1
00:00:09,320 --> 00:00:12,039
Speaker 1: All right, brand new I Am Rapports Stereo podcast is

2
00:00:12,119 --> 00:00:15,159
Speaker 1: coming up next and you are not gonna want to

3
00:00:15,320 --> 00:00:22,079
Speaker 1: miss this one. On today's podcast is Starbucks Now? Also

4
00:00:22,280 --> 00:00:26,840
Speaker 1: a methodon Clinic, R Kelly was out and about like

5
00:00:26,960 --> 00:00:30,040
Speaker 1: Ship is sweet, Ship Ain't Sweet? I have a prediction

6
00:00:30,360 --> 00:00:35,400
Speaker 1: for his future. The Sopranos is celebrating his twentieth anniversary

7
00:00:35,400 --> 00:00:39,159
Speaker 1: since the premier. Plus we have a dope ass interview

8
00:00:39,280 --> 00:00:45,839
Speaker 1: with the Weise himself. Poly Shore poly shore Ship Talking

9
00:00:45,880 --> 00:00:49,159
Speaker 1: Galore is with me on the I Am Wrapp Reports

10
00:00:49,159 --> 00:00:54,080
Speaker 1: Stereo podcast. He is telling us sex, drugs and comedy

11
00:00:54,200 --> 00:01:00,160
Speaker 1: stories from his days as a humongous star as an

12
00:01:00,280 --> 00:01:04,880
Speaker 1: MTV b J. You are yo. This is a fantastic

13
00:01:05,080 --> 00:01:08,520
Speaker 1: Iron wrap Ports Stereo podcast interview. Plus Pouli's gonna be

14
00:01:08,920 --> 00:01:13,360
Speaker 1: in Arizona this weekend performing at CB Live on the

15
00:01:13,400 --> 00:01:16,480
Speaker 1: eleventh and the twelfth. You can follow him at Paul

16
00:01:16,680 --> 00:01:19,400
Speaker 1: Shore Fantastic in view coming up later in the show

17
00:01:19,600 --> 00:01:22,920
Speaker 1: with my guy The Weise, Miles Jordan's give me something

18
00:01:22,959 --> 00:01:38,600
Speaker 1: real nice, some real proper, but most importantly something real funky.

19
00:01:39,560 --> 00:01:44,800
Speaker 1: All right, Brandon Wyant Rapports Stereo podcast. This is Michael

20
00:01:44,880 --> 00:01:48,680
Speaker 1: Rapp Report a k a. The Gwno man Dingo a

21
00:01:48,840 --> 00:01:51,240
Speaker 1: k a. The White Chocolate Tito a k a. The

22
00:01:51,280 --> 00:01:55,120
Speaker 1: White Arsenio Whole a k. The Jake Lamotto Podcasting. This

23
00:01:55,680 --> 00:02:01,840
Speaker 1: is the disruptive behavior network. We pride ourselves are not

24
00:02:02,080 --> 00:02:06,000
Speaker 1: fact checking. We pride ourselves of having the most disruptive

25
00:02:06,440 --> 00:02:12,200
Speaker 1: podcast in the game, as I mentioned earlier later on

26
00:02:12,440 --> 00:02:15,440
Speaker 1: in the podcasts, and we have to take this seriously.

27
00:02:15,520 --> 00:02:19,800
Speaker 1: There may be an emergency stick Man Hall of Fame

28
00:02:19,919 --> 00:02:25,840
Speaker 1: and doctoration and doctoration, doctoration, whatever the fucking word is. Um,

29
00:02:26,240 --> 00:02:30,160
Speaker 1: Pauli Shore, you know who he is. He needs no introduction.

30
00:02:30,240 --> 00:02:35,200
Speaker 1: Louise from MTV from Encino man Uh is with me

31
00:02:35,320 --> 00:02:38,280
Speaker 1: on the Iron Rap or Stereo podcast. One of the

32
00:02:38,400 --> 00:02:43,600
Speaker 1: world's most famous comedy clubs is the Comedy Store. Pauly

33
00:02:43,720 --> 00:02:47,400
Speaker 1: Shore's mother owned and created the Comedy Store, and I

34
00:02:47,480 --> 00:02:52,839
Speaker 1: believe nine four he talks about it. Um, He's seen

35
00:02:52,919 --> 00:02:56,840
Speaker 1: it all. He's been around comedians and comedy his entire life.

36
00:02:56,919 --> 00:02:59,480
Speaker 1: He's got great fucking stories about growing up at the

37
00:02:59,520 --> 00:03:04,800
Speaker 1: comedies door, Uh, hanging around people like Red Fox, Richard pryor, Uh,

38
00:03:05,760 --> 00:03:09,560
Speaker 1: Robin Williams. I mean, just everybody in anybody, some people

39
00:03:09,560 --> 00:03:11,880
Speaker 1: I never even heard of, great said he he just thinks,

40
00:03:12,280 --> 00:03:14,519
Speaker 1: you know, uh so highly of that never really made it.

41
00:03:14,919 --> 00:03:17,880
Speaker 1: And then of course he was popping on MTV as

42
00:03:17,919 --> 00:03:20,840
Speaker 1: a VJ in the nineties. But you'll hear all that

43
00:03:21,000 --> 00:03:23,080
Speaker 1: from him. The thing that I am going to make

44
00:03:23,080 --> 00:03:26,079
Speaker 1: you aware of right now is that PAULI sure me

45
00:03:26,680 --> 00:03:32,240
Speaker 1: need to be emergency indocritorated or indoctorated into the stick

46
00:03:32,320 --> 00:03:35,960
Speaker 1: Man Hall of Fame. I asked him point blank how

47
00:03:36,080 --> 00:03:41,560
Speaker 1: many Playboy playmates were you with during your run on

48
00:03:41,840 --> 00:03:46,280
Speaker 1: MTV and the answer is shocking. I will leave it

49
00:03:46,480 --> 00:03:49,600
Speaker 1: up to you, the people, to decide should this man

50
00:03:50,280 --> 00:03:54,440
Speaker 1: be indoctorated indoctorated? I don't know what the fucking word is.

51
00:03:54,760 --> 00:03:58,880
Speaker 1: I'm telling you. I think since I uh fainted, I

52
00:03:59,000 --> 00:04:01,000
Speaker 1: never had a real grass about the English language, but

53
00:04:01,040 --> 00:04:03,520
Speaker 1: I think it's gotten worse. UM. I will leave it

54
00:04:03,600 --> 00:04:06,600
Speaker 1: up to you guys to tell me to decide if

55
00:04:06,680 --> 00:04:09,000
Speaker 1: PAULI should be nominated A S A P. And I'm

56
00:04:09,040 --> 00:04:12,240
Speaker 1: talking about like, I'll give it forty eight hours, seventy

57
00:04:12,320 --> 00:04:15,400
Speaker 1: two hours, and then we might have to do an

58
00:04:15,440 --> 00:04:18,760
Speaker 1: emergency podcast, or we'll do it on the next podcast,

59
00:04:18,880 --> 00:04:21,320
Speaker 1: but the guy put it down. So later on in

60
00:04:21,360 --> 00:04:25,760
Speaker 1: the Iron Wrap wors Stereo podcast, Sex, Drugs and Comedy

61
00:04:26,080 --> 00:04:32,600
Speaker 1: with the Weise Pauli Shore. But first things first, something

62
00:04:32,640 --> 00:04:35,160
Speaker 1: that I am I I mentioned before, and I just

63
00:04:35,240 --> 00:04:43,479
Speaker 1: read an article that is concerning I've read these articles before,

64
00:04:43,520 --> 00:04:45,360
Speaker 1: but I don't know why this one resonated because I

65
00:04:45,400 --> 00:04:49,480
Speaker 1: think it's true. I think it's fucking true. There's an

66
00:04:49,600 --> 00:04:53,080
Speaker 1: article in the I don't know where it was. Jordan

67
00:04:53,160 --> 00:04:55,440
Speaker 1: Winter of the Iron Rap wors Stereo podcast think tank

68
00:04:56,080 --> 00:05:02,880
Speaker 1: sentence to me about social media a addiction being as

69
00:05:03,000 --> 00:05:09,880
Speaker 1: bad and as rapid as gambling addictions. Um, I for

70
00:05:10,080 --> 00:05:13,200
Speaker 1: one am concerned that I am addicted to my phone

71
00:05:13,800 --> 00:05:18,920
Speaker 1: and of course social media and and texting and facebooking

72
00:05:19,440 --> 00:05:23,200
Speaker 1: and instagramming, and not even if I'm necessarily participating in

73
00:05:23,760 --> 00:05:28,800
Speaker 1: reading it, uh Twitter. Um. But this, this researched by

74
00:05:28,880 --> 00:05:33,160
Speaker 1: the Journal of Behavioral Addictions, is the first to investigate

75
00:05:33,200 --> 00:05:38,839
Speaker 1: a connection between social media use and decision making capacity.

76
00:05:40,240 --> 00:05:42,719
Speaker 1: Around one third of humans on the planet are using

77
00:05:42,800 --> 00:05:46,920
Speaker 1: social media, and some of these people are displaying I

78
00:05:46,960 --> 00:05:49,760
Speaker 1: don't even know how to say this word maladaptive excessive

79
00:05:49,880 --> 00:05:54,120
Speaker 1: use of these sites. I'm one of those fucking people. Now,

80
00:05:54,240 --> 00:05:56,840
Speaker 1: I will say this. I will say this. I am

81
00:05:56,920 --> 00:06:00,840
Speaker 1: trying to not start my day on my phone. I

82
00:06:00,960 --> 00:06:06,880
Speaker 1: try to sleep with my phone downstairs. But but when

83
00:06:07,080 --> 00:06:08,920
Speaker 1: I wake up in the morning and I have to

84
00:06:09,000 --> 00:06:15,359
Speaker 1: take a deuce number two. Shit. Um, just like reading

85
00:06:15,360 --> 00:06:19,960
Speaker 1: the newspaper, I like to go through my phone and

86
00:06:20,120 --> 00:06:21,680
Speaker 1: and and it's not too like I'm not like y'o

87
00:06:21,760 --> 00:06:23,400
Speaker 1: I'm on Instagram. It's not like I'm like, you know,

88
00:06:23,520 --> 00:06:25,920
Speaker 1: instagramming live. It's like, you know, I want to read

89
00:06:26,000 --> 00:06:28,360
Speaker 1: the sports. I want to read what Dick Stang, Donald

90
00:06:28,360 --> 00:06:31,200
Speaker 1: Trump did. I want to read who's been caught up

91
00:06:31,320 --> 00:06:34,560
Speaker 1: in in the next sex scandal. Uh. This morning I

92
00:06:34,760 --> 00:06:39,160
Speaker 1: was on my phone. Uh, it's the twentieth anniversary, the

93
00:06:39,279 --> 00:06:43,360
Speaker 1: twentieth anniversary since the in my opinion, the greatest show

94
00:06:43,680 --> 00:06:46,760
Speaker 1: in television history, the greatest drama and television history, The

95
00:06:46,880 --> 00:06:51,000
Speaker 1: Sopranos came out, which is a whole other conversation. But

96
00:06:51,160 --> 00:06:53,880
Speaker 1: but these are things that I found out on social media.

97
00:06:54,000 --> 00:06:59,320
Speaker 1: Kyle Kuzma scored forty one points. I found that out

98
00:06:59,480 --> 00:07:03,000
Speaker 1: on the let I didn't watch that game live. I

99
00:07:03,120 --> 00:07:05,799
Speaker 1: found it out when I was dropping a deuce. Okay,

100
00:07:05,800 --> 00:07:08,080
Speaker 1: I don't want to get too graphic, but you know,

101
00:07:08,160 --> 00:07:10,280
Speaker 1: I think it's it's good to stay on the toilet

102
00:07:10,400 --> 00:07:12,880
Speaker 1: if you're dropping a deuce. There's no need to rush.

103
00:07:13,360 --> 00:07:15,239
Speaker 1: And one of the things that helps you not rush

104
00:07:16,320 --> 00:07:19,040
Speaker 1: is your phone. That's okay, Wheezy. Can you hear Wheezy

105
00:07:19,080 --> 00:07:22,720
Speaker 1: moaning in the background. Wheezy, of course, is my uh

106
00:07:23,600 --> 00:07:26,840
Speaker 1: uh dog, and he's the official Iron Wrappers stereo podcast

107
00:07:26,960 --> 00:07:30,880
Speaker 1: news dog, the news Hound. Um, he's looking right at me.

108
00:07:31,080 --> 00:07:34,200
Speaker 1: You're a good boy, Wheezy. But I must say that

109
00:07:34,320 --> 00:07:39,760
Speaker 1: I'm addicted to my phone, whether it's participating, reading, reading articles, email.

110
00:07:39,840 --> 00:07:42,520
Speaker 1: I gotta figure it out. I don't know what my

111
00:07:42,600 --> 00:07:45,040
Speaker 1: short term goals are. I don't think it's possible to

112
00:07:45,120 --> 00:07:48,560
Speaker 1: go to go cold turkey. I I just don't think

113
00:07:48,600 --> 00:07:50,880
Speaker 1: in this day and age, you could just be completely

114
00:07:50,920 --> 00:07:53,440
Speaker 1: off your I don't know what to do. I don't

115
00:07:53,480 --> 00:07:55,480
Speaker 1: think I need to go to like some kind of rehab.

116
00:07:57,280 --> 00:08:01,720
Speaker 1: But I know that I have a album keeping it

117
00:08:01,800 --> 00:08:06,800
Speaker 1: fucking real with you. On the last prime Time Premium

118
00:08:07,200 --> 00:08:12,280
Speaker 1: podcast that we dropped on Wednesday, January nine, we did

119
00:08:12,480 --> 00:08:16,280
Speaker 1: a whole bunch of six fox. Um. We did that

120
00:08:16,400 --> 00:08:18,840
Speaker 1: on the Iron Wrap Ports Stereo podcast app. If you

121
00:08:19,000 --> 00:08:21,440
Speaker 1: do not have a premium subscription to the I M

122
00:08:21,480 --> 00:08:24,920
Speaker 1: Wrap Ports Stereo podcast. First question is why. Second thing

123
00:08:24,960 --> 00:08:27,760
Speaker 1: I have to say is you are missing out. We

124
00:08:27,920 --> 00:08:32,000
Speaker 1: did ten six fox um and and so many other

125
00:08:32,080 --> 00:08:36,400
Speaker 1: things on that podcast, but two thousand nineteen UM has

126
00:08:36,480 --> 00:08:40,800
Speaker 1: been an overwhelming year thus far for six focks for

127
00:08:40,960 --> 00:08:44,079
Speaker 1: six fox See I did it again? See that slurring

128
00:08:44,160 --> 00:08:46,040
Speaker 1: thing that weird like I I know I I do

129
00:08:46,160 --> 00:08:48,880
Speaker 1: it sometimes. Uh and and when I'm in my you know,

130
00:08:48,960 --> 00:08:51,200
Speaker 1: in my best but that that thing there, I don't

131
00:08:51,200 --> 00:08:53,439
Speaker 1: know what the funk it is. Uh. The stuttering is

132
00:08:53,720 --> 00:08:55,320
Speaker 1: part of the way I talk. It's part of my stick,

133
00:08:55,520 --> 00:08:58,439
Speaker 1: even though I can't control it. Um. But I'm telling you,

134
00:08:58,559 --> 00:09:01,760
Speaker 1: I think I think that I'm not a hundred cope

135
00:09:01,760 --> 00:09:05,680
Speaker 1: aesthetic since I thinking and I think that I'm still

136
00:09:05,800 --> 00:09:10,559
Speaker 1: mildly concussed. I don't know, but you should get the

137
00:09:10,679 --> 00:09:16,480
Speaker 1: I Am Rappaport Stereo podcast app, UM emergency podcast, emergency videos,

138
00:09:17,160 --> 00:09:21,400
Speaker 1: short films, and of course premium prime time podcasting, which

139
00:09:21,440 --> 00:09:24,400
Speaker 1: is the closest thing to a live podcast that we have.

140
00:09:24,679 --> 00:09:27,440
Speaker 1: We podcast and we put the fucker right out um,

141
00:09:27,480 --> 00:09:30,240
Speaker 1: and we usually do it Wednesday, uh in in prime

142
00:09:30,320 --> 00:09:35,760
Speaker 1: time nine pm Eastern six pm, uh Pacific time. But

143
00:09:35,920 --> 00:09:38,920
Speaker 1: there were a ton of requests for a certain sick

144
00:09:39,040 --> 00:09:43,079
Speaker 1: fuck and she has gotten or not she uh the

145
00:09:43,200 --> 00:09:47,360
Speaker 1: incident has gotten the acknowledgement, um, along with ten other

146
00:09:47,400 --> 00:09:49,679
Speaker 1: I believe it was ten other sick fox on the

147
00:09:49,800 --> 00:09:53,480
Speaker 1: last premium prime time podcast. I love saying p pp

148
00:09:53,800 --> 00:09:56,160
Speaker 1: It just rolls off the tongue because sometimes you say

149
00:09:56,240 --> 00:10:01,120
Speaker 1: podcast in prime time that's premium, sometimes you say premium podcasting.

150
00:10:01,200 --> 00:10:06,319
Speaker 1: It just it just the PPP just rolls off the tone. Podcast.

151
00:10:14,400 --> 00:10:17,719
Speaker 1: So another thing that uh has really been bothering me

152
00:10:17,880 --> 00:10:20,200
Speaker 1: since uh Dick Stain Donald Trump. And we don't need

153
00:10:20,240 --> 00:10:24,480
Speaker 1: to go down to Dick Stain Donald Trump, uh toilet

154
00:10:24,520 --> 00:10:28,160
Speaker 1: bowl right now, because you know how I feel about

155
00:10:28,160 --> 00:10:32,640
Speaker 1: Dick Stain Donald Trump. Um. But since he spoke from

156
00:10:32,679 --> 00:10:36,160
Speaker 1: the Oval office, I believe it was Tuesday night of

157
00:10:36,280 --> 00:10:41,160
Speaker 1: this week, UM, and he read from a teleprompter, which

158
00:10:41,240 --> 00:10:43,240
Speaker 1: is not him at his best. You know, he's not

159
00:10:43,480 --> 00:10:46,720
Speaker 1: a reader of a teleprompter. When he when he's at

160
00:10:46,800 --> 00:10:50,520
Speaker 1: his best or at his worst, he's freestyling like a

161
00:10:50,600 --> 00:10:54,120
Speaker 1: vaudeville comedian. Um, but he read from a teleprompter. I

162
00:10:54,240 --> 00:10:58,360
Speaker 1: was ready to blast his ass um, but he didn't

163
00:10:58,400 --> 00:11:00,679
Speaker 1: say anything that he's never said for And because he

164
00:11:00,760 --> 00:11:04,280
Speaker 1: was reading from a teleprompter, it wasn't uh, there were

165
00:11:04,320 --> 00:11:09,800
Speaker 1: no surprises. The the surprises, and and it's really bothered

166
00:11:09,840 --> 00:11:15,440
Speaker 1: me since it happened. We're Chuck Schumer and Nancy Pelosi.

167
00:11:16,520 --> 00:11:21,640
Speaker 1: Chuck Schumer and Nancy Pelosi. UM really bothered me. And

168
00:11:21,760 --> 00:11:28,760
Speaker 1: they were really disappointing because if anyone is going to

169
00:11:29,000 --> 00:11:31,840
Speaker 1: beat Dick Stain Donald Trump, first of all, it ain't

170
00:11:31,880 --> 00:11:34,200
Speaker 1: gonna be either one of them, And it ain't gonna

171
00:11:34,200 --> 00:11:36,440
Speaker 1: be any one of these fucking these I'm not trying

172
00:11:36,480 --> 00:11:38,240
Speaker 1: to age, and they're gonna be one of these fucking

173
00:11:38,840 --> 00:11:42,280
Speaker 1: walking dead looking like they just fucking came out of

174
00:11:42,320 --> 00:11:46,120
Speaker 1: a casket to talk in front of the entire world.

175
00:11:46,520 --> 00:11:50,360
Speaker 1: Chuck Schumer and Amy Pelosi was and Nancy Pelosi because

176
00:11:50,400 --> 00:11:52,480
Speaker 1: I keep saying Chuck and Nancy are like the New

177
00:11:52,559 --> 00:11:56,840
Speaker 1: City Nancy. Chuck and Nancy Pelosi were so fucking bad

178
00:11:57,000 --> 00:11:59,959
Speaker 1: and so spooked out. And this morning it's been through

179
00:12:00,080 --> 00:12:02,320
Speaker 1: these I usually don't give a funk about these things.

180
00:12:02,800 --> 00:12:06,000
Speaker 1: I normally could give two ships, but they were so bad,

181
00:12:06,080 --> 00:12:08,560
Speaker 1: and I was thinking to myself, is this the best

182
00:12:09,679 --> 00:12:13,600
Speaker 1: the best effort you can to sort of away against

183
00:12:14,320 --> 00:12:17,319
Speaker 1: or to put the Democratic Party in the best position

184
00:12:17,400 --> 00:12:20,240
Speaker 1: to win, Because as fucked up as dick Stain was,

185
00:12:21,280 --> 00:12:25,000
Speaker 1: these two literally looked like they got rolled the funk

186
00:12:25,040 --> 00:12:29,280
Speaker 1: out of there from some old age home. It was.

187
00:12:29,520 --> 00:12:32,080
Speaker 1: It was crazy, and like I said, I was ready

188
00:12:32,120 --> 00:12:34,920
Speaker 1: to blast Dick Stain, Donald Trump, and and the ones

189
00:12:34,960 --> 00:12:37,680
Speaker 1: who I feel like I really needed to be blasting

190
00:12:37,960 --> 00:12:41,839
Speaker 1: were these two fucking batshit crazy old pieces of ship.

191
00:12:42,040 --> 00:12:46,040
Speaker 1: No disrespect, no disrespect. I'm not gonna sit here and

192
00:12:46,120 --> 00:12:51,480
Speaker 1: blindly support Democrats. I gotta support the person. These motherfucker's

193
00:12:52,040 --> 00:12:56,040
Speaker 1: don't ever speak in public again ever, either one of you.

194
00:12:56,600 --> 00:13:00,040
Speaker 1: Do not speak on my behalf. Chuck Schumer and and

195
00:13:00,120 --> 00:13:02,880
Speaker 1: see Pelosi. Let me just say that on my behalf,

196
00:13:02,920 --> 00:13:05,800
Speaker 1: the gringo man Dingle, I don't ever want to see

197
00:13:05,880 --> 00:13:13,080
Speaker 1: them speaking on my behalf again. It was embarrassing. Now

198
00:13:13,120 --> 00:13:15,560
Speaker 1: I've been doing a lot of stand up comedy. Um,

199
00:13:16,480 --> 00:13:20,400
Speaker 1: I try to post it on social media. Be'st I can,

200
00:13:20,520 --> 00:13:24,199
Speaker 1: but I have a few dates in Los Angeles. I

201
00:13:24,240 --> 00:13:26,680
Speaker 1: don't have the exact times. You gotta do a little

202
00:13:26,760 --> 00:13:29,520
Speaker 1: leg work for you for yourself. But I'll be doing

203
00:13:29,600 --> 00:13:33,480
Speaker 1: stand up comedy the twelfth of January at the Comedy Store.

