1 00:00:03,080 --> 00:00:08,560 Speaker 1: It's that time, time, time, time, Luck and load. 2 00:00:10,680 --> 00:00:13,040 Speaker 2: Michael Very show is on the air. 3 00:00:13,360 --> 00:00:15,880 Speaker 3: These high school boys and girls are having a hop 4 00:00:16,000 --> 00:00:21,000 Speaker 3: at the local soda fountain. Innocently they dance, innocent of 5 00:00:21,040 --> 00:00:26,680 Speaker 3: a new and deadly menace lurking behind closed doors. Nana 6 00:00:27,280 --> 00:00:29,840 Speaker 3: the burning weed with its roots in Hell. 7 00:00:30,720 --> 00:00:34,720 Speaker 4: In reading the proclamation, one can only come to this conclusion, 8 00:00:35,440 --> 00:00:38,800 Speaker 4: which surprises me. The governor of the state of Texas 9 00:00:38,840 --> 00:00:42,880 Speaker 4: wants to legalize recreational marijuana in Texas. 10 00:00:43,200 --> 00:00:51,800 Speaker 5: Until sleep Jesus still sitting down in a railway station, 11 00:00:55,360 --> 00:00:59,760 Speaker 5: when all the train that goes on sleep, the train is. 12 00:00:59,720 --> 00:01:01,640 Speaker 6: On time s. 13 00:01:03,200 --> 00:01:07,160 Speaker 5: Rail Land stage, you. 14 00:01:07,120 --> 00:01:09,720 Speaker 3: Will see the ease with which this vicious plant can 15 00:01:09,760 --> 00:01:13,240 Speaker 3: be grown in your neighbor's yard, ruled into harmless looking 16 00:01:13,280 --> 00:01:17,360 Speaker 3: cigarettes hidden in an innocent shoe or watchcase. 17 00:01:17,560 --> 00:01:19,160 Speaker 4: Who are we in the state We think we're going 18 00:01:19,200 --> 00:01:21,160 Speaker 4: to attract business here if we've got a bunch of 19 00:01:21,160 --> 00:01:23,919 Speaker 4: people high on marijuana at very high levels? 20 00:01:24,400 --> 00:01:27,000 Speaker 2: Is that who wants to come here and build their plant? Here? 21 00:01:27,200 --> 00:01:28,840 Speaker 2: You so destroying reaper. 22 00:01:29,000 --> 00:01:32,759 Speaker 3: They find a moment's pleasure, but at a terrible price. 23 00:01:32,920 --> 00:01:54,720 Speaker 5: One Jesus, stage Way, the s rail Lange. 24 00:01:57,440 --> 00:01:59,960 Speaker 4: Those eight thousand shops, and they keep selling all this poison, 25 00:02:00,280 --> 00:02:04,240 Speaker 4: and kids keep getting sick, and parents keep losing their children, 26 00:02:04,760 --> 00:02:06,680 Speaker 4: and people walk out in front of trains and people 27 00:02:06,720 --> 00:02:10,360 Speaker 4: shoot somebody pilate murder. 28 00:02:13,120 --> 00:02:14,200 Speaker 7: See sigh. 29 00:02:15,560 --> 00:02:24,840 Speaker 3: And the ultimate end of the marijuana addic, hopeless insanity, see. 30 00:02:24,840 --> 00:02:34,360 Speaker 5: Jesus to sending downtown, and Rails says, go to no one, 31 00:02:34,600 --> 00:02:36,480 Speaker 5: just awaken on the train they go, so. 32 00:02:36,720 --> 00:02:39,120 Speaker 7: Say the one at the trade is. 33 00:02:39,160 --> 00:02:44,920 Speaker 5: All the time sending down the towns and Lassay just got. 34 00:02:46,560 --> 00:02:49,799 Speaker 7: We're not Colorado, and we're not Oregon, and we're not 35 00:02:50,000 --> 00:02:50,680 Speaker 7: Washington State. 36 00:02:51,400 --> 00:02:56,640 Speaker 2: We're Texas. See this important bill now before. 37 00:02:57,280 --> 00:02:58,079 Speaker 5: It is too late. 38 00:02:59,080 --> 00:03:14,840 Speaker 2: Just awake, training until Esus. 39 00:03:30,000 --> 00:03:30,760 Speaker 3: Stick the. 40 00:03:32,800 --> 00:03:40,440 Speaker 2: End of civilization. Vice President Trump ordered strikes on Iran, 41 00:03:41,440 --> 00:03:45,920 Speaker 2: but I was cautious. I was cautious because you might 42 00:03:46,200 --> 00:03:49,560 Speaker 2: just mess around and unleash Pandora's box and not be 43 00:03:49,640 --> 00:03:53,760 Speaker 2: able to get it back in there. Nor was I 44 00:03:53,880 --> 00:03:58,720 Speaker 2: rooting for the bombing. It came faster than I expected, 45 00:03:58,760 --> 00:04:01,560 Speaker 2: but I knew we were on the verge. I fully 46 00:04:01,680 --> 00:04:08,040 Speaker 2: expected that the date would be July third, anticipating a 47 00:04:08,120 --> 00:04:10,880 Speaker 2: big success, which would make July fourth one hell of 48 00:04:10,960 --> 00:04:18,440 Speaker 2: a party. The two week deadline aligned with July third. 49 00:04:19,800 --> 00:04:22,640 Speaker 2: If the strike's occurred on July third, that would give 50 00:04:22,680 --> 00:04:26,160 Speaker 2: people time to process the success of it, and that 51 00:04:26,200 --> 00:04:29,760 Speaker 2: would have made July fourth a very joyous occasion. That was, 52 00:04:29,960 --> 00:04:33,159 Speaker 2: in my mind, what was going to happen. It lined 53 00:04:33,240 --> 00:04:36,880 Speaker 2: up too perfectly. It was planned. Trump's good at these 54 00:04:36,880 --> 00:04:40,280 Speaker 2: sorts of things, but instead it was a surprise attack. 55 00:04:41,160 --> 00:04:43,839 Speaker 2: And I think now most folks would have to admit, 56 00:04:43,920 --> 00:04:46,160 Speaker 2: whether you love Trump hate Trump, supported the effort or 57 00:04:46,200 --> 00:04:50,000 Speaker 2: didn't or just said, hey, let's let's let's be cautious 58 00:04:50,040 --> 00:04:55,120 Speaker 2: about this, that it was a success and we are 59 00:04:55,200 --> 00:04:56,400 Speaker 2: going to see a ceasefire. 