felt

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Speaker 20: as if you wasn't like Floyd, then you wasn't that

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Speaker 20: that guy.

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Speaker 14: You know.

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Speaker 20: But people lose, people come back, styles make fights, like

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Speaker 20: he said, and things happen. I never thought that a

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Speaker 20: loss can define a fighter in any way, shape or form.

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Speaker 2: Yeah, I mean, Floyd's one of the best ever do it.

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Speaker 2: But why just look at Floyd? Why people don't look

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Speaker 2: at Ali? You know, Lennux Floyd, all these break have lost,

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Speaker 2: Sugar Leon, like Tommy hearn They've all lost.

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Speaker 20: Because times has changed and social media have took an over.

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Speaker 20: So when Tommy Hearns and Ali and all those great

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Speaker 20: fighters that came before us, they didn't have to deal

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Speaker 20: with the politics, they didn't have to deal with social

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Speaker 20: media slandering the men doing this and doing that to

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Speaker 20: impress people.

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Speaker 13: So it's kind of different.

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Speaker 12: You feel like you don't get the respect that you

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Speaker 12: deserve when it comes to a lot of these fights,

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Speaker 12: like even with you know Charlamage saying he thinks Arrow's

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Speaker 12: gonna beat you, Like, do you feel like ut of this?

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Speaker 6: It's just boxing, It's just boxing at the end of

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Speaker 6: the day.

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Speaker 5: Don't back down.

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Speaker 13: Now you're gonna lose, definitely, definitely.

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Speaker 5: But do you feel like you don't get the respect

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Speaker 5: that you deserve?

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Speaker 13: Always?

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Speaker 4: Always?

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Speaker 5: Why is that?

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Speaker 20: But how great I am? I look at all the

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Speaker 20: great fighters that came before me. None of them got

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Speaker 20: their respect until a they lost or they retired. Nobody

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Speaker 20: gave Floyd his respect until he retired, then they realized

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Speaker 20: how great he was. A lot of people didn't give

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Speaker 20: Ali his respect. A lot of people didn't give Roy

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Speaker 20: Jones his respect until they lost or they retired. Why

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Speaker 20: the lost part, I don't know, because I guess when

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Speaker 20: one as loss or took in defeat to another great fighter,

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Speaker 20: they feel as if this fighter is not invincible. So

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Speaker 20: they can feel as if he's on the level. Now,

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Speaker 20: well we brought him down to earth. Now we can

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Speaker 20: laugh at him.

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Speaker 13: Now we can praise him for all the good things

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Speaker 13: that he's done.

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Speaker 2: Oh, I guess yea e. Earl said your record was inflated.

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Speaker 2: What is that word inflated?

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Speaker 20: Well, listen, he can say all those type of things,

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Speaker 20: but when you look at who I fought and who

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Speaker 20: he fought, and you look at what I've done to him,

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Speaker 20: you know it's no comparison.

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Speaker 6: Did you just I think I pronounced his name right?

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Speaker 6: Did he beat you in amages.

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Speaker 13: Your guinness UTAs Ugus? Yeah, he beat me and the amateurs.

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Speaker 2: And then Earl stopped him in the tenth ron when

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Speaker 2: they fought. So Ugus said, there's no way you can

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Speaker 2: beat Earl if Earl fights you the way he fought him.

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Speaker 2: So does it matter if he beat someone who defeated you.

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Speaker 20: Never listen, You're talking about a fight that happened when

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Speaker 20: I was eighteen years old.

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Speaker 13: I was a little kid.

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Speaker 5: I was a little boy.

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Speaker 20: You know that same little boy is no way shape

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Speaker 20: form fashion the same little boy, you know what I mean,

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Speaker 20: the grown man that I am today. When I fought Ugust,

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Speaker 20: I probably had like forty fights. Ugusts probably had hundreds

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Speaker 20: coming from Cuba, and you know they fighting all the

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Speaker 20: national I mean international tournaments, national tournaments all that. You know,

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Speaker 20: So he had more experience at the time, so I

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Speaker 20: wouldn't base him beat me at eighteen. On a professional fight,

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Speaker 20: we don't have no headgear on, We're fighting with smaller gloves,

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Speaker 20: We're fighting longer rounds, longer minutes.

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Speaker 13: In the rounds.

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Speaker 20: So it's a lot of things that goes into fighting

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Speaker 20: an amateur fight and fighting a professional fight. So a

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Speaker 20: lot of people say, oh, well, you lost to Ugis

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Speaker 20: and this and that. A lot of people lost to

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Speaker 20: a lot of people in the amateur and look what

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Speaker 20: happened in a professional ranking. A lot of people can say, oh,

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Speaker 20: with Terrence, you lost to this guy, you lost to

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Speaker 20: that guy. Okay, well, all the guys that I lost

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Speaker 20: to in the amateurs, compare their career and professional to

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Speaker 20: my career.

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Speaker 2: Real what did you learn from those losses that you

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Speaker 2: were able to take in your professional career that kept

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Speaker 2: you has kept undefeated.

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Speaker 20: Well, a lot of things. I learned how to cope

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Speaker 20: with certain styles. I learned how to capitalize on the

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Speaker 20: things that I was doing wrong. So you just go

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Speaker 20: back to the drawing board and fix the problem that

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Speaker 20: that you had that led you to get the loss.

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Speaker 20: You got to learn from it. And I felt like

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Speaker 20: I learned from all my losses. I got stronger, I

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Speaker 20: got wiser, I got more experience that led me to

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Speaker 20: be the person that I am today in a professional ranking.

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Speaker 2: Did you watch this fight, the fight between spencon Yugas,

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Speaker 2: of course, and what did you think about it?

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Speaker 13: It was a good fight. Errol did good, Ugus did good,

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Speaker 13: and uh it.

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Speaker 4: Was a good fight.

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Speaker 8: Now that fight was what twenty twenty one?

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Speaker 4: I thought it was last year.

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Speaker 12: Now he hasn't important in over a year. So does

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Speaker 12: that give you the advantage of disadvantage? What's your daughter?

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Speaker 14: Now?

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Speaker 20: I don't even look at that like that. You know,

398
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Speaker 20: he came off a longer layoff prior to that, been

399
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Speaker 20: in a car accident, and he came back and he

400
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Speaker 20: looked as strong.

401
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Speaker 13: He looked the good.

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Speaker 20: So I'm not banking on him not being in the

403
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Speaker 20: ring for him to come rusty or anything. He's a professional.

404
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Speaker 20: You know how to fight, So come fighting out. He'll

405
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Speaker 20: be ready, just like I will.

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Speaker 8: All right when we come back. We got more with

407
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Speaker 8: Terrence Crawfit.

408
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Speaker 12: His fight with Ero Spence goes down July twenty ninth

409
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Speaker 12: on Showtime, So don't move.

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Speaker 5: It's to Breakfast Club.

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Speaker 12: Good morning, the Breakfast Club and Charlomagne, the guy we

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00:15:50,600 --> 00:15:51,800
Speaker 12: all lay off this club.

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Speaker 5: He's still kicking it with boxing. Terrence Crawfit.

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Speaker 12: He's fighting Erro Spence July twenty ninth, on Showtime, Charlamagne.

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Speaker 2: When you say you fixed fix your prime was what

416
00:16:00,320 --> 00:16:02,040
Speaker 2: problems did you fix after the game bollfight?

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Speaker 13: I don't know. You can't, okay, I ain't giving you

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Speaker 13: too much.

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Speaker 5: What about due from looked away? Do you do? You

420
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Speaker 5: do you feel like that was a knockdown?

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Speaker 9: No?

422
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Speaker 13: I don't.

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Speaker 20: I feel as if he pushed me as you as

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Speaker 20: you could see, you know, as soon as the ref

425
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Speaker 20: said fight, I stepped right to him. You know, he

426
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Speaker 20: very strong, very strong, explosive, good fighter, technical. You know

427
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Speaker 20: that's a fight that you could say. I wasn't listening

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Speaker 20: to my my coaches in my corner, and I was

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Speaker 20: more emotional in that fight because I felt as if

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Speaker 20: I had something to prove. I went in there looking

431
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Speaker 20: for the knockout. I didn't want to box. I didn't

432
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Speaker 20: want to use my skills. I just want to, you know, fight.

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Speaker 20: That's what happens when you go in there and fight

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Speaker 20: the wrong fight.

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Speaker 12: What's gonna stop you from doing at this time because

436
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Speaker 12: you can't do that again, because you want, because I

437
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Speaker 12: know you want to prove yourself.

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Speaker 8: I know you want to knock knock out out.

439
00:16:56,120 --> 00:16:56,520
Speaker 6: You can't.

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Speaker 2: He's big, He's naturally bigger than you. He's strong, he's

441
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Speaker 2: the big guy. He's the big bad wolf. I didn't

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Speaker 2: heard it all. He's strong, he's this, he's.

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Speaker 13: That, he's this that. So can he get hurt?

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Speaker 20: You're a man, So what's going to stop him from

445
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Speaker 20: banging with me?

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Speaker 2: I'm not a culture in your corner, but I wouldn't ask,

447
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Speaker 2: I wouldn't suggest you bang with him.

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Speaker 5: Why. I think I think he's.

449
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Speaker 8: Trying to say he's not as powerful.

450
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Speaker 5: We're trying to say.

451
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Speaker 13: What you're trying to say?

452
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Speaker 8: What are you trying to say? Trying to say he's

453
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Speaker 8: not as powerful?

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Speaker 2: He's as strong as he what? Clearly us be clear,

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00:17:29,080 --> 00:17:30,520
Speaker 2: Arrence Prophet is amazing.

456
00:17:30,560 --> 00:17:31,920
Speaker 8: We know that what he does. What you say.

457
00:17:32,200 --> 00:17:34,359
Speaker 20: What I'm saying is why do you view that? And

458
00:17:34,440 --> 00:17:36,800
Speaker 20: how do you know? I don't what makes you? What

459
00:17:36,840 --> 00:17:38,360
Speaker 20: makes you? What makes you think that?

460
00:17:38,640 --> 00:17:40,400
Speaker 6: Probably the size?

461
00:17:40,480 --> 00:17:41,440
Speaker 5: Yeah, I don't know.

462
00:17:41,480 --> 00:17:43,119
Speaker 2: If you can hurt him, is what I'm saying. I've

463
00:17:43,160 --> 00:17:44,560
Speaker 2: seen you hurt people before. I don't know if you

464
00:17:44,560 --> 00:17:47,080
Speaker 2: can hurt somebody his side. Did he get hurt his

465
00:17:47,160 --> 00:17:47,600
Speaker 2: last fight?

466
00:17:47,960 --> 00:17:48,280
Speaker 5: Yes?

467
00:17:48,480 --> 00:17:51,200
Speaker 13: Do you think I hear harder than his last opponent, yes,

468
00:17:52,080 --> 00:17:52,600
Speaker 13: case clok.

469
00:17:53,040 --> 00:17:54,320
Speaker 8: But you got to get to him though, So you're

470
00:17:54,320 --> 00:17:57,520
Speaker 8: saying this man can't get to him, that's.

471
00:17:57,359 --> 00:18:01,119
Speaker 5: What you're saying. I'm just saying, you gotta get to him.

472
00:18:01,160 --> 00:18:02,280
Speaker 5: You gotta get in there to do it.

473
00:18:02,640 --> 00:18:07,240
Speaker 20: Okay, Well, getting in there is to get between the ropes, right,

474
00:18:07,480 --> 00:18:09,760
Speaker 20: and we're in there right, it's gonna be a great fight.

475
00:18:09,920 --> 00:18:11,679
Speaker 12: So when you speak to people like that, right, what

476
00:18:11,840 --> 00:18:14,920
Speaker 12: stops you from saying you're not getting emotion?

477
00:18:15,119 --> 00:18:16,960
Speaker 8: Be like, you know what, trying something.

478
00:18:16,640 --> 00:18:19,399
Speaker 12: Because obviously there's a lot of people like Charlamagne that

479
00:18:19,400 --> 00:18:20,240
Speaker 12: that feels.

480
00:18:20,000 --> 00:18:22,640
Speaker 6: That's not that's not no, it's no, it's not act

481
00:18:22,640 --> 00:18:23,400
Speaker 6: like he's an underdog.

482
00:18:24,000 --> 00:18:26,000
Speaker 8: He is kind of an underdog the way you're talking.

483
00:18:26,200 --> 00:18:28,760
Speaker 2: No, I think it's about I think people think it

484
00:18:28,800 --> 00:18:31,240
Speaker 2: could go either way. This is this My man reads

485
00:18:31,240 --> 00:18:32,840
Speaker 2: a great box and guy. He says, if you win,

486
00:18:33,800 --> 00:18:36,840
Speaker 2: no problem. My boll says, you win no problem either.

487
00:18:36,920 --> 00:18:38,639
Speaker 2: Debates I've been having since the fight's.

488
00:18:38,359 --> 00:18:41,120
Speaker 8: Been but Charlamage. Don't feel that way.

489
00:18:41,440 --> 00:18:41,800
Speaker 20: What is it?

490
00:18:42,760 --> 00:18:45,800
Speaker 4: That is true? That is absolutely true, that's true.

491
00:18:45,880 --> 00:18:47,679
Speaker 2: Have you thought about how you would deal with a

492
00:18:47,680 --> 00:18:49,120
Speaker 2: loss in case it does happen?

493
00:18:49,600 --> 00:18:52,600
Speaker 20: No, I don't. I don't think about things like that.

494
00:18:53,600 --> 00:18:55,960
Speaker 20: You know, my mind is just clear.

495
00:18:56,080 --> 00:18:56,240
Speaker 5: Right.

496
00:18:56,400 --> 00:19:01,280
Speaker 13: Things happen. They happen, you know, but we parent for

497
00:19:01,400 --> 00:19:06,280
Speaker 13: the victory. That's it. You know, all you're gonna lose, Na,

498
00:19:06,520 --> 00:19:07,520
Speaker 13: we don't think what's.

499
00:19:07,320 --> 00:19:07,680
Speaker 8: Wrong with you?

500
00:19:07,720 --> 00:19:07,840
Speaker 19: All?

501
00:19:07,920 --> 00:19:09,600
Speaker 8: Gonna ask have you prepared for a loss?

502
00:19:09,600 --> 00:19:09,760
Speaker 3: Of you?

503
00:19:09,960 --> 00:19:12,200
Speaker 2: What kind of That's the same question that you kind

504
00:19:12,200 --> 00:19:14,520
Speaker 2: of asked, what the having the zero record?

505
00:19:14,600 --> 00:19:14,679
Speaker 14: Like?

506
00:19:14,720 --> 00:19:17,560
Speaker 2: You know, some people lose, some people don't. So if

507
00:19:17,560 --> 00:19:20,520
Speaker 2: you do lose, have you thought about how you prepare

508
00:19:20,520 --> 00:19:20,720
Speaker 2: for that?

509
00:19:21,359 --> 00:19:23,360
Speaker 13: Well, we don't. We don't prepare for that.

510
00:19:24,119 --> 00:19:27,280
Speaker 6: Would you ever fight Yugus again? And the pros just

511
00:19:27,320 --> 00:19:28,359
Speaker 6: to do it?

512
00:19:28,400 --> 00:19:28,520
Speaker 4: For?

513
00:19:28,560 --> 00:19:31,240
Speaker 13: What? What will I be getting out of it? Right now?

514
00:19:31,600 --> 00:19:34,480
Speaker 20: At this stage of my career, I'm looking for things

515
00:19:34,520 --> 00:19:39,520
Speaker 20: that benefit. When I fought Ugus, he was undefeated, he

516
00:19:39,680 --> 00:19:43,920
Speaker 20: was top contender, Olympian, he had all the accolade. After

517
00:19:43,960 --> 00:19:46,399
Speaker 20: I beat him, everybody was land during them all. He

518
00:19:46,520 --> 00:19:49,240
Speaker 20: green machine. He did see that he fight a guy

519
00:19:49,800 --> 00:19:52,600
Speaker 20: that nobody knows. Just because you didn't know him, that

520
00:19:52,680 --> 00:19:56,359
Speaker 20: don't mean that he wasn't a good fighter. Just because

521
00:19:56,400 --> 00:19:58,840
Speaker 20: you don't know him, that doesn't mean that you know.

522
00:19:59,280 --> 00:20:01,879
Speaker 20: He deserved to be where he was because he was

523
00:20:01,960 --> 00:20:07,159
Speaker 20: my mandatory. Just like when I just fought Avenezian, he

524
00:20:07,240 --> 00:20:10,760
Speaker 20: was writing number six in the division. But everybody was

525
00:20:11,320 --> 00:20:15,280
Speaker 20: mad that I took that fight because things wasn't right

526
00:20:15,680 --> 00:20:19,840
Speaker 20: with the Arol Spence and my negotiation.

527
00:20:20,440 --> 00:20:23,439
Speaker 13: So people is mad, can't get mad. Things didn't happen

528
00:20:23,480 --> 00:20:24,159
Speaker 13: for a reason.

529
00:20:24,400 --> 00:20:28,360
Speaker 20: But now we hear everybody got to fight that they

530
00:20:28,400 --> 00:20:32,439
Speaker 20: wanted in July twenty ninth, We're gonna go out there

531
00:20:32,440 --> 00:20:33,200
Speaker 20: and put on the show.

532
00:20:34,320 --> 00:20:34,560
Speaker 1: Earl.

533
00:20:35,160 --> 00:20:36,080
Speaker 4: I think it was against you.

534
00:20:36,400 --> 00:20:37,160
Speaker 8: He did.

535
00:20:37,200 --> 00:20:38,560
Speaker 2: He did get hurt a little bit, but he still

536
00:20:38,560 --> 00:20:40,160
Speaker 2: stopped him in the tenth round, So you could still

537
00:20:40,200 --> 00:20:45,040
Speaker 2: hurt him, you still get stopped. I'm just saying. I'm

538
00:20:45,080 --> 00:20:47,040
Speaker 2: just saying I look for I can't wait to see it.

539
00:20:47,040 --> 00:20:47,880
Speaker 2: Though you're gonna be there.

540
00:20:48,080 --> 00:20:49,000
Speaker 4: No, I'm not gonna be there.

541
00:20:49,040 --> 00:20:51,200
Speaker 13: Come on, man, you did all that talking years ago

542
00:20:51,240 --> 00:20:52,119
Speaker 13: and you ain't gonna be there.

543
00:20:52,200 --> 00:20:53,840
Speaker 2: I'm gonna be watching it from home. I know how

544
00:20:53,840 --> 00:20:59,000
Speaker 2: you guys from home omahaga. Now I want to watch

545
00:20:59,040 --> 00:21:00,480
Speaker 2: the fighting piece, you.

546
00:21:00,440 --> 00:21:02,720
Speaker 8: Know, But we appreciate you for joys. What's the last

547
00:21:02,720 --> 00:21:05,280
Speaker 8: time he a civilia? And shut up right now?

548
00:21:05,720 --> 00:21:07,760
Speaker 13: Nah nah, we don't do that. We don't do that.

549
00:21:07,800 --> 00:21:08,600
Speaker 5: Why are you doing that?

550
00:21:08,640 --> 00:21:08,800
Speaker 14: Man?

551
00:21:08,920 --> 00:21:11,760
Speaker 2: Just making sure all respect for Terres. We're just talking boxing.

552
00:21:11,800 --> 00:21:14,119
Speaker 2: It's just like picking up picking a sporting event. It

553
00:21:14,160 --> 00:21:15,120
Speaker 2: is picking picking the winner.

554
00:21:15,119 --> 00:21:15,560
Speaker 4: That's you said.

555
00:21:15,600 --> 00:21:17,159
Speaker 8: You know, I'm not sure if you can bang how

556
00:21:17,160 --> 00:21:17,720
Speaker 8: hardy can here that.

557
00:21:18,600 --> 00:21:21,680
Speaker 2: I said, there's probably ten other people you can name.

558
00:21:21,720 --> 00:21:24,360
Speaker 2: I'll pick butt over. But it's it's a different type

559
00:21:24,359 --> 00:21:26,320
Speaker 2: of animal. All I'm saying, do you rise to the

560
00:21:26,359 --> 00:21:30,080
Speaker 2: level of your competition? Do I Have you watched my career? Absolutely,

561
00:21:30,560 --> 00:21:31,320
Speaker 2: that's your answer.

562
00:21:31,440 --> 00:21:34,119
Speaker 8: Okay one time, just lose jab just shut up, all right?

563
00:21:34,440 --> 00:21:35,280
Speaker 5: Is Terrence Crawford.

564
00:21:35,320 --> 00:21:37,240
Speaker 12: Ladies and gentlemen, don't forget to tune in and get

565
00:21:37,280 --> 00:21:40,200
Speaker 12: your paper. I view July twenty ninth, And we appreciate

566
00:21:40,200 --> 00:21:40,920
Speaker 12: you for joining.

567
00:21:40,760 --> 00:21:43,320
Speaker 2: Us because you think about stuff like pay per view

568
00:21:43,400 --> 00:21:45,320
Speaker 2: numbers that you can't I can't.

569
00:21:45,359 --> 00:21:46,320
Speaker 13: That's all of our control.

570
00:21:46,480 --> 00:21:49,520
Speaker 20: Yeah, you know, you got the people that have the

571
00:21:50,760 --> 00:21:54,200
Speaker 20: web site to steal the fights and stuff like that,

572
00:21:54,640 --> 00:21:55,959
Speaker 20: and stuff that you can't control.

573
00:21:56,000 --> 00:21:58,359
Speaker 13: You just go in there and focus on things that

574
00:21:58,440 --> 00:21:59,159
Speaker 13: you can control.

575
00:21:59,240 --> 00:22:00,840
Speaker 2: And I feel like that's come a thing now, like

576
00:22:00,880 --> 00:22:03,400
Speaker 2: that's become a stat that people brag about.

577
00:22:03,480 --> 00:22:07,440
Speaker 6: Now fighters, they're like, who cares well for your money?

578
00:22:07,440 --> 00:22:08,160
Speaker 4: Your pockets? Of course?

579
00:22:08,200 --> 00:22:11,560
Speaker 20: Yeah, yeah, well listen, you know, the bigger than numbers,

580
00:22:11,600 --> 00:22:15,159
Speaker 20: the bigger you know, you become or that's why Floyd

581
00:22:15,359 --> 00:22:18,560
Speaker 20: was money made Weather because of the numbers that he

582
00:22:18,720 --> 00:22:19,480
Speaker 20: was producing.