204
00:13:34,200 --> 00:13:39,520
Speaker 1: I'll be doing comedy a fifteenth of January at the

205
00:13:39,559 --> 00:13:45,520
Speaker 1: Comedy Store, the sixteen of January at the Improv, seventeen

206
00:13:46,040 --> 00:13:53,319
Speaker 1: of January at the Hollywood Improv. Of January, the s

207
00:13:53,600 --> 00:13:58,920
Speaker 1: and the twenty nine also at the motherfucking Hollywood Improv.

208
00:13:59,120 --> 00:14:01,079
Speaker 1: Other things might up. But if you're in l A,

209
00:14:02,120 --> 00:14:04,640
Speaker 1: um and you could get out to a show, holler

210
00:14:04,760 --> 00:14:07,080
Speaker 1: at me, you know, UM, I would love to stay.

211
00:14:07,120 --> 00:14:09,760
Speaker 1: What's up to any Iron Wrap Hoors Stereo podcast fans?

212
00:14:09,800 --> 00:14:12,960
Speaker 1: You could scream when or when I'm on stage, let

213
00:14:13,040 --> 00:14:15,240
Speaker 1: me know you're in the house. I try to wait

214
00:14:15,280 --> 00:14:17,720
Speaker 1: around it and speak to the Iron Rap Coors Stereo

215
00:14:17,800 --> 00:14:21,600
Speaker 1: podcast fans before the show or after the show. UM,

216
00:14:21,800 --> 00:14:25,480
Speaker 1: I'm easy to find, uh, easy access. So if if

217
00:14:26,360 --> 00:14:27,680
Speaker 1: if you're in l A and you want to come

218
00:14:27,800 --> 00:14:30,600
Speaker 1: check me out, UM, I'll be uh doing comedy at

219
00:14:30,640 --> 00:14:32,600
Speaker 1: the Comedy Store. I'll be at the There'll be other dates,

220
00:14:32,840 --> 00:14:34,200
Speaker 1: you know, Like the best way is on all my

221
00:14:34,320 --> 00:14:37,600
Speaker 1: social media. I posted on my social media, UM, and

222
00:14:37,680 --> 00:14:40,360
Speaker 1: I always posted definitely on my Instagram Stories, which is

223
00:14:40,440 --> 00:14:43,880
Speaker 1: of course at Michael Rapp Report, which should just be

224
00:14:44,080 --> 00:14:46,720
Speaker 1: like at the Gringo man Dingo or at take them

225
00:14:46,720 --> 00:14:49,040
Speaker 1: out of podcasting, but at Michael Rapport kind of sums

226
00:14:49,080 --> 00:14:54,040
Speaker 1: it up and makes it easy. So Kevin Hart, everybody's

227
00:14:54,040 --> 00:14:56,560
Speaker 1: sort of sort of tired of talking about this. Um,

228
00:14:57,240 --> 00:14:59,720
Speaker 1: it's definitely not hosting the Oscars this year. And I'm

229
00:14:59,760 --> 00:15:01,600
Speaker 1: glad he's not hosting them this year. I'll bet you

230
00:15:01,680 --> 00:15:04,640
Speaker 1: he'll host them next year and he'll get a standing

231
00:15:04,680 --> 00:15:07,680
Speaker 1: ovation and he'll be he'll be forgiven by the the

232
00:15:07,920 --> 00:15:12,440
Speaker 1: the Hollywood do gooders because oh you you, you've you've apologized, Kevin,

233
00:15:12,480 --> 00:15:16,120
Speaker 1: You've proven to us us that you're okay, and we're

234
00:15:16,160 --> 00:15:18,720
Speaker 1: gonna give you a standing ovation because we want everything

235
00:15:18,760 --> 00:15:20,680
Speaker 1: to be good, because we want you to be as

236
00:15:20,720 --> 00:15:23,160
Speaker 1: good as us, because we're really good and we're perfect

237
00:15:23,200 --> 00:15:26,800
Speaker 1: and we're clean and we don't think or say anything

238
00:15:26,880 --> 00:15:31,240
Speaker 1: that's not puritanical. Um. But the this year's Oscars, I

239
00:15:31,280 --> 00:15:33,840
Speaker 1: don't know how they're gonna do this is is host lists.

240
00:15:35,000 --> 00:15:38,000
Speaker 1: It's a host list Oscars, which means they'll probably have

241
00:15:38,080 --> 00:15:43,360
Speaker 1: a rotating group of people doing bits. I don't know

242
00:15:43,400 --> 00:15:45,840
Speaker 1: how they're gonna do a monologue, because that's the thing

243
00:15:45,960 --> 00:15:49,120
Speaker 1: people usually turn into, tune into, is the monologue in

244
00:15:49,120 --> 00:15:53,040
Speaker 1: the beginning, whether it's great, not great, sort of great.

245
00:15:53,160 --> 00:15:55,640
Speaker 1: Some things land, some things don't land. They do dance

246
00:15:55,720 --> 00:15:59,760
Speaker 1: numbers jokes. Uh. You know, they started do a re

247
00:16:00,040 --> 00:16:02,920
Speaker 1: cap of the films this year break Balls. I don't

248
00:16:02,960 --> 00:16:05,480
Speaker 1: know what they're gonna do, but I bet you it'll

249
00:16:05,480 --> 00:16:10,880
Speaker 1: be like an Academy Award hostless hosting troop, so they

250
00:16:10,920 --> 00:16:13,160
Speaker 1: actually will be host but it'll just be a bunch

251
00:16:13,200 --> 00:16:16,040
Speaker 1: of people doing a bunch of things. But I am

252
00:16:16,160 --> 00:16:21,680
Speaker 1: glad Kevin Hart is not doing it. Mario Battali, you

253
00:16:21,760 --> 00:16:25,160
Speaker 1: know that fat uh cook. Mario Battalis like one of

254
00:16:25,200 --> 00:16:29,160
Speaker 1: the o G Cook's Mario Battali. I've met him a

255
00:16:29,200 --> 00:16:31,760
Speaker 1: couple of times. He was cool. You know. He was

256
00:16:31,840 --> 00:16:33,880
Speaker 1: caught up in the in the in the me too,

257
00:16:34,880 --> 00:16:40,240
Speaker 1: uh you know, the raids. But Mario Battali was accused

258
00:16:40,280 --> 00:16:45,400
Speaker 1: of sexual assault and for some reason, uh, you know,

259
00:16:45,440 --> 00:16:47,400
Speaker 1: it's a big headline. When he was accused of the

260
00:16:47,480 --> 00:16:51,320
Speaker 1: sexual assault, there was a full investigation by the New

261
00:16:51,440 --> 00:16:57,680
Speaker 1: York City Police Department, top to bottom investigation of Mario

262
00:16:57,760 --> 00:17:05,679
Speaker 1: Battali and uh, they found nothing. They found absolutely nothing. Uh.

263
00:17:05,720 --> 00:17:09,280
Speaker 1: The allegations surfaced in December of two thousand seventeen. They

264
00:17:09,280 --> 00:17:13,920
Speaker 1: said he touched this woman inappropriately. Blah blah blah blah blah. Listen,

265
00:17:14,280 --> 00:17:15,960
Speaker 1: I say blah blah blah blah blah because I don't

266
00:17:15,960 --> 00:17:17,879
Speaker 1: fact check, I ain't reading, but I'll tell you this

267
00:17:19,520 --> 00:17:22,960
Speaker 1: demand's reputation has been ruined. There was a full investigation,

268
00:17:23,320 --> 00:17:28,600
Speaker 1: they found nothing. They found nothing, so we gotta move on.

269
00:17:28,760 --> 00:17:32,080
Speaker 1: But I just think it's fucked up, uh that most people,

270
00:17:32,359 --> 00:17:36,440
Speaker 1: because it wasn't covered that they found nothing, we'll still

271
00:17:36,560 --> 00:17:40,360
Speaker 1: think that this fat meatball motherfucker Mario Batali is guilty.

272
00:17:40,760 --> 00:17:44,320
Speaker 1: I am filling you in on the information that the

273
00:17:44,400 --> 00:17:47,720
Speaker 1: motherfucker was investigated top to bottom by the n y

274
00:17:47,800 --> 00:17:52,080
Speaker 1: p D Special Victims Division. It surreal ice cube law

275
00:17:52,119 --> 00:17:56,480
Speaker 1: and ordership. They found ugats not a not a fucking thing.

276
00:17:57,880 --> 00:18:01,320
Speaker 1: Someone who is definitely falthy of something. I don't give

277
00:18:01,400 --> 00:18:07,760
Speaker 1: two ships because if you haven't watched that Surviving r Kelly,

278
00:18:08,880 --> 00:18:11,879
Speaker 1: watch it. And as I said on the last Iron

279
00:18:11,960 --> 00:18:16,360
Speaker 1: Rapport Stereo podcast, if three of the things that were

280
00:18:16,400 --> 00:18:19,560
Speaker 1: said in Surviving R. Kelly that cocksucker needs to be

281
00:18:19,680 --> 00:18:23,280
Speaker 1: locked up in prison. If one, I mean, then there's

282
00:18:23,359 --> 00:18:27,320
Speaker 1: just so fucking much and and apparently more is gonna

283
00:18:27,400 --> 00:18:29,880
Speaker 1: come out. And his daughter just released his statement calling

284
00:18:30,240 --> 00:18:34,480
Speaker 1: her father a monster and all this and all that um,

285
00:18:35,160 --> 00:18:39,000
Speaker 1: but this piece of ship. R Kelly was in Chicago

286
00:18:39,480 --> 00:18:41,840
Speaker 1: the other night, a night ago or two nights ago,

287
00:18:42,359 --> 00:18:46,159
Speaker 1: celebrating his birthday at a nightclub that looked fucking packed.

288
00:18:46,200 --> 00:18:49,520
Speaker 1: He was on the stage, people were filming, he was singing,

289
00:18:49,600 --> 00:18:53,200
Speaker 1: and you would have thought it was like ship was

290
00:18:53,280 --> 00:18:56,800
Speaker 1: all good, and people are googl ing and eying, and

291
00:18:56,840 --> 00:18:59,480
Speaker 1: when he sings the song, they're they're they're all hyped up,

292
00:18:59,520 --> 00:19:01,680
Speaker 1: and girls on the front and shame on you for

293
00:19:01,800 --> 00:19:05,480
Speaker 1: going to see this fucking guy. Okay, shame on you

294
00:19:05,600 --> 00:19:07,880
Speaker 1: for going to see this fucking guy. And R. Kelly,

295
00:19:07,920 --> 00:19:13,600
Speaker 1: you're fifty fucking two, you nasty, greasy motherfucker. You're fifty

296
00:19:13,720 --> 00:19:18,560
Speaker 1: fucking two. What's so special about a fifty second birthday?

297
00:19:19,800 --> 00:19:23,280
Speaker 1: This cocksucker. My my bed is that Art Kelly is

298
00:19:23,280 --> 00:19:26,919
Speaker 1: gonna either off himself or get fucked to death in prison.

299
00:19:28,200 --> 00:19:32,200
Speaker 1: That's my prediction. He's either gonna kill himself or get

300
00:19:32,400 --> 00:19:37,960
Speaker 1: fucked to death, literally literally get fucked to death in prison.

301
00:19:38,080 --> 00:19:41,800
Speaker 1: That's my prediction. There there's no way. Uh, these aren't

302
00:19:41,880 --> 00:19:44,639
Speaker 1: stunt people, these aren't actors and actresses. And if you

303
00:19:44,720 --> 00:19:47,520
Speaker 1: watch this documentee, the ship is still going on right now.

304
00:19:48,680 --> 00:19:53,840
Speaker 1: And the arrogance, the arrogance of him to go out

305
00:19:53,880 --> 00:19:56,720
Speaker 1: in public, well, this is going on and act like

306
00:19:56,840 --> 00:19:58,680
Speaker 1: nothing's going on. So I don't go funk. What's going on?

307
00:19:58,760 --> 00:20:00,399
Speaker 1: He says that, I don't go fun. What's going on?

308
00:20:02,480 --> 00:20:05,640
Speaker 1: It's my fifty second birthday, not a big birthday to celebrate.

309
00:20:06,480 --> 00:20:08,320
Speaker 1: Some people think they have to have a party every

310
00:20:08,400 --> 00:20:11,080
Speaker 1: single year. I think you should stop celebrating your birthday

311
00:20:11,160 --> 00:20:17,800
Speaker 1: every single year after eighteen, maybe one, maybe thirty thirty.

312
00:20:18,400 --> 00:20:20,320
Speaker 1: If you're one of these people, I love celebrating your

313
00:20:20,320 --> 00:20:24,480
Speaker 1: birthday after thirty, that's enough. It's not your sweet sixteen,

314
00:20:24,560 --> 00:20:29,040
Speaker 1: it's not your bar mitzvah, it's not your Kinsina said that,

315
00:20:29,200 --> 00:20:35,080
Speaker 1: right fifty two, what's the celebrate You're gonna go to

316
00:20:35,160 --> 00:20:42,360
Speaker 1: prison and get fun to death. R Kelly podcast. We've

317
00:20:42,400 --> 00:20:45,119
Speaker 1: been talking about this for a long time on the

318
00:20:45,160 --> 00:20:51,399
Speaker 1: Iron Rapp Reports Stereo podcast. And this is true, and

319
00:20:51,720 --> 00:20:54,119
Speaker 1: Rule number one of the Iron Rapports Stereo podcast is

320
00:20:54,160 --> 00:20:57,520
Speaker 1: no fact checking. But sometimes we have to break new

321
00:20:57,760 --> 00:20:59,960
Speaker 1: rule number one of the Iron rap Ports Stereo Podcast

322
00:21:01,119 --> 00:21:04,520
Speaker 1: out of fear that something so way out there is

323
00:21:04,600 --> 00:21:07,239
Speaker 1: in fake news, like legitimate fake news, like we had

324
00:21:07,320 --> 00:21:10,639
Speaker 1: one or two sick fox throughout the years, uh, that

325
00:21:10,760 --> 00:21:12,399
Speaker 1: we didn't fact check and then it turned out there

326
00:21:12,480 --> 00:21:19,760
Speaker 1: was just totally made up. But Starbucks, you know, Starbucks,

327
00:21:19,840 --> 00:21:24,000
Speaker 1: the fucking coffee place, who now allows anybody into the

328
00:21:24,160 --> 00:21:27,560
Speaker 1: restaurant or the coffee shop, or the barista or the

329
00:21:27,840 --> 00:21:31,000
Speaker 1: coffee bar, whatever the funk they call them, because they're

330
00:21:31,080 --> 00:21:34,560
Speaker 1: just so open to just having anybody in there turning,

331
00:21:34,640 --> 00:21:36,800
Speaker 1: you know. Uh, and we've talked about it in nausea.

332
00:21:37,440 --> 00:21:39,560
Speaker 1: They could use the bathroom. You could ship in there.

333
00:21:39,640 --> 00:21:42,800
Speaker 1: You can take a shower, you can shave, you can

334
00:21:43,160 --> 00:21:45,840
Speaker 1: give yourself a bird bath, you can wash your feet,

335
00:21:45,880 --> 00:21:48,080
Speaker 1: clip your fucking tone nails, do whatever the funk you

336
00:21:48,160 --> 00:21:50,360
Speaker 1: want to do in a Starbucks bathroom. You could walk

337
00:21:50,440 --> 00:21:53,680
Speaker 1: in there solely to use the bathroom and walk the

338
00:21:53,840 --> 00:21:58,159
Speaker 1: funk out. Okay, you don't even have to ask for

339
00:21:58,200 --> 00:22:01,840
Speaker 1: a cup of water. You don't even have to give

340
00:22:01,920 --> 00:22:04,080
Speaker 1: the impression that you're there for anything else. You can

341
00:22:04,160 --> 00:22:10,720
Speaker 1: go in there, shit, piss, shave, change your your menstrula,

342
00:22:11,040 --> 00:22:17,480
Speaker 1: you know things, and walk the funk out. They are

343
00:22:17,600 --> 00:22:23,520
Speaker 1: now in a lot of Starbucks around the country and

344
00:22:23,800 --> 00:22:29,360
Speaker 1: in Canada, amidst the nationwide opioid epidemic and in response

345
00:22:29,440 --> 00:22:33,400
Speaker 1: to a growing drug use in some of its bathrooms

346
00:22:33,480 --> 00:22:36,680
Speaker 1: in Starbucks. So they're admitting there is drug use in

347
00:22:36,800 --> 00:22:41,280
Speaker 1: the Starbucks bathrooms because anybody could go in there. They

348
00:22:41,320 --> 00:22:50,720
Speaker 1: are now having needle disposal bins in select Starbucks. Do

349
00:22:50,800 --> 00:22:53,600
Speaker 1: you understand that you you can go in there shoot

350
00:22:53,680 --> 00:22:59,240
Speaker 1: your heron? Okay, shoot whatever you're shooting. I don't even

351
00:22:59,280 --> 00:23:01,359
Speaker 1: know what other drug you could you shoot. This is

352
00:23:01,440 --> 00:23:04,960
Speaker 1: so far out of my region. The only thing I've

353
00:23:05,000 --> 00:23:08,280
Speaker 1: ever done in my life is smoke weed. And I've

354
00:23:08,320 --> 00:23:12,320
Speaker 1: been drunk maybe three or four times literally, and I

355
00:23:12,400 --> 00:23:17,400
Speaker 1: think just one time where I threw up. I don't

356
00:23:17,480 --> 00:23:19,840
Speaker 1: judge people that drink. I don't judge people that, uh,

357
00:23:20,359 --> 00:23:22,440
Speaker 1: you know, do more than that. I don't funk with

358
00:23:22,520 --> 00:23:24,960
Speaker 1: the booger sugar. I don't funk with the nose candy.

359
00:23:25,000 --> 00:23:27,200
Speaker 1: I don't funk with them pills. I don't funk with

360
00:23:27,280 --> 00:23:31,920
Speaker 1: any of that. That's me, Okay, that's just me. I

361
00:23:32,080 --> 00:23:34,880
Speaker 1: definitely don't funk with that heron and I definitely don't

362
00:23:34,920 --> 00:23:40,119
Speaker 1: funk with them needles. But because some workers have said

363
00:23:40,640 --> 00:23:44,080
Speaker 1: they are are scared of getting poked by needles in

364
00:23:44,200 --> 00:23:48,520
Speaker 1: the trash bags, and because there have been needles found

365
00:23:48,920 --> 00:23:52,040
Speaker 1: in the bathrooms that young kids that have these jobs

366
00:23:52,080 --> 00:23:54,520
Speaker 1: at Starbucks that are just there to make your fucking lante,

367
00:23:54,760 --> 00:23:57,280
Speaker 1: just there to make your coffee, your tea, serve you

368
00:23:57,440 --> 00:24:01,240
Speaker 1: your egg sandwich. Now they have to clean up bathrooms

369
00:24:01,320 --> 00:24:06,040
Speaker 1: by every and anybody, and some of these Starbucks have

370
00:24:06,840 --> 00:24:10,280
Speaker 1: needles hanging around people. The workers have been poked by

371
00:24:10,320 --> 00:24:14,520
Speaker 1: needles while taking out the trash. So now they have

372
00:24:14,640 --> 00:24:17,520
Speaker 1: the needle disposal bins, you know those things that they

373
00:24:17,560 --> 00:24:19,879
Speaker 1: have them at the hospital or at the doctor, like

374
00:24:19,920 --> 00:24:23,560
Speaker 1: when you get your blood taken. Uh. Some people misreadness

375
00:24:23,600 --> 00:24:25,520
Speaker 1: and be like, oh, maybe they're doing it for diabetics.

376
00:24:25,760 --> 00:24:29,159
Speaker 1: They're not doing this for diabetics. If this was for

377
00:24:29,320 --> 00:24:33,080
Speaker 1: diabet First of all, anybody that's diabetic, that sufferings from

378
00:24:33,119 --> 00:24:37,560
Speaker 1: diabetes shouldn't be drinking any fucking frappuccinos. Okay, but that's

379
00:24:37,600 --> 00:24:39,480
Speaker 1: neither here nor there. I know it's an addiction. I

380
00:24:39,600 --> 00:24:43,440
Speaker 1: understand that this is not for diabetics. I fact checked it.

381
00:24:43,880 --> 00:24:49,920
Speaker 1: This is for drug heads, drug users that go into

382
00:24:49,960 --> 00:24:54,720
Speaker 1: Starbucks to shoot up their drugs in the Starbucks bathroom.

383
00:24:55,040 --> 00:24:58,960
Speaker 1: That's it. I don't know what is Starbucks now? Is

384
00:24:59,040 --> 00:25:03,920
Speaker 1: it goes Starbucks slash methodon clinic? Is it a Starbucks

385
00:25:03,920 --> 00:25:08,239
Speaker 1: slash methodon clinic slash homeless shelter? When does it end?

386
00:25:08,520 --> 00:25:16,840
Speaker 1: When does it stop? I don't know. So I mentioned earlier.

387
00:25:16,920 --> 00:25:20,240
Speaker 1: You know, I'm not one of these big anniversary people,

388
00:25:21,960 --> 00:25:23,919
Speaker 1: but it just brought up a lot of memories. Uh.

389
00:25:24,520 --> 00:25:28,920
Speaker 1: The show The Sopranos debut twenty years ago this week,

390
00:25:29,000 --> 00:25:31,800
Speaker 1: and I was just like, damn, just like the twenty

391
00:25:31,920 --> 00:25:36,040
Speaker 1: years ago because it feels like fucking yesterday. Um. And

392
00:25:36,160 --> 00:25:42,680
Speaker 1: of course, the great James Gamdelfeenie passed since then. And

393
00:25:43,240 --> 00:25:48,280
Speaker 1: you know, I knew Edie Falco very well at the time. Um.

394
00:25:48,400 --> 00:25:50,280
Speaker 1: I had seen her and become friends with her in

395
00:25:50,320 --> 00:25:52,200
Speaker 1: a movie called Laws of Gravity, which I don't know

396
00:25:52,240 --> 00:25:53,960
Speaker 1: where you can find it, but it's a dope movie.

397
00:25:53,960 --> 00:25:56,280
Speaker 1: If you've never seen it a dope independent film called

398
00:25:56,359 --> 00:26:01,040
Speaker 1: Laws of Gravity, Real Grit, New York, handheld Ship. And

399
00:26:01,119 --> 00:26:04,200
Speaker 1: I remember talking to her about uh doing the film,

400
00:26:04,720 --> 00:26:08,879
Speaker 1: doing the show Sopranos, and uh how excited she was

401
00:26:09,119 --> 00:26:11,680
Speaker 1: and James gandelfoeni and and and the whole thing with

402
00:26:11,800 --> 00:26:14,359
Speaker 1: James Gandalfini is like, why is he doing a television show?

