WEBVTT - Mini Crush #144

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush with Noel and

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<v Speaker 1>Chuck A Chuck. How you doing. I'm you know, it's

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<v Speaker 1>been a it's been a couple of days. Yeah, so

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<v Speaker 1>this will come out Monday. By this time, we will

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<v Speaker 1>probably have a pretty decisive view of who the president

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<v Speaker 1>will be. Uh. I started to relax yesterday, to be honest,

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<v Speaker 1>same once I saw the Math. But we were supposed

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<v Speaker 1>to record on Wednesday morning, and I was really hungover

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<v Speaker 1>and really not in the mood to be fun on

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<v Speaker 1>the show. So we pushed it a day, which I

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<v Speaker 1>think was the right move. Oh, I think you're absolutely right.

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<v Speaker 1>I you know, yesterday was good. I took a Xanax

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<v Speaker 1>and had a bath and just sort of disconnected a

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<v Speaker 1>little bit, and uh, it was good. I felt that

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<v Speaker 1>I felt a lot more zen. My dreams were not

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<v Speaker 1>nightmarish Trumpian ghouls coming for me. So yeah, that's great. Yeah,

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<v Speaker 1>if you don't want to hear stalk politics, turn it

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<v Speaker 1>off for the next couple of minutes. Um, But it

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<v Speaker 1>looks like things are are going in Mr Biden's favor,

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<v Speaker 1>and they're Georgia well in the next couple of hours

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<v Speaker 1>in real time, we might even know. With Georgia flipped.

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<v Speaker 1>I have a feeling we might come up a little

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<v Speaker 1>bit short. But hey, dude, you never know. I mean

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<v Speaker 1>either way, look here, my my big thing is just

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<v Speaker 1>the razor thin margins on this whole thing have blown

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<v Speaker 1>me away. Not that I was expecting like a landslide.

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<v Speaker 1>I mean, I know what what the score is, but

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<v Speaker 1>it's just so close that I'm like, really, like really

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<v Speaker 1>like have you been playing attention? Like if? But the

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<v Speaker 1>george A thing is kind of heartening because I don't

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<v Speaker 1>know that it's ever been this close, and it's nice

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<v Speaker 1>and that my vote sort of went somewhere, you know. Yeah,

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<v Speaker 1>I mean, if Georgia fhlips, this will be the first

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<v Speaker 1>time we've gone blue since Clinton one point. Oh so

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<v Speaker 1>that's that was a long time ago. Um, And you know,

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<v Speaker 1>it's just hardening to see people there are on my

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<v Speaker 1>neighborhood facebook page. There are people literally trying to track

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<v Speaker 1>down the four people in our neighborhood who need their

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<v Speaker 1>mail in balloted. Yeah, cured. I've never heard that term before,

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<v Speaker 1>by the way, I love that. Yeah, it's also kind

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<v Speaker 1>of strange, but yeah, I guess that means if something

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<v Speaker 1>doesn't match up signature, there's an error something, you can

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<v Speaker 1>call in and give a couple of pieces of I

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<v Speaker 1>d you know, virtually, and then they make it right. Yeah,

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<v Speaker 1>and dude, that's why, to be honest, that was one

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<v Speaker 1>of the big reasons why I didn't vote by mail

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<v Speaker 1>was because well, two reasons. One is I didn't want

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<v Speaker 1>any I didn't want to be a part of any

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<v Speaker 1>of the shenanigans of what was sure to come, which

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<v Speaker 1>is now actually happy, which is people saying mail in

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<v Speaker 1>votes are fraudulent. So I was like, I'm gonna vote

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<v Speaker 1>in person. But the other thing is my signature never

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<v Speaker 1>looks the same, and I have no idea what it

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<v Speaker 1>looked like whenever the heck I registered to vote to

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<v Speaker 1>guarantee you I couldn't match it. No, it's true, Um

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<v Speaker 1>I did. I did the early voting thing and felt

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<v Speaker 1>great about it, and it was super quick and efficient. Yeah,

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<v Speaker 1>I'm looking at the thing now, looks like Georgia, it

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<v Speaker 1>looks like we're reporting, um, but we're still not at

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<v Speaker 1>fifty percent on either side, Like we're forty nine point

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<v Speaker 1>two for Biden forty nine point six, so there's gonna

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<v Speaker 1>be recounts either way. It sounds like, uh, but Noel.

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<v Speaker 1>Moving on from politics, we uh. We celebrated our our

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<v Speaker 1>crust reversary yesterday or two days ago on election day.

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<v Speaker 1>That was three years, baby three. I didn't realize it

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<v Speaker 1>was three. My god, three years. That's amazing. I made

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<v Speaker 1>a nice post about it, and I saw it. It

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<v Speaker 1>was very love when when you were but a but

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<v Speaker 1>a fledgling. You weren't a fledgling, but you were for

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<v Speaker 1>movie Crush, you were a fledgling niture. I hadn't developed

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<v Speaker 1>arms or legs yet at that point. I was just

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<v Speaker 1>sort of like a torso with little nubs like you're

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<v Speaker 1>on other shows that I was just working on this show.

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<v Speaker 1>Do you're I can't shake you here like a You're

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<v Speaker 1>like a sick vote that needs to be cured. I

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<v Speaker 1>need to be cure. You know. It's funny, I was.

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<v Speaker 1>I get reached out to occasionally, but listeners on Instagram

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<v Speaker 1>and are followed, and I don't follow everyone back, but

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<v Speaker 1>if it's like a cool artist or something interesting about

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<v Speaker 1>your page, I'll follow you back. And this guy, Atlanta

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<v Speaker 1>artist followed me Pack the Ripper um really really cool

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<v Speaker 1>stuff like kind of psychedelic graffiti ish type art. But

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<v Speaker 1>he was talking about how he's been listening to something

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<v Speaker 1>I don't want you to know since the beginning, and

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<v Speaker 1>listening to uh this show since the beginning, and that

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<v Speaker 1>it has gotten him through some like quote dark times. Um.

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<v Speaker 1>So that's always cool to hear when people actually reach

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<v Speaker 1>out and and let you know that. You know, we're

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<v Speaker 1>not just shouting into the Abyss all the time. So

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<v Speaker 1>that was nice. The Abyss noal, the Abyss shouting to

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<v Speaker 1>the Abyss, and the Abyss shouts back. You know. I

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<v Speaker 1>think the movie the Abyss kind of holds up except

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<v Speaker 1>for the silvery c g I effects. I don't know

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<v Speaker 1>about those really. I think it doesn't look too bad.

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<v Speaker 1>Maybe you're right. I haven't seen it. All I know

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<v Speaker 1>is that was sort of the proto T one thousand,

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<v Speaker 1>and I think even those effects in Terminator two don't

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<v Speaker 1>hold up as as well as some of the other

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<v Speaker 1>aspects of that movie. So I just assumed. But then

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<v Speaker 1>you're right. It is much more of like an amorphous

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<v Speaker 1>blobby specific thing. And in the Abyss, I mean, I'll

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<v Speaker 1>give it a chance. How do you feel about these

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<v Speaker 1>uh this this new Avatar series, like fifteen years after

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<v Speaker 1>the original, do you think anyone's gonna care? Chuck? Oh, well, Um,

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<v Speaker 1>I can sum up my feeling in five words and

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<v Speaker 1>all I don't give a ship. Okay there, I really

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<v Speaker 1>don't care. Man. I know there are some people that

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<v Speaker 1>stand by Avatar and really loved that movie, and like,

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<v Speaker 1>what are you talking about? We care? I am of

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<v Speaker 1>the belief that there has never been a movie that

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<v Speaker 1>made so much money that people cared so little about

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<v Speaker 1>a year later. Yeah, I mean it was. It was.

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<v Speaker 1>It was definitely like Super It was at that time

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<v Speaker 1>where there were some like good three D movies like

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<v Speaker 1>what was it Gravity? That made good use of three D?

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<v Speaker 1>I I am of the mind I think we're on

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<v Speaker 1>the same page that three D is sort of a

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<v Speaker 1>bullshit gimmick and unless it's animated, that's right, and and

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<v Speaker 1>and so Gravity was like, oh, this is like a

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<v Speaker 1>ride and it actually I was good acting and it

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<v Speaker 1>was cool. Avatar kind of felt like that to me. Um,

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<v Speaker 1>but you're right, it was just so forgettable and to

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<v Speaker 1>like hang your hat as a filmmaker like James Cameron,

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<v Speaker 1>maybe he's got some magic up as sleeve, but I

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<v Speaker 1>just you know, yeah, you know. My deal with James

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<v Speaker 1>Cameron is I think he makes some really fun, pretty

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<v Speaker 1>great movies at times, but I don't think he's a

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<v Speaker 1>great writer. I think he could bring in a screenwriter

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<v Speaker 1>to really make these take these movies over the top.

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<v Speaker 1>But um, I do want to see more from him,

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<v Speaker 1>But I don't want to see more Avatar though, Like

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<v Speaker 1>I wish he hadn't spent whatever how many years has

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<v Speaker 1>he been working on the sequels that I think very

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<v Speaker 1>few people really want. I mean, I'm gonna see it.

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<v Speaker 1>It's not like I'm gonna boycott Avatar two in three

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<v Speaker 1>or however many he's making. I'll check it out and

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<v Speaker 1>I'm sure they will look pretty amazing and stuff. But

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<v Speaker 1>I don't know, man. I know Kate Winsleton and Kay

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<v Speaker 1>wins listen and I've seen some like behind the scenes

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<v Speaker 1>shots of her and some sort of diving tank with

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<v Speaker 1>the weird cape or something like she broke Tom Cruise

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<v Speaker 1>is record you saw that right for like free diving

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<v Speaker 1>breath holding for breath holding Tom Cruise by a full minute.