60 00:04:56,800 --> 00:04:56,960 Speaker 3: Now. 61 00:04:57,640 --> 00:04:59,600 Speaker 2: It's very important to the to the president and to 62 00:04:59,680 --> 00:05:05,960 Speaker 2: his lef and for good reason. It's interesting and surprising 63 00:05:06,120 --> 00:05:09,920 Speaker 2: and disappointing to see how many people are rooting for 64 00:05:10,080 --> 00:05:13,560 Speaker 2: that conflict not to end, as it looks like it 65 00:05:13,640 --> 00:05:16,200 Speaker 2: now will at least for some period of time, but 66 00:05:16,400 --> 00:05:20,200 Speaker 2: rather to escalate, just so they can call it a 67 00:05:20,360 --> 00:05:25,520 Speaker 2: failure for Trump. The media, the Democrats, and oh yes, 68 00:05:26,600 --> 00:05:30,120 Speaker 2: even many Republicans. Let's not forget the Ken Singers and 69 00:05:30,520 --> 00:05:36,039 Speaker 2: Cheneye and Bushes who rooted for his downfall. They cannot 70 00:05:36,400 --> 00:05:41,279 Speaker 2: fathom anything happening in Trump's favor, even if that means 71 00:05:41,320 --> 00:05:45,160 Speaker 2: they have to root against America. It is time we 72 00:05:45,320 --> 00:05:50,320 Speaker 2: hear once again from our Secretary of Sanity. He spoke 73 00:05:50,360 --> 00:05:53,640 Speaker 2: to the press yesterday and thankfully is a voice of 74 00:05:53,839 --> 00:05:55,479 Speaker 2: reason for President Trump. 75 00:05:58,760 --> 00:06:03,040 Speaker 8: Hello, and welcome your Secretary of Sanity. I understand emotions 76 00:06:03,080 --> 00:06:07,360 Speaker 8: are high, particularly among those who just googled Iran this morning. Yes, 77 00:06:07,480 --> 00:06:10,680 Speaker 8: the United States conducted surgical air strikes against nuclear weapon 78 00:06:10,760 --> 00:06:14,440 Speaker 8: facilities inside Iran. Targets were chosen carefully to send a 79 00:06:14,560 --> 00:06:17,760 Speaker 8: message not start a war, unless you get your news 80 00:06:17,800 --> 00:06:19,320 Speaker 8: from TikTok, in which case it was. 81 00:06:19,400 --> 00:06:21,159 Speaker 2: Definitely the start of World War III. 82 00:06:21,360 --> 00:06:24,640 Speaker 8: The rapture, and by god, the cancelation of Beyonce's tour. 83 00:06:24,760 --> 00:06:26,800 Speaker 2: Don't say that now. I know some of you are wondering. 84 00:06:26,920 --> 00:06:29,400 Speaker 8: But did the president ask Congress before acting? 85 00:06:30,040 --> 00:06:30,080 Speaker 9: No. 86 00:06:30,839 --> 00:06:33,240 Speaker 8: He also didn't ask for permission to use the bathroom 87 00:06:33,279 --> 00:06:36,120 Speaker 8: this morning. The Constitution gives the president the power to 88 00:06:36,200 --> 00:06:38,080 Speaker 8: act in defense of national security. 89 00:06:38,520 --> 00:06:42,080 Speaker 2: He used it. It's not treason. It's Tuesday, people. 90 00:06:42,440 --> 00:06:45,280 Speaker 8: How do you respond to senior Democratic officials saying this 91 00:06:45,480 --> 00:06:48,040 Speaker 8: is a war crime? Well, under your guy it would 92 00:06:48,040 --> 00:06:51,760 Speaker 8: have been called a delicate kinetic intervention with regional implications. 93 00:06:52,320 --> 00:06:57,560 Speaker 8: Fancy words, same explosions. Now let's talk about Iran's response. 94 00:06:57,880 --> 00:07:01,480 Speaker 8: A dozen bottle rockets lobbed toward a base in Qatar. Wooh, 95 00:07:01,800 --> 00:07:05,640 Speaker 8: No casualties, no damage, just enough to say face without 96 00:07:05,680 --> 00:07:06,480 Speaker 8: breaking a nail. 97 00:07:06,880 --> 00:07:08,680 Speaker 2: That's not war. That's theater. 98 00:07:08,800 --> 00:07:11,000 Speaker 7: Isn't this escalating things dangerously? 99 00:07:11,360 --> 00:07:16,120 Speaker 8: Iran's been escalating for twenty years, funding proxy, spinning, centrifugus, 100 00:07:16,240 --> 00:07:19,080 Speaker 8: chanting depth to America like it's karaoke night at the 101 00:07:19,120 --> 00:07:19,720 Speaker 8: local pub. 102 00:07:20,160 --> 00:07:21,760 Speaker 2: But where the reckless ones? 103 00:07:21,920 --> 00:07:22,120 Speaker 3: Right? 104 00:07:22,720 --> 00:07:22,960 Speaker 2: God? 105 00:07:23,600 --> 00:07:26,600 Speaker 8: And yes, this happened without a UN resolution, which is 106 00:07:26,680 --> 00:07:29,000 Speaker 8: kind of like not getting a participation ribbon from the 107 00:07:29,040 --> 00:07:32,400 Speaker 8: world's most ineffective hoa. Look, I'm going to close with this. 108 00:07:32,640 --> 00:07:34,920 Speaker 8: The goal was to slow Iron's path to nukes. 109 00:07:35,000 --> 00:07:35,320 Speaker 2: That's it. 110 00:07:35,720 --> 00:07:38,680 Speaker 8: No regime change, no boots on the ground, just a 111 00:07:38,840 --> 00:07:42,400 Speaker 8: friendly reminder from thirty thousand feet that uranium enrichment makes 112 00:07:42,520 --> 00:07:44,800 Speaker 8: for bad neighbors. Now I feel excuse me, I'm late 113 00:07:44,840 --> 00:07:47,080 Speaker 8: for a closed door meeting with the international coalition of 114 00:07:47,120 --> 00:07:48,000 Speaker 8: people who forgot. 115 00:07:47,840 --> 00:07:48,920 Speaker 2: Obama did this too. 116 00:07:49,360 --> 00:08:23,960 Speaker 1: Have a great day, everybody, It's the Michael Barry show, 117 00:08:29,080 --> 00:08:30,080 Speaker 1: there have been ice skating. 118 00:08:32,840 --> 00:08:35,360 Speaker 2: I don't know. The ice feels somehow worse than concrete. 