403
00:26:15,359 --> 00:26:17,240
Speaker 1: Why why are you doing a televis show. You're doing

404
00:26:17,320 --> 00:26:20,680
Speaker 1: so well in movies. You're a movie star. And fuck

405
00:26:21,000 --> 00:26:28,000
Speaker 1: that has changed dramatically in the twenty years because now, uh,

406
00:26:28,560 --> 00:26:32,600
Speaker 1: TV is the place to become a star for the

407
00:26:32,720 --> 00:26:35,240
Speaker 1: majority of actors. TV is the place to have the

408
00:26:35,400 --> 00:26:41,640
Speaker 1: best um parts creatively for for the majority of actors.

409
00:26:41,880 --> 00:26:46,240
Speaker 1: But James Gandelfoenie said it off he was Tony soprano. Um.

410
00:26:47,000 --> 00:26:49,080
Speaker 1: I don't know how I got started on ead um,

411
00:26:49,200 --> 00:26:52,240
Speaker 1: but you know, I just remember like hearing about it.

412
00:26:52,320 --> 00:26:54,399
Speaker 1: I remember like the Sopranos, Sopranos, Like what does that mean?

413
00:26:54,440 --> 00:26:56,760
Speaker 1: Like sopranos like singers? Are they singers? And they're like, oh,

414
00:26:56,840 --> 00:26:59,720
Speaker 1: it's a mob show. But it's not a mob show.

415
00:26:59,760 --> 00:27:02,320
Speaker 1: And he those to a therapist and uh is it

416
00:27:02,440 --> 00:27:05,399
Speaker 1: Like analyzed this with DeNiro because I believe. I'm pretty

417
00:27:05,400 --> 00:27:08,159
Speaker 1: sure that came out beforehand and I just didn't. You

418
00:27:08,240 --> 00:27:10,959
Speaker 1: just didn't know what the funk it was. But twenty

419
00:27:11,040 --> 00:27:14,920
Speaker 1: years ago now, it's it's like television has changed so

420
00:27:16,240 --> 00:27:21,520
Speaker 1: much since then. There's so many places to watch TV.

421
00:27:21,640 --> 00:27:27,760
Speaker 1: When The Sopranos debuted in it was HBO and Showtime

422
00:27:28,480 --> 00:27:32,280
Speaker 1: that was it, and I think Cinemax, but you know,

423
00:27:32,480 --> 00:27:36,080
Speaker 1: Showtime wasn't popping like HBO was, and Cinemax definitely wasn't.

424
00:27:36,280 --> 00:27:41,040
Speaker 1: I don't even know Cinemax it's still around. Um, I

425
00:27:41,080 --> 00:27:45,160
Speaker 1: gotta check my fucking direct TV thing, which I pay

426
00:27:45,200 --> 00:27:48,480
Speaker 1: a ridiculous amount of money for each fucking month. But

427
00:27:48,640 --> 00:27:51,600
Speaker 1: The Sopranos was just I mean, it needs no introduction,

428
00:27:51,680 --> 00:27:53,720
Speaker 1: needs of explanation. It was just so good and it

429
00:27:53,840 --> 00:27:58,000
Speaker 1: was a game changing show. And of course the great,

430
00:27:58,840 --> 00:28:00,879
Speaker 1: the Great James Gamble, Pheenie and the rest of the

431
00:28:01,000 --> 00:28:05,760
Speaker 1: cast um killed it, destroyed it, beat the ship up

432
00:28:05,920 --> 00:28:09,080
Speaker 1: week after week after week, episode after episode, even when

433
00:28:09,800 --> 00:28:11,880
Speaker 1: there was delays. Remember there was like a two year

434
00:28:11,960 --> 00:28:15,000
Speaker 1: delay between I think it was season five and season

435
00:28:15,119 --> 00:28:18,240
Speaker 1: six or I don't even know. UM not fact checking,

436
00:28:18,359 --> 00:28:21,119
Speaker 1: but it's twenty years and it was literally like a

437
00:28:21,440 --> 00:28:25,960
Speaker 1: game changing show. Um, and and all the other shows

438
00:28:26,040 --> 00:28:29,480
Speaker 1: since then I wanted to. I gave it some thought

439
00:28:29,760 --> 00:28:35,040
Speaker 1: my top five favorite dramas because I'm excluding comedies and

440
00:28:35,119 --> 00:28:37,040
Speaker 1: these are just mine, and I don't watch everything. I

441
00:28:37,080 --> 00:28:39,320
Speaker 1: try to watch as much as I can, and and

442
00:28:39,400 --> 00:28:42,880
Speaker 1: I'm not like a TV head who watches everything, but

443
00:28:43,120 --> 00:28:47,440
Speaker 1: my favorite. My top five favorite television shows dramas are

444
00:28:48,120 --> 00:28:55,440
Speaker 1: in order. The Sopranos, Breaking Bad needs no introduction. Six

445
00:28:55,520 --> 00:28:59,040
Speaker 1: ft Under also on HBO. Love that fucking show so

446
00:28:59,280 --> 00:29:03,960
Speaker 1: damn good. Uh. Hill Street Blues, which was on NBC

447
00:29:04,120 --> 00:29:06,720
Speaker 1: but was ahead of its time, was dope. UM. I

448
00:29:06,800 --> 00:29:09,320
Speaker 1: haven't watched it since. Maybe it holds up, maybe it doesn't.

449
00:29:09,360 --> 00:29:12,320
Speaker 1: But as a kid, it was gritty, it was funny,

450
00:29:13,000 --> 00:29:15,240
Speaker 1: the characters like it felt like you were really watching,

451
00:29:15,320 --> 00:29:18,800
Speaker 1: like like a real police department. And then coming in

452
00:29:18,880 --> 00:29:21,360
Speaker 1: the top five is the Wire. Some people have the

453
00:29:21,400 --> 00:29:23,040
Speaker 1: wire at number one. I don't have the wire at

454
00:29:23,080 --> 00:29:26,920
Speaker 1: number one. It didn't resonate with me emotionally afterwards the

455
00:29:27,000 --> 00:29:31,000
Speaker 1: same way these other four shows, uh did. But that

456
00:29:31,600 --> 00:29:36,520
Speaker 1: is my top five dramatic series of all time. All right,

457
00:29:36,600 --> 00:29:42,080
Speaker 1: without further ado, let's get to it. My man. Louise

458
00:29:42,840 --> 00:29:47,120
Speaker 1: poly Shore is on the Iron Rapports Stereo podcast. Poly

459
00:29:47,280 --> 00:29:51,360
Speaker 1: Shore which stories Galore? Coming up next on the Iron

460
00:29:51,480 --> 00:29:55,920
Speaker 1: rap Ports Stereo podcast, Sex, Drugs and comedy. Although he

461
00:29:55,960 --> 00:29:59,000
Speaker 1: didn't do drugs, maybe smoked a little weed, but it

462
00:29:59,080 --> 00:30:03,000
Speaker 1: just sounds good. Set drugs and comedy with the Wise himself.

463
00:30:03,360 --> 00:30:06,560
Speaker 1: Polly Shure, you're not gonna want to miss this and

464
00:30:06,800 --> 00:30:10,600
Speaker 1: please tell me right away. Hit me up. You can

465
00:30:10,680 --> 00:30:14,680
Speaker 1: email us at I am Rappaport podcast at gmail dot com.

466
00:30:15,080 --> 00:30:18,200
Speaker 1: You can d m me, you can tweet me. We're

467
00:30:18,320 --> 00:30:22,840
Speaker 1: easy to find. Do you think Polly Shore, who was

468
00:30:22,960 --> 00:30:27,480
Speaker 1: with Girls Galore should be inducted into the stick Man

469
00:30:27,920 --> 00:30:31,520
Speaker 1: Hall of Fame? I'm leaving it in the people's court

470
00:30:31,800 --> 00:30:37,760
Speaker 1: with no further introduction from me in pole Shore. All right,

471
00:30:37,840 --> 00:30:42,640
Speaker 1: the I am Rapports Stereo podcasts. Why are you breathing

472
00:30:42,720 --> 00:30:48,600
Speaker 1: so heavily? Bro? Excited? Bro, I am Rapports Stereo podcast.

473
00:30:48,960 --> 00:30:52,320
Speaker 1: The Weiz is in the house, Polly Shore, the Weasel.

474
00:30:52,800 --> 00:30:57,440
Speaker 1: What's up, buddy? Listen? So many questions asked the Wise.

475
00:30:58,480 --> 00:31:02,840
Speaker 1: The Wise is seen so much, the reasons accomplished so much, dude,

476
00:31:02,960 --> 00:31:07,120
Speaker 1: Like a lot of people don't know about You're sort

477
00:31:07,160 --> 00:31:11,520
Speaker 1: of exposure to comedy growing up because your mother owned

478
00:31:11,560 --> 00:31:14,000
Speaker 1: the comedy store. And I told you, I said, I

479
00:31:14,040 --> 00:31:18,080
Speaker 1: want the weise true Hollywood stories. I mean, you saw

480
00:31:18,280 --> 00:31:22,200
Speaker 1: so like your perspective on comedy has to be very unique.

481
00:31:22,360 --> 00:31:26,160
Speaker 1: On comedians, You've seen everybody. Do you remember the first

482
00:31:26,200 --> 00:31:30,040
Speaker 1: person you saw on a stage doing comedy at the

483
00:31:30,080 --> 00:31:36,040
Speaker 1: Comedy Store? It was probably Red Fox? Are you serious?

484
00:31:36,400 --> 00:31:42,520
Speaker 1: Or Pat McCormick, Craig teen Nelson, Michael Keaton, Dave Letterman

485
00:31:43,720 --> 00:31:46,240
Speaker 1: Um As a kid, I was in the seventh early seventies.

486
00:31:46,320 --> 00:31:49,880
Speaker 1: My mom and dad started the place in nineteen seventy two,

487
00:31:50,520 --> 00:31:53,560
Speaker 1: and you were four four four five? How do you

488
00:31:53,960 --> 00:31:57,440
Speaker 1: I'm yes, I just turned fifty. I just turned fifties.

489
00:31:57,520 --> 00:32:00,360
Speaker 1: So yeah, so I was for when they and debt.

490
00:32:00,680 --> 00:32:04,400
Speaker 1: But when did you start realizing there were comedians on

491
00:32:04,560 --> 00:32:07,400
Speaker 1: a stage and they're telling jokes? Like when did you

492
00:32:07,480 --> 00:32:10,480
Speaker 1: sort of grasp? Because four, like I must have just

493
00:32:10,600 --> 00:32:14,040
Speaker 1: seemed way out there, but you were around Yeah, yeah,

494
00:32:14,080 --> 00:32:15,960
Speaker 1: it was I don't know, it was right then. It

495
00:32:16,080 --> 00:32:18,920
Speaker 1: was four years old. I was a kid, and you

496
00:32:19,000 --> 00:32:21,320
Speaker 1: know I was right there when when it all happened. Yeah,

497
00:32:21,840 --> 00:32:23,960
Speaker 1: and then you know my dad. My dad's a legend,

498
00:32:24,040 --> 00:32:26,080
Speaker 1: you know, I mean Sammy, Sure, are you familiar with Sammy?

499
00:32:26,160 --> 00:32:28,000
Speaker 1: A little little bit? Break it down a little. I mean,

500
00:32:28,080 --> 00:32:30,760
Speaker 1: he's the fucking man. People always talk about my mom,

501
00:32:31,480 --> 00:32:33,240
Speaker 1: which I get, you know what I mean, But my

502
00:32:33,440 --> 00:32:35,640
Speaker 1: dad was the fucking the player. You know. He was

503
00:32:35,760 --> 00:32:39,000
Speaker 1: touring in the fifties as a stand up, opening for like,

504
00:32:39,640 --> 00:32:43,320
Speaker 1: you know, Tony Bennett. And my dad's nine one now,

505
00:32:43,880 --> 00:32:46,720
Speaker 1: so he lives in Vegas, so he was, you know,

506
00:32:46,840 --> 00:32:49,720
Speaker 1: he was touring in the fifties and sixties. He saw

507
00:32:50,040 --> 00:32:53,200
Speaker 1: end up first started and then he opened for Elvis Presley.

508
00:32:53,760 --> 00:32:56,560
Speaker 1: My dad toured, toured, and I met Elvis a lot

509
00:32:56,600 --> 00:32:59,440
Speaker 1: because me and Lisa Marie are born on the same day,

510
00:32:59,520 --> 00:33:02,400
Speaker 1: Sat birth day, February first, nineteen sixty eight. So when

511
00:33:02,440 --> 00:33:04,560
Speaker 1: I was born, she was right there. We were in

512
00:33:04,640 --> 00:33:08,680
Speaker 1: the playpin together. Christ to put my finger next to her,

513
00:33:09,000 --> 00:33:11,320
Speaker 1: put your finger next to her, just next to her, Yeah,

514
00:33:11,360 --> 00:33:13,520
Speaker 1: just next tore. But do you do you have any

515
00:33:13,600 --> 00:33:16,959
Speaker 1: recollection of remember meeting Elvis? Yeah? I remember meeting Elvis,

516
00:33:17,520 --> 00:33:20,760
Speaker 1: and you're amazing. My mom loved Elvis. She knew Elvis.

517
00:33:20,880 --> 00:33:24,680
Speaker 1: Of course, Elvis Presley. I mean, come on, he was

518
00:33:24,760 --> 00:33:29,600
Speaker 1: the man um. And when you're a teenager in the

519
00:33:29,640 --> 00:33:33,120
Speaker 1: comedy store, like in the late seventies, in the eighties,

520
00:33:33,920 --> 00:33:35,800
Speaker 1: what what are some of the like the early memories,

521
00:33:35,880 --> 00:33:39,280
Speaker 1: like the people you were exposed to, Red Fox, Richard

522
00:33:39,360 --> 00:33:43,360
Speaker 1: pryor all these guys, Robert Williams, everybody's everybody has come

523
00:33:43,400 --> 00:33:46,440
Speaker 1: through the comedy store, whether you're comedians, there's a lot

524
00:33:46,520 --> 00:33:48,960
Speaker 1: of people. Yeah, there's a lot of people that most

525
00:33:49,040 --> 00:33:52,040
Speaker 1: people don't know. It's just like there's actors. We all

526
00:33:52,120 --> 00:33:54,120
Speaker 1: grew up acting. There's a lot of people that made it,

527
00:33:54,600 --> 00:33:56,000
Speaker 1: and there's a lot of people that didn't make it

528
00:33:56,080 --> 00:33:58,040
Speaker 1: that were amazing. Who were some of the ones that

529
00:33:58,400 --> 00:34:01,000
Speaker 1: Lenny Schultz was a guy that you probably don't know

530
00:34:01,440 --> 00:34:04,160
Speaker 1: who was amazing. He was like the original Gallagher. He

531
00:34:04,280 --> 00:34:05,920
Speaker 1: was a guy that would put ship on his body.

532
00:34:05,960 --> 00:34:09,960
Speaker 1: There was a group called Natural Gas with Vick Dunlop.

533
00:34:10,040 --> 00:34:13,239
Speaker 1: They were a group. Um, there was I don't know,

534
00:34:13,320 --> 00:34:15,080
Speaker 1: there's a lot of people that never made it that

535
00:34:15,200 --> 00:34:18,000
Speaker 1: were great too. And when did you start doing comedy?

536
00:34:18,480 --> 00:34:21,040
Speaker 1: I started when I was seventeen and you started going

537
00:34:21,120 --> 00:34:23,320
Speaker 1: up on stage. Yeah, but I stayed away from the

538
00:34:23,400 --> 00:34:25,600
Speaker 1: comedy Store for the first couple of years, because you

539
00:34:25,640 --> 00:34:28,520
Speaker 1: didn't want to be like, oh yeah, and where did

540
00:34:28,560 --> 00:34:31,120
Speaker 1: you do it? I did it at the laugh Factory,

541
00:34:31,680 --> 00:34:33,960
Speaker 1: I did it in the Valley. I did it in

542
00:34:34,120 --> 00:34:36,319
Speaker 1: me and Phase on love you know, Phase On. Yeah.

543
00:34:36,360 --> 00:34:38,480
Speaker 1: He's one of my best friends and and when we

544
00:34:38,560 --> 00:34:41,280
Speaker 1: first started together, he was like we first started together

545
00:34:41,600 --> 00:34:44,040
Speaker 1: and we would do New York a lot, and that's

546
00:34:44,080 --> 00:34:46,239
Speaker 1: when I saw Chris Rock. Chris Rock, I mean were

547
00:34:46,320 --> 00:34:49,440
Speaker 1: very close. We started kind of together at the same time,

548
00:34:49,560 --> 00:34:54,279
Speaker 1: like this, no, this is the no, this is like

549
00:34:54,400 --> 00:34:57,480
Speaker 1: the late eighties, late eighties. Okay, you know that's when

550
00:34:57,520 --> 00:34:59,440
Speaker 1: we we all first started, you know, because me and

551
00:34:59,520 --> 00:35:01,320
Speaker 1: you are the same made to Chris Rocks around that

552
00:35:01,400 --> 00:35:03,320
Speaker 1: age too, but he was like doing the ship so

553
00:35:03,480 --> 00:35:05,759
Speaker 1: fucking young, like like those first like when he had

554
00:35:05,800 --> 00:35:08,399
Speaker 1: the Jerry Curl and he was like Eddie Murphy's guy

555
00:35:09,120 --> 00:35:11,560
Speaker 1: like he was he was like, what the fund is it?

556
00:35:11,719 --> 00:35:13,719
Speaker 1: Like he was like a teenage Yeah, He's like. We

557
00:35:13,800 --> 00:35:16,200
Speaker 1: were at the same age though, because I started when

558
00:35:16,200 --> 00:35:19,400
Speaker 1: I was seventeen, so I hit on MTV probably like

559
00:35:19,640 --> 00:35:21,600
Speaker 1: in my early twenties, so it was around that I

560
00:35:21,680 --> 00:35:24,080
Speaker 1: hit on MTV pretty hard at that time, right, So,

561
00:35:24,320 --> 00:35:26,560
Speaker 1: so how did that whole thing happen? Like, because the

562
00:35:26,719 --> 00:35:29,800
Speaker 1: weise was so a part of I don't remember what

563
00:35:29,960 --> 00:35:33,360
Speaker 1: was it. Eight was in the nineties, like like you

564
00:35:33,640 --> 00:35:36,239
Speaker 1: were MTV, like you were like there was there were

565
00:35:36,280 --> 00:35:39,520
Speaker 1: certain staples. Was your MTV raps. There was you, I mean,

566
00:35:39,960 --> 00:35:43,080
Speaker 1: there were people and we'd see it over and over

567
00:35:43,239 --> 00:35:44,880
Speaker 1: and over and it was like, it's not like it

568
00:35:45,040 --> 00:35:47,239
Speaker 1: is now where I don't even know what the funk

569
00:35:47,280 --> 00:35:49,160
Speaker 1: they put on there, but like these shows and these

570
00:35:49,239 --> 00:35:51,480
Speaker 1: comedy shows and these specials and you just didn't know

571
00:35:51,560 --> 00:35:53,200
Speaker 1: when it was coming on and what was coming on,

572
00:35:53,719 --> 00:35:56,279
Speaker 1: and it just got bigger and bigger and bigger and

573
00:35:56,400 --> 00:35:59,400
Speaker 1: spring break and all this ship. How did it happen?

574
00:36:00,560 --> 00:36:03,400
Speaker 1: It just happened. It was all timing. It was like,

575
00:36:03,600 --> 00:36:06,080
Speaker 1: you know, just like anything like anyone makes it now

576
00:36:06,560 --> 00:36:09,719
Speaker 1: these days. That justin Bieber on YouTube, you know, he

577
00:36:09,840 --> 00:36:12,160
Speaker 1: just hit and this one on that one. So for me,

578
00:36:12,920 --> 00:36:16,160
Speaker 1: I was, you know, I was very West coast. MTV

579
00:36:16,360 --> 00:36:20,160
Speaker 1: was very East coast. Um they needed something fresh and different.

580
00:36:20,239 --> 00:36:22,560
Speaker 1: I had my own language. I spoke my own way,

581
00:36:23,040 --> 00:36:25,480
Speaker 1: I dressed my own way, I did my own thing,

582
00:36:26,040 --> 00:36:28,600
Speaker 1: and it just clicked the audience just it just hit

583
00:36:28,640 --> 00:36:31,440
Speaker 1: their nerve and the ratings went crazy, and people like,

584
00:36:31,480 --> 00:36:33,560
Speaker 1: who the funk is this guy? And I didn't know

585
00:36:33,600 --> 00:36:35,520
Speaker 1: what the funk I was doing, you know what I mean,

586
00:36:35,520 --> 00:36:37,719
Speaker 1: because I was just looking in the camera, going, Yo, bros,

587
00:36:37,800 --> 00:36:39,960
Speaker 1: come check this out. And I had no idea. I

588
00:36:40,040 --> 00:36:43,680
Speaker 1: was sincerely connecting with with people. Even to this day,

589
00:36:44,120 --> 00:36:47,400
Speaker 1: thirty four years later, everywhere I go, Yo, we and

590
00:36:47,480 --> 00:36:50,000
Speaker 1: it's from Yo, what's up? You know, through airports and

591
00:36:50,080 --> 00:36:52,239
Speaker 1: this and that. Everywhere I go. I could be at

592
00:36:52,239 --> 00:36:56,400
Speaker 1: a shitty wallfi house in Missouri, continuously people are like, Polly,

593
00:36:56,480 --> 00:36:59,000
Speaker 1: what's up? What's up? And it's that connection that I

594
00:36:59,120 --> 00:37:02,279
Speaker 1: had through MTV. And this was before the films, you know,

595
00:37:02,480 --> 00:37:05,920
Speaker 1: So MTV was that. MTV was that and and for

596
00:37:06,080 --> 00:37:08,360
Speaker 1: me it was at least yet and and I I

597
00:37:08,520 --> 00:37:10,560
Speaker 1: remember watching this ship and I was like, this guy

598
00:37:10,640 --> 00:37:12,480
Speaker 1: has to be Like I wasn't a drug dude, but

599
00:37:12,480 --> 00:37:14,799
Speaker 1: I was like, this dude has to be fucking high

600
00:37:14,840 --> 00:37:17,480
Speaker 1: out of his fucking mind. Yeah, were you stoned out

601
00:37:17,520 --> 00:37:21,319
Speaker 1: of your fucking tree when you were the West? Not once,

602
00:37:22,400 --> 00:37:24,960
Speaker 1: even to this day, not one. You're not a weed dude,

603
00:37:25,040 --> 00:37:27,680
Speaker 1: like you know, like a drug dude. But like like

604
00:37:27,840 --> 00:37:30,120
Speaker 1: when that impression of that guy was like what the funk?