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<v Speaker 1>I like Kay Winslets. She's a pistol. She's always she

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<v Speaker 1>always gives it her all, you know, Yeah, she's one

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<v Speaker 1>of one of the best actors of her generation, I think,

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<v Speaker 1>and a little easy on the eyes, you know, not

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<v Speaker 1>not hard on him. Well, that lady just said a

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<v Speaker 1>thing that never mind, just gloss on past that I

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<v Speaker 1>really loved Heavenly Creatures. To me, that is still my

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<v Speaker 1>favorite of her performances, and it's like her one of

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<v Speaker 1>her first. And that Peter Jackson movie that people often

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<v Speaker 1>forget about because it's not as Peter Jackson e as

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<v Speaker 1>most Peter Jackson movies. I haven't seen that since it

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<v Speaker 1>was out. I mean I saw that early on and geez,

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<v Speaker 1>that was how many years ago? Was that NOL twenty

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<v Speaker 1>something years ago? Yeah, I mean i'd ever sent and

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<v Speaker 1>it was I apologized for not remembering her name, but

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<v Speaker 1>her co star in that film, Melanie Lyndskey, I think

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<v Speaker 1>that's right, that's exactly right. She did not go on

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<v Speaker 1>to be as big a star, but she has been

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<v Speaker 1>very consistent in in film and TV, you know. Ever,

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<v Speaker 1>so she's great. I think, I mean, she's wonderful. She's

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<v Speaker 1>one of my favorites. She's been in. She was in

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<v Speaker 1>that TV show with Amanda Pete and Duplas that was

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<v Speaker 1>so good. That had too short of a run. I

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<v Speaker 1>can't remember the name of it. It It was really really good.

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<v Speaker 1>I think it was HBO. And she's been in a

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<v Speaker 1>couple of my favorite little indie movies. That's more of

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<v Speaker 1>the route she took. But I think she's wonderful. Big

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<v Speaker 1>fan of Melanie Lyndsky. Yea love it, nol love it.

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<v Speaker 1>Catching up? What else is happening, man, Well, I'll tell

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<v Speaker 1>you Noel. I love October and Halloween a lot, and

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<v Speaker 1>I love watching these scary movies that I've never seen before. Uh. Finally,

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<v Speaker 1>I don't think you were on the the last round table,

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<v Speaker 1>but I finally saw my first rob zombie movie. Um.

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<v Speaker 1>I saw The House of a Housand Corpses. That's one

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<v Speaker 1>of the good ones. I think I enjoyed it. I'm

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<v Speaker 1>gonna see Double's Rejects too. Yeah, I haven't said. Everyone

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<v Speaker 1>I talked to said that the third one in that

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<v Speaker 1>trilogy isn't really great. Uh. And then I don't really

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<v Speaker 1>care so much about his Halloween efforts whatever. I'm just

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<v Speaker 1>not a big remake guy. You know, like you got Halloween,

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<v Speaker 1>you got your John Carpenter Halloween. Why do you need

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<v Speaker 1>all these other Halloween's um, but Devil's Rejects is cool.

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<v Speaker 1>It's like he's he's got a genuine love for schlocky,

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<v Speaker 1>you know, seventies cinema, and he does a pretty good

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<v Speaker 1>job of it. And he's always just been an interesting guy.

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<v Speaker 1>I liked White Zombie even their music videos, and he

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<v Speaker 1>was like anate, did weird animations, and he's just an

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<v Speaker 1>interesting dude. He did a really cool sequence in the

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<v Speaker 1>Beavis and butt Head movie when they're tripping on like

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<v Speaker 1>acid I guess, or they're in the desert and uh,

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<v Speaker 1>and then everything starts getting all rob Zombi, Fie and Melty.

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<v Speaker 1>That's pretty cool. I didn't see that movie. Yeah, it

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<v Speaker 1>was about to do America. Did not see that, but

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<v Speaker 1>I do love uh. I did love a house with

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<v Speaker 1>a thousand corpses, and I thought it his zeal for filmmaking. Really.

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<v Speaker 1>You can tell he's a fan of film making films,

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<v Speaker 1>which is always a nice thing, good stuff. But no,

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<v Speaker 1>that is all to say. I am happy to be

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<v Speaker 1>moving on from Halloween content on the show to Thanksgiving

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<v Speaker 1>content exclusively. I'm sure, right, Yeah, there's only one Thanksgiving movie.

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<v Speaker 1>What even is It's it's usually some like domestic dispute

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<v Speaker 1>film where like family gets together for half for Thanksgiving

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<v Speaker 1>and yells at each other. Yeah, I mean there was

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<v Speaker 1>obviously planes, trains and automobiles is probably the best example

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<v Speaker 1>of a Thanksgiving movie. Uh, And there's been a couple

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<v Speaker 1>of others, but it's not the biggest. People usually save

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<v Speaker 1>their uh filmmaking heartwarming filmmaking experiences for Christmas, is true,

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<v Speaker 1>It's it's another thing too, like like what even is

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<v Speaker 1>Thanksgiving decor like the stores go straight from Halloween leap

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<v Speaker 1>right for Christmas. There's no in between, you know. Yeah,

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<v Speaker 1>And the reason I got stumbled there and almost because

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<v Speaker 1>I almost said save their Christmas load. That's okay, that's

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<v Speaker 1>the thing, but that that seemed weird and vaguely sexual.

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<v Speaker 1>It's you know, that's a load. Is like, that's like

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<v Speaker 1>what Santa Claus carries around his presence in it's this

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<v Speaker 1>Christmas load. I saw the this morning. There was a

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<v Speaker 1>garbage The headline was garbage truck on East Ponds, which

0:11:23.000 --> 0:11:26.040
<v Speaker 1>is a big thoroughfare here in Atlanta. Garbage truck on

0:11:26.040 --> 0:11:30.160
<v Speaker 1>East Ponts catches fire, dumps Flaming load, And I was like,

0:11:30.280 --> 0:11:33.920
<v Speaker 1>Flaming Load. That's a band name sure as Yeah, the

0:11:34.040 --> 0:11:40.000
<v Speaker 1>slightly more aggressive spiritual successor to the Flaming lips. Right,

0:11:40.720 --> 0:11:51.480
<v Speaker 1>Flaming Load opens for Flaming Liot. I love it. So No,

0:11:51.720 --> 0:11:53.880
<v Speaker 1>we are moving on in the best possible way. We're

0:11:53.880 --> 0:11:57.040
<v Speaker 1>only gonna do one thing in this uh, in this

0:11:57.120 --> 0:12:00.439
<v Speaker 1>first episode uh and then addition to the stream this

0:12:00.559 --> 0:12:02.720
<v Speaker 1>at the end. But we are going to talk about

0:12:02.760 --> 0:12:04.720
<v Speaker 1>where is it? I got too many tabs open all.

0:12:05.800 --> 0:12:08.199
<v Speaker 1>We gotta go down and find out because on Tuesday,

0:12:09.320 --> 0:12:11.559
<v Speaker 1>I'm sorry, on Wednesday when we were supposed to record,

0:12:12.120 --> 0:12:15.959
<v Speaker 1>it was the birthday of a little actor by the

0:12:16.040 --> 0:12:19.360
<v Speaker 1>name of Matthew McConaughey. Turns out he's only three feet tall.

0:12:20.720 --> 0:12:22.679
<v Speaker 1>He is almost my age. I didn't realize that. I

0:12:22.720 --> 0:12:25.760
<v Speaker 1>thought he was a few years older, but he's about

0:12:25.800 --> 0:12:32.440
<v Speaker 1>a year and three months older by the calendar. Alright, alright, alright, alright,

0:12:33.080 --> 0:12:34.720
<v Speaker 1>And by the way, did you know that Dave Chappelle

0:12:34.800 --> 0:12:37.640
<v Speaker 1>was canvassing my neighborhood the other night? Door to door?

0:12:38.160 --> 0:12:41.360
<v Speaker 1>I saw that he was in town because Killer Mike

0:12:41.480 --> 0:12:44.720
<v Speaker 1>posted there was like some kind of private comedy show

0:12:44.760 --> 0:12:47.640
<v Speaker 1>that he did here in town. Well, he's doing SNL

0:12:47.679 --> 0:12:49.640
<v Speaker 1>this weekend, so he did like three warm up shows

0:12:50.280 --> 0:12:53.840
<v Speaker 1>in Atlanta, and they weren't private, they were just super

0:12:53.880 --> 0:12:57.640
<v Speaker 1>exclusive because of COVID. Yeah, they were also pretty indoors

0:12:57.640 --> 0:13:01.760
<v Speaker 1>and looking and not particularly social deed, but yeah, because

0:13:01.800 --> 0:13:04.240
<v Speaker 1>everyone had to have a COVID test. Oh there you go.

0:13:05.080 --> 0:13:07.400
<v Speaker 1>He tested. They did rapid testing on everyone that came

0:13:07.440 --> 0:13:10.000
<v Speaker 1>in the door, which is a pretty smart way to

0:13:10.000 --> 0:13:11.080
<v Speaker 1>do it. That is a smart way to do it.

0:13:11.559 --> 0:13:13.679
<v Speaker 1>But yeah, he was canvasing. He was voter camasing going

0:13:13.679 --> 0:13:16.559
<v Speaker 1>door to door in Kirkwood and East like, that's pretty cool.

0:13:16.640 --> 0:13:19.000
<v Speaker 1>That would have been a hoot to open the door

0:13:19.040 --> 0:13:22.560
<v Speaker 1>and have Old Dave there. It was. I was definitely

0:13:22.600 --> 0:13:24.400
<v Speaker 1>peeking out my door. I doubt if he would have

0:13:24.440 --> 0:13:25.920
<v Speaker 1>come to my house, but you never know, No, you

0:13:25.960 --> 0:13:30.800
<v Speaker 1>never know, alright, No, So Matthew McConaughey's birthday, I just

0:13:30.840 --> 0:13:32.959
<v Speaker 1>asked the Crusher is very simply, what's your favorite role?