583
00:22:20,200 --> 00:22:21,800
Speaker 13: That's why everybody wanted to fight him.

584
00:22:22,040 --> 00:22:25,520
Speaker 20: That's why every time he stepped foot in the ring,

585
00:22:25,680 --> 00:22:28,960
Speaker 20: he demanded what he demanded because he knew what he

586
00:22:29,080 --> 00:22:33,320
Speaker 20: was gonna draw. So yeah, absolutely, all.

587
00:22:33,280 --> 00:22:33,960
Speaker 5: Right, Well there you have.

588
00:22:34,000 --> 00:22:36,040
Speaker 8: It is Terrence Crawld for good luck on your fight.

589
00:22:36,160 --> 00:22:39,200
Speaker 8: July twenty ninth. It's the Breakfast Club. Good morning, the

590
00:22:39,240 --> 00:22:40,000
Speaker 8: Breakfast Club.

591
00:22:40,080 --> 00:22:42,240
Speaker 5: Your mornings will never be the same.

592
00:22:42,720 --> 00:22:43,280
Speaker 4: Good morning.

593
00:22:43,280 --> 00:22:45,120
Speaker 8: Everybody's CDMJ MV.

594
00:22:45,359 --> 00:22:47,679
Speaker 12: Charlamagne the God. We are the Breakfast Club. Now if

595
00:22:47,680 --> 00:22:49,800
Speaker 12: you're just joining us, we were talking about the topic.

596
00:22:49,840 --> 00:22:52,840
Speaker 12: We were talking behind the scenes. Now behind the scenes.

597
00:22:52,840 --> 00:22:55,639
Speaker 12: It actually started from Charlamage Donkey yesterday.

598
00:22:55,440 --> 00:22:59,240
Speaker 2: Yes because during Donkey of Today, a young man robbed

599
00:22:59,240 --> 00:23:02,320
Speaker 2: a woman at gunpoint, and while he was robbing her,

600
00:23:02,359 --> 00:23:07,679
Speaker 2: he made her follow him on Facebook and actually hit

601
00:23:07,720 --> 00:23:09,920
Speaker 2: her up and they were going back and forth. Then

602
00:23:09,960 --> 00:23:11,840
Speaker 2: he you know, wanted to go on a date with

603
00:23:11,880 --> 00:23:14,240
Speaker 2: her and told her she was He's sorry he had

604
00:23:14,240 --> 00:23:14,680
Speaker 2: the robb her.

605
00:23:14,680 --> 00:23:16,040
Speaker 6: She's too pretty to be robbed.

606
00:23:16,040 --> 00:23:18,760
Speaker 2: And I'm sitting there thinking like he's only thinking she

607
00:23:19,000 --> 00:23:21,960
Speaker 2: likes him because she replied to him on Facebook.

608
00:23:22,000 --> 00:23:23,480
Speaker 4: He's he's too stupid.

609
00:23:23,240 --> 00:23:25,760
Speaker 2: And clearly too arrogant ton not realize he's getting lined

610
00:23:25,840 --> 00:23:28,800
Speaker 2: up to get arrested. But it made me think like,

611
00:23:29,240 --> 00:23:32,640
Speaker 2: why can't men, you know, why can't a woman give

612
00:23:32,680 --> 00:23:35,639
Speaker 2: a man a compliment? Just look in a man's direction

613
00:23:35,800 --> 00:23:37,960
Speaker 2: without the man thinking, hey man, that woman wants me.

614
00:23:38,920 --> 00:23:41,240
Speaker 12: I mean, I just think that's how society is and

615
00:23:41,240 --> 00:23:44,320
Speaker 12: how people see things. I feel like if a woman

616
00:23:44,520 --> 00:23:47,360
Speaker 12: compliments a guy goes out of her way to say

617
00:23:47,520 --> 00:23:50,760
Speaker 12: something looks nice or something looks good, or I think

618
00:23:50,840 --> 00:23:53,040
Speaker 12: that is you know, I think that leaves the door

619
00:23:53,119 --> 00:23:54,760
Speaker 12: for you know, maybe a conversation.

620
00:23:56,800 --> 00:23:58,600
Speaker 4: You know what I think a compliment is. But a

621
00:23:58,640 --> 00:23:59,840
Speaker 4: compliment like.

622
00:24:00,520 --> 00:24:02,040
Speaker 5: That, why tell y'all like your shirt.

623
00:24:02,160 --> 00:24:04,119
Speaker 2: If I tell y'all like your sneakers, it's because I

624
00:24:04,160 --> 00:24:06,119
Speaker 2: like your shirt and I like your sneakers, like simple

625
00:24:06,119 --> 00:24:08,400
Speaker 2: as that, Like it has nothing to do with anything else.

626
00:24:08,400 --> 00:24:11,639
Speaker 6: And I don't know why men don't understand that.

627
00:24:11,720 --> 00:24:13,280
Speaker 8: I disagree. And I think the same thing with men.

628
00:24:13,280 --> 00:24:15,639
Speaker 12: I think if a man compliments a woman, it's not

629
00:24:15,680 --> 00:24:17,560
Speaker 12: because he's just like, oh, that's a dope shirt. I

630
00:24:17,560 --> 00:24:19,320
Speaker 12: think a lot of times it's because he wants to

631
00:24:19,400 --> 00:24:21,080
Speaker 12: kind of just holler and see if the door's open.

632
00:24:21,160 --> 00:24:24,320
Speaker 2: I remember that, mister married man. Remember that next time

633
00:24:24,359 --> 00:24:26,520
Speaker 2: you tell a woman you like her sneakers. You know

634
00:24:26,520 --> 00:24:28,879
Speaker 2: what I mean, don't you don't tell a woman you

635
00:24:28,880 --> 00:24:29,080
Speaker 2: like her.

636
00:24:29,240 --> 00:24:31,879
Speaker 12: I know only if I compliment somebody, somebody that we

637
00:24:31,920 --> 00:24:34,080
Speaker 12: all know, don't, I don't. I'll never step by like,

638
00:24:34,240 --> 00:24:35,919
Speaker 12: hey ma, you got some dope kicks on.

639
00:24:36,240 --> 00:24:36,720
Speaker 8: I don't do it.

640
00:24:36,800 --> 00:24:38,960
Speaker 2: No, that's not true, because like sometimes you might see

641
00:24:38,960 --> 00:24:40,320
Speaker 2: a girl with a nice hair, dude like love.

642
00:24:40,359 --> 00:24:41,879
Speaker 18: I love dreadlocks, you know what I mean. I'm like,

643
00:24:41,920 --> 00:24:43,000
Speaker 18: y'all like your dregs now.

644
00:24:43,040 --> 00:24:45,399
Speaker 12: I will say that if I do see a nice hair,

645
00:24:45,640 --> 00:24:49,200
Speaker 12: and I might say, hey, who did your head because

646
00:24:49,200 --> 00:24:50,919
Speaker 12: I would love my my wife would probably love my

647
00:24:51,000 --> 00:24:52,000
Speaker 12: daughter's head to look like that.

648
00:24:53,720 --> 00:24:54,320
Speaker 5: It's the truth.

649
00:24:54,960 --> 00:24:55,480
Speaker 4: It's the truth.

650
00:24:55,520 --> 00:24:58,040
Speaker 2: It's just still a compliment. There's nothing wrong with giving

651
00:24:58,080 --> 00:25:01,320
Speaker 2: people compliments. Man intension, Brandon. Brandon stepped to the mic

652
00:25:01,320 --> 00:25:04,160
Speaker 2: for a second. Brandon step to the mic, Brandon brand

653
00:25:04,440 --> 00:25:05,240
Speaker 2: organic connection.

654
00:25:05,680 --> 00:25:08,240
Speaker 8: If a woman pays you a compliment, does that open

655
00:25:08,280 --> 00:25:09,879
Speaker 8: the door. And what I said was he better not

656
00:25:09,920 --> 00:25:11,520
Speaker 8: pay me no compliment, because I'm gonna go for it.

657
00:25:11,560 --> 00:25:13,720
Speaker 2: Brandon, How old are you, Brandon? I'm seven years Brandon,

658
00:25:13,720 --> 00:25:15,159
Speaker 2: it is twenty seven years old. He don't know no

659
00:25:15,240 --> 00:25:17,879
Speaker 2: better yet. Okay, he's young. He's hot, he's horny at

660
00:25:17,920 --> 00:25:20,719
Speaker 2: all the time. No woman can look his way, and

661
00:25:20,760 --> 00:25:23,240
Speaker 2: he thinks the woman want him. You know what I mean, Deverie.

662
00:25:23,280 --> 00:25:25,159
Speaker 5: Women that be coming in this building, they're paying Brandon

663
00:25:25,240 --> 00:25:25,800
Speaker 5: no attention.

664
00:25:25,840 --> 00:25:28,280
Speaker 2: And he'd be like, I think I got a shot,

665
00:25:28,440 --> 00:25:29,160
Speaker 2: rubbing his chest.

666
00:25:29,400 --> 00:25:31,520
Speaker 5: I think I got a shot money, I think I

667
00:25:31,560 --> 00:25:32,040
Speaker 5: got a shot.

668
00:25:33,000 --> 00:25:37,360
Speaker 2: He really said he had a shot with Red.

669
00:25:37,000 --> 00:25:39,560
Speaker 5: I got shot with Think I got a shot with

670
00:25:39,600 --> 00:25:41,440
Speaker 5: your cousin. Put me down with his cousin.

671
00:25:41,920 --> 00:25:44,200
Speaker 12: But now, Brandon, if you give a woman a compliment,

672
00:25:44,520 --> 00:25:46,520
Speaker 12: Are you opening the door for maybe trying to holler

673
00:25:46,520 --> 00:25:46,880
Speaker 12: as well?

674
00:25:47,400 --> 00:25:49,440
Speaker 8: Yeah, if they're not a friend of the worker.

675
00:25:49,480 --> 00:25:50,879
Speaker 12: If you see a woman in the street and you're like,

676
00:25:50,960 --> 00:25:53,000
Speaker 12: nice shirt, you're not saying nice shirt because if it's

677
00:25:53,040 --> 00:25:53,480
Speaker 12: a stranger.

678
00:25:53,560 --> 00:25:57,000
Speaker 5: Yeah, yes, twenty's seven. He don't know no better.

679
00:25:57,040 --> 00:26:00,000
Speaker 2: You can give people compliments and nothing be behind it.

680
00:26:00,119 --> 00:26:02,679
Speaker 2: Taking from somebody who's a sex symbol. Bro, I've been

681
00:26:02,760 --> 00:26:06,359
Speaker 2: unbelievably handsome my whole life, cat every ever since I

682
00:26:06,440 --> 00:26:07,160
Speaker 2: was a little kid.

683
00:26:07,320 --> 00:26:08,880
Speaker 4: Older women women.

684
00:26:08,760 --> 00:26:10,960
Speaker 2: My age, Oh you're so handsome, you're so cute. Is

685
00:26:11,080 --> 00:26:13,080
Speaker 2: that I can't have thought about it. It's never been

686
00:26:13,119 --> 00:26:14,639
Speaker 2: anything other than anything you say.

687
00:26:14,680 --> 00:26:18,200
Speaker 5: That's a goddamn line. Hello, who's this hey, geechee?

688
00:26:18,200 --> 00:26:19,960
Speaker 10: Good morning, good morning, good morning?

689
00:26:20,119 --> 00:26:21,840
Speaker 12: Now geechee, What do you think if a woman pays

690
00:26:21,840 --> 00:26:24,480
Speaker 12: you a compliment? Is that opening the door to have

691
00:26:24,560 --> 00:26:25,200
Speaker 12: a conversation?

692
00:26:25,280 --> 00:26:29,360
Speaker 10: At least now we all know nowadays these women they

693
00:26:29,359 --> 00:26:32,000
Speaker 10: don't want to talk to nobody but woman. The compliment

694
00:26:32,240 --> 00:26:35,600
Speaker 10: with your outfit or your apperience periods opened.

695
00:26:35,400 --> 00:26:35,920
Speaker 11: Up her line.

696
00:26:36,040 --> 00:26:38,680
Speaker 4: Man, if y'all don't married.

697
00:26:38,480 --> 00:26:41,639
Speaker 10: So yeah, yeah, he can't really even speak on this.

698
00:26:42,119 --> 00:26:44,320
Speaker 5: And be out the game too. He should be. I am,

699
00:26:45,880 --> 00:26:46,720
Speaker 5: I am out the game.

700
00:26:46,800 --> 00:26:49,120
Speaker 2: I just think y'all sound ridiculous thinking that just because

701
00:26:49,119 --> 00:26:51,280
Speaker 2: a woman says you gives you a compliment that she

702
00:26:51,359 --> 00:26:51,760
Speaker 2: wants you.

703
00:26:52,080 --> 00:26:53,840
Speaker 12: Say she wants you, but she's opening the door for

704
00:26:53,840 --> 00:26:55,439
Speaker 12: a conversation at least a minimum.

705
00:26:55,560 --> 00:26:56,600
Speaker 8: No, she's not, Yes she is.

706
00:26:57,520 --> 00:27:00,600
Speaker 10: Man, you go to the club. These days, women aren't

707
00:27:00,640 --> 00:27:02,879
Speaker 10: even trying to say two words to you. So if

708
00:27:02,920 --> 00:27:07,480
Speaker 10: they look at a video, compliment the door coversation.

709
00:27:07,160 --> 00:27:09,120
Speaker 2: You know, I'm not a mistake y'all making right now

710
00:27:09,840 --> 00:27:12,600
Speaker 2: talking to but go to the women. If we're gonna

711
00:27:12,640 --> 00:27:14,280
Speaker 2: go to women, go to some women, that's the women.

712
00:27:14,320 --> 00:27:16,280
Speaker 2: How how are we talking about what women?

713
00:27:16,400 --> 00:27:18,639
Speaker 8: But I'm ast sewing you what what guys feel like?

714
00:27:18,680 --> 00:27:21,720
Speaker 5: When I know guys feel that way, but we stupid?

715
00:27:22,160 --> 00:27:23,480
Speaker 5: You right, go to the women?

716
00:27:23,800 --> 00:27:25,920
Speaker 8: Hello, who's this?

717
00:27:26,880 --> 00:27:27,080
Speaker 5: Hey?

718
00:27:27,160 --> 00:27:27,440
Speaker 8: Christy?

719
00:27:27,480 --> 00:27:29,880
Speaker 5: Good Hey Christy the bus driver?

720
00:27:29,960 --> 00:27:31,440
Speaker 8: Good morning, how you doing?

721
00:27:31,480 --> 00:27:32,199
Speaker 16: Happy birthday?

722
00:27:32,320 --> 00:27:35,280
Speaker 2: Charlomagne, Thank you, queen, Appreciate you now, Christy.

723
00:27:35,400 --> 00:27:38,760
Speaker 12: If you compliment a guy, right, a compliment of guy's

724
00:27:39,000 --> 00:27:42,639
Speaker 12: outfit clothes, sneakers, kicks, are you opening the door for

725
00:27:42,640 --> 00:27:43,600
Speaker 12: at least the conversation.

726
00:27:44,320 --> 00:27:45,560
Speaker 6: No, thank you.

727
00:27:46,320 --> 00:27:49,920
Speaker 15: I'm a bunch driver and exact what people all day,

728
00:27:50,760 --> 00:27:52,840
Speaker 15: and I may I'm not.

729
00:27:52,920 --> 00:27:54,399
Speaker 4: Gay, true indeed.

730
00:27:54,680 --> 00:27:56,760
Speaker 12: Okay, but if you compliment a guy, Let's see, you

731
00:27:56,760 --> 00:27:59,040
Speaker 12: see a nice, handsome guy trying to convince you walking

732
00:27:59,040 --> 00:27:59,520
Speaker 12: on the bus.

733
00:27:59,880 --> 00:28:02,560
Speaker 8: You say, hey, that's a nice shirt. You don't think that? Okay,

734
00:28:02,560 --> 00:28:04,880
Speaker 8: that's opening the door for at least a conversation.

735
00:28:05,520 --> 00:28:06,840
Speaker 16: It might open up conversation.

736
00:28:07,119 --> 00:28:09,640
Speaker 15: He might come back to Marvel and be like, oh,

737
00:28:09,680 --> 00:28:11,400
Speaker 15: you was the one that said I had a nice

738
00:28:11,400 --> 00:28:11,960
Speaker 15: turned one.

739
00:28:12,000 --> 00:28:12,359
Speaker 16: So he's.

740
00:28:15,880 --> 00:28:23,560
Speaker 12: Might say, but but you're complimenting him because you you know,

741
00:28:23,600 --> 00:28:24,479
Speaker 12: you think he's handsome.

742
00:28:24,920 --> 00:28:26,520
Speaker 5: Right, why are you trying to sway to jurry?

743
00:28:26,640 --> 00:28:27,879
Speaker 2: I'm not gonna take this.

744
00:28:28,359 --> 00:28:29,080
Speaker 5: Thank you. Christy?

745
00:28:29,640 --> 00:28:33,800
Speaker 15: All right, Hello, how are you?

746
00:28:34,080 --> 00:28:35,080
Speaker 8: How are you feeling this morning?

747
00:28:35,119 --> 00:28:35,479
Speaker 5: Tabitha?

748
00:28:36,320 --> 00:28:37,600
Speaker 15: I am Phil Bliss.

749
00:28:38,800 --> 00:28:39,160
Speaker 5: All right.

750
00:28:39,200 --> 00:28:41,760
Speaker 12: Now we're talking about if you compliment a man, right,

751
00:28:42,200 --> 00:28:44,000
Speaker 12: does that open the door for a conversation.

752
00:28:45,120 --> 00:28:45,959
Speaker 15: I don't believe.

753
00:28:46,080 --> 00:28:46,160
Speaker 7: So.

754
00:28:46,800 --> 00:28:50,080
Speaker 15: I'm a real estate booker and I was complimenting a

755
00:28:50,120 --> 00:28:54,200
Speaker 15: builder on his work. We went and we purchased the

756
00:28:54,240 --> 00:28:56,880
Speaker 15: property from the dirt, and then he built up boxy

757
00:28:56,920 --> 00:29:01,400
Speaker 15: in three months. And I complimented to his wife, who

758
00:29:01,480 --> 00:29:04,640
Speaker 15: is the other agent on the other side, and so

759
00:29:04,920 --> 00:29:08,240
Speaker 15: the product was sold, and then I needed her again

760
00:29:08,840 --> 00:29:13,080
Speaker 15: and she's like not responding to me because I complimented

761
00:29:13,120 --> 00:29:15,280
Speaker 15: her husband and I said, he did such a good job,

762
00:29:15,640 --> 00:29:20,080
Speaker 15: he's so awesome, he's great, and I really was meaning it,

763
00:29:20,400 --> 00:29:23,760
Speaker 15: you know, in no way, just complimenting his product. And

764
00:29:24,680 --> 00:29:25,440
Speaker 15: you won't call me back.

765
00:29:26,200 --> 00:29:28,320
Speaker 4: I'm gonna tell you exactly what happened in that situation.

766
00:29:28,920 --> 00:29:32,000
Speaker 2: That man went to his wife and said, you were

767
00:29:32,080 --> 00:29:32,800
Speaker 2: flirting with him.

768
00:29:33,080 --> 00:29:37,360
Speaker 5: I gee, I guarantee it, yo. Man, you that yo,

769
00:29:37,440 --> 00:29:38,320
Speaker 5: she was flirting with me.

770
00:29:38,440 --> 00:29:38,560
Speaker 13: Yo.

771
00:29:38,920 --> 00:29:40,760
Speaker 5: All you did was compliment him on his work.

772
00:29:40,800 --> 00:29:43,120
Speaker 2: But he took it as oh, she want me, and

773
00:29:43,160 --> 00:29:44,600
Speaker 2: so he want to look like the man and his

774
00:29:44,640 --> 00:29:46,480
Speaker 2: wife When he went to his wife and told his wife,

775
00:29:46,600 --> 00:29:48,600
Speaker 2: you was flirting with him, guaranteed.

776
00:29:48,400 --> 00:29:52,080
Speaker 15: Oh man, I mean that is totally not it. And

777
00:29:52,120 --> 00:29:53,760
Speaker 15: I really need him for another client.

778
00:29:54,640 --> 00:29:58,240
Speaker 2: You know what I'm saying. Men gotta stop leading with

779
00:29:58,280 --> 00:30:00,960
Speaker 2: the ego because this is ridiculous.

780
00:30:00,960 --> 00:30:05,600
Speaker 5: Hello, who's this? Ronnie from Turn eight for three was

781
00:30:05,600 --> 00:30:06,360
Speaker 5: happening to my mother?

782
00:30:06,840 --> 00:30:08,360
Speaker 8: Ronnie talked to a man.

783
00:30:09,520 --> 00:30:12,000
Speaker 11: I don't feel like a woman. Don't you give me

784
00:30:12,040 --> 00:30:16,000
Speaker 11: a compliment on my shirt or give me exactually flirting.

785
00:30:16,560 --> 00:30:19,560
Speaker 11: I just feel like she's like my style how I

786
00:30:19,560 --> 00:30:21,600
Speaker 11: come in. But I do feel like if I come

787
00:30:21,640 --> 00:30:22,040
Speaker 11: back with a.

788
00:30:22,080 --> 00:30:25,560
Speaker 16: Compliment and she kind of give me that laugh with

789
00:30:25,680 --> 00:30:27,920
Speaker 16: that smirk, I can kind of get in the door

790
00:30:28,000 --> 00:30:30,720
Speaker 16: man conversation.

791
00:30:32,160 --> 00:30:34,400
Speaker 2: He took he took it somewhere else, like, meaning that

792
00:30:35,320 --> 00:30:38,360
Speaker 2: she complimented your shirt, and then you replied back with

793
00:30:38,520 --> 00:30:40,400
Speaker 2: something probably flirty.

794
00:30:40,680 --> 00:30:42,960
Speaker 6: And then when she roll you know, I love.

795
00:30:42,840 --> 00:30:43,479
Speaker 11: The town man.

796
00:30:43,480 --> 00:30:46,040
Speaker 16: You give her that little smile.

797
00:30:46,320 --> 00:30:47,040
Speaker 4: That's what I'm saying.

798
00:30:47,080 --> 00:30:48,840
Speaker 5: But you replied back with something flirty.

799
00:30:49,360 --> 00:30:49,600
Speaker 4: Laugh.