605
00:37:30,200 --> 00:37:33,400
Speaker 1: Because I was the happiest when I was on camera. Well,

606
00:37:33,440 --> 00:37:35,759
Speaker 1: you're an actor, you know how free it is and

607
00:37:35,840 --> 00:37:37,759
Speaker 1: how you know, and now you're doing stand up and

608
00:37:38,560 --> 00:37:41,080
Speaker 1: that's where I'm I'm my happiest, you know. That's why

609
00:37:41,080 --> 00:37:45,160
Speaker 1: I continuously tour and I'm continuously out there is because

610
00:37:45,239 --> 00:37:47,279
Speaker 1: I'm you know, when I'm on camera, I'm like my

611
00:37:47,440 --> 00:37:50,880
Speaker 1: most happiest. And so that's why people thought I was

612
00:37:50,960 --> 00:37:52,920
Speaker 1: on drugs because they're like, how the fund could this

613
00:37:53,000 --> 00:37:55,719
Speaker 1: guy be giggling and sucking around so much? He's got

614
00:37:55,800 --> 00:37:58,279
Speaker 1: to be sucked up. And I never was talk to

615
00:37:58,360 --> 00:38:03,680
Speaker 1: me about like how big our famous. The MTV run

616
00:38:04,360 --> 00:38:06,759
Speaker 1: was in terms of like there was chicks, you were,

617
00:38:06,840 --> 00:38:09,600
Speaker 1: there was spring break, there was girls, Like the whole

618
00:38:09,640 --> 00:38:11,399
Speaker 1: things was. It was like sort of sort of like sex,

619
00:38:11,480 --> 00:38:13,759
Speaker 1: drugs and rock and roll comedy, but it was clean

620
00:38:13,800 --> 00:38:16,000
Speaker 1: because it was on MTV. But it was just like

621
00:38:16,120 --> 00:38:20,120
Speaker 1: you could feel all the the sexuality and the chicks

622
00:38:20,440 --> 00:38:23,719
Speaker 1: and the bikinis and you like se symbol. Yeah, that

623
00:38:23,960 --> 00:38:26,200
Speaker 1: was that time. That was that era. That was that

624
00:38:26,320 --> 00:38:29,120
Speaker 1: heavy metal kind of error on sunset. When did you

625
00:38:29,160 --> 00:38:33,200
Speaker 1: come out here? I came out of here first eight nine. Yes,

626
00:38:33,640 --> 00:38:36,640
Speaker 1: so you saw it. I saw you drove by the Rainbow,

627
00:38:36,680 --> 00:38:39,920
Speaker 1: you drove by Gazaries, you saw the heavy metal guys,

628
00:38:40,440 --> 00:38:42,719
Speaker 1: and that was that time. And even this day if

629
00:38:42,719 --> 00:38:45,000
Speaker 1: you watch, if you listen to Serious Satellite and you're

630
00:38:45,000 --> 00:38:47,920
Speaker 1: on like nineties or you play the hair Nation or

631
00:38:48,000 --> 00:38:51,920
Speaker 1: those stations, you're like, fuck, those songs were fun, and

632
00:38:52,320 --> 00:38:54,640
Speaker 1: that's what it was. It was just like a fun time.

633
00:38:54,719 --> 00:38:57,640
Speaker 1: It was like, you know, people were fucking and the

634
00:38:57,680 --> 00:39:00,440
Speaker 1: groupies were cool, and it was like, you know, I

635
00:39:00,520 --> 00:39:04,319
Speaker 1: mean I had I mean I had a I had

636
00:39:04,600 --> 00:39:08,040
Speaker 1: a system. What was your system? My system was basically

637
00:39:08,120 --> 00:39:12,000
Speaker 1: what was your system? Yeah, it was basically like it was.

638
00:39:12,160 --> 00:39:14,200
Speaker 1: It was a system. It was a system we had

639
00:39:14,280 --> 00:39:16,600
Speaker 1: down and you know, you hear this from other rocks.

640
00:39:16,680 --> 00:39:18,719
Speaker 1: I want to know your system. I never heard the

641
00:39:18,760 --> 00:39:21,560
Speaker 1: system break down your system, so basically I'll just break

642
00:39:21,640 --> 00:39:25,040
Speaker 1: it down, break it down. Yeah. My my road manager

643
00:39:25,120 --> 00:39:28,200
Speaker 1: at the time is this guy Nick Light. Nick Light's

644
00:39:28,360 --> 00:39:31,280
Speaker 1: brother is Rob Light, who runs c a A. Okay,

645
00:39:31,360 --> 00:39:33,120
Speaker 1: Rob Light's one of the head guys at c a

646
00:39:34,040 --> 00:39:39,200
Speaker 1: Ben forever, you know all these Yeah, yeah, like you're

647
00:39:39,239 --> 00:39:41,520
Speaker 1: not impressed with Like, it's hard to impress you because

648
00:39:41,560 --> 00:39:44,160
Speaker 1: you've seen. It's hard for me to watch comedy at

649
00:39:44,200 --> 00:39:46,439
Speaker 1: the store these days, you know what I mean, because

650
00:39:46,480 --> 00:39:48,440
Speaker 1: I've seen because I'm like watching christal Leiah and I

651
00:39:48,520 --> 00:39:50,840
Speaker 1: watched these guys and like they're killing. But then I'm like,

652
00:39:51,000 --> 00:39:53,040
Speaker 1: I'm doing a flashback on my I'm like, I saw

653
00:39:53,160 --> 00:39:55,960
Speaker 1: Eddie Murphy, here, I saw Richard Pryor. Here, I saw

654
00:39:56,080 --> 00:39:59,560
Speaker 1: Robin was a different, different level. Red Fox, I saw

655
00:39:59,640 --> 00:40:03,040
Speaker 1: Red Box. He was the best. He was fucking hilarious, dude.

656
00:40:03,320 --> 00:40:05,560
Speaker 1: Red Fox gave me a joint. We'll talk about that later,

657
00:40:06,040 --> 00:40:08,319
Speaker 1: but um yeah, he gave me a joint Red Fox

658
00:40:08,400 --> 00:40:11,720
Speaker 1: one time. It was awesome. Is that the Hacienda in Vegas?

659
00:40:11,719 --> 00:40:13,960
Speaker 1: Because he had that run there in Vegas. But we're

660
00:40:14,000 --> 00:40:17,640
Speaker 1: going back to uh yeah, the system. So basically, Nick

661
00:40:17,760 --> 00:40:25,120
Speaker 1: like he was Gerardo Rico Suave's road manager. Remember that

662
00:40:25,320 --> 00:40:28,000
Speaker 1: was a hot video, right, huge video. I mean it

663
00:40:28,080 --> 00:40:29,680
Speaker 1: was like what's going on here? But it was like

664
00:40:30,200 --> 00:40:35,320
Speaker 1: but fun, silly, silly as fuck. Yeah, So, um so

665
00:40:35,520 --> 00:40:38,320
Speaker 1: Nick became my road manager and then we would have

666
00:40:38,440 --> 00:40:42,359
Speaker 1: a system and basically like the idea. He would say,

667
00:40:42,440 --> 00:40:46,439
Speaker 1: like he sometimes he would say pre show homes huh.

668
00:40:46,880 --> 00:40:49,560
Speaker 1: He would say to me, pre show homes question mark,

669
00:40:49,960 --> 00:40:51,759
Speaker 1: which basically means do you want to get a blow

670
00:40:51,840 --> 00:40:54,080
Speaker 1: job before you go on stage? Before the show? And

671
00:40:54,239 --> 00:40:56,839
Speaker 1: sometimes I'd say yes. Sometimes I'd say no because I'd

672
00:40:56,840 --> 00:40:59,080
Speaker 1: be on a tour bus. So I always had a

673
00:40:59,160 --> 00:41:02,319
Speaker 1: tour bus with me. It wasn't and and and when

674
00:41:02,360 --> 00:41:04,439
Speaker 1: I would go on stage, you know, it wouldn't people

675
00:41:04,440 --> 00:41:07,719
Speaker 1: wouldn't be sitting. It would be standing only festival you

676
00:41:07,760 --> 00:41:10,320
Speaker 1: know what I mean, festival seats because I would do

677
00:41:10,480 --> 00:41:12,719
Speaker 1: music and all that ship and stage dive and you know,

678
00:41:12,880 --> 00:41:15,000
Speaker 1: get crazy and stuff like that. So he'd say like

679
00:41:15,080 --> 00:41:17,279
Speaker 1: pre show humps. And then he would talk to the

680
00:41:17,320 --> 00:41:19,799
Speaker 1: girls and make sure they were cool and be like, yo,

681
00:41:19,880 --> 00:41:21,880
Speaker 1: if you go on the bus, you know you want

682
00:41:21,920 --> 00:41:24,880
Speaker 1: to blow Polly before the show? That's cool. Like it

683
00:41:25,040 --> 00:41:27,239
Speaker 1: was out there, like it was clear. Yeah, it was clear.

684
00:41:27,360 --> 00:41:29,440
Speaker 1: It was like very and she's like no, yeah, it's

685
00:41:29,480 --> 00:41:31,520
Speaker 1: like the Beatles, you know what I mean. It's like

686
00:41:31,600 --> 00:41:33,000
Speaker 1: if you go on there, you want to do that.

687
00:41:33,120 --> 00:41:35,359
Speaker 1: So if the girl came on the bus. She knew

688
00:41:35,400 --> 00:41:37,839
Speaker 1: what it was already kind of on, so she had

689
00:41:37,880 --> 00:41:40,640
Speaker 1: walked to the back of the bus. My drapes would

690
00:41:40,680 --> 00:41:43,640
Speaker 1: be down, skid row, Slave to the Grind would be playing.

691
00:41:43,960 --> 00:41:47,799
Speaker 1: I would have lava lamps, I had scarves, I had condoms,

692
00:41:48,160 --> 00:41:50,680
Speaker 1: I had buttons. You know, I've been wheezed, I've been chilling.

693
00:41:51,200 --> 00:41:53,840
Speaker 1: We would would have polar right cameras. And it was

694
00:41:53,960 --> 00:41:56,880
Speaker 1: just on and it was very mutual, and it was

695
00:41:57,080 --> 00:41:59,440
Speaker 1: very fun. And I was a kid, I was in

696
00:41:59,520 --> 00:42:02,320
Speaker 1: my twenty in early twenties, and it was and it

697
00:42:02,440 --> 00:42:04,080
Speaker 1: was like that. And then there was just like a

698
00:42:04,160 --> 00:42:07,440
Speaker 1: lot of you know, orgies, okay, a lot of orgies

699
00:42:07,640 --> 00:42:11,520
Speaker 1: not just now is it you? And just a bunch

700
00:42:11,560 --> 00:42:13,960
Speaker 1: of like you're you're like. So, there's a term that

701
00:42:14,040 --> 00:42:15,239
Speaker 1: I use. I don't know if you listen to the

702
00:42:15,280 --> 00:42:19,279
Speaker 1: Iron Wrap Wars stereo podcast, term my patented. Um Ah,

703
00:42:19,400 --> 00:42:22,480
Speaker 1: I didn't invented Stickman. I have the whole Stickman Hall

704
00:42:22,520 --> 00:42:26,000
Speaker 1: of Fame. You might need to be considered at least

705
00:42:26,080 --> 00:42:30,760
Speaker 1: during your run for the Stickman Hall of Fame. Coffee okay,

706
00:42:31,160 --> 00:42:34,520
Speaker 1: and meaning, I mean you put it down. Yeah, Like

707
00:42:35,040 --> 00:42:38,400
Speaker 1: here's the stick Stigma Hall of fame, Warren Baby, Jack Nicholson,

708
00:42:38,480 --> 00:42:43,239
Speaker 1: Dicaprios now Derek j Okay, now like Leonardo DiCaprio. I

709
00:42:43,320 --> 00:42:45,879
Speaker 1: got stories about this guy. Dude, Okay, wait, we're gonna

710
00:42:45,920 --> 00:42:48,920
Speaker 1: We're gonna come back to Leo. Lea is awesome, and

711
00:42:49,000 --> 00:42:53,160
Speaker 1: we're gonna come back to you said orgies. Now when

712
00:42:53,200 --> 00:42:54,920
Speaker 1: I when you said I've never been in an orgy?

713
00:42:56,000 --> 00:42:58,640
Speaker 1: Is it you? And how many women is there? Other?

714
00:42:58,719 --> 00:43:05,520
Speaker 1: Sometimes three? Sometimes too, it's just me and yeah managa, yeah,

715
00:43:05,640 --> 00:43:08,320
Speaker 1: sometimes four. There was one time where I did a

716
00:43:08,400 --> 00:43:12,200
Speaker 1: show in uh, where was it? It was in San

717
00:43:12,280 --> 00:43:15,720
Speaker 1: Francisco and I was playing a theater called the Warfield Theater.

718
00:43:16,239 --> 00:43:20,640
Speaker 1: And my road manager, Nick Light, he called the Mitchell brothers.

719
00:43:21,080 --> 00:43:23,600
Speaker 1: The Mitchell Brothers are very famous. It's kind of like

720
00:43:23,680 --> 00:43:27,279
Speaker 1: the comedy store of strip clubs in San Francisco, you

721
00:43:27,320 --> 00:43:30,600
Speaker 1: know what I mean? And uh and he called ahead

722
00:43:30,960 --> 00:43:33,640
Speaker 1: and he said, Poli shorts coming through. Can we send

723
00:43:33,719 --> 00:43:36,000
Speaker 1: some girls down. I used to do Lisa Lisa Remember

724
00:43:36,080 --> 00:43:38,640
Speaker 1: the song? Yeah, yes, I do the Lisa Lisa song

725
00:43:39,080 --> 00:43:41,120
Speaker 1: and the girls would dance on stage and then after

726
00:43:41,560 --> 00:43:43,719
Speaker 1: we all went back to uh, we went back to

727
00:43:43,840 --> 00:43:47,160
Speaker 1: my um to the hotel. No, we went back backstage

728
00:43:47,200 --> 00:43:49,359
Speaker 1: and there was like nine girls like this, you're sitting

729
00:43:49,400 --> 00:43:51,839
Speaker 1: on the couch right here for the people listening, there's

730
00:43:51,840 --> 00:43:54,319
Speaker 1: a couch here and basically there's nine girls and they're

731
00:43:54,320 --> 00:43:56,040
Speaker 1: just sitting there and they're all kind of like strippery,

732
00:43:56,160 --> 00:43:59,640
Speaker 1: kind of groupie girls. And then and then one of

733
00:43:59,680 --> 00:44:01,440
Speaker 1: the girls says to me, she goes, what do you

734
00:44:01,480 --> 00:44:03,759
Speaker 1: want us to do? And as a joke on like

735
00:44:03,920 --> 00:44:06,640
Speaker 1: you eat her, you suck her, You eat her, you

736
00:44:06,760 --> 00:44:09,360
Speaker 1: suck her, And literally they all started doing it. They

737
00:44:09,400 --> 00:44:11,800
Speaker 1: were down. Yeah, they just started like making out and

738
00:44:12,120 --> 00:44:14,120
Speaker 1: going down on each other. And I was like, whoa, whoa, whoa.

739
00:44:14,719 --> 00:44:17,479
Speaker 1: So then from there we went back. Um I took

740
00:44:18,160 --> 00:44:21,879
Speaker 1: I took um. I took probably four girls back. Nick

741
00:44:21,960 --> 00:44:25,000
Speaker 1: took four girls, and my other road manager, Warlock, he

742
00:44:25,120 --> 00:44:28,120
Speaker 1: took like three girls. And it was just some while

743
00:44:28,400 --> 00:44:31,719
Speaker 1: that was like a memorable situation. It was a memorable situation. Yeah.

744
00:44:31,800 --> 00:44:34,200
Speaker 1: And then there was times like in Nashville and it

745
00:44:34,320 --> 00:44:37,480
Speaker 1: was just normal. It wasn't like anything weird. It was like,

746
00:44:38,000 --> 00:44:39,920
Speaker 1: you know, it was like go on stage, hook up,

747
00:44:40,560 --> 00:44:43,640
Speaker 1: you know, do your show, go to the next town.

748
00:44:43,960 --> 00:44:45,640
Speaker 1: Sometimes girls would get on the bus and go to

749
00:44:45,719 --> 00:44:48,000
Speaker 1: the next town. It's the it's the same ship that

750
00:44:48,280 --> 00:44:51,920
Speaker 1: you see an old MTV music videos. It's like bon

751
00:44:52,080 --> 00:44:57,360
Speaker 1: Jovi and you yeah, because you were a comedian, Like

752
00:44:57,440 --> 00:45:00,200
Speaker 1: you're not a rocker, you're not a band. So so yes,

753
00:45:00,280 --> 00:45:02,680
Speaker 1: so But MTV was so big back, it was fucking

754
00:45:03,000 --> 00:45:05,719
Speaker 1: was huge. So if you were on MTV and you

755
00:45:05,760 --> 00:45:07,600
Speaker 1: were on it all the time the time, it just

756
00:45:07,719 --> 00:45:10,879
Speaker 1: replayed that. It was you were in our living room

757
00:45:11,480 --> 00:45:14,319
Speaker 1: and you were entertaining and funny, and it was hard

758
00:45:14,400 --> 00:45:17,359
Speaker 1: not to like the Wise, Like the Wise was there

759
00:45:17,440 --> 00:45:20,239
Speaker 1: for the fun for the game, And where did that whole?

760
00:45:20,640 --> 00:45:23,799
Speaker 1: Like I never saw you do stand up? Then did

761
00:45:24,160 --> 00:45:25,960
Speaker 1: was that your what you were doing as a stand

762
00:45:26,040 --> 00:45:28,759
Speaker 1: up that character? Or was it like was that part

763
00:45:28,800 --> 00:45:30,560
Speaker 1: of it? And then it sort of became like this

764
00:45:30,680 --> 00:45:32,480
Speaker 1: is it was almost like I say, it's like the

765
00:45:32,560 --> 00:45:36,239
Speaker 1: Reesa's Pieces commercial where it just happened accidentally. You know,

766
00:45:36,360 --> 00:45:38,560
Speaker 1: you put the peanut butter and the chocolate and you

767
00:45:38,640 --> 00:45:40,719
Speaker 1: put it together, like oh my god. So it was

768
00:45:40,760 --> 00:45:43,600
Speaker 1: like it just happened naturally accidentally when I was on

769
00:45:43,840 --> 00:45:46,839
Speaker 1: MTV because I first started offul like check out this video.

770
00:45:46,880 --> 00:45:50,480
Speaker 1: It's gonna be made. You're you know what I mean?

771
00:45:50,840 --> 00:45:53,239
Speaker 1: And then I started pausing between my words, so that

772
00:45:53,400 --> 00:45:58,920
Speaker 1: was an accident. What's up? But you know what I mean?

773
00:45:59,000 --> 00:46:01,320
Speaker 1: All that ship and then I just started getting my

774
00:46:01,360 --> 00:46:04,040
Speaker 1: whole kans. The whole thing was like, yo, bros, check

775
00:46:04,080 --> 00:46:06,200
Speaker 1: out the wood you created because I want to obey

776
00:46:06,360 --> 00:46:10,520
Speaker 1: some serious but I want to bomb bro. And then

777
00:46:10,560 --> 00:46:16,279
Speaker 1: we did the way at the end, you know, and

778
00:46:16,360 --> 00:46:18,480
Speaker 1: it was just silly. It was silly, and it was

779
00:46:18,680 --> 00:46:20,560
Speaker 1: light and it was goofy, you know what I mean.

780
00:46:20,680 --> 00:46:23,200
Speaker 1: It was innocent. Now one of the things I mean,

781
00:46:23,239 --> 00:46:25,720
Speaker 1: I want to jump back to Leonardo the stories Red Foxes.

782
00:46:26,239 --> 00:46:29,160
Speaker 1: You have tons of stories. What is your take because

783
00:46:29,200 --> 00:46:32,440
Speaker 1: you've seen comedy from the seventies the eighties. Just the

784
00:46:32,520 --> 00:46:36,320
Speaker 1: story you're just telling me about girls you call them groupies.

785
00:46:36,640 --> 00:46:38,960
Speaker 1: And where I'm going through now is like everything is

786
00:46:39,080 --> 00:46:45,640
Speaker 1: so like politically fucking correct comedy. You know, even this

787
00:46:45,800 --> 00:46:48,520
Speaker 1: Louis c Kay thing, regardless of our opinions about him

788
00:46:48,560 --> 00:46:50,000
Speaker 1: and what's happening, and you probably know him, and I

789
00:46:50,040 --> 00:46:52,440
Speaker 1: don't even want to get into that, but like what

790
00:46:52,560 --> 00:46:56,280
Speaker 1: happened to him where they're recording him and then people

791
00:46:56,400 --> 00:46:59,000
Speaker 1: judge him and comedy shows. I mean, Dice, you were

792
00:46:59,000 --> 00:47:01,719
Speaker 1: around Dice Wing, Sam Kennison, these guys. If you if

793
00:47:01,719 --> 00:47:04,799
Speaker 1: a comedian came out now and did the things Dice did,

794
00:47:05,840 --> 00:47:09,000
Speaker 1: I mean, he'd be maybe put in jail pretty much. Yeah,

795
00:47:09,080 --> 00:47:11,080
Speaker 1: I mean because he did the gay thing and he

796
00:47:11,160 --> 00:47:13,440
Speaker 1: did this and all. I mean, so what do you

797
00:47:13,560 --> 00:47:15,520
Speaker 1: what is your take on just being someone who's so

798
00:47:15,680 --> 00:47:19,400
Speaker 1: familiar with comedy, um, with what happens in a comedy

799
00:47:19,440 --> 00:47:21,880
Speaker 1: store and the judgment and what could potentially be the

800
00:47:22,000 --> 00:47:25,880
Speaker 1: backlash and the political correctness, and you're a ship talker

801
00:47:26,400 --> 00:47:29,879
Speaker 1: all comedians I mean, I mean, do you know any

802
00:47:30,000 --> 00:47:33,480
Speaker 1: comedian that doesn't do dark jokes? Whether it's Dice or

803
00:47:33,600 --> 00:47:37,640
Speaker 1: just there's a darkness, there's a risk, a quality. You know,

804
00:47:37,719 --> 00:47:41,600
Speaker 1: obviously there's there's extremes to it. Everybody does it. Like,

805
00:47:41,760 --> 00:47:44,680
Speaker 1: what is your just perspective on what's going on with

806
00:47:45,160 --> 00:47:49,719
Speaker 1: specifically comedy now? I just think, you know, unfortunately, you

807
00:47:49,800 --> 00:47:52,279
Speaker 1: have to change with the times, and it's just the

808
00:47:52,360 --> 00:47:55,920
Speaker 1: way it is. It's like a trend. You know, it's like, hey,

809
00:47:56,040 --> 00:47:58,040
Speaker 1: you have to be you know, even when you date

810
00:47:58,160 --> 00:48:00,879
Speaker 1: girls or you ask a girl out, or you see

811
00:48:00,920 --> 00:48:03,440
Speaker 1: a girl at a Starbucks. You can't just go yo, babe,

812
00:48:03,480 --> 00:48:05,880
Speaker 1: what's up, because they'll put your ship on blast on

813
00:48:06,000 --> 00:48:08,480
Speaker 1: social media. Oh he tried to touch me, you know.