0:13:33.640 --> 0:13:36.360
<v Speaker 1>How do you feel about the man? I feel great

0:13:36.360 --> 0:13:39.120
<v Speaker 1>about the man um I've always sort of thought that

0:13:39.520 --> 0:13:43.600
<v Speaker 1>maybe he lacked a little range, but he's he's proven

0:13:43.640 --> 0:13:46.959
<v Speaker 1>that not to be the case. He's he's got he's

0:13:46.960 --> 0:13:50.640
<v Speaker 1>got some definite chops, like you know, obviously like won

0:13:50.640 --> 0:13:54.520
<v Speaker 1>an Oscar for Dallas Buyers Club. Um. I loved him

0:13:54.520 --> 0:13:56.720
<v Speaker 1>and true Detective. I think that might be my favorite

0:13:56.800 --> 0:13:59.640
<v Speaker 1>role of his True D True D. The first one

0:13:59.800 --> 0:14:02.000
<v Speaker 1>the O G true G great. Um. I don't know

0:14:02.000 --> 0:14:03.800
<v Speaker 1>if I mentioned was a whe I actually had a

0:14:03.840 --> 0:14:09.000
<v Speaker 1>call with him once for a podcast related thing. He

0:14:09.120 --> 0:14:11.160
<v Speaker 1>it was just a phone call, wasn't a zoom or anything.

0:14:11.200 --> 0:14:13.480
<v Speaker 1>But he was exactly as as you would think. He

0:14:13.559 --> 0:14:16.160
<v Speaker 1>was asking all these questions and um, I got to

0:14:16.280 --> 0:14:18.800
<v Speaker 1>chime in and like respond quite a few times to him,

0:14:18.840 --> 0:14:22.240
<v Speaker 1>and he was very easy going and just wanted to

0:14:22.280 --> 0:14:26.280
<v Speaker 1>know more about this whole podcast thing man, you know. Um,

0:14:26.400 --> 0:14:28.600
<v Speaker 1>and it was pretty cool. We didn't end up doing

0:14:28.640 --> 0:14:31.000
<v Speaker 1>it with him, whatever it was, but it was neat

0:14:31.040 --> 0:14:33.320
<v Speaker 1>to uh to chat with him about it. I love it. No,

0:14:33.440 --> 0:14:34.600
<v Speaker 1>I didn't know that. You get to talk to a

0:14:34.640 --> 0:14:37.800
<v Speaker 1>lot of cool people. I do. I'm sure he remembers you.

0:14:38.560 --> 0:14:41.320
<v Speaker 1>I'm sure he does. I made a real impression, indelible.

0:14:41.480 --> 0:14:44.960
<v Speaker 1>Remember remember that guy? No like I like I like that.

0:14:45.000 --> 0:14:48.400
<v Speaker 1>I like the kind of his gem man, you know, alright,

0:14:49.480 --> 0:14:51.440
<v Speaker 1>injective is I think I could say I'd quickly say

0:14:51.480 --> 0:14:56.280
<v Speaker 1>that is my favorite, like Matthew is like at his matthewist. Yeah,

0:14:56.320 --> 0:14:59.800
<v Speaker 1>you know, I hate to be so on the no

0:15:00.040 --> 0:15:02.640
<v Speaker 1>to here nol, but I gotta go with Wooterson. I mean,

0:15:02.680 --> 0:15:05.720
<v Speaker 1>I've liked him in so many roles, but iconic movie,

0:15:06.000 --> 0:15:10.720
<v Speaker 1>iconic character. My story is when that movie came out

0:15:11.240 --> 0:15:15.720
<v Speaker 1>and he was an unknown, I was one thousand percent

0:15:15.840 --> 0:15:19.080
<v Speaker 1>convinced that he was a real dude, not an actor.

0:15:19.720 --> 0:15:21.640
<v Speaker 1>Like I was like, oh man, Richard link Ladder got

0:15:21.680 --> 0:15:24.400
<v Speaker 1>this dude that hangs out in Austin and is not

0:15:24.480 --> 0:15:27.280
<v Speaker 1>an actor to play this guy and it's perfect. And

0:15:27.320 --> 0:15:30.320
<v Speaker 1>then later on found out it was Matthew McConaughey, like

0:15:30.360 --> 0:15:32.680
<v Speaker 1>a year later, once he became a little bit more

0:15:32.680 --> 0:15:36.760
<v Speaker 1>of a known quantity, and I didn't I didn't know

0:15:36.800 --> 0:15:39.000
<v Speaker 1>what to bleek because it was pre Internet, and I

0:15:39.040 --> 0:15:40.960
<v Speaker 1>was like, no, that wasn't that guy because he looks

0:15:40.960 --> 0:15:42.880
<v Speaker 1>so different. And I went back and I was like,

0:15:42.880 --> 0:15:46.120
<v Speaker 1>oh my god, he's he's a real actor. Totally shocked me.

0:15:46.200 --> 0:15:48.400
<v Speaker 1>Isn't he an Austin guy like through and through? Or

0:15:48.400 --> 0:15:49.880
<v Speaker 1>did I make that up? Like he he lives there.

0:15:49.920 --> 0:15:52.880
<v Speaker 1>I think he's Texas. He Austin thought he was for

0:15:52.920 --> 0:15:55.520
<v Speaker 1>some reason like he maybe I know he's a big

0:15:55.720 --> 0:15:58.560
<v Speaker 1>University of Texas fan, which is out of Austin because

0:15:58.560 --> 0:16:01.360
<v Speaker 1>he goes to those games and stuff. But yeah, he's

0:16:01.360 --> 0:16:05.520
<v Speaker 1>he's probably from the suburbs of Austin, ye would be

0:16:05.560 --> 0:16:08.640
<v Speaker 1>my guess. But we're gonna start off with Katie Walker here.

0:16:08.720 --> 0:16:11.960
<v Speaker 1>She says, is my recollection right, and remembering it is

0:16:12.000 --> 0:16:15.440
<v Speaker 1>also your birthday? Chuck, uh no, it's not, Katie. God,

0:16:15.480 --> 0:16:17.440
<v Speaker 1>I'm glad because I would have felt like a real

0:16:18.400 --> 0:16:22.120
<v Speaker 1>heel now my birthdays in March. But she says willis

0:16:22.200 --> 0:16:26.040
<v Speaker 1>Newton in the Newton Boys. Very underrated role. Newton Boys

0:16:26.080 --> 0:16:28.280
<v Speaker 1>is fun. I don't know who the Newton Boys. Is

0:16:28.280 --> 0:16:30.160
<v Speaker 1>that like a heist movie? Are they? Like? It was

0:16:30.320 --> 0:16:34.080
<v Speaker 1>another movie? It was a Western? But yeah, what western?

0:16:34.080 --> 0:16:36.360
<v Speaker 1>The Newton Boys were bank robbers in the Old West.

0:16:36.760 --> 0:16:38.960
<v Speaker 1>I think Ethan Hawk was in it. Of course is

0:16:39.280 --> 0:16:41.800
<v Speaker 1>I do not recall it really quick sidebar just before

0:16:41.840 --> 0:16:43.160
<v Speaker 1>I don't want to hold us up. But did you

0:16:43.160 --> 0:16:46.840
<v Speaker 1>know the movie Slacker? Right, the Richard link Lader? I, um,

0:16:47.200 --> 0:16:51.080
<v Speaker 1>you familiar with the Church of the SubGenius, Chuck, so,

0:16:51.320 --> 0:16:54.160
<v Speaker 1>Bob Dobbs right, there's a documentary that just came out. Um,

0:16:54.200 --> 0:16:55.600
<v Speaker 1>it's just called Bob Dobbs in the Church of the

0:16:55.640 --> 0:16:58.080
<v Speaker 1>sub Genius. And I've had friends throughout my life that

0:16:58.120 --> 0:17:00.920
<v Speaker 1>we're really into that whole world. It's like a jokey

0:17:01.040 --> 0:17:02.880
<v Speaker 1>kind of cult that also is a real cult, but

0:17:02.920 --> 0:17:05.720
<v Speaker 1>it's a whole thing looking up folks, fascinating world. But

0:17:06.200 --> 0:17:09.080
<v Speaker 1>they have this concept in sub Genius called slack and

0:17:09.119 --> 0:17:11.359
<v Speaker 1>that's like what you want to have to to to

0:17:11.400 --> 0:17:14.919
<v Speaker 1>attain slack. And that is what Slacker was based on,

0:17:15.000 --> 0:17:17.440
<v Speaker 1>was a lot of these folks that Link Ladder knew

0:17:17.760 --> 0:17:20.399
<v Speaker 1>who were early SubGenius folks, and that's kind of what

0:17:20.520 --> 0:17:23.400
<v Speaker 1>he based those characters on. And the term slackers came

0:17:23.440 --> 0:17:26.240
<v Speaker 1>from Church of the sub Genius. I love it. Great movie,

0:17:26.320 --> 0:17:29.040
<v Speaker 1>one of my favorites. That movie really opened my eyes

0:17:29.080 --> 0:17:31.080
<v Speaker 1>to independent film back in the day. And you know

0:17:31.119 --> 0:17:32.879
<v Speaker 1>the other little tidbit there and all I know, you

0:17:32.920 --> 0:17:35.679
<v Speaker 1>know this, oops, let me trun that off is uh,

0:17:36.520 --> 0:17:38.120
<v Speaker 1>you know the guy in the car with a loud

0:17:38.160 --> 0:17:41.960
<v Speaker 1>speaker driving around town. Yippen and yappen. You know who

0:17:42.000 --> 0:17:46.120
<v Speaker 1>that is? No, that's Alex Jones. Alex Jones, that's right.

0:17:46.160 --> 0:17:48.960
<v Speaker 1>And he's also makes an appearance in Waking Life as

0:17:49.000 --> 0:17:51.800
<v Speaker 1>his more Alex jones e self, because Alex Jones like

0:17:51.800 --> 0:17:55.280
<v Speaker 1>originally was he was a Texas like kind of shock

0:17:55.400 --> 0:17:58.800
<v Speaker 1>jock or like like what's the word, public access host,

0:17:59.119 --> 0:18:01.000
<v Speaker 1>and he's sort of just was more of like a

0:18:01.119 --> 0:18:04.400
<v Speaker 1>joke and then he sort of leaned into this persona

0:18:04.480 --> 0:18:08.919
<v Speaker 1>that he created somebody. Well, some would certainly say that,

0:18:08.960 --> 0:18:10.479
<v Speaker 1>and I would be one of them. But what I'm

0:18:10.520 --> 0:18:13.480
<v Speaker 1>saying is he didn't take himself as seriously that as

0:18:13.520 --> 0:18:15.680
<v Speaker 1>he maybe does now in terms of like I am

0:18:15.720 --> 0:18:18.119
<v Speaker 1>speaking the truth. He was more just playing sort of

0:18:18.160 --> 0:18:21.600
<v Speaker 1>like a weirdo. Yeah, totally Christopher when he says days

0:18:21.640 --> 0:18:24.280
<v Speaker 1>and confuses up there of course in Dallas Buyers Club,

0:18:24.280 --> 0:18:27.800
<v Speaker 1>but nothing will ever be true. Detective Nick Kelly definitely true.