119 00:08:36,080 --> 00:08:39,000 Speaker 2: You don't want to fall on it, which makes it 120 00:08:39,040 --> 00:08:45,199 Speaker 2: particularly funny. A shoplifter at the Galleria was trying to 121 00:08:45,280 --> 00:08:49,000 Speaker 2: run from the popo and he jumped from the second 122 00:08:49,040 --> 00:08:55,160 Speaker 2: floor onto the ice rink, breaking both of his legs. 123 00:08:56,400 --> 00:08:59,920 Speaker 2: Kp r C TV reports quote officers with the Houston 124 00:09:00,000 --> 00:09:02,880 Speaker 2: the Police Department were working an extra job at the 125 00:09:03,040 --> 00:09:07,319 Speaker 2: Gallery of Mall on Sunday when they were notified of 126 00:09:07,440 --> 00:09:11,080 Speaker 2: a shoplifting incident at one of the stores around two 127 00:09:11,240 --> 00:09:17,520 Speaker 2: twenty pm. Shortly after, they found the man who was 128 00:09:17,600 --> 00:09:21,360 Speaker 2: accused of stealing. When they started to chase after him, 129 00:09:21,480 --> 00:09:25,079 Speaker 2: he took off and eventually jumped from the second floor 130 00:09:25,200 --> 00:09:28,440 Speaker 2: of the mall, landing on the ice skating rink. 131 00:09:28,520 --> 00:09:28,800 Speaker 9: Below. 132 00:09:30,240 --> 00:09:34,679 Speaker 2: Video from Ken Gilliard shows the man lying on the floor. 133 00:09:35,840 --> 00:09:39,520 Speaker 2: Oh my god, Gilliard said in the video, bro just 134 00:09:39,720 --> 00:09:43,840 Speaker 2: fell from up there. He jumped from the top landed 135 00:09:43,960 --> 00:09:50,200 Speaker 2: straight on ice. According to Gilliard, the man was unable 136 00:09:50,280 --> 00:09:55,280 Speaker 2: to move either of his legs. The suspect was reportedly 137 00:09:55,400 --> 00:09:58,720 Speaker 2: transported to the hospital with injuries. The suspect. 138 00:10:00,800 --> 00:10:01,000 Speaker 8: You know. 139 00:10:04,640 --> 00:10:08,079 Speaker 2: So first we have the cost in the additional cost 140 00:10:08,200 --> 00:10:12,559 Speaker 2: in goods of people like this who steal. And I'm 141 00:10:12,600 --> 00:10:14,360 Speaker 2: sure he does it all day long. I love to 142 00:10:14,440 --> 00:10:19,440 Speaker 2: know what he was stealing, little punk. So first, there's 143 00:10:19,520 --> 00:10:21,520 Speaker 2: him stealing all day long, and that's built into the 144 00:10:21,559 --> 00:10:23,640 Speaker 2: price of everything you pay for. Of course, who goes 145 00:10:23,679 --> 00:10:27,480 Speaker 2: to the galleria anymore because of thugs like this. Then 146 00:10:27,520 --> 00:10:30,480 Speaker 2: there is the cost of law enforcement because at some 147 00:10:30,559 --> 00:10:33,719 Speaker 2: point he's going to hurt somebody else. Then there is 148 00:10:33,800 --> 00:10:36,240 Speaker 2: the cost of transporting him to the hospital. Then there's 149 00:10:36,280 --> 00:10:39,000 Speaker 2: the cost of treating him. You probably steal the place 150 00:10:39,160 --> 00:10:46,920 Speaker 2: blind while he's there, little savage. Good grief, what a fool. 151 00:10:47,240 --> 00:10:49,640 Speaker 2: I don't know why he bothered to jump. You're in 152 00:10:49,760 --> 00:10:53,920 Speaker 2: Harris County, dude, run if they catch you, which is 153 00:10:54,000 --> 00:10:58,920 Speaker 2: not likely. If they do catch you, you can beat 154 00:10:59,000 --> 00:11:01,640 Speaker 2: the I mean, you can't beat the ride, but you 155 00:11:01,679 --> 00:11:03,880 Speaker 2: can beat the rap. You're in Harris County. Nobody's gonna 156 00:11:03,880 --> 00:11:09,480 Speaker 2: prosecute you, dude, surely you know that. But thanks to 157 00:11:09,559 --> 00:11:12,120 Speaker 2: our connections with the Gallery of Mall and the Houston 158 00:11:12,120 --> 00:11:15,560 Speaker 2: Police Department, we have been able to obtain the security 159 00:11:15,559 --> 00:11:21,880 Speaker 2: footage just as the shoplifter jumped onto the ice hit it. 160 00:11:21,960 --> 00:11:24,200 Speaker 7: Ramon, stop right there, in the name of the law, 161 00:11:24,640 --> 00:11:26,360 Speaker 7: just you try and catch me, Coppa. 162 00:11:36,360 --> 00:11:39,240 Speaker 2: That is really good. Ramon. I don't know how you 163 00:11:39,320 --> 00:11:43,719 Speaker 2: got that, but oh, Chad got it. Oh that is 164 00:11:44,040 --> 00:11:48,160 Speaker 2: really really good. That you don't normally get that. The 165 00:11:48,280 --> 00:11:51,800 Speaker 2: insights play that again. That that is very interesting. 166 00:11:51,880 --> 00:11:54,840 Speaker 7: Go ahead, stop right there, in the name of the law. 167 00:11:55,280 --> 00:11:57,000 Speaker 7: Just you try and catch me Coppa. 168 00:12:00,320 --> 00:12:06,400 Speaker 2: No, I didn't either, very different accents. Next thing, where 169 00:12:06,440 --> 00:12:09,200 Speaker 2: do you figure he's from. I had him from fifth ward, 170 00:12:09,280 --> 00:12:12,439 Speaker 2: maybe third World, somewhere in Shila Jackson Leee district. But 171 00:12:13,080 --> 00:12:19,920 Speaker 2: he he sounds he sounds really more like midtown. Maybe 172 00:12:20,040 --> 00:12:22,120 Speaker 2: give that one more time. Let me listen to that act. 173 00:12:22,120 --> 00:12:24,280 Speaker 7: Stop right there, in the name of the law, just 174 00:12:24,400 --> 00:12:25,960 Speaker 7: you try and catch me Koppa. 