800
00:30:49,880 --> 00:30:52,200
Speaker 5: You know that's right. When she when she replied to

801
00:30:52,280 --> 00:30:53,440
Speaker 5: that energy, that's different.

802
00:30:54,440 --> 00:30:56,440
Speaker 16: Just give me a compliment.

803
00:30:56,520 --> 00:30:58,560
Speaker 11: I get that all the time in Chelseta, So I

804
00:30:58,560 --> 00:31:00,920
Speaker 11: mean I appreciate I give it back, you know from the.

805
00:31:02,600 --> 00:31:03,040
Speaker 16: Compliments.

806
00:31:03,120 --> 00:31:06,040
Speaker 2: Listen, man, you know you know the most handsome men

807
00:31:06,120 --> 00:31:08,360
Speaker 2: in the world exists from come from the low country.

808
00:31:08,400 --> 00:31:09,040
Speaker 4: This is a fact.

809
00:31:09,360 --> 00:31:11,719
Speaker 2: Cat, This is a This is a scientific fact. The

810
00:31:11,720 --> 00:31:13,920
Speaker 2: most handsome men in the world are born in the

811
00:31:13,920 --> 00:31:14,640
Speaker 2: eight four three.

812
00:31:14,880 --> 00:31:18,000
Speaker 8: Lulu, Yes, good morning, good morning.

813
00:31:19,320 --> 00:31:21,200
Speaker 15: It's filling from Miami how are you guys doing?

814
00:31:21,440 --> 00:31:22,760
Speaker 5: How you feel and talk to us?

815
00:31:23,040 --> 00:31:24,040
Speaker 13: So if good?

816
00:31:24,200 --> 00:31:28,000
Speaker 12: If you see a cancerme young man and you like

817
00:31:28,080 --> 00:31:30,360
Speaker 12: his shirt right and you say, hey, brother, that's a

818
00:31:30,520 --> 00:31:32,440
Speaker 12: that's a nice shirt that you wearing. It fits well,

819
00:31:32,880 --> 00:31:35,320
Speaker 12: is that opening the door for conversation, Lulu, Let's be.

820
00:31:35,280 --> 00:31:40,920
Speaker 15: Honest, Yes it is. It depends on the environment. But

821
00:31:41,080 --> 00:31:44,640
Speaker 15: it could be flirting, it could be breaking the eyes,

822
00:31:45,520 --> 00:31:47,080
Speaker 15: being approachable.

823
00:31:46,480 --> 00:31:47,240
Speaker 14: Towards the person.

824
00:31:47,880 --> 00:31:50,720
Speaker 5: See thank you, Yarna.

825
00:31:51,080 --> 00:31:53,760
Speaker 15: I want to say happy birthday to you a big

826
00:31:53,840 --> 00:31:54,840
Speaker 15: time from Miami.

827
00:31:55,000 --> 00:31:56,640
Speaker 18: And you're right, everybody from.

828
00:31:56,520 --> 00:32:00,479
Speaker 2: Florida's everybody is for Florida is crazy and you crazy

829
00:32:00,640 --> 00:32:02,680
Speaker 2: for thinking that every man that compliments you want to

830
00:32:02,720 --> 00:32:03,640
Speaker 2: hogler at you.

831
00:32:03,680 --> 00:32:06,760
Speaker 15: No, I do say that depends on the environment.

832
00:32:08,840 --> 00:32:12,320
Speaker 2: But see those different caveats environment, whether you like the

833
00:32:12,320 --> 00:32:15,360
Speaker 2: person we're just talking about random walking down the street, Lulu,

834
00:32:15,480 --> 00:32:17,040
Speaker 2: you got on something from Lululemon.

835
00:32:17,280 --> 00:32:20,080
Speaker 4: Hey, I like what you wearing? Bom. That don't mean

836
00:32:20,080 --> 00:32:20,480
Speaker 4: I want to.

837
00:32:20,400 --> 00:32:22,040
Speaker 16: Holler thank you.

838
00:32:23,480 --> 00:32:25,000
Speaker 4: That's it simple as that.

839
00:32:25,120 --> 00:32:27,400
Speaker 12: Now, if he's handsome, then you go back and double

840
00:32:27,440 --> 00:32:29,320
Speaker 12: back and be like, thank you so much, and then

841
00:32:29,360 --> 00:32:33,280
Speaker 12: you start talking about him. Yes, see, thank you he's

842
00:32:33,320 --> 00:32:34,440
Speaker 12: not handsome, so he don't get that.

843
00:32:34,520 --> 00:32:35,240
Speaker 8: He don't understand that.

844
00:32:35,640 --> 00:32:39,120
Speaker 2: That's all I've been getting my whole I came out

845
00:32:39,200 --> 00:32:40,440
Speaker 2: the womb handsome man.

846
00:32:40,680 --> 00:32:41,520
Speaker 5: I got that look.

847
00:32:41,640 --> 00:32:45,320
Speaker 6: Bro, Okay, I'm a handsome individual man.

848
00:32:45,320 --> 00:32:46,440
Speaker 8: What's what's the mail of the story?

849
00:32:46,440 --> 00:32:46,560
Speaker 14: Man?

850
00:32:46,600 --> 00:32:48,920
Speaker 2: Morel of the story is you stupid ass men. Women

851
00:32:48,960 --> 00:32:52,320
Speaker 2: don't want y'all just because they compliment your shirt. Women

852
00:32:52,360 --> 00:32:54,440
Speaker 2: don't want y'all just because they tell you nice sneakers.

853
00:32:54,520 --> 00:32:56,880
Speaker 2: All right, stop it, knock it off.

854
00:32:57,280 --> 00:32:57,680
Speaker 5: Jesus.

855
00:32:57,800 --> 00:33:00,520
Speaker 8: All right, it's the Breakfast lun Good Morning, the.

856
00:33:00,360 --> 00:33:01,560
Speaker 4: Breakfast Club.

857
00:33:03,560 --> 00:33:05,840
Speaker 8: Knowning everybody's TJ MV.

858
00:33:06,080 --> 00:33:08,680
Speaker 12: Charlamagne, the guy. We are the Breakfast Club. He got

859
00:33:08,680 --> 00:33:10,600
Speaker 12: a special guests in the building to talk.

860
00:33:10,440 --> 00:33:13,160
Speaker 8: In New York. Yes, right, Tony yayo.

861
00:33:14,520 --> 00:33:16,920
Speaker 3: Not had to bring it back, right, whatever you feel

862
00:33:17,040 --> 00:33:19,920
Speaker 3: man had to bring it back. I'm feeling good man

863
00:33:20,000 --> 00:33:21,480
Speaker 3: running around on y'all show.

864
00:33:21,560 --> 00:33:23,920
Speaker 2: I feel like you got a second win, yo, Like

865
00:33:23,920 --> 00:33:25,920
Speaker 2: it's been a second win, third win.

866
00:33:26,200 --> 00:33:26,920
Speaker 5: Yeah.

867
00:33:27,200 --> 00:33:29,200
Speaker 3: I mean, you know, I'll see the way fifty work

868
00:33:29,240 --> 00:33:30,840
Speaker 3: and I'm like yo, when he always be like yo,

869
00:33:30,920 --> 00:33:34,040
Speaker 3: y'all lazy, y'all lazy, And I'm just realizing, like I

870
00:33:34,040 --> 00:33:36,280
Speaker 3: thought I was working when I wasn't. So during the

871
00:33:36,320 --> 00:33:38,120
Speaker 3: COVID it was just like a tough time, Like I'm

872
00:33:38,120 --> 00:33:39,440
Speaker 3: sitting back, wasn't no tours.

873
00:33:39,760 --> 00:33:41,760
Speaker 4: I'm like, y, I gotta figure out other things to do.

874
00:33:42,480 --> 00:33:44,600
Speaker 3: So I started doing the music and then I started,

875
00:33:44,640 --> 00:33:48,160
Speaker 3: you know, messing with flat TV, and I just started

876
00:33:48,160 --> 00:33:50,120
Speaker 3: realizing when you put your presence out there to all

877
00:33:50,120 --> 00:33:53,360
Speaker 3: these younger generation, the new kids that really don't know us,

878
00:33:53,360 --> 00:33:55,640
Speaker 3: they know g Unit or some people do.

879
00:33:55,720 --> 00:33:57,320
Speaker 4: Remember like when I go on tour.

880
00:33:57,480 --> 00:33:59,360
Speaker 3: It'd be like, yeah, my father used to play on

881
00:33:59,480 --> 00:34:02,080
Speaker 3: my mom's to play check Unit, so it passed down

882
00:34:02,080 --> 00:34:04,520
Speaker 3: to that generation. So I'm going to my own tours

883
00:34:04,560 --> 00:34:06,680
Speaker 3: and you know, I'm just making myself valuable. Man, putting

884
00:34:06,680 --> 00:34:08,719
Speaker 3: that work in fifty. Did that upset you when you

885
00:34:08,719 --> 00:34:10,000
Speaker 3: heard fifty sad y'all was lazy?

886
00:34:10,239 --> 00:34:10,479
Speaker 6: Nah?

887
00:34:10,600 --> 00:34:14,000
Speaker 3: Not Even that motivates me because at a point sometimes

888
00:34:14,000 --> 00:34:16,680
Speaker 3: you do get lazy our careers. We was kind of spoiled.

889
00:34:16,680 --> 00:34:19,000
Speaker 3: Think about it. We had fifty where he was doing

890
00:34:19,040 --> 00:34:21,799
Speaker 3: everything for us. So as for like when we was

891
00:34:21,800 --> 00:34:23,680
Speaker 3: coming out, you have the young guns. For instance, I

892
00:34:23,680 --> 00:34:27,160
Speaker 3: remember Harvan saying Jay is not gonna do what fifty

893
00:34:27,239 --> 00:34:29,080
Speaker 3: does for young guns. He was saying it in front

894
00:34:29,120 --> 00:34:31,400
Speaker 3: of their face. Y'all got fifty, like fifty was, you know,

895
00:34:31,480 --> 00:34:34,520
Speaker 3: help us be in the videos. Second bag for that

896
00:34:34,560 --> 00:34:36,360
Speaker 3: when he dropped he when he sold eleven million records,

897
00:34:36,400 --> 00:34:38,600
Speaker 3: he dropped bag for mercy. You know what I'm saying.

898
00:34:38,640 --> 00:34:40,120
Speaker 3: I was in jail, you know, him and m Andem

899
00:34:40,200 --> 00:34:41,759
Speaker 3: was shotting me out. So I always show my love

900
00:34:41,800 --> 00:34:43,600
Speaker 3: to him. I know how fifty is he You know,

901
00:34:43,719 --> 00:34:47,640
Speaker 3: y'all the same sign. Y'all crazy, you know. So it's

902
00:34:47,760 --> 00:34:48,560
Speaker 3: all good.

903
00:34:48,320 --> 00:34:48,520
Speaker 13: You know.

904
00:34:48,560 --> 00:34:50,560
Speaker 4: But it just motivated me to work because I see

905
00:34:50,760 --> 00:34:51,319
Speaker 4: how he worked.

906
00:34:51,320 --> 00:34:53,400
Speaker 3: Will be on tour, He'll leave tour to go on

907
00:34:53,480 --> 00:34:56,080
Speaker 3: movie set, go back, go to the gym twice a day.

908
00:34:56,560 --> 00:34:57,520
Speaker 4: I'm tired, you know.

909
00:34:57,760 --> 00:34:59,759
Speaker 2: I mean, the free Aal movement was a movement within

910
00:34:59,800 --> 00:35:02,360
Speaker 2: this helf. Like, I don't think we talk about about that,

911
00:35:02,400 --> 00:35:04,200
Speaker 2: and I don't know why. Randomly, I was thinking the

912
00:35:04,200 --> 00:35:05,840
Speaker 2: other day about when they shouted you out of there.

913
00:35:06,040 --> 00:35:07,719
Speaker 3: I think it was the Grand It was Eminem and

914
00:35:07,719 --> 00:35:09,320
Speaker 3: that's why I always shout out Eminem. You know what

915
00:35:09,360 --> 00:35:11,719
Speaker 3: I'm saying, because he didn't have to do that. I

916
00:35:11,800 --> 00:35:14,399
Speaker 3: was on right because allen ce seventy three too low?

917
00:35:14,520 --> 00:35:16,959
Speaker 12: Now this move right here, this this hand in front

918
00:35:16,960 --> 00:35:19,279
Speaker 12: of the face. Where did that move come from? Because

919
00:35:19,320 --> 00:35:21,400
Speaker 12: you know, of course we've known you doing that for years.

920
00:35:21,800 --> 00:35:22,640
Speaker 12: Where did that come to?

921
00:35:22,719 --> 00:35:25,120
Speaker 3: That really came because I was on the run like

922
00:35:25,200 --> 00:35:27,160
Speaker 3: I was at that point when we was in the club,

923
00:35:27,239 --> 00:35:29,439
Speaker 3: I was running like fifty was like yo, he said

924
00:35:29,440 --> 00:35:31,200
Speaker 3: to me. You know we had this judge, Judge Wong

925
00:35:31,280 --> 00:35:34,239
Speaker 3: and queens everybody knowing no joke, and he was like, yo,

926
00:35:34,280 --> 00:35:36,000
Speaker 3: what are you gonna do. You're gonna go to court,

927
00:35:36,480 --> 00:35:39,760
Speaker 3: but go on tour. We're blowing up now. Mixtapes are crazy,

928
00:35:40,320 --> 00:35:44,920
Speaker 3: just playing us everywhere. I'm like, yo, I'm running.

929
00:35:45,000 --> 00:35:48,320
Speaker 2: So when you're John Cena, just I guess jacket, John

930
00:35:48,360 --> 00:35:49,440
Speaker 2: Cena gives you credit.

931
00:35:49,520 --> 00:35:49,680
Speaker 16: Right.

932
00:35:50,080 --> 00:35:52,719
Speaker 3: John Cena said, his little brother, I believe did it,

933
00:35:53,040 --> 00:35:56,000
Speaker 3: and his little brother did him to do it, and

934
00:35:56,040 --> 00:35:57,279
Speaker 3: I guess he did it in the match.

935
00:35:57,320 --> 00:35:58,120
Speaker 4: And it just got.

936
00:35:57,960 --> 00:36:00,319
Speaker 8: Crazy when you see the Reese do or what did

937
00:36:00,360 --> 00:36:00,560
Speaker 8: you think?

938
00:36:01,200 --> 00:36:03,200
Speaker 4: She made it? She took it to a whole other level.

939
00:36:03,239 --> 00:36:06,640
Speaker 3: She brought it back, had me trending for shelter, She

940
00:36:06,680 --> 00:36:08,640
Speaker 3: had me trending for you know, the whole week.

941
00:36:08,480 --> 00:36:11,680
Speaker 6: And they did it before her, right, yeah, So it.

942
00:36:11,680 --> 00:36:13,919
Speaker 3: Was just like I mean, with that situation was crazy

943
00:36:13,960 --> 00:36:15,520
Speaker 3: because like you said, the black girl did it and

944
00:36:15,520 --> 00:36:18,480
Speaker 3: it was a problem then when beforehand it was Yeah,

945
00:36:18,520 --> 00:36:20,440
Speaker 3: it was a problem. So I addressed that, you know

946
00:36:20,480 --> 00:36:22,160
Speaker 3: what I mean. I talked about that too. That's crazy

947
00:36:22,239 --> 00:36:24,680
Speaker 3: for that on when we playing ball in the hood,

948
00:36:24,719 --> 00:36:25,680
Speaker 3: you know, it's competitive.

949
00:36:25,680 --> 00:36:27,719
Speaker 4: Whatever you do when you do your call shows, you

950
00:36:27,800 --> 00:36:28,480
Speaker 4: in competition.

951
00:36:28,680 --> 00:36:29,040
Speaker 5: That's right.

952
00:36:29,040 --> 00:36:31,759
Speaker 3: I see you go at people here. Y'all got the

953
00:36:31,760 --> 00:36:33,279
Speaker 3: best call shows in the world. None of y'all can

954
00:36:33,280 --> 00:36:34,440
Speaker 3: mess with me. I don't know how you get all

955
00:36:34,480 --> 00:36:34,880
Speaker 3: these calls.

956
00:36:34,920 --> 00:36:35,759
Speaker 8: You said it not me, But.

957
00:36:37,680 --> 00:36:39,239
Speaker 4: I told fifty you might as well just leave all

958
00:36:39,280 --> 00:36:39,840
Speaker 4: his cars with you.

959
00:36:39,880 --> 00:36:40,040
Speaker 2: Brother.

960
00:36:40,320 --> 00:36:42,359
Speaker 12: You know, Fifth calls me and he'd be like, let

961
00:36:42,400 --> 00:36:44,640
Speaker 12: me get the call and I'll give him back his call.

962
00:36:44,840 --> 00:36:45,040
Speaker 8: You know.

963
00:36:45,200 --> 00:36:47,880
Speaker 12: I usually have his Lambo or his Rolls Royce and

964
00:36:47,880 --> 00:36:49,480
Speaker 12: he driving for one day and then it sits and

965
00:36:49,480 --> 00:36:51,239
Speaker 12: then he loses the key and then I got to

966
00:36:51,280 --> 00:36:51,839
Speaker 12: go get it again.

967
00:36:51,920 --> 00:36:55,120
Speaker 4: But meAll playing around, I.

968
00:36:55,040 --> 00:36:56,960
Speaker 8: Want to go back, right, I know. Yeah, you a

969
00:36:56,960 --> 00:36:57,399
Speaker 8: long time.

970
00:36:58,239 --> 00:37:00,600
Speaker 12: Where do you think in your career happened where you

971
00:37:00,600 --> 00:37:03,479
Speaker 12: didn't go to that next level, right? And I asked

972
00:37:03,480 --> 00:37:05,440
Speaker 12: Fifty that and he said he thinks it was the

973
00:37:05,480 --> 00:37:06,880
Speaker 12: picking up the wrong single.

974
00:37:07,160 --> 00:37:09,000
Speaker 5: What do you what do you think it was interesting?

975
00:37:09,280 --> 00:37:10,759
Speaker 4: I think it was just a lot of drama with

976
00:37:10,880 --> 00:37:12,120
Speaker 4: in the Scope when I came home.

977
00:37:12,239 --> 00:37:12,759
Speaker 5: You know what I mean?

978
00:37:12,880 --> 00:37:14,960
Speaker 3: You had fifty he was Curtis, I'm Curtis in the

979
00:37:15,000 --> 00:37:18,160
Speaker 3: Scope Jackson, you know, and Jimmy Ivian. You know, you

980
00:37:18,239 --> 00:37:20,880
Speaker 3: had game flipping. I just get rid of him, you know,

981
00:37:20,920 --> 00:37:23,040
Speaker 3: fifty so more reckless than the moment whatever.

982
00:37:23,080 --> 00:37:23,520
Speaker 4: It was like.

983
00:37:23,560 --> 00:37:25,200
Speaker 3: It was like it was like a war in our

984
00:37:25,239 --> 00:37:27,560
Speaker 3: own house because you had record, you had the social decor.

985
00:37:27,719 --> 00:37:28,520
Speaker 5: We had the wrong thing.

986
00:37:29,080 --> 00:37:31,160
Speaker 4: Yes, I had social Doctor you don't love me? I

987
00:37:31,239 --> 00:37:32,120
Speaker 4: had I Know you don't love me?

988
00:37:32,200 --> 00:37:35,000
Speaker 3: And pimping right, But you gotta remember I came in

989
00:37:35,040 --> 00:37:37,960
Speaker 3: the midst of the fifty in the Scope drama can

990
00:37:38,040 --> 00:37:41,319
Speaker 3: he was, I'm my own boss, you know how to

991
00:37:41,400 --> 00:37:44,440
Speaker 3: you know how so I think sometimes and at that

992
00:37:44,560 --> 00:37:46,719
Speaker 3: point we had so many enemies. It was like we

993
00:37:46,719 --> 00:37:49,120
Speaker 3: wasn't getting a feature or nothing like you wasn't like

994
00:37:49,160 --> 00:37:51,760
Speaker 3: we came to a point where we never used anybody,

995
00:37:51,800 --> 00:37:54,279
Speaker 3: Like it was just me Banks and fifty. You know,

996
00:37:54,400 --> 00:37:57,600
Speaker 3: fifty never looked to do features with nobody, So you

997
00:37:57,640 --> 00:37:59,960
Speaker 3: know how it is. It felt like everybody was against

998
00:38:00,120 --> 00:38:02,400
Speaker 3: us at that point because nobody really messed with fifteen industry,

999
00:38:02,480 --> 00:38:03,560
Speaker 3: like that'll mess with us.

1000
00:38:04,239 --> 00:38:06,279
Speaker 2: Didn't feel better now because I saw you out about

1001
00:38:06,320 --> 00:38:07,720
Speaker 2: the other day and like it was you and Pistol

1002
00:38:07,719 --> 00:38:08,680
Speaker 2: p and Uncle Murdon.

1003
00:38:08,800 --> 00:38:10,840
Speaker 3: Yeah, feel better, it feel It feels good to have

1004
00:38:11,000 --> 00:38:13,360
Speaker 3: no drama with Fat Joe because Fat Joe I was

1005
00:38:13,400 --> 00:38:15,360
Speaker 3: I was always a fan of Fat Joe Jell just want.

1006
00:38:15,239 --> 00:38:17,200
Speaker 4: To envy, you know, he was a real one. Pistol

1007
00:38:17,239 --> 00:38:17,799
Speaker 4: Pe he cool.

1008
00:38:17,920 --> 00:38:19,440
Speaker 3: So it's like you get older and a lot of

1009
00:38:19,480 --> 00:38:21,080
Speaker 3: stuff was just just hip hop.

1010
00:38:21,080 --> 00:38:23,080
Speaker 2: And I saw you say that was the realest beef

1011
00:38:23,160 --> 00:38:26,840
Speaker 2: g unit. Yeah, I guess you call that a compliment.

1012
00:38:26,960 --> 00:38:29,600
Speaker 2: That's a big compliment. I don't I don't look at

1013
00:38:29,600 --> 00:38:30,279
Speaker 2: the jah ruth thing.

1014
00:38:30,360 --> 00:38:31,399
Speaker 4: It's like real.

1015
00:38:31,719 --> 00:38:33,960
Speaker 6: But y'all had street beef, get the right, y'all had

1016
00:38:34,000 --> 00:38:34,759
Speaker 6: beef with Yeah.