0:18:27.800 --> 0:18:31.840
<v Speaker 1>Detective or Old pal Banessa Lopez has probably Sahara movie.

0:18:31.920 --> 0:18:34.520
<v Speaker 1>Didn't see uh admittally, I haven't seen him in some

0:18:34.560 --> 0:18:37.040
<v Speaker 1>of his more serious roles. But Sahara was a fun

0:18:37.200 --> 0:18:42.080
<v Speaker 1>go to sick day movie. Okay. I think it's like adventure,

0:18:42.359 --> 0:18:44.840
<v Speaker 1>like an adventure ROMP kind of thing. Yeah, I didn't

0:18:44.840 --> 0:18:48.080
<v Speaker 1>see that one. Uh. Norma Brunson says Mickey Holler from

0:18:48.080 --> 0:18:51.040
<v Speaker 1>the Lincoln Lawyer did not see that. I've heard it

0:18:51.040 --> 0:18:53.199
<v Speaker 1>was pretty good every time I hear that, though, I

0:18:53.200 --> 0:18:56.240
<v Speaker 1>just think Lincoln logs, I don't know why. Oh yeah,

0:18:56.320 --> 0:18:59.600
<v Speaker 1>I do know why because it sounds like as exactly.

0:19:00.600 --> 0:19:04.399
<v Speaker 1>Ashley m. Neville says. Or Neville says his performance and

0:19:04.480 --> 0:19:09.560
<v Speaker 1>Interstellar was breathtaking. This is more all over the place

0:19:09.560 --> 0:19:12.280
<v Speaker 1>than I thought, Noel, because I'm not even cherry picking.

0:19:12.280 --> 0:19:15.640
<v Speaker 1>I'm going in order, and we've had no repeats, Becalu

0:19:15.720 --> 0:19:19.600
<v Speaker 1>almost no repeats. Becca lu says Rain of Fire. Did

0:19:19.640 --> 0:19:23.440
<v Speaker 1>you see that a dragon movie? I would as Dragon Hunting?

0:19:23.520 --> 0:19:25.919
<v Speaker 1>It was great. But did he like do his like

0:19:26.040 --> 0:19:29.680
<v Speaker 1>Southern charming, like you know, Texas boy stick or did

0:19:29.680 --> 0:19:31.480
<v Speaker 1>he like try to do a British accent or something.

0:19:32.080 --> 0:19:34.680
<v Speaker 1>I'm trying to remember. I don't think it was either.

0:19:36.320 --> 0:19:38.800
<v Speaker 1>I don't know, though, I'm looking as I am dB right,

0:19:38.800 --> 0:19:41.480
<v Speaker 1>because he's been so much stuff, so much stuff. Old

0:19:41.480 --> 0:19:44.159
<v Speaker 1>pal Jonathan Cooley says his performance and frailty is so

0:19:44.320 --> 0:19:47.080
<v Speaker 1>under stated in Haunting. I was going to say that one.

0:19:47.200 --> 0:19:52.920
<v Speaker 1>That's yeah, big time, That's that's good all right? Uh? Eric,

0:19:53.040 --> 0:19:55.520
<v Speaker 1>oh this is fine. Eric Torgensen says, I gotta go

0:19:55.520 --> 0:20:00.000
<v Speaker 1>with Buster Moon and Sing. Probably the role of seeing them.

0:20:00.000 --> 0:20:01.239
<v Speaker 1>It's because of an eight year old. Did you ever

0:20:01.280 --> 0:20:04.359
<v Speaker 1>see that one? All Sing? It's an animated film with

0:20:04.440 --> 0:20:07.080
<v Speaker 1>a lot of songs that people sing. That was one

0:20:07.080 --> 0:20:09.920
<v Speaker 1>of Ruby's very early movies, and it kind of fell

0:20:09.920 --> 0:20:12.679
<v Speaker 1>off our radar. We haven't seen it in you know,

0:20:13.119 --> 0:20:15.080
<v Speaker 1>probably three years. She saw that when she was like two.

0:20:15.160 --> 0:20:19.480
<v Speaker 1>There's a sequel on the horizon. Fore sing to sing too,

0:20:19.880 --> 0:20:25.439
<v Speaker 1>More sang and sing again, keep saying, still singing. Our

0:20:25.440 --> 0:20:28.080
<v Speaker 1>old buddy Stellan Carlson is sort of cool on him

0:20:28.440 --> 0:20:30.920
<v Speaker 1>because I think most of his performances are just all right,

0:20:31.840 --> 0:20:35.440
<v Speaker 1>all right, all right, get it, huh. I was good.

0:20:35.480 --> 0:20:37.200
<v Speaker 1>I liked him in Just Kidding. I liked him in

0:20:37.280 --> 0:20:39.400
<v Speaker 1>Dallas Buyer's Club, in that one scene where he's sort

0:20:39.400 --> 0:20:42.200
<v Speaker 1>of like the cokey lawyer that sort of like teaches

0:20:42.400 --> 0:20:45.679
<v Speaker 1>Leo DiCaprio how to like you know, du blow in

0:20:45.320 --> 0:20:50.240
<v Speaker 1>the in the the the whatever, like lawyer, fancy restaurant

0:20:50.480 --> 0:20:51.800
<v Speaker 1>or whatever, you know what I mean. Like it's just

0:20:51.880 --> 0:20:54.600
<v Speaker 1>just a good quintessential like taking him under his wing,

0:20:54.760 --> 0:20:57.159
<v Speaker 1>kind of making his like a you know, a skis

0:20:57.200 --> 0:21:01.200
<v Speaker 1>bag kind of thing. She one like Stallas Buyers Club

0:21:01.200 --> 0:21:04.560
<v Speaker 1>though Masterbull perform uh performances. I have not seen it.

0:21:05.680 --> 0:21:07.199
<v Speaker 1>Oh you still haven't seen that. I haven't seen it.

0:21:07.560 --> 0:21:10.200
<v Speaker 1>I know why. I just lately, I just I don't

0:21:10.240 --> 0:21:13.960
<v Speaker 1>go for the over the top, dramatic, heavy movies. I

0:21:13.960 --> 0:21:16.320
<v Speaker 1>thought you just said the scene from Dallas Buyers Club.

0:21:16.960 --> 0:21:18.320
<v Speaker 1>I didn't know. I'm sorry. I didn't mean that. I

0:21:18.560 --> 0:21:21.679
<v Speaker 1>meant Wolf of Wall Street. Okay, Wolf of Wall Street.

0:21:21.960 --> 0:21:25.600
<v Speaker 1>That let me sorry. That's the scene where he takes

0:21:25.680 --> 0:21:28.760
<v Speaker 1>Leonard DiCaprio takes him for lunch and asked me. He says,

0:21:28.960 --> 0:21:31.800
<v Speaker 1>he says, like I want to help to ski. Yeah,

0:21:31.840 --> 0:21:38.360
<v Speaker 1>it's just like classic, like you know, southern Brandy McDonald said,

0:21:38.359 --> 0:21:39.840
<v Speaker 1>love him and dates confused. But I don't know if

0:21:39.840 --> 0:21:42.080
<v Speaker 1>anyone could have done his role in a Time to

0:21:42.160 --> 0:21:46.720
<v Speaker 1>Kill like he did. Yeah, I always forget about those

0:21:46.920 --> 0:21:50.639
<v Speaker 1>what's that writer's name? Yeah, that's not my thing. I'm

0:21:50.680 --> 0:21:52.919
<v Speaker 1>not gonna but I just I don't usually. That'saw the

0:21:52.960 --> 0:21:55.720
<v Speaker 1>firm back in the day, But that was about it.

0:21:56.400 --> 0:22:00.119
<v Speaker 1>My cousin was in the firm. Yeah, it was back that.

0:22:00.200 --> 0:22:01.760
<v Speaker 1>It was shot in Memphis and they were in Memphis.

0:22:01.840 --> 0:22:07.399
<v Speaker 1>And there's just uh, a little shot. She's a background extra,

0:22:07.640 --> 0:22:10.480
<v Speaker 1>but she filled the frame. Was that kind of thing.

0:22:10.960 --> 0:22:14.399
<v Speaker 1>He was a distinct close up of my cousin with

0:22:14.440 --> 0:22:16.720
<v Speaker 1>like a Sparkler or something. Is that? Do you get

0:22:16.760 --> 0:22:20.280
<v Speaker 1>extra cash for that? If you feel the frame, you

0:22:20.320 --> 0:22:22.560
<v Speaker 1>gotta say something. You gotta say something. Yeah, you gotta

0:22:22.560 --> 0:22:25.680
<v Speaker 1>have a line or interact with an actor in some way,

0:22:25.960 --> 0:22:27.600
<v Speaker 1>like you get a bump. Even if you'd walk in

0:22:27.640 --> 0:22:30.720
<v Speaker 1>and like hand someone a piece of copy paper or something.

0:22:30.800 --> 0:22:32.720
<v Speaker 1>Got it, Like if you walk in in hand Matthew

0:22:32.760 --> 0:22:36.240
<v Speaker 1>McConaughey a folio, then you get a little bump as

0:22:36.240 --> 0:22:39.399
<v Speaker 1>an extra. So if if she had handed somebody that's Sparkler,

0:22:39.720 --> 0:22:41.679
<v Speaker 1>that would have been she would have handed Tom Cruiser Sparkler.

0:22:41.680 --> 0:22:43.199
<v Speaker 1>She would have gotten a bump. Got it, got it?

0:22:43.760 --> 0:22:48.240
<v Speaker 1>He was in a pretty under appreciated maybe because it's bad.

0:22:48.400 --> 0:22:52.680
<v Speaker 1>I remember liking a horror sequel called Texas Chainsaw Massacre

0:22:52.800 --> 0:22:55.439
<v Speaker 1>The Next Generation Starting. I think that might have been

0:22:55.440 --> 0:22:58.720
<v Speaker 1>his first movie renee Zellwigger. No, No, this would have

0:22:58.760 --> 0:23:02.200
<v Speaker 1>been after after that. It was both of their first films.