175 00:12:30,840 --> 00:12:40,319 Speaker 2: He is fast. Yeah, what's interesting about that? I'll give 176 00:12:40,320 --> 00:12:43,120 Speaker 2: you a little for those of you. A lot of 177 00:12:43,160 --> 00:12:47,000 Speaker 2: folks in our audience have some history in production of 178 00:12:47,520 --> 00:12:51,559 Speaker 2: one sort or another, and you enjoy things like classic 179 00:12:51,760 --> 00:12:54,440 Speaker 2: sound effects and the like, and this was an attempt 180 00:12:54,520 --> 00:12:59,160 Speaker 2: to use some of the best of them. That sound 181 00:12:59,640 --> 00:13:03,040 Speaker 2: that's at the end, play that scream one more time 182 00:13:03,120 --> 00:13:05,200 Speaker 2: extra credit. If you know what this scream is known. 183 00:13:05,240 --> 00:13:08,120 Speaker 2: It's a classic sound effect in movies going back to 184 00:13:08,320 --> 00:13:15,360 Speaker 2: nineteen fifty one One more Time a month that is 185 00:13:15,520 --> 00:13:18,520 Speaker 2: known as if you set it out loud, give yourself 186 00:13:18,640 --> 00:13:24,040 Speaker 2: thirty bonus points. It's called the Wilheim scream. It goes 187 00:13:24,160 --> 00:13:28,840 Speaker 2: back to the movie in nineteen fifty one called distant drums. 188 00:13:29,640 --> 00:13:33,760 Speaker 2: It's often used in scenarios when someone is shot, falls 189 00:13:33,800 --> 00:13:37,160 Speaker 2: from a great height, or is thrown from an explosion. 190 00:13:37,760 --> 00:13:42,760 Speaker 2: That scream is a thread throughout movie history. It's a 191 00:13:42,920 --> 00:13:47,160 Speaker 2: nod to classic films that goes back seventy four years. 192 00:13:47,240 --> 00:13:52,520 Speaker 2: It's named after Private Wilhelm, a character in The Charge 193 00:13:52,640 --> 00:13:55,839 Speaker 2: at Feather River nineteen fifty three Western, when it was 194 00:13:55,920 --> 00:13:58,800 Speaker 2: later used in which the character gets shot in the 195 00:13:58,920 --> 00:14:02,920 Speaker 2: thigh with an zero. This was its first use following 196 00:14:02,960 --> 00:14:08,200 Speaker 2: its inclusion in the Warner Brothers Stock Sound Library. Although 197 00:14:08,400 --> 00:14:11,319 Speaker 2: The Charge at Feather River was the third film to 198 00:14:11,559 --> 00:14:17,080 Speaker 2: use the effect the scream, it was unknown to whom 199 00:14:17,320 --> 00:14:21,840 Speaker 2: the scream belonged for many many years. It was featured 200 00:14:21,880 --> 00:14:24,280 Speaker 2: in all of the original Star Wars films, which once 201 00:14:24,360 --> 00:14:26,160 Speaker 2: some of you may have recognized it. Even if you 202 00:14:26,240 --> 00:14:30,320 Speaker 2: don't go back to the old Westerns. A lot of 203 00:14:30,400 --> 00:14:35,480 Speaker 2: digging was done to figure out whose scream that was, 204 00:14:36,200 --> 00:14:41,680 Speaker 2: and historians now widely agree that the scream most likely 205 00:14:41,800 --> 00:14:45,720 Speaker 2: belongs to Ramond. You know who it is, well, I'm 206 00:14:45,720 --> 00:14:48,080 Speaker 2: not going to tell you, as it would turn out. 207 00:14:49,160 --> 00:14:52,480 Speaker 2: What we're gonna do is coming back in the next break, 208 00:14:53,320 --> 00:14:55,960 Speaker 2: We're going to play a song by that person, so 209 00:14:56,120 --> 00:14:59,240 Speaker 2: that even if you don't know who it is, and 210 00:14:59,320 --> 00:15:02,000 Speaker 2: you recognize as that person for one of his classic songs, 211 00:15:02,080 --> 00:15:04,320 Speaker 2: you can go, oh, it's all so and so made 212 00:15:04,400 --> 00:15:07,920 Speaker 2: that scream, which but this was before he was such 213 00:15:07,920 --> 00:15:11,800 Speaker 2: a big name. Can you give us the whole clip 214 00:15:11,880 --> 00:15:14,400 Speaker 2: one more time of the guy jumping from the second 215 00:15:14,400 --> 00:15:17,600 Speaker 2: floor at the galleria and breaking both his legs. 216 00:15:18,720 --> 00:15:21,080 Speaker 7: Stop right there, in the name of the law, Just 217 00:15:21,200 --> 00:15:22,800 Speaker 7: you try and catch me, Coppa. 218 00:15:32,640 --> 00:15:34,280 Speaker 2: That's a long fall. I thought it was just a 219 00:15:34,360 --> 00:15:36,600 Speaker 2: second floor. It's taller than I thought. 220 00:15:37,440 --> 00:15:40,320 Speaker 10: Order it, Richard, you w twenty five package and you 221 00:15:40,440 --> 00:15:43,440 Speaker 10: get it all fiberglass hood with air grabbing a scoop. 222 00:15:43,720 --> 00:15:43,840 Speaker 4: Mit. 223 00:15:43,960 --> 00:15:49,400 Speaker 2: The Michael Berry fucking hood pins snobile escaped from the ordinary. 