814
00:48:08,800 --> 00:48:10,239
Speaker 1: And you know what, you just have to change with

815
00:48:10,320 --> 00:48:13,520
Speaker 1: the times. Maybe it's the Donald Trump thing, you know,

816
00:48:13,760 --> 00:48:17,400
Speaker 1: Maybe it's you know, the Obama thing. Maybe it's you know,

817
00:48:17,640 --> 00:48:21,200
Speaker 1: it's people are poor. I don't know, I don't know

818
00:48:21,280 --> 00:48:24,120
Speaker 1: what it is. But in the comedy clubs, like you know,

819
00:48:24,640 --> 00:48:26,719
Speaker 1: like you just have to skate the line and you

820
00:48:26,840 --> 00:48:28,720
Speaker 1: just have to not go over it or you're fucked.

821
00:48:29,239 --> 00:48:32,440
Speaker 1: I mean right now. Yeah, it's pretty real, you know

822
00:48:32,440 --> 00:48:34,480
Speaker 1: what I mean. Look at Roseanne. I mean it's a

823
00:48:34,520 --> 00:48:37,200
Speaker 1: great example with someone that was just fucked up on

824
00:48:37,320 --> 00:48:39,920
Speaker 1: ambient and she did something silly and she said something

825
00:48:40,280 --> 00:48:44,600
Speaker 1: a little bit racist, and because it's Disney and ABC,

826
00:48:45,480 --> 00:48:48,400
Speaker 1: you know, they pulled her show. Um. But back in

827
00:48:48,480 --> 00:48:50,960
Speaker 1: the day, if she did that, it wouldn't have been

828
00:48:50,960 --> 00:48:53,319
Speaker 1: a big deal. It's just a different time now because

829
00:48:53,400 --> 00:48:56,480
Speaker 1: the problem is is you got the bosses, but then

830
00:48:56,560 --> 00:49:00,360
Speaker 1: there's the board, right, and those people they have to

831
00:49:00,480 --> 00:49:03,840
Speaker 1: like mind their p's and cues because then the lesbians

832
00:49:03,880 --> 00:49:06,279
Speaker 1: will come after them and the feminists will come after

833
00:49:06,400 --> 00:49:08,640
Speaker 1: them and all that stuff, so they don't want to

834
00:49:08,680 --> 00:49:11,640
Speaker 1: get fucked with either. So it's like, you know, and

835
00:49:11,719 --> 00:49:13,839
Speaker 1: it's weird because she had the hit the biggest at

836
00:49:13,880 --> 00:49:17,799
Speaker 1: show and she got outside. You know, it's it's it's clear.

837
00:49:17,840 --> 00:49:19,560
Speaker 1: It's just my point is is that you asked me

838
00:49:19,640 --> 00:49:23,160
Speaker 1: the question. I just think unfortunately you just have to

839
00:49:23,239 --> 00:49:25,279
Speaker 1: change with the times and you have to skate the

840
00:49:25,400 --> 00:49:27,120
Speaker 1: line and just try not to go over it. What

841
00:49:27,239 --> 00:49:30,279
Speaker 1: about comedians right now at the comedy store? Is there

842
00:49:30,400 --> 00:49:34,480
Speaker 1: something obviously what Michael Richards, the guy from Seinfeld dude

843
00:49:34,480 --> 00:49:37,680
Speaker 1: that was that was like a crazy thing. Uh and

844
00:49:37,800 --> 00:49:41,160
Speaker 1: obviously very very fucking blatant. But is there are there

845
00:49:41,320 --> 00:49:44,719
Speaker 1: comedians now where like if they go on stage at

846
00:49:44,719 --> 00:49:48,640
Speaker 1: the comedy store where they could get banned for saying

847
00:49:48,800 --> 00:49:52,160
Speaker 1: something like not or banded or in trouble or reprimanded

848
00:49:52,400 --> 00:49:54,759
Speaker 1: like like in the last year, has that been something

849
00:49:54,800 --> 00:49:56,719
Speaker 1: that's that you've had to deal with her that that

850
00:49:56,960 --> 00:49:59,400
Speaker 1: come to you? Yeah, I think that the story people

851
00:49:59,640 --> 00:50:03,120
Speaker 1: just do what they do and we don't really police them.

852
00:50:03,600 --> 00:50:06,000
Speaker 1: But if someone puts it on the internet, it's out

853
00:50:06,040 --> 00:50:07,759
Speaker 1: there and they sneak it, then there's nothing we can

854
00:50:07,840 --> 00:50:09,880
Speaker 1: do about it, do you know what I mean? But

855
00:50:10,000 --> 00:50:12,400
Speaker 1: would you say, but like what happened with Louis Let,

856
00:50:12,520 --> 00:50:14,720
Speaker 1: that didn't happen at the comedy store. But if somebody records,

857
00:50:14,760 --> 00:50:17,600
Speaker 1: which they shouldn't do they're told not to do, which

858
00:50:17,680 --> 00:50:20,920
Speaker 1: is essentially breaking the law into something. But but what

859
00:50:21,360 --> 00:50:23,720
Speaker 1: let's say, like the Louis thing happened at the comedy

860
00:50:23,760 --> 00:50:26,280
Speaker 1: store and you're getting all this backlash and they're like, Louis,

861
00:50:26,480 --> 00:50:28,560
Speaker 1: I don't know if they did this with the comedy seller,

862
00:50:28,560 --> 00:50:30,239
Speaker 1: because I think it happened with the comedy seller in

863
00:50:30,239 --> 00:50:32,440
Speaker 1: New York with the Louis Kay thing. Do you do

864
00:50:32,560 --> 00:50:35,320
Speaker 1: you go, well, funk, We're not going to perform like

865
00:50:35,520 --> 00:50:37,040
Speaker 1: or is it? Is it up to the people to say,

866
00:50:37,040 --> 00:50:38,719
Speaker 1: we're gonna come see Like you know what I'm saying.

867
00:50:38,840 --> 00:50:40,600
Speaker 1: I think you have to just you know, like I said,

868
00:50:40,680 --> 00:50:42,520
Speaker 1: you have to change with the times. It's just, you know,

869
00:50:42,640 --> 00:50:45,239
Speaker 1: even when I walk around the comedy store now I

870
00:50:45,360 --> 00:50:48,000
Speaker 1: have to mind my piece and kus that's just life,

871
00:50:48,480 --> 00:50:50,880
Speaker 1: you know what I mean. It's just some people got

872
00:50:51,000 --> 00:50:52,600
Speaker 1: hit with it, and some people did it. I mean,

873
00:50:52,640 --> 00:50:55,760
Speaker 1: look at look at Kevin Space, like all these guys.

874
00:50:55,880 --> 00:51:01,600
Speaker 1: It's like it's just even fucking Bill Cosby is in

875
00:51:01,760 --> 00:51:04,719
Speaker 1: prison right now for ship he did, you know. So

876
00:51:04,880 --> 00:51:08,040
Speaker 1: my point is you just have to be respectful of

877
00:51:08,120 --> 00:51:10,800
Speaker 1: what's going on now in in in a bow and

878
00:51:10,960 --> 00:51:12,920
Speaker 1: chill and just skate the line, you know. And I

879
00:51:12,960 --> 00:51:15,680
Speaker 1: think that's why Chappelle is the smartest guy because he

880
00:51:15,760 --> 00:51:18,919
Speaker 1: has people put his put their cell phones in a bag,

881
00:51:19,400 --> 00:51:21,520
Speaker 1: you know that, right, Yeah, he puts it in the bag.

882
00:51:21,560 --> 00:51:23,320
Speaker 1: And I think that is a comedy store though. But

883
00:51:23,400 --> 00:51:26,120
Speaker 1: that's one thing about we're talking about that at the

884
00:51:26,160 --> 00:51:28,360
Speaker 1: store right now, is to put the cell phones in

885
00:51:28,400 --> 00:51:31,680
Speaker 1: the bag, you know, with the lock. The lock. I

886
00:51:31,760 --> 00:51:35,400
Speaker 1: think that's important. What are the top three or top

887
00:51:35,600 --> 00:51:39,440
Speaker 1: five craziest things you saw at the comedy store that

888
00:51:39,480 --> 00:51:42,680
Speaker 1: didn't happen on stage, whether it's fights, whether it's you

889
00:51:42,760 --> 00:51:45,239
Speaker 1: know what, Like when I say like the craziest things

890
00:51:45,280 --> 00:51:47,960
Speaker 1: in like that, you remember what are they? Or just

891
00:51:48,120 --> 00:51:50,399
Speaker 1: like that stuck out you as a king, I'll say,

892
00:51:50,880 --> 00:51:55,440
Speaker 1: first of all, you know, fuck man um well, Eddie Murphy,

893
00:51:56,239 --> 00:51:59,880
Speaker 1: he was the man, like the biggest, so he was

894
00:52:00,080 --> 00:52:03,440
Speaker 1: a super superstar. So when he roll into the store,

895
00:52:03,640 --> 00:52:06,680
Speaker 1: he'd have like about six Rolls Royces. It was almost

896
00:52:06,760 --> 00:52:09,359
Speaker 1: like the Princess Saudi Arabia was showing it up. Did

897
00:52:09,400 --> 00:52:11,000
Speaker 1: you ever were you ever at the store at that time?

898
00:52:11,120 --> 00:52:13,759
Speaker 1: I never saw him at the comedy store, but he

899
00:52:13,800 --> 00:52:16,200
Speaker 1: would roll up and his all his Rolls Royces, you know,

900
00:52:16,280 --> 00:52:20,440
Speaker 1: Fruity would show up, Uncle Ray, all his Charlie Charlie

901
00:52:20,480 --> 00:52:23,839
Speaker 1: would be there, all his Yeah, Charlie Murphy would be there. Um.

902
00:52:24,000 --> 00:52:26,560
Speaker 1: This was before Charlie was doing stand up. This was

903
00:52:26,600 --> 00:52:29,440
Speaker 1: when he was just one of Eddie's like lingering guys,

904
00:52:29,760 --> 00:52:31,600
Speaker 1: you know what I mean, just kind of one of

905
00:52:31,719 --> 00:52:33,640
Speaker 1: his his I don't want to say lackeys. That's not

906
00:52:33,719 --> 00:52:36,200
Speaker 1: a nice word, brother, but so many he was. He

907
00:52:36,360 --> 00:52:38,399
Speaker 1: was just kind of hanging hanging on or type guy.

908
00:52:39,200 --> 00:52:41,080
Speaker 1: And then Eddie would show up and you'd get out

909
00:52:41,160 --> 00:52:43,320
Speaker 1: and you just knew he was a movie star. It

910
00:52:43,480 --> 00:52:46,400
Speaker 1: was like he looked and smelt and dressed. It was

911
00:52:46,480 --> 00:52:49,840
Speaker 1: like superstar. And he would walk on that stage and

912
00:52:50,000 --> 00:52:53,839
Speaker 1: people would fucking just ship. So I remember that a lot.

913
00:52:54,280 --> 00:52:58,240
Speaker 1: I remember watching um, George Carlin a lot on that stage.

914
00:52:58,360 --> 00:53:01,440
Speaker 1: That was fucking insane because here's a doctor of comedy.

915
00:53:01,800 --> 00:53:04,640
Speaker 1: That's what I'm saying like, I watched Guys now and

916
00:53:04,719 --> 00:53:07,520
Speaker 1: I watched Guys then, and it was just a percent different.

917
00:53:07,640 --> 00:53:10,880
Speaker 1: And the poor audience is watching the comics now and

918
00:53:10,920 --> 00:53:13,400
Speaker 1: they're like, oh my god, these guys are so money,

919
00:53:13,840 --> 00:53:15,840
Speaker 1: and I'm in the back on this is terrible. You

920
00:53:15,880 --> 00:53:17,400
Speaker 1: know what I mean, because I've seen it, you know,

921
00:53:17,440 --> 00:53:20,240
Speaker 1: I've seen what happened. And then obviously when Richard Pryor

922
00:53:20,280 --> 00:53:23,120
Speaker 1: would show up and he would go on stage, it

923
00:53:23,239 --> 00:53:27,440
Speaker 1: was almost like Jesus Christ, you know, like Jesus Christ performed,

924
00:53:27,480 --> 00:53:29,800
Speaker 1: because it would be like people would be like, you know.

925
00:53:29,840 --> 00:53:32,520
Speaker 1: I even brought him up on stage, did you and

926
00:53:33,640 --> 00:53:37,720
Speaker 1: showed him a lot, but he was still healthy, starting

927
00:53:37,760 --> 00:53:41,960
Speaker 1: to get sicker, but of course I used to give

928
00:53:42,040 --> 00:53:44,120
Speaker 1: him cigarettes and drinks and all that before he gone.

929
00:53:44,120 --> 00:53:46,320
Speaker 1: There's a whole thing when Richard would walk in and

930
00:53:47,120 --> 00:53:49,279
Speaker 1: was filmed there right, which one of his specials was

931
00:53:49,360 --> 00:53:52,160
Speaker 1: filmed at he no I think he prepped, yeah, yeah,

932
00:53:52,480 --> 00:53:54,000
Speaker 1: no he did. Uh. I think there was a Comedy

933
00:53:54,000 --> 00:53:56,800
Speaker 1: Story anniversary special out there. But he would go on

934
00:53:56,960 --> 00:53:59,839
Speaker 1: stage and if you said the words Richard Pryor, people

935
00:54:00,000 --> 00:54:02,880
Speaker 1: wouldn't believe that he was actually coming on stage. And

936
00:54:02,960 --> 00:54:04,320
Speaker 1: then he would go up there and it was like,

937
00:54:04,400 --> 00:54:06,800
Speaker 1: oh my god, and there was this something about the

938
00:54:06,880 --> 00:54:12,720
Speaker 1: guy that um that was so likable and so funny

939
00:54:12,880 --> 00:54:15,640
Speaker 1: and so just you just connected every every little thing

940
00:54:15,760 --> 00:54:18,080
Speaker 1: that he said, you just felt him. And that was

941
00:54:18,200 --> 00:54:20,919
Speaker 1: cool about him and Sam Kennison because him and Sam

942
00:54:21,040 --> 00:54:23,960
Speaker 1: Kennison were both guys that were known for being blue.

943
00:54:24,360 --> 00:54:27,240
Speaker 1: But there was something so vulnerable and for you, especially

944
00:54:27,600 --> 00:54:30,400
Speaker 1: starting outstand up, you know what I mean, Like, you

945
00:54:30,520 --> 00:54:33,080
Speaker 1: gotta be likable on stage. You know, you can come

946
00:54:33,120 --> 00:54:35,120
Speaker 1: off and you know, do your stick and da da da,

947
00:54:35,400 --> 00:54:37,160
Speaker 1: but at the end of the day, you're a likable

948
00:54:37,200 --> 00:54:39,200
Speaker 1: guy and you want you want to connect with the audience.

949
00:54:39,400 --> 00:54:42,360
Speaker 1: That's the most important thing. If I have any direction

950
00:54:42,480 --> 00:54:45,160
Speaker 1: to any of the comedians out there is just become

951
00:54:45,239 --> 00:54:48,480
Speaker 1: likable and then as far as your style is your style.

952
00:54:48,960 --> 00:54:51,200
Speaker 1: But yeah, you know what I mean. But you gotta

953
00:54:51,239 --> 00:54:54,480
Speaker 1: be nice, you know, especially when you deal with Heckler's

954
00:54:54,880 --> 00:54:56,160
Speaker 1: you know what I mean, because you don't want to

955
00:54:56,200 --> 00:54:59,480
Speaker 1: be the guy that you know that they're they're isolating you.

956
00:54:59,640 --> 00:55:02,800
Speaker 1: You want isolate them. What what about your relationship with Kinnison?

957
00:55:02,840 --> 00:55:05,800
Speaker 1: He meant he like mentords you. Yes, Sam is a

958
00:55:05,880 --> 00:55:08,600
Speaker 1: guy that came onto the scene in the mid eighties.

959
00:55:08,840 --> 00:55:10,120
Speaker 1: You know, this is when I, you know, it was

960
00:55:10,280 --> 00:55:13,600
Speaker 1: gone through puberty and I was sucking, uh, you know,

961
00:55:13,719 --> 00:55:16,040
Speaker 1: starting to have sex with girls. I was probably fourteen

962
00:55:16,080 --> 00:55:17,960
Speaker 1: years old. I was a shorter or cook at the

963
00:55:18,000 --> 00:55:21,240
Speaker 1: Comedy Stern, Westwood, and my mom put him as the doorman.

964
00:55:21,920 --> 00:55:24,759
Speaker 1: And then he would go, yeah, and he would go

965
00:55:24,840 --> 00:55:28,160
Speaker 1: on stage last at the Westwood Comedy Store, and he'd

966
00:55:28,200 --> 00:55:31,200
Speaker 1: basically see every he'd scream everybody out of my house,

967
00:55:31,280 --> 00:55:34,000
Speaker 1: out of my house. Uh, And you'd take the stools

968
00:55:34,600 --> 00:55:36,399
Speaker 1: from the stage and you'd throw him at the kids

969
00:55:36,440 --> 00:55:38,040
Speaker 1: in the audience because they're all from U. C. L A.

970
00:55:38,080 --> 00:55:40,640
Speaker 1: I was in Westwood. And then he would literally come

971
00:55:40,680 --> 00:55:42,480
Speaker 1: to the back. I would feed him and then he'd

972
00:55:42,520 --> 00:55:46,400
Speaker 1: sleep on the stage. Yeah. And that was at a

973
00:55:46,480 --> 00:55:48,600
Speaker 1: time where he basically come out here from I think

974
00:55:48,600 --> 00:55:51,360
Speaker 1: it was Oklahoma or or something like that. And it

975
00:55:51,480 --> 00:55:55,440
Speaker 1: was basically him, Mitchell Walters, Carl Lebou, Joey gaynor Um,

976
00:55:56,120 --> 00:55:59,520
Speaker 1: who else was there, Freddie, Freddy Asparagus. Those are all

977
00:55:59,560 --> 00:56:01,560
Speaker 1: the guy is man, These are the real, the real

978
00:56:01,640 --> 00:56:04,520
Speaker 1: fucking cats, you know. And that was Sam. Sam had

979
00:56:04,600 --> 00:56:07,200
Speaker 1: that posse. When Sam made it, it was I was like,

980
00:56:07,320 --> 00:56:10,000
Speaker 1: you know, years old. So I followed him around like

981
00:56:10,200 --> 00:56:12,880
Speaker 1: you would follow around Michael Jordan's you know, it's obsessed

982
00:56:12,920 --> 00:56:15,680
Speaker 1: with him. He had the pussy, He had the pussy,

983
00:56:15,840 --> 00:56:18,440
Speaker 1: had the porno stars. Bill a Idol was there. It

984
00:56:18,600 --> 00:56:21,080
Speaker 1: was like sucking the real deal. It was a real deal.

985
00:56:21,200 --> 00:56:25,400
Speaker 1: Sextuchtar sh right, Yeah. And Sam was you know. And

986
00:56:25,520 --> 00:56:27,879
Speaker 1: Sam reminded me a lot of Elvis Presley, Like during

987
00:56:28,440 --> 00:56:30,640
Speaker 1: during the holidays, he had always come over with gifts,

988
00:56:31,280 --> 00:56:32,480
Speaker 1: you know what I mean. He was like a giver.

989
00:56:32,640 --> 00:56:35,880
Speaker 1: Elvis was like a giver. Sam was always giving, giving, giving,

990
00:56:36,000 --> 00:56:39,759
Speaker 1: you know. And uh wow, it was a wild you know,

991
00:56:39,880 --> 00:56:42,160
Speaker 1: five to ten years ride that he had yet And

992
00:56:42,280 --> 00:56:44,600
Speaker 1: what about Dice and what was the what was the

993
00:56:44,680 --> 00:56:48,160
Speaker 1: beef between Dice and Kitnessson they were like the fucking

994
00:56:48,320 --> 00:56:51,959
Speaker 1: dudes and doing this like outlaw comedy? Was there a beef?

995
00:56:52,000 --> 00:56:53,960
Speaker 1: They were like best friends and then they were rivals.

996
00:56:54,520 --> 00:56:57,600
Speaker 1: I don't. You'd have to ask Dice the specific stuff

997
00:56:57,680 --> 00:57:00,120
Speaker 1: on how it happened. I don't. I can't say that

998
00:57:00,120 --> 00:57:02,359
Speaker 1: because I wasn't physically like when it started. I think

999
00:57:02,400 --> 00:57:04,800
Speaker 1: there was about a girlfriend thing, or maybe there was

1000
00:57:04,880 --> 00:57:07,960
Speaker 1: tom Otsuki, maybe there was the Crest Hill House. I'm

1001
00:57:08,000 --> 00:57:10,960
Speaker 1: not really sure how it started. But Sam, you know,

1002
00:57:11,160 --> 00:57:14,200
Speaker 1: underneath it always kind of insecure, you know, and he

1003
00:57:14,360 --> 00:57:17,520
Speaker 1: wasn't great looking, you know what I mean, but he

1004
00:57:17,680 --> 00:57:20,000
Speaker 1: was funnier than anyone. So there was like this weird

1005
00:57:20,120 --> 00:57:22,720
Speaker 1: thing and Dice came on the scene with his stick.

1006
00:57:23,040 --> 00:57:25,200
Speaker 1: It wasn't I don't want to say it wasn't real comedy.

1007
00:57:25,240 --> 00:57:27,920
Speaker 1: It was real comedy, but it wasn't like Richard Pryor

1008
00:57:28,000 --> 00:57:29,960
Speaker 1: or Sam. It wasn't like kind of thought out as

1009
00:57:30,000 --> 00:57:32,800
Speaker 1: more like sticky stick, which was huge and funny. To me,

1010
00:57:32,920 --> 00:57:35,760
Speaker 1: I liked it. It was fucking It was think about,

1011
00:57:36,680 --> 00:57:39,600
Speaker 1: you know, to two people that had big egos that

1012
00:57:39,680 --> 00:57:44,080
Speaker 1: were hot at the same time, and you know, Joe Rogan,

1013
00:57:44,200 --> 00:57:47,800
Speaker 1: Carlos Mincia and then was Joe Band What was that?

1014
00:57:47,960 --> 00:57:50,960
Speaker 1: And what like with stealing jokes? What is the I mean,

1015
00:57:51,000 --> 00:57:53,560
Speaker 1: there's so many. I mean, it's so hard Like when

1016
00:57:53,600 --> 00:57:57,080
Speaker 1: I'm around comedians now recently and I listened to comedies,

1017
00:57:57,120 --> 00:58:00,960
Speaker 1: like everybody talks about the same things. It's just how

1018
00:58:01,040 --> 00:58:04,160
Speaker 1: you present them. It's really hard to not mention whether

1019
00:58:04,200 --> 00:58:07,520
Speaker 1: it's Trump, whether it's fucking plastic straws, whether it's vegetarians,

1020
00:58:07,840 --> 00:58:10,240
Speaker 1: whether it's you know, like, there's so many sort of

1021
00:58:10,280 --> 00:58:12,320
Speaker 1: comment threds, like what what what was the deal with that?