0:23:02.240 --> 0:23:05.480
<v Speaker 1>I think maybe you're right. I guess it was trying

0:23:05.480 --> 0:23:08.359
<v Speaker 1>to get a year here on IMDb ninety four, though

0:23:08.640 --> 0:23:10.359
<v Speaker 1>when it was Days and Confused, it was that I

0:23:10.359 --> 0:23:12.399
<v Speaker 1>thought it was earlier than that. Well, I was right

0:23:12.440 --> 0:23:14.480
<v Speaker 1>around there because I saw it towards the end of college.

0:23:14.640 --> 0:23:17.040
<v Speaker 1>I guess you're right. He has like a robot leg

0:23:17.160 --> 0:23:19.840
<v Speaker 1>or something. Though, if I'm not mistaken in in in

0:23:19.880 --> 0:23:22.400
<v Speaker 1>real life and in Texas Jane's I'm Master the Next Generation,

0:23:23.240 --> 0:23:26.639
<v Speaker 1>oh Ship. Paul Legner says really liked him in Mud

0:23:27.720 --> 0:23:29.680
<v Speaker 1>when I watched it for the first time. That's another

0:23:29.720 --> 0:23:31.400
<v Speaker 1>good one, nol. He's been in a lot of really

0:23:31.400 --> 0:23:33.679
<v Speaker 1>good movies. Mud was great. Did you see that? I

0:23:33.680 --> 0:23:35.119
<v Speaker 1>have not, but I've heard it was wonderful and it

0:23:35.160 --> 0:23:38.439
<v Speaker 1>was definitely like a buzzy movie that year. Lindia Barnett

0:23:38.480 --> 0:23:40.520
<v Speaker 1>one of our old friends. It's a newer one, but

0:23:40.560 --> 0:23:43.120
<v Speaker 1>I loved him in The Gentleman, perfect roll for him.

0:23:43.119 --> 0:23:48.119
<v Speaker 1>I haven't even heard that the Gentleman, the Gentleman or

0:23:48.160 --> 0:23:52.199
<v Speaker 1>the Gentleman who knows? Oh Ship? You remember Killer Joe?

0:23:52.320 --> 0:23:55.040
<v Speaker 1>Killer Joe? I saw as a play. Actually, um, it's

0:23:55.080 --> 0:23:58.280
<v Speaker 1>it was written by what's his face? Right? Yeah? I

0:23:58.440 --> 0:24:01.720
<v Speaker 1>was no, I'll not a second it was I know

0:24:01.760 --> 0:24:04.800
<v Speaker 1>who it was, but Aaron Huey Mizele, one of our

0:24:04.840 --> 0:24:08.480
<v Speaker 1>oldest of friends, says, definitely not Killer Joe. That chicken

0:24:08.600 --> 0:24:13.359
<v Speaker 1>drumstick scene was distressing. I loved Killer Joe. I mean,

0:24:13.400 --> 0:24:15.240
<v Speaker 1>it's out there. You really got to be up for

0:24:15.280 --> 0:24:17.359
<v Speaker 1>that kind of movie totally. But I thought it was

0:24:17.400 --> 0:24:19.440
<v Speaker 1>a lot like a lot of fun right. It was

0:24:19.480 --> 0:24:22.439
<v Speaker 1>Tracy Lets and William Friedkin directed it. Of of the

0:24:22.480 --> 0:24:25.399
<v Speaker 1>Exorcist fame Um. I didn't see the movie, but I

0:24:25.400 --> 0:24:29.639
<v Speaker 1>did see the play like The Exorcist in some ways,

0:24:30.080 --> 0:24:32.719
<v Speaker 1>it's great. Oh here we go. I forgot about this too.

0:24:32.760 --> 0:24:36.360
<v Speaker 1>Little cameo and tropic Thunder. Michael McCord's has been Stiller's

0:24:36.359 --> 0:24:38.800
<v Speaker 1>agent Traum big Thunder. I don't think he's made me

0:24:38.880 --> 0:24:41.600
<v Speaker 1>laugh more he's I mean, there's nothing about that movie

0:24:41.600 --> 0:24:43.800
<v Speaker 1>that doesn't crack me up. It's really funny, though, Like

0:24:44.160 --> 0:24:47.359
<v Speaker 1>that movie is one of the only movies where someone

0:24:47.440 --> 0:24:52.280
<v Speaker 1>gets a pass kind of for doing a blackface ish

0:24:52.440 --> 0:24:56.199
<v Speaker 1>scenario because it's such high satire and knows exactly what

0:24:56.240 --> 0:24:58.240
<v Speaker 1>it's doing. And sure, could you take it out of

0:24:58.280 --> 0:25:03.240
<v Speaker 1>context and blasted the inter and say, you know, Robert,

0:25:05.080 --> 0:25:06.880
<v Speaker 1>of course they were, But what I'm saying is out

0:25:06.880 --> 0:25:09.760
<v Speaker 1>of context. That's exactly the kind of thing that cancel

0:25:09.840 --> 0:25:12.879
<v Speaker 1>culture could like glom Onto, but that hasn't happened. And

0:25:12.920 --> 0:25:15.360
<v Speaker 1>I think that's interesting. Yeah, I mean that movie had

0:25:16.119 --> 0:25:19.440
<v Speaker 1>many not PC things going on in it, but it's

0:25:19.440 --> 0:25:22.840
<v Speaker 1>such layered satire that you can't like it knows what

0:25:22.880 --> 0:25:25.280
<v Speaker 1>it's doing, you know. Yeah, people, we can't lose satire.

0:25:25.440 --> 0:25:27.800
<v Speaker 1>Come on, I'm all about doing the right thing, but

0:25:27.840 --> 0:25:29.680
<v Speaker 1>we can't lose satire. Let me ask you this that

0:25:29.760 --> 0:25:32.520
<v Speaker 1>I've been having this conversation lately, like something. We had

0:25:32.560 --> 0:25:33.960
<v Speaker 1>a really great interview on stuff that I want you

0:25:33.960 --> 0:25:36.960
<v Speaker 1>to know with this fantastic journalist named Jake Hanrahan who

0:25:37.040 --> 0:25:40.320
<v Speaker 1>does a podcast for US called um Q Clearance and

0:25:40.320 --> 0:25:42.840
<v Speaker 1>it's about Q and on and that whole crazy conspiracy

0:25:42.920 --> 0:25:45.160
<v Speaker 1>theory thing. And he used the term that I hadn't

0:25:45.200 --> 0:25:47.520
<v Speaker 1>really heard before, but that we're living in a post

0:25:47.600 --> 0:25:51.800
<v Speaker 1>truth society. Um the idea that, like the very notion

0:25:51.880 --> 0:25:56.600
<v Speaker 1>of truth is kind of questionable. It's difficult to quantify

0:25:56.760 --> 0:26:00.159
<v Speaker 1>when people just don't care um and and along with

0:26:00.320 --> 0:26:05.680
<v Speaker 1>that comes the the loss of impact of comedy and satire. Sure,

0:26:05.960 --> 0:26:08.000
<v Speaker 1>and it's because it's really difficult to make fun of

0:26:08.040 --> 0:26:10.880
<v Speaker 1>something when it in and of itself is its own parody.

0:26:11.280 --> 0:26:13.760
<v Speaker 1>It's so over the top and ridiculous. How do you

0:26:13.800 --> 0:26:15.760
<v Speaker 1>feel about that, like, just the idea of like, is

0:26:15.800 --> 0:26:20.520
<v Speaker 1>satire impossible at this day and age? Well, I don't

0:26:20.520 --> 0:26:23.959
<v Speaker 1>think it's impossible as long as you you can do it.

0:26:24.160 --> 0:26:29.080
<v Speaker 1>People might yell and scream about it, but yeah, you

0:26:29.160 --> 0:26:31.399
<v Speaker 1>gotta be able to do I mean, satire is one

0:26:31.440 --> 0:26:33.320
<v Speaker 1>of the It's one of my favorite kinds of comedy

0:26:33.760 --> 0:26:37.080
<v Speaker 1>because it's funny and you're also making a very subversive

0:26:37.119 --> 0:26:40.480
<v Speaker 1>statement about something, and it also flies over the heads

0:26:40.560 --> 0:26:44.120
<v Speaker 1>of dumb dumbs. Uh. And that's that's my favorite kind

0:26:44.119 --> 0:26:48.840
<v Speaker 1>of comedy. I tot it's it's intelligent. When I was

0:26:48.840 --> 0:26:51.800
<v Speaker 1>reading the Onion in high school, you know, it was, uh,

0:26:51.920 --> 0:26:54.720
<v Speaker 1>it was always sort of part of my world. Yeah,

0:26:54.800 --> 0:26:56.760
<v Speaker 1>oh same, Yeah. And then that, you know how in

0:26:56.800 --> 0:27:02.520
<v Speaker 1>a world where regular headlines feel like Onion headlines, I

0:27:02.560 --> 0:27:04.840
<v Speaker 1>saw one the other day, an Onion headline about the

0:27:05.240 --> 0:27:07.920
<v Speaker 1>vote that said that had a picture of a guy,

0:27:08.080 --> 0:27:12.680
<v Speaker 1>like a militia dope um standing right behind a guy

0:27:12.680 --> 0:27:15.000
<v Speaker 1>that was voting in the voting booth, and it said,

0:27:15.080 --> 0:27:19.000
<v Speaker 1>voter intimidation is not a real thing. Uh the militia

0:27:19.000 --> 0:27:22.080
<v Speaker 1>man whispered in the ear of the man casting its vote.