224 00:15:52,200 --> 00:15:52,480 Speaker 5: Helm. 225 00:15:54,200 --> 00:16:00,200 Speaker 2: Scream of Bill Holme is credited to an extra on 226 00:16:00,400 --> 00:16:06,360 Speaker 2: that show by the name of Sholby Frederick Woollie, better 227 00:16:06,440 --> 00:16:10,440 Speaker 2: known to the world as Shebb Woolly. He also performed 228 00:16:10,520 --> 00:16:14,800 Speaker 2: under the name Ben Colder Who's Never Been Colder as 229 00:16:14,920 --> 00:16:19,360 Speaker 2: the song he Goes, who you may recognize as the 230 00:16:19,480 --> 00:16:22,200 Speaker 2: person who did a parody song of a Key Breaky 231 00:16:22,360 --> 00:16:25,960 Speaker 2: Heart in the nineties by the name Shakey Breaky carr 232 00:16:26,520 --> 00:16:29,280 Speaker 2: at lining a real big hit. But what a career 233 00:16:29,400 --> 00:16:32,480 Speaker 2: this guy had. He was the sound effect man of 234 00:16:32,600 --> 00:16:37,000 Speaker 2: Thomas Valentino's major record label during the forties, so there 235 00:16:37,040 --> 00:16:39,440 Speaker 2: are a lot of sound effects that are used in 236 00:16:39,560 --> 00:16:44,040 Speaker 2: film that are his voice. He was in the movie Hoosiers, 237 00:16:44,360 --> 00:16:46,760 Speaker 2: He was in High Noon. He was in the greatest 238 00:16:46,760 --> 00:16:49,840 Speaker 2: movie of all time, The Outlaw Josie Wells. He was 239 00:16:51,040 --> 00:16:54,760 Speaker 2: a regular in the TV show Rawhide. Ramon, did you 240 00:16:54,800 --> 00:16:56,040 Speaker 2: watch Rawhide growing up? 241 00:16:57,680 --> 00:16:57,800 Speaker 8: Oh? 242 00:16:57,920 --> 00:17:01,880 Speaker 2: My goodness, Oh my goodness. So before we left for 243 00:17:02,080 --> 00:17:06,440 Speaker 2: church on Sunday morning, I would get up and eat 244 00:17:06,520 --> 00:17:10,119 Speaker 2: my cereal sitting on my bean bag in front of 245 00:17:10,160 --> 00:17:13,560 Speaker 2: the television, and hope that my mother didn't want to 246 00:17:15,200 --> 00:17:18,480 Speaker 2: leave early because it was if it was her turn 247 00:17:18,760 --> 00:17:24,040 Speaker 2: to volunteer for the nursery where the parents could could well, really, 248 00:17:24,119 --> 00:17:27,919 Speaker 2: moms could dump their kids so they could have an 249 00:17:28,000 --> 00:17:30,680 Speaker 2: hour of peace and listen to the sermon. If it 250 00:17:30,840 --> 00:17:34,520 Speaker 2: was hers, which was about every fourth time, then we'd 251 00:17:34,600 --> 00:17:36,600 Speaker 2: have to leave early and I would just pray that 252 00:17:36,760 --> 00:17:39,080 Speaker 2: this wasn't one of those weeks, and I would get 253 00:17:39,160 --> 00:17:42,000 Speaker 2: up early and I would watch Rawhide. But if you 254 00:17:42,080 --> 00:17:44,840 Speaker 2: watched Rawhide, you had to watch from the beginning because 255 00:17:44,880 --> 00:17:50,520 Speaker 2: the highlight was the opening Rollin Rollin wrote great opening 256 00:17:50,760 --> 00:17:54,880 Speaker 2: scene Clint Eastwood, of course, and then you would watch Rawhide, 257 00:17:55,240 --> 00:17:58,359 Speaker 2: and then you would watch people my age all know 258 00:17:58,480 --> 00:18:01,199 Speaker 2: what came on next if you watched FDM out of Eumont, 259 00:18:01,680 --> 00:18:03,280 Speaker 2: and that was and I'm sure it was going on 260 00:18:03,359 --> 00:18:08,560 Speaker 2: across the country, and that was the Lone Ranger. Two 261 00:18:08,760 --> 00:18:15,440 Speaker 2: of the great opening sounds, uh soundtracks in all of television. 262 00:18:15,800 --> 00:18:20,119 Speaker 2: Just absolutely credit, just crazy good. Shev Woolley was so 263 00:18:20,320 --> 00:18:23,000 Speaker 2: talented and had such a body of work. He was 264 00:18:23,040 --> 00:18:27,399 Speaker 2: a rodeo cowboy. He he was a regular on the 265 00:18:27,480 --> 00:18:31,520 Speaker 2: TV show he Haw And by the way, he's the 266 00:18:31,600 --> 00:18:35,480 Speaker 2: one who wrote the opening theme song. That guy has 267 00:18:35,720 --> 00:18:43,959 Speaker 2: more uh six degrees of Kevin Bacon connections to our 268 00:18:44,080 --> 00:18:49,560 Speaker 2: lives than you can you can possibly imagine President Trump 269 00:18:50,480 --> 00:18:56,320 Speaker 2: posted to his truth social Israel. Israel and Iran came 270 00:18:56,400 --> 00:19:01,560 Speaker 2: to me almost simultaneously and said peace. The time was now. 271 00:19:02,440 --> 00:19:06,680 Speaker 2: The world Middle East are the real winners. Both nations 272 00:19:06,760 --> 00:19:11,200 Speaker 2: will see tremendous love, peace, and prosperity in their futures. 273 00:19:11,960 --> 00:19:15,640 Speaker 2: They have so much to gain and yet so much 274 00:19:15,720 --> 00:19:19,359 Speaker 2: to lose if they stray from the road of righteousness 275 00:19:19,440 --> 00:19:23,959 Speaker 2: and truth. The future for Israel and Iran is unlimited 276 00:19:24,080 --> 00:19:29,480 Speaker 2: and filled with great promise. God bless you both. Of course, 277 00:19:29,840 --> 00:19:33,240 Speaker 2: after this, Israel had planes in the air headed toward Iran, 278 00:19:34,080 --> 00:19:36,560 Speaker 2: and President Trump had to drop an F bomb in 279 00:19:36,760 --> 00:19:41,600 Speaker 2: frustration over what he was witnessing, which threatened to challenge 280 00:19:41,800 --> 00:19:45,919 Speaker 2: that peace. But it would appear now that we are 281 00:19:46,040 --> 00:19:51,800 Speaker 2: good to go, here is Here is President Trump talking 282 00:19:51,840 --> 00:19:54,560 Speaker 2: about how unhappy he was to find out that his 283 00:19:54,680 --> 00:19:58,760 Speaker 2: ceasefire was in danger. Clip number thirteen. Mister robis they 284 00:19:58,920 --> 00:20:01,080 Speaker 2: violated violated it too. 285 00:20:02,480 --> 00:20:03,160 Speaker 8: In is Israel. 