1022
00:58:12,520 --> 00:58:17,280
Speaker 1: The Joe rogan specifically, because I didn't get into the

1023
00:58:17,480 --> 00:58:23,280
Speaker 1: details of the specific jokes that Carlos stole. Did Carlos

1024
00:58:23,320 --> 00:58:25,440
Speaker 1: steal from him or did Joe ste know? I think

1025
00:58:25,480 --> 00:58:29,120
Speaker 1: Carlos just stole jokes period. I think it started with

1026
00:58:29,240 --> 00:58:32,760
Speaker 1: Ari Schaffier because Ari Schaffier talked about building a wall,

1027
00:58:32,840 --> 00:58:35,360
Speaker 1: and I think Carlos did the building wall, but I don't.

1028
00:58:35,440 --> 00:58:38,480
Speaker 1: I can't speak on their behalf, you know, just but

1029
00:58:38,640 --> 00:58:41,160
Speaker 1: as far as the store, I mean, basically what happened

1030
00:58:41,320 --> 00:58:45,360
Speaker 1: was as Carlos was on stage, Joe was on stage,

1031
00:58:45,400 --> 00:58:48,800
Speaker 1: and then Brian Redband was filming it, and then basically

1032
00:58:49,040 --> 00:58:51,360
Speaker 1: Joe buried him and just called him a joke thief

1033
00:58:52,200 --> 00:58:55,800
Speaker 1: and called him out pretty much, and then that went viral.

1034
00:58:55,920 --> 00:58:58,800
Speaker 1: So and that's kind of what I think is the

1035
00:58:58,920 --> 00:59:02,040
Speaker 1: just of it. But I can't say specifically what the

1036
00:59:02,640 --> 00:59:05,960
Speaker 1: specific jokes were. You I got you um a Leonardo,

1037
00:59:06,160 --> 00:59:08,480
Speaker 1: you said you doub Leonardo, you got like you've seen

1038
00:59:08,600 --> 00:59:10,959
Speaker 1: him go like talk about a star. Yeah, he's great.

1039
00:59:12,800 --> 00:59:15,320
Speaker 1: He's a beautiful guy, and you know it's hard to

1040
00:59:15,400 --> 00:59:17,080
Speaker 1: keep sucking up with him because he's you know, he's

1041
00:59:17,160 --> 00:59:19,880
Speaker 1: leading under the caprio. But I mean, I mean, he

1042
00:59:20,040 --> 00:59:23,800
Speaker 1: was like the two people that I met in my

1043
00:59:24,000 --> 00:59:27,200
Speaker 1: career that actors that I was like bing was him.

1044
00:59:27,320 --> 00:59:29,040
Speaker 1: He hadn't done anything, but you were just like that

1045
00:59:29,120 --> 00:59:34,160
Speaker 1: guy's special. You just knew like he was special. Um.

1046
00:59:34,760 --> 00:59:36,560
Speaker 1: And then well Brad Pitt was kind of rocking and

1047
00:59:36,720 --> 00:59:40,800
Speaker 1: rolling and Benisio like you were like this guy like

1048
00:59:40,840 --> 00:59:42,480
Speaker 1: it was a different thing. It was just his talent.

1049
00:59:42,600 --> 00:59:45,200
Speaker 1: Like you were like, let's talk about Brad Pitt first,

1050
00:59:45,200 --> 00:59:47,360
Speaker 1: because I know Brad Pitt, okay, well from back in

1051
00:59:47,440 --> 00:59:49,840
Speaker 1: the day. So anyway, So there was a guy I

1052
00:59:49,880 --> 00:59:51,760
Speaker 1: don't know if you remember this. One of my favorite

1053
00:59:51,840 --> 00:59:56,360
Speaker 1: movies growing up was The Accused. Remember that. Yes, that

1054
00:59:56,480 --> 00:59:59,520
Speaker 1: was a good movie, great movie. Remember that really good movie.

1055
00:59:59,520 --> 01:00:01,240
Speaker 1: And there was a kid named kid there and I

1056
01:00:01,240 --> 01:00:02,800
Speaker 1: don't know if you're friends with him. His name was

1057
01:00:02,840 --> 01:00:06,040
Speaker 1: Bernie Coulson. Do you know Bernie Coulson? Probably by face

1058
01:00:06,080 --> 01:00:07,720
Speaker 1: because I know that movie very well. He was the

1059
01:00:07,800 --> 01:00:10,560
Speaker 1: guy that sat on the stands. You know that basically,

1060
01:00:10,680 --> 01:00:13,120
Speaker 1: you know, out of the you know about he was

1061
01:00:13,160 --> 01:00:14,560
Speaker 1: one of the guys that raped her on the place,

1062
01:00:14,680 --> 01:00:17,040
Speaker 1: like the frat boy guy, good looking, he was like

1063
01:00:17,120 --> 01:00:19,600
Speaker 1: the friend. He was kind of the nervousy guy. Okay, okay,

1064
01:00:19,760 --> 01:00:23,280
Speaker 1: So Bernie was best friends with Brad Pitt and Brad

1065
01:00:23,360 --> 01:00:26,720
Speaker 1: Pitt had just started off because me, Brad Pitt, David Arquette,

1066
01:00:27,320 --> 01:00:30,680
Speaker 1: you know, fucking who else? Um, you know, you know,

1067
01:00:30,800 --> 01:00:33,880
Speaker 1: Johnny Depp like that whole that whole time was that,

1068
01:00:34,080 --> 01:00:35,760
Speaker 1: you know, when we were all kind of coming up.

1069
01:00:36,040 --> 01:00:39,320
Speaker 1: So I knew Brad Pitt from from Bernie Coulson and

1070
01:00:39,440 --> 01:00:42,080
Speaker 1: Brad Pitt used to sleep on Bernie's couch off of

1071
01:00:42,160 --> 01:00:45,240
Speaker 1: Melrose here when he first came first came to town.

1072
01:00:45,320 --> 01:00:47,760
Speaker 1: It's like, remember he did that movie he played the Hitchhiker.

1073
01:00:48,120 --> 01:00:53,360
Speaker 1: What was it? Um California. No, that was later on.

1074
01:00:54,040 --> 01:00:58,560
Speaker 1: It was when he and he was like that was

1075
01:00:58,640 --> 01:01:01,400
Speaker 1: like that's a star, huge star, and he was in

1076
01:01:01,440 --> 01:01:02,919
Speaker 1: a few scenes. You were like that guy is gonna

1077
01:01:02,960 --> 01:01:05,640
Speaker 1: be fucking do Yeah, you knew it. He was gorgeous

1078
01:01:05,880 --> 01:01:09,640
Speaker 1: and he was just good and charismatic, incomfident and likable

1079
01:01:09,880 --> 01:01:12,040
Speaker 1: in the camera loved him. Yeah, and the movie was

1080
01:01:12,120 --> 01:01:14,440
Speaker 1: a huge hit. But it was just like he was

1081
01:01:14,560 --> 01:01:18,280
Speaker 1: that dude. Yeah, so that character, that stoner character guy

1082
01:01:18,400 --> 01:01:21,520
Speaker 1: where he was sitting on the couch is basically kind

1083
01:01:21,560 --> 01:01:24,200
Speaker 1: of how he was when he was living with Bernie Coulson.

1084
01:01:25,000 --> 01:01:27,080
Speaker 1: So Bernie and me and Brad Pitt used to hang

1085
01:01:27,120 --> 01:01:29,080
Speaker 1: out like back in the day, like back in the

1086
01:01:29,400 --> 01:01:32,360
Speaker 1: late eighties. You know, So I had known him and

1087
01:01:32,480 --> 01:01:35,200
Speaker 1: I knew he was gonna think. Also, did you ever

1088
01:01:35,280 --> 01:01:39,120
Speaker 1: do an episode of twenty one Jump Street? I never did? Hilarious,

1089
01:01:39,600 --> 01:01:41,600
Speaker 1: So again, when I met Johnny Depp up there, I

1090
01:01:41,680 --> 01:01:43,800
Speaker 1: knew he was going to be a big star, and

1091
01:01:43,880 --> 01:01:45,680
Speaker 1: well he was so very another one, like he just

1092
01:01:45,880 --> 01:01:49,400
Speaker 1: was something special. Yeah, so so yeah, so but you

1093
01:01:49,520 --> 01:01:51,880
Speaker 1: knew Brad was like you knew he was gonna he

1094
01:01:51,960 --> 01:01:54,720
Speaker 1: was gonna pop. He was a really nice guy. He

1095
01:01:55,480 --> 01:01:58,480
Speaker 1: wasn't a real sweetheart and he wasn't like pretty boy like,

1096
01:01:58,560 --> 01:01:59,880
Speaker 1: he didn't act like that. He was like a fun

1097
01:02:00,240 --> 01:02:03,840
Speaker 1: Missouri's from Missouri, right, yeah exactly, so so yeah, so

1098
01:02:04,000 --> 01:02:06,640
Speaker 1: I was really happy for him. And what's your Leonardo

1099
01:02:06,760 --> 01:02:11,720
Speaker 1: Stories comedy store? Like he this guy's put it down. Yeah,

1100
01:02:11,840 --> 01:02:15,280
Speaker 1: so basically another nice guy, really great guy. And you

1101
01:02:15,360 --> 01:02:17,960
Speaker 1: know the thing about Leonardo that's impressive. And all the years,

1102
01:02:18,040 --> 01:02:20,040
Speaker 1: all the women, all the films that he's been on,

1103
01:02:20,160 --> 01:02:23,160
Speaker 1: you never heard a bad word about him. Like there's

1104
01:02:23,200 --> 01:02:25,400
Speaker 1: nobody who has anything bad to say guys, girls, Like,

1105
01:02:25,520 --> 01:02:27,240
Speaker 1: no one's like, oh, he's a dick. He was a

1106
01:02:27,320 --> 01:02:30,520
Speaker 1: dick on this Like that's a hard thing to do. Yeah,

1107
01:02:30,560 --> 01:02:33,640
Speaker 1: he's a sweetheart. So, um, so with Leo is a

1108
01:02:33,680 --> 01:02:36,400
Speaker 1: funny story how I first met him. Um remember that

1109
01:02:36,480 --> 01:02:39,880
Speaker 1: movie Parenthood? Yes, okay, so the first one was done

1110
01:02:39,920 --> 01:02:45,080
Speaker 1: with with It was done with Steve, Steve Martin, Kiana Reeves.

1111
01:02:45,240 --> 01:02:49,080
Speaker 1: Remember Kiana Reeve played the stoner guy. So what happened

1112
01:02:49,160 --> 01:02:52,720
Speaker 1: was is NBC black Parenthood and they changed into a

1113
01:02:52,800 --> 01:02:56,120
Speaker 1: TV show, right, And I think Ed Bagley Jr. Was

1114
01:02:56,200 --> 01:03:01,080
Speaker 1: like Steve Martin's character. And I auditioned for the the

1115
01:03:01,200 --> 01:03:05,080
Speaker 1: Keanu Reese part, you know the part. So I landed

1116
01:03:05,160 --> 01:03:08,400
Speaker 1: that in the pilot and there was my girlfriend and

1117
01:03:08,520 --> 01:03:13,520
Speaker 1: Leonardo DiCaprio played my girlfriend's little brother. He was fourteen.

1118
01:03:14,360 --> 01:03:16,640
Speaker 1: I was probably nineteen or twenty or something like at

1119
01:03:16,720 --> 01:03:19,960
Speaker 1: that time, and he just glommed onto me. On the set.

1120
01:03:20,520 --> 01:03:23,800
Speaker 1: So everywhere I went, Leo went, He's like following me around.

1121
01:03:23,880 --> 01:03:26,360
Speaker 1: He knew I was with playmates, he knew that I

1122
01:03:26,440 --> 01:03:29,200
Speaker 1: knew girls, and he just followed me around. I remember

1123
01:03:29,240 --> 01:03:31,680
Speaker 1: bringing a playboy to the set and showing him a playboy.

1124
01:03:31,720 --> 01:03:34,320
Speaker 1: He's fourteen, you know what I mean, And I'm like,

1125
01:03:34,480 --> 01:03:36,000
Speaker 1: you know, and he was just like in awe of

1126
01:03:36,160 --> 01:03:40,840
Speaker 1: me and yeah, and it was like ever since then,

1127
01:03:40,960 --> 01:03:44,400
Speaker 1: it's always been hugs, kisses, Like I've seen him as

1128
01:03:44,440 --> 01:03:47,280
Speaker 1: a hundred times since then. And that's where we first started.

1129
01:03:47,320 --> 01:03:50,360
Speaker 1: So we did that show together. Now you said playmates, Yeah,

1130
01:03:50,400 --> 01:03:53,120
Speaker 1: I did that show together. I can't skip over playmates.

1131
01:03:53,160 --> 01:03:55,880
Speaker 1: If you had to estimate how many playmates you have

1132
01:03:56,000 --> 01:04:00,360
Speaker 1: been intimate with in your run, how many would you say,

1133
01:04:01,160 --> 01:04:05,400
Speaker 1: I don't know, maybe ten or twenty actual playmates. And

1134
01:04:05,760 --> 01:04:09,040
Speaker 1: you were you were all up in the Playboy mansion. Yeah,

1135
01:04:09,600 --> 01:04:13,000
Speaker 1: what do you remember about the Playboy Mansion? Heaven on Earth?

1136
01:04:14,400 --> 01:04:18,360
Speaker 1: Heaven on You never went there. I never went there.

1137
01:04:19,040 --> 01:04:22,080
Speaker 1: I never been married. It's not that I just never

1138
01:04:22,200 --> 01:04:24,320
Speaker 1: went there, like there was Yeah, but if you're gonna

1139
01:04:24,360 --> 01:04:26,600
Speaker 1: go up there, you don't want to be married. But

1140
01:04:26,720 --> 01:04:28,800
Speaker 1: it was I was I was plenty of time single.

1141
01:04:28,840 --> 01:04:32,200
Speaker 1: When I was plenty, I just never went Man, was

1142
01:04:32,280 --> 01:04:35,360
Speaker 1: it really fucking cool up there? For me? It was? Maybe?

1143
01:04:35,440 --> 01:04:38,400
Speaker 1: For Bill Maher it wasn't. I don't know why. Did

1144
01:04:38,440 --> 01:04:40,040
Speaker 1: he have a problem with the Playboy mansion? No? I

1145
01:04:40,080 --> 01:04:41,720
Speaker 1: don't know if he got as much vagina as me?

1146
01:04:44,280 --> 01:04:47,320
Speaker 1: You know what I mean? No, he didn't get as

1147
01:04:47,400 --> 01:04:51,200
Speaker 1: much vagina as you. Bill Mar. Yeah, I don't know. Um,

1148
01:04:51,760 --> 01:04:55,040
Speaker 1: Bill Mar was always up there, but it was again,

1149
01:04:55,360 --> 01:04:58,200
Speaker 1: you know, it was like you know, as a kid

1150
01:04:58,400 --> 01:05:00,760
Speaker 1: that couldn't exist now with the phone in a while, uh,

1151
01:05:01,440 --> 01:05:04,600
Speaker 1: as the kid growing up obsessed with Playboy. I mean

1152
01:05:04,640 --> 01:05:06,800
Speaker 1: who didn't jerk off to Playboy? I mean as a

1153
01:05:06,880 --> 01:05:10,600
Speaker 1: kid growing up, we all what, we all jerked? Yeah,

1154
01:05:10,640 --> 01:05:13,120
Speaker 1: that was just it. So then when I made it,

1155
01:05:13,400 --> 01:05:15,520
Speaker 1: you know, the first time I was ever up there,

1156
01:05:15,680 --> 01:05:18,600
Speaker 1: the Barbie Twins invited me. You guys remember the Barbie

1157
01:05:18,640 --> 01:05:21,320
Speaker 1: Twins there used There's twins. They were pretty hot da

1158
01:05:22,280 --> 01:05:23,960
Speaker 1: And they asked me to go up there as their date.

1159
01:05:24,040 --> 01:05:25,760
Speaker 1: And I walked in. It was like Willy Wonking the

1160
01:05:25,840 --> 01:05:28,320
Speaker 1: Chocolate House of Pussy. It was like fucking you know,

1161
01:05:28,440 --> 01:05:31,320
Speaker 1: you you walk in, there's thirty girls to one guy

1162
01:05:32,400 --> 01:05:35,240
Speaker 1: and they were all elevens. And this is when Hefner

1163
01:05:35,320 --> 01:05:38,400
Speaker 1: was running Ship and dudes could not get in period,

1164
01:05:38,800 --> 01:05:40,840
Speaker 1: you know what I mean. So to be invited to

1165
01:05:40,880 --> 01:05:43,640
Speaker 1: the Playboy mansion at that time was like you were

1166
01:05:43,720 --> 01:05:46,760
Speaker 1: united and you just walked in and I was young,

1167
01:05:46,800 --> 01:05:48,800
Speaker 1: and I was half naked. I was wearing like pajamas.

1168
01:05:48,840 --> 01:05:50,360
Speaker 1: I was wearing like you know, it was all cut

1169
01:05:50,400 --> 01:05:52,880
Speaker 1: off ship with my boots and had like you know,

1170
01:05:53,080 --> 01:05:56,120
Speaker 1: like what was it fucking um? I had like cow

1171
01:05:56,280 --> 01:05:58,680
Speaker 1: print this, and my hair was everywhere. And you know,

1172
01:05:58,760 --> 01:06:01,000
Speaker 1: this was back in the day where before cell phones.

1173
01:06:01,080 --> 01:06:02,760
Speaker 1: So when you get girls numbers, you get them on

1174
01:06:02,800 --> 01:06:05,320
Speaker 1: a napkin and they would kiss it, you know, with

1175
01:06:05,400 --> 01:06:07,800
Speaker 1: the with the lips and put the perfume on it

1176
01:06:08,200 --> 01:06:09,760
Speaker 1: and you go home and jerk off on the napkin

1177
01:06:09,840 --> 01:06:13,200
Speaker 1: and ship. But it was you know, it was that

1178
01:06:13,960 --> 01:06:16,440
Speaker 1: you know, you talk about the times that was acceptable

1179
01:06:17,000 --> 01:06:19,200
Speaker 1: back then, That's what That's what it was, you know.

1180
01:06:19,320 --> 01:06:21,680
Speaker 1: It was like and I had I had a pretty

1181
01:06:21,760 --> 01:06:27,640
Speaker 1: much a twenty five year run there years. Yeah, it

1182
01:06:27,800 --> 01:06:31,160
Speaker 1: was good. It was lucky, very fortunate, and then he

1183
01:06:31,320 --> 01:06:33,680
Speaker 1: was and it was great. It wasn't. It wasn't. I

1184
01:06:33,800 --> 01:06:36,040
Speaker 1: never saw anything weird up there, to be honest, it

1185
01:06:36,160 --> 01:06:39,040
Speaker 1: was always like you were up there. Everyone was kind

1186
01:06:39,040 --> 01:06:41,600
Speaker 1: of like Vegas on acid, you know where that you

1187
01:06:41,760 --> 01:06:43,680
Speaker 1: go to Vegas and everyone is just having a good

1188
01:06:43,720 --> 01:06:47,120
Speaker 1: time at a club like that. Time's a zillion, you

1189
01:06:47,160 --> 01:06:50,360
Speaker 1: know what I mean. Just as far as no attitudes.

1190
01:06:50,880 --> 01:06:52,960
Speaker 1: You can talk to everyone. If you want to dance

1191
01:06:53,040 --> 01:06:56,160
Speaker 1: with this person, you can dance with everyone. Just put

1192
01:06:56,240 --> 01:06:58,200
Speaker 1: down their guard. I got you, you know, and it

1193
01:06:58,320 --> 01:07:03,720
Speaker 1: was a really fun time. And what other celebrities stories?

1194
01:07:04,560 --> 01:07:07,200
Speaker 1: Prince do you have you ever seen Princeton in your days?

1195
01:07:07,240 --> 01:07:08,560
Speaker 1: Did you ever come to the Comedy Store? Did you

1196
01:07:08,600 --> 01:07:14,080
Speaker 1: ever see with the playboy mansion? Michael Jackson, O J. Simpson? Yeah, okay,

1197
01:07:14,480 --> 01:07:18,360
Speaker 1: you've got all these guys. Yeah, so Prince, I remember

1198
01:07:18,440 --> 01:07:21,480
Speaker 1: meeting several times. I remember when I did my MTV

1199
01:07:21,640 --> 01:07:24,360
Speaker 1: show Totally Polly, when I would be on the road,

1200
01:07:24,680 --> 01:07:27,200
Speaker 1: one of the places I stopped was Paisley Park and

1201
01:07:27,280 --> 01:07:29,000
Speaker 1: I did a tour of the whole thing, and I

1202
01:07:29,080 --> 01:07:30,680
Speaker 1: think he even came in and go, dude, get out

1203
01:07:30,720 --> 01:07:32,640
Speaker 1: of here, and like we did some stick you know,

1204
01:07:32,800 --> 01:07:37,440
Speaker 1: like that. Um, Michael Jackson. I met once where it

1205
01:07:37,600 --> 01:07:39,240
Speaker 1: was just like at one of his shows for an

1206
01:07:39,320 --> 01:07:42,520
Speaker 1: MTV show. It wasn't like I got to really spend

1207
01:07:43,040 --> 01:07:45,040
Speaker 1: a lot of time with him. It was quick. Madonna,

1208
01:07:45,040 --> 01:07:48,720
Speaker 1: I met once Um, So I never really, you know,

1209
01:07:48,880 --> 01:07:51,440
Speaker 1: spend a lot of time with her. And I said, oh,

1210
01:07:51,560 --> 01:07:56,680
Speaker 1: J O J. So O J. Simpson, there's a crazy story.

1211
01:07:57,520 --> 01:08:00,560
Speaker 1: So I used to go to this LM Entry school

1212
01:08:00,640 --> 01:08:04,040
Speaker 1: called Hawthorne Junior High which is in Beverly Hills. And

1213
01:08:04,360 --> 01:08:06,800
Speaker 1: one of my best friends was his kid named Shaun Kiho,

1214
01:08:07,360 --> 01:08:10,040
Speaker 1: and Sean Kio's dad was this guy named Billy Kehoe.

1215
01:08:10,360 --> 01:08:14,080
Speaker 1: Billy Kehoe was this kind of Irish gangster, like gnarly,

1216
01:08:14,480 --> 01:08:16,360
Speaker 1: like narle, nar like. You look at him, you're like, oh,

1217
01:08:16,400 --> 01:08:19,040
Speaker 1: he's a criminal for sure. So he was best friends

1218
01:08:19,080 --> 01:08:21,640
Speaker 1: with O J. So as a kid growing up, I

1219
01:08:21,640 --> 01:08:24,040
Speaker 1: would go to Shawn's house and then O J would

1220
01:08:24,040 --> 01:08:26,640
Speaker 1: be there with the blonde girls and Nicole and all

1221
01:08:26,680 --> 01:08:29,720
Speaker 1: that ship. I actually have pictures with Um, not with

1222
01:08:29,880 --> 01:08:32,519
Speaker 1: me and o J, but with Sean o J and

1223
01:08:32,600 --> 01:08:36,360
Speaker 1: all that stuff. And then about maybe about fifteen years ago,

1224
01:08:36,479 --> 01:08:39,200
Speaker 1: I was doing a show at the at the Improv

1225
01:08:39,840 --> 01:08:42,400
Speaker 1: in Miami, and o J came to my show. Oh

1226
01:08:42,720 --> 01:08:45,439
Speaker 1: after he was out, Yeah, after he was out, and

1227
01:08:45,600 --> 01:08:48,679
Speaker 1: I called him, I'm like, yo, blah blah blah, don't

1228
01:08:48,760 --> 01:08:51,240
Speaker 1: murder me, bro, you know I'm on stage, you know.