1017
00:38:34,760 --> 00:38:36,200
Speaker 3: I look at I look at them. I look at

1018
00:38:36,200 --> 00:38:39,759
Speaker 3: like the preams the world. I look at those kind

1019
00:38:39,800 --> 00:38:42,120
Speaker 3: of guys or like the real beefs, the Jimmy Henchman

1020
00:38:42,239 --> 00:38:44,960
Speaker 3: strolls with like the real beefs where it got real

1021
00:38:45,000 --> 00:38:47,919
Speaker 3: with the street eyes. But industry wise you said terror

1022
00:38:47,920 --> 00:38:50,360
Speaker 3: Squad was yeah, industry wise terrorist squad.

1023
00:38:50,400 --> 00:38:51,719
Speaker 6: Okay, why what makes that?

1024
00:38:51,760 --> 00:38:52,239
Speaker 4: What makes it?

1025
00:38:52,920 --> 00:38:54,400
Speaker 3: Because I don't know. It's just a whole bunch of

1026
00:38:54,520 --> 00:38:59,200
Speaker 3: crazy Spanish dudes. Man, you know what I'm saying.

1027
00:39:00,000 --> 00:39:01,640
Speaker 8: What was the crazy story that you was like, we

1028
00:39:01,719 --> 00:39:02,759
Speaker 8: might not make it out of here.

1029
00:39:03,840 --> 00:39:06,279
Speaker 3: I wouldn't say we were scared, but I could say

1030
00:39:06,880 --> 00:39:09,200
Speaker 3: it was the Vibe Awards when we seen Shook Knight

1031
00:39:09,560 --> 00:39:11,960
Speaker 3: and Earth got h and they walked past the trailer.

1032
00:39:12,600 --> 00:39:14,040
Speaker 3: It is what it is. We in New York, but

1033
00:39:14,120 --> 00:39:15,759
Speaker 3: we in La. You know what I'm saying. We New

1034
00:39:15,840 --> 00:39:17,719
Speaker 3: York dudes, We in La. You know what I'm saying.

1035
00:39:17,719 --> 00:39:19,799
Speaker 3: So you see Shook Knight. You always heard about this guy,

1036
00:39:19,840 --> 00:39:22,600
Speaker 3: you know TV magazines, but you know I never had

1037
00:39:23,000 --> 00:39:24,799
Speaker 3: in the club was the first running, but this was

1038
00:39:24,800 --> 00:39:27,560
Speaker 3: the second. So he walks past the trailer with Earth

1039
00:39:28,000 --> 00:39:31,440
Speaker 3: and fifty. Just look at James Cruise. James Cruse, you know,

1040
00:39:31,480 --> 00:39:33,320
Speaker 3: shout to him. He was a little James Scrus is

1041
00:39:33,320 --> 00:39:35,839
Speaker 3: always in a situation industry guy. He got to run

1042
00:39:35,880 --> 00:39:38,719
Speaker 3: around with fifty bulletpoof veesses. You know, Chris Lightdy was

1043
00:39:38,760 --> 00:39:39,840
Speaker 3: in the trenches. It's crazy.

1044
00:39:40,080 --> 00:39:42,399
Speaker 4: So he just tapped James CRUs and say, Yo, go

1045
00:39:42,440 --> 00:39:43,360
Speaker 4: buy twenty knives.

1046
00:39:43,600 --> 00:39:44,600
Speaker 8: Go by twenty knops.

1047
00:39:44,640 --> 00:39:47,200
Speaker 3: Yeah, just go to the Hallway store. I'm like, that's

1048
00:39:47,239 --> 00:39:49,919
Speaker 3: what we're gonna do. Just seem you know, they.

1049
00:39:49,840 --> 00:39:51,440
Speaker 5: Might get crazy.

1050
00:39:51,840 --> 00:39:53,880
Speaker 3: It was about twenty to fifteen or something like that.

1051
00:39:53,920 --> 00:39:56,600
Speaker 3: So James Cruse goes to the Hallway store by twenty knives.

1052
00:39:56,719 --> 00:39:59,000
Speaker 3: He gives the bags fifty hand in them ount and

1053
00:39:59,040 --> 00:40:00,799
Speaker 3: then you know when we got there, we had beef

1054
00:40:00,840 --> 00:40:03,839
Speaker 3: with Fat Joe. At that point, we doctor Dre's there,

1055
00:40:03,920 --> 00:40:05,759
Speaker 3: so you know that's obviously a beef for shig Knight.

1056
00:40:05,840 --> 00:40:07,200
Speaker 4: Shig Knight got like some.

1057
00:40:07,160 --> 00:40:09,719
Speaker 3: Crazy looking Compton looking dudes with him, you know what

1058
00:40:09,760 --> 00:40:11,840
Speaker 3: I'm saying. So it just you felt the energy to

1059
00:40:11,880 --> 00:40:14,800
Speaker 3: where we had our chairs like this watching the show, watch.

1060
00:40:14,800 --> 00:40:15,359
Speaker 4: Watching the show.

1061
00:40:15,360 --> 00:40:17,640
Speaker 3: We had this like yo, you felt the energy like

1062
00:40:17,680 --> 00:40:20,080
Speaker 3: you felt something was gonna go down. And that's when

1063
00:40:20,160 --> 00:40:22,320
Speaker 3: you know we wasn't taking pictures back then, So I

1064
00:40:22,320 --> 00:40:25,040
Speaker 3: guess he has Dre for the autograph. Pops on Dre

1065
00:40:25,320 --> 00:40:27,920
Speaker 3: Drake falls, but he alday might even get up start

1066
00:40:27,960 --> 00:40:28,640
Speaker 3: popping on him.

1067
00:40:28,680 --> 00:40:29,680
Speaker 4: And it just got crazy.

1068
00:40:29,760 --> 00:40:31,840
Speaker 3: Now I started coming from everywhere, and that's when you know,

1069
00:40:31,920 --> 00:40:33,160
Speaker 3: one of the dudes got stabbed.

1070
00:40:33,280 --> 00:40:35,080
Speaker 2: So my question is if there was twenty knins, how

1071
00:40:35,080 --> 00:40:36,520
Speaker 2: come only Young Buck didn't stab him?

1072
00:40:36,760 --> 00:40:38,640
Speaker 3: No, that that dude got stabbed in the chest. Young

1073
00:40:38,680 --> 00:40:40,279
Speaker 3: Buck stabbed him with the funk. I don't know where

1074
00:40:40,280 --> 00:40:40,880
Speaker 3: that got that.

1075
00:40:42,880 --> 00:40:43,600
Speaker 4: I don't know where you.

1076
00:40:45,040 --> 00:40:47,759
Speaker 3: Just came with the fault nobody knife. No, but no,

1077
00:40:48,200 --> 00:40:51,080
Speaker 3: I don't know. That's why I was tripping. I know

1078
00:40:51,160 --> 00:40:53,520
Speaker 3: I had one. Everybody else did you know what I'm saying?

1079
00:40:53,520 --> 00:40:56,279
Speaker 3: But Buck, matter of fact, him and Banks was backstage.

1080
00:40:56,680 --> 00:40:58,920
Speaker 3: They was about to perform, and he just came with

1081
00:40:59,040 --> 00:41:02,080
Speaker 3: the fun as soon as they started talking that time

1082
00:41:02,480 --> 00:41:04,759
Speaker 3: when they started, we went back to the mansion after

1083
00:41:04,800 --> 00:41:06,919
Speaker 3: that happened because the kid got stabbed in the chests,

1084
00:41:06,920 --> 00:41:10,279
Speaker 3: he collapsed. Everything, the fuk wasn't nothing. And we got

1085
00:41:10,320 --> 00:41:12,400
Speaker 3: back to the mansion and it was on the news.

1086
00:41:12,400 --> 00:41:14,560
Speaker 3: It was like attempted murder young Buck. Young Buck was like,

1087
00:41:14,600 --> 00:41:19,320
Speaker 3: I ain't do that, mate, I'm gonna.

1088
00:41:19,120 --> 00:41:22,120
Speaker 4: Switch up with that time that's why I've been staying

1089
00:41:22,160 --> 00:41:22,680
Speaker 4: out the truck.

1090
00:41:24,239 --> 00:41:26,560
Speaker 3: Was like, I ain't do that, man, because young Buck

1091
00:41:26,600 --> 00:41:28,200
Speaker 3: hit him with the fuck he ain't stabbing him in

1092
00:41:28,239 --> 00:41:28,560
Speaker 3: the chest.

1093
00:41:30,480 --> 00:41:32,279
Speaker 5: He kind of ran with the story though, didn't.

1094
00:41:32,840 --> 00:41:36,440
Speaker 3: I mean, you know, come on, man, rappers many all right?

1095
00:41:36,480 --> 00:41:38,720
Speaker 12: We got more with Tony yayo when we come back.

1096
00:41:39,200 --> 00:41:41,360
Speaker 12: Matter of fact, let's get into a classic Yao record?

1097
00:41:41,360 --> 00:41:43,319
Speaker 12: Can we get into so seductive? It's the Breakfast Club,

1098
00:41:43,320 --> 00:41:43,920
Speaker 12: Good Morning.

1099
00:41:45,280 --> 00:41:46,000
Speaker 20: J n V.

1100
00:41:46,200 --> 00:41:47,000
Speaker 8: Charlamagne the guy.

1101
00:41:47,040 --> 00:41:48,360
Speaker 5: We are the Breakfast Club.

1102
00:41:48,360 --> 00:41:50,480
Speaker 12: Our co host p Scott is here and we're still

1103
00:41:50,520 --> 00:41:51,600
Speaker 12: kicking it with Tony Yao.

1104
00:41:51,760 --> 00:41:51,800
Speaker 14: No.

1105
00:41:51,920 --> 00:41:53,920
Speaker 12: For people that don't know, there was a time wh

1106
00:41:54,400 --> 00:41:56,799
Speaker 12: y'all were all strained, right, gu and he wasn't talking

1107
00:41:56,800 --> 00:41:58,760
Speaker 12: to fifty to fifty, wasn't talking to genu. What happened

1108
00:41:58,840 --> 00:42:00,640
Speaker 12: during that time? And then what got you back together?

1109
00:42:00,880 --> 00:42:03,200
Speaker 3: I'm always talking to fifty fifty just I'm used to

1110
00:42:03,239 --> 00:42:06,560
Speaker 3: fifties character because he's blue. He's a crazy cancer like Charlamagne,

1111
00:42:06,640 --> 00:42:08,080
Speaker 3: so I'm used to him. He used to be on

1112
00:42:08,120 --> 00:42:11,000
Speaker 3: the block, you know. I remember one day fifty Wheelians

1113
00:42:11,440 --> 00:42:13,719
Speaker 3: he fell off his bike and told yo. He was

1114
00:42:13,719 --> 00:42:17,120
Speaker 3: like yo, nobody better laugh. Everybody started laughing. Nobody been

1115
00:42:17,200 --> 00:42:19,399
Speaker 3: laughing at me. I'm punched out of your face. So

1116
00:42:19,560 --> 00:42:21,600
Speaker 3: I know him from being on the block. I know

1117
00:42:21,800 --> 00:42:24,640
Speaker 3: him better than anybody. Banks is a little younger. So

1118
00:42:24,680 --> 00:42:27,440
Speaker 3: Banks was, you know, high school. He went to August Martin.

1119
00:42:27,480 --> 00:42:31,880
Speaker 3: Buck is from Cashville and Game is from Kelly, La.

1120
00:42:32,000 --> 00:42:34,400
Speaker 3: But once money and ego get involved, you know how

1121
00:42:34,480 --> 00:42:37,480
Speaker 3: dudes start acting. Everybody's their own boss in the way,

1122
00:42:37,960 --> 00:42:39,799
Speaker 3: and sometimes it get to their head. For me, it

1123
00:42:39,880 --> 00:42:41,480
Speaker 3: was different. I got out of jail and I'm like,

1124
00:42:41,840 --> 00:42:44,720
Speaker 3: y'all living battery park. I could see it's statue of liberty,

1125
00:42:44,800 --> 00:42:47,400
Speaker 3: so I'm open. I'm like, wow, rakers allen to this,

1126
00:42:47,520 --> 00:42:50,399
Speaker 3: thanks fifth. So I always had that loyalty because I'm

1127
00:42:50,400 --> 00:42:53,080
Speaker 3: coming fresh out of jail, Like yo, we blew up.

1128
00:42:53,360 --> 00:42:55,360
Speaker 6: You also never seem to have a sense of entitlement.

1129
00:42:55,600 --> 00:42:57,759
Speaker 3: Ah, I don't. I'm like, I'm good. I got a

1130
00:42:57,800 --> 00:42:59,840
Speaker 3: couple of houses, i made some good money, I traveled

1131
00:42:59,840 --> 00:43:01,719
Speaker 3: the Earl. I'm like on my four fifth passport.

1132
00:43:01,840 --> 00:43:03,120
Speaker 4: I'm humble. You know.

1133
00:43:03,200 --> 00:43:04,799
Speaker 3: I ain't got as much cars as Envy, but I

1134
00:43:04,800 --> 00:43:07,759
Speaker 3: got a few, a few, you know. But but for me,

1135
00:43:07,880 --> 00:43:09,960
Speaker 3: I'm like, yo, we all make money. I don't see

1136
00:43:10,040 --> 00:43:12,360
Speaker 3: Fifth like, for instance, I'm gonna say it buck like

1137
00:43:12,480 --> 00:43:15,000
Speaker 3: Buckle go on tour. You know what I'm saying. We

1138
00:43:15,000 --> 00:43:17,719
Speaker 3: wasn't familiar with money, how to save money? We black

1139
00:43:17,800 --> 00:43:20,479
Speaker 3: dudes from from the hood, you know, like you're going

1140
00:43:20,520 --> 00:43:24,120
Speaker 3: to your spend two fifty, right, and then later on

1141
00:43:24,200 --> 00:43:26,799
Speaker 3: you have that grace period because you're in another tax bracket, right,

1142
00:43:26,840 --> 00:43:28,600
Speaker 3: so you'll be you got to pay that with maybe

1143
00:43:28,840 --> 00:43:31,080
Speaker 3: a year and a half, maybe two years later that money,

1144
00:43:31,080 --> 00:43:32,759
Speaker 3: and I might not be there your fifth, Can I

1145
00:43:32,840 --> 00:43:35,200
Speaker 3: ball to fifty? I got a tax problem? How many

1146
00:43:35,239 --> 00:43:37,160
Speaker 3: times you think a person gonna do that for you?

1147
00:43:37,239 --> 00:43:39,120
Speaker 2: That's really the one thing I think Fifty dropping the

1148
00:43:39,120 --> 00:43:41,040
Speaker 2: ball with you, Yeah, is why you ain't in none

1149
00:43:41,080 --> 00:43:42,200
Speaker 2: of these TV shows.

1150
00:43:42,239 --> 00:43:45,080
Speaker 5: Man. You just got that natural personality.

1151
00:43:45,360 --> 00:43:47,799
Speaker 3: You know what you do it? No, I want to

1152
00:43:47,840 --> 00:43:49,719
Speaker 3: do it. But I looked at it like this. If

1153
00:43:49,719 --> 00:43:54,359
Speaker 3: he put all his friends in power, it wouldn't be yeah,

1154
00:43:54,400 --> 00:43:57,200
Speaker 3: all right, cool, good like yeah, see watch this Fifth

1155
00:43:57,200 --> 00:43:57,879
Speaker 3: put me in something.

1156
00:43:58,520 --> 00:43:59,440
Speaker 4: Charl said it.

1157
00:43:59,719 --> 00:44:00,560
Speaker 5: Have you asked?

1158
00:44:00,880 --> 00:44:02,879
Speaker 4: No, No, I don't be pressing Fifth. He done enough

1159
00:44:02,920 --> 00:44:03,160
Speaker 4: for me.

1160
00:44:03,960 --> 00:44:06,319
Speaker 3: You know what I'm saying like I was going to fifth,

1161
00:44:06,360 --> 00:44:08,200
Speaker 3: y'all I need a half a million, bro, I got

1162
00:44:08,280 --> 00:44:09,560
Speaker 3: you quarter million?

1163
00:44:09,560 --> 00:44:09,640
Speaker 5: Bro?

1164
00:44:10,120 --> 00:44:10,600
Speaker 4: Got you?

1165
00:44:10,600 --> 00:44:11,480
Speaker 6: Come on, bro, I.

1166
00:44:11,400 --> 00:44:14,279
Speaker 3: Can't keep trusting him for half a million. Yeah, I've

1167
00:44:14,280 --> 00:44:16,080
Speaker 3: seen him do it for a buck two year buck.

1168
00:44:16,080 --> 00:44:18,520
Speaker 3: I need I need a quarter? Oh ahead, man, I

1169
00:44:18,520 --> 00:44:19,319
Speaker 3: got got you.

1170
00:44:19,640 --> 00:44:20,840
Speaker 8: What's your relationship with Banks?

1171
00:44:21,120 --> 00:44:23,239
Speaker 4: Banks Is my brother? I talked to him the other day.

1172
00:44:23,320 --> 00:44:24,360
Speaker 8: Are they ever gonna mind that?

1173
00:44:24,560 --> 00:44:27,960
Speaker 3: I'll stay I'll stay out because Fifth is you know,

1174
00:44:28,040 --> 00:44:30,040
Speaker 3: Fifth is Fifth? Fifth is crazy. I just know how

1175
00:44:30,080 --> 00:44:31,520
Speaker 3: to deal with him, you know what I'm saying. From

1176
00:44:31,520 --> 00:44:33,879
Speaker 3: South Jamaica, he's been like that, like you gotta think.

1177
00:44:33,920 --> 00:44:36,400
Speaker 3: On the block, twelve years old, never knew who his

1178
00:44:36,440 --> 00:44:40,040
Speaker 3: father was. Moms got killed. He's selling drugs with all

1179
00:44:40,200 --> 00:44:43,400
Speaker 3: with dudes twice his age, these dudes like eighteen nineteen,

1180
00:44:43,840 --> 00:44:45,880
Speaker 3: you know what I'm saying. So he came up different.

1181
00:44:45,920 --> 00:44:47,680
Speaker 3: I had a mother and father. You know, I was

1182
00:44:47,680 --> 00:44:50,200
Speaker 3: supposed to be a good kid. Actually, but you know

1183
00:44:50,360 --> 00:44:52,800
Speaker 3: the streets my neighborhood, there was no road models.

1184
00:44:52,800 --> 00:44:55,120
Speaker 4: Everybody's so drugs. That's how you got the name Yaloe.

1185
00:44:55,280 --> 00:44:57,839
Speaker 3: Yeah, being't on the block. My father used to Chase

1186
00:44:57,880 --> 00:45:00,439
Speaker 3: me off the block, Haitian parents. You know, play my parents,

1187
00:45:00,480 --> 00:45:03,160
Speaker 3: don't play chase me off the pot. Did you really

1188
00:45:03,200 --> 00:45:03,719
Speaker 3: want to rap?

1189
00:45:04,480 --> 00:45:06,440
Speaker 6: That was just you saw you saw working for fifty,

1190
00:45:06,560 --> 00:45:07,520
Speaker 6: Like you know, I'm a track.

1191
00:45:07,760 --> 00:45:09,680
Speaker 3: Yeah, No, I mean I was on the block, and

1192
00:45:09,800 --> 00:45:11,080
Speaker 3: you know I used to be in the parties with

1193
00:45:11,120 --> 00:45:13,920
Speaker 3: my man, Fat Shot DJ Ruffians and we used to go,

1194
00:45:14,160 --> 00:45:16,040
Speaker 3: you know, freaky toys from my hood. So we used

1195
00:45:16,080 --> 00:45:18,000
Speaker 3: to always get on the mic and play around and

1196
00:45:18,040 --> 00:45:19,440
Speaker 3: freestyle of my man basement.

1197
00:45:19,480 --> 00:45:20,800
Speaker 4: And you know, I just started rapping.

1198
00:45:21,200 --> 00:45:23,279
Speaker 3: But you know, I never thought fifty was gonna sell

1199
00:45:23,320 --> 00:45:26,239
Speaker 3: eleven million records. We'd be in the house listening to

1200
00:45:26,280 --> 00:45:27,920
Speaker 3: get rich of I try and dude, just like you

1201
00:45:27,960 --> 00:45:30,080
Speaker 3: know what I'm say, But I always seen a vision.

1202
00:45:30,120 --> 00:45:32,719
Speaker 3: I'm like, nah, this is five fifties the next one.

1203
00:45:32,920 --> 00:45:34,960
Speaker 3: You know, I'm I'm a music guy. Like I used

1204
00:45:34,960 --> 00:45:37,560
Speaker 3: to go to the AVM by MV tapes, Clue Tapes,

1205
00:45:37,640 --> 00:45:39,600
Speaker 3: Dog Time, grand Master vict.

1206
00:45:39,560 --> 00:45:41,120
Speaker 4: All of it because it cleans his music.

1207
00:45:41,160 --> 00:45:42,720
Speaker 6: And people really av tapes.

1208
00:45:42,920 --> 00:45:49,440
Speaker 12: Yes, okay, now people hot Wax.

1209
00:45:49,520 --> 00:45:51,319
Speaker 3: He know, we used to go to Hot Wax get

1210
00:45:51,360 --> 00:45:54,320
Speaker 3: the tapes, you know, because you gotta remember Clue and

1211
00:45:54,440 --> 00:45:57,520
Speaker 3: Envy went from It went from blends because we used

1212
00:45:57,560 --> 00:45:59,399
Speaker 3: to It used to be all about Blens, Grand Master

1213
00:45:59,440 --> 00:46:02,160
Speaker 3: vict Dog, Dirty Harry, and then they just went it

1214
00:46:02,239 --> 00:46:05,000
Speaker 3: went to playing exclusives and that was you and Clue.

1215
00:46:05,320 --> 00:46:06,399
Speaker 4: That's how they changed the game.

1216
00:46:06,480 --> 00:46:09,120
Speaker 3: Him and Clue played exclusive records like a NADS free

1217
00:46:09,160 --> 00:46:10,400
Speaker 3: style or this free style of that.

1218
00:46:10,560 --> 00:46:12,040
Speaker 4: You ever got mad at them for leaking and they

1219
00:46:12,040 --> 00:46:12,760
Speaker 4: of y'all records.