286 00:20:03,200 --> 00:20:05,080 Speaker 9: As soon as we made the deal, they came out 287 00:20:05,160 --> 00:20:07,119 Speaker 9: and they dropped the load of bombs the likes of 288 00:20:07,160 --> 00:20:10,240 Speaker 9: which I've never seen before, the biggest load that we've seen. 289 00:20:10,560 --> 00:20:13,639 Speaker 9: I'm not happy with Israel. You know, when I say, okay, 290 00:20:13,720 --> 00:20:16,080 Speaker 9: now you have twelve hours, you don't go out in 291 00:20:16,160 --> 00:20:18,560 Speaker 9: the first hour. It just drop everything you have on them. 292 00:20:18,600 --> 00:20:20,920 Speaker 9: So I'm not happy with them. I'm not happy with 293 00:20:21,040 --> 00:20:24,240 Speaker 9: Iron either, But I'm really unhappy if Israel's going out 294 00:20:24,280 --> 00:20:27,200 Speaker 9: this morning because the one rocket that didn't land, that 295 00:20:27,280 --> 00:20:30,600 Speaker 9: were shot perhaps by mistake, that didn't land, I'm not 296 00:20:30,720 --> 00:20:35,000 Speaker 9: happy about that. You know what we have, We basically 297 00:20:35,119 --> 00:20:38,320 Speaker 9: have two countries that have been fighting so long and 298 00:20:38,440 --> 00:20:40,159 Speaker 9: so hard that they don't know. 299 00:20:40,240 --> 00:20:41,360 Speaker 2: What the heck they're doing. 300 00:20:41,440 --> 00:20:45,800 Speaker 9: You understand that, you know. 301 00:20:48,640 --> 00:20:53,520 Speaker 2: I hear people who use the F bomb. It's such 302 00:20:53,560 --> 00:20:56,800 Speaker 2: a provocative word. And I hear people who use it 303 00:20:56,880 --> 00:21:00,199 Speaker 2: in the streets, normal people in the workplace, and they 304 00:21:00,280 --> 00:21:05,719 Speaker 2: use it almost like um or like or well. They 305 00:21:05,880 --> 00:21:10,480 Speaker 2: use it as a placekeepers, as a as a way 306 00:21:10,560 --> 00:21:12,920 Speaker 2: to keep the flow of conversation going when they need 307 00:21:14,440 --> 00:21:17,960 Speaker 2: when they need an adjective and they don't really have one, 308 00:21:19,160 --> 00:21:23,280 Speaker 2: or they just need an article a word to slip 309 00:21:23,280 --> 00:21:28,000 Speaker 2: it into a sentence. And I find it very harsh 310 00:21:28,119 --> 00:21:30,280 Speaker 2: to the ears. I've never understood how people will do 311 00:21:30,359 --> 00:21:33,720 Speaker 2: that in public when they're children around. Sure, it's just 312 00:21:33,800 --> 00:21:37,080 Speaker 2: an utterance of a word. It could instead be tuck 313 00:21:38,359 --> 00:21:43,240 Speaker 2: or ruck or buck, But it does have a meaning, 314 00:21:43,280 --> 00:21:46,280 Speaker 2: and that's why they use that particular word instead of 315 00:21:46,400 --> 00:21:51,040 Speaker 2: woolly bully or killy kelley or whatever other set of sounds. 316 00:21:51,119 --> 00:21:54,080 Speaker 2: It has a meaning, sort of like when people get 317 00:21:54,080 --> 00:21:56,160 Speaker 2: a tattoo on their face and then they go, why 318 00:21:56,160 --> 00:21:59,120 Speaker 2: are you judging me? It's just ink on the skin? Well, 319 00:21:59,160 --> 00:22:02,000 Speaker 2: why'd you do it? We all know what's going on here. 320 00:22:02,440 --> 00:22:07,800 Speaker 2: It's exactly according to script. President Trump does not in public. 321 00:22:09,080 --> 00:22:11,320 Speaker 2: I don't know how he talks in private. He does 322 00:22:11,400 --> 00:22:15,280 Speaker 2: not in public speak in this manner, and I don't 323 00:22:15,359 --> 00:22:19,560 Speaker 2: think he speaks without understanding what he says. He has 324 00:22:19,680 --> 00:22:23,359 Speaker 2: a delivery which suggests he considers what he says before 325 00:22:24,040 --> 00:22:27,639 Speaker 2: he says it. Biden had a tendency even before the 326 00:22:27,760 --> 00:22:32,880 Speaker 2: dementia set in, even before his brain decline. Biden had 327 00:22:32,920 --> 00:22:37,120 Speaker 2: a history throughout his career of getting so far out 328 00:22:37,240 --> 00:22:40,879 Speaker 2: ahead of himself that the words were ahead of his brain, 329 00:22:41,480 --> 00:22:44,560 Speaker 2: and he would sometimes catch himself or he would be 330 00:22:44,720 --> 00:22:49,240 Speaker 2: caught having said things that he wished he hadn't. Trump 331 00:22:49,320 --> 00:22:52,360 Speaker 2: doesn't do that. I think he was trying to express 332 00:22:52,480 --> 00:23:02,080 Speaker 2: here a degree of genuine not frustration anger, particularly at 333 00:23:02,200 --> 00:23:06,240 Speaker 2: bb netan Yahoo that all right, dude, we gave you 334 00:23:06,359 --> 00:23:09,080 Speaker 2: what you wanted. Knock it off. 335 00:23:09,400 --> 00:23:09,560 Speaker 10: Now. 336 00:23:10,320 --> 00:23:12,240 Speaker 2: I hope that was the intention, and I hope the 337 00:23:12,320 --> 00:23:14,920 Speaker 2: message stop. It's time for this thing to be over. 338 00:23:19,440 --> 00:23:22,679 Speaker 2: And who's doing Michael Ley. 339 00:23:27,840 --> 00:23:28,080 Speaker 3: Credit? 