1229
01:08:51,439 --> 01:08:54,960
Speaker 1: And he was cool. So yeah, he knows me. I mean,

1230
01:08:55,040 --> 01:08:57,640
Speaker 1: he knows me from that that era. What comedian did

1231
01:08:57,680 --> 01:09:00,640
Speaker 1: you like? Now? Like? Who who do you think is

1232
01:09:00,720 --> 01:09:04,280
Speaker 1: like special? Now? Well? Probably the ones that you like,

1233
01:09:04,840 --> 01:09:06,320
Speaker 1: you know what I mean, because I think I like

1234
01:09:06,520 --> 01:09:08,840
Speaker 1: you a lot. You know, I'm being a huge fan

1235
01:09:08,920 --> 01:09:12,280
Speaker 1: of your stuff and um, you know stuff you know,

1236
01:09:12,400 --> 01:09:13,920
Speaker 1: like that I like Bobby Lee. I know you're a

1237
01:09:13,960 --> 01:09:17,679
Speaker 1: fan of Bobby Lee. Um? Who else at the store?

1238
01:09:17,680 --> 01:09:21,760
Speaker 1: I love Sebastian. He's thinking your passion is really good. Um?

1239
01:09:23,800 --> 01:09:26,880
Speaker 1: Who else? I like Rogan Rogan school. He's really finding

1240
01:09:26,960 --> 01:09:28,920
Speaker 1: you know, it's hard for him because he's coming from

1241
01:09:28,960 --> 01:09:32,640
Speaker 1: a different place, you know, um, you know, hosting and

1242
01:09:33,160 --> 01:09:35,120
Speaker 1: and you know, and he he loves stand up so much.

1243
01:09:35,160 --> 01:09:37,800
Speaker 1: And I really appreciate him, you know, really trying and

1244
01:09:37,880 --> 01:09:40,040
Speaker 1: really getting there. And he's he's you know, he's really

1245
01:09:40,160 --> 01:09:42,720
Speaker 1: coming into his own I think he's getting funnier as

1246
01:09:42,880 --> 01:09:45,040
Speaker 1: time goes on. I really love Joey. Do you do

1247
01:09:45,160 --> 01:09:47,120
Speaker 1: you think like when you say like different comedy, Like

1248
01:09:47,160 --> 01:09:49,719
Speaker 1: there's so many different cells and there's always been different styles,

1249
01:09:50,080 --> 01:09:52,600
Speaker 1: but like the world of comedy now, like it's like

1250
01:09:52,800 --> 01:09:55,559
Speaker 1: Instagram people, you know, if you have followers on Instagram,

1251
01:09:55,600 --> 01:09:57,479
Speaker 1: you could do a spot here. Like is that affected

1252
01:09:57,560 --> 01:10:01,200
Speaker 1: like the business of it or the the it's SoundCloud rappers,

1253
01:10:01,439 --> 01:10:04,160
Speaker 1: you know, Like it's like, is that change like in

1254
01:10:04,240 --> 01:10:06,080
Speaker 1: your head? Like and just you know, I work. I've

1255
01:10:06,120 --> 01:10:08,600
Speaker 1: been working the road for what thirty forty years? Have

1256
01:10:08,720 --> 01:10:12,200
Speaker 1: you been doing it that long? Yeah? Fuck yeah, I

1257
01:10:12,240 --> 01:10:14,439
Speaker 1: mean ever since Sam used to ever since I used

1258
01:10:14,479 --> 01:10:16,920
Speaker 1: to open for Sam. I've been going on tour my

1259
01:10:16,960 --> 01:10:19,200
Speaker 1: whole life. I haven't stopped. I mean in then that.

1260
01:10:19,400 --> 01:10:21,280
Speaker 1: I mean, I've take breaks here and there, but I'm

1261
01:10:21,280 --> 01:10:24,320
Speaker 1: always touring. Like this week, I'll be in Arizona. Next week,

1262
01:10:24,360 --> 01:10:26,760
Speaker 1: I'll be in Corpus Christie. Do you like doing it?

1263
01:10:27,479 --> 01:10:31,439
Speaker 1: It's good because you know, because um, it's good to

1264
01:10:31,520 --> 01:10:33,400
Speaker 1: get out of l A and it's good to feel

1265
01:10:33,439 --> 01:10:35,639
Speaker 1: people that aren't in the entertainment business. It is good

1266
01:10:35,680 --> 01:10:37,720
Speaker 1: to be around people that are paying just to see you.

1267
01:10:38,360 --> 01:10:40,280
Speaker 1: And it's an instant love That's why I said you

1268
01:10:40,400 --> 01:10:42,439
Speaker 1: in your driveway. I think it's really important for you

1269
01:10:43,160 --> 01:10:45,679
Speaker 1: to to start doing stand up. I think you're very funny,

1270
01:10:46,080 --> 01:10:48,040
Speaker 1: and I think that I think that you have a

1271
01:10:48,120 --> 01:10:50,680
Speaker 1: future in it, you know, I think you have a

1272
01:10:50,760 --> 01:10:52,360
Speaker 1: future in it. But you just need to get out

1273
01:10:52,400 --> 01:10:55,080
Speaker 1: to America because it's a different cadence and it's a

1274
01:10:55,160 --> 01:10:57,559
Speaker 1: different vibe than the store and popping around town here

1275
01:10:57,600 --> 01:11:00,160
Speaker 1: and that up. And you should take it serious. I know,

1276
01:11:00,280 --> 01:11:02,439
Speaker 1: I do think. I think you could do it, and

1277
01:11:02,520 --> 01:11:04,120
Speaker 1: I think you would draw and I think you would

1278
01:11:04,120 --> 01:11:05,640
Speaker 1: make a lot of money on the road because you

1279
01:11:05,680 --> 01:11:07,880
Speaker 1: have a lot of fans. I mean, look at Piven

1280
01:11:08,040 --> 01:11:10,120
Speaker 1: right now. Is he is he doing Is he's actually

1281
01:11:10,160 --> 01:11:13,439
Speaker 1: doing business? You know? And he's doing business because of entourage,

1282
01:11:14,000 --> 01:11:16,400
Speaker 1: you know. I don't, I don't. I haven't seen him perform.

1283
01:11:17,000 --> 01:11:18,960
Speaker 1: And I'm a fan of his because I think he's

1284
01:11:19,040 --> 01:11:21,840
Speaker 1: very funny and he's very talented. But I but I

1285
01:11:21,960 --> 01:11:25,639
Speaker 1: assume that he's probably getting better. It's almost like Rob Schneider.

1286
01:11:26,040 --> 01:11:28,960
Speaker 1: Like Rob Schneider, he took what twenty something years off

1287
01:11:29,360 --> 01:11:31,640
Speaker 1: and then the last five ten years or whatever it was,

1288
01:11:31,760 --> 01:11:33,680
Speaker 1: he picked it back up and it took him a

1289
01:11:33,720 --> 01:11:38,240
Speaker 1: while even what's his name? No, the guy at him

1290
01:11:38,280 --> 01:11:41,439
Speaker 1: but the guy from night at the Roxbury? Oh, um,

1291
01:11:43,080 --> 01:11:46,120
Speaker 1: what's his name? Think? The little guy? Yeah, so he's

1292
01:11:46,280 --> 01:11:49,160
Speaker 1: not not Kevin Nealen. No, the other guy I forgot

1293
01:11:49,200 --> 01:11:52,720
Speaker 1: his name. Yeah, but he's you know he was. Yeah,

1294
01:11:52,960 --> 01:11:55,559
Speaker 1: very funny guy. Um, that's funny that we both forget

1295
01:11:55,800 --> 01:11:59,479
Speaker 1: but we're talking about Yeah, so you know. Um, but

1296
01:11:59,720 --> 01:12:03,120
Speaker 1: that to answer your question, you know about the YouTubers

1297
01:12:03,160 --> 01:12:06,040
Speaker 1: and the instagram stars and the snap chatters and all

1298
01:12:06,080 --> 01:12:08,800
Speaker 1: that crap. It's like you just have to talk to

1299
01:12:09,240 --> 01:12:12,120
Speaker 1: the managers and owners of the clubs out in America

1300
01:12:12,680 --> 01:12:15,519
Speaker 1: because a lot of these YouTubers they go out there

1301
01:12:15,560 --> 01:12:18,120
Speaker 1: and they sell out when they're on the road. But

1302
01:12:18,280 --> 01:12:22,519
Speaker 1: the management hates it because the Joe they have no act,

1303
01:12:23,240 --> 01:12:25,800
Speaker 1: you know, and cheating the fans, they have no act.

1304
01:12:25,920 --> 01:12:28,280
Speaker 1: It's not even about cheating the fans. Stand up comedy,

1305
01:12:28,320 --> 01:12:31,160
Speaker 1: as you know, is a different beasts. It's a different

1306
01:12:31,760 --> 01:12:34,040
Speaker 1: so it's like you know what I'm saying, have you

1307
01:12:34,320 --> 01:12:36,799
Speaker 1: have I haven't seen you do stand up lately. Obviously

1308
01:12:36,880 --> 01:12:39,360
Speaker 1: you're not doing the same ship you were doing. Like,

1309
01:12:39,560 --> 01:12:42,120
Speaker 1: was it hard like to sort of go from like

1310
01:12:42,280 --> 01:12:44,599
Speaker 1: you were so like I resent people like, yo, you're

1311
01:12:44,600 --> 01:12:47,000
Speaker 1: from ladies. I'm like, yeah, mother, fun the nineties were dope,

1312
01:12:47,080 --> 01:12:48,560
Speaker 1: like people trying to throw that ship to me and

1313
01:12:48,560 --> 01:12:50,640
Speaker 1: I'm like, and I'm still fucking rock And I'm like,

1314
01:12:51,160 --> 01:12:53,280
Speaker 1: you know, like when you have this, you were so

1315
01:12:53,640 --> 01:12:56,400
Speaker 1: famous and you were so associated with this certain time.

1316
01:12:57,000 --> 01:13:00,880
Speaker 1: Do you resent when people try to like little or

1317
01:13:01,000 --> 01:13:04,000
Speaker 1: marginalize what you do? And then how did you sort

1318
01:13:04,040 --> 01:13:07,599
Speaker 1: of grow out of that into who you are today

1319
01:13:07,640 --> 01:13:10,639
Speaker 1: and what you do today and your perspective and being

1320
01:13:10,720 --> 01:13:12,519
Speaker 1: funny today. Do you know what I'm saying, Because you

1321
01:13:12,560 --> 01:13:15,400
Speaker 1: were If you're not like we're we're we're older than

1322
01:13:15,479 --> 01:13:17,800
Speaker 1: some people that are listening some people orange, if you're

1323
01:13:17,840 --> 01:13:20,880
Speaker 1: not aware like you were so fucking popular, then it's

1324
01:13:20,960 --> 01:13:23,400
Speaker 1: kind of like, oh, well, he's not that dude anymore.

1325
01:13:23,600 --> 01:13:26,680
Speaker 1: And the times change and the MTV changes, and they

1326
01:13:26,760 --> 01:13:29,479
Speaker 1: get different VJs and they get younger VJs and they

1327
01:13:29,520 --> 01:13:32,920
Speaker 1: stopped even fucking having VJs. The ship and and like

1328
01:13:33,040 --> 01:13:35,560
Speaker 1: you were so successful and then people sort of like

1329
01:13:36,080 --> 01:13:37,800
Speaker 1: you know, start to shoot on and you're like, yo,

1330
01:13:37,880 --> 01:13:41,000
Speaker 1: it's twenty years ago, which ain't a bad thing. You

1331
01:13:41,040 --> 01:13:42,519
Speaker 1: know what I mean, Like, how is that? I think,

1332
01:13:42,600 --> 01:13:44,479
Speaker 1: at the end of the day, funny is funny and

1333
01:13:44,560 --> 01:13:46,600
Speaker 1: good is good. I think, you know, my movies that

1334
01:13:46,720 --> 01:13:49,880
Speaker 1: I did, you know, whether people shipped them or they

1335
01:13:49,920 --> 01:13:52,800
Speaker 1: didn't shoot on them, they're still very popular this day.

1336
01:13:53,400 --> 01:13:56,040
Speaker 1: So it's almost like, you know, the connection that I

1337
01:13:56,200 --> 01:13:59,720
Speaker 1: had with America and with the world is still there

1338
01:13:59,800 --> 01:14:03,000
Speaker 1: to day. So despite the hairs change, I'm older now,

1339
01:14:03,320 --> 01:14:06,240
Speaker 1: there's still that love that's there and that's all that

1340
01:14:06,320 --> 01:14:09,560
Speaker 1: I care about. And I make a living and I

1341
01:14:09,680 --> 01:14:11,840
Speaker 1: love doing what I do, and you know, it just

1342
01:14:12,040 --> 01:14:15,040
Speaker 1: takes that one role, that one you know thing that

1343
01:14:15,160 --> 01:14:17,240
Speaker 1: oh that look at Mickey Rourke and the wrestler, you

1344
01:14:17,320 --> 01:14:18,760
Speaker 1: know what I mean, look at this that that the

1345
01:14:19,200 --> 01:14:20,760
Speaker 1: It's like, at the end of the day, it's like

1346
01:14:21,439 --> 01:14:23,120
Speaker 1: you have to do whatever it is that you do

1347
01:14:23,200 --> 01:14:24,880
Speaker 1: because you love it, you know what I mean. We

1348
01:14:24,960 --> 01:14:27,080
Speaker 1: all work for free because we love it. And at

1349
01:14:27,120 --> 01:14:28,920
Speaker 1: the end of the day, that's what it's about. You know,

1350
01:14:28,960 --> 01:14:31,080
Speaker 1: if you're getting this business because you want to be

1351
01:14:31,200 --> 01:14:33,360
Speaker 1: famous and make money, get the funk out of the business,

1352
01:14:34,120 --> 01:14:36,080
Speaker 1: you have to really enjoy it and then the money

1353
01:14:36,120 --> 01:14:38,240
Speaker 1: and the fame ship comes out I agree, there's no

1354
01:14:38,479 --> 01:14:41,479
Speaker 1: dipping your toes in the water. And and like when

1355
01:14:41,520 --> 01:14:44,120
Speaker 1: when people ask me like how do you what's your

1356
01:14:44,160 --> 01:14:46,519
Speaker 1: what's your advice? I go, don't dip your toes. You

1357
01:14:46,560 --> 01:14:48,960
Speaker 1: gotta jump in the cold ass pool. And it's because

1358
01:14:49,040 --> 01:14:50,880
Speaker 1: you have to be in the you gotta love it,

1359
01:14:51,160 --> 01:14:53,640
Speaker 1: you know. It's like it's like for me to and

1360
01:14:53,720 --> 01:14:56,240
Speaker 1: the ugly, like, you know, the rejection sucks. You want

1361
01:14:56,280 --> 01:14:58,640
Speaker 1: to get a part, you don't get it, you know,

1362
01:14:58,800 --> 01:15:01,840
Speaker 1: like the crazy think about comedy that I that I've noticed.

1363
01:15:01,840 --> 01:15:05,519
Speaker 1: It's like like you can go do fucking in three

1364
01:15:05,640 --> 01:15:08,400
Speaker 1: nights and one night you could do the improv kick ass,

1365
01:15:08,720 --> 01:15:11,040
Speaker 1: go to the comedy store kind of be like not

1366
01:15:11,240 --> 01:15:13,599
Speaker 1: kick ass, go to the laugh Factory and kick ass

1367
01:15:13,720 --> 01:15:16,840
Speaker 1: and do the exact same thing. And the highs and

1368
01:15:17,000 --> 01:15:21,040
Speaker 1: lows and the mental sort of warfare within yourself from

1369
01:15:21,120 --> 01:15:24,400
Speaker 1: it is so bugged out. And even my wife is like,

1370
01:15:24,479 --> 01:15:27,320
Speaker 1: why are you doing the ship? Because I love the ship?

1371
01:15:27,680 --> 01:15:29,760
Speaker 1: And even when it's not going right, even when you

1372
01:15:30,040 --> 01:15:33,679
Speaker 1: know it's not necessarily your night or your twenty minutes

1373
01:15:33,760 --> 01:15:37,120
Speaker 1: or your fifteen minutes, there's still some sort of elation. Well,

1374
01:15:37,160 --> 01:15:39,280
Speaker 1: it's the same thing with Kobe, you know, and these

1375
01:15:39,320 --> 01:15:41,479
Speaker 1: basketball players like they have a bad game, but they

1376
01:15:41,520 --> 01:15:43,360
Speaker 1: know they could wipe it off and guess what the

1377
01:15:43,439 --> 01:15:46,720
Speaker 1: next night could be the same night, it could be

1378
01:15:46,760 --> 01:15:49,960
Speaker 1: an hour later. Yeah, so that's just the way it is.

1379
01:15:50,040 --> 01:15:52,600
Speaker 1: It's the love, you know. It's like, you know, you

1380
01:15:52,720 --> 01:15:54,840
Speaker 1: wipe it off and you keep moving. You know. Do

1381
01:15:55,000 --> 01:15:58,320
Speaker 1: you think comedy is uh like, when you don't do

1382
01:15:58,479 --> 01:16:00,519
Speaker 1: well or when it's not going so good, is it

1383
01:16:00,600 --> 01:16:05,400
Speaker 1: yours the audience? Like, because it's a feeling that you have.

1384
01:16:06,120 --> 01:16:08,920
Speaker 1: I've gone on stage and I'm trying to do New

1385
01:16:08,960 --> 01:16:11,080
Speaker 1: Ship and I'm just not feeling I'm just like in

1386
01:16:11,240 --> 01:16:14,760
Speaker 1: some weird fucking space and I'm like, and that's me.

1387
01:16:15,200 --> 01:16:17,479
Speaker 1: And then there's been times, you know, where I'm on

1388
01:16:17,680 --> 01:16:20,439
Speaker 1: stage and I'm feeling it and you feel the joy

1389
01:16:20,640 --> 01:16:22,719
Speaker 1: or I feel the joy in me and I'm laughing

1390
01:16:22,800 --> 01:16:24,920
Speaker 1: and have a good time. People don't respond or whatever

1391
01:16:25,040 --> 01:16:27,640
Speaker 1: it is, I still have a good time. It's all

1392
01:16:27,640 --> 01:16:30,600
Speaker 1: about the feeling. But it's but when you're saying if

1393
01:16:30,640 --> 01:16:34,080
Speaker 1: you're if you're feeling great and they're not rocking with you,

1394
01:16:34,360 --> 01:16:37,519
Speaker 1: that's okay, But you don't think it's all well the

1395
01:16:37,560 --> 01:16:40,160
Speaker 1: audience sucked because it's such a like all as a

1396
01:16:40,200 --> 01:16:42,760
Speaker 1: fucking or they say it's a great audience win. No,

1397
01:16:42,920 --> 01:16:46,240
Speaker 1: but you want audiences to suck why Because it makes

1398
01:16:46,280 --> 01:16:48,960
Speaker 1: you stronger. It makes you a stronger comic. I went

1399
01:16:49,000 --> 01:16:51,479
Speaker 1: on stage the other night. Who did I bring on stage? Funk?

1400
01:16:51,520 --> 01:16:54,559
Speaker 1: Who was it? Oh? Yeah, Owen Wilson. Not Owen Wilson,

1401
01:16:54,680 --> 01:16:58,240
Speaker 1: Owen Fuck? What's this? Will Smith? Owen Smith? Who is

1402
01:16:58,280 --> 01:17:01,679
Speaker 1: Owen Smith? He's a black Mike Yeah, from the store.

1403
01:17:02,200 --> 01:17:04,920
Speaker 1: Really funny guy. He went on before me. He had

1404
01:17:04,960 --> 01:17:06,800
Speaker 1: a hard time. I went on, didn't have a good

1405
01:17:06,880 --> 01:17:09,120
Speaker 1: you know, I had a hard time, And that's okay.

1406
01:17:09,280 --> 01:17:11,400
Speaker 1: You have to appreciate it. You ever see people get

1407
01:17:11,479 --> 01:17:14,280
Speaker 1: punched in the face and they get excited, you know

1408
01:17:14,280 --> 01:17:17,519
Speaker 1: what I mean, hit me hard. That's how it is

1409
01:17:17,560 --> 01:17:20,240
Speaker 1: with a bad audience. For me, Like, I go up

1410
01:17:20,280 --> 01:17:22,560
Speaker 1: there and I'm like, oh, this is hilarious. They're not responding.

1411
01:17:23,000 --> 01:17:26,120
Speaker 1: I love it. You don't get rattled by it, I know,

1412
01:17:26,400 --> 01:17:28,640
Speaker 1: because I know that there's other audiences that are going

1413
01:17:28,680 --> 01:17:31,280
Speaker 1: to be good. But I also get I get you know,

1414
01:17:31,680 --> 01:17:34,080
Speaker 1: it's okay that I get rattled. I like being rattled

1415
01:17:34,120 --> 01:17:37,840
Speaker 1: by it. It's cool because then sometimes like sometimes I'll

1416
01:17:37,880 --> 01:17:41,120
Speaker 1: do references, especially at the store, where I'm talking about

1417
01:17:41,160 --> 01:17:43,280
Speaker 1: certain things, and people are just staring at me because

1418
01:17:43,320 --> 01:17:45,479
Speaker 1: they don't know the funk I am. You know, they're

1419
01:17:45,520 --> 01:17:47,479
Speaker 1: just there to go to the comedy store and you're

1420
01:17:47,479 --> 01:17:49,840
Speaker 1: giving weird references. Now, if I go to play my

1421
01:17:50,360 --> 01:17:53,720
Speaker 1: my talent, my my my audience in Missouri and they're

1422
01:17:53,720 --> 01:17:57,040
Speaker 1: all there to see me, they're gonna understand every do.

1423
01:17:57,960 --> 01:18:00,720
Speaker 1: Tell me about we've been rock and roll in here.