1220
00:46:12,840 --> 00:46:15,480
Speaker 3: Nah, because the bootleggers made us at that point, the

1221
00:46:15,560 --> 00:46:18,560
Speaker 3: DJ's made us because we was getting played everywhere we

1222
00:46:18,719 --> 00:46:21,040
Speaker 3: go to the bootleggers. You know, sometimes dudes w want

1223
00:46:21,040 --> 00:46:22,719
Speaker 3: to beat up the bootleggers and fifty be like, wow,

1224
00:46:22,760 --> 00:46:23,480
Speaker 3: why you're doing that.

1225
00:46:23,719 --> 00:46:26,319
Speaker 4: It's spread in the world. We had mixtapes everywhere you go.

1226
00:46:26,560 --> 00:46:28,239
Speaker 5: Nobody we know the conversation nobody has.

1227
00:46:28,800 --> 00:46:30,680
Speaker 2: You know, you know what Dirty Harry and all of

1228
00:46:30,680 --> 00:46:32,560
Speaker 2: them did, and we know what y'all did. But the

1229
00:46:32,920 --> 00:46:35,200
Speaker 2: artists like with you and it did and they were

1230
00:46:35,200 --> 00:46:37,000
Speaker 2: one of the first said did in the locks. They

1231
00:46:37,040 --> 00:46:39,520
Speaker 2: took the mixtape, gave to another level the way y'all

1232
00:46:39,520 --> 00:46:41,080
Speaker 2: started doing mixtape.

1233
00:46:40,640 --> 00:46:43,200
Speaker 3: Right, But we we wasn't stopping. We just we had

1234
00:46:43,200 --> 00:46:46,360
Speaker 3: a mixtape every week. Remember I remember when Ja Ru

1235
00:46:46,480 --> 00:46:49,239
Speaker 3: dissed us and we was an eminem studio and we

1236
00:46:49,280 --> 00:46:52,359
Speaker 3: did semi automatic gunfire and that like that like killed

1237
00:46:52,440 --> 00:46:55,440
Speaker 3: y'all that that tape, whole tape killing Jaru shouted Jaru

1238
00:46:55,719 --> 00:46:58,920
Speaker 3: killed him, still killing him and.

1239
00:46:58,040 --> 00:47:01,000
Speaker 8: He said, shouting down, still killing Jesus. And have you

1240
00:47:01,040 --> 00:47:01,799
Speaker 8: ever ran in the job?

1241
00:47:02,160 --> 00:47:02,399
Speaker 4: Nah?

1242
00:47:02,800 --> 00:47:05,680
Speaker 3: Never nah, only only when you know the situation in

1243
00:47:05,719 --> 00:47:08,440
Speaker 3: the studio that was that way back. And I had

1244
00:47:08,520 --> 00:47:10,520
Speaker 3: like a cut on my hand that was like years ago.

1245
00:47:11,000 --> 00:47:14,399
Speaker 3: But to me, to me, you gotta understand, we think

1246
00:47:14,440 --> 00:47:16,799
Speaker 3: of Queen's I was in the streets for real, like

1247
00:47:16,880 --> 00:47:19,120
Speaker 3: I'm gonna keep it real, like I don't know what

1248
00:47:19,239 --> 00:47:22,160
Speaker 3: y'all was doing. I'm not from his neighborhood. My baby

1249
00:47:22,160 --> 00:47:25,240
Speaker 3: mom's just from his neighborhood. Pop over there in Woodhall.

1250
00:47:25,840 --> 00:47:28,360
Speaker 3: As for like seeing Niles come to the block with

1251
00:47:28,440 --> 00:47:32,680
Speaker 3: black dress e moneybags coming through, Like my block was legendary,

1252
00:47:32,680 --> 00:47:33,840
Speaker 3: one three four on God Brewer.

1253
00:47:34,239 --> 00:47:36,560
Speaker 4: It was legendary. Where everybody was outside.

1254
00:47:36,640 --> 00:47:38,839
Speaker 3: I was outside, so I never they said IRV God

1255
00:47:38,840 --> 00:47:41,000
Speaker 3: he was a DJ, but I've never been to a

1256
00:47:41,000 --> 00:47:43,840
Speaker 3: party where he DJ. I know the Rockaway Twins. I

1257
00:47:43,880 --> 00:47:48,280
Speaker 3: know Goldfingers, I know tape Master that brings the system everywhere,

1258
00:47:48,719 --> 00:47:53,280
Speaker 3: brand Master, vict babyj come on, Like, I never seen

1259
00:47:53,520 --> 00:47:55,600
Speaker 3: IRV do a party, and I didn't been to parties

1260
00:47:55,600 --> 00:47:58,160
Speaker 3: on the North Side, south Side everywhere. I never really

1261
00:47:58,160 --> 00:48:01,880
Speaker 3: seen them outside, like I wasn't known as a figure

1262
00:48:02,120 --> 00:48:03,680
Speaker 3: in the neighborhood, in any neighborhood.

1263
00:48:03,719 --> 00:48:06,520
Speaker 12: No disrespect, but I want to ask, you know, they've

1264
00:48:06,520 --> 00:48:08,399
Speaker 12: been trying to beat me up here the last two

1265
00:48:08,440 --> 00:48:11,799
Speaker 12: three weeks. Right if fifty and Wayne did it.

1266
00:48:11,960 --> 00:48:13,480
Speaker 2: I can't ask him how you gonna have Tony A

1267
00:48:13,640 --> 00:48:15,640
Speaker 2: or that he's gonna have an objective opinion.

1268
00:48:15,760 --> 00:48:17,239
Speaker 4: I think I think it's gonna be good.

1269
00:48:17,280 --> 00:48:20,080
Speaker 3: But I mean, you know, Wayne got a catalog to

1270
00:48:20,480 --> 00:48:21,640
Speaker 3: and Fifth got a catalog.

1271
00:48:22,040 --> 00:48:23,560
Speaker 8: I see now, I will say that there's a.

1272
00:48:23,600 --> 00:48:25,839
Speaker 3: Lot of records that they both have, so I mean

1273
00:48:25,920 --> 00:48:27,200
Speaker 3: it'll be a dog fight.

1274
00:48:27,239 --> 00:48:29,399
Speaker 2: It'll be good. Yo, YO said that, y'all. Don't say

1275
00:48:29,400 --> 00:48:33,080
Speaker 2: he said catalog. I find disrespectful. And they say get rich.

1276
00:48:33,120 --> 00:48:34,839
Speaker 2: You'll just take out Wayne's whole.

1277
00:48:35,239 --> 00:48:38,560
Speaker 4: Nah, you gotta go back and say that.

1278
00:48:37,880 --> 00:48:40,680
Speaker 12: You said you play eight songs off just I can

1279
00:48:40,800 --> 00:48:42,319
Speaker 12: play eight songs of get rich and that I trying

1280
00:48:42,360 --> 00:48:44,560
Speaker 12: because because Wayne does have a lot of songs, I

1281
00:48:44,560 --> 00:48:46,960
Speaker 12: say Wayne is a bigger artist when it comes to

1282
00:48:47,160 --> 00:48:49,600
Speaker 12: a rapper, Wayne has been doing this since what twelve

1283
00:48:49,680 --> 00:48:57,440
Speaker 12: thirteen times? But when it comes to cultural Influencewayne's.

1284
00:48:55,040 --> 00:48:55,960
Speaker 4: Bigger than all. I don't think.

1285
00:48:56,040 --> 00:48:58,720
Speaker 3: I don't think nothing was bigger than G Unit fifty,

1286
00:48:59,160 --> 00:49:02,000
Speaker 3: Eminem and Doctor. But you got to understand the element.

1287
00:49:02,120 --> 00:49:04,720
Speaker 3: Everything was crazy. It was crazy like we had video

1288
00:49:04,800 --> 00:49:07,440
Speaker 3: games that were selling, We had clothes that was selling.

1289
00:49:08,160 --> 00:49:10,040
Speaker 3: Do we have cereal, Adam, do we have cereal? I

1290
00:49:10,040 --> 00:49:13,920
Speaker 3: think we had cereal was selling. We had everything, socks like,

1291
00:49:14,080 --> 00:49:18,880
Speaker 3: everything was selling. And Eminem was what at sol sixty million,

1292
00:49:19,600 --> 00:49:21,040
Speaker 3: fifty eleven million?

1293
00:49:21,600 --> 00:49:22,920
Speaker 4: It was crazy, Like I don't.

1294
00:49:22,800 --> 00:49:25,520
Speaker 12: Think the one thing is Wayne has the Nicki Minas,

1295
00:49:25,560 --> 00:49:27,440
Speaker 12: he has the Drakes, he has the young money, he

1296
00:49:27,480 --> 00:49:28,000
Speaker 12: has a.

1297
00:49:27,960 --> 00:49:29,640
Speaker 4: Huge kid from that right Drake.

1298
00:49:29,719 --> 00:49:34,640
Speaker 12: And when it comes to those cultural hits, I don't

1299
00:49:34,640 --> 00:49:36,879
Speaker 12: think there's nothing bigger than the records that you play.

1300
00:49:36,920 --> 00:49:37,280
Speaker 5: For fifty.

1301
00:49:37,360 --> 00:49:39,239
Speaker 12: Like I said, you could pick any Wayne record and

1302
00:49:39,320 --> 00:49:41,760
Speaker 12: I will destroy that one record with the record.

1303
00:49:41,800 --> 00:49:42,520
Speaker 5: Pick one record.

1304
00:49:42,640 --> 00:49:44,280
Speaker 4: We had the street, we had the streets.

1305
00:49:45,200 --> 00:49:47,040
Speaker 3: You gotta know I'm talking about I'm talking about the

1306
00:49:47,040 --> 00:49:51,759
Speaker 3: mixtape where every nothing was playing. But no, I understand

1307
00:49:52,120 --> 00:49:53,239
Speaker 3: acting like Wayne didn't have this.

1308
00:49:54,320 --> 00:49:55,920
Speaker 12: But I'm just saying that when it comes to that

1309
00:49:56,080 --> 00:49:59,799
Speaker 12: cultural influence of how a record feels, I don't think about.

1310
00:50:00,200 --> 00:50:02,360
Speaker 4: Kids wearing bulletpoo vests in the suburbs, man.

1311
00:50:03,040 --> 00:50:05,720
Speaker 5: Kids wearing the rock star jeans.

1312
00:50:05,760 --> 00:50:06,960
Speaker 4: And that's right, that's right.

1313
00:50:07,280 --> 00:50:11,919
Speaker 2: The dress, the legend where he started the dress right now, dress.

1314
00:50:11,920 --> 00:50:14,320
Speaker 3: But you gotta remember this. We was on Lil Wayne

1315
00:50:14,360 --> 00:50:17,680
Speaker 3: tour back in the days we started. He started way ahead.

1316
00:50:17,400 --> 00:50:20,440
Speaker 8: Of us.

1317
00:50:20,600 --> 00:50:20,880
Speaker 4: Started.

1318
00:50:20,920 --> 00:50:23,160
Speaker 2: If they had beef, people forget about that way that

1319
00:50:23,200 --> 00:50:24,279
Speaker 2: I'm pishing your vitamin water.

1320
00:50:24,400 --> 00:50:26,600
Speaker 4: So I'm like, oh, yeah, I remember that one. They cool.

1321
00:50:26,640 --> 00:50:31,040
Speaker 8: Now get.

1322
00:50:31,880 --> 00:50:32,160
Speaker 5: Holding.

1323
00:50:32,200 --> 00:50:34,000
Speaker 8: Everybody's the d J n V.

1324
00:50:34,239 --> 00:50:36,600
Speaker 5: Charlamagne the guy. We are the breakfast club. Our co

1325
00:50:36,719 --> 00:50:37,879
Speaker 5: host be Scott.

1326
00:50:37,600 --> 00:50:40,319
Speaker 8: Is here and we're still kicking it with Tony Y Charlamagne.

1327
00:50:40,360 --> 00:50:42,360
Speaker 2: What about that stabbing when you talk you mentioned it

1328
00:50:42,360 --> 00:50:46,800
Speaker 2: briefly though, and Sony, Yeah, was it a real stabbing.

1329
00:50:46,160 --> 00:50:49,480
Speaker 2: It was a real stabbing. I'm gonna tell you what happened.

1330
00:50:49,480 --> 00:50:49,680
Speaker 4: Man.

1331
00:50:49,880 --> 00:50:53,560
Speaker 3: We was in the studio and that was That's Sony, right, Sony.

1332
00:50:53,560 --> 00:50:55,520
Speaker 3: Remember they had the one across the street and they

1333
00:50:55,520 --> 00:50:56,480
Speaker 3: had the big building, the.

1334
00:50:56,440 --> 00:50:58,839
Speaker 8: Big buildings where everybody would say Michael Jackson would take all.

1335
00:50:58,760 --> 00:50:59,759
Speaker 4: The rooms, right right.

1336
00:51:00,120 --> 00:51:04,160
Speaker 3: So we walking in and at that time I think

1337
00:51:04,160 --> 00:51:06,200
Speaker 3: we seen why Cleft and you know, I think I

1338
00:51:06,280 --> 00:51:09,719
Speaker 3: think Scooter was there, was Haitian Jack, then Haitian Jack.

1339
00:51:09,800 --> 00:51:13,759
Speaker 3: We see them in the lobby. It's just me and fifty. Yeah,

1340
00:51:13,760 --> 00:51:16,240
Speaker 3: you know back yea, they was all in the lobby

1341
00:51:16,200 --> 00:51:20,120
Speaker 3: with Cleft. We've seen Clef and I think Prizewell was

1342
00:51:20,120 --> 00:51:21,320
Speaker 3: there too or whatever.

1343
00:51:21,600 --> 00:51:23,080
Speaker 4: So you know, we go.

1344
00:51:23,040 --> 00:51:24,960
Speaker 3: Upstairs, but we're not worried about Fifth. I swear have

1345
00:51:24,960 --> 00:51:26,520
Speaker 3: got fifth got I don't got nothing on me. Fifth

1346
00:51:26,560 --> 00:51:29,319
Speaker 3: got a four to fifth, No safety on them. We

1347
00:51:29,360 --> 00:51:32,480
Speaker 3: go upstairs. We got a session. So Clark Kent, his

1348
00:51:32,680 --> 00:51:35,600
Speaker 3: nephew ended up being a DJ Gizz. But Giz was

1349
00:51:35,640 --> 00:51:38,360
Speaker 3: not really a street dude. He was just a cool dude,

1350
00:51:38,640 --> 00:51:40,840
Speaker 3: you know, shout to Clark Kent. He was just like, yo, here, fifty,

1351
00:51:41,160 --> 00:51:43,640
Speaker 3: I got a DJ fore you Right. So we go

1352
00:51:43,680 --> 00:51:45,719
Speaker 3: in the studio we're supposed to record.

1353
00:51:45,960 --> 00:51:47,040
Speaker 4: Now. The studio is.

1354
00:51:47,000 --> 00:51:49,960
Speaker 3: Small, it's a small room and it's a small hallway.

1355
00:51:50,560 --> 00:51:54,120
Speaker 3: So in the next room is Toning Poke they working

1356
00:51:54,160 --> 00:51:56,800
Speaker 3: on beats, and me fifty and Gears is in the

1357
00:51:56,920 --> 00:51:57,760
Speaker 3: room with the enginet.

1358
00:51:58,000 --> 00:52:00,560
Speaker 4: Forgot what fifty was working on. I guess I'm gonna

1359
00:52:00,600 --> 00:52:01,440
Speaker 4: keep it real. I don't know.

1360
00:52:01,760 --> 00:52:05,080
Speaker 3: Before within sony, I think in my mind, I think

1361
00:52:05,160 --> 00:52:08,080
Speaker 3: prize Well said something like I don't know why, like

1362
00:52:08,120 --> 00:52:11,239
Speaker 3: he must you know what we he I think he

1363
00:52:11,320 --> 00:52:14,320
Speaker 3: said something keep it real. I don't think it's trust

1364
00:52:14,360 --> 00:52:17,680
Speaker 3: people trust me. That was the information that was you

1365
00:52:17,680 --> 00:52:20,040
Speaker 3: know what I mean that prize Well said something to

1366
00:52:20,120 --> 00:52:23,320
Speaker 3: Joa ruined him. So we in the room. You just

1367
00:52:23,360 --> 00:52:26,480
Speaker 3: hear boo boo boo commotion. These dudes come in like

1368
00:52:26,520 --> 00:52:28,920
Speaker 3: it's a movie, like yo, what's up now? But they ain't.

1369
00:52:29,200 --> 00:52:30,960
Speaker 3: It's no guns, nothing, it's nothing.

1370
00:52:31,000 --> 00:52:31,160
Speaker 4: Really.

1371
00:52:31,239 --> 00:52:34,160
Speaker 3: All you see is crutches and like like stuff picked

1372
00:52:34,200 --> 00:52:36,520
Speaker 3: up from the studio. And I guess one of them

1373
00:52:36,520 --> 00:52:39,439
Speaker 3: had like a kitchen knight. So it was was Earth

1374
00:52:39,480 --> 00:52:41,440
Speaker 3: it No, it was Earth Brother. I think it was

1375
00:52:41,520 --> 00:52:45,280
Speaker 3: Black Child at that point, Joah, I think somebody else.

1376
00:52:45,520 --> 00:52:47,839
Speaker 3: But so we started to get it on. Nobody turned

1377
00:52:47,840 --> 00:52:49,600
Speaker 3: off the light. While we're getting it on, the light

1378
00:52:49,840 --> 00:52:52,680
Speaker 3: like turned off because you know how somebody bump into

1379
00:52:52,680 --> 00:52:55,319
Speaker 3: the switch. So we fighting. Everything is dark. You don't

1380
00:52:55,320 --> 00:52:57,640
Speaker 3: know what's going on. You just hit Melee. So all

1381
00:52:57,680 --> 00:53:00,480
Speaker 3: you heard was get the gun. You know, loft him

1382
00:53:00,480 --> 00:53:01,960
Speaker 3: because the gun was in the other room. That's why

1383
00:53:02,000 --> 00:53:04,040
Speaker 3: I said, joh Ruin. He wouldn't even be it. He

1384
00:53:04,080 --> 00:53:07,120
Speaker 3: would have been gone, Like our careers would have been

1385
00:53:07,160 --> 00:53:09,840
Speaker 3: totally different if that gun was in that room. And

1386
00:53:09,840 --> 00:53:11,839
Speaker 3: I swear on my dad father, like I'm telling you

1387
00:53:11,840 --> 00:53:14,399
Speaker 3: the truth. The gun was in the other room. I've

1388
00:53:14,400 --> 00:53:15,759
Speaker 3: seen it. You know what I'm saying with my own

1389
00:53:15,760 --> 00:53:18,040
Speaker 3: two eyes. They come in, we get it on boom

1390
00:53:18,040 --> 00:53:20,120
Speaker 3: boo boom, get the gun. They run out. Fifty or

1391
00:53:20,160 --> 00:53:21,640
Speaker 3: speak at one of them. I don't know if it

1392
00:53:21,680 --> 00:53:24,520
Speaker 3: was Earth brother whoever I seen him through speaking, said

1393
00:53:24,520 --> 00:53:27,000
Speaker 3: get the gun. Once they hurt, get the gun. Everybody

1394
00:53:27,000 --> 00:53:29,560
Speaker 3: started running out. But the gun was in the other room,

1395
00:53:29,760 --> 00:53:31,360
Speaker 3: and that was it. Fifty had a scratch on his

1396
00:53:31,480 --> 00:53:34,400
Speaker 3: back right and I got stabbed in my hands and

1397
00:53:34,560 --> 00:53:36,840
Speaker 3: my finger was like cut right here. So look it

1398
00:53:36,880 --> 00:53:39,480
Speaker 3: looked crazy because it was hanging a little bit. Well

1399
00:53:39,520 --> 00:53:42,120
Speaker 3: look this is all I got that and that that

1400
00:53:42,200 --> 00:53:42,400
Speaker 3: was it.

1401
00:53:42,440 --> 00:53:44,239
Speaker 2: You want to think about how blessed y'all are, because

1402
00:53:44,280 --> 00:53:46,680
Speaker 2: think about all the violence y'all escape, because I ain't

1403
00:53:46,680 --> 00:53:48,920
Speaker 2: never even heard about the shooting that happened before the

1404
00:53:48,960 --> 00:53:51,200
Speaker 2: young man got slapped, right, Nah.

1405
00:53:51,080 --> 00:53:53,719
Speaker 4: But house get yeah, yeah, it's cool.

1406
00:53:53,719 --> 00:53:55,440
Speaker 3: But I always looked at it like this, Bro, if

1407
00:53:55,480 --> 00:53:57,279
Speaker 3: I slapped your kid or your kid, what are you

1408
00:53:57,360 --> 00:54:00,960
Speaker 3: gonna You're gonna you got the right all gloves off

1409
00:54:01,000 --> 00:54:01,799
Speaker 3: and it's all good.

1410
00:54:01,920 --> 00:54:03,919
Speaker 2: But then y'all g unit officers got shot up before

1411
00:54:04,280 --> 00:54:05,959
Speaker 2: y'all missed A lot of bullets, is what I'm saying.

1412
00:54:07,360 --> 00:54:09,240
Speaker 8: I'm a crib like. It was a lot of bullets.

1413
00:54:09,320 --> 00:54:10,000
Speaker 4: You know, it's crazy.

1414
00:54:10,000 --> 00:54:11,800
Speaker 3: And I always think God like I always seen my

1415
00:54:11,840 --> 00:54:13,640
Speaker 3: prayers before I left the house, because I remember one

1416
00:54:13,719 --> 00:54:15,959
Speaker 3: day I had a plaque and people won't even believe

1417
00:54:16,000 --> 00:54:18,360
Speaker 3: his story, and a bullet fell out of it and

1418
00:54:18,440 --> 00:54:19,319
Speaker 3: my father found it.

1419
00:54:19,360 --> 00:54:20,560
Speaker 4: He was staying with me at the time.

1420
00:54:20,840 --> 00:54:22,840
Speaker 3: The next day, my mom's crib got shot up, or

1421
00:54:22,840 --> 00:54:25,120
Speaker 3: could have been the same day, like when my mom's

1422
00:54:25,120 --> 00:54:25,799
Speaker 3: creep got shut up.

1423
00:54:25,800 --> 00:54:27,239
Speaker 4: So I mean, you know, God is good, bro.