0:27:21.840 --> 0:27:33.920
<v Speaker 1>Right right, I love it all right. Austin Debski, one

0:27:33.920 --> 0:27:36.600
<v Speaker 1>of our oldest friends, said he's come so far as

0:27:36.640 --> 0:27:38.679
<v Speaker 1>an actor, but to me, he'll always be the shirtless

0:27:39.119 --> 0:27:44.160
<v Speaker 1>for No Reason rom com star Failure to Launch. Hey

0:27:44.240 --> 0:27:48.320
<v Speaker 1>you listen, man. If you want a fun, little romantic

0:27:48.320 --> 0:27:51.040
<v Speaker 1>comedy and you want to turn your brain off and

0:27:51.080 --> 0:27:54.320
<v Speaker 1>be charmed by a couple of good looking people, watch

0:27:54.359 --> 0:27:59.280
<v Speaker 1>Failure to Launch. Watch. Uh uh, what's the fucking one

0:27:59.320 --> 0:28:03.000
<v Speaker 1>with Goldie Hans daughter? Not ten Things I Hate about You?

0:28:04.440 --> 0:28:07.159
<v Speaker 1>Something like I had it in front of me. It

0:28:07.200 --> 0:28:13.879
<v Speaker 1>was something conversations about one thing. Uh oh man, everyone's yelling.

0:28:13.920 --> 0:28:16.520
<v Speaker 1>I'm so sorry Everyonehere is it? Where is it? Here's Judson.

0:28:16.680 --> 0:28:20.000
<v Speaker 1>Ghosts of Girlfriends Past was one No no, but that's

0:28:20.040 --> 0:28:22.639
<v Speaker 1>that's in that same world. There was a fool Gold

0:28:22.760 --> 0:28:25.880
<v Speaker 1>Fool Gold. No, that's the other one that he made

0:28:25.880 --> 0:28:29.040
<v Speaker 1>with her. Yeah, she's in that one. That's okay. How

0:28:29.040 --> 0:28:31.160
<v Speaker 1>to lose a guy in ten days there. I knew

0:28:31.200 --> 0:28:33.199
<v Speaker 1>there was a tin in there. Um you know that

0:28:33.240 --> 0:28:35.960
<v Speaker 1>movie is what it is, but it's kind of fun.

0:28:37.480 --> 0:28:41.120
<v Speaker 1>She's charming, he's charming. Not great, it's not great filmmaking.

0:28:41.120 --> 0:28:43.200
<v Speaker 1>But you know what, I like him. I like a

0:28:43.200 --> 0:28:46.240
<v Speaker 1>little brainless rom com every now and then. No, I'm

0:28:46.240 --> 0:28:48.960
<v Speaker 1>not seeing that on his list how to lose a

0:28:48.960 --> 0:28:53.320
<v Speaker 1>guy in ten days? Sure, he's the guy. Did you

0:28:53.320 --> 0:28:56.480
<v Speaker 1>lose him? And remember his character's name? How many days

0:28:56.520 --> 0:28:57.720
<v Speaker 1>did it take for her to lose him? And I

0:28:57.800 --> 0:29:03.680
<v Speaker 1>don't know spoilers, it's the premises, are your damn right?

0:29:03.720 --> 0:29:08.160
<v Speaker 1>That is of course? Uh that this Kate Hudson, I

0:29:08.200 --> 0:29:13.680
<v Speaker 1>believe is a magazine writer in his task with um

0:29:13.800 --> 0:29:16.160
<v Speaker 1>dating a guy and then I think breaking up with

0:29:16.240 --> 0:29:19.720
<v Speaker 1>him in ten days or no, no, no, getting him

0:29:19.720 --> 0:29:22.280
<v Speaker 1>to break up with her in ten days by being

0:29:22.320 --> 0:29:24.960
<v Speaker 1>like super clingy and being all these things that supposedly

0:29:25.000 --> 0:29:28.280
<v Speaker 1>guys don't like. And you know, you can guess how

0:29:28.280 --> 0:29:30.720
<v Speaker 1>that one turns out. Yeah, there's the other one where

0:29:31.320 --> 0:29:33.959
<v Speaker 1>Drew Barrymore had to play. It was called Never Been

0:29:34.040 --> 0:29:36.120
<v Speaker 1>Kissed and she had to play like fake herself into

0:29:36.200 --> 0:29:38.280
<v Speaker 1>high school to write a piece about what it's like

0:29:38.400 --> 0:29:40.960
<v Speaker 1>dating in high school. That was fun. It was fun,

0:29:41.080 --> 0:29:43.440
<v Speaker 1>I tell you though. Uh it's not on him. I

0:29:43.440 --> 0:29:45.160
<v Speaker 1>know he's in and I'm not questioning that. I'm not

0:29:45.240 --> 0:29:47.160
<v Speaker 1>questioning the nature of reality. But it's funny it's not

0:29:47.200 --> 0:29:52.920
<v Speaker 1>on his IMDb filmography. What yeah, oh no, don't lie.

0:29:52.920 --> 0:29:55.280
<v Speaker 1>I came out in two thousand three. We've got out there.

0:29:55.280 --> 0:30:01.360
<v Speaker 1>It is. Sorry, okay, move on there it is. I

0:30:01.400 --> 0:30:03.240
<v Speaker 1>thought there was a conspiracy of foot like he was

0:30:03.280 --> 0:30:06.239
<v Speaker 1>trying to erase this film from the internet. All right,

0:30:06.320 --> 0:30:08.640
<v Speaker 1>let's just do a couple of more. Todd Frederick says this.

0:30:08.800 --> 0:30:12.880
<v Speaker 1>Check out Tiptoes from two thousand three. You know what,

0:30:13.960 --> 0:30:17.280
<v Speaker 1>if I'm not mistaken, Yes, I went to the rat

0:30:17.320 --> 0:30:18.880
<v Speaker 1>party for that. Did I ever tell the story? No

0:30:19.560 --> 0:30:22.880
<v Speaker 1>about my Matthew McConaughey experience. Peter Dinklig is in it.

0:30:22.920 --> 0:30:25.840
<v Speaker 1>The holy sh it. So here's here's the deal. My

0:30:25.840 --> 0:30:28.080
<v Speaker 1>buddy Scotty who has been on this show. You know Scotty,

0:30:28.720 --> 0:30:32.280
<v Speaker 1>he worked as a camera assistant on Tiptoes is when

0:30:32.280 --> 0:30:35.560
<v Speaker 1>we all lived in l A together, and Matthew McConaughey

0:30:35.600 --> 0:30:39.680
<v Speaker 1>was in it. Gary Oldman was in it. Um Kate Beckinsale.

0:30:39.720 --> 0:30:42.080
<v Speaker 1>I think a couple of other people, Patrici Arquette, Peter

0:30:42.200 --> 0:30:44.840
<v Speaker 1>dan I went to the rat party with Scotty. So

0:30:44.840 --> 0:30:46.560
<v Speaker 1>it was at this bar and Los Felis where we

0:30:46.600 --> 0:30:48.960
<v Speaker 1>lived in our neighborhood. Scotty live right down the street,

0:30:49.520 --> 0:30:52.520
<v Speaker 1>and so we walked down there. Um. Kind of a

0:30:52.880 --> 0:30:55.880
<v Speaker 1>interesting party for a couple of reasons. One is Ron

0:30:56.000 --> 0:31:01.560
<v Speaker 1>Jeremy was there and sitting in a booth. Ron Jeremy

0:31:01.760 --> 0:31:06.480
<v Speaker 1>was sitting in a booth with the little person from

0:31:06.520 --> 0:31:09.880
<v Speaker 1>Twin Peaks I believe his name was Michael Mike Anderson

0:31:09.960 --> 0:31:14.560
<v Speaker 1>or Michael Anderson. He was sitting in Ron Jeremy's lap.

0:31:14.680 --> 0:31:17.560
<v Speaker 1>That's about the most l a thing, a story you

0:31:17.560 --> 0:31:20.120
<v Speaker 1>could ever tell, right. And I went over to Ron

0:31:20.200 --> 0:31:21.920
<v Speaker 1>Jeremy and actually spoke to him because I was kind

0:31:21.920 --> 0:31:24.920
<v Speaker 1>of drunk, and I said, said, Mr Jeremy, I just

0:31:24.920 --> 0:31:27.760
<v Speaker 1>want to come over and say hello, shook his hand

0:31:27.960 --> 0:31:30.840
<v Speaker 1>and he said, hey, you want to you want a lady?

0:31:31.120 --> 0:31:33.600
<v Speaker 1>You want a girl here? What do you mean? He said,

0:31:33.600 --> 0:31:36.080
<v Speaker 1>do you want a girl here? I said, uh, I

0:31:36.160 --> 0:31:39.240
<v Speaker 1>don't know, and he said because they're giving him out

0:31:39.280 --> 0:31:42.640
<v Speaker 1>like raffle tickets, and then he would smell the breeze.

0:31:43.360 --> 0:31:46.200
<v Speaker 1>I will never forget it all. I will never forget

0:31:46.280 --> 0:31:49.959
<v Speaker 1>that mud. It was amazing, and then the dude from

0:31:49.960 --> 0:31:56.400
<v Speaker 1>Twin Peaks said it all backwards. Yeah, he went rattle. Uh.

0:31:56.440 --> 0:31:58.680
<v Speaker 1>It was very very funny. So then end of the

0:31:58.800 --> 0:32:00.440
<v Speaker 1>night comes. I can't believe I never told the story.

0:32:00.520 --> 0:32:06.080
<v Speaker 1>Maybe I have. Uh my buddy Scotty sends over a

0:32:06.120 --> 0:32:09.080
<v Speaker 1>couple of tequila shots, or sends over tequila shot to

0:32:09.080 --> 0:32:12.239
<v Speaker 1>Matthew McConaughey, and he kind of looks down at us

0:32:12.240 --> 0:32:14.560
<v Speaker 1>and like, you know, gives us the old alright, all right,

0:32:14.600 --> 0:32:17.160
<v Speaker 1>and we all took our shots without like approaching one other.