340 00:23:28,920 --> 00:23:31,480 Speaker 2: I will give you credit. That is uh, that is 341 00:23:31,640 --> 00:23:34,720 Speaker 2: very smart radio. You used the Blues Brothers version. I 342 00:23:34,800 --> 00:23:38,520 Speaker 2: caught what you did there. I did. It was on 343 00:23:38,640 --> 00:23:42,000 Speaker 2: this day in nineteen eighty seven that one of the 344 00:23:42,680 --> 00:23:46,400 Speaker 2: great actors of the silver screen, one of the greatest 345 00:23:46,440 --> 00:23:50,440 Speaker 2: actors of my lifetime. And he was fifty four years 346 00:23:50,520 --> 00:23:52,880 Speaker 2: older than I was, which means that by the time 347 00:23:52,920 --> 00:23:54,400 Speaker 2: I was old enough to figure out who the heck 348 00:23:54,480 --> 00:23:57,159 Speaker 2: he was, he was well into his sixties. And I 349 00:23:57,240 --> 00:24:00,840 Speaker 2: am talking, of course, about Jackie Glese. And we'll start 350 00:24:00,960 --> 00:24:03,080 Speaker 2: for some of our older folks, because we have a 351 00:24:03,160 --> 00:24:05,840 Speaker 2: lot of eighty plus listeners and we love them and 352 00:24:05,920 --> 00:24:08,879 Speaker 2: we don't mind super serving them. This is a scene 353 00:24:09,080 --> 00:24:13,160 Speaker 2: from The Honeymooners, and in the scene, Alice tells Ralph 354 00:24:13,560 --> 00:24:17,920 Speaker 2: exactly why she didn't darn his socks. What great writing 355 00:24:18,000 --> 00:24:21,000 Speaker 2: this show has. Phenomenal Right, if you've never watched The Honeymooners. 356 00:24:21,240 --> 00:24:24,960 Speaker 2: You can find episodes anywhere and everywhere. This was good 357 00:24:25,480 --> 00:24:28,040 Speaker 2: quality slapstick writing. 358 00:24:29,600 --> 00:24:31,800 Speaker 7: I suppose you didn't have time to sod easy. 359 00:24:33,560 --> 00:24:34,040 Speaker 2: This sucks. 360 00:24:34,240 --> 00:24:35,120 Speaker 6: I'm sorry, Ralph. 361 00:24:35,160 --> 00:24:36,280 Speaker 2: No, I didn't no. 362 00:24:36,400 --> 00:24:37,240 Speaker 10: Excuse or anything. 363 00:24:38,240 --> 00:24:39,840 Speaker 7: Have you got any excuse why it didn't? 364 00:24:39,880 --> 00:24:42,520 Speaker 3: So to size find know why I haven't got an excuse. 365 00:24:43,400 --> 00:24:45,760 Speaker 7: You're a crank to give me an excuse us. 366 00:24:45,800 --> 00:24:47,800 Speaker 4: You know that, I know you know that. 367 00:24:47,920 --> 00:24:49,960 Speaker 7: I know what you've been doing around here all day, 368 00:24:50,520 --> 00:24:51,760 Speaker 7: sitting there pulling around. 369 00:24:52,440 --> 00:24:52,920 Speaker 3: You know something. 370 00:24:52,960 --> 00:24:54,239 Speaker 6: Right after you left the house this morning, I got 371 00:24:54,280 --> 00:24:55,760 Speaker 6: in one of those stilly moons nine. You know how 372 00:24:55,800 --> 00:24:58,000 Speaker 6: I get sometime so jes a laugh. Well, I do 373 00:24:58,040 --> 00:25:00,399 Speaker 6: the reconstitions and make the bed and take a garbage down. Now, 374 00:25:00,440 --> 00:25:01,800 Speaker 6: when I came back up, I was still in such 375 00:25:01,800 --> 00:25:03,840 Speaker 6: a funny mood. Now I thought, why should I settle 376 00:25:03,880 --> 00:25:05,960 Speaker 6: down to the trudgery of ending your socks. So I 377 00:25:06,000 --> 00:25:07,000 Speaker 6: scrubbed the kitchen floor. 378 00:25:07,800 --> 00:25:09,840 Speaker 7: Then, you know something, I was still so giddy and 379 00:25:10,000 --> 00:25:12,880 Speaker 7: so gay over this whole thing, and I thought, I'm 380 00:25:12,880 --> 00:25:14,840 Speaker 7: really enjoying myself. So I washed all the windows. 381 00:25:16,600 --> 00:25:18,280 Speaker 6: Then, Ralph, I went out and I did the marketing, 382 00:25:18,320 --> 00:25:19,520 Speaker 6: and I came back with a pot roast, and I 383 00:25:19,560 --> 00:25:19,840 Speaker 6: put the. 384 00:25:19,800 --> 00:25:21,080 Speaker 2: Pot rolls down the stove, and while I. 385 00:25:21,119 --> 00:25:22,560 Speaker 6: Was cooking, I went in and I cleaned out the 386 00:25:22,600 --> 00:25:23,320 Speaker 6: bedroom Glossom. 387 00:25:23,760 --> 00:25:25,800 Speaker 2: Now, I know this may sound like work to you, Ralph, 388 00:25:25,840 --> 00:25:26,320 Speaker 2: but it isn't. 389 00:25:26,440 --> 00:25:30,520 Speaker 7: It's fun, good sport. 390 00:25:32,600 --> 00:25:34,560 Speaker 6: Do you know why it's such a good spot, Ralph, 391 00:25:34,720 --> 00:25:40,399 Speaker 6: Because I'm so loaded with modern conveniences, just loaded steam 392 00:25:40,400 --> 00:25:43,560 Speaker 6: ions and vacuum cleaners and dishwashers and washing machines, and. 393 00:25:43,880 --> 00:25:45,200 Speaker 2: Say nothing of this lovely new. 394 00:25:45,119 --> 00:25:48,680 Speaker 6: Modern repetrator over here. Oh that reminds me it's time 395 00:25:48,720 --> 00:25:49,440 Speaker 6: to the Frosteds. 396 00:25:54,760 --> 00:25:56,600 Speaker 7: That will give you a rough idea, Ralph. 397 00:25:56,640 --> 00:25:58,840 Speaker 6: But what a joy it is working around this apartment 398 00:25:58,880 --> 00:25:59,240 Speaker 6: all day. 399 00:25:59,680 --> 00:26:01,200 Speaker 10: You know, could have so up to date. 400 00:26:01,720 --> 00:26:04,119 Speaker 6: I am the only girl in town with an ionic kitchen. 401 00:26:04,720 --> 00:26:07,159 Speaker 7: That place looks like you got blacks out of the black. 402 00:26:09,840 --> 00:26:14,359 Speaker 2: You know, that was a time when theater and film 403 00:26:15,560 --> 00:26:19,080 Speaker 2: represented aspects of people's lives with which they could identify. 404 00:26:19,680 --> 00:26:24,560 Speaker 2: When's the last time you had a housewife's character? Period? 