1424
00:54:27,400 --> 00:54:29,359
Speaker 3: A bullet like your plaque, a bullet like I had

1425
00:54:29,360 --> 00:54:31,920
Speaker 3: a fifty cent plat and it got bullets in it

1426
00:54:32,400 --> 00:54:34,640
Speaker 3: and it's above my door and my father found it.

1427
00:54:34,680 --> 00:54:36,560
Speaker 3: He's like, if somebody shut the house up. And I'm like, nah,

1428
00:54:36,560 --> 00:54:39,400
Speaker 3: it fell off the plaque. And the next day, like,

1429
00:54:39,600 --> 00:54:41,680
Speaker 3: my mom's crib got shot up. So you get signs,

1430
00:54:42,080 --> 00:54:43,560
Speaker 3: you know, to be low and you gotta move right,

1431
00:54:43,560 --> 00:54:45,960
Speaker 3: because one thing about us is we knew how to

1432
00:54:46,000 --> 00:54:48,799
Speaker 3: move like, all right, cool, if it's hot, cool, I'm good.

1433
00:54:48,840 --> 00:54:50,560
Speaker 3: Like when my mom's crib got shot up. I went

1434
00:54:50,600 --> 00:54:52,879
Speaker 3: out there and was looking to do stuff and fifty

1435
00:54:53,000 --> 00:54:56,040
Speaker 3: called me like, yo, bro, you're outside, you got something

1436
00:54:56,080 --> 00:54:58,440
Speaker 3: on you. You're bugging out. Bro, Use your brain, bro,

1437
00:54:58,840 --> 00:55:00,000
Speaker 3: It's chess, not checkers.

1438
00:55:00,080 --> 00:55:00,680
Speaker 5: That's why I say.

1439
00:55:00,719 --> 00:55:02,839
Speaker 12: You know, it must have been like seven eight years

1440
00:55:02,840 --> 00:55:07,439
Speaker 12: ago to see you in fifty enjoying whathi ch'all didn't

1441
00:55:07,480 --> 00:55:09,600
Speaker 12: have before. But you know, I mean, because they couldn't

1442
00:55:09,680 --> 00:55:11,960
Speaker 12: go to the clubs and experience the records like y'all

1443
00:55:11,960 --> 00:55:12,319
Speaker 12: should have.

1444
00:55:12,640 --> 00:55:14,839
Speaker 8: Y'all couldn't go to these events and go to these things.

1445
00:55:14,880 --> 00:55:16,000
Speaker 4: And it wasn't because of the rappers.

1446
00:55:16,040 --> 00:55:17,719
Speaker 3: It was mainly because of the hip hop police, because

1447
00:55:17,719 --> 00:55:20,040
Speaker 3: there was times where they'd be like, no, genune and

1448
00:55:20,040 --> 00:55:22,800
Speaker 3: no dipset in the clubs, all the clubs in Manhattan.

1449
00:55:22,840 --> 00:55:25,520
Speaker 3: So hip hop police, you remember Curly Top, he's retired

1450
00:55:25,560 --> 00:55:28,040
Speaker 3: now hip Hop Police, they all retired. There's all new

1451
00:55:28,040 --> 00:55:31,160
Speaker 3: ones now for the dudes that will follow TJ and

1452
00:55:31,160 --> 00:55:33,239
Speaker 3: all these dudes in the city and all the young

1453
00:55:33,320 --> 00:55:36,560
Speaker 3: dudes now. But all them dudes are retired. But them

1454
00:55:36,640 --> 00:55:38,000
Speaker 3: dudes used to tell us, yo, you can't come to

1455
00:55:38,040 --> 00:55:39,960
Speaker 3: this club. You know much money we missed out on.

1456
00:55:40,719 --> 00:55:42,279
Speaker 8: Definitely good to see that, man.

1457
00:55:42,360 --> 00:55:44,200
Speaker 6: Yeah they could grab it on the Welcome to the culture.

1458
00:55:44,440 --> 00:55:44,839
Speaker 4: Thank you.

1459
00:55:46,600 --> 00:55:48,960
Speaker 8: What I seen you in? You screaming on math? How

1460
00:55:49,040 --> 00:55:50,000
Speaker 8: for what happened with with that?

1461
00:55:50,360 --> 00:55:50,480
Speaker 3: Nah?

1462
00:55:50,560 --> 00:55:51,440
Speaker 4: How feom is good?

1463
00:55:51,480 --> 00:55:53,720
Speaker 3: I just feel like sometimes like when you go online

1464
00:55:53,719 --> 00:55:56,400
Speaker 3: and just be like it just felt like clickbait, Like

1465
00:55:56,440 --> 00:55:58,920
Speaker 3: you asking me can I pick up the phone for

1466
00:55:59,000 --> 00:56:00,960
Speaker 3: banks and fifties around they both my friends. I'm a

1467
00:56:00,960 --> 00:56:03,520
Speaker 3: grown ass, you know, man, what are you talking about?

1468
00:56:03,600 --> 00:56:05,440
Speaker 3: And then you asked me about like six nine And

1469
00:56:05,680 --> 00:56:07,279
Speaker 3: I don't want to you know, I know dudes that

1470
00:56:07,320 --> 00:56:09,680
Speaker 3: got locked up over that. So I was just like, nah,

1471
00:56:10,040 --> 00:56:11,640
Speaker 3: I don't want to just feel like clickbait.

1472
00:56:12,400 --> 00:56:13,480
Speaker 5: You don't want to do music.

1473
00:56:13,600 --> 00:56:16,200
Speaker 4: Yeah, I just dropped the mixtape Loyal, But do you

1474
00:56:16,280 --> 00:56:16,960
Speaker 4: want to do it?

1475
00:56:17,200 --> 00:56:20,239
Speaker 2: Because I feel like your personality is so big you

1476
00:56:20,239 --> 00:56:21,960
Speaker 2: probably can make this money doing that now.

1477
00:56:22,160 --> 00:56:25,080
Speaker 4: Yeah, I mean I do like talking to people. I do.

1478
00:56:25,200 --> 00:56:27,680
Speaker 4: I do like I do, like what you do? You know?

1479
00:56:27,960 --> 00:56:30,319
Speaker 3: And what envy doing the breakfast club do? So, I

1480
00:56:30,360 --> 00:56:32,480
Speaker 3: mean I think now the game is changing, like these

1481
00:56:32,520 --> 00:56:35,560
Speaker 3: podcasts be fun, like you see podcasts, radio shows like

1482
00:56:35,880 --> 00:56:37,920
Speaker 3: it's going to YouTube now. People want to you know know,

1483
00:56:38,000 --> 00:56:39,960
Speaker 3: they want to know my personality. They want to know

1484
00:56:40,000 --> 00:56:43,120
Speaker 3: your personality. I'm like a sponge. I just like to

1485
00:56:43,440 --> 00:56:45,439
Speaker 3: I watch y'all guys all the time and just soak

1486
00:56:45,520 --> 00:56:47,160
Speaker 3: up game, you know what I mean? Like how you

1487
00:56:47,200 --> 00:56:49,319
Speaker 3: got the books and if you got the car shows. It's

1488
00:56:49,320 --> 00:56:51,120
Speaker 3: all a hustle for me, you know what I mean?

1489
00:56:51,160 --> 00:56:54,160
Speaker 3: Like I see y'all hustling. You got about three shows, man,

1490
00:56:54,880 --> 00:56:57,879
Speaker 3: were working three four shows. This guy got about three

1491
00:56:58,000 --> 00:57:01,160
Speaker 3: four shows going on call show? Who got the reality show?

1492
00:57:01,320 --> 00:57:03,960
Speaker 3: Got the the house show? Right the Wheal estate. So

1493
00:57:04,000 --> 00:57:05,640
Speaker 3: it's just I don't know, it's just like a hustle

1494
00:57:05,680 --> 00:57:08,719
Speaker 3: for me. I just want to hustle music podcast like

1495
00:57:08,760 --> 00:57:11,040
Speaker 3: Welcome to the coach. I'm gonna go crazy with the

1496
00:57:11,080 --> 00:57:14,040
Speaker 3: production this year. I got the Passport to the Future.

1497
00:57:14,080 --> 00:57:16,280
Speaker 4: I'm trying to do things for the kids this year.

1498
00:57:17,080 --> 00:57:20,280
Speaker 3: I got the close of course on Passport boys dot Com.

1499
00:57:20,480 --> 00:57:21,400
Speaker 4: What else I got.

1500
00:57:21,200 --> 00:57:25,280
Speaker 3: Going on Sody Theater, on the twenty six and more

1501
00:57:25,320 --> 00:57:28,040
Speaker 3: tours coming man. Shout the fifty, shout the banks. Yeah,

1502
00:57:28,000 --> 00:57:31,680
Speaker 3: I on the road, Yeah, back on the road, Fifty. No,

1503
00:57:31,720 --> 00:57:36,560
Speaker 3: not banks shouting uncle murder, murder murder, Yeah, shouting uncle murder. No,

1504
00:57:36,560 --> 00:57:39,800
Speaker 3: no disrespecting banks. But you know that you know fifty

1505
00:57:39,880 --> 00:57:40,200
Speaker 3: is crazy?

1506
00:57:40,320 --> 00:57:40,560
Speaker 4: Is that?

1507
00:57:40,720 --> 00:57:42,680
Speaker 3: You know that's something that banks gotta, you know, work

1508
00:57:42,720 --> 00:57:45,240
Speaker 3: out me. I just know fifty for a long time

1509
00:57:45,320 --> 00:57:47,840
Speaker 3: off the block before Banks, so I kind of know,

1510
00:57:48,480 --> 00:57:51,200
Speaker 3: you know, he might say something crazy and it's just you.

1511
00:57:51,360 --> 00:57:53,040
Speaker 4: I heard him say some crazy stuff in life.

1512
00:57:53,040 --> 00:57:53,200
Speaker 13: Bro.

1513
00:57:53,400 --> 00:57:55,000
Speaker 2: Now, we used to hit him stories with Fifty with

1514
00:57:55,080 --> 00:57:58,960
Speaker 2: Swing on wool Kid and Swing on Kid, play the

1515
00:57:59,000 --> 00:57:59,480
Speaker 2: Wrong record.

1516
00:58:00,840 --> 00:58:02,720
Speaker 3: I think one time was the craziest though it was

1517
00:58:03,200 --> 00:58:05,920
Speaker 3: were backstage. This is the craziest one though, And I

1518
00:58:05,920 --> 00:58:09,040
Speaker 3: hope nobody get mad about this. And Fifty said the

1519
00:58:09,120 --> 00:58:11,640
Speaker 3: James Cruise because he always messed with always to the

1520
00:58:11,720 --> 00:58:14,320
Speaker 3: day to this day. I don't know why, but he

1521
00:58:14,400 --> 00:58:17,040
Speaker 3: said to James Cruise Mayweather, it's the main weather. I

1522
00:58:17,080 --> 00:58:19,040
Speaker 3: don't know we were Mayweather mad people's back.

1523
00:58:19,080 --> 00:58:22,200
Speaker 4: Then he goes, yo, man that men f did it.

1524
00:58:22,520 --> 00:58:29,360
Speaker 3: Like in front of her woman people? Did he touch

1525
00:58:29,400 --> 00:58:32,840
Speaker 3: your but to your but I was like, no disrespect

1526
00:58:32,920 --> 00:58:35,480
Speaker 3: to them. But I was like, Yo, this dude is crazy. Crazy,

1527
00:58:35,880 --> 00:58:38,200
Speaker 3: So I know why everybody hate me. I understand, man,

1528
00:58:38,200 --> 00:58:41,520
Speaker 3: but that's my guy, bro crazy. Everybody think what he said.

1529
00:58:41,600 --> 00:58:41,720
Speaker 7: Yo.

1530
00:58:41,800 --> 00:58:46,000
Speaker 3: The whole room just stopped like man, Yo, man, man,

1531
00:58:46,880 --> 00:58:47,479
Speaker 3: you know what I'm saying.

1532
00:58:47,480 --> 00:58:48,560
Speaker 5: I'm like James Crew.

1533
00:58:48,640 --> 00:58:51,400
Speaker 3: He was, yeah, nah, he's a cool dude. That's my god,

1534
00:58:51,840 --> 00:58:54,479
Speaker 3: stupid fifth. You never know what he's gonna say.

1535
00:58:54,480 --> 00:58:54,680
Speaker 14: Man.

1536
00:58:55,200 --> 00:58:56,960
Speaker 3: So we on the road, I stay away from I

1537
00:58:56,960 --> 00:58:59,320
Speaker 3: give him a space. Man, I get with you later

1538
00:58:59,320 --> 00:59:02,240
Speaker 3: when the show time. BROF it's crazy man, Jesus.

1539
00:59:02,240 --> 00:59:04,440
Speaker 12: All right, Well, we appreciate you for joining us. Check

1540
00:59:04,440 --> 00:59:06,920
Speaker 12: out the podcast The Coach. Welcome to the Coaching Podcast.

1541
00:59:07,280 --> 00:59:08,160
Speaker 12: It's Tony Yo.

1542
00:59:08,360 --> 00:59:10,880
Speaker 3: You have made it, Mama. On the Breakfast Club. You've

1543
00:59:10,920 --> 00:59:12,960
Speaker 3: been up here before, yeah, but I'm by myself now.

1544
00:59:13,600 --> 00:59:15,080
Speaker 8: It's the Breakfast Club good morning to day.

1545
00:59:17,360 --> 00:59:21,480
Speaker 5: Damn, but he hogged. It's time for donkey the kay.

1546
00:59:22,040 --> 00:59:24,160
Speaker 4: I ain't trying to be donkey today no more.

1547
00:59:24,200 --> 00:59:26,400
Speaker 2: They should be embarrassed by what they already did. I'm

1548
00:59:26,400 --> 00:59:27,600
Speaker 2: not making new people do these days.

1549
00:59:27,600 --> 00:59:30,439
Speaker 8: They called donkey of the day and it really caught

1550
00:59:30,480 --> 00:59:31,080
Speaker 8: me off guard.

1551
00:59:31,280 --> 00:59:35,200
Speaker 12: Damn Charlamagne, who got the donkey out of day today?

1552
00:59:36,160 --> 00:59:39,040
Speaker 2: Well, donkey today for Friday, August eleventh goes to Seth Berman.

1553
00:59:39,160 --> 00:59:41,000
Speaker 2: Seth Bermon is thirty four years old and her hels

1554
00:59:41,040 --> 00:59:44,160
Speaker 2: from the Great City of Atlanta, Georgia. Seth is suffering

1555
00:59:44,400 --> 00:59:48,360
Speaker 2: from what psychologists call the target effect. Everybody in America's

1556
00:59:48,320 --> 00:59:50,440
Speaker 2: self is from the target effect. Doesn't matter what your

1557
00:59:50,440 --> 00:59:53,760
Speaker 2: financial status is. The reality of the situation is none

1558
00:59:53,800 --> 00:59:55,920
Speaker 2: of us can go into Target and get one thing.

1559
00:59:56,320 --> 00:59:56,520
Speaker 4: I know.

1560
00:59:56,600 --> 00:59:59,160
Speaker 2: I'm speaking directly to you right now. You feel seen,

1561
00:59:59,280 --> 01:00:02,200
Speaker 2: don't you maybe even triggered? Trust me, I understand every

1562
01:00:02,240 --> 01:00:05,720
Speaker 2: single emotion you are dealing with. I get and psychologists

1563
01:00:05,760 --> 01:00:07,960
Speaker 2: do too. It's a real thing. You're going to Target

1564
01:00:07,960 --> 01:00:10,280
Speaker 2: to buy one thing, maybe you know, a good Fellow

1565
01:00:10,280 --> 01:00:11,760
Speaker 2: T shirt. Next thing you know, you walking out with

1566
01:00:11,800 --> 01:00:14,080
Speaker 2: one hundred dollars worth of stuff and you have no

1567
01:00:14,160 --> 01:00:15,240
Speaker 2: idea how that happened.

1568
01:00:15,360 --> 01:00:15,640
Speaker 4: All right.

1569
01:00:15,720 --> 01:00:18,960
Speaker 2: Target does that to humans, so much so that clinical

1570
01:00:19,040 --> 01:00:22,920
Speaker 2: psychologists have released tips on how to stage your own

1571
01:00:23,000 --> 01:00:26,120
Speaker 2: Target interventions. Okay, Target is a trap, all right, because

1572
01:00:26,120 --> 01:00:28,600
Speaker 2: the story isn't the actual target you are. Do you

1573
01:00:28,680 --> 01:00:33,240
Speaker 2: realize that everything in Target is strategically placed there to

1574
01:00:33,360 --> 01:00:36,600
Speaker 2: keep you there, everything from the lighting, the bright colors.

1575
01:00:36,720 --> 01:00:39,400
Speaker 2: They say it brightens your effect, and you tend to

1576
01:00:39,400 --> 01:00:40,520
Speaker 2: have a pretty good time there.

1577
01:00:40,560 --> 01:00:41,760
Speaker 5: So it's conducive to buying.

1578
01:00:42,160 --> 01:00:44,200
Speaker 2: You know, of course you're gonna, you know, spend more

1579
01:00:44,240 --> 01:00:45,439
Speaker 2: in a place that you spend more time.

1580
01:00:45,440 --> 01:00:46,760
Speaker 4: And not to mention, it's.

1581
01:00:46,600 --> 01:00:49,960
Speaker 2: A Starbucks in all of them, so that adds another addiction.

1582
01:00:50,440 --> 01:00:52,240
Speaker 6: Okay, Starbucks heroin same thing.

1583
01:00:52,360 --> 01:00:55,960
Speaker 2: Target also places things in strategic places to boost cross selling.

1584
01:00:56,120 --> 01:00:58,360
Speaker 2: And then they have these things called lifestyle settings that

1585
01:00:58,400 --> 01:01:01,320
Speaker 2: help you visualize the good in your home once you

1586
01:01:01,480 --> 01:01:03,720
Speaker 2: see it. Once you can see it in your place,

1587
01:01:03,720 --> 01:01:06,360
Speaker 2: the residence. You want it in your place the residence. Okay,

1588
01:01:06,400 --> 01:01:09,040
Speaker 2: and I'm not even gonna get into the psychological pricing

1589
01:01:09,080 --> 01:01:11,440
Speaker 2: Target does. Oh, they make you think you're getting a

1590
01:01:11,480 --> 01:01:14,160
Speaker 2: deal just because it's a nine at the end, of

1591
01:01:14,200 --> 01:01:16,240
Speaker 2: the price. If it has a nine on the end

1592
01:01:16,280 --> 01:01:18,240
Speaker 2: of the price, it appears to be on sale.

1593
01:01:18,400 --> 01:01:19,880
Speaker 5: Therefore you can't pass it up.

1594
01:01:19,960 --> 01:01:22,160
Speaker 2: Those are just a few of the reasons the target

1595
01:01:22,200 --> 01:01:24,720
Speaker 2: effect is real, and that's the reason why you can

1596
01:01:24,800 --> 01:01:27,760
Speaker 2: never leave Target with just one thing. And seth Berman

1597
01:01:28,680 --> 01:01:30,640
Speaker 2: he fell victim to that. See he went to Target

1598
01:01:30,640 --> 01:01:33,680
Speaker 2: for one thing, but like most of us, couldn't leave

1599
01:01:33,720 --> 01:01:35,520
Speaker 2: with just one thing. Let's go to Fox five Atlanta

1600
01:01:35,560 --> 01:01:36,560
Speaker 2: for the report police this.

1601
01:01:36,600 --> 01:01:40,240
Speaker 19: There's also released new video of a shoplifting suspect being arrested.

1602
01:01:40,320 --> 01:01:40,840
Speaker 5: Take a look.

1603
01:01:41,320 --> 01:01:45,160
Speaker 19: This is the Target located on Caroline Street.

1604
01:01:45,520 --> 01:01:45,920
Speaker 4: Atlanta.

1605
01:01:45,960 --> 01:01:49,000
Speaker 19: Police say an officer was flagged down by a security guard.

1606
01:01:49,040 --> 01:01:51,960
Speaker 19: That guard told authorities that the man stole two.

1607
01:01:51,760 --> 01:01:53,080
Speaker 8: Televisions from the store.

1608
01:01:53,440 --> 01:01:54,520
Speaker 4: They say when the man was.

1609
01:01:54,480 --> 01:01:58,160
Speaker 19: Caught outside the store, he fought the officer until backup arrived.

1610
01:01:58,600 --> 01:02:01,840
Speaker 19: Both the suspect and office suffered minor injuries.

1611
01:02:02,600 --> 01:02:04,600
Speaker 2: Now, police say he was on drugs during all of this.

1612
01:02:04,680 --> 01:02:07,960
Speaker 2: But this wasn't weed, it wasn't shrooms. There wasn't Rihanna's

1613
01:02:08,000 --> 01:02:10,240
Speaker 2: makeup he was using. This man was under the influence

1614
01:02:10,280 --> 01:02:10,760
Speaker 2: of Target.

1615
01:02:10,800 --> 01:02:11,040
Speaker 6: Okay.

1616
01:02:11,040 --> 01:02:13,840
Speaker 2: The target effect is a stronger drug than all those

1617
01:02:13,880 --> 01:02:16,360
Speaker 2: things mentioned. That's why he went back to the scene

1618
01:02:16,360 --> 01:02:19,040
Speaker 2: of the crime because mentally he never left. See, if

1619
01:02:19,040 --> 01:02:21,960
Speaker 2: you only get one thing from target, you hear Kobe

1620
01:02:21,960 --> 01:02:23,520
Speaker 2: Bryant in your brain saying, this.

1621
01:02:23,960 --> 01:02:24,920
Speaker 13: Job's not finished.

1622
01:02:25,200 --> 01:02:25,960
Speaker 5: Job finished.

1623
01:02:26,320 --> 01:02:27,760
Speaker 13: I don't think so, that's right.

1624
01:02:27,840 --> 01:02:29,560
Speaker 2: The target effect is so real that when his brother

1625
01:02:29,600 --> 01:02:32,919
Speaker 2: got caught leaving the store with the TV, he didn't

1626
01:02:32,960 --> 01:02:36,080
Speaker 2: think about running away. He thought about running back into

1627
01:02:36,160 --> 01:02:38,480
Speaker 2: the store. Okay, that's like an animal that's been locked

1628
01:02:38,480 --> 01:02:40,040
Speaker 2: in the cage and instead of running off into the

1629
01:02:40,040 --> 01:02:42,400
Speaker 2: wild to get free, they run back into the zoo.