0:32:17.160 --> 0:32:21.160
<v Speaker 1>He tim feed across the room. Then after the thing,

0:32:21.280 --> 0:32:24.160
<v Speaker 1>there was a parking lot scene and we go to

0:32:24.200 --> 0:32:27.280
<v Speaker 1>Matthew McConaughey who was talking to other people, and Scotty

0:32:27.360 --> 0:32:29.400
<v Speaker 1>invites him to go back to the apartment to smoke

0:32:29.480 --> 0:32:34.520
<v Speaker 1>some weed and he declines, and it's a little weirded

0:32:34.520 --> 0:32:36.840
<v Speaker 1>out and I was like, I think he recognized you, Scotty,

0:32:36.880 --> 0:32:39.120
<v Speaker 1>as the tequila guy, and now you're trying to get

0:32:39.160 --> 0:32:40.440
<v Speaker 1>him to go back to the apartment. I was like,

0:32:40.480 --> 0:32:42.520
<v Speaker 1>I think you might think like you're hitting on him

0:32:42.600 --> 0:32:45.960
<v Speaker 1>or something. It's like I couldn't really tell. And then

0:32:46.200 --> 0:32:50.240
<v Speaker 1>the most Matthew McConaughey. Thing that's ever happened, Noel happens.

0:32:50.280 --> 0:32:52.880
<v Speaker 1>At the end of the night party disperses from the

0:32:52.920 --> 0:32:56.680
<v Speaker 1>parking lot. We are walking up the street towards Scotty's apartment,

0:32:57.200 --> 0:33:01.760
<v Speaker 1>and probably three feet up the road from the bar,

0:33:01.920 --> 0:33:04.640
<v Speaker 1>we see Matthew McConaughey walking by himself on the sidewalk.

0:33:05.400 --> 0:33:10.920
<v Speaker 1>A car full of girls, young women pulls up and stops.

0:33:11.160 --> 0:33:13.800
<v Speaker 1>We hear the window rolled down and yeappy, happy, happy, happy,

0:33:13.800 --> 0:33:16.160
<v Speaker 1>happy happy happ him kind of leaned down and look

0:33:16.200 --> 0:33:18.880
<v Speaker 1>in and then do you know what happened, nol He

0:33:18.920 --> 0:33:21.479
<v Speaker 1>got in the car. He got in that fucking car

0:33:22.000 --> 0:33:25.040
<v Speaker 1>and left. And that's it, dude. That was like the

0:33:25.080 --> 0:33:27.160
<v Speaker 1>most Matthew McConaughey hang ever. And I don't think these

0:33:27.160 --> 0:33:29.239
<v Speaker 1>were girls from the party either. I think they were

0:33:29.280 --> 0:33:32.440
<v Speaker 1>just riding down the road and and we're like, oh

0:33:32.440 --> 0:33:34.800
<v Speaker 1>my god, you're Matthew McConaughey, and he, I'm sure, said

0:33:35.160 --> 0:33:38.600
<v Speaker 1>do you girls want a party? And so I can't

0:33:38.600 --> 0:33:41.240
<v Speaker 1>imagine what happened after then they either just had some

0:33:41.280 --> 0:33:43.480
<v Speaker 1>good old clean fun or you know, you know, some

0:33:43.560 --> 0:33:47.920
<v Speaker 1>filthy fun filth. What bar was it? And let's Felis. Oh,

0:33:48.200 --> 0:33:50.200
<v Speaker 1>I don't remember. It was. Um, it wasn't one of

0:33:50.200 --> 0:33:52.520
<v Speaker 1>the good bars. It was one of these weird restaurants

0:33:52.520 --> 0:33:54.560
<v Speaker 1>that had a big back room with the bar and

0:33:54.600 --> 0:33:56.840
<v Speaker 1>they could kind of rent it out. It wasn't the Dresden,

0:33:57.240 --> 0:33:59.520
<v Speaker 1>No when the Dresden or the drawing Room and great.

0:34:00.480 --> 0:34:04.120
<v Speaker 1>So yeah, that's my Matthew mcconaugheyst Bright was worth every penny.

0:34:04.480 --> 0:34:08.440
<v Speaker 1>Um and it was smell the Breeze, very Hollywood night.

0:34:08.840 --> 0:34:13.000
<v Speaker 1>All right, we're gonna finish up with stream this uh

0:34:13.120 --> 0:34:16.279
<v Speaker 1>really quickly. Emily, Uh, we needed some brainless fun over

0:34:16.280 --> 0:34:18.640
<v Speaker 1>the past week. She had never seen the final two

0:34:18.680 --> 0:34:22.520
<v Speaker 1>Avengers movies. Her deal with that is she she enjoys

0:34:22.520 --> 0:34:25.040
<v Speaker 1>those movies, but she will never seek them out. I

0:34:25.080 --> 0:34:26.719
<v Speaker 1>have to be like, hey, you should watch this, you'd

0:34:26.719 --> 0:34:30.400
<v Speaker 1>like it. So we watched Thor, Ragnarok, Shazam, and the

0:34:30.400 --> 0:34:32.800
<v Speaker 1>final two Avengers movies over the past like two weeks,

0:34:33.120 --> 0:34:35.319
<v Speaker 1>and she really liked them all and had a good time.

0:34:36.120 --> 0:34:38.680
<v Speaker 1>We also filled the hole because we wanted to watch

0:34:38.719 --> 0:34:41.360
<v Speaker 1>something kind of classic that we've never seen, and we

0:34:41.400 --> 0:34:44.920
<v Speaker 1>watched the movie Moonstruck. I can't believe I've never seen it. Great,

0:34:45.360 --> 0:34:48.600
<v Speaker 1>great early Nicolas Cage. He's so so good in it,

0:34:48.920 --> 0:34:52.319
<v Speaker 1>and Share was fantastic, really great, great movie, and then

0:34:52.400 --> 0:34:56.040
<v Speaker 1>we're just barreling through Ship's Creek. Still love Ships Creek.

0:34:56.640 --> 0:34:59.359
<v Speaker 1>I've been streaming that one myself. I think Moonstruck came

0:34:59.440 --> 0:35:02.200
<v Speaker 1>up from me recently. I think because of Pretty Woman,

0:35:02.320 --> 0:35:04.719
<v Speaker 1>maybe because I hadn't seen that, and it's maybe in

0:35:04.800 --> 0:35:08.480
<v Speaker 1>the same ilk genre as that moment. Struck is a

0:35:08.480 --> 0:35:10.640
<v Speaker 1>little more substantial. I think that's just kind of take

0:35:10.719 --> 0:35:13.440
<v Speaker 1>got it. But yeah, so I I also would like

0:35:13.480 --> 0:35:18.480
<v Speaker 1>to see Moonstruck. I mean, if you want early, um, great,

0:35:18.880 --> 0:35:21.600
<v Speaker 1>over the top Nicolas Cage, then Moonstruck is for you.

0:35:21.680 --> 0:35:25.440
<v Speaker 1>It's really really great performance. Uh. And my problem with

0:35:25.440 --> 0:35:28.719
<v Speaker 1>Ships and all love it, love it, love it. But

0:35:31.320 --> 0:35:33.239
<v Speaker 1>I hate to complain about actors because you never know

0:35:33.280 --> 0:35:37.600
<v Speaker 1>when someone might be listening. But the couple of side

0:35:37.680 --> 0:35:42.680
<v Speaker 1>characters I think are fairly weak actor wise. The the

0:35:42.680 --> 0:35:46.080
<v Speaker 1>black inc bearded guy that she does road work with.

0:35:46.480 --> 0:35:50.640
<v Speaker 1>Oh sure, it's a fake beard too, right when it

0:35:50.680 --> 0:35:52.560
<v Speaker 1>looks so I mean, he looks like he swam through

0:35:52.640 --> 0:35:56.600
<v Speaker 1>octopus anchor something like. It looks so phony. I don't

0:35:56.600 --> 0:35:58.480
<v Speaker 1>know if it's fake it looks very phony. Well but

0:35:58.560 --> 0:36:01.120
<v Speaker 1>he he eventually you know, shaves it and that becomes

0:36:01.320 --> 0:36:04.160
<v Speaker 1>a comedic moment. And well, I don't know anything about that, Nols,

0:36:04.160 --> 0:36:06.040
<v Speaker 1>that don't spoil it. Okay, I don't know how far

0:36:06.120 --> 0:36:08.120
<v Speaker 1>you are in it. It's not that far though, I'm

0:36:08.120 --> 0:36:11.920
<v Speaker 1>only in like maybe the second season. Um in season one. Okay,

0:36:12.920 --> 0:36:14.959
<v Speaker 1>I'm not I'm You're not wrong, But I also don't

0:36:14.960 --> 0:36:17.600
<v Speaker 1>think he needs to be He's almost like a straight

0:36:17.880 --> 0:36:21.719
<v Speaker 1>man character. Like he the humor comes from him being

0:36:22.000 --> 0:36:25.160
<v Speaker 1>immovably square. Kind of kind of bugs me, though, I think.

0:36:25.200 --> 0:36:29.000
<v Speaker 1>And then the other the the ted, the uh, the veterinarian.

0:36:29.000 --> 0:36:31.160
<v Speaker 1>I don't know how long he sticks around, but he's

0:36:31.160 --> 0:36:32.759
<v Speaker 1>in season one and he kind of bugs too. I

0:36:32.760 --> 0:36:35.080
<v Speaker 1>don't think the same same type though, you know what

0:36:35.160 --> 0:36:38.400
<v Speaker 1>I mean. They're meant to play there like relative normalcy

0:36:38.560 --> 0:36:41.839
<v Speaker 1>is meant to play off of the absurdity of what's

0:36:41.880 --> 0:36:45.520
<v Speaker 1>your face? Who? They're both kind of dating. Um. I

0:36:45.120 --> 0:36:47.560
<v Speaker 1>I enjoy the show. I'm with you, though there's there's

0:36:47.560 --> 0:36:49.560
<v Speaker 1>some things about it that aren't perfect, but I think

0:36:49.600 --> 0:36:52.840
<v Speaker 1>it's overall like a really nice show. It makes it

0:36:52.840 --> 0:36:54.920
<v Speaker 1>gives me a certain amount of like comfort and the

0:36:54.960 --> 0:36:58.520
<v Speaker 1>way the office did. I really dig it, Like these

0:36:58.520 --> 0:37:01.400
<v Speaker 1>are friends boy cathr Hera. I mean, everyone's great, but

0:37:01.520 --> 0:37:06.000
<v Speaker 1>she's just when she has license to just go for it. Uh,

0:37:06.320 --> 0:37:08.560
<v Speaker 1>she gets really silly and I love it. Have you

0:37:08.560 --> 0:37:11.959
<v Speaker 1>seen the one where she does the wine commercial yet? Yeah?