1424
01:18:00,760 --> 01:18:03,479
Speaker 1: Tell me about the Crest House, Crest Hill. The Crest

1425
01:18:03,560 --> 01:18:06,559
Speaker 1: Hill House, which is like the comedy store comedians House

1426
01:18:07,479 --> 01:18:10,799
Speaker 1: is the place haunted? Who stayed there? What's the legacy

1427
01:18:11,040 --> 01:18:16,080
Speaker 1: of the fucking Crest Hill? Um? That house was right

1428
01:18:16,160 --> 01:18:20,680
Speaker 1: behind the store on was on Crest Hill Avenue and

1429
01:18:20,840 --> 01:18:25,080
Speaker 1: basically what my mom bought it to for comedians. My

1430
01:18:25,160 --> 01:18:27,840
Speaker 1: mom was all about giving to the comedians, you know

1431
01:18:27,880 --> 01:18:29,680
Speaker 1: what I mean. She has always belt kind of like

1432
01:18:29,840 --> 01:18:34,000
Speaker 1: a um, I don't know, maybe like Lauren Michael's like

1433
01:18:34,080 --> 01:18:37,839
Speaker 1: I don't know, just like very much nurturing to the comedians,

1434
01:18:37,920 --> 01:18:40,400
Speaker 1: like taking a man, my mom, you know, the wounded

1435
01:18:40,479 --> 01:18:43,559
Speaker 1: birds got off the streets, you know, so she created

1436
01:18:43,600 --> 01:18:45,479
Speaker 1: this house. She had all this money she was making

1437
01:18:46,120 --> 01:18:48,479
Speaker 1: and she created this house behind the store and it

1438
01:18:48,600 --> 01:18:51,839
Speaker 1: was basically like a halfway house for comedians. So comedians

1439
01:18:51,880 --> 01:18:55,800
Speaker 1: that weren't doing well, Andrew Dice Clay or Tomyotsuki or

1440
01:18:56,200 --> 01:19:00,400
Speaker 1: Yakov Schmirnov, they would basically stay in this house for

1441
01:19:00,640 --> 01:19:02,559
Speaker 1: for free, I don't know, they'd pay two hundred dollars

1442
01:19:02,720 --> 01:19:04,840
Speaker 1: or as long as they took care of the house.

1443
01:19:05,200 --> 01:19:08,000
Speaker 1: And then afterwards, you know, it started to turn into

1444
01:19:08,040 --> 01:19:10,599
Speaker 1: a party house. So like Mark Mirron and Sam Kenniston

1445
01:19:10,680 --> 01:19:13,320
Speaker 1: and myself and people would go up there and just

1446
01:19:13,680 --> 01:19:15,880
Speaker 1: do drugs, you know what I mean, and do drugs

1447
01:19:15,920 --> 01:19:18,559
Speaker 1: and get funked up at the Crestal House. And that's

1448
01:19:18,600 --> 01:19:20,599
Speaker 1: what that that's what that house was. And my mom

1449
01:19:20,680 --> 01:19:24,240
Speaker 1: lives a place for comedians to live and for my

1450
01:19:24,360 --> 01:19:26,840
Speaker 1: mom to kind of nest them and make them feel

1451
01:19:27,160 --> 01:19:28,720
Speaker 1: you know what I mean, to make them feel um

1452
01:19:29,560 --> 01:19:34,240
Speaker 1: uh like wanted there. Yeah, I mean I wasn't. Really.

1453
01:19:35,080 --> 01:19:37,679
Speaker 1: I always had that saying, like it's okay to dance

1454
01:19:37,800 --> 01:19:40,320
Speaker 1: with the devil, don't become the devil. That's kind of

1455
01:19:40,320 --> 01:19:43,280
Speaker 1: always been my phrase. So like I wasn't I party there.

1456
01:19:43,320 --> 01:19:45,120
Speaker 1: But I wasn't like Mark Maron. I mean if you

1457
01:19:45,200 --> 01:19:47,479
Speaker 1: sat down with him and he would tell you the stories.

1458
01:19:47,520 --> 01:19:49,599
Speaker 1: I wasn't really there, you know what I mean, because

1459
01:19:49,600 --> 01:19:52,320
Speaker 1: I would like go, you know what I mean? Yeah,

1460
01:19:52,400 --> 01:19:55,200
Speaker 1: But then from there, um, once I hit on MTV,

1461
01:19:55,800 --> 01:19:57,760
Speaker 1: I took over the lease from my mom and paid

1462
01:19:57,760 --> 01:19:59,560
Speaker 1: her like think seven thousand dollars a month and I

1463
01:19:59,640 --> 01:20:03,160
Speaker 1: lived there for like five years, but it was just you.

1464
01:20:03,360 --> 01:20:05,280
Speaker 1: It was me, and I fucking stripped the whole place

1465
01:20:05,360 --> 01:20:08,240
Speaker 1: down and made it a WE'SE palace and that's where, Yeah,

1466
01:20:08,360 --> 01:20:11,400
Speaker 1: that's where I fucking really lived my life. That's where

1467
01:20:11,439 --> 01:20:14,400
Speaker 1: it was fucking rocking and rolling. That was like fucking

1468
01:20:14,840 --> 01:20:17,000
Speaker 1: I made it. I went to Jeff gold Bum's house

1469
01:20:17,160 --> 01:20:20,599
Speaker 1: because Jeff gold Boom had this designer who had pink

1470
01:20:20,760 --> 01:20:24,000
Speaker 1: leopard carpet throughout his house and I said at the designer,

1471
01:20:24,400 --> 01:20:27,080
Speaker 1: I'm like, I want that ship and she's because I

1472
01:20:27,160 --> 01:20:30,080
Speaker 1: go to Jeff gold Bum's house and she had extra

1473
01:20:30,560 --> 01:20:33,600
Speaker 1: roles of this fucking badass and I had pictures of it.

1474
01:20:34,760 --> 01:20:37,120
Speaker 1: That's six. So that's where you that's like you're that

1475
01:20:37,240 --> 01:20:39,840
Speaker 1: was like you mad? Yeah, that was my spot, dude,

1476
01:20:39,920 --> 01:20:41,439
Speaker 1: that was my spot. So I lived there for like

1477
01:20:41,560 --> 01:20:44,160
Speaker 1: probably five to seven years, and that's where I did

1478
01:20:44,200 --> 01:20:46,360
Speaker 1: my MTV show. That's where I didn't Seen No Man.

1479
01:20:46,800 --> 01:20:48,600
Speaker 1: That's where I did Son in Law. That's where I

1480
01:20:48,640 --> 01:20:50,920
Speaker 1: did the Army, That's where I did all my movies.

1481
01:20:51,439 --> 01:20:54,320
Speaker 1: And that's where fucking the ship went down. That's where

1482
01:20:54,320 --> 01:20:56,080
Speaker 1: the real ship went. Do you do you guys stole

1483
01:20:56,120 --> 01:20:59,479
Speaker 1: in that house? No, my mom sold it. Yeah, but

1484
01:20:59,560 --> 01:21:01,280
Speaker 1: I have an other house behind the store that I'm

1485
01:21:01,320 --> 01:21:04,760
Speaker 1: remodeling right now. Um, all right, My final question, or

1486
01:21:04,800 --> 01:21:08,040
Speaker 1: maybe it's not my final question. Your top five comedians

1487
01:21:09,080 --> 01:21:15,400
Speaker 1: Richard Pryor, Sam Kennison, George Carland, Rodney, Dangerfield. Um, and

1488
01:21:15,479 --> 01:21:18,920
Speaker 1: then um, who else is fucking um Red Fox? I

1489
01:21:19,000 --> 01:21:22,840
Speaker 1: guess yeah, Red Fox? What was Red Fox? Like? He

1490
01:21:23,040 --> 01:21:26,240
Speaker 1: was dirty and he was fucking you know, he was

1491
01:21:26,400 --> 01:21:29,360
Speaker 1: just didn't give a fuck. He is the streets, you know,

1492
01:21:29,520 --> 01:21:32,640
Speaker 1: like kind of like another version of Richard Pryor, you know,

1493
01:21:32,720 --> 01:21:36,200
Speaker 1: like that vibe was he was? He a nice person? Yeah?

1494
01:21:36,840 --> 01:21:38,400
Speaker 1: He was great. I mean how funny was he on

1495
01:21:38,520 --> 01:21:41,200
Speaker 1: his show? I mean, come on, dude, I mean, I mean,

1496
01:21:41,560 --> 01:21:45,240
Speaker 1: I mean seriously, like it was like he was Fred Stanford,

1497
01:21:45,960 --> 01:21:48,080
Speaker 1: Like when you look at the acting, forget the humor

1498
01:21:48,200 --> 01:21:52,200
Speaker 1: like this like he was on like it's like Archie Bunker. Yes,

1499
01:21:52,439 --> 01:21:56,400
Speaker 1: you're like this is like not just funny, yeah, but

1500
01:21:56,479 --> 01:21:59,000
Speaker 1: it's like this is actually a person, Like it's like

1501
01:21:59,080 --> 01:22:02,120
Speaker 1: a you don't see that ship. No. I think Married

1502
01:22:02,160 --> 01:22:04,280
Speaker 1: with Children was the last time we got to feel that,

1503
01:22:04,320 --> 01:22:06,200
Speaker 1: don't you think? Yeah? Where it was like that said

1504
01:22:06,680 --> 01:22:09,479
Speaker 1: that said was Ed Bundy, Ed Bundy, Yeah, Ed Bundy,

1505
01:22:09,680 --> 01:22:12,320
Speaker 1: Yeah and all of them. Yeah, but don't you think

1506
01:22:12,400 --> 01:22:14,200
Speaker 1: that was like the last sitcom that was kind of

1507
01:22:14,280 --> 01:22:16,760
Speaker 1: tongue in cheeky. Yeah, And there were these they were

1508
01:22:16,800 --> 01:22:19,840
Speaker 1: like the felt it. It was a different kind of thing.

1509
01:22:19,960 --> 01:22:21,960
Speaker 1: If you watch shows now like The A. D Show

1510
01:22:22,040 --> 01:22:25,280
Speaker 1: and this, I mean, can you it's different. It's it's

1511
01:22:25,320 --> 01:22:27,600
Speaker 1: a different thing. It's a different kind of thing. I

1512
01:22:27,680 --> 01:22:33,920
Speaker 1: mean like Christine Applegate was y yeah, like they were characters.

1513
01:22:34,320 --> 01:22:37,280
Speaker 1: It was hard for her to fucking work after that,

1514
01:22:38,400 --> 01:22:40,560
Speaker 1: and she was so good. You were like that's what

1515
01:22:40,760 --> 01:22:43,120
Speaker 1: you are, You're a sexpot and and you know the

1516
01:22:43,479 --> 01:22:47,200
Speaker 1: kid and it was like like Fonzie Laverne, you know,

1517
01:22:47,280 --> 01:22:50,200
Speaker 1: they they it was just the shows were different, all right,

1518
01:22:50,720 --> 01:22:55,559
Speaker 1: Pauly Shore, the Wise Iron Wrap Ports stereo podcast. We came,

1519
01:22:55,640 --> 01:22:58,759
Speaker 1: We Saw, we conquered, We we we had a social

1520
01:22:58,840 --> 01:23:02,160
Speaker 1: media beef. Um, but can we tell him it was fake?

1521
01:23:02,240 --> 01:23:04,719
Speaker 1: And we play? All know it was fake? And you know, PAULI,

1522
01:23:05,120 --> 01:23:07,400
Speaker 1: I gotta say, there's a few people that didn't think

1523
01:23:07,439 --> 01:23:09,280
Speaker 1: it was fake, and I have to say I can't.

1524
01:23:09,320 --> 01:23:13,599
Speaker 1: I can't acknowledge you if you don't like people were like, yo,

1525
01:23:13,760 --> 01:23:15,920
Speaker 1: you gotta be careful. You got beef with Paul Shore.

1526
01:23:16,000 --> 01:23:20,120
Speaker 1: I'm like, all right, well whatever, tell him what happens

1527
01:23:20,160 --> 01:23:23,120
Speaker 1: so they know, so they know it's planned. I did.

1528
01:23:23,320 --> 01:23:29,799
Speaker 1: Kevin Hart ran, yeah, uh you texted we're speaking? Texted

1529
01:23:29,880 --> 01:23:33,360
Speaker 1: you yes? And then and then it was fake because

1530
01:23:33,479 --> 01:23:37,840
Speaker 1: because uh, I would never have I would never come out. Yeah,

1531
01:23:37,880 --> 01:23:39,640
Speaker 1: but I would never come after. You've ever been in

1532
01:23:39,680 --> 01:23:42,760
Speaker 1: real beef, you don't really have. Everybody loves everybody, you

1533
01:23:42,840 --> 01:23:45,360
Speaker 1: know everybody right, Yeah, I've always been cool with everybody.

1534
01:23:45,439 --> 01:23:47,479
Speaker 1: Have you ever you may not even want answers? Have

1535
01:23:47,680 --> 01:23:50,600
Speaker 1: you ever had to deal with mob like folks with

1536
01:23:50,720 --> 01:23:53,439
Speaker 1: the Comedy Store in the eighties and nineties? Your mom like,

1537
01:23:53,560 --> 01:23:55,760
Speaker 1: are you guys getting like it? Was there? Anything? Ever?

1538
01:23:55,920 --> 01:23:58,920
Speaker 1: Like that, like, oh, we're getting fucking like you know,

1539
01:23:59,080 --> 01:24:03,760
Speaker 1: like there coming to take never know, because my mom

1540
01:24:03,880 --> 01:24:07,479
Speaker 1: created love. My mom created love everyone you saw when

1541
01:24:07,560 --> 01:24:11,280
Speaker 1: she died, Yes, how heavy it was in the response

1542
01:24:11,880 --> 01:24:15,160
Speaker 1: and how people came out because my mom gave nothing.

1543
01:24:15,320 --> 01:24:17,800
Speaker 1: She was like the pulp. She just gave, you know,

1544
01:24:18,040 --> 01:24:20,280
Speaker 1: like you know what I mean, She just gave, gave, gave,

1545
01:24:20,400 --> 01:24:23,200
Speaker 1: She gave a place for these people. She gave money

1546
01:24:23,240 --> 01:24:26,400
Speaker 1: to these people, she gave roofs for these people, gave

1547
01:24:26,560 --> 01:24:29,240
Speaker 1: food for these people. She was like their dead mother,

1548
01:24:29,360 --> 01:24:31,000
Speaker 1: you know what I mean. So that's so when she died,

1549
01:24:31,040 --> 01:24:33,840
Speaker 1: it was like a very emotional thing for every She

1550
01:24:34,000 --> 01:24:37,360
Speaker 1: was a staple. Yeah. And and and it's your mom. Yeah,

1551
01:24:37,560 --> 01:24:40,080
Speaker 1: my mom was there. Was there? What was the story

1552
01:24:40,120 --> 01:24:42,360
Speaker 1: of the comedian I think in the eighties that committed

1553
01:24:42,400 --> 01:24:45,160
Speaker 1: suicide at the comedy store. Yeah, that was Steve lebeck

1554
01:24:45,280 --> 01:24:47,680
Speaker 1: In jumped off and jumped off the roof of the

1555
01:24:48,040 --> 01:24:50,559
Speaker 1: Now it's the ANDAs before, it was the the Hyatt

1556
01:24:50,720 --> 01:24:54,400
Speaker 1: Hyatt And basically there was a strike. You know, my

1557
01:24:54,479 --> 01:24:57,760
Speaker 1: mom started making money. People wanted to get paid. There

1558
01:24:57,840 --> 01:25:00,360
Speaker 1: was a comedians were striking in front of the comedy store.

1559
01:25:00,360 --> 01:25:03,040
Speaker 1: I pissed on the comedians. I sat on the roof

1560
01:25:03,080 --> 01:25:06,439
Speaker 1: and piste on him and and then Steve Lea Beckon.

1561
01:25:06,479 --> 01:25:09,120
Speaker 1: I mean, anyone to jump off the roof has has

1562
01:25:09,160 --> 01:25:10,680
Speaker 1: got to be a little nuts, you know what I mean.

1563
01:25:11,640 --> 01:25:14,760
Speaker 1: So when that happened, my mom got was very emotional

1564
01:25:14,840 --> 01:25:19,120
Speaker 1: about it. Obviously, you know, in broad daylight this happened. Um,

1565
01:25:19,800 --> 01:25:23,400
Speaker 1: I'm not sure what time, but it was probably I

1566
01:25:23,439 --> 01:25:25,200
Speaker 1: don't know. That's a good question. I don't know what

1567
01:25:25,360 --> 01:25:28,519
Speaker 1: time it was. Did you ever say that's back in

1568
01:25:28,560 --> 01:25:31,719
Speaker 1: the day, that's hilarious. Actually, people used to jump off roofs,

1569
01:25:32,240 --> 01:25:36,960
Speaker 1: remember back in the day. That was like hilarious. That

1570
01:25:37,040 --> 01:25:39,120
Speaker 1: was the thing. How to kill yourself? Sucking Timmy just

1571
01:25:39,240 --> 01:25:42,519
Speaker 1: jump off a roof and he killed himself. I haven't

1572
01:25:42,600 --> 01:25:46,880
Speaker 1: fucking experienced anyone jumping off a roof and along, Yeah,

1573
01:25:46,920 --> 01:25:49,760
Speaker 1: there's guns and ship. What about Andy Kaufman? Do you

1574
01:25:49,800 --> 01:25:51,519
Speaker 1: have any and were you too young? Did you ever

1575
01:25:51,600 --> 01:25:53,840
Speaker 1: see him? No? I saw him, but I wasn't really

1576
01:25:53,960 --> 01:25:56,680
Speaker 1: I was too young to um to know what the

1577
01:25:56,760 --> 01:25:59,360
Speaker 1: funk he was this guy was doing. Yeah, all right,

1578
01:25:59,640 --> 01:26:03,880
Speaker 1: we check out my podcast Random Rants, also my all

1579
01:26:04,000 --> 01:26:08,280
Speaker 1: my Instagram, and check yeah, just at poly Shore and

1580
01:26:08,360 --> 01:26:11,400
Speaker 1: then also follow me or I'll be on tour this

1581
01:26:11,520 --> 01:26:14,519
Speaker 1: summer or not not the summer this week sorry? Sorry?

1582
01:26:14,720 --> 01:26:17,000
Speaker 1: And when's your next gig? Say? Because I'll say it

1583
01:26:17,080 --> 01:26:19,680
Speaker 1: at the top two. It's this weekend, all of Arizona.

1584
01:26:19,720 --> 01:26:22,799
Speaker 1: It's all over Arizona. So just Polly Short in Arizona

1585
01:26:22,880 --> 01:26:25,519
Speaker 1: this weekend. And and do you have like for your dates?

1586
01:26:25,520 --> 01:26:27,760
Speaker 1: And ship is at poly short dot com dot com

1587
01:26:27,840 --> 01:26:31,320
Speaker 1: that's where you put up all your ship the weise

1588
01:26:31,479 --> 01:26:33,439
Speaker 1: and I have to really, I'm gonna run the numbers.

1589
01:26:33,479 --> 01:26:35,320
Speaker 1: I can't guarantee you anything. I'm not promising, but you

1590
01:26:35,479 --> 01:26:39,040
Speaker 1: might be the stick figure guy saying you we have

1591
01:26:39,120 --> 01:26:40,680
Speaker 1: to run the numbers. But you're saying you've been with

1592
01:26:40,800 --> 01:26:43,920
Speaker 1: ten to twenty, so let's say fifteen playmates. And were

1593
01:26:43,920 --> 01:26:46,519
Speaker 1: you just saying that we're more than twenty? It's around,

1594
01:26:46,600 --> 01:26:50,120
Speaker 1: it's probably around, maybe more, but have to run you're

1595
01:26:50,160 --> 01:26:53,479
Speaker 1: talking about like you know, Playboy itself? Are you talking

1596
01:26:53,520 --> 01:26:57,000
Speaker 1: about like you know the Book of Lingerie? You know,

1597
01:26:57,080 --> 01:26:59,040
Speaker 1: because that's playing I think you're going to be in

1598
01:26:59,120 --> 01:27:01,439
Speaker 1: there because is people have been pushing for guys like

1599
01:27:01,600 --> 01:27:04,160
Speaker 1: John Mayer and I'm like just because he and also

1600
01:27:04,240 --> 01:27:06,680
Speaker 1: he's goofy with it. John Mayor's goofy with his with

1601
01:27:06,800 --> 01:27:09,000
Speaker 1: his fuck style, like his fun game is goofy because

1602
01:27:09,360 --> 01:27:11,840
Speaker 1: we don't want like the first rule of being a

1603
01:27:11,920 --> 01:27:13,920
Speaker 1: stickman is you don't talk about being a stick man.

1604
01:27:13,960 --> 01:27:16,280
Speaker 1: That's why DiCaprio is at the pot at the top.

1605
01:27:17,320 --> 01:27:19,559
Speaker 1: I just talked about it that no, but you didn't.

1606
01:27:19,920 --> 01:27:21,439
Speaker 1: You talked about it because it was prompted, and you

1607
01:27:21,520 --> 01:27:23,519
Speaker 1: talked about it because it was asked. And you're talking

1608
01:27:23,560 --> 01:27:25,680
Speaker 1: about it twenty years ago. You're not talking about last week.

1609
01:27:26,640 --> 01:27:29,040
Speaker 1: John Mayor. We don't care that you dated Jennifer Aniston.

1610
01:27:29,800 --> 01:27:32,880
Speaker 1: Like you. The fact that you're bringing it up, I

1611
01:27:33,000 --> 01:27:36,799
Speaker 1: have to You're not in the people have been pushing figure.

1612
01:27:37,800 --> 01:27:40,200
Speaker 1: He's not in our section. Bro, just stick I'm not

1613
01:27:40,320 --> 01:27:42,439
Speaker 1: in there. I'm just I'm just a facilitator of it.

1614
01:27:42,720 --> 01:27:44,599
Speaker 1: I didn't put it down like you, but the Weise

1615
01:27:45,000 --> 01:27:48,400
Speaker 1: put it down. Iron Wrapped por Stereo podcast follow poly

1616
01:27:48,479 --> 01:27:52,280
Speaker 1: Shore all poly Shore All right. I want to thank

1617
01:27:52,360 --> 01:27:57,240
Speaker 1: the Wese poly Shore for breaking it down, keeping it rough,

1618
01:27:57,640 --> 01:28:03,680
Speaker 1: rugged and raw with poly Shaw. Um you can check

1619
01:28:03,800 --> 01:28:07,360
Speaker 1: him out. Um, as I said, you can check him

1620
01:28:07,400 --> 01:28:12,240
Speaker 1: out on his podcast called poly Shore Random Rants, talking

1621
01:28:12,280 --> 01:28:14,880
Speaker 1: a lot of ship. His social media is at poly

1622
01:28:15,080 --> 01:28:18,840
Speaker 1: Shore and he's gonna be performing in Arizona in the

1623
01:28:19,000 --> 01:28:23,280
Speaker 1: state of Arizona this weekend, the eleventh at CB Live

1624
01:28:23,720 --> 01:28:26,880
Speaker 1: and the twelve at CB Live. He's always torn. Check

1625
01:28:26,920 --> 01:28:29,759
Speaker 1: him out. He's funny, He's gotten funnier. He's a dope comedian.

1626
01:28:29,880 --> 01:28:32,800
Speaker 1: I'm actually going to open for him February nine at

1627
01:28:32,840 --> 01:28:36,080
Speaker 1: the ice House in Pasadena. February nine at the ice

1628
01:28:36,120 --> 01:28:39,320
Speaker 1: House at Pasadena. He's a good dude. Follow poly Shore

1629
01:28:39,400 --> 01:28:44,360
Speaker 1: at poly Shore. Check out his podcast, Polly Shore's Random Rants,

1630
01:28:44,720 --> 01:28:47,519
Speaker 1: Miles Jordan's Take us out of here with something real nice,

1631
01:28:47,840 --> 01:29:03,360
Speaker 1: some real proper, something real funny. One five