1630
01:02:42,600 --> 01:02:44,680
Speaker 2: I know y'all want to blame drugs, but trust me,

1631
01:02:44,960 --> 01:02:47,160
Speaker 2: this is the target effect. Okay, as I'm doing this,

1632
01:02:47,240 --> 01:02:49,520
Speaker 2: donkey right now, there's someone pulling up the target for

1633
01:02:49,600 --> 01:02:52,240
Speaker 2: one thing, and they gonna come out thirty minutes later

1634
01:02:52,360 --> 01:02:54,200
Speaker 2: with at least three to five items.

1635
01:02:54,240 --> 01:02:54,520
Speaker 13: Okay.

1636
01:02:54,560 --> 01:02:57,120
Speaker 2: Now, let's talk about Seth as a thief. He simply

1637
01:02:57,120 --> 01:03:01,000
Speaker 2: got too greedy because he did successfully steal one TV.

1638
01:03:01,400 --> 01:03:04,560
Speaker 2: He was free and clear, but his greed made him

1639
01:03:04,600 --> 01:03:07,479
Speaker 2: go back to steal another one. This is a prime

1640
01:03:07,520 --> 01:03:10,080
Speaker 2: example that we get to greedy. Okay, he successfully stole

1641
01:03:10,120 --> 01:03:12,480
Speaker 2: one TV. He was free and clear with his greed

1642
01:03:12,760 --> 01:03:15,320
Speaker 2: mixed with the target effect made him go back to

1643
01:03:15,400 --> 01:03:17,560
Speaker 2: get another sixty five inch TV.

1644
01:03:17,920 --> 01:03:19,160
Speaker 5: Why did he need another TV?

1645
01:03:19,480 --> 01:03:21,440
Speaker 2: I know football season on the way, but damn what

1646
01:03:21,520 --> 01:03:22,640
Speaker 2: you built in the sports box?

1647
01:03:22,880 --> 01:03:23,160
Speaker 5: Huh?

1648
01:03:23,200 --> 01:03:24,640
Speaker 2: You need to have more than one TV to have

1649
01:03:24,680 --> 01:03:26,760
Speaker 2: more than one game on at the same time. Maybe

1650
01:03:26,760 --> 01:03:28,600
Speaker 2: he wanted to play Call of Duty and watch The

1651
01:03:28,640 --> 01:03:30,959
Speaker 2: Breakfast Club on BT at the same time. I don't

1652
01:03:31,000 --> 01:03:33,480
Speaker 2: know what seth did you have to go back to

1653
01:03:33,560 --> 01:03:36,000
Speaker 2: the same exact target you stole from the first time.

1654
01:03:36,920 --> 01:03:39,440
Speaker 2: I did some research, and by research I mean Google,

1655
01:03:39,560 --> 01:03:42,400
Speaker 2: and it's at least eight targets in the Atlanta area.

1656
01:03:42,560 --> 01:03:44,840
Speaker 2: You telling me the target effect is so scrump that

1657
01:03:44,960 --> 01:03:47,360
Speaker 2: you couldn't even leave the target you was.

1658
01:03:47,320 --> 01:03:49,880
Speaker 5: At to go to another one. Huh?

1659
01:03:50,080 --> 01:03:52,560
Speaker 2: You stuck on stupid like a woman who's addicted to

1660
01:03:52,640 --> 01:03:55,440
Speaker 2: a terrible man with good penis. All right, this man

1661
01:03:55,440 --> 01:03:58,080
Speaker 2: ain't got no job, no ambition. He cheats on you constantly,

1662
01:03:58,080 --> 01:04:00,280
Speaker 2: has another baby mama he's still sleeping with, but you

1663
01:04:00,400 --> 01:04:03,800
Speaker 2: still end up under him every other day, letting him

1664
01:04:03,800 --> 01:04:04,360
Speaker 2: sweat on you.

1665
01:04:05,120 --> 01:04:06,520
Speaker 6: That had nothing to do with anything.

1666
01:04:06,520 --> 01:04:08,439
Speaker 2: I just wanted to make you feel bad, but still

1667
01:04:08,440 --> 01:04:11,320
Speaker 2: sleeping with that brother under modification or for short, you

1668
01:04:11,320 --> 01:04:12,880
Speaker 2: can just call him a bum.

1669
01:04:12,920 --> 01:04:15,320
Speaker 6: Please give Seth Berman the sweet sounds of the Hamiltons.

1670
01:04:15,720 --> 01:04:27,240
Speaker 8: Oh no, the dogge of the day, the dogee all

1671
01:04:27,400 --> 01:04:28,760
Speaker 8: the day.

1672
01:04:29,120 --> 01:04:31,920
Speaker 5: Yee.

1673
01:04:33,240 --> 01:04:35,440
Speaker 2: I wonder what triggered people more during that donkey of today,

1674
01:04:35,480 --> 01:04:37,840
Speaker 2: realizing that you know, we all have been victims of

1675
01:04:37,840 --> 01:04:40,680
Speaker 2: the target effect, are realizing that you are still sleeping

1676
01:04:40,920 --> 01:04:42,480
Speaker 2: with a terrible man with good penis?

1677
01:04:43,640 --> 01:04:51,840
Speaker 8: Which one for you? All right? Well, bet e t,

1678
01:04:52,200 --> 01:04:53,640
Speaker 8: thank you, We'll see y'all on money.

1679
01:04:53,720 --> 01:04:56,800
Speaker 2: Almost told people you to bum that I'm sleeping with Now,

1680
01:04:57,720 --> 01:05:00,440
Speaker 2: I almost told people that I might have just did

1681
01:05:00,560 --> 01:05:02,640
Speaker 2: now what now what?

1682
01:05:03,480 --> 01:05:05,040
Speaker 8: Mm hmmm say I'm not a bump.

1683
01:05:07,920 --> 01:05:09,320
Speaker 6: You're a beige on the modification.

1684
01:05:09,600 --> 01:05:10,120
Speaker 4: That's the show.

1685
01:05:13,360 --> 01:05:18,960
Speaker 12: It's getting awkward and strange. Okay, been awkward and strange.

1686
01:05:19,520 --> 01:05:29,120
Speaker 12: Welcome Roxy, all right, all right, the Breakfast Club.

1687
01:05:31,240 --> 01:05:34,640
Speaker 8: One everybody ad j n V charlamagnea god.

1688
01:05:34,800 --> 01:05:37,120
Speaker 12: Now, let's simon, we are the Breakfast Club and we

1689
01:05:37,200 --> 01:05:38,800
Speaker 12: got a special guest in the building.

1690
01:05:39,280 --> 01:05:40,240
Speaker 8: We got Loadla Brook.

1691
01:05:40,400 --> 01:05:40,840
Speaker 5: Welcome.

1692
01:05:41,920 --> 01:05:43,880
Speaker 7: Not on your own name, though, Tom is Lola book

1693
01:05:43,880 --> 01:05:45,160
Speaker 7: because you've been booking.

1694
01:05:44,800 --> 01:05:48,240
Speaker 17: Busy all year. Yeah, it's been a little crazy, but

1695
01:05:48,280 --> 01:05:49,040
Speaker 17: I ain't complaining.

1696
01:05:49,840 --> 01:05:56,360
Speaker 7: I enjoy it getting money now, I'm making money, making

1697
01:05:56,920 --> 01:05:57,520
Speaker 7: making money.

1698
01:05:57,760 --> 01:06:00,880
Speaker 8: New album that his daughter is out right now, explain.

1699
01:06:00,560 --> 01:06:01,880
Speaker 17: That title then his daughter.

1700
01:06:02,080 --> 01:06:05,640
Speaker 7: Okay, So I'm only child raised by a single parent,

1701
01:06:05,720 --> 01:06:06,120
Speaker 7: my mom.

1702
01:06:06,560 --> 01:06:07,919
Speaker 17: But I used to hang out with my father.

1703
01:06:08,000 --> 01:06:09,640
Speaker 1: Hearing in here pick me up from school, and everybody

1704
01:06:09,640 --> 01:06:10,600
Speaker 1: will always say little D.

1705
01:06:11,080 --> 01:06:12,400
Speaker 7: It will call me little D when they see me

1706
01:06:12,400 --> 01:06:16,320
Speaker 7: with my father or then his daughter or whatever fits.

1707
01:06:16,360 --> 01:06:18,920
Speaker 7: They would always just add him into my nickname. And

1708
01:06:18,960 --> 01:06:21,320
Speaker 7: I love this so much. So now I get to

1709
01:06:21,440 --> 01:06:24,520
Speaker 7: like relive it because my father is deceased now, so

1710
01:06:24,600 --> 01:06:27,600
Speaker 7: I can't get that those moments back, but I'm like

1711
01:06:27,680 --> 01:06:30,920
Speaker 7: creating new moments and I still feel like he's still around.

1712
01:06:30,960 --> 01:06:34,040
Speaker 2: So was that like the inspiration behind the song Vacant

1713
01:06:34,080 --> 01:06:34,720
Speaker 2: Heart as well?

1714
01:06:35,000 --> 01:06:39,920
Speaker 7: Vacant Heart was me just venting I felt empty? Pockets empty,

1715
01:06:40,160 --> 01:06:43,320
Speaker 7: heart empty. You so feel empty sometimes like you just

1716
01:06:43,360 --> 01:06:45,600
Speaker 7: don't know. So that gotta be an old record because

1717
01:06:45,600 --> 01:06:49,480
Speaker 7: your pockets is not empty.

1718
01:06:50,120 --> 01:06:53,600
Speaker 4: Jesus doing good.

1719
01:06:53,720 --> 01:06:56,160
Speaker 7: But is it an older record though? Because it sounds

1720
01:06:56,240 --> 01:06:57,840
Speaker 7: like it? You know it was a time before.

1721
01:06:57,920 --> 01:07:00,720
Speaker 17: Now, honestly, I did that right get this year.

1722
01:07:00,920 --> 01:07:04,400
Speaker 7: So basically this whole entire project is me just reflecting

1723
01:07:04,920 --> 01:07:08,160
Speaker 7: on my life as I'm coming up. So I finally

1724
01:07:08,160 --> 01:07:11,320
Speaker 7: felt comfortable enough to finally just talk about my true

1725
01:07:11,320 --> 01:07:12,680
Speaker 7: feelings and what I was going through.

1726
01:07:12,680 --> 01:07:14,480
Speaker 17: So Vacan Heart is pretty pretty new.

1727
01:07:14,720 --> 01:07:15,960
Speaker 4: Was that a tough song to record?

1728
01:07:16,400 --> 01:07:16,720
Speaker 8: It was?

1729
01:07:16,840 --> 01:07:19,680
Speaker 1: It was so fast, pa, like fifteen thirty minutes, like

1730
01:07:19,680 --> 01:07:20,200
Speaker 1: straight through.

1731
01:07:20,920 --> 01:07:22,520
Speaker 7: But that's just how you record because I've been in

1732
01:07:22,520 --> 01:07:24,400
Speaker 7: the studio with you. You take like five minutes and

1733
01:07:24,440 --> 01:07:26,040
Speaker 7: then go ly it and then you're done. And it's

1734
01:07:26,080 --> 01:07:27,920
Speaker 7: crazy because after I was taking long, I'm like, dad

1735
01:07:28,000 --> 01:07:29,560
Speaker 7: nylt here She probably.

1736
01:07:29,240 --> 01:07:32,240
Speaker 17: Like, ye, you not you still not finish yet? Nah, yeah,

1737
01:07:32,280 --> 01:07:33,120
Speaker 17: you're a beat with that.

1738
01:07:33,280 --> 01:07:35,000
Speaker 5: But emotionally was it tough? Though?

1739
01:07:35,520 --> 01:07:36,320
Speaker 17: I wasn't in the room.

1740
01:07:36,360 --> 01:07:38,240
Speaker 7: See, when I'm recording, I don't really be in the

1741
01:07:38,320 --> 01:07:41,680
Speaker 7: room with a lot of people, so I'm very much

1742
01:07:41,680 --> 01:07:44,560
Speaker 7: comfortable and whoever's in the room, I probably have been

1743
01:07:44,760 --> 01:07:46,480
Speaker 7: in a vulnerable space around.

1744
01:07:46,240 --> 01:07:47,920
Speaker 17: Them already cool.

1745
01:07:47,960 --> 01:07:50,240
Speaker 1: And then the engineer, I don't see the engineer like

1746
01:07:50,760 --> 01:07:52,040
Speaker 1: it's now.

1747
01:07:51,960 --> 01:07:53,760
Speaker 12: Let's start from the beginnings. For people that don't know

1748
01:07:53,840 --> 01:07:55,560
Speaker 12: lo La brook Where did you? Where did you get

1749
01:07:55,560 --> 01:07:58,240
Speaker 12: your your start from? Why did you start rapping? And

1750
01:07:58,280 --> 01:07:59,600
Speaker 12: how did you get your deal?

1751
01:08:00,040 --> 01:08:03,120
Speaker 7: Honestly speaking, I always say rap chose me. I didn't

1752
01:08:03,200 --> 01:08:06,040
Speaker 7: choose rap. It was just always did. And the people's

1753
01:08:06,360 --> 01:08:08,760
Speaker 7: like the citizens of New York City. It was just like, yo, look,

1754
01:08:08,800 --> 01:08:12,240
Speaker 7: listen you nice. I noticed a hobby for you, but

1755
01:08:12,320 --> 01:08:13,400
Speaker 7: you should take it serious.

1756
01:08:13,720 --> 01:08:14,920
Speaker 8: So what were you doing between that?

1757
01:08:14,920 --> 01:08:16,840
Speaker 5: Because you said it was a hobby, So what else.

1758
01:08:16,680 --> 01:08:17,120
Speaker 8: Were you doing?

1759
01:08:17,760 --> 01:08:20,160
Speaker 7: Just working a nine to five? Like I was always

1760
01:08:20,160 --> 01:08:22,120
Speaker 7: a nine to five girl. As soon as I turned eighteen,

1761
01:08:22,400 --> 01:08:23,439
Speaker 7: the first thing I did.

1762
01:08:23,320 --> 01:08:24,000
Speaker 17: Was go get a job.

1763
01:08:24,080 --> 01:08:24,880
Speaker 5: That was your first job.

1764
01:08:25,160 --> 01:08:26,240
Speaker 17: Little Seasons.

1765
01:08:34,320 --> 01:08:36,320
Speaker 5: Is so amazing, God sense human.

1766
01:08:39,360 --> 01:08:43,040
Speaker 7: Yeah, So I would just go to the studio just

1767
01:08:43,080 --> 01:08:46,719
Speaker 7: for a hobby. I started taking it serious. It's another

1768
01:08:46,800 --> 01:08:49,960
Speaker 7: artist from Brooklyn, his name Bleazy. He wanted to do

1769
01:08:50,040 --> 01:08:52,320
Speaker 7: a song with me, so I featured a song on him.

1770
01:08:52,360 --> 01:08:53,240
Speaker 17: I went to the studio.

1771
01:08:53,640 --> 01:08:57,920
Speaker 7: I ended up bumping into his team Team eighty, my

1772
01:08:58,000 --> 01:09:01,240
Speaker 7: mentor eighty. I met him and then just being around

1773
01:09:01,479 --> 01:09:04,280
Speaker 7: knowing like, oh, okay, this how music videos go. H

1774
01:09:04,400 --> 01:09:06,400
Speaker 7: this is how the studio process go. Like you get

1775
01:09:06,439 --> 01:09:07,920
Speaker 7: to like relax because when I was going to the

1776
01:09:07,960 --> 01:09:11,759
Speaker 7: studio two hours, that's it. It was like forty dollars

1777
01:09:11,760 --> 01:09:13,880
Speaker 7: an hour, I got eighty dollars.

1778
01:09:13,520 --> 01:09:14,160
Speaker 17: And that's it.

1779
01:09:14,240 --> 01:09:17,360
Speaker 7: But with Thumb, they was just so relaxed and everybody

1780
01:09:17,479 --> 01:09:19,840
Speaker 7: was just so creative. And I fell in love with it,

1781
01:09:19,840 --> 01:09:22,120
Speaker 7: and I was like, wow, so this really is my destiny.

1782
01:09:22,240 --> 01:09:24,040
Speaker 2: And you got such a big voice. Is that something

1783
01:09:24,080 --> 01:09:26,360
Speaker 2: that's natural or something you practice? Because you know you

1784
01:09:26,760 --> 01:09:28,200
Speaker 2: are smallest you wanted to sound.

1785
01:09:28,840 --> 01:09:30,519
Speaker 17: I mean when I'm mad, I talk like this.

1786
01:09:33,040 --> 01:09:35,439
Speaker 7: It's my mad voice. My rat voice is my mad voice.

1787
01:09:35,840 --> 01:09:43,280
Speaker 7: So it's still men. Yeah, I want to go back

1788
01:09:43,280 --> 01:09:52,000
Speaker 7: a little seasons back to your rat voice the ad

1789
01:09:52,080 --> 01:09:54,080
Speaker 7: lib because I feel like your ad blob is infamous.

1790
01:09:55,280 --> 01:09:56,479
Speaker 17: How did you come up with that?

1791
01:09:57,280 --> 01:09:59,960
Speaker 7: I always wanted to stamp, I always wanted to stand.

1792
01:10:00,439 --> 01:10:02,720
Speaker 7: I'm small, so I always want to be heard. So

1793
01:10:02,800 --> 01:10:05,439
Speaker 7: I was thinking to myself, like I need to find

1794
01:10:05,439 --> 01:10:08,720
Speaker 7: out a way to be heard without being seen or

1795
01:10:08,800 --> 01:10:10,280
Speaker 7: my presence is not in the room.

1796
01:10:10,680 --> 01:10:12,400
Speaker 1: And I sat with it for a very long time.

1797
01:10:12,479 --> 01:10:13,799
Speaker 1: So it started off as.

1798
01:10:13,960 --> 01:10:16,240
Speaker 17: Oh I do uh huh.

1799
01:10:16,880 --> 01:10:18,640
Speaker 7: Then when don't play with it? When I listen to

1800
01:10:18,640 --> 01:10:22,320
Speaker 7: the beat. It just came out. I'm like just stuttering

1801
01:10:22,479 --> 01:10:25,599
Speaker 7: or something and it felt good. So and then now

1802
01:10:25,640 --> 01:10:28,000
Speaker 7: it's h that's like my Batman call.

1803
01:10:28,240 --> 01:10:30,720
Speaker 2: Regardless of the voice, you still have a big personality,

1804
01:10:30,760 --> 01:10:32,000
Speaker 2: Like when you walk in the room, you can feel

1805
01:10:32,000 --> 01:10:32,519
Speaker 2: your presence.

1806
01:10:32,880 --> 01:10:34,639
Speaker 6: When did you first become aware of that presence?

1807
01:10:35,880 --> 01:10:39,120
Speaker 7: My mom been telling me that since I came out

1808
01:10:39,160 --> 01:10:41,840
Speaker 7: with the womb, like leave my child alone, like they

1809
01:10:41,960 --> 01:10:44,160
Speaker 7: act like they I would go any my mom would

1810
01:10:44,160 --> 01:10:47,200
Speaker 7: take me on trips and people would be so fascinated

1811
01:10:47,240 --> 01:10:49,000
Speaker 7: with me, and my mom would be so confused, like.

1812
01:10:49,000 --> 01:10:50,280
Speaker 1: Why they keep walking up.

1813
01:10:50,200 --> 01:10:54,800
Speaker 7: To you, like just asking random questions or just attachment,

1814
01:10:55,120 --> 01:10:57,240
Speaker 7: Like people will have attachment to me when I walk

1815
01:10:57,280 --> 01:11:00,360
Speaker 7: in the room. My presence, But I just I never

1816
01:11:00,360 --> 01:11:03,400
Speaker 7: thought anything of it. I just was being myself and

1817
01:11:04,680 --> 01:11:06,479
Speaker 7: little did I know I was a whole artist.

1818
01:11:06,880 --> 01:11:07,280
Speaker 5: Did you have.

1819
01:11:07,240 --> 01:11:09,880
Speaker 12: Relationships with a lot of the Brooklyn artists beforehand? Because

1820
01:11:10,000 --> 01:11:11,920
Speaker 12: when the record started to pop, I started seeing so

1821
01:11:11,960 --> 01:11:14,000
Speaker 12: many artists bringing you out on their sets, whether it

1822
01:11:14,040 --> 01:11:14,960
Speaker 12: was Kim or whoever.

1823
01:11:15,000 --> 01:11:16,639
Speaker 8: Maybe did you have those relationships beforehand?

1824
01:11:18,280 --> 01:11:22,479
Speaker 7: No music broke me into these relationships. See me, I

1825
01:11:22,560 --> 01:11:24,719
Speaker 7: was so more I was more focused on my craft.

1826
01:11:25,280 --> 01:11:27,320
Speaker 7: I went and like hang out so much. I was

1827
01:11:27,360 --> 01:11:31,120
Speaker 7: always in the studio, literally sleeping, waking up in the studio,

1828
01:11:31,360 --> 01:11:33,920
Speaker 7: So I didn't really get to mingle as much as

1829
01:11:34,000 --> 01:11:36,479
Speaker 7: other artists did. I was just working on my craft.

1830
01:11:36,600 --> 01:11:38,920
Speaker 7: So when I finally felt like I had a good

1831
01:11:39,000 --> 01:11:41,040
Speaker 7: body of work to put out, then I see when

1832
01:11:41,080 --> 01:11:42,920
Speaker 7: I was going outside and then Don't Play With It

1833
01:11:43,000 --> 01:11:45,679
Speaker 7: start taking off and I started building my relationship.

1834
01:11:45,760 --> 01:11:47,960
Speaker 12: What art that supported you the most when you first

1835
01:11:48,000 --> 01:11:52,200
Speaker 12: started popping, but before or right when they Don't Play

1836
01:11:52,200 --> 01:11:52,840
Speaker 12: With It came out.

1837
01:11:54,200 --> 01:11:57,760
Speaker 7: It's a mixture of a's I don't I can't even

1838
01:11:57,840 --> 01:12:00,880
Speaker 7: cool that. What I can say is Meat called it

1839
01:12:00,920 --> 01:12:03,559
Speaker 7: out from jump Like twenty seventeen, Meek was like my

1840
01:12:03,640 --> 01:12:04,719
Speaker 7: first cold sign ever.

1841
01:12:05,400 --> 01:12:08,000
Speaker 4: So just a tweet. He just tweeted, you said.