0:37:12.520 --> 0:37:16.840
<v Speaker 1>I don't think I've laughed like by myself in my home.

0:37:17.880 --> 0:37:19.719
<v Speaker 1>You know, you know how it's like laughing can be

0:37:19.760 --> 0:37:22.000
<v Speaker 1>a little performatively. You do it maybe more when you're

0:37:22.000 --> 0:37:25.879
<v Speaker 1>around people, or it's uh, you know, contagious. But at

0:37:25.920 --> 0:37:29.080
<v Speaker 1>the end, when she's like drunk and doing it, I

0:37:29.120 --> 0:37:32.160
<v Speaker 1>was just laughing my ass off by myself, like a

0:37:32.200 --> 0:37:35.160
<v Speaker 1>crazy person. Uh. And that's when I knew, Okay, this

0:37:35.239 --> 0:37:39.480
<v Speaker 1>is fucking good. That scene was so good. Oh man,

0:37:39.680 --> 0:37:42.000
<v Speaker 1>I liked it before she got drunk. That's great to

0:37:42.760 --> 0:37:45.319
<v Speaker 1>nail it. And it was just getting my words slightly wrong. Well,

0:37:45.440 --> 0:37:47.920
<v Speaker 1>especially because it's it's all based around the pomp and

0:37:47.960 --> 0:37:51.880
<v Speaker 1>circumstance of like filming a thing and like, okay, everyone

0:37:51.880 --> 0:37:54.520
<v Speaker 1>on their marks, okay, last looks okay, and action and

0:37:54.600 --> 0:37:57.040
<v Speaker 1>the camera pushes in and it's very it's meant to

0:37:57.040 --> 0:37:59.600
<v Speaker 1>be timed out just right. Yeah, that adds a lot

0:37:59.640 --> 0:38:04.359
<v Speaker 1>to it. So fucking funny, man. I have been just

0:38:04.640 --> 0:38:07.319
<v Speaker 1>blasting my way through. And I watched season two of

0:38:07.360 --> 0:38:10.600
<v Speaker 1>this when it was originally on but the Fargo television series,

0:38:11.400 --> 0:38:15.320
<v Speaker 1>um where I'm all, I've seen it all now except

0:38:15.360 --> 0:38:18.680
<v Speaker 1>for I'm current with the new season. But um, I

0:38:18.760 --> 0:38:22.440
<v Speaker 1>hadn't seen the Billy Bob season and good lord, that

0:38:22.640 --> 0:38:25.280
<v Speaker 1>character he plays, it's like a He's just the most

0:38:25.440 --> 0:38:31.080
<v Speaker 1>like demonic, kind of like supernaturally evil villain of all time.

0:38:31.120 --> 0:38:33.120
<v Speaker 1>And I just love it. Lauren Malvo is his name,

0:38:33.160 --> 0:38:36.360
<v Speaker 1>if it even is his name, But um, god, damn,

0:38:36.440 --> 0:38:38.680
<v Speaker 1>what a great show. Every season has its own thing.

0:38:39.200 --> 0:38:42.840
<v Speaker 1>There's a nice extended universe connectivity to it. But you

0:38:42.880 --> 0:38:45.840
<v Speaker 1>don't have to have that if you don't want it. Um,

0:38:45.880 --> 0:38:48.760
<v Speaker 1>it's just so genius. It's that guy, know Ah Holly,

0:38:48.840 --> 0:38:51.239
<v Speaker 1>who like you know, wrote most of them, I think,

0:38:51.280 --> 0:38:54.400
<v Speaker 1>if not all of them, um and directed some. But

0:38:54.480 --> 0:38:56.720
<v Speaker 1>he's did that show Legion as well, and he's written

0:38:56.719 --> 0:39:00.359
<v Speaker 1>a lot of novels and he's obviously just masterful at this.

0:39:00.440 --> 0:39:03.640
<v Speaker 1>And it had adapting pre existing stuff because Legion was

0:39:03.640 --> 0:39:06.200
<v Speaker 1>based on a comic book as well. But um, I

0:39:06.280 --> 0:39:08.400
<v Speaker 1>just love it. I just think it's so good, so

0:39:08.440 --> 0:39:10.960
<v Speaker 1>well done. I think my favorite season was the one

0:39:11.000 --> 0:39:15.960
<v Speaker 1>with Kirsten Dunst, But I mean there, those first three

0:39:16.000 --> 0:39:18.239
<v Speaker 1>are great. I haven't seen the new season yet because

0:39:18.239 --> 0:39:20.319
<v Speaker 1>I've heard bad things and I don't want to ruin it,

0:39:20.360 --> 0:39:22.959
<v Speaker 1>but I guess I should. How far along are you

0:39:23.200 --> 0:39:26.560
<v Speaker 1>in the new season? Yeah, I've only seen three episode two,

0:39:26.640 --> 0:39:29.040
<v Speaker 1>so I'm not I wouldn't even say I'm exactly current,

0:39:29.280 --> 0:39:31.040
<v Speaker 1>but I'm gonna watch it. But no, I gotta turn

0:39:31.080 --> 0:39:33.920
<v Speaker 1>off my fridge. You keep talking for a minute. You

0:39:33.960 --> 0:39:35.840
<v Speaker 1>hear that noise? Yeah, man, what is that? Is that?

0:39:36.080 --> 0:39:38.160
<v Speaker 1>That's your little mini fridge? That that that that gets

0:39:38.200 --> 0:39:44.759
<v Speaker 1>a little cantanker. See, what do we need? No, you

0:39:44.800 --> 0:39:46.719
<v Speaker 1>weren't talking to people you're supposed to entertain that I'm

0:39:46.760 --> 0:39:48.520
<v Speaker 1>doing my I was talking about your mini fridge, and

0:39:48.560 --> 0:39:50.759
<v Speaker 1>then I was, you know, I it was it was

0:39:50.840 --> 0:39:55.160
<v Speaker 1>just so you've been watching Fargo, been watching been watching Fargo?

0:39:55.560 --> 0:39:58.399
<v Speaker 1>Um before we before. I'm trying to think if there's

0:39:58.400 --> 0:40:01.240
<v Speaker 1>a yes, there have been other things. I've been watching

0:40:01.280 --> 0:40:05.400
<v Speaker 1>Ship's Creek. I've been watching that knew that Letterman interview show. Uh,

0:40:05.440 --> 0:40:09.160
<v Speaker 1>my next guest needs no introduction. Um, it's nice, Like

0:40:09.400 --> 0:40:12.040
<v Speaker 1>I did, it wasn't really didn't appeal to me right off.

0:40:12.040 --> 0:40:15.720
<v Speaker 1>And I watched the one with Obama and um, he

0:40:15.719 --> 0:40:17.760
<v Speaker 1>he always has a segment where he sort of takes

0:40:17.760 --> 0:40:20.080
<v Speaker 1>it a little deeper and he goes to a place

0:40:20.120 --> 0:40:22.759
<v Speaker 1>and talks to a person either connected to the main

0:40:22.840 --> 0:40:25.000
<v Speaker 1>person that he's talking to or somewhere adjacent. And he

0:40:25.040 --> 0:40:28.720
<v Speaker 1>talks to John Lewis and walks across the Pettis Bridge,

0:40:28.880 --> 0:40:31.480
<v Speaker 1>you know, with him, which is that historic you know,

0:40:31.600 --> 0:40:34.960
<v Speaker 1>side of the bloody Sunday where the cops just beat

0:40:34.960 --> 0:40:37.279
<v Speaker 1>the ship out of all these peaceful protesters, and we

0:40:37.360 --> 0:40:40.120
<v Speaker 1>was just very poignant and you know, felt very connected

0:40:40.160 --> 0:40:43.040
<v Speaker 1>to what's going on now. And um, it was nice

0:40:43.080 --> 0:40:47.160
<v Speaker 1>to see, you know, a guy who could formulate complete

0:40:47.160 --> 0:40:51.080
<v Speaker 1>sentences used to be the president. Um, it was good. Yeah.

0:40:51.120 --> 0:40:53.560
<v Speaker 1>And Day that's great man. He's uh, he's very quick

0:40:53.800 --> 0:40:57.360
<v Speaker 1>and and you know, leg there's something about the format

0:40:57.360 --> 0:41:00.759
<v Speaker 1>of a late show that's so sticky and everything has

0:41:00.800 --> 0:41:03.279
<v Speaker 1>to be kind of quick and like moving along, and

0:41:03.320 --> 0:41:06.680
<v Speaker 1>it's nice to see him get lean into an interview

0:41:06.760 --> 0:41:09.080
<v Speaker 1>and sort of like really drink it in and take

0:41:09.120 --> 0:41:11.279
<v Speaker 1>his time as opposed to dislike trying to blast through

0:41:11.280 --> 0:41:13.880
<v Speaker 1>these segments before commercial break. Um, and he seems to

0:41:13.920 --> 0:41:17.719
<v Speaker 1>be enjoying himself too. It's great. I love it alright, Noel. Well,

0:41:17.719 --> 0:41:19.600
<v Speaker 1>that's it for episode one. We're gonna get another one

0:41:19.600 --> 0:41:21.560
<v Speaker 1>in the can right after this. But thank you all

0:41:22.280 --> 0:41:25.319
<v Speaker 1>for listening. Keep the faith, keep your chin up, go

0:41:25.360 --> 0:41:27.920
<v Speaker 1>out in the world and make something great. That's what

0:41:28.000 --> 0:41:32.760
<v Speaker 1>I say. Movie Crash is produced and written by Charles

0:41:32.760 --> 0:41:36.520
<v Speaker 1>Bryant and Meel Brown, edited and engineered by Seth Nicholas Johnson,

0:41:36.760 --> 0:41:39.360
<v Speaker 1>and scored by Noel Brown here in our home studio

0:41:39.400 --> 0:41:43.000
<v Speaker 1>at Pontsty Market, Atlanta, Georgia. For I Heart Radio. For

0:41:43.040 --> 0:41:45.200
<v Speaker 1>more podcasts for my Heart Radio, visit the i Heart

0:41:45.280 --> 0:41:48.040
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

0:41:48.040 --> 0:41:48.680
<v Speaker 1>favorite shows.