405 00:26:25,880 --> 00:26:27,879 Speaker 2: But when's the last time you had a housewife's character 406 00:26:28,760 --> 00:26:33,560 Speaker 2: who anybody at home could identify with? Every woman at 407 00:26:33,640 --> 00:26:37,639 Speaker 2: home was identifying with all the tasks and chores she 408 00:26:37,760 --> 00:26:41,639 Speaker 2: had to do and her husband thinking that she does nothing. 409 00:26:42,040 --> 00:26:46,760 Speaker 2: That's just quality writing with an understanding of your audience. Now, 410 00:26:46,880 --> 00:26:50,480 Speaker 2: you couldn't have a woman who would be sassy while 411 00:26:50,520 --> 00:26:55,680 Speaker 2: at the same time very sympathetic, just that they'd have 412 00:26:55,880 --> 00:26:57,520 Speaker 2: to be a woman that wanted to be a man. 413 00:26:57,760 --> 00:27:00,600 Speaker 2: Or in any case, let's get back to Jackie Gleeson, 414 00:27:01,240 --> 00:27:04,680 Speaker 2: who died on this day in nineteen eighty seven. Ten 415 00:27:04,760 --> 00:27:08,240 Speaker 2: years before he died, was one of the most formative 416 00:27:09,760 --> 00:27:14,080 Speaker 2: movie moments of my life, and that was Smoking the Bandit. 417 00:27:14,880 --> 00:27:17,280 Speaker 2: And as we have talked about many times on this show, 418 00:27:18,160 --> 00:27:25,440 Speaker 2: the character of Buford t Justice played by Jackie Gleeson, 419 00:27:26,200 --> 00:27:30,800 Speaker 2: was personally recruited by Burt Reynolds. Gleason was thought to 420 00:27:30,840 --> 00:27:34,040 Speaker 2: be washed up, done, he was old, he was not 421 00:27:34,160 --> 00:27:36,120 Speaker 2: in good health, even though it was only in his sixties, 422 00:27:38,440 --> 00:27:41,720 Speaker 2: and the story goes Burt Reynolds called him personally to 423 00:27:41,800 --> 00:27:44,560 Speaker 2: recruit him for the role. Hal Needham, who was a stuntman, 424 00:27:45,119 --> 00:27:49,440 Speaker 2: was his directorial debut, and he basically told Jackie Gleeson, 425 00:27:49,480 --> 00:27:55,200 Speaker 2: you're a great improviser. Your improvisational humor is as good 426 00:27:55,240 --> 00:27:57,520 Speaker 2: as it gets. If there's something you want to do 427 00:27:57,600 --> 00:27:59,119 Speaker 2: and it's not in the script, you just do it 428 00:28:00,119 --> 00:28:02,680 Speaker 2: comes out and the toilet papers trailing behind him. That 429 00:28:02,840 --> 00:28:06,840 Speaker 2: was all Jackie Gleeson. But for my money, of all 430 00:28:07,160 --> 00:28:10,399 Speaker 2: the brilliant moments of that movie, and there are so 431 00:28:10,600 --> 00:28:15,200 Speaker 2: many that involve Jackie Gleeson when he goes walking in 432 00:28:15,480 --> 00:28:18,000 Speaker 2: and two people in my life could quote this scene 433 00:28:18,200 --> 00:28:20,880 Speaker 2: word for word, and that is my friend Ray Hunt 434 00:28:21,080 --> 00:28:25,200 Speaker 2: and my late brother Christopher Wayneberry, word for word, and 435 00:28:25,359 --> 00:28:27,520 Speaker 2: I never make them stop because it is one of 436 00:28:27,600 --> 00:28:31,200 Speaker 2: the great scenes of all film in my mind, the 437 00:28:31,320 --> 00:28:34,439 Speaker 2: Diablo sandwich scene. I'm gonna tell you, man. 438 00:28:36,000 --> 00:28:44,760 Speaker 5: A dollar and a half or keep chance, let me 439 00:28:44,880 --> 00:28:45,520 Speaker 5: have idar. 440 00:28:45,560 --> 00:28:47,720 Speaker 2: I go sandwich. I've doc got back, but I'm making fast. 441 00:28:47,760 --> 00:28:48,480 Speaker 2: I'm gonna damn. 442 00:28:48,400 --> 00:28:50,480 Speaker 10: Murray you are. 443 00:28:55,760 --> 00:28:59,640 Speaker 7: John dam Loan ducks dock and. 444 00:29:01,640 --> 00:29:03,760 Speaker 2: He must be in an eleb hurry. I said, bet 445 00:29:03,800 --> 00:29:06,720 Speaker 2: your ass on that boy. Oh yeah, to tell less 446 00:29:06,720 --> 00:29:08,360 Speaker 2: say coming room. Let me help you out here. 447 00:29:08,600 --> 00:29:11,320 Speaker 10: Get that off there. That's a way wing off, money flying. 448 00:29:13,600 --> 00:29:18,120 Speaker 10: We are chasing somebody chasing you. Nobody chasing me, boy, 449 00:29:18,880 --> 00:29:21,880 Speaker 10: compl chasing that me. I'm all away from the doctor. 450 00:29:21,960 --> 00:29:27,800 Speaker 10: I can't text you any I said, I thank robber boot. 451 00:29:28,280 --> 00:29:28,680 Speaker 10: All right. 452 00:29:29,880 --> 00:29:32,880 Speaker 7: The fact problem is big along side of what this 453 00:29:33,120 --> 00:29:33,880 Speaker 7: dude is doing. 454 00:29:34,320 --> 00:29:37,880 Speaker 2: Uh almost killed funny law. 455 00:29:38,680 --> 00:29:43,160 Speaker 3: Driving, good people, backyard, knocking down mail boxer, got brought 456 00:29:43,200 --> 00:29:45,480 Speaker 3: in the car took of course, the state. 457 00:29:45,360 --> 00:29:46,920 Speaker 2: Rhyme got the man. 458 00:29:48,800 --> 00:29:51,920 Speaker 10: I don't think he's got a permission and that's good nothing. 459 00:29:52,320 --> 00:29:52,840 Speaker 2: How's that be? 460 00:29:53,040 --> 00:29:57,480 Speaker 3: I did what? 461 00:29:57,640 --> 00:29:58,280 Speaker 10: Oh? 462 00:29:58,400 --> 00:29:59,000 Speaker 2: Let me pay for it? 463 00:29:59,080 --> 00:30:01,040 Speaker 10: Let me pay No, if you're an officer the law, 464 00:30:01,080 --> 00:30:02,280 Speaker 10: I'll be honest. 465 00:30:02,720 --> 00:30:05,080 Speaker 2: I'm much applied. Where's again, I gotta get the squirre