1842
01:12:08,120 --> 01:12:10,280
Speaker 7: Yeah, like he would comment on my stuff.

1843
01:12:10,320 --> 01:12:13,240
Speaker 17: He will post me, his peoples will post me as well.

1844
01:12:13,280 --> 01:12:18,439
Speaker 7: He will say it and his stories or just anything

1845
01:12:18,520 --> 01:12:21,840
Speaker 7: like that any way to be supportive within social media.

1846
01:12:22,080 --> 01:12:22,600
Speaker 1: Yeah, he was.

1847
01:12:22,720 --> 01:12:23,640
Speaker 4: Did he try to sign you to.

1848
01:12:26,400 --> 01:12:30,000
Speaker 8: Yeah, but she was already signed at the time.

1849
01:12:31,360 --> 01:12:31,639
Speaker 5: Yeah.

1850
01:12:31,960 --> 01:12:34,360
Speaker 7: It was like when when when the talks really came

1851
01:12:34,400 --> 01:12:34,680
Speaker 7: down to.

1852
01:12:34,760 --> 01:12:37,679
Speaker 1: It was like, it's already done. It's already done.

1853
01:12:37,720 --> 01:12:40,479
Speaker 8: Bro dang yeah h we got more with low Labrook.

1854
01:12:40,520 --> 01:12:41,599
Speaker 8: When we come back, don't move.

1855
01:12:41,680 --> 01:12:46,160
Speaker 12: Let's get into her single It's the Breakfast Club, Good morning.

1856
01:12:45,520 --> 01:12:45,960
Speaker 5: Big and Heart.

1857
01:12:45,960 --> 01:12:47,600
Speaker 6: And you said he was heartbroken.

1858
01:12:47,200 --> 01:12:48,719
Speaker 4: When your mom left for Atlanta?

1859
01:12:49,360 --> 01:12:51,000
Speaker 6: Yes, why didn't you go to her?

1860
01:12:51,439 --> 01:12:51,800
Speaker 4: Or did you?

1861
01:12:52,160 --> 01:12:55,280
Speaker 7: Because that was I felt like that was my moment

1862
01:12:55,400 --> 01:12:58,960
Speaker 7: to grow. I wanted to have some type of growth.

1863
01:12:59,080 --> 01:13:01,400
Speaker 7: I wanted her to trust me. I wanted her to

1864
01:13:01,439 --> 01:13:04,519
Speaker 7: feel safe to what do what makes her happy, because

1865
01:13:05,000 --> 01:13:05,599
Speaker 7: I can't.

1866
01:13:05,400 --> 01:13:07,479
Speaker 17: Stop my mom from this is this was one of

1867
01:13:07,479 --> 01:13:07,960
Speaker 17: her dreams.

1868
01:13:07,960 --> 01:13:10,040
Speaker 7: You know, a New York always go to get a

1869
01:13:10,040 --> 01:13:14,639
Speaker 7: house in Atlanta. This was part of my mom dreaming.

1870
01:13:14,720 --> 01:13:16,880
Speaker 7: Even if I ain't understand it. That wasn't my place

1871
01:13:16,920 --> 01:13:21,680
Speaker 7: to like not give her the support. So I just

1872
01:13:21,800 --> 01:13:24,439
Speaker 7: was like, you know what, when she left, I cried

1873
01:13:24,560 --> 01:13:25,519
Speaker 7: like a baby.

1874
01:13:25,600 --> 01:13:26,040
Speaker 5: Oh you.

1875
01:13:27,920 --> 01:13:29,280
Speaker 17: How how long has it been?

1876
01:13:31,080 --> 01:13:32,880
Speaker 1: I don't know, but this was like three years ago,

1877
01:13:32,880 --> 01:13:33,320
Speaker 1: three four.

1878
01:13:33,280 --> 01:13:37,879
Speaker 2: Years ago, ten years ago, three.

1879
01:13:37,720 --> 01:13:39,840
Speaker 17: Four years ago, No, it was like three four years ago.

1880
01:13:40,080 --> 01:13:42,640
Speaker 2: Well, as a rapper, Atlanta is like the mecca of

1881
01:13:42,760 --> 01:13:44,280
Speaker 2: hip hop right now. So you didn't want to, you

1882
01:13:44,280 --> 01:13:45,439
Speaker 2: know what, like maybe I should go to.

1883
01:13:45,439 --> 01:13:48,640
Speaker 17: Atlanta too, and yeah, but I'm the only child. You

1884
01:13:48,680 --> 01:13:49,360
Speaker 17: gotta understand.

1885
01:13:49,360 --> 01:13:52,200
Speaker 7: My mom treats me like she's gonna treat me like

1886
01:13:52,240 --> 01:13:55,680
Speaker 7: a baby forever. And I had to stand on my

1887
01:13:55,720 --> 01:13:58,920
Speaker 7: two feet and figure it out. So I didn't know

1888
01:13:58,960 --> 01:14:00,519
Speaker 7: what I was gonna do. She was telling me, like

1889
01:14:00,560 --> 01:14:03,040
Speaker 7: she left the uh, she left the apartment for me.

1890
01:14:03,320 --> 01:14:05,720
Speaker 7: It was on section eight. I ended up being on

1891
01:14:05,760 --> 01:14:09,040
Speaker 7: section eight, so I still couldn't even really like pay

1892
01:14:09,080 --> 01:14:11,439
Speaker 7: my rent. But I was telling her like I'm good,

1893
01:14:11,560 --> 01:14:14,280
Speaker 7: like I got an income, like I'm straight, like you

1894
01:14:14,320 --> 01:14:16,960
Speaker 7: could go, and she was like, okay, but it was

1895
01:14:16,960 --> 01:14:18,719
Speaker 7: all it was by yourself.

1896
01:14:19,320 --> 01:14:24,000
Speaker 4: Yeah, damn.

1897
01:14:25,000 --> 01:14:28,599
Speaker 17: I like that Section eight is in there somewhere somewhere

1898
01:14:28,600 --> 01:14:30,120
Speaker 17: in this project. You're going here sext night.

1899
01:14:30,439 --> 01:14:32,880
Speaker 7: It definitely is an adjustment when you leave home or

1900
01:14:32,920 --> 01:14:35,680
Speaker 7: when home leaves you. I think people like sleep on that,

1901
01:14:35,720 --> 01:14:38,200
Speaker 7: but it definitely pushes you. Like when my parents left

1902
01:14:38,280 --> 01:14:40,840
Speaker 7: me for college, like they moved me in and left.

1903
01:14:41,080 --> 01:14:42,560
Speaker 17: It didn't really resonate.

1904
01:14:42,160 --> 01:14:44,479
Speaker 7: Like, oh, y'all are leaving, Like I got to stay

1905
01:14:44,520 --> 01:14:47,960
Speaker 7: here and do everything myself. But yes, you're never too

1906
01:14:48,000 --> 01:14:50,960
Speaker 7: old to like have for that reality check. It's like

1907
01:14:51,000 --> 01:14:52,960
Speaker 7: the little things that I peat with my moms that

1908
01:14:53,520 --> 01:14:55,679
Speaker 7: she would she wouldn't think that I know how to cook.

1909
01:14:55,960 --> 01:14:57,840
Speaker 7: And I had to show her, like one things given

1910
01:14:58,040 --> 01:14:59,920
Speaker 7: I like cook things given meal, like no, I know

1911
01:15:00,040 --> 01:15:03,160
Speaker 7: how to cook. So that right there was me thinking

1912
01:15:03,160 --> 01:15:06,839
Speaker 7: to myself, Oh, she don't like she think I'm.

1913
01:15:06,680 --> 01:15:09,439
Speaker 17: Still her baby, like she don't know that.

1914
01:15:09,400 --> 01:15:11,760
Speaker 7: I'm grown and I could take care of myself. That

1915
01:15:11,960 --> 01:15:14,920
Speaker 7: was like, yo, you know what, just leave. I don't

1916
01:15:14,920 --> 01:15:16,640
Speaker 7: want you to, but you got to.

1917
01:15:16,600 --> 01:15:18,200
Speaker 4: Stand at a stool. Standing on a stool at the

1918
01:15:18,200 --> 01:15:18,800
Speaker 4: stool is.

1919
01:15:19,400 --> 01:15:23,720
Speaker 5: Yeah, you got to do the same. You know what

1920
01:15:23,760 --> 01:15:24,000
Speaker 5: you do?

1921
01:15:24,080 --> 01:15:25,160
Speaker 17: I'm told that you right now.

1922
01:15:28,080 --> 01:15:33,439
Speaker 5: You know how she is taller. She is taller.

1923
01:15:34,520 --> 01:15:36,920
Speaker 12: You know what you do with your first check when

1924
01:15:36,960 --> 01:15:38,439
Speaker 12: you got your first check? Because I was on Section A.

1925
01:15:38,520 --> 01:15:39,880
Speaker 12: What did you do when you got your first check?

1926
01:15:39,880 --> 01:15:40,320
Speaker 8: What did it go?

1927
01:15:40,880 --> 01:15:43,200
Speaker 17: My first check? I let go section.

1928
01:15:45,120 --> 01:15:47,839
Speaker 7: I let go Section eight and I got an apartment

1929
01:15:47,880 --> 01:15:49,760
Speaker 7: and I saved up. I saved my money like I

1930
01:15:49,800 --> 01:15:51,840
Speaker 7: didn't go splurge it or anything like that. I gave

1931
01:15:51,880 --> 01:15:54,000
Speaker 7: my moms a couple of dollars to of course and

1932
01:15:54,000 --> 01:15:54,519
Speaker 7: that was it?

1933
01:15:54,760 --> 01:15:57,719
Speaker 6: What was your first check off? Was a show or screaming?

1934
01:15:57,800 --> 01:16:01,040
Speaker 7: Or was it was like brown people bags, you know,

1935
01:16:01,120 --> 01:16:05,840
Speaker 7: like go hostings and stuff like that. I think, sorry

1936
01:16:05,840 --> 01:16:08,000
Speaker 7: to go back to don't play with it, but I

1937
01:16:08,040 --> 01:16:10,720
Speaker 7: just want a rough nick on the tongue. It's such

1938
01:16:10,720 --> 01:16:13,599
Speaker 7: an infamous line. Now, is that what you're looking for

1939
01:16:13,600 --> 01:16:14,000
Speaker 7: in the man?

1940
01:16:14,120 --> 01:16:14,200
Speaker 14: Like?

1941
01:16:14,240 --> 01:16:16,559
Speaker 7: What are the things that Lola is looking for? Because

1942
01:16:16,600 --> 01:16:18,439
Speaker 7: now you're in a new place. I know you're not

1943
01:16:18,479 --> 01:16:21,160
Speaker 7: having a hard time finding somebody to the same question.

1944
01:16:21,960 --> 01:16:23,559
Speaker 17: Right, you want a.

1945
01:16:23,600 --> 01:16:27,639
Speaker 5: Rough mean rough on the tongue?

1946
01:16:28,080 --> 01:16:30,960
Speaker 17: Do good as I can tell you?

1947
01:16:31,800 --> 01:16:37,960
Speaker 7: Yes, what what what?

1948
01:16:37,960 --> 01:16:40,160
Speaker 17: What's what your underlining and what were you circling?

1949
01:16:40,560 --> 01:16:47,920
Speaker 6: Okay on the tongue, like.

1950
01:16:48,200 --> 01:16:49,040
Speaker 8: Like with his.

1951
01:16:50,439 --> 01:16:54,320
Speaker 18: You want what you don't I'm gonna.

1952
01:16:54,080 --> 01:16:57,400
Speaker 17: Break the ice today. And I know a lot.

1953
01:16:57,240 --> 01:16:59,960
Speaker 7: Of people, but you're definitely right. That's that's that was

1954
01:17:00,080 --> 01:17:01,120
Speaker 7: the first idea of it.

1955
01:17:02,439 --> 01:17:04,639
Speaker 17: What was it? A lot of people don't know that, but.

1956
01:17:04,800 --> 01:17:07,519
Speaker 5: You work on the tongue, means on your tongue.

1957
01:17:07,720 --> 01:17:12,400
Speaker 7: Yeah, So I'm like, oh my god, now you confusing

1958
01:17:12,880 --> 01:17:13,400
Speaker 7: rough neck?

1959
01:17:13,560 --> 01:17:14,639
Speaker 17: You want a tongue?

1960
01:17:15,560 --> 01:17:17,360
Speaker 7: I always thought this whole time, he just wanted to

1961
01:17:17,360 --> 01:17:20,320
Speaker 7: send me automatic with a drum, ask me if I'm finished.

1962
01:17:20,360 --> 01:17:22,639
Speaker 17: Not that whole line was about for play.

1963
01:17:23,479 --> 01:17:27,320
Speaker 7: Oh yeah, an if I'm finished nine, But I just begun.

1964
01:17:27,439 --> 01:17:30,040
Speaker 7: I ain't giving out no noney to know, just for fun. No,

1965
01:17:30,120 --> 01:17:32,719
Speaker 7: you dumb, But that's a whole four play line.

1966
01:17:33,560 --> 01:17:38,640
Speaker 8: I just her giving yeah, but.

1967
01:17:37,600 --> 01:17:40,120
Speaker 7: Honestly it goes for both. But the first thought of

1968
01:17:40,160 --> 01:17:42,960
Speaker 7: it was yeah, but it goes for both. It's four

1969
01:17:43,000 --> 01:17:49,040
Speaker 7: play the whole right now, the first four bars is

1970
01:17:49,120 --> 01:17:49,639
Speaker 7: four play.

1971
01:17:50,160 --> 01:17:52,240
Speaker 17: I knew it was four play. I just I looked

1972
01:17:52,240 --> 01:17:53,000
Speaker 17: at it as receiving.

1973
01:17:53,080 --> 01:17:56,080
Speaker 4: But it's a back and forth though, No, I just.

1974
01:17:55,960 --> 01:17:58,160
Speaker 17: Want to rough neck. You want a tongue.

1975
01:17:58,439 --> 01:18:00,679
Speaker 7: He just wanted to send me or the madic would

1976
01:18:00,680 --> 01:18:04,720
Speaker 7: have drone asked me if I'm finished? Nah, we just

1977
01:18:04,800 --> 01:18:08,559
Speaker 7: were gunn giving out no nuns and just for fun

1978
01:18:08,600 --> 01:18:09,400
Speaker 7: on you THEMB like.

1979
01:18:09,320 --> 01:18:11,639
Speaker 17: We ain't here for no reason? Got it?

1980
01:18:15,800 --> 01:18:19,200
Speaker 7: You should have did the genius little breakdown like trying

1981
01:18:19,240 --> 01:18:19,720
Speaker 7: to keep it.

1982
01:18:19,840 --> 01:18:21,519
Speaker 17: But you know what, I tried to keep it PG

1983
01:18:21,800 --> 01:18:24,599
Speaker 17: you know, so yeah, well you did a good job

1984
01:18:24,680 --> 01:18:26,400
Speaker 17: of that. Can you tell us what are you looking for?

1985
01:18:26,640 --> 01:18:26,880
Speaker 14: Man?

1986
01:18:26,920 --> 01:18:27,920
Speaker 1: What is looking for?

1987
01:18:28,040 --> 01:18:28,959
Speaker 5: Is it just that.

1988
01:18:30,280 --> 01:18:31,240
Speaker 17: Reinsurance.

1989
01:18:32,520 --> 01:18:35,160
Speaker 7: I want to feel protected even if he's not around.

1990
01:18:35,479 --> 01:18:37,920
Speaker 7: I want a gentleman, and of course the gangster for sure,

1991
01:18:38,000 --> 01:18:39,639
Speaker 7: but a former gangster, a.

1992
01:18:39,680 --> 01:18:42,080
Speaker 6: Former a reformed gangster.

1993
01:18:42,640 --> 01:18:45,200
Speaker 17: Yeah yeah, yeah, understood.

1994
01:18:47,880 --> 01:18:50,360
Speaker 8: Them because they work hard. So salute everybody over there.

1995
01:18:52,479 --> 01:18:53,000
Speaker 17: Really want that?

1996
01:18:54,600 --> 01:18:57,439
Speaker 5: Like that just the beginning. That's beauty.

1997
01:18:57,640 --> 01:19:00,600
Speaker 7: That's right, Yes, it is just the beginning. I'm just

1998
01:19:00,600 --> 01:19:01,759
Speaker 7: grateful to be here.

1999
01:19:02,040 --> 01:19:02,960
Speaker 4: What are your mom saying that?

2000
01:19:03,800 --> 01:19:06,639
Speaker 7: My mom's just so excited, she's oh my god. I'd

2001
01:19:06,640 --> 01:19:08,559
Speaker 7: be like, ma, okay, it's not that serious.

2002
01:19:08,600 --> 01:19:11,040
Speaker 1: She's like, girls, you crazy, you is?

2003
01:19:12,200 --> 01:19:16,240
Speaker 7: You is a star, You're talented, And I'd be like,

2004
01:19:16,439 --> 01:19:18,040
Speaker 7: oh man, come on mine.

2005
01:19:18,320 --> 01:19:19,040
Speaker 17: But she was.

2006
01:19:19,080 --> 01:19:20,960
Speaker 7: She was My mom's was down from the start, Like

2007
01:19:21,000 --> 01:19:23,120
Speaker 7: she's the reason I resigned from my job.

2008
01:19:23,640 --> 01:19:26,160
Speaker 17: She's the reason I got the job. No, no, no, no.

2009
01:19:26,120 --> 01:19:28,479
Speaker 17: See that was my first job.

2010
01:19:28,920 --> 01:19:31,240
Speaker 7: But the last job that I had before I pursued

2011
01:19:31,280 --> 01:19:35,800
Speaker 7: this rap career was residential ad at a shelter and

2012
01:19:35,880 --> 01:19:38,080
Speaker 7: my mom was a supervisor. Well I'm a shelter baby,

2013
01:19:38,120 --> 01:19:42,599
Speaker 7: so she worked her positions in the shelter. I ended

2014
01:19:42,640 --> 01:19:44,679
Speaker 7: up being old old enough to work in the shelter.

2015
01:19:44,840 --> 01:19:47,519
Speaker 7: She got me a job there, and I remember coming

2016
01:19:47,520 --> 01:19:49,800
Speaker 7: from coming home from studio. I would come home from

2017
01:19:49,840 --> 01:19:52,559
Speaker 7: studio like six in the morning, and I had to

2018
01:19:52,560 --> 01:19:54,439
Speaker 7: be to work at eight. So I get in six,

2019
01:19:54,960 --> 01:19:57,599
Speaker 7: I get ready to get shot in dressed, no sleep,

2020
01:19:57,760 --> 01:19:59,479
Speaker 7: leave out seven, get there for eight.

2021
01:19:59,560 --> 01:20:01,479
Speaker 1: I had to take a buzz to two trains.

2022
01:20:01,880 --> 01:20:06,080
Speaker 7: Job was in Queen's and she would just I could

2023
01:20:06,120 --> 01:20:09,240
Speaker 7: tell like she felt she felt for me. She like, listen,

2024
01:20:10,280 --> 01:20:11,800
Speaker 7: I don't know if you feel like you want to

2025
01:20:11,840 --> 01:20:14,040
Speaker 7: resign from the job, you can like you got my

2026
01:20:14,120 --> 01:20:16,719
Speaker 7: full support. And that's all I needed to hear, because

2027
01:20:17,640 --> 01:20:20,559
Speaker 7: I'm like, listen, my moms don't play. She got me

2028
01:20:20,640 --> 01:20:22,559
Speaker 7: this job, and who am I to say I don't

2029
01:20:22,560 --> 01:20:24,760
Speaker 7: want it no more because I want to pursue something else.

2030
01:20:25,120 --> 01:20:25,400
Speaker 4: Wow.

2031
01:20:25,960 --> 01:20:28,280
Speaker 7: But she was the reason why I resigned. But I

2032
01:20:28,280 --> 01:20:30,400
Speaker 7: ain't burn that bridge. I resigned from my job.

2033
01:20:30,439 --> 01:20:32,200
Speaker 17: I didn't quit. I resigned.

2034
01:20:32,320 --> 01:20:34,639
Speaker 2: But also too, that gives you real purpose and attention, because,

2035
01:20:34,640 --> 01:20:37,000
Speaker 2: like you said, you was a shelter baby, so you know,

2036
01:20:37,200 --> 01:20:40,599
Speaker 2: you know what those kids are lacking and what they need.

2037
01:20:40,680 --> 01:20:42,920
Speaker 6: Now you got the resources you can go back and and.

2038
01:20:42,920 --> 01:20:46,719
Speaker 1: Go back and provide. Yes, that's my plan for sure.

2039
01:20:47,120 --> 01:20:50,519
Speaker 12: Well, Dennis's daughter is out right. Now, make sure y'all

2040
01:20:50,520 --> 01:20:52,240
Speaker 12: go get it. And we appreciate you for joining us.

2041
01:20:52,240 --> 01:20:56,439
Speaker 8: Lola, big Lola, uh uh, it's Lola Brook. It's the

2042
01:20:56,439 --> 01:20:59,439
Speaker 8: Breakfast Club. Good morning, It's the Breakfast Club.

2043
01:21:01,320 --> 01:21:04,479
Speaker 12: Want everybody at cej Envy Charlamagne to God.

2044
01:21:04,520 --> 01:21:07,240
Speaker 2: We are the Breakfast Club. You got a positive note? Yes,

2045
01:21:07,280 --> 01:21:09,160
Speaker 2: the positive note is simply this man. I said it

2046
01:21:09,200 --> 01:21:11,200
Speaker 2: once during Donkey of to Day. I want to repeat it.

2047
01:21:11,320 --> 01:21:15,000
Speaker 2: When you choose an action, you choose the consequences of

2048
01:21:15,040 --> 01:21:18,320
Speaker 2: that action. When you desire a consequence, you add Dan, well,

2049
01:21:18,400 --> 01:21:21,040
Speaker 2: better take the action that we created. Okay, we all

2050
01:21:21,080 --> 01:21:24,080
Speaker 2: make choices, but in the end, our choices make us.

2051
01:21:24,160 --> 01:21:26,360
Speaker 2: We are free to choose our paths, but we can't

2052
01:21:26,439 --> 01:21:28,360
Speaker 2: choose the consequences that come with them.

2053
01:21:28,400 --> 01:21:30,840
Speaker 8: Breakfast Club is don't finished for y'all.

2054
01:21:30,840 --> 01:21:31,040
Speaker 4: Done